1 00:00:19,880 --> 00:00:22,840 Speaker 1: Do you guys have Spotify, Yeah, like the one that 2 00:00:22,840 --> 00:00:24,360 Speaker 1: comes with my phone. I don't know how to use 3 00:00:24,360 --> 00:00:27,000 Speaker 1: the extra parts of it. It comes with my phone, doesn't 4 00:00:27,040 --> 00:00:27,440 Speaker 1: it have you? 5 00:00:27,800 --> 00:00:29,320 Speaker 2: It doesn't come with your phone. 6 00:00:30,160 --> 00:00:32,159 Speaker 1: I didn't download it. It's just on my phone. 7 00:00:32,640 --> 00:00:35,839 Speaker 3: Well, Danielle, have you noticed the new day List feature? 8 00:00:36,680 --> 00:00:36,760 Speaker 4: No? 9 00:00:38,040 --> 00:00:38,360 Speaker 5: Okay? 10 00:00:38,400 --> 00:00:40,520 Speaker 3: So they used to do something called like a daily Mix, 11 00:00:40,560 --> 00:00:41,120 Speaker 3: and they would. 12 00:00:40,960 --> 00:00:42,080 Speaker 2: Make every much of them. 13 00:00:42,159 --> 00:00:44,360 Speaker 3: Okay, Well, now they just have something called the day 14 00:00:44,400 --> 00:00:46,840 Speaker 3: List and if you click on it every couple hours, 15 00:00:46,840 --> 00:00:49,720 Speaker 3: it updates and it makes a new list for you 16 00:00:49,800 --> 00:00:51,760 Speaker 3: of like what it recommends based on what you've been 17 00:00:51,800 --> 00:00:52,199 Speaker 3: listening to. 18 00:00:52,360 --> 00:00:53,800 Speaker 2: Look, I got it. I just opened it and it 19 00:00:53,800 --> 00:00:56,520 Speaker 2: says new music for you, and then it's a single 20 00:00:56,640 --> 00:00:57,600 Speaker 2: but it's sponsored. 21 00:00:57,720 --> 00:00:59,320 Speaker 3: No, you got to go to day List and it 22 00:00:59,400 --> 00:01:00,520 Speaker 3: actually them. 23 00:01:00,920 --> 00:01:03,000 Speaker 5: So I want to do two Truths in a Lie. 24 00:01:03,600 --> 00:01:10,200 Speaker 3: Where my day List, Yes, because they have been remarkable 25 00:01:10,720 --> 00:01:12,600 Speaker 3: and I want to see if you guys can spot 26 00:01:12,640 --> 00:01:15,399 Speaker 3: the lie. Uh So we played two Truths in a 27 00:01:15,440 --> 00:01:17,720 Speaker 3: Lie when we would do our live show, but I 28 00:01:17,760 --> 00:01:19,280 Speaker 3: don't think we've done it on the podcast, or maybe 29 00:01:19,280 --> 00:01:20,440 Speaker 3: we have one once or twice. 30 00:01:20,440 --> 00:01:22,360 Speaker 5: But yeah, so two of these. 31 00:01:22,200 --> 00:01:27,200 Speaker 3: Are real, okay, titles for collections of music that Spotify 32 00:01:27,240 --> 00:01:29,880 Speaker 3: has recommended for me based on my listening taste, and 33 00:01:30,160 --> 00:01:33,839 Speaker 3: I guess my personality, and one of them is a lie. 34 00:01:34,440 --> 00:01:34,800 Speaker 2: Okay? 35 00:01:35,920 --> 00:01:36,280 Speaker 4: Mm hmm. 36 00:01:37,240 --> 00:01:39,560 Speaker 3: Is this a day list created by Spotify for right 37 00:01:39,640 --> 00:01:44,759 Speaker 3: or strong Granola Vibes Van Life Friday Afternoon? 38 00:01:45,720 --> 00:01:48,160 Speaker 2: Oh my god? Wait, is that the name of the 39 00:01:48,200 --> 00:01:49,760 Speaker 2: playlist or that's the name of a song. 40 00:01:50,000 --> 00:01:50,960 Speaker 5: No, that's the name. 41 00:01:51,040 --> 00:01:53,360 Speaker 3: It creates the playlist and you click on it and 42 00:01:53,400 --> 00:01:55,480 Speaker 3: it tells you what it's created for you. 43 00:01:56,640 --> 00:01:58,480 Speaker 1: That has to be real. 44 00:01:58,600 --> 00:02:06,880 Speaker 3: Number two okay, Cottage Core, Crunchy Folk Tuesday Night or 45 00:02:07,720 --> 00:02:09,839 Speaker 3: Sleeping in Sad Girl. 46 00:02:09,680 --> 00:02:11,360 Speaker 5: Indy Thursday Afternoon. 47 00:02:12,520 --> 00:02:16,359 Speaker 1: Oh all, I want them all to be real and 48 00:02:16,440 --> 00:02:19,720 Speaker 1: all to be lies. Oh it's magical. I think the 49 00:02:19,760 --> 00:02:22,560 Speaker 1: first one, the Crunchy Van Life, has the granola Crunchy 50 00:02:22,639 --> 00:02:24,160 Speaker 1: Van Life, but it's so on the note. 51 00:02:24,320 --> 00:02:27,320 Speaker 3: It wasn't crunchy, it was Granola Vibes Van Life Friday 52 00:02:27,360 --> 00:02:30,560 Speaker 3: after the other one was Cottage Core, Crunchy. 53 00:02:30,240 --> 00:02:31,440 Speaker 5: Folk Tuesday Night. 54 00:02:33,440 --> 00:02:39,000 Speaker 3: It's crunch or Sleeping in Sad Girl Indy Thursday Afternoon. 55 00:02:39,560 --> 00:02:47,880 Speaker 1: Oh insad, I'm gonna Oh god, they're all magic. 56 00:02:48,440 --> 00:02:48,720 Speaker 6: I know. 57 00:02:48,800 --> 00:02:52,800 Speaker 5: I almost wanted to do three lies because there was 58 00:02:52,800 --> 00:02:54,560 Speaker 5: just there was good for. 59 00:02:56,320 --> 00:02:58,079 Speaker 1: A part of me. See, this is where I get 60 00:02:58,120 --> 00:03:01,000 Speaker 1: the rider's head, because part of me wants thinks that 61 00:03:01,080 --> 00:03:03,160 Speaker 1: first one you're using not to throw us in. The 62 00:03:03,240 --> 00:03:07,000 Speaker 1: last two are reel. But I think the Van Life 63 00:03:07,080 --> 00:03:09,040 Speaker 1: I'm gonna say, I'm gonna say the lie is the 64 00:03:09,040 --> 00:03:13,480 Speaker 1: middle one. I think Van Life and Indie are true 65 00:03:13,720 --> 00:03:15,040 Speaker 1: and the middle one is the lie. 66 00:03:15,160 --> 00:03:17,880 Speaker 2: That's I completely agree with you. And by the way, 67 00:03:17,960 --> 00:03:21,399 Speaker 2: the second one is actually my favorite, my favorite name, 68 00:03:21,960 --> 00:03:25,600 Speaker 2: which is the reason why I suspect writer created it, 69 00:03:25,680 --> 00:03:30,040 Speaker 2: because it's like poetry. The other two are just slightly 70 00:03:30,160 --> 00:03:33,440 Speaker 2: ai enough, but I think they're right. 71 00:03:33,560 --> 00:03:37,960 Speaker 3: Yes, you guys go, but cottage Core and Crunchy have 72 00:03:38,040 --> 00:03:40,760 Speaker 3: come up so many times. So another real one was 73 00:03:41,080 --> 00:03:45,160 Speaker 3: Happy Folk Crunchy Wednesday afternoon, Oh my god. Another le 74 00:03:45,240 --> 00:03:47,400 Speaker 3: one was Mountain Home Tuesday night. 75 00:03:47,880 --> 00:03:53,160 Speaker 2: Oh okay, I have one called mood Swing Teddy Bear 76 00:03:53,280 --> 00:03:54,080 Speaker 2: Friday morning. 77 00:03:54,160 --> 00:03:54,720 Speaker 5: There you go. 78 00:03:55,160 --> 00:03:55,760 Speaker 3: It's perfect. 79 00:03:56,320 --> 00:03:57,160 Speaker 1: Do you have to pay for these? 80 00:03:57,240 --> 00:03:57,840 Speaker 5: You know? 81 00:03:57,920 --> 00:04:00,080 Speaker 3: It's well if you have to pay for Spotify, But 82 00:04:00,120 --> 00:04:02,800 Speaker 3: if you have, but no, won't. It'll update every three hours. 83 00:04:03,000 --> 00:04:05,520 Speaker 3: So just write that one down because I had to 84 00:04:05,520 --> 00:04:08,080 Speaker 3: start writing these down because you can't access the old ones. 85 00:04:08,120 --> 00:04:10,520 Speaker 3: It keeps updating based on what you listen to. So 86 00:04:10,880 --> 00:04:13,880 Speaker 3: you're in a mood swing, You're in a mood swing, 87 00:04:14,080 --> 00:04:15,400 Speaker 3: Teddy Bear World whatever? 88 00:04:15,560 --> 00:04:17,360 Speaker 1: Wait, where does this? Where do you find them? 89 00:04:17,520 --> 00:04:17,799 Speaker 4: Okay? 90 00:04:17,839 --> 00:04:21,280 Speaker 3: You go to Spotify It When you go to a playlists, 91 00:04:21,320 --> 00:04:23,960 Speaker 3: it has something called day list, and when you click 92 00:04:24,000 --> 00:04:25,880 Speaker 3: on day List, it gives you the name of your 93 00:04:25,920 --> 00:04:28,920 Speaker 3: current day list and it'll keep updating every three hours 94 00:04:29,040 --> 00:04:31,400 Speaker 3: or so. And every time I click on it, I'm like, Wow, 95 00:04:31,440 --> 00:04:32,600 Speaker 3: this is hysterical and. 96 00:04:32,680 --> 00:04:34,640 Speaker 5: By the way, pretty accurate. 97 00:04:34,720 --> 00:04:35,240 Speaker 3: Like what I want. 98 00:04:36,520 --> 00:04:38,159 Speaker 5: It nails me pretty much every time. 99 00:04:38,279 --> 00:04:40,400 Speaker 2: You know, what's interesting is that all morning I've been 100 00:04:40,400 --> 00:04:43,520 Speaker 2: listening to like twenty seconds of songs because we're trying 101 00:04:43,520 --> 00:04:45,039 Speaker 2: to pick what song we're gonna do for rock and 102 00:04:45,120 --> 00:04:45,600 Speaker 2: roll Holliday. 103 00:04:45,600 --> 00:04:49,479 Speaker 3: That's why it's a mood swings all over in a place. 104 00:04:49,839 --> 00:04:53,359 Speaker 3: My god, stop drinking. 105 00:04:53,520 --> 00:04:55,240 Speaker 1: Oh god, that's great. 106 00:04:55,160 --> 00:04:56,080 Speaker 5: It's amazing. 107 00:04:56,200 --> 00:04:58,440 Speaker 3: You will have so much fun just clicking and being like, 108 00:04:58,480 --> 00:04:59,440 Speaker 3: oh yep. 109 00:05:00,440 --> 00:05:02,800 Speaker 2: Firefox Friday Morning. 110 00:05:03,040 --> 00:05:06,680 Speaker 3: Wow, Yeah, Crunchy is big for me. Cottage course comes 111 00:05:06,720 --> 00:05:07,200 Speaker 3: up all the time. 112 00:05:07,480 --> 00:05:08,320 Speaker 5: The hell is cottage? 113 00:05:08,560 --> 00:05:11,200 Speaker 3: Yeah, crunchy. It just so'm like crunchy granola hippie. 114 00:05:11,279 --> 00:05:13,480 Speaker 1: Are you guys on premium? Is that? Are you paying 115 00:05:13,560 --> 00:05:13,840 Speaker 1: for this? 116 00:05:13,960 --> 00:05:14,120 Speaker 4: Is that? 117 00:05:14,640 --> 00:05:16,440 Speaker 1: That's what it is. I just watched all my music 118 00:05:16,480 --> 00:05:19,920 Speaker 1: on YouTube. There you go, I do It's well. 119 00:05:19,800 --> 00:05:20,840 Speaker 5: Then you don't get the joy. 120 00:05:22,600 --> 00:05:29,159 Speaker 2: I love my scription. Yeah, welcome to Pod Meets World. 121 00:05:29,200 --> 00:05:31,560 Speaker 2: I'm mood swing Teddy Bear Friday morning. 122 00:05:32,120 --> 00:05:33,960 Speaker 3: I'm happy full crunchy Wednesday Rider. 123 00:05:34,560 --> 00:05:39,400 Speaker 1: And I'm not on premium Spotify. I'm will for now. 124 00:05:41,040 --> 00:05:44,320 Speaker 2: We will be taping a live episode of Pod Meets 125 00:05:44,360 --> 00:05:48,280 Speaker 2: World at Disney California Adventure Park on December fourth, twenty 126 00:05:48,360 --> 00:05:48,920 Speaker 2: twenty five. 127 00:05:49,160 --> 00:05:51,560 Speaker 1: If you live in the Southern California area or if 128 00:05:51,600 --> 00:05:54,680 Speaker 1: you can be in the Southern California area on December fourth, 129 00:05:54,839 --> 00:05:56,800 Speaker 1: we have an opportunity for you to join us. 130 00:05:56,920 --> 00:05:59,800 Speaker 2: Between now and November twenty fourth of twenty twenty five, 131 00:06:00,160 --> 00:06:02,800 Speaker 2: you can enter for your chance to win tickets to 132 00:06:02,839 --> 00:06:06,560 Speaker 2: attend the Coast one oh three point five private holiday 133 00:06:06,600 --> 00:06:10,960 Speaker 2: Party at Disney California Adventure Park on December fourth, twenty 134 00:06:11,040 --> 00:06:15,120 Speaker 2: twenty five, including an overnight stay at the Disneyland Resort 135 00:06:15,160 --> 00:06:19,400 Speaker 2: hotel for a family of four and two day, one 136 00:06:19,560 --> 00:06:23,880 Speaker 2: park per day tickets to Disneyland Park or Disney California 137 00:06:23,920 --> 00:06:24,640 Speaker 2: Adventure Park. 138 00:06:24,800 --> 00:06:26,960 Speaker 3: Plus you'll have a chance to meet us while we're 139 00:06:26,960 --> 00:06:30,200 Speaker 3: taping an episode of Pod Meets World inside Disney California 140 00:06:30,240 --> 00:06:30,880 Speaker 3: Adventure Park. 141 00:06:31,080 --> 00:06:33,920 Speaker 1: Visit Coast one O three five dot com forward slash 142 00:06:34,000 --> 00:06:36,920 Speaker 1: Pod Meets World Now to enter for your chance to win. 143 00:06:49,120 --> 00:06:52,320 Speaker 2: We've mentioned Dawson's Creek many times on this podcast, and 144 00:06:52,400 --> 00:06:54,600 Speaker 2: not just because it was a tent pole show for 145 00:06:54,640 --> 00:06:57,599 Speaker 2: its decade, but because we knew that eighty percent of 146 00:06:57,640 --> 00:06:59,880 Speaker 2: writers time on the Boy Meets World set was spent 147 00:07:00,160 --> 00:07:02,680 Speaker 2: daydreaming about what it would like to be on a 148 00:07:02,760 --> 00:07:08,080 Speaker 2: real show like Dawson's Creek. Whether it was the complicated, 149 00:07:08,200 --> 00:07:12,480 Speaker 2: relatable relationship of Dawson and Joey Pacey's never ending journey 150 00:07:12,520 --> 00:07:16,000 Speaker 2: for purpose, or the themes of identity, independence, and friendship. 151 00:07:16,360 --> 00:07:20,080 Speaker 2: They were handling real storylines and looking beautiful while doing it. 152 00:07:20,520 --> 00:07:22,720 Speaker 2: Did they share the screen with a bear while covered 153 00:07:22,720 --> 00:07:23,239 Speaker 2: in honey? 154 00:07:23,600 --> 00:07:23,760 Speaker 4: No? 155 00:07:24,080 --> 00:07:26,920 Speaker 2: But to be fair, I'm not yet sure I did either. 156 00:07:27,640 --> 00:07:30,480 Speaker 2: And this week's guest may have just been the Dawson's 157 00:07:30,520 --> 00:07:33,360 Speaker 2: Creek character with the most responsibility when it came to 158 00:07:33,440 --> 00:07:37,680 Speaker 2: important and culturally significant storylines. When he moved to Los 159 00:07:37,720 --> 00:07:40,120 Speaker 2: Angeles in his twenties, it took only seven weeks to 160 00:07:40,160 --> 00:07:42,840 Speaker 2: book his first job, a lead on the soap opera 161 00:07:42,920 --> 00:07:46,040 Speaker 2: As the World Turns, which then quickly turned into the 162 00:07:46,120 --> 00:07:49,400 Speaker 2: role of a lifetime Jack McPhee, the new kid in 163 00:07:49,480 --> 00:07:52,960 Speaker 2: Cape Side for season two, catching Joey's attention and putting 164 00:07:52,960 --> 00:07:56,920 Speaker 2: the most important relationship in CW network history in limbo, 165 00:07:57,600 --> 00:08:00,200 Speaker 2: and then came one of the most iconic smooches and 166 00:08:00,240 --> 00:08:03,840 Speaker 2: TV history when his romantic scene with love interest Ethan 167 00:08:04,000 --> 00:08:07,320 Speaker 2: became the first same sex kiss between two men in 168 00:08:07,440 --> 00:08:12,000 Speaker 2: network television history, a milestone by all accounts that we 169 00:08:12,040 --> 00:08:14,680 Speaker 2: can thankfully now say wouldn't even make the news like 170 00:08:14,720 --> 00:08:17,760 Speaker 2: it did back in the year two thousand. He recently 171 00:08:17,800 --> 00:08:21,240 Speaker 2: participated in a spectacular charity event on Broadway, breaking the 172 00:08:21,280 --> 00:08:24,600 Speaker 2: Internet while reuniting the cast of Dawson's Creek to raise 173 00:08:24,680 --> 00:08:27,360 Speaker 2: money for the f Cancer charity in the name of 174 00:08:27,400 --> 00:08:31,880 Speaker 2: their co star James Vanderbeek, who's currently battling co erectoral cancer, 175 00:08:32,400 --> 00:08:34,720 Speaker 2: and now he's set to release a memoir in twenty 176 00:08:34,800 --> 00:08:37,360 Speaker 2: twenty six, all about his time on the show titled 177 00:08:37,520 --> 00:08:40,400 Speaker 2: I Don't want to wait My journey on Dawson's Creek 178 00:08:40,440 --> 00:08:43,080 Speaker 2: without a paddle. So it feels like maybe he's on 179 00:08:43,160 --> 00:08:46,000 Speaker 2: his own podmeats world style journey and we can't wait 180 00:08:46,040 --> 00:08:48,920 Speaker 2: to talk to him about it. So welcome to the podcast, 181 00:08:48,960 --> 00:08:51,920 Speaker 2: a man who made history on the show writer actually 182 00:08:51,960 --> 00:08:59,480 Speaker 2: wanted to be on. It's cur Smithy. Hello, welcome, Thank 183 00:08:59,520 --> 00:09:00,559 Speaker 2: you for being here. 184 00:09:00,360 --> 00:09:02,199 Speaker 4: With us, guys. Good to see you again. 185 00:09:02,520 --> 00:09:05,840 Speaker 2: Good to see you. Well, I just want to get 186 00:09:05,840 --> 00:09:08,960 Speaker 2: this out of the way now because all of us 187 00:09:09,280 --> 00:09:13,560 Speaker 2: were aggressively jealous of you in the nineties. We used 188 00:09:13,559 --> 00:09:15,959 Speaker 2: to look at being on Dawson's Creek as a bit 189 00:09:16,000 --> 00:09:20,200 Speaker 2: of our dream job. Did you know how meaty it 190 00:09:20,360 --> 00:09:23,080 Speaker 2: seemed to the rest of us, you know, kid actors 191 00:09:23,120 --> 00:09:23,640 Speaker 2: at the time. 192 00:09:24,480 --> 00:09:25,800 Speaker 4: That's the first I'm hearing of it. 193 00:09:30,679 --> 00:09:33,120 Speaker 2: Well, we all really wanted to be doing what you 194 00:09:33,160 --> 00:09:33,679 Speaker 2: guys were doing. 195 00:09:33,840 --> 00:09:36,040 Speaker 1: I guessing you never opened your script and went, oh, 196 00:09:36,080 --> 00:09:38,120 Speaker 1: I'm sneezing the lottery numbers this week. 197 00:09:40,160 --> 00:09:42,360 Speaker 4: Hey, you guys were doing it a good decade before 198 00:09:42,400 --> 00:09:42,719 Speaker 4: we were. 199 00:09:43,440 --> 00:09:49,480 Speaker 2: Yeah, that's true. Let's start with getting into your origin story. 200 00:09:49,520 --> 00:09:52,679 Speaker 2: You were raised in Pennsylvania. Were you acting in high 201 00:09:52,720 --> 00:09:56,319 Speaker 2: school at all? Did you have any child actor aspirations? 202 00:09:56,760 --> 00:09:59,120 Speaker 4: I did a little bit. I remember this tenth grade. 203 00:09:59,280 --> 00:10:01,440 Speaker 4: It was a it was a combination of lit class 204 00:10:01,440 --> 00:10:03,800 Speaker 4: and an acting class, same teacher, and what this was 205 00:10:03,880 --> 00:10:09,080 Speaker 4: in sophomores, and the kids would write these children's plays, 206 00:10:09,280 --> 00:10:11,559 Speaker 4: and then the acting class that I was in, we 207 00:10:11,800 --> 00:10:14,000 Speaker 4: picked the best ones and then we'd go around and 208 00:10:14,040 --> 00:10:16,520 Speaker 4: we perform them for all the elementary schools in our district. 209 00:10:16,559 --> 00:10:20,000 Speaker 4: And that was really my first experience with acting and 210 00:10:20,200 --> 00:10:21,839 Speaker 4: kind of got the bug right around then. 211 00:10:23,480 --> 00:10:25,440 Speaker 2: But you didn't move out to LA until you were 212 00:10:25,440 --> 00:10:26,800 Speaker 2: in your mid twenties? Is that right? 213 00:10:28,000 --> 00:10:31,920 Speaker 4: Oh? La, I'd say twenty seven, twenty eight years old. 214 00:10:33,360 --> 00:10:35,839 Speaker 4: I was in New York for since I started acting 215 00:10:35,840 --> 00:10:37,480 Speaker 4: in ninety five, when I was in New York for 216 00:10:37,520 --> 00:10:39,120 Speaker 4: three years before I moved out that way. 217 00:10:39,559 --> 00:10:41,880 Speaker 3: Okay, So were you doing theater in New York? 218 00:10:41,960 --> 00:10:42,960 Speaker 5: Is that how you got in? 219 00:10:43,440 --> 00:10:45,960 Speaker 4: No? I was on it was on As the World Turns. 220 00:10:46,120 --> 00:10:48,320 Speaker 2: Okay, so As the worldlind I was over there and gotcha, 221 00:10:50,120 --> 00:10:52,000 Speaker 2: I mean you When you did move out to LA, 222 00:10:52,200 --> 00:10:54,840 Speaker 2: it only took seven weeks for you. No, No, that 223 00:10:54,880 --> 00:10:56,720 Speaker 2: was in New York. It only took you seven weeks 224 00:10:56,760 --> 00:10:58,840 Speaker 2: to book your first job on As the World Turns? 225 00:10:58,880 --> 00:10:59,400 Speaker 2: Is that correct? 226 00:10:59,520 --> 00:11:01,280 Speaker 4: You had it right the first time. It took me 227 00:11:01,760 --> 00:11:04,440 Speaker 4: nine months to get my first job in New York 228 00:11:05,000 --> 00:11:07,600 Speaker 4: with no agent, by the way, and you know I 229 00:11:07,640 --> 00:11:11,760 Speaker 4: did my own deal with with CBS on that and. 230 00:11:11,800 --> 00:11:16,200 Speaker 3: She's kept that kept that's great. 231 00:11:16,000 --> 00:11:19,640 Speaker 4: Guys, it was. It was a crap deal, don't I 232 00:11:19,679 --> 00:11:21,800 Speaker 4: don't recommend it. 233 00:11:21,800 --> 00:11:23,680 Speaker 1: It's like representing yourself in a murder trial. 234 00:11:23,679 --> 00:11:29,080 Speaker 4: It probably well, yeah, bad call. And then I just said, 235 00:11:29,160 --> 00:11:30,720 Speaker 4: because I knew one of the guys on the show 236 00:11:31,480 --> 00:11:33,719 Speaker 4: and he was like, hey, there's this great part. Want you. 237 00:11:34,000 --> 00:11:35,880 Speaker 4: I can get you an audition, And when I ended 238 00:11:35,920 --> 00:11:37,880 Speaker 4: up getting a damn thing, and I'm like, just you know, 239 00:11:38,360 --> 00:11:40,720 Speaker 4: just give me whatever you got him give him. And 240 00:11:40,840 --> 00:11:43,040 Speaker 4: he got a bad deal too, So we're like, all right, 241 00:11:44,880 --> 00:11:46,560 Speaker 4: but Danielle, so you had it right the first time. 242 00:11:46,640 --> 00:11:48,720 Speaker 4: So nine months in New York, But yes, when I 243 00:11:48,760 --> 00:11:52,280 Speaker 4: landed in Venice Beach, it took about seven week You 244 00:11:52,320 --> 00:11:54,600 Speaker 4: guys want to hear crazy story real quick? Please? 245 00:11:54,920 --> 00:11:55,280 Speaker 5: All right? 246 00:11:55,360 --> 00:11:58,520 Speaker 4: So in ninety eight, spring of ninety eight and I 247 00:11:58,559 --> 00:12:01,400 Speaker 4: decided New York, I'm done. I got to go to 248 00:12:01,559 --> 00:12:05,040 Speaker 4: l A. I've never been there, scared to sell load 249 00:12:05,120 --> 00:12:08,160 Speaker 4: up the U haul with everything that I own, which 250 00:12:08,160 --> 00:12:09,720 Speaker 4: is like, you know, half the truck in the school, 251 00:12:09,720 --> 00:12:11,400 Speaker 4: and then I've got the girlfriend in there too. And 252 00:12:11,440 --> 00:12:12,959 Speaker 4: of course, if you've ever done that drive, you got 253 00:12:13,000 --> 00:12:15,319 Speaker 4: four days, three days coming off fast to drive and 254 00:12:15,480 --> 00:12:18,280 Speaker 4: do a lot of thinking. So you know, I'm this 255 00:12:18,480 --> 00:12:22,040 Speaker 4: new green actor, hasn't done much at all, and I'm thinking, Okay, 256 00:12:22,080 --> 00:12:24,160 Speaker 4: what are the two shows, like, what are the couple 257 00:12:24,200 --> 00:12:26,560 Speaker 4: of shows that I'd really want to do? You know, 258 00:12:26,640 --> 00:12:29,280 Speaker 4: if I had my pick? If the Stars the line 259 00:12:29,320 --> 00:12:30,599 Speaker 4: that had my pick, and I was I was a 260 00:12:30,600 --> 00:12:34,000 Speaker 4: big fan of Party five at the time. They were 261 00:12:34,080 --> 00:12:35,920 Speaker 4: kind on the tail end of their you know, they're run, 262 00:12:36,000 --> 00:12:37,800 Speaker 4: but I'm like, you know, that'd be a great show 263 00:12:37,840 --> 00:12:40,320 Speaker 4: to do. And there was this other show that I 264 00:12:40,320 --> 00:12:42,319 Speaker 4: had seen the pilot with this girl climbing up the 265 00:12:42,400 --> 00:12:44,920 Speaker 4: ladder into this dude's window, and I, you know, and 266 00:12:44,960 --> 00:12:48,600 Speaker 4: I remember watching the pilot Dawson's and thinking this thing 267 00:12:48,640 --> 00:12:50,960 Speaker 4: is going to be a huge hit, And you know, 268 00:12:51,280 --> 00:12:53,480 Speaker 4: a couple of months later, sure enough, it was everybody 269 00:12:53,640 --> 00:12:55,840 Speaker 4: really started to love it, and I'm like, I would love, 270 00:12:56,200 --> 00:12:59,480 Speaker 4: you know, on that show. So I I obsessed about 271 00:12:59,520 --> 00:13:02,760 Speaker 4: those two programs for four days. That's just how I 272 00:13:02,880 --> 00:13:06,679 Speaker 4: was back then, just hyper focused. I roll into La. 273 00:13:07,840 --> 00:13:12,200 Speaker 4: My first appointment this is Crazy was for Party five Wow. 274 00:13:12,240 --> 00:13:14,360 Speaker 4: And it wasn't a big role either. It was it 275 00:13:14,400 --> 00:13:16,880 Speaker 4: was to play Neb's boyfriend. I think one of the 276 00:13:16,880 --> 00:13:19,760 Speaker 4: London I think Jeremy London ended up getting it. I 277 00:13:19,760 --> 00:13:22,400 Speaker 4: screwed that audition off. It was terrible. I mean I 278 00:13:22,440 --> 00:13:24,480 Speaker 4: was nervous. It was my first big one in LA. 279 00:13:24,600 --> 00:13:26,559 Speaker 4: You know how it goes. And then a couple of 280 00:13:26,640 --> 00:13:29,720 Speaker 4: weeks later, I had a general appointment, And for you, 281 00:13:30,000 --> 00:13:33,840 Speaker 4: for your listeners, a general is basically it's not an audition. 282 00:13:33,920 --> 00:13:35,880 Speaker 4: You just go in and it's a meet and greet. 283 00:13:35,960 --> 00:13:38,480 Speaker 4: I'm new in town, I am Curve, who I'm all about? 284 00:13:38,480 --> 00:13:41,240 Speaker 4: Blah blah blah blah blah. And it was with Kathleen Lettery, 285 00:13:41,320 --> 00:13:44,200 Speaker 4: who was, as you know, the head casting director of 286 00:13:44,200 --> 00:13:49,000 Speaker 4: the WB back then, and uh we just talked, not 287 00:13:49,040 --> 00:13:51,240 Speaker 4: even not acting, for like thirty minutes. I remember sitting 288 00:13:51,280 --> 00:13:53,160 Speaker 4: in her office on the couch. I get up, Thank 289 00:13:53,200 --> 00:13:55,720 Speaker 4: you very much, and I thought it went okay, and 290 00:13:55,760 --> 00:13:57,520 Speaker 4: she goes out. You know, I'll never hear from this 291 00:13:57,559 --> 00:13:59,640 Speaker 4: woman again, And sure enough, before I got to the door, 292 00:13:59,679 --> 00:14:01,360 Speaker 4: she says her, I don't know what it is, but 293 00:14:01,400 --> 00:14:03,400 Speaker 4: I'm going to find a place for you on our network. 294 00:14:04,920 --> 00:14:05,439 Speaker 5: Jeez. 295 00:14:05,880 --> 00:14:08,160 Speaker 4: Cut to a couple of weeks later and five auditions, 296 00:14:08,520 --> 00:14:09,600 Speaker 4: I'm on Dawson's Creek. 297 00:14:09,960 --> 00:14:11,439 Speaker 5: Wow, so cool? 298 00:14:11,520 --> 00:14:15,160 Speaker 4: Oh my god, you want to talk about manifestation there is? 299 00:14:15,800 --> 00:14:16,359 Speaker 1: Yeah. 300 00:14:16,559 --> 00:14:19,520 Speaker 2: Did you think, oh, this just must want to be 301 00:14:19,640 --> 00:14:21,800 Speaker 2: like this is what it's like for people who moved 302 00:14:21,800 --> 00:14:24,440 Speaker 2: to LA and want to become out. Did you know 303 00:14:24,800 --> 00:14:26,280 Speaker 2: how crazy it was? 304 00:14:26,400 --> 00:14:28,960 Speaker 4: I knew how special a situation it was, and I 305 00:14:29,040 --> 00:14:33,360 Speaker 4: knew how I was blessed. Really, so I felt that. 306 00:14:33,840 --> 00:14:36,400 Speaker 1: Well, you said five auditions later? Was it five random 307 00:14:36,400 --> 00:14:38,560 Speaker 1: auditions or did you have to audition five times for 308 00:14:38,640 --> 00:14:41,440 Speaker 1: Dawson's Creek. I think I read because you know, back 309 00:14:41,480 --> 00:14:43,960 Speaker 1: then we were I was reading for the casting director 310 00:14:44,000 --> 00:14:45,120 Speaker 1: out of the gate, and then you did, you know, 311 00:14:45,240 --> 00:14:47,480 Speaker 1: do the producer's meeting and whatever. I think I probably 312 00:14:47,480 --> 00:14:49,080 Speaker 1: did three of those, and then of course I had 313 00:14:49,080 --> 00:14:50,280 Speaker 1: the network and studio at Tesse. 314 00:14:50,440 --> 00:14:52,920 Speaker 4: I thought, wow, yeah. 315 00:14:52,520 --> 00:14:55,320 Speaker 2: Wow, And so you were. You said you were about 316 00:14:55,320 --> 00:14:58,400 Speaker 2: twenty seven to twenty eight, but you were playing sixteen 317 00:14:58,520 --> 00:14:59,040 Speaker 2: on the show. 318 00:14:59,160 --> 00:14:59,400 Speaker 3: Right. 319 00:15:00,200 --> 00:15:03,360 Speaker 4: Meredith and I were the old guys on the show, 320 00:15:04,760 --> 00:15:07,600 Speaker 4: the mcfees we came in. Yeah, we were both in 321 00:15:07,640 --> 00:15:11,240 Speaker 4: our late twenties and everybody else. Michelle was fifteen when 322 00:15:11,280 --> 00:15:13,440 Speaker 4: she started, right man Right. 323 00:15:13,680 --> 00:15:16,200 Speaker 2: We had a similar situation on our show with Trina, 324 00:15:16,280 --> 00:15:19,760 Speaker 2: who played Angela. She was twenty six at the time 325 00:15:19,800 --> 00:15:22,200 Speaker 2: that she joined. She had two kids, she was pregnant 326 00:15:22,200 --> 00:15:24,080 Speaker 2: with her third, and we were all teenagers. 327 00:15:25,120 --> 00:15:27,000 Speaker 1: She was making out with Ryder, who's seventeen. 328 00:15:27,440 --> 00:15:35,440 Speaker 2: Guys, did you have an easy time blending in with 329 00:15:35,520 --> 00:15:38,480 Speaker 2: the younger cast who already had a season together under 330 00:15:38,480 --> 00:15:40,120 Speaker 2: their belt once you got to North Carolina? 331 00:15:40,560 --> 00:15:43,160 Speaker 4: You know, I was nervous. It was nice going into 332 00:15:43,280 --> 00:15:46,720 Speaker 4: it with Meredith. She started one episode before me, but 333 00:15:46,760 --> 00:15:48,800 Speaker 4: we came down to Wilmington the same time, so we 334 00:15:48,840 --> 00:15:51,400 Speaker 4: went through that whole casting process together too, So that 335 00:15:51,480 --> 00:15:57,360 Speaker 4: helped integrating, integrating into a cast of four that had 336 00:15:57,440 --> 00:16:00,280 Speaker 4: I mean, we'd only done thirteen you remember that first 337 00:16:00,280 --> 00:16:03,240 Speaker 4: season was the season replacement, so they hadn't done that many. 338 00:16:03,320 --> 00:16:05,920 Speaker 4: But the show was a hit over the summer, it 339 00:16:06,000 --> 00:16:08,600 Speaker 4: just became huge. And I remember getting out of the 340 00:16:08,640 --> 00:16:10,200 Speaker 4: truck and I think one of the first people I 341 00:16:10,200 --> 00:16:13,360 Speaker 4: saw was Josh and I remember I'm saying, it is, dude, 342 00:16:14,320 --> 00:16:16,600 Speaker 4: give it two months, get ready, your life's going to change. 343 00:16:16,840 --> 00:16:20,520 Speaker 4: I was like, oh, sure enough, it did. But it 344 00:16:20,560 --> 00:16:23,720 Speaker 4: was to answer your question, Daniel was super easy. I mean, 345 00:16:23,760 --> 00:16:28,080 Speaker 4: everybody jelled together really nicely. You know, it just worked. 346 00:16:28,160 --> 00:16:28,760 Speaker 1: That's awesome. 347 00:16:28,800 --> 00:16:29,080 Speaker 5: Good. 348 00:16:29,360 --> 00:16:32,840 Speaker 2: How was it handling that kind of spotlight? At the time, 349 00:16:32,920 --> 00:16:36,800 Speaker 2: there were SNL spoofs, rolling stone covers there. It was 350 00:16:36,840 --> 00:16:38,520 Speaker 2: a lot. How did you guys handle all that? 351 00:16:39,640 --> 00:16:42,760 Speaker 4: Uh? We just here's the cool What did you guys shoot? 352 00:16:43,160 --> 00:16:47,000 Speaker 4: Were you in La Yeah? Yeah, okay, So being in Wilmington, 353 00:16:48,040 --> 00:16:51,440 Speaker 4: it's like you're not in Hollywood. You're in it's like 354 00:16:51,480 --> 00:16:54,320 Speaker 4: a camp type of atmosphere, is how I always say 355 00:16:54,320 --> 00:16:57,240 Speaker 4: it something or just a bubble, and you don't really 356 00:16:57,320 --> 00:16:59,440 Speaker 4: know what's going on because you're working so much and 357 00:16:59,520 --> 00:17:01,040 Speaker 4: you know, you were in all these hours and you 358 00:17:01,200 --> 00:17:03,520 Speaker 4: just I didn't I don't pay attention to the publicity 359 00:17:03,560 --> 00:17:05,040 Speaker 4: and all that, so I didn't really know what was 360 00:17:05,080 --> 00:17:07,479 Speaker 4: going on until you start you go to the grocery 361 00:17:07,480 --> 00:17:09,879 Speaker 4: store or whatever. Then you know what's going on for 362 00:17:10,200 --> 00:17:12,879 Speaker 4: hundreds of people start showing up at set, you know, 363 00:17:13,680 --> 00:17:15,800 Speaker 4: on location in Wilmington, and there's you know, a couple 364 00:17:15,840 --> 00:17:18,800 Speaker 4: hundred people across the across the street from all over 365 00:17:18,840 --> 00:17:23,160 Speaker 4: the world. That started happening on st So then you know, okay, 366 00:17:23,240 --> 00:17:24,640 Speaker 4: we're doing something pretty cool here. 367 00:17:25,160 --> 00:17:29,800 Speaker 2: Yeah. Yeah, you were immediately thrown into a relationship with 368 00:17:29,920 --> 00:17:33,000 Speaker 2: Joey played by Katie Holmes. You were a foil for 369 00:17:33,119 --> 00:17:36,720 Speaker 2: everyone who was shipping the Dawson Joey will they or 370 00:17:36,800 --> 00:17:40,600 Speaker 2: won't they? Did you ever run into angry. 371 00:17:40,040 --> 00:17:44,520 Speaker 4: Fans back then, you mean just getting in the way 372 00:17:44,520 --> 00:17:44,879 Speaker 4: between the. 373 00:17:44,880 --> 00:17:46,800 Speaker 2: Two of them, Yes, yeah, I don't. 374 00:17:46,600 --> 00:17:51,520 Speaker 4: Remember, because it was it was such a short lived story. Okay, 375 00:17:52,080 --> 00:17:53,679 Speaker 4: I'm sure you want to talk about this, But obviously 376 00:17:53,760 --> 00:17:55,159 Speaker 4: Kevin Mosman had different plans. 377 00:17:55,720 --> 00:17:58,280 Speaker 2: Oh yeah, exactly, Yeah, in a different direction. 378 00:17:58,440 --> 00:18:00,520 Speaker 4: I mean when I was hired, you're right, was hired 379 00:18:00,560 --> 00:18:03,439 Speaker 4: to create a wedge in between Dawson and Llanster things up. 380 00:18:03,440 --> 00:18:05,440 Speaker 4: But as you know, a character like that probably is 381 00:18:05,440 --> 00:18:08,359 Speaker 4: not going to last very long. It's not very like yet. Yeah, 382 00:18:08,359 --> 00:18:11,080 Speaker 4: so I'm glad he went down to get the road. 383 00:18:12,000 --> 00:18:14,359 Speaker 2: Yeah, you stuck around a lot longer. 384 00:18:14,480 --> 00:18:16,640 Speaker 3: Well, see if you know when you were cast that 385 00:18:16,640 --> 00:18:18,359 Speaker 3: that was the direction the character was going to know. 386 00:18:18,760 --> 00:18:20,920 Speaker 4: Okay, wow, nobody knew. 387 00:18:21,080 --> 00:18:22,879 Speaker 1: I didn't know you're going to make television history at 388 00:18:22,880 --> 00:18:24,040 Speaker 1: that point, right. 389 00:18:24,200 --> 00:18:27,359 Speaker 4: The w B didn't know. Sony didn't know the No, 390 00:18:27,560 --> 00:18:29,240 Speaker 4: none of the producers knew. It was a It was 391 00:18:29,240 --> 00:18:34,600 Speaker 4: a it was an idea in Kevin Williamson's head. That's it. Jeez. Wow. Yeah. 392 00:18:34,640 --> 00:18:37,400 Speaker 4: I just had a long conversation with Kevin a few 393 00:18:37,400 --> 00:18:40,080 Speaker 4: months ago about all this, really for the first time, 394 00:18:40,280 --> 00:18:42,200 Speaker 4: because I'm in the middle of writing a book from 395 00:18:42,240 --> 00:18:44,960 Speaker 4: Dawson's Creed and Kevin was kind enough to give me 396 00:18:45,720 --> 00:18:48,960 Speaker 4: hours on hours of material and we were just talking 397 00:18:48,960 --> 00:18:51,480 Speaker 4: about the old days, and he told me how difficult 398 00:18:51,520 --> 00:18:54,800 Speaker 4: it really was to get the network to agree to 399 00:18:54,840 --> 00:18:57,399 Speaker 4: go down, you know, and have a story like that 400 00:18:57,480 --> 00:18:58,160 Speaker 4: for the first time. 401 00:18:58,880 --> 00:19:01,480 Speaker 5: Right, So did he it in his mind? And that 402 00:19:01,680 --> 00:19:03,399 Speaker 5: is just close to the chest. 403 00:19:03,680 --> 00:19:08,520 Speaker 4: So like on Dawson's every like before, Uh, the four guys, 404 00:19:08,840 --> 00:19:14,480 Speaker 4: they're all facets of Kevin's personality. Kevin's really Kate, you know, 405 00:19:14,560 --> 00:19:16,440 Speaker 4: and then the jokes there's Josh and you know, the 406 00:19:16,920 --> 00:19:20,240 Speaker 4: Brainy Guys is uh Is Dawson, and of course the 407 00:19:20,280 --> 00:19:24,480 Speaker 4: wild Side is Michelle. But nobody was representing his sexuality 408 00:19:24,720 --> 00:19:27,280 Speaker 4: at that time because he was in the closet publicly, 409 00:19:27,400 --> 00:19:30,560 Speaker 4: and he wanted to come out publicly, you know, beyond 410 00:19:30,560 --> 00:19:32,760 Speaker 4: his family and friends. And I think he wanted to 411 00:19:32,800 --> 00:19:34,200 Speaker 4: do that with Jack. 412 00:19:35,160 --> 00:19:39,840 Speaker 2: Wowow that's so beautiful. Yeah, I mean, especially for at 413 00:19:39,840 --> 00:19:44,720 Speaker 2: that time, it was unheard of for network TV to 414 00:19:44,800 --> 00:19:48,840 Speaker 2: see a main character have that kind of groundbreaking turn 415 00:19:48,920 --> 00:19:51,800 Speaker 2: to be revealed that he was gay. Do you remember 416 00:19:51,880 --> 00:19:54,440 Speaker 2: when you were first told of the storyline. How did 417 00:19:54,440 --> 00:19:55,520 Speaker 2: you learn it was going to happen. 418 00:19:56,520 --> 00:20:01,800 Speaker 4: I'll never forget. It's an entire chap in the book. Yeah. 419 00:20:01,840 --> 00:20:04,840 Speaker 4: So we were shooting on location down on Front Street 420 00:20:04,840 --> 00:20:09,320 Speaker 4: in Wilmington, and I remember Kevin and Greg reading. Greg 421 00:20:09,320 --> 00:20:12,440 Speaker 4: Blandy was with him too. I flew down. I didn't 422 00:20:12,440 --> 00:20:14,080 Speaker 4: know this until a three months ago, but they flew 423 00:20:14,080 --> 00:20:17,199 Speaker 4: to Wilmington just to let me know what was going on. 424 00:20:17,800 --> 00:20:19,399 Speaker 4: So he shows Kevin shows up at the set and 425 00:20:19,400 --> 00:20:21,360 Speaker 4: he goes, Curry, want to get a cup of coffee. 426 00:20:21,400 --> 00:20:23,000 Speaker 4: This is like two months into the job for me. 427 00:20:24,119 --> 00:20:28,719 Speaker 4: I'm thinking, yeah, am I getting fired, yeah, that's going 428 00:20:28,760 --> 00:20:31,920 Speaker 4: on here. So I was like, yeah, sure, and on 429 00:20:31,960 --> 00:20:34,359 Speaker 4: the walk, I don't know why I thought of this, 430 00:20:34,520 --> 00:20:36,480 Speaker 4: but I thought of what I just told you guys 431 00:20:36,480 --> 00:20:39,400 Speaker 4: about how all the characters are different pacets of Kevin's personality, 432 00:20:39,480 --> 00:20:41,960 Speaker 4: but a sexuality wasn't represented. I knew he was dead, 433 00:20:43,240 --> 00:20:46,200 Speaker 4: so I'm thinking, I bet you he's going to ask 434 00:20:46,240 --> 00:20:49,440 Speaker 4: me if we want to make not ask me to 435 00:20:49,520 --> 00:20:51,760 Speaker 4: tell me, we're going to make Jack day. And that's 436 00:20:51,800 --> 00:20:55,680 Speaker 4: exactly what happened over a cup of coffee and I 437 00:20:55,760 --> 00:20:59,560 Speaker 4: see his exact words were, Kerr, we want to go 438 00:20:59,640 --> 00:21:03,400 Speaker 4: down to different avenue with Jack, and I went, holy 439 00:21:04,200 --> 00:21:07,720 Speaker 4: crap in my head. Yeah I did say it out loud. Yeah, 440 00:21:07,840 --> 00:21:12,000 Speaker 4: So what happened was I said, look, can you give 441 00:21:12,240 --> 00:21:14,520 Speaker 4: me the day or a couple of days, because I 442 00:21:14,560 --> 00:21:17,520 Speaker 4: need to make some phone calls and basically call everyone 443 00:21:17,560 --> 00:21:21,600 Speaker 4: that I respected their opinion of and see it. You know, 444 00:21:21,600 --> 00:21:23,400 Speaker 4: I need to make the right decision here because at 445 00:21:23,400 --> 00:21:27,520 Speaker 4: that time in nineteen ninety eight, this is a tough one. 446 00:21:27,840 --> 00:21:28,760 Speaker 1: Yeah, yeah, you know. 447 00:21:29,119 --> 00:21:31,440 Speaker 4: And it was a real bummer for me. Honestly, I'll 448 00:21:31,480 --> 00:21:34,720 Speaker 4: be honest about this. It was I was really excited 449 00:21:34,800 --> 00:21:38,520 Speaker 4: because I just got this, I just got my dream job, right, 450 00:21:38,800 --> 00:21:40,919 Speaker 4: and I'm so excited, and now I'm being asked to 451 00:21:40,920 --> 00:21:43,720 Speaker 4: do something very very different. 452 00:21:44,400 --> 00:21:47,320 Speaker 1: Yeah, and very controversial at the time. I mean hugely 453 00:21:47,359 --> 00:21:48,400 Speaker 1: controversial at the time. 454 00:21:49,200 --> 00:21:53,639 Speaker 4: We had we had protests outside the stage, yelling and screaming. 455 00:21:54,000 --> 00:21:57,000 Speaker 4: There was a there was a brick wall that separated 456 00:21:57,280 --> 00:22:00,880 Speaker 4: me meeting my lunch from a crowd people that were 457 00:22:01,040 --> 00:22:03,080 Speaker 4: angry as hell. If I had walked out there, they'd 458 00:22:03,080 --> 00:22:06,120 Speaker 4: probably keep the crap out of me. Oh man, because 459 00:22:06,119 --> 00:22:10,080 Speaker 4: it was in the South too, which didn't help, right. Yeah. 460 00:22:10,119 --> 00:22:14,840 Speaker 4: So yeah, So I basically called everybody I knew, my dad, 461 00:22:14,920 --> 00:22:17,320 Speaker 4: my agent, you know, my sister, everybody, and they all 462 00:22:17,359 --> 00:22:20,800 Speaker 4: said do it. And one of the conversations I remember 463 00:22:20,880 --> 00:22:23,119 Speaker 4: the most, I asked John Wesley's ship because he was 464 00:22:23,119 --> 00:22:25,280 Speaker 4: there that day and we were having lunch together, and 465 00:22:25,320 --> 00:22:28,960 Speaker 4: he said, Cerve, he goes, do it because you will 466 00:22:28,960 --> 00:22:35,600 Speaker 4: get the best of Kevin Williams is right, Mmm, He's right, Yeah, jeez. 467 00:22:36,160 --> 00:22:38,080 Speaker 3: But part of the risk at the time I remember, 468 00:22:38,160 --> 00:22:40,600 Speaker 3: because I remember being asked to audition for a gay character, 469 00:22:41,240 --> 00:22:46,119 Speaker 3: probably even later, and you know, having my manager at 470 00:22:46,119 --> 00:22:48,720 Speaker 3: the time say, you know, what can happen if you 471 00:22:48,760 --> 00:22:51,440 Speaker 3: play a gay characters, then your type cast is only 472 00:22:51,520 --> 00:22:54,359 Speaker 3: gay characters. And I remember being like, really, oh, but 473 00:22:54,560 --> 00:22:57,240 Speaker 3: it would still was a possibility that that once you're 474 00:22:57,320 --> 00:23:00,359 Speaker 3: labeled as the gay actor, that's all Oh you're going 475 00:23:00,400 --> 00:23:01,920 Speaker 3: to ever play that's I. 476 00:23:01,840 --> 00:23:04,000 Speaker 4: Mean, that's all I was thinking. I mean, that's all 477 00:23:04,040 --> 00:23:05,720 Speaker 4: any of us would have been thinking. I was very 478 00:23:05,840 --> 00:23:09,359 Speaker 4: very scared. Now looking back in hindsight, im or just 479 00:23:09,400 --> 00:23:12,199 Speaker 4: want to say this, I'm super super proud of what 480 00:23:12,240 --> 00:23:15,280 Speaker 4: we pulled off because, as you know, the face of 481 00:23:15,320 --> 00:23:21,480 Speaker 4: television and has changed, and I think, yes, people's acceptance 482 00:23:21,640 --> 00:23:25,240 Speaker 4: of other people sexuality or whatever it might be is 483 00:23:25,359 --> 00:23:27,679 Speaker 4: much more broad and much more open these days. I mean, 484 00:23:27,720 --> 00:23:31,280 Speaker 4: we've got to get there on every television show now. Yes, yeah, 485 00:23:31,800 --> 00:23:35,280 Speaker 4: you know it's partly because of what we did that then, yeah, but. 486 00:23:35,240 --> 00:23:38,320 Speaker 1: It's also as an actor to be able to do 487 00:23:38,440 --> 00:23:43,800 Speaker 1: something anything that changes the course of history for television 488 00:23:43,880 --> 00:23:46,040 Speaker 1: and put you on the map. I mean again, people 489 00:23:46,080 --> 00:23:48,639 Speaker 1: remember that the first interracial kiss ever was done on 490 00:23:48,720 --> 00:23:51,320 Speaker 1: Star Trek right with Kirk and Ahura. People are going 491 00:23:51,359 --> 00:23:53,320 Speaker 1: to remember that you were the first gay kill. I mean, 492 00:23:53,320 --> 00:23:54,840 Speaker 1: these are this is things this is something that will 493 00:23:54,880 --> 00:23:58,720 Speaker 1: never go away, and that's really amazing to have that 494 00:23:58,840 --> 00:24:01,720 Speaker 1: kind of impact on something as huge as television. 495 00:24:01,920 --> 00:24:03,720 Speaker 4: Well even to this day. You know, when we do 496 00:24:03,840 --> 00:24:06,800 Speaker 4: these these consent that we all do together, I've got 497 00:24:06,960 --> 00:24:10,200 Speaker 4: there's always at least one person that flew from around 498 00:24:10,240 --> 00:24:13,120 Speaker 4: the world, like France, and he's back from France, comes 499 00:24:13,119 --> 00:24:14,960 Speaker 4: in and he's nervous as hell, and he's got this 500 00:24:15,000 --> 00:24:18,560 Speaker 4: whole thing written out and just you read it, and 501 00:24:18,800 --> 00:24:21,439 Speaker 4: it just I just flew halfway around the world just 502 00:24:21,560 --> 00:24:24,920 Speaker 4: to tell you this, and basically it's always the same. 503 00:24:25,000 --> 00:24:27,879 Speaker 4: It's I probably would not be alive had it not 504 00:24:28,040 --> 00:24:30,800 Speaker 4: been for Jack's storyline and what you guys did back then. 505 00:24:30,960 --> 00:24:33,760 Speaker 4: I know, it's it's it's insane. It happens in the 506 00:24:33,800 --> 00:24:35,399 Speaker 4: q and as all the time, and James and I 507 00:24:35,480 --> 00:24:39,520 Speaker 4: are up there together doing these it's just the only 508 00:24:39,720 --> 00:24:42,159 Speaker 4: I can't even say anything, guys. I just have to 509 00:24:42,160 --> 00:24:43,920 Speaker 4: go out in the audience to just hug whoever it is, 510 00:24:43,960 --> 00:24:44,679 Speaker 4: because that's all I know. 511 00:24:45,680 --> 00:24:50,960 Speaker 6: Yeah, yeah, exactly, yeah, I mean as well mentioned I mean, 512 00:24:51,160 --> 00:24:54,600 Speaker 6: you made history a massive step for the LGBTQ plus 513 00:24:54,640 --> 00:24:58,640 Speaker 6: representation on TV when you kissed Ethan played by Adam Kaufman. 514 00:24:58,800 --> 00:25:02,520 Speaker 2: It was the first same sex network TV kiss between 515 00:25:02,640 --> 00:25:05,680 Speaker 2: two men. Can you tell us what the lead up 516 00:25:05,720 --> 00:25:10,280 Speaker 2: to that was like that week of rehearsal, Like, do 517 00:25:10,320 --> 00:25:12,280 Speaker 2: you remember the thoughts that you were having in your 518 00:25:12,320 --> 00:25:13,000 Speaker 2: head that week? 519 00:25:13,359 --> 00:25:15,600 Speaker 4: Well, there are two stories. There's my story and there's 520 00:25:15,600 --> 00:25:17,560 Speaker 4: a story that came from the producers and writers, which 521 00:25:17,720 --> 00:25:21,479 Speaker 4: I just found out, I mean from my from my side, 522 00:25:21,720 --> 00:25:26,240 Speaker 4: it was basically just navigating these uncharted waters that you know, 523 00:25:26,280 --> 00:25:29,200 Speaker 4: I had never gone down before. I was super nervous. 524 00:25:30,160 --> 00:25:32,960 Speaker 4: You know. Adam Kaufman actually reached out to me a 525 00:25:32,960 --> 00:25:36,200 Speaker 4: couple of weeks ago just run it. He didn't see 526 00:25:36,200 --> 00:25:38,119 Speaker 4: it too nervous, but I'm going to talk to him 527 00:25:38,119 --> 00:25:41,119 Speaker 4: about it for the book. But yeah, it was just 528 00:25:41,160 --> 00:25:44,879 Speaker 4: about I wanted this to be real. Because I'll be 529 00:25:44,880 --> 00:25:48,160 Speaker 4: honest with you. You can use any acting technique you want, 530 00:25:48,240 --> 00:25:50,840 Speaker 4: I don't care what it is, substitution, whatever you want 531 00:25:50,880 --> 00:25:53,959 Speaker 4: to do. But when you lock lips with somebody and 532 00:25:54,000 --> 00:25:58,600 Speaker 4: you feel the scruff, I'm not you can't take it 533 00:25:58,640 --> 00:26:01,840 Speaker 4: around that. It's like I know, oh yeah, so it 534 00:26:02,119 --> 00:26:05,359 Speaker 4: was it was hard for me. I'll be honest, it 535 00:26:05,400 --> 00:26:09,560 Speaker 4: was really difficult. But I just plowed through, put the 536 00:26:09,560 --> 00:26:12,240 Speaker 4: blinders on and just did the best that I could. 537 00:26:12,280 --> 00:26:13,639 Speaker 4: And what was most important to me is that we 538 00:26:13,720 --> 00:26:15,840 Speaker 4: didn't fall into the kind of steering clips. I told 539 00:26:15,920 --> 00:26:18,080 Speaker 4: Kevin this too when I agreed to do it. I said, look, 540 00:26:19,280 --> 00:26:21,680 Speaker 4: I'm going to play Jack straight, and I'm going to 541 00:26:21,800 --> 00:26:24,760 Speaker 4: let your writing make his situations make me gay. I'm 542 00:26:24,800 --> 00:26:27,760 Speaker 4: not going to not We're not changing anything now. Sure enough, 543 00:26:28,119 --> 00:26:30,960 Speaker 4: wardrobe tried to try to change my clothes and hair 544 00:26:31,200 --> 00:26:34,080 Speaker 4: really everything. They did change my hair a little bit, 545 00:26:34,080 --> 00:26:35,800 Speaker 4: which was cool because I felt my hair sucked anyway 546 00:26:35,840 --> 00:26:39,800 Speaker 4: in the beginning. It looked like a tupe, you know. 547 00:26:39,840 --> 00:26:43,960 Speaker 4: It's so that was okay, but that was the That 548 00:26:44,119 --> 00:26:46,119 Speaker 4: was the goal is just to play this character straight, 549 00:26:46,200 --> 00:26:49,760 Speaker 4: play it real, and just let the writing make, you know, 550 00:26:49,760 --> 00:26:52,840 Speaker 4: put them in the situations that make it gay. Now. 551 00:26:52,880 --> 00:26:57,199 Speaker 4: The writer producer story on that day, According to uh, 552 00:26:57,400 --> 00:26:59,480 Speaker 4: I think it was June that told me that they 553 00:26:59,520 --> 00:27:03,199 Speaker 4: were all on phones, like you know, the networks like 554 00:27:03,680 --> 00:27:07,280 Speaker 4: make sure the cameras across the street, and Kevin's like 555 00:27:07,520 --> 00:27:10,359 Speaker 4: make sure they kiss long enough, make sure the camera's 556 00:27:10,440 --> 00:27:13,720 Speaker 4: right in their face. So it was this battle of 557 00:27:14,240 --> 00:27:16,480 Speaker 4: getting they got all the shots because they didn't know 558 00:27:16,520 --> 00:27:19,040 Speaker 4: what the network and studio were actually going to allow, 559 00:27:19,840 --> 00:27:22,840 Speaker 4: and they actually ended up using something that was I 560 00:27:22,880 --> 00:27:24,879 Speaker 4: wouldn't say it's an extreme close up, but it's a 561 00:27:24,920 --> 00:27:28,480 Speaker 4: pretty good close up. Yeah, so it was everybody, you know, 562 00:27:28,520 --> 00:27:31,560 Speaker 4: I found out everybody was pretty nervous about it. Wow. 563 00:27:32,240 --> 00:27:35,359 Speaker 2: Do you remember hearing I'm sure you talked about the 564 00:27:35,400 --> 00:27:38,439 Speaker 2: furious fans outside just a brick wall away from you 565 00:27:39,000 --> 00:27:41,840 Speaker 2: on the flip side. Do you remember at the time 566 00:27:42,000 --> 00:27:46,959 Speaker 2: getting any sort of positive feedback from the LGBTQ plus community. 567 00:27:47,240 --> 00:27:49,840 Speaker 4: Yeah, that didn't happen until later actually, Okay started a 568 00:27:49,880 --> 00:27:53,159 Speaker 4: couple of years later. We started getting some accolades and 569 00:27:53,400 --> 00:27:58,479 Speaker 4: they were inviting me to the award ceremonies and presenting stuff. 570 00:27:58,880 --> 00:28:00,440 Speaker 4: I think we want a couple of things as well 571 00:28:00,480 --> 00:28:02,760 Speaker 4: for the show in that regard, But at the in 572 00:28:02,800 --> 00:28:10,640 Speaker 4: the beginning, now, I don't remember a whole lot of Uh. 573 00:28:08,480 --> 00:28:12,200 Speaker 1: Well, there's little you wonder. I would imagine there's there's 574 00:28:13,880 --> 00:28:16,080 Speaker 1: a luck factor. I guess I would say that as 575 00:28:16,160 --> 00:28:18,840 Speaker 1: this was taking place, this is pre social media, right, 576 00:28:19,520 --> 00:28:22,480 Speaker 1: so I imagine had this same thing happened during the 577 00:28:22,520 --> 00:28:24,399 Speaker 1: time of social media, it would have been a much 578 00:28:24,560 --> 00:28:27,520 Speaker 1: You would have heard from both sides instantly, the hate 579 00:28:27,560 --> 00:28:30,520 Speaker 1: and the love right away. Uh, the impact would have 580 00:28:30,560 --> 00:28:35,159 Speaker 1: been astounding and instantaneous. So there there is a safety. 581 00:28:35,200 --> 00:28:36,760 Speaker 1: We talk about this a lot. There was a safety 582 00:28:36,760 --> 00:28:38,760 Speaker 1: as an actor back in the day of not having 583 00:28:39,480 --> 00:28:42,600 Speaker 1: social media, especially when you're doing something this groundbreaking. I 584 00:28:42,600 --> 00:28:46,880 Speaker 1: mean again, you're you're in completely uncharted territory, which you 585 00:28:46,960 --> 00:28:49,040 Speaker 1: don't there's a reason it's uncharted. You don't know what's 586 00:28:49,040 --> 00:28:51,480 Speaker 1: going to happen. You have no idea what what the 587 00:28:51,520 --> 00:28:54,360 Speaker 1: response is going to be, especially on a show this 588 00:28:54,720 --> 00:28:58,040 Speaker 1: popular that. I mean, it really could have changed that 589 00:28:58,720 --> 00:29:00,840 Speaker 1: in a bad way, could have could have negatively affected 590 00:29:00,840 --> 00:29:02,400 Speaker 1: the show, and it just didn't. It went it went 591 00:29:02,440 --> 00:29:05,040 Speaker 1: the opposite direction. So yeah, yeah, thank god for no 592 00:29:05,080 --> 00:29:07,120 Speaker 1: social media at the time, especially when you're doing something 593 00:29:07,160 --> 00:29:09,280 Speaker 1: that you know is probably going to split some of 594 00:29:09,280 --> 00:29:10,080 Speaker 1: your audience off. 595 00:29:10,520 --> 00:29:15,440 Speaker 4: I agree, I would love to go back to those days. God, 596 00:29:15,560 --> 00:29:19,239 Speaker 4: I so much more work. I know. 597 00:29:21,200 --> 00:29:23,280 Speaker 2: Well, you would appear on the show right through At 598 00:29:23,360 --> 00:29:26,720 Speaker 2: season six series finale. Was it hard to say goodbye 599 00:29:26,760 --> 00:29:29,520 Speaker 2: to a character that you had experienced so much with. 600 00:29:29,680 --> 00:29:32,760 Speaker 4: Yeah, of course, I mean, you guys know how it is, 601 00:29:33,000 --> 00:29:35,160 Speaker 4: season three, season four. Somewhere in there he started to 602 00:29:35,160 --> 00:29:37,560 Speaker 4: get the edge to do something else. But you'll also 603 00:29:37,680 --> 00:29:40,520 Speaker 4: realize that, you know, thank this is the dream job. 604 00:29:41,480 --> 00:29:44,560 Speaker 4: So you hang in there, and you know, when everybody 605 00:29:44,600 --> 00:29:46,400 Speaker 4: just kind of comes in agreement, like I think we're 606 00:29:46,400 --> 00:29:51,000 Speaker 4: done for us in season six, you gotta let go. 607 00:29:51,280 --> 00:29:54,280 Speaker 4: And you know, my wife and I watch Friends all 608 00:29:54,320 --> 00:29:56,320 Speaker 4: the time, and you know, every once in a while 609 00:29:56,320 --> 00:29:59,920 Speaker 4: they come across that last episode. I always, you know, 610 00:30:00,040 --> 00:30:02,520 Speaker 4: and their standing there and think Chandler, they wanted to 611 00:30:02,560 --> 00:30:04,280 Speaker 4: get a cup of coffee, and challenges are like where 612 00:30:04,480 --> 00:30:05,760 Speaker 4: they all walk out and that's it. 613 00:30:05,880 --> 00:30:06,520 Speaker 1: Yeah. 614 00:30:06,720 --> 00:30:10,360 Speaker 4: Yeah, I always cried every single time I see it 615 00:30:10,440 --> 00:30:13,680 Speaker 4: because it reminds me of what I went through on 616 00:30:13,760 --> 00:30:17,040 Speaker 4: that So I get that it was super sad. And 617 00:30:17,080 --> 00:30:19,720 Speaker 4: of course, you know, the episode itself was about Jen dying, 618 00:30:19,880 --> 00:30:23,960 Speaker 4: so it was that was also sad. So it was 619 00:30:24,040 --> 00:30:26,640 Speaker 4: it was a tough two parter to pull off. I'd 620 00:30:26,680 --> 00:30:29,480 Speaker 4: say those those two episodes and the one where Meredith 621 00:30:29,600 --> 00:30:32,400 Speaker 4: leaves and season four, I think it was that was 622 00:30:32,400 --> 00:30:33,120 Speaker 4: a tough one too. 623 00:30:34,280 --> 00:30:36,960 Speaker 2: Emotional episodes, different emotion, different emotion. 624 00:30:37,040 --> 00:30:39,160 Speaker 1: When you get a Dawson's Creek than you do when 625 00:30:39,160 --> 00:30:41,640 Speaker 1: we have emotional episodes of boyt Me to world, slightly 626 00:30:41,720 --> 00:30:46,880 Speaker 1: different things. I would say now curiously because again, as 627 00:30:46,960 --> 00:30:50,920 Speaker 1: Danielle said at the beginning, as actors, for the most part, 628 00:30:50,960 --> 00:30:52,600 Speaker 1: I mean I was where I was supposed to be. 629 00:30:52,600 --> 00:30:54,320 Speaker 1: But Danielle Ryder a lot of the cast were like 630 00:30:54,360 --> 00:30:56,600 Speaker 1: looking at stuff like Dawson's Creek and going that, that's 631 00:30:56,600 --> 00:30:58,400 Speaker 1: what I want to do, That's what I want to have. 632 00:30:59,040 --> 00:31:01,080 Speaker 1: Did you ever have the op? Was there ever a time, 633 00:31:01,200 --> 00:31:03,240 Speaker 1: like you say, you like friends, did you ever look at, 634 00:31:03,680 --> 00:31:05,720 Speaker 1: you know, a three camera sitcom with an audience and 635 00:31:05,760 --> 00:31:08,800 Speaker 1: go God? Doing Dawson's Creek like shooting a movie every 636 00:31:08,920 --> 00:31:11,640 Speaker 1: day for years is fun. But man, I'd love to 637 00:31:11,640 --> 00:31:13,480 Speaker 1: do that audience show. I'd love to get in there 638 00:31:13,480 --> 00:31:15,840 Speaker 1: and be on like a regular sitcom. Was that something 639 00:31:15,840 --> 00:31:16,640 Speaker 1: that you ever wanted to do? 640 00:31:17,400 --> 00:31:20,120 Speaker 4: It's something I would do, but it wasn't a strong desire. 641 00:31:20,280 --> 00:31:23,520 Speaker 4: I've always been a drama guy. I just love it. 642 00:31:23,800 --> 00:31:26,520 Speaker 4: And you know what you brought a star Trek. I'm 643 00:31:26,560 --> 00:31:29,760 Speaker 4: always been. I'm a huge sci fi every and I 644 00:31:30,000 --> 00:31:33,560 Speaker 4: had never ever done anything in space. 645 00:31:34,560 --> 00:31:36,480 Speaker 1: Whyd you be perfect. Oh my god, you'd be a 646 00:31:36,520 --> 00:31:38,959 Speaker 1: perfect like young captain on a Star Trek something. Are 647 00:31:38,960 --> 00:31:39,520 Speaker 1: you kidding me? 648 00:31:39,960 --> 00:31:42,600 Speaker 4: I would you know a movie of these cons and 649 00:31:42,640 --> 00:31:44,520 Speaker 4: you know sometimes you got the Star Trek people there, 650 00:31:44,800 --> 00:31:47,000 Speaker 4: like I had Brent Spiner next to me a few 651 00:31:47,000 --> 00:31:48,840 Speaker 4: months ago, and I'm just sitting here going. 652 00:31:51,360 --> 00:31:52,000 Speaker 1: It's amazing. 653 00:31:52,240 --> 00:31:52,840 Speaker 3: It's amazing. 654 00:31:53,120 --> 00:31:55,520 Speaker 4: So yes, I would very much like to do something 655 00:31:55,600 --> 00:31:56,360 Speaker 4: like that. 656 00:31:56,360 --> 00:31:58,720 Speaker 1: That's shocking to me because I think you'd be perfect 657 00:31:58,800 --> 00:32:01,080 Speaker 1: for a young captain kind of or or or the 658 00:32:01,120 --> 00:32:03,280 Speaker 1: New Exo something like that. Perfect. Oh my god, it's 659 00:32:03,320 --> 00:32:03,960 Speaker 1: great casting. 660 00:32:04,200 --> 00:32:05,120 Speaker 4: Let's put it out there. 661 00:32:05,520 --> 00:32:09,320 Speaker 3: Yeah at the U haul, Yeah, drive for four days, just. 662 00:32:09,920 --> 00:32:15,320 Speaker 1: Manifested the rental. Exactly, a great idea. 663 00:32:27,880 --> 00:32:31,080 Speaker 2: You're on a bit of your own pod meats world 664 00:32:31,160 --> 00:32:34,680 Speaker 2: style journey. First with the amazing cast reunion on Broadway 665 00:32:34,760 --> 00:32:37,680 Speaker 2: for f Cancer and the name of your castmate, James Vanderbeek. 666 00:32:38,120 --> 00:32:41,880 Speaker 2: All of the original cast attended. James unfortunately couldn't make it. 667 00:32:41,920 --> 00:32:45,360 Speaker 2: But what was that like? It looked very emotional. 668 00:32:45,960 --> 00:32:49,440 Speaker 4: It was an extremely emotional weekend and one that I 669 00:32:49,480 --> 00:32:53,160 Speaker 4: will never ever forget. It was really incredible to see 670 00:32:53,160 --> 00:32:55,800 Speaker 4: everybody after twenty five years we did get together briefly 671 00:32:55,840 --> 00:33:01,360 Speaker 4: in twenty eighteen for that. Wow, intimately, don't think what 672 00:33:01,400 --> 00:33:02,160 Speaker 4: spread it was, but. 673 00:33:02,640 --> 00:33:04,520 Speaker 1: Oh when we all did those think we all did 674 00:33:04,520 --> 00:33:06,720 Speaker 1: those like that? We got together as a cast, you 675 00:33:06,760 --> 00:33:08,680 Speaker 1: got together. There was like twenty different casts. 676 00:33:09,040 --> 00:33:11,960 Speaker 4: A yeah, yeah, So it was good to see everybody again. 677 00:33:12,120 --> 00:33:14,440 Speaker 4: It was you know, Sunday morning, I woke up to 678 00:33:14,520 --> 00:33:17,520 Speaker 4: a voicemail from the director saying, call me, we gotta 679 00:33:17,680 --> 00:33:19,880 Speaker 4: we got a problem, and of course it was James 680 00:33:19,880 --> 00:33:23,600 Speaker 4: not being able to make it, which I mean, you know, 681 00:33:24,080 --> 00:33:26,120 Speaker 4: doing these cons with in the last couple of years, 682 00:33:26,160 --> 00:33:30,240 Speaker 4: I've really gotten to know James all over again, this 683 00:33:30,400 --> 00:33:33,440 Speaker 4: time as you know, fifty something year olds as adults, 684 00:33:34,040 --> 00:33:38,200 Speaker 4: their kids, and it's been very interesting. And this whole 685 00:33:38,200 --> 00:33:40,920 Speaker 4: thing he's going through is kind of hit me hard. 686 00:33:42,480 --> 00:33:45,160 Speaker 4: It's been tough and you know, to see a friend 687 00:33:45,240 --> 00:33:48,960 Speaker 4: and appeer go through all this, especially you know the 688 00:33:49,640 --> 00:33:52,840 Speaker 4: family that he has, which is so awesome. But so 689 00:33:53,160 --> 00:33:55,120 Speaker 4: you know, I'm glad Michelle. Michelle came up with the 690 00:33:55,160 --> 00:33:58,240 Speaker 4: idea to do that. You know, her husband is the 691 00:33:58,280 --> 00:34:02,959 Speaker 4: director of Hamilton, so he was kind enough to let 692 00:34:03,040 --> 00:34:06,120 Speaker 4: us use their stages and their crew on Monday when 693 00:34:06,120 --> 00:34:10,719 Speaker 4: we were down. Yeah, it was a fantastic weekend. We 694 00:34:11,080 --> 00:34:14,200 Speaker 4: got James to record something, so he was there spirit 695 00:34:14,520 --> 00:34:19,720 Speaker 4: and video. It was just incredible. Thirteen hundred people probably 696 00:34:19,760 --> 00:34:20,840 Speaker 4: have the best time in their lives. 697 00:34:21,600 --> 00:34:22,200 Speaker 2: Yeah, we were. 698 00:34:22,480 --> 00:34:25,400 Speaker 4: It was like we were like the Beatles. It was insane. 699 00:34:25,920 --> 00:34:28,160 Speaker 4: It was every The way we laid it out was 700 00:34:28,160 --> 00:34:29,839 Speaker 4: we had these two rows of seats where we all 701 00:34:29,840 --> 00:34:32,319 Speaker 4: sat down, and then there was the five podiums, and 702 00:34:32,360 --> 00:34:37,520 Speaker 4: then when when the narrator would you know, interior Dawson's house, whatever, 703 00:34:37,880 --> 00:34:39,520 Speaker 4: we would walk up where it was in the scene 704 00:34:39,520 --> 00:34:42,120 Speaker 4: and we'd do it at the podiums. And the first 705 00:34:42,160 --> 00:34:44,880 Speaker 4: time that you walk up to do your first scene, 706 00:34:45,800 --> 00:34:48,239 Speaker 4: every single one of it, we had to stand there 707 00:34:48,280 --> 00:34:51,040 Speaker 4: for like twenty seconds thirty seconds until people say it, 708 00:34:51,760 --> 00:34:54,759 Speaker 4: because then they were just screaming. It was insane that 709 00:34:55,800 --> 00:34:56,439 Speaker 4: it was really fun. 710 00:34:56,480 --> 00:35:00,360 Speaker 2: That's so nice, so nice and Linn Manuel Miranda stepped 711 00:35:00,360 --> 00:35:02,800 Speaker 2: in for James. Do you do you think he captured 712 00:35:02,840 --> 00:35:03,960 Speaker 2: the essence of Dawson. 713 00:35:05,080 --> 00:35:09,560 Speaker 4: I think there's only one person that can capture Yeah. Yeah, 714 00:35:09,600 --> 00:35:11,080 Speaker 4: but yeah, he did a great job and we will 715 00:35:11,160 --> 00:35:12,120 Speaker 4: certainly appreciated of it. 716 00:35:13,480 --> 00:35:15,640 Speaker 2: Do you feel like the pilot episode held up. 717 00:35:17,920 --> 00:35:21,600 Speaker 4: Yeah, I think so. Yeah. I mean it's just so raw. 718 00:35:21,760 --> 00:35:26,279 Speaker 4: It's so good, you know, with Miss Tomorrow and you 719 00:35:26,280 --> 00:35:29,400 Speaker 4: know that whole storyline was so controversial back then with 720 00:35:29,480 --> 00:35:33,400 Speaker 4: Josh in the Future, just you know, people loved it. 721 00:35:33,480 --> 00:35:35,120 Speaker 4: It was just out of the blue. And the way 722 00:35:35,200 --> 00:35:37,799 Speaker 4: that the characters talk like they're thirty five years old. 723 00:35:37,880 --> 00:35:40,320 Speaker 4: Kevin has always said it's how people would talk with 724 00:35:40,440 --> 00:35:43,520 Speaker 4: their heart. That their heart, which I was so is 725 00:35:43,520 --> 00:35:47,640 Speaker 4: a beautiful way said it better than I think, but yeah, 726 00:35:47,719 --> 00:35:50,399 Speaker 4: it was just yeah, it held up. To answer your. 727 00:35:50,360 --> 00:35:54,919 Speaker 2: Question, is there a big Dawson's Creek group text chat? 728 00:35:56,719 --> 00:35:57,800 Speaker 4: You mean between us? 729 00:35:58,239 --> 00:35:59,520 Speaker 2: Yeah, amongst you guys. 730 00:36:00,360 --> 00:36:03,640 Speaker 4: I know there are many single chats from me to 731 00:36:03,719 --> 00:36:08,120 Speaker 4: them talking. You know, hey, do you remember what happened 732 00:36:08,120 --> 00:36:13,080 Speaker 4: on set twenty six years ago? Are you crazy? No? 733 00:36:13,840 --> 00:36:14,520 Speaker 2: Leave me alone? 734 00:36:14,840 --> 00:36:16,520 Speaker 1: That's our life, that's our life. 735 00:36:18,200 --> 00:36:20,440 Speaker 4: Come on, yeah, quote, I need something for this. This 736 00:36:20,760 --> 00:36:21,440 Speaker 4: I don't remember. 737 00:36:22,120 --> 00:36:24,400 Speaker 2: It's crazy y because you were going down an even 738 00:36:24,440 --> 00:36:27,000 Speaker 2: bigger trip down memory lane with your book. I don't 739 00:36:27,040 --> 00:36:30,160 Speaker 2: want to wait my journey on Dawson's Creek without a paddle. 740 00:36:30,200 --> 00:36:33,400 Speaker 2: It comes out next year. It's all about your journey 741 00:36:33,440 --> 00:36:37,240 Speaker 2: and your experiences on set. What is it like sending 742 00:36:37,280 --> 00:36:40,880 Speaker 2: yourself back, like your own little time machine, back to 743 00:36:41,360 --> 00:36:43,560 Speaker 2: certain days on set in order to write the book. 744 00:36:44,760 --> 00:36:47,520 Speaker 4: It's been a whirl when it's been a lot of work. 745 00:36:47,560 --> 00:36:51,920 Speaker 4: I think I've interviewed like twenty five something like that people, everybody, 746 00:36:52,200 --> 00:36:56,560 Speaker 4: And what I found out is that actors can't remember 747 00:36:59,480 --> 00:37:04,839 Speaker 4: everybody else can. I mean the directory, stories, the pas, 748 00:37:04,960 --> 00:37:09,200 Speaker 4: I mean casting everybody. Writers, The writers remember everything. 749 00:37:09,640 --> 00:37:09,920 Speaker 2: Yep. 750 00:37:10,320 --> 00:37:14,760 Speaker 4: It's just it was just really interesting to call everybody 751 00:37:14,840 --> 00:37:17,200 Speaker 4: up and do these zooms and just you know, talk 752 00:37:17,239 --> 00:37:21,080 Speaker 4: about the old days and how much fun we had. Yeah, 753 00:37:21,080 --> 00:37:24,000 Speaker 4: you guys, we had so much fun every week every 754 00:37:24,040 --> 00:37:26,880 Speaker 4: weekend because we were on the water, right, we would 755 00:37:27,160 --> 00:37:29,400 Speaker 4: as a group and this isn't just you know, the 756 00:37:29,440 --> 00:37:34,320 Speaker 4: five of us. We would all get together whoever was guest, starring, crew, everybody, 757 00:37:34,360 --> 00:37:36,360 Speaker 4: and we would jump on all the boats that anybody 758 00:37:36,400 --> 00:37:39,640 Speaker 4: had a boat, Jetskin's. We would congregate this place called 759 00:37:39,680 --> 00:37:44,719 Speaker 4: Dockside on the water. We would load up beer, hot dog, 760 00:37:44,800 --> 00:37:47,160 Speaker 4: you know, burghers, everything and we go out to this 761 00:37:47,239 --> 00:37:50,400 Speaker 4: island called mason Boro Island and we would just party 762 00:37:50,400 --> 00:37:51,960 Speaker 4: out all day. On the water and we did that 763 00:37:52,120 --> 00:37:56,240 Speaker 4: like almost every single weekend. Man, I had been trying 764 00:37:56,239 --> 00:37:59,120 Speaker 4: to recreate that experience for the last twenty five years 765 00:37:59,160 --> 00:38:00,560 Speaker 4: and I have not been do it. 766 00:38:00,840 --> 00:38:04,960 Speaker 1: Yeah, Yeah, there is the it's the camaraderie. That's the thing. 767 00:38:05,000 --> 00:38:07,799 Speaker 1: Is we're going through the same journey, obviously, and so 768 00:38:08,200 --> 00:38:10,719 Speaker 1: where each of us are remembering little parts of it, 769 00:38:10,800 --> 00:38:13,239 Speaker 1: but all of us remember the fun. That's all it 770 00:38:13,320 --> 00:38:17,080 Speaker 1: is is that vibe, the fun, the feeling of family 771 00:38:17,280 --> 00:38:19,839 Speaker 1: and just you know, you're going through the same thing 772 00:38:19,840 --> 00:38:22,160 Speaker 1: with people that you love, and it's that's the thing 773 00:38:22,239 --> 00:38:24,200 Speaker 1: that you remember the most. And you're right, you do. 774 00:38:24,280 --> 00:38:27,880 Speaker 1: You try to chase that because it's just it's magical, 775 00:38:28,320 --> 00:38:28,840 Speaker 1: it really is. 776 00:38:30,400 --> 00:38:33,799 Speaker 2: Well, it's already already been all over the press that 777 00:38:33,880 --> 00:38:36,640 Speaker 2: in the book you talk about a script that was 778 00:38:36,640 --> 00:38:40,480 Speaker 2: written for a Jack and Doug spinoff. And so for 779 00:38:40,560 --> 00:38:43,360 Speaker 2: those listeners who don't know, Jack ends up with a 780 00:38:43,400 --> 00:38:46,880 Speaker 2: guy named Doug Witter and together they will raise Jen's 781 00:38:46,920 --> 00:38:51,360 Speaker 2: daughter Amy. So one tell us what the script is like, 782 00:38:51,560 --> 00:38:54,359 Speaker 2: and two tell us who we beat up? Since it 783 00:38:54,400 --> 00:38:56,680 Speaker 2: didn't happen, who. 784 00:38:56,560 --> 00:39:02,319 Speaker 4: We beat up? Who you beat up? Is the head 785 00:39:02,320 --> 00:39:10,720 Speaker 4: of Programm Against Sony that's who. That's where it's stopping. Unfortunately. Yeah, 786 00:39:10,800 --> 00:39:13,880 Speaker 4: it's a great script. I mean, the easiest way to 787 00:39:13,920 --> 00:39:16,680 Speaker 4: say it is, it's the Fosters with two dudes, and 788 00:39:16,840 --> 00:39:19,960 Speaker 4: you've got the aesthetic of you know, Cape site, and 789 00:39:20,080 --> 00:39:23,440 Speaker 4: you can bring in all the main characters for cameos. 790 00:39:23,760 --> 00:39:26,560 Speaker 4: But unfortunately Sony wants the main characters in it all 791 00:39:26,600 --> 00:39:31,640 Speaker 4: the time. That's that's right. So apparently I don't know Jack, 792 00:39:31,760 --> 00:39:34,640 Speaker 4: Doug and a few other derecis from michell on enough 793 00:39:34,719 --> 00:39:37,640 Speaker 4: to do a spin off, which is to me, is 794 00:39:38,160 --> 00:39:42,240 Speaker 4: crazy odd because Sony is sitting on the most valuable 795 00:39:42,280 --> 00:39:47,880 Speaker 4: ip out there and doing nothing with it. Yeah, you know, 796 00:39:47,960 --> 00:39:51,080 Speaker 4: it's it's unfortunate. So I'm hoping, you know, there'll be 797 00:39:51,200 --> 00:39:54,480 Speaker 4: enough pushback where the powers that be will go. I 798 00:39:54,520 --> 00:39:56,800 Speaker 4: think we take a second look at this, because I 799 00:39:56,840 --> 00:39:59,080 Speaker 4: think it'd be really fun. I would certainly do it. 800 00:39:59,640 --> 00:40:02,920 Speaker 4: I would love to, you know, raise a bunch of 801 00:40:03,000 --> 00:40:05,960 Speaker 4: rug rats and we have Jen's kid too, and we 802 00:40:06,080 --> 00:40:08,799 Speaker 4: raise and have a little house like Joey's or something 803 00:40:08,800 --> 00:40:11,080 Speaker 4: on the great Yeah. 804 00:40:11,160 --> 00:40:13,160 Speaker 1: Yeah, that this business doesn't know what it is anymore, 805 00:40:13,160 --> 00:40:15,320 Speaker 1: and so everybody, no one will pull the trigger on anything. 806 00:40:15,360 --> 00:40:18,120 Speaker 1: Everybody's too scared to do anything unless it's a four 807 00:40:18,360 --> 00:40:20,799 Speaker 1: million dollar Marvel movie, which they know they'll probably make 808 00:40:20,840 --> 00:40:23,800 Speaker 1: their money back. You're not gonna nobody's doing anything anymore. 809 00:40:23,920 --> 00:40:26,080 Speaker 4: My question is why are they pulling the trigger on 810 00:40:26,160 --> 00:40:31,359 Speaker 4: all these spin offs of what No? Two? One? Oh? 811 00:40:31,760 --> 00:40:35,160 Speaker 4: And somebody Who is another show that's doing not a spinoff, 812 00:40:35,239 --> 00:40:38,080 Speaker 4: but it's another big show that's doing one. Now they 813 00:40:38,120 --> 00:40:41,759 Speaker 4: are doing the bringing back they watch again, Yeah, yeah, 814 00:40:43,000 --> 00:40:48,279 Speaker 4: watching that, especially in like four K. 815 00:40:53,520 --> 00:40:56,839 Speaker 2: Finally, I am sure between the book and the reunion event, 816 00:40:56,960 --> 00:41:00,640 Speaker 2: you have been thinking a lot about Dawson's Creek. If 817 00:41:00,719 --> 00:41:04,040 Speaker 2: you could go back in time and tell yourself something 818 00:41:04,120 --> 00:41:07,080 Speaker 2: then twenty five years later, what would it be. 819 00:41:08,640 --> 00:41:13,760 Speaker 4: Relax and enjoy, Enjoy the moment. Always enjoy the moment. 820 00:41:13,840 --> 00:41:16,000 Speaker 4: Try and be in the moment all the time. You know, 821 00:41:16,120 --> 00:41:18,759 Speaker 4: back then, I was always looking ahead and behind and 822 00:41:18,800 --> 00:41:21,960 Speaker 4: everywhere else I could, just to make sure that I 823 00:41:22,000 --> 00:41:26,640 Speaker 4: didn't make a fool myself or that. But I could, 824 00:41:27,280 --> 00:41:29,760 Speaker 4: and now I realize it's staying in the present moment 825 00:41:29,920 --> 00:41:33,720 Speaker 4: is the best absolute hm. 826 00:41:33,760 --> 00:41:36,839 Speaker 2: Man, Yep, we feel very much the same. 827 00:41:36,920 --> 00:41:39,719 Speaker 1: Run. We can't say what everybody says, my youth is 828 00:41:39,719 --> 00:41:41,840 Speaker 1: wasted on the young. You just you don't have the 829 00:41:41,840 --> 00:41:42,479 Speaker 1: wisdom yet. 830 00:41:42,520 --> 00:41:45,440 Speaker 2: So yeah, thank you so much for being here with us. 831 00:41:45,440 --> 00:41:46,960 Speaker 2: It was a pleasure to talk to you. I can't 832 00:41:46,960 --> 00:41:48,719 Speaker 2: wait to read the book right on. 833 00:41:48,960 --> 00:41:50,879 Speaker 4: Guys, thanks for having me appreciate it. 834 00:41:51,040 --> 00:41:55,879 Speaker 1: Thank you here. You know, it's always amazing to talk 835 00:41:55,880 --> 00:41:58,279 Speaker 1: to other actors, but so rare to meet one that 836 00:41:58,440 --> 00:42:03,520 Speaker 1: really does have a solid piece of television history that 837 00:42:03,560 --> 00:42:06,080 Speaker 1: will never go away. I mean, again, as being a 838 00:42:06,120 --> 00:42:08,319 Speaker 1: television junkie, that's something to be on a list of 839 00:42:08,960 --> 00:42:13,960 Speaker 1: first of whatever. Like I read a really random article 840 00:42:14,080 --> 00:42:17,799 Speaker 1: yesterday where an episode of Leave It to Beaver they 841 00:42:17,840 --> 00:42:20,640 Speaker 1: had to keep shooting and reshooting, and the network kept 842 00:42:20,640 --> 00:42:24,400 Speaker 1: pulling it because they showed the first toilet ever because 843 00:42:24,600 --> 00:42:26,279 Speaker 1: no one was ever supposed to use. 844 00:42:26,200 --> 00:42:28,959 Speaker 2: A bathroom an offensive toilet it was. 845 00:42:28,880 --> 00:42:30,680 Speaker 1: So they had to reshoot it where you could just 846 00:42:30,680 --> 00:42:32,440 Speaker 1: see the top of the tank of the toilet. You 847 00:42:32,440 --> 00:42:35,080 Speaker 1: couldn't actually, So it's like any any time you hit 848 00:42:35,120 --> 00:42:38,880 Speaker 1: one of those milestones. So you know, first interracial kiss 849 00:42:39,080 --> 00:42:41,399 Speaker 1: huge star Trek, the first gay kiss ever on Cara. 850 00:42:41,480 --> 00:42:44,080 Speaker 1: I mean, he's he's got a piece of television history forever? 851 00:42:44,080 --> 00:42:45,759 Speaker 5: Are there any of those left there? 852 00:42:45,800 --> 00:42:49,239 Speaker 3: Anything that's not been on television that still will be? 853 00:42:49,560 --> 00:42:51,960 Speaker 1: Who knows? I mean there was like because remember like 854 00:42:51,960 --> 00:42:55,080 Speaker 1: the old school shows the husband and wife never shared 855 00:42:55,080 --> 00:42:55,359 Speaker 1: a band. 856 00:42:55,880 --> 00:42:59,120 Speaker 2: I mean, what about the first prime network TV thrupple. 857 00:42:59,840 --> 00:43:00,920 Speaker 5: There you go, that's been done. 858 00:43:00,960 --> 00:43:02,880 Speaker 1: Though, you know what, you know it'll be you know 859 00:43:02,920 --> 00:43:05,800 Speaker 1: how disgusting we're becoming. It's going to become the first 860 00:43:05,800 --> 00:43:09,319 Speaker 1: actual death on TV. Yeah, it'll be something like that, 861 00:43:09,400 --> 00:43:11,239 Speaker 1: Like we're really going to film it. It'll be something 862 00:43:11,280 --> 00:43:14,279 Speaker 1: horrible because all the good stuff is basically all the 863 00:43:14,280 --> 00:43:16,520 Speaker 1: things that show progress in some way are pretty much 864 00:43:16,520 --> 00:43:17,920 Speaker 1: I think you're right, they're pretty much gone. 865 00:43:18,440 --> 00:43:18,640 Speaker 6: Right. 866 00:43:20,080 --> 00:43:22,400 Speaker 2: A really interesting, really smart idea too, for him to 867 00:43:22,440 --> 00:43:26,320 Speaker 2: write a book, you know, like every everyone's starting a podcast. Yeah, 868 00:43:26,480 --> 00:43:27,800 Speaker 2: how many people are writing books? 869 00:43:28,440 --> 00:43:29,600 Speaker 5: Yeah, we should do this podcast. 870 00:43:29,600 --> 00:43:31,239 Speaker 3: Sounds like he's going about it the right way to 871 00:43:31,360 --> 00:43:35,040 Speaker 3: interviewing other people, like as opposed to just what do 872 00:43:35,120 --> 00:43:37,480 Speaker 3: I remember, let me just talk about myself. He's like 873 00:43:37,680 --> 00:43:40,839 Speaker 3: really trying to get the story from everybody else. 874 00:43:40,920 --> 00:43:41,960 Speaker 5: I think that's really smart. 875 00:43:42,000 --> 00:43:44,400 Speaker 2: Yeah, yeah, I mean he took the idea of a 876 00:43:44,400 --> 00:43:47,000 Speaker 2: podcast and said, let's put it in words, you know, like, 877 00:43:47,160 --> 00:43:48,040 Speaker 2: let's it's. 878 00:43:48,000 --> 00:43:52,440 Speaker 1: Like a written podcast. Why I didn't know that was 879 00:43:52,480 --> 00:43:55,040 Speaker 1: a thing, Like they made a book out of that. Amazing. 880 00:43:57,160 --> 00:43:59,120 Speaker 2: Thank you all for listening to this episode of Pod 881 00:43:59,200 --> 00:44:01,360 Speaker 2: Meets World as all. You can follow us on Instagram 882 00:44:01,360 --> 00:44:03,560 Speaker 2: pod Meets World Show. You can send us your emails 883 00:44:03,560 --> 00:44:07,040 Speaker 2: pod meets World Show at gmail dot com. And we've 884 00:44:07,080 --> 00:44:07,760 Speaker 2: got merch. 885 00:44:07,960 --> 00:44:08,880 Speaker 1: I don't want to merch. 886 00:44:09,360 --> 00:44:17,080 Speaker 2: For your merch to me, merchie. 887 00:44:14,200 --> 00:44:17,440 Speaker 5: Merchie, merch rchie. I don't know is that a good thing. 888 00:44:17,840 --> 00:44:20,839 Speaker 3: We're gonna have to find out. 889 00:44:23,719 --> 00:44:27,120 Speaker 2: Pod Meets Worldshow dot com writer send us out. 890 00:44:27,360 --> 00:44:29,080 Speaker 5: We love you all, pod dismissed. 891 00:44:31,360 --> 00:44:34,040 Speaker 3: Pod Meets World is an iHeart podcast producer hosted by 892 00:44:34,120 --> 00:44:38,120 Speaker 3: Danielle Fischel, Wilfredell and Ryder Strong. Executive producers Jensen Carp 893 00:44:38,120 --> 00:44:41,320 Speaker 3: and Amy Sugarman. Executive in charge of production, Danielle Romo, 894 00:44:41,520 --> 00:44:45,359 Speaker 3: producer and editor, Tarasubach, producer, Maddie Moore, engineer and Boy 895 00:44:45,400 --> 00:44:48,439 Speaker 3: meets World Superman Easton Allen. Our theme song is by 896 00:44:48,520 --> 00:44:51,840 Speaker 3: Kyle Morton of Typhoon. 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