WEBVTT - #6 - Benny The Butcher & BSF

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<v Speaker 1>Yo Boulet cap podcast. I hope you're enjoying your shit. Monday.

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<v Speaker 1>It's four in the morning. I got to record an

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<v Speaker 1>intro to this podcast. I just got them hanging out

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<v Speaker 1>with Conway in the studio. Shout out to Conway, so

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<v Speaker 1>to give everybody a little preview of what's to come

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<v Speaker 1>in the future, me and Conway recorded an interview and

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<v Speaker 1>podcast that will be dropping in the middle of August.

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<v Speaker 1>Just got done listening to both of his new albums,

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<v Speaker 1>Fucking Crazy. Shout out to Conway, so around the time

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<v Speaker 1>his new album drops, you guys will hear that interview.

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<v Speaker 1>But speaking of Conway, speaking of Griselda, today we got

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<v Speaker 1>Benny the Butcher. Mind you, it's four in the morning

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<v Speaker 1>right now, and I'll just record the intro. It's the

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<v Speaker 1>Long Night Benny the Butcher, him and the BSF family.

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<v Speaker 1>They got a project dropping with DJ Drama Against the

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<v Speaker 1>Grills Your Bastards that's dropping on twenty seventh July. Shout

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<v Speaker 1>out to the man TK the Giant. Anyway, so before

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<v Speaker 1>we get into the Benny the Butcher interview, shout out

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<v Speaker 1>all right. Now let's get to this Benny the Butter

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<v Speaker 1>your interview, all right, yo, man, Bootleg cap Podcast. Extremely

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<v Speaker 1>honored to be joined by the homie Benny the Butcher

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<v Speaker 1>and his crew. Now, I'm gonna let you introduce the

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<v Speaker 1>squad because you guys got a gangst the grills coming

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<v Speaker 1>out on the thirty first. That's a fact, you know.

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<v Speaker 1>I mean that. Anybody know what drama bring to the table.

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<v Speaker 1>It's that street ship. We back to the streets, you

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<v Speaker 1>know what I'm saying, Waking the streets up again. I

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<v Speaker 1>got my boy heen right here, yep, man or the

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<v Speaker 1>steamer Rick High right here. You know what I mean? Yeah,

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<v Speaker 1>these boys is dangerous. So Benny, let me ask you,

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<v Speaker 1>because like I'm all your fans know usub at Black

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<v Speaker 1>Soprano Family, right. I feel like there's a lot of

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<v Speaker 1>people who follow you who exclusively connect you with Griselda.

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<v Speaker 1>There's like generic hip hop fans who like, obviously you're Griselda, right, right, right,

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<v Speaker 1>So kind of tell us what what BSF is about.

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<v Speaker 1>And you know, anytime I've ever seen you, I've seen

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<v Speaker 1>these guys with you. So this is nothing new. This

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<v Speaker 1>is and this is something you've been you know, this

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<v Speaker 1>is this has been your imprint, your thing for a minute.

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<v Speaker 1>But kind of break down the you know, kind of

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<v Speaker 1>the history of BSF. Uh. Basically, Man, I started BSF

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<v Speaker 1>when I was in l Myra Correctional Facility reception. You

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<v Speaker 1>know what I'm saying. I was on my way to

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<v Speaker 1>do a parole violation and I just was ready for

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<v Speaker 1>a change from when I got back home. So I

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<v Speaker 1>started in reception as soon as I got there. We've

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<v Speaker 1>been working me and rick You know what I'm saying,

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<v Speaker 1>Shout out to the plates plate ship. You know what

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<v Speaker 1>I mean, Ricky, be doing this, you know what I'm saying.

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<v Speaker 1>Even before all that you know what I'm saying. He

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<v Speaker 1>from the hood. So it's like when I came home,

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<v Speaker 1>it was like a resurgence of what we was doing,

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<v Speaker 1>and I was taking everything way more serious. I was

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<v Speaker 1>putting way more time into it, even though I was

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<v Speaker 1>doing putting a lot of time in it before. It's

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<v Speaker 1>like I felt that I needed I needed an extra

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<v Speaker 1>flame under me. So it was basically like I remodeled

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<v Speaker 1>the house and uh, Rick, you know what I mean.

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<v Speaker 1>Rick always been right here since day one, since he

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<v Speaker 1>was a because he was the youngest, since I was

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<v Speaker 1>a younger, and it's crazy because he he always been

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<v Speaker 1>from the hood. But he when he was when he

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<v Speaker 1>was serious about rapping two years ago, he came and

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<v Speaker 1>he paid me for a feature right right like that,

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<v Speaker 1>you know what I mean? Wow, like that, you know

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<v Speaker 1>what I mean. And that's when I was That's when

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<v Speaker 1>I was probably like getting a thousand four verst. But

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<v Speaker 1>I'm like, I didn't even want to take the money

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<v Speaker 1>from him. You know what I'm saying, This is my boy,

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<v Speaker 1>But I know what he wanted. He trying to get

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<v Speaker 1>his he trying to get his ship together. But after that,

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<v Speaker 1>I'm like, nah, man, you just if you're gonna do it.

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<v Speaker 1>You're gonna come fuck with us and do it, you

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<v Speaker 1>know what I mean? So Yo, on the Butcher Meats

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<v Speaker 1>leather Face joint, it sounded like r J. Paine was

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<v Speaker 1>saying he was on the squad and then I and

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<v Speaker 1>then he had hit me and was like, Yo, I'm

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<v Speaker 1>excited because I think I might do something with Benny.

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<v Speaker 1>You got the deal over at E one, So salute

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<v Speaker 1>to you. That's a big boss move. Got your label

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<v Speaker 1>deal over at E one. Shout out to everybody over there.

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<v Speaker 1>But what what ended up happening with the r J

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<v Speaker 1>Pain thing? Uh? Basically shout out the pain and everything.

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<v Speaker 1>But I guess, you know what I'm saying. He I

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<v Speaker 1>guess he wasn't ready to make that move. I guess

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<v Speaker 1>he wanted to just to stay over there and do

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<v Speaker 1>what he wanted to do with his with his own thing.

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<v Speaker 1>And it's all love to him, you know what I'm saying.

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<v Speaker 1>But that's just basically what it is. You know, this business,

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<v Speaker 1>so sometimes everybody, everybody ain't on the same page, you

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<v Speaker 1>know what I'm saying. But we could we could that

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<v Speaker 1>don't that don't like hurt no relationship, right, It's still everybody. Yeah,

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<v Speaker 1>I wish everybody the best, you know what I'm saying.

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<v Speaker 1>But we were moving and were working and we're moving forward.

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<v Speaker 1>So let me ask you this with this Gangster Grill ship. Now,

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<v Speaker 1>obviously we came up man loving gangster grills, you know,

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<v Speaker 1>dedication the g ZY ship. I mean everything. A lot

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<v Speaker 1>of that ship isn't on the streaming platforms. It's on

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<v Speaker 1>that pith, you know. And I'm assuming that this is

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<v Speaker 1>going to be on the streaming platforms, correct, So this

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<v Speaker 1>is gonna be all original music, Yes, sir fire, was

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<v Speaker 1>that like something because you know when you it's it's

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<v Speaker 1>with the traditional gangster grill shit, like you want to

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<v Speaker 1>maybe hop on some other beats, like what's right right

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<v Speaker 1>right right right? You know how the game game so

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<v Speaker 1>finicky right now and you know what I mean with

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<v Speaker 1>the beats and ship like that, and plus we just

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<v Speaker 1>wanted to this. This project was mainly the jump start

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<v Speaker 1>everything that we got going on with when we were

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<v Speaker 1>on the table with this ship too, I promise watch this,

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<v Speaker 1>but it's like, okay, first thing we do is tapping

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<v Speaker 1>back to the streets. I'm saying, go get drama, go

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<v Speaker 1>get these grimy beats and tapping back to the streets.

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<v Speaker 1>And like you said, that ship wasn't on streaming. That

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<v Speaker 1>ship that we do don't be on streaming platforms. It's

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<v Speaker 1>it's on that pid, you know what I mean. You

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<v Speaker 1>know it you wherever it be. But we bringing this

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<v Speaker 1>shit back to the forefront. I kind of feel like, yeah,

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<v Speaker 1>I feel like too. It's almost like you gotta like

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<v Speaker 1>anything you do, like you know, everything changes. The mixtape

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<v Speaker 1>game has changed, like you got to make sure you

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<v Speaker 1>get your bread off it. You know what I'm saying.

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<v Speaker 1>You got And like I said, the whole drama shit

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<v Speaker 1>was just to showcase people gotten what type of type

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<v Speaker 1>of wavelength for you on and using original beats with

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<v Speaker 1>DJ Sha you know what I'm saying, he produced damn

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<v Speaker 1>near half the thing can and produce something on there,

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<v Speaker 1>to produce something on it. It was just like showcasing

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<v Speaker 1>our producers too. Yeah, listen, man, you guys got man,

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<v Speaker 1>all of y'all, Griselda Bee, you guys got some amazing

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<v Speaker 1>in house production. Man. Yes we do, man, Yes we do.

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<v Speaker 1>And that's like the cornerstone other shit. Yo. So I've

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<v Speaker 1>been seeing the way you've been talking online Benny and

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<v Speaker 1>I see eye to eye with you, and that is

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<v Speaker 1>essentially for the last two years, right, twenty eighteen twenty nineteen,

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<v Speaker 1>you dropped projects that were in the discussion for Best

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<v Speaker 1>Projects of the Year classics. Right, so like back to

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<v Speaker 1>back years, and you've been kind of quiet this year.

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<v Speaker 1>I mean outside of touring and doing all the Griselda

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<v Speaker 1>shit and hopping on and just bodying everybody's albums that's

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<v Speaker 1>not your own shit. But I've been seeing you talking

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<v Speaker 1>that talk like listen, once the floodgates open up, I'm

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<v Speaker 1>about to take this whole. This year's mine. Yeah, yeah,

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<v Speaker 1>because I'm about to open them up. And what I've

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<v Speaker 1>been doing is I'm just at the chessboard and I'm

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<v Speaker 1>looking for checkmate. I found it, what I'm saying, so

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<v Speaker 1>I could take pieces and all that. I've been setting

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<v Speaker 1>up a checkmate. And from July thirty first, mark my words.

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<v Speaker 1>From July thirty first, when respected Souppranos come out, DJ

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<v Speaker 1>Drama likes Prano family. From that day to the end

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<v Speaker 1>of the year, I'm taking over. For the past three

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<v Speaker 1>straight years, all my all, my album's been in the

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<v Speaker 1>top ten of the year for sure. I've been having

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<v Speaker 1>versus top ten complex for the past three years. You

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<v Speaker 1>know what I'm saying. So there's nothing gonna stop. It's

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<v Speaker 1>just I've been elevating and I've been lining up my moves. Yo.

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<v Speaker 1>I saw you better than the next one. I saw

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<v Speaker 1>you tweetd yesterday that you're gonna do Tanna Talk four

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<v Speaker 1>and five together. Yeah yeah, double album, yeah yeah, And

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<v Speaker 1>I want none of you rap that niggas is still

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<v Speaker 1>my idea either. You feel what I'm saying. I'm gonna

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<v Speaker 1>do ten to Talk four and five. That's gonna be

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<v Speaker 1>a double album, double album. I'm assuming you're sitting on

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<v Speaker 1>so much music, bro. If you know, if one thing

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<v Speaker 1>about me, if me, Ben and the Butcher haven't dropped

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<v Speaker 1>in fourteen months, you know what I got. That's what

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<v Speaker 1>I'm saying. Ah Cause your squad, like you know, the

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<v Speaker 1>Griselda team. Man, you guys put out music at a

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<v Speaker 1>at a high rate. Actually, I will say this, I

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<v Speaker 1>like I like the way that you drop projects because

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<v Speaker 1>it feels like like you said, like Tanna Talk three was,

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<v Speaker 1>I mean, flawless, just rap music plugs I met. But

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<v Speaker 1>the squad, like yo, man, we got so much, you know,

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<v Speaker 1>just amazing music. Coming from like if you're not dropping

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<v Speaker 1>guns dropping, Conways dropping exactly. And I'm on all their projects,

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<v Speaker 1>So that's kind of feel like it's like a little appetizer,

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<v Speaker 1>you know, like to keep your fans. People have been

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<v Speaker 1>starving for that solo project. But you know what I'm saying,

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<v Speaker 1>I've been on all over the place. I'm in on

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<v Speaker 1>Lil Wayne album this year, uh, Russ album, Russ Gibbs, Yo,

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<v Speaker 1>the Gibbshi. It is crazy. Yeah, So I'm still working.

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<v Speaker 1>Hey talk about because you were supposed to go on

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<v Speaker 1>tour with Russ. And Russ is one of those guys that, like,

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<v Speaker 1>I feel like he gets he gets some some negative

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<v Speaker 1>feedback because I feel like people think he's a little arrogant.

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<v Speaker 1>But I take it the other way. I take it like, Yo,

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<v Speaker 1>this guy's he kind of knows what he's talking about.

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<v Speaker 1>And I always noticed that he reaches out to artists.

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<v Speaker 1>It doesn't matter necessary because he's you know, he's a

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<v Speaker 1>big artist, but he just reaches out to artists that

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<v Speaker 1>he fucks with, that he's a fan of, no matter

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<v Speaker 1>what the case is. And when I saw him put

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<v Speaker 1>you on his album, this was at the beginning of

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<v Speaker 1>the year, and then put you on the road with him.

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<v Speaker 1>I was like, that's so dope, like, because that's gonna

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<v Speaker 1>that's gonna bring your movement to so many random kids

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<v Speaker 1>who never heard of you talk about you and Russ's relationship.

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<v Speaker 1>Cain't nobody tell me shit about Russ, you know what

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<v Speaker 1>I'm saying. Can't nobody tell me about Russ? Just you

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<v Speaker 1>said it. He didn't have to do none of that,

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<v Speaker 1>and you know what I mean. And me, I'm a

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<v Speaker 1>I'm a I'm a street nigga. So when you do

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<v Speaker 1>things like that for me, that cause for uh, for loyalty,

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<v Speaker 1>you feel what I'm saying, Because he didn't have to

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<v Speaker 1>do that. So I only know how to. I only

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<v Speaker 1>know how to like react to certain shit like that

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<v Speaker 1>in certain ways, like he putting food on the table

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<v Speaker 1>for my family. He providing opportunities for me and my

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<v Speaker 1>nigga's right here. So me being from where I'm from,

0:11:36.880 --> 0:11:38.760
<v Speaker 1>like that cost to loyalty, you can't you can't tell

0:11:38.800 --> 0:11:40.959
<v Speaker 1>me about Russ and he a good dude. I want

0:11:41.000 --> 0:11:44.480
<v Speaker 1>to ask the squad like because I think back back

0:11:44.520 --> 0:11:48.480
<v Speaker 1>in the day when when the g Unit tapes were happening,

0:11:48.559 --> 0:11:52.120
<v Speaker 1>and now you're a superior rapper to fifty cent Bennie.

0:11:52.320 --> 0:11:55.760
<v Speaker 1>I don't know if you know that or not. Lyrics, lyrically, lyrically, Listen,

0:11:55.840 --> 0:11:57.920
<v Speaker 1>fifties got all the hits. But what I'm what I

0:11:57.960 --> 0:12:00.680
<v Speaker 1>was trying to get to was you remember when fifty dropped.

0:12:01.240 --> 0:12:03.680
<v Speaker 1>I mean, fifty had the melodies, like fifty could rap obviously,

0:12:03.760 --> 0:12:07.719
<v Speaker 1>but but but then there was like Lloyd Banks, right

0:12:07.840 --> 0:12:13.199
<v Speaker 1>and you'd be like, Damn Banks is is iller than fifty?

0:12:14.080 --> 0:12:17.760
<v Speaker 1>Like are you? Are you two? Obviously? Man, you guys

0:12:17.800 --> 0:12:20.520
<v Speaker 1>got one of the top five right now? Run running

0:12:20.559 --> 0:12:22.360
<v Speaker 1>the point right now? You know. Me and Fred had

0:12:22.400 --> 0:12:25.400
<v Speaker 1>this conversation like there's five guys right now and Benny

0:12:25.520 --> 0:12:28.599
<v Speaker 1>is one of the five of the Jedis. But do

0:12:28.679 --> 0:12:31.040
<v Speaker 1>you do you guys take this as a challenge to

0:12:31.200 --> 0:12:34.559
<v Speaker 1>kind of stand out and out wrap your boss on

0:12:34.679 --> 0:12:39.400
<v Speaker 1>this project. Man, Like, every chance I get the rap

0:12:39.480 --> 0:12:42.800
<v Speaker 1>next to this dude, I go with that mentality because

0:12:42.840 --> 0:12:45.959
<v Speaker 1>you got to yeah, he gonna he gonna bring it off,

0:12:46.200 --> 0:12:48.200
<v Speaker 1>and I feel like he. I feel like Benny when

0:12:48.200 --> 0:12:51.559
<v Speaker 1>I would have watched all them freestyles twenty sixteen, like

0:12:51.679 --> 0:12:55.080
<v Speaker 1>on Static Show and it was about Gun and Conway.

0:12:55.240 --> 0:12:57.160
<v Speaker 1>But you would get the mic. I feel like, oh

0:12:57.880 --> 0:13:00.559
<v Speaker 1>you you took that and you ran with it, Like,

0:13:00.760 --> 0:13:03.560
<v Speaker 1>are you guys kind of doing that same ship? Yeah,

0:13:03.600 --> 0:13:06.120
<v Speaker 1>hell yeah, man. It's it's just always been like that since,

0:13:06.280 --> 0:13:08.640
<v Speaker 1>Like like Bro said, I've been around it since forever.

0:13:09.120 --> 0:13:11.839
<v Speaker 1>It's always been like that, And you gotta appreciate that

0:13:11.920 --> 0:13:14.840
<v Speaker 1>because that's it's friendly competition. He do it too right,

0:13:15.160 --> 0:13:17.079
<v Speaker 1>He knew it too. He do it the most right,

0:13:17.480 --> 0:13:19.400
<v Speaker 1>He do with the most so so you gotta going

0:13:19.440 --> 0:13:21.480
<v Speaker 1>with that mentality because you know he coming to kill.

0:13:21.559 --> 0:13:23.320
<v Speaker 1>He just text us in the group ventsage the other

0:13:23.440 --> 0:13:26.200
<v Speaker 1>day like, are about to smoke y'all? I body, y'all,

0:13:27.120 --> 0:13:28.600
<v Speaker 1>I do that. I do that so they can try

0:13:28.640 --> 0:13:33.719
<v Speaker 1>to smoke me. Because even trust me, even even our

0:13:33.760 --> 0:13:36.520
<v Speaker 1>favorite rappers who we loved and loved to listen to,

0:13:37.080 --> 0:13:38.640
<v Speaker 1>he do the same thing with me. I got songs

0:13:38.640 --> 0:13:40.199
<v Speaker 1>with them niggas. Them niggas be trying to smoke my

0:13:40.320 --> 0:13:43.520
<v Speaker 1>boots that make your best work exactly make your best

0:13:43.520 --> 0:13:46.520
<v Speaker 1>work the pressure Benny uh you like you said, you've

0:13:46.520 --> 0:13:49.120
<v Speaker 1>been on songs with I mean some of the greatest

0:13:49.240 --> 0:13:53.840
<v Speaker 1>right black thought push Like, what was the one verse

0:13:53.920 --> 0:13:55.920
<v Speaker 1>that you got back well, first of all, I don't

0:13:55.920 --> 0:13:57.480
<v Speaker 1>take you as the kind of guy who would go

0:13:57.600 --> 0:13:59.760
<v Speaker 1>in and change the verse after you got another verse back?

0:13:59.800 --> 0:14:02.600
<v Speaker 1>Am I right on? That? Never? Never? Right? So that's fair.

0:14:02.640 --> 0:14:04.520
<v Speaker 1>So what is the verse that you got back? If ever?

0:14:05.120 --> 0:14:06.880
<v Speaker 1>Where you were like, all right, man, my guy, my

0:14:06.960 --> 0:14:10.480
<v Speaker 1>guy got me on this one. Has that ever happened?

0:14:11.360 --> 0:14:21.080
<v Speaker 1>Let me see? Never? Never, that's fair, that's fair. Never.

0:14:22.440 --> 0:14:24.640
<v Speaker 1>Not just my pain. People might have a different pain. No,

0:14:24.760 --> 0:14:27.280
<v Speaker 1>I actually concur with you. I've never heard you get like.

0:14:27.360 --> 0:14:30.480
<v Speaker 1>I've never heard a record where I've been like, yeah,

0:14:30.560 --> 0:14:32.800
<v Speaker 1>the Benny got got on it. I've told Freddie Gibbs

0:14:32.880 --> 0:14:35.040
<v Speaker 1>he's gotten got on records. And he got really pissed

0:14:35.040 --> 0:14:37.760
<v Speaker 1>at me. Yeah. He had a song with Black Thought

0:14:37.840 --> 0:14:39.720
<v Speaker 1>called Extra Dite, and I was like, fam, how are

0:14:39.720 --> 0:14:42.080
<v Speaker 1>you gonna let Black Thought each eat you up like

0:14:42.160 --> 0:14:46.960
<v Speaker 1>that on a song? And he just never Yeah, you

0:14:47.040 --> 0:14:49.120
<v Speaker 1>guys look like you were out there. You guys look

0:14:49.200 --> 0:14:51.440
<v Speaker 1>like you were participating in a lot of fuckery out

0:14:51.480 --> 0:14:54.480
<v Speaker 1>there in Miami. I never said this publicly. Yeah, I

0:14:54.600 --> 0:15:00.240
<v Speaker 1>never said this publicly. What when when was send to

0:15:00.240 --> 0:15:03.960
<v Speaker 1>me the record back? He was like, Yo, I'm about

0:15:03.960 --> 0:15:05.080
<v Speaker 1>to send a record back, and I'm like, oh, and

0:15:05.160 --> 0:15:06.920
<v Speaker 1>I realized, I'm okay, you have a record with black

0:15:07.000 --> 0:15:09.240
<v Speaker 1>Thought that's going to eventually come out. I'm thinking, like,

0:15:09.840 --> 0:15:11.880
<v Speaker 1>did I fight off more than knock at Chew? You

0:15:11.960 --> 0:15:14.400
<v Speaker 1>know what I'm saying. I did think about that, you

0:15:14.440 --> 0:15:16.120
<v Speaker 1>know what I mean? Shout out the thought, And that's

0:15:16.120 --> 0:15:18.040
<v Speaker 1>how I love. I love sparring with the best. He's

0:15:18.120 --> 0:15:20.800
<v Speaker 1>one of them ones, man, exactly. I love sparring with

0:15:20.880 --> 0:15:23.920
<v Speaker 1>the best. And sometimes I might even just reach out

0:15:23.960 --> 0:15:25.600
<v Speaker 1>to do a track with a dude just to measure

0:15:25.680 --> 0:15:28.480
<v Speaker 1>myself to see you know what I'm saying, I'm like, oh, okay, yeah,

0:15:28.840 --> 0:15:30.800
<v Speaker 1>I'm up there. Yeah. When it comes when it comes

0:15:30.840 --> 0:15:32.560
<v Speaker 1>to the like the Jedi, like, first of all, I

0:15:32.600 --> 0:15:36.440
<v Speaker 1>want to I want to commend you guys, because I

0:15:36.560 --> 0:15:39.560
<v Speaker 1>do feel like, you know, I've been a fan of

0:15:39.600 --> 0:15:41.880
<v Speaker 1>you guys since the first time I think I saw

0:15:42.000 --> 0:15:45.960
<v Speaker 1>y'all on Static Ship, which was four four years ago,

0:15:46.000 --> 0:15:49.200
<v Speaker 1>I think five years ago, I don't know, but uh

0:15:50.040 --> 0:15:54.840
<v Speaker 1>I remember like just the way you guys, the fly ship,

0:15:55.000 --> 0:15:58.880
<v Speaker 1>the merch, the branding, like everything was so raw, and

0:15:58.960 --> 0:16:01.160
<v Speaker 1>I just remember always being like, man, this is the

0:16:01.200 --> 0:16:04.480
<v Speaker 1>shit that's missing, right, Like I want to give you

0:16:04.560 --> 0:16:11.080
<v Speaker 1>guys a lot of credit because you you know, Gibbs Royce,

0:16:11.520 --> 0:16:17.960
<v Speaker 1>you know, run the jewels like it's it's becoming okay

0:16:18.360 --> 0:16:23.720
<v Speaker 1>and and and actually becoming like better to have integrity

0:16:23.760 --> 0:16:26.760
<v Speaker 1>on the microphone in twenty twenty, and you know, two

0:16:26.880 --> 0:16:29.160
<v Speaker 1>years ago, even when you and I first met, you know,

0:16:29.280 --> 0:16:31.320
<v Speaker 1>I was already super tapped in and a big fan,

0:16:31.400 --> 0:16:33.040
<v Speaker 1>but we had never met before. But that was twenty

0:16:33.200 --> 0:16:35.200
<v Speaker 1>and eighteen when we first came on the station, and

0:16:36.560 --> 0:16:38.080
<v Speaker 1>and you know that there was that was a rough

0:16:38.160 --> 0:16:40.440
<v Speaker 1>time for rap man because it was the all time

0:16:40.640 --> 0:16:44.360
<v Speaker 1>high for this Instagram clout bullshit, people doing all kind

0:16:44.360 --> 0:16:47.600
<v Speaker 1>of weirdo shit on the internet and Little Pump getting

0:16:47.720 --> 0:16:50.400
<v Speaker 1>signed and all these fucking weirdos who ain't around no more.

0:16:51.120 --> 0:16:55.520
<v Speaker 1>And you guys continuing to push your line and not

0:16:55.720 --> 0:17:01.120
<v Speaker 1>switching up has helped like shift the momentum hip hop

0:17:01.200 --> 0:17:03.680
<v Speaker 1>to where it should be. Like it's almost like like

0:17:03.800 --> 0:17:05.920
<v Speaker 1>what I called you, y'all, Jedi is right, But it's

0:17:05.920 --> 0:17:09.080
<v Speaker 1>almost like like the forces like on the good side now,

0:17:09.200 --> 0:17:11.520
<v Speaker 1>like the dark, like like the force was dark for

0:17:11.600 --> 0:17:13.240
<v Speaker 1>a little bit, you know what I'm saying. The Evil

0:17:13.280 --> 0:17:15.000
<v Speaker 1>Empire has the ship for a while, but I think

0:17:15.560 --> 0:17:19.200
<v Speaker 1>because of what y'all have done, it's like, yo, man,

0:17:19.400 --> 0:17:23.240
<v Speaker 1>like you guys are gonna be able to exist forever,

0:17:24.240 --> 0:17:27.399
<v Speaker 1>which is something that you guys are making timeless music

0:17:27.880 --> 0:17:31.200
<v Speaker 1>and you and and and and you're making it dope

0:17:31.440 --> 0:17:34.639
<v Speaker 1>to be a real MC again. Like and I just

0:17:34.680 --> 0:17:36.639
<v Speaker 1>want to commend y'all for that because you guys, you know,

0:17:36.920 --> 0:17:39.840
<v Speaker 1>are a large part as to why that is going

0:17:39.880 --> 0:17:42.119
<v Speaker 1>on right now, you know what I'm saying, Like, so

0:17:42.320 --> 0:17:45.480
<v Speaker 1>salute man? Did you? And it's like, it feels good

0:17:45.520 --> 0:17:48.040
<v Speaker 1>to feed the culture. And I know I'm a rapper,

0:17:48.080 --> 0:17:50.720
<v Speaker 1>I tap in with these dudes. It's a relief for

0:17:50.840 --> 0:17:54.040
<v Speaker 1>everybody too. It's a relief for our genre of music.

0:17:54.600 --> 0:17:57.000
<v Speaker 1>And it's good to receive our flowers that were putting

0:17:57.000 --> 0:18:00.400
<v Speaker 1>in this type of effort and it's type to work

0:18:00.760 --> 0:18:04.119
<v Speaker 1>and uh, to get fans the art the art in

0:18:04.200 --> 0:18:06.000
<v Speaker 1>the most beautifulest form. You know what I'm saying. It

0:18:06.040 --> 0:18:09.639
<v Speaker 1>feel good to get our praises and for this business

0:18:09.680 --> 0:18:12.159
<v Speaker 1>to be lucrative because like you said, they had that

0:18:12.320 --> 0:18:14.080
<v Speaker 1>they had they tried to. Ain't nothing wrong with the

0:18:14.119 --> 0:18:15.720
<v Speaker 1>other music. I listened to that ship all the time.

0:18:15.760 --> 0:18:17.840
<v Speaker 1>But now there's like some good ship that's on the

0:18:17.920 --> 0:18:20.040
<v Speaker 1>other spectrum, right, Like I fuck with Little Baby, I

0:18:20.080 --> 0:18:22.240
<v Speaker 1>fuck with but I'm talking like I'm talking the weirdo

0:18:22.320 --> 0:18:28.320
<v Speaker 1>sh There was like a weirdo ship movement. A six

0:18:28.560 --> 0:18:30.560
<v Speaker 1>nine was a part of it. Little Pump like all

0:18:30.640 --> 0:18:34.160
<v Speaker 1>these weird like these YouTube and at like these guys

0:18:34.200 --> 0:18:37.840
<v Speaker 1>who would worry about their Instagram stunt going viral as

0:18:37.840 --> 0:18:40.720
<v Speaker 1>opposed to their song being good and getting deals like

0:18:40.920 --> 0:18:43.320
<v Speaker 1>like that was a real There was a moment in

0:18:43.400 --> 0:18:45.200
<v Speaker 1>hip hop for about two years and it was like

0:18:45.840 --> 0:18:49.120
<v Speaker 1>it was terrible, bro. It was and me in the meanwhile,

0:18:49.240 --> 0:18:51.800
<v Speaker 1>y'all were doing y'all's thing, but nobody at the time

0:18:51.880 --> 0:18:54.639
<v Speaker 1>who wasn't you know? Obviously you guys had fans. I

0:18:54.760 --> 0:18:56.560
<v Speaker 1>was one of them. But I just remember I would

0:18:56.600 --> 0:18:58.720
<v Speaker 1>big y'all up in every interview to every rapper that

0:18:58.760 --> 0:19:02.879
<v Speaker 1>would come through, Who's Griselda? Who's Griselda? Like who is she?

0:19:03.119 --> 0:19:04.280
<v Speaker 1>And I'd be like, no, it's not a she. It's

0:19:04.280 --> 0:19:06.000
<v Speaker 1>a fucking label, bro, Like you know what I mean,

0:19:06.080 --> 0:19:08.159
<v Speaker 1>but but I do. I just want to give you props, man,

0:19:08.160 --> 0:19:11.080
<v Speaker 1>because because between you and Conway and Gun like you

0:19:11.160 --> 0:19:13.800
<v Speaker 1>guys really have helped fix hip hop. Like you know,

0:19:13.880 --> 0:19:15.640
<v Speaker 1>I said, I gotta give props to Gibbs, I gotta

0:19:15.640 --> 0:19:17.880
<v Speaker 1>give props to Uh, to Royce, I gotta give props

0:19:17.920 --> 0:19:21.240
<v Speaker 1>to run the Jewels. But it's definitely, Man, it's just

0:19:21.359 --> 0:19:26.399
<v Speaker 1>refreshing that finally you guys are getting that acknowledgment I mean,

0:19:26.440 --> 0:19:28.960
<v Speaker 1>and obviously am tapped in super early too, you know

0:19:29.000 --> 0:19:32.160
<v Speaker 1>what I mean. So shout out to m But yeah,

0:19:32.160 --> 0:19:34.879
<v Speaker 1>I just want to give you props man when it

0:19:34.960 --> 0:19:37.800
<v Speaker 1>comes to UH. Listen, tell me about your relationship with

0:19:37.880 --> 0:19:41.520
<v Speaker 1>Drake Benny Man, Drake cool Man, Drake cool When he

0:19:41.600 --> 0:19:43.919
<v Speaker 1>hit me up. He always hit me up in the studio.

0:19:44.000 --> 0:19:45.600
<v Speaker 1>We'd be late in the studio about three four in

0:19:45.600 --> 0:19:47.119
<v Speaker 1>the morning. You know what I'm saying. He always hit

0:19:47.160 --> 0:19:49.639
<v Speaker 1>me up when he on his creative ship. And you

0:19:49.680 --> 0:19:52.560
<v Speaker 1>know what I'm saying, just a regular relationship, you know

0:19:52.560 --> 0:19:55.200
<v Speaker 1>what I'm saying. He texts, text him. Is there gonna

0:19:55.200 --> 0:20:00.159
<v Speaker 1>be a Drake record? Drake record? You want his? You

0:20:00.280 --> 0:20:04.440
<v Speaker 1>got it to play it? Play it? Nah? You got it?

0:20:05.760 --> 0:20:09.960
<v Speaker 1>Of course of course, So there's a Drake feature. Yeah, yeah, yeah.

0:20:10.160 --> 0:20:12.040
<v Speaker 1>Is that for your project? Is that for Tanne Talk

0:20:12.080 --> 0:20:14.720
<v Speaker 1>or is that for his ship? Actually, he sent me

0:20:14.800 --> 0:20:16.679
<v Speaker 1>a verse and I sent him a verse, So if

0:20:16.760 --> 0:20:18.359
<v Speaker 1>he used the one I sent him, then you know

0:20:18.400 --> 0:20:23.760
<v Speaker 1>what I'm saying, hopefully, Yo, I think, uh man, I'm excited.

0:20:24.400 --> 0:20:27.400
<v Speaker 1>I'm excited another person who didn't have to reach out

0:20:27.440 --> 0:20:29.159
<v Speaker 1>to me or mention my name and nothing like that.

0:20:29.240 --> 0:20:30.960
<v Speaker 1>You know what I'm saying. And Drake's a Jedi. For

0:20:31.040 --> 0:20:34.840
<v Speaker 1>the record, Drake is a Jedi, Drake come man in fact,

0:20:35.080 --> 0:20:37.879
<v Speaker 1>a humble one. And he a type of person who

0:20:38.000 --> 0:20:40.280
<v Speaker 1>done favors for people, and you know what I mean,

0:20:40.359 --> 0:20:42.720
<v Speaker 1>people still throw them shade. And he talked about his

0:20:42.840 --> 0:20:44.840
<v Speaker 1>songs all the time. I wondered about him. You know

0:20:44.880 --> 0:20:47.280
<v Speaker 1>what I'm saying. A person who get on people's songs

0:20:47.320 --> 0:20:49.080
<v Speaker 1>and it's one of the biggest artists and do people

0:20:49.119 --> 0:20:51.200
<v Speaker 1>favors and people still try to slight him and shave

0:20:51.280 --> 0:20:54.719
<v Speaker 1>him like that's crazy for him to still be enthusiastic

0:20:54.760 --> 0:20:56.520
<v Speaker 1>about other artists and still do it, you know what

0:20:56.560 --> 0:21:01.320
<v Speaker 1>I mean. So shout out to Drake now, Okay, so

0:21:02.600 --> 0:21:05.800
<v Speaker 1>plugs I met too. Is that gonna be with Harry

0:21:05.880 --> 0:21:10.880
<v Speaker 1>fraud All, Harry Fraud All, Harry All, Harry Fraud yup, yup.

0:21:11.680 --> 0:21:14.160
<v Speaker 1>Now give me the timeline. We know, July thirty first,

0:21:14.200 --> 0:21:16.639
<v Speaker 1>we're getting the gangster grills with the boys. Talk about this,

0:21:17.520 --> 0:21:20.680
<v Speaker 1>Uh motherfucking July thirty that was waiting to say. July

0:21:20.840 --> 0:21:23.680
<v Speaker 1>thirty first, we got the respect the sopranos with these guys, yep,

0:21:23.960 --> 0:21:25.560
<v Speaker 1>you know what I'm saying. And they going crazy. They

0:21:25.680 --> 0:21:28.360
<v Speaker 1>bombing on this ship. And we got jonesy on there,

0:21:28.400 --> 0:21:30.000
<v Speaker 1>we got Lovey on there, and we got the rest

0:21:30.000 --> 0:21:35.080
<v Speaker 1>of the black sopranos on there. It's crazy. Uh, September, September,

0:21:35.160 --> 0:21:37.320
<v Speaker 1>this is the big one right here. September. We got

0:21:37.440 --> 0:21:40.320
<v Speaker 1>Burden of Proof, you know what I'm saying. Produced whole

0:21:40.960 --> 0:21:43.960
<v Speaker 1>solely by hit Boy. Yo. By the way, I've heard,

0:21:44.720 --> 0:21:46.520
<v Speaker 1>I was in the studio and I've been in with

0:21:46.640 --> 0:21:49.800
<v Speaker 1>hit and he's played me all y'all shit, and it

0:21:49.960 --> 0:21:52.320
<v Speaker 1>is you guys, got hit Boy in his boom back

0:21:52.359 --> 0:21:55.879
<v Speaker 1>bag something crazy. Definitely. Legend has it, Legend has it

0:21:56.880 --> 0:22:00.440
<v Speaker 1>that this album is perfect, y'r fam I heard. I

0:22:00.520 --> 0:22:02.000
<v Speaker 1>heard a lot of it, and there's some there's some

0:22:02.160 --> 0:22:05.879
<v Speaker 1>there's some nice little features on there, right, yes, sir, yes, sir, so,

0:22:06.800 --> 0:22:09.199
<v Speaker 1>so you know what I mean. That's that's my next attempt.

0:22:09.240 --> 0:22:10.680
<v Speaker 1>That's what the street's been waiting. So that's going to

0:22:10.720 --> 0:22:14.680
<v Speaker 1>be the next official release from Benny, You and hit Boy. Now, wait, Benny, Benny,

0:22:14.760 --> 0:22:16.640
<v Speaker 1>did you get did you get sewn on the project?

0:22:17.720 --> 0:22:20.120
<v Speaker 1>Big Sean? Not yet? Not yet? Not yet. I called

0:22:20.200 --> 0:22:21.760
<v Speaker 1>him the other day, like a week ago, like, yo, Bro,

0:22:21.880 --> 0:22:24.159
<v Speaker 1>I need you. He's like, just send it. I mean,

0:22:24.480 --> 0:22:27.080
<v Speaker 1>it's about do I want to use my favorite for

0:22:27.200 --> 0:22:29.440
<v Speaker 1>this project? Of course I do? Or you know what

0:22:29.440 --> 0:22:31.960
<v Speaker 1>I mean? I hear you so so you and hit

0:22:32.040 --> 0:22:33.919
<v Speaker 1>Boy so okay. So that's happened in September. It's called

0:22:33.960 --> 0:22:36.919
<v Speaker 1>Burden a Proof burn a proof producer by hit Boy man.

0:22:36.960 --> 0:22:39.480
<v Speaker 1>He gave me. He gave me a thousand percent another

0:22:39.600 --> 0:22:42.639
<v Speaker 1>person who didn't have to. I'm a lucky motherfucker who

0:22:42.800 --> 0:22:44.880
<v Speaker 1>just didn't have to reach out to me to work

0:22:44.920 --> 0:22:47.280
<v Speaker 1>and just hit boys one of the ils bro exactly.

0:22:47.359 --> 0:22:49.159
<v Speaker 1>We put this project together not knowing it was going

0:22:49.200 --> 0:22:51.320
<v Speaker 1>to become what it is today, not knowing we was

0:22:51.359 --> 0:22:54.879
<v Speaker 1>going to turn down several million dollar offers for the project.

0:22:54.880 --> 0:22:56.280
<v Speaker 1>We just in there five you know what I'm saying,

0:22:56.320 --> 0:22:58.879
<v Speaker 1>And we're still dropping the project independently this is what

0:22:58.960 --> 0:23:03.639
<v Speaker 1>we do, all right, So that's happening in September. What

0:23:04.080 --> 0:23:07.200
<v Speaker 1>about the double album and and and the album with

0:23:07.400 --> 0:23:09.320
<v Speaker 1>uh with with Harry Fraud? Are we getting both of

0:23:09.359 --> 0:23:12.880
<v Speaker 1>those before January first? Oh? Not? Hell no, okay, okay,

0:23:12.920 --> 0:23:14.280
<v Speaker 1>I'm just I'm just trying to I'm just trying to

0:23:14.640 --> 0:23:18.159
<v Speaker 1>see the timeline. I'm a visionary, I hear you know

0:23:18.160 --> 0:23:20.280
<v Speaker 1>what I'm saying. I'm always moving ten steps ahead of

0:23:20.560 --> 0:23:24.040
<v Speaker 1>ahead of niggas because that's how I got here. So really,

0:23:24.640 --> 0:23:27.760
<v Speaker 1>I got the burden the proof September, you know what

0:23:27.760 --> 0:23:31.400
<v Speaker 1>I'm saying, first quarter or maybe ship. I might even

0:23:31.480 --> 0:23:33.159
<v Speaker 1>drop at the end of this year. But that's the

0:23:33.240 --> 0:23:35.760
<v Speaker 1>next one of calendar is Plugs I meant to produced

0:23:35.760 --> 0:23:38.360
<v Speaker 1>by Harry Fraud, got dope features on there. And then

0:23:39.160 --> 0:23:41.399
<v Speaker 1>like everybody asking me because Tanna Talk three is a

0:23:41.480 --> 0:23:44.120
<v Speaker 1>work of art. Everybody like when it's Talk four coming,

0:23:44.880 --> 0:23:47.680
<v Speaker 1>Talk four coming. I could easily name these projects Tanna

0:23:47.760 --> 0:23:50.719
<v Speaker 1>Talk for and put them out. The Tanner Talk series

0:23:51.640 --> 0:23:53.480
<v Speaker 1>is different, you know what I'm saying. And I treated

0:23:53.560 --> 0:23:55.720
<v Speaker 1>with care and everybody been waiting for and I said,

0:23:55.720 --> 0:23:57.200
<v Speaker 1>I got to live a little bit more life. I

0:23:57.240 --> 0:23:59.240
<v Speaker 1>gotta you know what I'm saying, Things gotta happen in

0:23:59.280 --> 0:24:02.160
<v Speaker 1>my life before I feel comfortable calling another project Tanna

0:24:02.240 --> 0:24:04.479
<v Speaker 1>Talk And I feel like I'm at that point. Now,

0:24:04.680 --> 0:24:08.120
<v Speaker 1>which project is the Drake Featu're going to live on? Oh? Man,

0:24:08.200 --> 0:24:10.399
<v Speaker 1>that's a surprise. Okay, hey, let me ask you this

0:24:10.520 --> 0:24:12.920
<v Speaker 1>because I feel like once Plugs I Met came out,

0:24:13.040 --> 0:24:17.000
<v Speaker 1>that was kind of when people were starting to you know,

0:24:17.320 --> 0:24:20.960
<v Speaker 1>get on the on the grisel the bandwagon. Right, I'm

0:24:21.119 --> 0:24:23.399
<v Speaker 1>I personally I love both projects. I think they're both

0:24:23.400 --> 0:24:26.320
<v Speaker 1>classic between Tanna Talk three and and and Plugs I Met.

0:24:26.400 --> 0:24:29.440
<v Speaker 1>But I like Tanna Talk three more. What do you

0:24:29.520 --> 0:24:32.560
<v Speaker 1>think what's better? Obviously? Yeah, you know, Plugs I Met

0:24:32.680 --> 0:24:36.240
<v Speaker 1>is a shorter project. But if you had to pick one,

0:24:38.240 --> 0:24:40.800
<v Speaker 1>if I had to pick one, I would had to pick.

0:24:40.880 --> 0:24:43.880
<v Speaker 1>I would had to pick over just a slight slight,

0:24:44.119 --> 0:24:47.800
<v Speaker 1>slight edge. I will pick Plugs I Met. That's fair saying.

0:24:48.920 --> 0:24:51.879
<v Speaker 1>I love Tanna Talk three. I love that man. Me

0:24:52.240 --> 0:24:55.520
<v Speaker 1>that's basically a Me west Derren Jr. Conway project because

0:24:55.720 --> 0:24:57.920
<v Speaker 1>they assisted with me on that. You for what I'm saying,

0:24:57.960 --> 0:25:01.240
<v Speaker 1>and that was my introduction, uh the Plugs I Met.

0:25:01.680 --> 0:25:04.000
<v Speaker 1>I followed the formula, and I did everything myself, and

0:25:04.040 --> 0:25:06.240
<v Speaker 1>I was really testing myself out and I put that

0:25:06.320 --> 0:25:09.960
<v Speaker 1>out on my own, so you you were more Yeah,

0:25:10.000 --> 0:25:12.600
<v Speaker 1>you were quarterbacking that a lot more exactly, and and

0:25:12.680 --> 0:25:15.920
<v Speaker 1>and it turned out to be successful, so incredible. Follow

0:25:15.960 --> 0:25:17.800
<v Speaker 1>my face and it put a little but I can

0:25:17.840 --> 0:25:19.320
<v Speaker 1>poke out my chest a little bit more. And what

0:25:19.400 --> 0:25:22.639
<v Speaker 1>about the BSF boys? What I'm assuming that are we

0:25:22.680 --> 0:25:26.080
<v Speaker 1>gonna get solo projects from from either of you guys

0:25:26.200 --> 0:25:30.399
<v Speaker 1>this year? Definitely? I'm working on plates too. I'm pretty

0:25:30.480 --> 0:25:31.840
<v Speaker 1>much wrapped up, you know what I'm saying. I'm just

0:25:31.960 --> 0:25:34.879
<v Speaker 1>waiting on that green light. But we're good. Do you

0:25:34.960 --> 0:25:37.040
<v Speaker 1>know how many random Caucasian people are gonna be like,

0:25:37.080 --> 0:25:42.480
<v Speaker 1>why do you name his album plates? Now? Term? When

0:25:42.520 --> 0:25:44.439
<v Speaker 1>you was in the hug? You know what I'm saying, Well,

0:25:44.480 --> 0:25:48.560
<v Speaker 1>it's also like where you cut up the brick right Listen,

0:25:48.640 --> 0:25:51.560
<v Speaker 1>I'm I may or may not have also sold drugs

0:25:51.600 --> 0:25:54.080
<v Speaker 1>in my life and still currently do. But now they're

0:25:54.160 --> 0:25:56.560
<v Speaker 1>just green You feel me? You know some shit? And

0:25:56.720 --> 0:25:58.760
<v Speaker 1>he he ain't come up with some ship. We dropping

0:25:58.800 --> 0:26:01.719
<v Speaker 1>mixtapes everything like That's the plan is to set these

0:26:01.800 --> 0:26:03.840
<v Speaker 1>boys up where they could take over where where the

0:26:03.840 --> 0:26:05.520
<v Speaker 1>streets could see where they coming from. And the people

0:26:05.560 --> 0:26:07.840
<v Speaker 1>could you know what I'm saying, understand these boys and

0:26:08.400 --> 0:26:11.040
<v Speaker 1>and they pushing, they pushing for they in the lead

0:26:11.119 --> 0:26:15.440
<v Speaker 1>for Black Souprano family. That's beautiful. Met people love him.

0:26:15.840 --> 0:26:17.800
<v Speaker 1>You know what I'm saying, This nigga lyrical ability. I

0:26:17.840 --> 0:26:19.760
<v Speaker 1>could tell he'd be trying to comfort me on songs.

0:26:20.160 --> 0:26:22.400
<v Speaker 1>You know what I'm saying, It's like real ship. Hey,

0:26:22.640 --> 0:26:26.840
<v Speaker 1>let me ask you this. Obviously you're the one guy

0:26:26.960 --> 0:26:31.359
<v Speaker 1>from Griselda that that that that Eminem didn't necessarily officially sign.

0:26:32.119 --> 0:26:34.920
<v Speaker 1>Why what is your relationship like with him? Because we

0:26:34.960 --> 0:26:36.840
<v Speaker 1>all know he has to regret that decision at this

0:26:36.920 --> 0:26:41.240
<v Speaker 1>point in time, Like, are you guys cool If you

0:26:41.280 --> 0:26:45.119
<v Speaker 1>guys ever had that discussion because like I never, I

0:26:45.200 --> 0:26:47.479
<v Speaker 1>never even I never like had that discussion with him.

0:26:47.960 --> 0:26:50.960
<v Speaker 1>I just met him seeing him passing. You know what

0:26:50.960 --> 0:26:53.200
<v Speaker 1>I'm saying. Right with that, it's like it's really not

0:26:53.280 --> 0:26:55.360
<v Speaker 1>a relationship. The respect is there, you know what I'm saying.

0:26:55.800 --> 0:26:57.720
<v Speaker 1>You know what I mean, the fuck he's a god.

0:26:57.840 --> 0:27:00.159
<v Speaker 1>But you know what I mean, to be honest with you,

0:27:02.160 --> 0:27:04.240
<v Speaker 1>as far as me, you know what I mean, Like

0:27:04.320 --> 0:27:07.040
<v Speaker 1>I didn't get a contract off I didn't get a

0:27:07.080 --> 0:27:10.879
<v Speaker 1>contract offer from Shady until everybody was offering, until everybody

0:27:11.000 --> 0:27:13.560
<v Speaker 1>was trying to come for you. That's what I assumed. Yeah, yeah,

0:27:13.600 --> 0:27:16.199
<v Speaker 1>you know what I'm saying, until until you know, at

0:27:16.240 --> 0:27:18.280
<v Speaker 1>a point in time, I was like anxious to sign

0:27:18.359 --> 0:27:21.040
<v Speaker 1>the Shady But then by the time they came with

0:27:21.119 --> 0:27:23.680
<v Speaker 1>a contract offers, like everybody was coming, Like signing the

0:27:23.760 --> 0:27:25.560
<v Speaker 1>deal probably wasn't the smartest thing for me to do

0:27:25.680 --> 0:27:27.120
<v Speaker 1>at that point. At that point in time, you could

0:27:27.119 --> 0:27:28.840
<v Speaker 1>have probably pick and chose whoever you wanted to go

0:27:28.920 --> 0:27:32.159
<v Speaker 1>to exactly exactly, you know, mass shout out to Shady man.

0:27:32.240 --> 0:27:33.720
<v Speaker 1>I love Mike, you know what I'm saying. Me and Mike,

0:27:33.800 --> 0:27:36.680
<v Speaker 1>we could get Paul Rosenberg always been fair to me.

0:27:37.000 --> 0:27:38.720
<v Speaker 1>You feel what I'm saying, always been fair to me.

0:27:38.840 --> 0:27:43.720
<v Speaker 1>So let me ask you this. It's crazy, what because,

0:27:43.800 --> 0:27:47.240
<v Speaker 1>like you said, you've turned down some million dollars millions

0:27:47.280 --> 0:27:49.360
<v Speaker 1>of dollars in record deals. I'm sure right listen, you're

0:27:49.440 --> 0:27:51.080
<v Speaker 1>you're and people who don't know this, you've been doing

0:27:51.119 --> 0:27:52.600
<v Speaker 1>this rapt shit for a long time, you know what

0:27:52.640 --> 0:27:56.359
<v Speaker 1>I mean, Like you're new to like the mainstream I

0:27:56.440 --> 0:27:58.720
<v Speaker 1>guess you could say. But when it comes to like

0:27:59.119 --> 0:28:02.120
<v Speaker 1>being in the industry, like y'all have been doing this forever, man,

0:28:02.240 --> 0:28:05.119
<v Speaker 1>so like you're not gonna jump on a lot of

0:28:05.160 --> 0:28:07.760
<v Speaker 1>people jumping on whatever comes their way, you know what

0:28:07.800 --> 0:28:10.119
<v Speaker 1>I mean, They're gonna jump on some bullshit deals. You

0:28:10.320 --> 0:28:12.560
<v Speaker 1>decided to go with E one, do the label deal,

0:28:13.720 --> 0:28:17.440
<v Speaker 1>and and I'm assuming ownership has got to be a big,

0:28:17.600 --> 0:28:21.640
<v Speaker 1>a big part of that. But like what because you say,

0:28:21.720 --> 0:28:23.800
<v Speaker 1>I mean, I'm assuming everybody was trying to sign you?

0:28:25.200 --> 0:28:28.560
<v Speaker 1>What made you want to go the E one direction?

0:28:28.800 --> 0:28:32.800
<v Speaker 1>And not necessarily, you know, go the direction of a major,

0:28:32.920 --> 0:28:35.879
<v Speaker 1>because I'm sure every major was on like trying to

0:28:35.920 --> 0:28:39.640
<v Speaker 1>tap in with you. Uh. Anybody asked me that question,

0:28:39.720 --> 0:28:43.160
<v Speaker 1>And the answer is transparency, you feel, I'm saying, I don't,

0:28:43.520 --> 0:28:47.960
<v Speaker 1>I can't. I can't be like label talked, all that propaganda,

0:28:48.000 --> 0:28:51.280
<v Speaker 1>None of that shit matters to me. The transparency our communication.

0:28:51.760 --> 0:28:53.560
<v Speaker 1>You feel. What I'm saying is who's gonna be on

0:28:53.640 --> 0:28:55.320
<v Speaker 1>these phone calls? What is we doing? I can't be.

0:28:55.520 --> 0:28:57.480
<v Speaker 1>I can't be romance a couple of labels try to

0:28:57.560 --> 0:29:00.240
<v Speaker 1>romance me into a contract. Of course, that's not want

0:29:00.280 --> 0:29:03.160
<v Speaker 1>you feel what I'm saying. And and let's be real here,

0:29:03.560 --> 0:29:06.480
<v Speaker 1>a lot of labels just wanted to A couple labels

0:29:06.520 --> 0:29:09.680
<v Speaker 1>wanted to take the BSF thing because just because of me,

0:29:10.080 --> 0:29:12.400
<v Speaker 1>you feel what I'm saying. Over at E one, they

0:29:12.520 --> 0:29:15.920
<v Speaker 1>concerned about these dudes. And even at the end of

0:29:15.960 --> 0:29:18.440
<v Speaker 1>the day, at the end of the day, I could

0:29:18.440 --> 0:29:21.080
<v Speaker 1>have took it anywhere, but I'm still in these officers

0:29:21.360 --> 0:29:23.680
<v Speaker 1>speaking for these niggas, so I can't do what I

0:29:23.800 --> 0:29:25.680
<v Speaker 1>want to do. I got a number and these are

0:29:25.720 --> 0:29:27.880
<v Speaker 1>my friends. Before you know what I'm saying, you want

0:29:27.880 --> 0:29:31.400
<v Speaker 1>to make sure they're good exactly. So it's like E one,

0:29:32.680 --> 0:29:34.760
<v Speaker 1>it was all good and we had it was offers

0:29:34.800 --> 0:29:36.600
<v Speaker 1>on the table, and that was the best one. And

0:29:36.680 --> 0:29:38.920
<v Speaker 1>we were and we were surprised. I'm not gonna lie,

0:29:38.960 --> 0:29:41.160
<v Speaker 1>we were surprised. We had a great meeting with them,

0:29:41.360 --> 0:29:43.640
<v Speaker 1>and they followed through on everything they said. And more so,

0:29:43.800 --> 0:29:48.200
<v Speaker 1>the transparency is the best thing is you have a

0:29:48.280 --> 0:29:52.720
<v Speaker 1>really good example of how to develop artists and how

0:29:52.800 --> 0:29:57.200
<v Speaker 1>to because I truly feel that the way Gun has

0:29:58.240 --> 0:30:01.440
<v Speaker 1>like I feel like Gun is wants you to be

0:30:01.480 --> 0:30:05.760
<v Speaker 1>bigger than him. If that makes sense, and most go ahead,

0:30:06.800 --> 0:30:08.280
<v Speaker 1>You're right, you hit it on, you hit it, you

0:30:08.360 --> 0:30:10.920
<v Speaker 1>hit the target. Like I learned how to develop artists

0:30:10.960 --> 0:30:13.720
<v Speaker 1>a lot from West Side Gun, and that's what I appreciate, niggas.

0:30:13.760 --> 0:30:15.440
<v Speaker 1>It ain't no secret if you're watching it, if you

0:30:15.560 --> 0:30:17.720
<v Speaker 1>see me what I'm doing, it's not no secret. Yeah,

0:30:18.200 --> 0:30:19.880
<v Speaker 1>all part of the formula. I'm never going to change

0:30:19.920 --> 0:30:24.240
<v Speaker 1>the formula. Yeah, because artist from Under the grosella umbrella Riselda,

0:30:24.360 --> 0:30:27.480
<v Speaker 1>umbrella Brella and it works. Yeah, because I you know,

0:30:27.600 --> 0:30:30.320
<v Speaker 1>we all see this shit happen like ninety nine percent

0:30:30.400 --> 0:30:33.360
<v Speaker 1>of the time when you are a rapper and you

0:30:33.480 --> 0:30:37.240
<v Speaker 1>have artists that you sign like, they never end up

0:30:37.280 --> 0:30:40.720
<v Speaker 1>surpassing what you do. And sometimes that's by design because

0:30:40.720 --> 0:30:43.040
<v Speaker 1>I've had conversations with people who they're like, yeah, like

0:30:43.840 --> 0:30:46.840
<v Speaker 1>you know, like like it's an ego thing because with

0:30:47.280 --> 0:30:50.000
<v Speaker 1>what you know, what MCS likes, it's an ego driven sport,

0:30:50.040 --> 0:30:52.560
<v Speaker 1>which is why a lot of times, like you know,

0:30:53.600 --> 0:30:56.320
<v Speaker 1>the exception is when Rick Ross signs Meek Mill and

0:30:56.440 --> 0:30:58.040
<v Speaker 1>lall A, you know what I mean, there's like there

0:30:58.120 --> 0:31:00.960
<v Speaker 1>are a few exceptions though, So I think that what's

0:31:01.040 --> 0:31:04.480
<v Speaker 1>been dope to watch the way Griselda moves and the

0:31:04.560 --> 0:31:07.600
<v Speaker 1>way you guys always support each other and the way

0:31:07.640 --> 0:31:11.360
<v Speaker 1>it's like yo, like I said, man, like, I just remember,

0:31:11.440 --> 0:31:14.360
<v Speaker 1>you know, four or five years ago, I was a

0:31:14.520 --> 0:31:18.280
<v Speaker 1>huge Conway fan. I fucked with Conway tough like he's

0:31:18.320 --> 0:31:20.760
<v Speaker 1>my favorite dude out of Griselda. And then I forget

0:31:20.800 --> 0:31:22.720
<v Speaker 1>which freestyle it was. I think he was rocking the

0:31:22.760 --> 0:31:26.280
<v Speaker 1>Shady McCoy and the little Buffalo Bill's joint, and I

0:31:26.440 --> 0:31:29.440
<v Speaker 1>was like, oh my god, right right, right right, And

0:31:29.520 --> 0:31:32.480
<v Speaker 1>then I just dived into your shit. And you know,

0:31:32.600 --> 0:31:35.400
<v Speaker 1>I just think that it's important that, like, you know,

0:31:36.120 --> 0:31:38.080
<v Speaker 1>if you're gonna, like you say, man, these guys are

0:31:38.120 --> 0:31:40.120
<v Speaker 1>your friends and their and their livelihood depends on you,

0:31:40.240 --> 0:31:42.680
<v Speaker 1>and you don't take that lightly. You know what I'm saying,

0:31:43.360 --> 0:31:45.760
<v Speaker 1>real shit, And you know they trust me, so I

0:31:45.920 --> 0:31:47.320
<v Speaker 1>value that trust. So I know I got to do

0:31:47.400 --> 0:31:48.640
<v Speaker 1>the right thing with it. You know what I'm saying.

0:31:49.040 --> 0:31:52.520
<v Speaker 1>I'm confident in these dudes. Man, Listen, I caught the

0:31:52.600 --> 0:31:55.440
<v Speaker 1>coronavirus fucking around in Arizona. Now, I saw y'all out

0:31:55.480 --> 0:32:01.960
<v Speaker 1>in Miami at G five getting down with the ships, y'all. Good?

0:32:02.160 --> 0:32:05.160
<v Speaker 1>Did y'all lose your smell? When you guys? Good? Out there.

0:32:05.280 --> 0:32:06.960
<v Speaker 1>I'm just gonna make sure y'all good because I caught

0:32:07.000 --> 0:32:10.760
<v Speaker 1>the ship. You straight, we straight man, We straight man,

0:32:10.840 --> 0:32:13.320
<v Speaker 1>God blessing us. And then we gotta we gotta move careful,

0:32:13.360 --> 0:32:15.320
<v Speaker 1>we gotta move smart. But man, we're straight all right.

0:32:15.320 --> 0:32:17.040
<v Speaker 1>So we got plates two on the way. We got

0:32:17.400 --> 0:32:20.680
<v Speaker 1>hit Boys, So that's gonna be in September, Burden of Proof,

0:32:20.720 --> 0:32:24.400
<v Speaker 1>You and hit Boy. On July thirty first, you guys

0:32:24.440 --> 0:32:27.040
<v Speaker 1>went out to Atlanta and we're shooting videos for this project. Right.

0:32:28.280 --> 0:32:30.520
<v Speaker 1>I saw you guys was all all decked down on

0:32:30.600 --> 0:32:32.960
<v Speaker 1>some dick tracy shit. You know what I'm saying. You

0:32:33.000 --> 0:32:35.560
<v Speaker 1>know what I'm saying on my motherfucking ale propone ship.

0:32:35.800 --> 0:32:39.520
<v Speaker 1>Yeah yeah uh. And so that's coming out July thirty

0:32:39.560 --> 0:32:44.160
<v Speaker 1>first to gangster grills. Who's who can you? I mean,

0:32:44.320 --> 0:32:46.120
<v Speaker 1>it's a couple of weeks away. Now, who's on the

0:32:46.160 --> 0:32:48.239
<v Speaker 1>project besides the team. I'm sure you guys might might

0:32:48.280 --> 0:32:51.280
<v Speaker 1>have tapped in with some some outside That's the thing

0:32:51.600 --> 0:32:54.920
<v Speaker 1>we didn't because the whole, the whole point of this

0:32:55.040 --> 0:32:57.200
<v Speaker 1>project is just to showcase us. And that's the thing

0:32:57.320 --> 0:32:59.800
<v Speaker 1>we coming right back with the like soprano family co

0:33:00.040 --> 0:33:02.400
<v Speaker 1>relation That's that's why. I mean what I say is

0:33:02.440 --> 0:33:04.080
<v Speaker 1>like I'm literally about to take over the rest of

0:33:04.120 --> 0:33:06.240
<v Speaker 1>the year with this ship. Okay, So I didn't know that.

0:33:06.360 --> 0:33:12.720
<v Speaker 1>So there's gonna be another one. It's gonna be heavy,

0:33:12.720 --> 0:33:16.719
<v Speaker 1>and we got features for that, trust me. Man, all right,

0:33:16.800 --> 0:33:19.760
<v Speaker 1>cool man, Well listen. I appreciate you guys checking in

0:33:19.920 --> 0:33:24.400
<v Speaker 1>and and Bennie Man, like, yo, you're you're that guy. Bro.

0:33:24.520 --> 0:33:27.400
<v Speaker 1>I want you to know before it was cool to

0:33:27.480 --> 0:33:29.120
<v Speaker 1>do so. Man, I've been screaming your name at the

0:33:29.120 --> 0:33:31.520
<v Speaker 1>top of my lungs. You invited me to the show,

0:33:31.560 --> 0:33:34.160
<v Speaker 1>I'm like, oh shit me now. But even yeah, even

0:33:34.200 --> 0:33:36.000
<v Speaker 1>before that, like when because you know, every time I

0:33:36.040 --> 0:33:37.480
<v Speaker 1>talk to artists, I try to I try to, like,

0:33:37.520 --> 0:33:39.239
<v Speaker 1>you know who you're listening to this on the come up,

0:33:39.280 --> 0:33:41.360
<v Speaker 1>and you know, I try to, you know, put on,

0:33:42.160 --> 0:33:46.320
<v Speaker 1>but you are like you got like I would say

0:33:46.360 --> 0:33:49.720
<v Speaker 1>this man, it's the Jedi Club and you're in it.

0:33:50.240 --> 0:33:54.320
<v Speaker 1>And and I just had a conversation with somebody the

0:33:54.400 --> 0:33:57.360
<v Speaker 1>other day and it was like, Yo, Benny low Key

0:33:57.880 --> 0:34:01.760
<v Speaker 1>has an opportunity to go like go down, like legit,

0:34:01.920 --> 0:34:05.480
<v Speaker 1>Bro is like an all time great damn. I mean that, bro,

0:34:06.240 --> 0:34:09.160
<v Speaker 1>Like you feel you have the capabilities to do so.

0:34:09.360 --> 0:34:13.160
<v Speaker 1>Bro So like that's that's pressure on my on my show.

0:34:13.200 --> 0:34:15.600
<v Speaker 1>I'm just keeping it a bus But honestly, I feel that,

0:34:15.960 --> 0:34:18.680
<v Speaker 1>And that's why I haven't dropped the project in so long,

0:34:18.760 --> 0:34:20.879
<v Speaker 1>because I've been I'm lining it. Like I said, I'm

0:34:20.920 --> 0:34:23.759
<v Speaker 1>lining up a checkmate. I promise niggas, I'm lining up

0:34:23.800 --> 0:34:26.879
<v Speaker 1>a checkmate. And I think we put it in order.

0:34:27.360 --> 0:34:31.359
<v Speaker 1>Uh Solo Fire Solos, the Burden of Proof project with Harry,

0:34:31.520 --> 0:34:34.120
<v Speaker 1>I mean, hit Boy, the plugs, I met too with

0:34:34.239 --> 0:34:36.160
<v Speaker 1>Harry Froug, you know what I'm saying. And ten to

0:34:36.200 --> 0:34:38.399
<v Speaker 1>Talk four and five as a double album. I'm gonna

0:34:38.400 --> 0:34:40.799
<v Speaker 1>be here for another ten years. And I never thought

0:34:40.880 --> 0:34:44.160
<v Speaker 1>i'd ever hear a rapper talk about the coke game

0:34:44.400 --> 0:34:46.560
<v Speaker 1>as well as Pusher T does. But I mean, you're up,

0:34:46.600 --> 0:34:50.960
<v Speaker 1>You're there with him. Listen, listen. I hate to people

0:34:50.960 --> 0:34:53.319
<v Speaker 1>always say I glorify the street ship. I glorify how

0:34:53.400 --> 0:34:57.080
<v Speaker 1>far we came from it dirty. I really got these

0:34:57.120 --> 0:34:58.840
<v Speaker 1>hands dirty and was doing all type of shit these

0:34:58.920 --> 0:35:01.279
<v Speaker 1>niggas wrap about and never and I did the time

0:35:01.360 --> 0:35:02.960
<v Speaker 1>for the ship, and I'm back, and I learned so

0:35:03.080 --> 0:35:05.160
<v Speaker 1>much from that ship. This business mind just don't come

0:35:05.200 --> 0:35:07.440
<v Speaker 1>from you know what I'm saying. Would there ever be

0:35:07.520 --> 0:35:11.920
<v Speaker 1>a world in which I told this to Fred too?

0:35:11.920 --> 0:35:12.960
<v Speaker 1>I was like, Yeah, I want to hear you and

0:35:13.000 --> 0:35:15.680
<v Speaker 1>Benny do a whole project just talking about selling cocaine.

0:35:15.719 --> 0:35:17.719
<v Speaker 1>That'd be amazing. I want to do that. That's something

0:35:17.760 --> 0:35:21.680
<v Speaker 1>that I want to do. Or you and push Yeah, yeah, yeah,

0:35:21.840 --> 0:35:25.879
<v Speaker 1>that's something I need to do. Eighteen Wheeler is like, man,

0:35:25.960 --> 0:35:32.200
<v Speaker 1>it's man, come on, man, that's a snowstorm. That's crazy snowstall.

0:35:32.920 --> 0:35:37.320
<v Speaker 1>I gotta be the name of the project or the

0:35:37.400 --> 0:35:40.880
<v Speaker 1>wind Stars or some shit. Yeah, I mean anyway, listen, Benny,

0:35:40.880 --> 0:35:44.560
<v Speaker 1>I appreciate you, bro. July thirty, first tap in. Thank

0:35:44.600 --> 0:35:47.279
<v Speaker 1>you for talking to me. Man, And I'm I'm gonna

0:35:47.280 --> 0:35:48.799
<v Speaker 1>make sure you look ricky. I'm gonna send you guys

0:35:48.840 --> 0:35:55.560
<v Speaker 1>some drugs. You guys out in Buffalo right now? Oh

0:35:55.600 --> 0:35:59.480
<v Speaker 1>you guys live in Atlanta a ship? Hey, man, much

0:35:59.520 --> 0:36:04.239
<v Speaker 1>better weather that, I'm sure, Oh, way way better. Hey, Hey,

0:36:04.640 --> 0:36:07.759
<v Speaker 1>real quick, let's just take it to football before we

0:36:07.800 --> 0:36:13.920
<v Speaker 1>wrap this up. You guys want what you want to talk? Listen, No, no, no, no,

0:36:14.040 --> 0:36:17.400
<v Speaker 1>listen listen. I don't fuck with the Patriots. This might

0:36:17.480 --> 0:36:19.799
<v Speaker 1>be the year for y'all to win that finally get

0:36:19.840 --> 0:36:22.640
<v Speaker 1>that division title. I'm just I'm a Cardinals fan. I'm

0:36:22.640 --> 0:36:24.640
<v Speaker 1>from Arizona. You know, I got Charles Barkley dug in

0:36:24.640 --> 0:36:26.279
<v Speaker 1>the basketball in the Southern Jersey right there. You know

0:36:26.320 --> 0:36:30.160
<v Speaker 1>what I'm saying. But yeah, yeah, y'all feeling good about

0:36:30.160 --> 0:36:32.840
<v Speaker 1>the Bills this year? Yeah, I'm feeling great. I'm a

0:36:32.920 --> 0:36:36.200
<v Speaker 1>real Buffalo Bills fan. People. See I was at the

0:36:36.520 --> 0:36:39.040
<v Speaker 1>Houston playoff game. They put the Jordan crying face on

0:36:39.160 --> 0:36:41.319
<v Speaker 1>my ship. It is what it is. I'm a live

0:36:41.320 --> 0:36:43.360
<v Speaker 1>and die with my team. Man. Shout on my boy d.

0:36:44.239 --> 0:36:46.759
<v Speaker 1>Shout out Abody, Cody. You know what I'm saying, Shout

0:36:46.800 --> 0:36:48.919
<v Speaker 1>out all my boys. Hey, what's up with these white

0:36:48.960 --> 0:36:51.600
<v Speaker 1>people in Buffalo that be? You know's some real white

0:36:51.640 --> 0:36:53.759
<v Speaker 1>people shit going on before the games? Man jumping off

0:36:53.800 --> 0:36:56.719
<v Speaker 1>the trailers and the tables, and I mean, y'all got

0:36:56.760 --> 0:37:00.400
<v Speaker 1>the craziest fucking tailgate parties I have ever seen? Is

0:37:00.440 --> 0:37:02.399
<v Speaker 1>that just because because the ain't ship to do out

0:37:02.440 --> 0:37:03.879
<v Speaker 1>there but get fucked up and go to the games

0:37:03.920 --> 0:37:06.520
<v Speaker 1>on Sunday, Like, help me understand ready, Now, we got

0:37:06.600 --> 0:37:08.399
<v Speaker 1>to bring you the one. You gotta host one. Man.

0:37:09.239 --> 0:37:14.040
<v Speaker 1>If y'all play, the Cardinals were gonna turn up not

0:37:14.200 --> 0:37:16.440
<v Speaker 1>really shit, really ship. I would love to see that one,

0:37:16.560 --> 0:37:18.440
<v Speaker 1>my guys. I'll talk to y'all soon. Man. I cannot

0:37:18.440 --> 0:37:20.359
<v Speaker 1>wait to hear the project July thirty. First, make sure

0:37:20.440 --> 0:37:25.360
<v Speaker 1>y'all send me some clean music to play too, all right, geez, alright,

0:37:25.560 --> 0:37:27.160
<v Speaker 1>all right, fellas mhm