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Speaker 1: Oh yeah, well we got a heater, a heater, a

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Speaker 1: real fucking heater. Today, ladies and gentlemen, all right, it's

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Speaker 1: the boole Cap Podcast with special guests. My brother, my

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Speaker 1: old co host, Djhead is on the podcast that's coming up.

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Speaker 1: DJ Head's got some odd socks, that's what I know.

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Speaker 1: They've sent him a box, right Head, Yes, yes, all right,

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Speaker 1: So shout out to DJ Head. Those West Coast socks

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Speaker 1: coming soon. I don't know, we'll see, but DJ Head's

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Speaker 1: gonna be joining the podcast. While you're waiting for that

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Speaker 1: to start, go to odd socksofficial dot com. There are

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Speaker 1: presenting sponsor. They show us the love, we show them

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Speaker 1: love right back. We're actually working on something real dope

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Speaker 1: for rowing them out out of Miami. Keep you posted

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Speaker 1: on that. Shout out to odd socks. They have all

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Speaker 1: the ill licenses. By the way, they're signing rappers now too.

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Speaker 1: And I'm just say, if they got a couple of

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Speaker 1: rappers they just signed it, come out with some socks

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Speaker 1: and their crew rhymes with Schmerschmelda. You know what I'm saying.

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Speaker 1: So shout out to odds so get you some scarface socks,

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Speaker 1: some fucking whatever. The fuck man, the basics. I mean,

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Speaker 1: do you want old dirty bastard socks? Of course you do.

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Speaker 1: Why not go get them at odd socks official dot com, Keeywerd,

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Speaker 1: Bootleg Cavia checkout DJ heads on the podcast starting right now. Yo,

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Speaker 1: it's the Bootlet Cab podcast. Oh my god, ladies and gentlemen,

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Speaker 1: my good friend, my brother, my my ex co host. Yeah,

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Speaker 1: DJ head West Coast, West Coast. I know the people

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Speaker 1: who's waiting for that. You know what I'm saying. West

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Speaker 1: Coast is in the building. Yeah, this is interesting, it

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Speaker 1: is this is so interesting. I just want to say, uh,

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Speaker 1: just for the record, I want to start off by

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Speaker 1: saying this on record. I've said this on the radio, yeah,

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Speaker 1: but I've never I've never said it in your presence

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Speaker 1: because we haven't really seen each other. The way you

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Speaker 1: handled iHeart letting you go, yeah, was fucking incredible, Like

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Speaker 1: I think. And I said, I don't know if you

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Speaker 1: if you heard or heard or if anybody told you

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Speaker 1: when I was on the air when I went on

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Speaker 1: the air the day after they after you left iHeart,

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Speaker 1: I went on the air at seven pm Shark and

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Speaker 1: I said, the way boutleg keV has handled. This situation

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Speaker 1: is bar none and moving forward, nobody could tell me

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Speaker 1: anything about boot Leg KIV. Yeah, man, I think you

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Speaker 1: know you and I would have these talks off all

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Speaker 1: the time. I mean all the fucking time. And you

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Speaker 1: know what another thing too, People are like, hey, then

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Speaker 1: you know. I'm like, bro, you know how many times

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Speaker 1: they hit me with me and you got the same

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Speaker 1: kind of call. We thought you missed Doc's call and

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Speaker 1: we thought we were both done. I thought I was known.

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Speaker 1: But this is the thing. People was like, man, did

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Speaker 1: you get ahead? I said, Bro, you know how many

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Speaker 1: times I've been told I having fire kV. You better

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Speaker 1: talk to him. You know what I'm saying, like, yeah,

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Speaker 1: I think. I think. What what's crazy is I got

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Speaker 1: re signed in April during the pandemic. They resigned me

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Speaker 1: for three years and that don't mean shit, right, No,

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Speaker 1: So then I got that call in December, and then

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Speaker 1: I called you. Yeah, And then while I was talking

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Speaker 1: to you, Doc was calling you and you clicked over.

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Speaker 1: You said you said oh, yes over bro, Yeah that

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Speaker 1: was you called me back and like, hey, I'm good

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Speaker 1: over here. You're talking about your right before I clicked

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Speaker 1: over to get the dudes day call keV is like, Yo,

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Speaker 1: it's over, bro, It's over. What the fuck? Yeah, I

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Speaker 1: mean look for me, you know, I mean I was

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Speaker 1: I was already kind of over doing radio the traditional way,

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Speaker 1: the way that we were doing it. Yes, and it's

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Speaker 1: probably safe to say that had been the case for

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Speaker 1: a while. Yeah. So for me, I looked at getting

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Speaker 1: let go by iHeart in Real ninety two three. First

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Speaker 1: of all, shout out to Doc Winner because I know

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Speaker 1: that it wasn't I mean he you know, it wasn't

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Speaker 1: like he was like, yo, you're fired. You yo, we

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Speaker 1: got we're letting go of some people because of the budgets,

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Speaker 1: this pandemic, pandemic. Yeah, you know, I got paid on

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Speaker 1: my severance. So and again like for me, it was

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Speaker 1: more it cleared my my time, clear my clear. You

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Speaker 1: know what what I realized during the pandemic, when you

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Speaker 1: and I were doing our show from Zoom, how much

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Speaker 1: other shit I could be doing if I had more

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Speaker 1: flexibility to not be physically at the radio station every day.

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Speaker 1: You know, I was busting plays, moving around. I was

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Speaker 1: in Mexico on Zoom with you doing the show. It

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Speaker 1: was like, Yo, this is kind of fire. This pandemic

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Speaker 1: shit kind of lit it. But it also it also

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Speaker 1: just kind of made me realize, like, man, I want

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Speaker 1: to you know, I'd already been tuning with the idea

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Speaker 1: of doing a syndicated show. I launched the podcast during

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Speaker 1: the pandemic in June, and it just kind of like, me,

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Speaker 1: getting let go is amazing. I'm not at zero, Like

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Speaker 1: not a single time did I ever feel some type

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Speaker 1: of way. No, because people get fired and they get

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Speaker 1: all fucking mad and it's like ego shit. I literally

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Speaker 1: was like, I gotta let go, and my girl started

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Speaker 1: crying and I was like, why are you crying? We're

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Speaker 1: about to turn the fuck up. Like this is great. Yeah,

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Speaker 1: you know, like I get I get to get paid

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Speaker 1: until for the next fucking four months, and now I

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Speaker 1: can just double down on what I was going to

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Speaker 1: try to do anyway. Yeah, so yeah, you know, and

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Speaker 1: I think like for anybody who's watching this, like, but

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Speaker 1: I think ahead, and I was gonna say, like, just know,

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Speaker 1: like if you're in radio or you're anywhere, like it's

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Speaker 1: not in your best interests if someone lets you go

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Speaker 1: because of financial purposes. If it's not personal, don't make

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Speaker 1: it personal. It should never be personal. You always say

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Speaker 1: that all the time, we say, your person. We've seen

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Speaker 1: a lot of people leave that current radio station and

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Speaker 1: they take things personal and then guess what happens? You

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Speaker 1: burn a bridge. Yeah, I don't. I don't believe in

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Speaker 1: taking anything personal. Three three rules I live by all

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Speaker 1: the time. Being deniable, bring value, don't take shit personal.

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Speaker 1: But that's all that aside. Though, even even even though

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Speaker 1: you didn't take it personal and you'd like I'm about

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Speaker 1: to turn, you looked at it as opportunity. You handled

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Speaker 1: it though, was fucking fire, Like I don't know, I

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Speaker 1: don't know that that that that doesn't happen, especially like

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Speaker 1: it's like, hey, no, like go do your ship. Yeah,

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Speaker 1: for me, it was like I just like I talk

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Speaker 1: with I talk with Doc, I talk with Ao, and

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Speaker 1: I was like, Yo, it's it's all good, Like it's

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Speaker 1: all good. You know. I released my statement and I'm

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Speaker 1: obviously rooting for you and Chuck. I love you guys.

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Speaker 1: You know you guys, this is meant to be homegoing

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Speaker 1: radio needs to be on every night in LA. This

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Speaker 1: is something you guys have worked forever for. And I'm like, yo,

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Speaker 1: this is great. Everyone wins here. I feel like I'm winning.

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Speaker 1: You know, a lot of people from the outside looking

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Speaker 1: ably go for I don't give a fuck. I don't

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Speaker 1: care what other people think. And then you guys get

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Speaker 1: to have your shot at Nights together. You guys are

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Speaker 1: you know, been friends for whatever long? Everyone won, Literally

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Speaker 1: everybody won, and you and I's relationship hasn't been affected. Nah,

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Speaker 1: Like you and I we know if you know you

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Speaker 1: know me and are locked in with each other. We

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Speaker 1: could not talk for two or three weeks a month,

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Speaker 1: and like as soon as we talk, we know what's up.

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Speaker 1: You know, There's never been any sort of weird energy

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Speaker 1: between me and head. I remember somebody said somebody said

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Speaker 1: on Twitter. They was like, man, want you guys once

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Speaker 1: you go on CAVS podcast and then and then you

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Speaker 1: just played me the thing he was some guy was like,

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Speaker 1: won't you go on KIVS podcast. I was like, I

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Speaker 1: probably will eventually. I thought it makes sense later like yeah,

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Speaker 1: I'll play. We had some guy from Ireland to Ireland. Man,

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Speaker 1: check this out. It's good to my mind A long time,

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Speaker 1: no hut, long time and chot hope all as well

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Speaker 1: and all the time alone as well, and just want

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Speaker 1: to say big ups to do that. Kep show is

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Speaker 1: fucking sick and really really enjoyed the twist episode and

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Speaker 1: would love to see head On at some point because

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Speaker 1: I just think you guys had such an incredible chemistry

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Speaker 1: and I think that would be a dual episode, but

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Speaker 1: I get stuck in the Soldier Boy episode. But yeah,

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Speaker 1: I can't wish for more and would love to see

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Speaker 1: head On smashing Hey what's his name? Shout out to

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Speaker 1: Martin Ocean, Mark Ocean and Ireland. Salute to you bro

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Speaker 1: here we are artists in Ireland. I believe here we

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Speaker 1: are goddamnit. Yeah, So I think, like, you know, whenever

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Speaker 1: something like this happens, you know, and you know it's crazy.

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Speaker 1: We've never talked about this publicly before. No, no, I

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Speaker 1: me and you talked on the phone about it a bunch,

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Speaker 1: I mean, But yeah, I think whenever something like this happens,

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Speaker 1: like it's always like we're just used to people being weirdo.

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Speaker 1: I'm used to for showby I'm blood listen and it's like, dude,

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Speaker 1: like there's never been no ego type of shit involved

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Speaker 1: between us, and when this shit happened, it was like yo, dope,

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Speaker 1: like yo, Chuck's on the night show. He deserves to

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Speaker 1: get a shot on the night show. You guys, this

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Speaker 1: is amazing. And I get to do what I wanted

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Speaker 1: to do anyway. Yeah, and be mobile and be flat

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Speaker 1: flex and you know, and so it's a win win,

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Speaker 1: and so I'm definitely I'm happy. I'm glad you guys

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Speaker 1: are killing us. So ya got the billboards going, and yeah,

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Speaker 1: I just talked to Amen. I heard y'all smashing up

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Speaker 1: them leakers over there. You know what I'm saying, I don't.

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Speaker 1: I don't know nothing about none of that. I know

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Speaker 1: that I know that our ratings are are good, They're solid. Yeah,

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Speaker 1: so you know, congratulations, But yeah, I think you know

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Speaker 1: that was one of the main things Joe. Everything good

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Speaker 1: with you in head? Yeah, you mean, well, people always

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Speaker 1: think that, like people always look at like, how I

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Speaker 1: guess what, you know what it is. It's people so

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Speaker 1: used to people being weird that they're not used to authenticity, right,

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Speaker 1: and so authenticity is weird to people now because it's

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Speaker 1: not that it's it's not normal to be that way. Yeah,

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Speaker 1: I think too. There's been recent radio situations that publicly

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Speaker 1: were ugly. Yeah, you know, you think back shout out

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Speaker 1: to our guy big boy, like when he left Power

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Speaker 1: it wasn't it wasn't pretty. It wasn't pretty, you know

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Speaker 1: what I mean. Like there's been situations where it's like

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Speaker 1: shout out to our guy Cruise is who who be

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Speaker 1: radio banging on that Twitter like show? But you know,

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Speaker 1: I get it, like for for I get both of

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Speaker 1: their situations because what happened to them was extremely personal. Yeah,

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Speaker 1: it's super personal. For me. It was never I've never

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Speaker 1: been a part of that. For me either, I'm like, dude,

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Speaker 1: like what am I going to get mad? Like I'm

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Speaker 1: chilling And it ain't like like I wasn't like making

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Speaker 1: money hand over fist over there, you know what I mean. So, yeah,

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Speaker 1: it's good to have you, have you on the show.

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Speaker 1: And so how's uh, how is everything in DJ had

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Speaker 1: world been? Man? I think honestly, it's been a blessing.

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Speaker 1: I've had a chance to you know, what's crazy is

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Speaker 1: this is and this is I don't think I've ever

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Speaker 1: said this before publicly either, but I remember thinking one

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Speaker 1: time during the pandemic when we was doing our show,

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Speaker 1: right and this is like right when George Floyd happened

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Speaker 1: and the whole shit and so and I remember having

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Speaker 1: a selfish moment because I was thinking, like, damn, I

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Speaker 1: remember getting one and again, Me and you would always

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Speaker 1: talk about it in the studio, like, and the reason

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Speaker 1: we wanted to get into radio is to do dope interviews,

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Speaker 1: create dope content, create dope hip hop moments, right whatever,

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Speaker 1: And I remember the fun part of it. So I

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Speaker 1: remember coming up here and this is when Mustard cracked

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Speaker 1: off twenty twelve to twenty fourteen. It was just La

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Speaker 1: was the sound and whooah, right, and that was the

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Speaker 1: reason why I want to do it and not get

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Speaker 1: and then and the selfishness in me was like, damn,

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Speaker 1: but I get race, riots, police brutality, Donald Trump, Oh yeah,

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Speaker 1: that was how you gonna lie. Man. Being on the

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Speaker 1: air during that time, the pandemic on Zoom was very rough,

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Speaker 1: the pandemic COVID nineteen. So we're trying to do like

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Speaker 1: an actual show over Zoom about all this wild ass

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Speaker 1: shit like LA's on fire, bro, and it's like, I

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Speaker 1: mean riots across the country, no, I'm sorry, across the world, right. Yeah.

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Speaker 1: The way we had to do the show was probably

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Speaker 1: my least favorite part of my radio career, not that

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Speaker 1: we had to talk about that stuff, but just the

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Speaker 1: fact that we had to do it from our house

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Speaker 1: and try to make it sounds like it was that

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Speaker 1: shit sucked. And so I remember thinking to myself, like, damn,

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Speaker 1: how'd I get dealt this hand? As I want to

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Speaker 1: be in the other, you know, like having fun and shit.

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Speaker 1: But then I started thinking about it, Oh, it's not

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Speaker 1: about me, And so once I understood it's not about me,

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Speaker 1: everything since then has been a blessing. Like I look

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Speaker 1: at my life now is a complete blessing. Everything that

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Speaker 1: I'm doing. Uh, I know what's going on with the

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Speaker 1: fucking Netflix show Rhythm. I know that the they renounced

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Speaker 1: season two is gonna happen, and then obviously the pandemic

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Speaker 1: struck Rhythm and Flow season two. I don't have any

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Speaker 1: official updates. I do know that you can go on

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Speaker 1: the website. Can you submit your I believe they are

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Speaker 1: still accepting uh, what do you call it? Auditions? Obviously

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Speaker 1: the pandemic got in the way of that happening sooner. Yeah,

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Speaker 1: I remember that we were we were supposed to do something,

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Speaker 1: and then obviously the COVID nineteen shut everything down. It

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Speaker 1: was everything was shut down. The Marvel Cinemata universe was

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Speaker 1: shut down. Nothing stops that. So if it was able

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Speaker 1: to stop the NBA and the Marvel Cinematic Universe, everybody

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Speaker 1: else got a fit for themselves. That's did you watch

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Speaker 1: One Division? Of course, I'm caught up on everything. What

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Speaker 1: do you think of One Division? I thought wand Division

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Speaker 1: was good. I just I barely it was slow. I

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Speaker 1: barely just started watching it and I barely just got

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Speaker 1: to episode five started picking up a little bit. Yeah,

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Speaker 1: because I'm like, man, what's going on? When watching it?

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Speaker 1: If you not, if you're not in in, you kind

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Speaker 1: of like, what the fuck is going on? But then

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Speaker 1: it starts to like peel back and peel back, and

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Speaker 1: then later on it gets good. But it's slow. It's

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Speaker 1: a slow burn. It's not as good Falcon in the

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Speaker 1: Winter Soldier, it's fire. I gotta tap in. That ship

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Speaker 1: is fire. And they just announced Black Panther. My god,

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Speaker 1: shout to Ryan Coogler shot the Archie. Who do we

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Speaker 1: think is gonna? I have my own theories. We were

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Speaker 1: talking they should just give it up to Michael B.

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Speaker 1: Jordan low Ky. I have been I've heard rumors this

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Speaker 1: is not official, and I haven't heard this many insiders.

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Speaker 1: This is YouTube theory that Michael B. Jordan will be

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Speaker 1: coming back, and I the theory is that he's going

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Speaker 1: to take on the mantle or sure he is, which

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Speaker 1: is because he was like a very endearing, loving, like

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Speaker 1: bad guy. People fucked with Jordan. Yeah, he's By the way,

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Speaker 1: Michael B. Jordan, the most overrated actor that motherfucker can

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Speaker 1: is not a good actor. He's he's he's a nice

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Speaker 1: looking got to look at. He plays great characters, but

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Speaker 1: he is not a great It's hard for me to

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Speaker 1: watch Michael Jordan act. I'm not even gonna lie. Really,

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Speaker 1: I don't think he's He's not bad. He's not bad,

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Speaker 1: but he's not good. I didn't say that. I'm saying

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Speaker 1: he's not bad at all. He's kind of like, uh nah,

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Speaker 1: you know what, you gotta be good to not be

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Speaker 1: bad at acting. I'm trying to think of a rapper.

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Speaker 1: We can think about that, think about rap, think about

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Speaker 1: hip hop. Right, you gotta be somewhat good to not

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Speaker 1: be bad. So if you're saying that Michael B. Jordan

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Speaker 1: is not bad, then then he has to have some

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Speaker 1: sort of some sort of skill. Yeah, he's he's likable.

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Speaker 1: He's got appeal almost like you think of The Rock

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Speaker 1: early on, early on acting, you would watch the Rock

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Speaker 1: movies because the Rock was in him. Yes, And I

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Speaker 1: think Michael B. Jordan is there now where he's like

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Speaker 1: such a star. Women love him and he's something about

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Speaker 1: the movie. The Rock was also playing certain type of role.

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Speaker 1: He just watched it. I just watched the new Michael B.

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Speaker 1: Jordan movie on Amazon and that shit was ass Juice.

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Speaker 1: But I watched it because he was in it. You

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Speaker 1: didn't like the movie. I thought it was fucking to

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Speaker 1: mid Man with lots of seeds in it. The acting

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Speaker 1: was kind of meaning, and then they kill Lauren London

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Speaker 1: like off the rip. I was like, damn, well, I

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Speaker 1: mean the Fells. You haven't watched it, you know. Yeah.

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Speaker 1: I was like, damn, it's kind of quiet. I thought

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Speaker 1: it was cool. But I'm a fan of those. That's

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Speaker 1: how you'll play Call of Duty a lot. So I

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Speaker 1: like that kind of shit. Yeah. So, uh. You you

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Speaker 1: say one of the things you live by is be undeniable.

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Speaker 1: Be undeniable, which is something you've always said. What do

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Speaker 1: you mean by that? I mean by being undeniable and

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Speaker 1: your talent, your skill set, your craft, whatever it is

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Speaker 1: that you do, you gotta be under. You gotta make people.

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Speaker 1: The secret sauce that I believe one of the secret

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Speaker 1: sauces to my success is I just didn't go away.

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Speaker 1: Same with you. Right, If you just stay the course

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Speaker 1: and you don't you and you continually hone in on

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Speaker 1: your craft, I feel like you're gonna win. You don't

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Speaker 1: have to be the best, like what you just said

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Speaker 1: about Michael B. Jordan, Right, if you undeniably are diligent,

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Speaker 1: or if you're under like if did your girl fuck

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Speaker 1: with you the first time she met you? Of course not,

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Speaker 1: that's what I'm talking about. But you are undeniably diligent,

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Speaker 1: and now you're married. That's facts. That's it. Be undeniable,

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Speaker 1: bring value, don't take your person. Other thing that you're

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Speaker 1: big on is and I'm big on as well, is

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Speaker 1: the entitlement. Thing. I hate entitlement. Yeah, it's crazy because

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Speaker 1: especially in this business now, man, it's the worst. These artists.

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Speaker 1: This is something that I remember talking to I think

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Speaker 1: just Blaze was talking about this on Clubhouse one day,

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Speaker 1: and how people have direct access to all these people

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Speaker 1: that you would never in life have access to, and

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Speaker 1: they just feel entitled to your time or oh, I'm

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Speaker 1: gonna send you this record right, Like what does that

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Speaker 1: mean you're gonna say? So? When I tell artists like,

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Speaker 1: don't be entitled, it's like you wouldn't walk up to

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Speaker 1: a girl and just say give me some pussy, you

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Speaker 1: know what I'm saying. That's what you say to a

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Speaker 1: DJ when you just walk up and be like, here,

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Speaker 1: it's my song, play it right, like you didn't try

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Speaker 1: to like build with me first, Like yeah, that's how

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Speaker 1: I feel like that. That that's entitlement and that I

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Speaker 1: hate that shit. It's like when people DM you like, man,

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Speaker 1: you ain't fucking with me? keV, Like yo, here, bro,

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Speaker 1: I don't even know who the fuck you are? Bro Yo,

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Speaker 1: you know yo? The worst part is when someone hits

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Speaker 1: you with that in your DMS and they don't even

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Speaker 1: follow you, Like fam, you don't even follow me, Yo,

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Speaker 1: you don't even fuck with me enough to follow me,

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Speaker 1: and you're gonna hit me up trying to get on

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Speaker 1: my podcast or go do a freezing Who the fuck

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Speaker 1: are you? I remember somebody went on a campaign. I'm

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Speaker 1: not going to talk about who it is here, but

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Speaker 1: it's somebody in La went on a campaign about how

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Speaker 1: DJ Head don't fuck with him. I don't remember him, Bro,

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Speaker 1: I don't remember meeting this man ever. Right, So he

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Speaker 1: went on a whole campaign and was tweeting DMN like

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Speaker 1: the whole stories, putting stories up at me and everything.

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Speaker 1: I think I saw that, and so I ended up

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Speaker 1: hitting up one of my big homies and had me

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Speaker 1: get in touch with him directly and got on the

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Speaker 1: phone with him, like, yo, bro, what's the problem, Like,

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Speaker 1: I don't remember you, Like this is how this business

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Speaker 1: actually works. It's also not your job to know everyone, Bro,

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Speaker 1: I don't know you, That's what I'm saying. So it

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Speaker 1: was just one of them type of things where like

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Speaker 1: I can't do that kind of thing off the time,

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Speaker 1: but I felt like I wanted to. I felt like

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Speaker 1: it was a teachable moment, and in those moments, I'll

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Speaker 1: take the time to educate. Now, considering like your position

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Speaker 1: in LA is it, it's obviously more of a gift

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Speaker 1: than a curse, But there has to be some downside

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Speaker 1: to being the guy who's mister West Coast to where

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Speaker 1: almost I'm assuming most LA rappers like I go through

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00:18:14,160 --> 00:18:16,520
Speaker 1: this in Arizona, where like motherfuckers will like take it

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Speaker 1: personal that I don't know who they are and or

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Speaker 1: openly support their music, and a lot of times it's

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Speaker 1: I just don't like your music, which is okay, that's fine, right,

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Speaker 1: Like I'm allowed to not like you might be a

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Speaker 1: good dude and I'm but just because I'm not fucking

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Speaker 1: with your shit, don't mean like I don't fuck with you.

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Speaker 1: I don't know you. That probably happens a lot with you.

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Speaker 1: It happens. And what I try to do is defuse

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Speaker 1: the situation because I can't my putt. Like I was

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00:18:47,440 --> 00:18:49,359
Speaker 1: talking to Whack about this one day, right, and he

387
00:18:49,400 --> 00:18:52,320
Speaker 1: gave me some real bars about like wa Whack. People

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00:18:52,400 --> 00:18:54,879
Speaker 1: think he crazy. He not wack smart, smartest he he's

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Speaker 1: so intellectually inclined facts so anyway, crazy but smart No,

390
00:18:59,359 --> 00:19:02,199
Speaker 1: definitely nuts, yeah nuts, but he's smart as fuck. But

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Speaker 1: he's smart. So he was telling me like different things.

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Speaker 1: He's like, yeah, I don't worry about this, do this,

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00:19:06,080 --> 00:19:07,840
Speaker 1: do this, And I was thinking about he said, you

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Speaker 1: know what, it's good that you are level headed because

395
00:19:10,600 --> 00:19:14,360
Speaker 1: you can misuse your influence and your power for negativity.

396
00:19:14,440 --> 00:19:16,320
Speaker 1: But you don't, you know you really, So what I

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00:19:16,359 --> 00:19:18,080
Speaker 1: do is in that scenario, I try to take the

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00:19:18,119 --> 00:19:21,239
Speaker 1: time and defuse and de escalate the situation because I

399
00:19:21,280 --> 00:19:23,919
Speaker 1: know that I'm so close to so many different people

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00:19:24,160 --> 00:19:27,240
Speaker 1: that it can go bad real fast, and the entitlement

401
00:19:27,440 --> 00:19:30,480
Speaker 1: comes into play because they, like you said, they think

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00:19:30,520 --> 00:19:32,560
Speaker 1: that I'm supposed to know them or remember them from

403
00:19:32,600 --> 00:19:35,040
Speaker 1: ten years ago or whatever the case. And it's not

404
00:19:35,080 --> 00:19:37,760
Speaker 1: even personal. I don't remember what shit I did yesterday.

405
00:19:38,040 --> 00:19:41,480
Speaker 1: I hit you today to remember, like, oh, I'm coming

406
00:19:41,520 --> 00:19:43,080
Speaker 1: here today, you know what I'm saying, Like, I don't

407
00:19:43,119 --> 00:19:46,120
Speaker 1: remember shit. So when you say, like the Arizona shit

408
00:19:46,560 --> 00:19:48,639
Speaker 1: and then also the LA shit, I think it's a

409
00:19:48,680 --> 00:19:51,440
Speaker 1: little different though, because our politics is fucked. Oh yeah

410
00:19:51,480 --> 00:19:54,520
Speaker 1: yah yeah. Here it's all Yo, there's the gang shit,

411
00:19:54,600 --> 00:19:58,400
Speaker 1: there's the big Homi shit, there's bro Our politics shit

412
00:19:58,520 --> 00:20:01,439
Speaker 1: is different and me look like there's not like like

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00:20:01,880 --> 00:20:03,800
Speaker 1: if we've been candid, there's not a lot of black

414
00:20:03,840 --> 00:20:07,119
Speaker 1: people in our medium in LA. Right, So it's me,

415
00:20:07,280 --> 00:20:11,040
Speaker 1: big boy. You got Nick chatting and Chuck pretty much

416
00:20:11,080 --> 00:20:13,720
Speaker 1: to make up the bulk of it, right, Yeah, I'm

417
00:20:14,000 --> 00:20:19,200
Speaker 1: the most accessible one facts, so so me being accessible

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00:20:19,200 --> 00:20:22,880
Speaker 1: in that way, it's like everybody feels entitled to, Oh,

419
00:20:22,920 --> 00:20:24,840
Speaker 1: come to the studio or you you so, and so

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00:20:24,920 --> 00:20:26,600
Speaker 1: it's a little homie're gonna play, you're gonna look out

421
00:20:26,600 --> 00:20:28,080
Speaker 1: for this or do that, and it's like, bro, like,

422
00:20:28,119 --> 00:20:30,240
Speaker 1: it don't work like that. And so trying to explain

423
00:20:30,680 --> 00:20:34,160
Speaker 1: the industry aside from the politics is a complete headache.

424
00:20:34,720 --> 00:20:37,280
Speaker 1: Oh it's the worst, yo, Man, play my shit on

425
00:20:37,280 --> 00:20:39,720
Speaker 1: the radio, like, Bro, that ain't how this shit works. Bro.

426
00:20:40,560 --> 00:20:43,119
Speaker 1: Like fam you got eleven hundred followers. The last thing

427
00:20:43,160 --> 00:20:44,520
Speaker 1: you need to worry about is getting you shit plaed

428
00:20:44,560 --> 00:20:47,000
Speaker 1: on the radio. You've worried about getting anyone to care

429
00:20:47,040 --> 00:20:49,880
Speaker 1: about you first, Bro, go to the DSPs. Bro, get

430
00:20:49,880 --> 00:20:51,800
Speaker 1: your shit pop and get your numbers up, and then

431
00:20:51,800 --> 00:20:54,680
Speaker 1: everybody else will follow suit. You mentioned the politics thing,

432
00:20:57,359 --> 00:21:00,960
Speaker 1: the new wave of LA rappers that you've been behind

433
00:21:01,000 --> 00:21:03,840
Speaker 1: from you know, to starve, the rouccies and all these guys.

434
00:21:04,040 --> 00:21:07,160
Speaker 1: It seems as if the politics don't play into as

435
00:21:07,320 --> 00:21:10,040
Speaker 1: much as the older generation. With a lot of these

436
00:21:10,080 --> 00:21:12,600
Speaker 1: younger kids are working together, they don't do it. Does

437
00:21:12,840 --> 00:21:15,520
Speaker 1: It's still some, but it's amongst them, so it doesn't

438
00:21:15,560 --> 00:21:18,720
Speaker 1: reach the media because it's still amongst that. You'll see

439
00:21:18,760 --> 00:21:22,160
Speaker 1: like one take Jay working, it feels like most people, Yeah,

440
00:21:22,200 --> 00:21:25,080
Speaker 1: the Sceni, yeah, the scene, Okay, the senior for sure.

441
00:21:25,080 --> 00:21:26,719
Speaker 1: They all because they all went to school together, they

442
00:21:26,760 --> 00:21:29,360
Speaker 1: all played sports together, et cetera. So like and and

443
00:21:29,359 --> 00:21:30,840
Speaker 1: low key most of them shout out to t K

444
00:21:30,960 --> 00:21:33,440
Speaker 1: barn because that got everybody side. Shout out to k

445
00:21:33,720 --> 00:21:37,840
Speaker 1: our Barons is crazy, but they what. I remember talking

446
00:21:37,880 --> 00:21:40,440
Speaker 1: to Kaln about this ship, and he was saying that

447
00:21:41,080 --> 00:21:43,560
Speaker 1: they just learned from the mistakes of the people that

448
00:21:43,600 --> 00:21:45,639
Speaker 1: came before them, and it's like, oh, well, if we

449
00:21:45,640 --> 00:21:48,560
Speaker 1: could do this shit together, Like Rouccie and Chike are

450
00:21:48,560 --> 00:21:51,280
Speaker 1: known for doing shit together, right, so you might see

451
00:21:51,359 --> 00:21:53,720
Speaker 1: an AZ show, but then you might see Roochie pull up.

452
00:21:53,720 --> 00:21:56,400
Speaker 1: You gonna see the one tape boys there or vice versa.

453
00:21:56,480 --> 00:21:59,480
Speaker 1: And I think that that's a beautiful thing. But it

454
00:21:59,520 --> 00:22:02,239
Speaker 1: gets a little little tricky when you start involving the

455
00:22:02,280 --> 00:22:06,320
Speaker 1: homies and hang around and the entourages and shit like that.

456
00:22:06,480 --> 00:22:09,320
Speaker 1: But for the most part, I really commend the newer

457
00:22:09,359 --> 00:22:11,920
Speaker 1: generation for being able to do that and and and

458
00:22:11,920 --> 00:22:15,080
Speaker 1: and also a big big shout out to Draco too.

459
00:22:15,320 --> 00:22:17,959
Speaker 1: I really, I really like what Draco the Ruler has

460
00:22:18,000 --> 00:22:21,440
Speaker 1: done because he came home and immediately start giving verses

461
00:22:21,440 --> 00:22:23,280
Speaker 1: to everybody who would take him, And I felt like

462
00:22:23,320 --> 00:22:25,960
Speaker 1: that was a big move, especially being in his situation

463
00:22:26,040 --> 00:22:28,040
Speaker 1: with the Drake Record, Like he don't necessarily have to

464
00:22:28,080 --> 00:22:30,719
Speaker 1: do that. But a lot of those people that he

465
00:22:30,760 --> 00:22:32,399
Speaker 1: came and was like he didn't bless him because I

466
00:22:32,400 --> 00:22:34,359
Speaker 1: don't want to say like he's demeaning them, but I

467
00:22:34,359 --> 00:22:36,440
Speaker 1: felt like what he was doing, he made it his

468
00:22:36,440 --> 00:22:38,400
Speaker 1: his point to come home and is like, no, I'm

469
00:22:38,400 --> 00:22:40,680
Speaker 1: gonna I'm gonna give this shit away to everybody who wanted.

470
00:22:41,400 --> 00:22:44,520
Speaker 1: Is it safe to say he's the hottest rapper in

471
00:22:44,640 --> 00:22:50,879
Speaker 1: LA and Blast the hottest artist in La? This gets tricky?

472
00:22:51,520 --> 00:22:54,159
Speaker 1: Uh now, no, no, no, no, no, listen, I'm not

473
00:22:54,160 --> 00:22:56,280
Speaker 1: gonna say that because guess what if Roddy Richard. I'm

474
00:22:56,320 --> 00:23:01,040
Speaker 1: not excluding a global superstar like Roddy Okay, and excluding

475
00:23:01,160 --> 00:23:05,120
Speaker 1: Kendrick Lamar and excluding all I mean, bunch, I'm talking

476
00:23:05,160 --> 00:23:07,840
Speaker 1: about hot in the streets of LA. I mean, you

477
00:23:07,920 --> 00:23:09,359
Speaker 1: got a lot of people that's hot in the street. No,

478
00:23:09,440 --> 00:23:12,639
Speaker 1: I know, But is anybody hotter than Draco? I don't know.

479
00:23:12,760 --> 00:23:15,199
Speaker 1: I'm not in the streets independently. Got the Drake feature.

480
00:23:16,200 --> 00:23:20,320
Speaker 1: That's true cleared ship he got that. Yeah, but that's

481
00:23:20,359 --> 00:23:24,479
Speaker 1: that's that's that's also Drake being Drake. Yeah, like, oh,

482
00:23:24,600 --> 00:23:26,240
Speaker 1: this guy's name is Draco. I mean I think he

483
00:23:26,280 --> 00:23:28,720
Speaker 1: fucks with I mean Draco's music is No. I'm saying,

484
00:23:28,800 --> 00:23:30,520
Speaker 1: Drake is one of the smartest people to ever be

485
00:23:30,560 --> 00:23:33,679
Speaker 1: in so I understand the way he moves and what

486
00:23:33,720 --> 00:23:35,399
Speaker 1: he does and why he does it. So I'm not

487
00:23:35,440 --> 00:23:38,160
Speaker 1: going to say that that's one hundred percent because of

488
00:23:38,200 --> 00:23:40,640
Speaker 1: the Drake shit, because the Drake knows what he's doing.

489
00:23:40,720 --> 00:23:43,159
Speaker 1: Drake knows who to tapping, he knows what he's doing. Like,

490
00:23:43,200 --> 00:23:45,399
Speaker 1: that's not by accident. Drake don't do anything by accident.

491
00:23:47,320 --> 00:23:49,600
Speaker 1: I don't know who's the hottest. But if I if

492
00:23:49,640 --> 00:23:51,520
Speaker 1: I'm a bet my money on people, it's it's a

493
00:23:51,520 --> 00:23:55,200
Speaker 1: few people. I bet for sure. Blast are you were

494
00:23:55,280 --> 00:23:57,159
Speaker 1: you were the first guy that you did? What what

495
00:23:57,280 --> 00:23:58,920
Speaker 1: year did you try to sign? Blast was a twenty eighteen,

496
00:23:58,960 --> 00:24:01,880
Speaker 1: twenty seventeen, twenty eighteen. I think some shit like that.

497
00:24:02,400 --> 00:24:05,720
Speaker 1: Shout out to blast Man. Blast is the guy, Bro,

498
00:24:07,040 --> 00:24:09,320
Speaker 1: He's the guy. He's the guy. Yeah, you know, I

499
00:24:09,320 --> 00:24:12,600
Speaker 1: gotta I got a text from from from homie terrorist

500
00:24:12,640 --> 00:24:15,200
Speaker 1: Martin and he said, you were right, Blast is the one,

501
00:24:15,320 --> 00:24:19,440
Speaker 1: and I was like, I know, because it's like, it's

502
00:24:19,440 --> 00:24:21,440
Speaker 1: one thing to get to get the streets. It's one

503
00:24:21,440 --> 00:24:22,960
Speaker 1: thing to be hot in the industry. But when you

504
00:24:23,000 --> 00:24:26,480
Speaker 1: get musicians to be like, oh this guy is fucking fired,

505
00:24:26,480 --> 00:24:29,000
Speaker 1: that's that's a different level to me. Yeah, I think, uh,

506
00:24:29,080 --> 00:24:31,080
Speaker 1: you know, the LAC and this seems like it's in

507
00:24:31,119 --> 00:24:34,040
Speaker 1: a as good of a place as it's been. I

508
00:24:34,040 --> 00:24:38,359
Speaker 1: would like to see more integration though, meaning nationally. Oh yeah,

509
00:24:38,400 --> 00:24:40,880
Speaker 1: I would like to see like, I know, sweet he's

510
00:24:40,880 --> 00:24:44,560
Speaker 1: from California, but she she's comes off like a national artist.

511
00:24:44,560 --> 00:24:46,160
Speaker 1: So for her to have Drake on her ship, you know,

512
00:24:46,440 --> 00:24:48,240
Speaker 1: I thought that was kind of dope. I like to see,

513
00:24:48,320 --> 00:24:50,280
Speaker 1: like I love how Davies comes and taps in with

514
00:24:50,680 --> 00:24:52,240
Speaker 1: people out here, Like I want to see more of

515
00:24:52,320 --> 00:24:54,800
Speaker 1: that type of ship. Yeah, now Dave pulls up and

516
00:24:55,359 --> 00:24:57,760
Speaker 1: I want to see like Rod Wave like fuck with

517
00:24:57,960 --> 00:25:00,600
Speaker 1: like one take Jay right or or some ship like

518
00:25:00,600 --> 00:25:02,520
Speaker 1: you more ship like that. I mean shout out to Quebo.

519
00:25:02,560 --> 00:25:07,000
Speaker 1: You did the Blue Bucks Clan record. Yeah, really, you

520
00:25:07,080 --> 00:25:08,960
Speaker 1: know who I really really fuck with and not from

521
00:25:09,080 --> 00:25:12,600
Speaker 1: LA but I love freddo bang Bro, I remember you

522
00:25:12,600 --> 00:25:14,879
Speaker 1: put me up on Fredo Like, I love fred He's

523
00:25:14,880 --> 00:25:17,239
Speaker 1: a good kid man, He's a good dude. Yeah. The

524
00:25:17,280 --> 00:25:20,639
Speaker 1: top record is crazy. He caught one finally, like a

525
00:25:20,760 --> 00:25:23,640
Speaker 1: like a radio round real record. I d K got

526
00:25:23,640 --> 00:25:26,800
Speaker 1: a fire ass on that ship. I had to get

527
00:25:26,880 --> 00:25:28,800
Speaker 1: him on the phone, like, Bro, you actually have a

528
00:25:28,840 --> 00:25:32,400
Speaker 1: record that's playable. Yeah, i DK is going crazy. Uh yeah,

529
00:25:32,440 --> 00:25:34,160
Speaker 1: I think that. But I do think that the LA

530
00:25:34,240 --> 00:25:37,480
Speaker 1: scene it feels just like, you know, because I think

531
00:25:37,520 --> 00:25:39,399
Speaker 1: back in the day when you were coming up with

532
00:25:39,440 --> 00:25:46,040
Speaker 1: Glasses a man, there was an extreme disdain towards what

533
00:25:46,119 --> 00:25:48,159
Speaker 1: the you know. Back then you had to get the

534
00:25:48,240 --> 00:25:51,800
Speaker 1: dra Co sign or the whoever co signed right unless

535
00:25:51,840 --> 00:25:54,320
Speaker 1: you were the game right because the game was kind

536
00:25:54,359 --> 00:25:56,919
Speaker 1: of just the face of LA hip hop nationally. Not

537
00:25:57,000 --> 00:25:59,680
Speaker 1: saying that in the streets, Jay Rock and Glasses and

538
00:25:59,760 --> 00:26:01,880
Speaker 1: nip they weren't doing their thing. But I remember having

539
00:26:01,880 --> 00:26:05,280
Speaker 1: conversations with Nipsey even like interviewing him and Ship where

540
00:26:05,280 --> 00:26:09,000
Speaker 1: he was not happy with Doctor Dre. A lot of

541
00:26:09,000 --> 00:26:11,800
Speaker 1: people weren't yeh, but that but that I think that's

542
00:26:11,960 --> 00:26:14,520
Speaker 1: entitlment though, because I had that conversation with Glasses recently

543
00:26:14,520 --> 00:26:17,399
Speaker 1: because the whole like New West movement that we established

544
00:26:17,400 --> 00:26:20,679
Speaker 1: coming up, right, and that's like Glasses, Bishop Lamont, all

545
00:26:20,760 --> 00:26:22,720
Speaker 1: of everybody crooked, like it was a bunch of people

546
00:26:22,760 --> 00:26:24,840
Speaker 1: that was a part of that movement. Everybody was coming

547
00:26:24,880 --> 00:26:27,720
Speaker 1: up had a disdain for the Old Guard, the Cube,

548
00:26:27,760 --> 00:26:31,320
Speaker 1: the Dre Snoke, et cetera. But I remember having that

549
00:26:31,359 --> 00:26:33,359
Speaker 1: conversation with g about it, and he was saying that

550
00:26:33,440 --> 00:26:35,879
Speaker 1: it was a sense of entitlement because he was like,

551
00:26:35,920 --> 00:26:39,040
Speaker 1: they're not fucking with us, but technically we never asked

552
00:26:39,080 --> 00:26:41,720
Speaker 1: him for anything. They just thought that they should be

553
00:26:41,760 --> 00:26:45,680
Speaker 1: paying attention just like hey, like you said, like you

554
00:26:45,720 --> 00:26:49,800
Speaker 1: if they if no one's asking, why is it assumed

555
00:26:50,680 --> 00:26:53,239
Speaker 1: that they got to fuck with you? Yeah? And then

556
00:26:53,280 --> 00:26:57,000
Speaker 1: I remember, I remember Glasses we went to a video shoot.

557
00:26:57,040 --> 00:26:58,760
Speaker 1: It was I think it was a video shoot for

558
00:26:58,760 --> 00:27:02,240
Speaker 1: forty and we went to the video shooting him having

559
00:27:02,280 --> 00:27:05,800
Speaker 1: a conversation with Snoop in his trailer and Snoop was like,

560
00:27:05,840 --> 00:27:08,160
Speaker 1: you know, that's my bad, Like we wasn't playing team ball,

561
00:27:08,480 --> 00:27:10,200
Speaker 1: but I'm gonna fix that. And then ever since then,

562
00:27:10,240 --> 00:27:13,879
Speaker 1: everybody's been good. That's I mean, it feels it feels

563
00:27:13,880 --> 00:27:16,320
Speaker 1: good right now. I love I love Snoop too. I

564
00:27:16,320 --> 00:27:18,720
Speaker 1: feel like what Snoop does is unmatched in hip hop.

565
00:27:19,600 --> 00:27:25,639
Speaker 1: I think Snoop Dogg is probably the most famous rapper ever,

566
00:27:25,760 --> 00:27:28,040
Speaker 1: of course he is. Yeah, I don't think that. It's

567
00:27:28,040 --> 00:27:29,640
Speaker 1: not even close. And I don't even I don't think

568
00:27:29,640 --> 00:27:31,919
Speaker 1: it's close. I don't even think Drake is close to

569
00:27:31,920 --> 00:27:34,879
Speaker 1: that level of fame. No, Like, everyone knows who Snoop

570
00:27:34,880 --> 00:27:38,080
Speaker 1: Dogg is. Everybody Grandma's know who Snoop is. He's a

571
00:27:38,119 --> 00:27:40,960
Speaker 1: fucking cultural icon. Like he doesn't have to have any

572
00:27:40,960 --> 00:27:43,639
Speaker 1: more music ever, ever, and he's getting bags doing just

573
00:27:43,680 --> 00:27:48,840
Speaker 1: being Snoop, just being Snoop, Snoop Snoop. I think Snoop

574
00:27:48,880 --> 00:27:50,640
Speaker 1: is that triller yo. By the way, I just gotta

575
00:27:50,680 --> 00:27:54,440
Speaker 1: say love their performance. The Sweety performance was the worst

576
00:27:54,480 --> 00:27:56,560
Speaker 1: thing I've ever seen on TV. I ain't see it.

577
00:27:56,640 --> 00:28:03,160
Speaker 1: Oh my god, I ain't see it. That shit was horrible.

578
00:28:03,200 --> 00:28:05,480
Speaker 1: What what's so bad about it? She lip sync the

579
00:28:05,520 --> 00:28:08,960
Speaker 1: whole thing and then she it was like all choreography

580
00:28:09,440 --> 00:28:11,560
Speaker 1: and it was like she don't know how to dance.

581
00:28:12,280 --> 00:28:15,960
Speaker 1: That's crazy. Her performance at BT was fire. I've seen

582
00:28:16,000 --> 00:28:19,840
Speaker 1: her do her thing. Yeah, whatever happened at Triller, maybe

583
00:28:19,880 --> 00:28:22,400
Speaker 1: she was maybe she had strap throat or something. Oh

584
00:28:22,600 --> 00:28:27,240
Speaker 1: that shit was rough. Shout out to Sweetie anyway, what

585
00:28:27,280 --> 00:28:28,919
Speaker 1: were you saying? We're talking about the Snoop thing now.

586
00:28:28,920 --> 00:28:30,879
Speaker 1: I just feel like Snoop is just what he does,

587
00:28:31,080 --> 00:28:33,400
Speaker 1: even embracing the youth, Like I feel like him, him

588
00:28:33,400 --> 00:28:35,359
Speaker 1: and he forty do an amazing job and embracing they

589
00:28:35,440 --> 00:28:37,880
Speaker 1: for sure the youth, and I think that that's been

590
00:28:37,960 --> 00:28:41,040
Speaker 1: pivotal in their longevity. I think it's very hard to say.

591
00:28:41,200 --> 00:28:42,640
Speaker 1: The other thing, too, is I think if you're snooping

592
00:28:42,680 --> 00:28:47,040
Speaker 1: your E forty, you're probably very Who the fuck is

593
00:28:47,080 --> 00:28:50,960
Speaker 1: gonna say no to that? Nobody? Like if E forty

594
00:28:51,040 --> 00:28:53,080
Speaker 1: calls you and it's like, yo, get on my album,

595
00:28:53,240 --> 00:28:56,160
Speaker 1: you're not gonna say no because there you look crazy.

596
00:28:56,240 --> 00:28:58,240
Speaker 1: I've heard I've heard the story of a rapper who

597
00:28:58,240 --> 00:29:01,400
Speaker 1: blew a shot with forty, like like just did not

598
00:29:01,440 --> 00:29:03,280
Speaker 1: get in the verse back or some shit like like

599
00:29:03,280 --> 00:29:07,480
Speaker 1: what are you doing? Says no like maybe Drake nah,

600
00:29:07,680 --> 00:29:12,760
Speaker 1: he might nah, but nah, Drake not turning down. So

601
00:29:12,800 --> 00:29:14,920
Speaker 1: you think Drake could say no to Snoop or forty?

602
00:29:15,560 --> 00:29:18,760
Speaker 1: Maybe fuck no, Drake could be out of his rabbit ass.

603
00:29:18,920 --> 00:29:20,680
Speaker 1: I'll tell him then E forty need to get that

604
00:29:20,760 --> 00:29:25,080
Speaker 1: Drake verse. If you know an he's gonna say no,

605
00:29:25,120 --> 00:29:27,480
Speaker 1: you might as well get Drake not saying no to

606
00:29:27,520 --> 00:29:30,600
Speaker 1: E forty or Snoop Dogg Hope. I mean, I mean shit,

607
00:29:30,640 --> 00:29:34,000
Speaker 1: howbut he be the only one. Maybe maybe Hove or

608
00:29:34,040 --> 00:29:37,040
Speaker 1: I'm not saying no, one hundred three thousand might say no. Yeah,

609
00:29:37,040 --> 00:29:42,920
Speaker 1: but that's different. Three Stacks don't rap. Yeah, he don't

610
00:29:42,960 --> 00:29:50,600
Speaker 1: even rap. Like okay, so you're uh this the jay

611
00:29:50,680 --> 00:29:54,080
Speaker 1: Z and Nipsey song that came out? Oh man, so

612
00:29:54,120 --> 00:29:56,520
Speaker 1: you're you have co production credit on that song? Yes?

613
00:29:56,560 --> 00:29:59,040
Speaker 1: We So how did that happen? I was in the studio,

614
00:29:59,800 --> 00:30:02,840
Speaker 1: like I'm always in the studio working with Rants Mars

615
00:30:03,000 --> 00:30:05,640
Speaker 1: fifteen hundred or nothing, and Rants was like, Yo, we

616
00:30:05,680 --> 00:30:08,080
Speaker 1: got this record, Like you know what you want to do?

617
00:30:08,320 --> 00:30:09,720
Speaker 1: I want you to do some shit on it. I'm like,

618
00:30:09,720 --> 00:30:11,320
Speaker 1: what you want me to do? Like just do your

619
00:30:11,360 --> 00:30:15,200
Speaker 1: DJ head shit whatever that means. So I was like,

620
00:30:15,200 --> 00:30:17,080
Speaker 1: all right, So he plays me the song and he's

621
00:30:17,080 --> 00:30:20,320
Speaker 1: playing me the Nipsey vocals over the beat, and I'm like,

622
00:30:20,440 --> 00:30:23,480
Speaker 1: oh's nip record? Like fuck? Yeah, let's do it. I

623
00:30:23,520 --> 00:30:25,840
Speaker 1: didn't know nothing about whole at that time. They were like,

624
00:30:25,880 --> 00:30:27,640
Speaker 1: we're doing something really special with the record. They just

625
00:30:27,680 --> 00:30:30,000
Speaker 1: couldn't tell me. So he's like, look, just just do

626
00:30:30,080 --> 00:30:33,080
Speaker 1: some cuts on the song, you know, do some ins

627
00:30:33,080 --> 00:30:35,440
Speaker 1: and out, some little scratches whatever. I'm like, all right,

628
00:30:35,440 --> 00:30:39,680
Speaker 1: bet so I did. I actually recorded it, and then

629
00:30:39,960 --> 00:30:42,560
Speaker 1: I turned it in and I ain't I didn't think

630
00:30:42,560 --> 00:30:44,000
Speaker 1: none of it. I was like, oh, they must not

631
00:30:44,040 --> 00:30:45,960
Speaker 1: have used it. I didn't know that it was a

632
00:30:45,960 --> 00:30:48,959
Speaker 1: bigger play like later on, you know what I'm saying. Obviously,

633
00:30:49,000 --> 00:30:51,880
Speaker 1: that's how the music business worked. So when they were

634
00:30:51,920 --> 00:30:55,640
Speaker 1: when it came time to release the record, it was like, oh,

635
00:30:55,760 --> 00:30:58,200
Speaker 1: this is the record. And then once it came obviously

636
00:30:58,320 --> 00:31:01,160
Speaker 1: I had it early and shit like that. But if

637
00:31:01,160 --> 00:31:03,000
Speaker 1: we couldn't talk about it because it was like a

638
00:31:03,040 --> 00:31:05,840
Speaker 1: part of a rollout, I'm like, damn, this is crazy.

639
00:31:05,880 --> 00:31:07,480
Speaker 1: But I didn't know that they were going to actually

640
00:31:07,480 --> 00:31:09,960
Speaker 1: give me credit on the song, like you know how,

641
00:31:10,000 --> 00:31:11,840
Speaker 1: like you'll produce some right right right, but you might

642
00:31:11,880 --> 00:31:14,520
Speaker 1: not get you might not get visual credit on the

643
00:31:14,760 --> 00:31:17,680
Speaker 1: on the on the record. So that was like a

644
00:31:17,720 --> 00:31:20,200
Speaker 1: big deal for me. That was a huge for me,

645
00:31:20,520 --> 00:31:24,600
Speaker 1: especially seeing like jay Z Nipsey and then I'm like

646
00:31:24,720 --> 00:31:27,560
Speaker 1: right there, that shit was crazy. So when the song

647
00:31:27,680 --> 00:31:34,560
Speaker 1: came as comes out right, shit, So you know when

648
00:31:34,560 --> 00:31:38,560
Speaker 1: we were doing the night show together, yes, uh, we

649
00:31:38,640 --> 00:31:45,560
Speaker 1: really didn't care to have songs first. No, that's not

650
00:31:45,640 --> 00:31:49,520
Speaker 1: my game. It just really like no one cares. Yeah,

651
00:31:49,680 --> 00:31:52,040
Speaker 1: everybody gets the record at nine pm, like it's it's

652
00:31:52,160 --> 00:31:56,760
Speaker 1: uh not two thousand and nine sure or even twenty

653
00:31:56,840 --> 00:32:02,080
Speaker 1: and thirteen. It's like, yo, fam Like now, like you said,

654
00:32:02,480 --> 00:32:04,160
Speaker 1: you had the record for a long time, you know,

655
00:32:04,360 --> 00:32:06,600
Speaker 1: I mean you got yeah, you gets in the studio right,

656
00:32:07,400 --> 00:32:14,640
Speaker 1: this is before the whole vocals. So the La Leakers

657
00:32:14,840 --> 00:32:21,280
Speaker 1: shout out to Justin, shout out to sour Milk, Sour Milk. Well,

658
00:32:21,280 --> 00:32:22,640
Speaker 1: we were you talking about when we were doing the

659
00:32:22,680 --> 00:32:24,680
Speaker 1: show together. Are you talking about recently? I'm talk about recently,

660
00:32:26,160 --> 00:32:27,600
Speaker 1: just after you and I were not on the air.

661
00:32:27,640 --> 00:32:30,120
Speaker 1: This is this is uh, this is recently recently when

662
00:32:30,120 --> 00:32:33,320
Speaker 1: this song came out, right, what was this December January?

663
00:32:33,360 --> 00:32:35,280
Speaker 1: When did the record? I remember, like I said, I

664
00:32:35,320 --> 00:32:40,120
Speaker 1: have a bad memory. So the Leakers get the song

665
00:32:41,560 --> 00:32:47,840
Speaker 1: and they're going crazy before nine o'clock obviously, right, which

666
00:32:47,880 --> 00:32:52,720
Speaker 1: has happened a lot. Yeah, cool Sour Milk goes on

667
00:32:52,760 --> 00:32:59,720
Speaker 1: Twitter h and says, essentially, does anybody want to tell

668
00:32:59,760 --> 00:33:02,640
Speaker 1: them that we have? We've been going crazy on this

669
00:33:02,680 --> 00:33:05,240
Speaker 1: however long? I don't remember the specifics of the two Well,

670
00:33:05,280 --> 00:33:09,520
Speaker 1: I tweeted. I tweeted first, and I said, I'm playing

671
00:33:09,520 --> 00:33:12,920
Speaker 1: this at nine o'clock, right, and then he retweeted you this. Yeah,

672
00:33:13,040 --> 00:33:14,760
Speaker 1: it was just yeah, you said, Yo, we're going crazy

673
00:33:14,760 --> 00:33:17,760
Speaker 1: at nine permitted show. Right, you're promoting your show, which

674
00:33:17,800 --> 00:33:20,520
Speaker 1: is what you should do. You weren't saying anything about anybody.

675
00:33:20,560 --> 00:33:24,680
Speaker 1: I don't ever do that, right. He retweets it and

676
00:33:24,800 --> 00:33:28,320
Speaker 1: pretty much says, does anyone want to tell I don't remember,

677
00:33:28,320 --> 00:33:30,040
Speaker 1: but we've been going crazy on this the last two

678
00:33:30,040 --> 00:33:40,800
Speaker 1: hours about I know that it got interesting because I

679
00:33:40,840 --> 00:33:47,080
Speaker 1: don't remember at what point in time you replied with

680
00:33:47,440 --> 00:33:49,880
Speaker 1: the credentials of the song that they were playing and

681
00:33:51,120 --> 00:33:54,640
Speaker 1: you have publishing on that you produced, and you thank

682
00:33:54,720 --> 00:33:57,960
Speaker 1: them for playing it for you because you have production

683
00:33:58,040 --> 00:34:04,520
Speaker 1: credit on the song. Now, from a strict perspective of

684
00:34:04,520 --> 00:34:10,560
Speaker 1: someone who's just on Twitter, and I funk with those guys.

685
00:34:10,719 --> 00:34:12,600
Speaker 1: You know they're cool, Like I got no problems with them.

686
00:34:12,640 --> 00:34:16,160
Speaker 1: Dudes like, you know, me and Justin are cool. You know.

687
00:34:16,200 --> 00:34:19,080
Speaker 1: I just saw Justin around the Grammys and we you know,

688
00:34:19,080 --> 00:34:24,879
Speaker 1: we're cool. But I'll be damned if I have never

689
00:34:24,960 --> 00:34:29,839
Speaker 1: seen anyone take a worst l from a radio perspective

690
00:34:31,400 --> 00:34:38,839
Speaker 1: on social media than that. That was rough. And then

691
00:34:38,920 --> 00:34:45,440
Speaker 1: everyone just like it went crazy. I didn't expect. I

692
00:34:45,440 --> 00:34:48,440
Speaker 1: didn't know. And then and then Letty chimed in. She

693
00:34:48,560 --> 00:34:52,319
Speaker 1: you know, obviously she's married to Nipsey's uh manager, shout

694
00:34:52,440 --> 00:34:56,120
Speaker 1: to Jorge George uh and and and and put her

695
00:34:56,200 --> 00:34:59,160
Speaker 1: two cents in on it about hey, it just it

696
00:34:59,200 --> 00:35:02,239
Speaker 1: got out of hand. And and I don't mean like

697
00:35:02,320 --> 00:35:05,680
Speaker 1: out of hand, like you didn't. You just literally was

698
00:35:05,719 --> 00:35:08,479
Speaker 1: on some like, hey, thanks for supporting. By the way,

699
00:35:09,080 --> 00:35:11,080
Speaker 1: you might want to check the credentials on that record

700
00:35:11,800 --> 00:35:17,239
Speaker 1: you had it. So what happened with that? That's that's

701
00:35:17,280 --> 00:35:20,239
Speaker 1: exactly how we had them back and forth. And then

702
00:35:20,280 --> 00:35:22,759
Speaker 1: he he said something it got kind of like it

703
00:35:22,800 --> 00:35:25,759
Speaker 1: started to get to me. It started to get aggressive

704
00:35:26,239 --> 00:35:29,200
Speaker 1: on his behalf, not on your behalf. So I was

705
00:35:29,239 --> 00:35:31,440
Speaker 1: just like, it's not in your nature. No, I can't

706
00:35:31,440 --> 00:35:34,200
Speaker 1: play like that. This ship is like again. People take

707
00:35:34,200 --> 00:35:37,640
Speaker 1: this radio shit so serious. It's like, fam, this is

708
00:35:37,640 --> 00:35:40,960
Speaker 1: for anyone, not not for anyone in particular. You work

709
00:35:41,920 --> 00:35:46,799
Speaker 1: for a company that owns a brand that you don't own. Listen, man,

710
00:35:47,400 --> 00:35:50,160
Speaker 1: calm down. I just what I did was I just

711
00:35:50,239 --> 00:35:53,839
Speaker 1: I got swung on and I swung back. You swung back,

712
00:35:53,840 --> 00:35:57,680
Speaker 1: all right, you swung back. Then you pulled up at

713
00:35:57,719 --> 00:36:01,080
Speaker 1: their mama's house and the money and Carlo, you rolled

714
00:36:01,120 --> 00:36:02,839
Speaker 1: the window down and put a oozie out and lit

715
00:36:02,840 --> 00:36:05,040
Speaker 1: that whole bitch up. That's just what I'm I was

716
00:36:05,120 --> 00:36:07,279
Speaker 1: taught that you don't start that, you finish it. That's

717
00:36:07,280 --> 00:36:09,520
Speaker 1: what my grandma only said. That's my family, that's how

718
00:36:09,560 --> 00:36:12,640
Speaker 1: we get out. So I don't ever start anything. I

719
00:36:12,640 --> 00:36:15,560
Speaker 1: don't talk tough, I don't aggressive, I don't even sub people.

720
00:36:15,719 --> 00:36:19,080
Speaker 1: I'll just promote my show. Yes, So the subliminal thing,

721
00:36:19,120 --> 00:36:22,600
Speaker 1: and that's my thing is like I've been a part

722
00:36:22,600 --> 00:36:27,440
Speaker 1: of radio beefs in the past, but I just kind

723
00:36:27,440 --> 00:36:32,520
Speaker 1: of started to realize, like, hey, it's stupid as fuck

724
00:36:32,719 --> 00:36:35,160
Speaker 1: because we're gonna have to see each other. And the

725
00:36:35,200 --> 00:36:41,160
Speaker 1: way I carry myself is you go see me. I

726
00:36:41,160 --> 00:36:43,160
Speaker 1: ain't gonna reply to you on social media because I

727
00:36:43,160 --> 00:36:45,879
Speaker 1: ain't a social you know, I'm we're gonna run into

728
00:36:45,960 --> 00:36:47,200
Speaker 1: each other and then we're gonna have to have this

729
00:36:47,239 --> 00:36:50,120
Speaker 1: conversation face to face. And that's happened a few times

730
00:36:50,120 --> 00:36:54,279
Speaker 1: where I've had to run up in Vegas. Shout out

731
00:36:54,320 --> 00:36:58,160
Speaker 1: to John Mogue from ko UC, who thought he could

732
00:36:58,200 --> 00:36:59,640
Speaker 1: talk out the side of his fucking face and I

733
00:36:59,640 --> 00:37:01,560
Speaker 1: wouldn't go fucking walk up to his ass right at

734
00:37:01,560 --> 00:37:03,239
Speaker 1: the Lowrider show and be like, what's up, motherfucker? What

735
00:37:03,280 --> 00:37:04,880
Speaker 1: you trying to do? This? Nigga's crazy? You know what

736
00:37:04,920 --> 00:37:08,760
Speaker 1: I'm saying. But what I'm saying. But what I'm saying

737
00:37:08,880 --> 00:37:12,719
Speaker 1: is is like you know you and I never like,

738
00:37:12,960 --> 00:37:14,960
Speaker 1: that's just not what we do. No, I don't play

739
00:37:15,080 --> 00:37:17,200
Speaker 1: I don't play the bank the radio band game, just

740
00:37:17,239 --> 00:37:20,720
Speaker 1: because I'm not allowed the luxury to fake beef with people.

741
00:37:21,040 --> 00:37:22,960
Speaker 1: And that's something I had. I had a conversation with

742
00:37:23,000 --> 00:37:25,680
Speaker 1: my superiors before, like I can't fake beef with people

743
00:37:25,680 --> 00:37:29,080
Speaker 1: because my lineage and my my my environment and my

744
00:37:29,120 --> 00:37:32,080
Speaker 1: people don't allow me that luxury to like, oh, let's

745
00:37:32,120 --> 00:37:35,400
Speaker 1: beef or let's you know, like it's just my shit different.

746
00:37:35,400 --> 00:37:37,040
Speaker 1: And that's why I had to tell them like I'm not.

747
00:37:37,840 --> 00:37:40,000
Speaker 1: I always tell people like I'm not a radio nigga,

748
00:37:40,120 --> 00:37:42,600
Speaker 1: Like I'm a nigga who do radio. So it's it's

749
00:37:42,600 --> 00:37:45,640
Speaker 1: my shit different. I can't play like that. So that's

750
00:37:45,680 --> 00:37:48,759
Speaker 1: why everything I do is a very articulate approach. I'm

751
00:37:48,760 --> 00:37:51,440
Speaker 1: never aggressive. It's like, hey, so when I when I

752
00:37:51,440 --> 00:37:54,000
Speaker 1: did that, it's like I got swung on and I

753
00:37:54,040 --> 00:37:56,920
Speaker 1: swung back. That's it. So what what I know that

754
00:37:56,960 --> 00:37:59,560
Speaker 1: you went? You and Milk talked after that. Yeah, we

755
00:38:00,880 --> 00:38:02,759
Speaker 1: oh g got us on the phone. Well, one of

756
00:38:03,040 --> 00:38:04,880
Speaker 1: one of my own g shot to Fuzzy. He hit me.

757
00:38:04,920 --> 00:38:06,719
Speaker 1: He was like, you know, I need you to, you know,

758
00:38:06,840 --> 00:38:08,839
Speaker 1: talk to him. You know, like I don't like this ship.

759
00:38:09,520 --> 00:38:13,680
Speaker 1: And so I told Fuzzy. Fuzzy's like, I'll do anything

760
00:38:13,680 --> 00:38:16,200
Speaker 1: for Fuzzy, right, And I told him, now, Fuzzy, I

761
00:38:16,320 --> 00:38:18,760
Speaker 1: do anything for you, So put him on the phone.

762
00:38:19,160 --> 00:38:20,799
Speaker 1: So we got on the phone. We talked for like

763
00:38:21,440 --> 00:38:23,960
Speaker 1: half an hour or something like that, and I don't,

764
00:38:24,160 --> 00:38:28,840
Speaker 1: you know, get Yeah, but everything, as far as I'm concerned,

765
00:38:28,840 --> 00:38:32,239
Speaker 1: I let it go. Now. That was after I did

766
00:38:32,280 --> 00:38:34,160
Speaker 1: go on the air with it. To be honest, you

767
00:38:34,160 --> 00:38:36,880
Speaker 1: should have. Yeah, but I'm a firm believer in utilizing

768
00:38:36,920 --> 00:38:40,520
Speaker 1: your platform, so I'm a front. I went on the

769
00:38:40,520 --> 00:38:43,000
Speaker 1: air with it the next day and turned the music

770
00:38:43,080 --> 00:38:46,920
Speaker 1: off and went in for about two minutes, very very articulate.

771
00:38:47,000 --> 00:38:49,320
Speaker 1: I didn't call any about their name. I dressed people

772
00:38:49,320 --> 00:38:52,440
Speaker 1: by name, but I did I remember hearing it. I

773
00:38:52,480 --> 00:38:55,600
Speaker 1: didn't say anything disrespectful. I just addressed the issue, owned

774
00:38:55,640 --> 00:38:58,480
Speaker 1: up to my to my antics as well, and then

775
00:38:58,680 --> 00:39:02,080
Speaker 1: kept it pushing kind I felt like the moment wasn't

776
00:39:02,080 --> 00:39:05,360
Speaker 1: as much about Nipsey as it was about who the

777
00:39:05,400 --> 00:39:07,520
Speaker 1: fuck's got the song first. Yeah, I just felt like

778
00:39:07,520 --> 00:39:09,919
Speaker 1: the moment got taken away from what it was about.

779
00:39:10,120 --> 00:39:12,879
Speaker 1: Everyone who knows knows that nip always wanted to work

780
00:39:12,880 --> 00:39:15,160
Speaker 1: with Hove, of course, so I felt like that was

781
00:39:15,200 --> 00:39:18,439
Speaker 1: the moment, and that moment was robbed when it got

782
00:39:18,440 --> 00:39:23,080
Speaker 1: made about radio politics, so that I didn't like that. Yeah,

783
00:39:23,120 --> 00:39:26,160
Speaker 1: for people who don't like who kind of see uh

784
00:39:27,239 --> 00:39:33,880
Speaker 1: radio from the outside looking in, like I would venture

785
00:39:33,920 --> 00:39:35,840
Speaker 1: to say, you don't have a lot of relationships across

786
00:39:35,840 --> 00:39:38,120
Speaker 1: the street at Bottle one O six. I think we're

787
00:39:38,120 --> 00:39:41,200
Speaker 1: all cool with Gabe, see right, But like, is it

788
00:39:41,239 --> 00:39:44,360
Speaker 1: really that Like I'm not talking about this particular situation.

789
00:39:44,480 --> 00:39:46,520
Speaker 1: But like for people who are watching this, it's really

790
00:39:46,520 --> 00:39:49,719
Speaker 1: not like that. Like you'll see I've seen e Man

791
00:39:49,760 --> 00:39:51,000
Speaker 1: a million like you know what I mean, like and

792
00:39:51,040 --> 00:39:52,680
Speaker 1: mind you, I don't work for anybody now. I don't

793
00:39:52,680 --> 00:39:54,799
Speaker 1: see nobody because I'm usually in the streets. But I

794
00:39:54,840 --> 00:39:57,320
Speaker 1: just mean in general, like it ain't some like everyone

795
00:39:57,320 --> 00:40:00,040
Speaker 1: thinks it's like some weird old like gang shit. Some

796
00:40:00,040 --> 00:40:01,719
Speaker 1: people approach it that way. But for the most part,

797
00:40:01,800 --> 00:40:04,200
Speaker 1: we're all just trying to get a fucking bag. And

798
00:40:04,400 --> 00:40:06,839
Speaker 1: you know we're doing I'm doing me, you doing you.

799
00:40:07,239 --> 00:40:09,799
Speaker 1: I just listen. I'll stay out the way. I mind

800
00:40:09,800 --> 00:40:11,480
Speaker 1: my What I do is I mind my business. I

801
00:40:11,560 --> 00:40:13,440
Speaker 1: learned that from the homies and coming I've been. I'm

802
00:40:13,440 --> 00:40:15,439
Speaker 1: just I was always the square right all the street dudes,

803
00:40:15,719 --> 00:40:18,160
Speaker 1: and they would say, look, cuz mind your business. That's

804
00:40:18,160 --> 00:40:20,319
Speaker 1: what I do. I stay in my lane. I don't

805
00:40:20,320 --> 00:40:22,600
Speaker 1: talk to nobody. I don't flick it up, I don't

806
00:40:22,600 --> 00:40:24,480
Speaker 1: fake beef, I don't do none of that shit. I

807
00:40:24,640 --> 00:40:27,080
Speaker 1: just mind my business. Hey, what up man? How to

808
00:40:27,120 --> 00:40:29,719
Speaker 1: interrupt the Boutlet Cap podcast to tell you about our

809
00:40:29,719 --> 00:40:33,200
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810
00:40:33,239 --> 00:40:35,600
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811
00:40:36,040 --> 00:40:40,920
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812
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825
00:41:23,760 --> 00:41:25,319
Speaker 1: So when we were on the air together, we were

826
00:41:25,320 --> 00:41:28,520
Speaker 1: on the air for when did we first get on

827
00:41:28,560 --> 00:41:33,120
Speaker 1: this three years? It was close to three years. Yeah,

828
00:41:33,960 --> 00:41:37,480
Speaker 1: we had some pretty crazy viral moments. Oh man, yo,

829
00:41:37,560 --> 00:41:40,279
Speaker 1: do you remember I was just talking of do you

830
00:41:40,320 --> 00:41:43,120
Speaker 1: remember with Lil Kim. Yeah, Lil Kim was not fucking

831
00:41:43,120 --> 00:41:45,480
Speaker 1: with me. She was not fucking with you. Oh, she

832
00:41:45,640 --> 00:41:52,000
Speaker 1: was not fucking yo. Lil Kim was fucking hot. She

833
00:41:52,239 --> 00:41:55,719
Speaker 1: was not fucking with you, bro. Yeah, And I was

834
00:41:55,719 --> 00:41:58,680
Speaker 1: thinking about that. I was like, I wonder, I wonder,

835
00:41:58,760 --> 00:42:01,560
Speaker 1: like if people, like, do people ever get over that shit?

836
00:42:01,600 --> 00:42:03,240
Speaker 1: You've been ready no longer? To me, like, when people

837
00:42:03,239 --> 00:42:04,799
Speaker 1: have a problem with you, check this out, do they

838
00:42:04,800 --> 00:42:06,839
Speaker 1: ever get over it? I think so because Soldier Boy

839
00:42:06,920 --> 00:42:10,799
Speaker 1: came up here the other day and THEO calls me first, right,

840
00:42:10,920 --> 00:42:14,520
Speaker 1: and he's like, hey, man, did you say something about

841
00:42:14,520 --> 00:42:16,720
Speaker 1: Soldier Boy in an interview? And I was like probably,

842
00:42:17,239 --> 00:42:19,279
Speaker 1: And he was like cause he's like, yo, that's the

843
00:42:19,280 --> 00:42:21,200
Speaker 1: white boy used to be on there with the black dude. Yeah,

844
00:42:21,239 --> 00:42:23,120
Speaker 1: he says some shit about me in an interview. And

845
00:42:23,160 --> 00:42:26,120
Speaker 1: I was like, oh, I don't doubt it. Yeah, he

846
00:42:26,200 --> 00:42:28,799
Speaker 1: came up. Remember he came on our show. No no,

847
00:42:28,880 --> 00:42:31,200
Speaker 1: But after that, I think and I put up a

848
00:42:31,200 --> 00:42:33,840
Speaker 1: clip of the only thing I could find by googling

849
00:42:33,840 --> 00:42:37,279
Speaker 1: bootleg cap Soldier Boy was our interview with him. And

850
00:42:37,280 --> 00:42:39,360
Speaker 1: then like me and Draco talking about the Big Draco

851
00:42:39,400 --> 00:42:41,680
Speaker 1: thing Draco the ruler, and so I was like, it

852
00:42:41,760 --> 00:42:44,640
Speaker 1: might have been this, but I don't fucking know. And

853
00:42:44,760 --> 00:42:46,319
Speaker 1: I was like, he was like, it's all good, but

854
00:42:46,400 --> 00:42:48,160
Speaker 1: just know he's not fucking with you like that. I

855
00:42:48,160 --> 00:42:49,640
Speaker 1: was like, I don't give a fuck. I don't need

856
00:42:49,719 --> 00:42:53,520
Speaker 1: to be friends with anybody. Soldier boy comes fucking awesome,

857
00:42:54,719 --> 00:42:56,960
Speaker 1: hangs out with my son, We smoke weed, We're hanging

858
00:42:57,000 --> 00:43:01,440
Speaker 1: out like fucking it was great. Like literally couldn't have

859
00:43:01,480 --> 00:43:04,120
Speaker 1: went better. And so yeah, like and look, at the

860
00:43:04,239 --> 00:43:07,560
Speaker 1: end of the day, sometimes we just got to do

861
00:43:07,560 --> 00:43:09,960
Speaker 1: our job. And you and I wouldn't even do the

862
00:43:10,040 --> 00:43:12,440
Speaker 1: kind of shit like like we wouldn't chase it. We

863
00:43:12,440 --> 00:43:16,040
Speaker 1: wouldn't chase the gotch you moment. No, No, the only

864
00:43:16,080 --> 00:43:17,880
Speaker 1: thing that the only thing that stood out to me

865
00:43:18,360 --> 00:43:22,040
Speaker 1: was obviously the Gates Kevin Gates situation was wild. But

866
00:43:22,400 --> 00:43:24,399
Speaker 1: you know, and I'm not making a defense for him.

867
00:43:24,760 --> 00:43:26,799
Speaker 1: It was his first interview. He just got prison, he

868
00:43:26,920 --> 00:43:29,239
Speaker 1: just got out. Let me tell you something. What people

869
00:43:29,239 --> 00:43:33,399
Speaker 1: don't realize is that was a lot. I did a lot. Yeah,

870
00:43:33,400 --> 00:43:34,480
Speaker 1: a lot of people felt some type of way. A

871
00:43:34,480 --> 00:43:36,280
Speaker 1: lot of people still feel some type of way. Facts,

872
00:43:36,320 --> 00:43:41,360
Speaker 1: but Kevin Gates comes to the radio station. I go

873
00:43:41,440 --> 00:43:45,000
Speaker 1: down to the lobby to grab him, and I've I've

874
00:43:45,080 --> 00:43:48,360
Speaker 1: met Kevin Gates before, but he doesn't remember obviously. On

875
00:43:48,440 --> 00:43:50,040
Speaker 1: my hey with a ble, Cavy's like, oh, that's a

876
00:43:50,040 --> 00:43:53,200
Speaker 1: good name, Kevin. No, yeah, we we'll go the same name, right,

877
00:43:53,640 --> 00:43:57,080
Speaker 1: shout out to uh. Our guy from Atlantic who's with him, Dwight,

878
00:43:58,040 --> 00:44:02,680
Speaker 1: come up the elevator. He comes in and he's like,

879
00:44:02,760 --> 00:44:06,640
Speaker 1: hen he use the room to pray. Yeah, So our guy,

880
00:44:06,800 --> 00:44:13,320
Speaker 1: Eric Fisher is stuck in the room with Kevin Gates

881
00:44:13,320 --> 00:44:16,279
Speaker 1: while he's praying for like thirty minutes. So Eric's just

882
00:44:16,320 --> 00:44:19,320
Speaker 1: sitting there and Kevin Gates is in there alone praying,

883
00:44:19,440 --> 00:44:23,040
Speaker 1: you know, because he's Muslim, so he's praying, right. So

884
00:44:23,080 --> 00:44:25,200
Speaker 1: I was like, oh, that's different. We've never had anyone

885
00:44:25,239 --> 00:44:28,440
Speaker 1: come in and pray before the interview. Like, okay, whatever, whatever,

886
00:44:28,600 --> 00:44:31,719
Speaker 1: float your boat to find your lost remote. Yeah, shout

887
00:44:31,719 --> 00:44:33,759
Speaker 1: out to a law you know what I'm saying. So

888
00:44:33,840 --> 00:44:37,839
Speaker 1: we come in and do the interview, and automatically, he

889
00:44:37,920 --> 00:44:41,839
Speaker 1: was just not into the interview at all at all.

890
00:44:42,640 --> 00:44:45,440
Speaker 1: He was not fucking with us whatsoever. You he don't

891
00:44:45,480 --> 00:44:48,960
Speaker 1: want to be there. And sometimes we'll do those interviews

892
00:44:49,000 --> 00:44:50,480
Speaker 1: where's like, man, this fool didn't want to be here,

893
00:44:50,560 --> 00:44:52,160
Speaker 1: Like why the fuck? Like, by the way, artists, if

894
00:44:52,160 --> 00:44:55,000
Speaker 1: you're gonna go do a fucking interview like and you

895
00:44:55,000 --> 00:44:56,960
Speaker 1: don't want to do it, don't do it, don't come

896
00:44:57,000 --> 00:45:01,799
Speaker 1: because otherwise anyway, So the moment happens where you touched

897
00:45:01,800 --> 00:45:03,400
Speaker 1: his arm and YO, don't touch me. I feel like

898
00:45:03,400 --> 00:45:06,080
Speaker 1: I'm being interrogated, and I'm just like, bro, it's an interview.

899
00:45:08,000 --> 00:45:11,279
Speaker 1: In an interview, we asked questions. He said, Yo, how

900
00:45:11,320 --> 00:45:12,640
Speaker 1: loo we got to do this. I feel like I'm

901
00:45:12,640 --> 00:45:16,160
Speaker 1: being interrogated here, right, So whatever the case is, the

902
00:45:16,200 --> 00:45:23,759
Speaker 1: interview finishes and we wow, awkward. Bro, So this was

903
00:45:23,760 --> 00:45:26,560
Speaker 1: interesting about that you wasn't there because you and I

904
00:45:26,760 --> 00:45:29,360
Speaker 1: would go to the radio station early. I just so

905
00:45:29,600 --> 00:45:32,440
Speaker 1: happened to catch a couple of people from his camp

906
00:45:33,000 --> 00:45:36,160
Speaker 1: at the radio station the following day, I mean, after

907
00:45:36,520 --> 00:45:38,480
Speaker 1: after we after we put out the interview, right, it's

908
00:45:38,520 --> 00:45:40,880
Speaker 1: it's up, it's gone, it's viral. They didn't like the

909
00:45:40,880 --> 00:45:42,279
Speaker 1: fact we dropped it that way. They didn't like that

910
00:45:42,320 --> 00:45:44,640
Speaker 1: we put we kept it. We don't edit our ship

911
00:45:44,680 --> 00:45:49,800
Speaker 1: before we're supposed to do, right, so I caught a

912
00:45:49,840 --> 00:45:52,000
Speaker 1: representative and I'm gonna say his name. I caught a

913
00:45:52,040 --> 00:45:54,719
Speaker 1: representative of his coming in the hallway. I'm like, Yo,

914
00:45:54,719 --> 00:45:57,279
Speaker 1: what's up? What you're doing here? Yo? Man? I just

915
00:45:57,360 --> 00:45:58,880
Speaker 1: I'm trying to see if we can get the interview

916
00:45:58,920 --> 00:46:03,680
Speaker 1: taken down. I don't that sounds like Dwight All. I'm like, yo,

917
00:46:04,160 --> 00:46:06,719
Speaker 1: I'm like, listen, bro, we're not taking nothing down. Yes,

918
00:46:06,719 --> 00:46:09,359
Speaker 1: it's too late, like it's gone, it's it's I don't.

919
00:46:09,520 --> 00:46:11,520
Speaker 1: I'm not finna start my mind because this is like

920
00:46:11,560 --> 00:46:13,600
Speaker 1: one of our first interviews. I'm not finna start my

921
00:46:13,680 --> 00:46:17,000
Speaker 1: radio career editing interviews and taking shit out, taking shit

922
00:46:17,120 --> 00:46:18,920
Speaker 1: down people when that's the breakfast club to do that.

923
00:46:19,120 --> 00:46:21,640
Speaker 1: So I'm like no. So it's like, well, you know,

924
00:46:21,640 --> 00:46:23,879
Speaker 1: we just hollered at your boss. See if we I said,

925
00:46:23,880 --> 00:46:25,960
Speaker 1: all right, bet so I go right into our boss office.

926
00:46:26,040 --> 00:46:28,160
Speaker 1: I sit down. I'm like, listen, I know they was.

927
00:46:28,280 --> 00:46:29,919
Speaker 1: He's like, yeah, they want to take the interview down.

928
00:46:30,160 --> 00:46:31,960
Speaker 1: I said, listen, bro, I'm gonna be all the way

929
00:46:32,080 --> 00:46:34,480
Speaker 1: hunting with you. I don't. He's like, well, how do

930
00:46:34,480 --> 00:46:35,959
Speaker 1: you feel about it? I don't want to take it down,

931
00:46:36,160 --> 00:46:38,200
Speaker 1: I said, Furthermore, I'm be honest with you, if this

932
00:46:38,239 --> 00:46:40,520
Speaker 1: is what we're gonna be doing, like doing the politics,

933
00:46:40,560 --> 00:46:43,560
Speaker 1: and I'd rather not do interviews moving forward. And he

934
00:46:43,640 --> 00:46:46,759
Speaker 1: was like, leave it up there, So I respect. I

935
00:46:46,800 --> 00:46:50,800
Speaker 1: respect that though, because allowing your people to have input

936
00:46:50,920 --> 00:46:53,640
Speaker 1: on decisions like that. Doc was always like that, always

937
00:46:53,680 --> 00:46:58,160
Speaker 1: like that. But they were so embarrassed by how that

938
00:46:58,200 --> 00:47:00,840
Speaker 1: shit went because it was his first interview, you know

939
00:47:00,880 --> 00:47:03,319
Speaker 1: what I'm saying. But I'm like, bro, it's already up,

940
00:47:03,360 --> 00:47:06,160
Speaker 1: it's out. And also the crazy thing about it is

941
00:47:07,120 --> 00:47:10,480
Speaker 1: when the interview finished, he hung out with us for

942
00:47:10,520 --> 00:47:12,040
Speaker 1: like an hour and a half and played us his

943
00:47:12,120 --> 00:47:15,879
Speaker 1: new album and literally said, man, I wish we would

944
00:47:15,920 --> 00:47:18,439
Speaker 1: have started the interview now because I fuck with y'all now, Bro,

945
00:47:18,719 --> 00:47:22,080
Speaker 1: I shit you not. Kevin Gates after that interview, stayed

946
00:47:22,080 --> 00:47:25,000
Speaker 1: at the radio station for a long aass time, at

947
00:47:25,080 --> 00:47:28,800
Speaker 1: least an hour, hanging out playing music for us, and shit,

948
00:47:29,280 --> 00:47:32,600
Speaker 1: it wasn't weird or nothing. Susan camera came on, it

949
00:47:32,680 --> 00:47:36,040
Speaker 1: was weird. So it was a lot of backlash. We

950
00:47:36,080 --> 00:47:38,759
Speaker 1: did have one interview we had to take down, which

951
00:47:38,760 --> 00:47:43,359
Speaker 1: one Oh uh Tianna Trump. Yeah we did. Yeah, so

952
00:47:43,400 --> 00:47:45,840
Speaker 1: we had an interview with Tianna Trump that went my

953
00:47:46,480 --> 00:47:49,560
Speaker 1: rule as fuck. That was amazing. That shit was booming

954
00:47:49,600 --> 00:47:51,960
Speaker 1: on Twitter. There's like Twitter clips that got like six

955
00:47:52,040 --> 00:47:54,840
Speaker 1: million views on that. That was an amazing interview. We

956
00:47:54,880 --> 00:47:58,040
Speaker 1: had this crazy ass interview with Tiana Trump and Vickie Chase. Yoh,

957
00:47:58,280 --> 00:48:01,040
Speaker 1: I forgot it. I still the clip in my archive.

958
00:48:01,120 --> 00:48:03,600
Speaker 1: And right around that time, we had like a ratings

959
00:48:03,600 --> 00:48:06,240
Speaker 1: meeting with our boss. It was like, Yo, y'all's ratings

960
00:48:06,239 --> 00:48:10,200
Speaker 1: with females in the ship right now. So then we

961
00:48:10,280 --> 00:48:12,560
Speaker 1: put out this fucking interview with these two porn stars

962
00:48:12,560 --> 00:48:15,960
Speaker 1: and they're talking crazy yo. I've still got the clip.

963
00:48:15,960 --> 00:48:18,799
Speaker 1: I think the interviews on porn Hub. I still got

964
00:48:18,840 --> 00:48:21,000
Speaker 1: that one clip in my phone right now. And they

965
00:48:21,040 --> 00:48:29,160
Speaker 1: were talking crazy yo. And then well they took it down. Yeah,

966
00:48:29,280 --> 00:48:31,360
Speaker 1: that one. That one was a little raunchy, but it

967
00:48:31,440 --> 00:48:36,120
Speaker 1: was fire. That ship was fire, yo. That was one

968
00:48:36,160 --> 00:48:39,959
Speaker 1: of my favorite. That was one of my favorite. Ship

969
00:48:40,200 --> 00:48:43,839
Speaker 1: was tired Yo. Me and Hendry just like because they

970
00:48:43,840 --> 00:48:46,040
Speaker 1: were just talking amongst each other. Here we're looking at

971
00:48:46,080 --> 00:48:50,520
Speaker 1: each other like, yeah, what the fuck is going on

972
00:48:50,520 --> 00:48:54,480
Speaker 1: on me? Yo? That ship was wild. Yo. Look let

973
00:48:54,520 --> 00:48:57,400
Speaker 1: me play you this I got this ship in my

974
00:48:57,480 --> 00:49:00,440
Speaker 1: thing in my phone right now, I'm gonna play audio

975
00:49:00,719 --> 00:49:06,320
Speaker 1: for your podcast. But bro, when I tell you here's

976
00:49:06,360 --> 00:49:08,880
Speaker 1: the clips, got ready to go. Nah, I had to

977
00:49:08,880 --> 00:49:13,600
Speaker 1: pull it up look the thing before. I would just

978
00:49:13,600 --> 00:49:15,399
Speaker 1: say it was crazy just because it was so many

979
00:49:15,440 --> 00:49:17,840
Speaker 1: different Like at the end when they needed to come,

980
00:49:18,280 --> 00:49:21,400
Speaker 1: it was so many types of different comes on my face.

981
00:49:21,480 --> 00:49:24,560
Speaker 1: Like there was like the like thick comes, and then

982
00:49:24,600 --> 00:49:27,319
Speaker 1: there was like the super water comes and they're like

983
00:49:27,360 --> 00:49:29,680
Speaker 1: the all that was in my mouth and ship and

984
00:49:29,680 --> 00:49:34,840
Speaker 1: I had a swallow like you know what I mean, guys,

985
00:49:34,880 --> 00:49:37,200
Speaker 1: I'm gonna go. And then but that I don't know.

986
00:49:37,320 --> 00:49:39,200
Speaker 1: That was crazy. The craziest one I would say I

987
00:49:39,200 --> 00:49:41,319
Speaker 1: have done is with a Bella and they shot a

988
00:49:41,320 --> 00:49:43,759
Speaker 1: bunch of gummy bears upriss and then fucked her and

989
00:49:43,800 --> 00:49:45,799
Speaker 1: they all melted and she shipped them in my mouth.

990
00:49:47,160 --> 00:49:52,080
Speaker 1: Oh yeah, that's that's crazy. Hey, you know you know what,

991
00:49:52,160 --> 00:49:54,040
Speaker 1: in all honesty, we should have been fired for this,

992
00:49:57,760 --> 00:50:00,320
Speaker 1: if I being honest. We put this on the radio

993
00:50:00,400 --> 00:50:05,960
Speaker 1: station whips Heart Radio. This show I remember DJ A

994
00:50:06,120 --> 00:50:09,920
Speaker 1: hit was like, Yo, what the it over there? Yop? Hey,

995
00:50:10,360 --> 00:50:12,719
Speaker 1: I ain't gonna lie That's one of the moments where

996
00:50:12,719 --> 00:50:14,759
Speaker 1: I was like, yeah, we probably out of here. Yeah,

997
00:50:15,880 --> 00:50:19,279
Speaker 1: it was nice. Yo, we gotta get that was we

998
00:50:19,280 --> 00:50:21,359
Speaker 1: shouldn't did that. We should have at least bleep that show.

999
00:50:21,360 --> 00:50:23,960
Speaker 1: We shouldn't have did we put that on iHeart we

1000
00:50:24,560 --> 00:50:29,320
Speaker 1: should not have done that. That was a rough Uh.

1001
00:50:29,520 --> 00:50:32,560
Speaker 1: That was crazy. I'm glad they kept us after that,

1002
00:50:32,840 --> 00:50:36,879
Speaker 1: to be honest. Cheers. Yeah. Then there was the other

1003
00:50:36,960 --> 00:50:38,880
Speaker 1: other time we took something down was we did a

1004
00:50:38,880 --> 00:50:40,919
Speaker 1: pop smoke interview and he hit me directly and asked

1005
00:50:40,920 --> 00:50:43,439
Speaker 1: to take the interview down. Yep. Yeah, that pop Smoke

1006
00:50:43,520 --> 00:50:47,480
Speaker 1: interview was interesting. People still hit me up about that. Yeah,

1007
00:50:47,480 --> 00:50:49,160
Speaker 1: there's there's clips of it because it was up for

1008
00:50:49,200 --> 00:50:51,839
Speaker 1: like three days and you know, people ripped it and ship.

1009
00:50:51,920 --> 00:50:55,319
Speaker 1: But he was just like, man, I think I still

1010
00:50:55,360 --> 00:50:56,960
Speaker 1: have the text. He just like hit I know, he

1011
00:50:57,040 --> 00:50:59,200
Speaker 1: called me. He was like, Yo, cab man, look, I

1012
00:50:59,200 --> 00:51:00,800
Speaker 1: don't like I don't like that interview. I feel like

1013
00:51:00,800 --> 00:51:02,200
Speaker 1: I could have gave you a better interview. I'm mould

1014
00:51:02,239 --> 00:51:03,760
Speaker 1: be back in like a month. We could do it better.

1015
00:51:04,600 --> 00:51:06,560
Speaker 1: And I want to say that was the tripund of

1016
00:51:06,600 --> 00:51:09,839
Speaker 1: passing away. Yep. So we took the interview down and

1017
00:51:10,040 --> 00:51:12,560
Speaker 1: uh yeah, people we talked about it though after like

1018
00:51:12,560 --> 00:51:14,560
Speaker 1: should we just drop it? But like out of respect,

1019
00:51:14,840 --> 00:51:17,000
Speaker 1: like nah, yeah, I mean a lot of the interviews

1020
00:51:17,040 --> 00:51:21,719
Speaker 1: out there on like his fan pages and stuff. But yeah,

1021
00:51:21,719 --> 00:51:26,320
Speaker 1: I think we were the first outside of maybe Drewski

1022
00:51:26,520 --> 00:51:30,120
Speaker 1: to interview pop smoke. Yeah, yep, we were the first

1023
00:51:30,160 --> 00:51:33,280
Speaker 1: major platform to interview him. Yeah. Now, I think, I think,

1024
00:51:33,560 --> 00:51:36,920
Speaker 1: and it's it's crazy to see what his album actually

1025
00:51:37,040 --> 00:51:39,440
Speaker 1: end up becoming because I didn't expect his album to

1026
00:51:39,480 --> 00:51:41,439
Speaker 1: be like that at all. I thought it was gonna

1027
00:51:41,440 --> 00:51:44,720
Speaker 1: be all deord out and it ended up being like fire.

1028
00:51:44,840 --> 00:51:46,440
Speaker 1: I was like, damn, I wish he was here for

1029
00:51:46,440 --> 00:51:50,680
Speaker 1: this is it is? You know? Yeah, man, it's crazy. Yeah.

1030
00:51:50,719 --> 00:51:53,600
Speaker 1: I think that, uh, we have some good moments. Man.

1031
00:51:53,600 --> 00:51:56,880
Speaker 1: I think that, uh you know, I think for sure,

1032
00:51:57,040 --> 00:52:00,680
Speaker 1: like what we were doing made everyone else step their

1033
00:52:00,680 --> 00:52:04,800
Speaker 1: shit up. Oh for sure, period for sure. I also

1034
00:52:04,840 --> 00:52:08,880
Speaker 1: think that when you look at the way radio, the

1035
00:52:08,920 --> 00:52:13,040
Speaker 1: way radio was done, it's so like antiquated in old school,

1036
00:52:13,160 --> 00:52:15,200
Speaker 1: like the way people were doing it in comparison to

1037
00:52:15,239 --> 00:52:17,719
Speaker 1: how we started doing our shit. It was more like

1038
00:52:18,280 --> 00:52:20,600
Speaker 1: we don't really care about the fluff there's no like

1039
00:52:20,680 --> 00:52:24,399
Speaker 1: gloss on this shit. It's just some raw radio shit.

1040
00:52:24,680 --> 00:52:27,520
Speaker 1: And I felt like the Breakfast Club obviously kicked in

1041
00:52:27,560 --> 00:52:29,600
Speaker 1: the door when it comes to that that lane, of course,

1042
00:52:29,640 --> 00:52:32,399
Speaker 1: of course, but I felt like we were almost taking

1043
00:52:32,400 --> 00:52:35,600
Speaker 1: a podcast approach to radio, whereas it was like we

1044
00:52:35,600 --> 00:52:37,719
Speaker 1: were just having conversations and then whatever we got from

1045
00:52:37,719 --> 00:52:40,640
Speaker 1: that conversation, we were truncated down and that would be

1046
00:52:40,640 --> 00:52:43,960
Speaker 1: the radio show, all right, right, Yeah, And then I

1047
00:52:44,080 --> 00:52:45,680
Speaker 1: just had a fucking thought and it just went away.

1048
00:52:46,880 --> 00:52:49,480
Speaker 1: God damn it. I just had a good thought about

1049
00:52:49,840 --> 00:52:54,480
Speaker 1: something we did. I don't remember. Well. Another thought that

1050
00:52:54,520 --> 00:52:57,000
Speaker 1: I had too, is we have a lot of moments

1051
00:52:57,000 --> 00:52:59,799
Speaker 1: in history as far as like oh not even the

1052
00:53:00,360 --> 00:53:03,120
Speaker 1: but I'm get tagged and ship where it's like I'm

1053
00:53:03,120 --> 00:53:05,400
Speaker 1: talking about like, bro, we did we did the Nipsey

1054
00:53:05,560 --> 00:53:08,640
Speaker 1: passing Dude. That was crazy because that was I was

1055
00:53:08,680 --> 00:53:12,479
Speaker 1: on the air Sundays. Check this out the Sunday Nipsey died.

1056
00:53:13,080 --> 00:53:15,120
Speaker 1: Nipsey died on a Sunday, Kobe died on a Sunday.

1057
00:53:15,840 --> 00:53:17,239
Speaker 1: I was on the air for both of those, yep.

1058
00:53:17,480 --> 00:53:19,080
Speaker 1: And then you came into my shift and we ended

1059
00:53:19,160 --> 00:53:23,160
Speaker 1: up doing the Nipsey thing. Yep, that was rough. Rough, bro.

1060
00:53:23,520 --> 00:53:26,120
Speaker 1: I think that was probably the roughest. Uh. You know,

1061
00:53:26,120 --> 00:53:29,399
Speaker 1: obviously Kobe dying was rough, but we knew nip you know, Uh,

1062
00:53:30,200 --> 00:53:33,200
Speaker 1: that was the roughest. Ship was to do that radio show.

1063
00:53:34,200 --> 00:53:37,440
Speaker 1: That was rough and all I could think about. And

1064
00:53:37,480 --> 00:53:42,240
Speaker 1: then we also, you knew because we were on almost

1065
00:53:42,320 --> 00:53:45,320
Speaker 1: right away. Yeah, and you I think you had information

1066
00:53:45,400 --> 00:53:47,640
Speaker 1: that it wasn't looking good. But while we were on

1067
00:53:47,680 --> 00:53:50,120
Speaker 1: the air, we couldn't divulge that. Yeah, I couldn't talk

1068
00:53:50,120 --> 00:53:51,799
Speaker 1: about it. Yeah, we were waiting for it to come

1069
00:53:51,800 --> 00:53:54,160
Speaker 1: down that it was official that he passed. And then yeah,

1070
00:53:54,200 --> 00:53:56,440
Speaker 1: one of my homies, one of my homies, one of

1071
00:53:56,480 --> 00:53:58,040
Speaker 1: my street homies hit me and was like, yeah, it's

1072
00:53:58,120 --> 00:53:59,880
Speaker 1: it's it's a rap, bro, Like, I just want you

1073
00:54:00,160 --> 00:54:02,000
Speaker 1: the first to know because you know that he fucked

1074
00:54:02,040 --> 00:54:05,160
Speaker 1: with you tough. So I was like what like? So

1075
00:54:05,200 --> 00:54:07,960
Speaker 1: then Doc hit me and was like, Yo, you mind

1076
00:54:08,000 --> 00:54:09,759
Speaker 1: going to the station. I'm like, bro, I don't know

1077
00:54:09,800 --> 00:54:12,760
Speaker 1: what to say right and he was like, just be honest,

1078
00:54:13,280 --> 00:54:15,799
Speaker 1: just talk. So I went up there and came up

1079
00:54:15,840 --> 00:54:17,960
Speaker 1: there and we did the show that I was like

1080
00:54:18,120 --> 00:54:20,279
Speaker 1: one of them and all I can think about is

1081
00:54:20,960 --> 00:54:24,160
Speaker 1: those old school radio moments where I remember being I

1082
00:54:24,160 --> 00:54:27,560
Speaker 1: remember being at I remember being on my way to

1083
00:54:27,600 --> 00:54:30,960
Speaker 1: school when nine to eleven happened, and I remember Big

1084
00:54:31,000 --> 00:54:33,360
Speaker 1: Boy being on the air that morning and he just

1085
00:54:33,400 --> 00:54:35,480
Speaker 1: stayed on the air like the whole time, and he

1086
00:54:35,560 --> 00:54:37,840
Speaker 1: was just like, yo, if you go outside and look up,

1087
00:54:37,880 --> 00:54:40,920
Speaker 1: there's no planes in the sky in the country. And

1088
00:54:40,960 --> 00:54:43,040
Speaker 1: I was like, I remember, I literally remember that. And

1089
00:54:43,080 --> 00:54:44,640
Speaker 1: I was like, this is one of them things where

1090
00:54:44,680 --> 00:54:48,239
Speaker 1: people are going to be remembering this shit. And I

1091
00:54:48,239 --> 00:54:50,120
Speaker 1: thought about this after the fact. Obviously I'm not thinking

1092
00:54:50,160 --> 00:54:52,160
Speaker 1: about that while we're doing the show, but I'm thinking

1093
00:54:52,160 --> 00:54:54,000
Speaker 1: about this after the fact, like people have been with

1094
00:54:54,080 --> 00:54:57,120
Speaker 1: us for moments that probably they're going to remember for

1095
00:54:57,160 --> 00:54:59,839
Speaker 1: the rest of their life, and that shit is that's

1096
00:54:59,840 --> 00:55:02,400
Speaker 1: the ship to me that it's like, yeah, it's crazy,

1097
00:55:02,400 --> 00:55:07,480
Speaker 1: that's fire. Kobe's death was so big in the world,

1098
00:55:08,239 --> 00:55:12,000
Speaker 1: but I don't feel like it the impact it felt

1099
00:55:12,040 --> 00:55:15,520
Speaker 1: like here like Nipsey Ship felt way crazy. Well it

1100
00:55:15,560 --> 00:55:19,840
Speaker 1: was because I think what happened was like Nipsey was murdered.

1101
00:55:21,440 --> 00:55:24,920
Speaker 1: I think it's the like Kobe's death was horrible and tragic.

1102
00:55:25,680 --> 00:55:28,799
Speaker 1: It was horrible. Yeah, but the way Nipsey died, man,

1103
00:55:28,960 --> 00:55:32,080
Speaker 1: we saw it every in broad daylight, like it was

1104
00:55:32,160 --> 00:55:36,160
Speaker 1: just a complete raising act of like murder, you know

1105
00:55:36,200 --> 00:55:39,680
Speaker 1: what I'm saying. So it's like that to me is

1106
00:55:39,800 --> 00:55:41,440
Speaker 1: like something because then also you got to look at

1107
00:55:41,440 --> 00:55:44,360
Speaker 1: what he what he represented. Yeah, it's not even what

1108
00:55:44,440 --> 00:55:46,640
Speaker 1: he did or who he was, nobody give a fuck.

1109
00:55:46,880 --> 00:55:51,240
Speaker 1: What you represent is like everything. And if you represent hope,

1110
00:55:51,360 --> 00:55:55,719
Speaker 1: you represent community, you represent you know, aspiration, entrepreneurship, giving back,

1111
00:55:55,760 --> 00:55:57,920
Speaker 1: whatever it is you represent, and then some and then

1112
00:55:58,000 --> 00:56:00,200
Speaker 1: you that that type of thing happened to you where

1113
00:56:00,280 --> 00:56:02,919
Speaker 1: it happened to him. I think it makes everybody question

1114
00:56:03,000 --> 00:56:05,600
Speaker 1: their own mortality. And I think that's what that's that

1115
00:56:05,719 --> 00:56:09,839
Speaker 1: ship that shakes everybody. Yeah, that was rough, that one.

1116
00:56:10,000 --> 00:56:12,239
Speaker 1: The Kobe shit. I was numb for the Kobe shit

1117
00:56:12,360 --> 00:56:14,600
Speaker 1: to be. I didn't even process it till like a

1118
00:56:14,600 --> 00:56:18,080
Speaker 1: month later. Yeah, the Kobe shit, I was really really sad.

1119
00:56:18,120 --> 00:56:19,759
Speaker 1: And I never even fuck with Kobe when it was

1120
00:56:19,800 --> 00:56:22,000
Speaker 1: like I was, I'm a I don't fuck with the Lakers.

1121
00:56:22,000 --> 00:56:24,080
Speaker 1: I fuck with him now because Lebron's on there. But

1122
00:56:24,120 --> 00:56:26,720
Speaker 1: growing up I hated Kobe, right, but I like didn't

1123
00:56:26,719 --> 00:56:28,560
Speaker 1: hate him in like a real way, I just as

1124
00:56:28,560 --> 00:56:32,320
Speaker 1: a sports fans. But when he died, I was like shit,

1125
00:56:32,600 --> 00:56:36,120
Speaker 1: like this was like a part of my life. Facts,

1126
00:56:36,160 --> 00:56:39,560
Speaker 1: Like I watched this guy played basketball's entire career, like

1127
00:56:39,719 --> 00:56:43,719
Speaker 1: and now this was gone, Like you never know, you

1128
00:56:43,920 --> 00:56:46,960
Speaker 1: never know, bro. That's That's one of the things to me.

1129
00:56:47,040 --> 00:56:50,480
Speaker 1: Even when Pop Smoke got murdered like it was, it's

1130
00:56:50,560 --> 00:56:53,200
Speaker 1: like different things that like I never thought would be

1131
00:56:53,200 --> 00:56:55,520
Speaker 1: a part of my radio career. Yo. The fact that

1132
00:56:55,560 --> 00:57:03,280
Speaker 1: we lost Pop Smoke X Juice World yep, Nipsey Kobe

1133
00:57:04,360 --> 00:57:08,480
Speaker 1: mac Miller yep, all while we were doing the show yep.

1134
00:57:09,320 --> 00:57:12,560
Speaker 1: It is insane. I feel like we're forgetting people. Oh

1135
00:57:12,600 --> 00:57:14,799
Speaker 1: for sure, a lot of people have been passing man,

1136
00:57:15,000 --> 00:57:16,960
Speaker 1: were for sure forgetting people. But I'm just saying though

1137
00:57:17,120 --> 00:57:19,919
Speaker 1: that I've never thought about, like, oh, this is gonna

1138
00:57:19,920 --> 00:57:22,080
Speaker 1: be a part of my radio journey. Yeah, because even

1139
00:57:22,120 --> 00:57:24,600
Speaker 1: with Pop Smoke, like Pop Smoke, like you know, he

1140
00:57:24,640 --> 00:57:26,760
Speaker 1: did a lot of interviews, but he didn't do that many. Nah,

1141
00:57:26,760 --> 00:57:28,440
Speaker 1: he didn't do a lot of interviews. He didn't do

1142
00:57:28,480 --> 00:57:30,840
Speaker 1: a lot. So it's like, yo, we have like you know,

1143
00:57:30,920 --> 00:57:32,640
Speaker 1: we talked to him really early on, and he was

1144
00:57:32,680 --> 00:57:35,160
Speaker 1: cool as fuck, like he was always super nice, super cool,

1145
00:57:35,680 --> 00:57:39,360
Speaker 1: and he had just so much, just so much, like

1146
00:57:39,440 --> 00:57:41,560
Speaker 1: more to give. And then also if you look at

1147
00:57:41,600 --> 00:57:44,160
Speaker 1: the other side of the spectrum, when we had YNW.

1148
00:57:44,280 --> 00:57:46,760
Speaker 1: Melly on, he went to jail the next day or

1149
00:57:46,800 --> 00:57:48,760
Speaker 1: the day after we did the last interview, the last

1150
00:57:48,880 --> 00:57:52,280
Speaker 1: interview before he got locked up. Yep. Yeah, it's crazy, man,

1151
00:57:52,320 --> 00:57:55,560
Speaker 1: there's a lot of shit. Dog. I think one of

1152
00:57:55,560 --> 00:58:02,560
Speaker 1: my favorites, though, one of my favorites probably ever was

1153
00:58:02,600 --> 00:58:05,200
Speaker 1: T Pain. Oh. The T Paint interview is a legendary

1154
00:58:05,320 --> 00:58:07,520
Speaker 1: love Ta Pain, Bro. He's so yeah, we're talking for

1155
00:58:07,560 --> 00:58:09,800
Speaker 1: like an hour at least. I love T Pain. He's

1156
00:58:09,840 --> 00:58:11,919
Speaker 1: an That T Paint interview was a movie. He's so

1157
00:58:12,080 --> 00:58:14,520
Speaker 1: entertain he's so honest and funny. And we got drunk,

1158
00:58:14,600 --> 00:58:16,800
Speaker 1: well I got drunk. Remember we were taking shots, Yeah

1159
00:58:16,840 --> 00:58:19,960
Speaker 1: you did. And I like fifty fifty was dope. I

1160
00:58:20,000 --> 00:58:22,800
Speaker 1: love how honest fifty is ross was dope. Well, we've

1161
00:58:22,800 --> 00:58:25,400
Speaker 1: got some good ones. I mean the Haiti Baby freestyle

1162
00:58:25,440 --> 00:58:30,160
Speaker 1: went crazy, bro, the Haiti Baby freestyle. Bro, you had

1163
00:58:30,240 --> 00:58:31,880
Speaker 1: him on your show. I had him on mine after

1164
00:58:31,880 --> 00:58:34,600
Speaker 1: the fact, and I love the fact that he like

1165
00:58:35,040 --> 00:58:37,280
Speaker 1: he leans into that, like, that's part of my legacy.

1166
00:58:37,480 --> 00:58:39,320
Speaker 1: It's the biggest part of his legacy at this point.

1167
00:58:40,040 --> 00:58:41,600
Speaker 1: That's the homie. But yeah, I mean right now, like

1168
00:58:41,600 --> 00:58:44,200
Speaker 1: with it, nothing he's done, it's ever been bigger than that. Yeah,

1169
00:58:44,240 --> 00:58:46,760
Speaker 1: that shit had Rihanna tweeting and Chrissy Diagan tweeting about him,

1170
00:58:46,760 --> 00:58:50,440
Speaker 1: and mill posted him like that shit's insane. Facts fucking

1171
00:58:50,440 --> 00:58:53,560
Speaker 1: Haiti baby shots of Stockton Man. You know. The other

1172
00:58:53,600 --> 00:58:56,400
Speaker 1: thing we did on the air that we weren't crazy

1173
00:58:56,400 --> 00:58:59,240
Speaker 1: about was something called the celebrity smash. Man. So we

1174
00:58:59,280 --> 00:59:01,560
Speaker 1: had a big called the Selebrity Smash, which in theory

1175
00:59:01,640 --> 00:59:04,760
Speaker 1: is an amazing idea. Uh. And it was where we

1176
00:59:04,840 --> 00:59:08,520
Speaker 1: had people call in and give us stories about times

1177
00:59:08,520 --> 00:59:12,760
Speaker 1: they fucked celebrities celebrities. And this was our boss, Doc

1178
00:59:12,800 --> 00:59:15,280
Speaker 1: Winners idea and it and he had tried it with

1179
00:59:15,320 --> 00:59:18,880
Speaker 1: the Breakfast Club and and and the problem was was

1180
00:59:18,880 --> 00:59:21,520
Speaker 1: it it was a great idea, but to execute it

1181
00:59:21,560 --> 00:59:23,840
Speaker 1: without putting people's names out there or trying to make

1182
00:59:23,880 --> 00:59:29,720
Speaker 1: it too obvious that people knew, because at the end

1183
00:59:29,760 --> 00:59:32,840
Speaker 1: of the day, you want listeners to be in on it. Yeah,

1184
00:59:32,880 --> 00:59:34,680
Speaker 1: So we got to the point where we had to

1185
00:59:34,800 --> 00:59:36,440
Speaker 1: edit so much of these calls we were getting it.

1186
00:59:36,560 --> 00:59:39,520
Speaker 1: It was so like bland and kind of took away

1187
00:59:39,520 --> 00:59:44,280
Speaker 1: from the original appeal of the bit. Yeah, now I

1188
00:59:44,280 --> 00:59:46,560
Speaker 1: think the I think the celebrity smash will work in

1189
00:59:46,640 --> 00:59:49,000
Speaker 1: nineteen ninety eight, if you know, I think it'll work now.

1190
00:59:49,040 --> 00:59:50,600
Speaker 1: It's just you have to you have to say who

1191
00:59:50,680 --> 00:59:52,840
Speaker 1: it is. You got to. But the only problem is

1192
00:59:52,880 --> 00:59:54,600
Speaker 1: you can't do that now because because people will be

1193
00:59:54,640 --> 00:59:57,080
Speaker 1: he had slander and yeah, all kind of stuff. Bro,

1194
00:59:57,520 --> 00:59:59,720
Speaker 1: if you can say who it is, it'll work. Listen.

1195
01:00:00,920 --> 01:00:04,760
Speaker 1: We had some guy call the first week we did

1196
01:00:04,800 --> 01:00:08,200
Speaker 1: this thing. We did the celebrity sites, which I'm not

1197
01:00:08,240 --> 01:00:11,760
Speaker 1: talking about this one. Yes, go ahead, I'm not going

1198
01:00:11,800 --> 01:00:14,600
Speaker 1: to say who he said. He oh, but we had

1199
01:00:14,600 --> 01:00:22,000
Speaker 1: this guy calling and he told us a story about

1200
01:00:22,400 --> 01:00:24,520
Speaker 1: twelve minute phone call. It's a twelve minute phone call.

1201
01:00:24,600 --> 01:00:28,640
Speaker 1: We still got the call about this a man who

1202
01:00:28,680 --> 01:00:37,840
Speaker 1: called and talked about his sexual relationship with a very

1203
01:00:37,880 --> 01:00:43,600
Speaker 1: prominent mogul and hip hop Yes, and gave details details,

1204
01:00:43,880 --> 01:00:49,720
Speaker 1: extreme details in which made it extremely believable. With this guy.

1205
01:00:51,040 --> 01:00:54,560
Speaker 1: And when I say it had us like because because

1206
01:00:54,560 --> 01:00:56,560
Speaker 1: we started that bit and almost right away we got

1207
01:00:56,560 --> 01:00:59,160
Speaker 1: that call and we were like, oh, this shit about

1208
01:00:59,160 --> 01:01:05,040
Speaker 1: to be crazy, this shit about to go crazy. Sure,

1209
01:01:05,200 --> 01:01:06,600
Speaker 1: I was like, well, we're about to get into so

1210
01:01:06,680 --> 01:01:09,360
Speaker 1: much trouble. And the person in which this guy put

1211
01:01:09,720 --> 01:01:12,400
Speaker 1: on blast is someone whom you don't want to fuck

1212
01:01:12,480 --> 01:01:19,400
Speaker 1: with in the no smoke, no smoke. So right, so

1213
01:01:19,440 --> 01:01:22,400
Speaker 1: we sent we send it over to uh our boss,

1214
01:01:22,440 --> 01:01:23,800
Speaker 1: and he's like, you got to take this out. Take

1215
01:01:23,840 --> 01:01:25,959
Speaker 1: this out. Take this out, Take this out, Take this out. Cool.

1216
01:01:26,040 --> 01:01:27,919
Speaker 1: It ended up still being very appealing on the air,

1217
01:01:29,160 --> 01:01:32,240
Speaker 1: but that bit could have if it was like ninety

1218
01:01:32,320 --> 01:01:35,240
Speaker 1: nine and we were doing that bit and we were

1219
01:01:35,280 --> 01:01:40,040
Speaker 1: letting these names fly. Oh, a lot of the people

1220
01:01:40,080 --> 01:01:42,080
Speaker 1: who call they was just running the mill groupie ship.

1221
01:01:42,200 --> 01:01:44,480
Speaker 1: I was in San Diego with my girl and I

1222
01:01:44,560 --> 01:01:47,680
Speaker 1: ended up fucking whoever the fuck right? Oh yeah, of

1223
01:01:47,680 --> 01:01:51,600
Speaker 1: course you did, of course you did. Or but then

1224
01:01:51,600 --> 01:01:55,280
Speaker 1: there was there was something. There was a few that

1225
01:01:55,440 --> 01:01:59,080
Speaker 1: were kind of crazy crazy, And a lot of it

1226
01:01:59,120 --> 01:02:01,840
Speaker 1: too was because like these people would be married or

1227
01:02:02,000 --> 01:02:05,000
Speaker 1: there would there would be some sort of remember the family,

1228
01:02:05,160 --> 01:02:08,840
Speaker 1: the girl from the Big family with the NDA. Yes, yeah, bro,

1229
01:02:10,200 --> 01:02:12,120
Speaker 1: the girl from the Big family with the NDA I

1230
01:02:12,160 --> 01:02:15,600
Speaker 1: do remember, yeah, yeah, and and and mind you, who

1231
01:02:15,680 --> 01:02:18,560
Speaker 1: knows if these people were telling the truth. But we

1232
01:02:18,600 --> 01:02:22,880
Speaker 1: got bro that call about that mogul was that ship

1233
01:02:23,080 --> 01:02:26,240
Speaker 1: was crazy crazy. I'd still be playing that ship for people.

1234
01:02:26,920 --> 01:02:33,080
Speaker 1: Oh yeah, yo, I don't play it for nobody in

1235
01:02:33,640 --> 01:02:38,480
Speaker 1: this ship leak. I destroyed it. But yeah, that was

1236
01:02:38,520 --> 01:02:41,400
Speaker 1: that was a wild Uh, that was a pretty wild

1237
01:02:41,560 --> 01:02:43,680
Speaker 1: wild bit we did. Yeah, we ended up not doing

1238
01:02:43,720 --> 01:02:45,240
Speaker 1: it because it just kind of got too watered down.

1239
01:02:45,280 --> 01:02:47,400
Speaker 1: And then we got in trouble A bunch of shit,

1240
01:02:47,560 --> 01:02:49,520
Speaker 1: got it. We stayed you know what, I've never been

1241
01:02:49,520 --> 01:02:51,040
Speaker 1: in trouble so much in my life and doing the

1242
01:02:51,080 --> 01:02:54,520
Speaker 1: show with you, yeah, I mean every time they said yeah,

1243
01:02:54,560 --> 01:02:57,880
Speaker 1: I mean you know, no, I don't know. Niggas stayed

1244
01:02:57,880 --> 01:03:02,400
Speaker 1: in the principal's office like what we do. Ah shit,

1245
01:03:05,240 --> 01:03:09,280
Speaker 1: he said, yeah, now that that was a good time.

1246
01:03:09,320 --> 01:03:12,040
Speaker 1: So for people who are watching this, I think it's

1247
01:03:12,080 --> 01:03:16,080
Speaker 1: important because there's aspiring radio personalities or people who think

1248
01:03:16,080 --> 01:03:17,720
Speaker 1: they want to get into radio who are watching this,

1249
01:03:18,520 --> 01:03:21,680
Speaker 1: and you and I keep having this discussion about our

1250
01:03:21,720 --> 01:03:26,280
Speaker 1: business and the future of it and where it is.

1251
01:03:26,720 --> 01:03:30,000
Speaker 1: What would you tell someone like that who's got zero

1252
01:03:30,040 --> 01:03:34,720
Speaker 1: radio experience, but their aspiration is to be a radio

1253
01:03:34,760 --> 01:03:38,200
Speaker 1: personality like us started to start with your platform. Now

1254
01:03:38,440 --> 01:03:42,480
Speaker 1: build it. Build your platform. Don't don't like, don't wait

1255
01:03:42,480 --> 01:03:45,000
Speaker 1: for the people. Don't like wait for the right opportunity,

1256
01:03:45,040 --> 01:03:48,280
Speaker 1: don't go bagging for a job. Build your platform. Start

1257
01:03:48,320 --> 01:03:50,600
Speaker 1: off like with your own like Blue Leg CAF podcasts

1258
01:03:50,680 --> 01:03:54,040
Speaker 1: or Homegong Radio or so many other entities that people

1259
01:03:54,040 --> 01:03:56,520
Speaker 1: are doing. You know what I'm saying, the brilliant idots,

1260
01:03:56,640 --> 01:03:58,960
Speaker 1: Joe Budden Pocket, whatever you want to build, build your

1261
01:03:58,960 --> 01:04:02,600
Speaker 1: own ship and then take that somewhere to a platform

1262
01:04:02,600 --> 01:04:05,200
Speaker 1: that might want the content. It's almost like because the

1263
01:04:05,200 --> 01:04:07,200
Speaker 1: old school doing shit as far as like oh I'm

1264
01:04:07,200 --> 01:04:09,000
Speaker 1: gonna start as an intern and work my way up.

1265
01:04:09,040 --> 01:04:11,280
Speaker 1: That's cool that it's almost dead though, but it's almost

1266
01:04:11,320 --> 01:04:14,840
Speaker 1: a non non it's almost non existent because of the

1267
01:04:14,880 --> 01:04:17,520
Speaker 1: simple fact the way the industry has changed. It's almost

1268
01:04:17,560 --> 01:04:19,720
Speaker 1: like you got already have some shit going on. Especially

1269
01:04:19,800 --> 01:04:23,160
Speaker 1: I mean, obviously we're in LA you know, we're speaking

1270
01:04:23,200 --> 01:04:25,720
Speaker 1: from being in market number two. That's fact. So you

1271
01:04:26,000 --> 01:04:28,720
Speaker 1: so it's it's a lot harder to like think of

1272
01:04:29,080 --> 01:04:31,840
Speaker 1: Jason from Hollywood Have Locked. That's true. Jason from Ollie

1273
01:04:31,840 --> 01:04:34,400
Speaker 1: would have locked had this huge platform. They gave him

1274
01:04:34,400 --> 01:04:36,320
Speaker 1: a syndication deal. At iHeart he's got the Weekend show

1275
01:04:36,400 --> 01:04:38,960
Speaker 1: him and damage. They already had some shit going. But

1276
01:04:39,000 --> 01:04:42,800
Speaker 1: I also say that if you're in Wichita, Kansas. Yeah,

1277
01:04:42,840 --> 01:04:44,480
Speaker 1: you know what I'm saying. If you're in wich of Tak, Kansas,

1278
01:04:44,640 --> 01:04:48,240
Speaker 1: start your podcast and take your podcast to the radio

1279
01:04:48,320 --> 01:04:49,920
Speaker 1: station and be like, this is what I do. I

1280
01:04:49,960 --> 01:04:52,280
Speaker 1: would love to do that here or whatever the case

1281
01:04:52,320 --> 01:04:54,920
Speaker 1: may be. But have some action items to show people.

1282
01:04:54,960 --> 01:04:57,320
Speaker 1: Don't just go in blind and be like, hey, I

1283
01:04:57,320 --> 01:04:59,280
Speaker 1: want you know, I want to here's my here's the

1284
01:04:59,280 --> 01:05:02,160
Speaker 1: burden of training. You mean, how to be a personality. Yeah,

1285
01:05:02,160 --> 01:05:06,560
Speaker 1: I think that people got to realize is nowadays more

1286
01:05:06,600 --> 01:05:11,200
Speaker 1: than ever those Witchitalk Kansas jobs or those first of all,

1287
01:05:11,240 --> 01:05:14,600
Speaker 1: they don't pay nothing. Second of all, they're those those

1288
01:05:14,920 --> 01:05:18,960
Speaker 1: slots are dying. Yeah, I mean that's what I'm saying.

1289
01:05:19,040 --> 01:05:21,240
Speaker 1: I would say, build your platform. You said you gotta

1290
01:05:21,240 --> 01:05:24,080
Speaker 1: be undeniable, be undeniable, and radio you gotta be undeniable.

1291
01:05:24,120 --> 01:05:26,520
Speaker 1: If you don't cut through the brow, you have to

1292
01:05:26,560 --> 01:05:30,880
Speaker 1: be undeniable. Roddy Rich was a great interview too. Yeah,

1293
01:05:30,960 --> 01:05:34,800
Speaker 1: Roddy was dope. Yeah, Yeah, Roddy's a perfect someone who's undeniable,

1294
01:05:34,880 --> 01:05:41,000
Speaker 1: be undeniable dog, Yeah, undeniable. Well uh. And then Homegowing Radio.

1295
01:05:41,600 --> 01:05:45,040
Speaker 1: Are you guys still doing like the weekly podcast up?

1296
01:05:46,400 --> 01:05:48,720
Speaker 1: So you guys started that in one year twenty ten

1297
01:05:48,840 --> 01:05:52,360
Speaker 1: or twenty eleven, twenty we started doing Homegrown yeah, two

1298
01:05:52,400 --> 01:05:55,680
Speaker 1: thousand and nine oh nine in Chuck's apartment. In Chuck's apartment,

1299
01:05:56,480 --> 01:05:59,760
Speaker 1: and then that turned into now you're doing Knights in

1300
01:05:59,880 --> 01:06:03,040
Speaker 1: l But over the years that was like a thing

1301
01:06:03,880 --> 01:06:06,520
Speaker 1: even if you weren't from La. I remember just you know,

1302
01:06:06,560 --> 01:06:08,160
Speaker 1: I've always been tapped in what would you do? But

1303
01:06:08,200 --> 01:06:09,920
Speaker 1: like just being like, oh that shit is dope, Like

1304
01:06:09,920 --> 01:06:12,200
Speaker 1: like you said, like you had your own thing and

1305
01:06:12,240 --> 01:06:15,680
Speaker 1: whether or not you guys would still do it if

1306
01:06:15,840 --> 01:06:19,280
Speaker 1: iHeart never stepped in facts, That's what I'm saying. But

1307
01:06:19,400 --> 01:06:21,920
Speaker 1: we started doing that, and then it started to it

1308
01:06:21,960 --> 01:06:24,000
Speaker 1: became like just a regular were you go let my

1309
01:06:24,040 --> 01:06:26,600
Speaker 1: son in real quick? We were doing internet radio show,

1310
01:06:26,840 --> 01:06:30,200
Speaker 1: and then it became like, hey, let's do a podcast

1311
01:06:30,280 --> 01:06:32,440
Speaker 1: because and Chuck was resistant because he needs his old

1312
01:06:32,440 --> 01:06:34,840
Speaker 1: school radio. He wanted to mix show and all that.

1313
01:06:35,080 --> 01:06:37,800
Speaker 1: Fuck that we're doing podcasts, and then that became what

1314
01:06:37,840 --> 01:06:40,240
Speaker 1: it is now. But I think, like you said, like

1315
01:06:40,280 --> 01:06:42,800
Speaker 1: if you just build your shit, like people will be

1316
01:06:42,880 --> 01:06:44,920
Speaker 1: invested in you. Like you said, you've been tapped in.

1317
01:06:45,200 --> 01:06:47,040
Speaker 1: If you just build your shit, people are tapped in

1318
01:06:47,080 --> 01:06:49,880
Speaker 1: with you. Yeah, out to Ireland. It's also like when

1319
01:06:49,880 --> 01:06:52,160
Speaker 1: you see people like that, it's like you almost run

1320
01:06:52,160 --> 01:06:53,560
Speaker 1: a route for them. You want to see them win

1321
01:06:53,760 --> 01:06:57,560
Speaker 1: because they've been they've been with you from the jump. Yeah.

1322
01:06:57,640 --> 01:07:00,800
Speaker 1: And and you build your own fan base facts, so

1323
01:07:00,840 --> 01:07:03,240
Speaker 1: you come in with fan base, you come in with analytics,

1324
01:07:03,240 --> 01:07:04,960
Speaker 1: you come in with people that want to hear you

1325
01:07:05,040 --> 01:07:08,960
Speaker 1: or see what you gotta do. You also now are

1326
01:07:09,000 --> 01:07:11,720
Speaker 1: doing something on Big Boys Neighborhood. The head talks, Yeah,

1327
01:07:11,840 --> 01:07:13,640
Speaker 1: that's gonna get me into some shit for people who

1328
01:07:13,720 --> 01:07:18,200
Speaker 1: don't know you. Kind of originally started at iHeart helping

1329
01:07:18,480 --> 01:07:20,360
Speaker 1: like being a part of Big Boys show. Now that

1330
01:07:20,440 --> 01:07:25,240
Speaker 1: was essentially doing you're answering calls. Yeah, yeah, that's that's

1331
01:07:25,280 --> 01:07:28,080
Speaker 1: another thing. I never talked about that when I when

1332
01:07:28,160 --> 01:07:30,959
Speaker 1: when they when I got hired at iHeart, they hired

1333
01:07:30,960 --> 01:07:35,520
Speaker 1: me for two hours a week, right. Eventually something a

1334
01:07:35,560 --> 01:07:38,640
Speaker 1: position open up for me to basically answer the phones

1335
01:07:38,640 --> 01:07:40,600
Speaker 1: and screen calls for Big Boy. I did that for

1336
01:07:40,640 --> 01:07:44,160
Speaker 1: three years, and that's the thing. That's what nobody talks about.

1337
01:07:44,320 --> 01:07:47,720
Speaker 1: It's about doing those types of things. It's like, whatever

1338
01:07:47,760 --> 01:07:50,840
Speaker 1: you bring value, that's number two of my thing. Bring value, yep,

1339
01:07:50,880 --> 01:07:53,520
Speaker 1: be undeniable, and then bring value, that's number two. Whatever

1340
01:07:53,600 --> 01:07:55,880
Speaker 1: room you in, hey, pick up a mop. You know

1341
01:07:55,880 --> 01:07:57,520
Speaker 1: what I'm saying, Go get the door. You know what

1342
01:07:57,560 --> 01:07:59,480
Speaker 1: I'm saying, Go get some put some waters in the refrigerator.

1343
01:07:59,480 --> 01:08:01,440
Speaker 1: Whatever you gotta do to bring value to the situation.

1344
01:08:01,560 --> 01:08:03,560
Speaker 1: That's what I did with Big Boy, and I appreciate

1345
01:08:03,560 --> 01:08:08,160
Speaker 1: that opportunity. I felt like me running boards and editing

1346
01:08:08,320 --> 01:08:10,840
Speaker 1: audio and shit behind the scenes on Big Boy allowed

1347
01:08:10,880 --> 01:08:13,080
Speaker 1: me to get a paid education and how to produce

1348
01:08:13,160 --> 01:08:16,880
Speaker 1: radio on the highest level. It was almost like, you know,

1349
01:08:17,040 --> 01:08:18,920
Speaker 1: a lot of people might be like, man, fuck this,

1350
01:08:19,280 --> 01:08:21,599
Speaker 1: That's how I felt hourly pay but now, but like, yo,

1351
01:08:21,600 --> 01:08:23,679
Speaker 1: you're getting the real That's how I felt at first.

1352
01:08:23,880 --> 01:08:25,920
Speaker 1: If I'm being one hundred percent honest, When I first

1353
01:08:26,000 --> 01:08:28,559
Speaker 1: they first told me about what I would be doing,

1354
01:08:28,800 --> 01:08:29,880
Speaker 1: I was like, man, I want to be on the

1355
01:08:29,880 --> 01:08:34,320
Speaker 1: air though I'm a radio motherfucker. Right, But Sallas was like,

1356
01:08:34,960 --> 01:08:37,080
Speaker 1: get in the room, right, what you're get in the

1357
01:08:37,160 --> 01:08:39,719
Speaker 1: room is over getting the room and bring value. Stop

1358
01:08:39,760 --> 01:08:41,760
Speaker 1: worrying about what you're called when you're in the room.

1359
01:08:41,920 --> 01:08:44,439
Speaker 1: And I'll use that for that same ideology even to

1360
01:08:44,479 --> 01:08:46,400
Speaker 1: this day, Like even with women, it's like, don't worry

1361
01:08:46,400 --> 01:08:48,960
Speaker 1: about what we are, just be do the job that

1362
01:08:49,040 --> 01:08:51,720
Speaker 1: you want before you get the title, which is why

1363
01:08:51,760 --> 01:08:55,920
Speaker 1: you're single West Coast. It's a motherfucker right here. Got

1364
01:08:55,920 --> 01:08:59,639
Speaker 1: the craziest woman philosophies, but they're really not even crazy.

1365
01:08:59,640 --> 01:09:05,200
Speaker 1: They're very practical, very practical. But unfortunately women are practical creatures.

1366
01:09:05,439 --> 01:09:08,840
Speaker 1: They're emotional creatures. I understand, which is why you're single

1367
01:09:08,920 --> 01:09:12,160
Speaker 1: West Coast. I'll be damned. It's like, you know, when

1368
01:09:12,160 --> 01:09:14,640
Speaker 1: people work in McDonald's, they don't eat the food. It's

1369
01:09:14,640 --> 01:09:17,400
Speaker 1: because they know better. By the way, McDonald's is fire.

1370
01:09:17,800 --> 01:09:20,640
Speaker 1: I'm just saying that people who work there they know, Yeah,

1371
01:09:20,760 --> 01:09:22,639
Speaker 1: they just know better. So that's how I look at it.

1372
01:09:23,240 --> 01:09:25,439
Speaker 1: Another a person I want to talk about, who's you know,

1373
01:09:25,479 --> 01:09:27,880
Speaker 1: someone who's been instrumental in my career and obviously in

1374
01:09:27,920 --> 01:09:30,240
Speaker 1: yours is Charlemagne. You've got a great relationship with Charlemagne,

1375
01:09:30,240 --> 01:09:34,519
Speaker 1: as do I. He's always kind of been there when

1376
01:09:34,560 --> 01:09:36,640
Speaker 1: he didn't need to be for me at all. For

1377
01:09:36,720 --> 01:09:39,439
Speaker 1: me either, I think for I think he did the

1378
01:09:39,439 --> 01:09:41,240
Speaker 1: same thing for both of us. Yeah, I mean I

1379
01:09:41,280 --> 01:09:46,120
Speaker 1: remember individually though, Yeah, And like twenty ten, I was

1380
01:09:46,160 --> 01:09:49,360
Speaker 1: in Vegas and I had Yellow Wolf on the show

1381
01:09:49,400 --> 01:09:52,519
Speaker 1: and YELLOWILF talked bad about him, and charloat Mane hit

1382
01:09:52,560 --> 01:09:56,120
Speaker 1: me and was like, yo, I'm more than I forget

1383
01:09:56,120 --> 01:09:57,200
Speaker 1: what he said, but he was like, yo, but you

1384
01:09:57,200 --> 01:09:58,920
Speaker 1: asked the right questions in that interview. And ever since

1385
01:09:58,920 --> 01:10:01,080
Speaker 1: then he just tapped in, you know, DM at each

1386
01:10:01,080 --> 01:10:03,439
Speaker 1: other and then he shouted me out and Vibe magazine

1387
01:10:03,479 --> 01:10:09,840
Speaker 1: in twenty twelve, and he's just always like he's the

1388
01:10:10,880 --> 01:10:14,000
Speaker 1: like the biggest when we think of Charlemagne, like I'm

1389
01:10:14,479 --> 01:10:17,200
Speaker 1: so motivated by that man and inspired by what he does.

1390
01:10:17,840 --> 01:10:22,599
Speaker 1: And in our business, it don't get bigger than him, no, right,

1391
01:10:22,680 --> 01:10:24,600
Speaker 1: it doesn't get bit like he's in our field. In

1392
01:10:24,680 --> 01:10:27,559
Speaker 1: our field, is nothing bigger than what Charlemagne does, or

1393
01:10:27,720 --> 01:10:30,000
Speaker 1: like he's the god and you know that's his name,

1394
01:10:30,040 --> 01:10:33,560
Speaker 1: but like I look at him like the god and

1395
01:10:33,600 --> 01:10:36,160
Speaker 1: for him to still go out of his way to

1396
01:10:37,120 --> 01:10:40,280
Speaker 1: tap in and help bring up and empower everybody else. Yeah. Bro,

1397
01:10:40,400 --> 01:10:42,160
Speaker 1: he just called me last week and it was one

1398
01:10:42,200 --> 01:10:44,759
Speaker 1: of the best conversations I've ever had in my career.

1399
01:10:45,360 --> 01:10:47,240
Speaker 1: And it was like I came away from like a

1400
01:10:47,479 --> 01:10:51,799
Speaker 1: fifteen minute conversation with him and you know, a decade

1401
01:10:51,800 --> 01:10:55,600
Speaker 1: after him and I first connected, and I was like, wow,

1402
01:10:55,800 --> 01:10:59,240
Speaker 1: Like that shit meant so much to get the call

1403
01:10:59,280 --> 01:11:00,960
Speaker 1: I got from him. He don't have to do that.

1404
01:11:01,360 --> 01:11:05,680
Speaker 1: I'm gonna be all the way transparent. Being able to

1405
01:11:05,800 --> 01:11:11,040
Speaker 1: be friends and peers with Charlemagne and Big Boy because

1406
01:11:11,040 --> 01:11:15,720
Speaker 1: I'm from LA is like beyond comprehension. It's crazy. It's

1407
01:11:15,760 --> 01:11:17,920
Speaker 1: being there with Big Boy. I grew up loving big boys.

1408
01:11:18,000 --> 01:11:20,720
Speaker 1: It's beyond comprehensions. The fact that and they give me

1409
01:11:20,880 --> 01:11:23,720
Speaker 1: props and like like, Yo, this is dope. Keep doing

1410
01:11:23,760 --> 01:11:26,240
Speaker 1: that or put us in an email on my behinf

1411
01:11:26,640 --> 01:11:29,920
Speaker 1: like that ship is wild. It's insane. Even I mean

1412
01:11:29,960 --> 01:11:34,080
Speaker 1: Big obviously is Charlamage is closer to us in age

1413
01:11:34,080 --> 01:11:35,679
Speaker 1: and and and as far as us, like we could

1414
01:11:35,680 --> 01:11:37,879
Speaker 1: have been peers if our careers might have started five

1415
01:11:37,960 --> 01:11:42,439
Speaker 1: years later or earlier, you know, but like Bigs, that

1416
01:11:42,560 --> 01:11:45,160
Speaker 1: motherfucker I think, I think, but what you said about

1417
01:11:45,240 --> 01:11:48,720
Speaker 1: with Charlotte, Uh, like he he hit Doc up for

1418
01:11:48,840 --> 01:11:51,800
Speaker 1: me too, same same here to co sign me to

1419
01:11:51,840 --> 01:11:54,479
Speaker 1: get to get the job at the station. And I

1420
01:11:54,479 --> 01:11:56,720
Speaker 1: think that was big. But there was also like I

1421
01:11:56,760 --> 01:11:58,800
Speaker 1: remember when Charlotte used to come to LA with Debbie

1422
01:11:59,080 --> 01:12:01,960
Speaker 1: with Debbie Brown back in the day, like twenty ten,

1423
01:12:02,160 --> 01:12:04,000
Speaker 1: right or some shit like that, and he would like

1424
01:12:04,040 --> 01:12:05,800
Speaker 1: sleep on our couch and we didn't know he was

1425
01:12:05,840 --> 01:12:07,960
Speaker 1: just the weird homie that she would fuck with from

1426
01:12:08,600 --> 01:12:10,880
Speaker 1: New York. We didn't know him like that. But I think,

1427
01:12:11,120 --> 01:12:13,920
Speaker 1: like you said, I think that's also what keeps you

1428
01:12:13,960 --> 01:12:15,519
Speaker 1: in the game. It's like what we're saying about snooping

1429
01:12:15,720 --> 01:12:19,280
Speaker 1: and forty bringing people up, bringing people up. I think

1430
01:12:19,320 --> 01:12:21,479
Speaker 1: that that's I'm trying to take. I'm low key trying

1431
01:12:21,520 --> 01:12:23,840
Speaker 1: to take his crime, his crown of being of leading

1432
01:12:23,840 --> 01:12:26,080
Speaker 1: the league and assists. I want to throw more assists

1433
01:12:26,120 --> 01:12:27,960
Speaker 1: in him. He's doing a lot, man, He's throwing a

1434
01:12:27,960 --> 01:12:30,960
Speaker 1: lot of assists. Bro, He's fucking John Stockton. I'm trying

1435
01:12:30,960 --> 01:12:33,280
Speaker 1: to come for that though. Yeah, I mean, but also

1436
01:12:33,320 --> 01:12:36,760
Speaker 1: it's tougher now because I feel like he's throwing us

1437
01:12:36,800 --> 01:12:41,200
Speaker 1: libs but we came from an error where the entitlement

1438
01:12:41,280 --> 01:12:43,680
Speaker 1: was in as high facts are. It's so hard to

1439
01:12:43,680 --> 01:12:48,240
Speaker 1: find people who are young, who have the hunger or

1440
01:12:48,479 --> 01:12:51,519
Speaker 1: or even have the work ethic that we came up with.

1441
01:12:51,640 --> 01:12:55,280
Speaker 1: Facts well also we but that's a survival list mentality

1442
01:12:55,320 --> 01:12:58,200
Speaker 1: though we didn't have a resources. Yeah, we had to.

1443
01:12:58,360 --> 01:13:01,519
Speaker 1: We had to. So now you got like you can

1444
01:13:01,600 --> 01:13:03,760
Speaker 1: do shit on your phone that we couldn't do with

1445
01:13:03,880 --> 01:13:06,719
Speaker 1: whole studios. You know what I'm saying, Like, it's just insane,

1446
01:13:06,760 --> 01:13:09,120
Speaker 1: it's just a different it's a different thing, and now

1447
01:13:09,120 --> 01:13:10,519
Speaker 1: we sound like the old heads. But it's just now

1448
01:13:10,560 --> 01:13:12,479
Speaker 1: paid in, Like you got to be a paid intern.

1449
01:13:12,520 --> 01:13:14,439
Speaker 1: You can't do a unpaid internship anymore. You can't even

1450
01:13:14,479 --> 01:13:17,200
Speaker 1: call them interns anymore, which is insane. You can't. You

1451
01:13:17,200 --> 01:13:20,559
Speaker 1: can't call them interns because there's specific rules and laws

1452
01:13:20,560 --> 01:13:24,479
Speaker 1: that protect them. Like I worked for free from August

1453
01:13:24,520 --> 01:13:29,920
Speaker 1: of two thousand and five until October of two thousand

1454
01:13:30,000 --> 01:13:32,200
Speaker 1: and six, before I even got paid to set up

1455
01:13:32,200 --> 01:13:35,080
Speaker 1: a fucking tent at the radio station. I was free

1456
01:13:35,400 --> 01:13:38,200
Speaker 1: before I got paid to be on the street team.

1457
01:13:38,360 --> 01:13:40,479
Speaker 1: It's like that shit is like I wouldn't trade for

1458
01:13:40,520 --> 01:13:43,200
Speaker 1: the world, though, bro I would have did at that point.

1459
01:13:43,400 --> 01:13:45,320
Speaker 1: Like I remember, I remember I went to school. So

1460
01:13:45,360 --> 01:13:48,439
Speaker 1: when I went to radio broadcasting classes and radio broadcasting

1461
01:13:48,479 --> 01:13:50,840
Speaker 1: in school in two thousand and five, I went with

1462
01:13:50,880 --> 01:13:53,000
Speaker 1: Mondo Fresco, me and him. Me and him went to

1463
01:13:53,040 --> 01:13:55,960
Speaker 1: school together. Mondo's the first person to show me anything

1464
01:13:56,000 --> 01:13:58,120
Speaker 1: in radio, like how to edit on the back. We

1465
01:13:58,120 --> 01:14:00,800
Speaker 1: didn't have computers at the studio, had like these old

1466
01:14:01,240 --> 01:14:03,720
Speaker 1: like digit cart things we had to edit on. So

1467
01:14:03,760 --> 01:14:06,320
Speaker 1: he taught me how to edit shit like that. And

1468
01:14:06,360 --> 01:14:08,720
Speaker 1: then he was like, I'm gonna go this way. I'm

1469
01:14:08,720 --> 01:14:11,280
Speaker 1: gonna go intern at the radio station. I'm like, man,

1470
01:14:11,320 --> 01:14:13,320
Speaker 1: fuck that, I'm finna go build some shit, right, And

1471
01:14:13,320 --> 01:14:15,920
Speaker 1: so we kind of we went our separate ways in

1472
01:14:15,920 --> 01:14:18,200
Speaker 1: that way. He went to intern and worked his way up,

1473
01:14:18,280 --> 01:14:20,120
Speaker 1: and then I went and built my shit in the streets.

1474
01:14:20,240 --> 01:14:23,800
Speaker 1: But I think the reason why you and I had

1475
01:14:23,840 --> 01:14:25,120
Speaker 1: to do what we had to do is because we

1476
01:14:25,200 --> 01:14:28,320
Speaker 1: chose to do it our way, so to speak. You

1477
01:14:28,320 --> 01:14:30,760
Speaker 1: could have conformed and probably had an easier route. I

1478
01:14:30,800 --> 01:14:33,160
Speaker 1: feel like the way I did it was conforming. Loki. Now,

1479
01:14:33,280 --> 01:14:34,880
Speaker 1: at the time, that was just kind of what you did.

1480
01:14:34,880 --> 01:14:36,960
Speaker 1: You interned then you got on the street team. Nah,

1481
01:14:37,200 --> 01:14:38,960
Speaker 1: then you got on weekends or then you board up,

1482
01:14:39,000 --> 01:14:41,599
Speaker 1: then you got on weekends. No, but you still always

1483
01:14:41,840 --> 01:14:44,240
Speaker 1: you were always innovative and in the way you approached

1484
01:14:44,280 --> 01:14:46,639
Speaker 1: the internet. Yeah yeah, yeah, yeah, Well I think early

1485
01:14:46,720 --> 01:14:49,080
Speaker 1: on that wasn't a thing like that. Yeah. O nine

1486
01:14:49,200 --> 01:14:51,400
Speaker 1: is when I first started, the only other person who

1487
01:14:51,439 --> 01:14:54,559
Speaker 1: was doing what I was doing was Peter Parker. Yeah,

1488
01:14:54,560 --> 01:14:56,960
Speaker 1: that's what I'm saying. That wasn't a thing like that. Yeah.

1489
01:14:56,960 --> 01:14:59,080
Speaker 1: I would put phoners on YouTube and they did posted

1490
01:14:59,120 --> 01:15:01,920
Speaker 1: a boy like Noah writing two Dope Boys exactly. That

1491
01:15:02,040 --> 01:15:04,760
Speaker 1: was a different approach to doing radio. Yeah. I give

1492
01:15:04,800 --> 01:15:07,920
Speaker 1: a lot of that to uh, Peter Parker and Rosenberg

1493
01:15:08,120 --> 01:15:11,680
Speaker 1: Rosenbergs who inspired me to buy a flipcam. Word he

1494
01:15:11,920 --> 01:15:14,799
Speaker 1: me too, And so I got the flipcam in every interview.

1495
01:15:14,800 --> 01:15:16,639
Speaker 1: If you ever go online and you watch like Justin

1496
01:15:16,640 --> 01:15:21,599
Speaker 1: Bieber freestyling on my show or with the little USB,

1497
01:15:21,800 --> 01:15:23,880
Speaker 1: that ship was bro That shit was cheap, And like

1498
01:15:23,960 --> 01:15:26,439
Speaker 1: every interview I ever did was on the flipcamp. Are

1499
01:15:26,479 --> 01:15:28,799
Speaker 1: you seriously? Yeah? When I was in Vegas, every interview

1500
01:15:28,800 --> 01:15:32,360
Speaker 1: I did shoot Kendrick freestyles fucking j Cole freestyles. Fucking

1501
01:15:33,439 --> 01:15:35,280
Speaker 1: fifty cent pulled out a half a million dollars in

1502
01:15:35,360 --> 01:15:38,760
Speaker 1: cash on my show in Vegas and that was all

1503
01:15:38,760 --> 01:15:41,320
Speaker 1: on flipcam. Damn, how I do baby Joel on the

1504
01:15:41,320 --> 01:15:44,559
Speaker 1: flip cams holding that bitch yo, low key. That flipcam

1505
01:15:44,720 --> 01:15:47,920
Speaker 1: was crazy. That shit I remember because I remember that

1506
01:15:47,920 --> 01:15:49,680
Speaker 1: shit in your pocket. The only reason I'm tripping out

1507
01:15:49,720 --> 01:15:51,280
Speaker 1: is because I shot the whole the tour that I

1508
01:15:51,320 --> 01:15:54,360
Speaker 1: went on with with Jay Rocket Glasses and Kendrick. I

1509
01:15:54,360 --> 01:15:56,280
Speaker 1: shot all that shit on the flipcamp. Bro, that flip

1510
01:15:56,280 --> 01:16:00,479
Speaker 1: came that was two thousand and ten, Super Clutch twenty ten. Well,

1511
01:16:00,520 --> 01:16:02,920
Speaker 1: that sucks at that company didn't like GoPro kind of

1512
01:16:02,920 --> 01:16:05,679
Speaker 1: took their vibe. But even even go Pro's less convenient

1513
01:16:05,680 --> 01:16:10,160
Speaker 1: than a flip flip camera. USB was built into the camera. Yeah,

1514
01:16:10,240 --> 01:16:14,040
Speaker 1: that ship was fire, bro, Damn damn we're old. Yeah,

1515
01:16:14,040 --> 01:16:17,680
Speaker 1: shout out to Flip anyway. We'll look anything out you else.

1516
01:16:17,680 --> 01:16:19,760
Speaker 1: Scott coming up, Yeah, I want to shout out to.

1517
01:16:20,880 --> 01:16:23,400
Speaker 1: I want to shout out them to my team Homegrown Radio.

1518
01:16:23,600 --> 01:16:25,679
Speaker 1: Of course we got this. We got something really big

1519
01:16:25,720 --> 01:16:28,720
Speaker 1: brewing coming soon. I can't really say right now, it's

1520
01:16:28,760 --> 01:16:32,200
Speaker 1: still attorneys, but you don't look out for homegrown radio

1521
01:16:32,720 --> 01:16:37,559
Speaker 1: following all platforms and then uh what about Uh are

1522
01:16:37,560 --> 01:16:39,840
Speaker 1: you gonna try? You know you do a lot of

1523
01:16:40,320 --> 01:16:42,400
Speaker 1: you kind of unofficially help a lot of artists in

1524
01:16:42,439 --> 01:16:44,400
Speaker 1: the studio and stuff. Yeah, I don't try. I don't

1525
01:16:44,439 --> 01:16:46,920
Speaker 1: do like color the consulting business. I don't. I don't

1526
01:16:47,000 --> 01:16:49,160
Speaker 1: charge and ship like that. I just I just try

1527
01:16:49,160 --> 01:16:51,479
Speaker 1: to help where I can because I felt like, like

1528
01:16:51,479 --> 01:16:54,040
Speaker 1: like again, we're coming up. Nobody told us nothing, nobody

1529
01:16:54,120 --> 01:16:57,599
Speaker 1: helped us. I can't name one thing outside a big

1530
01:16:57,640 --> 01:17:01,280
Speaker 1: Boy and Fuzzy, I can't tell and Juliog excuse me,

1531
01:17:01,320 --> 01:17:03,960
Speaker 1: big Boy Fuzzy, Julio G and DJ Dents. I can't

1532
01:17:03,960 --> 01:17:06,000
Speaker 1: tell you one thing I learned from anybody on the

1533
01:17:06,080 --> 01:17:11,120
Speaker 1: radio in La. M. I didn't learn anything, like anything

1534
01:17:11,479 --> 01:17:15,679
Speaker 1: everlasting from anybody. Yeah. I think the fact that that's

1535
01:17:15,680 --> 01:17:19,400
Speaker 1: why I used my platforms with stocks and bitcoin and books,

1536
01:17:19,760 --> 01:17:23,080
Speaker 1: because outside of those specific people, I can't tell you

1537
01:17:23,160 --> 01:17:25,559
Speaker 1: anything I learned from anybody. That's fucking crazy. I've been

1538
01:17:25,560 --> 01:17:28,680
Speaker 1: here my whole life. Yeah, I mean yeah, radio in

1539
01:17:28,840 --> 01:17:32,120
Speaker 1: La was extremely I mean the fact real signed on

1540
01:17:32,280 --> 01:17:36,160
Speaker 1: and now there's two options. Yeah, it's great, because that

1541
01:17:36,280 --> 01:17:39,320
Speaker 1: meant for me, it was so hard for me to

1542
01:17:39,320 --> 01:17:41,160
Speaker 1: get on it powerwin O six. I was trying to

1543
01:17:41,200 --> 01:17:43,880
Speaker 1: get hired there forever bro. I applied for every single

1544
01:17:43,920 --> 01:17:45,800
Speaker 1: opening that ever happened there. And maybe I just wasn't

1545
01:17:45,800 --> 01:17:47,920
Speaker 1: great at the great, but I was doing my fucking

1546
01:17:48,040 --> 01:17:53,240
Speaker 1: shit and it just never was. I was told it

1547
01:17:53,280 --> 01:17:54,840
Speaker 1: was never going to be a thing for me to

1548
01:17:55,200 --> 01:17:57,280
Speaker 1: be at Power six. I won't say why, but I

1549
01:17:57,320 --> 01:17:59,760
Speaker 1: was just told like, hey man, because you are who

1550
01:17:59,760 --> 01:18:02,240
Speaker 1: you are, you're never gonna be on a power like

1551
01:18:02,720 --> 01:18:06,439
Speaker 1: Jimmy's fucks with you. You're dope, but because you don't

1552
01:18:06,520 --> 01:18:08,640
Speaker 1: check this box in this box, you just won't be

1553
01:18:08,680 --> 01:18:10,640
Speaker 1: on aver. And those boxes are the reasons why I

1554
01:18:10,680 --> 01:18:13,559
Speaker 1: never applied. And so for me, when Reel signed on,

1555
01:18:14,280 --> 01:18:16,639
Speaker 1: you know, my dream was always to be in La.

1556
01:18:17,280 --> 01:18:21,080
Speaker 1: So when Real signed on, I was like, thank god,

1557
01:18:21,520 --> 01:18:27,559
Speaker 1: there's another station, Like wow, And then what's dope about

1558
01:18:27,560 --> 01:18:30,559
Speaker 1: this station was? They didn't care about those boxes. They

1559
01:18:30,600 --> 01:18:34,640
Speaker 1: were like who's dope? Who's dope? And people, a lot

1560
01:18:34,640 --> 01:18:35,960
Speaker 1: of people don't know this. I was supposed to do

1561
01:18:36,000 --> 01:18:38,439
Speaker 1: afternoons at Real ninety two three when they launched, I

1562
01:18:38,520 --> 01:18:40,439
Speaker 1: was in a contract in Tampa and I couldn't get

1563
01:18:40,439 --> 01:18:43,240
Speaker 1: out of my deal. But Doc made the offer. He

1564
01:18:43,360 --> 01:18:45,479
Speaker 1: was like, Yo, you gotta you gotta go to your

1565
01:18:45,520 --> 01:18:47,720
Speaker 1: guys in Tampa and they got to let you out

1566
01:18:47,720 --> 01:18:50,280
Speaker 1: of your deal. I got afternoons for you because he

1567
01:18:50,320 --> 01:18:52,839
Speaker 1: was they were going through the laws who were big damn.

1568
01:18:53,479 --> 01:18:55,840
Speaker 1: But yeah, I mean that's why I really respect the

1569
01:18:55,880 --> 01:18:59,479
Speaker 1: fuck out of really dude. You know, in our business,

1570
01:19:00,040 --> 01:19:03,240
Speaker 1: people be giving iHeart a lot of shit, right, I mean, look,

1571
01:19:03,280 --> 01:19:04,919
Speaker 1: at the end of the day, they're like the Yankees.

1572
01:19:05,320 --> 01:19:10,200
Speaker 1: They're a major corporation, right, So as they go, the

1573
01:19:10,280 --> 01:19:15,600
Speaker 1: industry goes and their corporation. So there is situations in

1574
01:19:15,640 --> 01:19:17,880
Speaker 1: which people get let go in Matt. But guess what

1575
01:19:18,000 --> 01:19:21,040
Speaker 1: it just is what it is. I will say this,

1576
01:19:21,720 --> 01:19:27,960
Speaker 1: iHeart to me is still extremely talent driven. And what

1577
01:19:28,000 --> 01:19:35,080
Speaker 1: I appreciated about working for Doc was nothing mattered you

1578
01:19:35,160 --> 01:19:37,559
Speaker 1: could be for the most part, because we've worked with

1579
01:19:37,600 --> 01:19:41,519
Speaker 1: some real difficult motherfuckers, right that ended up not making it.

1580
01:19:42,160 --> 01:19:46,240
Speaker 1: But those people were empowered because they brought value and like,

1581
01:19:46,280 --> 01:19:50,200
Speaker 1: if you're dope and you're doing your shit, that could

1582
01:19:50,200 --> 01:19:53,320
Speaker 1: put you on period. He'll give you opportunity, give it

1583
01:19:53,360 --> 01:19:55,280
Speaker 1: an opportunity, and whether or not you run with it,

1584
01:19:55,280 --> 01:19:58,120
Speaker 1: like shout out to a girl, DJ Leslie ran with it,

1585
01:19:58,360 --> 01:20:01,559
Speaker 1: killing it, killing it. I love murdering it. Shout out

1586
01:20:01,600 --> 01:20:05,400
Speaker 1: to Chuck Dizzel murdering it. Got an opportunity. They gave

1587
01:20:05,439 --> 01:20:07,160
Speaker 1: him an inch. He turned it into a mile. Now

1588
01:20:07,160 --> 01:20:09,280
Speaker 1: he's on the night show. Shout out to DJ Head.

1589
01:20:09,479 --> 01:20:15,160
Speaker 1: Same thing, same thing, same fucking thing. For me, I

1590
01:20:15,200 --> 01:20:18,120
Speaker 1: had blind faith in Doc. Left a job in Tampa,

1591
01:20:19,280 --> 01:20:23,840
Speaker 1: came to LA, moved to Phoenix. From Tampa, drove to

1592
01:20:24,040 --> 01:20:27,120
Speaker 1: LA every Saturday. This was after he had offered me

1593
01:20:27,160 --> 01:20:29,400
Speaker 1: afternoons and they moved on because I couldn't get out

1594
01:20:29,439 --> 01:20:33,880
Speaker 1: of my deal. So Doc was like, look, just get

1595
01:20:33,880 --> 01:20:36,800
Speaker 1: in the building and I'll handle the rest. Wow. So

1596
01:20:36,880 --> 01:20:40,639
Speaker 1: I moved from uh oh, let's restart that there we go.

1597
01:20:41,280 --> 01:20:43,519
Speaker 1: So I moved from Tampa to Phoenix and drove to

1598
01:20:43,600 --> 01:20:50,479
Speaker 1: fucking LA and did one weekend shift every weekend, driving

1599
01:20:50,560 --> 01:20:53,559
Speaker 1: back and forth every Saturday from ten am to three pm.

1600
01:20:53,560 --> 01:20:55,799
Speaker 1: I was on the air in LA and that was huge.

1601
01:20:56,120 --> 01:20:59,600
Speaker 1: Now I was DJ and Friday night getting done for

1602
01:20:59,680 --> 01:21:02,040
Speaker 1: my club up and mobbing straight to LA afterwards. Paying

1603
01:21:02,120 --> 01:21:06,479
Speaker 1: Erica Rock to drive me, and shit, I did that

1604
01:21:06,479 --> 01:21:08,800
Speaker 1: from August to December, and then I was like, Doc,

1605
01:21:08,920 --> 01:21:10,560
Speaker 1: like some shit gotta shake out soon, you know what

1606
01:21:10,600 --> 01:21:12,600
Speaker 1: I'm saying, Like I can't get this shit is killing me,

1607
01:21:12,640 --> 01:21:19,519
Speaker 1: you know, And shit the end of January leaving parts

1608
01:21:19,560 --> 01:21:21,680
Speaker 1: of the story out like me like leaving real for

1609
01:21:21,760 --> 01:21:23,799
Speaker 1: like three weeks and going and doing knights at a

1610
01:21:23,840 --> 01:21:27,320
Speaker 1: live one on one five in Phoenix. But you know,

1611
01:21:27,560 --> 01:21:30,000
Speaker 1: he's like, hey, I got We're making it happen, so

1612
01:21:30,200 --> 01:21:32,240
Speaker 1: just don't sign any other contract anywhere. And then I

1613
01:21:32,320 --> 01:21:35,200
Speaker 1: ended up doing nights with Damage and Dre Sinatra, Yeah,

1614
01:21:35,479 --> 01:21:37,519
Speaker 1: which was you know, cool in itself and shout out

1615
01:21:37,560 --> 01:21:40,280
Speaker 1: to those guys. But yeah, it was all Doc again.

1616
01:21:41,880 --> 01:21:45,040
Speaker 1: If you're dope, I tell this to anybody in any

1617
01:21:45,240 --> 01:21:47,360
Speaker 1: in any situation, whatever opportunity you get, you got to

1618
01:21:47,360 --> 01:21:49,200
Speaker 1: make the most out of it, make the most out

1619
01:21:49,200 --> 01:21:50,679
Speaker 1: of it, bro, cause you might not get that shit

1620
01:21:50,760 --> 01:21:54,400
Speaker 1: ever again, ever again. Bro Ever. I just told that

1621
01:21:54,479 --> 01:21:56,080
Speaker 1: the Soldier boy too. I was like, bro, you got

1622
01:21:56,160 --> 01:21:59,439
Speaker 1: nine lives, oh for sure, bro, that shit's crazy. In fact,

1623
01:21:59,479 --> 01:22:02,519
Speaker 1: he called a rect again. Good for him, as he

1624
01:22:02,520 --> 01:22:06,879
Speaker 1: should though. Yeah, he was built for TikTok facts he is.

1625
01:22:06,920 --> 01:22:09,000
Speaker 1: He is the like ahead of his time. There is

1626
01:22:09,040 --> 01:22:11,640
Speaker 1: no like he should be the TikTok God. I gave

1627
01:22:11,760 --> 01:22:15,160
Speaker 1: him as flowers too. I said, look, bro, hey, you're

1628
01:22:15,200 --> 01:22:18,240
Speaker 1: the guy. Bro. Yeah facts, Well look DJ had go

1629
01:22:18,320 --> 01:22:21,080
Speaker 1: get an ad him on Instagram and Twitter and uh

1630
01:22:21,920 --> 01:22:26,600
Speaker 1: subscribe on Spotify. Homegoing Radio, Homegrown Radio, all platforms. On

1631
01:22:26,680 --> 01:22:29,320
Speaker 1: the radio, listening in the morning, Yeah, after youre doing

1632
01:22:29,360 --> 01:22:32,240
Speaker 1: head talks head talks right now. I think we're doing

1633
01:22:32,640 --> 01:22:35,360
Speaker 1: two times a week. Yeah, I think we're doing two.

1634
01:22:35,479 --> 01:22:37,640
Speaker 1: I don't know because the way we do it, but

1635
01:22:37,800 --> 01:22:39,639
Speaker 1: I think we're doing two days a week, two days

1636
01:22:39,680 --> 01:22:42,040
Speaker 1: a week, three days a week, three days a week days,

1637
01:22:42,040 --> 01:22:45,519
Speaker 1: and then every night seven to eleven on iHeart Real

1638
01:22:45,600 --> 01:22:48,960
Speaker 1: ninety two three with the Chuck Dizzelman yep. Homegrown Radio