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Speaker 1: It's the best Bits of the week with Morgan number two.

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Speaker 1: What's up, y'all, it's the best bits Morgan here. This

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Speaker 1: is just the bits you heard best Bits Part one,

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Speaker 1: the scoop of Steve. But this is just the bits

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Speaker 1: where I will intro them and you can hear them

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Speaker 1: back in case you missed them this week, or maybe

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Speaker 1: you just want to listen again, whatever you like, that's

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Speaker 1: what this is here for. So we are diving in.

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Speaker 1: Anna Kendrick came on the show for the first time

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Speaker 1: and she talked about her brand new movie. But she

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Speaker 1: also shared that she doesn't like to watch her own

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Speaker 1: movies in public, and I thought that was super interesting

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Speaker 1: and she just seems like a really awesome person. So

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Speaker 1: here's the interview with Bobby and Anna Kendrick number seven

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Speaker 1: on The Bobby Bones Show. Now, Anna Kendrick, Anna, how

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Speaker 1: Bobby you can see you? How are you hey? Doing

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Speaker 1: pretty good? I have a couple questions for you. When

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Speaker 1: I heard what we're going to talk and I was

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Speaker 1: reading about this movie how and I because this is

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Speaker 1: such a dramatic role, do you have to go in

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Speaker 1: that morning already preparing to be sad or angry or

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Speaker 1: hurt because you know, I come in, I do the

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Speaker 1: show for five hours, and I got to come in

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Speaker 1: with some sort of mindset when you're playing a role

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Speaker 1: like this, is it different? Yeah, I mean it's it's funny.

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Speaker 1: I do think like the idea of coming into work

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Speaker 1: and being like, man, I gotta be sad today is

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Speaker 1: is like a kind of hilarious and perfect way to

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Speaker 1: think about it. But yeah, I think that there were

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Speaker 1: there were some scenes that I was a little bit

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Speaker 1: like you have to ramp yourself into it, you know.

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Speaker 1: It's also it's a weird thing because you are at work,

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Speaker 1: you know, Like I think that there's a myth around

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Speaker 1: film sets as these perfect artistic bubbles, but they are

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Speaker 1: like just an outdoor office at the end of the day.

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Speaker 1: So it's a really bizarre thing to like go to

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Speaker 1: work at the office and you know, be like good morning,

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Speaker 1: good morning, Oh how are you, how is your weekend?

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Speaker 1: And then be like, oh, I have to have a

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Speaker 1: full blown panic attack in like half an hour, and

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Speaker 1: I have to do that all day. So it's definitely

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Speaker 1: a strange thing. But um, I actually I remember Mary

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Speaker 1: the director, at one point, pulling me aside before we

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Speaker 1: started filming and being like, just so you know, if

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Speaker 1: there's ever a moment where you know, things feel like

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Speaker 1: too intense for you and you need to step off

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Speaker 1: set for a while, like just always let me know.

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Speaker 1: And uh. And I was like, oh, that's so sweet.

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Speaker 1: I don't I'm not really that kind of actor where it,

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Speaker 1: you know, kind of gets away from me. But this

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Speaker 1: was probably the closest to that, you know, because this is, um,

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Speaker 1: this film's very personal to me, and so I think

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Speaker 1: that I knew that like living in that and bringing

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Speaker 1: up some of those experiences in my body again would

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Speaker 1: be tricky. It was exciting, and I also felt like

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Speaker 1: the crew was so sensitive to the process because everybody

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Speaker 1: that came to work on the movie kind of came

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Speaker 1: to work on it because they read the script and

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Speaker 1: they had had a similar experience, so they were really understanding.

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Speaker 1: And I felt very held by the crew, if that

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Speaker 1: makes sense, and that that made it a lot easier.

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Speaker 1: You know, when when you feel safe like that, it's

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Speaker 1: a lot easier to kind of like get into that mindset.

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Speaker 1: You know, you don't have to like push for it.

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Speaker 1: It like has permission to come up. Sorry, I'm being

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Speaker 1: very Uh, I'm doing a lot of like actors speak,

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Speaker 1: which I which is annoying, but um, you know that

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Speaker 1: that's how I felt about it. I guess if you're

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Speaker 1: crying in a scene that's very emotional, it could be

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Speaker 1: either Alice Darling or anything else you're doing. If it's

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Speaker 1: very emotional and they go all right, cut, can you

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Speaker 1: just go all right, give me a Canoli and I'll

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Speaker 1: take a mountain dew? Or again, does it take a

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Speaker 1: little bit of time to come out of that because

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Speaker 1: you have dedicated yourself? Oh my god? Well, first of all,

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Speaker 1: I feel like a Canolian a mountain dew is going

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Speaker 1: to be the order for sure. That's so specific? Is that?

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Speaker 1: Is that a combination that you're fond of? Sir? I know,

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Speaker 1: it just was me going, what sounds fun? What sounds

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Speaker 1: the opposite of crying? A Conolian mountain dew? It just

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Speaker 1: came out, Yeah, that, Yeah, that is the opposite of crying.

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Speaker 1: I mean, yeah, I am pretty much like the Conolean

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Speaker 1: the mountain dew or I am now now that I

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Speaker 1: know that specifically, I should order that that's what's coming.

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Speaker 1: But I think it depends on if you're if you're

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Speaker 1: like about to roll into the next one. You know,

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Speaker 1: you might just kind of like keep your head down

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Speaker 1: and stay in the space. But yeah, like once you've

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Speaker 1: moved on from the scene. Also, you're so elated to

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Speaker 1: just be done with it, to be like sort of

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Speaker 1: done being in that space that you do get this

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Speaker 1: like adrenaline afterglow thing. You know that like the hard

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Speaker 1: part of the day is over and now all I

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Speaker 1: have to do is like walk down a hallway. It's yeah,

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Speaker 1: that's the best feeling. You're very polite, although you did

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Speaker 1: call me sir. Do I look like I'm sixty or something?

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Speaker 1: And I just I'm just I'm now I'm self conscious

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Speaker 1: of it. Well because I called you sir, Yeah, like

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Speaker 1: I'm really sixty. Yeah, do I like sixty or something?

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Speaker 1: But oh, I was I was trying to be adorable, sir. Oh,

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Speaker 1: but now I've made your self conscious. I was like, oh, no,

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Speaker 1: you think some old man. Okay, ma'am gotta quite maam. Yeah,

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Speaker 1: you can call me maam. Love it now. I'm a

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Speaker 1: big fan. You're hilarious. You're also able to be extremely

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Speaker 1: emotional when you're a kid and you're learning range, Like,

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Speaker 1: at what age do you start to learn actual emotional range.

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Speaker 1: Do you do it at seven, eight, nine years old

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Speaker 1: or is that something you get to do later in life.

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Speaker 1: As a kid, I was more in tune with like

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Speaker 1: other people's of feelings, So it was like reading people

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Speaker 1: was kind of the move when I was a kid,

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Speaker 1: and uh, but I was definitely good at figuring out

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Speaker 1: like what people kind of wanted, you know, and uh

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Speaker 1: and being like the kind of apple polisher if you will.

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Speaker 1: Uh So, Uh, it is actually been an interesting few

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Speaker 1: years for me because especially after you know, being in

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Speaker 1: this really horrible relationship and uh, you know, things kind

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Speaker 1: of falling apart, it felt like, oh, maybe it's time

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Speaker 1: to sort of investigate what's going on in this direction?

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Speaker 1: The range thing. I don't I don't feel like I'm

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Speaker 1: not really answering your question, but I don't feel like

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Speaker 1: I had like a lot of authentic range when I

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Speaker 1: was like seven or eighte But I definitely knew, like

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Speaker 1: if I was in like a school play or something,

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Speaker 1: I definitely knew what people wanted me to do, and

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Speaker 1: I could sort of like fake it and like getting

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Speaker 1: to a place where it's, uh, you're you're kind of

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Speaker 1: safe enough and comfortable enough to like, oh, God, I'm

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Speaker 1: really trying hard not to use phrases like go to

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Speaker 1: that place because it's such like actor speak. It sounds

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Speaker 1: so horrible and corny. But um, but that's been really again,

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Speaker 1: like challenging but really rewarding. Um. Anna Kendrick is on

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Speaker 1: with us right now. Do you can you when you

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Speaker 1: watch the movie back? First, the quick question is will

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Speaker 1: you watch it all the way back in a theater

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Speaker 1: that's not like a premiere? Will you just go and

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Speaker 1: watch it like out in theater? Yeah, I've ever done that. Um. Yeah,

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Speaker 1: people talk about doing stuff like that. I've never done that.

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Speaker 1: I think I'm in the way that, Like I don't

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Speaker 1: throw myself birthday parties because it's like, oh god, what

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Speaker 1: if nobody shows up? Like the idea of going to

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Speaker 1: a theater where something's playing and being empty is just

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Speaker 1: too heartbreaking. So um, I don't think I've ever done that.

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Speaker 1: But I did watch this movie in like a screening

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Speaker 1: room before it premiered, but I was sort of it

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Speaker 1: was more worky. It was like, you know, making changes

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Speaker 1: to the edit and stuff. But I watching it at

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Speaker 1: the at the premiere at the Toronto Film Festival was

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Speaker 1: was really fun because like hearing the audience fully gasp,

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Speaker 1: like hundreds and hundreds of people just like gasping at

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Speaker 1: these things that are so small and intimate, and you're

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Speaker 1: worried that this is such a small story that it

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Speaker 1: won't evoke enough of an emotional reaction. Was really exciting. Oh,

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Speaker 1: we have sixty seconds. I want to run through it.

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Speaker 1: Just give me a quick answer on these Who is

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Speaker 1: the coolest person who watches your story on Instagram? Oh,

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Speaker 1: my gosh, who follows me on Instagram? Oh? Well, I

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Speaker 1: know that Pete Holmes just followed me on Instagram, so

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Speaker 1: maybe you watch the story. Your favorite movie as a

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Speaker 1: kid as a little kid was hocus Pocus, and then

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Speaker 1: by the time I was twelve, it was The Women,

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Speaker 1: Why the forty seven and Anna Kendrick forty seven because

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Speaker 1: one time somebody called me Ak forty seven and it's

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Speaker 1: a nickname much cooler than I deserve. And the final question,

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Speaker 1: who is an actor that you didn't know before that

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Speaker 1: you worked with and you thought they were so funny

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Speaker 1: that you couldn't get enough of them just being hilarious. Well,

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Speaker 1: I just worked with Tony Hale and everybody already knows

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Speaker 1: he's hilarious. But I would just like to let the

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Speaker 1: world know he's just that funny in person as well.

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Speaker 1: And you're awesome. Thank you. We can't wait to see

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Speaker 1: the movie and I hope it sells so many tickets

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Speaker 1: and I hope the story resonates with so many people.

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Speaker 1: And thank you very much. It's a big fan. Thank

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Speaker 1: you very much, sir, Thank you man. Bye. It's the

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Speaker 1: best Bits of the week with Morgan. Number two, Amy's

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Speaker 1: son has his own radio show, The Stevenson Show, And

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Speaker 1: I should say that lightly. It's not like a full

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Speaker 1: blown radio show, but he likes to record things and

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Speaker 1: Amy brings it in for us to hear, and they

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Speaker 1: are so funny, and this one is no exception. He

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Speaker 1: was sharing hygiene advice and he has a very catchy

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Speaker 1: phrase that he quoted said, I'm not really sure I

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Speaker 1: think it's his own. So basically, if you use this

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Speaker 1: quote moving forward, it is a Stevenson original. And I

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Speaker 1: hope you enjoyed this as much as we did. Number six,

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Speaker 1: Amy's son, Stevenson, now does a mini version of a

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Speaker 1: radio show. It's called The Stevenson Show Stevenson Radio Show. Hi,

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Speaker 1: it's Stevenson Today. We're talking about hygiene and smelling good.

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Speaker 1: Always remember to bush your teeth, take a shower, put

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Speaker 1: your door on, and don't forget to splat on some cologne.

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Speaker 1: One skirt make the Girl flirt Stevenson Radio show, One

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Speaker 1: square makes a Girl flat. That's nice. He got cologne

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Speaker 1: for Christmas, so that was the inspiration behind that episode.

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Speaker 1: And when he got the cologne, that's what he said.

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Speaker 1: One skirt makes a girl flirt. Yeah, that's all him. Wow,

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Speaker 1: it's the best bits of the week with Morgan. Number two.

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Speaker 1: This week was the iconic Dolly Parton's birthday, and for

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Speaker 1: her birthday, in honor of that, we decided to share

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Speaker 1: sometimes she's been on the show and some stories that

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Speaker 1: she shared with us, and all of them are so

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Speaker 1: good and if you haven't heard these, this is my

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Speaker 1: favorite because she talked a lot about how she wrote

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Speaker 1: two of her hit songs on one day, how she

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Speaker 1: didn't know what was going to happen with I Will

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Speaker 1: Always Love You, and just there's a lot of cool

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Speaker 1: stuff about Dolly partnering here that you may have missed

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Speaker 1: before when she was on over the course of like

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Speaker 1: the last I don't know seven years. So here's the

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Speaker 1: interviews with Dolly Parton, but more importantly, we are celebrating

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Speaker 1: the queen. It's basically Dolly parton birthday month. So here

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Speaker 1: it is Happy Birthday again Dolly Parton number five, Dolly

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Speaker 1: Parton's birthday today. Dolly is timeless. I don't think I

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Speaker 1: would know how old she was unless it was in

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Speaker 1: front of me, because she seems fifty and ninety at

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Speaker 1: the same time. Yeah, like, she seems like she's been

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Speaker 1: around forever, but she also has the spunk still that

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Speaker 1: I'm like, maybe I'm guessing too old. How old do

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Speaker 1: you think Dolly is? Amy? Oh, man, I know timeless.

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Speaker 1: Dolly's timeless, right, So I'll go with eighty Eddie seventy

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Speaker 1: five lunchbox. I talked about this my wife the other nine,

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Speaker 1: and I said, seventy three. She has to be seventy

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Speaker 1: three years old. She's seventy seven. Oh oh, Happy birthday,

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Speaker 1: Dolly Parton. Dolly Rebecca Parton was born in January nineteenth,

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Speaker 1: nineteen forty six, and a one room cabin on the

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Speaker 1: banks of the Little Pigeon River in Pittman Center, Tennessee.

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Speaker 1: What do you think Dolly's number one streaming song is

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Speaker 1: of all time? Amy I Will Always Love You. That

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Speaker 1: comes in at number four from nineteen seventy four. I

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Speaker 1: Will Always Love You, a song she wrote recorded, did

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Speaker 1: not know Whitney had recorded it really until she was

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Speaker 1: driving in her car and heard it come on the radio. Awesome.

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Speaker 1: She told us that story here on this show Lunchbox.

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Speaker 1: Dolly's biggest most streaming song. There's only two options here

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Speaker 1: and the number one song is Islands in the Stream.

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Speaker 1: Islands in the Stream Number three nineteen eighty two with

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Speaker 1: Kenny Rogers also was a pop song, Pick the Wrong

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Speaker 1: It was so big, Eddie. There are two songs still, Yeah,

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Speaker 1: Dolly's birthday. What is her biggest streaming song? Bones? I

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Speaker 1: believe it's going to be Let's go Joelene Number two

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Speaker 1: joel That's crazy you guys did that nineteen seventy four.

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Speaker 1: Joelene her number one streaming song forever all time nineteen

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Speaker 1: eighty nine to five. The one on Top five we

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Speaker 1: didn't get to is here You Come Again. Come. So

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Speaker 1: here are some things we learned about Dolly over the

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Speaker 1: years and our interviews with her or Top five. Here

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Speaker 1: at number five, we talked to Dolly and she revealed

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Speaker 1: to us what she requires on her tour bus. Here

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Speaker 1: you go. They usually just I just need water or

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Speaker 1: like fruit, like a fruit plate, like cheese and fruit.

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Speaker 1: But that's more for people that come in and out.

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Speaker 1: For myself, I just have mostly what I want on

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Speaker 1: my bus anyway. At number four, Dolly told us she

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Speaker 1: will write songs everywhere, and sometimes they'll come to her

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Speaker 1: in a dream. If I'm taking a bath, I always

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Speaker 1: got either a little tape recorder or something where none

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Speaker 1: wonder if we get that lie, And I'll sometimes dream

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Speaker 1: song really wake up and say, you better write it down,

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Speaker 1: because I used to think i'd remember, but you don't,

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Speaker 1: so it's best to do, you know, to write it. Then.

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Speaker 1: Number three, Dolly told us she doesn't like to fly.

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Speaker 1: If it's absolutely possible, she travels by bus. I don't

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Speaker 1: like to fly. I get motion sickness. I don't like

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Speaker 1: that helpless feeling that I can't get out if I

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Speaker 1: want to. I traveled by my bus when I can,

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Speaker 1: and when I do fly, will usually fly private jet.

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Speaker 1: It's really hard doing commercial anymore, just of course it's

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Speaker 1: so such a zoo. I just take my bus any

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Speaker 1: time I can. Dolly talked about writing Joelene and I

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Speaker 1: Will Always Love You on the same exact day in

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Speaker 1: nineteen seventy two. I think I wrote it at the

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Speaker 1: same time I wrote Joline. It was a good writing day, Yeah,

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Speaker 1: I believe. So it was writing that writing period of

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Speaker 1: time because I remember all my paperwork and like they

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Speaker 1: came out pretty close, you know, at the same time.

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Speaker 1: So everybody said, boy, you what was you taking? That

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Speaker 1: was a good That was a good writing day. And

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Speaker 1: this was what I was talking about earlier. So Dolly was,

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Speaker 1: you know, super popular with I'll Always Love You from

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Speaker 1: nineteen seventy four, and they had reached out and said, hey,

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Speaker 1: coquin Us, I Will Always love you for the movie

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Speaker 1: The Bodyguard, and she goes yes, but they shared nothing

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Speaker 1: about it. That was just it. She just said yes

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Speaker 1: and away they went, and then boom. So I sent

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Speaker 1: it and I hadn't heard anything more about it until

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Speaker 1: I heard it. Going driving from my office to my

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Speaker 1: house in Brentwood. I just heard Whitney saying if I

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Speaker 1: didn't the acapella part, and it was just it wasn't ringing,

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Speaker 1: traffic was weird. And it was only when she went

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Speaker 1: into the course of it that I always lovely that

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Speaker 1: I realized what I was listening to, and it was

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Speaker 1: so overwhelming I almost rent And I have to honestly

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Speaker 1: say that it's one of the biggest thrills and one

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Speaker 1: of the most overwhelming feelings I've ever had about anything

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Speaker 1: in my life. So cool. It's so cool that Dolly

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Speaker 1: comes in about once a year and we just get

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Speaker 1: to sit down and do this, and every year we

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Speaker 1: celebrated birthday by talking about the coolest things about her.

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Speaker 1: But she it's like her. I can list them on

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Speaker 1: one hand, basically Reba Garth, maybe just those three where

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Speaker 1: you meet them and you go, oh, I can't describe it,

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Speaker 1: but it makes sense. They're massive superstars. Yeah, obviously have

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Speaker 1: to be talented, but it's how they communicate. It's how

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Speaker 1: warm they are, it's how approachable they are while still

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Speaker 1: being a superstar. And Dolly's the best. It's awesome. It's

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Speaker 1: been super cool to get to know Dolly over the years.

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Speaker 1: Happy Birthday, Dolly seventy seven. Today it's the best Bits

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Speaker 1: of the week with Morgan number two. It finally happened.

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Speaker 1: Lunchbox got his roof repaired, and I know that his

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Speaker 1: wife and his kids are so excited that they have

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Speaker 1: their normal house and they're normal heating back again, so

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Speaker 1: this is very exciting. Lunchbox shared the news. He kind

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Speaker 1: of dropped the bomb on us, like, I don't know

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Speaker 1: where does oh? By the way, so here he has

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Speaker 1: given us an update on the roof number four. This

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Speaker 1: is from Javier in Austin, Texas. I just wanted to

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Speaker 1: see eighty updates on lunchboxes claim roof situation. Also, I

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Speaker 1: wanted to say that Lunchbox is the Bend Stiller of

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Speaker 1: iHeart Radio and I love his cringe moments. I can't

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Speaker 1: stop watching him. Thank you. All I do is when

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Speaker 1: he loves you. He loves to cringe. Great call. Yeah,

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Speaker 1: and I cringe too, but it's in the best way.

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Speaker 1: Like I think it's a positive cringe. People. A lot

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Speaker 1: of people attack you. I like people love you. It's

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Speaker 1: you're very polarizing, but what you do is awesome for

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Speaker 1: the show, right everybody. Yeah, And as much as we fight,

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Speaker 1: if we actually didn't like if a Letchbox and Eddie

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Speaker 1: didn't actually like each other, neither one of them would

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Speaker 1: be or one. I would kill one of them or

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Speaker 1: fire one of them because we can't keep that. But

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Speaker 1: it would be Eddie because I've been absolutely well, yeah

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Speaker 1: I'm more important, Okay, you sure, But so it's all

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Speaker 1: even when we fight, it's all like genuine like friendship,

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Speaker 1: and we do not get along sometimes, even Eddie, I

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Speaker 1: don't even Amy and I I don't get long sometimes. So

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Speaker 1: everybody that's like, man, what do you keep him on

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Speaker 1: the show? I hate him. I get it. But he

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Speaker 1: actually fills that role pretty good. I mean he creates

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Speaker 1: the role. It's the cringe role. What do you want

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Speaker 1: to say to that crunchy I'd like to say that

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Speaker 1: my roof is fixed? It is, yeah, all the way

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Speaker 1: breaking news. Yeah we didn't know this well. I mean

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Speaker 1: I told you I had a yeah, but he didn't

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Speaker 1: tell this was done well over the over the break

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Speaker 1: go ahead. So I brought roofers out. I brought three

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Speaker 1: or four roofers out, got different estimates because Amy always says,

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Speaker 1: don't go with the first one, and they fixed my roof.

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Speaker 1: She hadn't say don't go with the first one. She says,

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Speaker 1: don't only listen to one, like get a second, go

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Speaker 1: with the first one. Oh my god. Okay, Well I

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Speaker 1: had three or four come out, got some estiments, and

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Speaker 1: boom picked one and it took about two weeks. But

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Speaker 1: no holes in the roof. They're shingles on the roof.

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Speaker 1: And let me tell you, it's kind of toasty in

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Speaker 1: my house now because the heat actually works. Yeah. So

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Speaker 1: which one did you go with? One? Two, three or four?

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Speaker 1: I was number two? So did number two give a

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Speaker 1: better deal than number one? Or did it? Does not

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Speaker 1: go with number one? No? Number two just was cheaper

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Speaker 1: and do better job. I don't know if they're doing

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Speaker 1: it better. How would I know when because I didn't

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Speaker 1: have number one to do a job. They were like,

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Speaker 1: it doesn't matter, thank you. I'm glad their quote was cheaper.

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Speaker 1: So guess what I didn't have to spend all the

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Speaker 1: insurance money? Oh boy, hey, I don't. Let's just say, hey,

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Speaker 1: thank a little two k in my pocket. Two ko, okay,

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Speaker 1: I have nothing to do with this. It's the best

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Speaker 1: bits of the week with Morgan number two. You all

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Speaker 1: love hearing about the kids of the show members, and

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Speaker 1: it's really fun on this one because Eddie shared a

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Speaker 1: story about a basketball hoop getting broken at his house,

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Speaker 1: and Amy also shared a story about her kids fighting

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Speaker 1: over food. So a lot of parents stories and a

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Speaker 1: lot of things going on in the households. And if

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Speaker 1: you listen to the Best Bits part one, you just

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Speaker 1: heard how Scuba Steve has a new kid. They welcomed

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Speaker 1: a brand new baby girl in New Year's e Newyar's

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Speaker 1: Day around that timeframe. But you can hear all those

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Speaker 1: details on there if you want to check that out

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Speaker 1: as well. But for right now, this is Eddie and

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Speaker 1: Amy sharing some kids stories. Number three. Let's start with

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Speaker 1: Eddie the dad. He's got four kids. He's always bringing

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Speaker 1: a story of being a dad of four boys, which

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Speaker 1: is there's five men, five boys, one woman. It's terrible.

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Speaker 1: I'll be terrible for her for sure, Eddie. What's your

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Speaker 1: latest story, guys, I need your help is a bad one.

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Speaker 1: So our neighborhood, we have about ten kids in there,

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Speaker 1: and and they sometimes we go to other people's houses.

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Speaker 1: Sometimes they come to our house as well. I look

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Speaker 1: in my backyard. There's ten kids back there, the whole

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Speaker 1: neighborhoods back there. And we have a little basketball hoop

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Speaker 1: and one of the kids I see goes for a

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Speaker 1: slam dunk. He pulls the whole thing. The hoops snaps

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Speaker 1: like from the base snaps, and they're all like O,

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Speaker 1: I walk up there and like what happened? And they're like, oh,

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Speaker 1: so and so broke the basketball hoop and he goes, sir, sir,

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Speaker 1: I'm so sorry. I'm so sorry. I will give you

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Speaker 1: five dollars, fifty dollars. I have fifty dollars in my

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Speaker 1: wall right now. Just don't tell my parents, please, And

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Speaker 1: I'm like scratching my head. What do I do? So, okay,

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Speaker 1: you can't either take the money, you can tell the parents.

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Speaker 1: You can do nothing, but then you're out of basketball hoop?

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Speaker 1: How old would you say? This boy is just a rando? Yes,

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Speaker 1: estimate the gu estimation, and I would say he's ten,

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Speaker 1: maybe eleven? So what do you you didn't you haven't done.

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Speaker 1: He hadn't made your mind up yet. No, I just said,

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Speaker 1: everyone out, everyone out, get out of my backyard, lunch box,

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Speaker 1: what would you do? I take that money and say

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Speaker 1: you gotta be a little jitler on the goal and

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Speaker 1: this is a learning lesson, learning lesson, and don't tell

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Speaker 1: your parents. I'm gonna go do you first say that first?

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Speaker 1: We'll go right to that as a good answer, lunch box,

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Speaker 1: Oh no, do you take the money? Listen, the kid

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Speaker 1: has to learn. When you break something, you break it,

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Speaker 1: you buy it. You go to an antique store, you

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Speaker 1: break it, you bright buy it. They have signs all over.

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Speaker 1: And so he came into your house, he broke your antique,

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Speaker 1: he pays for it. So you want to take money

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Speaker 1: from a ten year old, and that's cool. Hey, a

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Speaker 1: ten year old wants a toy, they gotta pay for it, right,

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Speaker 1: You called the parent and say, hey, I'm gonna take

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Speaker 1: the money from the ten year old. No, you just

423
00:21:50,040 --> 00:21:52,400
Speaker 1: don't tell the parents. That's what he said. Don't tell

424
00:21:52,480 --> 00:21:54,360
Speaker 1: my parents. Yeah that you don't want to get him

425
00:21:54,359 --> 00:21:56,240
Speaker 1: in trouble. It's just weird if he ends up telling

426
00:21:56,240 --> 00:21:58,720
Speaker 1: his head. Yeah, mister Eddie took fifty dollars from me,

427
00:21:59,000 --> 00:22:00,719
Speaker 1: and then they'll come knock on your doorback, why did

428
00:22:00,760 --> 00:22:04,320
Speaker 1: you take my son's money? Well, he broke my basketball goal. Sorry, Amy, No,

429
00:22:04,440 --> 00:22:07,400
Speaker 1: I'm not taking the money at all. I'm either just

430
00:22:07,840 --> 00:22:10,280
Speaker 1: taking it on as my responsibility because it's my goal

431
00:22:10,320 --> 00:22:12,320
Speaker 1: and I had kids over playing. But did you have

432
00:22:12,400 --> 00:22:14,480
Speaker 1: kids over playing, Well, they would just made their way

433
00:22:14,520 --> 00:22:17,159
Speaker 1: back there. That's my point. They came over to his

434
00:22:17,240 --> 00:22:22,600
Speaker 1: yard and didn't broke it. Okay, Oh, well true, Okay,

435
00:22:22,720 --> 00:22:27,800
Speaker 1: well I'm probably still just gonna take the pitch. What

436
00:22:27,840 --> 00:22:30,960
Speaker 1: was this hard? I guess I didn't end up talking

437
00:22:30,960 --> 00:22:33,640
Speaker 1: to the parents, but also not to make them pay

438
00:22:33,720 --> 00:22:35,600
Speaker 1: for it. But hey, if your kids talk to your

439
00:22:35,640 --> 00:22:37,960
Speaker 1: kids about just asking before they come over and play

440
00:22:38,000 --> 00:22:41,440
Speaker 1: with stuff. So no money, yeah, no money, No money,

441
00:22:41,680 --> 00:22:44,440
Speaker 1: especially from a kid. I don't wonder you could always

442
00:22:44,440 --> 00:22:45,679
Speaker 1: call the parent and trying to get the money. No,

443
00:22:46,040 --> 00:22:48,199
Speaker 1: I don't even want to do that. That's what my

444
00:22:48,240 --> 00:22:51,680
Speaker 1: wife wants to do. Oh oh, that's her option. Her options, like,

445
00:22:51,720 --> 00:22:53,360
Speaker 1: I want to talk to the parents and ask them

446
00:22:53,400 --> 00:22:55,920
Speaker 1: to pay for the goal. You can't just take money

447
00:22:55,920 --> 00:22:57,600
Speaker 1: from a kid. I think that is a general rule.

448
00:22:57,720 --> 00:23:00,000
Speaker 1: You can't. You can't say no to that one. Yeah,

449
00:22:59,840 --> 00:23:02,800
Speaker 1: you have to. And I don't know that you call

450
00:23:02,920 --> 00:23:06,119
Speaker 1: the parents because they didn't do anything illegal and they

451
00:23:06,160 --> 00:23:07,600
Speaker 1: were just your kids probably said come over it like

452
00:23:07,640 --> 00:23:11,200
Speaker 1: your kids are an extension of you. Yes, I'm responsible

453
00:23:11,240 --> 00:23:14,360
Speaker 1: for them and their actions. I think you have to

454
00:23:14,760 --> 00:23:17,160
Speaker 1: just be responsible for the broken goal, but you can

455
00:23:17,200 --> 00:23:20,200
Speaker 1: also make your kids responsible because they didn't invite kids

456
00:23:20,200 --> 00:23:22,280
Speaker 1: over without permission and go, well, the goals broken. And

457
00:23:22,320 --> 00:23:24,439
Speaker 1: if you guys want another one. You're gonna need to

458
00:23:24,480 --> 00:23:26,720
Speaker 1: do X, Y and Z to raise make the money

459
00:23:27,080 --> 00:23:28,880
Speaker 1: to get a goal back. I think I go knock

460
00:23:28,880 --> 00:23:30,840
Speaker 1: on that kid. Take that fifty dollars in the kid.

461
00:23:30,880 --> 00:23:32,560
Speaker 1: That's how you earn it. Now, the learning lesson is

462
00:23:32,600 --> 00:23:35,480
Speaker 1: with your kids, not the kid who broke it. Okay,

463
00:23:35,840 --> 00:23:38,760
Speaker 1: but I wouldn't buy him another goal until they do

464
00:23:38,960 --> 00:23:41,600
Speaker 1: enough work to make up the money for that goal.

465
00:23:41,680 --> 00:23:43,520
Speaker 1: So let's say I had these kids over to friend's

466
00:23:43,560 --> 00:23:46,880
Speaker 1: house and breaks the window. No money, the other kid

467
00:23:46,880 --> 00:23:49,200
Speaker 1: has to pay for it. I would say that's a

468
00:23:49,200 --> 00:23:51,639
Speaker 1: little different because the kid was playing basketball. He just

469
00:23:51,680 --> 00:23:54,520
Speaker 1: dunked it hard, which is a basketball move. Yes, it's

470
00:23:54,520 --> 00:23:56,840
Speaker 1: a dunk. People do that, Yes, And a window is

471
00:23:56,840 --> 00:24:00,200
Speaker 1: a complete either accident or being irresponsible. This feels like

472
00:24:00,240 --> 00:24:04,679
Speaker 1: it was just hard basketball, So difference. But even then,

473
00:24:04,720 --> 00:24:06,960
Speaker 1: I don't know that. But this situation only you don't

474
00:24:07,000 --> 00:24:08,159
Speaker 1: take the money from a kid because all of a

475
00:24:08,160 --> 00:24:09,760
Speaker 1: sudden you're the guy that took the money from the kid. Well,

476
00:24:09,800 --> 00:24:11,840
Speaker 1: I didn't take the money from the kids, so I

477
00:24:11,880 --> 00:24:13,399
Speaker 1: think that's too late for that. What am I gonna do?

478
00:24:13,400 --> 00:24:15,159
Speaker 1: Go find them down the street. We'll like, hey, come over, here,

479
00:24:15,160 --> 00:24:18,720
Speaker 1: where's my fifty bucks? Right? Look, that's real bad. Up

480
00:24:18,760 --> 00:24:20,400
Speaker 1: pull up in the car and be like, hey, kick,

481
00:24:20,400 --> 00:24:24,480
Speaker 1: come over here, holdsome candy out the door. They're like, hey, kid,

482
00:24:24,520 --> 00:24:27,320
Speaker 1: come here, I candy for you fifty No, So I

483
00:24:27,359 --> 00:24:29,840
Speaker 1: don't think you tell the parents they were invited over

484
00:24:29,880 --> 00:24:32,199
Speaker 1: by your kids. Okay. I think it's your kids who

485
00:24:32,240 --> 00:24:33,560
Speaker 1: are the ones who have to suffer for this and

486
00:24:33,600 --> 00:24:35,480
Speaker 1: if they want a new goal, they have to raise

487
00:24:35,560 --> 00:24:37,439
Speaker 1: the fifty bucks. How much it really costs? Oh, it's

488
00:24:37,440 --> 00:24:41,200
Speaker 1: probably about two hundred dollars. Yeah, it's maybe one hundred

489
00:24:41,200 --> 00:24:44,040
Speaker 1: and fifty. I have to price it. Oh yeah, that stinks. Okay, well,

490
00:24:44,080 --> 00:24:45,679
Speaker 1: I'm sorry that happened to you. Don't take anything from

491
00:24:45,680 --> 00:24:53,760
Speaker 1: a kid. Yeah, don't do that, Eddie the dad Amy,

492
00:24:53,760 --> 00:24:55,920
Speaker 1: you have two kids. What's happening with your kids? Well,

493
00:24:55,920 --> 00:24:59,679
Speaker 1: now we're labeling food like they own this fridge and

494
00:24:59,720 --> 00:25:02,040
Speaker 1: the their college roommates or they have they put their

495
00:25:02,080 --> 00:25:04,120
Speaker 1: name on their own special foods. Right, but do they

496
00:25:04,119 --> 00:25:07,600
Speaker 1: buy the food? No? I buy the food. But it's

497
00:25:07,600 --> 00:25:11,359
Speaker 1: like now they're territorial over who technically likes the food more,

498
00:25:11,600 --> 00:25:14,120
Speaker 1: and so it runs out faster if the other one

499
00:25:14,520 --> 00:25:17,960
Speaker 1: indulges in it. I mean, so we're starting to label

500
00:25:18,000 --> 00:25:21,560
Speaker 1: food and I started that between those two. Well, I

501
00:25:21,600 --> 00:25:25,680
Speaker 1: think it all started with milk, different types of milk.

502
00:25:25,960 --> 00:25:27,960
Speaker 1: But who was the kid who came up with that

503
00:25:28,040 --> 00:25:32,719
Speaker 1: idea first? Oh, Stashira because he Stevenson drinks too much

504
00:25:32,720 --> 00:25:36,880
Speaker 1: of her milk. Yeah, well yeah, it's it all. Yes,

505
00:25:36,960 --> 00:25:40,040
Speaker 1: it started with milk, but it moved to other categories

506
00:25:40,080 --> 00:25:43,760
Speaker 1: like nutella. So stuff in the pantry is also affective.

507
00:25:43,760 --> 00:25:45,400
Speaker 1: Do you open the door and just say, Steve, you're

508
00:25:45,400 --> 00:25:48,119
Speaker 1: on everything? And then so Shiara has also started to

509
00:25:48,160 --> 00:25:50,480
Speaker 1: just move food to her room because you know, hilarious.

510
00:25:50,560 --> 00:25:53,639
Speaker 1: I got her a mini fridge and well she got

511
00:25:53,680 --> 00:25:55,800
Speaker 1: it one for her birthday, you know, a year or

512
00:25:55,840 --> 00:25:58,080
Speaker 1: two ago. And so now she's starting to store things

513
00:25:58,080 --> 00:26:00,760
Speaker 1: in there. And what are you doing this situation? How

514
00:26:00,880 --> 00:26:03,400
Speaker 1: how do you as a mom? I remove the labels

515
00:26:03,400 --> 00:26:05,480
Speaker 1: and say, hey, no, and where's all the grapes I

516
00:26:05,520 --> 00:26:08,480
Speaker 1: just bought? Like they're up stairs? So I mean, because

517
00:26:08,520 --> 00:26:11,520
Speaker 1: I'm eating this stuff too, So I just set the

518
00:26:11,520 --> 00:26:14,359
Speaker 1: record straight of like who's really buying this stuff? And

519
00:26:14,359 --> 00:26:16,720
Speaker 1: we can all share and guess what if we run out,

520
00:26:16,920 --> 00:26:19,320
Speaker 1: we put it on the grocery list for next week

521
00:26:19,560 --> 00:26:22,600
Speaker 1: and be grateful for that. Yeah, and if they want

522
00:26:22,640 --> 00:26:25,280
Speaker 1: to buy stuff themselves, it's a different story. I think

523
00:26:25,320 --> 00:26:27,360
Speaker 1: you can label if they spend their own money. Yeah,

524
00:26:27,400 --> 00:26:28,920
Speaker 1: Like sometimes I make them from their own money on

525
00:26:28,960 --> 00:26:32,600
Speaker 1: talkie and Fanta. That's their talkie and Phanta then, right,

526
00:26:32,600 --> 00:26:33,840
Speaker 1: And I think that's a good lesson. But then they

527
00:26:33,840 --> 00:26:36,120
Speaker 1: still have to ask permission to eat it. Yeah, they

528
00:26:36,119 --> 00:26:38,640
Speaker 1: buy it, then ask permission so they because listen, they'll

529
00:26:38,680 --> 00:26:43,879
Speaker 1: no'll eat it is well because they get stomach aches

530
00:26:43,960 --> 00:26:46,159
Speaker 1: from it. And then but then they'll eat it and

531
00:26:46,200 --> 00:26:48,399
Speaker 1: they'll now they know what they're doing. They're like, it's okay,

532
00:26:48,640 --> 00:26:50,879
Speaker 1: I have time tomorrow to pay for it, Like I

533
00:26:50,960 --> 00:26:52,520
Speaker 1: need that. I do that with my wife and I'm like,

534
00:26:52,520 --> 00:26:54,120
Speaker 1: it's okay, I can eat the candy. IBB. I don't

535
00:26:54,160 --> 00:26:56,120
Speaker 1: have to work tomorrow. Yes, Saturday, I do that crap

536
00:26:56,160 --> 00:26:58,720
Speaker 1: all the time. Yes, Like actually I have a half

537
00:26:58,800 --> 00:27:00,520
Speaker 1: day at school. We're good. She's like, you know you're

538
00:27:00,520 --> 00:27:02,080
Speaker 1: gonna get sick from eating, my wife. You know you're

539
00:27:02,080 --> 00:27:04,040
Speaker 1: gonna get sick because you're eating all this. And it's like, yeah,

540
00:27:04,040 --> 00:27:06,560
Speaker 1: I don't have to work tomorrow. She's like, is that

541
00:27:06,640 --> 00:27:08,880
Speaker 1: seriously your answer? I'm like, yeah, if I'm in pain,

542
00:27:08,920 --> 00:27:13,119
Speaker 1: I'll just lay in the bed. Yeah, I felt them. Okay,

543
00:27:13,200 --> 00:27:16,840
Speaker 1: I like it though, I like that she is no, okay,

544
00:27:16,880 --> 00:27:20,440
Speaker 1: never mind, I hate it. I hate it. Okay. Well,

545
00:27:20,480 --> 00:27:23,000
Speaker 1: thank you guys for your parenting story. I appreciate that.

546
00:27:23,640 --> 00:27:27,400
Speaker 1: It's the best bits of the week with Morgan. Number two,

547
00:27:28,560 --> 00:27:30,119
Speaker 1: Old Dominion was on the show this week, and I

548
00:27:30,160 --> 00:27:32,800
Speaker 1: always love when they stopped by because they're such great guys,

549
00:27:32,800 --> 00:27:35,080
Speaker 1: and on top of that, they always kill it whenever

550
00:27:35,119 --> 00:27:37,400
Speaker 1: they performed. Not only did they perform their new song,

551
00:27:37,480 --> 00:27:40,359
Speaker 1: memory Lane, but they also performed their first hit and

552
00:27:40,480 --> 00:27:43,399
Speaker 1: their latest hit, and they performed a song that one

553
00:27:43,440 --> 00:27:45,080
Speaker 1: of them co wrote. Because I don't know if y'all

554
00:27:45,119 --> 00:27:48,120
Speaker 1: knew this, but Old Dominion they're all basically bomb songwriters

555
00:27:48,160 --> 00:27:51,240
Speaker 1: for themselves, for the band, and for other people in Nashville.

556
00:27:51,280 --> 00:27:53,439
Speaker 1: So this was a really cool interview for a lot

557
00:27:53,480 --> 00:27:56,080
Speaker 1: of reasons. But more importantly, the performances, which are all

558
00:27:56,200 --> 00:27:58,960
Speaker 1: up on YouTube Bobby Bone Show, you can go watch him,

559
00:27:59,000 --> 00:28:01,199
Speaker 1: because I don't believe we can put them on here,

560
00:28:01,200 --> 00:28:02,680
Speaker 1: So I'm not going to tease him for on here.

561
00:28:02,880 --> 00:28:04,600
Speaker 1: But you can go watching Bobby Bones dot com or

562
00:28:04,640 --> 00:28:07,240
Speaker 1: YouTube and they're all up there for you to enjoy.

563
00:28:07,440 --> 00:28:09,119
Speaker 1: I promise I'll keep them up there as long as

564
00:28:09,119 --> 00:28:13,200
Speaker 1: I can. Number two on the Bobby Bones Show. Now,

565
00:28:14,400 --> 00:28:17,680
Speaker 1: What's Fellow is going to see you guys again as always,

566
00:28:17,920 --> 00:28:20,600
Speaker 1: you know, massive fan of your music, like most of

567
00:28:20,600 --> 00:28:22,000
Speaker 1: you as people. So it's pretty cool to have you

568
00:28:23,040 --> 00:28:25,200
Speaker 1: who don't you like? That's that's that's a whole different

569
00:28:25,200 --> 00:28:29,040
Speaker 1: segment there. I'll tell you guys later. Um, let me

570
00:28:29,040 --> 00:28:32,879
Speaker 1: ask you this question, Matthew, there's five of you and I.

571
00:28:33,119 --> 00:28:36,320
Speaker 1: It's hard for us to get together when it's not

572
00:28:36,440 --> 00:28:40,200
Speaker 1: predetermined by like a month. Sure, if it's ever like, okay, well,

573
00:28:40,240 --> 00:28:42,920
Speaker 1: it's difficult. How do you get everybody together? If it's like, guys,

574
00:28:42,920 --> 00:28:44,720
Speaker 1: we need to get together and do this with five schedules?

575
00:28:44,760 --> 00:28:46,760
Speaker 1: You're all really good at other things as well as

576
00:28:46,760 --> 00:28:49,479
Speaker 1: being an old dominion? Is that difficult? It can be

577
00:28:49,480 --> 00:28:53,360
Speaker 1: difficult most of the time. It's a text thread, I think, yeah, everybody,

578
00:28:53,560 --> 00:28:56,680
Speaker 1: do you have a text thread that is just you

579
00:28:56,840 --> 00:29:00,520
Speaker 1: five with nobody else? It's actually called just the five

580
00:29:00,560 --> 00:29:02,920
Speaker 1: of us? Really? Yeah? Is there a text ide of

581
00:29:02,960 --> 00:29:06,000
Speaker 1: just a four without Jeff maybe and it's like probably

582
00:29:06,480 --> 00:29:12,560
Speaker 1: he doesn't before Yes, yea, every permutation talk about Yeah,

583
00:29:12,600 --> 00:29:16,120
Speaker 1: you gotta be careful on that to switch threats. Well,

584
00:29:16,160 --> 00:29:19,520
Speaker 1: there is a text thread of the entire show without me, yea.

585
00:29:20,360 --> 00:29:23,440
Speaker 1: And I encourage it because I think they can get

586
00:29:23,640 --> 00:29:27,120
Speaker 1: you know, they can share frustrations. Um, you know, I

587
00:29:27,160 --> 00:29:29,120
Speaker 1: have a spy in there. There's a lot of things.

588
00:29:31,880 --> 00:29:33,400
Speaker 1: So but they do have a text or they talk

589
00:29:33,400 --> 00:29:34,840
Speaker 1: about stuff all the time without me in it, and

590
00:29:34,920 --> 00:29:37,360
Speaker 1: I'm cool with that. Is there a four person one

591
00:29:37,600 --> 00:29:39,280
Speaker 1: with one of you not in it that any of

592
00:29:39,360 --> 00:29:42,040
Speaker 1: you know about. No, I'm surprised that there hasn't been

593
00:29:42,080 --> 00:29:48,720
Speaker 1: like a miss uh miss fire. Yeahs is a lot,

594
00:29:48,960 --> 00:29:52,280
Speaker 1: says a lot. Yeah, but yeah, you know you gotta

595
00:29:52,360 --> 00:29:54,760
Speaker 1: you gotta complain about somebody at some point. Well, you

596
00:29:54,760 --> 00:29:57,800
Speaker 1: guys do in the text thread any sort of creative

597
00:29:57,880 --> 00:30:00,120
Speaker 1: like song ideas, will you throw that there as for

598
00:30:00,160 --> 00:30:03,000
Speaker 1: a different place. No, there's never really song. It's always

599
00:30:03,040 --> 00:30:06,320
Speaker 1: the dumbest, most juvenile jokes that you can possibly think of.

600
00:30:07,120 --> 00:30:12,360
Speaker 1: Not naked parts ever do that so good? Never happened

601
00:30:15,040 --> 00:30:20,480
Speaker 1: had this before? Okay, all dominions here, and we have

602
00:30:20,480 --> 00:30:22,840
Speaker 1: a lot to do today, and so if it's cool

603
00:30:22,880 --> 00:30:25,280
Speaker 1: with you guys, I know the new song came out.

604
00:30:25,320 --> 00:30:27,520
Speaker 1: It's great, I love it, Thank you if you wouldn't mind?

605
00:30:27,640 --> 00:30:30,800
Speaker 1: Can you perform that? Are you guys accustomed to playing this?

606
00:30:30,960 --> 00:30:32,600
Speaker 1: We could find out when you walked in was the

607
00:30:32,640 --> 00:30:34,360
Speaker 1: first time? Yeah, this was the second time I've ever

608
00:30:34,640 --> 00:30:37,880
Speaker 1: played in this form. Yea. All I know is that

609
00:30:37,920 --> 00:30:41,240
Speaker 1: when I walked in, Brad was like, shut up, don't

610
00:30:41,280 --> 00:30:44,920
Speaker 1: play that stud not come in. Then I was like, WHOA,

611
00:30:45,080 --> 00:30:52,920
Speaker 1: welcome to being an old demand was so aggressive world

612
00:30:53,440 --> 00:30:55,680
Speaker 1: with Memory Lane, I don't know who has the concept

613
00:30:55,760 --> 00:30:57,239
Speaker 1: written in their phone as a note or does it

614
00:30:57,280 --> 00:30:59,160
Speaker 1: come up as you're just hanging out for the first

615
00:30:59,200 --> 00:31:01,840
Speaker 1: forty five minutes that that one happened to be uh

616
00:31:01,920 --> 00:31:04,240
Speaker 1: in Jesse Joe's phone. I think she had that title

617
00:31:04,320 --> 00:31:06,080
Speaker 1: and he had this little We showed up and he

618
00:31:06,120 --> 00:31:11,600
Speaker 1: was already playing this guitar part, but he had this

619
00:31:11,680 --> 00:31:15,000
Speaker 1: beat going and we knew we were really in love

620
00:31:15,040 --> 00:31:17,400
Speaker 1: with that feel. And then she threw out that title

621
00:31:17,520 --> 00:31:20,960
Speaker 1: and with no kind of direction, and one of us said,

622
00:31:21,040 --> 00:31:22,920
Speaker 1: you know, if I could buy a house on Memory Lane,

623
00:31:22,920 --> 00:31:25,960
Speaker 1: and that immediately sparked everyone everyone got super excited and

624
00:31:25,960 --> 00:31:29,000
Speaker 1: then we just were, you know, following that idea wherever

625
00:31:29,080 --> 00:31:30,920
Speaker 1: we went and just wound up at the end of

626
00:31:30,920 --> 00:31:32,640
Speaker 1: the road. You know. It was it was truly like

627
00:31:32,680 --> 00:31:34,800
Speaker 1: a journey to write it. Is there an unspoken role

628
00:31:34,840 --> 00:31:37,360
Speaker 1: with songwriters that you don't really yell who had this

629
00:31:37,400 --> 00:31:41,240
Speaker 1: idea and that idea? No, I mean sometimes it's it's

630
00:31:41,280 --> 00:31:44,880
Speaker 1: sometimes you remember some we I don't particularly remember. In

631
00:31:44,960 --> 00:31:47,520
Speaker 1: this one, we were just so it was you know, yeah.

632
00:31:47,640 --> 00:31:49,920
Speaker 1: I mean, honestly, I think I might have said if

633
00:31:49,920 --> 00:31:52,200
Speaker 1: I could buy house some memory life and then actually

634
00:31:53,240 --> 00:31:59,920
Speaker 1: I was, okay. The thing is, I usually can't remember

635
00:32:00,240 --> 00:32:02,719
Speaker 1: anything and just thinking like maybe I think so, well,

636
00:32:02,720 --> 00:32:04,480
Speaker 1: anytime d I write a funny songs like I wrote

637
00:32:04,520 --> 00:32:09,520
Speaker 1: that part all right here is old dominion. This new

638
00:32:09,520 --> 00:32:11,080
Speaker 1: song is that I want you to just turn it on,

639
00:32:11,160 --> 00:32:12,640
Speaker 1: play it when you leave for work today, and just

640
00:32:12,680 --> 00:32:14,040
Speaker 1: let it stream over and over again. You have to

641
00:32:14,080 --> 00:32:16,200
Speaker 1: be there, right because let'll play in your house over

642
00:32:16,240 --> 00:32:18,320
Speaker 1: and over again. If everybody does that, it's a hit.

643
00:32:21,080 --> 00:32:24,320
Speaker 1: And that is that's like right down the middle for

644
00:32:24,320 --> 00:32:25,800
Speaker 1: you guys. That's why I like you guys so much.

645
00:32:26,160 --> 00:32:29,160
Speaker 1: Like there's just like the insertion of my own story

646
00:32:29,240 --> 00:32:31,040
Speaker 1: in that music. You guys do that a lot. You

647
00:32:31,040 --> 00:32:34,760
Speaker 1: write something that is pretty universal, you write it specific.

648
00:32:35,240 --> 00:32:37,120
Speaker 1: But it's like a lot of times you guys write

649
00:32:37,120 --> 00:32:39,080
Speaker 1: such good songs and I go, oh, yeah, I felt that.

650
00:32:39,160 --> 00:32:41,240
Speaker 1: Sometimes I hear a good song, I'm like, oh, that's catchy.

651
00:32:41,720 --> 00:32:44,040
Speaker 1: A big difference. You guys do catchy songs most of

652
00:32:44,040 --> 00:32:45,240
Speaker 1: the time, and I go off. Except for hours on

653
00:32:45,240 --> 00:32:47,560
Speaker 1: a boat. I'm good, I don't need water, I don't

654
00:32:47,600 --> 00:32:52,600
Speaker 1: like the beach, I'm all good. That song whatever, except it, Yeah,

655
00:32:52,600 --> 00:32:56,720
Speaker 1: except for that one. That one's called memory Lane. I

656
00:32:56,760 --> 00:32:59,760
Speaker 1: do want to play a little bit of Ain't gotta worry.

657
00:32:59,800 --> 00:33:06,280
Speaker 1: This is new music from Old Dominion. Here you go

658
00:33:02,160 --> 00:33:12,200
Speaker 1: right now on the Bobby Bones Show. Now, listeners send

659
00:33:12,280 --> 00:33:14,920
Speaker 1: us questions, and we started doing uncomfortable questions from listeners.

660
00:33:15,240 --> 00:33:18,880
Speaker 1: It wasn't initially approached like that, but now they know,

661
00:33:18,960 --> 00:33:21,400
Speaker 1: so they send us questions or sometimes uncomfortable. So let's

662
00:33:21,400 --> 00:33:23,960
Speaker 1: see what we got here, um, and let's answer them honestly.

663
00:33:24,000 --> 00:33:27,560
Speaker 1: Does Old Dominion have any feuds with any other country bands? Yes, yes,

664
00:33:27,880 --> 00:33:31,640
Speaker 1: Catallact three, Well, you outnumber them, so I don't know

665
00:33:31,640 --> 00:33:33,440
Speaker 1: if you guys have ever heard of them? Most people haven't.

666
00:33:33,560 --> 00:33:39,720
Speaker 1: Oh that's true. Yeah, yeah, do they count? Do they count? Um?

667
00:33:39,760 --> 00:33:41,360
Speaker 1: You don't have to say what it is, but who

668
00:33:41,360 --> 00:33:45,080
Speaker 1: in the band has the most expensive car? Not Matthew anymore?

669
00:33:45,680 --> 00:33:49,440
Speaker 1: I have an RV? Does that count anymore? Times? Tough? Yeah?

670
00:33:49,680 --> 00:33:52,800
Speaker 1: I just I just had a little accident. But it

671
00:33:52,880 --> 00:33:55,560
Speaker 1: used to be you before somebody hit you or you

672
00:33:55,640 --> 00:34:00,360
Speaker 1: hit them. I hit a tree by myself. It was

673
00:34:00,560 --> 00:34:03,760
Speaker 1: it was very snowy, and I wasn't gonna push. But

674
00:34:03,880 --> 00:34:10,359
Speaker 1: I hear you, Yeah, that's why I wasn't gonna push.

675
00:34:10,400 --> 00:34:15,040
Speaker 1: I was just like, I'll sit in silence if I'm like,

676
00:34:15,080 --> 00:34:18,520
Speaker 1: how did that not make the news? Um? Final question?

677
00:34:18,760 --> 00:34:22,879
Speaker 1: Why did old Dominion become popular? Good question? I mean,

678
00:34:22,880 --> 00:34:24,799
Speaker 1: we had the motto for years that this is never

679
00:34:24,840 --> 00:34:27,800
Speaker 1: gonna work, and we also look back at some decisions

680
00:34:27,800 --> 00:34:31,680
Speaker 1: that we've made, you know, creatively, like you know, putting

681
00:34:31,680 --> 00:34:33,920
Speaker 1: out an album of meals and things like that, and

682
00:34:34,040 --> 00:34:39,160
Speaker 1: we wonder the same thing. When the Grammys came out

683
00:34:39,320 --> 00:34:41,440
Speaker 1: nominations after that year, you guys were snubbed. That was

684
00:34:41,440 --> 00:34:43,840
Speaker 1: a snub, not even Seem's Grammys. And I felt like

685
00:34:43,840 --> 00:34:46,600
Speaker 1: it was snubbed. Let's go back in time, Let's do

686
00:34:46,680 --> 00:34:49,719
Speaker 1: first hit, last hit. The very first hit in my

687
00:34:49,760 --> 00:34:52,000
Speaker 1: mind is break up with Him? Is that to you guys? Yes,

688
00:34:52,120 --> 00:34:55,399
Speaker 1: like definitely, And I feel like that you guys kind

689
00:34:55,440 --> 00:34:58,800
Speaker 1: of came out of revisionist history, came out of nowhere,

690
00:34:59,520 --> 00:35:02,640
Speaker 1: boom smash hit. I'm sure that's not exactly how it

691
00:35:02,719 --> 00:35:06,600
Speaker 1: happened to the world. Yeah, van and trailer all that stuff.

692
00:35:06,600 --> 00:35:10,319
Speaker 1: When it did hit, were you surprised? Yeah, there's an

693
00:35:10,320 --> 00:35:12,520
Speaker 1: element of it that for sure. I mean there's you know,

694
00:35:12,960 --> 00:35:15,960
Speaker 1: I remember after the number on the way to the

695
00:35:16,040 --> 00:35:18,560
Speaker 1: Number one party for a break up with Him, I

696
00:35:18,600 --> 00:35:20,560
Speaker 1: was riding in the car and my uncle was with

697
00:35:20,600 --> 00:35:22,480
Speaker 1: me and he said, man, did you ever think this

698
00:35:22,520 --> 00:35:25,640
Speaker 1: would happen? And I said, yeah, I had to because

699
00:35:25,760 --> 00:35:28,000
Speaker 1: I would have just quit. But at the same time,

700
00:35:28,200 --> 00:35:31,319
Speaker 1: you have that feeling, but you also have this like

701
00:35:31,840 --> 00:35:34,279
Speaker 1: you can't believe it's a reality thing, right, Yeah, if

702
00:35:34,280 --> 00:35:36,040
Speaker 1: you don't believe in yourself, nobody else. Well, for sure,

703
00:35:36,400 --> 00:35:38,879
Speaker 1: But also when it happened, you're like, a it's crazy, Yeah,

704
00:35:39,000 --> 00:35:41,120
Speaker 1: especially because it takes so long, like you said, all

705
00:35:41,120 --> 00:35:43,080
Speaker 1: those years of just trying to do it and not

706
00:35:43,160 --> 00:35:45,920
Speaker 1: having success, it starts to feel like it's never gonna happen.

707
00:35:46,080 --> 00:35:47,640
Speaker 1: So when it does it, yeah, it is kind of

708
00:35:47,640 --> 00:35:54,080
Speaker 1: a nice surprise. But here's what I like. The greatest

709
00:35:54,080 --> 00:35:57,640
Speaker 1: thing just happened, like the level of oh wow, it

710
00:35:57,719 --> 00:35:59,640
Speaker 1: just happened with Old Dominion because they have so many hits,

711
00:35:59,680 --> 00:36:02,480
Speaker 1: they can't the first. That's what we aspire to do.

712
00:36:02,800 --> 00:36:05,080
Speaker 1: It's like our fans on Twitter all the time are

713
00:36:05,160 --> 00:36:06,880
Speaker 1: like making fun of me all the time for not

714
00:36:07,000 --> 00:36:09,160
Speaker 1: remembering the words. I forget him all the time. Let's

715
00:36:09,160 --> 00:36:11,560
Speaker 1: do the last hits. Okay, hey, you know what I

716
00:36:11,640 --> 00:36:15,759
Speaker 1: like about that? That Trevor that last deal the bo

717
00:36:16,600 --> 00:36:20,080
Speaker 1: do don't when you guys break up with him? I

718
00:36:20,160 --> 00:36:22,319
Speaker 1: felt that good. Thank you? Can you do that with

719
00:36:22,400 --> 00:36:29,719
Speaker 1: no no? Yeah? Oh yeah, you know what it is?

720
00:36:32,200 --> 00:36:37,319
Speaker 1: And then I will say this too. It's I think

721
00:36:37,360 --> 00:36:39,800
Speaker 1: it's very under That's a sample. Somebody should be school

722
00:36:39,800 --> 00:36:42,239
Speaker 1: Boy Cube come out with that and a and then

723
00:36:42,280 --> 00:36:47,800
Speaker 1: also Brad Plain, you're doing solos on acoustic. Yeah, you

724
00:36:47,800 --> 00:36:49,560
Speaker 1: don't have to do it now. I just love an

725
00:36:49,600 --> 00:36:53,080
Speaker 1: acoustic solo because it's it's brave and you nal it. Yeah,

726
00:36:53,080 --> 00:36:54,719
Speaker 1: it's like you got no choice. You gotta you gotta

727
00:36:54,760 --> 00:37:00,440
Speaker 1: do it. You got no choice? Yes, movie, it's like

728
00:37:00,480 --> 00:37:01,920
Speaker 1: we're never gonna make it. But it's like we got

729
00:37:01,920 --> 00:37:06,080
Speaker 1: no choice. Everybody still thinking over that we're never going

730
00:37:06,120 --> 00:37:09,480
Speaker 1: to make it. Mantra, Yeah, what choice do I have?

731
00:37:10,480 --> 00:37:15,200
Speaker 1: I'm being forced to do this? All right? Last hit?

732
00:37:15,280 --> 00:37:17,560
Speaker 1: What would that be? Depending on who you ask? It

733
00:37:17,640 --> 00:37:26,640
Speaker 1: was no hard feelings. I do love no hard feelings xylophone.

734
00:37:27,480 --> 00:37:28,600
Speaker 1: Do you know how to play that for ill? Or

735
00:37:28,600 --> 00:37:31,040
Speaker 1: did you learn that specifically for that song? This was

736
00:37:31,360 --> 00:37:34,760
Speaker 1: this was custom made by our drum tech to only

737
00:37:34,800 --> 00:37:37,680
Speaker 1: have the right notes on it. Can't really mess it up.

738
00:37:37,719 --> 00:37:39,840
Speaker 1: It's like when I play harmonica. Yeah, I get a

739
00:37:39,880 --> 00:37:41,839
Speaker 1: harmonica that is in the exact key, and I just

740
00:37:42,960 --> 00:37:44,840
Speaker 1: it sounds like I know what I'm doing, and the

741
00:37:44,840 --> 00:37:46,520
Speaker 1: audience I was like, why I plays harmonica? Like No,

742
00:37:46,680 --> 00:37:48,480
Speaker 1: I just blow in and out with the same mix

743
00:37:48,560 --> 00:37:53,440
Speaker 1: of music on the Bobby Bones Show. Now, all right,

744
00:37:53,480 --> 00:37:55,080
Speaker 1: old dominions all here, all of them, They're OK, hey,

745
00:37:55,160 --> 00:37:56,919
Speaker 1: let's listen to communicate right here. It's behind the scenes.

746
00:37:56,920 --> 00:37:59,240
Speaker 1: What do you say, Matthew, What what do you communicate

747
00:37:59,239 --> 00:38:02,200
Speaker 1: to him? It was just communicating what at the length

748
00:38:02,239 --> 00:38:04,479
Speaker 1: of the song that we were Yeah, what's the length? First?

749
00:38:04,480 --> 00:38:06,799
Speaker 1: Of course is what love it? I love that I

750
00:38:06,840 --> 00:38:08,320
Speaker 1: liked behind the scenes, It's like when they turned the

751
00:38:08,360 --> 00:38:10,720
Speaker 1: mic up on the quarterback going Blue twenty two a linebacker,

752
00:38:10,760 --> 00:38:12,920
Speaker 1: he's an idiot. You know they should. I'm hearing sometimes

753
00:38:12,960 --> 00:38:16,719
Speaker 1: we often are. We often wished that we recorded our

754
00:38:16,760 --> 00:38:19,640
Speaker 1: talkback mics on stage and are simultaneously glad that no

755
00:38:19,680 --> 00:38:22,239
Speaker 1: one ever hears. Absolutely, okay, sometimes you don't want that

756
00:38:22,280 --> 00:38:25,719
Speaker 1: out at all. That's right, Hey, yes, are you good?

757
00:38:25,719 --> 00:38:27,480
Speaker 1: What do we learned? I'll tell you it's a minor.

758
00:38:29,600 --> 00:38:31,960
Speaker 1: Remember the words, Hey, Jeff, when you you went to

759
00:38:31,960 --> 00:38:34,440
Speaker 1: the roll cup? Yeah, yeah, that's that, and you went

760
00:38:34,480 --> 00:38:37,319
Speaker 1: to what is that? How they say it their guitar

761
00:38:37,920 --> 00:38:39,799
Speaker 1: cutter or very polite, No matter how you said it,

762
00:38:39,800 --> 00:38:44,240
Speaker 1: they would not. Did you feel safe? I did, actually,

763
00:38:44,280 --> 00:38:46,200
Speaker 1: but I was. I was lucky. The first couple of

764
00:38:46,280 --> 00:38:48,440
Speaker 1: days I was with U was with someone that had

765
00:38:48,520 --> 00:38:53,240
Speaker 1: private security, so famous. No, my girlfriend works at McDonald's

766
00:38:53,239 --> 00:38:55,640
Speaker 1: in marketing, so it just like the marketing team has

767
00:38:55,719 --> 00:39:03,880
Speaker 1: and that went really boring. I thought we had secret security.

768
00:39:04,120 --> 00:39:06,240
Speaker 1: Have you ever seen Jason Bourne yet? Well? Mc guy's

769
00:39:06,280 --> 00:39:09,239
Speaker 1: marketing hasn't had chicken nuggets, right, those nuggets? Man, you

770
00:39:09,239 --> 00:39:14,040
Speaker 1: gotta you gotta protect the nugget as it was fun experience.

771
00:39:14,080 --> 00:39:16,719
Speaker 1: It was amazing. It's absolutely amazing. All right, superlatives here.

772
00:39:16,719 --> 00:39:20,359
Speaker 1: Who's the funniest person in the band? Man? Everybody think

773
00:39:20,360 --> 00:39:23,359
Speaker 1: it chakes his day to day? Yeah? Yeah, somebody, That's

774
00:39:23,360 --> 00:39:25,759
Speaker 1: why it's fun to be in this band. Somebody there's

775
00:39:25,840 --> 00:39:28,799
Speaker 1: no funny? Yes, okay. Who I think Wit might take

776
00:39:29,239 --> 00:39:31,960
Speaker 1: on the most consistent? Is it because you don't expect

777
00:39:31,960 --> 00:39:34,400
Speaker 1: it and then wham Wit hits you? Oh it's always

778
00:39:34,520 --> 00:39:38,000
Speaker 1: like a little off kilter. Yeah, okay. Who's the biggest

779
00:39:38,000 --> 00:39:41,240
Speaker 1: perfectionist of the group that sometimes it's annoying? I'd say Brad.

780
00:39:41,719 --> 00:39:45,760
Speaker 1: He's still trying to remix our first album. The Meal

781
00:39:45,920 --> 00:39:48,560
Speaker 1: wasn't perfect, guys, This Meal is a little off key.

782
00:39:49,120 --> 00:39:52,719
Speaker 1: Let's do who's the latest, who's late the most? That's

783
00:39:52,880 --> 00:39:55,440
Speaker 1: that's up for debate. But the rest the debate is

784
00:39:55,480 --> 00:39:57,839
Speaker 1: between all of us against Trevor. We all say he's

785
00:39:57,840 --> 00:40:00,359
Speaker 1: the latest. He says he's not. I'm definitely not. So

786
00:40:00,400 --> 00:40:02,400
Speaker 1: it's Stephane. Here. Here's the thing. I live in Franklin.

787
00:40:02,440 --> 00:40:04,480
Speaker 1: I got like a thirty five forty drive every time,

788
00:40:05,000 --> 00:40:06,359
Speaker 1: but that doesn't make you late. They had to come

789
00:40:06,400 --> 00:40:07,960
Speaker 1: down to a meeting in Franklin the other day and

790
00:40:07,960 --> 00:40:10,640
Speaker 1: they realized that we were on time though one were one.

791
00:40:10,960 --> 00:40:12,879
Speaker 1: You were you were in time. You you had one drive.

792
00:40:12,920 --> 00:40:15,279
Speaker 1: I loved this question thousand. So when there's an act,

793
00:40:16,200 --> 00:40:19,080
Speaker 1: they started fighting. This is the greatest. This is an aldermen.

794
00:40:19,120 --> 00:40:21,600
Speaker 1: You broke up right here on our show. Thanks for

795
00:40:22,680 --> 00:40:27,440
Speaker 1: he less accident. I am stickler. It doesn't have anymore.

796
00:40:27,440 --> 00:40:29,239
Speaker 1: But what did I if we were even one minute late?

797
00:40:29,280 --> 00:40:33,439
Speaker 1: What would happen? It was so annoying. It's your hand.

798
00:40:33,440 --> 00:40:36,120
Speaker 1: If you've ever been sent at home, everybody's been sent

799
00:40:36,200 --> 00:40:38,880
Speaker 1: home like it was stupid. Now, if there was an accident,

800
00:40:39,080 --> 00:40:42,239
Speaker 1: do it on purpose? Though? No, no, no. If they

801
00:40:42,239 --> 00:40:44,040
Speaker 1: had a flat or a kid was sick, that's different.

802
00:40:44,160 --> 00:40:46,520
Speaker 1: But if you're seven minutes late just because you decided

803
00:40:46,600 --> 00:40:49,160
Speaker 1: you yeah, didn't you didn't respect the same everything body,

804
00:40:49,400 --> 00:40:53,960
Speaker 1: So we never decile you low, you know what I mean? Okay, relax, everybody,

805
00:40:54,160 --> 00:40:59,400
Speaker 1: we start fighting too. Who's the most fashionable man? Do

806
00:40:59,440 --> 00:41:01,759
Speaker 1: you have to be? Because you're the front? I guess

807
00:41:01,800 --> 00:41:05,399
Speaker 1: so probably? Finally, who was the most emotional outwardly emotional. Yeah,

808
00:41:05,400 --> 00:41:09,400
Speaker 1: I would say Brad probably is outwardly emotional the most.

809
00:41:09,560 --> 00:41:12,799
Speaker 1: I'm about to freak cut right now? Yeah, So are

810
00:41:12,840 --> 00:41:14,160
Speaker 1: you good on the song you're about to do? I

811
00:41:14,200 --> 00:41:15,640
Speaker 1: are you asking questions? I don't know. I just couldn't

812
00:41:15,640 --> 00:41:17,600
Speaker 1: remember the first line. Okay, So we're gonna do a

813
00:41:17,680 --> 00:41:21,240
Speaker 1: song written by one of you guys that another singer recorded.

814
00:41:21,280 --> 00:41:22,960
Speaker 1: So we're gonna do just a verse in a chorus here.

815
00:41:23,080 --> 00:41:24,839
Speaker 1: What did you guys choose to do and who did it?

816
00:41:25,520 --> 00:41:29,600
Speaker 1: We chose a song called Wild Hearts that me, Jennifer Wayne,

817
00:41:29,640 --> 00:41:34,080
Speaker 1: and Eric Pasley wrote, and then Keith Urban actually rewrote

818
00:41:34,120 --> 00:41:36,960
Speaker 1: the verses and kept our chorus and kind of rewrote

819
00:41:36,960 --> 00:41:40,360
Speaker 1: the song about his own life, and uh yes, it

820
00:41:40,480 --> 00:41:42,279
Speaker 1: was a four of us together. I declared this song

821
00:41:42,320 --> 00:41:45,120
Speaker 1: the most screwed over song in twenty twenty two. Screwed

822
00:41:45,120 --> 00:41:47,239
Speaker 1: over song, yeah, because it should have been a number

823
00:41:47,320 --> 00:41:50,040
Speaker 1: one and it was a number two, and it was

824
00:41:50,280 --> 00:41:52,400
Speaker 1: as good. I mean, it was number one worthy for

825
00:41:52,520 --> 00:41:55,399
Speaker 1: shuret better. So here it is the most screwed over

826
00:41:55,440 --> 00:41:58,480
Speaker 1: song of twenty twenty two. Go ahead, all right, poor Brad,

827
00:41:59,160 --> 00:42:06,520
Speaker 1: It's number two cry out loud right now, does it

828
00:42:06,560 --> 00:42:08,560
Speaker 1: ever happen? Matthew if you get sick and he can

829
00:42:08,640 --> 00:42:11,480
Speaker 1: the other guys fill in, and we've done We've done

830
00:42:11,520 --> 00:42:14,360
Speaker 1: some shows before where I was sick. What if you

831
00:42:14,440 --> 00:42:16,080
Speaker 1: lip sync and they sing though? Yeah, I mean you

832
00:42:16,080 --> 00:42:18,160
Speaker 1: really could pull that off through that. Yeah, but we

833
00:42:18,239 --> 00:42:19,920
Speaker 1: have filled it in because we do have you know,

834
00:42:19,960 --> 00:42:23,239
Speaker 1: we're lucky enough to have hits that you know that

835
00:42:23,280 --> 00:42:27,000
Speaker 1: we've written for other people. So it's definitely been used before.

836
00:42:27,040 --> 00:42:28,720
Speaker 1: I was like, you guys sing a couple of songs

837
00:42:28,719 --> 00:42:30,160
Speaker 1: so that I can take a break. You guys know

838
00:42:30,239 --> 00:42:33,680
Speaker 1: a massive fan. You're welcome anytime, Thanks for humoring. And

839
00:42:33,719 --> 00:42:35,400
Speaker 1: here's the thing. You brought all your instruments and we

840
00:42:35,440 --> 00:42:36,919
Speaker 1: don't want to come bring all your instrans to play

841
00:42:36,960 --> 00:42:38,719
Speaker 1: one song? Like why all right? Why said all the way?

842
00:42:38,760 --> 00:42:41,239
Speaker 1: I'm just do one song. That's how I feel. So

843
00:42:41,280 --> 00:42:42,560
Speaker 1: and then even after we go off the yere I'm

844
00:42:42,560 --> 00:42:46,160
Speaker 1: gonna keep them playing my person enjoyment. Um. But listen

845
00:42:46,239 --> 00:42:49,000
Speaker 1: old Dominion music on Instagram. I'm a huge fan. New

846
00:42:49,080 --> 00:42:51,200
Speaker 1: music is great and I have the tour here, the

847
00:42:51,520 --> 00:42:56,040
Speaker 1: No Bad Vibes Tour, which is starting the nineteenth. Is

848
00:42:56,040 --> 00:43:01,120
Speaker 1: it starts. It's not restarting, it's starting, Okay. So we

849
00:43:01,320 --> 00:43:04,759
Speaker 1: are Old Dominion dot com and everywhere we are and

850
00:43:04,800 --> 00:43:07,200
Speaker 1: you're listening to this. They're all over from green Bay

851
00:43:07,239 --> 00:43:13,120
Speaker 1: to Evansville in the nineteenth Champaigne, Illinois on the twentieth Ottawa, Toronto, London, Ontario.

852
00:43:13,239 --> 00:43:15,839
Speaker 1: So go check them out. They're awesome, live and all

853
00:43:15,880 --> 00:43:18,440
Speaker 1: the way to June thirtieth. That's it Old Dominion. Everybody

854
00:43:18,440 --> 00:43:23,160
Speaker 1: say bye, thank you, and there they are. It's the

855
00:43:23,200 --> 00:43:29,520
Speaker 1: best bits of the week, with Morgan number two coming

856
00:43:29,560 --> 00:43:31,760
Speaker 1: in at that number one spot. We love when somebody

857
00:43:31,920 --> 00:43:34,799
Speaker 1: is a hero, and Eddie was a hero. Eddie the

858
00:43:34,920 --> 00:43:37,360
Speaker 1: Dad turned Eddie the hero when he broke up a

859
00:43:37,360 --> 00:43:39,480
Speaker 1: fight that happened between some kids as he saw him

860
00:43:39,480 --> 00:43:42,239
Speaker 1: get off a bus and he jumped into action. So

861
00:43:42,560 --> 00:43:44,600
Speaker 1: we think that makes him a pretty cool hero, especially

862
00:43:44,640 --> 00:43:47,439
Speaker 1: after you hear what transpired after he broke off the fight.

863
00:43:47,560 --> 00:43:50,840
Speaker 1: So yeah, maybe you're a hero. Maybe you've done this before.

864
00:43:50,960 --> 00:43:52,759
Speaker 1: But I love hero stories, So if you have one,

865
00:43:53,040 --> 00:43:54,680
Speaker 1: share them with me or call the show and leave

866
00:43:54,680 --> 00:43:57,520
Speaker 1: a voicemail. Either way, we love hero stories. So this

867
00:43:57,640 --> 00:44:01,439
Speaker 1: is Eddie the Hero Number one. Everybody knows Eddie the Dad.

868
00:44:01,600 --> 00:44:03,839
Speaker 1: We love him. His kids even sing the song about

869
00:44:03,920 --> 00:44:13,120
Speaker 1: Eddie the Dad. But what if a dad on a

870
00:44:13,160 --> 00:44:21,480
Speaker 1: moment's notice turns into a hero hero Eddie, I'm not

871
00:44:21,520 --> 00:44:24,160
Speaker 1: a hero, but look that's what a hero says. A

872
00:44:24,200 --> 00:44:26,600
Speaker 1: hero says, I'm not a hero. I was driving home

873
00:44:26,760 --> 00:44:29,279
Speaker 1: and I saw like a group of kids and it

874
00:44:29,320 --> 00:44:31,440
Speaker 1: looked like they had just gotten off the bus. So

875
00:44:31,480 --> 00:44:34,560
Speaker 1: it's like a bus stop or whatever, and something wasn't right,

876
00:44:34,680 --> 00:44:37,719
Speaker 1: and they're all huddled around something. And the closer I

877
00:44:37,760 --> 00:44:40,000
Speaker 1: get I noticed there's a fight going on. So what

878
00:44:40,040 --> 00:44:42,799
Speaker 1: do I do. I pull the car over, I get out.

879
00:44:42,840 --> 00:44:46,920
Speaker 1: I make a big die honk, open the door, slam it. Hey,

880
00:44:46,920 --> 00:44:49,080
Speaker 1: break it up, break it up. You jump out into

881
00:44:49,080 --> 00:44:51,000
Speaker 1: the pilot. Kids, Oh yeah, you wrest your own safety.

882
00:44:51,080 --> 00:44:53,040
Speaker 1: As soon as I said break it up, they all look,

883
00:44:53,080 --> 00:44:55,600
Speaker 1: oh my gosh, and they all scattered like cats. And

884
00:44:55,719 --> 00:44:58,160
Speaker 1: the two that were like on the ground wrestling, I

885
00:44:58,239 --> 00:45:00,360
Speaker 1: was about to grab the guy that was on he

886
00:45:00,400 --> 00:45:02,880
Speaker 1: was definitely winning, and he kind of gets up and like, oh, there,

887
00:45:02,920 --> 00:45:04,239
Speaker 1: we gotta go, we gotta go, we gotta go, and

888
00:45:04,239 --> 00:45:06,080
Speaker 1: they all split and it was just me and the

889
00:45:06,120 --> 00:45:07,520
Speaker 1: one that was kind of on the ground, He's like,

890
00:45:07,840 --> 00:45:09,880
Speaker 1: oh man, oh, thank you, thank you, and then he

891
00:45:09,880 --> 00:45:11,759
Speaker 1: eastern runs off and like are you good? Are you good?

892
00:45:11,920 --> 00:45:14,120
Speaker 1: I'm fine. He runs off, and the guy that was

893
00:45:14,160 --> 00:45:17,120
Speaker 1: beating him up yells, we're not done, bro, you just

894
00:45:17,160 --> 00:45:20,959
Speaker 1: got saved. Oh no, And I saved his life though, yes,

895
00:45:21,280 --> 00:45:24,239
Speaker 1: So I'm like, wow, that was crazy full of adrenaline.

896
00:45:24,600 --> 00:45:26,400
Speaker 1: But then I started thinking like did I ruin it

897
00:45:26,440 --> 00:45:29,880
Speaker 1: for the kid? Like is now the bully or whoever

898
00:45:29,960 --> 00:45:31,840
Speaker 1: was winning that fight gonna find him? Like did he

899
00:45:32,000 --> 00:45:34,200
Speaker 1: did he get beat up? Ten minutes after I left,

900
00:45:34,840 --> 00:45:36,640
Speaker 1: Like I felt like a hero, Like that moment's life.

901
00:45:36,640 --> 00:45:38,479
Speaker 1: I think safe kids laugh, and I like to commend, Wow,

902
00:45:39,040 --> 00:45:41,440
Speaker 1: stole your car, You jumped into action. You risk your

903
00:45:41,440 --> 00:45:43,840
Speaker 1: own safety, which is yeah, you think about it. It It

904
00:45:43,960 --> 00:45:45,959
Speaker 1: was instanct. Guys, when you're a dad and you see

905
00:45:46,080 --> 00:45:48,000
Speaker 1: kids fighting, like you just do what you do. It

906
00:45:48,080 --> 00:45:50,440
Speaker 1: was instinct. I just, you know, felt I had there

907
00:45:50,440 --> 00:45:52,239
Speaker 1: no other adults around. No, It's like they had just

908
00:45:52,280 --> 00:45:54,360
Speaker 1: gotten off the bus. They all had their backpacks on

909
00:45:54,320 --> 00:45:56,520
Speaker 1: one he was just pounding the other kid. Oh yeah,

910
00:45:56,640 --> 00:45:59,520
Speaker 1: like one was definitely winning the fight. Nothing says like,

911
00:45:59,560 --> 00:46:02,759
Speaker 1: you're an old grumpy man, like breaking up a kid's fight.

912
00:46:02,960 --> 00:46:05,319
Speaker 1: You have no relation to these kids. You let them fight,

913
00:46:05,360 --> 00:46:08,480
Speaker 1: you let them handle their business. You don't know what

914
00:46:08,600 --> 00:46:11,879
Speaker 1: adult you should stop two kids. You don't know what

915
00:46:11,920 --> 00:46:14,080
Speaker 1: that kid did to the other kid, Like maybe he's

916
00:46:14,120 --> 00:46:16,120
Speaker 1: spit in his face and so the guy punched him.

917
00:46:16,440 --> 00:46:18,680
Speaker 1: You breaking it up, Get out of here. That is

918
00:46:18,719 --> 00:46:21,720
Speaker 1: none of your business. Drive on by, leave them alone.

919
00:46:21,840 --> 00:46:26,200
Speaker 1: Not a hero, No, I think you're a hero. Look, man,

920
00:46:26,280 --> 00:46:28,480
Speaker 1: I just opposite here. I did what I felt I

921
00:46:28,520 --> 00:46:31,320
Speaker 1: had to do. I'm not a hero, though, Guys, I'm

922
00:46:31,360 --> 00:46:33,040
Speaker 1: just a hero, says though. Look, I'm just a dead

923
00:46:33,080 --> 00:46:35,920
Speaker 1: You're basically like the guy who landed the plane, the

924
00:46:37,480 --> 00:46:40,920
Speaker 1: nineteen year old eighteen year old No, and the Hudson. Oh,

925
00:46:40,960 --> 00:46:45,239
Speaker 1: Captain Sully, You're You're the Sully of the Bobby Bone Show. Wow, God,

926
00:46:45,719 --> 00:46:54,480
Speaker 1: thank you, thank you guys. Wow yeah hero. Wow. It's

927
00:46:54,560 --> 00:46:58,080
Speaker 1: the best Bits of the week with Morgan number two.

928
00:46:59,200 --> 00:47:01,520
Speaker 1: I hope you'll enjoy listening to the best Bits this weekend.

929
00:47:01,600 --> 00:47:03,319
Speaker 1: I know I love hanging out with you guys on

930
00:47:03,320 --> 00:47:06,360
Speaker 1: the weekends. Please feel free to share this tag me

931
00:47:06,400 --> 00:47:08,920
Speaker 1: if you have something to say direct message me, whatever

932
00:47:08,960 --> 00:47:11,080
Speaker 1: it may be. I love talking about all these things

933
00:47:11,120 --> 00:47:13,799
Speaker 1: that we crazily talk about on here, particularly when I

934
00:47:13,800 --> 00:47:16,080
Speaker 1: have guests on in Scuba, and I talked about a

935
00:47:16,120 --> 00:47:17,920
Speaker 1: lot of things, but we geeked out on a lot

936
00:47:17,920 --> 00:47:19,920
Speaker 1: of shows and stuff that are coming out and that

937
00:47:19,960 --> 00:47:22,759
Speaker 1: we've watched. So I do hope it was enjoyable and

938
00:47:22,800 --> 00:47:28,000
Speaker 1: I love doing this every single weekend Saturdays. Am I right? Listen?

939
00:47:28,040 --> 00:47:30,120
Speaker 1: I don't know that everything's getting all blurry in my

940
00:47:30,160 --> 00:47:32,080
Speaker 1: head at this point. So I love you guys. I

941
00:47:32,080 --> 00:47:36,479
Speaker 1: hope you have a fabulous weekend. Byeby show