WEBVTT - Kyle Franz - Part 1

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<v Speaker 1>All right, we are back for another edition of the

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<v Speaker 1>Friday Egg Podcast. Today I hosted Kyle Franz on the podcast,

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<v Speaker 1>and due to Kyle's graciousness with his time, we actually

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<v Speaker 1>are going to split this into two parts to make

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<v Speaker 1>it a little bit easier to digest. Thanks for listening.

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<v Speaker 1>As always, if you like the podcast, please rate us

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<v Speaker 1>and write us a review in the iTunes store or stitcher.

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<v Speaker 1>And also, if you haven't yet signed up for the

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<v Speaker 1>newsletter that goes out every Monday Wednesday Friday. We write

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<v Speaker 1>a lot about golf course architecture in it, especially on Fridays.

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<v Speaker 1>We did this new deep dive portion, so if you

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<v Speaker 1>haven't signed up for the newsletter, please sign up, and

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<v Speaker 1>without further ado, here is Kyle Franz.

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<v Speaker 2>I miss a green, for example, I'm already upset.

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<v Speaker 3>When I find my ball in the bunker, I'm really upset.

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<v Speaker 3>And when I find my ball.

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<v Speaker 1>In a Frida Egg, Friday Egg, the dreaded Friday Friday,

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<v Speaker 1>Frida Egg Egg, fridagg Bride Egg, I'm about ready to

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<v Speaker 1>run off the golf course. Ladies and gentlemen, welcome back

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<v Speaker 1>to another edition of the Friday Podcast. Today we are

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<v Speaker 1>talking with Kyle Franz, a up and coming golf course architect.

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<v Speaker 1>Kyle's most famous work has been his restoration of Midpines

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<v Speaker 1>down in the Pinehurst area, and he's also worked with

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<v Speaker 1>many of the top architects and is currently consulting on

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<v Speaker 1>restorations of many top Golden Age golf courses, including Seth Rayner,

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<v Speaker 1>a couple of ross courses, and a few styles Van

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<v Speaker 1>Cleek courses up in the Northeast. Kyle, welcome on.

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<v Speaker 2>Thank you very much, Andy, excited to be on. Can't

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<v Speaker 2>thank you enough for for inviting me on and looking

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<v Speaker 2>forward to chat about architecture the last week since we

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<v Speaker 2>started discussing something coming on.

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<v Speaker 1>Yeah, Yeah, excited to talk with you. You get a

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<v Speaker 1>wealth of knowledge and experience and and you know, having

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<v Speaker 1>worked with all these different guys including you know, Corn Crenshaw, Doak,

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<v Speaker 1>Gil Hans and you know Kyle Phelps, it's it's pretty

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<v Speaker 1>cool that you've gotten to see so much.

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<v Speaker 2>Well, thanks appreciate it. You know, I've I've been really

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<v Speaker 2>very very lucky in my career thus far, and hopefully

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<v Speaker 2>we'll continue going the same direction. You know. Uh, certainly

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<v Speaker 2>can't thank Tom Doak enough for the giving me the

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<v Speaker 2>opportunity right out of the gates, uh internship at Pacific

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<v Speaker 2>Dunes out in Bandon, and and all the opportunities I've

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<v Speaker 2>got from from all of my mentors, you know, Bill

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<v Speaker 2>and Ben at Byner Simmer two and Gil working on

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<v Speaker 2>the re Olympics course. A lot of really fun and

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<v Speaker 2>interesting courses along the way, both from a restoration standpoint

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<v Speaker 2>and new built. So it's a very exciting, very exciting

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<v Speaker 2>run for somebody who grew up wanted to go in

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<v Speaker 2>the golf course design business, and unfortunately everything is worked

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<v Speaker 2>out thus far.

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<v Speaker 1>So yeah, so how did you get into design? You did?

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<v Speaker 1>You know at a young age this is what you

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<v Speaker 1>wanted to do.

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<v Speaker 2>I did, Yeah, you know, I was as I Joe

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<v Speaker 2>for many years. I was kind of like the ultimate

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<v Speaker 2>golf kid growing up. My mom got me in a

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<v Speaker 2>membership at a little public golf course, a little nineteen

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<v Speaker 2>twenties era golf course on a very weird piece of ground,

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<v Speaker 2>almost like to make a long geologic story short, it

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<v Speaker 2>had like these very long running ridges and valleys everywhere

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<v Speaker 2>from a catastrophic flood that had happened eons and eons

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<v Speaker 2>a go, and they had no real uh, irrigation system.

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<v Speaker 2>Uh in in modern terms anyway, it was one of

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<v Speaker 2>my first jobs was putting on couplers and fairways and

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<v Speaker 2>in the middle of the night and uh, but it

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<v Speaker 2>gave me an appreciation for you know, just good solid

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<v Speaker 2>routing and uh and fun quirky architecture on on wild,

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<v Speaker 2>weird ground and uh. And this was in western Oregon,

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<v Speaker 2>you know, a place where you wudn't expect to find

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<v Speaker 2>sort of an oddity, uh of from a land standpoint,

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<v Speaker 2>and uh, you know, I just kind of went with

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<v Speaker 2>it from there. You know, I really uh, I really

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<v Speaker 2>loved playing golf, and I played like four hundred and

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<v Speaker 2>seventy eight straight days once actually, and uh and just became,

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<v Speaker 2>you know, interested in architecture. I think got a lot

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<v Speaker 2>of people become interested in architecture. I think probably the

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<v Speaker 2>difference is I really generally wanted to write from the

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<v Speaker 2>very beginning. You know, I would get a hold of

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<v Speaker 2>uh you know, uh old magazine articles, the top one

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<v Speaker 2>hundred rankings, uh, you know, major championship previews, and I

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<v Speaker 2>just pour over all the information went through Tom Doak's

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<v Speaker 2>books at an early age, and then kind of got

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<v Speaker 2>ahold of a lot of the old classics and just

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<v Speaker 2>kind of went from there that I really kind of

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<v Speaker 2>decided during my high school years that it was something

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<v Speaker 2>that that I would really like to do. And uh,

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<v Speaker 2>you know, I uh, I would meet people and just

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<v Speaker 2>uh it would be kind of amazed that I knew

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<v Speaker 2>as much about architecture as I did for having never

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<v Speaker 2>been anywhere.

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<v Speaker 3>As a kid.

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<v Speaker 2>You know, I met some guys that had played at

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<v Speaker 2>Pine Valley, uh and we're not far from live not

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<v Speaker 2>far from there, and they actually send me like a

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<v Speaker 2>scorecard and and a map of the golf course. So

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<v Speaker 2>I would just you know, just just absorb information just

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<v Speaker 2>like uh, just like a lot of kids collect baseball cards,

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<v Speaker 2>you know, in your youth. And uh. So I was

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<v Speaker 2>I really wanted to go into it.

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<v Speaker 3>I didn't really.

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<v Speaker 2>Quite know how to do it. You know. I was

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<v Speaker 2>uh working on the mainest staff of my my home course,

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<v Speaker 2>which you know, again it was a very limited budget

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<v Speaker 2>sort of place, and uh and I asked, I asked

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<v Speaker 2>Tom Doak for for for a job at Pacific Dunes,

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<v Speaker 2>really begged and begged for it, and uh and he

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<v Speaker 2>was nice enough to uh to give me a shot.

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<v Speaker 2>You know, I was, I was studying turf management in

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<v Speaker 2>school at that point, and didn't know whether I should

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<v Speaker 2>jump in the landscape architecture at Oregon or stay with

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<v Speaker 2>turf at Oregon States, and uh, but I uh, it all,

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<v Speaker 2>it all kind of came in line for me when

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<v Speaker 2>I worked at Pacific Dunes. It really gave me a

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<v Speaker 2>very vivid understanding of the business and uh, really what

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<v Speaker 2>it takes to really do great architecture right from the

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<v Speaker 2>get go, you know. I mean, it's obviously one of

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<v Speaker 2>the best pieces of land that anybody's been handed in

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<v Speaker 2>the last eighty years, Pacific Dunes. But uh, what really,

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<v Speaker 2>what really I was impressed with was, uh was the

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<v Speaker 2>level of detail. You know. Obviously I knew that Tom

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<v Speaker 2>was an exceptional designer, having ready his his his books

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<v Speaker 2>and and followed his career through through the nineties as

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<v Speaker 2>he made the ascent of getting a project like that.

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<v Speaker 2>But I was enormously impressed with the with the talent

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<v Speaker 2>and uh level of dedication of of the other guys

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<v Speaker 2>that were on the project, like Chimberbina and uh and

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<v Speaker 2>Brian Slanik, you know, his associates, and the fact that

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<v Speaker 2>you know they they also would kind of throw you know,

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<v Speaker 2>a young guy like me out there to uh, you know,

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<v Speaker 2>give stuff a shot and uh and to really contribute

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<v Speaker 2>right out of the gates. It was a lot of

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<v Speaker 2>fun because you know, I I stood the architecture so

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<v Speaker 2>closely to an obsessive, compulsive sort of level. But to

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<v Speaker 2>uh to get out there and Tom, you know, let

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<v Speaker 2>me shape this or or let me you know, handle

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<v Speaker 2>the grassing on that, and uh and just you know,

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<v Speaker 2>throw ideas. He is a nineteen year old kid, but

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<v Speaker 2>Tom would. Tom was always absorbing ideas from everyone. You know,

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<v Speaker 2>he was Uh, he was fun to work for like that,

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<v Speaker 2>and the fact that uh he always has obviously you know,

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<v Speaker 2>he's one of the best architects ever. Say, this is

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<v Speaker 2>a very strong vision for where everything's going and what

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<v Speaker 2>he wants to do. But he'll just throw throw people

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<v Speaker 2>out there and see if they come back with something better,

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<v Speaker 2>and if it's good, they'll, uh he'll go with it,

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<v Speaker 2>and if if not, it'll come up with something better.

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<v Speaker 2>So it was a lot of fun to work for Tom.

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<v Speaker 2>Right out of the gates. It was kind of a

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<v Speaker 2>surreal experience to be out there on my first internship

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<v Speaker 2>and uh, uh you know, be standing there in a hole,

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<v Speaker 2>he asked. My opinion. No, just it's a young guy,

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<v Speaker 2>you know. Uh, certainly again, certainly well studied on architecture,

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<v Speaker 2>but maybe not with the experience of having you got

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<v Speaker 2>to get out and visit and study golf courses just

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<v Speaker 2>being a teenager. So that's how I kind of got

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<v Speaker 2>started with it. Uh, you know, I started working for

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<v Speaker 2>Tom and worked at Stonewall in Pennsylvania and then went

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<v Speaker 2>bound down to barn Google Dunes and uh got to

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<v Speaker 2>kind of expand my role on on projects working working

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<v Speaker 2>down there, and you know, it was really an amazing experience.

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<v Speaker 2>I mean, working on two of the three highest rated

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<v Speaker 2>golf courses built in the last eight years was pretty crazy. Oh,

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<v Speaker 2>we're gonna do this every year, you know. Uh, And

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<v Speaker 2>obviously it doesn't work out that, but it was certainly

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<v Speaker 2>a lot of fun. So I'll always be very appreciative

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<v Speaker 2>of the opportunities that Tom gave me to to get

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<v Speaker 2>into the business and take a shot at it.

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<v Speaker 3>Sometimes I think.

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<v Speaker 2>It's probably a lot of people who have tried to

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<v Speaker 2>take taking this route have realized, you know, the hardest

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<v Speaker 2>part is almost the first, the first getting your first

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<v Speaker 2>opportunity to at it.

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<v Speaker 1>So Yeah, it's that internship program Tom has. It is

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<v Speaker 1>a you know, it's a great it's pretty cool to

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<v Speaker 1>see how many of the young architects like yourself have

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<v Speaker 1>come out of it. And you know it's you know,

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<v Speaker 1>getting that hands on experience so early is critical to

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<v Speaker 1>I imagine your development as an architect. So you mentioned

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<v Speaker 1>playing golf four hundred and seventy eight days in a row.

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<v Speaker 2>Yep, right, when.

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<v Speaker 1>When did this happen? And I mean.

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<v Speaker 3>It was it was when I was aged thirteen, fourteen.

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<v Speaker 2>I believe, yeah, some we're right there. My mom got

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<v Speaker 2>me this, you know, this membership of this little public

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<v Speaker 2>golf course, and uh and I just went and I

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<v Speaker 2>just played every single day. And not all of them

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<v Speaker 2>were like nine or eighteen holes, but uh I got

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<v Speaker 2>it at least. You know, it's Oregon winter weather western Oregon.

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<v Speaker 2>It rains a lot, but it doesn't snow very much.

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<v Speaker 2>So uh so I just started playing and playing. And

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<v Speaker 2>I think part of it is some of some point

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<v Speaker 2>in there, I was like, oh, I gotta keep the

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<v Speaker 2>streak a lot. I got play three or six holes today,

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<v Speaker 2>but uh yeah, I finally got We finally had a

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<v Speaker 2>snowstorm February ninety five that busted up the streak.

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<v Speaker 1>So so that's when it ended with a snowstorm.

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<v Speaker 2>Yep, finally, finally just couldn't go out there and do it.

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<v Speaker 2>I probably could have snuck in one more day, but

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<v Speaker 2>it started to spit with snow out there. I'm like,

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<v Speaker 2>I think I'm done. It was a good run.

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<v Speaker 1>So what I feel like like the first day without

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<v Speaker 1>golf or you just not knowing what to do.

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<v Speaker 4>I'm trying to.

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<v Speaker 2>Think, you know, I think, uh, well, when you grow

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<v Speaker 2>up in western Oregon, you know, it's kind of a

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<v Speaker 2>novelly when it snows because it doesn't really do it

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<v Speaker 2>very much because of the sort of moderated oceanic climate climate.

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<v Speaker 2>So I was probably looking forward to being a fourteen

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<v Speaker 2>year old kid is getting out and uh uh, you know,

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<v Speaker 2>going out and doing some cookies with my friends in

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<v Speaker 2>the car. So my mom probably wouldn't have wanted us

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<v Speaker 2>to do but choking aside and yeah, you know, uh uh,

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<v Speaker 2>it was tough for my streak. Then I was hoping

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<v Speaker 2>there was gonna make it five hundred.

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<v Speaker 1>So that's I mean, that's crazy. I wonder what the like,

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<v Speaker 1>the longest streak anybody's ever had? It. It's got to

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<v Speaker 1>be close.

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<v Speaker 2>Uh, there's got to be somebody out there that's cracked

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<v Speaker 2>a thousand.

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<v Speaker 1>You know.

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<v Speaker 2>It's amazing to me some of the folks at clubs

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<v Speaker 2>that that I work at, you know, how how dedicated

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<v Speaker 2>they are out there every day.

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<v Speaker 3>Rain or shine doesn't make any difference.

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<v Speaker 2>Who knows.

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<v Speaker 3>It's a good question though.

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<v Speaker 1>Yeah has said. I grew up working at a club

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<v Speaker 1>and one guy, an older I show up at the

0:11:54.400 --> 0:11:59.160
<v Speaker 1>same exact time every single day. It was like at

0:11:59.240 --> 0:12:02.040
<v Speaker 1>n have his bag on a cart, like ready for

0:12:02.120 --> 0:12:03.240
<v Speaker 1>him to go to the range.

0:12:05.480 --> 0:12:08.559
<v Speaker 2>Those those are the people that you really love to

0:12:09.160 --> 0:12:11.480
<v Speaker 2>do this work for, you know, the people that really

0:12:11.480 --> 0:12:15.280
<v Speaker 2>get out there and appreciate it. You know, the greatest

0:12:15.280 --> 0:12:17.360
<v Speaker 2>golf courses in the world. You know. I've always made

0:12:17.400 --> 0:12:23.000
<v Speaker 2>the analogy that it reminds me of how one of

0:12:23.040 --> 0:12:27.120
<v Speaker 2>my professors in school to describe great writing. You know

0:12:27.200 --> 0:12:30.439
<v Speaker 2>that in great writing, there's not a word, a phrase,

0:12:30.640 --> 0:12:33.240
<v Speaker 2>or or or any detail of the writing that isn't

0:12:33.880 --> 0:12:38.800
<v Speaker 2>absolutely perfect. That that isn't just perfect in literal terms,

0:12:38.800 --> 0:12:40.360
<v Speaker 2>but it kind of takes it all tough. It's a

0:12:40.440 --> 0:12:42.200
<v Speaker 2>higher level. And that's the way that look at great

0:12:42.280 --> 0:12:45.000
<v Speaker 2>architecture when you think of you know, Royal Dornock or

0:12:45.440 --> 0:12:48.280
<v Speaker 2>Pinerist number two, the old course, every little homp and

0:12:48.280 --> 0:12:52.319
<v Speaker 2>every little bump out there, you know, a rise that

0:12:53.040 --> 0:12:56.280
<v Speaker 2>making it all nearly perfect. You know, you're always learning

0:12:56.320 --> 0:12:58.360
<v Speaker 2>something about the golf course so to speak, you know,

0:12:59.080 --> 0:13:01.280
<v Speaker 2>and all the interesting so you can you can find

0:13:01.320 --> 0:13:05.200
<v Speaker 2>out there. And you know, as designers, I always kind of,

0:13:05.280 --> 0:13:06.719
<v Speaker 2>you know, take a step back and one it's like,

0:13:06.760 --> 0:13:10.200
<v Speaker 2>how much do people really really notice the the intricacies

0:13:10.200 --> 0:13:13.040
<v Speaker 2>that we try and put into architecture like that? You know,

0:13:13.040 --> 0:13:15.800
<v Speaker 2>I think that's one of the strengths of that. I

0:13:15.960 --> 0:13:20.360
<v Speaker 2>marvel that, you know, what Pacific Dunes was, the the quality,

0:13:20.400 --> 0:13:23.040
<v Speaker 2>the details and trying to get it to you know,

0:13:23.360 --> 0:13:25.280
<v Speaker 2>that level, the fun shots around.

0:13:25.080 --> 0:13:26.280
<v Speaker 3>The greens, et cetera.

0:13:26.600 --> 0:13:30.120
<v Speaker 2>You always wonder how much people really uh catch on

0:13:30.200 --> 0:13:32.320
<v Speaker 2>to that sort of stuff. And but you know that

0:13:32.360 --> 0:13:34.760
<v Speaker 2>the people that play every single day like that, and

0:13:34.920 --> 0:13:37.800
<v Speaker 2>really even if they're interested in architecture or not, they'll

0:13:37.840 --> 0:13:40.280
<v Speaker 2>slowly figure out all those cool little things that we

0:13:40.920 --> 0:13:45.480
<v Speaker 2>that we throw into the the equation. So I especially

0:13:45.520 --> 0:13:50.280
<v Speaker 2>really enjoy doing the design work for for those kinds

0:13:50.280 --> 0:13:53.440
<v Speaker 2>of people, you know, My favorite events here at mid

0:13:53.440 --> 0:13:56.240
<v Speaker 2>Pins Pine Needles are they have the US kids in

0:13:56.240 --> 0:14:00.800
<v Speaker 2>the summertime, and you know, uh, the golf courses are

0:14:00.840 --> 0:14:03.600
<v Speaker 2>basically invaded by you know, ten to fifteen year old

0:14:03.720 --> 0:14:06.560
<v Speaker 2>kids for an entire week, and I always really enjoy

0:14:06.600 --> 0:14:09.640
<v Speaker 2>it because I hope that the kids are as excited

0:14:09.679 --> 0:14:11.960
<v Speaker 2>about what they see out on the golf course Ross's

0:14:12.000 --> 0:14:14.439
<v Speaker 2>great old designs and the work that we have put

0:14:14.480 --> 0:14:17.880
<v Speaker 2>into restoring them, that they are really impacted the same

0:14:17.880 --> 0:14:20.160
<v Speaker 2>way that I was when I was a kid, you know,

0:14:20.520 --> 0:14:23.320
<v Speaker 2>in high school or before that, like the period that

0:14:23.320 --> 0:14:27.000
<v Speaker 2>we were talking about. When I go to cool places,

0:14:27.000 --> 0:14:31.640
<v Speaker 2>you know USGA caliber courses like Portland Golf Club, and

0:14:32.400 --> 0:14:34.600
<v Speaker 2>you know, I really hope the kids enjoy it the

0:14:34.600 --> 0:14:37.280
<v Speaker 2>way that I did go into those. But even just

0:14:37.320 --> 0:14:40.960
<v Speaker 2>the people you know day to day that come and

0:14:41.000 --> 0:14:43.920
<v Speaker 2>play golf at Midpines Pine Needles. You know, a guy

0:14:43.960 --> 0:14:46.240
<v Speaker 2>by the name of a Jay Michols will become one

0:14:46.240 --> 0:14:49.320
<v Speaker 2>of my best friends to play golf with, you know,

0:14:49.520 --> 0:14:51.880
<v Speaker 2>an older gentleman, maybe sixty five or seventy or so.

0:14:52.280 --> 0:14:53.880
<v Speaker 3>And Jay plays every single day.

0:14:53.920 --> 0:14:58.200
<v Speaker 2>He played all the way almost every day through the

0:14:58.680 --> 0:15:01.640
<v Speaker 2>Midpines Restoration so he was always watching what we were doing,

0:15:01.720 --> 0:15:04.200
<v Speaker 2>and uh, I got to know him kind of through that.

0:15:05.120 --> 0:15:06.720
<v Speaker 2>A lot of guys like that, whether it's you know,

0:15:06.840 --> 0:15:09.360
<v Speaker 2>Chris Bowie, the great writer of Ross's work, or Ran

0:15:09.520 --> 0:15:12.200
<v Speaker 2>Morrison who lives here in town. You know, those guys

0:15:12.240 --> 0:15:14.600
<v Speaker 2>are always coming out and playing and it's really fun

0:15:14.640 --> 0:15:18.360
<v Speaker 2>to uh to hear their feedback on the work that

0:15:18.400 --> 0:15:22.520
<v Speaker 2>we do and uh and for them to enjoy it,

0:15:22.720 --> 0:15:24.600
<v Speaker 2>you know. Uh, that's pretty cool.

0:15:25.160 --> 0:15:27.320
<v Speaker 1>So mid Times was you know, you kind of your

0:15:27.320 --> 0:15:31.320
<v Speaker 1>first shot, you know what was the I guess not

0:15:31.440 --> 0:15:35.520
<v Speaker 1>the first shot, but you know, first like major restoration,

0:15:35.640 --> 0:15:38.560
<v Speaker 1>and from all signs, I haven't been down there. Everybody

0:15:38.640 --> 0:15:41.640
<v Speaker 1>raise about it and the first time has ever been

0:15:41.680 --> 0:15:44.520
<v Speaker 1>in a top one hundred list. After the restoration, tell

0:15:44.840 --> 0:15:48.120
<v Speaker 1>tell us a little bit about the that project and

0:15:49.360 --> 0:15:52.160
<v Speaker 1>you know kind of where where the course was and

0:15:52.200 --> 0:15:55.760
<v Speaker 1>where you've taken it to and you know it, you

0:15:55.840 --> 0:15:58.080
<v Speaker 1>know the things you learned during the project.

0:15:59.400 --> 0:16:01.760
<v Speaker 2>Sure, well, well, uh, how I got kind of started

0:16:01.800 --> 0:16:05.800
<v Speaker 2>with it was well obviously worked on the restoration of

0:16:05.800 --> 0:16:08.920
<v Speaker 2>of Piner's Number two, as we discussed briefly before for

0:16:09.000 --> 0:16:13.640
<v Speaker 2>Core and Crunch Shop. So I was really really uh,

0:16:14.000 --> 0:16:16.040
<v Speaker 2>really need a good place to take on a project

0:16:16.120 --> 0:16:17.960
<v Speaker 2>like it. You know, I did a lot of research

0:16:18.040 --> 0:16:20.120
<v Speaker 2>in the in the tough garf guys while we're working

0:16:20.160 --> 0:16:23.160
<v Speaker 2>on Number two, and I was always noticing Midpines. Uh

0:16:23.720 --> 0:16:27.000
<v Speaker 2>and uh you know John Jeffery is, Kevin Robbinson Bob Firm,

0:16:27.120 --> 0:16:32.080
<v Speaker 2>you know the Pinehurst Uh uh Main, it's main. It's

0:16:32.160 --> 0:16:34.200
<v Speaker 2>guys that suggested I go see Midpines.

0:16:34.440 --> 0:16:34.720
<v Speaker 1>Uh.

0:16:34.800 --> 0:16:37.360
<v Speaker 2>Since the greens had really never been changed very much,

0:16:37.600 --> 0:16:39.200
<v Speaker 2>only a couple of greens that really kind of been

0:16:39.200 --> 0:16:41.640
<v Speaker 2>tinkered with it all. So it was a great opportunity

0:16:41.680 --> 0:16:46.880
<v Speaker 2>to go see Ross's original uh original work. Uh here Uh,

0:16:47.000 --> 0:16:49.120
<v Speaker 2>since you know Piner's number two greens that I was

0:16:49.200 --> 0:16:51.120
<v Speaker 2>been switched to U S g A greens at some point,

0:16:51.280 --> 0:16:53.520
<v Speaker 2>so they've been reshaped, but they're still very close to

0:16:53.600 --> 0:16:56.600
<v Speaker 2>the uh the originals, but midpoints you can go see

0:16:56.640 --> 0:16:59.080
<v Speaker 2>what we call the final float, the final raking, and

0:16:59.160 --> 0:17:03.960
<v Speaker 2>perfect detail of what Ross's style was exactly exactly like.

0:17:04.119 --> 0:17:06.800
<v Speaker 2>So I would come over and look at the golf

0:17:06.800 --> 0:17:09.479
<v Speaker 2>course during the Number two work and got to know

0:17:10.320 --> 0:17:14.120
<v Speaker 2>Kelly Miller and the Miller Belle McAllan family and kind

0:17:14.119 --> 0:17:16.120
<v Speaker 2>of got started just kind of talking about the golf course.

0:17:16.160 --> 0:17:20.520
<v Speaker 2>You know, I'd found many photos of of Pineher's number

0:17:20.560 --> 0:17:23.080
<v Speaker 2>two in the tough garf guys from the nineteen twenties

0:17:23.119 --> 0:17:26.720
<v Speaker 2>and thirties, you know, the period when the golf course

0:17:26.760 --> 0:17:30.280
<v Speaker 2>had been completed by Ross, and it was really just

0:17:30.359 --> 0:17:32.919
<v Speaker 2>very impressive to what I saw in modern terms and

0:17:33.080 --> 0:17:36.639
<v Speaker 2>especially back then. So I started speaking with Kelly about

0:17:37.280 --> 0:17:39.879
<v Speaker 2>the opportunity to try and restore it. They wanted to

0:17:39.920 --> 0:17:44.280
<v Speaker 2>do a a greens re grassing project and switch them

0:17:44.280 --> 0:17:46.520
<v Speaker 2>from from bent grass back over to riudeo grass as

0:17:46.520 --> 0:17:50.359
<v Speaker 2>they originally were, and you know, I just kind of started,

0:17:50.440 --> 0:17:52.600
<v Speaker 2>you know, throwing ideas at him of what they could

0:17:52.840 --> 0:17:56.439
<v Speaker 2>what they could do. I did some several photoshops of

0:17:56.440 --> 0:17:59.280
<v Speaker 2>what I of what the holes originally looked like, you know,

0:17:59.600 --> 0:18:04.159
<v Speaker 2>react adding the uh the sand hills sandhills details, you know,

0:18:04.280 --> 0:18:09.480
<v Speaker 2>the the natural bunkers and uh uh sandy hard pain

0:18:09.560 --> 0:18:12.560
<v Speaker 2>areas around the holes, which were such a unique feature

0:18:12.600 --> 0:18:14.880
<v Speaker 2>that we obviously reacted with number two. And I think

0:18:14.880 --> 0:18:17.520
<v Speaker 2>they were pretty intrigued to to try that as as

0:18:17.600 --> 0:18:20.240
<v Speaker 2>much as as possible and will be practical for the

0:18:21.000 --> 0:18:23.560
<v Speaker 2>for the course. You know, as I always say, it's

0:18:23.880 --> 0:18:26.040
<v Speaker 2>it's kind of like Pine Valley, but playable for the

0:18:26.160 --> 0:18:29.480
<v Speaker 2>for the normal person. Uh, since it's not not as

0:18:29.680 --> 0:18:32.760
<v Speaker 2>uh you know, Penal. You know, the the ground is

0:18:32.800 --> 0:18:35.760
<v Speaker 2>so much firmer here in the sandy areas. So you know,

0:18:36.119 --> 0:18:39.600
<v Speaker 2>we just kind of started talking about it and and

0:18:39.760 --> 0:18:42.560
<v Speaker 2>uh they really liked the photoshops and my ideas for

0:18:42.560 --> 0:18:45.480
<v Speaker 2>for what uh the holes looked like or I thought

0:18:45.520 --> 0:18:48.359
<v Speaker 2>they looked like, and uh started throwing together plans for

0:18:48.480 --> 0:18:52.800
<v Speaker 2>it in that autumn of it was twenty twelve, and

0:18:53.000 --> 0:18:57.200
<v Speaker 2>uh just kind of went from there with it. We

0:18:57.359 --> 0:19:01.000
<v Speaker 2>uh we broke around just after Thanksgiving that year. And

0:19:01.040 --> 0:19:03.199
<v Speaker 2>I think the thing that was most intriguing to me

0:19:03.280 --> 0:19:06.840
<v Speaker 2>about the golf courses is, while it's the same general

0:19:06.920 --> 0:19:10.960
<v Speaker 2>style is Pineer's number two U and Ross's work here.

0:19:11.320 --> 0:19:13.439
<v Speaker 2>He tried to make all of the golf courses that

0:19:13.480 --> 0:19:16.400
<v Speaker 2>he worked on here a little bit different stylistically. While

0:19:16.640 --> 0:19:19.080
<v Speaker 2>the Bunkers were all natural and rugged and had the

0:19:19.119 --> 0:19:22.520
<v Speaker 2>sandy hard pain areas, uh, you know, the overall style

0:19:22.600 --> 0:19:24.359
<v Speaker 2>of each golf course is a little bit different from

0:19:24.400 --> 0:19:27.000
<v Speaker 2>the other one. So I really really worked hard to

0:19:28.040 --> 0:19:30.880
<v Speaker 2>draft off of that of his original concepts and get

0:19:30.880 --> 0:19:34.360
<v Speaker 2>them to work for for modern play. So a lot

0:19:34.359 --> 0:19:36.720
<v Speaker 2>of fun. You know, a lot of our of restoration

0:19:36.880 --> 0:19:41.480
<v Speaker 2>architectures is one part design and the other part is

0:19:41.560 --> 0:19:43.560
<v Speaker 2>kind of archaeology and trying to figure out what was

0:19:43.560 --> 0:19:48.679
<v Speaker 2>actually in the original designers heads. And uh, it's been

0:19:48.680 --> 0:19:50.240
<v Speaker 2>a lot of fun to do that on all the

0:19:50.240 --> 0:19:51.520
<v Speaker 2>golf courses I've worked on here.

0:19:51.560 --> 0:19:54.159
<v Speaker 1>Now, yeah, I really want to get down to that

0:19:54.359 --> 0:19:58.160
<v Speaker 1>tough sarchive. It's see. That's one of the cool things

0:19:58.200 --> 0:20:01.040
<v Speaker 1>about Ross is how much of his work is preserved

0:20:01.080 --> 0:20:04.600
<v Speaker 1>and and you know, kept in a singular place. I

0:20:04.640 --> 0:20:06.000
<v Speaker 1>wish that was the case.

0:20:05.800 --> 0:20:09.760
<v Speaker 4>With more architects in terms of you know, having worked

0:20:09.800 --> 0:20:12.399
<v Speaker 4>with a lot of Ross courses, what what would you

0:20:12.400 --> 0:20:17.080
<v Speaker 4>say is kind of the most underappreciated aspect of Ross's

0:20:17.200 --> 0:20:18.080
<v Speaker 4>design career.

0:20:19.800 --> 0:20:22.439
<v Speaker 2>Boy, that's a that's a difficult question, I think for

0:20:22.480 --> 0:20:25.399
<v Speaker 2>the fact that you know, his design style varied so

0:20:25.480 --> 0:20:28.320
<v Speaker 2>much during the course of his career. You know, his

0:20:28.400 --> 0:20:31.320
<v Speaker 2>New England work is completely different to his work in

0:20:31.359 --> 0:20:37.280
<v Speaker 2>the in the UH, in the Sandhills and and in

0:20:37.320 --> 0:20:40.920
<v Speaker 2>other portions of the country. You know, I would say

0:20:40.920 --> 0:20:43.800
<v Speaker 2>that for me as a as a thirty thousand square

0:20:43.920 --> 0:20:47.760
<v Speaker 2>or a thirty thousand foot answer to the question.

0:20:47.960 --> 0:20:48.760
<v Speaker 3>I think the thing.

0:20:48.560 --> 0:20:51.879
<v Speaker 2>That that probably is is underappreciated is I think a

0:20:51.880 --> 0:20:53.680
<v Speaker 2>lot of times when you kind of watch a major

0:20:53.760 --> 0:20:57.600
<v Speaker 2>championship that's played on a ross course or what have you,

0:20:57.680 --> 0:21:00.760
<v Speaker 2>everybody will hit him like kind of the obvious details.

0:21:01.480 --> 0:21:03.360
<v Speaker 2>You know, if they if they played Oakland Hills, they're

0:21:03.359 --> 0:21:05.520
<v Speaker 2>going to talk a lot about how severe the greens are.

0:21:06.000 --> 0:21:08.080
<v Speaker 2>If they play Pinder's Number two, they're going to talk

0:21:08.080 --> 0:21:11.480
<v Speaker 2>about how great their recovery shots are around the greens.

0:21:11.640 --> 0:21:14.080
<v Speaker 2>What I always marvel at in Ross's work is his

0:21:14.160 --> 0:21:17.879
<v Speaker 2>ability to have come up with the exact right concepts

0:21:18.840 --> 0:21:21.840
<v Speaker 2>for each hole on the ground that he's given. You know,

0:21:23.480 --> 0:21:26.760
<v Speaker 2>obviously a great router of holes, always finding interesting ways

0:21:26.800 --> 0:21:31.080
<v Speaker 2>to attack the landscape and find good green sites, find

0:21:31.680 --> 0:21:33.399
<v Speaker 2>the right place to put the holes where it's a

0:21:33.400 --> 0:21:36.040
<v Speaker 2>comfortable walk, and all the holes are interesting and varied.

0:21:37.280 --> 0:21:39.080
<v Speaker 2>But the thing that I really like the most about

0:21:39.160 --> 0:21:43.040
<v Speaker 2>especially his work here, is that he again he was

0:21:43.080 --> 0:21:46.199
<v Speaker 2>just always finding the right answer for the design of.

0:21:46.200 --> 0:21:49.880
<v Speaker 3>A hole given the the given the.

0:21:49.840 --> 0:21:52.880
<v Speaker 2>Ground in front of him. You know, a great example

0:21:52.960 --> 0:21:57.920
<v Speaker 2>is like the seventeenth and twelve holes at midpinds, which

0:21:57.960 --> 0:21:59.800
<v Speaker 2>are two holes that are within one hundred and twenty

0:21:59.840 --> 0:22:03.280
<v Speaker 2>year thirty yards of each other. But they attacked the

0:22:03.400 --> 0:22:07.679
<v Speaker 2>landscape in two really interesting ways. The twelfth hole is

0:22:07.720 --> 0:22:10.399
<v Speaker 2>a mid to shorter sort of par four with a

0:22:10.400 --> 0:22:14.040
<v Speaker 2>fairway that sort of slopes sharply from the right down

0:22:14.080 --> 0:22:19.919
<v Speaker 2>to the left hand side. The green is cannied on

0:22:19.920 --> 0:22:23.200
<v Speaker 2>a forty five degree angle, is such that you really

0:22:23.240 --> 0:22:25.160
<v Speaker 2>need to hit your T shot on the left hand

0:22:25.240 --> 0:22:27.280
<v Speaker 2>side of the fairway. There's a big front right bunker

0:22:27.320 --> 0:22:30.240
<v Speaker 2>that really makes approaching the green from the right hand

0:22:30.280 --> 0:22:33.280
<v Speaker 2>side of the fairway a nightmare. It's almost impossible to

0:22:33.320 --> 0:22:36.480
<v Speaker 2>hold into some conditions. So what Ross did is he

0:22:36.520 --> 0:22:38.800
<v Speaker 2>set up a T shot where you could hit a nice,

0:22:38.800 --> 0:22:41.120
<v Speaker 2>big sort of swing draw that would sort of hit

0:22:41.200 --> 0:22:43.439
<v Speaker 2>in the landing air and kind of bound down to

0:22:43.520 --> 0:22:45.440
<v Speaker 2>the honey spot and the far left hand side of

0:22:45.480 --> 0:22:47.239
<v Speaker 2>the fairway, the side of the fairway that you need

0:22:47.280 --> 0:22:50.040
<v Speaker 2>to be coming in from. Only you know, because of

0:22:50.080 --> 0:22:52.840
<v Speaker 2>the orientation of the green, you wind up having hit

0:22:52.840 --> 0:22:55.040
<v Speaker 2>this nice little draw down in the landing area. Then

0:22:55.040 --> 0:22:56.920
<v Speaker 2>you really need to hit like a straight shot or

0:22:56.960 --> 0:22:59.760
<v Speaker 2>even like a little baby fade off of this hanging

0:22:59.840 --> 0:23:05.320
<v Speaker 2>lot where it becomes a very awkward shot. So the

0:23:05.320 --> 0:23:07.399
<v Speaker 2>bottom line is the player that has all the different

0:23:07.480 --> 0:23:09.600
<v Speaker 2>kinds of shots really has the advantage in the hole.

0:23:10.000 --> 0:23:12.200
<v Speaker 2>The seventeenth hole is almost the dead opposite, but again

0:23:12.800 --> 0:23:16.000
<v Speaker 2>utilizing the same kind of concept where the land is

0:23:16.480 --> 0:23:19.000
<v Speaker 2>gently going down into the right in the landing area

0:23:19.040 --> 0:23:21.399
<v Speaker 2>and the T shot, So you know, a player that

0:23:21.400 --> 0:23:23.200
<v Speaker 2>can hit a fade on the T shot really has

0:23:23.280 --> 0:23:26.880
<v Speaker 2>kind of an advantage. And then you know the second shot,

0:23:26.920 --> 0:23:29.960
<v Speaker 2>all there's a just a big, old, big old hillside

0:23:29.960 --> 0:23:34.399
<v Speaker 2>where the bunkering front left of the green that you know,

0:23:35.320 --> 0:23:37.640
<v Speaker 2>really really encourages you trying to hit a draw into

0:23:37.640 --> 0:23:41.000
<v Speaker 2>the green site again opposite, you know, off of a

0:23:41.080 --> 0:23:43.399
<v Speaker 2>off of a kind of a hanging lie where the

0:23:43.400 --> 0:23:45.120
<v Speaker 2>ball is gonna be a little bit below your feet

0:23:45.119 --> 0:23:46.720
<v Speaker 2>and the tendency always is going to be to miss

0:23:46.720 --> 0:23:49.240
<v Speaker 2>it from the right far be a you know, let

0:23:49.280 --> 0:23:51.439
<v Speaker 2>alone trying hit draw off of So you know, he

0:23:51.520 --> 0:23:53.800
<v Speaker 2>was just always coming up with, I think, the right

0:23:53.880 --> 0:23:55.879
<v Speaker 2>answer for a piece of ground. You know, he's a

0:23:55.880 --> 0:24:00.560
<v Speaker 2>great router, and he had just a real really a

0:24:00.600 --> 0:24:05.560
<v Speaker 2>real knack for finding the right concept for the hole.

0:24:06.440 --> 0:24:09.640
<v Speaker 2>And you get eighteen different looks all the way through.

0:24:09.680 --> 0:24:11.960
<v Speaker 2>You know, you're always he's just really creative of finding

0:24:11.960 --> 0:24:14.879
<v Speaker 2>the right answer and then eighteen in a row of

0:24:14.920 --> 0:24:19.119
<v Speaker 2>in the right answer all to arrive at a golf

0:24:19.119 --> 0:24:21.640
<v Speaker 2>course that is really varied and cool all the way

0:24:21.680 --> 0:24:23.760
<v Speaker 2>through all of his best work. I think that kind

0:24:23.760 --> 0:24:25.880
<v Speaker 2>of homework in the designs.

0:24:26.160 --> 0:24:29.159
<v Speaker 1>Yeah, that's the thing that impresses me most with Ross

0:24:29.280 --> 0:24:33.119
<v Speaker 1>is the variety and his designs. But also you know,

0:24:33.320 --> 0:24:37.119
<v Speaker 1>just how he created these subtle little features that you know,

0:24:37.800 --> 0:24:41.399
<v Speaker 1>really good players notice. But for the for the average player,

0:24:41.640 --> 0:24:44.320
<v Speaker 1>it's pretty easy to navigate, and you know, they aren't

0:24:44.320 --> 0:24:46.919
<v Speaker 1>worried about a hanging lie and having to try and

0:24:47.040 --> 0:24:50.360
<v Speaker 1>hit a you know, a fade into you know from

0:24:50.440 --> 0:24:52.800
<v Speaker 1>a draw lire. They feel like they have a chance

0:24:52.840 --> 0:24:55.560
<v Speaker 1>when they're in the fairway. So I think, you know,

0:24:55.680 --> 0:24:57.800
<v Speaker 1>that's that is one of the things I think that's

0:24:57.840 --> 0:24:58.840
<v Speaker 1>underappreciated with.

0:24:58.880 --> 0:25:02.720
<v Speaker 2>Ross absolutely, you know, and you hit the nail on

0:25:02.760 --> 0:25:06.040
<v Speaker 2>the head. All the all the things that I described

0:25:06.040 --> 0:25:09.200
<v Speaker 2>are like grade A architecture stuff, you know, the stuff

0:25:09.200 --> 0:25:13.040
<v Speaker 2>that is really good thinking man's kind of architecture. But

0:25:13.080 --> 0:25:16.280
<v Speaker 2>the holes always worked really really well for for every

0:25:16.320 --> 0:25:18.000
<v Speaker 2>skill set of player, you know, whether it was a

0:25:18.040 --> 0:25:21.160
<v Speaker 2>player of his caliber. You know, he was at one

0:25:21.160 --> 0:25:23.560
<v Speaker 2>point one of the best players, you know, in the country.

0:25:24.040 --> 0:25:26.440
<v Speaker 2>You know, he finished in the top ten in the

0:25:26.520 --> 0:25:30.400
<v Speaker 2>US Open. Yeah, but the whole always worked very very

0:25:30.480 --> 0:25:33.679
<v Speaker 2>well for for the average player. And that's why, you know,

0:25:34.280 --> 0:25:37.680
<v Speaker 2>I really think that that he had is one of

0:25:37.760 --> 0:25:41.560
<v Speaker 2>the best impacts of anyone in the history of American golf.

0:25:41.600 --> 0:25:45.959
<v Speaker 2>You know, if you think about his his his his

0:25:46.119 --> 0:25:49.200
<v Speaker 2>work throughout his life. You know, having done that many

0:25:49.320 --> 0:25:51.800
<v Speaker 2>hundreds of golf courses, you know, he made it possible

0:25:51.880 --> 0:25:55.520
<v Speaker 2>to take really good sound architecture to the masses. Uh.

0:25:55.720 --> 0:25:58.080
<v Speaker 2>You know, any little town that just wanted a cool little.

0:25:57.800 --> 0:25:59.040
<v Speaker 3>Club, they were going to have it.

0:25:59.119 --> 0:26:01.760
<v Speaker 2>And uh, you know, I think that, Uh, I've always

0:26:01.760 --> 0:26:05.120
<v Speaker 2>actually admired that about Ross. I think sometimes people have

0:26:05.119 --> 0:26:08.119
<v Speaker 2>have made the criticism of Ross that that he was

0:26:08.280 --> 0:26:10.639
<v Speaker 2>took on so many projects, and he took on so

0:26:10.760 --> 0:26:13.560
<v Speaker 2>much work that it didn't have his hand in in

0:26:13.600 --> 0:26:15.399
<v Speaker 2>all of the designs. You know, it would have been

0:26:15.400 --> 0:26:17.840
<v Speaker 2>impossible to travel around to do that on that day

0:26:17.840 --> 0:26:21.160
<v Speaker 2>and age of train travel. But I actually think that

0:26:21.160 --> 0:26:24.359
<v Speaker 2>that's something that I admire. The most in him is

0:26:24.480 --> 0:26:26.880
<v Speaker 2>that he had he didn't seem to have really an

0:26:27.000 --> 0:26:30.280
<v Speaker 2>enormous ego, you know, as a man from humble beginnings

0:26:30.280 --> 0:26:33.120
<v Speaker 2>in Scotland and uh immigrated to the United States and

0:26:33.160 --> 0:26:36.600
<v Speaker 2>it and built himself to have this massive business, so

0:26:36.600 --> 0:26:40.440
<v Speaker 2>many employees at one point, uh you know this, at

0:26:40.440 --> 0:26:42.520
<v Speaker 2>one point, I believe I've heard that he had like

0:26:42.600 --> 0:26:46.359
<v Speaker 2>three thousand employees an extension just to if he counted

0:26:46.440 --> 0:26:48.720
<v Speaker 2>all the laborers on all the projects.

0:26:48.359 --> 0:26:49.480
<v Speaker 3>And everything that was going on.

0:26:50.680 --> 0:26:53.800
<v Speaker 2>But you know, he he he wasn't afraid of if

0:26:53.800 --> 0:26:56.680
<v Speaker 2>a golf course didn't turn out, you know, as good

0:26:56.720 --> 0:26:59.800
<v Speaker 2>as as Uh as Pineer's number two. You know, when

0:26:59.840 --> 0:27:01.600
<v Speaker 2>he was at his best, and he was and he

0:27:01.720 --> 0:27:03.960
<v Speaker 2>was on the ground, he was capable of designing as

0:27:03.960 --> 0:27:05.040
<v Speaker 2>good as anyone who.

0:27:04.960 --> 0:27:05.720
<v Speaker 3>Has ever lived.

0:27:06.119 --> 0:27:09.560
<v Speaker 2>But he wasn't really you know, he didn't really have

0:27:09.600 --> 0:27:12.119
<v Speaker 2>an enormous ego. You know, he he wanted to do

0:27:12.200 --> 0:27:15.720
<v Speaker 2>good golf courses that people could enjoy everywhere. And that's

0:27:15.720 --> 0:27:17.600
<v Speaker 2>why I think that really he did have one of

0:27:17.640 --> 0:27:20.480
<v Speaker 2>the largest great impacts in the history of the game

0:27:20.520 --> 0:27:22.719
<v Speaker 2>in American golf. If you think about, you know, the

0:27:22.760 --> 0:27:28.800
<v Speaker 2>most influential people in American golf. You know obviously Bobby

0:27:28.880 --> 0:27:31.720
<v Speaker 2>Jones and Nicholas and Palmer, and you know the impact

0:27:31.760 --> 0:27:34.960
<v Speaker 2>that Tiger Woods has had in the modern age. You

0:27:35.000 --> 0:27:38.080
<v Speaker 2>think about who's really next in line behind that, I

0:27:38.119 --> 0:27:39.199
<v Speaker 2>think it's pretty obvious.

0:27:39.320 --> 0:27:40.439
<v Speaker 3>It's always been pretty obviously.

0:27:40.480 --> 0:27:43.240
<v Speaker 2>He is Donald Ross. For all the golf courses he did.

0:27:43.160 --> 0:27:45.399
<v Speaker 3>In so many different states, so many different places.

0:27:45.400 --> 0:27:49.720
<v Speaker 2>Again, he really brought uh good the great architecture to

0:27:49.800 --> 0:27:51.199
<v Speaker 2>the masses in the United States.

0:27:51.200 --> 0:27:53.399
<v Speaker 1>And I think it's like the.

0:27:55.320 --> 0:27:58.800
<v Speaker 2>Absolutely he brought the whole package to the equation. You know,

0:27:58.840 --> 0:28:03.480
<v Speaker 2>his background of uh, of having worked on maintenance and uh,

0:28:03.560 --> 0:28:06.240
<v Speaker 2>you know, understudied for for Old Tom and Saint Andrews

0:28:06.240 --> 0:28:09.280
<v Speaker 2>and Carnosti and uh and then obviously growing up in

0:28:09.280 --> 0:28:13.280
<v Speaker 2>in Dornick. You know, he was the full package, that's

0:28:13.280 --> 0:28:13.680
<v Speaker 2>for sure.

0:28:14.200 --> 0:28:18.199
<v Speaker 1>So uh in terms of ross courses, what would you

0:28:18.280 --> 0:28:24.040
<v Speaker 1>say is the most underrated, underappreciated golf course in his portfolio?

0:28:25.600 --> 0:28:27.720
<v Speaker 2>Oh boy, you've.

0:28:27.520 --> 0:28:34.520
<v Speaker 3>Seen yeah, hmm, well, I would really really have to think.

0:28:34.359 --> 0:28:37.439
<v Speaker 2>About that one. I feel like I would probably I

0:28:37.480 --> 0:28:39.800
<v Speaker 2>probably would be cutting somebody off at the knees who

0:28:40.320 --> 0:28:43.680
<v Speaker 2>deserves a bit more, uh, a more credit Uh, you know,

0:28:46.360 --> 0:28:49.719
<v Speaker 2>there's there's so many good ones, you know, I mean, uh, uh,

0:28:50.000 --> 0:28:53.000
<v Speaker 2>there's a couple that come to mind are his Midpines.

0:28:53.040 --> 0:28:55.280
<v Speaker 2>I think it's a great golf course that really flew

0:28:55.320 --> 0:28:57.080
<v Speaker 2>into the raider for a lot of time. I really

0:28:57.120 --> 0:29:01.120
<v Speaker 2>like Plymouth in uh in Massachusetts. Uh, it's a really

0:29:01.200 --> 0:29:04.400
<v Speaker 2>cool course that kind of flies under the radar. But again,

0:29:04.680 --> 0:29:06.680
<v Speaker 2>I feel kind of bad just sort of throwing those

0:29:06.720 --> 0:29:09.600
<v Speaker 2>two out there because there's so many of them that,

0:29:09.840 --> 0:29:15.160
<v Speaker 2>uh that inevitably it's uh, it's sort of like being asked,

0:29:15.480 --> 0:29:18.640
<v Speaker 2>what's your favorite child. You can't you can't really do that,

0:29:18.840 --> 0:29:22.800
<v Speaker 2>you know. Uh, I'm sure that I'm sure there's several

0:29:22.880 --> 0:29:25.320
<v Speaker 2>great ross courses that I still myself have never been to.

0:29:25.640 --> 0:29:26.840
<v Speaker 1>There's quite a few of them.

0:29:27.080 --> 0:29:30.840
<v Speaker 2>So it's a it's that really kind of gets back

0:29:30.880 --> 0:29:32.840
<v Speaker 2>to the previous point, is is you know he left

0:29:32.840 --> 0:29:37.640
<v Speaker 2>such a deep, deep talent pool of great golf courses that, uh,

0:29:37.680 --> 0:29:39.680
<v Speaker 2>some of them are are are still great, some of

0:29:39.720 --> 0:29:42.360
<v Speaker 2>them could use a nice little restoration like we did

0:29:42.360 --> 0:29:47.200
<v Speaker 2>with mid Pines and Pine Needles, and uh, there's just

0:29:47.200 --> 0:29:50.280
<v Speaker 2>such a deep talent pool, really very very impressive.

0:29:50.640 --> 0:29:53.320
<v Speaker 1>Yeah, if you you know if you I always look

0:29:53.400 --> 0:29:55.920
<v Speaker 1>for ross courses when I travel, if I if I

0:29:55.960 --> 0:29:58.280
<v Speaker 1>don't know where to play, it's always like a good

0:29:58.800 --> 0:30:01.800
<v Speaker 1>you know, really on the East Coast or you know,

0:30:01.840 --> 0:30:03.760
<v Speaker 1>he did a lot of the Midwest, but like if

0:30:03.760 --> 0:30:05.760
<v Speaker 1>you're looking for a place to play, you know, to

0:30:05.760 --> 0:30:09.800
<v Speaker 1>see if there's any public uh access ross courses and

0:30:09.880 --> 0:30:12.920
<v Speaker 1>there you know, a lot of them aren't in perfect shape,

0:30:12.960 --> 0:30:16.080
<v Speaker 1>but you know they they're they still have such good

0:30:16.320 --> 0:30:19.080
<v Speaker 1>like simple architecture, and it's easy to play, and they're

0:30:19.280 --> 0:30:22.840
<v Speaker 1>usually very affordable. So you know, that's always I think,

0:30:23.000 --> 0:30:24.880
<v Speaker 1>I think a good way to.

0:30:24.320 --> 0:30:27.680
<v Speaker 2>To travel, absolutely, you know. I think the one that

0:30:27.760 --> 0:30:31.040
<v Speaker 2>probably jumps to mind that it amazed. It always amazes

0:30:31.120 --> 0:30:33.160
<v Speaker 2>me that it stays as far under the radar as

0:30:33.200 --> 0:30:34.960
<v Speaker 2>it does, and it seems to have taken a nice

0:30:34.960 --> 0:30:37.520
<v Speaker 2>little jump in the rankings the last few years is

0:30:37.760 --> 0:30:40.840
<v Speaker 2>Essex in Massachusetts, you know, in Manchester by the sea

0:30:40.960 --> 0:30:44.680
<v Speaker 2>up north of the city. That golf course blows my mind.

0:30:44.720 --> 0:30:47.440
<v Speaker 2>It's just such a cool ross course, and uh, you know,

0:30:47.640 --> 0:30:50.000
<v Speaker 2>it always kind of amazing, amzs me like I was

0:30:50.000 --> 0:30:52.960
<v Speaker 2>just one of a lot, not a lot more famous.

0:30:53.440 --> 0:30:56.400
<v Speaker 2>One that I also really like is a place that

0:30:56.480 --> 0:30:59.320
<v Speaker 2>I went briefly did some work for for Gil hants

0:30:59.360 --> 0:31:03.440
<v Speaker 2>At a couple years ago as Sicona in Rhode Island.

0:31:04.200 --> 0:31:04.920
<v Speaker 2>Short golf course.

0:31:04.920 --> 0:31:06.240
<v Speaker 3>I think it's only maybe sixty two.

0:31:06.120 --> 0:31:10.280
<v Speaker 2>Hundred yards long, so basically pretty well preserved, probably about

0:31:10.280 --> 0:31:13.520
<v Speaker 2>what it was when it opened, and some fantastic views

0:31:13.560 --> 0:31:17.520
<v Speaker 2>out over the waterfront right along the shore there, and

0:31:17.600 --> 0:31:21.200
<v Speaker 2>some really really neat greens. I don't want to start

0:31:21.280 --> 0:31:23.720
<v Speaker 2>quoting holes and because I forget get right, get a

0:31:23.760 --> 0:31:26.120
<v Speaker 2>number wrong, but there's some really really neat holes out

0:31:26.120 --> 0:31:28.560
<v Speaker 2>there and some great over water views. Is a really

0:31:28.560 --> 0:31:32.240
<v Speaker 2>neat golf course. That's where Ross made his his summer office.

0:31:32.240 --> 0:31:35.880
<v Speaker 2>Actually he's spent obviously winters down here in the Pinehurstteria

0:31:36.320 --> 0:31:39.240
<v Speaker 2>and and then spent his a lot of his summers

0:31:39.280 --> 0:31:40.560
<v Speaker 2>up along the shore and Rhode Island.

0:31:40.840 --> 0:31:41.600
<v Speaker 3>Really good scores.

0:31:41.760 --> 0:31:45.360
<v Speaker 1>It's a pretty good spot to spend summers at as that.

0:31:45.600 --> 0:31:48.160
<v Speaker 1>I've heard that my buddy has sent me a bunch

0:31:48.160 --> 0:31:50.320
<v Speaker 1>of photos from there, and it looks so cool and

0:31:50.360 --> 0:31:52.840
<v Speaker 1>it's got a lot of little quirk. But you know,

0:31:52.880 --> 0:31:55.800
<v Speaker 1>it's a shorter course, but it defends park because of

0:31:55.840 --> 0:32:03.440
<v Speaker 1>those greens and just the subtle little design features, right, So,

0:32:04.280 --> 0:32:07.000
<v Speaker 1>you know, having worked for I would say, you know,

0:32:07.080 --> 0:32:12.240
<v Speaker 1>if if you said Gil, Tom Joke and then Bill

0:32:12.320 --> 0:32:15.680
<v Speaker 1>and Ben, you know, the you know three most three

0:32:15.680 --> 0:32:19.680
<v Speaker 1>of the most forefront architects of today. Tell us a

0:32:19.720 --> 0:32:23.960
<v Speaker 1>little bit about, you know, some commonalities that they share

0:32:24.440 --> 0:32:25.560
<v Speaker 1>that make them so great.

0:32:28.120 --> 0:32:31.120
<v Speaker 2>Well, I think the I think the thing that obviously

0:32:31.160 --> 0:32:35.600
<v Speaker 2>they all share is an appreciation for for classic architecture

0:32:35.960 --> 0:32:41.000
<v Speaker 2>and do it yourself mentality, you know, uh, the design

0:32:41.080 --> 0:32:46.120
<v Speaker 2>build uh philosophy. I mean, obviously all of them have

0:32:46.800 --> 0:32:51.160
<v Speaker 2>a encyclopedic knowledge of great architecture and how they would

0:32:51.240 --> 0:32:55.640
<v Speaker 2>like to approach it, you know, from from routing on

0:32:55.800 --> 0:33:00.160
<v Speaker 2>up and and and building really cool natural stuff or

0:33:00.600 --> 0:33:04.800
<v Speaker 2>classical classical material. You know. I mean anytime that that

0:33:05.080 --> 0:33:07.320
<v Speaker 2>any of them are dving away from anything that's completely

0:33:07.360 --> 0:33:10.120
<v Speaker 2>under and natural, it's always going in an interesting, old,

0:33:10.200 --> 0:33:12.200
<v Speaker 2>kind of quirky way, you know. I think a Gills

0:33:12.240 --> 0:33:15.280
<v Speaker 2>one of gills strengths is his willingness and uh interest

0:33:15.320 --> 0:33:18.160
<v Speaker 2>in building sort of like uh, you know, classic New

0:33:18.200 --> 0:33:22.640
<v Speaker 2>England architecture or classic English countryside architecture with a little

0:33:22.640 --> 0:33:25.680
<v Speaker 2>more kind of quirky sort of uh, you know, stuff

0:33:25.720 --> 0:33:29.479
<v Speaker 2>in there. But I think it all comes back to

0:33:29.480 --> 0:33:32.440
<v Speaker 2>to the general philosophics of of they're gonna get out

0:33:32.480 --> 0:33:34.880
<v Speaker 2>there and they're gonna build great architecture in the field

0:33:34.920 --> 0:33:37.880
<v Speaker 2>with their own shapers, their own finished guys, and the

0:33:37.960 --> 0:33:41.640
<v Speaker 2>hands on h approach to the work, you know, uh,

0:33:41.680 --> 0:33:43.480
<v Speaker 2>And they all go about that a little bit differently.

0:33:43.640 --> 0:33:43.800
<v Speaker 3>You know.

0:33:44.880 --> 0:33:47.160
<v Speaker 2>In the case of Gil, I can pretty much guarant

0:33:47.160 --> 0:33:49.440
<v Speaker 2>see wherever Gill's at right now. It's on a bulldozer

0:33:49.480 --> 0:33:51.800
<v Speaker 2>or someplace, you know, I mean, that's where that's his

0:33:51.880 --> 0:33:52.600
<v Speaker 2>happy place.

0:33:52.640 --> 0:33:52.920
<v Speaker 3>I think.

0:33:52.960 --> 0:33:56.040
<v Speaker 2>I think he really uh, you know, he's he's a great,

0:33:56.440 --> 0:34:00.440
<v Speaker 2>a great architect, a great uh, a great marketing art architect.

0:34:00.440 --> 0:34:02.080
<v Speaker 2>You know, he's so great in front of the camera.

0:34:02.200 --> 0:34:04.880
<v Speaker 2>But I think, and he's so good with all the

0:34:04.960 --> 0:34:07.959
<v Speaker 2>client and relations and all the emails and all the

0:34:08.000 --> 0:34:11.040
<v Speaker 2>business of being an architect. He always amazes me how

0:34:11.080 --> 0:34:13.360
<v Speaker 2>hard he works. I mean, he's a person that generally

0:34:13.360 --> 0:34:16.880
<v Speaker 2>spends ten ten hours a day on a on a bulldozer,

0:34:16.920 --> 0:34:19.120
<v Speaker 2>and then he goes and he does emails and plans

0:34:19.120 --> 0:34:23.520
<v Speaker 2>all night long. You know. It's very impressive. But that's

0:34:23.560 --> 0:34:25.480
<v Speaker 2>why I think it's kind of his happy places to

0:34:25.520 --> 0:34:27.719
<v Speaker 2>get out there in the field and build stuff himself,

0:34:28.880 --> 0:34:32.160
<v Speaker 2>whereas his Doak was also a shaper back in his

0:34:32.280 --> 0:34:36.040
<v Speaker 2>younger years working for PETI. But he goes about the

0:34:36.080 --> 0:34:38.239
<v Speaker 2>work in the field in a slightly different manner where

0:34:39.200 --> 0:34:41.520
<v Speaker 2>you know, he likes to sort of like walk around

0:34:41.560 --> 0:34:44.919
<v Speaker 2>and hover over the proceedings and work on multiple things

0:34:44.920 --> 0:34:46.640
<v Speaker 2>at once, where we can jump over to the guys

0:34:46.680 --> 0:34:49.239
<v Speaker 2>working in this set of bunkers over here building his

0:34:49.360 --> 0:34:53.520
<v Speaker 2>greens over here. And he has a you know, a

0:34:53.680 --> 0:34:58.040
<v Speaker 2>very deep talent pool of shaping design associates that are

0:34:58.360 --> 0:35:00.680
<v Speaker 2>that are perfect for that. You know, they could probably

0:35:00.719 --> 0:35:05.839
<v Speaker 2>all be designers on their own, uh, but they they

0:35:05.920 --> 0:35:09.799
<v Speaker 2>are incredibly good shapers and uh. And he utilizes that

0:35:10.200 --> 0:35:13.239
<v Speaker 2>back and forth dynamic h very well. Bill is the

0:35:13.280 --> 0:35:15.719
<v Speaker 2>same sort of way where where he spends a lot

0:35:15.719 --> 0:35:18.520
<v Speaker 2>of time kind of walking a property and uh and

0:35:18.680 --> 0:35:21.320
<v Speaker 2>you know, throwing it a different a bunch of different

0:35:21.360 --> 0:35:23.920
<v Speaker 2>ideas around and coming up with they really what he

0:35:24.000 --> 0:35:25.800
<v Speaker 2>really wants to do and what he thinks is gonna

0:35:25.800 --> 0:35:28.279
<v Speaker 2>work very well. And then he's actually on a on

0:35:28.360 --> 0:35:30.440
<v Speaker 2>a sand pro at the very end of the process

0:35:30.719 --> 0:35:33.279
<v Speaker 2>finishing the greens himself, which is something that Gill does

0:35:33.280 --> 0:35:38.279
<v Speaker 2>as well, but that is really you know, Bill's Bill's

0:35:38.880 --> 0:35:42.360
<v Speaker 2>main kind of creative construction ports of the processes. You know,

0:35:42.440 --> 0:35:45.319
<v Speaker 2>he he feel kind of directs that the building of

0:35:45.360 --> 0:35:48.200
<v Speaker 2>the green and then uh and then actually finishes it himself.

0:35:49.200 --> 0:35:51.279
<v Speaker 2>So you know, they all go about you know, the

0:35:51.320 --> 0:35:55.719
<v Speaker 2>work slightly differently. Uh and uh and I think that's

0:35:55.760 --> 0:35:58.439
<v Speaker 2>the you know, to kind of complete the point on Bill,

0:35:58.640 --> 0:36:01.040
<v Speaker 2>he spends more time i think, walk king his projects

0:36:01.080 --> 0:36:05.240
<v Speaker 2>than uh than any anyone. You know, He's He's constantly

0:36:05.280 --> 0:36:07.880
<v Speaker 2>on site and it's kind of walking and throwing ideas

0:36:07.880 --> 0:36:08.800
<v Speaker 2>around what.

0:36:08.560 --> 0:36:10.560
<v Speaker 3>What he would like to do. Uh.

0:36:10.840 --> 0:36:13.239
<v Speaker 2>So well, uh, while the results come out in the

0:36:13.360 --> 0:36:18.319
<v Speaker 2>end really very similarly. Uh you know, uh, they all

0:36:18.360 --> 0:36:21.360
<v Speaker 2>go about it and in slightly slightly different ways, but

0:36:21.400 --> 0:36:25.440
<v Speaker 2>all of them rely on uh you know, good solid

0:36:25.920 --> 0:36:30.239
<v Speaker 2>design build theoretics and having uh you know, talented staffs

0:36:30.239 --> 0:36:33.279
<v Speaker 2>of of guys to uh get out and do the

0:36:33.320 --> 0:36:36.839
<v Speaker 2>work and and and are as passionate about architectures as

0:36:36.880 --> 0:36:37.360
<v Speaker 2>they are.

0:36:38.239 --> 0:36:42.759
<v Speaker 1>Yeah. I mean, the design build concept just makes so

0:36:42.840 --> 0:36:46.800
<v Speaker 1>much more sense to me than the contracted out it seems.

0:36:46.600 --> 0:36:49.240
<v Speaker 1>It's just like, you know, all the parties are aligned

0:36:49.440 --> 0:36:53.400
<v Speaker 1>and to me it it I don't know why you

0:36:53.400 --> 0:36:56.480
<v Speaker 1>would draw plans and and and then hand them to

0:36:56.520 --> 0:36:59.680
<v Speaker 1>somebody else to interpret your plans. Now, I know there's

0:36:59.840 --> 0:37:00.480
<v Speaker 1>is not that.

0:37:00.520 --> 0:37:04.359
<v Speaker 5>Simple, but it just seems like if you've got if

0:37:04.400 --> 0:37:07.160
<v Speaker 5>you're doing the plans and you have you know, the

0:37:07.200 --> 0:37:10.759
<v Speaker 5>guys working for you, it's gonna you know, there's one

0:37:10.840 --> 0:37:13.719
<v Speaker 5>last person involved, and that's always a good thing when

0:37:13.800 --> 0:37:15.720
<v Speaker 5>you're you know, trying to do something special.

0:37:16.680 --> 0:37:19.359
<v Speaker 2>Absolutely, it makes sense all the sense in the world

0:37:19.360 --> 0:37:21.279
<v Speaker 2>across the world, and you know, get back to the

0:37:21.280 --> 0:37:24.040
<v Speaker 2>beginning of the conversation. That's really what I learned right

0:37:24.040 --> 0:37:26.200
<v Speaker 2>out of the gates from Tom, you know, I mean,

0:37:27.239 --> 0:37:29.520
<v Speaker 2>I knew what good architecture is and uh and I

0:37:29.560 --> 0:37:32.279
<v Speaker 2>was able to contribute, contribute immediately because I had a

0:37:32.320 --> 0:37:36.360
<v Speaker 2>good eye for things. But what kind of blew my

0:37:36.440 --> 0:37:38.200
<v Speaker 2>mind is is just how much he was out in

0:37:38.200 --> 0:37:41.080
<v Speaker 2>the field, how much you know, Jim Orbin f Brian Swank,

0:37:41.520 --> 0:37:44.000
<v Speaker 2>they were you know, Brian was shaping every single day.

0:37:44.080 --> 0:37:47.120
<v Speaker 2>Jim was in and out shaping this shaping that the

0:37:47.160 --> 0:37:49.200
<v Speaker 2>attend and these are you know again guys that could

0:37:49.239 --> 0:37:50.120
<v Speaker 2>design on their own.

0:37:50.239 --> 0:37:50.400
<v Speaker 3>You know.

0:37:50.480 --> 0:37:55.160
<v Speaker 2>The attention to detail was was pretty impressive to watch

0:37:55.200 --> 0:37:57.680
<v Speaker 2>and to see and uh and to create a process

0:37:57.800 --> 0:38:00.319
<v Speaker 2>you know, uh, just going back and forth in terms

0:38:00.320 --> 0:38:02.520
<v Speaker 2>of discussions of what would happen, what was implemented.

0:38:03.760 --> 0:38:05.239
<v Speaker 3>And that was the beauty of.

0:38:05.200 --> 0:38:08.960
<v Speaker 2>Tom, you know, is that uh you know, uh he

0:38:09.000 --> 0:38:11.400
<v Speaker 2>didn't care what the best idea was or who it

0:38:11.440 --> 0:38:14.959
<v Speaker 2>came from. Uh. You know, that's what was going to happen.

0:38:15.000 --> 0:38:17.040
<v Speaker 2>That's why I was quite happy to ask uh you know,

0:38:17.320 --> 0:38:19.600
<v Speaker 2>uh even down to a nineteen year old kid that

0:38:19.680 --> 0:38:22.680
<v Speaker 2>was just a golf golf course and golf uh golf

0:38:22.719 --> 0:38:25.040
<v Speaker 2>nerd what what I thought, you know, Uh, and that

0:38:25.120 --> 0:38:29.520
<v Speaker 2>interaction uh that that doesn't happen if if you're just

0:38:29.640 --> 0:38:33.080
<v Speaker 2>merely hating a set of plans uh to a contractor.

0:38:33.120 --> 0:38:35.720
<v Speaker 2>You you take a bunch of really really talented people

0:38:35.840 --> 0:38:37.960
<v Speaker 2>that uh that know what's good and and and know

0:38:38.040 --> 0:38:39.879
<v Speaker 2>what'll work, and you throw them all out there and

0:38:39.960 --> 0:38:42.799
<v Speaker 2>uh just run it through the uh, run it through

0:38:42.800 --> 0:38:44.680
<v Speaker 2>the process, and see who you come out come up

0:38:44.719 --> 0:38:48.840
<v Speaker 2>with on the other side. I don't see how anybody

0:38:48.920 --> 0:38:52.160
<v Speaker 2>could uh could expect to get results that good uh,

0:38:52.280 --> 0:38:55.239
<v Speaker 2>merely from handing plans to a contractor. And and the

0:38:55.280 --> 0:38:58.719
<v Speaker 2>thing is is not only uh is the design build

0:38:59.200 --> 0:39:04.040
<v Speaker 2>philosophy you know better in terms of architecture. It's also

0:39:04.120 --> 0:39:06.600
<v Speaker 2>a lot a lot more practical for the client. You know,

0:39:06.600 --> 0:39:10.880
<v Speaker 2>the more you're eliminating outside contracted costs to where things

0:39:10.920 --> 0:39:13.040
<v Speaker 2>are either they just not turning out very good or

0:39:13.080 --> 0:39:15.880
<v Speaker 2>as good as they can or or they're having to

0:39:15.880 --> 0:39:18.680
<v Speaker 2>be rebuilt multiple times to get it to all fun

0:39:18.719 --> 0:39:22.640
<v Speaker 2>they get to a good uh, a good place in

0:39:22.680 --> 0:39:25.400
<v Speaker 2>the finish line. Uh. You know, it just it just

0:39:25.480 --> 0:39:29.520
<v Speaker 2>expands the price tag, you know, uh, by eliminating the

0:39:29.560 --> 0:39:32.760
<v Speaker 2>middleman and uh, just getting out there and doing it yourself.

0:39:32.920 --> 0:39:36.600
<v Speaker 2>And and I think that's you'd have to ask Tom himself,

0:39:36.640 --> 0:39:42.120
<v Speaker 2>but I think that that's something that he he realized

0:39:42.160 --> 0:39:46.879
<v Speaker 2>that degree of craftsmanship working for Pete, and I think

0:39:46.920 --> 0:39:50.520
<v Speaker 2>that Bill also did. And they had their own ideas

0:39:50.520 --> 0:39:52.960
<v Speaker 2>about what they wanted to do that were slightly different

0:39:52.960 --> 0:39:56.640
<v Speaker 2>from Pete, but they recognized the value of approaching the

0:39:56.719 --> 0:40:00.480
<v Speaker 2>work like that and uh and and they just kind

0:40:00.480 --> 0:40:02.600
<v Speaker 2>of fallowed suit and uh and even took it to

0:40:03.080 --> 0:40:07.160
<v Speaker 2>another level of h of hands on, hands on construction.

0:40:07.640 --> 0:40:10.520
<v Speaker 2>And that's been by virtue. It's been handed on to

0:40:10.760 --> 0:40:14.520
<v Speaker 2>two guys like myself who have worked for them. You know, Uh,

0:40:14.600 --> 0:40:16.719
<v Speaker 2>I do my own shaping just like Gilbuzz because I

0:40:16.760 --> 0:40:19.160
<v Speaker 2>think it's the most practical way to go about it.

0:40:19.200 --> 0:40:21.360
<v Speaker 2>You know, if if I have a lot of different

0:40:21.400 --> 0:40:25.359
<v Speaker 2>projects going on at once, I might uh, I might

0:40:25.719 --> 0:40:29.040
<v Speaker 2>you know, to spend time jumping around uh uh you know,

0:40:29.080 --> 0:40:32.160
<v Speaker 2>feel directing a little bit how I described uh uh

0:40:32.320 --> 0:40:34.680
<v Speaker 2>Bill and Ben and Tom working as opposed to being

0:40:34.719 --> 0:40:38.400
<v Speaker 2>on the machine like gill is. But you know, again

0:40:38.480 --> 0:40:40.839
<v Speaker 2>it's the same same difference. You know. I've I've learned

0:40:40.880 --> 0:40:44.960
<v Speaker 2>how to be efficient and uh and practical and save clients'

0:40:44.960 --> 0:40:48.319
<v Speaker 2>money while getting the right product. And I've even kind of,

0:40:48.400 --> 0:40:50.239
<v Speaker 2>you know, kind of tried to take what I've learned

0:40:50.280 --> 0:40:53.440
<v Speaker 2>from the strengths of of all their personalities and uh

0:40:53.520 --> 0:40:55.960
<v Speaker 2>and utilize it to hopefully wind up with good, good

0:40:56.000 --> 0:40:58.880
<v Speaker 2>results myself. Uh So I've definitely learned a lot from

0:40:58.960 --> 0:41:03.000
<v Speaker 2>watching watching how they conduct themselves and and the differences

0:41:03.040 --> 0:41:07.880
<v Speaker 2>in their little styles that that that they utilized achieve

0:41:07.880 --> 0:41:09.120
<v Speaker 2>good results. Yeah.

0:41:09.200 --> 0:41:12.960
<v Speaker 1>I think that collaborative approach something I learned, you know,

0:41:13.120 --> 0:41:15.920
<v Speaker 1>grown up Caddy and was like, you know, somebody a

0:41:16.040 --> 0:41:18.720
<v Speaker 1>caddy for it. They'd be an eighteen handicap and they'd

0:41:18.719 --> 0:41:21.080
<v Speaker 1>say something about the game of golf, and it would

0:41:21.160 --> 0:41:23.040
<v Speaker 1>it would like make a lot of sense to me.

0:41:23.080 --> 0:41:24.640
<v Speaker 1>And at the time I was like a you know,

0:41:24.800 --> 0:41:28.960
<v Speaker 1>scratch or better player, and like that's the thing about

0:41:29.400 --> 0:41:32.000
<v Speaker 1>you know, just life in general. You can learn something

0:41:32.040 --> 0:41:35.080
<v Speaker 1>from everybody. So having the collaborative approach on site, I

0:41:35.080 --> 0:41:38.719
<v Speaker 1>mean it's not going to hurt you, you know, it's

0:41:39.000 --> 0:41:44.400
<v Speaker 1>absolutely So you're currently consulting on you know, a bunch

0:41:44.440 --> 0:41:47.600
<v Speaker 1>of Golden Age courses. You're a you're a golf nerd

0:41:47.640 --> 0:41:50.080
<v Speaker 1>as you as you say, just like me and uh

0:41:50.960 --> 0:41:53.080
<v Speaker 1>and you you know, you've you've got kind of a

0:41:53.160 --> 0:41:56.600
<v Speaker 1>vast array of architects. Like in terms of Golden Age architects,

0:41:57.920 --> 0:41:59.800
<v Speaker 1>who do you think flies under the radar?

0:42:00.320 --> 0:42:00.440
<v Speaker 3>Uh?

0:42:00.800 --> 0:42:03.359
<v Speaker 1>You know, whether they're a regional guy or that there

0:42:03.360 --> 0:42:05.600
<v Speaker 1>are great architects that you know, you don't hear as

0:42:05.680 --> 0:42:08.120
<v Speaker 1>much about as like a ross a telling Cast or

0:42:08.160 --> 0:42:09.640
<v Speaker 1>a Rainer McDonald.

0:42:12.560 --> 0:42:15.640
<v Speaker 2>That's a good question. You know one person that I

0:42:15.719 --> 0:42:17.640
<v Speaker 2>that I really don't think has ever really gotten their

0:42:17.719 --> 0:42:20.480
<v Speaker 2>full credit and due with the with the quality of

0:42:20.480 --> 0:42:23.000
<v Speaker 2>the work and all the places they have that they

0:42:23.080 --> 0:42:26.399
<v Speaker 2>worked at, which was hs cult. You know, I think

0:42:26.440 --> 0:42:30.200
<v Speaker 2>that obviously he's a household name in architectural circles. But

0:42:30.760 --> 0:42:33.839
<v Speaker 2>I think that most people sitting watching a Master's telecast

0:42:34.160 --> 0:42:37.360
<v Speaker 2>every year there, they know, they know all about Alistair

0:42:37.440 --> 0:42:40.840
<v Speaker 2>McKenzie by now, and and most everybody you know knows

0:42:40.920 --> 0:42:43.320
<v Speaker 2>quite a bit about Donald Ross just for the iconic

0:42:43.320 --> 0:42:46.640
<v Speaker 2>effect that he's had and golf and architecture and famous

0:42:46.640 --> 0:42:50.440
<v Speaker 2>places like Piner's Number two. But but Colt, you know,

0:42:50.480 --> 0:42:53.120
<v Speaker 2>all the different places that he worked at is really

0:42:53.320 --> 0:42:54.120
<v Speaker 2>impressive list.

0:42:54.200 --> 0:42:56.040
<v Speaker 3>You know, places where.

0:42:57.320 --> 0:43:01.400
<v Speaker 2>Nobody really these days puts puts together a solid lineage

0:43:01.400 --> 0:43:04.479
<v Speaker 2>and understanding of of the the history of of great

0:43:04.480 --> 0:43:07.120
<v Speaker 2>courses like Mirfield for example. You know, uh, just how

0:43:07.200 --> 0:43:09.800
<v Speaker 2>much of that was his design work colts work there.

0:43:10.719 --> 0:43:13.240
<v Speaker 3>You know, I think, uh, I think, uh.

0:43:13.080 --> 0:43:16.600
<v Speaker 2>The more one digs into his his career in history, uh,

0:43:16.640 --> 0:43:19.359
<v Speaker 2>the more one realizes is a pretty pretty smart guy

0:43:19.440 --> 0:43:23.880
<v Speaker 2>with a lot of a lot of really cool work

0:43:24.120 --> 0:43:26.319
<v Speaker 2>all over the place, whether it was you know, just

0:43:26.360 --> 0:43:28.640
<v Speaker 2>his input of Pine Valley and uh.

0:43:28.760 --> 0:43:30.440
<v Speaker 3>But the same could be also be said of.

0:43:30.520 --> 0:43:34.520
<v Speaker 2>U of you know, George Thomas, you know, I mean, uh,

0:43:34.680 --> 0:43:37.000
<v Speaker 2>being as maybe they really didn't do that many golf courses.

0:43:37.200 --> 0:43:39.879
<v Speaker 2>Uh I think that he doesn't really get as much

0:43:39.880 --> 0:43:44.239
<v Speaker 2>credit as he should, even though the you know, the

0:43:44.280 --> 0:43:46.360
<v Speaker 2>work that he did at its best was some of

0:43:46.400 --> 0:43:48.880
<v Speaker 2>the best architecture in the history of the game. You know.

0:43:49.040 --> 0:43:51.000
<v Speaker 2>Uh I think La country.

0:43:50.680 --> 0:43:53.320
<v Speaker 3>Club is is is a is a prime example.

0:43:53.560 --> 0:43:55.960
<v Speaker 2>You know a lot of people don't realize that that

0:43:56.480 --> 0:44:00.480
<v Speaker 2>his original concept for the golf course was to it

0:44:00.520 --> 0:44:03.360
<v Speaker 2>was essentially a course within a course concept, so to speak,

0:44:03.400 --> 0:44:05.880
<v Speaker 2>where the golf course could be set up one day

0:44:06.800 --> 0:44:10.719
<v Speaker 2>to plays like a you know, a really really difficult,

0:44:10.840 --> 0:44:14.120
<v Speaker 2>you know, par seventy two almost seven thousand yard golf course,

0:44:15.520 --> 0:44:17.239
<v Speaker 2>and then the next day it could be set up

0:44:17.280 --> 0:44:20.960
<v Speaker 2>to play is like as like a quirky and crafty

0:44:21.160 --> 0:44:24.120
<v Speaker 2>little uh you know Par sixty nine or par seventy

0:44:24.440 --> 0:44:27.439
<v Speaker 2>sixty one hundred yard golf course, and the architecture all

0:44:27.480 --> 0:44:31.799
<v Speaker 2>worked at varying degrees in between, you know, uh, so

0:44:31.840 --> 0:44:34.279
<v Speaker 2>that you were getting completely different golf courses you could

0:44:34.280 --> 0:44:36.640
<v Speaker 2>play the same day just by moving around the whole locations.

0:44:36.760 --> 0:44:38.719
<v Speaker 2>That's what kind of made it all work, is you know,

0:44:38.800 --> 0:44:40.719
<v Speaker 2>they'd set the short course and set a bunch of

0:44:40.760 --> 0:44:47.560
<v Speaker 2>really wild, tough pins and then uh vice versa for

0:44:47.560 --> 0:44:49.520
<v Speaker 2>for the for the longer course. But all all, all

0:44:49.560 --> 0:44:51.640
<v Speaker 2>the architecture still worked, and the players had to really

0:44:51.840 --> 0:44:53.480
<v Speaker 2>think about what they were doing at that where they

0:44:53.480 --> 0:44:55.360
<v Speaker 2>were trying to hit t shots to get good angles

0:44:55.360 --> 0:44:58.400
<v Speaker 2>into greens and where we're not to miss greens. All

0:44:58.440 --> 0:45:01.120
<v Speaker 2>the all the bells and whistles of g architecture, you know,

0:45:01.280 --> 0:45:07.160
<v Speaker 2>so as but you know, generally a really a well

0:45:07.200 --> 0:45:09.359
<v Speaker 2>known famous architect, you know, if you're gonna go into

0:45:09.400 --> 0:45:14.080
<v Speaker 2>more obscure architects, you know, one of the one of

0:45:14.080 --> 0:45:16.560
<v Speaker 2>the guys that we have talked about a bit, you

0:45:16.560 --> 0:45:20.920
<v Speaker 2>know before before the podcast. You know, uh uh Avy McCann,

0:45:20.960 --> 0:45:23.000
<v Speaker 2>who did a lot of work in the Northwest where

0:45:23.080 --> 0:45:26.200
<v Speaker 2>I grew up as an American. An American architect, really

0:45:26.200 --> 0:45:28.560
<v Speaker 2>did some great quality work that I don't think people

0:45:28.640 --> 0:45:30.960
<v Speaker 2>really realize how good it was. And a lot of

0:45:31.000 --> 0:45:32.640
<v Speaker 2>is the fact that you know, maybe time hasn't really

0:45:32.640 --> 0:45:36.640
<v Speaker 2>been as as friendly to their work is uh as

0:45:36.640 --> 0:45:37.840
<v Speaker 2>it should have been. You know, a lot of his

0:45:38.000 --> 0:45:41.320
<v Speaker 2>course has been changed, or or too many trees planet

0:45:41.680 --> 0:45:43.760
<v Speaker 2>or just the usual things that happen over the span

0:45:43.880 --> 0:45:47.000
<v Speaker 2>of of one hundred years. You know, greens get changed,

0:45:47.880 --> 0:45:52.160
<v Speaker 2>various things, all the things that happened, and then you know,

0:45:52.239 --> 0:45:55.400
<v Speaker 2>in the in the UK, I always really, I always

0:45:55.680 --> 0:45:58.080
<v Speaker 2>really liked James Braid's work. You know, there's a lot

0:45:58.120 --> 0:46:01.759
<v Speaker 2>of great bray golf course and there's also some neat

0:46:01.800 --> 0:46:03.560
<v Speaker 2>ones that kind of fly under the radar, and I

0:46:03.600 --> 0:46:06.160
<v Speaker 2>always I always found a lot of those to be

0:46:06.320 --> 0:46:08.399
<v Speaker 2>some of the more entertaining golf courses that I went

0:46:08.440 --> 0:46:10.279
<v Speaker 2>to in the UK, And a lot of them would

0:46:10.360 --> 0:46:14.800
<v Speaker 2>uh be just kind of uh right under the notses

0:46:14.800 --> 0:46:17.440
<v Speaker 2>a lot of the time of of of bigger, famous

0:46:17.560 --> 0:46:23.000
<v Speaker 2>famous places. You know, a couple of examples be uh

0:46:23.120 --> 0:46:25.120
<v Speaker 2>there's a place that's really just up the railway line

0:46:25.120 --> 0:46:29.399
<v Speaker 2>from Carnosti called Pammir, which is of course that's kind

0:46:29.400 --> 0:46:32.560
<v Speaker 2>of easily missed over there. The first couple holes in

0:46:32.600 --> 0:46:36.440
<v Speaker 2>the last coup holes play across very very flatish kind

0:46:36.440 --> 0:46:38.879
<v Speaker 2>of farm land. But in the middle of the golf

0:46:38.880 --> 0:46:41.080
<v Speaker 2>course it all goes out of this very rumpled and

0:46:41.160 --> 0:46:45.440
<v Speaker 2>wild little dunescape out there with some really really sharp

0:46:45.520 --> 0:46:48.520
<v Speaker 2>crazy dunes and uh and and the holes are really

0:46:48.600 --> 0:46:52.320
<v Speaker 2>rout and in a lot of interesting ways to uh

0:46:53.360 --> 0:46:55.960
<v Speaker 2>to to arrive at some pretty unique holes. There's a

0:46:56.000 --> 0:46:57.719
<v Speaker 2>couple holes on that golf course that I would I

0:46:57.760 --> 0:47:02.000
<v Speaker 2>would put on my top, likeably fifty holes in Scotland.

0:47:02.560 --> 0:47:06.520
<v Speaker 2>Just some really really neat stuff out there, you know,

0:47:06.560 --> 0:47:10.320
<v Speaker 2>a couple of places Fraser for a golf club in

0:47:10.640 --> 0:47:13.279
<v Speaker 2>northern Scotland. It's kind of like that where flies a

0:47:13.320 --> 0:47:15.240
<v Speaker 2>little bit under the radar, but there was a hole

0:47:15.280 --> 0:47:18.960
<v Speaker 2>out there that I uh, you know, I was inspired

0:47:18.960 --> 0:47:21.399
<v Speaker 2>for an idea that we ended up using the Olympic course,

0:47:21.440 --> 0:47:24.359
<v Speaker 2>the Ninth Pole, where it was kind of inspired from

0:47:24.360 --> 0:47:26.440
<v Speaker 2>a hole there where there was these two big mounds

0:47:26.440 --> 0:47:30.399
<v Speaker 2>in front of greens where if the pin were kind

0:47:30.400 --> 0:47:33.520
<v Speaker 2>of front right on the green, behind the front right mound,

0:47:33.600 --> 0:47:36.000
<v Speaker 2>you could actually sort of carren a shot off of

0:47:36.040 --> 0:47:38.560
<v Speaker 2>the front left mound and curl it around the mound

0:47:39.080 --> 0:47:40.480
<v Speaker 2>front right of the green, and then if the pin

0:47:40.600 --> 0:47:42.360
<v Speaker 2>was on the west side you could do vice versa.

0:47:42.480 --> 0:47:44.520
<v Speaker 2>You could if it was behind that mound, you could

0:47:44.520 --> 0:47:46.759
<v Speaker 2>sort of curl a shot off of it. You know,

0:47:46.840 --> 0:47:49.960
<v Speaker 2>just some really neat, little wild you know, uh, Scottish

0:47:50.040 --> 0:47:53.680
<v Speaker 2>Scottish architecture. Same would go for for Borrower up in

0:47:53.719 --> 0:47:57.480
<v Speaker 2>the far north of Scotland, north of a dorn like

0:47:57.480 --> 0:47:59.239
<v Speaker 2>I'm pretty sure that's a break course as well.

0:47:59.520 --> 0:48:03.200
<v Speaker 1>Uh yeah, isn't that the Furthest North course in Scotland?

0:48:03.280 --> 0:48:06.279
<v Speaker 2>Or and one of them not the Furthest North, but

0:48:06.320 --> 0:48:09.880
<v Speaker 2>it is probably the Furthest North, like really great great

0:48:09.960 --> 0:48:13.960
<v Speaker 2>course of the old of the old architecture.

0:48:14.600 --> 0:48:16.240
<v Speaker 3>It's about I think it's about.

0:48:16.000 --> 0:48:19.080
<v Speaker 2>Twenty or thirty minutes north of Dornick. And you know,

0:48:20.040 --> 0:48:22.400
<v Speaker 2>for anybody kind of knows Dornic, I mean even it

0:48:22.480 --> 0:48:24.839
<v Speaker 2>kind of flew under the radar to a degree through

0:48:24.880 --> 0:48:27.040
<v Speaker 2>a lot of the fifties and sixties and seventies because

0:48:27.040 --> 0:48:30.000
<v Speaker 2>it was so far to get to driving up there.

0:48:30.040 --> 0:48:32.200
<v Speaker 2>You know, they didn't have the big bridges that crossed

0:48:32.200 --> 0:48:35.520
<v Speaker 2>the Dornick Firth or those other firsts that you have

0:48:35.560 --> 0:48:36.920
<v Speaker 2>to cross to get up there, so you had to

0:48:37.000 --> 0:48:39.200
<v Speaker 2>drive all the way inland, all the way back out

0:48:39.239 --> 0:48:40.520
<v Speaker 2>and all the way inland and all the way back

0:48:40.560 --> 0:48:43.719
<v Speaker 2>could get to those places. So, you know, Dorrit kind

0:48:43.719 --> 0:48:45.520
<v Speaker 2>of flew under the radar for so long that the

0:48:45.560 --> 0:48:47.280
<v Speaker 2>place is north of it, like Borra.

0:48:47.680 --> 0:48:49.920
<v Speaker 3>You know, those only become you know, even.

0:48:49.760 --> 0:48:52.680
<v Speaker 2>An architectural circles kind of household names. The last ten

0:48:52.760 --> 0:48:55.880
<v Speaker 2>or fifteen years, either dor or Borra. That's one of

0:48:55.880 --> 0:48:58.399
<v Speaker 2>the coolest golf courses that I saw over a really

0:48:58.480 --> 0:49:03.520
<v Speaker 2>really neat place right along the ocean. So those are,

0:49:03.640 --> 0:49:06.040
<v Speaker 2>you know, some of the more obscure stuff that I

0:49:06.080 --> 0:49:11.080
<v Speaker 2>have always perfectly liked in terms of both courses and architecture.

0:49:11.280 --> 0:49:14.560
<v Speaker 1>That does it for Part one of the Kyle Franz Podcasts.

0:49:14.680 --> 0:49:18.400
<v Speaker 1>Part two should be posted within the next twenty four hours.

0:49:18.480 --> 0:49:24.520
<v Speaker 1>If you're listening to this after, just check out our website, iTunes,

0:49:24.600 --> 0:49:28.880
<v Speaker 1>or Stitcher for Part two, which dives into Kyle's travels

0:49:28.880 --> 0:49:33.720
<v Speaker 1>through the Great Britain Island islands, restorations abroad, as well

0:49:33.760 --> 0:49:36.800
<v Speaker 1>as some listener questions and overrated underrated