WEBVTT - Episode 354 w/ Crazy Legs

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<v Speaker 1>And his Drink Chess Motherfucker podcast. D's a legendary Queen's rapper,

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<v Speaker 1>Ain't Segreed? Is your boy in O R He's a

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<v Speaker 1>Miami hippop Lione Cup is dj e FN. Together they

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<v Speaker 1>drink it up with some of the biggest players in

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<v Speaker 1>the most professional unprofessional podcast and your number one source

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<v Speaker 1>for drunk back drink chess motherfuckers. New year' z that

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<v Speaker 1>it's time for Drink Champs. Drink up, motherfuck motherfuck? Would

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<v Speaker 1>it good? Be hopey s me? This is your boy

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<v Speaker 1>and O R eight? What up? Is dj e FN?

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<v Speaker 1>This Middle Tammy, Crazy War Happy Hour, Drink Champions Chapter Hour,

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<v Speaker 1>Make Some Now. When ME and e FN started the show,

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<v Speaker 1>we looked at each other and we said, there's so

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<v Speaker 1>many other platforms for new artists and for new outlets

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<v Speaker 1>and things like that. We wanted dedicata to super legends,

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<v Speaker 1>we wanted dedicated to icons, We wanted to dedicated to superheroes,

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<v Speaker 1>people who have been doing this. When I was researching

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<v Speaker 1>this brother that we were about to introduce, they said

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<v Speaker 1>that he started doing his thing in seventy seven. I said,

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<v Speaker 1>holy hit. I said, yeah, I was born. This motherfucker

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<v Speaker 1>has been literally doing it my whole life. Literally, He's

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<v Speaker 1>a person that if you're Puerto Rican and you know

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<v Speaker 1>how to dance, or if you just a hip hop

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<v Speaker 1>if you are a hip hop period and you have

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<v Speaker 1>a hip hop dance, I don't care what it is.

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<v Speaker 1>It could be the stinky lag. It comes from him.

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<v Speaker 1>He was the first person that made people and I

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<v Speaker 1>imagine the thing, and then I found out he invented

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<v Speaker 1>the windmill. It's like talking to Michael Jackson right now.

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<v Speaker 1>We are happy, a static, vigorous, enthusiastic to have a

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<v Speaker 1>legend of a legend, an icon of an icon, a

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<v Speaker 1>person that we all should throw flowers at his feet

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<v Speaker 1>when he walked down the street, literally because his feet

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<v Speaker 1>is crazy and his legs is too. So in case

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<v Speaker 1>you don't know who the hell are you talking about,

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<v Speaker 1>he told about the one the only motherfucker crazy. May

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<v Speaker 1>you represent me at my funeral? So you know what

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<v Speaker 1>was one of the craziest things is no pun intend

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<v Speaker 1>uh me seeing you on Letterman right like, um, I'm

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<v Speaker 1>going back because I had no idea Letterman would even

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<v Speaker 1>like do something like that, because how was it, for

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<v Speaker 1>for lack of a better term, I didn't see be

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<v Speaker 1>Boying at that time as being a commercial, like you

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<v Speaker 1>know what I'm saying. I thought it was like some real,

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<v Speaker 1>you know, underground. So when seeing on Letterman or seeing

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<v Speaker 1>that that, I thing like that, was that like a

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<v Speaker 1>beginning of of be Boying crossing Oval or No? Yeah,

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<v Speaker 1>we were there because of Flashdance, So yeah, that was like, yeah,

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<v Speaker 1>what year? That's that was wild? That came out an

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<v Speaker 1>eighty three Flashdance. So when we did Late David Letterman Show,

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<v Speaker 1>I mean that was kind of wild. And I'm gonna

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<v Speaker 1>sucking go all out today because I don't give anyone.

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<v Speaker 1>Let's go, let's go. We wrote, we get set up

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<v Speaker 1>to do the show, and the dude that I was

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<v Speaker 1>with doing the show was coming off of being high

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<v Speaker 1>tonight before. We're like, oh shit, how are we gonna

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<v Speaker 1>do these routines? Was it ascid? Was it ascid? Back then?

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<v Speaker 1>What y'all was on my right? Now? Everybody did assid? Why?

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<v Speaker 1>I don't, Yeah, but a lot of people don't see

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<v Speaker 1>the boys as as stick up kids too. You know.

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<v Speaker 1>We were living double line for sure. So yeah, so

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<v Speaker 1>it was wild. So doing that not knowing how that

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<v Speaker 1>was gonna turn out, and and then, but the whack

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<v Speaker 1>Ship was a while ago. After I see David let

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<v Speaker 1>him in the restaurant and I'm thinking, like, all right,

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<v Speaker 1>well he's probably cool. I tell away that, Hey, you know,

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<v Speaker 1>I like to go say hi to him. Can you

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<v Speaker 1>let him know? He's like, no, because of that experience

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<v Speaker 1>with you guys, huh No, it's just he's a dick whatever,

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<v Speaker 1>that's him, right, So nothing happened on the show like no, no,

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<v Speaker 1>And I was gonna heard you say I heard you.

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<v Speaker 1>This is just like the third time I heard you say, Um,

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<v Speaker 1>you didn't really like him when you was there? No,

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<v Speaker 1>I didn't like him. Wow. Yeah. It was that that

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<v Speaker 1>dry humor that I didn't get coming from where I

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<v Speaker 1>come from, because I'm like, yo, this motherfucking stupid, you know.

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<v Speaker 1>And that's you know at that time, even though like

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<v Speaker 1>you know, with dancing, and we were still we were

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<v Speaker 1>running wild like the Central Park, rounding people and got

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<v Speaker 1>the cent you going to fast? Yeah yeah, yeah, yeah yeah.

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<v Speaker 1>So what you guys were there was you were what

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<v Speaker 1>did you do for the movie? Coup? Moving out? So

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<v Speaker 1>we dancing flash dance at the beginning and then at

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<v Speaker 1>the end, I actually doubled for her they actually they

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<v Speaker 1>wanted me to um teach the girls how to spin

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<v Speaker 1>on that back in twenty four hours, and I'm like

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<v Speaker 1>that's not possible. So they ended up having me uh

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<v Speaker 1>coming the next day like hey, you know, the director

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<v Speaker 1>Adrian Line's like, hey, you know, would you mind dressing

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<v Speaker 1>up as a woman or whatever Leah turning on its

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<v Speaker 1>all the stuff you keep your much stash or something. No. Well,

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<v Speaker 1>first of all, I'm like this, I'm talking to dude

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<v Speaker 1>like this. I'm like, y'all, you know that's money. That's

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<v Speaker 1>the money signed. Like, I'm not even really talking to

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<v Speaker 1>the dude. I just like fuck and ignorant bronx dude

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<v Speaker 1>seventeen years old. And I'm like this in the dude's

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<v Speaker 1>face and he's like all right, cool cool, And we

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<v Speaker 1>wanted to shave, and I'm like, oh shit, man, I

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<v Speaker 1>just keep doing that. Um And I just did it. Man.

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<v Speaker 1>I was just like fuck it, all right, did it?

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<v Speaker 1>And I also also, like recently doing the studies, I

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<v Speaker 1>didn't know that breakdancing was frowned upon. The word breakdown.

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<v Speaker 1>Yeah that's what it is. Breakdown. Yeah it doesn't. So

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<v Speaker 1>the word breakdancing doesn't come from hip hop It came

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<v Speaker 1>from my former manager, Lady Blues, and she misspoken in

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<v Speaker 1>a meeting and she was also a publicist, so she

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<v Speaker 1>was the one we would just I mean we would man.

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<v Speaker 1>I was maybe sixteen and she did that fifteen and

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<v Speaker 1>you know, she got a British accent, went from the Bronx.

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<v Speaker 1>It was like breakthoughts. So yeah, it was just working

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<v Speaker 1>with her, and but we didn't know that she was

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<v Speaker 1>feeding it out there like that, and that's how it

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<v Speaker 1>got into the press. A lot of people say the

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<v Speaker 1>media made that term up when it was her. It

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<v Speaker 1>was her single hands in the end. Once they heard

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<v Speaker 1>that was going, yeah, called back then viral, it was

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<v Speaker 1>called now viral, like it made its way around and

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<v Speaker 1>we had the most pressed back then, you know, for

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<v Speaker 1>that period of time and what we were doing, nobody

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<v Speaker 1>was getting more when Steady Yeah, so you literally like,

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<v Speaker 1>let's just take it back to the beginning. You literally

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<v Speaker 1>went on the first hip hop tour. Yep, I went

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<v Speaker 1>on I went on Home Le Noise. Yeah, I'm sitting

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<v Speaker 1>there and I'm like, wait the fuck a minute. So

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<v Speaker 1>because I gotta remember, everyone is thinking this is a

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<v Speaker 1>fad at this time, right, everything everyone is thinking that

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<v Speaker 1>this is black people's in Porto began people's version of

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<v Speaker 1>rock and roll. It's not gonna be successful. It's gonna

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<v Speaker 1>be just successful to them. But you guys wouldn't know

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<v Speaker 1>this was this was not in a world to all.

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<v Speaker 1>This was the first tour, but it was in America, right, No, no, no,

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<v Speaker 1>So there was two tours. There was one. Oh sorry.

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<v Speaker 1>The first curated hip hop show for the sake of

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<v Speaker 1>presenting it to the downtown scene was curated by a

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<v Speaker 1>man named Henry child font Ok. And a lot of

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<v Speaker 1>people confused the word graffiti rock with the Michael Holman

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<v Speaker 1>show that was on TV with run DMC versus Treacherous three. Yes,

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<v Speaker 1>so graffiti Rock was a curated show at a place

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<v Speaker 1>called the Kitchen Center for Performing Arts in maybe nineteen eighty. Wow,

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<v Speaker 1>that's a couple of years before the Graffiti Rock Show

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<v Speaker 1>on TV. And uh, Henry child font had got t

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<v Speaker 1>Kid as a graffiti writer to do the backdrop rock

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<v Speaker 1>study crew. We split ourselves up to perform a battle

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<v Speaker 1>as two different crews, and then you have Fat five,

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<v Speaker 1>Freddie H DJ Spy and just du Dame DJ Spying, Ramelsi,

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<v Speaker 1>who weren't supposed to be there and I found out

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<v Speaker 1>some dirt should I air it out? Whatever you want?

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<v Speaker 1>Every child Fire told me that five to Fat five Friday,

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<v Speaker 1>and I was trying to get like cold crush of fantastic.

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<v Speaker 1>So fred injected himself and his boys. He became and

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<v Speaker 1>that's how he got this thing in terms of being

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<v Speaker 1>a performer in the scene. The first swindle. So when

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<v Speaker 1>you say the two first tours, okay, yeah, so that

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<v Speaker 1>was so the Kitchen after that had a twelve city tour,

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<v Speaker 1>so it was myself, Frosty Freeze, Fat five, Freddy DJ

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<v Speaker 1>Spy and then it was just like a collective of

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<v Speaker 1>like jazz and rock and pump artists going on the

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<v Speaker 1>twelve city tour between the States, Midwest and Canada. And

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<v Speaker 1>then after um, after that we started performing regularly downtown.

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<v Speaker 1>So the first curated club events four hip hop presented

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<v Speaker 1>to the masses and being covered by like The Village Voice,

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<v Speaker 1>New York Times, Daily News, all that stuff and just

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<v Speaker 1>a certain energy. But to be clear, there's no mcs.

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<v Speaker 1>There's nobody rapping on this tour, is there. Uh yeah,

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<v Speaker 1>well you're talking about the Kitchen tour. Yeah, yeah, I

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<v Speaker 1>was Fat five Freddy. He was actually rhyman. I thought

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<v Speaker 1>he was just like hosting him seeing it as a host.

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<v Speaker 1>I'm just gonna say we were high a lot on that,

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<v Speaker 1>but I don't really remember. But yeah, so you know,

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<v Speaker 1>he was massive ceremonies and dropping a little round some rhymes. Um.

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<v Speaker 1>And then this guy DJ spot was he was really dope.

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<v Speaker 1>He's from Brooklyn. He was rocking out on the turntables.

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<v Speaker 1>And then shortly after that we started doing shows in

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<v Speaker 1>the downtown scene. The first downtown club to ever have

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<v Speaker 1>a hip hop curated show besides the Kitchen, because the

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<v Speaker 1>Kitchen was a like an arts center, um was. It

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<v Speaker 1>was a place called the Grill. The Grill. Then I

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<v Speaker 1>got my nose red let something. You're still in my

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<v Speaker 1>interview because look, I was about to say this is

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<v Speaker 1>one of my questions, but way before before you told

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<v Speaker 1>people because somebody's like, yo, but no ship, I'm like, y'all,

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<v Speaker 1>nor he's good. He's good. That's it. It says the

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<v Speaker 1>Grill nightclub considered to be hip hop's first nightclub. Is

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<v Speaker 1>that the truth? I wouldn't say that. I would say

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<v Speaker 1>in terms of presenting hip hop to the downtown scene. Yeah,

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<v Speaker 1>Downtown yeah, okay because because yeah, t connection, all the

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<v Speaker 1>Bond ball Room acts to Seagar Ride, Yeah, all stuff,

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<v Speaker 1>and then Harlem World. Okay, okay, okay, go the way

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<v Speaker 1>that you're saying all this, it makes me feel like

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<v Speaker 1>the dancers and the graffiti artists and the DJs were

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<v Speaker 1>more on the forefront at this point. Definitely easily Okay, yeah,

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<v Speaker 1>let me. I don't want to get back to this subject,

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<v Speaker 1>but fear of me if you can. Right, we know

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<v Speaker 1>the five elements right of hip hop? Right, then hip

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<v Speaker 1>hop starts to change, right. Get these corporations they come

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<v Speaker 1>in some music of hip hop down, some don't. But

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<v Speaker 1>this was about maybe ten years ago. Being Capale, we

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<v Speaker 1>go to Europe and I would get where we're at

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<v Speaker 1>the story Germany. But I remember me going on the tour,

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<v Speaker 1>and I remember before we went on the tour and

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<v Speaker 1>the promoters, which is disappeared and they would come back

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<v Speaker 1>and they would smell like old school crylns. Yeah, I'm

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<v Speaker 1>sorry for y'all, young innocent here break hand yeah, And

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<v Speaker 1>then they would be out there and they would have

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<v Speaker 1>the cardboard and I would be like, did they do

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<v Speaker 1>that just for us? And this was something that they

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<v Speaker 1>did at their hip hop clubs every and this was, this,

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<v Speaker 1>was this, It wasn't that long ago. But why is

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<v Speaker 1>it abroad people want to embrace the hip hop and

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<v Speaker 1>the elements more than we do is right here created

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<v Speaker 1>That's a deep question, man, I'm sorry now stopping me.

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<v Speaker 1>I think I think none. I felt good about myself.

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<v Speaker 1>I think because of it being very regional and like

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<v Speaker 1>our New York hip hop state of mind, the way

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<v Speaker 1>we came up and how we presented all the elements.

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<v Speaker 1>A lot of people who got it later on in

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<v Speaker 1>the States only got wrapped, so they don't feel any

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<v Speaker 1>kind of real alliance to the elements of hip hop.

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<v Speaker 1>And even when you say five elements of hip hop,

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<v Speaker 1>you know, originally it was you know, breaking the DJ

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<v Speaker 1>and m seying, graffiti and de boxing, but then Bambado

0:13:37.840 --> 0:13:40.800
<v Speaker 1>changed it to knowledge that of de boxing, which I

0:13:40.880 --> 0:13:43.400
<v Speaker 1>thought was unfair. I'd say, just add the sixth one

0:13:43.480 --> 0:13:47.079
<v Speaker 1>yeah as well, yeah, yeah, yeah, because so that and

0:13:47.160 --> 0:13:50.560
<v Speaker 1>that happened like early nineties when they changed it. Yo,

0:13:51.280 --> 0:13:53.360
<v Speaker 1>But why does it? Why does the pure essence of

0:13:53.520 --> 0:13:56.720
<v Speaker 1>hip hop live in other places other than it's more appreciative?

0:13:57.520 --> 0:13:58.959
<v Speaker 1>Is that the word I should have been using. Yeah,

0:13:59.000 --> 0:14:04.679
<v Speaker 1>it's definitely more I think I think people have you

0:14:04.960 --> 0:14:09.400
<v Speaker 1>have you experienced yeah, yeah, right, It's like, yeah, I

0:14:09.480 --> 0:14:11.480
<v Speaker 1>like that, But it's like, why don't do that home.

0:14:12.360 --> 0:14:14.400
<v Speaker 1>It's my beef with loving hip hop? Like I said,

0:14:14.520 --> 0:14:16.760
<v Speaker 1>it's not like they represent no, not at all culture,

0:14:17.200 --> 0:14:18.520
<v Speaker 1>you know what I'm saying at all. And that's the thing.

0:14:18.640 --> 0:14:20.840
<v Speaker 1>Here in the States, the word hip hop is just

0:14:21.120 --> 0:14:22.760
<v Speaker 1>it's wrapped music. By the way, I think it's the

0:14:22.800 --> 0:14:24.600
<v Speaker 1>most hip hop as conversation we ever had on the

0:14:24.640 --> 0:14:32.040
<v Speaker 1>show right now. So here's the thing. Okay, when we

0:14:32.200 --> 0:14:34.680
<v Speaker 1>live it, I think we take it for granted, especially

0:14:34.760 --> 0:14:37.920
<v Speaker 1>when it comes from people like us, and when people

0:14:38.080 --> 0:14:42.120
<v Speaker 1>outside got a lot of corny ship to live through,

0:14:42.280 --> 0:14:45.200
<v Speaker 1>Like you know, I don't think they go through the

0:14:45.280 --> 0:14:49.440
<v Speaker 1>same kind of pain. They embrace and they do the theatrical.

0:14:49.480 --> 0:14:51.720
<v Speaker 1>I think it's more theatrical. Like it's even like with

0:14:52.040 --> 0:14:54.640
<v Speaker 1>with dudes who who who spit rise when never shot

0:14:54.680 --> 0:14:56.880
<v Speaker 1>a gun and they're talking about shooting guns or never

0:14:56.960 --> 0:15:02.080
<v Speaker 1>been in a real beef, it's theatrical, like you know,

0:15:02.240 --> 0:15:03.960
<v Speaker 1>for me, I know what it's like to be shot

0:15:04.000 --> 0:15:06.240
<v Speaker 1>at and to pull a trigger, and I'm not trying

0:15:06.280 --> 0:15:10.040
<v Speaker 1>to celebrate that ship. You know. So with a lot

0:15:10.120 --> 0:15:12.720
<v Speaker 1>of people, they think it's just like theatrics they're trying

0:15:12.760 --> 0:15:15.720
<v Speaker 1>to put on this persona because they think it's so cool.

0:15:15.800 --> 0:15:18.040
<v Speaker 1>But it's like, yo, my dude, Like, if you're gonna

0:15:18.080 --> 0:15:19.600
<v Speaker 1>if you're gonna go out there and you're gonna dance

0:15:19.600 --> 0:15:21.360
<v Speaker 1>and you're gonna try to look like a hard rop,

0:15:22.160 --> 0:15:24.680
<v Speaker 1>you know you ain't really being you because you didn't

0:15:24.680 --> 0:15:28.840
<v Speaker 1>you didn't have to live defending yourself worried about being

0:15:28.920 --> 0:15:31.920
<v Speaker 1>fighting people every week. But that part was confusing to

0:15:32.040 --> 0:15:35.040
<v Speaker 1>me growing up, Ceing B. Street. I was scared of you.

0:15:36.400 --> 0:15:38.120
<v Speaker 1>We were a while back. No, no, no, I'm talking

0:15:38.120 --> 0:15:40.920
<v Speaker 1>about literally because the way you approached the lead like Lee,

0:15:41.120 --> 0:15:43.000
<v Speaker 1>I related to Lee, and then the way you were

0:15:43.000 --> 0:15:44.440
<v Speaker 1>just looking at him. I was like, this, dude, right,

0:15:44.440 --> 0:15:47.920
<v Speaker 1>here's gonna hurt somebody like it looked like it looked

0:15:47.920 --> 0:15:51.000
<v Speaker 1>like how can you not? Like obviously, I'm young, I'm

0:15:51.040 --> 0:15:56.400
<v Speaker 1>looking at the time, and to me, be Boying was

0:15:56.640 --> 0:16:00.280
<v Speaker 1>gangster like, I mean, wasn't it made to diffuse real? No? No,

0:16:00.480 --> 0:16:03.800
<v Speaker 1>that's some bullshit that New York City Breakers made up. Okay,

0:16:05.000 --> 0:16:07.880
<v Speaker 1>that's yeah. So they sent the ball Masters that they

0:16:07.880 --> 0:16:15.960
<v Speaker 1>were a gamn killing me bro. So the thing is

0:16:16.520 --> 0:16:19.040
<v Speaker 1>they did they did that that show that that's incredible,

0:16:19.760 --> 0:16:22.040
<v Speaker 1>And I think Michael Holman was kind of like steering

0:16:22.080 --> 0:16:24.720
<v Speaker 1>the narrative when they when they were talking. I'm guessing

0:16:24.800 --> 0:16:28.680
<v Speaker 1>I could be wrong, but um, look the dudes that

0:16:28.960 --> 0:16:32.880
<v Speaker 1>that that put me in rock Steady. They were straight

0:16:32.960 --> 0:16:35.760
<v Speaker 1>up stick up kids. And one of them, you know,

0:16:35.840 --> 0:16:38.360
<v Speaker 1>he's doing a life bed and his name rings bells

0:16:38.400 --> 0:16:41.680
<v Speaker 1>in the system, you know, and um, but they were

0:16:41.760 --> 0:16:44.640
<v Speaker 1>notorious and the Bronx, he's kind of dudes that when

0:16:44.720 --> 0:16:47.000
<v Speaker 1>they were rolling up to a jam and co course

0:16:47.080 --> 0:16:49.800
<v Speaker 1>sees the man whoever sees them, they're like, yo, what's

0:16:49.800 --> 0:16:52.480
<v Speaker 1>something like? They're giving them that love. So shout out

0:16:52.520 --> 0:16:55.080
<v Speaker 1>to Jimmy d and Jimmy Lee. You know. So those

0:16:55.120 --> 0:16:59.440
<v Speaker 1>are the creators of Yeah, yeah, I got that my

0:16:59.560 --> 0:17:02.280
<v Speaker 1>notes too. But they were they were notorious. I wanted

0:17:02.320 --> 0:17:05.240
<v Speaker 1>from one of the third Yeah, and uh, they used

0:17:05.240 --> 0:17:08.359
<v Speaker 1>to hang around one eighty third and Davidson Cresting Crest.

0:17:10.040 --> 0:17:12.400
<v Speaker 1>If you went to one eighty third and Cresting back

0:17:12.480 --> 0:17:16.800
<v Speaker 1>in this late seventies, you were a stick up kid, talented,

0:17:17.359 --> 0:17:22.000
<v Speaker 1>connected or stupid because you you know, you're not going

0:17:22.080 --> 0:17:25.680
<v Speaker 1>there and leaving without getting stuck up. It's like when

0:17:25.680 --> 0:17:27.600
<v Speaker 1>you went to the disco Fever. You went to the

0:17:27.680 --> 0:17:30.160
<v Speaker 1>disco Fever. It ain't like you know, I know, everyone

0:17:30.200 --> 0:17:31.760
<v Speaker 1>talks about how great it was in there in the

0:17:31.880 --> 0:17:34.800
<v Speaker 1>secret room behind the curtain where everyone's syniphon coke. But

0:17:35.160 --> 0:17:38.359
<v Speaker 1>in order to get through that block, you're literally putting

0:17:38.400 --> 0:17:40.720
<v Speaker 1>yourself on the line getting stuck up. And thankfully I

0:17:40.880 --> 0:17:43.080
<v Speaker 1>never got stuck up, but I went up in there.

0:17:43.320 --> 0:17:46.480
<v Speaker 1>You know, makes a noise. You never get stuck up. Yeah,

0:17:47.160 --> 0:17:49.240
<v Speaker 1>I mean even we was always we wants to do

0:17:49.359 --> 0:17:52.560
<v Speaker 1>it stick ups, right, because that's that's that's what I'm

0:17:52.600 --> 0:17:56.000
<v Speaker 1>watching the documentary. And you kept you kept h reiterated,

0:17:56.000 --> 0:17:57.520
<v Speaker 1>and that you lived a double life like you got

0:17:57.560 --> 0:17:59.879
<v Speaker 1>after the double life. One on one hand, you got

0:18:00.080 --> 0:18:02.760
<v Speaker 1>would do a letterman, do a movie, do uh you

0:18:02.840 --> 0:18:05.600
<v Speaker 1>know this? And and then or the other half actually

0:18:05.680 --> 0:18:07.679
<v Speaker 1>stick it up. I think they said that you filmed

0:18:08.520 --> 0:18:11.000
<v Speaker 1>a scene and since you park like at the same

0:18:11.080 --> 0:18:12.800
<v Speaker 1>place we used to stick people. Yeah, we did an

0:18:12.800 --> 0:18:16.000
<v Speaker 1>anti we did an anti drug commercial with Curtis blow

0:18:16.880 --> 0:18:25.560
<v Speaker 1>waight up high. I didn't know that that's what it

0:18:25.720 --> 0:18:29.879
<v Speaker 1>was you did an anti drug commercial high yeah, in

0:18:29.960 --> 0:18:32.399
<v Speaker 1>the same place you used to roll people. And it

0:18:32.560 --> 0:18:35.359
<v Speaker 1>was it was directed by the dude from the Chicago

0:18:35.520 --> 0:18:39.680
<v Speaker 1>seven what's his name? They did the commercial the film

0:18:39.760 --> 0:18:44.159
<v Speaker 1>on him god legendary leader of the Chicago Seven at

0:18:44.320 --> 0:18:48.959
<v Speaker 1>point for rights, right, But yeah, so yeah we did.

0:18:49.119 --> 0:18:54.960
<v Speaker 1>I mean uh and uh beach Beach Street ant scene yea,

0:18:55.320 --> 0:18:59.440
<v Speaker 1>most of us. I took up the battle scene on

0:18:59.600 --> 0:19:04.960
<v Speaker 1>the rock that was the roxy I thought was, oh no,

0:19:05.080 --> 0:19:08.280
<v Speaker 1>that's a different one. But in the club scene, okay, again,

0:19:08.440 --> 0:19:11.680
<v Speaker 1>most of us were like on acid. That's why I can't.

0:19:11.680 --> 0:19:14.040
<v Speaker 1>I don't know why I can't image y'all that because

0:19:14.119 --> 0:19:16.480
<v Speaker 1>everyone thinks because we did. I just didn't know. I

0:19:16.520 --> 0:19:19.040
<v Speaker 1>think a different drug of anity. But it's cool, man,

0:19:20.760 --> 0:19:23.560
<v Speaker 1>bro y'all must have been tripping crack them. But but

0:19:23.680 --> 0:19:26.080
<v Speaker 1>the was the paper assid right, because they got different

0:19:28.600 --> 0:19:32.280
<v Speaker 1>they got different ass Now you understand, like I'm just

0:19:32.359 --> 0:19:35.720
<v Speaker 1>walking around us. Back then, we didn't brag about dirt.

0:19:36.280 --> 0:19:38.960
<v Speaker 1>There was no sense thing as like snitching on yourself

0:19:39.080 --> 0:19:41.879
<v Speaker 1>like it is now on records, right, you know, so

0:19:42.040 --> 0:19:44.640
<v Speaker 1>you didn't do that. You just you did your dirt

0:19:44.720 --> 0:19:49.880
<v Speaker 1>and you shut up. You take shit to the grave, Like, yeah,

0:19:50.040 --> 0:19:52.480
<v Speaker 1>I'm definitely taking a lot of ship. I'm not gonna

0:19:52.480 --> 0:19:55.000
<v Speaker 1>lie to when y'all, when y'all, when I see when

0:19:55.040 --> 0:19:58.040
<v Speaker 1>I see in the top of your Japanese risk, you

0:19:58.080 --> 0:20:01.040
<v Speaker 1>gonna take all doing let's do it. Let's do it.

0:20:01.119 --> 0:20:03.240
<v Speaker 1>So I'm so, but I'm not gonna lie to you.

0:20:04.480 --> 0:20:07.920
<v Speaker 1>There's nobody in the world that could have convinced me

0:20:08.000 --> 0:20:10.760
<v Speaker 1>that that wasn't real. Like when y'all walked by each

0:20:10.800 --> 0:20:13.440
<v Speaker 1>other like this this, I kid you not like I

0:20:13.520 --> 0:20:17.720
<v Speaker 1>didn't know what cinematography was like, I didn't know you

0:20:17.760 --> 0:20:20.080
<v Speaker 1>felt like it was like a documentary reality. By the way,

0:20:20.119 --> 0:20:22.200
<v Speaker 1>I know for a fact that was y'all. Ray Joel,

0:20:22.440 --> 0:20:27.159
<v Speaker 1>I know that that dog. Yeah, I know that. I

0:20:27.240 --> 0:20:31.040
<v Speaker 1>know that now from knowing. But but back then me

0:20:31.240 --> 0:20:34.040
<v Speaker 1>looking at that scene, I could not tell you. I

0:20:34.119 --> 0:20:36.000
<v Speaker 1>could not tell you if y'all was acting. You know,

0:20:36.080 --> 0:20:39.280
<v Speaker 1>here's a funny thing. We wore well, I think most

0:20:39.280 --> 0:20:41.000
<v Speaker 1>of us wore most of our own gear. I think

0:20:41.040 --> 0:20:42.800
<v Speaker 1>your seat breakers kind of wore a lot of the

0:20:43.320 --> 0:20:46.399
<v Speaker 1>Puma stuff because they were like the main group in

0:20:46.480 --> 0:20:49.880
<v Speaker 1>the in the film. Right, But uh, yeah, I mean,

0:20:52.359 --> 0:20:53.800
<v Speaker 1>you know, we have to show up, but I don't shit.

0:20:54.119 --> 0:20:55.240
<v Speaker 1>You know, a lot of a lot of shit that

0:20:55.320 --> 0:20:57.680
<v Speaker 1>they were putting out was corny, So we weren't trying

0:20:57.680 --> 0:21:00.520
<v Speaker 1>to look like yeah, and thankfully we didn't end up

0:21:00.560 --> 0:21:02.800
<v Speaker 1>looking like the Breaking movies where they're wearing fluorescent clothing

0:21:02.880 --> 0:21:04.800
<v Speaker 1>and all that other stuff. It was that, you know,

0:21:04.840 --> 0:21:06.680
<v Speaker 1>you couldn't walk through that like that in the hood

0:21:07.400 --> 0:21:09.480
<v Speaker 1>unless you were like a Madonna fan female. You know,

0:21:10.680 --> 0:21:15.200
<v Speaker 1>I wasn't ready. And one of the things that I

0:21:15.760 --> 0:21:18.520
<v Speaker 1>hear you frequently say is you said it was kind

0:21:18.560 --> 0:21:21.080
<v Speaker 1>of kind of stop battating at one point because these

0:21:21.119 --> 0:21:24.600
<v Speaker 1>guys were actually using your moves and using it against you.

0:21:24.960 --> 0:21:28.440
<v Speaker 1>How how could that feel? At first? So my dude,

0:21:28.760 --> 0:21:30.840
<v Speaker 1>Jerry Fonton, as I was talking to him one day,

0:21:30.840 --> 0:21:32.560
<v Speaker 1>he was like, Yo, rock steady for the nineties, rock

0:21:32.600 --> 0:21:34.560
<v Speaker 1>steady for the nineties, and and you know, I was

0:21:34.560 --> 0:21:36.560
<v Speaker 1>always thinking, like, Yo, what are we gonna do battle

0:21:36.600 --> 0:21:39.280
<v Speaker 1>people who are doing my all moves against us? But

0:21:39.640 --> 0:21:41.399
<v Speaker 1>and I was kind of upset with that. But then

0:21:41.440 --> 0:21:43.680
<v Speaker 1>he was like, yo, my dude, like you gotta look

0:21:43.720 --> 0:21:45.919
<v Speaker 1>at it like this. You created something that people are

0:21:45.960 --> 0:21:48.600
<v Speaker 1>doing around the world, right and in the hood were

0:21:48.600 --> 0:21:50.719
<v Speaker 1>thinking like, yo, you're biting my ship, like yo, what's up?

0:21:51.480 --> 0:21:53.840
<v Speaker 1>And I instead of being flattered by it, yeah, I

0:21:53.880 --> 0:21:55.480
<v Speaker 1>didn't know how to be flattered by it yet. And

0:21:55.560 --> 0:21:57.440
<v Speaker 1>then at that point I was like, all right, cool.

0:21:57.760 --> 0:22:01.120
<v Speaker 1>But in the Bronx we had way more advanced moves

0:22:01.160 --> 0:22:03.440
<v Speaker 1>than other people in other boroughs. So and I was

0:22:03.480 --> 0:22:05.879
<v Speaker 1>going to use other burrows and they saw me do

0:22:05.960 --> 0:22:09.240
<v Speaker 1>what I was doing. They were definitely stealing. I don't

0:22:09.280 --> 0:22:11.080
<v Speaker 1>want to say my ship because there was other people

0:22:11.119 --> 0:22:13.359
<v Speaker 1>before me, and I don't I never want to like

0:22:13.480 --> 0:22:15.919
<v Speaker 1>take credit away from them. But they took a lot

0:22:15.960 --> 0:22:18.320
<v Speaker 1>of the Bronx style. And then you know, some people

0:22:18.400 --> 0:22:20.960
<v Speaker 1>got it, some people didn't. But you don't get to

0:22:21.040 --> 0:22:23.560
<v Speaker 1>be number one without some whack motherfuckers around. Of course,

0:22:23.760 --> 0:22:26.720
<v Speaker 1>you know you gotta beat some people flattery, let's say,

0:22:27.560 --> 0:22:32.440
<v Speaker 1>flattery lemitation. But like you know, to ask like a

0:22:32.520 --> 0:22:35.800
<v Speaker 1>cliche question like big Biggie Small said, did you ever

0:22:35.880 --> 0:22:38.720
<v Speaker 1>thought that this would go this far? Like like the culture,

0:22:39.240 --> 0:22:43.560
<v Speaker 1>like this commercialization? Because remember at one point being commercial

0:22:43.760 --> 0:22:47.639
<v Speaker 1>was whack like if you like almost almost let me

0:22:47.720 --> 0:22:50.600
<v Speaker 1>let me let me reiterate that. Not when we started, though,

0:22:51.119 --> 0:22:53.639
<v Speaker 1>it wasn't considered whack that Okay, put us on because

0:22:53.720 --> 0:22:56.840
<v Speaker 1>there was no industry for us. There was only opportunity.

0:22:57.359 --> 0:23:01.200
<v Speaker 1>And bro look, my first show that I got paid,

0:23:01.560 --> 0:23:03.719
<v Speaker 1>I got paid well nine. The second show I got

0:23:03.800 --> 0:23:08.119
<v Speaker 1>paid anything substantial, I got paid fifty dollars, right, and

0:23:08.280 --> 0:23:10.200
<v Speaker 1>it was that that show at the Grille. And when

0:23:10.240 --> 0:23:13.240
<v Speaker 1>I got that fifty dollars, you know, I grew up poor, right,

0:23:13.320 --> 0:23:15.359
<v Speaker 1>so like like by the time I was eighteen, I

0:23:15.480 --> 0:23:19.679
<v Speaker 1>had ten different home addresses and so when I had

0:23:19.760 --> 0:23:21.920
<v Speaker 1>that fifty dollars and I was able to go from

0:23:22.080 --> 0:23:24.880
<v Speaker 1>my school across the street to the diner and get

0:23:24.960 --> 0:23:27.560
<v Speaker 1>my own meal for the first time in my life. Wow,

0:23:28.280 --> 0:23:32.640
<v Speaker 1>that you know, growing up in poverty, domestic violence, dysfunction,

0:23:32.760 --> 0:23:35.080
<v Speaker 1>all that shit. That ship was everything to me. And

0:23:35.160 --> 0:23:37.600
<v Speaker 1>not only that, it was the like, uh all up

0:23:37.640 --> 0:23:39.200
<v Speaker 1>to all my people from the Bronx, but it was

0:23:39.280 --> 0:23:41.720
<v Speaker 1>considered the burnt down bron Yeah, yeah, the boogie down

0:23:41.760 --> 0:23:43.919
<v Speaker 1>bron I'm man, Frosty Freeze always used to call us,

0:23:44.119 --> 0:23:45.959
<v Speaker 1>call us the boogie down and burn bron burned down

0:23:46.000 --> 0:23:49.880
<v Speaker 1>the Bronx. Right, you know this, there's nice. The last

0:23:49.920 --> 0:23:52.680
<v Speaker 1>time you've been in the Bronx. I've went around. There's

0:23:52.720 --> 0:23:55.159
<v Speaker 1>like a there's like a park. It's so beautiful. I'm like,

0:23:55.240 --> 0:23:57.119
<v Speaker 1>oh my god, I forget where it's at. It's like not,

0:23:57.640 --> 0:24:01.920
<v Speaker 1>uh is it? Man? I looked. I was like, they're

0:24:01.960 --> 0:24:05.680
<v Speaker 1>fooling people. This is still but but I didn't think

0:24:05.720 --> 0:24:10.520
<v Speaker 1>the Bronx would be gentified. It's stubborn, right, It's definitely stubborn.

0:24:10.560 --> 0:24:14.320
<v Speaker 1>It's it's probably like one of the slowest moving paces

0:24:14.359 --> 0:24:17.720
<v Speaker 1>out of any gentrification in the world. Right, and you

0:24:17.800 --> 0:24:19.359
<v Speaker 1>live in Puerto Rico. Now I have a place in

0:24:19.400 --> 0:24:21.879
<v Speaker 1>Puerto Rico, and I also stay have my place. Okay,

0:24:21.920 --> 0:24:28.560
<v Speaker 1>all right, my back. You know what's crazy. I've recently

0:24:30.119 --> 0:24:34.080
<v Speaker 1>um because I had too much sponsibilities in Puerto Rico

0:24:34.119 --> 0:24:36.560
<v Speaker 1>at one point, like just just being out there trying

0:24:36.560 --> 0:24:39.119
<v Speaker 1>to make the music and just but I recently just

0:24:39.200 --> 0:24:40.639
<v Speaker 1>went out there and I fell back in love with

0:24:40.680 --> 0:24:44.240
<v Speaker 1>Puerto Rico like this as soon as you and what

0:24:44.440 --> 0:24:47.400
<v Speaker 1>was going on with the Puerto Rico Relief that the initiative,

0:24:47.800 --> 0:24:52.600
<v Speaker 1>you're yeah, oh oh wow, it's crazy because there's certain

0:24:52.680 --> 0:24:55.960
<v Speaker 1>things I can't talk about that because we found loopholes

0:24:56.440 --> 0:25:01.640
<v Speaker 1>in terms of how to get supplies legally into into

0:25:01.680 --> 0:25:07.000
<v Speaker 1>Puerto Rico legally, but you know, the system would change

0:25:07.040 --> 0:25:09.160
<v Speaker 1>if we if I talked about it, and they probably

0:25:09.200 --> 0:25:11.119
<v Speaker 1>put a block. There's a lot of political roadblocks to

0:25:11.160 --> 0:25:13.960
<v Speaker 1>get This is bullshit. It's all about money. But you know,

0:25:14.280 --> 0:25:16.800
<v Speaker 1>I've always felt like, number one, if I felt like,

0:25:16.840 --> 0:25:18.440
<v Speaker 1>if I was going to contribute to any kind of

0:25:18.600 --> 0:25:23.639
<v Speaker 1>tax environment, I'd rather buy something in Puerto Rico. Started

0:25:23.640 --> 0:25:26.560
<v Speaker 1>with that, I ended up realizing that, Okay, well there's

0:25:26.560 --> 0:25:31.360
<v Speaker 1>a lot of dysfunction within Puerto Rican history because of colonization,

0:25:32.080 --> 0:25:33.880
<v Speaker 1>and if there's something that I could do to help

0:25:33.960 --> 0:25:36.600
<v Speaker 1>people move forward, let me do it. But then you

0:25:36.680 --> 0:25:38.920
<v Speaker 1>have it. It's in the line of disasters, you know,

0:25:39.040 --> 0:25:43.359
<v Speaker 1>hurricanes and all that stuff, and you know, growing up

0:25:43.400 --> 0:25:47.080
<v Speaker 1>poor and see my people struggle that that hit me hard.

0:25:47.800 --> 0:25:50.600
<v Speaker 1>So you know, I went down there. Rebull helped me

0:25:50.680 --> 0:25:53.320
<v Speaker 1>out to U going, you know, get a couple of

0:25:53.359 --> 0:25:56.080
<v Speaker 1>private planes of supplies to go down there. I helped

0:25:56.119 --> 0:25:59.159
<v Speaker 1>bringing water, right, Yeah, I did water filtration systems with

0:25:59.640 --> 0:26:02.520
<v Speaker 1>organism Nation called Waste for Water, where we enabled two

0:26:02.600 --> 0:26:06.960
<v Speaker 1>hundred thousand people to have access to turning their water

0:26:07.040 --> 0:26:09.720
<v Speaker 1>into clean water. This is when Trump was stolen them.

0:26:09.960 --> 0:26:12.840
<v Speaker 1>Ye yes, yes, yes. And then you know earthquakes. I

0:26:12.920 --> 0:26:17.040
<v Speaker 1>mean we've we've raised a lot of money, we've uh,

0:26:17.440 --> 0:26:19.600
<v Speaker 1>we had an earthquake tool yeah yeah, that was in

0:26:19.680 --> 0:26:22.439
<v Speaker 1>between Fiona and Maria. Get the funk out of here.

0:26:22.560 --> 0:26:25.200
<v Speaker 1>And that's crazy. Now here's a wild shit. Yeah. So

0:26:25.359 --> 0:26:28.000
<v Speaker 1>when you're going into an earth Japanese whiskey, we will

0:26:28.000 --> 0:26:31.480
<v Speaker 1>see it. I don't know, yeah yeah, hell yeah, yeah, yeah, yea, yeah,

0:26:31.480 --> 0:26:34.200
<v Speaker 1>I'm ready, I'm ready. Yeah yeah. So yeah, and you

0:26:34.560 --> 0:26:37.640
<v Speaker 1>had an earthquake. Yeah, there's an earthquake. And and here's

0:26:37.640 --> 0:26:40.080
<v Speaker 1>a crazy he says, like you could grow up in

0:26:40.119 --> 0:26:44.119
<v Speaker 1>the hood and feel threatened and get something to protect yourself,

0:26:44.560 --> 0:26:46.320
<v Speaker 1>But when you're going into a ground zero of an

0:26:46.359 --> 0:26:50.320
<v Speaker 1>earthquake situation, I don't care how hard you are, what

0:26:50.480 --> 0:26:53.760
<v Speaker 1>you've been through, you have no defense, right, and you

0:26:53.880 --> 0:26:56.040
<v Speaker 1>know you're driving right to ground zero, and you gotta

0:26:56.080 --> 0:26:59.199
<v Speaker 1>make the choice like, all right, well, this is how

0:26:59.280 --> 0:27:02.919
<v Speaker 1>I die. And but the bigger picture is somebody got

0:27:03.040 --> 0:27:05.840
<v Speaker 1>to go there, right, And those are the choices we

0:27:05.920 --> 0:27:08.600
<v Speaker 1>make when we go into disaster areas, Like I could

0:27:08.640 --> 0:27:10.800
<v Speaker 1>die today and I'm okay with that. And you're saying

0:27:10.800 --> 0:27:13.760
<v Speaker 1>Puerto Rico was considered a disaster area at that time. Yeah,

0:27:13.920 --> 0:27:19.360
<v Speaker 1>every time there's aye, so why like you was so resilient,

0:27:20.040 --> 0:27:23.800
<v Speaker 1>this is this is was crazy right, Well it's considered

0:27:23.840 --> 0:27:30.440
<v Speaker 1>American property, colony, colony, colony. Yeah, but we technically Puerto Rico,

0:27:30.560 --> 0:27:35.040
<v Speaker 1>the state technically Puerto Rico is under military rule, meaning

0:27:35.400 --> 0:27:39.280
<v Speaker 1>meaning it was taken by force during the Spanish American

0:27:39.359 --> 0:27:43.359
<v Speaker 1>War right after the Spanish is left like eight days.

0:27:44.520 --> 0:27:49.000
<v Speaker 1>The United States said, is that why Lois is black?

0:27:49.320 --> 0:27:52.000
<v Speaker 1>Black people? To me? And Lois no Puerto Ricos. Puerto

0:27:52.040 --> 0:27:58.080
<v Speaker 1>Ricans were originally black b Yeah that talk. Yeah, I mean,

0:27:58.200 --> 0:28:02.640
<v Speaker 1>you know, you know, dark skin, you know, and it's

0:28:02.720 --> 0:28:04.359
<v Speaker 1>I mean, it's the reason why my hair when my

0:28:04.440 --> 0:28:07.240
<v Speaker 1>hair grows, my hair grows into an affro. No product needed,

0:28:07.440 --> 0:28:11.000
<v Speaker 1>right you know. But that's that's in US. So Um,

0:28:11.560 --> 0:28:13.639
<v Speaker 1>like when even when people talking about the debate of

0:28:13.760 --> 0:28:15.760
<v Speaker 1>like Puerto Ricans and hip hop and all that, you know, No,

0:28:15.840 --> 0:28:18.160
<v Speaker 1>that's what I'm going you know, yeah, yeah, yeah, Joe

0:28:18.760 --> 0:28:25.040
<v Speaker 1>Joe has said, hold on, it's because your motherfuckers some

0:28:25.400 --> 0:28:37.280
<v Speaker 1>crazy best Joe. Um, I'm forty five, Joe is I

0:28:37.400 --> 0:28:39.200
<v Speaker 1>think a couple of years and I think you're like

0:28:39.240 --> 0:28:42.000
<v Speaker 1>ten years fifty seven, fifty seven, okay, so what's that

0:28:43.320 --> 0:28:50.800
<v Speaker 1>Joe's like? So for those that don't know, not only

0:28:50.880 --> 0:28:54.720
<v Speaker 1>were you know, Puerto Ricans involved with the making of

0:28:54.840 --> 0:28:56.960
<v Speaker 1>the music and the throwing of the jams. When it

0:28:57.040 --> 0:28:59.360
<v Speaker 1>comes to how people and there's a couple of Latinos,

0:28:59.360 --> 0:29:02.200
<v Speaker 1>there might have been some too in every element of

0:29:02.320 --> 0:29:08.560
<v Speaker 1>hip hop, like because you know it's fucked up, Just

0:29:08.720 --> 0:29:13.560
<v Speaker 1>go for it, bro, because I kids nowadays think hip

0:29:13.600 --> 0:29:17.600
<v Speaker 1>hop started with Biggie and Tupop And what's fucked up

0:29:17.720 --> 0:29:20.760
<v Speaker 1>is they don't go back in their research, but they'll

0:29:20.840 --> 0:29:23.320
<v Speaker 1>have on a pair of Jordan's where he didn't play

0:29:23.920 --> 0:29:27.200
<v Speaker 1>forty years ago. Right, how the fuck you making money

0:29:27.240 --> 0:29:30.280
<v Speaker 1>off of this? And you don't know your history, but

0:29:30.480 --> 0:29:34.200
<v Speaker 1>you know Jordan's. Jordan didn't give not one of us

0:29:34.280 --> 0:29:37.520
<v Speaker 1>a free pass yet. But this is our mental colonization. Man.

0:29:40.400 --> 0:29:42.840
<v Speaker 1>Do you know when it comes to like people trying

0:29:42.880 --> 0:29:46.120
<v Speaker 1>to figure out the history or the anniversary date of

0:29:46.240 --> 0:29:50.120
<v Speaker 1>hip hop, which is man suspect right that that date

0:29:50.280 --> 0:29:55.480
<v Speaker 1>the year's suspect. It's like Christmas, Like nobody ready Christmas. Yeah,

0:29:55.720 --> 0:29:58.560
<v Speaker 1>it's exactly like that. And the thing is that people

0:29:58.600 --> 0:30:03.680
<v Speaker 1>have gotten so comfortable with a narrative or the romanticizing

0:30:03.720 --> 0:30:08.200
<v Speaker 1>of a particular story or perspective that they're taking that

0:30:08.320 --> 0:30:11.880
<v Speaker 1>as absolute. But there's enough data out there to cross

0:30:11.960 --> 0:30:18.520
<v Speaker 1>reference and be like, well, geographically time, it's just impossible

0:30:18.600 --> 0:30:21.080
<v Speaker 1>for certain things that have happened. And if you're looking

0:30:21.160 --> 0:30:23.880
<v Speaker 1>at a flyer and then another person in that same

0:30:23.920 --> 0:30:26.400
<v Speaker 1>flyer that says I didn't even know him that year?

0:30:26.440 --> 0:30:27.920
<v Speaker 1>How am I? How am I on this flyer? This

0:30:27.960 --> 0:30:35.200
<v Speaker 1>flyer's fake. So there's doctored flyers to to make up

0:30:35.240 --> 0:30:38.840
<v Speaker 1>the history of him. I'm gonna say it right now. Fuck, yeah, yeah,

0:30:39.000 --> 0:30:42.600
<v Speaker 1>there is. But I do understand that we have to

0:30:42.680 --> 0:30:45.160
<v Speaker 1>come to a consensus where it's like, all right, well,

0:30:46.760 --> 0:30:49.280
<v Speaker 1>we got to celebrate something at some point, but but

0:30:49.400 --> 0:30:52.560
<v Speaker 1>it just shouldn't be based off of a comfortable lie.

0:30:53.600 --> 0:30:55.720
<v Speaker 1>Because if you're looking at all the archives that are

0:30:55.760 --> 0:31:00.600
<v Speaker 1>being acquired by Cornell, Harvard, all these places, is when

0:31:00.640 --> 0:31:03.680
<v Speaker 1>they start cross referencing, they're gonna be like, oh, that's

0:31:03.680 --> 0:31:06.080
<v Speaker 1>a lie. That's a lie. This person lived here at

0:31:06.120 --> 0:31:08.240
<v Speaker 1>this point, he went to that school and all sort

0:31:08.240 --> 0:31:10.560
<v Speaker 1>of stuff. And then even on the Puerto Rican and

0:31:10.680 --> 0:31:13.080
<v Speaker 1>black things. It's like if you're looking at Disco Mario,

0:31:13.280 --> 0:31:15.800
<v Speaker 1>this guy texts Hollywood I believe his name is, and

0:31:15.920 --> 0:31:19.920
<v Speaker 1>cou Hirk being those absolute first DJs. Look, if you

0:31:20.000 --> 0:31:23.160
<v Speaker 1>were back down back then, no one would know you're Latino,

0:31:23.200 --> 0:31:24.880
<v Speaker 1>and there would be no reason for them to know

0:31:24.960 --> 0:31:28.719
<v Speaker 1>you're Latino because we just lived amongst each other. Your problems,

0:31:28.880 --> 0:31:30.920
<v Speaker 1>my problem. When we get pulled by the costs, we're

0:31:30.920 --> 0:31:33.440
<v Speaker 1>getting pulled together in the bronx. So it doesn't matter

0:31:33.520 --> 0:31:36.400
<v Speaker 1>whether you're black, Puerto Rican, or whatever. So for you,

0:31:36.720 --> 0:31:39.080
<v Speaker 1>your background is what I'm black and Puerto Rican. Okay,

0:31:39.400 --> 0:31:42.240
<v Speaker 1>So never had no need to say that back then,

0:31:44.720 --> 0:31:48.520
<v Speaker 1>Disco King Mario black and Puerto Rican text Hollywood, Puerto Rican.

0:31:48.880 --> 0:31:51.680
<v Speaker 1>But they look like you. And that's the thing that

0:31:51.760 --> 0:31:54.080
<v Speaker 1>a lot of people who grow up in areas that

0:31:54.160 --> 0:31:57.680
<v Speaker 1>are segregated don't understand. In New York, we're to stacked

0:31:57.760 --> 0:32:00.440
<v Speaker 1>up on each other. We lock arms with each other.

0:32:00.840 --> 0:32:04.160
<v Speaker 1>You know you're protesting. I protesting with you, and a

0:32:04.240 --> 0:32:07.280
<v Speaker 1>lot of places aren't unified community. I heard you say

0:32:07.400 --> 0:32:11.200
<v Speaker 1>something real, real important. You said if you was to

0:32:11.280 --> 0:32:14.479
<v Speaker 1>take away I think you said Porter weekends. So if

0:32:14.480 --> 0:32:17.080
<v Speaker 1>you take away Porter weekends in hip hop. If you

0:32:17.160 --> 0:32:22.640
<v Speaker 1>take away Joe Conso's photos that's in hip hop, the

0:32:22.760 --> 0:32:25.480
<v Speaker 1>whole story of hip hop becomes very difficult to tell

0:32:25.600 --> 0:32:28.720
<v Speaker 1>because he's the first one, and he's from within the

0:32:28.840 --> 0:32:32.040
<v Speaker 1>hip hop community to actually document what he was doing,

0:32:32.400 --> 0:32:34.600
<v Speaker 1>you know, with just the environment. And he was a

0:32:34.680 --> 0:32:37.360
<v Speaker 1>little chubby kid. I didn't even know him back then,

0:32:37.440 --> 0:32:39.840
<v Speaker 1>but he just picked up a camera and started documenting.

0:32:40.240 --> 0:32:44.120
<v Speaker 1>If you removed all of Joe Conso's photos, everything that

0:32:44.200 --> 0:32:47.920
<v Speaker 1>we look at as iconic photos from the seventies, they'd

0:32:47.960 --> 0:32:51.000
<v Speaker 1>be all gone because there's no one else. I think

0:32:51.040 --> 0:32:54.959
<v Speaker 1>the reason why people even dispute this debate is because

0:32:55.400 --> 0:33:01.760
<v Speaker 1>because they're stupid, because look, they're the young, stupid divisionists

0:33:02.160 --> 0:33:06.160
<v Speaker 1>or don't come from our area and don't understand how

0:33:06.640 --> 0:33:10.040
<v Speaker 1>black and Latinos in New York we fucking rolled different.

0:33:10.240 --> 0:33:14.320
<v Speaker 1>Yeah we were not. I'm sorry, like to me, to

0:33:14.400 --> 0:33:16.560
<v Speaker 1>my brothers, I don't give a fuck, Like we've never

0:33:16.640 --> 0:33:19.720
<v Speaker 1>had to have this discussion, right because it's like, Yo,

0:33:20.120 --> 0:33:22.280
<v Speaker 1>your beef is my beef. Let's go. But you can

0:33:22.360 --> 0:33:26.760
<v Speaker 1>see how like a person from uh like East Los Angeles, Yeah,

0:33:26.760 --> 0:33:31.479
<v Speaker 1>because they're they're so segregated, segregated and there, and then

0:33:31.520 --> 0:33:33.840
<v Speaker 1>it's like places like Chicago as well, like where it's

0:33:34.000 --> 0:33:37.960
<v Speaker 1>nothing but porter. Yeah, but still still it's still segregated.

0:33:38.000 --> 0:33:40.520
<v Speaker 1>Like when I go to you know why I got

0:33:40.560 --> 0:33:43.240
<v Speaker 1>the flag. Yeah yeah, yeah, yeah, yeah, yeah yeah. I

0:33:43.400 --> 0:33:46.360
<v Speaker 1>love to go there. But I always remember, like some

0:33:46.520 --> 0:33:48.680
<v Speaker 1>of my black friends don't like it, like they'd be like,

0:33:48.800 --> 0:33:51.640
<v Speaker 1>oh yeah, but even in the hotel, even those segregated

0:33:51.680 --> 0:33:53.760
<v Speaker 1>areas will tell you that historically hip hop was the

0:33:53.800 --> 0:33:56.800
<v Speaker 1>thing to bring everybody together. Yes, okay, even in those areas,

0:33:57.160 --> 0:33:59.840
<v Speaker 1>it was still happening, right yeah, and you know, um

0:34:01.680 --> 0:34:03.400
<v Speaker 1>when you're looking at it, like look, I went along

0:34:03.480 --> 0:34:05.840
<v Speaker 1>in the nineties when I started to move around again.

0:34:06.360 --> 0:34:08.600
<v Speaker 1>I went to San Diego and there was a sister

0:34:08.680 --> 0:34:11.239
<v Speaker 1>in the gas stage something like yeah, give me whatever,

0:34:11.360 --> 0:34:14.480
<v Speaker 1>I'm pump whatever. And she looks at me like, where

0:34:14.480 --> 0:34:16.560
<v Speaker 1>are you from? And I'm like, she mean where I'm from?

0:34:17.360 --> 0:34:19.399
<v Speaker 1>Because she could smell the New York on you. Yeah, yeah,

0:34:19.440 --> 0:34:23.440
<v Speaker 1>I said, I'm from New York. She goes because you

0:34:23.480 --> 0:34:27.560
<v Speaker 1>don't sound like no Mexican. Yeah, I mean that's what

0:34:29.800 --> 0:34:34.080
<v Speaker 1>that's gonna She goes, you black. I'm like, I got

0:34:34.160 --> 0:34:36.120
<v Speaker 1>that in me. But you know, Puerto Rican and we

0:34:36.280 --> 0:34:38.560
<v Speaker 1>mixed like that. You know what a Puerto Rican was

0:34:38.680 --> 0:34:42.440
<v Speaker 1>or this? No she didn't know what putocan. Yeah, no, kid,

0:34:42.480 --> 0:34:45.680
<v Speaker 1>you not. If you pass passed Virginia sometimes it changes.

0:34:45.920 --> 0:34:48.239
<v Speaker 1>It's still Latinos, but it changes to a different type

0:34:48.280 --> 0:34:51.120
<v Speaker 1>of that. Yeah, of course, yes. And you know this,

0:34:51.320 --> 0:34:54.480
<v Speaker 1>it's crazy. You know, Dominican is everywhere. Yeah. Yeah. I

0:34:54.600 --> 0:34:58.080
<v Speaker 1>was in Switzerland and they had a fucking Dominican restaurant.

0:34:58.280 --> 0:35:05.160
<v Speaker 1>I said, the price was crazy anywhere, bro, I don't

0:35:05.200 --> 0:35:10.160
<v Speaker 1>even think anybody in Dominican the Dominican restaurant. And you know,

0:35:10.200 --> 0:35:12.080
<v Speaker 1>I want to be fine forget because I wanted to

0:35:12.200 --> 0:35:15.080
<v Speaker 1>just shout out. This is organization UM called the Elijah

0:35:15.160 --> 0:35:18.439
<v Speaker 1>Project in Rhode Island and it's black and Latino owned,

0:35:18.480 --> 0:35:21.280
<v Speaker 1>and you know, we're starting a huge initiative in Puerto

0:35:21.360 --> 0:35:25.120
<v Speaker 1>Rico as well as areas in the United States where

0:35:25.160 --> 0:35:28.280
<v Speaker 1>we're going to really reach out to people in different

0:35:28.280 --> 0:35:32.320
<v Speaker 1>communities of need and deliver furniture, appliances, all kinds of

0:35:32.400 --> 0:35:35.520
<v Speaker 1>stuff and also have a nice partnership with Amazon where

0:35:36.000 --> 0:35:38.560
<v Speaker 1>they're giving me budgets to find to source out people

0:35:38.640 --> 0:35:42.640
<v Speaker 1>in desperate need as a result of disasters, and we're

0:35:42.680 --> 0:35:47.000
<v Speaker 1>just you know, no politics, no religion involved, just humanity,

0:35:47.160 --> 0:35:49.360
<v Speaker 1>like just helping people someways helping you just want to

0:35:49.360 --> 0:35:53.960
<v Speaker 1>give them some love. Oh yeah, flowers. Well it's crazy.

0:35:54.280 --> 0:35:56.000
<v Speaker 1>We want you to know. Our show was about giving

0:35:56.040 --> 0:35:59.160
<v Speaker 1>people they flowers. I had so much fun researching and

0:35:59.320 --> 0:36:02.120
<v Speaker 1>you know, into your life and we wanted to personally,

0:36:02.239 --> 0:36:04.960
<v Speaker 1>face to face, give you your flowers because you're deserve it.

0:36:05.080 --> 0:36:15.319
<v Speaker 1>Oh there, you go right over the beds. But let

0:36:15.360 --> 0:36:17.480
<v Speaker 1>me give you something then. Okay, cool, let's go. I

0:36:17.560 --> 0:36:20.640
<v Speaker 1>got something right here. I'm throwing my glasses because of

0:36:20.760 --> 0:36:24.120
<v Speaker 1>old So my man Mayor one thirty nine, who's here.

0:36:24.160 --> 0:36:27.160
<v Speaker 1>He was also in Star Wars. Okay, wow, hell yeah

0:36:28.680 --> 0:36:31.200
<v Speaker 1>he is. He's the one actually the person who designed

0:36:31.280 --> 0:36:34.799
<v Speaker 1>the BT Award as a yeah, we haven't gotten it yet,

0:36:34.840 --> 0:36:38.360
<v Speaker 1>which we we wanted. We didn't get it. I can

0:36:38.440 --> 0:36:40.480
<v Speaker 1>open it right, hopefully this pops off right. This is

0:36:40.480 --> 0:36:44.840
<v Speaker 1>a little present for the show. Anything anything boys to

0:36:44.960 --> 0:36:49.160
<v Speaker 1>represent be boys and Vegas to make sure there's always

0:36:49.239 --> 0:36:52.520
<v Speaker 1>some B boy Vegan representation. And if you can tell

0:36:52.560 --> 0:36:55.440
<v Speaker 1>me what I'm missing over what am I doing? You

0:36:55.480 --> 0:36:59.879
<v Speaker 1>can come over here. If you want, yeah, please please, Yeah,

0:37:00.000 --> 0:37:04.840
<v Speaker 1>it's something that's supposed to jump off with. But this

0:37:05.120 --> 0:37:13.600
<v Speaker 1>is the authenticity of it. Wow, I believe that's your

0:37:13.719 --> 0:37:23.880
<v Speaker 1>music for your show. Sorry? Oh shit, Oh that right

0:37:23.960 --> 0:37:28.839
<v Speaker 1>on the table. Yea, that is amazing. Make sure wind

0:37:28.960 --> 0:37:36.640
<v Speaker 1>up like another award. Yeah. No. Diversity of the culture

0:37:36.680 --> 0:37:43.719
<v Speaker 1>in the language. Absolutely, Yes, he's an original too, thank you, brother.

0:37:43.920 --> 0:37:45.600
<v Speaker 1>He was probably into hip I don't know if he

0:37:45.680 --> 0:37:48.279
<v Speaker 1>was into hip hop before me, but maybe around at

0:37:48.280 --> 0:37:50.840
<v Speaker 1>the same time. Now that we didn't even call it

0:37:50.960 --> 0:37:53.719
<v Speaker 1>hip hop until like eighty two, and a lot of

0:37:53.719 --> 0:37:55.759
<v Speaker 1>people don't understand when you get into that. Yeah, so

0:37:56.640 --> 0:37:59.279
<v Speaker 1>in eighty two, So how is hip hop fifty then?

0:38:01.000 --> 0:38:05.480
<v Speaker 1>Because you're saying it's blitz? Is it? It's fifty because

0:38:06.120 --> 0:38:09.799
<v Speaker 1>you know, some of the elders don't want to stir

0:38:09.960 --> 0:38:13.080
<v Speaker 1>the waters, and I get it. But in fifty years

0:38:13.120 --> 0:38:16.319
<v Speaker 1>from now, when we're all dead, some person's gonna cross

0:38:16.719 --> 0:38:19.560
<v Speaker 1>cross reference and be like, this is wrong, this is

0:38:19.600 --> 0:38:22.399
<v Speaker 1>all So you're so you're saying hip hop eighty two,

0:38:22.480 --> 0:38:24.120
<v Speaker 1>So what you put it? I'm put it this way.

0:38:24.360 --> 0:38:26.520
<v Speaker 1>The people on that that first flyer and a lot

0:38:26.560 --> 0:38:28.360
<v Speaker 1>of people are gonna be really upset with me for this.

0:38:29.080 --> 0:38:31.320
<v Speaker 1>There are certain people on that flyer who said I

0:38:31.400 --> 0:38:33.799
<v Speaker 1>didn't even know cou Hirk on that day. I didn't

0:38:33.800 --> 0:38:36.360
<v Speaker 1>meet cool Hirk until two years later. And that flyer

0:38:36.480 --> 0:38:41.160
<v Speaker 1>only showed up ten years ago. And what fly is this?

0:38:41.280 --> 0:38:43.600
<v Speaker 1>So the famous flyers posted they're supposed to be the

0:38:43.680 --> 0:38:47.719
<v Speaker 1>first jam Now, now whose name is on this? Yam? DJ?

0:38:47.880 --> 0:38:51.680
<v Speaker 1>Clark Kent, the original Clark Kent, Tommy something. I forgot

0:38:51.719 --> 0:38:56.200
<v Speaker 1>his name, um cool Hurk. But Clark Kent didn't know

0:38:56.280 --> 0:38:58.600
<v Speaker 1>cou Hirk until two years later. Based on what he said,

0:38:58.920 --> 0:39:02.040
<v Speaker 1>he had him twenty five And there's a whole bunch

0:39:02.080 --> 0:39:03.399
<v Speaker 1>of stuff like you know, a lot of people think

0:39:03.440 --> 0:39:08.520
<v Speaker 1>cool her started breakbeats. No it was a dude name stop.

0:39:08.760 --> 0:39:10.480
<v Speaker 1>No no, no, no no no. But here's the thing,

0:39:11.160 --> 0:39:14.440
<v Speaker 1>I'll get to the good ship. A guy named John Brown,

0:39:14.719 --> 0:39:16.640
<v Speaker 1>that's his name. He's DJ at a club and cou

0:39:16.760 --> 0:39:18.840
<v Speaker 1>Hirk went there. And I have coul Hirk's first interview,

0:39:19.239 --> 0:39:22.000
<v Speaker 1>so I got the data, I got the receipts. So

0:39:22.600 --> 0:39:24.440
<v Speaker 1>in there he says he saw this dude named John

0:39:24.480 --> 0:39:27.000
<v Speaker 1>Brown spending at this club in the Bronx and then

0:39:27.160 --> 0:39:30.000
<v Speaker 1>he was inspired. Now the thing is that, yeah, he

0:39:30.680 --> 0:39:34.719
<v Speaker 1>inspired HERK, but HERK inspired the other people who really

0:39:34.920 --> 0:39:39.239
<v Speaker 1>elevated and evolved everything into a different lane. So I

0:39:39.560 --> 0:39:42.239
<v Speaker 1>would never take anything away from cool Hirk's contribution, but

0:39:42.320 --> 0:39:45.879
<v Speaker 1>I'm not gonna embellish it. And even without the embellishment,

0:39:46.200 --> 0:39:49.200
<v Speaker 1>he's still creaming a crop when it comes to the music.

0:39:49.360 --> 0:39:51.600
<v Speaker 1>So because that's the one thing I feel like everyone

0:39:52.440 --> 0:39:55.160
<v Speaker 1>hip hop kind of agrees with that Cool Hirk is

0:39:55.360 --> 0:39:57.759
<v Speaker 1>the father. But he wasn't call the father of hip

0:39:57.840 --> 0:40:00.840
<v Speaker 1>hop until Bambia told everyone to stop calling himself the

0:40:00.880 --> 0:40:03.319
<v Speaker 1>father of hip hop. He told people, yo, don't call

0:40:03.400 --> 0:40:06.240
<v Speaker 1>him Bamba, right, every we all used to call Bamboo

0:40:06.320 --> 0:40:09.080
<v Speaker 1>father of hip hop? But why is that? Because Bamboo

0:40:09.120 --> 0:40:10.880
<v Speaker 1>is the one who corralled the streets of hoods and

0:40:11.120 --> 0:40:13.120
<v Speaker 1>the black maids and bringing out all the well I

0:40:13.200 --> 0:40:15.360
<v Speaker 1>mean just in terms of like you know, if you

0:40:15.560 --> 0:40:18.600
<v Speaker 1>if you threw a Zoom Nation jam, you'll see co

0:40:18.719 --> 0:40:21.160
<v Speaker 1>Chris performing. You see Treacherous three, so sonic for us.

0:40:21.400 --> 0:40:24.399
<v Speaker 1>So band was bringing everyone together. Band you know, also

0:40:24.640 --> 0:40:26.920
<v Speaker 1>celebrated the b boys and the graffiti, like he made

0:40:26.960 --> 0:40:30.759
<v Speaker 1>the elements come together to become he cold, He didn't

0:40:30.920 --> 0:40:35.040
<v Speaker 1>curate it like that. But everything was treated as one family,

0:40:35.719 --> 0:40:39.520
<v Speaker 1>you know. And in the early nineties, band was like, yo, stop,

0:40:39.640 --> 0:40:41.040
<v Speaker 1>you know, don't call me the father of hip hop.

0:40:41.080 --> 0:40:45.120
<v Speaker 1>But he was inspired by Herk as a DJ, so

0:40:45.760 --> 0:40:48.840
<v Speaker 1>he was because he was inspired by herc. He wanted

0:40:48.840 --> 0:40:52.120
<v Speaker 1>to give her Herk the ultimate hip hop thing, which

0:40:52.200 --> 0:40:54.560
<v Speaker 1>is not fair because if you start taking a part

0:40:54.680 --> 0:40:57.440
<v Speaker 1>the elements graffiti DJ and breaking him seeing okay, who

0:40:57.560 --> 0:40:59.879
<v Speaker 1>is his peers in each one that I'm gonna say

0:40:59.880 --> 0:41:02.360
<v Speaker 1>the exact same thing about him being a father of

0:41:02.480 --> 0:41:07.920
<v Speaker 1>every element. It's not gonna happen. It's impossible. But I

0:41:07.960 --> 0:41:10.759
<v Speaker 1>feel like we're talking about Socrates. Yeah yeah, no, I

0:41:10.880 --> 0:41:13.840
<v Speaker 1>mean sense are no. And the thing is is that

0:41:14.600 --> 0:41:18.040
<v Speaker 1>when you're looking at people like um Graham, mass of Chas,

0:41:18.160 --> 0:41:21.640
<v Speaker 1>Mellie mel Uh and different writers like Lee Kenyona's Future

0:41:21.680 --> 0:41:26.200
<v Speaker 1>or two thousand Uh Phase two, those dudes are like

0:41:26.320 --> 0:41:29.400
<v Speaker 1>the coup hurts of their own element of hop. Right,

0:41:29.880 --> 0:41:32.040
<v Speaker 1>So when you say ko Hirk is the father of

0:41:32.200 --> 0:41:35.319
<v Speaker 1>hip hop, that diminishes the role of every leader from

0:41:35.400 --> 0:41:37.880
<v Speaker 1>every other element of hip hop. But no one ever,

0:41:38.000 --> 0:41:39.719
<v Speaker 1>I've never already heard no one else say what you

0:41:39.800 --> 0:41:42.279
<v Speaker 1>just said, just now, because they're saying this because I

0:41:42.400 --> 0:41:46.560
<v Speaker 1>talked shit, you know, you know, honestly you're saying they're

0:41:46.560 --> 0:41:48.440
<v Speaker 1>saying it, but they're not saying they know it. I loove.

0:41:49.840 --> 0:41:52.040
<v Speaker 1>I went to a meeting and I'm not gonna throw

0:41:52.040 --> 0:41:54.279
<v Speaker 1>any names out because I love my brothers, man, But

0:41:54.360 --> 0:41:55.800
<v Speaker 1>I went to a meeting where we were going to

0:41:55.800 --> 0:42:02.080
<v Speaker 1>address cook That's okay, another drink, but I'm still a leader, right.

0:42:03.239 --> 0:42:05.520
<v Speaker 1>So there was a meeting where someone was sent to

0:42:05.920 --> 0:42:10.080
<v Speaker 1>as cool Hirk's representative, and the question got to the

0:42:10.239 --> 0:42:15.480
<v Speaker 1>point where, okay, the cool HRK create hip hop and

0:42:15.640 --> 0:42:19.520
<v Speaker 1>this is someone that's cool Hirks peered and he was like, no,

0:42:21.160 --> 0:42:23.160
<v Speaker 1>but am I going to say that in public? No?

0:42:23.960 --> 0:42:27.440
<v Speaker 1>And then he rightfully said, because y'all motherfucker's other ones

0:42:27.440 --> 0:42:30.560
<v Speaker 1>who started calling him the father, you know, but we

0:42:30.640 --> 0:42:33.640
<v Speaker 1>were told that by Banbada, so we didn't know better,

0:42:34.280 --> 0:42:37.960
<v Speaker 1>you know. And even with that, it still doesn't take

0:42:38.040 --> 0:42:45.080
<v Speaker 1>down cool Hirk and his influence, his impact on the

0:42:45.200 --> 0:42:48.040
<v Speaker 1>community that he served. You know. It's just that there

0:42:48.080 --> 0:42:50.480
<v Speaker 1>are more pieces to the puzzle. Look, I could easily

0:42:50.560 --> 0:42:53.080
<v Speaker 1>sit here and say yo, I save breaking two times,

0:42:54.000 --> 0:42:57.120
<v Speaker 1>you know, but how can I do that without competition?

0:42:58.040 --> 0:43:00.719
<v Speaker 1>Who who my battle ain't to have saved it? Who's

0:43:00.800 --> 0:43:03.040
<v Speaker 1>number Who's the number one record? You know, there's no

0:43:03.160 --> 0:43:07.120
<v Speaker 1>number two. So I gotta give credit to New York

0:43:07.120 --> 0:43:10.480
<v Speaker 1>City Breakers and Dynamic Rockers and all the crews that

0:43:10.880 --> 0:43:13.600
<v Speaker 1>that I came up with, like from the Bronx Rockwell Association,

0:43:13.680 --> 0:43:16.920
<v Speaker 1>the Bronx Boys, start Child of Rock, all these crews

0:43:16.960 --> 0:43:20.439
<v Speaker 1>that will never get the attention because they never moved

0:43:20.520 --> 0:43:23.759
<v Speaker 1>forward after that point. But I'm still going to recognize them.

0:43:24.080 --> 0:43:25.799
<v Speaker 1>Let's get some clarity on what you're saying, because you're

0:43:25.800 --> 0:43:28.400
<v Speaker 1>saying herk for the music, So are you saying that

0:43:28.560 --> 0:43:33.640
<v Speaker 1>before that? Obviously the graffiti artist and the dancers, that

0:43:33.840 --> 0:43:36.640
<v Speaker 1>was already happening. It was. I would say it was

0:43:36.680 --> 0:43:40.160
<v Speaker 1>a genesis because because people say that Kirk came from Jamaica, yep,

0:43:40.320 --> 0:43:42.640
<v Speaker 1>and he was that's like kind of how bringing the

0:43:42.680 --> 0:43:48.040
<v Speaker 1>turntables together. That's a nice story. Oh my god. You know,

0:43:48.760 --> 0:43:53.440
<v Speaker 1>if you're talking, if you're talking, if you're talking sound

0:43:53.560 --> 0:43:56.560
<v Speaker 1>systems and where he comes from and that coming from there? Yes,

0:43:56.840 --> 0:43:59.480
<v Speaker 1>But was that already in New York? Which I've seen

0:43:59.520 --> 0:44:01.440
<v Speaker 1>this argument a lot, a lot, so I'll give you

0:44:01.520 --> 0:44:05.000
<v Speaker 1>the doubt. There's a dude name Coup dj D who

0:44:05.080 --> 0:44:07.600
<v Speaker 1>was already in the parks. Coo dj D was getting

0:44:07.760 --> 0:44:11.000
<v Speaker 1>a new sound system. He sold his old sound system

0:44:11.040 --> 0:44:14.080
<v Speaker 1>to Cool Hirk. That's when Coo Hurk came into the parks.

0:44:14.560 --> 0:44:16.600
<v Speaker 1>The sound system that Ku Hirk talks about, what that

0:44:16.640 --> 0:44:19.040
<v Speaker 1>he got from his father was a house system. That's

0:44:19.040 --> 0:44:21.680
<v Speaker 1>why he could do the community centers. You couldn't bring

0:44:21.800 --> 0:44:23.960
<v Speaker 1>that system out into the parks. It's gonna be like

0:44:24.040 --> 0:44:28.840
<v Speaker 1>bringing a little box, right. So Coo dj D was

0:44:28.920 --> 0:44:31.680
<v Speaker 1>that dude who he was already in parks. Mario was

0:44:31.680 --> 0:44:33.319
<v Speaker 1>in the parks. There was a lot of people who

0:44:33.360 --> 0:44:36.399
<v Speaker 1>in the parks, some people doing disco, and it wasn't

0:44:36.480 --> 0:44:39.000
<v Speaker 1>as I would say, curated in terms of music the

0:44:39.080 --> 0:44:41.960
<v Speaker 1>way Coo Hirk did. Because Coo Hirk is the one

0:44:42.000 --> 0:44:46.719
<v Speaker 1>who curated that hip hop sound without a doubt and

0:44:46.920 --> 0:44:49.799
<v Speaker 1>you and that, but not specific to the breaks. You're saying, yes,

0:44:51.160 --> 0:44:53.319
<v Speaker 1>but the way the party was being done from Cool

0:44:53.360 --> 0:44:57.080
<v Speaker 1>Hirk's perspective on changed it. But his inspiration came from

0:44:57.160 --> 0:45:00.239
<v Speaker 1>this different people and his sound system came from someone

0:45:00.280 --> 0:45:02.239
<v Speaker 1>else as well, So that meant that he wasn't the

0:45:02.280 --> 0:45:04.800
<v Speaker 1>first in the parks, right, But even with that, he

0:45:04.840 --> 0:45:09.360
<v Speaker 1>doesn't he was still the first major influence on the

0:45:09.520 --> 0:45:13.960
<v Speaker 1>larger body of people, and that is fucking amazing, right.

0:45:14.080 --> 0:45:17.640
<v Speaker 1>And I can have my differences with the timelines and

0:45:17.840 --> 0:45:21.400
<v Speaker 1>inconsistent stories, but I will never take away his flowers

0:45:21.880 --> 0:45:26.839
<v Speaker 1>because he deserves those. They just don't need to be embellished. Yeah,

0:45:27.600 --> 0:45:31.560
<v Speaker 1>I didn't mean to bring you guys down. It's it's

0:45:31.680 --> 0:45:34.440
<v Speaker 1>it's like, I believe that's the first time I heard that.

0:45:34.880 --> 0:45:36.919
<v Speaker 1>It's the first time for me as well, like even

0:45:37.000 --> 0:45:39.400
<v Speaker 1>if I did hear except the part of the of

0:45:39.480 --> 0:45:42.040
<v Speaker 1>the turntables, because I feel like the same way that

0:45:42.120 --> 0:45:45.920
<v Speaker 1>people have been trying to take away the Puerto Rican

0:45:46.000 --> 0:45:47.920
<v Speaker 1>Latino side of it, they've also been trying to take

0:45:47.920 --> 0:45:50.680
<v Speaker 1>away the Jamaican influence on it. So I feel like

0:45:50.760 --> 0:45:53.799
<v Speaker 1>there's that argument going on. But here's the thing. I don't.

0:45:53.840 --> 0:45:56.560
<v Speaker 1>I don't and I wasn't. I wasn't there a couple

0:45:56.600 --> 0:45:58.680
<v Speaker 1>of years before I started, So I don't know if

0:45:58.760 --> 0:46:00.919
<v Speaker 1>Cool Herk was playing Jamaican music, but the only person

0:46:01.000 --> 0:46:04.080
<v Speaker 1>I knew that was playing reggae was Bambada. He was

0:46:04.200 --> 0:46:08.040
<v Speaker 1>playing Yellow Man Guy I can't even think of all

0:46:08.120 --> 0:46:11.000
<v Speaker 1>other artists right now, but Bambada was the one who

0:46:11.120 --> 0:46:15.520
<v Speaker 1>turned us on in hip hop to what would be

0:46:15.560 --> 0:46:22.160
<v Speaker 1>considered rock steady, you know that style of reggae. Holy shit, man,

0:46:23.040 --> 0:46:25.520
<v Speaker 1>I mean the tapes are there, you can hear them,

0:46:25.760 --> 0:46:27.680
<v Speaker 1>and that's that's and that's the good thing is that

0:46:27.760 --> 0:46:31.719
<v Speaker 1>these tapes exist. Thankfully. Tape Master the rest in peace.

0:46:31.760 --> 0:46:35.360
<v Speaker 1>He just passed away. And that's another brother. We wouldn't

0:46:35.400 --> 0:46:40.080
<v Speaker 1>have those musical references if tape Master wasn't making those

0:46:40.080 --> 0:46:43.080
<v Speaker 1>tapes back then. Did DJs do that sometimes? Yeah? But

0:46:43.440 --> 0:46:46.840
<v Speaker 1>if there was a first industry hip hop music industry,

0:46:47.320 --> 0:46:50.680
<v Speaker 1>tape Master was the dude. He was the first, I

0:46:50.680 --> 0:46:54.959
<v Speaker 1>would say, mixed tape king. Yeah, absolutely, so. I would

0:46:54.960 --> 0:46:57.840
<v Speaker 1>you say that in your day you would battle to

0:46:57.920 --> 0:47:01.239
<v Speaker 1>get your name, But then now it's like in order

0:47:01.280 --> 0:47:04.960
<v Speaker 1>for a person to secure their name, they don't battle. No, no,

0:47:05.040 --> 0:47:08.360
<v Speaker 1>no no. What I said was in order back in

0:47:08.440 --> 0:47:10.840
<v Speaker 1>the days. And if you you had to battle to

0:47:10.960 --> 0:47:14.480
<v Speaker 1>protect your rep. Oh okay, these days people avoid battles

0:47:14.520 --> 0:47:17.920
<v Speaker 1>to protect their rep right right? Why? Yeah, I don't know.

0:47:18.040 --> 0:47:20.040
<v Speaker 1>Like for me, if I heard you was like the

0:47:20.200 --> 0:47:22.960
<v Speaker 1>boy whoever and you live like twenty blocks away, I'm

0:47:23.000 --> 0:47:25.960
<v Speaker 1>like fourteen, I'm rolling up on your block, like, yo,

0:47:26.040 --> 0:47:27.840
<v Speaker 1>you e a fen I don't know what you look like.

0:47:31.400 --> 0:47:33.920
<v Speaker 1>You break, you want to battle, we battle right there

0:47:33.960 --> 0:47:35.800
<v Speaker 1>in the concrete, or we go find a hallway and

0:47:35.920 --> 0:47:38.120
<v Speaker 1>something like that. But that's what it was. I mean,

0:47:38.239 --> 0:47:40.920
<v Speaker 1>everyone put their reps on the line. I mean, look

0:47:41.040 --> 0:47:42.800
<v Speaker 1>look at if you look at this dude, Gabriel was

0:47:42.840 --> 0:47:48.520
<v Speaker 1>out on the boxer. Okay, his his warrior status in

0:47:48.600 --> 0:47:52.480
<v Speaker 1>the game, even when he doesn't win. I mean, he's

0:47:52.520 --> 0:47:55.680
<v Speaker 1>still held in high regards, right because he's a fucking warrior.

0:47:55.760 --> 0:47:58.439
<v Speaker 1>He puts his name on the line, and even after

0:47:58.520 --> 0:48:01.640
<v Speaker 1>he fights, his name is very well protected no matter

0:48:01.760 --> 0:48:04.920
<v Speaker 1>what the outcome, right. And that's where the hip hop

0:48:05.040 --> 0:48:08.640
<v Speaker 1>was built off of. Man, it's all we had, bro.

0:48:09.239 --> 0:48:11.839
<v Speaker 1>We were poor, you know. The only thing you had

0:48:11.960 --> 0:48:13.960
<v Speaker 1>was just like, you know, some props, you know, maybe

0:48:14.120 --> 0:48:16.400
<v Speaker 1>met some girls something like that, and that was it,

0:48:17.560 --> 0:48:21.719
<v Speaker 1>Jesus what it was. It was. The money came from

0:48:21.800 --> 0:48:27.279
<v Speaker 1>stick ups. It was It's a street culture from the game,

0:48:28.200 --> 0:48:32.640
<v Speaker 1>drug dealers with with like backyard right. No, no, no, no,

0:48:32.760 --> 0:48:35.480
<v Speaker 1>we no, we didn't do it like that. Um It

0:48:35.640 --> 0:48:38.360
<v Speaker 1>was just like I like coming here, Like I was

0:48:38.440 --> 0:48:40.279
<v Speaker 1>like the main dude in the streets anything like that.

0:48:40.840 --> 0:48:43.600
<v Speaker 1>You know, we you dance, you practice, you get hungry.

0:48:43.800 --> 0:48:44.960
<v Speaker 1>They said, you like you was the only way to

0:48:45.560 --> 0:48:47.440
<v Speaker 1>jail a little bit. Everyone else with the jail, and

0:48:47.520 --> 0:48:49.800
<v Speaker 1>he was like the only one that, like, should I

0:48:50.040 --> 0:48:54.640
<v Speaker 1>have been in jail? Yeah, multiple times, but I don't talk,

0:48:55.640 --> 0:48:59.479
<v Speaker 1>and that's just it. Like I beat a case where

0:48:59.719 --> 0:49:01.640
<v Speaker 1>I was ready to take the charge, you know, I

0:49:02.480 --> 0:49:05.520
<v Speaker 1>told my man just stand back, I'm taking everything, and

0:49:05.760 --> 0:49:10.800
<v Speaker 1>I beat the case. So you know, I bullshitted my

0:49:10.840 --> 0:49:16.560
<v Speaker 1>way through that too, So hold on saying no more,

0:49:16.880 --> 0:49:19.000
<v Speaker 1>oh no, no, no, I got one more quick time.

0:49:20.440 --> 0:49:25.600
<v Speaker 1>Oh yeah, So you invented the wooden mill, but yeah,

0:49:25.640 --> 0:49:28.440
<v Speaker 1>you originally called it the backspen the continue uh no.

0:49:28.680 --> 0:49:31.640
<v Speaker 1>So there's two versions. There's just the backspen where you

0:49:31.680 --> 0:49:34.600
<v Speaker 1>spend really fast, okay, which I called the whip back spin,

0:49:34.880 --> 0:49:37.719
<v Speaker 1>and then the windmill, which was originally called the continuous

0:49:37.760 --> 0:49:40.400
<v Speaker 1>back spin with the over legs. Yes, okay. Yeah, So

0:49:40.560 --> 0:49:42.640
<v Speaker 1>that was all I did that on like Qatona Avenue,

0:49:42.760 --> 0:49:46.080
<v Speaker 1>Toronto and in a hallway just you was trying not

0:49:46.200 --> 0:49:48.040
<v Speaker 1>to fall or something. I was trying not to hit me.

0:49:48.320 --> 0:49:53.440
<v Speaker 1>You know, those two doorways, slim hallways, tenement buildings. It's amazing,

0:49:53.760 --> 0:49:58.400
<v Speaker 1>and I wanted I overrotated, and uh, I just was

0:49:58.520 --> 0:50:00.359
<v Speaker 1>trying not to, you know, for the fast, I try

0:50:00.440 --> 0:50:02.719
<v Speaker 1>not to hit the walls with my feet. So I

0:50:02.840 --> 0:50:06.800
<v Speaker 1>bawled up and sent tripical force with me around and

0:50:07.040 --> 0:50:09.600
<v Speaker 1>I started spending real fast. And I did that when

0:50:09.600 --> 0:50:13.960
<v Speaker 1>I was maybe thirteen and and and that was what

0:50:14.320 --> 0:50:16.319
<v Speaker 1>we called the backs. That was, yeah, the backs been,

0:50:16.400 --> 0:50:18.680
<v Speaker 1>the whipp backs been because your leg whips around and

0:50:18.800 --> 0:50:21.319
<v Speaker 1>forces you to spend fast. So when did it become

0:50:21.400 --> 0:50:25.200
<v Speaker 1>the member the windmill? Probably around maybe within that same year.

0:50:26.200 --> 0:50:28.680
<v Speaker 1>I actually called it the continuous, but since we were

0:50:28.920 --> 0:50:31.800
<v Speaker 1>after a while, we were already traveling years later, and

0:50:31.840 --> 0:50:34.160
<v Speaker 1>people didn't know the names of these moves because more

0:50:34.200 --> 0:50:37.640
<v Speaker 1>people were starting to break again, So names changed because

0:50:37.680 --> 0:50:40.040
<v Speaker 1>people don't know. When I hanging out with every crew,

0:50:40.440 --> 0:50:42.680
<v Speaker 1>we only hung out with our own crew, And at

0:50:42.760 --> 0:50:46.360
<v Speaker 1>that point I had I was rock steady crews like

0:50:46.400 --> 0:50:48.960
<v Speaker 1>five hundred deep, but it was stick up with kids,

0:50:49.040 --> 0:50:55.120
<v Speaker 1>DJ's b boys, DJ's MC's hangout crew writers, all that stuff.

0:50:55.400 --> 0:50:57.680
<v Speaker 1>We rolled thick man, do you realize that that's a

0:50:57.760 --> 0:51:00.759
<v Speaker 1>writer of passage. Like if anybody is a dancer, if

0:51:00.800 --> 0:51:05.800
<v Speaker 1>anybody really wants to take theirselves real, it's like, I

0:51:05.920 --> 0:51:07.960
<v Speaker 1>think you got to learn I gotta know the rhym

0:51:08.040 --> 0:51:14.440
<v Speaker 1>mail boy Yeah no, no, no no, I'm saying dancing overall,

0:51:14.880 --> 0:51:19.480
<v Speaker 1>b boying, but dancing overall. It's like you have to

0:51:19.560 --> 0:51:25.120
<v Speaker 1>know the windmill, the move, the moonwalk, and it's like

0:51:25.239 --> 0:51:30.480
<v Speaker 1>one other dance. So so how the three dances popping, lock,

0:51:30.560 --> 0:51:33.000
<v Speaker 1>and breaking? You know? Um? And then I mean some

0:51:33.080 --> 0:51:36.040
<v Speaker 1>people in New York's are called electric boogie, which is

0:51:36.320 --> 0:51:39.040
<v Speaker 1>a wrong version of popping locking mix together. It's like

0:51:39.120 --> 0:51:41.560
<v Speaker 1>mixing south Side mad ain't get together. I like it.

0:51:41.880 --> 0:51:44.279
<v Speaker 1>I like people people call it no, but I mean

0:51:44.400 --> 0:51:47.040
<v Speaker 1>mixing the dance steps, which is two different rhythms, two

0:51:47.080 --> 0:51:49.000
<v Speaker 1>different rhythms, So you can't do that. So a lot

0:51:49.000 --> 0:51:51.560
<v Speaker 1>of people don't know the history, don't know that popping

0:51:51.600 --> 0:51:54.720
<v Speaker 1>and locking are two different dances the same way sce

0:51:54.840 --> 0:51:59.440
<v Speaker 1>mambo a popping and locking different thing too. Yeah, so

0:51:59.520 --> 0:52:02.600
<v Speaker 1>once pop was locking, and how did those two relate

0:52:02.680 --> 0:52:07.719
<v Speaker 1>to what you guys were doing? Uh, that's West Coast

0:52:07.800 --> 0:52:10.560
<v Speaker 1>stuff and the robot that's West Coast stuff, right, Yeah,

0:52:10.680 --> 0:52:14.600
<v Speaker 1>robot popping locker. Yeah, that was the electric Boogaloos, and

0:52:14.760 --> 0:52:17.319
<v Speaker 1>the lockers would be one of the ones who are

0:52:17.440 --> 0:52:21.120
<v Speaker 1>on Soul Train. And we on the East Coast used

0:52:21.120 --> 0:52:23.319
<v Speaker 1>to watch Soul Train and a lot of people try

0:52:23.320 --> 0:52:24.880
<v Speaker 1>to show up at the club. A lot of girls

0:52:24.960 --> 0:52:26.759
<v Speaker 1>back then would try to do a lot of the

0:52:26.840 --> 0:52:29.920
<v Speaker 1>moves from Soul Train, just for like like the social

0:52:30.040 --> 0:52:33.400
<v Speaker 1>dance aspect of it, right, you know, it's funny. I

0:52:33.560 --> 0:52:38.360
<v Speaker 1>was watching, right, and because I obviously I'm a little younger,

0:52:38.480 --> 0:52:42.719
<v Speaker 1>so I don't remember ever anybody not ever being a

0:52:43.640 --> 0:52:47.279
<v Speaker 1>breaking on anything but a cardboard. We started that. I

0:52:47.760 --> 0:52:50.360
<v Speaker 1>got I got your story. I got your story. But

0:52:50.920 --> 0:52:54.600
<v Speaker 1>there's a part that I'm watching and you said that

0:52:54.760 --> 0:52:57.000
<v Speaker 1>you were doing it at first on the rubber mats

0:52:57.400 --> 0:52:59.800
<v Speaker 1>under the swing. Yep. So when I was saying that

0:53:00.080 --> 0:53:02.759
<v Speaker 1>on the former, I was like, yo, he just said

0:53:02.800 --> 0:53:04.960
<v Speaker 1>that he started doing this shit on the rubber mats,

0:53:05.520 --> 0:53:08.279
<v Speaker 1>and I'm realized, I'm speaking to my friend from the

0:53:08.360 --> 0:53:10.799
<v Speaker 1>West Coast. He can't relate at all. He's like rubber mats.

0:53:10.840 --> 0:53:13.360
<v Speaker 1>I'm like, you guys never had swings, And he's like

0:53:13.719 --> 0:53:16.440
<v Speaker 1>he was saying I don't know. I didn't know what

0:53:16.520 --> 0:53:19.640
<v Speaker 1>I mean they had said. I mean I was I

0:53:19.719 --> 0:53:22.160
<v Speaker 1>was a kid in too. That's what's funny, Like we

0:53:22.280 --> 0:53:25.440
<v Speaker 1>had the lead. Yeah, I'm listening. I'm listening to a

0:53:25.560 --> 0:53:27.520
<v Speaker 1>West Coast guy. I'm listening to a SOB guy, and

0:53:27.520 --> 0:53:30.520
<v Speaker 1>I'm like, yo, I just heard crazy like say that

0:53:30.600 --> 0:53:32.960
<v Speaker 1>if they wasn't on concrete, the safest thing they was

0:53:33.120 --> 0:53:36.040
<v Speaker 1>to do was on the rubber mats. And both of

0:53:36.120 --> 0:53:39.160
<v Speaker 1>them was like, what rubber mats? And I'm like, you

0:53:39.320 --> 0:53:42.480
<v Speaker 1>didn't have rubber mats? And they're like, by the swings,

0:53:42.640 --> 0:53:44.640
<v Speaker 1>by the park, you didn't have rubber mats. No one,

0:53:44.920 --> 0:53:47.240
<v Speaker 1>this is a New York City thing. I had no idea.

0:53:47.760 --> 0:53:51.040
<v Speaker 1>I thought the whole world had fucking rubber mats. Yeah, so,

0:53:51.880 --> 0:53:55.759
<v Speaker 1>but describe to people because I also heard you say

0:53:55.840 --> 0:53:57.960
<v Speaker 1>that you actually used to do it raw on the

0:53:58.160 --> 0:54:01.040
<v Speaker 1>on on on a seaman. Yeah, we we started breaking

0:54:01.080 --> 0:54:06.360
<v Speaker 1>on concrete definitely. How was we were bloody well, bloody

0:54:06.400 --> 0:54:12.839
<v Speaker 1>b boys lifting all day. Yes, the moons were new

0:54:12.920 --> 0:54:15.680
<v Speaker 1>and not mastered yet we'd have scrapes on a on

0:54:15.760 --> 0:54:18.080
<v Speaker 1>a lower back say that. So, yeah, there was a

0:54:18.120 --> 0:54:20.160
<v Speaker 1>lot of a lot of blood at the beginning of

0:54:20.239 --> 0:54:24.400
<v Speaker 1>breaking Wow, So who could whose idea was like, yo,

0:54:24.520 --> 0:54:27.520
<v Speaker 1>let's go get the cardboard. So I ninety h t

0:54:27.600 --> 0:54:29.920
<v Speaker 1>didn't answer them. In New York, there's a park there

0:54:29.960 --> 0:54:32.400
<v Speaker 1>which is now known as rock Steady, but which is

0:54:32.480 --> 0:54:37.560
<v Speaker 1>brilliant by the way, they fucking went and got cardboard.

0:54:39.560 --> 0:54:40.840
<v Speaker 1>And I don't know who was the first one to

0:54:40.880 --> 0:54:43.560
<v Speaker 1>do it, it's one of my guys. So right next

0:54:43.600 --> 0:54:45.400
<v Speaker 1>to the park there used to be an Appliant store.

0:54:45.960 --> 0:54:48.680
<v Speaker 1>So in between the park and the Applian store is

0:54:48.680 --> 0:54:51.800
<v Speaker 1>an alley where they would put all their trash trash

0:54:51.880 --> 0:54:53.960
<v Speaker 1>far boys, and the next store to that was a

0:54:54.080 --> 0:54:56.320
<v Speaker 1>ninety nine cent store. So we would go there still

0:54:56.719 --> 0:54:59.879
<v Speaker 1>still tape, and then we take climb over the fence

0:55:00.040 --> 0:55:02.719
<v Speaker 1>full cardboard because we wanted to keep our gear fresh.

0:55:03.000 --> 0:55:05.640
<v Speaker 1>Right that's when the carboards from. Yeah. Yeah, it was

0:55:05.920 --> 0:55:09.439
<v Speaker 1>to not fuck up your gear to spend okay, okay, yeah, okay,

0:55:09.560 --> 0:55:11.319
<v Speaker 1>So we wanted to stay fresh. I mean we didn't

0:55:11.320 --> 0:55:13.640
<v Speaker 1>have much clothing to really just jump there, like yeah,

0:55:13.640 --> 0:55:16.560
<v Speaker 1>I got my practice clothes and you know, my hangout clothes.

0:55:16.960 --> 0:55:20.160
<v Speaker 1>So we would just set up and do that and

0:55:20.440 --> 0:55:23.880
<v Speaker 1>I'll send you some images if he needed for the show. Yeah, yeah,

0:55:24.400 --> 0:55:27.560
<v Speaker 1>because I ain't gonna lie like me being from New

0:55:27.640 --> 0:55:30.120
<v Speaker 1>York City, It's like it's a proud moment for us,

0:55:30.160 --> 0:55:32.839
<v Speaker 1>like to see people come together. Like I didn't even

0:55:32.920 --> 0:55:36.000
<v Speaker 1>know what we were doing. Like I would go to

0:55:36.160 --> 0:55:38.680
<v Speaker 1>because you know, from left Rack City, So I would

0:55:38.719 --> 0:55:41.000
<v Speaker 1>go to USA Skating Ring. But I know, you gotta

0:55:41.000 --> 0:55:43.000
<v Speaker 1>I got a story about that. I would go up

0:55:43.040 --> 0:55:46.480
<v Speaker 1>there and it was like I didn't know it was

0:55:46.520 --> 0:55:49.279
<v Speaker 1>a cool club at least at that time. And the

0:55:49.320 --> 0:55:51.440
<v Speaker 1>people who wouldn't be able to get in there to

0:55:51.600 --> 0:55:53.759
<v Speaker 1>go skate in or whatever, they would stay outside with

0:55:53.840 --> 0:55:56.279
<v Speaker 1>the carboys. But these was like the guys like that

0:55:56.360 --> 0:55:59.000
<v Speaker 1>means they didn't have like six dollars or three dollars. Oh,

0:55:59.040 --> 0:56:02.320
<v Speaker 1>they ain't had no juice, you know. Like and I

0:56:02.360 --> 0:56:08.160
<v Speaker 1>would sit out a DJ, so I would, you know,

0:56:08.360 --> 0:56:10.640
<v Speaker 1>go there, and but I didn't know that was like

0:56:10.880 --> 0:56:13.759
<v Speaker 1>a technique. I didn't really know, Like I didn't know,

0:56:13.920 --> 0:56:16.279
<v Speaker 1>like I just would see this and this would be

0:56:16.360 --> 0:56:18.640
<v Speaker 1>something like like I said, I'm forty five years old,

0:56:18.640 --> 0:56:21.120
<v Speaker 1>so hip hop is older than me. I I have

0:56:21.200 --> 0:56:22.800
<v Speaker 1>that in the run. Hip hop is older than me.

0:56:22.840 --> 0:56:25.240
<v Speaker 1>I listened to it in my stroller because I don't remember.

0:56:25.719 --> 0:56:29.680
<v Speaker 1>I can't remember where hip hop didn't exist, right, you're

0:56:29.719 --> 0:56:33.560
<v Speaker 1>old enough to remember the time. Yeah, I. And it's

0:56:33.560 --> 0:56:37.400
<v Speaker 1>funny because like as much as people call me a pioneer,

0:56:38.000 --> 0:56:41.120
<v Speaker 1>like and then people try to separate generation this generation,

0:56:41.239 --> 0:56:44.520
<v Speaker 1>that generation and still don't know the different definition of

0:56:44.600 --> 0:56:48.439
<v Speaker 1>a generation, you know. But yeah, I started seventy seven.

0:56:48.680 --> 0:56:52.520
<v Speaker 1>So if in my in the way I look at history,

0:56:52.520 --> 0:56:55.239
<v Speaker 1>I would say hip hop starting seventy five. Okay, you

0:56:55.320 --> 0:57:03.920
<v Speaker 1>know because most of the people, um, who can what's

0:57:03.960 --> 0:57:08.600
<v Speaker 1>your name? What's the word? Uh? Stories? Most of the

0:57:08.680 --> 0:57:14.200
<v Speaker 1>stories are seventy five, you don't. We just rounded it

0:57:14.280 --> 0:57:16.360
<v Speaker 1>off to the nearest tent. I think so, I think.

0:57:16.480 --> 0:57:19.320
<v Speaker 1>But I think that's still fair. That still hip hop though, yeah, yeah,

0:57:20.080 --> 0:57:24.080
<v Speaker 1>still hip hop. It older, I think it's younger. I

0:57:24.120 --> 0:57:28.080
<v Speaker 1>think it's younger by two years. Yeah, but I'm cool

0:57:28.120 --> 0:57:32.320
<v Speaker 1>with settling. But I'm also understanding that somebody's gonna change

0:57:32.320 --> 0:57:34.040
<v Speaker 1>that ship in the future when we're not around it

0:57:34.600 --> 0:57:38.000
<v Speaker 1>and no emotions are involved, you know, they're just looking

0:57:38.000 --> 0:57:45.720
<v Speaker 1>at times and and data and location and possibilities. But um, yeah,

0:57:45.800 --> 0:57:48.920
<v Speaker 1>So if I started in seventy seven and and when

0:57:48.920 --> 0:57:52.120
<v Speaker 1>people say like, oh, Latinos weren't there, I'm like, all right, well,

0:57:52.440 --> 0:57:54.480
<v Speaker 1>how long did it take to create before we got

0:57:54.560 --> 0:57:57.880
<v Speaker 1>in My brother wasn't first first time I saw breaking

0:57:58.200 --> 0:58:01.440
<v Speaker 1>but DJ Africa Islam I was in seventy six. My

0:58:01.600 --> 0:58:04.680
<v Speaker 1>brother was. My brother was a member of the organization

0:58:04.880 --> 0:58:09.400
<v Speaker 1>which became Zulu Nation. Wow, it's before those mighty Zulu Nation.

0:58:09.680 --> 0:58:11.640
<v Speaker 1>So it's like when they're talking about Latinos were in there,

0:58:11.680 --> 0:58:15.440
<v Speaker 1>I'm like, my brother was a card carrying member of

0:58:15.520 --> 0:58:20.600
<v Speaker 1>the organization. So and then this go Marrio like ko

0:58:20.800 --> 0:58:23.680
<v Speaker 1>hirks peers. If you're talking about those three being the

0:58:23.760 --> 0:58:28.880
<v Speaker 1>main three, two out of three a Latino. I know.

0:58:28.960 --> 0:58:31.080
<v Speaker 1>I think I kind of asked this earlier about why

0:58:31.280 --> 0:58:35.080
<v Speaker 1>you think they're trying to take that. I think they don't.

0:58:35.360 --> 0:58:38.480
<v Speaker 1>I think they don't understand. Like, like, from my perspective,

0:58:39.000 --> 0:58:42.680
<v Speaker 1>everyone in here is my brother, and from a New

0:58:42.760 --> 0:58:44.840
<v Speaker 1>York perspective, that's how we rock. And if you grew

0:58:44.960 --> 0:58:48.560
<v Speaker 1>up in those areas that have you lived in different communities,

0:58:48.960 --> 0:58:51.320
<v Speaker 1>it's going to be different for them. And a lot

0:58:51.320 --> 0:58:53.120
<v Speaker 1>of those different communities that if you have a Latin

0:58:53.160 --> 0:58:55.840
<v Speaker 1>community here and they're that association with the associating with

0:58:55.880 --> 0:58:57.800
<v Speaker 1>anything hip hop. There's probably gonna be a lot of

0:58:57.880 --> 0:59:00.800
<v Speaker 1>Latin music there, you know. But at the same time,

0:59:01.560 --> 0:59:04.040
<v Speaker 1>we have our own struggles within the Latino community because

0:59:04.520 --> 0:59:06.560
<v Speaker 1>if we're not into South Side, if you don't do

0:59:06.640 --> 0:59:09.480
<v Speaker 1>a song and you don't drop Spanish in it, that

0:59:10.560 --> 0:59:12.960
<v Speaker 1>die hard Latino community isn't going to really see you

0:59:13.040 --> 0:59:16.560
<v Speaker 1>as there as anyway, you probably dropped more props for

0:59:16.680 --> 0:59:20.480
<v Speaker 1>dropping Spanish. Well, that was why I left it originally. Yes, yes,

0:59:20.680 --> 0:59:23.600
<v Speaker 1>trust me, I remember. It changed the game, right, it

0:59:23.680 --> 0:59:25.959
<v Speaker 1>changed the game. But I think a lot of people

0:59:26.440 --> 0:59:29.040
<v Speaker 1>have a hard time because when you do look at

0:59:29.080 --> 0:59:32.640
<v Speaker 1>those early images and there are dark skinned brothers there

0:59:33.640 --> 0:59:35.960
<v Speaker 1>and you don't know there Puerto rican Also, because we

0:59:36.040 --> 0:59:39.360
<v Speaker 1>didn't have to talk about it and then then check

0:59:39.440 --> 0:59:41.440
<v Speaker 1>this shit out, then there are people who were Latino

0:59:41.600 --> 0:59:44.600
<v Speaker 1>that didn't know they were Latino. Wow. So Graham makes

0:59:44.600 --> 0:59:47.920
<v Speaker 1>a dst first person to win a Grammy and hip

0:59:48.000 --> 0:59:51.959
<v Speaker 1>hop because of what he did with Herbie Hancock on Rocket.

0:59:53.080 --> 0:59:55.440
<v Speaker 1>He found out three years ago. He calls me up,

0:59:55.480 --> 0:59:57.040
<v Speaker 1>like your legs, we gotta go to Puerto Rico. I'm like,

0:59:57.080 --> 1:00:01.160
<v Speaker 1>what YO found out? I'm a love. My father's from potted,

1:00:01.200 --> 1:00:06.160
<v Speaker 1>Puerto Rico, so that means makes a north from park. Yeah.

1:00:09.520 --> 1:00:11.880
<v Speaker 1>The hard person to win a Grammy and hip hop

1:00:12.080 --> 1:00:14.360
<v Speaker 1>is black and Puerto Rican. Got damn makes nor for me?

1:00:14.440 --> 1:00:18.560
<v Speaker 1>Got damn? I think black. Hold, I'm using the bathroom, crip.

1:00:18.640 --> 1:00:20.960
<v Speaker 1>I can keep going, keep going if you gotta use

1:00:21.000 --> 1:01:24.880
<v Speaker 1>the bathroom, just H'm using to take that's killer baby normally.

1:01:25.000 --> 1:01:27.800
<v Speaker 1>Thank you. That Scotch bourbon Yo. No that No, that's

1:01:27.800 --> 1:01:29.840
<v Speaker 1>some real drinking shit right there. I gotta salute my

1:01:29.920 --> 1:01:31.440
<v Speaker 1>hat to you. All right, are we doing quick time

1:01:31.440 --> 1:01:37.520
<v Speaker 1>of sign? Right? It's a cool shots light? Yeah, I know, yeah, yeah,

1:01:37.680 --> 1:01:40.880
<v Speaker 1>fair warning, fair warning, thanks thankfully, I'm in walking distance. Yeah,

1:01:40.920 --> 1:01:44.120
<v Speaker 1>I rope, yes, all you will. Oh you want to go?

1:01:44.520 --> 1:01:47.880
<v Speaker 1>You go first? All right. I don't know. I don't

1:01:47.920 --> 1:01:51.920
<v Speaker 1>know what you're gonna pick with this one. Oh no, no,

1:01:52.280 --> 1:01:55.800
<v Speaker 1>you're explaining on the rush you're gonna give you. I'm

1:01:55.800 --> 1:02:00.440
<v Speaker 1>worried about the slime part. Two choices, two choices. You

1:02:00.560 --> 1:02:03.800
<v Speaker 1>pick one and nobody drinks. You say both are neither

1:02:03.960 --> 1:02:06.320
<v Speaker 1>and we're drinking. All of us are drinking. That's it.

1:02:06.640 --> 1:02:09.760
<v Speaker 1>So if you politically correct, as you say, neither or both.

1:02:09.840 --> 1:02:11.320
<v Speaker 1>Didn't we drink with you and we drink with you.

1:02:11.320 --> 1:02:12.760
<v Speaker 1>We don't leave you out there by yourself. We drink

1:02:12.800 --> 1:02:14.720
<v Speaker 1>which okay, we walk away fucked up to. Yeah, he's

1:02:14.760 --> 1:02:18.960
<v Speaker 1>saying politically correct and you say both like like for instance,

1:02:19.040 --> 1:02:26.720
<v Speaker 1>right now, fast five Freddy or Ralph McDaniels. Ralph McDaniels. Okay, okay,

1:02:27.120 --> 1:02:28.560
<v Speaker 1>you don't have to give an explanation if you don't

1:02:28.560 --> 1:02:33.600
<v Speaker 1>want to. If you want Ralph McDaniels, Oh man, he's

1:02:37.280 --> 1:02:42.960
<v Speaker 1>we need both. Yeah, Ralph McDaniels. I mean, he's one

1:02:43.000 --> 1:02:44.640
<v Speaker 1>of the nicest guys you're ever gonna meet in a

1:02:44.720 --> 1:02:48.439
<v Speaker 1>hip hop You know, he's a beautiful soul. He he's

1:02:48.480 --> 1:02:51.920
<v Speaker 1>authentic hip hop. Even though his platform has been for

1:02:52.520 --> 1:02:57.960
<v Speaker 1>rap music, he is well aware and supports everything good

1:02:58.040 --> 1:03:01.600
<v Speaker 1>enough for me. You'll have TV raps or video blues

1:03:01.800 --> 1:03:05.160
<v Speaker 1>based on his previous answer, yeah, yeah, video music style.

1:03:07.440 --> 1:03:13.560
<v Speaker 1>It's a Colombian guy that got it. You got you

1:03:13.680 --> 1:03:18.120
<v Speaker 1>got Beach Street or breaking two Beach Street. Okay, all right,

1:03:18.120 --> 1:03:26.200
<v Speaker 1>but we really want to say wild style, old style,

1:03:26.360 --> 1:03:31.880
<v Speaker 1>wild style all day. Really, Yeah, we're explaining, Um, it

1:03:32.040 --> 1:03:35.520
<v Speaker 1>was more, it was authentic, it was authentic and you

1:03:35.600 --> 1:03:40.680
<v Speaker 1>know those storylines of the Oh no, I'm thinking, okay,

1:03:40.880 --> 1:03:43.840
<v Speaker 1>I'm confusing it with breaking my bad. Uh, there's a

1:03:43.920 --> 1:03:48.520
<v Speaker 1>Wild Style. I think that. I think Wild Style is

1:03:48.560 --> 1:03:52.120
<v Speaker 1>the genesis for real hip hop movies, even before Beach

1:03:52.160 --> 1:03:55.680
<v Speaker 1>Street or anything anything else, because everyone Wild Style is

1:03:55.720 --> 1:03:59.919
<v Speaker 1>the first movie to select all of its um cat

1:04:00.040 --> 1:04:04.400
<v Speaker 1>as based on actual legitimacy. In the game, there were

1:04:04.440 --> 1:04:07.400
<v Speaker 1>no record labels involved, so you were in there because

1:04:07.480 --> 1:04:09.240
<v Speaker 1>you were actually dope. And if you were in in there,

1:04:09.280 --> 1:04:12.720
<v Speaker 1>there's probably like some paperwork issues. But everyone there was

1:04:12.800 --> 1:04:15.040
<v Speaker 1>at the top of their game. There was no pen

1:04:15.120 --> 1:04:17.320
<v Speaker 1>It seemed almost like a reality. She was so shot,

1:04:17.440 --> 1:04:19.640
<v Speaker 1>so raw. Yeah, I should have been loving hip Yeah

1:04:19.760 --> 1:04:26.880
<v Speaker 1>you know what I'm saying. Yeah, Jesus eighties or nineties

1:04:26.960 --> 1:04:37.800
<v Speaker 1>hip hop fun. Take a shot. Take a shot. I'll

1:04:37.840 --> 1:04:40.120
<v Speaker 1>tell you why. Okay, go ahead, Well, let's take the

1:04:40.160 --> 1:04:41.760
<v Speaker 1>shot first, and then yeah, yeah it take the shot.

1:04:45.840 --> 1:04:49.760
<v Speaker 1>Oh eighties is my formative years as as a teenager. Right,

1:04:49.880 --> 1:04:52.920
<v Speaker 1>so that's like the soundtrack of your life. That's your

1:04:52.920 --> 1:04:55.760
<v Speaker 1>first girlfriend. You graduated with the junior high school in Manhatan.

1:04:56.240 --> 1:04:58.280
<v Speaker 1>Uh No, I went to Yeah, I went to junior

1:04:58.360 --> 1:05:00.760
<v Speaker 1>high school Manhatan. That's why I got my name A

1:05:00.840 --> 1:05:04.760
<v Speaker 1>girl in wood. She said you got some crazysy too,

1:05:05.680 --> 1:05:08.040
<v Speaker 1>and then that's how she said it, right. Yeah, it

1:05:08.120 --> 1:05:14.480
<v Speaker 1>was like Rosario, So nineties, I've been you for like

1:05:14.520 --> 1:05:16.400
<v Speaker 1>a month, just so you know, I've just been you.

1:05:17.800 --> 1:05:22.600
<v Speaker 1>You're like, yeah, yeah, yeah, I'm goad um. Nineties for me,

1:05:23.560 --> 1:05:25.760
<v Speaker 1>in my mind is like the jazz era of hip hop,

1:05:27.160 --> 1:05:30.440
<v Speaker 1>which is quote unquote the golden era is called well eighties,

1:05:30.520 --> 1:05:32.160
<v Speaker 1>late eighties, it's golden well, I mean I think it's

1:05:32.240 --> 1:05:34.320
<v Speaker 1>late eighties going into mid nineties. Yeah, that would be

1:05:34.360 --> 1:05:36.479
<v Speaker 1>the golden era. I didn't know what you mean by jazz,

1:05:36.840 --> 1:05:39.800
<v Speaker 1>by jazz meaning you had talking all that jazz. No, no, no.

1:05:40.000 --> 1:05:42.040
<v Speaker 1>So when you look at NAS and you look at

1:05:42.160 --> 1:05:46.720
<v Speaker 1>Pete now Pees Little, yeah took Nas, We took on nineties,

1:05:46.760 --> 1:05:51.640
<v Speaker 1>We tooking Tang. Yeah. The production mob d like everything

1:05:52.160 --> 1:05:55.480
<v Speaker 1>and and and the lyrical content, yeah was there was

1:05:55.600 --> 1:05:59.240
<v Speaker 1>so much diversity from you know, from fight the Power

1:05:59.320 --> 1:06:03.160
<v Speaker 1>to fucking to the Daisy Age. You know, so I

1:06:03.320 --> 1:06:06.080
<v Speaker 1>like that diversity there. I felt like hip that was

1:06:08.240 --> 1:06:13.480
<v Speaker 1>hip hop's best voice in terms of diversity. Yeah, nineties,

1:06:13.720 --> 1:06:17.240
<v Speaker 1>nineties fuck the police. Yeah. In terms of style, yeah,

1:06:17.280 --> 1:06:21.600
<v Speaker 1>because you have political you had love every ver. Yeah, right,

1:06:21.600 --> 1:06:23.960
<v Speaker 1>because island out there they told my ship we own point.

1:06:24.000 --> 1:06:26.320
<v Speaker 1>All right, all right, all right, cool, you got the

1:06:26.400 --> 1:06:32.280
<v Speaker 1>next one. MC lighter Queen Latifa take the shot for

1:06:32.320 --> 1:06:35.560
<v Speaker 1>all females across the world yet to pick pick. Trust me,

1:06:35.800 --> 1:06:43.400
<v Speaker 1>we need and we need both both. Ye Okay, I

1:06:43.480 --> 1:06:47.280
<v Speaker 1>would say, are you still picking out of there? Yeah,

1:06:47.320 --> 1:06:54.320
<v Speaker 1>that's a tough I'd rather not pick. You don't have

1:06:54.480 --> 1:06:57.840
<v Speaker 1>you don't have to toss up. Okay, you go for you.

1:06:58.760 --> 1:07:00.680
<v Speaker 1>We drank for you. Yeah, we don't want you to

1:07:00.760 --> 1:07:04.520
<v Speaker 1>do that because they buy both. Call you say what

1:07:04.600 --> 1:07:07.680
<v Speaker 1>the buck? Now, I'm just playing ahead. We're going windmill

1:07:07.800 --> 1:07:12.200
<v Speaker 1>or head spin wind mill. I'm about to get a

1:07:12.200 --> 1:07:15.439
<v Speaker 1>shot for that, because that's all I know. The dude

1:07:15.440 --> 1:07:19.640
<v Speaker 1>that's made the wind mail. I'm using you as bragging, right,

1:07:20.200 --> 1:07:23.000
<v Speaker 1>like anybody ever say, I'm not hip hop like I

1:07:23.240 --> 1:07:27.960
<v Speaker 1>know the nigga that made the wind mail. All right.

1:07:31.080 --> 1:07:33.600
<v Speaker 1>The next one originally was mad. When we were putting

1:07:33.640 --> 1:07:35.440
<v Speaker 1>this in the list, I didn't think they matched up.

1:07:35.640 --> 1:07:37.520
<v Speaker 1>But have you seen the mash up they've been doing

1:07:37.600 --> 1:07:41.280
<v Speaker 1>with these guys? Wu Tang or n Wa Wu Tang.

1:07:41.880 --> 1:07:45.200
<v Speaker 1>They've been mashing up Wu Tang with Nwa with Wu

1:07:45.280 --> 1:07:49.440
<v Speaker 1>Tang beat. Right, it's amazing, but it's crazy because we've

1:07:49.440 --> 1:07:51.240
<v Speaker 1>been asking this question for the past couple of months.

1:07:51.480 --> 1:07:53.400
<v Speaker 1>We make it all happens crazy. Yeah, I'm going to

1:07:53.400 --> 1:07:56.360
<v Speaker 1>Wu Tang all day because it's that. Is that because

1:07:56.520 --> 1:08:00.840
<v Speaker 1>it's the regional thing. Yeah, I'm fucking straight. Right, Yeah,

1:08:01.600 --> 1:08:04.080
<v Speaker 1>I'm gonna tell you. I like Nwa though I really

1:08:04.120 --> 1:08:07.960
<v Speaker 1>appreciate them, But I mean I'm also looking at the

1:08:08.120 --> 1:08:11.600
<v Speaker 1>decades a body of work, right, you know my thing

1:08:11.800 --> 1:08:15.040
<v Speaker 1>is um, I'm also at East Coaster, so I go

1:08:15.440 --> 1:08:20.200
<v Speaker 1>with Wu Tang. But one thing I always give uh

1:08:21.040 --> 1:08:23.440
<v Speaker 1>to in the UA. If you never went to California

1:08:23.520 --> 1:08:28.240
<v Speaker 1>before and you heard that first album, you were, they

1:08:28.400 --> 1:08:31.880
<v Speaker 1>brung you to California because we just didn't know. I mean,

1:08:32.000 --> 1:08:34.200
<v Speaker 1>I'm like again, I'm younger, Like I didn't know. I

1:08:34.320 --> 1:08:40.720
<v Speaker 1>thought California with surfboards. Yeah, yeah, yeah, I didn't know.

1:08:40.840 --> 1:08:47.000
<v Speaker 1>These motherfuckers say your mother, you already had the boy

1:08:47.120 --> 1:08:53.879
<v Speaker 1>came first iced he didn't come out of came up before. Yeah,

1:08:53.880 --> 1:08:57.240
<v Speaker 1>I tell you what. They didn't say that in the movie.

1:08:57.600 --> 1:09:00.680
<v Speaker 1>Check this came out first. I'm not Tea before we

1:09:00.760 --> 1:09:02.960
<v Speaker 1>went up and he was a dancer, wasn't he too? Yes? No,

1:09:03.160 --> 1:09:09.280
<v Speaker 1>but no six you said iced Tea, ice C that's

1:09:09.320 --> 1:09:13.400
<v Speaker 1>what That's what I but he was already talking about Yeah. Yeah,

1:09:13.520 --> 1:09:16.000
<v Speaker 1>that didn't get to me. That got to me. Team

1:09:16.040 --> 1:09:19.240
<v Speaker 1>might have came out too, but I think before Colors, Yes,

1:09:19.400 --> 1:09:23.240
<v Speaker 1>king T, But what's I get? What's the d for you?

1:09:23.560 --> 1:09:27.840
<v Speaker 1>Like for me? Because I now I'm like getting older

1:09:28.360 --> 1:09:31.280
<v Speaker 1>and like I told you, like I told you, I

1:09:31.400 --> 1:09:33.439
<v Speaker 1>must have heard right Because Island first, because when I

1:09:33.560 --> 1:09:36.800
<v Speaker 1>heard straight out of Compton, I thought Compton was a jail.

1:09:37.479 --> 1:09:39.040
<v Speaker 1>So I was like, I don't want to go to

1:09:39.080 --> 1:09:45.519
<v Speaker 1>the young Yeah, and I'm thinking like like how people

1:09:45.560 --> 1:09:47.439
<v Speaker 1>talked about right Because Island at that time, like yeah,

1:09:47.560 --> 1:09:52.400
<v Speaker 1>you know you know what I mean. So but getting

1:09:52.400 --> 1:09:54.320
<v Speaker 1>back to my point, Yes, I did hear Iced Tea.

1:09:54.600 --> 1:09:57.920
<v Speaker 1>I wasn't old enough to discipher what you saying. I

1:09:57.960 --> 1:10:00.760
<v Speaker 1>did hear king T, but Nwa was old enough to

1:10:00.840 --> 1:10:04.559
<v Speaker 1>say I don't want to go there. Yeah. Their impact

1:10:04.680 --> 1:10:06.880
<v Speaker 1>because and I didn't get to see their videos. All

1:10:06.920 --> 1:10:09.479
<v Speaker 1>I got to hear was they vocals their lyrics, so

1:10:09.640 --> 1:10:12.920
<v Speaker 1>it gave me imagination. You know what I'm saying. Like

1:10:13.080 --> 1:10:14.599
<v Speaker 1>it's like read a book. You ever read a book

1:10:14.720 --> 1:10:17.519
<v Speaker 1>where wherever this book is that you're there. That's how

1:10:17.720 --> 1:10:21.799
<v Speaker 1>Nwa was. That's how I think Nwa honestly, from my perspective,

1:10:21.880 --> 1:10:25.400
<v Speaker 1>my opinion, Nwa was brought an emotion that hip hop

1:10:25.439 --> 1:10:28.000
<v Speaker 1>didn't have before. That I felt like when I had

1:10:28.400 --> 1:10:31.200
<v Speaker 1>you heard all kinds of rapping, like the action like

1:10:31.320 --> 1:10:33.920
<v Speaker 1>Mellie mell was the was the message, and but n

1:10:34.400 --> 1:10:37.880
<v Speaker 1>n w A, you felt that you felt that intimidation

1:10:39.439 --> 1:10:41.800
<v Speaker 1>and then p yeah in hand in hand pe But

1:10:41.920 --> 1:10:44.679
<v Speaker 1>but you felt like this intimidation and anger from Nwa

1:10:45.040 --> 1:10:47.760
<v Speaker 1>that you hadn't felt in rap music to that point.

1:10:48.120 --> 1:10:52.559
<v Speaker 1>And I felt that that changed everything. Poked the bear. Yeah, okay,

1:10:53.600 --> 1:10:55.479
<v Speaker 1>do we take a shot for this or no? Because

1:10:55.479 --> 1:10:57.519
<v Speaker 1>he picked wolcheck, Let's take a shot. Let's take a

1:10:57.600 --> 1:11:05.120
<v Speaker 1>shot just for uh huh yeah. We we just speak

1:11:06.760 --> 1:11:08.720
<v Speaker 1>yeah yeah yeah, So right right before we were going

1:11:08.760 --> 1:11:11.960
<v Speaker 1>on a wild style tour. That's how far back. Just

1:11:12.120 --> 1:11:19.360
<v Speaker 1>make the noise of him flowing so holy shit, I go, yeah, me,

1:11:19.439 --> 1:11:21.160
<v Speaker 1>I'm gonna tell you what me. First of all, it

1:11:21.240 --> 1:11:25.280
<v Speaker 1>sounds that some wild Ship Africa Islam. Yeah, Africa much

1:11:25.280 --> 1:11:27.880
<v Speaker 1>the first DJ from rock Steady as well, and he's

1:11:27.920 --> 1:11:31.200
<v Speaker 1>an original B boy. But you know, we were all

1:11:31.240 --> 1:11:33.960
<v Speaker 1>wild I'm back then, so I go to meet up

1:11:34.000 --> 1:11:36.200
<v Speaker 1>at Africa Islam because we're like, all right, we're gonna

1:11:36.240 --> 1:11:38.880
<v Speaker 1>get it. We're gonna buy an eight ball, and you

1:11:39.000 --> 1:11:41.760
<v Speaker 1>guys were wilding. Oh no, this is only to tell

1:11:41.840 --> 1:11:51.680
<v Speaker 1>on the plane. Oh yeah, yeah, come out. Yeah, I

1:11:51.840 --> 1:11:54.320
<v Speaker 1>remember cigarettes in planes. I don't know if I heard

1:11:54.400 --> 1:11:57.439
<v Speaker 1>this correct. You just say you had to borrow eight

1:11:57.479 --> 1:12:00.599
<v Speaker 1>ball to set slay it on the plane. The plane, Yeah,

1:12:00.640 --> 1:12:03.920
<v Speaker 1>it's thirty people from the hood going on tour. Nobody

1:12:04.000 --> 1:12:08.840
<v Speaker 1>got access to anything. It's boy probably the first hip

1:12:08.880 --> 1:12:13.160
<v Speaker 1>hop smugglers, right. You know his name is Africa Slam. Yeah,

1:12:16.240 --> 1:12:18.559
<v Speaker 1>he used to come out here when when we used

1:12:18.560 --> 1:12:20.000
<v Speaker 1>to come out here with DJ raw on them. So

1:12:20.080 --> 1:12:21.960
<v Speaker 1>when I went to go pick him up to go

1:12:22.080 --> 1:12:25.680
<v Speaker 1>on tour, Iced Tea was staying at his place. So

1:12:26.160 --> 1:12:28.679
<v Speaker 1>they are here already. I see. It was already connecting

1:12:28.720 --> 1:12:31.200
<v Speaker 1>with the East coast. But yeah, we ended up buying

1:12:31.280 --> 1:12:34.840
<v Speaker 1>like an ounce of weed and the eight ball and

1:12:34.960 --> 1:12:37.519
<v Speaker 1>then we're on the plane and then all of a sudden,

1:12:37.680 --> 1:12:40.439
<v Speaker 1>my man. You know, people smelling weed on the plane,

1:12:40.720 --> 1:12:44.280
<v Speaker 1>smoked weed on plane. Don't tell me you'll smoke yeah, yeah, yeah,

1:12:44.880 --> 1:12:46.760
<v Speaker 1>and in the back you just I mean, this is

1:12:46.800 --> 1:12:52.040
<v Speaker 1>a time that cigarettes, you smoke weed. The suction he

1:12:52.200 --> 1:12:55.920
<v Speaker 1>thought worked. And then our managers like, I don't know

1:12:56.080 --> 1:12:58.000
<v Speaker 1>what kind of drugs you guys got on you, but

1:12:58.560 --> 1:13:00.400
<v Speaker 1>you guy, this better do all of them because by

1:13:00.439 --> 1:13:02.719
<v Speaker 1>the time we get to Japan, the police are waiting

1:13:02.760 --> 1:13:06.280
<v Speaker 1>for you on the way Japan. Yeah. Yeah, you know Japan.

1:13:06.400 --> 1:13:12.599
<v Speaker 1>Don't play yeah yeah, you get canceled for weed in Japan.

1:13:13.560 --> 1:13:17.240
<v Speaker 1>So yeah, so you know we're doing that. And you know,

1:13:17.400 --> 1:13:20.000
<v Speaker 1>the only I think, the only sober one was like Bambata.

1:13:20.800 --> 1:13:23.679
<v Speaker 1>You know, everyone's on like acid and blow and weed

1:13:23.880 --> 1:13:28.160
<v Speaker 1>and and now we gotta do it. We gotta consume everything.

1:13:28.320 --> 1:13:30.800
<v Speaker 1>Now it sounds like a great flight. Though I ain't

1:13:30.800 --> 1:13:35.640
<v Speaker 1>gonna lie to was crazy that I'm not gonna lie.

1:13:35.760 --> 1:13:38.400
<v Speaker 1>I try. I'm trying to sit here and be like,

1:13:38.479 --> 1:13:40.960
<v Speaker 1>oh nah. And then I'm sitting here like this sounds great.

1:13:41.120 --> 1:13:43.160
<v Speaker 1>The whole back of the plane was a cloud of smoke.

1:13:43.800 --> 1:13:46.439
<v Speaker 1>Holy shit. Yeah, and and and the drinks were free

1:13:46.439 --> 1:13:49.200
<v Speaker 1>back then, yeah. I mean I always go on like

1:13:49.320 --> 1:13:51.200
<v Speaker 1>every plane now and then I look at it and

1:13:51.280 --> 1:13:53.880
<v Speaker 1>I see this leftover ass tray in there, like it's

1:13:53.920 --> 1:13:59.040
<v Speaker 1>a tiny bit of ass like this was used one. Yeah,

1:13:59.080 --> 1:14:01.680
<v Speaker 1>I mean a couple of times. You never flew on

1:14:01.720 --> 1:14:04.439
<v Speaker 1>a plane where they were smoking, right, yeah, back in

1:14:04.479 --> 1:14:09.240
<v Speaker 1>the day, Yeah, Miami that we we were on japan airlines.

1:14:09.720 --> 1:14:14.280
<v Speaker 1>That's what it was. Yappanese. Yeah, Yappanese on your parents airlines.

1:14:14.439 --> 1:14:16.439
<v Speaker 1>And you know I got I actually have all. I

1:14:16.560 --> 1:14:20.160
<v Speaker 1>have a whole bunch of behind the scenes photos from

1:14:20.160 --> 1:14:23.040
<v Speaker 1>all those trips that I've never been public. We're gonna

1:14:23.040 --> 1:14:25.439
<v Speaker 1>we're gonna do out what I'm talking to this dude,

1:14:25.479 --> 1:14:28.880
<v Speaker 1>Jeremy Beaver from the National Museum of Hip Hop and DC,

1:14:29.360 --> 1:14:32.639
<v Speaker 1>and we're gonna set up a tour of those photos.

1:14:33.680 --> 1:14:38.599
<v Speaker 1>Did y'all here's the national question, Did y'all do drugs

1:14:38.680 --> 1:14:43.040
<v Speaker 1>in Japan? When y'all landed? We found weed? I have

1:14:43.800 --> 1:14:45.880
<v Speaker 1>we found weed because I got a picture of Grand

1:14:45.920 --> 1:14:49.080
<v Speaker 1>Master of cast holding a bag of weeds. Were smoking

1:14:49.200 --> 1:14:54.240
<v Speaker 1>even back then. Huh yeah, just grand he came here,

1:14:54.360 --> 1:14:56.960
<v Speaker 1>smoked the whole his whole episode, whole three out. He

1:14:57.040 --> 1:15:00.800
<v Speaker 1>smoked every run. Yeah, I mean I'm down. Oh you smoke.

1:15:00.880 --> 1:15:03.840
<v Speaker 1>I didn't know you smoke. Okay, shit, you know, we

1:15:03.920 --> 1:15:06.599
<v Speaker 1>got joints, and you give me some joints I got yeah,

1:15:06.800 --> 1:15:08.080
<v Speaker 1>give them one of those, give the one of notes.

1:15:08.160 --> 1:15:12.800
<v Speaker 1>This is what the Yeah, please as much as cash, yeah, yeah, yeah, yeah,

1:15:12.840 --> 1:15:15.080
<v Speaker 1>hell yeah yo. So there, Now, I got to ask

1:15:15.120 --> 1:15:16.880
<v Speaker 1>you this before we go to quick thom slim, before

1:15:16.920 --> 1:15:19.360
<v Speaker 1>we go we in it, before we finish it. Hold on,

1:15:19.479 --> 1:15:21.600
<v Speaker 1>let me ask you. Okay, let me get one of

1:15:21.640 --> 1:15:23.040
<v Speaker 1>those two I got one. I got one, I got

1:15:23.080 --> 1:15:25.519
<v Speaker 1>one of them. Give him a lighter, give him lighters on.

1:15:27.680 --> 1:15:30.800
<v Speaker 1>Thank you. This is an old school questing because all

1:15:30.800 --> 1:15:36.120
<v Speaker 1>of y'all started with easy witers. What was the yeah bamboo,

1:15:36.200 --> 1:15:38.599
<v Speaker 1>big bamboo, Yeah, big bamboo. I'm my bad, my bad,

1:15:38.680 --> 1:15:42.200
<v Speaker 1>big bamboo and easy waters. Right, when did the transition

1:15:42.360 --> 1:15:48.160
<v Speaker 1>from joints to god damn, I expect you got all

1:15:48.240 --> 1:15:50.160
<v Speaker 1>right now you brought it? Yes? Where did it go

1:15:50.320 --> 1:15:57.040
<v Speaker 1>from papers? Two joints? Well, the papers were joints back then,

1:15:57.520 --> 1:16:00.479
<v Speaker 1>me from papers and blunts, papers with blunts out, my bad?

1:16:00.680 --> 1:16:02.679
<v Speaker 1>You know what I meant? Then? That was with white owls,

1:16:03.040 --> 1:16:07.640
<v Speaker 1>white owls. Yeah, leather. That's like smoking leather's definitely that

1:16:07.760 --> 1:16:12.000
<v Speaker 1>had to be easy early eighties not closer to me.

1:16:12.280 --> 1:16:16.080
<v Speaker 1>Uh shit, man, like eighty three eighty three, eighty three,

1:16:16.120 --> 1:16:19.840
<v Speaker 1>okay around that. Yeah. I used to get shipped for

1:16:19.880 --> 1:16:21.439
<v Speaker 1>free all the time, So I don't know all of this.

1:16:21.600 --> 1:16:23.720
<v Speaker 1>You said White Owls came before Philly Blunt or was

1:16:23.760 --> 1:16:26.639
<v Speaker 1>it Philly Blunt? White owl didn't Dutch Masters, I think

1:16:27.200 --> 1:16:31.400
<v Speaker 1>first White House. Yeah, Philly Bloom Moses like everybody would

1:16:31.439 --> 1:16:36.240
<v Speaker 1>walk around with Tippo Rilloso. Okay, Tipper Rillos, I remember that. Okay,

1:16:36.280 --> 1:16:39.120
<v Speaker 1>let's fill this quick time. Let's go back. Yea Dougie

1:16:39.160 --> 1:16:43.760
<v Speaker 1>Fresh or Biz Marquis took a shot you dais is

1:16:43.800 --> 1:16:46.599
<v Speaker 1>my dude. Man, I love that brother man, so let's

1:16:46.600 --> 1:16:48.080
<v Speaker 1>do a shot for him. Yeah, let's do a shot

1:16:48.080 --> 1:16:50.639
<v Speaker 1>for it anyway. Yeah, yeah, I like that he picked

1:16:50.760 --> 1:16:54.760
<v Speaker 1>but still took a shot. I mean yeah. Biz became

1:16:54.800 --> 1:16:57.120
<v Speaker 1>a very good friend of mine, right, and I hooked

1:16:57.160 --> 1:16:59.599
<v Speaker 1>him up with a bunch of archives and we were

1:16:59.640 --> 1:17:02.360
<v Speaker 1>doing it trade. And I found out that he was

1:17:02.400 --> 1:17:05.680
<v Speaker 1>doing trades with everyone, but not trading. Does that mean

1:17:07.360 --> 1:17:12.679
<v Speaker 1>archives from everybody? I need that soul sonic for records

1:17:12.800 --> 1:17:17.200
<v Speaker 1>or mixtapes from yeah business, getting everyone's archives of dupes

1:17:17.760 --> 1:17:20.519
<v Speaker 1>and then never never hooked up anyone else. You didn't

1:17:20.520 --> 1:17:24.880
<v Speaker 1>get the white um cover. But that was dude. All right,

1:17:24.960 --> 1:17:34.439
<v Speaker 1>let's go to bust rhymes, a eminem oh buster rhymes, Okay,

1:17:36.400 --> 1:17:41.160
<v Speaker 1>radio or podcasting podcast? God make I'll take the shot

1:17:41.200 --> 1:17:43.240
<v Speaker 1>for that. I'm taking a shot for that. You can

1:17:43.280 --> 1:17:45.000
<v Speaker 1>say whatever the fuck you want to over here. I'll

1:17:45.000 --> 1:17:52.480
<v Speaker 1>take a drink of that. H m hm DMX or tupacetx.

1:17:53.560 --> 1:17:55.040
<v Speaker 1>It seemed like you want to say something about that.

1:17:56.160 --> 1:17:58.160
<v Speaker 1>I was never into tupocket And I know people don't

1:17:58.240 --> 1:18:01.479
<v Speaker 1>don't agree with me, but you know, it just wasn't

1:18:01.520 --> 1:18:04.760
<v Speaker 1>my thing. Dmax reminds you of that New York Streets ship,

1:18:04.920 --> 1:18:06.680
<v Speaker 1>and I relate to that New York Streets ship the

1:18:06.760 --> 1:18:10.120
<v Speaker 1>most right. And you know you ever got to meet Tupac.

1:18:10.439 --> 1:18:15.280
<v Speaker 1>I met him once, saying at USA Nightclub and Times

1:18:15.320 --> 1:18:19.320
<v Speaker 1>Square and then we had a fight. There's a big

1:18:19.400 --> 1:18:20.720
<v Speaker 1>fight in the club after that would me and my

1:18:20.840 --> 1:18:23.320
<v Speaker 1>boys and no, no, no, I met him. Then I

1:18:23.360 --> 1:18:25.759
<v Speaker 1>went downstairs and got into a fight against mop Tops.

1:18:26.439 --> 1:18:29.519
<v Speaker 1>You know, he leade for us boot stretching all of those.

1:18:29.720 --> 1:18:31.400
<v Speaker 1>We had a big fight with them. Then I had

1:18:31.439 --> 1:18:34.880
<v Speaker 1>to fight with the bouncers. It was crazy. You're glad

1:18:34.920 --> 1:18:39.040
<v Speaker 1>you calmed down, sir. Yeah, yeah, I mean whatever. Well,

1:18:39.080 --> 1:18:42.200
<v Speaker 1>rest in peace to both of them. Yes, Tupac, Yes, legends,

1:18:42.520 --> 1:18:46.160
<v Speaker 1>slick Rick or rock him to take a shot, sir,

1:18:49.320 --> 1:18:53.200
<v Speaker 1>rock him. Let's stop it telling them to take shots.

1:18:53.360 --> 1:18:55.240
<v Speaker 1>We got a little manser. I just don't be oneing,

1:18:55.320 --> 1:18:57.560
<v Speaker 1>you know, I know everybody got a personal relationship. And

1:18:57.880 --> 1:18:59.639
<v Speaker 1>I rocked him because he made a lot of beats

1:18:59.680 --> 1:19:01.639
<v Speaker 1>that I can dance too as well. I was into

1:19:02.040 --> 1:19:04.920
<v Speaker 1>his lyricism, like you know, I really I already knew

1:19:04.920 --> 1:19:08.200
<v Speaker 1>about storytelling from Graham Massa has so that was already

1:19:08.280 --> 1:19:12.120
<v Speaker 1>part of hip hop. Who him And at a certain

1:19:12.120 --> 1:19:14.720
<v Speaker 1>point in my life, I was a five percenter. So

1:19:15.120 --> 1:19:17.040
<v Speaker 1>you never stopped being a five percenter unless you start

1:19:17.080 --> 1:19:19.599
<v Speaker 1>eating port Still I still don't eat Park, Okay, then

1:19:19.600 --> 1:19:23.880
<v Speaker 1>you're still a popercenter. Go so um I when he

1:19:24.040 --> 1:19:26.280
<v Speaker 1>was spitting that, it's kind of like when WU Tank

1:19:26.360 --> 1:19:28.439
<v Speaker 1>spitch shit and you walked you You were on the

1:19:28.479 --> 1:19:30.880
<v Speaker 1>country when they first came out, you know, most of

1:19:30.880 --> 1:19:33.160
<v Speaker 1>the country didn't know what the fuck brand Nubian Wu

1:19:33.240 --> 1:19:35.679
<v Speaker 1>Tang or Rock Him were talking about when they started

1:19:35.680 --> 1:19:39.920
<v Speaker 1>spitting knowledge. You know. So I always found it funny

1:19:39.960 --> 1:19:43.840
<v Speaker 1>one when white people would recite certain things like yo, no,

1:19:44.280 --> 1:19:49.320
<v Speaker 1>they had no idea, they had no idea. Okay, kras

1:19:49.360 --> 1:19:59.240
<v Speaker 1>one a Cougi rap. That's a good one. And I'm

1:19:59.280 --> 1:20:01.680
<v Speaker 1>gonna say, I'm you know what you gotta say. I'm

1:20:01.680 --> 1:20:04.120
<v Speaker 1>gonna take Cougie Rap. No, your face is said, let

1:20:04.120 --> 1:20:06.960
<v Speaker 1>me take both. Okay, I'm gonna say Coogie Rap Okay.

1:20:07.200 --> 1:20:10.880
<v Speaker 1>And that's because you can't lead the witness. And this

1:20:11.040 --> 1:20:13.400
<v Speaker 1>is like my whole fucking ghetto trauma of hanging out

1:20:13.439 --> 1:20:18.080
<v Speaker 1>with people who are wild, like I can relate based

1:20:18.160 --> 1:20:21.120
<v Speaker 1>on like all the people that died around me, and

1:20:21.240 --> 1:20:23.920
<v Speaker 1>I've been into dirt. What Cougie Rapp is talking about,

1:20:24.560 --> 1:20:30.600
<v Speaker 1>I mean, caress one is the remedy for that. M So,

1:20:30.680 --> 1:20:33.840
<v Speaker 1>who did you pick? Cougie Rap? Okay, your Colombias and

1:20:33.920 --> 1:20:35.960
<v Speaker 1>Dominican of publics, you have distracted? Yea, bro, come on,

1:20:36.120 --> 1:20:38.000
<v Speaker 1>I'm talking guys, I talking about which one of you

1:20:38.360 --> 1:20:42.679
<v Speaker 1>talking about? Come on, get some work distracted you're messing

1:20:42.760 --> 1:20:49.080
<v Speaker 1>us up. Okay, m oh whoa Okay, got it big

1:20:49.200 --> 1:20:54.479
<v Speaker 1>Daddy King or coo J taking a shot. Take a shot.

1:20:54.520 --> 1:20:56.240
<v Speaker 1>You gotta take a shot. You gotta shot so that

1:20:56.360 --> 1:20:59.360
<v Speaker 1>drink don't count. You gotta take a shot. He has one, Okay,

1:20:59.400 --> 1:21:01.320
<v Speaker 1>he has one. Right, Look it's a little, it's a little. Yeah.

1:21:03.560 --> 1:21:08.559
<v Speaker 1>Here's the thing. I would have said, Big Daddy Kaneyo, guys,

1:21:09.320 --> 1:21:12.280
<v Speaker 1>I would have said Big Daddy Kane. I'm sorry, I um.

1:21:13.240 --> 1:21:16.280
<v Speaker 1>I would have said big Daddy came. But what sealed

1:21:16.320 --> 1:21:18.960
<v Speaker 1>the deal for me where llo cooj is that when

1:21:19.000 --> 1:21:21.559
<v Speaker 1>Red Alert was DJ and that big CD big City

1:21:21.640 --> 1:21:25.160
<v Speaker 1>Diner on Eleventh Avenue in Manhattan, I think he was

1:21:25.200 --> 1:21:29.439
<v Speaker 1>doing the party red Rum and uh Ll show it

1:21:29.520 --> 1:21:31.880
<v Speaker 1>up and he got on the mic. He just rocked

1:21:31.920 --> 1:21:36.000
<v Speaker 1>off of breakbeats and he spent rhymes that were not

1:21:36.160 --> 1:21:39.800
<v Speaker 1>on his records, and he just I was like, oh shit,

1:21:40.000 --> 1:21:42.080
<v Speaker 1>like that's what I respect. And that's when I grew

1:21:42.160 --> 1:21:45.240
<v Speaker 1>up on So when I saw Ll spitting like straight

1:21:45.320 --> 1:21:48.920
<v Speaker 1>up fire, like I'm gonna just fucking burn his mic

1:21:48.960 --> 1:21:51.519
<v Speaker 1>and dropping him bounced, he did that ship and that's

1:21:51.560 --> 1:21:55.559
<v Speaker 1>when I was just like, Yeah, jip beyond records. Both

1:21:55.680 --> 1:22:02.160
<v Speaker 1>legends when Yeah Disco Fever or the sound factory, just

1:22:02.320 --> 1:22:05.680
<v Speaker 1>go fever because I was lucky enough to get up

1:22:05.720 --> 1:22:09.120
<v Speaker 1>in there, and I knew I was too young to

1:22:09.160 --> 1:22:17.519
<v Speaker 1>even being there sixteen. I went in there at uh yeah, sixteen,

1:22:18.160 --> 1:22:22.080
<v Speaker 1>fifteen to sixteen. Did you know you were living history

1:22:22.160 --> 1:22:25.000
<v Speaker 1>when you was? Nah? Man, he was wild. We didn't

1:22:25.280 --> 1:22:28.599
<v Speaker 1>appreciated about it at all. Say that before I heard

1:22:28.640 --> 1:22:32.360
<v Speaker 1>you say that you weren't even living in the moment,

1:22:32.479 --> 1:22:35.320
<v Speaker 1>like you didn't. You didn't appreciate like anything that you

1:22:35.400 --> 1:22:37.080
<v Speaker 1>kind of was going. No, we didn't. So when we

1:22:37.120 --> 1:22:40.559
<v Speaker 1>would go to places, first time we went to France,

1:22:42.200 --> 1:22:43.599
<v Speaker 1>like hey, we want to take you to go see

1:22:43.720 --> 1:22:45.800
<v Speaker 1>a town, We're like, nah, take us to the hood,

1:22:46.880 --> 1:22:49.040
<v Speaker 1>you know, and the hood over there, it's like it's Ethiopian,

1:22:49.160 --> 1:22:55.320
<v Speaker 1>is Turkish, it's rocking, it's yeah. Yeah, So that's what

1:22:55.479 --> 1:22:58.360
<v Speaker 1>we felt comfortable. We didn't feel comfortable doing all those

1:22:58.439 --> 1:23:00.880
<v Speaker 1>things that I feel like, I'm lucky to have had

1:23:00.880 --> 1:23:04.160
<v Speaker 1>a second chance because it would have been nice to

1:23:04.200 --> 1:23:06.800
<v Speaker 1>have done some of those things. But you know, you

1:23:06.920 --> 1:23:09.519
<v Speaker 1>grew up in the Bronx and you're not cultured, and

1:23:09.600 --> 1:23:12.439
<v Speaker 1>it's a maturity thing too. I'm sure you were. It's

1:23:12.479 --> 1:23:16.519
<v Speaker 1>crazy because yeah, it's crazy because I swear to guard

1:23:16.560 --> 1:23:19.160
<v Speaker 1>me and my uncle Wise and my first two or

1:23:19.200 --> 1:23:21.920
<v Speaker 1>three tours around like kind of like the world. We

1:23:22.680 --> 1:23:25.360
<v Speaker 1>we we were making it our point not to take pictures.

1:23:26.040 --> 1:23:28.160
<v Speaker 1>Well that was that was the error. That was the error.

1:23:28.200 --> 1:23:30.840
<v Speaker 1>That error. Look shit that we back. Remember when we

1:23:30.880 --> 1:23:34.519
<v Speaker 1>did the magazine. We don't got pictures. We could even

1:23:34.520 --> 1:23:41.840
<v Speaker 1>believe us our memories. I can fix that shit. Yeah, crazy, yeah,

1:23:42.080 --> 1:23:45.200
<v Speaker 1>make it up. Goddamn the flyers. We could ask chat

1:23:45.280 --> 1:23:48.080
<v Speaker 1>gpt the history. Yeah, when when was hip hop started?

1:23:48.760 --> 1:23:54.519
<v Speaker 1>See what that cross references? Holy shit? All right, Biggie

1:23:54.680 --> 1:24:04.200
<v Speaker 1>or Big L music, Biggie friendship big out. That sounds

1:24:04.200 --> 1:24:06.120
<v Speaker 1>like a shot to me. You had a relationship with

1:24:06.160 --> 1:24:10.000
<v Speaker 1>big Yeah, that's no, no, no shot, Drake. Come on,

1:24:10.080 --> 1:24:11.920
<v Speaker 1>this is drink. Can I let you cheat? That's come on,

1:24:12.000 --> 1:24:14.400
<v Speaker 1>let's go shot little stot, Little you deserve your flowers.

1:24:15.400 --> 1:24:18.960
<v Speaker 1>Shout out, big out, big out. It was funny man.

1:24:19.000 --> 1:24:20.800
<v Speaker 1>The rest of when the first time, first time I

1:24:20.880 --> 1:24:23.599
<v Speaker 1>hung out with him, he tell me some fucking wild story, Like, yo, man,

1:24:23.680 --> 1:24:26.880
<v Speaker 1>you know what tea bagging is? Oh shit, that's when

1:24:26.960 --> 1:24:29.560
<v Speaker 1>the girls laying down and you drop your balls in

1:24:29.720 --> 1:24:36.960
<v Speaker 1>her mouth. Like, Yo, this motherfucker is funny. I mean

1:24:37.280 --> 1:24:41.519
<v Speaker 1>his lyrics. No, yeah, I think he signed some point.

1:24:42.240 --> 1:24:44.760
<v Speaker 1>I mean, when you meet somebody and he's talking to

1:24:44.800 --> 1:24:48.160
<v Speaker 1>you about tea bag, he would say crazy. Yeah. Yeah.

1:24:50.400 --> 1:24:52.679
<v Speaker 1>So that's like the first couple of words he said

1:24:52.720 --> 1:24:54.519
<v Speaker 1>to you. He just man, that's what he was wild,

1:24:54.560 --> 1:24:59.320
<v Speaker 1>Like he said, nice to meet you all that, but

1:25:00.040 --> 1:25:02.200
<v Speaker 1>know I fuel because you know I grew up y'all

1:25:02.479 --> 1:25:07.040
<v Speaker 1>always cracking jokes like that was amazing. Cool. Now, every

1:25:07.080 --> 1:25:15.160
<v Speaker 1>time I think about me and a big I love,

1:25:15.240 --> 1:25:18.040
<v Speaker 1>I love. Yes, the girl picked me up. It was crazy. Um.

1:25:18.320 --> 1:25:21.400
<v Speaker 1>Before he passed away, he was like he was like

1:25:21.439 --> 1:25:24.040
<v Speaker 1>he was gonna change his style, but he listened to me,

1:25:24.320 --> 1:25:27.880
<v Speaker 1>Cameron and DMX and because of that, he just stayed

1:25:28.040 --> 1:25:30.560
<v Speaker 1>everything nice. Yeah yeah. So and it was like I

1:25:30.680 --> 1:25:32.400
<v Speaker 1>was like, I didn't even know he knew who I was.

1:25:33.479 --> 1:25:35.439
<v Speaker 1>So that's always one of the biggest columns. And I

1:25:35.479 --> 1:25:38.360
<v Speaker 1>feel he was one of the illest lyricists at that time. Yes,

1:25:38.520 --> 1:25:40.120
<v Speaker 1>and and then you know he was there was the

1:25:40.120 --> 1:25:41.920
<v Speaker 1>whole thing that he was going to sign the Rockefeller

1:25:42.160 --> 1:25:44.240
<v Speaker 1>I think if that would have happened and he would

1:25:44.280 --> 1:25:47.920
<v Speaker 1>have been here, and that's the whole thing. Also him

1:25:47.960 --> 1:25:51.000
<v Speaker 1>signing with with Sony with like with nas like. I

1:25:51.120 --> 1:25:53.080
<v Speaker 1>believe that he would make a choice because bigger he

1:25:53.120 --> 1:25:56.400
<v Speaker 1>was on Columbia. Yeah, I said Sony, but yeah, it

1:25:56.760 --> 1:25:59.559
<v Speaker 1>was all it was a oh yeah, that's yeah, that's why. Yeah,

1:26:00.000 --> 1:26:05.040
<v Speaker 1>thank correcting that. Okay, a rock shot or the real

1:26:05.160 --> 1:26:14.439
<v Speaker 1>rock say taking a shot? Damn yeah, I can't just

1:26:16.520 --> 1:26:20.920
<v Speaker 1>I don't you know, heard her thing? There's so few

1:26:21.520 --> 1:26:24.479
<v Speaker 1>female representations to take any of them down. Ain't cool.

1:26:24.680 --> 1:26:30.960
<v Speaker 1>That's right, that's right, that's right, that's right. Right, Oh,

1:26:31.000 --> 1:26:34.800
<v Speaker 1>this is a good one. Got a cold crush? Oh

1:26:35.120 --> 1:26:40.519
<v Speaker 1>thanks crush you Nah, I don't matter. I'm cold crush

1:26:40.640 --> 1:26:44.720
<v Speaker 1>all day? Why why? Because that was all right? So

1:26:44.880 --> 1:26:46.720
<v Speaker 1>I knew it was first five the other one I

1:26:46.840 --> 1:26:48.760
<v Speaker 1>know you didn't matter now don't matter because I knew

1:26:48.800 --> 1:26:51.760
<v Speaker 1>co Crush before cast was in Cold Crush. Damn damn.

1:26:51.840 --> 1:26:55.720
<v Speaker 1>So the original co Crush Brothers was It was Charlie Chase,

1:26:56.640 --> 1:27:00.240
<v Speaker 1>a Little Black, Teddy, ted Missus, t Bone, Cisco Kid

1:27:00.320 --> 1:27:03.240
<v Speaker 1>and Easy a D with that with Tony Tone and

1:27:03.360 --> 1:27:07.040
<v Speaker 1>Charlie Chase. That's the first actual hip hop tate rap

1:27:07.360 --> 1:27:10.840
<v Speaker 1>Tate I heard. So that's what got me into it

1:27:11.000 --> 1:27:15.759
<v Speaker 1>fully co Yeah, and then you know, then Coquest became

1:27:16.040 --> 1:27:20.560
<v Speaker 1>like co Curus embodied battling. You know. So everything that

1:27:20.600 --> 1:27:24.880
<v Speaker 1>I was as a B boy, co Crush was the

1:27:25.040 --> 1:27:29.439
<v Speaker 1>top tier in the rap game. Sounds good to me.

1:27:30.439 --> 1:27:39.840
<v Speaker 1>A tropical Quest or brand Nubian. And that's that. We

1:27:39.880 --> 1:27:45.439
<v Speaker 1>were talking like that because it's like, here's a funny thing. Okay,

1:27:48.200 --> 1:27:51.920
<v Speaker 1>here's my here's my inner conflict. I've had issues with

1:27:52.160 --> 1:27:59.080
<v Speaker 1>members of both crews. What words yea with Quest, don't

1:27:59.120 --> 1:28:04.479
<v Speaker 1>tell me his wife five my dog piece? No, Jerobe,

1:28:04.520 --> 1:28:11.479
<v Speaker 1>I love Jerobi. Yeah. So I wanted to book Q

1:28:11.640 --> 1:28:15.559
<v Speaker 1>tip for something and I wasn't asking for a discount

1:28:16.520 --> 1:28:19.200
<v Speaker 1>and he was kind of like treating it like I was,

1:28:20.120 --> 1:28:23.600
<v Speaker 1>and it was giving me to run around and was

1:28:23.640 --> 1:28:27.080
<v Speaker 1>it time he was dating? I'm Janet Jackson. Uh No,

1:28:27.240 --> 1:28:29.599
<v Speaker 1>this is maybe like seven five years ago, five six

1:28:29.680 --> 1:28:32.080
<v Speaker 1>years ago so now, but this is after Viber now

1:28:32.120 --> 1:28:34.240
<v Speaker 1>that I think about it, five years ago, yea after

1:28:34.560 --> 1:28:36.640
<v Speaker 1>so all right, So here's the thing. So we have

1:28:36.960 --> 1:28:39.479
<v Speaker 1>a back and forth and I'm like, I don't know

1:28:39.560 --> 1:28:41.840
<v Speaker 1>who fuck this motherfucker think he's talking to right now.

1:28:42.600 --> 1:28:45.280
<v Speaker 1>And it's like I goof around and I could play

1:28:45.280 --> 1:28:47.080
<v Speaker 1>and all that stuff. But I could become a different

1:28:47.080 --> 1:28:50.439
<v Speaker 1>person if I have to. So this is yeah, yeah,

1:28:50.760 --> 1:28:54.679
<v Speaker 1>so well it was a different We talked on phone,

1:28:54.760 --> 1:28:57.200
<v Speaker 1>but he was banging his chest a little something while

1:28:57.240 --> 1:29:01.040
<v Speaker 1>he was on tax and I'm thinking, like, I don't know,

1:29:01.240 --> 1:29:04.599
<v Speaker 1>he's confused right now, like he's talking to the wrong dude,

1:29:04.920 --> 1:29:08.200
<v Speaker 1>because and I said, you know what, my dude, you

1:29:08.360 --> 1:29:11.560
<v Speaker 1>do you fuck you? And by the way, when you

1:29:11.640 --> 1:29:14.560
<v Speaker 1>had that beef with rex and effects and all that,

1:29:15.360 --> 1:29:18.200
<v Speaker 1>all that all that hardware was waiting outside in case

1:29:18.280 --> 1:29:20.720
<v Speaker 1>something jumped off. I'm the one that supplied that shit

1:29:20.800 --> 1:29:26.720
<v Speaker 1>for you. Yeah, yeah, so that's why. But then I

1:29:26.800 --> 1:29:29.920
<v Speaker 1>love his music, you know. So and then you know,

1:29:30.000 --> 1:29:32.720
<v Speaker 1>Lord Jamara with the whole trying to separate black and

1:29:32.800 --> 1:29:34.600
<v Speaker 1>lat you know, as I'm not with that shit, you know.

1:29:35.080 --> 1:29:37.400
<v Speaker 1>But then I love you know, I have an affinity

1:29:37.479 --> 1:29:41.320
<v Speaker 1>to the gods. Wait, I thought Lord Jamar, I mean

1:29:41.360 --> 1:29:48.760
<v Speaker 1>I Lard Jamara. Um, it was Lord jam People are guests. No, no, no,

1:29:49.280 --> 1:29:51.800
<v Speaker 1>he said Puerto Ricans are guests in headline? Did he

1:29:51.880 --> 1:29:53.680
<v Speaker 1>say that? Yeah. I spoke with him. I spoke with

1:29:53.800 --> 1:29:57.320
<v Speaker 1>him on the phone and and uh. He started to

1:29:57.320 --> 1:29:58.920
<v Speaker 1>get a little live with me on the phone. I'm like, yo,

1:29:59.040 --> 1:30:01.320
<v Speaker 1>my dude, Like again, I don't know who the fuck

1:30:01.400 --> 1:30:03.760
<v Speaker 1>you think you're talking to, but I'm not the one,

1:30:03.920 --> 1:30:07.160
<v Speaker 1>like what's up? And then you know, we get to

1:30:07.200 --> 1:30:11.120
<v Speaker 1>the question of like yo, I asked him, like, all right, well,

1:30:11.160 --> 1:30:13.840
<v Speaker 1>if you think we're a guess how long did it

1:30:13.960 --> 1:30:17.120
<v Speaker 1>take to create hip hop before we got in because

1:30:17.160 --> 1:30:19.960
<v Speaker 1>now you have to deal with actual facts and timelines.

1:30:20.320 --> 1:30:22.040
<v Speaker 1>And they's like, oh, yo, I gotta go get my kids,

1:30:22.240 --> 1:30:24.280
<v Speaker 1>Like I'll call you right back. And he never called

1:30:24.320 --> 1:30:27.479
<v Speaker 1>me back. But you know, to me, I only make

1:30:27.560 --> 1:30:29.760
<v Speaker 1>those calls and I don't do it online because that's

1:30:29.800 --> 1:30:32.040
<v Speaker 1>some bullshit. I called them up. You know, we hit

1:30:32.080 --> 1:30:34.680
<v Speaker 1>each other up directly. I'm like, you know, because I

1:30:34.760 --> 1:30:37.439
<v Speaker 1>want to make sure that we're not contributing to the

1:30:37.520 --> 1:30:40.280
<v Speaker 1>division of black and Latino people when we need to,

1:30:40.360 --> 1:30:43.880
<v Speaker 1>we're we're stronger. It's like, it's like this, somebody told me,

1:30:44.000 --> 1:30:46.920
<v Speaker 1>because we have our own ship within Puerto Rico. Someone

1:30:47.040 --> 1:30:50.559
<v Speaker 1>said on a panel, They're like, yo, Puerto Ricans need

1:30:50.600 --> 1:30:53.600
<v Speaker 1>to decide whether they want to be three million on

1:30:53.720 --> 1:30:57.560
<v Speaker 1>the island, five million elsewhere, or eight million together. So

1:30:57.800 --> 1:31:00.760
<v Speaker 1>for me with black and Latin, you know, I'm like, yeo,

1:31:00.840 --> 1:31:05.439
<v Speaker 1>let's sayings together because we got the same struggles, you know,

1:31:05.560 --> 1:31:06.960
<v Speaker 1>and at the end of the day, we all know

1:31:07.120 --> 1:31:09.840
<v Speaker 1>that dividing conquer is the place. Yeah, and I think

1:31:09.880 --> 1:31:12.080
<v Speaker 1>the problem, Yeah, the problem is that a lot of

1:31:12.760 --> 1:31:15.960
<v Speaker 1>fair skinned people, whether they're light skinned Black or light

1:31:16.000 --> 1:31:19.280
<v Speaker 1>skin Puerto Rican, they start playing that car and that's

1:31:19.320 --> 1:31:21.519
<v Speaker 1>where it becomes difficult for us because they want an

1:31:21.560 --> 1:31:24.840
<v Speaker 1>easy path. So you know, yeah, I don't know how

1:31:24.880 --> 1:31:29.960
<v Speaker 1>the funk I got to that because brand Nubian out,

1:31:31.840 --> 1:31:36.559
<v Speaker 1>but yeah, man's I got love for both of them.

1:31:36.720 --> 1:31:39.519
<v Speaker 1>But I think that's we We all have inner family

1:31:39.640 --> 1:31:43.519
<v Speaker 1>conflict within hip hop. So I don't think you picked either. Yeah,

1:31:43.600 --> 1:31:51.080
<v Speaker 1>I know. Yeah, yeah to the Rex and effect, for

1:31:52.240 --> 1:31:55.439
<v Speaker 1>I kind of want to hear this. Okay, So we

1:31:55.520 --> 1:31:58.080
<v Speaker 1>know the story, you know, the beef and the first

1:31:58.600 --> 1:32:06.200
<v Speaker 1>first story was back exactly so bo Bo that's the

1:32:06.240 --> 1:32:09.080
<v Speaker 1>big homie. Yeah, so Bo that was my dude, and

1:32:09.760 --> 1:32:16.240
<v Speaker 1>we had um some transactions going on, and uh, he

1:32:16.439 --> 1:32:18.680
<v Speaker 1>was just like, Yo, we're gonna do this thing at

1:32:18.720 --> 1:32:20.080
<v Speaker 1>the mosque, but we don't know how it's going to

1:32:20.200 --> 1:32:25.479
<v Speaker 1>happen and we need we need some weight, and I'm like,

1:32:25.479 --> 1:32:27.880
<v Speaker 1>all right, I got you covered. So we made sure

1:32:28.000 --> 1:32:31.200
<v Speaker 1>that a lot of the whale wells around the mosque

1:32:31.200 --> 1:32:34.400
<v Speaker 1>were this is when they were gonna squash it, or

1:32:34.439 --> 1:32:35.880
<v Speaker 1>this is when he was when they were gonna squash it.

1:32:35.960 --> 1:32:37.800
<v Speaker 1>But we didn't know what was gonna happen, but we

1:32:37.880 --> 1:32:39.920
<v Speaker 1>had to be prepared. And it was one of us

1:32:40.040 --> 1:32:45.760
<v Speaker 1>was from Harlem, right slash Virginia and yeah, so we

1:32:45.920 --> 1:32:47.639
<v Speaker 1>had to make sure that you remember what they beef

1:32:47.760 --> 1:32:53.160
<v Speaker 1>was about. Yeah, it was hardcore rapp that new Jackson

1:32:53.400 --> 1:32:56.479
<v Speaker 1>said it in the right. It's some immature bullshit. It was.

1:32:56.560 --> 1:33:00.560
<v Speaker 1>It was pity everyone was young, but um at that

1:33:00.720 --> 1:33:05.360
<v Speaker 1>time that happened to be have access to certain things

1:33:06.160 --> 1:33:08.519
<v Speaker 1>and it was my little side hustle in between jobs.

1:33:09.040 --> 1:33:15.120
<v Speaker 1>Haven't hammers huh yeah? Yeah yeah and distribution and yeah,

1:33:15.320 --> 1:33:18.479
<v Speaker 1>so I just supplied what needed to be there and

1:33:18.800 --> 1:33:23.040
<v Speaker 1>make sure that yeah, down I was back in qute.

1:33:23.080 --> 1:33:27.960
<v Speaker 1>Tipp was hardcore bro, but he never knew. Like again,

1:33:28.040 --> 1:33:30.320
<v Speaker 1>I don't talk like now we could talk because it's

1:33:30.360 --> 1:33:35.759
<v Speaker 1>like like I would pass childhood bullshit. Seven had nothing happened.

1:33:36.160 --> 1:33:38.760
<v Speaker 1>It's like seven years. This is we told about thirty years. Yeah, yeah, no,

1:33:38.840 --> 1:33:42.280
<v Speaker 1>but there's no statutory on murder. No, no, we can't

1:33:42.320 --> 1:33:45.599
<v Speaker 1>talk about that. Yeah, thank nothing happened. Yeah no, exactly.

1:33:45.720 --> 1:33:47.800
<v Speaker 1>Nothing happened, thankfully because at the end of the day,

1:33:48.000 --> 1:33:50.680
<v Speaker 1>for you and for hip hop, yeah exactly, because that

1:33:50.680 --> 1:33:53.360
<v Speaker 1>would have been bad for everybody, everybody. But you know,

1:33:53.479 --> 1:33:55.560
<v Speaker 1>to me, I just felt like, yo, qute tip just

1:33:55.600 --> 1:33:57.519
<v Speaker 1>say yes or no. You don't have to string me

1:33:57.560 --> 1:34:01.840
<v Speaker 1>along like and don't talk down to me. Especially you

1:34:01.880 --> 1:34:05.240
<v Speaker 1>don't even know that I fucking had your back and

1:34:05.320 --> 1:34:07.280
<v Speaker 1>you didn't. I never even threw that at your face

1:34:07.360 --> 1:34:09.759
<v Speaker 1>to let you know that I was the one taking

1:34:09.800 --> 1:34:13.040
<v Speaker 1>care of everything. I mean, maybe it was a miscommunication

1:34:13.080 --> 1:34:16.080
<v Speaker 1>with you guys on the day. I mean, I'm trying

1:34:16.120 --> 1:34:28.519
<v Speaker 1>to benefit all cute tip man's act. Hey, here's the

1:34:28.600 --> 1:34:30.680
<v Speaker 1>thing I think, but you got to work it out.

1:34:31.120 --> 1:34:33.840
<v Speaker 1>Yeah yeah, but but but somebody should never underestimate the

1:34:33.920 --> 1:34:36.720
<v Speaker 1>power of a person in front of you. You know.

1:34:37.520 --> 1:34:42.280
<v Speaker 1>And I may she'll be cool or whatever, but if

1:34:42.320 --> 1:34:44.679
<v Speaker 1>my back's up against the one, I have to flex. Yeah.

1:34:44.920 --> 1:34:48.320
<v Speaker 1>I have the means, But I also don't hang out

1:34:48.320 --> 1:34:52.080
<v Speaker 1>with certain people because I know that if I have

1:34:52.160 --> 1:34:55.599
<v Speaker 1>an issue, they want to accelerate shit to the worst level.

1:34:55.640 --> 1:34:57.519
<v Speaker 1>And I'm like, I had to stop hanging out with

1:34:57.520 --> 1:34:59.400
<v Speaker 1>a lot of people that would ride or die for

1:34:59.520 --> 1:35:02.400
<v Speaker 1>me like that because that should will get me killed. Right,

1:35:03.560 --> 1:35:07.360
<v Speaker 1>Let's stay positive energy. Yeah, I'm more about helping people,

1:35:08.160 --> 1:35:15.160
<v Speaker 1>pushing hip hop and yeah, let me tell you. Yeah,

1:35:15.840 --> 1:35:18.639
<v Speaker 1>here's the thing you do not understand. Number one, I'm

1:35:18.640 --> 1:35:21.439
<v Speaker 1>proud of you guys because thank you. You know, not

1:35:21.600 --> 1:35:24.680
<v Speaker 1>many people can maintain that relevance this long, that this

1:35:24.880 --> 1:35:29.240
<v Speaker 1>game and giving it to our heroes. Yeah. Yeah, and

1:35:29.760 --> 1:35:31.280
<v Speaker 1>it's just hold on, let me just stop you for

1:35:31.360 --> 1:35:32.800
<v Speaker 1>one second. I don't mean to make it's about you,

1:35:33.200 --> 1:35:37.880
<v Speaker 1>but you're a hero. Thank you, like um all the

1:35:38.000 --> 1:35:42.040
<v Speaker 1>things that hip hop has received a black eye for

1:35:42.160 --> 1:35:48.479
<v Speaker 1>a long time. Yeah, and sometimes I won't fall absolutely Okay, Yeah,

1:35:48.720 --> 1:35:51.160
<v Speaker 1>I know I know the dumb shit that I've done

1:35:51.200 --> 1:35:55.120
<v Speaker 1>in my life. Right, Okay, let's finish quick time A

1:35:55.160 --> 1:35:57.400
<v Speaker 1>slim well he was saying, he was talking, Okay, let's talk.

1:35:57.680 --> 1:36:01.439
<v Speaker 1>I forgot I got love for both of them were

1:36:01.479 --> 1:36:10.280
<v Speaker 1>already trained. Okay, yes, New Jack City or Juice, uh

1:36:10.560 --> 1:36:14.519
<v Speaker 1>New Jack City. Okay, you don't need to explain unless

1:36:14.520 --> 1:36:16.439
<v Speaker 1>you want to. No, I just didn't like the fucking

1:36:16.520 --> 1:36:18.760
<v Speaker 1>last line of juice. I'm like, well, you got the

1:36:18.840 --> 1:36:25.800
<v Speaker 1>juice now, because you remember when that word came that work. Yeah,

1:36:25.880 --> 1:36:32.320
<v Speaker 1>it was. This was corny the way they used the way.

1:36:32.479 --> 1:36:34.599
<v Speaker 1>But I mean, juice is a great mean you listen

1:36:34.840 --> 1:36:42.360
<v Speaker 1>to that and then you hit rock Kim's Sake the juice. Okay, Um,

1:36:44.160 --> 1:36:45.519
<v Speaker 1>this one. I don't know where you're gonna go with

1:36:45.600 --> 1:36:47.479
<v Speaker 1>this one. You're saying it, yeah, I gotta go. I

1:36:47.520 --> 1:36:54.000
<v Speaker 1>gotta say this one. Nas or jay z Nas I've

1:36:54.080 --> 1:36:56.320
<v Speaker 1>I bought and and those are two of my top

1:36:56.439 --> 1:37:00.960
<v Speaker 1>all time MC's. But there's no other M in every

1:37:01.120 --> 1:37:05.400
<v Speaker 1>form that I bought more than Illmatic and what you

1:37:05.520 --> 1:37:11.519
<v Speaker 1>meaning form from CD, VINLS, TD to everything. Yeah, because

1:37:11.600 --> 1:37:14.719
<v Speaker 1>you know I DJ also, so that means your records

1:37:14.760 --> 1:37:18.040
<v Speaker 1>getting sucked up, stolen or whatever, and you know you

1:37:18.080 --> 1:37:22.600
<v Speaker 1>gotta have that allomatic. Your alomatic saved my life. I

1:37:22.680 --> 1:37:25.599
<v Speaker 1>gotta do. Yes, you gotta do that vinyl or tape

1:37:26.920 --> 1:37:31.800
<v Speaker 1>vinyl or tape NL. And that's the ef An answer too.

1:37:31.840 --> 1:37:33.160
<v Speaker 1>I think you take a shot just for that. Just

1:37:33.240 --> 1:37:36.840
<v Speaker 1>you relax, relaxed, relax. The next one is a good

1:37:36.880 --> 1:37:40.439
<v Speaker 1>one for me. Kick Capri or red Alert, Red Alert. Okay,

1:37:41.080 --> 1:37:43.479
<v Speaker 1>I know Kick Capri before he blew up. I know

1:37:43.680 --> 1:37:46.160
<v Speaker 1>him from the nineteen eighty when he used to hang

1:37:46.240 --> 1:37:49.280
<v Speaker 1>out with this other crew over on the Upper West Side.

1:37:50.640 --> 1:37:54.400
<v Speaker 1>So yeah, I knew him before his fifty stallion at

1:37:54.439 --> 1:37:56.880
<v Speaker 1>that time. No, he was you know, he happened to

1:37:58.280 --> 1:38:00.400
<v Speaker 1>I don't want to get him something. He used to

1:38:00.479 --> 1:38:03.559
<v Speaker 1>hang around with this group called the Shamrock Crew. Uh.

1:38:03.600 --> 1:38:06.040
<v Speaker 1>And it's funny. Shit is that they're fucking Shamrock Crew

1:38:06.080 --> 1:38:09.800
<v Speaker 1>but they're all black. I didn't get that right. Yeah,

1:38:12.520 --> 1:38:14.600
<v Speaker 1>I'm gonna tell you a funny stories. So we're in

1:38:14.680 --> 1:38:17.360
<v Speaker 1>a Zulo meeting one day and this brother walks in.

1:38:17.520 --> 1:38:20.680
<v Speaker 1>It's like a recruitment day, and you know, we bug out.

1:38:20.720 --> 1:38:23.200
<v Speaker 1>We're all stupid. But you know, if somebody say something

1:38:23.280 --> 1:38:26.599
<v Speaker 1>funny or or something to make you think you're gonna

1:38:26.640 --> 1:38:29.200
<v Speaker 1>say something. So say you had the Zulu meeting, Zulu

1:38:29.280 --> 1:38:33.559
<v Speaker 1>Meeting and bron day in the nineties, recruitment day. Yeah. Yeah,

1:38:33.880 --> 1:38:36.200
<v Speaker 1>So this dude, there was this one crew that comes

1:38:36.240 --> 1:38:39.479
<v Speaker 1>in and they will all put Puerto Rican and they're like,

1:38:39.960 --> 1:38:43.320
<v Speaker 1>we'll called the lepre couns, and Bambada's like, okay, well,

1:38:43.840 --> 1:38:45.720
<v Speaker 1>if you're gonna call your selves out of what you

1:38:45.840 --> 1:38:48.120
<v Speaker 1>are culturally, why are you calling yourself like that, like

1:38:48.479 --> 1:38:51.760
<v Speaker 1>you're like lucky Charms or what it was your deal?

1:38:51.840 --> 1:38:54.960
<v Speaker 1>And then this other brother, he was super dark skinned

1:38:55.400 --> 1:38:59.839
<v Speaker 1>Ethiopian style, and this motherfucker says, yeah, my name is Spook,

1:39:00.680 --> 1:39:09.719
<v Speaker 1>and we're like this, like yeah, what the fuck? Oh

1:39:10.000 --> 1:39:16.519
<v Speaker 1>my god? Oh yeah, oh Baky has kicked. All right,

1:39:16.680 --> 1:39:19.960
<v Speaker 1>let's put critize. We want to talk about. Okay, guy,

1:39:20.160 --> 1:39:23.439
<v Speaker 1>Studio fifty four, Land Quarters, Latin Quarter. Yeah, I've never

1:39:23.560 --> 1:39:26.599
<v Speaker 1>been there, but I did perform at Studio fifty four

1:39:26.720 --> 1:39:29.280
<v Speaker 1>in nineteen eighty or eighty one. But you said you've

1:39:29.280 --> 1:39:31.720
<v Speaker 1>never been to where like quarter, never went to lan

1:39:31.800 --> 1:39:34.840
<v Speaker 1>Queener Pickie land Quarter. Yeah, because that's a significant hit,

1:39:35.240 --> 1:39:38.880
<v Speaker 1>legendary right right right? Yeah, I respected that. Yeah, Okay,

1:39:39.479 --> 1:39:41.880
<v Speaker 1>you want to do take this so me and yeah,

1:39:42.080 --> 1:39:44.320
<v Speaker 1>and you always say that this is the only one

1:39:44.960 --> 1:39:47.479
<v Speaker 1>that everyone should kind of take a shot for because

1:39:47.560 --> 1:39:50.120
<v Speaker 1>we believe one goes with the other. But it doesn't matter.

1:39:50.200 --> 1:39:57.240
<v Speaker 1>You can do whatever your it's loyalty or respect, oh, loyalty.

1:39:59.240 --> 1:40:04.000
<v Speaker 1>Loyalty is the definition of respect. We agree. Yeah, that's

1:40:04.040 --> 1:40:10.800
<v Speaker 1>why we're taking a shot for that. Yeah. Yeah, that's

1:40:10.840 --> 1:40:12.200
<v Speaker 1>not why we're taking a shot for We're just taking

1:40:12.240 --> 1:40:18.240
<v Speaker 1>a shot. You wanted to elaborate on that, like, why

1:40:18.360 --> 1:40:25.240
<v Speaker 1>is loyal to the definition of respect? Um, you can

1:40:25.320 --> 1:40:28.559
<v Speaker 1>still respect someone fuck up on them, but you can

1:40:28.600 --> 1:40:32.439
<v Speaker 1>still be loyal to them. You know. I could fuck

1:40:32.520 --> 1:40:35.519
<v Speaker 1>up on you, could be whatever's going on in my

1:40:35.560 --> 1:40:42.040
<v Speaker 1>own head. Yeah, but intent is everything. I don't intentionally

1:40:42.160 --> 1:40:45.000
<v Speaker 1>mean that ship And at the end of the day,

1:40:45.720 --> 1:40:48.880
<v Speaker 1>we could be at odds. But if we have a

1:40:48.920 --> 1:40:51.600
<v Speaker 1>certain amount of history between us, when you're at your

1:40:51.640 --> 1:40:54.120
<v Speaker 1>worst moment, I'll be there for you no matter what.

1:40:54.720 --> 1:41:01.800
<v Speaker 1>I expect that. Yeah, I'm that dude. Let me ask you,

1:41:02.160 --> 1:41:10.360
<v Speaker 1>when you've traveled internationally battling, what country has been the biggest, like,

1:41:11.320 --> 1:41:14.080
<v Speaker 1>you know, the biggest headache and battle, like who who

1:41:14.200 --> 1:41:17.160
<v Speaker 1>really was a force to reckon with internationally? Here's the thing,

1:41:17.280 --> 1:41:19.840
<v Speaker 1>like a big battles, international battles and all that stuff.

1:41:19.840 --> 1:41:23.120
<v Speaker 1>I've never really had to do. Um, But what I

1:41:23.200 --> 1:41:26.040
<v Speaker 1>recognized is what other people bring to the game. And

1:41:26.439 --> 1:41:29.599
<v Speaker 1>a while back, I went to Russia to this place

1:41:29.720 --> 1:41:33.160
<v Speaker 1>that's close to the border of Kazakhstan and was born

1:41:33.160 --> 1:41:37.880
<v Speaker 1>back there, so he was battling. And here's the thing.

1:41:38.439 --> 1:41:42.080
<v Speaker 1>All these little white kids are like the best dances

1:41:42.120 --> 1:41:45.439
<v Speaker 1>in the house. They got fucking mad, soul flavored rhythm,

1:41:45.840 --> 1:41:47.920
<v Speaker 1>and I'm thinking, like, what kind of pain did these

1:41:48.040 --> 1:41:51.200
<v Speaker 1>motherfuckers go through? Right, you know? And then they told

1:41:51.240 --> 1:41:53.320
<v Speaker 1>me that they were from like a war torn area,

1:41:54.479 --> 1:41:58.840
<v Speaker 1>and yeah, so so what growing up the way I

1:41:58.880 --> 1:42:01.320
<v Speaker 1>grew up and all of our it's around us. I

1:42:01.520 --> 1:42:03.760
<v Speaker 1>was like, yeah, I get it, Like I can see

1:42:03.840 --> 1:42:06.720
<v Speaker 1>like like when like either you have I feel like

1:42:06.760 --> 1:42:09.600
<v Speaker 1>either you have soul or you don't, or you just

1:42:09.720 --> 1:42:12.920
<v Speaker 1>haven't found your lane yet. But when you see people

1:42:13.080 --> 1:42:16.519
<v Speaker 1>who are dancing and that it's not theatric it's just

1:42:16.680 --> 1:42:20.280
<v Speaker 1>the real pain that they show, I think that's dope

1:42:20.320 --> 1:42:23.639
<v Speaker 1>and I can relate to that. So it was there, yeah, yeah, yeah,

1:42:24.040 --> 1:42:26.280
<v Speaker 1>And you know, sometimes I feel like you could be

1:42:26.439 --> 1:42:31.400
<v Speaker 1>like the dopest visually dynamic person, but if I could

1:42:31.479 --> 1:42:35.720
<v Speaker 1>walk away feeling your emotion as you're rocking out, that's

1:42:35.800 --> 1:42:39.960
<v Speaker 1>more important to me because I'll remember that more and

1:42:40.160 --> 1:42:42.840
<v Speaker 1>I'll never forget those kids now, Like I'm bringing it

1:42:42.960 --> 1:42:46.040
<v Speaker 1>up now, I don't know they've never met them, but

1:42:46.160 --> 1:42:50.840
<v Speaker 1>they left an impression of soul in me and that

1:42:51.000 --> 1:42:52.760
<v Speaker 1>was better than any meals like in that part of

1:42:52.800 --> 1:42:54.880
<v Speaker 1>the world. And I and we we've talked about this

1:42:54.960 --> 1:42:59.200
<v Speaker 1>story several times, like they really fight to have hip

1:42:59.240 --> 1:43:02.280
<v Speaker 1>hop in their lives because we went nothing else, like

1:43:02.360 --> 1:43:04.559
<v Speaker 1>we had nothing. We went to Russia and the people

1:43:04.600 --> 1:43:06.880
<v Speaker 1>that brought us out work were called hip hops, you know,

1:43:07.040 --> 1:43:12.800
<v Speaker 1>Russians against racists, like they were bro and then they

1:43:12.880 --> 1:43:16.240
<v Speaker 1>had they had they had the buttons. It actually star yeah, yeah, yeah,

1:43:16.479 --> 1:43:21.280
<v Speaker 1>And I've had interesting experiences in Russia. No, Russia's hard.

1:43:21.680 --> 1:43:24.320
<v Speaker 1>I was brought out there by by Lola Card. Oh,

1:43:24.560 --> 1:43:27.559
<v Speaker 1>which is what Ola Card. The people that run ship

1:43:27.880 --> 1:43:31.719
<v Speaker 1>the richest motherfucker the un likes people like the people

1:43:31.800 --> 1:43:34.200
<v Speaker 1>that that's yeah, these are like the richest people. And

1:43:35.800 --> 1:43:38.240
<v Speaker 1>when you're talking about power, these people can just like

1:43:38.920 --> 1:43:40.479
<v Speaker 1>open up a bank in the middle of the night,

1:43:41.479 --> 1:43:44.439
<v Speaker 1>that kind of power. Yeah, so I got to do it.

1:43:45.160 --> 1:43:48.560
<v Speaker 1>Russia is an interest. It was good financially good, but

1:43:49.800 --> 1:43:55.000
<v Speaker 1>we didn't we didn't enjoy ourselves. No, we went to

1:43:55.080 --> 1:43:58.519
<v Speaker 1>the clubbing man has key masks. Let me connect you.

1:43:58.640 --> 1:44:03.479
<v Speaker 1>Then I got the blood. We got the heat phase.

1:44:03.920 --> 1:44:08.080
<v Speaker 1>I want to go, well, after they stopped fucking warring. Yeah,

1:44:08.439 --> 1:44:10.599
<v Speaker 1>you know the Russian people, Funny and the one who

1:44:10.680 --> 1:44:13.800
<v Speaker 1>made this right here, he also used to be a

1:44:13.840 --> 1:44:16.680
<v Speaker 1>stick up kid too. Goddamnit, he's throwing you under the bus.

1:44:18.120 --> 1:44:20.960
<v Speaker 1>This motherfucker used to walk walking around with a big

1:44:21.000 --> 1:44:29.639
<v Speaker 1>ass blade corporate. Yeah no, and Sunny didn't murder yesterday.

1:44:29.760 --> 1:44:33.559
<v Speaker 1>Yeah yeah, yeah, yeah nah. But you know, I think

1:44:34.120 --> 1:44:36.599
<v Speaker 1>number one. I don't know if you ever heard anyone,

1:44:36.840 --> 1:44:39.280
<v Speaker 1>but you know, we actually used to go sticking up

1:44:39.320 --> 1:44:46.400
<v Speaker 1>with your brother too, wow with with Hey, I'm gonna

1:44:46.439 --> 1:44:48.320
<v Speaker 1>tell you how dumb ship was back then, since we

1:44:48.400 --> 1:44:51.920
<v Speaker 1>were so young and and I'm not gonna throw their

1:44:52.000 --> 1:44:53.720
<v Speaker 1>names out there, but there was these two kids that

1:44:53.760 --> 1:44:56.840
<v Speaker 1>we stuck up outside of a graffiti like now an

1:44:56.920 --> 1:44:59.719
<v Speaker 1>art supply store. They had just they had just stolen

1:44:59.760 --> 1:45:02.720
<v Speaker 1>away whatever they stolen, and then we robbed them, and

1:45:02.800 --> 1:45:04.760
<v Speaker 1>then a week later they became part of my crew.

1:45:06.560 --> 1:45:13.479
<v Speaker 1>Makes sense. Weird shit, but let's get let's get to

1:45:13.560 --> 1:45:16.400
<v Speaker 1>this story right to New York City Breakers. They were

1:45:16.439 --> 1:45:20.559
<v Speaker 1>originally floor masters. Yes, and you hand picked the floor

1:45:20.640 --> 1:45:24.280
<v Speaker 1>masters because according to their story, I believe this is

1:45:24.320 --> 1:45:30.200
<v Speaker 1>their story. Their story is convenient, but their story was

1:45:31.120 --> 1:45:34.280
<v Speaker 1>you guys picked them because you thought that y'all could

1:45:34.280 --> 1:45:37.479
<v Speaker 1>beat them. Now. So we had this show coming up

1:45:37.520 --> 1:45:40.160
<v Speaker 1>in the Grill nightclub and that was like nineteen eighty two,

1:45:40.920 --> 1:45:44.679
<v Speaker 1>and we were tired of doing shows where we would

1:45:44.800 --> 1:45:48.120
<v Speaker 1>perform a battle y'all against each other each other, yes,

1:45:48.520 --> 1:45:51.080
<v Speaker 1>and we knew we had these little rivalries in the city,

1:45:51.240 --> 1:45:53.200
<v Speaker 1>like New York City Breakers, some of them we all

1:45:53.240 --> 1:45:55.400
<v Speaker 1>went well, some of us went to Kennedy High School.

1:45:56.160 --> 1:45:58.200
<v Speaker 1>And I was just like, y'all, you know, the same

1:45:58.280 --> 1:46:02.400
<v Speaker 1>way I selected Dynamic Rockers, which got them into Star Wars.

1:46:02.439 --> 1:46:04.880
<v Speaker 1>I selected New York City Breakers because it's like, yo,

1:46:05.240 --> 1:46:09.720
<v Speaker 1>let's have a real battle, right, And that's how And

1:46:10.000 --> 1:46:13.479
<v Speaker 1>then it's funny thing is that Michael Holman who became

1:46:13.560 --> 1:46:17.000
<v Speaker 1>that manager. He asked us that same night, like hey,

1:46:17.040 --> 1:46:20.600
<v Speaker 1>I want to be a manager, and like like as me,

1:46:20.760 --> 1:46:25.280
<v Speaker 1>Frosty Freeze and take one and again like arrogant, ignorant motherfuckers.

1:46:25.360 --> 1:46:27.320
<v Speaker 1>We're like laughing in his face, like nah, I get

1:46:27.360 --> 1:46:30.960
<v Speaker 1>the fuck out of here. No, hell no, And he

1:46:31.200 --> 1:46:34.720
<v Speaker 1>ended up meeting Floor Masters that night, and that's how

1:46:34.760 --> 1:46:37.559
<v Speaker 1>they became New York City Breakers because he started managing them.

1:46:39.600 --> 1:46:43.200
<v Speaker 1>So floor Masters floor Masters became New York City Breakers. Yeah,

1:46:44.360 --> 1:46:46.320
<v Speaker 1>did they have other I swear there was floor Masters

1:46:46.320 --> 1:46:48.160
<v Speaker 1>out here in Miami. No, it may have been a

1:46:48.200 --> 1:46:50.880
<v Speaker 1>different crew, Okay, yeah, but they didn't have chapters Flora

1:46:50.920 --> 1:46:59.000
<v Speaker 1>floor Flora floor floor floor. You know flow who from

1:46:59.000 --> 1:47:03.560
<v Speaker 1>the commercial she gives you so but I'll tell you

1:47:03.600 --> 1:47:06.439
<v Speaker 1>a wild story just to your show. One day, we

1:47:06.560 --> 1:47:11.400
<v Speaker 1>go to dance Cteria, right, and we go on a

1:47:11.560 --> 1:47:14.200
<v Speaker 1>night that isn't our night. And this is a place

1:47:14.240 --> 1:47:16.240
<v Speaker 1>where you mean, isn't our night? Like like like we

1:47:16.400 --> 1:47:18.519
<v Speaker 1>had like that party that went from the grill went

1:47:18.560 --> 1:47:21.200
<v Speaker 1>to danceteria. It was called Wheels of Steel, and yeah,

1:47:21.200 --> 1:47:23.439
<v Speaker 1>would have from Tuesday or thursdays. It would be on

1:47:23.560 --> 1:47:27.600
<v Speaker 1>like Wednesday, Wednesdays. Because then it turned the name of

1:47:27.640 --> 1:47:31.800
<v Speaker 1>the party was Wheels is still Wednesday, Okay. And so

1:47:31.960 --> 1:47:34.040
<v Speaker 1>we go on a different day. I'm like, hey, you

1:47:34.120 --> 1:47:38.040
<v Speaker 1>know the guy's guy who's a legendary dorman, uh danceteria.

1:47:38.080 --> 1:47:41.280
<v Speaker 1>Here we ended up being like the guy at the Palladium.

1:47:42.120 --> 1:47:44.920
<v Speaker 1>Um like hey, no, no, no, no, no, no, no

1:47:45.000 --> 1:47:49.439
<v Speaker 1>no no, this is guy Howie. Uh so yeah, I

1:47:49.439 --> 1:47:56.320
<v Speaker 1>know I know, yeah, yeah, and I got beef or whatever. Okay.

1:47:57.280 --> 1:48:02.080
<v Speaker 1>So um, we go into that ceteria and we're going

1:48:02.160 --> 1:48:04.840
<v Speaker 1>there like we all dudes like from the hood, and

1:48:04.960 --> 1:48:07.600
<v Speaker 1>it's just like all gay, Like all right, well this

1:48:07.800 --> 1:48:12.360
<v Speaker 1>might not be all night. So it was a gay

1:48:12.840 --> 1:48:15.479
<v Speaker 1>gay it was a private party. It turned out that

1:48:15.520 --> 1:48:18.560
<v Speaker 1>it was gay. And we go there and we're like

1:48:18.680 --> 1:48:21.400
<v Speaker 1>looking on stage and it guys on the mic, and

1:48:21.680 --> 1:48:23.360
<v Speaker 1>then all of a sudden he brings someone up on

1:48:23.560 --> 1:48:26.360
<v Speaker 1>stage and dude starts giving him head on stage and

1:48:26.439 --> 1:48:29.240
<v Speaker 1>we're like yeah, and we're like yo, all right, well

1:48:29.280 --> 1:48:31.360
<v Speaker 1>we gotta get out of here now, like this ain't

1:48:31.360 --> 1:48:34.439
<v Speaker 1>our scene. Let me do that thing. So I get outside.

1:48:34.479 --> 1:48:38.120
<v Speaker 1>I'm like, yo, how we um just happened on stage?

1:48:38.160 --> 1:48:41.479
<v Speaker 1>Like what's going on? Oh that's Freddie Mercury. Oh s

1:48:41.479 --> 1:48:48.479
<v Speaker 1>birthday from Queen Freddie Mercury from Queen. He was the

1:48:48.560 --> 1:48:54.840
<v Speaker 1>one get yeah, And I'm like, yo, what the fuck man?

1:48:55.880 --> 1:48:59.320
<v Speaker 1>It's it's it's it's crazy but legendary all at the

1:48:59.360 --> 1:49:02.280
<v Speaker 1>same time. Hey, I wanted to I may as well

1:49:02.320 --> 1:49:07.800
<v Speaker 1>bring something good, right, I don't know what to say,

1:49:07.840 --> 1:49:10.960
<v Speaker 1>you know, pretty Murcury though, right from Queen. No you

1:49:11.000 --> 1:49:13.880
<v Speaker 1>don't know who it is? Yeah you do? Yeah, yeah, yeah,

1:49:15.600 --> 1:49:24.320
<v Speaker 1>yeah yeah, even a rhapsody up. Yes, but no, some

1:49:24.479 --> 1:49:29.519
<v Speaker 1>of my point is no Instagram back then. No for

1:49:29.680 --> 1:49:33.479
<v Speaker 1>hip hop back yeah, for hip hop back then. The

1:49:33.560 --> 1:49:36.960
<v Speaker 1>reason why hip hop became successful was because there was

1:49:37.840 --> 1:49:41.040
<v Speaker 1>a genesis of the reggae scene, the punk round scene,

1:49:41.360 --> 1:49:43.960
<v Speaker 1>and what was happening in the hood. So all those

1:49:44.000 --> 1:49:47.920
<v Speaker 1>things coming together, it was just like a culture shock

1:49:47.960 --> 1:49:50.040
<v Speaker 1>and we're like, y'all, these motherfucker's a wild or whatever.

1:49:50.640 --> 1:49:53.200
<v Speaker 1>But at the same time, even with with like whatever

1:49:53.240 --> 1:49:55.080
<v Speaker 1>the gay scene was, and even if a lot of

1:49:55.200 --> 1:50:00.880
<v Speaker 1>us were like raised homophobic, um, a lot of that scene,

1:50:01.280 --> 1:50:03.599
<v Speaker 1>they're the first ones to give us a stage. It's

1:50:03.640 --> 1:50:07.000
<v Speaker 1>the counterculture side of it. Everything was counterculture. Yeah, that's punk.

1:50:08.080 --> 1:50:11.519
<v Speaker 1>It was all counterfuls. And our manager was a punk person.

1:50:11.680 --> 1:50:13.519
<v Speaker 1>There was a lot of gay people within her world,

1:50:14.000 --> 1:50:17.960
<v Speaker 1>and those connections that she had to put hip hop

1:50:18.080 --> 1:50:22.000
<v Speaker 1>on stage was from that community. The same here in Miami,

1:50:22.200 --> 1:50:25.519
<v Speaker 1>some of the first hip hop parties were at known

1:50:25.720 --> 1:50:29.160
<v Speaker 1>gay clubs. Not the parties weren't gay, right, not, but

1:50:29.280 --> 1:50:31.719
<v Speaker 1>the only people that would allow the parties to happen

1:50:31.880 --> 1:50:36.120
<v Speaker 1>in their venue were venues that were doing gay events. Yeah, easily,

1:50:36.200 --> 1:50:42.679
<v Speaker 1>that's facts. The person who got us true are yeah

1:50:42.880 --> 1:50:46.840
<v Speaker 1>yeah moment man, no no, no, no, hey that I

1:50:46.920 --> 1:50:56.720
<v Speaker 1>brought you up. That's oh, it is what it is.

1:50:56.800 --> 1:50:58.760
<v Speaker 1>It is what it is. That was a venue that

1:50:58.920 --> 1:51:02.760
<v Speaker 1>and it's been this. But here's the thing. Here's the thing.

1:51:03.240 --> 1:51:07.840
<v Speaker 1>Either we could confront our reality. It is our way

1:51:07.880 --> 1:51:12.120
<v Speaker 1>through life. It doesn't make you anything different who It

1:51:12.160 --> 1:51:14.439
<v Speaker 1>just makes you a better person to be able to

1:51:14.600 --> 1:51:18.080
<v Speaker 1>like be like all right, cool, well, no problem whatever

1:51:18.560 --> 1:51:20.680
<v Speaker 1>you know. But um but at the end of the day,

1:51:20.800 --> 1:51:23.439
<v Speaker 1>you can't deny that. Like, if you want to talk

1:51:23.479 --> 1:51:27.920
<v Speaker 1>about how hip hop got its platforms, its first platforms,

1:51:28.880 --> 1:51:32.120
<v Speaker 1>you might want to question who those people were, because

1:51:32.560 --> 1:51:34.400
<v Speaker 1>there may have been people there who are looking out

1:51:34.439 --> 1:51:39.400
<v Speaker 1>for you that you actually grew up not liking. Expand

1:51:39.439 --> 1:51:42.720
<v Speaker 1>on that, meaning that if you're a fucking homophobe but

1:51:42.880 --> 1:51:45.040
<v Speaker 1>you don't know that and you love hip hop, but

1:51:45.120 --> 1:51:47.880
<v Speaker 1>you don't know that a lot of those clubs were

1:51:47.960 --> 1:51:50.920
<v Speaker 1>clubs that were owned by gay people or run by

1:51:51.000 --> 1:51:57.280
<v Speaker 1>gay people, but gave hip hop its first platforms, it's

1:51:57.320 --> 1:51:59.640
<v Speaker 1>how oh shit, and then you gotta hate them, like

1:51:59.760 --> 1:52:01.439
<v Speaker 1>I'm not a homophone. I don't give a fuck. You

1:52:01.479 --> 1:52:05.360
<v Speaker 1>know it ain't hurting me, right, and you know that's right. Yeah,

1:52:06.120 --> 1:52:11.040
<v Speaker 1>that's real. Yeah, that's real. So let's talk about USA

1:52:11.160 --> 1:52:14.120
<v Speaker 1>Skating Ring. You went out there, yep in Queens and

1:52:14.240 --> 1:52:17.720
<v Speaker 1>you said you broke even uh yeah, yeah. So we

1:52:17.800 --> 1:52:19.800
<v Speaker 1>went out to their turf and to me, if I

1:52:19.880 --> 1:52:22.360
<v Speaker 1>battle you on your turf for your crowd and it's

1:52:22.880 --> 1:52:25.880
<v Speaker 1>and by by audience, it's a tie, I'm not. I'm

1:52:25.920 --> 1:52:29.920
<v Speaker 1>thinking in my mind, yo, we smoked these motherfuckers, like like,

1:52:30.400 --> 1:52:33.800
<v Speaker 1>I'm in your neighborhood and it's a tie, and we don't.

1:52:33.880 --> 1:52:36.320
<v Speaker 1>We don't. We're not bringing our own judges. So we

1:52:36.600 --> 1:52:40.640
<v Speaker 1>ended up getting a gig at Lincoln Center August of

1:52:40.760 --> 1:52:43.799
<v Speaker 1>eighty one, and and and we're don't watching Lincoln Centers

1:52:43.800 --> 1:52:47.680
<v Speaker 1>in Manhattan. I always thought Lincoln Center was in the bronx. Well,

1:52:47.760 --> 1:52:50.599
<v Speaker 1>what what's the thing about Fordham for the Forum? Because

1:52:50.600 --> 1:52:55.479
<v Speaker 1>for Fortam has a bronze campus. Okay, so um I

1:52:55.680 --> 1:52:58.120
<v Speaker 1>invite you know. That's that's how we ended up battling

1:52:58.439 --> 1:53:01.360
<v Speaker 1>dynamic rockers for a second time. And that's when it's

1:53:01.400 --> 1:53:04.400
<v Speaker 1>like for Melsey's on my we are I don't even

1:53:04.439 --> 1:53:08.160
<v Speaker 1>know who the DJ was. But um, it was the

1:53:08.200 --> 1:53:11.200
<v Speaker 1>first time hip hop was at Lincoln Center, right, and

1:53:12.560 --> 1:53:15.160
<v Speaker 1>that was just like the definitive, like neutral ground, like

1:53:15.560 --> 1:53:18.720
<v Speaker 1>we smoked you motherfuckers, and like if you were interviewed them,

1:53:18.720 --> 1:53:21.080
<v Speaker 1>they would never talk about it, right, it never even

1:53:21.160 --> 1:53:23.680
<v Speaker 1>comes up in there in their history. Mister lead you

1:53:23.720 --> 1:53:29.080
<v Speaker 1>over there making noise in your way, Dominican b B.

1:53:30.240 --> 1:53:32.240
<v Speaker 1>You're the only one talking. You know, one who starts

1:53:32.479 --> 1:53:36.160
<v Speaker 1>he makes the stone gave me quiet, no one, no, no,

1:53:39.080 --> 1:53:43.200
<v Speaker 1>we don't like listen. We know we know that. I'm

1:53:43.200 --> 1:53:46.800
<v Speaker 1>gonna tell me to do it, mister Lee get to

1:53:46.880 --> 1:53:52.200
<v Speaker 1>Porto Ricans and not getting along. God, so they were

1:53:52.240 --> 1:53:54.439
<v Speaker 1>like the new the New Hicks. We already went through

1:53:54.479 --> 1:53:59.920
<v Speaker 1>our face all shit, crazy likes. Hey, but it's true

1:54:00.680 --> 1:54:03.439
<v Speaker 1>at one point we went them. It's always a new group.

1:54:04.000 --> 1:54:05.920
<v Speaker 1>And now in New York, well, I'm not gonna get it.

1:54:05.960 --> 1:54:07.720
<v Speaker 1>They'll get offended if I bring it up right now.

1:54:08.560 --> 1:54:11.439
<v Speaker 1>Oh now, mistill, He's like, I can talk now. You

1:54:11.560 --> 1:54:15.200
<v Speaker 1>always have people us at the handball court because we

1:54:15.320 --> 1:54:20.240
<v Speaker 1>were nice. Yo. But but but yo, bro, how the

1:54:20.439 --> 1:54:23.000
<v Speaker 1>hell are you have the Benjamin Button's disease? You would

1:54:23.120 --> 1:54:28.080
<v Speaker 1>verse in ages. You still look exercising of dancing. Actually,

1:54:28.320 --> 1:54:31.080
<v Speaker 1>I slacked off on my exercising. I love boxing, that's

1:54:31.160 --> 1:54:34.640
<v Speaker 1>my that's my that's my first love right there before dance.

1:54:34.760 --> 1:54:39.080
<v Speaker 1>So I love doing that. And um yeah, my girl

1:54:39.520 --> 1:54:43.840
<v Speaker 1>fucking be on my case because she's Japanese and she

1:54:43.960 --> 1:54:48.400
<v Speaker 1>eats different. Yeah no, I think, Um, a little bit

1:54:48.440 --> 1:54:51.680
<v Speaker 1>of denial goes a long way. It's gym, a little something.

1:54:52.000 --> 1:54:55.520
<v Speaker 1>I choose not to be overweight as best I can,

1:54:55.840 --> 1:54:58.880
<v Speaker 1>and that's difficult because throughout my life, I've been through

1:54:58.920 --> 1:55:01.280
<v Speaker 1>a lot of injuries. If you know, like if there's

1:55:01.280 --> 1:55:04.400
<v Speaker 1>like the six million dollar man that's to me, I've

1:55:04.440 --> 1:55:10.360
<v Speaker 1>had maybe seven surgeries. I probably need three more. Yeah

1:55:12.320 --> 1:55:14.400
<v Speaker 1>remember him. And you know, it's crazy because I'm a

1:55:14.480 --> 1:55:19.400
<v Speaker 1>part of hip hop, which the element determines when you stop.

1:55:19.880 --> 1:55:23.040
<v Speaker 1>You know, it's not me. The element decides that. It's like,

1:55:23.080 --> 1:55:26.120
<v Speaker 1>all right, your body's done. You can't like you can

1:55:26.200 --> 1:55:31.280
<v Speaker 1>keep you can spit bars. Yeah, okay, yeah, yeah, it's

1:55:31.280 --> 1:55:35.920
<v Speaker 1>all good. It's cool. Yeah, I ain't injuring my elbows. No, nor.

1:55:36.360 --> 1:55:45.160
<v Speaker 1>I used to be going like, you know, what's a

1:55:45.240 --> 1:55:48.800
<v Speaker 1>crazy thing had? And this is like the main turning

1:55:48.920 --> 1:55:51.560
<v Speaker 1>point for me as a kid is that um I

1:55:51.720 --> 1:55:53.760
<v Speaker 1>was scheduled to be in the Junior Olympics for boxing,

1:55:54.520 --> 1:55:58.120
<v Speaker 1>but I didn't have the fourteen dollars registration fee and

1:55:58.240 --> 1:56:00.640
<v Speaker 1>that was when it was like, okay, well I'm gonna

1:56:00.680 --> 1:56:05.560
<v Speaker 1>be dancing instead. So you know, boxing is my first love.

1:56:05.680 --> 1:56:08.520
<v Speaker 1>I love fighting. I don't mind getting punched in the face.

1:56:08.560 --> 1:56:12.560
<v Speaker 1>It's cool. It wasn't um uh v boying and the

1:56:12.640 --> 1:56:15.160
<v Speaker 1>Soufa Olympics wasn't in the Soufa Olympics. It was in

1:56:15.280 --> 1:56:19.400
<v Speaker 1>the Youth Olympics. It's called in twenty eighteen and what elsidas? Okay,

1:56:19.560 --> 1:56:22.280
<v Speaker 1>yeah cool? And now is is it going to get

1:56:22.360 --> 1:56:26.960
<v Speaker 1>in the twenty It's in twenty twenty four Paris? And wow? Yeah.

1:56:27.160 --> 1:56:31.240
<v Speaker 1>I mean I still have my reservations because I need

1:56:31.280 --> 1:56:33.520
<v Speaker 1>to see how it plays out. Because to me, if

1:56:34.400 --> 1:56:37.440
<v Speaker 1>there needs to be a pathway that leads back to

1:56:37.520 --> 1:56:40.360
<v Speaker 1>the hood, that creates a level playing field for black

1:56:40.440 --> 1:56:43.360
<v Speaker 1>and brown people to be able to have access to

1:56:43.520 --> 1:56:46.400
<v Speaker 1>the resources that gets them to your Olympics, because it

1:56:46.520 --> 1:56:48.680
<v Speaker 1>comes from us, and if it comes from us, we

1:56:48.760 --> 1:56:53.560
<v Speaker 1>should have that first opportunity at a level playing field.

1:56:53.760 --> 1:56:55.480
<v Speaker 1>And are they also going to create some sort of

1:56:55.520 --> 1:57:03.640
<v Speaker 1>ambassadors to ambassador ambassadorship ambassador ship program that leads into

1:57:03.720 --> 1:57:07.480
<v Speaker 1>communities to educate people on how we as a people

1:57:07.920 --> 1:57:10.760
<v Speaker 1>contributed and created this, because how does this system work?

1:57:10.840 --> 1:57:14.320
<v Speaker 1>Like these people come and compete and then if they

1:57:14.520 --> 1:57:18.040
<v Speaker 1>win the Olympics, they get the gold medal or whatever. Yeah,

1:57:18.320 --> 1:57:21.000
<v Speaker 1>if they lose, they completely out of they go straight

1:57:21.040 --> 1:57:24.040
<v Speaker 1>back to the hood. That's it. So and so for me,

1:57:25.280 --> 1:57:27.840
<v Speaker 1>at the end of the day, is the Olympics the

1:57:28.080 --> 1:57:31.920
<v Speaker 1>great fucking international platform. Yeah, it is what it is.

1:57:32.080 --> 1:57:36.360
<v Speaker 1>But basketball is in the Olympics, but the Olympics will

1:57:36.440 --> 1:57:39.200
<v Speaker 1>never be the NBA. So we need to maintain our

1:57:39.240 --> 1:57:42.320
<v Speaker 1>ship when it comes to like those independent events that

1:57:42.680 --> 1:57:45.880
<v Speaker 1>hip hop throws and continue to support those because the

1:57:46.200 --> 1:57:49.560
<v Speaker 1>Olympics is once every four years to make hip hop

1:57:49.720 --> 1:57:53.640
<v Speaker 1>and the people here the elite, yeah, just like NBA elite. Yeah.

1:57:53.720 --> 1:57:55.440
<v Speaker 1>And that means that we have to lift each other

1:57:55.560 --> 1:57:59.200
<v Speaker 1>up instead of take each other down. Right, That's real.

1:57:59.640 --> 1:58:04.200
<v Speaker 1>That's Could you imagine people training to be in the

1:58:04.280 --> 1:58:06.760
<v Speaker 1>Olympics as B boys and B girls and they don't

1:58:06.800 --> 1:58:08.560
<v Speaker 1>even give a fuck about hip hop at all as

1:58:08.560 --> 1:58:10.680
<v Speaker 1>a culture. I can't imagine that like, I want to

1:58:10.720 --> 1:58:13.800
<v Speaker 1>train to play handball and the Olympics. Yeah, but you're

1:58:13.800 --> 1:58:19.960
<v Speaker 1>Puerto Rican player. I did think handball me too. Olympics,

1:58:20.920 --> 1:58:23.840
<v Speaker 1>I would like, oh I thought it was no. Hey,

1:58:23.880 --> 1:58:25.760
<v Speaker 1>I'm gonna tell you that they called it some mother

1:58:25.800 --> 1:58:27.920
<v Speaker 1>ship when it was in the Youth Olympics. They called

1:58:27.920 --> 1:58:34.240
<v Speaker 1>it some they called it so not one. Like like,

1:58:34.440 --> 1:58:38.040
<v Speaker 1>right now, one of my messengers missions is, uh, can

1:58:38.160 --> 1:58:41.040
<v Speaker 1>I raise some sort of money through some sort of

1:58:41.200 --> 1:58:45.600
<v Speaker 1>corporation or organization that is hip hop to support the

1:58:45.720 --> 1:58:48.800
<v Speaker 1>people that are representing breaking in the Olympics, because right

1:58:48.880 --> 1:58:53.840
<v Speaker 1>now there's not one hip hop entity that's supporting any

1:58:53.960 --> 1:58:56.000
<v Speaker 1>B boy of B girl in the Olympics right now.

1:58:56.440 --> 1:58:59.120
<v Speaker 1>So you're telling me Rock Nation is not nobody, No

1:58:59.280 --> 1:59:07.720
<v Speaker 1>Rock rocks that zero nation nation, Yes, one revolt, no one,

1:59:07.920 --> 1:59:10.760
<v Speaker 1>absolutely no boy. And these people need and here's the

1:59:10.840 --> 1:59:13.800
<v Speaker 1>thing they need to nobody. No One's zero. That's a

1:59:13.880 --> 1:59:17.200
<v Speaker 1>pill nobody about rock Steady. I would tell you, well,

1:59:17.680 --> 1:59:20.880
<v Speaker 1>if we had the resources, I do it immediately, no problem.

1:59:21.000 --> 1:59:25.320
<v Speaker 1>I mean I should maybe just say that maybe if

1:59:25.360 --> 1:59:28.400
<v Speaker 1>you say, maybe maybe this is where it happens, you know,

1:59:28.560 --> 1:59:32.160
<v Speaker 1>G unit Unit. But shouldn't Rock steady, be like consultants

1:59:32.200 --> 1:59:35.360
<v Speaker 1>to what they're doing to oversee. Yeah, but then you

1:59:35.440 --> 1:59:37.400
<v Speaker 1>have to figure out, like, all right, who are the

1:59:37.480 --> 1:59:40.320
<v Speaker 1>people leading cash money. I don't think the record of

1:59:40.320 --> 1:59:42.760
<v Speaker 1>that money. I don't think the record should be pair enough.

1:59:43.000 --> 1:59:47.200
<v Speaker 1>I mean to sponsor, Yes, sponsor made some bread, sponsor,

1:59:47.320 --> 1:59:49.240
<v Speaker 1>Yes we want you know what I watched. I watched

1:59:49.280 --> 1:59:52.600
<v Speaker 1>this golf tournament that it was similar to that where

1:59:53.160 --> 1:59:55.440
<v Speaker 1>if you win the golf tournament, you get everything, but

1:59:55.480 --> 1:59:59.520
<v Speaker 1>if you lose, you get nothing. But the people that qualify, Yeah,

1:59:59.520 --> 2:00:01.840
<v Speaker 1>but the people that don't get nothing, they still have

2:00:02.000 --> 2:00:04.600
<v Speaker 1>private jets, They still because these people who sponsor them

2:00:04.800 --> 2:00:07.720
<v Speaker 1>just because they had their logos on yeah yeah, something

2:00:07.800 --> 2:00:10.000
<v Speaker 1>like that. And that's what I'm trying to advocate for

2:00:10.240 --> 2:00:13.040
<v Speaker 1>because I know the brothers and sisters that are in it.

2:00:13.560 --> 2:00:17.400
<v Speaker 1>And if it's crazy, because six hundred thousand gets from

2:00:17.440 --> 2:00:19.760
<v Speaker 1>through the next year into the Olympics to be able

2:00:19.800 --> 2:00:24.160
<v Speaker 1>to make the qualifiers, hire a trainer, you know, meal programs,

2:00:24.200 --> 2:00:26.640
<v Speaker 1>all that stuff doesn't even start at the qualifying level

2:00:26.680 --> 2:00:28.880
<v Speaker 1>like the DS like like DMC, like shouldn't it be

2:00:28.960 --> 2:00:31.160
<v Speaker 1>like that? Yeah it does. But I know the people

2:00:31.200 --> 2:00:35.520
<v Speaker 1>who already guaranteed to go in who have done enough already.

2:00:36.000 --> 2:00:38.800
<v Speaker 1>But it's like they may have like small sponsorships here

2:00:38.840 --> 2:00:41.960
<v Speaker 1>and there, but there's no one footing the bill to say, yo,

2:00:42.080 --> 2:00:46.280
<v Speaker 1>you're good from here to the Olympics. That should only

2:00:46.360 --> 2:00:49.640
<v Speaker 1>cause six hundred thousand dollars. That's it each person or

2:00:49.680 --> 2:00:52.840
<v Speaker 1>the whole group, the whole group, oh wow, to give

2:00:52.920 --> 2:00:54.960
<v Speaker 1>them some peace of mind and be like, yeah, I

2:00:55.000 --> 2:00:57.880
<v Speaker 1>don't have to work, you know, I could just focus

2:00:57.960 --> 2:01:01.080
<v Speaker 1>on dancing, you know. I mean, if it's Olympic, that's

2:01:01.120 --> 2:01:03.280
<v Speaker 1>the way it should be. Yeah. And then the fact

2:01:03.360 --> 2:01:07.040
<v Speaker 1>is that like that ship was born here and a

2:01:07.120 --> 2:01:10.400
<v Speaker 1>lot of watches got more. Yeah. So the thing is,

2:01:10.440 --> 2:01:12.240
<v Speaker 1>if you look at I think a lot of the

2:01:12.440 --> 2:01:16.400
<v Speaker 1>other countries, they're supporting their people. The country US is

2:01:16.600 --> 2:01:19.640
<v Speaker 1>not not one company in the US. But let me

2:01:19.640 --> 2:01:22.720
<v Speaker 1>ask you, is that hip hop's responsibility? And that's but

2:01:22.840 --> 2:01:25.280
<v Speaker 1>that's why I set first. There's not one hip hop

2:01:25.480 --> 2:01:29.120
<v Speaker 1>entity that has stepped up. But maybe we don't know that,

2:01:29.360 --> 2:01:31.840
<v Speaker 1>like maybe no, but but actually I know what you're

2:01:31.880 --> 2:01:35.000
<v Speaker 1>stepped up to inquire. I'm not gonna bring them up,

2:01:35.040 --> 2:01:39.280
<v Speaker 1>but anybody but yeah, yeah, nah, nah, you have another

2:01:39.320 --> 2:01:41.760
<v Speaker 1>shot get this man another shot, and we go we're

2:01:41.760 --> 2:01:43.480
<v Speaker 1>gonna We're gonna play at least you know how I

2:01:43.560 --> 2:01:46.600
<v Speaker 1>get down. Yes, yes, yes, yes, but you know you

2:01:46.680 --> 2:01:49.200
<v Speaker 1>know what this is. This is I don't take a

2:01:49.240 --> 2:01:51.960
<v Speaker 1>shot too, this is this is a hip hop save

2:01:52.080 --> 2:01:55.480
<v Speaker 1>his own I believe that people are four fallers. You know,

2:01:55.600 --> 2:01:58.320
<v Speaker 1>CO signed this show. And it's not about you know,

2:01:58.400 --> 2:02:01.360
<v Speaker 1>blowing nobody up. It's just about telling the truth, not

2:02:01.440 --> 2:02:04.880
<v Speaker 1>to say you know what I mean because you had

2:02:04.920 --> 2:02:09.480
<v Speaker 1>a brother on here the other day and we went

2:02:10.400 --> 2:02:12.600
<v Speaker 1>and and and and and then he says to me,

2:02:12.760 --> 2:02:15.960
<v Speaker 1>you know this, this is gonna get me in trouble, right,

2:02:16.440 --> 2:02:24.560
<v Speaker 1>And I go, it should right, and it should? You listen.

2:02:25.440 --> 2:02:27.800
<v Speaker 1>I say this a lot. Maybe I didn't say this

2:02:27.880 --> 2:02:30.160
<v Speaker 1>on the show, but the truth is more powerful than

2:02:30.240 --> 2:02:33.440
<v Speaker 1>a lie. Always if it's a truth, Yeah, if it's

2:02:33.480 --> 2:02:37.200
<v Speaker 1>a truth, go for it. The truth is more powerful

2:02:37.240 --> 2:02:39.760
<v Speaker 1>than a lie because a lie you don't identify with

2:02:39.880 --> 2:02:41.680
<v Speaker 1>the line and correct. A lot of lie will go

2:02:41.800 --> 2:02:45.680
<v Speaker 1>away eventually. But the problem has their own truth. No,

2:02:46.200 --> 2:02:48.800
<v Speaker 1>not when it's four niggas at his own table and

2:02:48.920 --> 2:02:54.320
<v Speaker 1>everybody saying I remember that that is one's millions percent

2:02:54.440 --> 2:02:56.560
<v Speaker 1>solid to the truth, and when you try to run

2:02:56.600 --> 2:02:59.560
<v Speaker 1>away from that, it's going to pot back up. That's

2:02:59.600 --> 2:03:03.200
<v Speaker 1>all I mean. Hold on you, I'm gonna tell you,

2:03:03.320 --> 2:03:04.760
<v Speaker 1>like when it comes to the truth. The way I

2:03:04.800 --> 2:03:06.920
<v Speaker 1>see it is like this, there's a lot of people

2:03:06.960 --> 2:03:09.720
<v Speaker 1>that I know. I know that the deep shit, that dirty,

2:03:09.920 --> 2:03:13.360
<v Speaker 1>I know that dirt. But even if they die, it's

2:03:13.400 --> 2:03:16.440
<v Speaker 1>that the safe zone because when they died, it's still

2:03:16.480 --> 2:03:19.560
<v Speaker 1>got kids. I gotta fucking live that legacy. I don't.

2:03:19.560 --> 2:03:22.840
<v Speaker 1>I don't want, I don't, so I choose to make

2:03:22.920 --> 2:03:26.040
<v Speaker 1>sure that you know, honestly, like if we did dirt

2:03:26.120 --> 2:03:28.640
<v Speaker 1>together and you fucking even if you turn your back

2:03:28.680 --> 2:03:32.160
<v Speaker 1>on me, I'm still not gonna snitch, you know, because

2:03:32.720 --> 2:03:35.400
<v Speaker 1>it's bigger than that for me. And that could be

2:03:35.560 --> 2:03:39.640
<v Speaker 1>my own ghetto trauma, stupidity or whatever it is. But

2:03:39.880 --> 2:03:43.200
<v Speaker 1>that's just however, and that's everybody should have moral grounds

2:03:43.200 --> 2:03:44.880
<v Speaker 1>that they stand on. I could suck up a lot

2:03:44.880 --> 2:03:48.640
<v Speaker 1>of people's careers right now easily, you know, and people

2:03:48.680 --> 2:03:53.320
<v Speaker 1>I probably deserve it, but I'm still not gonna do it. Right, Okay,

2:03:54.160 --> 2:03:57.320
<v Speaker 1>that's real ship. Now, let me ask you, B boy

2:03:57.520 --> 2:04:02.920
<v Speaker 1>originally stand for boy. Yes, yeah, So we established that

2:04:02.960 --> 2:04:06.200
<v Speaker 1>breakdown dancing isn't what B boy. So when you see

2:04:06.240 --> 2:04:08.440
<v Speaker 1>people from Brooklyn calling itself a B boy and people

2:04:08.520 --> 2:04:12.600
<v Speaker 1>from Queens, yes, no no, no, no no no, so

2:04:13.480 --> 2:04:17.000
<v Speaker 1>no because she evolves and that's cool. Only it's only

2:04:17.080 --> 2:04:19.880
<v Speaker 1>when you're not that. So I was in San Francisco

2:04:19.920 --> 2:04:22.720
<v Speaker 1>and like around ninety three and I go to this

2:04:22.840 --> 2:04:26.280
<v Speaker 1>event that run DMC isn't and you asked one DMC

2:04:26.400 --> 2:04:29.000
<v Speaker 1>about the B boy and they say, because when it

2:04:29.080 --> 2:04:33.760
<v Speaker 1>came to Queens, it's signed a f lie Yes, damn ye. Yes.

2:04:35.040 --> 2:04:37.000
<v Speaker 1>I didn't know that. I didn't know. I was like,

2:04:37.160 --> 2:04:39.480
<v Speaker 1>I was like, because I was sitting there, I was like,

2:04:40.000 --> 2:04:43.440
<v Speaker 1>fuck to say the juth as a queen's worst. I

2:04:43.480 --> 2:04:46.240
<v Speaker 1>wish they had a better answer or was that. I

2:04:46.520 --> 2:04:49.280
<v Speaker 1>appreciate that because then we found out that jam Assid

2:04:49.360 --> 2:04:53.840
<v Speaker 1>Jay was actually a B boy. Oh that he actually danced, Yes,

2:04:54.200 --> 2:04:57.360
<v Speaker 1>oh yeah, jam Master Jay and everything was a B

2:04:57.520 --> 2:05:01.720
<v Speaker 1>boy though, yeah, yeah he was. He was. He was

2:05:02.880 --> 2:05:10.040
<v Speaker 1>for them too, you d y yeah, man during the

2:05:10.120 --> 2:05:13.840
<v Speaker 1>Source Awards, which Source Awards, Oh, I'll tell you When

2:05:14.040 --> 2:05:17.520
<v Speaker 1>run DMC was performing, I was in the nineties and

2:05:18.800 --> 2:05:21.920
<v Speaker 1>I feel like rock Steady DJ's at the time mixed

2:05:22.000 --> 2:05:24.960
<v Speaker 1>Mass to Mike Hubert and DJ Appollo. They were performing

2:05:25.040 --> 2:05:28.280
<v Speaker 1>after Source Awards as rock Steady DJ's and they did

2:05:28.360 --> 2:05:34.800
<v Speaker 1>their routine in rehearsal, did the Peter Piper routine in rehearsal. Yeah, yeah,

2:05:35.200 --> 2:05:38.600
<v Speaker 1>they did that routine. No one said anything. So during

2:05:38.680 --> 2:05:43.360
<v Speaker 1>the show they started doing that running running. The gonna

2:05:43.400 --> 2:05:47.040
<v Speaker 1>perform after, so they're pissed off because nobody wants that

2:05:47.200 --> 2:05:50.840
<v Speaker 1>music played before they performed. And they pulled the plug

2:05:50.920 --> 2:05:53.240
<v Speaker 1>on them in the middle of in Madison Square Garden

2:05:54.120 --> 2:05:56.120
<v Speaker 1>and I'm sitting like in the front row and i

2:05:56.200 --> 2:06:00.600
<v Speaker 1>just feel the plug run DMC, run run run run,

2:06:00.800 --> 2:06:03.560
<v Speaker 1>pull the plug on the DJ playing his music. Yes,

2:06:03.680 --> 2:06:07.360
<v Speaker 1>yeah on the DJ. I'm saying, yeah, yeah, I feel that.

2:06:07.640 --> 2:06:10.120
<v Speaker 1>So I ran up from I ran up into the

2:06:10.200 --> 2:06:13.160
<v Speaker 1>stage and the back audience and me and him talking

2:06:13.240 --> 2:06:15.120
<v Speaker 1>shit like it, and I'm like, yo, what the fuck

2:06:15.240 --> 2:06:20.280
<v Speaker 1>you know, because okay, let me stop me for a second. Recently,

2:06:21.000 --> 2:06:25.240
<v Speaker 1>I see Whiz Khalifa come on stage and do the

2:06:25.320 --> 2:06:27.320
<v Speaker 1>same thing. He'd be ready to DJ like he went

2:06:27.400 --> 2:06:29.760
<v Speaker 1>in and then I see every DJ in the world,

2:06:30.040 --> 2:06:32.560
<v Speaker 1>Oh you mean yeah, yeah, that was why kind of

2:06:32.640 --> 2:06:36.160
<v Speaker 1>like go against them the situation you're subscribed. No, no,

2:06:36.280 --> 2:06:39.320
<v Speaker 1>this is different because they did a rehearsal, everybody knew

2:06:39.320 --> 2:06:41.680
<v Speaker 1>what was gonna be played. But in the middle of

2:06:41.760 --> 2:06:44.000
<v Speaker 1>the show, in front of a packed audience of seven

2:06:44.080 --> 2:06:47.080
<v Speaker 1>thousand people as a paramount theater, they're gonna go pull

2:06:47.120 --> 2:06:49.720
<v Speaker 1>the plug on them and humiliate them. They came from

2:06:49.800 --> 2:06:55.760
<v Speaker 1>San Francisco this j yeah. Yeah, And so you know,

2:06:55.920 --> 2:07:01.080
<v Speaker 1>me and run mostly got into it, and and you know,

2:07:01.160 --> 2:07:02.840
<v Speaker 1>he was up in the stairway and I'm trying to

2:07:02.920 --> 2:07:05.560
<v Speaker 1>get at him and people holding me back because it's

2:07:05.560 --> 2:07:07.120
<v Speaker 1>just like, yo, I'm not gonna let you bullying my

2:07:07.200 --> 2:07:09.000
<v Speaker 1>dudes there, my crew, I don't give a funck who

2:07:09.080 --> 2:07:12.320
<v Speaker 1>you are. And yeah, that was it. I'm still a

2:07:12.360 --> 2:07:14.680
<v Speaker 1>fan though. Did you have an aff at the time

2:07:15.240 --> 2:07:20.960
<v Speaker 1>at that time, yeah, Bruce Water, No, you envisioned his

2:07:21.040 --> 2:07:31.560
<v Speaker 1>own like you know, I'm good man. I had to

2:07:31.640 --> 2:07:34.360
<v Speaker 1>put this up like this all right before I'm all right,

2:07:34.440 --> 2:07:37.160
<v Speaker 1>this is this is this is a pre question. But um,

2:07:38.760 --> 2:07:41.960
<v Speaker 1>I gotta ask it because I see people trying that

2:07:42.080 --> 2:07:46.920
<v Speaker 1>we created. Can fat laces ever come back? We started

2:07:47.000 --> 2:07:50.840
<v Speaker 1>fat Laces that ninety nine cents store. Don't tell me

2:07:50.960 --> 2:07:54.520
<v Speaker 1>don't tell me if we use its store ye from

2:07:54.600 --> 2:08:00.280
<v Speaker 1>elastics that would be used for um uh do you say,

2:08:00.320 --> 2:08:05.200
<v Speaker 1>what's the word? I'm looking for people who who seem

2:08:05.280 --> 2:08:08.240
<v Speaker 1>stress and shit like that. So that's how we started.

2:08:08.280 --> 2:08:13.160
<v Speaker 1>From our perspective. Even before that fat lass was about

2:08:13.280 --> 2:08:16.720
<v Speaker 1>taking regular laces, wet them, take the tip of the iron,

2:08:16.840 --> 2:08:22.480
<v Speaker 1>pressed down and then widened them out. And in the

2:08:22.600 --> 2:08:26.600
<v Speaker 1>seventies and then yeah, yeah, who made the creases? I

2:08:26.680 --> 2:08:30.120
<v Speaker 1>don't know, man, you gottat that's some Yeah, that's some

2:08:30.240 --> 2:08:32.080
<v Speaker 1>older dude ship and I see that and paid in

2:08:32.160 --> 2:08:34.600
<v Speaker 1>fall and he was asking for the creases. Yeah, I

2:08:34.760 --> 2:08:38.560
<v Speaker 1>used my creases on the leaves riders. Well you should

2:08:38.560 --> 2:08:41.960
<v Speaker 1>snatch Lee patches. Uh no, we would. There was this

2:08:42.080 --> 2:08:46.760
<v Speaker 1>place called Martin Brothers on Fordham Road and then they

2:08:46.840 --> 2:08:50.040
<v Speaker 1>had a patch that said ONYX and those are like

2:08:50.120 --> 2:08:52.760
<v Speaker 1>the high end Lee riders. But that was the spot

2:08:52.800 --> 2:08:54.960
<v Speaker 1>we got our leaves over there. I should snatched Lee

2:08:55.000 --> 2:08:59.800
<v Speaker 1>passes patches and collect um the Mercedes bench Oh yeah,

2:09:00.040 --> 2:09:07.000
<v Speaker 1>but Cadillac I was so poor. I was pop the ship.

2:09:08.560 --> 2:09:14.840
<v Speaker 1>Yeah yeah, yeah, yeah. I think I was like like, yo,

2:09:15.080 --> 2:09:22.960
<v Speaker 1>little Poppy, we know you don't Lettauck Cadillac. Hey, I

2:09:23.080 --> 2:09:26.440
<v Speaker 1>just want to be clear on one thing, Like, so,

2:09:27.080 --> 2:09:29.880
<v Speaker 1>to me, when I talk about the negative shit in

2:09:29.920 --> 2:09:31.440
<v Speaker 1>my life that I've done or I've been a part

2:09:31.480 --> 2:09:35.800
<v Speaker 1>of an experience, it's not to brag about it or

2:09:36.000 --> 2:09:39.120
<v Speaker 1>celebrate its history. It's just no, it's yeah, it's history.

2:09:39.200 --> 2:09:42.080
<v Speaker 1>But at the same time, you know, to be able

2:09:42.120 --> 2:09:44.560
<v Speaker 1>to turn your life around and just walk away from

2:09:44.600 --> 2:09:49.560
<v Speaker 1>shit before it hits that next level, you know, there's

2:09:49.560 --> 2:09:53.560
<v Speaker 1>a lane for that too, you know. And I guess

2:09:53.760 --> 2:09:55.560
<v Speaker 1>trying to show people like yo, you know, yeah, we

2:09:55.640 --> 2:09:57.040
<v Speaker 1>all come from a lot of us come from a

2:09:57.080 --> 2:10:00.160
<v Speaker 1>fucked up situation. I can tell you ship that alow

2:10:00.240 --> 2:10:04.800
<v Speaker 1>your mind. But but when um people hear those stories,

2:10:05.040 --> 2:10:07.640
<v Speaker 1>but they don't hear like hey, but I'm doing this X,

2:10:07.760 --> 2:10:10.160
<v Speaker 1>Y and Z right now. You know, we gotta give

2:10:10.200 --> 2:10:13.600
<v Speaker 1>that contrast to give them some clarity, like, Yo, my dude,

2:10:13.640 --> 2:10:16.000
<v Speaker 1>you don't have to stay stuck on stupid or or

2:10:16.360 --> 2:10:19.960
<v Speaker 1>be susceptible to that peer pressure, you know. And I

2:10:20.080 --> 2:10:22.400
<v Speaker 1>think that's the power of hip hop, to be honest

2:10:22.400 --> 2:10:25.440
<v Speaker 1>with you. Although you know, hip hop has a bad

2:10:25.520 --> 2:10:28.000
<v Speaker 1>rap and there's a lot of fucked up shit, but

2:10:28.160 --> 2:10:30.080
<v Speaker 1>I think that's the illest part about hip hop has

2:10:30.120 --> 2:10:33.400
<v Speaker 1>turned a lot of people's lives around. Yeah, it's giving

2:10:33.520 --> 2:10:37.200
<v Speaker 1>us lives. Yeah, it's giving us careers, it's given us pathways.

2:10:37.320 --> 2:10:40.880
<v Speaker 1>Most power in the world right now, Yeah, not just

2:10:41.120 --> 2:10:45.120
<v Speaker 1>but not just musically, like in this totality art. Yeah,

2:10:45.240 --> 2:10:49.160
<v Speaker 1>it's amazing artists selling for hundreds of thousands of dollars now.

2:10:49.600 --> 2:10:52.000
<v Speaker 1>So yeah, like my boy that was just tagging and

2:10:52.120 --> 2:10:55.760
<v Speaker 1>bombing and fighting in the streets over fucking tags. Now

2:10:55.840 --> 2:10:58.560
<v Speaker 1>he's fucking selling his ship for hundreds of thousands of dollars.

2:10:58.640 --> 2:11:00.720
<v Speaker 1>You know, Like it's amazing to see that, you know,

2:11:00.800 --> 2:11:03.440
<v Speaker 1>to see b boys and be girls that that that

2:11:03.640 --> 2:11:06.280
<v Speaker 1>that there were just these hood kids in the neighborhood

2:11:06.360 --> 2:11:09.480
<v Speaker 1>dancing traveling the world. You know, that's amazing to me.

2:11:10.120 --> 2:11:14.360
<v Speaker 1>And you danced for Queen Elizabeth. Yeah, Elizabeth and Queen

2:11:16.440 --> 2:11:18.320
<v Speaker 1>but she's on the land, Madonna, and you grind it

2:11:18.360 --> 2:11:21.320
<v Speaker 1>on Madonna. You're grinding on Madonna. Yeah before she blew up,

2:11:21.920 --> 2:11:25.680
<v Speaker 1>she never That picture out there was taken by Henry

2:11:25.760 --> 2:11:30.760
<v Speaker 1>child Fund and it was at dance sing terriat No, honestly,

2:11:32.920 --> 2:11:36.280
<v Speaker 1>I'm gonna tell you right now. So there's all right,

2:11:36.560 --> 2:11:38.960
<v Speaker 1>So she used to come to the rocks He and

2:11:39.000 --> 2:11:41.400
<v Speaker 1>hang out. But before that, again, we were at Dancing Teria,

2:11:41.520 --> 2:11:44.080
<v Speaker 1>so I saw one of her person person her first

2:11:44.120 --> 2:11:48.440
<v Speaker 1>performances there and before she became like Madonna, you know,

2:11:48.560 --> 2:11:51.720
<v Speaker 1>before she had a single out. But um, when she

2:11:51.840 --> 2:11:54.160
<v Speaker 1>used to hang out at the rocks He, you know

2:11:54.440 --> 2:11:56.000
<v Speaker 1>a lot. She'd be hanging out with a lot of

2:11:56.040 --> 2:11:58.960
<v Speaker 1>my boys who are Latino. And I'm sure Mayor has

2:11:59.040 --> 2:12:01.480
<v Speaker 1>some stories because you know, you probably know some of

2:12:01.520 --> 2:12:03.280
<v Speaker 1>the people who went to hang out of her. What

2:12:03.360 --> 2:12:06.040
<v Speaker 1>was homie dude from all our records that made Jellybean

2:12:06.200 --> 2:12:09.760
<v Speaker 1>jelly Bean believe her. That was later a little bit later, Okay, okay,

2:12:09.840 --> 2:12:12.680
<v Speaker 1>so yeah, But the thing is is that I wasn't

2:12:12.720 --> 2:12:15.680
<v Speaker 1>ever into white girls, but she wasn't. Let's let's be honest.

2:12:15.720 --> 2:12:17.320
<v Speaker 1>She was. She was kind of in tune with hip

2:12:17.400 --> 2:12:21.320
<v Speaker 1>hop early on. Absolutely yeah, for the eight from the eighties. Yeah,

2:12:21.560 --> 2:12:25.240
<v Speaker 1>and that's because she met us in danceteria. But I

2:12:25.360 --> 2:12:27.080
<v Speaker 1>wasn't into white girls, but a lot of my boys

2:12:27.120 --> 2:12:30.720
<v Speaker 1>she used to go and hang out. Nah, fuck that shit.

2:12:31.480 --> 2:12:34.160
<v Speaker 1>I was only dating black and Puerto Rican girls back then.

2:12:34.240 --> 2:12:39.480
<v Speaker 1>I said, I said, dance for Queen Elizabeth. Oh, Queen Elizabeth. Yeah.

2:12:39.560 --> 2:12:42.360
<v Speaker 1>So when I was there, when we went to perform

2:12:42.440 --> 2:12:45.720
<v Speaker 1>for Queen Elizabeth, I'm over here looking at her like,

2:12:45.920 --> 2:12:48.320
<v Speaker 1>you know, I gotta shake her hand. And she had

2:12:48.360 --> 2:12:51.120
<v Speaker 1>the jewels around her neck. She smelled like marijuana. Nah,

2:12:53.280 --> 2:12:56.280
<v Speaker 1>she had these jewels around her neck. So I'm supposed

2:12:56.280 --> 2:12:59.120
<v Speaker 1>to be looking at her in her eyes like you know,

2:12:59.160 --> 2:13:01.720
<v Speaker 1>your highness whatever, and I'm like, damn, I want to

2:13:01.760 --> 2:13:09.480
<v Speaker 1>snatch that ship. Oh my god, he's gonna say that.

2:13:10.280 --> 2:13:14.200
<v Speaker 1>I mean again, that's and that's that double life. Did

2:13:14.280 --> 2:13:17.440
<v Speaker 1>you know what it meant to for the Queen? Did

2:13:17.480 --> 2:13:20.200
<v Speaker 1>you know what it meant to you? Now? You didn't

2:13:20.240 --> 2:13:22.000
<v Speaker 1>give it a fun? Wait? Wait wait, wait, this a

2:13:22.040 --> 2:13:24.680
<v Speaker 1>two part question. Did you know what it meant? Or

2:13:24.760 --> 2:13:27.240
<v Speaker 1>did you I didn't know what it meant. Okay, maybe

2:13:27.360 --> 2:13:29.320
<v Speaker 1>that's real. You didn't know. I didn't know what it

2:13:29.360 --> 2:13:32.879
<v Speaker 1>meant because we grow up. We don't know the president

2:13:33.200 --> 2:13:36.720
<v Speaker 1>coming from the hoods. Yeah, you want to meet James Brown,

2:13:37.000 --> 2:13:40.080
<v Speaker 1>But she was blah blah, you know, but you know

2:13:40.160 --> 2:13:42.320
<v Speaker 1>who she was what she was. Yeah, I didn't give

2:13:42.320 --> 2:13:45.400
<v Speaker 1>a fuck. Okay, Yeah, it meant nothing to me. I

2:13:45.520 --> 2:13:48.640
<v Speaker 1>didn't grow up that way. You know it got to

2:13:48.720 --> 2:13:53.560
<v Speaker 1>pick the pick. Oh, this is the pick mcdonna. We

2:13:53.640 --> 2:13:55.200
<v Speaker 1>got going back to Madonna. I might ask you again.

2:13:55.240 --> 2:13:57.000
<v Speaker 1>You're not gonna carr Madonna back in the day they man,

2:13:57.120 --> 2:14:01.280
<v Speaker 1>leave me the fun out of crazy legs. He was outside,

2:14:01.400 --> 2:14:08.920
<v Speaker 1>Let me see he was he was outside. It was outside. Yeah,

2:14:09.000 --> 2:14:12.600
<v Speaker 1>you're right your yeah, but she was cool. She's cool.

2:14:12.920 --> 2:14:16.200
<v Speaker 1>I'm not gonna fust she was not a virgin, absolutely

2:14:16.320 --> 2:14:25.000
<v Speaker 1>not or the very first time I doubt that guy. Yeah,

2:14:25.640 --> 2:14:28.240
<v Speaker 1>and then homegirl Debbie Maze how used to hang out

2:14:28.280 --> 2:14:33.480
<v Speaker 1>with us. His brother dated Debbie Maze Hard and that

2:14:33.600 --> 2:14:36.440
<v Speaker 1>was when she was called Debbie m Right. Yeah, yeah,

2:14:36.440 --> 2:14:38.000
<v Speaker 1>I had an amazing time. Man, let me take a

2:14:38.040 --> 2:14:41.600
<v Speaker 1>shot for it was fun. Like one time we end up,

2:14:42.080 --> 2:14:44.720
<v Speaker 1>we get, I noticed how he was not sticking away

2:14:44.720 --> 2:14:50.920
<v Speaker 1>from the shots to stick again. Yeah, I take another drink. Look.

2:14:51.160 --> 2:14:53.560
<v Speaker 1>So one time we get, we get invited to go

2:14:53.680 --> 2:14:56.720
<v Speaker 1>to a recording studio because some recording artists as a

2:14:56.800 --> 2:14:59.840
<v Speaker 1>fan of ours and they want to surprise him with

2:14:59.880 --> 2:15:03.520
<v Speaker 1>a like in studio performance. And this is like nineteen

2:15:03.600 --> 2:15:05.880
<v Speaker 1>eighty two and he's like one of the biggest artists

2:15:05.920 --> 2:15:09.600
<v Speaker 1>out there. And uh, we go, then it's fucking David Bowie.

2:15:09.880 --> 2:15:14.320
<v Speaker 1>Oh sure, YouTube? Huh no, no, David Bowie. Let's dance,

2:15:15.000 --> 2:15:18.480
<v Speaker 1>David Bowie, not YouTube? What's it? Who's your YouTube? David?

2:15:19.960 --> 2:15:26.360
<v Speaker 1>But it's bad Let's dance? Yeah? Yeah, yeah yeah, so yeah,

2:15:26.480 --> 2:15:29.760
<v Speaker 1>So we were having like interesting times like that, meeting

2:15:30.280 --> 2:15:34.640
<v Speaker 1>like really bugged out punk rock people. Me, Prince Nah,

2:15:34.680 --> 2:15:38.120
<v Speaker 1>I mean Prince Michael Jackson I met when I worked

2:15:38.160 --> 2:15:41.080
<v Speaker 1>on a bad video. Tell us about that. But you

2:15:41.160 --> 2:15:43.320
<v Speaker 1>were on the on the set, Yeah, yeah, I was

2:15:43.400 --> 2:15:45.120
<v Speaker 1>in it was it? Who was in that set? Wasn't

2:15:45.200 --> 2:15:49.600
<v Speaker 1>all Westley Wesley Night. So I auditioned with Martin Scorsese

2:15:50.120 --> 2:15:53.440
<v Speaker 1>for the Wesleys for that part. Really Martin Scorsese didn't

2:15:57.120 --> 2:16:02.480
<v Speaker 1>but that I don't know, it's not all relevant. I

2:16:02.640 --> 2:16:06.000
<v Speaker 1>auditioned for him, and uh, I knew I didn't get

2:16:06.040 --> 2:16:08.120
<v Speaker 1>the part immediately because he was just like, yo, you know,

2:16:08.240 --> 2:16:10.760
<v Speaker 1>like when you live a little, I think you'd be

2:16:10.840 --> 2:16:14.440
<v Speaker 1>a really good actor. And I'm like, he said, live

2:16:14.480 --> 2:16:19.360
<v Speaker 1>a little, yeah, like meaning more wisdom, life explie. Yeah. So, um,

2:16:19.880 --> 2:16:23.400
<v Speaker 1>Wesley got the part, and I ended up being an

2:16:23.480 --> 2:16:25.920
<v Speaker 1>extra on the train scene in the long version of

2:16:26.000 --> 2:16:28.040
<v Speaker 1>the video, But I got to hang out with him,

2:16:28.080 --> 2:16:31.680
<v Speaker 1>take a picture of me and him and with Michael.

2:16:33.280 --> 2:16:35.640
<v Speaker 1>You know who Martin Scorsese was. I found out years later,

2:16:37.120 --> 2:16:40.160
<v Speaker 1>So I'm like auditioning, not giving a fuck, don't know

2:16:40.240 --> 2:16:44.640
<v Speaker 1>who he is and in the job. Yeah, but in

2:16:44.760 --> 2:16:49.440
<v Speaker 1>that picture you're looking at kadem Hardison is in there too. Yeah, yep,

2:16:49.920 --> 2:16:52.720
<v Speaker 1>Kadeem Hardison is right there. So how was Michael? Did

2:16:52.760 --> 2:16:58.440
<v Speaker 1>you probably blew up? You interact with Michael one? Huh? Miked?

2:16:59.360 --> 2:17:02.320
<v Speaker 1>I felt like my was just going pulled out a bag.

2:17:02.440 --> 2:17:06.480
<v Speaker 1>I mean he might tell me that that might. All

2:17:06.520 --> 2:17:09.119
<v Speaker 1>I did was asking for a photo and an autograph

2:17:09.320 --> 2:17:12.760
<v Speaker 1>where you start struck by Michael, to be honest, Yeah, absolutely, yes,

2:17:12.879 --> 2:17:15.760
<v Speaker 1>he was Mike back then eighties. Yeah. I mean he's

2:17:15.760 --> 2:17:17.800
<v Speaker 1>the biggest pop star in the world. Yeah, and our

2:17:17.879 --> 2:17:21.760
<v Speaker 1>film sets there's a certain decorum. You can't really cross

2:17:21.840 --> 2:17:25.440
<v Speaker 1>certain lines. And he's not just that one Michael. You

2:17:25.600 --> 2:17:28.680
<v Speaker 1>got Michael from the Jackson five, who's already a celebrity,

2:17:28.680 --> 2:17:32.720
<v Speaker 1>you know what I'm saying. So that's that's real, That's cool,

2:17:33.200 --> 2:17:35.400
<v Speaker 1>damn it. Man. We come across some interesting people like

2:17:35.480 --> 2:17:39.640
<v Speaker 1>Tina Turner, Gene Kelly, like you're dealt with Tina Turners. Yeah,

2:17:40.320 --> 2:17:43.440
<v Speaker 1>tell him. So we were going to perform in Holland

2:17:44.480 --> 2:17:49.640
<v Speaker 1>and hell huh Holland. Yeah that space Cakes, Space Cake.

2:17:49.720 --> 2:17:53.440
<v Speaker 1>I don't remember, so maybe yes, that's Holland, that's Holland.

2:17:53.600 --> 2:17:59.760
<v Speaker 1>So yeah, so there's not Hollanddale maybe too. Drking Dragon

2:17:59.800 --> 2:18:05.520
<v Speaker 1>coming holiday. I look at him, Sorr. Yeah, No, she

2:18:05.680 --> 2:18:07.440
<v Speaker 1>just wanted to meet us. We were all performing on

2:18:07.520 --> 2:18:10.920
<v Speaker 1>the same show. And uh, it's kind of like this,

2:18:11.040 --> 2:18:13.400
<v Speaker 1>the person wants to meet you, and and we're super young,

2:18:13.600 --> 2:18:16.520
<v Speaker 1>so we still don't really know who the fuck she

2:18:16.680 --> 2:18:23.200
<v Speaker 1>is anyway, back then, did we cares like the message?

2:18:23.240 --> 2:18:27.040
<v Speaker 1>I know, it's crazy. We're looking at the back tfo.

2:18:27.200 --> 2:18:30.600
<v Speaker 1>We don't give a shit about that, you know. So, yeah,

2:18:30.720 --> 2:18:33.280
<v Speaker 1>we met her. That happened with Gene Kelly, like another

2:18:33.360 --> 2:18:36.440
<v Speaker 1>surprise visit. That's the kiss Gene Kelly. No, that's Gene Simmonds,

2:18:36.600 --> 2:18:41.240
<v Speaker 1>all right exactly, Jean Kelly, legendary dancer, tap dancer shit. Yeah,

2:18:41.280 --> 2:18:45.680
<v Speaker 1>we um, we lived some ghetto rock star shit. It

2:18:45.800 --> 2:18:50.000
<v Speaker 1>was cool. So we didn't kick up back then at all.

2:18:50.120 --> 2:18:53.600
<v Speaker 1>You know, we did in terms of what I don't know,

2:18:53.640 --> 2:18:59.680
<v Speaker 1>I got up means something different. But who's somebody that

2:19:00.160 --> 2:19:02.000
<v Speaker 1>that that that told you they was a fan that

2:19:02.120 --> 2:19:07.000
<v Speaker 1>she was blown away from. Well, the queen was a fan.

2:19:07.240 --> 2:19:10.040
<v Speaker 1>She was an actual fan to my queen Elizabeth. Yeah,

2:19:10.040 --> 2:19:12.640
<v Speaker 1>she was a fan of She was actual fan. Really, Yeah,

2:19:14.280 --> 2:19:16.800
<v Speaker 1>try to break down George. I mean, come on, he

2:19:17.000 --> 2:19:22.120
<v Speaker 1>was a fan the comedian No man, Yeah he was

2:19:23.280 --> 2:19:26.400
<v Speaker 1>because I saw so they used to have like fan

2:19:26.520 --> 2:19:29.600
<v Speaker 1>mail back then, and and uh in the fan mail,

2:19:29.600 --> 2:19:31.960
<v Speaker 1>it's like all these questions that the fans asking, then

2:19:32.000 --> 2:19:35.320
<v Speaker 1>you fill out each one. So in his answer when

2:19:35.360 --> 2:19:38.280
<v Speaker 1>he puts music that he bought or who he's into,

2:19:38.640 --> 2:19:44.960
<v Speaker 1>he put rock Steady Crew. That's dope. Yeah, makes so

2:19:45.600 --> 2:19:48.280
<v Speaker 1>who in hip hop were you a fan of that

2:19:48.400 --> 2:19:50.680
<v Speaker 1>you met that you kind of were like fan boyed out.

2:19:51.760 --> 2:19:55.840
<v Speaker 1>That's within your own world though, like Cat Grandmaster Haz

2:19:56.000 --> 2:20:00.720
<v Speaker 1>is my hero, you know, Charlie Chase is also my boy. Uh,

2:20:01.280 --> 2:20:04.040
<v Speaker 1>but yeah, I would say grand Master cast because he

2:20:04.240 --> 2:20:09.400
<v Speaker 1>represented the battle in every way, so and I you know,

2:20:09.480 --> 2:20:11.800
<v Speaker 1>I'm all about the battle. So how old are you

2:20:11.840 --> 2:20:14.280
<v Speaker 1>when you first meet him? Fuck? I was a fan

2:20:14.360 --> 2:20:17.440
<v Speaker 1>of his and watching from the outside the ropes in

2:20:17.560 --> 2:20:20.120
<v Speaker 1>seventy seventy I probably saw him seventy seven, seventy eight.

2:20:21.000 --> 2:20:23.200
<v Speaker 1>I don't remember when he got into Cold Crush, but

2:20:23.320 --> 2:20:25.320
<v Speaker 1>whenever he got in, that's when I became a fan

2:20:25.360 --> 2:20:29.080
<v Speaker 1>of his. And so it was home alone too that

2:20:29.280 --> 2:20:32.959
<v Speaker 1>you I was an extra. It was an extra. It's

2:20:33.000 --> 2:20:36.000
<v Speaker 1>funny too. And that's the same place that used to

2:20:36.080 --> 2:20:38.600
<v Speaker 1>rob people. That's what That's what it is. I asked

2:20:38.640 --> 2:20:42.040
<v Speaker 1>you that earlier. Yeah, I did a little bit. Yeah yeah, yeah, no.

2:20:42.240 --> 2:20:45.640
<v Speaker 1>So it's funny because we had a certain name and

2:20:45.720 --> 2:20:48.160
<v Speaker 1>I'm not gonna get into it because I get canceled immediately.

2:20:49.120 --> 2:20:51.240
<v Speaker 1>I mean, you know what I'm talking about the area

2:20:51.280 --> 2:20:54.240
<v Speaker 1>and uh such a part. We had a certain name

2:20:54.320 --> 2:20:59.560
<v Speaker 1>for it. But uh yeah, and in eighty two, I

2:20:59.680 --> 2:21:03.080
<v Speaker 1>think was the highest crime rate of Central Park. And

2:21:05.480 --> 2:21:07.440
<v Speaker 1>let's just say I was associated with a lot of

2:21:07.720 --> 2:21:13.160
<v Speaker 1>people involved with that and him being one of them. Damn,

2:21:13.520 --> 2:21:16.600
<v Speaker 1>come out your court. And the crazy said is that,

2:21:16.720 --> 2:21:18.040
<v Speaker 1>you know you at a certain point you had the

2:21:18.040 --> 2:21:21.440
<v Speaker 1>Guardian Angels, like we had competations with them. They were

2:21:21.480 --> 2:21:23.879
<v Speaker 1>confronting Hall. Yeah yeah, yeah, yeah. We didn't know how

2:21:23.920 --> 2:21:27.760
<v Speaker 1>to take that because you know, at that age, you're

2:21:27.800 --> 2:21:31.000
<v Speaker 1>thinking like Guardian ages with the yeah, yeah, they're braided. Yeah,

2:21:31.040 --> 2:21:33.400
<v Speaker 1>they were ever raised. Yeah, so you know you funked

2:21:33.440 --> 2:21:35.320
<v Speaker 1>out all of them was on cocaine as well. Huh

2:21:35.959 --> 2:21:37.880
<v Speaker 1>we found out the Guardian age, I wouldn't Yeah, I

2:21:37.879 --> 2:21:40.200
<v Speaker 1>want to be surprised. Man. It was just it was

2:21:40.320 --> 2:21:42.879
<v Speaker 1>dudes like us who acted like they really knew karate

2:21:43.920 --> 2:21:46.840
<v Speaker 1>and we believed the ship believed them too. By the way,

2:21:47.600 --> 2:21:51.200
<v Speaker 1>right in the train, seeing the Guardian Angels being up

2:21:51.440 --> 2:21:55.400
<v Speaker 1>nine to eleven felt safe. I felt safe. I can't

2:21:55.440 --> 2:21:58.760
<v Speaker 1>out front on them. Were they necessary evil in that time? Probably?

2:21:59.080 --> 2:22:01.080
<v Speaker 1>I wouldn't even say that evil. Man, I know what

2:22:01.120 --> 2:22:06.280
<v Speaker 1>I'm saying. Who he was Italian? He was Italian? No sleewa,

2:22:06.959 --> 2:22:10.920
<v Speaker 1>that he was what's his name? The guards Sleewa? You

2:22:11.000 --> 2:22:14.600
<v Speaker 1>know he was like who the dude the main guy? Yeah,

2:22:14.959 --> 2:22:19.600
<v Speaker 1>I thought he was Italian sea. I don't know, there's

2:22:19.600 --> 2:22:21.840
<v Speaker 1>a documentary. No matter what he was, he wasn't one

2:22:21.879 --> 2:22:26.920
<v Speaker 1>of us, Okay, yeah, yeah, And that's when they had

2:22:27.000 --> 2:22:29.600
<v Speaker 1>like Hector Camacho and all these other dudes doing like

2:22:30.040 --> 2:22:34.360
<v Speaker 1>anti graffiti campaigns. Hector Camacho did an anti yes, am

2:22:34.400 --> 2:22:43.400
<v Speaker 1>I right, who else anti graffiti campaign? But yeah, but

2:22:43.480 --> 2:22:47.320
<v Speaker 1>you look at it, this way the outer world of

2:22:47.520 --> 2:22:51.879
<v Speaker 1>our existence was paying our own people to campaign against us,

2:22:52.360 --> 2:22:55.760
<v Speaker 1>right right the well, New York City, they had a

2:22:55.840 --> 2:22:59.280
<v Speaker 1>big campaign against us. Wow, it's kind of like how

2:22:59.360 --> 2:23:02.840
<v Speaker 1>Trump took it add out against these brothers from the

2:23:04.160 --> 2:23:10.240
<v Speaker 1>same shit good that was. It's horrible. Yeah, So let's

2:23:10.240 --> 2:23:13.359
<v Speaker 1>talk about uh, Jimmy D and Jimmy Lee, the founders

2:23:13.360 --> 2:23:16.640
<v Speaker 1>of the rock Steady Crew. Yeah, then how did they? Um,

2:23:17.080 --> 2:23:19.279
<v Speaker 1>how did you meet them to get down with rock Steady?

2:23:19.560 --> 2:23:21.680
<v Speaker 1>I mean, so there was this place called mom and

2:23:21.720 --> 2:23:25.240
<v Speaker 1>Pop's Disco on Katona Avenue in the Bronx. You love

2:23:25.320 --> 2:23:27.840
<v Speaker 1>Katona Avenue. Man, you gotta you gotta buy coltona Aue.

2:23:27.840 --> 2:23:29.520
<v Speaker 1>I mean that's why I started. Yeah, you gotta buy

2:23:29.600 --> 2:23:31.960
<v Speaker 1>yeah yeah, yeah. So you got an accident on there,

2:23:32.000 --> 2:23:33.920
<v Speaker 1>that's where you first got You had an accident on

2:23:34.000 --> 2:23:36.320
<v Speaker 1>Katona Avenue. And what do you mean, no, no, no,

2:23:36.560 --> 2:23:38.760
<v Speaker 1>didn't you fall or something like that? Well, that's where

2:23:38.800 --> 2:23:40.440
<v Speaker 1>you made the windmill, because that's why I made you

2:23:40.560 --> 2:23:43.560
<v Speaker 1>didn't want to fall? Okay, I'm sorry? Yeah right, So, um,

2:23:44.920 --> 2:23:47.320
<v Speaker 1>Jimmy D. I met them at this place ka mom

2:23:47.360 --> 2:23:50.680
<v Speaker 1>and Pop's Disco, which was an underground nightclub this dude,

2:23:50.920 --> 2:23:53.000
<v Speaker 1>a little angel Puerto Rican Cat used to be the

2:23:53.120 --> 2:23:54.840
<v Speaker 1>DJ there and it was where a lot of the lot,

2:23:55.080 --> 2:23:58.200
<v Speaker 1>a lot of the premiere be boys and be girls

2:23:58.240 --> 2:24:01.160
<v Speaker 1>would be with, especially within a lot the community. So

2:24:01.280 --> 2:24:04.000
<v Speaker 1>I went there like maybe seventy seven, seventy eight, and

2:24:05.200 --> 2:24:06.760
<v Speaker 1>at this time, I'm sorry to cut you off, but

2:24:06.840 --> 2:24:09.840
<v Speaker 1>be boy and is probably more important than MCM. And

2:24:10.560 --> 2:24:13.480
<v Speaker 1>now everything was dope, everything was on the same, everything

2:24:13.560 --> 2:24:16.160
<v Speaker 1>was okay, it was a fresh. Yeah, it was all dope,

2:24:16.240 --> 2:24:19.360
<v Speaker 1>all fresh because you remember, like Kaz Mellie Mel, all

2:24:19.360 --> 2:24:22.199
<v Speaker 1>of them used to be B boys, right, so they

2:24:22.240 --> 2:24:25.200
<v Speaker 1>always had a relationship. And when you have people like um,

2:24:26.600 --> 2:24:28.680
<v Speaker 1>Jimmy d and Jimmy Lee who are notorious at the

2:24:28.760 --> 2:24:31.960
<v Speaker 1>same time, they were going to get that respect no

2:24:32.080 --> 2:24:35.120
<v Speaker 1>matter what because they were a threat, you know. So

2:24:35.480 --> 2:24:37.959
<v Speaker 1>but and these are two fucking dudes that never grew

2:24:38.040 --> 2:24:41.080
<v Speaker 1>up to be tall, you know, and but they were

2:24:41.640 --> 2:24:43.720
<v Speaker 1>they were s they were fearless. Yeah, they were fearless.

2:24:44.440 --> 2:24:49.760
<v Speaker 1>And uh so when I everyone on watch out for

2:24:49.840 --> 2:24:55.560
<v Speaker 1>a little guy everyone yeah. So um yeah, as soon

2:24:55.600 --> 2:24:57.760
<v Speaker 1>as I met them, I was maybe like eleven years old,

2:24:58.360 --> 2:25:00.160
<v Speaker 1>and the first thing they did was taking to go

2:25:00.240 --> 2:25:04.360
<v Speaker 1>do snatch a purse And it didn't work out, but

2:25:05.000 --> 2:25:10.080
<v Speaker 1>that was my introduction the purse snatch. Now it was

2:25:10.480 --> 2:25:12.560
<v Speaker 1>fucking desolate and the bronx. There was no one there

2:25:12.920 --> 2:25:19.600
<v Speaker 1>to rob, no purses around the hooks at Hunts Point,

2:25:20.120 --> 2:25:24.039
<v Speaker 1>say tumbleweed and ship because then you help um uh

2:25:24.360 --> 2:25:27.640
<v Speaker 1>cleaned up Hunts Point as well. Yes, I became part

2:25:27.680 --> 2:25:31.320
<v Speaker 1>of a program. Well, I created a program within the

2:25:31.480 --> 2:25:35.920
<v Speaker 1>Point Community Development Corporation because a lot of my boys

2:25:35.959 --> 2:25:37.960
<v Speaker 1>had already dropped off, you know, so a lot of

2:25:37.959 --> 2:25:41.640
<v Speaker 1>people have been murdered. And I was facing a situation

2:25:41.800 --> 2:25:46.680
<v Speaker 1>of do I go in deeper and and go all

2:25:46.760 --> 2:25:50.720
<v Speaker 1>the way and finish this out, or do I just

2:25:51.080 --> 2:25:53.680
<v Speaker 1>walk away and just say fuck it, this ship is dumb.

2:25:54.440 --> 2:25:57.200
<v Speaker 1>And I walked away, and I said, Okay, from this

2:25:57.360 --> 2:25:59.760
<v Speaker 1>point on, I'm gonna get back to the community. I'm

2:25:59.800 --> 2:26:03.440
<v Speaker 1>get use my talent to save the lives of the

2:26:03.560 --> 2:26:07.120
<v Speaker 1>people who made the same bad decisions that led to

2:26:07.200 --> 2:26:10.680
<v Speaker 1>all of my boys' deaths. So I volunteered for three

2:26:10.800 --> 2:26:14.320
<v Speaker 1>years at the Point for three days a week, teaching

2:26:14.440 --> 2:26:17.120
<v Speaker 1>dance and throwing events and you and bringing these kids

2:26:17.200 --> 2:26:20.280
<v Speaker 1>to like wetlands and we take over the club, and

2:26:21.120 --> 2:26:23.560
<v Speaker 1>I put the kids at the at the box office.

2:26:23.640 --> 2:26:25.879
<v Speaker 1>I let them sell the merch, I let them host

2:26:25.920 --> 2:26:29.080
<v Speaker 1>a show, I let them run the B Boy battle everything,

2:26:29.160 --> 2:26:32.279
<v Speaker 1>and to give them some sort of dignity and pride

2:26:32.560 --> 2:26:34.760
<v Speaker 1>and understanding of how to do business. And that was

2:26:34.800 --> 2:26:37.760
<v Speaker 1>like the first gentification to hunts Point. Ye back then

2:26:38.080 --> 2:26:41.720
<v Speaker 1>everyone knew hunts Point for one thing, and this is

2:26:41.840 --> 2:26:45.680
<v Speaker 1>positive gentification. Yeah yeahs he took the hook us out,

2:26:45.760 --> 2:26:51.880
<v Speaker 1>he started dancing. Yeah. Well, Disney, Well, Disney took the

2:26:51.920 --> 2:26:54.560
<v Speaker 1>peep shows out, and he brought in dis nance and

2:26:54.720 --> 2:26:57.280
<v Speaker 1>he took the hookers out, and he brought in B

2:26:57.480 --> 2:27:01.640
<v Speaker 1>Boy and god damn it. Yeah, here's the whole huts point.

2:27:01.760 --> 2:27:03.920
<v Speaker 1>But I'm gonna tell you right now, here's here's a

2:27:03.959 --> 2:27:07.040
<v Speaker 1>crazy shit. You do shit like that and you're still

2:27:07.240 --> 2:27:10.840
<v Speaker 1>like not in tune with your emotions in terms of

2:27:11.000 --> 2:27:14.240
<v Speaker 1>like the damage that you've experienced in your life and

2:27:14.400 --> 2:27:17.400
<v Speaker 1>how that affects you, you know, and how much of

2:27:17.440 --> 2:27:20.520
<v Speaker 1>a ticking time bomb you are fucking tears later on

2:27:20.680 --> 2:27:23.680
<v Speaker 1>when you're you're dealing with remorse. So when you have

2:27:23.800 --> 2:27:27.680
<v Speaker 1>a brother call you twenty years later and knowing that

2:27:28.160 --> 2:27:30.320
<v Speaker 1>he lived right around the street or a corner from

2:27:30.320 --> 2:27:32.480
<v Speaker 1>a place where there's a line waiting for a crack

2:27:32.560 --> 2:27:36.040
<v Speaker 1>housle open every day, just like New Jack City, exactly

2:27:36.160 --> 2:27:40.920
<v Speaker 1>like that. So, Um, when they call you twenty years later,

2:27:41.879 --> 2:27:45.040
<v Speaker 1>randomly at different times, like yo, you saved my life,

2:27:45.800 --> 2:27:49.200
<v Speaker 1>like I'm doing this, this and this now these other

2:27:49.280 --> 2:27:51.720
<v Speaker 1>people are dead, but you saved my life because I

2:27:51.959 --> 2:27:56.360
<v Speaker 1>got down with you, and that should change. Yeah, yeah, yeah,

2:27:57.000 --> 2:28:00.280
<v Speaker 1>and I'm not. And the crazy thing is that I

2:28:00.440 --> 2:28:03.280
<v Speaker 1>was still pulling myself out of some dirt. So the

2:28:03.360 --> 2:28:07.440
<v Speaker 1>struggle was again, still living two different lives while trying

2:28:07.480 --> 2:28:11.520
<v Speaker 1>to go in the right direction and not fall into like,

2:28:11.879 --> 2:28:16.000
<v Speaker 1>fuck that motherfucker. We should hurt him, you know, hurt people,

2:28:16.080 --> 2:28:18.800
<v Speaker 1>hurt people, hurt people helping people. Yeah. So, and the

2:28:18.920 --> 2:28:21.039
<v Speaker 1>thing is is that, you know, again, it goes back

2:28:21.080 --> 2:28:24.960
<v Speaker 1>to um, not pulling myself away from people who will

2:28:25.000 --> 2:28:28.280
<v Speaker 1>happily do damage. There's a person and I'm not again,

2:28:28.320 --> 2:28:30.280
<v Speaker 1>I'm not bringing his name up. He used to run

2:28:30.360 --> 2:28:35.120
<v Speaker 1>this area that we're in right now, and not raw again,

2:28:36.120 --> 2:28:42.039
<v Speaker 1>I am not saying names, but when when that person,

2:28:43.120 --> 2:28:44.880
<v Speaker 1>I mean, I was in this area when Zulu and

2:28:44.959 --> 2:28:48.039
<v Speaker 1>all these guys were Yeah, so so when that person

2:28:48.240 --> 2:28:52.080
<v Speaker 1>heard that somebody was getting sideways with me, that person

2:28:52.240 --> 2:28:55.840
<v Speaker 1>was approached and I can't. I can't have that happening.

2:28:55.920 --> 2:28:58.040
<v Speaker 1>You know, It's like, yo, might duty like you're gonna

2:28:58.080 --> 2:29:03.720
<v Speaker 1>get me some conspiracy charge here? What are you fucking doing? Right? So, yeah,

2:29:04.600 --> 2:29:06.800
<v Speaker 1>it's good to have the ride of dies, but sometimes

2:29:06.840 --> 2:29:09.080
<v Speaker 1>you gotta walk away from that ship because it'll it'll

2:29:09.200 --> 2:29:11.680
<v Speaker 1>kill you. Right, So let me ask you if I

2:29:11.720 --> 2:29:15.120
<v Speaker 1>don't ask you this question about to ask you, you

2:29:15.200 --> 2:29:18.840
<v Speaker 1>know about thirty years maybe forty years ago, probably understand

2:29:19.560 --> 2:29:22.160
<v Speaker 1>exactly what you're gonna say, right, but I'm gonna ask

2:29:22.200 --> 2:29:24.240
<v Speaker 1>you to it right now. If you woke up today,

2:29:25.360 --> 2:29:29.760
<v Speaker 1>right and you had all the hip hop history erased

2:29:29.959 --> 2:29:34.560
<v Speaker 1>and we're just based in Europe from what you heard

2:29:34.600 --> 2:29:39.280
<v Speaker 1>from twenty twenty three on how much of the original

2:29:40.840 --> 2:29:44.120
<v Speaker 1>DNA of hip hop still exists right now me and

2:29:46.080 --> 2:29:49.120
<v Speaker 1>depends on which that action you look at it? Yeah,

2:29:49.200 --> 2:29:52.400
<v Speaker 1>that is the truth. Yeah, Okay, so you just pick

2:29:52.440 --> 2:29:59.960
<v Speaker 1>wishes direction and you want to go. Hip hop is divided. Uh, Yeah,

2:30:00.000 --> 2:30:04.200
<v Speaker 1>of the industry that thinks it's hip hop, but doing

2:30:04.240 --> 2:30:07.040
<v Speaker 1>an element of hip hop could care less about the

2:30:07.120 --> 2:30:09.680
<v Speaker 1>rest and then you have a lot of self righteous

2:30:09.800 --> 2:30:12.840
<v Speaker 1>hip hop heads and we it would be nice if

2:30:12.879 --> 2:30:15.920
<v Speaker 1>we met in the middle somewhere. Okay, self righteous hip

2:30:15.920 --> 2:30:20.080
<v Speaker 1>hop answer? Who? Meaning that anything that this group over

2:30:20.160 --> 2:30:23.200
<v Speaker 1>here does that's into the industry is horrible because the

2:30:23.280 --> 2:30:27.360
<v Speaker 1>com it's commercial. Like I listened to modern shit, you

2:30:27.440 --> 2:30:28.960
<v Speaker 1>know what I mean. I'm not trying to look at

2:30:29.040 --> 2:30:31.480
<v Speaker 1>some new ship as it's not hip hop because it's

2:30:31.480 --> 2:30:33.879
<v Speaker 1>not from my time? Are you with a little busy?

2:30:34.240 --> 2:30:36.680
<v Speaker 1>I fuck with all that he breaks it to. He's

2:30:36.720 --> 2:30:40.560
<v Speaker 1>a b one too. It's like crazy, like I was

2:30:40.600 --> 2:30:43.640
<v Speaker 1>supposed to be in one of his videos and you

2:30:43.760 --> 2:30:47.640
<v Speaker 1>a little together? Yeah one day, one day. He's a

2:30:47.680 --> 2:30:52.360
<v Speaker 1>good brother. But go ahead. But um, I think it's there.

2:30:52.560 --> 2:30:56.360
<v Speaker 1>But I think it's it's divided in a big way, right,

2:30:56.720 --> 2:30:59.560
<v Speaker 1>and I think that that is bad for our community

2:30:59.600 --> 2:31:01.960
<v Speaker 1>because that's why you have this whole other thing of

2:31:02.680 --> 2:31:07.640
<v Speaker 1>uh Latino where the Latinos there are not And it's like, yeah,

2:31:07.680 --> 2:31:10.760
<v Speaker 1>because you divided the elements, you divided the community. And

2:31:12.200 --> 2:31:15.480
<v Speaker 1>what's happened is that hip hop is a commodity that

2:31:15.800 --> 2:31:21.480
<v Speaker 1>is only traded in rap music and then the art,

2:31:22.080 --> 2:31:25.200
<v Speaker 1>the b boys, the DJs, they take it seriously. In

2:31:25.320 --> 2:31:29.400
<v Speaker 1>terms of turntableism, they've all been splintered. We can't point

2:31:29.400 --> 2:31:32.200
<v Speaker 1>where they don't even hip hop. I can't be mass

2:31:32.280 --> 2:31:34.760
<v Speaker 1>produced like a record, so I can't make as much

2:31:34.959 --> 2:31:38.039
<v Speaker 1>right right, So there's a big difference. I don't get

2:31:38.160 --> 2:31:42.119
<v Speaker 1>royalties off of something unless it's a film that I've

2:31:42.160 --> 2:31:44.960
<v Speaker 1>been in. You get royalties every time your record is played,

2:31:45.640 --> 2:31:48.680
<v Speaker 1>So there's a big difference. And think about and think

2:31:48.720 --> 2:31:51.000
<v Speaker 1>about let's let's think about the if you want to

2:31:51.040 --> 2:31:53.560
<v Speaker 1>put it in a conspiracy, who benefits off of the

2:31:53.640 --> 2:31:58.120
<v Speaker 1>splinter the The industry that that monetizes the music cannot

2:31:58.560 --> 2:32:02.560
<v Speaker 1>monetize these other elements. So they said, okay, boom, we

2:32:02.680 --> 2:32:05.920
<v Speaker 1>shed that this is hip hop. But you know what's crazy,

2:32:06.040 --> 2:32:09.880
<v Speaker 1>I brung it up earlier. How much Europe to me

2:32:10.080 --> 2:32:13.000
<v Speaker 1>respects hip hop more If you actually think about it.

2:32:13.800 --> 2:32:17.000
<v Speaker 1>In Europe, the B boy and the DJ is on

2:32:17.160 --> 2:32:20.600
<v Speaker 1>the same level as the MC. Yeah they are, but

2:32:20.640 --> 2:32:23.720
<v Speaker 1>it's on the same level, and that's how to me. No,

2:32:23.840 --> 2:32:26.440
<v Speaker 1>but it's changing, it's changing. It's they're they're changing with

2:32:26.640 --> 2:32:28.640
<v Speaker 1>us too as well. So you meaning that the MC

2:32:28.840 --> 2:32:32.720
<v Speaker 1>is becoming No, no, they're they're becoming more Americanized in

2:32:32.800 --> 2:32:34.840
<v Speaker 1>their view of hip hop. Well, I haven't seen you.

2:32:34.959 --> 2:32:41.040
<v Speaker 1>I haven't been. It's gone with damn, I know, trying

2:32:41.080 --> 2:32:45.160
<v Speaker 1>to get a bag because I don't think it's nothing

2:32:45.240 --> 2:32:47.280
<v Speaker 1>wrong with getting the bag. I no, but we still

2:32:47.360 --> 2:32:50.240
<v Speaker 1>have the integrity list and that's the problem thing. So

2:32:50.760 --> 2:32:53.800
<v Speaker 1>I've been doing these documentaries where I've traveled to different

2:32:53.840 --> 2:32:56.400
<v Speaker 1>countries trying to find hip hop, well, exploring the country

2:32:56.440 --> 2:32:59.000
<v Speaker 1>through hip hop, through the scope of hip hop, and

2:33:00.120 --> 2:33:03.440
<v Speaker 1>every single country, the same thing has been told to me.

2:33:04.200 --> 2:33:11.000
<v Speaker 1>You guys don't do hip hop anymore. You do business.

2:33:12.080 --> 2:33:13.879
<v Speaker 1>You are not you. We don't, We do not look

2:33:13.959 --> 2:33:16.520
<v Speaker 1>to you anymore. Now, these places that used to look

2:33:16.560 --> 2:33:20.440
<v Speaker 1>to themselves as the innovators, as the pioneers, they look

2:33:20.480 --> 2:33:23.840
<v Speaker 1>to themselves and there and their neighbors. Like I went

2:33:23.879 --> 2:33:27.600
<v Speaker 1>to Vietnam, Vietnam looks to Korean Japan and to themselves.

2:33:27.840 --> 2:33:32.480
<v Speaker 1>I went to Colombia. Columbia by itself. Is it's like

2:33:32.720 --> 2:33:38.200
<v Speaker 1>hip hop hip hop? Diego was there too. I think

2:33:38.520 --> 2:33:41.360
<v Speaker 1>the message in hip hop no longer exists from our

2:33:41.440 --> 2:33:45.080
<v Speaker 1>perspective over here, right fuck, you know, like where's the messaging?

2:33:45.120 --> 2:33:48.120
<v Speaker 1>But we still got to what what sucks is that

2:33:48.600 --> 2:33:51.840
<v Speaker 1>hip hop is the number one cultural export of the

2:33:52.000 --> 2:33:55.160
<v Speaker 1>United States to the world, and the United States and

2:33:55.280 --> 2:33:58.920
<v Speaker 1>ourselves do not identify that and make sense of it

2:33:59.040 --> 2:34:01.360
<v Speaker 1>to and make make it a thing that we could

2:34:01.400 --> 2:34:06.240
<v Speaker 1>either monetize or politicize or make it a political thing.

2:34:06.360 --> 2:34:09.039
<v Speaker 1>We just don't use. And the fact that breaking comes

2:34:09.160 --> 2:34:12.200
<v Speaker 1>from the fucking backyard of the United States and not

2:34:12.520 --> 2:34:15.080
<v Speaker 1>one of them has been sponsored who are going to

2:34:15.120 --> 2:34:19.360
<v Speaker 1>the Olympics by anything in the United States shows how

2:34:19.480 --> 2:34:25.480
<v Speaker 1>much regard they have for us. All Right, yeah, we're assholes.

2:34:25.959 --> 2:34:29.440
<v Speaker 1>Well we're fucking shit up. Well, you know what, Um,

2:34:31.440 --> 2:34:33.360
<v Speaker 1>We've been talking about this hip hop union for a

2:34:33.440 --> 2:34:37.600
<v Speaker 1>long time, right, me and E F n Um. When

2:34:37.680 --> 2:34:40.080
<v Speaker 1>we saw this show, it was like, Yo, I forget

2:34:40.120 --> 2:34:42.280
<v Speaker 1>who was sick in hip hop? And it was like,

2:34:42.360 --> 2:34:45.960
<v Speaker 1>wait a minute, the bills wasn't paid or something like that,

2:34:47.000 --> 2:34:48.800
<v Speaker 1>and we were like, yo, hip hop needs a union.

2:34:49.800 --> 2:34:52.880
<v Speaker 1>There's no way you can put in twenty thirty years

2:34:52.959 --> 2:34:56.160
<v Speaker 1>of work, in your case, forty five years of work

2:34:56.800 --> 2:34:59.600
<v Speaker 1>and then you get sick and it should be on

2:34:59.760 --> 2:35:02.600
<v Speaker 1>your family, Like it was only your family to miss,

2:35:03.720 --> 2:35:06.680
<v Speaker 1>you know, Christmas When you was performing in France, there

2:35:06.720 --> 2:35:09.520
<v Speaker 1>was only your family to miss Thanksgiving when you're performing

2:35:09.560 --> 2:35:13.800
<v Speaker 1>in Russia, Like why should your family beer? Why? What

2:35:14.000 --> 2:35:16.480
<v Speaker 1>shouldn't we have a union. It would be nice, but

2:35:16.680 --> 2:35:18.720
<v Speaker 1>until that, no one trusts, no one. I just have

2:35:18.879 --> 2:35:22.080
<v Speaker 1>to operate as you know, I operate as if no

2:35:22.160 --> 2:35:25.280
<v Speaker 1>one owes me anything, and I got to handle my shit.

2:35:25.920 --> 2:35:28.760
<v Speaker 1>I'm responsible for my own relevance and my own finances

2:35:28.840 --> 2:35:31.080
<v Speaker 1>and and how I take care of my own medical

2:35:31.840 --> 2:35:35.000
<v Speaker 1>and if there's something comes where there's a fund for

2:35:35.400 --> 2:35:39.800
<v Speaker 1>people like myself who are pioneers, like if I'm well

2:35:39.879 --> 2:35:42.680
<v Speaker 1>off at the moment, I probably wouldn't accept it because

2:35:42.720 --> 2:35:47.560
<v Speaker 1>there's probably yeah, but no, No. The thing about it is,

2:35:47.920 --> 2:35:52.000
<v Speaker 1>especially you know, um with how we're kind of owning

2:35:52.160 --> 2:35:56.840
<v Speaker 1>our own stuff now like we're actually in the era,

2:35:57.120 --> 2:35:59.640
<v Speaker 1>and especially with a podcast, you know, yeah, I would love,

2:36:00.120 --> 2:36:02.720
<v Speaker 1>you know, you know, to stop talking about it. And

2:36:02.840 --> 2:36:05.320
<v Speaker 1>I would love to like, you know, Joe Budden, well,

2:36:05.400 --> 2:36:08.120
<v Speaker 1>Chuck D. You know, Chuck D. He's created something I

2:36:08.200 --> 2:36:11.680
<v Speaker 1>don't know. Well, let's dare do it. Joe Buden, mallon

2:36:11.760 --> 2:36:15.040
<v Speaker 1>dollars worth of a game, Gillian Willow, you know, Nori

2:36:15.280 --> 2:36:20.040
<v Speaker 1>and efn uh I think we should put up a

2:36:20.080 --> 2:36:23.120
<v Speaker 1>couple of dollars and just put it in a pot

2:36:23.200 --> 2:36:26.400
<v Speaker 1>with it's it's see through, put it in Killer Mike's bank.

2:36:27.640 --> 2:36:31.920
<v Speaker 1>I trust Killer Mike, and I trust this bank, and

2:36:32.040 --> 2:36:36.360
<v Speaker 1>just lead that ship there until. Not to say that

2:36:36.480 --> 2:36:40.640
<v Speaker 1>we want something catastrophic to happen, but if something happens,

2:36:40.680 --> 2:36:44.080
<v Speaker 1>if if, if a little something if. But that's not

2:36:44.200 --> 2:36:46.520
<v Speaker 1>the way it works, man, No, we gotta make it up. No,

2:36:48.040 --> 2:36:50.640
<v Speaker 1>it's not the way it works, Chuck D. I think

2:36:50.680 --> 2:36:53.560
<v Speaker 1>it's kariss ones involved. They got the government involved. You

2:36:53.680 --> 2:36:57.160
<v Speaker 1>need bigger funds to really make a difference. You can't.

2:36:57.200 --> 2:36:59.200
<v Speaker 1>We can't take a couple of podcasts and put a

2:36:59.240 --> 2:37:02.040
<v Speaker 1>couple of dollars in Well, we fucking need the dollars ourselves.

2:37:02.080 --> 2:37:04.480
<v Speaker 1>But we can still empower each other. That's it. That's

2:37:04.520 --> 2:37:07.360
<v Speaker 1>what I'm saying. That's like empowering some some people who

2:37:07.400 --> 2:37:09.960
<v Speaker 1>are representing the United States on the highest level ever.

2:37:10.920 --> 2:37:13.840
<v Speaker 1>Get them six hundred gs or if you could raise

2:37:13.920 --> 2:37:17.200
<v Speaker 1>funds that's what they have. But here's the thing, right,

2:37:19.520 --> 2:37:23.560
<v Speaker 1>a lot of us don't know, don't understand how do

2:37:23.720 --> 2:37:26.360
<v Speaker 1>we do that? Right? Okay? Cool, you said, Chuck D.

2:37:26.520 --> 2:37:29.800
<v Speaker 1>Has an idea. So they did it. They did okay,

2:37:30.200 --> 2:37:32.400
<v Speaker 1>alright investing, and I feel like we should do something right,

2:37:32.640 --> 2:37:34.640
<v Speaker 1>and this is something that I just learned. Right. I

2:37:34.680 --> 2:37:37.400
<v Speaker 1>went to Opus one right, and Opus one I thought

2:37:37.440 --> 2:37:40.879
<v Speaker 1>I knew, which is a great wine. It's a great wine. Right.

2:37:41.120 --> 2:37:43.199
<v Speaker 1>So I went to the factory right, and I really

2:37:43.200 --> 2:37:46.640
<v Speaker 1>thought I knew everything about wine. Right, And he gave

2:37:46.720 --> 2:37:49.280
<v Speaker 1>me the two thousand and eighteen. He gave me the

2:37:49.320 --> 2:37:52.480
<v Speaker 1>two thousand and sixteen, gave me the two thou and

2:37:52.560 --> 2:37:55.360
<v Speaker 1>then no, I did not, but you're you're correct. I

2:37:55.440 --> 2:37:58.000
<v Speaker 1>heard the ninety six. It is fantastic. He didn't have right,

2:37:58.200 --> 2:38:01.320
<v Speaker 1>but I went through it all and I loved him all.

2:38:02.280 --> 2:38:08.160
<v Speaker 1>And then he brung me what was later considered the throwaway.

2:38:09.360 --> 2:38:13.480
<v Speaker 1>All drink it and we all said this is our favorite, right,

2:38:14.560 --> 2:38:17.760
<v Speaker 1>and he said, you know why, it's because that's exactly

2:38:17.840 --> 2:38:19.840
<v Speaker 1>what it is. It's what you want it to be.

2:38:20.800 --> 2:38:23.160
<v Speaker 1>Sometimes we can sit around and just sit around and say,

2:38:23.240 --> 2:38:25.240
<v Speaker 1>let's wait for it to be perfect, and let's wait

2:38:25.280 --> 2:38:27.800
<v Speaker 1>for al Shopton to come over there and do some

2:38:28.000 --> 2:38:30.240
<v Speaker 1>jump ropes with us, and then you know, do it.

2:38:30.400 --> 2:38:32.120
<v Speaker 1>And then sometimes it's just like, let's just do the

2:38:32.280 --> 2:38:34.960
<v Speaker 1>right thing do. The right thing is let's just just

2:38:35.160 --> 2:38:38.200
<v Speaker 1>whatever whatever, and if anything happens, because that's really take

2:38:38.200 --> 2:38:39.600
<v Speaker 1>it as far as you can take. That's really what

2:38:39.720 --> 2:38:42.520
<v Speaker 1>insurance is. It's just in case shit happened, right, So

2:38:42.760 --> 2:38:45.840
<v Speaker 1>just so let's just throw whatever whatever. Maybe we're not

2:38:45.920 --> 2:38:47.600
<v Speaker 1>gonna do it the right way. Maybe we're not, But

2:38:47.800 --> 2:38:52.200
<v Speaker 1>the fact is I will feel fucking awesome knowing that

2:38:52.520 --> 2:38:55.640
<v Speaker 1>a hip hop legend caught a stroke, and for us

2:38:55.840 --> 2:38:59.760
<v Speaker 1>as podcasters, we stepped up and said his family bills

2:39:00.200 --> 2:39:05.200
<v Speaker 1>taking care of that ship. I wouldn't yesterday. I couldn't

2:39:05.240 --> 2:39:07.840
<v Speaker 1>sleep at night. That wouldn't make me sleep at night

2:39:07.920 --> 2:39:10.320
<v Speaker 1>like that. But let me let me tell you this.

2:39:10.480 --> 2:39:12.959
<v Speaker 1>This is you helping yourself. Let me rebuttal you this. However,

2:39:13.000 --> 2:39:14.840
<v Speaker 1>me help myself. I don't plan. Let me let me

2:39:14.920 --> 2:39:16.960
<v Speaker 1>let me give you a rebuttal Okay. If Chuck D,

2:39:17.240 --> 2:39:20.120
<v Speaker 1>who I trust, has always had the best interest of

2:39:20.200 --> 2:39:23.440
<v Speaker 1>hip hop in his heart, if he's leading, he ain't

2:39:23.440 --> 2:39:25.680
<v Speaker 1>come to drink jams. No, but Chuck D ain't reach

2:39:25.760 --> 2:39:34.200
<v Speaker 1>out back. You know something wrong. He should have been here.

2:39:34.320 --> 2:39:38.920
<v Speaker 1>Chuck ddun did wipe me crazy since we reached out,

2:39:39.040 --> 2:39:41.320
<v Speaker 1>he said, he does not do interviews, and all of

2:39:41.360 --> 2:39:44.039
<v Speaker 1>a sudden he's been doing every other and okay, that's

2:39:44.040 --> 2:39:47.600
<v Speaker 1>your so let me let me feed us. Okay. So

2:39:47.840 --> 2:39:51.240
<v Speaker 1>if he's doing something him and there's a coalition of

2:39:51.320 --> 2:39:54.520
<v Speaker 1>people involved and they they're doing it the right way,

2:39:54.879 --> 2:39:57.600
<v Speaker 1>my thing is, let's contribute to what they're doing. Because

2:39:57.600 --> 2:40:02.000
<v Speaker 1>if why they contribute. He's been saying this for seven years,

2:40:02.120 --> 2:40:06.200
<v Speaker 1>hold up the splintering of it everything. People to do this,

2:40:06.360 --> 2:40:08.760
<v Speaker 1>and graph writers do this. Okay, you know what you

2:40:08.959 --> 2:40:11.760
<v Speaker 1>do that, Chuck D. Podcasters do this. Fuck it. We're

2:40:11.760 --> 2:40:13.680
<v Speaker 1>all gonna do it different because it's gonna make me

2:40:13.800 --> 2:40:17.280
<v Speaker 1>feel better. No, bro, contribute to the movement that it's

2:40:17.320 --> 2:40:19.480
<v Speaker 1>gonna do it right the organizations. Because we've been speaking

2:40:19.520 --> 2:40:21.840
<v Speaker 1>this for seven years, and I've been watching and I've

2:40:21.879 --> 2:40:24.879
<v Speaker 1>been watching the fans for seven years. Tag this man

2:40:25.120 --> 2:40:28.440
<v Speaker 1>on Twitter, follow him on Twitter, Chuck D and every

2:40:28.520 --> 2:40:30.840
<v Speaker 1>one of these other people, And guess what, none of

2:40:30.879 --> 2:40:32.680
<v Speaker 1>them have ever hit me on DM. None of them

2:40:32.800 --> 2:40:35.280
<v Speaker 1>have ever pursued that. So I'm tired of waiting for

2:40:35.480 --> 2:40:39.760
<v Speaker 1>our forefathers, our near fathers, with their both fathers. Why

2:40:39.800 --> 2:40:42.040
<v Speaker 1>did they reach out? You mean to tell me you

2:40:42.120 --> 2:40:44.080
<v Speaker 1>mean to tell me, hold on, let's be clear out

2:40:44.120 --> 2:40:45.760
<v Speaker 1>to us to do it. Let's be clear. No, no,

2:40:46.040 --> 2:40:47.320
<v Speaker 1>why did they reach out for us to be a

2:40:47.400 --> 2:40:49.320
<v Speaker 1>part of it? You mean to tell me every time

2:40:49.400 --> 2:40:51.720
<v Speaker 1>they say something or every time something like that with

2:40:51.879 --> 2:40:55.000
<v Speaker 1>a hip hop union is it's brung up. I love

2:40:55.080 --> 2:40:57.080
<v Speaker 1>our fans on Twitter because you know what they say,

2:40:57.320 --> 2:40:59.640
<v Speaker 1>don't You've never been saying this for seven new years,

2:41:00.440 --> 2:41:04.879
<v Speaker 1>for seven years, for seven years, and I'm not willing

2:41:04.920 --> 2:41:06.879
<v Speaker 1>to talk about it no more. I'm willing to put

2:41:07.120 --> 2:41:09.560
<v Speaker 1>the same way I'm willing to invest into Drunken Dragon

2:41:09.600 --> 2:41:11.920
<v Speaker 1>a Hollander, which I'm doing the same way. I'm willing

2:41:11.959 --> 2:41:15.560
<v Speaker 1>to invest in fox Hole, which I'm doing the same way.

2:41:15.560 --> 2:41:18.000
<v Speaker 1>I'm willing to put up a couple of such and such,

2:41:18.160 --> 2:41:20.920
<v Speaker 1>just a hav An account just in case if Maxwell

2:41:21.200 --> 2:41:26.720
<v Speaker 1>fall and break his ankle. Let's help about maybe something. Well,

2:41:26.840 --> 2:41:30.279
<v Speaker 1>I'm sucking around. Here's the thing, here's the thing himself.

2:41:30.400 --> 2:41:34.160
<v Speaker 1>For me as a dancer, there are times when I've

2:41:34.200 --> 2:41:37.000
<v Speaker 1>had insurance and I didn't have insurance right, so whatever

2:41:37.040 --> 2:41:39.520
<v Speaker 1>I had in the bank went towards my surgery. Right.

2:41:40.160 --> 2:41:43.880
<v Speaker 1>So with an hour name. As dancers, we get fucked

2:41:43.959 --> 2:41:47.600
<v Speaker 1>up the most, Yes, and we're all taking care of ourselves.

2:41:48.240 --> 2:41:51.440
<v Speaker 1>Like I've come out of pocket so much money for

2:41:51.560 --> 2:41:53.360
<v Speaker 1>the ship that I do just for the love of

2:41:53.440 --> 2:41:55.880
<v Speaker 1>hip hop. Right, So there's a lot of people out

2:41:55.920 --> 2:41:59.880
<v Speaker 1>there who are representing and I think that's probably like

2:42:00.000 --> 2:42:02.600
<v Speaker 1>the most injuries you know for dance, you know in

2:42:02.800 --> 2:42:08.200
<v Speaker 1>hip hop, but funerals, God bless us, the hip hop

2:42:08.280 --> 2:42:11.120
<v Speaker 1>funerals that you go start to see and you'd be like, damn,

2:42:11.560 --> 2:42:13.480
<v Speaker 1>the shit is not taken care of. That shit is

2:42:13.520 --> 2:42:18.720
<v Speaker 1>like like, that's I mean, and I don't I had

2:42:18.760 --> 2:42:20.320
<v Speaker 1>a rebuttal with you. I don't want you to say

2:42:20.360 --> 2:42:24.600
<v Speaker 1>that I'm disagreement and I'm disagreeing d what he's doing.

2:42:24.959 --> 2:42:27.640
<v Speaker 1>The problem is we're so available, we're so out there,

2:42:27.680 --> 2:42:31.400
<v Speaker 1>and our platform actually exists. Our platform actually exists where

2:42:31.480 --> 2:42:35.120
<v Speaker 1>weekly guess what. Your platform is a force and you

2:42:35.160 --> 2:42:37.560
<v Speaker 1>guess what. Guess what, Chuck and whoever who else is

2:42:37.600 --> 2:42:40.600
<v Speaker 1>doing it. Maybe and Chick is a fan of the platform.

2:42:40.680 --> 2:42:42.760
<v Speaker 1>Maybe he said he's willing to maybe care us, but

2:42:42.840 --> 2:42:44.880
<v Speaker 1>maybe y'all, Maybe y'all didn't want to come here, but

2:42:44.959 --> 2:42:48.320
<v Speaker 1>at least let's promote y'all platform on this platform because

2:42:48.320 --> 2:42:50.840
<v Speaker 1>this is what it's made for. It's made for us,

2:42:51.160 --> 2:42:53.480
<v Speaker 1>because I guess, I guess what. Go ahead and try

2:42:53.520 --> 2:42:55.039
<v Speaker 1>to go to Hot ninety seven. Now they got ninety

2:42:55.040 --> 2:42:58.240
<v Speaker 1>four seven. It beat let's pick up? Uh, Psyche sounds

2:43:01.040 --> 2:43:03.240
<v Speaker 1>like the founds, Miss Jones. I think mister c is

2:43:03.280 --> 2:43:06.800
<v Speaker 1>over there and there. Actually this is another station besides

2:43:06.920 --> 2:43:08.800
<v Speaker 1>Rock the Bells. And I love Rock the Bells, but

2:43:09.000 --> 2:43:11.480
<v Speaker 1>Rock the Bells cannot say that they did not base

2:43:12.120 --> 2:43:15.240
<v Speaker 1>what we were doing awful and we were giving all

2:43:15.400 --> 2:43:21.480
<v Speaker 1>legends their flowers. I think we're still are giving. Really,

2:43:21.879 --> 2:43:25.400
<v Speaker 1>I'm actually an equity owner of Rock the Bells. No,

2:43:29.480 --> 2:43:33.720
<v Speaker 1>they did it, reached out to several of us, and

2:43:34.240 --> 2:43:36.960
<v Speaker 1>they did give us equity in the company. Beautiful. Uh

2:43:37.240 --> 2:43:42.280
<v Speaker 1>so I gotta salute the beautiful doing great things. Yeah, yeah,

2:43:42.360 --> 2:43:44.600
<v Speaker 1>I got nothing. I would never have anything bad to

2:43:44.640 --> 2:43:47.720
<v Speaker 1>say about. Okay, care, rest One and Cares have launched

2:43:47.760 --> 2:43:51.160
<v Speaker 1>the union. All right, cool, I'm mad. Why are you mad?

2:43:51.200 --> 2:43:56.160
<v Speaker 1>Because they should hill at y'all because no, no, I'm saying,

2:43:56.200 --> 2:43:58.920
<v Speaker 1>I understand, but you can't get playing. But I'm not playing.

2:43:59.000 --> 2:44:02.160
<v Speaker 1>The thing about it is, we can't be outdated like

2:44:02.280 --> 2:44:05.280
<v Speaker 1>we can't be sitting around and do something that was

2:44:05.400 --> 2:44:09.720
<v Speaker 1>brought up publicly on this show for seven strong years.

2:44:09.760 --> 2:44:12.959
<v Speaker 1>But we live in an era where nobody even sees everything. Yes,

2:44:13.280 --> 2:44:15.800
<v Speaker 1>but there's someone in his camp, just like George Clinton

2:44:15.879 --> 2:44:18.000
<v Speaker 1>just came here, just Clinton, ain't I could tell he

2:44:18.120 --> 2:44:20.640
<v Speaker 1>never saw an episode of Drink Champs his fucking lights,

2:44:20.720 --> 2:44:24.520
<v Speaker 1>and I loved him anyway. But his grandchildren said, this

2:44:24.680 --> 2:44:26.480
<v Speaker 1>is the place where you posted be true. So you

2:44:26.600 --> 2:44:29.480
<v Speaker 1>mean to tell me that once they set up that campaign,

2:44:29.520 --> 2:44:31.560
<v Speaker 1>they ain't No, it wasn't no one who said Drink

2:44:31.600 --> 2:44:34.200
<v Speaker 1>Chace were saying this ship for seven years. They've been trying,

2:44:34.280 --> 2:44:37.119
<v Speaker 1>They've been waiting. But but but maybe they've been saying

2:44:37.160 --> 2:44:40.600
<v Speaker 1>it for seventeen years. Wen't hear it. I ain't hearing that.

2:44:41.080 --> 2:44:43.160
<v Speaker 1>It's every one of the albums. I'm just saying I

2:44:43.200 --> 2:44:45.840
<v Speaker 1>got everyone albums. We don't got everyone of them. I

2:44:45.879 --> 2:44:48.240
<v Speaker 1>ain't hear we don't know, we don't know. You gotta

2:44:48.240 --> 2:44:54.400
<v Speaker 1>give the benefit. I don't know why he said the

2:44:56.959 --> 2:44:59.720
<v Speaker 1>black but I want me but simple support that. I'm

2:44:59.760 --> 2:45:02.320
<v Speaker 1>not saying I don't support it. I'm saying I have

2:45:02.440 --> 2:45:04.280
<v Speaker 1>no control over that. I have nothing, I have no

2:45:04.360 --> 2:45:07.640
<v Speaker 1>information of that. Cool. You know our engineer just sent

2:45:07.760 --> 2:45:10.600
<v Speaker 1>that to us. Um, this should be front page news.

2:45:13.360 --> 2:45:16.440
<v Speaker 1>It's it's probably the problem is it's not from page news.

2:45:16.680 --> 2:45:19.520
<v Speaker 1>Guess what ours? But guess what it's the media. Guess what, sir,

2:45:19.680 --> 2:45:22.800
<v Speaker 1>case I don't know that every time we drop we're

2:45:22.840 --> 2:45:28.800
<v Speaker 1>fromt page news. Yes, we're from page well cardist. If

2:45:28.840 --> 2:45:31.560
<v Speaker 1>we want it, and sometimes we don't even want it,

2:45:31.640 --> 2:45:34.440
<v Speaker 1>we're doing it. Definitely. It's a lot of times like

2:45:34.520 --> 2:45:37.879
<v Speaker 1>that you say it can do and I'm standing y'all

2:45:39.120 --> 2:45:42.040
<v Speaker 1>it there's a lot of times we don't want front

2:45:42.040 --> 2:45:44.440
<v Speaker 1>spay news. But this is something and that's what we

2:45:44.600 --> 2:45:46.800
<v Speaker 1>care about the community. We care about hit But this, this,

2:45:46.920 --> 2:45:49.120
<v Speaker 1>this is, this is what we have to do. It

2:45:49.280 --> 2:45:51.680
<v Speaker 1>can't like like you said, it can't be a care

2:45:51.800 --> 2:45:56.840
<v Speaker 1>arrest one Chuck d thing, uh and a crazy leg

2:45:56.879 --> 2:45:59.600
<v Speaker 1>stay rock steady thing and then a drink Champs thing.

2:45:59.760 --> 2:46:01.760
<v Speaker 1>Oh okay, cool, maybe it's not a drink Champ thing.

2:46:01.840 --> 2:46:04.400
<v Speaker 1>We all need to we say podcasting, we'll handle it

2:46:04.480 --> 2:46:07.440
<v Speaker 1>all part because we couldn't handle it because absolutely, if

2:46:07.480 --> 2:46:09.720
<v Speaker 1>we could have, we would have did it seven years ago.

2:46:10.000 --> 2:46:12.600
<v Speaker 1>So let's just do to the people we know that

2:46:13.240 --> 2:46:17.039
<v Speaker 1>uh uh, Joe Button is happy from it's from doing

2:46:17.120 --> 2:46:19.280
<v Speaker 1>what he's doing. We know that a million dollars worth

2:46:19.360 --> 2:46:21.400
<v Speaker 1>a game. These are people that we can come and

2:46:21.520 --> 2:46:24.240
<v Speaker 1>talk to and say, listen, let's just maybe it's a

2:46:24.360 --> 2:46:28.160
<v Speaker 1>podcast fund. Maybe Chuck d in them is the Jerry

2:46:28.200 --> 2:46:32.240
<v Speaker 1>Lewis telling it's the rap and then and then. But

2:46:32.320 --> 2:46:34.760
<v Speaker 1>the thing is sitting around and doing nothing and sitting around,

2:46:34.879 --> 2:46:37.240
<v Speaker 1>just sitting around and sitting around and sitting around. It

2:46:37.400 --> 2:46:39.360
<v Speaker 1>makes us seem like we're just talking. But I don't

2:46:39.360 --> 2:46:41.119
<v Speaker 1>want to talk to the people doing sometimes I don't

2:46:41.120 --> 2:46:43.080
<v Speaker 1>want to see if we can fit in. If we can't,

2:46:43.080 --> 2:46:45.000
<v Speaker 1>then we don't. At the end of the day, we

2:46:45.040 --> 2:46:48.560
<v Speaker 1>don't feel starts out the needs. You raise the funds

2:46:48.640 --> 2:46:51.560
<v Speaker 1>and you put that into and I agree with you.

2:46:51.640 --> 2:46:54.400
<v Speaker 1>Said you said raise the funds. That's also that's also

2:46:54.480 --> 2:46:57.800
<v Speaker 1>what we're doing. And not only that. We want to

2:46:57.879 --> 2:47:01.040
<v Speaker 1>give back said it should be something like that, But

2:47:01.160 --> 2:47:05.000
<v Speaker 1>we give back so much beautiful things that we obtain.

2:47:05.680 --> 2:47:08.480
<v Speaker 1>And it's not the yst about financials and riches. It's

2:47:08.480 --> 2:47:12.200
<v Speaker 1>about okay, man, yeah, look at that ship. Look at

2:47:12.240 --> 2:47:15.280
<v Speaker 1>the look that's George Clinton artwork. He did that right.

2:47:16.360 --> 2:47:20.920
<v Speaker 1>He came George. That's all. I got a George Clinton story.

2:47:20.959 --> 2:47:24.120
<v Speaker 1>But I can't say this. What's the other artist's name?

2:47:24.120 --> 2:47:28.520
<v Speaker 1>I want to give him Jonas? Yeah, with George Clinton,

2:47:28.520 --> 2:47:30.560
<v Speaker 1>they both did. Let's give us that George Clinton story.

2:47:30.680 --> 2:47:35.760
<v Speaker 1>Let's go. It's acid involved that I'm thinking about. It

2:47:35.959 --> 2:47:40.240
<v Speaker 1>was he opened about shit like that. Yeah, that's open.

2:47:42.080 --> 2:47:45.880
<v Speaker 1>So it was like a zoo anniversary and I'm over here, like,

2:47:46.120 --> 2:47:49.600
<v Speaker 1>you know, I'm thinking, you know, nothing but the dog

2:47:49.760 --> 2:47:51.440
<v Speaker 1>and me is in the back, you know what I'm like.

2:47:51.959 --> 2:47:54.280
<v Speaker 1>And then all of a sudden, like I'm taking him

2:47:54.320 --> 2:47:56.480
<v Speaker 1>to uh, I had to drop off at his hotel

2:47:56.520 --> 2:48:00.280
<v Speaker 1>as a favor, and he just started like you up

2:48:00.280 --> 2:48:05.320
<v Speaker 1>a little packet in the bag. And I hear, Yo,

2:48:05.760 --> 2:48:08.600
<v Speaker 1>this motherfucker's wild in my car right now. Ain't nothing

2:48:08.680 --> 2:48:12.840
<v Speaker 1>but the dog. Yeah, yeah, you were like, I could

2:48:12.840 --> 2:48:16.440
<v Speaker 1>have sold it to him, all stuck him up. I

2:48:16.520 --> 2:48:20.880
<v Speaker 1>never sold that though, balls. No, I bought something to

2:48:21.080 --> 2:48:31.840
<v Speaker 1>oh yeah to my memory is good? You that like hustle.

2:48:33.480 --> 2:48:37.520
<v Speaker 1>I wasn't a dealer, my boy. Oh my god, yo, man,

2:48:37.920 --> 2:48:40.760
<v Speaker 1>razy legs man, let me just tell you something. Your

2:48:40.920 --> 2:48:44.880
<v Speaker 1>legend of a leg abolutely um we we we We

2:48:45.120 --> 2:48:48.720
<v Speaker 1>clearly made this show for people like you, Um, hip

2:48:48.800 --> 2:48:51.160
<v Speaker 1>hop fifty. I know you kind of said you didn't

2:48:51.200 --> 2:48:53.280
<v Speaker 1>agree with hip hop being fifty. You said forty seven,

2:48:53.320 --> 2:48:55.240
<v Speaker 1>but I'll stand with it. You're standing with it, will

2:48:55.280 --> 2:48:57.119
<v Speaker 1>stand with it, stand with it. And in your opinion,

2:48:57.160 --> 2:49:00.280
<v Speaker 1>you said forty seven, forty eight, forty eight, forty which

2:49:00.280 --> 2:49:02.160
<v Speaker 1>is two years off and that's you know, we're pretty

2:49:02.240 --> 2:49:08.720
<v Speaker 1>much all Druggs. Yeah, so it's like, goody two years.

2:49:08.760 --> 2:49:11.120
<v Speaker 1>You might have crap because the aid you never know,

2:49:11.600 --> 2:49:14.960
<v Speaker 1>but that was because two year years for the ecstasy.

2:49:15.080 --> 2:49:18.520
<v Speaker 1>It's like it's gone. But we want you to know

2:49:18.640 --> 2:49:23.480
<v Speaker 1>your legend hip hop owes you uh, and not just

2:49:23.680 --> 2:49:27.959
<v Speaker 1>be boying you know, because um, you know it's crazy,

2:49:28.080 --> 2:49:31.320
<v Speaker 1>like you look at these records. Now, these records have

2:49:31.440 --> 2:49:34.520
<v Speaker 1>a dance to go with the record. Yeah, yes, dance

2:49:34.680 --> 2:49:37.680
<v Speaker 1>is still there. But for me, I've always felt like

2:49:37.879 --> 2:49:41.280
<v Speaker 1>I'm hip hoppy for I'm a B boy because when

2:49:41.320 --> 2:49:44.160
<v Speaker 1>I got into the game, I saw I witness everything

2:49:44.280 --> 2:49:48.080
<v Speaker 1>happening without any kind of label over it. It was

2:49:48.160 --> 2:49:50.600
<v Speaker 1>just what was happening, like a girl doing double ditch.

2:49:50.760 --> 2:49:52.960
<v Speaker 1>You lived it, you know, it was you were it yeah.

2:49:53.040 --> 2:49:55.560
<v Speaker 1>So for me, I'm always hip, hoppy form a B

2:49:56.000 --> 2:50:01.760
<v Speaker 1>B boy, But we want to show you love. There's

2:50:01.800 --> 2:50:06.840
<v Speaker 1>anything you regret before you got out there? Um not

2:50:07.000 --> 2:50:11.480
<v Speaker 1>finishing school old shit, definitely da I was on that path.

2:50:11.640 --> 2:50:14.160
<v Speaker 1>I ended up in Hunter College, and I used to

2:50:15.680 --> 2:50:19.040
<v Speaker 1>know the Hunter College is on sixties seventh Street. And

2:50:19.560 --> 2:50:22.360
<v Speaker 1>you never went to the Bronx Yeah, no, I'm talking

2:50:22.360 --> 2:50:25.120
<v Speaker 1>about college. No, well, I did go to Bronx Community

2:50:25.120 --> 2:50:27.520
<v Speaker 1>for a minute. Then I switched to Hunter College and

2:50:27.600 --> 2:50:32.560
<v Speaker 1>then um me and this dude, um am I forget

2:50:32.680 --> 2:50:35.520
<v Speaker 1>his name, God not to rock the other one that

2:50:35.600 --> 2:50:38.880
<v Speaker 1>hates him, Ben Diesel. We used to go to Hunter

2:50:38.959 --> 2:50:42.120
<v Speaker 1>College together. We used to hang out. Yeah, we used

2:50:42.120 --> 2:50:45.960
<v Speaker 1>to you have been dies went to school together. Yeah college.

2:50:45.959 --> 2:50:49.800
<v Speaker 1>Did you almost forget you went to fucking college with Diesel?

2:50:49.879 --> 2:50:52.920
<v Speaker 1>Did you almost forget that? Yeah? Your life is dope.

2:50:52.959 --> 2:50:57.400
<v Speaker 1>Make some noise for that. But he used to be

2:50:57.440 --> 2:51:00.240
<v Speaker 1>a B boy. He was a B boy first. Yeah,

2:51:00.240 --> 2:51:02.840
<v Speaker 1>he told be boy first what he needed to come

2:51:02.840 --> 2:51:04.680
<v Speaker 1>to dreams? What has he been or these at the

2:51:04.760 --> 2:51:12.840
<v Speaker 1>time he was Ben. Yeah, he was just oh, come on, bro,

2:51:13.040 --> 2:51:15.120
<v Speaker 1>let's lead. So we used to hang out in in

2:51:15.200 --> 2:51:18.360
<v Speaker 1>a cafeteria Hunter College and try to pick up on

2:51:18.400 --> 2:51:21.920
<v Speaker 1>a girl's playing space from New York. Yeah, oh I

2:51:22.040 --> 2:51:31.720
<v Speaker 1>didn't know that, but yeah, I mean, you know, hopefully

2:51:32.280 --> 2:51:35.440
<v Speaker 1>all this stuff in detail. We all working on a

2:51:36.440 --> 2:51:39.480
<v Speaker 1>couple of films right now, me and Fat Joe and

2:51:39.600 --> 2:51:46.160
<v Speaker 1>E Frivera working on a Latino contribution in hip hop documentary. Um,

2:51:47.280 --> 2:51:49.560
<v Speaker 1>you know more more you guys can get dream Champs

2:51:49.560 --> 2:51:51.360
<v Speaker 1>involved in. Yeah, of course. I mean we want to

2:51:51.400 --> 2:51:53.800
<v Speaker 1>definitely do it as something that's educational. We don't want

2:51:53.800 --> 2:51:57.360
<v Speaker 1>to cause more divide, just provide data. Yeah, we want

2:51:57.360 --> 2:52:01.000
<v Speaker 1>to provide data for people and say yo boom. If

2:52:01.040 --> 2:52:05.959
<v Speaker 1>you're not sure this is where and when and now,

2:52:06.000 --> 2:52:07.680
<v Speaker 1>if you want to be an asshole, that's up to you,

2:52:08.520 --> 2:52:11.280
<v Speaker 1>you know. And so there's that, and then we're doing

2:52:11.320 --> 2:52:16.200
<v Speaker 1>the rock Steady documentary right now, which is all going

2:52:16.280 --> 2:52:21.160
<v Speaker 1>to be from my perspective, and then there's a few

2:52:21.200 --> 2:52:24.960
<v Speaker 1>other things on the table. We'll see what happens as

2:52:24.959 --> 2:52:28.600
<v Speaker 1>synonymous with Zulu is it no one, No, not at all.

2:52:28.680 --> 2:52:32.320
<v Speaker 1>We're all own thing, okay, yeah yeah, so yeah, so

2:52:32.440 --> 2:52:34.200
<v Speaker 1>there's a lot of good shit, you know. For me,

2:52:34.360 --> 2:52:38.160
<v Speaker 1>it's about my festival in Puerto Rico working on these

2:52:38.240 --> 2:52:41.800
<v Speaker 1>films and then um a lot of relief work, but

2:52:42.000 --> 2:52:44.640
<v Speaker 1>expanding beyond Puerto Rico because with all the shit that

2:52:44.840 --> 2:52:47.520
<v Speaker 1>that just happened in Turkey, I felt like, wow, I

2:52:47.680 --> 2:52:51.320
<v Speaker 1>know how to bring people, you know, the opportunity to

2:52:51.400 --> 2:52:55.680
<v Speaker 1>have clean water. I know what that takes. But you know,

2:52:55.840 --> 2:52:58.200
<v Speaker 1>then you need to start needing more financial resources to

2:52:58.280 --> 2:53:00.640
<v Speaker 1>make that happen. You've seen the dude and I've mentioned

2:53:00.840 --> 2:53:02.520
<v Speaker 1>and I'm sorry I don't know the guy's name right now,

2:53:02.560 --> 2:53:05.080
<v Speaker 1>and I mentioned him before. He has the machine that

2:53:05.360 --> 2:53:09.800
<v Speaker 1>extracts air yeah into clear water from the United States.

2:53:10.200 --> 2:53:13.840
<v Speaker 1>Like that, dude is incredible. We did I mean we man,

2:53:13.959 --> 2:53:18.160
<v Speaker 1>we did ship and he's donating his machines to Tesla

2:53:18.320 --> 2:53:22.280
<v Speaker 1>Costa was donating a bunch of shit too, Eli, Yeah,

2:53:22.440 --> 2:53:28.680
<v Speaker 1>he donated you know. Yeah, so they during Hurricane Maria days,

2:53:30.160 --> 2:53:33.040
<v Speaker 1>there's just one community that we went to where their

2:53:33.280 --> 2:53:35.959
<v Speaker 1>their source of water was like two three hundred feet

2:53:36.000 --> 2:53:39.640
<v Speaker 1>down and there was this really old nineteen seventy three

2:53:40.680 --> 2:53:44.119
<v Speaker 1>a diesel generator that the US government dropped off during

2:53:44.160 --> 2:53:48.480
<v Speaker 1>the hurricane like here, figure it out. And Tesla donated

2:53:48.520 --> 2:53:51.119
<v Speaker 1>these batteries that would generate the water three hundred feet

2:53:51.200 --> 2:53:55.280
<v Speaker 1>up to a community of eight hundred families. Yeah, yeah,

2:53:55.400 --> 2:54:00.440
<v Speaker 1>wow we helped. Yeah, well, Eli doing his thing or

2:54:01.200 --> 2:54:03.800
<v Speaker 1>is all right? Yeah, all right with the y'aller he

2:54:03.879 --> 2:54:07.920
<v Speaker 1>let me go crazy on Twitter, wild boy, I'm just

2:54:08.080 --> 2:54:11.959
<v Speaker 1>playing man, yo, crazy legs. Man, I'm gonna be honest. Man,

2:54:12.200 --> 2:54:14.880
<v Speaker 1>you rock steady. You know, all the things that you

2:54:14.959 --> 2:54:18.720
<v Speaker 1>contributed to hip hop will be remorse to not you know,

2:54:18.959 --> 2:54:22.360
<v Speaker 1>always throw flowers that you can, always you know, respect

2:54:22.440 --> 2:54:25.280
<v Speaker 1>what you're doing. I'd like, you know, I enjoy this

2:54:25.480 --> 2:54:27.920
<v Speaker 1>when I when I get the pioneers, when I get

2:54:27.959 --> 2:54:30.360
<v Speaker 1>the legends, when I get the icons, and I just

2:54:30.480 --> 2:54:32.640
<v Speaker 1>explore their history. Like I said, for a month, I've

2:54:32.680 --> 2:54:34.800
<v Speaker 1>just been walking around like you, like I don't know.

2:54:34.959 --> 2:54:36.800
<v Speaker 1>That's why my big boy, you see, my big boy

2:54:36.840 --> 2:54:43.040
<v Speaker 1>he fell because we were thinking about you know what

2:54:43.040 --> 2:54:47.760
<v Speaker 1>I mean, Like man, be boying me learning be boying

2:54:47.800 --> 2:54:50.760
<v Speaker 1>and break dancing. It's two different things. Be learning that

2:54:50.879 --> 2:54:55.560
<v Speaker 1>break dancing is actually frowned upon word. And yes it's

2:54:55.560 --> 2:54:58.560
<v Speaker 1>frowned upon. But now you know, but it's crazy me

2:54:58.600 --> 2:55:01.920
<v Speaker 1>even learning that. But breaking it is not right? Are

2:55:01.959 --> 2:55:04.119
<v Speaker 1>you saying breakdance? It's kind of like when you say

2:55:04.160 --> 2:55:06.600
<v Speaker 1>south Side, you just say south Side. You don't say, yeah,

2:55:06.640 --> 2:55:12.080
<v Speaker 1>we're gonna go saus dancing. So um man, we just

2:55:12.200 --> 2:55:15.080
<v Speaker 1>want to tell you man, our show was based on,

2:55:15.320 --> 2:55:18.320
<v Speaker 1>you know, giving legends. And you know, people that's been

2:55:18.360 --> 2:55:21.359
<v Speaker 1>in this game for more than ten years, they flowers

2:55:21.400 --> 2:55:26.120
<v Speaker 1>because you know, they's just face it. Hip hop is

2:55:26.200 --> 2:55:30.960
<v Speaker 1>the only age is M music yea, there is yeah

2:55:31.240 --> 2:55:34.040
<v Speaker 1>Pink Floyd and you know all these other people can

2:55:34.120 --> 2:55:36.520
<v Speaker 1>go you know as why I said Gene Simmons earlier

2:55:36.720 --> 2:55:38.440
<v Speaker 1>to do with the tongue, right, you know what I mean?

2:55:38.560 --> 2:55:40.760
<v Speaker 1>Like people don't even know he's old because he hadn't

2:55:40.800 --> 2:55:43.320
<v Speaker 1>make up his old face, so goddamn time and he

2:55:43.400 --> 2:55:45.880
<v Speaker 1>can go and go all and he can do this

2:55:46.320 --> 2:55:49.640
<v Speaker 1>and no one says he's washed up. But they don't

2:55:49.680 --> 2:55:52.119
<v Speaker 1>have elements either. And that's the difference between hip hop

2:55:52.160 --> 2:55:55.240
<v Speaker 1>as well. Yeah, well we gotta they're just music and drugs.

2:55:55.520 --> 2:55:58.040
<v Speaker 1>We got everything. We gotta. We gotta figure the fuck

2:55:58.080 --> 2:56:01.240
<v Speaker 1>out because the last time I checked, you know, if

2:56:01.320 --> 2:56:04.480
<v Speaker 1>you take a good meal and you season it correctly

2:56:04.879 --> 2:56:07.879
<v Speaker 1>and you put it in there the fridge, you get

2:56:07.959 --> 2:56:09.920
<v Speaker 1>it out three days later and you take that out

2:56:10.040 --> 2:56:13.840
<v Speaker 1>well marinated. Good. But you know what you're thinking about that?

2:56:14.360 --> 2:56:18.960
<v Speaker 1>You know what that's called seasoned. Yeah, that's what the

2:56:19.640 --> 2:56:23.400
<v Speaker 1>technically hip hop if it's if hip hop is about

2:56:23.440 --> 2:56:28.560
<v Speaker 1>fifty years old, it's just realizing its own wisdom. It's

2:56:28.640 --> 2:56:31.680
<v Speaker 1>the double seeking in I think. I think if it

2:56:31.760 --> 2:56:34.960
<v Speaker 1>were a human being at fifty, you know, a lot

2:56:35.000 --> 2:56:38.600
<v Speaker 1>of us are coming to terms our own remorse, regrets,

2:56:39.280 --> 2:56:41.160
<v Speaker 1>all kinds of ship. And at fifty years old, you're

2:56:41.200 --> 2:56:46.520
<v Speaker 1>still busting nuts. Holla. The individual can come up with

2:56:46.600 --> 2:56:49.760
<v Speaker 1>those things. But when you've been hijacked by corporations, yeah,

2:56:50.080 --> 2:56:53.280
<v Speaker 1>it's a whole other mixed beans. Enough of us are

2:56:53.320 --> 2:56:55.960
<v Speaker 1>still alive to make shit right, you know, or at

2:56:56.000 --> 2:56:58.160
<v Speaker 1>least planted seeds. We may not see it, or at

2:56:58.200 --> 2:57:00.680
<v Speaker 1>least I mean, we can't do it for the sake

2:57:00.720 --> 2:57:04.800
<v Speaker 1>of seeing it in our lifetime, because that's unrealistic, you know.

2:57:05.600 --> 2:57:08.440
<v Speaker 1>So we have to just plant the seeds and hopefully

2:57:08.440 --> 2:57:10.600
<v Speaker 1>that ship works into something for somebody else later on.

2:57:10.920 --> 2:57:13.240
<v Speaker 1>I think it will. I'm good with that. I think

2:57:13.240 --> 2:57:17.560
<v Speaker 1>we're doing it. Ain't about me, ain't about us. I

2:57:17.680 --> 2:57:22.240
<v Speaker 1>like the back of it works, yo, man, Thank so,

2:57:22.440 --> 2:57:29.400
<v Speaker 1>thank you appreciate that there. Thank you for I'm not

2:57:29.440 --> 2:57:32.560
<v Speaker 1>gonna stop drinking. I'm gonna keep going and do some

2:57:32.720 --> 2:57:35.840
<v Speaker 1>drops and then be good. I'll be over the holy shit.

2:57:35.959 --> 2:57:39.480
<v Speaker 1>Yeah go to the back. Yeah yeah, yeah, go ahead.

2:57:40.959 --> 2:57:47.760
<v Speaker 1>Great episode. Drink Champs is a Drink Champs LLC production

2:57:48.040 --> 2:57:53.080
<v Speaker 1>and association with Interval Presents. Hosts and executive producers n

2:57:53.080 --> 2:57:57.080
<v Speaker 1>O r E and dj e FN from Interval Presents

2:57:57.280 --> 2:58:01.800
<v Speaker 1>executive producers Alan Coy and Jake Kleinberg. Listen to Drink

2:58:01.879 --> 2:58:06.960
<v Speaker 1>Champs on Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever

2:58:07.120 --> 2:58:11.480
<v Speaker 1>you get your podcasts. Thanks for joining us for another

2:58:11.520 --> 2:58:14.360
<v Speaker 1>episode of Drink Champs, hosted by Yours Truly, dj e

2:58:14.480 --> 2:58:16.880
<v Speaker 1>FN and n O r E. Please make sure to

2:58:16.920 --> 2:58:19.440
<v Speaker 1>follow us on all our socials. Let's at drink Champs

2:58:19.480 --> 2:58:24.200
<v Speaker 1>across all platforms at the Real Noriagon, ig at Noriagon

2:58:24.200 --> 2:58:27.840
<v Speaker 1>on Twitter, mine is at Who's Crazy on ig at

2:58:27.959 --> 2:58:30.920
<v Speaker 1>dj e FN on Twitter, and most importantly, stay up

2:58:30.959 --> 2:58:34.080
<v Speaker 1>to date with the latest releases, news, and merch by

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