1 00:00:00,120 --> 00:00:02,160 Speaker 1: The Mercedes Bands interview lounge. 2 00:00:02,880 --> 00:00:05,840 Speaker 2: So it's a busy day. Nile Horn is out celebrating 3 00:00:05,880 --> 00:00:10,400 Speaker 2: the release of his album The Show. It's out now. Yeah, 4 00:00:10,440 --> 00:00:11,480 Speaker 2: he's in the bathroom. 5 00:00:12,560 --> 00:00:14,160 Speaker 3: Make sure you flush, Nile. 6 00:00:14,360 --> 00:00:15,560 Speaker 2: Make sure you wash your hands. 7 00:00:15,600 --> 00:00:15,760 Speaker 4: Now. 8 00:00:16,520 --> 00:00:18,239 Speaker 2: You know he's gonna have a busy, busy day. And 9 00:00:18,320 --> 00:00:20,080 Speaker 2: usually we bring the artist and we talked to him 10 00:00:20,079 --> 00:00:22,360 Speaker 2: for a second. Just get ready for the No, not 11 00:00:22,480 --> 00:00:25,479 Speaker 2: with Nile. He's a member of the family. He should 12 00:00:25,480 --> 00:00:28,760 Speaker 2: be walking through the door any minute. Now comes and 13 00:00:28,760 --> 00:00:30,960 Speaker 2: then Nile Horn w washed through the door. 14 00:00:33,240 --> 00:00:33,640 Speaker 1: I hope you. 15 00:00:34,159 --> 00:00:35,720 Speaker 2: I hope you washed your hands after you were done. 16 00:00:35,760 --> 00:00:41,400 Speaker 2: In the bathroom. He's rubbing. He's rubbing my bag. Oh 17 00:00:41,479 --> 00:00:45,440 Speaker 2: my lord, he smells smell awesome. 18 00:00:45,520 --> 00:00:47,120 Speaker 1: Ding. Now what's going on? 19 00:00:47,680 --> 00:00:51,760 Speaker 2: Well, we went to Mayorca. You never showed up. We 20 00:00:51,800 --> 00:00:53,760 Speaker 2: waited and waited and like he'll be here any minute. 21 00:00:54,280 --> 00:00:56,160 Speaker 4: You know what I was when I was turning up 22 00:00:56,200 --> 00:00:58,080 Speaker 4: here or like they're anxiously waiting for you. 23 00:00:58,160 --> 00:01:01,840 Speaker 1: And I was like, is that angrily or anxious? No, 24 00:01:02,040 --> 00:01:03,520 Speaker 1: I was like, Elvis is still here. 25 00:01:03,920 --> 00:01:06,880 Speaker 2: Well, this is the day, the show, the album we've 26 00:01:06,920 --> 00:01:09,720 Speaker 2: been waiting for. Finally I'm going to play my favorite 27 00:01:09,760 --> 00:01:11,759 Speaker 2: cut from the album in a second, okay, which has 28 00:01:11,800 --> 00:01:14,000 Speaker 2: to do with mental health and has to do with 29 00:01:14,040 --> 00:01:16,040 Speaker 2: all sorts of things. It sounds so good. Anyway, enough 30 00:01:16,080 --> 00:01:19,520 Speaker 2: of the album, album album, Yeah, what about it? You 31 00:01:19,640 --> 00:01:20,600 Speaker 2: just came by to say. 32 00:01:20,480 --> 00:01:24,000 Speaker 1: Hi, I do so it hasn't been that long, No, I. 33 00:01:24,000 --> 00:01:26,319 Speaker 2: Know, I know. That's the thing. It's like when Nile 34 00:01:26,319 --> 00:01:27,520 Speaker 2: comes to visit, it's like, oh, you'll be here in 35 00:01:27,520 --> 00:01:30,840 Speaker 2: a minute. But album days got to be a big 36 00:01:30,920 --> 00:01:33,360 Speaker 2: day for you. Tell me about what the day feels 37 00:01:33,440 --> 00:01:33,840 Speaker 2: like for you. 38 00:01:34,040 --> 00:01:34,640 Speaker 1: Yeah, it's huge. 39 00:01:34,640 --> 00:01:36,399 Speaker 4: You're like, I started writing this album in the middle 40 00:01:36,400 --> 00:01:39,960 Speaker 4: of the pandemic and it's finally here. June ninth, twenty 41 00:01:40,000 --> 00:01:43,440 Speaker 4: twenty three. Yeah, it's it's been a while in the making, 42 00:01:43,480 --> 00:01:45,000 Speaker 4: but like it's so good to just have it out. 43 00:01:45,040 --> 00:01:47,000 Speaker 4: I've had it, like I handed it in at the 44 00:01:47,080 --> 00:01:49,520 Speaker 4: end of last year, the label takeover to make the plan, 45 00:01:50,000 --> 00:01:51,840 Speaker 4: and then it's just kind of a waiting game for 46 00:01:51,920 --> 00:01:54,920 Speaker 4: me doing the rounds, doing the interviews, and I'm just 47 00:01:55,200 --> 00:01:56,880 Speaker 4: excited for everyone to just hear it. 48 00:01:57,040 --> 00:01:58,440 Speaker 2: You know, when you come up with a new album 49 00:01:58,560 --> 00:02:01,960 Speaker 2: which was written in pretty it seems like decades ago. 50 00:02:02,000 --> 00:02:04,160 Speaker 2: At this point that was a different part of your life. 51 00:02:04,360 --> 00:02:07,360 Speaker 2: You weren't nil Horn then as you are now Horn now. 52 00:02:07,640 --> 00:02:09,440 Speaker 2: I mean, is there anything on the album you're like, oh, 53 00:02:09,600 --> 00:02:12,120 Speaker 2: okay that Yeah, no longer do I feel that way 54 00:02:12,160 --> 00:02:12,520 Speaker 2: about that? 55 00:02:13,160 --> 00:02:13,680 Speaker 1: Yeah? 56 00:02:14,040 --> 00:02:17,680 Speaker 4: Sometimes in ways, But the concept of it is quite 57 00:02:17,720 --> 00:02:19,880 Speaker 4: like big picture stuff. It's like it's things that I 58 00:02:19,919 --> 00:02:21,919 Speaker 4: will feel the same about for a little bit. There 59 00:02:21,919 --> 00:02:24,480 Speaker 4: are some songs in it you're like, yeah, I felt 60 00:02:24,480 --> 00:02:26,360 Speaker 4: about it at the time. I don't feel about like 61 00:02:26,639 --> 00:02:29,320 Speaker 4: as strongly now. But that's just the way this happens 62 00:02:29,320 --> 00:02:29,720 Speaker 4: every time. 63 00:02:29,960 --> 00:02:31,800 Speaker 2: You know, when you listen to the show, you're gonna 64 00:02:31,800 --> 00:02:34,080 Speaker 2: hear something I happen to love. And if you don't 65 00:02:34,280 --> 00:02:36,640 Speaker 2: like pick music apart like we do because we've been 66 00:02:36,680 --> 00:02:39,440 Speaker 2: around for a while, you may not notice it. There's 67 00:02:39,440 --> 00:02:41,480 Speaker 2: a lot of strings, there's a lot of piano, there's 68 00:02:41,480 --> 00:02:45,240 Speaker 2: a lot of there's a lot of production pieces that 69 00:02:45,280 --> 00:02:47,320 Speaker 2: are in the production of this album you don't get 70 00:02:47,360 --> 00:02:49,840 Speaker 2: on other people's albums. I mean, it's a very maybe 71 00:02:49,880 --> 00:02:53,680 Speaker 2: use the word lush. It's a lush sounding full expensive. 72 00:02:55,240 --> 00:02:57,920 Speaker 2: It that sounds pretty expensive. Now, is there like one 73 00:02:58,000 --> 00:03:01,080 Speaker 2: real orchestra in this entire album, or is that all synthetic. 74 00:03:01,520 --> 00:03:03,160 Speaker 1: No, no, I make sure that we do it real. 75 00:03:03,320 --> 00:03:04,200 Speaker 1: We do the real deal. 76 00:03:04,160 --> 00:03:05,720 Speaker 2: Really, people with like violins and stuff. 77 00:03:05,760 --> 00:03:08,800 Speaker 4: Oh yeah, really full quartets and stuff like that. You 78 00:03:08,800 --> 00:03:11,200 Speaker 4: can beef up afterwards. But yeah, we've try and do 79 00:03:11,240 --> 00:03:12,720 Speaker 4: everything as live as I possibly can. 80 00:03:12,960 --> 00:03:14,560 Speaker 2: Now, would you ever be in front of a live 81 00:03:14,639 --> 00:03:16,079 Speaker 2: orchestra and just do it a couple of takes and 82 00:03:16,120 --> 00:03:17,639 Speaker 2: it's done? Or did you do the tracking? 83 00:03:17,720 --> 00:03:19,320 Speaker 1: Oh we have to track it that way. 84 00:03:19,400 --> 00:03:22,400 Speaker 2: Yeah, yeah, that's not how Frank Sinatra did in the 85 00:03:22,440 --> 00:03:26,240 Speaker 2: Capitol Building. They're doing the Capitol Building up right now. 86 00:03:27,600 --> 00:03:30,520 Speaker 2: I never got access. Yeah, Frank Sinatra wo to walk 87 00:03:30,520 --> 00:03:32,839 Speaker 2: in light a cigarette. The orchestra would play. He would 88 00:03:32,880 --> 00:03:34,680 Speaker 2: sing a song and go to lunch. Yeah that was 89 00:03:34,880 --> 00:03:35,560 Speaker 2: you never drinking. 90 00:03:35,600 --> 00:03:37,680 Speaker 1: Wh it'd been the pup around the corner before we 91 00:03:37,760 --> 00:03:38,720 Speaker 1: do it. There you go. 92 00:03:38,960 --> 00:03:41,720 Speaker 2: But congratulations on album day. I mean it must be 93 00:03:41,800 --> 00:03:43,400 Speaker 2: like Christmas morning in a way I don't know, y, 94 00:03:43,480 --> 00:03:43,920 Speaker 2: yeah it is. 95 00:03:43,960 --> 00:03:47,000 Speaker 4: No, it's it's so exciting, like when you spend so long, 96 00:03:47,200 --> 00:03:49,400 Speaker 4: like how it started like as a voice note or 97 00:03:49,480 --> 00:03:52,720 Speaker 4: me singing in the guitar riff into my phone and 98 00:03:52,760 --> 00:03:54,600 Speaker 4: then all of a sudden people will be singing back 99 00:03:54,600 --> 00:03:57,240 Speaker 4: to me at gigs and like that thing that has 100 00:03:57,280 --> 00:03:59,880 Speaker 4: never like gotten old, that will never get old, that 101 00:04:00,080 --> 00:04:01,360 Speaker 4: gets old, you won't see me. 102 00:04:01,440 --> 00:04:02,400 Speaker 2: Yeah, okay, now. 103 00:04:02,320 --> 00:04:04,480 Speaker 3: And you started working on the next album because you 104 00:04:04,520 --> 00:04:05,720 Speaker 3: said you handed this one. 105 00:04:05,520 --> 00:04:06,360 Speaker 2: In like a year ago. 106 00:04:06,640 --> 00:04:08,640 Speaker 3: So does that mean you've been working on something else already. 107 00:04:08,720 --> 00:04:10,800 Speaker 4: No, I'll definitely have like I'm always writing stuff down, 108 00:04:10,880 --> 00:04:14,080 Speaker 4: like ideas, but with the promotional side of things, I 109 00:04:14,080 --> 00:04:15,720 Speaker 4: don't really get time to like go back into the 110 00:04:15,720 --> 00:04:17,640 Speaker 4: studio and like sit and do stuff. 111 00:04:17,760 --> 00:04:19,440 Speaker 3: When you start writing, do you make notes on your 112 00:04:19,480 --> 00:04:21,240 Speaker 3: phone or do you actually pen to paper write it down. 113 00:04:21,520 --> 00:04:22,960 Speaker 4: I used to do a lot of pen to paper, 114 00:04:23,600 --> 00:04:25,159 Speaker 4: but then that just you just end up with like 115 00:04:25,240 --> 00:04:27,480 Speaker 4: stacks of like leather bound books. 116 00:04:27,520 --> 00:04:28,680 Speaker 3: But you can sell old. 117 00:04:29,760 --> 00:04:33,240 Speaker 4: Yeah, al right, great big side hustle. Yeah, I'll cut 118 00:04:33,279 --> 00:04:34,240 Speaker 4: you in. Thank you. 119 00:04:34,360 --> 00:04:35,640 Speaker 2: So you organize it in your phone? 120 00:04:35,839 --> 00:04:37,680 Speaker 1: Yeah, yeah, it's it's all in there. 121 00:04:37,800 --> 00:04:40,440 Speaker 4: They've got like I think I've got like thirteen hundred 122 00:04:40,720 --> 00:04:43,839 Speaker 4: voice notes, oh my god, and like just layers of 123 00:04:43,839 --> 00:04:44,479 Speaker 4: notes and stuff. 124 00:04:44,560 --> 00:04:46,000 Speaker 2: Is it all like award winning stuff or some of 125 00:04:46,040 --> 00:04:47,000 Speaker 2: it just a bunch of crap? 126 00:04:48,320 --> 00:04:52,360 Speaker 1: Seventy ninety percent of it absolutely future. 127 00:04:52,680 --> 00:04:56,200 Speaker 2: No, no, it's crapert It's called the process. 128 00:04:56,279 --> 00:04:57,599 Speaker 1: Yeah, yeah, that's what they call it. 129 00:04:57,800 --> 00:05:00,240 Speaker 2: So when when you sit down to actually write with 130 00:05:00,400 --> 00:05:02,680 Speaker 2: an instrument, is it a guitar, is it a piano? 131 00:05:02,800 --> 00:05:04,360 Speaker 2: Is it you playing? Is it someone else? 132 00:05:04,440 --> 00:05:06,000 Speaker 1: A lot of it on this album was piano. 133 00:05:06,040 --> 00:05:09,599 Speaker 4: Actually, when when I started writing the record, it was 134 00:05:09,760 --> 00:05:11,040 Speaker 4: right at the start of lockdown. 135 00:05:11,120 --> 00:05:13,760 Speaker 1: And you know, remember Lewis and I were meant to tour. 136 00:05:14,600 --> 00:05:16,520 Speaker 2: He's so calling by the way, asking for you. I 137 00:05:16,560 --> 00:05:18,760 Speaker 2: don't know what to tell him her. He rang me yesterday. 138 00:05:18,760 --> 00:05:19,359 Speaker 2: I didn't answer. 139 00:05:20,680 --> 00:05:22,919 Speaker 4: But on all of my stuff was like all my 140 00:05:22,920 --> 00:05:24,880 Speaker 4: guitars and stuff were all locked away because they were 141 00:05:24,880 --> 00:05:27,200 Speaker 4: getting ready to go on tour. That never happened. So 142 00:05:27,240 --> 00:05:28,680 Speaker 4: it was a lot of piano in the house on 143 00:05:28,720 --> 00:05:29,200 Speaker 4: this record. 144 00:05:29,480 --> 00:05:30,799 Speaker 2: What other interestments do you play? 145 00:05:31,360 --> 00:05:35,080 Speaker 4: You can play drums, right, play guitar, play piano, play 146 00:05:35,120 --> 00:05:35,960 Speaker 4: bass if needed. 147 00:05:36,279 --> 00:05:38,080 Speaker 3: Wait, did you take lessons yourself taught? 148 00:05:38,480 --> 00:05:40,159 Speaker 1: I've never had a lesson of music. Lesson I would have. 149 00:05:40,480 --> 00:05:41,120 Speaker 2: You never do it. 150 00:05:41,480 --> 00:05:41,680 Speaker 1: Never. 151 00:05:41,720 --> 00:05:44,279 Speaker 2: They say, if you learn my ear, if you actually 152 00:05:44,800 --> 00:05:47,120 Speaker 2: are taught by a professional. 153 00:05:46,960 --> 00:05:54,000 Speaker 4: Someone said yes, yes, wad on Let. 154 00:05:53,880 --> 00:05:57,640 Speaker 2: Me read that. Hold on, let me read this. Someone 155 00:05:57,640 --> 00:05:59,400 Speaker 2: handed him my note. This his button your shirt. 156 00:05:59,800 --> 00:06:05,760 Speaker 1: But another one wrote that summer bodies are made in summer. 157 00:06:08,440 --> 00:06:11,719 Speaker 2: Zip up your pants, buddy, people watching you on camera. 158 00:06:12,120 --> 00:06:14,680 Speaker 2: So this is why we shouldn't have this thing on 159 00:06:14,720 --> 00:06:18,719 Speaker 2: it here because Niles tummy, what were we talking about? 160 00:06:18,760 --> 00:06:24,479 Speaker 2: Something of grave importance? I'm sure anyway changed, It's very visual. 161 00:06:24,839 --> 00:06:25,960 Speaker 2: It's still stuck in the past. 162 00:06:26,680 --> 00:06:29,359 Speaker 3: You're going back to the boys, right, Yes. Out of 163 00:06:29,400 --> 00:06:31,800 Speaker 3: all the other judges that you work with, do you 164 00:06:31,880 --> 00:06:34,240 Speaker 3: have a favorite that you get on with the best? 165 00:06:34,560 --> 00:06:37,800 Speaker 4: A tough one. I got on very well with everyone. 166 00:06:38,080 --> 00:06:43,000 Speaker 4: Probably Blake. Yeah, Blake and I are weirdly similar as people. 167 00:06:44,960 --> 00:06:48,000 Speaker 4: I don't know. It's freaking me out to now. We 168 00:06:48,440 --> 00:06:50,320 Speaker 4: had such a laugh. I am looking forward. I met 169 00:06:50,320 --> 00:06:52,320 Speaker 4: Gwen for the first time. Gwen's going to do the 170 00:06:52,320 --> 00:06:54,520 Speaker 4: next season with us, and I met her. She was 171 00:06:54,600 --> 00:06:58,040 Speaker 4: surprised Blake at the afterpart for the last season, and 172 00:06:58,080 --> 00:06:58,880 Speaker 4: she was really fun. 173 00:06:59,120 --> 00:07:00,880 Speaker 3: There is cute together as we think. 174 00:07:01,040 --> 00:07:03,680 Speaker 1: Yeah, yeah, they're madly, madly in love, madly love. 175 00:07:03,760 --> 00:07:05,919 Speaker 2: It just makes me sick to see happiness at that 176 00:07:06,040 --> 00:07:09,320 Speaker 2: rate in Hollywood as well. Exactly they're supposed to happen. 177 00:07:09,760 --> 00:07:11,520 Speaker 2: But you know what, what I see you doing, I 178 00:07:11,560 --> 00:07:13,160 Speaker 2: don't know how it makes you feel, but when I 179 00:07:13,200 --> 00:07:15,360 Speaker 2: when I see you guys doing as judges, when you 180 00:07:15,400 --> 00:07:17,520 Speaker 2: have raw talent up there doing their thing, and you 181 00:07:17,640 --> 00:07:20,280 Speaker 2: really actively want to help them find what they have 182 00:07:20,360 --> 00:07:24,000 Speaker 2: inside to bring out, and that's your thing. You you 183 00:07:24,080 --> 00:07:26,160 Speaker 2: started out in this business with people doing that with you, 184 00:07:26,200 --> 00:07:29,920 Speaker 2: I assume, and now the roles have changed. How do 185 00:07:29,960 --> 00:07:32,800 Speaker 2: you feel about a life of coaching and a life 186 00:07:32,840 --> 00:07:35,240 Speaker 2: of helping people find their voice? 187 00:07:36,280 --> 00:07:37,280 Speaker 1: It's it's really cool. 188 00:07:37,720 --> 00:07:40,160 Speaker 4: I didn't realize how much like my past and coming 189 00:07:40,160 --> 00:07:42,440 Speaker 4: from a show like that would play into me being 190 00:07:42,440 --> 00:07:44,640 Speaker 4: on this one. Like I didn't go in as blind 191 00:07:44,720 --> 00:07:46,520 Speaker 4: as I thought I was going in just because I'd 192 00:07:46,520 --> 00:07:48,600 Speaker 4: come from a show like that. I know what it's 193 00:07:48,600 --> 00:07:50,840 Speaker 4: like to have been mentored like we had. We had Simon, 194 00:07:50,920 --> 00:07:53,520 Speaker 4: and you know, I'm I'm there Simon. 195 00:07:53,680 --> 00:07:58,960 Speaker 2: Right, But he was you know what people thought in 196 00:07:59,000 --> 00:08:01,280 Speaker 2: the early days of Idol, right, people thought Simon was 197 00:08:01,320 --> 00:08:06,600 Speaker 2: just being a jackass. He was giving great sound advice people. 198 00:08:06,960 --> 00:08:09,360 Speaker 3: He's mellowed since he had a child, ye know, but 199 00:08:09,400 --> 00:08:10,080 Speaker 3: I want the old. 200 00:08:09,960 --> 00:08:13,000 Speaker 2: Simmon back all right before before we play a meltdown 201 00:08:13,000 --> 00:08:15,200 Speaker 2: and talk about the importance of this particular song that's 202 00:08:15,200 --> 00:08:17,840 Speaker 2: on the album the show, which is up today. Uh, 203 00:08:17,960 --> 00:08:20,120 Speaker 2: the last time you two times you were with us. 204 00:08:20,640 --> 00:08:23,480 Speaker 2: The first time it was our Saint Patrick's Day event 205 00:08:23,520 --> 00:08:25,840 Speaker 2: was canceled that we're supposed to have with you, and 206 00:08:25,880 --> 00:08:28,120 Speaker 2: now here twenty twenty three, we're supposed to go to 207 00:08:28,160 --> 00:08:30,960 Speaker 2: my Yorka with you. That was canceled today. 208 00:08:31,680 --> 00:08:34,319 Speaker 1: Letdown going. 209 00:08:34,960 --> 00:08:38,839 Speaker 2: We gotta we got to cancel something big, something major. 210 00:08:38,880 --> 00:08:43,880 Speaker 2: What can we totally f up now? With Nile's coming, 211 00:08:46,200 --> 00:08:54,080 Speaker 2: We're going to cancel your entire album. I know so. Uh, 212 00:08:54,679 --> 00:08:57,760 Speaker 2: Meltdown of course. Meltdown of course featured on the show. 213 00:08:57,960 --> 00:09:00,640 Speaker 2: I'm gonna play it for everyone. This song has some 214 00:09:00,679 --> 00:09:02,760 Speaker 2: great significance behind it. Do you want to take Over? 215 00:09:03,120 --> 00:09:06,319 Speaker 4: I wrote this song kind of at the back end 216 00:09:06,320 --> 00:09:08,520 Speaker 4: of the album. I always kind of write written songs 217 00:09:08,559 --> 00:09:11,560 Speaker 4: about the anxious kind of freaking out feeling that you 218 00:09:11,640 --> 00:09:14,640 Speaker 4: go through. And when you're feeling anxious and you're having 219 00:09:14,640 --> 00:09:18,280 Speaker 4: a bit of a moment, it's very it's very hard 220 00:09:18,320 --> 00:09:21,080 Speaker 4: to like get yourself down off it, and when someone 221 00:09:21,120 --> 00:09:23,480 Speaker 4: else is going through it's very easy to be like, hey, 222 00:09:24,160 --> 00:09:27,440 Speaker 4: it's okay, relax. You know, it's very easy to do that, 223 00:09:27,480 --> 00:09:28,959 Speaker 4: and it's also very hard to be on the other 224 00:09:29,000 --> 00:09:29,439 Speaker 4: side of it. 225 00:09:29,600 --> 00:09:31,000 Speaker 1: So I also I wanted to write a. 226 00:09:30,920 --> 00:09:33,040 Speaker 4: Song about that, and I also wanted to write a 227 00:09:33,040 --> 00:09:37,720 Speaker 4: song about anxiety that was fast, because usually these types 228 00:09:37,720 --> 00:09:38,960 Speaker 4: of songs are like ballad. 229 00:09:39,240 --> 00:09:40,640 Speaker 1: They're like ballad lead and. 230 00:09:40,600 --> 00:09:43,040 Speaker 4: It's just like someone and a piano talking about their feelings, 231 00:09:43,600 --> 00:09:46,360 Speaker 4: Whereas when you're going through that, your heart is actually 232 00:09:46,400 --> 00:09:48,920 Speaker 4: doing fast things and your brain is moving out one 233 00:09:48,960 --> 00:09:51,280 Speaker 4: hundred miles an hour. So I was like, let's replicate 234 00:09:51,320 --> 00:09:54,080 Speaker 4: that in the speed of the song, and let's make 235 00:09:54,120 --> 00:09:55,800 Speaker 4: it like something that people can dance along to. And 236 00:09:55,840 --> 00:09:59,560 Speaker 4: then go, oh, and song's actually about feeling anxious and 237 00:09:59,679 --> 00:10:01,400 Speaker 4: feeling like you're gonna freak out. 238 00:10:02,040 --> 00:10:06,920 Speaker 2: Interesting take deep man, Yes, yeah it is. It is. 239 00:10:07,640 --> 00:10:09,120 Speaker 2: I love how you thought. I love how you thought 240 00:10:09,200 --> 00:10:11,320 Speaker 2: that through and we're about to hear it in its 241 00:10:11,400 --> 00:10:12,319 Speaker 2: existence right now. 242 00:10:12,360 --> 00:10:14,839 Speaker 3: And this is perfect timing because June is also Men's 243 00:10:14,880 --> 00:10:16,760 Speaker 3: Mental Health Awareness months, so good timing. 244 00:10:16,840 --> 00:10:19,360 Speaker 4: Yeah, I didn't realize that book. It all makes more 245 00:10:19,400 --> 00:10:21,320 Speaker 4: sense now. I'm glad that I can write stuff like 246 00:10:21,360 --> 00:10:25,760 Speaker 4: this and help some people absolutely, especially men who don't. 247 00:10:25,559 --> 00:10:27,280 Speaker 1: Like to talk about their feelings. So seriously though that 248 00:10:27,480 --> 00:10:29,200 Speaker 1: we're getting there. Though, we're getting there. We're getting Nill. 249 00:10:29,200 --> 00:10:31,920 Speaker 2: Thank you for coming in today. Congratulations on the show. 250 00:10:32,120 --> 00:10:34,319 Speaker 2: I want everyone to have it in their phone by 251 00:10:34,320 --> 00:10:37,600 Speaker 2: the end of this hour. Please, thank you. And this 252 00:10:37,640 --> 00:10:43,400 Speaker 2: is Nile and Meltdown. Oh Nil, Nile, Nile, No no, no, no, 253 00:10:43,720 --> 00:10:46,120 Speaker 2: you've done it again. That's the show. The album is 254 00:10:46,120 --> 00:10:48,240 Speaker 2: out right now. We love you, Nile. Can't wait to 255 00:10:48,400 --> 00:10:51,920 Speaker 2: come back. Yeah, we love him. By the way, Gandhy 256 00:10:51,960 --> 00:10:57,400 Speaker 2: and Scary are double teeming at the Woodbridge Brewing Company 257 00:10:57,840 --> 00:11:00,120 Speaker 2: and this is tomorrow night from nine to eleven. They'll 258 00:11:00,120 --> 00:11:02,480 Speaker 2: be out on the patio that's in Woodbridge, New Jersey. 259 00:11:02,880 --> 00:11:06,040 Speaker 2: Danielle in case you need to set your ways to 260 00:11:06,080 --> 00:11:08,800 Speaker 2: direct you to Woodbridge Brewing Company tomorrow night from nine 261 00:11:08,840 --> 00:11:10,760 Speaker 2: till eleven on the patio Gandhi and Scary did you 262 00:11:10,760 --> 00:11:12,000 Speaker 2: know about that? I did know about it. 263 00:11:12,040 --> 00:11:12,640 Speaker 3: I'm gonna be there. 264 00:11:12,640 --> 00:11:14,840 Speaker 2: It's good time. Just making sure it's scary putting your 265 00:11:14,880 --> 00:11:17,600 Speaker 2: name on there. Some people will show up to see you. Yeah, 266 00:11:17,640 --> 00:11:19,080 Speaker 2: all right, so we'll see you there. 267 00:11:19,880 --> 00:11:22,480 Speaker 3: This part of today's show, we listen with Elvis Durant 268 00:11:22,520 --> 00:11:26,080 Speaker 3: on demand. The entire show uploaded every day only on 269 00:11:26,160 --> 00:11:27,280 Speaker 3: the iHeartRadio app. 270 00:11:28,400 --> 00:11:29,240 Speaker 2: In the morning show