1 00:00:03,800 --> 00:00:06,880 Speaker 1: You were listening to Strawberry Spring, based on a short 2 00:00:06,920 --> 00:00:19,279 Speaker 1: story by Stephen King. Is someone there? I can't see 3 00:00:19,280 --> 00:00:27,160 Speaker 1: you through the fog, one of those idiot froguys think 4 00:00:27,240 --> 00:00:37,199 Speaker 1: this is funny, Jimmy Roger, You're not funny. Where is 5 00:00:37,240 --> 00:00:42,839 Speaker 1: the god? Damn it? Fog is bad enough, ice pavement? 6 00:00:48,479 --> 00:00:51,560 Speaker 1: Oh it's you, Thank God. I think there's someone else 7 00:00:51,560 --> 00:00:54,880 Speaker 1: out here and they were following me and oh please, 8 00:00:55,600 --> 00:01:24,760 Speaker 1: you don't know, don't don't Hello, good morning. You're listening 9 00:01:24,760 --> 00:01:28,000 Speaker 1: to W. S. K Hes with d J Kevin Hard again. 10 00:01:28,280 --> 00:01:30,880 Speaker 1: This is the morning heartbeat. It's time to rise and shine. 11 00:01:30,959 --> 00:01:34,080 Speaker 1: You share a nights at seven o'clock March sixteenth, nineteen 12 00:01:34,240 --> 00:01:38,800 Speaker 1: seventy six, and it's another foggy Strawberry Spring here in 13 00:01:38,840 --> 00:01:40,720 Speaker 1: New England. If you can see your hand in front 14 00:01:40,760 --> 00:01:42,720 Speaker 1: of your face, give us a call and request the song. 15 00:01:43,959 --> 00:01:46,360 Speaker 1: Time to scrape the ice from your windows, shovel out 16 00:01:46,400 --> 00:01:49,160 Speaker 1: the driveway and make your way to work. To get 17 00:01:49,160 --> 00:01:51,400 Speaker 1: you going on your morning drive, here's a brand new 18 00:01:51,400 --> 00:01:55,160 Speaker 1: one from k C and the Sunshine. Hony. Are you up? 19 00:01:56,120 --> 00:02:01,000 Speaker 1: You're gonna be lates? Did you bring another lamp? Yeah? 20 00:02:01,240 --> 00:02:06,320 Speaker 1: I'm up? How did you sleep not bad now the 21 00:02:06,360 --> 00:02:10,160 Speaker 1: baby sleep. She kicks more than you do, but it 22 00:02:10,240 --> 00:02:20,080 Speaker 1: SNAr as less. I'll make the coffee. I'll be right down, 23 00:02:30,440 --> 00:02:33,800 Speaker 1: hot and fresh, just how you like it. You were 24 00:02:33,840 --> 00:02:39,400 Speaker 1: the coffee both, Thank god? What would I do with 25 00:02:39,480 --> 00:02:42,920 Speaker 1: at you go thirsty? You leave me any hot water? 26 00:02:44,000 --> 00:02:47,320 Speaker 1: Probably not? I guess I'll have to find out for myself. 27 00:02:47,720 --> 00:02:50,520 Speaker 1: It'd be careful, would you. I'm not so sure how 28 00:02:50,600 --> 00:02:53,040 Speaker 1: water is good for the baby? Where did you read that? 29 00:02:54,120 --> 00:02:58,000 Speaker 1: It's common sense? Oh well, as long as they're science 30 00:02:58,040 --> 00:03:01,239 Speaker 1: behind that. Are you going to be late tonight? Well? 31 00:03:01,520 --> 00:03:06,919 Speaker 1: What day is it? Oh? Yeah, a week day? Then, yes, Jack, never, 32 00:03:07,080 --> 00:03:14,240 Speaker 1: that's all. Good morning news. This is horrible. We just 33 00:03:14,280 --> 00:03:16,280 Speaker 1: found out there was a murder on the campus of 34 00:03:16,320 --> 00:03:19,480 Speaker 1: New Sharon College. Police are not releasing the victim's name, 35 00:03:19,480 --> 00:03:21,920 Speaker 1: but sources close to the investigation tell us that it 36 00:03:22,000 --> 00:03:25,160 Speaker 1: was a female, co ed late teams to early twenties. 37 00:03:25,320 --> 00:03:31,720 Speaker 1: Will have more information. Hello, have you heard the news? Yeah, 38 00:03:31,800 --> 00:03:34,400 Speaker 1: just now on the radio. It was a burn around campus. 39 00:03:35,600 --> 00:03:38,160 Speaker 1: It has all the signs. Wait are you telling me? 40 00:03:38,280 --> 00:03:42,520 Speaker 1: Can't be sure, but as of right now, it looks 41 00:03:42,520 --> 00:03:46,080 Speaker 1: like spring Heel Jack is back. Spring Heel Jack is back. 42 00:03:47,520 --> 00:03:49,880 Speaker 1: It's a shark to the system here in that name. 43 00:03:50,920 --> 00:03:53,760 Speaker 1: It's almost been eight years to the day the last 44 00:03:53,800 --> 00:03:57,080 Speaker 1: time the fog was this heavy in New England. They 45 00:03:57,080 --> 00:03:59,880 Speaker 1: call it a strawberry spring. No one even knows why 46 00:04:00,240 --> 00:04:02,720 Speaker 1: got what happened at New Sharon during the last one, 47 00:04:02,840 --> 00:04:06,360 Speaker 1: and there might be a pattern for that too, but 48 00:04:06,440 --> 00:04:10,040 Speaker 1: if anyone has figured it out, they've never said. I've 49 00:04:10,040 --> 00:04:13,680 Speaker 1: heard every theory there was, especially having written the book 50 00:04:13,720 --> 00:04:22,120 Speaker 1: on it eight years and it's almost like it was yesterday. 51 00:04:22,279 --> 00:04:25,560 Speaker 1: Good Morning New Sharon College, or listening to k s 52 00:04:25,800 --> 00:04:29,600 Speaker 1: h R College Radio DJ Kevin Hard in here it's 53 00:04:29,640 --> 00:04:32,600 Speaker 1: time to rise and shy New Sharon nights. Another foggy, 54 00:04:32,920 --> 00:04:41,919 Speaker 1: rainy strawberry spring. Try and stay dry while ship. Damn it, Greg, 55 00:04:43,760 --> 00:04:49,800 Speaker 1: I have some breaking news that's just in um. I 56 00:04:49,880 --> 00:04:52,720 Speaker 1: don't even know what to say. A female student was 57 00:04:52,800 --> 00:04:58,440 Speaker 1: found murdered in the Animal Sciences parking lot. We don't 58 00:04:58,440 --> 00:05:02,280 Speaker 1: have many details right now. Stay tuned for more information 59 00:05:02,320 --> 00:05:04,680 Speaker 1: as it comes in. When I heard Kevin that morning, 60 00:05:04,760 --> 00:05:06,600 Speaker 1: I didn't even know it yet, but it would change 61 00:05:06,600 --> 00:05:10,039 Speaker 1: my life forever. I remember throwing out my clothes and 62 00:05:10,120 --> 00:05:16,479 Speaker 1: rushing across campus excuse me out of the way. Hey, 63 00:05:16,520 --> 00:05:20,400 Speaker 1: watch out as well. You just blasted me. Sorry about that. 64 00:05:21,880 --> 00:05:25,200 Speaker 1: I didn't know where to turn, but as a journalism major, 65 00:05:25,760 --> 00:05:28,560 Speaker 1: I had to get to the paper. It was the 66 00:05:28,600 --> 00:05:32,120 Speaker 1: center of my universe. If there were answers to be found, 67 00:05:32,640 --> 00:05:36,320 Speaker 1: I would find them at the New Sharon Times. Back then, 68 00:05:36,400 --> 00:05:39,600 Speaker 1: journalism was my life, even as I was about to 69 00:05:39,640 --> 00:05:48,880 Speaker 1: find out at the expense of others. Hey, Henry, did 70 00:05:48,960 --> 00:05:52,880 Speaker 1: you hear Gayl Kerman was murdered last night? Gayl Kerman? Yeah? 71 00:05:53,440 --> 00:05:55,120 Speaker 1: Why would somebody do that to it? Did? Did you 72 00:05:55,120 --> 00:05:59,039 Speaker 1: know her? Did anyone you know know her? What do 73 00:05:59,120 --> 00:06:03,400 Speaker 1: we know so far? You're asking me hardly anything. I 74 00:06:03,440 --> 00:06:07,400 Speaker 1: thought you were the journalist. Hey, keep yours open, would you? 75 00:06:07,600 --> 00:06:09,840 Speaker 1: And if I hear anything, you'll be the first of 76 00:06:09,920 --> 00:06:13,240 Speaker 1: non deal deal. All right, I gotta get back to 77 00:06:13,240 --> 00:06:16,520 Speaker 1: the station. At least now I have a name. Kevin 78 00:06:16,560 --> 00:06:18,800 Speaker 1: was out for himself, but as long as I kept 79 00:06:18,880 --> 00:06:22,039 Speaker 1: that in mind, I figured I could manage him. Everyone 80 00:06:22,120 --> 00:06:25,440 Speaker 1: knew Gail, or at least they thought they did. She 81 00:06:25,560 --> 00:06:28,599 Speaker 1: was an art major. She wore granny glasses just like 82 00:06:28,720 --> 00:06:31,760 Speaker 1: John Lennon, had a good figure. She was the kind 83 00:06:31,760 --> 00:06:34,880 Speaker 1: of girl who talked little and smiled lass. She was 84 00:06:34,960 --> 00:06:38,960 Speaker 1: shy but friendly, and on the morning after her murder, 85 00:06:39,000 --> 00:06:44,280 Speaker 1: everyone knew Gail Kerman even if they didn't. Someone get 86 00:06:44,320 --> 00:06:46,240 Speaker 1: me a picture for the front page of Gail Kerman 87 00:06:46,440 --> 00:06:51,080 Speaker 1: and I mean, now, Henry, get in here. I remember 88 00:06:52,360 --> 00:06:55,240 Speaker 1: like it was yesterday. Working with Anne at the New 89 00:06:55,279 --> 00:06:57,920 Speaker 1: Sharon Times. We would drink coffee and stay up all 90 00:06:58,040 --> 00:07:01,440 Speaker 1: night trying to hit deadlines. She was always pretty in 91 00:07:01,440 --> 00:07:05,280 Speaker 1: a non nonsense sort of way. We covered school sit ins, 92 00:07:05,680 --> 00:07:09,360 Speaker 1: police brutality, even Vietnam and the presidential election. But this 93 00:07:09,400 --> 00:07:12,720 Speaker 1: one spring heel jack, This one hit close to home. 94 00:07:13,480 --> 00:07:17,840 Speaker 1: You look like shit, you feel okay, hangover? We have 95 00:07:17,880 --> 00:07:21,040 Speaker 1: aspurn around here. Between that and the insomnia. I'm just 96 00:07:21,120 --> 00:07:24,480 Speaker 1: grateful for instant coffee, to be honest about, the only 97 00:07:24,520 --> 00:07:26,400 Speaker 1: thing that really helps me at night is a long 98 00:07:26,440 --> 00:07:29,000 Speaker 1: walk and fresh air. First of all, no one is 99 00:07:29,040 --> 00:07:32,480 Speaker 1: grateful for instant coffee. I can't believe you drink that crap. 100 00:07:32,480 --> 00:07:35,560 Speaker 1: Maybe that's what's giving you a headache. That's a fancy 101 00:07:35,600 --> 00:07:38,000 Speaker 1: word for headaches. Do you know what's giving me mine? 102 00:07:38,360 --> 00:07:41,240 Speaker 1: Let me guess. It's been over an hour since the 103 00:07:41,280 --> 00:07:43,480 Speaker 1: story broke and you still don't have a picture to run. 104 00:07:43,640 --> 00:07:46,320 Speaker 1: Good guests, Have you assigned anyone of this yet? No? 105 00:07:46,960 --> 00:07:50,480 Speaker 1: Half our staff just found out morning classes weren't even canceled, 106 00:07:50,520 --> 00:07:53,400 Speaker 1: so hardly anyone is doing until this afternoon for tomorrow's 107 00:07:53,440 --> 00:07:58,040 Speaker 1: morning paper. That's because my dad talked Dean Edwards out 108 00:07:58,040 --> 00:08:00,760 Speaker 1: of it. Why would Captain Spencer do that? I don't know. 109 00:08:01,400 --> 00:08:04,040 Speaker 1: I overheard him on the phone this morning. Guys. It 110 00:08:04,160 --> 00:08:08,000 Speaker 1: is way worse than we've heard. Do you know John Dancy. Well, 111 00:08:08,160 --> 00:08:10,200 Speaker 1: he found her tripped over her body in the middle 112 00:08:10,240 --> 00:08:12,120 Speaker 1: of the fog. They had to give him a sedative 113 00:08:12,200 --> 00:08:16,800 Speaker 1: just for him to remember his name. That's awful. That's nothing. 114 00:08:17,560 --> 00:08:21,280 Speaker 1: The awful part is Gail was cut apart. I overheard 115 00:08:21,280 --> 00:08:23,360 Speaker 1: my dad and he told Dean Edwards it's like a 116 00:08:23,440 --> 00:08:26,960 Speaker 1: modern day Jack the Ripper or something. The guy sliced 117 00:08:26,960 --> 00:08:30,320 Speaker 1: through her torso. He said, it looked like someone tried 118 00:08:30,320 --> 00:08:33,720 Speaker 1: to dissect her. Trust me, they don't have a plan 119 00:08:33,800 --> 00:08:36,679 Speaker 1: other than it's a bad press to close down. Okay, 120 00:08:36,720 --> 00:08:40,240 Speaker 1: look I'm here already. I'll run with it, and at 121 00:08:40,240 --> 00:08:42,640 Speaker 1: the very least I can get us some picture to 122 00:08:42,720 --> 00:08:47,280 Speaker 1: Pratt done. Why are you still standing here? I still 123 00:08:47,320 --> 00:08:50,640 Speaker 1: need ask. I'll get that, then get the story. So 124 00:08:50,800 --> 00:08:53,200 Speaker 1: us to keep eaves dropping on your dad, you might 125 00:08:53,240 --> 00:08:55,520 Speaker 1: as well take advantage of being the police captain's daughter. 126 00:08:56,240 --> 00:08:59,440 Speaker 1: You have to remind me in this case, I do 127 00:09:00,760 --> 00:09:12,080 Speaker 1: go Rachel. Sorry, Hey, I know we're supposed to have 128 00:09:12,080 --> 00:09:15,480 Speaker 1: a lunch date today, but things just got a little nuts. 129 00:09:16,040 --> 00:09:19,280 Speaker 1: I get it here, come out from under the rain. Hey, 130 00:09:19,280 --> 00:09:21,719 Speaker 1: do you wanna just stop at the grinder and pick 131 00:09:21,800 --> 00:09:25,520 Speaker 1: up some sandwiches? In this weather? I have food at 132 00:09:25,520 --> 00:09:29,480 Speaker 1: my apartment. We can make lunch there. I don't have 133 00:09:29,520 --> 00:09:32,280 Speaker 1: time for launch. Let me just walk you home. I 134 00:09:32,320 --> 00:09:35,520 Speaker 1: don't want you walking home alone. It's what, okay, I 135 00:09:35,600 --> 00:09:39,040 Speaker 1: don't know, it's it's just I don't want anything to 136 00:09:39,040 --> 00:09:41,720 Speaker 1: happen to you. Do you think there's something to worry about? 137 00:09:42,600 --> 00:09:48,880 Speaker 1: I mean, did that girl Gail? Sorry Gail? You don't 138 00:09:48,920 --> 00:09:53,600 Speaker 1: think a random stranger killed her? To you? I have 139 00:09:53,760 --> 00:09:58,520 Speaker 1: no idea, but let me walk you home, okay, just 140 00:09:58,640 --> 00:10:10,520 Speaker 1: to be safe. M I remember seeing the blank looks 141 00:10:10,559 --> 00:10:13,680 Speaker 1: on everyone's faces as I walked Rachel back to her place. 142 00:10:14,679 --> 00:10:17,720 Speaker 1: They all looked worried, but no one was more worried 143 00:10:17,720 --> 00:10:21,480 Speaker 1: than Rachel. Things were just starting to get serious between 144 00:10:21,559 --> 00:10:27,040 Speaker 1: us when it all started. I know this probably isn't 145 00:10:27,040 --> 00:10:30,239 Speaker 1: the right time, but we've both been so busy. Graduation 146 00:10:30,360 --> 00:10:34,040 Speaker 1: coming up. What are you talking about? We don't graduate 147 00:10:34,200 --> 00:10:38,320 Speaker 1: for three more months. It's like a lifetime. No, it's 148 00:10:38,360 --> 00:10:43,360 Speaker 1: like three more months. I just I need to know 149 00:10:43,640 --> 00:10:49,000 Speaker 1: what are we doing after we graduate? Ah? I thought 150 00:10:49,040 --> 00:10:54,800 Speaker 1: we agreed we'll move in together, get an apartment, go 151 00:10:54,920 --> 00:10:58,120 Speaker 1: to Boston or New York. I'll get my journalism career 152 00:10:58,160 --> 00:11:01,000 Speaker 1: going at a big paper, and you'll help people they're 153 00:11:01,040 --> 00:11:05,280 Speaker 1: crazy or whatever shrinks do Are you going to be 154 00:11:05,360 --> 00:11:07,720 Speaker 1: the one to tell my father that his little girl 155 00:11:07,840 --> 00:11:11,640 Speaker 1: from the Sabbath is going to be living in sin Well? 156 00:11:11,679 --> 00:11:16,120 Speaker 1: I hadn't really thought about it. Well I have, and 157 00:11:16,640 --> 00:11:20,560 Speaker 1: now there's this, in all seriousness, a murder right here 158 00:11:20,600 --> 00:11:23,760 Speaker 1: on campus. I'm not sure I want to live in 159 00:11:23,800 --> 00:11:27,400 Speaker 1: a big city like Boston or New York when you graduate. 160 00:11:28,160 --> 00:11:30,559 Speaker 1: If this happens here, it's only worse in a place 161 00:11:30,600 --> 00:11:37,800 Speaker 1: like New York. Oh my god, Henry's that Please day, 162 00:11:38,679 --> 00:11:41,640 Speaker 1: Just keep walking. We're at the parking lot where they 163 00:11:42,120 --> 00:11:46,880 Speaker 1: found the girl. Come on, let's go. I don't understand. 164 00:11:47,520 --> 00:11:51,360 Speaker 1: It's just alive just a day ago. Now it's emergency 165 00:11:51,400 --> 00:11:55,679 Speaker 1: and what is happening. Don't find the guy that did this. 166 00:11:56,280 --> 00:12:00,600 Speaker 1: I hope you're right. Let's go be from the rain picks. God, 167 00:12:00,720 --> 00:12:03,199 Speaker 1: I hate this weather. I don't know what's worse, the 168 00:12:03,320 --> 00:12:08,120 Speaker 1: fog or the rain. The fog always reminds me of 169 00:12:08,200 --> 00:12:11,679 Speaker 1: the accident. I'm sorry I should have said anything. I 170 00:12:11,960 --> 00:12:16,640 Speaker 1: can't imagine. I was like, uh, it was it was awful. 171 00:12:17,559 --> 00:12:20,040 Speaker 1: I was fourteen at the time. We just found out 172 00:12:20,080 --> 00:12:23,640 Speaker 1: my dad died in the Korean War. Everything was falling apart. 173 00:12:24,000 --> 00:12:26,560 Speaker 1: Remember my mom packing up our place. We're moving to 174 00:12:26,559 --> 00:12:29,520 Speaker 1: be closer to her family. And I think we're on 175 00:12:29,559 --> 00:12:41,360 Speaker 1: our way to my grandparents house. Mom, Mom, I can't 176 00:12:41,360 --> 00:12:44,840 Speaker 1: see a thing. It's a pitch black at how's your 177 00:12:44,840 --> 00:12:50,560 Speaker 1: brother m Junior sleeping? We should pull over and wait 178 00:12:50,640 --> 00:12:53,880 Speaker 1: for the fog to clear camp. We're in the middle 179 00:12:53,880 --> 00:12:56,600 Speaker 1: of nowhere. I told your grandfather we'd be there by morning, 180 00:12:56,600 --> 00:12:59,920 Speaker 1: and he'll be worried, sickingfore not okay, maybe just slow 181 00:13:00,080 --> 00:13:02,160 Speaker 1: down while I can barely see past the hood of 182 00:13:02,200 --> 00:13:07,040 Speaker 1: the car. I've never seen fog like that before. It 183 00:13:07,200 --> 00:13:11,240 Speaker 1: was so thick that headlights just bounced off like yellow 184 00:13:11,240 --> 00:13:17,240 Speaker 1: polka dots on white cotton. Mom, please slowed down. Why 185 00:13:17,280 --> 00:13:21,920 Speaker 1: are you speeding up? It all happened so fast. I 186 00:13:21,960 --> 00:13:25,680 Speaker 1: saw headlights from behind. They flashed in the rear view mirror. 187 00:13:25,880 --> 00:13:28,880 Speaker 1: He can't see a damn thing. Then from out of nowhere, 188 00:13:29,000 --> 00:13:30,800 Speaker 1: there was a deer in the middle of the road, 189 00:13:31,240 --> 00:13:45,640 Speaker 1: and my mom swerved. Look out. We had flipped over 190 00:13:45,679 --> 00:13:49,760 Speaker 1: a few times. The car was crushed. I was thrown 191 00:13:49,800 --> 00:13:52,719 Speaker 1: through the windshield. There were shards of glass stuck in 192 00:13:52,840 --> 00:13:56,480 Speaker 1: my face, blood dripping from my forehead. I started to 193 00:13:56,480 --> 00:13:59,400 Speaker 1: crawl back to the car. It was so dark in 194 00:13:59,440 --> 00:14:02,760 Speaker 1: the fog. Guy couldn't see. But the car was upside 195 00:14:02,760 --> 00:14:05,840 Speaker 1: down and part of the underside caught fire. It was 196 00:14:05,920 --> 00:14:08,960 Speaker 1: like a signal light, but it wasn't leading me to safety. 197 00:14:09,920 --> 00:14:19,640 Speaker 1: It was the exact opposite. Mom, Wake up, Mom, Mom, 198 00:14:19,640 --> 00:14:27,400 Speaker 1: wake up JR. The dome light flickered, and that's when 199 00:14:27,400 --> 00:14:33,760 Speaker 1: I realized my mother's neck was broken. Oh my god, 200 00:14:34,520 --> 00:14:40,160 Speaker 1: Oh my god, Oh my good. And my brother was 201 00:14:40,240 --> 00:14:44,400 Speaker 1: crushed under the roof of the car. I passed out 202 00:14:44,440 --> 00:14:47,600 Speaker 1: on the side of the road. I woke up when 203 00:14:47,640 --> 00:15:00,120 Speaker 1: I heard the sirens get us there throwing hurry m 204 00:15:05,600 --> 00:15:08,640 Speaker 1: The accident left me with migraines in a severe case 205 00:15:08,680 --> 00:15:13,760 Speaker 1: of insomnia. I spent weeks recovering. That's just about everything 206 00:15:13,840 --> 00:15:17,480 Speaker 1: I can remember, But the fog always brings it back 207 00:15:18,640 --> 00:15:23,480 Speaker 1: like it just happened. It's called emotional memory. What is 208 00:15:23,880 --> 00:15:26,960 Speaker 1: but you just described you feel the emotions come back 209 00:15:27,000 --> 00:15:29,560 Speaker 1: to you when something triggers it. I look at you, 210 00:15:30,200 --> 00:15:34,640 Speaker 1: diagnosing me on the spot. I didn't diagnose anything, just 211 00:15:34,760 --> 00:15:38,520 Speaker 1: letting you know why you're feeling such intense memories. So 212 00:15:38,680 --> 00:15:42,440 Speaker 1: you're saying I'm not crazy. No one's ever going to 213 00:15:42,600 --> 00:15:47,040 Speaker 1: say that, are you going to be? Okay? Yes, just 214 00:15:47,160 --> 00:15:50,520 Speaker 1: to be safe, lock your door and don't open it 215 00:15:50,560 --> 00:15:53,480 Speaker 1: for anyone. I'm not even for you. Okay, you can 216 00:15:53,480 --> 00:15:57,880 Speaker 1: open up for me. Well, I see you tonight. Maybe 217 00:15:58,640 --> 00:16:01,120 Speaker 1: depends on how late I stay at the paper. If 218 00:16:01,160 --> 00:16:04,800 Speaker 1: it's after midnight, do not come knocking on my door. 219 00:16:05,120 --> 00:16:09,320 Speaker 1: All right, let's just agree. Now, all right, I'll see 220 00:16:09,360 --> 00:16:17,400 Speaker 1: you tomorrow with Rachel safely locked away. I followed up 221 00:16:17,400 --> 00:16:23,120 Speaker 1: on some leads and headed back to the paper. And 222 00:16:23,680 --> 00:16:27,120 Speaker 1: not now, Henry and slow down. We don't have time. 223 00:16:27,520 --> 00:16:29,320 Speaker 1: We don't know anything about gil criminal. We have a 224 00:16:29,320 --> 00:16:31,560 Speaker 1: paper to print. I know that. Just take a breath. 225 00:16:31,600 --> 00:16:34,440 Speaker 1: I'll tell you what I have so far. The clock 226 00:16:34,640 --> 00:16:38,440 Speaker 1: is ticking. Okay. She lived in the dorms Shreve Hall. 227 00:16:38,760 --> 00:16:41,480 Speaker 1: She was an art major, mostly kept to herself. But 228 00:16:41,560 --> 00:16:44,920 Speaker 1: she does have a boyfriend, Carla and Laura. Where was 229 00:16:44,960 --> 00:16:47,000 Speaker 1: he last night? I don't know where does he live? 230 00:16:47,160 --> 00:16:50,000 Speaker 1: I don't know that either, Henry, this is a big one. 231 00:16:50,240 --> 00:16:52,120 Speaker 1: This one could put the New Sharon Times on the 232 00:16:52,160 --> 00:16:55,240 Speaker 1: map that Oh that you know? Good, Let's write what 233 00:16:55,320 --> 00:16:58,280 Speaker 1: you have. We'll do a piece on campus safety. Who knows, 234 00:16:58,320 --> 00:17:00,240 Speaker 1: maybe we have a very own New England, so each 235 00:17:00,320 --> 00:17:03,160 Speaker 1: on our hands, New England zodiac. I know, I know 236 00:17:03,240 --> 00:17:05,320 Speaker 1: we'll come up with something catch here. If I didn't 237 00:17:05,359 --> 00:17:07,879 Speaker 1: know you better, i'd almost say finding a serial killer 238 00:17:07,920 --> 00:17:10,480 Speaker 1: on campus sounds like wishful thinking, Oh well, it's good, 239 00:17:10,480 --> 00:17:13,280 Speaker 1: you know me. Better write what you have cover security 240 00:17:13,280 --> 00:17:16,000 Speaker 1: on campus, and we'll start with that. I spent the 241 00:17:16,040 --> 00:17:19,879 Speaker 1: rest of that afternoon writing the front page. We didn't 242 00:17:19,920 --> 00:17:22,520 Speaker 1: have a lot on Gail's murder, but I managed to 243 00:17:22,560 --> 00:17:25,240 Speaker 1: turn it into a pretty compelling character piece about a 244 00:17:25,280 --> 00:17:29,000 Speaker 1: talented girl whose life was cut short by senseless violence. 245 00:17:31,240 --> 00:17:34,560 Speaker 1: I remember how frieda I was that night, between the 246 00:17:34,640 --> 00:17:39,639 Speaker 1: murder Rachel and the rain and fog. It was a 247 00:17:39,640 --> 00:17:43,440 Speaker 1: long day. I headed back to my place and crashed hard. 248 00:17:44,480 --> 00:17:47,679 Speaker 1: But that first day was nothing compared to what came next. 249 00:17:52,119 --> 00:17:55,120 Speaker 1: Rose and sew and new Sharon Knight's tido and out 250 00:17:55,119 --> 00:17:58,040 Speaker 1: of bed. Pick a look outside. It seems like a 251 00:17:58,320 --> 00:18:01,520 Speaker 1: strawberry spring will be with us with a foreseeable future. 252 00:18:04,160 --> 00:18:12,760 Speaker 1: Shut the funk up already. Oh, good ahead, it's so shitty. 253 00:18:12,880 --> 00:18:20,720 Speaker 1: H Hey, good morning. How would you sleep? Not good? 254 00:18:21,280 --> 00:18:25,000 Speaker 1: Just keep thinking about Gail. I see you made the 255 00:18:25,000 --> 00:18:29,359 Speaker 1: front page. It was either that or the library dedication. 256 00:18:29,960 --> 00:18:33,280 Speaker 1: I think Anne made the right choice. You want to 257 00:18:33,320 --> 00:18:36,680 Speaker 1: come by and brought me the campus? Sure thing, give 258 00:18:36,720 --> 00:18:51,720 Speaker 1: me ten minutes. I'll be right over. It's foggy out today, 259 00:18:52,520 --> 00:18:56,960 Speaker 1: Hold my hand and warm me up. It's just felt 260 00:18:57,000 --> 00:18:59,440 Speaker 1: like it'd be better if he wants me to class, 261 00:19:00,440 --> 00:19:06,080 Speaker 1: No problem, happy to do. In the late sixties, it 262 00:19:06,160 --> 00:19:09,920 Speaker 1: seemed like there was a protest for everything. The police 263 00:19:09,960 --> 00:19:13,440 Speaker 1: presence on campus was heavy. They were looking to solve 264 00:19:13,480 --> 00:19:17,560 Speaker 1: Gail Kerman's murder, but in the process, Piste just about 265 00:19:17,680 --> 00:19:23,920 Speaker 1: everyone else of the police just meet things worse they're 266 00:19:23,960 --> 00:19:26,800 Speaker 1: just doing their job. That's what they said in Selma. 267 00:19:27,240 --> 00:19:32,600 Speaker 1: This isn't Selma. That's why it's scarier. That's what she 268 00:19:32,720 --> 00:19:35,919 Speaker 1: lived just met. Considering the flowers and the makeshift memorials 269 00:19:35,920 --> 00:19:38,120 Speaker 1: in front of the door on a shrew, it's so 270 00:19:38,240 --> 00:19:42,920 Speaker 1: sad years old. It's funny how when someone dies and 271 00:19:43,040 --> 00:19:48,040 Speaker 1: needs something to people even if they don't know. There 272 00:19:48,040 --> 00:19:50,639 Speaker 1: were at least a half dozen police cars parked in 273 00:19:50,680 --> 00:19:54,000 Speaker 1: front of Shrewd Hall where Gail leved. It was weird 274 00:19:54,040 --> 00:19:58,159 Speaker 1: to see. It wasn't like the Vietnam protests. That was 275 00:19:58,200 --> 00:20:03,000 Speaker 1: an ocean away. Tensions ran high and six no one 276 00:20:03,080 --> 00:20:09,240 Speaker 1: trusted anyone. Between the civil rights protests, the hippies, black panthers, 277 00:20:09,640 --> 00:20:13,200 Speaker 1: the war, and now the murder, the tension was as 278 00:20:13,240 --> 00:20:16,080 Speaker 1: thick as the fog, and no one was immune. This 279 00:20:16,240 --> 00:20:19,600 Speaker 1: was about one of our own, and everyone wanted to 280 00:20:19,640 --> 00:20:23,960 Speaker 1: know what the police were going to do about. You too, 281 00:20:24,000 --> 00:20:28,199 Speaker 1: have student I d S I do, and Rachel, you 282 00:20:28,240 --> 00:20:30,520 Speaker 1: have yours with I have a classic at to. I 283 00:20:30,520 --> 00:20:38,720 Speaker 1: don't have time for this. I need to see identification. Henry, 284 00:20:39,200 --> 00:20:44,880 Speaker 1: let's go. I'm going to be late. This is messed up. 285 00:20:45,800 --> 00:20:52,919 Speaker 1: First floor, it's like Major's lingerie rubber sheets. I know 286 00:20:53,359 --> 00:20:56,840 Speaker 1: you're just trying to lighten things up, but if you're 287 00:20:56,840 --> 00:20:59,520 Speaker 1: not careful, this is where you'll find exco friends. To 288 00:21:01,160 --> 00:21:07,159 Speaker 1: meet me later as long as I'm not a got it. 289 00:21:12,760 --> 00:21:16,000 Speaker 1: Look are you rolling in at the Cracker ten? What 290 00:21:16,040 --> 00:21:18,080 Speaker 1: do you have for me? Well, there's about a half 291 00:21:18,160 --> 00:21:22,240 Speaker 1: dozen cops in front of Kerman's dorm and Henry, I'm 292 00:21:22,240 --> 00:21:26,840 Speaker 1: hearing bloomers there's going to be a curfield. Really, how 293 00:21:26,840 --> 00:21:30,440 Speaker 1: would they enforce that? Their pigs and racists? I love 294 00:21:30,480 --> 00:21:33,080 Speaker 1: your passion. Jan Edwards is calling for all students on 295 00:21:33,160 --> 00:21:35,359 Speaker 1: campus to meet at the Quad at noon, So something 296 00:21:35,359 --> 00:21:37,359 Speaker 1: big is going to go down. You're either part of 297 00:21:37,359 --> 00:21:39,600 Speaker 1: the problem or part of the solution. In my father, 298 00:21:40,880 --> 00:21:43,400 Speaker 1: he's part of the problem. Well, it looks like we're 299 00:21:43,440 --> 00:21:45,040 Speaker 1: all gonna go so we can hear what he has 300 00:21:45,080 --> 00:21:52,480 Speaker 1: to say for himself. There's a lot of TV stations here. 301 00:21:52,840 --> 00:21:54,919 Speaker 1: We'll just say ahead of the news outlets. They're not 302 00:21:55,000 --> 00:21:58,600 Speaker 1: even from here. I can't believe this story is getting 303 00:21:58,600 --> 00:22:02,040 Speaker 1: that much interest this quickly. It's not every day there's 304 00:22:02,040 --> 00:22:04,159 Speaker 1: a murder on a college campus. No, that's where I 305 00:22:04,200 --> 00:22:09,040 Speaker 1: have to stay on talk of him. Hello, can you 306 00:22:09,080 --> 00:22:14,560 Speaker 1: hear me? Okay? Then? Um, I know you're all worried 307 00:22:14,560 --> 00:22:18,919 Speaker 1: about what happened to Gail Kerman last night. I am too. 308 00:22:20,000 --> 00:22:22,480 Speaker 1: As you know, we take great pride in our student 309 00:22:22,520 --> 00:22:25,640 Speaker 1: bodied here at New Sharon. So that is why, after 310 00:22:25,800 --> 00:22:29,320 Speaker 1: consulting with Captain s. Spencer of the New Sharon Police 311 00:22:29,320 --> 00:22:33,840 Speaker 1: Department and with our board, we have decided that starting tonight, 312 00:22:34,240 --> 00:22:36,920 Speaker 1: the campus of New Sharon College which will be under 313 00:22:37,000 --> 00:22:43,680 Speaker 1: perfume beginning at ten o'clock. I repeat ten o'clock. Now 314 00:22:44,000 --> 00:22:47,639 Speaker 1: Captin Spencer is here, which some additional information, and so 315 00:22:47,960 --> 00:22:51,880 Speaker 1: I'm going to turn over the microphone to him. Captain Spencer, 316 00:22:55,040 --> 00:22:57,880 Speaker 1: thank you, Jean Edwards. As you may have heard by now, 317 00:22:57,920 --> 00:23:00,399 Speaker 1: a sophomore by the name of Gail Kerman was found 318 00:23:00,400 --> 00:23:04,440 Speaker 1: dead last night just after eleven in the Animal Science's parkingline. 319 00:23:04,720 --> 00:23:08,280 Speaker 1: If anyone has any information or saw anything, please notify us. 320 00:23:08,400 --> 00:23:13,119 Speaker 1: Is this is an ongoing investigation. Now, as the dean said, 321 00:23:13,520 --> 00:23:16,160 Speaker 1: starting tonight at ten the campus will be under curfew. 322 00:23:16,640 --> 00:23:19,720 Speaker 1: In addition, we will have our officers stationed on campus 323 00:23:19,840 --> 00:23:22,720 Speaker 1: to enforce it. And just so you know, anyone outside 324 00:23:22,720 --> 00:23:25,879 Speaker 1: on campus after ten pm where we detain sighted and 325 00:23:26,000 --> 00:23:30,200 Speaker 1: arrested it now. I think you all know my own daughter, 326 00:23:30,280 --> 00:23:32,679 Speaker 1: Chelsea is I do not tell you how much I 327 00:23:32,720 --> 00:23:34,879 Speaker 1: hate him right now, and this is her view as 328 00:23:34,920 --> 00:23:37,879 Speaker 1: being put in place to protect Paul of you. We 329 00:23:37,920 --> 00:23:40,919 Speaker 1: are investigating the murder of Gail Kerman, and until we 330 00:23:41,040 --> 00:23:45,399 Speaker 1: make an arrest, everyone must remain vigilant. Thank you, and 331 00:23:45,520 --> 00:23:51,800 Speaker 1: stay sick. I want everyone to leave a plot immediately, immediately. 332 00:23:52,520 --> 00:23:54,760 Speaker 1: I have to go. It's not enought. You know, he's 333 00:23:54,800 --> 00:23:59,040 Speaker 1: my father, and now everyone knows well we have a 334 00:23:59,040 --> 00:24:01,679 Speaker 1: new headline. We do, but we still don't know who 335 00:24:01,760 --> 00:24:07,480 Speaker 1: killed Gayl Kerman. Why. With the curfew in place, there 336 00:24:07,560 --> 00:24:11,320 Speaker 1: wasn't anything left to do but study. I remember that 337 00:24:11,440 --> 00:24:15,560 Speaker 1: second night of Strawberry Spring. I was in my room. 338 00:24:15,680 --> 00:24:18,959 Speaker 1: I could barely see out the window. The fog was 339 00:24:19,000 --> 00:24:25,440 Speaker 1: so thick. When Kevin burst in, they caught him. What who? 340 00:24:25,560 --> 00:24:28,560 Speaker 1: I heard it over at the grinder. Gayl Kerman's boyfriend 341 00:24:28,600 --> 00:24:32,240 Speaker 1: did it. His name is Carl M. Laura. Thank god, 342 00:24:32,880 --> 00:24:35,040 Speaker 1: Now maybe we can all get back to normal. Yeah, 343 00:24:35,960 --> 00:24:40,240 Speaker 1: thank god. You could hear everyone coming out into the hallway. 344 00:24:41,280 --> 00:24:45,080 Speaker 1: It was the only thing anyone was talking about. I 345 00:24:45,160 --> 00:24:50,120 Speaker 1: remember Feeling relieved, I sat back. I was happy they 346 00:24:50,160 --> 00:24:53,719 Speaker 1: caught the guy. A lover's coral had run his course, 347 00:24:54,600 --> 00:24:58,560 Speaker 1: but at the same time, I was disappointed my journalistic 348 00:24:58,640 --> 00:25:03,399 Speaker 1: intentions were left unfulfilled. I had to cancel on Rachel 349 00:25:03,480 --> 00:25:06,359 Speaker 1: and made a beeline for the Times. The fog was 350 00:25:06,440 --> 00:25:10,080 Speaker 1: worse that night than any I had ever seen. As 351 00:25:10,119 --> 00:25:14,520 Speaker 1: I made my way across campus, I imagined, this must 352 00:25:14,600 --> 00:25:28,320 Speaker 1: be what it's like to be blind. We have some 353 00:25:28,440 --> 00:25:33,280 Speaker 1: pictures to go with the story. I called downstairs, and 354 00:25:33,320 --> 00:25:37,040 Speaker 1: the guys think they'll be able to change the front page. Thanks. 355 00:25:37,520 --> 00:25:41,080 Speaker 1: Looks like that was an open and shut story for us. Yeah, 356 00:25:41,960 --> 00:25:44,840 Speaker 1: hard to believe Anna Laura could be that violent. Did 357 00:25:44,840 --> 00:25:48,280 Speaker 1: you know him? I mean not really. He was a 358 00:25:48,320 --> 00:25:51,119 Speaker 1: dishwasher at the Grinder. I'd see him every once in 359 00:25:51,160 --> 00:25:53,919 Speaker 1: a while. When I was in there with Rachel, Jessie 360 00:25:53,960 --> 00:25:56,560 Speaker 1: went over the police station. She's going to try and 361 00:25:56,600 --> 00:25:58,960 Speaker 1: get a copy of the report. If nothing else, we 362 00:25:59,000 --> 00:26:04,840 Speaker 1: can do a follow up. M what are you looking at? 363 00:26:05,560 --> 00:26:11,359 Speaker 1: You still look like shot? Ah, These glorious migraines. Usually 364 00:26:11,400 --> 00:26:14,760 Speaker 1: coffee and aspirin does the trick. How about rest? Did 365 00:26:14,800 --> 00:26:19,120 Speaker 1: that ever work? Go home and get some sleep. There's 366 00:26:19,160 --> 00:26:21,720 Speaker 1: not much more to write about this one. Looks like 367 00:26:21,760 --> 00:26:25,439 Speaker 1: the cops got their man. As I headed home, I 368 00:26:25,520 --> 00:26:28,800 Speaker 1: noticed dark shadows and the white fog. It was probably 369 00:26:28,840 --> 00:26:32,560 Speaker 1: my imagination. No one was supposed to be out, including me, 370 00:26:33,280 --> 00:26:35,720 Speaker 1: But with the killer cod I wasn't too worried about 371 00:26:35,720 --> 00:26:38,840 Speaker 1: the curfew. The story had written itself, or so we 372 00:26:38,920 --> 00:26:41,840 Speaker 1: all thought, but we were about to find out there 373 00:26:42,040 --> 00:26:51,719 Speaker 1: was and still is more to the story. Hm Ye 374 00:26:59,119 --> 00:27:04,080 Speaker 1: did it. Strawberry Spring is a production of Audio Up 375 00:27:04,119 --> 00:27:07,399 Speaker 1: Media and I Heart Radio executive produced by Lee Metzker, 376 00:27:07,560 --> 00:27:11,080 Speaker 1: Jared Gootstat, and Philip Albert Statt, Written and directed by 377 00:27:11,080 --> 00:27:15,919 Speaker 1: the Lee Metzker, starring Garrett Headland, Milo Ventimilia, Horizon Guardiola, 378 00:27:16,080 --> 00:27:20,080 Speaker 1: Sidney Sweeney, Ken Marino, Al Madrigal and Brett Passenger. Audio 379 00:27:20,160 --> 00:27:23,960 Speaker 1: Up in house production by Georgana Glick Franzheim and Laura Ramada, 380 00:27:24,320 --> 00:27:28,000 Speaker 1: edited by Carry Caulfield, Eric and Jeremiah Zimmerman. Sound design 381 00:27:28,080 --> 00:27:31,359 Speaker 1: and mixed by Jeremiah Zimmerman, scored by Jeff Peters. Songs 382 00:27:31,359 --> 00:27:34,640 Speaker 1: and music by Jared Gootstatt and Jesse Stephenburg. Strawberry Spring 383 00:27:34,720 --> 00:27:37,520 Speaker 1: is published in Stephen King's short story collection night Shift, 384 00:27:37,680 --> 00:27:41,040 Speaker 1: available in paperback and ebrook from Anchor Brooks, and as 385 00:27:41,080 --> 00:27:43,679 Speaker 1: an audio book from Penguin Random House Audio. For the 386 00:27:43,680 --> 00:27:46,520 Speaker 1: fullest of production credits, please visit audio up dot com. 387 00:27:46,560 --> 00:27:49,080 Speaker 1: You can find more podcasts from iHeart Radio on the 388 00:27:49,119 --> 00:27:52,360 Speaker 1: I Heart Radio app, Apple Podcasts, or wherever you listen 389 00:27:52,400 --> 00:28:01,080 Speaker 1: to podcasts. The bullet is the draup