WEBVTT - The Force is Strong with TechStuff

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<v Speaker 1>Get in touch with technology with text Stuff from dot Com.

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<v Speaker 1>Hey there, and welcome to text Stuff. I'm Jonathan Strickland,

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<v Speaker 1>and today we're going to listen to a good, old

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<v Speaker 1>classic episode of tech Stuff. This is prompted by the

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<v Speaker 1>fact that the trailer for Star Wars episode seven came

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<v Speaker 1>out from and set my mind on fire. I'm sure

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<v Speaker 1>I'm not the only person out there who feels this way.

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<v Speaker 1>I love Star Wars. I thought the prequels have killed

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<v Speaker 1>it for me, but this, this preview has me cautiously optimistic.

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<v Speaker 1>And we thought it might be fun to talk about

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<v Speaker 1>the lightsaber and so I want to go back and

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<v Speaker 1>listen to this episode that Chris and I recorded way

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<v Speaker 1>back in April. This is going pretty far back there,

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<v Speaker 1>but we talked all about lightsabers. So check it out.

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<v Speaker 1>And then when the episodes over, I've got a little

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<v Speaker 1>bit of an update and some information to tell you.

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<v Speaker 1>So we're gonna start off this podcast with a little tweet.

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<v Speaker 1>This listener tweet comes from Jacqueline Hyde, who says, got

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<v Speaker 1>a listener request for you how lightsabers work. The force

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<v Speaker 1>is strong with this one, so we are going to

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<v Speaker 1>talk about lightsabers. This is kind of an interesting subject

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<v Speaker 1>in the sense that really it belongs and stuff you

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<v Speaker 1>missed in history class because it did happen a long

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<v Speaker 1>time ago. Any galaxy far far away, Yeah, um or

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<v Speaker 1>technically it could be fan stuff, but they don't have

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<v Speaker 1>a podcast. So we're gonna tackle it before anyone can

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<v Speaker 1>grab it from our cold dead paddawan hands. As the

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<v Speaker 1>Jedi would say, niner niner, Yes, the Jedi would say that.

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<v Speaker 1>So of course we're talking about the civilized weapon from

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<v Speaker 1>a or the elegant weapon from a more civilized age.

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<v Speaker 1>The light Saber, as introduced to us through George Lucas's

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<v Speaker 1>brilliant work Star Wars A New Hope um or just

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<v Speaker 1>Star Wars. When it first came out in it was

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<v Speaker 1>not American Graffiti as many people think. No, no, there

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<v Speaker 1>was no cameo of the lightsaber in American graffiti, although

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<v Speaker 1>that would have made that movie that much more awesome.

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<v Speaker 1>So Lightsabers, of course, this is the weapon the Jedi use,

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<v Speaker 1>the the magic sword of the Star Wars series, and

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<v Speaker 1>in fact, when uh, most of the interviews I've seen

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<v Speaker 1>with Lucas, he just refers to it as a magic sword.

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<v Speaker 1>You know, it just it's that's what the purpose of

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<v Speaker 1>it is. It's just it happens to be called a lightsaber,

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<v Speaker 1>but it's a magic sword. So the problem with magic

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<v Speaker 1>is that there's not a whole lot to how it

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<v Speaker 1>works other than magic. You know, Yeah, you're just totally

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<v Speaker 1>getting into that early. I thought we were going to

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<v Speaker 1>go ahead and talk about how it works. All right, Well,

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<v Speaker 1>this has not stopped people from telling us how it works,

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<v Speaker 1>despite the fact that it's magic. So let's talk that.

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<v Speaker 1>There are people who will argue exactly how this works.

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<v Speaker 1>It's as a matter of fact, we have an article

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<v Speaker 1>on how it works. It's not cannon, and cannon is

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<v Speaker 1>important to me. But then again, and you know what

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<v Speaker 1>is canon jar jar binks. So let's just move on

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<v Speaker 1>into how lightsabers work. So a lightsaber is made up

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<v Speaker 1>of several different parts. You've got the handle, which is

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<v Speaker 1>pretty much where everything is, right, yeah, So the handle

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<v Speaker 1>has at the base of the handle, you've got the

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<v Speaker 1>power cell and it's a it was it diecium, yes,

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<v Speaker 1>the dietum crystal. All right, so you've got the diaction

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<v Speaker 1>power cell that's in the That's fine. You know what

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<v Speaker 1>if they correct us, if they take that time more

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<v Speaker 1>power to them uh diaction power cell is in the

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<v Speaker 1>middle of a power of vortex ring and a power

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<v Speaker 1>field conductor. Now where does all this power go? You've

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<v Speaker 1>you're generated. That's essentially like the battery of the lightsaber.

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<v Speaker 1>That's the very base. So and it's got a lot

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<v Speaker 1>of energy stored in it, lots and lots of energy.

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<v Speaker 1>Now where does this energy go once it starts to

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<v Speaker 1>emit from the power cell? It goes into the crystal

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<v Speaker 1>energy chamber right where you have your primary crystal. Now,

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<v Speaker 1>depending on whom you ask, this crystal may or may

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<v Speaker 1>not determine the color of the lightsabers blade. Now, some

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<v Speaker 1>would argue that the real determiner for the lightsaber color

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<v Speaker 1>is lies with the Jedi him or herself and the

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<v Speaker 1>force that that Jedi abuse the crystal. So in that case,

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<v Speaker 1>you could have any crystal and essentially have a lightsaber

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<v Speaker 1>of any color. It would all be up to the

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<v Speaker 1>individual Jedi. Others would argue, nay, tis not. So, the

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<v Speaker 1>lightsaber color is dependent entirely upon the color of the

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<v Speaker 1>crystal you select to focus this power. Um, I'm gonna

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<v Speaker 1>go with that one. So you know, of course, we

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<v Speaker 1>we also need to talk about how Jedi lightsabers are

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<v Speaker 1>different from Sith lightsabers because they are so the crystals

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<v Speaker 1>that Jedi use tend to be natural crystals. They're crystal

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<v Speaker 1>those found in caves throughout the galaxy um, and so

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<v Speaker 1>these crystals are they can take the power and create

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<v Speaker 1>the the the force of the I guess, the actual

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<v Speaker 1>lightsaber blade. It's the best way of putting it. Um.

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<v Speaker 1>And the Sith what they do is they'll they'll make

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<v Speaker 1>a they'll make their own crystals, they'll create a forge,

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<v Speaker 1>and they'll build a synthetic crystal. And there's tend to

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<v Speaker 1>be red, yes, which is why you see Sith while

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<v Speaker 1>like like Darth Maul or Darth Vader or Darth Tyrannus

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<v Speaker 1>walking around with a big old red lightsaber, whereas Jedi

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<v Speaker 1>they tend to stick with blue and green, although other

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<v Speaker 1>colors are also available. Yes, so there are more that,

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<v Speaker 1>but there are there are more than one crystal though

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<v Speaker 1>the primary crystal is uh is just one part of that.

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<v Speaker 1>There are sex there are secondary and smaller crystals, and

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<v Speaker 1>it sort of depends on the Jedi who builds the lightsaber,

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<v Speaker 1>because the lightsaber is creating a lightsaber is part of

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<v Speaker 1>becoming a Jedi. Yes, it's actually the final step of

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<v Speaker 1>Jedi training according to a Darth Vader. Yes so. But

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<v Speaker 1>but what the additional crystals do is they actually help

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<v Speaker 1>focus the energy into a blade form, right right, So,

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<v Speaker 1>the energy coming from the power cell, once it passes

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<v Speaker 1>through the crystal, that's what gives it the the destructive

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<v Speaker 1>force that we see from lightsabers. The other crystals focus

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<v Speaker 1>that into the blade. Um and depending also on upon

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<v Speaker 1>whom you ask, they may also give the the lightsaber

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<v Speaker 1>other certain powers, like it may enhance certain certain aspects

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<v Speaker 1>of the lightsaber. For example, we know that lightsabers can

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<v Speaker 1>deflect blaster fire. Some of these crystals are apparently more

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<v Speaker 1>effective at deflecting blaster fire than others, and others may

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<v Speaker 1>be better at cutting through certain kinds of material. So

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<v Speaker 1>uh Now, other other scholars will argue that's not the case.

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<v Speaker 1>The just focuses the blade, doesn't imbue it with any

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<v Speaker 1>other powers. Um. Personally, I haven't had my hands on

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<v Speaker 1>the lightsaber in a really long time, so it's kind

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<v Speaker 1>of hard for me to tell you exactly what what

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<v Speaker 1>which ones are, right, and also I have only ever

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<v Speaker 1>really used one, So with that small sample size, it's

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<v Speaker 1>impossible to say yes. And and it's probably a good

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<v Speaker 1>time to point out that if you do have the

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<v Speaker 1>opportunity to use the lights I remember it's it's not

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<v Speaker 1>the kind of thing that you just want to play

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<v Speaker 1>around with because it can be a very very dangerous weapon.

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<v Speaker 1>It turns out serious damage when you can cut through,

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<v Speaker 1>you know, a foot of steel that it's not the

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<v Speaker 1>best thing to you know, swatterfly with no um. After

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<v Speaker 1>it goes through the christ the focusing crystal, it passes

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<v Speaker 1>through the blade energy channel again further refines the blade

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<v Speaker 1>and directs it into a straight line that would emerge

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<v Speaker 1>from the hilt um. And then at the very top

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<v Speaker 1>of your blade, you've got your your cycling field energizer's

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<v Speaker 1>your energy modulation circuits uh, and then you've got your

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<v Speaker 1>your controls. Your control adjust the power of the blade,

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<v Speaker 1>and it also adjust the length of the blade. So

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<v Speaker 1>even though we normally see lightsabers used at a at

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<v Speaker 1>a pretty standard length, most people have it at a

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<v Speaker 1>whenever they turn on their lightsaber, it's pretty much the

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<v Speaker 1>same length each time. Technically you can adjust that so

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<v Speaker 1>you can make it longer or shorter using the blade

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<v Speaker 1>length adjustment UM. And then there's a magnetic magnetic stabilizing

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<v Speaker 1>ring and a blade shroud emitter um at the very

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<v Speaker 1>top which helped control the blade so it doesn't just

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<v Speaker 1>zap out when you turn it on. UM. That's your

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<v Speaker 1>basic anatomy of your lightsaber hilt, all right. And then

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<v Speaker 1>Coston there's the activation matrix, which is the star Wars

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<v Speaker 1>term for the switch. I just I love that part there.

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<v Speaker 1>The handle is about thirty centimeters in length, so they're

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<v Speaker 1>not ridiculously long, right, UM, which is good to know.

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<v Speaker 1>It generates an arc wave energy field, and this is

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<v Speaker 1>why the blades actually have a stopping point. Yes, and

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<v Speaker 1>it has it. It produces sort of a gyroscopic effect

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<v Speaker 1>to which is why you have to be very careful

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<v Speaker 1>with it because you know it has it has a

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<v Speaker 1>pull to it if you will, right. But that also

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<v Speaker 1>makes it easier to use, because otherwise it would be

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<v Speaker 1>like swinging a flashlight around. There'll be no feedback from

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<v Speaker 1>swinging the handle, and it would make it much more

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<v Speaker 1>difficult to master a lightsaber if you didn't have that

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<v Speaker 1>gyroscopic effect when you started swinging it around. UM. So

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<v Speaker 1>the blade arc tip, that's the very end of the

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<v Speaker 1>lightsaber um and it's it's the arc emmitter is what's

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<v Speaker 1>keeping it from becoming like a blaster. Actually, lightsabers predate

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<v Speaker 1>blasters um before it was a more civilized age after all,

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<v Speaker 1>as it was, and you know, I guess civilized means

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<v Speaker 1>that you locked each other's limbs off, as opposed to

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<v Speaker 1>shooting each other from very far away. Uh. Never never

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<v Speaker 1>bring a lightsaber to a blaster fight. Oh wait, no

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<v Speaker 1>you could do that. No, yeah, you can't do that

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<v Speaker 1>because yeah, alright, so let's let's talk about about that's

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<v Speaker 1>that's the basics of building your lightsaber um. Now, each

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<v Speaker 1>Jedi builds his or her own lightsaber as part of

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<v Speaker 1>their training. Uh, and they're gonna build it according to

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<v Speaker 1>their own particular fighting style. Now do you have you

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<v Speaker 1>heard about the different Jedi fighting styles? No? I haven't.

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<v Speaker 1>There are seven major forms of lightsaber styles. Yes, okay,

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<v Speaker 1>well why don't you? Why don't you tell this? All right,

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<v Speaker 1>I'm gonna go into a little detail, but I'm just

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<v Speaker 1>gonna do this as a pretty high level thing. We

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<v Speaker 1>don't need to get into depth. This isn't Jedi fighting

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<v Speaker 1>style stuff. That's right. Yeah, that's another podcast that we're

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<v Speaker 1>starting next month. You start requesting now, um, next month

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<v Speaker 1>being April. I can't imagine when the first episode will

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<v Speaker 1>come out. So, so the the fighting styles, and you

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<v Speaker 1>can think of it kind of like martial arts styles. Um,

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<v Speaker 1>you know, not all martial arts styles are alike. Cut

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<v Speaker 1>on Day is very different from jiu jitsu, which is

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<v Speaker 1>very different from a keto, which in turn is different

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<v Speaker 1>from hap keto. Um, they're they're drunk Jedi style. No,

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<v Speaker 1>there's no drunken master Jedi style, although I hear Yoda

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<v Speaker 1>can get up to some way shenanigans on a Saturday unit. Uh.

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<v Speaker 1>The seven forms of lightsaber combat are actually listed as

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<v Speaker 1>you know, Form one, Form two, Form three. They each

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<v Speaker 1>have their own names, but I'm not even going to

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<v Speaker 1>try and pronounce them because they're all alien and I

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<v Speaker 1>don't have the capability. I don't actually know what the

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<v Speaker 1>pronunciation is for most of them. But if you hadn't

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<v Speaker 1>spilled your mini chlorine, you'd be fine, I know. In general,

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<v Speaker 1>Form one is the foundation. It is the basic form

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<v Speaker 1>of lightsaber combat. It's your basic strikes, your basic defenses. Um.

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<v Speaker 1>It teaches you how to view the body as a

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<v Speaker 1>series of targets like you think of you divide up

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<v Speaker 1>the body, like the head is a certain certain target,

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<v Speaker 1>the arms, the torso, and you know, attacks are very

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<v Speaker 1>specific to each target. You know, different slashing techniques and

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<v Speaker 1>hacking techniques. So for one is kind of lightsaber combat

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<v Speaker 1>one oh one, everyone pretty much goes through that. Form

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<v Speaker 1>two is dueling. Now, this lightsaber combat really concentrates on

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<v Speaker 1>finesse blade control footwork. This is the kind of of

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<v Speaker 1>style that Colt Dooku slash Darth Tarrannis used. Now. That

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<v Speaker 1>is why his lightsaber handle actually has a curve at

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<v Speaker 1>the end of it. It's so that he can hold

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<v Speaker 1>it kind of like a pistol grip. Gives him a

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<v Speaker 1>lot of control over the tip of the blade. And

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<v Speaker 1>that's just his style of dueling. Now, this was much

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<v Speaker 1>more popular before blasters came out because it was just

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<v Speaker 1>really meant for lightsaber to lightsaber combat. Once blasters came out,

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<v Speaker 1>people Jedi began to realize that the in order to

0:12:45.440 --> 0:12:49.520
<v Speaker 1>deflect these these blaster bolts, they would need to adapt

0:12:49.640 --> 0:12:52.480
<v Speaker 1>their fighting style. This is not the best style to

0:12:52.600 --> 0:12:55.240
<v Speaker 1>use if you're being shot at by stormtroopers, for example.

0:12:56.040 --> 0:12:59.959
<v Speaker 1>So uh, but that was Tarrannis is favorite form. Then

0:13:00.000 --> 0:13:03.160
<v Speaker 1>there's Form three, which is defensive, where you are trying

0:13:03.200 --> 0:13:06.760
<v Speaker 1>to reveal the least amount of target space on your body,

0:13:07.640 --> 0:13:10.040
<v Speaker 1>so it's really good for defending against blasters, that kind

0:13:10.080 --> 0:13:13.080
<v Speaker 1>of thing. Form four is an acrobatic style, lots of

0:13:13.120 --> 0:13:16.560
<v Speaker 1>flips and spins. You're using the force to boost your

0:13:16.600 --> 0:13:20.400
<v Speaker 1>your physical abilities, so you're you're depending more on uh

0:13:20.440 --> 0:13:26.240
<v Speaker 1>these acrobatics than on your blade at that point. So

0:13:26.320 --> 0:13:30.080
<v Speaker 1>Yoda uses that a lot. Um if you've seen him

0:13:30.080 --> 0:13:32.560
<v Speaker 1>fight Count Dooku, He's like a little queens and art.

0:13:33.280 --> 0:13:36.800
<v Speaker 1>And then uh Fom five that uses the deflective nature

0:13:36.840 --> 0:13:41.480
<v Speaker 1>of the lightsaber to reflect blaster fire. Um you you

0:13:41.600 --> 0:13:45.760
<v Speaker 1>use use strengthen your attacks, so it's a more brute

0:13:45.800 --> 0:13:50.040
<v Speaker 1>force kind of of approach. This is the style favored

0:13:50.040 --> 0:13:53.679
<v Speaker 1>by a certain Skywalker family. Both Anakin and Luke used

0:13:53.760 --> 0:14:00.000
<v Speaker 1>Form five. Form six combines elements of forms one through five. Um,

0:14:00.080 --> 0:14:03.840
<v Speaker 1>but it also teaches that you should be detached from emotion.

0:14:04.440 --> 0:14:08.200
<v Speaker 1>You should be using very calculating ways of moving. You

0:14:08.200 --> 0:14:12.160
<v Speaker 1>shouldn't let your emotions dictate what you're doing. Four and

0:14:12.280 --> 0:14:15.360
<v Speaker 1>seven is kind of the opposite, that's leveraging your emotion

0:14:15.480 --> 0:14:18.840
<v Speaker 1>into power and using that to fight your opponents. This

0:14:18.960 --> 0:14:23.880
<v Speaker 1>was what Darth maul Uh used with some reliance on

0:14:23.880 --> 0:14:27.880
<v Speaker 1>on on Form four as well the acrobatic style. Now,

0:14:28.080 --> 0:14:31.280
<v Speaker 1>of course he had a double bladed lightsaber, and those

0:14:31.320 --> 0:14:34.280
<v Speaker 1>don't work all that differently than a regular lightsaber. They're

0:14:34.280 --> 0:14:37.920
<v Speaker 1>just basically two lightsabers attached together at the hilt. So

0:14:37.960 --> 0:14:41.120
<v Speaker 1>there's there's four crystals instead of two, or a minimum

0:14:41.160 --> 0:14:43.360
<v Speaker 1>of four, because you have to have for you know,

0:14:43.400 --> 0:14:45.640
<v Speaker 1>two of the generator type and two of the focusing

0:14:45.680 --> 0:14:49.000
<v Speaker 1>type at minimum in order to create the two blades.

0:14:49.320 --> 0:14:52.720
<v Speaker 1>By the way, those focusing crystals are usually add again

0:14:52.840 --> 0:14:55.960
<v Speaker 1>crystals usually, but you can also find them on Dantweine

0:14:56.120 --> 0:14:59.720
<v Speaker 1>as well as many many other UH planets within these

0:14:59.720 --> 0:15:02.720
<v Speaker 1>Star Wars galaxy. Yes, until Senti Star comes after you

0:15:02.800 --> 0:15:06.720
<v Speaker 1>and you know calls you a coward. Right, I'm sorry,

0:15:06.840 --> 0:15:12.200
<v Speaker 1>I switched genres. Okay, you lost me. You lost me, seriously,

0:15:12.240 --> 0:15:22.560
<v Speaker 1>you never played Senti Star. I rarely played way way

0:15:22.600 --> 0:15:24.720
<v Speaker 1>way way back in the past, back when the Jedi

0:15:24.760 --> 0:15:29.280
<v Speaker 1>were um much more numerous. The color of your blade

0:15:29.320 --> 0:15:32.920
<v Speaker 1>also would indicate what what kind of Jedi you were.

0:15:33.520 --> 0:15:36.119
<v Speaker 1>For example, if you had a blue blade. That signified

0:15:36.120 --> 0:15:38.520
<v Speaker 1>that you were a Jedi Guardian, and so you're much

0:15:38.520 --> 0:15:41.000
<v Speaker 1>more you know, kind of a physical. You would get

0:15:41.000 --> 0:15:43.320
<v Speaker 1>into the fights, you would you know, defend people with

0:15:43.400 --> 0:15:47.440
<v Speaker 1>your your prowess. Uh. Green would suggest that you were

0:15:47.440 --> 0:15:50.720
<v Speaker 1>a Jedi consular, and this would be someone who was

0:15:50.840 --> 0:15:56.239
<v Speaker 1>much more thoughtful and kind of contemplative. And then um,

0:15:56.560 --> 0:15:59.360
<v Speaker 1>Yellow would indicate that you're a Jedi Sentinel, and that's

0:15:59.360 --> 0:16:02.680
<v Speaker 1>someone who kind of was in between the other two.

0:16:03.120 --> 0:16:07.560
<v Speaker 1>So so not as physical as the Guardians, but not

0:16:07.680 --> 0:16:11.280
<v Speaker 1>as brainy as the others either. So Yellow and Blue

0:16:11.320 --> 0:16:16.600
<v Speaker 1>dommate Green. This is true. I learned that somewhere should

0:16:16.600 --> 0:16:19.880
<v Speaker 1>we go into the other aspect of lightsabers. So you

0:16:19.880 --> 0:16:22.800
<v Speaker 1>mean we're actually gonna step outside of the realm of

0:16:22.840 --> 0:16:25.480
<v Speaker 1>Star Wars just look at the time and thinking that

0:16:25.520 --> 0:16:28.080
<v Speaker 1>maybe we should do that. That's pretty good idea, all right,

0:16:28.200 --> 0:16:31.440
<v Speaker 1>So that's within the Star Wars universe, of course, that's

0:16:31.480 --> 0:16:34.360
<v Speaker 1>how they supposedly work. And I should also add none

0:16:34.360 --> 0:16:36.760
<v Speaker 1>of that is cannon. And when I say cannon, I'm

0:16:36.760 --> 0:16:40.240
<v Speaker 1>talking about the stuff that Lucas himself has signed off

0:16:40.280 --> 0:16:43.240
<v Speaker 1>on as saying, yes, this is officially part of the

0:16:43.280 --> 0:16:47.360
<v Speaker 1>Star Wars history. Um, most of that is just the movies. Um.

0:16:47.400 --> 0:16:49.880
<v Speaker 1>To some extent, you could argue the books as well.

0:16:50.000 --> 0:16:53.120
<v Speaker 1>Some of those. Lucas has more or less said, yeah,

0:16:53.200 --> 0:16:54.760
<v Speaker 1>even though that didn't appear in the movie, that is

0:16:54.840 --> 0:16:58.520
<v Speaker 1>cannon as well, But he never goes into explaining the

0:16:58.560 --> 0:17:01.240
<v Speaker 1>blades in the movies. And so this is really other

0:17:01.240 --> 0:17:05.920
<v Speaker 1>people trying to um rhet coon really to explain why

0:17:05.920 --> 0:17:10.080
<v Speaker 1>this stuff works. Um, yeah, basically, and if you're unfamiliar

0:17:10.080 --> 0:17:13.160
<v Speaker 1>with the tournament cannon is uh like basically, they're written

0:17:13.200 --> 0:17:16.920
<v Speaker 1>instructions for how a a magical or you know, fantasy

0:17:17.000 --> 0:17:19.760
<v Speaker 1>or science fiction universe operates. It kind of helps you

0:17:19.760 --> 0:17:22.439
<v Speaker 1>write the stories. And the Star Wars cannon sort of

0:17:22.440 --> 0:17:24.800
<v Speaker 1>came about after some of the stories had already been

0:17:24.800 --> 0:17:27.639
<v Speaker 1>in practice. So it's a little of the other universe.

0:17:27.760 --> 0:17:29.200
<v Speaker 1>So if you were to read some of the comic

0:17:29.240 --> 0:17:31.199
<v Speaker 1>books or some of the other books that have been

0:17:31.200 --> 0:17:33.359
<v Speaker 1>written in the Star Wars universe, you might notice that

0:17:33.400 --> 0:17:37.520
<v Speaker 1>they sometimes contradict what happened in later movies, and that's

0:17:37.560 --> 0:17:40.320
<v Speaker 1>because they're not canon, all right, So moving on to

0:17:40.440 --> 0:17:43.600
<v Speaker 1>how they actually created this effect, which is really which

0:17:43.640 --> 0:17:45.960
<v Speaker 1>is really fascinating too. I think right now now. First

0:17:45.960 --> 0:17:48.640
<v Speaker 1>of all, in a New Hope, the first film, they

0:17:48.680 --> 0:17:53.040
<v Speaker 1>hadn't originally considered animating or adding any light to these

0:17:53.240 --> 0:17:56.880
<v Speaker 1>at all. The original idea was that the lightsabers were

0:17:56.920 --> 0:18:01.120
<v Speaker 1>going to have There were these these uh I think

0:18:01.119 --> 0:18:04.400
<v Speaker 1>it was three sided, three sided pole that came out

0:18:04.840 --> 0:18:07.800
<v Speaker 1>kind of a triangular pole, and each side was was

0:18:07.880 --> 0:18:11.240
<v Speaker 1>coated with a very reflective material, and they used a

0:18:11.320 --> 0:18:13.080
<v Speaker 1>lamp that was on the same side as the camera

0:18:13.200 --> 0:18:15.600
<v Speaker 1>and focus the light so that it would reflect off

0:18:15.640 --> 0:18:17.960
<v Speaker 1>of it be really shiny, and there was a motor

0:18:18.040 --> 0:18:20.840
<v Speaker 1>inside the handle that would direct the side to be

0:18:21.359 --> 0:18:24.720
<v Speaker 1>aligned properly for the camera. But the effect was not

0:18:24.920 --> 0:18:30.320
<v Speaker 1>as a zippy as Lucas wanted. So they started to

0:18:30.400 --> 0:18:33.000
<v Speaker 1>cast about and see if they could find some other

0:18:33.080 --> 0:18:36.880
<v Speaker 1>way of making this magic sword seem really magical, and

0:18:36.960 --> 0:18:40.040
<v Speaker 1>they contacted an animator by the name of Nelson Shin.

0:18:41.480 --> 0:18:45.680
<v Speaker 1>Nelson Shin took a week and looked at this footage

0:18:45.720 --> 0:18:49.480
<v Speaker 1>that had been shot and used an effect called rhodoscoping.

0:18:50.520 --> 0:18:54.240
<v Speaker 1>The the technique and animation technique is actually a very

0:18:54.280 --> 0:18:58.560
<v Speaker 1>old technique. A lot of people and myself, including associated

0:18:58.600 --> 0:19:02.480
<v Speaker 1>with AHAs, take on video. I associate it with Ralph

0:19:02.520 --> 0:19:07.440
<v Speaker 1>Box She's um Lord of the Rings movie. Also, Wizards

0:19:07.680 --> 0:19:09.960
<v Speaker 1>was another movie he used it in. But it's it's

0:19:10.000 --> 0:19:13.200
<v Speaker 1>where you take live action footage and then you overlay

0:19:13.240 --> 0:19:16.280
<v Speaker 1>animation on top of it, sometimes replacing the live action

0:19:16.280 --> 0:19:19.280
<v Speaker 1>footage entirely, sometimes enhancing it, and in this case, it

0:19:19.320 --> 0:19:21.840
<v Speaker 1>was enhancing it. So what he did was he used

0:19:21.880 --> 0:19:26.480
<v Speaker 1>animation cells to create this this glowing blade effect on

0:19:26.640 --> 0:19:30.439
<v Speaker 1>top of the the actual physical rods that were in

0:19:30.440 --> 0:19:35.840
<v Speaker 1>the shots, and then uh using you know, synchronizing the

0:19:36.119 --> 0:19:39.840
<v Speaker 1>cells that he had created with the actual film, overlaying

0:19:39.840 --> 0:19:42.680
<v Speaker 1>the animated effect on it, creating a new print that

0:19:43.160 --> 0:19:46.960
<v Speaker 1>combined these two individual prints. And that's how you you know.

0:19:47.000 --> 0:19:48.760
<v Speaker 1>He sent that back to Lucas and said, well, here

0:19:48.840 --> 0:19:51.440
<v Speaker 1>you can try this and see if this works. Lucas

0:19:51.480 --> 0:19:54.400
<v Speaker 1>liked it. Um, they decided to go with that approach.

0:19:54.440 --> 0:19:57.040
<v Speaker 1>They refined it a little bit. They added some color

0:19:57.200 --> 0:19:59.399
<v Speaker 1>so you had different color blades because originally they were

0:19:59.400 --> 0:20:03.360
<v Speaker 1>both white and uh, and that was the beginning of

0:20:03.440 --> 0:20:07.960
<v Speaker 1>the lightsaber effect. Now, in the first three films, which

0:20:09.880 --> 0:20:12.679
<v Speaker 1>four or five and six, UM, they use the rotoscoping

0:20:12.680 --> 0:20:18.840
<v Speaker 1>technique where they would essentially hand draw these things on cells. Um. Basically,

0:20:18.840 --> 0:20:20.959
<v Speaker 1>what they do is they put that cell over the

0:20:20.960 --> 0:20:24.920
<v Speaker 1>original film and color it in and then but that's

0:20:24.920 --> 0:20:27.080
<v Speaker 1>not but that's not all of it, because that does

0:20:27.119 --> 0:20:29.639
<v Speaker 1>add some color to it. But from from there they

0:20:30.280 --> 0:20:32.760
<v Speaker 1>have to shoot more film with the cell and the

0:20:32.800 --> 0:20:35.960
<v Speaker 1>original and when they do that, they shoot it over

0:20:35.960 --> 0:20:40.320
<v Speaker 1>a black background and use a light diffuser over the lens.

0:20:40.600 --> 0:20:43.760
<v Speaker 1>They double exposed the shots and that that makes them

0:20:43.800 --> 0:20:46.080
<v Speaker 1>really pop. That makes that makes them look sort of

0:20:46.320 --> 0:20:49.439
<v Speaker 1>you know, gives them that sort of otherworldly effect. You know,

0:20:49.440 --> 0:20:52.919
<v Speaker 1>how bright they are in their shots. So kind of

0:20:52.960 --> 0:20:56.800
<v Speaker 1>sophisticated when you think about it, but very very time consuming. Right, Yes,

0:20:56.920 --> 0:20:59.680
<v Speaker 1>it took took a really long time. It took slightly

0:20:59.800 --> 0:21:02.239
<v Speaker 1>less time by the time they got around to the

0:21:02.240 --> 0:21:04.600
<v Speaker 1>prequels episodes one, two, and three, because they could do

0:21:04.640 --> 0:21:07.320
<v Speaker 1>it all digitally, but somebody still has to go into

0:21:07.320 --> 0:21:10.600
<v Speaker 1>the computer and you're doing it, you're doing it all

0:21:10.680 --> 0:21:15.919
<v Speaker 1>in computer as opposed to doing it on hand handmade cells. Um. So,

0:21:15.960 --> 0:21:18.240
<v Speaker 1>I mean it still takes time, it's just not quite

0:21:18.320 --> 0:21:20.960
<v Speaker 1>as time consuming, except for the fact that Lucas decided

0:21:21.000 --> 0:21:23.280
<v Speaker 1>to throw in about I don't know ten times as

0:21:23.320 --> 0:21:26.080
<v Speaker 1>many lightsaber battles in those first three movies as the

0:21:26.320 --> 0:21:30.679
<v Speaker 1>original trilogy combined. Um, the the actual hilts of the

0:21:30.760 --> 0:21:34.359
<v Speaker 1>lightsabers were made up of old camera flash battery packs

0:21:34.600 --> 0:21:38.679
<v Speaker 1>and other odds and ends, like stuff from hardware stores

0:21:38.720 --> 0:21:44.679
<v Speaker 1>like plumbing, um gaskets and things like that. Now, they

0:21:44.720 --> 0:21:48.000
<v Speaker 1>shot these movies in England, so they were raiding various

0:21:48.160 --> 0:21:51.720
<v Speaker 1>British hardware shops. So a lot of the materials that

0:21:52.080 --> 0:21:55.440
<v Speaker 1>they used to build the lightsaber handles are very hard

0:21:55.480 --> 0:21:58.200
<v Speaker 1>to find or sometimes impossible to find in the United States,

0:21:58.480 --> 0:22:01.320
<v Speaker 1>which is why it's kind of challenging to create a

0:22:01.359 --> 0:22:04.440
<v Speaker 1>model of those those first. Again, this is for the

0:22:04.760 --> 0:22:07.640
<v Speaker 1>first trilogy four or five and six. Um, it's hard

0:22:07.680 --> 0:22:10.520
<v Speaker 1>to make those faithfully just because it's hard to get

0:22:10.520 --> 0:22:13.959
<v Speaker 1>those parts in the United States. Um. Now, for episodes one, two,

0:22:14.000 --> 0:22:18.200
<v Speaker 1>and three, those were all machined, so there's all like routed.

0:22:18.440 --> 0:22:21.000
<v Speaker 1>They designed them in the computer and then and then

0:22:21.200 --> 0:22:23.439
<v Speaker 1>made use a router to cut custom parts and then

0:22:23.480 --> 0:22:26.120
<v Speaker 1>assembled them. So it wasn't like they were just grabbing

0:22:26.160 --> 0:22:29.399
<v Speaker 1>whatever they could find and and sticking it together. Um.

0:22:29.440 --> 0:22:32.040
<v Speaker 1>They came up with the concept, and artists came up

0:22:32.040 --> 0:22:34.120
<v Speaker 1>with the concept and then they built it from scratch.

0:22:34.800 --> 0:22:37.320
<v Speaker 1>That was actually one of my questions, like, where'd the

0:22:37.400 --> 0:22:41.119
<v Speaker 1>Jedi going to machine these parts? And you know, do

0:22:41.160 --> 0:22:48.000
<v Speaker 1>they as electrical engineering part of their training. It's Dreadria.

0:22:48.080 --> 0:22:53.320
<v Speaker 1>It's in the CAD system, very very nice. A lot

0:22:53.320 --> 0:22:55.600
<v Speaker 1>of a lot of rascals in the CAD system. As

0:22:55.600 --> 0:22:57.560
<v Speaker 1>it turns out, I think Han Solo actually spent a

0:22:57.560 --> 0:22:59.960
<v Speaker 1>lot of time in the CAD system. It's funny because

0:23:00.240 --> 0:23:02.239
<v Speaker 1>when I started doing the two of these, the two

0:23:02.320 --> 0:23:04.959
<v Speaker 1>pieces of this, the fantasy part and the you know,

0:23:05.200 --> 0:23:07.320
<v Speaker 1>special effect, how do they make it happen? I started

0:23:07.359 --> 0:23:10.639
<v Speaker 1>thinking about that way, So who's actually making these? You

0:23:10.680 --> 0:23:12.879
<v Speaker 1>know because each one is different? Well that's one of

0:23:12.920 --> 0:23:15.600
<v Speaker 1>the things too that uh um and I think is

0:23:15.600 --> 0:23:19.560
<v Speaker 1>at least somewhat cannon, is that it's all sort of individualized,

0:23:20.040 --> 0:23:22.560
<v Speaker 1>you know to the Jedi. So I'm wondering if you know,

0:23:22.600 --> 0:23:24.600
<v Speaker 1>they have to go down to the shop, you know,

0:23:24.640 --> 0:23:27.200
<v Speaker 1>on the thirty fourth floor and go, yeah, I need

0:23:27.480 --> 0:23:31.080
<v Speaker 1>can you make the sort of the the arc tip

0:23:31.359 --> 0:23:33.640
<v Speaker 1>sort of in this shape? No? No, no, not exactly

0:23:33.680 --> 0:23:38.240
<v Speaker 1>like that? Yeah, yeah, uh you know it It's kind

0:23:38.240 --> 0:23:40.280
<v Speaker 1>of sad because when I look at the props from

0:23:40.320 --> 0:23:43.879
<v Speaker 1>the first trilogy, those look like things that have really

0:23:43.920 --> 0:23:47.120
<v Speaker 1>lived in that universe for a really long time. I mean,

0:23:47.119 --> 0:23:49.800
<v Speaker 1>the ships are all beat up, and even the Jedi, uh,

0:23:49.840 --> 0:23:52.520
<v Speaker 1>the Jedi are beat up. The jedire beat up pretty bad.

0:23:53.400 --> 0:23:57.359
<v Speaker 1>But no, even the lightsabers look like they've been well used,

0:23:58.000 --> 0:24:00.359
<v Speaker 1>whereas the if you look at the prequels, every looks

0:24:00.400 --> 0:24:03.040
<v Speaker 1>like brand new and sparkly, and it's just a little

0:24:03.800 --> 0:24:06.120
<v Speaker 1>it doesn't feel to me. It almost feels like it's

0:24:06.119 --> 0:24:09.200
<v Speaker 1>two different universes. Well, you know they are like years

0:24:09.200 --> 0:24:13.639
<v Speaker 1>apart and on and thirty years. Come on, do you

0:24:13.680 --> 0:24:16.320
<v Speaker 1>really want to go down this road because we've been

0:24:16.320 --> 0:24:18.600
<v Speaker 1>recording for like twenty four minutes, I'm not gonna go

0:24:18.680 --> 0:24:23.080
<v Speaker 1>for another fifty probably conservative that would be only because

0:24:23.080 --> 0:24:25.879
<v Speaker 1>I'd have to stop and get a break to drink something.

0:24:26.200 --> 0:24:28.520
<v Speaker 1>So let's we So we talked about the fact that

0:24:28.520 --> 0:24:32.399
<v Speaker 1>you know, rotoscoping, either digitally or by hand, that replacing

0:24:32.520 --> 0:24:36.919
<v Speaker 1>frame by frame, these these rods, the physical things that

0:24:36.960 --> 0:24:39.720
<v Speaker 1>were in the shot, and you needed the physical rods

0:24:39.760 --> 0:24:42.119
<v Speaker 1>because you needed to be able to make contact when

0:24:42.160 --> 0:24:44.280
<v Speaker 1>you're doing lightsaber battles. Right now, that's a that's a

0:24:44.280 --> 0:24:46.879
<v Speaker 1>good point. The handles that they use in the movies

0:24:47.000 --> 0:24:50.520
<v Speaker 1>right now, are you know, plastic handles with aluminum rods,

0:24:50.520 --> 0:24:54.960
<v Speaker 1>and they're they're basically cylindrical and colored red, blue or green.

0:24:55.080 --> 0:24:58.720
<v Speaker 1>They actually had to wrap the aluminum rods in construction

0:24:58.720 --> 0:25:01.320
<v Speaker 1>paper because they were giving off too much dust when

0:25:01.320 --> 0:25:05.200
<v Speaker 1>they were colliding during the lightsaber battles. The original trilogy

0:25:05.280 --> 0:25:08.520
<v Speaker 1>used I think wooden owls. I don't think they used aluminum,

0:25:08.880 --> 0:25:11.040
<v Speaker 1>at least not in the first film. Yeah, I would

0:25:11.080 --> 0:25:13.119
<v Speaker 1>imagine that would be a little hard on your wrists too,

0:25:13.160 --> 0:25:16.119
<v Speaker 1>because they're actually, you know, having a sword fight with

0:25:16.280 --> 0:25:19.720
<v Speaker 1>aluminum rods. And yeah, now therons are are thinner than

0:25:19.760 --> 0:25:21.720
<v Speaker 1>what you see on the screen. Um, they're not as

0:25:21.800 --> 0:25:24.320
<v Speaker 1>they're not as thick as as the lightsaber blade appears

0:25:24.359 --> 0:25:26.480
<v Speaker 1>to be. But yeah, they need that so that they

0:25:26.520 --> 0:25:28.880
<v Speaker 1>can do these moves and and make it look convincing.

0:25:28.880 --> 0:25:31.520
<v Speaker 1>Otherwise you would have lightsabers passing through one another and

0:25:31.560 --> 0:25:34.720
<v Speaker 1>that would just not look right. So, um, so there

0:25:34.800 --> 0:25:37.719
<v Speaker 1>is a physical object there that you are are concealing

0:25:37.920 --> 0:25:42.400
<v Speaker 1>with the the overlay. And before we get into how

0:25:42.440 --> 0:25:44.520
<v Speaker 1>you can do this yourself, I wanted to talk a

0:25:44.560 --> 0:25:47.840
<v Speaker 1>little bit about the sound effects. They were designed by

0:25:47.880 --> 0:25:51.960
<v Speaker 1>Ben Burt, who was he's a brilliant sound designer. Um.

0:25:52.080 --> 0:25:54.320
<v Speaker 1>Sound designers are I think of them kind of like

0:25:54.400 --> 0:25:57.200
<v Speaker 1>a very specific type of engineer. Sound designers are the

0:25:57.280 --> 0:25:59.359
<v Speaker 1>kind of people who can walk into a room and

0:25:59.400 --> 0:26:03.200
<v Speaker 1>just take a second and think of a billion different

0:26:03.200 --> 0:26:05.439
<v Speaker 1>ways to use the sounds that are naturally occurring in

0:26:05.480 --> 0:26:07.600
<v Speaker 1>that room. Most of us we walk into a room,

0:26:07.760 --> 0:26:10.800
<v Speaker 1>we'll hear a noise and then within a second we

0:26:10.840 --> 0:26:13.640
<v Speaker 1>are already ignoring it. It's just been incorporated into what

0:26:13.680 --> 0:26:15.520
<v Speaker 1>we think of as the background. But if you ever

0:26:15.600 --> 0:26:18.359
<v Speaker 1>take a moment and really listen to your environment, you

0:26:18.359 --> 0:26:21.560
<v Speaker 1>start to pick things out as as they happen. Well,

0:26:21.560 --> 0:26:23.280
<v Speaker 1>he's one of those guys who can hear a noise

0:26:23.320 --> 0:26:26.560
<v Speaker 1>and immediately say, hey, uh, this would be great for

0:26:26.640 --> 0:26:29.639
<v Speaker 1>blah blah blah. And when he was tasked with finding

0:26:29.640 --> 0:26:31.480
<v Speaker 1>a noise for the lightsaber, he actually says this was

0:26:31.560 --> 0:26:34.920
<v Speaker 1>the first sound he designed for Star Wars was the

0:26:35.160 --> 0:26:36.960
<v Speaker 1>noise of the lightsaber, and he did it with a

0:26:37.000 --> 0:26:42.200
<v Speaker 1>combination of two noises. One was from an old projector.

0:26:43.040 --> 0:26:45.879
<v Speaker 1>There was an old projector that would made this humming

0:26:45.920 --> 0:26:48.359
<v Speaker 1>noise as it ran, and if you ran two of

0:26:48.359 --> 0:26:51.520
<v Speaker 1>those projectors, you've got a good little harmonizing effect with

0:26:51.640 --> 0:26:54.280
<v Speaker 1>the hum and that's so that formed the basis of

0:26:54.320 --> 0:26:58.480
<v Speaker 1>the wow when you fire up your lightsaber. Um. The

0:26:58.560 --> 0:27:01.239
<v Speaker 1>second was noise is that you would get if you

0:27:01.400 --> 0:27:05.080
<v Speaker 1>ran a microphone near a television. It would be this

0:27:05.200 --> 0:27:08.680
<v Speaker 1>buzzing noise feedback. Yes, that that gives it the kind

0:27:08.680 --> 0:27:12.159
<v Speaker 1>of little crackle sound that you also hear. That's just

0:27:12.200 --> 0:27:16.560
<v Speaker 1>sort of uh, kind of a light sound underneath the thrumb.

0:27:17.160 --> 0:27:20.240
<v Speaker 1>And then whenever someone would wave a lightsaber, well, you

0:27:20.280 --> 0:27:23.280
<v Speaker 1>have to create the wow noise. The way he did

0:27:23.320 --> 0:27:25.560
<v Speaker 1>that was he would move a microphone past a speaker

0:27:25.600 --> 0:27:29.160
<v Speaker 1>that was playing that UM. The the the humming noise,

0:27:29.920 --> 0:27:32.280
<v Speaker 1>and the Doppler effect would take care of the rest.

0:27:32.840 --> 0:27:35.600
<v Speaker 1>So you're just moving a microphone around a speaker and

0:27:35.640 --> 0:27:40.879
<v Speaker 1>then it's translates into the womb womb when you're waving

0:27:40.920 --> 0:27:45.879
<v Speaker 1>your lightsaber around. UM. Absolutely brilliant. One of the uh

0:27:45.920 --> 0:27:49.320
<v Speaker 1>you know, there's there was no going into a synthesizer

0:27:49.640 --> 0:27:51.600
<v Speaker 1>or going into a studio and trying to create this

0:27:51.600 --> 0:27:53.960
<v Speaker 1>sound from scratch. He just found a practical way of

0:27:54.000 --> 0:27:56.960
<v Speaker 1>creating it. And uh, and it's one of those things

0:27:57.000 --> 0:28:00.639
<v Speaker 1>that is forever married with the Star Wars universe. You

0:28:00.680 --> 0:28:04.280
<v Speaker 1>hear that sound, you know immediately what you're listening to. Now,

0:28:04.720 --> 0:28:09.520
<v Speaker 1>let's say you want to do this yourself, it's quite possible. Well,

0:28:09.520 --> 0:28:12.080
<v Speaker 1>you have to spend all that fuel getting to the

0:28:12.160 --> 0:28:14.520
<v Speaker 1>other star system. You know, I don't mean building a

0:28:14.520 --> 0:28:17.359
<v Speaker 1>real one, I mean like creating the effect in a video.

0:28:18.520 --> 0:28:21.560
<v Speaker 1>So you can do this yourself with the right kind

0:28:21.560 --> 0:28:23.919
<v Speaker 1>of software. And uh, there are a lot of different

0:28:24.160 --> 0:28:27.800
<v Speaker 1>video editing suites out there that have the effects that

0:28:27.840 --> 0:28:31.200
<v Speaker 1>you would need in order to create a lightsaber effect. Um,

0:28:31.280 --> 0:28:34.000
<v Speaker 1>most of them are like things like Adobe has several

0:28:34.440 --> 0:28:37.040
<v Speaker 1>There's even a tool that's called l S Maker, which

0:28:37.080 --> 0:28:40.280
<v Speaker 1>allows you to create a lightsaber effect pretty easily. In fact,

0:28:40.320 --> 0:28:42.320
<v Speaker 1>all you have to do is do two clicks and

0:28:42.360 --> 0:28:45.240
<v Speaker 1>you create the basis of a lightsaber effect for a

0:28:45.280 --> 0:28:47.720
<v Speaker 1>single frame of video, and then you can go in

0:28:47.800 --> 0:28:51.080
<v Speaker 1>and tweak the effects so that it looks exactly the

0:28:51.120 --> 0:28:53.440
<v Speaker 1>way you want it to. But again, you have to

0:28:53.440 --> 0:28:56.360
<v Speaker 1>do this frame by frame, so it's not like you

0:28:56.440 --> 0:28:59.440
<v Speaker 1>do two clicks and it magically turns something into a lightsaber.

0:28:59.480 --> 0:29:02.280
<v Speaker 1>You actually have to go through each frame and replace

0:29:02.440 --> 0:29:08.240
<v Speaker 1>the physical object with the lightsaber representation in order for

0:29:08.280 --> 0:29:11.000
<v Speaker 1>it to work properly. Yes, but YouTube is filled with

0:29:11.000 --> 0:29:14.080
<v Speaker 1>people who have done this successfully. Yes, yes, and some

0:29:14.280 --> 0:29:17.240
<v Speaker 1>not so successful, and some of them are pretty awful.

0:29:17.680 --> 0:29:20.320
<v Speaker 1>But uh, the same effect. You can use the same

0:29:20.360 --> 0:29:23.840
<v Speaker 1>sort of technology to create other effects besides the lightsaber effect.

0:29:24.040 --> 0:29:26.760
<v Speaker 1>It's just that's one of those that's pretty easy to

0:29:26.760 --> 0:29:30.280
<v Speaker 1>to apply because really you're talking about a straight line.

0:29:31.080 --> 0:29:34.360
<v Speaker 1>It's not that complicated. Um, it is time consuming though.

0:29:34.400 --> 0:29:36.760
<v Speaker 1>It can take hours and hours and hours to render

0:29:37.320 --> 0:29:41.440
<v Speaker 1>a video that would only last maybe thirty seconds, especially

0:29:41.480 --> 0:29:44.000
<v Speaker 1>if you have multiple blades on there. That can because

0:29:44.320 --> 0:29:47.600
<v Speaker 1>each blade is going to require a different layer in

0:29:47.680 --> 0:29:50.880
<v Speaker 1>your video, you know, So you're gonna if you have

0:29:51.080 --> 0:29:54.160
<v Speaker 1>like six Jedi out there and they all have lightsabers

0:29:54.400 --> 0:29:56.640
<v Speaker 1>at six layers of video right there in order for

0:29:56.680 --> 0:30:00.200
<v Speaker 1>you to have all the effects come together properly. Then

0:30:00.200 --> 0:30:02.120
<v Speaker 1>if you know, they clashed and you have to add

0:30:02.160 --> 0:30:04.720
<v Speaker 1>the sparks and there's and you have to and it's

0:30:04.760 --> 0:30:07.560
<v Speaker 1>it can be challenging. I mean it's it's not it's

0:30:07.560 --> 0:30:09.680
<v Speaker 1>not something that you're gonna be able to whip out

0:30:09.720 --> 0:30:11.960
<v Speaker 1>in an hour. It's gonna take a while, but it's

0:30:12.120 --> 0:30:18.800
<v Speaker 1>it's doable, all right. I hope you enjoyed that episode.

0:30:18.920 --> 0:30:21.600
<v Speaker 1>I had a great time with Chris recording that one.

0:30:21.920 --> 0:30:23.920
<v Speaker 1>So the update I promise. Well, first of all, it's

0:30:23.960 --> 0:30:27.520
<v Speaker 1>not about your broadsword lightsaber that was seen in the trailer.

0:30:27.560 --> 0:30:32.160
<v Speaker 1>Although my favorite theory so far is that the lightsaber

0:30:32.680 --> 0:30:35.120
<v Speaker 1>is so overpowered and jankie and it was made by

0:30:35.160 --> 0:30:38.440
<v Speaker 1>someone who was not actually trained as a Jedi, that

0:30:38.600 --> 0:30:42.000
<v Speaker 1>the the cross hilt is not truly a cross hilt. Instead,

0:30:42.040 --> 0:30:45.200
<v Speaker 1>it's vents that are venting off extra energy so that

0:30:45.240 --> 0:30:49.320
<v Speaker 1>the lightsaber doesn't explode. It's awesome fan made theory that

0:30:49.440 --> 0:30:52.360
<v Speaker 1>probably has no basis in reality, but it's also pretty cool.

0:30:52.680 --> 0:30:55.560
<v Speaker 1>I wanted to talk about a an actual experiment that

0:30:55.600 --> 0:30:58.760
<v Speaker 1>was done back in two thousand thirteen that showed how

0:30:58.880 --> 0:31:02.480
<v Speaker 1>light can somehow behave kind of like it does with lightsaber.

0:31:02.960 --> 0:31:06.640
<v Speaker 1>So if you know your you know your your light physics,

0:31:06.680 --> 0:31:09.320
<v Speaker 1>you know that photons don't normally interact with one another.

0:31:09.560 --> 0:31:12.240
<v Speaker 1>That's why you can turn on two flashlights and pass

0:31:12.320 --> 0:31:15.480
<v Speaker 1>the beams against and through each other and there's no interaction.

0:31:15.520 --> 0:31:18.640
<v Speaker 1>There's no interference. They just passed right on through. Photons

0:31:18.720 --> 0:31:23.280
<v Speaker 1>normally don't mess with other photons. However, the some scientists

0:31:23.280 --> 0:31:26.960
<v Speaker 1>at the Harvard m I T Center for Ultra called Atoms,

0:31:27.080 --> 0:31:29.680
<v Speaker 1>which is the best name ever, discovered that if they

0:31:29.960 --> 0:31:34.120
<v Speaker 1>super cooled rubidium atoms a gas cloud of rubidium atoms

0:31:34.120 --> 0:31:36.479
<v Speaker 1>too too as cold as they could possibly get it,

0:31:36.960 --> 0:31:40.320
<v Speaker 1>and then they passed a couple of photons through that

0:31:40.400 --> 0:31:43.920
<v Speaker 1>gas cloud, they would start to push and pull on

0:31:43.960 --> 0:31:47.200
<v Speaker 1>each other as if they were like lightsabers. They could

0:31:47.200 --> 0:31:51.960
<v Speaker 1>actually physically have this push pull relationship. Now, it all

0:31:52.000 --> 0:31:55.080
<v Speaker 1>has to do with a pretty weird concept called the

0:31:55.160 --> 0:31:59.960
<v Speaker 1>Rideberg blockade, which it states that if you excite an atom,

0:32:00.080 --> 0:32:03.160
<v Speaker 1>then you cannot excite nearby atoms to that same degree.

0:32:03.640 --> 0:32:07.040
<v Speaker 1>Is impossible to do that. So when a photon enters

0:32:07.080 --> 0:32:10.760
<v Speaker 1>this super cool cloud of rubidium, it excites one of

0:32:10.800 --> 0:32:14.040
<v Speaker 1>those atoms, and the other atoms around it can't be

0:32:14.080 --> 0:32:16.200
<v Speaker 1>excited more. And that's where you start getting this kind

0:32:16.200 --> 0:32:20.160
<v Speaker 1>of shoving behavior between the photons that the various press

0:32:20.200 --> 0:32:22.320
<v Speaker 1>releases talked about it being kind of like the way

0:32:22.360 --> 0:32:26.040
<v Speaker 1>atoms are arranged in a molecule. The photons actually clumped together,

0:32:26.720 --> 0:32:30.360
<v Speaker 1>so that's pretty awesome. Doesn't mean you can have a lightsaber. No,

0:32:31.640 --> 0:32:34.440
<v Speaker 1>it's not gonna be helpful for a lightsaber, but it

0:32:34.600 --> 0:32:38.280
<v Speaker 1>may end up one day helping us create quantum computers

0:32:38.320 --> 0:32:43.920
<v Speaker 1>that use the interactions between photons to help do these computations. Normally, again,

0:32:43.960 --> 0:32:46.719
<v Speaker 1>we can't do that, or it might even lead us

0:32:46.720 --> 0:32:49.960
<v Speaker 1>to being able to create three dimensional objects physical three

0:32:49.960 --> 0:32:54.240
<v Speaker 1>dimensional objects with light sometime in the future. How that works?

0:32:54.800 --> 0:32:57.720
<v Speaker 1>You got me this point. The physics are way over

0:32:57.760 --> 0:32:59.320
<v Speaker 1>my head, but I thought it would be pretty cool

0:32:59.360 --> 0:33:02.520
<v Speaker 1>to talk about anyway. Let me know if you enjoyed

0:33:02.520 --> 0:33:05.440
<v Speaker 1>this look back. Maybe one day we'll do another episode

0:33:05.440 --> 0:33:09.120
<v Speaker 1>about lightsabers where we look into it again, especially given

0:33:09.160 --> 0:33:12.080
<v Speaker 1>the new movies coming out. If you have any suggestions

0:33:12.080 --> 0:33:14.320
<v Speaker 1>for future episodes of tech Stuff, let me know. Send

0:33:14.360 --> 0:33:17.120
<v Speaker 1>me an email. The addresses tech stuff at how stuff

0:33:17.120 --> 0:33:19.840
<v Speaker 1>works dot com, or drop me a line on Facebook,

0:33:19.880 --> 0:33:22.080
<v Speaker 1>Twitter or Tumbler. The handle it all three is tech

0:33:22.120 --> 0:33:24.400
<v Speaker 1>Stuff h s W and I'll talk to you again

0:33:24.800 --> 0:33:31.120
<v Speaker 1>really soon for more on this and basons of other topics.

0:33:31.240 --> 0:33:42.400
<v Speaker 1>Does it have stuff works dot Com