WEBVTT - Shelly Banjo

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is Shelley Banville, the TikTok expert. She

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<v Speaker 1>is the New York World chief at Bloomberg and also

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<v Speaker 1>host of the Foundering podcast Shelly. Good to have you here.

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<v Speaker 1>Thanks so much for having me. Okay, how long you've

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<v Speaker 1>been following TikTok? So, I've been following TikTok about three

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<v Speaker 1>or four years now. Then what inspired you to start? So?

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<v Speaker 1>I was living in Hong Kong at the time and

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<v Speaker 1>covering tech, and I had flown back over to the

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<v Speaker 1>US and my US tech editor said to me, what's

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<v Speaker 1>the biggest story that everybody is missing in Asia? And

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<v Speaker 1>I said, the rise of TikTok, hands down. We need

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<v Speaker 1>to be writing more about TikTok and its parent company

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<v Speaker 1>by Dance. Okay, So, at the time, it was still

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<v Speaker 1>musically in America. It hadn't been purchased yet. It had

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<v Speaker 1>been it had already been purchased yet Let's just assume,

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<v Speaker 1>you know, a lot of people need to be brought

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<v Speaker 1>up to speed here. So when was musically purchased by TikTok?

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<v Speaker 1>So it was purchased in the end of seen, but

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<v Speaker 1>it didn't actually switch over to TikTok in the US

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<v Speaker 1>until Um, okay, so you say this to your editor

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<v Speaker 1>in New York, what's the next step. So the next

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<v Speaker 1>step is, you know, we start digging into this company.

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<v Speaker 1>Byte Dance, I mean musically had been a big hit.

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<v Speaker 1>This was right after bite Dance had acquired Musically. They

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<v Speaker 1>had spent a billion dollars basically trying to buy this app.

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<v Speaker 1>Uh that most people thought of was just this like

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<v Speaker 1>nothing karaoke kids app. And when suddenly they spent a

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<v Speaker 1>billion dollars on it, people started saying, Okay, maybe there's

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<v Speaker 1>something to this that we should be paying attention to. Okay,

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<v Speaker 1>so you start digging into bitte dance, what do you find? Um?

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<v Speaker 1>So we I this. I started working on this business week,

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<v Speaker 1>um newspaper, new news magazine story to kind of tell

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<v Speaker 1>the story of this company, like who are they? And

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<v Speaker 1>so what I started realizing was that even though a

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<v Speaker 1>lot of people in China knew what Bye Dance was,

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<v Speaker 1>people in the US didn't really realize it was this

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<v Speaker 1>kind of sleeping giant that was starting to buy up

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<v Speaker 1>a whole bunch of US tech startups. Um, they didn't

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<v Speaker 1>quite understand what they were doing. And meanwhile, this company

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<v Speaker 1>was getting just bigger and bigger and bigger in China,

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<v Speaker 1>getting amassing more money and then using it to buy

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<v Speaker 1>up companies UM in in the US. Okay, uh, we're

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<v Speaker 1>pretty ethnocentric in the US. What is the landscape of

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<v Speaker 1>these internet companies in China? You know, we hear about

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<v Speaker 1>we Chat, we hear about byte Dance. You know how

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<v Speaker 1>many of these companies are there, and what's the barrier

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<v Speaker 1>to entry? It is ruthless. I mean you think about

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<v Speaker 1>business being tough here in the U S and China,

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<v Speaker 1>it is just like people are going at each other

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<v Speaker 1>left and right. There is no kind of decorum. They're like, oh,

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<v Speaker 1>I'll I'll be in this, you know, area of the internet,

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<v Speaker 1>and you be in that area of the internet. You know,

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<v Speaker 1>like we kind of had we used to have UM

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<v Speaker 1>in the US with like Google and Amazon and Apple

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<v Speaker 1>kind of staking their their their ways. And in China

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<v Speaker 1>it's all like super apps, right, So like all these

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<v Speaker 1>companies like UM, the biggest ones like ten Cent, Byte Dance,

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<v Speaker 1>Ali Baba, they're into everything UM. They're into literally you

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<v Speaker 1>wake up in the morning, you can buy your breakfast

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<v Speaker 1>on it. You buy your Starbucks on it, you chat

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<v Speaker 1>with your friends, you buy airplane tickets, it's it's it's

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<v Speaker 1>you know, everything on these kind of super apps. So

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<v Speaker 1>at the time, it was really these two big companies

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<v Speaker 1>Ali Baba in ten Cent, and all of a sudden

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<v Speaker 1>came along this third company, Byte Dance UM, which is

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<v Speaker 1>the owner of TikTok Uh. First starting with um Jokes,

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<v Speaker 1>an app about jokes, then getting into news. Suddenly they

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<v Speaker 1>were the biggest newsreader in the entire world, meaning like

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<v Speaker 1>nobody got their news any place else except for this

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<v Speaker 1>one app UM. Then they went into short video. Now

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<v Speaker 1>they're in e commerce and payments, you name it, education, um,

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<v Speaker 1>you name it, They're they're in it now. Okay. You

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<v Speaker 1>know Nixon opened up China back in the seventies, and

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<v Speaker 1>then we had the former guy, as they say, who

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<v Speaker 1>has had a trade war with China. And it's like

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<v Speaker 1>a lot of citizens have not traveled at all, you know,

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<v Speaker 1>us citizens, never mind going to China. So my question is,

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<v Speaker 1>since you were there, and I assume you also went

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<v Speaker 1>to mainland China, correct, Yeah, for the average person, what

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<v Speaker 1>is life like? On one hand, we hear about these

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<v Speaker 1>people working you know, six days a week, all day

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<v Speaker 1>and factories that we think are sweatshops. On another level,

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<v Speaker 1>we see people buying tesla's. I mean, what is the

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<v Speaker 1>socioeconomic status there? It is so big that it is

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<v Speaker 1>really hard to make one monolithic case. Or you know,

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<v Speaker 1>if you're in um, if you're in Shanghai or Beijing,

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<v Speaker 1>you know, working in an office tower, you kind of

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<v Speaker 1>feel like anywhere else New York or London or something

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<v Speaker 1>like that. If you're in the countryside, it feels very different.

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<v Speaker 1>But one very big unifying factor is an app like

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<v Speaker 1>TikTok which um in China is called doying and um.

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<v Speaker 1>Whether you're rich, you're poor, you're young, you're old, you're

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<v Speaker 1>using using the Chinese version of TikTok to um to

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<v Speaker 1>make videos, to pass the time to you know, have

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<v Speaker 1>a laugh with your friends. UM. It certainly is something

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<v Speaker 1>that like cut across all different um you know sphere,

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<v Speaker 1>socioeconomic um you know, you name it. Okay, So if

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<v Speaker 1>you're one of those people living in the city, we

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<v Speaker 1>you know, these apps are multifarious, much more than in

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<v Speaker 1>the United States, would you say that they are actually

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<v Speaker 1>technically more advanced than we are. Dependent on the Internet

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<v Speaker 1>more less the same. So I think that people in

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<v Speaker 1>China are just more on the Internet. I mean, we

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<v Speaker 1>think about how the phone with the phone is kind

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<v Speaker 1>of an extension of our arms. You know, we kind

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<v Speaker 1>of joke about that. But you know a lot of

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<v Speaker 1>people still buy things on buy things in stores, go

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<v Speaker 1>grocery shopping in stores. In the big cities and China,

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<v Speaker 1>it's like unheard of to go into a store to

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<v Speaker 1>buy your groceries or to buy clothes, or to buy anything.

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<v Speaker 1>Really everything is e commerce, and um, so much more

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<v Speaker 1>of your life is on the is on the internet. Um.

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<v Speaker 1>In terms of the advancement, I think at the time

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<v Speaker 1>that Bye Dance and TikTok we're starting out, the artificial

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<v Speaker 1>intelligence for those particular apps were probably more advanced than

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<v Speaker 1>what we're seeing now. But they also took a different

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<v Speaker 1>tax to social media. So like the facebooks and twitters

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<v Speaker 1>and youtubes of the world, where you know, the facebooks

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<v Speaker 1>and twitters and snapchats of the world, we're basically created

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<v Speaker 1>around of friends. Like this idea of Okay, I care

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<v Speaker 1>about this thing because my friend cares about this thing,

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<v Speaker 1>so I'm going to show you that thing. But Bye Dance, Um,

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<v Speaker 1>because of the influence of UM of the Chinese government

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<v Speaker 1>really like they don't want you to have those kinds

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<v Speaker 1>of social media networks. They don't want you to build

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<v Speaker 1>these networks of communities and things like that because they

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<v Speaker 1>don't want you to, you know, gabelle against the government

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<v Speaker 1>or have a place to talk about it. So it

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<v Speaker 1>was mostly built around yourself, the individual. What can I

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<v Speaker 1>show to you that will keep you addicted on this

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<v Speaker 1>app based on what you like, and then that change

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<v Speaker 1>as you change, it changes UM. So you're seeing something

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<v Speaker 1>different than your friend is saying, than your mom is saying,

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<v Speaker 1>than your dad is saying, UM, because that appisode personalized

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<v Speaker 1>to you. So we've seen a lot of that with YouTube,

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<v Speaker 1>but this almost takes it to like a complete, you know,

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<v Speaker 1>other level. They're just a couple of back China questions

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<v Speaker 1>before we go. Now we read about being able to

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<v Speaker 1>pay things, pay for things with your phone. Is it

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<v Speaker 1>very technically advanced like that in the cities? Yeah, everything

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<v Speaker 1>you can't UM. I remember one of the first takeaways

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<v Speaker 1>when I UM traveled. I would spend about a week

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<v Speaker 1>of every month in Shanghai or Beijing or shen Jen,

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<v Speaker 1>and you can't UM can't use cash anywhere. Nobody takes cash.

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<v Speaker 1>You try to give a taxi driver a bill and

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<v Speaker 1>they look at you like you have two heads, like

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<v Speaker 1>why are you handing me the sturty piece of cash?

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<v Speaker 1>Like pay with your phone. That's how I'm going to

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<v Speaker 1>take payment. That begs the question, what is the crime

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<v Speaker 1>like in the big cities? Um, Penny crime is fairly low.

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<v Speaker 1>I mean they are very Um, it kind of depends

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<v Speaker 1>where where you are. Um. The real big crime is

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<v Speaker 1>like you know, white collar crime and things like that

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<v Speaker 1>that can definitely still happen, corruption and things like that. Okay,

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<v Speaker 1>So it's a vast country territorially and as you said, economically,

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<v Speaker 1>to what degree to people lie on wireless? Is their

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<v Speaker 1>primary interconnect net connection? What I mean by that is

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<v Speaker 1>that is their only Internet connection? Or is the country

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<v Speaker 1>pretty wired out hard wire? So in the big cities, um,

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<v Speaker 1>it's all wireless. Like there are lots of people kids

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<v Speaker 1>that you talked to, who have never had a desktop computer.

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<v Speaker 1>They don't really understand what that is. You know, it's

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<v Speaker 1>all about this mobile phone in your hand and in

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<v Speaker 1>your pocket because it became so cheap, um that everybody

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<v Speaker 1>basically has a mobile phone and then even in the

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<v Speaker 1>even in the countryside and things like that, like everybody

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<v Speaker 1>has a phone and is coverage pretty much universal? Or

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<v Speaker 1>can you go somewhere we have a dead spot? Definitely,

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<v Speaker 1>can go somewhere where you have a dead spot. But

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<v Speaker 1>you know, I remember hiking in the mountains, um outside

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<v Speaker 1>this town outside the city called guillen Um and these

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<v Speaker 1>you know, you're in these rice patties and you see

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<v Speaker 1>these farmers literally getting rice. But you have this perfect

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<v Speaker 1>cell signal and you can post on it, you know,

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<v Speaker 1>on online and things like that. Okay, just to go

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<v Speaker 1>deeper into a point you made, if you know, in

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<v Speaker 1>certainly I don't like get too far ahead. But we

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<v Speaker 1>talk about the algorithms in sharing. Let's just use the

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<v Speaker 1>YouTube as a model. So let's assume I create a video.

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<v Speaker 1>To what degree can that go viral in China and

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<v Speaker 1>to what degree can I garner fame as a result. Yes,

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<v Speaker 1>So the algorithms around TikTok enjoying in China are still

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<v Speaker 1>a black box as they are in other you know,

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<v Speaker 1>with other places. Um. But some of the differences is

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<v Speaker 1>that I can just get such a bigger audience because

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<v Speaker 1>it doesn't rely what you're seeing in the videos that

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<v Speaker 1>you're seeing doesn't rely on how many friends or connections

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<v Speaker 1>or likes that you have. You see videos based on

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<v Speaker 1>anyone and it could be anyone from around the world.

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<v Speaker 1>So you have not only like global atmosphere, but it's

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<v Speaker 1>also tied to your friends. And because so much of

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<v Speaker 1>it is tied to music, UM, language isn't as much

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<v Speaker 1>of a barrier. So if you think about when you

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<v Speaker 1>post on Twitter, someone you know, UM, you know, someone

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<v Speaker 1>in Africa or someone in the Middle East might not

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<v Speaker 1>necessarily want to read about your English your English post

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<v Speaker 1>and things like that. But when you when you think

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<v Speaker 1>about a music video, it's it's universal. So you can

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<v Speaker 1>gain fame. You just can't connect with other people and

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<v Speaker 1>create a social network. I mean, you can definitely still

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<v Speaker 1>connect there is you know, you can add connections and

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<v Speaker 1>things like that, but that's not necessarily why you're being

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<v Speaker 1>You're you're being showed the videos that you're saying. Okay,

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<v Speaker 1>So a company like byte Dance, what where does it

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<v Speaker 1>get its financing? So with byte Dance, what they were

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<v Speaker 1>really smart about was very early on they got a

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<v Speaker 1>lot of Western venture capital money. UM. They used money

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<v Speaker 1>from UM all sorts of big venture capital firms in

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<v Speaker 1>the in the West, like Sequoia General Atlantic. They also

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<v Speaker 1>got money from soft Bank um in in Japan. Uh

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<v Speaker 1>also got Chinese money as well. But they have a

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<v Speaker 1>really big global base of investors and they raised a

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<v Speaker 1>lot of money, making them the most valuable private UM

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<v Speaker 1>tech company right now. They're more valuable than Ali Baba

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<v Speaker 1>inten sin. Well, those are public ali baba intense about

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<v Speaker 1>a private company. Just to get into the law, don't

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<v Speaker 1>they have laws in China that Western people can only

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<v Speaker 1>own a certain percentage of the company. So with a

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<v Speaker 1>with a private venture capital firm, UM, there's not really

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<v Speaker 1>necessarily the same kind of laws around those things. UM.

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<v Speaker 1>Now right now they're talking about, you know, doing an

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<v Speaker 1>I p o UM, maybe going public, taking parts of

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<v Speaker 1>their company public, and are there are you know, more

0:13:02.200 --> 0:13:06.680
<v Speaker 1>ditrect laws around that. Who's the driving force of Byte Dance,

0:13:07.240 --> 0:13:09.480
<v Speaker 1>The CEO of Bye Dances, this guy named John Imming.

0:13:09.720 --> 0:13:12.880
<v Speaker 1>He grew up in a part of China that um,

0:13:12.920 --> 0:13:15.760
<v Speaker 1>you know, really opened up to the world of business

0:13:16.240 --> 0:13:19.160
<v Speaker 1>much earlier than the rest of China, and his parents

0:13:19.160 --> 0:13:22.200
<v Speaker 1>were both civil servants, UM. But he got into tech.

0:13:22.280 --> 0:13:25.439
<v Speaker 1>He was a big self described tech nerd. During college,

0:13:25.480 --> 0:13:28.880
<v Speaker 1>he helped fix computers and um, that's kind of he

0:13:28.920 --> 0:13:31.080
<v Speaker 1>tells the story of how he met his wife by

0:13:31.120 --> 0:13:35.040
<v Speaker 1>offering to fix fix our computer, and um. He worked

0:13:35.040 --> 0:13:37.080
<v Speaker 1>at a number of startups over the years and then

0:13:37.120 --> 0:13:39.720
<v Speaker 1>decided he was going to start his own and um

0:13:39.760 --> 0:13:42.600
<v Speaker 1>that's what turned into Bite Dance. And how old a

0:13:42.640 --> 0:13:48.080
<v Speaker 1>guy is he today? He's in his late thirties, um,

0:13:48.240 --> 0:13:51.320
<v Speaker 1>and he's you know, at the time, I think he

0:13:51.400 --> 0:13:54.920
<v Speaker 1>was thirty two when he started his his company. UM,

0:13:54.960 --> 0:13:57.439
<v Speaker 1>so he definitely was not the like eighteen year old,

0:13:58.000 --> 0:14:01.160
<v Speaker 1>you know, Mark Zuckerberg in a door room story. He

0:14:01.240 --> 0:14:03.280
<v Speaker 1>had been around the block. He had worked at a

0:14:03.360 --> 0:14:07.560
<v Speaker 1>number of successful tech companies and um, he even worked

0:14:07.559 --> 0:14:10.600
<v Speaker 1>at Microsoft for a brief amount of time. So when

0:14:10.600 --> 0:14:16.960
<v Speaker 1>the company started, Bye Dance started, When by Dan started in, Okay,

0:14:17.000 --> 0:14:19.520
<v Speaker 1>what was their ages? What was their purview? Starting in

0:14:20.360 --> 0:14:23.520
<v Speaker 1>what did they start with? By Dan started with a

0:14:23.680 --> 0:14:28.000
<v Speaker 1>jokes app called Neandwans And basically what that is is

0:14:28.240 --> 0:14:31.560
<v Speaker 1>it was very simple. They showed you these jokes or

0:14:31.680 --> 0:14:34.080
<v Speaker 1>memes and if you liked it, you'd give it a

0:14:34.120 --> 0:14:35.960
<v Speaker 1>thumbs up, and if you didn't like it, you'd give

0:14:36.000 --> 0:14:39.400
<v Speaker 1>it a thumbs down, and over time, the more it

0:14:39.480 --> 0:14:41.840
<v Speaker 1>got to know you, how long you kind of hovered

0:14:41.840 --> 0:14:44.480
<v Speaker 1>on that joke, which ones you liked, which ones you

0:14:44.520 --> 0:14:46.560
<v Speaker 1>did in it kind of got to know really like

0:14:46.680 --> 0:14:49.720
<v Speaker 1>your sense of humor. And they were able to kind

0:14:49.720 --> 0:14:52.120
<v Speaker 1>of learn that was kind of like their learning app

0:14:52.560 --> 0:14:55.120
<v Speaker 1>of how they did that. Um. But where they really

0:14:55.160 --> 0:14:57.680
<v Speaker 1>made their mark was a company called Totia, which is

0:14:57.720 --> 0:15:01.480
<v Speaker 1>a newsreader and they used the same exact thing that

0:15:01.520 --> 0:15:04.240
<v Speaker 1>they learned about with the jokes app to Taylor news

0:15:04.240 --> 0:15:07.160
<v Speaker 1>to you. So if you think about the newspapers in

0:15:07.200 --> 0:15:10.720
<v Speaker 1>the US, you know, you've got real people editors who

0:15:10.760 --> 0:15:14.560
<v Speaker 1>are choosing what they think is important based on news judgment,

0:15:14.840 --> 0:15:17.640
<v Speaker 1>and you know, it's it's this kind of um, you know,

0:15:17.720 --> 0:15:20.320
<v Speaker 1>meat and potatoes approach where they're giving you things you

0:15:20.360 --> 0:15:22.320
<v Speaker 1>want to know but also the things you need to know.

0:15:22.840 --> 0:15:27.360
<v Speaker 1>Tokyo the newsreader app was never never had human editors

0:15:27.520 --> 0:15:30.560
<v Speaker 1>in the early days. It was all based on, you know,

0:15:30.680 --> 0:15:33.080
<v Speaker 1>what people were reading and what they liked and getting

0:15:33.120 --> 0:15:36.520
<v Speaker 1>to know their personalities, and they would learn kind of

0:15:36.520 --> 0:15:38.840
<v Speaker 1>what you liked and offer you up that kind of news,

0:15:39.280 --> 0:15:42.560
<v Speaker 1>which was so unique in China because most of the

0:15:42.600 --> 0:15:48.160
<v Speaker 1>news that you get in China is government owned UM publications. Okay,

0:15:48.200 --> 0:15:53.720
<v Speaker 1>So when did they view veer into the music sphere. So,

0:15:53.760 --> 0:15:57.760
<v Speaker 1>the first kind of entrance into music UM in the

0:15:57.880 --> 0:16:01.600
<v Speaker 1>US was with this company called lipogram Um, which I

0:16:01.680 --> 0:16:05.480
<v Speaker 1>don't know if you ever remembered, but it was this

0:16:05.560 --> 0:16:08.840
<v Speaker 1>is a bike dance company. No, it was a company

0:16:08.840 --> 0:16:11.760
<v Speaker 1>that they bought in the US. Okay, No, but okay,

0:16:11.840 --> 0:16:16.000
<v Speaker 1>so they had no presence in music until they bought Flipogram.

0:16:16.320 --> 0:16:20.520
<v Speaker 1>Well they had they had launched the TikTok version dotying

0:16:20.800 --> 0:16:24.360
<v Speaker 1>in in China before they launched it globally, and so

0:16:24.440 --> 0:16:28.360
<v Speaker 1>that is that would be their first foray into music UM. Okay,

0:16:28.440 --> 0:16:32.240
<v Speaker 1>So in China. So what year was at uh they

0:16:32.320 --> 0:16:38.120
<v Speaker 1>launched doing? I think in twenty seventeen. Okay, were other

0:16:38.240 --> 0:16:41.120
<v Speaker 1>people in that space in China? Who was the big

0:16:41.160 --> 0:16:45.200
<v Speaker 1>cahuna in that space? Yeah? So similar a similar company

0:16:45.680 --> 0:16:50.360
<v Speaker 1>called Kaisha. It was startup that was UM owned by

0:16:50.560 --> 0:16:53.400
<v Speaker 1>or not owned by but backed by ten Cent, which

0:16:53.480 --> 0:16:57.080
<v Speaker 1>is you know a big music UM plays very big

0:16:57.120 --> 0:17:00.880
<v Speaker 1>in music UM. But they weren't really no for music,

0:17:01.040 --> 0:17:03.480
<v Speaker 1>right it was it was it was a lot of video.

0:17:03.840 --> 0:17:07.840
<v Speaker 1>It was not as much as music. Okay, so why

0:17:08.200 --> 0:17:15.240
<v Speaker 1>does bite dance by Flipogram? So early on they realized

0:17:15.240 --> 0:17:18.680
<v Speaker 1>they were kind of just stealing the music for these things.

0:17:18.680 --> 0:17:23.520
<v Speaker 1>They were ripping off these UM fifteen second iTunes previews

0:17:23.560 --> 0:17:26.439
<v Speaker 1>off the Internet, and just because they were so short

0:17:26.960 --> 0:17:29.280
<v Speaker 1>and because they were such a small company, nobody was

0:17:29.320 --> 0:17:32.400
<v Speaker 1>really paying attention to what they were doing. And at

0:17:32.440 --> 0:17:36.360
<v Speaker 1>a certain point their Western backers Sequoia g A others

0:17:36.440 --> 0:17:38.520
<v Speaker 1>said to them, you know, if you're going to grow bigger,

0:17:38.600 --> 0:17:41.600
<v Speaker 1>you're going to have to do this legally. And music,

0:17:41.720 --> 0:17:45.720
<v Speaker 1>as you know, has had a long battle of legal

0:17:45.800 --> 0:17:48.320
<v Speaker 1>rights and I P and things like that. So what

0:17:48.400 --> 0:17:53.280
<v Speaker 1>Flipogram had was a lot of these contracts with music companies.

0:17:53.280 --> 0:17:56.840
<v Speaker 1>They had already negotiated a bunch of contracts with different

0:17:57.000 --> 0:18:00.280
<v Speaker 1>UM labels and that was one of the are just

0:18:00.400 --> 0:18:03.720
<v Speaker 1>reasons why they bought it, and just um a reminder

0:18:03.720 --> 0:18:06.040
<v Speaker 1>because it was a small app at the time, flipp

0:18:06.040 --> 0:18:08.120
<v Speaker 1>Agram was this kind of slide show app. It would

0:18:08.160 --> 0:18:10.440
<v Speaker 1>kind of allow let you make these slide shows really

0:18:10.640 --> 0:18:13.240
<v Speaker 1>really quickly and allow you to then share them over

0:18:13.320 --> 0:18:16.520
<v Speaker 1>Twitter or Facebook or things like that with music put

0:18:16.520 --> 0:18:18.679
<v Speaker 1>to it. And so flipp Arogram had done it the

0:18:18.760 --> 0:18:21.959
<v Speaker 1>right way. They had you know, negotiated with with all

0:18:21.960 --> 0:18:25.400
<v Speaker 1>these records labels and whatnot, and By Dance just bought

0:18:25.440 --> 0:18:28.000
<v Speaker 1>them and then inherited shut down the app and inherited

0:18:28.040 --> 0:18:38.640
<v Speaker 1>all the music label um agreements. So why did dance

0:18:38.720 --> 0:18:44.760
<v Speaker 1>by musically? So at the time, they were wanted to

0:18:44.800 --> 0:18:48.200
<v Speaker 1>become a global company, and so they were saying, okay,

0:18:48.240 --> 0:18:50.640
<v Speaker 1>well we want to launch TikTok globally, which they did.

0:18:51.200 --> 0:18:53.680
<v Speaker 1>It didn't really take off in the US at the time,

0:18:54.240 --> 0:18:58.399
<v Speaker 1>and musically they saw was just um, you know, growing

0:18:58.440 --> 0:19:02.600
<v Speaker 1>like Gangbusters top of the Apple Music charts, and they

0:19:02.680 --> 0:19:05.120
<v Speaker 1>knew that there was a lot of interest in it

0:19:05.800 --> 0:19:09.800
<v Speaker 1>from you know, Facebook considered buying them, other companies had

0:19:09.920 --> 0:19:14.200
<v Speaker 1>discussions with them, and then they found out that Kaisha,

0:19:14.480 --> 0:19:18.400
<v Speaker 1>their Chinese competitor, was also in talks to buy musically,

0:19:18.800 --> 0:19:21.480
<v Speaker 1>and that really got them going because they were like, well,

0:19:21.480 --> 0:19:24.480
<v Speaker 1>I'm not gonna let my biggest competitor in and buy

0:19:24.480 --> 0:19:26.720
<v Speaker 1>this and get these in roads and all of a

0:19:26.760 --> 0:19:29.240
<v Speaker 1>sudden get you know, a hundred million, two hundred million

0:19:29.400 --> 0:19:33.359
<v Speaker 1>US users just like that, And so they decided, okay,

0:19:33.640 --> 0:19:38.240
<v Speaker 1>we're gonna buy Musically we're gonna also inherit those those

0:19:38.280 --> 0:19:41.560
<v Speaker 1>contracts with music labels which they had started to get

0:19:41.600 --> 0:19:45.720
<v Speaker 1>at the time and automatically get you know, a user

0:19:45.760 --> 0:19:48.080
<v Speaker 1>base of a hundred two hundred million people depending on

0:19:48.119 --> 0:19:50.359
<v Speaker 1>how you count it in the US, which they didn't

0:19:50.400 --> 0:19:54.960
<v Speaker 1>have before. Okay, so they had TikTok before they bought Musically.

0:19:55.280 --> 0:19:59.000
<v Speaker 1>Were they essentially equivalent platforms in the way they operated?

0:20:00.000 --> 0:20:03.240
<v Speaker 1>It was a little different because Musically was really focused

0:20:03.240 --> 0:20:07.280
<v Speaker 1>on karaoke and lip syncing and um, you know, dancing

0:20:07.320 --> 0:20:10.680
<v Speaker 1>and singing. TikTok was a big that was a big

0:20:10.680 --> 0:20:12.600
<v Speaker 1>portion of it, but not all of it. They also

0:20:12.640 --> 0:20:15.560
<v Speaker 1>wanted to build it out to all sorts of things

0:20:15.640 --> 0:20:20.640
<v Speaker 1>like comedy and pranks and um, you know, cooking. Uh,

0:20:20.680 --> 0:20:24.280
<v Speaker 1>there's you know, hacks, life hacks, all sorts of different

0:20:24.400 --> 0:20:25.960
<v Speaker 1>ways you could do it. So that would be the

0:20:25.960 --> 0:20:29.200
<v Speaker 1>one big difference between the two. Okay, so when did

0:20:29.320 --> 0:20:34.080
<v Speaker 1>Musically launch When did they start? So Musically started around

0:20:34.560 --> 0:20:43.960
<v Speaker 1>um um they didn't really um, they didn't. What people

0:20:43.960 --> 0:20:47.639
<v Speaker 1>didn't really know was that Musically was also a Chinese company.

0:20:47.800 --> 0:20:50.080
<v Speaker 1>People seem to kind of forget that that that it

0:20:50.119 --> 0:20:54.160
<v Speaker 1>was started in um by two guys that were had

0:20:54.160 --> 0:20:57.639
<v Speaker 1>half the half the operation in Shanghai. They had a

0:20:57.760 --> 0:21:02.440
<v Speaker 1>number of people in l a UM and they started

0:21:02.480 --> 0:21:04.919
<v Speaker 1>because they wanted to be an education app at first,

0:21:05.080 --> 0:21:09.200
<v Speaker 1>and then realized, okay, kids don't want to learn online,

0:21:09.440 --> 0:21:12.000
<v Speaker 1>they want to they want to have fun, and so

0:21:12.040 --> 0:21:15.200
<v Speaker 1>they totally pivoted and in thirty days built a completely

0:21:15.240 --> 0:21:18.320
<v Speaker 1>new app all around singing and dancing and things like that,

0:21:18.960 --> 0:21:22.400
<v Speaker 1>and quickly realized that you know, people in China, we're

0:21:22.440 --> 0:21:25.600
<v Speaker 1>not jumping onto this, but people in the US were

0:21:25.640 --> 0:21:29.080
<v Speaker 1>loving it. And so these like small towns and you know,

0:21:29.200 --> 0:21:32.679
<v Speaker 1>Texas for example, was one really early place where like

0:21:32.720 --> 0:21:36.560
<v Speaker 1>this high school in Texas was loving Musically and m

0:21:37.080 --> 0:21:39.840
<v Speaker 1>and they started realizing like, wow, we have a knack.

0:21:39.880 --> 0:21:42.600
<v Speaker 1>We've hit it with American kids UM, and they just

0:21:42.680 --> 0:21:44.960
<v Speaker 1>kept focusing more and more on the US and getting

0:21:44.960 --> 0:21:48.200
<v Speaker 1>bigger here. So tell us about the founder of Musically

0:21:48.200 --> 0:21:52.600
<v Speaker 1>and when he started. Yeah, so Alex j is the

0:21:52.640 --> 0:21:55.840
<v Speaker 1>way to hear people talk about Alex Jew to me

0:21:55.960 --> 0:22:00.320
<v Speaker 1>is one of the more interesting things of this Podcas asked,

0:22:00.359 --> 0:22:03.400
<v Speaker 1>because people describe him as, you know, like a poet

0:22:04.320 --> 0:22:07.560
<v Speaker 1>or a dreamer or you know, just this kind of

0:22:08.119 --> 0:22:10.919
<v Speaker 1>totally the opposite of what you think about and like

0:22:10.920 --> 0:22:15.920
<v Speaker 1>a Silicon Valley tech you know, bro culture type of thing. Um.

0:22:15.960 --> 0:22:19.439
<v Speaker 1>You know, he had this vision of connecting people around

0:22:19.440 --> 0:22:24.879
<v Speaker 1>the world with music and really cultivating the users. So

0:22:25.320 --> 0:22:27.160
<v Speaker 1>you know, at the time, it's funny to think back

0:22:27.160 --> 0:22:31.320
<v Speaker 1>on it, you know, but you know, a decade ago, Twitter, Facebook, others,

0:22:31.320 --> 0:22:34.840
<v Speaker 1>they all saw themselves as a tech platform. But but

0:22:35.160 --> 0:22:37.440
<v Speaker 1>musically they were like, no, we we really want to

0:22:37.480 --> 0:22:40.480
<v Speaker 1>focus on these create these creators, these stars. You know,

0:22:40.520 --> 0:22:43.480
<v Speaker 1>they were building that from the beginning. And so, you know,

0:22:43.520 --> 0:22:49.600
<v Speaker 1>we hear these stories about him, about Alex talking about, um,

0:22:49.640 --> 0:22:53.040
<v Speaker 1>you know, taking out these these creators to dinner, calling

0:22:53.080 --> 0:22:58.000
<v Speaker 1>their parents at home, um, you know, just making fake accounts. Um.

0:22:58.040 --> 0:23:01.920
<v Speaker 1>In the in the uh found during podcast, we we

0:23:02.000 --> 0:23:03.880
<v Speaker 1>hear him talking about how he would make these fake

0:23:03.880 --> 0:23:06.760
<v Speaker 1>accounts just to like interact with some of these kids

0:23:06.760 --> 0:23:09.119
<v Speaker 1>who were like eight nine years old. And here you

0:23:09.119 --> 0:23:12.199
<v Speaker 1>have this thirty six year old Chinese guy basically like

0:23:12.320 --> 0:23:14.520
<v Speaker 1>chatting with eight year old kids to like really get

0:23:14.600 --> 0:23:17.159
<v Speaker 1>into their minds and kind of like figure out, you know,

0:23:17.200 --> 0:23:18.919
<v Speaker 1>like what do they want, what do they like? That

0:23:19.000 --> 0:23:25.320
<v Speaker 1>kind of thing. Okay, and ultimately they merged the two.

0:23:26.240 --> 0:23:30.000
<v Speaker 1>Uh you say in the podcast that TikTok I mean

0:23:30.200 --> 0:23:36.440
<v Speaker 1>that Musically's algorithm was superior to TikTok's. Is that true? Um,

0:23:36.480 --> 0:23:40.440
<v Speaker 1>the other way around. So TikTok, what TikTok infused into

0:23:40.520 --> 0:23:43.880
<v Speaker 1>musically was the algorithm. So music, well, musically was great

0:23:43.920 --> 0:23:47.920
<v Speaker 1>at that was um this whole idea of really getting

0:23:47.920 --> 0:23:51.560
<v Speaker 1>the zeitgeist of what kids want and what's popular and

0:23:51.640 --> 0:23:54.919
<v Speaker 1>kind of getting them to download the app. And Um,

0:23:55.160 --> 0:23:58.120
<v Speaker 1>what TikTok brought with them was this algorithm that would

0:23:58.119 --> 0:24:00.680
<v Speaker 1>get them addicted, that would get them, you know, get

0:24:00.720 --> 0:24:04.040
<v Speaker 1>them really obsessive with the app and checking it and

0:24:04.119 --> 0:24:06.560
<v Speaker 1>on it for hours and hours because it started to

0:24:07.040 --> 0:24:09.720
<v Speaker 1>really get to know who you were, what you liked,

0:24:09.840 --> 0:24:12.320
<v Speaker 1>and continue to offer that up and kinda get you

0:24:12.680 --> 0:24:16.560
<v Speaker 1>hooked onto this app. Okay, let's jump all the way

0:24:16.600 --> 0:24:20.560
<v Speaker 1>forward to today. What do we know? Unlike yourself, most

0:24:20.560 --> 0:24:25.119
<v Speaker 1>of the media is run by older people who don't

0:24:25.200 --> 0:24:28.520
<v Speaker 1>understand this, who are doing their jobs, not spending hours

0:24:28.560 --> 0:24:31.120
<v Speaker 1>on the Internet and the nooks and crannies, and they

0:24:31.200 --> 0:24:34.520
<v Speaker 1>tend to miss what is really going on. To use

0:24:34.560 --> 0:24:39.959
<v Speaker 1>some cliches, Facebook is for old people. Okay, Instagram, certainly

0:24:40.000 --> 0:24:45.520
<v Speaker 1>young people went there, they had private accounts. Snapchat has

0:24:45.600 --> 0:24:49.119
<v Speaker 1>not really grown out of the younger demo, and there

0:24:49.119 --> 0:24:51.840
<v Speaker 1>are these battles between Now we even have clubhouse in

0:24:51.880 --> 0:24:57.760
<v Speaker 1>this Where does TikTok sit in the landscape? So I

0:24:57.800 --> 0:25:03.720
<v Speaker 1>think before the pandemic, the landscape that TikTok fit into

0:25:04.200 --> 0:25:08.400
<v Speaker 1>was really this younger gen Z demographic. You know, these

0:25:08.520 --> 0:25:11.720
<v Speaker 1>kids were too young. You know, they don't get Facebook,

0:25:12.200 --> 0:25:15.359
<v Speaker 1>they have Instagram, but it was like too much for them.

0:25:15.400 --> 0:25:17.800
<v Speaker 1>They wanted a place where they could kind of be

0:25:18.000 --> 0:25:20.639
<v Speaker 1>more themselves. Gen Z is a lot more. You know.

0:25:20.720 --> 0:25:23.919
<v Speaker 1>You you talk to any fifteen year old and you

0:25:24.000 --> 0:25:26.280
<v Speaker 1>hear the word authentic in like the first ten minutes

0:25:26.320 --> 0:25:27.919
<v Speaker 1>of them talking, and you're like, what the heck does

0:25:27.960 --> 0:25:31.280
<v Speaker 1>that mean? You know, and um, this at least it

0:25:31.400 --> 0:25:34.199
<v Speaker 1>was this idea that they could be themselves and have

0:25:34.359 --> 0:25:38.119
<v Speaker 1>fun on this app without having this picture perfect, manicured

0:25:38.160 --> 0:25:41.520
<v Speaker 1>Instagram post um. So I think that's where they fit in.

0:25:41.600 --> 0:25:44.719
<v Speaker 1>But during the pandemic, you know, everybody was shutting their

0:25:44.720 --> 0:25:48.160
<v Speaker 1>homes with literally nothing to do, and people said, Okay,

0:25:48.240 --> 0:25:51.159
<v Speaker 1>well download this thing TikTok that everyone keeps talking about

0:25:51.760 --> 0:25:55.199
<v Speaker 1>and um, then you started really seeing the proliferation of

0:25:55.240 --> 0:25:59.000
<v Speaker 1>like moms on TikTok or cooking on TikTok, you know,

0:25:59.119 --> 0:26:02.800
<v Speaker 1>things that more are adults, um you know, wanted to

0:26:02.840 --> 0:26:06.040
<v Speaker 1>take part in. And so once they have you, I

0:26:06.040 --> 0:26:08.960
<v Speaker 1>mean the hardest thing that the hardest battle for TikTok

0:26:09.119 --> 0:26:11.840
<v Speaker 1>is getting you to download it. Once they have you,

0:26:12.800 --> 0:26:14.879
<v Speaker 1>they can figure you out in a number of days

0:26:14.880 --> 0:26:17.640
<v Speaker 1>and start to show you videos that that you want

0:26:17.640 --> 0:26:20.360
<v Speaker 1>to see. UM. So the more adults that were on there,

0:26:20.560 --> 0:26:23.040
<v Speaker 1>the more kind of grown up content there is. And

0:26:23.080 --> 0:26:27.239
<v Speaker 1>the difference between Facebook and TikTok is when Facebook, when

0:26:27.280 --> 0:26:29.400
<v Speaker 1>all the old people showed up on Facebook, the young

0:26:29.440 --> 0:26:32.560
<v Speaker 1>people left because they didn't want their parents to see

0:26:32.560 --> 0:26:34.560
<v Speaker 1>them or they didn't want to see their parents. But

0:26:34.600 --> 0:26:37.000
<v Speaker 1>with TikTok, you never see your parents because they don't

0:26:37.000 --> 0:26:39.920
<v Speaker 1>show you those videos and vice versa. And that's why

0:26:39.960 --> 0:26:42.159
<v Speaker 1>it's hard for adults to keep track of what their

0:26:42.240 --> 0:26:46.720
<v Speaker 1>kids are doing because they never see what their kids see. Okay, Certainly,

0:26:46.760 --> 0:26:50.560
<v Speaker 1>at this point in time, UH, most Americans are aware

0:26:50.800 --> 0:26:54.760
<v Speaker 1>of the power of Zuckerberg and Facebook and What'sapp and

0:26:55.080 --> 0:27:00.240
<v Speaker 1>uh Instagram, But historically, like with the Microsoft lawsuit twenty

0:27:00.320 --> 0:27:05.200
<v Speaker 1>years ago. The government and the public at large are behind.

0:27:06.040 --> 0:27:10.399
<v Speaker 1>Can TikTok you surp the power of Facebook or do

0:27:10.480 --> 0:27:13.440
<v Speaker 1>they have to exist side by side. I don't think

0:27:13.440 --> 0:27:18.639
<v Speaker 1>they can necessarily usurp all of the power of Facebook, um,

0:27:18.680 --> 0:27:21.119
<v Speaker 1>but they can certainly give Facebook a run for its money.

0:27:21.200 --> 0:27:25.080
<v Speaker 1>And that's what you're seeing. I mean, reporting for Foundering Um.

0:27:25.119 --> 0:27:28.680
<v Speaker 1>For the podcast, we just kept running into Zuckerberg over

0:27:28.720 --> 0:27:31.080
<v Speaker 1>and over and over again. You'd you'd realize that, like

0:27:31.520 --> 0:27:35.480
<v Speaker 1>you know, UM, Facebook cared about TikTok. They were paying

0:27:35.480 --> 0:27:39.080
<v Speaker 1>attention about TikTok. They they they're worried about TikTok. They

0:27:39.080 --> 0:27:43.440
<v Speaker 1>tried to imitate TikTok and have not really successfully done that,

0:27:43.960 --> 0:27:46.800
<v Speaker 1>And so I think it is definitely giving them a

0:27:46.920 --> 0:27:51.440
<v Speaker 1>run for their money. And from an advertising perspective, which

0:27:51.520 --> 0:27:56.040
<v Speaker 1>is really important to Facebook's future growth, all the advertisers

0:27:56.280 --> 0:27:59.960
<v Speaker 1>are um on TikTok now and a lot of money

0:28:00.080 --> 0:28:02.120
<v Speaker 1>is going there, and so right now I think they

0:28:02.119 --> 0:28:06.000
<v Speaker 1>can kind of exist coexist UM. But at a certain point,

0:28:06.480 --> 0:28:10.000
<v Speaker 1>as TikTok gets bigger and more sophisticated, some of that

0:28:10.040 --> 0:28:12.560
<v Speaker 1>money is going to just flat go away from Facebook.

0:28:12.560 --> 0:28:17.240
<v Speaker 1>And over to TikTok. Okay, let's assume someone's a complete movie.

0:28:17.960 --> 0:28:22.680
<v Speaker 1>You download the app. What happens next? So you download

0:28:22.680 --> 0:28:24.720
<v Speaker 1>the app and all of a sudden, your full screen

0:28:24.840 --> 0:28:27.160
<v Speaker 1>is taken up by a video. It's probably the first

0:28:27.280 --> 0:28:29.760
<v Speaker 1>video you see is going to be somebody dancing and singing,

0:28:30.119 --> 0:28:33.040
<v Speaker 1>and probably your first reaction is like, Okay, this isn't

0:28:33.080 --> 0:28:36.359
<v Speaker 1>really for me. And then you're gonna scroll up um

0:28:36.400 --> 0:28:38.840
<v Speaker 1>on the on the screen, UM, as if you were

0:28:38.840 --> 0:28:42.520
<v Speaker 1>scrolling through Instagram, and you're gonna see another video, probably

0:28:42.520 --> 0:28:44.320
<v Speaker 1>not for you. And then you'll see that third video

0:28:44.440 --> 0:28:47.000
<v Speaker 1>and be like, oh, that's interesting, and you're gonna linger

0:28:47.040 --> 0:28:49.800
<v Speaker 1>on that video for a few minutes and then like boom,

0:28:49.840 --> 0:28:52.360
<v Speaker 1>that's the first data point that that company knows. Okay,

0:28:52.360 --> 0:28:54.520
<v Speaker 1>you don't like those two videos. You like this video

0:28:54.560 --> 0:28:58.520
<v Speaker 1>because you've lingered on it for more than a half second. UM,

0:28:58.600 --> 0:29:01.280
<v Speaker 1>they'll know where you're, where you might be touching it

0:29:01.520 --> 0:29:07.479
<v Speaker 1>sometimes they'll um. They'll be able to also analyze all

0:29:07.520 --> 0:29:09.400
<v Speaker 1>of your data points that come with it. Where do

0:29:09.440 --> 0:29:11.520
<v Speaker 1>you live, what location are you at, who are you

0:29:11.560 --> 0:29:15.080
<v Speaker 1>friends with, what age are you, what's your demographic? They'll

0:29:15.280 --> 0:29:18.520
<v Speaker 1>match all of that information about you behind the scenes too,

0:29:19.440 --> 0:29:22.560
<v Speaker 1>the types of videos that you like, and in about

0:29:22.560 --> 0:29:24.920
<v Speaker 1>a week, you're going to be seeing all the videos

0:29:24.920 --> 0:29:27.040
<v Speaker 1>that you really want to see, and then in about

0:29:27.080 --> 0:29:29.280
<v Speaker 1>two or three weeks, you'll probably be spending an hour

0:29:29.440 --> 0:29:31.520
<v Speaker 1>or two on the app like if if you really

0:29:31.600 --> 0:29:35.080
<v Speaker 1>end up liking it um at a time because it

0:29:35.200 --> 0:29:38.800
<v Speaker 1>because it just gets to know you. Okay, once again,

0:29:38.880 --> 0:29:41.480
<v Speaker 1>for those who think they don't need it, what kind

0:29:41.560 --> 0:29:47.320
<v Speaker 1>of content might you see on TikTok? So you'll see

0:29:47.360 --> 0:29:51.320
<v Speaker 1>whatever you're like psyche wants to see, which sounds a

0:29:51.320 --> 0:29:55.880
<v Speaker 1>little bit crazy, but you it's like, it's the things

0:29:55.960 --> 0:29:58.400
<v Speaker 1>you don't even necessarily know you like that you that

0:29:58.520 --> 0:30:00.600
<v Speaker 1>you might end up saying. So let's say you're really

0:30:00.600 --> 0:30:03.520
<v Speaker 1>into cooking. I have an editor who loves cooking and

0:30:03.640 --> 0:30:05.760
<v Speaker 1>he is just obsessed with it and he's starting to

0:30:05.800 --> 0:30:08.920
<v Speaker 1>see a lot of it. UM Around the elections, I

0:30:09.000 --> 0:30:11.960
<v Speaker 1>was doing a lot of digging into what kids and

0:30:12.080 --> 0:30:15.600
<v Speaker 1>others were seeing around UM the US elections, what kind

0:30:15.640 --> 0:30:19.240
<v Speaker 1>of Trump content, Biden content that there was out there.

0:30:19.600 --> 0:30:22.200
<v Speaker 1>So you can kind of train the app UM if

0:30:22.240 --> 0:30:26.440
<v Speaker 1>you're looking for something in particular, people talking about politics,

0:30:26.760 --> 0:30:30.120
<v Speaker 1>UM there's a lot of dancing, there's a ton of music. UM,

0:30:30.440 --> 0:30:36.320
<v Speaker 1>there's a ton of um of different you know communities.

0:30:36.400 --> 0:30:40.480
<v Speaker 1>For a time, there was a military TikTok. There's fitness TikTok,

0:30:40.760 --> 0:30:44.840
<v Speaker 1>there's eating TikTok. There's kind of any any little corner

0:30:45.200 --> 0:30:47.160
<v Speaker 1>of the Internet that you want to find, you can

0:30:47.160 --> 0:30:50.120
<v Speaker 1>find it on TikTok Okay would I literally join that

0:30:50.400 --> 0:30:53.160
<v Speaker 1>or the algorithm would just get me to see videos

0:30:53.200 --> 0:30:57.200
<v Speaker 1>of that? So you can search. There is a tab

0:30:57.320 --> 0:31:01.680
<v Speaker 1>on their UM a discover section. Uh. You know that's

0:31:01.720 --> 0:31:05.480
<v Speaker 1>kind of like the discover section on Instagram, UM, where

0:31:05.520 --> 0:31:07.280
<v Speaker 1>if you want to search for some of those things

0:31:07.320 --> 0:31:12.000
<v Speaker 1>you can and there are you know, they do push

0:31:12.600 --> 0:31:16.440
<v Speaker 1>content out to you, UM, so you'll see some of

0:31:16.480 --> 0:31:22.239
<v Speaker 1>that content UM if you want to UM. But a

0:31:22.280 --> 0:31:25.000
<v Speaker 1>lot of the kids you talked to, they're like, do

0:31:25.040 --> 0:31:28.280
<v Speaker 1>you ever look at that discover section? And they're like, no,

0:31:28.760 --> 0:31:31.000
<v Speaker 1>I just kind of see what's shown to me, which

0:31:31.040 --> 0:31:34.120
<v Speaker 1>is called the four you for you page. UM. But

0:31:34.200 --> 0:31:36.680
<v Speaker 1>there is there is a discover section you can search

0:31:36.720 --> 0:31:39.720
<v Speaker 1>if you're looking for something in particular, UM, But most

0:31:39.720 --> 0:31:43.520
<v Speaker 1>people just kind of look through whatever whatever pops up

0:31:43.560 --> 0:31:49.680
<v Speaker 1>for them. What percentage of the videos or music most videos.

0:31:49.760 --> 0:31:51.560
<v Speaker 1>I don't have a I don't have a number off

0:31:51.560 --> 0:31:55.400
<v Speaker 1>the top of my head, but I would say, like,

0:31:55.520 --> 0:31:58.640
<v Speaker 1>even if it's a cooking video, you'll put it to music, um,

0:31:58.720 --> 0:32:01.520
<v Speaker 1>and they'll use like text on the on the video

0:32:02.440 --> 0:32:04.600
<v Speaker 1>to to kind of show you what you're like a

0:32:04.640 --> 0:32:07.600
<v Speaker 1>ten step video of how to make guacamole. They'll be

0:32:07.720 --> 0:32:11.719
<v Speaker 1>like a track. Um. And there's a whole library, like

0:32:11.760 --> 0:32:15.280
<v Speaker 1>it's called the sound library. You can save clips that

0:32:15.400 --> 0:32:19.120
<v Speaker 1>you like, um. And you know, for the for the

0:32:19.120 --> 0:32:23.360
<v Speaker 1>Foundering podcast, we weren't really deep into this whole idea

0:32:23.400 --> 0:32:27.200
<v Speaker 1>of the sounds library. Because what TikTok can do is

0:32:27.240 --> 0:32:30.720
<v Speaker 1>they can see, okay, who's saving this song or this

0:32:30.880 --> 0:32:33.720
<v Speaker 1>clip of this song, and they can see kind of

0:32:33.760 --> 0:32:36.680
<v Speaker 1>the velocity of that, and so they'll be able to

0:32:36.720 --> 0:32:39.160
<v Speaker 1>tell you what song is about to go viral, you know,

0:32:39.200 --> 0:32:41.920
<v Speaker 1>a week from now, because they can tell who's saving

0:32:41.920 --> 0:32:45.240
<v Speaker 1>the song to make these videos with it later. Okay,

0:32:45.280 --> 0:32:48.760
<v Speaker 1>Why would someone be on TikTok as opposed to watching

0:32:48.960 --> 0:32:52.920
<v Speaker 1>reels or something else on a different platform. What is

0:32:53.240 --> 0:32:57.960
<v Speaker 1>what is the raw addiction that makes TikTok superior? Well

0:32:58.000 --> 0:33:00.320
<v Speaker 1>reels came later, so I think it's still kind of

0:33:00.320 --> 0:33:05.720
<v Speaker 1>dealing with some of that meat, you know, copycat stuff. Um,

0:33:05.760 --> 0:33:08.480
<v Speaker 1>you know, before there was reels, there wasn't really a

0:33:08.520 --> 0:33:11.120
<v Speaker 1>place to go it is. I mean, real is basically

0:33:11.160 --> 0:33:16.360
<v Speaker 1>copied TikTok. It's pretty pretty similar. Um. The differences is

0:33:16.400 --> 0:33:18.560
<v Speaker 1>that what TikTok is able to do is give you

0:33:18.600 --> 0:33:22.960
<v Speaker 1>a whole host of different video editing tools that make

0:33:23.000 --> 0:33:26.600
<v Speaker 1>your videos look really cool but are really easy to make.

0:33:26.760 --> 0:33:29.560
<v Speaker 1>So things that you might have been able to do,

0:33:30.600 --> 0:33:32.960
<v Speaker 1>you know, five years ago, only with like a very

0:33:33.000 --> 0:33:36.800
<v Speaker 1>sophisticated video editing tools or software, you know, you can

0:33:36.840 --> 0:33:39.240
<v Speaker 1>just do right there in the things like you know,

0:33:39.280 --> 0:33:41.880
<v Speaker 1>the filters and the different effects like you can make

0:33:41.920 --> 0:33:44.840
<v Speaker 1>you look like a mirror effect or you know, things

0:33:44.880 --> 0:33:49.000
<v Speaker 1>like that, um that you know people have fun with. Okay,

0:33:49.080 --> 0:33:51.960
<v Speaker 1>let's assume I'm passive and I decided to become active.

0:33:52.560 --> 0:33:56.240
<v Speaker 1>One of the steps in creating and posting a video,

0:33:58.720 --> 0:34:02.040
<v Speaker 1>so you basically really hit this plus button and you

0:34:02.080 --> 0:34:05.479
<v Speaker 1>shoot a video. And you you could make a basic

0:34:05.600 --> 0:34:10.400
<v Speaker 1>one where you're just literally, you know, shooting a video

0:34:10.600 --> 0:34:14.839
<v Speaker 1>of you know, yourself talking about the weather or whatnot. Um,

0:34:14.920 --> 0:34:17.120
<v Speaker 1>but what most people do is I'll usually choose a

0:34:17.200 --> 0:34:19.000
<v Speaker 1>sound to go along with it, which is like a

0:34:19.040 --> 0:34:23.719
<v Speaker 1>fifteen third clip of a song. Um, they might make

0:34:23.760 --> 0:34:27.799
<v Speaker 1>a dance up to um to that song, like very

0:34:27.840 --> 0:34:31.560
<v Speaker 1>tailored to that song. UM. They might go on and

0:34:31.680 --> 0:34:35.799
<v Speaker 1>see other trends like and copy those trends, but like

0:34:35.840 --> 0:34:37.680
<v Speaker 1>put their own spin on it. So if there's a

0:34:37.800 --> 0:34:40.640
<v Speaker 1>dance trend going on, or a prank or a joke

0:34:41.280 --> 0:34:44.120
<v Speaker 1>um or something like that, they would do that with

0:34:44.160 --> 0:34:47.560
<v Speaker 1>their own spin. UM. For example, there was a trend

0:34:47.560 --> 0:34:52.120
<v Speaker 1>awhile back that was popular about these gummy bears singing

0:34:52.160 --> 0:34:54.919
<v Speaker 1>to the Adele song, and so people would like take

0:34:54.920 --> 0:34:56.920
<v Speaker 1>out all these gummy bears and put the song and

0:34:56.960 --> 0:34:59.760
<v Speaker 1>make it shoot the video as if like the gummy

0:34:59.760 --> 0:35:02.560
<v Speaker 1>bear as for singing the adel song. And then people

0:35:02.560 --> 0:35:05.880
<v Speaker 1>would just like do that in all sorts of different ways. Um.

0:35:05.920 --> 0:35:08.160
<v Speaker 1>When you follow a trick like that or a trend

0:35:08.200 --> 0:35:11.839
<v Speaker 1>like that, UM, they tend to get picked up a

0:35:11.880 --> 0:35:15.840
<v Speaker 1>lot uh and and get more popular and more viral

0:35:15.960 --> 0:35:19.000
<v Speaker 1>because the company is usually putting some of that marketing

0:35:19.080 --> 0:35:23.799
<v Speaker 1>muscle behind behind those trends. Okay, does everybody make the

0:35:23.960 --> 0:35:27.080
<v Speaker 1>video right in the app or to some people with

0:35:27.160 --> 0:35:29.680
<v Speaker 1>better tools make it on the computer and then uploaded

0:35:29.719 --> 0:35:35.480
<v Speaker 1>to the app. Some people do that. UM, I think

0:35:35.480 --> 0:35:38.200
<v Speaker 1>that's a lot more on the like on YouTube, people

0:35:38.239 --> 0:35:40.840
<v Speaker 1>will do that. UM. On TikTok, a lot of people

0:35:40.920 --> 0:35:44.759
<v Speaker 1>do end up doing it within the app. But they

0:35:44.840 --> 0:35:48.560
<v Speaker 1>might spend hours on a video even just to create

0:35:48.600 --> 0:35:51.439
<v Speaker 1>like a thirty second video. They might spend hours trying

0:35:51.480 --> 0:35:54.520
<v Speaker 1>to create something and then finally get it right or

0:35:54.680 --> 0:35:57.120
<v Speaker 1>edit or stitch it together the exact way that they

0:35:57.120 --> 0:36:00.200
<v Speaker 1>want to do it. Um. And so you know, as

0:36:00.200 --> 0:36:02.719
<v Speaker 1>a kid, you're kind of going through this and you're like, oh,

0:36:02.760 --> 0:36:06.279
<v Speaker 1>that's so cool. You know it's thirty seconds long. How

0:36:06.320 --> 0:36:08.120
<v Speaker 1>long could it take to make? But like some of

0:36:08.160 --> 0:36:12.080
<v Speaker 1>these really professional creators will spend you know, two three

0:36:12.200 --> 0:36:15.279
<v Speaker 1>four hours on just one video. It is there any

0:36:15.320 --> 0:36:19.160
<v Speaker 1>time limit? So when they first started, there used to

0:36:19.239 --> 0:36:22.319
<v Speaker 1>be like a fifteen second time limit, and now um,

0:36:22.880 --> 0:36:25.480
<v Speaker 1>they brought in that out. You can do a minute

0:36:25.560 --> 0:36:30.319
<v Speaker 1>for some some big creators they give um, they give

0:36:30.360 --> 0:36:33.560
<v Speaker 1>more like time limits too. But the idea is like

0:36:33.680 --> 0:36:36.920
<v Speaker 1>bite bite size bits of content, So you really want

0:36:36.920 --> 0:36:40.279
<v Speaker 1>to do something short. Most most videos are thirty seconds long,

0:36:40.920 --> 0:36:43.919
<v Speaker 1>So let's assume I make a video, how's anybody gonna

0:36:43.960 --> 0:36:48.799
<v Speaker 1>see it? So UM, you can put a whole bunch

0:36:48.840 --> 0:36:50.920
<v Speaker 1>of fat hashtags on it if you want people to

0:36:50.920 --> 0:36:54.680
<v Speaker 1>be able to search it UM, and if you are

0:36:54.719 --> 0:36:57.759
<v Speaker 1>a popular creator, you will have followers the same way

0:36:57.800 --> 0:37:01.959
<v Speaker 1>you would be anywhere else. But otherwise it's UM. It's

0:37:02.040 --> 0:37:04.520
<v Speaker 1>this kind of black box of the algorithm. They're showing

0:37:04.520 --> 0:37:07.520
<v Speaker 1>it to to people that you know they think are

0:37:07.560 --> 0:37:10.880
<v Speaker 1>gonna want to see it. And so your hope is,

0:37:10.920 --> 0:37:14.520
<v Speaker 1>if you're trying to get popular UM, is that you

0:37:14.560 --> 0:37:18.000
<v Speaker 1>know it it gets UM, it gets pushed out to

0:37:18.040 --> 0:37:19.879
<v Speaker 1>a whole bunch of people, but you really don't know

0:37:19.960 --> 0:37:24.400
<v Speaker 1>how how it happens. UM. For some of the creators

0:37:24.400 --> 0:37:26.560
<v Speaker 1>that are starting out and they want to really make

0:37:26.600 --> 0:37:29.120
<v Speaker 1>a career out of it, they'll jump on the trends

0:37:29.160 --> 0:37:31.520
<v Speaker 1>that are already happening, like that gummy bear thing I

0:37:31.600 --> 0:37:34.839
<v Speaker 1>told you about, because that way they know that they're

0:37:34.840 --> 0:37:37.319
<v Speaker 1>going to get views. And the more that they kind

0:37:37.320 --> 0:37:39.640
<v Speaker 1>of do that, the more views that they think they're

0:37:39.640 --> 0:37:43.240
<v Speaker 1>going to get. And then once you have a popular video,

0:37:44.680 --> 0:37:49.040
<v Speaker 1>the chances are that your next video becomes popular increases. Okay,

0:37:49.120 --> 0:37:52.400
<v Speaker 1>let's assume I make a shitty video, Is it possible

0:37:52.440 --> 0:37:57.399
<v Speaker 1>that nobody sees it? Yeah? Okay, what if I want

0:37:57.400 --> 0:37:59.359
<v Speaker 1>to juice it? Can I tell all my friends, Hey,

0:37:59.360 --> 0:38:03.000
<v Speaker 1>go watch my video. Try to move it up the algorithm.

0:38:03.040 --> 0:38:08.960
<v Speaker 1>You can, Um, you can do that. It just um

0:38:08.960 --> 0:38:11.359
<v Speaker 1>there's not like a retweet button the same way there

0:38:11.440 --> 0:38:14.759
<v Speaker 1>is on Twitter, So it would have to be it

0:38:14.800 --> 0:38:18.319
<v Speaker 1>would have to be like you reaching out to your

0:38:18.520 --> 0:38:21.560
<v Speaker 1>your friends being like, Okay, go to my TikTok account

0:38:22.400 --> 0:38:25.840
<v Speaker 1>and click on that video. Um. It's a lot harder

0:38:25.880 --> 0:38:27.919
<v Speaker 1>to share that way, and it puts a lot more

0:38:28.160 --> 0:38:31.319
<v Speaker 1>of their kind of responsibility into the company's hands to

0:38:31.360 --> 0:38:33.520
<v Speaker 1>know like what's going to go, what's gonna go viral,

0:38:33.560 --> 0:38:36.279
<v Speaker 1>and what's not. Okay, Well, in all these other platforms,

0:38:36.280 --> 0:38:39.120
<v Speaker 1>these music platforms, there are all these people trying to

0:38:39.200 --> 0:38:47.160
<v Speaker 1>manipulate them. Okay, can you manipulate TikTok? Can you manipulate TikTok?

0:38:47.560 --> 0:38:49.680
<v Speaker 1>I'm sure you can. I mean people try it all

0:38:49.680 --> 0:38:52.360
<v Speaker 1>the time. They are all these groups of creator TikTok

0:38:52.400 --> 0:38:56.120
<v Speaker 1>creators that they have like their side groups, their side chats, um,

0:38:56.239 --> 0:38:58.840
<v Speaker 1>where they have like these texts being like oh, you know,

0:38:58.960 --> 0:39:01.080
<v Speaker 1>like this trend is try ending you we should jump

0:39:01.080 --> 0:39:07.640
<v Speaker 1>on it now. Um. They the company also sends out

0:39:08.040 --> 0:39:12.000
<v Speaker 1>you know, emails to the top creators or even you know,

0:39:12.880 --> 0:39:16.399
<v Speaker 1>not even the top creators, like thousands of popular creators

0:39:16.440 --> 0:39:19.160
<v Speaker 1>saying like, hey, these things are trending, you should jump

0:39:19.239 --> 0:39:23.440
<v Speaker 1>on these trends. Um. So it's all kind of directed

0:39:23.920 --> 0:39:25.920
<v Speaker 1>by the company, And if you follow the way that,

0:39:26.320 --> 0:39:28.120
<v Speaker 1>if you kind of follow what the company wants you

0:39:28.160 --> 0:39:31.640
<v Speaker 1>to do, the more, um, the more views that you get,

0:39:31.760 --> 0:39:34.359
<v Speaker 1>kind of as like a regular user type of thing.

0:39:34.680 --> 0:39:37.960
<v Speaker 1>I mean, some kids, they they they treat it just

0:39:38.000 --> 0:39:40.840
<v Speaker 1>like they do with Facebook right there, like a twelve

0:39:40.880 --> 0:39:42.719
<v Speaker 1>year old, fifteen year old, and they just want to

0:39:42.760 --> 0:39:44.960
<v Speaker 1>make videos for their friends and themselves to see it.

0:39:45.000 --> 0:39:46.640
<v Speaker 1>There's a lot of there's a lot of people who

0:39:46.760 --> 0:39:50.359
<v Speaker 1>just do that as well. Do we know how many

0:39:50.360 --> 0:39:54.320
<v Speaker 1>people are active as opposed to passive? So the numbers

0:39:54.360 --> 0:39:58.080
<v Speaker 1>haven't been that great, um in the US in the

0:39:58.160 --> 0:40:01.680
<v Speaker 1>sense of um like clarity, because they are a private company,

0:40:01.800 --> 0:40:04.799
<v Speaker 1>so we don't actually know. We we mostly know downloads

0:40:04.880 --> 0:40:08.080
<v Speaker 1>and so we know it's been downloaded about two billion

0:40:08.120 --> 0:40:13.040
<v Speaker 1>times globally, um, but about two million or so in

0:40:13.080 --> 0:40:16.239
<v Speaker 1>the US. Okay, let's assume I'm at home, I'm a

0:40:16.360 --> 0:40:20.359
<v Speaker 1>total nobody. I make a video to a song that's

0:40:20.440 --> 0:40:24.720
<v Speaker 1>become come out within the last twelve months, and people

0:40:24.800 --> 0:40:28.799
<v Speaker 1>love my video. What's going to happen next? Yes, So

0:40:28.840 --> 0:40:31.560
<v Speaker 1>if people are spending time on it, if they're watching it,

0:40:31.640 --> 0:40:35.120
<v Speaker 1>if they're watching it over and over again, um, it

0:40:35.239 --> 0:40:39.120
<v Speaker 1>might be picked up in what's called the four you page,

0:40:39.120 --> 0:40:40.919
<v Speaker 1>which is the page that you see when you open

0:40:41.040 --> 0:40:43.560
<v Speaker 1>up the app in lots of people's fore you pages,

0:40:43.719 --> 0:40:47.000
<v Speaker 1>and so you know it's in TikTok's best interest to

0:40:47.040 --> 0:40:51.920
<v Speaker 1>get people. TikTok has two goals. One is to have

0:40:52.040 --> 0:40:54.399
<v Speaker 1>people spend as much time on the on the app

0:40:54.440 --> 0:40:58.560
<v Speaker 1>as possible, and to once they have people spending as

0:40:58.600 --> 0:41:01.920
<v Speaker 1>much time on the app as popular as possible, to

0:41:02.480 --> 0:41:06.960
<v Speaker 1>um sell advertising against that. Um So, the more time

0:41:07.000 --> 0:41:08.919
<v Speaker 1>you spend on the app, the better. So the more

0:41:09.000 --> 0:41:10.840
<v Speaker 1>TikTok can show you things that will keep you on

0:41:10.880 --> 0:41:13.520
<v Speaker 1>the app, the better. So if you have a video

0:41:14.000 --> 0:41:17.279
<v Speaker 1>that tends to be like that people like, they're gonna

0:41:17.320 --> 0:41:20.120
<v Speaker 1>want to push it out to as many people as possible.

0:41:20.320 --> 0:41:22.640
<v Speaker 1>And so that's kind of where you see these viral

0:41:23.239 --> 0:41:26.240
<v Speaker 1>these viral posts going out. So, for example, I spoke

0:41:26.320 --> 0:41:32.839
<v Speaker 1>to one of these creators, UM, a dancer in in Houston, Texas, UM,

0:41:33.680 --> 0:41:37.240
<v Speaker 1>and she made this video to the Megan the Stallion

0:41:37.600 --> 0:41:43.400
<v Speaker 1>UM dance and UM Savage. And this actually wasn't a

0:41:43.400 --> 0:41:46.120
<v Speaker 1>paid promotion. She just made it and she loved it

0:41:46.160 --> 0:41:49.000
<v Speaker 1>and she will she you know, had UM a lot

0:41:49.000 --> 0:41:51.880
<v Speaker 1>of followers, but she wasn't like a famous star or

0:41:51.880 --> 0:41:54.400
<v Speaker 1>anything like that. But it was a fun dance. People

0:41:54.480 --> 0:41:57.880
<v Speaker 1>loved Savage, but loved the song. It was super catchy.

0:41:57.960 --> 0:42:01.000
<v Speaker 1>And then you know, people started making dance and then

0:42:01.239 --> 0:42:04.400
<v Speaker 1>some of the really popular creators started making the dance

0:42:04.640 --> 0:42:07.359
<v Speaker 1>and once that happened, it just took off. And so

0:42:07.440 --> 0:42:10.680
<v Speaker 1>then it became in TikTok's best interest to promote that

0:42:10.800 --> 0:42:14.160
<v Speaker 1>dance because what it was doing was promoting engagement, and

0:42:14.200 --> 0:42:17.440
<v Speaker 1>it was promoting engagement with a song that they had

0:42:17.719 --> 0:42:20.520
<v Speaker 1>happened to have, you know, a partnership with that they had,

0:42:20.760 --> 0:42:23.200
<v Speaker 1>you know, spent marketing dollars with the app to help

0:42:23.239 --> 0:42:26.600
<v Speaker 1>promote and so you know, TikTok is scouring those things.

0:42:26.640 --> 0:42:29.640
<v Speaker 1>They're looking for things that are taking off UM and

0:42:29.680 --> 0:42:33.360
<v Speaker 1>they can spot it early on the rate of velocity

0:42:33.400 --> 0:42:36.279
<v Speaker 1>of something taking off and then just blow it up

0:42:36.360 --> 0:42:38.840
<v Speaker 1>in a way that um, you know, Twitter and and

0:42:38.960 --> 0:42:42.640
<v Speaker 1>um Facebook just don't tend to do. Okay, first, you

0:42:42.680 --> 0:42:46.399
<v Speaker 1>talked about followers. I can actually follow a creator, you can,

0:42:47.280 --> 0:42:50.640
<v Speaker 1>and then I will see all their new work. Yes,

0:42:50.960 --> 0:42:53.239
<v Speaker 1>I mean you can go actually to their page if

0:42:53.280 --> 0:42:55.680
<v Speaker 1>you want to just see their work, and then if

0:42:55.719 --> 0:42:58.520
<v Speaker 1>you follow them, their stuff will come up in your

0:42:58.800 --> 0:43:03.720
<v Speaker 1>in your feed. But it's not relegated to just your followers. Okay,

0:43:03.760 --> 0:43:07.560
<v Speaker 1>so let's assume I'm that woman in Houston. Let's just assume,

0:43:07.600 --> 0:43:11.800
<v Speaker 1>for the sake of discussion, million people watch my clip

0:43:12.360 --> 0:43:15.200
<v Speaker 1>on YouTube. I literally that's monetized, and I get a

0:43:15.320 --> 0:43:20.960
<v Speaker 1>check what happens on TikTok. Right, So, right now, they

0:43:21.000 --> 0:43:24.080
<v Speaker 1>don't have that ability. I wouldn't put it past them

0:43:24.120 --> 0:43:25.960
<v Speaker 1>for it to happen in the future. It sounds like

0:43:26.120 --> 0:43:28.960
<v Speaker 1>it's something that's on the horizon and could probably happen

0:43:29.719 --> 0:43:34.560
<v Speaker 1>very quickly. But um, what does happen is that you

0:43:34.680 --> 0:43:37.839
<v Speaker 1>get deals. You get deals with advertisers, you get deals

0:43:37.880 --> 0:43:42.920
<v Speaker 1>with record labels, um, you get featured in all sorts

0:43:43.000 --> 0:43:48.200
<v Speaker 1>of um you know, different kind of spotlights, and TikTok

0:43:48.280 --> 0:43:51.960
<v Speaker 1>has kind of created this business where they're they're connecting,

0:43:52.000 --> 0:43:55.320
<v Speaker 1>they're connecting creators to these brands. And so the brands,

0:43:55.560 --> 0:43:57.959
<v Speaker 1>you know, they want some creator to make it seem

0:43:58.000 --> 0:44:02.359
<v Speaker 1>like they're authentically loving. They're like microwave oven pasta. This

0:44:02.480 --> 0:44:05.760
<v Speaker 1>is a real story. Uh. So they like find five

0:44:06.560 --> 0:44:09.600
<v Speaker 1>creators to like make a dance around microwaving their their

0:44:09.719 --> 0:44:13.440
<v Speaker 1>pasta and um and it works, you know because people

0:44:13.480 --> 0:44:15.400
<v Speaker 1>see it and they're like, oh, that's cool. Or this

0:44:15.560 --> 0:44:19.839
<v Speaker 1>energy drink is like, uh, energy drinks have been all

0:44:19.880 --> 0:44:23.000
<v Speaker 1>over TikTok and you don't realize it's an ad. It's

0:44:23.040 --> 0:44:25.640
<v Speaker 1>just like some person you like, because you know, constantly

0:44:25.719 --> 0:44:28.920
<v Speaker 1>drinking this energy drink in their um in their videos.

0:44:28.960 --> 0:44:31.160
<v Speaker 1>But they're getting paid for it. Um. So it's not

0:44:31.239 --> 0:44:36.319
<v Speaker 1>directly monitorizable right now the way it is with YouTube. Um.

0:44:36.320 --> 0:44:38.840
<v Speaker 1>But these people are making are they're making money. I

0:44:38.840 --> 0:44:41.840
<v Speaker 1>mean they're making you know sometimes you know, millions of

0:44:41.880 --> 0:44:47.160
<v Speaker 1>dollars a year. Okay, So you talked earlier about authenticity.

0:44:47.520 --> 0:44:50.520
<v Speaker 1>If these people are aligning themselves with brands, doesn't that

0:44:50.600 --> 0:44:55.040
<v Speaker 1>undercut authenticity? Yeah? So this is what m my biggest

0:44:55.040 --> 0:45:00.840
<v Speaker 1>takeaway from this whole foundering uh podcast is that TikTok

0:45:00.880 --> 0:45:05.279
<v Speaker 1>accomplished is a remarkable marketing feat making everybody think that

0:45:05.360 --> 0:45:09.560
<v Speaker 1>this is this fun, authentic, totally spontaneous place to be,

0:45:11.000 --> 0:45:14.319
<v Speaker 1>and then behind the scenes making it as inauthentic as

0:45:14.560 --> 0:45:17.959
<v Speaker 1>as possible. And so the bigger they get, the less

0:45:18.000 --> 0:45:21.120
<v Speaker 1>and less and less and less everything really is authentic.

0:45:21.160 --> 0:45:24.879
<v Speaker 1>The popularity, the trends, all of that. Um. The more

0:45:24.960 --> 0:45:28.000
<v Speaker 1>you dig into it, the more you ask questions, the

0:45:28.080 --> 0:45:30.160
<v Speaker 1>more you realize so much of it is staged and

0:45:30.239 --> 0:45:33.160
<v Speaker 1>so much of it comes from you know, TikTok's headquarters

0:45:33.600 --> 0:45:37.600
<v Speaker 1>UM in Los Angeles and UM and in China. Okay, So,

0:45:37.680 --> 0:45:41.239
<v Speaker 1>but the lack of authenticity is not causing people to disconnect,

0:45:43.560 --> 0:45:47.640
<v Speaker 1>not yet. You know, you do talk to you do

0:45:47.680 --> 0:45:50.839
<v Speaker 1>talk to people who are saying, oh, well, you know,

0:45:51.120 --> 0:45:53.880
<v Speaker 1>like I'm not into it anymore. You know, some of

0:45:53.880 --> 0:45:56.440
<v Speaker 1>the some of the older teams I spoke to were saying,

0:45:56.480 --> 0:45:59.040
<v Speaker 1>you know, it's just not really for me anymore. So

0:45:59.080 --> 0:46:02.160
<v Speaker 1>you're seeing some that UM. But right now, I mean,

0:46:02.200 --> 0:46:05.480
<v Speaker 1>their growth is they're the most popular app last year,

0:46:05.719 --> 0:46:10.239
<v Speaker 1>you know, like the growth has not subsided. Okay, is

0:46:10.239 --> 0:46:12.400
<v Speaker 1>there a place on the app I can go to

0:46:12.520 --> 0:46:15.160
<v Speaker 1>see the top ten or so, so that there is

0:46:15.200 --> 0:46:21.839
<v Speaker 1>a sense of community amongst TikTok participants. So you can

0:46:21.880 --> 0:46:27.480
<v Speaker 1>go to this tab called discover um, but it's not

0:46:27.560 --> 0:46:30.879
<v Speaker 1>necessarily what's I mean? They say it's all about it's

0:46:30.880 --> 0:46:34.239
<v Speaker 1>all trending, but it's not really based on what's the

0:46:34.280 --> 0:46:37.759
<v Speaker 1>most popular. It's based on what the company wants you

0:46:37.800 --> 0:46:41.880
<v Speaker 1>to see or what advertisements advertising deals that they have,

0:46:42.200 --> 0:46:46.480
<v Speaker 1>So it's not really there's no way to tell like today,

0:46:46.520 --> 0:46:48.319
<v Speaker 1>if I open the app, there's no way I could

0:46:48.360 --> 0:46:51.160
<v Speaker 1>personally tell what's the most popular video on TikTok today.

0:46:51.239 --> 0:46:54.440
<v Speaker 1>There's just no way you would be able to do that. Okay.

0:46:54.760 --> 0:46:59.360
<v Speaker 1>Trump had a speech approximately a year ago in Oklahoma,

0:46:59.719 --> 0:47:05.279
<v Speaker 1>and uh TikTok ers gathered together to try to get

0:47:05.280 --> 0:47:07.520
<v Speaker 1>tickets such to the point it looked like the event

0:47:07.560 --> 0:47:09.239
<v Speaker 1>was sold out when it was not. How did they

0:47:09.280 --> 0:47:15.920
<v Speaker 1>do that? So what they started doing was putting on UM,

0:47:16.080 --> 0:47:18.000
<v Speaker 1>you know, one of these one of the really popular

0:47:18.040 --> 0:47:22.919
<v Speaker 1>TikTok's UH stars UM you know had this had these ideas,

0:47:22.960 --> 0:47:25.200
<v Speaker 1>you know, Trump is putting out this rally, let's all

0:47:25.200 --> 0:47:28.560
<v Speaker 1>buy tickets and not show up. And then they started

0:47:28.719 --> 0:47:32.760
<v Speaker 1>organizing through TikTok, but also off of TikTok on Twitter,

0:47:33.000 --> 0:47:36.640
<v Speaker 1>through chat groups, um, all sorts of different places around

0:47:36.640 --> 0:47:39.760
<v Speaker 1>the Internet, saying like, everybody go do this, sending emails

0:47:39.760 --> 0:47:43.080
<v Speaker 1>to their friends, you know, a word of mouth. You know,

0:47:43.120 --> 0:47:46.920
<v Speaker 1>it became not just a TikTok thing. Um. But you

0:47:46.920 --> 0:47:52.640
<v Speaker 1>know people were really you know, activating all over the place. UM.

0:47:52.680 --> 0:47:55.799
<v Speaker 1>But a bunch of really popular TikTok stars jumped on this.

0:47:55.960 --> 0:47:58.520
<v Speaker 1>They made all sorts of funny videos about how to

0:47:58.600 --> 0:48:00.480
<v Speaker 1>do it and what to do, and and they did

0:48:00.480 --> 0:48:04.400
<v Speaker 1>it and you know, kind of joking at Trump's expense. Um.

0:48:04.440 --> 0:48:06.680
<v Speaker 1>And so it just started showing up to more and

0:48:06.719 --> 0:48:09.560
<v Speaker 1>more people because the more people were engaging with it,

0:48:09.680 --> 0:48:13.160
<v Speaker 1>the more the algorithm pushed it out to people. UM.

0:48:13.239 --> 0:48:15.359
<v Speaker 1>So you know, some of it is some of it

0:48:15.360 --> 0:48:20.239
<v Speaker 1>it's definitely still um, spontaneous. You know, it's not like

0:48:20.280 --> 0:48:24.200
<v Speaker 1>TikTok as far as we know, you know, did that

0:48:24.280 --> 0:48:28.759
<v Speaker 1>on purpose. But when something starts to gain traction, what

0:48:28.800 --> 0:48:31.759
<v Speaker 1>TikTok can do then, and what TikTok's algorithm is set

0:48:31.800 --> 0:48:34.640
<v Speaker 1>to do is to just really push it and pull

0:48:34.719 --> 0:48:37.640
<v Speaker 1>those levers and make it even bigger than it already

0:48:37.760 --> 0:48:47.120
<v Speaker 1>is okay, Let's assume like this girl in Houston, I

0:48:47.239 --> 0:48:51.399
<v Speaker 1>make a video and it starts to become successful at

0:48:51.400 --> 0:48:54.120
<v Speaker 1>what time? And will I at all here from the

0:48:54.200 --> 0:49:03.880
<v Speaker 1>brass at TikTok? So pretty early on, it's not scientific. Um.

0:49:03.920 --> 0:49:09.640
<v Speaker 1>You know, there there's been stories that we've heard from UM.

0:49:09.719 --> 0:49:12.640
<v Speaker 1>This rapper for example, that we talked to in the

0:49:12.680 --> 0:49:16.880
<v Speaker 1>podcast flow Millie. UM. You know, she was this uh

0:49:17.120 --> 0:49:22.239
<v Speaker 1>teenager from Mobile, Alabama. Nobody really heard about her. She

0:49:22.400 --> 0:49:25.120
<v Speaker 1>was just making tracks on her own, posting them up

0:49:25.120 --> 0:49:28.319
<v Speaker 1>on SoundCloud, you know, on the internet. UM, and then

0:49:28.400 --> 0:49:30.840
<v Speaker 1>someone started using it on TikTok and it blew up.

0:49:30.880 --> 0:49:33.000
<v Speaker 1>And she didn't even have a TikTok account, but because

0:49:33.000 --> 0:49:36.640
<v Speaker 1>it was so popular, TikTok's head of music Partnerships called

0:49:36.640 --> 0:49:39.640
<v Speaker 1>her up, flew her out to l A, had her

0:49:39.640 --> 0:49:42.319
<v Speaker 1>in the office, set up a TikTok account for her,

0:49:42.920 --> 0:49:45.000
<v Speaker 1>you know, really encouraged her to get on the app

0:49:45.840 --> 0:49:48.120
<v Speaker 1>and UM and she did, and she did a really

0:49:48.120 --> 0:49:50.640
<v Speaker 1>good you know, she really amassed a lot of followers

0:49:50.719 --> 0:49:53.319
<v Speaker 1>and she signed up with a record label and you know,

0:49:53.400 --> 0:49:57.520
<v Speaker 1>now she was UM nominated for b ET Best New

0:49:57.640 --> 0:50:02.480
<v Speaker 1>Artists and you know, UM and It's funny because in

0:50:02.520 --> 0:50:05.520
<v Speaker 1>the podcast flow Millie says, you know, I didn't set

0:50:05.520 --> 0:50:07.920
<v Speaker 1>out to be a TikTok star, but it just happened,

0:50:07.920 --> 0:50:11.040
<v Speaker 1>and I'm going to take advantage of it. Um. And

0:50:11.080 --> 0:50:14.440
<v Speaker 1>that's what TikTok bets on, right that if everyone along

0:50:14.600 --> 0:50:18.600
<v Speaker 1>the food chain makes money, everybody's happy. Right. So if

0:50:18.600 --> 0:50:21.120
<v Speaker 1>the record label makes money, if the artist makes money,

0:50:21.160 --> 0:50:25.640
<v Speaker 1>if TikTok makes money and advertising makes money, everybody's happy.

0:50:25.800 --> 0:50:27.960
<v Speaker 1>Let's assume I don't want to be a musician for

0:50:28.040 --> 0:50:31.960
<v Speaker 1>whatever reason, I create great dances, great clips. At what

0:50:32.080 --> 0:50:38.400
<v Speaker 1>point will I hear from TikTok to the dances have

0:50:38.520 --> 0:50:41.600
<v Speaker 1>been interesting talking to some of these professional dancers on

0:50:41.640 --> 0:50:45.359
<v Speaker 1>TikTok I was really fascinated by because I'm what they

0:50:45.480 --> 0:50:48.880
<v Speaker 1>end up doing is the record labels have figured this out.

0:50:48.880 --> 0:50:53.160
<v Speaker 1>This started, Um, this started kind of organically where the

0:50:53.200 --> 0:50:56.040
<v Speaker 1>record labels We're seeing these dancers, you know, make up

0:50:56.120 --> 0:50:59.000
<v Speaker 1>dances to their music and um, and they would help

0:50:59.520 --> 0:51:02.719
<v Speaker 1>help GoF on TikTok because once you had something to

0:51:02.800 --> 0:51:05.040
<v Speaker 1>do with the music, you know, some sort of interaction,

0:51:05.160 --> 0:51:08.960
<v Speaker 1>it became like a stickier song and um, and then

0:51:08.960 --> 0:51:11.160
<v Speaker 1>the record labels caught on and they were like, oh, shoot,

0:51:11.160 --> 0:51:13.279
<v Speaker 1>well we can actually just like pay these creators to

0:51:13.320 --> 0:51:14.840
<v Speaker 1>do it. We don't have to wait for someone to

0:51:14.920 --> 0:51:18.160
<v Speaker 1>create like a good dance. And so a lot of

0:51:18.160 --> 0:51:21.480
<v Speaker 1>them started paying these creators to create these dances, and

0:51:21.520 --> 0:51:24.359
<v Speaker 1>then TikTok would catch on to that and they would

0:51:24.800 --> 0:51:26.640
<v Speaker 1>you know, promote, They would do some deal with the

0:51:26.680 --> 0:51:29.960
<v Speaker 1>record label company and then push those push those videos

0:51:30.000 --> 0:51:33.640
<v Speaker 1>out to more people and so um and so a

0:51:33.719 --> 0:51:37.040
<v Speaker 1>lot of these people who make up dances on um

0:51:38.360 --> 0:51:41.719
<v Speaker 1>on TikTok started becoming popular creators in themselves because they

0:51:41.719 --> 0:51:44.440
<v Speaker 1>would get more followers and be pushed out, you know,

0:51:44.520 --> 0:51:48.719
<v Speaker 1>across the across the app and and become famous in

0:51:48.760 --> 0:51:51.960
<v Speaker 1>their own right. Okay, let's stop and start with the

0:51:52.080 --> 0:51:56.840
<v Speaker 1>music business. To what degree are the music labels and

0:51:57.000 --> 0:52:03.160
<v Speaker 1>individuals interacting with tick talk or individual TikTok ers to

0:52:03.400 --> 0:52:08.279
<v Speaker 1>try to boost their music. So every music label now

0:52:08.560 --> 0:52:12.520
<v Speaker 1>has a group of people who are glued to TikTok.

0:52:12.680 --> 0:52:16.120
<v Speaker 1>Who are you know, whose life is to learn TikTok,

0:52:16.160 --> 0:52:19.480
<v Speaker 1>to know TikTok, to talk to them. Um TikTok is

0:52:19.480 --> 0:52:22.200
<v Speaker 1>starting to do more and more live music um, which

0:52:22.200 --> 0:52:25.680
<v Speaker 1>they started during the pandemic, um or a little bit before,

0:52:25.719 --> 0:52:29.040
<v Speaker 1>but really picked up during the pandemic. And um you

0:52:29.040 --> 0:52:33.040
<v Speaker 1>know that I foresee being an even bigger thing. Um

0:52:33.080 --> 0:52:37.560
<v Speaker 1>And TikTok not only helps these labels, but also helps

0:52:37.600 --> 0:52:40.120
<v Speaker 1>connect them with the creators who you know kind of

0:52:40.120 --> 0:52:42.240
<v Speaker 1>make the dances and things like that to help promote

0:52:42.239 --> 0:52:45.239
<v Speaker 1>the songs as well. Okay, the way business works, and

0:52:45.280 --> 0:52:48.200
<v Speaker 1>it's not only the music business. If I am a

0:52:48.320 --> 0:52:50.799
<v Speaker 1>large corporation and there are three of them in the

0:52:50.880 --> 0:52:54.160
<v Speaker 1>music business today, a I put out a steady stream

0:52:54.200 --> 0:52:59.319
<v Speaker 1>of product, be that influences my relationship with in this

0:52:59.360 --> 0:53:02.880
<v Speaker 1>case tick talk and see, there can be a exchange

0:53:02.880 --> 0:53:07.600
<v Speaker 1>of money. What's the landscape in this area? So on

0:53:07.600 --> 0:53:09.640
<v Speaker 1>what I will put aside? You know they are there

0:53:09.640 --> 0:53:13.120
<v Speaker 1>are deals with the record companies, um, you know, to

0:53:13.239 --> 0:53:15.160
<v Speaker 1>use their music library and all of that. And that's

0:53:15.200 --> 0:53:20.400
<v Speaker 1>a completely kind of different, um different business trans You know,

0:53:20.520 --> 0:53:22.680
<v Speaker 1>if you use it, you get paid. But we're talking

0:53:22.719 --> 0:53:28.040
<v Speaker 1>about starting the fire or promotion right exactly. So UM,

0:53:28.080 --> 0:53:31.359
<v Speaker 1>a lot of these artists, you know, TikTok doesn't necessarily

0:53:32.600 --> 0:53:35.799
<v Speaker 1>pay these artists to be on TikTok. Um. What they'll

0:53:35.840 --> 0:53:39.360
<v Speaker 1>do is they'll connect. Let's stop. Let's stop for a second.

0:53:39.640 --> 0:53:42.840
<v Speaker 1>Let's not even get that far. Let's assume I am

0:53:42.880 --> 0:53:45.560
<v Speaker 1>at one of the three major labels. I have a

0:53:45.840 --> 0:53:49.000
<v Speaker 1>song by an artist who is not even on TikTok,

0:53:49.560 --> 0:53:53.920
<v Speaker 1>but I believe that if TikTok has made videos, it

0:53:53.960 --> 0:53:57.759
<v Speaker 1>would start the fire on this song. Hey, what do

0:53:57.880 --> 0:54:01.440
<v Speaker 1>I do? First? Do I contact individual TikTok ers? Do

0:54:01.520 --> 0:54:05.839
<v Speaker 1>I contact TikTok the company? And do I pay TikTok

0:54:06.040 --> 0:54:08.120
<v Speaker 1>any money? Is there any way I can make money

0:54:08.160 --> 0:54:12.279
<v Speaker 1>other than the usage? And see, since I'm such a

0:54:12.320 --> 0:54:17.360
<v Speaker 1>big company, do I edge out the smaller players? Got it? So?

0:54:17.480 --> 0:54:21.000
<v Speaker 1>I think, Um, you'd probably take a two pronged approach. First,

0:54:21.040 --> 0:54:22.759
<v Speaker 1>you would deal with the company, and you deal with

0:54:22.800 --> 0:54:26.040
<v Speaker 1>them their music and the music marketing company you could pay,

0:54:26.360 --> 0:54:29.359
<v Speaker 1>you know, add dollars to um. You know, get that

0:54:29.480 --> 0:54:32.799
<v Speaker 1>sound up in the sound library. You know you can

0:54:33.000 --> 0:54:36.320
<v Speaker 1>you can take out like what's kind of the equivalent

0:54:36.320 --> 0:54:39.360
<v Speaker 1>of banner ads basically, but for for an individual sound

0:54:39.440 --> 0:54:42.360
<v Speaker 1>that pops up and says, hey, consider using this sound

0:54:42.560 --> 0:54:45.919
<v Speaker 1>with your video. Um, so you could literally transactionally pay

0:54:46.320 --> 0:54:49.080
<v Speaker 1>TikTok o. There, let's stout there for talking. You have

0:54:49.080 --> 0:54:51.960
<v Speaker 1>any idea what that might cost and how many people

0:54:52.040 --> 0:54:53.840
<v Speaker 1>do it? Would I go on that page now and

0:54:53.880 --> 0:54:56.839
<v Speaker 1>see tend people offering to you that you say, use

0:54:56.920 --> 0:55:01.080
<v Speaker 1>my music one none. Um, I don't know how much

0:55:01.120 --> 0:55:04.279
<v Speaker 1>it costs at this point. UM. I do know that

0:55:04.320 --> 0:55:08.279
<v Speaker 1>it can be substantial. UM, but I don't know how

0:55:08.320 --> 0:55:12.160
<v Speaker 1>much it costs. UM in terms of the sounds that

0:55:12.320 --> 0:55:15.080
<v Speaker 1>show up, you know, I will check right now while

0:55:15.080 --> 0:55:19.080
<v Speaker 1>we talk and see how many that they're offering. Okay,

0:55:19.239 --> 0:55:21.080
<v Speaker 1>So in terms of like what I'm seeing when I'm

0:55:21.120 --> 0:55:23.360
<v Speaker 1>about to make a video and to make a sound,

0:55:23.360 --> 0:55:26.359
<v Speaker 1>so you so you pull it up and there is

0:55:26.600 --> 0:55:29.960
<v Speaker 1>a kind of a banner ad at the top, and

0:55:30.520 --> 0:55:35.080
<v Speaker 1>those are kind of sponsored sounds. So you know right now, UM,

0:55:35.120 --> 0:55:40.640
<v Speaker 1>I'm seeing like guest playlists. I'm seeing um different um,

0:55:40.680 --> 0:55:46.480
<v Speaker 1>different artists that are being you know, showcased. UM. There's

0:55:46.560 --> 0:55:49.879
<v Speaker 1>uh kind of a list of different playlists that TikTok makes.

0:55:49.920 --> 0:55:53.480
<v Speaker 1>They get like famous people to make playlists. There's like

0:55:53.600 --> 0:55:59.080
<v Speaker 1>trending feature sounds. You know. UM, there's dozens of UM

0:55:59.200 --> 0:56:03.080
<v Speaker 1>sounds up here are being suggested to you, UM from

0:56:03.120 --> 0:56:06.560
<v Speaker 1>from um from TikTok to be able to to use

0:56:06.800 --> 0:56:09.920
<v Speaker 1>and then um, you know, there's depending on like what.

0:56:10.000 --> 0:56:12.799
<v Speaker 1>Let's say you want to make a country, so you're

0:56:12.840 --> 0:56:15.520
<v Speaker 1>looking for country songs. So then you pick country and

0:56:15.680 --> 0:56:18.520
<v Speaker 1>up pops you know, hundreds of different sounds that you

0:56:18.560 --> 0:56:21.399
<v Speaker 1>can kind of go through, and people who are into this,

0:56:21.920 --> 0:56:24.560
<v Speaker 1>they'll spend hours looking through these sounds and listening to

0:56:24.600 --> 0:56:27.280
<v Speaker 1>them and stuff like that. But if you're a casual

0:56:27.320 --> 0:56:30.319
<v Speaker 1>TikTok user, you want to put a sound on your

0:56:30.400 --> 0:56:32.839
<v Speaker 1>video real quick, You're going to click on the first

0:56:32.880 --> 0:56:35.640
<v Speaker 1>thing that you see. And often that spot, you know,

0:56:35.800 --> 0:56:38.680
<v Speaker 1>is paid for by them. You know, I would say

0:56:38.719 --> 0:56:40.560
<v Speaker 1>a hundred percent of the time that spot is paid

0:56:40.560 --> 0:56:43.360
<v Speaker 1>for by a by a record label. Okay, let's assume

0:56:43.400 --> 0:56:47.160
<v Speaker 1>I'm on the very first page. Do I have to

0:56:47.200 --> 0:56:49.719
<v Speaker 1>go to the next level to get a list or

0:56:49.760 --> 0:56:51.960
<v Speaker 1>do I see the ads in the players? And also,

0:56:52.000 --> 0:56:55.640
<v Speaker 1>don't give me like ten songs. These are the trending songs. Yeah,

0:56:55.680 --> 0:56:58.360
<v Speaker 1>so there's a little thing that says like recommended and

0:56:58.400 --> 0:57:02.239
<v Speaker 1>it's kind of some of the trending songs out there. Um,

0:57:02.360 --> 0:57:06.000
<v Speaker 1>but when we say trending, it's like trending for you.

0:57:06.280 --> 0:57:08.480
<v Speaker 1>So what they it's trending but they think that you're

0:57:08.480 --> 0:57:10.520
<v Speaker 1>gonna like So it's kind of like it's not like

0:57:10.560 --> 0:57:13.600
<v Speaker 1>a Billboard Top one type of thing. It's like a

0:57:13.719 --> 0:57:16.720
<v Speaker 1>mix between what's popular but also what they think you're

0:57:16.720 --> 0:57:19.160
<v Speaker 1>going to want based on the previous videos that you've

0:57:19.200 --> 0:57:24.000
<v Speaker 1>made before. Can I pay to be in that trending list? Yeah?

0:57:24.280 --> 0:57:29.120
<v Speaker 1>You can, yes, as far as I understand. Yeah. Okay,

0:57:29.160 --> 0:57:32.320
<v Speaker 1>So let's assume I'm a big deep pocket. I come

0:57:32.360 --> 0:57:35.280
<v Speaker 1>with an act, I go to the people and I say, hey, listen,

0:57:35.320 --> 0:57:38.360
<v Speaker 1>I'm gonna jam this. Say okay, by a band a

0:57:38.480 --> 0:57:42.760
<v Speaker 1>rod pay to be on the list. Then what so

0:57:43.160 --> 0:57:47.400
<v Speaker 1>TikTok will push back. So during that podcast, during the

0:57:47.440 --> 0:57:51.560
<v Speaker 1>Foundering podcast, we talk about um this experience with Megan

0:57:51.600 --> 0:57:55.959
<v Speaker 1>the Stallion where Megan's label said, you know, we want

0:57:56.280 --> 0:58:00.560
<v Speaker 1>Captain Hook to be, you know, our focus track, and

0:58:00.840 --> 0:58:03.800
<v Speaker 1>the TikTok's had a music partnerships told me that what

0:58:03.880 --> 0:58:06.440
<v Speaker 1>she said back to them was no, no, you might

0:58:06.520 --> 0:58:09.240
<v Speaker 1>think that it's Captain Hook, but we want to see

0:58:09.240 --> 0:58:12.920
<v Speaker 1>what the users think first, and so what she said was, Okay,

0:58:12.920 --> 0:58:15.880
<v Speaker 1>don't just put all your money behind Captain Hook. Put

0:58:15.880 --> 0:58:19.080
<v Speaker 1>out five songs on the app, and then let's let

0:58:19.080 --> 0:58:21.560
<v Speaker 1>it simmer and see what people make. And then they

0:58:21.640 --> 0:58:25.880
<v Speaker 1>kind of dipped into the sound the private sound libraries

0:58:26.000 --> 0:58:29.320
<v Speaker 1>of everybody, UM, of all their users, and they started

0:58:29.320 --> 0:58:31.800
<v Speaker 1>saying that actually, no, out of those five songs, like,

0:58:31.840 --> 0:58:34.400
<v Speaker 1>it wasn't Captain Hook that got the early traction, it

0:58:34.520 --> 0:58:38.280
<v Speaker 1>was Savage that people were into. And so they saw

0:58:38.320 --> 0:58:40.919
<v Speaker 1>that and they said, okay, this is an indicator that

0:58:41.080 --> 0:58:43.840
<v Speaker 1>you know, people are savage is really better suited to

0:58:44.040 --> 0:58:46.640
<v Speaker 1>TikTok because of the music the way that the way

0:58:46.680 --> 0:58:49.160
<v Speaker 1>it is UM and because of this dance that was

0:58:49.200 --> 0:58:53.919
<v Speaker 1>also trending UM. And so it was then that they waited, uh,

0:58:53.960 --> 0:58:56.400
<v Speaker 1>you know a number of days that then they put

0:58:56.480 --> 0:58:58.920
<v Speaker 1>up the banner ad and then they put up they started,

0:58:59.040 --> 0:59:02.720
<v Speaker 1>you know, using all that money to UM for the promotion.

0:59:02.880 --> 0:59:07.040
<v Speaker 1>And so it's not just record labels saying, hey, TikTok,

0:59:07.080 --> 0:59:09.720
<v Speaker 1>here's money, let me tell you what to do. It's

0:59:09.760 --> 0:59:13.400
<v Speaker 1>oftentimes TikTok saying, hey, record label, let me tell you

0:59:13.440 --> 0:59:16.280
<v Speaker 1>what to do based on what I'm saying, And what's

0:59:16.320 --> 0:59:19.760
<v Speaker 1>going to be the most popular because it can't. It's

0:59:19.760 --> 0:59:22.520
<v Speaker 1>not going to take off if if it's not if

0:59:22.920 --> 0:59:24.720
<v Speaker 1>if people don't want to play with it, you know,

0:59:24.760 --> 0:59:28.200
<v Speaker 1>the same way you know on radio, you're you're stuck, right,

0:59:28.240 --> 0:59:30.200
<v Speaker 1>you can't go anywhere. You're in your car, you're listening

0:59:30.240 --> 0:59:33.160
<v Speaker 1>to radio. The song is on. You hear it ten times,

0:59:33.400 --> 0:59:36.000
<v Speaker 1>you know, maybe after the tenth eleven time you hear

0:59:36.040 --> 0:59:38.160
<v Speaker 1>it it becomes popular. You don't have a choice. Yeah,

0:59:38.160 --> 0:59:43.280
<v Speaker 1>you can change the station, but your choices are limited, right,

0:59:43.920 --> 0:59:46.080
<v Speaker 1>And TikTok is like, okay, well, we want to see

0:59:46.080 --> 0:59:50.040
<v Speaker 1>what people are already doing and then just like you know,

0:59:50.080 --> 0:59:54.919
<v Speaker 1>put that on steroids versus telling them exactly what to do. Okay,

0:59:54.960 --> 0:59:58.600
<v Speaker 1>But you say, when they seeded five songs, if I

0:59:58.640 --> 1:00:02.000
<v Speaker 1>heard you correctly, they within a matter of days what

1:00:02.160 --> 1:00:04.880
<v Speaker 1>the successful song is. I mean, they know it a

1:00:04.880 --> 1:00:07.840
<v Speaker 1>matter of hour. They could see it immediately probably, but

1:00:08.000 --> 1:00:09.760
<v Speaker 1>what they did was they did wait a number of

1:00:09.840 --> 1:00:13.880
<v Speaker 1>days to see Because what this sounds folder is is

1:00:13.960 --> 1:00:17.800
<v Speaker 1>someone saving a sound to make a video in the future.

1:00:17.880 --> 1:00:20.040
<v Speaker 1>That could be tomorrow, that could be a week from now.

1:00:20.440 --> 1:00:22.800
<v Speaker 1>They don't know that, um, But what they do know

1:00:22.920 --> 1:00:25.200
<v Speaker 1>is someone cared enough about this song or liked it

1:00:25.280 --> 1:00:26.840
<v Speaker 1>enough to be like, hey, I like that, I'm gonna

1:00:26.920 --> 1:00:30.720
<v Speaker 1>save that and so It's such a powerful indicator that

1:00:30.840 --> 1:00:33.840
<v Speaker 1>it's like you can't even describe it because it's like

1:00:33.880 --> 1:00:36.640
<v Speaker 1>literally the way people think. You know, people are thinking, Okay,

1:00:36.640 --> 1:00:38.640
<v Speaker 1>I like this song, so I'm going to save it

1:00:39.360 --> 1:00:42.240
<v Speaker 1>um and so TikTok can see that. In a way

1:00:42.240 --> 1:00:45.640
<v Speaker 1>the record labels can't see that, and so then they know, Okay,

1:00:45.680 --> 1:00:47.840
<v Speaker 1>this is probably going to be popular because in a

1:00:47.880 --> 1:00:49.720
<v Speaker 1>matter of day it's a leading indicator. In a matter

1:00:49.760 --> 1:00:53.240
<v Speaker 1>of days, there's gonna be a ton of videos using

1:00:53.240 --> 1:00:56.400
<v Speaker 1>this song, and then that's going to become viral. Okay,

1:00:56.680 --> 1:00:59.720
<v Speaker 1>let's assume I'm a deep pocket, I have a million dollars,

1:00:59.800 --> 1:01:02.240
<v Speaker 1>I have an act, lives in next door to me.

1:01:02.840 --> 1:01:07.600
<v Speaker 1>Can I get access to the music department at TikTok? Well?

1:01:07.600 --> 1:01:09.920
<v Speaker 1>I think a lot of this is relationships. So all

1:01:09.960 --> 1:01:14.040
<v Speaker 1>the big record labels have these relationships with TikTok, and

1:01:14.160 --> 1:01:17.320
<v Speaker 1>so you know, chances are if you are one of

1:01:17.320 --> 1:01:19.880
<v Speaker 1>the big record labels, you already have that relationship with

1:01:19.920 --> 1:01:24.400
<v Speaker 1>TikTok and you're in constant contact with them. So what

1:01:24.440 --> 1:01:26.840
<v Speaker 1>are the odds if I'm an independent are there? Do

1:01:26.880 --> 1:01:29.680
<v Speaker 1>I have any chance at all? Oh? I see what

1:01:29.720 --> 1:01:33.080
<v Speaker 1>you're saying, um, I think you have a chance. I

1:01:33.120 --> 1:01:39.320
<v Speaker 1>think it's in TikTok's best interest to build out these music, um,

1:01:39.440 --> 1:01:43.840
<v Speaker 1>these music capabilities, particularly in different niches. So you know,

1:01:44.080 --> 1:01:47.480
<v Speaker 1>they've got the popular songs cover, they've got your billboard on.

1:01:48.320 --> 1:01:51.360
<v Speaker 1>What they're focusing even more now on, is you know,

1:01:51.920 --> 1:01:54.520
<v Speaker 1>what country music are we building out? What Latino music

1:01:54.560 --> 1:01:57.200
<v Speaker 1>are we building out? Like what you know, these kind

1:01:57.240 --> 1:02:02.800
<v Speaker 1>of very specific kinds of music, because remember, what you

1:02:02.840 --> 1:02:05.440
<v Speaker 1>see is different from what everybody else sees on TikTok,

1:02:05.640 --> 1:02:09.160
<v Speaker 1>So they have to build out something really good for

1:02:09.200 --> 1:02:13.760
<v Speaker 1>each very particular group of people. And so it's not

1:02:13.920 --> 1:02:16.440
<v Speaker 1>enough to just have one thing that's popular for everyone.

1:02:16.480 --> 1:02:18.560
<v Speaker 1>They also need to build out all these other things.

1:02:18.560 --> 1:02:20.920
<v Speaker 1>So if you're an independent label that's maybe a little

1:02:20.920 --> 1:02:23.840
<v Speaker 1>bit off the beaten path or has a niche or

1:02:23.880 --> 1:02:26.160
<v Speaker 1>something like that, then I think you have an even

1:02:26.200 --> 1:02:29.120
<v Speaker 1>better chance at succeeding because they are actually looking for

1:02:29.160 --> 1:02:35.400
<v Speaker 1>that kind of thing. Okay, the very first relationship do

1:02:35.520 --> 1:02:41.280
<v Speaker 1>I have to pay TikTok to talk to them? That

1:02:41.400 --> 1:02:44.200
<v Speaker 1>I don't know the answer to. I mean, I really don't,

1:02:44.240 --> 1:02:47.120
<v Speaker 1>because I think that TikTok would say, you know, they're

1:02:47.160 --> 1:02:51.240
<v Speaker 1>constantly scouring for new and interesting and cool things. But

1:02:51.320 --> 1:02:54.280
<v Speaker 1>if you're an executive at TikTok, I've got to imagine

1:02:54.280 --> 1:02:57.000
<v Speaker 1>that you're busy and there's only so many meetings that

1:02:57.040 --> 1:03:01.400
<v Speaker 1>you can take each day. Um. You know. The way

1:03:01.440 --> 1:03:03.800
<v Speaker 1>around that, and you kind of alluded to this is Okay,

1:03:03.840 --> 1:03:08.960
<v Speaker 1>let me find a popular creator, pay them fifty dollars

1:03:08.960 --> 1:03:12.880
<v Speaker 1>to make a dance with my music. Um, that can

1:03:12.920 --> 1:03:15.320
<v Speaker 1>maybe have like a quicker, bigger bang for your buck.

1:03:15.360 --> 1:03:17.840
<v Speaker 1>And if that song and that video does really well,

1:03:17.880 --> 1:03:21.240
<v Speaker 1>then TikTok will notice. You do we have any idea

1:03:21.800 --> 1:03:24.640
<v Speaker 1>how many views of a video one of those big

1:03:24.680 --> 1:03:29.280
<v Speaker 1>creators gets. Oh, can be you know, tens of millions.

1:03:29.320 --> 1:03:31.760
<v Speaker 1>I mean, Charlie Demilio is one of the most popular

1:03:31.800 --> 1:03:34.880
<v Speaker 1>people on TikTok, and she has over a hundred million followers.

1:03:35.000 --> 1:03:40.520
<v Speaker 1>So just let's assume every one of her followers sees it.

1:03:40.560 --> 1:03:42.520
<v Speaker 1>That's just a hundred million, and that's not even the

1:03:42.560 --> 1:03:46.440
<v Speaker 1>people that don't follow her, you know. So Um, And

1:03:46.440 --> 1:03:49.000
<v Speaker 1>then the thing about TikTok is that, like, once it

1:03:49.080 --> 1:03:52.280
<v Speaker 1>gets really popular on TikTok, it's spills into everyday life,

1:03:52.280 --> 1:03:55.640
<v Speaker 1>and so you're starting to see those things in UM,

1:03:55.680 --> 1:03:59.400
<v Speaker 1>there's a ripple effect into Twitter, Facebook. You know, you'll

1:03:59.400 --> 1:04:01.439
<v Speaker 1>see it on the g ME Fallon show, You'll see

1:04:01.440 --> 1:04:05.800
<v Speaker 1>it um you know on your local news station. You know,

1:04:05.880 --> 1:04:08.959
<v Speaker 1>it starts to become like a larger than life type

1:04:08.960 --> 1:04:12.120
<v Speaker 1>of situation. Okay, let's assume I do want to pay

1:04:12.160 --> 1:04:14.440
<v Speaker 1>one of these creators. You're throwing out the figure of

1:04:14.480 --> 1:04:18.720
<v Speaker 1>fift K. Is that what it costs? It depends. I mean,

1:04:18.760 --> 1:04:21.520
<v Speaker 1>I've spoken to some creators who got paid five thousand.

1:04:21.600 --> 1:04:23.600
<v Speaker 1>I've spoken to some creators who have gotten paid a

1:04:23.680 --> 1:04:27.600
<v Speaker 1>hundred thousand. UM. You know, there's there. There have been

1:04:28.120 --> 1:04:31.880
<v Speaker 1>instances where someone's gotten paid a million dollars for one

1:04:31.960 --> 1:04:37.400
<v Speaker 1>post um. So it just really depends the level of

1:04:37.400 --> 1:04:40.919
<v Speaker 1>of creator that you're going after. Let's assume I do that.

1:04:41.440 --> 1:04:43.480
<v Speaker 1>When you're saying let's just use a hundred K for

1:04:43.520 --> 1:04:47.440
<v Speaker 1>an example, is it a hundred K for one video

1:04:47.560 --> 1:04:50.160
<v Speaker 1>or do I have to have a campaign make multiple videos?

1:04:51.480 --> 1:04:53.600
<v Speaker 1>It just depends how you structure it. So some of

1:04:53.600 --> 1:04:56.320
<v Speaker 1>these people could could do a hundred K for one

1:04:56.720 --> 1:04:59.600
<v Speaker 1>very unique video. Most of them will do. Most of

1:04:59.640 --> 1:05:02.360
<v Speaker 1>them will do like three or four because the first

1:05:02.400 --> 1:05:05.920
<v Speaker 1>one might not be better might not take off. They

1:05:05.960 --> 1:05:08.360
<v Speaker 1>might like test three or four of them and see

1:05:08.400 --> 1:05:12.640
<v Speaker 1>which one. Um. The woman who created the Savage dance,

1:05:12.720 --> 1:05:15.800
<v Speaker 1>which she was not paid for, um, but she has

1:05:16.200 --> 1:05:18.320
<v Speaker 1>this is a woman who does get paid for her dances,

1:05:18.320 --> 1:05:20.400
<v Speaker 1>but the Savage one, in particular, she did not get

1:05:20.400 --> 1:05:24.840
<v Speaker 1>paid for. She made about five different dances to savage

1:05:25.000 --> 1:05:27.960
<v Speaker 1>until one of them took off. Um. And so you're

1:05:28.040 --> 1:05:30.400
<v Speaker 1>kind of playing with it to see, you know what

1:05:30.400 --> 1:05:35.720
<v Speaker 1>what hits. So if I have a successful track, I

1:05:35.720 --> 1:05:38.960
<v Speaker 1>can only watch the video. I cannot listen to the

1:05:39.000 --> 1:05:44.960
<v Speaker 1>complete song unless I go to another platform. Correct. Correct, Okay,

1:05:45.320 --> 1:05:49.600
<v Speaker 1>Let's say I am nobody from nowhere and I realized

1:05:49.640 --> 1:05:53.320
<v Speaker 1>it's a fast moving landscape. But the classic example here

1:05:53.400 --> 1:05:57.640
<v Speaker 1>is little Nazax with Old Town Road. Can you explain

1:05:57.720 --> 1:06:04.360
<v Speaker 1>how something like that becomes successful? Yeah, So Wills X

1:06:04.480 --> 1:06:10.320
<v Speaker 1>is kind of like this, um, like the early story

1:06:11.160 --> 1:06:17.120
<v Speaker 1>that kind of woke the record industry up to all this. UM.

1:06:17.160 --> 1:06:22.080
<v Speaker 1>You know he was, um, he he spent I think

1:06:22.120 --> 1:06:24.720
<v Speaker 1>it was like twenty or nineteen weeks at the top

1:06:24.760 --> 1:06:30.240
<v Speaker 1>of the billboard, uh chart. I think like it was.

1:06:30.560 --> 1:06:32.440
<v Speaker 1>I love this story because he kind of like it

1:06:32.520 --> 1:06:37.400
<v Speaker 1>kind of came out of nowhere. Um, but you know

1:06:37.720 --> 1:06:40.280
<v Speaker 1>what it what it opened people up to the possibility was,

1:06:40.400 --> 1:06:42.200
<v Speaker 1>is like what he could do with it? And so

1:06:42.240 --> 1:06:44.720
<v Speaker 1>then they realized, Okay, well you could like actually, you know,

1:06:45.240 --> 1:06:48.600
<v Speaker 1>pay someone. Uh you know, he could actually like pay

1:06:48.640 --> 1:06:51.520
<v Speaker 1>someone for it to do to do what he kind

1:06:51.520 --> 1:06:58.480
<v Speaker 1>of started to do, um naturally you know, but he

1:06:58.680 --> 1:07:03.400
<v Speaker 1>you know, he like promoted himself. He created memes to

1:07:03.560 --> 1:07:08.360
<v Speaker 1>promote old Town Road. Um. You know, he he like

1:07:08.760 --> 1:07:11.480
<v Speaker 1>would go on Twitter to talk about it. He made

1:07:12.080 --> 1:07:15.600
<v Speaker 1>um these different challenges. You know, he he really gamed it.

1:07:15.720 --> 1:07:18.640
<v Speaker 1>He really tried hard, um, you know, to do that.

1:07:18.720 --> 1:07:21.960
<v Speaker 1>And so what the record companies realized was like, oh,

1:07:22.000 --> 1:07:23.800
<v Speaker 1>I could just do that. I could build like a

1:07:23.840 --> 1:07:28.040
<v Speaker 1>whole I could build a whole campaign around you know,

1:07:28.440 --> 1:07:30.919
<v Speaker 1>doing kind of like what he did and building off

1:07:30.960 --> 1:07:34.520
<v Speaker 1>of his his creativity. There. Okay, we live in a

1:07:34.640 --> 1:07:39.640
<v Speaker 1>tower of Babel society. Let's assume I create a smash

1:07:39.800 --> 1:07:43.640
<v Speaker 1>in my bedroom and I don't gamify it. I don't

1:07:43.680 --> 1:07:47.479
<v Speaker 1>basically say, you know, compete here. I don't blast people

1:07:47.840 --> 1:07:51.320
<v Speaker 1>watch my video. Is there any chance my video can

1:07:51.360 --> 1:07:57.440
<v Speaker 1>make it? Yeah, there's definitely still serendipity that happens on TikTok.

1:07:57.720 --> 1:07:59.800
<v Speaker 1>You know, I don't think you can say everything is.

1:08:00.680 --> 1:08:04.080
<v Speaker 1>I think there's definitely still you know, fun stuff that happens,

1:08:04.160 --> 1:08:07.200
<v Speaker 1>and it's different and unique and it's fun, and you know,

1:08:07.280 --> 1:08:11.600
<v Speaker 1>people jump to it and it suddenly gets um popular.

1:08:11.720 --> 1:08:14.560
<v Speaker 1>The thing about the TikTok algorithm is that it can

1:08:16.120 --> 1:08:19.800
<v Speaker 1>it can recognize that very quickly early on, and so

1:08:19.920 --> 1:08:24.280
<v Speaker 1>what that does is it rewards it rewards that engagement,

1:08:24.439 --> 1:08:27.880
<v Speaker 1>and so there's definitely if you're a songwriter, you know,

1:08:28.160 --> 1:08:30.640
<v Speaker 1>I think that hope is is definitely out there. It

1:08:30.760 --> 1:08:32.760
<v Speaker 1>just gets harder the bigger it gets, and the more

1:08:33.680 --> 1:08:37.600
<v Speaker 1>the more money that gets involved, the harder it gets. Okay,

1:08:37.840 --> 1:08:40.360
<v Speaker 1>So if I'm in a good little Nazics a couple

1:08:40.400 --> 1:08:42.960
<v Speaker 1>of years ago, but I am an artist and I'm

1:08:42.960 --> 1:08:45.559
<v Speaker 1>starting to get traction, I kind of asked this, but

1:08:46.080 --> 1:08:49.200
<v Speaker 1>let's you know, at what point will I hear from

1:08:49.320 --> 1:08:51.840
<v Speaker 1>the somebody at TikTok saying hey, you know, we want

1:08:51.840 --> 1:08:54.840
<v Speaker 1>to be involved with you pretty early on? I mean,

1:08:54.880 --> 1:08:58.519
<v Speaker 1>they have relationships with with so many people and this

1:08:58.600 --> 1:09:01.360
<v Speaker 1>is their job. I mean, music is so important to

1:09:01.400 --> 1:09:04.599
<v Speaker 1>TikTok because it keeps people on the platforms. It keeps

1:09:04.600 --> 1:09:07.920
<v Speaker 1>people coming to the platforms, it keeps them new and

1:09:08.000 --> 1:09:11.439
<v Speaker 1>interesting and different, and so it's in TikTok's best interest

1:09:11.680 --> 1:09:15.280
<v Speaker 1>to you know, continuously bring new and different and interesting

1:09:15.320 --> 1:09:18.439
<v Speaker 1>people onto the app. And so there are you know,

1:09:19.880 --> 1:09:23.240
<v Speaker 1>the woman we interview in our podcast UM Isabel can

1:09:23.280 --> 1:09:26.559
<v Speaker 1>terrisa news. Her whole job head of Music Partnerships is

1:09:26.600 --> 1:09:30.280
<v Speaker 1>to constantly be out there meeting with people, talking to them.

1:09:30.800 --> 1:09:34.519
<v Speaker 1>And yes, she has these relationships with these big record labels,

1:09:34.520 --> 1:09:37.599
<v Speaker 1>but she's also reaching out, you know, to the flow

1:09:37.600 --> 1:09:40.040
<v Speaker 1>millions of the world who didn't have those you know,

1:09:40.120 --> 1:09:45.120
<v Speaker 1>record label UM contacts yet and because she wants they

1:09:45.160 --> 1:09:47.639
<v Speaker 1>want to know these people first. It's it's in their

1:09:47.640 --> 1:09:51.040
<v Speaker 1>best interest to UM, you know, find them first. And

1:09:51.080 --> 1:09:53.439
<v Speaker 1>I think she told me that in the last year

1:09:53.479 --> 1:09:58.880
<v Speaker 1>they had UM, they had partnered up with musicians, I

1:09:58.920 --> 1:10:01.720
<v Speaker 1>think like fifty musician before they had gotten signed by

1:10:01.760 --> 1:10:04.599
<v Speaker 1>record labels. Do you have any idea how many people

1:10:04.640 --> 1:10:07.960
<v Speaker 1>are working in that department? I don't. I mean in

1:10:08.000 --> 1:10:10.360
<v Speaker 1>the US, it's not that big of a company, like

1:10:10.560 --> 1:10:13.120
<v Speaker 1>it's you know, a thousand people or so. It's not

1:10:13.360 --> 1:10:18.599
<v Speaker 1>this huge, massive behemoth. I mean in China. Um, you know,

1:10:18.720 --> 1:10:21.599
<v Speaker 1>I think they're up to like sixty seventy people at

1:10:21.600 --> 1:10:24.360
<v Speaker 1>byte Dance and so, um, you know. But it's but

1:10:24.520 --> 1:10:27.880
<v Speaker 1>here in the U s it's it's not that many people. Okay.

1:10:27.880 --> 1:10:33.000
<v Speaker 1>How many countries is uh? TikTok in like every country?

1:10:33.400 --> 1:10:36.679
<v Speaker 1>Like a hundred markets or something like that. Okay, Now

1:10:36.720 --> 1:10:39.840
<v Speaker 1>this is something we've gotten from the internet. You know,

1:10:39.880 --> 1:10:41.720
<v Speaker 1>it's a big world out there. So if I have

1:10:41.880 --> 1:10:45.800
<v Speaker 1>success in America, okay to me, even if the song

1:10:45.920 --> 1:10:48.920
<v Speaker 1>is in English, what are the chances will be pushed

1:10:49.000 --> 1:10:54.160
<v Speaker 1>in foreign countries? Hi? So all of these all of

1:10:54.200 --> 1:10:57.400
<v Speaker 1>these videos are pushed around their global I mean, there's

1:10:57.400 --> 1:10:59.960
<v Speaker 1>a separation between China and the rest of the world.

1:11:00.160 --> 1:11:03.280
<v Speaker 1>So I would, um, you know, caution that what you're

1:11:03.760 --> 1:11:05.880
<v Speaker 1>saying in China is not what you're seeing in the

1:11:05.920 --> 1:11:10.120
<v Speaker 1>rest of the world. But China excluded. Um, it's all over,

1:11:10.200 --> 1:11:15.040
<v Speaker 1>it's global, Okay. You also said that TikTok will reach

1:11:15.080 --> 1:11:19.679
<v Speaker 1>out to creators, talk to their parents, pay them, give

1:11:19.720 --> 1:11:23.080
<v Speaker 1>them hints. Can you amplify that or see if I

1:11:23.160 --> 1:11:27.040
<v Speaker 1>even have it correct? Yeah, So we talked to a

1:11:27.120 --> 1:11:29.840
<v Speaker 1>number of creators that were assigned these kind of like

1:11:29.920 --> 1:11:34.720
<v Speaker 1>individual agents the TikTok um you know, managers, and these

1:11:34.720 --> 1:11:37.880
<v Speaker 1>people can do all sorts of things from hey, my

1:11:38.000 --> 1:11:40.080
<v Speaker 1>video was blocked, can you figure out how you know,

1:11:40.200 --> 1:11:43.400
<v Speaker 1>tech support issues? Um? Can you figure out why why

1:11:43.439 --> 1:11:46.840
<v Speaker 1>that happened? Or why I'm offline and why can't get

1:11:46.880 --> 1:11:49.960
<v Speaker 1>on something like that? Um. They also send out these

1:11:50.000 --> 1:11:53.599
<v Speaker 1>emails that are saying like, Okay, this trend is trending.

1:11:53.760 --> 1:11:56.840
<v Speaker 1>We just introduced this feature. Everybody use that. If you

1:11:56.960 --> 1:11:59.920
<v Speaker 1>use that, it's gonna trend and your video is going

1:11:59.960 --> 1:12:04.120
<v Speaker 1>to get more people. UM. Same with hashtag hashtags. And

1:12:04.160 --> 1:12:07.759
<v Speaker 1>then um, what they call challenges, which is this idea

1:12:07.840 --> 1:12:11.320
<v Speaker 1>of like um, you know there's like a dance challenge

1:12:11.400 --> 1:12:14.719
<v Speaker 1>or like you know remember the like water um most

1:12:14.720 --> 1:12:16.800
<v Speaker 1>of like the water bucket challenge a million years ago,

1:12:16.840 --> 1:12:19.400
<v Speaker 1>Like that's something that would have been on on TikTok

1:12:19.560 --> 1:12:23.400
<v Speaker 1>you know, like um this challenge. And so what creators

1:12:23.400 --> 1:12:26.799
<v Speaker 1>realized was if they listen to the managers, if they

1:12:26.840 --> 1:12:29.200
<v Speaker 1>if they watch what's happening in these emails and they

1:12:29.240 --> 1:12:32.439
<v Speaker 1>do what they're they're asked to do, that their stuff

1:12:32.479 --> 1:12:36.800
<v Speaker 1>does get more viewership. You know, because TikTok we'll sign

1:12:36.920 --> 1:12:39.439
<v Speaker 1>some sort of a lot of these challenges are sponsored

1:12:39.439 --> 1:12:42.960
<v Speaker 1>by brands that are um. You know, brands are paying

1:12:43.000 --> 1:12:45.920
<v Speaker 1>TikTok for this, and they're being guaranteed a certain number

1:12:45.920 --> 1:12:49.439
<v Speaker 1>of views. So then TikTok will go and push those

1:12:49.560 --> 1:12:52.599
<v Speaker 1>videos out to more people, and the creators that follow

1:12:52.640 --> 1:12:56.080
<v Speaker 1>those challenges will get their videos seen by more people,

1:12:56.439 --> 1:12:59.240
<v Speaker 1>they'll up their follower accounts, they'll get more money in

1:12:59.280 --> 1:13:01.680
<v Speaker 1>the end, and it's all kind of a um a

1:13:01.680 --> 1:13:05.720
<v Speaker 1>flywheale from there. Okay, are there any individual ads? Were

1:13:05.760 --> 1:13:10.400
<v Speaker 1>all ads are embedded in the videos. There are also

1:13:10.520 --> 1:13:14.840
<v Speaker 1>now like you'll be scrolling and it's like a takeover. UM.

1:13:14.880 --> 1:13:17.400
<v Speaker 1>So yeah, those are ads that are that are there

1:13:17.439 --> 1:13:22.160
<v Speaker 1>already and um and they're coming more and more. And

1:13:22.240 --> 1:13:25.320
<v Speaker 1>the other interesting thing that they're testing out is now

1:13:25.360 --> 1:13:29.599
<v Speaker 1>e commerce where you can literally buy something within somebody's video,

1:13:29.680 --> 1:13:32.000
<v Speaker 1>Like you click on that link to buy that item

1:13:32.479 --> 1:13:37.200
<v Speaker 1>that that creator is UM is talking about at the moment. Okay,

1:13:37.240 --> 1:13:40.400
<v Speaker 1>if they send one of these emails, like manager emails,

1:13:40.479 --> 1:13:43.160
<v Speaker 1>how many people are getting them? You know that I

1:13:43.160 --> 1:13:45.600
<v Speaker 1>haven't been able to get down to the bottom of

1:13:45.960 --> 1:13:50.120
<v Speaker 1>but I have spoken to dozens of creators and every

1:13:50.120 --> 1:13:52.840
<v Speaker 1>single person I've every creator I've spoken to is getting

1:13:52.880 --> 1:13:56.680
<v Speaker 1>these emails. So I don't know what the threshold is,

1:13:57.000 --> 1:13:59.200
<v Speaker 1>you know, I if I were to guess, I would

1:13:59.200 --> 1:14:03.960
<v Speaker 1>say something like fifty followers or something like that. Um,

1:14:04.160 --> 1:14:07.639
<v Speaker 1>but every creator that I've spoken to with more than

1:14:07.720 --> 1:14:11.160
<v Speaker 1>fifty hundred thousand people are getting have been getting these emails.

1:14:11.439 --> 1:14:13.360
<v Speaker 1>Let's assume I'm on the list. How often will I

1:14:13.360 --> 1:14:17.400
<v Speaker 1>get an email? It was like once a week or so.

1:14:17.880 --> 1:14:21.120
<v Speaker 1>Um for a number of times I got on the

1:14:21.160 --> 1:14:24.080
<v Speaker 1>email list somehow, and UM, I was getting them once

1:14:24.120 --> 1:14:29.200
<v Speaker 1>a week or so. I think it's less frequent now. Okay,

1:14:29.439 --> 1:14:35.120
<v Speaker 1>So does TikTok today or did they ever literally paid

1:14:35.160 --> 1:14:41.400
<v Speaker 1>direct cash to creators In UM China, they paid direct

1:14:41.479 --> 1:14:43.800
<v Speaker 1>cash to creators and that was and they also paid

1:14:43.960 --> 1:14:47.720
<v Speaker 1>people to come on UM and you know from from

1:14:47.760 --> 1:14:51.280
<v Speaker 1>other platforms. When TikTok launched in the US, the US,

1:14:51.439 --> 1:14:55.479
<v Speaker 1>the global version, the X China TikTok Um, they also

1:14:55.560 --> 1:15:00.280
<v Speaker 1>paid some creators to make videos. These days, it is

1:15:00.320 --> 1:15:04.160
<v Speaker 1>more of a UM, hey, let me set you up

1:15:04.160 --> 1:15:06.760
<v Speaker 1>with this brand. And there they do matchmaker and you know,

1:15:06.800 --> 1:15:09.760
<v Speaker 1>they take a cut sometimes and sometimes they don't. Okay,

1:15:09.800 --> 1:15:14.760
<v Speaker 1>let's assume I'm successful on TikTok and TikTok knows who

1:15:14.800 --> 1:15:18.160
<v Speaker 1>I am. I'm literally going to get an email from them,

1:15:18.200 --> 1:15:20.439
<v Speaker 1>Hey we think or they're going to contact me. However

1:15:21.000 --> 1:15:23.760
<v Speaker 1>that uh, you know this brand is interesting you should

1:15:23.760 --> 1:15:25.080
<v Speaker 1>were or am I going to have to get a

1:15:25.120 --> 1:15:27.960
<v Speaker 1>manager who's going to work the relationship? How does it work?

1:15:28.880 --> 1:15:31.559
<v Speaker 1>So both ways? So if you have a manager, they'll

1:15:31.560 --> 1:15:34.240
<v Speaker 1>talk to your manager. If it's just you, they'll talk

1:15:34.280 --> 1:15:36.680
<v Speaker 1>to you and yeah, you'll get contacted by them and

1:15:36.720 --> 1:15:39.920
<v Speaker 1>be like, hey, we identified you, or this brand is

1:15:39.920 --> 1:15:42.960
<v Speaker 1>interested in working with you. Or they'll send brands like

1:15:43.479 --> 1:15:46.960
<v Speaker 1>a dossier of like fifteen people being like, hey this

1:15:47.120 --> 1:15:49.720
<v Speaker 1>these people would fit with your brand. Um, you know

1:15:49.760 --> 1:15:51.720
<v Speaker 1>you should you should reach out to them. We'll give

1:15:51.760 --> 1:15:53.919
<v Speaker 1>you connect or you know, we'll connect you with them.

1:15:54.000 --> 1:15:56.680
<v Speaker 1>Let's assume I've had some success and I say, this

1:15:56.760 --> 1:15:59.679
<v Speaker 1>is what I want to do for my occupation. How

1:15:59.680 --> 1:16:03.720
<v Speaker 1>do I make sure other than doing great content, how

1:16:03.720 --> 1:16:09.320
<v Speaker 1>do I make sure that opportunities come my way? Most

1:16:09.360 --> 1:16:12.480
<v Speaker 1>of the people that we speak to you for the podcast,

1:16:12.720 --> 1:16:16.679
<v Speaker 1>um for the Foundering podcast had agents, you know they

1:16:16.760 --> 1:16:18.880
<v Speaker 1>really they started out without one and then at a

1:16:18.880 --> 1:16:21.599
<v Speaker 1>certain level, they ended up getting a manager or getting

1:16:21.600 --> 1:16:23.840
<v Speaker 1>an agent, and a lot of the things they do

1:16:24.040 --> 1:16:28.120
<v Speaker 1>is those brand partnerships. Um. But oftentimes, you know, like

1:16:28.160 --> 1:16:31.160
<v Speaker 1>the brands will just message them or you know, sometimes

1:16:31.160 --> 1:16:33.080
<v Speaker 1>they start off with free stuff. Hey, I'll give you

1:16:33.120 --> 1:16:35.559
<v Speaker 1>this free sweatshirt if you wear it in your in

1:16:35.640 --> 1:16:40.200
<v Speaker 1>your in your video, or like these unboxing videos where

1:16:40.200 --> 1:16:43.160
<v Speaker 1>they're like, you can keep the stuff we send you, um,

1:16:43.200 --> 1:16:45.240
<v Speaker 1>as long as as long as you make a video

1:16:45.280 --> 1:16:47.679
<v Speaker 1>about it. So that's kind of like the gateway drug

1:16:47.760 --> 1:16:50.200
<v Speaker 1>of of this marketing is like people will start that

1:16:50.240 --> 1:16:53.240
<v Speaker 1>way with like free merchandise, um, and then they kind

1:16:53.240 --> 1:16:55.519
<v Speaker 1>of build up from there. And this can be done

1:16:55.560 --> 1:17:01.080
<v Speaker 1>without any involvement from the TikTok organization. Correct. Okay, how

1:17:01.120 --> 1:17:04.400
<v Speaker 1>many people are making an excess of fifty thousand US

1:17:04.600 --> 1:17:11.360
<v Speaker 1>on TikTok? Oh? Gosh? I mean alone for the Foundering podcast,

1:17:11.439 --> 1:17:15.600
<v Speaker 1>we spoke to a dozen, so you know, um, there's

1:17:15.680 --> 1:17:20.160
<v Speaker 1>definitely you know, people who are making a lot of money.

1:17:20.240 --> 1:17:22.639
<v Speaker 1>I don't have a number for you though. Okay, how

1:17:22.640 --> 1:17:27.640
<v Speaker 1>many people are making seven figures? I think you know

1:17:27.840 --> 1:17:32.840
<v Speaker 1>Forbes did this uh Forbes did this piece uh that

1:17:32.920 --> 1:17:37.040
<v Speaker 1>were like the richest TikTok stars, like their seven highest

1:17:37.040 --> 1:17:41.960
<v Speaker 1>earning TikTok stars. Um, I remember they did this, I

1:17:42.000 --> 1:17:48.240
<v Speaker 1>think yeah, last summer and um, and so they had

1:17:48.360 --> 1:17:52.920
<v Speaker 1>you know, this woman Addison Ray five million dollars, Charlie Demilio,

1:17:53.280 --> 1:17:56.920
<v Speaker 1>you know, two million dollars a year. Her sister Dixie

1:17:57.000 --> 1:18:00.160
<v Speaker 1>Demelio three million dollars a year. You know, these are

1:18:00.240 --> 1:18:02.960
<v Speaker 1>people who are probably now making double that, given the

1:18:04.240 --> 1:18:09.559
<v Speaker 1>given the popularity. Now, okay, that's a lot of money. UM,

1:18:09.720 --> 1:18:11.880
<v Speaker 1>let's assume they pay me a million. I'm making a

1:18:11.920 --> 1:18:14.760
<v Speaker 1>million dollars a year. Forget taxes. How much of that

1:18:14.800 --> 1:18:22.040
<v Speaker 1>has net to me? Their estimation was this pre tax,

1:18:22.920 --> 1:18:28.400
<v Speaker 1>pre tax earnings. UM. You know, if they don't, um,

1:18:28.600 --> 1:18:30.599
<v Speaker 1>take some of that out, I'm assuming some of that

1:18:30.600 --> 1:18:33.680
<v Speaker 1>goes to their managers. My question. You know, if you're

1:18:33.720 --> 1:18:36.600
<v Speaker 1>a successful musical artist, you have the manager, you have

1:18:36.720 --> 1:18:39.679
<v Speaker 1>the lawyer, the accountant, you have the agent, and they're

1:18:39.720 --> 1:18:41.880
<v Speaker 1>chipping away at the gross and many of them take

1:18:41.920 --> 1:18:44.720
<v Speaker 1>off the top. So in this particular case, if I

1:18:44.760 --> 1:18:48.920
<v Speaker 1>get a million dollars, let's assume I gotta pay an agent.

1:18:49.560 --> 1:18:52.240
<v Speaker 1>Am I gonna have to pay anybody else? I spoke

1:18:52.280 --> 1:18:55.720
<v Speaker 1>to one TikTok star who told me that he, you know,

1:18:55.760 --> 1:18:58.200
<v Speaker 1>he makes seven figures on TikTok and then he was

1:18:58.240 --> 1:19:01.920
<v Speaker 1>mostly doing it himself. That he he had hired an assistant,

1:19:02.360 --> 1:19:05.960
<v Speaker 1>some young kid out of college, and um, you know,

1:19:06.040 --> 1:19:08.880
<v Speaker 1>he had a manager. But when I asked him, you know,

1:19:08.880 --> 1:19:11.840
<v Speaker 1>how much are you making personally? You know, he said

1:19:11.960 --> 1:19:16.439
<v Speaker 1>seven figures. Um, so I'd imagine it was still you know,

1:19:16.680 --> 1:19:19.719
<v Speaker 1>his his his manager and agent is also making enough

1:19:19.840 --> 1:19:22.400
<v Speaker 1>that it's worth it to them, you know, to continue

1:19:22.400 --> 1:19:24.160
<v Speaker 1>doing that. But a lot of these managers, you know,

1:19:24.240 --> 1:19:27.320
<v Speaker 1>they're managing dozens of people at a time. They have

1:19:27.400 --> 1:19:31.640
<v Speaker 1>these kind of big houses of of folks. Um. You know,

1:19:31.680 --> 1:19:34.120
<v Speaker 1>so I'm sure that that all that that that all

1:19:34.160 --> 1:19:37.800
<v Speaker 1>adds up. Okay, you have any idea what percentage the

1:19:37.840 --> 1:19:42.200
<v Speaker 1>manager takes. I don't. It's a good question though, Okay,

1:19:42.360 --> 1:19:44.960
<v Speaker 1>So let's talk about these houses. Give us the history

1:19:45.000 --> 1:19:50.160
<v Speaker 1>in the status of these houses. Oh, the hype houses. Um,

1:19:50.280 --> 1:19:54.559
<v Speaker 1>so they're called hype houses or TikTok mansions, and um,

1:19:54.960 --> 1:19:56.400
<v Speaker 1>you know, I think this started it back in the

1:19:56.479 --> 1:20:00.200
<v Speaker 1>Vine days. I don't know if you remember Vine, but um,

1:20:00.320 --> 1:20:03.639
<v Speaker 1>I certain yeah, like they would call it. They all

1:20:03.680 --> 1:20:06.720
<v Speaker 1>there was like one house on Vine Street that they

1:20:06.760 --> 1:20:09.320
<v Speaker 1>found in l A. And it was like this collaboration

1:20:09.360 --> 1:20:12.439
<v Speaker 1>houses where they would all make videos together. And what

1:20:12.560 --> 1:20:16.360
<v Speaker 1>they what these folks realized was that, you know, the

1:20:16.439 --> 1:20:20.320
<v Speaker 1>more they make videos together, the more they can boost

1:20:20.360 --> 1:20:24.599
<v Speaker 1>their view counts and the more followers they get because

1:20:24.600 --> 1:20:27.640
<v Speaker 1>people are like suddenly invested in the drama. And so

1:20:27.720 --> 1:20:32.839
<v Speaker 1>it's this like real World, you know meets Shark Tank

1:20:33.240 --> 1:20:37.200
<v Speaker 1>kind of um experience where it's like ten kids living

1:20:37.200 --> 1:20:41.120
<v Speaker 1>in a flashy house in Los Angeles making you know,

1:20:41.200 --> 1:20:44.000
<v Speaker 1>doing brand deals and with for brands, it's great, right,

1:20:44.080 --> 1:20:46.679
<v Speaker 1>you make one deal with the house and you're suddenly

1:20:46.720 --> 1:20:49.640
<v Speaker 1>in ten popular kids videos. Um. You know, it's a

1:20:49.720 --> 1:20:53.000
<v Speaker 1>much more efficient way of doing some of these deals.

1:20:53.520 --> 1:20:56.559
<v Speaker 1>And then like the their followers get invested in the drama,

1:20:56.600 --> 1:20:59.000
<v Speaker 1>and then you have like the Hollywood Reporter and other

1:20:59.200 --> 1:21:02.920
<v Speaker 1>like you know, l A magazines and stuff following them

1:21:02.960 --> 1:21:05.799
<v Speaker 1>around and and stuff like that, and so it starts

1:21:05.800 --> 1:21:08.440
<v Speaker 1>to drum up even more business and even more followers

1:21:08.479 --> 1:21:15.559
<v Speaker 1>for them. How many of these houses are there, there's definitely,

1:21:15.760 --> 1:21:18.400
<v Speaker 1>I mean I can count on my like top of

1:21:18.439 --> 1:21:21.240
<v Speaker 1>my head. Maybe you know, a dozen or so, but

1:21:21.520 --> 1:21:24.360
<v Speaker 1>you know, I'm sure there's a lot more smaller collaboratives

1:21:24.400 --> 1:21:26.840
<v Speaker 1>of people who are like trying to trying to break

1:21:26.880 --> 1:21:30.640
<v Speaker 1>into it. Okay, let's talk about a house. You know,

1:21:31.040 --> 1:21:33.960
<v Speaker 1>especially some of these are enrichy neighborhoods and they're large.

1:21:34.960 --> 1:21:37.880
<v Speaker 1>Who gets the house started? You know, they have you know,

1:21:38.040 --> 1:21:41.479
<v Speaker 1>maybe ten or twenty K a month to rent the house. Yeah.

1:21:41.520 --> 1:21:45.400
<v Speaker 1>So the person we spoke to Alex Warren, who lives

1:21:45.400 --> 1:21:49.559
<v Speaker 1>in what was originally called the Hype House. Um, he

1:21:49.920 --> 1:21:52.080
<v Speaker 1>was the one who started the house with his friends

1:21:52.120 --> 1:21:59.560
<v Speaker 1>and kind of recruited people. UM, I don't remember if um,

1:21:59.600 --> 1:22:02.320
<v Speaker 1>I don't know who ended up footing the bill there,

1:22:02.360 --> 1:22:06.720
<v Speaker 1>like the original rent for all of this. Um. But

1:22:06.800 --> 1:22:09.479
<v Speaker 1>you know it's this like ten bedroom they have a pool,

1:22:09.600 --> 1:22:12.240
<v Speaker 1>they have like a pool table in a movie theater,

1:22:12.280 --> 1:22:16.760
<v Speaker 1>in a game room, and you know, a million bedrooms. Um.

1:22:16.800 --> 1:22:19.160
<v Speaker 1>And then they all kind of like live together and

1:22:19.160 --> 1:22:20.880
<v Speaker 1>they have a they order to take out all the

1:22:20.920 --> 1:22:25.200
<v Speaker 1>time and things like that. Um. There have been stories

1:22:25.880 --> 1:22:31.320
<v Speaker 1>and some you know, cautionary tales around managers who end

1:22:31.439 --> 1:22:35.639
<v Speaker 1>up putting the down payment, you know, like the rental, Like, um,

1:22:36.960 --> 1:22:40.799
<v Speaker 1>the what's it called when it's a down payment for rental,

1:22:41.439 --> 1:22:44.599
<v Speaker 1>it's a mortgage or it's a rental, it's at least well, yeah,

1:22:44.760 --> 1:22:47.160
<v Speaker 1>like the first like two months put you know, putting

1:22:47.240 --> 1:22:50.240
<v Speaker 1>up front, like the first two months or something, and

1:22:50.280 --> 1:22:53.080
<v Speaker 1>then like they're not making it as much money as

1:22:53.080 --> 1:22:55.760
<v Speaker 1>they wanted to and then the manager stuck with like

1:22:55.840 --> 1:22:58.840
<v Speaker 1>all these kids who you know. So there's been some

1:22:59.439 --> 1:23:02.840
<v Speaker 1>there's been some um cautionary tales around some of the

1:23:02.880 --> 1:23:04.960
<v Speaker 1>managers who kind of take who have kind of taken

1:23:04.960 --> 1:23:06.759
<v Speaker 1>a chance to kind of try to start their own

1:23:07.320 --> 1:23:11.120
<v Speaker 1>and then um and then having it, you know, go

1:23:11.200 --> 1:23:13.840
<v Speaker 1>into utter failure. Well, there was a recent story. I

1:23:13.880 --> 1:23:15.640
<v Speaker 1>think it was one of the Paul brothers, I'm not

1:23:15.680 --> 1:23:20.519
<v Speaker 1>absolutely sure, and they said he had the house and

1:23:20.640 --> 1:23:25.120
<v Speaker 1>he was giving a certain percentage to the other people

1:23:25.120 --> 1:23:27.599
<v Speaker 1>in the house and taking the lion share a great

1:23:27.640 --> 1:23:31.160
<v Speaker 1>deal for himself. Is that sometimes a case? Yeah, I

1:23:31.200 --> 1:23:35.000
<v Speaker 1>mean it's not that expensive I mean to rent some

1:23:35.080 --> 1:23:37.680
<v Speaker 1>of these houses. I mean the Hiphe house, I remember,

1:23:37.720 --> 1:23:40.160
<v Speaker 1>I think it was like a nine million dollar house.

1:23:40.200 --> 1:23:42.599
<v Speaker 1>But you're renting it, so you're not you know, you're

1:23:42.600 --> 1:23:48.400
<v Speaker 1>paying maybe twenty something like that, um, maybe even less.

1:23:48.600 --> 1:23:50.840
<v Speaker 1>You know, for these things and you're dividing it up

1:23:50.880 --> 1:23:53.679
<v Speaker 1>between ten. Some of them are stuffing like fifteen people

1:23:53.760 --> 1:23:56.439
<v Speaker 1>into it, and so you know, you could take a

1:23:56.479 --> 1:24:00.080
<v Speaker 1>cut that way. Um, you know, every every month, you

1:24:00.120 --> 1:24:03.320
<v Speaker 1>could take a cut that way. Okay, let's just say

1:24:03.760 --> 1:24:06.840
<v Speaker 1>I'm a guy in Kansas, I'm making a hundred k year,

1:24:07.360 --> 1:24:11.200
<v Speaker 1>I'm moving to the Hype House. Am I all already

1:24:11.320 --> 1:24:13.120
<v Speaker 1>going to have to give a percentage of that to

1:24:13.160 --> 1:24:17.240
<v Speaker 1>the hype manager just for living in the Hype House? Yeah?

1:24:17.280 --> 1:24:20.040
<v Speaker 1>I think you have to pay rent, you know, for example,

1:24:20.400 --> 1:24:24.800
<v Speaker 1>and you know some of the houses though, they've gotten sponsorships,

1:24:24.840 --> 1:24:27.960
<v Speaker 1>so like they'll get an energy drink to like sponsor

1:24:28.000 --> 1:24:30.639
<v Speaker 1>the house, and then you could that's your pay that's

1:24:30.640 --> 1:24:33.080
<v Speaker 1>your payment right that they're paying their they're paying their

1:24:33.439 --> 1:24:37.200
<v Speaker 1>monthly rent for the house. Okay, if you are a

1:24:37.240 --> 1:24:40.240
<v Speaker 1>successful creator, how often do you have to post a

1:24:40.360 --> 1:24:46.160
<v Speaker 1>video constantly? So we uh we we did this event

1:24:46.320 --> 1:24:49.599
<v Speaker 1>with one of the people, um Karen Spencer, who we

1:24:49.800 --> 1:24:53.800
<v Speaker 1>um interviewed on our podcast, who's a managers who's been

1:24:53.800 --> 1:24:56.599
<v Speaker 1>in digital and social media for a long time. And

1:24:56.640 --> 1:24:59.400
<v Speaker 1>you know, she says that you know, you're incentivized to

1:24:59.479 --> 1:25:03.200
<v Speaker 1>post often when you drop off, your fans drop off,

1:25:03.240 --> 1:25:06.240
<v Speaker 1>and TikTok um you know, shows you no love when

1:25:06.360 --> 1:25:09.680
<v Speaker 1>you don't show them love. And so you know it,

1:25:09.960 --> 1:25:13.120
<v Speaker 1>it goes back to the original goal of TikTok which

1:25:13.120 --> 1:25:15.559
<v Speaker 1>is to keep people on as long as possible. If

1:25:15.600 --> 1:25:18.160
<v Speaker 1>there's not enough content, they're not keeping people on. And

1:25:18.200 --> 1:25:20.599
<v Speaker 1>if there's not enough content from the popular people, you're

1:25:20.600 --> 1:25:24.599
<v Speaker 1>not keeping these eyeballs. And so, you know, you don't

1:25:24.640 --> 1:25:27.439
<v Speaker 1>realize how much time it takes to make these videos,

1:25:27.600 --> 1:25:30.800
<v Speaker 1>and so you know, your you might look like you're

1:25:31.120 --> 1:25:33.400
<v Speaker 1>spending the day lounging around in the pool and it

1:25:33.400 --> 1:25:37.280
<v Speaker 1>looks super you know, glamorous, but you're really spending many

1:25:37.360 --> 1:25:40.840
<v Speaker 1>many hours a day to make many videos a day

1:25:40.960 --> 1:25:44.000
<v Speaker 1>UM to be able to keep people, keep people interested.

1:25:44.640 --> 1:25:48.559
<v Speaker 1>And what about would you say, one video a day,

1:25:48.640 --> 1:25:53.599
<v Speaker 1>one video a week, multiple videos a day, multiple videos

1:25:53.600 --> 1:25:57.360
<v Speaker 1>a day. Okay, let's talk about the issue of bad

1:25:57.400 --> 1:26:01.880
<v Speaker 1>actors on the weather, young people on the format, people

1:26:01.920 --> 1:26:07.200
<v Speaker 1>getting information they shouldn't have, trolling these people privacy, what's

1:26:07.240 --> 1:26:11.639
<v Speaker 1>going on there? Yeah, So we devoted all of episode

1:26:11.720 --> 1:26:16.760
<v Speaker 1>for the Foundering Podcast to this issue of UM, the

1:26:16.840 --> 1:26:20.000
<v Speaker 1>young kids that are on the app, and so I

1:26:20.040 --> 1:26:23.920
<v Speaker 1>think you know, the takeaway is bad stuff happens on

1:26:23.960 --> 1:26:28.400
<v Speaker 1>all social media apps. Um, the differences is too. One

1:26:28.560 --> 1:26:32.160
<v Speaker 1>is some of these kids are really really young. They're

1:26:32.280 --> 1:26:36.120
<v Speaker 1>eight years old, they're nine years old, they're in elementary school,

1:26:36.160 --> 1:26:40.840
<v Speaker 1>and they're seeing some really really mature things. UM. The

1:26:40.960 --> 1:26:44.000
<v Speaker 1>second thing is that it's so difficult to see what's

1:26:44.000 --> 1:26:49.320
<v Speaker 1>going on. Apparent has a really difficult time monitoring and seeing.

1:26:49.400 --> 1:26:53.040
<v Speaker 1>Unless you're literally physically sitting next to your child, it

1:26:53.160 --> 1:26:55.200
<v Speaker 1>is hard to see what they're looking at. And you

1:26:55.240 --> 1:26:58.400
<v Speaker 1>can set all sorts of different things, you know, you

1:26:58.400 --> 1:27:01.280
<v Speaker 1>could set words to alter out, you could set time

1:27:01.360 --> 1:27:04.160
<v Speaker 1>limits on them, you can set all different things, but

1:27:04.240 --> 1:27:06.679
<v Speaker 1>at the end of the day, unless you're physically sitting

1:27:06.680 --> 1:27:09.160
<v Speaker 1>next to them, you don't know exactly you know, what

1:27:09.200 --> 1:27:12.439
<v Speaker 1>they're looking at. And so, you know, we tell this

1:27:12.560 --> 1:27:16.720
<v Speaker 1>story where we talked to a woman UM who told

1:27:16.800 --> 1:27:19.679
<v Speaker 1>us her her story about an eight year old family

1:27:19.720 --> 1:27:24.800
<v Speaker 1>member who UM, you know, started using TikTok and you know,

1:27:25.000 --> 1:27:28.200
<v Speaker 1>started getting comments from older, older men or what they

1:27:28.200 --> 1:27:30.640
<v Speaker 1>thought were older men, asking telling him what to do,

1:27:30.680 --> 1:27:33.519
<v Speaker 1>what kind of videos to make, and he made a

1:27:33.600 --> 1:27:37.000
<v Speaker 1>video of himself in his underwear because he was told

1:27:37.040 --> 1:27:39.200
<v Speaker 1>to make a video of himself and his underwear dancing

1:27:39.200 --> 1:27:42.559
<v Speaker 1>around to it, posted it on his feed. His feed

1:27:42.600 --> 1:27:46.160
<v Speaker 1>got you know, twenty hits or something, twenty views, nothing,

1:27:46.680 --> 1:27:50.960
<v Speaker 1>But then one of these men downloaded his video and

1:27:51.000 --> 1:27:53.680
<v Speaker 1>then reposted it up on their TikTok account, and then

1:27:53.680 --> 1:27:56.760
<v Speaker 1>it got thousands, and suddenly this eight year old is

1:27:56.760 --> 1:28:00.479
<v Speaker 1>in his underwear and that's on the internet forever. And

1:28:00.720 --> 1:28:02.320
<v Speaker 1>you never know what these people are going to do

1:28:02.400 --> 1:28:05.479
<v Speaker 1>with that. You never know, like what some of these

1:28:05.479 --> 1:28:07.920
<v Speaker 1>people are are doing, how they might find him, how

1:28:07.960 --> 1:28:11.920
<v Speaker 1>they might use the app. You know. UM. In recent years,

1:28:12.400 --> 1:28:15.920
<v Speaker 1>like in January a few months ago, UM TikTok made

1:28:15.920 --> 1:28:19.760
<v Speaker 1>a number of changes to make this a safer place. UM,

1:28:19.800 --> 1:28:22.760
<v Speaker 1>but it's still you know, your You get exposure to

1:28:23.560 --> 1:28:30.000
<v Speaker 1>things like an arexia suicide, you know, UM, anti vax stuff, UM,

1:28:30.240 --> 1:28:33.920
<v Speaker 1>just all sorts of really mature content that you don't

1:28:33.960 --> 1:28:38.080
<v Speaker 1>necessarily want, you know, an eight year old looking at now.

1:28:38.120 --> 1:28:42.360
<v Speaker 1>In the past year, the US government, specifically under the

1:28:42.439 --> 1:28:47.760
<v Speaker 1>former guy, wanted to shut TikTok down or sell it

1:28:47.840 --> 1:28:52.280
<v Speaker 1>to an American company because of privacy data issues. What's

1:28:52.320 --> 1:28:59.880
<v Speaker 1>the real story there? So the most frustrating part about

1:29:00.040 --> 1:29:03.479
<v Speaker 1>doing this foundering podcast and spending so much time studying

1:29:03.520 --> 1:29:07.559
<v Speaker 1>TikTok is that we still don't have the answer as

1:29:07.560 --> 1:29:10.080
<v Speaker 1>to whether or not this app is a national security

1:29:10.120 --> 1:29:12.439
<v Speaker 1>threat or not. And so that was kind of the

1:29:12.439 --> 1:29:15.880
<v Speaker 1>whole thing, right from Trump saying, we think that all

1:29:15.960 --> 1:29:20.080
<v Speaker 1>this very personal data that powers your algorithms is at

1:29:20.120 --> 1:29:24.360
<v Speaker 1>the end of the day, owned by Chinese company. And

1:29:24.520 --> 1:29:27.040
<v Speaker 1>in China there is a law that says, if the

1:29:27.080 --> 1:29:29.439
<v Speaker 1>government asks for this data, you have to give it

1:29:29.479 --> 1:29:32.519
<v Speaker 1>to me. Now, TikTok says, all of our data is

1:29:32.560 --> 1:29:36.520
<v Speaker 1>stored in the US and with backup servers in Singapore,

1:29:37.080 --> 1:29:39.720
<v Speaker 1>and it's not stored in China, and TikTok itself is

1:29:39.760 --> 1:29:42.719
<v Speaker 1>not available in China, and so therefore we're not giving

1:29:42.720 --> 1:29:46.559
<v Speaker 1>money away to the Chinese government. Now, if you take

1:29:46.600 --> 1:29:49.479
<v Speaker 1>them at face value, it could be true right now,

1:29:49.960 --> 1:29:53.439
<v Speaker 1>they could also not be giving data to the Chinese government.

1:29:54.000 --> 1:29:57.360
<v Speaker 1>That doesn't mean they're not amassing a massive trove of

1:29:57.439 --> 1:30:02.200
<v Speaker 1>really personal data, really, you know, kind of these personal

1:30:02.240 --> 1:30:06.479
<v Speaker 1>profiles of um tens of millions of Americans that could

1:30:06.479 --> 1:30:09.360
<v Speaker 1>be used for nefarious purposes in the future, or that

1:30:09.400 --> 1:30:13.080
<v Speaker 1>could be hacked, you know, by a government actor who

1:30:13.320 --> 1:30:15.599
<v Speaker 1>might have keys to the castle. Like you don't really

1:30:15.640 --> 1:30:18.479
<v Speaker 1>know any of those things because it's impossible to prove

1:30:18.520 --> 1:30:20.759
<v Speaker 1>a negative or something that will happen in the future.

1:30:21.280 --> 1:30:23.640
<v Speaker 1>And so that at the end of the day is

1:30:23.680 --> 1:30:27.519
<v Speaker 1>the crux of the issue is that the facts are

1:30:27.680 --> 1:30:30.320
<v Speaker 1>TikTok collects a lot of data that could eventually be

1:30:30.439 --> 1:30:34.200
<v Speaker 1>dangerous and dangerous hands UM, and that they are owned

1:30:34.240 --> 1:30:38.519
<v Speaker 1>by Chinese company subject to Chinese laws. So those are facts.

1:30:38.760 --> 1:30:41.800
<v Speaker 1>What you don't know is has anything wrong been done?

1:30:42.080 --> 1:30:44.320
<v Speaker 1>You don't we we don't know that there's no publicly

1:30:44.360 --> 1:30:47.800
<v Speaker 1>available data. And Trump never made the case and UM

1:30:47.840 --> 1:30:52.280
<v Speaker 1>publicly at least, and when he left office, everything was

1:30:52.400 --> 1:30:56.759
<v Speaker 1>just one big question mark because the Biden administration came

1:30:56.960 --> 1:31:01.879
<v Speaker 1>into power and UM basically put a hold on everything.

1:31:02.040 --> 1:31:05.400
<v Speaker 1>And so this idea of banning the app or selling

1:31:05.400 --> 1:31:08.080
<v Speaker 1>it to a US company or all the lawsuits that

1:31:08.120 --> 1:31:12.960
<v Speaker 1>are currently held up in court, um we're frozen. And

1:31:13.000 --> 1:31:15.559
<v Speaker 1>the Biden administration said, yes, we're going to look at

1:31:15.600 --> 1:31:19.160
<v Speaker 1>this UM, but not right now because we have COVID

1:31:19.200 --> 1:31:21.200
<v Speaker 1>and the economy and other things that that are that

1:31:21.280 --> 1:31:24.800
<v Speaker 1>are pressing, and that we're going to focus on right now. Okay,

1:31:24.800 --> 1:31:28.160
<v Speaker 1>you talk about the vaunted algorithm, which is obviously great

1:31:28.200 --> 1:31:32.960
<v Speaker 1>for TikTok. Is there some special skill byte Dance has

1:31:33.240 --> 1:31:36.000
<v Speaker 1>that there are algorithms are better or just good for

1:31:36.040 --> 1:31:39.800
<v Speaker 1>their platform, Like do they write better algorithms than Facebook

1:31:39.800 --> 1:31:43.879
<v Speaker 1>and other platforms? It's hard to really know the answer

1:31:43.920 --> 1:31:46.640
<v Speaker 1>to that. Um. You know, we speak to a lot

1:31:46.680 --> 1:31:48.519
<v Speaker 1>of people who say the answer is flat out yes,

1:31:48.560 --> 1:31:53.040
<v Speaker 1>that is just much more sophisticated. The other UM answer

1:31:53.200 --> 1:31:55.479
<v Speaker 1>that I get to that question is they have so

1:31:55.520 --> 1:31:58.599
<v Speaker 1>many more years of data. If you remember, they started

1:31:58.640 --> 1:32:00.960
<v Speaker 1>in two thousand and twelve, bite Down started in two

1:32:01.000 --> 1:32:04.400
<v Speaker 1>thousand twelve. So here is nine years of training your

1:32:04.479 --> 1:32:07.960
<v Speaker 1>data on people and the way people think. And so

1:32:08.160 --> 1:32:12.160
<v Speaker 1>it doesn't necessarily matter that that was in China, Like

1:32:12.200 --> 1:32:15.519
<v Speaker 1>they share a lot of that technology and the way

1:32:15.560 --> 1:32:18.320
<v Speaker 1>that the algorithm works, and so you just have a

1:32:18.320 --> 1:32:22.280
<v Speaker 1>more sophisticated way of of analyzing a lot of this

1:32:22.400 --> 1:32:26.840
<v Speaker 1>data that they've been able to amass over the years. Um.

1:32:26.880 --> 1:32:29.720
<v Speaker 1>What I know is that TikTok to me feels so

1:32:29.800 --> 1:32:34.680
<v Speaker 1>much more addictive UM than Facebook or or Instagram do

1:32:35.200 --> 1:32:39.080
<v Speaker 1>and um and so much more personalized and so you know,

1:32:39.240 --> 1:32:41.800
<v Speaker 1>I'm not an expert, Like, how do you really know

1:32:41.880 --> 1:32:45.439
<v Speaker 1>who has a better algorithm unless you're inside those companies

1:32:45.439 --> 1:32:48.439
<v Speaker 1>and able to identify that. But it seems to be

1:32:48.479 --> 1:32:50.920
<v Speaker 1>working for them because more and more people are downloading

1:32:50.920 --> 1:32:53.920
<v Speaker 1>it and staying on it. Okay, if we move towards

1:32:53.960 --> 1:32:58.320
<v Speaker 1>the future, I would call all of the social media

1:32:58.400 --> 1:33:03.320
<v Speaker 1>platforms i e. The audience can move anywhere. And certainly

1:33:03.360 --> 1:33:07.080
<v Speaker 1>since my Space, which ultimately faded away, all of these

1:33:07.120 --> 1:33:09.800
<v Speaker 1>things have continued to exist, but they are not the

1:33:09.880 --> 1:33:15.120
<v Speaker 1>hot platform. Okay, what is going to happen to TikTok?

1:33:15.200 --> 1:33:19.519
<v Speaker 1>I know you actually predict the future, but predicted yeah

1:33:19.560 --> 1:33:22.559
<v Speaker 1>so so in uh in our last episode of the

1:33:22.560 --> 1:33:24.800
<v Speaker 1>Foundering podcast, which isn't out yet It will come out

1:33:24.840 --> 1:33:29.520
<v Speaker 1>next week. Um, but I'll give you a preview is um.

1:33:29.600 --> 1:33:32.080
<v Speaker 1>You know my bad is on this company getting bigger

1:33:32.240 --> 1:33:35.360
<v Speaker 1>and better and they are moving fast. They are hiring

1:33:35.360 --> 1:33:38.720
<v Speaker 1>more people. Uh. They got Trump off their back for

1:33:38.800 --> 1:33:41.160
<v Speaker 1>at least a year. You know, they have the U. S.

1:33:41.200 --> 1:33:44.639
<v Speaker 1>Government who has let them not paid attention to them

1:33:44.680 --> 1:33:47.200
<v Speaker 1>for the last six months as they continued to grow.

1:33:47.800 --> 1:33:50.160
<v Speaker 1>They had the pandemic help them get more people on

1:33:50.280 --> 1:33:53.799
<v Speaker 1>there and they are expanding. So right now they're expanding

1:33:53.800 --> 1:33:56.880
<v Speaker 1>into e commerce. Like if you think about that opportunity,

1:33:57.439 --> 1:34:00.680
<v Speaker 1>Facebook has totally failed in e commerce and degram is

1:34:00.720 --> 1:34:03.760
<v Speaker 1>not really realized it's full potential. Same with Pinterest, Like

1:34:03.800 --> 1:34:07.840
<v Speaker 1>if they can crack e commerce, um faster and better

1:34:07.880 --> 1:34:11.240
<v Speaker 1>than everyone else, then it opens up a whole new

1:34:11.600 --> 1:34:14.599
<v Speaker 1>avenue for them in a way that you know hasn't

1:34:14.600 --> 1:34:17.160
<v Speaker 1>really been done before in the US, though is being

1:34:17.200 --> 1:34:19.840
<v Speaker 1>done a lot of in China. So you know, I

1:34:19.880 --> 1:34:22.160
<v Speaker 1>think they go up from here. I don't think it's

1:34:22.200 --> 1:34:25.599
<v Speaker 1>a fad. Um. You know, we can do this again

1:34:26.160 --> 1:34:29.080
<v Speaker 1>in five years and see if I'm right. But um,

1:34:29.120 --> 1:34:31.880
<v Speaker 1>but I do think that there's a that, you know,

1:34:31.880 --> 1:34:35.759
<v Speaker 1>if they continue on this trajectory of moving fast and

1:34:36.439 --> 1:34:40.960
<v Speaker 1>um constantly iterating new features for people, that um that

1:34:41.040 --> 1:34:43.559
<v Speaker 1>they'll just keep going with their success. Now it is

1:34:43.560 --> 1:34:46.920
<v Speaker 1>a Chinese company, as you stated earlier, these are multi

1:34:46.920 --> 1:34:50.440
<v Speaker 1>furious companies. They're giving your news, they're giving e commerce, etcetera.

1:34:50.680 --> 1:34:53.160
<v Speaker 1>Do you believe that model can be replicated in the

1:34:53.280 --> 1:34:58.720
<v Speaker 1>US and possibly by Bye Dance? So I think the

1:34:58.840 --> 1:35:00.800
<v Speaker 1>hardest thing to be replica get in the US as

1:35:00.840 --> 1:35:04.479
<v Speaker 1>the payment because payments are so heavily protected in the

1:35:04.560 --> 1:35:08.720
<v Speaker 1>US compared to UM. You know, Walmart, for example, has

1:35:08.760 --> 1:35:11.280
<v Speaker 1>been trying to get a payments license for decades and

1:35:11.320 --> 1:35:14.479
<v Speaker 1>hasn't been able to do that, And so I think

1:35:14.479 --> 1:35:18.560
<v Speaker 1>it would be so hard for a Chinese company to

1:35:18.600 --> 1:35:21.840
<v Speaker 1>be able to take payments in the US. And without payments,

1:35:22.000 --> 1:35:25.080
<v Speaker 1>I think it would be really hard to become as

1:35:25.120 --> 1:35:27.920
<v Speaker 1>big as they are and ubiquitous as they are in China,

1:35:28.200 --> 1:35:30.519
<v Speaker 1>because that's what kind of how they got it in

1:35:30.640 --> 1:35:33.040
<v Speaker 1>China is like they became the wallet and so everything

1:35:33.120 --> 1:35:36.680
<v Speaker 1>is purchased on there and so um and so you

1:35:36.760 --> 1:35:40.160
<v Speaker 1>just started doing everything on those apps. Now they could

1:35:40.200 --> 1:35:42.479
<v Speaker 1>get around that they could partner with someone they could

1:35:42.520 --> 1:35:45.320
<v Speaker 1>partner with like a PayPal or Amazon or someone like that.

1:35:45.360 --> 1:35:50.000
<v Speaker 1>Like you have no idea how they would do that, UM,

1:35:50.040 --> 1:35:52.200
<v Speaker 1>but I think that that would be one big roadblock

1:35:52.280 --> 1:35:55.519
<v Speaker 1>for them. Well, in America today we go to multiple

1:35:55.840 --> 1:36:02.479
<v Speaker 1>sites for our information literally news and you know, social etcetera, etcetera.

1:36:03.080 --> 1:36:06.800
<v Speaker 1>And whereas in China, to my understanding is these platforms

1:36:06.800 --> 1:36:09.439
<v Speaker 1>are a black hole that will cover all three sixty

1:36:09.479 --> 1:36:13.479
<v Speaker 1>degrees of life. I think byte dance wants to do that.

1:36:13.560 --> 1:36:17.000
<v Speaker 1>Do you in America? Do you think it's replicable. I

1:36:17.080 --> 1:36:19.280
<v Speaker 1>think that they would love to do that, UM, but

1:36:19.360 --> 1:36:21.439
<v Speaker 1>I think we're far off on that. And I think

1:36:21.439 --> 1:36:25.600
<v Speaker 1>that they're big roadblocks in areas like um, you know,

1:36:25.640 --> 1:36:28.680
<v Speaker 1>like payments that they wouldn't wouldn't necessarily be able to

1:36:28.760 --> 1:36:31.679
<v Speaker 1>do UM in a way that they can in China.

1:36:31.800 --> 1:36:35.599
<v Speaker 1>Like in China, bitte Dance has a payments license and

1:36:35.880 --> 1:36:39.240
<v Speaker 1>that they got last year. I think, UM, and they

1:36:39.280 --> 1:36:42.840
<v Speaker 1>are doing that, and so you can starting to buy

1:36:42.880 --> 1:36:45.720
<v Speaker 1>more things there, you're reading your news. They're like more

1:36:45.720 --> 1:36:48.600
<v Speaker 1>and more touch points are happening in the US. I

1:36:48.600 --> 1:36:51.559
<v Speaker 1>think it's just much harder UM. So I think for

1:36:51.680 --> 1:36:55.599
<v Speaker 1>now they're going to stick with entertainment. But and but

1:36:55.600 --> 1:37:00.320
<v Speaker 1>but expand into e commerce, probably education, probably language like

1:37:00.400 --> 1:37:04.160
<v Speaker 1>things like that, UM that are a little less sensitive

1:37:05.240 --> 1:37:07.760
<v Speaker 1>given that they are still a Chinese at the end

1:37:07.800 --> 1:37:10.799
<v Speaker 1>of the day, still owned by a Chinese company. Okay,

1:37:10.840 --> 1:37:14.759
<v Speaker 1>you said at the beginning, you told your editor years back, WHOA,

1:37:14.880 --> 1:37:19.080
<v Speaker 1>this TikTok is happening. You're not only covering TikTok? What

1:37:19.160 --> 1:37:22.080
<v Speaker 1>else is happening right now that we should be aware of?

1:37:23.120 --> 1:37:29.080
<v Speaker 1>In tech, our music or well anything tech primarily, but

1:37:29.200 --> 1:37:32.800
<v Speaker 1>you can put all these different elements together. Let me

1:37:32.840 --> 1:37:36.640
<v Speaker 1>think about that one. I mean you brought up clubhouse.

1:37:36.760 --> 1:37:41.360
<v Speaker 1>I think clubhouse is definitely interesting. Um. You know, I

1:37:41.400 --> 1:37:44.160
<v Speaker 1>am in the kind of anti clubhouse camp. I think,

1:37:44.680 --> 1:37:48.720
<v Speaker 1>like I don't see the future as much as some

1:37:48.760 --> 1:37:51.320
<v Speaker 1>of the people that I'm talking to. You're you're preaching

1:37:51.320 --> 1:37:53.640
<v Speaker 1>to the choir. My goal is to never talk on

1:37:53.680 --> 1:37:56.920
<v Speaker 1>the phone. If the younger generation won't even have voicemail,

1:37:56.960 --> 1:38:00.000
<v Speaker 1>who wants to sit there? You know, it was driven

1:38:00.160 --> 1:38:04.439
<v Speaker 1>primarily by high profile people on an exclusive basis, and

1:38:04.479 --> 1:38:06.840
<v Speaker 1>we've learned with clubs if you can't get in while

1:38:06.920 --> 1:38:09.519
<v Speaker 1>that drives. It's not even on the Android yet, and

1:38:09.560 --> 1:38:11.760
<v Speaker 1>now everybody's trying to imitate it. I don't think it's

1:38:11.840 --> 1:38:16.360
<v Speaker 1>ultimately a big company or feature. But listen, we have

1:38:16.439 --> 1:38:19.439
<v Speaker 1>all the craziness with robin Hood apps, so you never

1:38:19.479 --> 1:38:22.679
<v Speaker 1>know in reality anything else you can say that might

1:38:22.720 --> 1:38:25.479
<v Speaker 1>be on the horizon. Yeah, I mean I do think

1:38:25.640 --> 1:38:28.840
<v Speaker 1>this investing. Um. Speaking of investing, I mean, I don't

1:38:28.880 --> 1:38:34.559
<v Speaker 1>think people are realizing this um massive interest from gen

1:38:34.680 --> 1:38:38.479
<v Speaker 1>Z and investing and using TikTok and Facebook and Reddit.

1:38:38.520 --> 1:38:42.160
<v Speaker 1>I mean, we saw with the power of Reddit, and

1:38:42.200 --> 1:38:46.720
<v Speaker 1>in the financial markets, um to Rock, game Stop and

1:38:46.840 --> 1:38:53.000
<v Speaker 1>other other stocks. There's a there's an account on TikTok

1:38:53.040 --> 1:38:56.160
<v Speaker 1>of like financial investing, and you know, I've spoken to

1:38:56.240 --> 1:38:58.639
<v Speaker 1>one creator who was saying, like, yeah, in the stock

1:38:58.680 --> 1:39:01.400
<v Speaker 1>market now because I learned all about it on TikTok.

1:39:01.479 --> 1:39:05.559
<v Speaker 1>And so you don't realize like how much social media

1:39:05.720 --> 1:39:08.960
<v Speaker 1>is interacting with the financial markets and how much these

1:39:09.000 --> 1:39:12.479
<v Speaker 1>young kids like gen Z and younger are learning about

1:39:12.479 --> 1:39:15.639
<v Speaker 1>the markets and investing real money, and they're learning all

1:39:15.640 --> 1:39:18.920
<v Speaker 1>about it through through these platforms. And I think that's

1:39:19.240 --> 1:39:22.640
<v Speaker 1>kind of an overlooked area that people aren't quite realizing.

1:39:23.400 --> 1:39:25.560
<v Speaker 1>And that begs a question of n f t s.

1:39:25.680 --> 1:39:28.240
<v Speaker 1>Any n f t s in the TikTok world, what

1:39:28.280 --> 1:39:31.320
<v Speaker 1>do you think is happening there? I am sorry, like

1:39:31.479 --> 1:39:35.280
<v Speaker 1>I just don't. I still I don't. I don't get

1:39:35.439 --> 1:39:37.719
<v Speaker 1>n f t s. I don't understand it. I feel

1:39:37.760 --> 1:39:40.400
<v Speaker 1>like such an old person when people talk about n

1:39:40.439 --> 1:39:44.679
<v Speaker 1>f t s and um, I don't know, I don't.

1:39:45.120 --> 1:39:50.120
<v Speaker 1>I don't get it. But I also, um, it's not

1:39:50.320 --> 1:39:52.559
<v Speaker 1>my strong suit, Like I'm not an expert of that

1:39:52.640 --> 1:39:55.000
<v Speaker 1>kind of stuff and like, but yeah, I am a

1:39:55.040 --> 1:39:57.840
<v Speaker 1>complete neo fight when it comes to my question is

1:39:57.840 --> 1:40:01.200
<v Speaker 1>is anybody on TikTok or Bite Dancer they monetizing via

1:40:01.360 --> 1:40:03.639
<v Speaker 1>n f T s Oh, you know, I wouldn't put

1:40:03.680 --> 1:40:06.439
<v Speaker 1>it past them. I know, I'm not aware of anything

1:40:06.840 --> 1:40:11.480
<v Speaker 1>um that TikTok is doing with n f T s UM.

1:40:11.520 --> 1:40:15.320
<v Speaker 1>I think that um, there was I think I've read

1:40:15.320 --> 1:40:19.960
<v Speaker 1>there was one TikTok star that sold one video like

1:40:20.040 --> 1:40:22.400
<v Speaker 1>as an n f T. But I don't think that

1:40:22.600 --> 1:40:27.880
<v Speaker 1>um TikTok itself like had a role in that. UM.

1:40:27.920 --> 1:40:30.960
<v Speaker 1>But yeah, I mean I think that they're putting you know,

1:40:31.040 --> 1:40:34.240
<v Speaker 1>some of these creators themselves are seeing the value in

1:40:34.240 --> 1:40:36.320
<v Speaker 1>in selling an n f T of their videos. But

1:40:36.520 --> 1:40:39.080
<v Speaker 1>I haven't seen TikTok itself do it well. As Jimmy

1:40:39.160 --> 1:40:44.479
<v Speaker 1>Kimmel told me, it's imaginary baseball cards. On that, I

1:40:44.520 --> 1:40:48.479
<v Speaker 1>think we've covered the landscape. Thank you so much for

1:40:48.600 --> 1:40:51.960
<v Speaker 1>doing this well, Thank you so much in your article

1:40:52.160 --> 1:40:56.000
<v Speaker 1>just like picking apart every little bit and relating it

1:40:56.080 --> 1:40:59.240
<v Speaker 1>and putting it, you know, using your vast you know,

1:40:59.640 --> 1:41:03.200
<v Speaker 1>not a an experience of the record label industry and

1:41:03.240 --> 1:41:06.880
<v Speaker 1>talking about um, you know, just kind of picking apart

1:41:06.960 --> 1:41:09.000
<v Speaker 1>one by one the article. I was just so floored

1:41:09.080 --> 1:41:11.519
<v Speaker 1>away by your thoughtful response to it, so thank you

1:41:11.560 --> 1:41:13.519
<v Speaker 1>so much for that. Well that's it, you know, as

1:41:13.520 --> 1:41:16.320
<v Speaker 1>they say in today, no one can be an expert

1:41:16.439 --> 1:41:20.000
<v Speaker 1>on everything, although to a great degree the information is

1:41:20.000 --> 1:41:22.040
<v Speaker 1>out there if you know where to look. And the

1:41:22.080 --> 1:41:24.040
<v Speaker 1>old days, there are a hundred records on the chart.

1:41:24.120 --> 1:41:26.639
<v Speaker 1>Everybody who was in the business new all a hundred records.

1:41:27.040 --> 1:41:29.439
<v Speaker 1>No now records go number one, you've never heard of them.

1:41:29.479 --> 1:41:32.080
<v Speaker 1>So I was so impressed with your article that it

1:41:32.120 --> 1:41:35.559
<v Speaker 1>went into depth and certainly was never covered in the

1:41:35.640 --> 1:41:40.040
<v Speaker 1>music press. So for those listening, we certainly have gotten

1:41:40.040 --> 1:41:42.679
<v Speaker 1>the top line. If you want to go deeper, as

1:41:42.720 --> 1:41:45.919
<v Speaker 1>Shelley says, you can go to the Foundering podcast, easily

1:41:45.960 --> 1:41:49.840
<v Speaker 1>searchable online, where they go further in depth. Once again, Shelley,

1:41:49.920 --> 1:41:53.960
<v Speaker 1>thanks so much for doing this. Thank you. Until next time.

1:41:54.240 --> 1:42:01.600
<v Speaker 1>This is Bob left sex O