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Speaker 1: Good morning in Usa yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo.

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Speaker 2: Yo yo Charlamagne the God Peace to up playing.

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Speaker 1: It is Friday, Yes, it's Friday. It is Friday.

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Speaker 3: Man.

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Speaker 1: No need to see there and act like we're not

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Speaker 1: tired just because we're on BT. The weekend is here,

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Speaker 1: the weekend his Head is going to be an amazing weekend.

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Speaker 1: You hear me, an amazing weekend. Judy Bloom's documentary Forever

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Speaker 1: comes out the day on Amazon Prime.

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Speaker 2: I believe it is.

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Speaker 1: I'm excited about that because you know big Bloom energy

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Speaker 1: over here. The Black Effect Podcast Festival is tomorrow and

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Speaker 1: Atlanta at Pullman Yards that sold out, and then Ryan

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Speaker 1: Garcia and Jevonte Davis fight tomorrow night. So it is

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Speaker 1: a great weekend. A lot going on this weekend, lot

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Speaker 1: of content, well at least for me.

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Speaker 2: Yes, in my world.

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Speaker 1: Last night I got a full night sleep. It felt

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Speaker 1: so good man, twenty hours you get I went to

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Speaker 1: sleep put like his ice sy. None of the games

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Speaker 1: I've seen half the next game, So talking about let

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Speaker 1: me tell you what happened.

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Speaker 4: So yesterday was my daughter's first day in school. Yeah,

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Speaker 4: her first day in school. She's seventeen months okay, so

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Speaker 4: it was her first day in school.

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Speaker 1: So I guess school really burnt her out and she

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Speaker 1: wasn't trying to do nothing.

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Speaker 2: So at about seven o'clock she was knocked out.

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Speaker 1: That's all you need, and that's what I needed right

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Speaker 1: then and there after when she got home, she ate

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Speaker 1: and she went out. Only rookie parent, my goodness, only

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Speaker 1: rookie parents stay up, stay up after their kids go

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Speaker 1: to sleep. When you learned that when you got young kids,

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Speaker 1: when they go to bed, you'll ask you to go

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Speaker 1: to sleep. Yes, my my iPhone tells me that at

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Speaker 1: seven twenty that my bedtime is in the hour, you

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Speaker 1: knowing the kid's bedtime is.

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Speaker 2: Around the same time. Yeah, my kids a bedtime on.

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Speaker 1: They washed up and they eating and in that bed.

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Speaker 1: I'm right behind him. And I did stay up last

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Speaker 1: night to watch the ketchup on a little Dickey Dave effects,

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Speaker 1: but I was only that that was only till about

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Speaker 1: nine fifteen after that knocked out. That's what life has

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Speaker 1: come to people, You know what I mean? How many

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Speaker 1: hours of sleep you get last night eight dropping the

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Speaker 1: clues bombs for you. Okay, you got seven to eight

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Speaker 1: hours of sleep last night. I respect you on a

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Speaker 1: whole different level. You got your priorities in order.

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Speaker 4: All I know is, boy, that school put my baby

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Speaker 4: to sleep. Boy, and she had a great day of school.

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Speaker 4: That was her first day. She had a great day.

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Speaker 4: I love it because I could watch you on the

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Speaker 4: cameras all day long.

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Speaker 1: But good.

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Speaker 2: When I picked up, she was tired and I needed that.

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Speaker 2: She needed it, but I need it.

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Speaker 3: Good.

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Speaker 2: We're bright out in bushytail. We want to enjoy the

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Speaker 2: day to day.

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Speaker 1: Okay, because I was talking about my tailor, I read

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Speaker 1: this morning that Isaac Newton said the end of the

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Speaker 1: world will be in twenty and sixty, so we only

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Speaker 1: got about forty more years lost time. Let's enjoy every day. Well,

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Speaker 1: let's get the show crack. And we got a bunch

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Speaker 1: of people joining us this morning. Chloe Bailey will be

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Speaker 1: joining us. My cousin Chloy will be here to talk

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Speaker 1: that new album in pieces and Pieces. Yes, praise the

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Speaker 1: movie and a whole lot more. You say that the movie,

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Speaker 1: I don't know about all that. And also Jim Jones

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Speaker 1: Capito will be joining us. He's been in the trending

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Speaker 1: the news recently talking about how he feels between Drake

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Speaker 1: and jay Z and also push the t shit and

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Speaker 1: be in the top fifty and just the projects. And

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Speaker 1: just know that whatever Jim Jones says is just his opinion.

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Speaker 1: That's correct. Correct, it's just his opinion.

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Speaker 2: Correct. All right, we got front page news. Next it

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Speaker 2: don't move figure out.

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Speaker 1: That's right. It's the Breakfast Club the Morning. Oh we

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Speaker 1: got a worldwide exclusive too. I haven't heard it.

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Speaker 2: Yes, let's listen to this together.

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Speaker 4: This is the Weekend and Future and it's called Double Fantasy.

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Speaker 4: It's the Breakfast Club Morning Morning, everybody. It's the j

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Speaker 4: Envy Charlamagne the guy. We are the Breakfast Club. That

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Speaker 4: was the Weekend and Future Double Fantasy. That's a little

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Speaker 4: skating ring bop.

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Speaker 1: Okay, I haven't skated in years, but that song definitely

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Speaker 1: is a roller ring music. That's the kind of music

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Speaker 1: make you write a little letter. Whill you go with me?

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Speaker 2: Yes and no?

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Speaker 5: No?

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Speaker 2: Check a box? Yeah, a little bop, little bob.

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Speaker 4: All right, well, let's get to the front page news.

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Speaker 2: Start off with sports.

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Speaker 1: Now, the next beat, the seventh oh sorry, seven to

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Speaker 1: six is beat the next one O two ninety seven.

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Speaker 1: The Suns beat the Clippers one twenty nine, one twenty four,

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Speaker 1: and the Warriors beat the Kings one fourteen to ninety seven. Okay, Warriors,

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Speaker 1: see they're back at home now, Warriors can win at home.

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Speaker 1: They have trouble winning on the road. A good road

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Speaker 1: team this year for whatever reason. And of course Draymond

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Speaker 1: Green didn't play because he was suspended. Now what else

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Speaker 1: we got, miss Testling? Figure how you feeling?

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Speaker 6: First of all, I'm feeling good. I am in Atlanta

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Speaker 6: for the first ever Black Effect Podcast Network Festival. Okay,

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Speaker 6: and flew in on Southwest and I noticed you guys

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Speaker 6: wait until I left yesterday to throw all this Southwest

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Speaker 6: Airline shade for Donkey of the Day.

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Speaker 1: Oh yeah, that dude from Orlando that was on the Southwest.

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Speaker 1: Was any crying babies on your flight?

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Speaker 5: Test?

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Speaker 7: It was not, But that had nothing to do with Southwest.

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Speaker 7: It was that gentleman that called, well, not gentlemen, but

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Speaker 7: that idiot that caused the problem.

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Speaker 6: But I shout out to you for throwing that shade

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Speaker 6: when I left, though.

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Speaker 1: I'm glad you made it safely on Southwest. You one

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Speaker 1: of the blessed ones.

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Speaker 8: Yes.

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Speaker 4: Now, let's talk about this former pro wrestler. Now he's

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Speaker 4: charged with welfare fraud.

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Speaker 7: Yes, yes, yes, yes.

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Speaker 6: While House Republicans are trying to cut food stamp benefits,

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Speaker 6: which we're going to talk about later this morning, rich

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Speaker 6: people in Mississippi are running welfare scams from the food program.

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Speaker 6: Former professional wrestler Ted Teddy the Bias junior of Madison, Mississippi. Yes,

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Speaker 6: the million dollars, million dollars worth of schemes. He received,

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Speaker 6: sham company contracts and misspent millions of dollars of welfare

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Speaker 6: money that was supposed to help some of America's most needy,

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Speaker 6: most neediest people. The indictment is the latest development in

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Speaker 6: an ongoing Mississippi corruption case involving wealthy and well connected

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Speaker 6: people receiving contracts from the state Department of Human Services

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Speaker 6: from twenty sixteen to twenty nineteen. Now, according to the indictment,

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Speaker 6: Davis directed funds from the Emergency Food Assistance Program and

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Speaker 6: the Temporary Assistance for Needed Families to buy a vehicle,

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Speaker 6: a boat, and for a down payment on a house,

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Speaker 6: among other things. He is charged with one count of

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Speaker 6: conspiracy to commit wirefraud and to commit theft concerning programs

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Speaker 6: receiving federal funds, six council wire ruh, two counts of

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Speaker 6: theft concerning programs receiving federal funds, and four counts of

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Speaker 6: money laundering.

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Speaker 7: Now, when I.

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Speaker 6: Read this story, it reminded me of the great Fannie

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Speaker 6: lou Hamer and what she said about Mississippi in nineteen

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Speaker 6: sixty eight.

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Speaker 3: Take a listen, Mississippi is still a very rough place. No,

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Speaker 3: people is not just walking up like they used to

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Speaker 3: do in the past, walking out, No shooting a man

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Speaker 3: down or getting maybe two or three hundred people carrying

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Speaker 3: you out and linking you. But it's it's in a

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Speaker 3: small settled way.

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Speaker 9: Uh.

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Speaker 3: You know, they let you starve to death and not

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Speaker 3: give you jobs. These are some of the things that's

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Speaker 3: happening right now in Mississippi. See, Mississippi is not actually

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Speaker 3: Mississippi's problem. Mississippi is a miracle's problem.

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Speaker 2: Mm mmde.

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Speaker 6: That was fifty five years ago. Uh, Fanny lou Hamer

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Speaker 6: was talking about Mississippi. So this is another examples. So

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Speaker 6: if he is convicted of this, he will face five

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Speaker 6: years in prison for the conspiracy count and up to

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Speaker 6: twenty years for each wire fraud count in ten years

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Speaker 6: for the count of theft concerning programs with federal fun.

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Speaker 1: I can't believe you, Ted Dbossi, Rick Flair would never

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Speaker 1: And what makes rich Americans think that if they cut

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Speaker 1: welfare that's gonna work out for them? Like if people

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Speaker 1: can't eat, if people can't afford food, who you think

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Speaker 1: they're eventually gonna come after? They coming where the wealth

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Speaker 1: is at You jeopardizing your own safety and your own

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Speaker 1: well being because those same people that's starving gonna find

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Speaker 1: a way to survive, and that survival is gonna come

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Speaker 1: from taking what you got.

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Speaker 2: Best believe that.

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Speaker 6: Yep, we're gonna talk about that more next hour about

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Speaker 6: how they are trying to cut the food stamp program.

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Speaker 2: All right, well, thank you, Tess. We'll see in a

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Speaker 2: little bit.

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Speaker 4: Get it off your chest is next eight hundred five

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Speaker 4: eight five one oh five one. If you need to

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Speaker 4: vent phone lines wide open again. Eight hundred five eight

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Speaker 4: five one oh five to one, Get it off your chest.

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Speaker 1: It's the breakfast, it's Ted Deboxi's son, Teddy Jr. It's

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Speaker 1: the junior at the Junior a million dollar So okay,

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Speaker 1: a million dollar son. Yes, all right, it's the Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club.

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Speaker 2: Good morning.

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Speaker 1: How you feeling?

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Speaker 10: I'm better now, how are you doing?

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Speaker 11: Good?

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Speaker 1: What's monny, Mariah?

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Speaker 2: Talk to us?

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Speaker 10: Uncle Charla?

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Speaker 1: Oh my god, what's happening?

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Speaker 7: Oh wow?

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Speaker 10: Okay, So I have to have some things to get

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Speaker 10: off my sat. First, I want to say I appreciate, Charla,

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Speaker 10: how you put one or support. I am a very

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Speaker 10: very stressed over word teacher in Georgia, and I just

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Speaker 10: want to say I need people to just having a

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Speaker 10: better level of respect for us because it's really really

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Speaker 10: hard out here.

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Speaker 12: But also I.

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Speaker 10: Need people to respect on my bank account. I'm working

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Speaker 10: way too hard to be as broke as I am.

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Speaker 1: My mother My mother was a school My mother was

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Speaker 1: a public school teacher, and she the most she ever

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Speaker 1: made in Berkeley County Monks Corner was I think thirty

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Speaker 1: thousand dollars.

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Speaker 2: She said, wow a year.

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Speaker 12: Oh sweet tears.

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Speaker 10: Yeah, it's about the equivalence too. So yeah, I just

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Speaker 10: want to deal with that because the I R S

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Speaker 10: is that's be coming from me because even as a

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Speaker 10: brokere I owe I need to tax you, and I

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Speaker 10: don't know how that happens.

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Speaker 1: I feel like teachers should be taxing them. Don't you

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Speaker 1: feel like teachers should be teaching them if you work

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Speaker 1: at a public school, I think so.

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Speaker 10: Yes, my life will be so much easier.

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Speaker 12: But you know, here we are.

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Speaker 10: And the second thing I want to say, if I

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Speaker 10: need people to get rid of this rational idea that

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Speaker 10: family is supposed to just ride or die no matter what.

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Speaker 10: If family is jeopardized in your piece, they can go

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Speaker 10: just like the next person.

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Speaker 1: That's right, That's exactly right. My therapist tells me the

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Speaker 1: same thing. I've been realized that way before therapy, thor

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Speaker 1: that that's part of boundaries.

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Speaker 2: Family some of the first people you end up cutting

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Speaker 2: off in your life.

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Speaker 10: Yeah, but then I'm the bad guy when I speak

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Speaker 10: up for myself. But I'm just over it. I got

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Speaker 10: a really badball call from my brother yesterday. That's just

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Speaker 10: one question.

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Speaker 1: Yeah, when you when you pray to God to take

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Speaker 1: negativity out your life, He's not swinging at uh, you know,

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Speaker 1: just just things. He's swinging at spirits and energy, and

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Speaker 1: sometimes that spirit and energy consistent people in your family

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Speaker 1: might be your brother, your mother, your sister. It is

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Speaker 1: what it is.

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Speaker 10: Oh, kah Oh. I needed to hear that.

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Speaker 12: Thank you.

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Speaker 1: Yes, what grade do you teach?

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Speaker 11: Marian?

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Speaker 10: I am an eighth grade history teacher?

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Speaker 1: Okay, everybody Georgia history and let me tell you very problematic.

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Speaker 12: But here we are.

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Speaker 1: I'm gonna buy you lunch today. Mariah, what's your cash app?

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Speaker 1: Tell us your cash.

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Speaker 10: App, Uncle, Charlotte. My cash app is, of course, the

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Speaker 10: money signed Riah r I A H and lex.

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Speaker 1: L e x r I A H and the letter

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Speaker 1: what lex no l l e x like lex at

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Speaker 1: ryo oh money signed Riya lex Mariah Colon, I see you.

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Speaker 10: Hello, wait, put some respect on me on.

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Speaker 1: Puerto Rican, Mariah Cologne. I'm gonna send you some money

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Speaker 1: from lunch man. Enjoy your day.

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Speaker 10: Honestly, I love the lunch. But what's up with this podcast?

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Speaker 12: That's abbot to Moore.

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Speaker 1: I'm here you in Atlanta. Yes, Eddie, get her email, man,

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Speaker 1: see if we can get Mariah some tickets. I know

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Speaker 1: we sold out. I don't know what we got, but

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Speaker 1: I'll see what I can figure out. Eddie, get her.

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Speaker 1: Make sure you get me Rid's email. I'm talking to

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Speaker 1: our producer Ddie off the air. Hold on.

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Speaker 2: We're gonna put your hold. Okay, yep, thank you.

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Speaker 4: Get it off your chest eight hundred five eight five

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Speaker 4: one oh five one.

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Speaker 2: If you need to vent, hit us up now. It's

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Speaker 2: the breakfast Club.

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Speaker 13: Good morning, the breakfast Club. This is your time to

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Speaker 13: get it off your chest. Eight hundred five eight five

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Speaker 13: one o five one. We want to hear from you

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Speaker 13: on the breakfast club.

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Speaker 2: Hello, who this?

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Speaker 12: Hey?

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Speaker 8: Good morning bro?

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Speaker 1: What the hell was that.

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Speaker 10: I was drinking water?

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Speaker 1: I'm about to say, don't call up here. You know,

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Speaker 1: you and your boyfriend doing what y'all doing?

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Speaker 2: Canky on a Friday.

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Speaker 12: Leave us out of it.

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Speaker 8: Okay, glad you, good morning, and how much I appreciate that.

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Speaker 8: And that's where it say about a halfy Friday. And

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Speaker 8: also sala Mani, I want to get your advice or something. Yes, sir, well,

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Speaker 8: I'm know Salamni, you're always talking about all black kings

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Speaker 8: and this is you know, just try to keep those

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Speaker 8: black people encouraged. And so man I wouldn't read I'm gird,

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Speaker 8: you know, trying to get into spiritual walk and everything.

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Speaker 8: And I want to ask you, chalae man, how you

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Speaker 8: ever read the second page of the Bible?

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Speaker 1: The second page?

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Speaker 8: Yeah, not Genesis. There's a page on the second page

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Speaker 8: of the Bible. If you got it in a free time,

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Speaker 8: would you read that in your spare time and just

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Speaker 8: give a feedback on the radio window you whenever you can.

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Speaker 1: Yeah, what's the chapter though?

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Speaker 2: What's the chapter in verse?

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Speaker 3: Like?

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Speaker 1: What did it?

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Speaker 2: Just read the second page of the Bible?

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Speaker 1: That's random?

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Speaker 8: Yeah, right after the first page that says a whole

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Speaker 8: about the second page. It's a letter address. And I

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Speaker 8: buy flip when I seen that. This page says something

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Speaker 8: about how the American government don't supposed to run this

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Speaker 8: land because I'm all about the injustice here that goes

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Speaker 8: on in the ward and for I believe that, you know,

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Speaker 8: the world is so corrupt because we as black Americans

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Speaker 8: didn't get a fair shot to knowing God, Like we

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Speaker 8: got God through slavery and everybody else got God through love.

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Speaker 8: And we know that God is good than the Kingdom

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Speaker 8: of Heaven of love, and we know slavery is not love.

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Speaker 8: And I think because of that, our our race is

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Speaker 8: just like this is an aftermath of like lying on

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Speaker 8: God when we know God don't lie. And if God

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Speaker 8: say I'm building the Kingdom off of love, you know,

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Speaker 8: who gives the Europeans a right to put us a slaves.

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Speaker 8: They call it God love.

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Speaker 1: I feel what you're saying, and I do. I do

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Speaker 1: feel like America is never gonna, you know, get get

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Speaker 1: on the right track until it takes care of its

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Speaker 1: original sin it has. It has to have atonement for

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Speaker 1: its original sin, which was the enslaving of Africans. I

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Speaker 1: agree with that. Hello Indigenous people, Hey, this is from

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Speaker 1: two level.

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Speaker 2: Hey, lamar, get it up your chest.

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Speaker 1: Tugalo, Mississippi.

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Speaker 12: Yeah, I wanted to talk about the welfare with Ted

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Speaker 12: wi Ashen Junior man. It's been going on longer than

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Speaker 12: than the twenty sixteen I think I heard about it before.

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Speaker 12: Was a round back in two thirteen. It seemed like

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Speaker 12: all of white want to just take over the money

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Speaker 12: from Mississippi, even though we ain't got that much.

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Speaker 1: Yeah. I mean, that's the same thing with Brett fav

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Speaker 1: You know he was you know, remember all the hot

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Speaker 1: water he was in for his connection to the welfare scandal.

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Speaker 1: Was that seventy seven million dollars of money that was misappropriated.

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Speaker 12: Yep, Yeah, I'm gonna make me feel better about people

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Speaker 12: getting TVP loans out of here.

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Speaker 1: The only difference is we go to jail definitely when

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Speaker 1: we do our fraud and our scamming for PPP loans,

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Speaker 1: they don't.

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Speaker 4: All right, we'll get it off your chest eight hundred

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Speaker 4: and five eight five one oh five to one. If

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Speaker 4: you need e vent you can hit this up when

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Speaker 4: we come back. We got your room and report. We

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Speaker 4: got to tell you about.

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Speaker 1: Designer, Remember Designer Panda Panda pain and the pand dependent.

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Speaker 4: Well, uh, he exposed himself on the plane. We'll give

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Speaker 4: you the updates to what happened with that, So don't

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Speaker 4: go anywhere. It's the Breakfast Club on the et the

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Speaker 4: Breakfast Club.

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Speaker 1: Show me that video early day with that teacher in

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Speaker 1: Rocky Mountain, North Carolina. I see what happens putting hands

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Speaker 1: on that student and drop on the clues bonds to

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Speaker 1: that teaching. What happened the student put hands on the

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Speaker 1: teacher because the teacher took her phone and she got

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Speaker 1: mopped up, telling all the other students, y'all just gonna

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Speaker 1: sit here and let her do this to me, You

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Speaker 1: damn damness putting your hands on that grown woman.

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Speaker 2: Okay, okay, all.

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Speaker 1: Right, well, let's get to the room.

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Speaker 2: Let's let's talk blue.

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Speaker 14: Checks or you gossip chatting? God, this is the Rumer report.

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Speaker 2: I mean, I guess we're on the breakfast club. This

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Speaker 2: is where the tea spells right on the breakfast club.

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Speaker 4: If you went to your Twitter yesterday, you probably realized

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Speaker 4: that the blue checks are gone for most of you

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Speaker 4: all right now. Twitter removed blue checks from damn near

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Speaker 4: everybody from all the legacy verified accounts, including Beyonce, Lady

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Speaker 4: gat Got, Kim Kardashian, Jennifer Lopez, Oprah, myself, mine is going.

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Speaker 2: I'm sure Charlamagne's is going to.

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Speaker 1: Look. I don't be on Twitter. I ain't been on

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Speaker 1: Twitter in like five years.

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Speaker 2: Yes, look, and if you want that blue check, they

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Speaker 2: want you to pay.

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Speaker 1: Let me see if my blue check gone? Uh turn

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Speaker 1: on notifications. Yep, I ain't got no blue check.

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Speaker 2: There you go.

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Speaker 1: Well, look, care let's Lebron James does? Did get his

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Speaker 1: blue check?

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Speaker 15: Back?

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Speaker 2: You paying for that?

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Speaker 15: No?

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Speaker 4: People assumed he paid for it, but Elon Musk insinuated

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Speaker 4: that he's personally paying for some of celebrities blue checks,

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Speaker 4: like Lebron James.

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Speaker 2: So Elon Musk played for Lebron's blue check. I can

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Speaker 2: care less about Twitter.

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Speaker 1: Twitter.

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Speaker 2: It's not good for my mental health. That's why I

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Speaker 2: got off twittered.

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Speaker 1: Five. Let me see what time I have been on

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Speaker 1: Twitter twenty seventeen, twenty eighteen, something like that. You know,

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Speaker 1: I let I let like if I'm promoting the TV

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Speaker 1: show or promoting something, I let the you know, people

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Speaker 1: have access to it to post that. But other than that,

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Speaker 1: I don't know.

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Speaker 4: Now, there was a Kanye West sighting. Now Kanye West

404
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Speaker 4: and his wife were at the Fair of God's show

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Speaker 4: at the Hollywood Bowl Wednesday night. He was dressed up

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Speaker 4: at fully massed out.

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Speaker 2: He still got a blue check.

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Speaker 4: I'm not show if Kanye got a blue check. But

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Speaker 4: and and his wife were fully masked out. You couldn't

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Speaker 4: see him. Know, they were those funny outfits where you

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Speaker 4: can't see none of their face at all, and they

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Speaker 4: got to look through like a sheet or something to

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Speaker 4: see through.

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Speaker 1: Every day is Halloween?

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Speaker 4: That yet pretty much so he was at that fashion show.

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Speaker 4: If you were looking for him, and he was looking now,

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Speaker 4: because you know, there's a sighting every once in a while,

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Speaker 4: they'd been like, where's Kanye, Where's Kanye?

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Speaker 2: Well that's where he was.

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Speaker 4: Now Designer Kanye's ex artist. He's seeking some mental help now.

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Speaker 4: He was having problems as he was on tour out

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Speaker 4: in Thailand and Tokyo. They said he was feeling sick

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Speaker 4: and they gave him some pills. Well, on his flight back,

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Speaker 4: they said that he exposed himself on the plane.

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Speaker 1: What do you mean exposed? That's all.

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Speaker 2: Let's saying that he.

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Speaker 4: Exposed himself like pulled his meat up. That's what I

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Speaker 4: would assume. You're told that he was exposed. He exposed

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Speaker 4: himself and was scolded by a flight attendant. Well, this

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Speaker 4: is what he posted yesterday. He said, for the past

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Speaker 4: few months, I've not been okay, and I've been struggling

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Speaker 4: to come to terms with what is going on. While

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Speaker 4: overseas for a concert I performed at I had to

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Speaker 4: be admitted into a hospital. I was not thinking clearly.

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Speaker 4: They gave me meds and I had to hop on

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Speaker 4: a plane home. I am ashamed of my actions that

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Speaker 4: happened on that plane. I landed back to the States

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Speaker 4: and admitted himself into a facility to help them. I

439
00:18:25,920 --> 00:18:29,639
Speaker 4: will be canceling all my shows and obligations until further notice.

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Speaker 4: Mental health is real, guys, please pray for me. If

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Speaker 4: you're not feeling like yourself. Please get help, Designer.

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Speaker 1: That's right, man, Listen, it's okay to not be okay, yeah,

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Speaker 1: but it's not okay to know you not okay and

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Speaker 1: stay that way. So I respect that brother for going

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Speaker 1: to get help. Yeah, shout to Designer. He wasn't arrested

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Speaker 1: or anything for exposing himself, they said. When the plane landed,

447
00:18:50,119 --> 00:18:52,200
Speaker 1: police did come and speak with him, but he wasn't arrested.

448
00:18:52,200 --> 00:18:54,280
Speaker 2: But I'm happy he's getting the help that he needs.

449
00:18:54,320 --> 00:18:54,800
Speaker 1: Absolutely.

450
00:18:54,840 --> 00:18:55,880
Speaker 2: Shout to design.

451
00:18:55,560 --> 00:18:57,399
Speaker 1: Don't blame that on just you know, some people like

452
00:18:57,440 --> 00:19:00,200
Speaker 1: will blame that on just being our rockstar lifestyle meet

453
00:19:00,200 --> 00:19:00,679
Speaker 1: out anyway.

454
00:19:00,760 --> 00:19:03,440
Speaker 2: Nope, man going to get out. I respect it now

455
00:19:03,480 --> 00:19:05,680
Speaker 2: and more. Wis L trial news now.

456
00:19:05,960 --> 00:19:10,200
Speaker 4: Defensive attorney was arrested for carrying prescription drugs they believed

457
00:19:10,240 --> 00:19:13,840
Speaker 4: they was carrying in to give to one of his clients.

458
00:19:14,640 --> 00:19:16,720
Speaker 11: It has been brought to the court's attention that mister

459
00:19:16,840 --> 00:19:20,640
Speaker 11: Manetta's has been taken in the custody this morning due

460
00:19:20,680 --> 00:19:23,680
Speaker 11: to that particular issue. The Court's going to go ahead

461
00:19:23,720 --> 00:19:26,800
Speaker 11: and sever mister Farley on its own motion. I'm doing

462
00:19:26,840 --> 00:19:31,080
Speaker 11: that based upon a couple of cases Hill versus the

463
00:19:31,160 --> 00:19:35,040
Speaker 11: State at two thirty nine Georgia two seventy eight, as

464
00:19:35,040 --> 00:19:38,080
Speaker 11: well as Harrington versus the State at three point fifteen

465
00:19:38,119 --> 00:19:42,280
Speaker 11: Georgia Appeals one on one, which basically state both cases

466
00:19:42,280 --> 00:19:45,879
Speaker 11: read and tandem save for the proposition that as the

467
00:19:45,920 --> 00:19:50,080
Speaker 11: trial court have discretion to sever even on my own

468
00:19:50,160 --> 00:19:54,560
Speaker 11: motion prior to trial, and since we have not paneled

469
00:19:54,560 --> 00:19:57,000
Speaker 11: the jury and haven't been sworn, I'm going to exercise

470
00:19:57,080 --> 00:19:59,359
Speaker 11: that particular discretion on the court behalf.

471
00:20:00,080 --> 00:20:03,800
Speaker 4: They believe he was allegedly sneaking drugs in court for

472
00:20:03,840 --> 00:20:07,720
Speaker 4: his client. They said, we have increased the security protocol

473
00:20:07,760 --> 00:20:10,240
Speaker 4: because they're saying that drugs have been an issue during

474
00:20:10,280 --> 00:20:10,879
Speaker 4: the trial.

475
00:20:11,119 --> 00:20:12,879
Speaker 1: There's no way this is a real trial. This is

476
00:20:12,880 --> 00:20:15,840
Speaker 1: an episode of power Man fifty cent Courtney Kemple behind this.

477
00:20:15,960 --> 00:20:18,280
Speaker 1: There is no way. How much could you possibly be

478
00:20:18,400 --> 00:20:22,160
Speaker 1: paying your lawyer that they gonna sneak you drugs into

479
00:20:22,200 --> 00:20:25,919
Speaker 1: the trial? Ain't no way in hell. What is the

480
00:20:26,000 --> 00:20:29,960
Speaker 1: name of this law firm? I don't know what I

481
00:20:30,040 --> 00:20:32,199
Speaker 1: was yelling, cat, No, that's not the same lay. Oh well,

482
00:20:32,240 --> 00:20:33,040
Speaker 1: we'll say allegedly.

483
00:20:33,080 --> 00:20:35,480
Speaker 4: But you know what I've been noticing, especially in this case,

484
00:20:35,880 --> 00:20:37,439
Speaker 4: It seems like to me that a lot of these

485
00:20:37,520 --> 00:20:39,800
Speaker 4: brothers that are locked up are going through withdrawal because

486
00:20:39,800 --> 00:20:41,560
Speaker 4: maybe they've been taking these polls all the time and

487
00:20:41,560 --> 00:20:44,520
Speaker 4: they haven't been able to get it in jail. And

488
00:20:44,760 --> 00:20:48,600
Speaker 4: I guess family members, friends and attorneys even are trying

489
00:20:48,600 --> 00:20:49,920
Speaker 4: to help them out with this situation.

490
00:20:50,000 --> 00:20:52,560
Speaker 2: But that's what it seems like. I think you're absolutely right.

491
00:20:52,600 --> 00:20:54,480
Speaker 1: But if that's the case, how come these guys just

492
00:20:54,480 --> 00:20:56,960
Speaker 1: don't say, look, man, I need help. Why don't they

493
00:20:57,080 --> 00:20:59,000
Speaker 1: send these brothers to rehab. I know that they're in

494
00:20:59,000 --> 00:21:00,399
Speaker 1: the midst of a trial, but you know, if you're

495
00:21:00,400 --> 00:21:02,280
Speaker 1: going to keep putting them in these facilities and calling

496
00:21:02,280 --> 00:21:04,879
Speaker 1: them correctional facilities, how about trying to, you know, correct

497
00:21:04,880 --> 00:21:07,000
Speaker 1: some of these issues that these brothers have. Like why

498
00:21:07,080 --> 00:21:09,880
Speaker 1: can't these brothers be going to rehab while they're, uh,

499
00:21:10,200 --> 00:21:11,560
Speaker 1: you know, facing trial?

500
00:21:11,800 --> 00:21:12,879
Speaker 2: I agree, Like.

501
00:21:13,200 --> 00:21:14,960
Speaker 1: Why why sit in your jail cell and go through

502
00:21:14,960 --> 00:21:17,040
Speaker 1: with draws? Just admit you got a problem. And I

503
00:21:17,080 --> 00:21:19,760
Speaker 1: wonder if those jails do have those facilities to help.

504
00:21:19,880 --> 00:21:23,000
Speaker 1: If they don't, I know the state does, maybe because

505
00:21:23,000 --> 00:21:24,880
Speaker 1: they're pretty much in holding sales while they're on court.

506
00:21:24,880 --> 00:21:26,520
Speaker 2: They're not you know, but I hope that they do.

507
00:21:26,600 --> 00:21:29,400
Speaker 1: But when you see somebody trying to pass stug drugs

508
00:21:29,400 --> 00:21:32,040
Speaker 1: and you see this happening and people are willing to

509
00:21:32,119 --> 00:21:33,960
Speaker 1: risk it all to get those drugs into jail, it

510
00:21:33,960 --> 00:21:35,560
Speaker 1: just seems like a bigger problem, that's right, So go

511
00:21:35,600 --> 00:21:38,200
Speaker 1: get them. Them brothers need to admit that they need help,

512
00:21:38,520 --> 00:21:39,800
Speaker 1: you know what I mean, whoever they are. I don't

513
00:21:39,800 --> 00:21:41,840
Speaker 1: know who the drugs are for, but they need to

514
00:21:41,880 --> 00:21:43,720
Speaker 1: just admit that they need some type of help and

515
00:21:43,800 --> 00:21:46,359
Speaker 1: go get it while they're sitting there, you know, and fighting.

516
00:21:46,400 --> 00:21:49,240
Speaker 2: Try all right, all right, Well that christ is your

517
00:21:49,320 --> 00:21:51,439
Speaker 2: room or report. I'm sorry, you just don't mean to

518
00:21:51,440 --> 00:21:52,600
Speaker 2: bring you in this. I know you ain't got nothing

519
00:21:52,600 --> 00:21:53,000
Speaker 2: to do with it.

520
00:21:53,080 --> 00:21:54,639
Speaker 4: All right Now, when we come back, we got your

521
00:21:54,640 --> 00:21:57,000
Speaker 4: front page news tesling figure Out will be joining us,

522
00:21:57,160 --> 00:21:58,240
Speaker 4: and let's get on this joint you.

523
00:21:58,240 --> 00:22:00,000
Speaker 2: Played earlier today. It's a worldwide exclude.

524
00:22:00,280 --> 00:22:03,479
Speaker 4: It's the weekend feature in Future Double Fantasy, and it's

525
00:22:03,480 --> 00:22:04,080
Speaker 4: the Breakfast Club.

526
00:22:04,080 --> 00:22:07,720
Speaker 13: Good morning, the Breakfast Club. Your mornings will never be

527
00:22:07,920 --> 00:22:08,440
Speaker 13: the same.

528
00:22:09,440 --> 00:22:12,639
Speaker 4: Introducing the game a new single from the locks, Rickross

529
00:22:12,640 --> 00:22:14,800
Speaker 4: and Fat Joe. This track is more than just a

530
00:22:14,840 --> 00:22:18,080
Speaker 4: tribute for hoops culture. It's a lifestyle. Find out more

531
00:22:18,119 --> 00:22:21,359
Speaker 4: at DraftKings dot com. Slash the Game available now on

532
00:22:21,480 --> 00:22:26,960
Speaker 4: all major streaming platforms. Pointing everybody is dj MV Charlamagne

533
00:22:26,960 --> 00:22:28,840
Speaker 4: the God. We are the breakfast Club. Let's get in

534
00:22:28,880 --> 00:22:31,760
Speaker 4: some front page news. Now we have to testing. Figure,

535
00:22:31,800 --> 00:22:32,439
Speaker 4: go back with us?

536
00:22:32,440 --> 00:22:32,800
Speaker 9: What up?

537
00:22:32,880 --> 00:22:33,160
Speaker 1: Test?

538
00:22:33,760 --> 00:22:35,080
Speaker 7: What's going on? Family?

539
00:22:35,480 --> 00:22:35,800
Speaker 15: All right?

540
00:22:35,800 --> 00:22:37,200
Speaker 2: Well, let's start off with some sports.

541
00:22:37,240 --> 00:22:37,359
Speaker 7: Now.

542
00:22:37,440 --> 00:22:39,160
Speaker 4: Last night, if you were watching the NBA, I didn't

543
00:22:39,160 --> 00:22:41,040
Speaker 4: get a chance to check it out, but the Warriors

544
00:22:41,040 --> 00:22:43,880
Speaker 4: beat the Kings one fourteen ninety seven, the Suns beat

545
00:22:43,920 --> 00:22:46,800
Speaker 4: the Clippers one twenty four, one nine, and the seventy

546
00:22:46,840 --> 00:22:50,240
Speaker 4: six is beat the next one to ninety seven. Now,

547
00:22:50,240 --> 00:22:51,879
Speaker 4: what else are we talking about this morning? Where you

548
00:22:51,920 --> 00:22:53,800
Speaker 4: wanna start? We wanna start with the food stamps.

549
00:22:54,119 --> 00:22:56,400
Speaker 7: Yeah, let's start with the food stamps.

550
00:22:56,960 --> 00:23:00,000
Speaker 6: On last hour, I played a clip nineteen sixty eight

551
00:23:00,200 --> 00:23:02,880
Speaker 6: from the great Fanny lou Hamer about how they will

552
00:23:02,920 --> 00:23:05,639
Speaker 6: try to take your food away, and that is exactly

553
00:23:05,720 --> 00:23:09,560
Speaker 6: what is happening right now. Republican House Speaker Kevin McCarthy

554
00:23:09,640 --> 00:23:12,960
Speaker 6: is pitching changes to the federal food stamp program that

555
00:23:13,040 --> 00:23:15,200
Speaker 6: will increase the number of people who have to show

556
00:23:15,320 --> 00:23:17,720
Speaker 6: their working in order to be eligible.

557
00:23:17,240 --> 00:23:19,600
Speaker 7: To receive the food stamps now.

558
00:23:19,640 --> 00:23:22,680
Speaker 6: The proposal is a part of a larger legislative framework

559
00:23:22,760 --> 00:23:25,720
Speaker 6: to raise the nation's debt limit for one year while

560
00:23:25,760 --> 00:23:29,639
Speaker 6: scaling back on federal spending. Right now, many people ages

561
00:23:29,680 --> 00:23:32,159
Speaker 6: from eighteen to fifty who rely on food stamps are

562
00:23:32,200 --> 00:23:36,200
Speaker 6: subject to work reporting requirements. McCarthy is looking to raise

563
00:23:36,240 --> 00:23:39,480
Speaker 6: that age range to fifty six now. Advocates worry that

564
00:23:39,560 --> 00:23:42,399
Speaker 6: if that happens, more people will be shut out of

565
00:23:42,440 --> 00:23:46,000
Speaker 6: the program. The SNAP, director for the Food Research and

566
00:23:46,080 --> 00:23:50,800
Speaker 6: Action Center, Ellen Vollinger, says, is pretty feasible that this

567
00:23:50,960 --> 00:23:53,560
Speaker 6: is going to lead to more food hardship and that

568
00:23:53,640 --> 00:23:57,120
Speaker 6: it doesn't do anything to improve people's employability. It will

569
00:23:57,160 --> 00:23:59,800
Speaker 6: just take away from people that are unable to meet

570
00:23:59,840 --> 00:24:03,280
Speaker 6: the documented requirements. Now, more than nine point five million

571
00:24:03,320 --> 00:24:06,760
Speaker 6: adults age fifty and older rely on food stamps, and

572
00:24:06,800 --> 00:24:09,520
Speaker 6: if Republicans in the House pass this, it faces an

573
00:24:09,560 --> 00:24:13,480
Speaker 6: uphill battle in the Democrat controlled Senate. So in other words,

574
00:24:13,920 --> 00:24:16,840
Speaker 6: this is highly unlikely that this would pass the Senate.

575
00:24:17,240 --> 00:24:20,080
Speaker 6: But I still wanted the family to know what is being.

576
00:24:19,920 --> 00:24:23,120
Speaker 1: Proposed and just know the first law nature is self preservation.

577
00:24:23,240 --> 00:24:25,320
Speaker 1: So when you take people's food stamps away and crime

578
00:24:25,400 --> 00:24:27,480
Speaker 1: goes up because of it, you know, just because people

579
00:24:27,560 --> 00:24:29,520
Speaker 1: out here just trying to survive, don't be surprised and

580
00:24:29,560 --> 00:24:32,440
Speaker 1: don't use that as an excuse to be tough on crime,

581
00:24:32,440 --> 00:24:34,119
Speaker 1: because you shouldn't have cut their food stamps in the

582
00:24:34,119 --> 00:24:34,520
Speaker 1: first play.

583
00:24:34,720 --> 00:24:37,159
Speaker 6: Absolutely, And I just want to say this note. I

584
00:24:37,200 --> 00:24:40,520
Speaker 6: was an employer in Florida maybe about a decade ago.

585
00:24:40,560 --> 00:24:41,879
Speaker 7: I had three hundred employees.

586
00:24:41,960 --> 00:24:43,480
Speaker 6: And I know there's you know, folks that are going

587
00:24:43,560 --> 00:24:44,919
Speaker 6: to say, well, they should just show you know that

588
00:24:45,000 --> 00:24:47,240
Speaker 6: they're working. And one of the things that I want

589
00:24:47,280 --> 00:24:50,000
Speaker 6: to point out that is not always an easy thing

590
00:24:50,040 --> 00:24:52,440
Speaker 6: to do, particularly if you work part time, if your

591
00:24:52,480 --> 00:24:55,840
Speaker 6: hours are unpredictable, If one week you have, you know,

592
00:24:55,840 --> 00:24:57,840
Speaker 6: a certain amount of hours, the next week you don't.

593
00:24:58,200 --> 00:25:00,320
Speaker 6: Right now you have to show that you work twenty

594
00:25:00,359 --> 00:25:02,840
Speaker 6: hours every week. And so what happens is that they

595
00:25:02,840 --> 00:25:06,520
Speaker 6: don't have that documentation in on time, then it prevents

596
00:25:06,560 --> 00:25:10,119
Speaker 6: them from getting programs. And actually I challenged the NBA

597
00:25:10,280 --> 00:25:12,840
Speaker 6: during the NBA lockout in twenty eleven. I came up

598
00:25:12,840 --> 00:25:15,280
Speaker 6: with a program called Assist the Bench and It was

599
00:25:15,320 --> 00:25:17,639
Speaker 6: one of these things very similar to this, that was

600
00:25:17,640 --> 00:25:20,159
Speaker 6: showing that if these part time employees are people that

601
00:25:20,200 --> 00:25:23,720
Speaker 6: don't have consistent work, they're not able to show documentation

602
00:25:23,880 --> 00:25:28,119
Speaker 6: to federal programs, they lose access to a full stamp benefits.

603
00:25:28,200 --> 00:25:30,440
Speaker 1: You know, I understand that. I don't understand if the economy,

604
00:25:30,520 --> 00:25:32,480
Speaker 1: you know, the way the economy is right now and

605
00:25:32,720 --> 00:25:35,240
Speaker 1: inflation being sky, should you be making she should be

606
00:25:35,280 --> 00:25:38,080
Speaker 1: making it easier for people to get government assistants instead

607
00:25:38,080 --> 00:25:38,480
Speaker 1: of harder.

608
00:25:38,800 --> 00:25:41,280
Speaker 6: Absolutely, especially when we consider how much money it's going

609
00:25:41,320 --> 00:25:44,280
Speaker 6: to Ukraine. Let's make sure you know that we feed

610
00:25:44,560 --> 00:25:47,760
Speaker 6: our American citizens. So hopefully this won't make it through,

611
00:25:47,800 --> 00:25:49,600
Speaker 6: but it's still important, you know, for folks that know

612
00:25:49,640 --> 00:25:51,200
Speaker 6: what is actually being proposed.

613
00:25:51,280 --> 00:25:54,680
Speaker 4: That's right, all right. Now, let's talk about the workplace tas.

614
00:25:54,720 --> 00:25:55,400
Speaker 2: You have a work at a.

615
00:25:55,320 --> 00:25:57,680
Speaker 4: Workplace where they got somebody in there that bothers you

616
00:25:57,720 --> 00:25:59,000
Speaker 4: all the time and bullies you all the time.

617
00:25:59,040 --> 00:26:00,600
Speaker 2: You ever work in a place like I.

618
00:26:00,560 --> 00:26:02,480
Speaker 7: Haven't worked in a place like that, but I'm familiar

619
00:26:02,520 --> 00:26:03,640
Speaker 7: with one me too.

620
00:26:03,880 --> 00:26:07,439
Speaker 1: Let's talk about this toxic positivity in the workplace.

621
00:26:08,119 --> 00:26:14,640
Speaker 6: Yes, I'm glad, I'm glad you asked that question toxic

622
00:26:14,800 --> 00:26:18,280
Speaker 6: positivity and how it's bad for your workplace now. According

623
00:26:18,320 --> 00:26:23,360
Speaker 6: to licensed clinical psychologists and therapist Lauren Cook, toxic positivity

624
00:26:23,400 --> 00:26:27,399
Speaker 6: is an unwavering devotion to optimism that can minimize or

625
00:26:27,440 --> 00:26:31,240
Speaker 6: disregard when someone like dj mby is in emotional pain.

626
00:26:31,440 --> 00:26:32,080
Speaker 2: Yes.

627
00:26:32,400 --> 00:26:35,720
Speaker 6: In other words, toxic positivity makes you believe that you

628
00:26:35,720 --> 00:26:38,920
Speaker 6: should have a positive mindset no matter what you're going through.

629
00:26:39,080 --> 00:26:40,960
Speaker 6: And I actually I want people to think about this

630
00:26:41,119 --> 00:26:44,440
Speaker 6: in their personal relationship as well, platonic and romantic. It's

631
00:26:44,440 --> 00:26:47,640
Speaker 6: something that causes you to disassociate from your negative feelings

632
00:26:47,680 --> 00:26:50,320
Speaker 6: and pretend that it's all rainbows and butterflies when it

633
00:26:50,359 --> 00:26:54,240
Speaker 6: is not. Now, you may recognize phrases like goodbvibes only.

634
00:26:54,600 --> 00:26:56,200
Speaker 7: Look for the silver lining.

635
00:26:56,560 --> 00:26:59,960
Speaker 6: Well, those are phrases that typically gloss over genuine problem

636
00:27:00,280 --> 00:27:00,920
Speaker 6: in the workplace.

637
00:27:01,240 --> 00:27:03,119
Speaker 7: They may have good intentions.

638
00:27:02,560 --> 00:27:04,359
Speaker 6: When they say that, but what it does is it

639
00:27:04,440 --> 00:27:09,240
Speaker 6: dismisses negativity that can create a false positive facade. Now,

640
00:27:09,359 --> 00:27:12,760
Speaker 6: in a survey, nearly sixty percent of respondents say that

641
00:27:12,800 --> 00:27:17,200
Speaker 6: they have experienced toxic positivity from someone in the previous weeks,

642
00:27:17,320 --> 00:27:20,239
Speaker 6: and more than seventy five percent of respondents admitted that

643
00:27:20,280 --> 00:27:23,520
Speaker 6: they ignore their own emotions in favor of being happy.

644
00:27:23,920 --> 00:27:26,360
Speaker 6: So I want to give you a few side effects

645
00:27:26,359 --> 00:27:28,840
Speaker 6: on how toxic positivity affects your mental health, and then

646
00:27:28,880 --> 00:27:30,320
Speaker 6: I'm going to tell you a few things what you

647
00:27:30,320 --> 00:27:33,360
Speaker 6: can do to fix it. So number one, it invalidates

648
00:27:33,359 --> 00:27:37,480
Speaker 6: employees feelings and experiences. Number two, it creates a culture

649
00:27:37,520 --> 00:27:41,080
Speaker 6: of avoidance. And number three it triggers feelings of shame.

650
00:27:41,640 --> 00:27:42,320
Speaker 7: Now, what you.

651
00:27:42,240 --> 00:27:45,639
Speaker 6: Can do, DJ and B to avoid this toxic positivity

652
00:27:45,760 --> 00:27:48,199
Speaker 6: is one, you can start setting up some boundaries and

653
00:27:48,240 --> 00:27:50,159
Speaker 6: speaking up to Charlottagne.

654
00:27:49,600 --> 00:27:53,000
Speaker 2: I'm set boundary right now. You don't this air force one.

655
00:27:52,880 --> 00:27:56,360
Speaker 1: Buther Lord that no toxic positivity in this workplace continues.

656
00:27:56,760 --> 00:27:57,520
Speaker 2: What else can I do?

657
00:27:57,960 --> 00:28:00,919
Speaker 7: Two? You can call it out when you see others

658
00:28:00,960 --> 00:28:01,400
Speaker 7: doing it.

659
00:28:01,640 --> 00:28:04,080
Speaker 2: Stop doing it, Charlamagne, We do that all the time.

660
00:28:04,119 --> 00:28:04,480
Speaker 1: Shut up.

661
00:28:04,520 --> 00:28:05,200
Speaker 2: Go to number three.

662
00:28:05,240 --> 00:28:06,080
Speaker 1: That's what three test.

663
00:28:06,440 --> 00:28:07,000
Speaker 7: Number three.

664
00:28:07,280 --> 00:28:11,560
Speaker 6: Understand that it's okay DJ MV not to be okay.

665
00:28:11,840 --> 00:28:13,520
Speaker 1: And by the way, that's the first thing you learn

666
00:28:13,560 --> 00:28:16,800
Speaker 1: in therapy. It's okay to not be okay. And when

667
00:28:16,800 --> 00:28:18,919
Speaker 1: you go to therapy, the therapist is gonna tell you

668
00:28:18,920 --> 00:28:21,119
Speaker 1: to feel your fields. So it ain't no toxic positivity

669
00:28:21,160 --> 00:28:23,159
Speaker 1: in here, because on nobody in here bite day tongue.

670
00:28:23,280 --> 00:28:25,840
Speaker 2: When we feel a way about something, we express it.

671
00:28:25,880 --> 00:28:29,040
Speaker 16: You fulfill your I'm gonna push back because when DJ

672
00:28:29,359 --> 00:28:32,920
Speaker 16: he lost his jury, you know he was he set

673
00:28:33,000 --> 00:28:36,440
Speaker 16: up boundaries, he spoke up, he came in empathetic, uh

674
00:28:36,560 --> 00:28:38,480
Speaker 16: you know, and you said, you know, hey, look on

675
00:28:38,520 --> 00:28:39,800
Speaker 16: the bright side, you're still rich.

676
00:28:39,880 --> 00:28:42,640
Speaker 1: So that was an example of I think that you

677
00:28:42,640 --> 00:28:44,760
Speaker 1: should apologize and get me a hug. I don't think

678
00:28:44,800 --> 00:28:47,520
Speaker 1: that was an example of toxic positivity. I actually laughed

679
00:28:47,520 --> 00:28:49,040
Speaker 1: when he lost the jury because I thought it was

680
00:28:49,520 --> 00:28:50,960
Speaker 1: funny that that's how that.

681
00:28:50,920 --> 00:28:53,920
Speaker 7: Was regular toxic bnic.

682
00:28:56,240 --> 00:28:58,080
Speaker 2: That was just plain old tox toxic.

683
00:28:58,200 --> 00:28:58,600
Speaker 1: That's all.

684
00:28:58,840 --> 00:28:59,680
Speaker 2: That's all that was.

685
00:29:00,040 --> 00:29:01,800
Speaker 1: Well, thank you, Teslin, and you have you have a

686
00:29:01,840 --> 00:29:03,479
Speaker 1: great time out in Atlanta this weekend.

687
00:29:03,520 --> 00:29:05,400
Speaker 2: And how can people follow you? Give me your Instagram

688
00:29:05,400 --> 00:29:05,720
Speaker 2: and all that.

689
00:29:06,080 --> 00:29:08,680
Speaker 6: Yeah, come follow me a testim figure on Instagram and

690
00:29:08,920 --> 00:29:12,120
Speaker 6: subscribe to the Straight Shot, No Chase of podcasts and guys, Uh,

691
00:29:12,200 --> 00:29:14,760
Speaker 6: my podcast every week is centered on what I cover

692
00:29:14,880 --> 00:29:17,040
Speaker 6: here on the front page news. I take your calls,

693
00:29:17,120 --> 00:29:19,200
Speaker 6: I get your feedback and go a little bit deeper,

694
00:29:19,680 --> 00:29:21,360
Speaker 6: and I give you a lot of good stuff that

695
00:29:21,400 --> 00:29:23,120
Speaker 6: you can use. And I always say use the loser

696
00:29:23,160 --> 00:29:23,640
Speaker 6: can't make it.

697
00:29:23,760 --> 00:29:24,120
Speaker 1: Choose it.

698
00:29:24,640 --> 00:29:26,480
Speaker 7: Subscribe to testimfigure all dot com.

699
00:29:26,480 --> 00:29:30,080
Speaker 1: That's right, see you this weekend. Test actually after you today? Yeah,

700
00:29:30,120 --> 00:29:31,840
Speaker 1: see today, that's right? All right?

701
00:29:32,000 --> 00:29:34,040
Speaker 2: Now, when we come back, trying to hug me, but

702
00:29:34,320 --> 00:29:36,800
Speaker 2: you kept trying to hug me. I think you should

703
00:29:36,840 --> 00:29:37,960
Speaker 2: apologize and give me a hug.

704
00:29:38,000 --> 00:29:40,160
Speaker 1: I'm not apologizing and I'm not giving you a hug.

705
00:29:40,440 --> 00:29:42,200
Speaker 1: Those are called the boundaries. I'm gonna catch you and

706
00:29:42,360 --> 00:29:43,920
Speaker 1: do that when I feel like I'm gonna catch you

707
00:29:43,920 --> 00:29:44,520
Speaker 1: in the hauling.

708
00:29:44,840 --> 00:29:47,280
Speaker 2: Got it great from behind? Got that doesn't sound right?

709
00:29:48,080 --> 00:29:48,400
Speaker 8: All right?

710
00:29:48,440 --> 00:29:51,640
Speaker 4: When we come back, Chloe Bailey will be joining cousin.

711
00:29:51,920 --> 00:29:54,120
Speaker 4: She has a new album called In Pieces. There's a

712
00:29:54,120 --> 00:29:55,720
Speaker 4: lot going on with us. She's head it on tour.

713
00:29:55,800 --> 00:29:59,360
Speaker 4: She has a movie at now, and we're gonna talk

714
00:29:59,400 --> 00:30:01,400
Speaker 4: to her when we come back. I don't move Chloe Bailey.

715
00:30:01,440 --> 00:30:03,160
Speaker 4: When we come back, it's the Breakfast Club.

716
00:30:02,960 --> 00:30:09,240
Speaker 2: On b E T. Good morning, the Breakfast Club. We

717
00:30:09,320 --> 00:30:11,120
Speaker 2: got Nyla hanging with us this morning.

718
00:30:11,440 --> 00:30:15,080
Speaker 4: Yes, and we have a special guest who Charlamagne claims

719
00:30:15,120 --> 00:30:18,200
Speaker 4: as a family. And we say this all the time

720
00:30:18,560 --> 00:30:20,360
Speaker 4: because when we announced that your album came out, he

721
00:30:20,360 --> 00:30:21,800
Speaker 4: didn't even know your album came out.

722
00:30:21,880 --> 00:30:23,240
Speaker 2: And I forced him not.

723
00:30:23,160 --> 00:30:28,840
Speaker 1: True by because that is not true, and we played

724
00:30:28,840 --> 00:30:31,560
Speaker 1: the song. I played the Missy record and the Chris

725
00:30:31,560 --> 00:30:35,200
Speaker 1: Brown record that morning, but I had to make him

726
00:30:35,200 --> 00:30:35,960
Speaker 1: download the Reckless.

727
00:30:35,960 --> 00:30:37,760
Speaker 2: He didn't even know. That's not true. I don't know. Now,

728
00:30:37,880 --> 00:30:38,280
Speaker 2: that's right.

729
00:30:38,360 --> 00:30:40,800
Speaker 1: You said you bought it, right, We don't download, but

730
00:30:40,840 --> 00:30:43,560
Speaker 1: you said you bought it. Listen in pieces is out right?

731
00:30:43,560 --> 00:30:44,240
Speaker 2: Now? Okay?

732
00:30:44,280 --> 00:30:46,120
Speaker 1: Did you buy it all right? Did all your people's

733
00:30:46,120 --> 00:30:49,080
Speaker 1: online complaining making noise by it?

734
00:30:49,120 --> 00:30:49,720
Speaker 2: I streamed it?

735
00:30:49,800 --> 00:30:50,160
Speaker 1: Okay?

736
00:30:51,240 --> 00:30:54,239
Speaker 5: This morning I feel great. I'm so happy. Like the

737
00:30:54,240 --> 00:30:57,520
Speaker 5: past two days. I've been feeling like great, to be honest,

738
00:30:57,840 --> 00:30:59,440
Speaker 5: the week and a half, Like before, it was like

739
00:30:59,480 --> 00:31:02,160
Speaker 5: a little hockey, but tour kind of been getting me

740
00:31:02,160 --> 00:31:04,160
Speaker 5: out the funk because the shows have been amazing. They've

741
00:31:04,200 --> 00:31:07,280
Speaker 5: all been sold out and everyone's singing every lyric to

742
00:31:07,320 --> 00:31:09,800
Speaker 5: every song. So I'm like, the love is real and

743
00:31:09,920 --> 00:31:11,720
Speaker 5: real life. So I've been feeling good.

744
00:31:11,800 --> 00:31:13,040
Speaker 1: Why were you in a funk? I know you wasn't

745
00:31:13,080 --> 00:31:15,400
Speaker 1: letting these digital heads on the internet. Gas.

746
00:31:15,840 --> 00:31:18,000
Speaker 5: I mean like you're like, we're all humans, so of

747
00:31:18,040 --> 00:31:20,440
Speaker 5: course some things are going to bother you. And I

748
00:31:20,440 --> 00:31:23,360
Speaker 5: think when you put so much time and effort into

749
00:31:23,800 --> 00:31:26,280
Speaker 5: the art of everything, and it's really a conceptual album.

750
00:31:26,320 --> 00:31:29,360
Speaker 5: My executive produced it. I produced on twelve out of

751
00:31:29,360 --> 00:31:32,120
Speaker 5: the fourteen songs on there. I had a lot of incredible,

752
00:31:32,520 --> 00:31:35,479
Speaker 5: amazing talent on the project. So I was just like,

753
00:31:35,560 --> 00:31:37,680
Speaker 5: it's okay, come at me, bro, So I'm ready for

754
00:31:37,760 --> 00:31:38,720
Speaker 5: it's next to be honest.

755
00:31:38,760 --> 00:31:40,240
Speaker 2: What's the title mean? In Pieces?

756
00:31:40,600 --> 00:31:43,280
Speaker 5: Yes, so in pieces it's kind of like a double entendre.

757
00:31:43,440 --> 00:31:46,959
Speaker 5: So in pieces represents the pieces of my heart that

758
00:31:47,000 --> 00:31:50,800
Speaker 5: has been left broken from life situations, relationships, things like

759
00:31:50,840 --> 00:31:52,960
Speaker 5: that people saven you in the back. And then it

760
00:31:53,040 --> 00:31:55,320
Speaker 5: also means what's left in pieces is the box that

761
00:31:55,320 --> 00:31:57,680
Speaker 5: people try to put me in on who they think

762
00:31:57,760 --> 00:32:01,320
Speaker 5: Chloe is, and you know, I just have to speak

763
00:32:01,320 --> 00:32:03,320
Speaker 5: for myself and break through it. That's what it means.

764
00:32:03,360 --> 00:32:05,560
Speaker 5: It's like the simp side. And then the place of

765
00:32:05,600 --> 00:32:06,240
Speaker 5: powers has.

766
00:32:06,120 --> 00:32:06,840
Speaker 1: To be difficult.

767
00:32:06,960 --> 00:32:09,720
Speaker 4: Yes, these people seeing you grow up, so it's like

768
00:32:09,960 --> 00:32:11,840
Speaker 4: seeing you as this young girl. So now when you

769
00:32:11,920 --> 00:32:13,520
Speaker 4: break it out, into your own. It has to be

770
00:32:13,600 --> 00:32:17,160
Speaker 4: difficult for your fans. I guess right, maybe maybe not.

771
00:32:17,680 --> 00:32:20,280
Speaker 5: I'm really proud of my sister and I because we've

772
00:32:20,320 --> 00:32:22,840
Speaker 5: been branching out on our own successfully and people are

773
00:32:22,840 --> 00:32:25,680
Speaker 5: getting to like know who we are individually. And I'm

774
00:32:25,720 --> 00:32:28,600
Speaker 5: so blessed that I grew up with her in life

775
00:32:28,640 --> 00:32:31,680
Speaker 5: so we could go through everything together. And it came

776
00:32:31,720 --> 00:32:33,640
Speaker 5: to a point where we were so dependent on one another,

777
00:32:33,680 --> 00:32:36,640
Speaker 5: like we were Siamese twins. So what forced us apart

778
00:32:36,720 --> 00:32:39,120
Speaker 5: was her going to London to shoot Little Mermaid and

779
00:32:39,360 --> 00:32:41,200
Speaker 5: you know, me being in la and especially with the

780
00:32:41,240 --> 00:32:44,280
Speaker 5: pandemic the travel restrictions going to another country was crazy.

781
00:32:44,360 --> 00:32:47,080
Speaker 5: So as stressful as it was for the both of us,

782
00:32:47,120 --> 00:32:49,520
Speaker 5: we both had separation anxiety. It like forced us to

783
00:32:49,960 --> 00:32:53,760
Speaker 5: figure out, Okay, who's Chloe, who's Holly. So now when

784
00:32:53,800 --> 00:32:55,600
Speaker 5: we come back together, it's going to be even stronger

785
00:32:55,640 --> 00:32:58,080
Speaker 5: because now we also have a great sense of self.

786
00:32:58,440 --> 00:33:00,000
Speaker 2: Did y'all recognize the growth in each other?

787
00:33:00,080 --> 00:33:02,040
Speaker 1: You and Holly? Like when y'all finally did get back together,

788
00:33:02,080 --> 00:33:03,640
Speaker 1: did she see grow from you? Did you see growth?

789
00:33:03,640 --> 00:33:03,800
Speaker 12: Friend?

790
00:33:04,000 --> 00:33:07,000
Speaker 5: Yes, the crazy thing is growing up. It was me

791
00:33:07,120 --> 00:33:08,960
Speaker 5: who was afraid to speak up, so like she would

792
00:33:09,000 --> 00:33:11,160
Speaker 5: be the one speaking up for me, and like she's

793
00:33:11,200 --> 00:33:14,600
Speaker 5: the aries, yes, she's the like, don't mess with her,

794
00:33:15,160 --> 00:33:16,920
Speaker 5: and it would always be me like, oh my gosh,

795
00:33:17,000 --> 00:33:19,960
Speaker 5: I like I don't like confrontation things like that. And

796
00:33:20,040 --> 00:33:23,400
Speaker 5: so because of that, I had to force myself to

797
00:33:23,400 --> 00:33:25,960
Speaker 5: speak up for myself because I didn't have my sister

798
00:33:26,120 --> 00:33:29,720
Speaker 5: right there doing it for me. So now I'm very

799
00:33:29,960 --> 00:33:33,520
Speaker 5: independent and very vocal and I say what I mean

800
00:33:33,640 --> 00:33:36,520
Speaker 5: and I mean what I say, and she's recognized that.

801
00:33:36,560 --> 00:33:39,480
Speaker 5: She's like, well, you're like a completely different person. I'm

802
00:33:39,520 --> 00:33:42,000
Speaker 5: so proud of her because she's confident in who she

803
00:33:42,160 --> 00:33:44,680
Speaker 5: is as an individual as well. Like we both were

804
00:33:44,680 --> 00:33:46,840
Speaker 5: missing that and now we both found it. So it's

805
00:33:46,880 --> 00:33:47,600
Speaker 5: like we're stronger.

806
00:33:47,680 --> 00:33:49,600
Speaker 1: Did that change because you missed your sister or was

807
00:33:49,600 --> 00:33:51,320
Speaker 1: it a relationship that made you change it? Was it

808
00:33:51,320 --> 00:33:53,280
Speaker 1: write in your music that made you shake? What was

809
00:33:53,320 --> 00:33:54,080
Speaker 1: that change?

810
00:33:54,160 --> 00:33:56,560
Speaker 5: That's a great question. I think it was a combination

811
00:33:56,720 --> 00:33:59,240
Speaker 5: of everything. I think it got to a point where

812
00:33:59,280 --> 00:34:02,240
Speaker 5: I realized, if if I don't fight for myself, then I'm

813
00:34:02,240 --> 00:34:04,160
Speaker 5: just gonna be left in the dust. And if I

814
00:34:04,160 --> 00:34:06,200
Speaker 5: don't speak up for what I want and speak up

815
00:34:06,240 --> 00:34:09,120
Speaker 5: for who I am as a human being. Then like

816
00:34:09,160 --> 00:34:11,000
Speaker 5: it's just going to fall on deaf ears and clothes.

817
00:34:11,080 --> 00:34:14,280
Speaker 5: Mouths don't get fed. So you know, throughout the music,

818
00:34:14,360 --> 00:34:16,360
Speaker 5: I was finding my strength because I was saying things

819
00:34:16,440 --> 00:34:18,279
Speaker 5: that I was afraid to say or speak up to

820
00:34:18,320 --> 00:34:21,879
Speaker 5: certain individuals. And then from there it just grew. From that,

821
00:34:22,160 --> 00:34:24,680
Speaker 5: it was like it just kept growing and growing and

822
00:34:24,719 --> 00:34:26,200
Speaker 5: now it can't really stop.

823
00:34:26,440 --> 00:34:29,000
Speaker 17: I feel like, growing up as women were taught to

824
00:34:29,120 --> 00:34:31,560
Speaker 17: like not be so vocal. So now that you are

825
00:34:31,640 --> 00:34:34,080
Speaker 17: being vocal, do you feel like you're being a bitch? Like,

826
00:34:34,120 --> 00:34:35,880
Speaker 17: do you feel like like you have to turn on

827
00:34:35,960 --> 00:34:37,160
Speaker 17: a new version of yourself?

828
00:34:37,239 --> 00:34:40,719
Speaker 5: Absolutely not. It's not about what you say but how

829
00:34:40,760 --> 00:34:42,960
Speaker 5: you say it. You can command a room without having

830
00:34:43,000 --> 00:34:45,800
Speaker 5: to bark so loud, and as long as you believe

831
00:34:45,800 --> 00:34:48,840
Speaker 5: in what you're saying and you don't change in that

832
00:34:49,080 --> 00:34:50,719
Speaker 5: for anybody, people will respect you.

833
00:34:51,440 --> 00:34:53,600
Speaker 2: Was was pray Away based on a true story?

834
00:34:53,960 --> 00:34:54,160
Speaker 1: Yes?

835
00:34:54,320 --> 00:34:56,839
Speaker 5: So I wrote that song with my girl Jassy, and

836
00:34:57,360 --> 00:34:59,640
Speaker 5: I kept seeing her like three four times that week

837
00:34:59,640 --> 00:35:02,680
Speaker 5: at event, and I'm all about signs like I don't

838
00:35:02,719 --> 00:35:05,080
Speaker 5: feel there are any coincidences in life and I was like,

839
00:35:05,280 --> 00:35:06,680
Speaker 5: so the final place I saw her.

840
00:35:06,680 --> 00:35:09,120
Speaker 2: Now it's gonna be a gonna finding.

841
00:35:12,280 --> 00:35:15,480
Speaker 5: Signed. It's too crazy, but I was like okay. So

842
00:35:15,520 --> 00:35:18,080
Speaker 5: we passed each other going to the ladies room at

843
00:35:18,080 --> 00:35:19,920
Speaker 5: the studio and I was like, I got back in

844
00:35:19,960 --> 00:35:22,040
Speaker 5: my session, I said. So I texted her. I was like,

845
00:35:22,080 --> 00:35:23,360
Speaker 5: can you come in here? And she played me a

846
00:35:23,360 --> 00:35:25,960
Speaker 5: few demos and it was the skeleton of Pray It Away.

847
00:35:26,000 --> 00:35:28,200
Speaker 5: It was originally called Church. I was like, I'm in

848
00:35:28,200 --> 00:35:30,600
Speaker 5: love with this because I loved how open it was.

849
00:35:30,800 --> 00:35:34,160
Speaker 5: It was completely raw and honest, and for me, I've

850
00:35:34,360 --> 00:35:37,799
Speaker 5: always learned to just be the bigger person and turn

851
00:35:37,840 --> 00:35:40,239
Speaker 5: the other cheek. And it's like sometimes you do want

852
00:35:40,239 --> 00:35:42,720
Speaker 5: to get down and dirty and get on that person

853
00:35:42,760 --> 00:35:45,160
Speaker 5: same level, but I will never give anyone that power

854
00:35:45,200 --> 00:35:46,879
Speaker 5: over me. So it's like, you know, I'm gonna pray

855
00:35:46,920 --> 00:35:49,120
Speaker 5: it away. So it was quite easy to finish out

856
00:35:49,120 --> 00:35:51,840
Speaker 5: the song because there has been people who have tried

857
00:35:51,880 --> 00:35:54,120
Speaker 5: me and I love it. I really did.

858
00:35:55,640 --> 00:35:57,440
Speaker 1: When the last time you really wanted a person hurt,

859
00:35:57,440 --> 00:35:59,440
Speaker 1: because that's what the song is. That's what the song

860
00:35:59,480 --> 00:36:01,799
Speaker 1: is about, you on a person to pray it away.

861
00:36:01,960 --> 00:36:03,520
Speaker 5: I think the last time I felt like I wanted

862
00:36:03,520 --> 00:36:05,239
Speaker 5: somebody to hurt five days ago?

863
00:36:05,800 --> 00:36:09,240
Speaker 1: Yeah days?

864
00:36:10,920 --> 00:36:14,399
Speaker 5: How long? Yeah hurt?

865
00:36:14,440 --> 00:36:16,440
Speaker 18: Though you don't really mean hurt. You just mean like

866
00:36:16,440 --> 00:36:17,720
Speaker 18: you want them to feel how you feel.

867
00:36:17,840 --> 00:36:20,640
Speaker 5: Yes, like, But the thing is, we never have to

868
00:36:20,719 --> 00:36:23,839
Speaker 5: do the work like karma speaks for itself, you know,

869
00:36:24,360 --> 00:36:27,200
Speaker 5: So never give someone power to get you out of

870
00:36:27,200 --> 00:36:27,640
Speaker 5: your characters.

871
00:36:27,640 --> 00:36:30,120
Speaker 17: But you've never been like or you don't believe in

872
00:36:30,160 --> 00:36:31,799
Speaker 17: like Spike, like I got to get my get back.

873
00:36:32,520 --> 00:36:34,359
Speaker 17: I don't because I don't want it to come back

874
00:36:34,400 --> 00:36:37,120
Speaker 17: to me in turn, so I just let them dig

875
00:36:37,160 --> 00:36:38,000
Speaker 17: themselves in a ditch.

876
00:36:38,360 --> 00:36:40,480
Speaker 1: Well, wait a minute, there's a recond on the album

877
00:36:40,480 --> 00:36:45,799
Speaker 1: that pisses me off, and it's cheat backs off.

878
00:36:47,560 --> 00:36:51,880
Speaker 5: Okay, so why is it? Why does it piss you off?

879
00:36:52,560 --> 00:36:55,280
Speaker 18: That's cruel double standard.

880
00:36:57,320 --> 00:37:00,920
Speaker 5: This is hypothetically speaking an alternate universe. You're with someone

881
00:37:01,120 --> 00:37:04,000
Speaker 5: she continues to cheat time and time again because you

882
00:37:04,040 --> 00:37:05,879
Speaker 5: love her so much, and she keeps saying she's gonna

883
00:37:05,920 --> 00:37:08,120
Speaker 5: change you stay. But at a certain point, aren't you

884
00:37:08,239 --> 00:37:09,920
Speaker 5: gonna want to get something back? So you don't feel

885
00:37:09,920 --> 00:37:11,480
Speaker 5: like a yes.

886
00:37:11,719 --> 00:37:14,400
Speaker 1: Yes, okay, I'll just break up with her, though.

887
00:37:14,520 --> 00:37:21,000
Speaker 5: Will you? We're cancers. Okay, okay, see my point.

888
00:37:21,080 --> 00:37:22,719
Speaker 1: But have you ever been in that situation where you

889
00:37:22,760 --> 00:37:25,040
Speaker 1: had to get your you say it's not revenge, but

890
00:37:25,200 --> 00:37:27,000
Speaker 1: revenge that way, because that's revenge.

891
00:37:27,280 --> 00:37:29,319
Speaker 5: So I have been cheated on a few times, and

892
00:37:29,360 --> 00:37:31,640
Speaker 5: it's like, in my head, I feel like I got

893
00:37:31,640 --> 00:37:35,359
Speaker 5: them back after the fact, after the relationship, and I'm like, hot,

894
00:37:35,400 --> 00:37:38,920
Speaker 5: you'll never know. It's just for like a little internal Damn.

895
00:37:39,480 --> 00:37:42,080
Speaker 1: How did you kiss the person cheating? You said a

896
00:37:42,080 --> 00:37:43,399
Speaker 1: couple of times, Jesus Christ.

897
00:37:43,560 --> 00:37:46,800
Speaker 5: Yeah, the two times I've been cheated on social media

898
00:37:47,160 --> 00:37:48,800
Speaker 5: and social media evidence?

899
00:37:49,360 --> 00:37:52,000
Speaker 18: Why'd you? Okay, what on social media? Like it was

900
00:37:52,360 --> 00:37:53,960
Speaker 18: it such and such?

901
00:37:54,239 --> 00:37:56,480
Speaker 5: It was like, yeah, it was multiple things on social

902
00:37:56,520 --> 00:38:00,000
Speaker 5: media and then evidence like panties and hairtops.

903
00:38:00,120 --> 00:38:04,400
Speaker 1: Jesus question when you asked him, did he reply yes, ma'am.

904
00:38:04,680 --> 00:38:06,040
Speaker 5: No, they try to deflect.

905
00:38:06,200 --> 00:38:08,200
Speaker 18: Damn, that's my sister's or something.

906
00:38:08,320 --> 00:38:08,640
Speaker 2: Damn.

907
00:38:09,320 --> 00:38:10,960
Speaker 18: Did they lie and be like that's my sisters and

908
00:38:11,040 --> 00:38:11,960
Speaker 18: my cousins.

909
00:38:12,560 --> 00:38:13,640
Speaker 5: Yeah, you know how.

910
00:38:16,560 --> 00:38:19,280
Speaker 1: Cousin. They really said that was his sisters and cousins.

911
00:38:19,360 --> 00:38:22,560
Speaker 18: It's a little something woman that was brown, but not

912
00:38:22,680 --> 00:38:23,400
Speaker 18: another woman.

913
00:38:23,520 --> 00:38:26,279
Speaker 2: Did you break up immediately or did you feel I.

914
00:38:26,239 --> 00:38:29,160
Speaker 5: Did good for you, and I block because we're cancers,

915
00:38:29,719 --> 00:38:32,279
Speaker 5: so I don't want to see my phone blowing up.

916
00:38:32,320 --> 00:38:34,880
Speaker 5: I don't want to see loving long text messages because

917
00:38:34,920 --> 00:38:36,920
Speaker 5: I don't want to be a simp and crawl back and.

918
00:38:37,440 --> 00:38:39,120
Speaker 1: Hard that when you do, it's dirty, it's a rap.

919
00:38:39,239 --> 00:38:40,960
Speaker 18: Yeah, do you double double back at all?

920
00:38:41,360 --> 00:38:44,880
Speaker 5: I did one time and I was like nope, it

921
00:38:45,040 --> 00:38:45,800
Speaker 5: ended for a reason.

922
00:38:46,080 --> 00:38:48,560
Speaker 4: Yeah, yeah, how we got more with Chloe Bailey when

923
00:38:48,560 --> 00:38:49,640
Speaker 4: we come back, don't move.

924
00:38:49,680 --> 00:38:51,040
Speaker 2: It's to Breakfast Club, Good Morning Ing.

925
00:38:51,160 --> 00:38:54,520
Speaker 4: Everybody is DJ MV Charlamagne the guy. We are the

926
00:38:54,560 --> 00:38:57,920
Speaker 4: Breakfast Club. Now that Simone is here, she's kicking it

927
00:38:57,960 --> 00:38:59,880
Speaker 4: with us, and we're kicking it with Chloe Bailey.

928
00:39:00,600 --> 00:39:02,200
Speaker 2: One of your favorite records is Body Do Right Now?

929
00:39:02,239 --> 00:39:04,440
Speaker 17: Yeah, my favorite one is body Dude. I feel like

930
00:39:04,440 --> 00:39:07,319
Speaker 17: that should have been the single like that one. That's

931
00:39:07,360 --> 00:39:09,279
Speaker 17: a good especially that the weather's.

932
00:39:08,960 --> 00:39:10,120
Speaker 18: Getting warm and stuff like that.

933
00:39:10,239 --> 00:39:13,279
Speaker 17: But why did you start the record like that? Why

934
00:39:13,480 --> 00:39:16,960
Speaker 17: do you ever wonder who else is being okay?

935
00:39:17,040 --> 00:39:20,399
Speaker 5: So I wrote Bodydo after I found the panties. Yes,

936
00:39:20,880 --> 00:39:23,520
Speaker 5: And it's like, you know when someone's not good for you,

937
00:39:24,000 --> 00:39:27,000
Speaker 5: but there's something within you that just misses them, You

938
00:39:27,040 --> 00:39:30,120
Speaker 5: miss their touch, you miss like the connection that you have.

939
00:39:30,640 --> 00:39:32,839
Speaker 5: So what I really I wrote that song in five

940
00:39:32,840 --> 00:39:34,520
Speaker 5: minutes because I was quite angry. But I love the

941
00:39:34,600 --> 00:39:37,520
Speaker 5: juxtaposition of how fun it sounds like it's just shaking ass,

942
00:39:37,560 --> 00:39:40,680
Speaker 5: but it's quite toxic and sad. And it's like, I

943
00:39:40,719 --> 00:39:42,440
Speaker 5: can't trust you as far as I can throw you.

944
00:39:42,800 --> 00:39:44,440
Speaker 5: I can't trust what you tell me, but I can

945
00:39:44,520 --> 00:39:46,439
Speaker 5: trust what that body do because you're right in front

946
00:39:46,440 --> 00:39:47,640
Speaker 5: of me.

947
00:39:48,080 --> 00:39:48,520
Speaker 1: Language.

948
00:39:49,320 --> 00:39:55,080
Speaker 5: Yes, it's like what goes on behind closed doors. I

949
00:39:56,320 --> 00:40:01,560
Speaker 5: think they were They were nice. I never her. I

950
00:40:01,600 --> 00:40:03,600
Speaker 5: never fault the other woman because I'm not in a

951
00:40:03,640 --> 00:40:06,440
Speaker 5: relationship with her. I didn't do that. I didn't touch her,

952
00:40:06,440 --> 00:40:11,760
Speaker 5: smell they're not I don't know, I didn't attention.

953
00:40:11,719 --> 00:40:12,640
Speaker 18: I like that you said that.

954
00:40:12,680 --> 00:40:15,759
Speaker 17: I've heard a few men say, like, why why do

955
00:40:15,840 --> 00:40:18,719
Speaker 17: they never be mad at the woman for knowing I

956
00:40:18,719 --> 00:40:21,080
Speaker 17: have a girl and they're doing X Y because and

957
00:40:21,120 --> 00:40:22,400
Speaker 17: I don't agree with that sentiment.

958
00:40:22,560 --> 00:40:26,560
Speaker 5: Yeah, that's I don't like how society has taught us

959
00:40:26,600 --> 00:40:29,040
Speaker 5: as women to compete with each other. Like if you

960
00:40:29,080 --> 00:40:32,160
Speaker 5: flip it again, if two dudes find out about each other,

961
00:40:32,520 --> 00:40:35,759
Speaker 5: they're not calling each other, going back and forth. Oh

962
00:40:35,880 --> 00:40:39,320
Speaker 5: so let's compare stories, right, they're just moving on because

963
00:40:39,320 --> 00:40:43,560
Speaker 5: they're not you. Yeah, some of the immature ones.

964
00:40:44,239 --> 00:40:45,839
Speaker 1: But I don't think no dude's gonna leave a sock

965
00:40:45,880 --> 00:40:47,239
Speaker 1: and be like I want this other dude to find

966
00:40:47,239 --> 00:40:47,960
Speaker 1: my sock or whatever.

967
00:40:48,160 --> 00:40:49,480
Speaker 5: Some men are petty men.

968
00:40:49,600 --> 00:40:51,879
Speaker 17: Do a pull up, though, but definitely pull up. Try

969
00:40:51,920 --> 00:40:53,759
Speaker 17: to make it awkward or something like that.

970
00:40:53,360 --> 00:40:55,960
Speaker 5: Oh, that's never happened to me. Has that happened to you?

971
00:40:56,200 --> 00:40:58,360
Speaker 18: That hasn't happened to me. But I watched it different.

972
00:40:59,239 --> 00:41:01,080
Speaker 5: I'd be sitting there with some popcorn.

973
00:41:02,400 --> 00:41:03,879
Speaker 1: Why did you say the panties were nice?

974
00:41:03,920 --> 00:41:04,080
Speaker 15: Though?

975
00:41:04,160 --> 00:41:04,239
Speaker 17: Like?

976
00:41:04,600 --> 00:41:07,000
Speaker 16: They were cute?

977
00:41:07,160 --> 00:41:08,080
Speaker 2: She left at that she wanted.

978
00:41:08,160 --> 00:41:10,160
Speaker 1: I was scared the hell out your your woman, be like,

979
00:41:10,160 --> 00:41:11,640
Speaker 1: I found some cute pai. I found a cute pair

980
00:41:11,640 --> 00:41:12,439
Speaker 1: of panties.

981
00:41:12,120 --> 00:41:13,080
Speaker 5: And I know they're not mine.

982
00:41:13,200 --> 00:41:15,640
Speaker 2: Whoa was he quick on his feet at least? No,

983
00:41:16,400 --> 00:41:18,640
Speaker 2: what can you say? There's no answer to their mind.

984
00:41:18,760 --> 00:41:21,799
Speaker 5: The thing about women, you know, that's the good.

985
00:41:22,480 --> 00:41:25,080
Speaker 2: If he said they're mine, they are mine.

986
00:41:26,960 --> 00:41:28,560
Speaker 5: I've been like, you know, baby, do we need to

987
00:41:28,600 --> 00:41:29,480
Speaker 5: discuss some things?

988
00:41:31,320 --> 00:41:33,839
Speaker 1: Yeah, I'm glad you have that conversation might be easier

989
00:41:33,880 --> 00:41:36,160
Speaker 1: than the other one, you know what I'm saying. I'm

990
00:41:36,239 --> 00:41:39,239
Speaker 1: just saying, now, what was it like recording I want

991
00:41:39,280 --> 00:41:41,520
Speaker 1: you to feel Me cry and make it look easy,

992
00:41:41,520 --> 00:41:43,680
Speaker 1: because both those records felt very personal.

993
00:41:44,000 --> 00:41:48,000
Speaker 5: So this album is quite toxic. To be honest, feel

994
00:41:48,040 --> 00:41:51,120
Speaker 5: Me Cry as emotional and sad as it sounds, it's

995
00:41:51,120 --> 00:41:55,440
Speaker 5: actually a quite sexually liberated song. It's double meanings to

996
00:41:55,440 --> 00:41:59,000
Speaker 5: feel Me Cry would make it look easy. That one

997
00:41:59,400 --> 00:42:02,799
Speaker 5: was the most personal song in the record. I went

998
00:42:02,840 --> 00:42:06,040
Speaker 5: into the studio trying to just like forget what was

999
00:42:06,080 --> 00:42:08,160
Speaker 5: going on in my life, and I thought I was

1000
00:42:08,200 --> 00:42:12,640
Speaker 5: just gonna make some fun and I heard these simple

1001
00:42:12,719 --> 00:42:15,080
Speaker 5: chords and I just started writing. Usually I'll go in

1002
00:42:15,080 --> 00:42:16,920
Speaker 5: the booth and freestyle a bunch of melodies and then

1003
00:42:16,960 --> 00:42:19,960
Speaker 5: like Frankenstein, it together. But I was just coming up

1004
00:42:19,960 --> 00:42:21,680
Speaker 5: with the melodies and writing it at the same time.

1005
00:42:21,760 --> 00:42:24,080
Speaker 5: And I was crying while I was writing it and

1006
00:42:24,120 --> 00:42:26,279
Speaker 5: cutting in the booth. And even after listening to the

1007
00:42:26,320 --> 00:42:28,279
Speaker 5: demo to hear if I wanted to fix anything, I

1008
00:42:28,280 --> 00:42:30,800
Speaker 5: couldn't listen to it for a while because for the

1009
00:42:30,840 --> 00:42:34,560
Speaker 5: people who know me personally, like it's a way deeper meaning,

1010
00:42:34,719 --> 00:42:37,160
Speaker 5: like with hidden messages and what certain things mean within

1011
00:42:37,200 --> 00:42:39,680
Speaker 5: the lyrics. So I'm really proud of myself for being

1012
00:42:39,760 --> 00:42:41,560
Speaker 5: so open and honest. And I was like, I can't

1013
00:42:42,000 --> 00:42:44,880
Speaker 5: create a conceptual album about heartbreak and being left in

1014
00:42:44,920 --> 00:42:47,680
Speaker 5: pieces without being completely honest, Like, yeah, I can talk

1015
00:42:47,680 --> 00:42:50,960
Speaker 5: about relationships and friends stabbing me in the back, but

1016
00:42:51,040 --> 00:42:53,719
Speaker 5: it's like, why not talk or cover the other things?

1017
00:42:53,760 --> 00:42:56,840
Speaker 5: Because mental health is real. Anxiety is real. Feeling like

1018
00:42:56,840 --> 00:42:58,680
Speaker 5: you're not good enough is real, Feeling like you don't

1019
00:42:58,680 --> 00:43:00,480
Speaker 5: want to be here anymore is real, and I've been

1020
00:43:00,520 --> 00:43:02,279
Speaker 5: through all that. So I was like, if I'm saying,

1021
00:43:02,320 --> 00:43:04,200
Speaker 5: I'm going to be honest and I should put it

1022
00:43:04,239 --> 00:43:06,600
Speaker 5: within the music. And I didn't really care if it

1023
00:43:06,800 --> 00:43:09,040
Speaker 5: sounded like a single or anything. I just wanted to

1024
00:43:09,600 --> 00:43:10,440
Speaker 5: speak my truth.

1025
00:43:10,680 --> 00:43:12,879
Speaker 2: Absolutely, Are you off the Internet as much now? Because

1026
00:43:12,880 --> 00:43:14,120
Speaker 2: I know you're on it?

1027
00:43:14,160 --> 00:43:14,839
Speaker 15: You watch it.

1028
00:43:15,440 --> 00:43:17,719
Speaker 1: So here's the thing, because I show your therapist says

1029
00:43:17,760 --> 00:43:19,480
Speaker 1: that's the major thing you got to stay off for sociation.

1030
00:43:19,600 --> 00:43:21,919
Speaker 5: She does as well as my god mom, she's trying

1031
00:43:21,920 --> 00:43:25,840
Speaker 5: to still she sees me going on it. For me

1032
00:43:26,440 --> 00:43:28,560
Speaker 5: before it was easier to just like delete the apps

1033
00:43:28,600 --> 00:43:31,399
Speaker 5: off my phone. But now I'm on tour, I'm trying

1034
00:43:31,440 --> 00:43:34,560
Speaker 5: to promote my album. Like I can't just get off

1035
00:43:34,560 --> 00:43:35,920
Speaker 5: of it like I want to. It's a part of

1036
00:43:35,920 --> 00:43:39,040
Speaker 5: my business. So I have to like monitor myself because

1037
00:43:39,040 --> 00:43:41,160
Speaker 5: you can get down the rabbit hole and things like that,

1038
00:43:41,440 --> 00:43:43,160
Speaker 5: and I'm not going to sit up here and lie

1039
00:43:43,200 --> 00:43:46,320
Speaker 5: and be like, oh yeah, like nothing bothers me. I'm great,

1040
00:43:46,360 --> 00:43:49,640
Speaker 5: because that's a lie. But at the end of the day,

1041
00:43:49,680 --> 00:43:52,560
Speaker 5: it's like you have to fall so you can get

1042
00:43:52,560 --> 00:43:54,880
Speaker 5: back up and be stronger, and you dust your shoulders

1043
00:43:54,920 --> 00:43:58,160
Speaker 5: off and you get back up. And when I would

1044
00:43:58,160 --> 00:44:00,400
Speaker 5: see people say, oh, she does too much or she

1045
00:44:00,440 --> 00:44:02,880
Speaker 5: over sexualizes herself. I'm gonna be twenty five in like

1046
00:44:03,360 --> 00:44:06,000
Speaker 5: a couple months. I'm a grown woman. But I think

1047
00:44:06,040 --> 00:44:07,799
Speaker 5: because people grew up with my sister and I when

1048
00:44:07,800 --> 00:44:10,799
Speaker 5: we were younger, they can't get past that. But I'm like,

1049
00:44:10,880 --> 00:44:13,880
Speaker 5: you know what, I'm grateful that I'm breathing and whatever

1050
00:44:13,920 --> 00:44:15,799
Speaker 5: I'm stressing out about is not that big of a deal.

1051
00:44:16,280 --> 00:44:18,600
Speaker 1: So you said you became that, So what you started

1052
00:44:19,040 --> 00:44:21,399
Speaker 1: being more overly sexual on purpose or.

1053
00:44:21,560 --> 00:44:23,960
Speaker 5: Oh no, no, no, I was changing myself. I was

1054
00:44:24,000 --> 00:44:26,200
Speaker 5: trying to cover up I was trying to be on

1055
00:44:26,280 --> 00:44:29,040
Speaker 5: stage like oh, because people like just have the mic

1056
00:44:29,080 --> 00:44:32,560
Speaker 5: and sing. I was like, okay, but I expressed with

1057
00:44:32,600 --> 00:44:34,400
Speaker 5: my body. You know, I grew up and dance when

1058
00:44:34,440 --> 00:44:36,680
Speaker 5: I was younger, Like it's a form of expression. I

1059
00:44:36,680 --> 00:44:39,239
Speaker 5: don't want to be predictable. I don't want to be mediocre.

1060
00:44:39,719 --> 00:44:42,759
Speaker 5: I want to be extraordinary and be like something you've

1061
00:44:42,760 --> 00:44:44,280
Speaker 5: never seen before. And it's shocking.

1062
00:44:44,640 --> 00:44:46,560
Speaker 1: And then it's strange because I remember the first video

1063
00:44:46,640 --> 00:44:50,360
Speaker 1: that went viral. It was the busset Chace and everybody

1064
00:44:50,400 --> 00:44:51,880
Speaker 1: loved you and then and then after a while, I

1065
00:44:51,880 --> 00:44:53,319
Speaker 1: was like, Okay, now she's doing too much.

1066
00:44:53,400 --> 00:44:56,320
Speaker 5: Yeah, that's the crazy thing. Like even before Cis and

1067
00:44:56,400 --> 00:44:59,400
Speaker 5: I got our own Instagram pages, like that's what I

1068
00:44:59,440 --> 00:45:01,640
Speaker 5: don't like when people try to pit family against each

1069
00:45:01,640 --> 00:45:05,840
Speaker 5: other or compare sisters, like we're two complete individuals. We

1070
00:45:05,920 --> 00:45:08,080
Speaker 5: will not be the same. And if you go back

1071
00:45:08,080 --> 00:45:12,120
Speaker 5: and watch performances within the group, I was still the same, passionate.

1072
00:45:12,120 --> 00:45:14,080
Speaker 18: Moving, Oh there's some funny video.

1073
00:45:14,320 --> 00:45:20,399
Speaker 5: Yeah yeah yeah yeah, and before people would like praise that,

1074
00:45:20,520 --> 00:45:23,640
Speaker 5: and it seemed like once I found confidence and my

1075
00:45:23,760 --> 00:45:27,000
Speaker 5: power within that, people would then try to weaponize it.

1076
00:45:27,080 --> 00:45:29,000
Speaker 5: Because no one ever likes to see a black woman

1077
00:45:29,040 --> 00:45:30,320
Speaker 5: be confident within ourselves.

1078
00:45:30,760 --> 00:45:32,600
Speaker 1: Speaking of pitting people against each other, the inter and

1079
00:45:32,600 --> 00:45:35,799
Speaker 1: OEt the internfl like Beyonce should have done more in

1080
00:45:35,840 --> 00:45:37,800
Speaker 1: regard to promoting your album.

1081
00:45:37,800 --> 00:45:39,120
Speaker 2: What do you What do you have to say about that?

1082
00:45:39,360 --> 00:45:42,400
Speaker 5: I love b and she supported my sister and I

1083
00:45:42,680 --> 00:45:45,399
Speaker 5: since we had our little locks on YouTube, So it's

1084
00:45:45,440 --> 00:45:46,920
Speaker 5: all love over here. I love her.

1085
00:45:47,360 --> 00:45:49,000
Speaker 2: Do you feel like the label could have supported more

1086
00:45:49,160 --> 00:45:49,839
Speaker 2: and push more?

1087
00:45:50,239 --> 00:45:52,800
Speaker 1: That's what nobody talking about. Everybody want to blame Beyonce.

1088
00:45:52,880 --> 00:45:55,319
Speaker 1: Where was the label at Well?

1089
00:45:55,400 --> 00:45:57,440
Speaker 5: I feel like it's all politics. But this is what

1090
00:45:57,480 --> 00:46:00,600
Speaker 5: I'll say. God's plan is always greater than any plan

1091
00:46:00,640 --> 00:46:02,040
Speaker 5: I could come up with. And I'll tell you why

1092
00:46:02,400 --> 00:46:04,719
Speaker 5: I shot Swarm and Praise this last year. I didn't

1093
00:46:04,719 --> 00:46:07,920
Speaker 5: know when those were coming out. Swarm, whether it's negative

1094
00:46:08,000 --> 00:46:10,759
Speaker 5: or positive. Everybody had my name in their mouth maybe

1095
00:46:10,800 --> 00:46:13,280
Speaker 5: a week or and a half or two before my album.

1096
00:46:14,160 --> 00:46:17,000
Speaker 5: Then I was able to use because praise. This is

1097
00:46:17,040 --> 00:46:19,320
Speaker 5: with universal shout out to Will Packer and Tina Gordon.

1098
00:46:19,400 --> 00:46:21,919
Speaker 5: I love them. I got to do this whole full

1099
00:46:21,960 --> 00:46:24,120
Speaker 5: press junket go on, all these morning shows go on

1100
00:46:24,160 --> 00:46:27,640
Speaker 5: all these talk shows, Jimmy Fallon, Drew Barrymore, all these

1101
00:46:27,640 --> 00:46:31,000
Speaker 5: great things to talk about the movie, and because God

1102
00:46:31,040 --> 00:46:33,120
Speaker 5: is so good, I was able to finesse that and

1103
00:46:33,160 --> 00:46:36,520
Speaker 5: also promote my album. So I am grateful that I

1104
00:46:36,600 --> 00:46:42,040
Speaker 5: have multiple avenues and multiple ways that I can make

1105
00:46:42,120 --> 00:46:45,719
Speaker 5: money and promote myself. And it's hard, but I love it.

1106
00:46:46,200 --> 00:46:49,879
Speaker 5: And because of that, that shows me that what God

1107
00:46:49,920 --> 00:46:51,919
Speaker 5: has for me will be for me. And I think

1108
00:46:51,920 --> 00:46:53,560
Speaker 5: that's what we all have to realize when we're fighting

1109
00:46:53,560 --> 00:46:55,080
Speaker 5: for ourselves and fighting for a dream, that no one

1110
00:46:55,120 --> 00:46:56,759
Speaker 5: can stop what God has for you.

1111
00:46:57,000 --> 00:46:58,799
Speaker 4: All Right, we have well with Chloe Bailey. When we

1112
00:46:58,880 --> 00:47:01,320
Speaker 4: come back, let's get into joint, body do. It's the

1113
00:47:01,320 --> 00:47:01,879
Speaker 4: breakfast Club.

1114
00:47:01,960 --> 00:47:06,040
Speaker 2: Good morning, but with barely warning. Everybody's DJ MV Charlamagne

1115
00:47:06,040 --> 00:47:06,319
Speaker 2: the Gud.

1116
00:47:06,400 --> 00:47:08,560
Speaker 4: We are the breakfast Club. We have not listen on here.

1117
00:47:08,760 --> 00:47:10,280
Speaker 4: We're still kicking it with Chloe Bailey.

1118
00:47:10,440 --> 00:47:10,800
Speaker 1: Nah.

1119
00:47:10,920 --> 00:47:13,880
Speaker 17: So you talked about stepping into your sexuality on the album,

1120
00:47:13,920 --> 00:47:15,840
Speaker 17: and obviously we've been seeing it in the music videos

1121
00:47:15,840 --> 00:47:18,920
Speaker 17: and stuff like that, but swarm that clip that was

1122
00:47:18,960 --> 00:47:22,160
Speaker 17: trending on Twitter. People were making it sound like I'm

1123
00:47:22,160 --> 00:47:23,759
Speaker 17: getting clos like, did you see did you see it?

1124
00:47:23,800 --> 00:47:26,040
Speaker 18: I'm like, I guess, I go look at it and

1125
00:47:26,040 --> 00:47:27,719
Speaker 18: then I look and I'm like, it's really not that.

1126
00:47:27,840 --> 00:47:28,640
Speaker 5: It's two seconds.

1127
00:47:28,719 --> 00:47:29,680
Speaker 18: Yeah, it's really not that.

1128
00:47:29,880 --> 00:47:32,360
Speaker 2: Yeah, Christ for a fall, but that's like ten minutes.

1129
00:47:33,800 --> 00:47:37,640
Speaker 1: Okay, So this is man, y'all.

1130
00:47:37,640 --> 00:47:38,960
Speaker 2: Don't ever think about us, know right?

1131
00:47:38,960 --> 00:47:42,920
Speaker 5: I never think about us because God is good, lessons

1132
00:47:42,920 --> 00:47:45,520
Speaker 5: are flowing. I'm an actress as well. What I love

1133
00:47:45,560 --> 00:47:48,720
Speaker 5: about acting is that I'm not Chloe whenever I'm playing

1134
00:47:48,719 --> 00:47:52,120
Speaker 5: that certain character and shout out to Donald Glover, Jenny Neighbors,

1135
00:47:52,200 --> 00:47:55,279
Speaker 5: Dominique Fishback and Damnson, like we had the best time.

1136
00:47:55,280 --> 00:47:56,959
Speaker 5: And when I was shooting on that set, I fell

1137
00:47:57,000 --> 00:48:00,000
Speaker 5: more in love with acting. I barely wore makeup. Everything

1138
00:48:00,160 --> 00:48:03,760
Speaker 5: was shot on film and music. You win and thrive

1139
00:48:03,800 --> 00:48:07,319
Speaker 5: off of being this image of perfection or whatnot, Like

1140
00:48:07,400 --> 00:48:09,600
Speaker 5: you get clown for messing up or tripping or falling

1141
00:48:09,640 --> 00:48:12,120
Speaker 5: on stage or looking a hot mess on the carpet.

1142
00:48:12,520 --> 00:48:16,160
Speaker 5: But with acting, that's where the beauty is, with all

1143
00:48:16,200 --> 00:48:19,160
Speaker 5: of the flaws and you know, the imperfections and things

1144
00:48:19,239 --> 00:48:21,040
Speaker 5: like that. So I fell in love with the script.

1145
00:48:21,320 --> 00:48:25,000
Speaker 5: Now I totally like, didn't even connect oh, I have

1146
00:48:25,040 --> 00:48:26,879
Speaker 5: to do a sex scene. I've never done a sex

1147
00:48:26,920 --> 00:48:29,279
Speaker 5: scene before, and I was like, okay, well, I'm not

1148
00:48:29,360 --> 00:48:31,880
Speaker 5: the focus of the theme. It's really about the shock

1149
00:48:31,960 --> 00:48:35,400
Speaker 5: value of Dre and Khalid watching each other and like

1150
00:48:35,480 --> 00:48:38,800
Speaker 5: you see the obsession between the sister's form at the beginning.

1151
00:48:39,280 --> 00:48:40,280
Speaker 18: Was it awkward shooting?

1152
00:48:40,640 --> 00:48:40,719
Speaker 6: No?

1153
00:48:41,320 --> 00:48:43,680
Speaker 5: You see me for two seconds in the mirror and

1154
00:48:43,680 --> 00:48:45,759
Speaker 5: and you did not see titties. You did not even

1155
00:48:45,800 --> 00:48:49,799
Speaker 5: see crack. You saw everything. You saw everything that you

1156
00:48:49,880 --> 00:48:52,799
Speaker 5: see from me on stage, Like, let's keep it real.

1157
00:48:52,880 --> 00:48:54,520
Speaker 1: Did you have to call like when you told your dad,

1158
00:48:54,760 --> 00:48:58,120
Speaker 1: Hey dad, this is the scene or you know, how

1159
00:48:58,200 --> 00:49:01,160
Speaker 1: was that conversation still gonna be a dad my daughter's

1160
00:49:01,880 --> 00:49:03,280
Speaker 1: I don't care for sure.

1161
00:49:03,800 --> 00:49:05,640
Speaker 5: Yeah. I feel like dads will always look at their

1162
00:49:05,680 --> 00:49:08,400
Speaker 5: little girls like they're still little, and that's totally fine.

1163
00:49:08,560 --> 00:49:11,000
Speaker 5: I one thing I will say about my parents is

1164
00:49:11,000 --> 00:49:13,000
Speaker 5: that they know this is our job.

1165
00:49:13,239 --> 00:49:15,279
Speaker 1: And so what was it called you called the Hey dad,

1166
00:49:15,480 --> 00:49:16,000
Speaker 1: Hi baby?

1167
00:49:16,040 --> 00:49:18,280
Speaker 2: How you feeling? I just finish shooting? What did you shoot?

1168
00:49:18,400 --> 00:49:18,480
Speaker 10: Go?

1169
00:49:19,000 --> 00:49:20,919
Speaker 5: Okay, So it wasn't about the shoot. It was about

1170
00:49:20,960 --> 00:49:23,719
Speaker 5: when I first got it, and you know, when the

1171
00:49:23,760 --> 00:49:26,240
Speaker 5: agents will call and be like congrats, da dada da,

1172
00:49:26,320 --> 00:49:28,239
Speaker 5: And after I got it, I think my dad read

1173
00:49:28,280 --> 00:49:29,080
Speaker 5: the script and he's like.

1174
00:49:29,040 --> 00:49:33,120
Speaker 18: Oh okay, it's like yeah he deleted twitter O.

1175
00:49:36,800 --> 00:49:38,400
Speaker 5: No, it was just me. I had to hop on

1176
00:49:38,400 --> 00:49:39,080
Speaker 5: a flight right.

1177
00:49:38,960 --> 00:49:41,440
Speaker 1: After I met you the in and that doesn't realize

1178
00:49:41,440 --> 00:49:43,799
Speaker 1: how much more money they make you because a two

1179
00:49:43,920 --> 00:49:46,960
Speaker 1: seconds scene called them to lose their mind. Like that,

1180
00:49:47,080 --> 00:49:48,839
Speaker 1: all that's gonna make other people saying, Oh, we gotta

1181
00:49:48,840 --> 00:49:52,000
Speaker 1: get clothe in on movies, We gotta get cloth, gotta

1182
00:49:52,000 --> 00:49:53,200
Speaker 1: get Cloe endorsement deals.

1183
00:49:54,080 --> 00:49:55,440
Speaker 18: I like how you're saying.

1184
00:49:56,680 --> 00:50:01,400
Speaker 17: It's working when you say, like acting, you can be

1185
00:50:01,560 --> 00:50:04,160
Speaker 17: imperfect and the music has to be perfect. Why can't

1186
00:50:04,200 --> 00:50:06,439
Speaker 17: you bring the imperfections to the music because I think,

1187
00:50:06,480 --> 00:50:08,759
Speaker 17: like like with dope about Cardi b is that you

1188
00:50:08,760 --> 00:50:10,560
Speaker 17: could hear she's from the Bronx, you know what I mean?

1189
00:50:10,640 --> 00:50:14,200
Speaker 17: And like the spanglish she uses sometimes like why can't.

1190
00:50:14,040 --> 00:50:16,200
Speaker 5: It be both? Well, I do do both, but that's

1191
00:50:16,200 --> 00:50:19,840
Speaker 5: what people ridicule me for being imperfect, not being the

1192
00:50:20,120 --> 00:50:23,359
Speaker 5: type of image they want me to be. People say

1193
00:50:23,400 --> 00:50:25,120
Speaker 5: they want certain things and then when you do it,

1194
00:50:25,160 --> 00:50:26,000
Speaker 5: that's what they used.

1195
00:50:25,880 --> 00:50:27,839
Speaker 1: To pick on you. The weirdest thing is when people

1196
00:50:27,920 --> 00:50:30,319
Speaker 1: say things like, she don't know who she is, she's

1197
00:50:30,360 --> 00:50:32,960
Speaker 1: not being herself. You don't know her, thank you, you

1198
00:50:32,960 --> 00:50:34,040
Speaker 1: don't even know her.

1199
00:50:34,120 --> 00:50:35,719
Speaker 5: I'm sure they'd like me if they meet me. I'm

1200
00:50:35,760 --> 00:50:36,600
Speaker 5: a really nice person.

1201
00:50:38,280 --> 00:50:41,440
Speaker 4: I wanted to ask, you're on a solo out tour. Yeah,

1202
00:50:41,520 --> 00:50:43,759
Speaker 4: does that mean that you're not going to be a

1203
00:50:43,760 --> 00:50:45,360
Speaker 4: special guest or that you are going to be a

1204
00:50:45,360 --> 00:50:47,520
Speaker 4: special guest on somebody else's store coming up?

1205
00:50:48,120 --> 00:50:51,720
Speaker 5: Well, I'm definitely. I'm definitely going to see the show

1206
00:50:51,840 --> 00:50:56,160
Speaker 5: for sure. And it's been exciting, like seeing what I've

1207
00:50:56,160 --> 00:50:59,760
Speaker 5: been doing for myself, Like I've never headlined a solo

1208
00:50:59,800 --> 00:51:02,200
Speaker 5: tour orrever sis and I never got to do it

1209
00:51:02,239 --> 00:51:03,799
Speaker 5: for On Godly Hour because we were in the midst

1210
00:51:03,800 --> 00:51:06,200
Speaker 5: of a pandemic. So I really didn't know what to

1211
00:51:06,280 --> 00:51:08,680
Speaker 5: expect going into it. Like when I announced it, even

1212
00:51:08,719 --> 00:51:10,520
Speaker 5: before the album dropped, I was a little nervous, like

1213
00:51:10,800 --> 00:51:13,439
Speaker 5: would people want to come? Things like that? Every night

1214
00:51:13,840 --> 00:51:16,000
Speaker 5: I'm like telling my god MoMA and my team, I'm like,

1215
00:51:16,000 --> 00:51:17,600
Speaker 5: what do you see out there? Like people out there?

1216
00:51:17,640 --> 00:51:19,839
Speaker 5: Like for some reason, it doesn't click that people are

1217
00:51:19,880 --> 00:51:22,400
Speaker 5: there to see me. Correct and it's sold out. And

1218
00:51:22,480 --> 00:51:25,920
Speaker 5: I think when you're constantly used to people telling you otherwise,

1219
00:51:26,480 --> 00:51:27,960
Speaker 5: a part of you, as much as you don't want

1220
00:51:27,960 --> 00:51:30,920
Speaker 5: to begins to believe it. But then when I step

1221
00:51:30,960 --> 00:51:33,399
Speaker 5: out on that stage and I see it and I

1222
00:51:33,480 --> 00:51:35,600
Speaker 5: hear it, it's not like people are just watching me

1223
00:51:35,680 --> 00:51:38,319
Speaker 5: being quiet, like they're singing the words back to me.

1224
00:51:38,360 --> 00:51:40,600
Speaker 5: They're giving me that energy and that love. You can't

1225
00:51:40,640 --> 00:51:44,640
Speaker 5: fake that. You can't buy that and make up numbers,

1226
00:51:44,640 --> 00:51:47,759
Speaker 5: you can't do that with that. That's real. So as

1227
00:51:47,800 --> 00:51:49,840
Speaker 5: long as I'm connecting with the ones who love me

1228
00:51:50,200 --> 00:51:52,319
Speaker 5: and I'm doing what makes me happy, that's really all

1229
00:51:52,360 --> 00:51:53,120
Speaker 5: that matters.

1230
00:51:53,480 --> 00:51:55,080
Speaker 1: It was also okay to have you people say, don't

1231
00:51:55,080 --> 00:51:57,759
Speaker 1: ask me no Beyonce questions. I love Beyonce when I'm

1232
00:51:57,760 --> 00:51:59,640
Speaker 1: my own entity as right, cause I mean, I'm sure

1233
00:52:00,080 --> 00:52:02,960
Speaker 1: Kelly Michelle, everybody's gone through that that is standing next

1234
00:52:02,960 --> 00:52:04,400
Speaker 1: to that great person.

1235
00:52:04,200 --> 00:52:04,920
Speaker 2: He called Beyonce.

1236
00:52:05,200 --> 00:52:08,680
Speaker 5: Okay, you know tell yeah, I mean, she is Beyonce.

1237
00:52:08,760 --> 00:52:10,920
Speaker 5: Everybody wants to know about her. So I'm just like cool,

1238
00:52:11,200 --> 00:52:13,279
Speaker 5: like I don't really look much into it.

1239
00:52:13,400 --> 00:52:14,440
Speaker 2: Are you gonna be open enough for her?

1240
00:52:16,920 --> 00:52:19,360
Speaker 1: Exactly? About Beyonce?

1241
00:52:20,480 --> 00:52:23,880
Speaker 5: My family, let's practice.

1242
00:52:24,320 --> 00:52:25,640
Speaker 1: Are you gonna be opened up for Beyonce?

1243
00:52:26,000 --> 00:52:30,680
Speaker 5: I plead the fifth don't okay, okay, no, no, no,

1244
00:52:30,680 --> 00:52:35,719
Speaker 5: no no. I'm nice and you're my family now I

1245
00:52:35,760 --> 00:52:36,200
Speaker 5: do cuss.

1246
00:52:36,239 --> 00:52:37,520
Speaker 1: Are you gonna be opening up for Beyonce?

1247
00:52:37,880 --> 00:52:38,279
Speaker 5: I don't know?

1248
00:52:42,120 --> 00:52:46,760
Speaker 2: Gonna take that clip doing questions was gonna everywhere?

1249
00:52:47,040 --> 00:52:48,000
Speaker 18: That would be great.

1250
00:52:48,040 --> 00:52:50,359
Speaker 1: Now with all the critique you get from being by

1251
00:52:50,400 --> 00:52:50,920
Speaker 1: the way, she.

1252
00:52:50,880 --> 00:52:52,319
Speaker 2: Said she didn't know. She didn't say no, she said,

1253
00:52:52,320 --> 00:52:53,239
Speaker 2: she says she's not.

1254
00:52:53,520 --> 00:52:55,759
Speaker 1: We heard. Just all the critique you get from being

1255
00:52:55,800 --> 00:52:57,120
Speaker 1: a music artist, does it make you just want to

1256
00:52:57,120 --> 00:52:59,440
Speaker 1: stay in acting because of because of the freedom that

1257
00:52:59,440 --> 00:53:00,359
Speaker 1: you're getting.

1258
00:53:00,520 --> 00:53:04,080
Speaker 5: That's a really great question. In this past week, that

1259
00:53:04,160 --> 00:53:07,160
Speaker 5: crossed my mind a few times and I got over

1260
00:53:07,239 --> 00:53:09,040
Speaker 5: it like two three days ago.

1261
00:53:09,400 --> 00:53:11,400
Speaker 2: Really yeah, And I was like.

1262
00:53:11,560 --> 00:53:14,040
Speaker 5: When people make you doubt, and especially as creatives, we

1263
00:53:14,040 --> 00:53:17,560
Speaker 5: already doubt everything we do, so you begin to think like, oh, well,

1264
00:53:17,600 --> 00:53:20,680
Speaker 5: maybe this isn't for me, But then I would be

1265
00:53:20,719 --> 00:53:23,439
Speaker 5: going against the exact reason why God put me here,

1266
00:53:24,440 --> 00:53:29,799
Speaker 5: So why like pray it away? Never lessen yourself to

1267
00:53:30,239 --> 00:53:34,319
Speaker 5: please somebody else. And that's in everything, not even just me,

1268
00:53:34,600 --> 00:53:38,120
Speaker 5: not people in the business. Not it's with everything, and

1269
00:53:38,160 --> 00:53:41,040
Speaker 5: I think why I love make it look easy so much.

1270
00:53:41,200 --> 00:53:43,520
Speaker 5: I was in New York a couple months ago, and

1271
00:53:43,560 --> 00:53:45,320
Speaker 5: this was when I was like listening to the mixes

1272
00:53:45,360 --> 00:53:47,600
Speaker 5: and like, I'm so technical, I will obsess over the

1273
00:53:47,640 --> 00:53:50,560
Speaker 5: two empty seconds at the end when it comes to mastering. Anyways,

1274
00:53:50,760 --> 00:53:53,960
Speaker 5: I was listening to it and I saw a single

1275
00:53:54,040 --> 00:53:56,560
Speaker 5: mom with her child. I saw a man who kind

1276
00:53:56,560 --> 00:53:58,160
Speaker 5: of looked really sad with his briefcase, and I saw

1277
00:53:58,160 --> 00:53:59,839
Speaker 5: a homeless man. All while like make it look easy,

1278
00:53:59,840 --> 00:54:02,120
Speaker 5: make it look easy, to make it look easy was playing,

1279
00:54:02,640 --> 00:54:05,480
Speaker 5: And in that moment, I said, Okay, I'm doing what

1280
00:54:05,520 --> 00:54:08,000
Speaker 5: I've been praying for. That I healed through my music

1281
00:54:08,040 --> 00:54:11,400
Speaker 5: because it's bigger than me, Like when I leave this world,

1282
00:54:11,480 --> 00:54:14,040
Speaker 5: I want my music to make a difference when people

1283
00:54:14,080 --> 00:54:16,440
Speaker 5: come to me and tell me. Because I'm open about

1284
00:54:16,480 --> 00:54:19,560
Speaker 5: my mental health journey, and you know how I was

1285
00:54:19,560 --> 00:54:22,520
Speaker 5: struggling with even staying here. They say that that saved

1286
00:54:22,520 --> 00:54:26,279
Speaker 5: them because they felt less alone. So that on its

1287
00:54:26,320 --> 00:54:29,800
Speaker 5: own holds so much more weight than anything you could

1288
00:54:29,960 --> 00:54:33,320
Speaker 5: ever put in comparison to that. When you get stuff

1289
00:54:33,360 --> 00:54:36,239
Speaker 5: like that, numbers don't matter. Awards don't matter. I'm not

1290
00:54:36,320 --> 00:54:38,279
Speaker 5: doing it for that. I'm doing it because it makes

1291
00:54:38,280 --> 00:54:40,879
Speaker 5: me happy. It's literally like my favorite thing in the world.

1292
00:54:41,480 --> 00:54:45,440
Speaker 2: Well, I got to ask you about Iheartland for me.

1293
00:54:45,800 --> 00:54:49,440
Speaker 5: I did like a five song concert, okay, and it

1294
00:54:49,560 --> 00:54:51,040
Speaker 5: was amazing. I got to do it in front of

1295
00:54:51,080 --> 00:54:53,040
Speaker 5: an audience like one hundred and fifty people I think

1296
00:54:53,080 --> 00:54:55,160
Speaker 5: of like my closest fans. And this was before the

1297
00:54:55,160 --> 00:54:57,520
Speaker 5: album even came out, so it was the best. It

1298
00:54:57,560 --> 00:55:00,200
Speaker 5: was me with a band and it was great, So

1299
00:55:00,360 --> 00:55:02,439
Speaker 5: I actually really love it. It turned out really nice.

1300
00:55:02,440 --> 00:55:05,200
Speaker 2: To be honest, it is this Friday, seven pm. They

1301
00:55:05,200 --> 00:55:06,160
Speaker 2: haven't told me where it is.

1302
00:55:06,360 --> 00:55:10,040
Speaker 1: Charl know it is iHeartRadio dot com slash Iheartland. I

1303
00:55:10,120 --> 00:55:11,680
Speaker 1: just want to tell my cousin that, you know what

1304
00:55:11,680 --> 00:55:14,319
Speaker 1: she knows I love her, and you know, I want

1305
00:55:14,320 --> 00:55:16,200
Speaker 1: to tell you it's better that It's something my therapist

1306
00:55:16,200 --> 00:55:19,920
Speaker 1: told me. Actually, it's better to be slandered than ignored, right,

1307
00:55:20,000 --> 00:55:23,080
Speaker 1: and all the noise is the price you pay for

1308
00:55:23,160 --> 00:55:24,719
Speaker 1: all of the good you do in the world.

1309
00:55:25,920 --> 00:55:26,879
Speaker 18: I love that word.

1310
00:55:27,200 --> 00:55:27,600
Speaker 1: Mm hmm.

1311
00:55:27,800 --> 00:55:29,960
Speaker 2: You ain't download that, I know, shut up?

1312
00:55:31,400 --> 00:55:31,640
Speaker 1: Did you?

1313
00:55:33,080 --> 00:55:36,560
Speaker 5: Did you download the album? I okay? So what was

1314
00:55:36,600 --> 00:55:37,160
Speaker 5: your favorite song?

1315
00:55:37,880 --> 00:55:38,120
Speaker 1: Good?

1316
00:55:38,480 --> 00:55:40,000
Speaker 2: Now you got them, now you got it?

1317
00:55:40,360 --> 00:55:43,480
Speaker 5: You keep one of the bus No, no, tell me

1318
00:55:43,520 --> 00:55:44,200
Speaker 5: your favorite song.

1319
00:55:44,800 --> 00:55:46,640
Speaker 4: I'm a DJ, so I played the records in the club.

1320
00:55:46,680 --> 00:55:47,800
Speaker 4: So which one?

1321
00:55:49,200 --> 00:55:51,719
Speaker 5: Which one did you play from in pieces? Because have

1322
00:55:51,760 --> 00:55:52,800
Speaker 5: Mercy isn't on in pieces?

1323
00:55:52,800 --> 00:55:53,120
Speaker 3: It might.

1324
00:55:56,320 --> 00:55:59,240
Speaker 2: Yeah, yeah, Chrody Bailey, ladies and gentlemen, thank you for joining.

1325
00:55:59,320 --> 00:56:01,160
Speaker 5: Thank you guys, I love you always.

1326
00:56:01,280 --> 00:56:02,319
Speaker 2: And it's the Breakfast Club.

1327
00:56:02,400 --> 00:56:03,880
Speaker 1: Is Chloe Balley?

1328
00:56:04,920 --> 00:56:07,640
Speaker 4: Yes, morning everybody, of course we are to Breakfast Club.

1329
00:56:07,680 --> 00:56:09,200
Speaker 4: Shout to Chloe Bailey for joining us.

1330
00:56:09,239 --> 00:56:11,200
Speaker 1: If you want to see the full interview, you can

1331
00:56:11,280 --> 00:56:13,520
Speaker 1: hit up the website breakfast Club online dot com and

1332
00:56:13,560 --> 00:56:15,359
Speaker 1: we're gonna play cheap back with future we do going

1333
00:56:15,360 --> 00:56:16,880
Speaker 1: into rumors right now. That's right, Well, let's get to

1334
00:56:16,920 --> 00:56:19,760
Speaker 1: the rumors. We're talking about your ex president Donald Trump

1335
00:56:22,960 --> 00:56:23,880
Speaker 1: name or you've.

1336
00:56:23,760 --> 00:56:27,440
Speaker 14: Gossip been when you chatting. This is the room report.

1337
00:56:27,520 --> 00:56:28,840
Speaker 2: I mean, I guess were on the Breakfast Club. This

1338
00:56:28,880 --> 00:56:31,319
Speaker 2: is where the tea spells right on the Breakfast Club.

1339
00:56:32,520 --> 00:56:35,120
Speaker 4: Now, former President Donald Trump was on the Full Sime

1340
00:56:35,239 --> 00:56:38,160
Speaker 4: podcast and they did some questions where they did like

1341
00:56:38,239 --> 00:56:41,960
Speaker 4: fire off questions and he had to answer about Joe Biden,

1342
00:56:42,040 --> 00:56:43,760
Speaker 4: Elon Musk, and a couple of others.

1343
00:56:44,040 --> 00:56:45,680
Speaker 1: We want to end off with a little rapid fire.

1344
00:56:45,719 --> 00:56:47,520
Speaker 1: We have a couple of names. You say one word

1345
00:56:47,520 --> 00:56:47,920
Speaker 1: about them.

1346
00:56:47,920 --> 00:56:49,480
Speaker 2: Go ahead, which one?

1347
00:56:49,640 --> 00:56:50,120
Speaker 15: Smart?

1348
00:56:50,520 --> 00:56:55,640
Speaker 7: Joe Biden, dumb, Kim Jongen, interesting, Kim Kardashian, dis ingenuous,

1349
00:56:55,760 --> 00:56:56,360
Speaker 7: Ice Spice?

1350
00:56:56,719 --> 00:56:57,800
Speaker 15: Who the hell is Ice Spice?

1351
00:56:59,520 --> 00:56:59,600
Speaker 1: Like?

1352
00:57:00,280 --> 00:57:03,719
Speaker 2: No, no, you've heard the song because plays you on

1353
00:57:03,719 --> 00:57:04,160
Speaker 2: the charts.

1354
00:57:04,440 --> 00:57:08,239
Speaker 1: But but I like it? Okay, I like it. Man.

1355
00:57:08,480 --> 00:57:10,080
Speaker 1: Let me tell you something. If those guys would have

1356
00:57:10,120 --> 00:57:14,160
Speaker 1: known Ice Spice's real name and told him that whoa,

1357
00:57:14,320 --> 00:57:16,040
Speaker 1: that would have been hilarious. That would have been good

1358
00:57:16,040 --> 00:57:17,680
Speaker 1: because her real name is right.

1359
00:57:18,000 --> 00:57:18,600
Speaker 2: That would have been good.

1360
00:57:18,640 --> 00:57:21,120
Speaker 1: They would have let him hear much and explain to

1361
00:57:21,200 --> 00:57:23,160
Speaker 1: him what munch is and then asking if he has

1362
00:57:23,200 --> 00:57:25,920
Speaker 1: ever been a munch? Can you imagine the ex president

1363
00:57:25,920 --> 00:57:28,880
Speaker 1: of the United States of America discussing Kungo lingas.

1364
00:57:29,600 --> 00:57:30,439
Speaker 2: That would have been good.

1365
00:57:31,560 --> 00:57:33,400
Speaker 4: All right, now, we got to get into something that

1366
00:57:33,520 --> 00:57:34,560
Speaker 4: I don't necessarily like.

1367
00:57:34,640 --> 00:57:35,160
Speaker 2: You're my fan.

1368
00:57:35,200 --> 00:57:39,240
Speaker 1: You're my fan. Put your fan out, man a story

1369
00:57:39,240 --> 00:57:40,840
Speaker 1: for us before pull your fan out. Just a fan

1370
00:57:40,920 --> 00:57:41,720
Speaker 1: might not be fan worthy.

1371
00:57:41,800 --> 00:57:44,400
Speaker 2: This fan worthy now little Uzi vert.

1372
00:57:44,440 --> 00:57:46,320
Speaker 4: You know he changed his name right now, he's going

1373
00:57:46,400 --> 00:57:48,280
Speaker 4: as the name Leslie Chowd.

1374
00:57:48,960 --> 00:57:50,960
Speaker 2: What that's his new name. He's going by the name

1375
00:57:51,000 --> 00:57:51,640
Speaker 2: Leslie Child.

1376
00:57:52,400 --> 00:57:54,440
Speaker 1: Clues mouse for a little Uzi my fan for a

1377
00:57:54,480 --> 00:57:57,720
Speaker 1: little Uzy because little Oozi is a sassy savage like myself.

1378
00:57:57,760 --> 00:57:58,479
Speaker 2: All right now.

1379
00:57:58,520 --> 00:58:01,920
Speaker 4: A girl on uh Instagram left the comment and said, JT,

1380
00:58:02,560 --> 00:58:05,800
Speaker 4: you're really taking city girls down talking about Dayton Leslie Child,

1381
00:58:05,840 --> 00:58:09,880
Speaker 4: which is little Oozy vert right. She left the comment

1382
00:58:10,000 --> 00:58:12,720
Speaker 4: says JT like city girls are down right now, basically

1383
00:58:12,720 --> 00:58:15,720
Speaker 4: saying that you know she's dating little Uzzivert who changed

1384
00:58:15,720 --> 00:58:16,200
Speaker 4: his name.

1385
00:58:16,080 --> 00:58:20,800
Speaker 2: To Leslie Child. I don't have enough, so the girl JT.

1386
00:58:20,960 --> 00:58:23,280
Speaker 4: She clapped back right okay 'letna tell you how she

1387
00:58:23,280 --> 00:58:25,880
Speaker 4: clapped back. I guess JT went to the girl's page

1388
00:58:25,920 --> 00:58:29,480
Speaker 4: and said, baby, I looked at your baby, and your

1389
00:58:29,480 --> 00:58:34,080
Speaker 4: baby looks like for next two times, okay, girl, please.

1390
00:58:33,920 --> 00:58:35,840
Speaker 2: Leave me alone. I'm not bothering no one.

1391
00:58:36,000 --> 00:58:39,760
Speaker 1: Okay, well for next two times, responded, just don't know.

1392
00:58:39,880 --> 00:58:41,760
Speaker 1: I'll throw you in the air and break you before

1393
00:58:41,760 --> 00:58:44,040
Speaker 1: you hit the ground. I guess she's mad because I

1394
00:58:44,080 --> 00:58:50,720
Speaker 1: said I can't do nothing with no skinny holes. All right, okay,

1395
00:58:50,760 --> 00:58:56,200
Speaker 1: well for next two times, a girlfriend says, JT, who

1396
00:58:56,280 --> 00:58:57,320
Speaker 1: man you calling ugly?

1397
00:58:57,440 --> 00:58:59,040
Speaker 2: Have you seen yours man?

1398
00:58:59,120 --> 00:59:03,320
Speaker 1: You calling ugly? Okay okay, okay, okay, okay, okay, just

1399
00:59:03,320 --> 00:59:05,000
Speaker 1: a little bad, but just more okay.

1400
00:59:05,200 --> 00:59:06,960
Speaker 2: So that that was that? That the that story, that

1401
00:59:06,960 --> 00:59:08,280
Speaker 2: story story, What was the story?

1402
00:59:08,480 --> 00:59:10,160
Speaker 1: That was it? They were just calling each other ugly

1403
00:59:10,200 --> 00:59:12,600
Speaker 1: and this that and the other. It's just interesting, all

1404
00:59:12,680 --> 00:59:16,040
Speaker 1: right now, Coiler lil Uzi said his name is Louis child.

1405
00:59:16,360 --> 00:59:18,560
Speaker 2: For that two times just called it straight. Okay, ready,

1406
00:59:19,120 --> 00:59:23,120
Speaker 2: but what's this now? Coiler Ray is mad at Lotto.

1407
00:59:23,240 --> 00:59:25,960
Speaker 4: You know why because she feels like Lotto is body

1408
00:59:26,000 --> 00:59:26,640
Speaker 4: shaming her.

1409
00:59:26,880 --> 00:59:28,160
Speaker 1: What did Lotto doodo?

1410
00:59:28,320 --> 00:59:30,600
Speaker 2: Little Coiler rayto did a song and this is how

1411
00:59:30,600 --> 00:59:31,080
Speaker 2: the song went.

1412
00:59:31,200 --> 00:59:33,400
Speaker 1: He said with fifty cent says I got guns the

1413
00:59:33,480 --> 00:59:35,880
Speaker 1: sides a little bit, those big ass guns. I don't

1414
00:59:35,880 --> 00:59:38,520
Speaker 1: think the blunts biggest coileerrae. That's a big ass blunt.

1415
00:59:38,600 --> 00:59:40,400
Speaker 4: Well, Coiler Ray didn't like it. She says, if you

1416
00:59:40,480 --> 00:59:43,280
Speaker 4: don't like me, support me or f with me, don't

1417
00:59:43,360 --> 00:59:47,760
Speaker 4: mention my name period. Ish don't make sense. I don't

1418
00:59:47,800 --> 00:59:49,919
Speaker 4: know none of you holes in real life.

1419
00:59:51,000 --> 00:59:52,000
Speaker 2: Stay in yard lane and.

1420
00:59:52,040 --> 00:59:53,600
Speaker 1: Leaves make everything funny.

1421
00:59:54,000 --> 00:59:56,200
Speaker 4: Stay in y'all laid and leave me out of the

1422
00:59:56,320 --> 00:59:59,200
Speaker 4: bull crap. I'd be minding my business and showing real

1423
00:59:59,360 --> 01:00:00,360
Speaker 4: love on line.

1424
01:00:00,440 --> 01:00:01,040
Speaker 12: Oh man.

1425
01:00:01,960 --> 01:00:03,680
Speaker 1: Yeah, so it looks like they've been. They're going back

1426
01:00:03,760 --> 01:00:06,480
Speaker 1: and forth. Folds make everything funnier, regardless of what gender

1427
01:00:06,560 --> 01:00:08,200
Speaker 1: you talking about. I don't love him. None of you

1428
01:00:08,360 --> 01:00:11,560
Speaker 1: hold okay? Oh you holds out here using Beijing to

1429
01:00:11,640 --> 01:00:15,600
Speaker 1: die you bibs? There you go, you stand up for

1430
01:00:15,680 --> 01:00:17,760
Speaker 1: that one. Who you talking. I don't think that was

1431
01:00:17,800 --> 01:00:19,520
Speaker 1: a dist though. I mean, I can't tell the way

1432
01:00:19,520 --> 01:00:21,000
Speaker 1: how to feel, but it does remind me of the

1433
01:00:21,000 --> 01:00:23,200
Speaker 1: fifty cent And he said I got guns the size

1434
01:00:23,440 --> 01:00:25,360
Speaker 1: a little bow Wow, And you say I got blunts

1435
01:00:25,400 --> 01:00:27,120
Speaker 1: the size of coiler Read. That's a big ass blunt,

1436
01:00:27,200 --> 01:00:28,480
Speaker 1: just like that would be a big ass gun. I

1437
01:00:28,480 --> 01:00:31,280
Speaker 1: don't think it was a diseason. But she's entitled the

1438
01:00:31,320 --> 01:00:33,640
Speaker 1: feel that you feel. But guess what you feel right

1439
01:00:33,760 --> 01:00:34,240
Speaker 1: rop about it?

1440
01:00:34,320 --> 01:00:35,800
Speaker 2: That's true. It's back.

1441
01:00:35,960 --> 01:00:39,480
Speaker 4: And lastly, we got to congratulate Martin Lawrence. Martin Lawrence

1442
01:00:39,560 --> 01:00:42,480
Speaker 4: yesterday received his Hollywood Walk of Fame.

1443
01:00:42,640 --> 01:00:43,160
Speaker 1: Yes we did this.

1444
01:00:43,400 --> 01:00:45,720
Speaker 2: Star on the Hollywood Walker Fame said what happened yesterday?

1445
01:00:45,760 --> 01:00:47,200
Speaker 1: Yeah, we reported that he was getting one, and I

1446
01:00:47,280 --> 01:00:48,840
Speaker 1: feel the same way as it's like, what took so

1447
01:00:48,960 --> 01:00:50,800
Speaker 1: long for Martin Lawrence to get a damn start in

1448
01:00:50,840 --> 01:00:52,040
Speaker 1: Hollywood Walker Fame?

1449
01:00:52,320 --> 01:00:54,760
Speaker 2: That is Martin Lawrence. You know what type of allegend.

1450
01:00:54,440 --> 01:00:57,000
Speaker 1: Martin Lawrence is man from the TV show to the

1451
01:00:57,040 --> 01:00:59,960
Speaker 1: stand up specials to the movies, like Martin Lawrence after

1452
01:01:00,360 --> 01:01:03,920
Speaker 1: positively revolutionized comedy. That's right, there's so many comedians out

1453
01:01:03,960 --> 01:01:06,760
Speaker 1: here who's who Martin Lawrence is the blueprint.

1454
01:01:06,360 --> 01:01:09,760
Speaker 4: For Yeah, yesterday, Steve Harvey was there, Tracy Morgan, I've

1455
01:01:09,800 --> 01:01:13,480
Speaker 4: seen Michael Blackson there and the host of others at

1456
01:01:13,480 --> 01:01:15,880
Speaker 4: the event. He spoke about that it was an honored

1457
01:01:15,880 --> 01:01:17,920
Speaker 4: He said, I'm very honored and very thankful to God

1458
01:01:18,000 --> 01:01:21,120
Speaker 4: for making this possible. He also shared that he is

1459
01:01:21,840 --> 01:01:24,480
Speaker 4: praying and wants to send a love to Jamie Fox

1460
01:01:24,760 --> 01:01:25,200
Speaker 4: as well.

1461
01:01:25,240 --> 01:01:27,040
Speaker 2: So, congratulations to Martin Lawrence.

1462
01:01:27,040 --> 01:01:30,520
Speaker 1: I saw every comedian and named Mama at Martin Lawrence's

1463
01:01:31,040 --> 01:01:33,840
Speaker 1: ceremony yesterday, So that shows you what what type of

1464
01:01:33,920 --> 01:01:34,960
Speaker 1: level Martin Lawrence is on.

1465
01:01:35,400 --> 01:01:38,320
Speaker 4: Yeah, we forget I think how many things Martin Lawrence

1466
01:01:38,360 --> 01:01:38,680
Speaker 4: has got.

1467
01:01:38,720 --> 01:01:39,600
Speaker 2: Don't like.

1468
01:01:39,720 --> 01:01:42,560
Speaker 4: Martin Lawrence has been in so many shows besides the sitcom,

1469
01:01:42,680 --> 01:01:45,720
Speaker 4: besides the movies, besides the comedy, so many different things.

1470
01:01:45,720 --> 01:01:48,120
Speaker 1: So Lawrence, man, that's one of them. He was the

1471
01:01:48,120 --> 01:01:49,960
Speaker 1: first time I met Martin. I'm like, I'm going right

1472
01:01:50,000 --> 01:01:51,959
Speaker 1: over to state with upthing Martin. That's Martin Lawrence.

1473
01:01:53,040 --> 01:01:53,120
Speaker 3: Uh.

1474
01:01:53,280 --> 01:01:54,720
Speaker 1: From the first time I ever met Martin. First of all,

1475
01:01:54,720 --> 01:01:58,440
Speaker 1: I met Martin was at the Wrinkling Time premiere when

1476
01:01:58,440 --> 01:02:01,600
Speaker 1: they would do when they did first put out Wrinkling Time.

1477
01:02:01,720 --> 01:02:05,080
Speaker 4: Okay, yeah, now he did Life movies. Man, shout them

1478
01:02:05,200 --> 01:02:06,040
Speaker 4: a larn salute to him.

1479
01:02:06,080 --> 01:02:08,560
Speaker 2: Oh Life is classic? Yes, all right, well that is

1480
01:02:08,640 --> 01:02:10,560
Speaker 2: your rumor report. Now who are you giving that down?

1481
01:02:10,640 --> 01:02:13,840
Speaker 1: KA two? Then for after the hour, I need Rocky Mount,

1482
01:02:14,120 --> 01:02:16,320
Speaker 1: North Carolina police to come to the front of front

1483
01:02:16,320 --> 01:02:19,200
Speaker 1: of the congregation because they got this one all wrong.

1484
01:02:19,560 --> 01:02:22,080
Speaker 1: All right, salute all the public school teachers out there.

1485
01:02:22,360 --> 01:02:23,840
Speaker 1: I'm riding with you, all right.

1486
01:02:23,880 --> 01:02:25,520
Speaker 2: And then when we come back, Jim Jones will be

1487
01:02:25,600 --> 01:02:27,440
Speaker 2: joining us. And don't move. It's the Breakfast Club on

1488
01:02:27,560 --> 01:02:28,120
Speaker 2: b E T.

1489
01:02:29,520 --> 01:02:32,920
Speaker 1: The Breakfast Club. Your mornings will never be the same.

1490
01:02:33,600 --> 01:02:36,360
Speaker 4: Introducing the game a new single from the locks Rick

1491
01:02:36,440 --> 01:02:38,800
Speaker 4: Ross and Fat Joe. This track is more than just

1492
01:02:38,840 --> 01:02:41,920
Speaker 4: a tribute for hoops culture, it's a lifestyle. Find out

1493
01:02:42,000 --> 01:02:45,320
Speaker 4: more at DraftKings dot com. Slash the Game available now

1494
01:02:45,440 --> 01:02:47,040
Speaker 4: on all major streaming platforms.

1495
01:02:50,760 --> 01:02:54,360
Speaker 2: Damn he hogged, It's time for donkey.

1496
01:02:55,440 --> 01:02:57,959
Speaker 1: I'm trying to beat dounky today no more. They should

1497
01:02:57,960 --> 01:03:00,560
Speaker 1: be embarrassed by what they already did. I'm not pople

1498
01:03:00,600 --> 01:03:00,919
Speaker 1: do these.

1499
01:03:00,800 --> 01:03:03,800
Speaker 2: Things called donkey of the day, and it really caught

1500
01:03:03,840 --> 01:03:04,120
Speaker 2: me off.

1501
01:03:04,160 --> 01:03:07,360
Speaker 1: Scars damn Charlamain. Who got the donkey out of.

1502
01:03:07,360 --> 01:03:08,080
Speaker 2: The day today?

1503
01:03:09,640 --> 01:03:12,360
Speaker 1: Well, Jess hilarious Donkey of Today for Friday, April twenty

1504
01:03:12,440 --> 01:03:15,360
Speaker 1: first goes to the police and Rocky Mountain, North Carolina,

1505
01:03:15,400 --> 01:03:18,280
Speaker 1: because y'all got something all the way wrong. Okay. First

1506
01:03:18,320 --> 01:03:20,760
Speaker 1: of all, salute to all the public school teachers out

1507
01:03:20,760 --> 01:03:22,560
Speaker 1: there dropping the clues bombs for all the public school

1508
01:03:22,600 --> 01:03:24,920
Speaker 1: teachers out there. And I ride with all the public

1509
01:03:24,960 --> 01:03:27,160
Speaker 1: school teachers. My mother was a public school teacher for

1510
01:03:27,240 --> 01:03:30,440
Speaker 1: well over thirty years in South Carolina, Charleston County, Berkeley County.

1511
01:03:30,680 --> 01:03:32,040
Speaker 2: Public school teachers.

1512
01:03:31,800 --> 01:03:34,600
Speaker 1: Just like our military veterans, our national treasures, and we

1513
01:03:34,680 --> 01:03:37,040
Speaker 1: don't treat them with the respect they deserve. Okay. Think

1514
01:03:37,080 --> 01:03:39,840
Speaker 1: about the fact that we entrust our babies, our hearts,

1515
01:03:39,880 --> 01:03:42,160
Speaker 1: outside our bodies with them every day. We should be

1516
01:03:42,240 --> 01:03:46,880
Speaker 1: making sure that teachers are well taken care of. So mentally, physically, spiritually,

1517
01:03:46,960 --> 01:03:49,640
Speaker 1: and emotionally they are good. Oh and how can I

1518
01:03:49,720 --> 01:03:53,160
Speaker 1: forget financially? Okay, teachers are overworked and underpaid.

1519
01:03:53,160 --> 01:03:53,400
Speaker 15: All right?

1520
01:03:53,440 --> 01:03:54,800
Speaker 1: My mother told me the most she made it the

1521
01:03:54,840 --> 01:03:57,640
Speaker 1: teacher was thirty thousand dollars a year once. Okay, and

1522
01:03:57,720 --> 01:03:59,360
Speaker 1: guess what that money should be tax free if you

1523
01:03:59,400 --> 01:04:01,600
Speaker 1: ask me, right, teachers should be tax exempt. That's the

1524
01:04:01,680 --> 01:04:03,720
Speaker 1: least we could do for the folks who help shape

1525
01:04:03,920 --> 01:04:06,760
Speaker 1: our child's minds and prepare them for the future.

1526
01:04:06,840 --> 01:04:08,400
Speaker 2: But now that we have established how I.

1527
01:04:08,440 --> 01:04:10,960
Speaker 1: Feel about public school teachers, you will understand why I

1528
01:04:11,120 --> 01:04:13,919
Speaker 1: feel the Rocky Mount Police are getting the biggest heat

1529
01:04:13,960 --> 01:04:17,400
Speaker 1: had Because Rocky Mount Police have charged both a student

1530
01:04:17,720 --> 01:04:20,680
Speaker 1: and a teacher for a fight at Rocky Mount High School,

1531
01:04:20,680 --> 01:04:23,080
Speaker 1: and of course it ended up on social media. Let's

1532
01:04:23,120 --> 01:04:25,240
Speaker 1: go to h I forgot who it is for the

1533
01:04:25,280 --> 01:04:25,840
Speaker 1: report police.

1534
01:04:26,840 --> 01:04:30,360
Speaker 19: Rocky Mount Police say they're investigating now a fight involving

1535
01:04:30,400 --> 01:04:33,520
Speaker 19: a student and a substitute teacher at Rocky Mount High School.

1536
01:04:33,560 --> 01:04:38,000
Speaker 19: A profanity laced video has surfaced and shared online multiple times.

1537
01:04:38,040 --> 01:04:41,120
Speaker 19: It shows the pair arguing over a cell phone and

1538
01:04:41,200 --> 01:04:42,880
Speaker 19: then everything turning physical.

1539
01:04:43,000 --> 01:04:43,640
Speaker 1: Take a look.

1540
01:04:47,320 --> 01:04:59,840
Speaker 20: Hee situation continues to escalate.

1541
01:05:00,000 --> 01:05:02,560
Speaker 19: Obviously to this moment, both the students of substitute teacher

1542
01:05:02,600 --> 01:05:05,280
Speaker 19: swinging at each other. Within seconds, the students on the

1543
01:05:05,320 --> 01:05:08,800
Speaker 19: ground restrained by the shop disturbing all the way around.

1544
01:05:09,000 --> 01:05:11,040
Speaker 19: It is important to point out we do not know

1545
01:05:11,160 --> 01:05:14,440
Speaker 19: what happened before the recording started or how that incident

1546
01:05:14,600 --> 01:05:19,000
Speaker 19: ultimately ended. Police identified the substitute teacher as Xavier A Steel.

1547
01:05:19,480 --> 01:05:22,160
Speaker 19: Nash County Public School System is telling us that she

1548
01:05:22,240 --> 01:05:24,520
Speaker 19: has worked with them since twenty twenty one.

1549
01:05:24,720 --> 01:05:27,920
Speaker 1: The student was only identified as a juvenile m That

1550
01:05:28,040 --> 01:05:30,280
Speaker 1: news report was courtesy of wral By the way, now,

1551
01:05:30,360 --> 01:05:32,120
Speaker 1: let me tell you something. I don't know what y'all saw,

1552
01:05:32,560 --> 01:05:35,640
Speaker 1: but I saw a substitute teacher, a Xavier Xavier Steele.

1553
01:05:35,640 --> 01:05:36,680
Speaker 2: I think you pronounced her name.

1554
01:05:36,960 --> 01:05:38,440
Speaker 1: I saw her, you know what I'm saying, with no

1555
01:05:38,560 --> 01:05:40,480
Speaker 1: draws on doing her job, all right, It's not your

1556
01:05:40,520 --> 01:05:42,439
Speaker 1: business why she didn't have draws on because you don't

1557
01:05:42,440 --> 01:05:44,880
Speaker 1: know what the weather is in Rocky Mountain. She may

1558
01:05:45,000 --> 01:05:46,880
Speaker 1: have been letting to breathe for a number of reasons

1559
01:05:46,920 --> 01:05:48,959
Speaker 1: that all equate to us mind in our business, okay,

1560
01:05:49,040 --> 01:05:50,720
Speaker 1: but she wouldn't have had to be in that position

1561
01:05:51,040 --> 01:05:53,600
Speaker 1: if that young lady she had to defend herself against

1562
01:05:53,720 --> 01:05:54,400
Speaker 1: knew how to act.

1563
01:05:54,440 --> 01:05:54,680
Speaker 12: All right.

1564
01:05:54,760 --> 01:05:57,240
Speaker 1: She took her phone for whatever reason, and that's due

1565
01:05:57,280 --> 01:05:59,800
Speaker 1: that wanted her phone back. Now, so she have explained

1566
01:05:59,840 --> 01:06:02,760
Speaker 1: why she took her phone, and not to other students maybe, okay,

1567
01:06:02,800 --> 01:06:04,840
Speaker 1: but one thing's for showing two things for certain. That

1568
01:06:04,960 --> 01:06:07,840
Speaker 1: young lady had no business putting her hands on that teacher, Okay,

1569
01:06:07,920 --> 01:06:11,600
Speaker 1: substitute the otherwise, all right, respect your elders. And the

1570
01:06:11,680 --> 01:06:13,760
Speaker 1: reason that little girl so quick to put hands on

1571
01:06:13,880 --> 01:06:16,440
Speaker 1: that teacher is because she probably putting hands on some

1572
01:06:16,560 --> 01:06:19,120
Speaker 1: adult in her life, and said adulte has never hit her.

1573
01:06:19,080 --> 01:06:20,280
Speaker 2: Back because she family.

1574
01:06:20,640 --> 01:06:22,560
Speaker 1: Okay, all right, But what you don't want your kids

1575
01:06:22,560 --> 01:06:25,000
Speaker 1: to find out the hard way is that outside is

1576
01:06:25,080 --> 01:06:26,959
Speaker 1: not like in the house. All right. You're not my child,

1577
01:06:27,040 --> 01:06:29,280
Speaker 1: you're not my niece, my sister, my cousin. You go

1578
01:06:29,320 --> 01:06:31,439
Speaker 1: out here putting hands on strangers the way you're putting

1579
01:06:31,520 --> 01:06:34,000
Speaker 1: hands on people in this house, You're just gonna be

1580
01:06:34,040 --> 01:06:36,320
Speaker 1: an eye all right, period. And the first law of

1581
01:06:36,440 --> 01:06:40,040
Speaker 1: nature is self preservation. So stop expecting people like Xaveria

1582
01:06:40,120 --> 01:06:42,560
Speaker 1: Steel not to be human. Okay. This poor woman lost

1583
01:06:42,640 --> 01:06:46,160
Speaker 1: her as fooling around with this little girl, not because

1584
01:06:46,200 --> 01:06:48,320
Speaker 1: of stress, because the little girl pulled him out.

1585
01:06:48,400 --> 01:06:54,280
Speaker 7: Listen, that young lady attacked me and she went for blood.

1586
01:06:54,880 --> 01:06:58,480
Speaker 6: She took out an inch of my hairline all the

1587
01:06:58,520 --> 01:06:59,760
Speaker 6: way to two inches back.

1588
01:07:00,720 --> 01:07:03,320
Speaker 7: She was in my space, she was behind the disc.

1589
01:07:03,440 --> 01:07:05,280
Speaker 7: I follow protocol now.

1590
01:07:05,320 --> 01:07:06,880
Speaker 1: Hardly just to get two inches in your handline back.

1591
01:07:07,160 --> 01:07:09,040
Speaker 1: Don't make me take off my hat and show you.

1592
01:07:09,360 --> 01:07:12,160
Speaker 1: Okay out here losing edges because y'all don't know how

1593
01:07:12,200 --> 01:07:16,200
Speaker 1: to raise y'all damn churn. Okay, Zaveria, I'm no, I'm

1594
01:07:16,200 --> 01:07:18,760
Speaker 1: pronouncing your name wrong, but you did not deserve that, okay,

1595
01:07:18,800 --> 01:07:20,320
Speaker 1: And I can hear some of y'all now, shu man,

1596
01:07:20,360 --> 01:07:21,920
Speaker 1: what if that was one of your kids? Look, man,

1597
01:07:22,400 --> 01:07:24,920
Speaker 1: I cannot say this with one hundred percent confidence, because hey,

1598
01:07:24,960 --> 01:07:27,000
Speaker 1: you never know, but I can say it with about

1599
01:07:27,480 --> 01:07:30,720
Speaker 1: ninety eight point nine percent confidence. This would never be

1600
01:07:30,760 --> 01:07:33,360
Speaker 1: one of mine, Okay, why simply because I've talked them better,

1601
01:07:33,400 --> 01:07:35,720
Speaker 1: all right, because I let them know constantly that there

1602
01:07:35,760 --> 01:07:38,080
Speaker 1: are consequences to your actions. And I'm old school with it,

1603
01:07:38,240 --> 01:07:40,320
Speaker 1: all right, born in the nineteen hundreds, nineteen hundred and

1604
01:07:40,360 --> 01:07:42,640
Speaker 1: seventy eight, to be exact. I tell them like adults

1605
01:07:42,680 --> 01:07:46,200
Speaker 1: in my life told me, don't start nothing, won't be none,

1606
01:07:46,320 --> 01:07:46,680
Speaker 1: all right.

1607
01:07:46,760 --> 01:07:47,360
Speaker 2: The best way to.

1608
01:07:47,400 --> 01:07:49,720
Speaker 1: Keep your piece is to not disturb the piece of others.

1609
01:07:49,800 --> 01:07:53,800
Speaker 1: And that woman definitely had her piece disturbed. Now I

1610
01:07:54,000 --> 01:07:56,480
Speaker 1: have to salute the Christie Show. The Christie Show blesses

1611
01:07:56,600 --> 01:07:59,080
Speaker 1: us ever so often with some words from Miss Shirlene

1612
01:07:59,120 --> 01:08:02,200
Speaker 1: and Miss Shirlean able word yesterday that brought a tear

1613
01:08:02,280 --> 01:08:02,720
Speaker 1: to my eye.

1614
01:08:02,760 --> 01:08:04,200
Speaker 2: Can we listen through y'all?

1615
01:08:04,360 --> 01:08:08,600
Speaker 3: Children getting slammed on their head by these teachers is

1616
01:08:08,680 --> 01:08:09,280
Speaker 3: your fault.

1617
01:08:10,080 --> 01:08:13,560
Speaker 5: These big brandy children thinking they can talk to people

1618
01:08:13,640 --> 01:08:16,240
Speaker 5: any kind of way, do what they can do, whatever

1619
01:08:16,320 --> 01:08:16,880
Speaker 5: they want to do.

1620
01:08:17,120 --> 01:08:20,519
Speaker 16: They're out of order because you found and discipline your child.

1621
01:08:20,600 --> 01:08:25,479
Speaker 3: They think they can, uh, try to intimidate an adult, try.

1622
01:08:25,320 --> 01:08:28,400
Speaker 5: To threaten an adults. That's such a two teaching and

1623
01:08:28,520 --> 01:08:30,800
Speaker 5: even now the underworld, that's how much she didn't care

1624
01:08:31,160 --> 01:08:32,720
Speaker 5: that's how much she almost didn't make it.

1625
01:08:32,840 --> 01:08:34,320
Speaker 7: She she didn't put no underworld.

1626
01:08:34,560 --> 01:08:35,040
Speaker 1: She didn't care.

1627
01:08:35,560 --> 01:08:37,640
Speaker 17: So you think she gonna have a little restraint when

1628
01:08:37,680 --> 01:08:40,800
Speaker 17: your daughter, who thinks she grown, come bucking.

1629
01:08:40,640 --> 01:08:43,760
Speaker 1: Come on now, come knocking, bore ready to fight.

1630
01:08:44,320 --> 01:08:46,720
Speaker 6: She treated I like somebody off the street, because why

1631
01:08:46,880 --> 01:08:48,840
Speaker 6: she was acting like somebody.

1632
01:08:48,560 --> 01:08:49,280
Speaker 7: Off the street.

1633
01:08:49,400 --> 01:08:50,200
Speaker 1: Lord, have mercy.

1634
01:08:50,360 --> 01:08:51,960
Speaker 5: We act wrong, wrong.

1635
01:08:51,800 --> 01:08:52,600
Speaker 18: Things happen to you.

1636
01:08:53,360 --> 01:08:54,360
Speaker 5: We act like adult.

1637
01:08:54,680 --> 01:08:56,040
Speaker 7: Don't treat you like an adult.

1638
01:08:57,160 --> 01:08:58,880
Speaker 18: That's why people always tell you gotta stay in a.

1639
01:08:58,960 --> 01:08:59,960
Speaker 7: Child's place, Wickles.

1640
01:09:00,880 --> 01:09:01,680
Speaker 2: That's some.

1641
01:09:03,240 --> 01:09:04,519
Speaker 7: That's some protection there.

1642
01:09:05,320 --> 01:09:10,240
Speaker 6: There's some prediction there, that's some compassion there, that's some

1643
01:09:10,439 --> 01:09:11,160
Speaker 6: nurturing there.

1644
01:09:13,720 --> 01:09:16,839
Speaker 1: The moral of the story is stay in a child's

1645
01:09:17,360 --> 01:09:21,240
Speaker 1: place because it's safe there. And most importantly, think a

1646
01:09:21,320 --> 01:09:24,559
Speaker 1: teacher today. Okay, thank a teacher today.

1647
01:09:25,200 --> 01:09:26,200
Speaker 2: I have no more to say.

1648
01:09:26,479 --> 01:09:28,679
Speaker 1: Please let rimy mab give the police in Rocky Mountain,

1649
01:09:28,680 --> 01:09:30,479
Speaker 1: North Carolina the biggest he hull.

1650
01:09:30,640 --> 01:09:33,679
Speaker 5: He ha, he ha, you stupid mother?

1651
01:09:34,080 --> 01:09:34,800
Speaker 2: Are you dumb?

1652
01:09:35,680 --> 01:09:37,880
Speaker 1: M I ain't hear nothing but the word this morning,

1653
01:09:38,840 --> 01:09:40,800
Speaker 1: That's all I heard. Why she ain't had no underwear on? No,

1654
01:09:41,040 --> 01:09:43,200
Speaker 1: there's none of your business. Then did you stay in

1655
01:09:43,200 --> 01:09:44,439
Speaker 1: the child's place. Now, you need to stay in a

1656
01:09:44,520 --> 01:09:46,160
Speaker 1: child's place. Mind your business now.

1657
01:09:46,120 --> 01:09:47,800
Speaker 2: You know how sometimes we cash that people.

1658
01:09:48,680 --> 01:09:48,720
Speaker 3: What.

1659
01:09:49,200 --> 01:09:50,920
Speaker 1: No, you don't know why that woman had no draws on.

1660
01:09:50,960 --> 01:09:52,320
Speaker 1: You don't know what's going on with her? Stopping now

1661
01:09:52,479 --> 01:09:55,040
Speaker 1: you being to you being being to being too now

1662
01:09:56,560 --> 01:09:58,760
Speaker 1: just being too you want to stop? Now stop?

1663
01:09:58,840 --> 01:09:59,800
Speaker 2: You don't know why to lead that woman?

1664
01:10:00,040 --> 01:10:04,000
Speaker 1: Okay, what our situation is women don't wear underwear for

1665
01:10:04,040 --> 01:10:06,640
Speaker 1: a number of reasons like what, I don't know. Let

1666
01:10:06,720 --> 01:10:10,080
Speaker 1: it breathe, okay, all right, manya damn business chafing, Oh,

1667
01:10:10,240 --> 01:10:11,800
Speaker 1: leave it all kind of stuff could happening to lead

1668
01:10:11,840 --> 01:10:12,800
Speaker 1: people to the Lord, you know. And I'm not even

1669
01:10:12,800 --> 01:10:14,800
Speaker 1: gonna have this conversation. That ain't our business. There ain't

1670
01:10:14,800 --> 01:10:16,400
Speaker 1: no women here to talk about. Why ain't no woman?

1671
01:10:16,560 --> 01:10:20,920
Speaker 1: Why women nowhere and underwear? We're not gonna have that conversation. Well,

1672
01:10:20,960 --> 01:10:25,000
Speaker 1: thank you for that dog here today, point no, thank

1673
01:10:25,080 --> 01:10:26,840
Speaker 1: you for that dog in the day. I said, yes, ma'am,

1674
01:10:27,200 --> 01:10:30,439
Speaker 1: you have a underwear on row. Yes, I'm a lady, okay,

1675
01:10:30,680 --> 01:10:31,240
Speaker 1: just making sure.

1676
01:10:31,640 --> 01:10:33,680
Speaker 2: All right, Well we come back, Jim Jones will be

1677
01:10:33,760 --> 01:10:35,200
Speaker 2: joining us. We're gonna kick it with Jim.

1678
01:10:35,120 --> 01:10:38,040
Speaker 4: Jones compo and shot out to b e T you

1679
01:10:38,160 --> 01:10:40,639
Speaker 4: guys have a great weekend. Everybody else, Jim Jones will

1680
01:10:40,640 --> 01:10:42,080
Speaker 4: be come back at the Breakfast Club the morning.

1681
01:10:42,760 --> 01:10:44,160
Speaker 1: The Breakfast Club.

1682
01:10:47,360 --> 01:10:50,800
Speaker 2: More thing. Everybody's DJ n V Charlamagne the guy.

1683
01:10:50,920 --> 01:10:54,479
Speaker 1: We are the Breakfast Club on b ET and we

1684
01:10:54,560 --> 01:10:56,840
Speaker 1: got a special guest for us this morning, big legend

1685
01:10:56,920 --> 01:10:58,240
Speaker 1: Copbo Cockbo is here.

1686
01:10:58,360 --> 01:10:59,799
Speaker 2: Jim Jones so patrolled.

1687
01:11:00,000 --> 01:11:00,320
Speaker 1: What's uth?

1688
01:11:00,400 --> 01:11:01,600
Speaker 15: Jim still giving up?

1689
01:11:01,640 --> 01:11:06,599
Speaker 1: Hell early, bampfe you're just going to sleep?

1690
01:11:06,760 --> 01:11:10,160
Speaker 9: Definitely, definitely, just definitely got an hour of sleep before

1691
01:11:10,200 --> 01:11:10,640
Speaker 9: I got here.

1692
01:11:10,720 --> 01:11:11,240
Speaker 15: But it's good.

1693
01:11:11,640 --> 01:11:13,240
Speaker 2: How are you feeling, man, I'm.

1694
01:11:13,080 --> 01:11:16,120
Speaker 1: Feeling pretty good. I mean, for what it's worth, man,

1695
01:11:16,880 --> 01:11:19,120
Speaker 1: somebody told us to day for whatever reason, I thought

1696
01:11:19,120 --> 01:11:20,320
Speaker 1: it was longer, but it say you've been in the

1697
01:11:20,360 --> 01:11:22,560
Speaker 1: game twenty years more than that. That's what I feel like.

1698
01:11:22,560 --> 01:11:23,800
Speaker 1: I feel like it's more than twenty, right.

1699
01:11:24,000 --> 01:11:27,439
Speaker 9: Cam goun Son in ninety seven, Yeah, I mean he

1700
01:11:27,600 --> 01:11:31,360
Speaker 9: was outside. We've been outside for a long time. But yeah, besides,

1701
01:11:31,400 --> 01:11:32,800
Speaker 9: saw the ninety seven, So what's that?

1702
01:11:34,040 --> 01:11:35,080
Speaker 15: Twenty six year six?

1703
01:11:35,800 --> 01:11:39,360
Speaker 1: Still making quality music? I feel like nostalgia's back. It

1704
01:11:39,520 --> 01:11:40,880
Speaker 1: is like you know what I mean, which because it

1705
01:11:41,240 --> 01:11:43,040
Speaker 1: was a classic timeless era, so I feel like it

1706
01:11:43,160 --> 01:11:45,000
Speaker 1: never left. But I feel like it's a whole new

1707
01:11:45,080 --> 01:11:48,800
Speaker 1: generation on that way, especially with Dipset.

1708
01:11:48,640 --> 01:11:51,360
Speaker 9: Musically always goes musically just three sixty like everything else

1709
01:11:51,400 --> 01:11:53,640
Speaker 9: in life where goals comes back around and things like that.

1710
01:11:53,800 --> 01:11:56,960
Speaker 9: And with New York music is there for anybody else's music,

1711
01:11:57,000 --> 01:11:58,280
Speaker 9: you know what I mean. So we got like our

1712
01:11:58,320 --> 01:12:01,280
Speaker 9: own sound sonically and things like that. And just to

1713
01:12:01,400 --> 01:12:04,000
Speaker 9: hear like the people starting to rap again and they

1714
01:12:04,640 --> 01:12:06,839
Speaker 9: going on aggressive beats and things.

1715
01:12:06,680 --> 01:12:08,760
Speaker 15: Like that makes me feel It makes me feel good.

1716
01:12:09,040 --> 01:12:11,599
Speaker 15: In New York. We we we've been out the loop

1717
01:12:11,720 --> 01:12:13,679
Speaker 15: musically for a long time, and right now.

1718
01:12:13,640 --> 01:12:15,680
Speaker 9: It feels good to see the resurgers that we have

1719
01:12:15,800 --> 01:12:18,400
Speaker 9: when it comes to us again inside of the musical race,

1720
01:12:18,800 --> 01:12:20,639
Speaker 9: you know what I meant, Just all the artists that's

1721
01:12:20,680 --> 01:12:22,920
Speaker 9: popping out here right now and putting on from New

1722
01:12:23,000 --> 01:12:24,320
Speaker 9: York City, I tip my hat to you.

1723
01:12:24,439 --> 01:12:25,240
Speaker 15: I know it ain't easy.

1724
01:12:25,439 --> 01:12:27,360
Speaker 1: What if it feels like nobody can perform in Harlem

1725
01:12:27,439 --> 01:12:30,280
Speaker 1: now without bringing somebody the whole dip set out. We

1726
01:12:30,640 --> 01:12:32,519
Speaker 1: actually was in the building of a night when Cam

1727
01:12:32,680 --> 01:12:33,760
Speaker 1: was performing oh you did.

1728
01:12:33,840 --> 01:12:35,479
Speaker 9: Okay, Okay, Me and jo Wells was in the crowd

1729
01:12:35,520 --> 01:12:39,479
Speaker 9: watching the show. We came out to support. Mysteriously, Cam

1730
01:12:39,600 --> 01:12:39,960
Speaker 9: came out.

1731
01:12:40,120 --> 01:12:41,760
Speaker 2: Do you know what's coming out? Always a surprise to

1732
01:12:41,800 --> 01:12:42,200
Speaker 2: you too.

1733
01:12:42,479 --> 01:12:45,439
Speaker 15: Super surprised. Everything with came to me is a surprise.

1734
01:12:46,520 --> 01:12:46,680
Speaker 1: You know.

1735
01:12:47,320 --> 01:12:48,720
Speaker 9: It ain't like it used to. It ain't like I

1736
01:12:48,800 --> 01:12:50,960
Speaker 9: know this moveses and things like that. You know, what's

1737
01:12:51,080 --> 01:12:53,120
Speaker 9: my bast what's the best to them and all those

1738
01:12:53,160 --> 01:12:55,679
Speaker 9: in depths and things like that. So he's doing sports

1739
01:12:55,720 --> 01:12:56,320
Speaker 9: show right now.

1740
01:12:56,560 --> 01:12:59,439
Speaker 1: Y'all got the craziest relationship because I swear sometimes I

1741
01:12:59,479 --> 01:13:02,120
Speaker 1: feel like sense on tour everything is cooting and it's like, no,

1742
01:13:02,200 --> 01:13:03,800
Speaker 1: I had no idea it was coming out because even

1743
01:13:03,840 --> 01:13:05,280
Speaker 1: with the Drake, it all came out together for the

1744
01:13:05,360 --> 01:13:07,639
Speaker 1: Drake Show. And how was that when when Drake reached

1745
01:13:07,640 --> 01:13:09,360
Speaker 1: out and called and said he wanted your guys to

1746
01:13:09,400 --> 01:13:09,840
Speaker 1: be a part of it.

1747
01:13:11,120 --> 01:13:13,000
Speaker 9: That was Dope shouts and Drake shouts and chubbs. I

1748
01:13:13,040 --> 01:13:14,639
Speaker 9: got a great relationship with him. I got to speak

1749
01:13:14,680 --> 01:13:17,120
Speaker 9: to him earlier about that. You know, I think I

1750
01:13:17,200 --> 01:13:18,840
Speaker 9: put it out there there You're coming to all them, bro,

1751
01:13:18,960 --> 01:13:21,639
Speaker 9: He's like, oh, we gotta go up shouting them boys.

1752
01:13:21,680 --> 01:13:24,800
Speaker 9: That was a hell of a moment for us, for diplomats,

1753
01:13:24,840 --> 01:13:26,920
Speaker 9: for Harlem all over, we put in for all the years,

1754
01:13:27,080 --> 01:13:27,559
Speaker 9: vice versa.

1755
01:13:27,560 --> 01:13:29,960
Speaker 15: You know what I mean? Pretty dope, Pretty dope.

1756
01:13:30,240 --> 01:13:32,000
Speaker 1: Even with that Drake is a branch off the family

1757
01:13:32,080 --> 01:13:34,360
Speaker 1: treat though, because you know, I think people forget, you

1758
01:13:34,479 --> 01:13:36,599
Speaker 1: know how Wayne was running around.

1759
01:13:36,400 --> 01:13:40,120
Speaker 9: With your money and and Wayne and Wayne is our

1760
01:13:40,200 --> 01:13:43,000
Speaker 9: buzzing your herd, shouts da Wayne Man shouts the whole

1761
01:13:43,040 --> 01:13:46,120
Speaker 9: cash money washing Wayne the other day inside the Apollo.

1762
01:13:46,479 --> 01:13:49,040
Speaker 9: Forget how many hits that boy got, Yeah, did like

1763
01:13:49,160 --> 01:13:51,680
Speaker 9: two hours worfor straight just hits with a band in

1764
01:13:51,720 --> 01:13:52,240
Speaker 9: the back of him.

1765
01:13:52,320 --> 01:13:54,120
Speaker 15: Pretty dope man shouts the wheezy.

1766
01:13:53,960 --> 01:13:56,960
Speaker 1: I saw you get back in your director bag. That

1767
01:13:57,160 --> 01:13:59,400
Speaker 1: was dope, shouts the drama man. That was dope.

1768
01:13:59,680 --> 01:14:01,280
Speaker 15: Call me one day like are you still directed?

1769
01:14:01,320 --> 01:14:03,960
Speaker 9: I'm like, yeah, but I usually direct all my videos

1770
01:14:04,080 --> 01:14:05,720
Speaker 9: or videos from my artists and things like that, like

1771
01:14:05,800 --> 01:14:07,719
Speaker 9: I got something I want you to director, not necessarily

1772
01:14:07,720 --> 01:14:08,080
Speaker 9: a video.

1773
01:14:08,439 --> 01:14:09,040
Speaker 15: And then he told me.

1774
01:14:09,080 --> 01:14:10,760
Speaker 9: I was like, oh man, that's crazy, Like I want

1775
01:14:10,760 --> 01:14:13,280
Speaker 9: to shoot some scenes from Juice over and I got

1776
01:14:13,400 --> 01:14:15,400
Speaker 9: all the artists, I got all the actors from the

1777
01:14:15,479 --> 01:14:18,240
Speaker 9: original movie. You know, like you got Tupac to be

1778
01:14:18,360 --> 01:14:24,280
Speaker 9: like get Get, but I got everybody else, So you know,

1779
01:14:24,600 --> 01:14:28,599
Speaker 9: well directed, Directing Queen lot Tifa definitely was the highlight

1780
01:14:28,680 --> 01:14:29,519
Speaker 9: of the whole thing for me.

1781
01:14:29,560 --> 01:14:30,840
Speaker 15: You know, you get to direct the queen.

1782
01:14:30,920 --> 01:14:32,800
Speaker 9: That's that's big right there, and not just taking that

1783
01:14:32,920 --> 01:14:34,599
Speaker 9: away from all my apps and you know what I mean.

1784
01:14:34,720 --> 01:14:37,080
Speaker 9: But I'm just saying, Queen Latifa, this Queen Loti for

1785
01:14:37,160 --> 01:14:38,240
Speaker 9: my absolutely.

1786
01:14:38,360 --> 01:14:40,240
Speaker 2: Now I heard you talking about doing a dipset TV

1787
01:14:40,360 --> 01:14:41,760
Speaker 2: show a movie.

1788
01:14:43,320 --> 01:14:43,760
Speaker 15: I wanted to.

1789
01:14:44,000 --> 01:14:46,479
Speaker 9: I want to go to start to create a show

1790
01:14:46,600 --> 01:14:49,280
Speaker 9: called five Ah, which is my life in five Ah

1791
01:14:49,360 --> 01:14:50,920
Speaker 9: before we actually got.

1792
01:14:50,800 --> 01:14:53,080
Speaker 15: The fame and went on to beat being dipsetted.

1793
01:14:53,080 --> 01:14:55,960
Speaker 9: So that whole time inside of five Ation cam and

1794
01:14:56,080 --> 01:14:58,280
Speaker 9: make sure everybody was living me and selling my grandmother's

1795
01:14:58,280 --> 01:15:01,479
Speaker 9: apartment and things like that very instruing to our success.

1796
01:15:01,680 --> 01:15:04,920
Speaker 9: And it's so much wild things were going on inside

1797
01:15:04,920 --> 01:15:06,960
Speaker 9: of that five Ation department. I think people will be

1798
01:15:07,479 --> 01:15:10,120
Speaker 9: very enthused to see some of these scenes about our

1799
01:15:10,240 --> 01:15:14,400
Speaker 9: history coming up loosely based on loosely loosely based you

1800
01:15:14,400 --> 01:15:15,519
Speaker 9: don't get nobody and.

1801
01:15:15,520 --> 01:15:21,840
Speaker 1: Show the statute of limitations up, I will hope so.

1802
01:15:22,200 --> 01:15:24,120
Speaker 9: And that was a long time ago on the produce

1803
01:15:24,200 --> 01:15:25,880
Speaker 9: of five AH, But yeah, I mean we got so

1804
01:15:26,000 --> 01:15:28,760
Speaker 9: much history and with all of these shows, with the

1805
01:15:28,840 --> 01:15:31,439
Speaker 9: Wu Tang Show and all these shows picked in the

1806
01:15:31,479 --> 01:15:33,439
Speaker 9: hip hop culture and things that went on in the past,

1807
01:15:33,479 --> 01:15:35,320
Speaker 9: and all the stuff that we've been into, especially for

1808
01:15:35,439 --> 01:15:35,960
Speaker 9: New York City.

1809
01:15:36,000 --> 01:15:36,920
Speaker 15: I think it's only right.

1810
01:15:36,920 --> 01:15:38,599
Speaker 2: Well we get a dip set documentary.

1811
01:15:38,720 --> 01:15:41,400
Speaker 4: I would love to see you know, you guys meeting

1812
01:15:41,479 --> 01:15:44,360
Speaker 4: and how y'all got on and the relationship with Mace

1813
01:15:44,439 --> 01:15:47,600
Speaker 4: and how y'all signed and do the trials and tribulations

1814
01:15:47,640 --> 01:15:49,759
Speaker 4: and just like all of us, like five.

1815
01:15:49,760 --> 01:15:52,160
Speaker 9: H that's all a high school and just graduating out

1816
01:15:52,160 --> 01:15:54,160
Speaker 9: of high school err and things like that, and Cam

1817
01:15:54,320 --> 01:15:56,559
Speaker 9: Mace go in the same high school, Me and Kim

1818
01:15:56,680 --> 01:15:59,360
Speaker 9: living on the first on the same sign and they

1819
01:15:59,439 --> 01:16:01,080
Speaker 9: being from the I said, like all that was around

1820
01:16:01,080 --> 01:16:02,600
Speaker 9: the high school with the five AH stays, and then

1821
01:16:02,640 --> 01:16:04,680
Speaker 9: when Cam and Mace went to college, they both got

1822
01:16:04,760 --> 01:16:06,760
Speaker 9: kicked out. When they got kicked out from school and

1823
01:16:06,840 --> 01:16:08,599
Speaker 9: end up coming to live with me at my grandmother house.

1824
01:16:08,960 --> 01:16:10,280
Speaker 15: Used to be passed away. Yeah, both of them.

1825
01:16:10,640 --> 01:16:14,840
Speaker 9: Wow, So Cam Mace Dwells a few other famous artists

1826
01:16:14,920 --> 01:16:17,519
Speaker 9: that made it pretty successful. When this game all came

1827
01:16:17,560 --> 01:16:20,479
Speaker 9: out my grandmother house, she provided the shelter for us,

1828
01:16:20,560 --> 01:16:22,040
Speaker 9: so we would have to be in the streets, that

1829
01:16:22,040 --> 01:16:22,320
Speaker 9: and other.

1830
01:16:22,439 --> 01:16:23,040
Speaker 1: That's crazy.

1831
01:16:23,320 --> 01:16:25,479
Speaker 15: So that's what the whole five age story is about.

1832
01:16:25,640 --> 01:16:28,840
Speaker 9: Exactly what you're talking about, the very humble beginnings of

1833
01:16:29,240 --> 01:16:32,919
Speaker 9: who we were before we became diplomats and Jim Jones

1834
01:16:33,000 --> 01:16:34,240
Speaker 9: and Killer Can.

1835
01:16:35,160 --> 01:16:36,680
Speaker 2: What's so, what's your relationship with Mace now?

1836
01:16:36,840 --> 01:16:39,280
Speaker 4: It's weird to see that at one time you would

1837
01:16:39,280 --> 01:16:40,800
Speaker 4: be with all these guys when they would in your

1838
01:16:40,800 --> 01:16:41,479
Speaker 4: grandmother's house.

1839
01:16:41,560 --> 01:16:43,240
Speaker 1: Yes, y'all grew up with each other, like y'all lived

1840
01:16:43,280 --> 01:16:44,679
Speaker 1: with each other, Yea saying.

1841
01:16:44,560 --> 01:16:46,400
Speaker 15: We definitely live with each other. We definitely grew up

1842
01:16:46,439 --> 01:16:48,719
Speaker 15: with each other. We know each other. As we got older.

1843
01:16:48,720 --> 01:16:51,680
Speaker 9: We all kind of separated when out on ways and

1844
01:16:51,760 --> 01:16:54,400
Speaker 9: things like that, but we started together wholeheartedly. Don't care

1845
01:16:54,439 --> 01:16:57,240
Speaker 9: for mix too much, he tell Mace. Say some prayers

1846
01:16:57,640 --> 01:17:01,400
Speaker 9: world up you heard like Deck made them style.

1847
01:17:03,240 --> 01:17:03,920
Speaker 18: That is what it is.

1848
01:17:04,000 --> 01:17:06,280
Speaker 1: Is entertaining though what it is what it is? Show

1849
01:17:06,680 --> 01:17:08,479
Speaker 1: I like it? You do the weather match them?

1850
01:17:08,600 --> 01:17:11,280
Speaker 2: Do that like the size of your personality it is.

1851
01:17:11,400 --> 01:17:15,559
Speaker 9: They definitely, they're definitely very funny or the groop of comedians.

1852
01:17:15,600 --> 01:17:17,200
Speaker 9: I can't take that away from them. And they're very

1853
01:17:17,240 --> 01:17:21,679
Speaker 9: knowledgeable about basketball. They both grew up playing basketball. Mason's

1854
01:17:21,720 --> 01:17:24,320
Speaker 9: cool camp was definitely us had a chance to go

1855
01:17:24,360 --> 01:17:26,640
Speaker 9: to the NBA. I can't say that without with no

1856
01:17:26,720 --> 01:17:29,120
Speaker 9: hate and nothing in my heart. Boy was dumb nice

1857
01:17:29,160 --> 01:17:31,479
Speaker 9: and since he was younger doing playing starting the rock

1858
01:17:31,520 --> 01:17:34,479
Speaker 9: at age fifteen, they called him Camon all American him

1859
01:17:34,520 --> 01:17:36,840
Speaker 9: and makes to the championship in Massion Square Guarden and

1860
01:17:36,880 --> 01:17:39,240
Speaker 9: things like that for Mahnd Center.

1861
01:17:39,040 --> 01:17:40,599
Speaker 15: And stuff like that. So there was some ball. There

1862
01:17:40,600 --> 01:17:43,559
Speaker 15: were some ballers. So see them on the television show

1863
01:17:43,800 --> 01:17:44,120
Speaker 15: What Is It?

1864
01:17:44,200 --> 01:17:44,560
Speaker 7: What it Is?

1865
01:17:44,640 --> 01:17:46,960
Speaker 1: It is pretty dope. I hope they get a check

1866
01:17:47,040 --> 01:17:48,680
Speaker 1: for that, you know, and you know, you got to

1867
01:17:48,920 --> 01:17:51,160
Speaker 1: back in My Prime album would Hit Maker?

1868
01:17:51,280 --> 01:17:53,280
Speaker 2: I love that title. Do you do you feel that way?

1869
01:17:53,360 --> 01:17:54,280
Speaker 2: Do you feel like you're back in.

1870
01:17:54,280 --> 01:17:57,160
Speaker 15: Your prime for like the third time? But yeah, it

1871
01:17:57,200 --> 01:17:57,639
Speaker 15: feel good.

1872
01:17:57,680 --> 01:17:59,280
Speaker 9: I mean, I've been through so much and still be

1873
01:17:59,360 --> 01:18:01,880
Speaker 9: able to make me it got this capacity end, still

1874
01:18:01,960 --> 01:18:04,920
Speaker 9: be in the game, still getting records played on the radio,

1875
01:18:05,200 --> 01:18:08,000
Speaker 9: Still making top forty hits and things like that. I've

1876
01:18:08,000 --> 01:18:09,760
Speaker 9: seen a lot of people coming go, especially with being

1877
01:18:09,800 --> 01:18:11,880
Speaker 9: in the game so long, or get to a stance

1878
01:18:12,040 --> 01:18:14,360
Speaker 9: a stand still. I'm blessed to be able to keep

1879
01:18:14,400 --> 01:18:16,559
Speaker 9: going and keep being able to make this good music.

1880
01:18:16,880 --> 01:18:19,760
Speaker 9: Shout to on my artists and bg v L all

1881
01:18:19,800 --> 01:18:22,000
Speaker 9: the youngsters that be around me to keep me, keep

1882
01:18:22,040 --> 01:18:23,120
Speaker 9: me in tune of what's going on.

1883
01:18:23,520 --> 01:18:25,120
Speaker 15: It's a medium. You gotta have you know what I mean,

1884
01:18:25,240 --> 01:18:28,080
Speaker 15: Like you gotta we gotta guy each other. So that's

1885
01:18:28,120 --> 01:18:28,519
Speaker 15: what I'm met.

1886
01:18:29,479 --> 01:18:31,800
Speaker 1: Where was Where was Coppo's first prime? What would you

1887
01:18:31,800 --> 01:18:34,200
Speaker 1: consider it as a solo? It's solo. What would you

1888
01:18:34,240 --> 01:18:35,840
Speaker 1: consider your first rount? Because you say it for like

1889
01:18:35,880 --> 01:18:36,439
Speaker 1: the third time.

1890
01:18:37,040 --> 01:18:38,679
Speaker 9: Our first prome was when I was in the streets.

1891
01:18:39,680 --> 01:18:43,040
Speaker 9: That was music, that was that was musically. My second

1892
01:18:43,080 --> 01:18:44,559
Speaker 9: prime was when I was able to do the music.

1893
01:18:44,720 --> 01:18:46,160
Speaker 9: My third prome is where I'm at right now.

1894
01:18:46,479 --> 01:18:48,840
Speaker 2: Was it was it balling or certain five gangster Balling?

1895
01:18:48,880 --> 01:18:52,360
Speaker 9: I will say I reached certified. Gangster was my introduction.

1896
01:18:53,360 --> 01:18:55,360
Speaker 9: I was kind of hot off the intro stuff like that.

1897
01:18:55,479 --> 01:18:59,120
Speaker 9: But I think that moving into Ball of the Hustle's

1898
01:18:59,160 --> 01:19:02,479
Speaker 9: poems kind of like me moving into my first prom

1899
01:19:02,560 --> 01:19:04,559
Speaker 9: and when out was at the top of the game

1900
01:19:04,600 --> 01:19:05,200
Speaker 9: at that time, and.

1901
01:19:05,280 --> 01:19:05,720
Speaker 1: Things like that.

1902
01:19:05,800 --> 01:19:08,479
Speaker 9: And then they build you up to knock you down.

1903
01:19:08,560 --> 01:19:10,600
Speaker 9: If you're not strong enough to persevere, you won't be

1904
01:19:10,680 --> 01:19:14,320
Speaker 9: here next year. You know I'm still here, So God bless.

1905
01:19:14,560 --> 01:19:16,320
Speaker 4: All right, we got more with Jim Jones when we

1906
01:19:16,439 --> 01:19:18,120
Speaker 4: come back, don't move. It's the Breakfast Club.

1907
01:19:18,160 --> 01:19:18,559
Speaker 2: Good morning.

1908
01:19:18,680 --> 01:19:22,080
Speaker 4: Put everybody is DJ Envy Charlomagne. He God, we are

1909
01:19:22,120 --> 01:19:24,000
Speaker 4: to Breakfast Club on this Friday. We're still kicking them

1910
01:19:24,000 --> 01:19:25,120
Speaker 4: with Jim Jones Charlomagne.

1911
01:19:25,320 --> 01:19:26,880
Speaker 1: Now they push your tea, reach out and push your

1912
01:19:26,880 --> 01:19:28,560
Speaker 1: tea reach out and say, Jim, you bug it on

1913
01:19:28,680 --> 01:19:29,280
Speaker 1: top fifty.

1914
01:19:30,200 --> 01:19:32,000
Speaker 15: I don't think push your te will reach out to me.

1915
01:19:32,040 --> 01:19:33,760
Speaker 15: I'm not the type of person who will reach out

1916
01:19:33,800 --> 01:19:34,839
Speaker 15: to me about my opinion.

1917
01:19:35,320 --> 01:19:36,519
Speaker 1: You hear, y'are not cool?

1918
01:19:37,280 --> 01:19:40,200
Speaker 9: I mean I ain't cool with him like that. I

1919
01:19:40,240 --> 01:19:42,040
Speaker 9: don't know him like that. I know him to say,

1920
01:19:42,120 --> 01:19:44,479
Speaker 9: what's up? Give them a pan? You did, and I

1921
01:19:44,600 --> 01:19:46,400
Speaker 9: wasn't trying to diss them, and just they asked me

1922
01:19:46,479 --> 01:19:48,760
Speaker 9: a question. You all get it very exciting and things

1923
01:19:48,800 --> 01:19:50,519
Speaker 9: like that. But I don't think my phone ain't the

1924
01:19:50,560 --> 01:19:51,400
Speaker 9: line to be calling it?

1925
01:19:52,120 --> 01:19:52,759
Speaker 15: Tell me anybody.

1926
01:19:53,160 --> 01:19:55,040
Speaker 1: I wasn't trying to dism but Jim said he's not

1927
01:19:55,200 --> 01:19:56,840
Speaker 1: top fifty. I don't think he was selling drugs a

1928
01:19:56,880 --> 01:20:01,320
Speaker 1: crack like that, like I mean, Ji not his own dope.

1929
01:20:03,439 --> 01:20:05,679
Speaker 9: I mean, maybe I might take it a little bit fall,

1930
01:20:05,840 --> 01:20:07,960
Speaker 9: a little bit fall. I could have said something else

1931
01:20:08,280 --> 01:20:10,200
Speaker 9: to give my point across. And I don't want to

1932
01:20:10,200 --> 01:20:12,400
Speaker 9: sit up here looking like we're using pushing T for

1933
01:20:12,720 --> 01:20:14,320
Speaker 9: the butt of our jok and things like that. But

1934
01:20:14,400 --> 01:20:16,320
Speaker 9: I mean, it's like it is what it is, man Like,

1935
01:20:16,360 --> 01:20:17,880
Speaker 9: we're not going to sit up here and go back

1936
01:20:17,920 --> 01:20:19,160
Speaker 9: and forth about I don't really care.

1937
01:20:19,400 --> 01:20:21,920
Speaker 15: I don't do you know? Can can you sing along

1938
01:20:22,000 --> 01:20:24,599
Speaker 15: the five push your T records? Right now? His records?

1939
01:20:24,720 --> 01:20:29,479
Speaker 1: Yes, his records? Nostalgia U push your T?

1940
01:20:29,640 --> 01:20:29,840
Speaker 12: Fair?

1941
01:20:31,000 --> 01:20:32,720
Speaker 15: I didn't know you had fans like that? Can you

1942
01:20:32,840 --> 01:20:34,160
Speaker 15: name five Pushing T records?

1943
01:20:34,680 --> 01:20:35,280
Speaker 1: His records?

1944
01:20:35,640 --> 01:20:36,800
Speaker 15: But can you know?

1945
01:20:37,120 --> 01:20:38,479
Speaker 1: But can you wrap the five push?

1946
01:20:38,760 --> 01:20:39,000
Speaker 15: Can? I?

1947
01:20:39,040 --> 01:20:39,840
Speaker 2: I can't wrap five?

1948
01:20:40,040 --> 01:20:41,800
Speaker 1: All right? Can you can you wrap the five?

1949
01:20:41,920 --> 01:20:42,080
Speaker 3: Wait?

1950
01:20:42,160 --> 01:20:42,599
Speaker 1: Wait? Wait?

1951
01:20:42,720 --> 01:20:46,280
Speaker 9: Can you wrap five Pushing T? Five Pushing T records?

1952
01:20:46,360 --> 01:20:48,760
Speaker 9: Not the records he's featured on. If five Pushing T

1953
01:20:48,920 --> 01:20:51,479
Speaker 9: Records came on right now? Could you wrap them?

1954
01:20:51,680 --> 01:20:53,040
Speaker 2: You could rap five PUSHD records?

1955
01:20:54,080 --> 01:20:54,360
Speaker 1: Could you?

1956
01:20:54,600 --> 01:20:58,240
Speaker 9: Could you wait? Could you rap five Pushing T records

1957
01:20:58,800 --> 01:21:00,720
Speaker 9: right now? If they started playing what.

1958
01:21:00,760 --> 01:21:04,120
Speaker 1: Do you like the hook? Could you sing them verse

1959
01:21:04,600 --> 01:21:08,759
Speaker 1: they came on like certain joints like No, no, sir, I'm.

1960
01:21:08,680 --> 01:21:11,960
Speaker 9: Saying because you rapped all right because you wrapped five

1961
01:21:12,200 --> 01:21:14,760
Speaker 9: j versus if they came because you wrapped with five

1962
01:21:14,880 --> 01:21:16,080
Speaker 9: Drake versus as they came on.

1963
01:21:16,400 --> 01:21:18,920
Speaker 2: No, you lying, But I've never been a big I've

1964
01:21:18,920 --> 01:21:19,559
Speaker 2: never been a big braake.

1965
01:21:19,800 --> 01:21:21,320
Speaker 1: You're lying because you work at radio.

1966
01:21:21,360 --> 01:21:23,400
Speaker 15: With five Drake records came on right now, you can

1967
01:21:23,920 --> 01:21:26,719
Speaker 15: be rapping them record because they play on the radio

1968
01:21:26,800 --> 01:21:27,200
Speaker 15: all day.

1969
01:21:28,320 --> 01:21:30,839
Speaker 2: The rapp the lyric like I could do ja, I couldn't,

1970
01:21:30,880 --> 01:21:32,960
Speaker 2: but he still don't and just.

1971
01:21:34,320 --> 01:21:35,280
Speaker 1: His foot before you did that.

1972
01:21:36,200 --> 01:21:38,080
Speaker 9: I'm just gonna say that because I don't want to

1973
01:21:38,080 --> 01:21:40,680
Speaker 9: get it because Jim Way Way well and shouting to

1974
01:21:40,720 --> 01:21:41,240
Speaker 9: push and Tea.

1975
01:21:41,520 --> 01:21:43,400
Speaker 15: I love your soul, my dog. You're not in my

1976
01:21:43,520 --> 01:21:46,080
Speaker 15: top fifty. You might be in Charlemagne's top fifty and

1977
01:21:46,120 --> 01:21:48,240
Speaker 15: things like that, but you haven't done that much for

1978
01:21:48,360 --> 01:21:49,840
Speaker 15: me in my life, like I didn't never want to

1979
01:21:49,880 --> 01:21:50,719
Speaker 15: be like pushing. I didn't.

1980
01:21:50,840 --> 01:21:52,360
Speaker 9: I never had to push the moment in my life.

1981
01:21:52,400 --> 01:21:54,519
Speaker 9: I never thought like you did. Like where I'm from,

1982
01:21:54,680 --> 01:21:56,680
Speaker 9: you want to be like you if you was really

1983
01:21:56,760 --> 01:21:58,559
Speaker 9: that dude in that rapping and things like that, it's

1984
01:21:58,600 --> 01:22:02,160
Speaker 9: like he was influence by push it. Yeah, okay, cool?

1985
01:22:02,560 --> 01:22:04,200
Speaker 2: Why I pushing the misteric me two records?

1986
01:22:04,320 --> 01:22:09,080
Speaker 1: Okay cool? You're a very strong pushing teeth. And I

1987
01:22:09,120 --> 01:22:09,679
Speaker 1: don't care.

1988
01:22:09,520 --> 01:22:11,400
Speaker 15: Because people are like, look at Jim talking.

1989
01:22:11,920 --> 01:22:14,760
Speaker 9: He is nowhere near top fifty, your top nine hundred

1990
01:22:14,800 --> 01:22:15,280
Speaker 9: and fifty.

1991
01:22:15,760 --> 01:22:17,360
Speaker 1: You carry that, you think, I don't really care. I

1992
01:22:17,360 --> 01:22:19,000
Speaker 1: would say to push you had you know, I went

1993
01:22:19,040 --> 01:22:20,560
Speaker 1: to school in Virginia where push it was from, and

1994
01:22:20,600 --> 01:22:21,920
Speaker 1: I know push a long time. All right?

1995
01:22:22,000 --> 01:22:24,840
Speaker 15: Could you five five Jim Jones records play right now

1996
01:22:24,880 --> 01:22:25,360
Speaker 15: on this radio?

1997
01:22:25,439 --> 01:22:27,280
Speaker 1: Could you could you sugar along to them? Yeah?

1998
01:22:27,560 --> 01:22:28,519
Speaker 15: Five Jim Jones.

1999
01:22:28,320 --> 01:22:31,400
Speaker 9: Records play right, five Jim Jones records. You can't tell

2000
01:22:31,479 --> 01:22:33,160
Speaker 9: me five pushing te records, but you could tell me

2001
01:22:33,200 --> 01:22:35,840
Speaker 9: five Jim Jones record. You can't tell me five pushing

2002
01:22:35,880 --> 01:22:38,000
Speaker 9: Tea records, but you can say five. So what we're

2003
01:22:38,000 --> 01:22:40,240
Speaker 9: talking about. You want me get into the real semantics

2004
01:22:40,280 --> 01:22:41,639
Speaker 9: in this, like what we're talking about.

2005
01:22:41,720 --> 01:22:43,360
Speaker 2: I think push the top fifty man, all.

2006
01:22:43,320 --> 01:22:46,120
Speaker 9: Right, cool, but you can't. You can't put on let's

2007
01:22:46,120 --> 01:22:48,719
Speaker 9: start playing something, pushing T records. You said he's nice.

2008
01:22:48,840 --> 01:22:51,360
Speaker 9: I'm not saying nice. He's not not well that listen.

2009
01:22:51,760 --> 01:22:55,320
Speaker 15: Being nice and being in the category is two different things.

2010
01:22:55,640 --> 01:22:57,200
Speaker 1: That's what I rake the top rappers on. I wring

2011
01:22:57,280 --> 01:22:59,720
Speaker 1: him on actual rap, like who can really spit? And

2012
01:22:59,800 --> 01:23:00,320
Speaker 1: that's I got.

2013
01:23:00,360 --> 01:23:02,920
Speaker 2: I gotta put in the top fifty for rap, just rap.

2014
01:23:03,240 --> 01:23:05,840
Speaker 15: We're talking bars, So this to what we gauge in

2015
01:23:05,880 --> 01:23:06,600
Speaker 15: the top fifty on?

2016
01:23:06,680 --> 01:23:07,360
Speaker 2: It just rapping.

2017
01:23:07,920 --> 01:23:10,400
Speaker 15: Anybody can slap, so anybody can slide in there.

2018
01:23:10,800 --> 01:23:13,320
Speaker 1: I don't be knowing what these lists you were talking about.

2019
01:23:13,320 --> 01:23:15,519
Speaker 1: Somebody's supposed to be the top fifty greatest of all time?

2020
01:23:15,600 --> 01:23:16,560
Speaker 15: What are we gauging it on.

2021
01:23:16,680 --> 01:23:18,759
Speaker 1: That's true, That's what I want to hear. It gotta

2022
01:23:18,800 --> 01:23:20,200
Speaker 1: be it gotta be everything.

2023
01:23:20,400 --> 01:23:22,960
Speaker 9: You can't just because he could he could rap nice, Well,

2024
01:23:23,000 --> 01:23:24,639
Speaker 9: we could go a bunch of battle rappers that could

2025
01:23:24,680 --> 01:23:27,439
Speaker 9: rap nice right now and go crazy they nice as hell?

2026
01:23:27,800 --> 01:23:28,200
Speaker 3: You heard?

2027
01:23:28,520 --> 01:23:30,080
Speaker 9: Or what else has he bring to the game that

2028
01:23:30,280 --> 01:23:32,760
Speaker 9: did Did he make people want to dress like him?

2029
01:23:32,960 --> 01:23:35,160
Speaker 1: Did he have some slang that everybody was talking like him?

2030
01:23:35,439 --> 01:23:35,559
Speaker 2: Uh?

2031
01:23:35,880 --> 01:23:37,560
Speaker 15: There would be the girls, all the girls wanted to

2032
01:23:37,920 --> 01:23:39,439
Speaker 15: do him, Like what is the you.

2033
01:23:39,479 --> 01:23:42,960
Speaker 1: Did you the created slang? Which one? Sorry, I'm trying

2034
01:23:42,960 --> 01:23:44,960
Speaker 1: to come home like in this era with all of

2035
01:23:45,000 --> 01:23:50,679
Speaker 1: these rappers, who what like did he create? That's an acronym?

2036
01:23:51,479 --> 01:23:52,120
Speaker 2: I don't even know.

2037
01:23:52,280 --> 01:23:53,840
Speaker 15: Nobody even know the acrom.

2038
01:23:55,640 --> 01:23:58,519
Speaker 2: Besides, like, we can't forget your clip like the Clips was?

2039
01:23:58,640 --> 01:23:59,719
Speaker 15: Now the Clips was the Clips.

2040
01:24:00,040 --> 01:24:02,599
Speaker 1: That's a different, amazing group. That's different.

2041
01:24:02,760 --> 01:24:05,080
Speaker 9: Hard that's different. The Clips are dope. They had the

2042
01:24:05,160 --> 01:24:07,679
Speaker 9: record grinding, they had what happened to that boy?

2043
01:24:08,880 --> 01:24:09,160
Speaker 1: You did?

2044
01:24:09,320 --> 01:24:11,519
Speaker 9: Like? So I'm not It's not like I don't know

2045
01:24:11,600 --> 01:24:13,160
Speaker 9: the music. We're not gonna sit here and say that.

2046
01:24:13,280 --> 01:24:15,080
Speaker 9: But the Clips and Push your T two different things.

2047
01:24:15,240 --> 01:24:17,439
Speaker 9: I would think you would like pushing I just say.

2048
01:24:17,280 --> 01:24:20,080
Speaker 1: I don't you make a great album. I never listened

2049
01:24:20,120 --> 01:24:21,479
Speaker 1: to one whole Push your T album.

2050
01:24:21,720 --> 01:24:25,000
Speaker 9: Let's push out man does never I've never listened to

2051
01:24:25,040 --> 01:24:26,640
Speaker 9: a whole Push a T album. He just had an

2052
01:24:26,880 --> 01:24:28,680
Speaker 9: album that wanted to Grammy, do you all know any

2053
01:24:28,720 --> 01:24:29,400
Speaker 9: of the records on that.

2054
01:24:29,400 --> 01:24:33,600
Speaker 1: Album nominated the last album? Okay cool? Do y'all know

2055
01:24:33,680 --> 01:24:36,519
Speaker 1: any records on these on these Grammy nominator? Yes, what

2056
01:24:37,160 --> 01:24:41,400
Speaker 1: colbum is almost dry? Crampton, roll my neck, my wrists.

2057
01:24:42,160 --> 01:24:44,599
Speaker 15: Listen to basically because I never hear it nowhere.

2058
01:24:44,720 --> 01:24:47,480
Speaker 9: You heard like I never heard nowhere like no disrespect,

2059
01:24:47,600 --> 01:24:51,080
Speaker 9: like like you did, Like like let's get like, people

2060
01:24:51,320 --> 01:24:55,320
Speaker 9: don't Cruisi because let's not make this about me and him,

2061
01:24:55,360 --> 01:24:58,599
Speaker 9: because it's not about hearing him, because you're like, it's

2062
01:24:58,680 --> 01:25:01,840
Speaker 9: not about me if I'm just so like, that's just

2063
01:25:02,000 --> 01:25:03,639
Speaker 9: why I don't want to do no more interviews.

2064
01:25:04,320 --> 01:25:06,360
Speaker 1: I don't want to do no more interview Jim.

2065
01:25:06,439 --> 01:25:11,200
Speaker 9: Let's just Mann, I'm the local for your label, right, Yeah,

2066
01:25:11,240 --> 01:25:13,960
Speaker 9: it's a local phone label, Sho said everybody out here

2067
01:25:14,000 --> 01:25:14,760
Speaker 9: that's a rapper, man.

2068
01:25:14,920 --> 01:25:16,720
Speaker 15: I mean I don't try to I'm not trying to

2069
01:25:16,760 --> 01:25:17,760
Speaker 15: this nobody. Ain't you know.

2070
01:25:17,840 --> 01:25:20,320
Speaker 9: I'm a bit of a comedian that time. So man,

2071
01:25:20,400 --> 01:25:23,120
Speaker 9: so it surpart me for that. It is what it is, man,

2072
01:25:23,200 --> 01:25:25,519
Speaker 9: But just don't call my phone. This ain't the type

2073
01:25:25,520 --> 01:25:27,240
Speaker 9: of phone you want to call for any type of

2074
01:25:27,320 --> 01:25:30,000
Speaker 9: smoke you heard that's just a smoke. Detective, you better

2075
01:25:30,080 --> 01:25:33,400
Speaker 9: leave that phone alone. You heard you better continue to

2076
01:25:33,439 --> 01:25:36,280
Speaker 9: give me high fives when you see her. That's all

2077
01:25:36,320 --> 01:25:38,559
Speaker 9: I'm about. This is good energy. Let's continue to throw

2078
01:25:38,600 --> 01:25:41,800
Speaker 9: this love out there. You heard Champagne toss.

2079
01:25:41,439 --> 01:25:41,760
Speaker 1: And all that.

2080
01:25:41,880 --> 01:25:43,280
Speaker 15: We all live a pretty good life.

2081
01:25:43,400 --> 01:25:45,720
Speaker 2: Man, What time Jim called me? Jim called me, I

2082
01:25:45,760 --> 01:25:46,600
Speaker 2: said something you didn't like?

2083
01:25:46,680 --> 01:25:47,439
Speaker 1: Jim was like, what was that?

2084
01:25:51,479 --> 01:25:52,200
Speaker 2: I'm like, my bad.

2085
01:25:52,600 --> 01:25:55,320
Speaker 1: I can tell you, do not listen to it. Do

2086
01:25:55,479 --> 01:25:56,120
Speaker 1: not listen to it.

2087
01:25:56,320 --> 01:25:59,360
Speaker 15: I'm not the type of person. I'm a very loving person.

2088
01:26:01,760 --> 01:26:03,880
Speaker 1: Done some wild stuff. I see Jim say, the first

2089
01:26:03,920 --> 01:26:05,320
Speaker 1: comedian to walk out the building.

2090
01:26:06,520 --> 01:26:08,400
Speaker 2: I said, Damn, I said, I'm not walking out the building.

2091
01:26:08,720 --> 01:26:09,360
Speaker 1: I'm a comedian.

2092
01:26:11,080 --> 01:26:11,280
Speaker 12: Man.

2093
01:26:11,439 --> 01:26:14,479
Speaker 1: I was terrible. Man said what was that? You don't

2094
01:26:14,479 --> 01:26:15,680
Speaker 1: play with me like that? Because if you play with

2095
01:26:15,720 --> 01:26:17,200
Speaker 1: me like that, then everybody's gonna take to play with

2096
01:26:17,240 --> 01:26:19,360
Speaker 1: me like that. They don't play with none of y'am. Yeah,

2097
01:26:19,560 --> 01:26:20,760
Speaker 1: like thennis day, we got that.

2098
01:26:20,920 --> 01:26:24,439
Speaker 9: We got a problem, like yo, like, let me stop, man,

2099
01:26:24,640 --> 01:26:26,720
Speaker 9: this God, damn, I grew up hard.

2100
01:26:26,800 --> 01:26:27,560
Speaker 1: Man got a part of me.

2101
01:26:27,680 --> 01:26:27,840
Speaker 8: Man.

2102
01:26:30,040 --> 01:26:32,240
Speaker 9: I don't know, man, but right now I'm in the

2103
01:26:32,320 --> 01:26:34,280
Speaker 9: place of love in my heart, and and and it

2104
01:26:34,400 --> 01:26:36,640
Speaker 9: kind of gets twisted when people asking me, asking me

2105
01:26:36,720 --> 01:26:39,240
Speaker 9: these difficult questions, and I don't know how to answer

2106
01:26:39,360 --> 01:26:42,120
Speaker 9: him without honestly you know, you know what I mean,

2107
01:26:42,240 --> 01:26:43,080
Speaker 9: that's okay.

2108
01:26:43,200 --> 01:26:44,759
Speaker 15: Can we believe it that this is just my opinion.

2109
01:26:45,400 --> 01:26:45,920
Speaker 1: I don't want to.

2110
01:26:46,000 --> 01:26:47,639
Speaker 15: I don't want to push your t smoke. I don't

2111
01:26:47,680 --> 01:26:49,200
Speaker 15: want to end up in none of his raps.

2112
01:26:50,320 --> 01:26:50,799
Speaker 2: You dig.

2113
01:26:56,200 --> 01:26:58,720
Speaker 9: I say he's nice, right, the boy you know how

2114
01:26:58,720 --> 01:27:02,080
Speaker 9: to talk about some cocaine talking about Pablo Numbers.

2115
01:27:02,120 --> 01:27:05,519
Speaker 1: You're heard like that boy talking about you understand it?

2116
01:27:05,680 --> 01:27:08,120
Speaker 15: God damn it. I ain't even saying that he ain't nice.

2117
01:27:08,479 --> 01:27:10,759
Speaker 4: Well, the album is out right now back in my prime.

2118
01:27:11,280 --> 01:27:13,599
Speaker 4: Make sure you have the albums playing now.

2119
01:27:13,800 --> 01:27:16,759
Speaker 15: Shots a young Bird one of the most incredible producers

2120
01:27:16,840 --> 01:27:17,120
Speaker 15: out there.

2121
01:27:17,160 --> 01:27:17,360
Speaker 1: I was.

2122
01:27:17,640 --> 01:27:19,439
Speaker 9: I was very blessed to be able to do this album.

2123
01:27:19,840 --> 01:27:22,040
Speaker 9: Very dope album. Shouts to Chrisy. This album is pretty

2124
01:27:22,120 --> 01:27:25,280
Speaker 9: much written about her in so many different ways. I

2125
01:27:25,320 --> 01:27:30,360
Speaker 9: would say, let's go with Gunshot Gunshot featuring.

2126
01:27:29,960 --> 01:27:32,360
Speaker 15: Being but I thank you'll, man. I just want to

2127
01:27:32,360 --> 01:27:33,080
Speaker 15: tip my hat to y'all.

2128
01:27:33,120 --> 01:27:35,000
Speaker 9: Y'all keep doing things for us to look at and

2129
01:27:35,400 --> 01:27:39,400
Speaker 9: be inspired by your bet move yell are the new building.

2130
01:27:40,000 --> 01:27:42,519
Speaker 15: Y'all got thrones that you're sitting on, You know what

2131
01:27:42,520 --> 01:27:44,200
Speaker 15: I mean? What could be better than this?

2132
01:27:44,360 --> 01:27:46,120
Speaker 9: But I seen yo, I've seen your grind the same

2133
01:27:46,240 --> 01:27:48,040
Speaker 9: like say what y'all see me grind and things like that.

2134
01:27:48,120 --> 01:27:50,320
Speaker 9: From the beginning, I know things wasn't as good as

2135
01:27:50,680 --> 01:27:52,400
Speaker 9: it is now coming up and things like that. But

2136
01:27:52,560 --> 01:27:55,720
Speaker 9: y'all continue to break down barriers inside of this journalism

2137
01:27:55,800 --> 01:27:57,880
Speaker 9: game and when it comes to being on the radio

2138
01:27:57,880 --> 01:28:01,080
Speaker 9: and things like that and taking number one morning shows

2139
01:28:01,120 --> 01:28:05,240
Speaker 9: and oh man, chapped yourself in the back some time.

2140
01:28:05,479 --> 01:28:07,799
Speaker 1: You heard, oh Man, I appreciate Youren.

2141
01:28:08,400 --> 01:28:10,800
Speaker 2: It's Jim Jones. It's the Breakfast Club. Good morning on

2142
01:28:10,960 --> 01:28:13,599
Speaker 2: BT The Breakfast Club.

2143
01:28:16,400 --> 01:28:16,679
Speaker 1: Morning.

2144
01:28:16,760 --> 01:28:20,040
Speaker 4: Everybody's the j Envy Charlamagne the guy. We are the

2145
01:28:20,120 --> 01:28:22,599
Speaker 4: Breakfast Club. It's a Friday, so you know what that means.

2146
01:28:23,040 --> 01:28:25,360
Speaker 4: We do a segment called Past the ox I instead

2147
01:28:25,360 --> 01:28:28,160
Speaker 4: of doing the rumors. Our girl Nila Simone comes up here.

2148
01:28:28,200 --> 01:28:30,479
Speaker 4: Who are I busted her ass last week?

2149
01:28:30,520 --> 01:28:32,439
Speaker 3: And that was.

2150
01:28:33,920 --> 01:28:37,080
Speaker 1: The callers said, she said, you won seven to three?

2151
01:28:37,280 --> 01:28:38,360
Speaker 2: She won last week.

2152
01:28:40,240 --> 01:28:41,439
Speaker 18: He was definitely in your bag.

2153
01:28:41,520 --> 01:28:41,880
Speaker 2: You had me.

2154
01:28:42,240 --> 01:28:44,880
Speaker 1: First of all, don't feel any pressure. This man was

2155
01:28:44,880 --> 01:28:46,040
Speaker 1: born in the nineteen hundreds.

2156
01:28:46,280 --> 01:28:46,559
Speaker 2: Okay.

2157
01:28:46,960 --> 01:28:49,679
Speaker 1: He actually did mixtapes when they were on tapes. Okay,

2158
01:28:49,880 --> 01:28:53,800
Speaker 1: so you shouldn't feel bad about that. She did her thing.

2159
01:28:53,880 --> 01:28:56,120
Speaker 2: You know, we we love nah love here and this

2160
01:28:56,240 --> 01:28:57,880
Speaker 2: is where we do past the past.

2161
01:28:57,920 --> 01:29:01,120
Speaker 4: The ox is a segment where now has a playlist

2162
01:29:01,200 --> 01:29:03,760
Speaker 4: and we pretty much go it's on her playlist right

2163
01:29:04,040 --> 01:29:06,000
Speaker 4: of Some of it is new music, some of it's

2164
01:29:06,000 --> 01:29:07,680
Speaker 4: old music. Some of his music that we need to know.

2165
01:29:08,120 --> 01:29:10,120
Speaker 4: So she puts us on and that's why we have

2166
01:29:10,240 --> 01:29:11,160
Speaker 4: nahlahead today.

2167
01:29:11,360 --> 01:29:14,160
Speaker 17: Yes, so today I'm gonna start with a Jake Dila

2168
01:29:14,240 --> 01:29:17,679
Speaker 17: record off of his album Donut. Now, I was familiar

2169
01:29:17,760 --> 01:29:20,160
Speaker 17: with Jay Dilla as a producer, but I really wasn't

2170
01:29:20,200 --> 01:29:22,640
Speaker 17: familiar with all the records that he produced, and he

2171
01:29:22,720 --> 01:29:26,360
Speaker 17: produced a lot of my favorites, D'Angelo, Ericabadou, et cetera.

2172
01:29:26,560 --> 01:29:29,240
Speaker 17: So there's a new documentary on him on Hulu and

2173
01:29:29,439 --> 01:29:32,519
Speaker 17: FX that kind of just told the story of Jay

2174
01:29:32,560 --> 01:29:35,320
Speaker 17: Dilla and his legacy. So after that of Seme on

2175
01:29:35,360 --> 01:29:38,280
Speaker 17: a Rabbit Hole and the record Time that's on his album,

2176
01:29:39,160 --> 01:29:42,400
Speaker 17: Drake had freestyle too on one of his early projects,

2177
01:29:42,439 --> 01:29:44,160
Speaker 17: maybe come Back Season, But it was just cool to

2178
01:29:44,240 --> 01:29:44,479
Speaker 17: hear it.

2179
01:29:44,920 --> 01:29:47,720
Speaker 18: So first up on Past the Oxes, Jay Dila with

2180
01:29:47,840 --> 01:29:48,519
Speaker 18: time m.

2181
01:29:50,280 --> 01:29:52,439
Speaker 1: J Dilla. Yeah, for people to ask. And I think

2182
01:29:52,439 --> 01:29:55,200
Speaker 1: he passed away from cardiac arrest at the age of

2183
01:29:55,280 --> 01:29:57,080
Speaker 1: thirty two. I thought he had, like I don't know

2184
01:29:57,200 --> 01:29:59,360
Speaker 1: them so young. I thought he had a disease or

2185
01:29:59,400 --> 01:29:59,920
Speaker 1: something with me.

2186
01:30:00,640 --> 01:30:01,800
Speaker 2: They said that he had a blood disease, but I

2187
01:30:01,840 --> 01:30:04,320
Speaker 2: think I thought that cardiac arrest. I thought it was

2188
01:30:04,320 --> 01:30:08,080
Speaker 2: a rare blood disease. I thought it was kardiak resh.

2189
01:30:08,520 --> 01:30:11,800
Speaker 17: He got that soul in his production, which is fire.

2190
01:30:11,920 --> 01:30:14,439
Speaker 17: Absolutely not everybody can do that. So next up, we're

2191
01:30:14,479 --> 01:30:17,160
Speaker 17: going to keep it wrapped and let's get into HD Bendo.

2192
01:30:17,320 --> 01:30:20,479
Speaker 17: He's signed to rock Nation and he just dropped this

2193
01:30:20,560 --> 01:30:21,560
Speaker 17: new joint called locked In.

2194
01:30:21,920 --> 01:30:24,920
Speaker 2: Okay, Okay, where's he from Brooklyn?

2195
01:30:25,040 --> 01:30:29,360
Speaker 18: Ok Yeah, he's going crazy out here, so shout out

2196
01:30:29,360 --> 01:30:31,960
Speaker 18: to him. I like that record. And then lastly, I

2197
01:30:32,160 --> 01:30:33,280
Speaker 18: love their project.

2198
01:30:33,320 --> 01:30:35,880
Speaker 17: Actually it's a group called They, and they just dropped

2199
01:30:35,880 --> 01:30:38,160
Speaker 17: the new product but today, and.

2200
01:30:38,200 --> 01:30:40,040
Speaker 2: I'm serious, what do they identify as? Does that have

2201
01:30:40,120 --> 01:30:40,760
Speaker 2: anything to do with it?

2202
01:30:41,640 --> 01:30:45,439
Speaker 18: I don't. I don't know. I've never two men, but.

2203
01:30:47,960 --> 01:30:48,560
Speaker 15: Or just the group is.

2204
01:30:48,680 --> 01:30:50,680
Speaker 1: I'm just asking because that's a that's a very you know.

2205
01:30:51,080 --> 01:30:54,600
Speaker 17: I think the group identifies as well. I think individually

2206
01:30:54,680 --> 01:30:58,280
Speaker 17: they both identify as him. Hey, i'll find out next week.

2207
01:30:58,320 --> 01:30:59,760
Speaker 1: I want to know if that's anything to do with it.

2208
01:31:00,200 --> 01:31:04,600
Speaker 17: But they've been running with day before pronouns became like that.

2209
01:31:04,680 --> 01:31:06,720
Speaker 1: An acronym is an acronym for something or that.

2210
01:31:06,960 --> 01:31:09,280
Speaker 17: I just mean it's more than one, I think probably

2211
01:31:09,280 --> 01:31:11,040
Speaker 17: because it's more than one, but it's only two, Okay,

2212
01:31:11,960 --> 01:31:13,360
Speaker 17: So it could have been like it could have been

2213
01:31:13,400 --> 01:31:14,519
Speaker 17: we could have.

2214
01:31:14,520 --> 01:31:17,640
Speaker 5: Been we all right.

2215
01:31:17,760 --> 01:31:20,240
Speaker 17: Anyway, they just dropped the new They just dropped the

2216
01:31:20,280 --> 01:31:23,320
Speaker 17: new project called New Moon, and they got some bops

2217
01:31:23,360 --> 01:31:25,439
Speaker 17: on there. Honestly, if you're a fan of like R

2218
01:31:25,479 --> 01:31:28,160
Speaker 17: and B, nineties R and B, modern R and B,

2219
01:31:28,200 --> 01:31:29,559
Speaker 17: they kind of give you a little bit of both.

2220
01:31:29,600 --> 01:31:31,759
Speaker 18: So tap in you really don't got to skip anything

2221
01:31:31,880 --> 01:31:32,120
Speaker 18: on it.

2222
01:31:32,400 --> 01:31:32,679
Speaker 1: Really.

2223
01:31:33,000 --> 01:31:35,000
Speaker 18: Yes, But the record that I'm gonna play today is

2224
01:31:35,040 --> 01:31:35,759
Speaker 18: called Riptide.

2225
01:31:35,920 --> 01:31:36,800
Speaker 2: Okay, I like that.

2226
01:31:36,920 --> 01:31:37,280
Speaker 12: I like that.

2227
01:31:37,400 --> 01:31:39,839
Speaker 4: I like that energy Now. One of them is from Colorado.

2228
01:31:39,880 --> 01:31:41,639
Speaker 4: One ers from Washington, DC. But I guess they formed

2229
01:31:41,680 --> 01:31:42,240
Speaker 4: a group in La.

2230
01:31:42,560 --> 01:31:44,360
Speaker 18: Yeah, but the DMV claims it.

2231
01:31:44,479 --> 01:31:45,280
Speaker 2: The claims it.

2232
01:31:45,560 --> 01:31:49,719
Speaker 18: Okay, So that is my three for Past the Ox

2233
01:31:49,760 --> 01:31:50,080
Speaker 18: this week.

2234
01:31:50,160 --> 01:31:53,200
Speaker 17: Definitely makes you guys download the playlist by clicking the

2235
01:31:53,240 --> 01:31:55,639
Speaker 17: link in bio or you can search it on Apple Music.

2236
01:31:55,880 --> 01:31:56,960
Speaker 18: Past the Ox and tell.

2237
01:31:56,880 --> 01:31:58,320
Speaker 1: Them about your Amazon shows.

2238
01:31:58,479 --> 01:32:02,280
Speaker 17: Yes, it definitely makes you guys tap into Amazon Music

2239
01:32:02,360 --> 01:32:05,519
Speaker 17: Twitch every Wednesday night. We actually just had Sean Garrett

2240
01:32:05,600 --> 01:32:08,320
Speaker 17: on and we had a really good conversation about how

2241
01:32:08,400 --> 01:32:10,640
Speaker 17: the bar has been solo for a long time in

2242
01:32:10,760 --> 01:32:12,800
Speaker 17: hip hop, and you know how we got a hold

2243
01:32:12,800 --> 01:32:14,599
Speaker 17: each other accountable to raise the bar.

2244
01:32:14,840 --> 01:32:17,200
Speaker 2: Okay, all right, yes, well, thank you for joining us

2245
01:32:17,640 --> 01:32:18,320
Speaker 2: and y LA.

2246
01:32:18,520 --> 01:32:20,639
Speaker 17: Yes, of course, thanks for having you guys, and congrats

2247
01:32:20,680 --> 01:32:22,639
Speaker 17: on be et, congrats on everything.

2248
01:32:23,160 --> 01:32:23,439
Speaker 2: Thank you.

2249
01:32:23,680 --> 01:32:24,840
Speaker 18: You got to doing dope things.

2250
01:32:24,920 --> 01:32:25,479
Speaker 2: Thank you, Thank you.

2251
01:32:25,520 --> 01:32:27,880
Speaker 1: Thank you. First of all, call me a guy again

2252
01:32:27,920 --> 01:32:30,320
Speaker 1: without asking me what I identify as, and see what happens.

2253
01:32:30,439 --> 01:32:31,599
Speaker 18: What is happening today?

2254
01:32:33,720 --> 01:32:36,920
Speaker 1: Throwing pronouns around. Your generation should know better. Don't just

2255
01:32:36,960 --> 01:32:41,479
Speaker 1: be throwing pronouns around without asking. Shut up, Wow, shut up,

2256
01:32:42,200 --> 01:32:44,880
Speaker 1: tell data shut up because.

2257
01:32:44,640 --> 01:32:46,560
Speaker 18: You called her girl today.

2258
01:32:46,880 --> 01:32:47,760
Speaker 5: I mean him a girl.

2259
01:32:47,920 --> 01:32:50,280
Speaker 2: You just said, you guys are doing big things.

2260
01:32:50,800 --> 01:32:51,519
Speaker 18: I'm supposed to.

2261
01:32:51,560 --> 01:32:52,800
Speaker 2: Don't just assume.

2262
01:32:57,040 --> 01:32:59,840
Speaker 1: Doing big things. Don't just assume my pronoun nihlis is crazy.

2263
01:33:00,560 --> 01:33:02,760
Speaker 1: All right? When we come back, we got the people's choice.

2264
01:33:02,800 --> 01:33:04,439
Speaker 1: Makes me throw it back on a Friday, so don't move.

2265
01:33:04,479 --> 01:33:05,200
Speaker 1: It's the breakfast Club.

2266
01:33:05,240 --> 01:33:05,559
Speaker 15: Good Morning.

2267
01:33:05,640 --> 01:33:07,120
Speaker 18: I'll throw it back on a Friday.

2268
01:33:07,240 --> 01:33:11,639
Speaker 2: Wow, now you shaming you throw it back on Friday.

2269
01:33:11,840 --> 01:33:13,400
Speaker 1: You got the girls crazy?

2270
01:33:13,520 --> 01:33:16,760
Speaker 2: Alright, it's the breakfast Club, Good morning, the breakfast Club.

2271
01:33:16,840 --> 01:33:20,320
Speaker 1: Your mornings will never be the same. It's stup to

2272
01:33:20,360 --> 01:33:22,960
Speaker 1: find that right person, especially when it comes to hiring

2273
01:33:23,000 --> 01:33:25,960
Speaker 1: for an open rope. But zip Recruiters matching technology makes

2274
01:33:26,000 --> 01:33:28,240
Speaker 1: it easy to find and invite great candidates to apply

2275
01:33:28,320 --> 01:33:30,960
Speaker 1: to your jobs. Try it for free at ziprecruited dot com.

2276
01:33:31,080 --> 01:33:32,719
Speaker 2: Slash Breakfast Owning everybody.

2277
01:33:32,760 --> 01:33:36,599
Speaker 4: It's theej Envy Charlamagne to God, we are the Breakfast Club.

2278
01:33:37,120 --> 01:33:39,519
Speaker 2: Shout to BT. This was week one, right, Yes, this

2279
01:33:39,640 --> 01:33:41,559
Speaker 2: is week one to bet. I feel like I've been

2280
01:33:41,600 --> 01:33:42,080
Speaker 2: longer than that.

2281
01:33:42,720 --> 01:33:45,400
Speaker 1: Oh, it's because they've been here practicing, and we've been

2282
01:33:45,920 --> 01:33:47,439
Speaker 1: you know, well, they've been here for a while.

2283
01:33:47,479 --> 01:33:49,439
Speaker 2: They've been in the building a while. Before we started

2284
01:33:49,479 --> 01:33:49,920
Speaker 2: this week on.

2285
01:33:50,000 --> 01:33:51,920
Speaker 4: B two right, Yeah, practicing and getting things right. So

2286
01:33:51,960 --> 01:33:54,160
Speaker 4: shout out to the whole be Et staff.

2287
01:33:54,200 --> 01:33:56,479
Speaker 1: We appreciate you guys, and don't forget you could catch

2288
01:33:56,560 --> 01:33:58,920
Speaker 1: us on be Et every morning at nine a m.

2289
01:33:59,400 --> 01:34:00,080
Speaker 1: Just to turn.

2290
01:34:01,479 --> 01:34:02,759
Speaker 2: In salute everybody in Atlanta.

2291
01:34:02,840 --> 01:34:04,400
Speaker 1: Man, can't wait to see y' all tomorrow at the

2292
01:34:04,479 --> 01:34:08,000
Speaker 1: first ever Black Effect Podcast Festival. It is a sold

2293
01:34:08,040 --> 01:34:11,639
Speaker 1: out event hosted by myself and my good sister Jess

2294
01:34:11,720 --> 01:34:14,640
Speaker 1: Hilarious the eighty finish I told jes don't eat no

2295
01:34:14,720 --> 01:34:17,240
Speaker 1: seafood today. Oh boy, Jess, when just is not eating

2296
01:34:17,240 --> 01:34:19,519
Speaker 1: no seafood today because we need her stomach to be

2297
01:34:19,600 --> 01:34:21,759
Speaker 1: right for tomorrow, because we need her to be there tomorrow.

2298
01:34:22,240 --> 01:34:24,120
Speaker 2: Eighty five South Show will be on the stage.

2299
01:34:24,439 --> 01:34:29,160
Speaker 1: Horrible Decisions, Reasonably Shady, The Big Facts Podcast, we Talk

2300
01:34:29,280 --> 01:34:32,080
Speaker 1: Back Podcast with their special guest Porsche Williams. We got

2301
01:34:32,120 --> 01:34:34,160
Speaker 1: the Black Effect Marketplace where it's gonna be a bunch

2302
01:34:34,160 --> 01:34:36,880
Speaker 1: of local businesses from Atlanta, plus merchandise from some of

2303
01:34:36,920 --> 01:34:39,200
Speaker 1: your favorite podcasts and merchandise from Black Effect. You know

2304
01:34:39,200 --> 01:34:40,800
Speaker 1: what I'm saying. We have the Black Effect hats for

2305
01:34:40,880 --> 01:34:42,880
Speaker 1: sale and all types of stuff man, So we'll see

2306
01:34:42,880 --> 01:34:46,240
Speaker 1: you tomorrow in the at l Pullman yards Man sold

2307
01:34:46,280 --> 01:34:46,719
Speaker 1: out event.

2308
01:34:47,840 --> 01:34:49,840
Speaker 2: Yeah, that's it for me, all right.

2309
01:34:50,000 --> 01:34:53,759
Speaker 1: And tonight Judy Bloom documentary comes on, Baby, Judy Bloom forever,

2310
01:34:54,280 --> 01:34:57,200
Speaker 1: Big Bloom Energy. Can't wait to see that.

2311
01:34:57,960 --> 01:35:02,599
Speaker 2: You better boy, you better show you. Yeah yeah, Union

2312
01:35:02,800 --> 01:35:05,800
Speaker 2: Netflix and Judy Bloom tonight ain't Netflix? Is Amazon Prime?

2313
01:35:05,840 --> 01:35:06,040
Speaker 12: All right?

2314
01:35:06,080 --> 01:35:08,559
Speaker 2: Well? Amazon Prime and Judy Blue. That's why you're bed

2315
01:35:08,640 --> 01:35:09,679
Speaker 2: on growing on the right side.

2316
01:35:09,920 --> 01:35:11,439
Speaker 1: That's why you got to use the shoppe the color

2317
01:35:11,479 --> 01:35:12,920
Speaker 1: your bed in on the right shod don't have to

2318
01:35:13,160 --> 01:35:15,280
Speaker 1: use it, you know, saying exactly what it is.

2319
01:35:15,439 --> 01:35:17,760
Speaker 2: But woo, I'm gonna watch you. Maybe Judy Bloom can

2320
01:35:17,800 --> 01:35:20,120
Speaker 2: get my bed growing back right woo it would?

2321
01:35:20,240 --> 01:35:22,960
Speaker 1: You might learn something I must, I must, I must

2322
01:35:23,000 --> 01:35:23,880
Speaker 1: increase my Beijing.

2323
01:35:24,040 --> 01:35:27,120
Speaker 2: That's what you need to do, is okay? Positive note

2324
01:35:27,160 --> 01:35:29,960
Speaker 2: when we come back, it's the Breakfast Club. Good morning everybody.

2325
01:35:30,000 --> 01:35:32,519
Speaker 2: It's dej Envy Charlamagne the guy.

2326
01:35:32,600 --> 01:35:35,560
Speaker 4: We are the Breakfast Club, reminding you guys on a

2327
01:35:35,680 --> 01:35:38,439
Speaker 4: twenty eighth of May, I'm gonna be out in Memphis,

2328
01:35:38,479 --> 01:35:40,600
Speaker 4: of course for my car show. We're doing it for

2329
01:35:40,720 --> 01:35:43,160
Speaker 4: young Dolf, of course. So we're gonna be celebrating his life.

2330
01:35:43,439 --> 01:35:46,040
Speaker 4: We're gonna be having his whole fleet there. We're gonna

2331
01:35:46,040 --> 01:35:48,880
Speaker 4: be doing the museum there and a host of others.

2332
01:35:49,000 --> 01:35:51,639
Speaker 4: Is gonna be rides and games for kids, kids fiving

2333
01:35:51,760 --> 01:35:54,560
Speaker 4: under a free and celebrity cars, regular cars. This is

2334
01:35:54,560 --> 01:35:55,840
Speaker 4: gonna be a dope event. And if you haven't got

2335
01:35:55,880 --> 01:35:57,920
Speaker 4: your tickets, get your tickets. And now it's time to

2336
01:35:57,960 --> 01:36:00,000
Speaker 4: get up out of here. You got a positive no charlamage,

2337
01:36:00,320 --> 01:36:01,519
Speaker 4: yes man, the positive notice.

2338
01:36:01,520 --> 01:36:03,800
Speaker 1: Simply this. I told y'all man, thank god teacher today,

2339
01:36:04,000 --> 01:36:06,439
Speaker 1: because a good education could change anyone, but a good

2340
01:36:06,479 --> 01:36:09,720
Speaker 1: teacher can change everything. Breakfast club, bitch, is you yn't

2341
01:36:09,760 --> 01:36:10,639
Speaker 1: finish or y'all done