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Speaker 1: It's the Best Bits of the Week with Morgan number two.

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Speaker 1: What's up, y'all? Welcome to the Best Bits. It's Morgan here.

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Speaker 1: This is Best Bits, just the Bits on part one.

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Speaker 1: I brought on Scuba Steve this weekend for a pre

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Speaker 1: Turkey conversation that was a little loopy because we recorded

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Speaker 1: it super early in the morning, and I'm not a

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Speaker 1: kidding when I say we were loopy like crazy, So

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Speaker 1: make sure and go check that one out. But this

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Speaker 1: is where I break down the bits from the show

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Speaker 1: this week and playing back for you in case you

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Speaker 1: missed him, in case you want to relive it or

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Speaker 1: anything like that. So here we go. Brooke Shields was

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Speaker 1: on with us this week and she talks about the

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Speaker 1: movie that her and our own Amy Brown are in

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Speaker 1: called Holiday Harmony, coming out on HBO Max on Thanksgiving,

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Speaker 1: so be sure to check that out download HBO Max

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Speaker 1: so you're all ready to go for next week. But

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Speaker 1: she also talked about her career and being a child

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Speaker 1: star and what her normal life kind of looked like

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Speaker 1: for her growing up, and it was just a really

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Speaker 1: cool interview. I've never heard a lot of stories about Brookshields,

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Speaker 1: so it was cool to hear them from her, and

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Speaker 1: she was super vulnerable and open, which is always a

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Speaker 1: fun interview. So check this one out right now. Number seven,

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Speaker 1: Friday Morning conversation with Brookshields Brooke, Good morning, how are you? Oh?

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Speaker 1: I'm good. How are you? I'm doing pretty good. I

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Speaker 1: was listening to your podcast. Man, you guys go right

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Speaker 1: at it. I mean, it's like it's like real deal stuff.

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Speaker 1: It's you go right to the point. It's very vulnerable,

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Speaker 1: but it's also like super authentic. What you're so famous?

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Speaker 1: Did you have some some urge to just put it

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Speaker 1: all out there? Finally? You know? It's it's funny. I

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Speaker 1: just um, when you've been around this long, you sort

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Speaker 1: of find that there are only certain areas in which

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Speaker 1: you really get to be authentically yourself and heard, and

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Speaker 1: that's in writing a book or doing something that is

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Speaker 1: relatively life like, like a podcast. I never really set

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Speaker 1: out to do a podcast, but now what came to

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Speaker 1: my mine one day and I said, you know, everybody

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Speaker 1: that you think you know, or that you have an

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Speaker 1: expectation about or a preconception, they've all had these now

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Speaker 1: loat moments, And I thought, I think people know that

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Speaker 1: I'm not going to try to catch them in something.

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Speaker 1: But I'm vulnerable enough so that they feel safe, you know.

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Speaker 1: I mean, it's it's an odd thing. I'm having so

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Speaker 1: much fun with it. I'm getting better at it. I

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Speaker 1: was a little I was a little not very journalistic

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Speaker 1: in the beginning. I basically, having been on the other

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Speaker 1: side for so many decades, I would find myself giving

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Speaker 1: them permission not to answer any of the questions. And

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Speaker 1: then I got better at it. Have you found yourself

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Speaker 1: sharing a story and then going, oh, man, was that

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Speaker 1: did I just share too much? Like having to actually question?

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Speaker 1: And then you allowed it to exist, but then you

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Speaker 1: were happy you did. What would be an example of

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Speaker 1: that where you were like, oh, I'm really putting it

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Speaker 1: out there. I think, you know, really just airing insecurities

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Speaker 1: in a way that is not polished. You know. I

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Speaker 1: will say, a book you can sort of you you

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Speaker 1: can work with words and you can sort of get

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Speaker 1: what you want out, but but you're still sort of

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Speaker 1: hiding behind a book. And I think just admitting to

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Speaker 1: being scared at times and really insecure and and you know,

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Speaker 1: falling into the traps that other women over forty. I'm

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Speaker 1: fifty seven, but Steel and you know, as you're saying it,

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Speaker 1: you're you think, oh God, am I going to sound

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Speaker 1: like I'm whining or poor me? And and then you

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Speaker 1: listen to it and you're thinking, no, it's just I'm

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Speaker 1: I am a woman like many other women, and we

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Speaker 1: all go through things, so it's scary at first, but

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Speaker 1: then when you hear it, you think, I've been really honest.

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Speaker 1: How are you getting I know the answer, probably because

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Speaker 1: you're just cool and have a lot of cool friends.

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Speaker 1: Are you get a lot of a A plus less guests?

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Speaker 1: Do you have to lure them in, like, come on, guys,

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Speaker 1: trust me, it's a lot of fun. Or they just

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Speaker 1: pretty willing to hop in as well. I think they're

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Speaker 1: pretty willing to hop in. I mean a lot of

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Speaker 1: it is, you know, around they don't want to do

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Speaker 1: it unless they're promoting something, which I totally understand, or

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Speaker 1: if it's too close around a certain incident that is

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Speaker 1: so fraught in people's minds, you know, they're a bit hesitant.

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Speaker 1: And but nobody has said anything is off limits. And

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Speaker 1: there have been people that have been that are very

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Speaker 1: clear in how they want to answer the question before

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Speaker 1: the question even gets asked, And there are some that are,

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Speaker 1: you know, just very skilled at not answering the question,

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Speaker 1: and even those people have at the end said wow,

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Speaker 1: you kind of got that out of me. But it

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Speaker 1: didn't feel mean, or it didn't feel like an I

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Speaker 1: gotcha moment, or it didn't feel like it pulled out

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Speaker 1: headline that that's what's gonna that's the sound bite that

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Speaker 1: we're gonna just base the whole interview on. I did

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Speaker 1: see a clip that, again was a sound bite, because again,

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Speaker 1: you talk about so much, but I saw there was

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Speaker 1: one where you were talking about actors that you had dated,

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Speaker 1: and it kind of became a big story. Do you

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Speaker 1: know sometimes when you're telling these stories that it's probably

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Speaker 1: going to be picked up. Yeah, oh yeah. I mean

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Speaker 1: I joke with my publicist because I'll say, I'll say

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Speaker 1: under my breath, I'll say SoundBite or you know, that's

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Speaker 1: the headline, and it becomes just a game because it

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Speaker 1: seems so reductive and typical, and you know what I mean,

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Speaker 1: it's like everybody's desperate for the for the SoundBite and

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Speaker 1: the one line. You know, this has started since I

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Speaker 1: was a virgin, and that became everybody's main focus, which

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Speaker 1: is ridiculous. On many levels. So I've been dealing with

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Speaker 1: this for a few decades. Now, do you feel like

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Speaker 1: you had at all a normal childhood? You know, I've

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Speaker 1: ben't asked that question forever, and I don't know what

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Speaker 1: normal is. Conventional. No, when other kids were playing soccer

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Speaker 1: or whatever the sports were, I was going to photo

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Speaker 1: studios at Avidans and Googolo and you know do I

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Speaker 1: was earning a living, so it's not conventional. But my

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Speaker 1: mom never let me leave go to professional children's school,

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Speaker 1: and I never lived in Los Angeles until until I

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Speaker 1: was doing a television show, and so there was this

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Speaker 1: work life and then real life, and real life was

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Speaker 1: with my mom and then with my dad in separate

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Speaker 1: families and regular school. So for you know, until I

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Speaker 1: was twenty in my twenties, well twenty one, I was

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Speaker 1: in a regular school schedule, and that was about as

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Speaker 1: normal and as normally pressured as it can be. My

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Speaker 1: vacations were not conventional, and my extracurricular activities were not,

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Speaker 1: but my mom always made the production send a girlfriend

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Speaker 1: with me, or send my sister with me, and so

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Speaker 1: I always had this sort of grounding of a twelve

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Speaker 1: year old, a thirteen year old. A fifteen year old,

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Speaker 1: I wasn't always surrounded by adults, so the two of

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Speaker 1: us could sort of get together and giggle about how

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Speaker 1: crazy we thought adults were. So to me, I think,

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Speaker 1: I think it's actually pretty normal, almost more normal than

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Speaker 1: some of my normal friends. Do you what I find

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Speaker 1: it super impressive about you is that you went to Princeton.

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Speaker 1: I mean, do you find people are often shocked at

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Speaker 1: that fact? Always they were shocked the day I got in,

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Speaker 1: and then the whole kind of campaign started with why

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Speaker 1: did she get in? Did she just get in because

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Speaker 1: she was famous? And then when I get to school,

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Speaker 1: all the teachers wanted to make sure that they weren't

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Speaker 1: ye giving me any extra, so they graded me harder

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Speaker 1: and they were, you know less, they just because they

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Speaker 1: had something to prove as well. And then over time

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Speaker 1: just my work ethic was so intact. What was strange

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Speaker 1: was coming out of college my freshman term, first term,

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Speaker 1: freshman year and having a press conference because they thought,

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Speaker 1: you know, if you do a press conference about what

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Speaker 1: it's like, what you're you know, your real life is like,

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Speaker 1: they'll leave you alone. And the press were shocked by

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Speaker 1: a level of maturity that they hadn't seen in me prior. Yeah,

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Speaker 1: I wasn't looking to anybody for my answers anymore. I wasn't.

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Speaker 1: I wasn't worrying that an answer wasn't going to be okay.

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Speaker 1: And I was using bigger words, you know, because here

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Speaker 1: I am at Princeton thinking I better use bigger words.

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Speaker 1: And I don't think they liked it. They didn't like

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Speaker 1: non malleable Brook. Suddenly Susan was a show I watched

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Speaker 1: all the time, loved it, And a lot of these

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Speaker 1: shows are coming back reboot formed. Have they come to

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Speaker 1: you and said, let's do Suddenly Susan again? If they did,

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Speaker 1: I'd probably say yes without even them getting the question out.

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Speaker 1: But I don't think that we were ever. First of all,

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Speaker 1: they canceled us at ninety eight, so we never Yeah,

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Speaker 1: it was all a nice little plan that they had intact,

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Speaker 1: which idea know about which I will say I've got

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Speaker 1: a little bitterness or maybe a lot of bitterness about that,

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Speaker 1: but not from a syndication financial standpoint, just from you know,

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Speaker 1: how wonderful it was to do that show. I mean,

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Speaker 1: we just were so happy, and then tragedy befell the

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Speaker 1: show and we lost one of our cast members, and

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Speaker 1: it kind of was never the same again. And I

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Speaker 1: think I think Warner Brothers or NBC would probably argue

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Speaker 1: we were never a big enough hit to merit a reboot.

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Speaker 1: Now shows get picked up for eight or nine. We

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Speaker 1: never had a season that was fewer than twenty three,

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Speaker 1: twenty two, twenty six, you know, so it in these

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Speaker 1: days that would be a huge hit. And then back then,

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Speaker 1: you know, we didn't get two hundreds, so they sort

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Speaker 1: of checked us off. I can't believe they got it

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Speaker 1: to ninety eight purposefully. And yeah, well then that's almost

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Speaker 1: I mean, I mean, that's mean. Well, I think it's

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Speaker 1: a financial thing. I mean, all these things end up

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Speaker 1: being financial, you know. You we think they're personal because

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Speaker 1: we're living in it day in and day out, and

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Speaker 1: we're performing in front of a live audience, and we're

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Speaker 1: having to think on our feed and we're getting new

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Speaker 1: scripts every day, so we're so in it. And and

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Speaker 1: then you realize, oh, it's just a money game. After

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Speaker 1: a certain number, this entity doesn't pay for a production anymore.

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Speaker 1: It switches over to this entity and they may or

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Speaker 1: may not want to do that. So it's the same

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Speaker 1: thing that happened suddenly Lipstick Jungle. We were number one

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Speaker 1: for a while, and then Tvo came into existence and

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Speaker 1: practically overnight all of our advertisers pulled out because people

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Speaker 1: were fast forwarding through the commercials. So it didn't even

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Speaker 1: matter how much people loved us watching us. They wanted

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Speaker 1: to fast forward through the commercials, and there for all

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Speaker 1: that money practically overnight gets now you know. Now they

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Speaker 1: found ways around it. But we were right at the

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Speaker 1: on the sort of precipice of TiVos, so that was

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Speaker 1: sort of you know, that happened too. So these things

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Speaker 1: you'd think they're mean only because they feel personal. And

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Speaker 1: the older I get, the less personal I realize it

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Speaker 1: all is right. Now we're talking to actress Brookshield. Hey,

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Speaker 1: how good are you at memorizing scripts? So I have

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Speaker 1: about twelve pages to do tomorrow for this project that

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Speaker 1: I'm doing, and I have not started to memorize it.

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Speaker 1: But you can you can do do all twelve in

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Speaker 1: a night? Yeah, I can. I have this. It's some

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Speaker 1: a You have to put yourself in a position where

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Speaker 1: you can still listen, and that's the that's the trick,

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Speaker 1: so that you're not just reciting words but I memorize

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Speaker 1: things based on where they are on the page. So

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Speaker 1: when I think about where a page as I have highlighted,

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Speaker 1: I'm such a geek bout. I mean, I highlight and

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Speaker 1: I note and I make red notes. And my husband says,

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Speaker 1: you're such a dork, But um, yeah, I don't. I'm

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Speaker 1: I'm trained to have to think quickly. You know a

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Speaker 1: lot of the time when you do these commercials, before

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Speaker 1: they had teleprompters and before they had in back in

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Speaker 1: my day, you know, or in the day. I still

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Speaker 1: feel like it's my day, but you didn't have teleprompters.

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Speaker 1: You had to memorize everything. And so I think I

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Speaker 1: just got trained. Brookshields is on with us, and I

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Speaker 1: encourage you guys to check out our podcast now what

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Speaker 1: with Brookshields. It is a very authentic, very vulnerable. It's

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Speaker 1: an original podcast that examines pivotal moments and people's lives. Again,

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Speaker 1: it's very honest. It's a great podcast. And then also

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Speaker 1: thank you coming from you, that's a that's a big deal.

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Speaker 1: I mean, this is I'm coming into a world I've

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Speaker 1: I've never been in. And then it's been very well received,

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Speaker 1: and I thank you, and I didn't think people would

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Speaker 1: really want to hear me anymore in my life and

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Speaker 1: people do se do want to be interested in hearing

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Speaker 1: my guests. Well, I hope people check it out. And

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Speaker 1: then there's also Holiday Harmony coming out on HBO Acts

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Speaker 1: and so when that when a movie like that comes

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Speaker 1: to you and we have a special interest here with

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Speaker 1: that movie because if you put the Cameron me for

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Speaker 1: one second, Amy has like four line five lines are

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Speaker 1: still in the movie, and yes she does, and you

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Speaker 1: see her in the trailer. I mean she looked so

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Speaker 1: beautiful in the trail. As I didn't get to meet you.

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Speaker 1: Oh I know. I was there the last day of filming,

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Speaker 1: so you've already done with your scenes. And I was

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Speaker 1: definitely excited to possibly see you. So to see you

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Speaker 1: now fun. So I was. I was way up with

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Speaker 1: the alpaca farmers and up in northern cal They didn't

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Speaker 1: bring me to Hollywood. How does like a Christmas movie?

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Speaker 1: Because It's been Amy's dream forever to do like a

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Speaker 1: holiday movie and now they're super cool again, and how

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Speaker 1: does a Christmas movie come to you? Do you go,

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Speaker 1: I'd like to do a holiday movie because they are

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Speaker 1: so cool now, or do they go Brook, we got

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Speaker 1: this perfect idea. It's a really good movie for the holidays.

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Speaker 1: For a while, holiday movies were sort of taboo, you know,

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Speaker 1: they were they were sort of, Oh, you're doing a

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Speaker 1: Hollywood movie. That means like it's not I mean, you're

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Speaker 1: doing a Christmas movie or a holiday movie. That means

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Speaker 1: that you're not doing real edgy stuff. Well for sure,

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Speaker 1: all I've never really been a g in that way.

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Speaker 1: They come to me and I'm prepared to not like

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Speaker 1: them because they're pretty formulaic. And then every now and

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Speaker 1: then one will come up, or two now and twisted

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Speaker 1: my second one, but that will touch a chord and

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Speaker 1: be an escape. And I think that that's what that's

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Speaker 1: what I love about them, is if they're especially if

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Speaker 1: they're directed well, and if they have enough of a

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Speaker 1: story that does deviate from just the regular holiday Christmas

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Speaker 1: formula movie. And I mean I read a lot of them,

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Speaker 1: and I don't say yes to most of them. I

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Speaker 1: did one last year for Netflix, which was extraordinarily popular

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Speaker 1: and it was so much fun to do, and it

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Speaker 1: was called Castle for Christmas. And these movies come out again.

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Speaker 1: It's funny because they then they bring them back out

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Speaker 1: again for the next holiday, and you're sort of like, oh,

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Speaker 1: I just think for me rom coms, holiday movies they're

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Speaker 1: based in joy. You sort of know how they're going

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Speaker 1: to turn out, but you still want to be on

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Speaker 1: the journey with it and just looking at the news

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Speaker 1: and just being in the world. It's just so hard

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Speaker 1: these days that these kind of movies are wonderful escape.

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Speaker 1: I would compare holiday movies now to game shows, where

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Speaker 1: for a long time I wouldn't take a game show

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Speaker 1: because I was like, game shows are hokey, and if

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Speaker 1: if I ever do and host a game show, then

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Speaker 1: I'm always going to be a game show host. However,

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Speaker 1: then but now they're really cool again. I think Steve

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Speaker 1: Harvey kind of brought that back where you could be

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Speaker 1: a real talent and be funny, and then everybody's doing

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Speaker 1: game shows, and now everybody wants to do a game show.

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Speaker 1: I would I think those two kind of run alongside

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Speaker 1: each other. I think you made a great point there.

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Speaker 1: For a long time it was like, we don't want

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Speaker 1: to do that, but now like you almost want to

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Speaker 1: do host a game show or a holiday movie. Well,

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Speaker 1: you know, it's funny because everything is, you know, everybody.

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Speaker 1: There was a time when oh, you would never be

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Speaker 1: a TV actress. Oh god, no, you know, and then

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Speaker 1: you know when Helen Hunt comes and does you know?

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Speaker 1: Mad about you? And I was obsessed with it and

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Speaker 1: I was like, wait a minute, she could do it.

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Speaker 1: I can do that. And prior to them, you wouldn't

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Speaker 1: touch TV, you know. And then there are all these

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Speaker 1: sort of taboos that come around, and I think, slowly

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Speaker 1: but surely, the joy that is in all of these

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Speaker 1: emerges and everything's I don't think there's anything off limits anymore.

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Speaker 1: I think the crossover is I mean amazing. You know,

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Speaker 1: look at what Julie Roberts and Clooney just did, did

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Speaker 1: a rom com sort of movie like that, and we

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Speaker 1: just flocked to it because it opens up your heart

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Speaker 1: a little bit and it's escapism. Well, Brooke, we're big fans.

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Speaker 1: And I hope everybody checks out now what with Brooke Shields.

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Speaker 1: It's a wonderful podcast, and I hope they check out

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Speaker 1: Brooke and her co star Amy. Yes. Yes, Holiday Harmony

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Speaker 1: on HBO Max. That is out November twenty fourth, which

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Speaker 1: is Thanksgiving, right, Yeah, it's Thankgiming Day. And I was

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Speaker 1: told by Lauren Swickard, who's one of the writers and

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Speaker 1: producers that I guess I technically am a supporting role.

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Speaker 1: That's my oscar for supporting actress. Yes, yes, yes, Brooke,

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Speaker 1: big fan. Thank you very much, good luck with the podcast,

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Speaker 1: and we appreciate your time this morning. Thank you. I

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Speaker 1: appreciate yours. Hope to see you in person one day.

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Speaker 1: All right, breast, it's the best bits of the week

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Speaker 1: with Morgan number two. This segment is going to make

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Speaker 1: a lot more sense when you hear the number one

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Speaker 1: this week. But you know, we're just in the order

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Speaker 1: of the way that things happen, so we're letting it go.

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Speaker 1: I matched with somebody on a dating app that's been

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Speaker 1: in the news for their relationship to a country star,

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Speaker 1: and the show tried to guess who it was. I

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Speaker 1: never revealed who it was, and some of y'all online

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Speaker 1: we're very mad that we do segments where we don't

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Speaker 1: reveal things. But you know, there's always some fun in

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Speaker 1: a little mystery. Why did we all like Scooby Doo

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Speaker 1: and Ghostbusters because there's mystery people, it's fun to guess

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Speaker 1: things and you might never know who it is, or

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Speaker 1: you know, five years I may reveal who knows, but

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Speaker 1: it was fun. Everybody tried to figure it out and

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Speaker 1: had a good time with it. And yes, this is

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Speaker 1: a true thing that happened. I'm not making it up.

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Speaker 1: This is real. I have screenshots to prove it. Some

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Speaker 1: people on the show. I've seen it. So listen for yourself.

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Speaker 1: Let me know who you think it might be. You

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Speaker 1: can shoot me a message and have some fun with it.

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Speaker 1: Just enjoy the mystery people. Okay, Number six, Morgan said

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Speaker 1: on the show yesterday she's single again after a year

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Speaker 1: and she's been dating on Hinge the app. It's been

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Speaker 1: going okay, but I know, you know, maybe you guess

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Speaker 1: can figure it out because I don't know who it is, Morgan,

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Speaker 1: tell them what happened. So someone tried to match with

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Speaker 1: me on the dating app. And there's somebody that has

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Speaker 1: been in the news a lot for their relationship to

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Speaker 1: a country star, and she's not going to confirm or

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Speaker 1: deny regardless of what we say. Hold on, hold on,

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Speaker 1: But that's the clue, someone who's been in the news,

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Speaker 1: so it has to be yet. Yeah, yeah, okay, let

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Speaker 1: me think hold on. Don't don't spoil because no, no,

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Speaker 1: don't give me anything. Hold on dating a country star,

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Speaker 1: so it has to be wait, you're assuming dating, oh

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Speaker 1: married if they're yeah, they were married. I never even

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Speaker 1: thought about Mary. Yeah, it could be either. Why are

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Speaker 1: you writing something down? I want to show you. No,

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Speaker 1: I want to guess. Oh, I can't think of anybody.

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Speaker 1: Can have some fun. That's the point. I want to

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Speaker 1: have fun. You guys always get to play the game

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Speaker 1: to show you who I think it is. Yes, because

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Speaker 1: I have no one, we probably have show Okay, maybe,

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Speaker 1: but now I'm not buying it. Oh no, that's not

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Speaker 1: what I know. Do I know him? Do I know

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Speaker 1: him really? Well? Yeah? No? No, oh then it's not Morgan. No, guys,

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Speaker 1: show you Bobby not confirming denying anything. You just deny.

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Speaker 1: I would saying no to you that you don't know them. Well, sorry,

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Speaker 1: I was refeating myself not to google that person. That's interesting, Amy,

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Speaker 1: you have to google that person? Hey what Amy has?

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Speaker 1: Whatever Amy says, I'm gonna say out loud, but whatever.

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Speaker 1: I want you to just go regardless of what I say,

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Speaker 1: just go. Who knows. I want you to already have

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Speaker 1: your response ready so people don't judge it based off

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Speaker 1: your tone. So whatever I say, go up, who knows Amy?

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Speaker 1: Who do you have? I can't you want me to

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Speaker 1: say the name? Okay. The only reason why I say

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Speaker 1: in the news right now is I just read an

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Speaker 1: article about him yesterday. Just things are being said about him.

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Speaker 1: No I know who it is, Oh, Jenna kramers Us,

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Speaker 1: who knows? Okay? No, No, I know, I know, I know. Okay, Again,

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Speaker 1: this is all speculation. Morgan just told me, and she

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Speaker 1: didn't even tell me. I will say that I did

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Speaker 1: not swipe right on him for a reason. See yeah,

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Speaker 1: because because yeah, is it a note to who? I said? Well,

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Speaker 1: who knows? Okay? Nice? So the only clue is they're

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Speaker 1: in the news for for being was it a marriage

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Speaker 1: or was it a day eating? Who knows who? I

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Speaker 1: got a question? Was Casey Musgrave's ex husband a musician? Yeah?

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Speaker 1: I don't know who he is, but that it could

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Speaker 1: be him. He's not in the news right now. Did

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Speaker 1: we say right now? No? Yes? Did not right now?

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Speaker 1: I just said in the news for who they dated

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Speaker 1: as a country star dated Amy, they weren't married, who knows?

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Speaker 1: Who knows? So it could have been Casey Muskrat. I mean,

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Speaker 1: I don't know who that is her ex husbands Rust

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Speaker 1: and Kelly. But she's saying dated, not married. No, she said,

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Speaker 1: who knows? No, it could have been either. She said dated.

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Speaker 1: She literally said dated. Are there a lot of famous

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Speaker 1: people on hinge? No, this is the first one I've seen.

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Speaker 1: Are they like B list c Liss? Hey? Who knows? Yeah?

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Speaker 1: Who knows? Like I'm Morgan back at it? And you

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Speaker 1: didn't want to date them? No? I did not list.

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Speaker 1: And maybe I didn't want to date them because I

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Speaker 1: just don't find him attractive. I don't know, who knows? Right, hey, yeah? Yes?

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Speaker 1: Is there any other celebrity couples that are in the

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Speaker 1: news that dated somewhere? It doesn't have Okay, let's think

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Speaker 1: of all this thing. Think about this. We're gonna come back.

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Speaker 1: What is wrong here so far? And I think if

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Speaker 1: she told to be like, oh, but we don't know,

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Speaker 1: she's not going to tell her. She's just gonna say, well,

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Speaker 1: who knows? That's right and right. I'm just trying to

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Speaker 1: think of what the artists have dated in the past. Yeah,

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Speaker 1: here's Riley Green, Thomas Rhett Riley Green. No, no, no,

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Speaker 1: what does he have when we say no, of course not?

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Speaker 1: Oh good one I'm joking. I don't think it's real.

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Speaker 1: All right, It's the best bits of the week with Morgan.

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Speaker 1: Number two. Abby also had some big news to share

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Speaker 1: this week. She hired a vocal coach and she got

424
00:22:37,200 --> 00:22:39,840
Speaker 1: a new singing gig, which was super exciting, and of

425
00:22:39,880 --> 00:22:41,959
Speaker 1: course somebody on the show had a lot to say

426
00:22:42,000 --> 00:22:44,520
Speaker 1: about it, but most of us were just happy for

427
00:22:44,560 --> 00:22:47,320
Speaker 1: Abby and she's doing something that she loves, so super cool.

428
00:22:47,600 --> 00:22:50,119
Speaker 1: And the cool thing about her new singing gig is

429
00:22:50,119 --> 00:22:52,840
Speaker 1: that if you're in the Nashville area, you could hire

430
00:22:52,880 --> 00:22:55,520
Speaker 1: her number five, Hey, Abby, would you mind come to

431
00:22:55,520 --> 00:22:59,240
Speaker 1: the microphone? Abby has an announcement, like two announcements she's

432
00:22:59,280 --> 00:23:02,520
Speaker 1: gonna make. Oh she's dating that dude. What dude, Nate Smith?

433
00:23:02,560 --> 00:23:06,919
Speaker 1: Oh no, I don't think so. Are you okay? Did

434
00:23:06,920 --> 00:23:10,680
Speaker 1: you guys ever talk? No? I can't message me A

435
00:23:10,760 --> 00:23:12,760
Speaker 1: couple of times like good for and I was like

436
00:23:13,000 --> 00:23:15,760
Speaker 1: you sounded awesome. I love Nate Smith. I called on

437
00:23:15,880 --> 00:23:18,240
Speaker 1: myself after the show went that day. Really yeah, I

438
00:23:18,280 --> 00:23:19,760
Speaker 1: never call people after a show, but I was just

439
00:23:19,760 --> 00:23:21,920
Speaker 1: I got his number from Brent and I was like, dude,

440
00:23:22,000 --> 00:23:25,199
Speaker 1: is awesome, Like great job? I like you. That was it.

441
00:23:25,840 --> 00:23:28,800
Speaker 1: I was like, hey, I like it. Click. When's the

442
00:23:28,880 --> 00:23:32,200
Speaker 1: last time you got stalked? Oh? A couple of days ago. Yeah. See,

443
00:23:32,240 --> 00:23:34,119
Speaker 1: her hesitation is always well, I'm gonna let it be.

444
00:23:34,240 --> 00:23:37,240
Speaker 1: I'm not gonna I'm moving on from this. I'm and

445
00:23:37,280 --> 00:23:38,760
Speaker 1: if she ever has something, she can come to us.

446
00:23:38,880 --> 00:23:41,400
Speaker 1: That being said, we got a couple announcements here we're

447
00:23:41,400 --> 00:23:43,320
Speaker 1: gonna do. Number one is I love when people on

448
00:23:43,320 --> 00:23:45,760
Speaker 1: the show decide they're gonna go and work toward a goal.

449
00:23:46,080 --> 00:23:48,399
Speaker 1: They're gonna try to make themselves better because they have

450
00:23:48,440 --> 00:23:50,840
Speaker 1: a passion. Abby, what are you doing to make yourself better?

451
00:23:51,280 --> 00:23:55,560
Speaker 1: So I got a professional voice coach, like I've been

452
00:23:55,560 --> 00:23:58,879
Speaker 1: saying you need to do all along. But the best

453
00:23:58,920 --> 00:24:01,040
Speaker 1: singers have voice coaches. No, that's what I'm saying. I

454
00:24:01,240 --> 00:24:02,879
Speaker 1: told her all along her voice wasn't good enough, that

455
00:24:02,880 --> 00:24:04,520
Speaker 1: she needs to get a voice I don't think people

456
00:24:04,560 --> 00:24:06,359
Speaker 1: don't go to a voice coach because her voice isn't

457
00:24:06,359 --> 00:24:08,240
Speaker 1: good enough. They get a voice coach at the show.

458
00:24:08,280 --> 00:24:10,560
Speaker 1: I'm how to sing to sing a lot multiple nights,

459
00:24:10,560 --> 00:24:12,280
Speaker 1: how to use that rise, And that's what I'm saying.

460
00:24:12,280 --> 00:24:14,160
Speaker 1: I told her that from the beginning, And you guys said,

461
00:24:14,160 --> 00:24:15,800
Speaker 1: I was so rude, and now she doesn't. You guys,

462
00:24:16,119 --> 00:24:18,040
Speaker 1: it's a big deal. I told her telling her for

463
00:24:18,040 --> 00:24:20,280
Speaker 1: a different reason. You were like, you can't sing. Yeah,

464
00:24:20,359 --> 00:24:21,640
Speaker 1: she has to get rid of the nasal, and they'll

465
00:24:21,680 --> 00:24:23,360
Speaker 1: help her do that. So you think if she gets

466
00:24:23,440 --> 00:24:24,640
Speaker 1: rid of the nasal, she could be a good singer.

467
00:24:24,720 --> 00:24:26,800
Speaker 1: She might be able to, but the nasal like it

468
00:24:26,920 --> 00:24:29,480
Speaker 1: like positivity. I told you're saying having a record deal.

469
00:24:30,040 --> 00:24:35,440
Speaker 1: We just heard it. Well that's what I've been saying

470
00:24:35,440 --> 00:24:36,920
Speaker 1: the whole time is she has to get rid of

471
00:24:36,960 --> 00:24:39,000
Speaker 1: the nasal if she even wants to be considered a singer.

472
00:24:39,160 --> 00:24:40,800
Speaker 1: What does the voice coach say to you? Have you been?

473
00:24:40,960 --> 00:24:44,000
Speaker 1: M Yeah, I've been twice, So what have you learned?

474
00:24:44,520 --> 00:24:47,080
Speaker 1: So she has me warm up a lot, and she

475
00:24:47,160 --> 00:24:49,240
Speaker 1: does say I sing through my throat and my nose.

476
00:24:49,520 --> 00:24:52,639
Speaker 1: So it's kind of unlearning old habits. So what do

477
00:24:52,640 --> 00:24:55,359
Speaker 1: you do? She kind of I sang the house that

478
00:24:55,440 --> 00:24:57,520
Speaker 1: built me and she kind of goes through because I

479
00:24:57,520 --> 00:25:00,159
Speaker 1: don't open my mouth very much or a nunciate, so

480
00:25:00,280 --> 00:25:02,919
Speaker 1: I just kind of follow her basically, okay, or at

481
00:25:02,960 --> 00:25:05,440
Speaker 1: the very beginning stages like what give me a little

482
00:25:05,440 --> 00:25:08,280
Speaker 1: bit of that I thought, if I could touch this

483
00:25:08,640 --> 00:25:15,400
Speaker 1: place so feeling it, this brokenness, since some mud start healing,

484
00:25:16,000 --> 00:25:19,240
Speaker 1: that's good. It's already better. Yeah I think, yeah, I

485
00:25:19,280 --> 00:25:22,840
Speaker 1: think already better. Come on, Wow, thinks are going to

486
00:25:22,880 --> 00:25:25,159
Speaker 1: pay off. She just has me be more confident in

487
00:25:25,160 --> 00:25:27,520
Speaker 1: like sing out more instead of being like yeah, so

488
00:25:27,600 --> 00:25:29,800
Speaker 1: do you want to say thank you to me? Or

489
00:25:29,800 --> 00:25:31,479
Speaker 1: what are you gonna? I mean, I've been telling you

490
00:25:31,560 --> 00:25:33,679
Speaker 1: need a voice coach for credit for her trying to

491
00:25:33,680 --> 00:25:36,240
Speaker 1: be you were mean and so you need a voice coach.

492
00:25:36,920 --> 00:25:40,560
Speaker 1: But was it true? But it was for a different reason. Okay,

493
00:25:40,640 --> 00:25:42,120
Speaker 1: did you go to a voice coach? Did you take

494
00:25:42,160 --> 00:25:44,440
Speaker 1: my advice? Did you do it because the lunchbox? No? Okay,

495
00:25:45,040 --> 00:25:46,760
Speaker 1: so that's the first thing you're welcome, is that you

496
00:25:46,800 --> 00:25:48,520
Speaker 1: went to a You're going to a voice coach with

497
00:25:48,640 --> 00:25:52,040
Speaker 1: what goal? I just feel more confident singing and be

498
00:25:52,080 --> 00:25:54,560
Speaker 1: able to sing out more, like as a goal to

499
00:25:54,800 --> 00:25:56,800
Speaker 1: be a singer. I don't know. Maybe you think you

500
00:25:56,920 --> 00:25:59,640
Speaker 1: leave the show to prossessing your career. If I feel

501
00:25:59,680 --> 00:26:01,480
Speaker 1: good up at this point, I don't feel like I'm

502
00:26:01,600 --> 00:26:04,680
Speaker 1: at that level you have to be at. She'll never

503
00:26:04,720 --> 00:26:08,880
Speaker 1: be at that level unless you want to be homeless, lunchbox. Yeah,

504
00:26:08,880 --> 00:26:10,680
Speaker 1: if she leaves this job to go be a singer, Amy,

505
00:26:10,720 --> 00:26:12,880
Speaker 1: she can't make enough money being a singer. I think

506
00:26:12,880 --> 00:26:15,000
Speaker 1: people do it all the time in Nashville. Okay, they're

507
00:26:15,040 --> 00:26:18,159
Speaker 1: doing They have six roommates and they live, you know,

508
00:26:18,240 --> 00:26:21,520
Speaker 1: under a bridge. So what with six roommates? Yeah? Why,

509
00:26:22,240 --> 00:26:23,840
Speaker 1: I don't know if Amy, do you really think? I

510
00:26:24,440 --> 00:26:28,480
Speaker 1: think that she should keep jobs and pursue it. She

511
00:26:28,520 --> 00:26:31,760
Speaker 1: doesn't have to quit everything, which is what like a

512
00:26:31,800 --> 00:26:33,560
Speaker 1: little bit where it's like I think she could possibly

513
00:26:33,840 --> 00:26:36,200
Speaker 1: have and you're like wow, like it is he softening up?

514
00:26:36,400 --> 00:26:38,520
Speaker 1: Well do it if you want to be homeless, and

515
00:26:38,520 --> 00:26:40,840
Speaker 1: then don't drag any of us into what you're saying.

516
00:26:40,880 --> 00:26:43,320
Speaker 1: She could never just leave this job and pursue seeing

517
00:26:43,480 --> 00:26:46,520
Speaker 1: she would not make enough money eventually she's saying she might.

518
00:26:46,760 --> 00:26:49,000
Speaker 1: The next thing is Abby, is that you've she's already

519
00:26:49,040 --> 00:26:53,399
Speaker 1: taken a singing job already she got yes, so go

520
00:26:53,440 --> 00:26:55,600
Speaker 1: ahead tell them what's up? Yeah, So you guys remember

521
00:26:55,600 --> 00:26:57,760
Speaker 1: those Carollers that were at the Christmas party last year

522
00:26:57,840 --> 00:27:00,479
Speaker 1: when you just butted your way into their group. Yeah,

523
00:27:00,520 --> 00:27:02,320
Speaker 1: I was asked to ye asked her to go up

524
00:27:02,320 --> 00:27:03,880
Speaker 1: and sing with him. Yeah, in my house, go ahead,

525
00:27:03,880 --> 00:27:06,200
Speaker 1: and maybe at your house. But at the company Christmas party,

526
00:27:06,240 --> 00:27:07,560
Speaker 1: she just went up and said, and she was the

527
00:27:07,560 --> 00:27:09,720
Speaker 1: only one not in costume. It was like, can I

528
00:27:09,760 --> 00:27:11,840
Speaker 1: sing with you? Guys? Know they love He came out

529
00:27:11,880 --> 00:27:14,199
Speaker 1: and asked me. You didn't see him go ahead anyway.

530
00:27:14,359 --> 00:27:17,280
Speaker 1: So they asked me to be part of the quartet

531
00:27:17,400 --> 00:27:22,440
Speaker 1: to sing around Nashville. So do you get your own

532
00:27:22,440 --> 00:27:25,919
Speaker 1: little Christmas outfit? Yeah, like a door the outfit. I

533
00:27:25,920 --> 00:27:28,320
Speaker 1: mean that's going to be a high paying gig. They

534
00:27:28,359 --> 00:27:31,119
Speaker 1: do pay, Yeah, they do pay any not high they

535
00:27:31,160 --> 00:27:34,160
Speaker 1: have to. Like it's four people, Well, there's multiple groups

536
00:27:34,400 --> 00:27:37,040
Speaker 1: because they're in high demand. It's like it's really good.

537
00:27:37,800 --> 00:27:40,600
Speaker 1: Oh so you're on the low group. It's like it's

538
00:27:40,640 --> 00:27:44,000
Speaker 1: like if you're gonna go to you know, the CEO

539
00:27:44,280 --> 00:27:46,080
Speaker 1: or a fortune five hundred company, they're gonna send the

540
00:27:46,080 --> 00:27:48,720
Speaker 1: best group, and then they're gonna send Abby's group to

541
00:27:48,760 --> 00:27:52,920
Speaker 1: the Sonic to the s and sing to the servers. Like, yeah,

542
00:27:54,119 --> 00:27:58,040
Speaker 1: I wouldn't mind that. So you excited? I am? Yeah?

543
00:27:58,240 --> 00:28:00,280
Speaker 1: How much do you make a shout? You know? So

544
00:28:00,320 --> 00:28:03,120
Speaker 1: it's per hour, it's sixty The first hour and then

545
00:28:03,160 --> 00:28:09,440
Speaker 1: thirty after that. That's big money. So you're talking about

546
00:28:09,440 --> 00:28:12,600
Speaker 1: two hours forty five bucks an hour, and you're doing

547
00:28:12,600 --> 00:28:15,919
Speaker 1: what you love like it's fun. Yeah, the costume, and

548
00:28:16,160 --> 00:28:20,439
Speaker 1: you might meet like guys. Yeah, no, guy's gonna hit

549
00:28:20,480 --> 00:28:23,159
Speaker 1: on you in that outfit? Maybe when do you start?

550
00:28:24,000 --> 00:28:28,280
Speaker 1: So the next rehearsal is Monday, and then the events

551
00:28:28,320 --> 00:28:30,400
Speaker 1: start happening. Abby, here's the thing. Let him know if

552
00:28:30,520 --> 00:28:32,480
Speaker 1: if you were the full outfit, you guys come up

553
00:28:32,480 --> 00:28:36,800
Speaker 1: here and perform. Yeah, yeah, I'm in Okay, let him know. Okay,

554
00:28:36,840 --> 00:28:38,960
Speaker 1: I'll tell them. Yeah. And so the group that you'll

555
00:28:39,000 --> 00:28:41,520
Speaker 1: be singing with, we want you. Don't bring the A team,

556
00:28:41,560 --> 00:28:43,800
Speaker 1: bring the people you're actually gonna be singing with. We'd

557
00:28:43,800 --> 00:28:45,600
Speaker 1: love to Abbit. I'll tell them I got another question.

558
00:28:45,600 --> 00:28:48,480
Speaker 1: We're proud of you, Abby. Good job, Abby. Don't let

559
00:28:48,520 --> 00:28:50,120
Speaker 1: the anchor over here sink y'all all the way to

560
00:28:50,120 --> 00:28:53,200
Speaker 1: the bottom. No, No, the truth teller. Whatever happened to

561
00:28:53,200 --> 00:28:54,600
Speaker 1: that band she was in there, she can play at

562
00:28:54,600 --> 00:28:56,680
Speaker 1: the airport. She just get kicked out. I mean they

563
00:28:56,680 --> 00:29:00,080
Speaker 1: just go right, just one person. Wasn't it kind of

564
00:29:00,120 --> 00:29:02,520
Speaker 1: a band? It was him and then a band also,

565
00:29:02,640 --> 00:29:04,480
Speaker 1: But the airport's probably not going to work out because

566
00:29:04,480 --> 00:29:07,160
Speaker 1: they already they had to get badges and everything, so

567
00:29:07,360 --> 00:29:10,280
Speaker 1: I was not included in the badge getting. Um. But

568
00:29:10,320 --> 00:29:12,640
Speaker 1: they're gonna play at other places around like puckets, and

569
00:29:12,680 --> 00:29:14,479
Speaker 1: don't let them bring you down. You know, I'm not yet.

570
00:29:14,560 --> 00:29:16,920
Speaker 1: He never pursues anything. Hi, Why don't have to answers?

571
00:29:16,920 --> 00:29:19,200
Speaker 1: I don't even to answer no, no, But you bring

572
00:29:19,280 --> 00:29:20,760
Speaker 1: up all all the all these gigs all I'm in

573
00:29:20,880 --> 00:29:23,120
Speaker 1: this band that's gonna play at the airport. Never happened

574
00:29:23,160 --> 00:29:25,080
Speaker 1: because she thought because they know, because that band thought

575
00:29:25,120 --> 00:29:26,360
Speaker 1: that we're gonna say their name on the air, and

576
00:29:26,360 --> 00:29:28,880
Speaker 1: we never did. So they cut her. I'm just what

577
00:29:29,000 --> 00:29:34,360
Speaker 1: acting things have you heard of? You know, like I

578
00:29:34,480 --> 00:29:39,520
Speaker 1: cut his lines. I wasn't gonna say, Abby, we're proud

579
00:29:39,560 --> 00:29:41,200
Speaker 1: of you, thank you, and then let the group know

580
00:29:41,240 --> 00:29:42,800
Speaker 1: if they want to come in and fully addressed all

581
00:29:42,840 --> 00:29:44,600
Speaker 1: you guys, you could do a song or two. Okay, okay,

582
00:29:44,840 --> 00:29:48,240
Speaker 1: there she is. Let's hey, let's clap for Abby. Do it?

583
00:29:48,280 --> 00:29:50,640
Speaker 1: Always say phone screenerpecial people know we'res but she does

584
00:29:50,680 --> 00:29:53,840
Speaker 1: so much behind the scenes as well. That is Abby.

585
00:29:54,000 --> 00:29:59,200
Speaker 1: It's the best bits of the Week with Morgan. Number two, Boy,

586
00:29:59,360 --> 00:30:03,120
Speaker 1: was this a controversial one. Eddie secretly recorded Lunchbox while

587
00:30:03,120 --> 00:30:06,600
Speaker 1: he was on a customer service call. And it's controversial

588
00:30:06,680 --> 00:30:09,400
Speaker 1: because of the things that Lunchbox said while he was

589
00:30:09,440 --> 00:30:13,440
Speaker 1: on this call. And it's controversial because Eddie secretly recorded

590
00:30:13,520 --> 00:30:15,480
Speaker 1: him and some people did not like that. People are

591
00:30:15,560 --> 00:30:19,320
Speaker 1: not enjoying the secretly recorded things that are happening. But listen,

592
00:30:19,800 --> 00:30:21,840
Speaker 1: this is like a family around here, a bunch of friends.

593
00:30:22,000 --> 00:30:25,560
Speaker 1: And if you are giving your brothers and sisters a

594
00:30:25,600 --> 00:30:27,680
Speaker 1: hard time, that's what we do on the show. And

595
00:30:27,720 --> 00:30:30,800
Speaker 1: our secretly recording is just us doing that. It's like

596
00:30:30,880 --> 00:30:34,680
Speaker 1: sibling rivalry or siblings having fun with each other. So

597
00:30:34,840 --> 00:30:38,200
Speaker 1: just look at it from that perspective, because this is hilarious.

598
00:30:38,480 --> 00:30:41,880
Speaker 1: And some of y'all might even agree with what Lunchbox

599
00:30:42,400 --> 00:30:45,240
Speaker 1: did and how we approached it. I don't know, see

600
00:30:45,240 --> 00:30:49,320
Speaker 1: for yourself. Number four. We love recording people secretly, don't we. Yeah. Yeah,

601
00:30:50,200 --> 00:30:52,040
Speaker 1: So every once a while, I get a little birdie

602
00:30:52,040 --> 00:30:55,080
Speaker 1: that flies in goes got a little something, and that

603
00:30:55,160 --> 00:30:59,360
Speaker 1: birdie is Eddie. Guys, we got another one, an one

604
00:31:00,520 --> 00:31:03,960
Speaker 1: go ahead. Look when someone's talking trash or doing something

605
00:31:03,960 --> 00:31:05,880
Speaker 1: that I think is worthy to bring the show. And

606
00:31:05,920 --> 00:31:07,720
Speaker 1: they're in front of a microphone. You know what I'm

607
00:31:07,720 --> 00:31:09,480
Speaker 1: gonna do. I'm gonna go to Scooba and say, hey,

608
00:31:09,640 --> 00:31:11,640
Speaker 1: hit record on this. We're gonna use this later. Okay,

609
00:31:11,640 --> 00:31:14,160
Speaker 1: So what happened lunch Box. He's on the phone with

610
00:31:14,320 --> 00:31:17,560
Speaker 1: I think customer Service. He's sitting at his desk. Why

611
00:31:17,560 --> 00:31:21,440
Speaker 1: did you grind? Because I did call customer service and

612
00:31:21,520 --> 00:31:25,120
Speaker 1: he is talking so rude to them, like rude to

613
00:31:25,240 --> 00:31:27,840
Speaker 1: them that I tell Scuba we got a role on this.

614
00:31:28,400 --> 00:31:30,520
Speaker 1: You know, if you're sitting by a microphone, Lunchbox, someone's

615
00:31:30,520 --> 00:31:33,040
Speaker 1: gonna I wasn't even thinking, man, I was on the phone.

616
00:31:34,160 --> 00:31:35,880
Speaker 1: I was in my chair there. You know, what were

617
00:31:35,880 --> 00:31:39,480
Speaker 1: you complaining about? Because my cable hadn't worked for two

618
00:31:39,520 --> 00:31:43,240
Speaker 1: weeks and every time I call, they say, oh yeah, yeah,

619
00:31:43,280 --> 00:31:45,479
Speaker 1: we'll run some you know, we'll run technical support here

620
00:31:45,480 --> 00:31:47,720
Speaker 1: and we'll try to diagnose the problem and we'll get

621
00:31:47,760 --> 00:31:49,720
Speaker 1: that fixed. And we did that three times. They mailed

622
00:31:49,720 --> 00:31:52,280
Speaker 1: me three new cable boxes, none of it worked. And

623
00:31:52,360 --> 00:31:55,040
Speaker 1: then I call again and she's like, oh yeah, you know,

624
00:31:55,080 --> 00:31:57,440
Speaker 1: we'll just what'll trouble shoot from here? No, no, no, no no, no, no,

625
00:31:57,440 --> 00:31:59,680
Speaker 1: no more troubles shooting from there, I need someone at

626
00:31:59,720 --> 00:32:03,600
Speaker 1: my house. No more. And then no no, no, no more.

627
00:32:03,600 --> 00:32:08,520
Speaker 1: In then that's from And then she says, what's gonna

628
00:32:08,520 --> 00:32:10,600
Speaker 1: be a ninety nine dollars fee for them to come? No,

629
00:32:10,600 --> 00:32:12,440
Speaker 1: no, no no, that's not ninety nine dollars fee because you're

630
00:32:12,440 --> 00:32:15,880
Speaker 1: stuff doesn't work. No, so I'm getting heated right now.

631
00:32:16,080 --> 00:32:18,640
Speaker 1: Not her fault though, right, yes, her fault. Okay, so

632
00:32:18,760 --> 00:32:20,840
Speaker 1: here's a club. I haven't heard it yet. Eddie claims

633
00:32:20,840 --> 00:32:23,400
Speaker 1: he recorded this from Lunchbox on with customer service. Go ahead.

634
00:32:23,480 --> 00:32:26,520
Speaker 1: No no, no, no no, no, no, no excuse me, no no,

635
00:32:26,560 --> 00:32:28,520
Speaker 1: that's not how it's gonna go. No, no, no no no.

636
00:32:28,600 --> 00:32:31,880
Speaker 1: I'm not paying ninety nine dollars for you to come

637
00:32:31,880 --> 00:32:35,680
Speaker 1: out and fix your equipment that's not working. No no, no no,

638
00:32:36,240 --> 00:32:38,080
Speaker 1: you can put on you whatever you need to write

639
00:32:38,080 --> 00:32:40,800
Speaker 1: on the account you write. No, I'm not paying ninety

640
00:32:40,880 --> 00:32:44,640
Speaker 1: nine dollars. My cable hasn't worked for two weeks. Do

641
00:32:46,160 --> 00:32:50,440
Speaker 1: you understand? I am Lunchbox from the Bobby Bone. I

642
00:32:50,480 --> 00:32:53,800
Speaker 1: will go on Twitter, Instagram, my social media and I

643
00:32:53,840 --> 00:32:56,040
Speaker 1: can bash your company if that's what I need to do.

644
00:32:56,400 --> 00:32:59,040
Speaker 1: But I'm not gonna pay ninety nine dollars for you

645
00:32:59,040 --> 00:33:01,600
Speaker 1: guys to come figure the broken thing. We're not gonna

646
00:33:01,840 --> 00:33:05,160
Speaker 1: run oh technical support from there. I've done technical support

647
00:33:05,240 --> 00:33:08,480
Speaker 1: from you guys three different times, and every time, oh,

648
00:33:08,560 --> 00:33:11,200
Speaker 1: it's gonna be fixed, it's never fixed. So now I

649
00:33:11,280 --> 00:33:14,960
Speaker 1: need a human, a human to come to my house

650
00:33:15,240 --> 00:33:18,040
Speaker 1: and fix it. No more of this trying to diagnostic

651
00:33:18,240 --> 00:33:22,960
Speaker 1: whatever crap through the phone. Yes, yes, then give me

652
00:33:23,000 --> 00:33:25,080
Speaker 1: a supervisor and let's figure it out. You can have

653
00:33:25,120 --> 00:33:28,200
Speaker 1: a supervisor call me. That's fine, but I am not

654
00:33:28,240 --> 00:33:32,160
Speaker 1: paying ninety nine dollars. I listen being that I am

655
00:33:32,240 --> 00:33:34,320
Speaker 1: Lunchbox from the Bobby Bone Show. I have a huge

656
00:33:34,320 --> 00:33:37,160
Speaker 1: social media following, and I am not afraid to use

657
00:33:37,200 --> 00:33:39,600
Speaker 1: my social media to get on there and get what

658
00:33:39,720 --> 00:33:42,280
Speaker 1: I need. So let's make an appointment for someone to

659
00:33:42,320 --> 00:33:45,720
Speaker 1: come to my house. Yes, fine, I will wait for

660
00:33:45,760 --> 00:33:49,400
Speaker 1: your supervisor to call me back. I got a couple things.

661
00:33:49,400 --> 00:33:53,400
Speaker 1: One is that real? That's legit' that's not that's real,

662
00:33:53,520 --> 00:33:59,640
Speaker 1: that's real? Why would you say? Because this lady wants

663
00:33:59,640 --> 00:34:02,600
Speaker 1: to run diagnostics for the fourth time. They've sent me

664
00:34:02,640 --> 00:34:05,120
Speaker 1: three new cable boxes, and she wants to charge me

665
00:34:08,239 --> 00:34:12,919
Speaker 1: that LR was that real NR? Oh it's crazy, dude,

666
00:34:12,920 --> 00:34:15,080
Speaker 1: and your name came I can't you can't use you

667
00:34:15,120 --> 00:34:18,719
Speaker 1: can't use my name. Your name was totally brought up.

668
00:34:19,080 --> 00:34:22,920
Speaker 1: You can't use my name. I'm a celebrity. I'll tweet

669
00:34:22,960 --> 00:34:25,839
Speaker 1: it out O that, but that's how you do It's

670
00:34:25,920 --> 00:34:28,120
Speaker 1: hilarious and crune worthy. But you can't use my I

671
00:34:28,160 --> 00:34:29,600
Speaker 1: don't care if I say your lunchbox don't give a

672
00:34:29,600 --> 00:34:33,759
Speaker 1: crap like your lunchbox losers podcast that. I don't care.

673
00:34:33,960 --> 00:34:36,080
Speaker 1: I don't use my name because you're all. But if

674
00:34:36,120 --> 00:34:37,880
Speaker 1: you go, if you go on social media and you

675
00:34:37,920 --> 00:34:41,200
Speaker 1: tweet things out, guess what you get a response like that? Okay,

676
00:34:41,239 --> 00:34:44,200
Speaker 1: did you no? Because a supervisor called me back and

677
00:34:44,239 --> 00:34:46,960
Speaker 1: guess what. Someone's coming to my house and there is

678
00:34:46,960 --> 00:34:49,759
Speaker 1: no ninety nine dollars feet thank you. That's what you

679
00:34:49,760 --> 00:34:51,600
Speaker 1: have to do. You have to get a little oh

680
00:34:51,760 --> 00:34:53,640
Speaker 1: got a little raise your voice a little bit and

681
00:34:53,719 --> 00:34:55,920
Speaker 1: get into them. And that's how you do it. I mean,

682
00:34:56,000 --> 00:34:58,040
Speaker 1: let's not send that message though, right, But that's how

683
00:34:58,120 --> 00:35:00,239
Speaker 1: you treat customer service to get what you want. I

684
00:35:00,320 --> 00:35:02,319
Speaker 1: just you can't use my name when you're yelling at

685
00:35:02,320 --> 00:35:04,799
Speaker 1: people no, no. That whole clip made me uncomfortable, in

686
00:35:04,840 --> 00:35:06,640
Speaker 1: addition to the fact that I don't know he has

687
00:35:06,680 --> 00:35:10,440
Speaker 1: some flint situation happening, like he's trying to yell, but

688
00:35:10,480 --> 00:35:13,000
Speaker 1: it's all like yeah, and he does a lot of

689
00:35:14,000 --> 00:35:17,160
Speaker 1: like repeating partial words when he's flustered. No, no, no no, no, no,

690
00:35:19,760 --> 00:35:21,879
Speaker 1: And we all have our own things, but that one

691
00:35:22,360 --> 00:35:26,000
Speaker 1: it intensified because he was intensifying. Yeah, you can't eat,

692
00:35:26,080 --> 00:35:28,080
Speaker 1: I'll talk to people that way, lunch pot No, no,

693
00:35:28,160 --> 00:35:30,440
Speaker 1: they don't. What about the way she was talking to

694
00:35:30,480 --> 00:35:33,160
Speaker 1: me that I don't know what you're saying. But what

695
00:35:33,440 --> 00:35:36,400
Speaker 1: about the oh, you know, we're gonna run diagnostics from here? No, no,

696
00:35:36,440 --> 00:35:39,360
Speaker 1: we've done that enough. Like that's her talking down. I

697
00:35:39,400 --> 00:35:40,719
Speaker 1: don't you know what. I don't care about any of that.

698
00:35:40,920 --> 00:35:44,520
Speaker 1: You just can't say my name whenever you're just you can't.

699
00:35:44,600 --> 00:35:46,560
Speaker 1: I don't like that, but also I love it. I

700
00:35:46,600 --> 00:35:48,680
Speaker 1: don't know what to feel. I'm so torn. I knew

701
00:35:48,719 --> 00:35:51,960
Speaker 1: you'd like the best audio we've ever had, and I'm

702
00:35:52,000 --> 00:35:54,759
Speaker 1: frustrated right now. I'm frustrated right now, me too, me too.

703
00:35:54,840 --> 00:35:56,279
Speaker 1: But I'm on and I still and I have someone

704
00:35:56,320 --> 00:35:58,040
Speaker 1: coming to my house and I'm still frustrated the fact

705
00:35:58,040 --> 00:35:59,359
Speaker 1: that they were going to try to charge me now

706
00:35:59,360 --> 00:36:01,399
Speaker 1: and yelled I'm a celebrity and I will tweet out

707
00:36:01,440 --> 00:36:03,360
Speaker 1: and bash you for our listeners that think this is

708
00:36:03,400 --> 00:36:06,600
Speaker 1: just a bit when you heard it right there and

709
00:36:06,640 --> 00:36:09,080
Speaker 1: then I was even like, what was that real? It work?

710
00:36:09,320 --> 00:36:12,799
Speaker 1: You're dead series too? Did you tell Sally to wash

711
00:36:12,840 --> 00:36:19,080
Speaker 1: her back? No? I didn't wash your bag, Sally. Well,

712
00:36:19,120 --> 00:36:22,320
Speaker 1: I hope it gets fixed, like just Hollie, like, you

713
00:36:22,360 --> 00:36:24,359
Speaker 1: guys are getting me fired up again. Don't use my name,

714
00:36:24,719 --> 00:36:26,680
Speaker 1: Neil got it, got it, But I can use my

715
00:36:26,680 --> 00:36:28,400
Speaker 1: Twitter on Instagram and let me tell you, you'll get

716
00:36:28,400 --> 00:36:30,840
Speaker 1: a response like that. I've done doing it, I know,

717
00:36:30,840 --> 00:36:34,520
Speaker 1: because I got what I needed Airline. I've done it before. Okay, well,

718
00:36:34,520 --> 00:36:39,120
Speaker 1: I'm gonna play this song. I'm a celebrity. I'll tweet

719
00:36:39,160 --> 00:36:47,000
Speaker 1: it out. It's the best Bits of the Week with Morgan.

720
00:36:47,120 --> 00:36:53,680
Speaker 1: Number two. Everyone loves when Keith Urban comes on our show,

721
00:36:53,760 --> 00:36:57,000
Speaker 1: including us, because he's such a fun guy to hear

722
00:36:57,080 --> 00:37:00,680
Speaker 1: stories from, and he always just brings up some cool things,

723
00:37:00,840 --> 00:37:03,440
Speaker 1: like he shared that he saw Harry Styles in the

724
00:37:03,520 --> 00:37:06,680
Speaker 1: nineteen seventy five and talked about going to the nineteen

725
00:37:06,680 --> 00:37:10,560
Speaker 1: seventy five concert in Nashville by himself and people on TikTok.

726
00:37:10,560 --> 00:37:13,440
Speaker 1: We're loving it because it was like Keith Urban, he's

727
00:37:13,480 --> 00:37:15,239
Speaker 1: just like us. Stars are just like us. I know,

728
00:37:15,280 --> 00:37:18,279
Speaker 1: they're real humans. It's crazy to even think that, but

729
00:37:18,600 --> 00:37:21,000
Speaker 1: Keith Urban is one of the best, and he's super

730
00:37:21,120 --> 00:37:24,160
Speaker 1: nice and just always has great things to share. So

731
00:37:24,280 --> 00:37:28,560
Speaker 1: check out this full interview number three on the Bobby

732
00:37:28,560 --> 00:37:32,959
Speaker 1: Bones Show. Now, everybody say good morning to Keith Morning.

733
00:37:33,280 --> 00:37:37,880
Speaker 1: I was comment being back in class. It's so funny

734
00:37:37,880 --> 00:37:40,600
Speaker 1: commenting about you because we were both backstage at the

735
00:37:40,640 --> 00:37:43,040
Speaker 1: CMAS and everybody was just trying to get a second

736
00:37:43,040 --> 00:37:45,080
Speaker 1: with you. You're, you know, the bell of the ball

737
00:37:45,120 --> 00:37:47,000
Speaker 1: when you do something like this, and rightfully so former

738
00:37:47,080 --> 00:37:49,120
Speaker 1: entertainer with you, I think I have thirteen or fourteen cmas,

739
00:37:49,640 --> 00:37:51,319
Speaker 1: so you're there and I don't want to bother you,

740
00:37:51,400 --> 00:37:54,279
Speaker 1: although I do love you personally and feel like if

741
00:37:54,320 --> 00:37:56,359
Speaker 1: we were at a restaurant, I would stop and talk

742
00:37:56,400 --> 00:37:58,480
Speaker 1: and sit and talk like I feel like we're we

743
00:37:58,520 --> 00:38:00,719
Speaker 1: have that relationship totally. But I want to as a

744
00:38:00,760 --> 00:38:03,799
Speaker 1: professional into my house many times, absolutely, but it's a

745
00:38:03,800 --> 00:38:05,759
Speaker 1: professional thing. I'm like Hey, hey, kee's good to see it,

746
00:38:05,760 --> 00:38:08,120
Speaker 1: and you had the wherewithal to go, Hey, I'm coming

747
00:38:08,200 --> 00:38:09,320
Speaker 1: up to do your show, And I'm like, how the

748
00:38:09,320 --> 00:38:11,319
Speaker 1: world did you remember that in the middle of all

749
00:38:11,360 --> 00:38:15,040
Speaker 1: of these like way more important people. Do you prioritize

750
00:38:15,120 --> 00:38:18,160
Speaker 1: being a kind person or is that just like intrinsically

751
00:38:18,200 --> 00:38:20,560
Speaker 1: inside of you. I think it's more about being in

752
00:38:20,560 --> 00:38:24,239
Speaker 1: the moment. But I mean, you were It wasn't even

753
00:38:24,280 --> 00:38:25,640
Speaker 1: like you saw me and I thought you were like,

754
00:38:25,760 --> 00:38:27,279
Speaker 1: I'm gonna come to your show. I was like, how

755
00:38:27,280 --> 00:38:29,279
Speaker 1: are you thinking about that right now? Whenever you have

756
00:38:29,400 --> 00:38:31,400
Speaker 1: all of this going on? Are you that in love

757
00:38:31,440 --> 00:38:37,480
Speaker 1: with me? Be honest, I can accept that I am.

758
00:38:37,520 --> 00:38:40,799
Speaker 1: I was just I was looking for you everywhere. I

759
00:38:40,840 --> 00:38:43,520
Speaker 1: was really speaking to how like I actually have a

760
00:38:43,520 --> 00:38:45,920
Speaker 1: countdown wall, a clock on my wall, but when I

761
00:38:45,960 --> 00:38:47,799
Speaker 1: was coming in here this morning, it's been out there

762
00:38:47,840 --> 00:38:50,839
Speaker 1: for weeks, so I was just ready this counting down. Well,

763
00:38:50,880 --> 00:38:52,839
Speaker 1: I was coming into the guys like, it's just how like,

764
00:38:52,840 --> 00:38:54,920
Speaker 1: thank you for sending me the clock. By the way,

765
00:38:55,280 --> 00:38:57,840
Speaker 1: it's my face and it counts down to me. But

766
00:38:57,920 --> 00:38:59,600
Speaker 1: I do You're like the best, You're the best. I

767
00:38:59,600 --> 00:39:03,400
Speaker 1: don't know how you do it, but you're consistently generous

768
00:39:04,080 --> 00:39:08,600
Speaker 1: and kind with your emotions and just an understanding of

769
00:39:08,600 --> 00:39:10,880
Speaker 1: where you are. So I'm like asking a question, but

770
00:39:10,880 --> 00:39:14,919
Speaker 1: I just want to recognize that genuinely grateful for where

771
00:39:14,920 --> 00:39:16,919
Speaker 1: I am and what I get to do, genuinely which

772
00:39:16,960 --> 00:39:20,960
Speaker 1: has come from contrasts of the complete opposite of that.

773
00:39:21,080 --> 00:39:24,880
Speaker 1: You know, were you weren't grateful where I wasn't in

774
00:39:24,920 --> 00:39:27,680
Speaker 1: a healthy place in my life. And I've been playing

775
00:39:27,760 --> 00:39:30,279
Speaker 1: music since I was, you know, seven years old on

776
00:39:30,400 --> 00:39:34,000
Speaker 1: stages and playing in clubs since I was twelve thirteen.

777
00:39:34,480 --> 00:39:36,920
Speaker 1: It's all I've ever done. And at some point, you know,

778
00:39:38,800 --> 00:39:41,240
Speaker 1: especially come to Nashville early on, and just like hitting

779
00:39:41,239 --> 00:39:44,600
Speaker 1: brick wall after brick wall, it was really really tough.

780
00:39:44,640 --> 00:39:48,480
Speaker 1: And that was years and years of just constant rejection

781
00:39:48,680 --> 00:39:51,799
Speaker 1: and just dark, a dark place in my life. So

782
00:39:52,000 --> 00:39:54,800
Speaker 1: coming through that and getting to where I am today

783
00:39:55,080 --> 00:39:58,200
Speaker 1: is why I'm so grateful for it. Was there a

784
00:39:58,239 --> 00:40:03,960
Speaker 1: person and wasn't hole that has been you know who's

785
00:40:04,560 --> 00:40:07,960
Speaker 1: I don't know, motivated and inspired you Like I've been

786
00:40:08,120 --> 00:40:14,479
Speaker 1: your main advisor on hey positivity, like search that out.

787
00:40:14,719 --> 00:40:17,040
Speaker 1: She's very good with that. Yeah, she's very good at

788
00:40:18,880 --> 00:40:20,839
Speaker 1: trying to just keep be a bit more part. I mean,

789
00:40:20,880 --> 00:40:23,080
Speaker 1: we can both fall into that and the negativity trap,

790
00:40:23,120 --> 00:40:26,879
Speaker 1: but she's very good at moving past it. If I'm

791
00:40:26,960 --> 00:40:29,959
Speaker 1: not feeling creative, or if I'm tired and I really

792
00:40:29,960 --> 00:40:32,440
Speaker 1: have to have a show coming up and I got

793
00:40:32,480 --> 00:40:33,880
Speaker 1: to think of some stuff I take. I take a shower,

794
00:40:33,920 --> 00:40:35,439
Speaker 1: like that's my place to go, or I can really think,

795
00:40:35,640 --> 00:40:36,799
Speaker 1: do you have do you have a place like that,

796
00:40:36,880 --> 00:40:38,359
Speaker 1: or do you have even a place that you go

797
00:40:38,800 --> 00:40:40,880
Speaker 1: that is like a vacation spot where it's like I

798
00:40:40,920 --> 00:40:44,360
Speaker 1: just need to recharge and I'm tired, I'm creatively exhausted.

799
00:40:44,440 --> 00:40:45,839
Speaker 1: Where do you go? What do you do? The beach?

800
00:40:45,920 --> 00:40:48,319
Speaker 1: Does that? For me? Doesn't matter which one? Nope. I

801
00:40:48,440 --> 00:40:51,960
Speaker 1: just love being in the salt order. It's it's unbelievably healing.

802
00:40:52,440 --> 00:40:55,799
Speaker 1: Do you swim in the ocean? Yeah? Yeah, And I

803
00:40:55,760 --> 00:40:58,040
Speaker 1: don't care if it's freezing cold or hot, it doesn't matter.

804
00:40:58,120 --> 00:41:01,239
Speaker 1: You'll get in the cold ocean. I assume now. I

805
00:41:01,320 --> 00:41:02,920
Speaker 1: never had an affinity for the beach, but I grew

806
00:41:02,960 --> 00:41:04,840
Speaker 1: up in a landlocked state in Arkansas. I never had it.

807
00:41:04,840 --> 00:41:06,120
Speaker 1: We never want a vacation, so I didn't know the

808
00:41:06,160 --> 00:41:08,520
Speaker 1: beach at all until I get older. But you growing

809
00:41:08,600 --> 00:41:10,040
Speaker 1: up where there was a lot of water, do you

810
00:41:10,040 --> 00:41:12,279
Speaker 1: think that's what it is? Doesn't remind you of a

811
00:41:12,280 --> 00:41:15,799
Speaker 1: happier time when you were a child? Maybe probably? I

812
00:41:15,840 --> 00:41:19,440
Speaker 1: mean it's just cathotic for me being in being in

813
00:41:19,480 --> 00:41:21,800
Speaker 1: the ocean anywhere. I don't know. I guess there's just

814
00:41:21,840 --> 00:41:24,799
Speaker 1: all those stinging things in the salt. It's just so

815
00:41:24,880 --> 00:41:27,000
Speaker 1: foreign to me. Do you ever wonder what's way down there?

816
00:41:27,040 --> 00:41:29,880
Speaker 1: Because we look up for aliens, right we can't get

817
00:41:29,920 --> 00:41:32,040
Speaker 1: to the bottom of the ocean. See, you've been watching

818
00:41:32,080 --> 00:41:34,719
Speaker 1: an ancient aliens have It's just they live under the water.

819
00:41:34,760 --> 00:41:37,560
Speaker 1: We literally have no idea what's under there. We can

820
00:41:37,600 --> 00:41:39,719
Speaker 1: go up further than we can go down. I know

821
00:41:39,760 --> 00:41:42,280
Speaker 1: it's crazy, right, but it's a whole show onto itself.

822
00:41:42,360 --> 00:41:43,759
Speaker 1: Right now, I could do it right, You and I

823
00:41:43,840 --> 00:41:47,320
Speaker 1: could do the show about Yeah, me too. I'm fascinated

824
00:41:47,320 --> 00:41:51,239
Speaker 1: by me thinking about this because I'm probably wrong. You

825
00:41:51,280 --> 00:41:52,919
Speaker 1: have a room full of aliens right here. You could

826
00:41:52,920 --> 00:41:54,520
Speaker 1: ask them where they where do you guys who live

827
00:41:55,040 --> 00:42:00,680
Speaker 1: under water? Is that alien language? Ye? Hey, what's the difference?

828
00:42:00,960 --> 00:42:03,280
Speaker 1: Because I know you're doing another residency at the Zappo

829
00:42:03,280 --> 00:42:05,480
Speaker 1: stat or plane in Hollywood. Yeah, what's the difference in

830
00:42:05,520 --> 00:42:08,560
Speaker 1: a show like that and a show if you're touring

831
00:42:08,640 --> 00:42:11,319
Speaker 1: around the country. You can build stuff that you don't

832
00:42:11,320 --> 00:42:13,279
Speaker 1: have to worry about packing up. That's cool. I'm putting

833
00:42:13,320 --> 00:42:15,399
Speaker 1: in a truck every night because it stays. Yeah, Because

834
00:42:15,400 --> 00:42:17,080
Speaker 1: sometimes I come up with ideas for our shows and

835
00:42:17,080 --> 00:42:19,799
Speaker 1: they're like, we can't put that in the venue. I'm like,

836
00:42:20,880 --> 00:42:22,799
Speaker 1: I won't fit in a truck, blah blah blah. So

837
00:42:22,800 --> 00:42:24,560
Speaker 1: you don't worry about that. Do you have to do

838
00:42:24,600 --> 00:42:27,680
Speaker 1: a lot of pre creative for these shows because you're

839
00:42:27,680 --> 00:42:30,040
Speaker 1: talking about building and putting things out there? Is it

840
00:42:30,080 --> 00:42:33,319
Speaker 1: a different kind of creative? Yeah? And always coming up

841
00:42:33,320 --> 00:42:36,000
Speaker 1: with something different as challenging because you've seen it all

842
00:42:36,200 --> 00:42:39,759
Speaker 1: and and I'm always trying to think of some other thing,

843
00:42:40,160 --> 00:42:43,719
Speaker 1: just some other thing that I haven't seen. That's tough

844
00:42:43,760 --> 00:42:47,080
Speaker 1: to think of things you haven't seen. Yeah, you ever

845
00:42:47,440 --> 00:42:49,400
Speaker 1: think of a thing that gets that They're like, no,

846
00:42:49,520 --> 00:42:52,080
Speaker 1: you can't. You just can't do that, Like you cannot

847
00:42:52,080 --> 00:42:55,800
Speaker 1: do the huge inflatable butt crack that was one of

848
00:42:55,840 --> 00:42:58,560
Speaker 1: these you can't walk in and out of it during

849
00:42:58,560 --> 00:43:00,319
Speaker 1: the I mean, do you ever have an idea with Keith.

850
00:43:00,320 --> 00:43:02,800
Speaker 1: We can't do that. Why would that be the first?

851
00:43:02,840 --> 00:43:06,919
Speaker 1: I don't know. I don't wondering volume. I know it does.

852
00:43:07,480 --> 00:43:09,759
Speaker 1: The residency, Why you win? Keith and the Inflatable buck

853
00:43:09,760 --> 00:43:12,440
Speaker 1: Crack starts Friday, March third, twenty twenty three. There is

854
00:43:12,480 --> 00:43:15,960
Speaker 1: no buck Crack uh sixteen dates. I will say this

855
00:43:16,000 --> 00:43:19,560
Speaker 1: about the show. It is more intimate in this theater

856
00:43:19,560 --> 00:43:21,520
Speaker 1: because you're right on top of you. Yeah, and that

857
00:43:21,560 --> 00:43:23,279
Speaker 1: does sound that sounds good too. Yeah if you've just

858
00:43:23,360 --> 00:43:27,400
Speaker 1: joined us, Yeah, but you're much closer to the audience. Yeah.

859
00:43:27,400 --> 00:43:29,240
Speaker 1: You know, like I said, I grew up playing the clubs.

860
00:43:29,680 --> 00:43:32,160
Speaker 1: Every gig to me is a club. Whether there's five

861
00:43:32,200 --> 00:43:34,960
Speaker 1: people with fifty thousand, it's a club, and I play

862
00:43:35,080 --> 00:43:37,760
Speaker 1: I play it like it's a club. Tickets on sale

863
00:43:37,760 --> 00:43:41,120
Speaker 1: ticketmaster dot com, slash Keith Urban Vegas. All of our

864
00:43:41,160 --> 00:43:43,840
Speaker 1: Vegas listeners or people traveling to Vegas go to this show.

865
00:43:43,880 --> 00:43:45,719
Speaker 1: It is excellent goo see Keith that he's touring. But

866
00:43:45,960 --> 00:43:48,279
Speaker 1: these shows specifically are really good because again, you're you're

867
00:43:48,280 --> 00:43:51,000
Speaker 1: super close to Keith. It's very personal. We're gonna come

868
00:43:51,000 --> 00:43:52,360
Speaker 1: back in one second. I do want to play your

869
00:43:52,400 --> 00:43:54,200
Speaker 1: new song though the Street Call Me than you can

870
00:43:54,239 --> 00:43:58,560
Speaker 1: if we play it please? What if you said no, yeah, yeah, hey,

871
00:43:58,600 --> 00:44:00,400
Speaker 1: tell me about tell me about Street Called Me? And

872
00:44:00,400 --> 00:44:04,120
Speaker 1: why why did you record this one? I realized when

873
00:44:04,200 --> 00:44:06,840
Speaker 1: when we get sent songs, and obviously I'll write a

874
00:44:06,840 --> 00:44:09,200
Speaker 1: lot of songs, but when I hear a song, I

875
00:44:09,280 --> 00:44:11,520
Speaker 1: realize the other day, I'm hearing it the same way

876
00:44:11,520 --> 00:44:13,960
Speaker 1: that your listeners here for the first time. It's the

877
00:44:14,040 --> 00:44:18,000
Speaker 1: same thing. I didn't write it. I hit play the song,

878
00:44:18,000 --> 00:44:19,279
Speaker 1: it hits me and I go, oh my god, I

879
00:44:19,320 --> 00:44:22,520
Speaker 1: love this song. I love the melody, the lyric, the centiment,

880
00:44:22,719 --> 00:44:25,279
Speaker 1: everything about it. And that was what street Cool name

881
00:44:25,360 --> 00:44:26,799
Speaker 1: was that from me? You ever thought about doing a

882
00:44:26,800 --> 00:44:29,919
Speaker 1: concept album of a completely different genre? Someone said, I've

883
00:44:29,920 --> 00:44:35,080
Speaker 1: done that, but but for example, death metal, hip hop,

884
00:44:35,120 --> 00:44:38,960
Speaker 1: pole something that's so far removed from your influences, which

885
00:44:38,960 --> 00:44:41,640
Speaker 1: I say you've successfully bright influences in a country music

886
00:44:41,640 --> 00:44:43,560
Speaker 1: that other people now using as normal. I think that's

887
00:44:43,560 --> 00:44:46,160
Speaker 1: a huge Hopefully that's a compliment to you. You ever

888
00:44:46,160 --> 00:44:49,440
Speaker 1: thought about doing a crazy concept album because you're inspired

889
00:44:49,480 --> 00:44:52,040
Speaker 1: by not really an I'm always curious about what you

890
00:44:52,080 --> 00:44:54,840
Speaker 1: said though, taking a genre and seeing if there's a

891
00:44:54,880 --> 00:44:58,239
Speaker 1: way I confuse that into what I do, because I mean,

892
00:44:58,239 --> 00:45:03,320
Speaker 1: it's still got to it's still gotta resonate with with

893
00:45:03,320 --> 00:45:05,560
Speaker 1: with the through line of flow that feels right as

894
00:45:05,719 --> 00:45:07,960
Speaker 1: otherwise it's just gratuitous and it doesn't work. You know.

895
00:45:08,160 --> 00:45:10,240
Speaker 1: I was talking to Brian a couple of times. Breland

896
00:45:10,239 --> 00:45:12,480
Speaker 1: and are pretty good buddies. Now, yeah, and he says,

897
00:45:12,480 --> 00:45:15,600
Speaker 1: really smart is that guy? I had to sit up

898
00:45:15,640 --> 00:45:17,520
Speaker 1: straight and tall when I talk to him because I

899
00:45:17,600 --> 00:45:20,200
Speaker 1: gotta be ready. Yeah, he's super sharp and he's not

900
00:45:20,360 --> 00:45:23,080
Speaker 1: pressing me or but just talking to him, he is

901
00:45:23,080 --> 00:45:26,400
Speaker 1: so bright. Yeah, that's It feels like he's challenging you,

902
00:45:26,440 --> 00:45:28,759
Speaker 1: but he's being normal when you write, when you reach

903
00:45:28,800 --> 00:45:30,240
Speaker 1: out to him. Why would you reach out to Breland

904
00:45:30,239 --> 00:45:31,320
Speaker 1: for the first time to go, hey man, I'd like

905
00:45:31,360 --> 00:45:32,960
Speaker 1: to write with you, Like, what did you hear about him?

906
00:45:32,960 --> 00:45:34,680
Speaker 1: What did you hear from I read an interview with him,

907
00:45:35,680 --> 00:45:38,879
Speaker 1: and the way he spoke in the interview, the way

908
00:45:38,960 --> 00:45:42,239
Speaker 1: he saw music and putting things together and fusing and

909
00:45:42,280 --> 00:45:44,960
Speaker 1: so forth. I went, that's that's a guy that speaks

910
00:45:45,040 --> 00:45:47,239
Speaker 1: my language. When a new artist comes in to write

911
00:45:47,239 --> 00:45:49,200
Speaker 1: with you, do you have the understanding that they're probably

912
00:45:49,239 --> 00:45:51,600
Speaker 1: pretty nervous to write with you because of your success.

913
00:45:52,440 --> 00:45:55,239
Speaker 1: I don't think about that. I'm always like, guess, I

914
00:45:55,239 --> 00:45:56,920
Speaker 1: hope I show up today, you know what I mean,

915
00:45:56,920 --> 00:45:59,560
Speaker 1: and still putting it on you after all these years,

916
00:45:58,800 --> 00:46:02,799
Speaker 1: and you you you mean, because writings it's so mysterious.

917
00:46:03,320 --> 00:46:04,800
Speaker 1: You know you have it with the show, right, You

918
00:46:04,800 --> 00:46:06,320
Speaker 1: show up and you get like you're just firing on

919
00:46:06,400 --> 00:46:08,319
Speaker 1: all cylinders and things are like just flowing, and then

920
00:46:08,360 --> 00:46:12,359
Speaker 1: another day you just can barely get things going. And

921
00:46:12,440 --> 00:46:14,880
Speaker 1: when you're writing with anybody, you want to have a

922
00:46:14,960 --> 00:46:17,480
Speaker 1: day where the flow shows up. What about a live

923
00:46:17,560 --> 00:46:20,719
Speaker 1: show where that's happening, because again, like you said, if

924
00:46:20,760 --> 00:46:23,720
Speaker 1: you do things at a high level enough times, sometimes

925
00:46:23,760 --> 00:46:25,320
Speaker 1: you're not going to be at that level just natural

926
00:46:25,400 --> 00:46:27,200
Speaker 1: human What if you're having a down day and you've

927
00:46:27,239 --> 00:46:28,520
Speaker 1: got to do a show because I know it's so

928
00:46:28,560 --> 00:46:30,319
Speaker 1: important to you to give the audience what they came

929
00:46:30,360 --> 00:46:33,799
Speaker 1: to see. How are you propelling yourself to that spot

930
00:46:33,800 --> 00:46:35,080
Speaker 1: to give them the best show even if you're not

931
00:46:35,080 --> 00:46:38,759
Speaker 1: feeling it. I think there's going to be just an

932
00:46:38,760 --> 00:46:43,360
Speaker 1: in the moment thing where whatever it takes. And I

933
00:46:43,400 --> 00:46:45,439
Speaker 1: think I always think First of all, it's awareness that

934
00:46:45,840 --> 00:46:48,440
Speaker 1: I'm not firing on all cylinders right now. And then okay,

935
00:46:48,440 --> 00:46:52,359
Speaker 1: why night. I'll tell you what stays with me. When

936
00:46:52,360 --> 00:46:55,200
Speaker 1: I was in my cover band, we played a show

937
00:46:56,200 --> 00:46:58,319
Speaker 1: and it wasn't It was a small gig, a few

938
00:46:58,400 --> 00:47:01,200
Speaker 1: hundred people at this bar that we've came off stage,

939
00:47:01,239 --> 00:47:03,279
Speaker 1: and I said to my drama man that audience was

940
00:47:03,400 --> 00:47:05,799
Speaker 1: just crap? Were they just the craps? The audience? And

941
00:47:05,840 --> 00:47:07,360
Speaker 1: he looked right at me, goes you ever think it

942
00:47:07,440 --> 00:47:09,359
Speaker 1: might have been you? And then he just walked off

943
00:47:09,400 --> 00:47:13,759
Speaker 1: and I was like, wait, what what? Me? What? And

944
00:47:13,800 --> 00:47:16,640
Speaker 1: I was like, damn, he's He was right, it was me,

945
00:47:16,760 --> 00:47:19,399
Speaker 1: It wasn't them. And I can't tell you how much

946
00:47:19,480 --> 00:47:21,160
Speaker 1: that stays with me when I want to go to

947
00:47:21,239 --> 00:47:25,800
Speaker 1: that place in a gig. Whenever you're playing a show

948
00:47:26,640 --> 00:47:29,600
Speaker 1: and if you're you know, you're talking about the crowd

949
00:47:29,640 --> 00:47:31,720
Speaker 1: or it could be you. When do you get to

950
00:47:31,800 --> 00:47:33,880
Speaker 1: enjoy a show? Whence the last time you went to

951
00:47:33,880 --> 00:47:35,680
Speaker 1: a show and got to actually enjoy it being someone

952
00:47:35,719 --> 00:47:39,720
Speaker 1: who's watching. Oh gosh, we haven't saw Harry Styles in Paris.

953
00:47:39,840 --> 00:47:41,759
Speaker 1: We were over there at the time in Paris, Yeah,

954
00:47:41,880 --> 00:47:45,440
Speaker 1: which was amazing to see him there. I think the

955
00:47:45,520 --> 00:47:48,000
Speaker 1: last one that really like hit me was the nineteen

956
00:47:48,000 --> 00:47:51,239
Speaker 1: seventy five, who played here at the ascend Amphitheater maybe

957
00:47:51,239 --> 00:47:53,359
Speaker 1: a year or two ago. What about that? Because we

958
00:47:53,360 --> 00:47:55,239
Speaker 1: listened to them too, What about nineteen seventy iould be

959
00:47:55,239 --> 00:47:58,000
Speaker 1: like the spirit of that band. They got a spirit

960
00:47:58,400 --> 00:48:02,040
Speaker 1: and it's in their audience too, and just going just

961
00:48:02,200 --> 00:48:05,480
Speaker 1: sort of immersing it. It's the first time we had

962
00:48:05,480 --> 00:48:07,120
Speaker 1: people come to our show. And I bet you have

963
00:48:07,160 --> 00:48:09,640
Speaker 1: this too. People come to your show repeatedly, again and again,

964
00:48:09,640 --> 00:48:11,759
Speaker 1: and you're like, why do you keep coming back to this?

965
00:48:12,239 --> 00:48:13,920
Speaker 1: A lot of the times it's the same show, and

966
00:48:13,960 --> 00:48:16,400
Speaker 1: you're like, you're here again and again. Why? And they go,

967
00:48:16,840 --> 00:48:19,480
Speaker 1: I just want that feeling. I come to get that feeling.

968
00:48:19,960 --> 00:48:21,839
Speaker 1: And I've never understood that until I went and saw

969
00:48:21,880 --> 00:48:24,520
Speaker 1: the ninety seventy five at as Sand and I was

970
00:48:24,600 --> 00:48:26,279
Speaker 1: driving home. I went and saw them on my own.

971
00:48:26,360 --> 00:48:29,080
Speaker 1: Nick was out of town. I'm driving home and my

972
00:48:29,120 --> 00:48:31,719
Speaker 1: first thought was, Oh, I think you're playing Atlanta tomorrow night.

973
00:48:31,800 --> 00:48:33,600
Speaker 1: I could probably drive And I went, Oh, my god,

974
00:48:33,640 --> 00:48:36,120
Speaker 1: there it is. I'm thinking of driving to Atlanta to

975
00:48:36,120 --> 00:48:38,200
Speaker 1: see this band. Why Because I wanted that feeling. I

976
00:48:38,280 --> 00:48:40,520
Speaker 1: want a compliment. And also you went to a show

977
00:48:40,560 --> 00:48:45,040
Speaker 1: by yourself? Yeah, no way, Yeah, you drove yourself? Yeah

978
00:48:45,080 --> 00:48:48,799
Speaker 1: where do you park? I actually there, I parked in

979
00:48:48,840 --> 00:48:53,320
Speaker 1: a little spot not too far from Kaya. Get it.

980
00:48:53,480 --> 00:48:55,319
Speaker 1: You get a good spy and you walk because the

981
00:48:55,320 --> 00:48:57,319
Speaker 1: concert its started, so I just sat. There was no

982
00:48:57,600 --> 00:49:00,239
Speaker 1: people wearing around. You don't want by yourself ever? Eat

983
00:49:00,280 --> 00:49:02,960
Speaker 1: by yourself? Yeah all the time? No way, You're not.

984
00:49:03,200 --> 00:49:06,200
Speaker 1: That can't be true all the time. And you just

985
00:49:06,239 --> 00:49:07,319
Speaker 1: go in and be like, hell, I'll like to have

986
00:49:07,360 --> 00:49:09,600
Speaker 1: a table for one. Yeah. The last three days in

987
00:49:09,600 --> 00:49:11,359
Speaker 1: a row, I've gone out and had lunch on my own.

988
00:49:11,360 --> 00:49:13,480
Speaker 1: Are you lonely? No? You know what? You just text

989
00:49:13,520 --> 00:49:15,960
Speaker 1: me buddy, if you're having from a cup day, be like, hey,

990
00:49:15,960 --> 00:49:18,839
Speaker 1: I'm Sometimes it's like it's that moment that I really love,

991
00:49:19,000 --> 00:49:21,879
Speaker 1: just a bit of quiet, bit of you know, it's good.

992
00:49:22,320 --> 00:49:24,080
Speaker 1: When do you hear a song? When can you I'm

993
00:49:24,080 --> 00:49:25,880
Speaker 1: gonna put you on the spot here. Last time you

994
00:49:25,920 --> 00:49:27,719
Speaker 1: heard a song where you were like, man like that

995
00:49:27,840 --> 00:49:30,800
Speaker 1: emotionally touches me, like the message or the lyric or

996
00:49:30,840 --> 00:49:33,560
Speaker 1: the vocal or sonically that touches me, what's done it

997
00:49:33,600 --> 00:49:36,919
Speaker 1: for you lately? Gee? I can't think of one right now?

998
00:49:37,280 --> 00:49:41,520
Speaker 1: Do you pursue different? Glimpse of us Jogi is so

999
00:49:41,680 --> 00:49:45,759
Speaker 1: beautifully written. It's a beauty by Jogi. Yeah, jo j

1000
00:49:46,280 --> 00:49:50,080
Speaker 1: ih jo jo jo a joji berry like a goji

1001
00:49:50,239 --> 00:49:54,520
Speaker 1: jogi Jogi. Ok text of us it's a gorgeous song. Okay,

1002
00:49:54,640 --> 00:49:56,719
Speaker 1: break your heart. There's the answer. Anytime I ask Keith

1003
00:49:56,719 --> 00:49:58,359
Speaker 1: about music that I'm like, hey, what about this, it's

1004
00:49:58,360 --> 00:50:01,320
Speaker 1: always like you ever heard of experimental track seven nineteen

1005
00:50:01,640 --> 00:50:04,759
Speaker 1: and I'm like, I never, And then then he'll text

1006
00:50:04,800 --> 00:50:06,000
Speaker 1: me to be like, checked this out, and then I'll

1007
00:50:06,040 --> 00:50:07,600
Speaker 1: listen to it, and then like three months later I'll

1008
00:50:07,640 --> 00:50:10,480
Speaker 1: be like, hey, remember expecting I've seen him seven times now, Kith,

1009
00:50:10,480 --> 00:50:12,560
Speaker 1: thank you very much for sharing that. Eric. Eric Church

1010
00:50:12,600 --> 00:50:16,680
Speaker 1: changed me things like that all the time, Obscure things.

1011
00:50:16,719 --> 00:50:18,759
Speaker 1: He sent me as somebody that did a cover of

1012
00:50:19,360 --> 00:50:23,160
Speaker 1: Sounds of Silence the other day, like Simon, Yeah, but

1013
00:50:23,200 --> 00:50:26,640
Speaker 1: it was this uh Scottish guy. I think it's just

1014
00:50:26,880 --> 00:50:29,359
Speaker 1: crazy cover. Do you ever hear a cover of your song?

1015
00:50:29,440 --> 00:50:32,759
Speaker 1: And you go, man, they crushed that because it's a

1016
00:50:32,800 --> 00:50:37,120
Speaker 1: little different and they've interpreted a different way. Um, I

1017
00:50:37,120 --> 00:50:39,799
Speaker 1: haven't heard one recorded. No, I'd like to. I'd like to.

1018
00:50:40,120 --> 00:50:42,440
Speaker 1: I got one here, Ray play play this. This is

1019
00:50:43,080 --> 00:50:46,319
Speaker 1: somebody like you but in Spanish polka. Go ahead, Ray Now,

1020
00:50:46,320 --> 00:50:53,800
Speaker 1: I'm just kidding. It's not ready for that. Okay, look everybody,

1021
00:50:53,840 --> 00:50:56,960
Speaker 1: I want you to go watch Keith's He'll be in Vegas.

1022
00:50:57,000 --> 00:51:01,560
Speaker 1: I'm gonna learn that song in Spanish. Zappos, Planet, Hollywood

1023
00:51:01,560 --> 00:51:04,560
Speaker 1: Resort and Casino Friday in March third for sixteen dates

1024
00:51:04,920 --> 00:51:07,840
Speaker 1: ticketmaster dot COM's not consecutively, by the way. Yeah, but

1025
00:51:07,920 --> 00:51:10,640
Speaker 1: that'd be a long Yeah. What's the longest you've ever

1026
00:51:10,680 --> 00:51:12,359
Speaker 1: been out in a row? Back when you were going going?

1027
00:51:12,400 --> 00:51:14,120
Speaker 1: Would you ever do? Have you ever done sixteen in

1028
00:51:14,200 --> 00:51:17,680
Speaker 1: a row? Not in a row, but I mean most

1029
00:51:17,680 --> 00:51:20,960
Speaker 1: shows in a year. You think you've done three hundred? Yeah? Yeah,

1030
00:51:21,000 --> 00:51:23,480
Speaker 1: I bet, really, I bet coming up. Yeah, because if

1031
00:51:23,520 --> 00:51:26,560
Speaker 1: you throw in radio visits and all of that. Hate

1032
00:51:26,560 --> 00:51:29,799
Speaker 1: those don't we hate those? Don't we radio people? You know,

1033
00:51:29,840 --> 00:51:31,319
Speaker 1: when you're a new artist and you got to come

1034
00:51:31,320 --> 00:51:33,719
Speaker 1: and do the conference room auditions of despair as I

1035
00:51:33,800 --> 00:51:35,759
Speaker 1: used to call them. Yeah, those ones here otherwise known

1036
00:51:35,760 --> 00:51:38,000
Speaker 1: as free pizza. Yeah, you hate it. Here, we get it,

1037
00:51:38,200 --> 00:51:40,080
Speaker 1: we get it there he is. Hey. One final question.

1038
00:51:40,080 --> 00:51:42,160
Speaker 1: I saw the coffee though, that's good. Oh is that

1039
00:51:42,239 --> 00:51:44,640
Speaker 1: our coffee? Yeah, you're welcome. A little something we brought in,

1040
00:51:44,760 --> 00:51:47,360
Speaker 1: thank you. Yeah called It's called New Zealand Delight. A

1041
00:51:47,400 --> 00:51:49,839
Speaker 1: winner is coffee whatever it is. I saw a video

1042
00:51:49,840 --> 00:51:51,360
Speaker 1: on TikTok at somebody filming you coming out of a

1043
00:51:51,360 --> 00:51:54,160
Speaker 1: gas station. Do you see that one? No? Me? Yeah,

1044
00:51:54,200 --> 00:51:56,879
Speaker 1: you were buying snacks randomly by yourself at a gas station. Yeah.

1045
00:51:56,880 --> 00:51:59,759
Speaker 1: I told you, ILL got it to lunch. When you

1046
00:51:59,800 --> 00:52:02,960
Speaker 1: do that. Does the cashier ever go hey, Keith Urban? Yeah?

1047
00:52:03,000 --> 00:52:06,080
Speaker 1: Sometimes Yeah. The funniest one it's I does anybody ever

1048
00:52:06,160 --> 00:52:08,200
Speaker 1: tell you look like Keithurban? I go all the time,

1049
00:52:08,239 --> 00:52:11,000
Speaker 1: and they go, it's crazy, you really do. And then

1050
00:52:11,160 --> 00:52:14,360
Speaker 1: that's the end of the conversation and then you just

1051
00:52:14,440 --> 00:52:18,560
Speaker 1: let it be. Yeah, they go uncanny. Sometimes people will go,

1052
00:52:19,360 --> 00:52:21,960
Speaker 1: I know you from somewhere, right, But then what you

1053
00:52:22,040 --> 00:52:24,960
Speaker 1: say because they're like you just so familiar to me.

1054
00:52:25,000 --> 00:52:29,400
Speaker 1: And if I go, oh by Bono American idol, yeah,

1055
00:52:29,120 --> 00:52:31,319
Speaker 1: mm or this one and you must get this? Are

1056
00:52:31,360 --> 00:52:33,400
Speaker 1: you who I think you are? Who am I? I

1057
00:52:33,400 --> 00:52:35,359
Speaker 1: don't know? What, I'm barely who I think I am.

1058
00:52:35,480 --> 00:52:37,239
Speaker 1: So what do you say to that? If it's like

1059
00:52:37,239 --> 00:52:38,960
Speaker 1: I know you from If someone comes up you goes,

1060
00:52:38,960 --> 00:52:40,920
Speaker 1: I know you from somewhere, What do you say? Probably

1061
00:52:40,960 --> 00:52:42,920
Speaker 1: I get that old because you look familiar. Yeah, I

1062
00:52:42,920 --> 00:52:45,480
Speaker 1: get that a lot. Yeah. Are you the bass player

1063
00:52:45,520 --> 00:52:50,839
Speaker 1: for Casey Musgrave? Yes, yes, yes, Keith Urbanum love him.

1064
00:52:51,040 --> 00:52:54,680
Speaker 1: Go watch them. Best live performer there is and that's

1065
00:52:54,680 --> 00:52:57,799
Speaker 1: all Keith Urban the Las Vegas Residency. March, June and July.

1066
00:52:57,880 --> 00:53:01,000
Speaker 1: There are sixteen shows at Zappa stater a Planet Hollywood

1067
00:53:01,000 --> 00:53:03,040
Speaker 1: Resort in Casino. Keiths, good to see you. One of

1068
00:53:03,080 --> 00:53:05,200
Speaker 1: those nice wile the Spanish version of Somebody Like You

1069
00:53:05,400 --> 00:53:09,359
Speaker 1: Spanish la Polka. Yeah, yeah, I'm gonna do it. You're not.

1070
00:53:09,520 --> 00:53:11,920
Speaker 1: But I love I love you, know, I like a challenge.

1071
00:53:12,040 --> 00:53:16,960
Speaker 1: Could you speak other languages? No? Oh Australian? Yeah, all right,

1072
00:53:17,000 --> 00:53:20,600
Speaker 1: there is? Everybody say bye, Keith, go to it. Thank

1073
00:53:20,600 --> 00:53:24,959
Speaker 1: you too. It's the best bits of the week with

1074
00:53:25,000 --> 00:53:29,400
Speaker 1: Morgan number two. And speaking of Keith Urban, this was

1075
00:53:29,560 --> 00:53:32,600
Speaker 1: another big one on the show this week. Lunchbox was

1076
00:53:32,640 --> 00:53:35,799
Speaker 1: caught washing his hands in the same scene at the

1077
00:53:35,840 --> 00:53:38,880
Speaker 1: same time as Keith Urban when he was here visiting

1078
00:53:38,920 --> 00:53:41,640
Speaker 1: our show. Yeah weird. I know, even saying it out

1079
00:53:41,640 --> 00:53:44,560
Speaker 1: loud feels very strange, but it's what happened. Eddie caught

1080
00:53:44,600 --> 00:53:48,200
Speaker 1: them and that was another broadly thing that happened between

1081
00:53:48,280 --> 00:53:51,319
Speaker 1: Lunchbox and Eddie this week, and Lunchbox admitted that he

1082
00:53:51,360 --> 00:53:53,400
Speaker 1: wanted to do it because he wanted to tell people

1083
00:53:53,920 --> 00:53:55,680
Speaker 1: he got to wash his hands in the same scenk

1084
00:53:56,040 --> 00:53:59,839
Speaker 1: with Keith Urban. You know, in all fairness, I get it.

1085
00:54:00,640 --> 00:54:03,600
Speaker 1: I would never do it, but I get it. Number two,

1086
00:54:03,800 --> 00:54:06,560
Speaker 1: Keith Urban was here yesterday. We love seeing Keith Urban,

1087
00:54:07,160 --> 00:54:10,200
Speaker 1: great guy, fun guest. I didn't realize what happened though

1088
00:54:10,239 --> 00:54:12,440
Speaker 1: behind the scenes. So Eddie, what did you see that

1089
00:54:12,560 --> 00:54:14,640
Speaker 1: was so weird? It was strange. Man. I walk in

1090
00:54:14,680 --> 00:54:18,359
Speaker 1: the bathroom and Lunchbox is sharing a sink with Keith Urban.

1091
00:54:18,440 --> 00:54:20,600
Speaker 1: Now you know, our sink is a one person small

1092
00:54:20,640 --> 00:54:23,720
Speaker 1: since tiny. Wait, you'll only have one scene, yes, camping

1093
00:54:23,760 --> 00:54:26,439
Speaker 1: sink and they're both washing their hands together, and it's

1094
00:54:26,440 --> 00:54:28,840
Speaker 1: more like Keith was washing his hands and Lunchbox was

1095
00:54:28,880 --> 00:54:31,120
Speaker 1: excuse mc keith, and he's trying to get in there,

1096
00:54:31,160 --> 00:54:33,040
Speaker 1: and I think is so small that if you're washing

1097
00:54:33,040 --> 00:54:35,120
Speaker 1: your hands. I wait till you're out of the way, correct,

1098
00:54:35,239 --> 00:54:37,239
Speaker 1: or go to the kitchen to wash your hands. Two

1099
00:54:37,239 --> 00:54:41,680
Speaker 1: people do not fit there. Okay, that's yeah, that's weird.

1100
00:54:41,719 --> 00:54:43,839
Speaker 1: So what happened? Nothing? I just I wrote it down.

1101
00:54:43,840 --> 00:54:44,840
Speaker 1: I'm like, I need to bring this up to the

1102
00:54:44,880 --> 00:54:46,359
Speaker 1: show and get the real story. Did you track Keith

1103
00:54:46,440 --> 00:54:49,160
Speaker 1: Urban into the bathroom? No, we just happened to be

1104
00:54:49,160 --> 00:54:50,560
Speaker 1: in the sit in the bathroom at the same time.

1105
00:54:50,719 --> 00:54:53,440
Speaker 1: I mean, you go first, or to hea. He was first,

1106
00:54:53,560 --> 00:54:55,479
Speaker 1: so you followed him into the bathroom? No, no no, no, no,

1107
00:54:55,480 --> 00:54:58,200
Speaker 1: no no. I didn't know he was in the You

1108
00:54:58,239 --> 00:55:00,560
Speaker 1: can't do that. You can't follow guests in the b bathroom.

1109
00:55:00,920 --> 00:55:02,879
Speaker 1: I didn't. I believe that he didn't know. I didn't

1110
00:55:02,880 --> 00:55:04,600
Speaker 1: know Keith Urban was in the bathroom. I had to

1111
00:55:04,600 --> 00:55:06,680
Speaker 1: go to the bathroom, and I went and Keith Urban

1112
00:55:06,800 --> 00:55:09,439
Speaker 1: was in the bathroom, so I didn't follow him in there.

1113
00:55:09,840 --> 00:55:12,200
Speaker 1: He was done doing his business. I was done doing

1114
00:55:12,239 --> 00:55:15,400
Speaker 1: my business. There was a sink, so I washed my hands.

1115
00:55:15,400 --> 00:55:17,440
Speaker 1: You guys always yell at me for not washing my hands,

1116
00:55:17,440 --> 00:55:19,439
Speaker 1: but you never wash your hands. This is a great point.

1117
00:55:19,760 --> 00:55:22,399
Speaker 1: Glad you said this. You know, never wash your hands

1118
00:55:22,400 --> 00:55:24,239
Speaker 1: when you lead the bathroom. Out of a hundred, if

1119
00:55:24,280 --> 00:55:25,840
Speaker 1: you're in there by yourself, how many times out of

1120
00:55:25,840 --> 00:55:28,200
Speaker 1: the hundred times do you wash your hands? Three? Okay,

1121
00:55:28,520 --> 00:55:30,719
Speaker 1: so a three percent chance you're gonna wash your hands. Yeah,

1122
00:55:31,360 --> 00:55:34,320
Speaker 1: Keith Urban's washing his hands, which is great to hear. Yeah,

1123
00:55:34,000 --> 00:55:36,040
Speaker 1: he was washing his hands. He was there for a while.

1124
00:55:36,200 --> 00:55:38,400
Speaker 1: Why did you decide to wash your hands right then?

1125
00:55:39,239 --> 00:55:42,240
Speaker 1: Because I saw Keith Urban and he we were talking,

1126
00:55:42,520 --> 00:55:44,399
Speaker 1: and so I figured if I just walked out, it'd

1127
00:55:44,400 --> 00:55:46,560
Speaker 1: be weird if I just into the conversation and he

1128
00:55:46,600 --> 00:55:48,719
Speaker 1: saw me not wash my hands. So I just continued

1129
00:55:48,920 --> 00:55:51,719
Speaker 1: the conversation as I washed my hands. And yes, Keith

1130
00:55:51,719 --> 00:55:53,640
Speaker 1: Irban's hands were in the sink at the same time

1131
00:55:53,719 --> 00:55:57,839
Speaker 1: mine were. You couldn't sit back and let him finish. Then,

1132
00:55:57,880 --> 00:56:00,640
Speaker 1: you know he was he was he was taking a

1133
00:56:00,680 --> 00:56:02,839
Speaker 1: long time, like he was washing for a long time.

1134
00:56:02,920 --> 00:56:05,080
Speaker 1: Like were y'all both under the water at the yah. Yeah,

1135
00:56:05,080 --> 00:56:09,400
Speaker 1: we were shoulder to shoulder. I came up on his

1136
00:56:09,480 --> 00:56:11,920
Speaker 1: left side, like his left shoulder, and so my right

1137
00:56:11,920 --> 00:56:14,400
Speaker 1: shoulder was touching his right his left shoulder, and I

1138
00:56:14,440 --> 00:56:16,800
Speaker 1: stuck my hands in there, said, excuse me, man, I

1139
00:56:16,840 --> 00:56:18,600
Speaker 1: need to get in there too, And I got some

1140
00:56:18,640 --> 00:56:20,960
Speaker 1: soap and I started rubbing, and so some of my

1141
00:56:21,040 --> 00:56:24,440
Speaker 1: soap and water was running onto Keith Urban's hands in

1142
00:56:24,560 --> 00:56:26,960
Speaker 1: the sink, and then vice versa, his soap was going

1143
00:56:27,000 --> 00:56:29,800
Speaker 1: onto my hand. Why did you do all that? Honestly?

1144
00:56:30,400 --> 00:56:32,960
Speaker 1: Is it for the story? No? Literally, I was just

1145
00:56:33,160 --> 00:56:35,920
Speaker 1: never wash your hands. We were literally talking. Me and

1146
00:56:36,000 --> 00:56:38,839
Speaker 1: Keith were having a conversation about what, oh, just how

1147
00:56:39,200 --> 00:56:42,319
Speaker 1: are things going? You know, nothing important? But I felt

1148
00:56:42,360 --> 00:56:44,239
Speaker 1: like if I left mid conversation, he'd be like, but

1149
00:56:44,320 --> 00:56:46,799
Speaker 1: wasn't he ahead of you? He was? So why would

1150
00:56:46,840 --> 00:56:48,800
Speaker 1: you leave? Why not let him leave? Because he was

1151
00:56:48,840 --> 00:56:51,399
Speaker 1: taking forever? I mean, I knew it, but you don't

1152
00:56:51,400 --> 00:56:54,040
Speaker 1: wash your hands. I do, but you don't write man,

1153
00:56:54,120 --> 00:56:55,719
Speaker 1: So I'm saying if I so, I just stand there

1154
00:56:55,719 --> 00:56:58,200
Speaker 1: and talk to him, like, what's your theory, Eddie? I

1155
00:56:58,280 --> 00:57:00,920
Speaker 1: think he wanted to touch Keith his hands won and

1156
00:57:01,040 --> 00:57:02,520
Speaker 1: wash it with it and then tell the whole world

1157
00:57:02,560 --> 00:57:05,960
Speaker 1: about it. Also, how many other people can say they

1158
00:57:06,040 --> 00:57:10,239
Speaker 1: shared a sink with Keith? There we go? Do it?

1159
00:57:10,520 --> 00:57:15,120
Speaker 1: There we go? You know? Not many? Exactly. I have

1160
00:57:15,280 --> 00:57:17,040
Speaker 1: something that a lot of people in this world wish

1161
00:57:17,080 --> 00:57:20,520
Speaker 1: they could have, which is shared a sceat with Keith Urban.

1162
00:57:21,240 --> 00:57:23,480
Speaker 1: I could put that on my bio, on my I'm

1163
00:57:23,560 --> 00:57:27,840
Speaker 1: on my resume. You put cool facts whenever you do

1164
00:57:27,880 --> 00:57:29,920
Speaker 1: a resume and be like you're using a resume for something.

1165
00:57:30,280 --> 00:57:32,080
Speaker 1: I've never made one. Yeah, but you think about I

1166
00:57:32,080 --> 00:57:34,280
Speaker 1: can go to the career center at UTSA and they

1167
00:57:34,320 --> 00:57:36,320
Speaker 1: have they will help your career services. They'll help you

1168
00:57:36,360 --> 00:57:39,360
Speaker 1: put a resume together. Never went, never put a resume together.

1169
00:57:39,440 --> 00:57:42,200
Speaker 1: But if I ever need one, cool facts about me

1170
00:57:42,480 --> 00:57:44,400
Speaker 1: share a seat with Keith Urban, Hey, scoop of Steve.

1171
00:57:44,440 --> 00:57:47,120
Speaker 1: Is it weird to you the lunchbox went and got

1172
00:57:47,160 --> 00:57:49,400
Speaker 1: into Keith Urban's personal space in the bathroom just so

1173
00:57:49,400 --> 00:57:51,520
Speaker 1: he could touch him. But no, it wasn't to touch him.

1174
00:57:52,040 --> 00:57:56,440
Speaker 1: We weren't touching hands, you said, dell soap dripped one

1175
00:57:56,640 --> 00:57:59,040
Speaker 1: shoulders shoulder, But the soap did drip off my hands

1176
00:57:59,040 --> 00:58:01,040
Speaker 1: onto his and some of his son say. One thing

1177
00:58:01,120 --> 00:58:02,560
Speaker 1: is nice that he use so because I've never seen

1178
00:58:02,640 --> 00:58:04,680
Speaker 1: you so my entire life. But it happens to Ray

1179
00:58:04,680 --> 00:58:06,040
Speaker 1: and I a lot. Will we'll go to the bathroom

1180
00:58:06,080 --> 00:58:08,200
Speaker 1: washing hands, but Ray will go ahead. I'm gonna go

1181
00:58:08,200 --> 00:58:09,880
Speaker 1: to the kitchen sink. I'll be right back and I'm

1182
00:58:09,880 --> 00:58:13,040
Speaker 1: washing my hands. Never be okay, but here's a very

1183
00:58:13,040 --> 00:58:14,440
Speaker 1: well you did it on purpose. So we had this

1184
00:58:14,480 --> 00:58:16,640
Speaker 1: conversation right now on air. No, no no, no, I just

1185
00:58:16,680 --> 00:58:22,400
Speaker 1: don't know their I told you, Yes, I said that

1186
00:58:22,520 --> 00:58:24,480
Speaker 1: I did it also so I could say that I

1187
00:58:24,480 --> 00:58:26,640
Speaker 1: shared a sink with Keith Urban. But the fact that

1188
00:58:26,720 --> 00:58:28,680
Speaker 1: Ray goes to the kitchen sink is disgusting. You know

1189
00:58:28,720 --> 00:58:31,840
Speaker 1: why because Scuba washes his hands right, and then he

1190
00:58:31,880 --> 00:58:34,880
Speaker 1: goes and he pulls that handle that Ray just touched

1191
00:58:34,880 --> 00:58:37,720
Speaker 1: with his dirty hands. So you negated. You're washing anyway,

1192
00:58:37,920 --> 00:58:42,520
Speaker 1: so I use a hypert. Scuba doesn't because he was

1193
00:58:42,560 --> 00:58:46,040
Speaker 1: trying to throw me. Asked him a question you're collecting? Also,

1194
00:58:46,480 --> 00:58:49,080
Speaker 1: what it feel like every celebrity that came in here?

1195
00:58:49,160 --> 00:58:50,880
Speaker 1: Or sup? Sorry? How many people you can wash your

1196
00:58:50,880 --> 00:58:57,439
Speaker 1: hands with him? Okay? Yeah? Like a male only, right

1197
00:58:57,680 --> 00:59:01,880
Speaker 1: man only? Dope double Because in the ladies room watching

1198
00:59:01,880 --> 00:59:06,360
Speaker 1: the Lands, it's the best bits of the week with

1199
00:59:06,440 --> 00:59:10,840
Speaker 1: Morgan number two and coming in at this number one spot,

1200
00:59:10,880 --> 00:59:13,760
Speaker 1: I said that six number this week is going to

1201
00:59:13,840 --> 00:59:16,240
Speaker 1: make more sense once you hear this. Well, I had

1202
00:59:16,280 --> 00:59:19,960
Speaker 1: some relationship news to share and a lot of you

1203
00:59:20,040 --> 00:59:21,400
Speaker 1: guys liked it, and a lot of you guys were

1204
00:59:21,400 --> 00:59:23,360
Speaker 1: really kind to me that I had to share this

1205
00:59:23,560 --> 00:59:25,800
Speaker 1: news and talk about some things that are going on

1206
00:59:25,840 --> 00:59:28,560
Speaker 1: in my love life. Some of you were not, and

1207
00:59:28,600 --> 00:59:31,600
Speaker 1: you know that's okay. Everybody's entitled to their own opinion.

1208
00:59:31,760 --> 00:59:34,040
Speaker 1: But I love getting to share my life with you

1209
00:59:34,080 --> 00:59:36,520
Speaker 1: guys and being open and vulnerable, and that's what this

1210
00:59:36,600 --> 00:59:39,160
Speaker 1: segment was. It's just what's going on in my life

1211
00:59:39,240 --> 00:59:40,840
Speaker 1: right now, and I had to talk with you guys

1212
00:59:40,880 --> 00:59:43,680
Speaker 1: about it. So here you go. Number one, you're gonna

1213
00:59:43,680 --> 00:59:46,080
Speaker 1: message from Morgan saying that we can now talk about

1214
00:59:46,120 --> 00:59:49,040
Speaker 1: her love life again because apparently Morgan is now single again.

1215
00:59:49,240 --> 00:59:54,280
Speaker 1: I am hang in, oh man, lunchbox. What do you know?

1216
00:59:54,320 --> 00:59:57,320
Speaker 1: Can you update our audience on Morgan's love life from

1217
00:59:57,360 --> 01:00:00,600
Speaker 1: what you know? Well, I just I wonder because he

1218
01:00:00,600 --> 01:00:03,040
Speaker 1: doesn't always to listen to what's happening and our audience

1219
01:00:03,080 --> 01:00:04,680
Speaker 1: maybe in and out on segments, so I wonder what

1220
01:00:04,720 --> 01:00:07,720
Speaker 1: your interpretation is. Well, the last I heard is that

1221
01:00:07,760 --> 01:00:11,200
Speaker 1: she was dating this dude for a long time and

1222
01:00:11,400 --> 01:00:13,560
Speaker 1: she would try to keep him real private, and then

1223
01:00:13,600 --> 01:00:16,720
Speaker 1: they were talking about moving in together, and then the

1224
01:00:16,760 --> 01:00:20,640
Speaker 1: next week they broke up and then they got back together,

1225
01:00:21,480 --> 01:00:24,280
Speaker 1: and it's pretty accurate. Yeah, he plays attention right. Well,

1226
01:00:24,320 --> 01:00:26,400
Speaker 1: I mean, and so I thought, you know, I thought

1227
01:00:26,400 --> 01:00:28,680
Speaker 1: we were still on track to move in together. So Morgan,

1228
01:00:28,840 --> 01:00:33,200
Speaker 1: you are now, Oh my gosh, you're now broken up? Yes,

1229
01:00:33,320 --> 01:00:36,920
Speaker 1: I'm single. What do you want to say? Um? How

1230
01:00:36,960 --> 01:00:40,959
Speaker 1: long have you been single? About two and a half

1231
01:00:40,960 --> 01:00:44,560
Speaker 1: weeks now? Whoa, it's still new, really new, very new.

1232
01:00:44,640 --> 01:00:50,640
Speaker 1: But there's is the wound still fresh? It's not fresh.

1233
01:00:50,680 --> 01:00:53,880
Speaker 1: There's just a lot of anger. There's not sadness anymore.

1234
01:00:54,000 --> 01:00:57,160
Speaker 1: Why did you get back together? Um? Because I believe

1235
01:00:57,360 --> 01:00:59,520
Speaker 1: that people deserve a second chance if they're willing to

1236
01:00:59,560 --> 01:01:02,720
Speaker 1: put in the effort. And he was from what I

1237
01:01:02,760 --> 01:01:04,960
Speaker 1: could tell and what he was showing, and then you know,

1238
01:01:05,440 --> 01:01:07,480
Speaker 1: he didn't show that and then I found out things

1239
01:01:07,520 --> 01:01:10,439
Speaker 1: and now it's over. So so now you are back

1240
01:01:10,440 --> 01:01:13,280
Speaker 1: on the prowl. I am back out. I'm yeah, I'm

1241
01:01:13,400 --> 01:01:17,000
Speaker 1: moved moving forward. I'm done. Like that relationship is over.

1242
01:01:17,080 --> 01:01:19,000
Speaker 1: There's no going back. Are you now again? A date?

1243
01:01:19,040 --> 01:01:20,960
Speaker 1: Angrily Like, I'm gonna just go date because I just

1244
01:01:20,960 --> 01:01:23,200
Speaker 1: need to date and could show him or do you

1245
01:01:23,240 --> 01:01:26,640
Speaker 1: feel like you're in a good place, meaning if you're

1246
01:01:26,720 --> 01:01:27,880
Speaker 1: dating angrily, I don't want to be one of the

1247
01:01:27,920 --> 01:01:29,560
Speaker 1: first few guys you're dating because they don't really have

1248
01:01:29,600 --> 01:01:34,560
Speaker 1: a shot. No, I'm not dating angrily. I am. I

1249
01:01:34,600 --> 01:01:38,320
Speaker 1: am dating again because there's a lot of things here.

1250
01:01:38,440 --> 01:01:40,560
Speaker 1: I already grieved when we broke up the first time.

1251
01:01:41,080 --> 01:01:42,480
Speaker 1: I don't really have a lot of grieving to do

1252
01:01:42,520 --> 01:01:46,320
Speaker 1: this time. There's just more like anger that somebody disrespected

1253
01:01:46,360 --> 01:01:48,200
Speaker 1: me again. Did you feel like it would work out

1254
01:01:48,240 --> 01:01:49,560
Speaker 1: when you got back to it at the first time,

1255
01:01:49,680 --> 01:01:51,960
Speaker 1: or did you feel like you owed it to yourself

1256
01:01:53,240 --> 01:01:56,120
Speaker 1: to show that you tried your hardest even though you

1257
01:01:56,160 --> 01:01:58,600
Speaker 1: thought it wouldn't work out. I think it was both.

1258
01:01:58,960 --> 01:02:01,080
Speaker 1: There was like part of me that truly believed it

1259
01:02:01,120 --> 01:02:03,160
Speaker 1: could work again, But then there was part of me

1260
01:02:03,240 --> 01:02:05,680
Speaker 1: that didn't want to regret not trying again since he

1261
01:02:05,760 --> 01:02:07,520
Speaker 1: was willing to try again. How long were you guys

1262
01:02:07,560 --> 01:02:12,640
Speaker 1: together all in all? In a year and a half. Okay, yeah,

1263
01:02:12,720 --> 01:02:16,440
Speaker 1: so now here you are, lunchbox anything you want to say.

1264
01:02:16,840 --> 01:02:20,160
Speaker 1: I mean, it's crazy you go from moving in together

1265
01:02:20,240 --> 01:02:23,840
Speaker 1: to two and a half weeks single, Like I'm over it,

1266
01:02:24,160 --> 01:02:26,200
Speaker 1: Like I'm I don't think you know at real time

1267
01:02:26,240 --> 01:02:28,520
Speaker 1: though lunchbox. To be fair, she said two and a

1268
01:02:28,520 --> 01:02:29,880
Speaker 1: half week. No, no no, no, no, But I'm saying all

1269
01:02:29,880 --> 01:02:34,000
Speaker 1: this stuff she's telling us, Gonna be honest. Listen to

1270
01:02:34,080 --> 01:02:38,720
Speaker 1: her voice. Sounds a little bit emotional. Hey, last time

1271
01:02:38,720 --> 01:02:40,720
Speaker 1: it was emotional. This time I'm not crying. Do you

1272
01:02:40,720 --> 01:02:44,160
Speaker 1: think she's not the emotional now? Yeah, trying to fight

1273
01:02:44,200 --> 01:02:45,840
Speaker 1: through her right now. Well, it's tough to come on.

1274
01:02:46,040 --> 01:02:47,760
Speaker 1: I'm not saying I'm not saying it's any but she

1275
01:02:47,800 --> 01:02:50,200
Speaker 1: says that she's over it, and I'm like your vocal

1276
01:02:50,240 --> 01:02:52,440
Speaker 1: cords to say something different. I don't think so. She

1277
01:02:52,560 --> 01:02:58,280
Speaker 1: sounds strong, is he with what people's vocal chords are telling? Okay,

1278
01:02:58,360 --> 01:03:04,960
Speaker 1: your sounds sarcastic? Okay, So you are you sure you

1279
01:03:04,960 --> 01:03:08,240
Speaker 1: have moved on? Yeah, I've I've let it go. I'm

1280
01:03:08,280 --> 01:03:11,480
Speaker 1: taking the steps forward and I don't have anything to

1281
01:03:11,680 --> 01:03:14,000
Speaker 1: grow from. Like, I didn't mess up, I didn't do

1282
01:03:14,040 --> 01:03:17,360
Speaker 1: anything wrong. I just loved somebody, and now I'm moving forward.

1283
01:03:17,440 --> 01:03:20,000
Speaker 1: So I don't really have a lot of things to grieve.

1284
01:03:20,080 --> 01:03:23,560
Speaker 1: A little break maybe though hearing this though, I mean

1285
01:03:23,680 --> 01:03:25,600
Speaker 1: I think that still maybe a little like you, you you

1286
01:03:25,800 --> 01:03:28,920
Speaker 1: go on a date, you'd start dating someone today. Yeah,

1287
01:03:29,000 --> 01:03:32,320
Speaker 1: I went on a date. Oh okay, Oh, whoa, that's

1288
01:03:32,360 --> 01:03:38,800
Speaker 1: anger dating. That's pretty, that's her. I can't I'm not hurt.

1289
01:03:38,760 --> 01:03:40,600
Speaker 1: I don't feel Okay, Okay, I got a question. So

1290
01:03:40,680 --> 01:03:42,320
Speaker 1: you go on that date and the date with whoever

1291
01:03:42,360 --> 01:03:43,760
Speaker 1: you went on date with, I don't know who it is.

1292
01:03:44,240 --> 01:03:45,760
Speaker 1: But do you tell them? Hey, you know what I mean.

1293
01:03:45,800 --> 01:03:47,400
Speaker 1: I'm angered dating right now. Just so you know, you're

1294
01:03:47,400 --> 01:03:49,920
Speaker 1: the first one in line. No, I don't, because I'm

1295
01:03:49,960 --> 01:03:52,240
Speaker 1: also not I'm not rebound dating either. I'm not just

1296
01:03:52,280 --> 01:03:54,840
Speaker 1: going to date somebody out of revenge. I'm just dating

1297
01:03:55,360 --> 01:03:59,080
Speaker 1: to make myself continue to put myself out there because

1298
01:03:59,520 --> 01:04:01,880
Speaker 1: I still want to find love. I'm not mad at love.

1299
01:04:02,120 --> 01:04:05,280
Speaker 1: I'm mad at the person who broke my trust. Oh no, oh, no,

1300
01:04:05,440 --> 01:04:07,640
Speaker 1: is a new guy that she's dating listening to this now,

1301
01:04:07,680 --> 01:04:10,440
Speaker 1: and now he knows he's the No. I was honest.

1302
01:04:10,600 --> 01:04:12,600
Speaker 1: I told him you broke up five minutes ago, and

1303
01:04:12,800 --> 01:04:15,120
Speaker 1: now you're with him. What do you tell him? I

1304
01:04:15,160 --> 01:04:17,320
Speaker 1: just told him that I had recently gotten out of

1305
01:04:17,320 --> 01:04:20,160
Speaker 1: a relationship and I'm dating again. That's just kind of

1306
01:04:20,200 --> 01:04:21,640
Speaker 1: where it's at Was it weird to go on to

1307
01:04:21,720 --> 01:04:24,240
Speaker 1: date again? Oh? Yeah, it was so weird. I was

1308
01:04:24,280 --> 01:04:26,880
Speaker 1: sitting there like, what am I doing? What's happening? Especially

1309
01:04:26,880 --> 01:04:29,360
Speaker 1: it's the I used to be comfortable with someone, and

1310
01:04:29,360 --> 01:04:31,280
Speaker 1: now I have to start getting vulnerable again. I have

1311
01:04:31,320 --> 01:04:34,160
Speaker 1: to meet somebody new. Did you scrub your Instagram? Did

1312
01:04:34,160 --> 01:04:37,560
Speaker 1: you go back and take all those like hidden photos out,

1313
01:04:37,600 --> 01:04:40,040
Speaker 1: like where you show you holding his hand, his shoulder,

1314
01:04:40,800 --> 01:04:43,439
Speaker 1: you take all those names? I never posted. I posted one.

1315
01:04:43,520 --> 01:04:47,840
Speaker 1: I think that one story. Yeah? Yeah, aren't you glad

1316
01:04:47,840 --> 01:04:50,360
Speaker 1: you didn't like focus him though? Yes, I'm really glad

1317
01:04:50,360 --> 01:04:52,800
Speaker 1: that I didn't share that now because I don't have

1318
01:04:52,880 --> 01:04:55,680
Speaker 1: to like deal with especially every time I post, somebody

1319
01:04:55,800 --> 01:04:58,120
Speaker 1: be like, oh where's your boyfriend? What happened? Now? I

1320
01:04:58,160 --> 01:05:00,400
Speaker 1: don't have to deal with that at all. I'm gonna

1321
01:05:00,440 --> 01:05:03,160
Speaker 1: keep with that until I am engaged. I'm not posting

1322
01:05:03,200 --> 01:05:07,280
Speaker 1: anybody folly on my post to be another six months.

1323
01:05:06,760 --> 01:05:11,960
Speaker 1: Oh boy, Well, good luck Morgan. And you are actively

1324
01:05:12,040 --> 01:05:15,600
Speaker 1: dating now, I am. You've been on the apps open.

1325
01:05:16,440 --> 01:05:18,880
Speaker 1: I don't think I want my DM's open, but yes

1326
01:05:18,960 --> 01:05:21,080
Speaker 1: I am on dating app. You've been on one date.

1327
01:05:21,440 --> 01:05:23,760
Speaker 1: I've been on one date. Yeah, and how'd that go?

1328
01:05:24,480 --> 01:05:26,520
Speaker 1: It went really good. He brought me a present, though,

1329
01:05:26,560 --> 01:05:28,200
Speaker 1: I'm not sure how to feel about that. What was

1330
01:05:28,200 --> 01:05:32,280
Speaker 1: the present? It was toys for my dog. Ray's laughing

1331
01:05:32,280 --> 01:05:38,800
Speaker 1: out loud. You we never hear you make noise? Why

1332
01:05:38,800 --> 01:05:40,320
Speaker 1: did you laugh? We heard you through the wall. Yeah,

1333
01:05:40,320 --> 01:05:42,320
Speaker 1: we never heard that, right. Why. It was just funny

1334
01:05:42,480 --> 01:05:45,040
Speaker 1: that he would bring toys on the first date. It's

1335
01:05:45,080 --> 01:05:46,800
Speaker 1: not a good move. Really, it's a little differ. You

1336
01:05:46,840 --> 01:05:48,720
Speaker 1: don't think so, no, I mean, he obviously know she's

1337
01:05:48,720 --> 01:05:50,200
Speaker 1: from the show and he's trying to impress. Or he

1338
01:05:50,200 --> 01:05:52,280
Speaker 1: could just look at Instagram and see her dog everywhere. Yeah,

1339
01:05:52,280 --> 01:05:54,120
Speaker 1: well we taxed it a little bit before, and I

1340
01:05:54,120 --> 01:05:56,240
Speaker 1: had talked about my dog and how she's really important

1341
01:05:56,240 --> 01:06:01,720
Speaker 1: to me. Okay, red flag or yeah, he uh, definitely.

1342
01:06:01,840 --> 01:06:03,800
Speaker 1: I guarantee you're never going on a date with that dude. Age. Well,

1343
01:06:03,800 --> 01:06:05,240
Speaker 1: but now we're just talking about that. Though it came

1344
01:06:05,280 --> 01:06:06,960
Speaker 1: on way too strong. You gotta act like you got

1345
01:06:07,040 --> 01:06:09,320
Speaker 1: other options. He acted like he was all in lunchbox. Ah,

1346
01:06:09,400 --> 01:06:11,640
Speaker 1: he's like he's ready to get married. Eddie a toy.

1347
01:06:11,720 --> 01:06:13,200
Speaker 1: I think that's sweet, it's a great I think it

1348
01:06:13,240 --> 01:06:15,280
Speaker 1: is it's for a dog, and if it's on the Instagram,

1349
01:06:15,600 --> 01:06:18,640
Speaker 1: you know it's on whatever. It's thoughtful. Amy, Yeah, I

1350
01:06:18,680 --> 01:06:21,200
Speaker 1: think it's okay. It's not like he brought her some

1351
01:06:21,640 --> 01:06:24,280
Speaker 1: you know, a ring or a piece of jewelry or something.

1352
01:06:24,440 --> 01:06:26,000
Speaker 1: It was a little thing for a dog. What do

1353
01:06:26,040 --> 01:06:28,440
Speaker 1: you think about it? I couldn't. I couldn't decided, and

1354
01:06:28,440 --> 01:06:30,400
Speaker 1: that's why I wanted to bring It's good, guys, that's good.

1355
01:06:30,400 --> 01:06:32,120
Speaker 1: It's a dog toy. It's fine. If your dog is

1356
01:06:32,120 --> 01:06:33,920
Speaker 1: all over Instagrams, he's for him to see and find.

1357
01:06:34,280 --> 01:06:36,040
Speaker 1: No problem. I mean, what does he say right when

1358
01:06:36,040 --> 01:06:38,200
Speaker 1: you sit, I brought you a present? Yeah, well that's

1359
01:06:38,200 --> 01:06:39,840
Speaker 1: what I didn't open it right away. I was like,

1360
01:06:39,840 --> 01:06:41,720
Speaker 1: this feels weird. Why did you bring me a present?

1361
01:06:41,760 --> 01:06:44,480
Speaker 1: Like you never guess what it is? And he squeezes it, squeeze,

1362
01:06:45,360 --> 01:06:48,720
Speaker 1: you'll never guess. Are you one out with him again? Yes,

1363
01:06:48,800 --> 01:06:52,040
Speaker 1: we're gonna go on a second date? Wow? When I

1364
01:06:52,080 --> 01:06:54,840
Speaker 1: mean I got Did he pick you up? Not on

1365
01:06:54,880 --> 01:06:56,680
Speaker 1: the first day? No, I never let him pick me

1366
01:06:56,760 --> 01:06:58,280
Speaker 1: up on the first date. It's times of different ledge

1367
01:06:58,320 --> 01:06:59,720
Speaker 1: box because you know, people to know where you live

1368
01:06:59,760 --> 01:07:03,520
Speaker 1: and yeah, you don't really want people come to your house. Initially,

1369
01:07:04,280 --> 01:07:06,880
Speaker 1: Oh yeah, I wish i'd learned that lesson on the

1370
01:07:06,920 --> 01:07:08,600
Speaker 1: bars man. Tell you what, take girls back to your

1371
01:07:08,600 --> 01:07:09,880
Speaker 1: house and they know where you live. All right, we're

1372
01:07:09,880 --> 01:07:16,760
Speaker 1: gonna play it different eight years ago. All right, Morgan,

1373
01:07:16,800 --> 01:07:19,080
Speaker 1: good luck, we're rooting for you. Don't let the dog

1374
01:07:19,120 --> 01:07:22,320
Speaker 1: toy thing at all cloud how you feel. I think

1375
01:07:22,320 --> 01:07:24,640
Speaker 1: it's an excellent thing. Just a dog toy. Now if

1376
01:07:24,640 --> 01:07:27,360
Speaker 1: it starts elevating each time you go on a date,

1377
01:07:27,360 --> 01:07:29,200
Speaker 1: if it gives you a car date four, you have

1378
01:07:29,200 --> 01:07:30,880
Speaker 1: a decision to make if you ask him as a

1379
01:07:31,000 --> 01:07:35,440
Speaker 1: prerequisite or that's a client like can they are they

1380
01:07:35,520 --> 01:07:37,160
Speaker 1: listener to the show? Do you ask that question right

1381
01:07:37,200 --> 01:07:39,320
Speaker 1: out front? Oh? Well? I did have somebody match with

1382
01:07:39,360 --> 01:07:41,440
Speaker 1: me and their first question was are you Morgan number two?

1383
01:07:41,440 --> 01:07:43,440
Speaker 1: And I immediately unmatched. I was a good I'm not

1384
01:07:43,480 --> 01:07:45,400
Speaker 1: gonna answer that question. If you have to ask me

1385
01:07:45,440 --> 01:07:47,000
Speaker 1: that and you have to call me Morgan number two,

1386
01:07:47,040 --> 01:07:49,280
Speaker 1: that's pretty awkward for me. Would you rather them just

1387
01:07:49,320 --> 01:07:52,480
Speaker 1: not say anything about it? I'd rather them say something,

1388
01:07:52,640 --> 01:07:55,640
Speaker 1: but like in the conversation, just naturally bring it up

1389
01:07:55,640 --> 01:07:58,520
Speaker 1: and say, like, what up? Morgan number two? That feels weird.

1390
01:07:58,520 --> 01:08:00,800
Speaker 1: Be cool about it. Don't be like, oh my god,

1391
01:08:01,360 --> 01:08:04,240
Speaker 1: just be like, hey, yeah, I've heard the show some Yeah, yeah,

1392
01:08:04,240 --> 01:08:06,280
Speaker 1: I definitely look familiar. But don't be like im. Even

1393
01:08:06,280 --> 01:08:07,600
Speaker 1: if you are to be like I'm a super fan,

1394
01:08:08,600 --> 01:08:14,760
Speaker 1: don't be honest. Yeah, it's the Best Bits of the

1395
01:08:14,800 --> 01:08:19,160
Speaker 1: Week with Morgan number two. All right, y'all, that's it

1396
01:08:19,320 --> 01:08:22,400
Speaker 1: for me this weekend. I hope you enjoyed the bits

1397
01:08:22,400 --> 01:08:24,760
Speaker 1: and you got caught back up on the show or

1398
01:08:24,840 --> 01:08:27,519
Speaker 1: you just heard some new segments that you didn't get

1399
01:08:27,520 --> 01:08:30,040
Speaker 1: to here this week. I love getting to do this

1400
01:08:30,080 --> 01:08:32,559
Speaker 1: with you guys and hang out not only this, but

1401
01:08:32,640 --> 01:08:35,719
Speaker 1: also talk to the show members in Best Bits Part

1402
01:08:35,760 --> 01:08:38,360
Speaker 1: one because we get to talk about life and fun things.

1403
01:08:38,400 --> 01:08:40,840
Speaker 1: And this weekend Scooba, Steve and I talked about our

1404
01:08:40,880 --> 01:08:44,040
Speaker 1: Thanksgiving plans. He shared some red flags he thinks I

1405
01:08:44,040 --> 01:08:47,479
Speaker 1: should look for in guys, and we also answered random questions,

1406
01:08:47,520 --> 01:08:50,759
Speaker 1: which you guys also love to hear, because random questions

1407
01:08:50,760 --> 01:08:53,240
Speaker 1: are fun and I hope you're answering them with us

1408
01:08:53,320 --> 01:08:55,760
Speaker 1: as we talk about them. But so good to hang

1409
01:08:55,760 --> 01:08:57,799
Speaker 1: out with you, guys. I can't wait for next weekend.

1410
01:08:57,840 --> 01:09:01,920
Speaker 1: I hope everyone has a fan Plastic Thanksgiving, holiday and

1411
01:09:02,080 --> 01:09:05,240
Speaker 1: travel safe. Enjoy all the food, the family time, all

1412
01:09:05,280 --> 01:09:08,719
Speaker 1: the things I love. Y'all, Bite the bobby bones, Share

1413
01:09:08,800 --> 01:09:09,639
Speaker 1: Bobby bones.