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Speaker 1: It's the Best Bits of the week with Morgan.

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Speaker 2: Number two.

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Speaker 3: What is up, y'all? Happy weekend.

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Speaker 4: It's another weekend, which means another best Bits and I'm

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Speaker 4: so excited this weekend. I had on Abby for part

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Speaker 4: one and we had a super fun conversation. We both

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Speaker 4: got done with it and we're like that one felt

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Speaker 4: really good. It's because it was like a full blown

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Speaker 4: conversation with us. It wasn't just like this interview, because

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Speaker 4: sometimes we get in that mode and it's just like interview,

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Speaker 4: get through it. But Abby and I were having like

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Speaker 4: full long conversations, sharing some updates in life. We talked

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Speaker 4: about some things we randomly have collected in our lifetimes

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Speaker 4: and the things that we don't understand why people obsess

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Speaker 4: over it. So just fun conversations, like you're listening to

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Speaker 4: a friend. So I hope you go check out part one.

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Speaker 4: But we're going to dive into the biggest segments from

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Speaker 4: the Bobby Bone Show this week. Eddie shared an update

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Speaker 4: on his no parenting Sunday and how that's been going,

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Speaker 4: plus if they're going to keep doing it. Yeah, we

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Speaker 4: got to know the real details and how his family

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Speaker 4: even feels.

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Speaker 3: About it too.

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Speaker 5: Number seven, let's check out with Eddie on no parent

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Speaker 5: Sundays because I have a story coming up. It's why

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Speaker 5: we're doing it today. How has it gone the last

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Speaker 5: couple of weekends.

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Speaker 6: It's gone great, Like we're not so hyper focused on like, ooh,

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Speaker 6: let's do no parenting Sunday anymore.

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Speaker 7: Now.

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Speaker 6: I think it's just the routine of being chill on Sunday,

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Speaker 6: no lessons, Like really, rarely are we telling them, hey, guys,

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Speaker 6: clean up your room, do whatever.

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Speaker 8: It's just kind of like, let's just do our thing.

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Speaker 6: I want to be over here, you're going to be

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Speaker 6: over there, play in the neighborhood, I'll watch TV.

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Speaker 8: Whatever.

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Speaker 5: Do you think they know now? Are they called like

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Speaker 5: awesome dadless Sundays in their little group or anything.

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Speaker 6: No, it's like the label's gone. It's so weird. The

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Speaker 6: label's not even a thing anymore. It's just how we

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Speaker 6: act on Sundays and it's kind of cool. I'm telling you, dude,

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Speaker 6: I think we've changed the culture around my house.

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Speaker 9: Does it make Mondays a little more chaotic?

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Speaker 8: Yeah?

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Speaker 5: Okay, yeah, drill Sergeant Monday, clean up Monday, sucky Monday.

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Speaker 10: Yeah.

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Speaker 5: Well, this story reminded me of that a couple's rebuilt.

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Speaker 5: They won't force their three young children to read or write,

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Speaker 5: or even make them have a bedtime. They believe in

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Speaker 5: child autonomy. Their kids twelve, eight and four make all

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Speaker 5: their own decisions. Well that's dangerous. Wow. The mom has

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Speaker 5: revealed that her kids have no fixed schedule, no fixed bedtime,

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Speaker 5: no fixed mule times, and what she says is unschooling.

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Speaker 5: The couple have shunned the cruel and lazy labels thrown

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Speaker 5: at them by other parents, and they says, we're not

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Speaker 5: being lazy. It's actually harder for us to do because

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Speaker 5: we got to maintain no maintenance. I don't know, doesn't

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Speaker 5: that hard? But this is like every day or this

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Speaker 5: is just life? Yes, not just Sunday eddie, Wow, that's

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Speaker 5: every day. Our son was ten years old when he

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Speaker 5: began taking an interest in wanting to read and write.

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Speaker 8: Oh, I'm shocked he took the interest.

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Speaker 5: He just picked up a pen and paper and taught himself.

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Speaker 5: She says. The kids go to bed when they like,

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Speaker 5: wake up when they like. We don't like alarms. We

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Speaker 5: don't have set meal times. We just make food and

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Speaker 5: if they're hungry they go and eat it. We never

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Speaker 5: force our kids to do chorge chores, but we actively

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Speaker 5: encourage them to help out, especially with others. They help us,

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Speaker 5: like after our animals, the garden and keep the rooms tidy.

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Speaker 5: It's daily mail, I mean gardening.

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Speaker 1: That's they got to be.

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Speaker 5: To be sure, I mean hippiy hippy, hippie dippy and lazy.

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Speaker 8: No, oh yeah.

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Speaker 5: I don't know if this is lazy more than not the.

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Speaker 8: Parents the kids.

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Speaker 6: Like, if you tell a kid like you don't have

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Speaker 6: to do anything, they're going to be very lazy.

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Speaker 5: I wonder if just these people Adele and Matt, that

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Speaker 5: are their names, if they had child autonomy, I would

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Speaker 5: assume not. And this is their new way of And

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Speaker 5: there's their homeschool for sure. Right if you're reading and

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Speaker 5: writing themselves at ten.

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Speaker 10: They don't do school. If they don't have to read

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Speaker 10: or write, there's no school. Yeah, like literally, they're home.

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Speaker 9: Even if your homeschool. Don't you have to fill out

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Speaker 9: some paper with.

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Speaker 5: The I don't know, and do you start kindergarten? You

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Speaker 5: get an interest? Right?

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Speaker 2: Right?

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Speaker 5: Right?

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Speaker 8: I want to start school now, dad?

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Speaker 5: And don't you have to, right? Don't you have to

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Speaker 5: the kids have to be in some sort.

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Speaker 9: Of are there some sort of curriculum or at least

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Speaker 9: like guidelines you have to follow?

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Speaker 8: Hey, how do they get into college? Say they want

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Speaker 8: to go to college?

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Speaker 5: Why do they want to go to colleg That's true,

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Speaker 5: they never even heard of it. I guess if they

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Speaker 5: wanted to, though, they could learn about it and then

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Speaker 5: start studying for it.

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Speaker 8: Wow.

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Speaker 5: The other thing is free range parenting, which I think

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Speaker 5: is somewhere in the middle of what Eddie does and

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Speaker 5: what this is.

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Speaker 9: Yeah, Eddie's kind of free range on Sundays.

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Speaker 5: I'd say free range Sunday. It's just it's one day

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Speaker 5: out of the way, eight hours totally. And he also

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Speaker 5: still steps in if he needs to, and he.

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Speaker 10: Still tells them they have to go to bed at

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Speaker 10: a certain toll.

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Speaker 8: Correct.

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Speaker 5: And do you make them food and say eat now?

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Speaker 5: Or do you just leave it on the table?

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Speaker 8: No, I say, hey, guys, we got lunch. If you

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Speaker 8: want to eat it? There it is.

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Speaker 5: It's the lunch worse though, is it? Like just like

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Speaker 5: blonnie sandwich and oh man, it's just normal. Like I mean,

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Speaker 5: some days I want to eat a good lunch, you know,

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Speaker 5: like I do barbecue, Hey, barbecues's ready?

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Speaker 8: You want it.

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Speaker 5: They never not eat.

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Speaker 8: No, do they go right for the barbecue? They love it.

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Speaker 5: Which kid do you worry about the most?

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Speaker 8: My oldest?

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Speaker 5: Really, I don't see him all day, Like like, hey,

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Speaker 5: no parenting Sunday too.

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Speaker 8: I didn't exist.

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Speaker 5: If my wife had no wifing Sunday, she might not

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Speaker 5: see me a whole day either. I'll be honest with you.

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Speaker 1: It's the best bits of the week with Morgan Number two.

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Speaker 4: We had toan Neil Town's on the show this week,

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Speaker 4: and she is one of my favorites. She has such

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Speaker 4: a unique voice and it's so fun to hear something

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Speaker 4: so different, and she came in. Not only did she

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Speaker 4: perform one of her songs, but she also performed a

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Speaker 4: cover of Landslide that was stunning. Now I can't hear

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Speaker 4: the performance here, but it's on our YouTube page at

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Speaker 4: Bobby Bone Show that you can go check out and

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Speaker 4: see her full performance. But also her interview was super interesting.

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Speaker 4: She's from Canada and she went up there and she

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Speaker 4: did this whole train concert tour performance thing where she

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Speaker 4: basically lived on a train for fifteen days and toured

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Speaker 4: in a bunch of different cities and people would come

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Speaker 4: and see her and she perform in the train car

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Speaker 4: wild like coolest experience ever. I kind of wish I

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Speaker 4: was along for the ride number six.

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Speaker 1: So Bobby Bones Show Interviews in case you didn't know.

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Speaker 5: When it comes to artists who I'm just a massive

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Speaker 5: fan of personally to Neil Towns is one of those

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Speaker 5: artists you would know her from somebody's daughter, somebody somebody's

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Speaker 5: or Jersey on the wall. She's got the train track

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Speaker 5: work tapes where she was on the train. She recorded them.

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Speaker 5: All should tell us about that. I mean, I'm such

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Speaker 5: a massive fan that I took her on the road

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Speaker 5: with me and was just like, I know you're better

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Speaker 5: than me, but go and just destroy the audiences. And

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Speaker 5: she did. Big fan. Here she is Tanil Towns on.

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Speaker 1: The Bobby Bones Show.

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Speaker 5: Now Townsanil, how are you?

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Speaker 11: I'm good?

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Speaker 12: How are you?

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Speaker 5: It's good to see this new guitar is fancy?

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Speaker 13: Oh?

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Speaker 11: Thank you?

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Speaker 5: Did you? Is that art you drew? Or is that

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Speaker 5: because it's like there's like a river or something on it? Yeah?

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Speaker 14: Okay, Well, the straight lines of the sun rays are

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Speaker 14: the extent of my artistic painting ability.

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Speaker 11: The rest was my friend Lewis who did it. He's

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Speaker 11: pretty awesome.

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Speaker 5: What happened to the other guitar that you were doing

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Speaker 5: all the work on, Well.

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Speaker 14: That one was for the Lemonade stand, so that was

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Speaker 14: like for that record, and now this one's for Masquerades

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Speaker 14: and it's got some empty spaces on here to keep

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Speaker 14: filling it up with the next stuff.

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Speaker 5: So every project you do, a new guitar.

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Speaker 11: That's the plan.

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Speaker 14: Every record, full record will get a little time caps

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Speaker 14: with guitar to.

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Speaker 11: Go with it.

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Speaker 5: And that's pretty cool. What's the guitar you're making for

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Speaker 5: this show appearance?

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Speaker 3: It gets you a pen and you guys can all

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Speaker 3: we don't want.

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Speaker 5: To be a part of your art there. So I'm

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Speaker 5: a massive to Neil Town's fan. And with you coming in,

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Speaker 5: would you briefly before you play a song, would you

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Speaker 5: tell us about this train trip and kind of how

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Speaker 5: this whole project came together.

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Speaker 14: Yes, thank you for having me today. Okay, so I

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Speaker 14: rode this train.

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Speaker 5: Now do it do that while you're talking though? We

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Speaker 5: like it? You started to play music you.

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Speaker 3: Like the Yeah, like that a little vibe going here?

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Speaker 10: Okay.

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Speaker 11: So I got on the train in Montreal and I

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Speaker 11: wrote it all the way to Calgary.

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Speaker 5: How far is that?

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Speaker 14: So it's a couple thousand miles and we played. So

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Speaker 14: we lived on this train for fifteen days and we

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Speaker 14: played sixty five shows.

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Speaker 11: So some days where you.

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Speaker 5: Lived on a train, yeah, was it like where you

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Speaker 5: had this stick on a bag on a stick and

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Speaker 5: you jumped off as it was going and then you

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Speaker 5: live in the cart.

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Speaker 14: We could have done the run and jump on, like

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Speaker 14: that's what I wanted, but that was not with safety protocols.

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Speaker 5: So no, but how do you play shows on a train?

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Speaker 14: So literally one of the stage cars was or one

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Speaker 14: of the box cars was a stage so it would

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Speaker 14: roll into the town and everybody would gather around and

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Speaker 14: they knew when the train was coming through their town,

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Speaker 14: and like the door would just fold down and then

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Speaker 14: we'd put the mic stands out there and we'd go play,

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Speaker 14: and then we would like say goodbye, and the door

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Speaker 14: would fold back up and we'd roll to the next town,

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Speaker 14: like twenty minutes down the track. So some days we

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Speaker 14: were playing five or six shows a day, and a

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Speaker 14: lot of these shows were in like minus thirty one

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Speaker 14: degree Celsia's weather, and like people were so resilient.

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Speaker 11: It was the most incredible thing. And everyone.

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Speaker 14: It was a free show, but everyone who came brought

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Speaker 14: a donation for their local food bank. So it was

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Speaker 14: like witnessing the best parts of the human spirit. And

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Speaker 14: I'm standing up there seeing everyone bundled up and the

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Speaker 14: freezing cold weather, just like showing up for their friends

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Speaker 14: and neighbors. And I was so inspired I had to

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Speaker 14: start writing. So I wrote a bunch of songs in

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Speaker 14: the mornings before the shows would start, and then a

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Speaker 14: couple of days into it, I was like, we got

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Speaker 14: a couple laptops and like we could borrow some some

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Speaker 14: gear from the stage car. What if we figured out

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Speaker 14: how to like record some stuff on this train while

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Speaker 14: we're moving down the tracks.

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Speaker 5: So the whole purpose of this was to give back. Yeah,

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Speaker 5: now you said some things that I don't understand. First

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Speaker 5: of all, Celsiguess.

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Speaker 14: First of all, okay, I don't know it starts to

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Speaker 14: even out. I can't remember what degree, but I want

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Speaker 14: to say it was like minus twenty five or something fahrenheit.

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Speaker 5: Okay.

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Speaker 15: Yeah.

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Speaker 5: The second thing was you said two places, and I

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Speaker 5: like to apologize to all of our Canadian listeners because

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Speaker 5: we're on in a lot of places in Canada. Too.

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Speaker 5: But you said two places from this place to that place.

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Speaker 5: So what were the two places again?

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Speaker 11: Montreal to Calgary?

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Speaker 5: Do that America?

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Speaker 10: Though?

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Speaker 5: Distance wise?

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Speaker 11: Distance wise? Okay?

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Speaker 14: So Calgary's like north of Montana, okay, and Montreal is

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Speaker 14: like New York Ish Okay, up.

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Speaker 5: A little more too, but up yeah. So okay, it's

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Speaker 5: a long train ride.

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Speaker 11: It's a long train ride.

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Speaker 5: Is it like a tour buzz because whenever we have

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Speaker 5: to go back on the road on a bus the

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Speaker 5: first couple of days, I don't like it because I

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Speaker 5: feel like I'm shaking as we're driving and I'm sleeping

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Speaker 5: and sometimes we had the side by. It's hard to.

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Speaker 14: Sleep on a train, so it was it was very shaky,

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Speaker 14: but you got used to it a couple of days

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Speaker 14: and same kind of thing.

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Speaker 11: The difference between the tour of us is there was

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Speaker 11: a lot more space to like for all of us

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Speaker 11: to spread out.

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Speaker 14: They were like there was a lounge car, there was

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Speaker 14: a caboose where we set up a little recording studio.

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Speaker 14: But then everyone had their own tiny little room which

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Speaker 14: was a lot more spacious than like a bunk, so

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Speaker 14: we didn't get as stir crazy as we were nervous

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Speaker 14: getting on that thing because you don't really get off

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Speaker 14: the train. We got off once to go to like

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Speaker 14: a legion, like after the last show at night, but

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Speaker 14: other than that, you're pretty much kind of just on

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Speaker 14: the train. One day, I think we clocked like like

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Speaker 14: nine thousand steps or something just going on the train.

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Speaker 5: On the train, you have to jump from cart to

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Speaker 5: car and there's a chance you fall off, you know,

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Speaker 5: in the middle of the cars. You know, I have

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Speaker 5: to jump over there and there's the ground below you.

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Speaker 15: Yeah.

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Speaker 11: Yeah, it was like they say, like mind of the gap. Yeah, no,

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Speaker 11: there was deaf Definitely you had to.

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Speaker 14: It would be a greater risk of slipping on the

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Speaker 14: ice and the snow that was blowing between the cars,

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Speaker 14: but it was closed off, so you wouldn't. You weren't

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Speaker 14: going to fall off the train, but you could. You

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Speaker 14: could definitely trip.

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Speaker 5: And how would they yell all aboard in Canada into

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Speaker 5: the yelling in French when you're in the French party.

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Speaker 11: I wish they yelled it at all time.

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Speaker 14: Not one time did they say all aboard, which felt

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Speaker 14: very like misleading.

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Speaker 5: Okay, so now that we know the story, that's the story,

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Speaker 5: think about this. She goes and she lives on a

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Speaker 5: train all to get food for people that are less fortunate.

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Speaker 5: And now if I were to go like, I'm so surprised,

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Speaker 5: I'll be lying because to Nil's what she's about is

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Speaker 5: helping others constantly, So I'm not surprised by any of this.

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Speaker 5: I think I'd have been surprised. She was like, I

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Speaker 5: did a train. I got paid ten grand a night.

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Speaker 5: It was awesome. Like what that's crazy, So what song

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Speaker 5: are you going to do here?

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Speaker 14: Okay, I'm going to do a song called Wheels, which

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Speaker 14: is the last song on this EP called Train Track

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Speaker 14: Work Tapes, and so all these are pretty acoustic, stripped down.

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Speaker 11: This is the last song.

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Speaker 14: And as we recorded this song in motion, so as

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Speaker 14: you're listening, you can hear all of the creeks and

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Speaker 14: like at one point we hit some kind of bump.

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Speaker 14: You could definitely hear that in the track. And at

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Speaker 14: the end we did it all in one complete pass

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Speaker 14: and we passed by the crossing and the bells happened,

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Speaker 14: thank god, Like just at the end of the last note,

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Speaker 14: we all looked at each other.

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Speaker 11: We were like, we're not doing that again, Like that

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Speaker 11: was it? This is it? We got it. So this

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Speaker 11: song is.

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Speaker 14: Kind of like this one is very honest to me

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Speaker 14: in the sense of I struggle very much with the

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Speaker 14: high of being on the road and then coming home

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Speaker 14: and doing laundry and being in the quiet of that.

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Speaker 14: And I was in the middle of this train trip,

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Speaker 14: literally having the time of my life, and I was

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Speaker 14: just dreading the ending, you know, And you've like look

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Speaker 14: forward to something and you're just get I know, right,

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Speaker 14: that's honestly, that's a great sign that you're doing the

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Speaker 14: thing you love. But it's it's definitely a weird, weird

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Speaker 14: feeling to dread the end.

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Speaker 11: So that's what this song is about.

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Speaker 5: So this is called Wheels, called Wheels, and this is

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Speaker 5: from the Train Track Work Tapes. Yeah, I just want

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Speaker 5: to make sure but he knows it before you start.

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Speaker 11: Again, thank you for that.

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Speaker 5: Wheels Train Track Work Tapes. Here is tan neil Town's

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Speaker 5: on Tanil Town's a studio that's called Wheels. It is

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Speaker 5: on her new project that's out now called Train Track

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Speaker 5: Work Tapes. Go stream it. I have another segment that

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Speaker 5: I want to do with you. Sure, I don't even

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Speaker 5: mind like throwing stuff at you because I feel like

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Speaker 5: we know each other at this point pretty well. When

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Speaker 5: we come back. I know there's a cover on this

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Speaker 5: Train Track Work tapes. Yeah, I don't want see what

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Speaker 5: it is yet. Will you do that for us?

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Speaker 11: I would love to be cool.

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Speaker 5: All right, you're gonna you're gonna love it. What it is,

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Speaker 5: it's one of the great songs ever of all time.

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Speaker 5: And she crushes because I've heard her do it before.

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Speaker 5: Tanil has the train track Work tapes, which you really

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Speaker 5: recorded and wrote while on a train traveling across the

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Speaker 5: land to help other people eat.

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Speaker 14: That's literally help other people eats, collecting.

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Speaker 5: Food for food banks. And so this is a home

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Speaker 5: to me.

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Speaker 7: How much tas so blackdown?

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Speaker 5: This is pieces in my heart. That's probably my favorite one.

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Speaker 5: My heart makes me feel like so and try three.

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Speaker 5: I'm just gonna have you play for you're cool with it.

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Speaker 5: And the first time I heard Tail play this, I

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Speaker 5: think we were all backstage because Til came on the

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Speaker 5: road with me for a while where we did shows

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Speaker 5: and remember Tanil being so good and she would like

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Speaker 5: tear the crowd their hearts out and then had gone

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Speaker 5: to be funny, and I was like, it's the best

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Speaker 5: and morest decision ever made because the best decision is

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Speaker 5: Tanil just murders the crowd and they fall in love

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Speaker 5: with her and how good she is. But then she's

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Speaker 5: got them so emotional that I come on to tell

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Speaker 5: jokes and they're just not in the right So but

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Speaker 5: we set back me Eddie, Yes, I think it's whoever.

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Speaker 5: I don't know. Gard's back there, George, yeah, yeah.

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Speaker 11: They were all our buddies, you know, and.

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Speaker 5: Just passing a guitar around the Tamil plays the That

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Speaker 5: was that was like a really fun time.

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Speaker 14: I really that's kind of like one of those rare

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Speaker 14: magic moments in a dressing room that I feel like

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Speaker 14: you can kind of count on one hand.

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Speaker 11: And I loved that we just passed the guitar around.

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Speaker 11: It was so awesome.

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Speaker 5: And she played this and I remember going, oh, man,

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Speaker 5: one day, I'm gonna ever play it here. So I'm

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Speaker 5: not even gonna say what it is to know you

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Speaker 5: play it here is This is track three on the

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Speaker 5: train track work tapes, But here is tan Neil Town's Okay,

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Speaker 5: let me ask you a question before we do uncomfortable questions.

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Speaker 5: This is kind of inside baseball, But so of all

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Speaker 5: these songs on the train track work tapes, which I

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Speaker 5: hope everybody goes in streams. Thanks. I'm gonna put one

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Speaker 5: as like our national countdown song, and then I'm gonna

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Speaker 5: put it on a different show that I do a

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Speaker 5: national show. Which one do you want? Feature?

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Speaker 7: No?

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Speaker 5: Not, thank you? Which one do you want? I'll pick

402
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Speaker 5: whichever one you like, to pick one, I get to

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Speaker 5: pick one, and I'll put it on both the national shows.

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Speaker 5: Do you want Home to Me? Pieces of My Heart

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Speaker 5: Coming Together? Wheels? Which one?

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Speaker 11: Let's do Home to Me?

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Speaker 5: Okay, so Mike got that, put that on both of them?

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00:16:01,320 --> 00:16:01,760
Speaker 11: Thank you?

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Speaker 5: Okay?

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Speaker 11: Cool?

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Speaker 5: Now uncomfortable questions I give, But then I take.

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Speaker 11: All right, well I'm buckling up.

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Speaker 5: I take they're not that uncomfortable for you because everybody

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Speaker 5: likes you. You're one. Is Tanil town sad all the time?

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Speaker 11: Yes?

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00:16:16,320 --> 00:16:17,880
Speaker 9: Always?

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Speaker 5: Okay?

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Speaker 14: It's like, you know, underneath and at the same time

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Speaker 14: as absolute joy.

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Speaker 11: Everywhere I go is just kind of underneath.

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Speaker 14: How tall is Tanil Town's oh five to two on

422
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Speaker 14: a good.

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Speaker 5: Day, Yeah, when you wear boots, that's more.

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Speaker 11: Like five four maybe? Yeah?

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Speaker 5: Does Tanil Towns have any secret talents?

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Speaker 14: It's kind of weird, but I grew up water skiing

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Speaker 14: with my family, and my dad was kind of like

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Speaker 14: a competitive water skier, So therefore I can like slom

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Speaker 14: ski kind of half decently.

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Speaker 5: That's pretty good. Yeah, okay, there are two more. What's

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Speaker 5: the worst part of being a country singer? Like, what's

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Speaker 5: worst part of the job of being a country singer?

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Speaker 14: Photo shoots? Getting your picture taken all the time? I

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Speaker 14: just want to sing songs for people. Cameras are like

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Speaker 14: the worst thing ever and.

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Speaker 5: The final one. And I tell you I didn't know

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Speaker 5: this untill I was looking at Hey, Ray, can you

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Speaker 5: play a clip of the thing that wrecks you? It's

439
00:17:08,480 --> 00:17:15,479
Speaker 5: Tanil and Brian Adams. Play a clip at that please. So

440
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Speaker 5: this question is based off somebody who I who saw

441
00:17:17,880 --> 00:17:21,359
Speaker 5: the writing credits where your last name is not listed

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Speaker 5: as towns Interesting? Did you know that?

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Speaker 11: I didn't know that? But wow, good to know.

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00:17:26,160 --> 00:17:27,800
Speaker 5: And the question was how does she pronounce.

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Speaker 14: A Yeah, it's basically yeah, it's it's nad kranishnie, which

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00:17:33,080 --> 00:17:36,080
Speaker 14: sounds like a sneeze, but yeah, it's it's got enough

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00:17:36,160 --> 00:17:37,960
Speaker 14: letters for the Mickey Mouse theme song.

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Speaker 5: Nad Kishi.

449
00:17:40,160 --> 00:17:41,920
Speaker 11: That's right, Yes, that was my name.

450
00:17:43,640 --> 00:17:46,360
Speaker 5: Thanks and nad Is at the beginning of it. That's awesome.

451
00:17:47,040 --> 00:17:48,200
Speaker 5: You know, you know you are the best.

452
00:17:48,440 --> 00:17:50,200
Speaker 11: I love you always, Thanks for having.

453
00:17:50,040 --> 00:17:51,840
Speaker 5: Whatever you got going on. You're gonna always come in here.

454
00:17:51,880 --> 00:17:54,400
Speaker 5: I appreciate and you're the best. And okay, so everybody

455
00:17:54,720 --> 00:17:58,359
Speaker 5: go and check out train track work tapes and follow

456
00:17:58,400 --> 00:18:01,720
Speaker 5: Tanil at toil Town t O W N E S.

457
00:18:02,280 --> 00:18:04,240
Speaker 5: And I think we've said it all, am anything you

458
00:18:04,240 --> 00:18:04,800
Speaker 5: want to say.

459
00:18:04,880 --> 00:18:07,840
Speaker 9: Just recording on a train like, has it inspired you

460
00:18:07,920 --> 00:18:08,960
Speaker 9: to think we're else?

461
00:18:09,760 --> 00:18:11,560
Speaker 7: Literally? Lets go.

462
00:18:13,040 --> 00:18:19,359
Speaker 5: Skydiving, river sessions, sessions, modes of transportation are there? I

463
00:18:19,359 --> 00:18:20,360
Speaker 5: mean the uber.

464
00:18:20,160 --> 00:18:25,399
Speaker 15: Tapes, Let's go anything else.

465
00:18:25,560 --> 00:18:32,880
Speaker 5: The scooter session, submarine sounds. Oh all right, you guys

466
00:18:32,880 --> 00:18:34,720
Speaker 5: town check it out Tail, Thank you very much.

467
00:18:35,160 --> 00:18:36,280
Speaker 10: Thanks.

468
00:18:38,640 --> 00:18:41,840
Speaker 1: It's the best bits of the week with Morgan.

469
00:18:41,920 --> 00:18:42,400
Speaker 2: Number two.

470
00:18:43,760 --> 00:18:46,679
Speaker 4: Our iHeart Country Festival was last weekend and it was

471
00:18:47,000 --> 00:18:47,800
Speaker 4: so epic.

472
00:18:47,960 --> 00:18:49,520
Speaker 3: Listen. If you've never been before.

473
00:18:49,280 --> 00:18:52,480
Speaker 4: I highly encourage and suggest that you go next year.

474
00:18:52,480 --> 00:18:54,800
Speaker 4: In all the years following, it's the best time. We

475
00:18:54,840 --> 00:18:57,600
Speaker 4: had so many epic performances and I'm sure you guys

476
00:18:57,600 --> 00:18:59,239
Speaker 4: are tired of seeing all of our photos from it,

477
00:18:59,280 --> 00:19:00,679
Speaker 4: but still go check them out.

478
00:19:00,680 --> 00:19:01,480
Speaker 3: If you haven't seen them.

479
00:19:01,720 --> 00:19:04,240
Speaker 4: But our young listener LJ also got to have an

480
00:19:04,320 --> 00:19:07,160
Speaker 4: epic time at the festival. He had called in, well,

481
00:19:07,200 --> 00:19:09,920
Speaker 4: his mom particularly called in and she told us she

482
00:19:09,960 --> 00:19:13,359
Speaker 4: wanted to surprise him with tickets to the show.

483
00:19:12,720 --> 00:19:13,720
Speaker 3: And so Bobby did.

484
00:19:13,760 --> 00:19:16,399
Speaker 4: But more than that, he also invited LJA and his

485
00:19:16,400 --> 00:19:19,080
Speaker 4: family to come hang out backstage and hang out with

486
00:19:19,119 --> 00:19:22,040
Speaker 4: Bobby in the show and meet a bunch of country artists.

487
00:19:22,080 --> 00:19:26,119
Speaker 4: So basically LJ had the VIP lifestyle in Austin and

488
00:19:26,160 --> 00:19:27,800
Speaker 4: we have all the photos from it. His mom sent

489
00:19:27,840 --> 00:19:30,399
Speaker 4: me basically a photo album and it's on Bobby Bones

490
00:19:30,400 --> 00:19:31,840
Speaker 4: dot com, which was so cool. But you can hear

491
00:19:31,880 --> 00:19:34,760
Speaker 4: a little bit about Bobby talking about their time together

492
00:19:34,880 --> 00:19:35,919
Speaker 4: and what that was like.

493
00:19:36,600 --> 00:19:37,480
Speaker 1: Number five, We.

494
00:19:37,440 --> 00:19:39,800
Speaker 5: Had an excellent weekend. We mentioned it earlier, but our

495
00:19:39,960 --> 00:19:43,120
Speaker 5: iHeart Country Festival was Saturday night. It's just so fun

496
00:19:43,119 --> 00:19:46,520
Speaker 5: because everybody's together. It's one hit after another. If you

497
00:19:46,520 --> 00:19:47,920
Speaker 5: get a chance to go next year, you should go

498
00:19:47,960 --> 00:19:49,720
Speaker 5: because that stage flips. You don't have to wait for

499
00:19:49,720 --> 00:19:51,760
Speaker 5: thirty minutes for the next act. I just go to

500
00:19:51,800 --> 00:19:54,080
Speaker 5: the horse races as a kid and hot springs at

501
00:19:54,080 --> 00:19:57,280
Speaker 5: Oaklawn and I'd sneak in I couldn't bet, so I'd

502
00:19:57,280 --> 00:19:59,119
Speaker 5: have to beg some dude to take two dollars and

503
00:19:59,160 --> 00:20:01,800
Speaker 5: go bet for me, and they'd run the race and

504
00:20:01,800 --> 00:20:05,000
Speaker 5: you wait thirty minutes for the next race. Yeah, I

505
00:20:05,040 --> 00:20:08,119
Speaker 5: hated that this is the opposite of that our country

506
00:20:08,119 --> 00:20:10,600
Speaker 5: festivals is the opposite of Oakland Racing and Hot Springs. Yes,

507
00:20:11,320 --> 00:20:13,920
Speaker 5: so we went. It was amazing and ask some stuff

508
00:20:13,960 --> 00:20:17,160
Speaker 5: to talk about, but mostly I just think sometimes how

509
00:20:17,200 --> 00:20:19,679
Speaker 5: Lunchbox sees the world is so funny. Ray, would you

510
00:20:19,680 --> 00:20:20,840
Speaker 5: play a coup of Brothers Osbourne?

511
00:20:20,880 --> 00:20:21,120
Speaker 10: Please?

512
00:20:25,480 --> 00:20:27,719
Speaker 5: They were a surprise act. They came out and did

513
00:20:27,840 --> 00:20:29,959
Speaker 5: a few songs and I love them, went hung out

514
00:20:29,960 --> 00:20:32,439
Speaker 5: with them after the show, like personally, just those are

515
00:20:32,560 --> 00:20:36,359
Speaker 5: two dudes I love so Lunchbox, I'll just let you

516
00:20:36,400 --> 00:20:39,040
Speaker 5: say it and then then we will talk about your

517
00:20:39,040 --> 00:20:40,240
Speaker 5: opinion of it. To go ahead.

518
00:20:40,359 --> 00:20:43,280
Speaker 12: I'm worried about Brothers Osbourne and their money situation. I'm

519
00:20:43,320 --> 00:20:45,680
Speaker 12: starting to think they might need a second job or

520
00:20:45,760 --> 00:20:48,760
Speaker 12: they've whatever they made they've lost and they were broke.

521
00:20:48,880 --> 00:20:49,400
Speaker 8: Why is that?

522
00:20:49,560 --> 00:20:52,639
Speaker 12: Because I showed up at the airport yesterday morning to

523
00:20:52,680 --> 00:20:56,560
Speaker 12: board my flight to come back and they were flying Southwest,

524
00:20:56,640 --> 00:20:58,840
Speaker 12: like they had to sit there and like the cattle,

525
00:20:58,880 --> 00:21:01,040
Speaker 12: you know, line up when they're a one through thirty,

526
00:21:01,040 --> 00:21:03,320
Speaker 12: and they had to line up in their little number.

527
00:21:03,320 --> 00:21:05,199
Speaker 12: They had to get on Southwest pick their seat. And

528
00:21:05,200 --> 00:21:08,240
Speaker 12: I'm like, guys, this is not good. Like I thought

529
00:21:08,320 --> 00:21:11,399
Speaker 12: by now they'd be rich and making a lot of money.

530
00:21:11,440 --> 00:21:13,440
Speaker 12: But obviously it's not going well.

531
00:21:14,600 --> 00:21:16,040
Speaker 5: Obviously that's not the truth.

532
00:21:16,720 --> 00:21:18,800
Speaker 12: Obviously, because there was a lot of artists there last

533
00:21:18,880 --> 00:21:20,639
Speaker 12: night or the other night, and they were the only

534
00:21:20,720 --> 00:21:22,080
Speaker 12: ones on Southwest.

535
00:21:22,600 --> 00:21:25,040
Speaker 5: That's actually not true, not true at all. Eddie who

536
00:21:25,119 --> 00:21:25,720
Speaker 5: was on your flight.

537
00:21:25,680 --> 00:21:30,000
Speaker 6: Kane Brown, I think he's doing pretty good. Yeah, Mitchell Tenpenny,

538
00:21:30,680 --> 00:21:32,480
Speaker 6: Jordan Davis, all on my flight.

539
00:21:33,000 --> 00:21:37,280
Speaker 5: So it's an easy flight from Austin to Nashville. And

540
00:21:37,400 --> 00:21:39,760
Speaker 5: so they just flew it back.

541
00:21:39,760 --> 00:21:41,359
Speaker 12: And they didn't even sit next to each other on

542
00:21:41,400 --> 00:21:42,960
Speaker 12: the plane like they were. One of them was mad

543
00:21:43,000 --> 00:21:44,800
Speaker 12: at the other one for spending too much money.

544
00:21:44,640 --> 00:21:46,440
Speaker 5: All so now you think they're beefing, Like.

545
00:21:46,680 --> 00:21:48,240
Speaker 12: Yeah, they were kind of like, oh, you're the one

546
00:21:48,240 --> 00:21:49,639
Speaker 12: that spends all the money. That's why we have to

547
00:21:49,680 --> 00:21:52,119
Speaker 12: fly on a regular plane with the regular people.

548
00:21:52,160 --> 00:21:54,960
Speaker 5: And oh, so you saw them and literally thought they've

549
00:21:55,000 --> 00:21:58,399
Speaker 5: been irresponsible with their money. Yeah, what if that's super

550
00:21:58,400 --> 00:22:01,879
Speaker 5: responsible with their money though, that's that's the difference, Like

551
00:22:01,880 --> 00:22:05,040
Speaker 5: they're not wasting their money, that's super responsible with money.

552
00:22:05,280 --> 00:22:07,159
Speaker 12: Like John had his headphones on, didn't even talk to

553
00:22:07,240 --> 00:22:08,160
Speaker 12: his brother the whole time.

554
00:22:08,280 --> 00:22:11,080
Speaker 5: Also, now you want to change up, you're pivoting and

555
00:22:11,119 --> 00:22:11,880
Speaker 5: now it's no.

556
00:22:11,880 --> 00:22:14,520
Speaker 12: No, I'm just saying like I mean, or he didn't

557
00:22:14,520 --> 00:22:16,600
Speaker 12: want to hear people talking about how they have money problems,

558
00:22:16,600 --> 00:22:18,600
Speaker 12: so he just put the headphones on. I was just

559
00:22:18,640 --> 00:22:21,080
Speaker 12: worried about them, and so I sent you a little note.

560
00:22:21,400 --> 00:22:22,880
Speaker 10: You know. I'm just saying, hey, like do we need

561
00:22:22,880 --> 00:22:23,560
Speaker 10: to look out for him?

562
00:22:23,560 --> 00:22:24,520
Speaker 5: Do we need to what do we need to do

563
00:22:24,520 --> 00:22:25,119
Speaker 5: to go fund me?

564
00:22:25,320 --> 00:22:27,560
Speaker 10: Like, yeah, do we need to download a song or something?

565
00:22:27,600 --> 00:22:27,719
Speaker 13: Does?

566
00:22:27,760 --> 00:22:29,600
Speaker 5: No one's really download a song for twenty years, But

567
00:22:30,000 --> 00:22:32,040
Speaker 5: I get it.

568
00:22:31,640 --> 00:22:33,600
Speaker 8: I would be nice, though, are you gonna say, well.

569
00:22:33,520 --> 00:22:33,800
Speaker 5: I don't.

570
00:22:33,840 --> 00:22:38,119
Speaker 9: I don't like feeding into Lunchbox's narratives. However, Oh and

571
00:22:38,320 --> 00:22:42,280
Speaker 9: one of my backstage interviews with them, they did say

572
00:22:42,359 --> 00:22:45,840
Speaker 9: they do therapy together like as a band, but they're.

573
00:22:45,720 --> 00:22:48,119
Speaker 5: Supposed to it's different than therapy by yourself.

574
00:22:48,160 --> 00:22:50,880
Speaker 9: He says they're not getting along, but they're brothers.

575
00:22:51,280 --> 00:22:53,280
Speaker 8: Wait, so they're really fighting over money?

576
00:22:53,920 --> 00:22:57,080
Speaker 5: I have the money. Oh this is made up, and

577
00:22:57,080 --> 00:22:59,480
Speaker 5: then tell you both I was with them after the show,

578
00:23:00,160 --> 00:23:03,280
Speaker 5: know what everybody was getting a long time. Yes, I

579
00:23:03,320 --> 00:23:06,280
Speaker 5: would think there are I think Lady A has done

580
00:23:06,320 --> 00:23:09,000
Speaker 5: that that they've talked about a lot of bands that

581
00:23:09,040 --> 00:23:11,439
Speaker 5: I know or groups have talked, have done it. But

582
00:23:11,440 --> 00:23:12,920
Speaker 5: the people that I know that have set up publicly

583
00:23:13,320 --> 00:23:16,720
Speaker 5: Lady A very famously, Paramore did it for a long time.

584
00:23:17,560 --> 00:23:20,840
Speaker 5: So it is common for anyone in a group dynamic,

585
00:23:21,760 --> 00:23:24,680
Speaker 5: because you're on the road so much together to go

586
00:23:24,920 --> 00:23:28,560
Speaker 5: and make sure that the relationships are as healthy as

587
00:23:28,600 --> 00:23:28,840
Speaker 5: can be.

588
00:23:29,520 --> 00:23:31,840
Speaker 9: So so should we all do therapy together?

589
00:23:32,160 --> 00:23:34,000
Speaker 5: No, we're not all the road together. Were for four hour,

590
00:23:34,160 --> 00:23:35,600
Speaker 5: five hours whatever it is when we go home.

591
00:23:35,680 --> 00:23:36,200
Speaker 8: Yeah, we're good.

592
00:23:36,280 --> 00:23:38,520
Speaker 10: Okay, I'm busy.

593
00:23:38,680 --> 00:23:39,120
Speaker 11: Just a thought.

594
00:23:39,440 --> 00:23:42,160
Speaker 5: And those two are like equal. They've got to figure

595
00:23:42,160 --> 00:23:44,960
Speaker 5: out that dynamic. The bands are equal, you know, Hillary,

596
00:23:45,280 --> 00:23:47,880
Speaker 5: Charles Dave, they're equal. They can figure out that dynamic.

597
00:23:48,800 --> 00:23:56,120
Speaker 5: They that I'd tell you brothers Osbourn not having money problems,

598
00:23:56,760 --> 00:24:00,320
Speaker 5: probably smart with money, and I think it's pretty healthy

599
00:24:00,320 --> 00:24:02,760
Speaker 5: they're going to therapy if they're brothers and they're working together.

600
00:24:03,160 --> 00:24:05,040
Speaker 10: So but thank you, though I almost slid him a

601
00:24:05,080 --> 00:24:06,200
Speaker 10: five each just to help him out.

602
00:24:06,560 --> 00:24:08,840
Speaker 5: No chance you would even give anybody five each, right,

603
00:24:08,880 --> 00:24:10,400
Speaker 5: But Eddie Kane Brown was on your flight.

604
00:24:10,520 --> 00:24:12,679
Speaker 6: He was, and I started to freak out because like

605
00:24:12,720 --> 00:24:16,040
Speaker 6: when I saw Kane Brown, Jordan Davis, and Mitchell Timpenny

606
00:24:16,040 --> 00:24:17,879
Speaker 6: come on the plane, I'm like, oh my gosh, this

607
00:24:17,920 --> 00:24:18,560
Speaker 6: plane goes down.

608
00:24:18,600 --> 00:24:20,920
Speaker 5: It's the day of the music died. This plane goes down.

609
00:24:20,920 --> 00:24:21,960
Speaker 5: You ain't making the headline.

610
00:24:22,119 --> 00:24:22,760
Speaker 8: Well, that's for sure.

611
00:24:22,760 --> 00:24:26,919
Speaker 5: I don't even get mentioned in that headline. So the

612
00:24:27,000 --> 00:24:29,080
Speaker 5: day of music died, Amy, let me check your music

613
00:24:29,119 --> 00:24:32,520
Speaker 5: knowledge here? Do you know it? Okay, I'm not asking you, lunchbox,

614
00:24:32,520 --> 00:24:33,320
Speaker 5: the day of the music died?

615
00:24:33,359 --> 00:24:33,720
Speaker 8: Who died?

616
00:24:34,640 --> 00:24:35,120
Speaker 10: LaBamba?

617
00:24:35,840 --> 00:24:38,320
Speaker 5: Okay, go ahead, that's all I know.

618
00:24:38,680 --> 00:24:39,960
Speaker 10: Well, Richie Vallen, that is.

619
00:24:40,160 --> 00:24:41,359
Speaker 8: That's the obamba.

620
00:24:42,960 --> 00:24:44,720
Speaker 10: Oh the guy that were your glasses?

621
00:24:44,920 --> 00:24:49,280
Speaker 5: Go ahead, Holly, hollyhoo, buddy, holly correct, go ahead. And

622
00:24:49,359 --> 00:24:49,760
Speaker 5: one more.

623
00:24:49,800 --> 00:24:51,120
Speaker 10: There's a statue in Lubbock of.

624
00:24:51,080 --> 00:24:59,399
Speaker 5: It a little baby very King, Barry King. That's right,

625
00:24:59,480 --> 00:24:59,880
Speaker 5: nice shop.

626
00:25:00,160 --> 00:25:03,960
Speaker 10: It's not very big bopper yeah, Barry what's his name?

627
00:25:04,119 --> 00:25:05,639
Speaker 5: The Big Bopper? The Big Bopper?

628
00:25:06,480 --> 00:25:07,520
Speaker 10: But what's his real name?

629
00:25:07,920 --> 00:25:09,520
Speaker 5: They don't know. His real name was like J. P.

630
00:25:09,680 --> 00:25:10,879
Speaker 5: Richardson or something, but nobody.

631
00:25:11,040 --> 00:25:13,680
Speaker 10: It's not the Who am I thinking of them?

632
00:25:13,720 --> 00:25:17,080
Speaker 5: I can't tell you that because I'm not thinking Barry Switzer,

633
00:25:17,720 --> 00:25:18,560
Speaker 5: Lewis Manelo.

634
00:25:18,960 --> 00:25:21,560
Speaker 12: No, I know Barry Manilow is alive. I saw him

635
00:25:22,080 --> 00:25:23,800
Speaker 12: what where with Lady Gaga?

636
00:25:23,880 --> 00:25:24,720
Speaker 10: Right, and he's all got No.

637
00:25:24,840 --> 00:25:28,800
Speaker 5: That's see. We got to get out of it, walking

638
00:25:28,840 --> 00:25:30,680
Speaker 5: down a wormhole. We don't want to have to fight

639
00:25:30,720 --> 00:25:33,679
Speaker 5: our way out of where. You're good? Are you going

640
00:25:33,760 --> 00:25:34,040
Speaker 5: to say?

641
00:25:34,160 --> 00:25:35,720
Speaker 9: I was just trying to see. I didn't know the

642
00:25:35,720 --> 00:25:37,760
Speaker 9: third one. I knew Buddy Holly Ritchie Ballens, but.

643
00:25:37,720 --> 00:25:40,200
Speaker 5: Big Bopper only had one song and was not as

644
00:25:40,880 --> 00:25:41,880
Speaker 5: do you know who lived?

645
00:25:42,520 --> 00:25:44,160
Speaker 8: Yes, Whalen Jennings.

646
00:25:43,800 --> 00:25:44,480
Speaker 5: Flipped a coin?

647
00:25:45,160 --> 00:25:45,360
Speaker 7: Oh?

648
00:25:45,480 --> 00:25:48,040
Speaker 5: Yes lived because he didn't get on the He was

649
00:25:48,080 --> 00:25:49,680
Speaker 5: going to get on the plane, right, but who.

650
00:25:49,480 --> 00:25:50,960
Speaker 11: Got his coin?

651
00:25:51,040 --> 00:25:51,200
Speaker 5: Tok?

652
00:25:51,359 --> 00:25:53,080
Speaker 9: Just did the seat go to someone else?

653
00:25:53,240 --> 00:25:55,600
Speaker 5: It did and went to the brothers Osborne?

654
00:25:56,160 --> 00:25:57,439
Speaker 9: And or did he flip it?

655
00:25:57,520 --> 00:25:57,600
Speaker 15: Like?

656
00:25:57,640 --> 00:26:00,840
Speaker 5: Should I go the other seat? Was it Buddy Holly?

657
00:26:00,920 --> 00:26:01,800
Speaker 8: Maybe I don't know.

658
00:26:01,880 --> 00:26:03,240
Speaker 5: I don't know if they I don't know.

659
00:26:03,320 --> 00:26:04,080
Speaker 9: It's so tragic.

660
00:26:04,200 --> 00:26:07,440
Speaker 5: Yeah, in that plane it was snowy anyway, small plane.

661
00:26:07,720 --> 00:26:08,639
Speaker 8: Crashed in Iowa.

662
00:26:09,600 --> 00:26:11,159
Speaker 5: Yep, that's right, clear like Iowa.

663
00:26:11,240 --> 00:26:11,440
Speaker 7: Dang.

664
00:26:11,480 --> 00:26:13,480
Speaker 5: Good for you, buddy, not good for you. I know,

665
00:26:13,520 --> 00:26:15,080
Speaker 5: you know music. Hey, but when I saw those guys

666
00:26:15,080 --> 00:26:16,320
Speaker 5: get on the plane, I'm like, oh my god, you

667
00:26:16,320 --> 00:26:17,800
Speaker 5: thought that was gonna be on his Southwest last.

668
00:26:17,920 --> 00:26:18,600
Speaker 8: I was freaking out.

669
00:26:19,000 --> 00:26:20,439
Speaker 9: If you do, you feel weird if you have a

670
00:26:20,480 --> 00:26:21,200
Speaker 9: thought about.

671
00:26:21,000 --> 00:26:23,080
Speaker 8: Crashing, Okay, I think about it all the time.

672
00:26:23,119 --> 00:26:24,160
Speaker 10: Oh that's weird.

673
00:26:24,240 --> 00:26:25,679
Speaker 5: Oh yeah, I even talk about it when I'm up there.

674
00:26:26,040 --> 00:26:28,040
Speaker 8: I told Jordan Davis, Dude, we die. It's the day

675
00:26:28,040 --> 00:26:28,640
Speaker 8: of the music Dead.

676
00:26:28,920 --> 00:26:31,000
Speaker 10: Oh did all the artists sit by each other? Do

677
00:26:31,080 --> 00:26:31,840
Speaker 10: they sit the same?

678
00:26:32,600 --> 00:26:34,840
Speaker 5: If they did in their feuding and let's start a rumor, dude.

679
00:26:34,640 --> 00:26:36,880
Speaker 8: They were not sitting together, so that means they were fighting.

680
00:26:36,640 --> 00:26:39,680
Speaker 5: Their headphones on it talking to I would imagine if Kine,

681
00:26:39,920 --> 00:26:41,800
Speaker 5: by the way, is not having money problem with the

682
00:26:41,840 --> 00:26:43,720
Speaker 5: promise yet, I imagine if he gets on a plane

683
00:26:43,720 --> 00:26:45,080
Speaker 5: like that, everybody wants to take pictures with him.

684
00:26:45,160 --> 00:26:47,440
Speaker 8: No, no one bothered him and he was with his wife.

685
00:26:47,520 --> 00:26:49,240
Speaker 5: You're out of your mind. There's no way Caine Dorown

686
00:26:49,280 --> 00:26:50,560
Speaker 5: got on the plane and nobody to bother dude I

687
00:26:50,600 --> 00:26:51,560
Speaker 5: saw was on this flight.

688
00:26:51,680 --> 00:26:54,439
Speaker 4: I was, and he absolutely There's multiple fans that went

689
00:26:54,520 --> 00:26:56,240
Speaker 4: up to him and took pictures with him before the flight.

690
00:26:56,600 --> 00:26:58,680
Speaker 8: Oh, before the fly. I only saw him on the plane.

691
00:26:59,080 --> 00:27:01,439
Speaker 5: Got it, wait, scoob away. I said his move and

692
00:27:01,480 --> 00:27:03,480
Speaker 5: I saw it. Really smart, you get on the plane.

693
00:27:03,480 --> 00:27:04,520
Speaker 5: I got in early with him.

694
00:27:04,760 --> 00:27:07,439
Speaker 6: He immediately falls asleep on his wife's shoulder, so no

695
00:27:07,480 --> 00:27:08,240
Speaker 6: one talks to him.

696
00:27:08,240 --> 00:27:10,080
Speaker 5: Why did your finger quotes on falls asleep because.

697
00:27:09,880 --> 00:27:11,040
Speaker 8: I don't think he's really asleep at all.

698
00:27:11,080 --> 00:27:14,240
Speaker 5: It was early though. I gave him. I made a

699
00:27:14,920 --> 00:27:16,320
Speaker 5: he was flying back the next I said, here, dude,

700
00:27:16,320 --> 00:27:17,840
Speaker 5: and I handed him something to hide. It was some

701
00:27:17,880 --> 00:27:20,560
Speaker 5: of those glasses with a mustache on it, plastic.

702
00:27:20,200 --> 00:27:21,919
Speaker 8: Glasses with wasn't wear in that.

703
00:27:21,960 --> 00:27:25,040
Speaker 5: It wasn't dang. Okay, it was a great festival. We'll

704
00:27:25,040 --> 00:27:26,760
Speaker 5: talk a little more about it. We got to Morgan

705
00:27:26,800 --> 00:27:28,280
Speaker 5: wants to spill the tear about something she saw at

706
00:27:28,320 --> 00:27:30,359
Speaker 5: the festival as well, or that the weekend, so she

707
00:27:30,400 --> 00:27:32,120
Speaker 5: wants to tell on somebody but we're out of time

708
00:27:32,160 --> 00:27:35,200
Speaker 5: for that. We spent the weekend in Austin, Texas. Love

709
00:27:35,240 --> 00:27:37,719
Speaker 5: it home, Shout out Austin. I mean, I love it.

710
00:27:37,720 --> 00:27:40,280
Speaker 5: It's like when I go back to Austin, She's like,

711
00:27:42,119 --> 00:27:45,800
Speaker 5: it feels like, I mean, I spent my entire young

712
00:27:45,920 --> 00:27:49,040
Speaker 5: adult life there, and I know you guys grew up there,

713
00:27:49,520 --> 00:27:53,199
Speaker 5: so it just feels like, oh, like, when I go

714
00:27:53,280 --> 00:27:57,040
Speaker 5: back home home to Arkansas, it's almost like this backpack

715
00:27:57,080 --> 00:28:00,199
Speaker 5: of rocks has taken off of me. He's like, like,

716
00:28:00,240 --> 00:28:03,040
Speaker 5: I feel that way about Austin too. We go by

717
00:28:03,040 --> 00:28:05,240
Speaker 5: our country festival and you know, the very first artist

718
00:28:05,320 --> 00:28:07,359
Speaker 5: we put a big headliner at the beginning of and

719
00:28:07,359 --> 00:28:11,400
Speaker 5: and it's Luke Bryan. And Luke comes out and shot

720
00:28:11,440 --> 00:28:13,639
Speaker 5: out of a cannon. As always, I got a shout

721
00:28:13,680 --> 00:28:16,479
Speaker 5: Luke out too. Because there was a kid who his

722
00:28:16,560 --> 00:28:18,840
Speaker 5: mom had called the show. It was his birthday. He's

723
00:28:18,880 --> 00:28:21,200
Speaker 5: in a band called Kid Country. I'm wearing their sweatshirt now.

724
00:28:21,640 --> 00:28:22,800
Speaker 5: She was like, hey, I want to tell him he

725
00:28:22,840 --> 00:28:25,119
Speaker 5: got tickets to don't ask for tickets, And so we

726
00:28:25,200 --> 00:28:27,080
Speaker 5: told him that they got them tickets, and then I

727
00:28:27,160 --> 00:28:29,159
Speaker 5: arranged for him to come backstage and just you know,

728
00:28:29,200 --> 00:28:31,040
Speaker 5: meet me and say how do you guys? But then

729
00:28:31,040 --> 00:28:32,600
Speaker 5: I just took him with me all backstage and I

730
00:28:32,600 --> 00:28:35,560
Speaker 5: found Luke and I was like, Luke, we meet you

731
00:28:35,560 --> 00:28:39,480
Speaker 5: know whatever his name is, Luke to LJ was Luke Junior,

732
00:28:39,920 --> 00:28:43,000
Speaker 5: and so Luke, Luke's awesome to everybody all the time.

733
00:28:43,120 --> 00:28:46,280
Speaker 5: The man he came out my kind denied the live song.

734
00:28:51,800 --> 00:28:53,720
Speaker 5: So that was fun. What a fun way to start it.

735
00:28:54,120 --> 00:28:56,320
Speaker 5: Kaitlin and I were sitting side stage. We wanted to

736
00:28:56,320 --> 00:28:58,640
Speaker 5: watch Luke just such a good live perform and go

737
00:28:58,640 --> 00:29:00,480
Speaker 5: see him if he's, you know, doing in a show.

738
00:29:00,600 --> 00:29:02,360
Speaker 5: I'll tell you when Sam Hunt jumped in the crowd

739
00:29:03,000 --> 00:29:06,080
Speaker 5: because he jumped good thing. He's an athlete and still

740
00:29:06,080 --> 00:29:09,640
Speaker 5: has knees at work because he just flew off the stage.

741
00:29:10,040 --> 00:29:12,040
Speaker 5: So he's got his mic and Sam's doing his whole

742
00:29:12,040 --> 00:29:16,720
Speaker 5: show and just launches into the crowd and his security guy,

743
00:29:16,960 --> 00:29:18,920
Speaker 5: Sam apparently does this a lot new I mean, he

744
00:29:19,040 --> 00:29:21,320
Speaker 5: was scary guys right on him making sure that nobody

745
00:29:21,360 --> 00:29:23,840
Speaker 5: was like grabbing Sam's private hearts or his nipples or

746
00:29:23,840 --> 00:29:25,600
Speaker 5: stuff or just like touch it pup and his shirt,

747
00:29:25,800 --> 00:29:27,680
Speaker 5: his people. I mean, I might, I might be honest,

748
00:29:27,680 --> 00:29:30,440
Speaker 5: with you. I might cry that too. But so Sam

749
00:29:30,520 --> 00:29:33,400
Speaker 5: is in the crowd and he did. He's doing house

750
00:29:33,400 --> 00:29:40,520
Speaker 5: party and the whole crowd's jumping up and down. Just

751
00:29:40,560 --> 00:29:44,120
Speaker 5: such a cool show. So we're there. I don't want

752
00:29:44,120 --> 00:29:45,680
Speaker 5: to go to Morgan because Morgan wants to spill the

753
00:29:45,720 --> 00:29:47,440
Speaker 5: tea basically on Something that happened was that over the

754
00:29:47,440 --> 00:29:49,240
Speaker 5: weekend at I our country festival at the show.

755
00:29:49,360 --> 00:29:50,680
Speaker 3: It was after the big show.

756
00:29:50,800 --> 00:29:52,600
Speaker 5: Okay, so you guys went out.

757
00:29:53,280 --> 00:29:54,160
Speaker 3: I didn't go out.

758
00:29:54,200 --> 00:29:55,720
Speaker 4: I was going back to the hotel because I had

759
00:29:55,720 --> 00:29:59,600
Speaker 4: an early flight, but lunchbox guilt tripped me into taking

760
00:29:59,640 --> 00:30:02,760
Speaker 4: back all of his stuff. His backpack. Everything was stuffed

761
00:30:02,760 --> 00:30:04,680
Speaker 4: in there because he wanted to go out and party,

762
00:30:05,200 --> 00:30:07,120
Speaker 4: and I had heels, like a nice dress on, and

763
00:30:07,120 --> 00:30:09,000
Speaker 4: he's like, hey, take my back back to the hotel.

764
00:30:09,160 --> 00:30:09,960
Speaker 3: I'm gonna go out.

765
00:30:10,200 --> 00:30:12,680
Speaker 5: But if he just he just asked you politely and nicely.

766
00:30:13,120 --> 00:30:15,080
Speaker 4: Uh no, he did at first, and I was like, hey, like,

767
00:30:15,120 --> 00:30:16,720
Speaker 4: I have a really heavy bag to carry out. I

768
00:30:16,760 --> 00:30:18,680
Speaker 4: don't think I'm gonna be able to do this. And

769
00:30:18,680 --> 00:30:20,840
Speaker 4: then he's like, well, I'm not going to post on

770
00:30:20,880 --> 00:30:22,360
Speaker 4: social media and stuff. You don't take my.

771
00:30:22,320 --> 00:30:25,760
Speaker 5: Bag like a threat, like he's not going to do

772
00:30:25,800 --> 00:30:28,680
Speaker 5: his job. Yes, guilt personal for him.

773
00:30:28,560 --> 00:30:29,200
Speaker 3: And I felt that.

774
00:30:29,280 --> 00:30:31,120
Speaker 11: I was like, well, I need him to post content.

775
00:30:31,200 --> 00:30:33,240
Speaker 3: I need him to post on social media, so I

776
00:30:33,240 --> 00:30:34,200
Speaker 3: guess I'll take his bag.

777
00:30:34,280 --> 00:30:37,080
Speaker 5: So that affect cause that affect your job. Yes, so

778
00:30:37,120 --> 00:30:38,600
Speaker 5: he was making you just send the personal for him

779
00:30:38,680 --> 00:30:40,680
Speaker 5: or he's gonna hurt you at your job.

780
00:30:40,880 --> 00:30:42,880
Speaker 3: Yes, he was guilt tripping me your thoughts.

781
00:30:43,480 --> 00:30:45,680
Speaker 12: My thought is, I mean she has a ride back

782
00:30:45,720 --> 00:30:47,960
Speaker 12: to the hotel, so she has to walk ten feet

783
00:30:47,960 --> 00:30:48,800
Speaker 12: to get in a vehicle.

784
00:30:48,880 --> 00:30:50,800
Speaker 5: Now it's a long walk to get to anywhere where

785
00:30:50,800 --> 00:30:53,320
Speaker 5: cars were and all she has. You just kept talking,

786
00:30:53,320 --> 00:30:55,680
Speaker 5: but it's a long walk to get even for us.

787
00:30:55,720 --> 00:30:56,880
Speaker 5: Took us forever to get to our car.

788
00:30:56,960 --> 00:30:59,560
Speaker 12: She throws on the backpack and carries her bag. My

789
00:30:59,640 --> 00:31:01,840
Speaker 12: bag is not heavy at all. It was just a

790
00:31:01,880 --> 00:31:03,720
Speaker 12: pair of shorts, a shirt and some shoes.

791
00:31:04,120 --> 00:31:04,840
Speaker 10: No big deal.

792
00:31:05,320 --> 00:31:07,440
Speaker 12: I mean I was nice enough to get to the

793
00:31:07,840 --> 00:31:10,360
Speaker 12: venue early to help her, like create content.

794
00:31:10,720 --> 00:31:13,360
Speaker 10: I thought, oh, I scratched your back, you scratch my mine.

795
00:31:14,320 --> 00:31:14,960
Speaker 3: But he didn't.

796
00:31:15,000 --> 00:31:17,160
Speaker 4: I asked him to get there earlier, and he was like, no,

797
00:31:17,200 --> 00:31:18,480
Speaker 4: I'm not gonna that earlier.

798
00:31:18,680 --> 00:31:20,120
Speaker 12: She asked me to get there at one o'clock, and

799
00:31:20,160 --> 00:31:22,040
Speaker 12: I was like, early, I don't need to be there

800
00:31:22,080 --> 00:31:23,880
Speaker 12: till four, so I'll get there about two thirty.

801
00:31:24,160 --> 00:31:24,560
Speaker 10: That's good.

802
00:31:24,720 --> 00:31:28,000
Speaker 12: That's a good compromise in my opinion. Like, I'm like,

803
00:31:28,200 --> 00:31:29,720
Speaker 12: you know, and she was like, why can't you get

804
00:31:29,720 --> 00:31:31,920
Speaker 12: there at one? How about how about one forty five?

805
00:31:32,000 --> 00:31:34,000
Speaker 12: I'm like, well, no, I'll get there an hour and

806
00:31:34,040 --> 00:31:35,280
Speaker 12: a half early. That's pretty good.

807
00:31:35,360 --> 00:31:38,000
Speaker 5: Did you say though, that you will not do work

808
00:31:38,000 --> 00:31:39,600
Speaker 5: for her unless she takes your stuff back?

809
00:31:39,680 --> 00:31:39,920
Speaker 8: Yeah?

810
00:31:40,000 --> 00:31:42,800
Speaker 5: Yeah, god, okay, Yeah.

811
00:31:43,040 --> 00:31:44,160
Speaker 10: I was like, hey, you don't want to help me.

812
00:31:44,200 --> 00:31:45,080
Speaker 10: I want to help you.

813
00:31:45,160 --> 00:31:47,440
Speaker 5: No, but that's that's sort of your job.

814
00:31:47,360 --> 00:31:50,760
Speaker 12: Sort of y sort of, but it hurts out to

815
00:31:50,760 --> 00:31:52,280
Speaker 12: be a you know, a good friend.

816
00:31:52,680 --> 00:31:55,520
Speaker 3: I was wearing heels. I don't want four o'clocks.

817
00:31:55,480 --> 00:31:57,520
Speaker 5: Multi bad job to be a good friend.

818
00:31:57,600 --> 00:31:59,040
Speaker 9: Yeah, he's just saying things.

819
00:31:59,040 --> 00:32:01,960
Speaker 5: Now, So what happened she took the bag or she did?

820
00:32:02,000 --> 00:32:02,560
Speaker 9: She's nice.

821
00:32:02,600 --> 00:32:03,840
Speaker 5: Would you have gone out though at all? If he

822
00:32:03,840 --> 00:32:04,560
Speaker 5: didn't have his bag?

823
00:32:04,960 --> 00:32:06,280
Speaker 3: No, I wouldn't have gone out.

824
00:32:06,480 --> 00:32:08,760
Speaker 4: But I just was mad because I felt like I

825
00:32:08,800 --> 00:32:10,680
Speaker 4: had to do it to be able to get somebody

826
00:32:10,680 --> 00:32:11,440
Speaker 4: to do their job.

827
00:32:11,800 --> 00:32:13,240
Speaker 5: That's right wucking to my world.

828
00:32:13,720 --> 00:32:17,480
Speaker 12: I mean really, it's really the lesser people had to

829
00:32:17,520 --> 00:32:19,200
Speaker 12: take care of the stars, like you know what I mean,

830
00:32:19,240 --> 00:32:22,320
Speaker 12: Like in a situation when you're not as high on

831
00:32:22,320 --> 00:32:24,640
Speaker 12: the totem pole, you have to kind of be like, Okay,

832
00:32:24,680 --> 00:32:26,360
Speaker 12: you know the star needs something, I'll help them.

833
00:32:26,400 --> 00:32:27,240
Speaker 8: And he loves that totally.

834
00:32:27,320 --> 00:32:28,560
Speaker 5: So what if I would have been going out and

835
00:32:28,560 --> 00:32:29,760
Speaker 5: I was like lunch box and you take all this

836
00:32:29,800 --> 00:32:30,600
Speaker 5: crap back to my room.

837
00:32:30,720 --> 00:32:32,240
Speaker 10: Well, if I was going back to the hotel, I

838
00:32:32,240 --> 00:32:33,040
Speaker 10: would have had to do it.

839
00:32:33,120 --> 00:32:36,920
Speaker 5: But oh, you wouldn't have You would have that. I

840
00:32:36,920 --> 00:32:38,760
Speaker 5: would have never done that, and know you would know

841
00:32:38,760 --> 00:32:40,280
Speaker 5: how to don there's no total pole.

842
00:32:41,000 --> 00:32:44,440
Speaker 10: Hey Morgan, Bobby's going out down, Yeah, go down the pole.

843
00:32:44,640 --> 00:32:47,040
Speaker 3: I mean Amy or Eddie or Bobby. Nobody asked me

844
00:32:47,080 --> 00:32:47,760
Speaker 3: to take their stuff.

845
00:32:47,760 --> 00:32:48,320
Speaker 11: It was just us.

846
00:32:48,720 --> 00:32:50,240
Speaker 5: I carried all my stuff back to the room and

847
00:32:50,240 --> 00:32:51,520
Speaker 5: then we went to eat. After that it was the

848
00:32:51,680 --> 00:32:52,280
Speaker 5: velvet taco.

849
00:32:52,400 --> 00:32:54,560
Speaker 10: Yeah, they were going back to the hotel. We weren't.

850
00:32:54,560 --> 00:32:57,440
Speaker 5: We actually wanted to go right to get velvet taco,

851
00:32:57,760 --> 00:33:00,240
Speaker 5: but we had a bunch of stuff and so instead

852
00:33:00,240 --> 00:33:02,440
Speaker 5: of having somebody take it force. We took it ourselves,

853
00:33:02,680 --> 00:33:05,040
Speaker 5: dropped it off, went back down and went nate a

854
00:33:05,120 --> 00:33:06,480
Speaker 5: velvet TALKO imagine that?

855
00:33:06,840 --> 00:33:08,600
Speaker 12: Oh man, well I was going straight to the bar,

856
00:33:08,760 --> 00:33:11,360
Speaker 12: so I mean people are going to wait for me

857
00:33:11,360 --> 00:33:12,920
Speaker 12: to go to the hotel then meet him at the bar.

858
00:33:13,240 --> 00:33:14,760
Speaker 10: Bar closes. Man, we got to get.

859
00:33:14,600 --> 00:33:17,280
Speaker 5: There, so does Velvet Taco. Probably before the bar closes.

860
00:33:17,360 --> 00:33:17,800
Speaker 5: I don't know.

861
00:33:17,840 --> 00:33:22,880
Speaker 12: Anyway, Thank you Morgan, I said thank you text did you?

862
00:33:24,000 --> 00:33:25,600
Speaker 10: Yeah? Thanks, appreciate it.

863
00:33:25,840 --> 00:33:28,360
Speaker 5: Brothers Osborne was a surprise guest. Ain't my fault?

864
00:33:28,520 --> 00:33:33,120
Speaker 8: Dame playing for five all a bounced back dude and

865
00:33:33,240 --> 00:33:33,960
Speaker 8: take the joke.

866
00:33:34,640 --> 00:33:36,400
Speaker 5: And then Lunchbox came on the show today and said

867
00:33:36,400 --> 00:33:40,760
Speaker 5: they were having money problems. Yep, because they flew southwest.

868
00:33:40,280 --> 00:33:42,240
Speaker 6: Back right and they weren't talking to each other, so

869
00:33:42,320 --> 00:33:43,440
Speaker 6: probably mad about the money.

870
00:33:43,480 --> 00:33:46,240
Speaker 5: One put headphones on and didn't say anything. What time

871
00:33:46,320 --> 00:33:46,680
Speaker 5: was your flight?

872
00:33:47,360 --> 00:33:48,480
Speaker 10: Nine early?

873
00:33:48,520 --> 00:33:50,080
Speaker 5: So you had to get there at eight thirty, had

874
00:33:50,120 --> 00:33:54,480
Speaker 5: to leave the hotel at eight after being out all night. Yeah,

875
00:33:54,680 --> 00:33:57,640
Speaker 5: you know what, I completely get. They're probably tired and

876
00:33:57,720 --> 00:34:08,400
Speaker 5: just sleepy. Caane brown Bury me in Georgia. It's awesome.

877
00:34:08,440 --> 00:34:10,960
Speaker 5: Festival next year when we do it again. I hope

878
00:34:11,000 --> 00:34:12,800
Speaker 5: you guys come Highlight Amy. Do you have anything?

879
00:34:12,880 --> 00:34:15,800
Speaker 9: Oh well, I have the entire festival on my phone

880
00:34:15,840 --> 00:34:18,000
Speaker 9: and my sister's phone because my son went and he

881
00:34:18,080 --> 00:34:20,080
Speaker 9: anybody that had a phone he wanted to borrow it

882
00:34:20,120 --> 00:34:21,720
Speaker 9: to record everything he was seeing.

883
00:34:22,440 --> 00:34:24,759
Speaker 5: Oh, you should watch it all back then if you

884
00:34:24,760 --> 00:34:25,360
Speaker 5: need a recon.

885
00:34:26,560 --> 00:34:26,839
Speaker 7: I got.

886
00:34:27,480 --> 00:34:29,399
Speaker 9: So that's my favorite part is just my family being

887
00:34:29,440 --> 00:34:30,680
Speaker 9: able to be there.

888
00:34:31,320 --> 00:34:33,680
Speaker 6: Caitlin Brown coming out with with Kane that was awesome,

889
00:34:33,719 --> 00:34:35,359
Speaker 6: Like we've talked about her doing that, but we got

890
00:34:35,360 --> 00:34:35,680
Speaker 6: to see that.

891
00:34:35,600 --> 00:34:36,239
Speaker 8: That was really cool.

892
00:34:36,520 --> 00:34:39,799
Speaker 12: Blunchboks, I'd just say Morgan taking my bag back by

893
00:34:39,920 --> 00:34:42,080
Speaker 12: my highlight. Yeah, I mean that really made my night

894
00:34:42,160 --> 00:34:43,160
Speaker 12: and made it special.

895
00:34:43,960 --> 00:34:46,399
Speaker 5: Your wife didn't go No, so did you go hard?

896
00:34:46,640 --> 00:34:46,879
Speaker 15: Yeah?

897
00:34:46,960 --> 00:34:47,680
Speaker 5: You get really drunk.

898
00:34:47,719 --> 00:34:50,160
Speaker 10: Yeah. I went up Friday night and Saturday night met

899
00:34:50,239 --> 00:34:50,880
Speaker 10: up with the boys.

900
00:34:51,920 --> 00:34:53,080
Speaker 9: Oh yeah, high school boys.

901
00:34:53,200 --> 00:34:54,040
Speaker 5: I get really drunk.

902
00:34:54,040 --> 00:34:57,160
Speaker 12: I ran yeah, we ran into Oh yeah yeah, they

903
00:34:57,200 --> 00:34:58,279
Speaker 12: said that you ran into them.

904
00:34:58,719 --> 00:35:00,520
Speaker 9: Yeah up top. I had to go this thing for

905
00:35:00,600 --> 00:35:02,560
Speaker 9: Mattress Firm where I had to go through the crowd

906
00:35:02,560 --> 00:35:04,360
Speaker 9: and end up in these chairs and all of a sudden.

907
00:35:04,360 --> 00:35:06,120
Speaker 9: I met the top trying to go down and I

908
00:35:06,160 --> 00:35:08,920
Speaker 9: see I see these five boys walk by, and I'm like, oh,

909
00:35:08,920 --> 00:35:11,600
Speaker 9: there's Lung Fox's high School Buddies crew.

910
00:35:12,760 --> 00:35:14,880
Speaker 10: It was great, man, it was fun.

911
00:35:14,960 --> 00:35:16,799
Speaker 5: Do you still do shots or do you drink?

912
00:35:16,960 --> 00:35:17,040
Speaker 10: No?

913
00:35:17,120 --> 00:35:20,719
Speaker 5: I saw Ady holding a Cosmopolitan that Lunchbox had.

914
00:35:20,840 --> 00:35:21,600
Speaker 8: That's what he ordered.

915
00:35:21,640 --> 00:35:23,719
Speaker 5: You grabbed it to show that he does not missed

916
00:35:23,719 --> 00:35:24,319
Speaker 5: a shot guy?

917
00:35:24,440 --> 00:35:25,840
Speaker 10: Correct. No, No, we didn't do shots that.

918
00:35:26,080 --> 00:35:28,839
Speaker 12: We were at a fancy bar and the boss was like, here,

919
00:35:28,880 --> 00:35:30,160
Speaker 12: do you want to drink? And that was on their

920
00:35:30,239 --> 00:35:32,600
Speaker 12: fancy bar, the like the their fancy list, and I

921
00:35:32,640 --> 00:35:32,959
Speaker 12: was like.

922
00:35:33,280 --> 00:35:34,520
Speaker 5: I guess on fancy list.

923
00:35:34,800 --> 00:35:36,640
Speaker 12: Yeah, And that's when you're like, oh, I guess I

924
00:35:36,640 --> 00:35:38,239
Speaker 12: got to drink a fancy drinks.

925
00:35:38,680 --> 00:35:39,680
Speaker 5: They taco while you're eating.

926
00:35:39,960 --> 00:35:40,799
Speaker 10: No, they didn't have.

927
00:35:42,920 --> 00:35:47,440
Speaker 5: Yeah, Lunchbox starting to play character more and more shots.

928
00:35:47,480 --> 00:35:49,759
Speaker 12: Then we went to seven Grand afterwards and we hang

929
00:35:49,800 --> 00:35:51,879
Speaker 12: out and drink and man, it was good.

930
00:35:51,880 --> 00:35:54,040
Speaker 10: I had some tacos, They're delicious.

931
00:35:54,320 --> 00:35:55,200
Speaker 5: And what cosmos?

932
00:35:55,520 --> 00:35:57,880
Speaker 10: No, No, they didn't have cosmos at that bar.

933
00:35:57,760 --> 00:35:58,520
Speaker 5: Which you got one there?

934
00:35:58,920 --> 00:36:03,759
Speaker 10: Nah, I don't even know what's in a cosmo? Remember it?

935
00:36:03,800 --> 00:36:06,920
Speaker 5: Actually? Yeah, I mean, it was an amazing time. Everybody

936
00:36:06,920 --> 00:36:09,120
Speaker 5: that came. Thank you. I thought Jordan Davis is set

937
00:36:09,160 --> 00:36:13,160
Speaker 5: was awesome. Where Jordan and I are like pretty close friends,

938
00:36:13,160 --> 00:36:15,520
Speaker 5: but I never get to see him perform because it's here.

939
00:36:15,880 --> 00:36:17,759
Speaker 5: We're just usually hanging out, and its first time off

940
00:36:17,760 --> 00:36:20,600
Speaker 5: got to see him like play full band, the whole thing,

941
00:36:20,600 --> 00:36:22,040
Speaker 5: and I was like, dang, he's pretty good.

942
00:36:22,239 --> 00:36:22,560
Speaker 10: He's good.

943
00:36:22,640 --> 00:36:24,800
Speaker 5: Who knew well? When he got off, I walked with

944
00:36:24,880 --> 00:36:26,160
Speaker 5: him over the back to his room and I was like,

945
00:36:26,160 --> 00:36:28,879
Speaker 5: who knew? You got so good? And he was like, yeah, dude,

946
00:36:28,920 --> 00:36:30,520
Speaker 5: thanks for coming to my show. Is I here's Jordan

947
00:36:30,600 --> 00:36:34,520
Speaker 5: Davis by dirt and he sneaky, has a bunch of

948
00:36:34,600 --> 00:36:36,840
Speaker 5: number ones. It's just one after the other. After you're like,

949
00:36:36,880 --> 00:36:40,239
Speaker 5: oh yeah, yeah, yeah, great show. Thank you everybody for coming.

950
00:36:40,360 --> 00:36:41,719
Speaker 5: Or if you went to the theater and watched it,

951
00:36:41,760 --> 00:36:43,560
Speaker 5: that was super cool too, Or if you want to

952
00:36:43,560 --> 00:36:45,000
Speaker 5: come to Amy's and watch it. She has it all

953
00:36:45,120 --> 00:36:47,719
Speaker 5: on her phone. We'll have a screening over there later.

954
00:36:49,160 --> 00:36:52,360
Speaker 1: It's the best bits of the week with Morgan.

955
00:36:52,440 --> 00:36:52,879
Speaker 10: Number two.

956
00:36:55,680 --> 00:36:58,399
Speaker 4: Eddie had a super interesting experience with a homeless man

957
00:36:58,440 --> 00:37:01,000
Speaker 4: and it was a good one. Almost man actually gave

958
00:37:01,080 --> 00:37:03,920
Speaker 4: him something, which Eddie was surprised by. And it's all

959
00:37:03,960 --> 00:37:06,320
Speaker 4: because Eddie drives a jeep.

960
00:37:06,880 --> 00:37:09,080
Speaker 5: Number four, Eddie, homeless guy gave you something.

961
00:37:09,200 --> 00:37:10,200
Speaker 8: Yeah, isn't that crazy?

962
00:37:10,280 --> 00:37:10,960
Speaker 5: What happened?

963
00:37:11,080 --> 00:37:13,839
Speaker 6: Well, I was at a red light and homeless guy's

964
00:37:13,920 --> 00:37:15,799
Speaker 6: just walking by, and I usually just like roll down

965
00:37:15,800 --> 00:37:16,560
Speaker 6: the window and talk to him.

966
00:37:16,560 --> 00:37:18,160
Speaker 5: I don't if I have change. I gave him change,

967
00:37:18,160 --> 00:37:19,560
Speaker 5: but I normally don't give him money. Also, you're in

968
00:37:19,600 --> 00:37:21,799
Speaker 5: a jeep, but there's no top totally wide open. It's

969
00:37:21,800 --> 00:37:23,600
Speaker 5: wide over. Anybody can talk to you right right.

970
00:37:23,719 --> 00:37:25,279
Speaker 6: So I'm just like, how's it going, man? He's like,

971
00:37:25,320 --> 00:37:28,520
Speaker 6: where's your ducky? And I go, excuse me, your rubber ducky?

972
00:37:28,560 --> 00:37:30,680
Speaker 6: You drive a jeep and jeeps all have rubber duckies.

973
00:37:30,719 --> 00:37:32,799
Speaker 6: I'm like, oh, no one's ever give me a rubber ducky.

974
00:37:32,840 --> 00:37:34,520
Speaker 8: I don't know. So he reaches in.

975
00:37:34,480 --> 00:37:36,240
Speaker 6: His pocket and pulls out a ducky.

976
00:37:36,320 --> 00:37:38,640
Speaker 8: Here you go, man, put that on your dash. I

977
00:37:38,680 --> 00:37:41,320
Speaker 8: was like, that's amazing. The homeless guy gave me something,

978
00:37:42,200 --> 00:37:42,920
Speaker 8: so now it's on my.

979
00:37:42,960 --> 00:37:44,920
Speaker 5: Dash and he had a ducky in his pocket. Yeah,

980
00:37:45,080 --> 00:37:46,880
Speaker 5: that crazy, Morgan. You have a jeep. You have a ducky?

981
00:37:47,000 --> 00:37:48,800
Speaker 3: Yeah, I have like six of them on my dashboard.

982
00:37:48,800 --> 00:37:50,319
Speaker 5: Why would you know you get any one that's rude?

983
00:37:50,360 --> 00:37:51,160
Speaker 11: I did give it one.

984
00:37:51,280 --> 00:37:51,960
Speaker 5: Hey, that's American.

985
00:37:52,600 --> 00:37:54,839
Speaker 8: You gave me, you know what.

986
00:37:54,960 --> 00:37:56,920
Speaker 4: I was waiting for him to bring it up. And

987
00:37:56,960 --> 00:37:58,560
Speaker 4: I ducked him one time. And you know what, I

988
00:37:58,560 --> 00:37:58,799
Speaker 4: think he.

989
00:37:58,840 --> 00:37:59,359
Speaker 3: Threw it away?

990
00:37:59,560 --> 00:38:01,000
Speaker 5: Oh that what that was?

991
00:38:01,560 --> 00:38:02,919
Speaker 8: She put it on my door hand.

992
00:38:03,239 --> 00:38:03,400
Speaker 5: Know what?

993
00:38:03,480 --> 00:38:03,799
Speaker 10: It was?

994
00:38:03,920 --> 00:38:05,920
Speaker 8: No idea and I did throw it away.

995
00:38:06,120 --> 00:38:06,960
Speaker 5: What did you think it was?

996
00:38:07,320 --> 00:38:08,959
Speaker 8: I thought somebody pranked me. I'm like, I have no idea.

997
00:38:08,960 --> 00:38:12,479
Speaker 5: What you get ducked? Morgan? So people give you ducks?

998
00:38:12,840 --> 00:38:14,320
Speaker 5: What's I had a jeep for a while and the

999
00:38:14,320 --> 00:38:17,239
Speaker 5: way thing got annoying. Okay, I kept thinking I knew them,

1000
00:38:17,239 --> 00:38:17,960
Speaker 5: and I was like, who was that? Oh?

1001
00:38:18,040 --> 00:38:19,680
Speaker 6: Yeah, you know what happens to me. I drive my

1002
00:38:19,680 --> 00:38:21,200
Speaker 6: wife's cars, not a jeep. And I waved to people

1003
00:38:21,239 --> 00:38:21,960
Speaker 6: and they don't wave back.

1004
00:38:22,040 --> 00:38:25,640
Speaker 5: I'm like, the jay, what's the duck thing?

1005
00:38:25,680 --> 00:38:25,960
Speaker 10: Morgan?

1006
00:38:26,160 --> 00:38:28,600
Speaker 4: It's basically them saying they like your jeep, so you

1007
00:38:28,640 --> 00:38:30,640
Speaker 4: they'll duck you and they'll leave a little note with it,

1008
00:38:30,760 --> 00:38:32,279
Speaker 4: or they may just leave a duck and it's just

1009
00:38:32,320 --> 00:38:33,120
Speaker 4: like we ducked.

1010
00:38:32,880 --> 00:38:33,799
Speaker 11: You because we like your jeep.

1011
00:38:33,840 --> 00:38:35,920
Speaker 5: So no one except for Morgan has ever ducked you.

1012
00:38:36,000 --> 00:38:38,560
Speaker 5: No one's ever ducked me. Your jeep pretty cool, except

1013
00:38:38,600 --> 00:38:39,680
Speaker 5: now home was got duck me?

1014
00:38:39,719 --> 00:38:42,600
Speaker 10: Well you know why Morgan gets ducked hot chick?

1015
00:38:44,239 --> 00:38:44,359
Speaker 15: Right?

1016
00:38:44,400 --> 00:38:45,800
Speaker 5: No, no, they got it.

1017
00:38:46,400 --> 00:38:48,240
Speaker 10: They see her get out of the jeep like hot blonde.

1018
00:38:48,320 --> 00:38:49,160
Speaker 10: Let me, this is my end.

1019
00:38:49,160 --> 00:38:50,920
Speaker 5: I'm gonna suck her and waiting to duck her for

1020
00:38:50,920 --> 00:38:51,319
Speaker 5: a long time.

1021
00:38:51,400 --> 00:38:52,680
Speaker 10: Yeah, they're not.

1022
00:38:52,960 --> 00:38:54,440
Speaker 9: They don't stick around.

1023
00:38:54,760 --> 00:38:56,040
Speaker 3: Yeah, they do it when I'm not in the car.

1024
00:38:56,200 --> 00:38:57,320
Speaker 11: Right, it happens.

1025
00:38:57,320 --> 00:38:59,960
Speaker 9: But it's like is their phone number on the duck?

1026
00:39:00,239 --> 00:39:02,680
Speaker 4: No, it's just like sometimes people will do a little stickers

1027
00:39:02,719 --> 00:39:04,160
Speaker 4: with them and be like this is my jeep.

1028
00:39:04,400 --> 00:39:05,160
Speaker 8: That'd be the way to do it.

1029
00:39:05,560 --> 00:39:06,600
Speaker 5: Number or Instagram name.

1030
00:39:06,719 --> 00:39:08,160
Speaker 3: No, that's that hasn't happened.

1031
00:39:08,160 --> 00:39:09,680
Speaker 4: But I did have two like in a row, and

1032
00:39:09,680 --> 00:39:13,920
Speaker 4: I think it might have been somebody's.

1033
00:39:12,480 --> 00:39:15,200
Speaker 5: No follow up ever happened. Can people without a jeep

1034
00:39:15,280 --> 00:39:15,840
Speaker 5: duck someone.

1035
00:39:15,960 --> 00:39:18,040
Speaker 4: I think people have tried. It just doesn't catch on

1036
00:39:18,160 --> 00:39:19,200
Speaker 4: like jeep ducking does.

1037
00:39:19,400 --> 00:39:20,840
Speaker 5: No, no, no, no, if I don't have a jeep, but

1038
00:39:20,840 --> 00:39:21,880
Speaker 5: I like your jeep. Can I duck you?

1039
00:39:21,920 --> 00:39:23,560
Speaker 3: Oh yeah, yeah, you totally.

1040
00:39:24,200 --> 00:39:24,759
Speaker 7: Why would you?

1041
00:39:24,840 --> 00:39:26,239
Speaker 9: It's like you're trying to be a part of something

1042
00:39:26,280 --> 00:39:26,680
Speaker 9: when you're not.

1043
00:39:26,920 --> 00:39:28,799
Speaker 5: That's my whole life, Junior high.

1044
00:39:28,840 --> 00:39:30,080
Speaker 8: Whatever you want to, let you duck me?

1045
00:39:30,200 --> 00:39:33,040
Speaker 5: Okay, all right, all right, this this whole segment's been

1046
00:39:33,080 --> 00:39:35,960
Speaker 5: ducked up, right, Hey, but we have to go because

1047
00:39:35,960 --> 00:39:37,000
Speaker 5: we're gonna get fired already.

1048
00:39:37,040 --> 00:39:40,560
Speaker 9: So you talk about phone auto corrects the bad word, Yeah,

1049
00:39:40,640 --> 00:39:43,600
Speaker 9: to duck, to duck, you're still using foul language.

1050
00:39:44,760 --> 00:39:46,680
Speaker 8: Nice, all right, it was hilarious.

1051
00:39:46,800 --> 00:39:50,800
Speaker 5: I like that. Don't do it.

1052
00:39:50,800 --> 00:39:54,000
Speaker 1: It's the best bits of the week with Morgan.

1053
00:39:54,080 --> 00:39:54,720
Speaker 10: Number two.

1054
00:39:56,120 --> 00:39:58,080
Speaker 3: Lunchbox has a new business idea.

1055
00:39:58,320 --> 00:39:58,959
Speaker 11: Shocker there.

1056
00:39:59,080 --> 00:40:00,920
Speaker 4: I know we've heard a lot of ideas, but this

1057
00:40:00,960 --> 00:40:03,560
Speaker 4: one could be something if you're a big country music fan,

1058
00:40:03,640 --> 00:40:06,880
Speaker 4: because he pretty much wants to, you know, capitalize on

1059
00:40:06,960 --> 00:40:10,560
Speaker 4: some things country artists already do. I'm not sure how

1060
00:40:10,600 --> 00:40:12,479
Speaker 4: this is gonna work out for him, but he thinks

1061
00:40:12,480 --> 00:40:13,560
Speaker 4: it's a great business idea.

1062
00:40:14,040 --> 00:40:16,720
Speaker 5: Number three, Hunchbucks. Did you happen to run into Amy's

1063
00:40:16,760 --> 00:40:18,160
Speaker 5: sister when you guys were in Texas?

1064
00:40:18,280 --> 00:40:18,440
Speaker 15: Oh?

1065
00:40:18,520 --> 00:40:19,279
Speaker 10: Yeah, I did see her.

1066
00:40:19,400 --> 00:40:20,759
Speaker 5: I mean why are you acting like that?

1067
00:40:21,080 --> 00:40:22,840
Speaker 12: Like I don't know if she was in VIP and

1068
00:40:22,880 --> 00:40:24,680
Speaker 12: I'm like, this girl woudn't deserve to be here.

1069
00:40:25,080 --> 00:40:30,080
Speaker 5: And here's the backstory for everybody. Amy's sister and her

1070
00:40:30,160 --> 00:40:34,440
Speaker 5: husband have a show on HGTV called Building Roots. It

1071
00:40:34,480 --> 00:40:36,600
Speaker 5: was its first season then renewed for a second.

1072
00:40:36,760 --> 00:40:38,160
Speaker 10: Might as what we called poopy poop.

1073
00:40:38,920 --> 00:40:41,200
Speaker 5: Okay, he acts thought it poopy poop?

1074
00:40:41,239 --> 00:40:42,319
Speaker 7: You really sure he is?

1075
00:40:42,480 --> 00:40:44,120
Speaker 9: And he wonders why producers are.

1076
00:40:44,080 --> 00:40:47,040
Speaker 5: Like, oh, so he had two huge holes in his

1077
00:40:47,160 --> 00:40:49,000
Speaker 5: roof and he just waited to get him fixed by

1078
00:40:49,000 --> 00:40:49,640
Speaker 5: the TV show.

1079
00:40:49,880 --> 00:40:51,239
Speaker 12: Yeah, because they told me I was going to be

1080
00:40:51,280 --> 00:40:53,080
Speaker 12: the A segment on their show. They were like, oh

1081
00:40:53,080 --> 00:40:55,560
Speaker 12: my gosh, you're a perfect A segment. They were stringing

1082
00:40:55,560 --> 00:40:56,080
Speaker 12: me along.

1083
00:40:56,440 --> 00:40:57,520
Speaker 5: Why didn't they pick him?

1084
00:40:57,520 --> 00:40:58,480
Speaker 10: And then they ghosted me?

1085
00:40:58,800 --> 00:41:01,279
Speaker 9: He yes, he did me with producers, I don't think

1086
00:41:01,400 --> 00:41:06,160
Speaker 9: Lunchbox realizes that the homes on HGTV, even if they're

1087
00:41:06,200 --> 00:41:08,319
Speaker 9: part of the project and being featured and they're the

1088
00:41:08,400 --> 00:41:13,480
Speaker 9: A storyline, it's an investment from the homeowner. HGTV doesn't pay. Yeah,

1089
00:41:13,480 --> 00:41:18,480
Speaker 9: I told you every project that airs, so I mean

1090
00:41:18,520 --> 00:41:20,840
Speaker 9: there's certain deals you might get or what not, depending

1091
00:41:20,840 --> 00:41:25,880
Speaker 9: on the project. But the homeowner's paying and lunchbox he

1092
00:41:25,920 --> 00:41:26,560
Speaker 9: doesn't want to pay it.

1093
00:41:26,719 --> 00:41:27,080
Speaker 5: I don't like.

1094
00:41:27,200 --> 00:41:28,600
Speaker 12: No, I said I would take a loan, and I'm so,

1095
00:41:28,719 --> 00:41:30,640
Speaker 12: you're saying that to us. They ghosted me.

1096
00:41:30,760 --> 00:41:32,560
Speaker 5: No, no, no, you're saying that to us. What did you

1097
00:41:32,600 --> 00:41:33,160
Speaker 5: say to them?

1098
00:41:33,400 --> 00:41:35,600
Speaker 12: I told them I'd pay for it. I said, let's

1099
00:41:35,640 --> 00:41:37,640
Speaker 12: go a story on my grade. They said Amy would

1100
00:41:37,640 --> 00:41:38,920
Speaker 12: be a B. I'm like, yeah, she has kind of

1101
00:41:38,960 --> 00:41:39,520
Speaker 12: a B level.

1102
00:41:40,160 --> 00:41:42,560
Speaker 5: But I don't understand what I'm just hearing two different versions.

1103
00:41:42,560 --> 00:41:43,399
Speaker 5: Is he not telling the truth?

1104
00:41:44,160 --> 00:41:46,480
Speaker 9: Listen, I don't know. It seems like he's a different version.

1105
00:41:46,239 --> 00:41:48,560
Speaker 5: Of okay fair enough. So he did not get picked

1106
00:41:48,600 --> 00:41:50,239
Speaker 5: to go on the show, and he's been holding it

1107
00:41:50,280 --> 00:41:54,319
Speaker 5: against Amy and Amy's sister especially ever since. So I

1108
00:41:54,360 --> 00:41:56,719
Speaker 5: heard you ran into her lunchbox. Your version of that story?

1109
00:41:56,760 --> 00:41:57,120
Speaker 5: How to go?

1110
00:41:57,880 --> 00:41:58,279
Speaker 10: I went.

1111
00:41:58,520 --> 00:41:59,920
Speaker 12: I was like, oh, there's that girl that's on that

1112
00:42:00,040 --> 00:42:02,520
Speaker 12: crappy TV show on HG TV. You know what are

1113
00:42:02,520 --> 00:42:05,280
Speaker 12: you doing up here? We shall get you out of here. Yeah,

1114
00:42:05,320 --> 00:42:06,720
Speaker 12: you don't want to. I don't know why you wouldn't

1115
00:42:06,760 --> 00:42:10,080
Speaker 12: cast me. You guys really messed up missed your opportunity

1116
00:42:11,000 --> 00:42:11,480
Speaker 12: now's it?

1117
00:42:11,680 --> 00:42:12,120
Speaker 10: Yeah?

1118
00:42:12,320 --> 00:42:13,360
Speaker 5: And what's your version of that?

1119
00:42:13,520 --> 00:42:16,040
Speaker 9: Okay, he did say to her that they messed up,

1120
00:42:16,560 --> 00:42:20,160
Speaker 9: and they did. They they're missing out. However, he's he'd

1121
00:42:20,239 --> 00:42:21,880
Speaker 9: like another shot at another interview.

1122
00:42:22,600 --> 00:42:24,120
Speaker 8: Oh, he begged.

1123
00:42:24,160 --> 00:42:25,600
Speaker 5: I went and begged for anohing he said.

1124
00:42:25,719 --> 00:42:27,120
Speaker 9: He said, Look, I don't I don't know what's going

1125
00:42:27,160 --> 00:42:29,320
Speaker 9: to happen. You know, is there going to be a

1126
00:42:29,360 --> 00:42:33,000
Speaker 9: season three because I was already doing season twould.

1127
00:42:32,400 --> 00:42:33,160
Speaker 5: Kick a hole in the wall.

1128
00:42:33,440 --> 00:42:35,480
Speaker 9: Yeah, he's like, he's like, I think I think I

1129
00:42:35,480 --> 00:42:37,239
Speaker 9: got it squared away, like I'll pay for it. My

1130
00:42:37,280 --> 00:42:39,440
Speaker 9: family will be involved. Because that was another thing too.

1131
00:42:39,440 --> 00:42:40,319
Speaker 9: He's so private about his.

1132
00:42:40,960 --> 00:42:42,000
Speaker 5: Ready pay for it. So why did you say he

1133
00:42:42,080 --> 00:42:42,800
Speaker 5: pay for it now.

1134
00:42:43,480 --> 00:42:44,520
Speaker 9: That's his story?

1135
00:42:44,600 --> 00:42:46,640
Speaker 5: Yeah, exactly, go ahead.

1136
00:42:47,239 --> 00:42:49,520
Speaker 9: Also, lunch Books is so private about his family, but

1137
00:42:49,560 --> 00:42:51,600
Speaker 9: then suddenly when they were like, we want your family

1138
00:42:51,640 --> 00:42:53,400
Speaker 9: to be a part of it. I don't know that

1139
00:42:53,520 --> 00:42:56,080
Speaker 9: he also saw that part. I think he just wanted

1140
00:42:56,080 --> 00:42:58,600
Speaker 9: to be him, his house, just him.

1141
00:42:59,040 --> 00:43:03,120
Speaker 5: Ah, I live here by myself, bachelor.

1142
00:43:02,960 --> 00:43:06,040
Speaker 9: Anyway, it's all it's sort of shifted, and I think

1143
00:43:06,440 --> 00:43:09,160
Speaker 9: to me, or from what I heard from my sister,

1144
00:43:09,880 --> 00:43:13,920
Speaker 9: it's like he was positioning himself to do a different

1145
00:43:13,960 --> 00:43:16,440
Speaker 9: pitch and to woo producers this time.

1146
00:43:16,520 --> 00:43:18,000
Speaker 5: But then, why do you keep calling it poopy poop?

1147
00:43:18,040 --> 00:43:19,960
Speaker 5: Why do you keep slamming it if you want another shot?

1148
00:43:20,600 --> 00:43:22,840
Speaker 10: Look, I mean if they want to come crawling back.

1149
00:43:23,120 --> 00:43:25,320
Speaker 5: They don't need to crawl.

1150
00:43:25,480 --> 00:43:27,080
Speaker 12: If they want to what do you call them, gobbl

1151
00:43:28,400 --> 00:43:29,880
Speaker 12: gravel if they want to grovel.

1152
00:43:30,080 --> 00:43:31,920
Speaker 10: Yeah, I'm willing to give people a second chance.

1153
00:43:31,960 --> 00:43:33,279
Speaker 5: That's the only way you'd be on the show is

1154
00:43:33,280 --> 00:43:34,160
Speaker 5: that they bag you back.

1155
00:43:34,280 --> 00:43:34,480
Speaker 10: Yep.

1156
00:43:34,680 --> 00:43:37,239
Speaker 5: Okay, you're right. He's doing two whole stories here, but.

1157
00:43:37,560 --> 00:43:40,440
Speaker 12: Saying you know what I mean, someone burns you like

1158
00:43:40,520 --> 00:43:43,200
Speaker 12: it's like can I trust him again? But in this world,

1159
00:43:43,280 --> 00:43:45,439
Speaker 12: it's all about forgiveness and giving people a second chance.

1160
00:43:45,440 --> 00:43:46,799
Speaker 12: So I'm willing to give them a second chance if

1161
00:43:46,840 --> 00:43:48,319
Speaker 12: they want to, you know, talk to me again and

1162
00:43:48,680 --> 00:43:52,040
Speaker 12: put me on the show. Poopy poop, poopy poop.

1163
00:43:52,080 --> 00:43:53,720
Speaker 10: Okay, but they're going to be turned into greatness.

1164
00:43:53,920 --> 00:43:56,000
Speaker 9: I do think Lunchbox would be good for it.

1165
00:43:56,280 --> 00:43:58,839
Speaker 12: I agree, But producers, I mean, obviously they weren't having

1166
00:43:58,880 --> 00:43:59,160
Speaker 12: a good.

1167
00:43:59,120 --> 00:44:00,759
Speaker 5: Day or they were said you didn't want to pay

1168
00:44:00,800 --> 00:44:02,480
Speaker 5: for it, like everybody else, and then you didn't want

1169
00:44:02,520 --> 00:44:04,040
Speaker 5: to put your family on there like everybody else.

1170
00:44:04,520 --> 00:44:05,880
Speaker 10: I'm saying they want to gravel.

1171
00:44:05,920 --> 00:44:10,759
Speaker 5: I'm just saying that's okay. So that happened. Yeah, what

1172
00:44:10,960 --> 00:44:14,520
Speaker 5: happened with Jordan Davis? What do you mean at the festival?

1173
00:44:16,040 --> 00:44:17,120
Speaker 5: Did you take something?

1174
00:44:17,360 --> 00:44:20,040
Speaker 10: I didn't take something with his? I came up with

1175
00:44:20,080 --> 00:44:21,040
Speaker 10: a new business idea.

1176
00:44:21,280 --> 00:44:22,799
Speaker 5: So you didn't take a set like a set list

1177
00:44:22,800 --> 00:44:23,000
Speaker 5: of his?

1178
00:44:23,400 --> 00:44:26,000
Speaker 10: No, no, I did, and I got him to sign that.

1179
00:44:26,040 --> 00:44:27,680
Speaker 5: I just said, what did you take? And you said nothing,

1180
00:44:27,840 --> 00:44:28,400
Speaker 5: But it wasn't his.

1181
00:44:28,480 --> 00:44:30,000
Speaker 12: It was just sitting there, okay, go ahead like it

1182
00:44:30,040 --> 00:44:33,239
Speaker 12: wasn't like his personal one. And I said, man, a

1183
00:44:33,320 --> 00:44:34,080
Speaker 12: light bulb went off.

1184
00:44:34,200 --> 00:44:36,520
Speaker 10: Bobby's always like, it's sitting now on the stage.

1185
00:44:36,600 --> 00:44:39,480
Speaker 12: Got it, And so I was like a light bulb moment,

1186
00:44:39,719 --> 00:44:42,640
Speaker 12: and I was like, this is a business. Bobby's always saying, Hey,

1187
00:44:42,640 --> 00:44:44,560
Speaker 12: you always got to be thinking about new businesses and

1188
00:44:44,640 --> 00:44:45,360
Speaker 12: pitch them.

1189
00:44:45,520 --> 00:44:51,200
Speaker 10: And it's called go ahead selling signed set lists.

1190
00:44:51,239 --> 00:44:53,200
Speaker 12: So you go to these concerts with these artists and

1191
00:44:53,239 --> 00:44:55,319
Speaker 12: you get the set list from that night, you get

1192
00:44:55,360 --> 00:44:57,480
Speaker 12: them to sign it, and then boom, we put it

1193
00:44:57,520 --> 00:45:00,239
Speaker 12: on eBay and I got Jordan Davis's set list and

1194
00:45:00,320 --> 00:45:02,399
Speaker 12: I got him to sign it, Like he came off

1195
00:45:02,440 --> 00:45:03,960
Speaker 12: the stage and I got him.

1196
00:45:04,000 --> 00:45:06,520
Speaker 10: I cornered him him and I mean I got him

1197
00:45:06,560 --> 00:45:06,960
Speaker 10: to sign it.

1198
00:45:07,800 --> 00:45:08,520
Speaker 5: Yeah, but that happens a.

1199
00:45:08,520 --> 00:45:10,400
Speaker 8: Lot on eBay in that like memory memorabili.

1200
00:45:10,480 --> 00:45:13,680
Speaker 5: Yeah, but that's our business. But you're gonna go to

1201
00:45:13,719 --> 00:45:15,120
Speaker 5: You're gonna go to all these concerts.

1202
00:45:15,200 --> 00:45:17,680
Speaker 9: Yeah, and it's all wrinkled.

1203
00:45:17,280 --> 00:45:19,360
Speaker 5: And how are you gonna get them? Boom?

1204
00:45:19,640 --> 00:45:22,160
Speaker 12: Jordan Davis signed it. I've got audio who signed it,

1205
00:45:22,160 --> 00:45:23,200
Speaker 12: so there's proof and we.

1206
00:45:23,160 --> 00:45:24,040
Speaker 5: Will fill sence.

1207
00:45:24,520 --> 00:45:24,960
Speaker 10: No, it's me.

1208
00:45:25,120 --> 00:45:26,840
Speaker 12: Hey, Jordan Davis, gonna get you to sign this and

1209
00:45:26,880 --> 00:45:29,160
Speaker 12: we'll put it up on Instagram.

1210
00:45:29,520 --> 00:45:31,840
Speaker 8: I think Jordan thought it was for charity, though.

1211
00:45:31,960 --> 00:45:34,360
Speaker 10: All think that all he wants. We'll give two percent

1212
00:45:34,400 --> 00:45:34,960
Speaker 10: to charity to.

1213
00:45:37,280 --> 00:45:39,880
Speaker 5: Selling it for I don't know how you're gonna get

1214
00:45:39,880 --> 00:45:41,880
Speaker 5: all these set lists? So you had access to the

1215
00:45:41,880 --> 00:45:43,839
Speaker 5: stage because you're working normally, you don't.

1216
00:45:44,520 --> 00:45:46,400
Speaker 10: I'm backstage pretty much every concert I go to.

1217
00:45:46,800 --> 00:45:50,080
Speaker 5: That's not too I like the idea and I'm out

1218
00:45:50,080 --> 00:45:52,040
Speaker 5: of this business idea. What I don't want to be

1219
00:45:52,080 --> 00:45:52,760
Speaker 5: a part of this one?

1220
00:45:53,480 --> 00:45:53,759
Speaker 10: All right?

1221
00:45:53,840 --> 00:45:56,799
Speaker 12: I get in cahoots with the artists, like I'm like, hey, cahoots, Like,

1222
00:45:56,840 --> 00:45:59,160
Speaker 12: hey man, I know you got a concert tonight in Denver.

1223
00:45:59,360 --> 00:46:00,759
Speaker 10: Can you send me signed set list?

1224
00:46:00,840 --> 00:46:02,640
Speaker 5: Like? Who would you be able to ask that.

1225
00:46:02,600 --> 00:46:06,640
Speaker 10: To everyone that comes in this room, every single artist

1226
00:46:06,640 --> 00:46:07,200
Speaker 10: that comes in room.

1227
00:46:07,280 --> 00:46:08,240
Speaker 8: Talk to any of the artists.

1228
00:46:08,280 --> 00:46:09,440
Speaker 10: You never but I will.

1229
00:46:09,320 --> 00:46:11,080
Speaker 5: Win crossword puzzles the whole time.

1230
00:46:11,120 --> 00:46:11,640
Speaker 10: But I will.

1231
00:46:11,960 --> 00:46:13,680
Speaker 12: I mean, if I got business on the line, business

1232
00:46:13,680 --> 00:46:15,279
Speaker 12: man making businesses trying to get that money, you got

1233
00:46:15,360 --> 00:46:15,840
Speaker 12: to start.

1234
00:46:15,640 --> 00:46:17,359
Speaker 5: Talking and I just have them make a set list

1235
00:46:17,400 --> 00:46:19,719
Speaker 5: here and sign it here. I'm not saying that we're

1236
00:46:19,719 --> 00:46:20,359
Speaker 5: not gonna do that, scoop.

1237
00:46:20,600 --> 00:46:22,960
Speaker 10: Oh, that's a good idea of scuba You no note.

1238
00:46:22,960 --> 00:46:24,439
Speaker 12: Tell them when they're coming in they need to bring

1239
00:46:24,440 --> 00:46:26,799
Speaker 12: a signed set list. But I also think it's cool,

1240
00:46:26,840 --> 00:46:29,760
Speaker 12: like if someone's in you know my note North Dakota

1241
00:46:29,800 --> 00:46:33,359
Speaker 12: or whatever, uh might not, No, it's my note new

1242
00:46:33,920 --> 00:46:34,319
Speaker 12: I don't know.

1243
00:46:34,400 --> 00:46:36,040
Speaker 5: I don't argue it's one thing to change it right

1244
00:46:36,040 --> 00:46:36,400
Speaker 5: after that.

1245
00:46:36,440 --> 00:46:36,800
Speaker 10: Go ahead.

1246
00:46:36,840 --> 00:46:38,879
Speaker 12: But let's say they're at that show and it has

1247
00:46:39,000 --> 00:46:41,120
Speaker 12: the name of the city on the set list. They're

1248
00:46:41,120 --> 00:46:42,560
Speaker 12: more inclined to pay more money.

1249
00:46:42,320 --> 00:46:43,719
Speaker 5: For it than you could print out twenty of them

1250
00:46:43,719 --> 00:46:44,919
Speaker 5: with all the cities on the tour here.

1251
00:46:46,239 --> 00:46:48,640
Speaker 10: Yeah, I want to. I want to be authentic sized. Yeah.

1252
00:46:50,760 --> 00:46:53,160
Speaker 12: So I think it's a great business, and so I'm

1253
00:46:53,160 --> 00:46:55,040
Speaker 12: about to put the Jordan Davis one up for sale.

1254
00:46:55,400 --> 00:46:59,240
Speaker 12: He sang songs like world spins singles.

1255
00:47:00,080 --> 00:47:01,719
Speaker 5: To do that again, So tell me the name of

1256
00:47:01,760 --> 00:47:04,600
Speaker 5: the full songs that he sings. Go ahead, world Spins.

1257
00:47:04,719 --> 00:47:07,400
Speaker 5: That's not the name of the song singles. That's not

1258
00:47:07,440 --> 00:47:10,080
Speaker 5: the name of the song either. Slow dance nope, next

1259
00:47:10,120 --> 00:47:14,319
Speaker 5: thing nope, maybe's no take it, no, no, no, tell

1260
00:47:14,360 --> 00:47:16,880
Speaker 5: me give me the song, the real song, that's what

1261
00:47:16,920 --> 00:47:17,120
Speaker 5: it is.

1262
00:47:17,120 --> 00:47:18,400
Speaker 10: Says on the set with I don't know.

1263
00:47:18,440 --> 00:47:19,279
Speaker 5: But what's the first one?

1264
00:47:20,040 --> 00:47:20,800
Speaker 10: World spins?

1265
00:47:20,880 --> 00:47:23,520
Speaker 5: What's that song he's playing there? I don't know what

1266
00:47:23,560 --> 00:47:24,439
Speaker 5: my world spins around.

1267
00:47:24,680 --> 00:47:26,080
Speaker 10: I don't know. I don't know that song.

1268
00:47:26,120 --> 00:47:27,439
Speaker 5: Okay, what's the next one?

1269
00:47:27,760 --> 00:47:28,280
Speaker 10: Singles?

1270
00:47:29,480 --> 00:47:31,600
Speaker 5: Oh? If he singles you up, boom, go ahead?

1271
00:47:31,600 --> 00:47:32,759
Speaker 10: Okay, is that really him?

1272
00:47:32,800 --> 00:47:33,000
Speaker 5: Yeah?

1273
00:47:33,040 --> 00:47:35,640
Speaker 10: Yeah, I'm good. Slow dance in a parking.

1274
00:47:35,320 --> 00:47:36,919
Speaker 5: Lot, which was labeled a slow dance.

1275
00:47:37,239 --> 00:47:40,000
Speaker 10: Yeah, yeah, next thing, I don't know that one.

1276
00:47:40,200 --> 00:47:42,000
Speaker 5: Next thing, you know, never heard it?

1277
00:47:42,040 --> 00:47:42,239
Speaker 10: Yeah?

1278
00:47:42,239 --> 00:47:43,320
Speaker 5: He played here in the studio.

1279
00:47:43,040 --> 00:47:46,239
Speaker 10: Ahead maybees maybe yes, maybe no, I'm.

1280
00:47:46,120 --> 00:47:49,000
Speaker 5: Almost maybes right, I don't know an image.

1281
00:47:48,800 --> 00:47:51,640
Speaker 10: Almost movies take it, take it or leave it?

1282
00:47:51,719 --> 00:47:53,720
Speaker 5: Take it from me?

1283
00:47:54,880 --> 00:47:57,000
Speaker 10: Okay? And then Dirt. I know that one is by Dirt.

1284
00:47:57,040 --> 00:48:00,560
Speaker 5: Yeah. So yeah, we got got Luke to sign it too.

1285
00:48:00,280 --> 00:48:02,040
Speaker 10: Why would I have Lukes on.

1286
00:48:03,920 --> 00:48:04,240
Speaker 5: Together?

1287
00:48:04,480 --> 00:48:07,120
Speaker 10: Oh Luke's on that song. Dang, but he wasn't part

1288
00:48:07,120 --> 00:48:07,680
Speaker 10: of the set list.

1289
00:48:07,760 --> 00:48:08,480
Speaker 5: Yeah, anyway, And.

1290
00:48:08,480 --> 00:48:11,160
Speaker 12: It says Saturday, May thirteenth, everything like it has every sode.

1291
00:48:11,160 --> 00:48:11,719
Speaker 10: That's what I'm saying.

1292
00:48:11,800 --> 00:48:13,080
Speaker 5: You can turn all that off too, Just do it

1293
00:48:13,080 --> 00:48:14,160
Speaker 5: for every show. Just purnounce this.

1294
00:48:14,360 --> 00:48:16,839
Speaker 10: So this is legit, Okay. So if anybody, I'm gonna

1295
00:48:16,840 --> 00:48:18,720
Speaker 10: put it up for sale on eBay.

1296
00:48:18,960 --> 00:48:19,640
Speaker 5: Okay, thank you?

1297
00:48:19,680 --> 00:48:20,480
Speaker 9: How did they find you?

1298
00:48:21,160 --> 00:48:22,600
Speaker 5: Don't worry about it. I sharing that crap.

1299
00:48:25,280 --> 00:48:28,440
Speaker 1: It's the best bits of the week with Morgan.

1300
00:48:28,560 --> 00:48:31,840
Speaker 3: Number two, y'all remember Doctor Lourie.

1301
00:48:31,880 --> 00:48:34,680
Speaker 4: She came on and evaluated Bobby's Beanie Baby collection that

1302
00:48:34,719 --> 00:48:38,120
Speaker 4: he purchased from Ray and Bay, but also she came

1303
00:48:38,160 --> 00:48:40,600
Speaker 4: on to evaluate Mikey's Pokemon collection.

1304
00:48:40,840 --> 00:48:42,680
Speaker 3: This time, she came on this week.

1305
00:48:42,520 --> 00:48:44,719
Speaker 4: To evaluate some of Eddie's things that he found at

1306
00:48:44,800 --> 00:48:45,440
Speaker 4: his house that he.

1307
00:48:45,440 --> 00:48:47,120
Speaker 3: Thought was so valuable.

1308
00:48:47,280 --> 00:48:50,640
Speaker 4: And I just have to say I didn't see these

1309
00:48:50,719 --> 00:48:51,360
Speaker 4: being valuable.

1310
00:48:52,239 --> 00:48:54,479
Speaker 3: And you'll get the outcome of what doctor Lori thinks.

1311
00:48:54,520 --> 00:48:58,440
Speaker 4: But I'm just I don't understand Eddie's logic and bringing

1312
00:48:58,440 --> 00:49:01,319
Speaker 4: these items in and thinking these need to be evaluated.

1313
00:49:01,840 --> 00:49:07,160
Speaker 1: Number two on the bow, Doctor Lurie, my favorite PhD

1314
00:49:07,160 --> 00:49:09,520
Speaker 1: in antique praising, my favorite of all the PhDs and

1315
00:49:09,560 --> 00:49:10,360
Speaker 1: antiqua praising.

1316
00:49:10,719 --> 00:49:11,319
Speaker 15: Thank you.

1317
00:49:11,440 --> 00:49:13,400
Speaker 5: That's right, Doctor Lorry. How the heck are you?

1318
00:49:13,719 --> 00:49:15,839
Speaker 7: How the heck are you? You're the busy, busy one

1319
00:49:15,920 --> 00:49:17,280
Speaker 7: running everywhere, You're everywhere.

1320
00:49:17,360 --> 00:49:19,279
Speaker 5: You're so good. That's because I'm not good, and I

1321
00:49:19,360 --> 00:49:22,160
Speaker 5: just got to keep running, Doctor Lorrie. Do you travel

1322
00:49:22,239 --> 00:49:25,160
Speaker 5: a lot and do shows where people just bring you

1323
00:49:25,200 --> 00:49:27,279
Speaker 5: stuff and say how much is this worth? And do

1324
00:49:27,320 --> 00:49:29,799
Speaker 5: they leave disappointed or happy? If you had to pick,

1325
00:49:29,840 --> 00:49:32,359
Speaker 5: because everybody's got something that they think's worth a lot

1326
00:49:32,360 --> 00:49:32,760
Speaker 5: of money.

1327
00:49:32,800 --> 00:49:35,160
Speaker 7: Some years ago I came up with the I'll break

1328
00:49:35,160 --> 00:49:37,880
Speaker 7: some hearts, I'll make some millionaires, and that's really true.

1329
00:49:38,000 --> 00:49:40,279
Speaker 7: Some people are happy and some people are like, oh

1330
00:49:40,360 --> 00:49:41,839
Speaker 7: my gosh, really.

1331
00:49:41,680 --> 00:49:44,720
Speaker 5: You know, have you ever found something worth a million dollars?

1332
00:49:45,120 --> 00:49:50,799
Speaker 7: Yes, multimillions. Yes, things. Actually what I must know, uh,

1333
00:49:51,280 --> 00:49:57,200
Speaker 7: tiffany lamp floor lamp, big impression is painting by Renoir.

1334
00:49:57,520 --> 00:50:01,200
Speaker 7: What yeah, yeah, yeah, it's serious.

1335
00:50:01,680 --> 00:50:02,520
Speaker 13: Let's see what.

1336
00:50:02,560 --> 00:50:03,160
Speaker 2: Else was there.

1337
00:50:03,360 --> 00:50:06,120
Speaker 7: And people drive, you know, people are drivers, you know that,

1338
00:50:06,320 --> 00:50:08,160
Speaker 7: you know, so they'll drive. Like I was appearing in

1339
00:50:08,719 --> 00:50:11,680
Speaker 7: Virginia and this person with the Renois painting, who everybody

1340
00:50:11,680 --> 00:50:14,319
Speaker 7: said wasn't the real deal, drove from Rhode Island to

1341
00:50:14,400 --> 00:50:18,120
Speaker 7: make sure I saw it. So that's maybe ten ten hours.

1342
00:50:18,120 --> 00:50:21,200
Speaker 7: So that was a driver. But a lot of cool

1343
00:50:21,200 --> 00:50:24,000
Speaker 7: stuff in great American stories, you know, because I tour

1344
00:50:24,360 --> 00:50:29,800
Speaker 7: mainly nationally, and fantastic stories of people who have found

1345
00:50:29,840 --> 00:50:33,200
Speaker 7: wonderful things, and I talk about, you know, all different ones,

1346
00:50:33,360 --> 00:50:36,080
Speaker 7: the same ones tend to come to my mind. Like

1347
00:50:36,400 --> 00:50:39,360
Speaker 7: the moon boot from Apollo thirteen that went to the

1348
00:50:39,400 --> 00:50:45,160
Speaker 7: moon with Apollo thirteen, that came up one of my events. Washington. Oh,

1349
00:50:45,200 --> 00:50:47,640
Speaker 7: that was about ten thousand dollars. It was only the right,

1350
00:50:47,920 --> 00:50:51,920
Speaker 7: the left had already been sold. That was kind of cool.

1351
00:50:52,239 --> 00:50:55,640
Speaker 7: George Washington's wallet, the wallet that George Washington had on

1352
00:50:55,680 --> 00:50:59,160
Speaker 7: this person when he crossed the Delaware that that was

1353
00:50:59,200 --> 00:51:02,760
Speaker 7: owned by you know, the typical sort of two little

1354
00:51:02,760 --> 00:51:06,640
Speaker 7: old ladies. That was a fantastic piece of American history.

1355
00:51:06,719 --> 00:51:08,399
Speaker 7: Came into one of my events when I was doing

1356
00:51:08,400 --> 00:51:09,680
Speaker 7: an event at a senior center.

1357
00:51:09,800 --> 00:51:12,200
Speaker 5: How do you prove though that's Washington's wallet, Is a

1358
00:51:12,200 --> 00:51:13,319
Speaker 5: picture of his kid in there or what?

1359
00:51:15,280 --> 00:51:17,960
Speaker 7: Well, there are a couple of things that were identifying marks,

1360
00:51:18,000 --> 00:51:21,160
Speaker 7: not only a monogram but also a freemason's a symbol

1361
00:51:21,680 --> 00:51:25,120
Speaker 7: and the interior. It was known that he would commission

1362
00:51:25,160 --> 00:51:30,160
Speaker 7: pieces from this bindery near Cambridge, near Cambridge, England, and

1363
00:51:30,200 --> 00:51:35,239
Speaker 7: it had this what's called what's called a marbleizing interior,

1364
00:51:35,440 --> 00:51:38,359
Speaker 7: and it was it was traced through the provenance of

1365
00:51:38,400 --> 00:51:42,239
Speaker 7: this these women's family, uh, going back to Washington. So

1366
00:51:42,239 --> 00:51:44,879
Speaker 7: they were related. So that's how that actually worked out.

1367
00:51:44,960 --> 00:51:47,200
Speaker 7: It was serious. That was serious. So I've seen some

1368
00:51:47,239 --> 00:51:50,759
Speaker 7: fantastic pieces, and I've seen some cool stuff, you know,

1369
00:51:51,000 --> 00:51:55,200
Speaker 7: more contemporary cool stuff like barbies and Pokemon cards and

1370
00:51:55,800 --> 00:52:01,080
Speaker 7: uh you know, uh Fred flynn'stone animation, uh sells and

1371
00:52:01,120 --> 00:52:01,839
Speaker 7: such like that.

1372
00:52:02,320 --> 00:52:04,200
Speaker 5: So we're going to get to Eddie' stuff because Eddi's

1373
00:52:04,200 --> 00:52:06,959
Speaker 5: the one who's requested this meeting with doctor Lourie because

1374
00:52:06,960 --> 00:52:10,600
Speaker 5: he thinks he is hi, Doctor Laurie. Very cool stuff himself.

1375
00:52:10,880 --> 00:52:13,920
Speaker 5: But one final question for me, just on this subject.

1376
00:52:14,120 --> 00:52:16,680
Speaker 5: Has anyone brought you anything where they were for sure?

1377
00:52:16,800 --> 00:52:20,240
Speaker 5: This thing is worth tens of twenties of fifty thousand dollars.

1378
00:52:20,239 --> 00:52:23,360
Speaker 5: And you're like, bro, that ain't even that that's a nickel.

1379
00:52:24,080 --> 00:52:28,240
Speaker 7: Ye're like, waw wha. Yes, it was a Ball Canning

1380
00:52:28,360 --> 00:52:32,360
Speaker 7: jar about this big by of course, the Ball Canning Company.

1381
00:52:32,480 --> 00:52:34,640
Speaker 7: Everybody knows it. You know, you can the peaches in

1382
00:52:34,680 --> 00:52:37,240
Speaker 7: it every year, this kind of deal. And they brought

1383
00:52:37,239 --> 00:52:39,319
Speaker 7: it in and on the front of it it said

1384
00:52:39,400 --> 00:52:42,440
Speaker 7: Ball eighteen fifty eight. And I explained what the jar

1385
00:52:42,600 --> 00:52:44,239
Speaker 7: was as a glass jar, and I said it's worth

1386
00:52:44,280 --> 00:52:47,080
Speaker 7: about eight dollars. And this man screamed at me from

1387
00:52:47,160 --> 00:52:50,759
Speaker 7: in the raptors of this theater, screaming that I was

1388
00:52:50,800 --> 00:52:53,400
Speaker 7: wrong and it was really valuable and it was very old.

1389
00:52:53,960 --> 00:52:56,480
Speaker 7: And I said, it's not from eighteen fifty eight. All

1390
00:52:56,520 --> 00:53:00,880
Speaker 7: of them say eighteen fifty eight. He was mad. He

1391
00:53:01,000 --> 00:53:03,399
Speaker 7: was mad, but hey, like I said, break some march

1392
00:53:03,440 --> 00:53:04,239
Speaker 7: makes a millionaires.

1393
00:53:04,320 --> 00:53:06,080
Speaker 5: Let me say this about doctor Lorie. You can see

1394
00:53:06,120 --> 00:53:08,200
Speaker 5: her on the new Netflix series The King of Collectibles

1395
00:53:08,280 --> 00:53:10,800
Speaker 5: as it popped up for you guys, and ye see it. Yeah,

1396
00:53:10,840 --> 00:53:12,680
Speaker 5: So it's Prettist by Payton Manning. It's up now on

1397
00:53:12,719 --> 00:53:15,919
Speaker 5: Netflix and she's doing there what she does here. It's

1398
00:53:15,920 --> 00:53:19,480
Speaker 5: her expertise on history, background and the value of well

1399
00:53:19,520 --> 00:53:22,840
Speaker 5: today's hot collectibles that you're making it once you're in

1400
00:53:22,880 --> 00:53:24,400
Speaker 5: the Netflix show, Doctor Lorie.

1401
00:53:25,760 --> 00:53:29,440
Speaker 7: Well, thanks, let's hope after twenty five years I've maken it.

1402
00:53:29,520 --> 00:53:31,920
Speaker 7: But it's a lot of fun. It's a great show.

1403
00:53:32,239 --> 00:53:35,040
Speaker 7: There's some cool things and some cool collectors, you know,

1404
00:53:35,200 --> 00:53:38,360
Speaker 7: Drake and Mike Tyson and Peyton Manning and a lot

1405
00:53:38,440 --> 00:53:41,640
Speaker 7: of folks who are showing you their collections but also

1406
00:53:41,680 --> 00:53:43,640
Speaker 7: to see what you know you might have hiding in

1407
00:53:43,640 --> 00:53:46,839
Speaker 7: the basement. So that's where I come in. And of

1408
00:53:46,880 --> 00:53:50,799
Speaker 7: course with Robbie Davis Senior and Junior they're nice guys too,

1409
00:53:51,040 --> 00:53:53,880
Speaker 7: and Ken Golden and the whole crew at Golden's Auctions.

1410
00:53:53,920 --> 00:53:56,719
Speaker 7: It's it's been a great time and I think the

1411
00:53:56,760 --> 00:53:59,520
Speaker 7: show is going to have a long lifespan, I hope,

1412
00:53:59,520 --> 00:54:01,239
Speaker 7: and I've been enjoyed contributing to it.

1413
00:54:01,320 --> 00:54:05,680
Speaker 5: So well, let's get to the show's money, Eddie. So

1414
00:54:05,880 --> 00:54:08,680
Speaker 5: why what happened with you? Where you thought you had something.

1415
00:54:08,719 --> 00:54:10,880
Speaker 6: Okay, So I mean it goes back to the conversation

1416
00:54:11,000 --> 00:54:13,120
Speaker 6: we were having about not having a retirement.

1417
00:54:13,480 --> 00:54:15,480
Speaker 5: And by the way, doctor Lloyd, just so you know

1418
00:54:15,520 --> 00:54:18,319
Speaker 5: the basis of this, Eddie always talked about he can't

1419
00:54:18,320 --> 00:54:20,240
Speaker 5: wait to retire. It's his dream in life to retire.

1420
00:54:20,440 --> 00:54:21,640
Speaker 5: And I said, well, how much do you have in

1421
00:54:21,680 --> 00:54:23,400
Speaker 5: like your four oh one k because our company does that.

1422
00:54:23,480 --> 00:54:25,200
Speaker 5: He's like none. I said, well how much do you have? Say?

1423
00:54:25,239 --> 00:54:27,480
Speaker 5: He goes none, So he wants to retire, yet he's

1424
00:54:27,480 --> 00:54:30,040
Speaker 5: putting no money back for retirement, and so that made him,

1425
00:54:30,040 --> 00:54:31,520
Speaker 5: my guess, go dig for stuff.

1426
00:54:31,239 --> 00:54:33,520
Speaker 8: Down to the basement. Doctor Lory said, got it?

1427
00:54:33,520 --> 00:54:33,719
Speaker 5: Got it?

1428
00:54:33,880 --> 00:54:36,480
Speaker 7: Okay, Okay, well not a bad idea. A lot of

1429
00:54:36,520 --> 00:54:39,399
Speaker 7: people have the same agenda, you know, because it's hard

1430
00:54:39,440 --> 00:54:43,839
Speaker 7: to just say for retirement. But again, yeah, there can

1431
00:54:43,880 --> 00:54:45,840
Speaker 7: be you know, I've seen fabulous things come out of

1432
00:54:45,840 --> 00:54:47,600
Speaker 7: the attic rafters. So what have you got?

1433
00:54:47,840 --> 00:54:48,160
Speaker 8: Okay?

1434
00:54:48,280 --> 00:54:50,759
Speaker 6: So I have a memory box that I've had since

1435
00:54:50,800 --> 00:54:53,240
Speaker 6: I moved out of my house when I was nineteen

1436
00:54:53,320 --> 00:54:55,640
Speaker 6: years old. You've had a memory a memory box, and

1437
00:54:55,680 --> 00:54:59,160
Speaker 6: it's come with me from my hometown in South Texas.

1438
00:54:59,440 --> 00:55:01,799
Speaker 6: I moved it to college to my first house. My

1439
00:55:01,840 --> 00:55:04,280
Speaker 6: second guy married, I got four kids. Now I still

1440
00:55:04,320 --> 00:55:04,960
Speaker 6: have that box.

1441
00:55:05,000 --> 00:55:06,960
Speaker 7: So that's why you don't have a retirement. You got

1442
00:55:06,960 --> 00:55:07,640
Speaker 7: four kids.

1443
00:55:08,040 --> 00:55:09,680
Speaker 8: Thank you, doctor Lory. That's what I've been trying to

1444
00:55:09,680 --> 00:55:10,120
Speaker 8: tell them.

1445
00:55:10,400 --> 00:55:13,759
Speaker 9: But he also gloffs and gambles everyone else.

1446
00:55:14,440 --> 00:55:17,480
Speaker 7: I didn't know that part. But he has four kids,

1447
00:55:17,600 --> 00:55:17,799
Speaker 7: you know.

1448
00:55:18,040 --> 00:55:20,360
Speaker 6: So I dug in the memory box and I was like,

1449
00:55:20,400 --> 00:55:22,839
Speaker 6: oh my gosh, I found some good stuff old. She's

1450
00:55:22,880 --> 00:55:25,239
Speaker 6: talking about that ball, you know, jar or whatever that

1451
00:55:25,320 --> 00:55:28,360
Speaker 6: somebody yelled at her about. But I have old old

1452
00:55:28,440 --> 00:55:31,160
Speaker 6: bottles and these are like from Tomas Edison days.

1453
00:55:31,239 --> 00:55:34,239
Speaker 5: Okay, I okay, I have Okay, can I pull one up,

1454
00:55:34,320 --> 00:55:34,960
Speaker 5: doctor Lory?

1455
00:55:35,480 --> 00:55:35,800
Speaker 7: Okay.

1456
00:55:35,880 --> 00:55:39,040
Speaker 5: So there's a really small one here. It says Eiffel Tower,

1457
00:55:39,239 --> 00:55:44,719
Speaker 5: Fruit Juices. It is probably five inches tall. It's a

1458
00:55:44,960 --> 00:55:48,200
Speaker 5: seat through glass. It's a clear one here. So what

1459
00:55:48,280 --> 00:55:49,560
Speaker 5: do you think about this one?

1460
00:55:49,920 --> 00:55:52,080
Speaker 7: Hey, Bobby? Does the glass have a little bit of

1461
00:55:52,239 --> 00:55:54,760
Speaker 7: like a tinge of gray or a tinge of purple?

1462
00:55:56,080 --> 00:55:58,160
Speaker 5: I'm pretty colorblind, but yes, I would say it has

1463
00:55:58,160 --> 00:55:59,880
Speaker 5: a little bit would you? Would you guys say it

1464
00:55:59,880 --> 00:56:00,680
Speaker 5: as tinger purple?

1465
00:56:00,960 --> 00:56:01,960
Speaker 10: Yeah, blue.

1466
00:56:02,440 --> 00:56:02,720
Speaker 7: Yeah.

1467
00:56:02,920 --> 00:56:04,080
Speaker 5: Yeah.

1468
00:56:03,560 --> 00:56:07,520
Speaker 7: That typically indicates that there's a little bit of lead

1469
00:56:07,640 --> 00:56:10,920
Speaker 7: content in it. And lead content it's very typical with

1470
00:56:11,000 --> 00:56:13,880
Speaker 7: glass making, particularly in the early part of the twentieth century.

1471
00:56:13,880 --> 00:56:16,280
Speaker 7: Here's what they look for. They look for a seam,

1472
00:56:16,600 --> 00:56:19,160
Speaker 7: they look for a particular type of top which that

1473
00:56:19,200 --> 00:56:24,880
Speaker 7: particular bottle has, and they also look for famous manufacturers.

1474
00:56:24,880 --> 00:56:26,640
Speaker 7: And usually the name is going to be right in

1475
00:56:26,719 --> 00:56:30,520
Speaker 7: the bottle. It's going to be different from other colored bottles,

1476
00:56:30,520 --> 00:56:33,120
Speaker 7: which we also see here in this memory box collection

1477
00:56:33,200 --> 00:56:35,760
Speaker 7: of Eddie's. And I would say value on that bottle

1478
00:56:35,800 --> 00:56:38,040
Speaker 7: is going to be about fifteen bucks, So that's like

1479
00:56:38,200 --> 00:56:39,880
Speaker 7: thirty seconds of your retirement.

1480
00:56:40,040 --> 00:56:43,640
Speaker 5: Hey, hey, that's okay, that's a story, Eddie.

1481
00:56:44,000 --> 00:56:45,840
Speaker 8: I mean I thought it'd be like hundred really.

1482
00:56:47,280 --> 00:56:49,200
Speaker 5: Okay, okay, okay, we have but we have four bottles

1483
00:56:49,200 --> 00:56:49,440
Speaker 5: on top.

1484
00:56:49,560 --> 00:56:50,000
Speaker 8: That's right.

1485
00:56:50,080 --> 00:56:52,319
Speaker 5: So let's do another bottle. Okay, this one is a

1486
00:56:52,320 --> 00:56:55,120
Speaker 5: little more round, it's a little more which that's blue

1487
00:56:55,160 --> 00:56:57,319
Speaker 5: or green? Look at that color a little more blue,

1488
00:56:57,320 --> 00:56:58,680
Speaker 5: and on it it says, what.

1489
00:56:58,640 --> 00:57:00,840
Speaker 6: Do you know bottles like I had lots of bottles

1490
00:57:00,840 --> 00:57:02,719
Speaker 6: in the memory box. I know just gral no, no, no,

1491
00:57:02,719 --> 00:57:05,239
Speaker 6: I've had them since I was like, do you think

1492
00:57:05,239 --> 00:57:05,840
Speaker 6: there were something?

1493
00:57:06,120 --> 00:57:07,840
Speaker 8: Yeah, they're old. It has to be worth something.

1494
00:57:07,880 --> 00:57:11,080
Speaker 7: Okay, so you dug them up in South Texas? Is

1495
00:57:11,080 --> 00:57:12,359
Speaker 7: that the deal? No, you were a kid.

1496
00:57:12,440 --> 00:57:13,759
Speaker 8: I'll be honest with you, doctor Laurie.

1497
00:57:13,760 --> 00:57:15,319
Speaker 6: I don't know how I got these, but they were

1498
00:57:15,360 --> 00:57:17,040
Speaker 6: in my room when I was growing up, so I

1499
00:57:17,080 --> 00:57:18,240
Speaker 6: just took it, showed.

1500
00:57:18,040 --> 00:57:21,120
Speaker 5: Up this Rumford chemical works. What do you think about

1501
00:57:21,120 --> 00:57:23,600
Speaker 5: this one? Doctor Lourie Eddie thinks it's very worthwhile.

1502
00:57:23,720 --> 00:57:27,120
Speaker 7: Blue bottle. Blue bottles usually relate to a pot the carry,

1503
00:57:27,200 --> 00:57:29,040
Speaker 7: so usually they had some kind of drug or some

1504
00:57:29,200 --> 00:57:32,560
Speaker 7: kind of chemical in them, so be careful around them,

1505
00:57:32,600 --> 00:57:34,760
Speaker 7: don't stick your finger down into it. Kind of deal.

1506
00:57:35,120 --> 00:57:37,919
Speaker 7: But that can be more valuable a little bit more

1507
00:57:38,080 --> 00:57:40,720
Speaker 7: so instead of thirty seconds for your retirement, you're probably

1508
00:57:40,760 --> 00:57:43,320
Speaker 7: looking at two and a half minutes. That's about fifty bucks.

1509
00:57:43,400 --> 00:57:48,400
Speaker 5: Wow sho okay, okay, so far you have sixty five dollars.

1510
00:57:48,400 --> 00:57:52,840
Speaker 5: I'm sure that's we have two more bottles. I know, dude,

1511
00:57:52,840 --> 00:57:55,760
Speaker 5: it's like one more bottle. No, you have two bottles.

1512
00:57:55,800 --> 00:57:56,720
Speaker 5: Is that a bottle or vase?

1513
00:57:57,160 --> 00:57:57,680
Speaker 8: That's a bottle?

1514
00:57:57,680 --> 00:57:59,880
Speaker 5: Okay, here we go this is a bottle. This bottle

1515
00:58:00,160 --> 00:58:03,440
Speaker 5: is a little, bigger, little it's clear Nathan Wood and

1516
00:58:03,520 --> 00:58:05,800
Speaker 5: Sun Proproprietors, Portland, Maine.

1517
00:58:06,720 --> 00:58:10,480
Speaker 7: Okay, also apothecary bottle. Notice it has a long body

1518
00:58:10,480 --> 00:58:13,640
Speaker 7: and a short neck, and that's typically an apothecary bottle

1519
00:58:13,680 --> 00:58:17,000
Speaker 7: that they're gonna mix some kind of chemical together. I

1520
00:58:17,040 --> 00:58:19,760
Speaker 7: would say, value on that bottle. And there's no chips

1521
00:58:19,760 --> 00:58:21,400
Speaker 7: on the top of these bottles, right, because they would

1522
00:58:21,440 --> 00:58:25,960
Speaker 7: use a quirk. Okay, big condition, Okay, thank you, Bobby.

1523
00:58:26,160 --> 00:58:29,760
Speaker 7: Value on that bottle is about fifty bucks.

1524
00:58:30,560 --> 00:58:31,320
Speaker 2: That's amazing.

1525
00:58:31,400 --> 00:58:33,360
Speaker 5: One hundred and fifteen bucks. Let's go, Bobby.

1526
00:58:33,440 --> 00:58:35,320
Speaker 7: Do you not care about bottles? Are you just like

1527
00:58:35,440 --> 00:58:36,240
Speaker 7: why bottles?

1528
00:58:36,680 --> 00:58:39,960
Speaker 5: Well, it's like they're glass bottles, Like, who gives a crap.

1529
00:58:40,640 --> 00:58:42,520
Speaker 7: There's a lot of them out there, which is why

1530
00:58:42,560 --> 00:58:43,600
Speaker 7: the values are kind of low.

1531
00:58:44,000 --> 00:58:46,600
Speaker 5: Okay, so far, Eddie, yours your most prized possessions. You

1532
00:58:46,600 --> 00:58:47,640
Speaker 5: have one hundred and fifteen dollars.

1533
00:58:48,120 --> 00:58:49,800
Speaker 9: Wait, so I have a question about one hundred and

1534
00:58:49,800 --> 00:58:51,840
Speaker 9: fifteen Like, I get that that's the value, but is

1535
00:58:51,920 --> 00:58:54,000
Speaker 9: Eddie going to be able to sell these to anybody?

1536
00:58:54,120 --> 00:58:54,280
Speaker 15: Oh?

1537
00:58:54,480 --> 00:58:56,880
Speaker 7: Yeah, that's a good question. Amy there's a lot of

1538
00:58:56,920 --> 00:58:59,240
Speaker 7: them out there, so a lot of people are trying

1539
00:58:59,280 --> 00:59:02,000
Speaker 7: to sell them. But that's the value, and it's based

1540
00:59:02,040 --> 00:59:04,960
Speaker 7: on retail sales records. That's a similar bottle like that

1541
00:59:05,040 --> 00:59:05,880
Speaker 7: has sold recently.

1542
00:59:06,560 --> 00:59:06,880
Speaker 5: Sell it.

1543
00:59:07,040 --> 00:59:08,720
Speaker 7: You can sell them, but that's a smart question.

1544
00:59:09,280 --> 00:59:09,920
Speaker 11: The marketplace.

1545
00:59:09,960 --> 00:59:11,360
Speaker 5: Yeah, but where would you sell them?

1546
00:59:11,840 --> 00:59:12,040
Speaker 9: Yeah?

1547
00:59:12,120 --> 00:59:15,400
Speaker 7: Probably eBay with everybody else. You know, if you put

1548
00:59:15,440 --> 00:59:18,400
Speaker 7: them on like Facebook marketplace, typically people want them for

1549
00:59:18,520 --> 00:59:20,280
Speaker 7: like nothing. Oh, I'll take them off your hands, like

1550
00:59:20,280 --> 00:59:21,120
Speaker 7: they're doing you a favor.

1551
00:59:21,240 --> 00:59:22,840
Speaker 8: I know a guy that does eBay business.

1552
00:59:23,360 --> 00:59:23,640
Speaker 10: That's me.

1553
00:59:23,760 --> 00:59:25,560
Speaker 5: Yeah, we'll sell it. Yeah, Okay, here's what we have,

1554
00:59:25,600 --> 00:59:26,000
Speaker 5: doctor Laurie.

1555
00:59:26,160 --> 00:59:27,640
Speaker 7: A lot of people do an eBay business.

1556
00:59:27,680 --> 00:59:29,280
Speaker 5: We're gonna come back in a second. We're going to

1557
00:59:29,360 --> 00:59:32,160
Speaker 5: do the big bottle and the one that Eddie says

1558
00:59:32,200 --> 00:59:35,800
Speaker 5: is his money maker because it's literally money. It's some

1559
00:59:37,000 --> 00:59:39,439
Speaker 5: Oh yeah, how would you describe that bones Well, there's

1560
00:59:39,440 --> 00:59:42,120
Speaker 5: an American Indian on the front. There's a buffalo. I

1561
00:59:42,120 --> 00:59:43,760
Speaker 5: don't know. It's a big old fat coin that looks

1562
00:59:43,760 --> 00:59:45,680
Speaker 5: like it could be where it's a Eddie. It's time

1563
00:59:45,720 --> 00:59:46,240
Speaker 5: for the big two.

1564
00:59:46,320 --> 00:59:46,720
Speaker 8: Come on.

1565
00:59:46,880 --> 00:59:49,080
Speaker 5: Doctor Lourie is on. She's about to praise the crap

1566
00:59:49,080 --> 00:59:50,640
Speaker 5: out of a couple of things. Now, Eddie brought in

1567
00:59:50,680 --> 00:59:52,040
Speaker 5: these old bottles. He thought we were worth a whole

1568
00:59:52,040 --> 00:59:55,320
Speaker 5: lot of money. So far, I will say for three bottles,

1569
00:59:55,560 --> 00:59:58,160
Speaker 5: one hundred and fifteen bucks total. That's pretty good.

1570
00:59:58,280 --> 00:59:59,280
Speaker 8: It doesn't look like much.

1571
00:59:59,440 --> 01:00:00,720
Speaker 5: Yeah, but I think you thought you're gonna get a

1572
01:00:00,720 --> 01:00:01,320
Speaker 5: lot more. But that's okay.

1573
01:00:01,360 --> 01:00:02,640
Speaker 8: Well, well here, let me just tell you where my

1574
01:00:02,640 --> 01:00:03,400
Speaker 8: mind shifting now.

1575
01:00:03,600 --> 01:00:06,560
Speaker 6: Now, whatever I make today, I am going to put

1576
01:00:06,600 --> 01:00:08,800
Speaker 6: that in my four oh one k and I'm starting

1577
01:00:08,800 --> 01:00:09,920
Speaker 6: my retirement today.

1578
01:00:10,320 --> 01:00:13,080
Speaker 5: Okay. Well, you have one hundred and fifteen dollars so far.

1579
01:00:13,240 --> 01:00:13,800
Speaker 8: That's a start.

1580
01:00:13,960 --> 01:00:20,800
Speaker 5: It's time for the two dose twah money makers, all right.

1581
01:00:20,840 --> 01:00:22,360
Speaker 5: An he thinks he can make a thousand bucks out

1582
01:00:22,400 --> 01:00:25,400
Speaker 5: of this, Okay, doctor Laurie, So you're gonna put your

1583
01:00:25,400 --> 01:00:28,040
Speaker 5: PhD skills to use here. It looks like a green

1584
01:00:28,080 --> 01:00:29,880
Speaker 5: bottle to me. I don't know what the heck to says,

1585
01:00:29,920 --> 01:00:31,200
Speaker 5: but it's bigger than all the other ones.

1586
01:00:31,880 --> 01:00:35,280
Speaker 7: Okay. And there's no marking on that bottle, correct.

1587
01:00:35,200 --> 01:00:37,960
Speaker 5: Yeah, it says ep Kepler. Wait on the top, it

1588
01:00:37,960 --> 01:00:38,680
Speaker 5: says Kepler.

1589
01:00:38,960 --> 01:00:42,960
Speaker 7: Green bottles and brown bottles are trying to prevent the

1590
01:00:43,120 --> 01:00:46,440
Speaker 7: light to get to the chemical. That chemical was probably

1591
01:00:46,480 --> 01:00:49,600
Speaker 7: in fact in liquid form. So usually when they have

1592
01:00:50,080 --> 01:00:52,520
Speaker 7: bottles like that, you're trying to make sure that they

1593
01:00:52,520 --> 01:00:54,520
Speaker 7: don't get the sunlight to go through them when they're

1594
01:00:54,520 --> 01:00:56,959
Speaker 7: sitting up on a shelf, usually in a pharmacy type

1595
01:00:56,960 --> 01:00:59,439
Speaker 7: of environment. Would you say that that bottle is six

1596
01:00:59,480 --> 01:01:01,200
Speaker 7: inches tall or about eight inches tall?

1597
01:01:01,480 --> 01:01:04,400
Speaker 5: Well, hold on, that's okay, what.

1598
01:01:05,840 --> 01:01:06,960
Speaker 8: Interesting way of measured?

1599
01:01:07,880 --> 01:01:09,040
Speaker 5: I just lowered it.

1600
01:01:09,040 --> 01:01:10,160
Speaker 10: It's just getting the tape measure.

1601
01:01:10,280 --> 01:01:12,439
Speaker 5: Yes, I'd say it's about eight inches tall.

1602
01:01:13,000 --> 01:01:16,400
Speaker 7: Okay, So that piece dates to about nineteen fifteen to

1603
01:01:16,440 --> 01:01:19,600
Speaker 7: about nineteen twenty, and value on it is about fifty dollars.

1604
01:01:20,880 --> 01:01:23,360
Speaker 6: That's okay, we're adding money up, guys.

1605
01:01:23,360 --> 01:01:25,240
Speaker 12: Well you said it was that was a big bottle.

1606
01:01:25,320 --> 01:01:26,680
Speaker 12: I thought that was gonna be big, dude.

1607
01:01:26,720 --> 01:01:29,680
Speaker 7: Yeah, you're if it had been six inches okay, so

1608
01:01:29,880 --> 01:01:31,080
Speaker 7: forty five dollars.

1609
01:01:30,920 --> 01:01:34,120
Speaker 5: Oh, hey, seize matters.

1610
01:01:34,160 --> 01:01:35,040
Speaker 10: Okay, here we go.

1611
01:01:35,480 --> 01:01:37,560
Speaker 5: The final thing. He wanted me to save this to

1612
01:01:37,600 --> 01:01:40,080
Speaker 5: the very end because he thinks this you're alone, that's

1613
01:01:40,120 --> 01:01:41,840
Speaker 5: gonna be a thousand can put him through retirement.

1614
01:01:41,960 --> 01:01:43,480
Speaker 10: Is that heavy? Bobby like does it feel.

1615
01:01:43,880 --> 01:01:45,840
Speaker 5: Yeah, it's a pretty heavy coin. It's bigger than a quarter.

1616
01:01:45,920 --> 01:01:49,080
Speaker 8: Bounce that on the table. Listen to that.

1617
01:01:49,560 --> 01:01:50,160
Speaker 5: Why did it right?

1618
01:01:50,840 --> 01:01:51,480
Speaker 10: I'm just kidding you.

1619
01:01:52,080 --> 01:01:54,040
Speaker 9: Right, did you say there's a buffalo on.

1620
01:01:54,000 --> 01:01:57,000
Speaker 5: The back side? Yes? Okay, doctor Lory, what is this

1621
01:01:57,520 --> 01:01:58,040
Speaker 5: you say?

1622
01:01:58,120 --> 01:02:00,160
Speaker 7: I love your scientific.

1623
01:01:59,520 --> 01:02:00,360
Speaker 2: Methods, guys.

1624
01:02:00,440 --> 01:02:01,960
Speaker 1: Yeah, yeah, bouncing on the table.

1625
01:02:02,000 --> 01:02:03,800
Speaker 7: Listen to what it sounds like. Well, your ears is

1626
01:02:03,800 --> 01:02:05,280
Speaker 7: gonna sound different from somebody else.

1627
01:02:05,280 --> 01:02:05,640
Speaker 16: It's the air.

1628
01:02:05,680 --> 01:02:06,080
Speaker 5: Okay.

1629
01:02:06,160 --> 01:02:08,320
Speaker 7: So it's about the size of a quarter, and it

1630
01:02:08,360 --> 01:02:11,640
Speaker 7: should say point nine nine nine silver on it.

1631
01:02:11,840 --> 01:02:14,960
Speaker 5: Yes, point it says, uh nine nine nine fine silver.

1632
01:02:15,760 --> 01:02:19,360
Speaker 7: Oh okay, So let's explain a little bit. First of all,

1633
01:02:19,400 --> 01:02:23,040
Speaker 7: one side has the Native American Indian the head in profile.

1634
01:02:23,400 --> 01:02:27,720
Speaker 7: The other side has the buffalo the bison, also in profile,

1635
01:02:28,040 --> 01:02:30,680
Speaker 7: typical of coinage made in the early part of the

1636
01:02:30,720 --> 01:02:36,120
Speaker 7: twentieth century. This particular piece is actually a silver piece, right,

1637
01:02:36,200 --> 01:02:38,800
Speaker 7: So nine hundred and twenty five parts. If it said

1638
01:02:38,880 --> 01:02:42,000
Speaker 7: point nine two five, that would mean it's sterling. Yours

1639
01:02:42,080 --> 01:02:43,600
Speaker 7: is better than sterling.

1640
01:02:46,400 --> 01:02:46,800
Speaker 5: Sterling.

1641
01:02:47,800 --> 01:02:49,600
Speaker 7: You okay, okay, we're getting You're very excited.

1642
01:02:50,400 --> 01:02:50,800
Speaker 8: We're good.

1643
01:02:50,920 --> 01:02:52,920
Speaker 7: Now what you have is, of course the weight of

1644
01:02:52,960 --> 01:02:55,960
Speaker 7: this particular piece, which is almost pure silver, because if

1645
01:02:56,000 --> 01:02:58,400
Speaker 7: it were point, you know, one thousand, it would be

1646
01:02:58,440 --> 01:02:59,040
Speaker 7: pure silver.

1647
01:02:59,200 --> 01:03:02,040
Speaker 6: Doctor heard it when he bounced on the table, right, yeah,

1648
01:03:02,040 --> 01:03:04,080
Speaker 6: I heard it.

1649
01:03:02,640 --> 01:03:06,680
Speaker 7: I heard the bounce on the table. That's not my

1650
01:03:06,800 --> 01:03:11,040
Speaker 7: scientific method, that's kid. In terms of appraising, that's going

1651
01:03:11,080 --> 01:03:13,280
Speaker 7: to be a very you know, low low on the

1652
01:03:13,320 --> 01:03:16,640
Speaker 7: total pole. In terms of value. However, this particular piece

1653
01:03:16,720 --> 01:03:21,440
Speaker 7: is almost pure silver. So one tryounce of pure silver

1654
01:03:21,840 --> 01:03:24,000
Speaker 7: has a value today of if you look at the

1655
01:03:24,040 --> 01:03:26,280
Speaker 7: silver markets, about thirty five dollars.

1656
01:03:27,440 --> 01:03:28,480
Speaker 10: Well, how much is the coin?

1657
01:03:28,720 --> 01:03:28,840
Speaker 15: Oh?

1658
01:03:28,920 --> 01:03:29,720
Speaker 11: No, no, no, the.

1659
01:03:29,680 --> 01:03:31,760
Speaker 7: Coin is worth about thirty five dollars.

1660
01:03:32,080 --> 01:03:33,280
Speaker 8: No, no, the actual coin.

1661
01:03:33,360 --> 01:03:34,320
Speaker 5: Yeah, let me do this again.

1662
01:03:35,400 --> 01:03:36,120
Speaker 10: Did you not hear you?

1663
01:03:36,200 --> 01:03:36,840
Speaker 5: Hear that again?

1664
01:03:37,120 --> 01:03:38,000
Speaker 7: I heard that again?

1665
01:03:38,200 --> 01:03:41,360
Speaker 6: Okay, So what she's saying is, basically, it doesn't matter

1666
01:03:41,400 --> 01:03:43,560
Speaker 6: what's on the coin, it's just the price of silver.

1667
01:03:43,880 --> 01:03:47,840
Speaker 7: They actually will create those coins looking like old coins.

1668
01:03:47,960 --> 01:03:50,960
Speaker 7: They're not coins. It's not, of course, legal tender. It

1669
01:03:51,160 --> 01:03:53,960
Speaker 7: just is worth the value of silver. And today's silver

1670
01:03:54,040 --> 01:03:56,480
Speaker 7: market is not all that high. So when the silver

1671
01:03:56,520 --> 01:03:59,800
Speaker 7: market goes up, that piece becomes more valuable. I would

1672
01:03:59,800 --> 01:04:02,560
Speaker 7: hold on to it because it is almost pure silver.

1673
01:04:03,280 --> 01:04:03,520
Speaker 10: Eddie.

1674
01:04:03,560 --> 01:04:06,640
Speaker 5: It looks like you're a little short two hundred bucks.

1675
01:04:07,760 --> 01:04:09,160
Speaker 8: I'm not going to be able to retire today.

1676
01:04:09,200 --> 01:04:09,640
Speaker 5: Overall.

1677
01:04:10,000 --> 01:04:11,040
Speaker 7: What did you do today?

1678
01:04:11,160 --> 01:04:15,800
Speaker 5: But someday, Eddie, I'm not so sure about that, Eddie.

1679
01:04:15,840 --> 01:04:18,200
Speaker 5: What do you think realistically? Coming in that you thought

1680
01:04:18,240 --> 01:04:21,080
Speaker 5: all of these bottles in this coin would get you?

1681
01:04:21,120 --> 01:04:23,840
Speaker 6: Realistically, I thought I would get at least five hundred dollars.

1682
01:04:24,440 --> 01:04:26,000
Speaker 6: I mean I wanted to be sound exciting like I

1683
01:04:26,120 --> 01:04:28,320
Speaker 6: eat thousands, but I mean the bottles. I didn't think

1684
01:04:28,320 --> 01:04:30,360
Speaker 6: they'd beat thousand dollars bottles. But if I can get

1685
01:04:30,360 --> 01:04:31,840
Speaker 6: out of here with five hundred dollars, I was like,

1686
01:04:31,880 --> 01:04:33,920
Speaker 6: this is going to start my road to retirement.

1687
01:04:34,720 --> 01:04:36,760
Speaker 5: I mean, I'll put the one hundred dollars in retirement.

1688
01:04:36,760 --> 01:04:38,760
Speaker 5: But you're going to gamble it. We know you're going

1689
01:04:38,760 --> 01:04:40,400
Speaker 5: to DraftKings if you sell the stuff and you're gonna

1690
01:04:40,400 --> 01:04:40,880
Speaker 5: put it on a game.

1691
01:04:40,920 --> 01:04:42,320
Speaker 8: There are some golf tournaments this weekend.

1692
01:04:42,440 --> 01:04:44,280
Speaker 7: Yes, you know, I want to just I want to

1693
01:04:44,280 --> 01:04:46,680
Speaker 7: give Eddie his due, because first of all, I did

1694
01:04:46,680 --> 01:04:50,560
Speaker 7: a praise one bottle that actually was worth sixty thousand dollars.

1695
01:04:51,360 --> 01:04:52,520
Speaker 5: What did that look like?

1696
01:04:53,240 --> 01:04:55,600
Speaker 7: Some of these bottles could be that. That bottle I'm

1697
01:04:55,600 --> 01:04:58,400
Speaker 7: talking about goes all the way back to the late

1698
01:04:58,480 --> 01:05:01,160
Speaker 7: seventeen hundreds and it was called the bitterers bottle. It

1699
01:05:01,200 --> 01:05:04,040
Speaker 7: was a very elongated bottle and it was actually used

1700
01:05:04,040 --> 01:05:07,400
Speaker 7: for bidders, which was a type of actual liquid that

1701
01:05:07,400 --> 01:05:11,040
Speaker 7: would be traded in the colonial American time. Your bottles

1702
01:05:11,040 --> 01:05:14,160
Speaker 7: are all too young and very cold.

1703
01:05:14,800 --> 01:05:16,680
Speaker 5: Well, let me say this. I know it's a sad

1704
01:05:16,760 --> 01:05:19,200
Speaker 5: day for you. Yeah, yeah, you can take your bottles.

1705
01:05:19,600 --> 01:05:21,000
Speaker 7: There's more than he had, Bobby.

1706
01:05:21,320 --> 01:05:23,320
Speaker 5: Yeah, put him back in your sweet cherish memory box

1707
01:05:25,320 --> 01:05:26,080
Speaker 5: with your butterfly.

1708
01:05:26,320 --> 01:05:27,360
Speaker 8: I might just keep him here.

1709
01:05:27,400 --> 01:05:31,080
Speaker 5: Actually, yeah, they'll get stolen for sure. Okay, let's let

1710
01:05:31,080 --> 01:05:33,800
Speaker 5: me say this about doctor Laurie. Visit her website doctor

1711
01:05:34,120 --> 01:05:37,200
Speaker 5: Laurie V dot com, l O r I the Letter

1712
01:05:37,320 --> 01:05:40,760
Speaker 5: v dot com. Follow her on Instagram at doctor Lori V.

1713
01:05:41,040 --> 01:05:44,240
Speaker 5: You can watch your on Netflix, and she's just killing

1714
01:05:44,280 --> 01:05:48,760
Speaker 5: it for us as always. She praised Mike's Beanie babies

1715
01:05:48,760 --> 01:05:52,320
Speaker 5: for SI a couple thousand bucks. No, no, Pokemon, I

1716
01:05:52,400 --> 01:05:56,200
Speaker 5: have beanie babies. So you guys both more than that car. Yeah,

1717
01:05:56,280 --> 01:05:57,720
Speaker 5: and I'm not gonna say what it is yet. But

1718
01:05:57,680 --> 01:06:00,920
Speaker 5: I had doctor Lory on on they we'll reveal it.

1719
01:06:01,040 --> 01:06:02,960
Speaker 5: I had her on with me once in my house

1720
01:06:03,400 --> 01:06:05,760
Speaker 5: and I'm just gonna say, over ten thousand dollars.

1721
01:06:05,600 --> 01:06:07,360
Speaker 8: Oh my gosh, that's all.

1722
01:06:07,280 --> 01:06:08,680
Speaker 5: I'm gonna say. Am I going to say any more

1723
01:06:08,680 --> 01:06:10,640
Speaker 5: than that? I said, Hey, what's this? I'm just gonna

1724
01:06:10,640 --> 01:06:12,200
Speaker 5: say over It could be a lot more, it could

1725
01:06:12,200 --> 01:06:14,880
Speaker 5: be a little something over ten thousand dollars that I

1726
01:06:14,920 --> 01:06:16,240
Speaker 5: didn't know. I was trying to throw it away.

1727
01:06:16,320 --> 01:06:17,560
Speaker 10: You have all the luck in the world.

1728
01:06:17,760 --> 01:06:19,320
Speaker 5: I was gonna throw it away, and she was like,

1729
01:06:19,440 --> 01:06:22,280
Speaker 5: wouldn't do that at you don't worry about it.

1730
01:06:23,400 --> 01:06:25,160
Speaker 7: There's a lot of cool stuff out there, you know,

1731
01:06:25,280 --> 01:06:28,880
Speaker 7: your old toys, your barbiees, this that collectible mom stuff

1732
01:06:29,280 --> 01:06:31,000
Speaker 7: you know. I mean, I'm here to help you.

1733
01:06:31,120 --> 01:06:33,160
Speaker 9: What about Madame Alexander Dolls.

1734
01:06:33,480 --> 01:06:38,560
Speaker 7: Yes, Madame Alexander Doll. Sure, okay, yeah, there's lots of

1735
01:06:38,640 --> 01:06:39,360
Speaker 7: value in those.

1736
01:06:39,840 --> 01:06:43,440
Speaker 9: Okay, okay, but that's what I have a lot of

1737
01:06:43,960 --> 01:06:45,240
Speaker 9: Well we got to see them.

1738
01:06:45,080 --> 01:06:49,280
Speaker 5: Okay, okay, next next time. Okay. There she is our

1739
01:06:49,320 --> 01:06:51,000
Speaker 5: friend and yours, doctor doctor Laurry.

1740
01:06:51,040 --> 01:06:54,160
Speaker 7: Thank you, thanks guys, Bye Bobby, by bye. Guys.

1741
01:06:54,320 --> 01:06:57,920
Speaker 5: Have a great day. It does seem though generally we

1742
01:06:58,000 --> 01:07:01,320
Speaker 5: have a lot of hope. And then doctor Laurie is

1743
01:07:01,320 --> 01:07:04,240
Speaker 5: smart and tells us you're not as smart as you think. Yeah, us,

1744
01:07:04,600 --> 01:07:05,920
Speaker 5: because we come in we're like this, you gotta go

1745
01:07:06,000 --> 01:07:08,360
Speaker 5: ten million, and then the next thing, you know, it's

1746
01:07:08,400 --> 01:07:10,080
Speaker 5: worth thirty dollars.

1747
01:07:11,320 --> 01:07:12,480
Speaker 8: I mean, that's not what I thought.

1748
01:07:13,160 --> 01:07:14,920
Speaker 5: And he's going he thought I was gonna be word

1749
01:07:14,920 --> 01:07:16,120
Speaker 5: of the whole line. I thought that was from the

1750
01:07:16,120 --> 01:07:17,919
Speaker 5: Civil War and I was rooting for it too.

1751
01:07:18,280 --> 01:07:21,160
Speaker 6: That's a buffalo nickel man, but it's like five times

1752
01:07:21,160 --> 01:07:22,360
Speaker 6: the size.

1753
01:07:22,040 --> 01:07:25,480
Speaker 5: That showbiz baby. Yeah, that's what we say. And guess what,

1754
01:07:26,040 --> 01:07:30,120
Speaker 5: you still broke. But she did took it, took her

1755
01:07:30,120 --> 01:07:32,960
Speaker 5: to my house on camera and she was like, I'm

1756
01:07:32,960 --> 01:07:35,120
Speaker 5: not gonna say, but it was over ten thousand dollars

1757
01:07:35,320 --> 01:07:36,360
Speaker 5: and I was trying to throw it away and my

1758
01:07:36,360 --> 01:07:37,640
Speaker 5: wife was like, you should do that away. I don't

1759
01:07:37,680 --> 01:07:40,080
Speaker 5: think and then I was like, oh and then we

1760
01:07:40,680 --> 01:07:42,920
Speaker 5: and it was over Wait wait, wait is it a bottle?

1761
01:07:43,800 --> 01:07:47,920
Speaker 5: It is? Actually yeah.

1762
01:07:47,960 --> 01:07:51,720
Speaker 1: It's the best bits of the week with Morgan. Number two.

1763
01:07:55,320 --> 01:07:57,040
Speaker 3: We had Dan and Shay on the show this week.

1764
01:07:57,080 --> 01:07:58,880
Speaker 4: They're always fun to talk to you because they're just

1765
01:07:58,880 --> 01:07:59,960
Speaker 4: so open about everything.

1766
01:08:00,280 --> 01:08:02,480
Speaker 3: They talked about what in studio means.

1767
01:08:02,320 --> 01:08:03,960
Speaker 4: To them, like what does that actually look like when

1768
01:08:04,000 --> 01:08:06,360
Speaker 4: an artist says I'm in studio working on new music.

1769
01:08:06,600 --> 01:08:09,360
Speaker 3: They also answered some uncomfortable questions.

1770
01:08:08,920 --> 01:08:13,400
Speaker 4: And more importantly, y'all, they revealed a collaboration that they wanted.

1771
01:08:13,120 --> 01:08:14,840
Speaker 3: To happen and it didn't.

1772
01:08:14,960 --> 01:08:17,559
Speaker 4: And I'm so bummed that it didn't happen because this

1773
01:08:17,600 --> 01:08:20,760
Speaker 4: would have been epic. So here's the interview right now

1774
01:08:20,800 --> 01:08:23,599
Speaker 4: with Dan and Shay and Bobby number one.

1775
01:08:23,880 --> 01:08:25,880
Speaker 1: So Bobby Bones Show Interviews.

1776
01:08:26,080 --> 01:08:30,240
Speaker 5: In case you didn't know, Dan and Shaye Grammy Award

1777
01:08:30,320 --> 01:08:35,600
Speaker 5: winning ACM all the number ones, their brothers, their cousins,

1778
01:08:35,720 --> 01:08:40,719
Speaker 5: their friends. The first two aren't true, but they're massive.

1779
01:08:40,920 --> 01:08:44,800
Speaker 5: And here they are the Friday Morning Conversation with Dan

1780
01:08:44,880 --> 01:08:47,679
Speaker 5: and Shae. Gentlemen, welcome back to the show. What's going on?

1781
01:08:48,120 --> 01:08:50,040
Speaker 2: Good to see you dude, Good to see you two.

1782
01:08:50,320 --> 01:08:54,000
Speaker 5: I'm doing pretty good, pretty pretty good. Okay, We've got

1783
01:08:54,000 --> 01:08:57,280
Speaker 5: a lot to talk about. Number one. The song's about

1784
01:08:57,320 --> 01:08:59,040
Speaker 5: to go number one here you So I want to

1785
01:08:59,040 --> 01:09:00,599
Speaker 5: talk about it first because I want to play it

1786
01:09:00,760 --> 01:09:03,360
Speaker 5: kind of right off the bat. Here, So I don't

1787
01:09:03,360 --> 01:09:06,040
Speaker 5: know what. There's this new thing with songs where everybody's

1788
01:09:06,120 --> 01:09:09,400
Speaker 5: naming on like really simple generic terms, like there's a

1789
01:09:09,400 --> 01:09:11,880
Speaker 5: song called if, there's a song called from there's a

1790
01:09:11,880 --> 01:09:15,920
Speaker 5: show called the Whenever you name a song, you like,

1791
01:09:15,960 --> 01:09:19,160
Speaker 5: that's a commitment to a pretty broad generic word. Do

1792
01:09:19,200 --> 01:09:20,439
Speaker 5: you worry about that at all? Or do you try

1793
01:09:20,439 --> 01:09:21,960
Speaker 5: to find something more specific in the title.

1794
01:09:22,040 --> 01:09:22,679
Speaker 2: Yeah, we've run.

1795
01:09:22,600 --> 01:09:24,960
Speaker 16: Out of good idea is we've done we've done nothing

1796
01:09:25,080 --> 01:09:26,080
Speaker 16: like you and done other things.

1797
01:09:26,160 --> 01:09:27,160
Speaker 2: It's like, why not just you?

1798
01:09:27,320 --> 01:09:28,200
Speaker 5: That's a great thing one.

1799
01:09:28,360 --> 01:09:30,400
Speaker 16: I think originally we were going to call the song

1800
01:09:30,479 --> 01:09:32,840
Speaker 16: you and only you, but I think whenever I wrote

1801
01:09:32,840 --> 01:09:34,640
Speaker 16: it out, I was like, it's simpler to just go

1802
01:09:34,840 --> 01:09:37,120
Speaker 16: wiow you you and yeah.

1803
01:09:37,160 --> 01:09:37,280
Speaker 4: Man.

1804
01:09:37,400 --> 01:09:39,519
Speaker 2: It's like love songs. That kind of stuff never goes

1805
01:09:39,520 --> 01:09:40,040
Speaker 2: out of style.

1806
01:09:40,080 --> 01:09:43,719
Speaker 16: People are always going to be looking for songs about love, heartbreak, life,

1807
01:09:43,760 --> 01:09:45,880
Speaker 16: and it's one of those songs that was was special

1808
01:09:45,960 --> 01:09:47,400
Speaker 16: to us when we wrote it, and you know, we

1809
01:09:47,439 --> 01:09:48,880
Speaker 16: put it out on the album. That wasn't the first

1810
01:09:48,880 --> 01:09:51,160
Speaker 16: single that came out on the album, but it was

1811
01:09:51,200 --> 01:09:53,360
Speaker 16: the one that the fans raised their hands and said.

1812
01:09:53,200 --> 01:09:55,479
Speaker 2: This is one of our favorites. We saw people. You know,

1813
01:09:55,520 --> 01:09:56,800
Speaker 2: I feel like this has kind of been the story

1814
01:09:56,840 --> 01:09:58,160
Speaker 2: of our career seeing people.

1815
01:09:58,439 --> 01:10:00,680
Speaker 16: That's how we choose singles. It's like see people using

1816
01:10:00,720 --> 01:10:04,720
Speaker 16: the song and their wedding engagements. Prom Posals is now

1817
01:10:04,720 --> 01:10:06,000
Speaker 16: a thing that wasn't a thing.

1818
01:10:06,320 --> 01:10:08,639
Speaker 2: That's how old I am. Back in the day when

1819
01:10:08,640 --> 01:10:10,320
Speaker 2: we were kids, they were not prom posals.

1820
01:10:10,320 --> 01:10:12,920
Speaker 16: But kids go all out now and the song has

1821
01:10:12,920 --> 01:10:14,520
Speaker 16: been a part a lot of promposals.

1822
01:10:14,600 --> 01:10:18,360
Speaker 5: So I like single. Yeah, there's like the melody of

1823
01:10:18,400 --> 01:10:20,519
Speaker 5: the hook is also like a Shay run at the

1824
01:10:20,560 --> 01:10:23,479
Speaker 5: same time, and that act. You know, there's some there's

1825
01:10:23,479 --> 01:10:26,720
Speaker 5: some like strategy involved in the writing of that. You

1826
01:10:27,960 --> 01:10:31,240
Speaker 5: like that that is what catches me to that song, Like,

1827
01:10:31,280 --> 01:10:33,479
Speaker 5: that's the texture of it is in that hook. Shay

1828
01:10:33,760 --> 01:10:35,320
Speaker 5: talk about the hook to that song and how hard

1829
01:10:35,320 --> 01:10:36,599
Speaker 5: it is to sing every single time.

1830
01:10:37,439 --> 01:10:39,400
Speaker 15: You know, it's a good idea to have all these

1831
01:10:39,400 --> 01:10:41,599
Speaker 15: cool melodies and high melodies until you have to sing

1832
01:10:41,680 --> 01:10:42,200
Speaker 15: them every night.

1833
01:10:42,520 --> 01:10:44,720
Speaker 13: And I'm just like, why why do we do that?

1834
01:10:44,840 --> 01:10:47,800
Speaker 13: What we're thinking? But I think it's interesting though.

1835
01:10:47,800 --> 01:10:50,439
Speaker 15: I'm talking about the one word titles and things like that,

1836
01:10:50,520 --> 01:10:52,160
Speaker 15: and over time we've realized.

1837
01:10:52,160 --> 01:10:52,320
Speaker 13: Man.

1838
01:10:52,360 --> 01:10:54,040
Speaker 15: It's like when you try to come up with all

1839
01:10:54,080 --> 01:10:57,120
Speaker 15: these complicated words and you're trying to think of new words,

1840
01:10:57,120 --> 01:10:59,519
Speaker 15: It's like, we have a language. We have one language

1841
01:10:59,560 --> 01:11:01,679
Speaker 15: that I can speak. I can only I can barely

1842
01:11:01,720 --> 01:11:04,640
Speaker 15: speak one language. And I think it's important to not

1843
01:11:04,720 --> 01:11:06,720
Speaker 15: get too caught up in the all right, we got

1844
01:11:06,760 --> 01:11:08,639
Speaker 15: to think of a word that no one's ever thought

1845
01:11:08,680 --> 01:11:09,080
Speaker 15: of before.

1846
01:11:09,320 --> 01:11:11,160
Speaker 13: That's not going to happen. We know all the words

1847
01:11:11,200 --> 01:11:12,639
Speaker 13: are out there, and I think.

1848
01:11:12,560 --> 01:11:14,679
Speaker 15: It's important to you know, things like you're talking about

1849
01:11:14,680 --> 01:11:17,040
Speaker 15: the stickiness of that chorus of like, all right, what

1850
01:11:17,240 --> 01:11:18,759
Speaker 15: makes me feel that emotion?

1851
01:11:19,000 --> 01:11:22,040
Speaker 13: How do I portray that I don't need necessarily a

1852
01:11:22,080 --> 01:11:22,439
Speaker 13: new word.

1853
01:11:22,479 --> 01:11:25,640
Speaker 15: We need a new way of kind of expressing ourselves

1854
01:11:25,800 --> 01:11:28,639
Speaker 15: as humans. And this is a love style. This song

1855
01:11:28,680 --> 01:11:30,800
Speaker 15: is kind of like a speechless part too. You know,

1856
01:11:30,880 --> 01:11:33,160
Speaker 15: this is a speechless with that moment of our wives

1857
01:11:33,160 --> 01:11:35,640
Speaker 15: walking down the aisle, and you know that moment of

1858
01:11:35,680 --> 01:11:36,920
Speaker 15: the wedding night, and this.

1859
01:11:36,960 --> 01:11:38,240
Speaker 13: Is kind of a continuation of that.

1860
01:11:38,320 --> 01:11:41,040
Speaker 15: This is beyond, This is loved every single day in

1861
01:11:41,080 --> 01:11:43,800
Speaker 15: those little moments, and I just I love it for that,

1862
01:11:43,840 --> 01:11:45,400
Speaker 15: and I feel like it has a lot of that

1863
01:11:45,520 --> 01:11:46,639
Speaker 15: stickiness as far.

1864
01:11:46,600 --> 01:11:50,200
Speaker 13: Like you you know A and I think that's very

1865
01:11:50,400 --> 01:11:51,000
Speaker 13: very hooky.

1866
01:11:51,040 --> 01:11:55,920
Speaker 15: But the yeah, it's got very much of a speechless

1867
01:11:56,320 --> 01:11:57,800
Speaker 15: I'm singing because I'm sitting down on my.

1868
01:11:57,880 --> 01:11:59,800
Speaker 13: Piano and I feel like I'm about to play as

1869
01:11:59,840 --> 01:12:00,000
Speaker 13: you know.

1870
01:12:00,520 --> 01:12:02,839
Speaker 5: Can you hear it or are you dialed into ears?

1871
01:12:03,080 --> 01:12:05,120
Speaker 13: I'm not dialed that. I don't know who you look?

1872
01:12:05,520 --> 01:12:08,360
Speaker 5: Yeah, you get hit it again? Yeah through zoom. It

1873
01:12:08,360 --> 01:12:11,200
Speaker 5: sounds like a cal cassio, like one of those kids.

1874
01:12:11,479 --> 01:12:13,000
Speaker 5: But now we can tell that you're doing it.

1875
01:12:13,400 --> 01:12:14,040
Speaker 10: Sure they are.

1876
01:12:14,400 --> 01:12:17,960
Speaker 5: They have nine total, number one about to be ten.

1877
01:12:19,120 --> 01:12:20,439
Speaker 5: Ask a question to you, Dan, I'll go with you.

1878
01:12:20,479 --> 01:12:22,200
Speaker 5: It's been ten years since you guys formed Dan and

1879
01:12:22,240 --> 01:12:25,040
Speaker 5: Shae twenty thirteen. What would you say is the defining

1880
01:12:25,080 --> 01:12:26,920
Speaker 5: moment for you guys as a duo if you look

1881
01:12:26,960 --> 01:12:28,840
Speaker 5: back and you're like, this is the one not that

1882
01:12:28,960 --> 01:12:32,200
Speaker 5: started it, but that really cemented it. As we've got

1883
01:12:32,240 --> 01:12:33,719
Speaker 5: success and we're going to be here for a while.

1884
01:12:34,080 --> 01:12:34,280
Speaker 15: You know.

1885
01:12:34,400 --> 01:12:37,360
Speaker 16: Recently, Shae and I are in just a whole new place,

1886
01:12:37,439 --> 01:12:40,240
Speaker 16: brand new outlook on our entire career. Next time, maybe

1887
01:12:40,240 --> 01:12:42,000
Speaker 16: when we come back to talk about the new music,

1888
01:12:42,439 --> 01:12:45,320
Speaker 16: it'll be a different story. We've had some amazing, amazing

1889
01:12:45,360 --> 01:12:47,800
Speaker 16: moments along our journey, you know, recently while we were

1890
01:12:47,800 --> 01:12:50,080
Speaker 16: making this album that is yet to be announced. He

1891
01:12:50,120 --> 01:12:52,720
Speaker 16: has to come out. But in terms of stuff that's

1892
01:12:52,920 --> 01:12:54,479
Speaker 16: that's been out there to the public, I would have

1893
01:12:54,560 --> 01:12:58,640
Speaker 16: to say when we won our first Grammy maybe, or

1894
01:12:58,720 --> 01:13:01,040
Speaker 16: we performed on that Grammy, we did Tequila.

1895
01:13:02,040 --> 01:13:02,639
Speaker 2: That was a moment.

1896
01:13:02,720 --> 01:13:04,519
Speaker 16: You know, we'd had you know, success up till then,

1897
01:13:04,600 --> 01:13:06,760
Speaker 16: we'd had two albums, We've been grinding it out on

1898
01:13:06,760 --> 01:13:09,880
Speaker 16: the road, playing clubs, theaters, doing that thing, and that

1899
01:13:10,000 --> 01:13:12,439
Speaker 16: was kind of the moment where I think our music

1900
01:13:12,560 --> 01:13:14,160
Speaker 16: was exposed to the masses.

1901
01:13:14,240 --> 01:13:14,479
Speaker 12: You know.

1902
01:13:14,760 --> 01:13:17,600
Speaker 16: Obviously we'd had a few hits before that, but that

1903
01:13:17,800 --> 01:13:19,600
Speaker 16: was really the one that I don't know, it was

1904
01:13:19,600 --> 01:13:20,519
Speaker 16: just something different about it.

1905
01:13:20,560 --> 01:13:22,160
Speaker 2: I mean, we stood on that stage at the Grammy's.

1906
01:13:22,200 --> 01:13:25,000
Speaker 2: You've been there. It's like insanely nerve wracking.

1907
01:13:25,040 --> 01:13:26,759
Speaker 16: They for some reason put us out in the middle

1908
01:13:26,800 --> 01:13:28,760
Speaker 16: of the arena on the little circular disc.

1909
01:13:28,840 --> 01:13:31,040
Speaker 2: I guess that's like where they put new and up

1910
01:13:31,040 --> 01:13:31,879
Speaker 2: and coming performers.

1911
01:13:31,920 --> 01:13:34,559
Speaker 16: But still you're surrounded by Beyonce and Jay Z and

1912
01:13:34,640 --> 01:13:36,960
Speaker 16: all these mega superstars and you're trying to sing your

1913
01:13:36,960 --> 01:13:39,240
Speaker 16: song and you go on and you can hear your

1914
01:13:39,240 --> 01:13:42,479
Speaker 16: heart beating through the microphone. It's kind of kind of crazy,

1915
01:13:42,520 --> 01:13:44,200
Speaker 16: but that was that was a big moment for us,

1916
01:13:44,240 --> 01:13:46,439
Speaker 16: and that I think sent things into a new place.

1917
01:13:46,520 --> 01:13:49,040
Speaker 2: You know, that song kicked off the self titled album.

1918
01:13:49,080 --> 01:13:50,720
Speaker 16: You know, from there we had Speechless and you know

1919
01:13:50,760 --> 01:13:52,960
Speaker 16: a couple of other songs that I think were the

1920
01:13:52,960 --> 01:13:54,599
Speaker 16: things that sort of propelled us into.

1921
01:13:54,520 --> 01:13:56,400
Speaker 2: Arenas and changed our world.

1922
01:13:56,439 --> 01:13:56,559
Speaker 9: Man.

1923
01:13:56,600 --> 01:13:59,120
Speaker 16: But there have been so many great milestones, and it's

1924
01:13:59,160 --> 01:14:01,160
Speaker 16: crazy to say it's we've known you for ten years.

1925
01:14:01,160 --> 01:14:02,920
Speaker 2: Man. You guys were the first people to play our

1926
01:14:03,000 --> 01:14:05,960
Speaker 2: music on the radio. I remember I remember getting a call.

1927
01:14:06,200 --> 01:14:09,040
Speaker 16: Nada texted us or called us and said we're gonna

1928
01:14:09,040 --> 01:14:10,680
Speaker 16: be playing nineteen U and Me on the show. And

1929
01:14:11,439 --> 01:14:14,839
Speaker 16: we were out in Bellevue before Bellevue was Bellevue in Tennessee,

1930
01:14:14,920 --> 01:14:16,920
Speaker 16: and we went out and blew the speakers out of

1931
01:14:16,920 --> 01:14:19,519
Speaker 16: Shay's jeep whenever you guys played that. So it's crazy

1932
01:14:19,520 --> 01:14:21,640
Speaker 16: to still be doing it, man, and grateful for all

1933
01:14:21,640 --> 01:14:23,320
Speaker 16: the sport you guys have shown us along the way.

1934
01:14:23,400 --> 01:14:25,320
Speaker 5: And I've received two percent of all Dana Sha, since

1935
01:14:25,360 --> 01:14:26,960
Speaker 5: this is great. I haven't talked about that, but it's

1936
01:14:27,000 --> 01:14:28,400
Speaker 5: been cool. It's a deal we made way early on

1937
01:14:28,520 --> 01:14:31,160
Speaker 5: that much money. Yeah, yeah, I'm done pretty good. Hey, Shaye,

1938
01:14:31,240 --> 01:14:33,040
Speaker 5: let me ask you this. We talked about ten years.

1939
01:14:33,160 --> 01:14:35,160
Speaker 5: Did your label or management throw you guys a big

1940
01:14:35,240 --> 01:14:37,840
Speaker 5: ten year anniversary party? Because I asked this because we

1941
01:14:37,920 --> 01:14:40,040
Speaker 5: just did ten years here too. We did get jack crap.

1942
01:14:40,360 --> 01:14:43,040
Speaker 5: So did anything happen for you guys being together ten

1943
01:14:43,080 --> 01:14:44,040
Speaker 5: years and having success?

1944
01:14:45,439 --> 01:14:49,120
Speaker 15: You know, we got this really really special reminder via

1945
01:14:49,160 --> 01:14:51,200
Speaker 15: text message that would have been ten years.

1946
01:14:51,479 --> 01:14:52,720
Speaker 13: I was like, hey, to see you guys that you've

1947
01:14:52,760 --> 01:14:55,760
Speaker 13: been together for ten years. Yeah, we knew that.

1948
01:14:56,000 --> 01:14:56,559
Speaker 7: We knew that.

1949
01:14:56,600 --> 01:15:01,240
Speaker 13: We've been talking about it. No party already yet, Yeah,

1950
01:15:01,439 --> 01:15:05,880
Speaker 13: we'll see. Maybe they're saving it yet even be optimistic. Yeah, yeah,

1951
01:15:05,880 --> 01:15:08,200
Speaker 13: they're saving it for eleven because ten's just sober. You

1952
01:15:08,280 --> 01:15:11,000
Speaker 13: guys just did ten, so that'd be pretty rid of

1953
01:15:11,080 --> 01:15:13,040
Speaker 13: us to do it right after Dan.

1954
01:15:13,120 --> 01:15:15,320
Speaker 5: You guys posted back in March you were going on

1955
01:15:15,439 --> 01:15:18,000
Speaker 5: kind of a social media we'll call it a detox,

1956
01:15:18,040 --> 01:15:20,040
Speaker 5: like you're going to step away for a little bit. Uh,

1957
01:15:20,080 --> 01:15:21,479
Speaker 5: why did you guys do that?

1958
01:15:21,960 --> 01:15:24,280
Speaker 16: And I, you know, it's probably a longer conversation and

1959
01:15:24,320 --> 01:15:25,800
Speaker 16: I'll come up with the house we can talk about it.

1960
01:15:25,840 --> 01:15:27,840
Speaker 16: But it's, uh, you know, social media is it's a

1961
01:15:27,880 --> 01:15:30,840
Speaker 16: necessary evil in our business. It's you know, I'm not

1962
01:15:30,840 --> 01:15:32,760
Speaker 16: going to say it hasn't helped our career. It's been

1963
01:15:32,760 --> 01:15:34,479
Speaker 16: a great way for us to connect with fans and

1964
01:15:34,560 --> 01:15:37,000
Speaker 16: a great way for a lot of people to discover

1965
01:15:37,080 --> 01:15:40,160
Speaker 16: our music that may not have otherwise discovered it. I think,

1966
01:15:40,800 --> 01:15:43,120
Speaker 16: you know, in twenty twenty one, when we were doing

1967
01:15:43,160 --> 01:15:45,360
Speaker 16: our first arena headlining tour, I kind of got to

1968
01:15:45,439 --> 01:15:47,840
Speaker 16: a dark place, you know, got a little carried away,

1969
01:15:48,840 --> 01:15:51,200
Speaker 16: and my focus was, you know, not maybe not where

1970
01:15:51,200 --> 01:15:53,000
Speaker 16: it should have been, you know, on music and creating

1971
01:15:53,080 --> 01:15:55,160
Speaker 16: music and enjoying the ride and enjoying where we were

1972
01:15:55,280 --> 01:15:57,920
Speaker 16: enjoying that moment. And I think I was too heavy

1973
01:15:57,920 --> 01:16:00,519
Speaker 16: on the social media element. It was like, we sold

1974
01:16:00,560 --> 01:16:02,920
Speaker 16: out Madison Square Garden. Okay, I need to make an

1975
01:16:02,920 --> 01:16:04,880
Speaker 16: Instagram video to let everybody know we sold it out.

1976
01:16:04,920 --> 01:16:06,200
Speaker 2: I mean, it's it's part of the thing.

1977
01:16:06,240 --> 01:16:08,679
Speaker 16: But I think I got to a really really bad

1978
01:16:08,720 --> 01:16:10,400
Speaker 16: place there and I was like, you know.

1979
01:16:10,439 --> 01:16:12,479
Speaker 2: On the on the brink of like do I want

1980
01:16:12,520 --> 01:16:14,120
Speaker 2: to do this anymore? Do I want to make music?

1981
01:16:14,200 --> 01:16:17,280
Speaker 16: And you know, I brought myself back, you know, to

1982
01:16:17,360 --> 01:16:19,639
Speaker 16: the basics and said, like, the reason that I'm happy,

1983
01:16:19,680 --> 01:16:21,920
Speaker 16: the reason that you know, I've been able to do

1984
01:16:21,960 --> 01:16:23,920
Speaker 16: this for so long, is because I love making music.

1985
01:16:23,960 --> 01:16:25,439
Speaker 16: I love being in the room with my best friend,

1986
01:16:26,000 --> 01:16:29,519
Speaker 16: you know, sitting there talking, talking about life and writing songs.

1987
01:16:29,520 --> 01:16:31,439
Speaker 16: And we got back to that, you know, on this

1988
01:16:31,520 --> 01:16:34,160
Speaker 16: new project that we've been working on. But I think

1989
01:16:34,240 --> 01:16:36,680
Speaker 16: stepping away from social media, you know, especially like at

1990
01:16:36,680 --> 01:16:39,160
Speaker 16: the tail end of an album cycle, allowing ourselves to

1991
01:16:39,200 --> 01:16:41,240
Speaker 16: really focus on the music. This was the first time

1992
01:16:41,280 --> 01:16:43,880
Speaker 16: in almost ten years that we weren't on the road.

1993
01:16:44,120 --> 01:16:45,720
Speaker 16: You know, a majority of the year we've been off

1994
01:16:45,720 --> 01:16:46,840
Speaker 16: the road. So it was like, you know what, I'm

1995
01:16:46,840 --> 01:16:49,280
Speaker 16: going to step away, focus on the thing that truly

1996
01:16:49,320 --> 01:16:49,880
Speaker 16: makes me happy.

1997
01:16:49,960 --> 01:16:51,880
Speaker 2: And you know, we'll dabble back into social media whenever

1998
01:16:51,920 --> 01:16:53,160
Speaker 2: we start rolling out the new music.

1999
01:16:53,160 --> 01:16:56,360
Speaker 16: But I think if we fill our cup so high

2000
01:16:56,400 --> 01:16:58,200
Speaker 16: with the things that we love, which is right in

2001
01:16:58,240 --> 01:17:01,400
Speaker 16: creating and recording, make music, going out and playing shows,

2002
01:17:01,520 --> 01:17:03,360
Speaker 16: then I think the social media, the stuff that we

2003
01:17:03,439 --> 01:17:05,759
Speaker 16: have to do on social media won't be as daunting,

2004
01:17:05,840 --> 01:17:07,840
Speaker 16: But I think I got to a place where it

2005
01:17:07,960 --> 01:17:11,240
Speaker 16: fully consumed my life and I became a person that

2006
01:17:11,240 --> 01:17:13,080
Speaker 16: that I didn't want to be, so I stepped away

2007
01:17:13,080 --> 01:17:14,640
Speaker 16: from it for a second. I think I've, you know,

2008
01:17:14,920 --> 01:17:17,120
Speaker 16: gotten a healthy relationship with social media. It's it's a

2009
01:17:17,160 --> 01:17:19,559
Speaker 16: crazy thing, man, It'll it'll take you to wild places.

2010
01:17:19,680 --> 01:17:23,320
Speaker 5: You're talking about working on a new record or new music. Now,

2011
01:17:23,520 --> 01:17:26,360
Speaker 5: when people say they're in the studio all the time,

2012
01:17:26,520 --> 01:17:29,080
Speaker 5: what I mean? I get it, you're like in a room,

2013
01:17:29,080 --> 01:17:31,720
Speaker 5: But what do you do all day? Help help me,

2014
01:17:31,760 --> 01:17:33,479
Speaker 5: help our listeners? What does that mean? You're in a

2015
01:17:33,520 --> 01:17:34,559
Speaker 5: studio all day?

2016
01:17:34,880 --> 01:17:36,479
Speaker 13: I can tell you what Dan does all day. He

2017
01:17:36,600 --> 01:17:39,240
Speaker 13: just works. The man will go back and work on

2018
01:17:39,280 --> 01:17:42,320
Speaker 13: a vocal that might not even be an album vocal,

2019
01:17:42,439 --> 01:17:45,120
Speaker 13: He'll spend six hours on it. Is dedicated.

2020
01:17:46,000 --> 01:17:46,200
Speaker 16: Man.

2021
01:17:46,560 --> 01:17:50,200
Speaker 15: This last you know, making this album that we've got

2022
01:17:50,200 --> 01:17:55,080
Speaker 15: coming has been the most fun just kind of season,

2023
01:17:55,160 --> 01:17:57,479
Speaker 15: I guess, of our lives. I can say that I

2024
01:17:57,479 --> 01:18:00,599
Speaker 15: feel like for both of us because you know that social.

2025
01:18:00,439 --> 01:18:03,040
Speaker 13: Media part of it, and kind of being a little more.

2026
01:18:02,920 --> 01:18:05,599
Speaker 15: Detached from that, and being a little in touch with

2027
01:18:05,760 --> 01:18:08,080
Speaker 15: reality with our family and just kind of living life

2028
01:18:08,080 --> 01:18:08,880
Speaker 15: in a healthy place.

2029
01:18:09,320 --> 01:18:11,599
Speaker 13: I think it's been the funnest that ever had making music.

2030
01:18:11,680 --> 01:18:13,920
Speaker 13: I mean, Dan and I have never really.

2031
01:18:13,640 --> 01:18:16,719
Speaker 15: Had the time, besides our very first album, to make

2032
01:18:17,080 --> 01:18:20,479
Speaker 15: an actual record and make a cohesive project of stuff

2033
01:18:20,520 --> 01:18:23,800
Speaker 15: that we're going through that we've experienced, and we actually

2034
01:18:23,840 --> 01:18:25,360
Speaker 15: got to do that on this project. You know, you

2035
01:18:25,439 --> 01:18:28,320
Speaker 15: usually have three or four months to put together an album,

2036
01:18:28,320 --> 01:18:30,280
Speaker 15: and I don't want to say throw it together, obviously,

2037
01:18:30,280 --> 01:18:33,280
Speaker 15: you still try to take your time, and we've always done.

2038
01:18:33,120 --> 01:18:34,240
Speaker 13: That to the best that we could.

2039
01:18:34,320 --> 01:18:36,720
Speaker 15: But this is the very first time we've kind of

2040
01:18:36,760 --> 01:18:39,400
Speaker 15: sat down from start to finish and been like, all right,

2041
01:18:39,680 --> 01:18:41,080
Speaker 15: let's just get in there and have some fun and

2042
01:18:41,120 --> 01:18:43,840
Speaker 15: write what we want to write. And it's just it

2043
01:18:44,040 --> 01:18:46,600
Speaker 15: changed everything for us in our relationship.

2044
01:18:46,680 --> 01:18:48,559
Speaker 13: The communication that we've had.

2045
01:18:48,400 --> 01:18:50,320
Speaker 15: And really letting each other know where we're at in

2046
01:18:50,360 --> 01:18:52,960
Speaker 15: our lives and moving forward has just been We'll go

2047
01:18:52,960 --> 01:18:55,160
Speaker 15: in to a studio and our work for that day

2048
01:18:55,280 --> 01:18:58,400
Speaker 15: might be hanging out and talking about you know, going

2049
01:18:58,640 --> 01:19:01,599
Speaker 15: and playing and Bobby's Idol hour for you know, four

2050
01:19:01,720 --> 01:19:04,840
Speaker 15: people just like thinking about the things, you know, where

2051
01:19:04,880 --> 01:19:07,439
Speaker 15: we came from, and I think that makes you appreciate

2052
01:19:07,800 --> 01:19:10,200
Speaker 15: where you're going and motivates you more of like, all right,

2053
01:19:10,280 --> 01:19:14,040
Speaker 15: let's really dig in and let's our fans deserve our best.

2054
01:19:14,280 --> 01:19:16,600
Speaker 15: They deserve us at our best. And it's been just

2055
01:19:16,640 --> 01:19:17,880
Speaker 15: so much fun to.

2056
01:19:17,600 --> 01:19:20,360
Speaker 13: Motivate each other. And we've been working on our personal lives.

2057
01:19:20,479 --> 01:19:21,880
Speaker 15: I'm trying to get in shape so I don't have

2058
01:19:21,920 --> 01:19:24,200
Speaker 15: to stand next to Dan and feel ridiculous.

2059
01:19:25,040 --> 01:19:27,600
Speaker 13: So I've it's just been a really fun journey of like,

2060
01:19:27,600 --> 01:19:28,639
Speaker 13: all right, I feel like we're.

2061
01:19:28,439 --> 01:19:31,160
Speaker 15: Actually working towards something and I'm going to have a

2062
01:19:31,200 --> 01:19:33,559
Speaker 15: project that our fans can to be proud of and

2063
01:19:33,840 --> 01:19:36,800
Speaker 15: even if somebody hates it, we can with our entire

2064
01:19:36,840 --> 01:19:39,400
Speaker 15: heart say this is Dan and Shay and this is

2065
01:19:39,439 --> 01:19:41,800
Speaker 15: who we are and I'm so damn proud of it

2066
01:19:42,160 --> 01:19:44,720
Speaker 15: and put it out into the world knowing that that

2067
01:19:44,920 --> 01:19:47,639
Speaker 15: was the success, was getting it out there, no matter

2068
01:19:47,680 --> 01:19:50,000
Speaker 15: what it does commercially, you know, hopefully. I think we

2069
01:19:50,080 --> 01:19:52,599
Speaker 15: got some big old hits on there. But it's just

2070
01:19:52,680 --> 01:19:54,640
Speaker 15: it's more than that. I feel like it's kind of

2071
01:19:54,680 --> 01:19:57,160
Speaker 15: this it's a new era of what Dan and Shay

2072
01:19:57,200 --> 01:20:01,320
Speaker 15: has become. And just those studio moments, I've really just

2073
01:20:01,400 --> 01:20:06,799
Speaker 15: been us being together and living life and writing songs

2074
01:20:06,840 --> 01:20:09,679
Speaker 15: and recording them and just making that an entire process

2075
01:20:09,760 --> 01:20:13,040
Speaker 15: and season and integrating with our lives rather than all right,

2076
01:20:13,080 --> 01:20:13,840
Speaker 15: everybody panic.

2077
01:20:13,880 --> 01:20:16,040
Speaker 13: We have two months to make this album. So it's

2078
01:20:16,040 --> 01:20:16,679
Speaker 13: been really fun.

2079
01:20:16,720 --> 01:20:16,880
Speaker 16: Man.

2080
01:20:17,080 --> 01:20:19,639
Speaker 15: I've never had more fun making music in my whole

2081
01:20:19,680 --> 01:20:21,160
Speaker 15: life than we are right now.

2082
01:20:21,640 --> 01:20:21,840
Speaker 8: Yeah.

2083
01:20:21,880 --> 01:20:23,840
Speaker 5: But what do you do all day? That's my question?

2084
01:20:23,960 --> 01:20:26,080
Speaker 13: Like, no, not much, not a lot.

2085
01:20:26,520 --> 01:20:28,320
Speaker 5: I mean, are you singing it though? Are you singing

2086
01:20:28,360 --> 01:20:30,880
Speaker 5: it five hundred times? Are you playing a guitar part

2087
01:20:30,920 --> 01:20:34,599
Speaker 5: over and like the granular in a studio all day

2088
01:20:34,640 --> 01:20:37,640
Speaker 5: when you're making a record because we don't get to

2089
01:20:37,680 --> 01:20:41,240
Speaker 5: be in there. What happens for fourteen hours? Are you

2090
01:20:41,280 --> 01:20:44,120
Speaker 5: playing piano parts? Are you going let's try it different? Like,

2091
01:20:44,280 --> 01:20:45,919
Speaker 5: tell me about what is happening?

2092
01:20:46,320 --> 01:20:47,920
Speaker 16: Yeah, man, I mean I probably spend a lot of

2093
01:20:48,000 --> 01:20:50,759
Speaker 16: unnecessary time on things that won't make a single difference

2094
01:20:50,800 --> 01:20:54,400
Speaker 16: in a single radio spin or stream or sale or anything.

2095
01:20:55,600 --> 01:20:58,720
Speaker 16: Maybe I do it, you know, to serve myself or

2096
01:20:58,880 --> 01:21:00,639
Speaker 16: to make myself happy. But there are a lot of things,

2097
01:21:00,640 --> 01:21:03,680
Speaker 16: you know, For example, we have the luxury of you know,

2098
01:21:03,760 --> 01:21:05,960
Speaker 16: having the most talented and you know it the most

2099
01:21:06,000 --> 01:21:08,920
Speaker 16: talented musicians in the entire world, you know, at our

2100
01:21:08,920 --> 01:21:12,839
Speaker 16: fingertips on music wrote the greatest musicians. And you go

2101
01:21:12,560 --> 01:21:15,320
Speaker 16: to go into a studio a place like Oceanway, you know,

2102
01:21:15,520 --> 01:21:18,200
Speaker 16: and you track this band and the band you know

2103
01:21:18,280 --> 01:21:20,920
Speaker 16: comes in they hear your demo or in some cases

2104
01:21:20,960 --> 01:21:23,880
Speaker 16: on this album, we wrote the songs on an acoustic guitar.

2105
01:21:24,000 --> 01:21:24,920
Speaker 2: Didn't even have a demo.

2106
01:21:24,960 --> 01:21:26,800
Speaker 16: We would sing the song in the room for the

2107
01:21:27,160 --> 01:21:29,720
Speaker 16: session musicians and then would chart it out, you know,

2108
01:21:29,800 --> 01:21:32,080
Speaker 16: four one sixty five, you know the notes, the sequence

2109
01:21:32,080 --> 01:21:34,080
Speaker 16: of the chords, figure out the key.

2110
01:21:34,160 --> 01:21:35,599
Speaker 2: They would go in there and play it. And these

2111
01:21:35,600 --> 01:21:36,880
Speaker 2: guys are so prolific.

2112
01:21:36,960 --> 01:21:40,519
Speaker 16: The first take, the first pass is usually the most usable,

2113
01:21:40,600 --> 01:21:43,559
Speaker 16: most incredible, most brilliant sounding thing you've ever heard in

2114
01:21:43,600 --> 01:21:45,320
Speaker 16: your life. And then you go, okay, cool, Can we

2115
01:21:45,360 --> 01:21:47,680
Speaker 16: get a few more options, a few more takes? And

2116
01:21:47,720 --> 01:21:50,120
Speaker 16: it's easy when you're sitting there drinking your coffee at

2117
01:21:50,200 --> 01:21:51,120
Speaker 16: ten thirty.

2118
01:21:50,840 --> 01:21:53,080
Speaker 2: Am at Oceanway and you're like, yeah, just keep giving

2119
01:21:53,120 --> 01:21:53,559
Speaker 2: me takes.

2120
01:21:53,920 --> 01:21:57,160
Speaker 16: But all those takes, all those options are so good,

2121
01:21:57,479 --> 01:22:00,280
Speaker 16: they're all so usable. So when I go home, I

2122
01:22:00,280 --> 01:22:02,400
Speaker 16: take the session, I clean it up organize it, color

2123
01:22:02,439 --> 01:22:05,599
Speaker 16: code everything, you know, do my OCD stuff, and then

2124
01:22:05,640 --> 01:22:08,400
Speaker 16: you go through and for some people it's like, okay, cool,

2125
01:22:08,439 --> 01:22:09,880
Speaker 16: the band was incredible on the first take.

2126
01:22:10,040 --> 01:22:10,760
Speaker 2: Not going to touch it.

2127
01:22:11,200 --> 01:22:13,120
Speaker 16: That's one way I'm doing it, and it's totally all right.

2128
01:22:13,360 --> 01:22:15,080
Speaker 16: I dig that, I love the way that sounds. But

2129
01:22:15,120 --> 01:22:18,120
Speaker 16: for me, I'm like, I don't want to leave any magic.

2130
01:22:18,120 --> 01:22:20,120
Speaker 16: I don't want to leave any stone unturned. So I'll

2131
01:22:20,160 --> 01:22:23,400
Speaker 16: go through every single instrument, every drum pass, every drum fill,

2132
01:22:23,439 --> 01:22:27,120
Speaker 16: every bass guitar lick, just in case there's magic on

2133
01:22:27,160 --> 01:22:29,040
Speaker 16: a take that we're not listening to. You know, there

2134
01:22:29,040 --> 01:22:31,840
Speaker 16: may be something that happens in the third chorus, some

2135
01:22:32,000 --> 01:22:35,559
Speaker 16: inversion on the bass that happens that takes the song

2136
01:22:35,640 --> 01:22:37,400
Speaker 16: to a whole new level, at least in my head

2137
01:22:37,439 --> 01:22:38,400
Speaker 16: it does, or in my heart.

2138
01:22:39,439 --> 01:22:40,920
Speaker 2: So I just want to go through all.

2139
01:22:40,800 --> 01:22:42,519
Speaker 16: Those parts, make sure we don't miss anything. And then

2140
01:22:42,560 --> 01:22:44,760
Speaker 16: when you pick something like that, say you pick a

2141
01:22:44,760 --> 01:22:47,360
Speaker 16: good bass look in that third chorus, that may change

2142
01:22:47,360 --> 01:22:50,439
Speaker 16: how you approach, you know, sifting through the piano or

2143
01:22:50,439 --> 01:22:53,479
Speaker 16: the drums or the guitars. And it's just a never

2144
01:22:53,600 --> 01:22:56,719
Speaker 16: ending process. But man, I'm so proud of this stuff

2145
01:22:56,720 --> 01:22:59,800
Speaker 16: we're making. And Shay's vocals. That's when you record a

2146
01:22:59,840 --> 01:23:02,240
Speaker 16: sing like me, you're gonna find one good take, one

2147
01:23:02,360 --> 01:23:05,240
Speaker 16: usable take in all the passes with Shay. If he

2148
01:23:05,360 --> 01:23:07,840
Speaker 16: sings ten takes for me, they're all going to be

2149
01:23:08,000 --> 01:23:10,320
Speaker 16: absolutely incredible. I could use any one of them. So

2150
01:23:10,360 --> 01:23:12,719
Speaker 16: that makes it even harder to go through his vocals

2151
01:23:12,760 --> 01:23:15,559
Speaker 16: and say, well, okay, cool, they're all perfect. Which one

2152
01:23:15,600 --> 01:23:17,839
Speaker 16: is the has the most emotion or the most feeling?

2153
01:23:17,960 --> 01:23:21,040
Speaker 16: And yeah, it's syllable by syllable by syllable.

2154
01:23:21,280 --> 01:23:23,000
Speaker 5: That's what I wanted to know right there, because that

2155
01:23:23,120 --> 01:23:25,840
Speaker 5: is a grueling process of him having to go through it,

2156
01:23:26,439 --> 01:23:27,880
Speaker 5: you know, and both those guys having to go through

2157
01:23:27,880 --> 01:23:31,479
Speaker 5: so much. How many hard drives of unreleased Dan and

2158
01:23:31,479 --> 01:23:32,640
Speaker 5: Shane music exist?

2159
01:23:32,840 --> 01:23:36,120
Speaker 2: Two right here, You've got one plugged in back here.

2160
01:23:36,200 --> 01:23:37,120
Speaker 2: There's there's a lot.

2161
01:23:37,240 --> 01:23:39,559
Speaker 5: There's lots of songs from over the years you've never released,

2162
01:23:39,560 --> 01:23:42,439
Speaker 5: which obviously the new stuff, but I mean, do you

2163
01:23:42,439 --> 01:23:44,240
Speaker 5: have so many cut songs that you're just like, well,

2164
01:23:44,280 --> 01:23:45,439
Speaker 5: we're not going to put this on a record, but

2165
01:23:45,520 --> 01:23:48,160
Speaker 5: we'll just save it just for posterity or to see

2166
01:23:48,200 --> 01:23:49,960
Speaker 5: if we die our family can put it out and

2167
01:23:50,040 --> 01:23:52,040
Speaker 5: keep making money. Absolutely, Yeah, cool.

2168
01:23:52,080 --> 01:23:55,120
Speaker 16: There's sometimes there's sometimes we'll go back on a song

2169
01:23:55,160 --> 01:23:58,240
Speaker 16: that we started recording a few years ago. That you know,

2170
01:23:58,280 --> 01:24:00,639
Speaker 16: a great song always finds a way. Great song will

2171
01:24:00,680 --> 01:24:02,559
Speaker 16: never go out of style. So if there's something that

2172
01:24:03,080 --> 01:24:05,000
Speaker 16: you know, we started recording or working on a few

2173
01:24:05,040 --> 01:24:06,920
Speaker 16: years ago, it may not have made sense for that

2174
01:24:07,040 --> 01:24:09,720
Speaker 16: last project based on, you know, sonically, how the rest

2175
01:24:09,760 --> 01:24:10,880
Speaker 16: of that project shaped up.

2176
01:24:11,280 --> 01:24:13,800
Speaker 2: But as time evolves, you know, it may make sense

2177
01:24:13,840 --> 01:24:15,759
Speaker 2: where you are in your current moment in life.

2178
01:24:15,840 --> 01:24:18,679
Speaker 16: So you never never closed the door on any chapter.

2179
01:24:18,720 --> 01:24:21,559
Speaker 16: We always leave them, leave him rocking. But yeah, if

2180
01:24:21,600 --> 01:24:24,519
Speaker 16: I died unexpectedly, I'm a little nervous. I need to

2181
01:24:24,560 --> 01:24:27,439
Speaker 16: like figure out a plan of which songs because man,

2182
01:24:27,640 --> 01:24:28,519
Speaker 16: there are some songs that.

2183
01:24:28,479 --> 01:24:29,920
Speaker 2: We definitely don't want released.

2184
01:24:30,000 --> 01:24:33,760
Speaker 16: You know, some artists who unfortunately pass away, you know,

2185
01:24:34,160 --> 01:24:36,639
Speaker 16: I know that their are states will go and post

2186
01:24:36,720 --> 01:24:38,920
Speaker 16: a new one on Spotify every week, and I'm like, man,

2187
01:24:39,080 --> 01:24:41,280
Speaker 16: I don't know about that, Like, I don't know. There's

2188
01:24:41,360 --> 01:24:43,439
Speaker 16: some that didn't come out for a reason, and we

2189
01:24:43,479 --> 01:24:45,360
Speaker 16: should keep it that way. So we hit a system

2190
01:24:45,400 --> 01:24:46,320
Speaker 16: of checks and balances.

2191
01:24:46,320 --> 01:24:47,160
Speaker 2: If that ever happened?

2192
01:24:47,280 --> 01:24:50,000
Speaker 5: That Prince Polka album was weird, right, you know? I Rett,

2193
01:24:50,040 --> 01:24:52,200
Speaker 5: you wish that never would to come out. One final

2194
01:24:52,280 --> 01:24:54,679
Speaker 5: question in this segment, but we had Jesse Joe Dillon

2195
01:24:55,320 --> 01:24:57,479
Speaker 5: over over the house. We're talking to her. She was

2196
01:24:57,479 --> 01:24:59,680
Speaker 5: one of the writers of ten thousand Hours, and she

2197
01:24:59,680 --> 01:25:01,200
Speaker 5: tells the story about being in New York and you

2198
01:25:01,360 --> 01:25:05,680
Speaker 5: letting her hear the Bieber hit a vocal on that

2199
01:25:05,760 --> 01:25:07,519
Speaker 5: song for the first time. She said, you put headphones

2200
01:25:07,560 --> 01:25:09,680
Speaker 5: on her. Now, was that one of those situations where

2201
01:25:09,720 --> 01:25:12,040
Speaker 5: you had to keep it on lockdown because nobody could know,

2202
01:25:12,200 --> 01:25:14,320
Speaker 5: so you kept it on your device only, and you

2203
01:25:14,320 --> 01:25:18,439
Speaker 5: put headphones on people that would hear it. Dan, Yeah, it.

2204
01:25:18,320 --> 01:25:20,960
Speaker 16: Was these specific headphones. I'm such a nerd with the

2205
01:25:20,960 --> 01:25:24,360
Speaker 16: audio stuff. I listened to all your podcast episodes. I

2206
01:25:24,400 --> 01:25:27,719
Speaker 16: listened to the Bobby Bones show ones too good content

2207
01:25:27,800 --> 01:25:30,160
Speaker 16: on there. But the Jesse Joe won it was funny.

2208
01:25:30,160 --> 01:25:33,320
Speaker 16: It started out like the clip from that on social

2209
01:25:33,320 --> 01:25:35,040
Speaker 16: media was like, yeah, Dan, we were in New York

2210
01:25:35,080 --> 01:25:37,840
Speaker 16: City and he invited me back to his hotel room.

2211
01:25:37,880 --> 01:25:42,639
Speaker 2: I was like, explain more. You know, if somebody stopped

2212
01:25:42,640 --> 01:25:44,600
Speaker 2: watching the clip right there, you know, might be a

2213
01:25:44,640 --> 01:25:45,400
Speaker 2: little misleading.

2214
01:25:45,760 --> 01:25:48,120
Speaker 16: Now, Jesse Joe is one of our favorite people on

2215
01:25:48,160 --> 01:25:52,120
Speaker 16: the planet. She's just a wonderful soul. She's incredible, so talented.

2216
01:25:52,680 --> 01:25:54,360
Speaker 16: That was a great episode by the way, But yeah,

2217
01:25:54,479 --> 01:25:57,519
Speaker 16: she was in New York with her publishers Mike Mullenar

2218
01:25:57,560 --> 01:25:59,080
Speaker 16: and Alex had a good buddies.

2219
01:25:58,720 --> 01:26:01,679
Speaker 2: Of ours and we had gotten that back.

2220
01:26:01,720 --> 01:26:03,679
Speaker 16: We were working on the mix, which when we got

2221
01:26:03,720 --> 01:26:06,080
Speaker 16: Bieber's vocal, it was like our minds were blown. We

2222
01:26:06,080 --> 01:26:08,800
Speaker 16: were freaking out because it's like you never expect that

2223
01:26:09,040 --> 01:26:11,120
Speaker 16: the biggest pop star on the planet, you know, and

2224
01:26:11,160 --> 01:26:13,120
Speaker 16: he loves the song sends vocal back and it was like

2225
01:26:13,479 --> 01:26:17,479
Speaker 16: the vocal came back sounding Christine and amazing, like really

2226
01:26:17,520 --> 01:26:20,080
Speaker 16: really good. So we got that and that was a

2227
01:26:20,120 --> 01:26:22,479
Speaker 16: special moment. When she told that story, I texted her.

2228
01:26:22,560 --> 01:26:24,160
Speaker 16: I was like, man, I got goosebumps here and you

2229
01:26:24,120 --> 01:26:26,160
Speaker 16: can tell that story. That's a memory, you know, it's

2230
01:26:26,240 --> 01:26:28,920
Speaker 16: moments like that. That song went on to accomplish a

2231
01:26:28,920 --> 01:26:30,720
Speaker 16: lot of great things for us, but those are the

2232
01:26:30,800 --> 01:26:33,320
Speaker 16: highest highs, those moments, you know, getting to share that

2233
01:26:33,400 --> 01:26:36,240
Speaker 16: with someone you care about, writing a song, coming up

2234
01:26:36,240 --> 01:26:38,200
Speaker 16: with a great hook, you know, getting a demo back.

2235
01:26:38,479 --> 01:26:41,080
Speaker 16: Those are the things that are really rewarding, you know.

2236
01:26:41,120 --> 01:26:43,000
Speaker 16: Obviously the number ones are great, and want to keep

2237
01:26:43,000 --> 01:26:43,719
Speaker 16: those things coming.

2238
01:26:43,800 --> 01:26:45,320
Speaker 2: But that kind of moment.

2239
01:26:45,320 --> 01:26:46,880
Speaker 16: We were in New York and she came over to

2240
01:26:46,920 --> 01:26:49,160
Speaker 16: the room, and I don't think we've told her who

2241
01:26:49,200 --> 01:26:50,559
Speaker 16: was on the song. We were like, just check out

2242
01:26:50,560 --> 01:26:52,920
Speaker 16: the mix, and we played it in that second verse

2243
01:26:53,000 --> 01:26:55,200
Speaker 16: roll around and she was like, is that justin Bieber?

2244
01:26:55,240 --> 01:26:56,519
Speaker 16: I think I have a video of it on my

2245
01:26:56,560 --> 01:26:58,799
Speaker 16: phone somewhere. It was it was a special night man.

2246
01:26:58,720 --> 01:27:00,760
Speaker 5: And you don't send that around, right, even the people

2247
01:27:00,800 --> 01:27:03,120
Speaker 5: you trust in case it could get leaked.

2248
01:27:04,200 --> 01:27:06,200
Speaker 13: No, I think we had that on I had it.

2249
01:27:06,600 --> 01:27:09,240
Speaker 15: I think maybe three people had it, like maybe Dan

2250
01:27:09,320 --> 01:27:11,439
Speaker 15: and I and maybe our maybe our wives.

2251
01:27:12,040 --> 01:27:12,400
Speaker 5: Uh.

2252
01:27:12,439 --> 01:27:14,800
Speaker 15: And that was especially in the beginning, and I just

2253
01:27:14,840 --> 01:27:17,280
Speaker 15: remember how crazy that feeling was. Like We've had a

2254
01:27:17,280 --> 01:27:20,280
Speaker 15: lot of pinch me moments in our lives, and I

2255
01:27:20,320 --> 01:27:24,000
Speaker 15: just remember driving around being like looking at random.

2256
01:27:23,680 --> 01:27:25,759
Speaker 13: People and be like, you got no idea it's coming.

2257
01:27:26,000 --> 01:27:27,760
Speaker 15: I just want to tell you know what I mean,

2258
01:27:27,920 --> 01:27:30,360
Speaker 15: just like seeing some lady, you know, rolling down your

2259
01:27:30,360 --> 01:27:32,680
Speaker 15: window and excuse me, man, you matter if I'll play

2260
01:27:32,720 --> 01:27:33,559
Speaker 15: the song it's with Justin.

2261
01:27:33,920 --> 01:27:35,120
Speaker 13: I heard him and.

2262
01:27:35,200 --> 01:27:38,000
Speaker 15: Uh, it was just a crazy feeling of just knowing

2263
01:27:38,000 --> 01:27:41,519
Speaker 15: what's coming. And I remember I, actually, this is probably

2264
01:27:41,560 --> 01:27:43,479
Speaker 15: horrible to even stay out loud, but I think I

2265
01:27:43,560 --> 01:27:46,320
Speaker 15: cried the first time I heard it with my wife.

2266
01:27:46,479 --> 01:27:48,680
Speaker 15: We were sitting down at our old house and we

2267
01:27:48,760 --> 01:27:50,920
Speaker 15: just Dan had just sent it to me, and he's like,

2268
01:27:51,200 --> 01:27:53,920
Speaker 15: I think it was the only like preface was like, dude,

2269
01:27:54,200 --> 01:27:56,800
Speaker 15: and I was like, I remember sitting down and listening

2270
01:27:56,840 --> 01:27:58,919
Speaker 15: to that on the couch, like not over big speakers,

2271
01:27:58,960 --> 01:28:01,479
Speaker 15: just like on my phone and just listening with my

2272
01:28:01,560 --> 01:28:05,519
Speaker 15: wife and being in shock and probably tearing up a lot,

2273
01:28:05,640 --> 01:28:07,000
Speaker 15: just because we.

2274
01:28:07,000 --> 01:28:08,320
Speaker 13: Knew that that was going to be.

2275
01:28:08,280 --> 01:28:11,400
Speaker 15: A life changing moment, you know, and there's just it

2276
01:28:11,439 --> 01:28:12,439
Speaker 15: doesn't like come around.

2277
01:28:13,520 --> 01:28:16,360
Speaker 13: I mean maybe once in your lifetime of something like that.

2278
01:28:16,400 --> 01:28:19,519
Speaker 15: So it was pretty pretty special being able to drive

2279
01:28:19,560 --> 01:28:22,040
Speaker 15: around and feeling like you have this pretty cool secret

2280
01:28:22,560 --> 01:28:23,720
Speaker 15: nobody else in the world does.

2281
01:28:24,080 --> 01:28:26,120
Speaker 5: Okay, look Dan and Chador here, they've been hanging out

2282
01:28:26,160 --> 01:28:28,360
Speaker 5: with us for a long time, almost an hour. The

2283
01:28:28,439 --> 01:28:32,839
Speaker 5: song you crushing it. Stream it right now to climbing.

2284
01:28:32,840 --> 01:28:35,880
Speaker 5: It's top five, probably gonna be number one. We're celebrating that,

2285
01:28:35,920 --> 01:28:38,320
Speaker 5: but I do have uncomfortable questions that our listeners sent

2286
01:28:38,400 --> 01:28:40,519
Speaker 5: for you guys, and so we'll just go one at

2287
01:28:40,560 --> 01:28:42,400
Speaker 5: a time. Shay, I'll go to you first. What do

2288
01:28:42,520 --> 01:28:45,120
Speaker 5: Dan and Chay argue about the most and don't give

2289
01:28:45,160 --> 01:28:46,120
Speaker 5: a cliche answer?

2290
01:28:46,920 --> 01:28:50,559
Speaker 15: If we did find about something, maybe where we're going

2291
01:28:50,600 --> 01:28:53,440
Speaker 15: to eat is like the most difficult.

2292
01:28:53,680 --> 01:28:55,400
Speaker 5: That's my wife and I too, same thing.

2293
01:28:55,479 --> 01:28:58,200
Speaker 13: Yeah it sounds stupid, but yes, yeah, maybe where to eat?

2294
01:28:58,320 --> 01:29:00,120
Speaker 5: Yeah, she's like, where do you want to go? And

2295
01:29:00,160 --> 01:29:01,519
Speaker 5: I say it. She's like I don't want I don't

2296
01:29:01,520 --> 01:29:02,599
Speaker 5: want to go there, and I'm like, well you asked

2297
01:29:02,600 --> 01:29:05,840
Speaker 5: where I wanted to go. Like that's like, yeah, that's okay.

2298
01:29:05,880 --> 01:29:09,479
Speaker 5: Next up Dan, Let's see dude. Dan and Shae say

2299
01:29:09,479 --> 01:29:11,479
Speaker 5: the same thing every city, no matter where they are,

2300
01:29:11,520 --> 01:29:13,599
Speaker 5: and like this is my favorite city. Blank.

2301
01:29:13,880 --> 01:29:15,559
Speaker 2: Yeah, you've definitely got a little bit of a script

2302
01:29:15,640 --> 01:29:16,080
Speaker 2: to be honest.

2303
01:29:16,120 --> 01:29:19,479
Speaker 16: I mean you go up there, there's definitely like I

2304
01:29:19,520 --> 01:29:21,760
Speaker 16: have this set up speech before it's Keila like, you know,

2305
01:29:21,800 --> 01:29:24,000
Speaker 16: bring a little down, real quiet, and it's the whole thing.

2306
01:29:24,040 --> 01:29:25,640
Speaker 16: We need the crowd of sing this song out that

2307
01:29:25,720 --> 01:29:27,679
Speaker 16: it's ever been sung before in the history of the song.

2308
01:29:27,720 --> 01:29:28,960
Speaker 16: You know, you give them a little bit of the

2309
01:29:29,040 --> 01:29:32,599
Speaker 16: uh the wwe moment, but there are definitely a lot

2310
01:29:32,600 --> 01:29:33,719
Speaker 16: of moments that are off the cuff.

2311
01:29:33,760 --> 01:29:33,880
Speaker 5: You know.

2312
01:29:33,920 --> 01:29:36,759
Speaker 16: We always make sure to do an acoustic little breakdown

2313
01:29:36,880 --> 01:29:40,720
Speaker 16: bit in our show that is completely unscripted, and sometimes it.

2314
01:29:40,760 --> 01:29:41,759
Speaker 2: Goes off the rails.

2315
01:29:42,080 --> 01:29:44,240
Speaker 16: So maybe we should stick to the script because our

2316
01:29:44,439 --> 01:29:46,439
Speaker 16: sound guys out there, like, guys, we got to cut

2317
01:29:46,479 --> 01:29:46,840
Speaker 16: this short.

2318
01:29:46,880 --> 01:29:48,840
Speaker 2: You've been doing the acoustic bit for an hour now.

2319
01:29:49,160 --> 01:29:52,040
Speaker 5: Three questions left and uncomfortable questions. Shay, you brought up

2320
01:29:52,080 --> 01:29:53,360
Speaker 5: the fact that you'd lost a bunch of weight. What

2321
01:29:53,400 --> 01:29:55,439
Speaker 5: did Shae do with his old clothes that don't fit anymore?

2322
01:29:56,000 --> 01:29:59,479
Speaker 13: They're currently sitting in my garage. I had to this

2323
01:29:59,560 --> 01:30:00,000
Speaker 13: is a legit.

2324
01:30:00,560 --> 01:30:04,040
Speaker 15: I have four shirts that fit me now, and so

2325
01:30:04,120 --> 01:30:06,920
Speaker 15: I had to go to Dillard's and I think I

2326
01:30:06,920 --> 01:30:08,599
Speaker 15: want some Dillards. I don't know where you get pants.

2327
01:30:08,680 --> 01:30:10,880
Speaker 15: I have like three pairs of pants and four shirts.

2328
01:30:11,280 --> 01:30:13,439
Speaker 15: That's like the only clothes like this shirt. This is

2329
01:30:13,479 --> 01:30:16,080
Speaker 15: one of four good and it's the same brand. Yeah,

2330
01:30:16,120 --> 01:30:18,080
Speaker 15: but they're all in my garage. If anyone wants I

2331
01:30:18,080 --> 01:30:20,720
Speaker 15: have one hundred and eighty black shirts black T shirts

2332
01:30:21,000 --> 01:30:22,160
Speaker 15: large if you'd like them.

2333
01:30:22,360 --> 01:30:24,920
Speaker 5: Two questions left to Dan. Has Dan ever pretended to

2334
01:30:24,960 --> 01:30:26,400
Speaker 5: be working on a song to get out of doing

2335
01:30:26,479 --> 01:30:28,000
Speaker 5: something around the house for his wife?

2336
01:30:28,080 --> 01:30:29,519
Speaker 2: Oh for sure, for sure.

2337
01:30:30,200 --> 01:30:32,640
Speaker 16: It honestly not as much like to get out of

2338
01:30:32,680 --> 01:30:34,720
Speaker 16: doing something around around the house. I'm pretty good at

2339
01:30:34,720 --> 01:30:37,800
Speaker 16: the chores, but definitely to get out of social situations,

2340
01:30:37,920 --> 01:30:40,720
Speaker 16: Like you know, Abby's so social, you know, and she'll

2341
01:30:40,760 --> 01:30:42,719
Speaker 16: go to like these events and stuff, and she'll always

2342
01:30:42,800 --> 01:30:45,160
Speaker 16: use the excuse like it's like nine pm and he's

2343
01:30:45,160 --> 01:30:48,200
Speaker 16: had starts or a concert or some dinner with friends.

2344
01:30:48,200 --> 01:30:50,040
Speaker 2: It's like, oh, Dan has a mixed revision.

2345
01:30:50,080 --> 01:30:52,400
Speaker 16: It's like, who expects him to be doing a mixed

2346
01:30:52,479 --> 01:30:55,960
Speaker 16: revision streaming session at nine pm on a Saturday night?

2347
01:30:56,439 --> 01:30:58,200
Speaker 5: What is the who is the most famous person to

2348
01:30:58,240 --> 01:31:00,879
Speaker 5: turn down? To Dan and Jay Collab, I did try.

2349
01:31:00,640 --> 01:31:03,000
Speaker 15: To, like pretty hard, try to get a Dell on

2350
01:31:03,080 --> 01:31:06,479
Speaker 15: a song. It was no specific song, but like, hey,

2351
01:31:06,520 --> 01:31:08,880
Speaker 15: we should get a down on a song, and Ever

2352
01:31:09,080 --> 01:31:09,240
Speaker 15: was like.

2353
01:31:09,280 --> 01:31:11,160
Speaker 13: Yeah, that'd be that'd be cool.

2354
01:31:12,240 --> 01:31:14,200
Speaker 5: And the fact we don't have a song with a

2355
01:31:14,240 --> 01:31:17,280
Speaker 5: el So if they answered uncomfortable Question five we applaud

2356
01:31:17,280 --> 01:31:18,960
Speaker 5: them when we let them go a nice job. Rarely

2357
01:31:18,960 --> 01:31:22,439
Speaker 5: do people answer the fifth uncomfortable question. Okay, Dan and Shay,

2358
01:31:22,520 --> 01:31:25,040
Speaker 5: we'll be waiting for your new music whenever that is.

2359
01:31:25,080 --> 01:31:27,160
Speaker 5: I'm sure I'm not even gonna ask anything about it.

2360
01:31:27,160 --> 01:31:29,280
Speaker 5: It's it's under lock and key. I've been told if

2361
01:31:29,280 --> 01:31:31,600
Speaker 5: I do ask about it, I'll be met outside this

2362
01:31:31,640 --> 01:31:36,040
Speaker 5: building by an unhappy person. So yes, we're gonna.

2363
01:31:36,320 --> 01:31:38,439
Speaker 2: I'm gonna send you a link, Bobby.

2364
01:31:38,320 --> 01:31:39,720
Speaker 5: And now I'll share it with the whole world to

2365
01:31:39,760 --> 01:31:41,280
Speaker 5: go to my Twitter and I'll share the link with

2366
01:31:41,320 --> 01:31:42,479
Speaker 5: every I mean, that's kind of.

2367
01:31:42,400 --> 01:31:44,639
Speaker 2: A thing, now, right, TikTok you leak it? You already

2368
01:31:44,640 --> 01:31:45,360
Speaker 2: have a release date?

2369
01:31:45,400 --> 01:31:45,559
Speaker 13: Yo?

2370
01:31:45,560 --> 01:31:46,360
Speaker 2: Should I drop this?

2371
01:31:46,439 --> 01:31:46,920
Speaker 10: Check it out?

2372
01:31:47,040 --> 01:31:50,599
Speaker 5: You know you point yeah, point label so mad, I'm

2373
01:31:50,680 --> 01:31:53,759
Speaker 5: leaking this and it's like yoder, nobody believes that anymore.

2374
01:31:53,920 --> 01:31:56,519
Speaker 5: All right, Dana Ja Love you guys. Congratulations, We'll talk

2375
01:31:56,560 --> 01:31:56,920
Speaker 5: to you soon.

2376
01:31:57,439 --> 01:31:57,960
Speaker 13: Love you man.

2377
01:31:58,080 --> 01:31:58,880
Speaker 2: Thank you for the time.

2378
01:31:58,960 --> 01:32:03,240
Speaker 1: I guess it's the best Bits of the Week with

2379
01:32:03,439 --> 01:32:04,360
Speaker 1: Morgan Number two.

2380
01:32:05,439 --> 01:32:07,800
Speaker 4: Well that was another fabulous best bits y'all. Thanks for

2381
01:32:07,840 --> 01:32:09,720
Speaker 4: hanging out with me, and I hope you really do

2382
01:32:09,880 --> 01:32:12,320
Speaker 4: enjoy this weekend. Maybe you're getting some good weather, we're

2383
01:32:12,320 --> 01:32:14,800
Speaker 4: about to head into Memorial Weekend next weekend, you're getting

2384
01:32:14,800 --> 01:32:17,000
Speaker 4: some plans figured out, or maybe you're resting up for

2385
01:32:17,040 --> 01:32:19,600
Speaker 4: all the festivities. Whatever it may be, I hope you

2386
01:32:19,640 --> 01:32:21,960
Speaker 4: have a fabulous weekend. Be sure to go check out

2387
01:32:21,960 --> 01:32:24,519
Speaker 4: Part one with Abby. It's like a conversation with friends

2388
01:32:24,800 --> 01:32:26,559
Speaker 4: that I think you guys will really enjoy. We also

2389
01:32:26,600 --> 01:32:28,920
Speaker 4: broke down our experience at our Heart Country festival, and

2390
01:32:28,960 --> 01:32:31,120
Speaker 4: we spilled some tea, So if you want to sip

2391
01:32:31,160 --> 01:32:34,080
Speaker 4: on some tea while you're resting up, go listen and

2392
01:32:34,120 --> 01:32:35,920
Speaker 4: follow me on all the things at Webgo Morgan.

2393
01:32:36,000 --> 01:32:38,680
Speaker 3: I'm on Instagram, TikTok, Twitter, Facebook.

2394
01:32:38,200 --> 01:32:40,200
Speaker 4: You name it, I'm there, And of course the show

2395
01:32:40,240 --> 01:32:42,679
Speaker 4: is also out there on all those things at Bobby

2396
01:32:42,680 --> 01:32:44,599
Speaker 4: Bone Show. And I would love if y'all check out

2397
01:32:44,640 --> 01:32:46,560
Speaker 4: some more content bobbybones dot com if you want to

2398
01:32:46,600 --> 01:32:48,960
Speaker 4: catch any of these performances that I talked about. We

2399
01:32:49,040 --> 01:32:51,200
Speaker 4: got a whole bunch of stuff up there for y'all

2400
01:32:51,240 --> 01:32:54,080
Speaker 4: to go see on Bobby Bones or YouTube, name your

2401
01:32:54,160 --> 01:32:55,000
Speaker 4: vice whatever you like.

2402
01:32:55,200 --> 01:32:57,200
Speaker 3: I'll see you guys later. Have a great one.

2403
01:32:57,439 --> 01:33:00,320
Speaker 5: The Bobby Bone Show Bobo Bones four,