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Speaker 1: Look may oh, I see you, my own my bow

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Speaker 1: and look over there is that culture. Yes, goodness, lost.

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Speaker 2: Ding Dong lost in tactile with me right now, get tactile.

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Speaker 2: Here we are Bowen Yang. It's a very special episode.

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Speaker 1: Why is that because ten.

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Speaker 2: Years ago this week we started this podcast.

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Speaker 1: That's crazy feels silly to me. Ten years well, I

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Speaker 1: mean we're not helping with this whole like twenty sixteen

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Speaker 1: nostalgia thing going on right now.

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Speaker 2: Yeah, there is a lot of that.

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Speaker 1: I mean I was gonna ask like, where were you

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Speaker 1: ten years ago? But now we literally can't.

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Speaker 2: We were in our friends with a mattress in the

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Speaker 2: window to keep out the sound.

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Speaker 1: That was our that was our soundproofing at the time.

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Speaker 2: And we are now ten years later sitting here with

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Speaker 2: our guests.

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Speaker 1: Look at that, Look at God.

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Speaker 2: And I gotta say, look at God because she's with

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Speaker 2: us in the room. I don't know that we could

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Speaker 2: have booked a better guest for our ten year anniversary

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Speaker 2: a podcast about pop culture. Right, you think that the

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Speaker 2: ten year is gonna happen, we probably should get a

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Speaker 2: full blow and pop culture icon in here.

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Speaker 1: Yeah, I I did my thing of like I'm gonna

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Speaker 1: watch I'm gonna watch a project. I'm gonna go back

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Speaker 1: and revisit the classics, and it's the it's the sort

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Speaker 1: of decision paralysis thing that happens with I think our guests,

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Speaker 1: where I'm sure she's used to this by now, where

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Speaker 1: everyone's like, I loved you and uh and then like

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Speaker 1: they must like sort of short circuit and then liked.

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Speaker 1: So I picked. I was very happy with to Die

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Speaker 1: For and uh the others which I and then I

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Speaker 1: watched the Criterion Collection featurette where there's something I want

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Speaker 1: to ask you. She mentioned something that I want to

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Speaker 1: ask her about, which is that she almost quit because

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Speaker 1: she was like, I can't do this. This is a

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Speaker 1: woman who is awf oulder her children. Not a spoiler alert,

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Speaker 1: but you know what I mean, Well, well it's the others.

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Speaker 1: If you're seeing the others, if you know, you know.

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Speaker 2: I went for something old, something new.

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Speaker 1: Uh.

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Speaker 2: I went for final final two episodes of Big Little

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Speaker 2: Eyes season one, perfect, and I went for Eyes Wide Shut,

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Speaker 2: which I had never seen. And boy are there questions

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Speaker 2: as a result of this list of projects, But there

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Speaker 2: are approximately a million rolls that our guest has been

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Speaker 2: incredible in, just as an actress as a producer, I mean,

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Speaker 2: fashion icon, et cetera. Arguably best performance is the Chanelle

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Speaker 2: number five commercial, Oh which, yes, this is the podcast

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Speaker 2: that's going to bring it up.

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Speaker 1: Absolutely our ten.

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Speaker 2: Year anniversary special and our guest is the one. The only.

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Speaker 3: It was so had to stay quiet through that.

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Speaker 2: You stayed very stoke.

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Speaker 3: Do you see me?

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Speaker 1: You take direction?

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Speaker 3: I was like, you told me to shut up?

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Speaker 2: But then when we said number five commercial, you did?

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Speaker 2: You did jump up?

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Speaker 3: Bas just texted me, did he Literally you must have

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Speaker 3: been telepathically picking something.

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Speaker 2: We're just talking about it.

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Speaker 1: We were just talking about because my Basie.

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Speaker 2: Wonderful.

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Speaker 3: What is his name for me is dear one?

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Speaker 2: Dear one? Has that been for the beginning?

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Speaker 1: Dear one, dear one? So well again, same number of

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Speaker 1: syllables as Nicole, but.

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Speaker 3: Somehow deal one is nice.

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Speaker 1: I can say he has a nickname for me because

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Speaker 1: I met him at an event and his nickname for

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Speaker 1: me is I kid you not you bitch, because it's

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Speaker 1: how he thinks he's going to book the podcast. He

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Speaker 1: wants to come on the podcast.

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Speaker 2: Of course.

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Speaker 1: He is. He's because he sent me the loveliest email

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Speaker 1: after r on a Grande and I did this Mulan

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Speaker 1: Rouge sketch and you go, no, no, but it was

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Speaker 1: it was kind of the best thing. The best outcome

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Speaker 1: possible was to like be able to be in conversation

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Speaker 1: with him anyway, and he's.

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Speaker 3: He's with it. I mean, all you want to do

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Speaker 3: is be the center of his universe. Yeah, when you

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Speaker 3: drop from that spot, it's very painful.

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Speaker 2: Oh my gosh, when you're in his orbit, it's something else. Yeah,

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Speaker 2: you know, yeah, I have to say I think mulin

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Speaker 2: Rouge was like we asked that question a lot, like

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Speaker 2: what was the culture that made you say? Culture was

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Speaker 2: for you? And Mulan Rouge came out in two thousand,

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Speaker 2: so it was just around the time when we were

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Speaker 2: starting to like be like I'm going to watch a

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Speaker 2: movie that my parents don't know I'm going to watch,

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Speaker 2: and my mother would see the trailer from Mulan Rouge

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Speaker 2: and she would say, that looks racy. That looks very racy.

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Speaker 2: And I was like, I went into fifth grade and

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Speaker 2: I told my teacher, my mom says, Mulan Rouge looks racy.

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Speaker 1: And then she was like, well, you know it might

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Speaker 1: be a little racy.

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Speaker 2: Well, that's sort of about what it's about. But then you.

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Speaker 3: Watch it to a courtisan.

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Speaker 1: Yeah, courison and consumption, that's right, the consumption racy topics.

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Speaker 2: The greatest consumption death put on Cellu Lloyd. I think,

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Speaker 2: what can we talk about it? Okay? And even people

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Speaker 2: on the team are like, like gagged, just the consumption.

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Speaker 3: Of it all. And then I get carried though in feathers.

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Speaker 3: Pink feathers, come on, Yes, I get to fly on

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Speaker 3: a trapeze in sequence with men underneath me with top hats.

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Speaker 1: Pretty good, badass, badass.

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Speaker 3: And then I get to die and be held by

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Speaker 3: Ewan McGregor singing to me. And then but I also

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Speaker 3: get to get carried in pink feathers.

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Speaker 1: Right, pink feathers seem to be.

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Speaker 3: Oh, that's really lovely.

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Speaker 2: A lot of fulfillment there.

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Speaker 3: Yeah, it was just so exquisite.

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Speaker 2: And also, like the soundtrack that was birthed, I think

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Speaker 2: that that doesn't get enough respect to put on its

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Speaker 2: name because all bangers on that soundtrack.

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Speaker 3: Yeah, well he's he's just a music whiz, yes, So,

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Speaker 3: I mean bas is classically built in terms of all

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Speaker 3: his knowledge and the way in which he's been trained

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Speaker 3: and then he talked about culture and pop culture. Then

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Speaker 3: he's able to enter the zeitgeist though, but he's got

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Speaker 3: all his education and classical training kind of the best

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Speaker 3: of the best. Right else, do we want to talk

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Speaker 3: about you? Because he throw someone at me and.

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Speaker 1: I'll answer, Nicole Kidman, how about that? Because I feel

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Speaker 1: like me I'm boring. Come on. The reason why I

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Speaker 1: think the reason why you've had this incredibly illustrious career

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Speaker 1: is because random career.

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Speaker 3: It's also rad.

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Speaker 2: But random in the best way. Like I love that

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Speaker 2: we never know we're working to get from you.

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Speaker 3: It is random.

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Speaker 1: Scarpett and March eleventh on Prime Today.

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Speaker 3: I think by binge, I know you're not meant to

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Speaker 3: binge things, but binge.

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Speaker 1: You think it's a binger.

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Speaker 3: I think this is a binger. If you like binging,

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Speaker 3: love I like binging. It comes you know it's not healthy,

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Speaker 3: but I love it.

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Speaker 2: Yeah, all one.

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Speaker 3: Huh yeah, just watch it? Okay, watch it and watch

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Speaker 3: it and watch it and watch it and watch it

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Speaker 3: and done.

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Speaker 2: Perfect couple.

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Speaker 3: I binged.

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Speaker 2: Netflix made that easy.

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Speaker 3: Right, Okay? Well, hopefully this makes Jamie Lee and I.

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Speaker 1: Jane Lee Bobby kind of and he just he is Crime,

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Speaker 1: Dela Crime, and then Simon Baker.

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Speaker 3: And you and everyone and everyone else.

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Speaker 2: Well, he was famously he holds a place in gay

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Speaker 2: culture because he was Will's boyfriend on Will and Grace. Yeah. Yes,

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Speaker 2: he was like the tough talking I think he was

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Speaker 2: a firefighter, right or was he a cop?

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Speaker 3: He was? What? Yeah, yeah, he's not at all.

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Speaker 1: No, right, Look, some people some people have.

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Speaker 3: Burn is very lucky.

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Speaker 2: She's the best. We were watching clips of her and

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Speaker 2: Kristen wigg going back and forth in an outtake real

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Speaker 2: and Bridesmaids right before you walked in.

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Speaker 3: I was just talking about that. That is my daughter

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Speaker 3: and I. We watch Bridesmaids when we're feeling down. Whenever

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Speaker 3: we need a lift, we watch it. We recite it,

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Speaker 3: we acted out and we do that in the kitchen,

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Speaker 3: and that is our go to saving. That's our savior

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Speaker 3: films film. Yeah, to pull us out of a funk.

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Speaker 1: Of course, there's an underappreciated. That's a new vocal stem

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Speaker 1: for me, which is a Rosebyurne line in that which

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Speaker 1: is after like the toast off, Roseburn goes dessert, wine

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Speaker 1: is out. You want to talk about It's such a

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Speaker 1: funny little like evening it's dirt.

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Speaker 2: There's also we were blown by, like the patronizing way

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Speaker 2: she looks at Kristin Wig whenever she's trying to say

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Speaker 2: like an accomplishment of hers just like.

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Speaker 3: Wow, been like wow, you're a train wreck. Get the hook, Get.

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Speaker 1: The hook exactly perfect. Oh but I just okay, Yeah,

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Speaker 1: I was gonna, I was gonna, I was gonna pay

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Speaker 1: you the compliment, and then I was gonna transition to

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Speaker 1: take it. Do you get this? Do people say that

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Speaker 1: you don't do you receive a compliment? Well, I don't know.

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Speaker 3: I'm trying to. It's not an Australian attribute like we

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Speaker 3: always have to. Yeah, humility is very important, but also

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Speaker 3: it's just hard to take compliments because the last thing

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Speaker 3: you want is to be seen as.

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Speaker 1: Bigheaded, right right, right, of course you have.

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Speaker 3: To always come in under But I'm learning to take

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Speaker 3: the strokes because it feels good. I mean, you hard

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Speaker 3: give me something.

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Speaker 1: From We do this too much, some might say is

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Speaker 1: that we fond too much, which we will keep to

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Speaker 1: a minimum. But I think the reason why, because you're

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Speaker 1: talking about baths being so plugged into the culture, I

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Speaker 1: feel like you have that same sense too of just no.

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Speaker 1: When something is a worthwhile, not even worthwhile, it's just

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Speaker 1: a risk period, right. I feel like this randomness that

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Speaker 1: you're talking about is just risk.

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Speaker 3: And it's curiosity, Okay, it's desire, it's and it's always

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Speaker 3: just being willing to try things and jump off the cliff.

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Speaker 3: That would be the way in which I approach things.

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Speaker 3: But I want to have fun.

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Speaker 2: Yeah.

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Speaker 3: I grew up in a family that had a slight

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Speaker 3: bohemian quality to it, but it was very intellectual family.

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Speaker 3: So there was I was taken to see all sorts

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Speaker 3: of theater and opera and art. I was raised on culture,

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Speaker 3: and my mother loved fashion. My grandmother could sew and

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Speaker 3: knit and embroider, and they played piano and spoke French

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Speaker 3: and all those things that you go, oh, okay, teach me.

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Speaker 3: But they were socially conscious and sort of just an

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Speaker 3: interesting group of people to have been born into yeah,

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Speaker 3: and to be launched into the world by.

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Speaker 2: So things that were fascinating were around you.

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Speaker 3: There weren't boundaries. There were in terms of sometimes my

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Speaker 3: mother would have a strict moral code and at other

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Speaker 3: times you'd be like huh. But there was a huge

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Speaker 3: There wasn't a lot of judgment there was. The barriers

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Speaker 3: were taken away and you could express all sorts of

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Speaker 3: thoughts and ideas in terms of philosophy or secrets. And

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Speaker 3: some of my greatest moments were curled up in my

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Speaker 3: mom's bed, sort of us both sharing human just humanness

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Speaker 3: and ideas. And I nursed her through cancer, and so

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Speaker 3: I saw all of that. I saw her losing her hair.

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Speaker 3: I saw a fifty year marriage and the way that

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Speaker 3: unfurled as it went along with truth and honesty. Kind

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Speaker 3: of interesting, right, And she gave me insight into what

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Speaker 3: it was to be just to be alive. Yeah, and

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Speaker 3: that and I could ask her anything, and my dad

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Speaker 3: as well. So that's a really good basis to start

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Speaker 3: life from, right.

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Speaker 1: But I'm just sorry to get serious.

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Speaker 2: It is funny, no, but literally, like sometimes I watch

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Speaker 2: your movies and I think when she got the script

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Speaker 2: for this, like there's no way to really see it.

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Speaker 2: Like Mulan Rouge, for example, Like the whole first half

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Speaker 2: hour of Mulin Rouge, it moves so fast and it

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Speaker 2: is so crazy, like the scene where you're changing under

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Speaker 2: then in the tent with Jim Broadbent and you're sort

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Speaker 2: of like trying on your different personas and stuff. It's

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Speaker 2: got to be impossible to see. But I guess then

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Speaker 2: for you, that's just like thinking and trusting of the director,

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Speaker 2: because I feel like that drives you a lot, right director.

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Speaker 3: And because he and Catherine Martin, the two of them,

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Speaker 3: they had a beautiful, big house that they would create

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Speaker 3: in and that's where we would rehearse. And there was

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Speaker 3: very much of a human quality to the way they

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Speaker 3: they create their art. And so when you're brought into that,

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Speaker 3: you spent six weeks workshopping. But prior to that, I'd

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Speaker 3: done a photoshoot for Vogue with them, and I'd seen

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Speaker 3: their work growing up in Australia and watched them morph

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Speaker 3: into who they were, and there were just like these

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Speaker 3: crazy talented I mean, bas was an actor and a

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Speaker 3: really good actor. I bet his Winter Winter of Our

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Speaker 3: Dreams with Judy Davis and he's fantastic in it. He

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Speaker 3: plays a junkie. Oh wow, yeah, so there's a tidbit

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Speaker 3: for you. Yeah, go find out Winter.

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Speaker 1: What is it?

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Speaker 3: Winter of Our dream Judy.

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Speaker 1: Davis one of the the best?

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Speaker 3: Oh my god. So yeah. And then CM and Bez

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Speaker 3: went to Naida, which is our national Institute of Dramatic Arts.

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Speaker 1: Yes, I'm getting this bohemian sort of No, no, no,

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Speaker 1: there's a bohemian element here to the way that you

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Speaker 1: were raised. And I think also, I'm just going to

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Speaker 1: pick up on the opera piece opera, because I think

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Speaker 1: that I'm going to like have those two heloses come

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Speaker 1: together in terms of like it describing like the Nicole

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Speaker 1: kidman of which is like it's operatic, but it is

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Speaker 1: also so like artfully diverse for lack of a better term, right,

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Speaker 1: because it's like I think in you talking about the others,

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Speaker 1: it's like you were like, this is media, this is yeah,

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Speaker 1: this is classic Greek Euripides, but it's also it's this

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Speaker 1: operatic kind of thing. But I think that applies to

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Speaker 1: a lot of your roles.

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Speaker 3: Yeah. Agree, I well, I I think what opera gives

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Speaker 3: you is it gives you pathos and it gives you

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Speaker 3: big emotion. And because I was taken to the opera

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Speaker 3: all the time, and I would sit there with my

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Speaker 3: dad and my mom and we would cry, I mean,

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Speaker 3: and my mother would explain because she could speak Italian,

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Speaker 3: she could speak French, so she would explain the stories

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Speaker 3: and the stories I mean They're fantastic in the same

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Speaker 3: way that Shakespeare the Greeks. And I grew up reading

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Speaker 3: Russian literature. I was obsessed with the Russians.

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Speaker 2: Really, yes, how did you come to be obsessed with that?

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Speaker 3: Just because I had one of those lists of the

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Speaker 3: hundred books you're meant to read? Oh, okay, But I

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Speaker 3: started on Dostoyevsky, and then I went, oh, hold on,

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Speaker 3: and then I just kept going on Dostoyevsky, and then

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Speaker 3: I moved over to Tolstoy, and then before you know it,

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Speaker 3: I'm obsessed with the Russians. And I went to Saint

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Speaker 3: Petersburg actually and saw all of the places that Tolstoi

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Speaker 3: had built war and peace around, and people pointed out where,

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Speaker 3: you know, Andre all of it, and I was like, what,

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Speaker 3: So that was kind of the beginning of my artistic

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Speaker 3: basis is the Russians. And then I moved over into

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Speaker 3: the Bronzes, of course, which give you the yearning.

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Speaker 2: Yes, it certainly does.

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Speaker 3: I'm on a More Nights, yes, and I loved it.

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Speaker 3: I loved it. And but I've read Wuthering Heights six times, right,

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Speaker 3: and I love teeth Cliff. Yeah, so I just you know,

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Speaker 3: and that state of yearning that the Bronzes existed in

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Speaker 3: that probably was my stata as a teenager and probably

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Speaker 3: continues on now. It's one of the most it's the

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Speaker 3: one of the most underrated states have been.

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Speaker 2: Year I would agree, because it is so it's so painful,

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Speaker 2: like when you're in it, but then you can only

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Speaker 2: be in it. First, tell me if you think this

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Speaker 2: is true, Like, I'll never yearn like I did when

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Speaker 2: I was like fifteen to twenty five. Like, and you

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Speaker 2: don't realize that you're not going to feel that feeling

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Speaker 2: as intensely anymore.

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Speaker 3: Oh I feel it?

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Speaker 2: Really?

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Speaker 1: I still yeah, you still do.

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Speaker 3: Yeah, I'm going to study yearning.

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Speaker 2: Now you are.

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Speaker 1: And it can be towards anything or anyone, Okay.

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Speaker 3: But it keeps you alive, keeps you moving forward.

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Speaker 2: Okay, I got a yearn again.

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Speaker 3: Come on, yeah, yeah, let's bring back the YEARN.

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Speaker 2: I know I'm trying to feel like I guess I

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Speaker 2: was specifically thinking about it in terms of like the

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Speaker 2: romantick desire, you know what I'm saying, especially being closet.

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Speaker 3: Yeah, yeah, it tingles, I know, come on, chivery delicious.

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Speaker 3: I had a line once in this film called floating

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Speaker 3: where I play a small role. But I just remember

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Speaker 3: that the description of being Hivy delicious chivery delicious.

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Speaker 2: Oh that's really good, Chivy Delicious title of app. That's

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Speaker 2: actual the title of this episode.

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Speaker 3: I shivery deliver.

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Speaker 2: It's become and I couldn't think of anything better.

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Speaker 1: Thru Wait.

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00:18:08,720 --> 00:18:10,440
Speaker 2: On eBay, every find.

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00:18:10,160 --> 00:18:12,520
Speaker 1: Has a story, Like if you're looking for a vintage

338
00:18:12,600 --> 00:18:14,480
Speaker 1: band tea, not just at.

339
00:18:14,760 --> 00:18:17,520
Speaker 2: The band tea from the last shell your favorite band

340
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Speaker 2: ever played.

341
00:18:18,080 --> 00:18:21,720
Speaker 1: If you wore it everywhere, but then your girlfriend or

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Speaker 1: boyfriend or BFF started wearing it.

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00:18:23,480 --> 00:18:27,239
Speaker 2: Which was cute until they dumped you or unfriended you

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Speaker 2: and took it with.

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00:18:28,080 --> 00:18:30,359
Speaker 1: Them, which was not so cute.

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Speaker 2: Anyway, Now you're on eBay.

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00:18:32,000 --> 00:18:35,600
Speaker 1: And there it is, same tea from the same tour,

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00:18:35,760 --> 00:18:38,640
Speaker 1: still living in your memory. You rent free forever.

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00:18:38,920 --> 00:18:41,359
Speaker 2: See the things you love have a way of finding

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00:18:41,400 --> 00:18:42,159
Speaker 2: their way back to you.

351
00:18:42,280 --> 00:18:45,400
Speaker 1: But eBay isn't just forgetting whatever your X or XBFF

352
00:18:45,440 --> 00:18:45,960
Speaker 1: stole back.

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00:18:46,080 --> 00:18:49,480
Speaker 2: It's also for that rare championship foul ball you caught

354
00:18:49,600 --> 00:18:51,720
Speaker 2: then heroically gave to the kid next to you.

355
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Speaker 1: And where else are you going to find your first car?

356
00:18:54,840 --> 00:18:57,520
Speaker 2: The one you wish you never sold, but now finally

357
00:18:57,560 --> 00:18:59,360
Speaker 2: get the chance to take back home.

358
00:18:59,240 --> 00:19:00,520
Speaker 1: For a good time.

359
00:19:00,680 --> 00:19:03,600
Speaker 2: Shop eBay from millions of fines, each with a.

360
00:19:03,600 --> 00:19:06,960
Speaker 1: Story eBay Things People Love.

361
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Speaker 2: Do you have like a favorite line of dialogue you've said?

362
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Speaker 3: I have? I mean, I've worked with the greatest writer

363
00:19:13,920 --> 00:19:18,119
Speaker 3: you true, I think. I think the hours gave me. Yeah,

364
00:19:18,200 --> 00:19:28,880
Speaker 3: when you're David Hare wrote just just exquisite dialogue inspired

365
00:19:28,920 --> 00:19:33,440
Speaker 3: by Virginia Wolf from Michael Cunningham and then directed by

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Speaker 3: Stephen Daldry. But that that that screenplay was was just

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00:19:39,280 --> 00:19:42,399
Speaker 3: beautiful and to be able to do it justice that

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00:19:42,480 --> 00:19:47,040
Speaker 3: that monologue in the hours of oh yeah, that was

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00:19:47,160 --> 00:19:51,040
Speaker 3: like too and we rigorously worked that. And I have

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Speaker 3: to call out the praises of Stephen Delane in that

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00:19:55,119 --> 00:19:57,959
Speaker 3: because that's so much what acting is. There's two of

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00:19:58,000 --> 00:20:01,879
Speaker 3: you in that scene. He love her does he wants

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Speaker 3: to take her and and save her in a way

374
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Speaker 3: from herself, but she says no, it's the right of

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Speaker 3: every human being to choose. I get to choose my destiny.

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Speaker 3: I get to choose, and I really believe in that.

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Speaker 2: Will you direct because you you speak like a director?

378
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Speaker 2: I do, Yeah, because I feel like you're like really

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Speaker 2: working in like the obviously actress but like, but what

380
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Speaker 2: I'm saying is, like you, I think would be an

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Speaker 2: actor's dream as a director, because no one understands it

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Speaker 2: better than you.

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Speaker 3: Well, I I've always I mean, you never say never

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Speaker 3: to anything, because whenever I do that, that's that's a disaster.

385
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Speaker 3: And then you go, oh, okay, well I changed my mind. Yeah,

386
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Speaker 3: my prerogative. But I love being an actor. Yeah, I

387
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Speaker 3: actually love being in the hands of a great director

388
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Speaker 3: and a great writer, and I love being there to contribute.

389
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Speaker 3: But to lead it that's fair difficult. That's decision making

390
00:21:02,119 --> 00:21:07,879
Speaker 3: that is unfaltering in your vision, whereas I see all

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Speaker 3: all ways. So I need, okay, this is what we're doing.

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Speaker 1: You want to be amenable to all kinds of apps.

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00:21:19,440 --> 00:21:24,840
Speaker 3: I'm interested. I'm just interested. That's beautiful, and so I

394
00:21:24,880 --> 00:21:29,520
Speaker 3: hope I always shay interested. I love asking questions more

395
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Speaker 3: than having questions asked.

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Speaker 2: Yeah, so I have a question then, just because I

397
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Speaker 2: have to tell you again, just looping back to those

398
00:21:36,760 --> 00:21:40,160
Speaker 2: things that you remember from pivotal moments in your life,

399
00:21:40,240 --> 00:21:45,120
Speaker 2: I think that every every queer person our age probably

400
00:21:45,119 --> 00:21:49,720
Speaker 2: remembers walking into a Blockbuster, and which was the video

401
00:21:49,800 --> 00:21:53,080
Speaker 2: rental store where you can rent VHS's, and walking over

402
00:21:53,280 --> 00:21:59,040
Speaker 2: to the Batman aisle and seeing Doctor Chase Meridian on

403
00:21:59,080 --> 00:22:05,080
Speaker 2: the cover of the Batman Forever VHS the Veronica Lake hair.

404
00:22:05,880 --> 00:22:09,320
Speaker 2: I found out something about myself seeing that picture of

405
00:22:09,359 --> 00:22:13,000
Speaker 2: you on there. I was like, I need to know everything.

406
00:22:13,240 --> 00:22:16,840
Speaker 2: And I rented it again and again and again, and

407
00:22:16,880 --> 00:22:19,760
Speaker 2: I watched it and that movie, I have to say,

408
00:22:19,800 --> 00:22:23,560
Speaker 2: and Batman and Robin Camp underrated Camp Classics masterpieces.

409
00:22:23,960 --> 00:22:28,040
Speaker 3: Joe Schumacher, Yes, that was Yeah, we created her together,

410
00:22:28,160 --> 00:22:31,320
Speaker 3: that hair, everything, and he was like, here she is,

411
00:22:31,359 --> 00:22:32,560
Speaker 3: here's doctor Chase.

412
00:22:32,800 --> 00:22:35,320
Speaker 2: Yeah, and he probably felt the same way we did.

413
00:22:35,320 --> 00:22:36,200
Speaker 2: Walk into the Blackbuster.

414
00:22:36,240 --> 00:22:41,000
Speaker 3: When you walking was I'm not pretty enough to come on? Truly,

415
00:22:41,480 --> 00:22:44,000
Speaker 3: I really felt when I was doing that that I

416
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Speaker 3: was not pretty enough?

417
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Speaker 1: What was the idea? What were you trying to? Were

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00:22:47,560 --> 00:22:48,399
Speaker 1: you training Ronica?

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Speaker 3: But I mean also just just that sort of the dream,

420
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Speaker 3: the dream blonde, right, And I did not feel like that.

421
00:22:58,400 --> 00:23:01,240
Speaker 3: I've never felt like that. So but that's the beauty

422
00:23:01,280 --> 00:23:06,080
Speaker 3: of acting is you can pretend to create become right, yes,

423
00:23:06,160 --> 00:23:09,399
Speaker 3: which is what we love. Yeah, you can put on

424
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Speaker 3: a wig. You can suddenly put on red lipstick, and

425
00:23:13,280 --> 00:23:16,240
Speaker 3: you can dress differently and put heels on, and suddenly

426
00:23:16,280 --> 00:23:20,320
Speaker 3: you are kind of you would love to be and

427
00:23:20,359 --> 00:23:22,679
Speaker 3: then it all comes off again in your back. But

428
00:23:23,200 --> 00:23:25,760
Speaker 3: it's so great being able to step into that. I mean,

429
00:23:25,760 --> 00:23:29,520
Speaker 3: the same was so many different characters. But a lot

430
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Speaker 3: of people also cite the Channel number five commercials, so

431
00:23:33,440 --> 00:23:38,760
Speaker 3: they always say to me, was I'll.

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Speaker 4: Never I must have been the only person in the

433
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Speaker 4: world who didn't know who she was.

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Speaker 2: It was on repeat. It's my favorite movie. Now Number

435
00:23:54,640 --> 00:23:58,360
Speaker 2: five commercial was starring you and Rodrigo Santoro, directed by

436
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Speaker 2: Baz Luhrman. Here's my film.

437
00:24:02,000 --> 00:24:04,040
Speaker 3: And and that pink.

438
00:24:03,880 --> 00:24:06,840
Speaker 2: Dress, everything about.

439
00:24:06,280 --> 00:24:09,080
Speaker 3: It running down the street. But that's fat, that's the's

440
00:24:09,160 --> 00:24:11,800
Speaker 3: dreams and that CM too, and they can just create that.

441
00:24:11,800 --> 00:24:13,880
Speaker 3: That's why the pink feathers, the pink.

442
00:24:13,720 --> 00:24:16,080
Speaker 2: Dress I love.

443
00:24:19,800 --> 00:24:20,280
Speaker 1: So much.

444
00:24:20,320 --> 00:24:23,080
Speaker 2: It is the best, and it was it's like.

445
00:24:27,200 --> 00:24:29,600
Speaker 3: But no one had ever done that sort of film.

446
00:24:29,640 --> 00:24:32,640
Speaker 3: I remember Carl Laga felt being like, I love this.

447
00:24:33,119 --> 00:24:34,960
Speaker 3: He gave the thumbs up to it, which was a

448
00:24:35,040 --> 00:24:38,840
Speaker 3: huge thing for Carl who was just like she personified

449
00:24:38,960 --> 00:24:42,480
Speaker 3: right of course, And and it was like, okay, but

450
00:24:42,600 --> 00:24:45,359
Speaker 3: they spent an enormous amount of money on that. Yeah

451
00:24:47,400 --> 00:24:51,080
Speaker 3: they didn't. They didn't go cheap, But why go cheap

452
00:24:51,119 --> 00:24:54,240
Speaker 3: when you don't have to and you can create something iconically.

453
00:24:54,000 --> 00:24:54,880
Speaker 2: That we remember it.

454
00:24:55,640 --> 00:24:57,119
Speaker 3: I'm so glad they didn't skim.

455
00:24:57,480 --> 00:25:01,239
Speaker 2: No, I love like a big ask commercial that at

456
00:25:01,240 --> 00:25:03,080
Speaker 2: the last second you find out it was about something

457
00:25:03,160 --> 00:25:06,440
Speaker 2: that had nothing to do with this story.

458
00:25:07,080 --> 00:25:10,679
Speaker 1: It's perfect. Like you don't like it's how it should be.

459
00:25:10,760 --> 00:25:13,520
Speaker 1: It's because at that point it's like you're not being

460
00:25:13,600 --> 00:25:16,119
Speaker 1: duped into buying something. You're just in the world.

461
00:25:16,160 --> 00:25:17,159
Speaker 2: You've already bought it.

462
00:25:17,200 --> 00:25:19,119
Speaker 1: You've already bought it because you're in the world of

463
00:25:19,160 --> 00:25:21,480
Speaker 1: the thing. Yeah, but can I ask on the acting now,

464
00:25:21,680 --> 00:25:24,440
Speaker 1: on this love of acting? I was watching this feature

465
00:25:25,240 --> 00:25:29,320
Speaker 1: this featurette on the others for the Criteria collection, which was, uh, yeah,

466
00:25:29,320 --> 00:25:34,040
Speaker 1: it entered that a couple of years ago, but congrats huge.

467
00:25:34,520 --> 00:25:37,720
Speaker 1: But you were saying that you almost said no.

468
00:25:38,080 --> 00:25:40,800
Speaker 3: And I said yes and then I said no, but

469
00:25:40,840 --> 00:25:41,960
Speaker 3: that you also that this.

470
00:25:41,880 --> 00:25:43,960
Speaker 1: Is your usual process, that you kind of said that

471
00:25:44,000 --> 00:25:45,880
Speaker 1: this is like something that happens not a lot.

472
00:25:45,920 --> 00:25:47,880
Speaker 3: But I try not to do it now because it's

473
00:25:47,880 --> 00:25:50,520
Speaker 3: incredibly frustrating and irritating for people.

474
00:25:50,200 --> 00:25:54,880
Speaker 2: But it's super the line producer for everybody, Like.

475
00:25:54,880 --> 00:25:57,720
Speaker 1: What but forget other people? It's like if because I

476
00:25:57,720 --> 00:25:59,959
Speaker 1: think you were acknowledging it. It's part of your process, right,

477
00:26:00,160 --> 00:26:03,240
Speaker 1: like oh for anything that is kind of maybe scaring

478
00:26:03,280 --> 00:26:04,960
Speaker 1: you a little bit, like that is part of how

479
00:26:05,000 --> 00:26:07,480
Speaker 1: you approach it. Like you're saying you don't do it

480
00:26:07,520 --> 00:26:08,399
Speaker 1: anymore now, but like what was?

481
00:26:08,560 --> 00:26:09,439
Speaker 3: No, I still do it?

482
00:26:09,520 --> 00:26:12,440
Speaker 1: Okay, great, I just do it less. Yeah.

483
00:26:13,680 --> 00:26:19,480
Speaker 3: Step to healing is awareness. Yes, so I'm on the road.

484
00:26:19,560 --> 00:26:22,080
Speaker 1: You're on the road. Can you tell the like do

485
00:26:22,160 --> 00:26:24,160
Speaker 1: you understand that now as a thing of like this

486
00:26:24,200 --> 00:26:26,000
Speaker 1: is just something about going through it?

487
00:26:26,400 --> 00:26:30,720
Speaker 3: Well, that particularly was I was making Molin rouge when

488
00:26:30,760 --> 00:26:34,960
Speaker 3: I agreed to do it. So I was steen when

489
00:26:35,000 --> 00:26:38,840
Speaker 3: I read Grace, which is you know, the others, the

490
00:26:38,920 --> 00:26:43,240
Speaker 3: character and the others. So I had not delved psychologically

491
00:26:43,440 --> 00:26:48,119
Speaker 3: into her because I'd accepted in a different state of

492
00:26:48,119 --> 00:26:54,800
Speaker 3: being that being said, got it. I then arrive over

493
00:26:54,840 --> 00:26:57,520
Speaker 3: there and I'm like, oh my god, I've got to

494
00:26:57,600 --> 00:27:01,840
Speaker 3: now start prepping this woman who who kills her children? Yes, no,

495
00:27:01,880 --> 00:27:03,640
Speaker 3: I don't want to do that. I'm like, I don't

496
00:27:03,640 --> 00:27:05,600
Speaker 3: want to do this. I do not want to kill

497
00:27:05,760 --> 00:27:08,879
Speaker 3: the children. So then you go back to is it

498
00:27:09,000 --> 00:27:12,560
Speaker 3: killing the children or is it saving the children? So

499
00:27:12,720 --> 00:27:17,160
Speaker 3: as soon as I could shift into oh, I'm saving

500
00:27:17,280 --> 00:27:22,280
Speaker 3: the children, even though that is so insane and crazy,

501
00:27:22,359 --> 00:27:28,359
Speaker 3: it was choosing to save them from terrible pain, and

502
00:27:29,200 --> 00:27:32,640
Speaker 3: then I could motivate into the role. Does that make sense?

503
00:27:32,680 --> 00:27:34,280
Speaker 1: It makes sense? And was that something you found with

504
00:27:34,320 --> 00:27:36,000
Speaker 1: Alijndro or is that something?

505
00:27:36,240 --> 00:27:38,600
Speaker 3: And with the acting coach I work with and the

506
00:27:38,640 --> 00:27:41,919
Speaker 3: way in which my whole just my nervous system, and

507
00:27:41,920 --> 00:27:44,159
Speaker 3: the way in which I approach something. I have to

508
00:27:44,200 --> 00:27:47,320
Speaker 3: feel it. If I don't feel it, I'm going to

509
00:27:47,480 --> 00:27:50,000
Speaker 3: be faking it and then I'm no good. So I

510
00:27:50,080 --> 00:27:54,119
Speaker 3: have to somehow find this weird state of being that

511
00:27:54,320 --> 00:27:57,879
Speaker 3: keeps it real even though I'm still existing in life

512
00:27:57,920 --> 00:27:59,119
Speaker 3: with my feet on the ground.

513
00:27:59,359 --> 00:28:02,919
Speaker 2: But your stomach there you get from it comes from.

514
00:28:02,800 --> 00:28:03,680
Speaker 3: The body work.

515
00:28:03,960 --> 00:28:05,320
Speaker 2: Yeah, yeah, yeah, yeah.

516
00:28:05,600 --> 00:28:09,960
Speaker 3: Emotians are in your body, So where do you find them? Yeah?

517
00:28:10,160 --> 00:28:12,679
Speaker 2: That's really I guess that's a really good thing to

518
00:28:12,760 --> 00:28:15,560
Speaker 2: remember too, is if your body is if your body

519
00:28:15,640 --> 00:28:18,479
Speaker 2: is telling your brain something that probably means more than

520
00:28:18,520 --> 00:28:18,720
Speaker 2: you know.

521
00:28:19,480 --> 00:28:22,879
Speaker 3: Well, you know a lot of times you go, especially

522
00:28:23,080 --> 00:28:25,320
Speaker 3: with trauma, and where do you feel it in your body?

523
00:28:26,080 --> 00:28:28,479
Speaker 3: And so it's a really great way to approach your character.

524
00:28:28,560 --> 00:28:30,240
Speaker 3: Where do you feel them in your body?

525
00:28:30,200 --> 00:28:31,040
Speaker 2: Yeah, that's interesting.

526
00:28:31,160 --> 00:28:33,719
Speaker 3: Yeah, is it here? Is it in the chest? What happens?

527
00:28:33,800 --> 00:28:35,920
Speaker 3: Is it in the gut? Is it in the groin?

528
00:28:36,160 --> 00:28:39,880
Speaker 3: Is it in? Where is it? And let's start from there.

529
00:28:40,440 --> 00:28:42,800
Speaker 3: I sound kind of crazy, No, no.

530
00:28:42,600 --> 00:28:46,360
Speaker 2: But you don't at all like I feel like that.

531
00:28:46,360 --> 00:28:48,840
Speaker 2: That is sort of an answer to my question of like,

532
00:28:49,240 --> 00:28:52,480
Speaker 2: what would compel you to say yes to certain scripts,

533
00:28:52,480 --> 00:28:56,720
Speaker 2: because for example, something like Destroyer or like The Paper Boy,

534
00:28:57,040 --> 00:28:59,760
Speaker 2: it's like you'd read these things and be like huh.

535
00:28:59,800 --> 00:29:04,280
Speaker 2: But then the huh of it sort of is a

536
00:29:04,400 --> 00:29:07,960
Speaker 2: guttural instinct and so it's not, Oh, I don't feel

537
00:29:08,040 --> 00:29:11,080
Speaker 2: comfortable with that, so I'm going to say no to it.

538
00:29:11,080 --> 00:29:15,120
Speaker 2: It's I feel uncomfortable with that. Let me listen to that.

539
00:29:15,200 --> 00:29:18,280
Speaker 3: And Charlotte Bless say in The Paper Boy, I mean

540
00:29:18,320 --> 00:29:21,959
Speaker 3: that was just she's all like she sex, she's wild,

541
00:29:22,120 --> 00:29:26,160
Speaker 3: she's all body, she's all like she's you know, and

542
00:29:26,320 --> 00:29:28,560
Speaker 3: I wanted to go and we were shooting down there

543
00:29:28,600 --> 00:29:34,400
Speaker 3: and there in in Louisiana in the heat, and it's

544
00:29:34,440 --> 00:29:38,160
Speaker 3: swampy noir and that's kind of great to go and

545
00:29:38,400 --> 00:29:41,000
Speaker 3: do something with Lee Daniels do swampy.

546
00:29:40,520 --> 00:29:42,160
Speaker 2: Noir and zac Efron not bad.

547
00:29:42,600 --> 00:29:46,120
Speaker 3: Dancing in the rain, yeah yeah, yeah, and sitting out

548
00:29:46,160 --> 00:29:48,080
Speaker 3: in front of the Prism with my feet up on

549
00:29:48,120 --> 00:29:52,040
Speaker 3: the dashboard and it's just kind of like, yeah, she's

550
00:29:52,040 --> 00:29:53,560
Speaker 3: she's she's a cat.

551
00:29:53,440 --> 00:29:56,840
Speaker 2: She's wild, and then you get to be wild Louisiana swan.

552
00:29:57,080 --> 00:29:57,280
Speaker 1: Yeah.

553
00:29:57,360 --> 00:29:59,800
Speaker 3: They always say live a normal life and then in

554
00:29:59,840 --> 00:30:03,280
Speaker 3: your imaginary life you can do whatever you want.

555
00:30:03,960 --> 00:30:05,800
Speaker 1: Part of the coolest that's the coolest thing, part of

556
00:30:05,840 --> 00:30:06,280
Speaker 1: your mind.

557
00:30:06,480 --> 00:30:07,120
Speaker 3: Very normal.

558
00:30:07,360 --> 00:30:12,600
Speaker 1: Yes, well, part of your normal life was going to Antarctica. Yeah,

559
00:30:12,640 --> 00:30:15,480
Speaker 1: there's not We're connected here, We're connected.

560
00:30:15,560 --> 00:30:17,360
Speaker 2: I believe we just missed each other.

561
00:30:17,400 --> 00:30:19,840
Speaker 1: We just missed it. We were on the same so everyone,

562
00:30:20,600 --> 00:30:23,120
Speaker 1: Nicole and I were on the same vessel, but at

563
00:30:23,200 --> 00:30:24,080
Speaker 1: different times.

564
00:30:25,080 --> 00:30:26,640
Speaker 3: So before you you.

565
00:30:26,600 --> 00:30:31,400
Speaker 1: Went before me and people on the ship. People. First

566
00:30:31,440 --> 00:30:35,280
Speaker 1: of all, can we just shout out the loveliest crew on.

567
00:30:35,160 --> 00:30:39,959
Speaker 3: The on Silverish, right, the loveliest, loveliest people.

568
00:30:40,600 --> 00:30:43,640
Speaker 1: Yeah, And it just felt like this wonderful, like, well,

569
00:30:43,840 --> 00:30:44,800
Speaker 1: our boat was.

570
00:30:45,320 --> 00:30:48,480
Speaker 3: Tell me your story, Okay, how'd you end up in Antartica?

571
00:30:48,640 --> 00:30:50,480
Speaker 3: Who were you with? And why did you go?

572
00:30:50,680 --> 00:30:53,440
Speaker 1: Okay? And then and then would love to hear your

573
00:30:53,520 --> 00:30:57,560
Speaker 1: version of yeah, of course. Honestly, I just got back yesterday,

574
00:30:58,040 --> 00:30:59,880
Speaker 1: Yes yesterday.

575
00:30:59,440 --> 00:31:01,640
Speaker 3: Because so it's all so present.

576
00:31:02,320 --> 00:31:06,040
Speaker 1: I woke up this morning still feeling the sway of

577
00:31:06,120 --> 00:31:08,520
Speaker 1: Drake path, of the Drake passage, like my brain is

578
00:31:08,560 --> 00:31:11,840
Speaker 1: still used to like being rocked by the by by

579
00:31:11,840 --> 00:31:14,680
Speaker 1: the current, so by the big car, by the big current.

580
00:31:15,240 --> 00:31:17,120
Speaker 1: So my it's my mom.

581
00:31:17,240 --> 00:31:19,680
Speaker 3: And the smell of penguins and the smell of penguin

582
00:31:19,760 --> 00:31:23,920
Speaker 3: ship that that's not the most alluring.

583
00:31:23,480 --> 00:31:25,440
Speaker 2: Smell breaks the majesty.

584
00:31:26,360 --> 00:31:31,480
Speaker 3: The penguins of divine gent penguin chin strap. We love them,

585
00:31:31,600 --> 00:31:36,280
Speaker 3: we love just not their diarrhear their.

586
00:31:37,120 --> 00:31:39,680
Speaker 1: Hate it and and what makes you so confident?

587
00:31:40,800 --> 00:31:47,640
Speaker 3: Diarrhea Island, diarrhea Island. It was diarrhea island. Yeah. I

588
00:31:47,680 --> 00:31:50,520
Speaker 3: was like, I'm gonna just stay down here. I don't

589
00:31:50,560 --> 00:31:53,680
Speaker 3: need to see those chicks those was calling a diarrhea

590
00:31:53,720 --> 00:31:57,920
Speaker 3: island and our whole family. Yeah, yeah, because it was diary.

591
00:31:58,000 --> 00:32:03,160
Speaker 3: I saw no ice, just diar rehear, Oh.

592
00:32:03,040 --> 00:32:03,600
Speaker 2: You missed that.

593
00:32:04,240 --> 00:32:05,800
Speaker 3: Their stomachs must not have been upset.

594
00:32:05,880 --> 00:32:06,960
Speaker 1: No, no, they were upset.

595
00:32:07,080 --> 00:32:08,160
Speaker 2: He didn't bring this up.

596
00:32:08,360 --> 00:32:11,440
Speaker 3: Well, no, but this is this is just a sidebark

597
00:32:11,600 --> 00:32:12,720
Speaker 3: and tidy Curry is Gordon.

598
00:32:12,800 --> 00:32:14,239
Speaker 1: You don't have to know, We don't have to make

599
00:32:14,240 --> 00:32:19,200
Speaker 1: the books. Take this the main bar. This is diarrhea

600
00:32:19,240 --> 00:32:22,240
Speaker 1: Island is the topic of the rest of You're never

601
00:32:22,320 --> 00:32:24,480
Speaker 1: going to island.

602
00:32:24,440 --> 00:32:26,560
Speaker 2: Already was never going to go to Antarctica. It's I

603
00:32:26,560 --> 00:32:27,400
Speaker 2: don't think it's for me.

604
00:32:27,960 --> 00:32:31,000
Speaker 3: This is a small little section where there was a

605
00:32:31,040 --> 00:32:37,920
Speaker 3: few penguins that had upset stomach. But beyond that they're molting.

606
00:32:38,400 --> 00:32:41,520
Speaker 1: Yeah, yeah, there's there there. They're just in a moment

607
00:32:41,520 --> 00:32:43,160
Speaker 1: of just like letting it all that.

608
00:32:43,240 --> 00:32:43,800
Speaker 3: I said it.

609
00:32:44,120 --> 00:32:44,960
Speaker 2: I'm hooked on it.

610
00:32:45,680 --> 00:32:47,680
Speaker 1: I just just to just to hear, just to be

611
00:32:47,760 --> 00:32:50,880
Speaker 1: asked by you, how did you go hiking on diary Island?

612
00:32:51,000 --> 00:32:53,320
Speaker 1: Diarrhea island, diarrhea island?

613
00:32:55,000 --> 00:33:00,440
Speaker 3: But back to glorious, glorious and the sea lines and

614
00:33:00,480 --> 00:33:05,520
Speaker 3: the kayaking we kayak? Is that not the greatest thing

615
00:33:05,640 --> 00:33:09,480
Speaker 3: it was? I was the silence, the silence.

616
00:33:09,640 --> 00:33:11,680
Speaker 2: Oh that's interesting, Yes, it must be the.

617
00:33:11,560 --> 00:33:15,840
Speaker 1: Most No, it is spectacular there truly untouched.

618
00:33:16,160 --> 00:33:19,560
Speaker 3: And the silence is unrivaled. I mean there is you

619
00:33:19,680 --> 00:33:24,520
Speaker 3: hear nothing. Yeah, and the most piece that you I

620
00:33:24,560 --> 00:33:27,280
Speaker 3: mean it truly is. And I meditated on the kayak

621
00:33:27,960 --> 00:33:31,240
Speaker 3: for like five minutes and just went I think this

622
00:33:31,440 --> 00:33:33,040
Speaker 3: is the happiest I've ever been.

623
00:33:34,240 --> 00:33:36,400
Speaker 2: Now is that because of the quiet.

624
00:33:37,120 --> 00:33:40,880
Speaker 3: I think it's just everything that surrounds you there and

625
00:33:41,240 --> 00:33:46,400
Speaker 3: there that it's timeless. And then you're aware of the

626
00:33:46,400 --> 00:33:48,160
Speaker 3: fragility of everything.

627
00:33:48,960 --> 00:33:51,200
Speaker 1: Because you're aware of because because you're looking out and

628
00:33:51,200 --> 00:33:58,280
Speaker 1: it's like this is untouched, un uncorrupted by man, and

629
00:33:58,360 --> 00:34:01,960
Speaker 1: you realize how much of our surroundings and how much

630
00:34:01,960 --> 00:34:05,240
Speaker 1: of our like interactions, and how much of our psychic

631
00:34:05,520 --> 00:34:09,920
Speaker 1: being is ruined by man. You know what I mean.

632
00:34:10,480 --> 00:34:14,960
Speaker 1: It's like it feels like you're the most in touch

633
00:34:15,040 --> 00:34:18,400
Speaker 1: with like nature as as you ever have been. I

634
00:34:18,480 --> 00:34:24,440
Speaker 1: felt that exact when kayaking, the seals were were were abundant.

635
00:34:24,480 --> 00:34:27,279
Speaker 1: We saw a glacier sort of crumble before our eyes

636
00:34:27,320 --> 00:34:29,080
Speaker 1: and people were like, oh, And I'm like, oh, I

637
00:34:29,080 --> 00:34:34,719
Speaker 1: think that's normal. I think it's a thunderous sound and

638
00:34:34,800 --> 00:34:38,560
Speaker 1: it's not crazy. No, But we so we had to

639
00:34:38,560 --> 00:34:41,400
Speaker 1: go to Punta Arenas. Es been there, been there, and

640
00:34:41,400 --> 00:34:43,360
Speaker 1: we were held for three days and they were about

641
00:34:43,560 --> 00:34:46,040
Speaker 1: the weather. Because of the weather, so they had to

642
00:34:46,600 --> 00:34:48,920
Speaker 1: We were like, so if they if they pushed your

643
00:34:48,920 --> 00:34:52,160
Speaker 1: trip back by three days, they canceled the entire cruise.

644
00:34:52,480 --> 00:34:54,120
Speaker 1: So we were on day three. It was just it

645
00:34:54,160 --> 00:34:56,479
Speaker 1: was like Groundhouse's day and like print rainas. It's lovely

646
00:34:56,520 --> 00:34:57,440
Speaker 1: Chile in town.

647
00:34:58,040 --> 00:35:01,680
Speaker 3: So nice, so yeah, so warm, so friendly.

648
00:35:01,560 --> 00:35:05,520
Speaker 1: Great friendly, great food and then great coffee, great coffee,

649
00:35:06,360 --> 00:35:10,120
Speaker 1: great sea bass. Anyway, and now I'm coming around and

650
00:35:10,320 --> 00:35:11,040
Speaker 1: we're coming around.

651
00:35:12,040 --> 00:35:12,960
Speaker 3: Did you not want to go?

652
00:35:13,200 --> 00:35:14,520
Speaker 2: I really didn't. It was going to be I don't

653
00:35:14,520 --> 00:35:15,239
Speaker 2: think you got to go.

654
00:35:16,120 --> 00:35:18,680
Speaker 3: Says you got to go. But you go with people

655
00:35:18,760 --> 00:35:22,360
Speaker 3: that are very very like the cruise we went on. Services.

656
00:35:22,400 --> 00:35:24,360
Speaker 3: You have to clean everything. I mean they are so

657
00:35:25,000 --> 00:35:29,360
Speaker 3: ecologically minded. You have to be so careful because you

658
00:35:29,400 --> 00:35:33,000
Speaker 3: can't take any of our viruses or bacteria or anything

659
00:35:33,040 --> 00:35:34,960
Speaker 3: into the into that continent.

660
00:35:35,120 --> 00:35:38,440
Speaker 1: Yes, you you can't. Even they won't let you kneel like,

661
00:35:38,480 --> 00:35:40,239
Speaker 1: they won't let you crouched down like.

662
00:35:40,280 --> 00:35:43,759
Speaker 3: They have to wipe everything. Yeah, it's very regimented, very

663
00:35:43,880 --> 00:35:47,040
Speaker 3: very sterile and clean yeah, yeah, right.

664
00:35:47,000 --> 00:35:51,360
Speaker 1: Exactly listen to us.

665
00:35:52,239 --> 00:35:54,560
Speaker 3: No, Well, it's it's kind of like.

666
00:35:54,600 --> 00:35:56,000
Speaker 1: It's a thing people, that's a thing.

667
00:35:56,120 --> 00:35:59,239
Speaker 3: You're going, you're yeah, And it's also there's still very

668
00:35:59,239 --> 00:36:01,680
Speaker 3: few people that are in. Yeah, what is the percentage?

669
00:36:01,719 --> 00:36:05,080
Speaker 1: I think it's like my mom was saying, it's like

670
00:36:05,560 --> 00:36:07,600
Speaker 1: one percent, which is not which makes it gives it

671
00:36:07,640 --> 00:36:10,520
Speaker 1: a bad rap. It's like it's not one percent clear

672
00:36:10,920 --> 00:36:11,440
Speaker 1: what people do?

673
00:36:11,480 --> 00:36:12,359
Speaker 3: You venturers?

674
00:36:12,360 --> 00:36:12,560
Speaker 2: Who?

675
00:36:13,440 --> 00:36:14,880
Speaker 3: And you're an adventurer.

676
00:36:15,440 --> 00:36:18,280
Speaker 2: Well, it was his parents dream to go, his mother's

677
00:36:18,360 --> 00:36:19,080
Speaker 2: dream to go.

678
00:36:20,480 --> 00:36:23,879
Speaker 1: Yes, as my parents. And it was like a good son.

679
00:36:26,520 --> 00:36:29,080
Speaker 1: I loved it son. It was great.

680
00:36:29,200 --> 00:36:31,239
Speaker 3: Yes, you didn't want to go, but you went.

681
00:36:32,920 --> 00:36:34,160
Speaker 1: I was genuinely excited.

682
00:36:34,320 --> 00:36:35,239
Speaker 3: Yes, I'm a good son.

683
00:36:36,120 --> 00:36:38,960
Speaker 1: Six right, Yes, I'm on six.

684
00:36:39,680 --> 00:36:40,520
Speaker 3: You haven't done seven.

685
00:36:40,560 --> 00:36:42,880
Speaker 1: I haven't done seven. So I was stolen valide content

686
00:36:43,040 --> 00:36:45,880
Speaker 1: have not done. I am dying to go to Africa.

687
00:36:46,400 --> 00:36:47,279
Speaker 1: I'm still having gone.

688
00:36:47,480 --> 00:36:48,840
Speaker 2: I need Africa.

689
00:36:48,920 --> 00:36:52,200
Speaker 1: Yes okay, and Anerica was, oh, but this is just

690
00:36:52,239 --> 00:36:55,080
Speaker 1: to say that, like we so they really got We

691
00:36:55,120 --> 00:36:57,200
Speaker 1: lost three days but we're on the ship. This is great.

692
00:36:57,200 --> 00:36:59,440
Speaker 1: And then I had to fly back in time to

693
00:36:59,480 --> 00:37:03,440
Speaker 1: do the actor wards. But then they kept pushing the

694
00:37:03,520 --> 00:37:05,560
Speaker 1: dates out of King because did you fly in or

695
00:37:05,560 --> 00:37:06,600
Speaker 1: did you cross Drake Passage?

696
00:37:06,640 --> 00:37:07,239
Speaker 3: We flew in.

697
00:37:07,520 --> 00:37:11,200
Speaker 2: We were yeah, we heard about this.

698
00:37:11,160 --> 00:37:12,920
Speaker 1: King George Island crazy.

699
00:37:13,320 --> 00:37:13,520
Speaker 3: Yeah.

700
00:37:13,600 --> 00:37:16,280
Speaker 1: So they wouldn't clear us to fly for three days.

701
00:37:16,280 --> 00:37:18,560
Speaker 1: So then we got the other, the flip side of

702
00:37:18,600 --> 00:37:21,160
Speaker 1: it on the way back, which is we're sailing Drake Passage,

703
00:37:21,200 --> 00:37:24,120
Speaker 1: which is where the Atlantic and the Pacific meat the

704
00:37:24,160 --> 00:37:25,840
Speaker 1: harshest waters happens.

705
00:37:25,880 --> 00:37:28,719
Speaker 3: If you don't, if you can't fly out, you you

706
00:37:28,760 --> 00:37:29,640
Speaker 3: do have to cross.

707
00:37:29,680 --> 00:37:30,760
Speaker 1: You do have to cross the passage.

708
00:37:30,800 --> 00:37:32,920
Speaker 3: I did not know that. I didn't do my full research.

709
00:37:33,120 --> 00:37:35,160
Speaker 1: No, And so when they broke the news to us,

710
00:37:35,400 --> 00:37:41,319
Speaker 1: the room erupted in equal cheers and groans of agony.

711
00:37:41,600 --> 00:37:43,640
Speaker 3: We were about the second we had it. We were

712
00:37:43,760 --> 00:37:47,279
Speaker 3: hell for an extra day, yes, And there was tears

713
00:37:47,320 --> 00:37:50,520
Speaker 3: of joy and tears of I've got to get back.

714
00:37:50,560 --> 00:37:52,319
Speaker 3: I've got a job to do. I'm going to lose

715
00:37:52,360 --> 00:37:54,439
Speaker 3: my job. We got to get off this boat.

716
00:37:54,480 --> 00:37:55,920
Speaker 1: So how did you and the daughters, how did you

717
00:37:55,960 --> 00:37:57,279
Speaker 1: guys react to that, to being held in.

718
00:37:57,520 --> 00:38:00,319
Speaker 3: I was happy, okay, and.

719
00:38:00,280 --> 00:38:01,719
Speaker 1: Now you're a cruise person, you said on.

720
00:38:01,719 --> 00:38:03,200
Speaker 3: It, And then I was like, but I got to

721
00:38:03,239 --> 00:38:08,680
Speaker 3: get off. I can do one day, maybe two days,

722
00:38:08,719 --> 00:38:10,160
Speaker 3: but I've got to get back.

723
00:38:10,360 --> 00:38:11,319
Speaker 1: So I think you and I are.

724
00:38:11,560 --> 00:38:12,360
Speaker 3: I'm a cruise person.

725
00:38:12,400 --> 00:38:15,719
Speaker 1: Now are you really? Yeah, because you said you have

726
00:38:15,760 --> 00:38:19,360
Speaker 1: you have two more planned? Oh yeah with Silver Sea. No, okay,

727
00:38:19,760 --> 00:38:22,680
Speaker 1: one with Silver Sea great, they're they're they're lovely.

728
00:38:22,440 --> 00:38:23,520
Speaker 3: And one with Ritz Carlton.

729
00:38:23,719 --> 00:38:25,279
Speaker 1: Oh fine, and the A.

730
00:38:25,560 --> 00:38:30,160
Speaker 3: I'm trying them all. I'm ready. I'm ready. But my daughters,

731
00:38:30,360 --> 00:38:33,120
Speaker 3: because there's only two of them, they're like, we want

732
00:38:33,120 --> 00:38:36,400
Speaker 3: our family. So my sister has six kids, they have partners,

733
00:38:36,440 --> 00:38:38,920
Speaker 3: they all so I bring everyone, and then my best

734
00:38:38,960 --> 00:38:42,400
Speaker 3: friend since I was four, all her children and their partner.

735
00:38:42,640 --> 00:38:45,480
Speaker 3: It's just we have a big tribe that we travel

736
00:38:45,520 --> 00:38:50,320
Speaker 3: with and we're all like and then Katie, who's here,

737
00:38:51,160 --> 00:38:54,240
Speaker 3: is like my sister. So we have like this huge

738
00:38:54,280 --> 00:38:57,880
Speaker 3: tribe of people. And there's two women that work with

739
00:38:57,920 --> 00:38:59,719
Speaker 3: me who've worked with me for years, who are also

740
00:38:59,760 --> 00:39:02,960
Speaker 3: like sister. So it's like, come on, we got to go.

741
00:39:04,280 --> 00:39:07,040
Speaker 3: And I love I grew up in a family where

742
00:39:07,040 --> 00:39:11,240
Speaker 3: we travel in big groups and we would do things

743
00:39:11,239 --> 00:39:13,879
Speaker 3: in big groups, so it's very comforting to me. Yeah,

744
00:39:14,560 --> 00:39:16,400
Speaker 3: so if I'm in the position to be able to

745
00:39:16,440 --> 00:39:19,160
Speaker 3: share and do it. Of course I'm doing it. I

746
00:39:19,200 --> 00:39:21,680
Speaker 3: will work so hard so I can play hard.

747
00:39:22,000 --> 00:39:24,360
Speaker 2: Yeah. And also it's like we were talking before the

748
00:39:24,400 --> 00:39:29,160
Speaker 2: episode started about like why you'd rewatch something you've already

749
00:39:29,160 --> 00:39:32,000
Speaker 2: seen or do something for me, It's often like I

750
00:39:32,040 --> 00:39:35,360
Speaker 2: want to watch other people experience this thing, you know

751
00:39:35,360 --> 00:39:37,480
Speaker 2: what I mean, Like sometimes I don't know what that is,

752
00:39:37,560 --> 00:39:39,840
Speaker 2: but yeah, it's like maybe there's something to it for you,

753
00:39:39,920 --> 00:39:41,600
Speaker 2: and wanting everyone to be together. It's like we're going

754
00:39:41,640 --> 00:39:44,560
Speaker 2: to have an experience together, and I really do enjoy

755
00:39:45,040 --> 00:39:47,920
Speaker 2: the I don't know what that what that would be called,

756
00:39:48,000 --> 00:39:51,240
Speaker 2: but that's sort of like transference that happens when someone

757
00:39:51,239 --> 00:39:54,200
Speaker 2: else is having a moment of awe and wonder or

758
00:39:54,440 --> 00:39:57,560
Speaker 2: whatever the emotion is. You might be able to anticipate

759
00:39:57,600 --> 00:40:01,439
Speaker 2: it yourself. But that's like, that's that's a thing.

760
00:40:01,640 --> 00:40:03,799
Speaker 3: It's a thing. It's a thing. That's why I love

761
00:40:03,840 --> 00:40:09,160
Speaker 3: throwing parties and giving gifts. Yeah, I love doing that.

762
00:40:09,400 --> 00:40:09,920
Speaker 2: Yeah.

763
00:40:10,239 --> 00:40:14,480
Speaker 3: Yeah, I'm a party girl. Yeah, I said once to somebody,

764
00:40:14,560 --> 00:40:16,440
Speaker 3: and my kids were making fun of me. Oh, I

765
00:40:16,480 --> 00:40:19,680
Speaker 3: love small dinner parties, but I also love a rave Yeah,

766
00:40:20,080 --> 00:40:23,040
Speaker 3: like does not go together, mom, And I'm like, for me,

767
00:40:23,200 --> 00:40:23,640
Speaker 3: it does.

768
00:40:23,920 --> 00:40:24,920
Speaker 2: Yeah.

769
00:40:25,120 --> 00:40:30,399
Speaker 1: You how do you feel do people still uh come

770
00:40:30,480 --> 00:40:34,000
Speaker 1: up to you and bring up Basement as sort of

771
00:40:34,040 --> 00:40:36,600
Speaker 1: a cultural like touched them now in a post Baby

772
00:40:36,600 --> 00:40:37,600
Speaker 1: Girl society.

773
00:40:38,320 --> 00:40:41,279
Speaker 3: Yeah, Baby Girl hit. We thought it was going to

774
00:40:41,360 --> 00:40:46,280
Speaker 3: be speak to older women primarily. It hit a younger

775
00:40:46,400 --> 00:40:49,160
Speaker 3: generation and gay men in a way that I had

776
00:40:49,320 --> 00:40:50,000
Speaker 3: no idea.

777
00:40:50,239 --> 00:40:52,759
Speaker 2: The milk was huge. Milk is back now because of it.

778
00:40:52,880 --> 00:40:54,600
Speaker 2: I had a glass of milk at dinner.

779
00:40:54,400 --> 00:40:55,040
Speaker 1: The other good.

780
00:40:55,440 --> 00:40:56,799
Speaker 2: Yeah, I just.

781
00:40:59,160 --> 00:41:04,719
Speaker 3: No, But it was fascinating what people related to in

782
00:41:04,760 --> 00:41:07,600
Speaker 3: that film. We thought it was a very very very

783
00:41:07,719 --> 00:41:12,160
Speaker 3: niche thing, and it actually kind of it moved. It

784
00:41:12,920 --> 00:41:17,200
Speaker 3: had tentacles that spread wide and then in the same

785
00:41:17,239 --> 00:41:20,319
Speaker 3: way that Big Little Eyes reached sort of a particular

786
00:41:20,360 --> 00:41:22,600
Speaker 3: group of people Baby Girl did.

787
00:41:22,800 --> 00:41:23,080
Speaker 2: Yeah.

788
00:41:23,120 --> 00:41:27,240
Speaker 3: I love that. Yeah, because it's unexpected to me, of course. Yeah.

789
00:41:27,480 --> 00:41:30,799
Speaker 3: But I loved I loved dancing in Baby Girl. Down

790
00:41:30,840 --> 00:41:34,120
Speaker 3: there in that basement, Oh so good. And we started

791
00:41:34,640 --> 00:41:37,920
Speaker 3: and I came out of that with COVID and the flu.

792
00:41:38,440 --> 00:41:41,640
Speaker 2: A double where that's where it goes down.

793
00:41:42,000 --> 00:41:45,080
Speaker 1: That's where it went down, And how did how did

794
00:41:45,080 --> 00:41:48,080
Speaker 1: it come back that you just ran all the tests.

795
00:41:48,760 --> 00:41:51,960
Speaker 3: I got so sick and they and I knew going in.

796
00:41:52,080 --> 00:41:55,520
Speaker 3: I was like, oh yeah, I'm going down here. I

797
00:41:55,520 --> 00:41:57,520
Speaker 3: can just feel it. It's the middle of Winner and

798
00:41:57,560 --> 00:42:01,480
Speaker 3: it's running rampant right now. So oh well, baby girl

799
00:42:01,520 --> 00:42:05,520
Speaker 3: went down, Baby girl, drop drop down.

800
00:42:06,000 --> 00:42:07,560
Speaker 1: You heard on all fours?

801
00:42:10,080 --> 00:42:12,839
Speaker 3: Yeah, not even on all fours. Flat on my back.

802
00:42:13,280 --> 00:42:13,799
Speaker 3: There we go.

803
00:42:14,400 --> 00:42:17,440
Speaker 2: Okay, we're getting now.

804
00:42:16,600 --> 00:42:17,440
Speaker 1: We are right now.

805
00:42:17,640 --> 00:42:19,960
Speaker 2: We now we have to ask you the question, which

806
00:42:20,000 --> 00:42:23,480
Speaker 2: is the central question of our podcast. What was the

807
00:42:23,520 --> 00:42:26,120
Speaker 2: culture that made you say culture was for you? This

808
00:42:26,160 --> 00:42:29,520
Speaker 2: can be a film, you saw a musical artist, something atmospheric.

809
00:42:30,360 --> 00:42:36,600
Speaker 3: No, I'm going to tell you couture, couture. Yeah, it

810
00:42:36,719 --> 00:42:39,040
Speaker 3: actually was because all my dreams were based on it.

811
00:42:39,600 --> 00:42:44,920
Speaker 3: I would look at like the clothes and fashion and

812
00:42:45,000 --> 00:42:47,920
Speaker 3: exquim and my mom would say, look at that and

813
00:42:47,920 --> 00:42:51,399
Speaker 3: look how it's made. So from Audrey Hepburn to Grace

814
00:42:51,480 --> 00:42:55,120
Speaker 3: Kelly to all the different houses Javona, all of them.

815
00:42:55,400 --> 00:43:00,239
Speaker 3: I that's what culturally for me made me dream Wow.

816
00:43:00,400 --> 00:43:00,800
Speaker 2: Fashion.

817
00:43:01,239 --> 00:43:05,600
Speaker 3: Oh, I grew up loving it. I somehow stumbled into

818
00:43:05,680 --> 00:43:11,080
Speaker 3: being exposed to it, standing there with Galiano fitting dresses

819
00:43:11,120 --> 00:43:14,439
Speaker 3: on me and Lagafel fitting dresses on me and being

820
00:43:14,480 --> 00:43:18,560
Speaker 3: on the cover of Vogue and having access to the

821
00:43:18,600 --> 00:43:21,640
Speaker 3: most beautiful things to wear on your body.

822
00:43:21,800 --> 00:43:22,880
Speaker 2: When did that start?

823
00:43:23,440 --> 00:43:26,480
Speaker 3: Was little, because I was I would stand on a

824
00:43:26,560 --> 00:43:30,960
Speaker 3: table and my grandmother would make all my clothes, but

825
00:43:31,080 --> 00:43:35,200
Speaker 3: not kind of just haphazard put them together, like hours

826
00:43:35,239 --> 00:43:38,960
Speaker 3: and hours and hours, and she would put little collars

827
00:43:39,000 --> 00:43:43,120
Speaker 3: on and little fur and a little trim and some ribbons.

828
00:43:43,360 --> 00:43:47,400
Speaker 3: Everything was yeah, couture. So I was baby couture.

829
00:43:48,000 --> 00:43:48,280
Speaker 1: Huh.

830
00:43:48,280 --> 00:43:51,480
Speaker 3: I was like yeah, And I would stand there for

831
00:43:51,640 --> 00:43:54,400
Speaker 3: hours because I wanted to wear the clothes.

832
00:43:54,960 --> 00:43:56,239
Speaker 2: Do you remember the Then I.

833
00:43:56,120 --> 00:43:59,560
Speaker 3: Addressed my Barbie in couture clothes because my grandmother would

834
00:43:59,600 --> 00:44:02,640
Speaker 3: make my Bobby clothes. So I had clothes for my

835
00:44:02,719 --> 00:44:09,200
Speaker 3: Bobby that nobody had. And then even my Kendle had guitar.

836
00:44:10,160 --> 00:44:14,600
Speaker 2: This is before Salome. So wait, when do you do

837
00:44:14,640 --> 00:44:18,839
Speaker 2: you remember the first designer or like artist in the

838
00:44:18,840 --> 00:44:22,200
Speaker 2: fashion world that you worked with directly and you felt like, oh,

839
00:44:22,239 --> 00:44:25,000
Speaker 2: this is a moment for me in terms of an

840
00:44:25,160 --> 00:44:26,440
Speaker 2: entry into the fashion world.

841
00:44:27,000 --> 00:44:31,600
Speaker 3: I mean the first one was John Galliano and I

842
00:44:31,760 --> 00:44:35,360
Speaker 3: was shooting iceword shut and so I was able to

843
00:44:36,040 --> 00:44:41,600
Speaker 3: go over to Paris regularly, and and I would stand

844
00:44:41,640 --> 00:44:44,040
Speaker 3: there for them and they would try things on me

845
00:44:44,120 --> 00:44:46,880
Speaker 3: and try different fabrics, and then I would go in

846
00:44:47,200 --> 00:44:50,879
Speaker 3: and try on the hats and and then I would

847
00:44:50,880 --> 00:44:53,080
Speaker 3: go to Carl's. How then it sort of just was

848
00:44:54,000 --> 00:44:56,080
Speaker 3: you know, it was just a bridge. And from that

849
00:44:56,160 --> 00:45:01,000
Speaker 3: point on I was and you had, really, they don't

850
00:45:01,040 --> 00:45:03,080
Speaker 3: come to you. You have to go to them, and

851
00:45:03,160 --> 00:45:06,279
Speaker 3: you have to be willing to be a mannequin like

852
00:45:06,320 --> 00:45:11,600
Speaker 3: a model and just stand there and let them, let

853
00:45:11,640 --> 00:45:14,240
Speaker 3: them design to you. And because I've been so tall

854
00:45:14,280 --> 00:45:17,120
Speaker 3: and skinny my whole life, suddenly there was a reason

855
00:45:17,200 --> 00:45:21,440
Speaker 3: to be tall and skinny. Yeah, I want it always

856
00:45:21,600 --> 00:45:25,239
Speaker 3: to be shortened curvey. And so suddenly it was like, oh,

857
00:45:25,280 --> 00:45:28,000
Speaker 3: I can be tall and skinny and somebody doesn't mind that.

858
00:45:27,960 --> 00:45:31,239
Speaker 1: And there's a purpose. I mean, what are you anticipating.

859
00:45:30,640 --> 00:45:31,640
Speaker 3: You can utilize it.

860
00:45:31,800 --> 00:45:36,880
Speaker 1: Of course, of course, are you anticipating anything in particular

861
00:45:36,920 --> 00:45:40,600
Speaker 1: with Mcalla this year as being part of the host committee,

862
00:45:40,600 --> 00:45:42,359
Speaker 1: Like because I feel like it's such a pivotal year

863
00:45:42,400 --> 00:45:44,680
Speaker 1: for well, I just get.

864
00:45:44,520 --> 00:45:49,520
Speaker 3: To be there with Beyonce. That's it done. Yeah, I'm

865
00:45:49,520 --> 00:45:50,640
Speaker 3: done here. We go.

866
00:45:52,800 --> 00:45:54,480
Speaker 2: And is it a thing where you guys do you

867
00:45:54,600 --> 00:45:57,200
Speaker 2: discussed you get as being part of the host community

868
00:45:57,239 --> 00:45:57,680
Speaker 2: with Anna.

869
00:45:58,000 --> 00:46:02,520
Speaker 3: Yeah, we work with Anna and who is iconic and

870
00:46:02,920 --> 00:46:03,520
Speaker 3: a genius.

871
00:46:03,600 --> 00:46:06,880
Speaker 1: No, she's she's staying on to always chair the Galla

872
00:46:06,960 --> 00:46:07,360
Speaker 1: the Galla.

873
00:46:07,440 --> 00:46:11,520
Speaker 3: Okay, we need Anna, we need Anna. Anna has created

874
00:46:12,120 --> 00:46:16,640
Speaker 3: so many people's careers. She's a massive supporter of art

875
00:46:16,760 --> 00:46:21,640
Speaker 3: and fashion and and women. I mean, she's she's extraordinary

876
00:46:22,200 --> 00:46:26,120
Speaker 3: and so therefore to be able to and it's this

877
00:46:26,200 --> 00:46:29,160
Speaker 3: is I think it's the third time I've coach had

878
00:46:30,239 --> 00:46:35,040
Speaker 3: I think so, but to do it now, I'm so

879
00:46:35,040 --> 00:46:39,160
Speaker 3: so happy. And my daughter Sunday will be coming amazing. Yeah.

880
00:46:39,320 --> 00:46:43,480
Speaker 2: Yeah, that's another thing you get to do with your daughter.

881
00:46:43,560 --> 00:46:44,240
Speaker 2: That's incredible.

882
00:46:44,320 --> 00:46:48,120
Speaker 3: Yeah, and she loves fashion. She's actually just walked the

883
00:46:48,200 --> 00:46:52,319
Speaker 3: door show. Jesus. Yeah, I'm back from Paris now. I know,

884
00:46:53,280 --> 00:46:55,279
Speaker 3: I know which I have nothing to do with. It's

885
00:46:55,320 --> 00:47:00,719
Speaker 3: her whole world and her relationship and she and Jonathan Anderson. Yeah,

886
00:47:00,760 --> 00:47:01,600
Speaker 3: it's incredible.

887
00:47:01,680 --> 00:47:03,520
Speaker 2: I was thinking as you were talking, like you mentioned

888
00:47:03,560 --> 00:47:06,560
Speaker 2: Grace Kelly who you got to portray. You mentioned Audrey Hepburn,

889
00:47:06,680 --> 00:47:08,799
Speaker 2: who obviously in Big Little lives, you guys all get

890
00:47:08,880 --> 00:47:10,520
Speaker 2: to do with the Audrey Hepper got and I did

891
00:47:10,600 --> 00:47:13,640
Speaker 2: read and the man. Of course I'll always be in

892
00:47:13,680 --> 00:47:16,439
Speaker 2: love with mat I mean yes. And also I wanted

893
00:47:16,440 --> 00:47:20,359
Speaker 2: to ask about Lucille Ball because I think that that's

894
00:47:20,400 --> 00:47:23,600
Speaker 2: one of my favorite performances you've ever done. You really

895
00:47:23,800 --> 00:47:30,279
Speaker 2: did capture just like her, like relentless commitment to get it,

896
00:47:30,760 --> 00:47:34,080
Speaker 2: just to getting it right. And I wonder if that's

897
00:47:34,080 --> 00:47:36,319
Speaker 2: something that you connected with that was it?

898
00:47:36,480 --> 00:47:39,960
Speaker 3: Like she she's a harder worker than me. She knew

899
00:47:39,960 --> 00:47:42,040
Speaker 3: what she wanted, she had to be. She came in

900
00:47:42,080 --> 00:47:46,080
Speaker 3: an era when she had to be such a trial blazer.

901
00:47:46,200 --> 00:47:50,440
Speaker 3: She had to. She was so brilliant that her and

902
00:47:50,600 --> 00:47:51,560
Speaker 3: comedy is detail.

903
00:47:51,840 --> 00:47:52,040
Speaker 4: Yep.

904
00:47:52,280 --> 00:47:55,960
Speaker 3: So, as she would say, comedy is detail. You can't

905
00:47:55,960 --> 00:47:59,480
Speaker 3: be generalized. You can't be haphazard. Sometimes you'll stumble on

906
00:47:59,520 --> 00:48:02,920
Speaker 3: a joke. But if you're really doing comedy and comedy

907
00:48:03,000 --> 00:48:05,560
Speaker 3: every week that has to deliver time and time again,

908
00:48:06,200 --> 00:48:12,759
Speaker 3: then that is arduous, hard technical, skilled work. It's not

909
00:48:13,200 --> 00:48:16,719
Speaker 3: just fly by night. Give it a whirl, you know,

910
00:48:17,080 --> 00:48:20,600
Speaker 3: And that's what that's what I learned from playing her.

911
00:48:20,760 --> 00:48:24,240
Speaker 3: She was also an amazing business woman at a time

912
00:48:24,400 --> 00:48:27,520
Speaker 3: when they were not women at the helm, and she

913
00:48:28,040 --> 00:48:32,200
Speaker 3: had a very you know, complicated love relationship and she

914
00:48:32,880 --> 00:48:38,839
Speaker 3: loved him and she was this, you know, just extraordinary

915
00:48:38,840 --> 00:48:41,400
Speaker 3: being so to be able to play her, whether I

916
00:48:41,480 --> 00:48:44,120
Speaker 3: looked like her or not, I was able to capture

917
00:48:44,120 --> 00:48:46,759
Speaker 3: her voice at least and her mannerisms. And then it

918
00:48:46,800 --> 00:48:48,680
Speaker 3: was like I couldn't get rid of her, and she

919
00:48:48,800 --> 00:48:51,600
Speaker 3: was in me. But it was so fun and half

920
00:48:51,680 --> 00:48:54,360
Speaker 3: the stuff that we prepared and everything was not in

921
00:48:54,400 --> 00:48:57,080
Speaker 3: the film, so really yeah, yeah.

922
00:48:58,200 --> 00:49:01,240
Speaker 2: The staging of the show, that's really cool.

923
00:49:01,440 --> 00:49:05,000
Speaker 3: So I could do every movement, every single movement like

924
00:49:05,120 --> 00:49:09,560
Speaker 3: by I studied and studied and with a movement like

925
00:49:09,600 --> 00:49:12,359
Speaker 3: we did so much prep and then a tiny bit

926
00:49:12,400 --> 00:49:14,920
Speaker 3: of it is in there. But that's that's performance. You

927
00:49:15,080 --> 00:49:17,879
Speaker 3: have to do an enormous amount of work and maybe

928
00:49:17,960 --> 00:49:20,279
Speaker 3: it makes the cut or maybe it doesn't. It can't

929
00:49:20,320 --> 00:49:21,320
Speaker 3: be attached to it.

930
00:49:21,239 --> 00:49:24,799
Speaker 2: Kind of complicated theater that was doing sitcom at the

931
00:49:24,800 --> 00:49:25,919
Speaker 2: time that I guess you have.

932
00:49:26,160 --> 00:49:28,719
Speaker 1: Yeah, you know, I was doing but like gosh, and

933
00:49:28,760 --> 00:49:31,080
Speaker 1: we're talking about it because I completely agree, and I

934
00:49:31,120 --> 00:49:33,960
Speaker 1: was It's funny. I was even watching Being the Ricardos

935
00:49:34,080 --> 00:49:37,520
Speaker 1: when I had Omicron and I had to miss my

936
00:49:37,600 --> 00:49:41,080
Speaker 1: only SNL which was that which was that episode in

937
00:49:41,120 --> 00:49:44,360
Speaker 1: December twenty twenty one. But I was watching you and

938
00:49:44,080 --> 00:49:46,719
Speaker 1: it did just give me this. It just did just

939
00:49:46,840 --> 00:49:50,279
Speaker 1: download me with this notion that, like you have to

940
00:49:50,360 --> 00:49:55,200
Speaker 1: be comedy is logistics, would you say earlier, comedy is detail? Yeah,

941
00:49:55,280 --> 00:49:57,240
Speaker 1: detail all in the d It's all in the details.

942
00:49:58,400 --> 00:49:59,359
Speaker 3: And then where's the laugh?

943
00:49:59,560 --> 00:49:59,600
Speaker 2: Was?

944
00:49:59,800 --> 00:50:02,080
Speaker 3: Okay, there it is. And they were lucky because they

945
00:50:02,080 --> 00:50:05,600
Speaker 3: have the live studio audience so they had the feedback.

946
00:50:05,640 --> 00:50:08,680
Speaker 3: I think it must be so hard trying to do

947
00:50:08,760 --> 00:50:11,400
Speaker 3: that without that, because this is like, okay, great, we

948
00:50:11,440 --> 00:50:13,120
Speaker 3: know that works. We know that. It's like when you

949
00:50:13,160 --> 00:50:15,919
Speaker 3: do theater and you go, great, that's working. Oh you're

950
00:50:16,040 --> 00:50:19,560
Speaker 3: surprised at what works, and then you go, jeez, I

951
00:50:19,600 --> 00:50:22,520
Speaker 3: thought that wasn't gonna work, and that just landed. We'll

952
00:50:22,640 --> 00:50:25,480
Speaker 3: hold that, save that. We can lay of that now,

953
00:50:25,520 --> 00:50:27,160
Speaker 3: and now we can add and add and add.

954
00:50:27,560 --> 00:50:31,440
Speaker 2: There's also nothing more distracting than an artificial laugh track,

955
00:50:31,840 --> 00:50:34,920
Speaker 2: like some of some of the multicams that they know,

956
00:50:35,080 --> 00:50:37,719
Speaker 2: the multicams that they do now, where you can tell

957
00:50:37,760 --> 00:50:40,279
Speaker 2: there's an artificial laugh track. I don't think we I mean,

958
00:50:40,280 --> 00:50:43,399
Speaker 2: we probably didn't need it, no, because it's just we

959
00:50:43,480 --> 00:50:45,279
Speaker 2: know from years of growing up on that.

960
00:50:45,440 --> 00:50:47,960
Speaker 1: Like it's like watching an AI video. It's like, I

961
00:50:48,040 --> 00:50:49,680
Speaker 1: know the artifice here.

962
00:50:49,760 --> 00:50:53,720
Speaker 2: It's just a little off in terms of the volume

963
00:50:53,800 --> 00:50:55,840
Speaker 2: of the reaction or the timing of the reaction.

964
00:50:56,440 --> 00:50:58,319
Speaker 1: I mean, but you've never hosted SNL before.

965
00:50:58,680 --> 00:50:59,879
Speaker 2: No, back in the nineties you did.

966
00:51:00,040 --> 00:51:02,800
Speaker 1: Oh oh oh yeah. I does this motivate you to

967
00:51:02,840 --> 00:51:05,239
Speaker 1: do it? Did any of that motivate you? Or are

968
00:51:05,280 --> 00:51:05,759
Speaker 1: you yeah?

969
00:51:05,800 --> 00:51:06,919
Speaker 3: I would love to do it again.

970
00:51:07,000 --> 00:51:07,680
Speaker 2: Oh you should.

971
00:51:07,719 --> 00:51:10,560
Speaker 3: It's just a lot of work, it is. It's a

972
00:51:10,600 --> 00:51:11,120
Speaker 3: lot of wie.

973
00:51:11,280 --> 00:51:13,759
Speaker 1: It's about sort of gosh, it's because I was gonna

974
00:51:13,760 --> 00:51:16,400
Speaker 1: say it's it's about relinquishing the control but also being

975
00:51:16,719 --> 00:51:20,120
Speaker 1: so just so fastidious with it too.

976
00:51:20,440 --> 00:51:23,120
Speaker 3: I'm happy to relinquish control to people that know what

977
00:51:23,160 --> 00:51:25,120
Speaker 3: they're doing. So I would be happy to come back

978
00:51:25,160 --> 00:51:28,000
Speaker 3: and do it and try stuff and just play, because

979
00:51:28,040 --> 00:51:32,480
Speaker 3: really it is playing, right. But it's also when you

980
00:51:32,480 --> 00:51:35,360
Speaker 3: have two kids and you live in Nashville, and you work,

981
00:51:35,880 --> 00:51:38,239
Speaker 3: and you've got a whole other it's a lot to

982
00:51:38,280 --> 00:51:41,240
Speaker 3: commit to. But it would. I mean, it's an honor

983
00:51:41,280 --> 00:51:44,799
Speaker 3: if you ever asked, So, yeah, bow down, I would like,

984
00:51:45,440 --> 00:51:47,640
Speaker 3: I would so love to. I'm sort of ready now

985
00:51:47,680 --> 00:51:50,680
Speaker 3: because I'm also at a place where I go, Yeah.

986
00:51:50,600 --> 00:51:51,160
Speaker 1: Let's do it.

987
00:51:51,400 --> 00:51:54,120
Speaker 3: Give it a try. You fall flat on your face.

988
00:51:54,200 --> 00:51:57,760
Speaker 1: It's okay, get back up, you dear diarrhea island.

989
00:51:58,880 --> 00:52:00,560
Speaker 2: You have no idea where I've been and what it

990
00:52:00,680 --> 00:52:01,239
Speaker 2: smelled like.

991
00:52:03,320 --> 00:52:04,520
Speaker 3: A particulous smell.

992
00:52:04,840 --> 00:52:09,279
Speaker 2: Yeah, I not replica, are you?

993
00:52:09,480 --> 00:52:09,960
Speaker 1: Yeah?

994
00:52:10,440 --> 00:52:12,880
Speaker 3: Yeah, we're going to get to this part of you

995
00:52:12,920 --> 00:52:13,839
Speaker 3: have a personality.

996
00:52:13,880 --> 00:52:18,279
Speaker 2: You have a heightened smell. Yeah, well you complemented.

997
00:52:19,600 --> 00:52:22,640
Speaker 3: Yeah, I'm either drawn to or drawn away based on

998
00:52:22,680 --> 00:52:23,080
Speaker 3: a smell.

999
00:52:23,239 --> 00:52:26,759
Speaker 2: Thank god you're still here, and.

1000
00:52:26,719 --> 00:52:30,319
Speaker 3: You made me laugh and I love you both, and

1001
00:52:30,520 --> 00:52:31,600
Speaker 3: I love how you smell.

1002
00:52:32,600 --> 00:52:36,200
Speaker 1: This is good.

1003
00:52:36,480 --> 00:52:38,080
Speaker 2: Okay, So I do we have to ask you this

1004
00:52:38,200 --> 00:52:41,400
Speaker 2: other thing, which is so we've had Reese and Laura

1005
00:52:41,440 --> 00:52:46,439
Speaker 2: here now the best, the best time with both of them.

1006
00:52:46,800 --> 00:52:50,520
Speaker 2: Reese came in and she did an impression of you.

1007
00:52:50,640 --> 00:52:53,640
Speaker 3: I've heard it and it's wrong. Wrong.

1008
00:52:53,880 --> 00:52:56,839
Speaker 2: Laura came in and did an impression of Reeese. So

1009
00:52:57,400 --> 00:52:59,839
Speaker 2: we have to know if you have a Laura dr

1010
00:53:02,000 --> 00:53:04,040
Speaker 2: in a way you definitely do.

1011
00:53:04,600 --> 00:53:12,359
Speaker 3: Yeah. Yeah, now let's talk about.

1012
00:53:14,280 --> 00:53:14,520
Speaker 2: Right.

1013
00:53:15,600 --> 00:53:21,239
Speaker 3: I know, Yes, it's the warmest, most responsive and you go,

1014
00:53:22,200 --> 00:53:23,080
Speaker 3: she gets me.

1015
00:53:24,680 --> 00:53:30,120
Speaker 2: Her spirits. Yeah that is wow r Yeah it is,

1016
00:53:30,840 --> 00:53:34,439
Speaker 2: isn't it? And then she said like it's a little

1017
00:53:34,440 --> 00:53:36,040
Speaker 2: bit at the elbows. You know what I mean.

1018
00:53:37,400 --> 00:53:39,719
Speaker 1: From here I'm saying.

1019
00:53:40,120 --> 00:53:47,239
Speaker 3: But seeing those two together, watching them improv, oh my god, hilarious. Yeah,

1020
00:53:47,239 --> 00:53:52,440
Speaker 3: they should actually have their own improv show. The Yeah, hilarious.

1021
00:53:53,040 --> 00:53:53,760
Speaker 2: We were laughing.

1022
00:53:54,160 --> 00:53:58,280
Speaker 3: Yeah, but you haven't seen them together, no, throw it back.

1023
00:53:58,800 --> 00:54:01,960
Speaker 3: I mean they're both brit comedians, Yes, brilliant. And then

1024
00:54:02,000 --> 00:54:04,800
Speaker 3: I just worked with one of the other brilliant comedians

1025
00:54:04,840 --> 00:54:11,399
Speaker 3: of my generation. And Sandy Buller, oh magic too, Yeah,

1026
00:54:11,800 --> 00:54:15,959
Speaker 3: I mean those women own it of course, come on yeah,

1027
00:54:16,280 --> 00:54:20,600
Speaker 3: and and Julia Julia, oh of course, the great comedians

1028
00:54:20,600 --> 00:54:21,480
Speaker 3: of Can we not.

1029
00:54:21,520 --> 00:54:23,360
Speaker 2: Sleep on your performance and just go with it?

1030
00:54:23,440 --> 00:54:23,760
Speaker 1: Please?

1031
00:54:24,040 --> 00:54:26,520
Speaker 2: Okay, because there are people I know and I'm going

1032
00:54:26,600 --> 00:54:30,640
Speaker 2: to shout them out, Jared Frieder, who says that's Nicholl's best. Yes,

1033
00:54:31,120 --> 00:54:32,920
Speaker 2: just go with it. You don't have you have no

1034
00:54:33,000 --> 00:54:34,080
Speaker 2: idea how many.

1035
00:54:34,080 --> 00:54:36,080
Speaker 3: Dave Matthews where I'm dancing on the thing.

1036
00:54:36,160 --> 00:54:41,440
Speaker 1: You've got to do everyone, haven't you done. It's amazing,

1037
00:54:41,520 --> 00:54:42,600
Speaker 1: It's truly incredible.

1038
00:54:42,840 --> 00:54:45,480
Speaker 3: Yeah, we're in I was in Hawaii with Adam Sandler

1039
00:54:45,520 --> 00:54:48,000
Speaker 3: and Jen I mean, John, can it? Can it get

1040
00:54:48,000 --> 00:54:48,520
Speaker 3: better than that?

1041
00:54:48,920 --> 00:54:49,280
Speaker 2: Yeah?

1042
00:54:49,360 --> 00:54:50,200
Speaker 3: And Dave Matthew.

1043
00:54:50,239 --> 00:54:52,720
Speaker 2: We got to get you in the Morning Show. Yeah,

1044
00:54:52,840 --> 00:54:54,279
Speaker 2: we're going to get you in there with recent gen

1045
00:54:54,360 --> 00:54:55,120
Speaker 2: on the Morning Show.

1046
00:54:55,200 --> 00:54:58,080
Speaker 3: In all my spare time, I do have.

1047
00:54:58,040 --> 00:55:00,680
Speaker 2: A question about how you do all of it? Do

1048
00:55:00,719 --> 00:55:03,320
Speaker 2: your calendar and is it? Are you booked through December

1049
00:55:03,360 --> 00:55:03,920
Speaker 2: at this point?

1050
00:55:04,480 --> 00:55:06,839
Speaker 1: Actually not, you're not, No, I'm not.

1051
00:55:07,280 --> 00:55:08,839
Speaker 2: Is that a purposeful choice for this year?

1052
00:55:09,320 --> 00:55:12,560
Speaker 3: Yeah, I'm I'm open as of the summer. I'm just like,

1053
00:55:12,840 --> 00:55:19,760
Speaker 3: I'm going, Okay, what's coming my way? I give you,

1054
00:55:19,800 --> 00:55:22,760
Speaker 3: But I'm I'm I've got some holidays planned.

1055
00:55:22,800 --> 00:55:23,239
Speaker 2: There we go.

1056
00:55:24,040 --> 00:55:29,040
Speaker 3: Yeah, I'm all about the vacation. Yes, right, So so

1057
00:55:29,080 --> 00:55:30,280
Speaker 3: I got a cruise planned.

1058
00:55:30,480 --> 00:55:31,759
Speaker 2: Yes, where are you going?

1059
00:55:32,520 --> 00:55:35,160
Speaker 3: I can't tell, I'll tell you please.

1060
00:55:36,880 --> 00:55:38,640
Speaker 2: I'm going to Thailand for the first time.

1061
00:55:39,080 --> 00:55:42,800
Speaker 3: Lovely. Oh yeah, I love Thailand. Yeah, all over Thailand.

1062
00:55:42,840 --> 00:55:45,520
Speaker 3: I do feel like, for some reason, filmed in Thailand.

1063
00:55:45,560 --> 00:55:47,240
Speaker 2: Oh yeah, that's twice.

1064
00:55:47,280 --> 00:55:49,399
Speaker 3: I did bank Call Kilton when I was really really young,

1065
00:55:49,440 --> 00:55:50,960
Speaker 3: and then I did a film Railway Man.

1066
00:55:51,320 --> 00:55:52,560
Speaker 2: Oh, yes, yes, yes.

1067
00:55:52,640 --> 00:55:53,400
Speaker 3: No you don't know that.

1068
00:55:53,560 --> 00:55:54,880
Speaker 2: I don't think yeah, but.

1069
00:55:58,480 --> 00:55:59,400
Speaker 3: Yes, yes, yes.

1070
00:56:00,080 --> 00:56:05,000
Speaker 2: Nicole, yes, yes, I'm happy you didn't. You can't watch

1071
00:56:05,040 --> 00:56:10,400
Speaker 2: it all. But no, I'm excited because I do feel

1072
00:56:10,400 --> 00:56:12,560
Speaker 2: like it's this weird, random thing that keeps happening where

1073
00:56:12,600 --> 00:56:14,680
Speaker 2: I end up going on a vacation to whatever. The

1074
00:56:14,760 --> 00:56:21,200
Speaker 2: last White lotus was, thank you, Mike White.

1075
00:56:21,280 --> 00:56:23,000
Speaker 3: Where is he going next? Where did he say he's going?

1076
00:56:23,120 --> 00:56:25,160
Speaker 1: Well, you should get ahead of it.

1077
00:56:25,239 --> 00:56:28,200
Speaker 2: He's going to it's you.

1078
00:56:28,400 --> 00:56:33,279
Speaker 3: That's the rumor far out that's gonna that's gonna throw down, right,

1079
00:56:34,680 --> 00:56:35,239
Speaker 3: this is what the.

1080
00:56:37,200 --> 00:56:37,839
Speaker 1: Well he said.

1081
00:56:39,440 --> 00:56:40,879
Speaker 2: There was an interview he did the other day where

1082
00:56:40,920 --> 00:56:43,959
Speaker 2: he said the interview deals some with celebrity and about

1083
00:56:44,040 --> 00:56:48,840
Speaker 2: people who are comfortable being seeking out a love that

1084
00:56:48,960 --> 00:56:51,239
Speaker 2: is more than just with one other person. They need

1085
00:56:51,280 --> 00:56:54,480
Speaker 2: a love of something larger, and about answering that question

1086
00:56:54,520 --> 00:56:58,279
Speaker 2: of why and about how people can feel when they're

1087
00:56:58,280 --> 00:57:01,680
Speaker 2: in a relationship with someone who needs more love than

1088
00:57:01,760 --> 00:57:05,680
Speaker 2: just one person can provide really interesting and I think that,

1089
00:57:05,760 --> 00:57:07,480
Speaker 2: like you know, obviously there's going to.

1090
00:57:07,520 --> 00:57:09,759
Speaker 3: Well if that comes back to that person is not

1091
00:57:09,880 --> 00:57:14,960
Speaker 3: satiated with themselves, right, they're not in love with themselves?

1092
00:57:15,040 --> 00:57:16,240
Speaker 1: Right? Is that what.

1093
00:57:18,280 --> 00:57:19,160
Speaker 3: They're not at peace?

1094
00:57:19,920 --> 00:57:20,440
Speaker 1: Mm hmmm.

1095
00:57:20,840 --> 00:57:24,840
Speaker 3: So that's a pretty you're I mean, you're going to

1096
00:57:25,480 --> 00:57:30,600
Speaker 3: face You're going to have to face the reality of

1097
00:57:30,640 --> 00:57:33,560
Speaker 3: what this life is at some point. So whether you're

1098
00:57:33,600 --> 00:57:36,520
Speaker 3: going to allow yourself to come to that place or

1099
00:57:36,520 --> 00:57:41,240
Speaker 3: whether you're just gonna get felt by it, right, it's

1100
00:57:41,280 --> 00:57:43,640
Speaker 3: it's a choice. So you can do the work to

1101
00:57:43,800 --> 00:57:47,080
Speaker 3: actually try to and it's never done, but you can

1102
00:57:47,160 --> 00:57:50,280
Speaker 3: always be going, Okay, what do I do here? How

1103
00:57:50,280 --> 00:57:52,640
Speaker 3: do I what? What is the next chapter? Particular, when

1104
00:57:52,640 --> 00:57:54,720
Speaker 3: you get to a certain stage in life, it's like, okay,

1105
00:57:54,760 --> 00:57:57,080
Speaker 3: where am I at now? With who I am? And

1106
00:57:57,880 --> 00:58:01,440
Speaker 3: am I okay being alone? Because as soon as you're

1107
00:58:01,480 --> 00:58:04,720
Speaker 3: okay with and when I say being alone, like really

1108
00:58:04,760 --> 00:58:07,360
Speaker 3: being sure, it's not just being alone for a couple

1109
00:58:07,400 --> 00:58:10,520
Speaker 3: of days in your in your apartment, it's am I

1110
00:58:10,640 --> 00:58:14,360
Speaker 3: okay with being alone? There will be nobody there when

1111
00:58:14,400 --> 00:58:16,080
Speaker 3: I die? Is that going to be okay?

1112
00:58:17,200 --> 00:58:18,080
Speaker 1: Are you no?

1113
00:58:18,200 --> 00:58:21,160
Speaker 3: But you know you can't. You don't know. So at

1114
00:58:21,200 --> 00:58:24,080
Speaker 3: some point you've got to just face the facts.

1115
00:58:24,800 --> 00:58:27,400
Speaker 1: It's which is about your guy?

1116
00:58:28,400 --> 00:58:31,160
Speaker 2: Geez? Right there? True.

1117
00:58:31,680 --> 00:58:34,720
Speaker 3: I think about yeah, three am in the morning when

1118
00:58:34,720 --> 00:58:37,280
Speaker 3: you wake up and you are alone. Well, that then

1119
00:58:37,440 --> 00:58:39,280
Speaker 3: is like, okay, this is where I have to be

1120
00:58:39,320 --> 00:58:39,760
Speaker 3: at peace.

1121
00:58:40,960 --> 00:58:43,480
Speaker 1: And being a piece is just about like assigning meaning

1122
00:58:43,520 --> 00:58:46,200
Speaker 1: to if the meaning you're assigning to your life is

1123
00:58:46,240 --> 00:58:51,120
Speaker 1: not like deleterious in some aspect to your vitality. It's

1124
00:58:51,160 --> 00:58:53,120
Speaker 1: like if it's like this thing of like if you

1125
00:58:53,160 --> 00:58:57,840
Speaker 1: were if your love has to involve the love of

1126
00:58:58,000 --> 00:59:00,600
Speaker 1: other people in this way, that is a little grotesque

1127
00:59:00,680 --> 00:59:03,600
Speaker 1: or untenable or unsustainable. It's like that is going to

1128
00:59:03,600 --> 00:59:05,960
Speaker 1: eat away at something. You have to find. You have

1129
00:59:06,000 --> 00:59:08,320
Speaker 1: to switch gears and find a different reason to like

1130
00:59:08,440 --> 00:59:12,040
Speaker 1: be alive and to give yourself meaning besides this thing

1131
00:59:12,080 --> 00:59:13,520
Speaker 1: that is not healthy for you.

1132
00:59:13,640 --> 00:59:15,680
Speaker 2: You can't give you what you're needing from it.

1133
00:59:16,720 --> 00:59:18,280
Speaker 3: Never will never never.

1134
00:59:19,960 --> 00:59:25,240
Speaker 2: Mike White, and do you ever watch any reality television,

1135
00:59:25,480 --> 00:59:29,240
Speaker 2: because he's fully on Survivor right now. You to know this.

1136
00:59:29,280 --> 00:59:32,640
Speaker 2: Mike White is a Survivor contestant. He came in second. Oh,

1137
00:59:32,760 --> 00:59:35,040
Speaker 2: I'm so happy to tell you this. He came in

1138
00:59:35,200 --> 00:59:39,320
Speaker 2: second on a season of Survivor years ago, post him

1139
00:59:39,360 --> 00:59:42,280
Speaker 2: being a well known Hollywood writer. Way after you know,

1140
00:59:42,360 --> 00:59:44,640
Speaker 2: School of Rock and Enlightened and all of that. He

1141
00:59:44,720 --> 00:59:48,080
Speaker 2: went on Survivor, came in second place in a tough

1142
00:59:48,320 --> 00:59:51,600
Speaker 2: like to eat something. I'm sure it's what do you

1143
00:59:51,600 --> 00:59:52,160
Speaker 2: have to do?

1144
00:59:53,560 --> 00:59:53,760
Speaker 1: Live?

1145
00:59:53,880 --> 00:59:56,520
Speaker 2: You gotta live, you gotta do the tribal council, the votes,

1146
00:59:56,520 --> 00:59:59,240
Speaker 2: all that come in second place, second, And now he's

1147
00:59:59,280 --> 01:00:01,960
Speaker 2: on the This is the fiftieth season where they've brought

1148
01:00:02,000 --> 01:00:04,480
Speaker 2: back all the icons of the show. And I guess

1149
01:00:04,560 --> 01:00:07,800
Speaker 2: some somehow he fit into his schedule going out there

1150
01:00:07,840 --> 01:00:11,080
Speaker 2: for nearly thirty days and competing on Survivor. He's on

1151
01:00:11,120 --> 01:00:11,840
Speaker 2: it right now.

1152
01:00:12,080 --> 01:00:12,760
Speaker 3: How's he doing.

1153
01:00:13,240 --> 01:00:15,200
Speaker 1: Well, It's only one week, but so far, so good.

1154
01:00:15,720 --> 01:00:19,280
Speaker 2: And his whole narrative in the first episode was and

1155
01:00:19,320 --> 01:00:21,440
Speaker 2: he had like this ripped body, and everyone was like

1156
01:00:21,720 --> 01:00:24,840
Speaker 2: Mike White, but I was like, I mean, man, it's

1157
01:00:24,840 --> 01:00:25,760
Speaker 2: got a Hollywood trainer.

1158
01:00:25,800 --> 01:00:26,280
Speaker 1: There you go.

1159
01:00:27,240 --> 01:00:29,400
Speaker 2: That was the whole His whole narrative on the first

1160
01:00:29,440 --> 01:00:31,360
Speaker 2: episode was, Oh my god, he's ripped.

1161
01:00:31,760 --> 01:00:34,920
Speaker 3: That's crazy. I had no idea.

1162
01:00:35,320 --> 01:00:39,360
Speaker 2: Yeah, wow, but you watch everything but reality TV. No.

1163
01:00:39,480 --> 01:00:42,280
Speaker 3: I sometimes watch reality TV. I've watched it with my

1164
01:00:42,360 --> 01:00:44,520
Speaker 3: daughters and I've been like, oh no, this is too much.

1165
01:00:44,600 --> 01:00:48,680
Speaker 3: Turn it off. I'm not allowed to talk about what

1166
01:00:48,720 --> 01:00:54,360
Speaker 3: they're into anything. Okay, I'm too what I get called

1167
01:00:54,400 --> 01:00:55,400
Speaker 3: millennial So.

1168
01:00:56,760 --> 01:00:58,560
Speaker 1: During the jo the club.

1169
01:00:59,000 --> 01:01:02,320
Speaker 3: Place, and that's not a compliment, right.

1170
01:01:05,360 --> 01:01:09,640
Speaker 2: Right, But you do have reputation, like like for watching

1171
01:01:09,680 --> 01:01:12,040
Speaker 2: a lot like Reese does the impression of you being like,

1172
01:01:12,080 --> 01:01:13,000
Speaker 2: we have to get this to me.

1173
01:01:13,040 --> 01:01:19,080
Speaker 3: But I watch films and I watch Yeah, I'm like, yeah,

1174
01:01:19,400 --> 01:01:22,680
Speaker 3: I'm like, who is this over here in Norway right now?

1175
01:01:22,760 --> 01:01:26,800
Speaker 3: And over Yeah, I'm like I love to that. I've

1176
01:01:26,880 --> 01:01:29,160
Speaker 3: grown up doing that. I would go and I would

1177
01:01:29,160 --> 01:01:31,720
Speaker 3: sit in a dark there and I would watch subtitle

1178
01:01:31,840 --> 01:01:36,000
Speaker 3: films since I was little. Yeah, it was my access

1179
01:01:36,040 --> 01:01:38,840
Speaker 3: to the world. And I also wanted to raise global children.

1180
01:01:39,360 --> 01:01:41,760
Speaker 3: So that's why my kids have been to seven continents.

1181
01:01:41,880 --> 01:01:44,800
Speaker 1: That's amazing as of two weeks ago or three weeks ago.

1182
01:01:45,440 --> 01:01:47,880
Speaker 2: Yeah, crazy, right, they hit seven at what ages?

1183
01:01:48,920 --> 01:01:49,640
Speaker 3: She's fifteen?

1184
01:01:49,720 --> 01:01:53,200
Speaker 1: The yeah, beautiful, that's amazing.

1185
01:01:53,320 --> 01:01:55,360
Speaker 3: Yeah. Now they've got to go round.

1186
01:01:55,200 --> 01:02:02,640
Speaker 2: To find a continent. There is the moon, the eighth continent,

1187
01:02:02,720 --> 01:02:04,680
Speaker 2: the moon. It's actually real culture number fifteen.

1188
01:02:04,960 --> 01:02:07,560
Speaker 1: There is the moon, the eighth the Moon.

1189
01:02:09,040 --> 01:02:11,360
Speaker 2: Well, I'm trying to think if before we do I

1190
01:02:11,400 --> 01:02:13,280
Speaker 2: don't think so, honey. If there's anything else, I need

1191
01:02:13,320 --> 01:02:15,720
Speaker 2: to pick our guests. Oh no, an expression I don't

1192
01:02:15,840 --> 01:02:17,200
Speaker 2: like pick brain brain.

1193
01:02:17,320 --> 01:02:20,440
Speaker 3: Yeah, you can pick my brain, pick my heart your herd?

1194
01:02:21,000 --> 01:02:23,760
Speaker 2: Oh okay, wait, you know that you have one of

1195
01:02:23,800 --> 01:02:26,760
Speaker 2: the most iconic vokes seventy three questions.

1196
01:02:26,360 --> 01:02:27,200
Speaker 1: I do you do?

1197
01:02:27,600 --> 01:02:28,160
Speaker 3: I did not know?

1198
01:02:28,680 --> 01:02:29,920
Speaker 1: My six our packs?

1199
01:02:31,600 --> 01:02:34,320
Speaker 3: Yeah yeah, I mean there's only four.

1200
01:02:34,360 --> 01:02:37,520
Speaker 1: Now there's only four. Sorry, yeah, we're gonna get two

1201
01:02:37,600 --> 01:02:38,000
Speaker 1: new ones.

1202
01:02:38,160 --> 01:02:40,200
Speaker 2: Yeah, okay, good, Yeah, we got to keep it at

1203
01:02:40,200 --> 01:02:42,480
Speaker 2: six out packers, my six our packers.

1204
01:02:42,800 --> 01:02:44,760
Speaker 3: And then they're like, can you lead the outpackat through

1205
01:02:44,760 --> 01:02:47,840
Speaker 3: the frame. We're like no, no, you do not understand.

1206
01:02:47,920 --> 01:02:51,720
Speaker 3: We're like, come on, come on, come on. Byron named

1207
01:02:51,760 --> 01:02:54,840
Speaker 3: after Lord Byron, come on, come on Byron.

1208
01:02:54,920 --> 01:02:55,000
Speaker 1: No.

1209
01:02:55,240 --> 01:02:57,560
Speaker 3: Byron was like no. Then we're like, forget it. It

1210
01:02:57,720 --> 01:03:03,480
Speaker 3: just doesn't look good. By we're pulling, So just like, no,

1211
01:03:03,560 --> 01:03:05,360
Speaker 3: sit on the porch on the steps.

1212
01:03:06,080 --> 01:03:06,680
Speaker 1: How many takes?

1213
01:03:06,800 --> 01:03:08,240
Speaker 2: Wass uh?

1214
01:03:09,560 --> 01:03:10,520
Speaker 3: Maybe six?

1215
01:03:10,840 --> 01:03:12,600
Speaker 2: Oh wow, it's a it's a long day.

1216
01:03:13,240 --> 01:03:15,720
Speaker 3: It's a long day, but you kind of play and yeah,

1217
01:03:15,760 --> 01:03:18,160
Speaker 3: but you walked all through my country estate.

1218
01:03:18,760 --> 01:03:19,760
Speaker 2: I love it.

1219
01:03:20,240 --> 01:03:24,360
Speaker 3: It's different. Now okay, yeah, I've redesigned it. I redid it.

1220
01:03:24,640 --> 01:03:27,000
Speaker 3: Might might need another seventy three questions, then.

1221
01:03:27,320 --> 01:03:30,080
Speaker 2: We have to go back. We'll do it. That want

1222
01:03:30,120 --> 01:03:33,280
Speaker 2: to do it? Yeah, more animal, there you go, reason

1223
01:03:33,320 --> 01:03:37,680
Speaker 2: to return.

1224
01:03:35,680 --> 01:03:42,440
Speaker 3: Questions and perfect for the first time. Two horses horses.

1225
01:03:42,720 --> 01:03:45,680
Speaker 3: You didn't meet the horses. We didn't get to many many.

1226
01:03:45,480 --> 01:03:48,400
Speaker 2: More because he had never Okay, so he had he

1227
01:03:48,440 --> 01:03:52,600
Speaker 2: had a blind spot, which was he had a blind

1228
01:03:53,000 --> 01:03:58,240
Speaker 2: just to die for? Which was I love now, love

1229
01:03:58,360 --> 01:04:00,920
Speaker 2: to die for? I love Susanstone, su Sandstone.

1230
01:04:01,160 --> 01:04:03,280
Speaker 3: I feel like sand Stone is a killer.

1231
01:04:03,840 --> 01:04:07,160
Speaker 2: Yeah, but I love her for pretty killer. She was

1232
01:04:07,200 --> 01:04:09,440
Speaker 2: a gorgeous skiller. But I have to say like that,

1233
01:04:09,640 --> 01:04:11,960
Speaker 2: there's just something again, maybe it.

1234
01:04:12,000 --> 01:04:15,840
Speaker 3: Is Henry and I can't believe I wrote that.

1235
01:04:16,240 --> 01:04:17,200
Speaker 1: Yeah, and Gus.

1236
01:04:17,280 --> 01:04:20,160
Speaker 3: Yeah, buck Henry for everyone. If you saw The Graduate,

1237
01:04:20,280 --> 01:04:22,320
Speaker 3: he wrote The Graduate and he's one of the great

1238
01:04:22,960 --> 01:04:25,880
Speaker 3: great writers. And then Gus Vincent, what can we say?

1239
01:04:25,920 --> 01:04:29,680
Speaker 2: I also shout out to obviously walking but Ileana Douglas,

1240
01:04:30,040 --> 01:04:33,360
Speaker 2: Oh amazing in that movie and gets lost in the

1241
01:04:33,360 --> 01:04:37,640
Speaker 2: conversation of great performances from that era. That's a great performance.

1242
01:04:37,760 --> 01:04:39,600
Speaker 1: Was she already a skater? When you guys.

1243
01:04:39,840 --> 01:04:41,479
Speaker 3: She couldn't. She said she could skate.

1244
01:04:41,600 --> 01:04:42,960
Speaker 1: Hey, we're at I love it.

1245
01:04:43,120 --> 01:04:46,240
Speaker 3: Can you I skate? Absolutely as and then she was

1246
01:04:46,280 --> 01:04:52,440
Speaker 3: on the ice not so good. It's so good in

1247
01:04:52,440 --> 01:04:57,640
Speaker 3: the movie in a double, but she did. She got there.

1248
01:04:57,720 --> 01:04:59,440
Speaker 3: But you know that's what you say. Can you ride

1249
01:04:59,440 --> 01:05:03,040
Speaker 3: a host? Can you I skate? Yes? I can? Can you?

1250
01:05:03,680 --> 01:05:05,200
Speaker 2: What have you?

1251
01:05:06,600 --> 01:05:09,320
Speaker 3: I've said yeah, I can sing? And then Baz is like,

1252
01:05:09,760 --> 01:05:13,439
Speaker 3: we're going to need more singing lessons. You know, it's

1253
01:05:13,480 --> 01:05:15,920
Speaker 3: always yes, and then you.

1254
01:05:15,760 --> 01:05:18,280
Speaker 1: Grow because you know who I'm talking. I'm talking to

1255
01:05:18,320 --> 01:05:23,520
Speaker 1: Gina because her book My Love I Will Yeah, all

1256
01:05:23,560 --> 01:05:26,320
Speaker 1: through her memory she's like every every roll I've got,

1257
01:05:26,360 --> 01:05:32,959
Speaker 1: like show Girls, can you dance? Yeah, it's yes, I will.

1258
01:05:33,600 --> 01:05:34,200
Speaker 1: I will.

1259
01:05:34,360 --> 01:05:35,960
Speaker 2: But then it's going to become that thing where it's

1260
01:05:35,960 --> 01:05:38,400
Speaker 2: like can you ski? And I'm going to be like yeah,

1261
01:05:38,440 --> 01:05:40,640
Speaker 2: and you really can't, and then it's a hazard. So

1262
01:05:40,880 --> 01:05:44,440
Speaker 2: say yes within reason people, yeah, and.

1263
01:05:44,480 --> 01:05:47,120
Speaker 3: You dangerous when you say it's like how much do

1264
01:05:47,160 --> 01:05:48,240
Speaker 3: you want? Want the role?

1265
01:05:48,560 --> 01:05:49,160
Speaker 2: Exactly?

1266
01:05:50,520 --> 01:05:52,960
Speaker 3: And they're onto us now because then they're like, okay,

1267
01:05:53,000 --> 01:05:53,920
Speaker 3: we'll show us.

1268
01:05:55,480 --> 01:05:55,760
Speaker 2: Video.

1269
01:05:55,800 --> 01:05:56,440
Speaker 1: They've got it.

1270
01:05:56,480 --> 01:06:04,160
Speaker 3: They've hacked us directors and produces a like send me

1271
01:06:04,200 --> 01:06:05,200
Speaker 3: a tape, show me.

1272
01:06:05,440 --> 01:06:07,280
Speaker 1: Not that anyone has to put you through your piece.

1273
01:06:07,480 --> 01:06:10,080
Speaker 2: I know, like you've proven you can do everything. Also,

1274
01:06:10,360 --> 01:06:13,920
Speaker 2: like what I'm on, I'm on.

1275
01:06:14,240 --> 01:06:16,960
Speaker 3: I'm just on a massive learning curve. I'm always like, okay,

1276
01:06:17,920 --> 01:06:21,120
Speaker 3: teach me, teach me. I'm teachable. That would be a

1277
01:06:21,160 --> 01:06:23,200
Speaker 3: good attribute to say, I'm teachable.

1278
01:06:23,320 --> 01:06:24,880
Speaker 2: Teachable, that's a great thing to be.

1279
01:06:26,200 --> 01:06:27,440
Speaker 1: I think it's it is.

1280
01:06:28,080 --> 01:06:30,040
Speaker 2: I don't think so, honey, And I'm not rigid.

1281
01:06:31,800 --> 01:06:34,840
Speaker 1: I always wake up, yes, I.

1282
01:06:34,760 --> 01:06:36,440
Speaker 3: Always always always.

1283
01:06:36,520 --> 01:06:37,440
Speaker 2: What do you attribute that to?

1284
01:06:38,520 --> 01:06:43,600
Speaker 3: I don't know. Born that way always, I've always woken

1285
01:06:43,720 --> 01:06:45,439
Speaker 3: up in a good mood.

1286
01:06:45,480 --> 01:06:46,919
Speaker 2: Does that correlate to how you go to bed?

1287
01:06:48,160 --> 01:06:51,600
Speaker 3: I go to bed. I have trouble sleeping because I

1288
01:06:51,640 --> 01:06:57,840
Speaker 3: have a lot of energy. Yeah, you or not after midday,

1289
01:06:57,880 --> 01:07:00,720
Speaker 3: but I did today. That's why I'm kind of jacked up. Now,

1290
01:07:00,760 --> 01:07:05,200
Speaker 3: can you tell me? I'm usually a lot more sedate. Yeah,

1291
01:07:05,360 --> 01:07:06,480
Speaker 3: I feel a bit jacked up.

1292
01:07:06,480 --> 01:07:08,800
Speaker 2: Actually, I had a cold brewt today and then two

1293
01:07:09,040 --> 01:07:11,280
Speaker 2: Coke zero, so I'm a killing machine.

1294
01:07:11,520 --> 01:07:11,920
Speaker 1: Yeah.

1295
01:07:12,000 --> 01:07:12,400
Speaker 2: Yeah.

1296
01:07:12,480 --> 01:07:13,520
Speaker 3: Will you sleep tonight?

1297
01:07:14,120 --> 01:07:15,800
Speaker 2: Maybe not, but that would be because I was so

1298
01:07:15,840 --> 01:07:21,040
Speaker 2: excited about this. No, I'm serious, we have been dying.

1299
01:07:21,640 --> 01:07:21,760
Speaker 2: I know.

1300
01:07:21,880 --> 01:07:24,200
Speaker 1: It felt cosmically right when when on the boat you

1301
01:07:24,240 --> 01:07:25,840
Speaker 1: were like, you know, who's just here' Nicole Kim and

1302
01:07:25,840 --> 01:07:27,920
Speaker 1: I was like, I'm talking to her next week. It

1303
01:07:27,960 --> 01:07:31,600
Speaker 1: was it was crazy. I feel like even though you

1304
01:07:31,680 --> 01:07:35,640
Speaker 1: are capping post mid day, it is still talking to

1305
01:07:35,680 --> 01:07:37,920
Speaker 1: you and being with you in person. It is still

1306
01:07:37,960 --> 01:07:41,040
Speaker 1: the thing of like, oh well, Nicole Kimen like has

1307
01:07:41,120 --> 01:07:43,560
Speaker 1: levitated in all her roles essentially, you know what I mean.

1308
01:07:43,560 --> 01:07:46,440
Speaker 1: It's you have this like airy lightness.

1309
01:07:47,520 --> 01:07:50,240
Speaker 3: You can feel so good.

1310
01:07:50,280 --> 01:07:53,760
Speaker 2: Well, you have given so much to culture, and that's

1311
01:07:53,800 --> 01:07:56,400
Speaker 2: what our podcast is about. And we've now been doing

1312
01:07:56,440 --> 01:07:58,680
Speaker 2: it for ten years. And I would imagine you probably

1313
01:07:58,720 --> 01:08:03,000
Speaker 2: come up like you know, quite often to say the least.

1314
01:08:03,040 --> 01:08:06,640
Speaker 2: And I just think back to all the eras of

1315
01:08:06,680 --> 01:08:10,280
Speaker 2: like our life as moviegoers, and you have a place

1316
01:08:10,320 --> 01:08:13,200
Speaker 2: in all of them, and I just and in so

1317
01:08:13,320 --> 01:08:16,320
Speaker 2: many different ways, like whether it's like as mainstream as

1318
01:08:16,360 --> 01:08:19,320
Speaker 2: Batman or as niche as something like birth, you know

1319
01:08:19,360 --> 01:08:22,759
Speaker 2: what I mean, or you know Dogville or dog Ville.

1320
01:08:22,840 --> 01:08:25,920
Speaker 2: I mean like this is like you are a true

1321
01:08:26,320 --> 01:08:30,080
Speaker 2: you have a true artist spirit, and you're also this

1322
01:08:30,680 --> 01:08:34,240
Speaker 2: like Megawatt movie star, and they just they don't make

1323
01:08:34,280 --> 01:08:38,280
Speaker 2: them like it anymore. Like Margot Robbie must be like

1324
01:08:38,320 --> 01:08:39,680
Speaker 2: sister Tea.

1325
01:08:40,200 --> 01:08:43,599
Speaker 3: Yeah, and I love Emma Stone. She's so brave and

1326
01:08:43,640 --> 01:08:48,080
Speaker 3: she's just like, yeah, shave my head. Absolutely, what do

1327
01:08:48,120 --> 01:08:49,519
Speaker 3: you want your ghost? Let's go.

1328
01:08:49,680 --> 01:08:49,880
Speaker 1: Yeah.

1329
01:08:50,000 --> 01:08:53,160
Speaker 3: But then you know, I've I've just went and worked

1330
01:08:53,160 --> 01:08:56,840
Speaker 3: with Osgod Perkins. I did a small role in Young People,

1331
01:08:56,880 --> 01:08:59,000
Speaker 3: which is this horror film that he's got coming in,

1332
01:08:59,120 --> 01:09:02,000
Speaker 3: and I love him and wanted to go and support him.

1333
01:09:02,120 --> 01:09:04,760
Speaker 3: So he's like, I've written this role. It's three days work,

1334
01:09:04,800 --> 01:09:07,840
Speaker 3: and I'm like, yep, yep, I'm coming coming your way.

1335
01:09:08,080 --> 01:09:08,800
Speaker 2: Yeah.

1336
01:09:08,840 --> 01:09:10,720
Speaker 3: So I just love being able to do something like

1337
01:09:10,760 --> 01:09:13,040
Speaker 3: Practical Magic, which is a big studio film, and then

1338
01:09:13,080 --> 01:09:18,240
Speaker 3: go do a fully independent, crazy wild thing. Can you

1339
01:09:18,280 --> 01:09:20,640
Speaker 3: give a bunch of really great young actresses who are

1340
01:09:21,720 --> 01:09:22,639
Speaker 3: rising stars.

1341
01:09:22,960 --> 01:09:26,439
Speaker 2: I mean we're friends with Meghan Fay and.

1342
01:09:26,400 --> 01:09:31,519
Speaker 3: Yeah, I just yeah, And she's she's so good. She

1343
01:09:31,640 --> 01:09:35,000
Speaker 3: is on the cusp of being massive.

1344
01:09:35,400 --> 01:09:37,320
Speaker 2: She can do it all. She can do it all, yeah,

1345
01:09:37,360 --> 01:09:37,679
Speaker 2: I mean.

1346
01:09:37,760 --> 01:09:39,520
Speaker 3: And she's sort of effortless.

1347
01:09:40,040 --> 01:09:40,960
Speaker 1: She was in this movie.

1348
01:09:40,840 --> 01:09:42,800
Speaker 2: Called Drop, which came out last year, which was She

1349
01:09:42,840 --> 01:09:46,240
Speaker 2: plays a single mom, recently single mom who goes on

1350
01:09:46,280 --> 01:09:49,439
Speaker 2: the first date she's been on since her abuse. Her

1351
01:09:49,520 --> 01:09:53,840
Speaker 2: husband like took his own life and tried to kill her,

1352
01:09:53,880 --> 01:09:56,200
Speaker 2: and she's finally got her legs again, and she goes

1353
01:09:56,200 --> 01:09:59,360
Speaker 2: on a blind date with this guy and she sits

1354
01:09:59,400 --> 01:10:02,000
Speaker 2: down at dinner and she starts getting air dropped messages

1355
01:10:02,040 --> 01:10:05,080
Speaker 2: from someone at her home who's kidnapped her son. And

1356
01:10:05,160 --> 01:10:07,639
Speaker 2: so it's just it's sort of like like a it's

1357
01:10:07,680 --> 01:10:11,120
Speaker 2: like a red Eye meets like I don't even know.

1358
01:10:11,280 --> 01:10:12,400
Speaker 3: It's I'm going to watch it.

1359
01:10:12,479 --> 01:10:13,240
Speaker 1: Oh, it's good.

1360
01:10:13,320 --> 01:10:16,360
Speaker 2: And Megan is fantastic, and she holds the frame and

1361
01:10:16,479 --> 01:10:17,519
Speaker 2: she's just so.

1362
01:10:17,479 --> 01:10:19,680
Speaker 3: She's gorgeous and she's talented.

1363
01:10:19,840 --> 01:10:23,920
Speaker 2: Yeah, I'm gonna teach her after this. Yeah yeah, But anyways,

1364
01:10:24,360 --> 01:10:29,200
Speaker 2: all that and more. Don't think so, honey, which we

1365
01:10:29,240 --> 01:10:32,680
Speaker 2: take one minute to tear something up in culture. We

1366
01:10:33,320 --> 01:10:35,880
Speaker 2: time it, you'll see how it goes. No, I know,

1367
01:10:36,080 --> 01:10:38,160
Speaker 2: all right, I'm ready to go, and it's not going

1368
01:10:38,240 --> 01:10:40,080
Speaker 2: to be popular with with the rest of the panel

1369
01:10:40,080 --> 01:10:41,719
Speaker 2: here today, but I'm just gonna go ahead.

1370
01:10:41,479 --> 01:10:43,360
Speaker 1: And I know where this is going. I think Matt Rogers,

1371
01:10:43,400 --> 01:10:44,719
Speaker 1: I don't think so money as time starts.

1372
01:10:44,720 --> 01:10:48,240
Speaker 2: Now, I don't think so, honey, Antarctica, because I FaceTime

1373
01:10:48,360 --> 01:10:51,840
Speaker 2: my girl on the way to Antarctica, and she's soup

1374
01:10:51,920 --> 01:10:54,520
Speaker 2: pine in a rickety vessel.

1375
01:10:54,560 --> 01:10:58,080
Speaker 1: With the what do you call it, a scop past,

1376
01:10:58,160 --> 01:10:59,280
Speaker 1: a scop.

1377
01:10:58,880 --> 01:11:02,120
Speaker 2: Patch, whatever this is. To learn what that is, He's

1378
01:11:02,120 --> 01:11:04,559
Speaker 2: got the scott patch whatever it is, however you goddamn

1379
01:11:04,600 --> 01:11:06,880
Speaker 2: spell it on his neck. I go, is that helping?

1380
01:11:06,960 --> 01:11:09,639
Speaker 2: He goes, yeah, But I can't see my girl's cross

1381
01:11:09,680 --> 01:11:12,160
Speaker 2: eyed soup pine on the Drake's passage. Now I know

1382
01:11:12,200 --> 01:11:14,320
Speaker 2: what the Drake's passage is. The most treacherous water is.

1383
01:11:14,439 --> 01:11:17,040
Speaker 2: So the Atlantic meets the Pacific. I don't think so, honey,

1384
01:11:17,160 --> 01:11:21,480
Speaker 2: keep them separate. I see my girl finally gets to Antarctica,

1385
01:11:21,680 --> 01:11:24,479
Speaker 2: takes a few pictures, sends me a video. It's the

1386
01:11:24,640 --> 01:11:28,120
Speaker 2: iceberg falling apart the iceberg. Takes the video of the iceberg,

1387
01:11:28,400 --> 01:11:30,719
Speaker 2: and I say, now, is that supposed to happen? He says,

1388
01:11:30,880 --> 01:11:33,519
Speaker 2: They go yes and no. I go, okay, not great

1389
01:11:33,560 --> 01:11:37,080
Speaker 2: information from me on tonight. I don't think so, honey. Antarctica,

1390
01:11:37,280 --> 01:11:39,280
Speaker 2: you can kind of get there, kind of not you

1391
01:11:39,280 --> 01:11:42,839
Speaker 2: have to wait days. Nicole Kimmon's flying in on an ice.

1392
01:11:44,320 --> 01:11:49,799
Speaker 2: What is it called the pathway? I don't know, so, honey,

1393
01:11:49,840 --> 01:11:53,080
Speaker 2: I don't think so, honey. And that's one man. Maybe

1394
01:11:53,160 --> 01:11:55,960
Speaker 2: not for me. I can get I can get Africa

1395
01:11:56,000 --> 01:11:56,960
Speaker 2: in and that'll be six.

1396
01:11:57,640 --> 01:12:00,040
Speaker 3: And you, Yeah, we will work on you.

1397
01:12:01,400 --> 01:12:04,240
Speaker 1: I just know that's a bad that they're not.

1398
01:12:04,439 --> 01:12:05,559
Speaker 3: We can delete that.

1399
01:12:07,040 --> 01:12:09,599
Speaker 2: We're deleting. We can delete that on this mony. Okay,

1400
01:12:09,720 --> 01:12:11,720
Speaker 2: I will say, yeah, I had planned to do that once,

1401
01:12:11,760 --> 01:12:13,519
Speaker 2: so I did it. But you guys do make it

1402
01:12:13,560 --> 01:12:17,160
Speaker 2: sound really appealing and adventurous. The quiet.

1403
01:12:18,080 --> 01:12:19,280
Speaker 3: You've already changed your mind.

1404
01:12:23,240 --> 01:12:27,000
Speaker 1: The patch is transdermal. It steadies your optic nerves, so

1405
01:12:27,040 --> 01:12:28,840
Speaker 1: then I couldn't see.

1406
01:12:29,680 --> 01:12:33,400
Speaker 3: Yikes. I didn't do the patch. I just was pug.

1407
01:12:35,680 --> 01:12:36,599
Speaker 1: Yeah, yeah, I did it.

1408
01:12:36,680 --> 01:12:40,120
Speaker 3: I'm a Navy seal. Yeah no, I've been told that

1409
01:12:40,120 --> 01:12:40,599
Speaker 3: with pain.

1410
01:12:41,040 --> 01:12:44,360
Speaker 2: Really, yeah, what what made someone say that to you?

1411
01:12:44,960 --> 01:12:49,479
Speaker 3: Because I can no, No, for some reason, destroyer and

1412
01:12:49,680 --> 01:12:51,720
Speaker 3: just still not even go and get it X ray

1413
01:12:51,840 --> 01:12:53,559
Speaker 3: and not check it and walk around and just say

1414
01:12:53,600 --> 01:12:55,840
Speaker 3: it's a pull muscle. Really yeah?

1415
01:12:56,320 --> 01:12:56,960
Speaker 1: Yeah?

1416
01:12:57,040 --> 01:13:00,879
Speaker 3: Holy, Now that's not not normal all for a redhead,

1417
01:13:00,880 --> 01:13:02,639
Speaker 3: because usually you feel extra pain.

1418
01:13:02,880 --> 01:13:06,720
Speaker 2: That's what they say felt yeah.

1419
01:13:05,800 --> 01:13:08,960
Speaker 3: The way there, Yeah, it's something to do. They just say, well,

1420
01:13:09,000 --> 01:13:12,680
Speaker 3: I'm not that Yeah, I can like I don't know.

1421
01:13:12,760 --> 01:13:15,720
Speaker 3: I put myself in a trance. They go, do you

1422
01:13:15,760 --> 01:13:16,800
Speaker 3: need the anesthesia?

1423
01:13:17,000 --> 01:13:20,320
Speaker 2: No, huh, so you need a do survivor.

1424
01:13:21,360 --> 01:13:23,120
Speaker 3: What you're saying whish I know Mike was doing it.

1425
01:13:23,120 --> 01:13:24,080
Speaker 3: I would have done it with him.

1426
01:13:24,800 --> 01:13:26,880
Speaker 2: I don't think it's too late. We might get him

1427
01:13:26,920 --> 01:13:27,799
Speaker 2: back for another season.

1428
01:13:27,840 --> 01:13:30,280
Speaker 3: If you should have texted me and said you want

1429
01:13:30,280 --> 01:13:34,120
Speaker 3: to do this together, honestly, we would have gone head

1430
01:13:34,120 --> 01:13:38,280
Speaker 3: to head. I definitely would have come in second. I

1431
01:13:38,320 --> 01:13:40,439
Speaker 3: think I think I will come in last though, because

1432
01:13:40,479 --> 01:13:41,439
Speaker 3: I give up easily.

1433
01:13:41,920 --> 01:13:44,240
Speaker 2: No, you don't. You can walk around with a broken board.

1434
01:13:44,560 --> 01:13:47,800
Speaker 3: No, But in terms of a competition, that's that I

1435
01:13:47,800 --> 01:13:49,920
Speaker 3: would just go, I give up?

1436
01:13:50,000 --> 01:13:50,799
Speaker 2: Are you not a competitor.

1437
01:13:50,880 --> 01:13:53,280
Speaker 3: I'm not good to have on a sports team because

1438
01:13:53,479 --> 01:13:56,959
Speaker 3: I was always chosen last for the volleyball team, because

1439
01:13:57,240 --> 01:14:01,960
Speaker 3: I just was like, wow, is this really important to

1440
01:14:02,040 --> 01:14:05,160
Speaker 3: win this? I'm not a good doubles tennis partner because

1441
01:14:05,200 --> 01:14:09,040
Speaker 3: I'm like, oh, I can psychologic. I need I need

1442
01:14:09,080 --> 01:14:10,280
Speaker 3: some sports psychology.

1443
01:14:10,479 --> 01:14:10,880
Speaker 2: I got.

1444
01:14:11,720 --> 01:14:16,679
Speaker 3: Yeah, I give up. I'm like didn't matter. We lost

1445
01:14:16,720 --> 01:14:18,719
Speaker 3: six zero. I'm so sorry.

1446
01:14:18,840 --> 01:14:23,360
Speaker 1: Yeah yeah, yeah yeah.

1447
01:14:24,000 --> 01:14:26,680
Speaker 3: It's just too stressful. Life's too stressful.

1448
01:14:26,800 --> 01:14:28,880
Speaker 2: It's too stressful to care about.

1449
01:14:30,120 --> 01:14:34,320
Speaker 3: Not all the tennis match. Let's just play some recreational tennis.

1450
01:14:35,800 --> 01:14:37,960
Speaker 2: Hit the ball, said, hit the ball?

1451
01:14:39,040 --> 01:14:40,000
Speaker 3: What are you doing?

1452
01:14:41,000 --> 01:14:45,160
Speaker 2: Serve it? They're not going to get what they want, right,

1453
01:14:46,479 --> 01:14:47,400
Speaker 2: your tennis partner.

1454
01:14:48,720 --> 01:14:51,320
Speaker 3: But I'll play, and I'll wear a short tennis girt

1455
01:14:51,360 --> 01:14:52,400
Speaker 3: and I look.

1456
01:14:52,280 --> 01:14:53,679
Speaker 2: Cute the vibes.

1457
01:14:53,840 --> 01:14:56,080
Speaker 3: Yeah, ur.

1458
01:15:00,520 --> 01:15:03,240
Speaker 2: Are you ready? Here we go?

1459
01:15:03,920 --> 01:15:04,519
Speaker 3: Really fall.

1460
01:15:05,280 --> 01:15:07,760
Speaker 2: This is mownangus. I don't think Sony. His time starts now.

1461
01:15:07,840 --> 01:15:10,840
Speaker 1: I don't think Sony. The scam, the long con that

1462
01:15:11,000 --> 01:15:16,120
Speaker 1: is outdoor furniture. What do you mean I gotta tie

1463
01:15:16,160 --> 01:15:19,000
Speaker 1: it down? What do you mean that a cough of

1464
01:15:19,040 --> 01:15:24,880
Speaker 1: a Victorian child could blow the cushions into another yard?

1465
01:15:25,800 --> 01:15:30,040
Speaker 1: Now I'm doing parkour from one patio to the next,

1466
01:15:30,439 --> 01:15:36,200
Speaker 1: just to fetch my damn stained, water stained cushions for

1467
01:15:36,360 --> 01:15:42,920
Speaker 1: my thrickity Ratton reptan chair. I gotta tie up the

1468
01:15:43,040 --> 01:15:47,480
Speaker 1: umbrella that is also going to be marked by the

1469
01:15:47,479 --> 01:15:50,960
Speaker 1: the dirt and minerals of rain. I don't know, man,

1470
01:15:51,800 --> 01:15:55,840
Speaker 1: if you gotta tie down anything starting blow away like tumbleweed.

1471
01:15:56,080 --> 01:15:59,760
Speaker 1: I don't think it's worth buying and placing in in

1472
01:15:59,800 --> 01:16:04,280
Speaker 1: the in your own space. Outdoor furniture it's it's a scam.

1473
01:16:04,400 --> 01:16:07,519
Speaker 1: You're outdoor rugs. They're gonna look like ship in six months,

1474
01:16:07,760 --> 01:16:09,960
Speaker 1: wait for one season to pass by, to look bad.

1475
01:16:10,000 --> 01:16:12,720
Speaker 2: And that's one minute. That's true. I have to sign this.

1476
01:16:12,960 --> 01:16:14,640
Speaker 3: I'm co signing it.

1477
01:16:13,960 --> 01:16:16,360
Speaker 1: To and you're you want a damn farm nicole and.

1478
01:16:16,320 --> 01:16:20,160
Speaker 3: I'm like, you get the beautiful, warm, stained wood and

1479
01:16:20,200 --> 01:16:24,000
Speaker 3: they're like, no, the silver, ratty thing is actually what

1480
01:16:24,040 --> 01:16:26,680
Speaker 3: it's meant to look like. And you're like, no, no,

1481
01:16:26,840 --> 01:16:29,439
Speaker 3: I wanted it to stay looking like it was in

1482
01:16:29,479 --> 01:16:32,960
Speaker 3: the store. That's what you said it would do. It's

1483
01:16:33,040 --> 01:16:35,720
Speaker 3: just like any furniture you put outside and then it

1484
01:16:35,760 --> 01:16:41,240
Speaker 3: gets old and ratty. It's faster, fast, faster, actually furniture.

1485
01:16:41,560 --> 01:16:44,880
Speaker 3: You're right, So just drag the indoor furniture outside when

1486
01:16:44,880 --> 01:16:45,320
Speaker 3: you need it.

1487
01:16:45,360 --> 01:16:48,439
Speaker 1: You might as well. You might as well.

1488
01:16:49,120 --> 01:16:52,000
Speaker 2: It gets incredibly dirty, incredibly quickly, especially in La where

1489
01:16:52,160 --> 01:16:55,839
Speaker 2: at least where my place is like just and I agree.

1490
01:16:56,280 --> 01:16:59,080
Speaker 1: I anyway, I'm just saying.

1491
01:16:59,320 --> 01:17:02,360
Speaker 3: I don't think so, honey, thank.

1492
01:17:02,120 --> 01:17:05,040
Speaker 2: You that part. And you know, I hate thinking about

1493
01:17:05,080 --> 01:17:08,360
Speaker 2: you doing parkour around the building Spider Man or something.

1494
01:17:08,400 --> 01:17:13,040
Speaker 1: I'm running around going, hey, pal my, my little topiari

1495
01:17:13,200 --> 01:17:15,040
Speaker 1: fell into your whatever, you know what I mean?

1496
01:17:15,160 --> 01:17:19,719
Speaker 3: Like yeah, And then you've got the outdoor cushions piled

1497
01:17:19,800 --> 01:17:24,160
Speaker 3: up indoors, taking up space, not looking good. Where do

1498
01:17:24,280 --> 01:17:27,240
Speaker 3: we put these? Just shove them in the corner, and

1499
01:17:27,320 --> 01:17:31,880
Speaker 3: you're like, just just get rid of them. They're ugly.

1500
01:17:32,000 --> 01:17:35,000
Speaker 1: I have to have a storage bin for these tarps

1501
01:17:35,120 --> 01:17:37,320
Speaker 1: to cover. I don't like grill.

1502
01:17:37,520 --> 01:17:41,400
Speaker 2: I don't think so, honey, tarps. Can I say, nothing

1503
01:17:41,439 --> 01:17:42,679
Speaker 2: good happens around the tarp?

1504
01:17:42,880 --> 01:17:44,240
Speaker 1: No, no, no.

1505
01:17:44,040 --> 01:17:44,920
Speaker 2: Lay down on the tarp.

1506
01:17:45,200 --> 01:17:46,840
Speaker 1: That was another thing in Antarctica that we had. You

1507
01:17:46,840 --> 01:17:48,600
Speaker 1: couldn't put anything to you to put it down on

1508
01:17:48,600 --> 01:17:50,920
Speaker 1: the tarp, to put your life jacket onto.

1509
01:17:50,800 --> 01:17:54,800
Speaker 3: The tarp, to protect it all, to protect it all, some.

1510
01:17:54,840 --> 01:17:57,800
Speaker 2: More of the Antarctica energy around the world. I think so,

1511
01:17:58,080 --> 01:18:00,720
Speaker 2: because I will say, we went to Tokyo then came

1512
01:18:00,760 --> 01:18:04,960
Speaker 2: back to America. Couldn't believe how filthy we are by comparison.

1513
01:18:05,200 --> 01:18:06,800
Speaker 2: Like you walk around New York and you compare it

1514
01:18:06,840 --> 01:18:11,200
Speaker 2: to Tokyo. It's like absolutely obsurd, like you don't even

1515
01:18:11,360 --> 01:18:13,040
Speaker 2: see it because you're so used to it.

1516
01:18:13,120 --> 01:18:13,400
Speaker 1: I know.

1517
01:18:13,680 --> 01:18:14,800
Speaker 2: Yeah, but it's like that.

1518
01:18:14,760 --> 01:18:17,919
Speaker 3: And it's all about the contrast, isn't it. And then yeah,

1519
01:18:18,360 --> 01:18:19,439
Speaker 3: to open your eyes.

1520
01:18:19,720 --> 01:18:21,879
Speaker 2: Yeah, that's why it's important to travel.

1521
01:18:22,680 --> 01:18:23,200
Speaker 1: I agree.

1522
01:18:23,320 --> 01:18:23,879
Speaker 2: I agree.

1523
01:18:23,960 --> 01:18:25,400
Speaker 1: Now it's time.

1524
01:18:26,680 --> 01:18:27,400
Speaker 2: It's gonna be good.

1525
01:18:27,439 --> 01:18:29,200
Speaker 1: I think I think you've got it. You've got the idea.

1526
01:18:29,439 --> 01:18:30,599
Speaker 3: I just got the idea.

1527
01:18:30,720 --> 01:18:32,160
Speaker 2: Yeah, you're gonna absolutely crush it.

1528
01:18:32,160 --> 01:18:35,719
Speaker 1: Though this is Nicole Kidman's I don't think so, honey,

1529
01:18:36,040 --> 01:18:39,280
Speaker 1: and her time starts now, I.

1530
01:18:39,200 --> 01:18:42,639
Speaker 3: Don't think so honey. If you have bad breath, I

1531
01:18:42,800 --> 01:18:47,479
Speaker 3: cannot stand bad breath. I mean this is a deal

1532
01:18:47,520 --> 01:18:50,560
Speaker 3: breaker for me. Like you could be the most gorgeous,

1533
01:18:51,000 --> 01:18:54,360
Speaker 3: gorgeous guy and you come at me with bad breath

1534
01:18:54,640 --> 01:18:58,320
Speaker 3: and I'm like, no, no, no, it's off right. It's

1535
01:18:58,360 --> 01:19:01,599
Speaker 3: like if I say wreathe on me and I have

1536
01:19:01,640 --> 01:19:06,960
Speaker 3: to recoil. Yikes, I'm out. I am out. You could

1537
01:19:07,160 --> 01:19:11,680
Speaker 3: not offer me enough money. And so therefore, when Alexander

1538
01:19:11,720 --> 01:19:16,360
Speaker 3: scarsguard ate a Faluffel sandwich before we did the scenes

1539
01:19:16,400 --> 01:19:19,360
Speaker 3: in big little eyes, I'm like, no, no, no, alex

1540
01:19:20,120 --> 01:19:23,160
Speaker 3: I'm meant to be kissing you and into you. Put

1541
01:19:23,280 --> 01:19:29,799
Speaker 3: away the faluffel now right, because the bad breath does

1542
01:19:29,880 --> 01:19:34,080
Speaker 3: not turn me on. As I said, it is very

1543
01:19:34,120 --> 01:19:39,160
Speaker 3: important to smell good, but more importantly the mouth, the

1544
01:19:39,240 --> 01:19:41,719
Speaker 3: taste of the mouth and the smell of the mouth

1545
01:19:41,920 --> 01:19:43,240
Speaker 3: is very important to me.

1546
01:19:43,960 --> 01:19:45,400
Speaker 1: And that's one minute.

1547
01:19:45,520 --> 01:19:49,000
Speaker 2: I have to say, Alexander Scarsguard has been having such

1548
01:19:49,040 --> 01:19:53,000
Speaker 2: a moment with Pillion and you just knocked him out.

1549
01:19:53,960 --> 01:19:56,240
Speaker 3: I'm sure he did not eat a faluffel ever.

1550
01:19:56,400 --> 01:19:59,720
Speaker 1: Again, Yeah, you looked him in the eyes and I said.

1551
01:19:59,479 --> 01:20:02,479
Speaker 3: No more for lufful, no more that. Nope, not before

1552
01:20:02,520 --> 01:20:08,800
Speaker 3: you kiss, not before you make love, No more fluffoul away.

1553
01:20:09,080 --> 01:20:11,360
Speaker 2: It's a rule of culture number fifty.

1554
01:20:12,840 --> 01:20:15,639
Speaker 1: Before you make love. And I just have to say,

1555
01:20:16,320 --> 01:20:21,600
Speaker 1: for an actor of your caliber to say that falafful

1556
01:20:22,280 --> 01:20:27,960
Speaker 1: could destroy the reality of the scene, could just render,

1557
01:20:28,040 --> 01:20:33,919
Speaker 1: could render the scene work completely meaningless, purely on breath.

1558
01:20:34,280 --> 01:20:36,040
Speaker 1: You really are an old breath.

1559
01:20:36,200 --> 01:20:37,200
Speaker 2: You are factory.

1560
01:20:37,320 --> 01:20:45,799
Speaker 3: So the smell yeah, yeah, your sense totallyah smell memory,

1561
01:20:46,320 --> 01:20:49,720
Speaker 3: which is why when I lost it, I was relieved.

1562
01:20:50,280 --> 01:20:52,760
Speaker 1: After basement, you said, unburdened me.

1563
01:20:53,560 --> 01:20:57,080
Speaker 3: I was like, few, oh, this is straight.

1564
01:20:57,120 --> 01:20:58,200
Speaker 1: This is after the girl.

1565
01:21:00,120 --> 01:21:00,759
Speaker 3: To the smell.

1566
01:21:01,720 --> 01:21:03,720
Speaker 1: Yeah, I was in it.

1567
01:21:03,920 --> 01:21:07,280
Speaker 3: I was in a good way because it was a mutet.

1568
01:21:07,439 --> 01:21:11,400
Speaker 3: It was finally article.

1569
01:21:11,520 --> 01:21:17,760
Speaker 1: I was free, so that when it came back, I

1570
01:21:17,800 --> 01:21:18,439
Speaker 1: am obsessed.

1571
01:21:18,640 --> 01:21:20,280
Speaker 2: I can't now now knowing.

1572
01:21:20,560 --> 01:21:23,040
Speaker 3: And you want to know who smells the best ever?

1573
01:21:24,880 --> 01:21:27,519
Speaker 1: Oh of course I've heard that.

1574
01:21:27,680 --> 01:21:29,400
Speaker 3: Actually it's true.

1575
01:21:29,800 --> 01:21:30,679
Speaker 1: Do you think it's.

1576
01:21:30,560 --> 01:21:34,439
Speaker 2: That like she just has a scent that like like

1577
01:21:34,600 --> 01:21:37,080
Speaker 2: like a fragrance that she isn't It's something.

1578
01:21:36,760 --> 01:21:38,760
Speaker 3: We don't need to We don't need to unwrap, we

1579
01:21:38,800 --> 01:21:42,240
Speaker 3: don't need to just know it's all true.

1580
01:21:42,680 --> 01:21:43,600
Speaker 1: What does it smell like?

1581
01:21:44,280 --> 01:21:48,240
Speaker 3: I've intoxicating. It is like I will follow you around

1582
01:21:49,160 --> 01:21:53,759
Speaker 3: and it is like you smell Oh my god.

1583
01:21:53,640 --> 01:21:58,240
Speaker 1: I will follow you around. So you're saying, yeah.

1584
01:21:59,800 --> 01:22:03,000
Speaker 2: The most respectful way.

1585
01:22:03,120 --> 01:22:06,320
Speaker 3: No, truly, she smells divine. But are you also really

1586
01:22:06,360 --> 01:22:07,080
Speaker 3: smell divine?

1587
01:22:07,920 --> 01:22:15,720
Speaker 2: I have my characters on today We Love Looney to Love. Yeah,

1588
01:22:15,720 --> 01:22:23,160
Speaker 2: there is no don't you little quack? There's tweet? Oh

1589
01:22:23,280 --> 01:22:25,240
Speaker 2: my good, honestly I want.

1590
01:22:28,600 --> 01:22:32,000
Speaker 1: Something is happening. You were in a thrall right now

1591
01:22:32,160 --> 01:22:36,880
Speaker 1: about Rihanna tweety bird smells in general.

1592
01:22:36,680 --> 01:22:38,280
Speaker 2: Legendary ladies of our time.

1593
01:22:40,160 --> 01:22:41,040
Speaker 3: I'm sensory.

1594
01:22:41,160 --> 01:22:48,360
Speaker 2: Okay, I'm so happy I remembered to so good anyways,

1595
01:22:48,360 --> 01:22:49,200
Speaker 2: so good.

1596
01:22:50,479 --> 01:22:54,759
Speaker 3: Listen this hatfuls tweety bird, Rihanna, Rihanna.

1597
01:22:54,840 --> 01:22:59,040
Speaker 2: We covered it all diarrhea island.

1598
01:22:59,240 --> 01:23:01,679
Speaker 1: That's why I didn't I get you see of course.

1599
01:23:01,880 --> 01:23:03,719
Speaker 3: Yeah, the smell. It's all about the smell.

1600
01:23:03,880 --> 01:23:06,280
Speaker 2: It's been a shivery delicious episodes.

1601
01:23:06,720 --> 01:23:07,360
Speaker 3: Fabulous.

1602
01:23:07,600 --> 01:23:10,120
Speaker 2: Fabulous doesn't even begin to cut it. We want to

1603
01:23:10,479 --> 01:23:14,840
Speaker 2: just say thank you so much for coming here. Scarpetta

1604
01:23:15,600 --> 01:23:18,639
Speaker 2: is out now you can. You can stream it the

1605
01:23:18,680 --> 01:23:21,120
Speaker 2: hell away, like in one binge.

1606
01:23:21,160 --> 01:23:23,760
Speaker 3: That's what Nicole is saying to Jamie. Lee. Curtis and

1607
01:23:23,800 --> 01:23:27,760
Speaker 3: I got fisty cups. We come to We physically fight

1608
01:23:27,840 --> 01:23:28,080
Speaker 3: in it.

1609
01:23:28,240 --> 01:23:29,759
Speaker 2: Oh, I'm so happy.

1610
01:23:30,680 --> 01:23:35,320
Speaker 3: We literally fight and you you are like come to blows.

1611
01:23:36,960 --> 01:23:41,519
Speaker 1: You are too. I'm gonna say, rambunctious people. And just

1612
01:23:41,560 --> 01:23:43,719
Speaker 1: to see that it's going to be good. It's worth

1613
01:23:43,720 --> 01:23:45,080
Speaker 1: the price, I hope.

1614
01:23:45,120 --> 01:23:49,960
Speaker 3: So Okay, and troubles Me Yes, I produced.

1615
01:23:49,520 --> 01:23:51,519
Speaker 2: That, Yes, Yes, Yes on its way.

1616
01:23:51,479 --> 01:23:54,800
Speaker 3: Yes with and the darling Oh my god, we.

1617
01:23:54,720 --> 01:24:01,880
Speaker 2: Didn't even talk about the no bring me the Anatomy book.

1618
01:24:02,040 --> 01:24:08,840
Speaker 2: Okay starts the episode the best just like we gotta go.

1619
01:24:08,920 --> 01:24:12,360
Speaker 2: She's gonna were Scarpetta, but on the next episode it

1620
01:24:12,360 --> 01:24:14,559
Speaker 2: will be all about the biguiled.

1621
01:24:14,600 --> 01:24:15,679
Speaker 1: And bring back.

1622
01:24:16,160 --> 01:24:18,479
Speaker 3: You gotta ask me back anytime, and you.

1623
01:24:18,439 --> 01:24:20,439
Speaker 1: Gotta have the yes.

1624
01:24:20,640 --> 01:24:24,720
Speaker 2: Please don't threaten us. All right, he can't bring those

1625
01:24:25,400 --> 01:24:29,439
Speaker 2: Hey are we end never episode with the song come

1626
01:24:32,120 --> 01:24:36,280
Speaker 2: We're both you. Come on man, you were really you

1627
01:24:36,320 --> 01:24:36,639
Speaker 2: in there.

1628
01:24:36,760 --> 01:24:38,240
Speaker 3: I will.

1629
01:24:39,920 --> 01:24:49,200
Speaker 2: Until we love that throaty felt you and it's gonna

1630
01:24:49,240 --> 01:24:49,920
Speaker 2: call out Okay.

1631
01:24:51,479 --> 01:24:53,599
Speaker 1: Last Culture Recis is the production by Will Ferrell's Big

1632
01:24:53,600 --> 01:24:54,879
Speaker 1: Money Players in My Heart Radio.

1633
01:24:54,720 --> 01:24:58,080
Speaker 2: Podcasts, created and hosted by Matt Rogers and Bowen Yang,

1634
01:24:58,240 --> 01:25:01,679
Speaker 2: executive produced by Anna hosby A and produced by Decca Ramos,

1635
01:25:01,800 --> 01:25:04,160
Speaker 2: Edited and mixed by Duck Babe, and our music is

1636
01:25:04,160 --> 01:25:05,160
Speaker 2: by Henry Komerski.

1637
01:25:07,920 --> 01:25:07,960
Speaker 3: H