WEBVTT - Shanda Sharer

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<v Speaker 2>Hi, everyone, welcome back to Facing Evil. I'm Yvette Gentila

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<v Speaker 2>and I'm Rasha Paccuerrero. This week, we are talking about

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<v Speaker 2>a truly shocking case, and that's the case of Shonda Cherer, who,

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<v Speaker 2>at the age of twelve, was abducted, tortured, and killed

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<v Speaker 2>by four teenage girls. Yeah. This is a case of

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<v Speaker 2>teenage bullying gone completely off the deep in and it's

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<v Speaker 2>been the subject of at least two true crime books

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<v Speaker 2>and a play featuring Chloe Sabagnier, and many poems about

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<v Speaker 2>this as well.

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<v Speaker 3>And I think what fascinates everyone, or so it seems,

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<v Speaker 3>is how this crime was perpetuated by teenage girls. I

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<v Speaker 3>mean mean girls is an understatement on this case. It's

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<v Speaker 3>the original mean girls, right.

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<v Speaker 2>Yeah, And so we're going to be getting into that today,

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<v Speaker 2>and we're also going to be talking with our guest

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<v Speaker 2>who is a author and journalist. She is Aphrodite Jones,

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<v Speaker 2>and she's written a book about this case.

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<v Speaker 3>But first our producer Trevor is going to take us

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<v Speaker 3>through today's case.

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<v Speaker 4>Jackie Vaught's daughter Shanda, was kidnapped and murdered in nineteen

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<v Speaker 4>ninety two by four teenage girls.

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<v Speaker 1>Court testimony showed some of the girls had been abused

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<v Speaker 1>by their parents.

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<v Speaker 5>It turns into anger. If you keep that hurt and

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<v Speaker 5>don't let it go or don't forgive that person, that

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<v Speaker 5>hurt can turn into anger and hate, and I'll make

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<v Speaker 5>you do things that you would never really do. That evening,

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<v Speaker 5>there were four girls there that had a lot of

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<v Speaker 5>hatred inside of them, and it just all exploded.

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<v Speaker 1>Shanda Shearer was a twelve year old girl who was

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<v Speaker 1>killed in nineteen ninety two by four other girls in Madison, Indiana.

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<v Speaker 1>The year before, She and her family had just moved

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<v Speaker 1>to the nearby town of New Albany, Indiana. That fall,

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<v Speaker 1>she met a girl named Amanda Heron. Soon they began

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<v Speaker 1>exchanging romantic letters, and in October they went to a

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<v Speaker 1>dance together. At the dance, they were confronted by another

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<v Speaker 1>girl named Melinda Loveless. Loveless was older sixteen. The previous spring,

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<v Speaker 1>she and Amanda had been romantically involved, and although the

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<v Speaker 1>relationship had fizzled out, they had never formally ended things.

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<v Speaker 1>Seeing Amanda at the dance with someone else, Melinda got angry.

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<v Speaker 1>Melinda had a difficult home life with a violent and

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<v Speaker 1>sexually abusive father. She was close friends with seventeen year

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<v Speaker 1>old Laurie Tackett, who also had a difficult time at

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<v Speaker 1>home and had dropped out of high school that year.

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<v Speaker 1>Also in their orbit where two other girls named Hope

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<v Speaker 1>Rippy and Tony Lawrence, who were both fifteen years old.

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<v Speaker 1>The night of January tenth, nineteen ninety two, the four

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<v Speaker 1>girls were hanging out and Melinda Loveless told the girls

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<v Speaker 1>that she was going to use a knife to scare Shanda,

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<v Speaker 1>a girl they'd never met. She wanted to intimidate Shanda

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<v Speaker 1>for dating her girlfriend. The girls drove to Shanda's house,

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<v Speaker 1>where Tony Lawrence and Hope Rippy went to the door

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<v Speaker 1>and told Shanda they were friends of Amanda's and that

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<v Speaker 1>Amanda wanted to meet her at a building known locally

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<v Speaker 1>as the Witch's Castle, an abandoned stone house by the

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<v Speaker 1>Ohio River. When she got in the car with them,

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<v Speaker 1>Lawrence held a knife to Shanda's throat. The girls drove

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<v Speaker 1>to Witch's castle and dragged a sobbing Shanda inside. There,

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<v Speaker 1>Melinda Loveless tied Shanda's hands as Rippy taunted her with

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<v Speaker 1>the knife. The girls took her jewelry and a Mickey

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<v Speaker 1>Mouse watch that she was wearing. Later, Melinda Lovelass and

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<v Speaker 1>Lori Tackett made Shanda strip down to her underwear. Then

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<v Speaker 1>the girls began assaulting her, punching her and taking turns

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<v Speaker 1>stabbing her in the chest. Then they strangled her with

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<v Speaker 1>a rope until she passed out, and then put her

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<v Speaker 1>in the trunk. At one point, Shanda began screaming from

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<v Speaker 1>the trunk, and so Laurie Tackett went to go stab

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<v Speaker 1>her again with a pairing knife. Melinda Lovelace reportedly laughed

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<v Speaker 1>and bragged about the torture to her friends, and finally

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<v Speaker 1>the girls drove Shanda to a secluded area where they

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<v Speaker 1>poured gasoline on her and lit her on fire. Shanda's

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<v Speaker 1>body was found by two hunters and they alerted the police.

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<v Speaker 1>The next day. Hope, Rippy and Tony Lawrence went to

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<v Speaker 1>the county Sheriff's office and gave statements describing the night before.

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<v Speaker 1>They put most of the blame on Melinda Lovelace and

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<v Speaker 1>Lori Tackett. All four girls went to trial and entered

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<v Speaker 1>plea bargains to avoid the death penalty. Melinda and Laurie

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<v Speaker 1>were tried as adults and were both sentenced to sixty

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<v Speaker 1>years in prison. However, they were released on parole in

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<v Speaker 1>twenty nineteen and twenty eighteen, respectively. Hope Rippy received a

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<v Speaker 1>thirty five year sentence and was released on parole in

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<v Speaker 1>two thousand and eight. Tony Lawrence received twenty years and

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<v Speaker 1>was released on parole in two thousand and So what

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<v Speaker 1>led to the murder of Shanda Scherer and how could

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<v Speaker 1>four teenage girls be driven to torture and kill another

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<v Speaker 1>person so violently?

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<v Speaker 2>Hello?

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<v Speaker 3>Everyone, We are so pleased to welcome our guests for

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<v Speaker 3>today's case. Writer, journalist, and crime expert Afrodyite Jones is

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<v Speaker 3>here with us today. She has written a book on

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<v Speaker 3>the case of Shanda Sharer entitled Cruel Sacrifice. She's also

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<v Speaker 3>written numerous other true crime books, including The FBI Killer

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<v Speaker 3>and A Perfect Husband. Many of Aphrodite's books have been

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<v Speaker 3>made into films and television shows, and she even produced

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<v Speaker 3>her own show, True Crime with Aphrodite Jones, which ran

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<v Speaker 3>for six seasons on Investigation Discovery. The list of amazing

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<v Speaker 3>credentials goes on and on and on. So, without further ado,

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<v Speaker 3>Aphrodite a komo mai or welcome to facing evil.

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<v Speaker 4>Thank you. I've been used to facing evil my whole

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<v Speaker 4>professional life.

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<v Speaker 3>Oh you and us both, Aphrodite, who we got a

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<v Speaker 3>lot to talk about.

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<v Speaker 6>I'm like kidding when I say that.

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<v Speaker 4>You know that, right?

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<v Speaker 7>Yeah?

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<v Speaker 4>I know.

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<v Speaker 3>Well, now that we know a little bit about you, Aphrodite.

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<v Speaker 3>You know, of course we want to talk today about Shanna,

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<v Speaker 3>but we want to learn even more about you. So

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<v Speaker 3>we fell into true crime because of our lineage and

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<v Speaker 3>its connection to our mom's story. How did you fall

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<v Speaker 3>into true crime? Like how did you first get interested

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<v Speaker 3>in it?

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<v Speaker 4>Like?

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<v Speaker 2>What led you to this, you know, facing evil of

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<v Speaker 2>your own?

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<v Speaker 6>Well, it was it was honestly a calling for me.

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<v Speaker 4>It was a fluke. I was living in Kentucky, Appalaysia

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<v Speaker 4>at the time. I was a professor college and I

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<v Speaker 4>also did a radio gig because I always was involved

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<v Speaker 4>with media and broadcasting. So I was doing a radio

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<v Speaker 4>gig as well, and an FBI agent killed his lover

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<v Speaker 4>informant and became the first FBI agent in history and

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<v Speaker 4>still to this day to cop a murder plated manslaughter.

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<v Speaker 4>He led them to her bones. She was pregnant and

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<v Speaker 4>threatening him and mountain woman in other words, hillbilly right

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<v Speaker 4>back then, So I'm like, okay, where's the news the time,

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<v Speaker 4>I didn't have it. Newsweek had a blurb this big,

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<v Speaker 4>and I just understand, like, where's CNN? Where is everybody? Why?

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<v Speaker 4>This is a historic case. So I called my agent.

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<v Speaker 4>I had an agent, had Toady written a book about

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<v Speaker 4>the entertainment business, because that's the business I was in

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<v Speaker 4>and wanted to be in.

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<v Speaker 2>Same understand, let me talk.

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<v Speaker 4>To killers and monsters, you know, and people who've lost

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<v Speaker 4>family members. That was not in the carts, I thought. Anyway.

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<v Speaker 4>I called the agent and he said, oh, you can't

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<v Speaker 4>do anything about this. This is a big story and

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<v Speaker 4>Rule is going to be calling. I thought, who the

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<v Speaker 4>hell is and Rule?

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<v Speaker 6>At that time, That's how little I knew about it, right,

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<v Speaker 6>He said, you don't read this. I did a PhD

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<v Speaker 6>in literature.

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<v Speaker 4>No, there was no true prime on the list at NYU,

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<v Speaker 4>so ps she he said, well, reading coulb what I did,

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<v Speaker 4>and somehow thought at that time I could do this,

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<v Speaker 4>and I wound up, you know, interviewing my family. It

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<v Speaker 4>became a TV movie with Patricia Cat Stephen Weber, and

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<v Speaker 4>the book was incredibly successful. And then I hit on

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<v Speaker 4>Curl Sacrifice, and when that happened, I went to the

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<v Speaker 4>New York Times list. I kind of got stuck with

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<v Speaker 4>the genre in particular writing Curl Sacrifice. When I look

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<v Speaker 4>back at it, and I did look back last night

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<v Speaker 4>in preparation for this, that was the hardest book probably

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<v Speaker 4>that I ever wrote, because of the subject matter. Of course,

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<v Speaker 4>I really didn't want another write intrade crime book after that.

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<v Speaker 4>I really did not.

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<v Speaker 6>I was so.

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<v Speaker 4>Mentally drained, emotionally drained from the whole experience. I was

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<v Speaker 4>able to see the car that Shanda was in. I

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<v Speaker 4>was taken to the evidence area where that car was

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<v Speaker 4>in a lot, and they opened that trunk and dry

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<v Speaker 4>blood was still there and you could smell it. Oh,

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<v Speaker 4>and you could see areas where she tried to scratch

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<v Speaker 4>her way through because those old cars in those days,

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<v Speaker 4>you could get through the backseat through the speakers, and

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<v Speaker 4>and this poor girl was trying to do that right,

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<v Speaker 4>you know, when they asked me, did I want to

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<v Speaker 4>see the chunk? Wasn't expecting that. Then what happened was

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<v Speaker 4>when I got to the Hope Rippy's sentencing hearing in

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<v Speaker 4>South Bend, Indiana, a writer came up to me and said,

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<v Speaker 4>I'm writing this book. And I said, well, good luck

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<v Speaker 4>to you.

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<v Speaker 2>Oh, I said, good luck to you.

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<v Speaker 4>You know, like I'm working with the family. I said, okay,

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<v Speaker 4>good luck to you.

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<v Speaker 6>Yeah. I didn't know the name of the book at

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<v Speaker 6>the time.

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<v Speaker 4>I just knew that Jackie bought the mom was working

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<v Speaker 4>with this writer, and in my mind, I had no choice.

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<v Speaker 4>But also the story was really to talk to these girls.

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<v Speaker 4>That was the story. What happened these children's lives. They're

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<v Speaker 4>fifteen and sixteen years old. What could have happened in

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<v Speaker 4>these girls' lives they could possibly have made them do this?

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<v Speaker 4>And in particular obviously Melinda Loveless because she was the ringleader.

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<v Speaker 4>So I wrote to her, oh you did, oh yeah,

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<v Speaker 4>and Melinda answered and when we comes here and I

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<v Speaker 4>have to say back then, I've seen pictures of her

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<v Speaker 4>recently where she was released. She was gorgeous in person.

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<v Speaker 4>She's not photogenic. Her pictures do not do her justice.

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<v Speaker 4>This girl was dropped dead gorgeous, I mean sixteen, but

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<v Speaker 4>she was absolutely stunning. And I could not believe I'm

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<v Speaker 4>sitting there with this beautiful girl who was telling me,

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<v Speaker 4>oh it was it was so sad. She was just

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<v Speaker 4>so nonchalant about it. I was just like, that's how

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<v Speaker 4>it was back then. I'm like, back then, you're sixteen.

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<v Speaker 4>When was back then when you were six?

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<v Speaker 7>Oh?

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<v Speaker 6>You know, wow, so weird.

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<v Speaker 4>But she wanted she wanted me to tell the story,

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<v Speaker 4>and she connected me with her mom, who I worked with,

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<v Speaker 4>you know, for quite a while. And obviously then the

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<v Speaker 4>police and the evidence and all the rest of the

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<v Speaker 4>interviews came in. It was tough.

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<v Speaker 2>I can only imagine aphrodity, Like, you know, I'm just

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<v Speaker 2>sitting there listening to everything that you're saying and taking

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<v Speaker 2>it in, and you know, this crime was so incredibly brutal,

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<v Speaker 2>you know, And when we think about it, it was

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<v Speaker 2>in nineteen ninety two, like Russia and I were both

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<v Speaker 2>in Hawaii, so I hadn't heard of it at all.

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<v Speaker 2>But the fact that these girls right were so young

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<v Speaker 2>and we've all been through mean girls, teenage bullying. But

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<v Speaker 2>the extremeness the torture in which you were just talking about, right, Melinda,

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<v Speaker 2>like what they did to Shanda, How do we comprehend that?

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<v Speaker 2>You know from you writing your book and interviewing, like,

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<v Speaker 2>how did you so?

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<v Speaker 4>First and foremost, I realized that Melinda, who was the ringleader,

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<v Speaker 4>was the only person who wanted to have this done,

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<v Speaker 4>so it had to be her backstory. I knew there's

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<v Speaker 4>something in her background that's horrific, which there was and

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<v Speaker 4>is apart from that. And her mother admitted to me

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<v Speaker 4>that she was a masochist, and I just she know.

0:13:05.559 --> 0:13:08.840
<v Speaker 4>The mother was raped by various people. The father raped

0:13:08.880 --> 0:13:10.800
<v Speaker 4>the mother in front of the girls. There was a

0:13:10.800 --> 0:13:13.560
<v Speaker 4>lot of sleeping with the girl's pistol whipping. I don't

0:13:13.600 --> 0:13:16.920
<v Speaker 4>you know, craziness in that household that I later discovered.

0:13:17.280 --> 0:13:20.840
<v Speaker 4>But also the thing that struck me was Lori Tackett

0:13:21.320 --> 0:13:25.520
<v Speaker 4>was out for blood. She was a ticking time on.

0:13:26.720 --> 0:13:30.480
<v Speaker 4>So when Melinda Loveless connected with Lori Tackett, she found

0:13:30.520 --> 0:13:35.600
<v Speaker 4>the person she needed. Tony Lawrence and Hope Rippy were

0:13:35.679 --> 0:13:38.280
<v Speaker 4>just in the car for the ride down from Madison

0:13:38.360 --> 0:13:41.640
<v Speaker 4>to no Obany. That's a pretty long ride right now.

0:13:41.800 --> 0:13:44.400
<v Speaker 4>It's not a fifteen minute you know drive away. It's

0:13:44.520 --> 0:13:47.160
<v Speaker 4>an hour plus two almost. It's quite a bit of

0:13:47.200 --> 0:13:50.640
<v Speaker 4>a distance. So you know, those girls went along for

0:13:50.640 --> 0:13:52.480
<v Speaker 4>a ride. They don't even know what they're getting into

0:13:52.800 --> 0:13:55.559
<v Speaker 4>until they got to Melinda's house, who they've never met

0:13:55.600 --> 0:13:58.800
<v Speaker 4>in their lives. And Melinda says, I just she pulls

0:13:58.800 --> 0:14:01.679
<v Speaker 4>out that knife, scare Shanda. They don't even know who

0:14:01.679 --> 0:14:03.959
<v Speaker 4>Shanda is. They don't none of them have met Shanda

0:14:04.600 --> 0:14:06.440
<v Speaker 4>first and foremost you have to say to answer your

0:14:06.480 --> 0:14:10.959
<v Speaker 4>question that this has to do partially with pure pressure,

0:14:11.520 --> 0:14:15.600
<v Speaker 4>because the other two girls that didn't have really either

0:14:15.600 --> 0:14:18.559
<v Speaker 4>a dog in this bite or a bloodlust. How did

0:14:18.600 --> 0:14:22.360
<v Speaker 4>they wind up participating? And that's an interesting dynamic here

0:14:22.400 --> 0:14:27.040
<v Speaker 4>because we see how people I don't know drop like lemmings,

0:14:27.120 --> 0:14:32.000
<v Speaker 4>especially when they're teenagers. The other thing with teenagers, as

0:14:32.040 --> 0:14:36.120
<v Speaker 4>we all know, everything is the end of the world, right, yeah,

0:14:37.120 --> 0:14:41.080
<v Speaker 4>there's no tomorrow here. Everything is the end of the world.

0:14:41.400 --> 0:14:43.520
<v Speaker 4>And it's all you met somebody two seconds ago and

0:14:43.560 --> 0:14:46.280
<v Speaker 4>your best friends, I love her.

0:14:45.880 --> 0:14:48.800
<v Speaker 6>Hell for yesterday.

0:14:49.000 --> 0:14:52.040
<v Speaker 4>But this is like she's so right, So you have

0:14:52.200 --> 0:14:57.920
<v Speaker 4>all these weird mixture of elements that you know, you

0:14:57.960 --> 0:15:03.280
<v Speaker 4>could say bullying. I mean, Shannon was bullied in the school, right,

0:15:03.960 --> 0:15:07.040
<v Speaker 4>Melinda was after her. But this goes beyond any kind

0:15:07.040 --> 0:15:08.960
<v Speaker 4>of bullying. I mean, let's face it, this is one

0:15:09.000 --> 0:15:11.760
<v Speaker 4>of the worst crimes in the history of teenagers.

0:15:12.120 --> 0:15:13.120
<v Speaker 6>It really, truly is.

0:15:34.240 --> 0:15:37.400
<v Speaker 3>I have so much respect for you that you can

0:15:37.480 --> 0:15:40.080
<v Speaker 3>go in as you know, basically as a journalist with

0:15:40.120 --> 0:15:44.040
<v Speaker 3>open eyes and not look at Melinda or any of

0:15:44.080 --> 0:15:47.960
<v Speaker 3>these other young girls because they were young girls that

0:15:48.120 --> 0:15:50.200
<v Speaker 3>did this horrific.

0:15:49.840 --> 0:15:52.120
<v Speaker 2>Unthinkable thing.

0:15:52.640 --> 0:15:55.680
<v Speaker 3>But again I don't want to give them a free

0:15:55.720 --> 0:16:00.600
<v Speaker 3>past because of their history and their home life had

0:16:00.640 --> 0:16:04.720
<v Speaker 3>to affect what they did to Shanda, right, like you said,

0:16:04.720 --> 0:16:08.120
<v Speaker 3>it wasn't just bullying like this was something deeper, something

0:16:08.320 --> 0:16:11.280
<v Speaker 3>horrific had been done to these young girls.

0:16:11.960 --> 0:16:15.280
<v Speaker 4>Well, so, Melinda, we believe was sleeping with their father.

0:16:15.320 --> 0:16:16.840
<v Speaker 4>We know they slept in the same bed. She never

0:16:16.880 --> 0:16:20.520
<v Speaker 4>admitted that he actually you know, had sex with her,

0:16:20.520 --> 0:16:22.280
<v Speaker 4>but we know he had sex with the other two

0:16:22.360 --> 0:16:24.840
<v Speaker 4>daughters and the mother had sex. He raped the mother

0:16:24.880 --> 0:16:28.120
<v Speaker 4>in front of the three girls. All that went on. Also,

0:16:28.160 --> 0:16:32.640
<v Speaker 4>there was allegations that he had molested her cousins, So

0:16:33.000 --> 0:16:36.080
<v Speaker 4>out of all females in that household, she's the only

0:16:36.120 --> 0:16:39.320
<v Speaker 4>one who didn't admit to that. When her parents got

0:16:39.360 --> 0:16:43.120
<v Speaker 4>a divorce and Larry Lovelace left the house, Melinda now

0:16:43.160 --> 0:16:45.360
<v Speaker 4>felt like she's deserved by the only man that she

0:16:45.800 --> 0:16:49.440
<v Speaker 4>cares about. Clearly she's in love with her father, and yes,

0:16:49.520 --> 0:16:53.000
<v Speaker 4>I'm sure she was, you know, being molested thinking that

0:16:53.080 --> 0:16:56.800
<v Speaker 4>this was okay in this incestuous relationship because kids don't

0:16:56.840 --> 0:17:00.480
<v Speaker 4>know what to think, especially if they've been groomed from

0:17:00.480 --> 0:17:03.040
<v Speaker 4>a young age. Is sitting happen when she turned sixteen.

0:17:03.480 --> 0:17:05.639
<v Speaker 4>This is going on from the time she's a little girl,

0:17:06.040 --> 0:17:08.920
<v Speaker 4>and with her older sisters. Now I found out from

0:17:08.920 --> 0:17:12.160
<v Speaker 4>the older sisters who I spoke with. So when you're

0:17:12.160 --> 0:17:15.440
<v Speaker 4>in that scenario and your only person in the world

0:17:15.520 --> 0:17:21.360
<v Speaker 4>who you trust, who you think is your protector and

0:17:21.040 --> 0:17:26.119
<v Speaker 4>your love of your life leaves, now obviously she doesn't

0:17:26.119 --> 0:17:28.399
<v Speaker 4>trust men. So that's why she's with the girls's with

0:17:28.440 --> 0:17:32.160
<v Speaker 4>Amanda Heaven and now Amanda Heaven, who she'd been holding

0:17:32.200 --> 0:17:35.639
<v Speaker 4>on to for dear life right as her person in

0:17:35.680 --> 0:17:39.320
<v Speaker 4>the world who had you know, more of a butch.

0:17:39.440 --> 0:17:40.960
<v Speaker 6>Look, if you want to use that word.

0:17:41.000 --> 0:17:44.200
<v Speaker 4>You know, the backwards baseball hat, the very short hair,

0:17:44.400 --> 0:17:47.600
<v Speaker 4>the whole opposite of Melinda with the long Floyd locks.

0:17:47.640 --> 0:17:49.600
<v Speaker 6>And it was a male figure in her life as well.

0:17:50.520 --> 0:17:51.760
<v Speaker 6>And now that person.

0:17:51.560 --> 0:17:53.840
<v Speaker 4>Is leaving her for some little girl, whoever that little

0:17:53.840 --> 0:17:56.040
<v Speaker 4>girl is. In Melinda's mind, it's not a little girl.

0:17:56.240 --> 0:17:59.920
<v Speaker 4>It's a competition. They didn't separate themselves from whether they're

0:18:00.080 --> 0:18:03.119
<v Speaker 4>fifteen or twelve. Yeah, and that's interesting because you know

0:18:03.160 --> 0:18:04.920
<v Speaker 4>you think of, oh, that's the way it is today.

0:18:04.960 --> 0:18:07.000
<v Speaker 4>All these kids are produced and they mix it up

0:18:07.040 --> 0:18:09.639
<v Speaker 4>and Matt, no, this has been going on from the beginning.

0:18:09.400 --> 0:18:14.960
<v Speaker 2>Of time, right, we were having this conversation about another case.

0:18:15.000 --> 0:18:17.359
<v Speaker 2>And if you think about everything that you just said

0:18:17.400 --> 0:18:20.560
<v Speaker 2>about what Melinda had gone through as a child, and

0:18:21.200 --> 0:18:25.360
<v Speaker 2>if you treat someone like a dog, they're gonna behave

0:18:25.520 --> 0:18:29.760
<v Speaker 2>like a dog. Melinda, she didn't know what love is,

0:18:29.840 --> 0:18:33.480
<v Speaker 2>but she believed that she loved Amanda. And now Amanda

0:18:33.680 --> 0:18:35.480
<v Speaker 2>is leaving her as well.

0:18:35.960 --> 0:18:39.320
<v Speaker 4>And that's another thing. People redirect anger, right, So rather

0:18:39.400 --> 0:18:42.680
<v Speaker 4>than putting the anger toward her mother, who allowed all

0:18:42.720 --> 0:18:44.639
<v Speaker 4>of this and who admitted to me that she was

0:18:44.680 --> 0:18:47.520
<v Speaker 4>a massachist and allowed herself to be raped in front

0:18:47.560 --> 0:18:51.639
<v Speaker 4>of these girls, etc. Et cetera, and has swinging partners

0:18:51.680 --> 0:18:53.879
<v Speaker 4>and other people brought into the house and the girl's

0:18:53.920 --> 0:18:56.320
<v Speaker 4>hearing all of it and knowing the house it's small.

0:18:56.800 --> 0:19:02.200
<v Speaker 4>So Melinda is thinking that that the world is upside

0:19:02.240 --> 0:19:04.600
<v Speaker 4>down for her. It doesn't make any sense to her.

0:19:05.080 --> 0:19:08.040
<v Speaker 4>She needs some kind of validation, and that's what she

0:19:08.119 --> 0:19:12.520
<v Speaker 4>got from Amanda Hevron. So now her validation goes away.

0:19:12.880 --> 0:19:16.000
<v Speaker 4>Now her she doesn't know what's with life. And again,

0:19:16.160 --> 0:19:19.400
<v Speaker 4>you know, with teenagers's the end of the world. For her,

0:19:19.480 --> 0:19:22.640
<v Speaker 4>it was the end of the world. She had to

0:19:22.680 --> 0:19:26.560
<v Speaker 4>eliminate this competition at whatever cost.

0:19:26.960 --> 0:19:30.240
<v Speaker 6>She didn't care, right, Yeah, I mean it's amazing.

0:19:30.320 --> 0:19:32.960
<v Speaker 4>You know. You look at the letters she wrote and

0:19:33.119 --> 0:19:36.120
<v Speaker 4>more of them which was read in the court said

0:19:36.240 --> 0:19:39.639
<v Speaker 4>I want Shanda dead and was very specific.

0:19:39.880 --> 0:19:41.800
<v Speaker 6>Wow, it's not like.

0:19:42.600 --> 0:19:46.760
<v Speaker 4>It was a laughterthought for her. This was premeditated, cold

0:19:46.800 --> 0:19:50.560
<v Speaker 4>blooded killed. That's what this was. Yeah, this was not

0:19:50.840 --> 0:19:53.960
<v Speaker 4>a lord Shanda from her house. Melinda was hiding in

0:19:54.000 --> 0:19:57.439
<v Speaker 4>the backseat of the car under a blanket, and then

0:19:57.560 --> 0:20:00.359
<v Speaker 4>once Shanna got in that car, Melinda jumps out the

0:20:00.720 --> 0:20:04.119
<v Speaker 4>knife to her throat, pulling her back from the front seat.

0:20:05.560 --> 0:20:07.560
<v Speaker 4>She had told the other girls that she just wanted

0:20:07.600 --> 0:20:12.080
<v Speaker 4>to scare Shanda. Lori Teckett, I'm sure knew more than that.

0:20:12.680 --> 0:20:15.159
<v Speaker 4>The other two girls who were along for the ride

0:20:15.640 --> 0:20:18.800
<v Speaker 4>did not. They really had no idea what they were

0:20:18.800 --> 0:20:22.639
<v Speaker 4>getting into. Those two girls would never have done this,

0:20:23.000 --> 0:20:25.840
<v Speaker 4>I'm convinced of that, had they not been in that car,

0:20:26.080 --> 0:20:28.800
<v Speaker 4>had they not been kind of prodded along the way.

0:20:28.800 --> 0:20:30.880
<v Speaker 4>Do you have to think about too and not making

0:20:30.880 --> 0:20:33.280
<v Speaker 4>any excuses for them, because we know Hope Rippy poured

0:20:33.359 --> 0:20:36.679
<v Speaker 4>the gasoline on Shanda. Part of the reason there was

0:20:36.680 --> 0:20:41.119
<v Speaker 4>so much torture, I think is that these girls really

0:20:41.160 --> 0:20:46.040
<v Speaker 4>didn't know how to kill someone. They thought that they

0:20:46.080 --> 0:20:49.080
<v Speaker 4>had killed her after they stabbed her a few times

0:20:49.520 --> 0:20:52.159
<v Speaker 4>and pulled the rope around her neck, thinking that they

0:20:52.200 --> 0:20:52.840
<v Speaker 4>strangled her.

0:20:53.080 --> 0:20:54.920
<v Speaker 6>And next thing I know, she's banging in the back

0:20:54.960 --> 0:20:55.400
<v Speaker 6>of the car.

0:20:55.920 --> 0:20:57.920
<v Speaker 4>But now you have two other girls in the back

0:20:57.960 --> 0:21:01.399
<v Speaker 4>seat here in Shanada. What are they thinking? Am I

0:21:01.440 --> 0:21:02.919
<v Speaker 4>going to be next? Like?

0:21:03.080 --> 0:21:04.920
<v Speaker 6>Look what they just did to this little girl.

0:21:04.920 --> 0:21:07.720
<v Speaker 4>We don't know Melinda, they never met before. She's holding

0:21:07.720 --> 0:21:10.600
<v Speaker 4>her knife to Shanna's neck and threatening at that witch's

0:21:10.640 --> 0:21:12.480
<v Speaker 4>castle that she's going to put her in with a

0:21:12.520 --> 0:21:15.399
<v Speaker 4>bag of bones with the other bones, and the girls

0:21:15.440 --> 0:21:18.520
<v Speaker 4>at that point all chimed in because that was just

0:21:18.640 --> 0:21:21.720
<v Speaker 4>kind of having fun, you know, it was a game

0:21:21.840 --> 0:21:24.399
<v Speaker 4>to them in the beginning. They drummed this whole thing

0:21:24.440 --> 0:21:25.320
<v Speaker 4>up and they scared her.

0:21:25.920 --> 0:21:31.080
<v Speaker 2>This is just a whole another level of cruelty. And

0:21:31.119 --> 0:21:34.440
<v Speaker 2>when I think about, like for me, thinking about this case,

0:21:34.480 --> 0:21:36.480
<v Speaker 2>and it's probably it may be different for you because

0:21:36.520 --> 0:21:38.760
<v Speaker 2>you were, you know, right in the mix of it,

0:21:38.840 --> 0:21:41.600
<v Speaker 2>you know, interviewing, and you wrote a book about it.

0:21:42.520 --> 0:21:43.680
<v Speaker 6>But do you.

0:21:43.800 --> 0:21:47.879
<v Speaker 2>Think that these girls should have been tried as adults?

0:21:48.359 --> 0:21:51.760
<v Speaker 4>Absolutely. I met with one of their lawyers and I'll

0:21:51.760 --> 0:21:54.520
<v Speaker 4>never forget he said to me, this is a mind

0:21:54.640 --> 0:21:58.520
<v Speaker 4>feel out there. Every time you get another teen who's

0:21:58.560 --> 0:22:00.639
<v Speaker 4>coming to you for whatever reason in the you know,

0:22:00.800 --> 0:22:05.640
<v Speaker 4>violation crime. They've committed act of violence. They're just waiting

0:22:05.680 --> 0:22:08.400
<v Speaker 4>to blow up. Now, this was thirty years ago. It's

0:22:08.400 --> 0:22:11.000
<v Speaker 4>funny that right now we say that about now right

0:22:11.400 --> 0:22:14.760
<v Speaker 4>we see school careersoting those didn't even exist back then.

0:22:15.040 --> 0:22:17.600
<v Speaker 4>In nineteen ninety two, when this book in ninety three

0:22:17.840 --> 0:22:20.800
<v Speaker 4>was being written and came out, there was no schoolhouse shootings.

0:22:20.840 --> 0:22:22.200
<v Speaker 6>Yet there was nothing.

0:22:22.480 --> 0:22:25.520
<v Speaker 4>So when this lawyer said to me, I face a mind.

0:22:25.640 --> 0:22:29.920
<v Speaker 4>Feel out there every time. You know, he represented juveniles.

0:22:30.480 --> 0:22:34.000
<v Speaker 4>Every time another juvenile came to him for defense, he

0:22:34.080 --> 0:22:39.000
<v Speaker 4>would see what was behind their mask and the vulnerability

0:22:39.200 --> 0:22:43.359
<v Speaker 4>and sadness and just lack of ability.

0:22:42.840 --> 0:22:44.960
<v Speaker 6>To cope with life.

0:22:45.480 --> 0:22:45.760
<v Speaker 1>Yeah.

0:22:46.040 --> 0:22:47.679
<v Speaker 6>Yeah, that does.

0:22:47.440 --> 0:22:49.840
<v Speaker 4>Not mean that you can go and take someone else's

0:22:49.840 --> 0:22:51.240
<v Speaker 4>life and give you any excuses.

0:22:51.880 --> 0:22:52.879
<v Speaker 2>No, absolutely not.

0:22:53.040 --> 0:22:54.840
<v Speaker 6>There's no getting around that.

0:22:54.920 --> 0:22:57.879
<v Speaker 4>What these girls did, and they all participated, and the

0:22:57.920 --> 0:23:02.240
<v Speaker 4>way that Tony Lawrence, who eventually turned on the girls

0:23:02.320 --> 0:23:06.640
<v Speaker 4>and was chief in getting these guilty. Please Tony Lawrence

0:23:07.520 --> 0:23:12.640
<v Speaker 4>and Hope Rippy they went to her house right, yeah,

0:23:13.320 --> 0:23:19.680
<v Speaker 4>and they were there for two three hours while Melinda

0:23:19.720 --> 0:23:25.159
<v Speaker 4>and Laurie went country driving. So once they left the house,

0:23:25.640 --> 0:23:28.840
<v Speaker 4>and here's Hope and Tony very safe, why are they

0:23:28.880 --> 0:23:31.240
<v Speaker 4>not calling the police? I mean, I can understand you're

0:23:31.280 --> 0:23:34.159
<v Speaker 4>scared because you're for your own life. Okay, but how

0:23:34.160 --> 0:23:36.399
<v Speaker 4>about Shanda, how about what's going on right now? You

0:23:36.400 --> 0:23:40.040
<v Speaker 4>don't tell your parents? Oh my god, this girl's are crazy.

0:23:40.080 --> 0:23:42.400
<v Speaker 4>There's a girl in the trunk. You don't say anything.

0:23:42.680 --> 0:23:44.080
<v Speaker 2>Yeah, you just.

0:23:44.080 --> 0:23:48.840
<v Speaker 4>Sit there and read room stones and be in a magical,

0:23:48.920 --> 0:23:49.840
<v Speaker 4>bizarre world.

0:23:50.720 --> 0:23:52.560
<v Speaker 6>It's incomprehensible to me.

0:23:53.200 --> 0:23:56.959
<v Speaker 2>Even Amanda, they had told her right to look in

0:23:57.000 --> 0:23:59.960
<v Speaker 2>the trunk and she still didn't call the face.

0:24:00.920 --> 0:24:04.199
<v Speaker 4>That's after the fact, Hope Rippy and Tony Lawrence had

0:24:04.240 --> 0:24:08.040
<v Speaker 4>the ability to shave save Shanda's life. When Amanda was

0:24:08.040 --> 0:24:09.680
<v Speaker 4>shown that trunk, it.

0:24:09.720 --> 0:24:12.800
<v Speaker 2>Was all over all, was all done. Yes, that was.

0:24:12.880 --> 0:24:17.040
<v Speaker 4>Later No no, no, Tony Lawrence and Hope Rippy and

0:24:17.119 --> 0:24:19.720
<v Speaker 4>Tony got away with really murder in the sense that

0:24:19.800 --> 0:24:23.520
<v Speaker 4>she only did ten years was out of twenty. They

0:24:23.520 --> 0:24:26.359
<v Speaker 4>could have stopped this, and there were other opportunities. They

0:24:26.359 --> 0:24:30.560
<v Speaker 4>had stopped at gas stations, they were at a punk

0:24:30.680 --> 0:24:33.240
<v Speaker 4>rock thing in Louisville for a few hours waiting to

0:24:33.280 --> 0:24:36.520
<v Speaker 4>go back to Retreat Shanada. There were numerous times that

0:24:36.520 --> 0:24:39.600
<v Speaker 4>they got lost driving around where they had the opportunity

0:24:40.040 --> 0:24:42.520
<v Speaker 4>to stop it or to get out of it.

0:24:43.640 --> 0:24:45.120
<v Speaker 6>Even though they didn't live down there.

0:24:45.200 --> 0:24:47.639
<v Speaker 4>I understand, you're not supposed to have driven to the

0:24:47.840 --> 0:24:51.280
<v Speaker 4>three hours away. That you're sixteen and fifteen years old.

0:24:51.440 --> 0:24:52.399
<v Speaker 4>You don't want to get in trouble with.

0:24:52.400 --> 0:24:54.520
<v Speaker 6>Your parents and this and that. But once they.

0:24:54.440 --> 0:24:56.760
<v Speaker 4>Got back to Madison, Indiana.

0:24:56.880 --> 0:24:59.920
<v Speaker 6>They're safe and they're in Tony's house.

0:25:00.359 --> 0:25:06.600
<v Speaker 4>So why would Tony Lawrence go along with knowing that

0:25:06.720 --> 0:25:07.840
<v Speaker 4>Lauri and Melinda.

0:25:07.600 --> 0:25:27.359
<v Speaker 6>Are going to kill her.

0:25:29.400 --> 0:25:33.000
<v Speaker 2>Let's talk about their sentencing. Tell us how you felt

0:25:33.000 --> 0:25:35.080
<v Speaker 2>about the sentencing that the girls got.

0:25:35.760 --> 0:25:38.440
<v Speaker 4>I think that even the Hope Rippy went on for

0:25:38.520 --> 0:25:40.480
<v Speaker 4>the ride and didn't know what she was getting into,

0:25:40.960 --> 0:25:46.280
<v Speaker 4>Hope allowed this to happen. And when Hope participated with

0:25:46.359 --> 0:25:50.920
<v Speaker 4>Laura Tackett taking that two liter bottle of soda, dumping

0:25:50.960 --> 0:25:53.680
<v Speaker 4>it out on the ground of a gas station a

0:25:53.680 --> 0:25:58.879
<v Speaker 4>circle k and filling that with gasoline, that's not Maybe

0:25:58.920 --> 0:26:04.680
<v Speaker 4>I don't know, Maybe that's deliberate knowing you are going

0:26:04.720 --> 0:26:07.320
<v Speaker 4>to kill someone. Now they may have thought she was

0:26:07.400 --> 0:26:09.240
<v Speaker 4>already dead. Who knows.

0:26:09.480 --> 0:26:10.160
<v Speaker 6>It doesn't matter.

0:26:10.400 --> 0:26:13.080
<v Speaker 4>At what point does it become your fault. That's when

0:26:13.119 --> 0:26:15.679
<v Speaker 4>it became help Rippy's fault, because not only does she

0:26:15.720 --> 0:26:18.360
<v Speaker 4>fill that two lead her bottle with gasoline, but then

0:26:18.400 --> 0:26:20.360
<v Speaker 4>she followed through when they got Shanda and put her

0:26:20.359 --> 0:26:23.600
<v Speaker 4>in that field, pouring that gasoline all over the child

0:26:24.200 --> 0:26:27.160
<v Speaker 4>and letting Laurie light the match. You know that Shanda

0:26:27.359 --> 0:26:28.640
<v Speaker 4>died of spoken inhalation.

0:26:29.160 --> 0:26:32.399
<v Speaker 2>Yeah, because she fought like she fought. I mean, she

0:26:32.680 --> 0:26:33.560
<v Speaker 2>fought she.

0:26:33.720 --> 0:26:36.439
<v Speaker 4>Was alive when they wrapped her in a blanket and

0:26:36.440 --> 0:26:39.360
<v Speaker 4>put her in that field. And then not only that, Melinda,

0:26:39.440 --> 0:26:44.800
<v Speaker 4>who is absolutely a savage, she realized I don't think

0:26:44.800 --> 0:26:47.159
<v Speaker 4>she's burned enough and had them turn back around and

0:26:47.280 --> 0:26:47.960
<v Speaker 4>lighted again.

0:26:48.680 --> 0:26:49.160
<v Speaker 6>Wow.

0:26:49.720 --> 0:26:53.400
<v Speaker 4>And one of the things that happened to me when

0:26:53.400 --> 0:26:56.359
<v Speaker 4>I was researching this book is, yeah, I spent a

0:26:56.359 --> 0:26:58.040
<v Speaker 4>lot of time in courtrooms. I spent a lot of

0:26:58.040 --> 0:27:01.119
<v Speaker 4>time in evidence rooms, et cetera. And a court clerk

0:27:01.160 --> 0:27:03.000
<v Speaker 4>came to me and she said, Okay, you want to

0:27:03.000 --> 0:27:04.840
<v Speaker 4>see this video, said jud She goes, you want me

0:27:04.880 --> 0:27:06.719
<v Speaker 4>to sit with you while you watch it?

0:27:06.960 --> 0:27:07.280
<v Speaker 3>Wow.

0:27:07.480 --> 0:27:09.879
<v Speaker 4>I said, no, that's okay, that's okay. It was the

0:27:09.960 --> 0:27:14.920
<v Speaker 4>video of the hunters who found Shanda. And as I'm

0:27:14.960 --> 0:27:17.439
<v Speaker 4>looking at this thing and realizing she did look like

0:27:17.480 --> 0:27:20.760
<v Speaker 4>a mannequin that was burned, and the closer and they

0:27:20.760 --> 0:27:22.800
<v Speaker 4>got I mean the pictures I show in the book

0:27:22.920 --> 0:27:26.840
<v Speaker 4>are not anywhere near how horrific this image really was.

0:27:27.200 --> 0:27:30.520
<v Speaker 4>I mean, her face was I don't know how to

0:27:30.600 --> 0:27:34.639
<v Speaker 4>explain this in politically correct terms, but it was black

0:27:34.720 --> 0:27:36.960
<v Speaker 4>as coal. It was like the color of my hair

0:27:37.400 --> 0:27:39.520
<v Speaker 4>but all bubbled up and you know.

0:27:39.800 --> 0:27:41.720
<v Speaker 6>Just horrifying.

0:27:42.520 --> 0:27:44.640
<v Speaker 4>Unfortunately, I can never get that image out of my head.

0:27:45.000 --> 0:27:46.280
<v Speaker 3>Yeah, you can never unsee that.

0:27:47.320 --> 0:27:49.560
<v Speaker 6>I don't even like to revisit this story, honestly.

0:27:50.040 --> 0:27:55.200
<v Speaker 2>I can only imagine I can completely understand why, yeah.

0:27:55.000 --> 0:27:58.040
<v Speaker 4>You know, And then I think about how Jackie got

0:27:58.359 --> 0:28:05.159
<v Speaker 4>eventually forgave me Linda loveless. That is stunning to me.

0:28:05.760 --> 0:28:10.920
<v Speaker 4>I presume Jackie did that for on Sanity long before

0:28:10.960 --> 0:28:14.399
<v Speaker 4>Melinda was released, and Linda was only released in twenty nineteen.

0:28:14.680 --> 0:28:18.160
<v Speaker 4>This forgiveness and helping Melinda by giving her a dog

0:28:18.240 --> 0:28:21.280
<v Speaker 4>called Angels so she could train these dogs to help

0:28:21.640 --> 0:28:24.040
<v Speaker 4>disabled people and children.

0:28:23.800 --> 0:28:24.679
<v Speaker 6>That are methylishes.

0:28:24.760 --> 0:28:29.919
<v Speaker 4>Whatever it was, I'm sorry, no.

0:28:29.160 --> 0:28:34.000
<v Speaker 2>Right, Yeah, we talk about that, you know, a lot,

0:28:34.119 --> 0:28:37.240
<v Speaker 2>in facing evil, and we always end, you know, with

0:28:37.480 --> 0:28:44.000
<v Speaker 2>any mooa and Jackie is is anymua herself? Because like

0:28:44.040 --> 0:28:47.560
<v Speaker 2>you just said, to be able to forgive someone who

0:28:48.520 --> 0:28:52.400
<v Speaker 2>brutally tortured your daughter is I can't comprehend it, but

0:28:52.440 --> 0:28:56.560
<v Speaker 2>we've seen it many times before, you know, with Judy Shepherd,

0:28:56.560 --> 0:29:00.400
<v Speaker 2>who was Matthew Shepherd's mom. That you know, there's I

0:29:00.440 --> 0:29:02.560
<v Speaker 2>guess I could never speak for them, but there has

0:29:02.600 --> 0:29:05.640
<v Speaker 2>to be some type of closure for them.

0:29:05.960 --> 0:29:10.960
<v Speaker 4>I have encouraged victims' mothers, okay, try to forgive so

0:29:11.040 --> 0:29:14.560
<v Speaker 4>that they're not suffering, because the longer they suffer throughout

0:29:14.600 --> 0:29:17.520
<v Speaker 4>the rest of their lives, the more this person who

0:29:17.520 --> 0:29:19.240
<v Speaker 4>did this has hold over you.

0:29:19.800 --> 0:29:22.280
<v Speaker 6>Right, So you're continually.

0:29:21.640 --> 0:29:25.800
<v Speaker 4>Revictimized by what this person did, and it's just a

0:29:25.920 --> 0:29:28.040
<v Speaker 4>record that's going in your head all the time.

0:29:28.520 --> 0:29:30.560
<v Speaker 6>So I think what Jackie Bah did there.

0:29:30.600 --> 0:29:33.760
<v Speaker 4>Because Melinda was using training dogs to help other people,

0:29:34.560 --> 0:29:36.760
<v Speaker 4>this was the idea in her mind. She was able

0:29:36.800 --> 0:29:41.080
<v Speaker 4>to finally go there. But you know, Steve Shearer, her

0:29:41.120 --> 0:29:43.600
<v Speaker 4>father drank himself to death and died at fifty two

0:29:43.680 --> 0:29:46.920
<v Speaker 4>years old. I mean, think about that, the guilt that

0:29:47.000 --> 0:29:51.040
<v Speaker 4>this man felt for allowing his daughter to go to

0:29:51.080 --> 0:29:55.280
<v Speaker 4>the front door, not once, but twice. But he knew

0:29:55.560 --> 0:30:00.120
<v Speaker 4>those girls didn't know his daughter because they asked is Shandy?

0:30:00.480 --> 0:30:02.640
<v Speaker 4>When Shanda opened the door and he heard, and he

0:30:02.760 --> 0:30:05.400
<v Speaker 4>questioned her and he says, who are these people? He

0:30:05.440 --> 0:30:09.720
<v Speaker 4>realizes they don't know his daughter. Now I have to believe,

0:30:09.760 --> 0:30:12.760
<v Speaker 4>and I mean my heart breaks for Steve Sharer that

0:30:12.840 --> 0:30:14.280
<v Speaker 4>he could never forgive himself for that.

0:30:15.320 --> 0:30:17.920
<v Speaker 3>But at the end of the day, of course, yes,

0:30:18.240 --> 0:30:20.479
<v Speaker 3>you know, we can all you know, look back and

0:30:20.520 --> 0:30:23.360
<v Speaker 3>be like, you know, Steve should have done this, the

0:30:23.440 --> 0:30:25.800
<v Speaker 3>four girls should have done this, I mean, all these things.

0:30:26.640 --> 0:30:29.600
<v Speaker 3>But really, at the end of the day, sadly it

0:30:29.760 --> 0:30:34.320
<v Speaker 3>was those four girls that ended Shanda's life, of course,

0:30:34.440 --> 0:30:37.680
<v Speaker 3>But I think again, and we always, you know, we

0:30:37.920 --> 0:30:41.040
<v Speaker 3>do this on facing evil, like we have to look

0:30:41.160 --> 0:30:44.560
<v Speaker 3>for that light in the dark, right, like you said,

0:30:44.560 --> 0:30:49.920
<v Speaker 3>like that stunning gem of a human that Jackie had

0:30:49.960 --> 0:30:56.240
<v Speaker 3>to be to forgive Melinda, to forgive her ex Steve

0:30:56.640 --> 0:31:00.120
<v Speaker 3>to move onward and upward, and that's what he moved me,

0:31:00.400 --> 0:31:04.320
<v Speaker 3>to move onward and upward, like we have to who

0:31:04.760 --> 0:31:06.800
<v Speaker 3>like and we always want to focus on the victim,

0:31:06.840 --> 0:31:07.560
<v Speaker 3>but it's so hard.

0:31:07.600 --> 0:31:08.880
<v Speaker 2>We didn't know much about Shanda.

0:31:09.000 --> 0:31:10.000
<v Speaker 3>She was only twelve.

0:31:11.160 --> 0:31:13.640
<v Speaker 7>Well, and that's you know, I mean, that's the other

0:31:13.720 --> 0:31:17.480
<v Speaker 7>thing here too, is when you talk about facing evil,

0:31:17.840 --> 0:31:20.880
<v Speaker 7>if you don't face it in a way that you

0:31:20.960 --> 0:31:22.360
<v Speaker 7>can get past it.

0:31:23.920 --> 0:31:28.000
<v Speaker 4>Then for example, Melinda was dealing with evil in her

0:31:28.040 --> 0:31:32.480
<v Speaker 4>household all her life, right, yes, and the evil that

0:31:32.600 --> 0:31:39.120
<v Speaker 4>transpired there she now projected onto someone else. So whether

0:31:39.160 --> 0:31:43.720
<v Speaker 4>it eats your soul, whether it makes you become angry,

0:31:43.840 --> 0:31:46.479
<v Speaker 4>and somebody who's going to lash out and do horrible

0:31:46.520 --> 0:31:48.120
<v Speaker 4>things to other people because you've been.

0:31:48.040 --> 0:31:50.800
<v Speaker 6>Abused, now you're going to abuse your kids or whatever.

0:31:50.840 --> 0:31:53.160
<v Speaker 4>And that chain of violence and that chain of abuse

0:31:53.320 --> 0:31:57.640
<v Speaker 4>that goes on, somebody's got to stop and say I

0:31:57.640 --> 0:31:59.720
<v Speaker 4>can face this, I can get past this.

0:32:00.280 --> 0:32:00.480
<v Speaker 7>Yeah.

0:32:00.840 --> 0:32:06.000
<v Speaker 2>Yeah, Just going back to Shanda's mom, right, Jackie, because

0:32:06.560 --> 0:32:08.800
<v Speaker 2>you know, we're talking about her father, and we know

0:32:08.880 --> 0:32:11.720
<v Speaker 2>that they were divorced, you know, and living in separate households.

0:32:11.760 --> 0:32:15.960
<v Speaker 2>But the thing about Shanda's mom is she did everything right.

0:32:16.720 --> 0:32:19.640
<v Speaker 4>Talking about a sacrificial lamb. I mean, Shanda had no

0:32:19.760 --> 0:32:24.479
<v Speaker 4>idea what she was dabbling in there, right, no idea.

0:32:24.560 --> 0:32:27.200
<v Speaker 4>And Amanda Heaven swears up and down that it was

0:32:27.240 --> 0:32:30.080
<v Speaker 4>Shanda who went to her, that Shanda went after her,

0:32:30.480 --> 0:32:33.640
<v Speaker 4>that Shanda had been dating boys, Shanda was sexually active.

0:32:34.200 --> 0:32:37.120
<v Speaker 4>I'm not saying she certainly could have been sexually active

0:32:37.160 --> 0:32:39.240
<v Speaker 4>at twelve years old. I don't know why she's going

0:32:39.280 --> 0:32:41.160
<v Speaker 4>from boys to girls at twelve years old. I don't

0:32:41.200 --> 0:32:47.520
<v Speaker 4>know that twelve year olds necessarily are sexually with it, right,

0:32:48.000 --> 0:32:50.160
<v Speaker 4>you know, there's a whole other element of stuff.

0:32:49.840 --> 0:32:51.920
<v Speaker 6>Here, like what is happening here?

0:32:52.600 --> 0:32:52.920
<v Speaker 4>Yeah?

0:32:52.960 --> 0:32:55.320
<v Speaker 2>So much time, so much to unpack.

0:32:55.920 --> 0:33:00.880
<v Speaker 3>Yeah, before we wrap things up, Aphrodity, I would love

0:33:01.480 --> 0:33:05.960
<v Speaker 3>to ask you, just because of everything you've so brilliantly

0:33:06.080 --> 0:33:11.040
<v Speaker 3>shared with us today, how do you decompress?

0:33:11.160 --> 0:33:11.240
<v Speaker 4>Like?

0:33:11.280 --> 0:33:13.160
<v Speaker 3>How are you going to walk out of this interview

0:33:13.200 --> 0:33:15.560
<v Speaker 3>after this and go on with your life with things?

0:33:15.640 --> 0:33:15.800
<v Speaker 7>You know?

0:33:15.840 --> 0:33:19.800
<v Speaker 3>You can't unsee certain things or think in your head.

0:33:20.320 --> 0:33:21.840
<v Speaker 4>There are a couple of things I'm going to say

0:33:21.880 --> 0:33:26.200
<v Speaker 4>about this. When I wrote this book, I was a drinker,

0:33:26.920 --> 0:33:30.160
<v Speaker 4>and I did this book throughout the night, writing un

0:33:30.160 --> 0:33:31.920
<v Speaker 4>till two or three o'clock in the morning. I wrote

0:33:31.960 --> 0:33:35.520
<v Speaker 4>it very quickly and in a frenzy. After that, I

0:33:35.520 --> 0:33:37.760
<v Speaker 4>had to give up drinking because I was drinking so

0:33:37.960 --> 0:33:42.000
<v Speaker 4>much that this book had consumed me. And I don't drink.

0:33:42.000 --> 0:33:43.200
<v Speaker 4>I haven't drank it thirty years.

0:33:43.440 --> 0:33:46.400
<v Speaker 2>So, oh, congratulations, thanks.

0:33:46.440 --> 0:33:50.479
<v Speaker 4>But talk about a mind vendor. You know, this story

0:33:50.480 --> 0:33:52.880
<v Speaker 4>in particular, I didn't know how I was going to

0:33:52.880 --> 0:33:56.360
<v Speaker 4>get past it, and even to write it, what I

0:33:56.400 --> 0:33:59.600
<v Speaker 4>had to do to get through it. It was so

0:33:59.600 --> 0:34:03.000
<v Speaker 4>so hard for me. But at the same time, I

0:34:03.080 --> 0:34:05.680
<v Speaker 4>knew this story had to be told because we had

0:34:05.680 --> 0:34:08.120
<v Speaker 4>to look at what's going on with teenagers, because it

0:34:08.160 --> 0:34:11.759
<v Speaker 4>wasn't just for girls. And yes, they've done the most

0:34:11.800 --> 0:34:13.920
<v Speaker 4>horrible thing of any teen I could think of, but

0:34:14.080 --> 0:34:17.040
<v Speaker 4>all these other teenagers in the minefield were still out

0:34:17.040 --> 0:34:19.560
<v Speaker 4>there and nobody was really paying attention to it. Back then,

0:34:19.719 --> 0:34:23.200
<v Speaker 4>it was like, I don't know, everybody's good. We're all No,

0:34:23.680 --> 0:34:26.920
<v Speaker 4>they weren't good. And I think the idea of parents

0:34:26.920 --> 0:34:30.240
<v Speaker 4>paying more attention of parents and not trying to blame

0:34:30.280 --> 0:34:33.319
<v Speaker 4>the parents, but just getting the lesson about this. And

0:34:33.360 --> 0:34:36.040
<v Speaker 4>it wasn't just not just Shanda's parents, what about all

0:34:36.080 --> 0:34:41.239
<v Speaker 4>the other parents. And I promised myself one thing that

0:34:41.320 --> 0:34:43.840
<v Speaker 4>when I was not writing, and I would never write

0:34:43.840 --> 0:34:45.920
<v Speaker 4>on a weekend again, which that book I wrote weren

0:34:46.040 --> 0:34:49.240
<v Speaker 4>a new night weekends. I decided, I'm never writing past

0:34:49.239 --> 0:34:53.040
<v Speaker 4>five o'clock at night anymore. Ever, I am never writing

0:34:53.080 --> 0:34:57.640
<v Speaker 4>on a weekend, and I am going to shut myself off.

0:34:57.719 --> 0:35:01.560
<v Speaker 6>I'm going to have two lives, two lives.

0:35:01.840 --> 0:35:04.920
<v Speaker 4>In which I'm dealing with this horror and all the

0:35:04.960 --> 0:35:07.120
<v Speaker 4>monsters I have dealt with since the killers that I'm

0:35:07.120 --> 0:35:09.880
<v Speaker 4>on the phones with that I can't imagine writing a

0:35:09.880 --> 0:35:13.160
<v Speaker 4>new book now. But when I finished the chapters, and

0:35:13.200 --> 0:35:17.040
<v Speaker 4>when my day ends, I go often to Judge Judy Lands,

0:35:20.719 --> 0:35:24.360
<v Speaker 4>I go off voting or whatever concert.

0:35:24.719 --> 0:35:27.600
<v Speaker 6>I am not there anymore, you know, I can't be good.

0:35:28.320 --> 0:35:30.879
<v Speaker 2>Yeah, thank you after Deity.

0:35:31.200 --> 0:35:32.919
<v Speaker 6>Guy, It's so nice to talk with you both.

0:35:38.160 --> 0:35:41.400
<v Speaker 3>Today's message of hope and healing goes out to someone

0:35:41.480 --> 0:35:44.840
<v Speaker 3>whose life was turned into a living nightmare in January

0:35:44.960 --> 0:35:49.120
<v Speaker 3>nineteen ninety two, and that was Jackie Vaught, Shanda's mother.

0:35:49.880 --> 0:35:52.960
<v Speaker 3>Shanda was, by all accounts, a well adjusted girl who

0:35:53.239 --> 0:35:57.400
<v Speaker 3>just got involved with the wrong people. For many years,

0:35:57.560 --> 0:36:01.359
<v Speaker 3>Jackie Vaught quite understandably didn't want anything.

0:36:01.080 --> 0:36:04.320
<v Speaker 2>To do with her daughter's killers. Then in twenty twelve,

0:36:04.440 --> 0:36:08.440
<v Speaker 2>she saw a videotape of Melinda loveless behind bars training

0:36:08.600 --> 0:36:12.120
<v Speaker 2>service dogs, and she says she saw something new in

0:36:12.239 --> 0:36:17.800
<v Speaker 2>her eyes, compassion. And then Jackie Vot did the unthinkable.

0:36:18.440 --> 0:36:22.240
<v Speaker 3>She donated a puppy to the prison service animal training

0:36:22.360 --> 0:36:26.160
<v Speaker 3>program in her deceased daughter's name, and she even let

0:36:26.239 --> 0:36:27.120
<v Speaker 3>Melinda train her.

0:36:28.040 --> 0:36:31.760
<v Speaker 2>The puppy's name was Angel, and she changed things for Melinda.

0:36:32.640 --> 0:36:35.000
<v Speaker 2>Melinda had been on a path of growth for years

0:36:35.080 --> 0:36:39.080
<v Speaker 2>and was remorseful now of her crime. Melinda said of Jackie,

0:36:39.600 --> 0:36:43.239
<v Speaker 2>she helped me to heal and grow. She did a

0:36:43.320 --> 0:36:46.600
<v Speaker 2>good thing and I couldn't think her enough. And I'm

0:36:46.719 --> 0:36:48.240
<v Speaker 2>doing it for Shanda.

0:36:49.160 --> 0:36:52.680
<v Speaker 3>Jackie Vaught still has no plans to meet her daughter's murderers,

0:36:53.239 --> 0:36:57.480
<v Speaker 3>but this small act of reaching out was an unbelievable

0:36:57.680 --> 0:37:01.399
<v Speaker 3>act of compassion, a bright spark in the dark.

0:37:02.239 --> 0:37:07.759
<v Speaker 2>And so Jackie Vaught, today we honor you. Onward and

0:37:08.080 --> 0:37:17.320
<v Speaker 2>upward e moua emua. Well, that is our show for today.

0:37:17.440 --> 0:37:19.960
<v Speaker 2>We'd love to hear what you thought about today's discussion

0:37:20.360 --> 0:37:22.319
<v Speaker 2>and if there is a case that you'd like.

0:37:22.400 --> 0:37:25.440
<v Speaker 3>Us to cover, find us on social media at Facing

0:37:25.480 --> 0:37:28.440
<v Speaker 3>Evil Pod or email us at Facingevil Pod.

0:37:28.360 --> 0:37:29.600
<v Speaker 2>At tenderfoot dot tv.

0:37:30.239 --> 0:37:33.680
<v Speaker 3>And one request, if you haven't already, please find us

0:37:33.719 --> 0:37:36.120
<v Speaker 3>on iTunes and give us a good review and a

0:37:36.200 --> 0:37:39.160
<v Speaker 3>good rating. If you like what we do, your support

0:37:39.400 --> 0:37:40.520
<v Speaker 3>is always cherished.

0:37:40.960 --> 0:37:42.960
<v Speaker 2>Until next time, ah Loha.

0:37:58.400 --> 0:38:02.040
<v Speaker 1>Facing Evil is a production of iHeartRadio and Tenderfoot TV.

0:38:02.960 --> 0:38:06.000
<v Speaker 1>The show is hosted by Russia Pacuerero and Avet Gentile.

0:38:06.840 --> 0:38:10.520
<v Speaker 1>Matt Frederick and Alex Williams our executive producers. On Behalf

0:38:10.560 --> 0:38:15.280
<v Speaker 1>of iHeartRadio with producers Trevor Young and Jesse Funk. Donald

0:38:15.360 --> 0:38:18.560
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0:38:18.640 --> 0:38:24.600
<v Speaker 1>Tenderfoot TV, alongside producer Tracy Kaplan. Our researcher is Carolyn Talmadge.

0:38:25.400 --> 0:38:28.960
<v Speaker 1>Original music by Makeup and Vanity Set. Find us on

0:38:29.040 --> 0:38:32.480
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0:38:32.560 --> 0:38:37.560
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