WEBVTT - #495 - Ice Cube

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<v Speaker 1>Yo, what's cracking this your homeboy? Ice Cbe Hotstyles, My style,

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<v Speaker 1>Jo Styles, Die Soule. We're doing it big right here

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<v Speaker 1>on the Bootleg Cavs podcast. I was about to say show.

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<v Speaker 2>Before we start the episode, Man, I got to remind

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<v Speaker 2>everybody that we are on the radio in eighty cities

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<v Speaker 2>every single day across the country. Man Real ninety two

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<v Speaker 2>to three every day Monday through Friday in Los Angeles,

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<v Speaker 2>Wild ninety four to one in Tampa, Kkfur and Phoenix.

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<v Speaker 2>We're all over the place, Miami, Vegas. We can go

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<v Speaker 2>on and on. We want to give a shout out

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<v Speaker 2>to our latest affiliate. Shout out to Knoxville, Tennessee, Man

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<v Speaker 2>Hot one oh four point five for being the latest

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<v Speaker 2>city to join the Bootleg cav Show network. All right now,

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<v Speaker 2>I don't ever really talk about the radio show on

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<v Speaker 2>the podcast, keep them separate. But if you want to

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<v Speaker 2>listen to the radio show, you can click the link

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<v Speaker 2>in the bio for a list of all the cities

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<v Speaker 2>you can listen to at. Yeah, that makes sense. Let's

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<v Speaker 2>get to the interview, Yo, Bootleg cav show Man special

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<v Speaker 2>guests in here a living legend, one of the greatest

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<v Speaker 2>of all time, one of the founding fathers of the

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<v Speaker 2>hip hop that I grew up on, the freest thinker

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<v Speaker 2>in hip hop. In twenty twenty four, Ice Cube the

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<v Speaker 2>don Mega Well.

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<v Speaker 1>Yes, what's happening with man, it's an honor.

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<v Speaker 2>We did a conversation before, but it was with the

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<v Speaker 2>Mount Wesmore guys. Yeah, so it's good to have you,

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<v Speaker 2>like on the one on one you got new music out,

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<v Speaker 2>you know what I'm saying, like, Yeah, yeah, that's dope.

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<v Speaker 2>It's my ego is it sounds like vintage Cube.

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<v Speaker 1>Good. That's what I wanted. Thank you, That's what I wanted. Yeah.

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<v Speaker 2>I feel like when like, you know, people like I

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<v Speaker 2>grew up listening to try to chase like a current record,

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<v Speaker 2>It's just it's just like that's not why, like we

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<v Speaker 2>love you, you know what I'm saying.

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<v Speaker 1>Yeah, you know, being in the game for almost forty years,

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<v Speaker 1>that's great. It's and I've seen waves come and go

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<v Speaker 1>and I just you know around the Laugh Now Cry

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<v Speaker 1>Later record six. Yeah, right before that record, I was like, man,

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<v Speaker 1>when I pick up a I need a Baker record,

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<v Speaker 1>I want it to sound like I need.

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<v Speaker 2>A Baker, right, you don't want it to sound like that.

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<v Speaker 1>She chased Joyeah, so I felt like, well, ice Ce

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<v Speaker 1>fans are the same way, you know, when they pick

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<v Speaker 1>it up, they wanted to be cointessential, authentic ice Cube.

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<v Speaker 1>And so that's what I that's what I've been worry about,

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<v Speaker 1>worrying about delivering, you know what I mean When I

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<v Speaker 1>say worrying, I'm not like I'm worried, but he's what

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<v Speaker 1>I've been focused, you know, doing records. That's you know,

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<v Speaker 1>totally me.

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<v Speaker 2>I wonder too, because like you're you're always, you know,

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<v Speaker 2>growing up. I feel like people could listen to your

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<v Speaker 2>albums for kind of like a current narration of the world. Yeah,

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<v Speaker 2>through you know, through your eyes at least. And I

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<v Speaker 2>do feel like the world is like in a crazy

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<v Speaker 2>place right now, at least in the United States. It

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<v Speaker 2>feels like everyone's losing their fucking mind. Are you, like,

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<v Speaker 2>are you getting back to some of the like, you know,

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<v Speaker 2>addressing some of the shit that's happening that people are

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<v Speaker 2>freaking out about or.

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<v Speaker 1>I believe so. I believe so in my own way though,

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<v Speaker 1>right you know, it's really about making good records at

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<v Speaker 1>the end of the day, and you don't want like

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<v Speaker 1>the things you're trying to show or highlight to get

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<v Speaker 1>in the way of a good record, right, so you

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<v Speaker 1>have to find ways to to uh barrier is the

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<v Speaker 1>wrong word, but to fit it. It's you feed your

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<v Speaker 1>dog medicine without a doubt because people are not buying

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<v Speaker 1>music for a history lesson or uh. You know, it's

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<v Speaker 1>not a social studies experiment. It's music. So that the

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<v Speaker 1>magic buying your music. But the magic is to make

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<v Speaker 1>it bad, make it bump if you both the rhyme's

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<v Speaker 1>dope for sure, to make it a good song at

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<v Speaker 1>the end of the day, because it could be for me,

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<v Speaker 1>it could be for any artists. Nobody want to be

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<v Speaker 1>preached to in their music. You know, they want to

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<v Speaker 1>they want to rock with something they can relate to.

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<v Speaker 2>But I think it's about relatability. Yeah, and if and

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<v Speaker 2>if you take that and you know, apply it, then

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<v Speaker 2>it's a plus. If not, if the records are good,

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<v Speaker 2>the records are.

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<v Speaker 1>Good, Yeah, it's it's about now. Of course, I got

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<v Speaker 1>a few records that's you know, all about me. You know,

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<v Speaker 1>I'm an MC so I mean it's my ego, but

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<v Speaker 1>I think everybody should celebrate their ego. Yeah, you know,

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<v Speaker 1>it's something that.

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<v Speaker 2>I feel like I feel like we've gotten away from

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<v Speaker 2>like everyone's so like worried about you know. I feel

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<v Speaker 2>like you kind of said it at the end of

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<v Speaker 2>the record. You said, like people are gonna get triggered.

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<v Speaker 1>Yeah, Like so what it's good for them to be triggered.

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<v Speaker 1>Let them know you here for sure, Like you can't

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<v Speaker 1>be docile, that won't get you nowhere. You have to.

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<v Speaker 1>It's cool, you know, as long as you don't go overboard,

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<v Speaker 1>you know, but you gotta, you know, let people know

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<v Speaker 1>you here. Why are you unique? Why are you you?

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<v Speaker 2>I think back, and I'm like, could ice Cube from

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<v Speaker 2>nineteen ninety one release Death Certificate today and not get canceled.

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<v Speaker 1>Or like Lethal Injection?

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<v Speaker 2>I think it's songs like like kve Bitch or like

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<v Speaker 2>Black Korea, Like, yeah, I don't know if these songs

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<v Speaker 2>could exist these days without people like you know, you'd

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<v Speaker 2>have a TMZ article written with like twenty like they'd

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<v Speaker 2>be on an MSNBC running you through the Mud or something.

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<v Speaker 2>You know.

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<v Speaker 1>Yeah, I mean I wouldn't, you know, I wouldn't necessarily

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<v Speaker 1>think about that, you know. To me, people's reaction and

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<v Speaker 1>the music that they or whatever makes them react from

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<v Speaker 1>entertainment is usually a good thing, right, as long as

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<v Speaker 1>you get a reaction. Oh yeah, you want to You

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<v Speaker 1>don't want a record to play and there's nothing. Yeah,

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<v Speaker 1>you want to. You want to.

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<v Speaker 2>You want to strike a motion.

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<v Speaker 1>Without a doubt. You know. That's to me, the reason

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<v Speaker 1>people like music because it strikes emotional chords and so

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<v Speaker 1>you know, nobody's stopping me from saying anything. So it's

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<v Speaker 1>all about the artists having the courage to do it

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<v Speaker 1>and not worry about so called being canceled.

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<v Speaker 2>Yeah, yeah, yeah, I'll say this, man, you ended up

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<v Speaker 2>being right about a lot of shit, especially like you know,

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<v Speaker 2>I'll say this, like you're You're the main reason I

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<v Speaker 2>didn't get the second JAB.

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<v Speaker 1>Man, that's good.

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<v Speaker 2>I got the first one. But when I was like, wait,

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<v Speaker 2>Q passed up on nine million dollars, I'm I gotta

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<v Speaker 2>do something. I got to look.

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<v Speaker 1>Into this, you know, And I didn't need the JAB, So.

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<v Speaker 2>Thank you for that, though cute, oh no problem saved

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<v Speaker 2>me from a potential vaccine injury or you know, mild

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<v Speaker 2>card dice is I'm.

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<v Speaker 1>Glad you didn't. You know, if you didn't need it,

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<v Speaker 1>you shouldn't get it.

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<v Speaker 2>That was a crazy time though, because you know, like

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<v Speaker 2>at the end of the day, like you had kind

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<v Speaker 2>of become the the poster child for like anti vacs.

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<v Speaker 2>And I'm curious as somebody who had the FBI come

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<v Speaker 2>after them at a certain point in time in their

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<v Speaker 2>career with n w A in the eighties, Tipper Gore

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<v Speaker 2>et cetera to having like mainstream media and like social

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<v Speaker 2>media come after you for something else, obviously.

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<v Speaker 1>Totally different things. What were the difference.

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<v Speaker 2>Between dealing with those two things and what was crazier?

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<v Speaker 1>Well, I mean, for clarity, I'm not anti vacts.

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<v Speaker 2>Right, but but you can get the face of it.

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<v Speaker 2>Well yeah that list just like RFK is not anti VACCX.

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<v Speaker 1>Yeah. Well you know, but so you have so you

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<v Speaker 1>have to for anybody who thinks make it make it clear.

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<v Speaker 1>I've been vaccinated before as a kid, you know, with

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<v Speaker 1>you know all the ship they give you that course,

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<v Speaker 1>but no, don't take flu shots. But but you know,

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<v Speaker 1>the childhood vaccinations, I've gotten them before. Okay, but those

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<v Speaker 1>were studied for years. This is something new six months

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<v Speaker 1>fast track bullshit. So the difference was me, I knew

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<v Speaker 1>it was nothing they could do to make me do it.

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<v Speaker 1>Outside holding me down and and and sticking it in

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<v Speaker 1>my arm right now. And I felt like nobody was

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<v Speaker 1>gonna do that. So, you know, I knew that bad press,

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<v Speaker 1>people coming down on you, people talking ship. I've had

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<v Speaker 1>that before, and that don't that don't kill you. I mean,

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<v Speaker 1>at the end of the day in a flood, you

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<v Speaker 1>want to be a tree. I love that. You know

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<v Speaker 1>what I'm saying. You want to be steady while everything is. Yeah,

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<v Speaker 1>so stand your ground, you know, stand on your beliefs.

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<v Speaker 1>Let the chips fall what they may. I was willing

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<v Speaker 1>to take, you know, any kind of you know, consequence

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<v Speaker 1>for for you know, standing on what I believe would

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<v Speaker 1>actually harm me and not help me.

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<v Speaker 2>I love that. Did you feel like because since then,

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<v Speaker 2>I'm not sure from the from at least my recognition,

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<v Speaker 2>I haven't seen any new Cube movies. I know you're

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<v Speaker 2>working on it, like I think Warner Brothers just greenlit

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<v Speaker 2>a New Friday or that's even works, right, But did

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<v Speaker 2>that affect that, the whole hysteria around your decision, did

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<v Speaker 2>it affect you getting new movies after after everybody you

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<v Speaker 2>realized it wasn't that big of a deal.

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<v Speaker 1>You never know, you know, you you never really know

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<v Speaker 1>why movies don't happen or didn't happen or or what.

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<v Speaker 1>So you know, I got my hunch that it probably did.

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<v Speaker 1>You know. The first movie that we lost was the

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<v Speaker 1>one you talked about, which was a movie I was

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<v Speaker 1>doing with Jack Black called oh hell No.

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<v Speaker 2>And Buddy Cop stuff.

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<v Speaker 1>No, no, it was. It was. It was a comedy,

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<v Speaker 1>but it wasn't Buddy Cop. But but that was the

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<v Speaker 1>first one. You know, I wasn't gonna go on nobody's

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<v Speaker 1>movie set that was wanting me to take the jab,

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<v Speaker 1>so I probably lost out on a few. I was

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<v Speaker 1>in the middle of shooting a movie, uh, the Clarissa

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<v Speaker 1>Shiells boxing story. I was the trainer and we were

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<v Speaker 1>shooting in Canada, so I couldn't go back and shoot

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<v Speaker 1>because I wasn't Canada was not it was, Yeah, it

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<v Speaker 1>was real strict. So lost that one. And and you

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<v Speaker 1>know when the movies came back, you know, I was

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<v Speaker 1>offered to do a movie, but it was during the strike.

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<v Speaker 2>So now, so you don't want to cross picket line.

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<v Speaker 1>No, no, even though I had an exempt. Now I

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<v Speaker 1>had a SAG exemption.

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<v Speaker 2>Just the optics.

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<v Speaker 1>Yeah, but what is an exemption doing the strike, either

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<v Speaker 1>we striking or we not? What are we doing? An exemption?

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<v Speaker 1>To me, was was useless. I wasn't. I would never

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<v Speaker 1>take an exemption doing a strike.

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<v Speaker 2>Someone told me recently that even though like that strike

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<v Speaker 2>was about AI, like they recently just struck some like

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<v Speaker 2>a ideal like the movie companies. That kind of made

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<v Speaker 2>it like kind of crazy that that strike kept all

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<v Speaker 2>those people out of work all that time. Anyway, but

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<v Speaker 2>I don't know that. You probably don't want me.

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<v Speaker 1>You know, AI, You're gonna have artificial entertainment now, it's wild. Yeah,

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<v Speaker 1>have you artificial fun?

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<v Speaker 2>Have they made any artificial intelligence songs with your voice?

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<v Speaker 1>Because that's the thing they have that's gotta be wild. Yeah.

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<v Speaker 1>It's the wackyt shit you ever want to hear. Terrible.

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<v Speaker 1>I mean, it's you know, for shits and giggles. But

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<v Speaker 1>I couldn't see nobody buying it. I couldn't see nobody. No, No,

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<v Speaker 1>I don't think turned on by it to the point

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<v Speaker 1>where they where it becomes a hit wreck. I think.

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<v Speaker 2>I think what's gonna end up happening in the future

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<v Speaker 2>is when artists die, maybe one hundred years from now.

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<v Speaker 2>You know, there's going to.

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<v Speaker 1>Be like, but who wants that show? Nobody?

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<v Speaker 2>But you never know, maybe in fifty years an artist

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<v Speaker 2>might be like, look, I got this book of rhymes.

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<v Speaker 2>When I pass away, have a that's.

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<v Speaker 1>Still you know, you pick an artist. It is why

0:14:00.520 --> 0:14:10.080
<v Speaker 1>you love different artists, actors, uh, you know, singers, you know,

0:14:10.240 --> 0:14:17.800
<v Speaker 1>especially songwriters, rappers, this, directors. You like them because of

0:14:17.840 --> 0:14:22.240
<v Speaker 1>the choices they make. Right, you know what I'm saying.

0:14:22.480 --> 0:14:27.280
<v Speaker 1>The choices they make is what you respect. So when

0:14:27.320 --> 0:14:32.080
<v Speaker 1>you take them out of the choice making, you're really

0:14:33.040 --> 0:14:38.240
<v Speaker 1>not getting the artists work. You know what if they

0:14:38.320 --> 0:14:43.520
<v Speaker 1>got prints, they do a print song and got him

0:14:43.560 --> 0:14:47.040
<v Speaker 1>singing some shit, he would never sings saying some things

0:14:47.120 --> 0:14:48.040
<v Speaker 1>he would never say.

0:14:48.080 --> 0:14:51.360
<v Speaker 2>You know what's funny is when Pop died and all

0:14:51.360 --> 0:14:54.120
<v Speaker 2>those albums were coming out. Yeah, and I remember there

0:14:54.160 --> 0:14:55.800
<v Speaker 2>was an album called Oil to the Game and it

0:14:55.880 --> 0:14:58.640
<v Speaker 2>had like fifty se jah Rule and all this shit,

0:14:58.720 --> 0:15:01.560
<v Speaker 2>and I just remember being like, I mean, like it's cool,

0:15:01.680 --> 0:15:04.080
<v Speaker 2>but like I don't know, Poko, it is song with

0:15:04.120 --> 0:15:05.920
<v Speaker 2>these guys, so it felt it just felt weird.

0:15:06.200 --> 0:15:08.720
<v Speaker 1>It is weird. It is as opposed to.

0:15:08.680 --> 0:15:10.440
<v Speaker 2>Like putting him on an album with like people he

0:15:10.520 --> 0:15:12.920
<v Speaker 2>actually was peers with, you know, but it's like, Okay,

0:15:12.920 --> 0:15:15.640
<v Speaker 2>who's hot, who's current, Let's throw them on these unreleased

0:15:15.680 --> 0:15:19.520
<v Speaker 2>TUPAC records, reproduce them, and then it's like it's it's

0:15:19.600 --> 0:15:21.640
<v Speaker 2>it's like almost like a blend or a mash up

0:15:21.680 --> 0:15:23.600
<v Speaker 2>mixtape as opposed to like an album.

0:15:24.040 --> 0:15:28.040
<v Speaker 1>Yeah, and you don't get the same feeling from it,

0:15:28.280 --> 0:15:34.000
<v Speaker 1>not only because you know, you know, they were not

0:15:34.160 --> 0:15:38.520
<v Speaker 1>there and the creation of this, so you don't even

0:15:38.520 --> 0:15:41.360
<v Speaker 1>know if these are his choices or these are records

0:15:41.400 --> 0:15:43.560
<v Speaker 1>that he even wanted out. That's the key.

0:15:43.600 --> 0:15:46.920
<v Speaker 2>Everything not everything that gets not everything that gets recorded

0:15:47.000 --> 0:15:48.400
<v Speaker 2>is supposed to hit hit hit.

0:15:48.360 --> 0:15:52.800
<v Speaker 1>Consumption because some of it is it's just ideas. Some

0:15:52.840 --> 0:15:57.280
<v Speaker 1>of it is, you know, not good enough for the public.

0:15:59.520 --> 0:16:06.000
<v Speaker 1>Some of it is you know, whack. You know. At

0:16:06.040 --> 0:16:07.880
<v Speaker 1>the end of the day, it's a reason why he

0:16:08.000 --> 0:16:09.040
<v Speaker 1>hasn't been released.

0:16:10.360 --> 0:16:13.320
<v Speaker 2>I love the remix that just dropped because I look

0:16:13.360 --> 0:16:18.160
<v Speaker 2>at Killer Mike as a modern day ice Cube. Uh.

0:16:18.480 --> 0:16:21.280
<v Speaker 2>Killer Mike is one of my favorite rappers of all time. Uh,

0:16:21.680 --> 0:16:25.880
<v Speaker 2>one of the best guys. Somebody else who's a free thinker, Yeah,

0:16:25.960 --> 0:16:28.760
<v Speaker 2>somebody who's always just kind of like been a man

0:16:28.760 --> 0:16:30.560
<v Speaker 2>of the people I love Killer Mike Man and it

0:16:30.680 --> 0:16:32.800
<v Speaker 2>was just so dope to hear you guys and him

0:16:32.840 --> 0:16:34.240
<v Speaker 2>pay homage to you in his verse.

0:16:34.360 --> 0:16:36.680
<v Speaker 1>Yeah, that was amazing. You know, I didn't know he

0:16:36.760 --> 0:16:41.000
<v Speaker 1>was gonna do that, So that was you know, straitsalttle

0:16:41.080 --> 0:16:44.160
<v Speaker 1>him and Buster you know, gave it up for sure.

0:16:44.520 --> 0:16:48.320
<v Speaker 1>That was none beloved. You know, respect them both, you know,

0:16:48.640 --> 0:16:53.920
<v Speaker 1>as MC's in the game, they've always you know, played

0:16:53.920 --> 0:16:58.920
<v Speaker 1>to win and never played the game cheap for sure,

0:16:59.040 --> 0:17:03.920
<v Speaker 1>never played the music or what it's all about cheap.

0:17:07.000 --> 0:17:09.280
<v Speaker 1>I don't look at them dudes as you know, just

0:17:09.400 --> 0:17:12.639
<v Speaker 1>money grabbers, you know what I mean. It's correct. The

0:17:13.080 --> 0:17:16.679
<v Speaker 1>love is pure. So it's always good to get on

0:17:16.680 --> 0:17:21.159
<v Speaker 1>the track with some ferocious him sees that. Uh, you know,

0:17:21.280 --> 0:17:23.320
<v Speaker 1>make sure you have your game stepped up.

0:17:23.520 --> 0:17:26.480
<v Speaker 2>Yo, are you your your son is one of my

0:17:26.520 --> 0:17:29.440
<v Speaker 2>favorite Twitter follows because I'm a diehard wrestling fan. Yeah,

0:17:29.480 --> 0:17:30.520
<v Speaker 2>and he is like.

0:17:31.280 --> 0:17:32.720
<v Speaker 1>He's in it. Yeah, he the man.

0:17:32.800 --> 0:17:36.400
<v Speaker 2>He's like a real wrestling like he's got a podcast,

0:17:36.960 --> 0:17:37.960
<v Speaker 2>like he's he's.

0:17:37.840 --> 0:17:41.479
<v Speaker 1>On it, like man, it's wrestling on every day at

0:17:41.480 --> 0:17:43.480
<v Speaker 1>the house. One of those.

0:17:43.400 --> 0:17:45.640
<v Speaker 2>Do you follow like anything that's going on, Like are

0:17:45.680 --> 0:17:47.600
<v Speaker 2>you like, just just because it's on, Like, are you

0:17:47.680 --> 0:17:50.800
<v Speaker 2>like yo, So, what's going on with the bloodline right now?

0:17:50.840 --> 0:17:53.119
<v Speaker 1>You know, I'm trying to keep up, you know. He

0:17:53.400 --> 0:17:57.239
<v Speaker 1>he he uh, you know, he's showing me what's up.

0:17:57.280 --> 0:18:01.520
<v Speaker 1>But he he goes between different air so he's looking at.

0:18:01.640 --> 0:18:02.680
<v Speaker 2>You can watch the old ship.

0:18:02.760 --> 0:18:07.560
<v Speaker 1>Yeah, the old you know, uh w w F you

0:18:07.600 --> 0:18:11.640
<v Speaker 1>know w c W. He's like keep up. He all

0:18:11.680 --> 0:18:13.960
<v Speaker 1>over the place with it. So it's hard to keep

0:18:14.040 --> 0:18:17.800
<v Speaker 1>up with who's current and is this a current Max watching?

0:18:18.320 --> 0:18:22.600
<v Speaker 1>But you know, I'm I'm happy that he's passionate and

0:18:22.640 --> 0:18:24.800
<v Speaker 1>that he's able to talk about it, you know, you

0:18:24.880 --> 0:18:27.560
<v Speaker 1>want to You got a podcast, so he able to

0:18:28.119 --> 0:18:30.440
<v Speaker 1>talk to some of the biggest names in the game.

0:18:30.560 --> 0:18:32.239
<v Speaker 1>And no, I think it's and he's really good and

0:18:32.320 --> 0:18:37.159
<v Speaker 1>go you know deep into you know, the behind the

0:18:38.480 --> 0:18:41.159
<v Speaker 1>the you know the act. I forgot what he called it.

0:18:41.160 --> 0:18:45.439
<v Speaker 1>It's you know character, Yeah, what's the character when you

0:18:45.640 --> 0:18:47.760
<v Speaker 1>in character all the time? Yeah.

0:18:47.760 --> 0:18:50.359
<v Speaker 2>It's funny because I was following his account on Twitter

0:18:50.359 --> 0:18:51.639
<v Speaker 2>for a while and I thought it was like a

0:18:51.680 --> 0:18:54.280
<v Speaker 2>parody account because I was like, there's no way ice

0:18:54.320 --> 0:18:56.800
<v Speaker 2>Cube Son is like one of the Biggest Wrestling. I'm

0:18:56.800 --> 0:18:58.840
<v Speaker 2>like the same dude from like Den of Thieves, Like

0:18:58.880 --> 0:19:00.000
<v Speaker 2>he loves this ship.

0:18:59.840 --> 0:19:02.439
<v Speaker 1>For real, loves it for real, for real, you know.

0:19:02.960 --> 0:19:04.840
<v Speaker 2>And then the podcast I was like, oh, ship, he

0:19:04.880 --> 0:19:06.120
<v Speaker 2>really is about this ship for real.

0:19:06.560 --> 0:19:09.479
<v Speaker 1>I remember when he was he was still in uh

0:19:09.840 --> 0:19:14.640
<v Speaker 1>I think he was still in elementary and I went

0:19:14.720 --> 0:19:17.120
<v Speaker 1>to go pick him up from school. Just take him

0:19:17.119 --> 0:19:19.000
<v Speaker 1>out of school middle of the day, you know, I

0:19:19.000 --> 0:19:23.560
<v Speaker 1>would love it. Yeah. I used to do that in

0:19:23.640 --> 0:19:26.719
<v Speaker 1>the middle of exactly all that, you know, pick him

0:19:26.800 --> 0:19:28.399
<v Speaker 1>up in the middle of the day because I know,

0:19:29.119 --> 0:19:31.639
<v Speaker 1>you know when they say your parents is here to

0:19:31.680 --> 0:19:35.879
<v Speaker 1>get you, you know, everybody grabbing ship. They gone. So

0:19:36.680 --> 0:19:39.800
<v Speaker 1>picked him up, were rolling, didn't tell him where we

0:19:39.840 --> 0:19:41.800
<v Speaker 1>was going. We didn't go home, so I know he

0:19:41.880 --> 0:19:44.600
<v Speaker 1>was tripping out. Didn't tell him where we was going,

0:19:45.400 --> 0:19:48.920
<v Speaker 1>and I was like, as we got close, I was like, well,

0:19:48.920 --> 0:19:52.320
<v Speaker 1>I don't want him to freeze. I want him to

0:19:52.440 --> 0:19:56.040
<v Speaker 1>you know, have his ship together. I said, you want

0:19:56.080 --> 0:19:58.520
<v Speaker 1>to meet the Rock today, you know, and he was

0:19:58.680 --> 0:20:02.280
<v Speaker 1>like what he just couldn't believe it that we was

0:20:02.320 --> 0:20:05.600
<v Speaker 1>on our way to go talk to the Rock and

0:20:05.640 --> 0:20:08.840
<v Speaker 1>we went and met him, you know, out here and uh,

0:20:09.920 --> 0:20:12.480
<v Speaker 1>Venice and uh sat down. We ate.

0:20:12.680 --> 0:20:15.000
<v Speaker 2>It was just you know, tall Fire and your kids.

0:20:15.000 --> 0:20:16.200
<v Speaker 2>You're sitting there, sitting.

0:20:15.960 --> 0:20:19.119
<v Speaker 1>There and uh what he remembers, he ordered the burger

0:20:19.240 --> 0:20:21.399
<v Speaker 1>in the rock ordered the burger. So he was like,

0:20:21.520 --> 0:20:24.160
<v Speaker 1>we got the same thing. Yeah, exactly, you know, geeking

0:20:24.200 --> 0:20:28.520
<v Speaker 1>off that. So to see him now being able to

0:20:28.800 --> 0:20:32.399
<v Speaker 1>hit all the events, know all the people. That's so

0:20:32.440 --> 0:20:35.000
<v Speaker 1>if you love and be able to do a podcast,

0:20:35.160 --> 0:20:38.000
<v Speaker 1>be and starting to become one of the biggest names

0:20:38.680 --> 0:20:44.159
<v Speaker 1>and yeah, you know, and definitely and uh, you know,

0:20:44.560 --> 0:20:47.280
<v Speaker 1>speaking and commentating on the wrestling. It's cool.

0:20:47.840 --> 0:20:51.080
<v Speaker 2>I always was curious. So straight out of Compton and

0:20:51.160 --> 0:20:52.640
<v Speaker 2>Easy does it came out in the same.

0:20:52.520 --> 0:20:56.600
<v Speaker 1>Year kind of, you know, a few months apart.

0:20:56.440 --> 0:20:59.280
<v Speaker 2>Right, so very close close to each other. Yeah, when

0:20:59.280 --> 0:21:02.680
<v Speaker 2>you guys were working on like was there was all

0:21:02.760 --> 0:21:04.520
<v Speaker 2>that shit getting worked on at the same time, and

0:21:04.520 --> 0:21:06.280
<v Speaker 2>it was it was there like whiteboards in the studio

0:21:06.440 --> 0:21:07.920
<v Speaker 2>or like that's going on easy Ship. This is going

0:21:07.920 --> 0:21:10.800
<v Speaker 2>on straight out of Compton? Like how or were they

0:21:10.840 --> 0:21:11.640
<v Speaker 2>separate sessions?

0:21:11.720 --> 0:21:17.879
<v Speaker 1>Like well, what happened? You know, we started to you know,

0:21:18.000 --> 0:21:21.720
<v Speaker 1>Easy was blowing up, so it was all about Okay,

0:21:23.040 --> 0:21:25.399
<v Speaker 1>you know, we had multiple records on them. Then we

0:21:25.480 --> 0:21:27.880
<v Speaker 1>had some n w A records that he was on,

0:21:28.560 --> 0:21:31.120
<v Speaker 1>and the whole thing was like, let's put all our

0:21:31.320 --> 0:21:36.800
<v Speaker 1>energy into the Easy Does the album. I was still

0:21:38.000 --> 0:21:40.440
<v Speaker 1>uh through the first half of the album. I was

0:21:40.480 --> 0:21:42.760
<v Speaker 1>still in Arizona, so I would only be able to

0:21:42.760 --> 0:21:43.479
<v Speaker 1>work on it on them.

0:21:43.560 --> 0:21:45.639
<v Speaker 2>We're going to school out there, right. It wasn't Debrye,

0:21:45.640 --> 0:21:46.240
<v Speaker 2>but it was like.

0:21:46.440 --> 0:21:50.800
<v Speaker 1>No, it was damn there, Like it was called Phoenix

0:21:50.880 --> 0:21:52.399
<v Speaker 1>Institute of Technology. I just know.

0:21:52.440 --> 0:21:54.120
<v Speaker 2>I remember when I was a kid, I always thought

0:21:54.160 --> 0:21:55.560
<v Speaker 2>you went to debry I was like man.

0:21:56.000 --> 0:22:01.000
<v Speaker 1>To but it was low low, a low budget and

0:22:01.560 --> 0:22:04.520
<v Speaker 1>the Rye and Ship, yeah it was. It was definitely,

0:22:05.000 --> 0:22:09.800
<v Speaker 1>but so just getting it together and making sure it

0:22:09.840 --> 0:22:13.320
<v Speaker 1>was dope, and then like once we had it and

0:22:13.440 --> 0:22:16.919
<v Speaker 1>it was done, then we just started to focus on

0:22:16.960 --> 0:22:19.920
<v Speaker 1>the n w A record on the album because we

0:22:20.000 --> 0:22:23.359
<v Speaker 1>knew we had we had some dope singles out by

0:22:23.400 --> 0:22:29.040
<v Speaker 1>then we had Dope man, now we had Gangster, so

0:22:29.440 --> 0:22:33.000
<v Speaker 1>it was like, you know, let's get ready to do

0:22:33.080 --> 0:22:34.600
<v Speaker 1>a whole album on the group.

0:22:34.960 --> 0:22:37.720
<v Speaker 2>It's just so crazy to think that all of that

0:22:37.920 --> 0:22:41.359
<v Speaker 2>was being worked on around the same Yeah, like what

0:22:41.480 --> 0:22:44.280
<v Speaker 2>a special time that you guys didn't even understand was

0:22:44.359 --> 0:22:44.960
<v Speaker 2>like going.

0:22:44.920 --> 0:22:48.920
<v Speaker 1>To change the trajectory of like everything, not at all.

0:22:49.080 --> 0:22:54.639
<v Speaker 1>We thought we were gonna be straight underground locals, like we're.

0:22:54.480 --> 0:22:55.520
<v Speaker 2>Gonna crack off in LA.

0:22:56.359 --> 0:22:59.639
<v Speaker 1>It's just that's that's we thought that's the only place

0:22:59.680 --> 0:23:02.680
<v Speaker 1>we about to jump off. Visit right in LA where

0:23:02.720 --> 0:23:05.520
<v Speaker 1>they understand what we're talking about. Because we didn't know

0:23:05.520 --> 0:23:08.320
<v Speaker 1>the rest of the world was paying attention with this

0:23:08.440 --> 0:23:11.480
<v Speaker 1>kind of stuff. When did you guys realize that you

0:23:11.600 --> 0:23:15.240
<v Speaker 1>made raider hats a thing? Like when we would go

0:23:15.760 --> 0:23:17.400
<v Speaker 1>out of town to other cities.

0:23:17.600 --> 0:23:19.520
<v Speaker 2>They could be in Wyoming and they'd be raider hats

0:23:19.600 --> 0:23:21.280
<v Speaker 2>hit the Yeah, we.

0:23:21.280 --> 0:23:25.880
<v Speaker 1>Would hit the foot locker and they would be like, man,

0:23:26.160 --> 0:23:27.760
<v Speaker 1>all the raider stuff is gone.

0:23:28.119 --> 0:23:30.080
<v Speaker 2>Yeah, why do you even have it in stock We're

0:23:30.080 --> 0:23:31.800
<v Speaker 2>in Chicago or something.

0:23:32.359 --> 0:23:35.119
<v Speaker 1>Because of us. It was like they they would be like,

0:23:35.560 --> 0:23:38.080
<v Speaker 1>all of us gone, So get to the show and

0:23:38.119 --> 0:23:41.640
<v Speaker 1>everybody out there in raider hats, and we in Denver

0:23:42.359 --> 0:23:47.160
<v Speaker 1>when you know these different places that had their own teams,

0:23:47.560 --> 0:23:49.520
<v Speaker 1>but it was all raider gear out there.

0:23:50.240 --> 0:23:54.879
<v Speaker 2>I always wanted to ask you America's most wanted was

0:23:55.119 --> 0:23:58.000
<v Speaker 2>I remember it got five mics in the source because

0:23:58.040 --> 0:23:59.800
<v Speaker 2>when I was I was born in eighty seven, so

0:24:00.040 --> 0:24:01.520
<v Speaker 2>I was one years old with Straight Out of compt

0:24:01.600 --> 0:24:03.439
<v Speaker 2>came out. But I like went back and like like

0:24:03.480 --> 0:24:04.840
<v Speaker 2>study all the five MIC albums.

0:24:04.840 --> 0:24:04.960
<v Speaker 1>You know.

0:24:05.119 --> 0:24:08.080
<v Speaker 2>Yeah, but to think about like kind of where you

0:24:08.119 --> 0:24:12.359
<v Speaker 2>were in your career coming out of the group, feuding

0:24:12.440 --> 0:24:17.119
<v Speaker 2>with the group, having this pressure of like having to

0:24:17.160 --> 0:24:21.400
<v Speaker 2>deliver your first thing outside of the group, but then

0:24:21.440 --> 0:24:25.240
<v Speaker 2>also being like brave enough to be like I'm gonna

0:24:25.280 --> 0:24:29.560
<v Speaker 2>go tap in with like New York and and you

0:24:29.560 --> 0:24:32.679
<v Speaker 2>know and the Bomb Squad and PE and these guys.

0:24:33.320 --> 0:24:35.160
<v Speaker 1>What was the pressure like for.

0:24:35.240 --> 0:24:39.040
<v Speaker 2>You And how nervous were you to work working on

0:24:39.080 --> 0:24:41.000
<v Speaker 2>that project because you have to kind of understand the

0:24:41.080 --> 0:24:43.320
<v Speaker 2>narrative that's happening, like I gotta make sure whatever I

0:24:43.400 --> 0:24:46.440
<v Speaker 2>do is better than whatever they're doing, you know what

0:24:46.480 --> 0:24:46.920
<v Speaker 2>I'm saying.

0:24:47.200 --> 0:24:49.679
<v Speaker 1>I didn't really look at it like that. You know.

0:24:49.720 --> 0:24:53.119
<v Speaker 1>When I left the group, you know, I left for nothing,

0:24:53.200 --> 0:24:55.400
<v Speaker 1>So I didn't. I didn't. I was like, damn, now

0:24:55.400 --> 0:24:59.920
<v Speaker 1>I gotta go find a deal, right, I don't even

0:25:00.160 --> 0:25:04.679
<v Speaker 1>have a label. And so I went and talked to

0:25:04.720 --> 0:25:07.680
<v Speaker 1>Brian Turner at priority. Shout out the priority man. Yeah,

0:25:07.720 --> 0:25:10.920
<v Speaker 1>shout out to priority. Shout out to Brian Turner, Mark

0:25:11.000 --> 0:25:13.840
<v Speaker 1>surround me who don't get a lot of a lot

0:25:13.840 --> 0:25:19.840
<v Speaker 1>of uh, you know, a lot of mention. So he's like,

0:25:21.840 --> 0:25:23.920
<v Speaker 1>there's nothing you can do to keep the group together.

0:25:24.000 --> 0:25:27.240
<v Speaker 1>I'm like, no, it's over. He said, well, we still

0:25:27.280 --> 0:25:33.280
<v Speaker 1>want you, so we will give you a solo budget

0:25:33.320 --> 0:25:38.600
<v Speaker 1>and deal for a solo album. So that was, like, man,

0:25:38.680 --> 0:25:40.960
<v Speaker 1>the best news I had heard since I left the group,

0:25:41.000 --> 0:25:43.400
<v Speaker 1>because now you got somebody to go that deal. Now

0:25:43.400 --> 0:25:46.439
<v Speaker 1>I can do my own way, you know, where I

0:25:46.480 --> 0:25:50.680
<v Speaker 1>can be the head producer on it and what I want.

0:25:50.440 --> 0:25:52.600
<v Speaker 2>To go and wherever, like whatever ideas you want to

0:25:52.600 --> 0:25:53.840
<v Speaker 2>get across. You don't have to clear with it.

0:25:53.840 --> 0:25:56.160
<v Speaker 1>I don't have to clear with with Dre and easy

0:25:56.320 --> 0:25:59.159
<v Speaker 1>is unapologetically you know, argue with Rinning a little bit.

0:25:59.280 --> 0:26:03.360
<v Speaker 1>Y're gonna beal and ship. So I could just do

0:26:03.400 --> 0:26:07.520
<v Speaker 1>what I want. And now I got uh it's me

0:26:07.760 --> 0:26:13.919
<v Speaker 1>and it's sir Jenks who was he was soaking up

0:26:13.920 --> 0:26:16.920
<v Speaker 1>a lot of game from you know, from the time

0:26:17.000 --> 0:26:20.560
<v Speaker 1>I started start. We started hanging with the Recond crew,

0:26:20.680 --> 0:26:24.359
<v Speaker 1>and and then the Recond crew kind of dismantled, and

0:26:24.400 --> 0:26:29.880
<v Speaker 1>then we put n W A together and he's real

0:26:29.920 --> 0:26:34.560
<v Speaker 1>competitive with his cousin Dre right, real competitive. So I

0:26:34.640 --> 0:26:38.880
<v Speaker 1>knew he was ready to produce and ready to show

0:26:38.920 --> 0:26:39.560
<v Speaker 1>what he got.

0:26:39.960 --> 0:26:43.600
<v Speaker 2>Yeah, like this guy, his like his cousin is the

0:26:43.640 --> 0:26:45.280
<v Speaker 2>biggest or at least you know.

0:26:45.560 --> 0:26:48.560
<v Speaker 1>Yeah, and he did. I mean, he delivered, and so

0:26:49.400 --> 0:26:52.960
<v Speaker 1>I said, uh, but he wasn't ready to do a

0:26:53.000 --> 0:26:58.600
<v Speaker 1>whole project. You know, he was ready to to contribute.

0:26:58.720 --> 0:27:01.640
<v Speaker 1>And you know, he has some tracks that he actually

0:27:01.680 --> 0:27:05.399
<v Speaker 1>produced on the America's Most Wanted. Everybody give credit to

0:27:05.440 --> 0:27:09.320
<v Speaker 1>the Bomb Squad, but Janmes, did you know once upon

0:27:09.440 --> 0:27:14.080
<v Speaker 1>time the projects a song called the Bomb It's a

0:27:14.080 --> 0:27:21.400
<v Speaker 1>Man's World. So he you know, we we knew, you know,

0:27:21.760 --> 0:27:27.520
<v Speaker 1>we wanted to have other producers for other tracks. You know,

0:27:27.560 --> 0:27:31.000
<v Speaker 1>we didn't know we were gonna have one other team

0:27:31.119 --> 0:27:33.600
<v Speaker 1>working on the whole album. We thought, let's get tracks

0:27:33.600 --> 0:27:39.040
<v Speaker 1>from here here right there. And I was talking to

0:27:39.200 --> 0:27:45.240
<v Speaker 1>Chuck d throughout the breakup because we had met on

0:27:45.280 --> 0:27:50.120
<v Speaker 1>the road. We met in Las Vegas at the Thomas

0:27:50.119 --> 0:27:54.000
<v Speaker 1>and Max Center on some shows we had did together

0:27:54.400 --> 0:27:57.960
<v Speaker 1>Easy and n W A Republic Enemy, and then we

0:27:58.040 --> 0:28:00.960
<v Speaker 1>became real cool exchange numbers. So when I was going

0:28:00.960 --> 0:28:03.399
<v Speaker 1>through the breakup, I would call him, you know, really

0:28:03.440 --> 0:28:05.919
<v Speaker 1>for some big brother advice, you know what I should do.

0:28:06.359 --> 0:28:08.560
<v Speaker 1>He was trying to keep us together. He was like, man,

0:28:08.640 --> 0:28:11.240
<v Speaker 1>this group is too important for sure. Got to try

0:28:11.280 --> 0:28:17.280
<v Speaker 1>to keep it together. Cube. But also at the time,

0:28:18.000 --> 0:28:22.280
<v Speaker 1>I wanted Dre to produce my solo record, but easy

0:28:22.359 --> 0:28:24.560
<v Speaker 1>and and Jerry vetoed.

0:28:24.160 --> 0:28:26.280
<v Speaker 2>That what what Yeah, that wasn't gonna get allowed.

0:28:26.640 --> 0:28:29.200
<v Speaker 1>Yeah, they vetoed that even though Dre wanted to do it,

0:28:29.320 --> 0:28:32.119
<v Speaker 1>because me and Dre was actually still on cool.

0:28:31.960 --> 0:28:36.760
<v Speaker 2>Terms, even though publicly there was the feud, but it wasn't.

0:28:36.840 --> 0:28:39.880
<v Speaker 1>It wasn't it wasn't a few yet. It was just

0:28:39.880 --> 0:28:43.800
<v Speaker 1>a breakup. Yeah, But they dissed me before No Vassiline

0:28:43.920 --> 0:28:45.840
<v Speaker 1>or one hundred Miles and Running.

0:28:45.640 --> 0:28:48.880
<v Speaker 2>But No vascanline was like, you know, the greatest this record.

0:28:48.640 --> 0:28:51.440
<v Speaker 1>Yeah, that was that was a comeback. That was the

0:28:51.480 --> 0:28:54.680
<v Speaker 1>great after after the Niggas for Life album where they

0:28:54.720 --> 0:28:57.840
<v Speaker 1>dissed me more and said they was gonna do ship

0:28:57.960 --> 0:29:00.320
<v Speaker 1>to me with broomsticks and all this kind of ship. So,

0:29:03.280 --> 0:29:08.560
<v Speaker 1>you know, long story short, I'm looking for Sam Severn.

0:29:08.600 --> 0:29:11.440
<v Speaker 1>I'm in I'm in New York looking for Sam Severn

0:29:11.480 --> 0:29:14.959
<v Speaker 1>because he did the third Base album and they beats

0:29:15.080 --> 0:29:20.719
<v Speaker 1>was banging, yeah, and he stooped me up. But I

0:29:20.760 --> 0:29:24.160
<v Speaker 1>saw Chuck in New York at Depth Jam and then

0:29:24.280 --> 0:29:27.640
<v Speaker 1>we connected and he was doing the record that night

0:29:27.680 --> 0:29:30.840
<v Speaker 1>with Big Daddy King called Burn Hollywood Burn. Oh yeah,

0:29:30.880 --> 0:29:32.360
<v Speaker 1>and he was like, do you want to be on

0:29:32.360 --> 0:29:36.400
<v Speaker 1>this record? I was yeah, it would let the world

0:29:36.480 --> 0:29:40.680
<v Speaker 1>know you solo. I was like, hell yeah, went down

0:29:40.720 --> 0:29:43.720
<v Speaker 1>there and recording the record. That's when Hank Shockley was there.

0:29:43.840 --> 0:29:47.040
<v Speaker 1>Keith Shockley and I started talking about him trying to

0:29:47.040 --> 0:29:49.520
<v Speaker 1>get my album produced, and they was like, we'll do

0:29:49.600 --> 0:29:54.040
<v Speaker 1>that whole thing. It was like, I felt like I

0:29:54.120 --> 0:29:57.560
<v Speaker 1>was in good hands. How could I miss with the

0:29:57.600 --> 0:30:01.200
<v Speaker 1>best producers in hip hop at the time, you know,

0:30:01.360 --> 0:30:04.880
<v Speaker 1>And so I felt like, our, I'm in good hands.

0:30:04.920 --> 0:30:06.560
<v Speaker 1>If I can't get the best on the West, I'm

0:30:06.560 --> 0:30:07.880
<v Speaker 1>gonna get the best on these.

0:30:08.040 --> 0:30:11.280
<v Speaker 2>That shit's crazy and as a classic, and it's crazy

0:30:11.320 --> 0:30:14.800
<v Speaker 2>too because you were kill it will drop the same.

0:30:14.640 --> 0:30:16.480
<v Speaker 1>Year right yeah, later on that year.

0:30:16.560 --> 0:30:19.040
<v Speaker 2>Yeah, you were like you got that deal and you

0:30:19.040 --> 0:30:20.640
<v Speaker 2>were like, I'm fucking active.

0:30:21.080 --> 0:30:24.480
<v Speaker 1>Yeah, and we had records left over from the America's

0:30:24.520 --> 0:30:26.080
<v Speaker 1>Most Won and we're like, what we're gonna do with

0:30:26.120 --> 0:30:29.480
<v Speaker 1>these records. I don't want to wait a whole other years.

0:30:29.560 --> 0:30:33.320
<v Speaker 1>Let's put something out and then and then Chinks had

0:30:33.320 --> 0:30:37.960
<v Speaker 1>did just this crazy remix to Endangered Species. So having

0:30:38.000 --> 0:30:40.600
<v Speaker 1>that and the other records that we had, then I

0:30:40.640 --> 0:30:42.880
<v Speaker 1>thought of that jacking for beats idea.

0:30:43.160 --> 0:30:44.800
<v Speaker 2>One of my favorite album covers was the Kid when

0:30:44.800 --> 0:30:45.440
<v Speaker 2>You with the Gun?

0:30:45.680 --> 0:30:50.640
<v Speaker 1>Yeah, and then Uh even a song that never gets mentioned,

0:30:51.200 --> 0:30:54.960
<v Speaker 1>Dead Homies ended up becoming a big song for me

0:30:55.360 --> 0:30:57.720
<v Speaker 1>at the time too. After Kill It Will.

0:30:57.560 --> 0:31:02.479
<v Speaker 2>Records, Jacking for beats you were like the first because

0:31:02.560 --> 0:31:05.640
<v Speaker 2>you got to think about like mixtape culture and kind

0:31:05.680 --> 0:31:07.920
<v Speaker 2>of t I has a jack in for Beats freestyle

0:31:07.920 --> 0:31:13.040
<v Speaker 2>that was legendary, Like if did you like, were you

0:31:13.120 --> 0:31:16.520
<v Speaker 2>purposely only grabbing shit you knew you could clear?

0:31:17.200 --> 0:31:20.920
<v Speaker 1>No, I was grabbing everything I liked that year. So

0:31:21.000 --> 0:31:24.640
<v Speaker 1>like some of the dopest beats right came out that year.

0:31:25.720 --> 0:31:27.680
<v Speaker 2>But back then you couldn't just go on YouTube and

0:31:27.680 --> 0:31:30.960
<v Speaker 2>typing something something instrumental. And I'm not sure even back

0:31:30.960 --> 0:31:33.600
<v Speaker 2>then we had records. We was in record pools. We okay,

0:31:33.800 --> 0:31:36.400
<v Speaker 2>he was getting all the records, so we had you know,

0:31:36.440 --> 0:31:37.560
<v Speaker 2>it was instrumentals on each.

0:31:37.560 --> 0:31:39.640
<v Speaker 1>Would you who if you if you could pick like

0:31:39.680 --> 0:31:40.480
<v Speaker 1>three beats.

0:31:40.280 --> 0:31:42.200
<v Speaker 2>Right now, if you did a twenty twenty four jack

0:31:42.200 --> 0:31:44.320
<v Speaker 2>and for beats current beats? Is there anything that comes

0:31:44.320 --> 0:31:45.880
<v Speaker 2>to mind that you would you would you would hop on?

0:31:46.160 --> 0:31:50.920
<v Speaker 1>Oh man, I like us, I mean that's that's it,

0:31:51.280 --> 0:31:54.720
<v Speaker 1>That's what would be uh man, I love that twenty

0:31:54.760 --> 0:31:58.840
<v Speaker 1>one Savage Red Run want it all while we have

0:31:59.000 --> 0:31:59.640
<v Speaker 1>bread Crumb.

0:31:59.760 --> 0:32:02.480
<v Speaker 2>Yeah that's hard.

0:32:02.800 --> 0:32:06.680
<v Speaker 1>And uh man, let me think about what other beats

0:32:06.680 --> 0:32:15.040
<v Speaker 1>that got me going crazy this year? M them two

0:32:15.080 --> 0:32:16.720
<v Speaker 1>are the two that come to mind.

0:32:17.960 --> 0:32:22.440
<v Speaker 2>Do you look at uh death Certificate as like your Illmatic,

0:32:22.760 --> 0:32:29.320
<v Speaker 2>your magnum opus of an album?

0:32:29.400 --> 0:32:33.280
<v Speaker 1>Yeah, I mean it's it's pretty both. You know America's

0:32:33.280 --> 0:32:40.040
<v Speaker 1>most and Death Certificate are pretty you know, epic records.

0:32:41.680 --> 0:32:44.080
<v Speaker 1>You know, they're like my Citizen Kane, so.

0:32:44.280 --> 0:32:45.440
<v Speaker 2>Just like you're left and right hand.

0:32:47.520 --> 0:32:53.800
<v Speaker 1>Yeah, it's uh amazing time in music. You know how

0:32:53.800 --> 0:32:59.600
<v Speaker 1>those records was put together, very entertaining records.

0:32:59.280 --> 0:33:02.320
<v Speaker 2>Captivating, like the energy just captivated, Like when you like

0:33:02.440 --> 0:33:06.280
<v Speaker 2>listen to like Summer Vacation, you're like Damn. I feel

0:33:06.280 --> 0:33:09.239
<v Speaker 2>like like I wasn't there, but I felt like I

0:33:09.240 --> 0:33:10.960
<v Speaker 2>felt like that was like the energy of it.

0:33:11.120 --> 0:33:17.240
<v Speaker 1>Yeah, it was the energy at the time. And yeah, amazing,

0:33:17.440 --> 0:33:18.440
<v Speaker 1>amazing records.

0:33:18.520 --> 0:33:21.760
<v Speaker 2>You've you've talked about your relationship with John Singleton at

0:33:21.840 --> 0:33:26.240
<v Speaker 2>with but I'm curious, how were you tapped in it

0:33:26.320 --> 0:33:29.920
<v Speaker 2>all to Snowfall, which was kind of his last thing

0:33:30.240 --> 0:33:35.040
<v Speaker 2>that he not a lot, not a lot in Snowfall

0:33:35.200 --> 0:33:40.120
<v Speaker 2>because obviously he passed away. Yeah, I mean even before that,

0:33:42.920 --> 0:33:44.920
<v Speaker 2>you know, he just had a lot of issues with

0:33:45.080 --> 0:33:51.680
<v Speaker 2>the with the the station, the FX or something and

0:33:51.880 --> 0:33:54.520
<v Speaker 2>people running the show, and he couldn't really do it

0:33:54.840 --> 0:33:57.080
<v Speaker 2>the way he might have been exactly how he wanted

0:33:57.080 --> 0:34:01.960
<v Speaker 2>to do it. And you know, John Singleton is at

0:34:01.960 --> 0:34:04.719
<v Speaker 2>his best when he can do what he feels and

0:34:04.760 --> 0:34:10.080
<v Speaker 2>he's not harnessed. And so I don't want to I

0:34:10.120 --> 0:34:13.000
<v Speaker 2>don't want to look at the TV version of It's

0:34:13.000 --> 0:34:14.759
<v Speaker 2>almost like if you were gonna watch it, you would

0:34:14.800 --> 0:34:17.160
<v Speaker 2>wanted to have watched it without knowing all that, like

0:34:17.239 --> 0:34:17.680
<v Speaker 2>going to.

0:34:17.640 --> 0:34:21.160
<v Speaker 1>It blindly, right, Yeah, but you know I knew.

0:34:21.800 --> 0:34:25.759
<v Speaker 2>Like I watched it not knowing that, Like I mean,

0:34:25.760 --> 0:34:27.720
<v Speaker 2>obviously you kind of knew it was based off Freeway

0:34:27.760 --> 0:34:29.799
<v Speaker 2>with Ross, right, but like I didn't know that, Like

0:34:30.120 --> 0:34:33.399
<v Speaker 2>there was like this thing where you know, I guess

0:34:33.440 --> 0:34:34.839
<v Speaker 2>he wanted he was he wanted to get some sort

0:34:34.880 --> 0:34:36.360
<v Speaker 2>of credit, you know, Like it was kind of like

0:34:36.400 --> 0:34:40.399
<v Speaker 2>based on my life. Loosely, I already watched.

0:34:41.400 --> 0:34:43.960
<v Speaker 1>It's a lot of people out there with the saying, right,

0:34:44.280 --> 0:34:47.239
<v Speaker 1>that's fair. It's just the most famous one. To be fair,

0:34:47.400 --> 0:34:52.640
<v Speaker 1>You you bring dope in your neighborhood and you make

0:34:52.680 --> 0:34:53.960
<v Speaker 1>a lot of money.

0:34:53.800 --> 0:34:55.880
<v Speaker 2>And at the time the CIA was providing it.

0:34:56.040 --> 0:34:58.879
<v Speaker 1>Yeah, you make a lot of money, but you're gonna

0:34:58.880 --> 0:35:00.600
<v Speaker 1>fuck up the neighborhood.

0:35:00.840 --> 0:35:04.360
<v Speaker 2>Yo, when you you and Pooh wrote Friday.

0:35:04.800 --> 0:35:08.760
<v Speaker 1>Because Friday's one of the most pivotal.

0:35:08.360 --> 0:35:10.920
<v Speaker 2>Moments in my life as a child, I talk like

0:35:11.000 --> 0:35:17.319
<v Speaker 2>smoky as a as a white child in Arizona. Yeah,

0:35:17.560 --> 0:35:20.960
<v Speaker 2>for at least a two year period. I mean I

0:35:21.000 --> 0:35:22.719
<v Speaker 2>was like eight years old when that movie came out,

0:35:22.800 --> 0:35:25.600
<v Speaker 2>and that movie literally changed my life. I know the

0:35:25.760 --> 0:35:27.880
<v Speaker 2>entire movie by heart, as a lot of other people

0:35:27.920 --> 0:35:35.480
<v Speaker 2>do that, Like some of the scenes, did you understand

0:35:35.480 --> 0:35:38.880
<v Speaker 2>how they were gonna translate? Like you got knocked the

0:35:38.920 --> 0:35:39.680
<v Speaker 2>fuck out man?

0:35:39.960 --> 0:35:40.600
<v Speaker 1>Oh yeah?

0:35:41.160 --> 0:35:45.680
<v Speaker 2>Or or smoky smoke, an angel dust running down the

0:35:45.680 --> 0:35:47.920
<v Speaker 2>street while the dudes is bust Like did y'all understand

0:35:47.960 --> 0:35:50.560
<v Speaker 2>like how crazy? Like like yo, this shit's gonna go off?

0:35:50.719 --> 0:35:54.480
<v Speaker 1>Like yeah, we knew it wasn't nobody in Hollywood like

0:35:54.640 --> 0:35:59.560
<v Speaker 1>us me and Pool. We knew you got your black

0:35:59.640 --> 0:36:03.240
<v Speaker 1>dudes in Hollywood, and you got your for real funny dudes.

0:36:03.960 --> 0:36:06.600
<v Speaker 1>But it ain't none of them like us. Ain't none

0:36:06.600 --> 0:36:10.480
<v Speaker 1>of them gonna come from this angle of comedy.

0:36:10.680 --> 0:36:12.880
<v Speaker 2>It was so good, just a little like just like

0:36:12.960 --> 0:36:16.000
<v Speaker 2>even like Pool with the chains, like my Mama change man,

0:36:16.080 --> 0:36:18.560
<v Speaker 2>Like there was just I just wonder like like that's

0:36:18.560 --> 0:36:22.480
<v Speaker 2>like one of the most brilliantly written like comedies of

0:36:22.480 --> 0:36:22.960
<v Speaker 2>all time.

0:36:23.680 --> 0:36:28.280
<v Speaker 1>And it's you know, it's here's why people love the movie.

0:36:30.200 --> 0:36:35.880
<v Speaker 1>It's everybody can live a Friday, right like you and

0:36:35.920 --> 0:36:39.440
<v Speaker 1>your man and go out here, have a crazy Friday,

0:36:39.600 --> 0:36:42.000
<v Speaker 1>staying right in front of it, right in front of

0:36:42.040 --> 0:36:47.320
<v Speaker 1>y'all spot and smoke one and just watch and trip

0:36:47.360 --> 0:36:51.600
<v Speaker 1>off come up and you know, just you know, anybody

0:36:51.640 --> 0:36:57.720
<v Speaker 1>can live at So it's very relatable. And what's what's

0:36:57.719 --> 0:37:01.799
<v Speaker 1>memorable is is the day you all remember it's today

0:37:02.320 --> 0:37:06.160
<v Speaker 1>that the Bully gets his ass with what's coming to everybody.

0:37:06.200 --> 0:37:10.640
<v Speaker 1>Remember whoever they have in their mind, and if they

0:37:10.719 --> 0:37:13.840
<v Speaker 1>saw them get it, they remember that day how it

0:37:14.000 --> 0:37:17.799
<v Speaker 1>played out, and it's uh, it gives you a euphoria

0:37:18.640 --> 0:37:22.120
<v Speaker 1>when you see that because nobody really likes it.

0:37:22.200 --> 0:37:24.840
<v Speaker 2>Bully, you know, was it was it like a difficult

0:37:24.920 --> 0:37:27.799
<v Speaker 2>transition or was it easy for you to like go

0:37:27.920 --> 0:37:31.719
<v Speaker 2>from being one of the most prolific mcs and writers

0:37:31.760 --> 0:37:35.120
<v Speaker 2>on the music side to writing a movie that's a

0:37:35.120 --> 0:37:36.520
<v Speaker 2>whole different format that.

0:37:37.640 --> 0:37:39.760
<v Speaker 1>Yeah, it wasn't easy. I ain't gonna say it was easy.

0:37:39.880 --> 0:37:43.440
<v Speaker 1>It was. I had never been to film school, I

0:37:43.440 --> 0:37:50.239
<v Speaker 1>had never written the script. So actually John Singleton encouraged

0:37:50.280 --> 0:37:54.239
<v Speaker 1>me to write scripts when we was doing Boys in

0:37:54.280 --> 0:37:57.680
<v Speaker 1>the Hood. He said, when you're gonna write a script, cute,

0:37:57.960 --> 0:38:00.000
<v Speaker 1>which caught me off guard because I was just trying

0:38:00.080 --> 0:38:02.000
<v Speaker 1>on the act. That was your first movie. Are you

0:38:02.000 --> 0:38:04.840
<v Speaker 1>trying to suck these lines to man? Let alone write

0:38:04.920 --> 0:38:07.680
<v Speaker 1>the script? Like, what are you talking about? He's like,

0:38:07.800 --> 0:38:11.680
<v Speaker 1>you think he said you like doing Boys in the Hood.

0:38:11.719 --> 0:38:13.600
<v Speaker 1>I was like, yeah, man, it's good. You know, it's

0:38:13.680 --> 0:38:17.359
<v Speaker 1>cool shit write the script? You said, Uh, you think

0:38:17.400 --> 0:38:21.160
<v Speaker 1>Hollywood got another movie for your ass out there. Hollywood

0:38:21.160 --> 0:38:23.600
<v Speaker 1>ain't got shipped for you. Man, if you want to

0:38:23.640 --> 0:38:26.240
<v Speaker 1>do movies, you're gonna have to write your own movies

0:38:26.280 --> 0:38:30.000
<v Speaker 1>if you want to do them, and that that kind

0:38:30.000 --> 0:38:32.160
<v Speaker 1>of was like, oh damn. And then he was like,

0:38:32.200 --> 0:38:36.320
<v Speaker 1>you can do it. Cute because I see this the

0:38:36.960 --> 0:38:41.520
<v Speaker 1>music you write. You know, it's vivid. People can see it.

0:38:41.680 --> 0:38:44.360
<v Speaker 1>You can see the see play out in their heads.

0:38:44.480 --> 0:38:47.160
<v Speaker 1>So you can write a script. Man, You just gotta

0:38:47.840 --> 0:38:53.919
<v Speaker 1>understand the framework, parameters and what you got to get across.

0:38:54.360 --> 0:38:57.520
<v Speaker 2>And Friday the franchise has just been like the launching

0:38:57.560 --> 0:39:04.520
<v Speaker 2>pad for like Chris Tucker, Mike Epps, Kat Williams, Uh.

0:39:04.400 --> 0:39:04.919
<v Speaker 1>Jerry Crew.

0:39:05.000 --> 0:39:07.200
<v Speaker 2>A lot of times, the first people ever seen Bernie

0:39:07.239 --> 0:39:09.120
<v Speaker 2>Mack was on the first Friday. A lot of people

0:39:09.120 --> 0:39:11.200
<v Speaker 2>didn't weren't watching. You know that in comedy, you know

0:39:11.200 --> 0:39:14.080
<v Speaker 2>what I'm saying. So I'm sure cast in that movie

0:39:14.160 --> 0:39:16.959
<v Speaker 2>had to be just fun. Like I could just imagine, like.

0:39:17.040 --> 0:39:18.759
<v Speaker 1>Oh, we had a ball, you know. Once I knew

0:39:18.760 --> 0:39:21.200
<v Speaker 1>I got John Witherspoon, I knew we was gonna have

0:39:21.239 --> 0:39:22.040
<v Speaker 1>a funny movie.

0:39:22.080 --> 0:39:22.879
<v Speaker 2>God rest his soul.

0:39:22.960 --> 0:39:27.000
<v Speaker 1>Man. Yeah, getting him to play my father in the

0:39:27.040 --> 0:39:36.239
<v Speaker 1>movie was a home run and getting them to seriously

0:39:36.280 --> 0:39:41.520
<v Speaker 1>look at Chris Tucker because originally Pool was supposed to

0:39:41.520 --> 0:39:45.440
<v Speaker 1>play smoking DJ Pooh. We wrote it for us to

0:39:45.520 --> 0:39:50.680
<v Speaker 1>do it, and then once Newline got involved with the movie,

0:39:51.200 --> 0:39:54.839
<v Speaker 1>they it was concerned he didn't have enough acting experience.

0:39:56.160 --> 0:40:02.279
<v Speaker 1>So that's why he played red hm hmm. So it

0:40:02.320 --> 0:40:08.800
<v Speaker 1>was there was actual you know, they look poo is amazing.

0:40:08.840 --> 0:40:11.400
<v Speaker 1>He would have been a double smoky too, without a doubted.

0:40:12.239 --> 0:40:18.920
<v Speaker 1>The lines was there, you know, but uh, they were

0:40:18.960 --> 0:40:24.680
<v Speaker 1>trying to put in known actors to be smoky, like

0:40:24.840 --> 0:40:31.320
<v Speaker 1>non comedians Tommy Davidson name came up and other people

0:40:31.960 --> 0:40:36.600
<v Speaker 1>which I thought they were funny. But to me to

0:40:36.680 --> 0:40:42.280
<v Speaker 1>take this movie serious and to really have this movie

0:40:43.320 --> 0:40:48.920
<v Speaker 1>catch you kind of off guard, I really wanted to

0:40:48.960 --> 0:40:53.840
<v Speaker 1>be the only known face in it. I wanted to folks.

0:40:53.960 --> 0:40:57.520
<v Speaker 1>I knew you would recognize with Jeana King and tiny,

0:40:58.040 --> 0:41:02.600
<v Speaker 1>but as far as my guy right, I wanted to

0:41:02.600 --> 0:41:07.279
<v Speaker 1>be a new, fresh face because nobody would come in

0:41:07.360 --> 0:41:10.200
<v Speaker 1>the movie thinking live in color or you know, I

0:41:10.280 --> 0:41:14.840
<v Speaker 1>already have their on what kind of funny he's gonna be.

0:41:15.560 --> 0:41:18.640
<v Speaker 1>It was just this was a new character like for

0:41:18.719 --> 0:41:24.480
<v Speaker 1>most people Chris Tucker is smoky Like, it's nothing before

0:41:24.520 --> 0:41:25.880
<v Speaker 1>that that they can really.

0:41:25.800 --> 0:41:27.680
<v Speaker 2>Yeah, because even if you watch the Fifth Element, he

0:41:27.840 --> 0:41:30.800
<v Speaker 2>just played like a weird, like a different version of

0:41:30.840 --> 0:41:33.920
<v Speaker 2>smoky in the Fifth Element. Yeah, you know, so like

0:41:33.960 --> 0:41:36.560
<v Speaker 2>a sassy, smoky Fifth Element with Bruce Willis.

0:41:36.600 --> 0:41:39.440
<v Speaker 1>And it's because you know, that's the first real thing

0:41:39.480 --> 0:41:43.000
<v Speaker 1>you've seen the man, and that's really what I wanted that.

0:41:43.000 --> 0:41:46.960
<v Speaker 2>Effect facts, Yeah, it works. I want to jump ahead

0:41:46.960 --> 0:41:51.160
<v Speaker 2>a little. One of my favorite albums of all time

0:41:51.239 --> 0:41:55.719
<v Speaker 2>is bow Down Gangster Killer and Dobe Buelers Fucking just

0:41:55.760 --> 0:41:57.919
<v Speaker 2>one of my favorite songs to ever be made.

0:41:58.600 --> 0:41:58.719
<v Speaker 1>Uh.

0:41:59.840 --> 0:42:03.160
<v Speaker 2>You guys were in this mix with Common when Common

0:42:03.239 --> 0:42:05.480
<v Speaker 2>dropped I Used to love Her? Yeah, and he had

0:42:05.480 --> 0:42:08.600
<v Speaker 2>his verse that you guys reacted to on West Side Slaughterhouse.

0:42:08.920 --> 0:42:09.280
<v Speaker 1>Yeah.

0:42:09.560 --> 0:42:11.279
<v Speaker 2>Is it safe to say west Side Slaughterhouse was kind

0:42:11.280 --> 0:42:14.160
<v Speaker 2>of like the conception of West Side Connection.

0:42:14.840 --> 0:42:19.600
<v Speaker 1>It was was now it was on.

0:42:19.760 --> 0:42:24.480
<v Speaker 2>Yeah, I'm curious, did you guys take real offense to

0:42:24.640 --> 0:42:26.319
<v Speaker 2>like when you heard I used to love Her? Like,

0:42:26.400 --> 0:42:29.600
<v Speaker 2>what were your guys' thoughts? Like, because you guys are

0:42:29.640 --> 0:42:31.600
<v Speaker 2>motivated enough to put that record together.

0:42:31.760 --> 0:42:36.560
<v Speaker 1>I think what it was was we saw a wave coming.

0:42:38.320 --> 0:42:44.640
<v Speaker 1>I think we had saw first before before we took

0:42:44.719 --> 0:42:49.719
<v Speaker 1>any offense to that record. It was records like fuck Compton,

0:42:49.800 --> 0:42:55.120
<v Speaker 1>they came out, Tim Dogg, Tim Dogg, and and so

0:42:56.280 --> 0:43:00.759
<v Speaker 1>we felt like the more successful we got, the more

0:43:00.840 --> 0:43:04.759
<v Speaker 1>pot shots we were starting to hear from New York

0:43:04.920 --> 0:43:10.040
<v Speaker 1>and starting. Yeah, it was it was called keep it real.

0:43:11.440 --> 0:43:13.520
<v Speaker 1>That's what they keep it real. We don't keep it real.

0:43:13.600 --> 0:43:16.080
<v Speaker 1>This is real hip hop. We're keeping it real here.

0:43:16.560 --> 0:43:19.480
<v Speaker 1>So that was the kind of line in the sand

0:43:19.560 --> 0:43:23.680
<v Speaker 1>between patting us on the back for being this new

0:43:23.800 --> 0:43:28.200
<v Speaker 1>phenomenon to how many records these niggas gonna put out?

0:43:28.440 --> 0:43:32.799
<v Speaker 1>You know what I meant it first, but damn. And

0:43:32.880 --> 0:43:40.200
<v Speaker 1>so we were starting to get pot shots, and I

0:43:40.239 --> 0:43:43.840
<v Speaker 1>think Common just got caught up in all that because

0:43:45.080 --> 0:43:48.960
<v Speaker 1>Uh master As had did a record Caross slaughter House

0:43:50.000 --> 0:43:52.560
<v Speaker 1>where he was like, that's why we did West Side

0:43:52.600 --> 0:43:55.719
<v Speaker 1>slaughter House because he was saying our records was just

0:43:55.760 --> 0:43:57.120
<v Speaker 1>saying murder, murder, murder.

0:43:57.120 --> 0:44:01.960
<v Speaker 2>Kill, kill, kill, And I mean, I know he's amazing,

0:44:02.040 --> 0:44:03.880
<v Speaker 2>but Born de Role is like, if you heard it,

0:44:03.920 --> 0:44:05.480
<v Speaker 2>you might think exactly.

0:44:05.600 --> 0:44:12.520
<v Speaker 1>So we were starting to take offence, and you know,

0:44:12.680 --> 0:44:16.400
<v Speaker 1>at first, we was like, Yo, we're just now getting

0:44:16.440 --> 0:44:20.560
<v Speaker 1>accepted in hip hop. Let us be cool, you know,

0:44:20.680 --> 0:44:25.520
<v Speaker 1>and not trip because we all know how to turn

0:44:25.560 --> 0:44:28.680
<v Speaker 1>a party out, and it's just gonna go bad. It

0:44:28.680 --> 0:44:31.000
<v Speaker 1>ain't gonna be nobody, gonna have no funds. It's just

0:44:31.040 --> 0:44:35.600
<v Speaker 1>gonna go bad for us. But it was like, this

0:44:35.760 --> 0:44:38.880
<v Speaker 1>is all we could take. You know, Somebody gotta somebody

0:44:38.920 --> 0:44:47.200
<v Speaker 1>gotta stop this, or everything we've accomplished will be erased

0:44:47.400 --> 0:44:52.600
<v Speaker 1>and negated and looked at as like just a blip

0:44:52.640 --> 0:44:57.960
<v Speaker 1>on the hip hop radar. And I'm like, no, we

0:44:58.160 --> 0:45:05.200
<v Speaker 1>have to solidify what we've done in hip hop, and

0:45:05.239 --> 0:45:11.319
<v Speaker 1>the way to do that is to band together under

0:45:11.360 --> 0:45:12.760
<v Speaker 1>this West Side umbrella.

0:45:14.360 --> 0:45:17.640
<v Speaker 2>So the Bitch and You comes out. Yes, when you

0:45:17.680 --> 0:45:20.680
<v Speaker 2>first hear it, Yeah, how do you feel?

0:45:21.560 --> 0:45:23.800
<v Speaker 1>Well? I mean I had a record, It's a hard record.

0:45:23.880 --> 0:45:27.320
<v Speaker 1>I had a record cock. I had a record cocked

0:45:27.400 --> 0:45:33.319
<v Speaker 1>and loaded and ready to attack. Okay. Then I get

0:45:33.320 --> 0:45:38.000
<v Speaker 1>a call from Minister Farrah con after this is after

0:45:38.000 --> 0:45:41.320
<v Speaker 1>the Bitch and You drops, Yes, okay, But he caught

0:45:41.360 --> 0:45:44.480
<v Speaker 1>all the rappers together because he saw getting out of

0:45:44.520 --> 0:45:50.960
<v Speaker 1>hand and basically was like, if y'all don't call some

0:45:51.120 --> 0:45:55.880
<v Speaker 1>kind of truce with this. Somebody is gonna could die

0:45:56.640 --> 0:46:03.160
<v Speaker 1>and not because as somebody from the West sidegunt tack

0:46:03.280 --> 0:46:06.920
<v Speaker 1>com or somebody from Commons side gonna attack us. But

0:46:07.080 --> 0:46:15.640
<v Speaker 1>now you have maybe a third party could do something

0:46:15.680 --> 0:46:19.239
<v Speaker 1>to one of us and then we're gonna blame each other.

0:46:20.239 --> 0:46:24.000
<v Speaker 1>So when you beef in public, it gives you or not,

0:46:24.200 --> 0:46:29.560
<v Speaker 1>it gives an opportunity for third party. And we was

0:46:29.640 --> 0:46:34.520
<v Speaker 1>thinking government CIA to step in and kill one of us,

0:46:34.640 --> 0:46:36.720
<v Speaker 1>hurt one of us, and then we're gonna.

0:46:36.560 --> 0:46:40.200
<v Speaker 2>Start blacken each other, incite this, divide and conquer.

0:46:40.320 --> 0:46:41.399
<v Speaker 1>Yeah, So.

0:46:42.800 --> 0:46:46.360
<v Speaker 2>In the by the way, that's a real thing, without

0:46:46.360 --> 0:46:49.719
<v Speaker 2>a doubt. That's all that's happened in different facets of

0:46:49.760 --> 0:46:52.640
<v Speaker 2>the country over time, like and and to destroy other

0:46:52.680 --> 0:46:53.640
<v Speaker 2>countries and coops and all.

0:46:53.920 --> 0:46:58.600
<v Speaker 1>It happens. For sure, it happened to the Nation Islam

0:46:58.960 --> 0:47:02.640
<v Speaker 1>with Malcolm X. They was beefing. Somebody come in and

0:47:02.760 --> 0:47:06.200
<v Speaker 1>kill Malcolm X. Now one side blaming the other. Other.

0:47:06.560 --> 0:47:10.960
<v Speaker 1>Now that being said, it was it was just in

0:47:11.040 --> 0:47:15.359
<v Speaker 1>the best interest to to stop the beef right there

0:47:15.680 --> 0:47:19.640
<v Speaker 1>and not do the records that I had what was

0:47:19.680 --> 0:47:21.760
<v Speaker 1>the name of the song you had cocked and loaded?

0:47:22.440 --> 0:47:24.240
<v Speaker 1>I don't know. I got to look at my notebook.

0:47:24.600 --> 0:47:28.319
<v Speaker 1>It's buried in my notebook. I haven't it was it

0:47:28.400 --> 0:47:31.200
<v Speaker 1>was crazy though, yeah, I mean I was. It was

0:47:31.200 --> 0:47:31.960
<v Speaker 1>a disc record.

0:47:32.000 --> 0:47:34.160
<v Speaker 2>Did you think The Bitching You was a hard record?

0:47:38.440 --> 0:47:40.919
<v Speaker 1>I didn't feel those things from it, Okay, that's fair,

0:47:41.040 --> 0:47:46.279
<v Speaker 1>you know. I didn't feel like, uh, you know, I.

0:47:46.320 --> 0:47:48.759
<v Speaker 2>Was just wonder because obviously you guys are like, I.

0:47:48.719 --> 0:47:50.719
<v Speaker 1>Mean, we're cool now, but I just want to hear

0:47:50.800 --> 0:47:53.879
<v Speaker 1>the record, and I think I only heard the records once.

0:47:54.040 --> 0:47:57.719
<v Speaker 1>I only heard it once when somebody did you only

0:47:57.719 --> 0:47:58.759
<v Speaker 1>want to listen to it one time?

0:47:58.800 --> 0:48:00.600
<v Speaker 2>You're not going to go back into to it once

0:48:00.800 --> 0:48:02.920
<v Speaker 2>unless you're Drake and everywhere you go it's playing.

0:48:03.400 --> 0:48:07.920
<v Speaker 1>And you know, to me, it was, uh, you know,

0:48:08.440 --> 0:48:09.040
<v Speaker 1>it was cool.

0:48:09.320 --> 0:48:12.160
<v Speaker 2>Yeah, now that was, you know, an interesting time for sure.

0:48:12.800 --> 0:48:15.160
<v Speaker 2>On the new record, you say that you're here to

0:48:15.160 --> 0:48:16.440
<v Speaker 2>fight reptiles and lizards.

0:48:16.719 --> 0:48:16.959
<v Speaker 1>Yeah.

0:48:17.480 --> 0:48:19.640
<v Speaker 2>Now, I know that you and I are probably a

0:48:19.680 --> 0:48:22.520
<v Speaker 2>little more on the conspiracy side than other people. Huh

0:48:22.600 --> 0:48:25.600
<v Speaker 2>did you mean like reptilians lizard people?

0:48:25.760 --> 0:48:28.480
<v Speaker 1>I think that's what we all fighting somewhere somehow.

0:48:28.600 --> 0:48:30.560
<v Speaker 2>I'm just curious. Yeah, that stuck out.

0:48:31.040 --> 0:48:34.359
<v Speaker 1>It is Yeah, I think we all fighting some kind

0:48:34.400 --> 0:48:40.960
<v Speaker 1>of forces that are not happy with humanity and trying to,

0:48:41.160 --> 0:48:42.960
<v Speaker 1>you know, make sure we're self destruct.

0:48:43.200 --> 0:48:45.040
<v Speaker 2>Do you feel like I don't want to get too

0:48:45.040 --> 0:48:47.120
<v Speaker 2>specific with like any sort of politics or anything, but

0:48:47.400 --> 0:48:50.160
<v Speaker 2>you know, with what's going on obviously the election just ended.

0:48:51.120 --> 0:48:56.200
<v Speaker 1>There is a real economy in division. Yeah.

0:48:57.400 --> 0:49:01.120
<v Speaker 2>People's entire livelihoods and their houses and their car notes

0:49:01.160 --> 0:49:07.399
<v Speaker 2>are paid based on peddling divisive material to divide people, right,

0:49:09.239 --> 0:49:11.680
<v Speaker 2>And I'm just curious from your perspective, you've I mean

0:49:11.719 --> 0:49:14.640
<v Speaker 2>you've seen, I mean, you've been a part of so

0:49:14.680 --> 0:49:18.879
<v Speaker 2>many different like eras of the country as a black

0:49:18.920 --> 0:49:21.239
<v Speaker 2>man in America. Obviously, fucking you've talked about I think

0:49:21.280 --> 0:49:24.720
<v Speaker 2>a bird in the hand and the bushy, the first bush, Jesus,

0:49:24.800 --> 0:49:26.600
<v Speaker 2>the first bush, you know what I mean? Even Reagan,

0:49:27.040 --> 0:49:29.520
<v Speaker 2>it was were you wrapping in before?

0:49:32.200 --> 0:49:32.399
<v Speaker 1>Man?

0:49:33.239 --> 0:49:35.480
<v Speaker 2>But I'm just curious, like, what what would you say,

0:49:35.600 --> 0:49:38.120
<v Speaker 2>like if you had to kind of as somebody who's

0:49:38.160 --> 0:49:40.600
<v Speaker 2>kind of seen I don't know if the country has

0:49:40.600 --> 0:49:42.359
<v Speaker 2>ever been this divided, Like, what do you think would

0:49:42.360 --> 0:49:44.400
<v Speaker 2>be the healing factor.

0:49:48.800 --> 0:49:54.359
<v Speaker 1>For people to mind their own business a little more?

0:49:55.680 --> 0:49:59.920
<v Speaker 1>I love that, Yeah, I think if if you wait

0:50:00.000 --> 0:50:03.520
<v Speaker 1>make up, and you in social media and you're looking

0:50:03.520 --> 0:50:09.600
<v Speaker 1>at everybody business and you affected negatively, and you start

0:50:09.640 --> 0:50:14.840
<v Speaker 1>affecting people around you negatively because of other people's business

0:50:14.880 --> 0:50:20.799
<v Speaker 1>that you've been watching, that's a problem. Minding your own

0:50:20.880 --> 0:50:28.520
<v Speaker 1>business don't just mean ignoring the world. It means everybody

0:50:28.560 --> 0:50:30.880
<v Speaker 1>got shit they need to do in their own life,

0:50:32.320 --> 0:50:35.560
<v Speaker 1>and they need to mind their own business like you

0:50:35.760 --> 0:50:40.560
<v Speaker 1>mine a goal mine, like clean your shit up, fix

0:50:40.600 --> 0:50:44.760
<v Speaker 1>your shit. You got your loose sinds, type your loose sinds,

0:50:46.600 --> 0:50:51.480
<v Speaker 1>work on your business, and not worry about the fate

0:50:51.520 --> 0:50:57.560
<v Speaker 1>of the world, because nine times out of ten, you're

0:50:57.560 --> 0:51:01.160
<v Speaker 1>getting frustrated and worked up about somebody else's business and

0:51:01.239 --> 0:51:03.040
<v Speaker 1>some shit that don't even concern you.

0:51:03.320 --> 0:51:06.279
<v Speaker 2>Yeah, and you're getting frustrated and worked up because that's

0:51:07.400 --> 0:51:10.399
<v Speaker 2>with the purpose of probably that's what that's what they

0:51:10.400 --> 0:51:11.480
<v Speaker 2>want exactly.

0:51:11.760 --> 0:51:17.520
<v Speaker 1>And you're not hit till you hit, and you're not

0:51:17.680 --> 0:51:23.080
<v Speaker 1>hurt till your hit. So stop waiting. You know what

0:51:24.120 --> 0:51:28.359
<v Speaker 1>makes a soldier fight on through the bullets that are

0:51:28.400 --> 0:51:32.120
<v Speaker 1>coming at him? Why does he keep going? How does

0:51:32.160 --> 0:51:37.840
<v Speaker 1>he keep going when he knows bullets are incoming? Because

0:51:37.880 --> 0:51:41.400
<v Speaker 1>you're not hit till you hit, so you might not

0:51:41.480 --> 0:51:46.319
<v Speaker 1>ever get hit. So why sit there and ship your

0:51:46.360 --> 0:51:51.120
<v Speaker 1>pants when you're not even hit. So most of the

0:51:51.200 --> 0:51:54.080
<v Speaker 1>time people are crying and yelling and this is my

0:51:54.160 --> 0:51:57.359
<v Speaker 1>life gonna change and my rights and it not even

0:51:57.440 --> 0:52:01.279
<v Speaker 1>really affects them, you know. They just get worked up

0:52:01.360 --> 0:52:02.720
<v Speaker 1>over other people's business.

0:52:02.800 --> 0:52:05.600
<v Speaker 2>Yeah, and even like sometimes like they're getting worked up

0:52:05.600 --> 0:52:09.839
<v Speaker 2>over what they perceive to be factual when a lot

0:52:09.880 --> 0:52:10.839
<v Speaker 2>of times it's not.

0:52:11.040 --> 0:52:14.839
<v Speaker 1>It's not. You know, people always think they can sing

0:52:14.880 --> 0:52:18.280
<v Speaker 1>into the future on how it's gonna be, But that's okay.

0:52:18.320 --> 0:52:19.960
<v Speaker 2>I'm like, hey man, we've lived through everybody, right, so

0:52:20.320 --> 0:52:22.399
<v Speaker 2>it's gonna be. There's gonna be another president of four

0:52:22.480 --> 0:52:23.600
<v Speaker 2>years and another one after that.

0:52:23.800 --> 0:52:24.440
<v Speaker 1>I'm curious.

0:52:24.480 --> 0:52:27.520
<v Speaker 2>You and your wife are one of probably the most

0:52:27.520 --> 0:52:29.480
<v Speaker 2>successful marriage in hip hop at this point.

0:52:30.760 --> 0:52:35.279
<v Speaker 1>How many years thirty two? Uh, we've been together since

0:52:35.400 --> 0:52:39.839
<v Speaker 1>nineteen eighty nine, so I'm married in nineteen ninety two.

0:52:40.120 --> 0:52:44.600
<v Speaker 2>That's beautiful, as somebody I've been married for over five years?

0:52:45.600 --> 0:52:50.000
<v Speaker 2>What is the key to lasting that long? Because sometimes

0:52:50.000 --> 0:52:51.319
<v Speaker 2>me and my wife want to kill each other.

0:52:52.239 --> 0:52:58.919
<v Speaker 1>I mean, you gotta you gotta want to be there.

0:53:00.600 --> 0:53:06.800
<v Speaker 1>You know, you gotta understand the reason you married this person,

0:53:07.520 --> 0:53:18.920
<v Speaker 1>and you gotta want to be there. You gotta you know,

0:53:19.000 --> 0:53:23.239
<v Speaker 1>be a giver, not a receiver. And the more you give,

0:53:23.360 --> 0:53:27.439
<v Speaker 1>the more you will receive in a relationship. That's right.

0:53:28.080 --> 0:53:36.200
<v Speaker 1>And so you know, having somebody to go through this

0:53:36.320 --> 0:53:40.919
<v Speaker 1>crazy life with and if you guys can have each

0:53:40.960 --> 0:53:48.480
<v Speaker 1>other's back where it's us against the world. And the

0:53:48.560 --> 0:53:53.520
<v Speaker 1>thing is, when it's real tight, whether you're married or not,

0:53:53.680 --> 0:53:59.840
<v Speaker 1>y'all still be like that. That's a real commitment marriage

0:53:59.840 --> 0:54:02.960
<v Speaker 1>and all that just a license paperwork. You have to

0:54:03.000 --> 0:54:08.479
<v Speaker 1>be committed to a person for life. And you stay

0:54:08.600 --> 0:54:11.319
<v Speaker 1>down with her. She stayed down with you, and let

0:54:11.360 --> 0:54:14.560
<v Speaker 1>the chips fall what they may. And we could yell

0:54:14.600 --> 0:54:16.959
<v Speaker 1>all day at each other, but still love your ass.

0:54:17.000 --> 0:54:20.320
<v Speaker 1>You Still we're still gonna be Yeah, I ain't going nowhere.

0:54:20.360 --> 0:54:22.880
<v Speaker 1>You ain't going nowhere. You know, we're gonna work through it,

0:54:23.239 --> 0:54:28.800
<v Speaker 1>live through it, and come through it, yo. Whatever.

0:54:29.040 --> 0:54:33.240
<v Speaker 2>Like how close or how far along was the idea

0:54:33.280 --> 0:54:35.319
<v Speaker 2>of the new n w A when like hello and

0:54:35.440 --> 0:54:38.240
<v Speaker 2>chin check and all that ship was like was it

0:54:38.360 --> 0:54:41.520
<v Speaker 2>was it like a thing that was getting worked on

0:54:41.640 --> 0:54:43.080
<v Speaker 2>or was it just a night because you guys were

0:54:43.160 --> 0:54:44.919
<v Speaker 2>I think there was this there was the source cover

0:54:45.760 --> 0:54:46.120
<v Speaker 2>that was.

0:54:46.560 --> 0:54:54.680
<v Speaker 1>Yeah. We we were just you know, kind of figuring

0:54:54.719 --> 0:54:59.279
<v Speaker 1>our next moves in a lot of ways. We had

0:54:59.360 --> 0:55:04.239
<v Speaker 1>just really start to come back together after you know,

0:55:04.360 --> 0:55:08.800
<v Speaker 1>Easy passed away and it was just you did like

0:55:08.840 --> 0:55:11.680
<v Speaker 1>natural Born Killers. Yeah we did that, but that was

0:55:11.960 --> 0:55:15.960
<v Speaker 1>that was for the that was for the murder, was

0:55:16.000 --> 0:55:23.640
<v Speaker 1>the case soundtrack, and basically what happened. You know, we

0:55:24.440 --> 0:55:27.360
<v Speaker 1>thinking about, Okay, this is a project that we we

0:55:27.560 --> 0:55:29.799
<v Speaker 1>like working together. We could get together and do a

0:55:29.800 --> 0:55:36.960
<v Speaker 1>whole nother project. Then dra meet some kid named eminem.

0:55:36.760 --> 0:55:40.799
<v Speaker 2>Crazy some kid, and then and then it just was like.

0:55:40.880 --> 0:55:43.720
<v Speaker 1>Man and then after that he meets some dude named fifty,

0:55:44.880 --> 0:55:49.200
<v Speaker 1>and it was kind of like the hold on cue

0:55:49.200 --> 0:55:51.440
<v Speaker 1>I got. I got a few things to do before

0:55:51.440 --> 0:55:53.360
<v Speaker 1>we get to that, which is understandable.

0:55:53.440 --> 0:55:55.800
<v Speaker 2>And you guys were on the up and smoke tour together.

0:55:55.920 --> 0:55:58.120
<v Speaker 1>Yeah, Yeah, we had fun. You know, we all went

0:55:58.160 --> 0:55:59.680
<v Speaker 1>out big tour.

0:56:00.280 --> 0:56:03.800
<v Speaker 2>I'm sad because I sold so many of my CDs

0:56:03.800 --> 0:56:06.560
<v Speaker 2>to the warehouse to afford my ticket in Phoenix, Arizona,

0:56:06.840 --> 0:56:08.360
<v Speaker 2>And that was one of the dates you were.

0:56:08.280 --> 0:56:11.759
<v Speaker 1>Not Yeah, when they put the tour together. I had

0:56:11.760 --> 0:56:14.520
<v Speaker 1>spot dates, so I had to miss one or two.

0:56:14.760 --> 0:56:17.640
<v Speaker 2>You miss Phoenix, Yeah, I was like, wait Ice Cubes

0:56:17.680 --> 0:56:18.560
<v Speaker 2>that performing the night?

0:56:19.120 --> 0:56:23.279
<v Speaker 1>What the fuck? Yeah? That was trust me, I was

0:56:23.960 --> 0:56:26.120
<v Speaker 1>I was hating effect that I was a crazy somewhere

0:56:26.160 --> 0:56:28.520
<v Speaker 1>else on some smaller ship and I'm.

0:56:28.400 --> 0:56:31.400
<v Speaker 2>Like, ah, that was a crazy tour though it was.

0:56:31.960 --> 0:56:36.000
<v Speaker 1>It was. It was as fun and big and crazy

0:56:36.000 --> 0:56:36.840
<v Speaker 1>as you can imagine.

0:56:36.880 --> 0:56:39.400
<v Speaker 2>You had like that run like around the war and

0:56:39.440 --> 0:56:42.080
<v Speaker 2>peace times when you were like on Corn's followed the

0:56:42.120 --> 0:56:44.799
<v Speaker 2>Leader and then they were on your album and then

0:56:44.840 --> 0:56:47.440
<v Speaker 2>you were doing like a lot of rock festivals or

0:56:47.480 --> 0:56:49.799
<v Speaker 2>shows like I remember just like seeing that shit on

0:56:49.880 --> 0:56:52.879
<v Speaker 2>MTV news all the time. Yeah, what like like what

0:56:53.120 --> 0:56:55.839
<v Speaker 2>made you and Corn like hit it off to where

0:56:55.840 --> 0:56:57.640
<v Speaker 2>you guys did a couple of records together.

0:56:58.560 --> 0:57:00.640
<v Speaker 1>You know, after doing a Lola it was a tour

0:57:01.000 --> 0:57:07.200
<v Speaker 1>in ninety two. I was, you know, hot with that market.

0:57:07.360 --> 0:57:11.560
<v Speaker 1>So it was always you know, me and my management

0:57:11.640 --> 0:57:15.200
<v Speaker 1>looking for ways to connect with another rock group or

0:57:15.719 --> 0:57:20.960
<v Speaker 1>do some cool shit. And I ended up getting with

0:57:21.040 --> 0:57:25.160
<v Speaker 1>new management and they one of the groups was Corn,

0:57:25.520 --> 0:57:30.919
<v Speaker 1>and so I dug the record because it was incorporating

0:57:31.000 --> 0:57:34.240
<v Speaker 1>hip hop into this rock and sure you have a

0:57:34.280 --> 0:57:37.880
<v Speaker 1>breakbeat breakout and then they go back and yeah, I'm like, oh,

0:57:37.920 --> 0:57:41.280
<v Speaker 1>this shit is dope. So meeting them, you know, just

0:57:41.320 --> 0:57:45.480
<v Speaker 1>saying how cool they wash, it was like, dude, you

0:57:45.520 --> 0:57:47.040
<v Speaker 1>know we're working on some shit. If you want to

0:57:47.080 --> 0:57:50.120
<v Speaker 1>come get down, let's get down. And we did stuff

0:57:50.160 --> 0:57:52.600
<v Speaker 1>together and then we went on the Family Values Tour.

0:57:53.000 --> 0:57:56.919
<v Speaker 1>That's the tour. Lamp Biscuit, Yah, yeah, Limp Biscuit, that's

0:57:56.960 --> 0:58:03.960
<v Speaker 1>like yeah corn Limp Biscuit. A group called uh minished

0:58:04.120 --> 0:58:08.400
<v Speaker 1>Well I wasn't Ministry, it was damn They are called

0:58:08.600 --> 0:58:11.440
<v Speaker 1>how Many Values to Ours? That's a fucking legend. The

0:58:11.480 --> 0:58:15.400
<v Speaker 1>front ro Romstein, Wait, Romstein was on that.

0:58:15.360 --> 0:58:20.720
<v Speaker 2>Trash mash and and then ice.

0:58:20.560 --> 0:58:25.920
<v Speaker 1>Cube them motherfuckers a day on.

0:58:26.160 --> 0:58:30.880
<v Speaker 2>Like h that's just such a crazy, like sonic opposite

0:58:30.920 --> 0:58:33.919
<v Speaker 2>of the spectrum like industrial German rock.

0:58:34.840 --> 0:58:38.800
<v Speaker 1>These motherfuckers will put theirself on fire in the middle

0:58:38.800 --> 0:58:45.160
<v Speaker 1>of the Ramstein Dudes, Romstein, Dudes, Ramstein, Ramstein. This motherfucker

0:58:45.160 --> 0:58:50.920
<v Speaker 1>would be performing and then they would come and put

0:58:50.960 --> 0:58:54.800
<v Speaker 1>this vadast ship on him, right, not ship, but it

0:58:54.920 --> 0:58:59.240
<v Speaker 1>was like some uhlobby ship.

0:58:59.480 --> 0:59:01.360
<v Speaker 2>That they could on fire without killing.

0:59:03.160 --> 0:59:07.400
<v Speaker 1>Such as motherfucker on fire? Was this before you went on? Yeah?

0:59:08.200 --> 0:59:10.600
<v Speaker 2>So so then you're like, I gotta follow the dude

0:59:10.600 --> 0:59:12.120
<v Speaker 2>who just set himself on fire?

0:59:12.400 --> 0:59:14.920
<v Speaker 1>Yeah yeah, this ship was good. No, it was after us,

0:59:15.080 --> 0:59:17.440
<v Speaker 1>yeah yeah, yeah, it was. Thank god it was after us,

0:59:17.440 --> 0:59:20.720
<v Speaker 1>but we would be tripping off these dudes. Man, they was.

0:59:21.320 --> 0:59:24.360
<v Speaker 1>They was like, this was some of the crazy ship

0:59:24.440 --> 0:59:25.040
<v Speaker 1>I ever seen.

0:59:25.080 --> 0:59:29.320
<v Speaker 2>And I mean yeah, the mosh pits had to be crazy.

0:59:29.440 --> 0:59:30.640
<v Speaker 1>It was fun. Yo.

0:59:31.400 --> 0:59:34.680
<v Speaker 2>What would you say is your worst movie out of

0:59:34.720 --> 0:59:37.440
<v Speaker 2>all the bigger ones? Your worst big budget movie?

0:59:37.560 --> 0:59:45.280
<v Speaker 1>What's your I'll go first the Triple X. Uh well,

0:59:45.560 --> 0:59:50.240
<v Speaker 1>I would say, uh Ghost of Mars Is I forgot

0:59:50.280 --> 0:59:53.600
<v Speaker 1>about that one. You're right about that. That was I

0:59:53.640 --> 0:59:58.400
<v Speaker 1>did some ship called Rampart with I remember Rampart with

0:59:59.080 --> 1:00:05.600
<v Speaker 1>Woody Harrelson. Yep, that's garbage. Okay, it wasn't. Fucking Triple

1:00:05.840 --> 1:00:09.600
<v Speaker 1>X is better than that ship. Come on, man, Triple X.

1:00:10.120 --> 1:00:15.320
<v Speaker 1>The only reason to me, Triple X had the wrong director.

1:00:16.120 --> 1:00:18.320
<v Speaker 1>They had an old school director when they should have

1:00:18.360 --> 1:00:23.120
<v Speaker 1>got somebody wasn't exhibiting Triple X too. Yeah yeah, yep, yeah,

1:00:23.160 --> 1:00:27.360
<v Speaker 1>that was a Sam Jackson and William Dafoe. It was

1:00:27.400 --> 1:00:29.640
<v Speaker 1>just the wrong director. You know. He didn't he didn't

1:00:29.680 --> 1:00:35.000
<v Speaker 1>add no, no, no spice to it. It just felt old.

1:00:35.520 --> 1:00:38.880
<v Speaker 2>What is your, in your opinion, your most underrated movie

1:00:38.920 --> 1:00:40.840
<v Speaker 2>that you don't get You don't you know? I mean

1:00:40.880 --> 1:00:44.000
<v Speaker 2>you've done all about the Benjamins. Yeah, for sure, I agree.

1:00:44.120 --> 1:00:49.240
<v Speaker 2>Follow Yeah, Mike Apps, you feel like that's the Mike

1:00:49.240 --> 1:00:51.840
<v Speaker 2>Apps movie that really made people be like, oh ship, yeah,

1:00:51.880 --> 1:00:52.360
<v Speaker 2>Mike Is.

1:00:52.880 --> 1:00:57.080
<v Speaker 1>I love working with Mike. He's he's uh, he's my

1:00:57.200 --> 1:00:59.560
<v Speaker 1>favorite person to work with.

1:01:01.040 --> 1:01:03.880
<v Speaker 2>Is Uh. It's gonna be difficult to pull off this

1:01:04.160 --> 1:01:09.720
<v Speaker 2>new Friday movie. Obviously, I'm excited because John will not

1:01:09.760 --> 1:01:10.120
<v Speaker 2>be in it.

1:01:10.160 --> 1:01:17.080
<v Speaker 1>Well, I think Friday's great. Is Friday has a universe

1:01:17.200 --> 1:01:21.800
<v Speaker 1>of people. It does, and if we make a movie

1:01:21.840 --> 1:01:30.200
<v Speaker 1>that that is on point, he will be missed, but

1:01:30.240 --> 1:01:31.800
<v Speaker 1>he won't ruin the movie.

1:01:31.840 --> 1:01:35.120
<v Speaker 2>You gotta have unk in it. Of course, something has

1:01:35.160 --> 1:01:37.720
<v Speaker 2>gotten with the barbecue spot. I got it, I got it,

1:01:38.080 --> 1:01:40.880
<v Speaker 2>I got this watch. Did you like my video?

1:01:41.440 --> 1:01:43.840
<v Speaker 1>Oh? I loved it. It wasn't entertainment, it was great.

1:01:43.880 --> 1:01:45.920
<v Speaker 1>And and then did you was that a wig you

1:01:46.000 --> 1:01:48.480
<v Speaker 1>had on it? On? Now? Hell? Yeah, you know that

1:01:48.560 --> 1:01:50.320
<v Speaker 1>you don't look like Moore's day for real.

1:01:50.600 --> 1:01:53.960
<v Speaker 2>This is this is this is uh okay, so kill

1:01:53.960 --> 1:01:56.040
<v Speaker 2>it will comes out and that's your last album in

1:01:56.080 --> 1:01:58.880
<v Speaker 2>which you had like long hair and the death certificate

1:01:58.880 --> 1:02:01.720
<v Speaker 2>you got the fade. Yeah, were you like worried about

1:02:01.760 --> 1:02:04.160
<v Speaker 2>cutting your hair and like because you just like it

1:02:04.240 --> 1:02:06.880
<v Speaker 2>was there's almost like this era of Cube where it's like, okay,

1:02:06.880 --> 1:02:11.000
<v Speaker 2>there's Jerry Jerry curl Cube and then haircut Cube.

1:02:11.160 --> 1:02:13.360
<v Speaker 1>I wasn't worried at all. I had to cut my

1:02:13.400 --> 1:02:17.280
<v Speaker 1>hair because for acting. No, I just got a pool. Okay,

1:02:18.120 --> 1:02:21.080
<v Speaker 1>I could afford a pool. I was in that shit

1:02:21.240 --> 1:02:24.360
<v Speaker 1>every day. And if you can imagine how Jerry Curle

1:02:24.480 --> 1:02:29.000
<v Speaker 1>look after you swim every day for a whole summer. Shit,

1:02:29.840 --> 1:02:34.000
<v Speaker 1>that shit was looking like you know afro. So I

1:02:34.080 --> 1:02:37.720
<v Speaker 1>was like, I love this fucking pool. I'm gonna be

1:02:37.800 --> 1:02:41.400
<v Speaker 1>in this shit every day. So I cut my hair

1:02:41.440 --> 1:02:46.000
<v Speaker 1>because I couldn't. I couldn't keep it from looking fucked up.

1:02:47.800 --> 1:02:50.280
<v Speaker 2>Seventh season of Big Three just wrapped.

1:02:50.520 --> 1:02:53.080
<v Speaker 1>Eighth, Yeah, seventh, we're going into today.

1:02:53.080 --> 1:02:57.320
<v Speaker 2>Going into the eighth season. Uh I know that. Uh

1:02:57.600 --> 1:03:00.000
<v Speaker 2>you know, for people who watch it, they just love it.

1:03:00.040 --> 1:03:03.520
<v Speaker 2>They appreciate it, and I'm just curious, like, did you

1:03:03.600 --> 1:03:07.480
<v Speaker 2>ever figure out what the disconnect has been with like

1:03:09.000 --> 1:03:09.640
<v Speaker 2>the NBA?

1:03:10.360 --> 1:03:15.760
<v Speaker 1>Yeah, I know what it is. That's easy. They mad

1:03:15.840 --> 1:03:19.160
<v Speaker 1>they didn't think of the ship and they don't want

1:03:19.160 --> 1:03:22.360
<v Speaker 1>somebody like me running something like this when they believe

1:03:22.440 --> 1:03:25.680
<v Speaker 1>they own basketball, but they don't because.

1:03:25.480 --> 1:03:27.920
<v Speaker 2>They have the w NBA, they have the G League,

1:03:28.080 --> 1:03:29.160
<v Speaker 2>They have.

1:03:29.160 --> 1:03:31.600
<v Speaker 1>Every base covered except for what happens when players, but

1:03:31.640 --> 1:03:37.200
<v Speaker 1>they don't own basketball. Correct. Nobody runs and say, ma,

1:03:38.080 --> 1:03:42.120
<v Speaker 1>I'm going out to go play NBA. They say I'm

1:03:42.160 --> 1:03:46.200
<v Speaker 1>going out to go play basketball. So there's room for

1:03:46.240 --> 1:03:48.600
<v Speaker 1>the Big three to exist, and we will exist. We

1:03:48.640 --> 1:03:51.520
<v Speaker 1>don't even need the NBA at this point. Do you

1:03:51.560 --> 1:03:54.240
<v Speaker 1>think it's an Adam Silver thing? Of course, it's a

1:03:54.320 --> 1:03:58.680
<v Speaker 1>straight I mean, is it a smart business decision not

1:03:58.800 --> 1:04:01.760
<v Speaker 1>to work with me and the big No? Okay, so

1:04:01.800 --> 1:04:02.880
<v Speaker 1>it got to be personal.

1:04:03.080 --> 1:04:04.360
<v Speaker 2>Yeah, that doesn't make any sense to me.

1:04:04.440 --> 1:04:07.120
<v Speaker 1>It don't make crazy man sense, as my man keyboard was.

1:04:07.120 --> 1:04:10.200
<v Speaker 2>Saying, because you could like embrace it and then it

1:04:10.200 --> 1:04:13.080
<v Speaker 2>could be this cool place where players go. It's like, hey,

1:04:13.120 --> 1:04:13.640
<v Speaker 2>you retired.

1:04:13.680 --> 1:04:16.440
<v Speaker 1>They didn't think of it. They don't want me running it.

1:04:17.440 --> 1:04:21.200
<v Speaker 1>They don't want to work with it, so we don't

1:04:21.240 --> 1:04:23.320
<v Speaker 1>need them now. Maybe four or five years ago we

1:04:23.360 --> 1:04:26.520
<v Speaker 1>probably wanted them to do it, but now they were

1:04:26.600 --> 1:04:27.040
<v Speaker 1>just being on.

1:04:27.200 --> 1:04:29.919
<v Speaker 2>Well they never embraced and won back in the day.

1:04:30.080 --> 1:04:34.720
<v Speaker 1>Remember this is bigger, I mean not bigger. This is different.

1:04:34.760 --> 1:04:36.960
<v Speaker 1>It's different. But I'm saying like they didn't embrace that

1:04:37.600 --> 1:04:41.160
<v Speaker 1>because they they didn't want, you know, that style of

1:04:41.400 --> 1:04:47.320
<v Speaker 1>play to come into the NBA for the Big three?

1:04:47.920 --> 1:04:48.240
<v Speaker 1>Is there?

1:04:48.560 --> 1:04:51.200
<v Speaker 2>I know I saw somebody. There's going to be expansion,

1:04:51.280 --> 1:04:52.680
<v Speaker 2>right like new Ts and all that.

1:04:52.920 --> 1:04:58.360
<v Speaker 1>Yeah, well we're selling teams, so teams are now going

1:04:58.400 --> 1:05:01.400
<v Speaker 1>to be represented by cities and then after we sell

1:05:01.400 --> 1:05:02.880
<v Speaker 1>a lot of twelve, we'll expand.

1:05:03.400 --> 1:05:06.000
<v Speaker 2>So right now there's twelve teams that people can invest in,

1:05:06.440 --> 1:05:10.640
<v Speaker 2>eight because four have been So if somebody wanted to

1:05:10.640 --> 1:05:12.880
<v Speaker 2>invest in the team and bring it to Phoenix, what

1:05:12.880 --> 1:05:13.560
<v Speaker 2>would they have to do?

1:05:16.240 --> 1:05:20.000
<v Speaker 1>Shit, have some MS, A lot of MS, A lot

1:05:20.000 --> 1:05:22.800
<v Speaker 1>of MS, I mean, you know, a reasonable amount.

1:05:22.520 --> 1:05:25.840
<v Speaker 2>A reasonable amount of MS. Yes, some fucking money per se.

1:05:26.080 --> 1:05:31.000
<v Speaker 1>Yeah, yeah, that's fair. It is fair to.

1:05:31.960 --> 1:05:34.640
<v Speaker 2>Talk to me about the album. I've heard that it's

1:05:34.680 --> 1:05:36.440
<v Speaker 2>amazing good.

1:05:36.920 --> 1:05:40.360
<v Speaker 1>I believe it is you know it's called man Down,

1:05:40.640 --> 1:05:44.560
<v Speaker 1>and you know I have to accumulate it the record.

1:05:44.760 --> 1:05:47.160
<v Speaker 1>That's what I ended up calling it because it felt

1:05:47.200 --> 1:05:51.240
<v Speaker 1>like a record talking about a lot of different subjects.

1:05:53.400 --> 1:05:55.840
<v Speaker 1>A few of them have to deal with the state

1:05:55.880 --> 1:06:00.200
<v Speaker 1>of men and how you know, how are added two

1:06:00.280 --> 1:06:04.600
<v Speaker 1>d is in twenty twenty five four Pussification of men? Yeah,

1:06:04.640 --> 1:06:10.960
<v Speaker 1>I mean, you know it's sad, and so you know

1:06:11.040 --> 1:06:15.080
<v Speaker 1>it's really about us standing up, you know what I mean.

1:06:16.400 --> 1:06:19.200
<v Speaker 1>Don't be a pussy all your life. Be a dick

1:06:19.280 --> 1:06:27.560
<v Speaker 1>sometime and get hard. I like, what, yo, was it cool? Going?

1:06:27.640 --> 1:06:31.400
<v Speaker 2>I went to Joe Rogan spot in Austin with Freddy

1:06:31.400 --> 1:06:33.760
<v Speaker 2>Gibbs when Freddy Gibbs did it, Yeah, he's got like

1:06:33.880 --> 1:06:36.160
<v Speaker 2>it's very like an unassuming building, like you wouldn't even

1:06:36.200 --> 1:06:38.440
<v Speaker 2>know it's there. Yeah, but let you go in and

1:06:38.440 --> 1:06:40.800
<v Speaker 2>it's like this is a place, Like how cool was that?

1:06:40.840 --> 1:06:42.800
<v Speaker 2>Being able to link with him. Obviously a lot of

1:06:42.800 --> 1:06:45.080
<v Speaker 2>people would say he might have just you know, thrown

1:06:45.120 --> 1:06:48.000
<v Speaker 2>the election in someone's favor, but because he is the

1:06:48.000 --> 1:06:49.760
<v Speaker 2>biggest media platform in the world.

1:06:49.640 --> 1:06:53.000
<v Speaker 1>Yeah, real cool, you know, being able to you know,

1:06:53.120 --> 1:06:56.400
<v Speaker 1>see how he get down And I've been a fans

1:06:56.640 --> 1:07:01.240
<v Speaker 1>of that dude since fear factor for sure, and then

1:07:01.320 --> 1:07:04.800
<v Speaker 1>to see him you know, getting to the UFC and

1:07:04.920 --> 1:07:11.360
<v Speaker 1>really be you know, extremely you know, passionate and full

1:07:11.400 --> 1:07:19.840
<v Speaker 1>of information. Yeah, which to me helped you know, grow

1:07:19.920 --> 1:07:23.680
<v Speaker 1>that sport and get it to where it is. I

1:07:23.720 --> 1:07:27.080
<v Speaker 1>think his analysis was just as good as the fight.

1:07:27.600 --> 1:07:32.400
<v Speaker 1>And so to see him using that platform and being

1:07:32.480 --> 1:07:37.920
<v Speaker 1>able to to talk about things in a in a

1:07:38.040 --> 1:07:45.400
<v Speaker 1>more you know cool setting two or three hours long

1:07:45.440 --> 1:07:50.439
<v Speaker 1>form really uh deep dive into each topic in each

1:07:50.480 --> 1:07:55.440
<v Speaker 1>conversation without feeling like you rushed or you you can't

1:07:55.440 --> 1:07:58.560
<v Speaker 1>get out of something cool that you think people will

1:07:58.600 --> 1:08:02.160
<v Speaker 1>want to see it here. So it was real cool

1:08:02.480 --> 1:08:05.400
<v Speaker 1>to hang with them and hope to do it again sometimes.

1:08:06.560 --> 1:08:08.200
<v Speaker 2>Any features on the album on Man.

1:08:08.120 --> 1:08:14.040
<v Speaker 1>Oh yeah yeah, we definitely got features Exhibit Killer, Mike Buster,

1:08:15.200 --> 1:08:21.880
<v Speaker 1>Snoop forty, Short, j D, j D, Jermaine pre no

1:08:23.200 --> 1:08:26.320
<v Speaker 1>Nah Nah j D from the Lynch Mob. I mean,

1:08:26.320 --> 1:08:30.040
<v Speaker 1>I don't know man JD from the Lynch Mob, and

1:08:32.200 --> 1:08:35.400
<v Speaker 1>we got Corrupt on there be Real Yo.

1:08:36.000 --> 1:08:39.880
<v Speaker 2>The it felt like the Mount Westmore album. It was

1:08:39.920 --> 1:08:42.479
<v Speaker 2>a little disappointing in terms of just like the impact

1:08:42.520 --> 1:08:42.880
<v Speaker 2>it made.

1:08:42.920 --> 1:08:44.559
<v Speaker 1>It Yeah, what do you think.

1:08:45.920 --> 1:08:49.080
<v Speaker 2>There were some dope joints on there? But where do

1:08:49.120 --> 1:08:51.200
<v Speaker 2>you think the Mount Westmore project? Because I think what

1:08:51.520 --> 1:08:53.200
<v Speaker 2>my favorite part that came out of that was you

1:08:53.280 --> 1:08:57.240
<v Speaker 2>guys did shows together. Yeah, and it gave fans like

1:08:57.520 --> 1:09:00.000
<v Speaker 2>you could go see all of y'all together on stage,

1:09:00.120 --> 1:09:02.040
<v Speaker 2>which was amazing. But in terms of like the actual

1:09:02.080 --> 1:09:04.040
<v Speaker 2>body of work, it got like mixed up with the NFT.

1:09:04.160 --> 1:09:06.280
<v Speaker 1>It was delayed a bunch of times, Like yeah, it

1:09:06.439 --> 1:09:11.080
<v Speaker 1>just you know, the the NFT thing was it was

1:09:11.120 --> 1:09:15.479
<v Speaker 1>a mistake in a lot of ways, and it's just

1:09:15.600 --> 1:09:19.880
<v Speaker 1>a project that kind of took too long to hit.

1:09:20.640 --> 1:09:23.640
<v Speaker 1>And you know, you got four people trying to come

1:09:23.720 --> 1:09:26.960
<v Speaker 1>together to do something and everybody else they couldn't hold

1:09:27.000 --> 1:09:29.439
<v Speaker 1>on no more, so they had to go do their

1:09:29.479 --> 1:09:33.439
<v Speaker 1>own solo shit and couldn't really work the record or

1:09:34.280 --> 1:09:37.040
<v Speaker 1>you know, promote the record or really.

1:09:36.960 --> 1:09:39.360
<v Speaker 2>Tour the record, right, I mean there was some dope.

1:09:39.360 --> 1:09:40.719
<v Speaker 2>I mean, you guys have some records they got played

1:09:40.720 --> 1:09:41.559
<v Speaker 2>on radio, and shit.

1:09:42.200 --> 1:09:46.439
<v Speaker 1>It's a good record. You know, just wish we could

1:09:46.479 --> 1:09:50.160
<v Speaker 1>have wish it would have came out on time and

1:09:51.320 --> 1:09:53.240
<v Speaker 1>and you know we had time to really work.

1:09:53.120 --> 1:09:56.120
<v Speaker 2>It for Let's say there's a seventeen year old kid

1:09:56.120 --> 1:09:59.280
<v Speaker 2>who hears it's my ego for the first time, and

1:09:59.400 --> 1:10:03.639
<v Speaker 2>they hear you I was Kendrick before Kendrick. Yeah, explain

1:10:03.800 --> 1:10:04.519
<v Speaker 2>because I said, I.

1:10:04.600 --> 1:10:08.360
<v Speaker 1>Know what you mean, but like, well, I started kicking

1:10:08.439 --> 1:10:12.240
<v Speaker 1>what we call street knowledge a long time ago, and

1:10:13.520 --> 1:10:16.720
<v Speaker 1>it's a blend of you know, what's happening on the

1:10:16.800 --> 1:10:21.400
<v Speaker 1>streets and what's happening in the world, and you know,

1:10:21.520 --> 1:10:23.680
<v Speaker 1>being able to do it in a dope way in

1:10:23.800 --> 1:10:28.519
<v Speaker 1>a hip hop form and still be you know, fresh

1:10:28.600 --> 1:10:34.439
<v Speaker 1>but informative is a style at that. Uh. You know,

1:10:34.520 --> 1:10:38.000
<v Speaker 1>I've helped coin with a few other ogs, you know,

1:10:38.200 --> 1:10:43.880
<v Speaker 1>like Iced Tea and Carras and you know, the Meley

1:10:43.920 --> 1:10:46.760
<v Speaker 1>mel and rock Kims of the world. But and you

1:10:46.840 --> 1:10:49.240
<v Speaker 1>were like also a good kid in a mad city

1:10:49.479 --> 1:10:51.760
<v Speaker 1>before that was the thing, Like yeah, I mean, you know,

1:10:51.880 --> 1:10:54.240
<v Speaker 1>we all was like you were like, you know.

1:10:54.360 --> 1:10:56.680
<v Speaker 2>Trying to like get your shit together, going to you

1:10:57.200 --> 1:10:58.720
<v Speaker 2>went to Arizona to go to college and shit, but

1:10:58.840 --> 1:11:01.360
<v Speaker 2>you still were kind of telling the story of your

1:11:01.520 --> 1:11:03.680
<v Speaker 2>of your neighborhood and of your Yeah, and you know, I.

1:11:03.760 --> 1:11:08.920
<v Speaker 1>Start rapping at fourteen years old, So it's it's an

1:11:08.960 --> 1:11:11.200
<v Speaker 1>age where you trying to figure out which way you're

1:11:11.200 --> 1:11:17.559
<v Speaker 1>gonna go. You're gonna go sports dope, gang banging. Luckily

1:11:18.080 --> 1:11:20.920
<v Speaker 1>hip hop was right there, and so that's the door

1:11:20.960 --> 1:11:24.200
<v Speaker 1>I went through and it's gotten me here. Uh So,

1:11:26.120 --> 1:11:28.519
<v Speaker 1>you know, the line is not a disc The line

1:11:28.680 --> 1:11:32.439
<v Speaker 1>to me is paying homage to what Kendrick has done

1:11:32.520 --> 1:11:37.000
<v Speaker 1>in the Gang to be honest, or I wouldn't even

1:11:37.080 --> 1:11:39.680
<v Speaker 1>say that about to do the halftime show. Yeah, so

1:11:41.880 --> 1:11:45.000
<v Speaker 1>salute to all those Grammy nominations, Salute to him being

1:11:45.080 --> 1:11:50.559
<v Speaker 1>a true artist and not compromising the art for the fame.

1:11:51.400 --> 1:11:55.240
<v Speaker 1>And I believe I'm the same type artists.

1:11:56.160 --> 1:11:58.400
<v Speaker 2>Well, he just got I think six or seven Grammy

1:11:58.439 --> 1:11:59.880
<v Speaker 2>nominations for Not Like Us Today.

1:12:00.040 --> 1:12:00.240
<v Speaker 1>Good.

1:12:01.320 --> 1:12:03.360
<v Speaker 2>Can you imagine if like no Vassiline in the Night

1:12:03.800 --> 1:12:07.920
<v Speaker 2>would have got like Grammy nominations and melted the Academy down.

1:12:09.680 --> 1:12:09.920
<v Speaker 1>Ship.

1:12:10.040 --> 1:12:12.800
<v Speaker 2>They're still not even showing the Best Rap Album award

1:12:12.880 --> 1:12:14.840
<v Speaker 2>on TV, which is fucking preposterous to me.

1:12:15.560 --> 1:12:20.479
<v Speaker 1>Yeah, it's just you know, it's them trying to keep

1:12:20.720 --> 1:12:21.799
<v Speaker 1>some sense.

1:12:21.640 --> 1:12:23.720
<v Speaker 2>Of number one genre of music in the world. But

1:12:23.880 --> 1:12:25.840
<v Speaker 2>you know, let's not show you the Album of the

1:12:25.920 --> 1:12:28.760
<v Speaker 2>Year A couple of quick things. Would you ever do

1:12:28.840 --> 1:12:35.680
<v Speaker 2>a podcast under the right circumstances, because I feel like

1:12:35.800 --> 1:12:39.640
<v Speaker 2>if you were just like speaking on your perspective of

1:12:40.080 --> 1:12:42.320
<v Speaker 2>current events or music, I just feel like it would

1:12:42.320 --> 1:12:46.479
<v Speaker 2>be Yeah, I can make it work. It's an eight

1:12:46.560 --> 1:12:48.280
<v Speaker 2>figure idea right there. You got to do it, man,

1:12:48.360 --> 1:12:51.120
<v Speaker 2>can make it work. And I mean obviously there's been

1:12:51.200 --> 1:12:55.600
<v Speaker 2>guys who have done it. Would there ever be a

1:12:55.720 --> 1:12:59.080
<v Speaker 2>world in which you would ever make up with mac

1:12:59.120 --> 1:13:00.800
<v Speaker 2>ten and do another West Connection album?

1:13:02.280 --> 1:13:02.680
<v Speaker 1>I don't know.

1:13:03.840 --> 1:13:09.880
<v Speaker 2>Time will tell. I don't know fair enough. Yea, the

1:13:10.000 --> 1:13:14.360
<v Speaker 2>new album Man Down? Yeah, uh, what is the what's

1:13:14.400 --> 1:13:14.960
<v Speaker 2>the release date?

1:13:16.360 --> 1:13:19.320
<v Speaker 1>November twenty right around the corner?

1:13:20.040 --> 1:13:23.880
<v Speaker 2>We got you and Snoop dropping Like yeah, Snoop's back

1:13:23.920 --> 1:13:27.840
<v Speaker 2>with Dre. This new record feels like classic Cube, like

1:13:28.880 --> 1:13:30.160
<v Speaker 2>the West Coast got.

1:13:30.040 --> 1:13:31.960
<v Speaker 1>This ship right now? Man? Why not?

1:13:32.240 --> 1:13:34.960
<v Speaker 2>You know the dog pounds dropped on Death Row.

1:13:35.800 --> 1:13:40.160
<v Speaker 1>Hey, we ain't never went nowhere, We just got busy,

1:13:40.360 --> 1:13:40.960
<v Speaker 1>but we're back.

1:13:41.240 --> 1:13:43.600
<v Speaker 2>Do you take like when you when you hear that

1:13:43.840 --> 1:13:46.680
<v Speaker 2>term like legacy artists, I feel like that's a good thing,

1:13:47.200 --> 1:13:48.400
<v Speaker 2>is that you're still here and you're still go.

1:13:48.520 --> 1:13:50.920
<v Speaker 1>Oh yeah, you know you still hear people still give

1:13:50.960 --> 1:13:55.880
<v Speaker 1>a fuck, you know, I know, uh, you know, people

1:13:55.960 --> 1:13:59.680
<v Speaker 1>gonna put titles on on on you when you've been

1:13:59.720 --> 1:14:03.280
<v Speaker 1>around for decades, and that's cool, you know, as long

1:14:03.320 --> 1:14:08.240
<v Speaker 1>as they still paying attention, you know, calling the old

1:14:08.320 --> 1:14:14.559
<v Speaker 1>school og legacy legend, you know what I mean.

1:14:16.400 --> 1:14:18.760
<v Speaker 2>Just don't call me whack and you're I know you're

1:14:18.800 --> 1:14:21.679
<v Speaker 2>working on a lot of other shit, but uh, besides Friday,

1:14:21.720 --> 1:14:23.760
<v Speaker 2>any other movies in the works you're writing in the oh.

1:14:23.560 --> 1:14:26.240
<v Speaker 1>Yeah, definitely got we got some things cocked and loaded.

1:14:26.520 --> 1:14:28.160
<v Speaker 2>I can't wait to see it, man. I feel like

1:14:28.200 --> 1:14:29.800
<v Speaker 2>it's been a few years since I've seen you, like

1:14:29.880 --> 1:14:32.280
<v Speaker 2>on a on on a big screen, so it's been

1:14:32.320 --> 1:14:36.920
<v Speaker 2>a minute, do you uh randomly? Also, I just got

1:14:37.040 --> 1:14:39.639
<v Speaker 2>to give you props because you also have besides Friday,

1:14:40.040 --> 1:14:43.479
<v Speaker 2>the twenty one Jump Street. Yeah, ship like you're you're

1:14:43.600 --> 1:14:47.120
<v Speaker 2>rolling that as the as the Captain is so good.

1:14:47.520 --> 1:14:49.320
<v Speaker 1>Thanks, thanks, Oh, it's so good.

1:14:49.360 --> 1:14:51.240
<v Speaker 2>I just got to give you props. I can't wait

1:14:51.280 --> 1:14:53.040
<v Speaker 2>to hear the album. Man, the new record is dope.

1:14:53.080 --> 1:14:54.880
<v Speaker 2>The remixes out, will bust a rhyme and kill a

1:14:54.960 --> 1:14:59.559
<v Speaker 2>Mike and uh yeah, man down. November twenty second, ice

1:14:59.680 --> 1:15:02.040
<v Speaker 2>Q one of the greatest of all time. Yeah yeah,

1:15:02.240 --> 1:15:04.680
<v Speaker 2>I appreciate you man, Luke, I appreciate you too.

1:15:05.160 --> 1:15:05.360
<v Speaker 1>Oh.