WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the week with Morgan.

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<v Speaker 2>Number two.

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<v Speaker 3>What is up, y'all? Happy weekend.

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<v Speaker 4>It's another weekend, which means another best Bits and I'm

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<v Speaker 4>so excited this weekend. I had on Abby for part

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<v Speaker 4>one and we had a super fun conversation. We both

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<v Speaker 4>got done with it and we're like that one felt

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<v Speaker 4>really good. It's because it was like a full blown

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<v Speaker 4>conversation with us. It wasn't just like this interview, because

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<v Speaker 4>sometimes we get in that mode and it's just like interview,

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<v Speaker 4>get through it. But Abby and I were having like

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<v Speaker 4>full long conversations, sharing some updates in life. We talked

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<v Speaker 4>about some things we randomly have collected in our lifetimes

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<v Speaker 4>and the things that we don't understand why people obsess

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<v Speaker 4>over it. So just fun conversations, like you're listening to

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<v Speaker 4>a friend. So I hope you go check out part one.

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<v Speaker 4>But we're going to dive into the biggest segments from

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<v Speaker 4>the Bobby Bone Show this week. Eddie shared an update

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<v Speaker 4>on his no parenting Sunday and how that's been going,

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<v Speaker 4>plus if they're going to keep doing it. Yeah, we

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<v Speaker 4>got to know the real details and how his family

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<v Speaker 4>even feels.

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<v Speaker 3>About it too.

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<v Speaker 5>Number seven, let's check out with Eddie on no parent

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<v Speaker 5>Sundays because I have a story coming up. It's why

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<v Speaker 5>we're doing it today. How has it gone the last

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<v Speaker 5>couple of weekends.

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<v Speaker 6>It's gone great, Like we're not so hyper focused on like, ooh,

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<v Speaker 6>let's do no parenting Sunday anymore.

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<v Speaker 7>Now.

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<v Speaker 6>I think it's just the routine of being chill on Sunday,

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<v Speaker 6>no lessons, Like really, rarely are we telling them, hey, guys,

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<v Speaker 6>clean up your room, do whatever.

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<v Speaker 8>It's just kind of like, let's just do our thing.

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<v Speaker 6>I want to be over here, you're going to be

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<v Speaker 6>over there, play in the neighborhood, I'll watch TV.

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<v Speaker 8>Whatever.

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<v Speaker 5>Do you think they know now? Are they called like

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<v Speaker 5>awesome dadless Sundays in their little group or anything.

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<v Speaker 6>No, it's like the label's gone. It's so weird. The

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<v Speaker 6>label's not even a thing anymore. It's just how we

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<v Speaker 6>act on Sundays and it's kind of cool. I'm telling you, dude,

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<v Speaker 6>I think we've changed the culture around my house.

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<v Speaker 9>Does it make Mondays a little more chaotic?

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<v Speaker 8>Yeah?

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<v Speaker 5>Okay, yeah, drill Sergeant Monday, clean up Monday, sucky Monday.

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<v Speaker 10>Yeah.

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<v Speaker 5>Well, this story reminded me of that a couple's rebuilt.

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<v Speaker 5>They won't force their three young children to read or write,

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<v Speaker 5>or even make them have a bedtime. They believe in

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<v Speaker 5>child autonomy. Their kids twelve, eight and four make all

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<v Speaker 5>their own decisions. Well that's dangerous. Wow. The mom has

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<v Speaker 5>revealed that her kids have no fixed schedule, no fixed bedtime,

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<v Speaker 5>no fixed mule times, and what she says is unschooling.

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<v Speaker 5>The couple have shunned the cruel and lazy labels thrown

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<v Speaker 5>at them by other parents, and they says, we're not

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<v Speaker 5>being lazy. It's actually harder for us to do because

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<v Speaker 5>we got to maintain no maintenance. I don't know, doesn't

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<v Speaker 5>that hard? But this is like every day or this

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<v Speaker 5>is just life? Yes, not just Sunday eddie, Wow, that's

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<v Speaker 5>every day. Our son was ten years old when he

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<v Speaker 5>began taking an interest in wanting to read and write.

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<v Speaker 8>Oh, I'm shocked he took the interest.

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<v Speaker 5>He just picked up a pen and paper and taught himself.

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<v Speaker 5>She says. The kids go to bed when they like,

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<v Speaker 5>wake up when they like. We don't like alarms. We

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<v Speaker 5>don't have set meal times. We just make food and

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<v Speaker 5>if they're hungry they go and eat it. We never

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<v Speaker 5>force our kids to do chorge chores, but we actively

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<v Speaker 5>encourage them to help out, especially with others. They help us,

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<v Speaker 5>like after our animals, the garden and keep the rooms tidy.

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<v Speaker 5>It's daily mail, I mean gardening.

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<v Speaker 1>That's they got to be.

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<v Speaker 5>To be sure, I mean hippiy hippy, hippie dippy and lazy.

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<v Speaker 8>No, oh yeah.

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<v Speaker 5>I don't know if this is lazy more than not the.

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<v Speaker 8>Parents the kids.

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<v Speaker 6>Like, if you tell a kid like you don't have

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<v Speaker 6>to do anything, they're going to be very lazy.

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<v Speaker 5>I wonder if just these people Adele and Matt, that

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<v Speaker 5>are their names, if they had child autonomy, I would

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<v Speaker 5>assume not. And this is their new way of And

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<v Speaker 5>there's their homeschool for sure. Right if you're reading and

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<v Speaker 5>writing themselves at ten.

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<v Speaker 10>They don't do school. If they don't have to read

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<v Speaker 10>or write, there's no school. Yeah, like literally, they're home.

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<v Speaker 9>Even if your homeschool. Don't you have to fill out

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<v Speaker 9>some paper with.

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<v Speaker 5>The I don't know, and do you start kindergarten? You

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<v Speaker 5>get an interest? Right?

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<v Speaker 2>Right?

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<v Speaker 5>Right?

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<v Speaker 8>I want to start school now, dad?

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<v Speaker 5>And don't you have to, right? Don't you have to

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<v Speaker 5>the kids have to be in some sort.

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<v Speaker 9>Of are there some sort of curriculum or at least

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<v Speaker 9>like guidelines you have to follow?

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<v Speaker 8>Hey, how do they get into college? Say they want

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<v Speaker 8>to go to college?

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<v Speaker 5>Why do they want to go to colleg That's true,

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<v Speaker 5>they never even heard of it. I guess if they

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<v Speaker 5>wanted to, though, they could learn about it and then

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<v Speaker 5>start studying for it.

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<v Speaker 8>Wow.

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<v Speaker 5>The other thing is free range parenting, which I think

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<v Speaker 5>is somewhere in the middle of what Eddie does and

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<v Speaker 5>what this is.

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<v Speaker 9>Yeah, Eddie's kind of free range on Sundays.

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<v Speaker 5>I'd say free range Sunday. It's just it's one day

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<v Speaker 5>out of the way, eight hours totally. And he also

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<v Speaker 5>still steps in if he needs to, and he.

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<v Speaker 10>Still tells them they have to go to bed at

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<v Speaker 10>a certain toll.

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<v Speaker 8>Correct.

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<v Speaker 5>And do you make them food and say eat now?

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<v Speaker 5>Or do you just leave it on the table?

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<v Speaker 8>No, I say, hey, guys, we got lunch. If you

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<v Speaker 8>want to eat it? There it is.

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<v Speaker 5>It's the lunch worse though, is it? Like just like

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<v Speaker 5>blonnie sandwich and oh man, it's just normal. Like I mean,

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<v Speaker 5>some days I want to eat a good lunch, you know,

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<v Speaker 5>like I do barbecue, Hey, barbecues's ready?

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<v Speaker 8>You want it.

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<v Speaker 5>They never not eat.

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<v Speaker 8>No, do they go right for the barbecue? They love it.

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<v Speaker 5>Which kid do you worry about the most?

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<v Speaker 8>My oldest?

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<v Speaker 5>Really, I don't see him all day, Like like, hey,

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<v Speaker 5>no parenting Sunday too.

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<v Speaker 8>I didn't exist.

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<v Speaker 5>If my wife had no wifing Sunday, she might not

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<v Speaker 5>see me a whole day either. I'll be honest with you.

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<v Speaker 1>It's the best bits of the week with Morgan Number two.

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<v Speaker 4>We had toan Neil Town's on the show this week,

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<v Speaker 4>and she is one of my favorites. She has such

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<v Speaker 4>a unique voice and it's so fun to hear something

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<v Speaker 4>so different, and she came in. Not only did she

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<v Speaker 4>perform one of her songs, but she also performed a

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<v Speaker 4>cover of Landslide that was stunning. Now I can't hear

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<v Speaker 4>the performance here, but it's on our YouTube page at

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<v Speaker 4>Bobby Bone Show that you can go check out and

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<v Speaker 4>see her full performance. But also her interview was super interesting.

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<v Speaker 4>She's from Canada and she went up there and she

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<v Speaker 4>did this whole train concert tour performance thing where she

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<v Speaker 4>basically lived on a train for fifteen days and toured

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<v Speaker 4>in a bunch of different cities and people would come

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<v Speaker 4>and see her and she perform in the train car

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<v Speaker 4>wild like coolest experience ever. I kind of wish I

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<v Speaker 4>was along for the ride number six.

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<v Speaker 1>So Bobby Bones Show Interviews in case you didn't know.

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<v Speaker 5>When it comes to artists who I'm just a massive

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<v Speaker 5>fan of personally to Neil Towns is one of those

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<v Speaker 5>artists you would know her from somebody's daughter, somebody somebody's

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<v Speaker 5>or Jersey on the wall. She's got the train track

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<v Speaker 5>work tapes where she was on the train. She recorded them.

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<v Speaker 5>All should tell us about that. I mean, I'm such

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<v Speaker 5>a massive fan that I took her on the road

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<v Speaker 5>with me and was just like, I know you're better

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<v Speaker 5>than me, but go and just destroy the audiences. And

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<v Speaker 5>she did. Big fan. Here she is Tanil Towns on.

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<v Speaker 1>The Bobby Bones Show.

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<v Speaker 5>Now Townsanil, how are you?

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<v Speaker 11>I'm good?

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<v Speaker 12>How are you?

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<v Speaker 5>It's good to see this new guitar is fancy?

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<v Speaker 13>Oh?

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<v Speaker 11>Thank you?

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<v Speaker 5>Did you? Is that art you drew? Or is that

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<v Speaker 5>because it's like there's like a river or something on it? Yeah?

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<v Speaker 14>Okay, Well, the straight lines of the sun rays are

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<v Speaker 14>the extent of my artistic painting ability.

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<v Speaker 11>The rest was my friend Lewis who did it. He's

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<v Speaker 11>pretty awesome.

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<v Speaker 5>What happened to the other guitar that you were doing

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<v Speaker 5>all the work on, Well.

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<v Speaker 14>That one was for the Lemonade stand, so that was

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<v Speaker 14>like for that record, and now this one's for Masquerades

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<v Speaker 14>and it's got some empty spaces on here to keep

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<v Speaker 14>filling it up with the next stuff.

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<v Speaker 5>So every project you do, a new guitar.

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<v Speaker 11>That's the plan.

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<v Speaker 14>Every record, full record will get a little time caps

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<v Speaker 14>with guitar to.

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<v Speaker 11>Go with it.

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<v Speaker 5>And that's pretty cool. What's the guitar you're making for

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<v Speaker 5>this show appearance?

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<v Speaker 3>It gets you a pen and you guys can all

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<v Speaker 3>we don't want.

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<v Speaker 5>To be a part of your art there. So I'm

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<v Speaker 5>a massive to Neil Town's fan. And with you coming in,

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<v Speaker 5>would you briefly before you play a song, would you

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<v Speaker 5>tell us about this train trip and kind of how

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<v Speaker 5>this whole project came together.

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<v Speaker 14>Yes, thank you for having me today. Okay, so I

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<v Speaker 14>rode this train.

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<v Speaker 5>Now do it do that while you're talking though? We

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<v Speaker 5>like it? You started to play music you.

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<v Speaker 3>Like the Yeah, like that a little vibe going here?

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<v Speaker 10>Okay.

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<v Speaker 11>So I got on the train in Montreal and I

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<v Speaker 11>wrote it all the way to Calgary.

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<v Speaker 5>How far is that?

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<v Speaker 14>So it's a couple thousand miles and we played. So

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<v Speaker 14>we lived on this train for fifteen days and we

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<v Speaker 14>played sixty five shows.

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<v Speaker 11>So some days where you.

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<v Speaker 5>Lived on a train, yeah, was it like where you

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<v Speaker 5>had this stick on a bag on a stick and

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<v Speaker 5>you jumped off as it was going and then you

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<v Speaker 5>live in the cart.

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<v Speaker 14>We could have done the run and jump on, like

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<v Speaker 14>that's what I wanted, but that was not with safety protocols.

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<v Speaker 5>So no, but how do you play shows on a train?

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<v Speaker 14>So literally one of the stage cars was or one

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<v Speaker 14>of the box cars was a stage so it would

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<v Speaker 14>roll into the town and everybody would gather around and

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<v Speaker 14>they knew when the train was coming through their town,

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<v Speaker 14>and like the door would just fold down and then

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<v Speaker 14>we'd put the mic stands out there and we'd go play,

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<v Speaker 14>and then we would like say goodbye, and the door

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<v Speaker 14>would fold back up and we'd roll to the next town,

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<v Speaker 14>like twenty minutes down the track. So some days we

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<v Speaker 14>were playing five or six shows a day, and a

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<v Speaker 14>lot of these shows were in like minus thirty one

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<v Speaker 14>degree Celsia's weather, and like people were so resilient.

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<v Speaker 11>It was the most incredible thing. And everyone.

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<v Speaker 14>It was a free show, but everyone who came brought

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<v Speaker 14>a donation for their local food bank. So it was

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<v Speaker 14>like witnessing the best parts of the human spirit. And

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<v Speaker 14>I'm standing up there seeing everyone bundled up and the

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<v Speaker 14>freezing cold weather, just like showing up for their friends

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<v Speaker 14>and neighbors. And I was so inspired I had to

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<v Speaker 14>start writing. So I wrote a bunch of songs in

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<v Speaker 14>the mornings before the shows would start, and then a

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<v Speaker 14>couple of days into it, I was like, we got

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<v Speaker 14>a couple laptops and like we could borrow some some

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<v Speaker 14>gear from the stage car. What if we figured out

0:09:07.880 --> 0:09:10.160
<v Speaker 14>how to like record some stuff on this train while

0:09:10.200 --> 0:09:11.680
<v Speaker 14>we're moving down the tracks.

0:09:11.679 --> 0:09:14.439
<v Speaker 5>So the whole purpose of this was to give back. Yeah,

0:09:15.240 --> 0:09:17.480
<v Speaker 5>now you said some things that I don't understand. First

0:09:17.520 --> 0:09:18.760
<v Speaker 5>of all, Celsiguess.

0:09:20.640 --> 0:09:23.600
<v Speaker 14>First of all, okay, I don't know it starts to

0:09:23.679 --> 0:09:26.560
<v Speaker 14>even out. I can't remember what degree, but I want

0:09:26.559 --> 0:09:29.960
<v Speaker 14>to say it was like minus twenty five or something fahrenheit.

0:09:30.000 --> 0:09:30.280
<v Speaker 5>Okay.

0:09:30.679 --> 0:09:30.839
<v Speaker 15>Yeah.

0:09:30.840 --> 0:09:33.840
<v Speaker 5>The second thing was you said two places, and I

0:09:33.920 --> 0:09:35.760
<v Speaker 5>like to apologize to all of our Canadian listeners because

0:09:35.760 --> 0:09:37.280
<v Speaker 5>we're on in a lot of places in Canada. Too.

0:09:37.600 --> 0:09:40.160
<v Speaker 5>But you said two places from this place to that place.

0:09:40.160 --> 0:09:41.200
<v Speaker 5>So what were the two places again?

0:09:41.320 --> 0:09:42.880
<v Speaker 11>Montreal to Calgary?

0:09:43.000 --> 0:09:44.679
<v Speaker 5>Do that America?

0:09:44.720 --> 0:09:44.920
<v Speaker 10>Though?

0:09:45.160 --> 0:09:45.839
<v Speaker 5>Distance wise?

0:09:46.160 --> 0:09:47.199
<v Speaker 11>Distance wise? Okay?

0:09:47.240 --> 0:09:50.880
<v Speaker 14>So Calgary's like north of Montana, okay, and Montreal is

0:09:51.040 --> 0:09:53.640
<v Speaker 14>like New York Ish Okay, up.

0:09:53.600 --> 0:09:56.120
<v Speaker 5>A little more too, but up yeah. So okay, it's

0:09:56.160 --> 0:09:56.920
<v Speaker 5>a long train ride.

0:09:56.960 --> 0:09:58.040
<v Speaker 11>It's a long train ride.

0:09:58.120 --> 0:10:00.520
<v Speaker 5>Is it like a tour buzz because whenever we have

0:10:00.559 --> 0:10:01.840
<v Speaker 5>to go back on the road on a bus the

0:10:01.840 --> 0:10:03.440
<v Speaker 5>first couple of days, I don't like it because I

0:10:03.440 --> 0:10:05.320
<v Speaker 5>feel like I'm shaking as we're driving and I'm sleeping

0:10:05.480 --> 0:10:09.400
<v Speaker 5>and sometimes we had the side by. It's hard to.

0:10:09.320 --> 0:10:13.120
<v Speaker 14>Sleep on a train, so it was it was very shaky,

0:10:13.240 --> 0:10:14.680
<v Speaker 14>but you got used to it a couple of days

0:10:14.679 --> 0:10:15.440
<v Speaker 14>and same kind of thing.

0:10:15.480 --> 0:10:17.439
<v Speaker 11>The difference between the tour of us is there was

0:10:17.480 --> 0:10:19.960
<v Speaker 11>a lot more space to like for all of us

0:10:20.000 --> 0:10:20.600
<v Speaker 11>to spread out.

0:10:20.640 --> 0:10:22.599
<v Speaker 14>They were like there was a lounge car, there was

0:10:22.640 --> 0:10:24.920
<v Speaker 14>a caboose where we set up a little recording studio.

0:10:24.960 --> 0:10:28.280
<v Speaker 14>But then everyone had their own tiny little room which

0:10:28.559 --> 0:10:30.760
<v Speaker 14>was a lot more spacious than like a bunk, so

0:10:31.320 --> 0:10:33.720
<v Speaker 14>we didn't get as stir crazy as we were nervous

0:10:33.720 --> 0:10:35.480
<v Speaker 14>getting on that thing because you don't really get off

0:10:35.520 --> 0:10:37.200
<v Speaker 14>the train. We got off once to go to like

0:10:37.240 --> 0:10:40.520
<v Speaker 14>a legion, like after the last show at night, but

0:10:40.559 --> 0:10:42.320
<v Speaker 14>other than that, you're pretty much kind of just on

0:10:42.400 --> 0:10:45.520
<v Speaker 14>the train. One day, I think we clocked like like

0:10:45.640 --> 0:10:48.240
<v Speaker 14>nine thousand steps or something just going on the train.

0:10:48.360 --> 0:10:50.160
<v Speaker 5>On the train, you have to jump from cart to

0:10:50.240 --> 0:10:51.760
<v Speaker 5>car and there's a chance you fall off, you know,

0:10:51.840 --> 0:10:53.840
<v Speaker 5>in the middle of the cars. You know, I have

0:10:53.880 --> 0:10:56.480
<v Speaker 5>to jump over there and there's the ground below you.

0:10:56.640 --> 0:10:56.840
<v Speaker 15>Yeah.

0:10:56.880 --> 0:10:59.280
<v Speaker 11>Yeah, it was like they say, like mind of the gap. Yeah, no,

0:10:59.440 --> 0:11:01.160
<v Speaker 11>there was deaf Definitely you had to.

0:11:01.840 --> 0:11:04.120
<v Speaker 14>It would be a greater risk of slipping on the

0:11:04.160 --> 0:11:06.840
<v Speaker 14>ice and the snow that was blowing between the cars,

0:11:07.280 --> 0:11:09.440
<v Speaker 14>but it was closed off, so you wouldn't. You weren't

0:11:09.440 --> 0:11:11.640
<v Speaker 14>going to fall off the train, but you could. You

0:11:11.720 --> 0:11:12.760
<v Speaker 14>could definitely trip.

0:11:13.480 --> 0:11:16.240
<v Speaker 5>And how would they yell all aboard in Canada into

0:11:16.240 --> 0:11:18.040
<v Speaker 5>the yelling in French when you're in the French party.

0:11:18.080 --> 0:11:21.160
<v Speaker 11>I wish they yelled it at all time.

0:11:22.520 --> 0:11:25.079
<v Speaker 14>Not one time did they say all aboard, which felt

0:11:25.200 --> 0:11:26.440
<v Speaker 14>very like misleading.

0:11:26.920 --> 0:11:29.760
<v Speaker 5>Okay, so now that we know the story, that's the story,

0:11:29.760 --> 0:11:31.840
<v Speaker 5>think about this. She goes and she lives on a

0:11:31.880 --> 0:11:36.480
<v Speaker 5>train all to get food for people that are less fortunate.

0:11:36.559 --> 0:11:38.160
<v Speaker 5>And now if I were to go like, I'm so surprised,

0:11:38.200 --> 0:11:41.440
<v Speaker 5>I'll be lying because to Nil's what she's about is

0:11:41.480 --> 0:11:44.360
<v Speaker 5>helping others constantly, So I'm not surprised by any of this.

0:11:44.400 --> 0:11:45.640
<v Speaker 5>I think I'd have been surprised. She was like, I

0:11:45.640 --> 0:11:47.040
<v Speaker 5>did a train. I got paid ten grand a night.

0:11:47.080 --> 0:11:51.880
<v Speaker 5>It was awesome. Like what that's crazy, So what song

0:11:51.920 --> 0:11:52.720
<v Speaker 5>are you going to do here?

0:11:52.880 --> 0:11:56.400
<v Speaker 14>Okay, I'm going to do a song called Wheels, which

0:11:56.440 --> 0:11:59.160
<v Speaker 14>is the last song on this EP called Train Track

0:11:59.200 --> 0:12:02.920
<v Speaker 14>Work Tapes, and so all these are pretty acoustic, stripped down.

0:12:03.400 --> 0:12:04.440
<v Speaker 11>This is the last song.

0:12:04.480 --> 0:12:07.000
<v Speaker 14>And as we recorded this song in motion, so as

0:12:07.040 --> 0:12:09.439
<v Speaker 14>you're listening, you can hear all of the creeks and

0:12:09.480 --> 0:12:11.760
<v Speaker 14>like at one point we hit some kind of bump.

0:12:12.240 --> 0:12:14.640
<v Speaker 14>You could definitely hear that in the track. And at

0:12:14.679 --> 0:12:17.600
<v Speaker 14>the end we did it all in one complete pass

0:12:17.640 --> 0:12:21.280
<v Speaker 14>and we passed by the crossing and the bells happened,

0:12:21.480 --> 0:12:24.960
<v Speaker 14>thank god, Like just at the end of the last note,

0:12:25.360 --> 0:12:26.240
<v Speaker 14>we all looked at each other.

0:12:26.320 --> 0:12:28.440
<v Speaker 11>We were like, we're not doing that again, Like that

0:12:28.600 --> 0:12:30.640
<v Speaker 11>was it? This is it? We got it. So this

0:12:30.760 --> 0:12:31.199
<v Speaker 11>song is.

0:12:31.200 --> 0:12:34.160
<v Speaker 14>Kind of like this one is very honest to me

0:12:34.559 --> 0:12:37.199
<v Speaker 14>in the sense of I struggle very much with the

0:12:37.320 --> 0:12:39.839
<v Speaker 14>high of being on the road and then coming home

0:12:39.880 --> 0:12:42.400
<v Speaker 14>and doing laundry and being in the quiet of that.

0:12:42.600 --> 0:12:45.360
<v Speaker 14>And I was in the middle of this train trip,

0:12:45.440 --> 0:12:46.920
<v Speaker 14>literally having the time of my life, and I was

0:12:47.000 --> 0:12:48.839
<v Speaker 14>just dreading the ending, you know, And you've like look

0:12:48.920 --> 0:12:54.960
<v Speaker 14>forward to something and you're just get I know, right,

0:12:55.640 --> 0:12:58.240
<v Speaker 14>that's honestly, that's a great sign that you're doing the

0:12:58.280 --> 0:13:01.760
<v Speaker 14>thing you love. But it's it's definitely a weird, weird

0:13:01.760 --> 0:13:02.880
<v Speaker 14>feeling to dread the end.

0:13:02.960 --> 0:13:04.160
<v Speaker 11>So that's what this song is about.

0:13:04.240 --> 0:13:07.000
<v Speaker 5>So this is called Wheels, called Wheels, and this is

0:13:07.040 --> 0:13:10.360
<v Speaker 5>from the Train Track Work Tapes. Yeah, I just want

0:13:10.360 --> 0:13:11.679
<v Speaker 5>to make sure but he knows it before you start.

0:13:11.520 --> 0:13:12.400
<v Speaker 11>Again, thank you for that.

0:13:12.480 --> 0:13:15.200
<v Speaker 5>Wheels Train Track Work Tapes. Here is tan neil Town's

0:13:17.360 --> 0:13:21.320
<v Speaker 5>on Tanil Town's a studio that's called Wheels. It is

0:13:21.400 --> 0:13:24.319
<v Speaker 5>on her new project that's out now called Train Track

0:13:24.400 --> 0:13:28.280
<v Speaker 5>Work Tapes. Go stream it. I have another segment that

0:13:28.320 --> 0:13:30.120
<v Speaker 5>I want to do with you. Sure, I don't even

0:13:30.120 --> 0:13:32.000
<v Speaker 5>mind like throwing stuff at you because I feel like

0:13:32.000 --> 0:13:34.959
<v Speaker 5>we know each other at this point pretty well. When

0:13:35.000 --> 0:13:37.560
<v Speaker 5>we come back. I know there's a cover on this

0:13:37.640 --> 0:13:39.880
<v Speaker 5>Train Track Work tapes. Yeah, I don't want see what

0:13:39.960 --> 0:13:41.080
<v Speaker 5>it is yet. Will you do that for us?

0:13:41.120 --> 0:13:42.200
<v Speaker 11>I would love to be cool.

0:13:42.280 --> 0:13:45.280
<v Speaker 5>All right, you're gonna you're gonna love it. What it is,

0:13:45.840 --> 0:13:47.320
<v Speaker 5>it's one of the great songs ever of all time.

0:13:47.360 --> 0:13:49.440
<v Speaker 5>And she crushes because I've heard her do it before.

0:13:49.920 --> 0:13:52.560
<v Speaker 5>Tanil has the train track Work tapes, which you really

0:13:53.080 --> 0:13:56.480
<v Speaker 5>recorded and wrote while on a train traveling across the

0:13:56.559 --> 0:13:58.000
<v Speaker 5>land to help other people eat.

0:13:58.280 --> 0:14:01.520
<v Speaker 14>That's literally help other people eats, collecting.

0:14:01.120 --> 0:14:03.880
<v Speaker 5>Food for food banks. And so this is a home

0:14:03.960 --> 0:14:04.200
<v Speaker 5>to me.

0:14:07.320 --> 0:14:09.800
<v Speaker 7>How much tas so blackdown?

0:14:10.040 --> 0:14:15.920
<v Speaker 5>This is pieces in my heart. That's probably my favorite one.

0:14:16.160 --> 0:14:23.040
<v Speaker 5>My heart makes me feel like so and try three.

0:14:23.080 --> 0:14:24.560
<v Speaker 5>I'm just gonna have you play for you're cool with it.

0:14:25.360 --> 0:14:26.840
<v Speaker 5>And the first time I heard Tail play this, I

0:14:26.840 --> 0:14:28.880
<v Speaker 5>think we were all backstage because Til came on the

0:14:28.920 --> 0:14:30.480
<v Speaker 5>road with me for a while where we did shows

0:14:30.520 --> 0:14:33.520
<v Speaker 5>and remember Tanil being so good and she would like

0:14:34.280 --> 0:14:37.400
<v Speaker 5>tear the crowd their hearts out and then had gone

0:14:37.400 --> 0:14:38.920
<v Speaker 5>to be funny, and I was like, it's the best

0:14:38.960 --> 0:14:40.640
<v Speaker 5>and morest decision ever made because the best decision is

0:14:40.640 --> 0:14:43.080
<v Speaker 5>Tanil just murders the crowd and they fall in love

0:14:43.080 --> 0:14:44.360
<v Speaker 5>with her and how good she is. But then she's

0:14:44.400 --> 0:14:46.320
<v Speaker 5>got them so emotional that I come on to tell

0:14:46.400 --> 0:14:49.280
<v Speaker 5>jokes and they're just not in the right So but

0:14:49.360 --> 0:14:54.040
<v Speaker 5>we set back me Eddie, Yes, I think it's whoever.

0:14:54.040 --> 0:14:56.200
<v Speaker 5>I don't know. Gard's back there, George, yeah, yeah.

0:14:56.200 --> 0:14:58.080
<v Speaker 11>They were all our buddies, you know, and.

0:14:58.200 --> 0:15:00.680
<v Speaker 5>Just passing a guitar around the Tamil plays the That

0:15:00.840 --> 0:15:02.240
<v Speaker 5>was that was like a really fun time.

0:15:02.560 --> 0:15:04.800
<v Speaker 14>I really that's kind of like one of those rare

0:15:04.880 --> 0:15:06.800
<v Speaker 14>magic moments in a dressing room that I feel like

0:15:06.840 --> 0:15:08.120
<v Speaker 14>you can kind of count on one hand.

0:15:08.200 --> 0:15:10.040
<v Speaker 11>And I loved that we just passed the guitar around.

0:15:10.040 --> 0:15:10.680
<v Speaker 11>It was so awesome.

0:15:10.720 --> 0:15:13.320
<v Speaker 5>And she played this and I remember going, oh, man,

0:15:13.320 --> 0:15:15.160
<v Speaker 5>one day, I'm gonna ever play it here. So I'm

0:15:15.200 --> 0:15:16.360
<v Speaker 5>not even gonna say what it is to know you

0:15:16.400 --> 0:15:18.120
<v Speaker 5>play it here is This is track three on the

0:15:18.160 --> 0:15:25.320
<v Speaker 5>train track work tapes, But here is tan Neil Town's Okay,

0:15:25.360 --> 0:15:27.840
<v Speaker 5>let me ask you a question before we do uncomfortable questions.

0:15:28.120 --> 0:15:31.480
<v Speaker 5>This is kind of inside baseball, But so of all

0:15:31.520 --> 0:15:33.680
<v Speaker 5>these songs on the train track work tapes, which I

0:15:33.680 --> 0:15:36.360
<v Speaker 5>hope everybody goes in streams. Thanks. I'm gonna put one

0:15:36.520 --> 0:15:38.760
<v Speaker 5>as like our national countdown song, and then I'm gonna

0:15:38.760 --> 0:15:40.040
<v Speaker 5>put it on a different show that I do a

0:15:40.120 --> 0:15:41.960
<v Speaker 5>national show. Which one do you want? Feature?

0:15:42.400 --> 0:15:42.560
<v Speaker 7>No?

0:15:42.720 --> 0:15:45.040
<v Speaker 5>Not, thank you? Which one do you want? I'll pick

0:15:45.080 --> 0:15:48.200
<v Speaker 5>whichever one you like, to pick one, I get to

0:15:48.240 --> 0:15:50.240
<v Speaker 5>pick one, and I'll put it on both the national shows.

0:15:50.280 --> 0:15:53.080
<v Speaker 5>Do you want Home to Me? Pieces of My Heart

0:15:54.080 --> 0:15:56.240
<v Speaker 5>Coming Together? Wheels? Which one?

0:15:56.640 --> 0:15:57.520
<v Speaker 11>Let's do Home to Me?

0:15:57.640 --> 0:16:01.200
<v Speaker 5>Okay, so Mike got that, put that on both of them?

0:16:01.320 --> 0:16:01.760
<v Speaker 11>Thank you?

0:16:01.840 --> 0:16:02.240
<v Speaker 5>Okay?

0:16:02.240 --> 0:16:02.520
<v Speaker 11>Cool?

0:16:02.720 --> 0:16:04.880
<v Speaker 5>Now uncomfortable questions I give, But then I take.

0:16:05.440 --> 0:16:06.960
<v Speaker 11>All right, well I'm buckling up.

0:16:07.640 --> 0:16:10.320
<v Speaker 5>I take they're not that uncomfortable for you because everybody

0:16:10.360 --> 0:16:13.320
<v Speaker 5>likes you. You're one. Is Tanil town sad all the time?

0:16:15.840 --> 0:16:16.080
<v Speaker 11>Yes?

0:16:16.320 --> 0:16:17.880
<v Speaker 9>Always?

0:16:17.400 --> 0:16:18.320
<v Speaker 5>Okay?

0:16:18.360 --> 0:16:21.160
<v Speaker 14>It's like, you know, underneath and at the same time

0:16:21.240 --> 0:16:22.680
<v Speaker 14>as absolute joy.

0:16:22.840 --> 0:16:24.760
<v Speaker 11>Everywhere I go is just kind of underneath.

0:16:25.200 --> 0:16:28.040
<v Speaker 14>How tall is Tanil Town's oh five to two on

0:16:28.080 --> 0:16:28.480
<v Speaker 14>a good.

0:16:28.400 --> 0:16:31.400
<v Speaker 5>Day, Yeah, when you wear boots, that's more.

0:16:31.280 --> 0:16:33.400
<v Speaker 11>Like five four maybe? Yeah?

0:16:33.480 --> 0:16:35.760
<v Speaker 5>Does Tanil Towns have any secret talents?

0:16:37.280 --> 0:16:40.200
<v Speaker 14>It's kind of weird, but I grew up water skiing

0:16:40.200 --> 0:16:42.240
<v Speaker 14>with my family, and my dad was kind of like

0:16:42.280 --> 0:16:45.760
<v Speaker 14>a competitive water skier, So therefore I can like slom

0:16:45.800 --> 0:16:47.000
<v Speaker 14>ski kind of half decently.

0:16:47.120 --> 0:16:50.000
<v Speaker 5>That's pretty good. Yeah, okay, there are two more. What's

0:16:50.040 --> 0:16:53.040
<v Speaker 5>the worst part of being a country singer? Like, what's

0:16:53.080 --> 0:16:54.760
<v Speaker 5>worst part of the job of being a country singer?

0:16:55.160 --> 0:16:57.640
<v Speaker 14>Photo shoots? Getting your picture taken all the time? I

0:16:57.720 --> 0:17:00.440
<v Speaker 14>just want to sing songs for people. Cameras are like

0:17:00.520 --> 0:17:02.600
<v Speaker 14>the worst thing ever and.

0:17:02.600 --> 0:17:04.280
<v Speaker 5>The final one. And I tell you I didn't know

0:17:04.280 --> 0:17:06.159
<v Speaker 5>this untill I was looking at Hey, Ray, can you

0:17:06.200 --> 0:17:08.440
<v Speaker 5>play a clip of the thing that wrecks you? It's

0:17:08.480 --> 0:17:15.479
<v Speaker 5>Tanil and Brian Adams. Play a clip at that please. So

0:17:15.720 --> 0:17:17.840
<v Speaker 5>this question is based off somebody who I who saw

0:17:17.880 --> 0:17:21.359
<v Speaker 5>the writing credits where your last name is not listed

0:17:21.359 --> 0:17:24.040
<v Speaker 5>as towns Interesting? Did you know that?

0:17:24.200 --> 0:17:26.080
<v Speaker 11>I didn't know that? But wow, good to know.

0:17:26.160 --> 0:17:27.800
<v Speaker 5>And the question was how does she pronounce.

0:17:27.480 --> 0:17:33.080
<v Speaker 14>A Yeah, it's basically yeah, it's it's nad kranishnie, which

0:17:33.080 --> 0:17:36.080
<v Speaker 14>sounds like a sneeze, but yeah, it's it's got enough

0:17:36.160 --> 0:17:37.960
<v Speaker 14>letters for the Mickey Mouse theme song.

0:17:38.800 --> 0:17:39.960
<v Speaker 5>Nad Kishi.

0:17:40.160 --> 0:17:41.920
<v Speaker 11>That's right, Yes, that was my name.

0:17:43.640 --> 0:17:46.360
<v Speaker 5>Thanks and nad Is at the beginning of it. That's awesome.

0:17:47.040 --> 0:17:48.200
<v Speaker 5>You know, you know you are the best.

0:17:48.440 --> 0:17:50.200
<v Speaker 11>I love you always, Thanks for having.

0:17:50.040 --> 0:17:51.840
<v Speaker 5>Whatever you got going on. You're gonna always come in here.

0:17:51.880 --> 0:17:54.400
<v Speaker 5>I appreciate and you're the best. And okay, so everybody

0:17:54.720 --> 0:17:58.359
<v Speaker 5>go and check out train track work tapes and follow

0:17:58.400 --> 0:18:01.720
<v Speaker 5>Tanil at toil Town t O W N E S.

0:18:02.280 --> 0:18:04.240
<v Speaker 5>And I think we've said it all, am anything you

0:18:04.240 --> 0:18:04.800
<v Speaker 5>want to say.

0:18:04.880 --> 0:18:07.840
<v Speaker 9>Just recording on a train like, has it inspired you

0:18:07.920 --> 0:18:08.960
<v Speaker 9>to think we're else?

0:18:09.760 --> 0:18:11.560
<v Speaker 7>Literally? Lets go.

0:18:13.040 --> 0:18:19.359
<v Speaker 5>Skydiving, river sessions, sessions, modes of transportation are there? I

0:18:19.359 --> 0:18:20.360
<v Speaker 5>mean the uber.

0:18:20.160 --> 0:18:25.399
<v Speaker 15>Tapes, Let's go anything else.

0:18:25.560 --> 0:18:32.880
<v Speaker 5>The scooter session, submarine sounds. Oh all right, you guys

0:18:32.880 --> 0:18:34.720
<v Speaker 5>town check it out Tail, Thank you very much.

0:18:35.160 --> 0:18:36.280
<v Speaker 10>Thanks.

0:18:38.640 --> 0:18:41.840
<v Speaker 1>It's the best bits of the week with Morgan.

0:18:41.920 --> 0:18:42.400
<v Speaker 2>Number two.

0:18:43.760 --> 0:18:46.679
<v Speaker 4>Our iHeart Country Festival was last weekend and it was

0:18:47.000 --> 0:18:47.800
<v Speaker 4>so epic.

0:18:47.960 --> 0:18:49.520
<v Speaker 3>Listen. If you've never been before.

0:18:49.280 --> 0:18:52.480
<v Speaker 4>I highly encourage and suggest that you go next year.

0:18:52.480 --> 0:18:54.800
<v Speaker 4>In all the years following, it's the best time. We

0:18:54.840 --> 0:18:57.600
<v Speaker 4>had so many epic performances and I'm sure you guys

0:18:57.600 --> 0:18:59.239
<v Speaker 4>are tired of seeing all of our photos from it,

0:18:59.280 --> 0:19:00.679
<v Speaker 4>but still go check them out.

0:19:00.680 --> 0:19:01.480
<v Speaker 3>If you haven't seen them.

0:19:01.720 --> 0:19:04.240
<v Speaker 4>But our young listener LJ also got to have an

0:19:04.320 --> 0:19:07.160
<v Speaker 4>epic time at the festival. He had called in, well,

0:19:07.200 --> 0:19:09.920
<v Speaker 4>his mom particularly called in and she told us she

0:19:09.960 --> 0:19:13.359
<v Speaker 4>wanted to surprise him with tickets to the show.

0:19:12.720 --> 0:19:13.720
<v Speaker 3>And so Bobby did.

0:19:13.760 --> 0:19:16.399
<v Speaker 4>But more than that, he also invited LJA and his

0:19:16.400 --> 0:19:19.080
<v Speaker 4>family to come hang out backstage and hang out with

0:19:19.119 --> 0:19:22.040
<v Speaker 4>Bobby in the show and meet a bunch of country artists.

0:19:22.080 --> 0:19:26.119
<v Speaker 4>So basically LJ had the VIP lifestyle in Austin and

0:19:26.160 --> 0:19:27.800
<v Speaker 4>we have all the photos from it. His mom sent

0:19:27.840 --> 0:19:30.399
<v Speaker 4>me basically a photo album and it's on Bobby Bones

0:19:30.400 --> 0:19:31.840
<v Speaker 4>dot com, which was so cool. But you can hear

0:19:31.880 --> 0:19:34.760
<v Speaker 4>a little bit about Bobby talking about their time together

0:19:34.880 --> 0:19:35.919
<v Speaker 4>and what that was like.

0:19:36.600 --> 0:19:37.480
<v Speaker 1>Number five, We.

0:19:37.440 --> 0:19:39.800
<v Speaker 5>Had an excellent weekend. We mentioned it earlier, but our

0:19:39.960 --> 0:19:43.120
<v Speaker 5>iHeart Country Festival was Saturday night. It's just so fun

0:19:43.119 --> 0:19:46.520
<v Speaker 5>because everybody's together. It's one hit after another. If you

0:19:46.520 --> 0:19:47.920
<v Speaker 5>get a chance to go next year, you should go

0:19:47.960 --> 0:19:49.720
<v Speaker 5>because that stage flips. You don't have to wait for

0:19:49.720 --> 0:19:51.760
<v Speaker 5>thirty minutes for the next act. I just go to

0:19:51.800 --> 0:19:54.080
<v Speaker 5>the horse races as a kid and hot springs at

0:19:54.080 --> 0:19:57.280
<v Speaker 5>Oaklawn and I'd sneak in I couldn't bet, so I'd

0:19:57.280 --> 0:19:59.119
<v Speaker 5>have to beg some dude to take two dollars and

0:19:59.160 --> 0:20:01.800
<v Speaker 5>go bet for me, and they'd run the race and

0:20:01.800 --> 0:20:05.000
<v Speaker 5>you wait thirty minutes for the next race. Yeah, I

0:20:05.040 --> 0:20:08.119
<v Speaker 5>hated that this is the opposite of that our country

0:20:08.119 --> 0:20:10.600
<v Speaker 5>festivals is the opposite of Oakland Racing and Hot Springs. Yes,

0:20:11.320 --> 0:20:13.920
<v Speaker 5>so we went. It was amazing and ask some stuff

0:20:13.960 --> 0:20:17.160
<v Speaker 5>to talk about, but mostly I just think sometimes how

0:20:17.200 --> 0:20:19.679
<v Speaker 5>Lunchbox sees the world is so funny. Ray, would you

0:20:19.680 --> 0:20:20.840
<v Speaker 5>play a coup of Brothers Osbourne?

0:20:20.880 --> 0:20:21.120
<v Speaker 10>Please?

0:20:25.480 --> 0:20:27.719
<v Speaker 5>They were a surprise act. They came out and did

0:20:27.840 --> 0:20:29.959
<v Speaker 5>a few songs and I love them, went hung out

0:20:29.960 --> 0:20:32.439
<v Speaker 5>with them after the show, like personally, just those are

0:20:32.560 --> 0:20:36.359
<v Speaker 5>two dudes I love so Lunchbox, I'll just let you

0:20:36.400 --> 0:20:39.040
<v Speaker 5>say it and then then we will talk about your

0:20:39.040 --> 0:20:40.240
<v Speaker 5>opinion of it. To go ahead.

0:20:40.359 --> 0:20:43.280
<v Speaker 12>I'm worried about Brothers Osbourne and their money situation. I'm

0:20:43.320 --> 0:20:45.680
<v Speaker 12>starting to think they might need a second job or

0:20:45.760 --> 0:20:48.760
<v Speaker 12>they've whatever they made they've lost and they were broke.

0:20:48.880 --> 0:20:49.400
<v Speaker 8>Why is that?

0:20:49.560 --> 0:20:52.639
<v Speaker 12>Because I showed up at the airport yesterday morning to

0:20:52.680 --> 0:20:56.560
<v Speaker 12>board my flight to come back and they were flying Southwest,

0:20:56.640 --> 0:20:58.840
<v Speaker 12>like they had to sit there and like the cattle,

0:20:58.880 --> 0:21:01.040
<v Speaker 12>you know, line up when they're a one through thirty,

0:21:01.040 --> 0:21:03.320
<v Speaker 12>and they had to line up in their little number.

0:21:03.320 --> 0:21:05.199
<v Speaker 12>They had to get on Southwest pick their seat. And

0:21:05.200 --> 0:21:08.240
<v Speaker 12>I'm like, guys, this is not good. Like I thought

0:21:08.320 --> 0:21:11.399
<v Speaker 12>by now they'd be rich and making a lot of money.

0:21:11.440 --> 0:21:13.440
<v Speaker 12>But obviously it's not going well.

0:21:14.600 --> 0:21:16.040
<v Speaker 5>Obviously that's not the truth.

0:21:16.720 --> 0:21:18.800
<v Speaker 12>Obviously, because there was a lot of artists there last

0:21:18.880 --> 0:21:20.639
<v Speaker 12>night or the other night, and they were the only

0:21:20.720 --> 0:21:22.080
<v Speaker 12>ones on Southwest.

0:21:22.600 --> 0:21:25.040
<v Speaker 5>That's actually not true, not true at all. Eddie who

0:21:25.119 --> 0:21:25.720
<v Speaker 5>was on your flight.

0:21:25.680 --> 0:21:30.000
<v Speaker 6>Kane Brown, I think he's doing pretty good. Yeah, Mitchell Tenpenny,

0:21:30.680 --> 0:21:32.480
<v Speaker 6>Jordan Davis, all on my flight.

0:21:33.000 --> 0:21:37.280
<v Speaker 5>So it's an easy flight from Austin to Nashville. And

0:21:37.400 --> 0:21:39.760
<v Speaker 5>so they just flew it back.

0:21:39.760 --> 0:21:41.359
<v Speaker 12>And they didn't even sit next to each other on

0:21:41.400 --> 0:21:42.960
<v Speaker 12>the plane like they were. One of them was mad

0:21:43.000 --> 0:21:44.800
<v Speaker 12>at the other one for spending too much money.

0:21:44.640 --> 0:21:46.440
<v Speaker 5>All so now you think they're beefing, Like.

0:21:46.680 --> 0:21:48.240
<v Speaker 12>Yeah, they were kind of like, oh, you're the one

0:21:48.240 --> 0:21:49.639
<v Speaker 12>that spends all the money. That's why we have to

0:21:49.680 --> 0:21:52.119
<v Speaker 12>fly on a regular plane with the regular people.

0:21:52.160 --> 0:21:54.960
<v Speaker 5>And oh, so you saw them and literally thought they've

0:21:55.000 --> 0:21:58.399
<v Speaker 5>been irresponsible with their money. Yeah, what if that's super

0:21:58.400 --> 0:22:01.879
<v Speaker 5>responsible with their money though, that's that's the difference, Like

0:22:01.880 --> 0:22:05.040
<v Speaker 5>they're not wasting their money, that's super responsible with money.

0:22:05.280 --> 0:22:07.159
<v Speaker 12>Like John had his headphones on, didn't even talk to

0:22:07.240 --> 0:22:08.160
<v Speaker 12>his brother the whole time.

0:22:08.280 --> 0:22:11.080
<v Speaker 5>Also, now you want to change up, you're pivoting and

0:22:11.119 --> 0:22:11.880
<v Speaker 5>now it's no.

0:22:11.880 --> 0:22:14.520
<v Speaker 12>No, I'm just saying like I mean, or he didn't

0:22:14.520 --> 0:22:16.600
<v Speaker 12>want to hear people talking about how they have money problems,

0:22:16.600 --> 0:22:18.600
<v Speaker 12>so he just put the headphones on. I was just

0:22:18.640 --> 0:22:21.080
<v Speaker 12>worried about them, and so I sent you a little note.

0:22:21.400 --> 0:22:22.880
<v Speaker 10>You know. I'm just saying, hey, like do we need

0:22:22.880 --> 0:22:23.560
<v Speaker 10>to look out for him?

0:22:23.560 --> 0:22:24.520
<v Speaker 5>Do we need to what do we need to do

0:22:24.520 --> 0:22:25.119
<v Speaker 5>to go fund me?

0:22:25.320 --> 0:22:27.560
<v Speaker 10>Like, yeah, do we need to download a song or something?

0:22:27.600 --> 0:22:27.719
<v Speaker 13>Does?

0:22:27.760 --> 0:22:29.600
<v Speaker 5>No one's really download a song for twenty years, But

0:22:30.000 --> 0:22:32.040
<v Speaker 5>I get it.

0:22:31.640 --> 0:22:33.600
<v Speaker 8>I would be nice, though, are you gonna say, well.

0:22:33.520 --> 0:22:33.800
<v Speaker 5>I don't.

0:22:33.840 --> 0:22:38.119
<v Speaker 9>I don't like feeding into Lunchbox's narratives. However, Oh and

0:22:38.320 --> 0:22:42.280
<v Speaker 9>one of my backstage interviews with them, they did say

0:22:42.359 --> 0:22:45.840
<v Speaker 9>they do therapy together like as a band, but they're.

0:22:45.720 --> 0:22:48.119
<v Speaker 5>Supposed to it's different than therapy by yourself.

0:22:48.160 --> 0:22:50.880
<v Speaker 9>He says they're not getting along, but they're brothers.

0:22:51.280 --> 0:22:53.280
<v Speaker 8>Wait, so they're really fighting over money?

0:22:53.920 --> 0:22:57.080
<v Speaker 5>I have the money. Oh this is made up, and

0:22:57.080 --> 0:22:59.480
<v Speaker 5>then tell you both I was with them after the show,

0:23:00.160 --> 0:23:03.280
<v Speaker 5>know what everybody was getting a long time. Yes, I

0:23:03.320 --> 0:23:06.280
<v Speaker 5>would think there are I think Lady A has done

0:23:06.320 --> 0:23:09.000
<v Speaker 5>that that they've talked about a lot of bands that

0:23:09.040 --> 0:23:11.439
<v Speaker 5>I know or groups have talked, have done it. But

0:23:11.440 --> 0:23:12.920
<v Speaker 5>the people that I know that have set up publicly

0:23:13.320 --> 0:23:16.720
<v Speaker 5>Lady A very famously, Paramore did it for a long time.

0:23:17.560 --> 0:23:20.840
<v Speaker 5>So it is common for anyone in a group dynamic,

0:23:21.760 --> 0:23:24.680
<v Speaker 5>because you're on the road so much together to go

0:23:24.920 --> 0:23:28.560
<v Speaker 5>and make sure that the relationships are as healthy as

0:23:28.600 --> 0:23:28.840
<v Speaker 5>can be.

0:23:29.520 --> 0:23:31.840
<v Speaker 9>So so should we all do therapy together?

0:23:32.160 --> 0:23:34.000
<v Speaker 5>No, we're not all the road together. Were for four hour,

0:23:34.160 --> 0:23:35.600
<v Speaker 5>five hours whatever it is when we go home.

0:23:35.680 --> 0:23:36.200
<v Speaker 8>Yeah, we're good.

0:23:36.280 --> 0:23:38.520
<v Speaker 10>Okay, I'm busy.

0:23:38.680 --> 0:23:39.120
<v Speaker 11>Just a thought.

0:23:39.440 --> 0:23:42.160
<v Speaker 5>And those two are like equal. They've got to figure

0:23:42.160 --> 0:23:44.960
<v Speaker 5>out that dynamic. The bands are equal, you know, Hillary,

0:23:45.280 --> 0:23:47.880
<v Speaker 5>Charles Dave, they're equal. They can figure out that dynamic.

0:23:48.800 --> 0:23:56.120
<v Speaker 5>They that I'd tell you brothers Osbourn not having money problems,

0:23:56.760 --> 0:24:00.320
<v Speaker 5>probably smart with money, and I think it's pretty healthy

0:24:00.320 --> 0:24:02.760
<v Speaker 5>they're going to therapy if they're brothers and they're working together.

0:24:03.160 --> 0:24:05.040
<v Speaker 10>So but thank you, though I almost slid him a

0:24:05.080 --> 0:24:06.200
<v Speaker 10>five each just to help him out.

0:24:06.560 --> 0:24:08.840
<v Speaker 5>No chance you would even give anybody five each, right,

0:24:08.880 --> 0:24:10.400
<v Speaker 5>But Eddie Kane Brown was on your flight.

0:24:10.520 --> 0:24:12.679
<v Speaker 6>He was, and I started to freak out because like

0:24:12.720 --> 0:24:16.040
<v Speaker 6>when I saw Kane Brown, Jordan Davis, and Mitchell Timpenny

0:24:16.040 --> 0:24:17.879
<v Speaker 6>come on the plane, I'm like, oh my gosh, this

0:24:17.920 --> 0:24:18.560
<v Speaker 6>plane goes down.

0:24:18.600 --> 0:24:20.920
<v Speaker 5>It's the day of the music died. This plane goes down.

0:24:20.920 --> 0:24:21.960
<v Speaker 5>You ain't making the headline.

0:24:22.119 --> 0:24:22.760
<v Speaker 8>Well, that's for sure.

0:24:22.760 --> 0:24:26.919
<v Speaker 5>I don't even get mentioned in that headline. So the

0:24:27.000 --> 0:24:29.080
<v Speaker 5>day of music died, Amy, let me check your music

0:24:29.119 --> 0:24:32.520
<v Speaker 5>knowledge here? Do you know it? Okay, I'm not asking you, lunchbox,

0:24:32.520 --> 0:24:33.320
<v Speaker 5>the day of the music died?

0:24:33.359 --> 0:24:33.720
<v Speaker 8>Who died?

0:24:34.640 --> 0:24:35.120
<v Speaker 10>LaBamba?

0:24:35.840 --> 0:24:38.320
<v Speaker 5>Okay, go ahead, that's all I know.

0:24:38.680 --> 0:24:39.960
<v Speaker 10>Well, Richie Vallen, that is.

0:24:40.160 --> 0:24:41.359
<v Speaker 8>That's the obamba.

0:24:42.960 --> 0:24:44.720
<v Speaker 10>Oh the guy that were your glasses?

0:24:44.920 --> 0:24:49.280
<v Speaker 5>Go ahead, Holly, hollyhoo, buddy, holly correct, go ahead. And

0:24:49.359 --> 0:24:49.760
<v Speaker 5>one more.

0:24:49.800 --> 0:24:51.120
<v Speaker 10>There's a statue in Lubbock of.

0:24:51.080 --> 0:24:59.399
<v Speaker 5>It a little baby very King, Barry King. That's right,

0:24:59.480 --> 0:24:59.880
<v Speaker 5>nice shop.

0:25:00.160 --> 0:25:03.960
<v Speaker 10>It's not very big bopper yeah, Barry what's his name?

0:25:04.119 --> 0:25:05.639
<v Speaker 5>The Big Bopper? The Big Bopper?

0:25:06.480 --> 0:25:07.520
<v Speaker 10>But what's his real name?

0:25:07.920 --> 0:25:09.520
<v Speaker 5>They don't know. His real name was like J. P.

0:25:09.680 --> 0:25:10.879
<v Speaker 5>Richardson or something, but nobody.

0:25:11.040 --> 0:25:13.680
<v Speaker 10>It's not the Who am I thinking of them?

0:25:13.720 --> 0:25:17.080
<v Speaker 5>I can't tell you that because I'm not thinking Barry Switzer,

0:25:17.720 --> 0:25:18.560
<v Speaker 5>Lewis Manelo.

0:25:18.960 --> 0:25:21.560
<v Speaker 12>No, I know Barry Manilow is alive. I saw him

0:25:22.080 --> 0:25:23.800
<v Speaker 12>what where with Lady Gaga?

0:25:23.880 --> 0:25:24.720
<v Speaker 10>Right, and he's all got No.

0:25:24.840 --> 0:25:28.800
<v Speaker 5>That's see. We got to get out of it, walking

0:25:28.840 --> 0:25:30.680
<v Speaker 5>down a wormhole. We don't want to have to fight

0:25:30.720 --> 0:25:33.679
<v Speaker 5>our way out of where. You're good? Are you going

0:25:33.760 --> 0:25:34.040
<v Speaker 5>to say?

0:25:34.160 --> 0:25:35.720
<v Speaker 9>I was just trying to see. I didn't know the

0:25:35.720 --> 0:25:37.760
<v Speaker 9>third one. I knew Buddy Holly Ritchie Ballens, but.

0:25:37.720 --> 0:25:40.200
<v Speaker 5>Big Bopper only had one song and was not as

0:25:40.880 --> 0:25:41.880
<v Speaker 5>do you know who lived?

0:25:42.520 --> 0:25:44.160
<v Speaker 8>Yes, Whalen Jennings.

0:25:43.800 --> 0:25:44.480
<v Speaker 5>Flipped a coin?

0:25:45.160 --> 0:25:45.360
<v Speaker 7>Oh?

0:25:45.480 --> 0:25:48.040
<v Speaker 5>Yes lived because he didn't get on the He was

0:25:48.080 --> 0:25:49.680
<v Speaker 5>going to get on the plane, right, but who.

0:25:49.480 --> 0:25:50.960
<v Speaker 11>Got his coin?

0:25:51.040 --> 0:25:51.200
<v Speaker 5>Tok?

0:25:51.359 --> 0:25:53.080
<v Speaker 9>Just did the seat go to someone else?

0:25:53.240 --> 0:25:55.600
<v Speaker 5>It did and went to the brothers Osborne?

0:25:56.160 --> 0:25:57.439
<v Speaker 9>And or did he flip it?

0:25:57.520 --> 0:25:57.600
<v Speaker 15>Like?

0:25:57.640 --> 0:26:00.840
<v Speaker 5>Should I go the other seat? Was it Buddy Holly?

0:26:00.920 --> 0:26:01.800
<v Speaker 8>Maybe I don't know.

0:26:01.880 --> 0:26:03.240
<v Speaker 5>I don't know if they I don't know.

0:26:03.320 --> 0:26:04.080
<v Speaker 9>It's so tragic.

0:26:04.200 --> 0:26:07.440
<v Speaker 5>Yeah, in that plane it was snowy anyway, small plane.

0:26:07.720 --> 0:26:08.639
<v Speaker 8>Crashed in Iowa.

0:26:09.600 --> 0:26:11.159
<v Speaker 5>Yep, that's right, clear like Iowa.

0:26:11.240 --> 0:26:11.440
<v Speaker 7>Dang.

0:26:11.480 --> 0:26:13.480
<v Speaker 5>Good for you, buddy, not good for you. I know,

0:26:13.520 --> 0:26:15.080
<v Speaker 5>you know music. Hey, but when I saw those guys

0:26:15.080 --> 0:26:16.320
<v Speaker 5>get on the plane, I'm like, oh my god, you

0:26:16.320 --> 0:26:17.800
<v Speaker 5>thought that was gonna be on his Southwest last.

0:26:17.920 --> 0:26:18.600
<v Speaker 8>I was freaking out.

0:26:19.000 --> 0:26:20.439
<v Speaker 9>If you do, you feel weird if you have a

0:26:20.480 --> 0:26:21.200
<v Speaker 9>thought about.

0:26:21.000 --> 0:26:23.080
<v Speaker 8>Crashing, Okay, I think about it all the time.

0:26:23.119 --> 0:26:24.160
<v Speaker 10>Oh that's weird.

0:26:24.240 --> 0:26:25.679
<v Speaker 5>Oh yeah, I even talk about it when I'm up there.

0:26:26.040 --> 0:26:28.040
<v Speaker 8>I told Jordan Davis, Dude, we die. It's the day

0:26:28.040 --> 0:26:28.640
<v Speaker 8>of the music Dead.

0:26:28.920 --> 0:26:31.000
<v Speaker 10>Oh did all the artists sit by each other? Do

0:26:31.080 --> 0:26:31.840
<v Speaker 10>they sit the same?

0:26:32.600 --> 0:26:34.840
<v Speaker 5>If they did in their feuding and let's start a rumor, dude.

0:26:34.640 --> 0:26:36.880
<v Speaker 8>They were not sitting together, so that means they were fighting.

0:26:36.640 --> 0:26:39.680
<v Speaker 5>Their headphones on it talking to I would imagine if Kine,

0:26:39.920 --> 0:26:41.800
<v Speaker 5>by the way, is not having money problem with the

0:26:41.840 --> 0:26:43.720
<v Speaker 5>promise yet, I imagine if he gets on a plane

0:26:43.720 --> 0:26:45.080
<v Speaker 5>like that, everybody wants to take pictures with him.

0:26:45.160 --> 0:26:47.440
<v Speaker 8>No, no one bothered him and he was with his wife.

0:26:47.520 --> 0:26:49.240
<v Speaker 5>You're out of your mind. There's no way Caine Dorown

0:26:49.280 --> 0:26:50.560
<v Speaker 5>got on the plane and nobody to bother dude I

0:26:50.600 --> 0:26:51.560
<v Speaker 5>saw was on this flight.

0:26:51.680 --> 0:26:54.439
<v Speaker 4>I was, and he absolutely There's multiple fans that went

0:26:54.520 --> 0:26:56.240
<v Speaker 4>up to him and took pictures with him before the flight.

0:26:56.600 --> 0:26:58.680
<v Speaker 8>Oh, before the fly. I only saw him on the plane.

0:26:59.080 --> 0:27:01.439
<v Speaker 5>Got it, wait, scoob away. I said his move and

0:27:01.480 --> 0:27:03.480
<v Speaker 5>I saw it. Really smart, you get on the plane.

0:27:03.480 --> 0:27:04.520
<v Speaker 5>I got in early with him.

0:27:04.760 --> 0:27:07.439
<v Speaker 6>He immediately falls asleep on his wife's shoulder, so no

0:27:07.480 --> 0:27:08.240
<v Speaker 6>one talks to him.

0:27:08.240 --> 0:27:10.080
<v Speaker 5>Why did your finger quotes on falls asleep because.

0:27:09.880 --> 0:27:11.040
<v Speaker 8>I don't think he's really asleep at all.

0:27:11.080 --> 0:27:14.240
<v Speaker 5>It was early though. I gave him. I made a

0:27:14.920 --> 0:27:16.320
<v Speaker 5>he was flying back the next I said, here, dude,

0:27:16.320 --> 0:27:17.840
<v Speaker 5>and I handed him something to hide. It was some

0:27:17.880 --> 0:27:20.560
<v Speaker 5>of those glasses with a mustache on it, plastic.

0:27:20.200 --> 0:27:21.919
<v Speaker 8>Glasses with wasn't wear in that.

0:27:21.960 --> 0:27:25.040
<v Speaker 5>It wasn't dang. Okay, it was a great festival. We'll

0:27:25.040 --> 0:27:26.760
<v Speaker 5>talk a little more about it. We got to Morgan

0:27:26.800 --> 0:27:28.280
<v Speaker 5>wants to spill the tear about something she saw at

0:27:28.320 --> 0:27:30.359
<v Speaker 5>the festival as well, or that the weekend, so she

0:27:30.400 --> 0:27:32.120
<v Speaker 5>wants to tell on somebody but we're out of time

0:27:32.160 --> 0:27:35.200
<v Speaker 5>for that. We spent the weekend in Austin, Texas. Love

0:27:35.240 --> 0:27:37.719
<v Speaker 5>it home, Shout out Austin. I mean, I love it.

0:27:37.720 --> 0:27:40.280
<v Speaker 5>It's like when I go back to Austin, She's like,

0:27:42.119 --> 0:27:45.800
<v Speaker 5>it feels like, I mean, I spent my entire young

0:27:45.920 --> 0:27:49.040
<v Speaker 5>adult life there, and I know you guys grew up there,

0:27:49.520 --> 0:27:53.199
<v Speaker 5>so it just feels like, oh, like, when I go

0:27:53.280 --> 0:27:57.040
<v Speaker 5>back home home to Arkansas, it's almost like this backpack

0:27:57.080 --> 0:28:00.199
<v Speaker 5>of rocks has taken off of me. He's like, like,

0:28:00.240 --> 0:28:03.040
<v Speaker 5>I feel that way about Austin too. We go by

0:28:03.040 --> 0:28:05.240
<v Speaker 5>our country festival and you know, the very first artist

0:28:05.320 --> 0:28:07.359
<v Speaker 5>we put a big headliner at the beginning of and

0:28:07.359 --> 0:28:11.400
<v Speaker 5>and it's Luke Bryan. And Luke comes out and shot

0:28:11.440 --> 0:28:13.639
<v Speaker 5>out of a cannon. As always, I got a shout

0:28:13.680 --> 0:28:16.479
<v Speaker 5>Luke out too. Because there was a kid who his

0:28:16.560 --> 0:28:18.840
<v Speaker 5>mom had called the show. It was his birthday. He's

0:28:18.880 --> 0:28:21.200
<v Speaker 5>in a band called Kid Country. I'm wearing their sweatshirt now.

0:28:21.640 --> 0:28:22.800
<v Speaker 5>She was like, hey, I want to tell him he

0:28:22.840 --> 0:28:25.119
<v Speaker 5>got tickets to don't ask for tickets, And so we

0:28:25.200 --> 0:28:27.080
<v Speaker 5>told him that they got them tickets, and then I

0:28:27.160 --> 0:28:29.159
<v Speaker 5>arranged for him to come backstage and just you know,

0:28:29.200 --> 0:28:31.040
<v Speaker 5>meet me and say how do you guys? But then

0:28:31.040 --> 0:28:32.600
<v Speaker 5>I just took him with me all backstage and I

0:28:32.600 --> 0:28:35.560
<v Speaker 5>found Luke and I was like, Luke, we meet you

0:28:35.560 --> 0:28:39.480
<v Speaker 5>know whatever his name is, Luke to LJ was Luke Junior,

0:28:39.920 --> 0:28:43.000
<v Speaker 5>and so Luke, Luke's awesome to everybody all the time.

0:28:43.120 --> 0:28:46.280
<v Speaker 5>The man he came out my kind denied the live song.

0:28:51.800 --> 0:28:53.720
<v Speaker 5>So that was fun. What a fun way to start it.

0:28:54.120 --> 0:28:56.320
<v Speaker 5>Kaitlin and I were sitting side stage. We wanted to

0:28:56.320 --> 0:28:58.640
<v Speaker 5>watch Luke just such a good live perform and go

0:28:58.640 --> 0:29:00.480
<v Speaker 5>see him if he's, you know, doing in a show.

0:29:00.600 --> 0:29:02.360
<v Speaker 5>I'll tell you when Sam Hunt jumped in the crowd

0:29:03.000 --> 0:29:06.080
<v Speaker 5>because he jumped good thing. He's an athlete and still

0:29:06.080 --> 0:29:09.640
<v Speaker 5>has knees at work because he just flew off the stage.

0:29:10.040 --> 0:29:12.040
<v Speaker 5>So he's got his mic and Sam's doing his whole

0:29:12.040 --> 0:29:16.720
<v Speaker 5>show and just launches into the crowd and his security guy,

0:29:16.960 --> 0:29:18.920
<v Speaker 5>Sam apparently does this a lot new I mean, he

0:29:19.040 --> 0:29:21.320
<v Speaker 5>was scary guys right on him making sure that nobody

0:29:21.360 --> 0:29:23.840
<v Speaker 5>was like grabbing Sam's private hearts or his nipples or

0:29:23.840 --> 0:29:25.600
<v Speaker 5>stuff or just like touch it pup and his shirt,

0:29:25.800 --> 0:29:27.680
<v Speaker 5>his people. I mean, I might, I might be honest,

0:29:27.680 --> 0:29:30.440
<v Speaker 5>with you. I might cry that too. But so Sam

0:29:30.520 --> 0:29:33.400
<v Speaker 5>is in the crowd and he did. He's doing house

0:29:33.400 --> 0:29:40.520
<v Speaker 5>party and the whole crowd's jumping up and down. Just

0:29:40.560 --> 0:29:44.120
<v Speaker 5>such a cool show. So we're there. I don't want

0:29:44.120 --> 0:29:45.680
<v Speaker 5>to go to Morgan because Morgan wants to spill the

0:29:45.720 --> 0:29:47.440
<v Speaker 5>tea basically on Something that happened was that over the

0:29:47.440 --> 0:29:49.240
<v Speaker 5>weekend at I our country festival at the show.

0:29:49.360 --> 0:29:50.680
<v Speaker 3>It was after the big show.

0:29:50.800 --> 0:29:52.600
<v Speaker 5>Okay, so you guys went out.

0:29:53.280 --> 0:29:54.160
<v Speaker 3>I didn't go out.

0:29:54.200 --> 0:29:55.720
<v Speaker 4>I was going back to the hotel because I had

0:29:55.720 --> 0:29:59.600
<v Speaker 4>an early flight, but lunchbox guilt tripped me into taking

0:29:59.640 --> 0:30:02.760
<v Speaker 4>back all of his stuff. His backpack. Everything was stuffed

0:30:02.760 --> 0:30:04.680
<v Speaker 4>in there because he wanted to go out and party,

0:30:05.200 --> 0:30:07.120
<v Speaker 4>and I had heels, like a nice dress on, and

0:30:07.120 --> 0:30:09.000
<v Speaker 4>he's like, hey, take my back back to the hotel.

0:30:09.160 --> 0:30:09.960
<v Speaker 3>I'm gonna go out.

0:30:10.200 --> 0:30:12.680
<v Speaker 5>But if he just he just asked you politely and nicely.

0:30:13.120 --> 0:30:15.080
<v Speaker 4>Uh no, he did at first, and I was like, hey, like,

0:30:15.120 --> 0:30:16.720
<v Speaker 4>I have a really heavy bag to carry out. I

0:30:16.760 --> 0:30:18.680
<v Speaker 4>don't think I'm gonna be able to do this. And

0:30:18.680 --> 0:30:20.840
<v Speaker 4>then he's like, well, I'm not going to post on

0:30:20.880 --> 0:30:22.360
<v Speaker 4>social media and stuff. You don't take my.

0:30:22.320 --> 0:30:25.760
<v Speaker 5>Bag like a threat, like he's not going to do

0:30:25.800 --> 0:30:28.680
<v Speaker 5>his job. Yes, guilt personal for him.

0:30:28.560 --> 0:30:29.200
<v Speaker 3>And I felt that.

0:30:29.280 --> 0:30:31.120
<v Speaker 11>I was like, well, I need him to post content.

0:30:31.200 --> 0:30:33.240
<v Speaker 3>I need him to post on social media, so I

0:30:33.240 --> 0:30:34.200
<v Speaker 3>guess I'll take his bag.

0:30:34.280 --> 0:30:37.080
<v Speaker 5>So that affect cause that affect your job. Yes, so

0:30:37.120 --> 0:30:38.600
<v Speaker 5>he was making you just send the personal for him

0:30:38.680 --> 0:30:40.680
<v Speaker 5>or he's gonna hurt you at your job.

0:30:40.880 --> 0:30:42.880
<v Speaker 3>Yes, he was guilt tripping me your thoughts.

0:30:43.480 --> 0:30:45.680
<v Speaker 12>My thought is, I mean she has a ride back

0:30:45.720 --> 0:30:47.960
<v Speaker 12>to the hotel, so she has to walk ten feet

0:30:47.960 --> 0:30:48.800
<v Speaker 12>to get in a vehicle.

0:30:48.880 --> 0:30:50.800
<v Speaker 5>Now it's a long walk to get to anywhere where

0:30:50.800 --> 0:30:53.320
<v Speaker 5>cars were and all she has. You just kept talking,

0:30:53.320 --> 0:30:55.680
<v Speaker 5>but it's a long walk to get even for us.

0:30:55.720 --> 0:30:56.880
<v Speaker 5>Took us forever to get to our car.

0:30:56.960 --> 0:30:59.560
<v Speaker 12>She throws on the backpack and carries her bag. My

0:30:59.640 --> 0:31:01.840
<v Speaker 12>bag is not heavy at all. It was just a

0:31:01.880 --> 0:31:03.720
<v Speaker 12>pair of shorts, a shirt and some shoes.

0:31:04.120 --> 0:31:04.840
<v Speaker 10>No big deal.

0:31:05.320 --> 0:31:07.440
<v Speaker 12>I mean I was nice enough to get to the

0:31:07.840 --> 0:31:10.360
<v Speaker 12>venue early to help her, like create content.

0:31:10.720 --> 0:31:13.360
<v Speaker 10>I thought, oh, I scratched your back, you scratch my mine.

0:31:14.320 --> 0:31:14.960
<v Speaker 3>But he didn't.

0:31:15.000 --> 0:31:17.160
<v Speaker 4>I asked him to get there earlier, and he was like, no,

0:31:17.200 --> 0:31:18.480
<v Speaker 4>I'm not gonna that earlier.

0:31:18.680 --> 0:31:20.120
<v Speaker 12>She asked me to get there at one o'clock, and

0:31:20.160 --> 0:31:22.040
<v Speaker 12>I was like, early, I don't need to be there

0:31:22.080 --> 0:31:23.880
<v Speaker 12>till four, so I'll get there about two thirty.

0:31:24.160 --> 0:31:24.560
<v Speaker 10>That's good.

0:31:24.720 --> 0:31:28.000
<v Speaker 12>That's a good compromise in my opinion. Like, I'm like,

0:31:28.200 --> 0:31:29.720
<v Speaker 12>you know, and she was like, why can't you get

0:31:29.720 --> 0:31:31.920
<v Speaker 12>there at one? How about how about one forty five?

0:31:32.000 --> 0:31:34.000
<v Speaker 12>I'm like, well, no, I'll get there an hour and

0:31:34.040 --> 0:31:35.280
<v Speaker 12>a half early. That's pretty good.

0:31:35.360 --> 0:31:38.000
<v Speaker 5>Did you say though, that you will not do work

0:31:38.000 --> 0:31:39.600
<v Speaker 5>for her unless she takes your stuff back?

0:31:39.680 --> 0:31:39.920
<v Speaker 8>Yeah?

0:31:40.000 --> 0:31:42.800
<v Speaker 5>Yeah, god, okay, Yeah.

0:31:43.040 --> 0:31:44.160
<v Speaker 10>I was like, hey, you don't want to help me.

0:31:44.200 --> 0:31:45.080
<v Speaker 10>I want to help you.

0:31:45.160 --> 0:31:47.440
<v Speaker 5>No, but that's that's sort of your job.

0:31:47.360 --> 0:31:50.760
<v Speaker 12>Sort of y sort of, but it hurts out to

0:31:50.760 --> 0:31:52.280
<v Speaker 12>be a you know, a good friend.

0:31:52.680 --> 0:31:55.520
<v Speaker 3>I was wearing heels. I don't want four o'clocks.

0:31:55.480 --> 0:31:57.520
<v Speaker 5>Multi bad job to be a good friend.

0:31:57.600 --> 0:31:59.040
<v Speaker 9>Yeah, he's just saying things.

0:31:59.040 --> 0:32:01.960
<v Speaker 5>Now, So what happened she took the bag or she did?

0:32:02.000 --> 0:32:02.560
<v Speaker 9>She's nice.

0:32:02.600 --> 0:32:03.840
<v Speaker 5>Would you have gone out though at all? If he

0:32:03.840 --> 0:32:04.560
<v Speaker 5>didn't have his bag?

0:32:04.960 --> 0:32:06.280
<v Speaker 3>No, I wouldn't have gone out.

0:32:06.480 --> 0:32:08.760
<v Speaker 4>But I just was mad because I felt like I

0:32:08.800 --> 0:32:10.680
<v Speaker 4>had to do it to be able to get somebody

0:32:10.680 --> 0:32:11.440
<v Speaker 4>to do their job.

0:32:11.800 --> 0:32:13.240
<v Speaker 5>That's right wucking to my world.

0:32:13.720 --> 0:32:17.480
<v Speaker 12>I mean really, it's really the lesser people had to

0:32:17.520 --> 0:32:19.200
<v Speaker 12>take care of the stars, like you know what I mean,

0:32:19.240 --> 0:32:22.320
<v Speaker 12>Like in a situation when you're not as high on

0:32:22.320 --> 0:32:24.640
<v Speaker 12>the totem pole, you have to kind of be like, Okay,

0:32:24.680 --> 0:32:26.360
<v Speaker 12>you know the star needs something, I'll help them.

0:32:26.400 --> 0:32:27.240
<v Speaker 8>And he loves that totally.

0:32:27.320 --> 0:32:28.560
<v Speaker 5>So what if I would have been going out and

0:32:28.560 --> 0:32:29.760
<v Speaker 5>I was like lunch box and you take all this

0:32:29.800 --> 0:32:30.600
<v Speaker 5>crap back to my room.

0:32:30.720 --> 0:32:32.240
<v Speaker 10>Well, if I was going back to the hotel, I

0:32:32.240 --> 0:32:33.040
<v Speaker 10>would have had to do it.

0:32:33.120 --> 0:32:36.920
<v Speaker 5>But oh, you wouldn't have You would have that. I

0:32:36.920 --> 0:32:38.760
<v Speaker 5>would have never done that, and know you would know

0:32:38.760 --> 0:32:40.280
<v Speaker 5>how to don there's no total pole.

0:32:41.000 --> 0:32:44.440
<v Speaker 10>Hey Morgan, Bobby's going out down, Yeah, go down the pole.

0:32:44.640 --> 0:32:47.040
<v Speaker 3>I mean Amy or Eddie or Bobby. Nobody asked me

0:32:47.080 --> 0:32:47.760
<v Speaker 3>to take their stuff.

0:32:47.760 --> 0:32:48.320
<v Speaker 11>It was just us.

0:32:48.720 --> 0:32:50.240
<v Speaker 5>I carried all my stuff back to the room and

0:32:50.240 --> 0:32:51.520
<v Speaker 5>then we went to eat. After that it was the

0:32:51.680 --> 0:32:52.280
<v Speaker 5>velvet taco.

0:32:52.400 --> 0:32:54.560
<v Speaker 10>Yeah, they were going back to the hotel. We weren't.

0:32:54.560 --> 0:32:57.440
<v Speaker 5>We actually wanted to go right to get velvet taco,

0:32:57.760 --> 0:33:00.240
<v Speaker 5>but we had a bunch of stuff and so instead

0:33:00.240 --> 0:33:02.440
<v Speaker 5>of having somebody take it force. We took it ourselves,

0:33:02.680 --> 0:33:05.040
<v Speaker 5>dropped it off, went back down and went nate a

0:33:05.120 --> 0:33:06.480
<v Speaker 5>velvet TALKO imagine that?

0:33:06.840 --> 0:33:08.600
<v Speaker 12>Oh man, well I was going straight to the bar,

0:33:08.760 --> 0:33:11.360
<v Speaker 12>so I mean people are going to wait for me

0:33:11.360 --> 0:33:12.920
<v Speaker 12>to go to the hotel then meet him at the bar.

0:33:13.240 --> 0:33:14.760
<v Speaker 10>Bar closes. Man, we got to get.

0:33:14.600 --> 0:33:17.280
<v Speaker 5>There, so does Velvet Taco. Probably before the bar closes.

0:33:17.360 --> 0:33:17.800
<v Speaker 5>I don't know.

0:33:17.840 --> 0:33:22.880
<v Speaker 12>Anyway, Thank you Morgan, I said thank you text did you?

0:33:24.000 --> 0:33:25.600
<v Speaker 10>Yeah? Thanks, appreciate it.

0:33:25.840 --> 0:33:28.360
<v Speaker 5>Brothers Osborne was a surprise guest. Ain't my fault?

0:33:28.520 --> 0:33:33.120
<v Speaker 8>Dame playing for five all a bounced back dude and

0:33:33.240 --> 0:33:33.960
<v Speaker 8>take the joke.

0:33:34.640 --> 0:33:36.400
<v Speaker 5>And then Lunchbox came on the show today and said

0:33:36.400 --> 0:33:40.760
<v Speaker 5>they were having money problems. Yep, because they flew southwest.

0:33:40.280 --> 0:33:42.240
<v Speaker 6>Back right and they weren't talking to each other, so

0:33:42.320 --> 0:33:43.440
<v Speaker 6>probably mad about the money.

0:33:43.480 --> 0:33:46.240
<v Speaker 5>One put headphones on and didn't say anything. What time

0:33:46.320 --> 0:33:46.680
<v Speaker 5>was your flight?

0:33:47.360 --> 0:33:48.480
<v Speaker 10>Nine early?

0:33:48.520 --> 0:33:50.080
<v Speaker 5>So you had to get there at eight thirty, had

0:33:50.120 --> 0:33:54.480
<v Speaker 5>to leave the hotel at eight after being out all night. Yeah,

0:33:54.680 --> 0:33:57.640
<v Speaker 5>you know what, I completely get. They're probably tired and

0:33:57.720 --> 0:34:08.400
<v Speaker 5>just sleepy. Caane brown Bury me in Georgia. It's awesome.

0:34:08.440 --> 0:34:10.960
<v Speaker 5>Festival next year when we do it again. I hope

0:34:11.000 --> 0:34:12.800
<v Speaker 5>you guys come Highlight Amy. Do you have anything?

0:34:12.880 --> 0:34:15.800
<v Speaker 9>Oh well, I have the entire festival on my phone

0:34:15.840 --> 0:34:18.000
<v Speaker 9>and my sister's phone because my son went and he

0:34:18.080 --> 0:34:20.080
<v Speaker 9>anybody that had a phone he wanted to borrow it

0:34:20.120 --> 0:34:21.720
<v Speaker 9>to record everything he was seeing.

0:34:22.440 --> 0:34:24.759
<v Speaker 5>Oh, you should watch it all back then if you

0:34:24.760 --> 0:34:25.360
<v Speaker 5>need a recon.

0:34:26.560 --> 0:34:26.839
<v Speaker 7>I got.

0:34:27.480 --> 0:34:29.399
<v Speaker 9>So that's my favorite part is just my family being

0:34:29.440 --> 0:34:30.680
<v Speaker 9>able to be there.

0:34:31.320 --> 0:34:33.680
<v Speaker 6>Caitlin Brown coming out with with Kane that was awesome,

0:34:33.719 --> 0:34:35.359
<v Speaker 6>Like we've talked about her doing that, but we got

0:34:35.360 --> 0:34:35.680
<v Speaker 6>to see that.

0:34:35.600 --> 0:34:36.239
<v Speaker 8>That was really cool.

0:34:36.520 --> 0:34:39.799
<v Speaker 12>Blunchboks, I'd just say Morgan taking my bag back by

0:34:39.920 --> 0:34:42.080
<v Speaker 12>my highlight. Yeah, I mean that really made my night

0:34:42.160 --> 0:34:43.160
<v Speaker 12>and made it special.

0:34:43.960 --> 0:34:46.399
<v Speaker 5>Your wife didn't go No, so did you go hard?

0:34:46.640 --> 0:34:46.879
<v Speaker 15>Yeah?

0:34:46.960 --> 0:34:47.680
<v Speaker 5>You get really drunk.

0:34:47.719 --> 0:34:50.160
<v Speaker 10>Yeah. I went up Friday night and Saturday night met

0:34:50.239 --> 0:34:50.880
<v Speaker 10>up with the boys.

0:34:51.920 --> 0:34:53.080
<v Speaker 9>Oh yeah, high school boys.

0:34:53.200 --> 0:34:54.040
<v Speaker 5>I get really drunk.

0:34:54.040 --> 0:34:57.160
<v Speaker 12>I ran yeah, we ran into Oh yeah yeah, they

0:34:57.200 --> 0:34:58.279
<v Speaker 12>said that you ran into them.

0:34:58.719 --> 0:35:00.520
<v Speaker 9>Yeah up top. I had to go this thing for

0:35:00.600 --> 0:35:02.560
<v Speaker 9>Mattress Firm where I had to go through the crowd

0:35:02.560 --> 0:35:04.360
<v Speaker 9>and end up in these chairs and all of a sudden.

0:35:04.360 --> 0:35:06.120
<v Speaker 9>I met the top trying to go down and I

0:35:06.160 --> 0:35:08.920
<v Speaker 9>see I see these five boys walk by, and I'm like, oh,

0:35:08.920 --> 0:35:11.600
<v Speaker 9>there's Lung Fox's high School Buddies crew.

0:35:12.760 --> 0:35:14.880
<v Speaker 10>It was great, man, it was fun.

0:35:14.960 --> 0:35:16.799
<v Speaker 5>Do you still do shots or do you drink?

0:35:16.960 --> 0:35:17.040
<v Speaker 10>No?

0:35:17.120 --> 0:35:20.719
<v Speaker 5>I saw Ady holding a Cosmopolitan that Lunchbox had.

0:35:20.840 --> 0:35:21.600
<v Speaker 8>That's what he ordered.

0:35:21.640 --> 0:35:23.719
<v Speaker 5>You grabbed it to show that he does not missed

0:35:23.719 --> 0:35:24.319
<v Speaker 5>a shot guy?

0:35:24.440 --> 0:35:25.840
<v Speaker 10>Correct. No, No, we didn't do shots that.

0:35:26.080 --> 0:35:28.839
<v Speaker 12>We were at a fancy bar and the boss was like, here,

0:35:28.880 --> 0:35:30.160
<v Speaker 12>do you want to drink? And that was on their

0:35:30.239 --> 0:35:32.600
<v Speaker 12>fancy bar, the like the their fancy list, and I

0:35:32.640 --> 0:35:32.959
<v Speaker 12>was like.

0:35:33.280 --> 0:35:34.520
<v Speaker 5>I guess on fancy list.

0:35:34.800 --> 0:35:36.640
<v Speaker 12>Yeah, And that's when you're like, oh, I guess I

0:35:36.640 --> 0:35:38.239
<v Speaker 12>got to drink a fancy drinks.

0:35:38.680 --> 0:35:39.680
<v Speaker 5>They taco while you're eating.

0:35:39.960 --> 0:35:40.799
<v Speaker 10>No, they didn't have.

0:35:42.920 --> 0:35:47.440
<v Speaker 5>Yeah, Lunchbox starting to play character more and more shots.

0:35:47.480 --> 0:35:49.759
<v Speaker 12>Then we went to seven Grand afterwards and we hang

0:35:49.800 --> 0:35:51.879
<v Speaker 12>out and drink and man, it was good.

0:35:51.880 --> 0:35:54.040
<v Speaker 10>I had some tacos, They're delicious.

0:35:54.320 --> 0:35:55.200
<v Speaker 5>And what cosmos?

0:35:55.520 --> 0:35:57.880
<v Speaker 10>No, No, they didn't have cosmos at that bar.

0:35:57.760 --> 0:35:58.520
<v Speaker 5>Which you got one there?

0:35:58.920 --> 0:36:03.759
<v Speaker 10>Nah, I don't even know what's in a cosmo? Remember it?

0:36:03.800 --> 0:36:06.920
<v Speaker 5>Actually? Yeah, I mean, it was an amazing time. Everybody

0:36:06.920 --> 0:36:09.120
<v Speaker 5>that came. Thank you. I thought Jordan Davis is set

0:36:09.160 --> 0:36:13.160
<v Speaker 5>was awesome. Where Jordan and I are like pretty close friends,

0:36:13.160 --> 0:36:15.520
<v Speaker 5>but I never get to see him perform because it's here.

0:36:15.880 --> 0:36:17.759
<v Speaker 5>We're just usually hanging out, and its first time off

0:36:17.760 --> 0:36:20.600
<v Speaker 5>got to see him like play full band, the whole thing,

0:36:20.600 --> 0:36:22.040
<v Speaker 5>and I was like, dang, he's pretty good.

0:36:22.239 --> 0:36:22.560
<v Speaker 10>He's good.

0:36:22.640 --> 0:36:24.800
<v Speaker 5>Who knew well? When he got off, I walked with

0:36:24.880 --> 0:36:26.160
<v Speaker 5>him over the back to his room and I was like,

0:36:26.160 --> 0:36:28.879
<v Speaker 5>who knew? You got so good? And he was like, yeah, dude,

0:36:28.920 --> 0:36:30.520
<v Speaker 5>thanks for coming to my show. Is I here's Jordan

0:36:30.600 --> 0:36:34.520
<v Speaker 5>Davis by dirt and he sneaky, has a bunch of

0:36:34.600 --> 0:36:36.840
<v Speaker 5>number ones. It's just one after the other. After you're like,

0:36:36.880 --> 0:36:40.239
<v Speaker 5>oh yeah, yeah, yeah, great show. Thank you everybody for coming.

0:36:40.360 --> 0:36:41.719
<v Speaker 5>Or if you went to the theater and watched it,

0:36:41.760 --> 0:36:43.560
<v Speaker 5>that was super cool too, Or if you want to

0:36:43.560 --> 0:36:45.000
<v Speaker 5>come to Amy's and watch it. She has it all

0:36:45.120 --> 0:36:47.719
<v Speaker 5>on her phone. We'll have a screening over there later.

0:36:49.160 --> 0:36:52.360
<v Speaker 1>It's the best bits of the week with Morgan.

0:36:52.440 --> 0:36:52.879
<v Speaker 10>Number two.

0:36:55.680 --> 0:36:58.399
<v Speaker 4>Eddie had a super interesting experience with a homeless man

0:36:58.440 --> 0:37:01.000
<v Speaker 4>and it was a good one. Almost man actually gave

0:37:01.080 --> 0:37:03.920
<v Speaker 4>him something, which Eddie was surprised by. And it's all

0:37:03.960 --> 0:37:06.320
<v Speaker 4>because Eddie drives a jeep.

0:37:06.880 --> 0:37:09.080
<v Speaker 5>Number four, Eddie, homeless guy gave you something.

0:37:09.200 --> 0:37:10.200
<v Speaker 8>Yeah, isn't that crazy?

0:37:10.280 --> 0:37:10.960
<v Speaker 5>What happened?

0:37:11.080 --> 0:37:13.839
<v Speaker 6>Well, I was at a red light and homeless guy's

0:37:13.920 --> 0:37:15.799
<v Speaker 6>just walking by, and I usually just like roll down

0:37:15.800 --> 0:37:16.560
<v Speaker 6>the window and talk to him.

0:37:16.560 --> 0:37:18.160
<v Speaker 5>I don't if I have change. I gave him change,

0:37:18.160 --> 0:37:19.560
<v Speaker 5>but I normally don't give him money. Also, you're in

0:37:19.600 --> 0:37:21.799
<v Speaker 5>a jeep, but there's no top totally wide open. It's

0:37:21.800 --> 0:37:23.600
<v Speaker 5>wide over. Anybody can talk to you right right.

0:37:23.719 --> 0:37:25.279
<v Speaker 6>So I'm just like, how's it going, man? He's like,

0:37:25.320 --> 0:37:28.520
<v Speaker 6>where's your ducky? And I go, excuse me, your rubber ducky?

0:37:28.560 --> 0:37:30.680
<v Speaker 6>You drive a jeep and jeeps all have rubber duckies.

0:37:30.719 --> 0:37:32.799
<v Speaker 6>I'm like, oh, no one's ever give me a rubber ducky.

0:37:32.840 --> 0:37:34.520
<v Speaker 8>I don't know. So he reaches in.

0:37:34.480 --> 0:37:36.240
<v Speaker 6>His pocket and pulls out a ducky.

0:37:36.320 --> 0:37:38.640
<v Speaker 8>Here you go, man, put that on your dash. I

0:37:38.680 --> 0:37:41.320
<v Speaker 8>was like, that's amazing. The homeless guy gave me something,

0:37:42.200 --> 0:37:42.920
<v Speaker 8>so now it's on my.

0:37:42.960 --> 0:37:44.920
<v Speaker 5>Dash and he had a ducky in his pocket. Yeah,

0:37:45.080 --> 0:37:46.880
<v Speaker 5>that crazy, Morgan. You have a jeep. You have a ducky?

0:37:47.000 --> 0:37:48.800
<v Speaker 3>Yeah, I have like six of them on my dashboard.

0:37:48.800 --> 0:37:50.319
<v Speaker 5>Why would you know you get any one that's rude?

0:37:50.360 --> 0:37:51.160
<v Speaker 11>I did give it one.

0:37:51.280 --> 0:37:51.960
<v Speaker 5>Hey, that's American.

0:37:52.600 --> 0:37:54.839
<v Speaker 8>You gave me, you know what.

0:37:54.960 --> 0:37:56.920
<v Speaker 4>I was waiting for him to bring it up. And

0:37:56.960 --> 0:37:58.560
<v Speaker 4>I ducked him one time. And you know what, I

0:37:58.560 --> 0:37:58.799
<v Speaker 4>think he.

0:37:58.840 --> 0:37:59.359
<v Speaker 3>Threw it away?

0:37:59.560 --> 0:38:01.000
<v Speaker 5>Oh that what that was?

0:38:01.560 --> 0:38:02.919
<v Speaker 8>She put it on my door hand.

0:38:03.239 --> 0:38:03.400
<v Speaker 5>Know what?

0:38:03.480 --> 0:38:03.799
<v Speaker 10>It was?

0:38:03.920 --> 0:38:05.920
<v Speaker 8>No idea and I did throw it away.

0:38:06.120 --> 0:38:06.960
<v Speaker 5>What did you think it was?

0:38:07.320 --> 0:38:08.959
<v Speaker 8>I thought somebody pranked me. I'm like, I have no idea.

0:38:08.960 --> 0:38:12.479
<v Speaker 5>What you get ducked? Morgan? So people give you ducks?

0:38:12.840 --> 0:38:14.320
<v Speaker 5>What's I had a jeep for a while and the

0:38:14.320 --> 0:38:17.239
<v Speaker 5>way thing got annoying. Okay, I kept thinking I knew them,

0:38:17.239 --> 0:38:17.960
<v Speaker 5>and I was like, who was that? Oh?

0:38:18.040 --> 0:38:19.680
<v Speaker 6>Yeah, you know what happens to me. I drive my

0:38:19.680 --> 0:38:21.200
<v Speaker 6>wife's cars, not a jeep. And I waved to people

0:38:21.239 --> 0:38:21.960
<v Speaker 6>and they don't wave back.

0:38:22.040 --> 0:38:25.640
<v Speaker 5>I'm like, the jay, what's the duck thing?

0:38:25.680 --> 0:38:25.960
<v Speaker 10>Morgan?

0:38:26.160 --> 0:38:28.600
<v Speaker 4>It's basically them saying they like your jeep, so you

0:38:28.640 --> 0:38:30.640
<v Speaker 4>they'll duck you and they'll leave a little note with it,

0:38:30.760 --> 0:38:32.279
<v Speaker 4>or they may just leave a duck and it's just

0:38:32.320 --> 0:38:33.120
<v Speaker 4>like we ducked.

0:38:32.880 --> 0:38:33.799
<v Speaker 11>You because we like your jeep.

0:38:33.840 --> 0:38:35.920
<v Speaker 5>So no one except for Morgan has ever ducked you.

0:38:36.000 --> 0:38:38.560
<v Speaker 5>No one's ever ducked me. Your jeep pretty cool, except

0:38:38.600 --> 0:38:39.680
<v Speaker 5>now home was got duck me?

0:38:39.719 --> 0:38:42.600
<v Speaker 10>Well you know why Morgan gets ducked hot chick?

0:38:44.239 --> 0:38:44.359
<v Speaker 15>Right?

0:38:44.400 --> 0:38:45.800
<v Speaker 5>No, no, they got it.

0:38:46.400 --> 0:38:48.240
<v Speaker 10>They see her get out of the jeep like hot blonde.

0:38:48.320 --> 0:38:49.160
<v Speaker 10>Let me, this is my end.

0:38:49.160 --> 0:38:50.920
<v Speaker 5>I'm gonna suck her and waiting to duck her for

0:38:50.920 --> 0:38:51.319
<v Speaker 5>a long time.

0:38:51.400 --> 0:38:52.680
<v Speaker 10>Yeah, they're not.

0:38:52.960 --> 0:38:54.440
<v Speaker 9>They don't stick around.

0:38:54.760 --> 0:38:56.040
<v Speaker 3>Yeah, they do it when I'm not in the car.

0:38:56.200 --> 0:38:57.320
<v Speaker 11>Right, it happens.

0:38:57.320 --> 0:38:59.960
<v Speaker 9>But it's like is their phone number on the duck?

0:39:00.239 --> 0:39:02.680
<v Speaker 4>No, it's just like sometimes people will do a little stickers

0:39:02.719 --> 0:39:04.160
<v Speaker 4>with them and be like this is my jeep.

0:39:04.400 --> 0:39:05.160
<v Speaker 8>That'd be the way to do it.

0:39:05.560 --> 0:39:06.600
<v Speaker 5>Number or Instagram name.

0:39:06.719 --> 0:39:08.160
<v Speaker 3>No, that's that hasn't happened.

0:39:08.160 --> 0:39:09.680
<v Speaker 4>But I did have two like in a row, and

0:39:09.680 --> 0:39:13.920
<v Speaker 4>I think it might have been somebody's.

0:39:12.480 --> 0:39:15.200
<v Speaker 5>No follow up ever happened. Can people without a jeep

0:39:15.280 --> 0:39:15.840
<v Speaker 5>duck someone.

0:39:15.960 --> 0:39:18.040
<v Speaker 4>I think people have tried. It just doesn't catch on

0:39:18.160 --> 0:39:19.200
<v Speaker 4>like jeep ducking does.

0:39:19.400 --> 0:39:20.840
<v Speaker 5>No, no, no, no, if I don't have a jeep, but

0:39:20.840 --> 0:39:21.880
<v Speaker 5>I like your jeep. Can I duck you?

0:39:21.920 --> 0:39:23.560
<v Speaker 3>Oh yeah, yeah, you totally.

0:39:24.200 --> 0:39:24.759
<v Speaker 7>Why would you?

0:39:24.840 --> 0:39:26.239
<v Speaker 9>It's like you're trying to be a part of something

0:39:26.280 --> 0:39:26.680
<v Speaker 9>when you're not.

0:39:26.920 --> 0:39:28.799
<v Speaker 5>That's my whole life, Junior high.

0:39:28.840 --> 0:39:30.080
<v Speaker 8>Whatever you want to, let you duck me?

0:39:30.200 --> 0:39:33.040
<v Speaker 5>Okay, all right, all right, this this whole segment's been

0:39:33.080 --> 0:39:35.960
<v Speaker 5>ducked up, right, Hey, but we have to go because

0:39:35.960 --> 0:39:37.000
<v Speaker 5>we're gonna get fired already.

0:39:37.040 --> 0:39:40.560
<v Speaker 9>So you talk about phone auto corrects the bad word, Yeah,

0:39:40.640 --> 0:39:43.600
<v Speaker 9>to duck, to duck, you're still using foul language.

0:39:44.760 --> 0:39:46.680
<v Speaker 8>Nice, all right, it was hilarious.

0:39:46.800 --> 0:39:50.800
<v Speaker 5>I like that. Don't do it.

0:39:50.800 --> 0:39:54.000
<v Speaker 1>It's the best bits of the week with Morgan.

0:39:54.080 --> 0:39:54.720
<v Speaker 10>Number two.

0:39:56.120 --> 0:39:58.080
<v Speaker 3>Lunchbox has a new business idea.

0:39:58.320 --> 0:39:58.959
<v Speaker 11>Shocker there.

0:39:59.080 --> 0:40:00.920
<v Speaker 4>I know we've heard a lot of ideas, but this

0:40:00.960 --> 0:40:03.560
<v Speaker 4>one could be something if you're a big country music fan,

0:40:03.640 --> 0:40:06.880
<v Speaker 4>because he pretty much wants to, you know, capitalize on

0:40:06.960 --> 0:40:10.560
<v Speaker 4>some things country artists already do. I'm not sure how

0:40:10.600 --> 0:40:12.479
<v Speaker 4>this is gonna work out for him, but he thinks

0:40:12.480 --> 0:40:13.560
<v Speaker 4>it's a great business idea.

0:40:14.040 --> 0:40:16.720
<v Speaker 5>Number three, Hunchbucks. Did you happen to run into Amy's

0:40:16.760 --> 0:40:18.160
<v Speaker 5>sister when you guys were in Texas?

0:40:18.280 --> 0:40:18.440
<v Speaker 15>Oh?

0:40:18.520 --> 0:40:19.279
<v Speaker 10>Yeah, I did see her.

0:40:19.400 --> 0:40:20.759
<v Speaker 5>I mean why are you acting like that?

0:40:21.080 --> 0:40:22.840
<v Speaker 12>Like I don't know if she was in VIP and

0:40:22.880 --> 0:40:24.680
<v Speaker 12>I'm like, this girl woudn't deserve to be here.

0:40:25.080 --> 0:40:30.080
<v Speaker 5>And here's the backstory for everybody. Amy's sister and her

0:40:30.160 --> 0:40:34.440
<v Speaker 5>husband have a show on HGTV called Building Roots. It

0:40:34.480 --> 0:40:36.600
<v Speaker 5>was its first season then renewed for a second.

0:40:36.760 --> 0:40:38.160
<v Speaker 10>Might as what we called poopy poop.

0:40:38.920 --> 0:40:41.200
<v Speaker 5>Okay, he acts thought it poopy poop?

0:40:41.239 --> 0:40:42.319
<v Speaker 7>You really sure he is?

0:40:42.480 --> 0:40:44.120
<v Speaker 9>And he wonders why producers are.

0:40:44.080 --> 0:40:47.040
<v Speaker 5>Like, oh, so he had two huge holes in his

0:40:47.160 --> 0:40:49.000
<v Speaker 5>roof and he just waited to get him fixed by

0:40:49.000 --> 0:40:49.640
<v Speaker 5>the TV show.

0:40:49.880 --> 0:40:51.239
<v Speaker 12>Yeah, because they told me I was going to be

0:40:51.280 --> 0:40:53.080
<v Speaker 12>the A segment on their show. They were like, oh

0:40:53.080 --> 0:40:55.560
<v Speaker 12>my gosh, you're a perfect A segment. They were stringing

0:40:55.560 --> 0:40:56.080
<v Speaker 12>me along.

0:40:56.440 --> 0:40:57.520
<v Speaker 5>Why didn't they pick him?

0:40:57.520 --> 0:40:58.480
<v Speaker 10>And then they ghosted me?

0:40:58.800 --> 0:41:01.279
<v Speaker 9>He yes, he did me with producers, I don't think

0:41:01.400 --> 0:41:06.160
<v Speaker 9>Lunchbox realizes that the homes on HGTV, even if they're

0:41:06.200 --> 0:41:08.319
<v Speaker 9>part of the project and being featured and they're the

0:41:08.400 --> 0:41:13.480
<v Speaker 9>A storyline, it's an investment from the homeowner. HGTV doesn't pay. Yeah,

0:41:13.480 --> 0:41:18.480
<v Speaker 9>I told you every project that airs, so I mean

0:41:18.520 --> 0:41:20.840
<v Speaker 9>there's certain deals you might get or what not, depending

0:41:20.840 --> 0:41:25.880
<v Speaker 9>on the project. But the homeowner's paying and lunchbox he

0:41:25.920 --> 0:41:26.560
<v Speaker 9>doesn't want to pay it.

0:41:26.719 --> 0:41:27.080
<v Speaker 5>I don't like.

0:41:27.200 --> 0:41:28.600
<v Speaker 12>No, I said I would take a loan, and I'm so,

0:41:28.719 --> 0:41:30.640
<v Speaker 12>you're saying that to us. They ghosted me.

0:41:30.760 --> 0:41:32.560
<v Speaker 5>No, no, no, you're saying that to us. What did you

0:41:32.600 --> 0:41:33.160
<v Speaker 5>say to them?

0:41:33.400 --> 0:41:35.600
<v Speaker 12>I told them I'd pay for it. I said, let's

0:41:35.640 --> 0:41:37.640
<v Speaker 12>go a story on my grade. They said Amy would

0:41:37.640 --> 0:41:38.920
<v Speaker 12>be a B. I'm like, yeah, she has kind of

0:41:38.960 --> 0:41:39.520
<v Speaker 12>a B level.

0:41:40.160 --> 0:41:42.560
<v Speaker 5>But I don't understand what I'm just hearing two different versions.

0:41:42.560 --> 0:41:43.399
<v Speaker 5>Is he not telling the truth?

0:41:44.160 --> 0:41:46.480
<v Speaker 9>Listen, I don't know. It seems like he's a different version.

0:41:46.239 --> 0:41:48.560
<v Speaker 5>Of okay fair enough. So he did not get picked

0:41:48.600 --> 0:41:50.239
<v Speaker 5>to go on the show, and he's been holding it

0:41:50.280 --> 0:41:54.319
<v Speaker 5>against Amy and Amy's sister especially ever since. So I

0:41:54.360 --> 0:41:56.719
<v Speaker 5>heard you ran into her lunchbox. Your version of that story?

0:41:56.760 --> 0:41:57.120
<v Speaker 5>How to go?

0:41:57.880 --> 0:41:58.279
<v Speaker 10>I went.

0:41:58.520 --> 0:41:59.920
<v Speaker 12>I was like, oh, there's that girl that's on that

0:42:00.040 --> 0:42:02.520
<v Speaker 12>crappy TV show on HG TV. You know what are

0:42:02.520 --> 0:42:05.280
<v Speaker 12>you doing up here? We shall get you out of here. Yeah,

0:42:05.320 --> 0:42:06.720
<v Speaker 12>you don't want to. I don't know why you wouldn't

0:42:06.760 --> 0:42:10.080
<v Speaker 12>cast me. You guys really messed up missed your opportunity

0:42:11.000 --> 0:42:11.480
<v Speaker 12>now's it?

0:42:11.680 --> 0:42:12.120
<v Speaker 10>Yeah?

0:42:12.320 --> 0:42:13.360
<v Speaker 5>And what's your version of that?

0:42:13.520 --> 0:42:16.040
<v Speaker 9>Okay, he did say to her that they messed up,

0:42:16.560 --> 0:42:20.160
<v Speaker 9>and they did. They they're missing out. However, he's he'd

0:42:20.239 --> 0:42:21.880
<v Speaker 9>like another shot at another interview.

0:42:22.600 --> 0:42:24.120
<v Speaker 8>Oh, he begged.

0:42:24.160 --> 0:42:25.600
<v Speaker 5>I went and begged for anohing he said.

0:42:25.719 --> 0:42:27.120
<v Speaker 9>He said, Look, I don't I don't know what's going

0:42:27.160 --> 0:42:29.320
<v Speaker 9>to happen. You know, is there going to be a

0:42:29.360 --> 0:42:33.000
<v Speaker 9>season three because I was already doing season twould.

0:42:32.400 --> 0:42:33.160
<v Speaker 5>Kick a hole in the wall.

0:42:33.440 --> 0:42:35.480
<v Speaker 9>Yeah, he's like, he's like, I think I think I

0:42:35.480 --> 0:42:37.239
<v Speaker 9>got it squared away, like I'll pay for it. My

0:42:37.280 --> 0:42:39.440
<v Speaker 9>family will be involved. Because that was another thing too.

0:42:39.440 --> 0:42:40.319
<v Speaker 9>He's so private about his.

0:42:40.960 --> 0:42:42.000
<v Speaker 5>Ready pay for it. So why did you say he

0:42:42.080 --> 0:42:42.800
<v Speaker 5>pay for it now.

0:42:43.480 --> 0:42:44.520
<v Speaker 9>That's his story?

0:42:44.600 --> 0:42:46.640
<v Speaker 5>Yeah, exactly, go ahead.

0:42:47.239 --> 0:42:49.520
<v Speaker 9>Also, lunch Books is so private about his family, but

0:42:49.560 --> 0:42:51.600
<v Speaker 9>then suddenly when they were like, we want your family

0:42:51.640 --> 0:42:53.400
<v Speaker 9>to be a part of it. I don't know that

0:42:53.520 --> 0:42:56.080
<v Speaker 9>he also saw that part. I think he just wanted

0:42:56.080 --> 0:42:58.600
<v Speaker 9>to be him, his house, just him.

0:42:59.040 --> 0:43:03.120
<v Speaker 5>Ah, I live here by myself, bachelor.

0:43:02.960 --> 0:43:06.040
<v Speaker 9>Anyway, it's all it's sort of shifted, and I think

0:43:06.440 --> 0:43:09.160
<v Speaker 9>to me, or from what I heard from my sister,

0:43:09.880 --> 0:43:13.920
<v Speaker 9>it's like he was positioning himself to do a different

0:43:13.960 --> 0:43:16.440
<v Speaker 9>pitch and to woo producers this time.

0:43:16.520 --> 0:43:18.000
<v Speaker 5>But then, why do you keep calling it poopy poop?

0:43:18.040 --> 0:43:19.960
<v Speaker 5>Why do you keep slamming it if you want another shot?

0:43:20.600 --> 0:43:22.840
<v Speaker 10>Look, I mean if they want to come crawling back.

0:43:23.120 --> 0:43:25.320
<v Speaker 5>They don't need to crawl.

0:43:25.480 --> 0:43:27.080
<v Speaker 12>If they want to what do you call them, gobbl

0:43:28.400 --> 0:43:29.880
<v Speaker 12>gravel if they want to grovel.

0:43:30.080 --> 0:43:31.920
<v Speaker 10>Yeah, I'm willing to give people a second chance.

0:43:31.960 --> 0:43:33.279
<v Speaker 5>That's the only way you'd be on the show is

0:43:33.280 --> 0:43:34.160
<v Speaker 5>that they bag you back.

0:43:34.280 --> 0:43:34.480
<v Speaker 10>Yep.

0:43:34.680 --> 0:43:37.239
<v Speaker 5>Okay, you're right. He's doing two whole stories here, but.

0:43:37.560 --> 0:43:40.440
<v Speaker 12>Saying you know what I mean, someone burns you like

0:43:40.520 --> 0:43:43.200
<v Speaker 12>it's like can I trust him again? But in this world,

0:43:43.280 --> 0:43:45.439
<v Speaker 12>it's all about forgiveness and giving people a second chance.

0:43:45.440 --> 0:43:46.799
<v Speaker 12>So I'm willing to give them a second chance if

0:43:46.840 --> 0:43:48.319
<v Speaker 12>they want to, you know, talk to me again and

0:43:48.680 --> 0:43:52.040
<v Speaker 12>put me on the show. Poopy poop, poopy poop.

0:43:52.080 --> 0:43:53.720
<v Speaker 10>Okay, but they're going to be turned into greatness.

0:43:53.920 --> 0:43:56.000
<v Speaker 9>I do think Lunchbox would be good for it.

0:43:56.280 --> 0:43:58.839
<v Speaker 12>I agree, But producers, I mean, obviously they weren't having

0:43:58.880 --> 0:43:59.160
<v Speaker 12>a good.

0:43:59.120 --> 0:44:00.759
<v Speaker 5>Day or they were said you didn't want to pay

0:44:00.800 --> 0:44:02.480
<v Speaker 5>for it, like everybody else, and then you didn't want

0:44:02.520 --> 0:44:04.040
<v Speaker 5>to put your family on there like everybody else.

0:44:04.520 --> 0:44:05.880
<v Speaker 10>I'm saying they want to gravel.

0:44:05.920 --> 0:44:10.759
<v Speaker 5>I'm just saying that's okay. So that happened. Yeah, what

0:44:10.960 --> 0:44:14.520
<v Speaker 5>happened with Jordan Davis? What do you mean at the festival?

0:44:16.040 --> 0:44:17.120
<v Speaker 5>Did you take something?

0:44:17.360 --> 0:44:20.040
<v Speaker 10>I didn't take something with his? I came up with

0:44:20.080 --> 0:44:21.040
<v Speaker 10>a new business idea.

0:44:21.280 --> 0:44:22.799
<v Speaker 5>So you didn't take a set like a set list

0:44:22.800 --> 0:44:23.000
<v Speaker 5>of his?

0:44:23.400 --> 0:44:26.000
<v Speaker 10>No, no, I did, and I got him to sign that.

0:44:26.040 --> 0:44:27.680
<v Speaker 5>I just said, what did you take? And you said nothing,

0:44:27.840 --> 0:44:28.400
<v Speaker 5>But it wasn't his.

0:44:28.480 --> 0:44:30.000
<v Speaker 12>It was just sitting there, okay, go ahead like it

0:44:30.040 --> 0:44:33.239
<v Speaker 12>wasn't like his personal one. And I said, man, a

0:44:33.320 --> 0:44:34.080
<v Speaker 12>light bulb went off.

0:44:34.200 --> 0:44:36.520
<v Speaker 10>Bobby's always like, it's sitting now on the stage.

0:44:36.600 --> 0:44:39.480
<v Speaker 12>Got it, And so I was like a light bulb moment,

0:44:39.719 --> 0:44:42.640
<v Speaker 12>and I was like, this is a business. Bobby's always saying, Hey,

0:44:42.640 --> 0:44:44.560
<v Speaker 12>you always got to be thinking about new businesses and

0:44:44.640 --> 0:44:45.360
<v Speaker 12>pitch them.

0:44:45.520 --> 0:44:51.200
<v Speaker 10>And it's called go ahead selling signed set lists.

0:44:51.239 --> 0:44:53.200
<v Speaker 12>So you go to these concerts with these artists and

0:44:53.239 --> 0:44:55.319
<v Speaker 12>you get the set list from that night, you get

0:44:55.360 --> 0:44:57.480
<v Speaker 12>them to sign it, and then boom, we put it

0:44:57.520 --> 0:45:00.239
<v Speaker 12>on eBay and I got Jordan Davis's set list and

0:45:00.320 --> 0:45:02.399
<v Speaker 12>I got him to sign it, Like he came off

0:45:02.440 --> 0:45:03.960
<v Speaker 12>the stage and I got him.

0:45:04.000 --> 0:45:06.520
<v Speaker 10>I cornered him him and I mean I got him

0:45:06.560 --> 0:45:06.960
<v Speaker 10>to sign it.

0:45:07.800 --> 0:45:08.520
<v Speaker 5>Yeah, but that happens a.

0:45:08.520 --> 0:45:10.400
<v Speaker 8>Lot on eBay in that like memory memorabili.

0:45:10.480 --> 0:45:13.680
<v Speaker 5>Yeah, but that's our business. But you're gonna go to

0:45:13.719 --> 0:45:15.120
<v Speaker 5>You're gonna go to all these concerts.

0:45:15.200 --> 0:45:17.680
<v Speaker 9>Yeah, and it's all wrinkled.

0:45:17.280 --> 0:45:19.360
<v Speaker 5>And how are you gonna get them? Boom?

0:45:19.640 --> 0:45:22.160
<v Speaker 12>Jordan Davis signed it. I've got audio who signed it,

0:45:22.160 --> 0:45:23.200
<v Speaker 12>so there's proof and we.

0:45:23.160 --> 0:45:24.040
<v Speaker 5>Will fill sence.

0:45:24.520 --> 0:45:24.960
<v Speaker 10>No, it's me.

0:45:25.120 --> 0:45:26.840
<v Speaker 12>Hey, Jordan Davis, gonna get you to sign this and

0:45:26.880 --> 0:45:29.160
<v Speaker 12>we'll put it up on Instagram.

0:45:29.520 --> 0:45:31.840
<v Speaker 8>I think Jordan thought it was for charity, though.

0:45:31.960 --> 0:45:34.360
<v Speaker 10>All think that all he wants. We'll give two percent

0:45:34.400 --> 0:45:34.960
<v Speaker 10>to charity to.

0:45:37.280 --> 0:45:39.880
<v Speaker 5>Selling it for I don't know how you're gonna get

0:45:39.880 --> 0:45:41.880
<v Speaker 5>all these set lists? So you had access to the

0:45:41.880 --> 0:45:43.839
<v Speaker 5>stage because you're working normally, you don't.

0:45:44.520 --> 0:45:46.400
<v Speaker 10>I'm backstage pretty much every concert I go to.

0:45:46.800 --> 0:45:50.080
<v Speaker 5>That's not too I like the idea and I'm out

0:45:50.080 --> 0:45:52.040
<v Speaker 5>of this business idea. What I don't want to be

0:45:52.080 --> 0:45:52.760
<v Speaker 5>a part of this one?

0:45:53.480 --> 0:45:53.759
<v Speaker 10>All right?

0:45:53.840 --> 0:45:56.799
<v Speaker 12>I get in cahoots with the artists, like I'm like, hey, cahoots, Like,

0:45:56.840 --> 0:45:59.160
<v Speaker 12>hey man, I know you got a concert tonight in Denver.

0:45:59.360 --> 0:46:00.759
<v Speaker 10>Can you send me signed set list?

0:46:00.840 --> 0:46:02.640
<v Speaker 5>Like? Who would you be able to ask that.

0:46:02.600 --> 0:46:06.640
<v Speaker 10>To everyone that comes in this room, every single artist

0:46:06.640 --> 0:46:07.200
<v Speaker 10>that comes in room.

0:46:07.280 --> 0:46:08.240
<v Speaker 8>Talk to any of the artists.

0:46:08.280 --> 0:46:09.440
<v Speaker 10>You never but I will.

0:46:09.320 --> 0:46:11.080
<v Speaker 5>Win crossword puzzles the whole time.

0:46:11.120 --> 0:46:11.640
<v Speaker 10>But I will.

0:46:11.960 --> 0:46:13.680
<v Speaker 12>I mean, if I got business on the line, business

0:46:13.680 --> 0:46:15.279
<v Speaker 12>man making businesses trying to get that money, you got

0:46:15.360 --> 0:46:15.840
<v Speaker 12>to start.

0:46:15.640 --> 0:46:17.359
<v Speaker 5>Talking and I just have them make a set list

0:46:17.400 --> 0:46:19.719
<v Speaker 5>here and sign it here. I'm not saying that we're

0:46:19.719 --> 0:46:20.359
<v Speaker 5>not gonna do that, scoop.

0:46:20.600 --> 0:46:22.960
<v Speaker 10>Oh, that's a good idea of scuba You no note.

0:46:22.960 --> 0:46:24.439
<v Speaker 12>Tell them when they're coming in they need to bring

0:46:24.440 --> 0:46:26.799
<v Speaker 12>a signed set list. But I also think it's cool,

0:46:26.840 --> 0:46:29.760
<v Speaker 12>like if someone's in you know my note North Dakota

0:46:29.800 --> 0:46:33.359
<v Speaker 12>or whatever, uh might not, No, it's my note new

0:46:33.920 --> 0:46:34.319
<v Speaker 12>I don't know.

0:46:34.400 --> 0:46:36.040
<v Speaker 5>I don't argue it's one thing to change it right

0:46:36.040 --> 0:46:36.400
<v Speaker 5>after that.

0:46:36.440 --> 0:46:36.800
<v Speaker 10>Go ahead.

0:46:36.840 --> 0:46:38.879
<v Speaker 12>But let's say they're at that show and it has

0:46:39.000 --> 0:46:41.120
<v Speaker 12>the name of the city on the set list. They're

0:46:41.120 --> 0:46:42.560
<v Speaker 12>more inclined to pay more money.

0:46:42.320 --> 0:46:43.719
<v Speaker 5>For it than you could print out twenty of them

0:46:43.719 --> 0:46:44.919
<v Speaker 5>with all the cities on the tour here.

0:46:46.239 --> 0:46:48.640
<v Speaker 10>Yeah, I want to. I want to be authentic sized. Yeah.

0:46:50.760 --> 0:46:53.160
<v Speaker 12>So I think it's a great business, and so I'm

0:46:53.160 --> 0:46:55.040
<v Speaker 12>about to put the Jordan Davis one up for sale.

0:46:55.400 --> 0:46:59.240
<v Speaker 12>He sang songs like world spins singles.

0:47:00.080 --> 0:47:01.719
<v Speaker 5>To do that again, So tell me the name of

0:47:01.760 --> 0:47:04.600
<v Speaker 5>the full songs that he sings. Go ahead, world Spins.

0:47:04.719 --> 0:47:07.400
<v Speaker 5>That's not the name of the song singles. That's not

0:47:07.440 --> 0:47:10.080
<v Speaker 5>the name of the song either. Slow dance nope, next

0:47:10.120 --> 0:47:14.319
<v Speaker 5>thing nope, maybe's no take it, no, no, no, tell

0:47:14.360 --> 0:47:16.880
<v Speaker 5>me give me the song, the real song, that's what

0:47:16.920 --> 0:47:17.120
<v Speaker 5>it is.

0:47:17.120 --> 0:47:18.400
<v Speaker 10>Says on the set with I don't know.

0:47:18.440 --> 0:47:19.279
<v Speaker 5>But what's the first one?

0:47:20.040 --> 0:47:20.800
<v Speaker 10>World spins?

0:47:20.880 --> 0:47:23.520
<v Speaker 5>What's that song he's playing there? I don't know what

0:47:23.560 --> 0:47:24.439
<v Speaker 5>my world spins around.

0:47:24.680 --> 0:47:26.080
<v Speaker 10>I don't know. I don't know that song.

0:47:26.120 --> 0:47:27.439
<v Speaker 5>Okay, what's the next one?

0:47:27.760 --> 0:47:28.280
<v Speaker 10>Singles?

0:47:29.480 --> 0:47:31.600
<v Speaker 5>Oh? If he singles you up, boom, go ahead?

0:47:31.600 --> 0:47:32.759
<v Speaker 10>Okay, is that really him?

0:47:32.800 --> 0:47:33.000
<v Speaker 5>Yeah?

0:47:33.040 --> 0:47:35.640
<v Speaker 10>Yeah, I'm good. Slow dance in a parking.

0:47:35.320 --> 0:47:36.919
<v Speaker 5>Lot, which was labeled a slow dance.

0:47:37.239 --> 0:47:40.000
<v Speaker 10>Yeah, yeah, next thing, I don't know that one.

0:47:40.200 --> 0:47:42.000
<v Speaker 5>Next thing, you know, never heard it?

0:47:42.040 --> 0:47:42.239
<v Speaker 10>Yeah?

0:47:42.239 --> 0:47:43.320
<v Speaker 5>He played here in the studio.

0:47:43.040 --> 0:47:46.239
<v Speaker 10>Ahead maybees maybe yes, maybe no, I'm.

0:47:46.120 --> 0:47:49.000
<v Speaker 5>Almost maybes right, I don't know an image.

0:47:48.800 --> 0:47:51.640
<v Speaker 10>Almost movies take it, take it or leave it?

0:47:51.719 --> 0:47:53.720
<v Speaker 5>Take it from me?

0:47:54.880 --> 0:47:57.000
<v Speaker 10>Okay? And then Dirt. I know that one is by Dirt.

0:47:57.040 --> 0:48:00.560
<v Speaker 5>Yeah. So yeah, we got got Luke to sign it too.

0:48:00.280 --> 0:48:02.040
<v Speaker 10>Why would I have Lukes on.

0:48:03.920 --> 0:48:04.240
<v Speaker 5>Together?

0:48:04.480 --> 0:48:07.120
<v Speaker 10>Oh Luke's on that song. Dang, but he wasn't part

0:48:07.120 --> 0:48:07.680
<v Speaker 10>of the set list.

0:48:07.760 --> 0:48:08.480
<v Speaker 5>Yeah, anyway, And.

0:48:08.480 --> 0:48:11.160
<v Speaker 12>It says Saturday, May thirteenth, everything like it has every sode.

0:48:11.160 --> 0:48:11.719
<v Speaker 10>That's what I'm saying.

0:48:11.800 --> 0:48:13.080
<v Speaker 5>You can turn all that off too, Just do it

0:48:13.080 --> 0:48:14.160
<v Speaker 5>for every show. Just purnounce this.

0:48:14.360 --> 0:48:16.839
<v Speaker 10>So this is legit, Okay. So if anybody, I'm gonna

0:48:16.840 --> 0:48:18.720
<v Speaker 10>put it up for sale on eBay.

0:48:18.960 --> 0:48:19.640
<v Speaker 5>Okay, thank you?

0:48:19.680 --> 0:48:20.480
<v Speaker 9>How did they find you?

0:48:21.160 --> 0:48:22.600
<v Speaker 5>Don't worry about it. I sharing that crap.

0:48:25.280 --> 0:48:28.440
<v Speaker 1>It's the best bits of the week with Morgan.

0:48:28.560 --> 0:48:31.840
<v Speaker 3>Number two, y'all remember Doctor Lourie.

0:48:31.880 --> 0:48:34.680
<v Speaker 4>She came on and evaluated Bobby's Beanie Baby collection that

0:48:34.719 --> 0:48:38.120
<v Speaker 4>he purchased from Ray and Bay, but also she came

0:48:38.160 --> 0:48:40.600
<v Speaker 4>on to evaluate Mikey's Pokemon collection.

0:48:40.840 --> 0:48:42.680
<v Speaker 3>This time, she came on this week.

0:48:42.520 --> 0:48:44.719
<v Speaker 4>To evaluate some of Eddie's things that he found at

0:48:44.800 --> 0:48:45.440
<v Speaker 4>his house that he.

0:48:45.440 --> 0:48:47.120
<v Speaker 3>Thought was so valuable.

0:48:47.280 --> 0:48:50.640
<v Speaker 4>And I just have to say I didn't see these

0:48:50.719 --> 0:48:51.360
<v Speaker 4>being valuable.

0:48:52.239 --> 0:48:54.479
<v Speaker 3>And you'll get the outcome of what doctor Lori thinks.

0:48:54.520 --> 0:48:58.440
<v Speaker 4>But I'm just I don't understand Eddie's logic and bringing

0:48:58.440 --> 0:49:01.319
<v Speaker 4>these items in and thinking these need to be evaluated.

0:49:01.840 --> 0:49:07.160
<v Speaker 1>Number two on the bow, Doctor Lurie, my favorite PhD

0:49:07.160 --> 0:49:09.520
<v Speaker 1>in antique praising, my favorite of all the PhDs and

0:49:09.560 --> 0:49:10.360
<v Speaker 1>antiqua praising.

0:49:10.719 --> 0:49:11.319
<v Speaker 15>Thank you.

0:49:11.440 --> 0:49:13.400
<v Speaker 5>That's right, Doctor Lorry. How the heck are you?

0:49:13.719 --> 0:49:15.839
<v Speaker 7>How the heck are you? You're the busy, busy one

0:49:15.920 --> 0:49:17.280
<v Speaker 7>running everywhere, You're everywhere.

0:49:17.360 --> 0:49:19.279
<v Speaker 5>You're so good. That's because I'm not good, and I

0:49:19.360 --> 0:49:22.160
<v Speaker 5>just got to keep running, Doctor Lorrie. Do you travel

0:49:22.239 --> 0:49:25.160
<v Speaker 5>a lot and do shows where people just bring you

0:49:25.200 --> 0:49:27.279
<v Speaker 5>stuff and say how much is this worth? And do

0:49:27.320 --> 0:49:29.799
<v Speaker 5>they leave disappointed or happy? If you had to pick,

0:49:29.840 --> 0:49:32.359
<v Speaker 5>because everybody's got something that they think's worth a lot

0:49:32.360 --> 0:49:32.760
<v Speaker 5>of money.

0:49:32.800 --> 0:49:35.160
<v Speaker 7>Some years ago I came up with the I'll break

0:49:35.160 --> 0:49:37.880
<v Speaker 7>some hearts, I'll make some millionaires, and that's really true.

0:49:38.000 --> 0:49:40.279
<v Speaker 7>Some people are happy and some people are like, oh

0:49:40.360 --> 0:49:41.839
<v Speaker 7>my gosh, really.

0:49:41.680 --> 0:49:44.720
<v Speaker 5>You know, have you ever found something worth a million dollars?

0:49:45.120 --> 0:49:50.799
<v Speaker 7>Yes, multimillions. Yes, things. Actually what I must know, uh,

0:49:51.280 --> 0:49:57.200
<v Speaker 7>tiffany lamp floor lamp, big impression is painting by Renoir.

0:49:57.520 --> 0:50:01.200
<v Speaker 7>What yeah, yeah, yeah, it's serious.

0:50:01.680 --> 0:50:02.520
<v Speaker 13>Let's see what.

0:50:02.560 --> 0:50:03.160
<v Speaker 2>Else was there.

0:50:03.360 --> 0:50:06.120
<v Speaker 7>And people drive, you know, people are drivers, you know that,

0:50:06.320 --> 0:50:08.160
<v Speaker 7>you know, so they'll drive. Like I was appearing in

0:50:08.719 --> 0:50:11.680
<v Speaker 7>Virginia and this person with the Renois painting, who everybody

0:50:11.680 --> 0:50:14.319
<v Speaker 7>said wasn't the real deal, drove from Rhode Island to

0:50:14.400 --> 0:50:18.120
<v Speaker 7>make sure I saw it. So that's maybe ten ten hours.

0:50:18.120 --> 0:50:21.200
<v Speaker 7>So that was a driver. But a lot of cool

0:50:21.200 --> 0:50:24.000
<v Speaker 7>stuff in great American stories, you know, because I tour

0:50:24.360 --> 0:50:29.800
<v Speaker 7>mainly nationally, and fantastic stories of people who have found

0:50:29.840 --> 0:50:33.200
<v Speaker 7>wonderful things, and I talk about, you know, all different ones,

0:50:33.360 --> 0:50:36.080
<v Speaker 7>the same ones tend to come to my mind. Like

0:50:36.400 --> 0:50:39.360
<v Speaker 7>the moon boot from Apollo thirteen that went to the

0:50:39.400 --> 0:50:45.160
<v Speaker 7>moon with Apollo thirteen, that came up one of my events. Washington. Oh,

0:50:45.200 --> 0:50:47.640
<v Speaker 7>that was about ten thousand dollars. It was only the right,

0:50:47.920 --> 0:50:51.920
<v Speaker 7>the left had already been sold. That was kind of cool.

0:50:52.239 --> 0:50:55.640
<v Speaker 7>George Washington's wallet, the wallet that George Washington had on

0:50:55.680 --> 0:50:59.160
<v Speaker 7>this person when he crossed the Delaware that that was

0:50:59.200 --> 0:51:02.760
<v Speaker 7>owned by you know, the typical sort of two little

0:51:02.760 --> 0:51:06.640
<v Speaker 7>old ladies. That was a fantastic piece of American history.

0:51:06.719 --> 0:51:08.399
<v Speaker 7>Came into one of my events when I was doing

0:51:08.400 --> 0:51:09.680
<v Speaker 7>an event at a senior center.

0:51:09.800 --> 0:51:12.200
<v Speaker 5>How do you prove though that's Washington's wallet, Is a

0:51:12.200 --> 0:51:13.319
<v Speaker 5>picture of his kid in there or what?

0:51:15.280 --> 0:51:17.960
<v Speaker 7>Well, there are a couple of things that were identifying marks,

0:51:18.000 --> 0:51:21.160
<v Speaker 7>not only a monogram but also a freemason's a symbol

0:51:21.680 --> 0:51:25.120
<v Speaker 7>and the interior. It was known that he would commission

0:51:25.160 --> 0:51:30.160
<v Speaker 7>pieces from this bindery near Cambridge, near Cambridge, England, and

0:51:30.200 --> 0:51:35.239
<v Speaker 7>it had this what's called what's called a marbleizing interior,

0:51:35.440 --> 0:51:38.359
<v Speaker 7>and it was it was traced through the provenance of

0:51:38.400 --> 0:51:42.239
<v Speaker 7>this these women's family, uh, going back to Washington. So

0:51:42.239 --> 0:51:44.879
<v Speaker 7>they were related. So that's how that actually worked out.

0:51:44.960 --> 0:51:47.200
<v Speaker 7>It was serious. That was serious. So I've seen some

0:51:47.239 --> 0:51:50.759
<v Speaker 7>fantastic pieces, and I've seen some cool stuff, you know,

0:51:51.000 --> 0:51:55.200
<v Speaker 7>more contemporary cool stuff like barbies and Pokemon cards and

0:51:55.800 --> 0:52:01.080
<v Speaker 7>uh you know, uh Fred flynn'stone animation, uh sells and

0:52:01.120 --> 0:52:01.839
<v Speaker 7>such like that.

0:52:02.320 --> 0:52:04.200
<v Speaker 5>So we're going to get to Eddie' stuff because Eddi's

0:52:04.200 --> 0:52:06.959
<v Speaker 5>the one who's requested this meeting with doctor Lourie because

0:52:06.960 --> 0:52:10.600
<v Speaker 5>he thinks he is hi, Doctor Laurie. Very cool stuff himself.

0:52:10.880 --> 0:52:13.920
<v Speaker 5>But one final question for me, just on this subject.

0:52:14.120 --> 0:52:16.680
<v Speaker 5>Has anyone brought you anything where they were for sure?

0:52:16.800 --> 0:52:20.240
<v Speaker 5>This thing is worth tens of twenties of fifty thousand dollars.

0:52:20.239 --> 0:52:23.360
<v Speaker 5>And you're like, bro, that ain't even that that's a nickel.

0:52:24.080 --> 0:52:28.240
<v Speaker 7>Ye're like, waw wha. Yes, it was a Ball Canning

0:52:28.360 --> 0:52:32.360
<v Speaker 7>jar about this big by of course, the Ball Canning Company.

0:52:32.480 --> 0:52:34.640
<v Speaker 7>Everybody knows it. You know, you can the peaches in

0:52:34.680 --> 0:52:37.240
<v Speaker 7>it every year, this kind of deal. And they brought

0:52:37.239 --> 0:52:39.319
<v Speaker 7>it in and on the front of it it said

0:52:39.400 --> 0:52:42.440
<v Speaker 7>Ball eighteen fifty eight. And I explained what the jar

0:52:42.600 --> 0:52:44.239
<v Speaker 7>was as a glass jar, and I said it's worth

0:52:44.280 --> 0:52:47.080
<v Speaker 7>about eight dollars. And this man screamed at me from

0:52:47.160 --> 0:52:50.759
<v Speaker 7>in the raptors of this theater, screaming that I was

0:52:50.800 --> 0:52:53.400
<v Speaker 7>wrong and it was really valuable and it was very old.

0:52:53.960 --> 0:52:56.480
<v Speaker 7>And I said, it's not from eighteen fifty eight. All

0:52:56.520 --> 0:53:00.880
<v Speaker 7>of them say eighteen fifty eight. He was mad. He

0:53:01.000 --> 0:53:03.399
<v Speaker 7>was mad, but hey, like I said, break some march

0:53:03.440 --> 0:53:04.239
<v Speaker 7>makes a millionaires.

0:53:04.320 --> 0:53:06.080
<v Speaker 5>Let me say this about doctor Lorie. You can see

0:53:06.120 --> 0:53:08.200
<v Speaker 5>her on the new Netflix series The King of Collectibles

0:53:08.280 --> 0:53:10.800
<v Speaker 5>as it popped up for you guys, and ye see it. Yeah,

0:53:10.840 --> 0:53:12.680
<v Speaker 5>So it's Prettist by Payton Manning. It's up now on

0:53:12.719 --> 0:53:15.919
<v Speaker 5>Netflix and she's doing there what she does here. It's

0:53:15.920 --> 0:53:19.480
<v Speaker 5>her expertise on history, background and the value of well

0:53:19.520 --> 0:53:22.840
<v Speaker 5>today's hot collectibles that you're making it once you're in

0:53:22.880 --> 0:53:24.400
<v Speaker 5>the Netflix show, Doctor Lorie.

0:53:25.760 --> 0:53:29.440
<v Speaker 7>Well, thanks, let's hope after twenty five years I've maken it.

0:53:29.520 --> 0:53:31.920
<v Speaker 7>But it's a lot of fun. It's a great show.

0:53:32.239 --> 0:53:35.040
<v Speaker 7>There's some cool things and some cool collectors, you know,

0:53:35.200 --> 0:53:38.360
<v Speaker 7>Drake and Mike Tyson and Peyton Manning and a lot

0:53:38.440 --> 0:53:41.640
<v Speaker 7>of folks who are showing you their collections but also

0:53:41.680 --> 0:53:43.640
<v Speaker 7>to see what you know you might have hiding in

0:53:43.640 --> 0:53:46.839
<v Speaker 7>the basement. So that's where I come in. And of

0:53:46.880 --> 0:53:50.799
<v Speaker 7>course with Robbie Davis Senior and Junior they're nice guys too,

0:53:51.040 --> 0:53:53.880
<v Speaker 7>and Ken Golden and the whole crew at Golden's Auctions.

0:53:53.920 --> 0:53:56.719
<v Speaker 7>It's it's been a great time and I think the

0:53:56.760 --> 0:53:59.520
<v Speaker 7>show is going to have a long lifespan, I hope,

0:53:59.520 --> 0:54:01.239
<v Speaker 7>and I've been enjoyed contributing to it.

0:54:01.320 --> 0:54:05.680
<v Speaker 5>So well, let's get to the show's money, Eddie. So

0:54:05.880 --> 0:54:08.680
<v Speaker 5>why what happened with you? Where you thought you had something.

0:54:08.719 --> 0:54:10.880
<v Speaker 6>Okay, So I mean it goes back to the conversation

0:54:11.000 --> 0:54:13.120
<v Speaker 6>we were having about not having a retirement.

0:54:13.480 --> 0:54:15.480
<v Speaker 5>And by the way, doctor Lloyd, just so you know

0:54:15.520 --> 0:54:18.319
<v Speaker 5>the basis of this, Eddie always talked about he can't

0:54:18.320 --> 0:54:20.240
<v Speaker 5>wait to retire. It's his dream in life to retire.

0:54:20.440 --> 0:54:21.640
<v Speaker 5>And I said, well, how much do you have in

0:54:21.680 --> 0:54:23.400
<v Speaker 5>like your four oh one k because our company does that.

0:54:23.480 --> 0:54:25.200
<v Speaker 5>He's like none. I said, well how much do you have? Say?

0:54:25.239 --> 0:54:27.480
<v Speaker 5>He goes none, So he wants to retire, yet he's

0:54:27.480 --> 0:54:30.040
<v Speaker 5>putting no money back for retirement, and so that made him,

0:54:30.040 --> 0:54:31.520
<v Speaker 5>my guess, go dig for stuff.

0:54:31.239 --> 0:54:33.520
<v Speaker 8>Down to the basement. Doctor Lory said, got it?

0:54:33.520 --> 0:54:33.719
<v Speaker 5>Got it?

0:54:33.880 --> 0:54:36.480
<v Speaker 7>Okay, Okay, well not a bad idea. A lot of

0:54:36.520 --> 0:54:39.399
<v Speaker 7>people have the same agenda, you know, because it's hard

0:54:39.440 --> 0:54:43.839
<v Speaker 7>to just say for retirement. But again, yeah, there can

0:54:43.880 --> 0:54:45.840
<v Speaker 7>be you know, I've seen fabulous things come out of

0:54:45.840 --> 0:54:47.600
<v Speaker 7>the attic rafters. So what have you got?

0:54:47.840 --> 0:54:48.160
<v Speaker 8>Okay?

0:54:48.280 --> 0:54:50.759
<v Speaker 6>So I have a memory box that I've had since

0:54:50.800 --> 0:54:53.240
<v Speaker 6>I moved out of my house when I was nineteen

0:54:53.320 --> 0:54:55.640
<v Speaker 6>years old. You've had a memory a memory box, and

0:54:55.680 --> 0:54:59.160
<v Speaker 6>it's come with me from my hometown in South Texas.

0:54:59.440 --> 0:55:01.799
<v Speaker 6>I moved it to college to my first house. My

0:55:01.840 --> 0:55:04.280
<v Speaker 6>second guy married, I got four kids. Now I still

0:55:04.320 --> 0:55:04.960
<v Speaker 6>have that box.

0:55:05.000 --> 0:55:06.960
<v Speaker 7>So that's why you don't have a retirement. You got

0:55:06.960 --> 0:55:07.640
<v Speaker 7>four kids.

0:55:08.040 --> 0:55:09.680
<v Speaker 8>Thank you, doctor Lory. That's what I've been trying to

0:55:09.680 --> 0:55:10.120
<v Speaker 8>tell them.

0:55:10.400 --> 0:55:13.759
<v Speaker 9>But he also gloffs and gambles everyone else.

0:55:14.440 --> 0:55:17.480
<v Speaker 7>I didn't know that part. But he has four kids,

0:55:17.600 --> 0:55:17.799
<v Speaker 7>you know.

0:55:18.040 --> 0:55:20.360
<v Speaker 6>So I dug in the memory box and I was like,

0:55:20.400 --> 0:55:22.839
<v Speaker 6>oh my gosh, I found some good stuff old. She's

0:55:22.880 --> 0:55:25.239
<v Speaker 6>talking about that ball, you know, jar or whatever that

0:55:25.320 --> 0:55:28.360
<v Speaker 6>somebody yelled at her about. But I have old old

0:55:28.440 --> 0:55:31.160
<v Speaker 6>bottles and these are like from Tomas Edison days.

0:55:31.239 --> 0:55:34.239
<v Speaker 5>Okay, I okay, I have Okay, can I pull one up,

0:55:34.320 --> 0:55:34.960
<v Speaker 5>doctor Lory?

0:55:35.480 --> 0:55:35.800
<v Speaker 7>Okay.

0:55:35.880 --> 0:55:39.040
<v Speaker 5>So there's a really small one here. It says Eiffel Tower,

0:55:39.239 --> 0:55:44.719
<v Speaker 5>Fruit Juices. It is probably five inches tall. It's a

0:55:44.960 --> 0:55:48.200
<v Speaker 5>seat through glass. It's a clear one here. So what

0:55:48.280 --> 0:55:49.560
<v Speaker 5>do you think about this one?

0:55:49.920 --> 0:55:52.080
<v Speaker 7>Hey, Bobby? Does the glass have a little bit of

0:55:52.239 --> 0:55:54.760
<v Speaker 7>like a tinge of gray or a tinge of purple?

0:55:56.080 --> 0:55:58.160
<v Speaker 5>I'm pretty colorblind, but yes, I would say it has

0:55:58.160 --> 0:55:59.880
<v Speaker 5>a little bit would you? Would you guys say it

0:55:59.880 --> 0:56:00.680
<v Speaker 5>as tinger purple?

0:56:00.960 --> 0:56:01.960
<v Speaker 10>Yeah, blue.

0:56:02.440 --> 0:56:02.720
<v Speaker 7>Yeah.

0:56:02.920 --> 0:56:04.080
<v Speaker 5>Yeah.

0:56:03.560 --> 0:56:07.520
<v Speaker 7>That typically indicates that there's a little bit of lead

0:56:07.640 --> 0:56:10.920
<v Speaker 7>content in it. And lead content it's very typical with

0:56:11.000 --> 0:56:13.880
<v Speaker 7>glass making, particularly in the early part of the twentieth century.

0:56:13.880 --> 0:56:16.280
<v Speaker 7>Here's what they look for. They look for a seam,

0:56:16.600 --> 0:56:19.160
<v Speaker 7>they look for a particular type of top which that

0:56:19.200 --> 0:56:24.880
<v Speaker 7>particular bottle has, and they also look for famous manufacturers.

0:56:24.880 --> 0:56:26.640
<v Speaker 7>And usually the name is going to be right in

0:56:26.719 --> 0:56:30.520
<v Speaker 7>the bottle. It's going to be different from other colored bottles,

0:56:30.520 --> 0:56:33.120
<v Speaker 7>which we also see here in this memory box collection

0:56:33.200 --> 0:56:35.760
<v Speaker 7>of Eddie's. And I would say value on that bottle

0:56:35.800 --> 0:56:38.040
<v Speaker 7>is going to be about fifteen bucks, So that's like

0:56:38.200 --> 0:56:39.880
<v Speaker 7>thirty seconds of your retirement.

0:56:40.040 --> 0:56:43.640
<v Speaker 5>Hey, hey, that's okay, that's a story, Eddie.

0:56:44.000 --> 0:56:45.840
<v Speaker 8>I mean I thought it'd be like hundred really.

0:56:47.280 --> 0:56:49.200
<v Speaker 5>Okay, okay, okay, we have but we have four bottles

0:56:49.200 --> 0:56:49.440
<v Speaker 5>on top.

0:56:49.560 --> 0:56:50.000
<v Speaker 8>That's right.

0:56:50.080 --> 0:56:52.319
<v Speaker 5>So let's do another bottle. Okay, this one is a

0:56:52.320 --> 0:56:55.120
<v Speaker 5>little more round, it's a little more which that's blue

0:56:55.160 --> 0:56:57.319
<v Speaker 5>or green? Look at that color a little more blue,

0:56:57.320 --> 0:56:58.680
<v Speaker 5>and on it it says, what.

0:56:58.640 --> 0:57:00.840
<v Speaker 6>Do you know bottles like I had lots of bottles

0:57:00.840 --> 0:57:02.719
<v Speaker 6>in the memory box. I know just gral no, no, no,

0:57:02.719 --> 0:57:05.239
<v Speaker 6>I've had them since I was like, do you think

0:57:05.239 --> 0:57:05.840
<v Speaker 6>there were something?

0:57:06.120 --> 0:57:07.840
<v Speaker 8>Yeah, they're old. It has to be worth something.

0:57:07.880 --> 0:57:11.080
<v Speaker 7>Okay, so you dug them up in South Texas? Is

0:57:11.080 --> 0:57:12.359
<v Speaker 7>that the deal? No, you were a kid.

0:57:12.440 --> 0:57:13.759
<v Speaker 8>I'll be honest with you, doctor Laurie.

0:57:13.760 --> 0:57:15.319
<v Speaker 6>I don't know how I got these, but they were

0:57:15.360 --> 0:57:17.040
<v Speaker 6>in my room when I was growing up, so I

0:57:17.080 --> 0:57:18.240
<v Speaker 6>just took it, showed.

0:57:18.040 --> 0:57:21.120
<v Speaker 5>Up this Rumford chemical works. What do you think about

0:57:21.120 --> 0:57:23.600
<v Speaker 5>this one? Doctor Lourie Eddie thinks it's very worthwhile.

0:57:23.720 --> 0:57:27.120
<v Speaker 7>Blue bottle. Blue bottles usually relate to a pot the carry,

0:57:27.200 --> 0:57:29.040
<v Speaker 7>so usually they had some kind of drug or some

0:57:29.200 --> 0:57:32.560
<v Speaker 7>kind of chemical in them, so be careful around them,

0:57:32.600 --> 0:57:34.760
<v Speaker 7>don't stick your finger down into it. Kind of deal.

0:57:35.120 --> 0:57:37.919
<v Speaker 7>But that can be more valuable a little bit more

0:57:38.080 --> 0:57:40.720
<v Speaker 7>so instead of thirty seconds for your retirement, you're probably

0:57:40.760 --> 0:57:43.320
<v Speaker 7>looking at two and a half minutes. That's about fifty bucks.

0:57:43.400 --> 0:57:48.400
<v Speaker 5>Wow sho okay, okay, so far you have sixty five dollars.

0:57:48.400 --> 0:57:52.840
<v Speaker 5>I'm sure that's we have two more bottles. I know, dude,

0:57:52.840 --> 0:57:55.760
<v Speaker 5>it's like one more bottle. No, you have two bottles.

0:57:55.800 --> 0:57:56.720
<v Speaker 5>Is that a bottle or vase?

0:57:57.160 --> 0:57:57.680
<v Speaker 8>That's a bottle?

0:57:57.680 --> 0:57:59.880
<v Speaker 5>Okay, here we go this is a bottle. This bottle

0:58:00.160 --> 0:58:03.440
<v Speaker 5>is a little, bigger, little it's clear Nathan Wood and

0:58:03.520 --> 0:58:05.800
<v Speaker 5>Sun Proproprietors, Portland, Maine.

0:58:06.720 --> 0:58:10.480
<v Speaker 7>Okay, also apothecary bottle. Notice it has a long body

0:58:10.480 --> 0:58:13.640
<v Speaker 7>and a short neck, and that's typically an apothecary bottle

0:58:13.680 --> 0:58:17.000
<v Speaker 7>that they're gonna mix some kind of chemical together. I

0:58:17.040 --> 0:58:19.760
<v Speaker 7>would say, value on that bottle. And there's no chips

0:58:19.760 --> 0:58:21.400
<v Speaker 7>on the top of these bottles, right, because they would

0:58:21.440 --> 0:58:25.960
<v Speaker 7>use a quirk. Okay, big condition, Okay, thank you, Bobby.

0:58:26.160 --> 0:58:29.760
<v Speaker 7>Value on that bottle is about fifty bucks.

0:58:30.560 --> 0:58:31.320
<v Speaker 2>That's amazing.

0:58:31.400 --> 0:58:33.360
<v Speaker 5>One hundred and fifteen bucks. Let's go, Bobby.

0:58:33.440 --> 0:58:35.320
<v Speaker 7>Do you not care about bottles? Are you just like

0:58:35.440 --> 0:58:36.240
<v Speaker 7>why bottles?

0:58:36.680 --> 0:58:39.960
<v Speaker 5>Well, it's like they're glass bottles, Like, who gives a crap.

0:58:40.640 --> 0:58:42.520
<v Speaker 7>There's a lot of them out there, which is why

0:58:42.560 --> 0:58:43.600
<v Speaker 7>the values are kind of low.

0:58:44.000 --> 0:58:46.600
<v Speaker 5>Okay, so far, Eddie, yours your most prized possessions. You

0:58:46.600 --> 0:58:47.640
<v Speaker 5>have one hundred and fifteen dollars.

0:58:48.120 --> 0:58:49.800
<v Speaker 9>Wait, so I have a question about one hundred and

0:58:49.800 --> 0:58:51.840
<v Speaker 9>fifteen Like, I get that that's the value, but is

0:58:51.920 --> 0:58:54.000
<v Speaker 9>Eddie going to be able to sell these to anybody?

0:58:54.120 --> 0:58:54.280
<v Speaker 15>Oh?

0:58:54.480 --> 0:58:56.880
<v Speaker 7>Yeah, that's a good question. Amy there's a lot of

0:58:56.920 --> 0:58:59.240
<v Speaker 7>them out there, so a lot of people are trying

0:58:59.280 --> 0:59:02.000
<v Speaker 7>to sell them. But that's the value, and it's based

0:59:02.040 --> 0:59:04.960
<v Speaker 7>on retail sales records. That's a similar bottle like that

0:59:05.040 --> 0:59:05.880
<v Speaker 7>has sold recently.

0:59:06.560 --> 0:59:06.880
<v Speaker 5>Sell it.

0:59:07.040 --> 0:59:08.720
<v Speaker 7>You can sell them, but that's a smart question.

0:59:09.280 --> 0:59:09.920
<v Speaker 11>The marketplace.

0:59:09.960 --> 0:59:11.360
<v Speaker 5>Yeah, but where would you sell them?

0:59:11.840 --> 0:59:12.040
<v Speaker 9>Yeah?

0:59:12.120 --> 0:59:15.400
<v Speaker 7>Probably eBay with everybody else. You know, if you put

0:59:15.440 --> 0:59:18.400
<v Speaker 7>them on like Facebook marketplace, typically people want them for

0:59:18.520 --> 0:59:20.280
<v Speaker 7>like nothing. Oh, I'll take them off your hands, like

0:59:20.280 --> 0:59:21.120
<v Speaker 7>they're doing you a favor.

0:59:21.240 --> 0:59:22.840
<v Speaker 8>I know a guy that does eBay business.

0:59:23.360 --> 0:59:23.640
<v Speaker 10>That's me.

0:59:23.760 --> 0:59:25.560
<v Speaker 5>Yeah, we'll sell it. Yeah, Okay, here's what we have,

0:59:25.600 --> 0:59:26.000
<v Speaker 5>doctor Laurie.

0:59:26.160 --> 0:59:27.640
<v Speaker 7>A lot of people do an eBay business.

0:59:27.680 --> 0:59:29.280
<v Speaker 5>We're gonna come back in a second. We're going to

0:59:29.360 --> 0:59:32.160
<v Speaker 5>do the big bottle and the one that Eddie says

0:59:32.200 --> 0:59:35.800
<v Speaker 5>is his money maker because it's literally money. It's some

0:59:37.000 --> 0:59:39.439
<v Speaker 5>Oh yeah, how would you describe that bones Well, there's

0:59:39.440 --> 0:59:42.120
<v Speaker 5>an American Indian on the front. There's a buffalo. I

0:59:42.120 --> 0:59:43.760
<v Speaker 5>don't know. It's a big old fat coin that looks

0:59:43.760 --> 0:59:45.680
<v Speaker 5>like it could be where it's a Eddie. It's time

0:59:45.720 --> 0:59:46.240
<v Speaker 5>for the big two.

0:59:46.320 --> 0:59:46.720
<v Speaker 8>Come on.

0:59:46.880 --> 0:59:49.080
<v Speaker 5>Doctor Lourie is on. She's about to praise the crap

0:59:49.080 --> 0:59:50.640
<v Speaker 5>out of a couple of things. Now, Eddie brought in

0:59:50.680 --> 0:59:52.040
<v Speaker 5>these old bottles. He thought we were worth a whole

0:59:52.040 --> 0:59:55.320
<v Speaker 5>lot of money. So far, I will say for three bottles,

0:59:55.560 --> 0:59:58.160
<v Speaker 5>one hundred and fifteen bucks total. That's pretty good.

0:59:58.280 --> 0:59:59.280
<v Speaker 8>It doesn't look like much.

0:59:59.440 --> 1:00:00.720
<v Speaker 5>Yeah, but I think you thought you're gonna get a

1:00:00.720 --> 1:00:01.320
<v Speaker 5>lot more. But that's okay.

1:00:01.360 --> 1:00:02.640
<v Speaker 8>Well, well here, let me just tell you where my

1:00:02.640 --> 1:00:03.400
<v Speaker 8>mind shifting now.

1:00:03.600 --> 1:00:06.560
<v Speaker 6>Now, whatever I make today, I am going to put

1:00:06.600 --> 1:00:08.800
<v Speaker 6>that in my four oh one k and I'm starting

1:00:08.800 --> 1:00:09.920
<v Speaker 6>my retirement today.

1:00:10.320 --> 1:00:13.080
<v Speaker 5>Okay. Well, you have one hundred and fifteen dollars so far.

1:00:13.240 --> 1:00:13.800
<v Speaker 8>That's a start.

1:00:13.960 --> 1:00:20.800
<v Speaker 5>It's time for the two dose twah money makers, all right.

1:00:20.840 --> 1:00:22.360
<v Speaker 5>An he thinks he can make a thousand bucks out

1:00:22.400 --> 1:00:25.400
<v Speaker 5>of this, Okay, doctor Laurie, So you're gonna put your

1:00:25.400 --> 1:00:28.040
<v Speaker 5>PhD skills to use here. It looks like a green

1:00:28.080 --> 1:00:29.880
<v Speaker 5>bottle to me. I don't know what the heck to says,

1:00:29.920 --> 1:00:31.200
<v Speaker 5>but it's bigger than all the other ones.

1:00:31.880 --> 1:00:35.280
<v Speaker 7>Okay. And there's no marking on that bottle, correct.

1:00:35.200 --> 1:00:37.960
<v Speaker 5>Yeah, it says ep Kepler. Wait on the top, it

1:00:37.960 --> 1:00:38.680
<v Speaker 5>says Kepler.

1:00:38.960 --> 1:00:42.960
<v Speaker 7>Green bottles and brown bottles are trying to prevent the

1:00:43.120 --> 1:00:46.440
<v Speaker 7>light to get to the chemical. That chemical was probably

1:00:46.480 --> 1:00:49.600
<v Speaker 7>in fact in liquid form. So usually when they have

1:00:50.080 --> 1:00:52.520
<v Speaker 7>bottles like that, you're trying to make sure that they

1:00:52.520 --> 1:00:54.520
<v Speaker 7>don't get the sunlight to go through them when they're

1:00:54.520 --> 1:00:56.959
<v Speaker 7>sitting up on a shelf, usually in a pharmacy type

1:00:56.960 --> 1:00:59.439
<v Speaker 7>of environment. Would you say that that bottle is six

1:00:59.480 --> 1:01:01.200
<v Speaker 7>inches tall or about eight inches tall?

1:01:01.480 --> 1:01:04.400
<v Speaker 5>Well, hold on, that's okay, what.

1:01:05.840 --> 1:01:06.960
<v Speaker 8>Interesting way of measured?

1:01:07.880 --> 1:01:09.040
<v Speaker 5>I just lowered it.

1:01:09.040 --> 1:01:10.160
<v Speaker 10>It's just getting the tape measure.

1:01:10.280 --> 1:01:12.439
<v Speaker 5>Yes, I'd say it's about eight inches tall.

1:01:13.000 --> 1:01:16.400
<v Speaker 7>Okay, So that piece dates to about nineteen fifteen to

1:01:16.440 --> 1:01:19.600
<v Speaker 7>about nineteen twenty, and value on it is about fifty dollars.

1:01:20.880 --> 1:01:23.360
<v Speaker 6>That's okay, we're adding money up, guys.

1:01:23.360 --> 1:01:25.240
<v Speaker 12>Well you said it was that was a big bottle.

1:01:25.320 --> 1:01:26.680
<v Speaker 12>I thought that was gonna be big, dude.

1:01:26.720 --> 1:01:29.680
<v Speaker 7>Yeah, you're if it had been six inches okay, so

1:01:29.880 --> 1:01:31.080
<v Speaker 7>forty five dollars.

1:01:30.920 --> 1:01:34.120
<v Speaker 5>Oh, hey, seize matters.

1:01:34.160 --> 1:01:35.040
<v Speaker 10>Okay, here we go.

1:01:35.480 --> 1:01:37.560
<v Speaker 5>The final thing. He wanted me to save this to

1:01:37.600 --> 1:01:40.080
<v Speaker 5>the very end because he thinks this you're alone, that's

1:01:40.120 --> 1:01:41.840
<v Speaker 5>gonna be a thousand can put him through retirement.

1:01:41.960 --> 1:01:43.480
<v Speaker 10>Is that heavy? Bobby like does it feel.

1:01:43.880 --> 1:01:45.840
<v Speaker 5>Yeah, it's a pretty heavy coin. It's bigger than a quarter.

1:01:45.920 --> 1:01:49.080
<v Speaker 8>Bounce that on the table. Listen to that.

1:01:49.560 --> 1:01:50.160
<v Speaker 5>Why did it right?

1:01:50.840 --> 1:01:51.480
<v Speaker 10>I'm just kidding you.

1:01:52.080 --> 1:01:54.040
<v Speaker 9>Right, did you say there's a buffalo on.

1:01:54.000 --> 1:01:57.000
<v Speaker 5>The back side? Yes? Okay, doctor Lory, what is this

1:01:57.520 --> 1:01:58.040
<v Speaker 5>you say?

1:01:58.120 --> 1:02:00.160
<v Speaker 7>I love your scientific.

1:01:59.520 --> 1:02:00.360
<v Speaker 2>Methods, guys.

1:02:00.440 --> 1:02:01.960
<v Speaker 1>Yeah, yeah, bouncing on the table.

1:02:02.000 --> 1:02:03.800
<v Speaker 7>Listen to what it sounds like. Well, your ears is

1:02:03.800 --> 1:02:05.280
<v Speaker 7>gonna sound different from somebody else.

1:02:05.280 --> 1:02:05.640
<v Speaker 16>It's the air.

1:02:05.680 --> 1:02:06.080
<v Speaker 5>Okay.

1:02:06.160 --> 1:02:08.320
<v Speaker 7>So it's about the size of a quarter, and it

1:02:08.360 --> 1:02:11.640
<v Speaker 7>should say point nine nine nine silver on it.

1:02:11.840 --> 1:02:14.960
<v Speaker 5>Yes, point it says, uh nine nine nine fine silver.

1:02:15.760 --> 1:02:19.360
<v Speaker 7>Oh okay, So let's explain a little bit. First of all,

1:02:19.400 --> 1:02:23.040
<v Speaker 7>one side has the Native American Indian the head in profile.

1:02:23.400 --> 1:02:27.720
<v Speaker 7>The other side has the buffalo the bison, also in profile,

1:02:28.040 --> 1:02:30.680
<v Speaker 7>typical of coinage made in the early part of the

1:02:30.720 --> 1:02:36.120
<v Speaker 7>twentieth century. This particular piece is actually a silver piece, right,

1:02:36.200 --> 1:02:38.800
<v Speaker 7>So nine hundred and twenty five parts. If it said

1:02:38.880 --> 1:02:42.000
<v Speaker 7>point nine two five, that would mean it's sterling. Yours

1:02:42.080 --> 1:02:43.600
<v Speaker 7>is better than sterling.

1:02:46.400 --> 1:02:46.800
<v Speaker 5>Sterling.

1:02:47.800 --> 1:02:49.600
<v Speaker 7>You okay, okay, we're getting You're very excited.

1:02:50.400 --> 1:02:50.800
<v Speaker 8>We're good.

1:02:50.920 --> 1:02:52.920
<v Speaker 7>Now what you have is, of course the weight of

1:02:52.960 --> 1:02:55.960
<v Speaker 7>this particular piece, which is almost pure silver, because if

1:02:56.000 --> 1:02:58.400
<v Speaker 7>it were point, you know, one thousand, it would be

1:02:58.440 --> 1:02:59.040
<v Speaker 7>pure silver.

1:02:59.200 --> 1:03:02.040
<v Speaker 6>Doctor heard it when he bounced on the table, right, yeah,

1:03:02.040 --> 1:03:04.080
<v Speaker 6>I heard it.

1:03:02.640 --> 1:03:06.680
<v Speaker 7>I heard the bounce on the table. That's not my

1:03:06.800 --> 1:03:11.040
<v Speaker 7>scientific method, that's kid. In terms of appraising, that's going

1:03:11.080 --> 1:03:13.280
<v Speaker 7>to be a very you know, low low on the

1:03:13.320 --> 1:03:16.640
<v Speaker 7>total pole. In terms of value. However, this particular piece

1:03:16.720 --> 1:03:21.440
<v Speaker 7>is almost pure silver. So one tryounce of pure silver

1:03:21.840 --> 1:03:24.000
<v Speaker 7>has a value today of if you look at the

1:03:24.040 --> 1:03:26.280
<v Speaker 7>silver markets, about thirty five dollars.

1:03:27.440 --> 1:03:28.480
<v Speaker 10>Well, how much is the coin?

1:03:28.720 --> 1:03:28.840
<v Speaker 15>Oh?

1:03:28.920 --> 1:03:29.720
<v Speaker 11>No, no, no, the.

1:03:29.680 --> 1:03:31.760
<v Speaker 7>Coin is worth about thirty five dollars.

1:03:32.080 --> 1:03:33.280
<v Speaker 8>No, no, the actual coin.

1:03:33.360 --> 1:03:34.320
<v Speaker 5>Yeah, let me do this again.

1:03:35.400 --> 1:03:36.120
<v Speaker 10>Did you not hear you?

1:03:36.200 --> 1:03:36.840
<v Speaker 5>Hear that again?

1:03:37.120 --> 1:03:38.000
<v Speaker 7>I heard that again?

1:03:38.200 --> 1:03:41.360
<v Speaker 6>Okay, So what she's saying is, basically, it doesn't matter

1:03:41.400 --> 1:03:43.560
<v Speaker 6>what's on the coin, it's just the price of silver.

1:03:43.880 --> 1:03:47.840
<v Speaker 7>They actually will create those coins looking like old coins.

1:03:47.960 --> 1:03:50.960
<v Speaker 7>They're not coins. It's not, of course, legal tender. It

1:03:51.160 --> 1:03:53.960
<v Speaker 7>just is worth the value of silver. And today's silver

1:03:54.040 --> 1:03:56.480
<v Speaker 7>market is not all that high. So when the silver

1:03:56.520 --> 1:03:59.800
<v Speaker 7>market goes up, that piece becomes more valuable. I would

1:03:59.800 --> 1:04:02.560
<v Speaker 7>hold on to it because it is almost pure silver.

1:04:03.280 --> 1:04:03.520
<v Speaker 10>Eddie.

1:04:03.560 --> 1:04:06.640
<v Speaker 5>It looks like you're a little short two hundred bucks.

1:04:07.760 --> 1:04:09.160
<v Speaker 8>I'm not going to be able to retire today.

1:04:09.200 --> 1:04:09.640
<v Speaker 5>Overall.

1:04:10.000 --> 1:04:11.040
<v Speaker 7>What did you do today?

1:04:11.160 --> 1:04:15.800
<v Speaker 5>But someday, Eddie, I'm not so sure about that, Eddie.

1:04:15.840 --> 1:04:18.200
<v Speaker 5>What do you think realistically? Coming in that you thought

1:04:18.240 --> 1:04:21.080
<v Speaker 5>all of these bottles in this coin would get you?

1:04:21.120 --> 1:04:23.840
<v Speaker 6>Realistically, I thought I would get at least five hundred dollars.

1:04:24.440 --> 1:04:26.000
<v Speaker 6>I mean I wanted to be sound exciting like I

1:04:26.120 --> 1:04:28.320
<v Speaker 6>eat thousands, but I mean the bottles. I didn't think

1:04:28.320 --> 1:04:30.360
<v Speaker 6>they'd beat thousand dollars bottles. But if I can get

1:04:30.360 --> 1:04:31.840
<v Speaker 6>out of here with five hundred dollars, I was like,

1:04:31.880 --> 1:04:33.920
<v Speaker 6>this is going to start my road to retirement.

1:04:34.720 --> 1:04:36.760
<v Speaker 5>I mean, I'll put the one hundred dollars in retirement.

1:04:36.760 --> 1:04:38.760
<v Speaker 5>But you're going to gamble it. We know you're going

1:04:38.760 --> 1:04:40.400
<v Speaker 5>to DraftKings if you sell the stuff and you're gonna

1:04:40.400 --> 1:04:40.880
<v Speaker 5>put it on a game.

1:04:40.920 --> 1:04:42.320
<v Speaker 8>There are some golf tournaments this weekend.

1:04:42.440 --> 1:04:44.280
<v Speaker 7>Yes, you know, I want to just I want to

1:04:44.280 --> 1:04:46.680
<v Speaker 7>give Eddie his due, because first of all, I did

1:04:46.680 --> 1:04:50.560
<v Speaker 7>a praise one bottle that actually was worth sixty thousand dollars.

1:04:51.360 --> 1:04:52.520
<v Speaker 5>What did that look like?

1:04:53.240 --> 1:04:55.600
<v Speaker 7>Some of these bottles could be that. That bottle I'm

1:04:55.600 --> 1:04:58.400
<v Speaker 7>talking about goes all the way back to the late

1:04:58.480 --> 1:05:01.160
<v Speaker 7>seventeen hundreds and it was called the bitterers bottle. It

1:05:01.200 --> 1:05:04.040
<v Speaker 7>was a very elongated bottle and it was actually used

1:05:04.040 --> 1:05:07.400
<v Speaker 7>for bidders, which was a type of actual liquid that

1:05:07.400 --> 1:05:11.040
<v Speaker 7>would be traded in the colonial American time. Your bottles

1:05:11.040 --> 1:05:14.160
<v Speaker 7>are all too young and very cold.

1:05:14.800 --> 1:05:16.680
<v Speaker 5>Well, let me say this. I know it's a sad

1:05:16.760 --> 1:05:19.200
<v Speaker 5>day for you. Yeah, yeah, you can take your bottles.

1:05:19.600 --> 1:05:21.000
<v Speaker 7>There's more than he had, Bobby.

1:05:21.320 --> 1:05:23.320
<v Speaker 5>Yeah, put him back in your sweet cherish memory box

1:05:25.320 --> 1:05:26.080
<v Speaker 5>with your butterfly.

1:05:26.320 --> 1:05:27.360
<v Speaker 8>I might just keep him here.

1:05:27.400 --> 1:05:31.080
<v Speaker 5>Actually, yeah, they'll get stolen for sure. Okay, let's let

1:05:31.080 --> 1:05:33.800
<v Speaker 5>me say this about doctor Laurie. Visit her website doctor

1:05:34.120 --> 1:05:37.200
<v Speaker 5>Laurie V dot com, l O r I the Letter

1:05:37.320 --> 1:05:40.760
<v Speaker 5>v dot com. Follow her on Instagram at doctor Lori V.

1:05:41.040 --> 1:05:44.240
<v Speaker 5>You can watch your on Netflix, and she's just killing

1:05:44.280 --> 1:05:48.760
<v Speaker 5>it for us as always. She praised Mike's Beanie babies

1:05:48.760 --> 1:05:52.320
<v Speaker 5>for SI a couple thousand bucks. No, no, Pokemon, I

1:05:52.400 --> 1:05:56.200
<v Speaker 5>have beanie babies. So you guys both more than that car. Yeah,

1:05:56.280 --> 1:05:57.720
<v Speaker 5>and I'm not gonna say what it is yet. But

1:05:57.680 --> 1:06:00.920
<v Speaker 5>I had doctor Lory on on they we'll reveal it.

1:06:01.040 --> 1:06:02.960
<v Speaker 5>I had her on with me once in my house

1:06:03.400 --> 1:06:05.760
<v Speaker 5>and I'm just gonna say, over ten thousand dollars.

1:06:05.600 --> 1:06:07.360
<v Speaker 8>Oh my gosh, that's all.

1:06:07.280 --> 1:06:08.680
<v Speaker 5>I'm gonna say. Am I going to say any more

1:06:08.680 --> 1:06:10.640
<v Speaker 5>than that? I said, Hey, what's this? I'm just gonna

1:06:10.640 --> 1:06:12.200
<v Speaker 5>say over It could be a lot more, it could

1:06:12.200 --> 1:06:14.880
<v Speaker 5>be a little something over ten thousand dollars that I

1:06:14.920 --> 1:06:16.240
<v Speaker 5>didn't know. I was trying to throw it away.

1:06:16.320 --> 1:06:17.560
<v Speaker 10>You have all the luck in the world.

1:06:17.760 --> 1:06:19.320
<v Speaker 5>I was gonna throw it away, and she was like,

1:06:19.440 --> 1:06:22.280
<v Speaker 5>wouldn't do that at you don't worry about it.

1:06:23.400 --> 1:06:25.160
<v Speaker 7>There's a lot of cool stuff out there, you know,

1:06:25.280 --> 1:06:28.880
<v Speaker 7>your old toys, your barbiees, this that collectible mom stuff

1:06:29.280 --> 1:06:31.000
<v Speaker 7>you know. I mean, I'm here to help you.

1:06:31.120 --> 1:06:33.160
<v Speaker 9>What about Madame Alexander Dolls.

1:06:33.480 --> 1:06:38.560
<v Speaker 7>Yes, Madame Alexander Doll. Sure, okay, yeah, there's lots of

1:06:38.640 --> 1:06:39.360
<v Speaker 7>value in those.

1:06:39.840 --> 1:06:43.440
<v Speaker 9>Okay, okay, but that's what I have a lot of

1:06:43.960 --> 1:06:45.240
<v Speaker 9>Well we got to see them.

1:06:45.080 --> 1:06:49.280
<v Speaker 5>Okay, okay, next next time. Okay. There she is our

1:06:49.320 --> 1:06:51.000
<v Speaker 5>friend and yours, doctor doctor Laurry.

1:06:51.040 --> 1:06:54.160
<v Speaker 7>Thank you, thanks guys, Bye Bobby, by bye. Guys.

1:06:54.320 --> 1:06:57.920
<v Speaker 5>Have a great day. It does seem though generally we

1:06:58.000 --> 1:07:01.320
<v Speaker 5>have a lot of hope. And then doctor Laurie is

1:07:01.320 --> 1:07:04.240
<v Speaker 5>smart and tells us you're not as smart as you think. Yeah, us,

1:07:04.600 --> 1:07:05.920
<v Speaker 5>because we come in we're like this, you gotta go

1:07:06.000 --> 1:07:08.360
<v Speaker 5>ten million, and then the next thing, you know, it's

1:07:08.400 --> 1:07:10.080
<v Speaker 5>worth thirty dollars.

1:07:11.320 --> 1:07:12.480
<v Speaker 8>I mean, that's not what I thought.

1:07:13.160 --> 1:07:14.920
<v Speaker 5>And he's going he thought I was gonna be word

1:07:14.920 --> 1:07:16.120
<v Speaker 5>of the whole line. I thought that was from the

1:07:16.120 --> 1:07:17.919
<v Speaker 5>Civil War and I was rooting for it too.

1:07:18.280 --> 1:07:21.160
<v Speaker 6>That's a buffalo nickel man, but it's like five times

1:07:21.160 --> 1:07:22.360
<v Speaker 6>the size.

1:07:22.040 --> 1:07:25.480
<v Speaker 5>That showbiz baby. Yeah, that's what we say. And guess what,

1:07:26.040 --> 1:07:30.120
<v Speaker 5>you still broke. But she did took it, took her

1:07:30.120 --> 1:07:32.960
<v Speaker 5>to my house on camera and she was like, I'm

1:07:32.960 --> 1:07:35.120
<v Speaker 5>not gonna say, but it was over ten thousand dollars

1:07:35.320 --> 1:07:36.360
<v Speaker 5>and I was trying to throw it away and my

1:07:36.360 --> 1:07:37.640
<v Speaker 5>wife was like, you should do that away. I don't

1:07:37.680 --> 1:07:40.080
<v Speaker 5>think and then I was like, oh and then we

1:07:40.680 --> 1:07:42.920
<v Speaker 5>and it was over Wait wait, wait is it a bottle?

1:07:43.800 --> 1:07:47.920
<v Speaker 5>It is? Actually yeah.

1:07:47.960 --> 1:07:51.720
<v Speaker 1>It's the best bits of the week with Morgan. Number two.

1:07:55.320 --> 1:07:57.040
<v Speaker 3>We had Dan and Shay on the show this week.

1:07:57.080 --> 1:07:58.880
<v Speaker 4>They're always fun to talk to you because they're just

1:07:58.880 --> 1:07:59.960
<v Speaker 4>so open about everything.

1:08:00.280 --> 1:08:02.480
<v Speaker 3>They talked about what in studio means.

1:08:02.320 --> 1:08:03.960
<v Speaker 4>To them, like what does that actually look like when

1:08:04.000 --> 1:08:06.360
<v Speaker 4>an artist says I'm in studio working on new music.

1:08:06.600 --> 1:08:09.360
<v Speaker 3>They also answered some uncomfortable questions.

1:08:08.920 --> 1:08:13.400
<v Speaker 4>And more importantly, y'all, they revealed a collaboration that they wanted.

1:08:13.120 --> 1:08:14.840
<v Speaker 3>To happen and it didn't.

1:08:14.960 --> 1:08:17.559
<v Speaker 4>And I'm so bummed that it didn't happen because this

1:08:17.600 --> 1:08:20.760
<v Speaker 4>would have been epic. So here's the interview right now

1:08:20.800 --> 1:08:23.599
<v Speaker 4>with Dan and Shay and Bobby number one.

1:08:23.880 --> 1:08:25.880
<v Speaker 1>So Bobby Bones Show Interviews.

1:08:26.080 --> 1:08:30.240
<v Speaker 5>In case you didn't know, Dan and Shaye Grammy Award

1:08:30.320 --> 1:08:35.600
<v Speaker 5>winning ACM all the number ones, their brothers, their cousins,

1:08:35.720 --> 1:08:40.719
<v Speaker 5>their friends. The first two aren't true, but they're massive.

1:08:40.920 --> 1:08:44.800
<v Speaker 5>And here they are the Friday Morning Conversation with Dan

1:08:44.880 --> 1:08:47.679
<v Speaker 5>and Shae. Gentlemen, welcome back to the show. What's going on?

1:08:48.120 --> 1:08:50.040
<v Speaker 2>Good to see you dude, Good to see you two.

1:08:50.320 --> 1:08:54.000
<v Speaker 5>I'm doing pretty good, pretty pretty good. Okay, We've got

1:08:54.000 --> 1:08:57.280
<v Speaker 5>a lot to talk about. Number one. The song's about

1:08:57.320 --> 1:08:59.040
<v Speaker 5>to go number one here you So I want to

1:08:59.040 --> 1:09:00.599
<v Speaker 5>talk about it first because I want to play it

1:09:00.760 --> 1:09:03.360
<v Speaker 5>kind of right off the bat. Here, So I don't

1:09:03.360 --> 1:09:06.040
<v Speaker 5>know what. There's this new thing with songs where everybody's

1:09:06.120 --> 1:09:09.400
<v Speaker 5>naming on like really simple generic terms, like there's a

1:09:09.400 --> 1:09:11.880
<v Speaker 5>song called if, there's a song called from there's a

1:09:11.880 --> 1:09:15.920
<v Speaker 5>show called the Whenever you name a song, you like,

1:09:15.960 --> 1:09:19.160
<v Speaker 5>that's a commitment to a pretty broad generic word. Do

1:09:19.200 --> 1:09:20.439
<v Speaker 5>you worry about that at all? Or do you try

1:09:20.439 --> 1:09:21.960
<v Speaker 5>to find something more specific in the title.

1:09:22.040 --> 1:09:22.679
<v Speaker 2>Yeah, we've run.

1:09:22.600 --> 1:09:24.960
<v Speaker 16>Out of good idea is we've done we've done nothing

1:09:25.080 --> 1:09:26.080
<v Speaker 16>like you and done other things.

1:09:26.160 --> 1:09:27.160
<v Speaker 2>It's like, why not just you?

1:09:27.320 --> 1:09:28.200
<v Speaker 5>That's a great thing one.

1:09:28.360 --> 1:09:30.400
<v Speaker 16>I think originally we were going to call the song

1:09:30.479 --> 1:09:32.840
<v Speaker 16>you and only you, but I think whenever I wrote

1:09:32.840 --> 1:09:34.640
<v Speaker 16>it out, I was like, it's simpler to just go

1:09:34.840 --> 1:09:37.120
<v Speaker 16>wiow you you and yeah.

1:09:37.160 --> 1:09:37.280
<v Speaker 4>Man.

1:09:37.400 --> 1:09:39.519
<v Speaker 2>It's like love songs. That kind of stuff never goes

1:09:39.520 --> 1:09:40.040
<v Speaker 2>out of style.

1:09:40.080 --> 1:09:43.719
<v Speaker 16>People are always going to be looking for songs about love, heartbreak, life,

1:09:43.760 --> 1:09:45.880
<v Speaker 16>and it's one of those songs that was was special

1:09:45.960 --> 1:09:47.400
<v Speaker 16>to us when we wrote it, and you know, we

1:09:47.439 --> 1:09:48.880
<v Speaker 16>put it out on the album. That wasn't the first

1:09:48.880 --> 1:09:51.160
<v Speaker 16>single that came out on the album, but it was

1:09:51.200 --> 1:09:53.360
<v Speaker 16>the one that the fans raised their hands and said.

1:09:53.200 --> 1:09:55.479
<v Speaker 2>This is one of our favorites. We saw people. You know,

1:09:55.520 --> 1:09:56.800
<v Speaker 2>I feel like this has kind of been the story

1:09:56.840 --> 1:09:58.160
<v Speaker 2>of our career seeing people.

1:09:58.439 --> 1:10:00.680
<v Speaker 16>That's how we choose singles. It's like see people using

1:10:00.720 --> 1:10:04.720
<v Speaker 16>the song and their wedding engagements. Prom Posals is now

1:10:04.720 --> 1:10:06.000
<v Speaker 16>a thing that wasn't a thing.

1:10:06.320 --> 1:10:08.639
<v Speaker 2>That's how old I am. Back in the day when

1:10:08.640 --> 1:10:10.320
<v Speaker 2>we were kids, they were not prom posals.

1:10:10.320 --> 1:10:12.920
<v Speaker 16>But kids go all out now and the song has

1:10:12.920 --> 1:10:14.520
<v Speaker 16>been a part a lot of promposals.

1:10:14.600 --> 1:10:18.360
<v Speaker 5>So I like single. Yeah, there's like the melody of

1:10:18.400 --> 1:10:20.519
<v Speaker 5>the hook is also like a Shay run at the

1:10:20.560 --> 1:10:23.479
<v Speaker 5>same time, and that act. You know, there's some there's

1:10:23.479 --> 1:10:26.720
<v Speaker 5>some like strategy involved in the writing of that. You

1:10:27.960 --> 1:10:31.240
<v Speaker 5>like that that is what catches me to that song, Like,

1:10:31.280 --> 1:10:33.479
<v Speaker 5>that's the texture of it is in that hook. Shay

1:10:33.760 --> 1:10:35.320
<v Speaker 5>talk about the hook to that song and how hard

1:10:35.320 --> 1:10:36.599
<v Speaker 5>it is to sing every single time.

1:10:37.439 --> 1:10:39.400
<v Speaker 15>You know, it's a good idea to have all these

1:10:39.400 --> 1:10:41.599
<v Speaker 15>cool melodies and high melodies until you have to sing

1:10:41.680 --> 1:10:42.200
<v Speaker 15>them every night.

1:10:42.520 --> 1:10:44.720
<v Speaker 13>And I'm just like, why why do we do that?

1:10:44.840 --> 1:10:47.800
<v Speaker 13>What we're thinking? But I think it's interesting though.

1:10:47.800 --> 1:10:50.439
<v Speaker 15>I'm talking about the one word titles and things like that,

1:10:50.520 --> 1:10:52.160
<v Speaker 15>and over time we've realized.

1:10:52.160 --> 1:10:52.320
<v Speaker 13>Man.

1:10:52.360 --> 1:10:54.040
<v Speaker 15>It's like when you try to come up with all

1:10:54.080 --> 1:10:57.120
<v Speaker 15>these complicated words and you're trying to think of new words,

1:10:57.120 --> 1:10:59.519
<v Speaker 15>It's like, we have a language. We have one language

1:10:59.560 --> 1:11:01.679
<v Speaker 15>that I can speak. I can only I can barely

1:11:01.720 --> 1:11:04.640
<v Speaker 15>speak one language. And I think it's important to not

1:11:04.720 --> 1:11:06.720
<v Speaker 15>get too caught up in the all right, we got

1:11:06.760 --> 1:11:08.639
<v Speaker 15>to think of a word that no one's ever thought

1:11:08.680 --> 1:11:09.080
<v Speaker 15>of before.

1:11:09.320 --> 1:11:11.160
<v Speaker 13>That's not going to happen. We know all the words

1:11:11.200 --> 1:11:12.639
<v Speaker 13>are out there, and I think.

1:11:12.560 --> 1:11:14.679
<v Speaker 15>It's important to you know, things like you're talking about

1:11:14.680 --> 1:11:17.040
<v Speaker 15>the stickiness of that chorus of like, all right, what

1:11:17.240 --> 1:11:18.759
<v Speaker 15>makes me feel that emotion?

1:11:19.000 --> 1:11:22.040
<v Speaker 13>How do I portray that I don't need necessarily a

1:11:22.080 --> 1:11:22.439
<v Speaker 13>new word.

1:11:22.479 --> 1:11:25.640
<v Speaker 15>We need a new way of kind of expressing ourselves

1:11:25.800 --> 1:11:28.639
<v Speaker 15>as humans. And this is a love style. This song

1:11:28.680 --> 1:11:30.800
<v Speaker 15>is kind of like a speechless part too. You know,

1:11:30.880 --> 1:11:33.160
<v Speaker 15>this is a speechless with that moment of our wives

1:11:33.160 --> 1:11:35.640
<v Speaker 15>walking down the aisle, and you know that moment of

1:11:35.680 --> 1:11:36.920
<v Speaker 15>the wedding night, and this.

1:11:36.960 --> 1:11:38.240
<v Speaker 13>Is kind of a continuation of that.

1:11:38.320 --> 1:11:41.040
<v Speaker 15>This is beyond, This is loved every single day in

1:11:41.080 --> 1:11:43.800
<v Speaker 15>those little moments, and I just I love it for that,

1:11:43.840 --> 1:11:45.400
<v Speaker 15>and I feel like it has a lot of that

1:11:45.520 --> 1:11:46.639
<v Speaker 15>stickiness as far.

1:11:46.600 --> 1:11:50.200
<v Speaker 13>Like you you know A and I think that's very

1:11:50.400 --> 1:11:51.000
<v Speaker 13>very hooky.

1:11:51.040 --> 1:11:55.920
<v Speaker 15>But the yeah, it's got very much of a speechless

1:11:56.320 --> 1:11:57.800
<v Speaker 15>I'm singing because I'm sitting down on my.

1:11:57.880 --> 1:11:59.800
<v Speaker 13>Piano and I feel like I'm about to play as

1:11:59.840 --> 1:12:00.000
<v Speaker 13>you know.

1:12:00.520 --> 1:12:02.839
<v Speaker 5>Can you hear it or are you dialed into ears?

1:12:03.080 --> 1:12:05.120
<v Speaker 13>I'm not dialed that. I don't know who you look?

1:12:05.520 --> 1:12:08.360
<v Speaker 5>Yeah, you get hit it again? Yeah through zoom. It

1:12:08.360 --> 1:12:11.200
<v Speaker 5>sounds like a cal cassio, like one of those kids.

1:12:11.479 --> 1:12:13.000
<v Speaker 5>But now we can tell that you're doing it.

1:12:13.400 --> 1:12:14.040
<v Speaker 10>Sure they are.

1:12:14.400 --> 1:12:17.960
<v Speaker 5>They have nine total, number one about to be ten.

1:12:19.120 --> 1:12:20.439
<v Speaker 5>Ask a question to you, Dan, I'll go with you.

1:12:20.479 --> 1:12:22.200
<v Speaker 5>It's been ten years since you guys formed Dan and

1:12:22.240 --> 1:12:25.040
<v Speaker 5>Shae twenty thirteen. What would you say is the defining

1:12:25.080 --> 1:12:26.920
<v Speaker 5>moment for you guys as a duo if you look

1:12:26.960 --> 1:12:28.840
<v Speaker 5>back and you're like, this is the one not that

1:12:28.960 --> 1:12:32.200
<v Speaker 5>started it, but that really cemented it. As we've got

1:12:32.240 --> 1:12:33.719
<v Speaker 5>success and we're going to be here for a while.

1:12:34.080 --> 1:12:34.280
<v Speaker 15>You know.

1:12:34.400 --> 1:12:37.360
<v Speaker 16>Recently, Shae and I are in just a whole new place,

1:12:37.439 --> 1:12:40.240
<v Speaker 16>brand new outlook on our entire career. Next time, maybe

1:12:40.240 --> 1:12:42.000
<v Speaker 16>when we come back to talk about the new music,

1:12:42.439 --> 1:12:45.320
<v Speaker 16>it'll be a different story. We've had some amazing, amazing

1:12:45.360 --> 1:12:47.800
<v Speaker 16>moments along our journey, you know, recently while we were

1:12:47.800 --> 1:12:50.080
<v Speaker 16>making this album that is yet to be announced. He

1:12:50.120 --> 1:12:52.720
<v Speaker 16>has to come out. But in terms of stuff that's

1:12:52.920 --> 1:12:54.479
<v Speaker 16>that's been out there to the public, I would have

1:12:54.560 --> 1:12:58.640
<v Speaker 16>to say when we won our first Grammy maybe, or

1:12:58.720 --> 1:13:01.040
<v Speaker 16>we performed on that Grammy, we did Tequila.

1:13:02.040 --> 1:13:02.639
<v Speaker 2>That was a moment.

1:13:02.720 --> 1:13:04.519
<v Speaker 16>You know, we'd had you know, success up till then,

1:13:04.600 --> 1:13:06.760
<v Speaker 16>we'd had two albums, We've been grinding it out on

1:13:06.760 --> 1:13:09.880
<v Speaker 16>the road, playing clubs, theaters, doing that thing, and that

1:13:10.000 --> 1:13:12.439
<v Speaker 16>was kind of the moment where I think our music

1:13:12.560 --> 1:13:14.160
<v Speaker 16>was exposed to the masses.

1:13:14.240 --> 1:13:14.479
<v Speaker 12>You know.

1:13:14.760 --> 1:13:17.600
<v Speaker 16>Obviously we'd had a few hits before that, but that

1:13:17.800 --> 1:13:19.600
<v Speaker 16>was really the one that I don't know, it was

1:13:19.600 --> 1:13:20.519
<v Speaker 16>just something different about it.

1:13:20.560 --> 1:13:22.160
<v Speaker 2>I mean, we stood on that stage at the Grammy's.

1:13:22.200 --> 1:13:25.000
<v Speaker 2>You've been there. It's like insanely nerve wracking.

1:13:25.040 --> 1:13:26.759
<v Speaker 16>They for some reason put us out in the middle

1:13:26.800 --> 1:13:28.760
<v Speaker 16>of the arena on the little circular disc.

1:13:28.840 --> 1:13:31.040
<v Speaker 2>I guess that's like where they put new and up

1:13:31.040 --> 1:13:31.879
<v Speaker 2>and coming performers.

1:13:31.920 --> 1:13:34.559
<v Speaker 16>But still you're surrounded by Beyonce and Jay Z and

1:13:34.640 --> 1:13:36.960
<v Speaker 16>all these mega superstars and you're trying to sing your

1:13:36.960 --> 1:13:39.240
<v Speaker 16>song and you go on and you can hear your

1:13:39.240 --> 1:13:42.479
<v Speaker 16>heart beating through the microphone. It's kind of kind of crazy,

1:13:42.520 --> 1:13:44.200
<v Speaker 16>but that was that was a big moment for us,

1:13:44.240 --> 1:13:46.439
<v Speaker 16>and that I think sent things into a new place.

1:13:46.520 --> 1:13:49.040
<v Speaker 2>You know, that song kicked off the self titled album.

1:13:49.080 --> 1:13:50.720
<v Speaker 16>You know, from there we had Speechless and you know

1:13:50.760 --> 1:13:52.960
<v Speaker 16>a couple of other songs that I think were the

1:13:52.960 --> 1:13:54.599
<v Speaker 16>things that sort of propelled us into.

1:13:54.520 --> 1:13:56.400
<v Speaker 2>Arenas and changed our world.

1:13:56.439 --> 1:13:56.559
<v Speaker 9>Man.

1:13:56.600 --> 1:13:59.120
<v Speaker 16>But there have been so many great milestones, and it's

1:13:59.160 --> 1:14:01.160
<v Speaker 16>crazy to say it's we've known you for ten years.

1:14:01.160 --> 1:14:02.920
<v Speaker 2>Man. You guys were the first people to play our

1:14:03.000 --> 1:14:05.960
<v Speaker 2>music on the radio. I remember I remember getting a call.

1:14:06.200 --> 1:14:09.040
<v Speaker 16>Nada texted us or called us and said we're gonna

1:14:09.040 --> 1:14:10.680
<v Speaker 16>be playing nineteen U and Me on the show. And

1:14:11.439 --> 1:14:14.839
<v Speaker 16>we were out in Bellevue before Bellevue was Bellevue in Tennessee,

1:14:14.920 --> 1:14:16.920
<v Speaker 16>and we went out and blew the speakers out of

1:14:16.920 --> 1:14:19.519
<v Speaker 16>Shay's jeep whenever you guys played that. So it's crazy

1:14:19.520 --> 1:14:21.640
<v Speaker 16>to still be doing it, man, and grateful for all

1:14:21.640 --> 1:14:23.320
<v Speaker 16>the sport you guys have shown us along the way.

1:14:23.400 --> 1:14:25.320
<v Speaker 5>And I've received two percent of all Dana Sha, since

1:14:25.360 --> 1:14:26.960
<v Speaker 5>this is great. I haven't talked about that, but it's

1:14:27.000 --> 1:14:28.400
<v Speaker 5>been cool. It's a deal we made way early on

1:14:28.520 --> 1:14:31.160
<v Speaker 5>that much money. Yeah, yeah, I'm done pretty good. Hey, Shaye,

1:14:31.240 --> 1:14:33.040
<v Speaker 5>let me ask you this. We talked about ten years.

1:14:33.160 --> 1:14:35.160
<v Speaker 5>Did your label or management throw you guys a big

1:14:35.240 --> 1:14:37.840
<v Speaker 5>ten year anniversary party? Because I asked this because we

1:14:37.920 --> 1:14:40.040
<v Speaker 5>just did ten years here too. We did get jack crap.

1:14:40.360 --> 1:14:43.040
<v Speaker 5>So did anything happen for you guys being together ten

1:14:43.080 --> 1:14:44.040
<v Speaker 5>years and having success?

1:14:45.439 --> 1:14:49.120
<v Speaker 15>You know, we got this really really special reminder via

1:14:49.160 --> 1:14:51.200
<v Speaker 15>text message that would have been ten years.

1:14:51.479 --> 1:14:52.720
<v Speaker 13>I was like, hey, to see you guys that you've

1:14:52.760 --> 1:14:55.760
<v Speaker 13>been together for ten years. Yeah, we knew that.

1:14:56.000 --> 1:14:56.559
<v Speaker 7>We knew that.

1:14:56.600 --> 1:15:01.240
<v Speaker 13>We've been talking about it. No party already yet, Yeah,

1:15:01.439 --> 1:15:05.880
<v Speaker 13>we'll see. Maybe they're saving it yet even be optimistic. Yeah, yeah,

1:15:05.880 --> 1:15:08.200
<v Speaker 13>they're saving it for eleven because ten's just sober. You

1:15:08.280 --> 1:15:11.000
<v Speaker 13>guys just did ten, so that'd be pretty rid of

1:15:11.080 --> 1:15:13.040
<v Speaker 13>us to do it right after Dan.

1:15:13.120 --> 1:15:15.320
<v Speaker 5>You guys posted back in March you were going on

1:15:15.439 --> 1:15:18.000
<v Speaker 5>kind of a social media we'll call it a detox,

1:15:18.040 --> 1:15:20.040
<v Speaker 5>like you're going to step away for a little bit. Uh,

1:15:20.080 --> 1:15:21.479
<v Speaker 5>why did you guys do that?

1:15:21.960 --> 1:15:24.280
<v Speaker 16>And I, you know, it's probably a longer conversation and

1:15:24.320 --> 1:15:25.800
<v Speaker 16>I'll come up with the house we can talk about it.

1:15:25.840 --> 1:15:27.840
<v Speaker 16>But it's, uh, you know, social media is it's a

1:15:27.880 --> 1:15:30.840
<v Speaker 16>necessary evil in our business. It's you know, I'm not

1:15:30.840 --> 1:15:32.760
<v Speaker 16>going to say it hasn't helped our career. It's been

1:15:32.760 --> 1:15:34.479
<v Speaker 16>a great way for us to connect with fans and

1:15:34.560 --> 1:15:37.000
<v Speaker 16>a great way for a lot of people to discover

1:15:37.080 --> 1:15:40.160
<v Speaker 16>our music that may not have otherwise discovered it. I think,

1:15:40.800 --> 1:15:43.120
<v Speaker 16>you know, in twenty twenty one, when we were doing

1:15:43.160 --> 1:15:45.360
<v Speaker 16>our first arena headlining tour, I kind of got to

1:15:45.439 --> 1:15:47.840
<v Speaker 16>a dark place, you know, got a little carried away,

1:15:48.840 --> 1:15:51.200
<v Speaker 16>and my focus was, you know, not maybe not where

1:15:51.200 --> 1:15:53.000
<v Speaker 16>it should have been, you know, on music and creating

1:15:53.080 --> 1:15:55.160
<v Speaker 16>music and enjoying the ride and enjoying where we were

1:15:55.280 --> 1:15:57.920
<v Speaker 16>enjoying that moment. And I think I was too heavy

1:15:57.920 --> 1:16:00.519
<v Speaker 16>on the social media element. It was like, we sold

1:16:00.560 --> 1:16:02.920
<v Speaker 16>out Madison Square Garden. Okay, I need to make an

1:16:02.920 --> 1:16:04.880
<v Speaker 16>Instagram video to let everybody know we sold it out.

1:16:04.920 --> 1:16:06.200
<v Speaker 2>I mean, it's it's part of the thing.

1:16:06.240 --> 1:16:08.679
<v Speaker 16>But I think I got to a really really bad

1:16:08.720 --> 1:16:10.400
<v Speaker 16>place there and I was like, you know.

1:16:10.439 --> 1:16:12.479
<v Speaker 2>On the on the brink of like do I want

1:16:12.520 --> 1:16:14.120
<v Speaker 2>to do this anymore? Do I want to make music?

1:16:14.200 --> 1:16:17.280
<v Speaker 16>And you know, I brought myself back, you know, to

1:16:17.360 --> 1:16:19.639
<v Speaker 16>the basics and said, like, the reason that I'm happy,

1:16:19.680 --> 1:16:21.920
<v Speaker 16>the reason that you know, I've been able to do

1:16:21.960 --> 1:16:23.920
<v Speaker 16>this for so long, is because I love making music.

1:16:23.960 --> 1:16:25.439
<v Speaker 16>I love being in the room with my best friend,

1:16:26.000 --> 1:16:29.519
<v Speaker 16>you know, sitting there talking, talking about life and writing songs.

1:16:29.520 --> 1:16:31.439
<v Speaker 16>And we got back to that, you know, on this

1:16:31.520 --> 1:16:34.160
<v Speaker 16>new project that we've been working on. But I think

1:16:34.240 --> 1:16:36.680
<v Speaker 16>stepping away from social media, you know, especially like at

1:16:36.680 --> 1:16:39.160
<v Speaker 16>the tail end of an album cycle, allowing ourselves to

1:16:39.200 --> 1:16:41.240
<v Speaker 16>really focus on the music. This was the first time

1:16:41.280 --> 1:16:43.880
<v Speaker 16>in almost ten years that we weren't on the road.

1:16:44.120 --> 1:16:45.720
<v Speaker 16>You know, a majority of the year we've been off

1:16:45.720 --> 1:16:46.840
<v Speaker 16>the road. So it was like, you know what, I'm

1:16:46.840 --> 1:16:49.280
<v Speaker 16>going to step away, focus on the thing that truly

1:16:49.320 --> 1:16:49.880
<v Speaker 16>makes me happy.

1:16:49.960 --> 1:16:51.880
<v Speaker 2>And you know, we'll dabble back into social media whenever

1:16:51.920 --> 1:16:53.160
<v Speaker 2>we start rolling out the new music.

1:16:53.160 --> 1:16:56.360
<v Speaker 16>But I think if we fill our cup so high

1:16:56.400 --> 1:16:58.200
<v Speaker 16>with the things that we love, which is right in

1:16:58.240 --> 1:17:01.400
<v Speaker 16>creating and recording, make music, going out and playing shows,

1:17:01.520 --> 1:17:03.360
<v Speaker 16>then I think the social media, the stuff that we

1:17:03.439 --> 1:17:05.759
<v Speaker 16>have to do on social media won't be as daunting,

1:17:05.840 --> 1:17:07.840
<v Speaker 16>But I think I got to a place where it

1:17:07.960 --> 1:17:11.240
<v Speaker 16>fully consumed my life and I became a person that

1:17:11.240 --> 1:17:13.080
<v Speaker 16>that I didn't want to be, so I stepped away

1:17:13.080 --> 1:17:14.640
<v Speaker 16>from it for a second. I think I've, you know,

1:17:14.920 --> 1:17:17.120
<v Speaker 16>gotten a healthy relationship with social media. It's it's a

1:17:17.160 --> 1:17:19.559
<v Speaker 16>crazy thing, man, It'll it'll take you to wild places.

1:17:19.680 --> 1:17:23.320
<v Speaker 5>You're talking about working on a new record or new music. Now,

1:17:23.520 --> 1:17:26.360
<v Speaker 5>when people say they're in the studio all the time,

1:17:26.520 --> 1:17:29.080
<v Speaker 5>what I mean? I get it, you're like in a room,

1:17:29.080 --> 1:17:31.720
<v Speaker 5>But what do you do all day? Help help me,

1:17:31.760 --> 1:17:33.479
<v Speaker 5>help our listeners? What does that mean? You're in a

1:17:33.520 --> 1:17:34.559
<v Speaker 5>studio all day?

1:17:34.880 --> 1:17:36.479
<v Speaker 13>I can tell you what Dan does all day. He

1:17:36.600 --> 1:17:39.240
<v Speaker 13>just works. The man will go back and work on

1:17:39.280 --> 1:17:42.320
<v Speaker 13>a vocal that might not even be an album vocal,

1:17:42.439 --> 1:17:45.120
<v Speaker 13>He'll spend six hours on it. Is dedicated.

1:17:46.000 --> 1:17:46.200
<v Speaker 16>Man.

1:17:46.560 --> 1:17:50.200
<v Speaker 15>This last you know, making this album that we've got

1:17:50.200 --> 1:17:55.080
<v Speaker 15>coming has been the most fun just kind of season,

1:17:55.160 --> 1:17:57.479
<v Speaker 15>I guess, of our lives. I can say that I

1:17:57.479 --> 1:18:00.599
<v Speaker 15>feel like for both of us because you know that social.

1:18:00.439 --> 1:18:03.040
<v Speaker 13>Media part of it, and kind of being a little more.

1:18:02.920 --> 1:18:05.599
<v Speaker 15>Detached from that, and being a little in touch with

1:18:05.760 --> 1:18:08.080
<v Speaker 15>reality with our family and just kind of living life

1:18:08.080 --> 1:18:08.880
<v Speaker 15>in a healthy place.

1:18:09.320 --> 1:18:11.599
<v Speaker 13>I think it's been the funnest that ever had making music.

1:18:11.680 --> 1:18:13.920
<v Speaker 13>I mean, Dan and I have never really.

1:18:13.640 --> 1:18:16.719
<v Speaker 15>Had the time, besides our very first album, to make

1:18:17.080 --> 1:18:20.479
<v Speaker 15>an actual record and make a cohesive project of stuff

1:18:20.520 --> 1:18:23.800
<v Speaker 15>that we're going through that we've experienced, and we actually

1:18:23.840 --> 1:18:25.360
<v Speaker 15>got to do that on this project. You know, you

1:18:25.439 --> 1:18:28.320
<v Speaker 15>usually have three or four months to put together an album,

1:18:28.320 --> 1:18:30.280
<v Speaker 15>and I don't want to say throw it together, obviously,

1:18:30.280 --> 1:18:33.280
<v Speaker 15>you still try to take your time, and we've always done.

1:18:33.120 --> 1:18:34.240
<v Speaker 13>That to the best that we could.

1:18:34.320 --> 1:18:36.720
<v Speaker 15>But this is the very first time we've kind of

1:18:36.760 --> 1:18:39.400
<v Speaker 15>sat down from start to finish and been like, all right,

1:18:39.680 --> 1:18:41.080
<v Speaker 15>let's just get in there and have some fun and

1:18:41.120 --> 1:18:43.840
<v Speaker 15>write what we want to write. And it's just it

1:18:44.040 --> 1:18:46.600
<v Speaker 15>changed everything for us in our relationship.

1:18:46.680 --> 1:18:48.559
<v Speaker 13>The communication that we've had.

1:18:48.400 --> 1:18:50.320
<v Speaker 15>And really letting each other know where we're at in

1:18:50.360 --> 1:18:52.960
<v Speaker 15>our lives and moving forward has just been We'll go

1:18:52.960 --> 1:18:55.160
<v Speaker 15>in to a studio and our work for that day

1:18:55.280 --> 1:18:58.400
<v Speaker 15>might be hanging out and talking about you know, going

1:18:58.640 --> 1:19:01.599
<v Speaker 15>and playing and Bobby's Idol hour for you know, four

1:19:01.720 --> 1:19:04.840
<v Speaker 15>people just like thinking about the things, you know, where

1:19:04.880 --> 1:19:07.439
<v Speaker 15>we came from, and I think that makes you appreciate

1:19:07.800 --> 1:19:10.200
<v Speaker 15>where you're going and motivates you more of like, all right,

1:19:10.280 --> 1:19:14.040
<v Speaker 15>let's really dig in and let's our fans deserve our best.

1:19:14.280 --> 1:19:16.600
<v Speaker 15>They deserve us at our best. And it's been just

1:19:16.640 --> 1:19:17.880
<v Speaker 15>so much fun to.

1:19:17.600 --> 1:19:20.360
<v Speaker 13>Motivate each other. And we've been working on our personal lives.

1:19:20.479 --> 1:19:21.880
<v Speaker 15>I'm trying to get in shape so I don't have

1:19:21.920 --> 1:19:24.200
<v Speaker 15>to stand next to Dan and feel ridiculous.

1:19:25.040 --> 1:19:27.600
<v Speaker 13>So I've it's just been a really fun journey of like,

1:19:27.600 --> 1:19:28.639
<v Speaker 13>all right, I feel like we're.

1:19:28.439 --> 1:19:31.160
<v Speaker 15>Actually working towards something and I'm going to have a

1:19:31.200 --> 1:19:33.559
<v Speaker 15>project that our fans can to be proud of and

1:19:33.840 --> 1:19:36.800
<v Speaker 15>even if somebody hates it, we can with our entire

1:19:36.840 --> 1:19:39.400
<v Speaker 15>heart say this is Dan and Shay and this is

1:19:39.439 --> 1:19:41.800
<v Speaker 15>who we are and I'm so damn proud of it

1:19:42.160 --> 1:19:44.720
<v Speaker 15>and put it out into the world knowing that that

1:19:44.920 --> 1:19:47.639
<v Speaker 15>was the success, was getting it out there, no matter

1:19:47.680 --> 1:19:50.000
<v Speaker 15>what it does commercially, you know, hopefully. I think we

1:19:50.080 --> 1:19:52.599
<v Speaker 15>got some big old hits on there. But it's just

1:19:52.680 --> 1:19:54.640
<v Speaker 15>it's more than that. I feel like it's kind of

1:19:54.680 --> 1:19:57.160
<v Speaker 15>this it's a new era of what Dan and Shay

1:19:57.200 --> 1:20:01.320
<v Speaker 15>has become. And just those studio moments, I've really just

1:20:01.400 --> 1:20:06.799
<v Speaker 15>been us being together and living life and writing songs

1:20:06.840 --> 1:20:09.679
<v Speaker 15>and recording them and just making that an entire process

1:20:09.760 --> 1:20:13.040
<v Speaker 15>and season and integrating with our lives rather than all right,

1:20:13.080 --> 1:20:13.840
<v Speaker 15>everybody panic.

1:20:13.880 --> 1:20:16.040
<v Speaker 13>We have two months to make this album. So it's

1:20:16.040 --> 1:20:16.679
<v Speaker 13>been really fun.

1:20:16.720 --> 1:20:16.880
<v Speaker 16>Man.

1:20:17.080 --> 1:20:19.639
<v Speaker 15>I've never had more fun making music in my whole

1:20:19.680 --> 1:20:21.160
<v Speaker 15>life than we are right now.

1:20:21.640 --> 1:20:21.840
<v Speaker 8>Yeah.

1:20:21.880 --> 1:20:23.840
<v Speaker 5>But what do you do all day? That's my question?

1:20:23.960 --> 1:20:26.080
<v Speaker 13>Like, no, not much, not a lot.

1:20:26.520 --> 1:20:28.320
<v Speaker 5>I mean, are you singing it though? Are you singing

1:20:28.360 --> 1:20:30.880
<v Speaker 5>it five hundred times? Are you playing a guitar part

1:20:30.920 --> 1:20:34.599
<v Speaker 5>over and like the granular in a studio all day

1:20:34.640 --> 1:20:37.640
<v Speaker 5>when you're making a record because we don't get to

1:20:37.680 --> 1:20:41.240
<v Speaker 5>be in there. What happens for fourteen hours? Are you

1:20:41.280 --> 1:20:44.120
<v Speaker 5>playing piano parts? Are you going let's try it different? Like,

1:20:44.280 --> 1:20:45.919
<v Speaker 5>tell me about what is happening?

1:20:46.320 --> 1:20:47.920
<v Speaker 16>Yeah, man, I mean I probably spend a lot of

1:20:48.000 --> 1:20:50.759
<v Speaker 16>unnecessary time on things that won't make a single difference

1:20:50.800 --> 1:20:54.400
<v Speaker 16>in a single radio spin or stream or sale or anything.

1:20:55.600 --> 1:20:58.720
<v Speaker 16>Maybe I do it, you know, to serve myself or

1:20:58.880 --> 1:21:00.639
<v Speaker 16>to make myself happy. But there are a lot of things,

1:21:00.640 --> 1:21:03.680
<v Speaker 16>you know, For example, we have the luxury of you know,

1:21:03.760 --> 1:21:05.960
<v Speaker 16>having the most talented and you know it the most

1:21:06.000 --> 1:21:08.920
<v Speaker 16>talented musicians in the entire world, you know, at our

1:21:08.920 --> 1:21:12.839
<v Speaker 16>fingertips on music wrote the greatest musicians. And you go

1:21:12.560 --> 1:21:15.320
<v Speaker 16>to go into a studio a place like Oceanway, you know,

1:21:15.520 --> 1:21:18.200
<v Speaker 16>and you track this band and the band you know

1:21:18.280 --> 1:21:20.920
<v Speaker 16>comes in they hear your demo or in some cases

1:21:20.960 --> 1:21:23.880
<v Speaker 16>on this album, we wrote the songs on an acoustic guitar.

1:21:24.000 --> 1:21:24.920
<v Speaker 2>Didn't even have a demo.

1:21:24.960 --> 1:21:26.800
<v Speaker 16>We would sing the song in the room for the

1:21:27.160 --> 1:21:29.720
<v Speaker 16>session musicians and then would chart it out, you know,

1:21:29.800 --> 1:21:32.080
<v Speaker 16>four one sixty five, you know the notes, the sequence

1:21:32.080 --> 1:21:34.080
<v Speaker 16>of the chords, figure out the key.

1:21:34.160 --> 1:21:35.599
<v Speaker 2>They would go in there and play it. And these

1:21:35.600 --> 1:21:36.880
<v Speaker 2>guys are so prolific.

1:21:36.960 --> 1:21:40.519
<v Speaker 16>The first take, the first pass is usually the most usable,

1:21:40.600 --> 1:21:43.559
<v Speaker 16>most incredible, most brilliant sounding thing you've ever heard in

1:21:43.600 --> 1:21:45.320
<v Speaker 16>your life. And then you go, okay, cool, Can we

1:21:45.360 --> 1:21:47.680
<v Speaker 16>get a few more options, a few more takes? And

1:21:47.720 --> 1:21:50.120
<v Speaker 16>it's easy when you're sitting there drinking your coffee at

1:21:50.200 --> 1:21:51.120
<v Speaker 16>ten thirty.

1:21:50.840 --> 1:21:53.080
<v Speaker 2>Am at Oceanway and you're like, yeah, just keep giving

1:21:53.120 --> 1:21:53.559
<v Speaker 2>me takes.

1:21:53.920 --> 1:21:57.160
<v Speaker 16>But all those takes, all those options are so good,

1:21:57.479 --> 1:22:00.280
<v Speaker 16>they're all so usable. So when I go home, I

1:22:00.280 --> 1:22:02.400
<v Speaker 16>take the session, I clean it up organize it, color

1:22:02.439 --> 1:22:05.599
<v Speaker 16>code everything, you know, do my OCD stuff, and then

1:22:05.640 --> 1:22:08.400
<v Speaker 16>you go through and for some people it's like, okay, cool,

1:22:08.439 --> 1:22:09.880
<v Speaker 16>the band was incredible on the first take.

1:22:10.040 --> 1:22:10.760
<v Speaker 2>Not going to touch it.

1:22:11.200 --> 1:22:13.120
<v Speaker 16>That's one way I'm doing it, and it's totally all right.

1:22:13.360 --> 1:22:15.080
<v Speaker 16>I dig that, I love the way that sounds. But

1:22:15.120 --> 1:22:18.120
<v Speaker 16>for me, I'm like, I don't want to leave any magic.

1:22:18.120 --> 1:22:20.120
<v Speaker 16>I don't want to leave any stone unturned. So I'll

1:22:20.160 --> 1:22:23.400
<v Speaker 16>go through every single instrument, every drum pass, every drum fill,

1:22:23.439 --> 1:22:27.120
<v Speaker 16>every bass guitar lick, just in case there's magic on

1:22:27.160 --> 1:22:29.040
<v Speaker 16>a take that we're not listening to. You know, there

1:22:29.040 --> 1:22:31.840
<v Speaker 16>may be something that happens in the third chorus, some

1:22:32.000 --> 1:22:35.559
<v Speaker 16>inversion on the bass that happens that takes the song

1:22:35.640 --> 1:22:37.400
<v Speaker 16>to a whole new level, at least in my head

1:22:37.439 --> 1:22:38.400
<v Speaker 16>it does, or in my heart.

1:22:39.439 --> 1:22:40.920
<v Speaker 2>So I just want to go through all.

1:22:40.800 --> 1:22:42.519
<v Speaker 16>Those parts, make sure we don't miss anything. And then

1:22:42.560 --> 1:22:44.760
<v Speaker 16>when you pick something like that, say you pick a

1:22:44.760 --> 1:22:47.360
<v Speaker 16>good bass look in that third chorus, that may change

1:22:47.360 --> 1:22:50.439
<v Speaker 16>how you approach, you know, sifting through the piano or

1:22:50.439 --> 1:22:53.479
<v Speaker 16>the drums or the guitars. And it's just a never

1:22:53.600 --> 1:22:56.719
<v Speaker 16>ending process. But man, I'm so proud of this stuff

1:22:56.720 --> 1:22:59.800
<v Speaker 16>we're making. And Shay's vocals. That's when you record a

1:22:59.840 --> 1:23:02.240
<v Speaker 16>sing like me, you're gonna find one good take, one

1:23:02.360 --> 1:23:05.240
<v Speaker 16>usable take in all the passes with Shay. If he

1:23:05.360 --> 1:23:07.840
<v Speaker 16>sings ten takes for me, they're all going to be

1:23:08.000 --> 1:23:10.320
<v Speaker 16>absolutely incredible. I could use any one of them. So

1:23:10.360 --> 1:23:12.719
<v Speaker 16>that makes it even harder to go through his vocals

1:23:12.760 --> 1:23:15.559
<v Speaker 16>and say, well, okay, cool, they're all perfect. Which one

1:23:15.600 --> 1:23:17.839
<v Speaker 16>is the has the most emotion or the most feeling?

1:23:17.960 --> 1:23:21.040
<v Speaker 16>And yeah, it's syllable by syllable by syllable.

1:23:21.280 --> 1:23:23.000
<v Speaker 5>That's what I wanted to know right there, because that

1:23:23.120 --> 1:23:25.840
<v Speaker 5>is a grueling process of him having to go through it,

1:23:26.439 --> 1:23:27.880
<v Speaker 5>you know, and both those guys having to go through

1:23:27.880 --> 1:23:31.479
<v Speaker 5>so much. How many hard drives of unreleased Dan and

1:23:31.479 --> 1:23:32.640
<v Speaker 5>Shane music exist?

1:23:32.840 --> 1:23:36.120
<v Speaker 2>Two right here, You've got one plugged in back here.

1:23:36.200 --> 1:23:37.120
<v Speaker 2>There's there's a lot.

1:23:37.240 --> 1:23:39.559
<v Speaker 5>There's lots of songs from over the years you've never released,

1:23:39.560 --> 1:23:42.439
<v Speaker 5>which obviously the new stuff, but I mean, do you

1:23:42.439 --> 1:23:44.240
<v Speaker 5>have so many cut songs that you're just like, well,

1:23:44.280 --> 1:23:45.439
<v Speaker 5>we're not going to put this on a record, but

1:23:45.520 --> 1:23:48.160
<v Speaker 5>we'll just save it just for posterity or to see

1:23:48.200 --> 1:23:49.960
<v Speaker 5>if we die our family can put it out and

1:23:50.040 --> 1:23:52.040
<v Speaker 5>keep making money. Absolutely, Yeah, cool.

1:23:52.080 --> 1:23:55.120
<v Speaker 16>There's sometimes there's sometimes we'll go back on a song

1:23:55.160 --> 1:23:58.240
<v Speaker 16>that we started recording a few years ago. That you know,

1:23:58.280 --> 1:24:00.639
<v Speaker 16>a great song always finds a way. Great song will

1:24:00.680 --> 1:24:02.559
<v Speaker 16>never go out of style. So if there's something that

1:24:03.080 --> 1:24:05.000
<v Speaker 16>you know, we started recording or working on a few

1:24:05.040 --> 1:24:06.920
<v Speaker 16>years ago, it may not have made sense for that

1:24:07.040 --> 1:24:09.720
<v Speaker 16>last project based on, you know, sonically, how the rest

1:24:09.760 --> 1:24:10.880
<v Speaker 16>of that project shaped up.

1:24:11.280 --> 1:24:13.800
<v Speaker 2>But as time evolves, you know, it may make sense

1:24:13.840 --> 1:24:15.759
<v Speaker 2>where you are in your current moment in life.

1:24:15.840 --> 1:24:18.679
<v Speaker 16>So you never never closed the door on any chapter.

1:24:18.720 --> 1:24:21.559
<v Speaker 16>We always leave them, leave him rocking. But yeah, if

1:24:21.600 --> 1:24:24.519
<v Speaker 16>I died unexpectedly, I'm a little nervous. I need to

1:24:24.560 --> 1:24:27.439
<v Speaker 16>like figure out a plan of which songs because man,

1:24:27.640 --> 1:24:28.519
<v Speaker 16>there are some songs that.

1:24:28.479 --> 1:24:29.920
<v Speaker 2>We definitely don't want released.

1:24:30.000 --> 1:24:33.760
<v Speaker 16>You know, some artists who unfortunately pass away, you know,

1:24:34.160 --> 1:24:36.639
<v Speaker 16>I know that their are states will go and post

1:24:36.720 --> 1:24:38.920
<v Speaker 16>a new one on Spotify every week, and I'm like, man,

1:24:39.080 --> 1:24:41.280
<v Speaker 16>I don't know about that, Like, I don't know. There's

1:24:41.360 --> 1:24:43.439
<v Speaker 16>some that didn't come out for a reason, and we

1:24:43.479 --> 1:24:45.360
<v Speaker 16>should keep it that way. So we hit a system

1:24:45.400 --> 1:24:46.320
<v Speaker 16>of checks and balances.

1:24:46.320 --> 1:24:47.160
<v Speaker 2>If that ever happened?

1:24:47.280 --> 1:24:50.000
<v Speaker 5>That Prince Polka album was weird, right, you know? I Rett,

1:24:50.040 --> 1:24:52.200
<v Speaker 5>you wish that never would to come out. One final

1:24:52.280 --> 1:24:54.679
<v Speaker 5>question in this segment, but we had Jesse Joe Dillon

1:24:55.320 --> 1:24:57.479
<v Speaker 5>over over the house. We're talking to her. She was

1:24:57.479 --> 1:24:59.680
<v Speaker 5>one of the writers of ten thousand Hours, and she

1:24:59.680 --> 1:25:01.200
<v Speaker 5>tells the story about being in New York and you

1:25:01.360 --> 1:25:05.680
<v Speaker 5>letting her hear the Bieber hit a vocal on that

1:25:05.760 --> 1:25:07.519
<v Speaker 5>song for the first time. She said, you put headphones

1:25:07.560 --> 1:25:09.680
<v Speaker 5>on her. Now, was that one of those situations where

1:25:09.720 --> 1:25:12.040
<v Speaker 5>you had to keep it on lockdown because nobody could know,

1:25:12.200 --> 1:25:14.320
<v Speaker 5>so you kept it on your device only, and you

1:25:14.320 --> 1:25:18.439
<v Speaker 5>put headphones on people that would hear it. Dan, Yeah, it.

1:25:18.320 --> 1:25:20.960
<v Speaker 16>Was these specific headphones. I'm such a nerd with the

1:25:20.960 --> 1:25:24.360
<v Speaker 16>audio stuff. I listened to all your podcast episodes. I

1:25:24.400 --> 1:25:27.719
<v Speaker 16>listened to the Bobby Bones show ones too good content

1:25:27.800 --> 1:25:30.160
<v Speaker 16>on there. But the Jesse Joe won it was funny.

1:25:30.160 --> 1:25:33.320
<v Speaker 16>It started out like the clip from that on social

1:25:33.320 --> 1:25:35.040
<v Speaker 16>media was like, yeah, Dan, we were in New York

1:25:35.080 --> 1:25:37.840
<v Speaker 16>City and he invited me back to his hotel room.

1:25:37.880 --> 1:25:42.639
<v Speaker 2>I was like, explain more. You know, if somebody stopped

1:25:42.640 --> 1:25:44.600
<v Speaker 2>watching the clip right there, you know, might be a

1:25:44.640 --> 1:25:45.400
<v Speaker 2>little misleading.

1:25:45.760 --> 1:25:48.120
<v Speaker 16>Now, Jesse Joe is one of our favorite people on

1:25:48.160 --> 1:25:52.120
<v Speaker 16>the planet. She's just a wonderful soul. She's incredible, so talented.

1:25:52.680 --> 1:25:54.360
<v Speaker 16>That was a great episode by the way, But yeah,

1:25:54.479 --> 1:25:57.519
<v Speaker 16>she was in New York with her publishers Mike Mullenar

1:25:57.560 --> 1:25:59.080
<v Speaker 16>and Alex had a good buddies.

1:25:58.720 --> 1:26:01.679
<v Speaker 2>Of ours and we had gotten that back.

1:26:01.720 --> 1:26:03.679
<v Speaker 16>We were working on the mix, which when we got

1:26:03.720 --> 1:26:06.080
<v Speaker 16>Bieber's vocal, it was like our minds were blown. We

1:26:06.080 --> 1:26:08.800
<v Speaker 16>were freaking out because it's like you never expect that

1:26:09.040 --> 1:26:11.120
<v Speaker 16>the biggest pop star on the planet, you know, and

1:26:11.160 --> 1:26:13.120
<v Speaker 16>he loves the song sends vocal back and it was like

1:26:13.479 --> 1:26:17.479
<v Speaker 16>the vocal came back sounding Christine and amazing, like really

1:26:17.520 --> 1:26:20.080
<v Speaker 16>really good. So we got that and that was a

1:26:20.120 --> 1:26:22.479
<v Speaker 16>special moment. When she told that story, I texted her.

1:26:22.560 --> 1:26:24.160
<v Speaker 16>I was like, man, I got goosebumps here and you

1:26:24.120 --> 1:26:26.160
<v Speaker 16>can tell that story. That's a memory, you know, it's

1:26:26.240 --> 1:26:28.920
<v Speaker 16>moments like that. That song went on to accomplish a

1:26:28.920 --> 1:26:30.720
<v Speaker 16>lot of great things for us, but those are the

1:26:30.800 --> 1:26:33.320
<v Speaker 16>highest highs, those moments, you know, getting to share that

1:26:33.400 --> 1:26:36.240
<v Speaker 16>with someone you care about, writing a song, coming up

1:26:36.240 --> 1:26:38.200
<v Speaker 16>with a great hook, you know, getting a demo back.

1:26:38.479 --> 1:26:41.080
<v Speaker 16>Those are the things that are really rewarding, you know.

1:26:41.120 --> 1:26:43.000
<v Speaker 16>Obviously the number ones are great, and want to keep

1:26:43.000 --> 1:26:43.719
<v Speaker 16>those things coming.

1:26:43.800 --> 1:26:45.320
<v Speaker 2>But that kind of moment.

1:26:45.320 --> 1:26:46.880
<v Speaker 16>We were in New York and she came over to

1:26:46.920 --> 1:26:49.160
<v Speaker 16>the room, and I don't think we've told her who

1:26:49.200 --> 1:26:50.559
<v Speaker 16>was on the song. We were like, just check out

1:26:50.560 --> 1:26:52.920
<v Speaker 16>the mix, and we played it in that second verse

1:26:53.000 --> 1:26:55.200
<v Speaker 16>roll around and she was like, is that justin Bieber?

1:26:55.240 --> 1:26:56.519
<v Speaker 16>I think I have a video of it on my

1:26:56.560 --> 1:26:58.799
<v Speaker 16>phone somewhere. It was it was a special night man.

1:26:58.720 --> 1:27:00.760
<v Speaker 5>And you don't send that around, right, even the people

1:27:00.800 --> 1:27:03.120
<v Speaker 5>you trust in case it could get leaked.

1:27:04.200 --> 1:27:06.200
<v Speaker 13>No, I think we had that on I had it.

1:27:06.600 --> 1:27:09.240
<v Speaker 15>I think maybe three people had it, like maybe Dan

1:27:09.320 --> 1:27:11.439
<v Speaker 15>and I and maybe our maybe our wives.

1:27:12.040 --> 1:27:12.400
<v Speaker 5>Uh.

1:27:12.439 --> 1:27:14.800
<v Speaker 15>And that was especially in the beginning, and I just

1:27:14.840 --> 1:27:17.280
<v Speaker 15>remember how crazy that feeling was. Like We've had a

1:27:17.280 --> 1:27:20.280
<v Speaker 15>lot of pinch me moments in our lives, and I

1:27:20.320 --> 1:27:24.000
<v Speaker 15>just remember driving around being like looking at random.

1:27:23.680 --> 1:27:25.759
<v Speaker 13>People and be like, you got no idea it's coming.

1:27:26.000 --> 1:27:27.760
<v Speaker 15>I just want to tell you know what I mean,

1:27:27.920 --> 1:27:30.360
<v Speaker 15>just like seeing some lady, you know, rolling down your

1:27:30.360 --> 1:27:32.680
<v Speaker 15>window and excuse me, man, you matter if I'll play

1:27:32.720 --> 1:27:33.559
<v Speaker 15>the song it's with Justin.

1:27:33.920 --> 1:27:35.120
<v Speaker 13>I heard him and.

1:27:35.200 --> 1:27:38.000
<v Speaker 15>Uh, it was just a crazy feeling of just knowing

1:27:38.000 --> 1:27:41.519
<v Speaker 15>what's coming. And I remember I, actually, this is probably

1:27:41.560 --> 1:27:43.479
<v Speaker 15>horrible to even stay out loud, but I think I

1:27:43.560 --> 1:27:46.320
<v Speaker 15>cried the first time I heard it with my wife.

1:27:46.479 --> 1:27:48.680
<v Speaker 15>We were sitting down at our old house and we

1:27:48.760 --> 1:27:50.920
<v Speaker 15>just Dan had just sent it to me, and he's like,

1:27:51.200 --> 1:27:53.920
<v Speaker 15>I think it was the only like preface was like, dude,

1:27:54.200 --> 1:27:56.800
<v Speaker 15>and I was like, I remember sitting down and listening

1:27:56.840 --> 1:27:58.919
<v Speaker 15>to that on the couch, like not over big speakers,

1:27:58.960 --> 1:28:01.479
<v Speaker 15>just like on my phone and just listening with my

1:28:01.560 --> 1:28:05.519
<v Speaker 15>wife and being in shock and probably tearing up a lot,

1:28:05.640 --> 1:28:07.000
<v Speaker 15>just because we.

1:28:07.000 --> 1:28:08.320
<v Speaker 13>Knew that that was going to be.

1:28:08.280 --> 1:28:11.400
<v Speaker 15>A life changing moment, you know, and there's just it

1:28:11.439 --> 1:28:12.439
<v Speaker 15>doesn't like come around.

1:28:13.520 --> 1:28:16.360
<v Speaker 13>I mean maybe once in your lifetime of something like that.

1:28:16.400 --> 1:28:19.519
<v Speaker 15>So it was pretty pretty special being able to drive

1:28:19.560 --> 1:28:22.040
<v Speaker 15>around and feeling like you have this pretty cool secret

1:28:22.560 --> 1:28:23.720
<v Speaker 15>nobody else in the world does.

1:28:24.080 --> 1:28:26.120
<v Speaker 5>Okay, look Dan and Chador here, they've been hanging out

1:28:26.160 --> 1:28:28.360
<v Speaker 5>with us for a long time, almost an hour. The

1:28:28.439 --> 1:28:32.839
<v Speaker 5>song you crushing it. Stream it right now to climbing.

1:28:32.840 --> 1:28:35.880
<v Speaker 5>It's top five, probably gonna be number one. We're celebrating that,

1:28:35.920 --> 1:28:38.320
<v Speaker 5>but I do have uncomfortable questions that our listeners sent

1:28:38.400 --> 1:28:40.519
<v Speaker 5>for you guys, and so we'll just go one at

1:28:40.560 --> 1:28:42.400
<v Speaker 5>a time. Shay, I'll go to you first. What do

1:28:42.520 --> 1:28:45.120
<v Speaker 5>Dan and Chay argue about the most and don't give

1:28:45.160 --> 1:28:46.120
<v Speaker 5>a cliche answer?

1:28:46.920 --> 1:28:50.559
<v Speaker 15>If we did find about something, maybe where we're going

1:28:50.600 --> 1:28:53.440
<v Speaker 15>to eat is like the most difficult.

1:28:53.680 --> 1:28:55.400
<v Speaker 5>That's my wife and I too, same thing.

1:28:55.479 --> 1:28:58.200
<v Speaker 13>Yeah it sounds stupid, but yes, yeah, maybe where to eat?

1:28:58.320 --> 1:29:00.120
<v Speaker 5>Yeah, she's like, where do you want to go? And

1:29:00.160 --> 1:29:01.519
<v Speaker 5>I say it. She's like I don't want I don't

1:29:01.520 --> 1:29:02.599
<v Speaker 5>want to go there, and I'm like, well you asked

1:29:02.600 --> 1:29:05.840
<v Speaker 5>where I wanted to go. Like that's like, yeah, that's okay.

1:29:05.880 --> 1:29:09.479
<v Speaker 5>Next up Dan, Let's see dude. Dan and Shae say

1:29:09.479 --> 1:29:11.479
<v Speaker 5>the same thing every city, no matter where they are,

1:29:11.520 --> 1:29:13.599
<v Speaker 5>and like this is my favorite city. Blank.

1:29:13.880 --> 1:29:15.559
<v Speaker 2>Yeah, you've definitely got a little bit of a script

1:29:15.640 --> 1:29:16.080
<v Speaker 2>to be honest.

1:29:16.120 --> 1:29:19.479
<v Speaker 16>I mean you go up there, there's definitely like I

1:29:19.520 --> 1:29:21.760
<v Speaker 16>have this set up speech before it's Keila like, you know,

1:29:21.800 --> 1:29:24.000
<v Speaker 16>bring a little down, real quiet, and it's the whole thing.

1:29:24.040 --> 1:29:25.640
<v Speaker 16>We need the crowd of sing this song out that

1:29:25.720 --> 1:29:27.679
<v Speaker 16>it's ever been sung before in the history of the song.

1:29:27.720 --> 1:29:28.960
<v Speaker 16>You know, you give them a little bit of the

1:29:29.040 --> 1:29:32.599
<v Speaker 16>uh the wwe moment, but there are definitely a lot

1:29:32.600 --> 1:29:33.719
<v Speaker 16>of moments that are off the cuff.

1:29:33.760 --> 1:29:33.880
<v Speaker 5>You know.

1:29:33.920 --> 1:29:36.759
<v Speaker 16>We always make sure to do an acoustic little breakdown

1:29:36.880 --> 1:29:40.720
<v Speaker 16>bit in our show that is completely unscripted, and sometimes it.

1:29:40.760 --> 1:29:41.759
<v Speaker 2>Goes off the rails.

1:29:42.080 --> 1:29:44.240
<v Speaker 16>So maybe we should stick to the script because our

1:29:44.439 --> 1:29:46.439
<v Speaker 16>sound guys out there, like, guys, we got to cut

1:29:46.479 --> 1:29:46.840
<v Speaker 16>this short.

1:29:46.880 --> 1:29:48.840
<v Speaker 2>You've been doing the acoustic bit for an hour now.

1:29:49.160 --> 1:29:52.040
<v Speaker 5>Three questions left and uncomfortable questions. Shay, you brought up

1:29:52.080 --> 1:29:53.360
<v Speaker 5>the fact that you'd lost a bunch of weight. What

1:29:53.400 --> 1:29:55.439
<v Speaker 5>did Shae do with his old clothes that don't fit anymore?

1:29:56.000 --> 1:29:59.479
<v Speaker 13>They're currently sitting in my garage. I had to this

1:29:59.560 --> 1:30:00.000
<v Speaker 13>is a legit.

1:30:00.560 --> 1:30:04.040
<v Speaker 15>I have four shirts that fit me now, and so

1:30:04.120 --> 1:30:06.920
<v Speaker 15>I had to go to Dillard's and I think I

1:30:06.920 --> 1:30:08.599
<v Speaker 15>want some Dillards. I don't know where you get pants.

1:30:08.680 --> 1:30:10.880
<v Speaker 15>I have like three pairs of pants and four shirts.

1:30:11.280 --> 1:30:13.439
<v Speaker 15>That's like the only clothes like this shirt. This is

1:30:13.479 --> 1:30:16.080
<v Speaker 15>one of four good and it's the same brand. Yeah,

1:30:16.120 --> 1:30:18.080
<v Speaker 15>but they're all in my garage. If anyone wants I

1:30:18.080 --> 1:30:20.720
<v Speaker 15>have one hundred and eighty black shirts black T shirts

1:30:21.000 --> 1:30:22.160
<v Speaker 15>large if you'd like them.

1:30:22.360 --> 1:30:24.920
<v Speaker 5>Two questions left to Dan. Has Dan ever pretended to

1:30:24.960 --> 1:30:26.400
<v Speaker 5>be working on a song to get out of doing

1:30:26.479 --> 1:30:28.000
<v Speaker 5>something around the house for his wife?

1:30:28.080 --> 1:30:29.519
<v Speaker 2>Oh for sure, for sure.

1:30:30.200 --> 1:30:32.640
<v Speaker 16>It honestly not as much like to get out of

1:30:32.680 --> 1:30:34.720
<v Speaker 16>doing something around around the house. I'm pretty good at

1:30:34.720 --> 1:30:37.800
<v Speaker 16>the chores, but definitely to get out of social situations,

1:30:37.920 --> 1:30:40.720
<v Speaker 16>Like you know, Abby's so social, you know, and she'll

1:30:40.760 --> 1:30:42.719
<v Speaker 16>go to like these events and stuff, and she'll always

1:30:42.800 --> 1:30:45.160
<v Speaker 16>use the excuse like it's like nine pm and he's

1:30:45.160 --> 1:30:48.200
<v Speaker 16>had starts or a concert or some dinner with friends.

1:30:48.200 --> 1:30:50.040
<v Speaker 2>It's like, oh, Dan has a mixed revision.

1:30:50.080 --> 1:30:52.400
<v Speaker 16>It's like, who expects him to be doing a mixed

1:30:52.479 --> 1:30:55.960
<v Speaker 16>revision streaming session at nine pm on a Saturday night?

1:30:56.439 --> 1:30:58.200
<v Speaker 5>What is the who is the most famous person to

1:30:58.240 --> 1:31:00.879
<v Speaker 5>turn down? To Dan and Jay Collab, I did try.

1:31:00.640 --> 1:31:03.000
<v Speaker 15>To, like pretty hard, try to get a Dell on

1:31:03.080 --> 1:31:06.479
<v Speaker 15>a song. It was no specific song, but like, hey,

1:31:06.520 --> 1:31:08.880
<v Speaker 15>we should get a down on a song, and Ever

1:31:09.080 --> 1:31:09.240
<v Speaker 15>was like.

1:31:09.280 --> 1:31:11.160
<v Speaker 13>Yeah, that'd be that'd be cool.

1:31:12.240 --> 1:31:14.200
<v Speaker 5>And the fact we don't have a song with a

1:31:14.240 --> 1:31:17.280
<v Speaker 5>el So if they answered uncomfortable Question five we applaud

1:31:17.280 --> 1:31:18.960
<v Speaker 5>them when we let them go a nice job. Rarely

1:31:18.960 --> 1:31:22.439
<v Speaker 5>do people answer the fifth uncomfortable question. Okay, Dan and Shay,

1:31:22.520 --> 1:31:25.040
<v Speaker 5>we'll be waiting for your new music whenever that is.

1:31:25.080 --> 1:31:27.160
<v Speaker 5>I'm sure I'm not even gonna ask anything about it.

1:31:27.160 --> 1:31:29.280
<v Speaker 5>It's it's under lock and key. I've been told if

1:31:29.280 --> 1:31:31.600
<v Speaker 5>I do ask about it, I'll be met outside this

1:31:31.640 --> 1:31:36.040
<v Speaker 5>building by an unhappy person. So yes, we're gonna.

1:31:36.320 --> 1:31:38.439
<v Speaker 2>I'm gonna send you a link, Bobby.

1:31:38.320 --> 1:31:39.720
<v Speaker 5>And now I'll share it with the whole world to

1:31:39.760 --> 1:31:41.280
<v Speaker 5>go to my Twitter and I'll share the link with

1:31:41.320 --> 1:31:42.479
<v Speaker 5>every I mean, that's kind of.

1:31:42.400 --> 1:31:44.639
<v Speaker 2>A thing, now, right, TikTok you leak it? You already

1:31:44.640 --> 1:31:45.360
<v Speaker 2>have a release date?

1:31:45.400 --> 1:31:45.559
<v Speaker 13>Yo?

1:31:45.560 --> 1:31:46.360
<v Speaker 2>Should I drop this?

1:31:46.439 --> 1:31:46.920
<v Speaker 10>Check it out?

1:31:47.040 --> 1:31:50.599
<v Speaker 5>You know you point yeah, point label so mad, I'm

1:31:50.680 --> 1:31:53.759
<v Speaker 5>leaking this and it's like yoder, nobody believes that anymore.

1:31:53.920 --> 1:31:56.519
<v Speaker 5>All right, Dana Ja Love you guys. Congratulations, We'll talk

1:31:56.560 --> 1:31:56.920
<v Speaker 5>to you soon.

1:31:57.439 --> 1:31:57.960
<v Speaker 13>Love you man.

1:31:58.080 --> 1:31:58.880
<v Speaker 2>Thank you for the time.

1:31:58.960 --> 1:32:03.240
<v Speaker 1>I guess it's the best Bits of the Week with

1:32:03.439 --> 1:32:04.360
<v Speaker 1>Morgan Number two.

1:32:05.439 --> 1:32:07.800
<v Speaker 4>Well that was another fabulous best bits y'all. Thanks for

1:32:07.840 --> 1:32:09.720
<v Speaker 4>hanging out with me, and I hope you really do

1:32:09.880 --> 1:32:12.320
<v Speaker 4>enjoy this weekend. Maybe you're getting some good weather, we're

1:32:12.320 --> 1:32:14.800
<v Speaker 4>about to head into Memorial Weekend next weekend, you're getting

1:32:14.800 --> 1:32:17.000
<v Speaker 4>some plans figured out, or maybe you're resting up for

1:32:17.040 --> 1:32:19.600
<v Speaker 4>all the festivities. Whatever it may be, I hope you

1:32:19.640 --> 1:32:21.960
<v Speaker 4>have a fabulous weekend. Be sure to go check out

1:32:21.960 --> 1:32:24.519
<v Speaker 4>Part one with Abby. It's like a conversation with friends

1:32:24.800 --> 1:32:26.559
<v Speaker 4>that I think you guys will really enjoy. We also

1:32:26.600 --> 1:32:28.920
<v Speaker 4>broke down our experience at our Heart Country festival, and

1:32:28.960 --> 1:32:31.120
<v Speaker 4>we spilled some tea, So if you want to sip

1:32:31.160 --> 1:32:34.080
<v Speaker 4>on some tea while you're resting up, go listen and

1:32:34.120 --> 1:32:35.920
<v Speaker 4>follow me on all the things at Webgo Morgan.

1:32:36.000 --> 1:32:38.680
<v Speaker 3>I'm on Instagram, TikTok, Twitter, Facebook.

1:32:38.200 --> 1:32:40.200
<v Speaker 4>You name it, I'm there, And of course the show

1:32:40.240 --> 1:32:42.679
<v Speaker 4>is also out there on all those things at Bobby

1:32:42.680 --> 1:32:44.599
<v Speaker 4>Bone Show. And I would love if y'all check out

1:32:44.640 --> 1:32:46.560
<v Speaker 4>some more content bobbybones dot com if you want to

1:32:46.600 --> 1:32:48.960
<v Speaker 4>catch any of these performances that I talked about. We

1:32:49.040 --> 1:32:51.200
<v Speaker 4>got a whole bunch of stuff up there for y'all

1:32:51.240 --> 1:32:54.080
<v Speaker 4>to go see on Bobby Bones or YouTube, name your

1:32:54.160 --> 1:32:55.000
<v Speaker 4>vice whatever you like.

1:32:55.200 --> 1:32:57.200
<v Speaker 3>I'll see you guys later. Have a great one.

1:32:57.439 --> 1:33:00.320
<v Speaker 5>The Bobby Bone Show Bobo Bones four,