Speaker 1: Hi everyone, we heard you. We are so excited to
Speaker 1: share some exciting news for you. Go ahead, we got
Speaker 1: We had so many sweet d ms from people saying
Speaker 1: they weren't going to be able to make it to
Speaker 1: Drama Queens Live. What could we do? Code to UK,
Speaker 1: come to Kansas, code to us. Please come to l A.
Speaker 1: Well we are. We are coming to your home wherever
Speaker 1: you are, because our live stream of the New York
Speaker 1: show is available to you on October twenty at five pm.
Speaker 1: Tickets are on sale right now, y'all at Drama Queens
Speaker 1: o t h dot com. You can get tickets to
Speaker 1: the live stream. Are amazing team at my Heart has
Speaker 1: made this globally available because we want you guys to
Speaker 1: be there with us, whether your butts are in those
Speaker 1: theater seats or in your most comfortable sea here at Family.
Speaker 1: We want you with us, and you guys are going
Speaker 1: to have the best of both shows because we have
Speaker 1: different guests that each one of our New York City shows.
Speaker 1: So you were going to get Barbara Allen Woods, Daphne's
Speaker 1: and Ega, tie R Hilton and Matt bar All for
Speaker 1: what twenty three dollars? Hey do it? It's our lucky number.
Speaker 1: You know what I mean. That's what I'm saying. Visit
Speaker 1: Drama Queens ot h dot com to get your tickets
Speaker 1: to the live stream today. First of all, you don't
Speaker 1: we all about that high school drama? Girl Drama, Girl
Speaker 1: all about them high school queens. We'll take you for
Speaker 1: a ride in our comic Girl Cheering for the Right Drama,
Speaker 1: Queens up Girl Fashion. But you'll tough, girl. You could
Speaker 1: sit with us. Girl Drama, Queens Drama, Queens Drama, Queen's Drama,
Speaker 1: John mc Queen's Drama, Queens Get Sun kissed Him. Let's
Speaker 1: I know, Let's kicks to a club? Is this us starting?
Speaker 1: Are we recording right now at the top of the episode.
Speaker 1: This might be the top of the episode. You know what.
Speaker 1: That's why our listeners like it here because we're honest. Honestly,
Speaker 1: I think I think you guys hearing us bitching is
Speaker 1: that's the moment we should start with because it is authentic. Um,
Speaker 1: you guys, this episode what Yeah? Lee wrote on friends
Speaker 1: and when we can take this out if we want to.
Speaker 1: But fy i, he wrote on Friends. He wrote on
Speaker 1: he just wrote He's all that the news, She's all
Speaker 1: that remake. Hm um, but I'm a cheerleader with what's
Speaker 1: her face? Leone? Yeah, it does feel like a Mark
Speaker 1: sabotage job then, because I like that. Yeah, he's probably
Speaker 1: I think he's probably a pretty good writer, but you know,
Speaker 1: and get over it. That fun one with Kirsten Dunst. Oh. Yeah,
Speaker 1: so it feels like then the the fun scenes were
Speaker 1: probably Lee and then all the weird stuff was kind
Speaker 1: of cut and pasted in the past, like like you
Speaker 1: like walking into somebody's house who has to remember all
Speaker 1: the things they have to do in a week, and
Speaker 1: there's just post it's all over the mir my office. Yeah,
Speaker 1: you're just like, okay, so you can absorb all the
Speaker 1: things at the same time, but it's uh, they don't
Speaker 1: really cohesively go together. And yeah, if you don't get
Speaker 1: him in order, you don't have a story. Right, there's
Speaker 1: no story. It's just pieces. Joy give us the rundown
Speaker 1: of this episode. This okay, all right, we do have
Speaker 1: like an official rundown here. It is so episode eighteen
Speaker 1: of season three when it isn't like it should be
Speaker 1: kind of like this episode. Uh. It aired April five,
Speaker 1: two six. The group heads to Rachel's cabin as they
Speaker 1: try to get back to normal. Nathan wants to give
Speaker 1: Hayley perfect proposal. Pete Wentz surprises Peyton and hangs with
Speaker 1: the crew. Rachel and Brooks rivalry reignites with a secret
Speaker 1: cabinet and it sounds like the magic show of the
Speaker 1: wardrobe we needed for Coats So Cold. Um where am
Speaker 1: I gives Rachel for the time capsule and meanwhile back
Speaker 1: in tree Hill, Karen is still angry over keithstaf The
Speaker 1: scene we all decided was the only reason to watch
Speaker 1: this episode really, um, because she's such a beast of
Speaker 1: an actress. That was amazing, But we'll get there. I'm sure. Um.
Speaker 1: We didn't hate it. It was fine. It was like
Speaker 1: this is I mean, it was fun. It was just
Speaker 1: a little like what it's just jointed. It had were
Speaker 1: very cute and we got our iconic By the way,
Speaker 1: I didn't even realize that the iconic moment of the
Speaker 1: four of us girls and Pete doing our makeup was
Speaker 1: just a one or it's a momush scene. I was like, oh,
Speaker 1: there's no scene there, and it's like one of our
Speaker 1: favorite memories, which feels insane. There were things that were
Speaker 1: very sweet but man, this one we an this was
Speaker 1: a big episode. They had come they had entertainment tonight
Speaker 1: come that that that's where that photo came from. Not entertainment,
Speaker 1: was that it there was some er tape of Weekly
Speaker 1: maybe some big magazine was there. That's where that photo
Speaker 1: came from. There was like a big magazine on set,
Speaker 1: and they came to do these They came to do photos.
Speaker 1: You know, this isn't so familiar, no, because so for us.
Speaker 1: The thing that was glaring about this episode is that
Speaker 1: the dialogue and some of the writing was like what
Speaker 1: it was like student film? Not good? Yeah, first time
Speaker 1: right or not good? The episode also couldn't decide what
Speaker 1: it wanted to be, like are we going to a
Speaker 1: cabin in the woods to go a t ving or
Speaker 1: are we going to a club night to you know,
Speaker 1: be underage drinkers in a bar? Like? Is it about DJs?
Speaker 1: Is it about the wilderness? Like? And then there's poor
Speaker 1: Pete Wentz, who you know is our contemporary and to repeat,
Speaker 1: the nicest person, but had to play like a guy
Speaker 1: in his twenties hitting out a high school girl talking
Speaker 1: to her about how she can't have tattoos because her
Speaker 1: dad will be mad like, oh god, everything about this
Speaker 1: was wrong. This one does not age well. Friends, It
Speaker 1: just sure doesn't. I couldn't get over high schoolers sitting
Speaker 1: around drinking wine, Like wine is on the list of
Speaker 1: any high schooler in the world. They can't stand the
Speaker 1: taste of that usually, I mean, kids are like, that's
Speaker 1: like an acquired taste to your joy. I think a
Speaker 1: large part of this episode was all promotional materials because
Speaker 1: I had sun kissed in there. It had a very
Speaker 1: famous rock star. We literally said you're a rock star
Speaker 1: three hundred and seventy two times in this episode, just
Speaker 1: to remind people at home. Um, you know, we had
Speaker 1: all these kind of gimmicks happening in the episode. So
Speaker 1: I feel like there was something happening promotional wise, like
Speaker 1: there was like business happening behind the scenes. And it
Speaker 1: does feel like, you know, Lee Fleming wrote this episode,
Speaker 1: who has written a lot of very amazing scripts, not
Speaker 1: even on our show, like other projects that are great
Speaker 1: and fun and successful, and it it kind of feels
Speaker 1: and you know, we're hypothesizing here, but it feels like
Speaker 1: Lee turned in a script and then at the sort
Speaker 1: of upper levels, it was like, well, we gotta put
Speaker 1: this in, we gotta insert this, we gotta get people
Speaker 1: sun kissed in, and suddenly it's like a collage project
Speaker 1: that is not very good. Now, how many hot tub
Speaker 1: scenes were there? I mean it was like, hell, I
Speaker 1: was reading a letter in the hot tub. Joy and
Speaker 1: I were in the hot tub. Bevan and Skills were
Speaker 1: getting in the hot tub. Rachel and Mouth were in
Speaker 1: the hot tub. Yeah, that's what I can remember. And
Speaker 1: it killed me that. It just killed me. We had
Speaker 1: that amazing lake location and they just put lucas in
Speaker 1: Nathan on the boat fishing having a totally meaningless conversation
Speaker 1: for like two seconds. That should have been I would
Speaker 1: love to have either seen uh Skills in Bevan stuck
Speaker 1: on the boat in the middle with no oars when
Speaker 1: we get to watch their whole conversation the whole time,
Speaker 1: or have Nathan proposed to Haley on the boat out
Speaker 1: and the thing. You know, like, there could have been
Speaker 1: something really meaningful with that location. It was so beautiful
Speaker 1: and instead it just it did feel real. Yeah, but
Speaker 1: you can't be in a bathing suit in the boat, Joy, Like,
Speaker 1: they're not gonna get naked girls in the boat, So
Speaker 1: let's just kick it back to the hot tub that
Speaker 1: our art department had to put in the front yard
Speaker 1: of that beautiful house. By the way, My favorite thing
Speaker 1: that happened with the hot tub in this episode. It
Speaker 1: wasn't even used, but Hillary, you and Pete went walking
Speaker 1: out of the house and you say, thanks for going
Speaker 1: on this walk with me. My doctor says, it's really
Speaker 1: good therapy for my leg. You guys walk past the
Speaker 1: hot tub like you're gonna go into the woods, and
Speaker 1: then you sit on the swing. I'm like, they're not
Speaker 1: going on a walk. They're not doing anything rehab for
Speaker 1: her leg. Who made these decisions? Terrible script, hated it,
Speaker 1: hated it all the way, and I feel so bad
Speaker 1: for Pete Wentz. Poor Pete is my that's my suggestion
Speaker 1: for this episode's title, because you know his record label
Speaker 1: and his manager and like his whole team. We're like, yes,
Speaker 1: you're the heart throb in the band, you're the cute one,
Speaker 1: and we're gonna put you on this hit teen drama
Speaker 1: and you're gonna go kiss one of the lead girls
Speaker 1: on the show, and it's gonna be great exposure and
Speaker 1: this is gonna be great. The fans will love it.
Speaker 1: They're going to love it. That sweet man showed up
Speaker 1: and they gave him dialogue that an experienced actor would
Speaker 1: have difficulty making natural because it was so like clunky.
Speaker 1: I had trouble with it, certainly. And then they just
Speaker 1: expect us to start sucking each other's faces. And if
Speaker 1: you looked that scene on the Swing, we don't touch
Speaker 1: each other. My hands are in my lap, his hands
Speaker 1: are in his lap. We're just like, how do we
Speaker 1: It was like sixth graders kissing. It was well, and
Speaker 1: you said it, you know, I want to caveat this
Speaker 1: by saying like we're all friends and we love Pete,
Speaker 1: and so we're laughing at how absurd and embarrassing this
Speaker 1: episode is. But also when we were watching it, Hillary,
Speaker 1: you were like, dude, they wrote him his language is
Speaker 1: like grooming, Like this is how grown up creepy men
Speaker 1: talked to actual teenage girls, like who did this to him?
Speaker 1: And who did this to us? And who made all
Speaker 1: of us? Who? Again to remind everybody at home, like
Speaker 1: we're all around the same age. But like the dynamic
Speaker 1: on screen, it was so inappropriate. It like my Mike,
Speaker 1: I have like the creepy Crawley's on the insides of
Speaker 1: my skin. Oh god. The fact that no one caught it,
Speaker 1: No one know. One person in the entire chain of
Speaker 1: command from the studio down was like, hey, guys, do
Speaker 1: we have any notes on this? Is? This is really inappropriate?
Speaker 1: Like you you guys, layd In Ben You being like, well,
Speaker 1: how's it gonna work because I'm in high school? And
Speaker 1: He's like, we'll figure it out. What I mean, we all,
Speaker 1: I mean, I kissed older boys when I was in
Speaker 1: high school, but it was a different time. We didn't
Speaker 1: know any about it, didn't you didn't Yeah, well you
Speaker 1: were at that cool old girls school. I mean, I
Speaker 1: don't condone it. Um. And I think there was a
Speaker 1: lot of blurred lines on our show because we had
Speaker 1: a boss that was trying to kiss some of us.
Speaker 1: So why shouldn't some of us be kissing a guy
Speaker 1: in their twenties? You know what I mean? Well, and
Speaker 1: I do think and I know we talked about this
Speaker 1: the first time Pete came on the show, and the
Speaker 1: whole like Pete wentz, the character and Peyton flirtation began,
Speaker 1: Like it didn't register as weird I think to us then,
Speaker 1: because we are actual peers, like we're all the same age,
Speaker 1: but when you watch it back and you go, oh man,
Speaker 1: they were having him act his real age and having
Speaker 1: us act sixteen, Like I hate it. I hate it.
Speaker 1: He could do better, frankly, like a grown up woman.
Speaker 1: You know, Um, I had a twenty eight year old
Speaker 1: boyfriend when I was eighteen. Of course you did, joy,
Speaker 1: of course you did. Were also you were eighteen at least. Yeah,
Speaker 1: I was eighteen. You didn't have a twenty eight year
Speaker 1: old boyfriend like driving up to pick you up from
Speaker 1: high school. Now, my dad would have put an end
Speaker 1: to that swiftly. Yeah. I went on one day with
Speaker 1: a guy whose age I did not know, and we it.
Speaker 1: He took me to like a bar for dinner, and
Speaker 1: I was like, this is a strange choice for dinner.
Speaker 1: We're just gonna eat dinner right because I'm not drinking.
Speaker 1: And then we went to like a playground afterwards, and
Speaker 1: he legitimately was like, do you know hold I am?
Speaker 1: And I was like, layground on a bed, layground, you guys,
Speaker 1: Sterling Park was a wild spot to grow up. And
Speaker 1: he's like, do you know how old I am? And
Speaker 1: I was like, I don't know, like in your twenties,
Speaker 1: he was like, I'm twenty eight, and I remember thinking,
Speaker 1: oh god, oh no, I'm so sorry for you. I
Speaker 1: felt so bad for like there was a kidding thing
Speaker 1: like he did. You felt bad because you thought he
Speaker 1: didn't know that you were in high school. No, he
Speaker 1: knew that I was in high school. I felt bad, like,
Speaker 1: oh my god, like, well, girls your age not date you,
Speaker 1: like I don't really know you that well, so it's
Speaker 1: hard for me to figure out the why they're but um,
Speaker 1: I'm so sorry. Oh no, and um yeah, so for
Speaker 1: girls in high school, if there are any listening to
Speaker 1: our show, don't they don't. Don't. Don't do that, don't
Speaker 1: do that. It puts me in like the part of
Speaker 1: me that responds like the dad from Clueless. That's like
Speaker 1: I got a forty five in a shovel and no
Speaker 1: one would miss it. Like I'm just like I will this.
Speaker 1: We're we're gonna, we're gonna cause dangerous trouble. Here's me
Speaker 1: as a mom now too, when I start thinking about
Speaker 1: Maria dating and oh my god, well that joint getting
Speaker 1: to that age, I know, I would you has Maria
Speaker 1: seen the show? Has she ever seen Montrehal said, yeah,
Speaker 1: like does she know that your character got married in
Speaker 1: high school. Yeah, she doesn't. She's seen it, like walking
Speaker 1: in the room when we're doing our thing, but she doesn't.
Speaker 1: I'm not gonna let her watch Montreal Hill. She's too
Speaker 1: young for that in my opinion. In our house, that's
Speaker 1: that's the rule. But um, yeah, when I was eighteen,
Speaker 1: I I mean eighteen seventeen, what's the difference. But the
Speaker 1: difference is that there is an actual age limit, and
Speaker 1: that's important. But emotionally you're still kind of in the
Speaker 1: same place when you're an eighteen year old business and
Speaker 1: he had no business dating me, and it was like
Speaker 1: really clear that he was just trying to you know,
Speaker 1: I will say, it's like I think about it a lot,
Speaker 1: you know, because we've talked about your brain isn't done
Speaker 1: developing until you're twenty six. You're not allowed to order
Speaker 1: a drink in a bar till you're twenty one. I'm like,
Speaker 1: how come grown ups are allowed to date eighteen year olds?
Speaker 1: I don't like it? Yeah, I like it well, but
Speaker 1: I r L. We really like Pete Wentz And honestly,
Speaker 1: for for what a ship show this script was, it
Speaker 1: was really fun to go to the woods and be
Speaker 1: out at that house together and and shoot like like
Speaker 1: the scene where we all are playing never have I
Speaker 1: ever and it and the whole like brooking yourself thing
Speaker 1: comes out. I was watching us, and I was just
Speaker 1: like tickled by it because we're genuinely laughing and all directing,
Speaker 1: like we were having fun in the scenes. That tracked definitely,
Speaker 1: and they were. We were shooting nights too, we were
Speaker 1: late nights, so that was fun being in a cabin
Speaker 1: like on a new location up late, just hanging out
Speaker 1: with each other. It kind of felt like we were
Speaker 1: at camp together because we were away at a different
Speaker 1: place that we had never been to before and having
Speaker 1: Lee and Antoine and Bevan with us, like it was
Speaker 1: just so fun. We didn't have our normal like getaway
Speaker 1: spots because we were all kind of in there together.
Speaker 1: So you know, there was a green there was a
Speaker 1: green room, but it was like our chairs were all
Speaker 1: different in different places. We all just kind of ended
Speaker 1: up hanging out around the same area while other people
Speaker 1: were doing their scenes instead of disappearing into our trailers. Um.
Speaker 1: I remember having I don't know what the conversation was,
Speaker 1: but I remember that location was was one of the
Speaker 1: only time James and I had like a really kind
Speaker 1: of long, meaningful conversation, um, because most of the time
Speaker 1: we were just working and he wouldn't like, you know,
Speaker 1: well yeah, so again, I don't remember what it was.
Speaker 1: I just remember sitting in that living room, like just
Speaker 1: hanging out while somebody else is doing a scene, and
Speaker 1: we had a really nice long chat and I was like, uh,
Speaker 1: just you know, always any time you talk to James,
Speaker 1: it just reaffirms how much you love him, right well, yeah,
Speaker 1: because he's so calm. And that's how Nathan is in
Speaker 1: this episode. He's like removed from the rest of the group.
Speaker 1: The rest of us are being super fun extra, you know,
Speaker 1: and there's like hijinks everywhere, you know, and he's pulling
Speaker 1: his own hijinks. Nathan is becoming more and more like
Speaker 1: real life James, like more reserved, more mature, a little quieter,
Speaker 1: less bravado. Once he ditched Tim, you know where was
Speaker 1: Tim in this episode? That honestly would have been fun.
Speaker 1: We needed him get fighted would have been really fun. Yeah,
Speaker 1: I mean this was you know, this was around when
Speaker 1: Brett started working and they started getting the higher ups
Speaker 1: got mad at him, and it's it's sad to think that, Like,
Speaker 1: you know, in our early twenties, we had grown ups
Speaker 1: like being retaliatory with us because we were curious about
Speaker 1: the world and wanted to work on other sets. Oh
Speaker 1: the horror, it's so dumb with embarrassing honestly for that.
Speaker 1: Do you imagine any of us doing that today to
Speaker 1: a child like twentysomething, Yeah, and being like, how dare
Speaker 1: you you want to go do another movie? Like I'm
Speaker 1: gonna punish you. It's so, oh my god, it's so embarrassed,
Speaker 1: really really weird. It's interesting to check ourselves now that
Speaker 1: we are the age that we are, because we are
Speaker 1: in the same position like producing things and putting things
Speaker 1: out there into the world, and we have employees that
Speaker 1: are in their early twenties, and the idea of of
Speaker 1: that kind of ownership is super strange. UM. And you
Speaker 1: see it in this episode, you know, like like Danielle's
Speaker 1: character is vilified um as a means to separate her
Speaker 1: from everyone else. And I feel like Danielle was oftentimes
Speaker 1: like separated from everyone else, you know, cut her from
Speaker 1: the herd so you can get her attention yourself. UM,
Speaker 1: Because what was happening during this whole sun Kissed campaign
Speaker 1: is that we were having to go to sun Kissed
Speaker 1: parties and they would send our boss and they would
Speaker 1: send some of us. And I went to one with
Speaker 1: Lee and Danil right during this time, because that's when
Speaker 1: this storyline was like blowing up with them. And it
Speaker 1: was a weekend of hell in Miami with like our
Speaker 1: box crying in my hotel room and Danille like barricading
Speaker 1: or even a room, and like craziness. Um, and so
Speaker 1: then we would have to come to set and act
Speaker 1: you know normal. Um. Yeah, it was just it was
Speaker 1: there were so many things going on behind the scenes
Speaker 1: at this time. I think that's what I remember more
Speaker 1: like I didn't remember shooting that club scene in this episode,
Speaker 1: but I remember all like the bat ship stuff going on. Yeah,
Speaker 1: the sense memory I have. Yeah, I mean this was
Speaker 1: a rough year for all of us, Like season three
Speaker 1: was pretty brutal, but like favorite subject matter why for me? Yeah,
Speaker 1: which is so interesting, But it it is wild to
Speaker 1: look back at it now and just think I cannot
Speaker 1: imagine being a grown up. I'm behaving like that and
Speaker 1: you know, not to like toot our own horn, but
Speaker 1: you guys am so proud of us like we made it.
Speaker 1: We're pretty freaking well adjusted. Okay, okay, so we were
Speaker 1: speaking of grown ups. Joy Um knows Paul better than
Speaker 1: anyone on the planet, and Paul directed this episode and
Speaker 1: we had a nice little laugh and a nice little
Speaker 1: laugh because there are certain spots in this episode where
Speaker 1: we can remember Paul's direction, because what's Paul's like, big note?
Speaker 1: What's this big note? Always commit commit com material, commit
Speaker 1: to the material. So he's not wrong, No, it's sometimes
Speaker 1: he gets stuck and can't. It's like there's an intersection
Speaker 1: between his sort of older brotherly need to make someone
Speaker 1: see something like like learn you have to learn your
Speaker 1: lesson right now. I'm going to force you to learn
Speaker 1: it because nobody else will tell you the truth. And
Speaker 1: sometimes it's like, okay, I love you. But also everyone
Speaker 1: goes on their own journey, like you can only say
Speaker 1: what you say and then move on, Like you can't
Speaker 1: force people to learn things the way you want them
Speaker 1: to learn them anyway, tell your story. No, but I
Speaker 1: this is what I would say. I would say. This
Speaker 1: was a script where I felt like we were all saying, hey,
Speaker 1: can we have this line? Change? Hey, can we like
Speaker 1: change this it doesn't make any sense for Peyton to
Speaker 1: wand from the porch to the swing. Like, yeah, Paul
Speaker 1: was to your point teaching us a lesson where it's like,
Speaker 1: take the awful thing and make it work. That's your job.
Speaker 1: Hit your mark and make it work. And so we
Speaker 1: made a lot of things work in this episode. And
Speaker 1: for me, it was when Pete Wentz was feeding me
Speaker 1: pasta sauce and Peter has this really sarcastic like because
Speaker 1: it was scripted that I was supposed to say mm,
Speaker 1: And I was like, what, why can't I just be like, oh,
Speaker 1: it's good man, you know, can't I just say like
Speaker 1: a normal thing that a person would say. Paul's like, Hillary,
Speaker 1: I want them okay, well you're gonna get up. I
Speaker 1: love the weird miss of that's family man. That is
Speaker 1: it is the hoops they made that guy jump through.
Speaker 1: And the fact that Pete is like Nigella Lawson in
Speaker 1: this episode, like in every scene he's like making an omelet,
Speaker 1: he's making Aposta is cooking, like what but he committed
Speaker 1: and it was very sweet. That's you know, that is true? Hillary,
Speaker 1: though that this sense of the sense of family, I mean,
Speaker 1: that's just what everybody's got their own weird quirks. Everybody
Speaker 1: has their certain way of doing things when you and
Speaker 1: you know, we didn't have the advantage of space like
Speaker 1: we normally do, where if if somebody and your family
Speaker 1: is annoying you, you just go, you know, you go
Speaker 1: home and then you just see them later. In this instance,
Speaker 1: we were all family, and it was like Christmas with
Speaker 1: your family, where everybody's on top of each other for
Speaker 1: four days and you can't go anywhere, and there's no
Speaker 1: space where you're free, and you're all just pulling your
Speaker 1: hair out because everybody's little eccentricities are coming up to
Speaker 1: the surface and we're all just a little on edge.
Speaker 1: And there's no place to have a private conversation either, because,
Speaker 1: like if you wanted to have a conversation with Paul
Speaker 1: about the script, you'd have to have it in front
Speaker 1: of everyone else, right, which never goes very well. That's
Speaker 1: not fun. I don't want to do that. Did you
Speaker 1: What did you guys commit to? Would you commit to
Speaker 1: in the episode? Uh? I don't know. A storyline about
Speaker 1: teenage masturbation. Girl, I had to commit I was on
Speaker 1: your side for that, Yeah, I mean I who you
Speaker 1: made it work. It's real. Yeah. The I remember getting
Speaker 1: I do remember getting this script and reading like Brooke
Speaker 1: having this whole solo like oh oh, reading Lucas's letter
Speaker 1: in the hot tub, and I was like, oh, just
Speaker 1: kill me, like just make it stop. I don't want
Speaker 1: to do this. But it actually, like looking back on it,
Speaker 1: I'm I'm so amused by the storyline and I find
Speaker 1: it so funny. And I was saying this when we
Speaker 1: were watching, like that scene with Danil and I, you know,
Speaker 1: when Rachel walks in on Brooke and then they have
Speaker 1: this thing in the hall and it's like you didn't
Speaker 1: see what you think he's off and you know, we're
Speaker 1: going back and forth. It was so funny, and I
Speaker 1: wish I wish that what was happening behind the scenes
Speaker 1: hadn't been because I feel like they made Brooke and
Speaker 1: Rachel enemies, like you were saying to to kind of
Speaker 1: segment her. Danielle and I are so funny together, Like
Speaker 1: I love get our scenes together, and I just I
Speaker 1: want doesn't that happen later? Don't you guys become like
Speaker 1: comrades a little bit later? Yeah, well, eventually we move
Speaker 1: in together, but it always is weird, Like I don't know,
Speaker 1: I just I wish we'd really just been able to
Speaker 1: play and like go in the direction that it really worked.
Speaker 1: She should have just gone back in the room with you,
Speaker 1: you know, like, girl, it's there. You know. There was
Speaker 1: something about it though that I like about. Yeah, it's
Speaker 1: a love hate. It's not just a pure constant hatred.
Speaker 1: It's like CC babcock and nanny Fine, it's like you know,
Speaker 1: you know, it's like they they it's fun. It does
Speaker 1: make us all look like assholes, though, because if everyone
Speaker 1: hates Rachel, why are we at her house? Like that's
Speaker 1: such a dick. Yeah, yeah, it's it's really kind of
Speaker 1: a dick move. Um. But you honestly, like the term
Speaker 1: brooking yourself is still around, um, and I'm not against
Speaker 1: it because I am very pro sexuality, but I think
Speaker 1: that young women should be you know, they should respect
Speaker 1: their bodies and not just share them with everyone. That's
Speaker 1: my feminism is like earn it. Your mothers can't earn this. Um.
Speaker 1: You know, I have a lot of have a lot
Speaker 1: of high ideals about who you're going to sleep with,
Speaker 1: if you're going to sleep with anyone, but um, brooking
Speaker 1: your self is a great alternative to explore your own
Speaker 1: sexuality and stay safe. So that's my p s, a
Speaker 1: safety from obsessed with the soapbox moment right now. I
Speaker 1: just I remember the girlfriends of mine, like like sleeping
Speaker 1: with people in high school that were just mortifying, just
Speaker 1: like mortifying, and I'd be like, you sick you why
Speaker 1: don't you just masturbate? Like it's just it seems like
Speaker 1: such an easier answer. Yeah, it would have. It would
Speaker 1: have been nice to see that storyline examined a little
Speaker 1: bit more without because because everybody else was paired off.
Speaker 1: So to see a young woman who was like, yeah,
Speaker 1: no I'm not I'm not interested. I don't I don't
Speaker 1: need one of you guys. I'm good I date me. Yeah,
Speaker 1: it could have been interesting. Yeah, I agree with you, Joy,
Speaker 1: because who was alone Rachel, but she's like kind of
Speaker 1: paired off with mouth. Yeah, Peyton's usually the cheese stands alone. Um.
Speaker 1: I just I loved the comedy for Bevin when when
Speaker 1: the whole thing happens, you know, the reveal happens during
Speaker 1: never Have I Ever, and she's like, oh, I broke
Speaker 1: myself all the time. I was like, this is funny,
Speaker 1: Like I missed that maybe my computer glitched or something.
Speaker 1: It was very very funny normalized it because what was
Speaker 1: supposed to be embarrassing for Brook became like, yeah, everybody
Speaker 1: does that, don't be embarrassed a stupid I loved Bevan
Speaker 1: and Antoine in this episode, by the way. It was
Speaker 1: so fun to see them. I love their interactions. I
Speaker 1: wish um that and maybe it happens in the future.
Speaker 1: I would love to see a little bit more meaningful
Speaker 1: conversations and meaningful like communication between the two of them.
Speaker 1: But it's so fun. It's so so unexpected how kind
Speaker 1: of perfect they are for each other. They're so great.
Speaker 1: And also credit to Lee the writer for giving Bevan
Speaker 1: this hilarious niche arena of expertise. She knows the Latin
Speaker 1: name of every tree in the world, like for that
Speaker 1: was so so funny, for the way that they wrote
Speaker 1: her character to be the very sort of archetypal did
Speaker 1: tea cheerleader to then be like, you know, a low
Speaker 1: key Steve Irwin. I was loving everybody. I always wanted
Speaker 1: to be somebody shorty short. He always wanted to be
Speaker 1: somebody shorty joy. Can we talk about the proposal on
Speaker 1: the Dock. What did you think about this storyline, because
Speaker 1: we had opinions while we were watching. Well, I you
Speaker 1: said that he should have given her a different ring,
Speaker 1: which I agree it was. That was weird that they
Speaker 1: built this whole storyline for Nathan around getting her ring
Speaker 1: off her finger. I mean, I guess it's realistic, like
Speaker 1: a high school boy would come up with that, all right,
Speaker 1: but but there weren't high school boys in the writer's room,
Speaker 1: and it would have been nice for them to elevate
Speaker 1: the material a little bit, you know, come up with something,
Speaker 1: give boys something to a aspired to a little more creative. Um. Yeah,
Speaker 1: I don't like the whole you called it out like
Speaker 1: stressing a woman out only to come in and save
Speaker 1: the day. It's it's weird. It's a weird habit um.
Speaker 1: But I love that they did this with Nathan and Haley,
Speaker 1: that they got to have their own real proposal moment
Speaker 1: and that they're going to have their own wedding that
Speaker 1: in front of people. I think that's really sweet. I
Speaker 1: loved that too, and I thought it was really nice.
Speaker 1: You know, we've been in such sadness and to have
Speaker 1: an episode where we got to laugh and where there
Speaker 1: was some happiness, you know, for all of its clunkiness.
Speaker 1: I really liked that they gave Nathan the reflection on
Speaker 1: what Keith's loss meant, because obviously with Karen it's really raw.
Speaker 1: Lucas is trying to figure out what this means for
Speaker 1: him and his mom. But there was something very um
Speaker 1: I don't know. I thought it was very smart, almost
Speaker 1: amost the way when you've got a great narrator in
Speaker 1: a story, they can offer perspective, Like they really gave
Speaker 1: Nathan the opportunity to offer us perspective and for him
Speaker 1: to say, you know, Karen and Keith didn't get to
Speaker 1: stand up in front of everyone, and Haley and I didn't,
Speaker 1: and I want us to the what what's unsaid is
Speaker 1: we're still here, so we'd better, you know, Let's let's
Speaker 1: be in community while we can. And I really thought
Speaker 1: that that was such a special lesson to take away
Speaker 1: from grieving, and I think James did a beautiful job
Speaker 1: with it. Yeah, I agree. When does the wedding come?
Speaker 1: Is it like a couple episodes or do we take
Speaker 1: our time with this one because I feel like it's
Speaker 1: season four? Is it? No? You guys, it's the finale
Speaker 1: because you go off a bridge, don't you. Oh yeah,
Speaker 1: it's like the big finale, yea, the finale. Alright, well,
Speaker 1: I don't go off a bridge. Nathan and Cooper. Cooper
Speaker 1: dives in Nathan's in the limo. Why is someone driving drunk?
Speaker 1: Rachel was driving? Rachel's driving, isn't she? And that that
Speaker 1: led Zeppelin song plays? They paid so much money for
Speaker 1: that led Zeppelin song. Well we'll get there a long
Speaker 1: time the cabin. Okay. So if we had to take
Speaker 1: our whole cast that was in this episode and go somewhere,
Speaker 1: oh fine, like where would we go? Yeah, we would
Speaker 1: need more than five bedrooms. Friends, like so many of us,
Speaker 1: we're grown ups now we don't share. I mean, why
Speaker 1: are we not renting a house in the south of Italy?
Speaker 1: And like, I mean, yeah, I've never been to the
Speaker 1: south of Italy. I don't know. Girls, tell me, is
Speaker 1: that where we should go? That's where I don't know, Sophia,
Speaker 1: you know all the spots, oh man, I My my
Speaker 1: dream for my self is to take over like an
Speaker 1: old Italian villa, a whole agriturismo set up, make olive
Speaker 1: oil and just retire in Italy with my tomato plants,
Speaker 1: and like, that's so if what you're saying is we
Speaker 1: could begin traveling around scouting and it would be a
Speaker 1: reunion for Cork And I'm like, let it's for work,
Speaker 1: it's for the podcast, for guys, let's call we're recreating
Speaker 1: season three, episode eighteen. Yeah, but like grown up fancy style.
Speaker 1: I'm into it. Okay, grown up stuff. We have to
Speaker 1: talk about Karen, we have to talk about more. In
Speaker 1: that scene, it was so beautiful. Wow, it was scary.
Speaker 1: Another thing it's like that bums me out of I mean,
Speaker 1: I love this show, guys. You guys, I love our show.
Speaker 1: I don't want it to feel like I don't. But
Speaker 1: it's because it's so good when it's good, and the
Speaker 1: potential we know what they're capable of, so when it
Speaker 1: falls short, it's so frustrating. And I really there was
Speaker 1: so much potential to have uh group grieving time, um,
Speaker 1: big big tears, big laughter together, processing things together, um,
Speaker 1: rather than just everybody getting off all weekend and like
Speaker 1: you know, you know, it's like, how is this healing?
Speaker 1: And to bring that into Karen like that would have
Speaker 1: blended so nicely with moments back in Tree Hill and
Speaker 1: we could have seen that transition right now. Again, it
Speaker 1: just felt so Hodgepodge. It was like, we're at the lake,
Speaker 1: somebody's in a hot tub. It's cute. They're jumping at
Speaker 1: each other's back. Somebody's uh, it's like Shenanigan's a wait,
Speaker 1: we're kissing a rock star. Karen's now doing a very
Speaker 1: Moira was doing like a serious acting piece moment. And
Speaker 1: then now we're back to the cabin, and it was
Speaker 1: just it was schizophrenic episode. This episode just didn't know
Speaker 1: what it wanted to be. You forgot the club night,
Speaker 1: Jo forgot the dance party. I forgot the dance the
Speaker 1: girl shaking the T shirts that that poor girl, she's
Speaker 1: like here, does anyone want one of these? No? Cool? Um?
Speaker 1: I think I think it could have been so special,
Speaker 1: especially because this was clearly inspired by The Big Chill.
Speaker 1: And if we'd gone to that that cabin and then
Speaker 1: never have I ever had turned into more of a
Speaker 1: share and you had seen, especially what this loss and
Speaker 1: the processing of it meant for Lucas and then for
Speaker 1: Lucas and Nathan his brothers, and then you had cut
Speaker 1: to Karen saying, you have two sons. You know, where
Speaker 1: were you your responsibility to your family and you could
Speaker 1: have cut back and seen the way that like this
Speaker 1: younger generation of scott Boys is doing family responsibility differently.
Speaker 1: There could have really been grief process and you know,
Speaker 1: the humor that sometimes comes with that release done in
Speaker 1: a way, and we could have gone to like dance
Speaker 1: downtown in the next episode. You know, I do I
Speaker 1: do agree. I feel like they rushed it and they
Speaker 1: sort of scissored four episodes together and it was a
Speaker 1: missed opportunity. Well, why do talk therapy when you can
Speaker 1: just have an orgasm? You know that that fixes everything, honestly,
Speaker 1: back and that's all. But to Joy's point, that's all
Speaker 1: it came down to. It was like, if the kids
Speaker 1: can just get off, they'll forget about all the trauma.
Speaker 1: You know, there's something so beautiful about the humor. Is
Speaker 1: the wrong word helped me when you're grieving, And it's
Speaker 1: it's laughter that turn tears, that turned to laughter that
Speaker 1: turned back to tears, and it's the back and forth.
Speaker 1: I mean, um, I was just visiting family for a
Speaker 1: death than the family and and we had a service
Speaker 1: and everybody had come from you know, all four corners
Speaker 1: to just come and be there. And I know Hillary
Speaker 1: you've also been through You've sat shiva several times in
Speaker 1: the last couple of years. I've never done that. Um
Speaker 1: is the experience, I mean, did you do you experience
Speaker 1: that in those environments as well? When it's just and
Speaker 1: I'm sure Sophia you've done that as well to being
Speaker 1: I'm sorry about your family. Yeah, yeah, but it's just
Speaker 1: I mean, it's so wonderful to see everyone and be together,
Speaker 1: and it's hard to just sit and be real, like
Speaker 1: you want to make everybody feel better or do something,
Speaker 1: and everybody's sort of serving these roles like where do
Speaker 1: I fit? How do I serve my role here? And
Speaker 1: to see everyone feel awkward together. Um, I'm so I'm
Speaker 1: kind of talking in circles, but I think that would
Speaker 1: have been so nice to see. No, But to your point,
Speaker 1: I find that, Um, in those situations, I used to
Speaker 1: be the dishwasher, right, because there's always the person who's like,
Speaker 1: there's the person who's like, I'm the trash bag person.
Speaker 1: I'm the dishwasher. I'm like the busy person. And as
Speaker 1: I've gotten older and have been to more of those events,
Speaker 1: I'm the corner talker, and so you find the person
Speaker 1: in the corner who doesn't quite know what to do,
Speaker 1: and you start telling stories that are are funny to
Speaker 1: your point, you know, and and giving people permission to
Speaker 1: laugh at those events is so important. And you have
Speaker 1: to read the room, you know, like you have to
Speaker 1: know that the person closest to the loss is okay
Speaker 1: with that. But sitting shiva is great because you give
Speaker 1: yourself full permission to go dark and just sit and
Speaker 1: and feel all the feelings for days. And then at
Speaker 1: the very end of it, everyone who's joined in and
Speaker 1: the family that's lost someone is supposed to get up
Speaker 1: and like take a lap around the block together, and
Speaker 1: that symbolizes getting back out there into the world, and that,
Speaker 1: to me is my favorite part of it. And that's
Speaker 1: kind of what our characters are doing in this show.
Speaker 1: Like the very last shot of us all lined up,
Speaker 1: we are out in the world together, and those groups scenes,
Speaker 1: you know, even when we have to do clunky shit,
Speaker 1: they do hold a certain magic because we all represent
Speaker 1: really different things to our audience base and to see
Speaker 1: that they can all play nicely together is a good visual,
Speaker 1: you know. Yeah, I think it's interesting. Our issue with
Speaker 1: the episode is that we weren't really given time to grieve.
Speaker 1: And I think, as we've all experienced loss, you know what,
Speaker 1: what you're really saying, Joy, is that that time is
Speaker 1: so important and it is you know, to echo your
Speaker 1: point Hill, It is what I love about the tradition
Speaker 1: of Shibba. It's not rush m hm, and everything we
Speaker 1: do in the world feel so rushed. And to have
Speaker 1: something old and sacred about community that says, sit here
Speaker 1: for days and days together, really process, really be in this,
Speaker 1: really give yourself the space to experience whatever you will experience,
Speaker 1: and then together begin to return. I wish we had
Speaker 1: more more practices like that. Mm hmm. Wouldn't have been
Speaker 1: cool to see all of the Tree Hill kids just
Speaker 1: like walking down Front Street together, like taking the lap together.
Speaker 1: Did we ever do that? No? I don't think so.
Speaker 1: For as much as we shot downtown, I don't feel
Speaker 1: like there was ever like a what is it reservoir
Speaker 1: dogs scene of almost just like walking out stream About
Speaker 1: how cool that would have been if there was somebody
Speaker 1: in the group who was of the Jewish faith like
Speaker 1: in our in our group and who we were all
Speaker 1: trying to process our grief and we didn't know how
Speaker 1: to do it, and somebody brought up like, well, this
Speaker 1: is what we do in my faith, and we all
Speaker 1: sort of like embraced it and figured out some weird
Speaker 1: way at the cabin to just like do our own
Speaker 1: version of Shiva. Like that would have been so interesting
Speaker 1: to watch and go through and then take the lap
Speaker 1: around the cabin. But we couldn't have been drinking wine
Speaker 1: and wearing sun kiss shirts. Joy. It just chup. It
Speaker 1: was a big swinging a miss with this episode. I'm
Speaker 1: saying it out loud because it's like I'm dream I'm
Speaker 1: like trying to rewrite it in my head so that
Speaker 1: when I walk away and feel so bad about this episode,
Speaker 1: I can be like, no, this is what really happened
Speaker 1: in my mind. I create Can we storyboard that? Can
Speaker 1: somebody do that for us? I'm so into it. Yeah
Speaker 1: that's better. Um. Yeah, you know what everyone always says, like, well,
Speaker 1: what do you think your character would be doing today?
Speaker 1: I'm like the quest I want to answer are how
Speaker 1: would you ladies have rewritten your show? Yeah, we just
Speaker 1: pick an episode and rewrite it, but you have to
Speaker 1: stay in your bathing suit the whole time. Sophia that's good. Guys.
Speaker 1: Did you see Antoine and Bevan's breath in the woods
Speaker 1: and then knowing you guys were in those hot tubs.
Speaker 1: It was awful. It was awful, so bad for you guys.
Speaker 1: It was so cold. Also, I was laughing at myself
Speaker 1: because I had to get out of the hot tub,
Speaker 1: you know, after reading the letter, and I was like, oh, man,
Speaker 1: I see exactly what I'm doing there. I'm like, oh,
Speaker 1: you guys want to get us out of the water
Speaker 1: and bikini's all wet, golf, I'm gonna turn my back
Speaker 1: on you. I'm gonna hunch over like a little gremlin
Speaker 1: and get in a towel like I just was not.
Speaker 1: I was like, you want the like sexy you know,
Speaker 1: red bikini shot. You can't have it, can't have it,
Speaker 1: just like my little protestations. Sophia, you didn't commit. You
Speaker 1: didn't commit it. I didn't commit. She committed to something, friend. Yeah,
Speaker 1: I committed to me. And I love Brooks just wearing
Speaker 1: a sweatshirt the whole episode, She's just wearing cutie. I
Speaker 1: did too. It felt it felt really real, and I
Speaker 1: think that that was something we decided on. I vaguely
Speaker 1: remember having a conversation with Paul about that, like why
Speaker 1: are we dressed up in the woods? And it was like, well,
Speaker 1: you know, yeah, all right, what do you want to do?
Speaker 1: Put on so great? Do it? And I love I
Speaker 1: love when actors direct because you get to make those
Speaker 1: kinds of decisions that feel so honestly you know what
Speaker 1: I will say also gets a sweet honorable mention in
Speaker 1: this episode. I loved Peyton and Mouth in the bunk
Speaker 1: beds talking. Oh yeah, that was cute. I could still
Speaker 1: share a room with Lee. Oh yes if When Lee
Speaker 1: and I did that Christmas movie down in Louisiana, our
Speaker 1: hotel rooms were right next to each other, and it
Speaker 1: felt kind of the same same energy. It was just like, hey, boss,
Speaker 1: you're coming over. We're making mycroni and cheese. I got
Speaker 1: a bottle of line and some kid food. Come over,
Speaker 1: all right? Vanessa says, how would you feel about a
Speaker 1: prequel showing young Dan, Keith, Karen and dead. We've talked
Speaker 1: about this before. That's a great idea and should be done. Wait,
Speaker 1: who would be cast? I don't know a lot of
Speaker 1: child actors. Um trying to say from my my Nickelodeon
Speaker 1: Disney Channel repertoire. Oh, but that would be really fun
Speaker 1: to see them in the uh I guess it would
Speaker 1: be the late seventies early eighties. No, No, because if
Speaker 1: we filmed in two thousand three and our characters were
Speaker 1: supposed to be sixteen, that puts them in their senior
Speaker 1: year sixteen years before two thousand three. Somebody's going to
Speaker 1: have to do the math. That's like. Because No, Yeah,
Speaker 1: so eighties m hmm, okay, so you'd want to see
Speaker 1: like a few years before she gets pregnant the eighties.
Speaker 1: It'd be like Tree Hill meets Stranger Things. I was
Speaker 1: just going to say, that's the christ kid with the
Speaker 1: good hair grows up to be Dan Scott. I'm into that, okay.
Speaker 1: I think what would be interesting too is the because
Speaker 1: as it goes the storyline, you know, Dan meets Deb
Speaker 1: in college, so you would have you would have to
Speaker 1: have a story that centered around Dan and Keith, and
Speaker 1: and it would be really interesting to see how Keith
Speaker 1: watched Dan and Karen's relationship and then what happened when
Speaker 1: Dan broke Karen's heart picked Deb brought her home for
Speaker 1: like the first you know, winter break from college or whatever.
Speaker 1: It would be really juicy and to see like a
Speaker 1: young Tess Harper and Gerald McCraney to but guys, speaking
Speaker 1: of backstory, that was one of the things that really
Speaker 1: struck me about this episode. Where are Karen's parents? Where
Speaker 1: is anyone? We've never explained it, no one's ever said
Speaker 1: she's an orphan, No one's never and royal and who
Speaker 1: does test I can't remember what Dan and Keith's mom's
Speaker 1: name was, but she they don't show up. The grandparents
Speaker 1: can't show up to their own son's funeral. Nobody explains it.
Speaker 1: It's just totally sideswiped. That's another thing we'd change about
Speaker 1: this episode. Yeah, because that's when everyone shows up in rallies,
Speaker 1: you know, and we could see a young Ellie too,
Speaker 1: like maybe you could be there could be some sort
Speaker 1: of like intersection there. I'm so obsessed with the backstory
Speaker 1: of of Ellie and then John Doe who played my dad,
Speaker 1: like hooking up on the concert circuit, yes, and then
Speaker 1: like Victoria's a whole like Dynasty series waiting day. Gosh right, Yeah,
Speaker 1: we want all the backstory. Give it to us, somebody right,
Speaker 1: a check done? Exactly right? All right? Riley asks, where
Speaker 1: would you rather hang out Trick, the River Court or
Speaker 1: Karen's Cafe. Okay, wait, is this me like me now
Speaker 1: or or me in high school? Like? Is this us
Speaker 1: in high school? Or oh? I immediately went to now
Speaker 1: now I'd be I'd be in Karen's Cafe. Probably That'd
Speaker 1: be I'd be like, go right, and I'd hang out
Speaker 1: and like chill there. I'm going to have to say
Speaker 1: trick for both guys. I'm still just bar rat. Hey, man,
Speaker 1: can I get some trouble here? Okay, that sounds good.
Speaker 1: How late are you open? Totally high school me definitely
Speaker 1: wants to go to trick, but also I want to
Speaker 1: go to Trick and hang out with you guys in
Speaker 1: the green room and be like, no, this is ours,
Speaker 1: like this is our little space. We'll go watch the music,
Speaker 1: but then we have our little room back here, because
Speaker 1: you know, because it makes me feel very territory, but
Speaker 1: in a sweet way, if that makes sense. No, it's
Speaker 1: good territorial. This is my hang out. It was cool.
Speaker 1: Its cool clubhouse. Man. Yeah, I don't know. Maybe do
Speaker 1: we need to open our own trick at some point? Yes? Okay,
Speaker 1: we do planting that seed. Let's do that perfect you
Speaker 1: guys let's spin a wheel. I'm so glad that we're
Speaker 1: back to happiness. Let's see what the wheel says for us.
Speaker 1: This is my favorite in a long time. Oh, you guys,
Speaker 1: who is most likely to secretly be a vampire? Secretly
Speaker 1: be a van? I mean we've Dan, Yeah, we've been
Speaker 1: spinning wheels for a long time. Here, Um, we've never
Speaker 1: gotten that one before. My goodness. Dan easily transitions over to, uh,
Speaker 1: what was that show with all the vampires on it?
Speaker 1: What was that show True Blood, True Bottle, the show
Speaker 1: that was at the same time as us with the
Speaker 1: vampires diaries, Big vampires, little bit um? Yeah, well, who
Speaker 1: doesn't age joy? You do freaking age? You have an
Speaker 1: aged Are you immortal? She she nuts, tell anyone, I'm
Speaker 1: just drinking the blood of virgins over here. Yeah. I
Speaker 1: think Dan Scott would for sure drink any blood he
Speaker 1: needed to to stay alive. I also like the first
Speaker 1: thing I've pictured when it was like who's most likely
Speaker 1: to be a vampire? It's like all the creepy old
Speaker 1: medieval ship you used to have in your house, Hilary.
Speaker 1: I'm like if you, I'm like, you probably have a coffin.
Speaker 1: That's a coffee table, Like, I wouldn't be surprised if
Speaker 1: somewhere in storage that lives so well, guys, it's not
Speaker 1: a secret. The whole thing would secretly be a vampire.
Speaker 1: You're proud, Um, Oh my god. Remember we were so
Speaker 1: obsessed with True Blood while we were filming our show,
Speaker 1: like you, Okay, I just emptied out boxes of books
Speaker 1: that I've had in storage for a hundred years. I mean,
Speaker 1: I still found things that I've been storing since high school.
Speaker 1: I pulled you know, I was sending you all those
Speaker 1: photos from set because I was finding a stuff. I
Speaker 1: have every book in the series of True bless you're
Speaker 1: so obsessed, obsessed with that the opening theme to that show.
Speaker 1: I was just like, this is the sexiest thing I've
Speaker 1: ever seen on television. Oh my god. Scars Guard is
Speaker 1: terrifying and so handsome. Um, what a world? What a world?
Speaker 1: And we were so excited when Joe Mango went over
Speaker 1: to play with them. I know, yeah, man, he made
Speaker 1: a great werewolf. Um, all right, what do we have
Speaker 1: next next episode? I think you should read it, guys.
Speaker 1: It's embarrassing. No you read its moment. It's season three
Speaker 1: episode nineteen titled I love with someone in Fallout Boy,
Speaker 1: and all I got was the stupid song written about
Speaker 1: me and for the record, the record. So many people
Speaker 1: have alluded to the fact that, like they thought that
Speaker 1: Peyton and Pete slept together in this episode, and I,
Speaker 1: for one, even when filming it, never thought that because
Speaker 1: Peyton is fully clothed the whole time, like in the
Speaker 1: zip up sweatshirt the whole time. Remember I asked when
Speaker 1: when you guys were having to talk about the tattoos,
Speaker 1: I'm like, why doesn't he have his shirt on? Like
Speaker 1: it's weird because it's so clearly not happening because somebody
Speaker 1: walked over to him at the last second probably and
Speaker 1: was like, we want to do this scene without your shirt.
Speaker 1: Is that okay? He was like sure, sure, well, or
Speaker 1: somebody said you can't have your shirt on if you're
Speaker 1: counting your tattoos. Well, neither neither Hillary Burton or Peyton
Speaker 1: Sawyer has had sex with anyone in Fallout Boys. So boom, done,
Speaker 1: done when we're squashed queen until next week, Everyone go
Speaker 1: get your squash It's October. Hey, thanks for listening. Don't
Speaker 1: forget to leave us a review. You can also follow
Speaker 1: us on Instagram at Drama Queens O. T H. Or
Speaker 1: email us at Drama Queens at I heart radio dot com.
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