1 00:00:01,440 --> 00:00:05,200 Speaker 1: It's the Best Bits of the Week with Morgan number two. 2 00:00:06,840 --> 00:00:09,480 Speaker 1: Welcome y'all to the Best Bits of the week. I'm 3 00:00:09,520 --> 00:00:12,200 Speaker 1: Morgan number two. Thanks for hanging out with me this weekend. 4 00:00:12,320 --> 00:00:14,920 Speaker 1: If this is your first time listening, what I do 5 00:00:15,000 --> 00:00:17,720 Speaker 1: every week is take the best seven segments from our 6 00:00:17,760 --> 00:00:20,439 Speaker 1: show and I count them down based on all of 7 00:00:20,480 --> 00:00:25,000 Speaker 1: y'all's engagement online, phone calls, texting, all the things that 8 00:00:25,040 --> 00:00:28,480 Speaker 1: you guys do with engagement, and I decide which bits 9 00:00:28,680 --> 00:00:30,880 Speaker 1: y'all love the most, and then I bring them on here. 10 00:00:31,320 --> 00:00:33,879 Speaker 1: And my favorite part is I bring somebody with me 11 00:00:33,960 --> 00:00:36,199 Speaker 1: and we kind of do some behind the scenes we 12 00:00:36,240 --> 00:00:38,559 Speaker 1: talk about the show bits. We also, you know, go 13 00:00:38,600 --> 00:00:40,159 Speaker 1: off the rails a little. You never know what you're 14 00:00:40,159 --> 00:00:43,280 Speaker 1: gonna get. But this weekend, I'm bringing on Mike d 15 00:00:43,760 --> 00:00:46,320 Speaker 1: and we're gonna get a little more information on his wedding. 16 00:00:46,440 --> 00:00:49,440 Speaker 1: And you know he's now a purse holder, so that too, 17 00:00:49,840 --> 00:00:53,000 Speaker 1: all right. In at number seven, Eddie, he plans to 18 00:00:53,040 --> 00:00:56,560 Speaker 1: read his seven year old son's locked journal. I know 19 00:00:56,640 --> 00:00:58,880 Speaker 1: this has been like a whole debate and so many 20 00:00:58,920 --> 00:01:01,160 Speaker 1: of you online have a lot of opinions on this, 21 00:01:01,520 --> 00:01:04,360 Speaker 1: and Eddie really hasn't listened to them, so we get 22 00:01:04,360 --> 00:01:07,959 Speaker 1: an update on how he's feeling, what he's going to do, 23 00:01:08,160 --> 00:01:11,160 Speaker 1: and know why he's doing it. So listen. Now, this 24 00:01:11,200 --> 00:01:15,800 Speaker 1: is a pretty funny update number seven. Last week, Producer 25 00:01:15,800 --> 00:01:17,800 Speaker 1: Ready shared with us that he found his seven year 26 00:01:17,800 --> 00:01:21,120 Speaker 1: olds locked journal and Eddie wants to read his kids 27 00:01:21,200 --> 00:01:23,679 Speaker 1: journal got a lock on it. So we talked about it. 28 00:01:23,920 --> 00:01:26,160 Speaker 1: Should he open that journal and read it? I said no, 29 00:01:26,280 --> 00:01:28,600 Speaker 1: what do you think? No? Yeah, no, we are. We 30 00:01:28,680 --> 00:01:31,479 Speaker 1: decided my daughter wants a locked journal and no I'm 31 00:01:31,520 --> 00:01:33,520 Speaker 1: getting We got her one and I wouldn't read it, 32 00:01:34,040 --> 00:01:36,319 Speaker 1: and you said read it. So it was two to 33 00:01:36,400 --> 00:01:38,840 Speaker 1: one in the room, so lunchbox went out and talk 34 00:01:38,920 --> 00:01:41,240 Speaker 1: to folks. Here's number one. Open it up and read it. 35 00:01:41,520 --> 00:01:45,080 Speaker 1: Why safety? Now, hold on stop full seconds. Let me 36 00:01:45,080 --> 00:01:47,360 Speaker 1: show you who you are. Ask him. You're asking a 37 00:01:47,400 --> 00:01:51,160 Speaker 1: model with three kids, a thirty one year old, a 38 00:01:51,280 --> 00:01:54,160 Speaker 1: thirty year old in the twenty eight year. You've lived 39 00:01:54,160 --> 00:01:56,440 Speaker 1: through it. I've lived through this. What if it's something 40 00:01:56,480 --> 00:02:00,520 Speaker 1: in there that you can prevent from happening? Right? In 41 00:02:00,520 --> 00:02:05,680 Speaker 1: that case, that's called safety. You're not friends. You're not friends. 42 00:02:05,960 --> 00:02:08,960 Speaker 1: What are your parents? You're a parent and a child. 43 00:02:09,639 --> 00:02:14,320 Speaker 1: I feel like she's scary. Yeah, he's all scared? Is 44 00:02:14,320 --> 00:02:17,920 Speaker 1: that right? Yeah? Okay, that's good. I do like her perspective. 45 00:02:18,120 --> 00:02:20,840 Speaker 1: I hear another one. I would maybe ask him because like, 46 00:02:20,880 --> 00:02:22,359 Speaker 1: I just know, you have this lot of journal, Like, 47 00:02:22,720 --> 00:02:24,400 Speaker 1: is anything you feel like you need to share with me? 48 00:02:25,280 --> 00:02:27,360 Speaker 1: I had a journal when I was a kid. It 49 00:02:27,400 --> 00:02:29,200 Speaker 1: was a lot and I literally drew pictures in it. 50 00:02:29,560 --> 00:02:31,200 Speaker 1: I don't know. I feel like you're kind of breaking 51 00:02:31,200 --> 00:02:33,080 Speaker 1: a boundary if you just look at it. Now, if 52 00:02:33,080 --> 00:02:35,360 Speaker 1: you feel like he starts having like suspicion behavior, like 53 00:02:35,400 --> 00:02:37,680 Speaker 1: he's acting a little abnormal, I would look at it, 54 00:02:37,760 --> 00:02:40,480 Speaker 1: because who knows how he's feeling. Think of it this way. 55 00:02:40,520 --> 00:02:42,280 Speaker 1: If you never found it, if you wouldn't be worried 56 00:02:42,280 --> 00:02:45,040 Speaker 1: about him, that I wouldn't open it. So, now, how 57 00:02:45,040 --> 00:02:47,200 Speaker 1: old was she because she sounds really young. Yeah, but 58 00:02:47,240 --> 00:02:50,720 Speaker 1: that was opposite from the parent. She ended that with 59 00:02:50,800 --> 00:02:55,320 Speaker 1: a really wise statement. What she said, now to separate 60 00:02:55,400 --> 00:02:58,560 Speaker 1: take the journal out. If you weren't worried about him, Like, 61 00:02:58,600 --> 00:03:00,800 Speaker 1: if he's not displaying any sort of behavior that's causing 62 00:03:00,800 --> 00:03:02,840 Speaker 1: you any concern, you wouldn't be worried about reading the 63 00:03:02,919 --> 00:03:05,919 Speaker 1: journal takes the journal out, like, is your son doing 64 00:03:05,960 --> 00:03:09,160 Speaker 1: behavior that's concerning, then don't read the journal? So I say, 65 00:03:09,760 --> 00:03:11,120 Speaker 1: but you can't be like, hey, what's in that journal? 66 00:03:11,240 --> 00:03:13,440 Speaker 1: And he's like nothing. You believe him, but he's like 67 00:03:14,960 --> 00:03:17,280 Speaker 1: oh he starts stuttering and like, oh, you're hiding something. 68 00:03:18,040 --> 00:03:24,720 Speaker 1: One more here you go. Nothing was locked up? Okay, 69 00:03:24,720 --> 00:03:26,280 Speaker 1: So if that was your kid, would you open it? 70 00:03:26,360 --> 00:03:29,000 Speaker 1: Probably just to be nosy because there was no nothing 71 00:03:29,080 --> 00:03:31,480 Speaker 1: was ever locked in podcast. The people have spoken, They 72 00:03:31,520 --> 00:03:33,480 Speaker 1: sound like me. They say, to unlock it and read it. 73 00:03:33,480 --> 00:03:35,320 Speaker 1: Where are you on this? Yeah, unlock it and read it. 74 00:03:35,360 --> 00:03:38,080 Speaker 1: Are you gonna read it? Probably? But why? Well? But 75 00:03:38,200 --> 00:03:39,600 Speaker 1: I do? I do think I'm going to take the 76 00:03:39,640 --> 00:03:42,800 Speaker 1: approach of asking him first, be like, hey, what's in 77 00:03:42,800 --> 00:03:44,640 Speaker 1: your journal? Like, let's let's let's look through it. I 78 00:03:44,640 --> 00:03:46,200 Speaker 1: think he's gonna be cool about it. Let's be real, 79 00:03:46,240 --> 00:03:48,400 Speaker 1: what's in there? Bones? Really? He's seven years old? Yeah, 80 00:03:48,400 --> 00:03:50,960 Speaker 1: so why break that boundary? I just curiosity. I want 81 00:03:50,960 --> 00:03:53,040 Speaker 1: to know what's in there. And like the ladies said 82 00:03:53,080 --> 00:03:55,000 Speaker 1: at the end, there's no privacy in our home. Just 83 00:03:55,040 --> 00:03:57,440 Speaker 1: as a question here, your curiosity is more important to 84 00:03:57,440 --> 00:03:59,800 Speaker 1: you than his sense of privacy. Oh, yeah, I mean 85 00:04:00,000 --> 00:04:02,080 Speaker 1: seven years old. Yes, Okay, that's all I wanted to know. 86 00:04:02,120 --> 00:04:06,640 Speaker 1: You're the dad, don't. It's the best bits of the 87 00:04:06,680 --> 00:04:11,640 Speaker 1: week with Morgan Number two. Every once in a while 88 00:04:11,680 --> 00:04:14,280 Speaker 1: we get a really interesting call on the phone, and 89 00:04:14,440 --> 00:04:18,480 Speaker 1: this week David from Virginia called in to talk about 90 00:04:18,520 --> 00:04:23,840 Speaker 1: his fiance and his cat. Okay, there's this whole situation 91 00:04:23,920 --> 00:04:27,840 Speaker 1: happening where his fiance wants him to give up their cat. Mike, 92 00:04:28,080 --> 00:04:30,159 Speaker 1: I don't know about you, but I was laughing this 93 00:04:30,200 --> 00:04:32,840 Speaker 1: whole segment. Yeah, any right after we did this call, 94 00:04:32,880 --> 00:04:34,560 Speaker 1: we were like, is that a real human? Was that 95 00:04:34,600 --> 00:04:37,039 Speaker 1: a real person? And it was right, No, it's a 96 00:04:37,120 --> 00:04:40,880 Speaker 1: real person. He had so many opinions about his fiance 97 00:04:41,000 --> 00:04:44,320 Speaker 1: that he totally was hoping to share with the entire world. 98 00:04:45,000 --> 00:04:47,640 Speaker 1: And but my whole thought process during this whole thing, 99 00:04:47,680 --> 00:04:51,359 Speaker 1: regardless of like their relationship, I was like, Yo, we 100 00:04:51,440 --> 00:04:56,360 Speaker 1: don't give up the cat like that. Somehow throughout this segment, 101 00:04:56,400 --> 00:04:58,560 Speaker 1: I think it got brought up. Okay, you know, eventually 102 00:04:58,600 --> 00:04:59,920 Speaker 1: you get rid of the cat. But I'm like, no, 103 00:05:00,520 --> 00:05:02,159 Speaker 1: I would stay on my ground and I would not 104 00:05:02,200 --> 00:05:04,000 Speaker 1: get rid of that cat. I think there's a lot 105 00:05:04,040 --> 00:05:05,760 Speaker 1: of things you can do before getting rid of the 106 00:05:05,800 --> 00:05:08,520 Speaker 1: cat and this story to see it's crazier and crazier 107 00:05:08,560 --> 00:05:11,920 Speaker 1: that you'll hear. Yeah, So if you missed this one, 108 00:05:11,920 --> 00:05:14,400 Speaker 1: I'm telling you listen to it now. You'll get some 109 00:05:14,440 --> 00:05:17,000 Speaker 1: good laughs in and share your opinions with us. If 110 00:05:17,000 --> 00:05:20,239 Speaker 1: you didn't get a share how you felt about David 111 00:05:20,279 --> 00:05:22,800 Speaker 1: and Virginia with his fiance and the cat, then hit 112 00:05:22,880 --> 00:05:25,240 Speaker 1: us up at Bobby Bones show on all the socials, 113 00:05:25,279 --> 00:05:28,799 Speaker 1: because I bet you'll have a funny reaction too. Number six, 114 00:05:29,040 --> 00:05:31,720 Speaker 1: let's go over and talk to David who is in Virginia. David, 115 00:05:31,720 --> 00:05:34,039 Speaker 1: what's up, buddy? I will sub is this Bobby Bone? 116 00:05:34,160 --> 00:05:36,320 Speaker 1: It is, man? What can I do for you? Ain't husting? Man? 117 00:05:36,360 --> 00:05:38,240 Speaker 1: I would just talking to the lady. I would need 118 00:05:38,279 --> 00:05:40,680 Speaker 1: some advice on what to do with my fiance and 119 00:05:40,720 --> 00:05:44,240 Speaker 1: the cat and our relationship. Okay, our cat is two 120 00:05:44,320 --> 00:05:46,600 Speaker 1: years old pretty much now, and she's been with us 121 00:05:46,640 --> 00:05:49,880 Speaker 1: for since she was six weeks. My fiance who I've 122 00:05:49,920 --> 00:05:52,240 Speaker 1: been with for over three years now, and I proposed 123 00:05:52,279 --> 00:05:55,320 Speaker 1: to a Valentine's Day this year. She says that the 124 00:05:55,360 --> 00:05:58,760 Speaker 1: cat is putting over wedge between our relationship and it's 125 00:05:58,839 --> 00:06:01,560 Speaker 1: either the cat has to go or it's either that 126 00:06:01,600 --> 00:06:03,960 Speaker 1: we're gonna split up. So I need to know what 127 00:06:04,000 --> 00:06:06,159 Speaker 1: to do between what to do with the cat and 128 00:06:06,200 --> 00:06:08,479 Speaker 1: what to do with her. Man, it's weird that someone 129 00:06:08,480 --> 00:06:12,240 Speaker 1: would say a cat's driving a wedge between them. Yeah, 130 00:06:12,279 --> 00:06:16,200 Speaker 1: what's up with the cat? Like attacking her while she 131 00:06:16,279 --> 00:06:20,880 Speaker 1: sleeps her way? No, I mean, listen, the cat goes 132 00:06:20,920 --> 00:06:24,800 Speaker 1: in heat, and y'all are can already kind of guess 133 00:06:24,839 --> 00:06:27,279 Speaker 1: what that means. The barking and the mealen and the 134 00:06:27,360 --> 00:06:30,479 Speaker 1: stuff like that, and she gets sick of it and 135 00:06:30,560 --> 00:06:34,800 Speaker 1: it irritates sir, And so she's telling you get rid 136 00:06:34,839 --> 00:06:36,920 Speaker 1: of the cat or get rid of me? Pretty much? 137 00:06:37,320 --> 00:06:40,360 Speaker 1: Which way do you lean? Just right now he's asking you, 138 00:06:40,400 --> 00:06:42,000 Speaker 1: are you leaning too? Which one are you getting leaning 139 00:06:42,000 --> 00:06:44,279 Speaker 1: her to get rid of? Mean? Man, you already know 140 00:06:44,360 --> 00:06:46,720 Speaker 1: that you already know the answer to that one. We 141 00:06:46,760 --> 00:06:50,600 Speaker 1: know we have no idea. Yeah, girl goes No, I 142 00:06:50,680 --> 00:06:53,599 Speaker 1: think it's a cat, and kind of it's a cat, 143 00:06:53,640 --> 00:06:55,760 Speaker 1: and that gotta go on me. But sometimes I wish 144 00:06:55,800 --> 00:07:00,520 Speaker 1: you might be flip floped. But what's the person? Though? 145 00:07:00,520 --> 00:07:03,440 Speaker 1: Like eighty five percent the cat needs to go, fifteen 146 00:07:03,480 --> 00:07:10,040 Speaker 1: percent the fiance needs to go like, what, what's that percentage? Yeah, 147 00:07:10,040 --> 00:07:13,360 Speaker 1: he doesn't know. I will be honest. Would she argues 148 00:07:13,360 --> 00:07:19,760 Speaker 1: with me, I'd rather go the cats like my side chick. 149 00:07:19,880 --> 00:07:22,280 Speaker 1: She don't argue back when we start arguing that your 150 00:07:22,400 --> 00:07:26,240 Speaker 1: side chick? What? Okay? But also in relationships, you know 151 00:07:26,320 --> 00:07:30,600 Speaker 1: that there's like you have to sometimes work through problems 152 00:07:30,720 --> 00:07:38,640 Speaker 1: and have there's confrontation at times, right, okay, but no, yeah, 153 00:07:38,640 --> 00:07:40,160 Speaker 1: this one, I'm una say. Let this one. I say 154 00:07:40,160 --> 00:07:42,880 Speaker 1: I've heard enough. I've heard enough. I'm going to say 155 00:07:42,920 --> 00:07:44,680 Speaker 1: that one. It stinks that she's saying, get rid of 156 00:07:44,680 --> 00:07:46,760 Speaker 1: the cat or me. I think that's also a flag 157 00:07:46,840 --> 00:07:50,520 Speaker 1: for future situations. That doesn't mean you're rid of her, 158 00:07:50,560 --> 00:07:52,400 Speaker 1: but I think it's something that you have to prepare 159 00:07:52,440 --> 00:07:55,040 Speaker 1: yourself for that She may just be like always, all right, 160 00:07:55,080 --> 00:07:57,400 Speaker 1: get rid of this or me. Does she try to 161 00:07:57,440 --> 00:08:01,440 Speaker 1: dictate your life? I mean, honestly, I'm gonna be real, 162 00:08:01,560 --> 00:08:04,280 Speaker 1: Yes she does. I make I make, I make great paycheck. 163 00:08:04,320 --> 00:08:07,600 Speaker 1: I'm at work right now speaking, and um, I made 164 00:08:07,640 --> 00:08:09,040 Speaker 1: great pay and you know what I do in my 165 00:08:09,080 --> 00:08:11,880 Speaker 1: paycheck every Friday, it goes straight to that one. But 166 00:08:11,960 --> 00:08:14,880 Speaker 1: six hundred dollars every week right, Why write to her 167 00:08:14,960 --> 00:08:17,760 Speaker 1: and then do what she wants? I give her money 168 00:08:17,880 --> 00:08:20,400 Speaker 1: and I only even asked her about maybe sixty five 169 00:08:20,600 --> 00:08:24,240 Speaker 1: seventy eighty dollars of spending money to have for me 170 00:08:24,320 --> 00:08:27,080 Speaker 1: while I'm at work, and she tries to argue with 171 00:08:27,120 --> 00:08:30,840 Speaker 1: me about that. But man, it's the cat. Just gotta go. 172 00:08:31,560 --> 00:08:34,360 Speaker 1: It's crazy. That's a jealousy over a cat, a woman 173 00:08:34,360 --> 00:08:37,800 Speaker 1: and a human and an animal. I mean, come on now, man, 174 00:08:38,280 --> 00:08:43,199 Speaker 1: she's a jealous person in general. She's got a she's like, um, 175 00:08:43,240 --> 00:08:46,240 Speaker 1: I got a complex pretty much. If I ain't showing 176 00:08:46,240 --> 00:08:49,840 Speaker 1: her no attention, she feels like I'm cheating on her. Guys, 177 00:08:49,840 --> 00:08:51,520 Speaker 1: I was starting to at first when this started. I 178 00:08:51,559 --> 00:08:52,640 Speaker 1: was like, of course, you get rid of the cat, 179 00:08:52,640 --> 00:08:56,480 Speaker 1: But I ain't feeling that. I ain't feeling like that anymore. 180 00:08:56,520 --> 00:09:00,680 Speaker 1: She's getting this whole paycheck. She's jealous. Amy, I'm gonna 181 00:09:00,679 --> 00:09:01,959 Speaker 1: come to you. I'm gonna go to you first. You 182 00:09:02,040 --> 00:09:03,680 Speaker 1: are the woman here. Well, I don't know all the 183 00:09:03,800 --> 00:09:07,560 Speaker 1: details of each person obviously and your relationship, but I 184 00:09:07,559 --> 00:09:11,360 Speaker 1: would say you need to maybe do a pros and 185 00:09:11,440 --> 00:09:14,160 Speaker 1: cons list. Those are always helpful to like put pen 186 00:09:14,280 --> 00:09:17,320 Speaker 1: to paper and see where you know, the cat falls, 187 00:09:17,400 --> 00:09:20,920 Speaker 1: where the girl falls. But also I would just evaluate, 188 00:09:20,960 --> 00:09:23,640 Speaker 1: like you're working hard, and do you want to be 189 00:09:23,800 --> 00:09:26,120 Speaker 1: in a relationship I don't know, Maybe you do where 190 00:09:26,679 --> 00:09:29,480 Speaker 1: you know you're being controlled and all your money's going 191 00:09:29,520 --> 00:09:31,800 Speaker 1: to one person. Like to me, it doesn't sound like 192 00:09:32,600 --> 00:09:34,599 Speaker 1: you mean you maybe need to set some boundaries in 193 00:09:34,640 --> 00:09:36,720 Speaker 1: the relationship anyway, and she may not like that and 194 00:09:36,760 --> 00:09:39,439 Speaker 1: she may break up with you. Problem solved. Also, do 195 00:09:39,480 --> 00:09:43,280 Speaker 1: you have kids? Yeah, oh man, we got a twelve 196 00:09:43,360 --> 00:09:46,360 Speaker 1: year old, seven year old not three year old as 197 00:09:46,400 --> 00:09:50,760 Speaker 1: two year old. Well that's why, yeah, yeah, yeah, that's why. Jerry, Jerry, Jerry, 198 00:09:50,800 --> 00:09:52,880 Speaker 1: Ignore what I said. I don't want your kids to 199 00:09:52,880 --> 00:09:54,839 Speaker 1: find a pros and consulate. You gotta get rid of 200 00:09:54,840 --> 00:09:57,320 Speaker 1: the cat, all right. You have kids involved were now 201 00:09:57,480 --> 00:09:59,360 Speaker 1: you gotta get rid of the cat if one of 202 00:09:59,400 --> 00:10:02,280 Speaker 1: them has to go. But you have to find a 203 00:10:02,360 --> 00:10:06,480 Speaker 1: home to raise the cat. This is a big life decision. 204 00:10:06,640 --> 00:10:08,640 Speaker 1: I hopefully you have some other people you can talk 205 00:10:08,640 --> 00:10:10,840 Speaker 1: to as well. No, we're good. We've settled up for you, David. 206 00:10:10,960 --> 00:10:15,080 Speaker 1: We're experts, all right. Man. I appreciate y'all so much. 207 00:10:15,320 --> 00:10:17,959 Speaker 1: Is this I can put on a song request, hold on, No, 208 00:10:19,800 --> 00:10:24,080 Speaker 1: he is this bigger than the cat, David. It's pretty 209 00:10:24,160 --> 00:10:28,240 Speaker 1: much arguments every day. But when the cat starts what 210 00:10:28,400 --> 00:10:30,200 Speaker 1: she feels like I'm showing a cat more attention. She 211 00:10:30,200 --> 00:10:32,480 Speaker 1: gets jealous. It feels like I'm showing her more attend 212 00:10:34,720 --> 00:10:37,920 Speaker 1: What it boils down to, I'm with a jealous woman 213 00:10:38,240 --> 00:10:41,080 Speaker 1: that I've been with for three years, that she has 214 00:10:41,120 --> 00:10:43,480 Speaker 1: three kids of her own and we have one together. 215 00:10:44,360 --> 00:10:46,920 Speaker 1: But she don't understand that if I really want us 216 00:10:46,920 --> 00:10:50,480 Speaker 1: to go somewhere and leave her and her three kids, 217 00:10:50,480 --> 00:10:52,120 Speaker 1: then I would not be I would not be there 218 00:10:52,120 --> 00:10:53,960 Speaker 1: and I would not bring her my paycheck every week. 219 00:10:54,200 --> 00:10:56,720 Speaker 1: When she fails to neglect that if I wanted to leave, 220 00:10:56,760 --> 00:10:58,559 Speaker 1: I could do so. I'm twenty seven years old. I 221 00:10:58,600 --> 00:11:03,439 Speaker 1: could do exactly what I want. Working man every day. Yeah, yeah, 222 00:11:03,480 --> 00:11:06,320 Speaker 1: I think she fails to recognize that I'm not that guy. 223 00:11:06,400 --> 00:11:08,000 Speaker 1: I'm the guy that took on the vow to take 224 00:11:08,040 --> 00:11:10,440 Speaker 1: care of the kids, which I did when we got together, 225 00:11:10,440 --> 00:11:12,440 Speaker 1: and that's what I'm gonna keep going. So the cats 226 00:11:12,440 --> 00:11:14,440 Speaker 1: got to go, but the woman's got to stop arguing. 227 00:11:14,960 --> 00:11:17,640 Speaker 1: There we go. You're just talking our way out of it. Yeah, 228 00:11:17,720 --> 00:11:19,560 Speaker 1: all right, We don't do a lot of song requests 229 00:11:19,559 --> 00:11:21,079 Speaker 1: honestly here on the show. But what song would you 230 00:11:21,120 --> 00:11:23,520 Speaker 1: have requested if we were to do one? My kind 231 00:11:23,559 --> 00:11:27,480 Speaker 1: of Crazy by Brandley Gilbert. Oh, it's okay, that's gonna 232 00:11:27,559 --> 00:11:29,319 Speaker 1: end up in some domestic Now we're not doing We're 233 00:11:29,320 --> 00:11:31,560 Speaker 1: not gonna play a song I heard being crazy, but 234 00:11:32,440 --> 00:11:35,480 Speaker 1: we'll play a clip of it, all right, David, appreciate you, buddy, 235 00:11:35,480 --> 00:11:37,360 Speaker 1: appreciate that call. Go you gotta find a home for 236 00:11:37,400 --> 00:11:39,920 Speaker 1: that cat. That's your goal, Okay, loving home? All right, man, 237 00:11:39,960 --> 00:11:45,520 Speaker 1: I appreciate there. And here is a clip of Brandley Gilbert. 238 00:11:46,240 --> 00:11:59,880 Speaker 1: My girl's crazy. No, she's working, please she please, kid. 239 00:12:00,000 --> 00:12:11,440 Speaker 1: It's a good old lash No we strouser little bitch kids, 240 00:12:12,800 --> 00:12:25,360 Speaker 1: real fashin my baby crazy. It's the best bits of 241 00:12:25,440 --> 00:12:31,040 Speaker 1: the week with Morgan. Number two. We had another spill 242 00:12:31,160 --> 00:12:33,640 Speaker 1: the tea moment on the show this week. In surprise, 243 00:12:33,760 --> 00:12:37,040 Speaker 1: it wasn't Lunchbox and Eddie, but Lunchbox was still involved. 244 00:12:37,320 --> 00:12:40,200 Speaker 1: He spilled the tea on Scoopa Steve. Now, Mike, I 245 00:12:40,240 --> 00:12:42,600 Speaker 1: want to know if there's ever been like a moment. 246 00:12:43,160 --> 00:12:45,079 Speaker 1: He really wanted to spill the tea on someone on 247 00:12:45,120 --> 00:12:47,160 Speaker 1: the show, but you're like, yeah, I shouldn't do that. Well, 248 00:12:47,240 --> 00:12:50,320 Speaker 1: thing is I find out things about Lunchbox sometimes, but 249 00:12:50,480 --> 00:12:52,920 Speaker 1: Lunchbox almost has no shame to the point to where 250 00:12:53,040 --> 00:12:55,400 Speaker 1: if you did spill the tea on him, he wouldn't care. No, 251 00:12:55,600 --> 00:12:57,760 Speaker 1: he would defend it. Yeah, there's instances where I was like, 252 00:12:57,760 --> 00:12:59,640 Speaker 1: I should probably bring that up on the show, but 253 00:12:59,640 --> 00:13:01,120 Speaker 1: then he'll bring it in the next day, is like 254 00:13:01,160 --> 00:13:02,679 Speaker 1: being proud of it. So I'm like, I don't think 255 00:13:02,679 --> 00:13:05,880 Speaker 1: I could spill the tea on Lunchbox. He is unteable 256 00:13:06,040 --> 00:13:08,800 Speaker 1: for me. Yeah, I feel like that's super true with Lunchbox, 257 00:13:08,880 --> 00:13:11,199 Speaker 1: Like he really does do a lot of things. You're like, oh, 258 00:13:11,240 --> 00:13:13,560 Speaker 1: that would be so funny to like talk about him, 259 00:13:13,559 --> 00:13:14,960 Speaker 1: but then he'd be like, yeah, no, that was me. 260 00:13:15,160 --> 00:13:17,040 Speaker 1: I did that, And you have to have a really 261 00:13:17,080 --> 00:13:19,320 Speaker 1: strong defense to go in on Lunchbox. So I was like, 262 00:13:19,360 --> 00:13:21,320 Speaker 1: I don't think I have the energy or the brain 263 00:13:21,360 --> 00:13:23,960 Speaker 1: space to take care of that, so I will not 264 00:13:24,040 --> 00:13:26,319 Speaker 1: spill it on him. Well, and I will say, I mean, 265 00:13:26,360 --> 00:13:28,680 Speaker 1: I think it's just really more of whenever you know 266 00:13:28,720 --> 00:13:30,360 Speaker 1: the show's over and we're all just kind of hanging 267 00:13:30,400 --> 00:13:33,560 Speaker 1: out and like really letting our guard down because during 268 00:13:33,600 --> 00:13:36,679 Speaker 1: the show we're also like focused on work. Yeah, so 269 00:13:36,720 --> 00:13:38,319 Speaker 1: then when we're just hanging out here, there's a lot 270 00:13:38,320 --> 00:13:41,959 Speaker 1: of random things that happen. Like I've wanted to spill 271 00:13:41,960 --> 00:13:44,040 Speaker 1: a tea on Eddie so many times and I'll say 272 00:13:44,080 --> 00:13:45,880 Speaker 1: it because it's nothing bad, but he would like come 273 00:13:45,920 --> 00:13:48,960 Speaker 1: in sometimes and he'd have like his zipper down, and 274 00:13:48,960 --> 00:13:51,440 Speaker 1: it was just like a really awkward situation because it's 275 00:13:51,480 --> 00:13:53,720 Speaker 1: like me and Eddie and I'm like Eddie, like, why 276 00:13:53,840 --> 00:13:56,199 Speaker 1: is this happening right now? He's like sorry, sorry, sorry, 277 00:13:56,240 --> 00:14:00,920 Speaker 1: and I'm like that's not appropriate. And I think that 278 00:14:01,000 --> 00:14:03,240 Speaker 1: happens with us is like that time we have right 279 00:14:03,280 --> 00:14:05,679 Speaker 1: after the show is over, in between we're all still 280 00:14:05,760 --> 00:14:08,160 Speaker 1: hanging out, finishing things up before we go home. I 281 00:14:08,160 --> 00:14:10,320 Speaker 1: think that's where a lot of our prep happens. Because 282 00:14:10,320 --> 00:14:13,040 Speaker 1: they're hanging out, somebody's doing something ridiculous or somebody's doing 283 00:14:13,080 --> 00:14:14,839 Speaker 1: something like why are they doing that right now? And 284 00:14:14,880 --> 00:14:17,920 Speaker 1: I kind of see everybody either make a mental note 285 00:14:18,000 --> 00:14:19,520 Speaker 1: or put something in their phone of like, oh, you're 286 00:14:19,520 --> 00:14:23,120 Speaker 1: gonna prep that later, aren't you. Well it's so funny too, 287 00:14:23,160 --> 00:14:26,800 Speaker 1: because show prep, you don't know it's coming like it 288 00:14:26,960 --> 00:14:30,680 Speaker 1: is one hundred percent out there and until it happens 289 00:14:30,800 --> 00:14:32,760 Speaker 1: on the show, you're like, I did not know anybody 290 00:14:32,760 --> 00:14:35,080 Speaker 1: even knew I was doing that. Yeah, that's the thing 291 00:14:35,120 --> 00:14:38,120 Speaker 1: that Bobby's always kind of wanted to have that element 292 00:14:38,120 --> 00:14:41,440 Speaker 1: on the show, and he wants everybody's genuine reaction when 293 00:14:41,480 --> 00:14:42,800 Speaker 1: they hear it on the air for the first time. 294 00:14:42,840 --> 00:14:46,520 Speaker 1: So I think keeping people just to the point where 295 00:14:46,520 --> 00:14:49,120 Speaker 1: he knows what's going on and it's a surprise everybody 296 00:14:49,160 --> 00:14:51,920 Speaker 1: else has that element when we do it live, like, oh, 297 00:14:51,920 --> 00:14:54,920 Speaker 1: this is your genuine reaction. I think the only person 298 00:14:55,080 --> 00:14:58,200 Speaker 1: he's allowed to like in that kind of see behind 299 00:14:58,200 --> 00:15:00,800 Speaker 1: the scenes with that is me. And it's kind of weird. 300 00:15:01,320 --> 00:15:03,320 Speaker 1: You're like I know everything, Like I know too much. 301 00:15:03,880 --> 00:15:06,360 Speaker 1: You have so many secrets. I'm pretty sure you could 302 00:15:06,360 --> 00:15:09,160 Speaker 1: blackmail all of us with Sunday Night. I am great 303 00:15:09,160 --> 00:15:11,480 Speaker 1: at keeping secrets though, so that would never happen. This 304 00:15:11,640 --> 00:15:13,880 Speaker 1: is true. You really are. You're like the guard of 305 00:15:14,000 --> 00:15:18,040 Speaker 1: secret keepers. Like if there was a superpower of secret keeping, 306 00:15:18,080 --> 00:15:20,000 Speaker 1: I think it would be you. I think the other thing, though, 307 00:15:20,040 --> 00:15:23,440 Speaker 1: is that I'm so quiet, like nobody really assumes anything, 308 00:15:23,520 --> 00:15:25,400 Speaker 1: and they're like, who's he going to tell anybody. He 309 00:15:25,440 --> 00:15:27,560 Speaker 1: never talks. So what you're saying is it's always the 310 00:15:27,600 --> 00:15:31,400 Speaker 1: quiet one, exactly exactly, So it is that is a 311 00:15:31,440 --> 00:15:34,360 Speaker 1: cool behind the scenes part two. Like, so every day 312 00:15:34,440 --> 00:15:37,440 Speaker 1: we all send in prep like news stories and personal 313 00:15:37,440 --> 00:15:39,120 Speaker 1: things that happen in our life. We send it to Mike, 314 00:15:39,480 --> 00:15:42,680 Speaker 1: Mike sends it to Bobby, and that's all that happens, like, 315 00:15:42,760 --> 00:15:45,760 Speaker 1: and then Bobby just determines whatever happens on the show. Yep, 316 00:15:45,840 --> 00:15:48,400 Speaker 1: that's how it goes And that's so funny because I 317 00:15:48,400 --> 00:15:50,200 Speaker 1: don't think a lot of people really know how that 318 00:15:50,280 --> 00:15:54,120 Speaker 1: goes down. But you know, sometimes we think something's really 319 00:15:54,120 --> 00:15:56,440 Speaker 1: funny in our lives, but it's really not that funny. 320 00:15:56,560 --> 00:15:58,680 Speaker 1: And I think the best part is you'll send something 321 00:15:58,680 --> 00:16:00,680 Speaker 1: again you think is a US it's gonna make it 322 00:16:00,680 --> 00:16:02,880 Speaker 1: on the show. It never does. And then sometimes it 323 00:16:02,920 --> 00:16:04,920 Speaker 1: gets brought up randomly later and you're like, see, I 324 00:16:04,960 --> 00:16:07,200 Speaker 1: knew it was a good idea. You're like, wait, that 325 00:16:07,400 --> 00:16:10,640 Speaker 1: was like forever going you just remembered it. Yeah, that 326 00:16:10,680 --> 00:16:13,640 Speaker 1: has happened before. When like something will get brought up 327 00:16:13,720 --> 00:16:16,040 Speaker 1: with me and I'm like, wait, I think I brought 328 00:16:16,040 --> 00:16:19,720 Speaker 1: that up like two months ago. Just come from. But 329 00:16:19,880 --> 00:16:22,360 Speaker 1: you know, we're always leaning into basically everything in our 330 00:16:22,360 --> 00:16:25,920 Speaker 1: life because also the whole hard part about PREP is 331 00:16:25,960 --> 00:16:28,400 Speaker 1: that we have to have interesting lives, and like, on 332 00:16:28,440 --> 00:16:31,880 Speaker 1: the daily lives really aren't that interesting, you know what 333 00:16:31,920 --> 00:16:34,080 Speaker 1: I mean. Yeah, you like almost have to go out 334 00:16:34,080 --> 00:16:36,840 Speaker 1: and do things that have something to send in and 335 00:16:36,960 --> 00:16:40,680 Speaker 1: during a frigging pandemic, yeah, when we're our lives interesting. 336 00:16:40,680 --> 00:16:42,320 Speaker 1: When you're sitting at your house is like a spider 337 00:16:42,360 --> 00:16:44,760 Speaker 1: crawl on me. Cool. I remember those first two months 338 00:16:44,840 --> 00:16:47,200 Speaker 1: we were just completely in our house. It was basically 339 00:16:47,280 --> 00:16:49,840 Speaker 1: the show of what did you do in your house yesterday? 340 00:16:50,040 --> 00:16:52,760 Speaker 1: It was the weirdest time. It was so weird. So yeah, 341 00:16:52,800 --> 00:16:54,880 Speaker 1: at least we have more interesting lives now because we're 342 00:16:54,880 --> 00:16:57,480 Speaker 1: starting to be able to do things. But it's definitely 343 00:16:57,480 --> 00:16:59,560 Speaker 1: probably the hardest part of this job, as I'm like, man, 344 00:16:59,680 --> 00:17:01,800 Speaker 1: I really need to like pick up some hobbies or something, 345 00:17:01,840 --> 00:17:05,359 Speaker 1: because I don't feel like I'm an interesting person. Yeah, 346 00:17:05,400 --> 00:17:07,879 Speaker 1: but here it is. This is lunchbox. He spilled the 347 00:17:07,920 --> 00:17:11,720 Speaker 1: tea on Scooba, Steve and Mike and I pretty much 348 00:17:11,760 --> 00:17:13,520 Speaker 1: never spill the tea on anyone because it just kind 349 00:17:13,520 --> 00:17:16,560 Speaker 1: of stays there. Exactly, but you will hear some yelling 350 00:17:16,640 --> 00:17:19,399 Speaker 1: during the segment, Scuba Steve kind of went back at Lunchbox, 351 00:17:19,440 --> 00:17:28,440 Speaker 1: so it's it's good number five Lunchbox wants to spill 352 00:17:28,440 --> 00:17:30,400 Speaker 1: the t on somebody on the show. Of course he does. 353 00:17:30,600 --> 00:17:33,639 Speaker 1: Oh wait, wait, can we guess? Is it Eddie? Let 354 00:17:33,840 --> 00:17:37,240 Speaker 1: hit that button yo, if you let's spill the tea 355 00:17:37,960 --> 00:17:40,520 Speaker 1: at your your stage, Lunchbox. Yeah, so I want to 356 00:17:40,520 --> 00:17:44,320 Speaker 1: spill the tea on Scooba Steve. Who I mean? We 357 00:17:44,359 --> 00:17:48,919 Speaker 1: are gonna rename him Steve the purse Holder because he 358 00:17:49,000 --> 00:17:51,400 Speaker 1: got a call from his wife. He's in there working 359 00:17:51,720 --> 00:17:53,480 Speaker 1: and his wife's like, hey, I'm at the mall and 360 00:17:53,520 --> 00:17:56,160 Speaker 1: I need you to come carry my bags. And Scuba 361 00:17:56,520 --> 00:17:58,960 Speaker 1: runs out of the building. He's like, okay, I gotta go, 362 00:17:59,000 --> 00:18:00,480 Speaker 1: I gotta go, and he picks up a stuff all 363 00:18:00,520 --> 00:18:03,800 Speaker 1: in a hurry to go carry bags at the mall. 364 00:18:04,040 --> 00:18:07,080 Speaker 1: So he is no longer Scooba Steve. He's Steve the 365 00:18:07,119 --> 00:18:16,879 Speaker 1: bag Holder. How embarrassing there's no bag. Also good he 366 00:18:17,040 --> 00:18:20,720 Speaker 1: left work early. He wasn't even I'm here every freaking 367 00:18:20,840 --> 00:18:23,720 Speaker 1: day PM while you're at home hanging with the kids, 368 00:18:23,800 --> 00:18:26,480 Speaker 1: Z dinner, enjoying life. I'm still here, So I take 369 00:18:26,560 --> 00:18:29,000 Speaker 1: one day to do something nice for my wife and 370 00:18:29,080 --> 00:18:30,960 Speaker 1: hold the bags for her while she was on four 371 00:18:31,000 --> 00:18:32,920 Speaker 1: months from eternity leave and went back to work and 372 00:18:33,000 --> 00:18:35,040 Speaker 1: was feeling a little bit about herself and wanted to 373 00:18:35,040 --> 00:18:37,639 Speaker 1: buy something nice for herself. So I carried the bags 374 00:18:37,680 --> 00:18:40,840 Speaker 1: for her, as a good husband and soulmate should do. 375 00:18:40,960 --> 00:18:42,480 Speaker 1: But what does it mean leaving work early? What time 376 00:18:42,520 --> 00:18:44,879 Speaker 1: did you get that text? I left at twelve thirty? 377 00:18:45,000 --> 00:18:50,000 Speaker 1: Are you kidding me? That is but that's not early. Yeah, 378 00:18:50,000 --> 00:18:52,840 Speaker 1: he didn't leave anytime after ten o one. If he 379 00:18:52,840 --> 00:18:55,720 Speaker 1: has to heave anytime he wants, Guys, it's the fact 380 00:18:55,720 --> 00:18:57,960 Speaker 1: that he was doing work and she said, hey, I 381 00:18:58,000 --> 00:19:00,400 Speaker 1: need my bags held. He's like, I'll be right there. 382 00:19:01,000 --> 00:19:02,680 Speaker 1: I want to know what lunchbox was doing so late 383 00:19:02,720 --> 00:19:05,520 Speaker 1: at work. Yeah, and you see, you know, I know 384 00:19:05,560 --> 00:19:08,000 Speaker 1: you don't think I worked. I do work, so you know, 385 00:19:08,520 --> 00:19:10,240 Speaker 1: but this is one I'm gonna say this what I've learned. 386 00:19:10,520 --> 00:19:11,760 Speaker 1: You know, you guys know that's more than I do. 387 00:19:11,800 --> 00:19:13,679 Speaker 1: And I'm just now starting to learn it now. I 388 00:19:13,720 --> 00:19:15,800 Speaker 1: had posted a video on Instagram or a picture and 389 00:19:15,840 --> 00:19:18,000 Speaker 1: it's Kaitlin and I together and so I was like 390 00:19:18,040 --> 00:19:20,040 Speaker 1: you you are everything you used to make fun of. 391 00:19:20,440 --> 00:19:21,919 Speaker 1: And I was like, you know what, Yeah, I was stupid. 392 00:19:21,960 --> 00:19:26,000 Speaker 1: Then whenever things are happier at home, everything goes better 393 00:19:26,080 --> 00:19:29,760 Speaker 1: for me. Just in general. So if your wife, if 394 00:19:29,800 --> 00:19:32,680 Speaker 1: your number one needs anything and you can do it, 395 00:19:33,119 --> 00:19:35,639 Speaker 1: do it. Yeah. And she sacrifices her whole career to 396 00:19:35,680 --> 00:19:38,520 Speaker 1: come here for me to move to Nashville. She left 397 00:19:38,520 --> 00:19:40,600 Speaker 1: the job that she had and loved. So if she 398 00:19:40,840 --> 00:19:42,840 Speaker 1: has something that needs that she needs, I'll do what 399 00:19:42,960 --> 00:19:44,600 Speaker 1: she needs. And in this scenario, she I had to 400 00:19:44,640 --> 00:19:46,720 Speaker 1: hold her bags, so so what and we got to 401 00:19:46,800 --> 00:19:49,639 Speaker 1: enjoy some time together. How did he see that text? Ema? 402 00:19:50,359 --> 00:19:51,560 Speaker 1: Because I was like I had I was in a 403 00:19:51,560 --> 00:19:52,960 Speaker 1: mad rush. I was like, hey, my wife needs me. 404 00:19:53,000 --> 00:19:54,359 Speaker 1: I gotta go. And he's like what are you What 405 00:19:54,440 --> 00:19:56,119 Speaker 1: are you going? You got stuff to do? And I'm like, 406 00:19:56,119 --> 00:19:57,800 Speaker 1: who are you? You're not my boss? And I said 407 00:19:57,840 --> 00:20:00,479 Speaker 1: it is everything. You asked him, who are you guys to? Well, 408 00:20:00,480 --> 00:20:02,920 Speaker 1: he said, my wife needs me. I said, is everything okay? Goes? Yeah, 409 00:20:03,119 --> 00:20:05,040 Speaker 1: she needs me to hold her bags at the mall. 410 00:20:05,080 --> 00:20:09,680 Speaker 1: It's like wow, dude, like that's embarrassing. Steve the bag 411 00:20:09,720 --> 00:20:11,800 Speaker 1: holder no longer. The name is not gonna pick up 412 00:20:12,080 --> 00:20:17,240 Speaker 1: Scuba Steve because the alliteration scuba Steve. Right, Yeah, the 413 00:20:17,520 --> 00:20:19,800 Speaker 1: bag holder, it doesn't even go together. Well, you're the 414 00:20:19,800 --> 00:20:22,600 Speaker 1: one holding the bags man, not me, and you think 415 00:20:22,640 --> 00:20:29,080 Speaker 1: he's blank whipped okay, and you are. I run the relationship, 416 00:20:29,119 --> 00:20:30,600 Speaker 1: trust me. And my wife called me and said, hey, 417 00:20:30,600 --> 00:20:32,240 Speaker 1: I'm at the mall. I need you to carry my bags. 418 00:20:32,280 --> 00:20:40,399 Speaker 1: I'd be like, get a shopping cart, but also or 419 00:20:40,480 --> 00:20:43,480 Speaker 1: I'd be like, you're buying too much crap. Okay, okay, 420 00:20:43,840 --> 00:20:47,320 Speaker 1: never mind. It's not everyone that's on Team Scuba. I 421 00:20:47,320 --> 00:20:53,240 Speaker 1: say everybody that's on team Lunchbox. On Nico Jackson checked in. 422 00:20:54,000 --> 00:20:56,359 Speaker 1: You know I'm on Lunchbox. You shot. I wouldn't go 423 00:20:56,400 --> 00:20:58,680 Speaker 1: to the mall with my wife. Nico, you're not married? 424 00:20:59,400 --> 00:21:02,040 Speaker 1: Well are you to be? Really? What happened? Oh? Yeah, 425 00:21:02,080 --> 00:21:05,360 Speaker 1: she passed away? Wait wait you went passed away? Why 426 00:21:05,359 --> 00:21:07,000 Speaker 1: did you go? So we're doing a comedy bet and 427 00:21:07,000 --> 00:21:11,040 Speaker 1: you went dark because he's trying to get sympathy or empathy, yes, 428 00:21:11,200 --> 00:21:13,680 Speaker 1: one of the two, whatever they are. I didn't know 429 00:21:13,680 --> 00:21:16,200 Speaker 1: which one you want me to do. Okay, she left 430 00:21:16,240 --> 00:21:18,400 Speaker 1: me because I wouldn't hold her bags at them. Okay, 431 00:21:20,440 --> 00:21:24,200 Speaker 1: she died. She found That's why she left. She found 432 00:21:24,240 --> 00:21:28,280 Speaker 1: some guy named Steve the bag holding that was funny. 433 00:21:28,320 --> 00:21:31,240 Speaker 1: That's good. You killed the bet with you go. You 434 00:21:31,359 --> 00:21:34,600 Speaker 1: passed away unexpectedly in her sleep. Well, I don't want 435 00:21:34,640 --> 00:21:36,960 Speaker 1: to keep going ray would you hit that bud twigging 436 00:21:37,040 --> 00:21:40,160 Speaker 1: in this part of this conversation? That's what was Let's 437 00:21:40,160 --> 00:21:48,600 Speaker 1: just spill the team. It's the best bits of the 438 00:21:48,640 --> 00:21:53,760 Speaker 1: week with Morgan number two on the show. This week 439 00:21:53,800 --> 00:21:57,120 Speaker 1: we had the famous actor Dean Norris. Many of you 440 00:21:57,160 --> 00:22:00,960 Speaker 1: know him on Breaking Bad as he played a really 441 00:22:00,960 --> 00:22:03,359 Speaker 1: epic role there, and he talked all about Breaking Bad 442 00:22:03,359 --> 00:22:06,320 Speaker 1: plus his new TV show. So yeah, did you love 443 00:22:06,359 --> 00:22:09,119 Speaker 1: that interview? Mike? You love movies and TV show? I do, 444 00:22:09,200 --> 00:22:11,040 Speaker 1: and I love Breaking Bad, and I think we were 445 00:22:11,040 --> 00:22:12,919 Speaker 1: talking about how that was like the first show we 446 00:22:13,040 --> 00:22:15,960 Speaker 1: binged watch and I remember taking an entire I don't know, 447 00:22:16,000 --> 00:22:18,359 Speaker 1: a couple of weeks to watch the entire season or 448 00:22:18,400 --> 00:22:20,680 Speaker 1: a series of Breaking Bad, and that was really cool 449 00:22:20,720 --> 00:22:23,119 Speaker 1: to get to talk to him. Is there an actor 450 00:22:23,160 --> 00:22:25,280 Speaker 1: You've gotten to talk to some cool people that I 451 00:22:25,320 --> 00:22:29,240 Speaker 1: think we're really big moments, like even Steven's the girl. Yeah, 452 00:22:30,040 --> 00:22:31,440 Speaker 1: you ought to talk to her and that was really 453 00:22:31,440 --> 00:22:33,479 Speaker 1: cool for me. But is there like a list for you, 454 00:22:33,560 --> 00:22:37,320 Speaker 1: like your mount Rushmore of actors actresses that you would 455 00:22:37,320 --> 00:22:39,560 Speaker 1: love to talk to? Oh? Yeah. See the thing with 456 00:22:39,600 --> 00:22:45,080 Speaker 1: me is I love movies, and I feel like really 457 00:22:45,119 --> 00:22:47,239 Speaker 1: big movie stars are really hard to get ahold of them, 458 00:22:47,240 --> 00:22:49,680 Speaker 1: and they also don't do many interviews. Yeah, so I 459 00:22:49,720 --> 00:22:52,240 Speaker 1: think like Leonardo DiCaprio would be up there on mine, 460 00:22:53,000 --> 00:22:56,399 Speaker 1: probably like Brad Pitt, and then on the music side 461 00:22:56,400 --> 00:22:58,560 Speaker 1: for sure, post Malone, We've been trying to get him 462 00:22:58,600 --> 00:23:01,080 Speaker 1: on the show in some capacity. He's my favorite artists, 463 00:23:01,119 --> 00:23:03,840 Speaker 1: so that would be like the biggest one for me. Well, 464 00:23:03,840 --> 00:23:06,719 Speaker 1: and you obviously have you know movie Mike's movie podcast. 465 00:23:07,359 --> 00:23:10,160 Speaker 1: Do you ever watch TV shows? I know you watch 466 00:23:10,240 --> 00:23:11,480 Speaker 1: movies and I know you love them, but do you 467 00:23:11,520 --> 00:23:14,720 Speaker 1: watch TV shows? Yeah? I watch. I watch a lot 468 00:23:14,760 --> 00:23:16,840 Speaker 1: of TV shows that have to do with movies, like 469 00:23:16,880 --> 00:23:19,879 Speaker 1: I watched Yeah, like Talking in the Winter Soldier. That 470 00:23:19,920 --> 00:23:22,280 Speaker 1: was the last thing I watched. Oh let's talk about that. 471 00:23:22,320 --> 00:23:26,880 Speaker 1: Yeah you did watch it? Yep? Okay, so good. I 472 00:23:26,920 --> 00:23:30,040 Speaker 1: loved it because Captain America the Winter Soldier is besides 473 00:23:30,040 --> 00:23:32,880 Speaker 1: the Avengers movie is my favorite marblement, Okay, And so 474 00:23:32,920 --> 00:23:34,240 Speaker 1: when this came out, I was like, oh my god, 475 00:23:34,320 --> 00:23:36,480 Speaker 1: this is like my time to hine. I love this 476 00:23:36,880 --> 00:23:40,159 Speaker 1: movie series everything about it, and I also love Captain America. Right, 477 00:23:40,760 --> 00:23:43,960 Speaker 1: So I was kind of set up to be disappointed 478 00:23:43,960 --> 00:23:46,320 Speaker 1: because it wasn't gonna be Chris Evans, but I was 479 00:23:46,400 --> 00:23:50,120 Speaker 1: so oddly like happy with the entire series. What did 480 00:23:50,119 --> 00:23:54,040 Speaker 1: you think about it? Oddly enough, it wasn't my favorite really, yeah, okay, 481 00:23:54,080 --> 00:23:56,600 Speaker 1: so what did you not like about it? I felt like, 482 00:23:56,880 --> 00:23:59,680 Speaker 1: I won't spoil anything, but the entire thing is six episodes. 483 00:23:59,720 --> 00:24:02,359 Speaker 1: I like it could have been one movie. Yeah, I 484 00:24:02,520 --> 00:24:05,240 Speaker 1: wasn't every time I turned on an episode. I don't 485 00:24:05,280 --> 00:24:07,720 Speaker 1: think it kept my attention the entire time. I thought 486 00:24:07,720 --> 00:24:09,920 Speaker 1: the whole story of what happened was cool. And now 487 00:24:09,920 --> 00:24:11,439 Speaker 1: they're talking about how it's going to lead to a 488 00:24:11,480 --> 00:24:14,720 Speaker 1: Captain America four movie. But watching that show, I wasn't 489 00:24:14,760 --> 00:24:17,640 Speaker 1: excited every week. It didn't leave me as an awe 490 00:24:17,680 --> 00:24:20,919 Speaker 1: as a wand division did before that. But also, just 491 00:24:21,000 --> 00:24:23,320 Speaker 1: Captain America in general is not my favorite. So if 492 00:24:23,359 --> 00:24:25,440 Speaker 1: he is your favorite, I can see why you loved it. Yeah, 493 00:24:25,640 --> 00:24:28,800 Speaker 1: but for me, it wasn't quite there for me. Yeah, 494 00:24:28,840 --> 00:24:31,160 Speaker 1: well in Wan division really like set it up. The 495 00:24:31,160 --> 00:24:34,120 Speaker 1: thing that's kind of surprising me with these is that, 496 00:24:34,320 --> 00:24:37,160 Speaker 1: like Marvel really is known for their movie series, they 497 00:24:37,160 --> 00:24:38,960 Speaker 1: really don't do a lot of TV shows. It's not 498 00:24:39,000 --> 00:24:41,520 Speaker 1: really their bread and butter. Right. Yeah, they're kind of 499 00:24:41,520 --> 00:24:43,760 Speaker 1: getting into it now with all the Disney plus so yes, 500 00:24:43,840 --> 00:24:46,680 Speaker 1: but they're only doing like six or ten episodes. I'm like, Yo, 501 00:24:46,840 --> 00:24:48,960 Speaker 1: this is not how this works. You gotta give me 502 00:24:48,960 --> 00:24:50,600 Speaker 1: a lot more content than that, because I could have 503 00:24:50,600 --> 00:24:53,879 Speaker 1: been just like a day. Yeah, you watch shows so fast, 504 00:24:54,040 --> 00:24:55,760 Speaker 1: Like a show will come out at midnight and it's 505 00:24:55,800 --> 00:24:58,280 Speaker 1: like the next day you've seen the entire series. How 506 00:24:58,320 --> 00:25:01,359 Speaker 1: do you do that? And I just binge watch things 507 00:25:01,520 --> 00:25:04,919 Speaker 1: while I'm working, Like I'm really good at multitasking, and 508 00:25:04,960 --> 00:25:06,880 Speaker 1: I always have to have something on in the background. 509 00:25:06,880 --> 00:25:08,800 Speaker 1: So I just find a show and I just start 510 00:25:08,800 --> 00:25:10,800 Speaker 1: binge watching it while I'm doing all of my work 511 00:25:10,800 --> 00:25:13,600 Speaker 1: at home. And that's kind of my way of being involved. 512 00:25:13,720 --> 00:25:16,320 Speaker 1: I guess I'm not sure how I can keep up 513 00:25:16,320 --> 00:25:18,040 Speaker 1: with things. At the same time, I think I put 514 00:25:18,080 --> 00:25:20,480 Speaker 1: like my mind on overdrive, which is probably why I 515 00:25:20,560 --> 00:25:23,359 Speaker 1: passed out so hard or I but that's typically what 516 00:25:23,440 --> 00:25:24,840 Speaker 1: I do. I like just put it on throughout the 517 00:25:24,840 --> 00:25:26,400 Speaker 1: whole day and it's just kind of on while I'm 518 00:25:26,400 --> 00:25:28,800 Speaker 1: doing everything. So with that show though, coming out once 519 00:25:28,800 --> 00:25:31,080 Speaker 1: a week, how do you feel like with that kind 520 00:25:31,080 --> 00:25:33,760 Speaker 1: of schedule versus when they release all the episodes at once. 521 00:25:34,160 --> 00:25:36,639 Speaker 1: I have like a love hate relationship of it. I 522 00:25:36,680 --> 00:25:39,000 Speaker 1: think I like it more. Well, it makes me like 523 00:25:39,080 --> 00:25:42,960 Speaker 1: wait and like really anticipated and get excited. But then 524 00:25:43,000 --> 00:25:44,480 Speaker 1: I'm like sitting there and I'm like, Okay, well I 525 00:25:44,560 --> 00:25:47,320 Speaker 1: want to know what happens next. My patience is gone 526 00:25:47,440 --> 00:25:50,520 Speaker 1: because of the binge culture. Yeah, you know, I think 527 00:25:50,560 --> 00:25:52,439 Speaker 1: I got burnt out on the beinge culture because I 528 00:25:52,440 --> 00:25:54,480 Speaker 1: would just watch the next episode for the sake of 529 00:25:54,520 --> 00:25:56,320 Speaker 1: watching it or trying to. I have a weird thing 530 00:25:56,320 --> 00:25:57,800 Speaker 1: in my brain where I try to clear off with 531 00:25:57,800 --> 00:26:00,320 Speaker 1: an entire list, So when I see an entire series, 532 00:26:00,320 --> 00:26:01,760 Speaker 1: I'm gonna try to get through it as fast as 533 00:26:01,800 --> 00:26:04,320 Speaker 1: I can. And with the one episode a week, it 534 00:26:04,400 --> 00:26:07,400 Speaker 1: kind of allows me to digest each one and enjoy 535 00:26:07,440 --> 00:26:09,320 Speaker 1: it more. That's how I felt with it, So I'm 536 00:26:09,320 --> 00:26:11,040 Speaker 1: into it. I know some people don't like it because 537 00:26:11,040 --> 00:26:13,520 Speaker 1: you can't binge it all in a weekend, but I 538 00:26:13,520 --> 00:26:15,880 Speaker 1: think it makes it more enjoyable. Yeah, I mean you're 539 00:26:15,920 --> 00:26:18,040 Speaker 1: totally right. I mean, like I said, like, I definitely 540 00:26:18,119 --> 00:26:19,800 Speaker 1: missed details, and then I'll get on TikTok and I'll 541 00:26:19,800 --> 00:26:22,399 Speaker 1: be like, hey, wait, I realize that moment happened, and 542 00:26:22,440 --> 00:26:25,600 Speaker 1: then I'll go back and watch it. But what about 543 00:26:26,080 --> 00:26:30,640 Speaker 1: when Anthony Mackie who was the Falcon without giving too 544 00:26:30,640 --> 00:26:33,399 Speaker 1: many details, when he got revealed, Yeah, how did you 545 00:26:33,440 --> 00:26:35,720 Speaker 1: feel in that moment? That was the moment that that 546 00:26:35,920 --> 00:26:37,879 Speaker 1: did it for me? Like, that's the moment when I 547 00:26:37,920 --> 00:26:39,920 Speaker 1: was watching that show, I got hype and it made 548 00:26:39,920 --> 00:26:42,679 Speaker 1: me excited for it. I needed that more throughout the 549 00:26:42,760 --> 00:26:45,560 Speaker 1: entire series. More moments like that, Yeah, for sure. And 550 00:26:45,920 --> 00:26:48,720 Speaker 1: definitely the whole idea of the White Wolf, which is 551 00:26:49,320 --> 00:26:53,320 Speaker 1: could be really cool in the coming years with Marvel movies. Yeah. 552 00:26:53,400 --> 00:26:56,040 Speaker 1: And also I'm trying to like talk on this without 553 00:26:56,040 --> 00:26:59,120 Speaker 1: giving because I know it's like so new. But then 554 00:26:59,600 --> 00:27:01,280 Speaker 1: it was when he got revealed. But then the other 555 00:27:01,320 --> 00:27:03,320 Speaker 1: moment when he had like his speech at the end, 556 00:27:03,320 --> 00:27:05,360 Speaker 1: where I kind of got chills and I was like, okay, 557 00:27:05,359 --> 00:27:10,000 Speaker 1: like this solidifies why he is becoming who he's becoming. Yeah, 558 00:27:10,480 --> 00:27:12,600 Speaker 1: that did come that way. Okay, that makes sense. I 559 00:27:12,640 --> 00:27:16,160 Speaker 1: like that. Yeah, okay. So besides Marvel stuff or like 560 00:27:16,520 --> 00:27:18,960 Speaker 1: you know, TV shows that's been into movies, has there 561 00:27:19,640 --> 00:27:23,200 Speaker 1: been a TV show that you like love a recent one? Yeah, 562 00:27:23,320 --> 00:27:26,040 Speaker 1: recent or just ever? I mean of all time, my 563 00:27:26,080 --> 00:27:29,720 Speaker 1: favorite show is The Simpsons. And yeah, that's not a movie. 564 00:27:29,760 --> 00:27:31,679 Speaker 1: I mean that and that's yeah, that's a straight on, 565 00:27:31,720 --> 00:27:35,080 Speaker 1: full TV show. I think the entire basis on if 566 00:27:35,119 --> 00:27:37,080 Speaker 1: I'm any ounce of kind of like funny when it 567 00:27:37,119 --> 00:27:40,040 Speaker 1: comes to writing or doing any kind of jokes, I 568 00:27:40,080 --> 00:27:42,040 Speaker 1: think I owe it all to the Simpsons, like they 569 00:27:42,200 --> 00:27:44,359 Speaker 1: kind of as a kid created my mind of like 570 00:27:44,440 --> 00:27:46,600 Speaker 1: how to see the world differently and how to see 571 00:27:46,600 --> 00:27:49,760 Speaker 1: the world with the sense of humor. And I think 572 00:27:49,760 --> 00:27:52,399 Speaker 1: it was watching all those seasons as a kid that 573 00:27:52,560 --> 00:27:54,760 Speaker 1: made me want to do something like that. And even 574 00:27:55,080 --> 00:27:58,199 Speaker 1: the episodes now, I still enjoy them, and over the 575 00:27:58,240 --> 00:28:00,880 Speaker 1: course of my entire life, I've related everything that's gone 576 00:28:00,880 --> 00:28:03,639 Speaker 1: on with me to an episode of the Simpsons. So 577 00:28:03,840 --> 00:28:06,160 Speaker 1: that's been my favorite show, a show that I can 578 00:28:06,200 --> 00:28:10,400 Speaker 1: watch any single episode, no, every single word, dude, So 579 00:28:10,640 --> 00:28:13,240 Speaker 1: that that's been my ultimate well, and I could totally 580 00:28:13,240 --> 00:28:15,879 Speaker 1: see that. I see the relation between that humor and 581 00:28:15,920 --> 00:28:20,280 Speaker 1: your humor and the way that you connect two. I 582 00:28:20,320 --> 00:28:22,240 Speaker 1: also know you've said that you would love, like your 583 00:28:22,320 --> 00:28:24,560 Speaker 1: kind of ultimate dream job would be to be a 584 00:28:24,600 --> 00:28:28,600 Speaker 1: writer for a TV show or movie. Right, Yeah, So 585 00:28:29,080 --> 00:28:32,520 Speaker 1: would you hope to write for something like Simpsons? Are 586 00:28:32,520 --> 00:28:34,640 Speaker 1: you just open to any kind of writing? I mean, 587 00:28:34,680 --> 00:28:38,160 Speaker 1: I'm open to anything, Like I would love to write 588 00:28:38,560 --> 00:28:42,120 Speaker 1: even just one episode on even a line of the Simpsons, 589 00:28:42,160 --> 00:28:46,120 Speaker 1: like like if I or if they like took a 590 00:28:46,160 --> 00:28:47,560 Speaker 1: tweet and like, hey, we want to use that any 591 00:28:47,600 --> 00:28:49,280 Speaker 1: show that would be like the ultimate thing. I think 592 00:28:49,320 --> 00:28:51,640 Speaker 1: even now, like, um, we've been doing the new on 593 00:28:51,760 --> 00:28:54,840 Speaker 1: Time with Bobby Bones twitch show, which I write, and 594 00:28:55,120 --> 00:28:57,840 Speaker 1: I've found the most enjoyment of that than any of 595 00:28:57,880 --> 00:29:00,600 Speaker 1: the new projects I've taken on recently, because that's basically 596 00:29:00,600 --> 00:29:04,120 Speaker 1: starts with a blank word document and I go in 597 00:29:04,160 --> 00:29:06,760 Speaker 1: and try to build the entire show, which we do interviews, 598 00:29:06,800 --> 00:29:09,120 Speaker 1: we do games, but we do like a monologue where 599 00:29:09,120 --> 00:29:10,840 Speaker 1: I'm writing jokes for Bobby, and that's been the most 600 00:29:10,840 --> 00:29:14,000 Speaker 1: fulfilling to me. And I've taken you know, things I've 601 00:29:14,040 --> 00:29:16,560 Speaker 1: learned from the Simpsons to create that. So for me, 602 00:29:16,640 --> 00:29:21,160 Speaker 1: writing is just fun because it's literally taking nothing, putting 603 00:29:21,200 --> 00:29:22,880 Speaker 1: a bunch of words on a piece of paper, and 604 00:29:22,920 --> 00:29:25,680 Speaker 1: trying to make something entertaining. So that's why I love it. Well, 605 00:29:25,760 --> 00:29:29,560 Speaker 1: I love that. So say, right now, somebody reaches out 606 00:29:29,600 --> 00:29:31,960 Speaker 1: to you and you could be a writer for a 607 00:29:32,000 --> 00:29:35,160 Speaker 1: TV show or for a production company or network or something. 608 00:29:35,720 --> 00:29:39,400 Speaker 1: Would you take that jump right now? I don't think 609 00:29:39,400 --> 00:29:42,400 Speaker 1: I'm there yet. I think I'm sharpening my skills right 610 00:29:42,440 --> 00:29:45,400 Speaker 1: now to be there someday. Yeah, I don't think I'm 611 00:29:45,440 --> 00:29:48,520 Speaker 1: ready for it yet. I'm just trying out kind of 612 00:29:48,560 --> 00:29:50,560 Speaker 1: my voice as a writer and how to do it 613 00:29:50,600 --> 00:29:53,840 Speaker 1: more effectively and just write things that are just better 614 00:29:53,840 --> 00:29:55,680 Speaker 1: than I'm doing right now. I don't think I'm at 615 00:29:55,720 --> 00:29:58,720 Speaker 1: that level yet, So maybe five years i'd be there. Okay, 616 00:29:58,920 --> 00:30:01,600 Speaker 1: So it's the it's kind of the ultimate dream job 617 00:30:01,720 --> 00:30:04,960 Speaker 1: and potential rest of your life career. Yeah, okay, and 618 00:30:05,040 --> 00:30:07,720 Speaker 1: we're are you like big on writing in high school 619 00:30:07,800 --> 00:30:11,240 Speaker 1: or did this become like after high school? I mean 620 00:30:11,280 --> 00:30:15,360 Speaker 1: I always I was in a band all throughout junior high, 621 00:30:15,480 --> 00:30:17,800 Speaker 1: high school, or I would write songs, but then it 622 00:30:17,880 --> 00:30:20,520 Speaker 1: was when I got to college that I started taking 623 00:30:20,520 --> 00:30:22,560 Speaker 1: on more creative writing. So I took a bunch of 624 00:30:22,560 --> 00:30:27,440 Speaker 1: like poetry, like essay, like even like technical writing, like 625 00:30:27,440 --> 00:30:29,480 Speaker 1: how to write a freaking manual. I learned how to 626 00:30:29,520 --> 00:30:31,680 Speaker 1: do that just because I've always loved it. And I think, 627 00:30:31,680 --> 00:30:33,479 Speaker 1: like I was saying earlier, it's because I'm a quiet 628 00:30:33,480 --> 00:30:37,280 Speaker 1: guy that I communicate the best through words. Even now, 629 00:30:37,800 --> 00:30:39,800 Speaker 1: I think we'll talk later about my wedding, but getting 630 00:30:39,800 --> 00:30:46,200 Speaker 1: ready to write my vow. Yeah, but like I'm a 631 00:30:46,280 --> 00:30:50,080 Speaker 1: lot more efficient with getting words out when I write 632 00:30:50,080 --> 00:30:52,360 Speaker 1: them than I do speaking sometimes, And it's weird for 633 00:30:52,400 --> 00:30:55,120 Speaker 1: a person who works in radio does a podcast that 634 00:30:55,280 --> 00:30:57,280 Speaker 1: I'd say that I'm a better writer than I am speaker. 635 00:30:57,280 --> 00:30:59,200 Speaker 1: But that's, yeah, that's how it is. Well, I feel 636 00:30:59,200 --> 00:31:01,640 Speaker 1: like just talking about this subject, I think when you 637 00:31:01,680 --> 00:31:03,680 Speaker 1: get to talk about something you're passionate about, I think 638 00:31:03,680 --> 00:31:05,640 Speaker 1: you're really good at talking about it. Like you're sitting 639 00:31:05,640 --> 00:31:07,800 Speaker 1: here talking to me and it's no big deal. That's true, 640 00:31:07,840 --> 00:31:11,120 Speaker 1: But I know you fair and it's something you're really 641 00:31:11,120 --> 00:31:13,160 Speaker 1: excited about too, though, and that could have something to 642 00:31:13,160 --> 00:31:14,560 Speaker 1: do with it. You know, you're like, I don't want 643 00:31:14,560 --> 00:31:17,560 Speaker 1: to just talk about nothing yeah, you know it's true. 644 00:31:17,720 --> 00:31:20,560 Speaker 1: How are you and like? Because I know we're similar 645 00:31:20,600 --> 00:31:22,360 Speaker 1: in some ways, But when it comes to being like 646 00:31:22,400 --> 00:31:25,200 Speaker 1: in a social situation, can you go in with people 647 00:31:25,200 --> 00:31:28,720 Speaker 1: that you don't know and just immediately start a conversation. Yes, see, 648 00:31:28,760 --> 00:31:32,360 Speaker 1: I envy that I go into a situation like that 649 00:31:32,400 --> 00:31:34,440 Speaker 1: and I say no words and hang out in the background. 650 00:31:34,840 --> 00:31:37,000 Speaker 1: I wish I could be more like you. Well, to 651 00:31:37,040 --> 00:31:39,840 Speaker 1: be fair, alcohol helps with that. I'm not gonna lie 652 00:31:39,840 --> 00:31:43,080 Speaker 1: about that, but I still could, Like I just I 653 00:31:43,120 --> 00:31:47,680 Speaker 1: hate awkward things. I'm really like uncomfortable when things are awkward, 654 00:31:47,720 --> 00:31:49,560 Speaker 1: So instead of ever letting it get to that, I 655 00:31:49,600 --> 00:31:52,080 Speaker 1: just talk. So my I'm just gonna like get out 656 00:31:52,080 --> 00:31:54,640 Speaker 1: of the awkwardness. So like for me, that's what makes 657 00:31:54,680 --> 00:31:57,160 Speaker 1: me uncomfortable. So instead, I like try to make sure 658 00:31:57,200 --> 00:31:59,640 Speaker 1: that never happens. So you can't have a lull in 659 00:31:59,680 --> 00:32:01,920 Speaker 1: the conversation, even with the stranger. You have to feel 660 00:32:02,040 --> 00:32:04,160 Speaker 1: that time. No, Like Mike, when I would go on dates, 661 00:32:04,160 --> 00:32:06,160 Speaker 1: and like I would go on obviously you know, not 662 00:32:06,240 --> 00:32:09,480 Speaker 1: good dates, and somebody would like not be a good talker, 663 00:32:09,480 --> 00:32:11,520 Speaker 1: and I'd just be I would be making up stuff 664 00:32:11,520 --> 00:32:13,320 Speaker 1: so hard, Like I would just be like, Okay, so 665 00:32:13,520 --> 00:32:16,959 Speaker 1: when you were a child, what did you like to do? 666 00:32:17,280 --> 00:32:21,120 Speaker 1: Like I can make a conversation out of an orange really, 667 00:32:21,160 --> 00:32:23,000 Speaker 1: like I could talk to a brick wall. But that's 668 00:32:23,080 --> 00:32:25,320 Speaker 1: genuinely just out of the fact that I hate awkwardness, 669 00:32:25,360 --> 00:32:27,840 Speaker 1: Like lunchbox Love is being awkward, and even being around 670 00:32:27,920 --> 00:32:32,440 Speaker 1: him sometimes makes me uncomfortable because I hate awkward, Like 671 00:32:32,440 --> 00:32:34,840 Speaker 1: it just makes it. It makes you cringe. I don't know, 672 00:32:35,040 --> 00:32:37,640 Speaker 1: I see I'm the opposite. I thrive in silence, Like 673 00:32:37,680 --> 00:32:40,479 Speaker 1: I got my hair cut last week, and they do 674 00:32:40,520 --> 00:32:42,320 Speaker 1: that thing where they kind of, you know, make the 675 00:32:42,360 --> 00:32:45,800 Speaker 1: small talk. Yes, I give like I'm like, I'm good 676 00:32:45,960 --> 00:32:48,000 Speaker 1: just sitting here and saying nothing, And I think sometimes 677 00:32:48,000 --> 00:32:49,400 Speaker 1: they respect that. They're like, you know what, we talk 678 00:32:49,480 --> 00:32:52,240 Speaker 1: to people all day long. I think I've asked my 679 00:32:52,280 --> 00:32:54,440 Speaker 1: person before, like you like, care about small talk? You know, 680 00:32:54,480 --> 00:32:56,480 Speaker 1: Like they're like, it's nice to have a break sometimes, 681 00:32:56,480 --> 00:32:59,440 Speaker 1: so we say nothing throughout the entire haircut, and I 682 00:32:59,480 --> 00:33:02,520 Speaker 1: love it. That's so funny. Oh, I love that. But 683 00:33:02,600 --> 00:33:05,880 Speaker 1: also like that's why it's so cool to have friendships 684 00:33:05,880 --> 00:33:08,640 Speaker 1: with so many different kinds of people, because I think 685 00:33:08,680 --> 00:33:10,479 Speaker 1: you need that balance in your life. I think you 686 00:33:10,480 --> 00:33:13,440 Speaker 1: need somebody who wants to be the social butterflying. You 687 00:33:13,480 --> 00:33:15,400 Speaker 1: need someone who doesn't want to be that and just 688 00:33:15,480 --> 00:33:17,960 Speaker 1: kind of wants to hang out and live in that silence. 689 00:33:18,560 --> 00:33:20,880 Speaker 1: I think that's really awesome. I think that's where friendships 690 00:33:20,920 --> 00:33:23,200 Speaker 1: thrive is when you're just different. You kind of blend 691 00:33:23,240 --> 00:33:26,000 Speaker 1: the two together and you're like, Okay, this works. Somehow 692 00:33:26,000 --> 00:33:27,920 Speaker 1: it works, and somehow it works with me and Bobby 693 00:33:27,920 --> 00:33:30,040 Speaker 1: because we are both like that. We can go an 694 00:33:30,200 --> 00:33:34,320 Speaker 1: entire trip together and say nothing and we're fine with it. 695 00:33:34,520 --> 00:33:37,240 Speaker 1: Like that's how we work together because we are both 696 00:33:37,440 --> 00:33:40,440 Speaker 1: that way. Yeah, it's not like a microphone in front 697 00:33:40,440 --> 00:33:43,040 Speaker 1: of our faces. Yeah, that's true. He you know, Bobby 698 00:33:43,120 --> 00:33:45,440 Speaker 1: could be really silent when he's not in front of 699 00:33:45,440 --> 00:33:47,840 Speaker 1: the mic, and that would probably shock some people because 700 00:33:47,840 --> 00:33:51,520 Speaker 1: he's so outgoing on the radio. Yeah, but that's cool. 701 00:33:51,560 --> 00:33:54,000 Speaker 1: I mean, Mike just gave you a nice little tidbit there. Yeah, 702 00:33:54,560 --> 00:33:56,880 Speaker 1: take him away from the show, put him in as 703 00:33:56,920 --> 00:33:58,960 Speaker 1: the situation we're hanging out, and you'll say it like 704 00:33:59,040 --> 00:34:02,320 Speaker 1: five words. Maybe this is true when he when we 705 00:34:02,320 --> 00:34:04,360 Speaker 1: would go out to the bars and stuff. I mean, 706 00:34:04,400 --> 00:34:06,200 Speaker 1: he would love to like dance, but he thrived and 707 00:34:06,280 --> 00:34:08,200 Speaker 1: just kind of chilling there and living in the moment 708 00:34:08,560 --> 00:34:11,399 Speaker 1: and not really like talking much. And he's probably taking 709 00:34:11,400 --> 00:34:13,040 Speaker 1: mental notes about what he can talk about on the 710 00:34:13,080 --> 00:34:16,080 Speaker 1: show later. That's how he works. He would he would 711 00:34:16,080 --> 00:34:19,800 Speaker 1: always bring out and write down something. I'm like, oh gosh, 712 00:34:19,840 --> 00:34:23,600 Speaker 1: here we go. Oh well, that was a fun little talk. 713 00:34:23,640 --> 00:34:26,279 Speaker 1: But before we get into more conversations, because we're so 714 00:34:26,400 --> 00:34:29,400 Speaker 1: going to talk about your wedding, here is Dean Norris 715 00:34:29,520 --> 00:34:32,520 Speaker 1: on the show talking Breaking Bad, the United States of 716 00:34:32,640 --> 00:34:35,279 Speaker 1: al all the cool things that he's doing right now. 717 00:34:35,440 --> 00:34:38,040 Speaker 1: So here we go. Number four, We're about to talk 718 00:34:38,040 --> 00:34:41,479 Speaker 1: to Dean Norris, who you may know as Hank from 719 00:34:41,520 --> 00:34:45,920 Speaker 1: Breaking Bad, the bald brother in law of Walter White. Right, 720 00:34:45,920 --> 00:34:49,000 Speaker 1: he's on a comedy now and CBS. We all watched 721 00:34:49,000 --> 00:34:52,439 Speaker 1: Breaking Bad, right, so good it started everything for us, 722 00:34:52,440 --> 00:34:56,359 Speaker 1: like binging television. That's how it started. Maybe I think 723 00:34:56,360 --> 00:35:00,000 Speaker 1: I would already bench like Madman okay around that same time, 724 00:35:00,040 --> 00:35:01,560 Speaker 1: But for me, I think that was it too. That 725 00:35:01,640 --> 00:35:03,480 Speaker 1: our orange is the new black back in the day. 726 00:35:03,680 --> 00:35:05,120 Speaker 1: So he's got a new show and we're gonna talk 727 00:35:05,160 --> 00:35:07,080 Speaker 1: about but he's like, hey, come on, talk about Breaking Bad. 728 00:35:07,120 --> 00:35:08,399 Speaker 1: If you wants. It's we're all such a big fans 729 00:35:08,440 --> 00:35:10,719 Speaker 1: thought we'd get him on. So here he is Dean 730 00:35:10,840 --> 00:35:15,400 Speaker 1: Norris aka Hank from Breaking Back on The Bobby Bones Show. 731 00:35:15,440 --> 00:35:19,000 Speaker 1: Now Dean Norris. You guys can check out Dean in 732 00:35:19,239 --> 00:35:22,920 Speaker 1: United States of Al. It's comedy. It's out now on 733 00:35:22,960 --> 00:35:26,919 Speaker 1: CBS on Thursdays, also streaming Paramount Plus. Dean. So happy 734 00:35:27,000 --> 00:35:28,480 Speaker 1: to have you, so great to talk to you. How 735 00:35:28,480 --> 00:35:31,120 Speaker 1: are you man? Hey, I'm great man. Thank you for 736 00:35:31,200 --> 00:35:37,080 Speaker 1: having me feeling good? Yeah? Me too? And how important 737 00:35:37,239 --> 00:35:39,400 Speaker 1: is it for you because you're hopping into a comedy, 738 00:35:39,440 --> 00:35:41,600 Speaker 1: You're coming off a show where everybody knows your face 739 00:35:41,680 --> 00:35:44,840 Speaker 1: from breaking bad like that, next step it's pretty important, right? 740 00:35:44,880 --> 00:35:47,719 Speaker 1: Why did you choose to go over into a comedy? Yeah? 741 00:35:48,440 --> 00:35:50,520 Speaker 1: You know, I'm want to do something completely different than 742 00:35:50,560 --> 00:35:53,680 Speaker 1: I've been doing before, and shit time's about as different 743 00:35:53,680 --> 00:35:57,280 Speaker 1: as you can get from from a you know, serious 744 00:35:57,360 --> 00:36:03,759 Speaker 1: drama show. And had the great Chuck Laurie said he 745 00:36:03,760 --> 00:36:07,000 Speaker 1: had a role for me, and I was like, great, Um, 746 00:36:07,200 --> 00:36:08,880 Speaker 1: that's somebody I really want to work with. I'm going 747 00:36:08,920 --> 00:36:12,840 Speaker 1: to do a sitcom. Obviously he's done a few shows, 748 00:36:13,960 --> 00:36:17,920 Speaker 1: is there? And and that was it. So is there 749 00:36:17,960 --> 00:36:21,800 Speaker 1: a preparation involved? And that's different when you're going to shoot, 750 00:36:22,440 --> 00:36:25,200 Speaker 1: you know, a thirty minute sitcom versus you know, when 751 00:36:25,239 --> 00:36:31,520 Speaker 1: you're doing the big drama role of breaking Bad. Yeah. Absolutely, Um, 752 00:36:31,640 --> 00:36:34,600 Speaker 1: the sitcom is you know, it's much more of a 753 00:36:34,920 --> 00:36:37,560 Speaker 1: the live even though we don't have a full live 754 00:36:37,600 --> 00:36:40,799 Speaker 1: audience because of COVID right now, it is shot as 755 00:36:40,800 --> 00:36:43,040 Speaker 1: if we're in front of a live audience, So we 756 00:36:43,080 --> 00:36:45,880 Speaker 1: have a lot of producers and writers and kind of 757 00:36:46,520 --> 00:36:49,520 Speaker 1: a smaller audience there. So there's kind of a theater 758 00:36:49,600 --> 00:36:53,799 Speaker 1: filled to you know, getting ready, h and when the 759 00:36:53,800 --> 00:36:57,799 Speaker 1: show as opposed to uh, you know, sixteen hour days, 760 00:36:57,840 --> 00:37:01,279 Speaker 1: I'm shooting a drama. Do you ever crack? I mean 761 00:37:01,280 --> 00:37:04,280 Speaker 1: it's a comedy, you're not supposed to laugh. Oh yeah, 762 00:37:04,440 --> 00:37:06,440 Speaker 1: all we crack all the time. We have such a 763 00:37:06,480 --> 00:37:09,200 Speaker 1: good time. But I love my cast. We get along 764 00:37:09,320 --> 00:37:13,640 Speaker 1: very well, and we have so many laughs offset and 765 00:37:14,000 --> 00:37:17,160 Speaker 1: they inevitably get to when when we're filming, so we 766 00:37:17,440 --> 00:37:19,880 Speaker 1: have a lot of times where all of us cracked. 767 00:37:20,480 --> 00:37:24,719 Speaker 1: So walk my listeners through the plot, like the storyline 768 00:37:24,719 --> 00:37:27,040 Speaker 1: of United States of Alan, Why you think it'd be 769 00:37:27,080 --> 00:37:28,600 Speaker 1: great for them to check it out just once, because 770 00:37:28,600 --> 00:37:33,520 Speaker 1: then they'll be hooked for sure. Yeah. Great, it's it's 771 00:37:33,920 --> 00:37:36,320 Speaker 1: my play a guy named Art Dugan who is a 772 00:37:36,320 --> 00:37:41,719 Speaker 1: Midwest military vet and my son comes home from Afghanistan. 773 00:37:41,840 --> 00:37:46,280 Speaker 1: He's a marine, and he has some trouble to Justine, 774 00:37:46,320 --> 00:37:49,399 Speaker 1: he has some PTSD marriage is falling apart, and then 775 00:37:49,440 --> 00:37:56,080 Speaker 1: he brings his interpreter, Al, who he gets him over 776 00:37:56,120 --> 00:37:57,880 Speaker 1: here and just as a site note, that's a very 777 00:37:57,920 --> 00:38:00,560 Speaker 1: important thing that's out there. And I didn't really until 778 00:38:00,640 --> 00:38:05,120 Speaker 1: the show, but once you're an an interpreter in Afghanistan, 779 00:38:05,160 --> 00:38:06,759 Speaker 1: now you have a target on your back because you 780 00:38:06,840 --> 00:38:09,759 Speaker 1: helped the US. So getting them over here is a 781 00:38:09,840 --> 00:38:13,080 Speaker 1: matter of saving their lives. So he comes over and 782 00:38:13,200 --> 00:38:17,640 Speaker 1: he and my son live in my garage, and I 783 00:38:17,680 --> 00:38:20,600 Speaker 1: also have a daughter who lost her fiance to the war, 784 00:38:20,800 --> 00:38:23,000 Speaker 1: and she lives with me too, an adult daughter. And 785 00:38:23,120 --> 00:38:26,160 Speaker 1: we you know, it's a it's a really seems like 786 00:38:26,200 --> 00:38:28,359 Speaker 1: a really serious topic and it is, but we deal 787 00:38:28,400 --> 00:38:32,200 Speaker 1: with it through comedy. United States of Al Thursdays on CBS, 788 00:38:32,239 --> 00:38:36,080 Speaker 1: streaming anytime on Paramount Plus. Are you good at memorizing scripts? 789 00:38:36,120 --> 00:38:37,640 Speaker 1: Like I always felt like it was such a struggle 790 00:38:37,840 --> 00:38:40,160 Speaker 1: remembering anything, will you sit down and read the script 791 00:38:40,160 --> 00:38:43,959 Speaker 1: and know it in a day. I'm pretty good at 792 00:38:44,080 --> 00:38:47,600 Speaker 1: needing at memorizing script. Yeah, it's has never been a 793 00:38:47,640 --> 00:38:51,240 Speaker 1: problem for me. Thank goodness. Well they let you ad 794 00:38:51,280 --> 00:38:53,799 Speaker 1: lib at all, since you're, you know, really one of 795 00:38:53,800 --> 00:38:59,000 Speaker 1: the finer actors of the last twenty years. They ad lib. 796 00:38:59,040 --> 00:39:01,359 Speaker 1: We certainly, we certainly can pitch our own jokes if 797 00:39:01,360 --> 00:39:03,719 Speaker 1: we think that we have a funnier line, and we'll 798 00:39:03,719 --> 00:39:05,200 Speaker 1: throw it out there and if it works, it works. 799 00:39:05,239 --> 00:39:07,520 Speaker 1: If it doesn't, it doesn't. So yeah, they definitely allow 800 00:39:07,600 --> 00:39:09,240 Speaker 1: that to happen. How do they tell you it doesn't? 801 00:39:09,239 --> 00:39:11,560 Speaker 1: And they're just like, sorry, go back to the original. 802 00:39:13,840 --> 00:39:17,680 Speaker 1: That's pretty much it, man, there's nothing. There's been much 803 00:39:18,000 --> 00:39:21,120 Speaker 1: starry to break it to you. They're like, that didn't work. Nor, 804 00:39:22,640 --> 00:39:25,640 Speaker 1: that's pretty funny, and listen, I know when I perform, 805 00:39:25,680 --> 00:39:26,880 Speaker 1: I like to be told right away so I can 806 00:39:26,920 --> 00:39:28,560 Speaker 1: just go on to the next thing. Does that ever 807 00:39:28,640 --> 00:39:30,040 Speaker 1: hurt when you're like, oh, I got this, I'm gonna 808 00:39:30,080 --> 00:39:31,600 Speaker 1: nail this joke and then you're like you try it 809 00:39:31,640 --> 00:39:35,480 Speaker 1: and they're like, nah, wasn't I good? Uh no, man, 810 00:39:35,560 --> 00:39:38,080 Speaker 1: there's so many of them, you know, that, and that's 811 00:39:38,080 --> 00:39:40,080 Speaker 1: just part of the process. And the writers too. On 812 00:39:40,120 --> 00:39:42,879 Speaker 1: the day they will you'll do the scene and then 813 00:39:42,880 --> 00:39:48,359 Speaker 1: they'll throw you four different lines um to try. So 814 00:39:48,400 --> 00:39:50,840 Speaker 1: they're pitching them too, and some of them works, some 815 00:39:50,880 --> 00:39:53,440 Speaker 1: of them don't work. So you went to Harvard, We're 816 00:39:53,480 --> 00:39:56,400 Speaker 1: always wait, let me get this straight. You went to Harvard? 817 00:39:57,600 --> 00:40:01,080 Speaker 1: I did. Dang, you are fancier than we ever thought, Dean. 818 00:40:04,640 --> 00:40:07,600 Speaker 1: I was the first person in my entire family to 819 00:40:07,840 --> 00:40:11,960 Speaker 1: go to college, let alone Harvard. How do you have? 820 00:40:12,680 --> 00:40:14,879 Speaker 1: What about you? What was the skill set that you 821 00:40:15,040 --> 00:40:17,319 Speaker 1: used to get Harvard to accept you in because you 822 00:40:17,320 --> 00:40:20,759 Speaker 1: have to be pretty elite? Was it acting? It was 823 00:40:20,880 --> 00:40:23,880 Speaker 1: not acting? Um I was? I was a validatoring in 824 00:40:24,000 --> 00:40:27,440 Speaker 1: my class? I was. I did, I did well on 825 00:40:27,520 --> 00:40:31,640 Speaker 1: my on my SATs and all that stuff. And you know, well, 826 00:40:31,680 --> 00:40:34,360 Speaker 1: I guess I wrote a good a good say to 827 00:40:34,360 --> 00:40:36,520 Speaker 1: get in. How many schools did you apply to and 828 00:40:36,560 --> 00:40:38,200 Speaker 1: did you expect to get into Harvard? Were you that 829 00:40:38,239 --> 00:40:39,600 Speaker 1: good of a student? Were you like, I'm for sure 830 00:40:39,600 --> 00:40:44,400 Speaker 1: getting in? I definitely didn't say that, but I applied 831 00:40:44,400 --> 00:40:48,520 Speaker 1: to several of the Ivy League and um in got 832 00:40:48,600 --> 00:40:52,680 Speaker 1: into a couple. Oh well, then maybe who rejected you, 833 00:40:52,960 --> 00:40:59,799 Speaker 1: dang who didn't let you? Indeed? Yeah, I don't want 834 00:40:59,800 --> 00:41:03,120 Speaker 1: to say okay, that's all right, all right, Well listen, 835 00:41:03,120 --> 00:41:04,759 Speaker 1: I hope you guys check out the United States about 836 00:41:04,760 --> 00:41:07,600 Speaker 1: It's a very funny show Thursdays on CBS, and you 837 00:41:07,800 --> 00:41:10,160 Speaker 1: you will recognize his face because we all are massive 838 00:41:10,200 --> 00:41:12,960 Speaker 1: Breaking Bad fans. If you go out, now, does everybody 839 00:41:13,000 --> 00:41:16,720 Speaker 1: just are they like, that's that's Hank from Breaking Bad? Yeah, 840 00:41:16,719 --> 00:41:19,279 Speaker 1: pretty much. Are you tired of it yet? Are you like, 841 00:41:19,400 --> 00:41:21,040 Speaker 1: let me move on in my life, or are you like, 842 00:41:21,120 --> 00:41:23,839 Speaker 1: you know what I am, let's talk about it. Yeah. 843 00:41:23,880 --> 00:41:25,839 Speaker 1: I don't say yeah, I am, let's talk about it, 844 00:41:25,880 --> 00:41:28,279 Speaker 1: but I'm not tired of it? By Andy mean, uh, 845 00:41:28,360 --> 00:41:30,560 Speaker 1: you know, it was a great show and I'm I'm 846 00:41:30,760 --> 00:41:32,479 Speaker 1: I'm lucky to have been a part of it. So 847 00:41:33,160 --> 00:41:37,640 Speaker 1: anybody that that appreciates that and expresses that to me, 848 00:41:37,719 --> 00:41:40,200 Speaker 1: I'm fine with it. Did they give you the full 849 00:41:40,200 --> 00:41:42,920 Speaker 1: script for each episode or just your lines so that 850 00:41:42,960 --> 00:41:46,480 Speaker 1: no spoilers would leak? Yeah, they give us the full scripts. 851 00:41:47,080 --> 00:41:50,640 Speaker 1: Towards the end, they would they would black out certain 852 00:41:50,719 --> 00:41:52,920 Speaker 1: stuff and you'd have to read it in a in 853 00:41:53,000 --> 00:41:57,319 Speaker 1: a special room because they didn't want it to fall 854 00:41:57,320 --> 00:42:00,560 Speaker 1: into the wrong hands. But yeah, generally they would give 855 00:42:00,560 --> 00:42:02,640 Speaker 1: you the whole scrap. I actually would try to not 856 00:42:02,719 --> 00:42:05,120 Speaker 1: read parts of them because I want to enjoy the 857 00:42:05,160 --> 00:42:08,200 Speaker 1: show as a fan on Sunday nights when it aired, 858 00:42:08,960 --> 00:42:10,840 Speaker 1: so I'd read my stuff and then I try to 859 00:42:11,200 --> 00:42:13,680 Speaker 1: as much as I could avoid other stuff. So I 860 00:42:13,800 --> 00:42:17,000 Speaker 1: was as shocked or surprise watching the show as anybody else. 861 00:42:17,360 --> 00:42:19,800 Speaker 1: What was the day like for you when the finale aired? 862 00:42:21,760 --> 00:42:27,160 Speaker 1: It was surreal, man, it was. It was crazy. Actually, 863 00:42:27,560 --> 00:42:32,719 Speaker 1: two episodes before when I spoiler alert things don't work 864 00:42:32,719 --> 00:42:37,040 Speaker 1: out for Hank, there was this big party that that 865 00:42:37,239 --> 00:42:42,880 Speaker 1: the all these like Hollywood, mega powerful people for to 866 00:42:43,080 --> 00:42:47,279 Speaker 1: watch the episode. I was as Mandias and it was like, 867 00:42:47,440 --> 00:42:50,400 Speaker 1: I mean, I can tell you to whoso of people 868 00:42:50,440 --> 00:42:53,239 Speaker 1: in Hollywood, and it was really surreal to have all 869 00:42:53,320 --> 00:42:56,920 Speaker 1: them kind of sitting in this big house watching um 870 00:42:57,800 --> 00:43:01,760 Speaker 1: watching that episode. United States of Al from the pilot 871 00:43:02,040 --> 00:43:04,640 Speaker 1: to when you guys started in production, and the same 872 00:43:04,680 --> 00:43:07,280 Speaker 1: thing with Breaking Bad pilot too, we got picked up production. 873 00:43:07,360 --> 00:43:11,560 Speaker 1: What's the what's the difference in how long those took? Uh, 874 00:43:12,320 --> 00:43:15,960 Speaker 1: it's very short for the United States of Al. Um 875 00:43:17,120 --> 00:43:20,200 Speaker 1: partly because of Chuck Laurie I'm assuming, and partly because 876 00:43:20,320 --> 00:43:23,880 Speaker 1: that we've been trying to make this since last April 877 00:43:24,000 --> 00:43:26,600 Speaker 1: and it was until now that we got to really 878 00:43:26,640 --> 00:43:31,279 Speaker 1: get into it. H And uh, Breaking Bad took quite 879 00:43:31,360 --> 00:43:34,359 Speaker 1: some time because you know, you have to imagine at 880 00:43:34,360 --> 00:43:40,560 Speaker 1: the time it was a crazy story and uh, you know, 881 00:43:41,239 --> 00:43:42,759 Speaker 1: we all we all thought it was like one of 882 00:43:42,800 --> 00:43:45,360 Speaker 1: the best things that we'd ever read. And then in 883 00:43:45,680 --> 00:43:47,680 Speaker 1: but we all felt like, boy, is this gonna make 884 00:43:47,719 --> 00:43:48,880 Speaker 1: it on the air? How are they going to you 885 00:43:48,920 --> 00:43:51,120 Speaker 1: know that how they get a marcuses blah blah blah 886 00:43:51,600 --> 00:43:53,759 Speaker 1: and think think goodness, same state did the right thing, 887 00:43:54,080 --> 00:43:56,400 Speaker 1: so you didn't have to audition for United States of 888 00:43:56,480 --> 00:43:59,800 Speaker 1: al Am. I hearing that right, right? Did you have 889 00:43:59,840 --> 00:44:02,640 Speaker 1: to audition for Breaking Bad? Oh? Yeah? Do you know 890 00:44:02,680 --> 00:44:09,600 Speaker 1: who you beat? If so, tell us he's a really 891 00:44:09,680 --> 00:44:14,239 Speaker 1: sweet No, I don't know what. I don't think I was. 892 00:44:14,760 --> 00:44:16,239 Speaker 1: I want to be honest with you, and I hope 893 00:44:16,280 --> 00:44:18,759 Speaker 1: this didn't sounding modest, but I think what's I met Vince? 894 00:44:19,200 --> 00:44:21,440 Speaker 1: We were they were pretty convinced. I because I was 895 00:44:21,560 --> 00:44:23,759 Speaker 1: the guy. I didn't even even when you have these 896 00:44:23,800 --> 00:44:25,719 Speaker 1: things he called he'd do a test in front of 897 00:44:25,760 --> 00:44:28,560 Speaker 1: the eighth in front of the network, and uh, I'm 898 00:44:28,600 --> 00:44:32,360 Speaker 1: not even sure anybody else was there. Well, tell me 899 00:44:32,400 --> 00:44:34,959 Speaker 1: what an audition process is like. Earlier in your career, 900 00:44:35,360 --> 00:44:38,520 Speaker 1: you know, you were just auditioning for roles. Just you 901 00:44:38,640 --> 00:44:39,920 Speaker 1: just go up to a room and is it like 902 00:44:40,000 --> 00:44:41,919 Speaker 1: the movies where it looks like twelve people sitting around 903 00:44:41,920 --> 00:44:43,160 Speaker 1: in the same room and just walk in and do 904 00:44:43,280 --> 00:44:47,160 Speaker 1: your thing around the other people you're competing against. It's 905 00:44:47,239 --> 00:44:51,239 Speaker 1: exactly that. It's exactly that. It's ridiculous. It's a it's 906 00:44:51,239 --> 00:44:55,440 Speaker 1: a stupid process. Um. I actually enjoyed it because I 907 00:44:56,239 --> 00:44:57,960 Speaker 1: got you know, it was a chance for me to 908 00:44:58,040 --> 00:45:01,160 Speaker 1: perform that day. But it's just a ridiculous process to 909 00:45:01,400 --> 00:45:05,239 Speaker 1: you know, read being a role with somebody who's reading it. Yeah, 910 00:45:05,280 --> 00:45:07,839 Speaker 1: and you're sitting literally sitting against three o three other 911 00:45:07,880 --> 00:45:10,560 Speaker 1: ball guys are sitting across from me. You know, I'm like, Okay, 912 00:45:11,280 --> 00:45:14,880 Speaker 1: what role are you guys going for? Wow? Listen, let 913 00:45:14,880 --> 00:45:17,640 Speaker 1: me encourage everybody to check out United States Aval Thursdays 914 00:45:17,680 --> 00:45:21,479 Speaker 1: on CBS, streaming on Paramount Plus. Obviously we're big fans 915 00:45:21,480 --> 00:45:23,360 Speaker 1: of Breaking Bad as well, and I think probably a 916 00:45:23,360 --> 00:45:24,440 Speaker 1: lot of people see you on that and go I 917 00:45:24,480 --> 00:45:26,960 Speaker 1: should check the show out because I loved Hank so 918 00:45:27,120 --> 00:45:29,200 Speaker 1: much on Breaking Bad and you're just such a great actor. 919 00:45:29,520 --> 00:45:30,920 Speaker 1: Had no idea you went to Harvard Tall. I was 920 00:45:30,920 --> 00:45:32,239 Speaker 1: doing a little research and I was like, not only 921 00:45:32,320 --> 00:45:35,120 Speaker 1: is a great actors, he's Fonsie Darling. That's right, He's 922 00:45:35,239 --> 00:45:39,520 Speaker 1: he's fancy Dean. That's right from Harvard. Hey, Dean, we 923 00:45:39,560 --> 00:45:42,360 Speaker 1: appreciate your time. You guys can follow Dean jay Norris 924 00:45:42,520 --> 00:45:45,120 Speaker 1: on Instagram. You guys check out United States Aval Dean. 925 00:45:45,200 --> 00:45:47,080 Speaker 1: Have a great day. Thank you, Thank you so much. Man, 926 00:45:47,160 --> 00:45:50,680 Speaker 1: have a great one. It's the best Bits of the 927 00:45:50,719 --> 00:45:56,000 Speaker 1: week with Morgan. Number two. This week, we found out 928 00:45:56,120 --> 00:45:59,759 Speaker 1: that Bobby plans to not have a first look at 929 00:45:59,800 --> 00:46:01,759 Speaker 1: his wedding. Also, he kind of talked about some other 930 00:46:01,840 --> 00:46:06,040 Speaker 1: things that may happen during the wedding, including him crying. So, Mike, 931 00:46:06,360 --> 00:46:08,360 Speaker 1: I know your wedding's coming up because I'm going to 932 00:46:08,400 --> 00:46:10,680 Speaker 1: be there and I'm so excited, and I know you're 933 00:46:10,719 --> 00:46:12,879 Speaker 1: probably really excited about We're like, I mean a month 934 00:46:12,920 --> 00:46:15,120 Speaker 1: and a half away. Yeah, that's close. Yeah, Like are 935 00:46:15,160 --> 00:46:17,319 Speaker 1: you counting down the days? Yeah? I think every day 936 00:46:17,360 --> 00:46:19,160 Speaker 1: we look at the calendar and be like, oh crap, 937 00:46:19,239 --> 00:46:21,840 Speaker 1: it's the last suner, what do we think? Okay, so 938 00:46:21,960 --> 00:46:24,239 Speaker 1: are you worried at all that you might cry during 939 00:46:24,239 --> 00:46:26,120 Speaker 1: the wedding. I'm gonna cry one hundred percent. I already 940 00:46:26,160 --> 00:46:29,400 Speaker 1: know you know, you already know there. And with us, 941 00:46:29,440 --> 00:46:31,480 Speaker 1: we had that same conversation or doing the first look, 942 00:46:32,080 --> 00:46:34,759 Speaker 1: and my fiance, Kelsey, wanted to do it, and I 943 00:46:34,840 --> 00:46:36,560 Speaker 1: had to convince her that I didn't want to because 944 00:46:36,600 --> 00:46:38,359 Speaker 1: I don't want to see her beforehand, Like I want 945 00:46:38,520 --> 00:46:40,880 Speaker 1: that moment when she's walking down the aisle to be 946 00:46:40,960 --> 00:46:43,080 Speaker 1: the first time I see her interwding dress, because I 947 00:46:43,120 --> 00:46:44,920 Speaker 1: know that's going to be an emotional thing that I 948 00:46:44,960 --> 00:46:48,240 Speaker 1: could never get back, so I want to talk about 949 00:46:48,560 --> 00:46:50,200 Speaker 1: I want to experience that. And I had to tell 950 00:46:50,239 --> 00:46:52,160 Speaker 1: her like, I want to see you walking down the 951 00:46:52,160 --> 00:46:53,840 Speaker 1: aisle for the first time, and I know it's probably 952 00:46:53,840 --> 00:46:57,279 Speaker 1: gonna make me cry, but I think that's worth more 953 00:46:57,440 --> 00:47:00,879 Speaker 1: than having like pictures together. That first look. I guess 954 00:47:00,920 --> 00:47:03,080 Speaker 1: that's what the whole thing is. It's just meant to 955 00:47:03,160 --> 00:47:05,160 Speaker 1: have like a private moment for you to have that 956 00:47:05,280 --> 00:47:08,120 Speaker 1: first look instead of in front of everybody. Yeah, but also, 957 00:47:08,280 --> 00:47:10,200 Speaker 1: like I feel like having it in front of everybody 958 00:47:10,280 --> 00:47:12,399 Speaker 1: kind of adds to it because technically, all those people 959 00:47:12,440 --> 00:47:15,200 Speaker 1: are part of your story, right, like your guys's love story. 960 00:47:15,360 --> 00:47:18,000 Speaker 1: Those are all your friends who you know cherished you 961 00:47:18,040 --> 00:47:20,200 Speaker 1: and supported you guys along the way. So I feel 962 00:47:20,200 --> 00:47:21,800 Speaker 1: like it's kind of cool and it adds more to 963 00:47:21,920 --> 00:47:24,440 Speaker 1: that moment. Yeah, I think, yeah, yeah, I think. I 964 00:47:24,560 --> 00:47:28,160 Speaker 1: just I would remember that more than having that private 965 00:47:28,239 --> 00:47:30,120 Speaker 1: moment together. Well, yeah, and you get to see her 966 00:47:30,160 --> 00:47:32,279 Speaker 1: in her dress for the first time, yeah, which she 967 00:47:32,400 --> 00:47:35,640 Speaker 1: looks stunning by the way. Yeah, she brought it home, Like, 968 00:47:35,920 --> 00:47:38,719 Speaker 1: I guess what do you get like alterations or whatever 969 00:47:38,840 --> 00:47:40,200 Speaker 1: to it? And I was like, I don't want to 970 00:47:40,200 --> 00:47:42,160 Speaker 1: see it. Get it out put in the other room. 971 00:47:42,520 --> 00:47:45,520 Speaker 1: So do you guys plan to write your own vows? Yeah, 972 00:47:45,560 --> 00:47:48,960 Speaker 1: we were writing our own vows. I've already started working 973 00:47:49,040 --> 00:47:51,279 Speaker 1: on mine. Like I'll get an idea, I'll jot it 974 00:47:51,360 --> 00:47:54,919 Speaker 1: down and I'll kind of build off of that. But yeah, 975 00:47:55,040 --> 00:47:57,359 Speaker 1: it's it's a weird thing to sit down and right 976 00:47:57,400 --> 00:48:01,800 Speaker 1: because you're like, how am I getta in words describe 977 00:48:01,960 --> 00:48:04,000 Speaker 1: everything I've ever felt or what I want to say? 978 00:48:04,280 --> 00:48:06,400 Speaker 1: Do I make a joke? Do I not do I 979 00:48:06,480 --> 00:48:09,000 Speaker 1: go just full on romantic, like what do I do here? 980 00:48:09,239 --> 00:48:11,520 Speaker 1: So I have about two different ways it could go. 981 00:48:11,640 --> 00:48:14,520 Speaker 1: It could kind of go a little more lighthearted but 982 00:48:14,760 --> 00:48:17,600 Speaker 1: then serious at the end, or just full on try 983 00:48:17,640 --> 00:48:22,200 Speaker 1: to make it cry more. Kelsey, I'm so sorry. Which 984 00:48:22,280 --> 00:48:24,560 Speaker 1: way are you leaning to kind of in this moment? 985 00:48:24,840 --> 00:48:26,400 Speaker 1: I mean, I think kind of in the middle. I 986 00:48:26,520 --> 00:48:28,760 Speaker 1: think right now the version I have is like a small, 987 00:48:29,239 --> 00:48:31,920 Speaker 1: lighthearted story at the beginning with a little joke and 988 00:48:32,000 --> 00:48:34,400 Speaker 1: then just kind of bringing it back into being serious. 989 00:48:34,880 --> 00:48:38,080 Speaker 1: And I think that'll make me more comfortable when delivering 990 00:48:38,120 --> 00:48:39,680 Speaker 1: it because a bit of it I'm worried of like 991 00:48:40,000 --> 00:48:42,600 Speaker 1: what if I get emotional in the moment and I'm 992 00:48:42,640 --> 00:48:44,879 Speaker 1: like crying or something and can't get the words out, 993 00:48:44,920 --> 00:48:46,520 Speaker 1: and I don't want to be up there like stalling 994 00:48:47,080 --> 00:48:49,680 Speaker 1: trying to like get out my vows. So I think 995 00:48:49,719 --> 00:48:52,320 Speaker 1: if I have a little bit of lightheartedness at the beginning, 996 00:48:52,920 --> 00:48:55,120 Speaker 1: it'll help me get through the rest of it. Okay, 997 00:48:55,120 --> 00:48:57,799 Speaker 1: I feel like that's a good balance of the two too. Yeah, 998 00:48:57,800 --> 00:48:58,920 Speaker 1: I mean, I'm not gonna get up there and do 999 00:48:59,040 --> 00:49:01,680 Speaker 1: like a stand up but had like a little bit 1000 00:49:01,760 --> 00:49:03,959 Speaker 1: of fun. I don't think you could do your vows 1001 00:49:03,960 --> 00:49:06,200 Speaker 1: without having a joke. I think Kelsey would be sad 1002 00:49:06,480 --> 00:49:09,040 Speaker 1: if it weren't. I feel like that's who you are. Yeah, so, 1003 00:49:09,400 --> 00:49:11,400 Speaker 1: oh my gosh, I'm gonna cry, Like just hearing you 1004 00:49:11,440 --> 00:49:12,920 Speaker 1: talk about it, I'm like tearing up. I'm like, this 1005 00:49:13,080 --> 00:49:17,680 Speaker 1: is not good, not good for anybody. Okay, So vowels 1006 00:49:17,760 --> 00:49:20,320 Speaker 1: we got those? Is there any other like big updates? 1007 00:49:20,600 --> 00:49:23,040 Speaker 1: I mean, you guys are like forty days forty five, 1008 00:49:23,200 --> 00:49:26,200 Speaker 1: I mean somewhere something like that. So is there any 1009 00:49:26,239 --> 00:49:28,879 Speaker 1: other like big updates? Things happening and you're guys stressed out? 1010 00:49:29,000 --> 00:49:32,120 Speaker 1: Is everybody hanging on? Okay? Yeah? I think we're all good. 1011 00:49:32,239 --> 00:49:33,880 Speaker 1: I think the next step is we have to go 1012 00:49:33,960 --> 00:49:36,719 Speaker 1: get our marriage license because you have to go back 1013 00:49:36,800 --> 00:49:39,120 Speaker 1: to Texas. Yeah, because you're getting married in Texas, so 1014 00:49:39,600 --> 00:49:41,759 Speaker 1: coming up next week we have to because you have 1015 00:49:41,800 --> 00:49:43,520 Speaker 1: to get it like a month out or so. So 1016 00:49:43,640 --> 00:49:45,719 Speaker 1: we're gonna go get our marriage license. And I think 1017 00:49:45,760 --> 00:49:48,399 Speaker 1: that's for me when it's going to feel the most 1018 00:49:48,480 --> 00:49:52,239 Speaker 1: real and like she'll text me randomly like um like 1019 00:49:52,560 --> 00:49:55,960 Speaker 1: future almost husband, And I think seeing that word kind 1020 00:49:56,000 --> 00:49:57,759 Speaker 1: of written out, it's kind of starting to hit me 1021 00:49:57,840 --> 00:49:59,919 Speaker 1: more that I am going to be married, have a wife, 1022 00:50:00,000 --> 00:50:02,600 Speaker 1: I'm gonna be somebody's husband. And then I think when 1023 00:50:02,640 --> 00:50:04,840 Speaker 1: we go to get our license, it's going to feel 1024 00:50:05,080 --> 00:50:08,160 Speaker 1: like real, like for the first time ever. So I 1025 00:50:08,200 --> 00:50:10,520 Speaker 1: think that's the next big step we're doing. Have you 1026 00:50:10,600 --> 00:50:12,839 Speaker 1: guys had that, and you don't have to answer if 1027 00:50:12,840 --> 00:50:15,520 Speaker 1: you guys haven't. If you guys had the discussion about 1028 00:50:15,560 --> 00:50:16,920 Speaker 1: is she going to take your last name? Does she 1029 00:50:16,960 --> 00:50:19,880 Speaker 1: plan to keep hers? Do you guys know, I believe 1030 00:50:20,000 --> 00:50:24,520 Speaker 1: she is taking my last name. And then I think 1031 00:50:24,560 --> 00:50:26,520 Speaker 1: she's going to change her middle name to her last 1032 00:50:26,600 --> 00:50:30,080 Speaker 1: name right now, okay, because her kind of story is 1033 00:50:30,280 --> 00:50:33,440 Speaker 1: interesting because her dad passed away when she was young. 1034 00:50:33,920 --> 00:50:36,440 Speaker 1: She never really knew him, so she's kind of the 1035 00:50:36,520 --> 00:50:38,719 Speaker 1: last one who has that last name. So I told her, like, 1036 00:50:38,760 --> 00:50:40,239 Speaker 1: if you don't want to change your last name, don't 1037 00:50:40,280 --> 00:50:43,400 Speaker 1: change it. Oh. I you know what, Mike, I already 1038 00:50:43,520 --> 00:50:46,439 Speaker 1: respected the crap out of you, but now I'm just like, oh, hunk, 1039 00:50:46,520 --> 00:50:48,399 Speaker 1: I'm melting in my heart because I was like, that's 1040 00:50:48,480 --> 00:50:50,320 Speaker 1: your I mean, that's your dad's last name. That's like 1041 00:50:50,560 --> 00:50:54,279 Speaker 1: the last thing of him that you have a connection with. 1042 00:50:54,520 --> 00:50:55,719 Speaker 1: And I was like if you don't want to change it, 1043 00:50:55,800 --> 00:50:57,399 Speaker 1: don't change it. You don't have to take my last name. 1044 00:50:57,440 --> 00:50:59,640 Speaker 1: Really means nothing to me, like if you do or not. 1045 00:51:00,239 --> 00:51:01,920 Speaker 1: But she's like, I want to take your last name. 1046 00:51:02,239 --> 00:51:04,759 Speaker 1: I'm gonna do it and just switch it over. Oh 1047 00:51:04,880 --> 00:51:08,319 Speaker 1: my god, I think that's the first time you've really 1048 00:51:08,360 --> 00:51:10,879 Speaker 1: shared that story. Yeah. I mean I've known that story 1049 00:51:10,920 --> 00:51:13,320 Speaker 1: because I know you guys, but I mean that's a 1050 00:51:13,400 --> 00:51:16,239 Speaker 1: really emotional story for Kelsey and that's a big part 1051 00:51:16,280 --> 00:51:20,439 Speaker 1: of y'all's life. Yea life. So that's so cool. Yeah, 1052 00:51:20,480 --> 00:51:23,160 Speaker 1: that's the other thing we're thinking of. Like I kind 1053 00:51:23,200 --> 00:51:26,440 Speaker 1: of brought the idea to her of honoring her dad 1054 00:51:26,520 --> 00:51:27,880 Speaker 1: at the wedding in a way, and I was like, 1055 00:51:27,960 --> 00:51:30,120 Speaker 1: we just leave a seat at the front for him, 1056 00:51:30,880 --> 00:51:33,560 Speaker 1: like an empty seat just where he would have been. Oh, 1057 00:51:33,600 --> 00:51:35,040 Speaker 1: and you guys are doing that. Yeah, we're going to 1058 00:51:35,120 --> 00:51:37,719 Speaker 1: do that. I love that because you're I mean, both 1059 00:51:37,760 --> 00:51:39,240 Speaker 1: of your parents are going to be there. Her mom's 1060 00:51:39,280 --> 00:51:41,840 Speaker 1: going to be there, yeah, and her stepdad. Ye. So 1061 00:51:42,239 --> 00:51:45,439 Speaker 1: I mean big family. Which also they haven't really met 1062 00:51:46,160 --> 00:51:48,759 Speaker 1: entirely yet. No, when we go for the marriage license, sty, 1063 00:51:49,080 --> 00:51:51,000 Speaker 1: they're going to meet. Okay, So that's going to happen 1064 00:51:51,120 --> 00:51:53,400 Speaker 1: before the wedding. Yeah, okay, are you getting like a 1065 00:51:53,480 --> 00:51:55,719 Speaker 1: get together kind of like a pre wedding party, Yeah, 1066 00:51:55,760 --> 00:51:58,440 Speaker 1: like a pre wedding party to plan everything kind of 1067 00:51:58,880 --> 00:52:01,440 Speaker 1: if we need anybody to help about kind of meeting 1068 00:52:01,480 --> 00:52:04,120 Speaker 1: type thing is what's happening, But mainly just so everybody 1069 00:52:04,160 --> 00:52:07,400 Speaker 1: can meet each other for the first time and it 1070 00:52:07,600 --> 00:52:09,600 Speaker 1: not be at the wedding whereverybody's like, hey, nice to 1071 00:52:09,680 --> 00:52:11,880 Speaker 1: finally meet. Oh. I don't feel like there should be 1072 00:52:11,920 --> 00:52:13,440 Speaker 1: any nerves of that at this point because you and 1073 00:52:13,560 --> 00:52:15,680 Speaker 1: Kelsey are so in love, Like nothing's going to change 1074 00:52:15,920 --> 00:52:18,279 Speaker 1: anything about how y'all feel about each other. No, it'll 1075 00:52:18,360 --> 00:52:20,960 Speaker 1: just be them meeting and yeah, everybody already kind of 1076 00:52:21,200 --> 00:52:23,279 Speaker 1: knows about each other and we should like each other, 1077 00:52:23,360 --> 00:52:26,560 Speaker 1: so it should be fine. Okay, before I'm gonna like 1078 00:52:26,640 --> 00:52:29,160 Speaker 1: just start crying talking about all this. You guys can 1079 00:52:29,239 --> 00:52:32,239 Speaker 1: hear Bobby talk about his first look what he's going 1080 00:52:32,280 --> 00:52:34,839 Speaker 1: to cry about. But also, I'm so excited to get 1081 00:52:34,920 --> 00:52:37,600 Speaker 1: more updates from Mike because I'm gonna have him on 1082 00:52:37,719 --> 00:52:40,960 Speaker 1: Agan at some point, either before the wedding or right after, 1083 00:52:41,080 --> 00:52:43,279 Speaker 1: so we can get all the details there. One last 1084 00:52:43,320 --> 00:52:45,840 Speaker 1: thing before we go honeymoon? Do you guys have honeymoon plans? 1085 00:52:46,239 --> 00:52:48,480 Speaker 1: Not really, because I don't know if we're going to 1086 00:52:48,760 --> 00:52:51,080 Speaker 1: do one right away. I think we may wait, do 1087 00:52:51,200 --> 00:52:54,439 Speaker 1: like a mini moon the weekend after, and then plan 1088 00:52:54,520 --> 00:52:57,359 Speaker 1: a bigger honeymoon later. Okay, and do you know where 1089 00:52:57,360 --> 00:53:03,239 Speaker 1: you guys want to go? Someplace tropical? We're on a beach. Okay, well, 1090 00:53:03,320 --> 00:53:05,120 Speaker 1: here we go. Now, here's the seground. I'm done asking 1091 00:53:05,200 --> 00:53:08,600 Speaker 1: questions because I'm gonna start riding. Number three. They're calling 1092 00:53:08,600 --> 00:53:11,320 Speaker 1: her a bridezilla as being slammed because she made eleven 1093 00:53:11,440 --> 00:53:14,160 Speaker 1: strict rules for her wedding guests. Sometimes we hear about 1094 00:53:14,160 --> 00:53:15,920 Speaker 1: the wedding party. It's like, can't have your hair like this, 1095 00:53:16,080 --> 00:53:18,920 Speaker 1: can't have your dressed like this, be skinny or be fatter. 1096 00:53:19,000 --> 00:53:21,680 Speaker 1: There's all these rules. We're like, what's happening here? But 1097 00:53:21,840 --> 00:53:24,960 Speaker 1: she sent a rule out to the everybody's gonna be 1098 00:53:24,960 --> 00:53:28,840 Speaker 1: a guest. Okay, let's just see if we think the 1099 00:53:28,960 --> 00:53:31,799 Speaker 1: rules are out of line. Okay, of the eleven number one, 1100 00:53:32,200 --> 00:53:36,080 Speaker 1: don't wear white, Yeah, sure, that's sense. Give that a ding, 1101 00:53:36,480 --> 00:53:39,560 Speaker 1: like yeah, such an unspoken rule? Yeah, there you go. 1102 00:53:40,000 --> 00:53:44,200 Speaker 1: One correct, please, don't show up late after the ceremony 1103 00:53:44,239 --> 00:53:46,759 Speaker 1: has started or the middle of the ceremony. I got 1104 00:53:46,880 --> 00:53:51,560 Speaker 1: no problem with that rule. Good, no cell phones during 1105 00:53:51,600 --> 00:53:57,160 Speaker 1: the ceremony, that's makes sense. It feels a bit aggressive, 1106 00:53:57,320 --> 00:54:01,279 Speaker 1: but I agree with it when everybody's phone out because 1107 00:54:01,280 --> 00:54:02,720 Speaker 1: I don't think we're having cell phones are our wedding 1108 00:54:02,719 --> 00:54:04,920 Speaker 1: at all. We're gonna be like Chriss Rotten does put in, 1109 00:54:06,280 --> 00:54:08,440 Speaker 1: we have to check our phones. Yeah, like in a basket. 1110 00:54:09,000 --> 00:54:10,400 Speaker 1: I think I'm not sure how we do it, like 1111 00:54:10,480 --> 00:54:12,200 Speaker 1: a coat check, but a phone check. Maybe we just 1112 00:54:12,200 --> 00:54:14,560 Speaker 1: say no phones out. I'm not sure, but I don't. 1113 00:54:14,560 --> 00:54:17,240 Speaker 1: I think we're gonna have phones at the receptions. Fine, 1114 00:54:17,360 --> 00:54:20,640 Speaker 1: but the ceremony. I can't remember. Did Lunchbox allow phones 1115 00:54:20,680 --> 00:54:22,680 Speaker 1: because I'm wondering why we didn't get him on video 1116 00:54:22,760 --> 00:54:25,400 Speaker 1: crying right, because there was no crying exactly, because you 1117 00:54:25,480 --> 00:54:27,680 Speaker 1: guys lie a lot. But it's okay. We were seated 1118 00:54:27,719 --> 00:54:29,560 Speaker 1: in the very back and we saw it and I 1119 00:54:29,600 --> 00:54:32,920 Speaker 1: would have zoomed in on that number four. But we 1120 00:54:32,960 --> 00:54:36,200 Speaker 1: feel okay about no cell phones, right, Yes, number four 1121 00:54:36,280 --> 00:54:39,719 Speaker 1: pace yourself when drinking. That's dumb. I mean, I feel 1122 00:54:39,719 --> 00:54:42,080 Speaker 1: like the dumb role to have to stay right, but 1123 00:54:42,520 --> 00:54:44,840 Speaker 1: people are going to break that. Maybe it shi some 1124 00:54:44,920 --> 00:54:47,200 Speaker 1: people where they need to be reminded, but I think 1125 00:54:47,200 --> 00:54:49,360 Speaker 1: you remind them separately. Okay, So are you going to 1126 00:54:49,400 --> 00:54:50,959 Speaker 1: say that to like, I don't know Ray and Eddie. 1127 00:54:51,640 --> 00:54:54,040 Speaker 1: I've already had a talk with Eddie. Huh. No, there's 1128 00:54:54,080 --> 00:54:57,120 Speaker 1: no drinking before the wedding, right, no drinking before the wetty. 1129 00:54:57,200 --> 00:54:59,919 Speaker 1: But after the wedding's over party party? Yeah it recept 1130 00:55:00,000 --> 00:55:02,520 Speaker 1: shouldn't have at it. Okay, Ray, you're not able to 1131 00:55:02,560 --> 00:55:06,279 Speaker 1: show up after you have to be there on time. Yeah, yeah, 1132 00:55:06,320 --> 00:55:07,879 Speaker 1: I got you. I'll just have a couple. Don't even 1133 00:55:07,920 --> 00:55:12,320 Speaker 1: want no drinking before the king before the wet But 1134 00:55:12,400 --> 00:55:14,760 Speaker 1: I think she's wrong on that one. Pace yourself when drinking. 1135 00:55:14,840 --> 00:55:16,560 Speaker 1: I think everyone should, but I don't think that anything. 1136 00:55:17,480 --> 00:55:19,960 Speaker 1: Next one, don't get in the photographer's way. Well it's 1137 00:55:20,000 --> 00:55:23,080 Speaker 1: a good note. Yeah, I don't think about it, but 1138 00:55:23,280 --> 00:55:26,880 Speaker 1: maybe it's a good note. The next one, no bringing 1139 00:55:26,920 --> 00:55:30,000 Speaker 1: in or trying to smuggle your own drinks. I mean crazy, 1140 00:55:30,000 --> 00:55:32,719 Speaker 1: you have to remind people of that. Well, I don't 1141 00:55:32,760 --> 00:55:35,160 Speaker 1: really care if someone brings in their own drinks. I 1142 00:55:35,200 --> 00:55:36,800 Speaker 1: mean I don't want them to walk in with a cooler. 1143 00:55:36,960 --> 00:55:40,680 Speaker 1: But if someone has a flask, not that big of 1144 00:55:40,760 --> 00:55:44,040 Speaker 1: a deal. No rushing anyone, that's a dumb world have 1145 00:55:44,080 --> 00:55:46,359 Speaker 1: to put in there. No trying to change things about 1146 00:55:46,400 --> 00:55:49,839 Speaker 1: the decorations. Would do that. Yeah, well we did talk 1147 00:55:49,840 --> 00:55:54,040 Speaker 1: about your cake. No nitpicking, no big announcements or proposals. Nice, 1148 00:55:54,160 --> 00:55:56,920 Speaker 1: that's a good one. Yes, that's kind of a funny one. 1149 00:55:57,120 --> 00:56:00,319 Speaker 1: And then finally, no posting to social media before us room. 1150 00:56:00,560 --> 00:56:03,759 Speaker 1: That's that's a good rule. Yeah, that's like, hey, because 1151 00:56:03,760 --> 00:56:05,120 Speaker 1: they're busy, they can't be on their phone and they 1152 00:56:05,120 --> 00:56:07,680 Speaker 1: don't want everybody else posting all this stuff, except for like, 1153 00:56:07,760 --> 00:56:09,640 Speaker 1: if we're at your wedding reception and we pull up 1154 00:56:09,680 --> 00:56:12,279 Speaker 1: Instagram stories and you haven't posted anything yet, are we 1155 00:56:12,520 --> 00:56:15,160 Speaker 1: not allowed to go away? Get await? You need to wait? No, 1156 00:56:15,239 --> 00:56:16,960 Speaker 1: I mean this was her role, so you're adopting this 1157 00:56:17,080 --> 00:56:19,960 Speaker 1: is your rule from your reception. There's no way we're 1158 00:56:19,960 --> 00:56:22,040 Speaker 1: gonna beat Bobby to the social media bus. There's no 1159 00:56:22,280 --> 00:56:23,600 Speaker 1: If I'm tied up in the middle of the wedding, 1160 00:56:23,600 --> 00:56:25,680 Speaker 1: I can't no no about no phones. No phones allowed, 1161 00:56:25,800 --> 00:56:29,040 Speaker 1: so we can't. True, I'm not sure, but I have 1162 00:56:29,120 --> 00:56:32,960 Speaker 1: to ask the boss. Okay, m you know she is, 1163 00:56:33,160 --> 00:56:36,120 Speaker 1: I know for sure. How do we feel about this 1164 00:56:36,160 --> 00:56:38,839 Speaker 1: list of wedding rules? Are we mostly okay with it? Yeah? 1165 00:56:39,000 --> 00:56:44,560 Speaker 1: Mostly right about? Like she's just being logical. Yeah, there's 1166 00:56:44,560 --> 00:56:45,880 Speaker 1: just a couple where I would go, don't tell you 1167 00:56:45,880 --> 00:56:47,200 Speaker 1: about a past on the drink and just hope they 1168 00:56:47,239 --> 00:56:48,959 Speaker 1: will and the people you're worried about have a little 1169 00:56:48,960 --> 00:56:52,000 Speaker 1: conversation with them. Ones, but like, don't change decorations. Who's 1170 00:56:52,000 --> 00:56:53,560 Speaker 1: going to try to home make over that thing? I 1171 00:56:53,640 --> 00:56:56,120 Speaker 1: don't know. Yeah, she must have some funny friends. Um. 1172 00:56:56,200 --> 00:56:57,759 Speaker 1: That being said, I will answer a question about my 1173 00:56:57,760 --> 00:56:59,800 Speaker 1: wedding that a lot of people are asking. And the 1174 00:57:00,120 --> 00:57:02,479 Speaker 1: question was are we going to do a first look? 1175 00:57:02,920 --> 00:57:04,760 Speaker 1: Which I didn't even know what that meant until recently. 1176 00:57:04,920 --> 00:57:09,080 Speaker 1: What is that exactly at the dress? Well, some people 1177 00:57:09,160 --> 00:57:13,640 Speaker 1: won't take a picture through their pictures before they get married, okay, yes, yeah. 1178 00:57:14,480 --> 00:57:17,480 Speaker 1: Other people will wait till after because they don't want 1179 00:57:17,480 --> 00:57:20,000 Speaker 1: to see them before they walk down the aisle. And 1180 00:57:20,120 --> 00:57:21,960 Speaker 1: I was asked what I wanted to do, and I 1181 00:57:22,000 --> 00:57:23,720 Speaker 1: don't want to see her before I walk down the aisle. 1182 00:57:24,120 --> 00:57:26,680 Speaker 1: So pictures after the way, pictures after the yeah, and 1183 00:57:26,760 --> 00:57:28,440 Speaker 1: it may take a lot longer, but that's okay. Hey, 1184 00:57:28,520 --> 00:57:30,560 Speaker 1: don't rush, don't We can't rush here. I don't want to. 1185 00:57:30,640 --> 00:57:32,840 Speaker 1: I want to feel that emotion. You know. If I 1186 00:57:32,960 --> 00:57:36,400 Speaker 1: want to cry, I'm gonna let it go right there. 1187 00:57:36,440 --> 00:57:38,040 Speaker 1: I'm worried though, that i'llo say I'm because I'm right 1188 00:57:38,080 --> 00:57:39,200 Speaker 1: on my vows. I'm worried that I'm not gonna be 1189 00:57:39,200 --> 00:57:40,680 Speaker 1: able to get through them because you're gonna be crying. 1190 00:57:40,920 --> 00:57:43,440 Speaker 1: I don't know. I don't do things halfway like. I 1191 00:57:43,520 --> 00:57:45,280 Speaker 1: can't just I won't just get a sniffle in around. 1192 00:57:45,320 --> 00:57:48,200 Speaker 1: I will be bawling or I will be able to 1193 00:57:48,280 --> 00:57:52,120 Speaker 1: control it and then cry later. But I don't. We're 1194 00:57:52,160 --> 00:57:54,360 Speaker 1: not doing a first look as of right now. We're 1195 00:57:54,400 --> 00:57:56,080 Speaker 1: gonna just I want to wait and see her and 1196 00:57:56,160 --> 00:58:00,480 Speaker 1: then move on with the ceremony. Makes sense, bones, as 1197 00:58:00,520 --> 00:58:03,160 Speaker 1: your best man, if you start like crying and fall 1198 00:58:03,280 --> 00:58:04,800 Speaker 1: in and everything, do you want me to hold you 1199 00:58:05,160 --> 00:58:07,520 Speaker 1: while that's happening or just leave you alone? Day you're 1200 00:58:07,520 --> 00:58:10,840 Speaker 1: supposed to offer the I do like to be held. No, 1201 00:58:11,040 --> 00:58:13,880 Speaker 1: you can't hold you. Just rub my shoulders a little 1202 00:58:13,920 --> 00:58:15,760 Speaker 1: tap and then maybe just a rub the shoulder. Yeah, 1203 00:58:15,840 --> 00:58:17,280 Speaker 1: just give me a little shoulder rub, give you a 1204 00:58:17,360 --> 00:58:20,120 Speaker 1: handkerchief and then you can run your hands down my 1205 00:58:20,200 --> 00:58:23,240 Speaker 1: waist and like rotting you back and forth, and everyone's 1206 00:58:23,240 --> 00:58:29,000 Speaker 1: like what. It's the best bits of the week with 1207 00:58:29,280 --> 00:58:34,520 Speaker 1: Morgan number two going from something super emotional and so 1208 00:58:34,760 --> 00:58:37,400 Speaker 1: sweet to something really funny that happened on the show 1209 00:58:37,480 --> 00:58:40,360 Speaker 1: this week. We had a drawing to see who on 1210 00:58:40,520 --> 00:58:43,160 Speaker 1: the show of the Guys has to carry a purse 1211 00:58:43,280 --> 00:58:46,000 Speaker 1: after Harry Styles was in the news for carrying a purse. 1212 00:58:46,120 --> 00:58:49,760 Speaker 1: So Mike d you got chosen, Yeah, and it was 1213 00:58:49,840 --> 00:58:52,080 Speaker 1: your bed. I came up with the idea. I saw 1214 00:58:52,160 --> 00:58:54,560 Speaker 1: the picture in GQ magazine and I was like, Hey, 1215 00:58:54,680 --> 00:58:57,520 Speaker 1: that'd be funny to do, and a little bit when 1216 00:58:57,560 --> 00:59:00,040 Speaker 1: I wrote it, I was like, you know what, I 1217 00:59:00,120 --> 00:59:01,680 Speaker 1: kind of want to send this in because if I 1218 00:59:01,760 --> 00:59:03,640 Speaker 1: get picked. I had a feeling that I was gonna 1219 00:59:03,640 --> 00:59:05,680 Speaker 1: get picked, and I was like, you know what, I 1220 00:59:05,720 --> 00:59:07,640 Speaker 1: think it'd be funny. What are the chances I actually 1221 00:59:07,640 --> 00:59:09,920 Speaker 1: get picked? And then we drew names and it was me. 1222 00:59:10,280 --> 00:59:11,640 Speaker 1: I mean to be fair, out of all of the 1223 00:59:11,720 --> 00:59:13,480 Speaker 1: guys on our show, I feel like you're the one 1224 00:59:13,560 --> 00:59:15,640 Speaker 1: that could pull it off the most, though that kind 1225 00:59:15,680 --> 00:59:20,520 Speaker 1: of pop runk pop not wrunk pop rock styles, Like 1226 00:59:20,680 --> 00:59:24,400 Speaker 1: they really do so many different trends. Yeah that I 1227 00:59:24,480 --> 00:59:26,280 Speaker 1: feel like that just kind of fits in. That vibe 1228 00:59:26,360 --> 00:59:28,680 Speaker 1: is just kind of like whatever they're doing is whatever. Yeah, 1229 00:59:28,760 --> 00:59:31,520 Speaker 1: as I've been wearing it, I feel like if I 1230 00:59:31,640 --> 00:59:34,160 Speaker 1: had one that was a little more functional for me, 1231 00:59:34,320 --> 00:59:36,520 Speaker 1: I think I could see myself doing it like a 1232 00:59:36,640 --> 00:59:39,400 Speaker 1: black satchet, Yeah, like something a little more like yeah, 1233 00:59:39,480 --> 00:59:42,560 Speaker 1: like a messenger bag type of situation, not so much 1234 00:59:42,600 --> 00:59:46,520 Speaker 1: just a straight on purse. But it's my mom's first, 1235 00:59:46,880 --> 00:59:49,880 Speaker 1: but I could see it having some use, Like like 1236 00:59:50,040 --> 00:59:51,560 Speaker 1: I have a bunch of random things that I don't 1237 00:59:51,560 --> 00:59:53,280 Speaker 1: know where to put in there in my pockets, Randomly 1238 00:59:53,600 --> 00:59:56,400 Speaker 1: throwing them all in one bag could be helpful. Well, 1239 00:59:56,480 --> 00:59:58,840 Speaker 1: we never really talked about this, but the whole reason 1240 00:59:58,960 --> 01:00:01,320 Speaker 1: that purses were such a big thing for women is 1241 01:00:01,360 --> 01:00:05,120 Speaker 1: because we didn't have pockets, like in jeans and things. 1242 01:00:05,160 --> 01:00:06,840 Speaker 1: Those were the first times we would get pockets. Like 1243 01:00:06,880 --> 01:00:09,680 Speaker 1: you have skirts and dresses, you never have pockets, so 1244 01:00:09,760 --> 01:00:12,120 Speaker 1: you had to carry something with But I think what's 1245 01:00:12,200 --> 01:00:15,240 Speaker 1: funny about that too is that guys they do have pockets, 1246 01:00:15,280 --> 01:00:17,440 Speaker 1: but like I'll see you guys, and you'll see like 1247 01:00:17,560 --> 01:00:20,440 Speaker 1: eighty different things bulging out of their pants because everything 1248 01:00:20,560 --> 01:00:23,800 Speaker 1: stuffed in their pockets, and you're like, okay, there's a 1249 01:00:23,880 --> 01:00:27,200 Speaker 1: lot on there. So I feel like we need to 1250 01:00:27,320 --> 01:00:30,280 Speaker 1: normalize like these kind of murses as we want to 1251 01:00:30,280 --> 01:00:32,360 Speaker 1: call them, a man purse or a satchel or a 1252 01:00:32,520 --> 01:00:35,760 Speaker 1: fanny pack type thing for guys. Yeah, somebody tagged me 1253 01:00:35,800 --> 01:00:37,760 Speaker 1: in a picture of blanco brown wearing one, and I 1254 01:00:37,840 --> 01:00:39,720 Speaker 1: was like, many rocks. It like, if you get one 1255 01:00:39,760 --> 01:00:43,080 Speaker 1: that looks kind of your style, you can do it well. 1256 01:00:43,280 --> 01:00:44,920 Speaker 1: I mean at the end of the day, I mean, yes, 1257 01:00:45,040 --> 01:00:48,160 Speaker 1: what you're carrying around is this brown, like straight up 1258 01:00:48,480 --> 01:00:51,959 Speaker 1: purse that is like your mom's purse you're carrying. Yeah, 1259 01:00:52,200 --> 01:00:54,640 Speaker 1: you get like one that's like a crossbody and it's 1260 01:00:54,680 --> 01:00:58,240 Speaker 1: black and and it fits with your whole vibe. I 1261 01:00:58,280 --> 01:01:00,280 Speaker 1: don't see why anybody would like call you on. They'd 1262 01:01:00,280 --> 01:01:02,480 Speaker 1: be like, okay, that's a good idea. Yeah, But the 1263 01:01:02,560 --> 01:01:04,560 Speaker 1: one I have been carrying. I were to the gas 1264 01:01:04,600 --> 01:01:08,320 Speaker 1: station earlier this week and I got some looks, and 1265 01:01:08,440 --> 01:01:11,400 Speaker 1: it's weird just to walk in wearing a purse when 1266 01:01:11,520 --> 01:01:14,120 Speaker 1: nobody knows why you're doing it. But it was just 1267 01:01:14,240 --> 01:01:16,960 Speaker 1: kind of a weird feeling. Yeah, but so did in 1268 01:01:17,080 --> 01:01:19,720 Speaker 1: your relationship with Kelsey, has she ever been like, hey, 1269 01:01:19,760 --> 01:01:21,520 Speaker 1: can you hold my bag really quickly? Did you ever 1270 01:01:21,560 --> 01:01:23,640 Speaker 1: feel weird about that? Yeah? The weekend before we did 1271 01:01:23,720 --> 01:01:25,520 Speaker 1: this bit, we were at the mall and she had 1272 01:01:25,520 --> 01:01:27,040 Speaker 1: to go to the bathroom, so I was holding her 1273 01:01:27,080 --> 01:01:28,280 Speaker 1: purse and I was like, let me go walk around 1274 01:01:28,320 --> 01:01:30,520 Speaker 1: and look around. And I was just walking around the 1275 01:01:30,920 --> 01:01:32,680 Speaker 1: mall with the purse and I was like, hey, it's 1276 01:01:32,760 --> 01:01:35,480 Speaker 1: kind of the same situation now. And then I was like, 1277 01:01:35,680 --> 01:01:37,320 Speaker 1: are you gonna be embarrassed to go out with me 1278 01:01:37,400 --> 01:01:40,040 Speaker 1: in public having to carry the purse? And she was like, well, 1279 01:01:40,440 --> 01:01:42,360 Speaker 1: the fact that we'll both be carrying one might be 1280 01:01:42,360 --> 01:01:46,160 Speaker 1: a little longer. It's a game changer, the things that 1281 01:01:46,240 --> 01:01:48,680 Speaker 1: are happening. But I mean, I'm here for it. I 1282 01:01:48,760 --> 01:01:51,600 Speaker 1: feel like it could be really useful for y'all, especially 1283 01:01:51,680 --> 01:01:53,960 Speaker 1: you guys don't have to carry backpacks. When I see 1284 01:01:54,040 --> 01:01:56,280 Speaker 1: like a thirty five year old man walking in with 1285 01:01:56,320 --> 01:01:58,560 Speaker 1: a backpack, I'm like, no, just get that man like 1286 01:01:58,640 --> 01:02:02,400 Speaker 1: a natural. He's not in school anymore. That is true. 1287 01:02:02,400 --> 01:02:04,479 Speaker 1: I mean I still have a backback too, So maybe 1288 01:02:04,480 --> 01:02:07,520 Speaker 1: I convert it. It's like it's like the adult version 1289 01:02:07,760 --> 01:02:09,680 Speaker 1: of it, you know. It's just one of those things 1290 01:02:09,720 --> 01:02:12,240 Speaker 1: where you're like there's functional things for each Like you 1291 01:02:12,280 --> 01:02:14,360 Speaker 1: get a briefcase. If you work it, you know, you're 1292 01:02:14,400 --> 01:02:17,200 Speaker 1: an attorney or something, maybe like a satchel. As you're 1293 01:02:17,280 --> 01:02:19,960 Speaker 1: like adult version of a backback. I feel like you 1294 01:02:20,200 --> 01:02:22,680 Speaker 1: can still rock backback until you're like thirty five, so 1295 01:02:22,760 --> 01:02:25,600 Speaker 1: you got you got time. But like when you get 1296 01:02:25,640 --> 01:02:27,720 Speaker 1: into those older phases and you start to become a 1297 01:02:27,800 --> 01:02:29,520 Speaker 1: dad and stuff, I think you could carry like a 1298 01:02:29,600 --> 01:02:31,640 Speaker 1: really cool satchel and it's not a big deal. Yeah, 1299 01:02:31,640 --> 01:02:34,680 Speaker 1: because I could never imagine myself in a briefcase, right. 1300 01:02:35,120 --> 01:02:36,680 Speaker 1: I think about a briefcase if I ever had to 1301 01:02:36,680 --> 01:02:38,520 Speaker 1: carry one of those, and I just doesn't feel like 1302 01:02:38,560 --> 01:02:43,320 Speaker 1: it fits my vibe. Oh man, Okay, so you have 1303 01:02:44,320 --> 01:02:45,760 Speaker 1: how many days left you have to Where are you 1304 01:02:45,800 --> 01:02:49,080 Speaker 1: done after this weekend? All the way to Tuesday? Okay, 1305 01:02:49,160 --> 01:02:51,320 Speaker 1: so a few more days left? Do you plan to 1306 01:02:51,440 --> 01:02:54,960 Speaker 1: go anywhere with it? Just to kind of experiment, I'm 1307 01:02:54,960 --> 01:02:57,360 Speaker 1: gonna go to like the grocery store and see what 1308 01:02:57,440 --> 01:03:00,320 Speaker 1: they say about it. I've tried to go into guesstions 1309 01:03:00,360 --> 01:03:02,920 Speaker 1: have gotten no reaction. So I got some places they 1310 01:03:03,000 --> 01:03:06,320 Speaker 1: hit this weekend. Maybe a restaurant, Yeah, a restaurant. See 1311 01:03:06,360 --> 01:03:08,440 Speaker 1: if somebody will like mention something. You just I just 1312 01:03:08,480 --> 01:03:11,000 Speaker 1: want to get one compliment. Nobody be like, hey, that 1313 01:03:11,080 --> 01:03:12,880 Speaker 1: looks really good on you. Like I wasn't to say 1314 01:03:12,880 --> 01:03:14,320 Speaker 1: a thing, but you look great in it. That's all 1315 01:03:14,360 --> 01:03:17,680 Speaker 1: I need. Okay, Well we will get an update I'm 1316 01:03:17,720 --> 01:03:21,880 Speaker 1: sure next week. But here this segment of Mike, you know, 1317 01:03:22,120 --> 01:03:26,000 Speaker 1: his own bit backfiring, and he now has to wear 1318 01:03:26,040 --> 01:03:29,160 Speaker 1: a purse for a week number two. So I love 1319 01:03:29,200 --> 01:03:32,480 Speaker 1: Harry Styles. He's more. He's carrying a purse around. That's 1320 01:03:32,520 --> 01:03:35,920 Speaker 1: cool to think about. If it wasn't assigned to a 1321 01:03:36,080 --> 01:03:38,720 Speaker 1: certain sex, we carry a big background, nobody would judg us. Okay, 1322 01:03:38,760 --> 01:03:42,360 Speaker 1: I think you guys have an advantage. A purse carry 1323 01:03:42,400 --> 01:03:44,520 Speaker 1: so much more than a wallet. What would you carry 1324 01:03:44,560 --> 01:03:46,720 Speaker 1: in the purse that you are not able to carry 1325 01:03:46,720 --> 01:03:51,640 Speaker 1: in a wallet? Oh? Boy, every day my pistol. Yeah okay, no, 1326 01:03:51,800 --> 01:03:54,080 Speaker 1: really like what you now get to leave the house 1327 01:03:54,160 --> 01:03:56,840 Speaker 1: with more things? So what do you put in there? Food? 1328 01:03:57,560 --> 01:03:59,640 Speaker 1: Maybe a snack, an extra pair of underwear? You never 1329 01:03:59,720 --> 01:04:01,720 Speaker 1: know when that's gonna be needed. That's good. Your keys 1330 01:04:01,800 --> 01:04:03,560 Speaker 1: so you don't have to put it. They're all clunky 1331 01:04:03,600 --> 01:04:08,160 Speaker 1: in my pocket, cutting into my leg. Oh gum carry 1332 01:04:09,480 --> 01:04:13,360 Speaker 1: also working to the janitor open school. Okay, No, I'm 1333 01:04:13,360 --> 01:04:15,560 Speaker 1: just saying there's probably probably don't even know the options 1334 01:04:15,560 --> 01:04:18,440 Speaker 1: that are given to me yet, right, And everybody's look 1335 01:04:18,440 --> 01:04:20,120 Speaker 1: at Harry Styles carrying a purson. I'm like, look at 1336 01:04:20,200 --> 01:04:24,200 Speaker 1: Harry Styles carrying a purse, normalizing it. Hopefully he also 1337 01:04:24,240 --> 01:04:27,000 Speaker 1: paints his nails like Eddie. Yeah see I tried guy 1338 01:04:27,040 --> 01:04:29,360 Speaker 1: pearls for a while. He does not. So what we're 1339 01:04:29,360 --> 01:04:31,080 Speaker 1: gonna do if we're gonna draw a name and one 1340 01:04:31,080 --> 01:04:32,960 Speaker 1: of you guys can Harry Styles for a week and 1341 01:04:33,080 --> 01:04:36,480 Speaker 1: carry it on a purse all week. No, you can 1342 01:04:36,560 --> 01:04:38,520 Speaker 1: keep your wallet in the purse, but it can't come 1343 01:04:38,560 --> 01:04:40,400 Speaker 1: out of the purse. Okay, all right, let's draw the 1344 01:04:40,480 --> 01:04:43,520 Speaker 1: names here. Oh god, And like when you go places yet, 1345 01:04:43,640 --> 01:04:45,360 Speaker 1: if they put your purse up, if there is a 1346 01:04:45,440 --> 01:04:47,320 Speaker 1: picture of you take in somewhere and you don't have 1347 01:04:47,400 --> 01:04:50,520 Speaker 1: your purse with you, it's one hundred dollars. Fine, now 1348 01:04:50,560 --> 01:04:54,560 Speaker 1: you're getting the listeners, it's one hundred dollars fun, So 1349 01:04:54,680 --> 01:04:58,400 Speaker 1: listeners be cool about it. So I'm gonna draw. When 1350 01:04:58,400 --> 01:05:01,640 Speaker 1: I draw, your name is alm needed with this person? 1351 01:05:01,760 --> 01:05:07,720 Speaker 1: What it is? Ugly us a coach with a different purse. 1352 01:05:07,800 --> 01:05:11,680 Speaker 1: If you want, I need a Louis Man. Yeah, Harry 1353 01:05:11,720 --> 01:05:15,000 Speaker 1: Styles don't got that. He ain't got no plu. This 1354 01:05:15,240 --> 01:05:19,959 Speaker 1: is like aunt Roses. I know. All right, we're ready. 1355 01:05:20,240 --> 01:05:22,120 Speaker 1: The first name, because there are a few guy names 1356 01:05:22,160 --> 01:05:26,640 Speaker 1: in here. It's me Eddie, Lunchbox, Raymundo or audio producer 1357 01:05:26,760 --> 01:05:29,360 Speaker 1: Mike d and Scuba Steve who will do the Harry 1358 01:05:29,400 --> 01:05:32,520 Speaker 1: Style challenge. They have to carry this purse from Tuesday 1359 01:05:32,560 --> 01:05:35,120 Speaker 1: to Tuesday. The first name eliminated that doesn't have to 1360 01:05:35,120 --> 01:05:39,360 Speaker 1: carry the purse. Yeah, Eddie, Yeah, to be kidding me. 1361 01:05:40,200 --> 01:05:42,880 Speaker 1: How does this happen? Well? It just does. It just 1362 01:05:43,040 --> 01:05:47,600 Speaker 1: does it? Just doesn't You wanted you sign it? Eddie? No, 1363 01:05:47,760 --> 01:05:55,200 Speaker 1: we're good. Next up, Come on, they're all tangled. That's 1364 01:05:55,280 --> 01:06:02,080 Speaker 1: me eliminated, Raymundo, see you lunch Bikes. It's gonna be 1365 01:06:02,200 --> 01:06:05,560 Speaker 1: Lunchbox again. Stop thinking that it's gonna be you. No, 1366 01:06:05,720 --> 01:06:07,640 Speaker 1: I don't. But every name that comes out there's something 1367 01:06:07,680 --> 01:06:09,400 Speaker 1: like a magnet. Let do you always win these? You 1368 01:06:09,440 --> 01:06:11,360 Speaker 1: don't win games with you win these you don't know 1369 01:06:11,480 --> 01:06:13,800 Speaker 1: because this has nothing to do with music. That's why 1370 01:06:13,800 --> 01:06:19,400 Speaker 1: I can't win. I win these. Next person, come on, 1371 01:06:19,520 --> 01:06:23,080 Speaker 1: it doesn't have to carry the purse. Is that's me? 1372 01:06:23,200 --> 01:06:27,800 Speaker 1: That's a long name, Bobby, Amy, you can draw the 1373 01:06:27,880 --> 01:06:33,000 Speaker 1: last ones. There are how many names last? It's me 1374 01:06:33,120 --> 01:06:36,560 Speaker 1: and my Dan and Scoopa the bat carrier. Come on, okay, 1375 01:06:36,880 --> 01:06:40,760 Speaker 1: go ahead, Amy. The next person who doesn't Amy, we've 1376 01:06:40,800 --> 01:06:50,800 Speaker 1: been friends for some ye okay. The next person we 1377 01:06:50,920 --> 01:06:53,640 Speaker 1: draw has to carry the purse. Okay, just so it's 1378 01:06:53,720 --> 01:06:55,720 Speaker 1: no The next name we draw, we'll be carrying the 1379 01:06:55,760 --> 01:06:58,120 Speaker 1: purse for a week. In the Harry Styles Challenge, Amy, 1380 01:06:58,200 --> 01:07:08,200 Speaker 1: don't don't open it yet. Oh that's the winner. Three 1381 01:07:08,480 --> 01:07:23,560 Speaker 1: mid sar. Hey, Mikey, when you go to Michaelan, let 1382 01:07:23,560 --> 01:07:27,160 Speaker 1: me ask you a question. Yeah, so this person is 1383 01:07:27,160 --> 01:07:31,240 Speaker 1: like ten years old too. It's like Tanning, it's older 1384 01:07:31,240 --> 01:07:35,600 Speaker 1: than ten. I don't know. Well, so Mike D, you're 1385 01:07:35,640 --> 01:07:37,800 Speaker 1: gonna carry the person around for a week. Mike D 1386 01:07:37,960 --> 01:07:39,600 Speaker 1: is our our rioter and he writes a lot of games. 1387 01:07:39,640 --> 01:07:41,600 Speaker 1: But I would even venture to say you wrote this 1388 01:07:41,680 --> 01:07:44,920 Speaker 1: segment I did, regretting I thought it'd be funny at 1389 01:07:44,920 --> 01:07:46,160 Speaker 1: the time, and I was like, what are the chances 1390 01:07:46,200 --> 01:07:50,240 Speaker 1: I'd get picked for this? And here we go. It's 1391 01:07:50,240 --> 01:07:52,640 Speaker 1: just funny. When his own sword he cut. He made 1392 01:07:52,680 --> 01:07:55,120 Speaker 1: his own sword he and then he asked it he 1393 01:07:55,160 --> 01:07:58,000 Speaker 1: gets cut by it. Yes, okay, Mike, here you go. 1394 01:07:58,080 --> 01:08:00,560 Speaker 1: Here's your purse. Alright, what's your question? Can he buy 1395 01:08:00,600 --> 01:08:03,120 Speaker 1: his way out? I don't think so. Okay. I think 1396 01:08:03,160 --> 01:08:05,280 Speaker 1: he just lives with it. He's gotta carried every day 1397 01:08:05,280 --> 01:08:07,120 Speaker 1: for a week. We're gonna get it to him. Now 1398 01:08:07,920 --> 01:08:10,320 Speaker 1: here you go, buddy, we better not see you with 1399 01:08:10,440 --> 01:08:14,480 Speaker 1: anything but that purse. Shoulder. Yeah, and when you walk, 1400 01:08:14,520 --> 01:08:16,439 Speaker 1: it's got to be on your shoulder. Right. Oh my gosh. 1401 01:08:16,560 --> 01:08:19,600 Speaker 1: That look. That's cute, Mike. It is good. Yeah. Are 1402 01:08:19,640 --> 01:08:23,240 Speaker 1: you getting that one of the black one? Yeah? Matches 1403 01:08:23,240 --> 01:08:25,080 Speaker 1: your style. No. I think you got to wear the 1404 01:08:25,160 --> 01:08:30,679 Speaker 1: tan because it sticks out more. Dan t it sleep. 1405 01:08:31,439 --> 01:08:35,720 Speaker 1: I can't. He's pulling it off a little bit challenge. Okay, Yeah, 1406 01:08:35,800 --> 01:08:37,800 Speaker 1: he's pulling it off in the studios. We're all laughing 1407 01:08:37,840 --> 01:08:45,200 Speaker 1: at him. Uh, congratulations, Mike d nice bit, buddy. It's 1408 01:08:45,280 --> 01:08:48,760 Speaker 1: the best Bits of the week with Morgan. Number two 1409 01:08:50,160 --> 01:08:53,839 Speaker 1: Now coming in at number one is the legend. Alan 1410 01:08:53,920 --> 01:08:56,000 Speaker 1: Jackson was on our show this week. He's about to 1411 01:08:56,080 --> 01:08:58,160 Speaker 1: drop a new album for the first time in a 1412 01:08:58,280 --> 01:09:01,519 Speaker 1: few years, and let me just tell y'all, Alan Jackson 1413 01:09:01,680 --> 01:09:04,280 Speaker 1: is one of my all time favorites. After this interview, 1414 01:09:04,520 --> 01:09:06,840 Speaker 1: I think I had Eddie Biddy on repeat for like, 1415 01:09:07,120 --> 01:09:09,720 Speaker 1: I don't know the whole week, and now I still do. 1416 01:09:10,080 --> 01:09:13,040 Speaker 1: So listen to this interview, y'all, because Alan Jackson not 1417 01:09:13,160 --> 01:09:15,080 Speaker 1: only talks about like a lot of his big hits, 1418 01:09:15,120 --> 01:09:17,040 Speaker 1: but he also talks about the one song that his 1419 01:09:17,160 --> 01:09:19,160 Speaker 1: wife thought was stupid and it ended up being a 1420 01:09:19,280 --> 01:09:22,760 Speaker 1: number one. Plus he didn't think Chattahoochie was going to 1421 01:09:22,840 --> 01:09:25,800 Speaker 1: be the hit that it was. And there's so much 1422 01:09:25,840 --> 01:09:28,960 Speaker 1: in here. It's such a good interview and it's Alan Jackson. 1423 01:09:29,280 --> 01:09:31,519 Speaker 1: So even if you listen to it this week, I'm 1424 01:09:31,520 --> 01:09:33,360 Speaker 1: telling you listen to it again and then go watch 1425 01:09:33,520 --> 01:09:37,280 Speaker 1: the interview on our YouTube page, Bobby Boneshow because it's 1426 01:09:37,320 --> 01:09:40,680 Speaker 1: that good. So here we go, Alan Jackson. We love you, 1427 01:09:41,280 --> 01:09:44,800 Speaker 1: number one, mister Jackson. I call you that, you know, 1428 01:09:44,960 --> 01:09:46,719 Speaker 1: just out of respect. I don't know for an interview, 1429 01:09:46,760 --> 01:09:48,360 Speaker 1: should I call you Alan, like, how do you want 1430 01:09:48,400 --> 01:09:49,920 Speaker 1: me to refer to you publicly, because I would call 1431 01:09:49,920 --> 01:09:52,479 Speaker 1: you mister Jackson if I saw you in person. No, 1432 01:09:52,920 --> 01:09:55,800 Speaker 1: I like just my first name, fast whatever you feel 1433 01:09:55,840 --> 01:09:59,040 Speaker 1: comf with. I don't really care, all right, mister Alan Jackson. 1434 01:09:59,160 --> 01:10:03,559 Speaker 1: Don't call me a well that's it. Wasn't that your name? 1435 01:10:03,640 --> 01:10:05,560 Speaker 1: Early on? Though? Didn't people call you out? Weren't you 1436 01:10:05,640 --> 01:10:07,680 Speaker 1: using that as your name? Just people that didn't like 1437 01:10:07,840 --> 01:10:11,800 Speaker 1: me call me that. Nobody ever called me out. They 1438 01:10:11,840 --> 01:10:14,720 Speaker 1: called me a j you know that kind of thing. 1439 01:10:15,560 --> 01:10:18,599 Speaker 1: Back in like eighty six or so, when you were 1440 01:10:18,680 --> 01:10:20,760 Speaker 1: on You Can Be a Star on TENN, which, by 1441 01:10:20,800 --> 01:10:22,720 Speaker 1: the way, my grandma and I would watch ten N 1442 01:10:22,840 --> 01:10:24,600 Speaker 1: all the time. That's where he watched. That's where I 1443 01:10:24,640 --> 01:10:26,920 Speaker 1: really fell in love with the opery was TENN liked? 1444 01:10:27,320 --> 01:10:29,880 Speaker 1: Did anyone come off of that show You can be 1445 01:10:29,960 --> 01:10:33,280 Speaker 1: a Star other than yourself? Remember anybody else in that show? Well, 1446 01:10:34,080 --> 01:10:36,160 Speaker 1: the truth is I wasn't a contestant on that show. 1447 01:10:36,320 --> 01:10:39,599 Speaker 1: You know. I worked at TNN in the mail room, 1448 01:10:40,360 --> 01:10:43,519 Speaker 1: and so the people that worked there with me knew 1449 01:10:43,560 --> 01:10:46,640 Speaker 1: I was aspiring to be a singer and songwriter. And 1450 01:10:47,200 --> 01:10:49,560 Speaker 1: one day I was just standing around backstage when that 1451 01:10:49,640 --> 01:10:51,639 Speaker 1: show was taping, they said, hey, we need somebody else 1452 01:10:51,720 --> 01:10:53,639 Speaker 1: to sing going into commercial, because that they pull people 1453 01:10:53,680 --> 01:10:56,880 Speaker 1: out of the audience to sing, just a guest audience 1454 01:10:56,960 --> 01:10:59,680 Speaker 1: member just to sing going into the commercial. And they 1455 01:10:59,720 --> 01:11:02,080 Speaker 1: asked if I wanted to sing until I jumped up there. 1456 01:11:03,479 --> 01:11:07,280 Speaker 1: So you jump from working for the network backstage to 1457 01:11:07,479 --> 01:11:09,479 Speaker 1: just hop it on stage. Do you remember that and thinking, 1458 01:11:09,520 --> 01:11:11,640 Speaker 1: holy crowd, this is a big performance here or was 1459 01:11:11,680 --> 01:11:14,760 Speaker 1: it just another day because you were playing at night already. Anyway, No, 1460 01:11:14,960 --> 01:11:16,840 Speaker 1: that was a huge I mean that was the first 1461 01:11:16,880 --> 01:11:19,400 Speaker 1: time I'd ever done anything from uncle camera, I would imagine. 1462 01:11:19,400 --> 01:11:23,160 Speaker 1: And I had mold brown cowboy back there, you know 1463 01:11:23,240 --> 01:11:26,200 Speaker 1: that the first cowboy OWER had I'd ever bought and honed, 1464 01:11:26,280 --> 01:11:28,840 Speaker 1: and I stuck it on my head and went out 1465 01:11:28,880 --> 01:11:32,560 Speaker 1: there and sang a George Jones song. If you go 1466 01:11:32,640 --> 01:11:35,040 Speaker 1: out in public now and you're not wearing your cowboy hat, 1467 01:11:35,560 --> 01:11:40,400 Speaker 1: will people know that it you? I get recognized quite 1468 01:11:40,439 --> 01:11:42,439 Speaker 1: a bit with just a ball cap or something on it. 1469 01:11:42,600 --> 01:11:46,200 Speaker 1: It's you know, you more diehard fans that know me well. 1470 01:11:46,320 --> 01:11:48,439 Speaker 1: But I think as I've gotten older, I don't look 1471 01:11:48,520 --> 01:11:50,559 Speaker 1: quite as the same as some of those early videos, 1472 01:11:50,640 --> 01:11:54,479 Speaker 1: So but yeah, I don't cowboy hat. Definitely you stand 1473 01:11:54,520 --> 01:11:58,160 Speaker 1: out a little more on with Alan Jackson right now, which, 1474 01:11:58,600 --> 01:12:02,320 Speaker 1: by the way, full album Where Have You Gone? Available 1475 01:12:02,400 --> 01:12:05,680 Speaker 1: May fourteenth. But we got a couple of songs out now, 1476 01:12:05,920 --> 01:12:07,920 Speaker 1: let's let's talk about some of them. Let's why don't 1477 01:12:07,920 --> 01:12:09,840 Speaker 1: we talk first about Where have You Gone? You wrote 1478 01:12:09,880 --> 01:12:14,760 Speaker 1: the song by yourself, right, yeah, I guess now nowadays 1479 01:12:15,520 --> 01:12:17,880 Speaker 1: most writing is happening in rooms of two and three, 1480 01:12:18,360 --> 01:12:23,920 Speaker 1: sometimes four. How common was it back ten, fifteen, twenty 1481 01:12:24,040 --> 01:12:26,240 Speaker 1: years ago to actually write a song by yourself versus 1482 01:12:26,680 --> 01:12:29,160 Speaker 1: you know, like it is now. I don't think he 1483 01:12:29,280 --> 01:12:31,840 Speaker 1: was much different back to the end of If you're 1484 01:12:32,479 --> 01:12:35,439 Speaker 1: a songwriter in Nashville or alreaist hanging around town and 1485 01:12:35,479 --> 01:12:39,160 Speaker 1: you're writing with other writers, I would typically write with 1486 01:12:39,280 --> 01:12:42,720 Speaker 1: somebody else or maybe three, but occasionally I'd write something 1487 01:12:42,760 --> 01:12:45,679 Speaker 1: by myself. I think I just kind of grew into 1488 01:12:45,760 --> 01:12:48,800 Speaker 1: it because once my career took off, I was gone 1489 01:12:48,880 --> 01:12:51,439 Speaker 1: all the time, you know, and I was on the road, 1490 01:12:51,560 --> 01:12:53,840 Speaker 1: so I was pretty much had to write by myself 1491 01:12:53,960 --> 01:12:56,680 Speaker 1: unless somebody wanted to come with me. And and that's 1492 01:12:56,720 --> 01:12:59,640 Speaker 1: how I just kind of developed. I guess, how do 1493 01:12:59,720 --> 01:13:03,360 Speaker 1: you know when you write by yourself if it's actually good, 1494 01:13:03,680 --> 01:13:06,759 Speaker 1: because any time I write jokes by myself or anytime 1495 01:13:06,760 --> 01:13:09,040 Speaker 1: I'm writing dopey songs like I kind of need that 1496 01:13:09,080 --> 01:13:11,320 Speaker 1: other person to tell me that I'm not that funny. 1497 01:13:11,760 --> 01:13:14,519 Speaker 1: Like when you're writing, how do you know if you're like, yep, 1498 01:13:14,560 --> 01:13:17,160 Speaker 1: I did it all. I know it's good. Well, I 1499 01:13:17,400 --> 01:13:19,040 Speaker 1: don't know if I know that either. I think you 1500 01:13:19,280 --> 01:13:22,519 Speaker 1: definitely when you write something, if your own and you're 1501 01:13:22,560 --> 01:13:24,760 Speaker 1: singing that, you get real close to it. It's hard 1502 01:13:24,800 --> 01:13:28,040 Speaker 1: to have a perspective of somebody that's never heard it before. 1503 01:13:28,160 --> 01:13:31,080 Speaker 1: But you know, my wife's a pretty good board to 1504 01:13:31,120 --> 01:13:34,000 Speaker 1: bounce it off of. And and uh, you know, I 1505 01:13:34,080 --> 01:13:38,360 Speaker 1: think I just feel like I know when when uh 1506 01:13:38,960 --> 01:13:41,320 Speaker 1: gut instinct tells me, usually if it's a pretty good song. 1507 01:13:41,400 --> 01:13:43,759 Speaker 1: And I'm not always right, but I mean I've written 1508 01:13:43,760 --> 01:13:47,040 Speaker 1: a lot of things that I realized weren't top shelf, 1509 01:13:47,160 --> 01:13:51,080 Speaker 1: and everybody does you don't really know me, Like Denise 1510 01:13:51,160 --> 01:13:56,960 Speaker 1: one time I wrote this song that that she uh 1511 01:13:58,920 --> 01:14:00,640 Speaker 1: told me was stupid that went on to be in 1512 01:14:00,680 --> 01:14:05,280 Speaker 1: the number one, So you never know, and what song 1513 01:14:05,479 --> 01:14:08,760 Speaker 1: was that? If we can ask gosh, I wish you 1514 01:14:08,800 --> 01:14:11,240 Speaker 1: hadn't asked me that. Now. It's not I'm in love 1515 01:14:11,280 --> 01:14:16,800 Speaker 1: with you, baby, it's well, I can't remember. If it 1516 01:14:16,880 --> 01:14:19,519 Speaker 1: comes to you, let us know. Did you ever have 1517 01:14:19,600 --> 01:14:21,080 Speaker 1: a song that you wrote? I mean, you're in the 1518 01:14:21,200 --> 01:14:23,960 Speaker 1: Songwriter Hall of Fame, so you know you're writing song 1519 01:14:24,040 --> 01:14:26,040 Speaker 1: after song, great songs. But did you ever have a 1520 01:14:26,120 --> 01:14:28,320 Speaker 1: song and you thought, I don't think that song is 1521 01:14:28,320 --> 01:14:30,160 Speaker 1: gonna do much, but then it ended up being a 1522 01:14:30,240 --> 01:14:34,280 Speaker 1: big smash and you were surprised by it. Yes, Chattahoochie. 1523 01:14:35,680 --> 01:14:38,880 Speaker 1: When you finished Chattahoochie, you finished writing in that room 1524 01:14:38,960 --> 01:14:41,120 Speaker 1: that day, did you go, all right, this is never 1525 01:14:41,160 --> 01:14:43,040 Speaker 1: gonna be heard by anybody other than us who wrote 1526 01:14:43,080 --> 01:14:45,840 Speaker 1: the song? Well, Jim and Briden. I wrote that, and 1527 01:14:46,360 --> 01:14:50,519 Speaker 1: I just thought that it was, you know, a title 1528 01:14:50,600 --> 01:14:53,680 Speaker 1: of the name of the river in Georgia that I 1529 01:14:53,800 --> 01:14:57,240 Speaker 1: grew up on around and and nobody, unless say you 1530 01:14:57,320 --> 01:14:58,720 Speaker 1: were from that area, we're even gonna know what in 1531 01:14:58,760 --> 01:15:02,000 Speaker 1: the world I was singing about. And it was I 1532 01:15:02,080 --> 01:15:03,800 Speaker 1: guess the song was really more than that. It was 1533 01:15:04,040 --> 01:15:05,719 Speaker 1: it was a growing up kind of coming of age 1534 01:15:05,760 --> 01:15:08,360 Speaker 1: song in a small town. And I realized later that 1535 01:15:08,840 --> 01:15:11,519 Speaker 1: everybody had a Chattahoochie or something like that, so they 1536 01:15:11,600 --> 01:15:14,880 Speaker 1: related to it regardless of the title. So I was 1537 01:15:14,920 --> 01:15:17,320 Speaker 1: wrong on that one. I mean, I still play that 1538 01:15:17,360 --> 01:15:20,000 Speaker 1: song about once every two weeks. I will play Chattahoochie 1539 01:15:20,200 --> 01:15:22,880 Speaker 1: just because I feel like playing Chattahoochie. And here we are, 1540 01:15:23,080 --> 01:15:24,400 Speaker 1: this many years later. Do you ever hear it on 1541 01:15:24,439 --> 01:15:27,200 Speaker 1: the radio today? And you're like, dang, I cannot believe 1542 01:15:27,280 --> 01:15:31,240 Speaker 1: that song is still sounding good. Well, I don't. I 1543 01:15:31,640 --> 01:15:34,000 Speaker 1: hear my songs every now and then. Yeah, they all 1544 01:15:34,040 --> 01:15:36,960 Speaker 1: surprised me that they're still out there, But yeah, I get. 1545 01:15:37,360 --> 01:15:39,040 Speaker 1: I mean I've sung that thing a million times, you know, 1546 01:15:39,120 --> 01:15:41,920 Speaker 1: on stage, and people still jump up on their feet 1547 01:15:41,960 --> 01:15:44,800 Speaker 1: when they love that thing. So a couple of songs 1548 01:15:44,840 --> 01:15:46,639 Speaker 1: I want to talk about in the new project, You'll 1549 01:15:46,640 --> 01:15:49,439 Speaker 1: Always Be My Baby and I do now. They were 1550 01:15:49,520 --> 01:15:53,200 Speaker 1: both written for your daughter's weddings. That true, That's absolutely right. 1551 01:15:53,320 --> 01:15:55,840 Speaker 1: My oldest daughter, Mattie was the first to get married, 1552 01:15:56,320 --> 01:16:00,519 Speaker 1: three or four years ago now, and they of the song. 1553 01:16:01,400 --> 01:16:03,320 Speaker 1: She wanted me to write a song for the father 1554 01:16:03,479 --> 01:16:06,280 Speaker 1: daughter dance. You know that they do it the reception, 1555 01:16:06,400 --> 01:16:10,360 Speaker 1: and so I wrote that and then I told all 1556 01:16:10,439 --> 01:16:11,840 Speaker 1: three of my girls. I said look, I wrote this 1557 01:16:11,920 --> 01:16:15,280 Speaker 1: song for the dance, and I'm not going to write 1558 01:16:15,320 --> 01:16:17,680 Speaker 1: one for every every wedding. So all three y'all got 1559 01:16:17,800 --> 01:16:21,000 Speaker 1: to use this so far off it, I've used you twice. 1560 01:16:22,000 --> 01:16:24,880 Speaker 1: Did you ever early in your career play a wedding 1561 01:16:25,080 --> 01:16:28,880 Speaker 1: to make some extra cash? Very rarely, but I did 1562 01:16:29,040 --> 01:16:32,080 Speaker 1: do a couple that were friends of my wife. I 1563 01:16:32,200 --> 01:16:36,400 Speaker 1: think even after I came to Nashville. My still player, 1564 01:16:36,479 --> 01:16:38,920 Speaker 1: that's been one about thirty years. He was in that 1565 01:16:39,000 --> 01:16:40,960 Speaker 1: little band and we went down to Atlanta and played 1566 01:16:41,040 --> 01:16:44,679 Speaker 1: this little backyard reception for this wedding. And he's still 1567 01:16:44,880 --> 01:16:46,720 Speaker 1: every now and then'll bring that up and laugh about it. 1568 01:16:46,920 --> 01:16:51,160 Speaker 1: Us playing that wind. I was, I saying my own wedding. Wait, 1569 01:16:51,479 --> 01:16:53,120 Speaker 1: say that again. I need to hear you say that again. 1570 01:16:53,120 --> 01:16:56,720 Speaker 1: You did what? But Denise and I got married, you know, 1571 01:16:56,760 --> 01:16:58,920 Speaker 1: I was singing then, just kind of you know, weekend 1572 01:16:59,000 --> 01:17:03,360 Speaker 1: warrior thing, Georgie. And so when we got married, we 1573 01:17:03,439 --> 01:17:06,559 Speaker 1: set our vows and for you do the ring thing. 1574 01:17:07,200 --> 01:17:11,320 Speaker 1: I sang this wedding song that Pat Terry, was a 1575 01:17:11,400 --> 01:17:14,679 Speaker 1: Christian writer around Atlanta area, wrote it and it's real 1576 01:17:14,720 --> 01:17:17,439 Speaker 1: pretty song. And I stood there and sang it to 1577 01:17:17,520 --> 01:17:21,200 Speaker 1: her and looked at the church in front of everybody. 1578 01:17:23,320 --> 01:17:25,479 Speaker 1: That's hard, Yeah, I was. I was gonna say how 1579 01:17:25,520 --> 01:17:27,240 Speaker 1: hard it was that to sing at your own wedding. 1580 01:17:27,640 --> 01:17:29,000 Speaker 1: I mean, if I feel like i'd probably be a 1581 01:17:29,080 --> 01:17:32,320 Speaker 1: bit emotional while I was doing it. Yeah, I think 1582 01:17:32,400 --> 01:17:34,759 Speaker 1: I was just more nervous and scared than I was emotional. 1583 01:17:34,840 --> 01:17:36,960 Speaker 1: But yeah, I got through it pretty good. I thought, 1584 01:17:39,680 --> 01:17:42,800 Speaker 1: Alan Jackson's on with us right now. Hey, what role 1585 01:17:42,880 --> 01:17:44,680 Speaker 1: did you have? And I asked this from someone who 1586 01:17:44,920 --> 01:17:48,400 Speaker 1: was in musicals myself back in the day. In Oklahoma, 1587 01:17:48,840 --> 01:17:51,240 Speaker 1: if I'm correct, you were in the production of Oklahoma, 1588 01:17:51,280 --> 01:17:59,439 Speaker 1: Who are You? Oklahoma? No characters by name, but U So, 1589 01:17:59,520 --> 01:18:02,360 Speaker 1: I don't know. Did you sing that, Oh what a 1590 01:18:02,439 --> 01:18:04,920 Speaker 1: beautiful morning? Was that you at all? Yeah? I know 1591 01:18:05,040 --> 01:18:07,920 Speaker 1: the songs. Yeah, I would probably had sung that. I 1592 01:18:07,960 --> 01:18:11,640 Speaker 1: actually was in a play in Taschoo that had him. 1593 01:18:11,680 --> 01:18:13,680 Speaker 1: It was a musical and I was one of the 1594 01:18:14,720 --> 01:18:19,479 Speaker 1: think guys in there, and uh, I sang the old 1595 01:18:19,560 --> 01:18:23,519 Speaker 1: John Denver song country Boy in there, the thank God 1596 01:18:23,560 --> 01:18:25,280 Speaker 1: I'm a country boy that one. Yeah, thank thank God 1597 01:18:25,320 --> 01:18:27,360 Speaker 1: I'm countoryable. Yea you sank thank God I'm a country 1598 01:18:27,400 --> 01:18:30,120 Speaker 1: boy In a high school play I did. That was 1599 01:18:30,240 --> 01:18:35,680 Speaker 1: the kickoff of my career. I'm looking at your list here, 1600 01:18:35,840 --> 01:18:37,439 Speaker 1: and I think I know every one of your number 1601 01:18:37,479 --> 01:18:39,559 Speaker 1: ones by heart, and you know many of the other 1602 01:18:39,600 --> 01:18:42,680 Speaker 1: ones as well. Of the thirty five number ones, I 1603 01:18:42,720 --> 01:18:46,120 Speaker 1: mean where I come from, that's the one we're going 1604 01:18:46,160 --> 01:18:53,920 Speaker 1: back in time. That's the one Denise said that was stupid. Okay, See, 1605 01:18:53,960 --> 01:18:57,400 Speaker 1: I knew we would get there eventually. Yes, you can't 1606 01:18:57,439 --> 01:19:00,080 Speaker 1: possibly play all your number ones in a set a 1607 01:19:00,160 --> 01:19:02,240 Speaker 1: single show, right, how do you decide which big what's 1608 01:19:02,240 --> 01:19:05,720 Speaker 1: the biggest songs you're gonna play? Well? I guess over 1609 01:19:05,800 --> 01:19:09,280 Speaker 1: the years, I've tried to just bounce it back and 1610 01:19:09,320 --> 01:19:11,280 Speaker 1: forth with the audience and figure out which ones I 1611 01:19:11,400 --> 01:19:15,840 Speaker 1: feel like that they respond well too, and also which 1612 01:19:16,040 --> 01:19:19,160 Speaker 1: which songs fit together in a couple of hours. And 1613 01:19:19,760 --> 01:19:21,519 Speaker 1: I mean it's tough. It's tough. I mean I've had 1614 01:19:21,680 --> 01:19:23,920 Speaker 1: sixty or seventy singles. You know that there have been 1615 01:19:24,080 --> 01:19:27,200 Speaker 1: either one or five or top ten hits, And I 1616 01:19:27,240 --> 01:19:28,920 Speaker 1: mean I couldn't remember them all if you ask me. 1617 01:19:28,960 --> 01:19:32,200 Speaker 1: And it's it's it makes me feel really bad. Sometimes 1618 01:19:32,240 --> 01:19:35,920 Speaker 1: I'll see a fan out there holding up a side 1619 01:19:35,920 --> 01:19:37,960 Speaker 1: of a particular song from twenty years ago that I 1620 01:19:38,040 --> 01:19:40,439 Speaker 1: hadn't sung in a long time, and uh, you know, 1621 01:19:40,479 --> 01:19:42,240 Speaker 1: I just can't. Most time, I couldn't do it if 1622 01:19:42,800 --> 01:19:44,680 Speaker 1: But every now and then they'll hold something up and 1623 01:19:45,800 --> 01:19:48,720 Speaker 1: I can remember enough to sing the chorus or something 1624 01:19:48,760 --> 01:19:50,200 Speaker 1: for him, and that's that's kind of fun to do, 1625 01:19:50,680 --> 01:19:53,360 Speaker 1: but it's very It makes me feel bad. I know 1626 01:19:53,479 --> 01:19:55,560 Speaker 1: some people come to hear one particular song and you 1627 01:19:55,640 --> 01:19:57,080 Speaker 1: just don't get to do it for him. So I 1628 01:19:57,160 --> 01:19:59,040 Speaker 1: try to just pick the biggest ones and the ones 1629 01:19:59,080 --> 01:20:02,160 Speaker 1: that have affected to most people or that I enjoy 1630 01:20:02,200 --> 01:20:05,960 Speaker 1: as will. How did you earn money to buy your 1631 01:20:06,120 --> 01:20:09,679 Speaker 1: very first ever guitar back in the day. I didn't 1632 01:20:09,720 --> 01:20:11,840 Speaker 1: buy it. My mom and daddy gave it to me 1633 01:20:11,920 --> 01:20:15,719 Speaker 1: when I was sixteen for a birthday. Was that because? 1634 01:20:15,920 --> 01:20:17,800 Speaker 1: Was that because they knew you wanted to play guitar? 1635 01:20:17,880 --> 01:20:19,360 Speaker 1: Had you expressed how I would love to be able 1636 01:20:19,360 --> 01:20:22,519 Speaker 1: to afford a guitar and they went and got you one? Well, yeah, 1637 01:20:22,520 --> 01:20:25,360 Speaker 1: I guess so. I'd been singing, you know, at church 1638 01:20:25,479 --> 01:20:28,120 Speaker 1: some and that kind of thing, and I was dating 1639 01:20:28,160 --> 01:20:31,160 Speaker 1: this girl who had a younger sister played a twelve 1640 01:20:31,200 --> 01:20:35,639 Speaker 1: string guitar. And and we started singing together, just doing 1641 01:20:35,760 --> 01:20:39,479 Speaker 1: some kind of folky stuff and out in really country 1642 01:20:39,520 --> 01:20:42,720 Speaker 1: stuff much but church kind of stuff month mainly. And 1643 01:20:42,920 --> 01:20:47,760 Speaker 1: I started playing just doing that. And then I met 1644 01:20:47,800 --> 01:20:50,280 Speaker 1: a boy that was a friend of one of my 1645 01:20:50,320 --> 01:20:54,360 Speaker 1: older sisters, and he played electric guitar and sang real 1646 01:20:54,400 --> 01:20:57,240 Speaker 1: country stuff, I mean Gene Watson and Haggard and all 1647 01:20:57,280 --> 01:20:59,200 Speaker 1: that stuff. And he's the one that really turned me 1648 01:20:59,280 --> 01:21:01,679 Speaker 1: onto it and got me singing. He sang a little 1649 01:21:01,680 --> 01:21:03,519 Speaker 1: good of harmony and we formed a little duo and 1650 01:21:03,600 --> 01:21:05,439 Speaker 1: it grew into a band later. And that's what led 1651 01:21:05,479 --> 01:21:08,280 Speaker 1: me to Nashville. Really, when you moved to Nashville, was 1652 01:21:08,320 --> 01:21:11,360 Speaker 1: it to be a songwriter or to be a performer singer. 1653 01:21:11,680 --> 01:21:14,840 Speaker 1: I had never written a song in my life until 1654 01:21:15,280 --> 01:21:19,240 Speaker 1: when I was singing with that band, and everybody kept 1655 01:21:19,280 --> 01:21:20,800 Speaker 1: telling me you ought to go to Nashville, you know. 1656 01:21:21,680 --> 01:21:24,439 Speaker 1: So I didn't know much about I didn't know anything 1657 01:21:24,439 --> 01:21:26,360 Speaker 1: about the music business or recording or anything. And this 1658 01:21:26,479 --> 01:21:28,920 Speaker 1: one old guy in Noon and a young man that 1659 01:21:29,040 --> 01:21:31,040 Speaker 1: had a band or rock band he played in Atlanta, 1660 01:21:31,120 --> 01:21:34,400 Speaker 1: sum He had a little four track studio in his 1661 01:21:34,479 --> 01:21:37,400 Speaker 1: basement or something. He's the only guy whover knew the recording, 1662 01:21:37,600 --> 01:21:39,360 Speaker 1: and so I asked you you know about it? He said, yea, 1663 01:21:39,360 --> 01:21:40,479 Speaker 1: if you go to Nashville, you know, you can't go 1664 01:21:40,560 --> 01:21:42,559 Speaker 1: up there singing everybody else's songs. You need your original 1665 01:21:42,600 --> 01:21:45,679 Speaker 1: materials to show them who you are. So I started 1666 01:21:45,720 --> 01:21:48,080 Speaker 1: writing songs, and when I came to Nashville, I had 1667 01:21:48,120 --> 01:21:50,400 Speaker 1: a paper sack full of songs, and a lot of 1668 01:21:50,479 --> 01:21:52,479 Speaker 1: those ended up on the first two or three records. 1669 01:21:52,520 --> 01:21:56,679 Speaker 1: And when you started writing songs, because like I said, 1670 01:21:56,680 --> 01:21:58,599 Speaker 1: you didn't have a huge history of writing songs before 1671 01:21:58,640 --> 01:22:01,439 Speaker 1: you got to Nashville, was did it come to you 1672 01:22:01,640 --> 01:22:04,800 Speaker 1: pretty easy or did you have to take a long 1673 01:22:04,880 --> 01:22:07,080 Speaker 1: time and and kind of labor to learn how to 1674 01:22:07,120 --> 01:22:11,080 Speaker 1: actually write a good catchy song. Well, I think some 1675 01:22:11,200 --> 01:22:13,200 Speaker 1: of it. You got some kind of natural abuility to 1676 01:22:13,760 --> 01:22:17,160 Speaker 1: hear melodies and make it rhyme. But uh, you know, 1677 01:22:17,200 --> 01:22:19,000 Speaker 1: it's a craft, I thought, you know, the more I 1678 01:22:19,080 --> 01:22:21,720 Speaker 1: wrote and wrote with experience writers, I learned. But I 1679 01:22:21,800 --> 01:22:24,519 Speaker 1: mean the first month or two I moved to Nashville, 1680 01:22:25,200 --> 01:22:27,920 Speaker 1: you know, I never lived anywhere, and my wife was 1681 01:22:28,200 --> 01:22:30,640 Speaker 1: working a job to pay our bills something. She was 1682 01:22:30,680 --> 01:22:32,439 Speaker 1: out of town most of the time. I was up 1683 01:22:32,479 --> 01:22:35,320 Speaker 1: here by myself, lonely, and it was sad. The first 1684 01:22:35,400 --> 01:22:37,920 Speaker 1: month or so I was there, I wrote a song 1685 01:22:38,600 --> 01:22:41,120 Speaker 1: for my mama for the Mother's Day that was coming 1686 01:22:41,160 --> 01:22:43,519 Speaker 1: up right after I had moved here, and and it 1687 01:22:43,720 --> 01:22:45,479 Speaker 1: was called Home. It's a song about my mom and 1688 01:22:45,560 --> 01:22:47,720 Speaker 1: daddy in the house they grew up in, and this 1689 01:22:47,920 --> 01:22:50,439 Speaker 1: true story, a bunch of facts scribbled down. And that 1690 01:22:50,520 --> 01:22:51,840 Speaker 1: was one of the first songs I wrote when I 1691 01:22:51,920 --> 01:22:54,680 Speaker 1: came to town, and it went on to be a hit, 1692 01:22:54,800 --> 01:22:57,600 Speaker 1: you know, years later, And so you just, you know, 1693 01:22:57,680 --> 01:23:00,240 Speaker 1: you never know you're writing something like that that comes 1694 01:23:00,240 --> 01:23:03,519 Speaker 1: out of you that's personal. Sometimes it writes itself more, 1695 01:23:03,680 --> 01:23:06,400 Speaker 1: you know. You know, of the songs that you have 1696 01:23:06,520 --> 01:23:09,320 Speaker 1: written that ended up again being big smashes that have 1697 01:23:09,400 --> 01:23:12,040 Speaker 1: gone generationally, which one of them kind of fell out 1698 01:23:12,080 --> 01:23:13,840 Speaker 1: of you the fastest where you just kind of sat 1699 01:23:13,880 --> 01:23:15,120 Speaker 1: down an hour and a half You're like, well, we 1700 01:23:15,200 --> 01:23:16,960 Speaker 1: got a song here, and then it turned into a 1701 01:23:17,000 --> 01:23:20,960 Speaker 1: big hit. Gosh, I don't I've had a lot of 1702 01:23:20,960 --> 01:23:23,840 Speaker 1: them come to me that way, you know. I would 1703 01:23:23,920 --> 01:23:28,920 Speaker 1: think the one that that was the most inspirational in 1704 01:23:29,000 --> 01:23:32,840 Speaker 1: a almost spiritual way, and was where were you when 1705 01:23:32,880 --> 01:23:34,840 Speaker 1: I just got up in the middle of the night 1706 01:23:34,920 --> 01:23:40,400 Speaker 1: and there was that song, you know, and wrote the 1707 01:23:40,479 --> 01:23:44,120 Speaker 1: chorse down and and that whole thing just came out 1708 01:23:44,160 --> 01:23:48,360 Speaker 1: of nowhere. And then the next morning I started scribbling 1709 01:23:48,400 --> 01:23:53,360 Speaker 1: all those little verse things down about different visions I'd 1710 01:23:53,560 --> 01:23:57,360 Speaker 1: seen during all the term woil on television and here 1711 01:23:57,520 --> 01:24:03,160 Speaker 1: and hearing people's stories. Yeah, that one was almost god sent, 1712 01:24:03,280 --> 01:24:06,760 Speaker 1: you know. Alan Jackson's on Where Have You Gone is 1713 01:24:06,800 --> 01:24:09,000 Speaker 1: his first album in six years. It'll be available in 1714 01:24:09,080 --> 01:24:12,280 Speaker 1: May fourteenth. You've got twenty one performances. We've talked about 1715 01:24:12,320 --> 01:24:14,920 Speaker 1: a bunch of the songs so far, but no record 1716 01:24:15,040 --> 01:24:17,439 Speaker 1: for six years. Are you a guy that can separate 1717 01:24:17,680 --> 01:24:21,479 Speaker 1: and just put music in life in separate places and 1718 01:24:21,560 --> 01:24:23,080 Speaker 1: just live your life and not worry so much about 1719 01:24:23,120 --> 01:24:27,479 Speaker 1: music for a while. Oh, definitely. So. Yeah. I've always 1720 01:24:28,720 --> 01:24:30,519 Speaker 1: when I come off the road, I'm off the road, 1721 01:24:30,600 --> 01:24:34,840 Speaker 1: and I've always enjoyed just life with my family and 1722 01:24:34,920 --> 01:24:37,880 Speaker 1: doing things that you I've always enjoyed doing even before 1723 01:24:38,640 --> 01:24:40,360 Speaker 1: had any money to do it, you know, and it's 1724 01:24:41,439 --> 01:24:44,560 Speaker 1: it's wonderful. I think that's one thing that's helped me 1725 01:24:45,040 --> 01:24:47,559 Speaker 1: stay more focused and grounded and be able to write 1726 01:24:47,600 --> 01:24:51,800 Speaker 1: songs that still connect with people as I've never really 1727 01:24:53,360 --> 01:24:56,439 Speaker 1: worked hard to be in the spotlight. I had two 1728 01:24:56,479 --> 01:24:59,559 Speaker 1: final questions for you, mister Jack Allen Allen, my friend Alan. 1729 01:24:59,560 --> 01:25:01,599 Speaker 1: That's why to say, my friend Allen, I have two 1730 01:25:01,640 --> 01:25:05,120 Speaker 1: final questions for you. Um, the first song on your 1731 01:25:05,160 --> 01:25:06,760 Speaker 1: set list if you were to go out tonight you 1732 01:25:06,840 --> 01:25:08,800 Speaker 1: hadn't played in a while, what's the first song you 1733 01:25:08,880 --> 01:25:11,400 Speaker 1: play when the crowds out there were going? All Allen, 1734 01:25:12,760 --> 01:25:14,680 Speaker 1: I used to kick off of God Country because I 1735 01:25:14,800 --> 01:25:18,760 Speaker 1: just it's just a great opening song and a good 1736 01:25:18,800 --> 01:25:21,519 Speaker 1: track for that, and I've been doing that for years 1737 01:25:21,800 --> 01:25:25,200 Speaker 1: and it leads into the show real well. Who the 1738 01:25:25,240 --> 01:25:27,760 Speaker 1: crowd seems to they like that. It's just like it's 1739 01:25:28,560 --> 01:25:32,360 Speaker 1: it's the statement, you know, to kick off the song show. 1740 01:25:32,800 --> 01:25:37,479 Speaker 1: What are you close with? Uh? Typically we get down 1741 01:25:37,640 --> 01:25:42,719 Speaker 1: to Chattahoochee. I like a running little set of five 1742 01:25:42,800 --> 01:25:46,639 Speaker 1: o'clock and Chattahoochie, and then I come do some Mercury Blues. 1743 01:25:46,720 --> 01:25:49,800 Speaker 1: Sometimes a team come on Mercury Blues. That's my jam. 1744 01:25:50,160 --> 01:25:52,600 Speaker 1: That's my jam, Listen. All I think about it is 1745 01:25:52,640 --> 01:25:55,200 Speaker 1: home improvement in that car, turning around and tend to 1746 01:25:55,240 --> 01:25:57,720 Speaker 1: tool man Taylor and al Borland and you're up there. 1747 01:25:57,960 --> 01:26:00,479 Speaker 1: I'm gonna buy me a mercury and cruise it up now. No, 1748 01:26:01,200 --> 01:26:05,360 Speaker 1: that's it for me. That's my childhood. Oh I love it. Okay, 1749 01:26:05,400 --> 01:26:08,160 Speaker 1: here's the real final question. Okay, your wife's maiden name 1750 01:26:08,240 --> 01:26:10,280 Speaker 1: was Jackson. Did she even have to change her name 1751 01:26:10,280 --> 01:26:14,760 Speaker 1: illegally after you got married? I don't guess. So it's 1752 01:26:14,800 --> 01:26:17,519 Speaker 1: the same Jackson, right, it's just Jackson's Jackson. Yeah, far 1753 01:26:17,560 --> 01:26:19,679 Speaker 1: as I know, we're probably related somewhere down the tree, 1754 01:26:21,080 --> 01:26:23,800 Speaker 1: so far ahead. You know, all our children turn out 1755 01:26:23,840 --> 01:26:27,479 Speaker 1: and almal So okay, there we have it. Upcoming album 1756 01:26:27,520 --> 01:26:29,920 Speaker 1: Where Have You Gone? Out May fourteenth. Let me encourage 1757 01:26:29,960 --> 01:26:32,400 Speaker 1: you guys. Check out Where have You Gone? Check Out? 1758 01:26:32,560 --> 01:26:34,960 Speaker 1: You'll always be my baby. Check out Things that matter 1759 01:26:35,280 --> 01:26:38,080 Speaker 1: way down on my whiskey. Mister Jackson Allen, thank you 1760 01:26:38,240 --> 01:26:41,040 Speaker 1: very much, just a massive fan. Appreciate your time. I 1761 01:26:41,080 --> 01:26:42,880 Speaker 1: would say good luck with your career, but I think 1762 01:26:42,920 --> 01:26:45,880 Speaker 1: you already won. So you're the winner and we're lucky 1763 01:26:45,960 --> 01:26:48,640 Speaker 1: to have you around. Well, thanks for talking to me. 1764 01:26:48,640 --> 01:26:53,400 Speaker 1: I'll appreciate it. Good to see you, Violin. It's the 1765 01:26:53,560 --> 01:26:58,960 Speaker 1: best Bits of the Week with Morgan. Number two that's 1766 01:26:58,960 --> 01:27:01,280 Speaker 1: a rap for this week show. Thank you all for 1767 01:27:01,439 --> 01:27:03,920 Speaker 1: hanging out with me and Mike d. We had so 1768 01:27:04,120 --> 01:27:07,000 Speaker 1: much fun talking about all the things, from his wedding 1769 01:27:07,120 --> 01:27:10,719 Speaker 1: to his dream job to TV shows. We even geeked 1770 01:27:10,720 --> 01:27:13,200 Speaker 1: out a little bit on some Marvel stuff. So I 1771 01:27:13,360 --> 01:27:15,519 Speaker 1: hope you guys had fun. I had a great time. 1772 01:27:15,920 --> 01:27:18,479 Speaker 1: Make sure you follow this show on All the Things 1773 01:27:18,760 --> 01:27:21,920 Speaker 1: at Bobby Bones Show and you can relive all these 1774 01:27:22,040 --> 01:27:25,080 Speaker 1: moments plus so much more at Bobby Bones dot com. Also, 1775 01:27:25,320 --> 01:27:28,200 Speaker 1: you can follow me on TikTok, Instagram, Twitter, you know 1776 01:27:28,320 --> 01:27:30,519 Speaker 1: all the things at web girl Morgan, I post some 1777 01:27:30,600 --> 01:27:33,400 Speaker 1: weird things. I just did the jeep challenge where I 1778 01:27:33,479 --> 01:27:37,040 Speaker 1: did a handstand into my jeep. I know, crazy stuff. Also, 1779 01:27:37,439 --> 01:27:40,280 Speaker 1: you can follow Mike Destro at Mike Destro. He's also 1780 01:27:40,360 --> 01:27:43,640 Speaker 1: on TikTok, Twitter, Instagram. Please tweet me, reach out to me, 1781 01:27:43,840 --> 01:27:47,439 Speaker 1: dm me, Instagram, story me. If you guys loved the podcast, 1782 01:27:47,600 --> 01:27:49,920 Speaker 1: what y'all want to hear more of? I'm loving hanging 1783 01:27:49,960 --> 01:27:51,519 Speaker 1: out with you guys every weekend Buying