1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:09,920 --> 00:00:19,640 Speaker 2: Let's just you, h I am all in again with Scott 3 00:00:19,680 --> 00:00:22,320 Speaker 2: Patterson and iHeartRadio Podcast. 4 00:00:22,640 --> 00:00:25,120 Speaker 1: Hey Everybody, Scott Patterson, I Am all in Podcast, one 5 00:00:25,160 --> 00:00:32,239 Speaker 1: of them productions. iHeartRadio Media, iHeart Podcasts. Recap Season two, 6 00:00:32,280 --> 00:00:36,720 Speaker 1: episode nineteen, Teach Me Tonight with the one and only 7 00:00:36,960 --> 00:00:42,960 Speaker 1: Nicole Eggert. Yes, Ladies and gentlemen, she is here. She's 8 00:00:42,960 --> 00:00:44,920 Speaker 1: an actress best known for role as Jamie Powell in 9 00:00:44,920 --> 00:00:47,640 Speaker 1: the sitcom Charles in Charge and Summer Quinn on Baywatch. 10 00:00:47,640 --> 00:00:51,159 Speaker 1: He's also guest starred on shows like The Super Mario Brothers, 11 00:00:51,200 --> 00:00:55,400 Speaker 1: Super show Boy Meets World End, Yes, Gilmore Girls. In 12 00:00:55,400 --> 00:00:58,120 Speaker 1: case you missed it, she played Aubrey, one of the 13 00:00:58,240 --> 00:01:01,480 Speaker 1: DR members in season two episode seven, Like Motherlike Daughter. 14 00:01:02,480 --> 00:01:04,680 Speaker 1: We're really excited to have her here today as we 15 00:01:04,720 --> 00:01:07,560 Speaker 1: dive into this episode Teach me today, Nicole, how are you? 16 00:01:08,080 --> 00:01:09,920 Speaker 3: I'm well, thank you? How are you? 17 00:01:10,240 --> 00:01:15,360 Speaker 1: No, I'm doing exceedingly well. Great to have you. We're 18 00:01:15,360 --> 00:01:21,039 Speaker 1: going to dive into this episode. I thoroughly enjoyed this episode. 19 00:01:21,959 --> 00:01:25,440 Speaker 1: Whenever there's a film by Kirk, I'm so there for it. 20 00:01:25,560 --> 00:01:28,000 Speaker 1: You know, it's just it's just too funny for words, 21 00:01:28,280 --> 00:01:30,920 Speaker 1: and that may have been the best film by Kirk 22 00:01:31,880 --> 00:01:36,160 Speaker 1: ever made. That might be the one, but anyway, let 23 00:01:36,160 --> 00:01:39,400 Speaker 1: me let me do this synopsis. Luke learns that Jess 24 00:01:39,480 --> 00:01:42,400 Speaker 1: is flunking out of school and ask Roy to tutor him. 25 00:01:42,840 --> 00:01:45,880 Speaker 1: But a break during study session takes an unexpected turn 26 00:01:47,200 --> 00:01:49,880 Speaker 1: right into a poll actually, and that sends Roy to 27 00:01:49,960 --> 00:01:54,360 Speaker 1: the emergency room. Directed by Steve Robin, writer Amy Sherman Palladino, 28 00:01:54,960 --> 00:02:00,920 Speaker 1: The Inevitable. So we start out with Taylor coming in 29 00:02:00,960 --> 00:02:06,800 Speaker 1: the diner, barging in Laurel I wanting to usurp his power, no, 30 00:02:06,960 --> 00:02:11,959 Speaker 1: actually in his own storet in Dozie's Market as they're 31 00:02:12,040 --> 00:02:18,320 Speaker 1: choosing or Dosie's tailor, Josie's chosen the Yearling for a 32 00:02:18,360 --> 00:02:23,240 Speaker 1: movie night, Laurel I ob Jackson and so Taylor is 33 00:02:23,280 --> 00:02:26,040 Speaker 1: just so fed up with gatting resistance that he puts 34 00:02:26,040 --> 00:02:30,240 Speaker 1: her in charge of selecting this year's movie, that year's movie. 35 00:02:30,280 --> 00:02:32,160 Speaker 1: So he complicates things when he gives the list of 36 00:02:32,200 --> 00:02:36,280 Speaker 1: movies available for movie night, and she ends up choosing Yearling. Anyway, 37 00:02:37,200 --> 00:02:41,520 Speaker 1: and you know this iconic universe that has been created 38 00:02:41,520 --> 00:02:49,000 Speaker 1: here easton one of our segment producers and actually starring 39 00:02:49,000 --> 00:02:52,840 Speaker 1: in his own segment on this On this podcast, he's 40 00:02:52,840 --> 00:02:55,600 Speaker 1: spoken to one of Kirk Film's story Mary Lynn Rask. 41 00:02:56,240 --> 00:03:03,040 Speaker 1: She's brilliantly funny, talented Nicole. What do you think is 42 00:03:03,120 --> 00:03:05,240 Speaker 1: opening movie in the Square night? Is such a fun idea? 43 00:03:05,280 --> 00:03:06,560 Speaker 1: Have you ever been to something like that? 44 00:03:07,760 --> 00:03:10,919 Speaker 3: Yes? Well, you know, I'm always up for a movie 45 00:03:11,000 --> 00:03:13,400 Speaker 3: at the pool, you know, any kind of outdoor I 46 00:03:13,720 --> 00:03:16,600 Speaker 3: went to Clueless and they the premiere of Clueless and 47 00:03:16,600 --> 00:03:20,040 Speaker 3: it was on the beach. Like I love an outside 48 00:03:20,160 --> 00:03:23,240 Speaker 3: gathering and watching of a movie. It's always a good time. 49 00:03:23,600 --> 00:03:27,640 Speaker 1: So you've been in a lot of iconic films in 50 00:03:27,680 --> 00:03:30,520 Speaker 1: your career. If you had to pick one of the 51 00:03:30,560 --> 00:03:32,560 Speaker 1: films that you've been in for Stars Hall of Movie Night, 52 00:03:32,560 --> 00:03:33,120 Speaker 1: what would it be? 53 00:03:33,480 --> 00:03:40,560 Speaker 3: Oh gosh, I'm not really sure. Okay, I guess I 54 00:03:40,560 --> 00:03:45,280 Speaker 3: would go with an oldie, but a goodie, rich and 55 00:03:45,360 --> 00:03:53,960 Speaker 3: famous Candice Bergen, Jack Limbusset. Wow, directed by George Coocker. Right, 56 00:03:54,560 --> 00:03:55,360 Speaker 3: go with that one. 57 00:03:55,680 --> 00:03:57,040 Speaker 1: That's a good one. 58 00:03:57,720 --> 00:04:00,560 Speaker 3: It was a fun movie. So, yeah, I played a 59 00:04:00,640 --> 00:04:04,200 Speaker 3: young Meg Ryan. I remember Conic for me? 60 00:04:04,440 --> 00:04:10,120 Speaker 1: Yeah, that was oh wow. All right, Jess, this is 61 00:04:10,160 --> 00:04:16,800 Speaker 1: a big episode for Jess. He's got some issues. Luke 62 00:04:16,880 --> 00:04:20,120 Speaker 1: has to go on the principal and Lawrence Hilton Jacobs 63 00:04:20,160 --> 00:04:24,880 Speaker 1: tells me or Luke that Jess, as smart as he is, 64 00:04:25,480 --> 00:04:28,960 Speaker 1: is flunking out. He just stinks showing up. He's not 65 00:04:29,120 --> 00:04:32,520 Speaker 1: putting in the effort. And nobody cares how smart you 66 00:04:32,520 --> 00:04:34,120 Speaker 1: are if you don't show up and put in the effort. So, 67 00:04:35,000 --> 00:04:38,080 Speaker 1: you know, Luke confronts him about it, and and Jess 68 00:04:38,120 --> 00:04:41,280 Speaker 1: just kind of blows him off and has that devastating 69 00:04:41,320 --> 00:04:43,480 Speaker 1: line as he's leaving, well maybe I'll end up a 70 00:04:43,520 --> 00:04:47,640 Speaker 1: diner owner, you know What's just like wow, you want 71 00:04:47,640 --> 00:04:50,880 Speaker 1: to smack him or what. Luke then asked Rory if 72 00:04:50,880 --> 00:04:55,480 Speaker 1: she will tutor Jess, and she agrees, and this sets 73 00:04:55,600 --> 00:05:02,000 Speaker 1: in motion this major storyline and he's kind applications. Nicole, 74 00:05:02,080 --> 00:05:04,680 Speaker 1: do you think I mean, it's it's pretty obvious that 75 00:05:04,800 --> 00:05:11,120 Speaker 1: Rory feels something for Jess. Or do you think that 76 00:05:11,240 --> 00:05:15,080 Speaker 1: it's more about for Rory, more about rebellion? 77 00:05:15,600 --> 00:05:20,000 Speaker 3: Listen. I think he is very entrepreneurial. I think he's 78 00:05:20,040 --> 00:05:23,800 Speaker 3: a kid that I would like in real life. He's 79 00:05:23,839 --> 00:05:27,039 Speaker 3: not that into school, that's okay. I think he's putting 80 00:05:27,040 --> 00:05:29,680 Speaker 3: in the effort and I think he's willing to put 81 00:05:29,680 --> 00:05:32,440 Speaker 3: in the effort anywhere that is not at school or 82 00:05:32,440 --> 00:05:35,640 Speaker 3: that he's not told. So if he's interested in her 83 00:05:35,839 --> 00:05:38,560 Speaker 3: or not, maybe maybe the idea of it, it's just 84 00:05:39,120 --> 00:05:40,920 Speaker 3: it's something he knows he's not supposed to be doing. 85 00:05:40,960 --> 00:05:42,960 Speaker 3: So I feel like he's all in right. 86 00:05:43,960 --> 00:05:52,200 Speaker 1: Well, he's very cleverly positioning himself as you know, the 87 00:05:52,240 --> 00:05:57,120 Speaker 1: next guy in her life. You know, he's not I mean, 88 00:05:57,120 --> 00:06:00,159 Speaker 1: he's being pushy, but at the same time not being 89 00:06:00,160 --> 00:06:02,719 Speaker 1: too pushy. He's being laid back and aggressive at the 90 00:06:02,720 --> 00:06:06,039 Speaker 1: same time, you know. And and it's it's fun to watch, 91 00:06:06,880 --> 00:06:09,240 Speaker 1: you know, it's fun to watch her just sort of 92 00:06:09,320 --> 00:06:13,799 Speaker 1: eventually kind of see him and look at him and like, hmm, 93 00:06:14,320 --> 00:06:17,240 Speaker 1: this guy made me smile. She smiles a couple of times. 94 00:06:17,240 --> 00:06:21,760 Speaker 1: She really approves of this at a certain point. 95 00:06:22,000 --> 00:06:24,240 Speaker 3: And I think we see him listen and get her 96 00:06:24,279 --> 00:06:27,240 Speaker 3: too a little bit, Like he starts to appreciate her 97 00:06:27,320 --> 00:06:30,240 Speaker 3: and like for what her values and what you know, 98 00:06:31,040 --> 00:06:33,720 Speaker 3: she's interested in, and it sort of wakes that part 99 00:06:33,720 --> 00:06:34,440 Speaker 3: of him up too. 100 00:06:34,560 --> 00:06:38,599 Speaker 1: So yeah, these two, these two are nervous around one another. 101 00:06:38,680 --> 00:06:42,400 Speaker 1: He's playing it really cool. She's playing it trying to 102 00:06:42,400 --> 00:06:46,280 Speaker 1: play it cool, but they just you know, they're falling. 103 00:06:46,520 --> 00:06:48,560 Speaker 1: They're falling for each other, and it's kind of it's 104 00:06:48,640 --> 00:06:53,560 Speaker 1: nice to watch, isn't it? Well acted, well written, beautifully written, 105 00:06:53,839 --> 00:06:58,680 Speaker 1: and you know you just man, I found myself just 106 00:06:59,040 --> 00:07:02,800 Speaker 1: sort of going right into the screen and like, yeah, 107 00:07:03,000 --> 00:07:05,320 Speaker 1: all right, this is gonna work. These guys really, you know, 108 00:07:05,360 --> 00:07:08,560 Speaker 1: they they they make each other nervous and it's fun 109 00:07:08,560 --> 00:07:12,800 Speaker 1: to watch. So Luke tries to avoid telling Larela about 110 00:07:12,840 --> 00:07:16,560 Speaker 1: asking Rory to be the tutor. If he knew what 111 00:07:16,560 --> 00:07:19,559 Speaker 1: it make her up, that it would make her upset, 112 00:07:20,040 --> 00:07:21,200 Speaker 1: why did he still ask? 113 00:07:24,480 --> 00:07:25,000 Speaker 4: I don't know. 114 00:07:26,360 --> 00:07:28,920 Speaker 3: Well, she's a bit of a helicopter parent, right, so 115 00:07:30,440 --> 00:07:33,840 Speaker 3: I feel like she's gonna she's gonna say no, even 116 00:07:33,840 --> 00:07:36,200 Speaker 3: if it's a good idea for him not you know, 117 00:07:36,640 --> 00:07:40,560 Speaker 3: it's always better to ask for forgiveness, right than to 118 00:07:40,560 --> 00:07:42,360 Speaker 3: ask her permission. I don't know. 119 00:07:43,000 --> 00:07:45,400 Speaker 1: I think they're both justified. I think she's right and 120 00:07:45,440 --> 00:07:49,040 Speaker 1: he's right. He doesn't want just to fail, so he's 121 00:07:49,080 --> 00:07:54,320 Speaker 1: gonna ask Rory, and yeah, I'm for that, And and 122 00:07:54,400 --> 00:07:56,920 Speaker 1: Laura is gonna bat him away because you know, she 123 00:07:57,040 --> 00:07:59,240 Speaker 1: knows what he is. She knows he's trouble. She knows 124 00:07:59,280 --> 00:08:03,200 Speaker 1: it's not gonna app well, so they're kind of both 125 00:08:03,840 --> 00:08:09,720 Speaker 1: in the right. Yeah. Yeah, I think Rory, to answer 126 00:08:09,800 --> 00:08:13,040 Speaker 1: this question, is excited to spend more time with Jess. 127 00:08:13,080 --> 00:08:16,200 Speaker 1: She's just being she's just trying to play it, play 128 00:08:16,240 --> 00:08:20,440 Speaker 1: it off in front of her mother. But but she 129 00:08:20,480 --> 00:08:22,840 Speaker 1: sees it. Laurel I sees it, and it's like, kid, 130 00:08:22,920 --> 00:08:27,640 Speaker 1: you're not fooling me. She's and Laurel is in a 131 00:08:27,680 --> 00:08:30,280 Speaker 1: tough spot. She knows there's really nothing she can do 132 00:08:30,400 --> 00:08:33,200 Speaker 1: or say to stop it. She can just try to 133 00:08:33,240 --> 00:08:35,520 Speaker 1: mitigate the dam I'm make sure the time spent on 134 00:08:37,520 --> 00:08:41,760 Speaker 1: funny scene in the Dina when she's delaying leaving, not 135 00:08:41,880 --> 00:08:48,680 Speaker 1: allowing the tutorial to begin, and Jess sees that. You know, 136 00:08:48,760 --> 00:08:51,720 Speaker 1: he works that into his routine, all right, the tutoring session. 137 00:08:51,760 --> 00:08:54,160 Speaker 1: The actually we have you ever been so excited to 138 00:08:54,200 --> 00:08:57,319 Speaker 1: see a tutoring session on television. It's like, you know 139 00:08:57,360 --> 00:09:02,360 Speaker 1: what's going to happen, you know, just he does just 140 00:09:02,360 --> 00:09:09,679 Speaker 1: about everything to not study, and it's driving Rory a 141 00:09:09,679 --> 00:09:13,280 Speaker 1: little bit crazy. And then they go for an ice cream. 142 00:09:13,600 --> 00:09:18,280 Speaker 1: They take a little study break and in the car, 143 00:09:18,360 --> 00:09:20,880 Speaker 1: Rory asks Jess White doesn't try and school. He's so 144 00:09:20,960 --> 00:09:24,040 Speaker 1: much potentially so smart. Obviously, he says there's He says 145 00:09:24,040 --> 00:09:27,319 Speaker 1: there's no point because he isn't going to college and 146 00:09:27,320 --> 00:09:29,560 Speaker 1: that I don't know how that make you feel. 147 00:09:30,080 --> 00:09:32,240 Speaker 3: I mean, I'm not a I don't think you need 148 00:09:32,280 --> 00:09:34,960 Speaker 3: to go to college anymore. I don't think that if 149 00:09:35,040 --> 00:09:36,560 Speaker 3: you want to go and you know what you want 150 00:09:36,559 --> 00:09:39,680 Speaker 3: to study, great, If you don't, you can still be 151 00:09:39,880 --> 00:09:43,200 Speaker 3: very successful in life without it. So that's where I 152 00:09:43,240 --> 00:09:44,200 Speaker 3: stand on the subject. 153 00:09:44,400 --> 00:09:44,600 Speaker 4: Right. 154 00:09:45,080 --> 00:09:47,600 Speaker 1: Rory tells jes her plans to go into Harvard and 155 00:09:47,679 --> 00:09:51,960 Speaker 1: becoming a journalist. He tells her her plans seem a 156 00:09:52,000 --> 00:09:58,280 Speaker 1: little too rough for her being a war correspondent or 157 00:09:58,600 --> 00:10:02,280 Speaker 1: wanting to have Christian Poor's career, and she's she's not 158 00:10:03,280 --> 00:10:06,080 Speaker 1: She's not tough enough for that. That's too rough for her. 159 00:10:06,160 --> 00:10:07,920 Speaker 1: What do you think of that? 160 00:10:08,120 --> 00:10:11,640 Speaker 3: Well, that's a whole other conversation to be had, right, 161 00:10:13,160 --> 00:10:14,960 Speaker 3: But you know, the funny thing about it is, I 162 00:10:14,960 --> 00:10:17,160 Speaker 3: feel like maybe she didn't really think about it, and 163 00:10:17,240 --> 00:10:19,760 Speaker 3: she had a moment of like, oh, maybe I didn't 164 00:10:19,760 --> 00:10:21,319 Speaker 3: put a lot of thought into that part of it. 165 00:10:22,040 --> 00:10:26,120 Speaker 3: There was that aspect she had a moment of like, yeah, 166 00:10:26,160 --> 00:10:30,520 Speaker 3: I didn't really think about all of that, but you 167 00:10:30,559 --> 00:10:34,079 Speaker 3: know he needs to be straightened out. Women women can 168 00:10:34,120 --> 00:10:34,680 Speaker 3: do this job. 169 00:10:35,360 --> 00:10:43,079 Speaker 1: Yeah, I say, can, and they must. So Jess actually 170 00:10:43,120 --> 00:10:45,440 Speaker 1: gives Worthy the option of going back to Luke's study 171 00:10:46,120 --> 00:10:49,760 Speaker 1: or turning right to drive around a little more. He 172 00:10:49,880 --> 00:10:52,920 Speaker 1: really wasn't offering her an option. He was just enticing 173 00:10:52,960 --> 00:10:57,160 Speaker 1: her to more fun banter, which of course she agreed to. 174 00:10:58,040 --> 00:11:03,120 Speaker 1: So she tells him to turn right, and and just 175 00:11:03,160 --> 00:11:07,160 Speaker 1: like Laurel, I was afraid of it's being around Jess 176 00:11:07,280 --> 00:11:10,040 Speaker 1: influencing Rory to be rebellious. 177 00:11:10,640 --> 00:11:15,280 Speaker 3: Well, she shouldn't let him drive. I mean, let's be honest. 178 00:11:15,280 --> 00:11:18,640 Speaker 3: It was her car she's driving, right, women, You know, 179 00:11:19,200 --> 00:11:22,360 Speaker 3: women can drive too, They can have these news jobs 180 00:11:22,360 --> 00:11:28,280 Speaker 3: and they can drive. I mean, I think it's those 181 00:11:28,280 --> 00:11:30,959 Speaker 3: are the red flags flailing right. 182 00:11:31,880 --> 00:11:35,760 Speaker 1: Maybe Rory's driving and the action is caused by Jess 183 00:11:36,640 --> 00:11:40,000 Speaker 1: leaning over to try to kiss her or something. I 184 00:11:40,040 --> 00:11:43,280 Speaker 1: don't know. I'm not going to rewrite it. Rory seems 185 00:11:43,360 --> 00:11:46,400 Speaker 1: drawn to Jess's edge here, and you can really see 186 00:11:46,440 --> 00:11:49,560 Speaker 1: it in this scene, in her silence and the way 187 00:11:49,600 --> 00:11:55,199 Speaker 1: she looks at him. I mean, did you go through 188 00:11:55,240 --> 00:11:57,880 Speaker 1: a bad boy face? Do most women go through a 189 00:11:57,920 --> 00:12:02,040 Speaker 1: bad boy face? Or what is that all about? What 190 00:12:02,600 --> 00:12:05,920 Speaker 1: is Jess's function in her life here? I mean, what 191 00:12:06,000 --> 00:12:07,320 Speaker 1: is going on with this kid? 192 00:12:08,840 --> 00:12:13,040 Speaker 3: Right? I think everybody has to experience one. You have 193 00:12:13,120 --> 00:12:15,920 Speaker 3: to to know that it's bad, to know that it's 194 00:12:15,960 --> 00:12:18,079 Speaker 3: not for you. You know, you have to give into that 195 00:12:18,280 --> 00:12:23,320 Speaker 3: enticing bad boy, but you know you soon realize it's 196 00:12:23,360 --> 00:12:27,000 Speaker 3: it's not the way and good guys are are the 197 00:12:27,000 --> 00:12:28,160 Speaker 3: better option. Yeah. 198 00:12:28,320 --> 00:12:32,079 Speaker 1: Well, now she's at the hospital and she calls her 199 00:12:32,120 --> 00:12:35,680 Speaker 1: mother and she's gotten into an accident with Jess swerving 200 00:12:35,720 --> 00:12:39,800 Speaker 1: to avoid hitting an animal Okay, a squirrel or a 201 00:12:39,880 --> 00:12:43,280 Speaker 1: rat or whatever it was. Uh, Laurel. I rushed at 202 00:12:43,280 --> 00:12:46,520 Speaker 1: the hospital and the doctor tells her Rory's wrist is fractured. 203 00:12:47,960 --> 00:12:51,480 Speaker 1: That's a little bit devastating for a parent, you know, 204 00:12:51,640 --> 00:12:53,960 Speaker 1: that's like what could have happened? What could have been 205 00:12:55,080 --> 00:12:57,800 Speaker 1: got away with a fractured wrist? The house severe? Could 206 00:12:57,800 --> 00:13:00,200 Speaker 1: it have been Nicole or you? Calm and Christ, this 207 00:13:00,280 --> 00:13:02,760 Speaker 1: is the crises. 208 00:13:03,720 --> 00:13:08,560 Speaker 3: I am now at this point in my life. I 209 00:13:08,559 --> 00:13:11,959 Speaker 3: don't think you could throw much more at me. And 210 00:13:12,040 --> 00:13:13,920 Speaker 3: yes now I am, but for a long time. 211 00:13:13,960 --> 00:13:24,480 Speaker 1: No, uh huh, Hey, everybody, make sure to catch me 212 00:13:24,640 --> 00:13:27,960 Speaker 1: on the convention circuit on September fifth, sixth, and seventh. 213 00:13:28,000 --> 00:13:32,000 Speaker 1: I'll be a Smoky Mountain FanFest in Kingsport, Tennessee. A 214 00:13:32,120 --> 00:13:36,280 Speaker 1: Weekend in the Life in New Milford, Connecticut, September twelfth, thirteenth, 215 00:13:36,360 --> 00:13:38,880 Speaker 1: and fourteenth. Yes, I will be there on the thirteenth 216 00:13:38,920 --> 00:13:44,240 Speaker 1: that Saturday, New Milford, Connecticut, Destination Stars Hollow in Brighton, Michigan, 217 00:13:44,760 --> 00:13:48,600 Speaker 1: September twenty and possibly the twenty first. Hope to see 218 00:13:48,600 --> 00:13:53,800 Speaker 1: everybody there. And it was a nice scene in the hospital, again, 219 00:13:54,080 --> 00:13:58,560 Speaker 1: very very well written. We really see how much she cares, 220 00:13:58,600 --> 00:14:02,720 Speaker 1: how angry she is, and now she's she's going, she's 221 00:14:02,920 --> 00:14:05,559 Speaker 1: she's leaving the hospital and she's going somewhere. We don't 222 00:14:05,559 --> 00:14:07,280 Speaker 1: know where she's going, but we figured she's going to 223 00:14:07,320 --> 00:14:11,000 Speaker 1: go look for for Jess because she she's gonna open 224 00:14:11,040 --> 00:14:14,360 Speaker 1: up a can of what bess on him. But she 225 00:14:14,440 --> 00:14:18,280 Speaker 1: and she touched. But she goes to Luke's to find him. 226 00:14:18,320 --> 00:14:22,240 Speaker 1: Where is he? Gotta tell you that was a really 227 00:14:22,280 --> 00:14:25,840 Speaker 1: fun scene. That was a fun scene because we you know, 228 00:14:26,400 --> 00:14:29,840 Speaker 1: Lauren and I had a lot of on screen conflict 229 00:14:29,920 --> 00:14:32,520 Speaker 1: but that was particularly fun because it was physical because 230 00:14:32,520 --> 00:14:33,920 Speaker 1: I was trying to stop her and I had to 231 00:14:34,160 --> 00:14:36,680 Speaker 1: she was rushing upstairs, and you know, those scenes are 232 00:14:36,680 --> 00:14:39,440 Speaker 1: always kind of fun. They're so fast paced and there's 233 00:14:39,560 --> 00:14:41,720 Speaker 1: energy and you got to keep the energy going, and 234 00:14:41,760 --> 00:14:43,400 Speaker 1: it's just it's just a lot of fun to do. 235 00:14:44,520 --> 00:14:46,680 Speaker 1: And she was fun to do them with, because man, 236 00:14:46,800 --> 00:14:49,720 Speaker 1: that's like a nuclear power plant you're working with right there. 237 00:14:49,720 --> 00:14:49,920 Speaker 2: Man. 238 00:14:51,240 --> 00:14:52,960 Speaker 1: So she runs into Luke tells him it's all his 239 00:14:53,040 --> 00:14:55,120 Speaker 1: fault for bringing Just Starts home and pushing Rory and 240 00:14:55,280 --> 00:14:59,200 Speaker 1: just together. He apologizes for what just did to Roy, 241 00:14:59,240 --> 00:15:02,760 Speaker 1: but he tells Laura that he needs to find Jess 242 00:15:02,800 --> 00:15:05,080 Speaker 1: to make sure he is okay. So he's concerned about 243 00:15:05,080 --> 00:15:07,600 Speaker 1: his nephew. Laura, I tells Luke to go to how 244 00:15:07,640 --> 00:15:11,360 Speaker 1: they have it out in the town square, and he 245 00:15:11,520 --> 00:15:14,560 Speaker 1: comes back at her, you know, like he just says 246 00:15:14,720 --> 00:15:19,480 Speaker 1: right back at you, and he leaves and he finds 247 00:15:19,600 --> 00:15:22,400 Speaker 1: just by a laking's just smoking a cigarette and he's 248 00:15:22,440 --> 00:15:27,840 Speaker 1: really down in the mouth. And nice, nice tender scene, 249 00:15:28,160 --> 00:15:34,240 Speaker 1: very very It really made me see Jess who he 250 00:15:34,440 --> 00:15:38,520 Speaker 1: was and how lonely he was and how difficult his 251 00:15:38,560 --> 00:15:43,320 Speaker 1: life has been. And how he just I don't know, 252 00:15:43,360 --> 00:15:48,000 Speaker 1: he needed Luke. It was a really sweet scene. What 253 00:15:48,080 --> 00:15:50,400 Speaker 1: do you think of that? It's a heated moment between 254 00:15:50,480 --> 00:15:55,000 Speaker 1: Luke and Laurel. I again, wonderful to work in those 255 00:15:55,080 --> 00:15:58,600 Speaker 1: kinds of scenes with actors of this caliber. And I 256 00:15:58,600 --> 00:16:01,760 Speaker 1: think the question here, Nicole, would you or would I 257 00:16:01,840 --> 00:16:04,440 Speaker 1: have reacted the same way as laurla did after an 258 00:16:04,440 --> 00:16:07,880 Speaker 1: accident like that with our kid? Or is she being 259 00:16:07,960 --> 00:16:11,560 Speaker 1: unreasonable yelling it looked like that. What do you think? 260 00:16:12,560 --> 00:16:18,760 Speaker 3: Well, you know, yes and no. It's like she is concerned, 261 00:16:18,800 --> 00:16:21,360 Speaker 3: she knew, she saw the red flags. She didn't want 262 00:16:21,360 --> 00:16:24,680 Speaker 3: this to happen. She had that mother's intuition that this 263 00:16:24,840 --> 00:16:28,520 Speaker 3: was bad, bad, bad, she called it, and she was right, 264 00:16:28,800 --> 00:16:32,040 Speaker 3: you know. So there's that part of it. Then there's 265 00:16:32,080 --> 00:16:35,960 Speaker 3: the other part of like, yeah, really not nothing terrible happened, 266 00:16:36,160 --> 00:16:40,040 Speaker 3: Nothing outrageous happened. They had a little accident. Things like 267 00:16:40,040 --> 00:16:44,400 Speaker 3: this happened. You got to get through them. So in 268 00:16:44,440 --> 00:16:46,280 Speaker 3: the moment, you're gonna be upset, Yeah, you're gonna be 269 00:16:46,360 --> 00:16:48,520 Speaker 3: upset your kid just was in a car accident. 270 00:16:48,840 --> 00:16:54,160 Speaker 1: These are relationship killers, though, right, These are those moments 271 00:16:54,200 --> 00:16:56,920 Speaker 1: where those fights break out and everything gets ugly and 272 00:16:56,960 --> 00:17:00,600 Speaker 1: it's like, wow, I am on the other side of this, 273 00:17:00,720 --> 00:17:02,720 Speaker 1: and I don't know who this person is or why 274 00:17:02,760 --> 00:17:05,520 Speaker 1: they're talking to me that way. And I was just 275 00:17:05,560 --> 00:17:07,879 Speaker 1: trying to do right for my nephew, you know, and 276 00:17:07,920 --> 00:17:13,960 Speaker 1: he needed it, and you know, stuff happens, but I 277 00:17:13,960 --> 00:17:16,320 Speaker 1: don't know. I think I would have popped too. 278 00:17:16,920 --> 00:17:19,199 Speaker 3: Yeah, these are the moments where you have to not 279 00:17:19,440 --> 00:17:21,760 Speaker 3: speak right, you have to go take time and cool 280 00:17:21,800 --> 00:17:23,679 Speaker 3: off and then come back. But we don't have that 281 00:17:23,760 --> 00:17:27,720 Speaker 3: kind of time on a TV show, No we do. 282 00:17:27,960 --> 00:17:31,240 Speaker 1: We got we got to get to the commercial when 283 00:17:31,280 --> 00:17:35,240 Speaker 1: they had commercials. Well, do you think Luke's reaction was 284 00:17:35,280 --> 00:17:37,840 Speaker 1: also warranted or was it a little? 285 00:17:38,080 --> 00:17:38,320 Speaker 4: Yes? 286 00:17:39,240 --> 00:17:41,680 Speaker 3: Yes, this is this is the story of two things 287 00:17:41,680 --> 00:17:44,119 Speaker 3: are true here. You know, they're each looking out for 288 00:17:44,160 --> 00:17:47,600 Speaker 3: the best interests of the kid, and they're very different interests. 289 00:17:47,119 --> 00:17:51,679 Speaker 1: Right right, Well, Jess does say at the bridge that 290 00:17:51,720 --> 00:17:55,840 Speaker 1: he made sure Rory was okay. He knows that he 291 00:17:55,960 --> 00:17:58,960 Speaker 1: stepped in it now and it's bad and he knows that. 292 00:18:00,400 --> 00:18:03,640 Speaker 1: And the sad thing is, you know how well we'll 293 00:18:03,680 --> 00:18:06,160 Speaker 1: get to that, but how he left he left town, 294 00:18:06,920 --> 00:18:09,840 Speaker 1: that's very sad, and you know, Yeah, I think it 295 00:18:09,920 --> 00:18:14,160 Speaker 1: was a way of just showing his love for her 296 00:18:14,400 --> 00:18:17,200 Speaker 1: in a way, right and saying he's sorry to Luke 297 00:18:17,280 --> 00:18:20,320 Speaker 1: all in one. He doesn't know what to do. He's 298 00:18:20,359 --> 00:18:23,919 Speaker 1: just overwhelmed with his own feelings. Poor kid. Yeah, and 299 00:18:23,960 --> 00:18:27,920 Speaker 1: it just, you know, that scene just made me focus 300 00:18:28,000 --> 00:18:32,400 Speaker 1: on that question. You know, how do you punish a kid? 301 00:18:33,160 --> 00:18:37,720 Speaker 1: You know, seventeen sixteen, you know, and so many kids 302 00:18:37,760 --> 00:18:42,880 Speaker 1: get in trouble and they you know, their passions overwhelmed them, 303 00:18:42,880 --> 00:18:46,600 Speaker 1: and they get in these situations and like who gets 304 00:18:46,640 --> 00:18:50,000 Speaker 1: thrown away? Who gets thrown in jail? Who gets tossed aside? 305 00:18:50,040 --> 00:18:52,600 Speaker 1: And I don't know, I just kept thinking there ought 306 00:18:52,600 --> 00:18:56,200 Speaker 1: to be a law against bad parents. Too many laws 307 00:18:56,240 --> 00:19:01,720 Speaker 1: against bad kids, not enough laws against bad parents. So anyway, 308 00:19:01,920 --> 00:19:07,480 Speaker 1: all right, now we have Christopher. Christopher shows up on 309 00:19:07,560 --> 00:19:13,359 Speaker 1: the scene. He's very concerned. Lorelei calls Chris. He becomes 310 00:19:13,440 --> 00:19:16,400 Speaker 1: very concerned, so he drives Star Soliby with Laurlai and Rury. 311 00:19:16,400 --> 00:19:20,399 Speaker 1: He wakes up next to Laurlei in Rory's room, sleeping 312 00:19:20,560 --> 00:19:24,880 Speaker 1: on a chair with his daughter asleep in the bed 313 00:19:25,000 --> 00:19:29,280 Speaker 1: with a cast on her arm. You know, they apologize 314 00:19:29,280 --> 00:19:31,119 Speaker 1: to each other about that fight they had in the 315 00:19:31,160 --> 00:19:34,720 Speaker 1: diner in the previous episode or a couple episodes back 316 00:19:34,760 --> 00:19:39,480 Speaker 1: when when you know, Christopher thought she was being condescending 317 00:19:39,520 --> 00:19:43,639 Speaker 1: and he really just laid her out right and you know, 318 00:19:43,760 --> 00:19:46,399 Speaker 1: right in front of look too, and not one of 319 00:19:46,440 --> 00:19:50,000 Speaker 1: his finest moments. I think, I mean, maybe somewhat justify 320 00:19:50,080 --> 00:19:53,960 Speaker 1: a little bit, but he really took it far. Does 321 00:19:54,000 --> 00:19:57,919 Speaker 1: this make him redeemable? What he's doing now? It seems 322 00:19:57,960 --> 00:20:01,160 Speaker 1: like this character always shows up at very convenient times 323 00:20:01,160 --> 00:20:04,199 Speaker 1: when things are so bad for Luke and Laurel. I 324 00:20:04,359 --> 00:20:06,240 Speaker 1: but what do you think, is this guy redeemable? 325 00:20:06,520 --> 00:20:10,320 Speaker 3: Everybody's redeemable? I want to believe. I want to believe, 326 00:20:10,359 --> 00:20:15,880 Speaker 3: but you know, you know it's yes, he's showing up. 327 00:20:16,600 --> 00:20:18,199 Speaker 3: I just I would hate to see what happened. If 328 00:20:18,240 --> 00:20:22,320 Speaker 3: something really serious happens, like you know this is, if 329 00:20:22,359 --> 00:20:27,800 Speaker 3: it takes a fractured risk to bring them together, then 330 00:20:27,840 --> 00:20:29,600 Speaker 3: so be it, right? Right? 331 00:20:30,040 --> 00:20:30,280 Speaker 4: Right? 332 00:20:31,400 --> 00:20:36,560 Speaker 1: How many fathers out there that are dealing with all 333 00:20:36,680 --> 00:20:40,879 Speaker 1: kinds of issues, right whatever whatever they might be, and 334 00:20:40,960 --> 00:20:45,200 Speaker 1: they've been schmucks for fifteen years and out of the picture, 335 00:20:45,480 --> 00:20:48,760 Speaker 1: and then one day they show up and they say 336 00:20:48,920 --> 00:20:52,719 Speaker 1: I'm here, I'm going to try and I and I 337 00:20:52,880 --> 00:20:54,960 Speaker 1: and I want to love and I and I'm sorry. 338 00:20:55,280 --> 00:20:58,640 Speaker 1: Who's going to say no? And that's power, that's power. 339 00:20:58,760 --> 00:21:01,280 Speaker 1: That's powerful. But it's yeah, it's up to the kid, right, 340 00:21:01,760 --> 00:21:03,960 Speaker 1: the kids. So you're right about that. It's up to 341 00:21:04,000 --> 00:21:07,400 Speaker 1: the kid. So if it's okay for the kid, then 342 00:21:07,440 --> 00:21:10,440 Speaker 1: it's okay. If if the kid says it's okay, then 343 00:21:10,480 --> 00:21:13,440 Speaker 1: it's okay. But then the then the other parent has 344 00:21:13,480 --> 00:21:15,800 Speaker 1: to step in and say, whoa wait a minute, is 345 00:21:15,800 --> 00:21:18,800 Speaker 1: this really the best thing? So there are all those 346 00:21:18,920 --> 00:21:21,919 Speaker 1: questions flying around. But I think in this situation, it's like, 347 00:21:22,000 --> 00:21:26,760 Speaker 1: why why would you deny him an opportunity? If he's 348 00:21:27,000 --> 00:21:30,840 Speaker 1: he's turned over a new leaf, you know, and really 349 00:21:30,880 --> 00:21:34,600 Speaker 1: wants to be in and and make up for lost time. 350 00:21:35,640 --> 00:21:38,640 Speaker 1: We would want to see that in every every delinquent father. 351 00:21:39,520 --> 00:21:41,639 Speaker 1: We want to see that in every single one of them. 352 00:21:41,840 --> 00:21:42,480 Speaker 3: Yeah. 353 00:21:42,880 --> 00:21:47,280 Speaker 1: So anyway, you get the sense the call that Christopher 354 00:21:47,320 --> 00:21:50,119 Speaker 1: is not terribly happy in his relationship and he sees 355 00:21:50,160 --> 00:21:53,440 Speaker 1: this as a real opportunity to kind of get back 356 00:21:53,440 --> 00:21:56,800 Speaker 1: into her good graces because he's really he's fighting it 357 00:21:56,880 --> 00:21:57,560 Speaker 1: uphill battle. 358 00:21:57,960 --> 00:22:00,600 Speaker 3: Yeah, he really is, but any effort is good effort. 359 00:22:00,760 --> 00:22:03,359 Speaker 3: I mean, I'm a single mom. I come from a 360 00:22:03,359 --> 00:22:07,639 Speaker 3: place where I would appreciate that effort. And you know, 361 00:22:07,680 --> 00:22:10,160 Speaker 3: it's family forever. It's one of those things like you 362 00:22:11,040 --> 00:22:13,639 Speaker 3: you think it's not, but it is. It's forever, and 363 00:22:13,680 --> 00:22:16,680 Speaker 3: you're going to forever love that person because your child 364 00:22:16,760 --> 00:22:19,560 Speaker 3: is made up of half of that person's Can you 365 00:22:19,640 --> 00:22:22,560 Speaker 3: see that person in your child every day so that 366 00:22:22,720 --> 00:22:24,880 Speaker 3: you can't help but love each other. So it's good 367 00:22:24,960 --> 00:22:26,960 Speaker 3: to cut through the bs, right right? 368 00:22:27,600 --> 00:22:32,000 Speaker 1: I agree? All right, Now we get to the greatest 369 00:22:32,040 --> 00:22:35,800 Speaker 1: moment in Gilmore Girl's history, which is a film by Kirk. 370 00:22:35,880 --> 00:22:40,679 Speaker 1: It's a short film, and Lorala I chooses to grant 371 00:22:40,800 --> 00:22:46,840 Speaker 1: Kirk his ask of, you know, being the opening band 372 00:22:47,080 --> 00:22:50,680 Speaker 1: for the Yearling. Okay, he's going to open up for 373 00:22:50,720 --> 00:22:53,399 Speaker 1: the Yearling with a short film that he's been working 374 00:22:53,400 --> 00:22:55,200 Speaker 1: on for five years and if he rushes, he could 375 00:22:55,240 --> 00:23:00,840 Speaker 1: probably get it finished in a couple of days. Of 376 00:23:01,000 --> 00:23:06,520 Speaker 1: my law, I just can't take it. He's so funny. 377 00:23:07,080 --> 00:23:13,160 Speaker 1: That character is so funny. Chris attends the festival and 378 00:23:14,680 --> 00:23:17,600 Speaker 1: with Rory and they and they both say they like 379 00:23:17,720 --> 00:23:22,200 Speaker 1: having Christopher around. He's there he's at in the town Square, 380 00:23:22,280 --> 00:23:25,359 Speaker 1: sitting in a chair watching this bizarre film by Kirk 381 00:23:26,240 --> 00:23:29,200 Speaker 1: and love it every minute of it. And then Laura 382 00:23:29,440 --> 00:23:33,280 Speaker 1: and Rory overhear Miss Patty and be Bet saying that 383 00:23:33,440 --> 00:23:38,359 Speaker 1: Luke sent Jess back home to his mom. What a moment, 384 00:23:39,920 --> 00:23:44,320 Speaker 1: What a moment? Luke sends just home? Must have been 385 00:23:44,359 --> 00:23:45,760 Speaker 1: a difficult choice for him. 386 00:23:46,040 --> 00:23:49,359 Speaker 3: Do we think it was a mutual agreement, because again 387 00:23:49,400 --> 00:23:54,439 Speaker 3: we're hearing this gossip ye secondhand, right, do we think 388 00:23:54,480 --> 00:23:56,880 Speaker 3: that Luke really just gave up and sent him home? 389 00:23:57,000 --> 00:23:59,439 Speaker 3: Or do you think they had a you know, a 390 00:23:59,520 --> 00:24:02,600 Speaker 3: mutual understanding and agreement that maybe it was best for 391 00:24:02,680 --> 00:24:05,720 Speaker 3: him not to stay there. And I was really heartbreaking. 392 00:24:05,760 --> 00:24:07,560 Speaker 3: That's a heartbreaking part for me. I didn't. 393 00:24:08,480 --> 00:24:11,520 Speaker 1: Yeah, but that for me is an example of great 394 00:24:11,560 --> 00:24:14,679 Speaker 1: writing because we don't know and we speculate and we 395 00:24:14,840 --> 00:24:18,399 Speaker 1: participate in it, right, And I'm just like, what was 396 00:24:18,440 --> 00:24:21,879 Speaker 1: that scene? Like, we didn't see that scene, right, it 397 00:24:21,920 --> 00:24:24,639 Speaker 1: wasn't written, but man, we wrote it in our heads 398 00:24:24,720 --> 00:24:28,000 Speaker 1: and it's a different scene for everybody. And what was it? 399 00:24:28,080 --> 00:24:32,240 Speaker 1: And isn't that great? You know, not just so clever? Well, 400 00:24:33,680 --> 00:24:36,880 Speaker 1: you think Luke did it for Laurel, I you think 401 00:24:36,920 --> 00:24:39,520 Speaker 1: maybe that's a possibility. I mean it is. But what 402 00:24:39,600 --> 00:24:42,800 Speaker 1: do you think happened there? What happened on that doc? Yeah, 403 00:24:42,880 --> 00:24:45,560 Speaker 1: that's that's what happened on Did he say you got 404 00:24:45,560 --> 00:24:48,879 Speaker 1: to go? Or did he wait till the next morning 405 00:24:48,880 --> 00:24:49,679 Speaker 1: he says you got to go. 406 00:24:50,080 --> 00:24:52,280 Speaker 3: I would like to think he didn't say you have 407 00:24:52,359 --> 00:24:54,760 Speaker 3: to go. I would like to think that they both 408 00:24:54,800 --> 00:24:57,920 Speaker 3: said maybe it's best, like this is probably better if 409 00:24:58,080 --> 00:25:01,840 Speaker 3: I don't involve myself here anymore and move on, because 410 00:25:01,840 --> 00:25:03,679 Speaker 3: I would hate to think that Luke would break his 411 00:25:03,720 --> 00:25:06,560 Speaker 3: heart like that and just also discard him after the 412 00:25:06,600 --> 00:25:08,040 Speaker 3: conversation they just had. 413 00:25:08,119 --> 00:25:12,440 Speaker 1: Right, right, right? But what's he going back to? 414 00:25:13,240 --> 00:25:13,440 Speaker 4: Right? 415 00:25:14,119 --> 00:25:16,880 Speaker 1: I mean, that's not a choice, right, this is this 416 00:25:16,960 --> 00:25:21,480 Speaker 1: is my sister can't handle it. He can't, She can't 417 00:25:21,480 --> 00:25:25,679 Speaker 1: handle him. She can't handle her own appetites. You know, 418 00:25:26,800 --> 00:25:28,040 Speaker 1: it's not a good situation. 419 00:25:28,600 --> 00:25:32,600 Speaker 3: No, But then does Luke sort of also have some 420 00:25:32,680 --> 00:25:37,080 Speaker 3: of those characteristics because maybe he can't handle it either. 421 00:25:37,160 --> 00:25:39,119 Speaker 3: He's like, Okay, this is too much for me. 422 00:25:39,760 --> 00:25:43,000 Speaker 1: I don't know. Life gets tough here, right, Let's get 423 00:25:43,000 --> 00:25:47,480 Speaker 1: that life gets tough. You think if Jess had stayed, 424 00:25:47,560 --> 00:25:50,440 Speaker 1: Luke and Laurel I would have still have this big 425 00:25:50,480 --> 00:25:51,760 Speaker 1: wedge between them. 426 00:25:52,160 --> 00:25:55,119 Speaker 3: Well, well, we don't know, right, I mean, this could 427 00:25:55,160 --> 00:25:59,720 Speaker 3: have brought them closer together, could have created another war, 428 00:26:01,080 --> 00:26:01,640 Speaker 3: We don't know. 429 00:26:02,160 --> 00:26:06,040 Speaker 1: You think that that temperature is too much for this show? 430 00:26:07,480 --> 00:26:14,880 Speaker 1: Just stays, Laurel is offended, there's ice, there's stairs, they 431 00:26:14,920 --> 00:26:18,720 Speaker 1: don't well, they don't go to the diner anymore, oh okay, 432 00:26:18,920 --> 00:26:22,240 Speaker 1: or Laurel I has to just sort of really make 433 00:26:22,280 --> 00:26:27,080 Speaker 1: these overtures to get back into sort of a normal 434 00:26:27,160 --> 00:26:31,600 Speaker 1: flow of her day or her life, knowing that you know, 435 00:26:32,160 --> 00:26:35,760 Speaker 1: Luke didn't care. I mean, I don't know, right. 436 00:26:36,520 --> 00:26:40,399 Speaker 3: Right, And it's like it's like the their relationship and 437 00:26:40,440 --> 00:26:42,920 Speaker 3: then the kids are like the mini me of them, right, 438 00:26:42,960 --> 00:26:47,400 Speaker 3: They're like the little mirrored And if Rory and Jess 439 00:26:47,440 --> 00:26:51,520 Speaker 3: had got together, then you know, this could lead into 440 00:26:52,640 --> 00:26:56,760 Speaker 3: a whole mess too, because it could get Rory off 441 00:26:56,880 --> 00:27:01,320 Speaker 3: track and you know, yeah, this could be disastrous. 442 00:27:01,600 --> 00:27:02,120 Speaker 4: I don't know. 443 00:27:02,240 --> 00:27:06,680 Speaker 1: It's like it's just too much. Jess was just it 444 00:27:06,720 --> 00:27:10,000 Speaker 1: was too much. It was like the kid was just 445 00:27:10,040 --> 00:27:13,119 Speaker 1: screwing up all over the place. How many chances do 446 00:27:13,160 --> 00:27:14,080 Speaker 1: you give a kid? Right? 447 00:27:14,119 --> 00:27:19,040 Speaker 3: I mean, he's well, you give them all the chances think, 448 00:27:20,000 --> 00:27:23,040 Speaker 3: But yeah, I I you know you can't go messing 449 00:27:23,080 --> 00:27:26,400 Speaker 3: up everybody else's life too, Go figure it out. 450 00:27:26,480 --> 00:27:29,040 Speaker 1: That's where I guess Luke drew the line. Now you're 451 00:27:29,080 --> 00:27:32,199 Speaker 1: messing up. It's like, you can mess with me. I 452 00:27:32,200 --> 00:27:34,879 Speaker 1: can handle it, but it starts bleeding out into my 453 00:27:35,480 --> 00:27:39,280 Speaker 1: friendships and my relations with the people I love. Now 454 00:27:39,320 --> 00:27:42,840 Speaker 1: we have a real problem because that's just outright disrespect, 455 00:27:43,800 --> 00:27:47,399 Speaker 1: disrespect me in my home. I can handle that. I 456 00:27:47,440 --> 00:27:49,800 Speaker 1: can deal with that. I know you're a kid in pain. 457 00:27:50,480 --> 00:27:54,800 Speaker 1: You mess up my friends, that's where you teach the lesson. 458 00:27:55,200 --> 00:28:01,639 Speaker 1: Go learn, come back with some growth, right, better person. 459 00:28:02,040 --> 00:28:04,760 Speaker 1: There's going to be a lot of fallout from this incident. 460 00:28:04,920 --> 00:28:06,720 Speaker 1: I think I already know the answers. But would you 461 00:28:06,760 --> 00:28:07,440 Speaker 1: forgive Jess? 462 00:28:08,640 --> 00:28:11,800 Speaker 3: Yes I would, I definitely would. But I get it 463 00:28:11,840 --> 00:28:15,879 Speaker 3: because it's not only messing with Luke's friendship, it's the 464 00:28:16,040 --> 00:28:19,359 Speaker 3: friendship with a child too, right, it's another child's life. 465 00:28:19,400 --> 00:28:23,080 Speaker 3: So now that he's he's bringing this bad influence around 466 00:28:23,119 --> 00:28:26,119 Speaker 3: and he doesn't want to be responsible for that. But 467 00:28:26,240 --> 00:28:29,760 Speaker 3: in real life, in real life, we've got to give 468 00:28:29,800 --> 00:28:30,720 Speaker 3: them all the chances. 469 00:28:31,040 --> 00:28:34,960 Speaker 1: Chess is not valuing any of these people. He's not 470 00:28:35,200 --> 00:28:39,000 Speaker 1: valuing any of these relationships. He's just trying to get inside. 471 00:28:40,160 --> 00:28:44,640 Speaker 1: He's the guy who can't handle anybody else except his target, 472 00:28:44,680 --> 00:28:49,280 Speaker 1: and his target is Rory, and he thinks Rory's going 473 00:28:49,360 --> 00:28:52,600 Speaker 1: to save him, and that's not going to happen. He 474 00:28:52,680 --> 00:28:57,200 Speaker 1: doesn't know that yet. Guys like that don't know that 475 00:28:57,480 --> 00:28:59,960 Speaker 1: she's not going to save you. All that's going to 476 00:29:00,160 --> 00:29:03,920 Speaker 1: happen is you're gonna mess her up. She's gonna dump you, 477 00:29:04,000 --> 00:29:08,320 Speaker 1: and you're gonna be an intense pain. Nothing is. You'll 478 00:29:08,360 --> 00:29:11,520 Speaker 1: grow from that, but you're not gonna learn as much. 479 00:29:12,160 --> 00:29:12,640 Speaker 3: Agreed. 480 00:29:13,160 --> 00:29:14,200 Speaker 1: Were you gonna miss Jess? 481 00:29:14,800 --> 00:29:18,120 Speaker 3: I mean yes, I kind of like it's you know, 482 00:29:18,200 --> 00:29:21,680 Speaker 3: it's the whole Luke and Lorelei in many versions. 483 00:29:21,600 --> 00:29:25,640 Speaker 1: They have such a great chemistry those two. Isn't it wonderful? 484 00:29:25,680 --> 00:29:28,840 Speaker 1: I just I just love their scenes together. There's that 485 00:29:29,040 --> 00:29:41,880 Speaker 1: suck great. Yeah, all right, let's talk about you, Nicole. 486 00:29:42,800 --> 00:29:46,120 Speaker 1: You played Aubrey in season two, episode seven, Like Motherlike Daughter. 487 00:29:46,160 --> 00:29:50,040 Speaker 1: What do you remember about filming that day? You weren't nervous? 488 00:29:50,080 --> 00:29:52,840 Speaker 1: I mean, you're you're a prose pro right. 489 00:29:52,760 --> 00:29:56,200 Speaker 3: So yeah, I mean it's always a little nerve racking, 490 00:29:56,280 --> 00:29:58,720 Speaker 3: right going onto a set, especially an established set where 491 00:29:58,720 --> 00:30:02,280 Speaker 3: everybody knows each other, need to really know anybody, and 492 00:30:02,320 --> 00:30:05,840 Speaker 3: you're only there for a short period of time. So 493 00:30:06,360 --> 00:30:08,720 Speaker 3: there's that part. But that's exciting too, and it was 494 00:30:08,720 --> 00:30:13,040 Speaker 3: a fun character. The writing is fantastic, like it just 495 00:30:13,120 --> 00:30:15,160 Speaker 3: it was a good time. It wasn't all around good time. 496 00:30:15,760 --> 00:30:17,960 Speaker 1: But what was it like working that scene with Lauren? 497 00:30:18,440 --> 00:30:20,400 Speaker 3: I didn't, you know, I actually didn't have a lot 498 00:30:20,400 --> 00:30:25,360 Speaker 3: with her, Unfortunately I didn't. But she's you know, she's approached. 499 00:30:25,400 --> 00:30:29,360 Speaker 3: It's so great to watch her, and everybody in the 500 00:30:29,400 --> 00:30:32,200 Speaker 3: scene was fantastic there. I got to be around a 501 00:30:32,240 --> 00:30:35,880 Speaker 3: lot of great actresses. So yeah, it's a fun day. 502 00:30:36,200 --> 00:30:41,040 Speaker 1: So compare that experience on Gilmore Girls to your time 503 00:30:41,080 --> 00:30:45,160 Speaker 1: on shows like Charles and Charles and bay Watch. Similar, 504 00:30:45,240 --> 00:30:46,120 Speaker 1: completely different. 505 00:30:47,040 --> 00:30:49,360 Speaker 3: Well just like Baywatch, you know. 506 00:30:51,040 --> 00:30:53,080 Speaker 1: Lots of bathing suits and yeah, yeah. 507 00:30:53,000 --> 00:30:55,400 Speaker 3: The first thing that came to mind, just like jay. 508 00:30:55,240 --> 00:31:01,160 Speaker 1: Watch, especially Gilmore Girls was inspired by Baywatch. There's a 509 00:31:01,200 --> 00:31:02,680 Speaker 1: rescue seeing out at sea. 510 00:31:03,880 --> 00:31:09,840 Speaker 3: Very different, controlled environment, lovely, yeah, very different. But I 511 00:31:09,840 --> 00:31:12,400 Speaker 3: would imagine walking on to like a set of Baywatch 512 00:31:12,440 --> 00:31:17,920 Speaker 3: would be intimidating too, because complete chaos, you know, chaos 513 00:31:17,960 --> 00:31:24,480 Speaker 3: and action and different crews happening, and it's Yeah, So did. 514 00:31:24,280 --> 00:31:25,400 Speaker 1: I do enough sit ups? 515 00:31:26,120 --> 00:31:26,440 Speaker 4: Really? 516 00:31:26,520 --> 00:31:27,920 Speaker 1: Do I have to take my shirt off? 517 00:31:28,320 --> 00:31:30,920 Speaker 3: Yeah? 518 00:31:31,080 --> 00:31:33,720 Speaker 1: I can't eat very much at lunch. This sucks, you 519 00:31:33,720 --> 00:31:40,160 Speaker 1: know what's going on? Yeah? Since having your daughter, has 520 00:31:40,240 --> 00:31:42,760 Speaker 1: your perspective or feelings about the show changed? 521 00:31:43,400 --> 00:31:46,760 Speaker 3: Well, I have two children and they are light years 522 00:31:46,760 --> 00:31:50,000 Speaker 3: apart from each other. They're thirteen years apart. So I've 523 00:31:50,040 --> 00:31:56,520 Speaker 3: been very two very different parents. I very different, and 524 00:31:57,440 --> 00:32:00,640 Speaker 3: you know, I'm I'm very I'm way more laid back, 525 00:32:00,680 --> 00:32:04,480 Speaker 3: and I'm much more about go experience at all. Go 526 00:32:04,480 --> 00:32:07,440 Speaker 3: go experience it and let's talk about it after. I 527 00:32:07,480 --> 00:32:12,800 Speaker 3: don't helicopter a lot. So yeah, I have a very 528 00:32:12,800 --> 00:32:16,360 Speaker 3: different approach. Although with my oldest back then, I probably 529 00:32:16,400 --> 00:32:22,080 Speaker 3: would have been. I probably was much more trying to 530 00:32:22,120 --> 00:32:25,000 Speaker 3: be in control of it and trying to, you know, 531 00:32:25,120 --> 00:32:27,960 Speaker 3: maneuver things. But I have learned in my life that 532 00:32:27,960 --> 00:32:32,160 Speaker 3: that is not possible or healthy for any of us. Yeah. 533 00:32:32,600 --> 00:32:35,960 Speaker 1: Does your daughter and any of our friends watch Gilmore? 534 00:32:35,960 --> 00:32:38,000 Speaker 1: Do they recognize your episode when it pops up? 535 00:32:38,280 --> 00:32:41,040 Speaker 3: Yes, which is hilarious. My fourteen year old, not my oldest, 536 00:32:41,040 --> 00:32:45,360 Speaker 3: but my fourteen year old. Yes, one of her best 537 00:32:45,360 --> 00:32:47,000 Speaker 3: friends was sitting in the back seat the other day 538 00:32:47,040 --> 00:32:49,880 Speaker 3: and she's like, and there you are. Gilmore Girls, my 539 00:32:49,920 --> 00:32:53,920 Speaker 3: favorite show, and there you are. And you know we laugh, yes, 540 00:32:54,120 --> 00:32:56,200 Speaker 3: because I'm the mom that carpools everybody. You know. 541 00:32:58,080 --> 00:33:01,880 Speaker 1: So you have your own podcast, idea perfectly perfectly twisted, 542 00:33:01,960 --> 00:33:03,480 Speaker 1: tell us about it. 543 00:33:03,480 --> 00:33:06,160 Speaker 3: It's you know, it's fun. It's about anything and everything, 544 00:33:06,400 --> 00:33:11,800 Speaker 3: and we just talk about whatever's happening on my mind. 545 00:33:11,800 --> 00:33:15,040 Speaker 3: We talk a lot about Bravo too, and my co 546 00:33:15,160 --> 00:33:17,440 Speaker 3: host Dave is a sports guy, so we do talk 547 00:33:17,520 --> 00:33:22,560 Speaker 3: some sports occasionally. And yeah, I just have different guests. 548 00:33:22,560 --> 00:33:26,320 Speaker 3: It's variety, wide, variety from health. Yesterday we just had 549 00:33:27,520 --> 00:33:32,440 Speaker 3: the bookie who's waiting sentencing for the the big gambling 550 00:33:32,520 --> 00:33:34,800 Speaker 3: scandal that happened with the Dodgers. 551 00:33:34,840 --> 00:33:36,200 Speaker 1: Oh boy. 552 00:33:36,320 --> 00:33:38,440 Speaker 3: Yeah, so we had Matthew on. 553 00:33:39,960 --> 00:33:41,240 Speaker 1: What kind of time is he facing? 554 00:33:41,600 --> 00:33:46,760 Speaker 3: It's not too bad, I think, yeah, yeah, which is 555 00:33:47,360 --> 00:33:48,520 Speaker 3: to say, yeah. 556 00:33:48,240 --> 00:33:52,080 Speaker 1: I've done that. I mean I just got out. You know, 557 00:33:52,160 --> 00:33:53,200 Speaker 1: it's not that big a deal. 558 00:33:53,560 --> 00:33:54,760 Speaker 3: I don't leave the house for years. 559 00:33:55,520 --> 00:33:55,960 Speaker 4: Friends. 560 00:33:56,040 --> 00:33:58,520 Speaker 1: I have new friends now, it's not so bad. 561 00:33:58,800 --> 00:34:01,000 Speaker 3: Yeah, easy, easy to say, no big deal, but you 562 00:34:01,040 --> 00:34:04,240 Speaker 3: know what he could be phasing. It's a big deal 563 00:34:05,800 --> 00:34:07,840 Speaker 3: with idiot's five kids. So it's like, you know, as 564 00:34:07,840 --> 00:34:12,279 Speaker 3: a wife, tragic. But he'll he'll be out. 565 00:34:12,840 --> 00:34:15,840 Speaker 1: Yeah yeah, all right. I loved catching up with you, 566 00:34:17,200 --> 00:34:22,400 Speaker 1: really enjoyed our time. And please come back. We we 567 00:34:22,520 --> 00:34:26,200 Speaker 1: there's there's more to cover with Nicole Eggert. Uh. Check 568 00:34:26,239 --> 00:34:30,279 Speaker 1: out her podcast, Perfectly Twisted, Uh what where is it? 569 00:34:30,360 --> 00:34:32,880 Speaker 3: Who's Everywhere you? Podcast? And you can also go to 570 00:34:33,200 --> 00:34:36,000 Speaker 3: perfectly Twisted pod dot com. And we've got a website 571 00:34:36,239 --> 00:34:39,240 Speaker 3: where you can watch and listen or just listen whatever 572 00:34:39,280 --> 00:34:39,560 Speaker 3: you want. 573 00:34:39,880 --> 00:34:43,799 Speaker 1: Fantastic and and uh best fans on the planet. Keep 574 00:34:43,800 --> 00:34:47,279 Speaker 1: the cards and letters coming in zippity doo da and 575 00:34:47,480 --> 00:35:00,640 Speaker 1: yippie kaye. Where you lead, we will follow. Stay safe everyone, August. 576 00:35:00,960 --> 00:35:22,520 Speaker 4: Dotcat Hey, everybody, don't forget. 577 00:35:22,560 --> 00:35:26,640 Speaker 1: Follow us on Instagram at I Am All In podcast 578 00:35:26,719 --> 00:35:39,840 Speaker 1: and email us at Gilmore at iHeartRadio dot com.