WEBVTT - 112: Dōjinshi

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<v Speaker 1>Hello, welcome to another edition of Notificent. I am one

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<v Speaker 1>half of your host Danny Fernandez. Today I'm joined by

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<v Speaker 1>two of my dear friends that I've known for years,

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<v Speaker 1>for actual years, and I'm really excited for them to

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<v Speaker 1>tell you about their podcast because I've been involved in

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<v Speaker 1>a way. Um but today we are talking about do

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<v Speaker 1>Jin Shei, which if you don't know what it is,

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<v Speaker 1>we're going to get into it. And I'm joined by

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<v Speaker 1>hosts and writers and my close personal friends Ema five

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<v Speaker 1>in Chris Lamb, Hello, Hi, thank you so great to

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<v Speaker 1>virtually be here. I know I miss I miss us.

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<v Speaker 1>I guess we're kind of like we always see each

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<v Speaker 1>other at events, right, like cons and er. It's one

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<v Speaker 1>of the weirder things I think is that you know,

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<v Speaker 1>even people in in our profession who largely are freelancers,

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<v Speaker 1>and you often are working independently at home unless for

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<v Speaker 1>whatever reason you know you're lucky enough like oh you're

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<v Speaker 1>in a writer's room or you're on set that day

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<v Speaker 1>or whatever. There is a lot of sort of independent

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<v Speaker 1>work that goes into it. But because a lot of

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<v Speaker 1>what we do work wise takes us out to events,

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<v Speaker 1>I feel like I'm often so busy that conventions are

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<v Speaker 1>when I see all of my friends that I would

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<v Speaker 1>normally just see in Los Angeles anyway, but we never

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<v Speaker 1>have time for each other in l A. I know,

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<v Speaker 1>I Christ, do you feel the same way I do? Um,

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<v Speaker 1>that's kind of one of the um things about having

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<v Speaker 1>good tastes and friends and aligning yourself with people who

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<v Speaker 1>you know who know their stuff is that they are successful,

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<v Speaker 1>and oftentimes that means that, UM, it can be hard

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<v Speaker 1>to catch up, but you know, it's definitely something that um,

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<v Speaker 1>I try to accept, but it's also hard re accepting

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<v Speaker 1>it in this different context, right. Yeah. Yeah, it's kind

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<v Speaker 1>of weird because I was really mixed about Comic Con

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<v Speaker 1>being canceled because that's so many people like I feel

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<v Speaker 1>for the artists, like I feel for the people who

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<v Speaker 1>really bank on making a lot of money at that

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<v Speaker 1>time and they that's like, uh there, yeah, time to

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<v Speaker 1>shine For me as a creator. It was kind of

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<v Speaker 1>like it felt like I could catch my breath, like

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<v Speaker 1>you know, and it was just like it's an honor

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<v Speaker 1>and a privilege to be able to do as much

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<v Speaker 1>as we do. However, con season is just kind of

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<v Speaker 1>one thing after another after another, and sometimes I believe

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<v Speaker 1>in like quality over quantity, I would say, and so

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<v Speaker 1>it's just nice getting to me. It was like so

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<v Speaker 1>mixed because it was like I have so much anxiety,

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<v Speaker 1>especially as an extroverted introvert. I feel like that is

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<v Speaker 1>a thing maybe like all of us are where we

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<v Speaker 1>like are very um passionate about our craft and really

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<v Speaker 1>good at what we do, and we're like on camera,

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<v Speaker 1>but when we're off camera, it's kind of like, Okay,

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<v Speaker 1>this is my little shell and please don't invade my bubble.

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<v Speaker 1>I'm really you know, And so just the whole anxiety,

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<v Speaker 1>and I think there's an extra level of it's become

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<v Speaker 1>really Hollywood, like it's maybe I've been going since I

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<v Speaker 1>was eleven, and it's really Hollywood now, Like they have

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<v Speaker 1>shows they promote that aren't even nerdy. It'll just be

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<v Speaker 1>like Kenna ken Wait or like you, I mean young Sheldon,

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<v Speaker 1>I guess is ners still it'll be Yeah, It's true

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<v Speaker 1>like that there is with with San Diego Comic Con,

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<v Speaker 1>particularly there there is this very extreme level of marketing

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<v Speaker 1>that's going on. And yet because you do still have

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<v Speaker 1>your you know, obviously in in recent years they've pulled out,

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<v Speaker 1>but until very recently, you would have your big Marvel

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<v Speaker 1>Cinematic Universe paneling, you would have your big Marvel Television

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<v Speaker 1>panel and your Warner Brothers panel, and so you did

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<v Speaker 1>feel like you still really had to be there or

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<v Speaker 1>you were going to be missing out on something. I

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<v Speaker 1>know exactly how you feel about Danny because I felt

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<v Speaker 1>the same way where I was like, it's kind of

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<v Speaker 1>a relief in some ways, but on the other hand,

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<v Speaker 1>then in my like Instagram memories, a picture came up

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<v Speaker 1>of like me and and Xander genre I think, like

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<v Speaker 1>out drinking on that Wednesday when everyone's first getting into

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<v Speaker 1>town in San Diego, and I was like, I don't know,

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<v Speaker 1>it is really fun though, so I just I was

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<v Speaker 1>gonna say what I feel about it being Hollywood as

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<v Speaker 1>it turns into like, hey, did you get into this party?

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<v Speaker 1>Got into this party? And can you get me into

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<v Speaker 1>this party? And it's just that's not what it is.

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<v Speaker 1>It reminds me exactly what happened to us when we

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<v Speaker 1>were kids, like when we were nerds, and now we're

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<v Speaker 1>being treated like nerds again because they're not other party

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<v Speaker 1>and party right, and it's like, oh, you didn't get

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<v Speaker 1>into the e W party? Okay, well, you know, maybe

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<v Speaker 1>we'll meet up with you after. It's just like, it's

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<v Speaker 1>just like I did not live my life as I'm

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<v Speaker 1>not going to get in so let yeah, these popular

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<v Speaker 1>Hollywood people make me feel bad. So that's the other side.

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<v Speaker 1>I think that a lot of people don't see for

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<v Speaker 1>at least for us. And so when it was postponed

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<v Speaker 1>or canceled or whatever, I was like, oh my gosh,

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<v Speaker 1>the idea that I'm not going to have to deal

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<v Speaker 1>with the flaunting who you know, who's at this and

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<v Speaker 1>who got on what panel? Who is doing so much?

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<v Speaker 1>And like, I mean, I will say that just in

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<v Speaker 1>on the sort of opposite end of the San Diego

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<v Speaker 1>comic con spectrum, what I have found to be. I mean, obviously,

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<v Speaker 1>there are tons of small conventions around the world that

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<v Speaker 1>really are more focused on, um, celebrating people coming together

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<v Speaker 1>to enjoy something that they love, as opposed to as

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<v Speaker 1>you say, be seen at a party. Um. But I

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<v Speaker 1>will say that my experience was Star Wars Celebration was

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<v Speaker 1>much more like those small conventions, which is like everyone

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<v Speaker 1>at Star Wars Celebration was there because they loved Star Wars.

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<v Speaker 1>There weren't any cool parties that people were worried about

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<v Speaker 1>getting into. Everybody who normally are peers who are in

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<v Speaker 1>again at that level at San Diego Comic Con, of

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<v Speaker 1>possibly some of them do get invited to the w

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<v Speaker 1>party and if you're not one of them, then you're

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<v Speaker 1>not doing as well as everybody else. At Stars Celebration,

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<v Speaker 1>like everyone was just hanging out with the Merriott bar,

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<v Speaker 1>it was so much more low key, um and it really,

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<v Speaker 1>it really was. It was so much fun. It was

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<v Speaker 1>so so much fun. Um. So yeah, that you know, conventions,

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<v Speaker 1>they're they're they're a mixed bag. But you know idea,

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<v Speaker 1>I was going to say, it's like apples and oranges

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<v Speaker 1>at this yeah, yeah, yeah, yeah, So that's my and

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<v Speaker 1>I do love Saneo. Comic Con has been like my

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<v Speaker 1>you know, home and love and stuff since my family's

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<v Speaker 1>from San Diego, so it's been a huge part of

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<v Speaker 1>my growing up. It was just watching it change, I

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<v Speaker 1>think is why it was kind of just like relieved

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<v Speaker 1>to get a break from it, because it is has

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<v Speaker 1>turned very like I said, Hollywood, and so it just

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<v Speaker 1>is kind of for me. I was like, oh, finally

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<v Speaker 1>I don't have to deal with like the Hollywood networking

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<v Speaker 1>like media con that it has become, and you know,

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<v Speaker 1>can geek out about things with my friends on this podcast.

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<v Speaker 1>Speaking of geeking out, UM, as you all know, every

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<v Speaker 1>week we talked about something that we're nerding out about,

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<v Speaker 1>and Chris, I wanted to ask you first, is there

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<v Speaker 1>anything that you're super into right now? I'm so happy

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<v Speaker 1>you asked that. So I think for me, I'm really

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<v Speaker 1>excited about, you know, miss everything going up in flames

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<v Speaker 1>and us in this time of heaval right now, I

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<v Speaker 1>have been anticipating the game Ghost of Tsushima. Oh and

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<v Speaker 1>can you tell people what it's about? I don't know. Yeah.

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<v Speaker 1>So it is a RPG made by Sucker Punch. It

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<v Speaker 1>was announced in two thousand seven, two thousand sorry, two

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<v Speaker 1>thousand eighteen. I believe UM and they were really inspired

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<v Speaker 1>by Kurosawa films basically, UM, the very famous black and

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<v Speaker 1>white samurai films. If you're not familiar with them, I

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<v Speaker 1>was not until I heard about Sushima. That's how I

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<v Speaker 1>get into a lot of things through video games. And UM,

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<v Speaker 1>I've been actually watching Karrosawa films and kind of preparation

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<v Speaker 1>for the game, and it's been really really educational and UM,

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<v Speaker 1>the actor that he has in the two movies that

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<v Speaker 1>I watched, Seven Samurai and Yo Jimbo. He is very

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<v Speaker 1>very hot. He's dead now, but he's hot. Um. I

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<v Speaker 1>think you would really like him, Danny. No. I mean

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<v Speaker 1>I feel that way about the guy who plays Satan

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<v Speaker 1>in The Holleen Man. He's past, but he'll live on

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<v Speaker 1>very hotly in my heart. He just has like he

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<v Speaker 1>just has like that level of drip before like drip

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<v Speaker 1>was invented, you know, Like that's what I'm talking about,

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<v Speaker 1>you know, Like he has like there's like this really

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<v Speaker 1>great picture. I should send it to you. Like there's

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<v Speaker 1>this great picture where he has like he does that

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<v Speaker 1>thing where like he takes his arm and like he

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<v Speaker 1>puts it back into his shirt and like he is

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<v Speaker 1>like rubbing his five o'clock shadow like through um the

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<v Speaker 1>neck hole of his uh yukata kimono. Situation. That was

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<v Speaker 1>really hot that you did it, though. It was thank you,

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<v Speaker 1>thank you, thank you. Um what about you, Emma, what

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<v Speaker 1>are you geeking out about? Oh? Well? I finally came

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<v Speaker 1>around to playing Persona five Royal. So I played the

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<v Speaker 1>original Persona five, which was released in two thousands sixteen,

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<v Speaker 1>or maybe it was early seventeen. Somewhere in that time period,

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<v Speaker 1>um uh and I had been wanting to play Royal Edition,

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<v Speaker 1>which is just like the expanded remastered version. They've added

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<v Speaker 1>a bunch of new characters and new gameplay elements that

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<v Speaker 1>actually are really really good. It makes it totally worth

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<v Speaker 1>replaying a hundred plus our game. Um but I had

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<v Speaker 1>not necessarily been ready to jump into it. So it

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<v Speaker 1>came out right before the Final Fantasy seven remake was released.

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<v Speaker 1>It came out like end of March, and Final Fantasy

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<v Speaker 1>seven Remake came out April ten, So I went, I

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<v Speaker 1>don't really want to get into this one. I know

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<v Speaker 1>that I'm going to start the Final Fantasy seven remake.

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<v Speaker 1>And then when I finished remake, I went, I don't

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<v Speaker 1>really have the emotional energy for persone of five yet.

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<v Speaker 1>But then all of a sudden, I was struck with

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<v Speaker 1>I needed to play this game, and it has been

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<v Speaker 1>so so much fun, particularly to play it on my

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<v Speaker 1>Twitch stream with an audience. It's just like again, I'm

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<v Speaker 1>loving all of the changes that they made to the game.

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<v Speaker 1>The new characters are all super interesting. I just met

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<v Speaker 1>the school psychologist, who was a new addition to Royal addition,

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<v Speaker 1>and like, let me tell you, he keeps offering me

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<v Speaker 1>to come to his office to have some snacks. You

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<v Speaker 1>a snack onto yourself, Like, ah, this isn't anything new

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<v Speaker 1>to the original game. That Danny just to let you

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<v Speaker 1>know there are adults that have a crush on the

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<v Speaker 1>high school boy. It's very complicated problem. Sorry, okay, I

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<v Speaker 1>don't pay attention. No, yeah, but no, no, no, this

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<v Speaker 1>this I just don't write me. I do not play

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<v Speaker 1>this game. I don't know what you guys were talking about,

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<v Speaker 1>but I just heard. No shame. Just know that there

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<v Speaker 1>there is um equally as intense things happening in the

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<v Speaker 1>original Yes, um yeah, this has not crossed any lines

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<v Speaker 1>as of yet. But listen, he's I am an adult woman.

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<v Speaker 1>I am into this character, an adult man. Let me

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<v Speaker 1>be right, right right, there's there's game play. There's role playing,

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<v Speaker 1>a role playing game. So you're right, you're right, You're right. Um.

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<v Speaker 1>The thing that I'm geeking out about is actually uh

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<v Speaker 1>an artist named Sailor Jubs. She's Julia Mellow. She's a

0:11:38.440 --> 0:11:42.520
<v Speaker 1>Brazilian artist, and um, she needed too. She was taking

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<v Speaker 1>commissions because she just moved and wanted to pay for

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<v Speaker 1>her apartment, and so I bought up a bunch of

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<v Speaker 1>commissions and had her do my friends and so she

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<v Speaker 1>did amazing artwork, Like some of y'all saw it on

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<v Speaker 1>my feed. It was so real. She got Danielle Radford

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<v Speaker 1>who's been on our Buffy episode, Joel Monique, who is

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<v Speaker 1>our producer who's listening right now. Um, she did Sabina

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<v Speaker 1>Graves who was on our Haunted Mansion episode. She did

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<v Speaker 1>my friend Kata and Dreusco. Like but just like so

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<v Speaker 1>spot on, and I can tell you all, this is

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<v Speaker 1>such a great gift. It wasn't even that much like

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<v Speaker 1>she was. You know, she had full body or half

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<v Speaker 1>body commissions where she would do a portrait of your

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<v Speaker 1>friends and it's like such a great surprise, or like

0:12:27.120 --> 0:12:29.120
<v Speaker 1>if it's someone's birthday, it was to be in his birthday,

0:12:29.120 --> 0:12:31.480
<v Speaker 1>so I sent hers to her. But like, it was

0:12:31.600 --> 0:12:35.120
<v Speaker 1>just so spot on, and it helped this independent artist

0:12:35.240 --> 0:12:37.640
<v Speaker 1>pay for her apartment, and it also was a great

0:12:37.640 --> 0:12:40.400
<v Speaker 1>gift for my friends. So again she goes by at

0:12:40.720 --> 0:12:45.120
<v Speaker 1>sailor Jubs it's j U b S. And she is

0:12:45.200 --> 0:12:48.600
<v Speaker 1>such a great artist and just really kind. Yeah, I

0:12:48.840 --> 0:12:52.880
<v Speaker 1>when you posted those photos I or that artwork. Rather

0:12:53.040 --> 0:12:56.040
<v Speaker 1>I scrolling through, I didn't have to like see who

0:12:56.120 --> 0:12:59.280
<v Speaker 1>was tagged in which picture. I knew exactly who everybody was.

0:13:00.280 --> 0:13:02.360
<v Speaker 1>It was so and it was so great and it

0:13:02.400 --> 0:13:05.080
<v Speaker 1>was just like we all have different skin tones, we

0:13:05.120 --> 0:13:07.480
<v Speaker 1>all have different hair textures, and like she was just

0:13:07.520 --> 0:13:12.000
<v Speaker 1>able to capture everybody's beauty and um, that was just

0:13:12.280 --> 0:13:14.160
<v Speaker 1>I just thought she did such a great job. So

0:13:15.200 --> 0:13:22.720
<v Speaker 1>props to her. And we're talking about art today. Art.

0:13:24.520 --> 0:13:27.959
<v Speaker 1>So for people who don't quite know or haven't heard

0:13:28.000 --> 0:13:32.400
<v Speaker 1>the term DUGITSI like, what is that? Well, it is

0:13:32.840 --> 0:13:38.199
<v Speaker 1>it is very simply fan created works that are typically

0:13:38.440 --> 0:13:42.720
<v Speaker 1>derivative of, uh an existing piece of fiction. So while

0:13:42.920 --> 0:13:45.800
<v Speaker 1>in the States, I think we tend to think of

0:13:45.840 --> 0:13:50.679
<v Speaker 1>it as only being fan created comics, it also is

0:13:50.679 --> 0:13:53.880
<v Speaker 1>a term that applies to like fan art collections or

0:13:53.960 --> 0:13:58.120
<v Speaker 1>two published light novels. The key is is that it

0:13:58.240 --> 0:14:01.840
<v Speaker 1>is people self publishing. Like I said, it is largely

0:14:02.520 --> 0:14:05.600
<v Speaker 1>um work that is derivative of other works, but it's

0:14:05.679 --> 0:14:11.120
<v Speaker 1>not necessarily like bottom line has to be in order

0:14:11.120 --> 0:14:14.959
<v Speaker 1>to be considered Dogenci, Right, yeah, yeah, So the way

0:14:14.960 --> 0:14:16.679
<v Speaker 1>I was going to explain it to people is like,

0:14:16.800 --> 0:14:19.080
<v Speaker 1>if you know fan fiction, which is like if you

0:14:19.120 --> 0:14:23.560
<v Speaker 1>read say, Harry Potter fan fiction, that's not written by J. K.

0:14:23.760 --> 0:14:27.120
<v Speaker 1>Rowling or any of the other authors that have been involved.

0:14:27.280 --> 0:14:31.080
<v Speaker 1>It is um by fans, and so this is fan

0:14:31.200 --> 0:14:34.520
<v Speaker 1>created art. So it looks like manga, looks like a

0:14:34.520 --> 0:14:38.160
<v Speaker 1>comic book. Um, very beautiful drawing some of them. I mean,

0:14:38.160 --> 0:14:42.280
<v Speaker 1>you can't really tell between the original manga d I

0:14:42.320 --> 0:14:46.120
<v Speaker 1>mean you definitely come across Dogenci creators who are real

0:14:46.520 --> 0:14:52.440
<v Speaker 1>good at mimicking the art style of the original. Yeah.

0:14:52.440 --> 0:14:56.400
<v Speaker 1>So the only difference between mainstream manga and original Dogenci

0:14:57.160 --> 0:15:01.320
<v Speaker 1>Dogenci is that Dogenci is not public by a publishing company,

0:15:01.640 --> 0:15:05.040
<v Speaker 1>itself published. Yeah, it's it's kind of the same way

0:15:05.080 --> 0:15:08.000
<v Speaker 1>that fan works. And honestly, you know, like let's plays

0:15:08.120 --> 0:15:12.680
<v Speaker 1>on video games, right, It's it's all done with the

0:15:12.760 --> 0:15:17.280
<v Speaker 1>unspoken agreement between the fan community and the original creator

0:15:17.320 --> 0:15:20.080
<v Speaker 1>that like, you know, okay, like you know, I'll I

0:15:20.120 --> 0:15:23.040
<v Speaker 1>won't do anything because this is really good for the

0:15:23.040 --> 0:15:24.840
<v Speaker 1>community and I want to support other artists, and this

0:15:24.880 --> 0:15:26.240
<v Speaker 1>is a great way for artists to get their work

0:15:26.240 --> 0:15:28.360
<v Speaker 1>out by using you know, in a pre existing I

0:15:28.480 --> 0:15:33.640
<v Speaker 1>p so um. But if they wanted to they could. So,

0:15:33.680 --> 0:15:42.240
<v Speaker 1>what was your first the first dogenci that you stumbled upon? Well,

0:15:42.480 --> 0:15:48.280
<v Speaker 1>let me see, I I had a I really think

0:15:48.680 --> 0:15:53.040
<v Speaker 1>I was aware of doginci in the same way that

0:15:53.120 --> 0:15:57.840
<v Speaker 1>a lot of people in the US become aware of doginci.

0:15:58.040 --> 0:16:00.560
<v Speaker 1>And and what I do believe is and really be

0:16:00.760 --> 0:16:03.720
<v Speaker 1>attitude that a lot of Westerners have towards do ginci

0:16:03.960 --> 0:16:07.920
<v Speaker 1>um is that it is all uh, adult in nature,

0:16:08.000 --> 0:16:10.880
<v Speaker 1>shall we say? Um? So, I think the first sort

0:16:10.920 --> 0:16:14.360
<v Speaker 1>of doginci that I ever came across it was just

0:16:14.560 --> 0:16:17.840
<v Speaker 1>I was really into this um this computer game called

0:16:17.920 --> 0:16:22.240
<v Speaker 1>Ragnarok Online. Uh, and for whatever reason, there was just

0:16:22.440 --> 0:16:27.480
<v Speaker 1>an influx of dojinci um that was, you know, kind

0:16:27.520 --> 0:16:32.680
<v Speaker 1>of of the tentacle porn variety, shall we say, oh yeah, yeah, yeah, yeah,

0:16:32.800 --> 0:16:35.720
<v Speaker 1>which I which I came across um. But I definitely

0:16:35.800 --> 0:16:41.080
<v Speaker 1>also uh, as I got more involved in fandom and

0:16:41.160 --> 0:16:45.080
<v Speaker 1>in fan works, Uh, the first ones I can remember

0:16:45.080 --> 0:16:48.640
<v Speaker 1>where there was really like a story to be followed,

0:16:48.880 --> 0:16:54.080
<v Speaker 1>and they weren't all necessarily like really explicit in nature,

0:16:54.120 --> 0:16:56.720
<v Speaker 1>though they were like shown and I stories are like

0:16:56.800 --> 0:17:00.080
<v Speaker 1>boys love, which is a big um sub genre with

0:17:00.120 --> 0:17:03.640
<v Speaker 1>INJOGINCHI in particular, but it was like Gundam wing Um

0:17:03.680 --> 0:17:07.240
<v Speaker 1>because that was airing onto Nami in like early two thousand's,

0:17:07.280 --> 0:17:09.439
<v Speaker 1>I want to say. And so at that point we

0:17:09.480 --> 0:17:12.760
<v Speaker 1>had also like just gotten high speed internet. Uh, and

0:17:13.040 --> 0:17:16.760
<v Speaker 1>I I did what all not all, but many many

0:17:16.920 --> 0:17:20.960
<v Speaker 1>young women who get into that particular show or any

0:17:21.000 --> 0:17:23.480
<v Speaker 1>any other number of shows where the majority of characters

0:17:23.520 --> 0:17:28.359
<v Speaker 1>are the primary characters are young attractive men, you know,

0:17:28.440 --> 0:17:32.399
<v Speaker 1>b shownn um. And I started off being like, I

0:17:32.440 --> 0:17:34.080
<v Speaker 1>don't really like any of the girls on this show.

0:17:34.080 --> 0:17:36.399
<v Speaker 1>I'm gonna write fan fiction um. And I was writing

0:17:36.440 --> 0:17:39.760
<v Speaker 1>like Mary sus um, which if you don't know what

0:17:39.800 --> 0:17:41.880
<v Speaker 1>a Mary Sue is, it's a It's a very uh

0:17:42.119 --> 0:17:46.119
<v Speaker 1>idealized female character, often seen a sort of a self

0:17:46.200 --> 0:17:49.639
<v Speaker 1>insert when creating fan works. But then I pivoted completely

0:17:49.680 --> 0:17:51.720
<v Speaker 1>into being like, no, I want these boys to kiss

0:17:51.720 --> 0:17:55.320
<v Speaker 1>each other um and uh and yeah, so I would

0:17:55.359 --> 0:17:59.080
<v Speaker 1>say that there there was definitely some like Hiro Duo,

0:17:59.320 --> 0:18:02.080
<v Speaker 1>Gundham wing Ocean she that I And it was the

0:18:02.119 --> 0:18:04.800
<v Speaker 1>same thing where it's like I started with like dipping

0:18:04.800 --> 0:18:06.919
<v Speaker 1>my even though again I'd already I had gone like

0:18:06.960 --> 0:18:08.600
<v Speaker 1>full tentacle porn, and I was like I need to

0:18:08.600 --> 0:18:10.800
<v Speaker 1>step back from this. So I was like, oh, this

0:18:10.880 --> 0:18:13.439
<v Speaker 1>is like kind of a nice love story and like

0:18:13.480 --> 0:18:16.679
<v Speaker 1>they kiss but it's not anything explicit, or maybe they

0:18:16.720 --> 0:18:18.680
<v Speaker 1>even just hold hands, but you know that. I then

0:18:18.680 --> 0:18:23.040
<v Speaker 1>I pivoted into full on pornography. But yeah, wow, what

0:18:23.119 --> 0:18:27.200
<v Speaker 1>about you, Chris. Yeah, so I started. I can remember

0:18:27.240 --> 0:18:31.320
<v Speaker 1>it like it was yesterday. Um, it was Naruto and

0:18:31.320 --> 0:18:38.639
<v Speaker 1>Sauce easily. And I definitely was kind of in the

0:18:38.720 --> 0:18:40.840
<v Speaker 1>similar trajectory of like, Okay, you know this is shown

0:18:40.840 --> 0:18:44.919
<v Speaker 1>and I, which is known to be not porn you know,

0:18:45.080 --> 0:18:48.720
<v Speaker 1>it's it's very light romance. It's about the romance, not

0:18:48.720 --> 0:18:52.000
<v Speaker 1>about the sex, you know. And so I was like, hmmm,

0:18:52.600 --> 0:18:54.960
<v Speaker 1>this is a little boring for me. I want something

0:18:54.960 --> 0:18:56.919
<v Speaker 1>a little bit more raunchy than this. I want to

0:18:56.920 --> 0:19:01.440
<v Speaker 1>see them actually do things. And so I looked further.

0:19:01.720 --> 0:19:03.560
<v Speaker 1>I found what I wanted, and I also found a

0:19:03.600 --> 0:19:05.600
<v Speaker 1>lot more narrowto ships, because I mean there's so many

0:19:05.680 --> 0:19:09.800
<v Speaker 1>characters in there. Obviously it's tread or show really um

0:19:09.880 --> 0:19:13.960
<v Speaker 1>awesome as Sen Sa Kakashi and Dha Sen say um.

0:19:14.520 --> 0:19:17.199
<v Speaker 1>And then I think that was kind of like my

0:19:17.280 --> 0:19:22.280
<v Speaker 1>gateway into ntai proper. And then my gateway into actual

0:19:22.680 --> 0:19:26.760
<v Speaker 1>porn with real people. There's this weird trajectory. I I'm

0:19:26.760 --> 0:19:29.840
<v Speaker 1>pretty sure I've told Emma this before on the podcast Live,

0:19:30.359 --> 0:19:34.959
<v Speaker 1>where I had this weird sense of like, oh, these

0:19:34.960 --> 0:19:37.120
<v Speaker 1>aren't real people, and so like I'm better than most

0:19:37.119 --> 0:19:39.320
<v Speaker 1>of the people that are actually watching actual porn, Like

0:19:39.640 --> 0:19:44.240
<v Speaker 1>that's for the really raunchy and sinful people in this world.

0:19:45.040 --> 0:19:48.280
<v Speaker 1>And then I just joined them. That's so funny to

0:19:48.359 --> 0:19:53.120
<v Speaker 1>be like I'm observing art. Yes, yes, that I think

0:19:53.119 --> 0:19:56.040
<v Speaker 1>that is exactly the attitude that that a lot of

0:19:56.040 --> 0:19:58.280
<v Speaker 1>people have is yeah, you're like, these these are drawings,

0:19:58.320 --> 0:20:01.560
<v Speaker 1>this is artwork. Somebody like took the time to do this.

0:20:01.960 --> 0:20:06.560
<v Speaker 1>I mean they are very beautiful, meticulous art, but also

0:20:06.600 --> 0:20:12.000
<v Speaker 1>boobies yep, yep. Um mine was I talked on y'all's podcast,

0:20:12.080 --> 0:20:15.919
<v Speaker 1>and mine was Vegeta and Boma from Dragon ball Z.

0:20:16.240 --> 0:20:18.520
<v Speaker 1>Because I think when you look for it's the same

0:20:18.560 --> 0:20:20.960
<v Speaker 1>reason you reach out and read fan fiction is when

0:20:20.960 --> 0:20:26.240
<v Speaker 1>you're looking up do Ginci is because you're looking for more.

0:20:27.320 --> 0:20:29.159
<v Speaker 1>You want to like see the things that they're not

0:20:29.200 --> 0:20:33.280
<v Speaker 1>showing on the show. Yes, exactly right, exactly right. Yeah,

0:20:33.760 --> 0:20:36.600
<v Speaker 1>So you're like, what what is happening when they're not fighting?

0:20:36.760 --> 0:20:41.800
<v Speaker 1>What is happening when the TV turns off? And so um.

0:20:41.840 --> 0:20:44.000
<v Speaker 1>So that's why I was looking at Vegeta Boma and

0:20:44.080 --> 0:20:48.879
<v Speaker 1>they have beautiful, great, also very sexual um strips, you know,

0:20:48.960 --> 0:20:53.240
<v Speaker 1>these manga strips of them. So we're actually going to

0:20:53.880 --> 0:20:58.400
<v Speaker 1>dive into the history of do Ginci right after this

0:21:06.600 --> 0:21:10.240
<v Speaker 1>and we're back. I'm still here with Emma and Chris.

0:21:10.359 --> 0:21:13.600
<v Speaker 1>We're trying to not be too spicies, just spicy enough

0:21:15.960 --> 0:21:17.880
<v Speaker 1>because y'all are gonna y'all are gonna go and look

0:21:17.880 --> 0:21:20.040
<v Speaker 1>at you know, we will tweet some of our favorites

0:21:20.080 --> 0:21:23.760
<v Speaker 1>that were allowed to allowed to post, so okay, so

0:21:23.800 --> 0:21:25.680
<v Speaker 1>we'll we'll get more into this as we get deeper

0:21:25.720 --> 0:21:28.920
<v Speaker 1>into the history of DOI. But one of the reasons

0:21:28.920 --> 0:21:33.879
<v Speaker 1>that do has been able to continue to exist without

0:21:34.119 --> 0:21:38.560
<v Speaker 1>any pushback from publishers is because it doesn't have mass

0:21:38.600 --> 0:21:44.240
<v Speaker 1>market distribution. Yeah, I mean that's true. They can sell

0:21:44.280 --> 0:21:48.280
<v Speaker 1>it though, because by so technically they are making money

0:21:48.359 --> 0:21:51.080
<v Speaker 1>off of To me, it kind of reminds me though,

0:21:51.119 --> 0:21:52.840
<v Speaker 1>like we were just talking about Comic Con, when you

0:21:52.880 --> 0:21:55.840
<v Speaker 1>go to artists Ali and the print of Iron Man

0:21:56.600 --> 0:21:59.199
<v Speaker 1>and so that artist is able to make you know

0:21:59.280 --> 0:22:02.200
<v Speaker 1>their own R in their style, but using an I

0:22:02.600 --> 0:22:05.120
<v Speaker 1>Marvel I P. But however they can make money off

0:22:05.160 --> 0:22:08.480
<v Speaker 1>of it, correct, Yeah. Yeah. Usually the way that I've

0:22:08.560 --> 0:22:11.520
<v Speaker 1>noticed that a lot of people sell it if they

0:22:11.840 --> 0:22:14.439
<v Speaker 1>decided to sell it online, you know, like publicly like

0:22:14.520 --> 0:22:18.679
<v Speaker 1>easily findable, is they won't name the I P that

0:22:18.720 --> 0:22:20.639
<v Speaker 1>it's from or the character. Right then it'll be like,

0:22:21.440 --> 0:22:23.240
<v Speaker 1>you know, if they're selling like a Sailor moon fan

0:22:24.960 --> 0:22:30.920
<v Speaker 1>at Princess something that reminds me of like in Mexico

0:22:30.920 --> 0:22:32.760
<v Speaker 1>there's dragon ball Z toys and it will just be

0:22:32.840 --> 0:22:36.679
<v Speaker 1>Power Up Man and it'll be like like it'll just

0:22:36.720 --> 0:22:39.680
<v Speaker 1>be like but it'll be Superman's body and Goku's hair.

0:22:40.000 --> 0:22:47.280
<v Speaker 1>It was amazing, amazing Golden Power Boy. Okay. So the

0:22:47.440 --> 0:22:50.639
<v Speaker 1>history of jo gin Shei. The pioneer among jo ginchi

0:22:50.720 --> 0:22:54.000
<v Speaker 1>magazines was actually Morning Bell. It was published in the

0:22:54.040 --> 0:22:58.159
<v Speaker 1>early Meiji period since eighteen seventy four. It's not a

0:22:58.200 --> 0:23:01.000
<v Speaker 1>literary magazine, but it played a big and spreading the

0:23:01.040 --> 0:23:04.840
<v Speaker 1>idea of dogin she So. The first magazine to publish

0:23:05.640 --> 0:23:09.000
<v Speaker 1>do gin Shei novels was Library of Odds and Ends.

0:23:09.040 --> 0:23:12.800
<v Speaker 1>It was founded in eighteen eighty five by writers Ozaki

0:23:12.880 --> 0:23:17.280
<v Speaker 1>Koyo and Yamada Bimo. That's pretty cool. Yeah, it was

0:23:17.320 --> 0:23:19.879
<v Speaker 1>all the way back then. Yeah. I also, I also

0:23:19.960 --> 0:23:21.920
<v Speaker 1>love the name Library of Odds and Ends. I think

0:23:21.920 --> 0:23:24.199
<v Speaker 1>that's such a cute name. I know, it sounds like

0:23:24.240 --> 0:23:26.560
<v Speaker 1>it could be like a cute Netflix show that they

0:23:26.640 --> 0:23:32.159
<v Speaker 1>like Visit Different. Yeah, it's it is. It's really interesting

0:23:32.200 --> 0:23:35.720
<v Speaker 1>to see people that are pioneering in the field of

0:23:36.560 --> 0:23:42.240
<v Speaker 1>like self publishing or publishing fan derivative works. It's amazing

0:23:42.320 --> 0:23:44.520
<v Speaker 1>to think, like, oh man, because I mean you think

0:23:44.560 --> 0:23:47.639
<v Speaker 1>about it, I'll bet that back in the day, in

0:23:47.680 --> 0:23:51.000
<v Speaker 1>the in the days of like the Greeks and Greek mythology,

0:23:51.160 --> 0:23:53.240
<v Speaker 1>there were people out there that were that were writing

0:23:53.280 --> 0:23:55.960
<v Speaker 1>fan fiction about the gods. I mean, that's basically what

0:23:56.000 --> 0:23:57.440
<v Speaker 1>it was. It was all just like word of mouth

0:23:57.480 --> 0:24:00.359
<v Speaker 1>stories being like, yo, if you heard this story about Zeus, no,

0:24:00.760 --> 0:24:03.840
<v Speaker 1>tell me more, you know, right, I mean, like he

0:24:04.080 --> 0:24:09.120
<v Speaker 1>owns the rights to that, No, yeah, exactly exactly. So

0:24:09.200 --> 0:24:12.760
<v Speaker 1>fast forward to Comic cat which is the world's largest

0:24:12.920 --> 0:24:15.920
<v Speaker 1>comic convention. Is that still true to this day? Yeah,

0:24:15.960 --> 0:24:19.600
<v Speaker 1>Oh definitely, I'm pretty sure. Yeah, it's certainly in terms

0:24:19.840 --> 0:24:23.680
<v Speaker 1>of the distribution of dojin Chi. Comic Cat is like

0:24:24.040 --> 0:24:28.800
<v Speaker 1>the event. Oh I would I would say that Comic

0:24:28.800 --> 0:24:31.200
<v Speaker 1>Cat is actually so well known that is actually featured

0:24:31.280 --> 0:24:35.880
<v Speaker 1>in like Slice of Life anime world, you know, like

0:24:36.080 --> 0:24:38.760
<v Speaker 1>especially right when when you have anime that's about like

0:24:39.119 --> 0:24:41.520
<v Speaker 1>manga cow or people that really love drawing, or people

0:24:41.560 --> 0:24:44.399
<v Speaker 1>that are into Yawi, which yes, there are animals that

0:24:44.480 --> 0:24:47.280
<v Speaker 1>are now about people that like Yawi. Yeah. Can you

0:24:47.280 --> 0:24:49.479
<v Speaker 1>tell people that Yeaowe is for people that don't know

0:24:49.560 --> 0:24:52.400
<v Speaker 1>yea and I would I would love to Danny think

0:24:52.480 --> 0:25:01.560
<v Speaker 1>so much. Um Yawe is basically manga that is implied

0:25:01.600 --> 0:25:06.960
<v Speaker 1>to be smutty that's usually between two men and with

0:25:07.200 --> 0:25:14.680
<v Speaker 1>very large hands. Funny, how funny? Um okay So. Comic Head,

0:25:14.760 --> 0:25:17.720
<v Speaker 1>which is the world's largest comic convention We've fast forward

0:25:18.200 --> 0:25:22.240
<v Speaker 1>uh century, is held twice a year in Tokyo, Japan,

0:25:22.359 --> 0:25:25.880
<v Speaker 1>and the first one was held in December with only

0:25:25.920 --> 0:25:30.560
<v Speaker 1>thirty two participating circles and an estimated six hundred attendees. However,

0:25:31.119 --> 0:25:36.160
<v Speaker 1>about eight of them were female, which I find so fascinating,

0:25:36.880 --> 0:25:40.920
<v Speaker 1>like scrapping, Yeah, because women were having a hard time

0:25:41.000 --> 0:25:45.720
<v Speaker 1>getting published. Imagine that, uh So, I think that is

0:25:45.760 --> 0:25:50.520
<v Speaker 1>why there is a lot of participation from women. And also,

0:25:50.760 --> 0:25:53.879
<v Speaker 1>as Chris and I've talked about pretty extensively even on

0:25:53.920 --> 0:25:55.880
<v Speaker 1>this episode of the podcast. Up to this point, there

0:25:56.040 --> 0:26:00.560
<v Speaker 1>is this big market for yahwee and shown and I stuff, um,

0:26:00.600 --> 0:26:04.639
<v Speaker 1>which wouldn't necessarily be published by publishers because you're dealing

0:26:04.680 --> 0:26:09.639
<v Speaker 1>with a taboo subject of homosexuality. Um. Even though a

0:26:09.640 --> 0:26:11.520
<v Speaker 1>lot of the time the shown and I and yahwe

0:26:11.600 --> 0:26:15.480
<v Speaker 1>stuff is a little problematic because it's really women projecting

0:26:15.680 --> 0:26:19.399
<v Speaker 1>their sexual fantasies into a scenario wherein there are no women.

0:26:19.480 --> 0:26:23.119
<v Speaker 1>It's gotten a lot better in more recent years. Um.

0:26:23.160 --> 0:26:26.320
<v Speaker 1>But yeah, I mean because because of that, it was

0:26:26.480 --> 0:26:29.800
<v Speaker 1>it was allowing women to put work out there to

0:26:29.960 --> 0:26:34.240
<v Speaker 1>be purchased by other women. Yeah. And that's the thing is,

0:26:34.280 --> 0:26:37.240
<v Speaker 1>I don't know if you like so much of um DOGENTI.

0:26:37.280 --> 0:26:40.000
<v Speaker 1>At least the ones that I am into is very romantic.

0:26:40.600 --> 0:26:43.560
<v Speaker 1>It's very like heavy. You can feel that even the men.

0:26:43.640 --> 0:26:45.560
<v Speaker 1>We talked about this on my episode of the show,

0:26:46.280 --> 0:26:48.440
<v Speaker 1>they are kind of drama in a feminine way. There's

0:26:48.600 --> 0:26:53.000
<v Speaker 1>so much really female gayzey boma and do a boma

0:26:53.000 --> 0:26:56.399
<v Speaker 1>and vegeta DOGENI. It's kind of amazing, especially when you

0:26:56.440 --> 0:27:00.399
<v Speaker 1>consider the fact that that dragon Ball on a base

0:27:00.560 --> 0:27:05.119
<v Speaker 1>level is marketed towards men, towards boards specifically. Um. But

0:27:05.200 --> 0:27:07.040
<v Speaker 1>the fact that you know, you do have all of

0:27:07.080 --> 0:27:09.480
<v Speaker 1>these women fans, I think that's another reason why you

0:27:09.560 --> 0:27:13.159
<v Speaker 1>do see so many um, dog Chi Car Doginci creators,

0:27:13.480 --> 0:27:16.800
<v Speaker 1>uh and Dogenci circles. So so like creators kind of

0:27:16.840 --> 0:27:19.520
<v Speaker 1>all come together when it comes to do Ginci, and

0:27:19.920 --> 0:27:24.399
<v Speaker 1>unlike in manga where typically it's the same person who's

0:27:24.440 --> 0:27:26.600
<v Speaker 1>drawing and writing the story, with Dogencia, a lot of

0:27:26.600 --> 0:27:28.600
<v Speaker 1>the time you will find like, oh, so and so

0:27:28.680 --> 0:27:30.680
<v Speaker 1>did the art, but some other person did the story

0:27:30.800 --> 0:27:33.800
<v Speaker 1>or somebody did the backgrounds, and like they're ultimately kind

0:27:33.800 --> 0:27:36.320
<v Speaker 1>of giving more credit than like a single manga car

0:27:36.400 --> 0:27:40.440
<v Speaker 1>who certainly has assistance. Um. But I think, yeah, it's

0:27:40.480 --> 0:27:43.640
<v Speaker 1>like you're also dealing with all of these women that

0:27:43.920 --> 0:27:50.919
<v Speaker 1>enjoy uh media that is more targeted towards men, but

0:27:50.960 --> 0:27:53.280
<v Speaker 1>they're getting something out of it, and so, as you say, Danny,

0:27:53.320 --> 0:27:55.520
<v Speaker 1>like they want to write those stories of what we're

0:27:55.520 --> 0:27:59.320
<v Speaker 1>not seeing when they're not fighting. You know, Yeah, it's

0:27:59.359 --> 0:28:01.479
<v Speaker 1>kind of the sense of removing the male gaze and

0:28:01.560 --> 0:28:06.760
<v Speaker 1>just really making work that appeals to that sensibility, right,

0:28:06.760 --> 0:28:12.320
<v Speaker 1>because you know, obviously probably men were still uh inserting

0:28:12.320 --> 0:28:15.720
<v Speaker 1>themselves into everything back then. So which isn't to say

0:28:15.760 --> 0:28:20.760
<v Speaker 1>that there's not a lot of really weird you know,

0:28:22.640 --> 0:28:25.680
<v Speaker 1>objectifying of women that happens in do jin chi and

0:28:25.720 --> 0:28:28.320
<v Speaker 1>stuff that's really male gazey. Oh, that is very much

0:28:28.359 --> 0:28:33.440
<v Speaker 1>out there as well, absolutely, um, and I think, oh sorry, Um,

0:28:33.480 --> 0:28:35.359
<v Speaker 1>I just wanted to also mention, like I wanted to

0:28:35.560 --> 0:28:40.080
<v Speaker 1>kind of emphasize how secretive this whole especially, Yeah, we

0:28:40.160 --> 0:28:43.200
<v Speaker 1>had to be back then, right, because it even came

0:28:43.200 --> 0:28:45.960
<v Speaker 1>in the term which we discussed in our podcast of

0:28:46.000 --> 0:28:49.120
<v Speaker 1>the term fujoshi, which is referring to the women that

0:28:49.240 --> 0:28:54.440
<v Speaker 1>enjoy Yawi and shann and I, and basically, roughly translated,

0:28:54.480 --> 0:28:59.800
<v Speaker 1>it means rotten women like rotten, like like fermented rotten,

0:28:59.840 --> 0:29:04.080
<v Speaker 1>you know, like ye smelly smelly. Yeah. So so okay,

0:29:04.120 --> 0:29:11.640
<v Speaker 1>so women who enjoy gay art essentially as run. But

0:29:11.840 --> 0:29:14.840
<v Speaker 1>is that term also for the men or is it

0:29:14.920 --> 0:29:18.600
<v Speaker 1>just the women that are So it's it's a really interesting, uh,

0:29:18.840 --> 0:29:22.240
<v Speaker 1>this situation because you know, we've talked a lot about

0:29:22.280 --> 0:29:25.600
<v Speaker 1>shoon and I in about Yahwi, which is created almost

0:29:25.640 --> 0:29:31.240
<v Speaker 1>exclusively by women and for women. There's another completely separate

0:29:31.880 --> 0:29:38.040
<v Speaker 1>subset of like gay porn effectively in the dogon Chi market,

0:29:38.040 --> 0:29:41.560
<v Speaker 1>which is bata, which is like fours that is actually

0:29:41.600 --> 0:29:46.840
<v Speaker 1>created like four gay men. It's very it's very interesting. Okay,

0:29:46.920 --> 0:29:50.760
<v Speaker 1>So I wasn't aware that Yeahwi was mainly for what

0:29:51.320 --> 0:29:54.600
<v Speaker 1>it's for women and it's almost exclusively created by women.

0:29:55.200 --> 0:29:58.080
<v Speaker 1>I did not, I know, isn't that fascinating? Well, Chris,

0:29:58.160 --> 0:30:00.200
<v Speaker 1>I mean, I hope this is okay because we're such

0:30:00.240 --> 0:30:02.480
<v Speaker 1>close friends. But like, was that I mean when you

0:30:02.480 --> 0:30:04.880
<v Speaker 1>said that you were watching Yeah, like are looking at

0:30:04.960 --> 0:30:08.000
<v Speaker 1>yahwe like when you were maybe before you came out

0:30:08.120 --> 0:30:11.560
<v Speaker 1>or whatever. Like I guess I'm trying to say, like

0:30:11.880 --> 0:30:14.040
<v Speaker 1>is it since it's just for women, but it seems

0:30:14.080 --> 0:30:16.000
<v Speaker 1>like a lot of gay men are consuming it and

0:30:16.040 --> 0:30:18.600
<v Speaker 1>finding Yeah. Absolutely, I mean, you know, obviously, I definitely

0:30:18.600 --> 0:30:20.440
<v Speaker 1>think we're in a point right now where a lot

0:30:20.440 --> 0:30:23.840
<v Speaker 1>of men have been inspired by yeawe that was originally

0:30:23.840 --> 0:30:25.920
<v Speaker 1>started by women, and now there are plenty of gay

0:30:26.080 --> 0:30:29.719
<v Speaker 1>artists that I do follow that um also participate in

0:30:30.520 --> 0:30:35.080
<v Speaker 1>this Yahwe seen. But um, yeah, definitely, I think it

0:30:35.120 --> 0:30:38.080
<v Speaker 1>would be more apt to kind of talk about. I

0:30:38.120 --> 0:30:40.600
<v Speaker 1>think M also has plenty of examples to about just

0:30:40.640 --> 0:30:44.880
<v Speaker 1>like kind of the maybe the aspects of problematic nous

0:30:44.920 --> 0:30:47.200
<v Speaker 1>that we've seen, because I think they're pretty common. Like

0:30:47.360 --> 0:30:50.640
<v Speaker 1>the most common that I've seen is like two guys

0:30:50.680 --> 0:30:52.800
<v Speaker 1>and then this guy who's like, you know, a ladies man.

0:30:52.880 --> 0:30:54.960
<v Speaker 1>He's like, oh, you know, I usually don't go for guys,

0:30:55.000 --> 0:31:01.320
<v Speaker 1>but it's a common trope in porn. Yeah. Yeah. Another

0:31:01.680 --> 0:31:04.400
<v Speaker 1>thing that comes up a lot I feel like is

0:31:04.800 --> 0:31:09.960
<v Speaker 1>again it's even though it is two men, they're still

0:31:10.080 --> 0:31:13.920
<v Speaker 1>very clearly defined roles as far as like who the

0:31:14.000 --> 0:31:17.160
<v Speaker 1>more feminine one is the more submissive one, in which

0:31:17.160 --> 0:31:20.280
<v Speaker 1>one is the like dude in this relationship. And as

0:31:20.320 --> 0:31:24.200
<v Speaker 1>I say, like, this is something that has gotten better

0:31:24.280 --> 0:31:27.680
<v Speaker 1>over time. Um, but you know, especially if you look

0:31:27.680 --> 0:31:31.160
<v Speaker 1>at some some early examples, it's like, okay, well, all right,

0:31:31.400 --> 0:31:36.000
<v Speaker 1>this is about two men, but really it's about women

0:31:36.040 --> 0:31:39.840
<v Speaker 1>being okay with enjoying sex. Like truly, that's what I

0:31:39.880 --> 0:31:43.240
<v Speaker 1>think of, you know, and you prefaced this before we

0:31:43.280 --> 0:31:46.080
<v Speaker 1>got you know, at the top of this times. But digen,

0:31:46.160 --> 0:31:48.920
<v Speaker 1>she is not just sexual, No, it's not at all,

0:31:49.080 --> 0:31:51.800
<v Speaker 1>Like there are their entire threads and volumes that don't

0:31:51.840 --> 0:31:55.200
<v Speaker 1>have sex. It's just when you're this is often a

0:31:55.240 --> 0:31:58.240
<v Speaker 1>lot of kids that are into anime. It's kind of

0:31:58.240 --> 0:32:00.720
<v Speaker 1>like what we're all saying, like this is our the

0:32:00.800 --> 0:32:04.440
<v Speaker 1>break between this and like actual people are watching ports

0:32:04.480 --> 0:32:06.600
<v Speaker 1>like when we're exploring I think I found it in

0:32:06.640 --> 0:32:09.440
<v Speaker 1>middle school, and so you're kind of just like, who

0:32:09.440 --> 0:32:11.840
<v Speaker 1>are these characters that I trust? Right? It feels like

0:32:11.880 --> 0:32:14.840
<v Speaker 1>a safe space because this is like your your animated

0:32:14.840 --> 0:32:17.160
<v Speaker 1>show that you're into, but it has some adult themes

0:32:17.200 --> 0:32:21.480
<v Speaker 1>most anime does, um, and so now you're kind of saying, like, oh,

0:32:21.520 --> 0:32:24.240
<v Speaker 1>this is their dating life. Okay, so this is okay,

0:32:24.240 --> 0:32:25.960
<v Speaker 1>they've gone on a couple of dates now and they

0:32:26.120 --> 0:32:29.320
<v Speaker 1>like each other, and now they're gonna possibly explore sleeping together.

0:32:29.440 --> 0:32:33.480
<v Speaker 1>Like it's kind of like y a novel, like totally,

0:32:33.720 --> 0:32:36.520
<v Speaker 1>so they're not all yeah, they're not all sexual, and

0:32:36.520 --> 0:32:38.080
<v Speaker 1>like I really do want to say that it's a

0:32:38.080 --> 0:32:40.880
<v Speaker 1>lot of them is just like regular comic books. Yeah,

0:32:42.240 --> 0:32:43.680
<v Speaker 1>and even as you say some of the ones that

0:32:43.840 --> 0:32:49.360
<v Speaker 1>are are sexual, it does have that gradual build up

0:32:49.440 --> 0:32:52.560
<v Speaker 1>two characters being intimate with one another, and so I

0:32:52.600 --> 0:32:55.720
<v Speaker 1>you know, I think as far as do Ginci goes

0:32:57.960 --> 0:33:03.320
<v Speaker 1>in some ways, Japan ends almost more respectful of fan

0:33:03.360 --> 0:33:08.320
<v Speaker 1>derivative works than the US is because again, as we saw,

0:33:10.160 --> 0:33:13.480
<v Speaker 1>this kind of publication has been going on in Japan

0:33:13.760 --> 0:33:20.320
<v Speaker 1>since the hundreds, um, which is crazy. Uh, but which

0:33:20.400 --> 0:33:22.360
<v Speaker 1>isn't to say that it hasn't been happening in the US.

0:33:22.400 --> 0:33:24.920
<v Speaker 1>And certainly, you know, early examples of fan fiction and

0:33:25.000 --> 0:33:27.440
<v Speaker 1>things in order to get any sort of distribution prior

0:33:27.440 --> 0:33:30.560
<v Speaker 1>to the Internet would appear in things like science fiction

0:33:30.600 --> 0:33:34.680
<v Speaker 1>magazines and other little publications like that. Um. But I

0:33:34.720 --> 0:33:40.480
<v Speaker 1>think that there's this weird stigma in the US against

0:33:40.480 --> 0:33:43.680
<v Speaker 1>fan fiction that is getting better of like that somehow

0:33:43.840 --> 0:33:47.120
<v Speaker 1>it does not take skill, it is not art and

0:33:47.360 --> 0:33:51.160
<v Speaker 1>yeah in some respects sure, but but Japan really has

0:33:51.160 --> 0:33:55.440
<v Speaker 1>this attitude with Ginchy of well, these artists need to

0:33:55.520 --> 0:33:59.360
<v Speaker 1>get experience. Uh, they need to get some kind of exposure.

0:33:59.440 --> 0:34:03.960
<v Speaker 1>And so you know, big publishing companies are absolutely looking

0:34:04.000 --> 0:34:06.240
<v Speaker 1>at what's out there in the dogen C market and going, hey,

0:34:06.280 --> 0:34:08.120
<v Speaker 1>this person is really good. We should hire them to

0:34:08.160 --> 0:34:11.200
<v Speaker 1>do something. And in addition to again providing you with

0:34:11.239 --> 0:34:14.680
<v Speaker 1>an outlet to just create and not have to worry

0:34:14.680 --> 0:34:17.080
<v Speaker 1>about creating the world just taking characters that you already

0:34:17.080 --> 0:34:19.400
<v Speaker 1>know when you already like all of that is really positive.

0:34:19.440 --> 0:34:21.920
<v Speaker 1>And then, as you say, Danny, there is the sexual

0:34:21.960 --> 0:34:24.120
<v Speaker 1>aspect of it as well, because again it is not

0:34:24.200 --> 0:34:28.880
<v Speaker 1>exclusively adult in nature, but the stuff that is you

0:34:29.520 --> 0:34:32.040
<v Speaker 1>as a teen, because I'm I'm the same as you.

0:34:32.120 --> 0:34:34.640
<v Speaker 1>I think I read my first Dogen when I was

0:34:34.680 --> 0:34:37.600
<v Speaker 1>in middle school or early high school, and you are

0:34:37.760 --> 0:34:40.759
<v Speaker 1>then able to kind of like explore your sexuality in

0:34:40.800 --> 0:34:44.560
<v Speaker 1>a really safe way, yeah, and talk to the most

0:34:44.600 --> 0:34:48.359
<v Speaker 1>of like the places that I would UM frequent had

0:34:48.440 --> 0:34:51.279
<v Speaker 1>like chat rooms and stuff that I was I was

0:34:51.320 --> 0:34:54.000
<v Speaker 1>in and we would talk about the DOGENTI that we

0:34:54.040 --> 0:34:55.800
<v Speaker 1>had read, or the fan fiction that we read. We

0:34:55.800 --> 0:34:57.920
<v Speaker 1>would link the fan fiction that we liked, and it's

0:34:57.960 --> 0:35:00.680
<v Speaker 1>just you know, I was just thinking about this as

0:35:00.800 --> 0:35:03.600
<v Speaker 1>I'm like working on this show right now that is

0:35:04.000 --> 0:35:09.879
<v Speaker 1>has middle schoolers as the main um characters, and it's

0:35:09.880 --> 0:35:12.239
<v Speaker 1>really fascinating because it's such an necessary you know, they're

0:35:12.239 --> 0:35:15.680
<v Speaker 1>not quite a little kids anymore, You're not quite they're

0:35:15.680 --> 0:35:19.320
<v Speaker 1>not quite adults, and like it's still a necessary conversation

0:35:19.480 --> 0:35:21.680
<v Speaker 1>for both middle school and high school. I think the

0:35:21.840 --> 0:35:25.239
<v Speaker 1>hands off approach of like pretending that they're not going

0:35:25.280 --> 0:35:28.840
<v Speaker 1>to get you know, exploring or whatever is so not helpful,

0:35:29.280 --> 0:35:31.399
<v Speaker 1>and even a lot of times people try to spin

0:35:31.480 --> 0:35:34.200
<v Speaker 1>it to be perverse, like, well, you're talking about kids

0:35:34.200 --> 0:35:36.440
<v Speaker 1>and sex like no, but also I lost my virginia

0:35:36.480 --> 0:35:38.040
<v Speaker 1>when I was a teenager, and it would be great

0:35:38.080 --> 0:35:40.040
<v Speaker 1>if I had. You know, a lot of those are

0:35:40.120 --> 0:35:44.160
<v Speaker 1>virginities as teenagers, and like it's in most media, most

0:35:44.200 --> 0:35:46.759
<v Speaker 1>shows that you watch about high schoolers or college I

0:35:46.800 --> 0:35:49.640
<v Speaker 1>mean or college kids. But like most shows that you

0:35:49.680 --> 0:35:53.040
<v Speaker 1>watch that have high schoolers or movies that have high schoolers,

0:35:53.760 --> 0:35:57.279
<v Speaker 1>they're exploring, and I think that it's instead of hands off,

0:35:57.360 --> 0:35:59.200
<v Speaker 1>like you can't watch this, you can't look at this,

0:35:59.320 --> 0:36:02.120
<v Speaker 1>you can't whatever, is more like, let me make sure

0:36:02.160 --> 0:36:04.920
<v Speaker 1>you have the resources so you know what consent is,

0:36:04.960 --> 0:36:09.319
<v Speaker 1>so you know what um you know protection and think

0:36:09.400 --> 0:36:12.480
<v Speaker 1>like I'm just so in the opposite direction where I'm

0:36:12.560 --> 0:36:14.040
<v Speaker 1>very like and that's what I mean when I say

0:36:14.080 --> 0:36:16.400
<v Speaker 1>sex positive, and it's like, you know, I lost my

0:36:16.440 --> 0:36:20.239
<v Speaker 1>virginity to another teenager, so it wasn't like you know

0:36:20.360 --> 0:36:23.320
<v Speaker 1>those things to and that's okay, And we need to

0:36:23.480 --> 0:36:27.440
<v Speaker 1>like normalize having these conversations about like not. I mean,

0:36:27.480 --> 0:36:29.560
<v Speaker 1>I had to hide everything from my parents. And I

0:36:29.600 --> 0:36:32.200
<v Speaker 1>think I think that's why people when they hear di

0:36:32.360 --> 0:36:35.200
<v Speaker 1>Genti or anime. Even when they hear anime, they immediately

0:36:35.200 --> 0:36:40.320
<v Speaker 1>think of tentacle, tentacle porn and hent I like um,

0:36:40.400 --> 0:36:43.040
<v Speaker 1>and it's just seen as like that's one aspect of it.

0:36:43.640 --> 0:36:47.799
<v Speaker 1>It's just kind of exploring these relate what dating is

0:36:47.920 --> 0:36:50.279
<v Speaker 1>like when you're in middle school in high school, you

0:36:50.400 --> 0:36:52.799
<v Speaker 1>I think my first boyfriend, you know, we only like

0:36:52.960 --> 0:36:55.080
<v Speaker 1>mad my made out or whatever. But like I think

0:36:55.120 --> 0:36:57.919
<v Speaker 1>my first boyfriend was in middle school, and so it's

0:36:57.960 --> 0:37:02.440
<v Speaker 1>like you're starting to develop. And even if my parents

0:37:02.440 --> 0:37:03.759
<v Speaker 1>were like, no, don't do it, I'm still going to

0:37:03.880 --> 0:37:07.200
<v Speaker 1>do it. And so it's just like allowing kids to

0:37:07.280 --> 0:37:12.680
<v Speaker 1>have art and literature that is, treats them like in

0:37:12.680 --> 0:37:15.279
<v Speaker 1>a respectable way of what they're dealing with and not

0:37:15.360 --> 0:37:19.640
<v Speaker 1>like they're dumb, like you know, idiot said, don't know

0:37:19.680 --> 0:37:22.000
<v Speaker 1>what's going on. That's a really good point because I

0:37:22.080 --> 0:37:25.960
<v Speaker 1>never really thought about it. But really it was do

0:37:26.160 --> 0:37:29.680
<v Speaker 1>Ginci that gave me a sense of representation actually for

0:37:29.680 --> 0:37:32.480
<v Speaker 1>the first time in my right sure. Yeah, like like

0:37:32.560 --> 0:37:36.000
<v Speaker 1>literally it was fan works. Yeah, and so there needs

0:37:36.080 --> 0:37:38.320
<v Speaker 1>to be, like I think, just a level of respect

0:37:38.400 --> 0:37:40.359
<v Speaker 1>for this art and think of the people that are

0:37:40.440 --> 0:37:44.360
<v Speaker 1>making them. They probably are also dealing with those issues

0:37:44.360 --> 0:37:49.840
<v Speaker 1>of sexual identity, totally interpression, oppression, not being able to

0:37:49.880 --> 0:37:52.160
<v Speaker 1>come out to their family. So this has definitely been

0:37:52.200 --> 0:37:54.719
<v Speaker 1>a safe space. I feel for a lot of us.

0:37:55.560 --> 0:37:57.600
<v Speaker 1>We have to take a really quick break, so much

0:37:57.600 --> 0:38:01.120
<v Speaker 1>more to talk about. We're gonna talk about a little

0:38:01.160 --> 0:38:04.000
<v Speaker 1>bit more of its history and the future. Right after

0:38:04.080 --> 0:38:13.080
<v Speaker 1>these messages we are back. I'm still here with Emma

0:38:13.280 --> 0:38:17.520
<v Speaker 1>and Chris. So for people that are new to do Genti, like,

0:38:17.600 --> 0:38:20.200
<v Speaker 1>what is this word? They keep saying, what are some

0:38:20.719 --> 0:38:26.440
<v Speaker 1>like famous anime that have really cool do Genti that

0:38:26.480 --> 0:38:28.120
<v Speaker 1>you would be like, Oh, if you're into this, you

0:38:28.120 --> 0:38:33.320
<v Speaker 1>should check out this. Okay, Listen, I went full tilt

0:38:33.480 --> 0:38:37.399
<v Speaker 1>into do Gentci again as as an adult, again as

0:38:37.440 --> 0:38:40.240
<v Speaker 1>a as a teen. I was real good at the Internet.

0:38:40.280 --> 0:38:41.840
<v Speaker 1>I was fine at all this do Genti. I was

0:38:41.880 --> 0:38:44.319
<v Speaker 1>reading that that gunn Bing stuff, I was reading the

0:38:44.440 --> 0:38:48.480
<v Speaker 1>dragon Ball, sailor Moon all of it. What really tilted

0:38:48.520 --> 0:38:55.040
<v Speaker 1>me right back into it because actually, ury on Ice nice. Okay,

0:38:55.040 --> 0:38:58.360
<v Speaker 1>So some people that don't know that can you explain

0:38:58.360 --> 0:39:00.080
<v Speaker 1>it to ury on ice is a gay fake your

0:39:00.120 --> 0:39:06.640
<v Speaker 1>skating anime. It's beautiful and it also was kind of

0:39:08.239 --> 0:39:10.680
<v Speaker 1>I don't want to say revolutionary, but it was important

0:39:10.880 --> 0:39:16.839
<v Speaker 1>from the perspective of it. Really was it amidst all

0:39:16.880 --> 0:39:19.000
<v Speaker 1>of the amazing figure skating drama. By the way, I

0:39:19.040 --> 0:39:21.239
<v Speaker 1>watched this show like it was real figure skating. I

0:39:21.320 --> 0:39:24.480
<v Speaker 1>was like freaking out when people would skate. Um. But

0:39:24.520 --> 0:39:27.960
<v Speaker 1>there is this very wholesome gay love story in it

0:39:28.120 --> 0:39:32.120
<v Speaker 1>that's not really refuted. It's so interesting because there's a

0:39:32.120 --> 0:39:36.000
<v Speaker 1>scene in it where the two main characters kiss, but

0:39:36.120 --> 0:39:40.279
<v Speaker 1>like the like URI's just finished skating, and so like

0:39:40.360 --> 0:39:42.560
<v Speaker 1>Victor like jumps onto the ice to give him a hug,

0:39:42.719 --> 0:39:45.279
<v Speaker 1>and like the angle of his arm is such that

0:39:45.320 --> 0:39:47.000
<v Speaker 1>you can't see that the two of them are kissing.

0:39:47.400 --> 0:39:50.640
<v Speaker 1>But like, it was mostly Western fans that were like

0:39:51.120 --> 0:39:53.520
<v Speaker 1>that was a cheap shot and did the kiss I

0:39:53.520 --> 0:39:56.279
<v Speaker 1>don't know, And the creator was basically like, well it

0:39:56.360 --> 0:40:00.760
<v Speaker 1>was in Japan, nobody needed any additional confirmation. But again,

0:40:00.760 --> 0:40:03.720
<v Speaker 1>you're you're dealing with a with a disconnected cultures there, um,

0:40:03.840 --> 0:40:06.040
<v Speaker 1>I think. But yeah, so there's there's a lot of

0:40:06.040 --> 0:40:11.120
<v Speaker 1>real good Uryon Nice. Uh, there's a lot, there's a

0:40:11.200 --> 0:40:13.040
<v Speaker 1>lot of good do What about you, Chris, is there

0:40:13.040 --> 0:40:15.840
<v Speaker 1>anything that you would recommend for people to like google

0:40:15.920 --> 0:40:18.000
<v Speaker 1>or look up if they're like wanting to get into it.

0:40:19.000 --> 0:40:20.759
<v Speaker 1>That depends if they want to dip their toes and

0:40:20.800 --> 0:40:24.120
<v Speaker 1>if they want to jump in head first. What is

0:40:24.160 --> 0:40:27.439
<v Speaker 1>one that's like not sexual that you guys are like this?

0:40:27.600 --> 0:40:31.600
<v Speaker 1>You know anyone could read this well. I will say

0:40:31.680 --> 0:40:33.840
<v Speaker 1>that because I think that's one of the reasons that

0:40:33.960 --> 0:40:37.600
<v Speaker 1>I like the Yuryon Nice stuff is because it hasn't range. Um,

0:40:37.600 --> 0:40:39.799
<v Speaker 1>there's a lot of nice slice of life stories in there,

0:40:39.840 --> 0:40:42.520
<v Speaker 1>and there's there's a lot of nice hardcore stuff in

0:40:42.560 --> 0:40:46.479
<v Speaker 1>there too. Um, I would say, and again and again,

0:40:46.480 --> 0:40:50.360
<v Speaker 1>we're getting into that conversation of the it's teenagers, like

0:40:50.400 --> 0:40:53.600
<v Speaker 1>how can you how can you talk about teenagers sleeping

0:40:53.640 --> 0:40:55.279
<v Speaker 1>with each other? And that goes back to what you

0:40:55.320 --> 0:40:58.960
<v Speaker 1>were saying Danny Twilight. Yeah, although I guess he was

0:40:59.000 --> 0:41:04.520
<v Speaker 1>like three years you know what gross, But Twilight, like

0:41:04.560 --> 0:41:05.920
<v Speaker 1>when I think of sorry, I mean to cut you

0:41:05.960 --> 0:41:07.640
<v Speaker 1>off the phone, and I think the dogin that I

0:41:07.680 --> 0:41:11.400
<v Speaker 1>was into it was like adjacent to Twilight. It was

0:41:11.440 --> 0:41:14.600
<v Speaker 1>that heavy like Vampire, which they do have Vampire do Ginci.

0:41:15.080 --> 0:41:18.440
<v Speaker 1>It was like that, like will they won't they crawling

0:41:18.480 --> 0:41:21.560
<v Speaker 1>into her bedroom and that's like such a teenage like

0:41:21.600 --> 0:41:23.359
<v Speaker 1>we saw that in Scream. We saw that and clear

0:41:23.560 --> 0:41:26.400
<v Speaker 1>explains at all. It's like such a teenage trope, but

0:41:26.520 --> 0:41:28.200
<v Speaker 1>like that's what we think of teenagers, Like how am

0:41:28.239 --> 0:41:30.320
<v Speaker 1>I going to sneak out and get my teenage boyfriend?

0:41:30.360 --> 0:41:33.479
<v Speaker 1>And like I think in that context, it's like it's

0:41:34.160 --> 0:41:38.120
<v Speaker 1>you know, people are prudes, is what I'm saying. Totally totally.

0:41:38.880 --> 0:41:40.799
<v Speaker 1>I was just gonna say, there's a lot there's a

0:41:40.840 --> 0:41:43.400
<v Speaker 1>lot of really good my hero Academia do Ginci. That

0:41:43.560 --> 0:41:45.840
<v Speaker 1>is I was gonna say, that's just about like the

0:41:45.880 --> 0:41:49.000
<v Speaker 1>relationship between the characters. Now, be warned if if you're

0:41:49.040 --> 0:41:52.360
<v Speaker 1>freaked out, and I respect it that you're like, but

0:41:52.440 --> 0:41:54.840
<v Speaker 1>they're teenagers. I don't want to see any sexy stuff

0:41:54.840 --> 0:41:58.759
<v Speaker 1>with teenagers and I get that. I respect that, But again,

0:41:58.760 --> 0:42:03.040
<v Speaker 1>it's like it is largely teenagers hooking up with other

0:42:03.160 --> 0:42:08.600
<v Speaker 1>people their own age. So but I just be aware,

0:42:08.680 --> 0:42:10.319
<v Speaker 1>is what I'm saying. But there's there's a lot of

0:42:10.320 --> 0:42:13.040
<v Speaker 1>good not sexy stuff there as well. Um, and just

0:42:13.120 --> 0:42:16.839
<v Speaker 1>some really good, good art. And I want to say,

0:42:16.840 --> 0:42:19.120
<v Speaker 1>if you're a parent instead of being like my parents

0:42:19.160 --> 0:42:22.040
<v Speaker 1>who got sex books from the library and just left

0:42:22.040 --> 0:42:24.960
<v Speaker 1>them in my bedroom, um, and didn't talk to me

0:42:25.000 --> 0:42:28.000
<v Speaker 1>about them, just like rented them and put them out there.

0:42:28.160 --> 0:42:31.120
<v Speaker 1>And it was, you know, two couples like going at

0:42:31.160 --> 0:42:33.000
<v Speaker 1>it or like this is what happens when you grow

0:42:33.120 --> 0:42:37.640
<v Speaker 1>start growing hair here, Um, you can always give you know,

0:42:38.200 --> 0:42:44.000
<v Speaker 1>give give these more. Um why a focused art and

0:42:44.239 --> 0:42:51.280
<v Speaker 1>comics to your teen who is you know, exploring or whatever? Um,

0:42:51.320 --> 0:42:55.960
<v Speaker 1>so they feel seen and okay and and you know, yeah, yeah,

0:42:56.000 --> 0:42:58.320
<v Speaker 1>it's funny that you mentioned hair because in dog she

0:42:58.480 --> 0:43:00.799
<v Speaker 1>usually everybody is a smooth of the the baby's but

0:43:02.080 --> 0:43:09.000
<v Speaker 1>yeah everyone in waxes yeah. Um. But uh, to answer

0:43:09.040 --> 0:43:13.399
<v Speaker 1>your question, Danny, Um, I think I would say if

0:43:13.440 --> 0:43:15.759
<v Speaker 1>you know anime, if you have an anime that you like,

0:43:16.840 --> 0:43:18.959
<v Speaker 1>and if you know that it's popular, you most likely

0:43:19.360 --> 0:43:21.600
<v Speaker 1>will be able to find a very wide range of things.

0:43:21.680 --> 0:43:26.120
<v Speaker 1>Like M said, I think, just go to a reputable

0:43:26.960 --> 0:43:33.400
<v Speaker 1>um fan work site like my Reading Manga to be

0:43:33.480 --> 0:43:35.839
<v Speaker 1>aware of these webs The ads on these websites are

0:43:35.880 --> 0:43:39.120
<v Speaker 1>more aggressive than most of the content. That's very true.

0:43:39.120 --> 0:43:41.680
<v Speaker 1>I I block those out because I'm just so used

0:43:41.719 --> 0:43:46.200
<v Speaker 1>to it. Um. Uh yeah, my reading manga or another

0:43:46.239 --> 0:43:50.440
<v Speaker 1>site like that. Careful, you know, uh, don't go to

0:43:50.520 --> 0:43:55.520
<v Speaker 1>anything that looks to seed and don't any links the

0:43:55.560 --> 0:43:58.840
<v Speaker 1>filtering use the filtering functions, they're very great. They have

0:43:58.880 --> 0:44:01.040
<v Speaker 1>filtering functions about what you can search up shown an

0:44:01.080 --> 0:44:05.919
<v Speaker 1>eye or b L and not search for smut borne

0:44:06.880 --> 0:44:09.560
<v Speaker 1>Um are there any so this is a great question

0:44:09.680 --> 0:44:14.239
<v Speaker 1>from Joel Monique, producer. Are there any characters whose work

0:44:14.320 --> 0:44:18.040
<v Speaker 1>better in Dogenti than in their original book? Or? Oh? Crap?

0:44:20.800 --> 0:44:23.239
<v Speaker 1>I think that's such an interesting question, right, because the

0:44:23.320 --> 0:44:25.919
<v Speaker 1>reason why people would make a Dogenti about a work

0:44:26.080 --> 0:44:27.880
<v Speaker 1>is because they really resonate with the characters to the

0:44:27.880 --> 0:44:31.200
<v Speaker 1>point that where they would want to labor over drawing

0:44:31.280 --> 0:44:35.960
<v Speaker 1>them and write an entirely new story, because doing both

0:44:36.080 --> 0:44:40.200
<v Speaker 1>drawing and writing the story and all of that is

0:44:40.200 --> 0:44:43.440
<v Speaker 1>a lot of work. So yeah, I don't know if

0:44:43.480 --> 0:44:49.239
<v Speaker 1>it's so much that like they necessarily work better in

0:44:49.520 --> 0:44:52.319
<v Speaker 1>the fan derivative works. However, I will say, you know,

0:44:52.360 --> 0:44:55.520
<v Speaker 1>bringing it back to something like for me in my

0:44:55.520 --> 0:44:58.879
<v Speaker 1>my early Dogenti reading days with like a Gundam wing

0:44:59.280 --> 0:45:01.759
<v Speaker 1>part of the reason that show was so successful is

0:45:01.760 --> 0:45:08.400
<v Speaker 1>because there was this really dedicated uh female fan base

0:45:08.520 --> 0:45:12.040
<v Speaker 1>around it that we're creating all of this shown and

0:45:12.120 --> 0:45:16.120
<v Speaker 1>I and this yahwe content around it, um and and

0:45:16.160 --> 0:45:19.120
<v Speaker 1>again and it it wasn't even so much alike, oh

0:45:19.239 --> 0:45:23.840
<v Speaker 1>this is better. But you know, listen, the show was animated,

0:45:24.920 --> 0:45:27.399
<v Speaker 1>so at the time you would get a lot more

0:45:27.560 --> 0:45:31.440
<v Speaker 1>like detail in terms of drawing the characters faces, uh

0:45:31.520 --> 0:45:35.799
<v Speaker 1>and such in manga. Um. And so for for me,

0:45:35.920 --> 0:45:38.560
<v Speaker 1>like reading some of that DOGENTI I'm like, I'm like, dang,

0:45:38.719 --> 0:45:41.520
<v Speaker 1>Like Zex looks pretty good in uh in the show,

0:45:41.560 --> 0:45:46.680
<v Speaker 1>but he looks real good here. Yeah. Yeah, I would

0:45:46.719 --> 0:45:48.640
<v Speaker 1>say that. I don't know if I've ever seen a

0:45:48.719 --> 0:45:51.360
<v Speaker 1>work that I feel like it's better because but I

0:45:51.360 --> 0:45:55.040
<v Speaker 1>think there's a sense of building off of something that's

0:45:55.040 --> 0:45:57.200
<v Speaker 1>a good foundation, right, because it's kind of like how

0:45:59.480 --> 0:46:03.400
<v Speaker 1>not re anime is like Ryan Ice, where it's the

0:46:03.520 --> 0:46:07.080
<v Speaker 1>romance is clearly clearly there. There are a lot of

0:46:07.680 --> 0:46:11.160
<v Speaker 1>works where an ems that are about subtext and purely

0:46:11.200 --> 0:46:13.759
<v Speaker 1>subtext because you know it was made a while ago

0:46:13.840 --> 0:46:15.840
<v Speaker 1>or something, and you know it was not safe for

0:46:15.880 --> 0:46:21.400
<v Speaker 1>them to create something like that. Yeah, yeah, um or

0:46:21.719 --> 0:46:24.720
<v Speaker 1>so so so for me, it's more about like, oh

0:46:24.760 --> 0:46:28.520
<v Speaker 1>in these example is um Studio triggers pro Mayer, Right, Like,

0:46:29.080 --> 0:46:32.520
<v Speaker 1>there is subtext and something does implied to be there,

0:46:32.880 --> 0:46:36.880
<v Speaker 1>and so it's great that there is fan works that

0:46:36.920 --> 0:46:39.840
<v Speaker 1>exists to kind of turn that subtext into non subtext

0:46:39.920 --> 0:46:44.400
<v Speaker 1>and to make it real. Um, I know that this.

0:46:44.560 --> 0:46:48.440
<v Speaker 1>This is pretty cool that many Japanese publishing companies actually

0:46:48.440 --> 0:46:52.600
<v Speaker 1>sponsor annual manga competitions in which the winner is awarded

0:46:52.600 --> 0:46:56.280
<v Speaker 1>the publication of they're winning, so they're been a story,

0:46:56.360 --> 0:46:58.919
<v Speaker 1>so they'll end up publishing it. So are there other

0:46:59.080 --> 0:47:02.120
<v Speaker 1>stories that you've heard of Dogenci artists who end up

0:47:02.120 --> 0:47:04.920
<v Speaker 1>going on to being manga and animators. Oh yeah, I

0:47:04.920 --> 0:47:08.280
<v Speaker 1>mean the most famous example is Clamp Clamp who created

0:47:08.280 --> 0:47:14.160
<v Speaker 1>Cardcaper Soccer, um Cho Bitz, Tokyo Babylon like all like

0:47:14.239 --> 0:47:16.680
<v Speaker 1>they have a huge, huge body of work. Uh and

0:47:16.719 --> 0:47:19.000
<v Speaker 1>they were a do Ginci circle and to this day

0:47:19.040 --> 0:47:22.520
<v Speaker 1>they still all work together to publish all of their work. Um.

0:47:22.719 --> 0:47:24.799
<v Speaker 1>But I mean they they started they started off as

0:47:24.840 --> 0:47:27.040
<v Speaker 1>a Dogini circle. They were writing um Your Royd and

0:47:27.080 --> 0:47:30.719
<v Speaker 1>Samurai Troopers. Doin they were writing Devilman dojinci Um. You

0:47:30.760 --> 0:47:33.759
<v Speaker 1>can still find it. It's amazing. And then you know

0:47:34.160 --> 0:47:36.560
<v Speaker 1>they were so talented that they went on to be

0:47:36.880 --> 0:47:42.319
<v Speaker 1>like some of the most successful women uh manga car

0:47:42.840 --> 0:47:46.640
<v Speaker 1>that there are, yes, we stand love Car Caper Soccer

0:47:46.640 --> 0:47:52.240
<v Speaker 1>and code gas Um. And also it's so funny because

0:47:52.440 --> 0:47:56.040
<v Speaker 1>they've they've created such an interesting body of work that

0:47:56.120 --> 0:48:00.399
<v Speaker 1>they literally created Spasa Chronicles that literally takes ter from

0:48:00.400 --> 0:48:03.359
<v Speaker 1>the existing original ips and puts them together in its

0:48:03.360 --> 0:48:07.160
<v Speaker 1>own universe. It's very very funny and very epic. Well,

0:48:07.360 --> 0:48:10.400
<v Speaker 1>and I imagine this is like a portfolio for them,

0:48:10.600 --> 0:48:13.440
<v Speaker 1>Like it's a portfolio. And then it you know, amass

0:48:13.520 --> 0:48:19.440
<v Speaker 1>to having like thousands, sometimes millions of like readers. So

0:48:19.520 --> 0:48:22.120
<v Speaker 1>now that the digital now that we have things like

0:48:22.200 --> 0:48:25.160
<v Speaker 1>Patreon and other sites like has it because y'all own

0:48:25.239 --> 0:48:28.400
<v Speaker 1>physical copies of Digenti that you can order, but like

0:48:28.560 --> 0:48:31.919
<v Speaker 1>right right that you could, but like, how do people

0:48:31.960 --> 0:48:36.320
<v Speaker 1>now have their own type of It's it's really interesting

0:48:36.360 --> 0:48:40.440
<v Speaker 1>because I I have definitely seen that happen more and

0:48:40.480 --> 0:48:45.000
<v Speaker 1>more now with people that do have Patreons that they

0:48:45.080 --> 0:48:48.480
<v Speaker 1>will sort of publish full comics that are behind the

0:48:48.520 --> 0:48:55.040
<v Speaker 1>paywall of their patreon um, which is awesome. Um I

0:48:56.200 --> 0:48:58.880
<v Speaker 1>and and obviously you have things now like web tune

0:48:59.000 --> 0:49:03.840
<v Speaker 1>and there's just there's so many more ways that people

0:49:04.040 --> 0:49:10.960
<v Speaker 1>can distribute their original work and you know, get compensation

0:49:11.040 --> 0:49:15.200
<v Speaker 1>for it because of the Internet. Yeah, I I frequent

0:49:15.320 --> 0:49:20.560
<v Speaker 1>many a Patreon. That's all I'll say about that. UM, well,

0:49:20.600 --> 0:49:22.839
<v Speaker 1>will definitely y'all can shoot me over some of your

0:49:22.880 --> 0:49:26.799
<v Speaker 1>favorites and we can include links for everyone. Um this

0:49:26.840 --> 0:49:30.600
<v Speaker 1>has been a great intro to do ginshi one oh one,

0:49:30.800 --> 0:49:33.520
<v Speaker 1>just talking about you know, how it got started, how

0:49:33.560 --> 0:49:37.560
<v Speaker 1>we got started into hit um emma, where can everyone

0:49:37.560 --> 0:49:40.560
<v Speaker 1>catch you? You can find me all over the internet

0:49:41.040 --> 0:49:43.279
<v Speaker 1>at my name M A five wherever m A five's

0:49:43.280 --> 0:49:46.120
<v Speaker 1>are sold. I got a lot. I got a lot

0:49:46.160 --> 0:49:48.759
<v Speaker 1>of projects and things that I'm working on, a lot

0:49:48.760 --> 0:49:51.640
<v Speaker 1>of stuff that hasn't been announced yet, so I'm not

0:49:51.920 --> 0:49:55.120
<v Speaker 1>gonna announce it. So just make sure you're following me

0:49:55.360 --> 0:49:57.400
<v Speaker 1>on Twitter, and then also you can find me on

0:49:57.400 --> 0:49:59.439
<v Speaker 1>my twitch channel twitch dot tv slash m A five

0:49:59.520 --> 0:50:04.400
<v Speaker 1>I Tip Bickley stream Monday, Tuesday, Thursday, Friday, uh starting

0:50:04.440 --> 0:50:07.040
<v Speaker 1>at noon. Though because of other work stuff that I'm

0:50:07.040 --> 0:50:10.160
<v Speaker 1>working on right now, my schedule has been a little wonky. Uh.

0:50:10.360 --> 0:50:12.560
<v Speaker 1>So you know social media, it's the place to be

0:50:14.160 --> 0:50:17.640
<v Speaker 1>love it. What about you, Chris, Um, you can find

0:50:17.680 --> 0:50:22.080
<v Speaker 1>me anywhere at One Winged Chris. It's like one winged Angel,

0:50:22.120 --> 0:50:26.400
<v Speaker 1>like Zefroth. Uh. And also please catch me and Emma's

0:50:26.520 --> 0:50:33.320
<v Speaker 1>uh podcasting. I was trying to decide whether or I

0:50:33.320 --> 0:50:35.719
<v Speaker 1>should be like, wait, Emma, don't we have a podcast

0:50:36.600 --> 0:50:40.200
<v Speaker 1>just super super cheat cheese ad. Right? So Emma and

0:50:40.280 --> 0:50:45.160
<v Speaker 1>Chris have an entire podcast that's dedicated to jijen chi

0:50:45.400 --> 0:50:47.720
<v Speaker 1>and talking about it in their favorites. In each week

0:50:48.040 --> 0:50:49.960
<v Speaker 1>they bring on someone. I was on for one to

0:50:49.960 --> 0:50:52.600
<v Speaker 1>talk about vegeta and boma, which is my favorite pairing.

0:50:53.400 --> 0:50:57.799
<v Speaker 1>Um if he was also yeah, yeah, so and I

0:50:57.840 --> 0:51:01.719
<v Speaker 1>remember it was started. I think from a conversation that

0:51:01.760 --> 0:51:05.600
<v Speaker 1>we were all happy. Yeah, yeah it was Danny basically

0:51:05.760 --> 0:51:09.319
<v Speaker 1>had tweeted something saying like, don't send me porn. I

0:51:09.320 --> 0:51:12.239
<v Speaker 1>don't want it unless it's m R Gina Balmadog and

0:51:12.440 --> 0:51:16.200
<v Speaker 1>then please send the day. So I jumped in and

0:51:16.200 --> 0:51:18.680
<v Speaker 1>I was like, I would also like it. Uh. And

0:51:19.480 --> 0:51:21.520
<v Speaker 1>it's hard to It's not hard to find good ones,

0:51:21.560 --> 0:51:23.359
<v Speaker 1>but when you find good when you find good ones,

0:51:23.400 --> 0:51:27.320
<v Speaker 1>you're they're great and you want to Yeah, for sure. Um,

0:51:27.360 --> 0:51:29.880
<v Speaker 1>I am at miss Danny Fernandez on all the things.

0:51:29.960 --> 0:51:33.839
<v Speaker 1>Remember that I will be on sci Fi's The Great

0:51:33.880 --> 0:51:36.839
<v Speaker 1>Debate this month. I'm in two episodes. I'm not sure

0:51:36.840 --> 0:51:39.080
<v Speaker 1>exactly when they drop. I think I'm in this week's

0:51:39.160 --> 0:51:42.120
<v Speaker 1>maybe or next week's um, but I'm definitely in the

0:51:42.160 --> 0:51:45.640
<v Speaker 1>last episode, which we shot right the day that I

0:51:45.680 --> 0:51:48.239
<v Speaker 1>think we had to shelter in place, so there was

0:51:48.280 --> 0:51:52.680
<v Speaker 1>no studio audience on that last final episode. Very fascinating

0:51:52.800 --> 0:51:55.640
<v Speaker 1>and they also like checked our temperatures at the set

0:51:55.719 --> 0:51:57.600
<v Speaker 1>and like we were all set to go, and then

0:51:57.640 --> 0:52:01.120
<v Speaker 1>it was like are we going to do this? Um?

0:52:01.160 --> 0:52:03.439
<v Speaker 1>So it was all of us just making each other laugh.

0:52:03.480 --> 0:52:06.440
<v Speaker 1>It's a really good time and a really good show. So, um,

0:52:06.480 --> 0:52:08.480
<v Speaker 1>I don't know, if you see it, screenshot it for

0:52:08.680 --> 0:52:11.600
<v Speaker 1>me and tag me um, and we are going to

0:52:11.719 --> 0:52:14.560
<v Speaker 1>this week. We'll post some of our favorite do gin

0:52:14.640 --> 0:52:16.360
<v Speaker 1>cheese so you can see what we're talking about and

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<v Speaker 1>hopefully you can get into it too. And again supporting

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<v Speaker 1>independent artists. So yeah, like we always say, stay nerdy,