WEBVTT - THE HUMAN SCREAM

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<v Speaker 1>Welcome to stuff you should know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh and there's

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<v Speaker 2>Chuck and I'm not going to scream to start this

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<v Speaker 2>off because I care about all of you listening.

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<v Speaker 1>Yeah, that was a new for you. Yeah, we're talking about.

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<v Speaker 1>Julia helped us out with this one, and I commissioned

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<v Speaker 1>this one. And I don't remember what instigated it. It

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<v Speaker 1>definitely wasn't from hearing somebody scream. I may have seen

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<v Speaker 1>an article or something that piqued my interest and I

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<v Speaker 1>was like, wait a minute, what like screaming? Is interesting

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<v Speaker 1>that people scream and for all different kinds of reasons

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<v Speaker 1>people scream, and that's why I picked it.

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<v Speaker 2>Here we are. Yeah, I was very surprised and impressed this.

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<v Speaker 2>It's one of those ones where you just think you

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<v Speaker 2>know about it because you never really thought about it.

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<v Speaker 2>When you diving into it. There's a lot more to

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<v Speaker 2>it than you ever realized. Although all of it makes

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<v Speaker 2>sense anecdotally, you're like, oh, yeah, oh yeah, I've done that.

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<v Speaker 2>I've screamed like that. I'd screamed and screamed and screamed

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<v Speaker 2>again it. Yeah, I like ones like this. I guess

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<v Speaker 2>human human nature explained, and there's a comment there somewhere.

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<v Speaker 1>Somewhere in there definitely not a colon. We should get

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<v Speaker 1>some nuts and bolts out of the way. As far

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<v Speaker 1>as like, everyone knows what a scream is. It's obviously

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<v Speaker 1>a very loud, high pitched, harsh thing on the ears.

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<v Speaker 1>It's a sound that you make with I was about say,

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<v Speaker 1>with your mouth, but we'll get to the parts that

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<v Speaker 1>make the scream. But nuts and bolts wise, the scream

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<v Speaker 1>is in about the eighty to one hundred and twenty

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<v Speaker 1>decibel range. In volume, sixty decibels is normal speech unless

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<v Speaker 1>you're my wife. That's more like an A seventy five.

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<v Speaker 1>I would say she and her her friend Stacy, or

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<v Speaker 1>to the loudest humans on earth, and they admit that

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<v Speaker 1>they're not wallflowers, and they own it and I respect it.

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<v Speaker 1>Nice they reach frequent Not Stacey and Emily, but humans.

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<v Speaker 1>I'm sorry. The human scream can reach a frequency in

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<v Speaker 1>the range of two thousand to three thousand herts, whereas

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<v Speaker 1>a normal talker is about eighty to three hundred herts.

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<v Speaker 2>Yeah, and for dumb dums with sound like me, the

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<v Speaker 2>higher the hurts, the higher the pitch, so hurts is

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<v Speaker 2>a measure of actual frequency. Pitch is basically a measure,

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<v Speaker 2>a description of how we experience that frequency.

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<v Speaker 1>That's right, And just to clear up something for what's

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<v Speaker 1>coming later. A sound, a tone can have two different frequencies.

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<v Speaker 2>I've got it. I have it now.

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<v Speaker 1>Okay, that's it.

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<v Speaker 2>No, I can't wait to explain it later because it's

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<v Speaker 2>gonna get flubbed all over the place.

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<v Speaker 1>Well, it isn't intuitive like you would think, like a

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<v Speaker 1>guitar string makes like, you know, one frequency range. But

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<v Speaker 1>it's just yeah, it's not true. It's one of those things.

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<v Speaker 2>Yeah, this is not true. We'll just leave it at that.

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<v Speaker 2>But we're getting ahead of ourselves, chuck.

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<v Speaker 1>Yeah. Back to screaming, right.

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<v Speaker 2>Yeah, because if you think about screaming, I always think

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<v Speaker 2>of someone screaming, usually in a horror movie or something

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<v Speaker 2>like that. I haven't heard too many, like real deal

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<v Speaker 2>screams in real life, which is nice. But we're not

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<v Speaker 2>the only animals that scream. There's plenty of other animals

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<v Speaker 2>in the animal kingdom that scream that we know of.

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<v Speaker 2>I'm quite sure there's plants that scream too, we just

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<v Speaker 2>can't hear them. Maybe but birds scream, seals, marmots, mountain lions,

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<v Speaker 2>and I didn't know giraffes scream. That's got to be

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<v Speaker 2>off putting. The funniest scream of all as a goat screaming. Yeah,

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<v Speaker 2>if you have never witnessed a goat scream, go right

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<v Speaker 2>now to YouTube and just look up goat screaming videos.

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<v Speaker 2>And they don't all scream the same way, but every

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<v Speaker 2>once in a while, one of them is going to

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<v Speaker 2>come along and scream like a man. And it is like,

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<v Speaker 2>you will, you can't not laugh out loud when you

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<v Speaker 2>see it. Every time I watched the same goat scream

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<v Speaker 2>over and over again, and I laughed out loud every

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<v Speaker 2>time I watched it.

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<v Speaker 1>Yeah, and it's so non goat sounding because it's not

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<v Speaker 1>even like a loud bleat that you wonder like, is

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<v Speaker 1>somebody punking me? And that's just like, you know, that's

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<v Speaker 1>James con from misery that they're looping in there.

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<v Speaker 2>Does kind of sound like that. Another one to look

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<v Speaker 2>up real quick, or two links in Ontario screaming at

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<v Speaker 2>each other. It's like right in their faces. Have you

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<v Speaker 2>seen that one?

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<v Speaker 1>I haven't seen that.

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<v Speaker 2>Oh, it's it's nuts.

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<v Speaker 1>Animals well, they Well, let's just talk about why anything screams.

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<v Speaker 1>It's a very effective tool. It's obviously a great fear

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<v Speaker 1>response because everyone's going to sit up and take notice

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<v Speaker 1>because it's so harsh and loud. It's a very jarring thing.

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<v Speaker 1>It can also distract predators, obviously, screaming if you're lost,

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<v Speaker 1>you know, scream can travel a great distance in the

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<v Speaker 1>woods or anywhere, and you can, you know, alert somebody

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<v Speaker 1>from a great distance. So it's a it's a great

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<v Speaker 1>communicative tool for humans and animals alike.

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<v Speaker 2>Yeah, and that loudness. I saw the Guinness record for

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<v Speaker 2>the loudest scream is one hundred and twenty nine decibels,

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<v Speaker 2>which is one decibel under a jet engine and almost

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<v Speaker 2>in almost ten times louder than a police siren.

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<v Speaker 1>Wonder you that was.

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<v Speaker 2>I don't know, but man, I can't imagine that they

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<v Speaker 2>did that too many times because, as we'll see, screaming

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<v Speaker 2>can really mess up your your neck junk.

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<v Speaker 1>Yeah, that's really gross. I'm getting older, so I'm getting

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<v Speaker 1>more and more neck junk.

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<v Speaker 2>Stress and neck chunk too.

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<v Speaker 1>All right, So humans are are born with this ability.

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<v Speaker 1>We know how to scream right away because we come

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<v Speaker 1>out of the womb screaming. In fact, that's a very

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<v Speaker 1>comforting sound when a baby is born, is that first scream.

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<v Speaker 1>They're going to clear that flem in their airway so

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<v Speaker 1>they can breathe. It lets everybody know, Hey, I'm here,

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<v Speaker 1>I'm ready for action. I'm feeling good despite the fact

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<v Speaker 1>that I'm screaming. If a baby is born and there

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<v Speaker 1>is no scream, that is a very scary, scary moment

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<v Speaker 1>for parents and everybody in that room.

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<v Speaker 2>Yeah, I can imagine. It's like there the one time

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<v Speaker 2>we're not screaming means that there's an issue.

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<v Speaker 1>Yeah, you know, totally.

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<v Speaker 2>And there's a lot of information in a baby's scream.

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<v Speaker 2>It says I'm in distress, I'm in pain, I could

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<v Speaker 2>use a gnash. There's just a lot that makes a

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<v Speaker 2>parent because we're tuned to this kind of thing, especially

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<v Speaker 2>if you're the parent of that baby. Studies show that

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<v Speaker 2>you respond to your own baby's cries or screams a

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<v Speaker 2>lot more easily or quickly than somebody who is not

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<v Speaker 2>the parent into that baby. But you rush over there

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<v Speaker 2>and you say, here's some food, here's a little blanket,

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<v Speaker 2>and way to go. You just got all the phlegm

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<v Speaker 2>out of your throat, so now you can breathe normally.

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<v Speaker 1>Yeah. I remember when you met Ruby as a baby

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<v Speaker 1>and she was screaming, and you're like, what the hell's

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<v Speaker 1>wrong with this kid?

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<v Speaker 2>Yeah? I just you know, I tried to bounce around

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<v Speaker 2>my knee faster and it did the opposite help.

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<v Speaker 1>And I said, oh, Josh, I'm in tune already, not

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<v Speaker 1>in tune, tuned already. I was also in tune. And

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<v Speaker 1>I said, that just means she's hungry. So just raise

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<v Speaker 1>your shirt. Yeah, her what she needs.

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<v Speaker 2>That didn't work either. She got like hair in her

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<v Speaker 2>mouth though.

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<v Speaker 1>Oh my god, this got really disturbing very fast.

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<v Speaker 2>Yeah, we got it out.

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<v Speaker 1>What about that cat cry?

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<v Speaker 2>So, there is a a syndrome that's colloquially called I

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<v Speaker 2>think creed a shot cry of the cat in French,

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<v Speaker 2>and it has some similarities to down syndrome. But one

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<v Speaker 2>of the defining characteristics of creed a shot is a

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<v Speaker 2>larynx mauthformation, so that babies, when they cry, like the

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<v Speaker 2>loud screaming cry, have a make us, a very specific

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<v Speaker 2>cry that sounds very much like a cat crying. Yeah,

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<v Speaker 2>if like you can find a couple of videos on

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<v Speaker 2>YouTube of people with their baby with crew to a

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<v Speaker 2>shot of crying, and it's it's really cute in a

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<v Speaker 2>lot of ways. But also you're like, that sounds a

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<v Speaker 2>lot like a cat, And it's so distinct that you

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<v Speaker 2>can actually initially diagnose an infant with crewdishot syndrome because

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<v Speaker 2>of their cry. It's that distinct.

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<v Speaker 1>Yeah, So I mean that's a benefit that can save

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<v Speaker 1>a lot of time and discomfort for this kid and

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<v Speaker 1>diagnosing this kind of condition exactly, it's great. It also

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<v Speaker 1>is a sign obviously when a kid is screaming saying hey, parent,

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<v Speaker 1>go into fight or flight mode because I need something,

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<v Speaker 1>and you know, if it's one of distress, even more

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<v Speaker 1>so obviously and not just like I'm hungry, like beer distress.

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<v Speaker 1>I don't know that we need to discuss fighter flight

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<v Speaker 1>in detail because we did it three hundred and sixty

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<v Speaker 1>four times over the first like five years of the show, right,

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<v Speaker 1>but everyone knows what that is, right, Yeah, I.

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<v Speaker 2>Would think, so, I don't think we really need to

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<v Speaker 2>describe fight or flight.

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<v Speaker 1>You're like, uh, but it's uh, I didn't.

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<v Speaker 2>I stopped myself. I exercise a great restraint. Nice work, Okay, Well, anyway,

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<v Speaker 2>I'll take it from here, Chuck. Yeah, because the reason

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<v Speaker 2>you brought that up is screams activate fireflight mode in

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<v Speaker 2>some really like basic ways, as we'll see. And so

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<v Speaker 2>a scream actually activates in you a human who hears

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<v Speaker 2>a scream, that that readiness to like either spring into

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<v Speaker 2>action or run like hell or freeze or fawn is

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<v Speaker 2>the other one now, because the fight or flight syndromes

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<v Speaker 2>really come a long way since we last talked about it,

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<v Speaker 2>And fawn is the response that you want when a

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<v Speaker 2>baby's crying. You want to go over and be like, oh,

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<v Speaker 2>it's okay.

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<v Speaker 1>Yeah, that's here. Never mind abandoned that line of thought.

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<v Speaker 1>So let's talk about sound for a minute. Because all

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<v Speaker 1>sound comes from and is perceived by us through a

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<v Speaker 1>series of processes in the brain, and most of these

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<v Speaker 1>are in the higher brain region. But screams are different.

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<v Speaker 1>They happen in the lower brain region. And it's a

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<v Speaker 1>very interesting thing. It kind of lives in its own

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<v Speaker 1>as far as like humans making sound lives in its

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<v Speaker 1>own area. It's very distinct from all the other sounds

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<v Speaker 1>we make.

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<v Speaker 2>Yeah, and it's a lot faster to basically activate us

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<v Speaker 2>than the normal speech that we hear. Right, So when

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<v Speaker 2>you talk, when you're making just talk like I am

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<v Speaker 2>right now, say this is a good example. I'm using

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<v Speaker 2>this description as an example in real time. Okay, that's right.

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<v Speaker 2>So I'm using my laryngeal motor cortex that's basically running

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<v Speaker 2>the show right now, and that is a higher brain process. Right,

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<v Speaker 2>So I'm using cognition. I'm figuring out how my mouse

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<v Speaker 2>should move, which also requires fine motor coordination and processing sound.

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<v Speaker 2>I think from our Internal Dialogue episode, I'm doing a

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<v Speaker 2>quick quality check right before I actually say the words

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<v Speaker 2>yeah and Josh exactly, and do I sound like a

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<v Speaker 2>muppety tenor I do, let's go. And then this stuff

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<v Speaker 2>is sent to the brain stem, which basically says, okay,

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<v Speaker 2>laryings and vocal cords and lungs and abdominal muscles, let's talk.

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<v Speaker 2>That's normal speech. And again it requires a lot of

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<v Speaker 2>higher brain processing. Screaming uses a different set of equipment

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<v Speaker 2>to make itself happen. It's nuts because you think screaming

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<v Speaker 2>is a form of speech. It's actually not. Even though

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<v Speaker 2>we use a lot of the same stuff, a lot

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<v Speaker 2>of the same bait and tackle, say like it's its

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<v Speaker 2>own thing, which is I just find this is where

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<v Speaker 2>I'm like, Okay, this is super fascinating.

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<v Speaker 1>Now, yeah, that's right. So for screams, uh, and some

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<v Speaker 1>involuntary vocalizations, but really screams, the sound production takes a

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<v Speaker 1>different and, like you said, a much faster path. The

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<v Speaker 1>signal starts in the limbic system and it skips that

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<v Speaker 1>higher brain processing. Uh. The it happens in the amygdala. Basically,

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<v Speaker 1>the emotional stimulus that the amygdala is all about just

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<v Speaker 1>sends a scream signal. It's it's sort of like a

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<v Speaker 1>direct path, like a express train through that brain stem

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<v Speaker 1>to all the anatomy that you were talking about in

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<v Speaker 1>your in your the you know, the neck junk, and

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<v Speaker 1>that scream just comes out immediately. And the craziest part

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<v Speaker 1>is our body actually picks up on this before our

0:12:44.200 --> 0:12:46.800
<v Speaker 1>ears and brain can even process what we've just heard.

0:12:46.960 --> 0:12:50.000
<v Speaker 2>Yeah, once the scream comes out of someone else, when

0:12:50.040 --> 0:12:52.880
<v Speaker 2>we hear that scream, it puts us in fight or

0:12:52.880 --> 0:12:56.160
<v Speaker 2>flight mode before we're even consciously aware that we have

0:12:56.280 --> 0:13:00.160
<v Speaker 2>heard a scream. That's how that's how finely tuned we

0:13:00.200 --> 0:13:03.800
<v Speaker 2>are too responding to screams, which again, this is something

0:13:03.920 --> 0:13:06.160
<v Speaker 2>you just think exists out there, and then when you

0:13:06.200 --> 0:13:08.760
<v Speaker 2>dig in, you're like, my god. So there's like a

0:13:09.679 --> 0:13:14.400
<v Speaker 2>whole set of processes that take place that again are

0:13:14.480 --> 0:13:18.400
<v Speaker 2>different than how we would respond if we hear regular speech, right,

0:13:18.640 --> 0:13:20.960
<v Speaker 2>So it follows some of the same processes. It hits

0:13:20.960 --> 0:13:23.679
<v Speaker 2>the outer ear, goes through the ear canal, the ear

0:13:23.760 --> 0:13:28.080
<v Speaker 2>drum goes boom boom. That is amplified in the middle ear,

0:13:28.160 --> 0:13:30.920
<v Speaker 2>and that goes onto the cochlia, which triggers a wave

0:13:30.960 --> 0:13:33.760
<v Speaker 2>along the basel or membrane, which says, I'm going to

0:13:33.840 --> 0:13:36.280
<v Speaker 2>turn this into an electrical signal, sends it to the

0:13:36.320 --> 0:13:39.280
<v Speaker 2>auditory nerve, which sends it to the brain stem and

0:13:39.320 --> 0:13:42.199
<v Speaker 2>then to the thalamus. And the thalamus is the sensory

0:13:42.600 --> 0:13:45.400
<v Speaker 2>clearing house. It sends this to that and that to that.

0:13:45.679 --> 0:13:48.200
<v Speaker 2>All of your sensory information goes to the thalamus. And

0:13:48.320 --> 0:13:51.920
<v Speaker 2>here is where it diverges from normal speech.

0:13:52.679 --> 0:13:55.599
<v Speaker 1>Yeah, And I mean that's why when somebody screams, like

0:13:55.640 --> 0:13:59.440
<v Speaker 1>a blood curling scream out in public, you're instantly reacting.

0:13:59.440 --> 0:14:02.120
<v Speaker 1>You don't hear that and then decide like, well, maybe

0:14:02.120 --> 0:14:04.280
<v Speaker 1>I should go see what's going on over there, Like

0:14:04.320 --> 0:14:08.120
<v Speaker 1>your body is instantly reacting because it is unconsciously picked

0:14:08.160 --> 0:14:11.240
<v Speaker 1>up on that screen before it's even registered in your brain.

0:14:11.320 --> 0:14:17.079
<v Speaker 1>So it's really a pretty remarkable sort of evolutionary trait.

0:14:17.120 --> 0:14:21.000
<v Speaker 1>I think, like to help rescue, you know, probably back

0:14:21.000 --> 0:14:25.720
<v Speaker 1>in Tiktook's days, the wife or baby that the husband

0:14:25.720 --> 0:14:28.480
<v Speaker 1>who's out hunting and gathering has to protect from whatever

0:14:28.640 --> 0:14:30.440
<v Speaker 1>dangers are around the fire.

0:14:30.680 --> 0:14:33.480
<v Speaker 2>Yeah, And the reason why that happens is because when

0:14:33.520 --> 0:14:36.160
<v Speaker 2>it hits that balance, it gets sent two different ways. Like,

0:14:36.200 --> 0:14:39.520
<v Speaker 2>it gets sent the normal way to that higher brain processing,

0:14:39.800 --> 0:14:42.480
<v Speaker 2>and when it goes through that higher brain processing, that's

0:14:42.520 --> 0:14:45.960
<v Speaker 2>when you become conscious of hearing that scream. But what's

0:14:46.000 --> 0:14:49.200
<v Speaker 2>happened even faster is it got sent to that amygdala

0:14:49.280 --> 0:14:53.560
<v Speaker 2>and that sent in the fight or flight response, and

0:14:53.760 --> 0:14:57.080
<v Speaker 2>that happened before your higher brain finished processing, which is

0:14:57.200 --> 0:15:03.800
<v Speaker 2>just so there's this own pathway for just screams that

0:15:03.200 --> 0:15:09.440
<v Speaker 2>the human brain has evolved to basically make you able

0:15:09.480 --> 0:15:12.880
<v Speaker 2>to respond to a scream faster. It has its own expressway.

0:15:13.320 --> 0:15:16.200
<v Speaker 2>Screams only essentially, is what it says, and if your

0:15:16.440 --> 0:15:20.040
<v Speaker 2>regular speech you try to use that same expressway. It's

0:15:20.080 --> 0:15:23.560
<v Speaker 2>got those tire bursting spikes that will just stop you

0:15:23.680 --> 0:15:27.000
<v Speaker 2>cold right there, and they'll send you back along the

0:15:27.040 --> 0:15:29.160
<v Speaker 2>way you're supposed to go to the higher brain.

0:15:29.640 --> 0:15:31.920
<v Speaker 1>You go back to talk toown buddy exactly.

0:15:32.240 --> 0:15:34.080
<v Speaker 2>And it's gonna take you a while to get there

0:15:34.160 --> 0:15:36.760
<v Speaker 2>because you don't have tires. You're driving on just rims

0:15:36.800 --> 0:15:39.600
<v Speaker 2>now because you were domin made a poor decision.

0:15:40.040 --> 0:15:41.760
<v Speaker 1>Yeah, and you shouldn't do that because you're gonna damage

0:15:41.760 --> 0:15:43.360
<v Speaker 1>those rims. You need to pull over immediately.

0:15:43.400 --> 0:15:43.920
<v Speaker 2>Yeah. Bad.

0:15:44.760 --> 0:15:45.680
<v Speaker 1>Should we take a break?

0:15:46.040 --> 0:15:46.760
<v Speaker 2>Yeah? I think so.

0:15:47.240 --> 0:15:49.280
<v Speaker 1>All right, we're gonna take a break and come back,

0:15:49.320 --> 0:15:52.280
<v Speaker 1>and Josh is gonna explain something called the roughness domain

0:15:52.640 --> 0:15:53.200
<v Speaker 1>right after this.

0:16:27.600 --> 0:16:30.120
<v Speaker 2>All right, chuck, here we go. Here's the flubbing.

0:16:31.120 --> 0:16:33.320
<v Speaker 1>Okay, well we'll see. It's a little brain breaking, but

0:16:34.000 --> 0:16:34.520
<v Speaker 1>we'll get it.

0:16:34.840 --> 0:16:36.720
<v Speaker 2>I think it's one of those things where if I

0:16:37.160 --> 0:16:38.880
<v Speaker 2>just thought too hard about it and I've made it

0:16:38.880 --> 0:16:43.600
<v Speaker 2>brain breaking. But so, screams have something in common, and

0:16:43.640 --> 0:16:47.800
<v Speaker 2>that is that they exist in a region of human

0:16:47.840 --> 0:16:53.400
<v Speaker 2>perception that's called the roughness domain. Okay, And if you

0:16:53.560 --> 0:16:59.720
<v Speaker 2>take someone's voice right, it has a certain frequency. My

0:16:59.800 --> 0:17:02.480
<v Speaker 2>voice has a certain frequency. You can recognize it as mine.

0:17:02.920 --> 0:17:07.040
<v Speaker 2>But you can take my voice and make it modulate, right,

0:17:07.119 --> 0:17:11.560
<v Speaker 2>So like the British police car that goes.

0:17:11.480 --> 0:17:13.399
<v Speaker 1>Dude, do do do do doo?

0:17:13.760 --> 0:17:18.640
<v Speaker 2>That's modulating right. So it has its own its own frequency, right,

0:17:19.200 --> 0:17:23.080
<v Speaker 2>but you're making it change pitch do do do do?

0:17:23.560 --> 0:17:27.280
<v Speaker 2>So that's a second frequency that it has. And if

0:17:27.320 --> 0:17:30.359
<v Speaker 2>that frequency is between thirty hurts and one hundred and

0:17:30.359 --> 0:17:34.400
<v Speaker 2>fifty hertz, that modulation between up and down or left

0:17:34.400 --> 0:17:36.600
<v Speaker 2>and right, however you want to look at it. That

0:17:36.760 --> 0:17:40.280
<v Speaker 2>is that roughness area. And it also seems to be

0:17:40.400 --> 0:17:44.960
<v Speaker 2>reserved as far as human sounds go, just for screams.

0:17:45.800 --> 0:17:48.879
<v Speaker 1>Yeah, there was a study. They learned this because of

0:17:48.920 --> 0:17:49.720
<v Speaker 1>a study.

0:17:49.640 --> 0:17:50.359
<v Speaker 2>We how'd I do?

0:17:51.200 --> 0:17:53.359
<v Speaker 1>Oh? You'd a great? Okay kid, I'm sorry I didn't

0:17:53.680 --> 0:17:54.919
<v Speaker 1>the customary thank you.

0:17:55.720 --> 0:17:57.760
<v Speaker 2>We usually edit the colaps out. I think we should

0:17:57.840 --> 0:17:58.320
<v Speaker 2>leave that one in.

0:17:58.400 --> 0:18:00.479
<v Speaker 1>Yeah, yeah, let's leave that one in. They know this

0:18:00.520 --> 0:18:04.600
<v Speaker 1>because in twenty fifteen NYU, the neuroscientists, theyre published a

0:18:04.640 --> 0:18:11.000
<v Speaker 1>study supporting this role of amplitude modulation. And the crazy

0:18:11.040 --> 0:18:13.960
<v Speaker 1>part is that the only other sound in that rough

0:18:14.000 --> 0:18:18.200
<v Speaker 1>this domain, like that's the only sound a human can make.

0:18:18.359 --> 0:18:22.160
<v Speaker 1>That's like that. The only other sounds are all artificial alarms.

0:18:22.600 --> 0:18:26.040
<v Speaker 1>So the human screen lives in the roughest domain alongside

0:18:26.440 --> 0:18:31.560
<v Speaker 1>sirens and car alarms and you know, just other other

0:18:31.720 --> 0:18:34.600
<v Speaker 1>like claxon. Maybe what is that?

0:18:34.840 --> 0:18:36.400
<v Speaker 2>Is that the bad guys in Doctor Who?

0:18:36.960 --> 0:18:40.480
<v Speaker 1>I think a claxon is the Eh?

0:18:40.520 --> 0:18:42.680
<v Speaker 2>Oh those are terrible, like pull your credit card out

0:18:42.720 --> 0:18:43.639
<v Speaker 2>of the card terminal.

0:18:44.520 --> 0:18:45.399
<v Speaker 1>Does it actually do that?

0:18:45.520 --> 0:18:48.719
<v Speaker 2>Yes, so they did originally. I think they've kind of stopped,

0:18:48.760 --> 0:18:50.320
<v Speaker 2>but it would used to be really jarring.

0:18:51.520 --> 0:18:54.040
<v Speaker 1>Yeah, I mean, because that's the sound that happens when

0:18:54.040 --> 0:18:57.040
<v Speaker 1>a nuclear facility is melting down.

0:18:57.160 --> 0:19:00.159
<v Speaker 2>Right, forget your credit card, melt on a nuclear facility,

0:19:00.480 --> 0:19:01.920
<v Speaker 2>basically the same thing.

0:19:03.040 --> 0:19:04.720
<v Speaker 1>Yeah, So thanks NYU for that. Right.

0:19:04.880 --> 0:19:07.920
<v Speaker 2>Well, okay, that was just part one of this study.

0:19:08.000 --> 0:19:10.880
<v Speaker 2>This is a really robust study. So they analyzed recorded

0:19:10.920 --> 0:19:14.080
<v Speaker 2>sounds and they found that screams were all in roughness

0:19:14.080 --> 0:19:16.840
<v Speaker 2>and the only other sounds that were in there were alarms. Right.

0:19:17.480 --> 0:19:22.080
<v Speaker 2>Then they got a bunch of volunteers, almost guaranteed NYU

0:19:22.160 --> 0:19:25.320
<v Speaker 2>undergrads looking for extra credit, and they said, we want

0:19:25.359 --> 0:19:27.159
<v Speaker 2>you to make a bunch of sounds. We want you

0:19:27.200 --> 0:19:30.120
<v Speaker 2>to scream, we want you to speak normally, we want

0:19:30.160 --> 0:19:34.439
<v Speaker 2>you to scream speak yeah, and make a bunch of

0:19:34.560 --> 0:19:39.280
<v Speaker 2>meaningless vocalizations like yips, yammers, yelps, that whole thing, right, sure,

0:19:39.600 --> 0:19:42.320
<v Speaker 2>And then they analyzed those just like they analyzed the

0:19:42.359 --> 0:19:44.639
<v Speaker 2>recorded sounds, and they found that all of the scream

0:19:44.720 --> 0:19:47.919
<v Speaker 2>sounds were in the roughness domain, and all of the

0:19:48.040 --> 0:19:52.320
<v Speaker 2>non scream sounds, including yips and yamers, were not in

0:19:52.359 --> 0:19:55.800
<v Speaker 2>the roughness domain whatsoever. So they're really zeroing in. And

0:19:55.880 --> 0:19:58.840
<v Speaker 2>yet there's more to this study. This is how robust

0:19:58.880 --> 0:19:59.199
<v Speaker 2>it was.

0:20:00.119 --> 0:20:02.040
<v Speaker 1>Yeah. So then they said, all right, we got all

0:20:02.080 --> 0:20:05.280
<v Speaker 1>this collection of sounds, neutral sounds is what we'll call,

0:20:05.320 --> 0:20:08.000
<v Speaker 1>the ones that aren't screams, and then the screamy things.

0:20:08.440 --> 0:20:11.840
<v Speaker 1>And they brought in some other volunteers, other NYU students

0:20:11.920 --> 0:20:14.359
<v Speaker 1>for sure, and said, all right, we want you to

0:20:14.440 --> 0:20:17.119
<v Speaker 1>rate the scariness like maybe on a one to ten,

0:20:17.280 --> 0:20:19.679
<v Speaker 1>one to five, who knows what they used, maybe a

0:20:19.800 --> 0:20:23.280
<v Speaker 1>Yelp star system, and they said, rate the scariness of

0:20:23.320 --> 0:20:26.960
<v Speaker 1>the sounds. All the sounds in the roughness domain. This

0:20:27.000 --> 0:20:29.879
<v Speaker 1>is pretty obvious. We're rated as scarier than the neutral sounds.

0:20:30.680 --> 0:20:32.960
<v Speaker 1>And the sounds that were rated the scariest were the

0:20:32.960 --> 0:20:35.119
<v Speaker 1>ones that were highest on the roughness scale.

0:20:35.240 --> 0:20:37.920
<v Speaker 2>All makes sense, right, So they're really drilling down here.

0:20:38.000 --> 0:20:43.040
<v Speaker 2>It keeps going, everybody. They actually took volunteers, probably the

0:20:43.080 --> 0:20:45.760
<v Speaker 2>same ones who rated the scariness of the sounds, and

0:20:45.800 --> 0:20:48.720
<v Speaker 2>they scanned them while they were listening to scary sounds

0:20:49.040 --> 0:20:52.240
<v Speaker 2>and not just screamed but also the artificial alarms too,

0:20:52.720 --> 0:20:56.800
<v Speaker 2>and probably some of the nonsense sounds and musical sounds,

0:20:57.400 --> 0:21:01.320
<v Speaker 2>And as they were listening, the scream and the alarms

0:21:01.359 --> 0:21:04.800
<v Speaker 2>were the only ones that cause spikes in the amygdala. Remember,

0:21:04.840 --> 0:21:09.520
<v Speaker 2>the amygdala is where that set aside pathway for screams is,

0:21:10.359 --> 0:21:13.320
<v Speaker 2>and that the higher on the roughness scale, if you

0:21:13.320 --> 0:21:15.280
<v Speaker 2>can call it that, that the screams or alarms were,

0:21:15.600 --> 0:21:19.960
<v Speaker 2>the greater the amygdala activity, and then the greater the

0:21:20.000 --> 0:21:23.760
<v Speaker 2>amygdala activity that was shown in the scans, the higher

0:21:24.000 --> 0:21:28.600
<v Speaker 2>those sounds had been rated for scariness by the volunteers previously.

0:21:29.119 --> 0:21:31.200
<v Speaker 2>And when they wrapped it up and put all this together,

0:21:31.720 --> 0:21:34.000
<v Speaker 2>they were like, I forgot what we were studying in

0:21:34.040 --> 0:21:34.800
<v Speaker 2>the first place.

0:21:38.280 --> 0:21:43.280
<v Speaker 1>So the upshot, to borrow a term from Josh, is

0:21:43.320 --> 0:21:49.800
<v Speaker 1>that it seems like humans are specifically attuned and our

0:21:49.800 --> 0:21:54.160
<v Speaker 1>amygdala is specifically activated by the sound of a scream,

0:21:55.080 --> 0:21:58.480
<v Speaker 1>to say like, hey, it's time to panic or it's

0:21:58.520 --> 0:22:01.800
<v Speaker 1>time to kick into high gear. They found that this

0:22:01.960 --> 0:22:06.120
<v Speaker 1>works if you're awake or asleep. Yeah, at the rough

0:22:06.200 --> 0:22:08.760
<v Speaker 1>vocalizations and that rough domain that we were talking about

0:22:08.800 --> 0:22:14.320
<v Speaker 1>penetrate human sleep cycles more than neutral vocalizations. And that's

0:22:14.359 --> 0:22:18.040
<v Speaker 1>not to say that like, yeah, of course it's louder, dummy.

0:22:18.200 --> 0:22:20.439
<v Speaker 1>We're not talking about decibels here, We're talking about a

0:22:20.520 --> 0:22:24.040
<v Speaker 1>frequency range. Like I think what they're saying and correct

0:22:24.080 --> 0:22:26.479
<v Speaker 1>me if I'm wrong, is that is that a scream

0:22:26.520 --> 0:22:28.439
<v Speaker 1>that might be the same decibel level as like a

0:22:28.480 --> 0:22:31.879
<v Speaker 1>really loud talk will penetrate that sleep cycle unlike that

0:22:31.920 --> 0:22:32.600
<v Speaker 1>really loud talk.

0:22:32.760 --> 0:22:35.879
<v Speaker 2>Yes, And they think it's because the amygdala is tuned

0:22:35.920 --> 0:22:38.760
<v Speaker 2>to that thirty to one hundred and fifty hertz rightness band.

0:22:39.280 --> 0:22:42.199
<v Speaker 2>So the amygdala has its own route for getting you

0:22:42.280 --> 0:22:45.760
<v Speaker 2>aroused and not necessarily in the best way when you

0:22:45.840 --> 0:22:48.359
<v Speaker 2>hear a scream, and it's also listening out to a

0:22:48.400 --> 0:22:55.280
<v Speaker 2>specific band of modulation to that screams existence. So clearly,

0:22:55.520 --> 0:22:59.919
<v Speaker 2>thanks to our NYU researchers back in twenty fifteen, scream

0:23:00.119 --> 0:23:03.520
<v Speaker 2>are a really important and kind of overlooked part of

0:23:03.680 --> 0:23:08.600
<v Speaker 2>human speech right, and yeah for sure, and they think also, Chuck,

0:23:08.640 --> 0:23:13.520
<v Speaker 2>that not only has like have we evolved to develop

0:23:13.600 --> 0:23:17.120
<v Speaker 2>this alarm system, which clearly is what it is, because

0:23:17.280 --> 0:23:20.360
<v Speaker 2>not only you're saying help, you're also, depending on how

0:23:20.560 --> 0:23:24.359
<v Speaker 2>nice or altruistic the people listening are, you're also saying

0:23:25.080 --> 0:23:27.440
<v Speaker 2>look out, there's danger, and they may run away if

0:23:27.440 --> 0:23:30.400
<v Speaker 2>they're flee or they might run to you to help

0:23:30.400 --> 0:23:33.159
<v Speaker 2>you if they're ready to fight. But they also have

0:23:33.280 --> 0:23:36.399
<v Speaker 2>shown that screams have evolved in other ways too, Like

0:23:36.440 --> 0:23:40.000
<v Speaker 2>we don't scream just out of an alarm system anymore.

0:23:40.119 --> 0:23:43.160
<v Speaker 2>There's actually at least six other screams that they discovered

0:23:43.359 --> 0:23:47.440
<v Speaker 2>that correlate or correspond to six other separate emotions.

0:23:47.800 --> 0:23:49.960
<v Speaker 1>Yeah, anger, of course is going to be one you

0:23:49.960 --> 0:23:51.640
<v Speaker 1>can scream at somebody in traffic.

0:23:51.800 --> 0:23:56.679
<v Speaker 2>There's a europe song called scream of Anger. Really in Europe,

0:23:56.680 --> 0:23:58.240
<v Speaker 2>of course, is known for a different song.

0:23:59.520 --> 0:24:03.200
<v Speaker 1>Yeah, but you know what I heard? Oh what was it?

0:24:03.240 --> 0:24:05.680
<v Speaker 1>That other europe song I forgot about the other day

0:24:06.119 --> 0:24:10.480
<v Speaker 1>on hair Nation on serious except OK, which I'm still

0:24:10.520 --> 0:24:12.840
<v Speaker 1>pounding by the way, I can't get away from it.

0:24:12.920 --> 0:24:15.359
<v Speaker 1>I'm so back into the hair metal. It's really funny

0:24:15.400 --> 0:24:19.399
<v Speaker 1>that's awesome. What was it? Keep on walking that road

0:24:19.640 --> 0:24:26.760
<v Speaker 1>and I'll follow. Yeah, and if a mirror shit break, superstitious.

0:24:27.200 --> 0:24:28.159
<v Speaker 2>That was Europe.

0:24:28.640 --> 0:24:30.879
<v Speaker 1>Yeah, that was Europe. That was another big song besides

0:24:30.960 --> 0:24:32.000
<v Speaker 1>Final Countdown.

0:24:32.119 --> 0:24:34.879
<v Speaker 2>Okay, well so Scream of It it's a great song. Okay,

0:24:35.040 --> 0:24:40.520
<v Speaker 2>Scream of Anger is even better. It's like actual metal tinge.

0:24:39.320 --> 0:24:42.120
<v Speaker 1>Oh yeah, yeah, yeah, you just made me think of Europe.

0:24:42.320 --> 0:24:45.680
<v Speaker 1>They're They're definitely not screamers. They had voices of angels.

0:24:45.920 --> 0:24:48.879
<v Speaker 1>They did obviously screaming fear, which is kind of one

0:24:48.920 --> 0:24:51.600
<v Speaker 1>of the things we've been talking about. Screaming in pain.

0:24:52.359 --> 0:24:55.760
<v Speaker 1>That's something that I have never experienced. I've been I've

0:24:56.040 --> 0:24:59.920
<v Speaker 1>felt great deals of physical pain, but I'm very internal.

0:25:00.080 --> 0:25:04.080
<v Speaker 1>I kind of go inward. But I've been to emergency rooms,

0:25:04.200 --> 0:25:07.040
<v Speaker 1>and a screamer in an emergency room is a very

0:25:07.480 --> 0:25:08.960
<v Speaker 1>unsettling situation.

0:25:09.080 --> 0:25:12.879
<v Speaker 2>Yeah, for sure. The one I always associate with that

0:25:13.000 --> 0:25:15.199
<v Speaker 2>is Tom Berenger telling that guy who got shot in

0:25:15.240 --> 0:25:17.000
<v Speaker 2>the gut and platoon to eat the pain.

0:25:18.720 --> 0:25:20.200
<v Speaker 1>Uh yeah, that's right.

0:25:20.280 --> 0:25:22.200
<v Speaker 2>That guy was definitely screaming in pain.

0:25:22.800 --> 0:25:25.680
<v Speaker 1>Yeah. Yeah, he put his hand over his mouth, was

0:25:25.720 --> 0:25:27.000
<v Speaker 1>that j Yeah.

0:25:27.200 --> 0:25:32.040
<v Speaker 2>So there's also this one's great scream of extreme joy.

0:25:32.720 --> 0:25:33.639
<v Speaker 1>Yeah, like at a concert.

0:25:33.640 --> 0:25:37.919
<v Speaker 2>Maybe, sure, that's one. Or if you watch The Simpsons

0:25:38.000 --> 0:25:40.400
<v Speaker 2>and go back and watch I think the murder House

0:25:40.440 --> 0:25:43.480
<v Speaker 2>episode where Marge is a real estate agent selling a

0:25:43.560 --> 0:25:47.280
<v Speaker 2>murder house to Ned Flanders. You hear a terrible scream

0:25:47.280 --> 0:25:49.960
<v Speaker 2>and it turns out it's Ned Flanders screaming in joy

0:25:50.000 --> 0:25:53.919
<v Speaker 2>because there's purple drapes in the house. It's great. Just

0:25:53.960 --> 0:25:56.080
<v Speaker 2>go look it up. It's like a tense, pretty good clip.

0:25:57.040 --> 0:25:58.760
<v Speaker 1>I guess you know we're not going to dance around this.

0:25:58.760 --> 0:26:03.320
<v Speaker 1>We're adults here, obviously during intercourse and orgasm can produce

0:26:04.600 --> 0:26:06.240
<v Speaker 1>quite a scream, I'm told.

0:26:06.480 --> 0:26:09.040
<v Speaker 2>Yeah, next to that, I just have an ellipse.

0:26:09.240 --> 0:26:14.520
<v Speaker 1>Right, intense pleasure, so you know that extreme joy and

0:26:14.560 --> 0:26:17.560
<v Speaker 1>intense pleasure probably encapsulates both of those if you're doing

0:26:17.560 --> 0:26:21.480
<v Speaker 1>it right. And then a scream of sadness, and I

0:26:21.480 --> 0:26:24.040
<v Speaker 1>guess this is just like wailing.

0:26:24.160 --> 0:26:27.119
<v Speaker 2>Plus yeah, I feel like this one may have just

0:26:27.160 --> 0:26:29.920
<v Speaker 2>been mislabeled because I think you can make a case

0:26:29.960 --> 0:26:32.119
<v Speaker 2>that what they're describing here is actually a scream of

0:26:32.160 --> 0:26:36.320
<v Speaker 2>emotional pain, not physical pain. Emotional pain and.

0:26:36.400 --> 0:26:37.520
<v Speaker 1>What's the sadness? Is right.

0:26:38.040 --> 0:26:40.440
<v Speaker 2>Yeah, I guess so so sure. I mean, maybe it's

0:26:40.520 --> 0:26:43.680
<v Speaker 2>just me that was like, no, that's wrong. A really

0:26:43.680 --> 0:26:46.520
<v Speaker 2>good example of it as far as movies go, is

0:26:46.640 --> 0:26:48.600
<v Speaker 2>Tony Collette in Hereditary.

0:26:48.960 --> 0:26:49.920
<v Speaker 1>Oh God, she.

0:26:49.880 --> 0:26:53.560
<v Speaker 2>Finds out that her daughter has died. It's yeah, wrenching

0:26:53.640 --> 0:26:56.960
<v Speaker 2>the work she does, like like, oh my god, it's

0:26:57.080 --> 0:26:59.400
<v Speaker 2>really tough to watch, and of course it's all over

0:26:59.440 --> 0:27:00.000
<v Speaker 2>the internet.

0:27:00.800 --> 0:27:03.800
<v Speaker 1>I am about to say something I thought I would

0:27:03.800 --> 0:27:05.520
<v Speaker 1>never say. I think I would like to see that

0:27:05.600 --> 0:27:06.080
<v Speaker 1>movie again.

0:27:06.920 --> 0:27:08.840
<v Speaker 2>Oh what did you not like it the first time?

0:27:09.480 --> 0:27:11.480
<v Speaker 1>I loved it, but it was it's a tough movie.

0:27:11.560 --> 0:27:13.960
<v Speaker 1>Oh it was one of those where I was like, wow,

0:27:14.440 --> 0:27:16.080
<v Speaker 1>that was amazing. But I don't think I need to

0:27:16.119 --> 0:27:17.680
<v Speaker 1>see that ever again. But I think I might want

0:27:17.720 --> 0:27:18.960
<v Speaker 1>to because it was really that great.

0:27:19.080 --> 0:27:22.359
<v Speaker 2>I've seen people here there describe it as potentially the

0:27:22.520 --> 0:27:24.400
<v Speaker 2>darkest dark comedy around.

0:27:24.960 --> 0:27:25.680
<v Speaker 1>Oh interesting.

0:27:25.760 --> 0:27:27.639
<v Speaker 2>And there's there's this one part that I think kind

0:27:27.680 --> 0:27:30.120
<v Speaker 2>of supports it. Do you remember the part where Steven

0:27:30.359 --> 0:27:33.160
<v Speaker 2>is in the classroom and he messes himself up pretty good?

0:27:33.960 --> 0:27:36.600
<v Speaker 1>Mmmm, it's been a while, but yeah, sort of.

0:27:37.160 --> 0:27:40.280
<v Speaker 2>Yeah, it's I mean, it's really good. I've seen it.

0:27:40.320 --> 0:27:42.359
<v Speaker 2>I think just a couple of times, but the second

0:27:42.359 --> 0:27:45.040
<v Speaker 2>time I saw it was not too long ago. But Chuck,

0:27:45.600 --> 0:27:50.119
<v Speaker 2>please please watch Saint Maud. As far as a twenty

0:27:50.119 --> 0:27:52.879
<v Speaker 2>four horror movies go, that's one of the more overlooked ones.

0:27:53.000 --> 0:27:56.520
<v Speaker 2>It is off the chain. It's so good and it's

0:27:56.600 --> 0:27:57.720
<v Speaker 2>just so nuts. Man.

0:27:58.880 --> 0:28:00.479
<v Speaker 1>Uh, why have I heard of that?

0:28:00.600 --> 0:28:02.640
<v Speaker 2>Is that I've told you to watch this before? I think, yeah,

0:28:02.640 --> 0:28:04.359
<v Speaker 2>And I don't think you watched it, because you would

0:28:04.359 --> 0:28:05.760
<v Speaker 2>have definitely come back and been like.

0:28:05.760 --> 0:28:11.800
<v Speaker 1>Dude, okay, Saint Lawed. That's all I need to say. Okay, dude. Yeah,

0:28:11.840 --> 0:28:14.160
<v Speaker 1>Well it's a British org. I'm all about those.

0:28:14.440 --> 0:28:16.720
<v Speaker 2>It's good. There's it's rough though, like this is not

0:28:16.800 --> 0:28:19.720
<v Speaker 2>for kids, and there's you know, really upsetting stuff throughout.

0:28:19.880 --> 0:28:26.600
<v Speaker 1>So just FYI, all right, So back to screaming. Obviously, rage, fear, pain.

0:28:26.680 --> 0:28:30.560
<v Speaker 1>These are alarm screams. The non alarm screams, Like we

0:28:30.600 --> 0:28:34.760
<v Speaker 1>talked about, the joy, intense pleasure. I don't think I'll

0:28:34.760 --> 0:28:36.840
<v Speaker 1>throw sadness in there, because that can be alarm. But

0:28:36.880 --> 0:28:40.479
<v Speaker 1>those aren't things that you will find in the animal Kingdom.

0:28:40.640 --> 0:28:45.360
<v Speaker 1>It is a distinctly uniquely human instinct to signal something

0:28:45.400 --> 0:28:48.680
<v Speaker 1>positive with the scream. Animals don't scream out in joy.

0:28:48.440 --> 0:28:51.480
<v Speaker 2>No, but we do think that some non human primates

0:28:51.520 --> 0:28:53.480
<v Speaker 2>scream out in grief though. Isn't that awful?

0:28:53.560 --> 0:28:55.480
<v Speaker 1>Oh man, Yeah, I.

0:28:55.400 --> 0:28:58.239
<v Speaker 2>Think that's a great way to end this section and

0:28:58.360 --> 0:29:00.240
<v Speaker 2>start with the ad break. What do you think?

0:29:01.000 --> 0:29:37.120
<v Speaker 1>Yeah, let's do it and things all right, So back

0:29:37.120 --> 0:29:39.760
<v Speaker 1>to screaming. I was I was afraid you're gonna scream.

0:29:39.520 --> 0:29:41.000
<v Speaker 2>At one point.

0:29:41.080 --> 0:29:43.640
<v Speaker 1>Not something we're gonna do. I can't remember the last

0:29:43.640 --> 0:29:47.240
<v Speaker 1>time I tried to scream. Yeah, like just like as

0:29:47.280 --> 0:29:49.520
<v Speaker 1>a like, Hey, what's your scream sound like at a

0:29:49.560 --> 0:29:53.800
<v Speaker 1>party or something? You know, that old party trick? And

0:29:53.880 --> 0:29:57.400
<v Speaker 1>I wonder, like I always think of, like the best

0:29:57.400 --> 0:30:01.920
<v Speaker 1>scream I've ever heard is probably from American movie, the

0:30:02.000 --> 0:30:07.560
<v Speaker 1>documentary you saw that, right, No, the American movie. It

0:30:07.600 --> 0:30:10.400
<v Speaker 1>was about the the guys in Wisconsin making the low

0:30:10.400 --> 0:30:13.040
<v Speaker 1>budget horror movie. That's why I would say Covin because

0:30:13.040 --> 0:30:14.000
<v Speaker 1>he pronounced it covin.

0:30:14.280 --> 0:30:16.320
<v Speaker 2>I never saw that. I know what you're talking about

0:30:16.320 --> 0:30:17.080
<v Speaker 2>is worth seeing.

0:30:18.080 --> 0:30:20.400
<v Speaker 1>Yeah, Oh, it's one of the great great documentaries of

0:30:20.440 --> 0:30:24.200
<v Speaker 1>all time. Highly recommend it. But Mike Shank rest in peace,

0:30:24.280 --> 0:30:28.800
<v Speaker 1>Mike has leftist very sadly. There's one part in there

0:30:29.400 --> 0:30:34.239
<v Speaker 1>where the main guy is trying to record screams for

0:30:34.280 --> 0:30:37.800
<v Speaker 1>his low budget horror film he's making in the studio,

0:30:37.960 --> 0:30:42.720
<v Speaker 1>and Mike shank was this very very low key friend

0:30:42.760 --> 0:30:46.440
<v Speaker 1>of his out of nowhere else send you the clip

0:30:46.480 --> 0:30:51.320
<v Speaker 1>produces the most blood curdling scream I've ever heard in

0:30:51.360 --> 0:30:54.480
<v Speaker 1>my life. It's incredible, definitely, and one of the funnier

0:30:54.520 --> 0:30:57.680
<v Speaker 1>parts of that too, because nobody saw it coming, including

0:30:57.720 --> 0:31:00.480
<v Speaker 1>his friend, and his reaction is great and it's just

0:31:00.520 --> 0:31:01.640
<v Speaker 1>one of the great parts of that movie.

0:31:01.680 --> 0:31:04.480
<v Speaker 2>Well, me and everybody listening will definitely see it coming. Now.

0:31:05.760 --> 0:31:08.840
<v Speaker 1>Oh it's yeah, I guess that is a little bit spoiler,

0:31:08.880 --> 0:31:11.000
<v Speaker 1>but it's a twenty year old documentary.

0:31:10.480 --> 0:31:11.920
<v Speaker 2>So all right, I'll watch it though.

0:31:11.960 --> 0:31:15.560
<v Speaker 1>Okay, if you watch t Et goes Home to everybody.

0:31:16.600 --> 0:31:21.240
<v Speaker 2>Okay. So there's a name that's been kind of bestowed

0:31:21.280 --> 0:31:25.320
<v Speaker 2>on some actresses over the years, which is scream Queen.

0:31:25.960 --> 0:31:26.280
<v Speaker 1>Yeah.

0:31:26.360 --> 0:31:29.760
<v Speaker 2>I always associate that with Jamie Lee Curtis, who got

0:31:29.760 --> 0:31:33.440
<v Speaker 2>that from Halloween and prom Night. It actually dates back

0:31:33.520 --> 0:31:37.520
<v Speaker 2>like fifty plus years before Halloween with Fay Ray when

0:31:37.520 --> 0:31:40.920
<v Speaker 2>she was in King Kong. In nineteen thirty three. Apparently

0:31:41.000 --> 0:31:43.360
<v Speaker 2>I've not seen the original King Kong, but her screams

0:31:43.400 --> 0:31:47.240
<v Speaker 2>are supposedly really terrifying, and they did them all in

0:31:47.280 --> 0:31:50.600
<v Speaker 2>post production, like apparently American movie, and then they mixed

0:31:50.640 --> 0:31:53.720
<v Speaker 2>them together to just make them as disturbing as possible.

0:31:53.920 --> 0:31:57.040
<v Speaker 2>But Fay Ray, the nineteen thirties actress, was the original

0:31:57.080 --> 0:31:57.800
<v Speaker 2>scream queen.

0:31:58.640 --> 0:32:01.880
<v Speaker 1>That's right. It's a pretty good screw. Not nearly as

0:32:01.960 --> 0:32:04.920
<v Speaker 1>chilling as Mike Shanks, but it was nineteen thirty three.

0:32:04.960 --> 0:32:08.240
<v Speaker 1>They did a pretty good job. You usually associate it

0:32:08.280 --> 0:32:12.720
<v Speaker 1>with like a scream queen, like you know, it's usually

0:32:12.720 --> 0:32:14.680
<v Speaker 1>a woman screaming in a horror movie. That's just sort

0:32:14.680 --> 0:32:18.080
<v Speaker 1>of the trope. But there have been some notable man screams.

0:32:18.800 --> 0:32:22.320
<v Speaker 1>James concert Lam mentioned earlier from Misery, but another that

0:32:22.840 --> 0:32:25.400
<v Speaker 1>was done in post production, but it is so great.

0:32:26.000 --> 0:32:28.120
<v Speaker 1>You should just check out this clip on YouTube. Is

0:32:28.120 --> 0:32:31.720
<v Speaker 1>that the chilling ending of Invasion of the Body Snatchers

0:32:31.720 --> 0:32:35.560
<v Speaker 1>from nineteen seventy eight with Donald Sutherland. And you know

0:32:35.640 --> 0:32:38.000
<v Speaker 1>who was in charge of that scream? My friend, you

0:32:38.120 --> 0:32:41.360
<v Speaker 1>probably looked this up, but it's our old pal from

0:32:41.440 --> 0:32:45.000
<v Speaker 1>Star Wars, oh, who was hitting that high tension wire

0:32:45.040 --> 0:32:47.560
<v Speaker 1>with a wrench. Ben Burt.

0:32:47.960 --> 0:32:49.959
<v Speaker 2>Yeah, he was just a legend, wasn't he.

0:32:50.560 --> 0:32:53.600
<v Speaker 1>Yeah, apparently this was layering pig squeals on top of

0:32:53.640 --> 0:32:57.800
<v Speaker 1>each other. And it's a sort of a classic ending

0:32:57.840 --> 0:33:00.480
<v Speaker 1>to that movie because that is the same that the

0:33:01.040 --> 0:33:04.960
<v Speaker 1>pod people make when they see a human. And well,

0:33:05.040 --> 0:33:06.840
<v Speaker 1>I mean, I guess this is all spoiler stuff, but

0:33:06.880 --> 0:33:10.480
<v Speaker 1>it's from nineteen seventy eight. Donald Sutherland makes that sound

0:33:10.480 --> 0:33:14.920
<v Speaker 1>at the end when he sees a human, indicating chillingly

0:33:15.000 --> 0:33:16.600
<v Speaker 1>that he is now a pod person.

0:33:16.680 --> 0:33:18.880
<v Speaker 2>Yeah, so keep an eye on Donald Sutherland when you

0:33:18.920 --> 0:33:20.560
<v Speaker 2>watch that movie for the first time.

0:33:21.240 --> 0:33:21.800
<v Speaker 1>Yeah, for sure.

0:33:21.840 --> 0:33:26.280
<v Speaker 2>There's a couple others. Thomas Jane gives a really terrible

0:33:26.760 --> 0:33:29.560
<v Speaker 2>scream at the end of The Mist, which has one

0:33:29.600 --> 0:33:36.280
<v Speaker 2>of the unsettling endings I think of any movie ever,

0:33:36.520 --> 0:33:40.280
<v Speaker 2>maybe tied with it Comes in the Night, which is

0:33:40.320 --> 0:33:43.920
<v Speaker 2>another really unsettling a twenty four movie. Bruce Campbell he's

0:33:43.960 --> 0:33:47.160
<v Speaker 2>a great man, screamer, I guess, scream king.

0:33:48.000 --> 0:33:50.480
<v Speaker 1>He does everything great and then justin.

0:33:50.400 --> 0:33:53.200
<v Speaker 2>Long He's definitely he's been in like way more horror

0:33:53.200 --> 0:33:55.640
<v Speaker 2>movies than you would think, but he I'm pretty sure

0:33:55.680 --> 0:33:59.400
<v Speaker 2>he screams pretty well in Barbarian Man. And then also

0:34:00.120 --> 0:34:02.480
<v Speaker 2>I can't help but bring up since I mentioned Justin Long,

0:34:02.640 --> 0:34:05.360
<v Speaker 2>He's in a new movie called Coyotes, which is a

0:34:05.360 --> 0:34:08.600
<v Speaker 2>horror comedy about coyotes going on a rampage. And it

0:34:08.719 --> 0:34:10.920
<v Speaker 2>just so happens that my niece, Mela Harris is in

0:34:10.960 --> 0:34:14.920
<v Speaker 2>that movie too. She plays his and Kate Bosworth's daughter.

0:34:15.640 --> 0:34:20.640
<v Speaker 1>Oh that's great. I love that. The odd connection of

0:34:21.840 --> 0:34:24.800
<v Speaker 1>Justin Long and Hodgman. Of course with the mac Apple

0:34:24.800 --> 0:34:27.319
<v Speaker 1>commercials for sure. When I was out in New York

0:34:27.360 --> 0:34:29.200
<v Speaker 1>that time, after hanging out with Hodgman, you and I

0:34:29.280 --> 0:34:31.400
<v Speaker 1>think went to a thing with him. Then later that

0:34:31.480 --> 0:34:35.320
<v Speaker 1>night I saw Justin Long out, Oh weird, and I

0:34:35.480 --> 0:34:37.239
<v Speaker 1>had to say something to him. I was like, you know,

0:34:37.320 --> 0:34:38.719
<v Speaker 1>John's a friend of mine. I was just hanging out

0:34:38.719 --> 0:34:42.120
<v Speaker 1>with him. It's funny that I saw you. And he said, well, Mela,

0:34:42.480 --> 0:34:44.200
<v Speaker 1>Josh's future niece is right behind me.

0:34:44.440 --> 0:34:45.120
<v Speaker 2>That's awesome.

0:34:45.680 --> 0:34:46.319
<v Speaker 1>It was very funny.

0:34:46.360 --> 0:34:48.200
<v Speaker 2>Thanks for a circling back like though. That was really

0:34:48.280 --> 0:34:49.520
<v Speaker 2>kind of course.

0:34:49.760 --> 0:34:52.120
<v Speaker 1>And then you know we have to also give a

0:34:52.320 --> 0:34:55.760
<v Speaker 1>do to the a couple more scream queens. Very famously

0:34:55.840 --> 0:34:58.800
<v Speaker 1>Janet Lee and Psycho and you got to talk about

0:34:58.800 --> 0:35:00.959
<v Speaker 1>Nev Campbell in the movie Scream.

0:35:01.120 --> 0:35:03.400
<v Speaker 2>Yes, And I would make an assertion that Mia Goth

0:35:03.640 --> 0:35:06.560
<v Speaker 2>is the current Scream queen from the Maxazine trilogy.

0:35:06.760 --> 0:35:07.680
<v Speaker 1>I think she's great.

0:35:07.760 --> 0:35:09.439
<v Speaker 2>He's the one killing it right now.

0:35:09.960 --> 0:35:12.560
<v Speaker 1>Yeah, she's awesome. And speaking of Scream, and I'm only

0:35:13.560 --> 0:35:18.160
<v Speaker 1>plugging an old movie crush because guest Nate Bargetzi is

0:35:18.239 --> 0:35:20.200
<v Speaker 1>now the biggest comedian on planet Earth.

0:35:20.360 --> 0:35:21.240
<v Speaker 2>I know it's so great.

0:35:21.920 --> 0:35:24.399
<v Speaker 1>But I had Nate on because I was a fan

0:35:24.440 --> 0:35:26.360
<v Speaker 1>of Nate's very early on and I just wanted to

0:35:26.360 --> 0:35:29.200
<v Speaker 1>meet Nate. So I drove to Nashville and had Nate on,

0:35:29.400 --> 0:35:31.760
<v Speaker 1>and his movie crush pick was Scream.

0:35:31.960 --> 0:35:33.080
<v Speaker 2>Did he know you were coming?

0:35:34.320 --> 0:35:36.480
<v Speaker 1>Yeah? I took cornered him in a studio and he's like,

0:35:36.480 --> 0:35:37.040
<v Speaker 1>who's this guy?

0:35:37.080 --> 0:35:39.359
<v Speaker 2>He's such a good guy too, man, It's like his

0:35:39.440 --> 0:35:42.319
<v Speaker 2>comedy's perfect, like he's it's I'm just really happy that

0:35:42.360 --> 0:35:43.640
<v Speaker 2>he's so huge now.

0:35:44.239 --> 0:35:46.960
<v Speaker 1>He's a great guy and super super nice in person,

0:35:47.719 --> 0:35:49.719
<v Speaker 1>and I'm sure he is still that way even now

0:35:49.719 --> 0:35:51.520
<v Speaker 1>that he's super famous. He seems like he's still a

0:35:51.520 --> 0:35:53.880
<v Speaker 1>great guy. But Nate was very charming guests, So you

0:35:53.920 --> 0:35:55.239
<v Speaker 1>can if you want to. If you're a big fan

0:35:55.280 --> 0:35:57.080
<v Speaker 1>of Nate's now and you want to hear him talk

0:35:57.120 --> 0:35:59.200
<v Speaker 1>to me, you can check out that old movie crush.

0:35:59.280 --> 0:36:01.640
<v Speaker 2>Don't just check out that old movie crush, check out

0:36:01.680 --> 0:36:04.839
<v Speaker 2>all the movie crushes because they are all priceless gems.

0:36:05.160 --> 0:36:07.839
<v Speaker 1>Yeah, I definitely missed that show, but you know, some

0:36:07.920 --> 0:36:11.080
<v Speaker 1>things just have to be retired eventually.

0:36:10.760 --> 0:36:14.839
<v Speaker 2>Exactly, Chuck, So did you mention death metal? I thought

0:36:14.880 --> 0:36:15.279
<v Speaker 2>you did.

0:36:17.000 --> 0:36:20.480
<v Speaker 1>I don't think so, but that's obviously a place where

0:36:20.520 --> 0:36:22.799
<v Speaker 1>screaming can be a profession in a way.

0:36:23.239 --> 0:36:27.000
<v Speaker 2>So yeah, So, the University of Utah conducted these tests

0:36:27.000 --> 0:36:30.000
<v Speaker 2>where they took dynamic MRI, so like you don't have

0:36:30.080 --> 0:36:32.799
<v Speaker 2>to just be laying down still to get an MRI

0:36:33.000 --> 0:36:36.080
<v Speaker 2>image of a person. They took MRIs of a guy

0:36:36.160 --> 0:36:38.799
<v Speaker 2>named Will Ramos who's a death core singer for a

0:36:38.840 --> 0:36:43.760
<v Speaker 2>band called Lorna Shore, and he is extraordinarily talented. Whether

0:36:43.800 --> 0:36:46.759
<v Speaker 2>you like death core or can't stand death cores, go

0:36:46.880 --> 0:36:49.680
<v Speaker 2>look up to the hell Fire the Lorna Shore video

0:36:50.080 --> 0:36:53.719
<v Speaker 2>and his range of the work he does with screaming,

0:36:53.840 --> 0:36:58.200
<v Speaker 2>like death core screaming is you can't help but be impressed.

0:36:58.239 --> 0:37:00.399
<v Speaker 2>He's really good, right, so they got a really good

0:37:01.000 --> 0:37:04.719
<v Speaker 2>person to study, because not only is he really good

0:37:04.719 --> 0:37:10.880
<v Speaker 2>at screaming deathcore wise or death metal wise, his vocal junk,

0:37:10.920 --> 0:37:15.400
<v Speaker 2>his neck junk is like entirely intact, like it's really healthy.

0:37:15.719 --> 0:37:17.960
<v Speaker 2>He's been doing this for years and he hasn't done

0:37:18.000 --> 0:37:20.920
<v Speaker 2>any damage. So these University of Utah researchers are like,

0:37:20.960 --> 0:37:24.160
<v Speaker 2>what are you doing? Can we take MRIs of you singing?

0:37:24.680 --> 0:37:27.719
<v Speaker 2>And they did, and it's really cool because the one

0:37:27.760 --> 0:37:31.120
<v Speaker 2>of him just singing normally, you can barely see any

0:37:31.160 --> 0:37:36.279
<v Speaker 2>movement inside the neck. Right when he screams, it just

0:37:36.480 --> 0:37:40.080
<v Speaker 2>is chaos in there. And apparently people who know what

0:37:40.120 --> 0:37:42.200
<v Speaker 2>the anatomy is can look at him and be like,

0:37:42.200 --> 0:37:43.879
<v Speaker 2>oh my god, he's doing this and this is how

0:37:43.880 --> 0:37:47.080
<v Speaker 2>he's keeping from ruining his vocal cords. So they actually

0:37:47.080 --> 0:37:49.319
<v Speaker 2>got pretty far with it. But it's worth checking out

0:37:49.640 --> 0:37:53.880
<v Speaker 2>that article because just for the MRIs side by side amazing.

0:37:54.000 --> 0:37:57.080
<v Speaker 1>I thought, so yeah, and you know, it sounds like

0:37:57.120 --> 0:37:59.760
<v Speaker 1>he has something special going on in his neck junk,

0:38:00.560 --> 0:38:05.880
<v Speaker 1>because screaming can definitely like it's very hard on your throat.

0:38:06.719 --> 0:38:09.360
<v Speaker 1>So good for him. He found his calling.

0:38:09.400 --> 0:38:11.960
<v Speaker 2>He found his niche he got him where he fought in.

0:38:12.960 --> 0:38:16.120
<v Speaker 1>That's right. Another reason to scream kind of here is

0:38:16.160 --> 0:38:20.200
<v Speaker 1>where finishing up is pain control. They did a pretty

0:38:20.200 --> 0:38:24.120
<v Speaker 1>interesting survey in twenty twenty of children that had been

0:38:24.280 --> 0:38:29.200
<v Speaker 1>in the hospital and pain like screaming to relieve pain control.

0:38:29.280 --> 0:38:31.600
<v Speaker 1>It turns out is probably a thing I haven't seen

0:38:31.640 --> 0:38:34.399
<v Speaker 1>like the most robust scientific study, but at least from

0:38:34.400 --> 0:38:40.160
<v Speaker 1>this survey, children routinely described feeling a feeling of liberation

0:38:40.280 --> 0:38:43.719
<v Speaker 1>when they screamed, and then a feeling of calmness afterward

0:38:44.239 --> 0:38:48.040
<v Speaker 1>that helped them experience pain in a more manageable way.

0:38:48.480 --> 0:38:52.800
<v Speaker 1>The problem is is that adults and doctors and nurses

0:38:52.840 --> 0:38:56.040
<v Speaker 1>can't take it. Obviously, parents, it's going to be very

0:38:56.040 --> 0:38:57.879
<v Speaker 1>disturbing because they're going to try and get their kid

0:38:57.920 --> 0:39:00.560
<v Speaker 1>to not scream, and the same goes for doctors and

0:39:00.640 --> 0:39:04.800
<v Speaker 1>nurses trying to comfort them. But the status quote of

0:39:04.840 --> 0:39:06.839
<v Speaker 1>all it seems like it helped them. In an eight

0:39:06.920 --> 0:39:10.279
<v Speaker 1>year old noted, maybe it's good to scream, but they

0:39:10.320 --> 0:39:14.840
<v Speaker 1>don't know that. Nobody asks me, my god.

0:39:14.719 --> 0:39:18.160
<v Speaker 2>I know it said it's awful. The reason why they

0:39:18.160 --> 0:39:21.520
<v Speaker 2>think that it does help with pain relief is because

0:39:21.520 --> 0:39:24.360
<v Speaker 2>one of the hormones or one of the chemicals released

0:39:24.360 --> 0:39:27.319
<v Speaker 2>in the fight or flight response is are endorphins, which

0:39:27.360 --> 0:39:30.880
<v Speaker 2>can dull pain. So it does make sense that screaming

0:39:30.920 --> 0:39:35.080
<v Speaker 2>could help you with pain. There's another clever use of screaming,

0:39:35.120 --> 0:39:37.919
<v Speaker 2>if you ask me, then screaming in the emergency room,

0:39:38.400 --> 0:39:44.240
<v Speaker 2>which is replacing the current paradigm for creating anxiety inside

0:39:44.239 --> 0:39:48.799
<v Speaker 2>a lab to study anxiety for research, which is to

0:39:48.960 --> 0:39:52.440
<v Speaker 2>threaten people with a shock. And they've actually found that

0:39:52.560 --> 0:39:56.400
<v Speaker 2>you can threaten people that with a scream and generate

0:39:56.440 --> 0:39:59.040
<v Speaker 2>anxiety just as reliably. So people are like, we should

0:39:59.040 --> 0:40:03.200
<v Speaker 2>stop threatening people with shocks because it's unethical and just

0:40:03.239 --> 0:40:06.000
<v Speaker 2>start saying somebody's gonna scream in a second or maybe

0:40:06.000 --> 0:40:08.200
<v Speaker 2>two seconds. You're never going to know, and that can

0:40:08.239 --> 0:40:09.560
<v Speaker 2>generate anxiety as well.

0:40:10.840 --> 0:40:13.959
<v Speaker 1>But you know, we're so soft. Before long, they're gonna

0:40:13.960 --> 0:40:15.839
<v Speaker 1>be like, you can't scream with people either, right.

0:40:16.280 --> 0:40:19.560
<v Speaker 2>They'll be like, we want you to feel anxiety right now.

0:40:19.480 --> 0:40:21.640
<v Speaker 1>Please, yeah, and would you do that for.

0:40:21.680 --> 0:40:23.880
<v Speaker 2>I'm sure the participant would be like, I feel anxiety

0:40:23.920 --> 0:40:25.479
<v Speaker 2>all the time, can do right?

0:40:27.400 --> 0:40:29.920
<v Speaker 1>Then? I guess finally we should at least mention scream

0:40:29.920 --> 0:40:33.040
<v Speaker 1>therapy or primal scream therapy. I feel like we talked

0:40:33.080 --> 0:40:35.799
<v Speaker 1>about this at a certain point, but this has been

0:40:35.840 --> 0:40:38.760
<v Speaker 1>around since the sixties. I felt like it was probably biggest,

0:40:38.760 --> 0:40:42.880
<v Speaker 1>maybe in the late sixties and seventies. The original primal

0:40:42.920 --> 0:40:50.080
<v Speaker 1>scream therapy psychologist was Arthur Janoff and this was based

0:40:50.120 --> 0:40:52.360
<v Speaker 1>on the idea that like we all have this repressed

0:40:52.360 --> 0:40:57.759
<v Speaker 1>trauma from childhood, it's stored as primal pain. And Arthur

0:40:57.840 --> 0:41:00.400
<v Speaker 1>Janell said, well, you know what, a good old fashion

0:41:00.480 --> 0:41:04.680
<v Speaker 1>screaming session can release that stuff and get it out there.

0:41:05.520 --> 0:41:07.719
<v Speaker 1>The bad news is it turns out there's not a

0:41:07.719 --> 0:41:11.880
<v Speaker 1>lot of evidence that supports it as being a credible

0:41:11.920 --> 0:41:13.160
<v Speaker 1>form of therapy.

0:41:13.239 --> 0:41:15.800
<v Speaker 2>No, and actually I think it's possible it can hurt

0:41:15.800 --> 0:41:21.600
<v Speaker 2>in trauma therapy because screaming can arouse anxiety in the

0:41:21.600 --> 0:41:25.319
<v Speaker 2>person screaming even too, so not necessarily the best thing

0:41:25.360 --> 0:41:25.600
<v Speaker 2>to do.

0:41:26.520 --> 0:41:29.600
<v Speaker 1>No, but very sixty seventies I could see that being

0:41:29.640 --> 0:41:29.879
<v Speaker 1>a thing.

0:41:29.960 --> 0:41:32.880
<v Speaker 2>Super There's like one of those wicker chairs that people

0:41:32.960 --> 0:41:37.200
<v Speaker 2>used to take prom pictures in one of the wicker throne.

0:41:37.320 --> 0:41:39.200
<v Speaker 2>There's definitely one of those in the office.

0:41:39.719 --> 0:41:43.520
<v Speaker 1>Yeah, I think Black Moses album cover wasn't Isaac Kay's

0:41:43.520 --> 0:41:43.840
<v Speaker 1>in one of.

0:41:43.800 --> 0:41:46.440
<v Speaker 2>Those, I believe, So, yeah, was there like a panther

0:41:46.600 --> 0:41:47.640
<v Speaker 2>laying at his feet too?

0:41:48.480 --> 0:41:49.480
<v Speaker 1>Probably there should have been.

0:41:50.040 --> 0:41:53.440
<v Speaker 2>Okay, Well, obviously, since we started talking about Isaac Hayes,

0:41:54.000 --> 0:41:55.640
<v Speaker 2>I think we've just unlicked listener mail.

0:41:55.760 --> 0:42:00.719
<v Speaker 1>Chuck, that's right, and I am wrong actually, because of

0:42:00.760 --> 0:42:03.120
<v Speaker 1>course the Black Moses album cover was just that great

0:42:03.400 --> 0:42:06.680
<v Speaker 1>picture of Isaac Kay's with the shades on and wearing

0:42:06.719 --> 0:42:10.000
<v Speaker 1>that sort of striped colored hood. But maybe it was

0:42:10.000 --> 0:42:12.239
<v Speaker 1>on the back. I definitely have seen Isaa Kays in

0:42:12.280 --> 0:42:13.359
<v Speaker 1>a wicker throne.

0:42:13.160 --> 0:42:13.600
<v Speaker 2>Here, Joe.

0:42:15.200 --> 0:42:17.560
<v Speaker 1>Maybe it was Escape from New York. All right, guys,

0:42:18.280 --> 0:42:20.560
<v Speaker 1>this is Leslie. All right, guys. I don't remember how

0:42:20.640 --> 0:42:22.400
<v Speaker 1>I was turned onto your podcast, but I've been a

0:42:22.440 --> 0:42:25.920
<v Speaker 1>regular listener for several years now, and finally I'm getting

0:42:25.960 --> 0:42:27.960
<v Speaker 1>around to writing. Often. Wish I was in the studio

0:42:28.400 --> 0:42:31.319
<v Speaker 1>during her recording so I could comment or applaud hey

0:42:31.520 --> 0:42:35.000
<v Speaker 1>like I did today. Yeah. I was sad to learn

0:42:35.040 --> 0:42:38.279
<v Speaker 1>that you weren't doing San Francisco's Sketch Fest this year,

0:42:38.320 --> 0:42:40.319
<v Speaker 1>but I'm hoping you come back next year. My friend

0:42:40.400 --> 0:42:43.239
<v Speaker 1>Christina and I will be there. I wanted to write

0:42:43.239 --> 0:42:47.360
<v Speaker 1>when the topic was animal communication because the musical interlude

0:42:47.400 --> 0:42:50.239
<v Speaker 1>was an homage to the Beach Boys Pet Sounds, which

0:42:50.280 --> 0:42:52.520
<v Speaker 1>was brilliant. You thank Jerry for that. By the way,

0:42:53.840 --> 0:42:55.799
<v Speaker 1>I work in animal care, you see, so I love

0:42:55.800 --> 0:42:59.040
<v Speaker 1>your animal episodes. I appreciate how you guys accept a

0:42:59.200 --> 0:43:01.120
<v Speaker 1>correction showing up. It's okay to make a mistake as

0:43:01.160 --> 0:43:03.120
<v Speaker 1>long as you learn from it. And I appreciate how

0:43:03.160 --> 0:43:06.600
<v Speaker 1>you present important yet sensitive topics in a respectful way,

0:43:06.760 --> 0:43:10.800
<v Speaker 1>or how you share multiple points of view on divisive issues.

0:43:11.719 --> 0:43:13.360
<v Speaker 1>I just want to thank you for keeping me company

0:43:13.440 --> 0:43:18.120
<v Speaker 1>during my commute, explaining complex things, making seemingly unsavory topics palatable,

0:43:18.600 --> 0:43:22.080
<v Speaker 1>entertain me, educating me, and more ps in support of

0:43:22.080 --> 0:43:25.000
<v Speaker 1>your efforts to grow your listenership. Still, I shared your

0:43:25.000 --> 0:43:28.759
<v Speaker 1>Sesame Street episode on my Facebook page, so Leslie really

0:43:28.760 --> 0:43:32.680
<v Speaker 1>appreciate that. Yeah, and then there's a PPS. I've often

0:43:32.719 --> 0:43:34.680
<v Speaker 1>thought a good drinking game could be to drink every

0:43:34.719 --> 0:43:38.239
<v Speaker 1>time Chuck says that's right, roll off the tongue or

0:43:38.320 --> 0:43:41.920
<v Speaker 1>for sure for sure. But I don't drink alcohol, so

0:43:42.000 --> 0:43:43.799
<v Speaker 1>if I were to play, I'd probably just get really

0:43:43.800 --> 0:43:47.839
<v Speaker 1>well hydrated. It's very funny, Leslie s in the San

0:43:47.840 --> 0:43:52.799
<v Speaker 1>Francisco Bay area. And yeah, Leslie, we'd love to see

0:43:52.840 --> 0:43:55.120
<v Speaker 1>you at our show next year because hopefully we'll be there.

0:43:55.280 --> 0:43:58.040
<v Speaker 2>That was really really sweet when a very nice email, Leslie,

0:43:58.080 --> 0:43:59.920
<v Speaker 2>thank you for taking the time to write all that,

0:44:00.520 --> 0:44:02.879
<v Speaker 2>and thank you for sharing our Sysame Street episode. That's

0:44:02.880 --> 0:44:04.520
<v Speaker 2>a pretty good one to share. If you ask me,

0:44:05.920 --> 0:44:07.440
<v Speaker 2>and if you want to be like Leslie and send

0:44:07.520 --> 0:44:10.080
<v Speaker 2>us a very nice email. We always love getting those.

0:44:10.440 --> 0:44:13.399
<v Speaker 2>You can send it off to stuff podcast at iHeartRadio

0:44:13.480 --> 0:44:16.959
<v Speaker 2>dot com.

0:44:17.080 --> 0:44:19.960
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

0:44:20.040 --> 0:44:24.239
<v Speaker 1>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:44:24.360 --> 0:44:26.200
<v Speaker 1>or wherever you listen to your favorite shows.