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Speaker 1: First of all, you don't know me. Were all about

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Speaker 1: that high school drama, Girl Drama, Girl, all about them

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Speaker 1: high school queens. We'll take you for a ride in

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Speaker 1: our comic Girl Cheering for the Drama Queens Girl Fashion,

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Speaker 1: but you'll tough, girl, You can sit with us. Girl Drama,

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Speaker 1: Queens Drama, Queen's Drama, Queen's Drama drawn MC Queen's Drama.

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Speaker 1: Queen's Episode ten. You gotta go there to come back.

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Speaker 1: You gotta go there to come back. You can't come

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Speaker 1: back from nowhere. Air date January twenty, two thousand and four.

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Speaker 1: Big Ideas. In this episode, Lucas and Peyton try and

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Speaker 1: redefine their friendship after Lucas chooses to be with her

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Speaker 1: best friend. It was a firm choice, guys. The beginning

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Speaker 1: of the episode was so rough when he basically just

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Speaker 1: lays out like she's got too much baggage. Wow, which

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Speaker 1: is ironic. I don't know, because Brooks clearly got a

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Speaker 1: lot of stuff going on to I mean, I don't know,

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Speaker 1: it's it's maybe not as obvious, but well, that's it.

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Speaker 1: Let's talk about that, because I think we've addressed the

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Speaker 1: fact that, like Brooke and Peyton are friends because they

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Speaker 1: have similar baggage absolutee parents. You know, they both are

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Speaker 1: trying to prove themselves in different ways. Um, but Brooke

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Speaker 1: is on the outside like fun and bubbily and is

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Speaker 1: hiding her baggage, whereas Peyton's like, I'm going to wear

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Speaker 1: this like a cloak, a velvet cloak of doom. Well,

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Speaker 1: Brooke has there's such a veneer to her. I think

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Speaker 1: because everything that she's been and this was sort of

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Speaker 1: the way I had to think about it anyway, was

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Speaker 1: that the way she'd been raised was to appear great,

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Speaker 1: Like everything looks perfect. We pretend our families perfect, even

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Speaker 1: though the parents are fighting and obviously eventually get divorced

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Speaker 1: and you know, all these things. And so Brooke is

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Speaker 1: like all her validation comes from the outside, you know,

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Speaker 1: being the captain of the cheer squad, being a person

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Speaker 1: who's it called popular, you know whatever, she is popular, Honey,

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Speaker 1: you should own that. Okay, that's really bad. But Peyton

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Speaker 1: has outlets that are hers like you. You played a

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Speaker 1: character who was an artist who was really into music,

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Speaker 1: like Peyton had an identity in a way that like,

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Speaker 1: at least from the outside. You know, when I think

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Speaker 1: about how it felt to play these girls. Then it

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Speaker 1: felt like Brooke just didn't you know, Brooke was always

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Speaker 1: trying to prove herself and Peyton had like this world

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Speaker 1: that was hers that was so cool. Oh my god,

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Speaker 1: Oh the angst um like the done correctly in this

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Speaker 1: is the is the Nathan Haley arc in this You

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Speaker 1: know you guys, wake up, You're freaking adorable. Just kissing

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Speaker 1: with morning breath. We we did have fun with the

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Speaker 1: morning breath, No regard, no reserve. But all the TV

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Speaker 1: shows do that because you're on set and when you

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Speaker 1: have to kiss, everyone's polite. So you eat an altoid

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Speaker 1: and when you see it, you're like, but if they

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Speaker 1: just woke up, they would smell like demons. On no

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Speaker 1: show does anyone ever get up and brush their teeth

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Speaker 1: before they kissed the person they're in bedroom? Right? Do

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Speaker 1: you remember like waking up in the morning when you

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Speaker 1: first started like sleeping over at somebody's house. I would

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Speaker 1: wake up like an hour early and go put on

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Speaker 1: mascara and brush my teeth and like sort things out

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Speaker 1: so that it seemed like I was waking up tidy

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Speaker 1: Timmy of you very tammy girl. I'm Southern that is

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Speaker 1: some Virginia business, some like Southern Lady Eleganza. You just

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Speaker 1: set your alarm, get it done, I did, Joy, what

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Speaker 1: was your experience shooting that stuff? I'm trying to remember that.

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Speaker 1: I think that was one of those where I looked

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Speaker 1: at it and I was like, I don't really have

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Speaker 1: a memory of being there. Um. I mean the thing

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Speaker 1: I remember a little bit of being in Karen's cafe

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Speaker 1: and stuff, but that stuff with them James in my room,

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Speaker 1: I just don't remember a lot of that, the set

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Speaker 1: of Hayley's room. Um, But I don't know. It's funny

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Speaker 1: watching back and feeling like it's such they have such

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Speaker 1: a mini adult. She's just such a mini adult. I

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Speaker 1: can't get over it now. She's so mature with her

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Speaker 1: mature kisses and her mature like way of handling situations

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Speaker 1: and everything. I didn't head butt him like I did.

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Speaker 1: You just you know you kissed him so softly. Joy,

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Speaker 1: I'm still jealous. Those are my soap opera kisses. That's

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Speaker 1: my that was my soap experience coming in. Do they

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Speaker 1: give you a kissing class in soap opera school? Like?

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Speaker 1: Is there? Um? I didn't have like a crash course No.

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Speaker 1: My crash course was that I was seventeen and there

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Speaker 1: was a guy who came in to play my love interest,

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Speaker 1: and uh, he was just a lot older than me,

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Speaker 1: and I just kind of learned fast or learned he did. Yeah,

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Speaker 1: he really, Yeah, he taught me. Had a kiss really

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Speaker 1: and not so many. I mean, you know it's not

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Speaker 1: like listen to do this, but but there is this

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Speaker 1: sort of you do learn a little bit about where

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Speaker 1: to put your chin, where the girl's chin goes, the

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Speaker 1: guy chin. You know, you sort of like gauge, start

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Speaker 1: gauging where the camera is and what looks attractive. If

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Speaker 1: you shove your faces up against each other, everybody gets

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Speaker 1: a double chin. Um. You know, you want to try

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Speaker 1: and make it look like it's like a French about

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Speaker 1: the tongue, so you don't want to see a lot

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Speaker 1: of time unless it's that kind of a show, which

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Speaker 1: ours wasn't really. So yeah, you just like make all

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Speaker 1: the same motions as a French kiss, but without the tongue,

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Speaker 1: which is also polite because you know, you don't want

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Speaker 1: to just shove your tongue down somebody's throat. I mean,

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Speaker 1: if you're going to kiss with tongue it's usually talked

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Speaker 1: about beforehand with the director. Everything sort of sort of

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Speaker 1: sorted out. I had more than one surprise, did you guys?

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Speaker 1: They they over the years there were people Brooke Davis

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Speaker 1: had to kiss, and oh there were some you already know.

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Speaker 1: Somebody bit me. I will never tell you who. The

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Speaker 1: internet was speculating about it, and I'm not you guys,

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Speaker 1: they don't, they don't know. But oh man, I actually

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Speaker 1: saw some really hilarious guesses, which made me feel bad

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Speaker 1: for some people. But they guys, that guy is really horrible,

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Speaker 1: like that how Sam? No, But yeah, it's it is.

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Speaker 1: It is a shock when someone just does that. I

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Speaker 1: love though, you talking about the technicality of this joy

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Speaker 1: because there is a question that as an actor you

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Speaker 1: get so often, which is like, well, what was this

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Speaker 1: like or this scene? And it's like, actually, the stuff

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Speaker 1: we make look really romantic and sexy on camera is

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Speaker 1: the least sexy because it's so technical. You gotta like

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Speaker 1: get your face and then they're like, okay, turn your

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Speaker 1: head one inch and you're like this way, they're like

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Speaker 1: the other way, okay, Okay, raise your chain, okay, okay,

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Speaker 1: that's exactly where we need you to to kiss and

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Speaker 1: it's so choreographed and then it has to look natural,

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Speaker 1: but it's the most unnatural thing, so awkward. Oh god,

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Speaker 1: it's so awkward, you guys. That's why I liked working

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Speaker 1: with my husband because they were like make out and

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Speaker 1: it was like, I don't have to follow anyway. It

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Speaker 1: a lot. This is going to be great, I highly Um. Well,

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Speaker 1: speaking of James, this was great stuff for Nathan in

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Speaker 1: this episode, he finally let Dan have it. I've been

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Speaker 1: waiting for debt. Yeah. The whole episode kicks off with

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Speaker 1: him trying to love bomb her, which is yeah, um,

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Speaker 1: the flowers I got us the reservation. Would you explain

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Speaker 1: love bombing for anyone that doesn't know really what that is?

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Speaker 1: So certain personality types that are prone to bad behavior

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Speaker 1: become very skilled at countering that bad behavior with over

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Speaker 1: the top affection. So they could tell you the night

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Speaker 1: before that like you're a horror and I hate your face,

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Speaker 1: and then the next day they show up with a

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Speaker 1: hotel reservation and flowers, and you are expected to understand

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Speaker 1: that they were going through something and they really do

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Speaker 1: love you. And so love bombing is like a big

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Speaker 1: red flag. We've talked about red flags here before. It's

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Speaker 1: a narcissistic tool too, because they that's how they get

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Speaker 1: you to they devalue you. And friends can do it,

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Speaker 1: lovers can, workers can get parents. Yeah, And so they

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Speaker 1: build you up with the love bombing, so they make

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Speaker 1: you feel this euphoric like, oh my god, everything's amazing.

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Speaker 1: I'm amazing. They love me, they see me in this

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Speaker 1: beautiful way, it's all going to be great. And then

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Speaker 1: they put you on the pedestal and then they can

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Speaker 1: rip the pedestal out from underneath you. You come crashing down.

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Speaker 1: You feel horrible about yourself, you feel confused and lost

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Speaker 1: in everything in the relationship. And then they come back

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Speaker 1: with the flowers in the hotel all again and build

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Speaker 1: you back up. And it's a really sick cycle. And

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Speaker 1: it's always an excuse of I'm so sorry. It's my damage,

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Speaker 1: or it's my emotions, or it's because of what happened

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Speaker 1: to me with my mom, like whatever the excuse. You

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Speaker 1: could also just be I forgive you, I forgive you

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Speaker 1: for being a mess for so they're punishing you for

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Speaker 1: being normal, and you know, and they could also it

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Speaker 1: doesn't always have to be i'm sorry. It can be

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Speaker 1: like I forgive you. Come on, let's make it better.

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Speaker 1: You overreacted to what I said or what I did.

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Speaker 1: It's it's fun watching deb in this moment because I

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Speaker 1: have to imagine the love bombing was sexy at the

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Speaker 1: beginning of their relationship. It's been a constant thing where

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Speaker 1: they have this kind of you know, she's not in

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Speaker 1: town all the time, so the hellos and the goodbyes

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Speaker 1: are probably like fun and blurty. Um. But in this

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Speaker 1: episode where she puts the boundary up and does not

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Speaker 1: accept the love bombing and then tells him you need

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Speaker 1: to go to therapy, like that's a big move in

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Speaker 1: a relationship. She's not putting up with it. I will say,

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Speaker 1: you know, we're all speaking about this topic from experience,

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Speaker 1: and I think you know, I know, for me, at

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Speaker 1: least in my younger years, being in you know, relationships

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Speaker 1: that had that kind of you know, volatility that bordered

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Speaker 1: on abusive behavior, I didn't know what was happening. You know.

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Speaker 1: We've all like, like, we trade books and we talk

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Speaker 1: about narcissism, and we're like, have you listened to this podcast.

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Speaker 1: We've got resources now, and at that time we really didn't,

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Speaker 1: and it was hard to understand the toxicity of that

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Speaker 1: kind of behavior, of those types of courtships. And I

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Speaker 1: think watching this now, I'm like, oh man, depth set

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Speaker 1: such a good example. And this was in two thousand three.

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Speaker 1: You guys like, she's so calm, yeah, putting her foot down,

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Speaker 1: talking about therapy. Like now, we're talking about mental health

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Speaker 1: all the time. But for a woman to stand up

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Speaker 1: to a man who who is volatile and scary like

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Speaker 1: Dan Scott was and say you're going to go to

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Speaker 1: therapy or you're not going to see your kid like now,

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Speaker 1: as a person who goes to therapy, I'm like, yeah, girl,

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Speaker 1: I'll get it. Yeah. And she wasn't shouting. It was

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Speaker 1: like totally just time setting my boundary. Here's what's going on,

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Speaker 1: so super healthy. Um, can we move on to this

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Speaker 1: arc of Luke this bad I keep calling him bad,

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Speaker 1: bad Lucas now like bad Sandy. He's like he's he's

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Speaker 1: really exploring this um this side of being a part

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Speaker 1: of a community that is not the one that he's

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Speaker 1: used to, kind of being suddenly fitting in with all

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Speaker 1: the people that he was an outcast from for so long,

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Speaker 1: and it's kind of having a weird effect on him. Well,

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Speaker 1: it's weird. So when people talk about like the popular crowd, right,

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Speaker 1: everything that we knew from John Hughs movies was bad behavior.

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Speaker 1: You know, like we watched like Pretty and Pink and

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Speaker 1: Blaine and all the rich kids. They're all just like awful.

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Speaker 1: And then you watch sixteen Candles and all the rich kids,

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Speaker 1: they're just like awful. And so our generation specifically kind

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Speaker 1: of grew up watching those movies where it's like, oh,

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Speaker 1: that's what popular people are like. And so now that

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Speaker 1: Lucas has been accepted into this world, you know, like

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Speaker 1: having a girl over into your room and rolling around

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Speaker 1: and buying condoms out of the grocery store at least,

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Speaker 1: go to a gas station where no one is, to

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Speaker 1: the local organic co op to buy Title Creek, my

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Speaker 1: classiest place. I need my organic coconut oil and my

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Speaker 1: little chicks, and my thing is turning. So as soon

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Speaker 1: as we were in that grocery store, I pulled my

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Speaker 1: sweatshirt up around my face because I was like, oh, no, no, no,

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Speaker 1: I know what the scene is because I was so

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Speaker 1: embarrassed to then and I realized that as an adult

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Speaker 1: human is silly that I'm still more. I'm still mortified

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Speaker 1: by the high school that fifying. I don't know, I'd

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Speaker 1: be like, I don't need people to see me buying

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Speaker 1: condoms now, you know, It's just not like the thing

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Speaker 1: I want anyone else to where they always locked up

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Speaker 1: behind the plastic case, but like where the guy has

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Speaker 1: to go get them. You're when you're at the checkout,

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Speaker 1: let people steal those by the just just let out,

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Speaker 1: just give them away for free. Let's just give them away.

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Speaker 1: It was so uncomfortable to do the scene and like

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Speaker 1: the second hand embarrassment that I had having to do it,

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Speaker 1: And now that I feel, it's like I remember exactly

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Speaker 1: how I felt, and I'm just still mortified. And I think,

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Speaker 1: like we we've hit this weird point with Brooke where

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Speaker 1: like we were saying, there's such good scenes and then

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Speaker 1: the writers always make me her and to see me

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Speaker 1: with like a really gross one liner, you're just like, oh, man,

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Speaker 1: come on, Like no girl is going to say that,

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Speaker 1: and why do we keep having to do it? And

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Speaker 1: there's like four of them in this episode, Like yeah,

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Speaker 1: I'm just gonna take the polaroid like cool, let's joke

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Speaker 1: about kids doing porn, and like we didn't like they

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Speaker 1: were just talking about feelings and like, baby, you're good.

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Speaker 1: I'm good. You're my best friend. You're my best friend.

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Speaker 1: Let's take naked pictures, you know, like, oh, come on.

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Speaker 1: But it's like, I don't know, man, you guys said

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Speaker 1: something that I loved where because clearly I was dying.

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Speaker 1: I was on the inside of my shirt and you

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Speaker 1: were like, well, at least we were promoting safe sex.

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Speaker 1: And I was like, yeah, that's yep, there's a silver

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Speaker 1: lining in my show. Peyton was feeling a lot of

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Speaker 1: feelings in this episode. How how okay a how realistic

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Speaker 1: is it that she would be? I mean, you talked

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Speaker 1: a little bit about this in a previous podcast that

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Speaker 1: we had about your high school best friend they wanted

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Speaker 1: to trade or something they wanted to trade, So apparently

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Speaker 1: it's not that crazy. But does this what did this

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Speaker 1: scenario watching this back? Does this feel realistic to you? Well,

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Speaker 1: I'll tell you so. I have sense memory of filming

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Speaker 1: this episode because I personally was in a very weird

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Speaker 1: space filming this episode. I had come onto the show, uh,

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Speaker 1: shot the pilot, got engaged after we shot the pilot,

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Speaker 1: and so when we came back to start in the show,

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Speaker 1: I was engaged, and while we were shooting this episode,

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Speaker 1: I had broken that off and was living by myself

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Speaker 1: in the apartment across the street from Karen's cafe and

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Speaker 1: like doing the exact same thing Peyton was doing. Payton

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Speaker 1: so needy for Hayley's attention in this episode, it's like,

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Speaker 1: please hang out with me, Please hang out me, Please

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Speaker 1: hang out with me. I would go and fill my

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Speaker 1: fridge with so much alcohol and food so that the

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Speaker 1: crew would come over after work because I was just like,

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Speaker 1: so I'm so broken right now, Like, someone, please hang

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Speaker 1: out with me. Everything's weird. This job is very different

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Speaker 1: than what I thought it was going to be, you know,

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Speaker 1: like I was a miss um and so that's what

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Speaker 1: I'm seeing in this episode. What I'm also seeing is

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Speaker 1: that this was the episode where I p eight because

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Speaker 1: I wanted to be What is a p A For

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Speaker 1: anybody that does so. A p A is a production

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Speaker 1: assistant and they work the A D Department. The Assistant

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Speaker 1: director department is kind of the nervous system of the show,

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Speaker 1: and so they are the ones that transmit information to

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Speaker 1: all the different departments all day long, and it's a

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Speaker 1: very high stressed department. Um, yeah, you easily can get

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Speaker 1: a chip on your shoulder while you're working in that

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Speaker 1: department because basically you're managing everybody else's bull all day long,

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Speaker 1: and and the A D Department runs all of the scheduling.

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Speaker 1: They're the people who set the call times. You know,

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Speaker 1: when it's like you're gonna get picked up at five

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Speaker 1: twelve am, that's because that's calculated because it's exactly eighteen

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Speaker 1: minutes from the person's house to the set, and then

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Speaker 1: they're going to get in hair and makeup, and then

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Speaker 1: they have this song and it's it's so many moving

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Speaker 1: parts and they're timed to the minute. So those are

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Speaker 1: the people that are always trying to make sure we're

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Speaker 1: staying on schedule. And and the p a s. You know,

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Speaker 1: this team of production assistance. They are all the people

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Speaker 1: on sets with walkie talkies and earpieces and they're helping

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Speaker 1: make sure everyone is where they need to be there

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Speaker 1: locking up traffic, they're they're giving cues to the background,

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Speaker 1: they're they're they're really like, you know, running all the

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Speaker 1: strings of the puppet that is the show. And I

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Speaker 1: remember that day because we were doing that scenic title

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Speaker 1: creek and I just wanted to die. And we came

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Speaker 1: outside and I lost it Hill because you were locking

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Speaker 1: up trafficking the parking lot. And the first time I

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Speaker 1: walked out of Title Creek with Chad, we started doing

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Speaker 1: the scene and I locked eyes with you, and I

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Speaker 1: don't know if you remember this, but I just started

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Speaker 1: laughing and I was like, I'm sorry, we gotta start over.

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Speaker 1: I can't. I just because it was it was art

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Speaker 1: imitating life. Because the reason I p ad was that

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Speaker 1: I'd asked the A D Department if my brother could

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Speaker 1: come down and be a p A. He was at

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Speaker 1: school in New York. He was miserable. I was alone.

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Speaker 1: I was just like, I just need a blankie. I

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Speaker 1: need like a cozy thing. My little brother will work.

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Speaker 1: And they were like, we're not going to hire him,

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Speaker 1: and I was like, no, I swear to you. The

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Speaker 1: Burton work ethic is like, you know, being like Burton's

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Speaker 1: out work. Anybody please hire my brother. I'll work for

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Speaker 1: free as a p A if you'll just give him

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Speaker 1: a chance. So I had like bartered this deal with

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Speaker 1: the A D Department. So I'm locking up traffic and

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Speaker 1: here I see Lucas and Brook. You know, Sophie and

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Speaker 1: Chad like working and having fun and like doing all

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Speaker 1: this stuff, and I'm on the outside with a walkie

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Speaker 1: talkie getting screamed at by this woman that's like, get

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Speaker 1: out of my neighborhood, you know, Like it was I

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Speaker 1: very much felt like an outsider. Um. I I was

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Speaker 1: struggling so hard, and yeah, so me being like joy Haley,

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Speaker 1: will you hang out with me? Please? Somebody please just

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Speaker 1: with me? It really came through. I Mean, that's one

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Speaker 1: of the things I love about acting is that we

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Speaker 1: can use our emotions. You can use whatever you're going through. Um.

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Speaker 1: So that's good that you had that outlet, I guess.

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Speaker 1: And that kills me Hill because you the similarity of

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Speaker 1: like Peyton's toughness and like your your toughness. I'm always fine,

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Speaker 1: so like I'm good, cool, and and like the tenderness

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Speaker 1: that exists between all of us and the things we share.

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Speaker 1: Like to think of you struggling then that that shatters

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Speaker 1: me because you were so like you were like running

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Speaker 1: the social scene and doing it and you just seemed

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Speaker 1: great and I'm like, oh, no, you needed a hug.

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Speaker 1: We would have come, we would have hugged you. We

350
00:20:02,960 --> 00:20:07,280
Speaker 1: would have come over, please hug. The whole side was

351
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Speaker 1: that I got to come in on Brian Greenberg's day.

352
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Speaker 1: You got where he was doing all this stuff with

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Speaker 1: Lucas and big episode for BG and for and for Jake.

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Speaker 1: I mean, let's talk about Jake. What a babe. I mean,

355
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Speaker 1: you imagine when you were in high school, you had

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Speaker 1: a guy in your high school who played basketball, who

357
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Speaker 1: was that hot, and who was doing the right thing

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Speaker 1: and being a single dad and just you know, trying

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Speaker 1: to trying to just do the right thing. And then

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Speaker 1: he also sings. He has a guitar and he comes

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Speaker 1: to open like night and you're like, it's so romantic

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Speaker 1: and and the casual but like very vulnerable way that

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Speaker 1: he just presents his daughter to everyone, like its air out.

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Speaker 1: It took the pressure. It was so good, and the

365
00:21:03,440 --> 00:21:06,719
Speaker 1: whole room was just like her. It's such a tribute

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Speaker 1: to him as an actor. How come you when b

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Speaker 1: Ge never did a duet? You two should have done

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Speaker 1: a dudet, did you? I don't know, because not long

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Speaker 1: after this part of the season, when we all really

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Speaker 1: started to learn that he could sing, Remember he booked

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Speaker 1: that Clooney show and he just the project green light thing, right. Yeah,

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Speaker 1: So I feel like I feel like we were I

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Speaker 1: feel like we were all robbed. We were robbed. He

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Speaker 1: picked Clooney, robbed he picked Clooney, and the fans were

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Speaker 1: robbed of a duet. It's not over yet. If you

376
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Speaker 1: could duet a song with Greenberg, what would you do

377
00:21:43,800 --> 00:21:46,359
Speaker 1: at Islands in the streaming Islands in the streams in

378
00:21:46,400 --> 00:21:51,119
Speaker 1: the stream What else could it possibly be? He was

379
00:21:51,160 --> 00:21:53,800
Speaker 1: such an Elliott Smith fan, remember he was always singing

380
00:21:53,840 --> 00:21:56,720
Speaker 1: those Elliott Smith songs. And I don't know, I would

381
00:21:56,720 --> 00:22:02,960
Speaker 1: definitely do something that's sort of in that Nick Drake vibe, right, Yeah,

382
00:22:03,400 --> 00:22:07,760
Speaker 1: something good and I loved to before, Like if we

383
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Speaker 1: rewind to the beginning of the episode when Jake's all

384
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Speaker 1: tired and the way Brian delivers that line, you know,

385
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Speaker 1: because Lucas comes in and it's like, oh, you didn't

386
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Speaker 1: get any sleep, Like who's the girl? And he's like

387
00:22:18,640 --> 00:22:21,600
Speaker 1: you don't know her? And all of us that those

388
00:22:21,640 --> 00:22:23,679
Speaker 1: moments are so fun as an audience member when you

389
00:22:23,720 --> 00:22:26,479
Speaker 1: know something the actors don't know because you go, oh,

390
00:22:26,560 --> 00:22:29,160
Speaker 1: he means the baby, and you get all it just

391
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Speaker 1: feels good. Yeah, I mean that was crazy to me.

392
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Speaker 1: The whole thing, like a boy has a baby, because

393
00:22:38,080 --> 00:22:40,600
Speaker 1: where I grew up, there were tons of chicks with babies.

394
00:22:41,160 --> 00:22:43,760
Speaker 1: But then there's also like a boy that has to

395
00:22:43,800 --> 00:22:46,879
Speaker 1: have participated in that, and it never clicks, you know,

396
00:22:46,880 --> 00:22:50,560
Speaker 1: it's always like, oh, she's a teen mom, and so

397
00:22:50,680 --> 00:22:55,399
Speaker 1: to depict a teen dad was really different. I did too.

398
00:22:55,480 --> 00:22:58,359
Speaker 1: I thought it was so cool. Yeah, they really got that,

399
00:22:58,480 --> 00:23:02,520
Speaker 1: right would she do? Did we ever understand like what

400
00:23:02,520 --> 00:23:05,840
Speaker 1: what the mom did, wasn't it? Emmanuel Voggier? She came back, right,

401
00:23:06,000 --> 00:23:08,280
Speaker 1: she comes in? I know she comes in. I guess

402
00:23:08,280 --> 00:23:10,520
Speaker 1: my memory is bad. I don't remember what her baggage was.

403
00:23:10,840 --> 00:23:13,000
Speaker 1: That she just didn't want to be a parent, or

404
00:23:13,160 --> 00:23:16,160
Speaker 1: that was like a druggie or something. No, I think

405
00:23:16,200 --> 00:23:19,679
Speaker 1: she just didn't want to I can't remember. I don't remember.

406
00:23:19,720 --> 00:23:23,879
Speaker 1: We're going to find out it's coming. Baby. Jenny just

407
00:23:24,000 --> 00:23:26,800
Speaker 1: graduated high school. I am friends with her and her

408
00:23:26,880 --> 00:23:32,760
Speaker 1: mom on Facebook. Her graduation photos are posted. And so

409
00:23:33,000 --> 00:23:34,879
Speaker 1: it's crazy when you look at a baby and you

410
00:23:34,920 --> 00:23:37,960
Speaker 1: can absolutely see the adult that they've become like, because

411
00:23:37,960 --> 00:23:41,200
Speaker 1: her face is you know, that's her face, and she's

412
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Speaker 1: so cute and she has turned into such an accomplished, responsible,

413
00:23:46,760 --> 00:23:49,359
Speaker 1: beautiful young woman Grace hal Come. She comes to a

414
00:23:49,359 --> 00:23:52,919
Speaker 1: lot of our conventions, and it's fun to have watched

415
00:23:52,920 --> 00:23:55,600
Speaker 1: this little person grow up. I want to know where

416
00:23:55,640 --> 00:24:00,480
Speaker 1: that polaroid is Joy the polaroid, Yes, me, Hilary and Grace.

417
00:24:01,000 --> 00:24:03,639
Speaker 1: I'm like, who has that? In? What archive? Does that

418
00:24:03,680 --> 00:24:06,159
Speaker 1: polaroid live? And how do we get? I want it?

419
00:24:06,440 --> 00:24:08,000
Speaker 1: That would be so fun to have that. You know

420
00:24:08,080 --> 00:24:10,479
Speaker 1: that they're somewhere and there's all those polaroids from all

421
00:24:10,520 --> 00:24:13,359
Speaker 1: of our makeup and hair and words, but they probably

422
00:24:13,359 --> 00:24:16,159
Speaker 1: threw those out. Actually, I don't know. Guys. People have

423
00:24:16,320 --> 00:24:20,000
Speaker 1: brought in our old wardrobe polaroids for us to sign

424
00:24:20,080 --> 00:24:22,240
Speaker 1: at conventions and I'm like, how did you get that?

425
00:24:22,400 --> 00:24:28,280
Speaker 1: Is so disconcerted. That makes me so uncomfortable. I will

426
00:24:28,280 --> 00:24:30,360
Speaker 1: say the polaroids I do like, though, are the ones

427
00:24:30,440 --> 00:24:34,520
Speaker 1: we took in this episode. And it feels very important

428
00:24:34,560 --> 00:24:37,800
Speaker 1: to call out the fact that an episode ten of

429
00:24:37,880 --> 00:24:44,880
Speaker 1: One Tree Hill, Brooke and Peyton invent the selfie. Literally

430
00:24:45,119 --> 00:24:48,960
Speaker 1: like we are like, we just that's what we're doing. Listen,

431
00:24:48,960 --> 00:24:51,280
Speaker 1: I'm gonna take credit for everything. We can take credit.

432
00:24:52,119 --> 00:24:54,359
Speaker 1: We were the first people to do it, but we

433
00:24:54,480 --> 00:24:58,240
Speaker 1: definitely were the cutest. We were real cute. Yeah, super cute.

434
00:24:58,320 --> 00:24:59,639
Speaker 1: We took you guys took a few of those. I

435
00:24:59,680 --> 00:25:01,679
Speaker 1: wish the polaroid had stuck around and become like more

436
00:25:01,720 --> 00:25:06,960
Speaker 1: of a thing in the Yeah, I still have polaroid cameras.

437
00:25:07,080 --> 00:25:09,560
Speaker 1: When you hear that people have polaroid cameras now though,

438
00:25:09,720 --> 00:25:11,240
Speaker 1: it still just makes me think they're doing it to

439
00:25:11,240 --> 00:25:15,080
Speaker 1: take naked pictures. Really do myself, because you don't because

440
00:25:15,119 --> 00:25:19,840
Speaker 1: it doesn't go on the cloud, right, have to have

441
00:25:19,920 --> 00:25:23,840
Speaker 1: it printed. I just love film. I love film. I

442
00:25:23,920 --> 00:25:27,119
Speaker 1: love the flash, the moment. You guys, I'm such a nerd,

443
00:25:27,240 --> 00:25:33,160
Speaker 1: Like you know, photography is so it's like a language. Yeah,

444
00:25:33,200 --> 00:25:35,600
Speaker 1: it's like a love language. In my family. I'm like

445
00:25:35,680 --> 00:25:39,880
Speaker 1: the nerd who's trolling eBay to collect old polaroid cameras,

446
00:25:41,000 --> 00:25:44,440
Speaker 1: Like I have like a whole storage bin up above

447
00:25:44,520 --> 00:25:47,920
Speaker 1: my washing machine just of like all these weird old

448
00:25:48,000 --> 00:25:51,199
Speaker 1: cameras that I've bought over the years, What are you

449
00:25:51,200 --> 00:25:53,360
Speaker 1: going to do with them? I mean, I use them.

450
00:25:53,359 --> 00:25:55,600
Speaker 1: But the thing that's really annoying I have to say

451
00:25:55,680 --> 00:25:59,040
Speaker 1: is that because film in general has gotten to be

452
00:25:59,080 --> 00:26:01,879
Speaker 1: like retro and whatever. Now it's like a hundred bucks

453
00:26:02,240 --> 00:26:05,000
Speaker 1: to get a ten pack of polaroid film for one

454
00:26:05,000 --> 00:26:07,240
Speaker 1: of the polaroids I have that's from the sixties. And

455
00:26:07,280 --> 00:26:09,080
Speaker 1: I'm like, this feels ridiculous. I don't even know if

456
00:26:09,080 --> 00:26:11,000
Speaker 1: that's going to be a good photo. What if I blinked?

457
00:26:11,800 --> 00:26:14,120
Speaker 1: It's ten dollars of blink, Like, get out of here.

458
00:26:14,400 --> 00:26:16,119
Speaker 1: That's the charm of it. Back then, you know you

459
00:26:16,200 --> 00:26:18,320
Speaker 1: got you got the one photo. By the seaside of

460
00:26:18,640 --> 00:26:22,800
Speaker 1: whoever happened to have their eyes open, We've seen a

461
00:26:22,840 --> 00:26:26,280
Speaker 1: lot of like that picture of Brook Peyton and baby Jenny.

462
00:26:26,320 --> 00:26:29,359
Speaker 1: We see a lot in like fan art um and

463
00:26:29,400 --> 00:26:32,200
Speaker 1: at conventions and stuff. And it's so nice to rewatch

464
00:26:32,200 --> 00:26:34,600
Speaker 1: the episode know that Haley took that picture because I've

465
00:26:34,640 --> 00:26:39,680
Speaker 1: forgotten that Tidney too, And the friendship between the girls

466
00:26:40,040 --> 00:26:43,840
Speaker 1: is on display in this episode, and a really really,

467
00:26:44,160 --> 00:26:47,040
Speaker 1: it really is. In fact, I noticed that this to me,

468
00:26:47,160 --> 00:26:49,560
Speaker 1: this was the first time. Maybe I'm wrong, but it

469
00:26:49,600 --> 00:26:52,560
Speaker 1: was the first time I noticed Peyton and Haley hanging

470
00:26:52,560 --> 00:26:55,760
Speaker 1: out without a reason the walk and talk, so it

471
00:26:55,800 --> 00:26:58,240
Speaker 1: was already the flyers already been made. There was no

472
00:26:58,600 --> 00:27:01,320
Speaker 1: reason for for us to find each other except that

473
00:27:01,400 --> 00:27:04,280
Speaker 1: we then I was just like, Okay, well, I guess

474
00:27:04,280 --> 00:27:05,879
Speaker 1: we like each other now, so we'll just kind of

475
00:27:05,960 --> 00:27:09,160
Speaker 1: keep walking and talking and hanging out. And it felt

476
00:27:09,160 --> 00:27:11,920
Speaker 1: like the first time we we solidified that, Okay, there's

477
00:27:11,960 --> 00:27:16,280
Speaker 1: an actual friendship here. It's not just it's thrown together

478
00:27:16,359 --> 00:27:18,600
Speaker 1: in a car because we have to be or crossing

479
00:27:18,600 --> 00:27:23,320
Speaker 1: paths because of this whole rectangle of people that were around.

480
00:27:23,440 --> 00:27:25,440
Speaker 1: You know, it's like you and me really choosing to

481
00:27:25,480 --> 00:27:29,600
Speaker 1: spend time together. I liked that, and it made Peyton

482
00:27:29,640 --> 00:27:33,280
Speaker 1: feel important that Hailey like asked her to help. That

483
00:27:33,440 --> 00:27:35,720
Speaker 1: is always I find like the quickest way to make

484
00:27:35,760 --> 00:27:38,720
Speaker 1: a friend is to like ask somebody for their skill set,

485
00:27:39,040 --> 00:27:42,480
Speaker 1: because you're respecting what they're good at and you're honoring

486
00:27:42,560 --> 00:27:45,760
Speaker 1: that and you're including them. You're letting them know, like

487
00:27:46,560 --> 00:27:48,600
Speaker 1: you're the best at this. That's why I picked you,

488
00:27:48,600 --> 00:27:53,240
Speaker 1: you know. Um, So it's a yeah, that's a good life. Heck,

489
00:27:53,600 --> 00:27:55,560
Speaker 1: do that when you want to make friends with someone.

490
00:27:56,119 --> 00:27:58,720
Speaker 1: It's also so nice to see all of these people

491
00:27:59,520 --> 00:28:03,679
Speaker 1: really starting to see each other, Like Peyton and Haley

492
00:28:03,680 --> 00:28:08,439
Speaker 1: are really seeing each other. Um, we're seeing Nathan, Nathan

493
00:28:08,480 --> 00:28:10,679
Speaker 1: and Lucas are beginning to see each other, Like when

494
00:28:10,760 --> 00:28:15,000
Speaker 1: Lucas says to Nathan at the cafe, like, come play

495
00:28:15,040 --> 00:28:17,200
Speaker 1: with us at the river Court tonight, and Nathan says why,

496
00:28:17,240 --> 00:28:19,879
Speaker 1: and he's like, because it's fun remember, like for the

497
00:28:20,000 --> 00:28:23,760
Speaker 1: boys for him to see that his you know, estranged

498
00:28:23,800 --> 00:28:26,560
Speaker 1: half brother is really hurting because of the pressure put

499
00:28:26,600 --> 00:28:29,960
Speaker 1: on the fun thing. I even like, I have to say,

500
00:28:30,000 --> 00:28:33,120
Speaker 1: it's so funny. We played these people for so long

501
00:28:33,160 --> 00:28:35,320
Speaker 1: that they like they feel kind of like us or

502
00:28:35,400 --> 00:28:39,400
Speaker 1: like our friends. And when when Haley is like being

503
00:28:39,480 --> 00:28:41,560
Speaker 1: judgmental of Brooke in the beginning, I was like, that

504
00:28:41,640 --> 00:28:47,920
Speaker 1: hurts my feelings. I love is that there for whatever

505
00:28:47,960 --> 00:28:51,280
Speaker 1: reason in this development, like Haley and Brooke are are

506
00:28:51,360 --> 00:28:54,080
Speaker 1: kind of the last to see each other, you know.

507
00:28:55,000 --> 00:28:58,360
Speaker 1: And I actually thought it was really cool because it

508
00:28:58,440 --> 00:29:00,080
Speaker 1: was such a thing Hill when you were mentioned and

509
00:29:00,160 --> 00:29:02,520
Speaker 1: like John Hughes movies, whatever, it was such a thing

510
00:29:02,560 --> 00:29:06,040
Speaker 1: to like judge the popular girl, or like judge girls

511
00:29:06,080 --> 00:29:08,680
Speaker 1: for being quote unquote like easy or sexual or whatever.

512
00:29:09,280 --> 00:29:12,760
Speaker 1: And Haley does it to Brooke and Lucas defends her

513
00:29:13,200 --> 00:29:15,720
Speaker 1: and it's like it's because I like her. He's like,

514
00:29:15,800 --> 00:29:19,640
Speaker 1: she's cool, she's smart, she makes me laugh, like stop,

515
00:29:19,720 --> 00:29:24,200
Speaker 1: give her a chance, and it's good. It's really good,

516
00:29:24,240 --> 00:29:28,760
Speaker 1: and like I liked that. She then kind of fessed

517
00:29:28,840 --> 00:29:31,479
Speaker 1: up to Peyton like yeah, I haven't been doing it

518
00:29:31,520 --> 00:29:34,920
Speaker 1: and I should. And and then like when you're so

519
00:29:35,040 --> 00:29:37,120
Speaker 1: nice at the end and you offer to take the

520
00:29:37,200 --> 00:29:39,760
Speaker 1: polaroid of us with the baby, I was like, oh man,

521
00:29:39,880 --> 00:29:44,520
Speaker 1: these people are making space for each other dispite their predispositions,

522
00:29:44,760 --> 00:29:48,120
Speaker 1: and that's that's really cool. And you even, you know,

523
00:29:48,760 --> 00:29:51,680
Speaker 1: as as Haley with Peyton, you call out your predisposition,

524
00:29:51,720 --> 00:29:54,800
Speaker 1: You're like, I take back everything I said about Like

525
00:29:55,760 --> 00:29:57,960
Speaker 1: it's I don't know. I find it to be really

526
00:29:58,040 --> 00:30:02,800
Speaker 1: beautiful that we mod old like honesty about judgment, but

527
00:30:02,880 --> 00:30:07,040
Speaker 1: also the potential to make room for your opinion to change. Yeah,

528
00:30:07,120 --> 00:30:10,960
Speaker 1: that's like your opinion can and maybe should change about

529
00:30:10,960 --> 00:30:13,240
Speaker 1: people on a regular basis, because we're all different people

530
00:30:13,240 --> 00:30:16,160
Speaker 1: than we were five minutes ago. Um, and that's true

531
00:30:16,200 --> 00:30:20,080
Speaker 1: for fictional characters as well. Um, me the grumpy girl

532
00:30:20,200 --> 00:30:22,800
Speaker 1: that likes to make jokes instead of feel feelings. I

533
00:30:23,000 --> 00:30:28,040
Speaker 1: cried watching the river Court scene. That affected me. I

534
00:30:28,040 --> 00:30:30,920
Speaker 1: don't it's just like looking at like the shiny happy

535
00:30:30,960 --> 00:30:34,520
Speaker 1: thing George snuck in here to watch it too. Um,

536
00:30:34,560 --> 00:30:37,680
Speaker 1: and we have one of our favorite members of our

537
00:30:37,800 --> 00:30:40,520
Speaker 1: river Court family joining us that we're gonna take a

538
00:30:40,520 --> 00:30:48,760
Speaker 1: little break. Here we go. Hey everybody, I'm Bethany joy Lens,

539
00:30:48,920 --> 00:30:51,800
Speaker 1: I'm Hillary Burton more again, and I'm Sophia Bush and

540
00:30:51,840 --> 00:30:56,240
Speaker 1: we have something very exciting to invite you to. What

541
00:30:56,280 --> 00:31:00,800
Speaker 1: are y'all doing on the three September is September? It's

542
00:31:00,960 --> 00:31:04,120
Speaker 1: um um um, it's um. Oh yeah, it's o th

543
00:31:04,400 --> 00:31:09,520
Speaker 1: h Day, on our national holiday. We've just claimed it.

544
00:31:09,840 --> 00:31:12,160
Speaker 1: That's right, it's our day. Put it on your calendar

545
00:31:12,520 --> 00:31:14,640
Speaker 1: to us. Not only is it a live event with

546
00:31:14,720 --> 00:31:18,160
Speaker 1: your drama queens, but we have a very special guest, Hillary.

547
00:31:18,240 --> 00:31:22,520
Speaker 1: Tell everybody what they won, y'all hold the phone. Gavin

548
00:31:22,880 --> 00:31:28,040
Speaker 1: de Gras is joining us for official o th h Day.

549
00:31:28,240 --> 00:31:30,600
Speaker 1: I can't wait, and he's going to serenade us. So

550
00:31:30,720 --> 00:31:33,760
Speaker 1: go get your tickets Looped live dot com. The man

551
00:31:33,840 --> 00:31:36,280
Speaker 1: who gave us I don't want to be with your

552
00:31:36,320 --> 00:31:40,840
Speaker 1: three queens September twenty three, one Tree Hill Day, Looped

553
00:31:40,920 --> 00:31:45,680
Speaker 1: live dot com. See you there. Who do you love

554
00:31:45,720 --> 00:31:47,920
Speaker 1: to party with more than any other dude on the show?

555
00:31:48,560 --> 00:31:55,640
Speaker 1: Um Antoine Tanner. We got him. Okay, friends, we have

556
00:31:56,000 --> 00:31:59,960
Speaker 1: Antoine Tanner. He's an American actor. He is best known

557
00:32:00,000 --> 00:32:02,200
Speaker 1: for his recurring role as Michael on the up n

558
00:32:02,280 --> 00:32:06,160
Speaker 1: sitcom Moesha and It's Been Off the Parkers. He had

559
00:32:06,160 --> 00:32:08,720
Speaker 1: a starring role in the film Coach Carter. He's been

560
00:32:08,760 --> 00:32:13,880
Speaker 1: an NYPD Blue Sister Sister and c s I and

561
00:32:14,000 --> 00:32:23,240
Speaker 1: he is our friend. Antoine Tanna skills was good. Look

562
00:32:23,280 --> 00:32:29,240
Speaker 1: at those malls. Hey, okay, Hi talk about a tank

563
00:32:29,240 --> 00:32:32,400
Speaker 1: top party? Yeah, what's going on? Muscles? Are you wearing

564
00:32:32,440 --> 00:32:36,480
Speaker 1: a juicy suit? I hope so I just got on

565
00:32:36,520 --> 00:32:40,719
Speaker 1: shorts that that was my wardrobe. In one of the scenes, Twine,

566
00:32:40,760 --> 00:32:42,440
Speaker 1: we were like, oh, there's a tank top in a

567
00:32:42,520 --> 00:32:48,560
Speaker 1: juicy suit. So good to see your face. How you doing.

568
00:32:49,240 --> 00:32:51,960
Speaker 1: I'm good. I'm proud of y'all. Man. You're killing the gang.

569
00:32:52,160 --> 00:32:55,680
Speaker 1: That's what I'm talking about. We're having Wait, So, did

570
00:32:55,680 --> 00:32:58,760
Speaker 1: you ever go to any of the basketball games before that? Like,

571
00:32:58,800 --> 00:33:02,600
Speaker 1: did you go sit in the stand? You never had

572
00:33:02,640 --> 00:33:07,440
Speaker 1: to work in eighteen hours Sunday. I didn't have to

573
00:33:07,480 --> 00:33:10,440
Speaker 1: do none of those. I was just yeah, we were

574
00:33:10,480 --> 00:33:12,360
Speaker 1: still on the river court. I would I would fly

575
00:33:12,480 --> 00:33:16,320
Speaker 1: in California. Come shoot my damn um, maybe one thing

576
00:33:16,400 --> 00:33:19,640
Speaker 1: on the stage in Lucas House or you know what

577
00:33:19,680 --> 00:33:22,080
Speaker 1: I'm saying, and then or at it was all River Court.

578
00:33:22,960 --> 00:33:26,360
Speaker 1: That go back, Antoine, talk to us about what you

579
00:33:26,400 --> 00:33:28,280
Speaker 1: were really like in high school. What were you doing?

580
00:33:29,600 --> 00:33:31,480
Speaker 1: I was. I think I was a lot like skills

581
00:33:31,600 --> 00:33:34,480
Speaker 1: on everything because I was a basketball star. I was

582
00:33:34,520 --> 00:33:36,960
Speaker 1: a basketball star in my school. I was the class clown.

583
00:33:38,200 --> 00:33:43,080
Speaker 1: You do say I was a class clown? Well not

584
00:33:43,280 --> 00:33:46,200
Speaker 1: my like my freshman and sophomore year, we was. I

585
00:33:46,280 --> 00:33:48,240
Speaker 1: was in the basketball start in because we had like

586
00:33:48,320 --> 00:33:50,760
Speaker 1: stars at my school. Like that was real good. But

587
00:33:50,800 --> 00:33:52,480
Speaker 1: when I came to California and I went to school

588
00:33:52,480 --> 00:33:55,440
Speaker 1: out here, yeah, I was like big man on campus

589
00:33:55,520 --> 00:33:58,480
Speaker 1: far as basketball was concerned. So and then I got

590
00:33:58,520 --> 00:34:00,560
Speaker 1: girls because it was like a lot of different racists

591
00:34:00,600 --> 00:34:04,680
Speaker 1: and like that, so it was cool. How did you

592
00:34:04,720 --> 00:34:06,400
Speaker 1: tell us what the audition process was like for you

593
00:34:06,480 --> 00:34:09,640
Speaker 1: getting the part on One Tree Hill as a basketball player? Well,

594
00:34:09,680 --> 00:34:12,520
Speaker 1: I had already knew Schwan and Brian and Mike. I

595
00:34:12,560 --> 00:34:15,840
Speaker 1: had already knew them. I used to play ball with

596
00:34:16,040 --> 00:34:19,359
Speaker 1: Um and I did. Actually I worked with Brian and

597
00:34:19,400 --> 00:34:22,840
Speaker 1: Mike prior, we did a show called UH after school

598
00:34:22,840 --> 00:34:25,320
Speaker 1: special called UM I think it was called four Points

599
00:34:25,320 --> 00:34:29,520
Speaker 1: with Shack Um and Cheryl Miller and UH and Robert

600
00:34:29,600 --> 00:34:32,279
Speaker 1: Richard Robert Rochard. That was in Coach Carter, so we

601
00:34:32,360 --> 00:34:35,560
Speaker 1: all he played He played interest on the show, and

602
00:34:35,600 --> 00:34:38,240
Speaker 1: I was like a bully basketball kid. That was a bully,

603
00:34:38,680 --> 00:34:40,640
Speaker 1: you know what I'm saying. We bullied him and you

604
00:34:40,680 --> 00:34:42,680
Speaker 1: know what's and then all of a sudden he got good.

605
00:34:42,719 --> 00:34:44,440
Speaker 1: So I worked with Brian on that. And then I

606
00:34:44,480 --> 00:34:47,520
Speaker 1: also had did a pilot with Brian and Mike called

607
00:34:49,360 --> 00:34:51,680
Speaker 1: was There Slam? So it was just supposed to be

608
00:34:51,719 --> 00:34:54,839
Speaker 1: a series and it didn't get up. So like they

609
00:34:54,840 --> 00:34:56,640
Speaker 1: already knew who I was. They already knew you know

610
00:34:56,680 --> 00:34:59,960
Speaker 1: what I'm saying, They already knew my work. Did it like, Hey,

611
00:35:00,120 --> 00:35:03,000
Speaker 1: come play with us on this show. No. I went

612
00:35:03,040 --> 00:35:05,200
Speaker 1: to an audition, but when I got in the room,

613
00:35:05,600 --> 00:35:09,719
Speaker 1: we didn't talk, and we didn't audition like I you

614
00:35:09,840 --> 00:35:12,680
Speaker 1: just talked. I studied this stuff. And then I walked

615
00:35:12,719 --> 00:35:14,719
Speaker 1: in and I was like, Oh, what's up, y'all, What's

616
00:35:14,840 --> 00:35:17,400
Speaker 1: what's happening? We you know, say the vole everybody. I

617
00:35:17,480 --> 00:35:18,880
Speaker 1: just was like you know, and we just got to

618
00:35:18,920 --> 00:35:20,919
Speaker 1: talking about basketball because at the time we was playing

619
00:35:20,920 --> 00:35:23,279
Speaker 1: in the NBA Entertainment League had just like started. It

620
00:35:23,320 --> 00:35:26,040
Speaker 1: was getting like it was getting big, and I was

621
00:35:26,080 --> 00:35:29,040
Speaker 1: like averaging like m VP that year. So that when

622
00:35:29,040 --> 00:35:30,600
Speaker 1: I came in, they just was talking about so, who

623
00:35:30,640 --> 00:35:31,920
Speaker 1: y'all playing next week? And I was like, oh, we

624
00:35:32,000 --> 00:35:33,440
Speaker 1: got so and so, and you know, they was like,

625
00:35:33,480 --> 00:35:35,600
Speaker 1: oh damn, that's what's up. And it was like, Okay, listen,

626
00:35:35,600 --> 00:35:37,680
Speaker 1: we're gonna go to North Carolina and shoot the show.

627
00:35:38,320 --> 00:35:40,399
Speaker 1: It's a pilot. We're gonna be out there for about

628
00:35:40,440 --> 00:35:43,600
Speaker 1: a week and it's gonna be happening this week. Uh

629
00:35:43,719 --> 00:35:46,120
Speaker 1: that it was like April something when we shot. I'll

630
00:35:46,120 --> 00:35:48,839
Speaker 1: never forget it was like right around my birthday. And uh,

631
00:35:48,840 --> 00:35:50,759
Speaker 1: I told him myself, well, I can't go this week.

632
00:35:50,800 --> 00:35:52,799
Speaker 1: You'all gonna have to like figure it out. Because I

633
00:35:52,840 --> 00:35:54,839
Speaker 1: was doing the show with Um Clarence Win the third

634
00:35:54,880 --> 00:35:59,000
Speaker 1: Rest in Peace UM called The Skin. It was on

635
00:35:59,680 --> 00:36:03,600
Speaker 1: it was on CBS and remember that, Yeah, I was

636
00:36:03,640 --> 00:36:05,879
Speaker 1: doing I did four episodes on that with Clarence Will

637
00:36:06,000 --> 00:36:08,120
Speaker 1: was the third. So he um and they was like,

638
00:36:08,160 --> 00:36:09,920
Speaker 1: don't worry about it. We're working out, and I was

639
00:36:09,960 --> 00:36:12,120
Speaker 1: like all right, cool. So they was like I get

640
00:36:12,239 --> 00:36:13,880
Speaker 1: out of here. We got an audition some people. I

641
00:36:13,920 --> 00:36:15,440
Speaker 1: was like, all I bet so I left like that

642
00:36:15,520 --> 00:36:20,680
Speaker 1: was what I okay. So we shot the pilot and

643
00:36:20,760 --> 00:36:23,160
Speaker 1: Anton was like like we were just like talking because

644
00:36:23,160 --> 00:36:25,319
Speaker 1: I was still going back and forth the MTV and

645
00:36:25,360 --> 00:36:27,320
Speaker 1: Anton would talk and be like, oh, I know Brandy,

646
00:36:27,480 --> 00:36:29,160
Speaker 1: I know so and so, I know so and so

647
00:36:29,280 --> 00:36:30,960
Speaker 1: I know so and so. And I was like, who

648
00:36:31,160 --> 00:36:35,640
Speaker 1: is this dude that knows everybody? And then sure I

649
00:36:35,680 --> 00:36:38,120
Speaker 1: get back up to New York and everyone's like, oh yeah, Anton,

650
00:36:38,440 --> 00:36:40,480
Speaker 1: like yeah, of course we all know him. I was

651
00:36:40,520 --> 00:36:45,080
Speaker 1: just like, what where have I been? Yeah? You were

652
00:36:45,120 --> 00:36:48,760
Speaker 1: like the most connected dude on the planet. You'd worked

653
00:36:48,760 --> 00:36:51,520
Speaker 1: with everybody works. I was, you know what. It was

654
00:36:51,560 --> 00:36:54,280
Speaker 1: crazy because I never wanted to be an actor or nothing.

655
00:36:54,520 --> 00:36:56,880
Speaker 1: I didn't take no classes, I didn't study, I didn't

656
00:36:57,960 --> 00:37:00,759
Speaker 1: I just was playing basketball. I got noticed playing basket.

657
00:37:00,880 --> 00:37:03,560
Speaker 1: I was doing music first, and then I was like, well,

658
00:37:03,960 --> 00:37:05,680
Speaker 1: I just really want to be on the soundtrack. So

659
00:37:05,760 --> 00:37:10,359
Speaker 1: my like hole motivation to be in like I could

660
00:37:10,360 --> 00:37:13,880
Speaker 1: get on the soundtrack and then so sing for us

661
00:37:14,000 --> 00:37:16,600
Speaker 1: right now? Oh no, I can't sing. All right, That's

662
00:37:16,600 --> 00:37:18,560
Speaker 1: what I do. I write. You know what I'm saying.

663
00:37:18,640 --> 00:37:21,040
Speaker 1: But I could write it. It's crazy, it's so weird.

664
00:37:21,200 --> 00:37:23,320
Speaker 1: I could write it. But I just I never was

665
00:37:23,360 --> 00:37:25,880
Speaker 1: a performer. I was a performer when I was rapping,

666
00:37:27,239 --> 00:37:29,640
Speaker 1: like R and B and stuff like that. It's easy

667
00:37:29,680 --> 00:37:31,600
Speaker 1: for me to write that. I don't know why you

668
00:37:31,640 --> 00:37:35,080
Speaker 1: love Phil Collins. That's what I remember about the pilot,

669
00:37:35,160 --> 00:37:38,200
Speaker 1: is you listening to Phil Collins. I love that you

670
00:37:39,400 --> 00:37:41,640
Speaker 1: did have the best taste in music. You could always

671
00:37:41,680 --> 00:37:44,080
Speaker 1: count on Antoine for a good soundtrack. I just did

672
00:37:44,160 --> 00:37:47,520
Speaker 1: karaoke and while it's North Carolina last weekend for the

673
00:37:47,560 --> 00:37:50,880
Speaker 1: Hope for the Warriors Foundation, and the girl who runs it,

674
00:37:50,960 --> 00:37:52,759
Speaker 1: she was like, you need to participate and I was like,

675
00:37:52,800 --> 00:37:54,000
Speaker 1: what you want me to do? She's like, I'm gonna

676
00:37:54,000 --> 00:37:55,800
Speaker 1: do a song with you. I was like, okay, She's like,

677
00:37:55,840 --> 00:37:57,920
Speaker 1: what do you want to listen to some rap stuff?

678
00:37:57,960 --> 00:38:02,520
Speaker 1: I was like, nah, Phil Collins. She was like Phil Collins.

679
00:38:02,600 --> 00:38:05,279
Speaker 1: So I did Phil College. They had a ball out

680
00:38:05,320 --> 00:38:08,440
Speaker 1: there that I was in the woods last week. I

681
00:38:08,920 --> 00:38:11,160
Speaker 1: posted that on Instagram. Was it when the last time

682
00:38:11,160 --> 00:38:13,719
Speaker 1: you were back in North Carolina like a convention. Yeah,

683
00:38:13,719 --> 00:38:16,200
Speaker 1: it was last week. I went, Um, well, I flew

684
00:38:16,239 --> 00:38:18,279
Speaker 1: into Womanton. But you know, while it's just like right

685
00:38:18,280 --> 00:38:21,640
Speaker 1: outside of like Burgo and Jacksonville, like forty minutes Womanton.

686
00:38:21,800 --> 00:38:23,640
Speaker 1: So I was out there. I went to hung Out,

687
00:38:23,760 --> 00:38:25,640
Speaker 1: Me and my boy can't We went to hung Out

688
00:38:25,680 --> 00:38:28,160
Speaker 1: that night, just went to downtown. We went to Real Cafe,

689
00:38:28,239 --> 00:38:32,080
Speaker 1: went to Level five for you real quick and just

690
00:38:32,160 --> 00:38:34,239
Speaker 1: you know, pass some wings and then we went up

691
00:38:34,239 --> 00:38:36,520
Speaker 1: to level five, had a couple of shots and then

692
00:38:36,560 --> 00:38:39,000
Speaker 1: we went and later scene. Now is it the same

693
00:38:39,040 --> 00:38:41,319
Speaker 1: as it was when we were there. Yes, it was

694
00:38:41,360 --> 00:38:44,799
Speaker 1: a Saturday night and it was cracking. Yeah. Yeah, it

695
00:38:44,880 --> 00:38:50,160
Speaker 1: was popping. Yeah. They don't mask, They just out they

696
00:38:50,160 --> 00:38:53,960
Speaker 1: don't care. Oh my god, oh yeah yeah yeo. Um okay,

697
00:38:54,120 --> 00:38:57,520
Speaker 1: I want to know what your favorite Antoine One Tree

698
00:38:57,560 --> 00:39:01,120
Speaker 1: Hill storyline was that you got to do. Oh. I

699
00:39:01,160 --> 00:39:04,719
Speaker 1: liked it. I liked it everything. My favorite one was

700
00:39:05,080 --> 00:39:09,160
Speaker 1: me and Nanny did. What's so funny is that she

701
00:39:09,360 --> 00:39:13,520
Speaker 1: said the same thing is. I think what it was

702
00:39:13,520 --> 00:39:17,719
Speaker 1: was I was I'm more like, I'm more confident, you

703
00:39:17,760 --> 00:39:21,440
Speaker 1: know what I'm saying around women? But she like she

704
00:39:21,560 --> 00:39:27,000
Speaker 1: was the first person that made me feel vulnerable the

705
00:39:27,040 --> 00:39:32,640
Speaker 1: first person. So it was like, uh, she's so hot. Yeah.

706
00:39:32,680 --> 00:39:34,520
Speaker 1: She would keep you on your toes. So it was

707
00:39:34,600 --> 00:39:36,960
Speaker 1: kind of like I could never relax with her. I

708
00:39:36,960 --> 00:39:39,600
Speaker 1: always had the big show, much was on point. She

709
00:39:39,640 --> 00:39:42,000
Speaker 1: had the most lovely things to say about you. I mean,

710
00:39:42,080 --> 00:39:43,600
Speaker 1: she was talking about the scene where you guys were

711
00:39:43,600 --> 00:39:45,680
Speaker 1: in the pool together right after she had just given

712
00:39:45,680 --> 00:39:48,200
Speaker 1: birth to her daughter, and you know, she was topless,

713
00:39:48,239 --> 00:39:49,880
Speaker 1: and you were just so sweet to her and like

714
00:39:49,920 --> 00:39:53,680
Speaker 1: always really protective, and she just she said that she

715
00:39:53,800 --> 00:39:55,960
Speaker 1: I mean, girls, if you remember any of this stuff too,

716
00:39:56,000 --> 00:39:59,040
Speaker 1: I just remember Barb saying that she had such a

717
00:39:59,040 --> 00:40:01,920
Speaker 1: great time working with you and felt so safe with

718
00:40:02,000 --> 00:40:04,920
Speaker 1: you and had so much fun, Like you guys just

719
00:40:04,960 --> 00:40:08,279
Speaker 1: got to play. Oh yeah, she played a lot. She

720
00:40:08,320 --> 00:40:12,920
Speaker 1: had me like she had me so like nervous. The

721
00:40:12,960 --> 00:40:14,920
Speaker 1: fun part of doing scenes with you, Antoine is that

722
00:40:15,080 --> 00:40:17,400
Speaker 1: I don't even know if you read the script, because

723
00:40:17,440 --> 00:40:20,200
Speaker 1: you just say what you need to say in the

724
00:40:20,239 --> 00:40:23,480
Speaker 1: scene to move it forward. And it's fun to play.

725
00:40:23,520 --> 00:40:26,960
Speaker 1: It's fun to just like make stuff up. Do you

726
00:40:27,000 --> 00:40:32,040
Speaker 1: read the scripts? I don't read the whole scripts, just

727
00:40:32,080 --> 00:40:35,040
Speaker 1: your person. I just read my scene and see what's happening.

728
00:40:35,239 --> 00:40:38,439
Speaker 1: That's that's it, because the way I study is different Sam.

729
00:40:38,480 --> 00:40:40,520
Speaker 1: When I work with Sam Jackson long time ago, I

730
00:40:40,520 --> 00:40:42,239
Speaker 1: did one seven with him and he gave me like

731
00:40:42,280 --> 00:40:45,960
Speaker 1: a bunch of game. Like you used to say, forget

732
00:40:46,000 --> 00:40:50,000
Speaker 1: the lines noticing and go with your instinct. Like he

733
00:40:50,000 --> 00:40:51,560
Speaker 1: would always say that, and I'd be like, what do

734
00:40:51,560 --> 00:40:53,560
Speaker 1: you mean, like you have to read it? He said,

735
00:40:53,560 --> 00:40:55,279
Speaker 1: you don't need to read everybody's stuff. You wasn't there

736
00:40:55,320 --> 00:40:59,160
Speaker 1: for their stuff. You only there for your stuff. I like, oh, okay,

737
00:40:59,239 --> 00:41:01,120
Speaker 1: that makes sense. That That's what made me stop like

738
00:41:01,160 --> 00:41:04,040
Speaker 1: really reading the scripts. And I was just like okay,

739
00:41:04,040 --> 00:41:05,920
Speaker 1: but it kind of clicked in what he was saying.

740
00:41:06,000 --> 00:41:07,799
Speaker 1: I didn't. I didn't get it at first, but then

741
00:41:07,800 --> 00:41:10,360
Speaker 1: I was like, oh well, let me see. So what

742
00:41:10,400 --> 00:41:12,239
Speaker 1: I would do. He would be like, read it, just

743
00:41:12,280 --> 00:41:15,160
Speaker 1: read the same real quick and leave it alone. Just

744
00:41:15,200 --> 00:41:17,440
Speaker 1: read it one time and leave it alone. And I'd

745
00:41:17,480 --> 00:41:18,880
Speaker 1: be like all right, cool. So I would do it

746
00:41:18,920 --> 00:41:21,439
Speaker 1: like two days before I even film, So I would

747
00:41:21,480 --> 00:41:23,880
Speaker 1: read it, be in the showering, you know something you're

748
00:41:23,880 --> 00:41:26,520
Speaker 1: in the showering, just think did it just go through

749
00:41:26,560 --> 00:41:28,600
Speaker 1: your head? Like, so then when I got to say

750
00:41:28,640 --> 00:41:31,239
Speaker 1: it was like, this is how I was gonna say

751
00:41:31,239 --> 00:41:33,239
Speaker 1: it already, because this is I'm just going over it

752
00:41:33,280 --> 00:41:36,000
Speaker 1: in my head just paraphrasing it, and the words just

753
00:41:36,080 --> 00:41:37,800
Speaker 1: kind of came. So if I needed to find tune

754
00:41:37,840 --> 00:41:39,680
Speaker 1: something that could be like, oh that meant this, okay,

755
00:41:39,680 --> 00:41:41,279
Speaker 1: well let me go back and say that. But it

756
00:41:41,360 --> 00:41:43,719
Speaker 1: was easy to put it in. That was always a

757
00:41:43,719 --> 00:41:48,239
Speaker 1: cool thing to watch too, because like we we all

758
00:41:48,360 --> 00:41:52,719
Speaker 1: got I mean watched like hawks, like we had to

759
00:41:52,760 --> 00:41:56,799
Speaker 1: be word perfect. The scripty revisor was always on us.

760
00:41:56,840 --> 00:41:58,600
Speaker 1: It was like the note from l A, like they

761
00:41:58,640 --> 00:42:00,959
Speaker 1: have to say exactly what's on the age, and you'd

762
00:42:01,040 --> 00:42:02,600
Speaker 1: come to set and everyone was like, oh, the rules

763
00:42:02,600 --> 00:42:05,880
Speaker 1: don't apply to Antoine. We were all so in, all

764
00:42:05,960 --> 00:42:08,120
Speaker 1: of you. We were like, how did he get that?

765
00:42:08,239 --> 00:42:11,880
Speaker 1: How do we get that? They and you you always

766
00:42:11,880 --> 00:42:14,080
Speaker 1: made it better, Like whatever they put on the page

767
00:42:14,120 --> 00:42:16,640
Speaker 1: for skills, you'd be like, no, I get the point,

768
00:42:16,680 --> 00:42:19,160
Speaker 1: but I'm gonna do it like this. But it was

769
00:42:19,280 --> 00:42:21,759
Speaker 1: fun to play with because as an actor, I mean

770
00:42:22,440 --> 00:42:25,239
Speaker 1: of acting is listening, so if you're it felt like

771
00:42:25,280 --> 00:42:27,799
Speaker 1: I got to really be in the moment with you

772
00:42:27,880 --> 00:42:30,440
Speaker 1: because I didn't know what to expect exactly, So it

773
00:42:30,520 --> 00:42:32,799
Speaker 1: was my job to listen to you and then I

774
00:42:32,840 --> 00:42:35,640
Speaker 1: could respond. And usually what was on the page was

775
00:42:35,680 --> 00:42:38,280
Speaker 1: a suitable response for whatever it was that you were saying,

776
00:42:38,480 --> 00:42:40,240
Speaker 1: and sometimes it wasn't. And then we would just play

777
00:42:40,239 --> 00:42:42,680
Speaker 1: and you know, go go on the fly. But the

778
00:42:42,680 --> 00:42:46,040
Speaker 1: thing is they can't write it. They try to do.

779
00:42:49,719 --> 00:42:51,560
Speaker 1: It's hard for him to write. Then, so it's like

780
00:42:52,480 --> 00:42:54,839
Speaker 1: and and then you know how it is like like

781
00:42:54,960 --> 00:42:58,640
Speaker 1: you can't you can't play a character like this because

782
00:42:58,719 --> 00:43:01,399
Speaker 1: you may have you may have fend those people that

783
00:43:01,800 --> 00:43:03,799
Speaker 1: actually talked like that. You see what I'm saying, So

784
00:43:04,200 --> 00:43:05,799
Speaker 1: you got to go back to the hood because I

785
00:43:05,840 --> 00:43:07,880
Speaker 1: still go to Compton, I still go to South Central

786
00:43:07,880 --> 00:43:10,120
Speaker 1: on Box. And then they'd be like, man, you man,

787
00:43:10,160 --> 00:43:12,080
Speaker 1: you know, we don't talk like that. You're dumbing us down.

788
00:43:12,080 --> 00:43:13,840
Speaker 1: You're making us look stupid, You're making us look you

789
00:43:13,880 --> 00:43:16,960
Speaker 1: see what I'm saying, because that's not how it goes

790
00:43:17,000 --> 00:43:19,440
Speaker 1: over there. So you know what I'm saying, So you

791
00:43:19,520 --> 00:43:21,320
Speaker 1: have to take that into account, like I can't be

792
00:43:21,360 --> 00:43:24,840
Speaker 1: over here, you know, disrespecting doctors and I'm saying certain

793
00:43:24,880 --> 00:43:29,000
Speaker 1: words and doctors are looking at me, going what, yeah, man,

794
00:43:29,160 --> 00:43:31,720
Speaker 1: I want to know what all of your friends thought

795
00:43:31,800 --> 00:43:35,240
Speaker 1: when you joined onto this show about white kids kissing

796
00:43:35,239 --> 00:43:40,880
Speaker 1: and crying. Antoine, you know what, they don't get that

797
00:43:40,960 --> 00:43:47,640
Speaker 1: white money because oh did anyone give you? Give you

798
00:43:47,760 --> 00:43:50,359
Speaker 1: for being on like a teen drama because you, I mean,

799
00:43:51,000 --> 00:43:53,880
Speaker 1: you're a sports guy. You know you've also played a

800
00:43:53,960 --> 00:43:58,880
Speaker 1: teenager forever because for our Urgeless Yeah, I played I placed.

801
00:43:58,920 --> 00:44:01,759
Speaker 1: I told my daughter, I said up seventeen for seventeen years,

802
00:44:01,840 --> 00:44:06,480
Speaker 1: and she was like, has she seen it? Have your

803
00:44:06,560 --> 00:44:09,440
Speaker 1: kids seen the show? I don't think they watch it.

804
00:44:09,840 --> 00:44:13,880
Speaker 1: I mean my kids are like totally not like industry

805
00:44:13,960 --> 00:44:18,600
Speaker 1: kids at all. Like, yeah, the oldest so he just

806
00:44:18,760 --> 00:44:21,640
Speaker 1: he got in his last year and um, what is it?

807
00:44:21,719 --> 00:44:26,919
Speaker 1: Aerospace engineering something? And then the young one he's getting

808
00:44:26,960 --> 00:44:28,719
Speaker 1: ready to go to college when he took this year off.

809
00:44:28,760 --> 00:44:32,919
Speaker 1: We've been working with me. My other daughter she's still

810
00:44:32,920 --> 00:44:34,560
Speaker 1: in school, and then the other one is doing something

811
00:44:34,560 --> 00:44:36,200
Speaker 1: in makeup. So she's the only one that's kind of

812
00:44:36,200 --> 00:44:38,799
Speaker 1: close because she want to do something, but she's still

813
00:44:38,800 --> 00:44:41,560
Speaker 1: in school for that right now. So they was really

814
00:44:41,640 --> 00:44:43,919
Speaker 1: just like not industry kids. I remember a few times

815
00:44:43,920 --> 00:44:46,399
Speaker 1: you'll want to go to the premiere. No, I'm about

816
00:44:46,400 --> 00:44:48,360
Speaker 1: to go to some You don't want to go to

817
00:44:48,360 --> 00:44:50,360
Speaker 1: the premiere. That's why, like I always bought like my

818
00:44:50,440 --> 00:44:53,800
Speaker 1: sister in law, mom, you know, I bought other people

819
00:44:53,880 --> 00:44:59,600
Speaker 1: because they never wanted to go, which was crazy to

820
00:44:59,640 --> 00:45:02,480
Speaker 1: be had like a kid old enough to come and

821
00:45:02,520 --> 00:45:05,719
Speaker 1: like hang out. We were all such dufaces that you

822
00:45:05,760 --> 00:45:08,480
Speaker 1: were dead. They all came, what three of them came

823
00:45:08,600 --> 00:45:14,520
Speaker 1: that one time when we came when we did the Racer. Yeah,

824
00:45:15,120 --> 00:45:16,959
Speaker 1: that they all came in. That's when he was still

825
00:45:17,000 --> 00:45:20,880
Speaker 1: in all the snacks. I also remember, Twine, when you

826
00:45:20,920 --> 00:45:25,200
Speaker 1: and I first started to become friends in the beginning. Uh.

827
00:45:25,239 --> 00:45:27,120
Speaker 1: And there was that night we were all still living

828
00:45:27,120 --> 00:45:29,920
Speaker 1: at the Riverview Sweets because like we hadn't found apartments

829
00:45:29,960 --> 00:45:32,640
Speaker 1: yet or anything, and the fire alarm went off at

830
00:45:32,680 --> 00:45:36,440
Speaker 1: like three in the morning. We had to plod downstairs,

831
00:45:36,840 --> 00:45:39,800
Speaker 1: and your little baby just crawled up in my lap

832
00:45:39,880 --> 00:45:44,000
Speaker 1: and I was like, Hi, let's yes, you can stay here,

833
00:45:44,600 --> 00:45:46,600
Speaker 1: And you looked at me and you were like, he's smart,

834
00:45:46,680 --> 00:45:51,879
Speaker 1: he knows, he's cute. It's working. He's almost twenty one now.

835
00:45:52,680 --> 00:45:57,480
Speaker 1: Oh my god, oh my gosh, he's the baby. That's

836
00:45:57,560 --> 00:46:00,759
Speaker 1: crazy part. Now he's my working out we go. He

837
00:46:00,840 --> 00:46:02,560
Speaker 1: hit me up a couple of weeks ago. I was like, Dad,

838
00:46:03,360 --> 00:46:05,200
Speaker 1: you look good. You've been working out. I see you

839
00:46:05,239 --> 00:46:08,400
Speaker 1: lost your weight. Um can I come with you and

840
00:46:08,440 --> 00:46:11,319
Speaker 1: go to your trainer? I was like, all right, that's

841
00:46:11,320 --> 00:46:14,279
Speaker 1: a compliment. So he go with me for the last

842
00:46:14,280 --> 00:46:16,280
Speaker 1: couple of weeks. So I want to ask a question

843
00:46:16,280 --> 00:46:17,960
Speaker 1: that we kind of all get hit with all the

844
00:46:18,000 --> 00:46:21,839
Speaker 1: time from fans and interviews and stuff, which is where

845
00:46:21,840 --> 00:46:25,719
Speaker 1: do you think Skills would be ten years later? Like

846
00:46:25,840 --> 00:46:29,080
Speaker 1: where is he now? I think Skills would have been coaching.

847
00:46:29,920 --> 00:46:31,800
Speaker 1: I really believe he would have been coaching because you know,

848
00:46:31,920 --> 00:46:33,600
Speaker 1: they did a lot of stuff that he did for

849
00:46:34,000 --> 00:46:36,960
Speaker 1: the with the kids, you know you So I think

850
00:46:37,000 --> 00:46:39,920
Speaker 1: Skills would be like, if not the head coach, at

851
00:46:40,000 --> 00:46:43,799
Speaker 1: least the assistant coach at at Tree Hill High. Right. Yeah,

852
00:46:44,040 --> 00:46:47,160
Speaker 1: I could see him as head coach for sure, like

853
00:46:47,200 --> 00:46:49,600
Speaker 1: a gym teacher, but you know, a gym teacher, but

854
00:46:49,760 --> 00:46:52,440
Speaker 1: slash basketball coach. I could see him. Yeah. You know,

855
00:46:52,520 --> 00:46:54,520
Speaker 1: he was a mentor in so many ways and had

856
00:46:54,600 --> 00:46:57,560
Speaker 1: really had his really had together. I feel like, well

857
00:46:57,600 --> 00:47:01,920
Speaker 1: he became like Jamie's babysitter. You know, like any time

858
00:47:01,960 --> 00:47:04,880
Speaker 1: there was kids stuff, they put you on the case. Antoine.

859
00:47:05,040 --> 00:47:07,920
Speaker 1: They were like, we know who can handle this? Yeah,

860
00:47:08,080 --> 00:47:10,480
Speaker 1: And the kids was so much easier than working with

861
00:47:10,520 --> 00:47:12,640
Speaker 1: the girls. It was because see, y'all got to get

862
00:47:12,680 --> 00:47:16,239
Speaker 1: hair and make up, and I was like, where are

863
00:47:16,239 --> 00:47:18,680
Speaker 1: you about to go with this? Every every time they

864
00:47:19,000 --> 00:47:21,160
Speaker 1: cut to make up, people in your face. They're making

865
00:47:21,160 --> 00:47:23,560
Speaker 1: sure your hair straight. The kids, they just got dressed

866
00:47:23,600 --> 00:47:26,319
Speaker 1: one time. They don't care to eat cheeseburgers, they got skateboards,

867
00:47:28,640 --> 00:47:30,359
Speaker 1: didn't care about none of that. So we would get

868
00:47:30,360 --> 00:47:32,360
Speaker 1: and then they only had to work like five hours.

869
00:47:32,360 --> 00:47:36,920
Speaker 1: So I was like, my days short. To figure it out.

870
00:47:37,120 --> 00:47:39,360
Speaker 1: We came back from hiatus one year. I don't know

871
00:47:39,400 --> 00:47:42,560
Speaker 1: if it was season four or season five, but I

872
00:47:42,600 --> 00:47:45,640
Speaker 1: got the memo, maybe it's even season two. I got

873
00:47:45,640 --> 00:47:47,759
Speaker 1: the memo that they were hooking Peyton and Skills up.

874
00:47:47,800 --> 00:47:51,840
Speaker 1: Do you remember that? What happened? This is what happened.

875
00:47:52,000 --> 00:47:54,919
Speaker 1: What happened? I did not hear this. We had went out,

876
00:47:55,239 --> 00:47:57,880
Speaker 1: We went out and we went back to Swan's place

877
00:47:58,239 --> 00:48:00,560
Speaker 1: when they was on Market Street. It was staying at

878
00:48:00,600 --> 00:48:02,800
Speaker 1: that condor upstairs. So he went back there. So he

879
00:48:02,840 --> 00:48:04,719
Speaker 1: started asking me questions like, well, what do you think?

880
00:48:04,920 --> 00:48:06,799
Speaker 1: I said, men, why y'all don't never give skills no

881
00:48:06,880 --> 00:48:08,839
Speaker 1: druma like hook him up with a girl like one

882
00:48:08,840 --> 00:48:10,759
Speaker 1: of the main girls that you know what I'm saying,

883
00:48:10,760 --> 00:48:13,560
Speaker 1: said y'all, well, I don't know, And I was like, no, listen,

884
00:48:13,840 --> 00:48:16,200
Speaker 1: I said, if you, I said, that's all kind of

885
00:48:16,239 --> 00:48:19,080
Speaker 1: girl cold, y'all breaking. And so the best friend get

886
00:48:19,080 --> 00:48:20,839
Speaker 1: the date the other one she's still in love with,

887
00:48:21,000 --> 00:48:23,400
Speaker 1: and that y'all cool with that? Like okay, that's a

888
00:48:23,440 --> 00:48:25,800
Speaker 1: girl code like y'all, y'all all that. So why not

889
00:48:25,960 --> 00:48:28,480
Speaker 1: hook skills up with one of them? Since y'all all

890
00:48:28,480 --> 00:48:31,960
Speaker 1: over the place. I said, Peyton would be really good,

891
00:48:32,400 --> 00:48:35,839
Speaker 1: you know, yeah, you could give us some type of

892
00:48:35,920 --> 00:48:38,760
Speaker 1: you know what I'm saying, some type of yeah, because

893
00:48:38,880 --> 00:48:40,520
Speaker 1: I don't have nothing. I'm just I just come in

894
00:48:40,880 --> 00:48:43,680
Speaker 1: say some funny. Then you don't see me, know what

895
00:48:43,680 --> 00:48:46,280
Speaker 1: I'm saying. I said, that was it. Pet needed somebody

896
00:48:46,320 --> 00:48:49,880
Speaker 1: that was funny. Pet never got to kiss anybody funny.

897
00:48:50,920 --> 00:48:52,759
Speaker 1: I didn't get the only kids who who did that

898
00:48:52,840 --> 00:49:01,239
Speaker 1: kiss just I kiss Lauren Lauren and and and that's it.

899
00:49:02,239 --> 00:49:07,319
Speaker 1: But like Lee kissed everybody, did kiss everybody everybody even

900
00:49:08,120 --> 00:49:10,840
Speaker 1: we did we Ever, we should take a pole. Who

901
00:49:10,920 --> 00:49:14,480
Speaker 1: which character on our show kissed the most people? That's

902
00:49:14,480 --> 00:49:18,440
Speaker 1: a fan pole. I think it was a pole. Somebody

903
00:49:18,520 --> 00:49:21,360
Speaker 1: do the math. I feel like it was probably Broke,

904
00:49:21,560 --> 00:49:23,680
Speaker 1: But oh man, if mouth beats broke, I'll be thrilled.

905
00:49:24,280 --> 00:49:26,960
Speaker 1: Would be great. You might be right, but I think

906
00:49:26,960 --> 00:49:29,080
Speaker 1: it was I think it was Lee because he kissed

907
00:49:29,080 --> 00:49:36,080
Speaker 1: Brooke yess my girl. He kissed Lauren, he kissed Rachel,

908
00:49:37,960 --> 00:49:49,640
Speaker 1: he kissed everybody he had. Yeah, what was your what

909
00:49:49,760 --> 00:49:52,839
Speaker 1: was your favorite thing about the experience, the entire ones

910
00:49:52,960 --> 00:49:55,840
Speaker 1: real experience, Like as you look back on that chapter

911
00:49:55,880 --> 00:49:57,400
Speaker 1: in your life, like, what was your favorite thing of

912
00:49:57,480 --> 00:49:59,759
Speaker 1: all of it? You know, it's crazy because I was

913
00:50:00,239 --> 00:50:02,000
Speaker 1: when I said, I was just in Woman Toil last

914
00:50:02,200 --> 00:50:04,480
Speaker 1: last week, and I like to look around and I like,

915
00:50:04,960 --> 00:50:06,640
Speaker 1: when I'm near, I feel like I gotta get up

916
00:50:06,640 --> 00:50:08,120
Speaker 1: and go to work. Like I don't know why, I

917
00:50:08,200 --> 00:50:09,600
Speaker 1: just feel like I gotta get up. We gotta go

918
00:50:09,640 --> 00:50:12,000
Speaker 1: to screen them. Like I was like, oh, we're not

919
00:50:12,080 --> 00:50:14,000
Speaker 1: working on the show, no more like down here. But

920
00:50:14,120 --> 00:50:18,400
Speaker 1: the love is still crazy. But my biggest thing was

921
00:50:18,440 --> 00:50:20,680
Speaker 1: I met a whole family, you know what I'm saying

922
00:50:21,000 --> 00:50:24,040
Speaker 1: that that was like huge for me because I hated

923
00:50:24,080 --> 00:50:25,799
Speaker 1: it in North Carolina when I first went, I used

924
00:50:25,840 --> 00:50:27,520
Speaker 1: to take my vide it was so boring because you

925
00:50:27,520 --> 00:50:30,239
Speaker 1: remember everything used to close at like five o'clock. Yeah.

926
00:50:30,880 --> 00:50:32,880
Speaker 1: I didn't drink, I didn't smoke, I didn't do none

927
00:50:32,920 --> 00:50:34,279
Speaker 1: of that, you know what I'm saying. So it was like,

928
00:50:35,280 --> 00:50:38,880
Speaker 1: I don't dance, I don't know nobody. I'm just in

929
00:50:38,920 --> 00:50:41,560
Speaker 1: this hotel room. But that when women Tony in or

930
00:50:41,680 --> 00:50:44,919
Speaker 1: river View and I'm just chilling like it was nothing

931
00:50:44,920 --> 00:50:46,840
Speaker 1: to do then to they came and picked you up

932
00:50:46,880 --> 00:50:48,640
Speaker 1: and work, so as you look forward to going to

933
00:50:48,680 --> 00:50:50,120
Speaker 1: work when you got there, but as soon as it

934
00:50:50,239 --> 00:50:51,400
Speaker 1: was time for me to come home, I was like,

935
00:50:51,480 --> 00:50:53,040
Speaker 1: let's go. I'm out of him and going back there.

936
00:50:53,080 --> 00:50:55,319
Speaker 1: Like plus I had smart kids at the time too,

937
00:50:55,440 --> 00:50:58,400
Speaker 1: So but yeah, what was the training point for you?

938
00:50:58,440 --> 00:50:59,840
Speaker 1: When did you start to feel like it was a

939
00:51:00,000 --> 00:51:06,160
Speaker 1: on base season? Like five like five six? Yees? About

940
00:51:06,160 --> 00:51:08,560
Speaker 1: like five six is when I like, because I remember

941
00:51:08,600 --> 00:51:11,200
Speaker 1: I didn't signed until season four. I think it was

942
00:51:11,239 --> 00:51:15,480
Speaker 1: season four when I Yeah, because the recurring but I

943
00:51:15,560 --> 00:51:17,520
Speaker 1: was still working a lot though, you know, like they

944
00:51:18,719 --> 00:51:21,520
Speaker 1: couldn't let me just you know, because when I first started,

945
00:51:21,680 --> 00:51:24,400
Speaker 1: I was doing I had right after we did one

946
00:51:24,400 --> 00:51:26,600
Speaker 1: Tree here, I when they did Never Die Along, right

947
00:51:26,920 --> 00:51:28,600
Speaker 1: we they Never Die Along. I think that was like

948
00:51:28,920 --> 00:51:31,600
Speaker 1: oh four. Then we got to pick up, so then

949
00:51:31,640 --> 00:51:34,359
Speaker 1: everybody started working on that. But then I had then

950
00:51:34,360 --> 00:51:37,360
Speaker 1: Coach Carter came around. Even though that was still the

951
00:51:37,400 --> 00:51:40,160
Speaker 1: same people there was like, we can't do it because

952
00:51:40,200 --> 00:51:41,759
Speaker 1: then we'll have to shoot you out and then we

953
00:51:41,840 --> 00:51:43,600
Speaker 1: got to bring you back to l A. So we'll

954
00:51:43,640 --> 00:51:45,759
Speaker 1: just let you go do the movie. Then after the movie,

955
00:51:45,760 --> 00:51:47,799
Speaker 1: then we'll bring skills. You know. That's when they came

956
00:51:47,840 --> 00:51:50,080
Speaker 1: up with the whole we'll bring we make a run

957
00:51:50,080 --> 00:51:52,319
Speaker 1: at the state championship and stuff like that. Was all right, cool,

958
00:51:52,360 --> 00:51:55,400
Speaker 1: lets let's do it. Because but then Womanton actually started

959
00:51:55,400 --> 00:51:58,600
Speaker 1: growing a little bit by then, so I was like, okay,

960
00:51:58,640 --> 00:52:00,279
Speaker 1: I could get I could get used to this a

961
00:52:00,280 --> 00:52:03,680
Speaker 1: little big. It did go from like all the antique stores,

962
00:52:04,000 --> 00:52:08,359
Speaker 1: remember it was like yeah, but then like downtown all

963
00:52:08,360 --> 00:52:10,920
Speaker 1: of a sudden was like bars and tattoo parlors. Then

964
00:52:10,960 --> 00:52:14,600
Speaker 1: it became like fun. Yeah, it was just dead. It

965
00:52:14,680 --> 00:52:16,719
Speaker 1: was so dead. I should just play video games all day.

966
00:52:16,800 --> 00:52:19,520
Speaker 1: I didn't do nothing, which is so strange for a

967
00:52:19,600 --> 00:52:22,319
Speaker 1: college town. I always thought it should have been. There

968
00:52:22,320 --> 00:52:23,839
Speaker 1: should have been more of a nightlife. I mean, it's

969
00:52:23,880 --> 00:52:26,000
Speaker 1: so glad that when we showed up there that started.

970
00:52:26,080 --> 00:52:29,319
Speaker 1: But like Dawson's was there before us, there were lots

971
00:52:29,360 --> 00:52:31,280
Speaker 1: of other projects there. I don't know why it didn't.

972
00:52:32,120 --> 00:52:34,480
Speaker 1: It was just still dead. I remember I tried to

973
00:52:34,520 --> 00:52:36,040
Speaker 1: rent a car and I had to go up there

974
00:52:36,040 --> 00:52:40,040
Speaker 1: and it was closed at like five o'clock. It was nothing.

975
00:52:40,040 --> 00:52:43,040
Speaker 1: No more stores after that. On market it was Yeah,

976
00:52:43,040 --> 00:52:46,880
Speaker 1: it was like fields and farms and what are you

977
00:52:46,920 --> 00:52:50,280
Speaker 1: working on now? I just did this show called The Hole.

978
00:52:51,120 --> 00:52:55,480
Speaker 1: H o e um me happened everything. It's actually on

979
00:52:55,520 --> 00:52:58,000
Speaker 1: my page, the trailer that I had posted with a

980
00:52:58,000 --> 00:53:01,360
Speaker 1: friend of mine, Miko grim She um cool. She I

981
00:53:01,440 --> 00:53:03,319
Speaker 1: met her. I've been doing Miko since high school. We

982
00:53:03,360 --> 00:53:05,400
Speaker 1: played ball together, like she played at w n b

983
00:53:05,440 --> 00:53:09,359
Speaker 1: A all like play ball with her and she ended

984
00:53:09,440 --> 00:53:12,600
Speaker 1: up marrying Um Brent Rhymes and the when he played

985
00:53:12,640 --> 00:53:15,760
Speaker 1: for the Falcons, and she became a sports agent stuff

986
00:53:15,800 --> 00:53:17,279
Speaker 1: like that. You know what I'm saying. So she made

987
00:53:17,320 --> 00:53:19,759
Speaker 1: her own money and so she was like, bro, I

988
00:53:19,800 --> 00:53:21,520
Speaker 1: got a project. I want you to come help me

989
00:53:21,560 --> 00:53:24,719
Speaker 1: do it and do it up. And we did it. It

990
00:53:24,640 --> 00:53:27,040
Speaker 1: It was a short of it just once some awards somewhere,

991
00:53:27,040 --> 00:53:28,880
Speaker 1: but she's shopping it right now. They get picked up.

992
00:53:28,880 --> 00:53:32,719
Speaker 1: But I also did another I did another spot called um.

993
00:53:32,800 --> 00:53:34,960
Speaker 1: I did another joint called What's the Name of the

994
00:53:35,040 --> 00:53:37,839
Speaker 1: St Bodie sat Bodi's Mad World. It's a true story,

995
00:53:37,920 --> 00:53:40,960
Speaker 1: is supposed to be like a mini series. Um, that's

996
00:53:41,000 --> 00:53:43,319
Speaker 1: gonna be crazy my character, so I'm like the Dan

997
00:53:43,400 --> 00:53:48,719
Speaker 1: Scott evil and the fun that's gonna be really fun. Yeah.

998
00:53:48,760 --> 00:53:50,920
Speaker 1: And the little girl, the little girl that that's in

999
00:53:50,920 --> 00:53:53,480
Speaker 1: the show with me, that plays my daughter, Oh my god,

1000
00:53:53,560 --> 00:53:56,600
Speaker 1: she's incredible, Like she's gonna blow up. I posted her.

1001
00:53:56,600 --> 00:53:58,920
Speaker 1: I was like, like, she's a newbie, but she has it,

1002
00:53:59,120 --> 00:54:02,360
Speaker 1: like she has. You posted this on Instagram so we

1003
00:54:02,360 --> 00:54:05,840
Speaker 1: can repost it. Yeah, I posted it. I just posted

1004
00:54:05,840 --> 00:54:07,400
Speaker 1: the picture of her. But I'm waiting on them just

1005
00:54:07,480 --> 00:54:09,680
Speaker 1: gonna be the trailer. You have to let us be

1006
00:54:09,760 --> 00:54:14,000
Speaker 1: your cheerleaders. Yeah, I got you. I posted. I'm definitely

1007
00:54:14,040 --> 00:54:15,799
Speaker 1: gonna post it. I just hadn't posted it because they

1008
00:54:15,800 --> 00:54:18,279
Speaker 1: hadn't really putting that. Now you know like that yet,

1009
00:54:18,640 --> 00:54:21,880
Speaker 1: but it's good time. We're your girls so good. And

1010
00:54:21,920 --> 00:54:23,520
Speaker 1: then I'm gonna shoot that movie I was telling you

1011
00:54:23,560 --> 00:54:27,280
Speaker 1: about the Leash and remember, so finally it's so good.

1012
00:54:27,760 --> 00:54:30,480
Speaker 1: It's been like eleven years and finally it's like we

1013
00:54:30,560 --> 00:54:32,560
Speaker 1: got the money to do it. So it's like, let's

1014
00:54:32,600 --> 00:54:34,920
Speaker 1: do it. You know what I'm saying, like, we love you.

1015
00:54:35,280 --> 00:54:37,120
Speaker 1: It's so good to see you. I'm so glad that

1016
00:54:37,160 --> 00:54:39,759
Speaker 1: you came. Yeah, will you come back on the show.

1017
00:54:39,840 --> 00:54:44,360
Speaker 1: Please let me come plain with us. What episode do

1018
00:54:44,360 --> 00:54:46,000
Speaker 1: you want to come back for? What's the episode? When

1019
00:54:46,000 --> 00:54:50,239
Speaker 1: you're like, DIBs, that one's mine, let me see. Um,

1020
00:54:50,280 --> 00:54:53,200
Speaker 1: it was so many good ones. Though, it was so

1021
00:54:53,239 --> 00:54:55,960
Speaker 1: many good ones. I can't like it because me, I

1022
00:54:56,040 --> 00:55:00,279
Speaker 1: never read the script for the school, so I never

1023
00:55:00,320 --> 00:55:03,600
Speaker 1: forget me. And Lee was on set and it was like, um, yeah,

1024
00:55:03,760 --> 00:55:06,040
Speaker 1: tomorrow we gotta go. We gotta go to the cemetery

1025
00:55:06,040 --> 00:55:09,000
Speaker 1: to film the funeral scene. I was like, somebody died.

1026
00:55:12,080 --> 00:55:15,960
Speaker 1: It was like yeah. I was like, oh my bad.

1027
00:55:16,000 --> 00:55:21,919
Speaker 1: I didn't read that. So I was like, man, I said,

1028
00:55:21,920 --> 00:55:23,520
Speaker 1: this is gonna be a good episode. I need to

1029
00:55:23,520 --> 00:55:25,680
Speaker 1: read this. Then I never read it. I watched it

1030
00:55:26,160 --> 00:55:28,920
Speaker 1: because at the time when when when we first started,

1031
00:55:30,120 --> 00:55:32,360
Speaker 1: I knew we was gonna last. I kept saying it.

1032
00:55:32,480 --> 00:55:36,160
Speaker 1: Everybody else was like Twine, you're tripping. You're tripping like

1033
00:55:36,280 --> 00:55:38,480
Speaker 1: it's not gonna And I said, look, I'm gonna tell

1034
00:55:38,480 --> 00:55:41,600
Speaker 1: you like this. We got some pretty white boys and

1035
00:55:41,680 --> 00:55:44,239
Speaker 1: some pretty white girls, and y'all keep us in the

1036
00:55:44,320 --> 00:55:47,239
Speaker 1: damn tabloids. So we stand in the tabloids this show

1037
00:55:47,280 --> 00:55:49,160
Speaker 1: from the back. I said, it don't need an audition

1038
00:55:49,320 --> 00:55:52,560
Speaker 1: for nothing. I'm just gonna take mine. It was like Twine,

1039
00:55:52,600 --> 00:55:55,320
Speaker 1: they just merged the w B with this. They canceled

1040
00:55:55,360 --> 00:55:58,600
Speaker 1: all of these shows. I said, but this one ain't no.

1041
00:55:58,920 --> 00:56:03,239
Speaker 1: We're you did you always had confidence. We need to

1042
00:56:03,239 --> 00:56:08,680
Speaker 1: have you and Barbara on the same episode. Hell yeah,

1043
00:56:08,920 --> 00:56:11,480
Speaker 1: I want to see you get get a little bashful

1044
00:56:11,520 --> 00:56:19,239
Speaker 1: around Barbara. Yeah, it's coming always. I love her. She

1045
00:56:19,400 --> 00:56:23,680
Speaker 1: is so sweet, are so big and pretty and grown

1046
00:56:23,840 --> 00:56:28,600
Speaker 1: and know can you believe? Yeah? I remember they was

1047
00:56:28,640 --> 00:56:30,719
Speaker 1: in um in Paris with us when we did that

1048
00:56:30,840 --> 00:56:35,759
Speaker 1: convention over there. Oh my god, Oh yeah, me and

1049
00:56:35,800 --> 00:56:40,880
Speaker 1: me and Olivia and we had so much fun. If

1050
00:56:40,920 --> 00:56:43,480
Speaker 1: you're ever to go out in Paris with someone. It's Antoine.

1051
00:56:43,640 --> 00:56:46,319
Speaker 1: The time is taking me out. He also taught me

1052
00:56:46,360 --> 00:56:48,440
Speaker 1: what uber was because I didn't know how to get

1053
00:56:48,480 --> 00:56:51,840
Speaker 1: home in Paris, and Antoine's like, I will teach you

1054
00:56:52,080 --> 00:56:55,759
Speaker 1: to go out because you're m Antoine. We've got to

1055
00:56:55,760 --> 00:56:58,000
Speaker 1: wrap up, but I love you and I'm excited that

1056
00:56:58,040 --> 00:57:00,200
Speaker 1: you're going to come back, and you've always it can

1057
00:57:00,239 --> 00:57:02,239
Speaker 1: such good care of us anytime something's going on in

1058
00:57:02,239 --> 00:57:05,560
Speaker 1: our life. You are the person the calls and checks in,

1059
00:57:06,040 --> 00:57:09,799
Speaker 1: and I can't tell you how important that is. We

1060
00:57:09,880 --> 00:57:13,439
Speaker 1: love you, know you already know. Wait before he goes,

1061
00:57:13,440 --> 00:57:15,600
Speaker 1: should we spin the wheel? I would love to have

1062
00:57:15,640 --> 00:57:20,400
Speaker 1: a question. Put we do? We do a most likely

1063
00:57:20,480 --> 00:57:23,120
Speaker 1: to like in the yearbook every week, but we have

1064
00:57:23,200 --> 00:57:25,440
Speaker 1: this fun little thing that spins it and it picks

1065
00:57:25,480 --> 00:57:28,240
Speaker 1: the most likely too for us get ready for so

1066
00:57:28,600 --> 00:57:38,440
Speaker 1: it picks at random. We need your health care? Oh,

1067
00:57:38,760 --> 00:57:42,120
Speaker 1: who's most likely to write a best selling book? Well,

1068
00:57:42,160 --> 00:57:44,800
Speaker 1: I mean we have Lucas and we have Hillary like

1069
00:57:44,840 --> 00:57:48,040
Speaker 1: in real life and Fiship. Oh my god, listen. So

1070
00:57:48,080 --> 00:57:50,480
Speaker 1: I've gotten some bad reviews for my book, and of

1071
00:57:50,520 --> 00:57:54,680
Speaker 1: course I read them right, and every single bad review

1072
00:57:54,800 --> 00:57:59,120
Speaker 1: is to talk about once we hill at all that's

1073
00:57:59,760 --> 00:58:03,800
Speaker 1: that they're mad about. Wow, bitch, please, we'll write a

1074
00:58:03,840 --> 00:58:07,280
Speaker 1: whole book about that. It'll be great. You can't please everybody.

1075
00:58:07,320 --> 00:58:09,960
Speaker 1: I say that. I used to do my parties but

1076
00:58:10,160 --> 00:58:12,880
Speaker 1: at the convention and I still have people mad. So

1077
00:58:12,920 --> 00:58:16,439
Speaker 1: it's like, that's so funny. Somebody is always mad about something,

1078
00:58:16,640 --> 00:58:19,040
Speaker 1: always mad about stuff. That you can't please everybody. So

1079
00:58:19,080 --> 00:58:21,880
Speaker 1: I just said, you know what it is. What it

1080
00:58:22,000 --> 00:58:24,720
Speaker 1: is like, I don't give a damn. When the world

1081
00:58:24,760 --> 00:58:27,440
Speaker 1: is safe again and you throw your epic party at

1082
00:58:27,440 --> 00:58:30,880
Speaker 1: the next convention, what is the karaoke song that you're

1083
00:58:30,880 --> 00:58:34,320
Speaker 1: going to sing? Antoine in the air tonight, phil Colin,

1084
00:58:37,120 --> 00:58:39,200
Speaker 1: I might do We Wait and we wanted because I

1085
00:58:39,240 --> 00:58:41,320
Speaker 1: like that one. I like we Waiting, We wonder that's

1086
00:58:41,320 --> 00:58:46,120
Speaker 1: a good all right, we're counting the days ya vaccinated?

1087
00:58:46,160 --> 00:58:52,640
Speaker 1: Were your masks? Can't wait? You love you so much? Will?

1088
00:58:52,880 --> 00:58:55,400
Speaker 1: She upstairs laying down. She had appointment early this morning,

1089
00:58:55,400 --> 00:58:58,160
Speaker 1: so she in the bed. I'm finishing all right, hugged

1090
00:58:58,200 --> 00:59:11,600
Speaker 1: for us, for us, You love you. Antoine's doing this

1091
00:59:11,640 --> 00:59:14,480
Speaker 1: movie in November, and he sent me the script to

1092
00:59:14,640 --> 00:59:17,240
Speaker 1: just like take a look at because it's producers that

1093
00:59:17,240 --> 00:59:21,280
Speaker 1: I've worked with before. It is so him. It's like

1094
00:59:21,480 --> 00:59:25,080
Speaker 1: an awesome thriller movie. He's the lead of it, just

1095
00:59:25,280 --> 00:59:27,680
Speaker 1: like you read it and you know that it is

1096
00:59:27,760 --> 00:59:30,920
Speaker 1: just the thing that was made for him. And so

1097
00:59:31,360 --> 00:59:33,520
Speaker 1: it's gonna be so good. That makes me so happy,

1098
00:59:33,560 --> 00:59:35,160
Speaker 1: so good in it, And so I love seeing him

1099
00:59:35,240 --> 00:59:40,680
Speaker 1: like so fit because it's like actionly. So y'all keep

1100
00:59:40,680 --> 00:59:43,720
Speaker 1: your ass peeled. Boyfriend's gonna be an action hero. I

1101
00:59:43,800 --> 00:59:47,960
Speaker 1: love that. Hey, what's what's next week's episode? Anybody now

1102
00:59:48,960 --> 00:59:51,800
Speaker 1: what happens in eleven? What are we looking forward to?

1103
00:59:51,960 --> 00:59:58,439
Speaker 1: Let's see? Episode eleven is called The Living Years, and

1104
01:00:00,040 --> 01:00:02,400
Speaker 1: mean we have Dan and Deb now they've got to

1105
01:00:02,400 --> 01:00:05,960
Speaker 1: go to therapy or she's kicking them out. Um, Basketball's

1106
01:00:06,040 --> 01:00:09,440
Speaker 1: on pause. Peyton starting something up with Jake. It seems

1107
01:00:09,440 --> 01:00:11,800
Speaker 1: like there was a lot of chemistry there. Well, it

1108
01:00:11,840 --> 01:00:18,280
Speaker 1: says here in this description Peyton's dad comes home number one.

1109
01:00:18,400 --> 01:00:20,520
Speaker 1: There were two dads. Actually there were three dads, but

1110
01:00:20,560 --> 01:00:22,920
Speaker 1: this is dad number one. Thank you all so much

1111
01:00:22,920 --> 01:00:25,600
Speaker 1: for joining us for another great episode. This one. This

1112
01:00:25,640 --> 01:00:28,680
Speaker 1: one was really really fun. You know, the three of

1113
01:00:28,760 --> 01:00:30,959
Speaker 1: us got a little weepy when we watched that sort

1114
01:00:30,960 --> 01:00:34,720
Speaker 1: of epic moment going from Gavin at Karen's cafe to

1115
01:00:34,760 --> 01:00:36,720
Speaker 1: the boys on the River Court and all of us

1116
01:00:36,840 --> 01:00:39,680
Speaker 1: and you know, our moment on the Comet, and I

1117
01:00:39,720 --> 01:00:42,120
Speaker 1: don't know we we were all talking while we were

1118
01:00:42,120 --> 01:00:45,120
Speaker 1: watching it about how if there's a night that we

1119
01:00:45,160 --> 01:00:48,120
Speaker 1: could go back to and just relish in again, at

1120
01:00:48,200 --> 01:00:50,640
Speaker 1: least so far in these first ten episodes, that that

1121
01:00:50,680 --> 01:00:53,280
Speaker 1: would one night to like bought back into the river,

1122
01:00:53,440 --> 01:01:00,360
Speaker 1: to the River Court, and I would have stolen she felt.

1123
01:01:00,760 --> 01:01:02,480
Speaker 1: I want to just taken up and put I'm in

1124
01:01:02,520 --> 01:01:05,000
Speaker 1: a scrap book. Felt so good to see everybody in

1125
01:01:05,000 --> 01:01:07,000
Speaker 1: the same place, and I remember us all having so

1126
01:01:07,080 --> 01:01:10,000
Speaker 1: much fun that night, and you know, just the weather

1127
01:01:10,360 --> 01:01:13,040
Speaker 1: and everybody having a ball, and the lights were bright,

1128
01:01:13,080 --> 01:01:16,160
Speaker 1: and the whole cast was there, and it felt like

1129
01:01:16,240 --> 01:01:22,000
Speaker 1: we were really doing something special and exciting. And I

1130
01:01:22,080 --> 01:01:24,840
Speaker 1: really felt like I was a part of something special,

1131
01:01:25,000 --> 01:01:27,720
Speaker 1: and and I was, we were, you know, But that

1132
01:01:27,840 --> 01:01:30,320
Speaker 1: night it's for some reason that the magic was alive.

1133
01:01:30,880 --> 01:01:34,200
Speaker 1: So thanks for joining us for that special part of

1134
01:01:34,200 --> 01:01:37,040
Speaker 1: the episode for for us, and thanks for keeping the

1135
01:01:37,080 --> 01:01:39,400
Speaker 1: magic alive for us all these years. Guys, don't forget

1136
01:01:39,440 --> 01:01:44,640
Speaker 1: you're the reason we're here, Go Ravens. Hey, thanks for listening.

1137
01:01:44,760 --> 01:01:47,000
Speaker 1: Don't forget to leave us a review. You can also

1138
01:01:47,080 --> 01:01:50,200
Speaker 1: follow us on Instagram at Drama Queens O t H.

1139
01:01:50,760 --> 01:01:54,040
Speaker 1: Or email us at Drama Queens at I heart radio

1140
01:01:54,120 --> 01:01:58,680
Speaker 1: dot com. See you next time. Were all about that

1141
01:01:58,800 --> 01:02:01,720
Speaker 1: high school drama? Girl Drama Girl, all about them high

1142
01:02:01,720 --> 01:02:04,840
Speaker 1: school queens. We'll take you for a ride in our

1143
01:02:04,880 --> 01:02:08,920
Speaker 1: comic Girl Cheering for the right teen drama Queens jeelse

1144
01:02:09,040 --> 01:02:11,800
Speaker 1: my girl up Girl fashion. With your tough girl, you

1145
01:02:11,840 --> 01:02:14,760
Speaker 1: could sit with us Girl Drama Queens, Drama, Queens Drama,

1146
01:02:14,800 --> 01:02:18,400
Speaker 1: Queen's Drama, Drama, Queen's Drama Queens