WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

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<v Speaker 1>What's up, y'all? Welcome to the Best Bits. It's Morgan here.

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<v Speaker 1>This is Best Bits, just the Bits on part one.

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<v Speaker 1>I brought on Scuba Steve this weekend for a pre

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<v Speaker 1>Turkey conversation that was a little loopy because we recorded

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<v Speaker 1>it super early in the morning, and I'm not a

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<v Speaker 1>kidding when I say we were loopy like crazy, So

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<v Speaker 1>make sure and go check that one out. But this

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<v Speaker 1>is where I break down the bits from the show

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<v Speaker 1>this week and playing back for you in case you

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<v Speaker 1>missed him, in case you want to relive it or

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<v Speaker 1>anything like that. So here we go. Brooke Shields was

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<v Speaker 1>on with us this week and she talks about the

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<v Speaker 1>movie that her and our own Amy Brown are in

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<v Speaker 1>called Holiday Harmony, coming out on HBO Max on Thanksgiving,

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<v Speaker 1>so be sure to check that out download HBO Max

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<v Speaker 1>so you're all ready to go for next week. But

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<v Speaker 1>she also talked about her career and being a child

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<v Speaker 1>star and what her normal life kind of looked like

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<v Speaker 1>for her growing up, and it was just a really

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<v Speaker 1>cool interview. I've never heard a lot of stories about Brookshields,

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<v Speaker 1>so it was cool to hear them from her, and

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<v Speaker 1>she was super vulnerable and open, which is always a

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<v Speaker 1>fun interview. So check this one out right now. Number seven,

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<v Speaker 1>Friday Morning conversation with Brookshields Brooke, Good morning, how are you? Oh?

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<v Speaker 1>I'm good. How are you? I'm doing pretty good. I

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<v Speaker 1>was listening to your podcast. Man, you guys go right

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<v Speaker 1>at it. I mean, it's like it's like real deal stuff.

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<v Speaker 1>It's you go right to the point. It's very vulnerable,

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<v Speaker 1>but it's also like super authentic. What you're so famous?

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<v Speaker 1>Did you have some some urge to just put it

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<v Speaker 1>all out there? Finally? You know? It's it's funny. I

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<v Speaker 1>just um, when you've been around this long, you sort

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<v Speaker 1>of find that there are only certain areas in which

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<v Speaker 1>you really get to be authentically yourself and heard, and

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<v Speaker 1>that's in writing a book or doing something that is

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<v Speaker 1>relatively life like, like a podcast. I never really set

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<v Speaker 1>out to do a podcast, but now what came to

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<v Speaker 1>my mine one day and I said, you know, everybody

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<v Speaker 1>that you think you know, or that you have an

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<v Speaker 1>expectation about or a preconception, they've all had these now

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<v Speaker 1>loat moments, And I thought, I think people know that

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<v Speaker 1>I'm not going to try to catch them in something.

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<v Speaker 1>But I'm vulnerable enough so that they feel safe, you know.

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<v Speaker 1>I mean, it's it's an odd thing. I'm having so

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<v Speaker 1>much fun with it. I'm getting better at it. I

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<v Speaker 1>was a little I was a little not very journalistic

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<v Speaker 1>in the beginning. I basically, having been on the other

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<v Speaker 1>side for so many decades, I would find myself giving

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<v Speaker 1>them permission not to answer any of the questions. And

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<v Speaker 1>then I got better at it. Have you found yourself

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<v Speaker 1>sharing a story and then going, oh, man, was that

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<v Speaker 1>did I just share too much? Like having to actually question?

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<v Speaker 1>And then you allowed it to exist, but then you

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<v Speaker 1>were happy you did. What would be an example of

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<v Speaker 1>that where you were like, oh, I'm really putting it

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<v Speaker 1>out there. I think, you know, really just airing insecurities

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<v Speaker 1>in a way that is not polished. You know. I

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<v Speaker 1>will say, a book you can sort of you you

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<v Speaker 1>can work with words and you can sort of get

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<v Speaker 1>what you want out, but but you're still sort of

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<v Speaker 1>hiding behind a book. And I think just admitting to

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<v Speaker 1>being scared at times and really insecure and and you know,

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<v Speaker 1>falling into the traps that other women over forty. I'm

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<v Speaker 1>fifty seven, but Steel and you know, as you're saying it,

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<v Speaker 1>you're you think, oh God, am I going to sound

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<v Speaker 1>like I'm whining or poor me? And and then you

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<v Speaker 1>listen to it and you're thinking, no, it's just I'm

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<v Speaker 1>I am a woman like many other women, and we

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<v Speaker 1>all go through things, so it's scary at first, but

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<v Speaker 1>then when you hear it, you think, I've been really honest.

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<v Speaker 1>How are you getting I know the answer, probably because

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<v Speaker 1>you're just cool and have a lot of cool friends.

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<v Speaker 1>Are you get a lot of a A plus less guests?

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<v Speaker 1>Do you have to lure them in, like, come on, guys,

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<v Speaker 1>trust me, it's a lot of fun. Or they just

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<v Speaker 1>pretty willing to hop in as well. I think they're

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<v Speaker 1>pretty willing to hop in. I mean a lot of

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<v Speaker 1>it is, you know, around they don't want to do

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<v Speaker 1>it unless they're promoting something, which I totally understand, or

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<v Speaker 1>if it's too close around a certain incident that is

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<v Speaker 1>so fraught in people's minds, you know, they're a bit hesitant.

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<v Speaker 1>And but nobody has said anything is off limits. And

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<v Speaker 1>there have been people that have been that are very

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<v Speaker 1>clear in how they want to answer the question before

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<v Speaker 1>the question even gets asked, And there are some that are,

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<v Speaker 1>you know, just very skilled at not answering the question,

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<v Speaker 1>and even those people have at the end said wow,

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<v Speaker 1>you kind of got that out of me. But it

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<v Speaker 1>didn't feel mean, or it didn't feel like an I

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<v Speaker 1>gotcha moment, or it didn't feel like it pulled out

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<v Speaker 1>headline that that's what's gonna that's the sound bite that

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<v Speaker 1>we're gonna just base the whole interview on. I did

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<v Speaker 1>see a clip that, again was a sound bite, because again,

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<v Speaker 1>you talk about so much, but I saw there was

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<v Speaker 1>one where you were talking about actors that you had dated,

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<v Speaker 1>and it kind of became a big story. Do you

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<v Speaker 1>know sometimes when you're telling these stories that it's probably

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<v Speaker 1>going to be picked up. Yeah, oh yeah. I mean

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<v Speaker 1>I joke with my publicist because I'll say, I'll say

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<v Speaker 1>under my breath, I'll say SoundBite or you know, that's

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<v Speaker 1>the headline, and it becomes just a game because it

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<v Speaker 1>seems so reductive and typical, and you know what I mean,

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<v Speaker 1>it's like everybody's desperate for the for the SoundBite and

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<v Speaker 1>the one line. You know, this has started since I

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<v Speaker 1>was a virgin, and that became everybody's main focus, which

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<v Speaker 1>is ridiculous. On many levels. So I've been dealing with

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<v Speaker 1>this for a few decades. Now, do you feel like

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<v Speaker 1>you had at all a normal childhood? You know, I've

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<v Speaker 1>ben't asked that question forever, and I don't know what

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<v Speaker 1>normal is. Conventional. No, when other kids were playing soccer

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<v Speaker 1>or whatever the sports were, I was going to photo

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<v Speaker 1>studios at Avidans and Googolo and you know do I

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<v Speaker 1>was earning a living, so it's not conventional. But my

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<v Speaker 1>mom never let me leave go to professional children's school,

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<v Speaker 1>and I never lived in Los Angeles until until I

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<v Speaker 1>was doing a television show, and so there was this

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<v Speaker 1>work life and then real life, and real life was

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<v Speaker 1>with my mom and then with my dad in separate

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<v Speaker 1>families and regular school. So for you know, until I

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<v Speaker 1>was twenty in my twenties, well twenty one, I was

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<v Speaker 1>in a regular school schedule, and that was about as

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<v Speaker 1>normal and as normally pressured as it can be. My

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<v Speaker 1>vacations were not conventional, and my extracurricular activities were not,

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<v Speaker 1>but my mom always made the production send a girlfriend

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<v Speaker 1>with me, or send my sister with me, and so

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<v Speaker 1>I always had this sort of grounding of a twelve

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<v Speaker 1>year old, a thirteen year old. A fifteen year old,

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<v Speaker 1>I wasn't always surrounded by adults, so the two of

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<v Speaker 1>us could sort of get together and giggle about how

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<v Speaker 1>crazy we thought adults were. So to me, I think,

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<v Speaker 1>I think it's actually pretty normal, almost more normal than

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<v Speaker 1>some of my normal friends. Do you what I find

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<v Speaker 1>it super impressive about you is that you went to Princeton.

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<v Speaker 1>I mean, do you find people are often shocked at

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<v Speaker 1>that fact? Always they were shocked the day I got in,

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<v Speaker 1>and then the whole kind of campaign started with why

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<v Speaker 1>did she get in? Did she just get in because

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<v Speaker 1>she was famous? And then when I get to school,

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<v Speaker 1>all the teachers wanted to make sure that they weren't

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<v Speaker 1>ye giving me any extra, so they graded me harder

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<v Speaker 1>and they were, you know less, they just because they

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<v Speaker 1>had something to prove as well. And then over time

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<v Speaker 1>just my work ethic was so intact. What was strange

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<v Speaker 1>was coming out of college my freshman term, first term,

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<v Speaker 1>freshman year and having a press conference because they thought,

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<v Speaker 1>you know, if you do a press conference about what

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<v Speaker 1>it's like, what you're you know, your real life is like,

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<v Speaker 1>they'll leave you alone. And the press were shocked by

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<v Speaker 1>a level of maturity that they hadn't seen in me prior. Yeah,

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<v Speaker 1>I wasn't looking to anybody for my answers anymore. I wasn't.

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<v Speaker 1>I wasn't worrying that an answer wasn't going to be okay.

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<v Speaker 1>And I was using bigger words, you know, because here

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<v Speaker 1>I am at Princeton thinking I better use bigger words.

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<v Speaker 1>And I don't think they liked it. They didn't like

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<v Speaker 1>non malleable Brook. Suddenly Susan was a show I watched

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<v Speaker 1>all the time, loved it, And a lot of these

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<v Speaker 1>shows are coming back reboot formed. Have they come to

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<v Speaker 1>you and said, let's do Suddenly Susan again? If they did,

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<v Speaker 1>I'd probably say yes without even them getting the question out.

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<v Speaker 1>But I don't think that we were ever. First of all,

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<v Speaker 1>they canceled us at ninety eight, so we never Yeah,

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<v Speaker 1>it was all a nice little plan that they had intact,

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<v Speaker 1>which idea know about which I will say I've got

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<v Speaker 1>a little bitterness or maybe a lot of bitterness about that,

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<v Speaker 1>but not from a syndication financial standpoint, just from you know,

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<v Speaker 1>how wonderful it was to do that show. I mean,

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<v Speaker 1>we just were so happy, and then tragedy befell the

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<v Speaker 1>show and we lost one of our cast members, and

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<v Speaker 1>it kind of was never the same again. And I

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<v Speaker 1>think I think Warner Brothers or NBC would probably argue

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<v Speaker 1>we were never a big enough hit to merit a reboot.

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<v Speaker 1>Now shows get picked up for eight or nine. We

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<v Speaker 1>never had a season that was fewer than twenty three,

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<v Speaker 1>twenty two, twenty six, you know, so it in these

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<v Speaker 1>days that would be a huge hit. And then back then,

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<v Speaker 1>you know, we didn't get two hundreds, so they sort

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<v Speaker 1>of checked us off. I can't believe they got it

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<v Speaker 1>to ninety eight purposefully. And yeah, well then that's almost

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<v Speaker 1>I mean, I mean, that's mean. Well, I think it's

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<v Speaker 1>a financial thing. I mean, all these things end up

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<v Speaker 1>being financial, you know. You we think they're personal because

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<v Speaker 1>we're living in it day in and day out, and

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<v Speaker 1>we're performing in front of a live audience, and we're

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<v Speaker 1>having to think on our feed and we're getting new

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<v Speaker 1>scripts every day, so we're so in it. And and

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<v Speaker 1>then you realize, oh, it's just a money game. After

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<v Speaker 1>a certain number, this entity doesn't pay for a production anymore.

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<v Speaker 1>It switches over to this entity and they may or

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<v Speaker 1>may not want to do that. So it's the same

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<v Speaker 1>thing that happened suddenly Lipstick Jungle. We were number one

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<v Speaker 1>for a while, and then Tvo came into existence and

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<v Speaker 1>practically overnight all of our advertisers pulled out because people

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<v Speaker 1>were fast forwarding through the commercials. So it didn't even

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<v Speaker 1>matter how much people loved us watching us. They wanted

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<v Speaker 1>to fast forward through the commercials, and there for all

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<v Speaker 1>that money practically overnight gets now you know. Now they

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<v Speaker 1>found ways around it. But we were right at the

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<v Speaker 1>on the sort of precipice of TiVos, so that was

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<v Speaker 1>sort of you know, that happened too. So these things

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<v Speaker 1>you'd think they're mean only because they feel personal. And

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<v Speaker 1>the older I get, the less personal I realize it

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<v Speaker 1>all is right. Now we're talking to actress Brookshield. Hey,

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<v Speaker 1>how good are you at memorizing scripts? So I have

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<v Speaker 1>about twelve pages to do tomorrow for this project that

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<v Speaker 1>I'm doing, and I have not started to memorize it.

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<v Speaker 1>But you can you can do do all twelve in

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<v Speaker 1>a night? Yeah, I can. I have this. It's some

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<v Speaker 1>a You have to put yourself in a position where

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<v Speaker 1>you can still listen, and that's the that's the trick,

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<v Speaker 1>so that you're not just reciting words but I memorize

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<v Speaker 1>things based on where they are on the page. So

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<v Speaker 1>when I think about where a page as I have highlighted,

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<v Speaker 1>I'm such a geek bout. I mean, I highlight and

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<v Speaker 1>I note and I make red notes. And my husband says,

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<v Speaker 1>you're such a dork, But um, yeah, I don't. I'm

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<v Speaker 1>I'm trained to have to think quickly. You know a

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<v Speaker 1>lot of the time when you do these commercials, before

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<v Speaker 1>they had teleprompters and before they had in back in

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<v Speaker 1>my day, you know, or in the day. I still

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<v Speaker 1>feel like it's my day, but you didn't have teleprompters.

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<v Speaker 1>You had to memorize everything. And so I think I

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<v Speaker 1>just got trained. Brookshields is on with us, and I

0:12:18.240 --> 0:12:20.320
<v Speaker 1>encourage you guys to check out our podcast now what

0:12:20.840 --> 0:12:24.160
<v Speaker 1>with Brookshields. It is a very authentic, very vulnerable. It's

0:12:24.200 --> 0:12:27.680
<v Speaker 1>an original podcast that examines pivotal moments and people's lives. Again,

0:12:27.679 --> 0:12:30.320
<v Speaker 1>it's very honest. It's a great podcast. And then also

0:12:30.400 --> 0:12:33.480
<v Speaker 1>thank you coming from you, that's a that's a big deal.

0:12:33.520 --> 0:12:36.040
<v Speaker 1>I mean, this is I'm coming into a world I've

0:12:36.120 --> 0:12:40.320
<v Speaker 1>I've never been in. And then it's been very well received,

0:12:40.360 --> 0:12:42.520
<v Speaker 1>and I thank you, and I didn't think people would

0:12:42.559 --> 0:12:45.600
<v Speaker 1>really want to hear me anymore in my life and

0:12:45.679 --> 0:12:48.840
<v Speaker 1>people do se do want to be interested in hearing

0:12:48.880 --> 0:12:50.960
<v Speaker 1>my guests. Well, I hope people check it out. And

0:12:50.960 --> 0:12:54.040
<v Speaker 1>then there's also Holiday Harmony coming out on HBO Acts

0:12:54.240 --> 0:12:56.840
<v Speaker 1>and so when that when a movie like that comes

0:12:56.840 --> 0:12:58.320
<v Speaker 1>to you and we have a special interest here with

0:12:58.360 --> 0:13:00.280
<v Speaker 1>that movie because if you put the Cameron me for

0:13:00.320 --> 0:13:03.000
<v Speaker 1>one second, Amy has like four line five lines are

0:13:03.000 --> 0:13:05.440
<v Speaker 1>still in the movie, and yes she does, and you

0:13:05.440 --> 0:13:07.960
<v Speaker 1>see her in the trailer. I mean she looked so

0:13:08.000 --> 0:13:10.320
<v Speaker 1>beautiful in the trail. As I didn't get to meet you.

0:13:10.520 --> 0:13:13.000
<v Speaker 1>Oh I know. I was there the last day of filming,

0:13:13.000 --> 0:13:15.240
<v Speaker 1>so you've already done with your scenes. And I was

0:13:15.720 --> 0:13:19.120
<v Speaker 1>definitely excited to possibly see you. So to see you

0:13:19.160 --> 0:13:22.240
<v Speaker 1>now fun. So I was. I was way up with

0:13:22.240 --> 0:13:26.000
<v Speaker 1>the alpaca farmers and up in northern cal They didn't

0:13:26.000 --> 0:13:29.360
<v Speaker 1>bring me to Hollywood. How does like a Christmas movie?

0:13:29.480 --> 0:13:31.320
<v Speaker 1>Because It's been Amy's dream forever to do like a

0:13:31.360 --> 0:13:34.880
<v Speaker 1>holiday movie and now they're super cool again, and how

0:13:34.920 --> 0:13:37.120
<v Speaker 1>does a Christmas movie come to you? Do you go,

0:13:37.160 --> 0:13:38.800
<v Speaker 1>I'd like to do a holiday movie because they are

0:13:38.800 --> 0:13:41.320
<v Speaker 1>so cool now, or do they go Brook, we got

0:13:41.320 --> 0:13:43.520
<v Speaker 1>this perfect idea. It's a really good movie for the holidays.

0:13:43.920 --> 0:13:47.160
<v Speaker 1>For a while, holiday movies were sort of taboo, you know,

0:13:47.200 --> 0:13:50.800
<v Speaker 1>they were they were sort of, Oh, you're doing a

0:13:50.840 --> 0:13:52.760
<v Speaker 1>Hollywood movie. That means like it's not I mean, you're

0:13:52.760 --> 0:13:55.480
<v Speaker 1>doing a Christmas movie or a holiday movie. That means

0:13:55.800 --> 0:13:58.000
<v Speaker 1>that you're not doing real edgy stuff. Well for sure,

0:13:58.040 --> 0:14:02.120
<v Speaker 1>all I've never really been a g in that way.

0:14:02.480 --> 0:14:05.960
<v Speaker 1>They come to me and I'm prepared to not like

0:14:06.120 --> 0:14:11.680
<v Speaker 1>them because they're pretty formulaic. And then every now and

0:14:11.720 --> 0:14:15.200
<v Speaker 1>then one will come up, or two now and twisted

0:14:15.280 --> 0:14:19.000
<v Speaker 1>my second one, but that will touch a chord and

0:14:20.040 --> 0:14:23.320
<v Speaker 1>be an escape. And I think that that's what that's

0:14:23.360 --> 0:14:25.680
<v Speaker 1>what I love about them, is if they're especially if

0:14:25.680 --> 0:14:28.320
<v Speaker 1>they're directed well, and if they have enough of a

0:14:29.440 --> 0:14:33.640
<v Speaker 1>story that does deviate from just the regular holiday Christmas

0:14:34.760 --> 0:14:38.440
<v Speaker 1>formula movie. And I mean I read a lot of them,

0:14:38.480 --> 0:14:42.560
<v Speaker 1>and I don't say yes to most of them. I

0:14:42.640 --> 0:14:47.440
<v Speaker 1>did one last year for Netflix, which was extraordinarily popular

0:14:47.480 --> 0:14:49.720
<v Speaker 1>and it was so much fun to do, and it

0:14:49.880 --> 0:14:53.160
<v Speaker 1>was called Castle for Christmas. And these movies come out again.

0:14:53.840 --> 0:14:56.000
<v Speaker 1>It's funny because they then they bring them back out

0:14:56.040 --> 0:14:58.440
<v Speaker 1>again for the next holiday, and you're sort of like, oh,

0:14:58.480 --> 0:15:04.600
<v Speaker 1>I just think for me rom coms, holiday movies they're

0:15:04.640 --> 0:15:08.120
<v Speaker 1>based in joy. You sort of know how they're going

0:15:08.160 --> 0:15:10.160
<v Speaker 1>to turn out, but you still want to be on

0:15:10.200 --> 0:15:13.400
<v Speaker 1>the journey with it and just looking at the news

0:15:13.400 --> 0:15:16.600
<v Speaker 1>and just being in the world. It's just so hard

0:15:16.960 --> 0:15:19.720
<v Speaker 1>these days that these kind of movies are wonderful escape.

0:15:20.160 --> 0:15:22.280
<v Speaker 1>I would compare holiday movies now to game shows, where

0:15:22.280 --> 0:15:23.960
<v Speaker 1>for a long time I wouldn't take a game show

0:15:23.960 --> 0:15:26.400
<v Speaker 1>because I was like, game shows are hokey, and if

0:15:26.600 --> 0:15:28.520
<v Speaker 1>if I ever do and host a game show, then

0:15:28.560 --> 0:15:30.680
<v Speaker 1>I'm always going to be a game show host. However,

0:15:31.280 --> 0:15:33.680
<v Speaker 1>then but now they're really cool again. I think Steve

0:15:33.680 --> 0:15:35.240
<v Speaker 1>Harvey kind of brought that back where you could be

0:15:35.240 --> 0:15:37.880
<v Speaker 1>a real talent and be funny, and then everybody's doing

0:15:37.920 --> 0:15:39.840
<v Speaker 1>game shows, and now everybody wants to do a game show.

0:15:39.840 --> 0:15:41.800
<v Speaker 1>I would I think those two kind of run alongside

0:15:41.800 --> 0:15:43.280
<v Speaker 1>each other. I think you made a great point there.

0:15:43.480 --> 0:15:45.520
<v Speaker 1>For a long time it was like, we don't want

0:15:45.560 --> 0:15:47.720
<v Speaker 1>to do that, but now like you almost want to

0:15:47.720 --> 0:15:50.360
<v Speaker 1>do host a game show or a holiday movie. Well,

0:15:50.400 --> 0:15:52.840
<v Speaker 1>you know, it's funny because everything is, you know, everybody.

0:15:53.080 --> 0:15:55.320
<v Speaker 1>There was a time when oh, you would never be

0:15:55.360 --> 0:15:59.560
<v Speaker 1>a TV actress. Oh god, no, you know, and then

0:16:00.080 --> 0:16:01.880
<v Speaker 1>you know when Helen Hunt comes and does you know?

0:16:01.920 --> 0:16:04.200
<v Speaker 1>Mad about you? And I was obsessed with it and

0:16:04.240 --> 0:16:05.920
<v Speaker 1>I was like, wait a minute, she could do it.

0:16:06.000 --> 0:16:08.840
<v Speaker 1>I can do that. And prior to them, you wouldn't

0:16:08.880 --> 0:16:11.640
<v Speaker 1>touch TV, you know. And then there are all these

0:16:11.640 --> 0:16:14.920
<v Speaker 1>sort of taboos that come around, and I think, slowly

0:16:14.960 --> 0:16:17.600
<v Speaker 1>but surely, the joy that is in all of these

0:16:17.960 --> 0:16:23.800
<v Speaker 1>emerges and everything's I don't think there's anything off limits anymore.

0:16:23.880 --> 0:16:27.840
<v Speaker 1>I think the crossover is I mean amazing. You know,

0:16:28.320 --> 0:16:31.480
<v Speaker 1>look at what Julie Roberts and Clooney just did, did

0:16:31.800 --> 0:16:34.800
<v Speaker 1>a rom com sort of movie like that, and we

0:16:34.920 --> 0:16:38.440
<v Speaker 1>just flocked to it because it opens up your heart

0:16:38.440 --> 0:16:41.520
<v Speaker 1>a little bit and it's escapism. Well, Brooke, we're big fans.

0:16:42.000 --> 0:16:44.320
<v Speaker 1>And I hope everybody checks out now what with Brooke Shields.

0:16:44.520 --> 0:16:46.760
<v Speaker 1>It's a wonderful podcast, and I hope they check out

0:16:46.800 --> 0:16:50.440
<v Speaker 1>Brooke and her co star Amy. Yes. Yes, Holiday Harmony

0:16:50.520 --> 0:16:53.160
<v Speaker 1>on HBO Max. That is out November twenty fourth, which

0:16:53.160 --> 0:16:55.240
<v Speaker 1>is Thanksgiving, right, Yeah, it's Thankgiming Day. And I was

0:16:55.280 --> 0:16:57.800
<v Speaker 1>told by Lauren Swickard, who's one of the writers and

0:16:57.840 --> 0:17:01.280
<v Speaker 1>producers that I guess I technically am a supporting role.

0:17:01.680 --> 0:17:12.520
<v Speaker 1>That's my oscar for supporting actress. Yes, yes, yes, Brooke,

0:17:12.600 --> 0:17:14.720
<v Speaker 1>big fan. Thank you very much, good luck with the podcast,

0:17:14.800 --> 0:17:16.920
<v Speaker 1>and we appreciate your time this morning. Thank you. I

0:17:16.960 --> 0:17:19.560
<v Speaker 1>appreciate yours. Hope to see you in person one day.

0:17:19.560 --> 0:17:23.160
<v Speaker 1>All right, breast, it's the best bits of the week

0:17:23.920 --> 0:17:27.520
<v Speaker 1>with Morgan number two. This segment is going to make

0:17:27.520 --> 0:17:29.440
<v Speaker 1>a lot more sense when you hear the number one

0:17:29.520 --> 0:17:31.640
<v Speaker 1>this week. But you know, we're just in the order

0:17:31.680 --> 0:17:34.359
<v Speaker 1>of the way that things happen, so we're letting it go.

0:17:34.960 --> 0:17:38.040
<v Speaker 1>I matched with somebody on a dating app that's been

0:17:38.040 --> 0:17:41.400
<v Speaker 1>in the news for their relationship to a country star,

0:17:41.600 --> 0:17:43.040
<v Speaker 1>and the show tried to guess who it was. I

0:17:43.119 --> 0:17:46.000
<v Speaker 1>never revealed who it was, and some of y'all online

0:17:46.000 --> 0:17:47.920
<v Speaker 1>we're very mad that we do segments where we don't

0:17:47.920 --> 0:17:50.399
<v Speaker 1>reveal things. But you know, there's always some fun in

0:17:50.400 --> 0:17:53.200
<v Speaker 1>a little mystery. Why did we all like Scooby Doo

0:17:53.200 --> 0:17:56.680
<v Speaker 1>and Ghostbusters because there's mystery people, it's fun to guess

0:17:56.680 --> 0:17:58.800
<v Speaker 1>things and you might never know who it is, or

0:17:59.119 --> 0:18:01.639
<v Speaker 1>you know, five years I may reveal who knows, but

0:18:01.680 --> 0:18:04.200
<v Speaker 1>it was fun. Everybody tried to figure it out and

0:18:04.440 --> 0:18:06.359
<v Speaker 1>had a good time with it. And yes, this is

0:18:06.640 --> 0:18:08.639
<v Speaker 1>a true thing that happened. I'm not making it up.

0:18:08.680 --> 0:18:11.080
<v Speaker 1>This is real. I have screenshots to prove it. Some

0:18:11.160 --> 0:18:14.240
<v Speaker 1>people on the show. I've seen it. So listen for yourself.

0:18:14.400 --> 0:18:16.159
<v Speaker 1>Let me know who you think it might be. You

0:18:16.160 --> 0:18:19.199
<v Speaker 1>can shoot me a message and have some fun with it.

0:18:19.280 --> 0:18:23.440
<v Speaker 1>Just enjoy the mystery people. Okay, Number six, Morgan said

0:18:23.440 --> 0:18:25.520
<v Speaker 1>on the show yesterday she's single again after a year

0:18:25.840 --> 0:18:29.160
<v Speaker 1>and she's been dating on Hinge the app. It's been

0:18:29.160 --> 0:18:31.520
<v Speaker 1>going okay, but I know, you know, maybe you guess

0:18:31.520 --> 0:18:33.720
<v Speaker 1>can figure it out because I don't know who it is, Morgan,

0:18:33.800 --> 0:18:36.720
<v Speaker 1>tell them what happened. So someone tried to match with

0:18:36.760 --> 0:18:40.120
<v Speaker 1>me on the dating app. And there's somebody that has

0:18:40.160 --> 0:18:42.800
<v Speaker 1>been in the news a lot for their relationship to

0:18:43.119 --> 0:18:46.760
<v Speaker 1>a country star, and she's not going to confirm or

0:18:46.800 --> 0:18:49.199
<v Speaker 1>deny regardless of what we say. Hold on, hold on,

0:18:49.280 --> 0:18:51.480
<v Speaker 1>But that's the clue, someone who's been in the news,

0:18:51.520 --> 0:18:54.639
<v Speaker 1>so it has to be yet. Yeah, yeah, okay, let

0:18:54.640 --> 0:18:57.280
<v Speaker 1>me think hold on. Don't don't spoil because no, no,

0:18:57.320 --> 0:18:59.840
<v Speaker 1>don't give me anything. Hold on dating a country star,

0:19:00.200 --> 0:19:03.400
<v Speaker 1>so it has to be wait, you're assuming dating, oh

0:19:03.520 --> 0:19:06.520
<v Speaker 1>married if they're yeah, they were married. I never even

0:19:06.520 --> 0:19:09.320
<v Speaker 1>thought about Mary. Yeah, it could be either. Why are

0:19:09.320 --> 0:19:10.879
<v Speaker 1>you writing something down? I want to show you. No,

0:19:10.960 --> 0:19:13.240
<v Speaker 1>I want to guess. Oh, I can't think of anybody.

0:19:13.280 --> 0:19:14.960
<v Speaker 1>Can have some fun. That's the point. I want to

0:19:14.960 --> 0:19:16.320
<v Speaker 1>have fun. You guys always get to play the game

0:19:16.680 --> 0:19:18.240
<v Speaker 1>to show you who I think it is. Yes, because

0:19:18.240 --> 0:19:22.639
<v Speaker 1>I have no one, we probably have show Okay, maybe,

0:19:22.880 --> 0:19:25.280
<v Speaker 1>but now I'm not buying it. Oh no, that's not

0:19:25.320 --> 0:19:26.879
<v Speaker 1>what I know. Do I know him? Do I know

0:19:26.960 --> 0:19:32.800
<v Speaker 1>him really? Well? Yeah? No? No, oh then it's not Morgan. No, guys,

0:19:33.440 --> 0:19:38.280
<v Speaker 1>show you Bobby not confirming denying anything. You just deny.

0:19:39.040 --> 0:19:41.600
<v Speaker 1>I would saying no to you that you don't know them. Well, sorry,

0:19:41.600 --> 0:19:45.359
<v Speaker 1>I was refeating myself not to google that person. That's interesting, Amy,

0:19:45.440 --> 0:19:48.919
<v Speaker 1>you have to google that person? Hey what Amy has?

0:19:48.960 --> 0:19:51.440
<v Speaker 1>Whatever Amy says, I'm gonna say out loud, but whatever.

0:19:51.560 --> 0:19:54.320
<v Speaker 1>I want you to just go regardless of what I say,

0:19:54.400 --> 0:19:56.720
<v Speaker 1>just go. Who knows. I want you to already have

0:19:56.760 --> 0:19:59.040
<v Speaker 1>your response ready so people don't judge it based off

0:19:59.080 --> 0:20:02.280
<v Speaker 1>your tone. So whatever I say, go up, who knows Amy?

0:20:02.440 --> 0:20:04.520
<v Speaker 1>Who do you have? I can't you want me to

0:20:04.560 --> 0:20:07.520
<v Speaker 1>say the name? Okay. The only reason why I say

0:20:07.560 --> 0:20:09.239
<v Speaker 1>in the news right now is I just read an

0:20:09.320 --> 0:20:13.560
<v Speaker 1>article about him yesterday. Just things are being said about him.

0:20:13.760 --> 0:20:16.919
<v Speaker 1>No I know who it is, Oh, Jenna kramers Us,

0:20:18.440 --> 0:20:22.399
<v Speaker 1>who knows? Okay? No, No, I know, I know, I know. Okay, Again,

0:20:22.600 --> 0:20:24.560
<v Speaker 1>this is all speculation. Morgan just told me, and she

0:20:24.560 --> 0:20:26.920
<v Speaker 1>didn't even tell me. I will say that I did

0:20:27.040 --> 0:20:31.359
<v Speaker 1>not swipe right on him for a reason. See yeah,

0:20:31.400 --> 0:20:37.400
<v Speaker 1>because because yeah, is it a note to who? I said? Well,

0:20:37.480 --> 0:20:40.240
<v Speaker 1>who knows? Okay? Nice? So the only clue is they're

0:20:40.240 --> 0:20:42.840
<v Speaker 1>in the news for for being was it a marriage

0:20:42.880 --> 0:20:49.480
<v Speaker 1>or was it a day eating? Who knows who? I

0:20:49.480 --> 0:20:53.600
<v Speaker 1>got a question? Was Casey Musgrave's ex husband a musician? Yeah?

0:20:53.640 --> 0:20:54.920
<v Speaker 1>I don't know who he is, but that it could

0:20:54.960 --> 0:20:57.720
<v Speaker 1>be him. He's not in the news right now. Did

0:20:57.800 --> 0:21:00.960
<v Speaker 1>we say right now? No? Yes? Did not right now?

0:21:01.000 --> 0:21:03.359
<v Speaker 1>I just said in the news for who they dated

0:21:03.400 --> 0:21:08.119
<v Speaker 1>as a country star dated Amy, they weren't married, who knows?

0:21:08.119 --> 0:21:11.160
<v Speaker 1>Who knows? So it could have been Casey Muskrat. I mean,

0:21:11.200 --> 0:21:13.480
<v Speaker 1>I don't know who that is her ex husbands Rust

0:21:13.480 --> 0:21:17.400
<v Speaker 1>and Kelly. But she's saying dated, not married. No, she said,

0:21:17.440 --> 0:21:19.800
<v Speaker 1>who knows? No, it could have been either. She said dated.

0:21:20.160 --> 0:21:22.320
<v Speaker 1>She literally said dated. Are there a lot of famous

0:21:22.320 --> 0:21:25.359
<v Speaker 1>people on hinge? No, this is the first one I've seen.

0:21:25.560 --> 0:21:30.600
<v Speaker 1>Are they like B list c Liss? Hey? Who knows? Yeah?

0:21:30.600 --> 0:21:32.840
<v Speaker 1>Who knows? Like I'm Morgan back at it? And you

0:21:32.840 --> 0:21:37.640
<v Speaker 1>didn't want to date them? No? I did not list.

0:21:38.800 --> 0:21:40.159
<v Speaker 1>And maybe I didn't want to date them because I

0:21:40.160 --> 0:21:43.120
<v Speaker 1>just don't find him attractive. I don't know, who knows? Right, hey, yeah? Yes?

0:21:43.720 --> 0:21:46.840
<v Speaker 1>Is there any other celebrity couples that are in the

0:21:46.920 --> 0:21:51.360
<v Speaker 1>news that dated somewhere? It doesn't have Okay, let's think

0:21:51.359 --> 0:21:53.400
<v Speaker 1>of all this thing. Think about this. We're gonna come back.

0:21:53.400 --> 0:21:57.919
<v Speaker 1>What is wrong here so far? And I think if

0:21:57.920 --> 0:21:59.600
<v Speaker 1>she told to be like, oh, but we don't know,

0:22:00.000 --> 0:22:01.760
<v Speaker 1>she's not going to tell her. She's just gonna say, well,

0:22:02.040 --> 0:22:03.879
<v Speaker 1>who knows? That's right and right. I'm just trying to

0:22:03.880 --> 0:22:06.359
<v Speaker 1>think of what the artists have dated in the past. Yeah,

0:22:06.400 --> 0:22:12.520
<v Speaker 1>here's Riley Green, Thomas Rhett Riley Green. No, no, no,

0:22:12.960 --> 0:22:16.399
<v Speaker 1>what does he have when we say no, of course not?

0:22:17.520 --> 0:22:24.560
<v Speaker 1>Oh good one I'm joking. I don't think it's real.

0:22:24.640 --> 0:22:29.439
<v Speaker 1>All right, It's the best bits of the week with Morgan.

0:22:29.560 --> 0:22:34.280
<v Speaker 1>Number two. Abby also had some big news to share

0:22:34.320 --> 0:22:37.200
<v Speaker 1>this week. She hired a vocal coach and she got

0:22:37.200 --> 0:22:39.840
<v Speaker 1>a new singing gig, which was super exciting, and of

0:22:39.880 --> 0:22:41.959
<v Speaker 1>course somebody on the show had a lot to say

0:22:42.000 --> 0:22:44.520
<v Speaker 1>about it, but most of us were just happy for

0:22:44.560 --> 0:22:47.320
<v Speaker 1>Abby and she's doing something that she loves, so super cool.

0:22:47.600 --> 0:22:50.119
<v Speaker 1>And the cool thing about her new singing gig is

0:22:50.119 --> 0:22:52.840
<v Speaker 1>that if you're in the Nashville area, you could hire

0:22:52.880 --> 0:22:55.520
<v Speaker 1>her number five, Hey, Abby, would you mind come to

0:22:55.520 --> 0:22:59.240
<v Speaker 1>the microphone? Abby has an announcement, like two announcements she's

0:22:59.280 --> 0:23:02.520
<v Speaker 1>gonna make. Oh she's dating that dude. What dude, Nate Smith?

0:23:02.560 --> 0:23:06.919
<v Speaker 1>Oh no, I don't think so. Are you okay? Did

0:23:06.920 --> 0:23:10.680
<v Speaker 1>you guys ever talk? No? I can't message me A

0:23:10.760 --> 0:23:12.760
<v Speaker 1>couple of times like good for and I was like

0:23:13.000 --> 0:23:15.760
<v Speaker 1>you sounded awesome. I love Nate Smith. I called on

0:23:15.880 --> 0:23:18.240
<v Speaker 1>myself after the show went that day. Really yeah, I

0:23:18.280 --> 0:23:19.760
<v Speaker 1>never call people after a show, but I was just

0:23:19.760 --> 0:23:21.920
<v Speaker 1>I got his number from Brent and I was like, dude,

0:23:22.000 --> 0:23:25.199
<v Speaker 1>is awesome, Like great job? I like you. That was it.

0:23:25.840 --> 0:23:28.800
<v Speaker 1>I was like, hey, I like it. Click. When's the

0:23:28.880 --> 0:23:32.200
<v Speaker 1>last time you got stalked? Oh? A couple of days ago. Yeah. See,

0:23:32.240 --> 0:23:34.119
<v Speaker 1>her hesitation is always well, I'm gonna let it be.

0:23:34.240 --> 0:23:37.240
<v Speaker 1>I'm not gonna I'm moving on from this. I'm and

0:23:37.280 --> 0:23:38.760
<v Speaker 1>if she ever has something, she can come to us.

0:23:38.880 --> 0:23:41.400
<v Speaker 1>That being said, we got a couple announcements here we're

0:23:41.400 --> 0:23:43.320
<v Speaker 1>gonna do. Number one is I love when people on

0:23:43.320 --> 0:23:45.760
<v Speaker 1>the show decide they're gonna go and work toward a goal.

0:23:46.080 --> 0:23:48.399
<v Speaker 1>They're gonna try to make themselves better because they have

0:23:48.440 --> 0:23:50.840
<v Speaker 1>a passion. Abby, what are you doing to make yourself better?

0:23:51.280 --> 0:23:55.560
<v Speaker 1>So I got a professional voice coach, like I've been

0:23:55.560 --> 0:23:58.879
<v Speaker 1>saying you need to do all along. But the best

0:23:58.920 --> 0:24:01.040
<v Speaker 1>singers have voice coaches. No, that's what I'm saying. I

0:24:01.240 --> 0:24:02.879
<v Speaker 1>told her all along her voice wasn't good enough, that

0:24:02.880 --> 0:24:04.520
<v Speaker 1>she needs to get a voice I don't think people

0:24:04.560 --> 0:24:06.359
<v Speaker 1>don't go to a voice coach because her voice isn't

0:24:06.359 --> 0:24:08.240
<v Speaker 1>good enough. They get a voice coach at the show.

0:24:08.280 --> 0:24:10.560
<v Speaker 1>I'm how to sing to sing a lot multiple nights,

0:24:10.560 --> 0:24:12.280
<v Speaker 1>how to use that rise, And that's what I'm saying.

0:24:12.280 --> 0:24:14.160
<v Speaker 1>I told her that from the beginning, And you guys said,

0:24:14.160 --> 0:24:15.800
<v Speaker 1>I was so rude, and now she doesn't. You guys,

0:24:16.119 --> 0:24:18.040
<v Speaker 1>it's a big deal. I told her telling her for

0:24:18.040 --> 0:24:20.280
<v Speaker 1>a different reason. You were like, you can't sing. Yeah,

0:24:20.359 --> 0:24:21.640
<v Speaker 1>she has to get rid of the nasal, and they'll

0:24:21.680 --> 0:24:23.360
<v Speaker 1>help her do that. So you think if she gets

0:24:23.440 --> 0:24:24.640
<v Speaker 1>rid of the nasal, she could be a good singer.

0:24:24.720 --> 0:24:26.800
<v Speaker 1>She might be able to, but the nasal like it

0:24:26.920 --> 0:24:29.480
<v Speaker 1>like positivity. I told you're saying having a record deal.

0:24:30.040 --> 0:24:35.440
<v Speaker 1>We just heard it. Well that's what I've been saying

0:24:35.440 --> 0:24:36.920
<v Speaker 1>the whole time is she has to get rid of

0:24:36.960 --> 0:24:39.000
<v Speaker 1>the nasal if she even wants to be considered a singer.

0:24:39.160 --> 0:24:40.800
<v Speaker 1>What does the voice coach say to you? Have you been?

0:24:40.960 --> 0:24:44.000
<v Speaker 1>M Yeah, I've been twice, So what have you learned?

0:24:44.520 --> 0:24:47.080
<v Speaker 1>So she has me warm up a lot, and she

0:24:47.160 --> 0:24:49.240
<v Speaker 1>does say I sing through my throat and my nose.

0:24:49.520 --> 0:24:52.639
<v Speaker 1>So it's kind of unlearning old habits. So what do

0:24:52.640 --> 0:24:55.359
<v Speaker 1>you do? She kind of I sang the house that

0:24:55.440 --> 0:24:57.520
<v Speaker 1>built me and she kind of goes through because I

0:24:57.520 --> 0:25:00.159
<v Speaker 1>don't open my mouth very much or a nunciate, so

0:25:00.280 --> 0:25:02.919
<v Speaker 1>I just kind of follow her basically, okay, or at

0:25:02.960 --> 0:25:05.440
<v Speaker 1>the very beginning stages like what give me a little

0:25:05.440 --> 0:25:08.280
<v Speaker 1>bit of that I thought, if I could touch this

0:25:08.640 --> 0:25:15.400
<v Speaker 1>place so feeling it, this brokenness, since some mud start healing,

0:25:16.000 --> 0:25:19.240
<v Speaker 1>that's good. It's already better. Yeah I think, yeah, I

0:25:19.280 --> 0:25:22.840
<v Speaker 1>think already better. Come on, Wow, thinks are going to

0:25:22.880 --> 0:25:25.159
<v Speaker 1>pay off. She just has me be more confident in

0:25:25.160 --> 0:25:27.520
<v Speaker 1>like sing out more instead of being like yeah, so

0:25:27.600 --> 0:25:29.800
<v Speaker 1>do you want to say thank you to me? Or

0:25:29.800 --> 0:25:31.479
<v Speaker 1>what are you gonna? I mean, I've been telling you

0:25:31.560 --> 0:25:33.679
<v Speaker 1>need a voice coach for credit for her trying to

0:25:33.680 --> 0:25:36.240
<v Speaker 1>be you were mean and so you need a voice coach.

0:25:36.920 --> 0:25:40.560
<v Speaker 1>But was it true? But it was for a different reason. Okay,

0:25:40.640 --> 0:25:42.120
<v Speaker 1>did you go to a voice coach? Did you take

0:25:42.160 --> 0:25:44.440
<v Speaker 1>my advice? Did you do it because the lunchbox? No? Okay,

0:25:45.040 --> 0:25:46.760
<v Speaker 1>so that's the first thing you're welcome, is that you

0:25:46.800 --> 0:25:48.520
<v Speaker 1>went to a You're going to a voice coach with

0:25:48.640 --> 0:25:52.040
<v Speaker 1>what goal? I just feel more confident singing and be

0:25:52.080 --> 0:25:54.560
<v Speaker 1>able to sing out more, like as a goal to

0:25:54.800 --> 0:25:56.800
<v Speaker 1>be a singer. I don't know. Maybe you think you

0:25:56.920 --> 0:25:59.640
<v Speaker 1>leave the show to prossessing your career. If I feel

0:25:59.680 --> 0:26:01.480
<v Speaker 1>good up at this point, I don't feel like I'm

0:26:01.600 --> 0:26:04.680
<v Speaker 1>at that level you have to be at. She'll never

0:26:04.720 --> 0:26:08.880
<v Speaker 1>be at that level unless you want to be homeless, lunchbox. Yeah,

0:26:08.880 --> 0:26:10.680
<v Speaker 1>if she leaves this job to go be a singer, Amy,

0:26:10.720 --> 0:26:12.880
<v Speaker 1>she can't make enough money being a singer. I think

0:26:12.880 --> 0:26:15.000
<v Speaker 1>people do it all the time in Nashville. Okay, they're

0:26:15.040 --> 0:26:18.159
<v Speaker 1>doing They have six roommates and they live, you know,

0:26:18.240 --> 0:26:21.520
<v Speaker 1>under a bridge. So what with six roommates? Yeah? Why,

0:26:22.240 --> 0:26:23.840
<v Speaker 1>I don't know if Amy, do you really think? I

0:26:24.440 --> 0:26:28.480
<v Speaker 1>think that she should keep jobs and pursue it. She

0:26:28.520 --> 0:26:31.760
<v Speaker 1>doesn't have to quit everything, which is what like a

0:26:31.800 --> 0:26:33.560
<v Speaker 1>little bit where it's like I think she could possibly

0:26:33.840 --> 0:26:36.200
<v Speaker 1>have and you're like wow, like it is he softening up?

0:26:36.400 --> 0:26:38.520
<v Speaker 1>Well do it if you want to be homeless, and

0:26:38.520 --> 0:26:40.840
<v Speaker 1>then don't drag any of us into what you're saying.

0:26:40.880 --> 0:26:43.320
<v Speaker 1>She could never just leave this job and pursue seeing

0:26:43.480 --> 0:26:46.520
<v Speaker 1>she would not make enough money eventually she's saying she might.

0:26:46.760 --> 0:26:49.000
<v Speaker 1>The next thing is Abby, is that you've she's already

0:26:49.040 --> 0:26:53.399
<v Speaker 1>taken a singing job already she got yes, so go

0:26:53.440 --> 0:26:55.600
<v Speaker 1>ahead tell them what's up? Yeah, So you guys remember

0:26:55.600 --> 0:26:57.760
<v Speaker 1>those Carollers that were at the Christmas party last year

0:26:57.840 --> 0:27:00.479
<v Speaker 1>when you just butted your way into their group. Yeah,

0:27:00.520 --> 0:27:02.320
<v Speaker 1>I was asked to ye asked her to go up

0:27:02.320 --> 0:27:03.880
<v Speaker 1>and sing with him. Yeah, in my house, go ahead,

0:27:03.880 --> 0:27:06.200
<v Speaker 1>and maybe at your house. But at the company Christmas party,

0:27:06.240 --> 0:27:07.560
<v Speaker 1>she just went up and said, and she was the

0:27:07.560 --> 0:27:09.720
<v Speaker 1>only one not in costume. It was like, can I

0:27:09.760 --> 0:27:11.840
<v Speaker 1>sing with you? Guys? Know they love He came out

0:27:11.880 --> 0:27:14.199
<v Speaker 1>and asked me. You didn't see him go ahead anyway.

0:27:14.359 --> 0:27:17.280
<v Speaker 1>So they asked me to be part of the quartet

0:27:17.400 --> 0:27:22.440
<v Speaker 1>to sing around Nashville. So do you get your own

0:27:22.440 --> 0:27:25.919
<v Speaker 1>little Christmas outfit? Yeah, like a door the outfit. I

0:27:25.920 --> 0:27:28.320
<v Speaker 1>mean that's going to be a high paying gig. They

0:27:28.359 --> 0:27:31.119
<v Speaker 1>do pay, Yeah, they do pay any not high they

0:27:31.160 --> 0:27:34.160
<v Speaker 1>have to. Like it's four people, Well, there's multiple groups

0:27:34.400 --> 0:27:37.040
<v Speaker 1>because they're in high demand. It's like it's really good.

0:27:37.800 --> 0:27:40.600
<v Speaker 1>Oh so you're on the low group. It's like it's

0:27:40.640 --> 0:27:44.000
<v Speaker 1>like if you're gonna go to you know, the CEO

0:27:44.280 --> 0:27:46.080
<v Speaker 1>or a fortune five hundred company, they're gonna send the

0:27:46.080 --> 0:27:48.720
<v Speaker 1>best group, and then they're gonna send Abby's group to

0:27:48.760 --> 0:27:52.920
<v Speaker 1>the Sonic to the s and sing to the servers. Like, yeah,

0:27:54.119 --> 0:27:58.040
<v Speaker 1>I wouldn't mind that. So you excited? I am? Yeah?

0:27:58.240 --> 0:28:00.280
<v Speaker 1>How much do you make a shout? You know? So

0:28:00.320 --> 0:28:03.120
<v Speaker 1>it's per hour, it's sixty The first hour and then

0:28:03.160 --> 0:28:09.440
<v Speaker 1>thirty after that. That's big money. So you're talking about

0:28:09.440 --> 0:28:12.600
<v Speaker 1>two hours forty five bucks an hour, and you're doing

0:28:12.600 --> 0:28:15.919
<v Speaker 1>what you love like it's fun. Yeah, the costume, and

0:28:16.160 --> 0:28:20.439
<v Speaker 1>you might meet like guys. Yeah, no, guy's gonna hit

0:28:20.480 --> 0:28:23.159
<v Speaker 1>on you in that outfit? Maybe when do you start?

0:28:24.000 --> 0:28:28.280
<v Speaker 1>So the next rehearsal is Monday, and then the events

0:28:28.320 --> 0:28:30.400
<v Speaker 1>start happening. Abby, here's the thing. Let him know if

0:28:30.520 --> 0:28:32.480
<v Speaker 1>if you were the full outfit, you guys come up

0:28:32.480 --> 0:28:36.800
<v Speaker 1>here and perform. Yeah, yeah, I'm in Okay, let him know. Okay,

0:28:36.840 --> 0:28:38.960
<v Speaker 1>I'll tell them. Yeah. And so the group that you'll

0:28:39.000 --> 0:28:41.520
<v Speaker 1>be singing with, we want you. Don't bring the A team,

0:28:41.560 --> 0:28:43.800
<v Speaker 1>bring the people you're actually gonna be singing with. We'd

0:28:43.800 --> 0:28:45.600
<v Speaker 1>love to Abbit. I'll tell them I got another question.

0:28:45.600 --> 0:28:48.480
<v Speaker 1>We're proud of you, Abby. Good job, Abby. Don't let

0:28:48.520 --> 0:28:50.120
<v Speaker 1>the anchor over here sink y'all all the way to

0:28:50.120 --> 0:28:53.200
<v Speaker 1>the bottom. No, No, the truth teller. Whatever happened to

0:28:53.200 --> 0:28:54.600
<v Speaker 1>that band she was in there, she can play at

0:28:54.600 --> 0:28:56.680
<v Speaker 1>the airport. She just get kicked out. I mean they

0:28:56.680 --> 0:29:00.080
<v Speaker 1>just go right, just one person. Wasn't it kind of

0:29:00.120 --> 0:29:02.520
<v Speaker 1>a band? It was him and then a band also,

0:29:02.640 --> 0:29:04.480
<v Speaker 1>But the airport's probably not going to work out because

0:29:04.480 --> 0:29:07.160
<v Speaker 1>they already they had to get badges and everything, so

0:29:07.360 --> 0:29:10.280
<v Speaker 1>I was not included in the badge getting. Um. But

0:29:10.320 --> 0:29:12.640
<v Speaker 1>they're gonna play at other places around like puckets, and

0:29:12.680 --> 0:29:14.479
<v Speaker 1>don't let them bring you down. You know, I'm not yet.

0:29:14.560 --> 0:29:16.920
<v Speaker 1>He never pursues anything. Hi, Why don't have to answers?

0:29:16.920 --> 0:29:19.200
<v Speaker 1>I don't even to answer no, no, But you bring

0:29:19.280 --> 0:29:20.760
<v Speaker 1>up all all the all these gigs all I'm in

0:29:20.880 --> 0:29:23.120
<v Speaker 1>this band that's gonna play at the airport. Never happened

0:29:23.160 --> 0:29:25.080
<v Speaker 1>because she thought because they know, because that band thought

0:29:25.120 --> 0:29:26.360
<v Speaker 1>that we're gonna say their name on the air, and

0:29:26.360 --> 0:29:28.880
<v Speaker 1>we never did. So they cut her. I'm just what

0:29:29.000 --> 0:29:34.360
<v Speaker 1>acting things have you heard of? You know, like I

0:29:34.480 --> 0:29:39.520
<v Speaker 1>cut his lines. I wasn't gonna say, Abby, we're proud

0:29:39.560 --> 0:29:41.200
<v Speaker 1>of you, thank you, and then let the group know

0:29:41.240 --> 0:29:42.800
<v Speaker 1>if they want to come in and fully addressed all

0:29:42.840 --> 0:29:44.600
<v Speaker 1>you guys, you could do a song or two. Okay, okay,

0:29:44.840 --> 0:29:48.240
<v Speaker 1>there she is. Let's hey, let's clap for Abby. Do it?

0:29:48.280 --> 0:29:50.640
<v Speaker 1>Always say phone screenerpecial people know we'res but she does

0:29:50.680 --> 0:29:53.840
<v Speaker 1>so much behind the scenes as well. That is Abby.

0:29:54.000 --> 0:29:59.200
<v Speaker 1>It's the best bits of the Week with Morgan. Number two, Boy,

0:29:59.360 --> 0:30:03.120
<v Speaker 1>was this a controversial one. Eddie secretly recorded Lunchbox while

0:30:03.120 --> 0:30:06.600
<v Speaker 1>he was on a customer service call. And it's controversial

0:30:06.680 --> 0:30:09.400
<v Speaker 1>because of the things that Lunchbox said while he was

0:30:09.440 --> 0:30:13.440
<v Speaker 1>on this call. And it's controversial because Eddie secretly recorded

0:30:13.520 --> 0:30:15.480
<v Speaker 1>him and some people did not like that. People are

0:30:15.560 --> 0:30:19.320
<v Speaker 1>not enjoying the secretly recorded things that are happening. But listen,

0:30:19.800 --> 0:30:21.840
<v Speaker 1>this is like a family around here, a bunch of friends.

0:30:22.000 --> 0:30:25.560
<v Speaker 1>And if you are giving your brothers and sisters a

0:30:25.600 --> 0:30:27.680
<v Speaker 1>hard time, that's what we do on the show. And

0:30:27.720 --> 0:30:30.800
<v Speaker 1>our secretly recording is just us doing that. It's like

0:30:30.880 --> 0:30:34.680
<v Speaker 1>sibling rivalry or siblings having fun with each other. So

0:30:34.840 --> 0:30:38.200
<v Speaker 1>just look at it from that perspective, because this is hilarious.

0:30:38.480 --> 0:30:41.880
<v Speaker 1>And some of y'all might even agree with what Lunchbox

0:30:42.400 --> 0:30:45.240
<v Speaker 1>did and how we approached it. I don't know, see

0:30:45.240 --> 0:30:49.320
<v Speaker 1>for yourself. Number four. We love recording people secretly, don't we. Yeah. Yeah,

0:30:50.200 --> 0:30:52.040
<v Speaker 1>So every once a while, I get a little birdie

0:30:52.040 --> 0:30:55.080
<v Speaker 1>that flies in goes got a little something, and that

0:30:55.160 --> 0:30:59.360
<v Speaker 1>birdie is Eddie. Guys, we got another one, an one

0:31:00.520 --> 0:31:03.960
<v Speaker 1>go ahead. Look when someone's talking trash or doing something

0:31:03.960 --> 0:31:05.880
<v Speaker 1>that I think is worthy to bring the show. And

0:31:05.920 --> 0:31:07.720
<v Speaker 1>they're in front of a microphone. You know what I'm

0:31:07.720 --> 0:31:09.480
<v Speaker 1>gonna do. I'm gonna go to Scooba and say, hey,

0:31:09.640 --> 0:31:11.640
<v Speaker 1>hit record on this. We're gonna use this later. Okay,

0:31:11.640 --> 0:31:14.160
<v Speaker 1>So what happened lunch Box. He's on the phone with

0:31:14.320 --> 0:31:17.560
<v Speaker 1>I think customer Service. He's sitting at his desk. Why

0:31:17.560 --> 0:31:21.440
<v Speaker 1>did you grind? Because I did call customer service and

0:31:21.520 --> 0:31:25.120
<v Speaker 1>he is talking so rude to them, like rude to

0:31:25.240 --> 0:31:27.840
<v Speaker 1>them that I tell Scuba we got a role on this.

0:31:28.400 --> 0:31:30.520
<v Speaker 1>You know, if you're sitting by a microphone, Lunchbox, someone's

0:31:30.520 --> 0:31:33.040
<v Speaker 1>gonna I wasn't even thinking, man, I was on the phone.

0:31:34.160 --> 0:31:35.880
<v Speaker 1>I was in my chair there. You know, what were

0:31:35.880 --> 0:31:39.480
<v Speaker 1>you complaining about? Because my cable hadn't worked for two

0:31:39.520 --> 0:31:43.240
<v Speaker 1>weeks and every time I call, they say, oh yeah, yeah,

0:31:43.280 --> 0:31:45.479
<v Speaker 1>we'll run some you know, we'll run technical support here

0:31:45.480 --> 0:31:47.720
<v Speaker 1>and we'll try to diagnose the problem and we'll get

0:31:47.760 --> 0:31:49.720
<v Speaker 1>that fixed. And we did that three times. They mailed

0:31:49.720 --> 0:31:52.280
<v Speaker 1>me three new cable boxes, none of it worked. And

0:31:52.360 --> 0:31:55.040
<v Speaker 1>then I call again and she's like, oh yeah, you know,

0:31:55.080 --> 0:31:57.440
<v Speaker 1>we'll just what'll trouble shoot from here? No, no, no, no no, no, no,

0:31:57.440 --> 0:31:59.680
<v Speaker 1>no more troubles shooting from there, I need someone at

0:31:59.720 --> 0:32:03.600
<v Speaker 1>my house. No more. And then no no, no, no more.

0:32:03.600 --> 0:32:08.520
<v Speaker 1>In then that's from And then she says, what's gonna

0:32:08.520 --> 0:32:10.600
<v Speaker 1>be a ninety nine dollars fee for them to come? No,

0:32:10.600 --> 0:32:12.440
<v Speaker 1>no, no no, that's not ninety nine dollars fee because you're

0:32:12.440 --> 0:32:15.880
<v Speaker 1>stuff doesn't work. No, so I'm getting heated right now.

0:32:16.080 --> 0:32:18.640
<v Speaker 1>Not her fault though, right, yes, her fault. Okay, so

0:32:18.760 --> 0:32:20.840
<v Speaker 1>here's a club. I haven't heard it yet. Eddie claims

0:32:20.840 --> 0:32:23.400
<v Speaker 1>he recorded this from Lunchbox on with customer service. Go ahead.

0:32:23.480 --> 0:32:26.520
<v Speaker 1>No no, no, no no, no, no, no excuse me, no no,

0:32:26.560 --> 0:32:28.520
<v Speaker 1>that's not how it's gonna go. No, no, no no no.

0:32:28.600 --> 0:32:31.880
<v Speaker 1>I'm not paying ninety nine dollars for you to come

0:32:31.880 --> 0:32:35.680
<v Speaker 1>out and fix your equipment that's not working. No no, no no,

0:32:36.240 --> 0:32:38.080
<v Speaker 1>you can put on you whatever you need to write

0:32:38.080 --> 0:32:40.800
<v Speaker 1>on the account you write. No, I'm not paying ninety

0:32:40.880 --> 0:32:44.640
<v Speaker 1>nine dollars. My cable hasn't worked for two weeks. Do

0:32:46.160 --> 0:32:50.440
<v Speaker 1>you understand? I am Lunchbox from the Bobby Bone. I

0:32:50.480 --> 0:32:53.800
<v Speaker 1>will go on Twitter, Instagram, my social media and I

0:32:53.840 --> 0:32:56.040
<v Speaker 1>can bash your company if that's what I need to do.

0:32:56.400 --> 0:32:59.040
<v Speaker 1>But I'm not gonna pay ninety nine dollars for you

0:32:59.040 --> 0:33:01.600
<v Speaker 1>guys to come figure the broken thing. We're not gonna

0:33:01.840 --> 0:33:05.160
<v Speaker 1>run oh technical support from there. I've done technical support

0:33:05.240 --> 0:33:08.480
<v Speaker 1>from you guys three different times, and every time, oh,

0:33:08.560 --> 0:33:11.200
<v Speaker 1>it's gonna be fixed, it's never fixed. So now I

0:33:11.280 --> 0:33:14.960
<v Speaker 1>need a human, a human to come to my house

0:33:15.240 --> 0:33:18.040
<v Speaker 1>and fix it. No more of this trying to diagnostic

0:33:18.240 --> 0:33:22.960
<v Speaker 1>whatever crap through the phone. Yes, yes, then give me

0:33:23.000 --> 0:33:25.080
<v Speaker 1>a supervisor and let's figure it out. You can have

0:33:25.120 --> 0:33:28.200
<v Speaker 1>a supervisor call me. That's fine, but I am not

0:33:28.240 --> 0:33:32.160
<v Speaker 1>paying ninety nine dollars. I listen being that I am

0:33:32.240 --> 0:33:34.320
<v Speaker 1>Lunchbox from the Bobby Bone Show. I have a huge

0:33:34.320 --> 0:33:37.160
<v Speaker 1>social media following, and I am not afraid to use

0:33:37.200 --> 0:33:39.600
<v Speaker 1>my social media to get on there and get what

0:33:39.720 --> 0:33:42.280
<v Speaker 1>I need. So let's make an appointment for someone to

0:33:42.320 --> 0:33:45.720
<v Speaker 1>come to my house. Yes, fine, I will wait for

0:33:45.760 --> 0:33:49.400
<v Speaker 1>your supervisor to call me back. I got a couple things.

0:33:49.400 --> 0:33:53.400
<v Speaker 1>One is that real? That's legit' that's not that's real,

0:33:53.520 --> 0:33:59.640
<v Speaker 1>that's real? Why would you say? Because this lady wants

0:33:59.640 --> 0:34:02.600
<v Speaker 1>to run diagnostics for the fourth time. They've sent me

0:34:02.640 --> 0:34:05.120
<v Speaker 1>three new cable boxes, and she wants to charge me

0:34:08.239 --> 0:34:12.919
<v Speaker 1>that LR was that real NR? Oh it's crazy, dude,

0:34:12.920 --> 0:34:15.080
<v Speaker 1>and your name came I can't you can't use you

0:34:15.120 --> 0:34:18.719
<v Speaker 1>can't use my name. Your name was totally brought up.

0:34:19.080 --> 0:34:22.920
<v Speaker 1>You can't use my name. I'm a celebrity. I'll tweet

0:34:22.960 --> 0:34:25.839
<v Speaker 1>it out O that, but that's how you do It's

0:34:25.920 --> 0:34:28.120
<v Speaker 1>hilarious and crune worthy. But you can't use my I

0:34:28.160 --> 0:34:29.600
<v Speaker 1>don't care if I say your lunchbox don't give a

0:34:29.600 --> 0:34:33.759
<v Speaker 1>crap like your lunchbox losers podcast that. I don't care.

0:34:33.960 --> 0:34:36.080
<v Speaker 1>I don't use my name because you're all. But if

0:34:36.120 --> 0:34:37.880
<v Speaker 1>you go, if you go on social media and you

0:34:37.920 --> 0:34:41.200
<v Speaker 1>tweet things out, guess what you get a response like that? Okay,

0:34:41.239 --> 0:34:44.200
<v Speaker 1>did you no? Because a supervisor called me back and

0:34:44.239 --> 0:34:46.960
<v Speaker 1>guess what. Someone's coming to my house and there is

0:34:46.960 --> 0:34:49.759
<v Speaker 1>no ninety nine dollars feet thank you. That's what you

0:34:49.760 --> 0:34:51.600
<v Speaker 1>have to do. You have to get a little oh

0:34:51.760 --> 0:34:53.640
<v Speaker 1>got a little raise your voice a little bit and

0:34:53.719 --> 0:34:55.920
<v Speaker 1>get into them. And that's how you do it. I mean,

0:34:56.000 --> 0:34:58.040
<v Speaker 1>let's not send that message though, right, But that's how

0:34:58.120 --> 0:35:00.239
<v Speaker 1>you treat customer service to get what you want. I

0:35:00.320 --> 0:35:02.319
<v Speaker 1>just you can't use my name when you're yelling at

0:35:02.320 --> 0:35:04.799
<v Speaker 1>people no, no. That whole clip made me uncomfortable, in

0:35:04.840 --> 0:35:06.640
<v Speaker 1>addition to the fact that I don't know he has

0:35:06.680 --> 0:35:10.440
<v Speaker 1>some flint situation happening, like he's trying to yell, but

0:35:10.480 --> 0:35:13.000
<v Speaker 1>it's all like yeah, and he does a lot of

0:35:14.000 --> 0:35:17.160
<v Speaker 1>like repeating partial words when he's flustered. No, no, no no, no, no,

0:35:19.760 --> 0:35:21.879
<v Speaker 1>And we all have our own things, but that one

0:35:22.360 --> 0:35:26.000
<v Speaker 1>it intensified because he was intensifying. Yeah, you can't eat,

0:35:26.080 --> 0:35:28.080
<v Speaker 1>I'll talk to people that way, lunch pot No, no,

0:35:28.160 --> 0:35:30.440
<v Speaker 1>they don't. What about the way she was talking to

0:35:30.480 --> 0:35:33.160
<v Speaker 1>me that I don't know what you're saying. But what

0:35:33.440 --> 0:35:36.400
<v Speaker 1>about the oh, you know, we're gonna run diagnostics from here? No, no,

0:35:36.440 --> 0:35:39.360
<v Speaker 1>we've done that enough. Like that's her talking down. I

0:35:39.400 --> 0:35:40.719
<v Speaker 1>don't you know what. I don't care about any of that.

0:35:40.920 --> 0:35:44.520
<v Speaker 1>You just can't say my name whenever you're just you can't.

0:35:44.600 --> 0:35:46.560
<v Speaker 1>I don't like that, but also I love it. I

0:35:46.600 --> 0:35:48.680
<v Speaker 1>don't know what to feel. I'm so torn. I knew

0:35:48.719 --> 0:35:51.960
<v Speaker 1>you'd like the best audio we've ever had, and I'm

0:35:52.000 --> 0:35:54.759
<v Speaker 1>frustrated right now. I'm frustrated right now, me too, me too.

0:35:54.840 --> 0:35:56.279
<v Speaker 1>But I'm on and I still and I have someone

0:35:56.320 --> 0:35:58.040
<v Speaker 1>coming to my house and I'm still frustrated the fact

0:35:58.040 --> 0:35:59.359
<v Speaker 1>that they were going to try to charge me now

0:35:59.360 --> 0:36:01.399
<v Speaker 1>and yelled I'm a celebrity and I will tweet out

0:36:01.440 --> 0:36:03.360
<v Speaker 1>and bash you for our listeners that think this is

0:36:03.400 --> 0:36:06.600
<v Speaker 1>just a bit when you heard it right there and

0:36:06.640 --> 0:36:09.080
<v Speaker 1>then I was even like, what was that real? It work?

0:36:09.320 --> 0:36:12.799
<v Speaker 1>You're dead series too? Did you tell Sally to wash

0:36:12.840 --> 0:36:19.080
<v Speaker 1>her back? No? I didn't wash your bag, Sally. Well,

0:36:19.120 --> 0:36:22.320
<v Speaker 1>I hope it gets fixed, like just Hollie, like, you

0:36:22.360 --> 0:36:24.359
<v Speaker 1>guys are getting me fired up again. Don't use my name,

0:36:24.719 --> 0:36:26.680
<v Speaker 1>Neil got it, got it, But I can use my

0:36:26.680 --> 0:36:28.400
<v Speaker 1>Twitter on Instagram and let me tell you, you'll get

0:36:28.400 --> 0:36:30.840
<v Speaker 1>a response like that. I've done doing it, I know,

0:36:30.840 --> 0:36:34.520
<v Speaker 1>because I got what I needed Airline. I've done it before. Okay, well,

0:36:34.520 --> 0:36:39.120
<v Speaker 1>I'm gonna play this song. I'm a celebrity. I'll tweet

0:36:39.160 --> 0:36:47.000
<v Speaker 1>it out. It's the best Bits of the Week with Morgan.

0:36:47.120 --> 0:36:53.680
<v Speaker 1>Number two. Everyone loves when Keith Urban comes on our show,

0:36:53.760 --> 0:36:57.000
<v Speaker 1>including us, because he's such a fun guy to hear

0:36:57.080 --> 0:37:00.680
<v Speaker 1>stories from, and he always just brings up some cool things,

0:37:00.840 --> 0:37:03.440
<v Speaker 1>like he shared that he saw Harry Styles in the

0:37:03.520 --> 0:37:06.680
<v Speaker 1>nineteen seventy five and talked about going to the nineteen

0:37:06.680 --> 0:37:10.560
<v Speaker 1>seventy five concert in Nashville by himself and people on TikTok.

0:37:10.560 --> 0:37:13.440
<v Speaker 1>We're loving it because it was like Keith Urban, he's

0:37:13.480 --> 0:37:15.239
<v Speaker 1>just like us. Stars are just like us. I know,

0:37:15.280 --> 0:37:18.279
<v Speaker 1>they're real humans. It's crazy to even think that, but

0:37:18.600 --> 0:37:21.000
<v Speaker 1>Keith Urban is one of the best, and he's super

0:37:21.120 --> 0:37:24.160
<v Speaker 1>nice and just always has great things to share. So

0:37:24.280 --> 0:37:28.560
<v Speaker 1>check out this full interview number three on the Bobby

0:37:28.560 --> 0:37:32.959
<v Speaker 1>Bones Show. Now, everybody say good morning to Keith Morning.

0:37:33.280 --> 0:37:37.880
<v Speaker 1>I was comment being back in class. It's so funny

0:37:37.880 --> 0:37:40.600
<v Speaker 1>commenting about you because we were both backstage at the

0:37:40.640 --> 0:37:43.040
<v Speaker 1>CMAS and everybody was just trying to get a second

0:37:43.040 --> 0:37:45.080
<v Speaker 1>with you. You're, you know, the bell of the ball

0:37:45.120 --> 0:37:47.000
<v Speaker 1>when you do something like this, and rightfully so former

0:37:47.080 --> 0:37:49.120
<v Speaker 1>entertainer with you, I think I have thirteen or fourteen cmas,

0:37:49.640 --> 0:37:51.319
<v Speaker 1>so you're there and I don't want to bother you,

0:37:51.400 --> 0:37:54.279
<v Speaker 1>although I do love you personally and feel like if

0:37:54.320 --> 0:37:56.359
<v Speaker 1>we were at a restaurant, I would stop and talk

0:37:56.400 --> 0:37:58.480
<v Speaker 1>and sit and talk like I feel like we're we

0:37:58.520 --> 0:38:00.719
<v Speaker 1>have that relationship totally. But I want to as a

0:38:00.760 --> 0:38:03.799
<v Speaker 1>professional into my house many times, absolutely, but it's a

0:38:03.800 --> 0:38:05.759
<v Speaker 1>professional thing. I'm like Hey, hey, kee's good to see it,

0:38:05.760 --> 0:38:08.120
<v Speaker 1>and you had the wherewithal to go, Hey, I'm coming

0:38:08.200 --> 0:38:09.320
<v Speaker 1>up to do your show, And I'm like, how the

0:38:09.320 --> 0:38:11.319
<v Speaker 1>world did you remember that in the middle of all

0:38:11.360 --> 0:38:15.040
<v Speaker 1>of these like way more important people. Do you prioritize

0:38:15.120 --> 0:38:18.160
<v Speaker 1>being a kind person or is that just like intrinsically

0:38:18.200 --> 0:38:20.560
<v Speaker 1>inside of you. I think it's more about being in

0:38:20.560 --> 0:38:24.239
<v Speaker 1>the moment. But I mean, you were It wasn't even

0:38:24.280 --> 0:38:25.640
<v Speaker 1>like you saw me and I thought you were like,

0:38:25.760 --> 0:38:27.279
<v Speaker 1>I'm gonna come to your show. I was like, how

0:38:27.280 --> 0:38:29.279
<v Speaker 1>are you thinking about that right now? Whenever you have

0:38:29.400 --> 0:38:31.400
<v Speaker 1>all of this going on? Are you that in love

0:38:31.440 --> 0:38:37.480
<v Speaker 1>with me? Be honest, I can accept that I am.

0:38:37.520 --> 0:38:40.799
<v Speaker 1>I was just I was looking for you everywhere. I

0:38:40.840 --> 0:38:43.520
<v Speaker 1>was really speaking to how like I actually have a

0:38:43.520 --> 0:38:45.920
<v Speaker 1>countdown wall, a clock on my wall, but when I

0:38:45.960 --> 0:38:47.799
<v Speaker 1>was coming in here this morning, it's been out there

0:38:47.840 --> 0:38:50.839
<v Speaker 1>for weeks, so I was just ready this counting down. Well,

0:38:50.880 --> 0:38:52.839
<v Speaker 1>I was coming into the guys like, it's just how like,

0:38:52.840 --> 0:38:54.920
<v Speaker 1>thank you for sending me the clock. By the way,

0:38:55.280 --> 0:38:57.840
<v Speaker 1>it's my face and it counts down to me. But

0:38:57.920 --> 0:38:59.600
<v Speaker 1>I do You're like the best, You're the best. I

0:38:59.600 --> 0:39:03.400
<v Speaker 1>don't know how you do it, but you're consistently generous

0:39:04.080 --> 0:39:08.600
<v Speaker 1>and kind with your emotions and just an understanding of

0:39:08.600 --> 0:39:10.880
<v Speaker 1>where you are. So I'm like asking a question, but

0:39:10.880 --> 0:39:14.919
<v Speaker 1>I just want to recognize that genuinely grateful for where

0:39:14.920 --> 0:39:16.919
<v Speaker 1>I am and what I get to do, genuinely which

0:39:16.960 --> 0:39:20.960
<v Speaker 1>has come from contrasts of the complete opposite of that.

0:39:21.080 --> 0:39:24.880
<v Speaker 1>You know, were you weren't grateful where I wasn't in

0:39:24.920 --> 0:39:27.680
<v Speaker 1>a healthy place in my life. And I've been playing

0:39:27.760 --> 0:39:30.279
<v Speaker 1>music since I was, you know, seven years old on

0:39:30.400 --> 0:39:34.000
<v Speaker 1>stages and playing in clubs since I was twelve thirteen.

0:39:34.480 --> 0:39:36.920
<v Speaker 1>It's all I've ever done. And at some point, you know,

0:39:38.800 --> 0:39:41.240
<v Speaker 1>especially come to Nashville early on, and just like hitting

0:39:41.239 --> 0:39:44.600
<v Speaker 1>brick wall after brick wall, it was really really tough.

0:39:44.640 --> 0:39:48.480
<v Speaker 1>And that was years and years of just constant rejection

0:39:48.680 --> 0:39:51.799
<v Speaker 1>and just dark, a dark place in my life. So

0:39:52.000 --> 0:39:54.800
<v Speaker 1>coming through that and getting to where I am today

0:39:55.080 --> 0:39:58.200
<v Speaker 1>is why I'm so grateful for it. Was there a

0:39:58.239 --> 0:40:03.960
<v Speaker 1>person and wasn't hole that has been you know who's

0:40:04.560 --> 0:40:07.960
<v Speaker 1>I don't know, motivated and inspired you Like I've been

0:40:08.120 --> 0:40:14.479
<v Speaker 1>your main advisor on hey positivity, like search that out.

0:40:14.719 --> 0:40:17.040
<v Speaker 1>She's very good with that. Yeah, she's very good at

0:40:18.880 --> 0:40:20.839
<v Speaker 1>trying to just keep be a bit more part. I mean,

0:40:20.880 --> 0:40:23.080
<v Speaker 1>we can both fall into that and the negativity trap,

0:40:23.120 --> 0:40:26.879
<v Speaker 1>but she's very good at moving past it. If I'm

0:40:26.960 --> 0:40:29.959
<v Speaker 1>not feeling creative, or if I'm tired and I really

0:40:29.960 --> 0:40:32.440
<v Speaker 1>have to have a show coming up and I got

0:40:32.480 --> 0:40:33.880
<v Speaker 1>to think of some stuff I take. I take a shower,

0:40:33.920 --> 0:40:35.439
<v Speaker 1>like that's my place to go, or I can really think,

0:40:35.640 --> 0:40:36.799
<v Speaker 1>do you have do you have a place like that,

0:40:36.880 --> 0:40:38.359
<v Speaker 1>or do you have even a place that you go

0:40:38.800 --> 0:40:40.880
<v Speaker 1>that is like a vacation spot where it's like I

0:40:40.920 --> 0:40:44.360
<v Speaker 1>just need to recharge and I'm tired, I'm creatively exhausted.

0:40:44.440 --> 0:40:45.839
<v Speaker 1>Where do you go? What do you do? The beach?

0:40:45.920 --> 0:40:48.319
<v Speaker 1>Does that? For me? Doesn't matter which one? Nope. I

0:40:48.440 --> 0:40:51.960
<v Speaker 1>just love being in the salt order. It's it's unbelievably healing.

0:40:52.440 --> 0:40:55.799
<v Speaker 1>Do you swim in the ocean? Yeah? Yeah, And I

0:40:55.760 --> 0:40:58.040
<v Speaker 1>don't care if it's freezing cold or hot, it doesn't matter.

0:40:58.120 --> 0:41:01.239
<v Speaker 1>You'll get in the cold ocean. I assume now. I

0:41:01.320 --> 0:41:02.920
<v Speaker 1>never had an affinity for the beach, but I grew

0:41:02.960 --> 0:41:04.840
<v Speaker 1>up in a landlocked state in Arkansas. I never had it.

0:41:04.840 --> 0:41:06.120
<v Speaker 1>We never want a vacation, so I didn't know the

0:41:06.160 --> 0:41:08.520
<v Speaker 1>beach at all until I get older. But you growing

0:41:08.600 --> 0:41:10.040
<v Speaker 1>up where there was a lot of water, do you

0:41:10.040 --> 0:41:12.279
<v Speaker 1>think that's what it is? Doesn't remind you of a

0:41:12.280 --> 0:41:15.799
<v Speaker 1>happier time when you were a child? Maybe probably? I

0:41:15.840 --> 0:41:19.440
<v Speaker 1>mean it's just cathotic for me being in being in

0:41:19.480 --> 0:41:21.800
<v Speaker 1>the ocean anywhere. I don't know. I guess there's just

0:41:21.840 --> 0:41:24.799
<v Speaker 1>all those stinging things in the salt. It's just so

0:41:24.880 --> 0:41:27.000
<v Speaker 1>foreign to me. Do you ever wonder what's way down there?

0:41:27.040 --> 0:41:29.880
<v Speaker 1>Because we look up for aliens, right we can't get

0:41:29.920 --> 0:41:32.040
<v Speaker 1>to the bottom of the ocean. See, you've been watching

0:41:32.080 --> 0:41:34.719
<v Speaker 1>an ancient aliens have It's just they live under the water.

0:41:34.760 --> 0:41:37.560
<v Speaker 1>We literally have no idea what's under there. We can

0:41:37.600 --> 0:41:39.719
<v Speaker 1>go up further than we can go down. I know

0:41:39.760 --> 0:41:42.280
<v Speaker 1>it's crazy, right, but it's a whole show onto itself.

0:41:42.360 --> 0:41:43.759
<v Speaker 1>Right now, I could do it right, You and I

0:41:43.840 --> 0:41:47.320
<v Speaker 1>could do the show about Yeah, me too. I'm fascinated

0:41:47.320 --> 0:41:51.239
<v Speaker 1>by me thinking about this because I'm probably wrong. You

0:41:51.280 --> 0:41:52.919
<v Speaker 1>have a room full of aliens right here. You could

0:41:52.920 --> 0:41:54.520
<v Speaker 1>ask them where they where do you guys who live

0:41:55.040 --> 0:42:00.680
<v Speaker 1>under water? Is that alien language? Ye? Hey, what's the difference?

0:42:00.960 --> 0:42:03.280
<v Speaker 1>Because I know you're doing another residency at the Zappo

0:42:03.280 --> 0:42:05.480
<v Speaker 1>stat or plane in Hollywood. Yeah, what's the difference in

0:42:05.520 --> 0:42:08.560
<v Speaker 1>a show like that and a show if you're touring

0:42:08.640 --> 0:42:11.319
<v Speaker 1>around the country. You can build stuff that you don't

0:42:11.320 --> 0:42:13.279
<v Speaker 1>have to worry about packing up. That's cool. I'm putting

0:42:13.320 --> 0:42:15.399
<v Speaker 1>in a truck every night because it stays. Yeah, Because

0:42:15.400 --> 0:42:17.080
<v Speaker 1>sometimes I come up with ideas for our shows and

0:42:17.080 --> 0:42:19.799
<v Speaker 1>they're like, we can't put that in the venue. I'm like,

0:42:20.880 --> 0:42:22.799
<v Speaker 1>I won't fit in a truck, blah blah blah. So

0:42:22.800 --> 0:42:24.560
<v Speaker 1>you don't worry about that. Do you have to do

0:42:24.600 --> 0:42:27.680
<v Speaker 1>a lot of pre creative for these shows because you're

0:42:27.680 --> 0:42:30.040
<v Speaker 1>talking about building and putting things out there? Is it

0:42:30.080 --> 0:42:33.319
<v Speaker 1>a different kind of creative? Yeah? And always coming up

0:42:33.320 --> 0:42:36.000
<v Speaker 1>with something different as challenging because you've seen it all

0:42:36.200 --> 0:42:39.759
<v Speaker 1>and and I'm always trying to think of some other thing,

0:42:40.160 --> 0:42:43.719
<v Speaker 1>just some other thing that I haven't seen. That's tough

0:42:43.760 --> 0:42:47.080
<v Speaker 1>to think of things you haven't seen. Yeah, you ever

0:42:47.440 --> 0:42:49.400
<v Speaker 1>think of a thing that gets that They're like, no,

0:42:49.520 --> 0:42:52.080
<v Speaker 1>you can't. You just can't do that, Like you cannot

0:42:52.080 --> 0:42:55.800
<v Speaker 1>do the huge inflatable butt crack that was one of

0:42:55.840 --> 0:42:58.560
<v Speaker 1>these you can't walk in and out of it during

0:42:58.560 --> 0:43:00.319
<v Speaker 1>the I mean, do you ever have an idea with Keith.

0:43:00.320 --> 0:43:02.800
<v Speaker 1>We can't do that. Why would that be the first?

0:43:02.840 --> 0:43:06.919
<v Speaker 1>I don't know. I don't wondering volume. I know it does.

0:43:07.480 --> 0:43:09.759
<v Speaker 1>The residency, Why you win? Keith and the Inflatable buck

0:43:09.760 --> 0:43:12.440
<v Speaker 1>Crack starts Friday, March third, twenty twenty three. There is

0:43:12.480 --> 0:43:15.960
<v Speaker 1>no buck Crack uh sixteen dates. I will say this

0:43:16.000 --> 0:43:19.560
<v Speaker 1>about the show. It is more intimate in this theater

0:43:19.560 --> 0:43:21.520
<v Speaker 1>because you're right on top of you. Yeah, and that

0:43:21.560 --> 0:43:23.279
<v Speaker 1>does sound that sounds good too. Yeah if you've just

0:43:23.360 --> 0:43:27.400
<v Speaker 1>joined us, Yeah, but you're much closer to the audience. Yeah.

0:43:27.400 --> 0:43:29.240
<v Speaker 1>You know, like I said, I grew up playing the clubs.

0:43:29.680 --> 0:43:32.160
<v Speaker 1>Every gig to me is a club. Whether there's five

0:43:32.200 --> 0:43:34.960
<v Speaker 1>people with fifty thousand, it's a club, and I play

0:43:35.080 --> 0:43:37.760
<v Speaker 1>I play it like it's a club. Tickets on sale

0:43:37.760 --> 0:43:41.120
<v Speaker 1>ticketmaster dot com, slash Keith Urban Vegas. All of our

0:43:41.160 --> 0:43:43.840
<v Speaker 1>Vegas listeners or people traveling to Vegas go to this show.

0:43:43.880 --> 0:43:45.719
<v Speaker 1>It is excellent goo see Keith that he's touring. But

0:43:45.960 --> 0:43:48.279
<v Speaker 1>these shows specifically are really good because again, you're you're

0:43:48.280 --> 0:43:51.000
<v Speaker 1>super close to Keith. It's very personal. We're gonna come

0:43:51.000 --> 0:43:52.360
<v Speaker 1>back in one second. I do want to play your

0:43:52.400 --> 0:43:54.200
<v Speaker 1>new song though the Street Call Me than you can

0:43:54.239 --> 0:43:58.560
<v Speaker 1>if we play it please? What if you said no, yeah, yeah, hey,

0:43:58.600 --> 0:44:00.400
<v Speaker 1>tell me about tell me about Street Called Me? And

0:44:00.400 --> 0:44:04.120
<v Speaker 1>why why did you record this one? I realized when

0:44:04.200 --> 0:44:06.840
<v Speaker 1>when we get sent songs, and obviously I'll write a

0:44:06.840 --> 0:44:09.200
<v Speaker 1>lot of songs, but when I hear a song, I

0:44:09.280 --> 0:44:11.520
<v Speaker 1>realize the other day, I'm hearing it the same way

0:44:11.520 --> 0:44:13.960
<v Speaker 1>that your listeners here for the first time. It's the

0:44:14.040 --> 0:44:18.000
<v Speaker 1>same thing. I didn't write it. I hit play the song,

0:44:18.000 --> 0:44:19.279
<v Speaker 1>it hits me and I go, oh my god, I

0:44:19.320 --> 0:44:22.520
<v Speaker 1>love this song. I love the melody, the lyric, the centiment,

0:44:22.719 --> 0:44:25.279
<v Speaker 1>everything about it. And that was what street Cool name

0:44:25.360 --> 0:44:26.799
<v Speaker 1>was that from me? You ever thought about doing a

0:44:26.800 --> 0:44:29.919
<v Speaker 1>concept album of a completely different genre? Someone said, I've

0:44:29.920 --> 0:44:35.080
<v Speaker 1>done that, but but for example, death metal, hip hop,

0:44:35.120 --> 0:44:38.960
<v Speaker 1>pole something that's so far removed from your influences, which

0:44:38.960 --> 0:44:41.640
<v Speaker 1>I say you've successfully bright influences in a country music

0:44:41.640 --> 0:44:43.560
<v Speaker 1>that other people now using as normal. I think that's

0:44:43.560 --> 0:44:46.160
<v Speaker 1>a huge Hopefully that's a compliment to you. You ever

0:44:46.160 --> 0:44:49.440
<v Speaker 1>thought about doing a crazy concept album because you're inspired

0:44:49.480 --> 0:44:52.040
<v Speaker 1>by not really an I'm always curious about what you

0:44:52.080 --> 0:44:54.840
<v Speaker 1>said though, taking a genre and seeing if there's a

0:44:54.880 --> 0:44:58.239
<v Speaker 1>way I confuse that into what I do, because I mean,

0:44:58.239 --> 0:45:03.320
<v Speaker 1>it's still got to it's still gotta resonate with with

0:45:03.320 --> 0:45:05.560
<v Speaker 1>with the through line of flow that feels right as

0:45:05.719 --> 0:45:07.960
<v Speaker 1>otherwise it's just gratuitous and it doesn't work. You know.

0:45:08.160 --> 0:45:10.240
<v Speaker 1>I was talking to Brian a couple of times. Breland

0:45:10.239 --> 0:45:12.480
<v Speaker 1>and are pretty good buddies. Now, yeah, and he says,

0:45:12.480 --> 0:45:15.600
<v Speaker 1>really smart is that guy? I had to sit up

0:45:15.640 --> 0:45:17.520
<v Speaker 1>straight and tall when I talk to him because I

0:45:17.600 --> 0:45:20.200
<v Speaker 1>gotta be ready. Yeah, he's super sharp and he's not

0:45:20.360 --> 0:45:23.080
<v Speaker 1>pressing me or but just talking to him, he is

0:45:23.080 --> 0:45:26.400
<v Speaker 1>so bright. Yeah, that's It feels like he's challenging you,

0:45:26.440 --> 0:45:28.759
<v Speaker 1>but he's being normal when you write, when you reach

0:45:28.800 --> 0:45:30.240
<v Speaker 1>out to him. Why would you reach out to Breland

0:45:30.239 --> 0:45:31.320
<v Speaker 1>for the first time to go, hey man, I'd like

0:45:31.360 --> 0:45:32.960
<v Speaker 1>to write with you, Like, what did you hear about him?

0:45:32.960 --> 0:45:34.680
<v Speaker 1>What did you hear from I read an interview with him,

0:45:35.680 --> 0:45:38.879
<v Speaker 1>and the way he spoke in the interview, the way

0:45:38.960 --> 0:45:42.239
<v Speaker 1>he saw music and putting things together and fusing and

0:45:42.280 --> 0:45:44.960
<v Speaker 1>so forth. I went, that's that's a guy that speaks

0:45:45.040 --> 0:45:47.239
<v Speaker 1>my language. When a new artist comes in to write

0:45:47.239 --> 0:45:49.200
<v Speaker 1>with you, do you have the understanding that they're probably

0:45:49.239 --> 0:45:51.600
<v Speaker 1>pretty nervous to write with you because of your success.

0:45:52.440 --> 0:45:55.239
<v Speaker 1>I don't think about that. I'm always like, guess, I

0:45:55.239 --> 0:45:56.920
<v Speaker 1>hope I show up today, you know what I mean,

0:45:56.920 --> 0:45:59.560
<v Speaker 1>and still putting it on you after all these years,

0:45:58.800 --> 0:46:02.799
<v Speaker 1>and you you you mean, because writings it's so mysterious.

0:46:03.320 --> 0:46:04.800
<v Speaker 1>You know you have it with the show, right, You

0:46:04.800 --> 0:46:06.320
<v Speaker 1>show up and you get like you're just firing on

0:46:06.400 --> 0:46:08.319
<v Speaker 1>all cylinders and things are like just flowing, and then

0:46:08.360 --> 0:46:12.359
<v Speaker 1>another day you just can barely get things going. And

0:46:12.440 --> 0:46:14.880
<v Speaker 1>when you're writing with anybody, you want to have a

0:46:14.960 --> 0:46:17.480
<v Speaker 1>day where the flow shows up. What about a live

0:46:17.560 --> 0:46:20.719
<v Speaker 1>show where that's happening, because again, like you said, if

0:46:20.760 --> 0:46:23.720
<v Speaker 1>you do things at a high level enough times, sometimes

0:46:23.760 --> 0:46:25.320
<v Speaker 1>you're not going to be at that level just natural

0:46:25.400 --> 0:46:27.200
<v Speaker 1>human What if you're having a down day and you've

0:46:27.239 --> 0:46:28.520
<v Speaker 1>got to do a show because I know it's so

0:46:28.560 --> 0:46:30.319
<v Speaker 1>important to you to give the audience what they came

0:46:30.360 --> 0:46:33.799
<v Speaker 1>to see. How are you propelling yourself to that spot

0:46:33.800 --> 0:46:35.080
<v Speaker 1>to give them the best show even if you're not

0:46:35.080 --> 0:46:38.759
<v Speaker 1>feeling it. I think there's going to be just an

0:46:38.760 --> 0:46:43.360
<v Speaker 1>in the moment thing where whatever it takes. And I

0:46:43.400 --> 0:46:45.439
<v Speaker 1>think I always think First of all, it's awareness that

0:46:45.840 --> 0:46:48.440
<v Speaker 1>I'm not firing on all cylinders right now. And then okay,

0:46:48.440 --> 0:46:52.359
<v Speaker 1>why night. I'll tell you what stays with me. When

0:46:52.360 --> 0:46:55.200
<v Speaker 1>I was in my cover band, we played a show

0:46:56.200 --> 0:46:58.319
<v Speaker 1>and it wasn't It was a small gig, a few

0:46:58.400 --> 0:47:01.200
<v Speaker 1>hundred people at this bar that we've came off stage,

0:47:01.239 --> 0:47:03.279
<v Speaker 1>and I said to my drama man that audience was

0:47:03.400 --> 0:47:05.799
<v Speaker 1>just crap? Were they just the craps? The audience? And

0:47:05.840 --> 0:47:07.360
<v Speaker 1>he looked right at me, goes you ever think it

0:47:07.440 --> 0:47:09.359
<v Speaker 1>might have been you? And then he just walked off

0:47:09.400 --> 0:47:13.759
<v Speaker 1>and I was like, wait, what what? Me? What? And

0:47:13.800 --> 0:47:16.640
<v Speaker 1>I was like, damn, he's He was right, it was me,

0:47:16.760 --> 0:47:19.399
<v Speaker 1>It wasn't them. And I can't tell you how much

0:47:19.480 --> 0:47:21.160
<v Speaker 1>that stays with me when I want to go to

0:47:21.239 --> 0:47:25.800
<v Speaker 1>that place in a gig. Whenever you're playing a show

0:47:26.640 --> 0:47:29.600
<v Speaker 1>and if you're you know, you're talking about the crowd

0:47:29.640 --> 0:47:31.720
<v Speaker 1>or it could be you. When do you get to

0:47:31.800 --> 0:47:33.880
<v Speaker 1>enjoy a show? Whence the last time you went to

0:47:33.880 --> 0:47:35.680
<v Speaker 1>a show and got to actually enjoy it being someone

0:47:35.719 --> 0:47:39.720
<v Speaker 1>who's watching. Oh gosh, we haven't saw Harry Styles in Paris.

0:47:39.840 --> 0:47:41.759
<v Speaker 1>We were over there at the time in Paris, Yeah,

0:47:41.880 --> 0:47:45.440
<v Speaker 1>which was amazing to see him there. I think the

0:47:45.520 --> 0:47:48.000
<v Speaker 1>last one that really like hit me was the nineteen

0:47:48.000 --> 0:47:51.239
<v Speaker 1>seventy five, who played here at the ascend Amphitheater maybe

0:47:51.239 --> 0:47:53.359
<v Speaker 1>a year or two ago. What about that? Because we

0:47:53.360 --> 0:47:55.239
<v Speaker 1>listened to them too, What about nineteen seventy iould be

0:47:55.239 --> 0:47:58.000
<v Speaker 1>like the spirit of that band. They got a spirit

0:47:58.400 --> 0:48:02.040
<v Speaker 1>and it's in their audience too, and just going just

0:48:02.200 --> 0:48:05.480
<v Speaker 1>sort of immersing it. It's the first time we had

0:48:05.480 --> 0:48:07.120
<v Speaker 1>people come to our show. And I bet you have

0:48:07.160 --> 0:48:09.640
<v Speaker 1>this too. People come to your show repeatedly, again and again,

0:48:09.640 --> 0:48:11.759
<v Speaker 1>and you're like, why do you keep coming back to this?

0:48:12.239 --> 0:48:13.920
<v Speaker 1>A lot of the times it's the same show, and

0:48:13.960 --> 0:48:16.400
<v Speaker 1>you're like, you're here again and again. Why? And they go,

0:48:16.840 --> 0:48:19.480
<v Speaker 1>I just want that feeling. I come to get that feeling.

0:48:19.960 --> 0:48:21.839
<v Speaker 1>And I've never understood that until I went and saw

0:48:21.880 --> 0:48:24.520
<v Speaker 1>the ninety seventy five at as Sand and I was

0:48:24.600 --> 0:48:26.279
<v Speaker 1>driving home. I went and saw them on my own.

0:48:26.360 --> 0:48:29.080
<v Speaker 1>Nick was out of town. I'm driving home and my

0:48:29.120 --> 0:48:31.719
<v Speaker 1>first thought was, Oh, I think you're playing Atlanta tomorrow night.

0:48:31.800 --> 0:48:33.600
<v Speaker 1>I could probably drive And I went, Oh, my god,

0:48:33.640 --> 0:48:36.120
<v Speaker 1>there it is. I'm thinking of driving to Atlanta to

0:48:36.120 --> 0:48:38.200
<v Speaker 1>see this band. Why Because I wanted that feeling. I

0:48:38.280 --> 0:48:40.520
<v Speaker 1>want a compliment. And also you went to a show

0:48:40.560 --> 0:48:45.040
<v Speaker 1>by yourself? Yeah, no way, Yeah, you drove yourself? Yeah

0:48:45.080 --> 0:48:48.799
<v Speaker 1>where do you park? I actually there, I parked in

0:48:48.840 --> 0:48:53.320
<v Speaker 1>a little spot not too far from Kaya. Get it.

0:48:53.480 --> 0:48:55.319
<v Speaker 1>You get a good spy and you walk because the

0:48:55.320 --> 0:48:57.319
<v Speaker 1>concert its started, so I just sat. There was no

0:48:57.600 --> 0:49:00.239
<v Speaker 1>people wearing around. You don't want by yourself ever? Eat

0:49:00.280 --> 0:49:02.960
<v Speaker 1>by yourself? Yeah all the time? No way, You're not.

0:49:03.200 --> 0:49:06.200
<v Speaker 1>That can't be true all the time. And you just

0:49:06.239 --> 0:49:07.319
<v Speaker 1>go in and be like, hell, I'll like to have

0:49:07.360 --> 0:49:09.600
<v Speaker 1>a table for one. Yeah. The last three days in

0:49:09.600 --> 0:49:11.359
<v Speaker 1>a row, I've gone out and had lunch on my own.

0:49:11.360 --> 0:49:13.480
<v Speaker 1>Are you lonely? No? You know what? You just text

0:49:13.520 --> 0:49:15.960
<v Speaker 1>me buddy, if you're having from a cup day, be like, hey,

0:49:15.960 --> 0:49:18.839
<v Speaker 1>I'm Sometimes it's like it's that moment that I really love,

0:49:19.000 --> 0:49:21.879
<v Speaker 1>just a bit of quiet, bit of you know, it's good.

0:49:22.320 --> 0:49:24.080
<v Speaker 1>When do you hear a song? When can you I'm

0:49:24.080 --> 0:49:25.880
<v Speaker 1>gonna put you on the spot here. Last time you

0:49:25.920 --> 0:49:27.719
<v Speaker 1>heard a song where you were like, man like that

0:49:27.840 --> 0:49:30.800
<v Speaker 1>emotionally touches me, like the message or the lyric or

0:49:30.840 --> 0:49:33.560
<v Speaker 1>the vocal or sonically that touches me, what's done it

0:49:33.600 --> 0:49:36.919
<v Speaker 1>for you lately? Gee? I can't think of one right now?

0:49:37.280 --> 0:49:41.520
<v Speaker 1>Do you pursue different? Glimpse of us Jogi is so

0:49:41.680 --> 0:49:45.759
<v Speaker 1>beautifully written. It's a beauty by Jogi. Yeah, jo j

0:49:46.280 --> 0:49:50.080
<v Speaker 1>ih jo jo jo a joji berry like a goji

0:49:50.239 --> 0:49:54.520
<v Speaker 1>jogi Jogi. Ok text of us it's a gorgeous song. Okay,

0:49:54.640 --> 0:49:56.719
<v Speaker 1>break your heart. There's the answer. Anytime I ask Keith

0:49:56.719 --> 0:49:58.359
<v Speaker 1>about music that I'm like, hey, what about this, it's

0:49:58.360 --> 0:50:01.320
<v Speaker 1>always like you ever heard of experimental track seven nineteen

0:50:01.640 --> 0:50:04.759
<v Speaker 1>and I'm like, I never, And then then he'll text

0:50:04.800 --> 0:50:06.000
<v Speaker 1>me to be like, checked this out, and then I'll

0:50:06.040 --> 0:50:07.600
<v Speaker 1>listen to it, and then like three months later I'll

0:50:07.640 --> 0:50:10.480
<v Speaker 1>be like, hey, remember expecting I've seen him seven times now, Kith,

0:50:10.480 --> 0:50:12.560
<v Speaker 1>thank you very much for sharing that. Eric. Eric Church

0:50:12.600 --> 0:50:16.680
<v Speaker 1>changed me things like that all the time, Obscure things.

0:50:16.719 --> 0:50:18.759
<v Speaker 1>He sent me as somebody that did a cover of

0:50:19.360 --> 0:50:23.160
<v Speaker 1>Sounds of Silence the other day, like Simon, Yeah, but

0:50:23.200 --> 0:50:26.640
<v Speaker 1>it was this uh Scottish guy. I think it's just

0:50:26.880 --> 0:50:29.359
<v Speaker 1>crazy cover. Do you ever hear a cover of your song?

0:50:29.440 --> 0:50:32.759
<v Speaker 1>And you go, man, they crushed that because it's a

0:50:32.800 --> 0:50:37.120
<v Speaker 1>little different and they've interpreted a different way. Um, I

0:50:37.120 --> 0:50:39.799
<v Speaker 1>haven't heard one recorded. No, I'd like to. I'd like to.

0:50:40.120 --> 0:50:42.440
<v Speaker 1>I got one here, Ray play play this. This is

0:50:43.080 --> 0:50:46.319
<v Speaker 1>somebody like you but in Spanish polka. Go ahead, Ray Now,

0:50:46.320 --> 0:50:53.800
<v Speaker 1>I'm just kidding. It's not ready for that. Okay, look everybody,

0:50:53.840 --> 0:50:56.960
<v Speaker 1>I want you to go watch Keith's He'll be in Vegas.

0:50:57.000 --> 0:51:01.560
<v Speaker 1>I'm gonna learn that song in Spanish. Zappos, Planet, Hollywood

0:51:01.560 --> 0:51:04.560
<v Speaker 1>Resort and Casino Friday in March third for sixteen dates

0:51:04.920 --> 0:51:07.840
<v Speaker 1>ticketmaster dot COM's not consecutively, by the way. Yeah, but

0:51:07.920 --> 0:51:10.640
<v Speaker 1>that'd be a long Yeah. What's the longest you've ever

0:51:10.680 --> 0:51:12.359
<v Speaker 1>been out in a row? Back when you were going going?

0:51:12.400 --> 0:51:14.120
<v Speaker 1>Would you ever do? Have you ever done sixteen in

0:51:14.200 --> 0:51:17.680
<v Speaker 1>a row? Not in a row, but I mean most

0:51:17.680 --> 0:51:20.960
<v Speaker 1>shows in a year. You think you've done three hundred? Yeah? Yeah,

0:51:21.000 --> 0:51:23.480
<v Speaker 1>I bet, really, I bet coming up. Yeah, because if

0:51:23.520 --> 0:51:26.560
<v Speaker 1>you throw in radio visits and all of that. Hate

0:51:26.560 --> 0:51:29.799
<v Speaker 1>those don't we hate those? Don't we radio people? You know,

0:51:29.840 --> 0:51:31.319
<v Speaker 1>when you're a new artist and you got to come

0:51:31.320 --> 0:51:33.719
<v Speaker 1>and do the conference room auditions of despair as I

0:51:33.800 --> 0:51:35.759
<v Speaker 1>used to call them. Yeah, those ones here otherwise known

0:51:35.760 --> 0:51:38.000
<v Speaker 1>as free pizza. Yeah, you hate it. Here, we get it,

0:51:38.200 --> 0:51:40.080
<v Speaker 1>we get it there he is. Hey. One final question.

0:51:40.080 --> 0:51:42.160
<v Speaker 1>I saw the coffee though, that's good. Oh is that

0:51:42.239 --> 0:51:44.640
<v Speaker 1>our coffee? Yeah, you're welcome. A little something we brought in,

0:51:44.760 --> 0:51:47.360
<v Speaker 1>thank you. Yeah called It's called New Zealand Delight. A

0:51:47.400 --> 0:51:49.839
<v Speaker 1>winner is coffee whatever it is. I saw a video

0:51:49.840 --> 0:51:51.360
<v Speaker 1>on TikTok at somebody filming you coming out of a

0:51:51.360 --> 0:51:54.160
<v Speaker 1>gas station. Do you see that one? No? Me? Yeah,

0:51:54.200 --> 0:51:56.879
<v Speaker 1>you were buying snacks randomly by yourself at a gas station. Yeah.

0:51:56.880 --> 0:51:59.759
<v Speaker 1>I told you, ILL got it to lunch. When you

0:51:59.800 --> 0:52:02.960
<v Speaker 1>do that. Does the cashier ever go hey, Keith Urban? Yeah?

0:52:03.000 --> 0:52:06.080
<v Speaker 1>Sometimes Yeah. The funniest one it's I does anybody ever

0:52:06.160 --> 0:52:08.200
<v Speaker 1>tell you look like Keithurban? I go all the time,

0:52:08.239 --> 0:52:11.000
<v Speaker 1>and they go, it's crazy, you really do. And then

0:52:11.160 --> 0:52:14.360
<v Speaker 1>that's the end of the conversation and then you just

0:52:14.440 --> 0:52:18.560
<v Speaker 1>let it be. Yeah, they go uncanny. Sometimes people will go,

0:52:19.360 --> 0:52:21.960
<v Speaker 1>I know you from somewhere, right, But then what you

0:52:22.040 --> 0:52:24.960
<v Speaker 1>say because they're like you just so familiar to me.

0:52:25.000 --> 0:52:29.400
<v Speaker 1>And if I go, oh by Bono American idol, yeah,

0:52:29.120 --> 0:52:31.319
<v Speaker 1>mm or this one and you must get this? Are

0:52:31.360 --> 0:52:33.400
<v Speaker 1>you who I think you are? Who am I? I

0:52:33.400 --> 0:52:35.359
<v Speaker 1>don't know? What, I'm barely who I think I am.

0:52:35.480 --> 0:52:37.239
<v Speaker 1>So what do you say to that? If it's like

0:52:37.239 --> 0:52:38.960
<v Speaker 1>I know you from If someone comes up you goes,

0:52:38.960 --> 0:52:40.920
<v Speaker 1>I know you from somewhere, What do you say? Probably

0:52:40.960 --> 0:52:42.920
<v Speaker 1>I get that old because you look familiar. Yeah, I

0:52:42.920 --> 0:52:45.480
<v Speaker 1>get that a lot. Yeah. Are you the bass player

0:52:45.520 --> 0:52:50.839
<v Speaker 1>for Casey Musgrave? Yes, yes, yes, Keith Urbanum love him.

0:52:51.040 --> 0:52:54.680
<v Speaker 1>Go watch them. Best live performer there is and that's

0:52:54.680 --> 0:52:57.799
<v Speaker 1>all Keith Urban the Las Vegas Residency. March, June and July.

0:52:57.880 --> 0:53:01.000
<v Speaker 1>There are sixteen shows at Zappa stater a Planet Hollywood

0:53:01.000 --> 0:53:03.040
<v Speaker 1>Resort in Casino. Keiths, good to see you. One of

0:53:03.080 --> 0:53:05.200
<v Speaker 1>those nice wile the Spanish version of Somebody Like You

0:53:05.400 --> 0:53:09.359
<v Speaker 1>Spanish la Polka. Yeah, yeah, I'm gonna do it. You're not.

0:53:09.520 --> 0:53:11.920
<v Speaker 1>But I love I love you, know, I like a challenge.

0:53:12.040 --> 0:53:16.960
<v Speaker 1>Could you speak other languages? No? Oh Australian? Yeah, all right,

0:53:17.000 --> 0:53:20.600
<v Speaker 1>there is? Everybody say bye, Keith, go to it. Thank

0:53:20.600 --> 0:53:24.959
<v Speaker 1>you too. It's the best bits of the week with

0:53:25.000 --> 0:53:29.400
<v Speaker 1>Morgan number two. And speaking of Keith Urban, this was

0:53:29.560 --> 0:53:32.600
<v Speaker 1>another big one on the show this week. Lunchbox was

0:53:32.640 --> 0:53:35.799
<v Speaker 1>caught washing his hands in the same scene at the

0:53:35.840 --> 0:53:38.880
<v Speaker 1>same time as Keith Urban when he was here visiting

0:53:38.920 --> 0:53:41.640
<v Speaker 1>our show. Yeah weird. I know, even saying it out

0:53:41.640 --> 0:53:44.560
<v Speaker 1>loud feels very strange, but it's what happened. Eddie caught

0:53:44.600 --> 0:53:48.200
<v Speaker 1>them and that was another broadly thing that happened between

0:53:48.280 --> 0:53:51.319
<v Speaker 1>Lunchbox and Eddie this week, and Lunchbox admitted that he

0:53:51.360 --> 0:53:53.400
<v Speaker 1>wanted to do it because he wanted to tell people

0:53:53.920 --> 0:53:55.680
<v Speaker 1>he got to wash his hands in the same scenk

0:53:56.040 --> 0:53:59.839
<v Speaker 1>with Keith Urban. You know, in all fairness, I get it.

0:54:00.640 --> 0:54:03.600
<v Speaker 1>I would never do it, but I get it. Number two,

0:54:03.800 --> 0:54:06.560
<v Speaker 1>Keith Urban was here yesterday. We love seeing Keith Urban,

0:54:07.160 --> 0:54:10.200
<v Speaker 1>great guy, fun guest. I didn't realize what happened though

0:54:10.239 --> 0:54:12.440
<v Speaker 1>behind the scenes. So Eddie, what did you see that

0:54:12.560 --> 0:54:14.640
<v Speaker 1>was so weird? It was strange. Man. I walk in

0:54:14.680 --> 0:54:18.359
<v Speaker 1>the bathroom and Lunchbox is sharing a sink with Keith Urban.

0:54:18.440 --> 0:54:20.600
<v Speaker 1>Now you know, our sink is a one person small

0:54:20.640 --> 0:54:23.720
<v Speaker 1>since tiny. Wait, you'll only have one scene, yes, camping

0:54:23.760 --> 0:54:26.439
<v Speaker 1>sink and they're both washing their hands together, and it's

0:54:26.440 --> 0:54:28.840
<v Speaker 1>more like Keith was washing his hands and Lunchbox was

0:54:28.880 --> 0:54:31.120
<v Speaker 1>excuse mc keith, and he's trying to get in there,

0:54:31.160 --> 0:54:33.040
<v Speaker 1>and I think is so small that if you're washing

0:54:33.040 --> 0:54:35.120
<v Speaker 1>your hands. I wait till you're out of the way, correct,

0:54:35.239 --> 0:54:37.239
<v Speaker 1>or go to the kitchen to wash your hands. Two

0:54:37.239 --> 0:54:41.680
<v Speaker 1>people do not fit there. Okay, that's yeah, that's weird.

0:54:41.719 --> 0:54:43.839
<v Speaker 1>So what happened? Nothing? I just I wrote it down.

0:54:43.840 --> 0:54:44.840
<v Speaker 1>I'm like, I need to bring this up to the

0:54:44.880 --> 0:54:46.359
<v Speaker 1>show and get the real story. Did you track Keith

0:54:46.440 --> 0:54:49.160
<v Speaker 1>Urban into the bathroom? No, we just happened to be

0:54:49.160 --> 0:54:50.560
<v Speaker 1>in the sit in the bathroom at the same time.

0:54:50.719 --> 0:54:53.440
<v Speaker 1>I mean, you go first, or to hea. He was first,

0:54:53.560 --> 0:54:55.479
<v Speaker 1>so you followed him into the bathroom? No, no no, no, no,

0:54:55.480 --> 0:54:58.200
<v Speaker 1>no no. I didn't know he was in the You

0:54:58.239 --> 0:55:00.560
<v Speaker 1>can't do that. You can't follow guests in the b bathroom.

0:55:00.920 --> 0:55:02.879
<v Speaker 1>I didn't. I believe that he didn't know. I didn't

0:55:02.880 --> 0:55:04.600
<v Speaker 1>know Keith Urban was in the bathroom. I had to

0:55:04.600 --> 0:55:06.680
<v Speaker 1>go to the bathroom, and I went and Keith Urban

0:55:06.800 --> 0:55:09.439
<v Speaker 1>was in the bathroom, so I didn't follow him in there.

0:55:09.840 --> 0:55:12.200
<v Speaker 1>He was done doing his business. I was done doing

0:55:12.239 --> 0:55:15.400
<v Speaker 1>my business. There was a sink, so I washed my hands.

0:55:15.400 --> 0:55:17.440
<v Speaker 1>You guys always yell at me for not washing my hands,

0:55:17.440 --> 0:55:19.439
<v Speaker 1>but you never wash your hands. This is a great point.

0:55:19.760 --> 0:55:22.399
<v Speaker 1>Glad you said this. You know, never wash your hands

0:55:22.400 --> 0:55:24.239
<v Speaker 1>when you lead the bathroom. Out of a hundred, if

0:55:24.280 --> 0:55:25.840
<v Speaker 1>you're in there by yourself, how many times out of

0:55:25.840 --> 0:55:28.200
<v Speaker 1>the hundred times do you wash your hands? Three? Okay,

0:55:28.520 --> 0:55:30.719
<v Speaker 1>so a three percent chance you're gonna wash your hands. Yeah,

0:55:31.360 --> 0:55:34.320
<v Speaker 1>Keith Urban's washing his hands, which is great to hear. Yeah,

0:55:34.000 --> 0:55:36.040
<v Speaker 1>he was washing his hands. He was there for a while.

0:55:36.200 --> 0:55:38.400
<v Speaker 1>Why did you decide to wash your hands right then?

0:55:39.239 --> 0:55:42.240
<v Speaker 1>Because I saw Keith Urban and he we were talking,

0:55:42.520 --> 0:55:44.399
<v Speaker 1>and so I figured if I just walked out, it'd

0:55:44.400 --> 0:55:46.560
<v Speaker 1>be weird if I just into the conversation and he

0:55:46.600 --> 0:55:48.719
<v Speaker 1>saw me not wash my hands. So I just continued

0:55:48.920 --> 0:55:51.719
<v Speaker 1>the conversation as I washed my hands. And yes, Keith

0:55:51.719 --> 0:55:53.640
<v Speaker 1>Irban's hands were in the sink at the same time

0:55:53.719 --> 0:55:57.839
<v Speaker 1>mine were. You couldn't sit back and let him finish. Then,

0:55:57.880 --> 0:56:00.640
<v Speaker 1>you know he was he was he was taking a

0:56:00.680 --> 0:56:02.839
<v Speaker 1>long time, like he was washing for a long time.

0:56:02.920 --> 0:56:05.080
<v Speaker 1>Like were y'all both under the water at the yah. Yeah,

0:56:05.080 --> 0:56:09.400
<v Speaker 1>we were shoulder to shoulder. I came up on his

0:56:09.480 --> 0:56:11.920
<v Speaker 1>left side, like his left shoulder, and so my right

0:56:11.920 --> 0:56:14.400
<v Speaker 1>shoulder was touching his right his left shoulder, and I

0:56:14.440 --> 0:56:16.800
<v Speaker 1>stuck my hands in there, said, excuse me, man, I

0:56:16.840 --> 0:56:18.600
<v Speaker 1>need to get in there too, And I got some

0:56:18.640 --> 0:56:20.960
<v Speaker 1>soap and I started rubbing, and so some of my

0:56:21.040 --> 0:56:24.440
<v Speaker 1>soap and water was running onto Keith Urban's hands in

0:56:24.560 --> 0:56:26.960
<v Speaker 1>the sink, and then vice versa, his soap was going

0:56:27.000 --> 0:56:29.800
<v Speaker 1>onto my hand. Why did you do all that? Honestly?

0:56:30.400 --> 0:56:32.960
<v Speaker 1>Is it for the story? No? Literally, I was just

0:56:33.160 --> 0:56:35.920
<v Speaker 1>never wash your hands. We were literally talking. Me and

0:56:36.000 --> 0:56:38.839
<v Speaker 1>Keith were having a conversation about what, oh, just how

0:56:39.200 --> 0:56:42.319
<v Speaker 1>are things going? You know, nothing important? But I felt

0:56:42.360 --> 0:56:44.239
<v Speaker 1>like if I left mid conversation, he'd be like, but

0:56:44.320 --> 0:56:46.799
<v Speaker 1>wasn't he ahead of you? He was? So why would

0:56:46.840 --> 0:56:48.800
<v Speaker 1>you leave? Why not let him leave? Because he was

0:56:48.840 --> 0:56:51.399
<v Speaker 1>taking forever? I mean, I knew it, but you don't

0:56:51.400 --> 0:56:54.040
<v Speaker 1>wash your hands. I do, but you don't write man,

0:56:54.120 --> 0:56:55.719
<v Speaker 1>So I'm saying if I so, I just stand there

0:56:55.719 --> 0:56:58.200
<v Speaker 1>and talk to him, like, what's your theory, Eddie? I

0:56:58.280 --> 0:57:00.920
<v Speaker 1>think he wanted to touch Keith his hands won and

0:57:01.040 --> 0:57:02.520
<v Speaker 1>wash it with it and then tell the whole world

0:57:02.560 --> 0:57:05.960
<v Speaker 1>about it. Also, how many other people can say they

0:57:06.040 --> 0:57:10.239
<v Speaker 1>shared a sink with Keith? There we go? Do it?

0:57:10.520 --> 0:57:15.120
<v Speaker 1>There we go? You know? Not many? Exactly. I have

0:57:15.280 --> 0:57:17.040
<v Speaker 1>something that a lot of people in this world wish

0:57:17.080 --> 0:57:20.520
<v Speaker 1>they could have, which is shared a sceat with Keith Urban.

0:57:21.240 --> 0:57:23.480
<v Speaker 1>I could put that on my bio, on my I'm

0:57:23.560 --> 0:57:27.840
<v Speaker 1>on my resume. You put cool facts whenever you do

0:57:27.880 --> 0:57:29.920
<v Speaker 1>a resume and be like you're using a resume for something.

0:57:30.280 --> 0:57:32.080
<v Speaker 1>I've never made one. Yeah, but you think about I

0:57:32.080 --> 0:57:34.280
<v Speaker 1>can go to the career center at UTSA and they

0:57:34.320 --> 0:57:36.320
<v Speaker 1>have they will help your career services. They'll help you

0:57:36.360 --> 0:57:39.360
<v Speaker 1>put a resume together. Never went, never put a resume together.

0:57:39.440 --> 0:57:42.200
<v Speaker 1>But if I ever need one, cool facts about me

0:57:42.480 --> 0:57:44.400
<v Speaker 1>share a seat with Keith Urban, Hey, scoop of Steve.

0:57:44.440 --> 0:57:47.120
<v Speaker 1>Is it weird to you the lunchbox went and got

0:57:47.160 --> 0:57:49.400
<v Speaker 1>into Keith Urban's personal space in the bathroom just so

0:57:49.400 --> 0:57:51.520
<v Speaker 1>he could touch him. But no, it wasn't to touch him.

0:57:52.040 --> 0:57:56.440
<v Speaker 1>We weren't touching hands, you said, dell soap dripped one

0:57:56.640 --> 0:57:59.040
<v Speaker 1>shoulders shoulder, But the soap did drip off my hands

0:57:59.040 --> 0:58:01.040
<v Speaker 1>onto his and some of his son say. One thing

0:58:01.120 --> 0:58:02.560
<v Speaker 1>is nice that he use so because I've never seen

0:58:02.640 --> 0:58:04.680
<v Speaker 1>you so my entire life. But it happens to Ray

0:58:04.680 --> 0:58:06.040
<v Speaker 1>and I a lot. Will we'll go to the bathroom

0:58:06.080 --> 0:58:08.200
<v Speaker 1>washing hands, but Ray will go ahead. I'm gonna go

0:58:08.200 --> 0:58:09.880
<v Speaker 1>to the kitchen sink. I'll be right back and I'm

0:58:09.880 --> 0:58:13.040
<v Speaker 1>washing my hands. Never be okay, but here's a very

0:58:13.040 --> 0:58:14.440
<v Speaker 1>well you did it on purpose. So we had this

0:58:14.480 --> 0:58:16.640
<v Speaker 1>conversation right now on air. No, no no, no, I just

0:58:16.680 --> 0:58:22.400
<v Speaker 1>don't know their I told you, Yes, I said that

0:58:22.520 --> 0:58:24.480
<v Speaker 1>I did it also so I could say that I

0:58:24.480 --> 0:58:26.640
<v Speaker 1>shared a sink with Keith Urban. But the fact that

0:58:26.720 --> 0:58:28.680
<v Speaker 1>Ray goes to the kitchen sink is disgusting. You know

0:58:28.720 --> 0:58:31.840
<v Speaker 1>why because Scuba washes his hands right, and then he

0:58:31.880 --> 0:58:34.880
<v Speaker 1>goes and he pulls that handle that Ray just touched

0:58:34.880 --> 0:58:37.720
<v Speaker 1>with his dirty hands. So you negated. You're washing anyway,

0:58:37.920 --> 0:58:42.520
<v Speaker 1>so I use a hypert. Scuba doesn't because he was

0:58:42.560 --> 0:58:46.040
<v Speaker 1>trying to throw me. Asked him a question you're collecting? Also,

0:58:46.480 --> 0:58:49.080
<v Speaker 1>what it feel like every celebrity that came in here?

0:58:49.160 --> 0:58:50.880
<v Speaker 1>Or sup? Sorry? How many people you can wash your

0:58:50.880 --> 0:58:57.439
<v Speaker 1>hands with him? Okay? Yeah? Like a male only, right

0:58:57.680 --> 0:59:01.880
<v Speaker 1>man only? Dope double Because in the ladies room watching

0:59:01.880 --> 0:59:06.360
<v Speaker 1>the Lands, it's the best bits of the week with

0:59:06.440 --> 0:59:10.840
<v Speaker 1>Morgan number two and coming in at this number one spot,

0:59:10.880 --> 0:59:13.760
<v Speaker 1>I said that six number this week is going to

0:59:13.840 --> 0:59:16.240
<v Speaker 1>make more sense once you hear this. Well, I had

0:59:16.280 --> 0:59:19.960
<v Speaker 1>some relationship news to share and a lot of you

0:59:20.040 --> 0:59:21.400
<v Speaker 1>guys liked it, and a lot of you guys were

0:59:21.400 --> 0:59:23.360
<v Speaker 1>really kind to me that I had to share this

0:59:23.560 --> 0:59:25.800
<v Speaker 1>news and talk about some things that are going on

0:59:25.840 --> 0:59:28.560
<v Speaker 1>in my love life. Some of you were not, and

0:59:28.600 --> 0:59:31.600
<v Speaker 1>you know that's okay. Everybody's entitled to their own opinion.

0:59:31.760 --> 0:59:34.040
<v Speaker 1>But I love getting to share my life with you

0:59:34.080 --> 0:59:36.520
<v Speaker 1>guys and being open and vulnerable, and that's what this

0:59:36.600 --> 0:59:39.160
<v Speaker 1>segment was. It's just what's going on in my life

0:59:39.240 --> 0:59:40.840
<v Speaker 1>right now, and I had to talk with you guys

0:59:40.880 --> 0:59:43.680
<v Speaker 1>about it. So here you go. Number one, you're gonna

0:59:43.680 --> 0:59:46.080
<v Speaker 1>message from Morgan saying that we can now talk about

0:59:46.120 --> 0:59:49.040
<v Speaker 1>her love life again because apparently Morgan is now single again.

0:59:49.240 --> 0:59:54.280
<v Speaker 1>I am hang in, oh man, lunchbox. What do you know?

0:59:54.320 --> 0:59:57.320
<v Speaker 1>Can you update our audience on Morgan's love life from

0:59:57.360 --> 1:00:00.600
<v Speaker 1>what you know? Well, I just I wonder because he

1:00:00.600 --> 1:00:03.040
<v Speaker 1>doesn't always to listen to what's happening and our audience

1:00:03.080 --> 1:00:04.680
<v Speaker 1>maybe in and out on segments, so I wonder what

1:00:04.720 --> 1:00:07.720
<v Speaker 1>your interpretation is. Well, the last I heard is that

1:00:07.760 --> 1:00:11.200
<v Speaker 1>she was dating this dude for a long time and

1:00:11.400 --> 1:00:13.560
<v Speaker 1>she would try to keep him real private, and then

1:00:13.600 --> 1:00:16.720
<v Speaker 1>they were talking about moving in together, and then the

1:00:16.760 --> 1:00:20.640
<v Speaker 1>next week they broke up and then they got back together,

1:00:21.480 --> 1:00:24.280
<v Speaker 1>and it's pretty accurate. Yeah, he plays attention right. Well,

1:00:24.320 --> 1:00:26.400
<v Speaker 1>I mean, and so I thought, you know, I thought

1:00:26.400 --> 1:00:28.680
<v Speaker 1>we were still on track to move in together. So Morgan,

1:00:28.840 --> 1:00:33.200
<v Speaker 1>you are now, Oh my gosh, you're now broken up? Yes,

1:00:33.320 --> 1:00:36.920
<v Speaker 1>I'm single. What do you want to say? Um? How

1:00:36.960 --> 1:00:40.959
<v Speaker 1>long have you been single? About two and a half

1:00:40.960 --> 1:00:44.560
<v Speaker 1>weeks now? Whoa, it's still new, really new, very new.

1:00:44.640 --> 1:00:50.640
<v Speaker 1>But there's is the wound still fresh? It's not fresh.

1:00:50.680 --> 1:00:53.880
<v Speaker 1>There's just a lot of anger. There's not sadness anymore.

1:00:54.000 --> 1:00:57.160
<v Speaker 1>Why did you get back together? Um? Because I believe

1:00:57.360 --> 1:00:59.520
<v Speaker 1>that people deserve a second chance if they're willing to

1:00:59.560 --> 1:01:02.720
<v Speaker 1>put in the effort. And he was from what I

1:01:02.760 --> 1:01:04.960
<v Speaker 1>could tell and what he was showing, and then you know,

1:01:05.440 --> 1:01:07.480
<v Speaker 1>he didn't show that and then I found out things

1:01:07.520 --> 1:01:10.439
<v Speaker 1>and now it's over. So so now you are back

1:01:10.440 --> 1:01:13.280
<v Speaker 1>on the prowl. I am back out. I'm yeah, I'm

1:01:13.400 --> 1:01:17.000
<v Speaker 1>moved moving forward. I'm done. Like that relationship is over.

1:01:17.080 --> 1:01:19.000
<v Speaker 1>There's no going back. Are you now again? A date?

1:01:19.040 --> 1:01:20.960
<v Speaker 1>Angrily Like, I'm gonna just go date because I just

1:01:20.960 --> 1:01:23.200
<v Speaker 1>need to date and could show him or do you

1:01:23.240 --> 1:01:26.640
<v Speaker 1>feel like you're in a good place, meaning if you're

1:01:26.720 --> 1:01:27.880
<v Speaker 1>dating angrily, I don't want to be one of the

1:01:27.920 --> 1:01:29.560
<v Speaker 1>first few guys you're dating because they don't really have

1:01:29.600 --> 1:01:34.560
<v Speaker 1>a shot. No, I'm not dating angrily. I am. I

1:01:34.600 --> 1:01:38.320
<v Speaker 1>am dating again because there's a lot of things here.

1:01:38.440 --> 1:01:40.560
<v Speaker 1>I already grieved when we broke up the first time.

1:01:41.080 --> 1:01:42.480
<v Speaker 1>I don't really have a lot of grieving to do

1:01:42.520 --> 1:01:46.320
<v Speaker 1>this time. There's just more like anger that somebody disrespected

1:01:46.360 --> 1:01:48.200
<v Speaker 1>me again. Did you feel like it would work out

1:01:48.240 --> 1:01:49.560
<v Speaker 1>when you got back to it at the first time,

1:01:49.680 --> 1:01:51.960
<v Speaker 1>or did you feel like you owed it to yourself

1:01:53.240 --> 1:01:56.120
<v Speaker 1>to show that you tried your hardest even though you

1:01:56.160 --> 1:01:58.600
<v Speaker 1>thought it wouldn't work out. I think it was both.

1:01:58.960 --> 1:02:01.080
<v Speaker 1>There was like part of me that truly believed it

1:02:01.120 --> 1:02:03.160
<v Speaker 1>could work again, But then there was part of me

1:02:03.240 --> 1:02:05.680
<v Speaker 1>that didn't want to regret not trying again since he

1:02:05.760 --> 1:02:07.520
<v Speaker 1>was willing to try again. How long were you guys

1:02:07.560 --> 1:02:12.640
<v Speaker 1>together all in all? In a year and a half. Okay, yeah,

1:02:12.720 --> 1:02:16.440
<v Speaker 1>so now here you are, lunchbox anything you want to say.

1:02:16.840 --> 1:02:20.160
<v Speaker 1>I mean, it's crazy you go from moving in together

1:02:20.240 --> 1:02:23.840
<v Speaker 1>to two and a half weeks single, Like I'm over it,

1:02:24.160 --> 1:02:26.200
<v Speaker 1>Like I'm I don't think you know at real time

1:02:26.240 --> 1:02:28.520
<v Speaker 1>though lunchbox. To be fair, she said two and a

1:02:28.520 --> 1:02:29.880
<v Speaker 1>half week. No, no no, no, no, But I'm saying all

1:02:29.880 --> 1:02:34.000
<v Speaker 1>this stuff she's telling us, Gonna be honest. Listen to

1:02:34.080 --> 1:02:38.720
<v Speaker 1>her voice. Sounds a little bit emotional. Hey, last time

1:02:38.720 --> 1:02:40.720
<v Speaker 1>it was emotional. This time I'm not crying. Do you

1:02:40.720 --> 1:02:44.160
<v Speaker 1>think she's not the emotional now? Yeah, trying to fight

1:02:44.200 --> 1:02:45.840
<v Speaker 1>through her right now. Well, it's tough to come on.

1:02:46.040 --> 1:02:47.760
<v Speaker 1>I'm not saying I'm not saying it's any but she

1:02:47.800 --> 1:02:50.200
<v Speaker 1>says that she's over it, and I'm like your vocal

1:02:50.240 --> 1:02:52.440
<v Speaker 1>cords to say something different. I don't think so. She

1:02:52.560 --> 1:02:58.280
<v Speaker 1>sounds strong, is he with what people's vocal chords are telling? Okay,

1:02:58.360 --> 1:03:04.960
<v Speaker 1>your sounds sarcastic? Okay, So you are you sure you

1:03:04.960 --> 1:03:08.240
<v Speaker 1>have moved on? Yeah, I've I've let it go. I'm

1:03:08.280 --> 1:03:11.480
<v Speaker 1>taking the steps forward and I don't have anything to

1:03:11.680 --> 1:03:14.000
<v Speaker 1>grow from. Like, I didn't mess up, I didn't do

1:03:14.040 --> 1:03:17.360
<v Speaker 1>anything wrong. I just loved somebody, and now I'm moving forward.

1:03:17.440 --> 1:03:20.000
<v Speaker 1>So I don't really have a lot of things to grieve.

1:03:20.080 --> 1:03:23.560
<v Speaker 1>A little break maybe though hearing this though, I mean

1:03:23.680 --> 1:03:25.600
<v Speaker 1>I think that still maybe a little like you, you you

1:03:25.800 --> 1:03:28.920
<v Speaker 1>go on a date, you'd start dating someone today. Yeah,

1:03:29.000 --> 1:03:32.320
<v Speaker 1>I went on a date. Oh okay, Oh, whoa, that's

1:03:32.360 --> 1:03:38.800
<v Speaker 1>anger dating. That's pretty, that's her. I can't I'm not hurt.

1:03:38.760 --> 1:03:40.600
<v Speaker 1>I don't feel Okay, Okay, I got a question. So

1:03:40.680 --> 1:03:42.320
<v Speaker 1>you go on that date and the date with whoever

1:03:42.360 --> 1:03:43.760
<v Speaker 1>you went on date with, I don't know who it is.

1:03:44.240 --> 1:03:45.760
<v Speaker 1>But do you tell them? Hey, you know what I mean.

1:03:45.800 --> 1:03:47.400
<v Speaker 1>I'm angered dating right now. Just so you know, you're

1:03:47.400 --> 1:03:49.920
<v Speaker 1>the first one in line. No, I don't, because I'm

1:03:49.960 --> 1:03:52.240
<v Speaker 1>also not I'm not rebound dating either. I'm not just

1:03:52.280 --> 1:03:54.840
<v Speaker 1>going to date somebody out of revenge. I'm just dating

1:03:55.360 --> 1:03:59.080
<v Speaker 1>to make myself continue to put myself out there because

1:03:59.520 --> 1:04:01.880
<v Speaker 1>I still want to find love. I'm not mad at love.

1:04:02.120 --> 1:04:05.280
<v Speaker 1>I'm mad at the person who broke my trust. Oh no, oh, no,

1:04:05.440 --> 1:04:07.640
<v Speaker 1>is a new guy that she's dating listening to this now,

1:04:07.680 --> 1:04:10.440
<v Speaker 1>and now he knows he's the No. I was honest.

1:04:10.600 --> 1:04:12.600
<v Speaker 1>I told him you broke up five minutes ago, and

1:04:12.800 --> 1:04:15.120
<v Speaker 1>now you're with him. What do you tell him? I

1:04:15.160 --> 1:04:17.320
<v Speaker 1>just told him that I had recently gotten out of

1:04:17.320 --> 1:04:20.160
<v Speaker 1>a relationship and I'm dating again. That's just kind of

1:04:20.200 --> 1:04:21.640
<v Speaker 1>where it's at Was it weird to go on to

1:04:21.720 --> 1:04:24.240
<v Speaker 1>date again? Oh? Yeah, it was so weird. I was

1:04:24.280 --> 1:04:26.880
<v Speaker 1>sitting there like, what am I doing? What's happening? Especially

1:04:26.880 --> 1:04:29.360
<v Speaker 1>it's the I used to be comfortable with someone, and

1:04:29.360 --> 1:04:31.280
<v Speaker 1>now I have to start getting vulnerable again. I have

1:04:31.320 --> 1:04:34.160
<v Speaker 1>to meet somebody new. Did you scrub your Instagram? Did

1:04:34.160 --> 1:04:37.560
<v Speaker 1>you go back and take all those like hidden photos out,

1:04:37.600 --> 1:04:40.040
<v Speaker 1>like where you show you holding his hand, his shoulder,

1:04:40.800 --> 1:04:43.439
<v Speaker 1>you take all those names? I never posted. I posted one.

1:04:43.520 --> 1:04:47.840
<v Speaker 1>I think that one story. Yeah? Yeah, aren't you glad

1:04:47.840 --> 1:04:50.360
<v Speaker 1>you didn't like focus him though? Yes, I'm really glad

1:04:50.360 --> 1:04:52.800
<v Speaker 1>that I didn't share that now because I don't have

1:04:52.880 --> 1:04:55.680
<v Speaker 1>to like deal with especially every time I post, somebody

1:04:55.800 --> 1:04:58.120
<v Speaker 1>be like, oh where's your boyfriend? What happened? Now? I

1:04:58.160 --> 1:05:00.400
<v Speaker 1>don't have to deal with that at all. I'm gonna

1:05:00.440 --> 1:05:03.160
<v Speaker 1>keep with that until I am engaged. I'm not posting

1:05:03.200 --> 1:05:07.280
<v Speaker 1>anybody folly on my post to be another six months.

1:05:06.760 --> 1:05:11.960
<v Speaker 1>Oh boy, Well, good luck Morgan. And you are actively

1:05:12.040 --> 1:05:15.600
<v Speaker 1>dating now, I am. You've been on the apps open.

1:05:16.440 --> 1:05:18.880
<v Speaker 1>I don't think I want my DM's open, but yes

1:05:18.960 --> 1:05:21.080
<v Speaker 1>I am on dating app. You've been on one date.

1:05:21.440 --> 1:05:23.760
<v Speaker 1>I've been on one date. Yeah, and how'd that go?

1:05:24.480 --> 1:05:26.520
<v Speaker 1>It went really good. He brought me a present, though,

1:05:26.560 --> 1:05:28.200
<v Speaker 1>I'm not sure how to feel about that. What was

1:05:28.200 --> 1:05:32.280
<v Speaker 1>the present? It was toys for my dog. Ray's laughing

1:05:32.280 --> 1:05:38.800
<v Speaker 1>out loud. You we never hear you make noise? Why

1:05:38.800 --> 1:05:40.320
<v Speaker 1>did you laugh? We heard you through the wall. Yeah,

1:05:40.320 --> 1:05:42.320
<v Speaker 1>we never heard that, right. Why. It was just funny

1:05:42.480 --> 1:05:45.040
<v Speaker 1>that he would bring toys on the first date. It's

1:05:45.080 --> 1:05:46.800
<v Speaker 1>not a good move. Really, it's a little differ. You

1:05:46.840 --> 1:05:48.720
<v Speaker 1>don't think so, no, I mean, he obviously know she's

1:05:48.720 --> 1:05:50.200
<v Speaker 1>from the show and he's trying to impress. Or he

1:05:50.200 --> 1:05:52.280
<v Speaker 1>could just look at Instagram and see her dog everywhere. Yeah,

1:05:52.280 --> 1:05:54.120
<v Speaker 1>well we taxed it a little bit before, and I

1:05:54.120 --> 1:05:56.240
<v Speaker 1>had talked about my dog and how she's really important

1:05:56.240 --> 1:06:01.720
<v Speaker 1>to me. Okay, red flag or yeah, he uh, definitely.

1:06:01.840 --> 1:06:03.800
<v Speaker 1>I guarantee you're never going on a date with that dude. Age. Well,

1:06:03.800 --> 1:06:05.240
<v Speaker 1>but now we're just talking about that. Though it came

1:06:05.280 --> 1:06:06.960
<v Speaker 1>on way too strong. You gotta act like you got

1:06:07.040 --> 1:06:09.320
<v Speaker 1>other options. He acted like he was all in lunchbox. Ah,

1:06:09.400 --> 1:06:11.640
<v Speaker 1>he's like he's ready to get married. Eddie a toy.

1:06:11.720 --> 1:06:13.200
<v Speaker 1>I think that's sweet, it's a great I think it

1:06:13.240 --> 1:06:15.280
<v Speaker 1>is it's for a dog, and if it's on the Instagram,

1:06:15.600 --> 1:06:18.640
<v Speaker 1>you know it's on whatever. It's thoughtful. Amy, Yeah, I

1:06:18.680 --> 1:06:21.200
<v Speaker 1>think it's okay. It's not like he brought her some

1:06:21.640 --> 1:06:24.280
<v Speaker 1>you know, a ring or a piece of jewelry or something.

1:06:24.440 --> 1:06:26.000
<v Speaker 1>It was a little thing for a dog. What do

1:06:26.040 --> 1:06:28.440
<v Speaker 1>you think about it? I couldn't. I couldn't decided, and

1:06:28.440 --> 1:06:30.400
<v Speaker 1>that's why I wanted to bring It's good, guys, that's good.

1:06:30.400 --> 1:06:32.120
<v Speaker 1>It's a dog toy. It's fine. If your dog is

1:06:32.120 --> 1:06:33.920
<v Speaker 1>all over Instagrams, he's for him to see and find.

1:06:34.280 --> 1:06:36.040
<v Speaker 1>No problem. I mean, what does he say right when

1:06:36.040 --> 1:06:38.200
<v Speaker 1>you sit, I brought you a present? Yeah, well that's

1:06:38.200 --> 1:06:39.840
<v Speaker 1>what I didn't open it right away. I was like,

1:06:39.840 --> 1:06:41.720
<v Speaker 1>this feels weird. Why did you bring me a present?

1:06:41.760 --> 1:06:44.480
<v Speaker 1>Like you never guess what it is? And he squeezes it, squeeze,

1:06:45.360 --> 1:06:48.720
<v Speaker 1>you'll never guess. Are you one out with him again? Yes,

1:06:48.800 --> 1:06:52.040
<v Speaker 1>we're gonna go on a second date? Wow? When I

1:06:52.080 --> 1:06:54.840
<v Speaker 1>mean I got Did he pick you up? Not on

1:06:54.880 --> 1:06:56.680
<v Speaker 1>the first day? No, I never let him pick me

1:06:56.760 --> 1:06:58.280
<v Speaker 1>up on the first date. It's times of different ledge

1:06:58.320 --> 1:06:59.720
<v Speaker 1>box because you know, people to know where you live

1:06:59.760 --> 1:07:03.520
<v Speaker 1>and yeah, you don't really want people come to your house. Initially,

1:07:04.280 --> 1:07:06.880
<v Speaker 1>Oh yeah, I wish i'd learned that lesson on the

1:07:06.920 --> 1:07:08.600
<v Speaker 1>bars man. Tell you what, take girls back to your

1:07:08.600 --> 1:07:09.880
<v Speaker 1>house and they know where you live. All right, we're

1:07:09.880 --> 1:07:16.760
<v Speaker 1>gonna play it different eight years ago. All right, Morgan,

1:07:16.800 --> 1:07:19.080
<v Speaker 1>good luck, we're rooting for you. Don't let the dog

1:07:19.120 --> 1:07:22.320
<v Speaker 1>toy thing at all cloud how you feel. I think

1:07:22.320 --> 1:07:24.640
<v Speaker 1>it's an excellent thing. Just a dog toy. Now if

1:07:24.640 --> 1:07:27.360
<v Speaker 1>it starts elevating each time you go on a date,

1:07:27.360 --> 1:07:29.200
<v Speaker 1>if it gives you a car date four, you have

1:07:29.200 --> 1:07:30.880
<v Speaker 1>a decision to make if you ask him as a

1:07:31.000 --> 1:07:35.440
<v Speaker 1>prerequisite or that's a client like can they are they

1:07:35.520 --> 1:07:37.160
<v Speaker 1>listener to the show? Do you ask that question right

1:07:37.200 --> 1:07:39.320
<v Speaker 1>out front? Oh? Well? I did have somebody match with

1:07:39.360 --> 1:07:41.440
<v Speaker 1>me and their first question was are you Morgan number two?

1:07:41.440 --> 1:07:43.440
<v Speaker 1>And I immediately unmatched. I was a good I'm not

1:07:43.480 --> 1:07:45.400
<v Speaker 1>gonna answer that question. If you have to ask me

1:07:45.440 --> 1:07:47.000
<v Speaker 1>that and you have to call me Morgan number two,

1:07:47.040 --> 1:07:49.280
<v Speaker 1>that's pretty awkward for me. Would you rather them just

1:07:49.320 --> 1:07:52.480
<v Speaker 1>not say anything about it? I'd rather them say something,

1:07:52.640 --> 1:07:55.640
<v Speaker 1>but like in the conversation, just naturally bring it up

1:07:55.640 --> 1:07:58.520
<v Speaker 1>and say, like, what up? Morgan number two? That feels weird.

1:07:58.520 --> 1:08:00.800
<v Speaker 1>Be cool about it. Don't be like, oh my god,

1:08:01.360 --> 1:08:04.240
<v Speaker 1>just be like, hey, yeah, I've heard the show some Yeah, yeah,

1:08:04.240 --> 1:08:06.280
<v Speaker 1>I definitely look familiar. But don't be like im. Even

1:08:06.280 --> 1:08:07.600
<v Speaker 1>if you are to be like I'm a super fan,

1:08:08.600 --> 1:08:14.760
<v Speaker 1>don't be honest. Yeah, it's the Best Bits of the

1:08:14.800 --> 1:08:19.160
<v Speaker 1>Week with Morgan number two. All right, y'all, that's it

1:08:19.320 --> 1:08:22.400
<v Speaker 1>for me this weekend. I hope you enjoyed the bits

1:08:22.400 --> 1:08:24.760
<v Speaker 1>and you got caught back up on the show or

1:08:24.840 --> 1:08:27.519
<v Speaker 1>you just heard some new segments that you didn't get

1:08:27.520 --> 1:08:30.040
<v Speaker 1>to here this week. I love getting to do this

1:08:30.080 --> 1:08:32.559
<v Speaker 1>with you guys and hang out not only this, but

1:08:32.640 --> 1:08:35.719
<v Speaker 1>also talk to the show members in Best Bits Part

1:08:35.760 --> 1:08:38.360
<v Speaker 1>one because we get to talk about life and fun things.

1:08:38.400 --> 1:08:40.840
<v Speaker 1>And this weekend Scooba, Steve and I talked about our

1:08:40.880 --> 1:08:44.040
<v Speaker 1>Thanksgiving plans. He shared some red flags he thinks I

1:08:44.040 --> 1:08:47.479
<v Speaker 1>should look for in guys, and we also answered random questions,

1:08:47.520 --> 1:08:50.759
<v Speaker 1>which you guys also love to hear, because random questions

1:08:50.760 --> 1:08:53.240
<v Speaker 1>are fun and I hope you're answering them with us

1:08:53.320 --> 1:08:55.760
<v Speaker 1>as we talk about them. But so good to hang

1:08:55.760 --> 1:08:57.799
<v Speaker 1>out with you, guys. I can't wait for next weekend.

1:08:57.840 --> 1:09:01.920
<v Speaker 1>I hope everyone has a fan Plastic Thanksgiving, holiday and

1:09:02.080 --> 1:09:05.240
<v Speaker 1>travel safe. Enjoy all the food, the family time, all

1:09:05.280 --> 1:09:08.719
<v Speaker 1>the things I love. Y'all, Bite the bobby bones, Share

1:09:08.800 --> 1:09:09.639
<v Speaker 1>Bobby bones.