WEBVTT - S2E7 - How Are Thou Fallen

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<v Speaker 1>Hello, Hello, Hi, Hi. How's it going. It's gone great.

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<v Speaker 1>How are you good? I got all my best buddies

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<v Speaker 1>in the house, which is very exciting. That's amazing. Yeah,

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<v Speaker 1>are you're not you're not filming today. You're suspiciously not

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<v Speaker 1>wearing a what's that thing called that stops you from

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<v Speaker 1>breathing with that's it. I don't know. I've never had

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<v Speaker 1>to wear a corse yet, so why would I know

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<v Speaker 1>what it is? That's true. Well, you know, a couple

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<v Speaker 1>of our as have tried it on and given up

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<v Speaker 1>after about three minutes. Really, they tried on you, not mine,

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<v Speaker 1>but they tried on a corset in a fitting gave

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<v Speaker 1>up after about three minutes. It's it's interesting. It's like

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<v Speaker 1>it's kind of like a thundercoat for dogs. I'll tell

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<v Speaker 1>you that. It's like a thundercoat. Oh you're saying I

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<v Speaker 1>thought it was just a brand, and I was like,

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<v Speaker 1>that's a fucking awesome brand. I don't know who decided

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<v Speaker 1>to name it that, but that's sick. No, where did

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<v Speaker 1>we leave off? We left off what happened in the

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<v Speaker 1>last episode. We filmed this last episode yesterday, and I

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<v Speaker 1>don't remember what I know. The lots happened in your life,

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<v Speaker 1>it seemed true, Profess. What happened in the last episode

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<v Speaker 1>was Iron Sisters, and we found out that Cleophus is

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<v Speaker 1>part of the circle and stabbed her friends. Right now

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<v Speaker 1>they're off, She's off doing who knows what. Clary's got

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<v Speaker 1>Sunlight Rune and Isabelle spying for alder Tree and Jason's

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<v Speaker 1>on ecre duty and lots going on. No kidding, No kidding,

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<v Speaker 1>and sim Nemya are are making eyes at each other.

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<v Speaker 1>Simon and Meyers started making eyes into it. Clary should

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<v Speaker 1>be jealous to catchman. I get it. I am fully

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<v Speaker 1>with you. M So today we are rewatching season two,

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<v Speaker 1>episode seven, How art Thou Fallen? The original air date

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<v Speaker 1>was February seventeen, written by Holly Overton, directed by Ben

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<v Speaker 1>Hernandez Bray, starring Katherine McNamara Dominic Show at Alberta, Rozenda, Matthew,

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<v Speaker 1>Dario A Mustafa, Harry Sham Jr. With guest stars Alan

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<v Speaker 1>Van Sprang, Alicia Wayne Right, Lisa Barry, Nick Segar and

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<v Speaker 1>David Castro. Oh my goodness, what's happening today? What is

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<v Speaker 1>happening for today? So Clary takes a leap of faith,

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<v Speaker 1>Clary and Luke find themselves at odds over the arrival

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<v Speaker 1>of Cleo. Luke sister shows up at the Jade Wolf,

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<v Speaker 1>claiming innocence about the recent attack, but with Luke not

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<v Speaker 1>trusting a word, Cleo says, he finds himself at odds

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<v Speaker 1>with Clary, who sees an opportunity to get Vale time. Yet,

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<v Speaker 1>how far will Clary go to prove she's rights about Cleo. Meanwhile,

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<v Speaker 1>Simon gets dating advice from a surprising source as Isabel

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<v Speaker 1>takes a dangerous path. I remember filming this scene. Is

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<v Speaker 1>this the one where you and Alberto? No, m it is?

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<v Speaker 1>I'm pretty sure. Yeah, because I get, but don't I get? Yeah, like,

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<v Speaker 1>I think the log line of events is I get

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<v Speaker 1>booted out of That's right, because you just went to

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<v Speaker 1>go stay with Magnus. That was the end of the episode.

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<v Speaker 1>You showed up and interrupted Malex. Nice moment. Yeah, yeah,

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<v Speaker 1>and yeah this is the episode I know what This

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<v Speaker 1>is also the episode um where Clary has supersonic hering

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<v Speaker 1>for a little bit, supersonic angelic hering for just one

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<v Speaker 1>episode and then American. Yeah, yeah, I remember that weird

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<v Speaker 1>thing that they did where suddenly I was hearing these

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<v Speaker 1>crippling noises. My goodness, it's all it's all going on,

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<v Speaker 1>it's all happening. Oh, we have dark hooded figure walking

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<v Speaker 1>through the streets of Chronto. I remember shooting this episode.

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<v Speaker 1>It was so cold. In fact, I think, I think

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<v Speaker 1>this is the episode I've seen with Lisa Berry later

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<v Speaker 1>on where we're literally in an alley and they added

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<v Speaker 1>these fans and doing a d R. I remember this, Yeah,

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<v Speaker 1>because we turn up, do we not? I think so?

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<v Speaker 1>Can I not turn up? And I remember seeing you

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<v Speaker 1>and you were like not you know, when you're really

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<v Speaker 1>cold and you get like a hint, like a hue

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<v Speaker 1>of blue. Yeah, that wasn't what it was. You were blue,

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<v Speaker 1>like actual blue, and you couldn't talk. Yeah. Well, and

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<v Speaker 1>I remember doing a d R. It was so difficult

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<v Speaker 1>to do a d R for that scene because my

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<v Speaker 1>cadence of speech was different because I was so coold. Yeah,

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<v Speaker 1>of course, yeah, yeah, I think it was later It

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<v Speaker 1>was like after that that they decided, actually, maybe shadow

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<v Speaker 1>Hunters can feel the temperature, and let's dress our actors

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<v Speaker 1>and something warm for a little bit dependent whether yeah, um,

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<v Speaker 1>but here we go, speaking of cold and cold hearts.

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<v Speaker 1>We started off this episode of Valentine. Yeah, that was

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<v Speaker 1>a cool entrance as well. I forgot that he did that.

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<v Speaker 1>That's an awesome entrance. Yeah at all, like Superhero landing.

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<v Speaker 1>That's great. Was this at the hern again? I was

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<v Speaker 1>just looking at that. It looks exactly like the hern

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<v Speaker 1>which seems like a silly place for it looks exactly

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<v Speaker 1>like the scene that he told us about the brother

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<v Speaker 1>Sister thing like it. That set looks exactly the same,

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<v Speaker 1>And it seems a little strange that he would go

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<v Speaker 1>back there because that's the last place we saw him. Yeah,

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<v Speaker 1>maybe he just popped in for a little meeting. He's

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<v Speaker 1>got himself an angel, He's found himself an angel. This

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<v Speaker 1>guy was great. Man, what a trooper? Remember they put

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<v Speaker 1>so this happens later on, but we see this angels

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<v Speaker 1>wings and they had the practical winks, they had the

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<v Speaker 1>actual wings and they were so heavy that not even

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<v Speaker 1>like the stunt guys could stand up with them on

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<v Speaker 1>because they had the physical engineering works to open behind him.

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<v Speaker 1>And I think we ended up just not doing that

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<v Speaker 1>and having CG right. I think they used it for

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<v Speaker 1>one shot, but I think at the end they might

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<v Speaker 1>not have I remember where they shot this. Now, they

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<v Speaker 1>shot this at a slaughterhouse that was about twenty minutes

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<v Speaker 1>away from the studio. Remembers that one day that we

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<v Speaker 1>were supposed to shoot a scene there as well, and

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<v Speaker 1>then they got behind and it was like twelve hours

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<v Speaker 1>that we sat there, and then they decided to move

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<v Speaker 1>that scene that we were supposed to do somewhere else.

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<v Speaker 1>I don't remember that, but that sounds very like what

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<v Speaker 1>it's like to make a TV show. I only remember

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<v Speaker 1>because it was the one time I sat for twelve

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<v Speaker 1>hours on on that set. Otherwise, you know, our scheduling,

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<v Speaker 1>A lista does make it a Lissa Caprioti is a

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<v Speaker 1>Lista Caapriarty. Yeah, she does make it into the show.

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<v Speaker 1>I thought we'd cut her only scene, and that's not

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<v Speaker 1>the case. She's in it. No, No, she comes back

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<v Speaker 1>a bunch. Oh yes, the supersonic caring. Yeah, this is

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<v Speaker 1>the supersonic caring I was talking about. I'm walked along

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<v Speaker 1>the institute. Everything's fine, and then all of a sudden,

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<v Speaker 1>there's a ringing in my ears or a screaming or something.

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<v Speaker 1>Is that based like? When when did this happen? Is

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<v Speaker 1>it's just another like thing that we added in, so

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<v Speaker 1>like this is going to be a good story point.

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<v Speaker 1>It's a pure angel blood thing because Clara was injected

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<v Speaker 1>with angel Jonathan was injected. I don't know. Do I

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<v Speaker 1>have angel blood? I forget? Do I have pure angel blood? Yeah?

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<v Speaker 1>You do? Do you and I have angel blood yet?

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<v Speaker 1>Because gold is itself in like gold eyes and ruined stuff,

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<v Speaker 1>mine is apparently supersonic and deelic hering in sunlight ruin once,

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<v Speaker 1>super sonic hearing one time. That's funny, that's great. Yeah,

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<v Speaker 1>these powers are unpredictable. We don't know what's going to happen,

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<v Speaker 1>much like my evening, I don't know. Welcome to Drunk

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<v Speaker 1>returns to the Shadows for one episode because I'm positive

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<v Speaker 1>I won't be allowed. I really want to do an

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<v Speaker 1>actual drinking game with you one episode, but I feel

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<v Speaker 1>like we should do it with you know, should get

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<v Speaker 1>like Alberto and Matt on as well and watch an

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<v Speaker 1>episode where the finales of a drinking game with it. Yeah,

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<v Speaker 1>I'll run it by him. I'm seeing Matt Tomorrow'll run

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<v Speaker 1>it by m sounds good. Well, now we're back, Speaking of,

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<v Speaker 1>we're back with Malick, I don't we've skipped a whole

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<v Speaker 1>bunch just pays in the background. I gotta get better

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<v Speaker 1>at this. There's a whole cute ass magnus alec gift

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<v Speaker 1>giving scene. What do you think they love languages? Oh?

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<v Speaker 1>I think experiences. Actually, I think I'm together and and

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<v Speaker 1>share experience. Yeah, I think so too, because that's when

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<v Speaker 1>they bond. What the languages are, It's it's words of affirmation, touch,

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<v Speaker 1>gift giving, shared experience, Aren't there? Fine? Seven I'm gonna look.

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<v Speaker 1>I don't want to sound like a dummy on the

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<v Speaker 1>podcast anymore than I already do. If I can better myself,

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<v Speaker 1>I will. This is a really confusing Google search. I

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<v Speaker 1>just typed in love languages, and the top results are

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<v Speaker 1>what are the seven types of blood languages? What are

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<v Speaker 1>the five basic love languages? What are the eight love languages?

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<v Speaker 1>Are there seven or five love languages? This is really confusing.

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<v Speaker 1>Physical touch, words of affirmation, quality time, gift giving, acts

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<v Speaker 1>of service. I mean they don't get much of it,

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<v Speaker 1>so it's probably quality time for these two, right, That's

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<v Speaker 1>what I would say. I think quality times, Yeah, quality

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<v Speaker 1>time and words of affirmation, because those are the times

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<v Speaker 1>that we see them bond the most, when they actually

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<v Speaker 1>communicate a little time together. What do you think ours

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<v Speaker 1>is not you and me? I don't think we have sarcasm,

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<v Speaker 1>sarcasm and giving ship. I think that's our love giving giving.

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<v Speaker 1>Um No, what what is Jason Clary's do you think?

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<v Speaker 1>I think it's somewhere between. It's not worth of affirmation

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<v Speaker 1>because they don't communicate that well. I think it's probably

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<v Speaker 1>touch and quality time. I actually think, yeah, I definitely

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<v Speaker 1>agree with touch. I think it might be acts of

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<v Speaker 1>service as well. I think yes, the more, especially like

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<v Speaker 1>when they're sort of navigating through this world, I think

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<v Speaker 1>the more that they they see each other, work with

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<v Speaker 1>each other, and see each other have sort of self

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<v Speaker 1>sacrificial benefits in each other's lives, then then they grow

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<v Speaker 1>closer towards each other, which I think is kind of

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<v Speaker 1>And I never really saw acts of service as a

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<v Speaker 1>as a love language. I see it as something that

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<v Speaker 1>can be admired, but I never really saw it as

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<v Speaker 1>a love language. But actually, between these two, I kind

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<v Speaker 1>of I agree with you too. It also fits a

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<v Speaker 1>bit with just the whole pathos of the shadow Hunters

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<v Speaker 1>that acts of service would be. You know, PAS is

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<v Speaker 1>my favorite of the Three Musketeers. Little known facts about

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<v Speaker 1>Tom Sherwood. Folks, Yep, there's gonna be lots of those tonight.

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<v Speaker 1>I can't, I can't. All right, Well, while you're doing

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<v Speaker 1>your unauthorized advertisements, I'm going to watch you making out

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<v Speaker 1>with Kaylee. Oh shoot, that comes already. Yeah, well, you

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<v Speaker 1>guys are giggling. They're talking about Cassanova right now. Apparently

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<v Speaker 1>would have met another giggling in the background. Yeah, that comes.

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<v Speaker 1>That comes later. Also hats off, man, Like, imagine it

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<v Speaker 1>being your first day and just being like you're going

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<v Speaker 1>to be pretty much naked, you're gonna be making out

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<v Speaker 1>with this, Like, it's a really shitty way to join

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<v Speaker 1>a show. It's a shitty way to really do anything.

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<v Speaker 1>Like any imagine any job that you turn up and

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<v Speaker 1>you're like, oh ps, this is what you're doing say

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<v Speaker 1>and you're like, fuck me right, that sucks, she says,

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<v Speaker 1>And she was a real trooper. Yeah she was awesome.

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<v Speaker 1>This is a really sexy episode because next scene we've

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<v Speaker 1>got Alberto with his washboard in the mirror and Claire's like,

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<v Speaker 1>oh hey, hey, Bamber looks good at your jealousy showing

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<v Speaker 1>it does look good on him. Clary is not listen,

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<v Speaker 1>you can't blame the girl. Now, you can't complain the girl.

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<v Speaker 1>She's not covering very well. But that's fine, you know

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<v Speaker 1>what I mean. It never you never end up with

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<v Speaker 1>a jealousy thing between Izzy and Clary. I think is

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<v Speaker 1>he's too sure of herself. I think she's like, he's

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<v Speaker 1>gonna end up with me. That's fine. I know. I

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<v Speaker 1>don't worry about it, which I think is kind of cool.

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<v Speaker 1>It's very that's a very Isabelle thing to do. Also,

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<v Speaker 1>she's seat right now currently, she's busy. She's quite busy. Man.

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<v Speaker 1>I missed this set. I miss being on this set,

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<v Speaker 1>the boat basin, no, any of them, like our sets

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<v Speaker 1>on Shadow Hunters. Like I missed waking up every day

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<v Speaker 1>and coming to work and coming to these I do too.

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<v Speaker 1>We had such a good setup and it just felt

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<v Speaker 1>like a home, you know, with the where the props

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<v Speaker 1>room was and the office was, and the stunt room

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<v Speaker 1>and the wardrobe and everything was right there. Yeah. The

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<v Speaker 1>cellphone strikes again. It's funny. I always it always makes

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<v Speaker 1>me laugh a little bit when we use cell phones

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<v Speaker 1>in the show, because in the books they don't because

0:12:02.080 --> 0:12:06.120
<v Speaker 1>they are the waves attracted demons, so they only that's

0:12:06.120 --> 0:12:08.920
<v Speaker 1>why they use fire messages. But it costs less to

0:12:08.920 --> 0:12:10.760
<v Speaker 1>pull us off phone out of your pocket. I think,

0:12:13.200 --> 0:12:15.840
<v Speaker 1>unless well unless I was doing a d R once

0:12:16.160 --> 0:12:20.400
<v Speaker 1>and this will remain completely anonymous who this was, but

0:12:20.520 --> 0:12:22.480
<v Speaker 1>one of the actors, one of the actors who was

0:12:22.520 --> 0:12:26.200
<v Speaker 1>in every episode. I'll say that much had their phone,

0:12:26.800 --> 0:12:29.280
<v Speaker 1>their personal phone in their back pocket and you could

0:12:29.280 --> 0:12:31.240
<v Speaker 1>see the Apple logo and I spotted it in a

0:12:31.320 --> 0:12:32.920
<v Speaker 1>d R and I went, yeah, I don't think we

0:12:32.960 --> 0:12:34.839
<v Speaker 1>can have that in there, right, That's going to cost

0:12:34.920 --> 0:12:36.720
<v Speaker 1>us a fortune, and they went ship. The whole scene

0:12:36.720 --> 0:12:38.680
<v Speaker 1>was scrapped. It was not you, and it was not me.

0:12:38.800 --> 0:12:42.120
<v Speaker 1>We'll say that much. Well me, I never because honestly, like,

0:12:42.240 --> 0:12:44.520
<v Speaker 1>mind's more embarrassing. Like I'm naturally quite skinny, and I

0:12:44.559 --> 0:12:46.440
<v Speaker 1>worked really hard to be in good shape for this,

0:12:46.520 --> 0:12:48.800
<v Speaker 1>but like I'm still quite slim. And I like the

0:12:48.840 --> 0:12:52.760
<v Speaker 1>iPhone Pro Max, the big one. I like, that's my model,

0:12:52.880 --> 0:12:55.040
<v Speaker 1>I guess, And it looks too big on me, Like

0:12:55.080 --> 0:12:57.600
<v Speaker 1>it makes me look like I'm really small holding a

0:12:57.640 --> 0:12:59.960
<v Speaker 1>regular sized phone, Like I just look stupid, so I don't.

0:13:00.200 --> 0:13:02.599
<v Speaker 1>It doesn't come to set with me, ever, So I

0:13:02.679 --> 0:13:04.960
<v Speaker 1>also find it very distracting to have my phone on

0:13:05.000 --> 0:13:08.320
<v Speaker 1>set and if we had anything that needed to be googled.

0:13:09.000 --> 0:13:12.040
<v Speaker 1>That's why Mats there exactly. That's the real truth. Speaking

0:13:12.080 --> 0:13:14.720
<v Speaker 1>of Matt, here we have another Malax scene. He's getting

0:13:14.800 --> 0:13:17.240
<v Speaker 1>his alert. Damn it, he has to go to work.

0:13:18.360 --> 0:13:21.719
<v Speaker 1>See a quality time being interrupted once again. Always it's

0:13:21.760 --> 0:13:26.280
<v Speaker 1>Constant's relentless. I love their relationship since those little touches

0:13:26.320 --> 0:13:29.679
<v Speaker 1>of sweetness. There's such a warmth to it. Oh up,

0:13:29.720 --> 0:13:32.120
<v Speaker 1>and here we go. You are in bed worth the

0:13:32.160 --> 0:13:34.640
<v Speaker 1>see yeah, I'm in bed with the silly right you are.

0:13:35.520 --> 0:13:38.520
<v Speaker 1>I'm in bed with the scene. This is a large

0:13:38.559 --> 0:13:40.520
<v Speaker 1>part of this. So this is this scene was done

0:13:40.640 --> 0:13:43.720
<v Speaker 1>pre intimacy coordinators. So for those who don't know, an

0:13:43.760 --> 0:13:46.400
<v Speaker 1>intimacy coordinator as someone who comes on and make sure

0:13:46.440 --> 0:13:50.240
<v Speaker 1>that everyone who is in an intimately fragile situation feels

0:13:50.240 --> 0:13:53.120
<v Speaker 1>comfortable on set. That's basically sort of the entirety of

0:13:53.160 --> 0:13:55.559
<v Speaker 1>their job. So things you are willing to do, things

0:13:55.559 --> 0:13:57.080
<v Speaker 1>you aren't willing to do, whether it's to do with

0:13:57.120 --> 0:13:59.680
<v Speaker 1>the performance or how you're treated on set, or making

0:13:59.679 --> 0:14:02.280
<v Speaker 1>sure you're covered for certain amounts, whatever it is, that's

0:14:02.520 --> 0:14:05.520
<v Speaker 1>their job. And this was done pre intimacy coordinator, so

0:14:05.559 --> 0:14:08.800
<v Speaker 1>it's you sort of well, a lot of people don't

0:14:08.840 --> 0:14:12.120
<v Speaker 1>do this, hence the necessity for an intimacy coordinator, but

0:14:12.200 --> 0:14:14.520
<v Speaker 1>we did. You have this discussion ahead of time. I

0:14:14.520 --> 0:14:16.400
<v Speaker 1>always try to what are you comfortable with? What are

0:14:16.400 --> 0:14:19.480
<v Speaker 1>you not comfortable with? Let's sort of let's coordinate the

0:14:19.520 --> 0:14:21.760
<v Speaker 1>scene ahead of time, so nobody feels strange on set.

0:14:22.360 --> 0:14:25.640
<v Speaker 1>Um and Silik was our a D on this one,

0:14:26.000 --> 0:14:27.920
<v Speaker 1>and he was he was sort of in charge. We

0:14:27.960 --> 0:14:29.760
<v Speaker 1>had our conversation, but he was in charge of making

0:14:29.760 --> 0:14:32.240
<v Speaker 1>sure that everyone feels comfortable, and he did an amazing job.

0:14:32.720 --> 0:14:34.560
<v Speaker 1>I don't think anyone because we've hung out with here

0:14:34.560 --> 0:14:36.200
<v Speaker 1>a bunch of Michelle, we hung out a bunch of

0:14:36.240 --> 0:14:40.320
<v Speaker 1>times since then, and I think he does an incredible

0:14:40.400 --> 0:14:42.760
<v Speaker 1>job and making sure that everyone feels safe and secure

0:14:42.840 --> 0:14:45.240
<v Speaker 1>on our set. So hats off to sellec. Hats off

0:14:45.240 --> 0:14:47.640
<v Speaker 1>to Michelle for throwing yourself in at the deep end

0:14:47.640 --> 0:14:50.120
<v Speaker 1>there as well. Absolutely, and hats off to the makeup

0:14:50.160 --> 0:14:53.560
<v Speaker 1>team as well for not only the seely ruins of

0:14:53.640 --> 0:14:56.760
<v Speaker 1>the seely tattoos, but all of the ruins. I forget

0:14:56.840 --> 0:14:59.880
<v Speaker 1>how great the rooms look, especially on camera. You know

0:15:00.080 --> 0:15:03.720
<v Speaker 1>and interesting as well. So my room I've paused at

0:15:03.720 --> 0:15:06.240
<v Speaker 1>sort of the perfect moment here where I have ended

0:15:06.320 --> 0:15:08.760
<v Speaker 1>up lying on top of Caylee and you can see

0:15:08.760 --> 0:15:11.840
<v Speaker 1>the room on my side right here. Um, and there

0:15:11.920 --> 0:15:14.200
<v Speaker 1>is a big you know this, there's a big tattoo

0:15:14.560 --> 0:15:17.160
<v Speaker 1>under I can sort of show you hit the tattoo,

0:15:17.600 --> 0:15:21.320
<v Speaker 1>a real tattoo underneath that room. I'll be damned if

0:15:21.320 --> 0:15:23.640
<v Speaker 1>you can see that. You cannot see that there is

0:15:23.640 --> 0:15:25.760
<v Speaker 1>a tattoo under there at all. They did an amazing,

0:15:25.760 --> 0:15:29.320
<v Speaker 1>amazing job. Those days are pretty hellish for me and

0:15:29.440 --> 0:15:31.280
<v Speaker 1>for the makeup team. Is like four people who have

0:15:31.360 --> 0:15:34.440
<v Speaker 1>to sit for two hours with spray paint and like

0:15:34.520 --> 0:15:37.560
<v Speaker 1>cover my entire body and then apply all of these things.

0:15:37.600 --> 0:15:39.760
<v Speaker 1>They're horrendous. Like, I don't know why I get tattoos.

0:15:39.880 --> 0:15:42.600
<v Speaker 1>I'm getting another one in like a week, aren't we, Daryl.

0:15:44.000 --> 0:15:47.240
<v Speaker 1>We're getting another tattoo soon, right? What are you getting? Yeah?

0:15:47.240 --> 0:15:52.640
<v Speaker 1>He said apparently No, Okay. Also, we're not really decided

0:15:52.680 --> 0:15:56.400
<v Speaker 1>on it yet. That's the real true good luck. Good luck.

0:15:57.120 --> 0:15:59.400
<v Speaker 1>Then that's I'm then I'm done. That's it my last one.

0:16:00.000 --> 0:16:03.760
<v Speaker 1>Oh yeah, that's what I'm promising myself because it is.

0:16:03.880 --> 0:16:06.000
<v Speaker 1>It's unfair to go to new sets and be like, oh,

0:16:06.040 --> 0:16:08.160
<v Speaker 1>by the way, I have all of these ridiculous tattoos

0:16:08.160 --> 0:16:11.400
<v Speaker 1>on me that you have to cover, which which is

0:16:11.440 --> 0:16:13.520
<v Speaker 1>like every job as well, like we managed to sneak

0:16:13.520 --> 0:16:16.560
<v Speaker 1>a couple in in Partner Track, but like Penny Dreadful

0:16:16.600 --> 0:16:19.560
<v Speaker 1>was set in the forties, like tattoos in the forties,

0:16:19.560 --> 0:16:21.560
<v Speaker 1>like you have to get rid of them more so

0:16:21.600 --> 0:16:24.320
<v Speaker 1>it's not fair. That's what I've decided. So no more tattoos.

0:16:24.360 --> 0:16:26.480
<v Speaker 1>I mean one more and then we're done. I believe

0:16:26.520 --> 0:16:29.160
<v Speaker 1>I want to see it. Um. But also I miss

0:16:29.160 --> 0:16:31.800
<v Speaker 1>wearing the ruins at work. There's some days it's it

0:16:31.880 --> 0:16:34.760
<v Speaker 1>was such a transformative thing. It was just an indication

0:16:34.800 --> 0:16:37.880
<v Speaker 1>of you know, I'm out of one person now I'm

0:16:37.920 --> 0:16:42.000
<v Speaker 1>this other person, and I miss it. I agree. Makeup

0:16:42.040 --> 0:16:45.200
<v Speaker 1>in general for me is that's sort of my time.

0:16:45.240 --> 0:16:47.800
<v Speaker 1>Like accent wise. You know this because you've had cars

0:16:47.960 --> 0:16:51.840
<v Speaker 1>together at work quite a bunch accents starts on the

0:16:51.960 --> 0:16:55.080
<v Speaker 1>ride to work, and that sort of slowly gets me

0:16:55.120 --> 0:16:59.040
<v Speaker 1>into you know, whatever it is, whatever headspace is. But yeah,

0:16:59.080 --> 0:17:01.800
<v Speaker 1>when you're certain and they cup chair, that's when you

0:17:02.240 --> 0:17:06.439
<v Speaker 1>become this person, right, like especially someone like Jason, Like

0:17:06.520 --> 0:17:08.720
<v Speaker 1>Jason is so infinitely better looking than I am, which

0:17:08.760 --> 0:17:11.640
<v Speaker 1>sounds fucking mental because I played him, like I get,

0:17:11.720 --> 0:17:14.960
<v Speaker 1>I get how insane that sounds. Like he's really good looking,

0:17:15.000 --> 0:17:16.639
<v Speaker 1>and a lot of that is like his confidence and

0:17:16.680 --> 0:17:18.480
<v Speaker 1>how he holds himself and whatever, and a lot of

0:17:18.480 --> 0:17:21.119
<v Speaker 1>it is the job that the makeup team does, and

0:17:21.160 --> 0:17:23.719
<v Speaker 1>I as they were doing their thing, I felt like

0:17:23.800 --> 0:17:27.639
<v Speaker 1>my confidence and like Jay sort of like becoming a

0:17:27.720 --> 0:17:29.640
<v Speaker 1>thing as we're sort of set in the chair, which

0:17:29.680 --> 0:17:32.520
<v Speaker 1>is really it's such a weird it's such a weird

0:17:32.680 --> 0:17:35.720
<v Speaker 1>like it's almost like a like a version of schizophrenia,

0:17:35.800 --> 0:17:37.919
<v Speaker 1>like this other person is stepping into the spotlight, but

0:17:37.920 --> 0:17:39.680
<v Speaker 1>it's still me, you know what I mean. Like it's

0:17:39.680 --> 0:17:42.560
<v Speaker 1>a really odd thing to sort of describe, but great.

0:17:42.640 --> 0:17:45.120
<v Speaker 1>I love it. That's why I love changing my hair.

0:17:45.200 --> 0:17:47.200
<v Speaker 1>And you know, even when I have the opportunity to

0:17:47.240 --> 0:17:48.920
<v Speaker 1>wear a wig at work, I love it because it's

0:17:48.920 --> 0:17:51.840
<v Speaker 1>such a clear delineation of sitting the chair and you

0:17:51.920 --> 0:18:12.119
<v Speaker 1>are someone else after after a few minutes, there's something

0:18:12.280 --> 0:18:16.359
<v Speaker 1>so there's it's it's always interesting, how you know Jace

0:18:16.400 --> 0:18:20.880
<v Speaker 1>accentuates his bravado when he's feeling insecure, he's feeling down.

0:18:21.040 --> 0:18:23.760
<v Speaker 1>It's it's such a common thing. I was going to

0:18:23.840 --> 0:18:25.560
<v Speaker 1>stay with men, and I actually don't think that's true.

0:18:25.560 --> 0:18:27.880
<v Speaker 1>I think this is a very common pattern of behavior

0:18:27.920 --> 0:18:30.600
<v Speaker 1>that I've seen more and more since playing Jace, since

0:18:30.680 --> 0:18:33.000
<v Speaker 1>understanding I've seen it when I do it, and I

0:18:33.040 --> 0:18:35.359
<v Speaker 1>do I don't get me wrong. I do. Like, if

0:18:35.359 --> 0:18:38.639
<v Speaker 1>I'm feeling insecure, I completely cover that up until I

0:18:38.640 --> 0:18:40.680
<v Speaker 1>find someone safe that I can talk to, and I'm like, great,

0:18:40.760 --> 0:18:42.440
<v Speaker 1>let's now I can offload this. But like when I'm

0:18:42.440 --> 0:18:44.280
<v Speaker 1>with strangers, I'm like, let's make a joke about this,

0:18:44.320 --> 0:18:49.080
<v Speaker 1>but like really dying inside. And since playing him, it's

0:18:49.080 --> 0:18:52.040
<v Speaker 1>really polarized my ability to focus on that. So I've

0:18:52.040 --> 0:18:53.640
<v Speaker 1>seen it in people and I go, oh wow, there

0:18:53.720 --> 0:18:56.120
<v Speaker 1>is yeah, I know exactly what's happening here. And I'm like,

0:18:56.440 --> 0:18:57.760
<v Speaker 1>we don't know each other well enough for me to

0:18:57.760 --> 0:18:59.359
<v Speaker 1>call you out on this, but like, I know what's

0:18:59.359 --> 0:19:02.920
<v Speaker 1>happening here. So like some people go too far right,

0:19:02.960 --> 0:19:05.200
<v Speaker 1>Like I've seen it very often when people are just dicks,

0:19:05.240 --> 0:19:08.360
<v Speaker 1>like complete dicks, and you see it, like you see

0:19:08.359 --> 0:19:10.680
<v Speaker 1>this flash, I'm like, oh, man, I lived with exactly

0:19:10.720 --> 0:19:13.040
<v Speaker 1>this for four years. I know exactly what you're doing,

0:19:13.480 --> 0:19:16.000
<v Speaker 1>and you kind of get a pass. You maybe shouldn't

0:19:16.040 --> 0:19:17.600
<v Speaker 1>get a pass fully, but you kind of get a

0:19:17.640 --> 0:19:20.600
<v Speaker 1>past because I'm like, I get it. Someone hurt thirteen

0:19:20.720 --> 0:19:23.520
<v Speaker 1>year old you twenty years ago or ten years ago

0:19:23.560 --> 0:19:26.320
<v Speaker 1>or whatever it was, and that insecurity is showing right

0:19:26.359 --> 0:19:28.080
<v Speaker 1>now and you're covering it up, and you're doing a

0:19:28.080 --> 0:19:29.720
<v Speaker 1>good job of covering it up. And you know what,

0:19:30.000 --> 0:19:31.600
<v Speaker 1>fair enough, you're going to figure the ship out, and

0:19:31.640 --> 0:19:34.680
<v Speaker 1>I get it. That's fine. But the reason that it's

0:19:34.800 --> 0:19:37.560
<v Speaker 1>very rare that I snapped to anger, I snapped to drinking,

0:19:37.800 --> 0:19:40.200
<v Speaker 1>and we're back. Kind we're back, and now Alec and

0:19:40.240 --> 0:19:44.879
<v Speaker 1>Clary are having a chat about Jason because he's Yeah,

0:19:45.080 --> 0:19:48.040
<v Speaker 1>I love this sort of begrudging cooperation between these two.

0:19:48.760 --> 0:19:53.360
<v Speaker 1>It's so it's so camogen E. It's like my favorite thing,

0:19:53.440 --> 0:19:55.639
<v Speaker 1>Like funk, I've run out of sources, like I have

0:19:55.840 --> 0:20:01.080
<v Speaker 1>to go to Clary. It's my favorite bit. Jason's in trouble. Yeah,

0:20:01.119 --> 0:20:02.359
<v Speaker 1>I know, I don't want to talk to you about it.

0:20:02.359 --> 0:20:05.119
<v Speaker 1>I don't want to talk to you about it either. Fine, Fine,

0:20:05.600 --> 0:20:07.840
<v Speaker 1>I don't know what I just skipped too, but I

0:20:07.920 --> 0:20:10.520
<v Speaker 1>just call Harry doing the coolest wink I've ever seen

0:20:10.560 --> 0:20:14.400
<v Speaker 1>in my entire life. If you're watching, wait wait wait wait,

0:20:14.480 --> 0:20:16.520
<v Speaker 1>let me find it. Okay, So if you're watching on Netflix,

0:20:16.560 --> 0:20:21.600
<v Speaker 1>it is at twelve minutes fifty three seconds. Check it out.

0:20:21.640 --> 0:20:23.879
<v Speaker 1>He's doing a scene with Maya and he does the

0:20:23.880 --> 0:20:25.800
<v Speaker 1>coolest wink I've ever seen that in my entire life,

0:20:25.840 --> 0:20:27.920
<v Speaker 1>and he does it with his left eye. I'm still

0:20:27.920 --> 0:20:29.680
<v Speaker 1>in clary Isabel hand, but I'm going to skip a

0:20:29.720 --> 0:20:32.200
<v Speaker 1>little bit because basically we're talking about Jason. There's clear first,

0:20:32.200 --> 0:20:34.479
<v Speaker 1>and there's all sorts of stuff going on. Yeah, and

0:20:34.560 --> 0:20:37.920
<v Speaker 1>is he's having a tough time. Also, I've said this

0:20:37.960 --> 0:20:39.359
<v Speaker 1>before and I said it again, and I've said it

0:20:39.400 --> 0:20:43.080
<v Speaker 1>to Emerald. Um, this is my favorite section of her performance,

0:20:43.280 --> 0:20:47.280
<v Speaker 1>Like this the whole like injury to starting it too.

0:20:47.880 --> 0:20:50.440
<v Speaker 1>She deals with some really fucking tough issues in this

0:20:50.680 --> 0:20:55.520
<v Speaker 1>really tough issues, and she absolutely nails it, absolutely nails it,

0:20:55.640 --> 0:20:58.800
<v Speaker 1>especially like the recovery section at the end. Is it's

0:20:58.840 --> 0:21:02.800
<v Speaker 1>like brutal and she's so good at it. Anyway, wants

0:21:02.840 --> 0:21:05.760
<v Speaker 1>my little side note that I think did a fantastic

0:21:05.840 --> 0:21:09.800
<v Speaker 1>job there. Now we've got sister Cleophus cutting herself open.

0:21:10.160 --> 0:21:13.680
<v Speaker 1>She's doing what she just cut her waist open? Oh why? Why?

0:21:13.760 --> 0:21:15.960
<v Speaker 1>Why is that happened? Now we've got Magnus, because she

0:21:16.000 --> 0:21:18.680
<v Speaker 1>needs to pretend to be injured probably would be my guests.

0:21:19.200 --> 0:21:21.280
<v Speaker 1>She needs to pretend to be like brother. Help me.

0:21:22.400 --> 0:21:24.359
<v Speaker 1>There's another one of those episodes where I don't I

0:21:24.400 --> 0:21:28.040
<v Speaker 1>don't fully remember a lot of this. Now we've got Magnus.

0:21:28.720 --> 0:21:31.480
<v Speaker 1>You know, I forgot about this. Magnus and Magnus and

0:21:31.520 --> 0:21:35.320
<v Speaker 1>Maya scene, it's so lovely. Again, it's the down world

0:21:35.400 --> 0:21:38.080
<v Speaker 1>or the down world or interpersonal relationships are so interested

0:21:38.160 --> 0:21:40.200
<v Speaker 1>down world. That's but that's the words I was trying

0:21:40.240 --> 0:21:41.639
<v Speaker 1>to find and you got them ahead of me, and

0:21:41.680 --> 0:21:43.920
<v Speaker 1>I appreciate that. It is that, Yeah, it is. It's

0:21:43.960 --> 0:21:47.560
<v Speaker 1>that doubt, Like there's this real unilateral Everyone went through

0:21:47.560 --> 0:21:50.240
<v Speaker 1>a version of this, Like everyone went through a version

0:21:50.280 --> 0:21:53.520
<v Speaker 1>of being ostracized, then figuring it out, finding their family

0:21:53.560 --> 0:21:55.439
<v Speaker 1>doing their things were then figuring out that there are

0:21:55.560 --> 0:21:59.000
<v Speaker 1>mortal and wait at the wolves are mortal. They're not immortal.

0:21:59.320 --> 0:22:02.000
<v Speaker 1>I think they live longer than humans, but they're not immortal. Yeah,

0:22:02.080 --> 0:22:06.399
<v Speaker 1>vampires are immortal. Vampires and warlocks Sile's immortal cilies have

0:22:06.440 --> 0:22:10.440
<v Speaker 1>to be immortal. Yeah, well right, no, Seelye's they're not immortal.

0:22:10.520 --> 0:22:12.800
<v Speaker 1>They just live a lot longer. Seelye's will live like,

0:22:13.560 --> 0:22:16.040
<v Speaker 1>you know, six eight hundred years, I think. But the

0:22:16.080 --> 0:22:20.000
<v Speaker 1>Seley Queen is immortal, don't know. I think she just

0:22:20.080 --> 0:22:23.400
<v Speaker 1>ages at a different rate. Yeah, we just saw Magnus

0:22:23.440 --> 0:22:27.720
<v Speaker 1>catch Isabelle trying to buy drugs. Yes we did. And

0:22:27.960 --> 0:22:31.560
<v Speaker 1>Magnus can smell alive from ten tho miles away. Very clever.

0:22:32.280 --> 0:22:34.800
<v Speaker 1>Oh man, I love I love a father daughter Clary

0:22:34.840 --> 0:22:37.320
<v Speaker 1>Luke moment. Yeah. Oh, and Claire's like, by the way,

0:22:37.359 --> 0:22:39.480
<v Speaker 1>I made a new room. Don't know how, I don't

0:22:39.480 --> 0:22:41.159
<v Speaker 1>know why, I don't know what it's for, but I

0:22:41.200 --> 0:22:43.399
<v Speaker 1>did it. And your sisters seeing this is one of

0:22:43.440 --> 0:22:45.639
<v Speaker 1>the questions we answer in the show, though, which is nice.

0:22:46.119 --> 0:22:49.000
<v Speaker 1>We do we do find out why you have this ability?

0:22:49.880 --> 0:22:53.879
<v Speaker 1>Ah see this Luke is the only capable adult in

0:22:53.920 --> 0:22:56.960
<v Speaker 1>this entire show. He's like, hey, wait, we can't trust

0:22:57.000 --> 0:22:58.960
<v Speaker 1>my sister. I know she's my sister, but she might

0:22:59.000 --> 0:23:02.560
<v Speaker 1>be working with Valentine. What a novel idea? Yeah, let's

0:23:02.560 --> 0:23:05.080
<v Speaker 1>not trust her. Has she even turned up with you? Guys,

0:23:05.600 --> 0:23:07.440
<v Speaker 1>we're doing We did such a good job of time

0:23:07.520 --> 0:23:09.439
<v Speaker 1>keeping last episode, and I feel like we're doing a

0:23:09.480 --> 0:23:13.199
<v Speaker 1>bad job now. Simon also Smiley going to pick up Maya.

0:23:13.840 --> 0:23:19.320
<v Speaker 1>Oh he's wearing a shirt, he's all dressed up. Yeah,

0:23:19.680 --> 0:23:22.920
<v Speaker 1>he bumps into Izzy. Oh there's the dating Ada. So

0:23:23.400 --> 0:23:26.359
<v Speaker 1>he's like my favorite commentator of And I can't remember

0:23:26.359 --> 0:23:28.600
<v Speaker 1>how much of this was Alberto versus how much was

0:23:28.760 --> 0:23:32.000
<v Speaker 1>written about him. He does such a good job of

0:23:32.119 --> 0:23:35.440
<v Speaker 1>like little New York is, you know what I mean.

0:23:35.680 --> 0:23:37.800
<v Speaker 1>Like he turns up and she's like, you're early by

0:23:37.840 --> 0:23:39.359
<v Speaker 1>like two hours, and he's like, well, you know the

0:23:39.440 --> 0:23:42.480
<v Speaker 1>f trains or whatever. You like, that's not if you

0:23:42.480 --> 0:23:44.640
<v Speaker 1>haven't lived in New York. You just wouldn't. You don't

0:23:44.640 --> 0:23:46.280
<v Speaker 1>know what that is. It's a little not to like

0:23:46.640 --> 0:23:49.000
<v Speaker 1>that's a New Yorker. He's a New Yorker, which is

0:23:49.359 --> 0:23:52.920
<v Speaker 1>it's amazing. That's why it's part of why he is Simon.

0:23:53.840 --> 0:23:56.560
<v Speaker 1>Oh yeah, look and here's here's an injured clear for

0:23:56.720 --> 0:24:01.560
<v Speaker 1>stumbling into the Jade Wolf. How fortuitous. Yeah, Lisa Barry

0:24:01.680 --> 0:24:06.040
<v Speaker 1>just coming in at a ten. She just so committed Dolly.

0:24:07.119 --> 0:24:11.359
<v Speaker 1>Fake blood, God, we hate fake blood. It's just it,

0:24:11.560 --> 0:24:15.040
<v Speaker 1>just as as Alberto does a shot of it. It's

0:24:15.160 --> 0:24:18.680
<v Speaker 1>just dreadful. And the problem is there's no real way

0:24:18.680 --> 0:24:21.040
<v Speaker 1>to do fake blood and c G. I no, they're

0:24:21.080 --> 0:24:23.760
<v Speaker 1>really the only way to do it is to have

0:24:23.800 --> 0:24:27.760
<v Speaker 1>practical fake blood and it sucks. Spoiler alert, I'm about

0:24:27.800 --> 0:24:31.080
<v Speaker 1>to get covered in it tomorrow at work for our season. Finally,

0:24:31.320 --> 0:24:35.320
<v Speaker 1>spoiler no, I'm assuming it doesn't. I mean, did it

0:24:35.840 --> 0:24:38.080
<v Speaker 1>often you just had patches of blood that you would

0:24:38.080 --> 0:24:42.880
<v Speaker 1>slip in in the seventeen eighties. Sure, yeah, that's definitely

0:24:42.920 --> 0:24:45.399
<v Speaker 1>what's happening in our show. What happens to someone die?

0:24:45.440 --> 0:24:48.800
<v Speaker 1>Who died? We'll cut it out. I just want to know.

0:24:49.840 --> 0:24:53.000
<v Speaker 1>Lots of people die people. Is it like? Have you

0:24:53.040 --> 0:24:54.399
<v Speaker 1>had to do it quick draw yet and you had

0:24:54.400 --> 0:24:57.080
<v Speaker 1>to do cowboy like? No, I've fairly gotten to do

0:24:57.119 --> 0:25:01.560
<v Speaker 1>anything stunt wise. This is the first episode. Check. You

0:25:01.880 --> 0:25:05.040
<v Speaker 1>genuinely should go to Kinsey's place. Side note, go to

0:25:05.080 --> 0:25:07.119
<v Speaker 1>Kinsey's place and get the peacemaker that I have. If

0:25:07.160 --> 0:25:09.840
<v Speaker 1>they ever put you with a handgun, if there's nothing

0:25:09.880 --> 0:25:11.960
<v Speaker 1>in it, it's completely safe. It has rounds in it

0:25:12.000 --> 0:25:14.920
<v Speaker 1>that are all completely dead. There's nothing, it's an air

0:25:14.920 --> 0:25:16.879
<v Speaker 1>soft gun, but it doesn't have any gas nets. It

0:25:16.960 --> 0:25:20.840
<v Speaker 1>can't do anything, but it functions like a gun. That's fun,

0:25:21.160 --> 0:25:23.040
<v Speaker 1>so you can learn to do everything. That's cool. I

0:25:23.080 --> 0:25:24.960
<v Speaker 1>just get to run around with the giant shotgun in

0:25:24.960 --> 0:25:29.359
<v Speaker 1>this episode, which is like a double barrel. Yeah, like

0:25:29.400 --> 0:25:35.680
<v Speaker 1>a like a Winchester A little little wink. That's really cool. Yeah,

0:25:35.720 --> 0:25:40.000
<v Speaker 1>it's fine, and there's our two boys at the bar.

0:25:40.320 --> 0:25:44.399
<v Speaker 1>This was arguably one of Arguably, this was one of

0:25:44.400 --> 0:25:47.119
<v Speaker 1>my two favorite scenes ever to film with Alberto, so

0:25:47.200 --> 0:25:49.200
<v Speaker 1>the rises. This was one of the one of those

0:25:49.240 --> 0:25:52.200
<v Speaker 1>moments where like, oh, ship, like they trust us, They

0:25:52.480 --> 0:25:55.280
<v Speaker 1>genuinely trust us to do our job because they gave

0:25:55.400 --> 0:25:58.720
<v Speaker 1>us lines and genuinely came to us at the beginning.

0:25:58.720 --> 0:26:01.080
<v Speaker 1>They were like, do one or two takes with the

0:26:01.119 --> 0:26:02.679
<v Speaker 1>lines as they are, and then you guys can do

0:26:02.720 --> 0:26:04.840
<v Speaker 1>whatever you want, like we've seen how you guys work together.

0:26:04.880 --> 0:26:07.119
<v Speaker 1>You guys can do whatever you want. It's a really

0:26:07.240 --> 0:26:11.320
<v Speaker 1>nice sensation to be able to be like, oh, funk, okay,

0:26:10.440 --> 0:26:13.600
<v Speaker 1>they really do trust us with this, They trust us

0:26:13.640 --> 0:26:16.359
<v Speaker 1>with our characters. Now. That's a really amazing feeling. And

0:26:16.359 --> 0:26:19.200
<v Speaker 1>Alberto and I did really get to have a lot

0:26:19.240 --> 0:26:23.280
<v Speaker 1>of fun. That's wonderful with this. Alicia as well. Actually, honestly,

0:26:23.359 --> 0:26:25.200
<v Speaker 1>like she, I think I spit in one, was her.

0:26:26.600 --> 0:26:29.639
<v Speaker 1>She added that, yet, I'm pretty sure. And this is

0:26:29.680 --> 0:26:32.760
<v Speaker 1>also where the illustrious book club joke came from that

0:26:32.840 --> 0:26:35.800
<v Speaker 1>we reprised later several times in the show. That's not

0:26:35.920 --> 0:26:38.800
<v Speaker 1>in the books. I think it's mentioned once in the books,

0:26:38.800 --> 0:26:40.800
<v Speaker 1>but we we made more the deal of it in

0:26:40.840 --> 0:26:45.240
<v Speaker 1>the show. Yeah, we really did, because we really truly did.

0:26:45.800 --> 0:26:50.040
<v Speaker 1>It was fun, no kidding. Oh god, we played with

0:26:50.080 --> 0:26:51.840
<v Speaker 1>this as well, like we were out at dinner and

0:26:51.880 --> 0:26:53.840
<v Speaker 1>stuff and we just messed with this scene a whole bunch.

0:26:53.840 --> 0:26:55.840
<v Speaker 1>It was really good fun. God. I want to I

0:26:55.920 --> 0:26:59.000
<v Speaker 1>want to. I want to work with Alberto again. I

0:26:59.000 --> 0:27:03.800
<v Speaker 1>want to work with Alberta solely of my career. That's

0:27:03.840 --> 0:27:06.000
<v Speaker 1>all I want to do, honestly, is I just want

0:27:06.000 --> 0:27:07.680
<v Speaker 1>to work with Alberto for the rest of my life.

0:27:07.880 --> 0:27:11.000
<v Speaker 1>That's fair. That's fair with other people, with you guys

0:27:11.000 --> 0:27:13.880
<v Speaker 1>and other people as well. But like every job, my caveat,

0:27:13.960 --> 0:27:17.080
<v Speaker 1>Like when I get to like fingers crossed, like Leonardo

0:27:17.119 --> 0:27:19.880
<v Speaker 1>DiCaprio status, he's going to be furious because he's gonna

0:27:19.880 --> 0:27:20.920
<v Speaker 1>be like dude, I want to do other work and

0:27:21.000 --> 0:27:25.240
<v Speaker 1>be like, now it's in all of my contracts I'm doing.

0:27:26.520 --> 0:27:30.920
<v Speaker 1>That's really cute. No, clear, that's getting healed. You say

0:27:30.920 --> 0:27:34.879
<v Speaker 1>getting healed? Healed? Men healed? Like how you heal a

0:27:34.960 --> 0:27:37.640
<v Speaker 1>dog like he No, she's trying to heal her brother,

0:27:37.720 --> 0:27:40.200
<v Speaker 1>but well she kind of is. She healed an heals,

0:27:40.720 --> 0:27:44.000
<v Speaker 1>she's healed and healed. Oh oh no, I'm so sad

0:27:44.119 --> 0:27:47.000
<v Speaker 1>Valentine and filtrated the citadel and killed my friend. I

0:27:47.080 --> 0:27:50.240
<v Speaker 1>definitely didn't stab her and cold blood? Why don't we

0:27:50.280 --> 0:27:54.600
<v Speaker 1>have like we do have forensic guys, right, Like we

0:27:54.680 --> 0:27:57.080
<v Speaker 1>have a forensics team. Is he is one of them?

0:27:57.080 --> 0:27:58.720
<v Speaker 1>Like we have a forensics team. Couldn't we look at

0:27:58.760 --> 0:28:01.200
<v Speaker 1>that body and be like this came from this blade?

0:28:01.520 --> 0:28:04.280
<v Speaker 1>Can we do that? Maybe? But if you don't do that,

0:28:04.520 --> 0:28:06.840
<v Speaker 1>I don't know. But the thing is with with that

0:28:07.640 --> 0:28:10.720
<v Speaker 1>the Circle uses the same blades as the Iron Sisters.

0:28:11.240 --> 0:28:13.360
<v Speaker 1>But I mean, like if it was like a bullet, like, well,

0:28:13.720 --> 0:28:16.320
<v Speaker 1>wouldn't they all be sort of fairly into I just

0:28:16.359 --> 0:28:18.720
<v Speaker 1>put myself in the eyes. What are you doing? God?

0:28:18.960 --> 0:28:22.600
<v Speaker 1>Do I didn't do on purpose? Catherine, Relax, It's enough.

0:28:22.640 --> 0:28:26.159
<v Speaker 1>How do you. Um no, I guess not. Yeah, it's

0:28:26.240 --> 0:28:30.000
<v Speaker 1>all made from the same metal. Sorry, I'm trying to

0:28:30.040 --> 0:28:33.399
<v Speaker 1>be a professional. This is as professional as I get.

0:28:34.080 --> 0:28:38.120
<v Speaker 1>Holy Ship, it's only five thirty. I'm on vacation. I

0:28:38.120 --> 0:28:42.560
<v Speaker 1>am my best friends over. I'm on vacation. Yes you are, okay,

0:28:43.320 --> 0:28:48.479
<v Speaker 1>Sassy Joel Abelle is back. Yeah, he's again like another

0:28:48.480 --> 0:28:52.000
<v Speaker 1>one of our guys who just like nails his character.

0:28:52.080 --> 0:28:55.719
<v Speaker 1>And he's actually arguably of all of our guest stars,

0:28:56.320 --> 0:29:00.840
<v Speaker 1>possibly the least like his character like up there for sure,

0:29:01.560 --> 0:29:06.000
<v Speaker 1>aside from like Luke Bain's and Will Tutor. Yeah, yeah,

0:29:06.040 --> 0:29:10.240
<v Speaker 1>of course, like murdering psychopaths or the Luke No, I'm kidding,

0:29:10.400 --> 0:29:14.560
<v Speaker 1>I'm kidding. We'll flash back to this little clip when

0:29:14.560 --> 0:29:17.400
<v Speaker 1>we have him on the show. I should text him

0:29:17.400 --> 0:29:20.360
<v Speaker 1>and see how he's doing. Yeah, oh, I forgot that.

0:29:20.520 --> 0:29:23.600
<v Speaker 1>Um Clary was the one that clocked that she was

0:29:23.840 --> 0:29:27.040
<v Speaker 1>that Luke's suspicions were correct, because Cliff has calls her

0:29:27.080 --> 0:29:32.040
<v Speaker 1>Clarissa mm hmm, and that's the ding ding. But hey,

0:29:32.080 --> 0:29:34.080
<v Speaker 1>this is our chance to find Valentine, so let's play

0:29:34.120 --> 0:29:38.920
<v Speaker 1>along because that's smart. Yeah, yeah, why not? Well, I

0:29:38.960 --> 0:29:43.360
<v Speaker 1>finally Jesus I'm back with the Simon Jacene. Oh yeah, yeah,

0:29:43.360 --> 0:29:47.600
<v Speaker 1>he's so good also. So the issue with when they

0:29:47.680 --> 0:29:51.800
<v Speaker 1>let us play is Alberto is so funny, like so

0:29:51.880 --> 0:29:54.040
<v Speaker 1>funny as a human being, and then him as Simon

0:29:54.160 --> 0:29:56.960
<v Speaker 1>is so brilliant because he's he's wildly intelligent and he

0:29:57.000 --> 0:30:00.120
<v Speaker 1>gets he fully understands who Simon is. He mix is

0:30:00.120 --> 0:30:02.640
<v Speaker 1>two things together. And I'm watching. I'm looking at my

0:30:02.640 --> 0:30:04.720
<v Speaker 1>face right now, and I'm like, oh, I can see

0:30:04.760 --> 0:30:07.080
<v Speaker 1>you not trying to laugh. I can see it in

0:30:07.120 --> 0:30:10.680
<v Speaker 1>your in your body. You are trying so hard not

0:30:10.760 --> 0:30:12.520
<v Speaker 1>to laugh because I didn't know who's going to say.

0:30:12.560 --> 0:30:14.400
<v Speaker 1>And every time he would say something it was funnier

0:30:14.400 --> 0:30:18.640
<v Speaker 1>than the last time. Of course, would get me. There's

0:30:18.640 --> 0:30:20.760
<v Speaker 1>a lot of looking away. I'm looking away a lot,

0:30:20.880 --> 0:30:23.520
<v Speaker 1>and that's because I have to look at something like,

0:30:25.240 --> 0:30:28.160
<v Speaker 1>aren't funny. I'm gonna look at those instead. That's what's happening.

0:30:28.200 --> 0:30:31.520
<v Speaker 1>I'm cheating, ladies and gents. I'm cheating. That's what's happening.

0:30:31.560 --> 0:30:34.200
<v Speaker 1>I am cheating as an actor. I also love you too,

0:30:34.200 --> 0:30:36.640
<v Speaker 1>doing impressions of each other. It kind of it. Really,

0:30:37.400 --> 0:30:41.040
<v Speaker 1>it really makes me happy. So good, this was really fun.

0:30:41.400 --> 0:30:43.720
<v Speaker 1>This is the little It reminds me of how what's

0:30:43.760 --> 0:30:48.320
<v Speaker 1>that movie the Steve Karl Ryan Garsling Crazy Stupid Love.

0:30:48.840 --> 0:30:51.360
<v Speaker 1>This is like the Crazy Stuple Love montage, but just

0:30:51.400 --> 0:30:54.320
<v Speaker 1>condensed down into one scene for you too, and I'm obsessed.

0:30:54.680 --> 0:30:56.640
<v Speaker 1>In fact, a lot of our relationship is like that.

0:30:57.080 --> 0:31:00.000
<v Speaker 1>It's very like that sort of dynamic, which is really good.

0:31:00.120 --> 0:31:03.040
<v Speaker 1>Rom Hm, I love, I Love, I love the banter

0:31:03.200 --> 0:31:04.960
<v Speaker 1>that you too actually get to have. You know that

0:31:05.040 --> 0:31:07.120
<v Speaker 1>this is that theory. It plays into that theory that

0:31:07.160 --> 0:31:09.640
<v Speaker 1>if Clary hadn't been between you two, you two would

0:31:09.640 --> 0:31:13.920
<v Speaker 1>have been best friends the whole time. Like there's no

0:31:14.040 --> 0:31:17.960
<v Speaker 1>denying this in my mind, Like if Ja's genuinely didn't

0:31:18.000 --> 0:31:21.640
<v Speaker 1>like someone, there's no there's no world in which this

0:31:21.640 --> 0:31:24.360
<v Speaker 1>scene would have happened, Like no world in which Jason

0:31:24.400 --> 0:31:28.240
<v Speaker 1>likes Simon from the get go, Like from the minute

0:31:28.240 --> 0:31:32.400
<v Speaker 1>one he liked Simon, but Clary was in the way.

0:31:32.720 --> 0:31:36.200
<v Speaker 1>Clary was the you know, there's a listen, it all

0:31:36.280 --> 0:31:39.160
<v Speaker 1>ends up okay, except for you. You lose all your memory.

0:31:40.560 --> 0:31:45.960
<v Speaker 1>Got the little the little twirl of the seller to Yeah,

0:31:46.280 --> 0:31:48.360
<v Speaker 1>that's well, is why I don't have a stelle in

0:31:48.400 --> 0:31:51.360
<v Speaker 1>season two. Be that's well because I kept breaking them.

0:31:51.520 --> 0:31:54.080
<v Speaker 1>They let do it. He does such a good you.

0:31:54.360 --> 0:31:56.880
<v Speaker 1>It blows my mind. He does a good me. He

0:31:56.960 --> 0:32:01.440
<v Speaker 1>does do it me. But I remember there was a

0:32:01.480 --> 0:32:03.440
<v Speaker 1>day on set where Alberta was like, all right, I

0:32:03.480 --> 0:32:05.480
<v Speaker 1>gotta show you this. Tell me honestly does this look

0:32:05.520 --> 0:32:09.120
<v Speaker 1>like dumb? And he switched into his Jace impression, did

0:32:09.160 --> 0:32:11.479
<v Speaker 1>the whole walk, and everything in my mind was just blown.

0:32:12.520 --> 0:32:16.080
<v Speaker 1>He worked so hard on this. Bless him. Good stuff.

0:32:16.640 --> 0:32:19.600
<v Speaker 1>They're just they again, not to the makeup team. So

0:32:19.680 --> 0:32:23.160
<v Speaker 1>I'm the scene with Easy and Alex just another little

0:32:23.240 --> 0:32:25.800
<v Speaker 1>nod to the makeup scene. They're just slowly starting to

0:32:26.600 --> 0:32:29.720
<v Speaker 1>mess with the Emeralds look just the tiniest little bit

0:32:29.800 --> 0:32:31.680
<v Speaker 1>like she's just starting to come out of the other

0:32:31.720 --> 0:32:35.880
<v Speaker 1>side of addiction. UM again, if anyone out there has

0:32:35.920 --> 0:32:41.000
<v Speaker 1>any concerns about yourself, thoughts, problems with addiction, or with

0:32:41.120 --> 0:32:44.360
<v Speaker 1>friends or family, anyone, we will attach a link to

0:32:44.440 --> 0:32:47.280
<v Speaker 1>this um with safe places to call and and go

0:32:47.360 --> 0:32:50.880
<v Speaker 1>and get Advisor help. We'll attach you to this. But

0:32:51.360 --> 0:32:54.160
<v Speaker 1>the makeup team do do an incredible job here of

0:32:54.800 --> 0:32:57.760
<v Speaker 1>starting to make her look like, how do you make

0:32:57.760 --> 0:32:59.760
<v Speaker 1>Emerald not look good? You know what? I mean, but

0:33:00.280 --> 0:33:03.360
<v Speaker 1>they're sort of just toying with the idea little little bits. Yeah,

0:33:03.760 --> 0:33:25.440
<v Speaker 1>it's incredible. Why did we not do that thing of

0:33:25.560 --> 0:33:28.840
<v Speaker 1>throwing the different stuff to different screens more? That was

0:33:28.880 --> 0:33:32.440
<v Speaker 1>so cool? Honestly, there are there are a bunch of

0:33:32.480 --> 0:33:34.200
<v Speaker 1>like cool things that we do in the show, and

0:33:34.240 --> 0:33:37.479
<v Speaker 1>I'm like, why didn't this become like a theme that

0:33:37.560 --> 0:33:40.760
<v Speaker 1>we do every single time? This is really cool. I

0:33:40.800 --> 0:33:42.840
<v Speaker 1>don't know. Probably because it was expensive, That would be

0:33:42.880 --> 0:33:45.400
<v Speaker 1>my guess is that it's expensive. It's like, oh, we have,

0:33:45.560 --> 0:33:48.560
<v Speaker 1>you know, extra dollars of the VFX budgeo for this episode.

0:33:48.640 --> 0:33:51.880
<v Speaker 1>Let's throw some things around screens. I don't know. We

0:33:52.000 --> 0:33:53.840
<v Speaker 1>got a little ahead of ourselves this time. We've got

0:33:53.840 --> 0:33:57.480
<v Speaker 1>some spare money. Let's spend it. Finds out that we've

0:33:57.520 --> 0:34:01.080
<v Speaker 1>got spare money. Never is it again? It's great, yeah

0:34:01.400 --> 0:34:03.360
<v Speaker 1>exactly because they take it back if they find out

0:34:03.400 --> 0:34:05.120
<v Speaker 1>you've got to spare money, They're like, great, give it

0:34:05.160 --> 0:34:09.520
<v Speaker 1>back to us now we're sure. Oh you just tasted

0:34:09.600 --> 0:34:13.160
<v Speaker 1>Luke in the back. Oh that's ready forgot I forgot

0:34:13.200 --> 0:34:19.560
<v Speaker 1>about that pun intended, but whoof Yeah, sorry, Luke. I

0:34:19.600 --> 0:34:21.759
<v Speaker 1>love that look that little look he gives at the end,

0:34:21.760 --> 0:34:23.840
<v Speaker 1>it's like, oh, I'm so pissed, but I'm kind of

0:34:23.840 --> 0:34:28.160
<v Speaker 1>proud of you, kind of like fair enough. Yeah good.

0:34:28.480 --> 0:34:30.200
<v Speaker 1>Oh yeah, that's that's the whole thing. There was a

0:34:30.239 --> 0:34:33.360
<v Speaker 1>storm coming, which is why the lightning, the angel and

0:34:33.480 --> 0:34:36.600
<v Speaker 1>all that stuff. Yeah, oh my god, I just remembered

0:34:36.600 --> 0:34:42.040
<v Speaker 1>how this scene ends. Which one this scene this this episode.

0:34:42.200 --> 0:34:46.720
<v Speaker 1>I just remember how this episode ends. Yeah, smooching more Smogen,

0:34:46.840 --> 0:34:50.960
<v Speaker 1>so much smootion in this episode. Manus nelck Okay. He

0:34:51.040 --> 0:34:52.759
<v Speaker 1>walks in the door and he's like, I'm at smooth you.

0:34:53.280 --> 0:34:58.360
<v Speaker 1>Oh that's a good smooche. That's a solid smooch. Magnus

0:34:58.400 --> 0:35:04.200
<v Speaker 1>putting the brakes on, which also like fucking damn good boyfriend.

0:35:04.360 --> 0:35:06.560
<v Speaker 1>That is a damn good boyfriend thing to do. Like no, no,

0:35:06.680 --> 0:35:08.680
<v Speaker 1>I just like once you've got the sort of capacity

0:35:08.719 --> 0:35:11.000
<v Speaker 1>to semi read each other and you're like and she,

0:35:11.200 --> 0:35:12.680
<v Speaker 1>I think you're doing this for the wrong reasons and

0:35:12.719 --> 0:35:14.880
<v Speaker 1>I'm gonna And it doesn't just come down to sex necessarily.

0:35:14.880 --> 0:35:16.600
<v Speaker 1>It comes down to all fasts of life where are

0:35:16.640 --> 0:35:20.160
<v Speaker 1>like WHOA, let's hold up, like, let's discuss this, let's

0:35:20.160 --> 0:35:23.680
<v Speaker 1>get through this as a process together. Yeah. Again, the

0:35:23.719 --> 0:35:29.560
<v Speaker 1>healthiest relationship on the show these two. Yeah, always ye, God,

0:35:29.640 --> 0:35:31.600
<v Speaker 1>we're in the alleyway. I can see it in your

0:35:31.640 --> 0:35:35.160
<v Speaker 1>eyes that you're cold, Like I can see the you know,

0:35:35.200 --> 0:35:37.000
<v Speaker 1>when it's so cold and the wind hits your eyes

0:35:37.040 --> 0:35:38.840
<v Speaker 1>and it it's so cold that you almost start to

0:35:38.880 --> 0:35:43.880
<v Speaker 1>tear up a little. I can see it. It's fucking rough, dude, Toronto,

0:35:44.400 --> 0:35:46.359
<v Speaker 1>and we're not even in the winter yet, like this

0:35:46.400 --> 0:35:50.160
<v Speaker 1>is like but they also brought in one of those

0:35:50.200 --> 0:35:53.680
<v Speaker 1>industrial fans as well to blow wind down the alley

0:35:53.719 --> 0:35:57.800
<v Speaker 1>for the storm. Yeah, yeah, it doesn't help. What's happening

0:35:57.840 --> 0:35:59.480
<v Speaker 1>to you right now? What's this? What's the Oh you're

0:35:59.520 --> 0:36:05.399
<v Speaker 1>hearing angel screams of the angel? Yeah, that makes sense.

0:36:05.400 --> 0:36:07.600
<v Speaker 1>Then if it's the angel screaming, then maybe we don't

0:36:07.680 --> 0:36:09.800
<v Speaker 1>use it again because we don't come in contact with

0:36:09.840 --> 0:36:12.640
<v Speaker 1>another angel. I do, right, come on, we're coming contact

0:36:12.640 --> 0:36:15.480
<v Speaker 1>you summon one a couple of times, really, well, that's

0:36:15.480 --> 0:36:18.319
<v Speaker 1>a thurial that comes back later. He comes back one

0:36:18.360 --> 0:36:22.600
<v Speaker 1>more time. I'm in the words room, yeah, the whole thing,

0:36:22.640 --> 0:36:24.960
<v Speaker 1>and then Lita does the thing and we had a

0:36:25.000 --> 0:36:28.840
<v Speaker 1>pig thing. It's coming, yeah, it's coming. Sorry in this

0:36:29.000 --> 0:36:32.640
<v Speaker 1>fucking show, I remember nothing. You were in this show,

0:36:33.120 --> 0:36:36.160
<v Speaker 1>but you were not in that scene. Got it? Got it?

0:36:37.200 --> 0:36:42.480
<v Speaker 1>Guys getting dragged by chains. Yeah, that's bad. There's some

0:36:42.520 --> 0:36:46.440
<v Speaker 1>slow motions. I'll tell you this right now. Nobody doesn't

0:36:46.480 --> 0:36:50.759
<v Speaker 1>look good in slow motion. Everybody. Valentine is torturing a

0:36:50.800 --> 0:36:53.640
<v Speaker 1>literal angel right now, and it's in slow motion, and

0:36:53.680 --> 0:36:56.000
<v Speaker 1>he still looks cool. I don't know what it is.

0:36:56.040 --> 0:36:58.879
<v Speaker 1>There's something about slow motion. It makes you look good.

0:36:58.960 --> 0:37:04.600
<v Speaker 1>It's true. It's so Alan van Sparring. I think probably yeah, yea,

0:37:05.520 --> 0:37:09.359
<v Speaker 1>his gravitas, yes, indeed, oh yeah, and that's right there.

0:37:09.400 --> 0:37:11.520
<v Speaker 1>So I activate Clef. This is hearing room so she

0:37:11.600 --> 0:37:14.560
<v Speaker 1>can hear it as well. M hm. Why isn't that

0:37:14.600 --> 0:37:17.760
<v Speaker 1>something we do later on, like with the werewolves or something.

0:37:18.000 --> 0:37:21.840
<v Speaker 1>I don't know. I like, that's why he's a crimes

0:37:21.880 --> 0:37:24.960
<v Speaker 1>like so quickly. Why don't we just have like centuries

0:37:25.200 --> 0:37:28.440
<v Speaker 1>shadow hunters that constantly have activated and like great, like

0:37:29.440 --> 0:37:31.640
<v Speaker 1>forty eight and seven. Get down there now, this is happening,

0:37:31.640 --> 0:37:34.839
<v Speaker 1>You're like perfect, go on, there so many questions, so

0:37:34.880 --> 0:37:39.680
<v Speaker 1>many questions, many questions. Yeah, Claric good idea accused the

0:37:39.760 --> 0:37:42.120
<v Speaker 1>person the murderer in front of you of her crime

0:37:42.200 --> 0:37:45.840
<v Speaker 1>while you're alone and in an alley way. Yeah, but

0:37:45.920 --> 0:37:48.600
<v Speaker 1>your skills are coming along a little bit. Maybe I

0:37:48.600 --> 0:37:49.840
<v Speaker 1>don't know if you'd be able to take down an

0:37:49.880 --> 0:37:52.960
<v Speaker 1>iron sister on your own, But maybe, I don't know.

0:37:53.000 --> 0:37:55.600
<v Speaker 1>But she's she's changed her tune because you know, capturing

0:37:55.600 --> 0:37:59.160
<v Speaker 1>an angel is apparently too far for her moral company.

0:37:59.239 --> 0:38:02.960
<v Speaker 1>No kidding, no kidding, Dowtine's harmon angel and everything we

0:38:03.000 --> 0:38:05.840
<v Speaker 1>love will be destroyed. Yeah, this is it. I remember

0:38:05.880 --> 0:38:09.160
<v Speaker 1>the wind this day. I remember this. All of us

0:38:09.160 --> 0:38:13.520
<v Speaker 1>are shivering, all of us look like cold Isaiah, steady

0:38:13.520 --> 0:38:15.880
<v Speaker 1>as a rock, steady as a rock. It's just like

0:38:16.080 --> 0:38:19.280
<v Speaker 1>completely fine. Because in Isaiah this was also his bulletproof

0:38:19.320 --> 0:38:21.040
<v Speaker 1>coffee phase, which I think had a lot to do

0:38:21.080 --> 0:38:25.839
<v Speaker 1>with it. Mm hm, that's true, that is true. Yeah, hey,

0:38:25.880 --> 0:38:28.000
<v Speaker 1>please don't shoot your sister. Why are you trying to?

0:38:28.160 --> 0:38:29.680
<v Speaker 1>Why are you trying to? Why are you doing this?

0:38:30.160 --> 0:38:33.280
<v Speaker 1>What are you talking? These bad vampires also for seed,

0:38:33.760 --> 0:38:38.759
<v Speaker 1>like Ali vampires. They're all dressed very well, well, they're vampires,

0:38:39.160 --> 0:38:41.200
<v Speaker 1>I know, I get it, but they also like they

0:38:41.280 --> 0:38:44.839
<v Speaker 1>don't look like your standards bad. I don't know what's

0:38:44.880 --> 0:38:46.959
<v Speaker 1>a bad vampire look like, you're right, I'm wrong. Okay,

0:38:46.960 --> 0:38:49.440
<v Speaker 1>fair enough, Let's move on. Let's move on. Simon's being

0:38:49.480 --> 0:38:52.920
<v Speaker 1>super cute with Mary brought the Blade Runner Collector's edition.

0:38:53.120 --> 0:38:57.120
<v Speaker 1>Super cute. She's still reading Jane Are, Yeah, she is.

0:38:57.280 --> 0:39:00.560
<v Speaker 1>She's further along, though she calls him out. Ad Actors

0:39:00.600 --> 0:39:03.080
<v Speaker 1>follow where they're at, right, this is a really really

0:39:03.080 --> 0:39:04.959
<v Speaker 1>smart thing to do. I remember I did a play

0:39:05.000 --> 0:39:08.279
<v Speaker 1>once years and years and years ago, and I was

0:39:08.320 --> 0:39:11.280
<v Speaker 1>doing it. I've seen with a girl who was reading

0:39:11.280 --> 0:39:13.280
<v Speaker 1>a book and when I come in, she gets distracted

0:39:13.280 --> 0:39:15.759
<v Speaker 1>and she stops reading the book. And our first night

0:39:15.800 --> 0:39:17.640
<v Speaker 1>on stage, she'd never done this from rehearsals, but her

0:39:17.640 --> 0:39:19.480
<v Speaker 1>first night on stage, she stops reading the book and

0:39:19.520 --> 0:39:21.520
<v Speaker 1>she just goes quickly and foot and it dog is

0:39:21.560 --> 0:39:23.680
<v Speaker 1>her page and then shuts the book. And it was

0:39:23.719 --> 0:39:25.719
<v Speaker 1>the It was one of those things where I'm like, oh, man,

0:39:25.760 --> 0:39:27.560
<v Speaker 1>you're destined to do this for the rest of your life.

0:39:27.640 --> 0:39:31.040
<v Speaker 1>Like that's it's such an instinctual, like your character wants

0:39:31.040 --> 0:39:33.359
<v Speaker 1>to know where they're at, but so subconsciously and wants

0:39:33.400 --> 0:39:35.800
<v Speaker 1>to do this as well, so they It's just a

0:39:35.880 --> 0:39:38.560
<v Speaker 1>thing that happened, and it was so good at almost like,

0:39:38.800 --> 0:39:41.279
<v Speaker 1>it's those little nuances and it almost made me lose

0:39:41.320 --> 0:39:46.160
<v Speaker 1>my place. I was like, that's freaking awesome. A little things,

0:39:46.160 --> 0:39:48.600
<v Speaker 1>so little things. Speaking of the little things are not

0:39:48.719 --> 0:39:51.759
<v Speaker 1>so little things. Maya fully called Simon up for being

0:39:51.760 --> 0:39:55.879
<v Speaker 1>in love with Clary. Yeah, I hear everything, hear everything,

0:39:56.440 --> 0:39:59.040
<v Speaker 1>all the dating advice left right in center. Does he

0:39:59.080 --> 0:40:03.880
<v Speaker 1>look up with Maya for you or after you? After me?

0:40:04.360 --> 0:40:09.960
<v Speaker 1>Because you hook up with Maya while Clarie and Simon together? Oh, yes,

0:40:10.040 --> 0:40:12.920
<v Speaker 1>you're right right. I think they just say we're just

0:40:12.920 --> 0:40:15.880
<v Speaker 1>going to be friends. And then you're right because the

0:40:15.920 --> 0:40:21.960
<v Speaker 1>dinner scene, you're right is after yep, yep, yep, and

0:40:22.040 --> 0:40:25.919
<v Speaker 1>they're going to go and watch Blade Runner. Oh look

0:40:25.920 --> 0:40:31.120
<v Speaker 1>at this fight between between Lisa and Allan. Well done, Lisa,

0:40:31.120 --> 0:40:34.200
<v Speaker 1>Barry solid. Some of these are my favorite fights, by

0:40:34.200 --> 0:40:36.800
<v Speaker 1>the way, the ones almost where we like not almost,

0:40:36.840 --> 0:40:39.200
<v Speaker 1>I mean they're almost my favorite fights. They weren't almost fights,

0:40:39.200 --> 0:40:41.400
<v Speaker 1>they were regular fights, but there Some of these are

0:40:41.400 --> 0:40:44.200
<v Speaker 1>my favorites where we don't use the weapons. It was

0:40:44.280 --> 0:40:47.440
<v Speaker 1>just like brawling and Luke Isaiah got to do a

0:40:47.440 --> 0:40:49.880
<v Speaker 1>lot of this and it was really cool, like watching

0:40:49.920 --> 0:40:53.359
<v Speaker 1>these this just like the animals kind of take over.

0:40:53.920 --> 0:40:56.800
<v Speaker 1>These were really cool. However, this is one of my favorites.

0:40:56.840 --> 0:40:58.759
<v Speaker 1>Do you remember the scene of us walking up the

0:40:58.800 --> 0:41:03.680
<v Speaker 1>stairs or that where we did that scene? Ah, it

0:41:03.760 --> 0:41:06.640
<v Speaker 1>was on the way to the stunt office, right Like,

0:41:08.000 --> 0:41:10.360
<v Speaker 1>this was literally just a hallway in the office, a

0:41:10.360 --> 0:41:13.839
<v Speaker 1>staircase in the office of our production office. And they

0:41:14.080 --> 0:41:16.960
<v Speaker 1>repainted it and made it look all gross and old

0:41:17.160 --> 0:41:21.960
<v Speaker 1>and you know, dilapidated. Um, just for this little tiny scene,

0:41:22.520 --> 0:41:24.640
<v Speaker 1>not even a scene, like the preface to a scene.

0:41:25.560 --> 0:41:28.840
<v Speaker 1>It's like the an a crucis to a scene. I

0:41:28.880 --> 0:41:31.840
<v Speaker 1>just remember we had to say this dialogue so fast

0:41:32.320 --> 0:41:34.960
<v Speaker 1>because the staircase was so short and six stairs. We

0:41:35.000 --> 0:41:37.160
<v Speaker 1>had six stairs to say these words on, you know,

0:41:37.280 --> 0:41:40.840
<v Speaker 1>because like let's say it's a twelve staircase staircase, twelve

0:41:40.880 --> 0:41:44.319
<v Speaker 1>stair staircase, three or four of those stairs are taken

0:41:44.400 --> 0:41:49.280
<v Speaker 1>up by the camera crew. Mhm. Then mathematically I've taken

0:41:49.320 --> 0:41:52.560
<v Speaker 1>away three or four from twelve and ended up with six.

0:41:54.400 --> 0:41:56.680
<v Speaker 1>That's just where we're at. We're just going to leave

0:41:56.719 --> 0:41:58.759
<v Speaker 1>that there and move on. We're just gonna move on.

0:41:58.840 --> 0:42:01.319
<v Speaker 1>No words need to be said, but don't make sure

0:42:01.320 --> 0:42:04.400
<v Speaker 1>well this scene, this fight scene, I think, if I'm

0:42:04.440 --> 0:42:07.560
<v Speaker 1>not mistaken, was the first major scene we shot on

0:42:07.760 --> 0:42:12.000
<v Speaker 1>our three sixty degree green screen. Um, and they had

0:42:12.200 --> 0:42:16.919
<v Speaker 1>but they had practical lighting rig lightning rig, so our

0:42:17.040 --> 0:42:19.600
<v Speaker 1>our DP could press a button and the lightning would

0:42:19.640 --> 0:42:23.280
<v Speaker 1>happen and that really it would go off. But I

0:42:23.280 --> 0:42:25.880
<v Speaker 1>loved doing this scene. This is also our first scene

0:42:26.440 --> 0:42:30.120
<v Speaker 1>right out in This is our first Clary j scene

0:42:30.120 --> 0:42:33.440
<v Speaker 1>out in the wilds. That isn't like training or whatever.

0:42:33.840 --> 0:42:36.600
<v Speaker 1>This is. This might be our first fight scene. Honestly,

0:42:36.760 --> 0:42:38.319
<v Speaker 1>I think it is our first fight scene that you

0:42:38.400 --> 0:42:41.560
<v Speaker 1>and I did all of Yeah, because I think this

0:42:41.640 --> 0:42:43.719
<v Speaker 1>was by this time we had trained with Darren and

0:42:43.840 --> 0:42:46.359
<v Speaker 1>Dino enough where we had gotten to a point where

0:42:46.360 --> 0:42:50.160
<v Speaker 1>they trusted us to do the whole fight and we

0:42:50.160 --> 0:42:51.920
<v Speaker 1>were able to do it. I mean, obviously you know,

0:42:52.040 --> 0:42:56.440
<v Speaker 1>Aaron and Mary ever were there, but they they just

0:42:56.520 --> 0:42:58.680
<v Speaker 1>end up using us, Yeah, which I was I was

0:42:58.719 --> 0:43:00.560
<v Speaker 1>really proud of because you and I were really yeah,

0:43:00.640 --> 0:43:03.600
<v Speaker 1>me too, me too. Yeah, And this was the one.

0:43:03.960 --> 0:43:07.400
<v Speaker 1>This wasn't this the granite smoke day. Yes, when we

0:43:07.440 --> 0:43:09.600
<v Speaker 1>turned up and the granite it was they So they

0:43:09.640 --> 0:43:11.799
<v Speaker 1>went down very often. They went down the floors, which

0:43:11.800 --> 0:43:13.319
<v Speaker 1>we don't talk about that much, but we haven't really

0:43:13.360 --> 0:43:15.400
<v Speaker 1>seen the Shadow Hunters prison yet and that's where they

0:43:15.440 --> 0:43:17.120
<v Speaker 1>really went down the floors and it was a nightmare.

0:43:18.120 --> 0:43:21.840
<v Speaker 1>But they have things. Floors look better than wet floors

0:43:21.840 --> 0:43:24.640
<v Speaker 1>have It looked better than regular floors, apparently on screen.

0:43:24.719 --> 0:43:27.279
<v Speaker 1>I didn't know this, but our floors were constantly fucking wet,

0:43:27.680 --> 0:43:29.879
<v Speaker 1>and so they when they made this. There's little bits

0:43:29.880 --> 0:43:33.040
<v Speaker 1>of like shale of granite throughout this and they wet

0:43:33.080 --> 0:43:35.359
<v Speaker 1>it down overnight and then in the morning it all

0:43:35.400 --> 0:43:37.800
<v Speaker 1>dried up and just this like powdery granite was in

0:43:37.840 --> 0:43:39.719
<v Speaker 1>the air. So we did our first rehearsal and neither

0:43:39.760 --> 0:43:42.880
<v Speaker 1>of us could breathe. We were like going on, like

0:43:42.920 --> 0:43:45.960
<v Speaker 1>what do they just breathe or see um? So they

0:43:45.960 --> 0:43:47.960
<v Speaker 1>had to go back and like between takes, had to

0:43:48.000 --> 0:43:49.640
<v Speaker 1>spray it all down so there wasn't the powder in

0:43:49.680 --> 0:43:51.120
<v Speaker 1>the air that we were breathing it, but it was.

0:43:51.480 --> 0:43:53.400
<v Speaker 1>It was really something and also the camera crew did

0:43:53.400 --> 0:43:56.120
<v Speaker 1>an amazing job on this one. They really did it. Also.

0:43:56.680 --> 0:43:58.759
<v Speaker 1>Ever since this, this flight scene is stuck with me

0:43:58.800 --> 0:44:02.120
<v Speaker 1>because you know, fight scenes always seemed to be in

0:44:02.160 --> 0:44:05.600
<v Speaker 1>a storm during lightning when there's wind right and as

0:44:05.640 --> 0:44:08.520
<v Speaker 1>someone who has very long hair that's often down in

0:44:08.560 --> 0:44:11.000
<v Speaker 1>these fight scenes that becomes a bit of a problem.

0:44:11.080 --> 0:44:13.200
<v Speaker 1>But I was so glad that I had this experience

0:44:13.200 --> 0:44:16.360
<v Speaker 1>because I remember being um. I was on Arrow during

0:44:16.360 --> 0:44:19.360
<v Speaker 1>one of our season finales and I had to do

0:44:19.400 --> 0:44:21.720
<v Speaker 1>a fight scene on top of a ten foot wall

0:44:22.320 --> 0:44:24.960
<v Speaker 1>without a wire. But that was about maybe six or

0:44:25.000 --> 0:44:27.040
<v Speaker 1>seven ft wide. Yeah, but it was like ten ft

0:44:27.080 --> 0:44:29.000
<v Speaker 1>off the ground and they put stunt mats on either

0:44:29.040 --> 0:44:31.680
<v Speaker 1>side of it. But my hair was literally it was.

0:44:31.719 --> 0:44:34.040
<v Speaker 1>It was all wind and our stunt team. They were

0:44:34.040 --> 0:44:36.920
<v Speaker 1>in masks as well, so nobody could see, and they

0:44:36.920 --> 0:44:39.440
<v Speaker 1>had light going off and all this crazy stuff. But

0:44:39.719 --> 0:44:41.759
<v Speaker 1>I always kept thinking back to this fight scene and

0:44:41.800 --> 0:44:43.440
<v Speaker 1>I'm like, well, I got through this one, so you know,

0:44:43.480 --> 0:44:48.040
<v Speaker 1>hopefully I won't fall off this wall. That's interesting. Yeah,

0:44:48.520 --> 0:44:50.680
<v Speaker 1>I have questions about that, but they guys, look at

0:44:50.719 --> 0:44:54.600
<v Speaker 1>that flip. Look at that gainer that you're doing, Dan, dude.

0:44:54.680 --> 0:44:56.600
<v Speaker 1>That was the one that was the one that got me.

0:44:56.760 --> 0:44:58.760
<v Speaker 1>That was when Dean and I, Dean and I, Darren

0:44:58.760 --> 0:45:00.920
<v Speaker 1>and I had that conversation of like, do my hip

0:45:01.000 --> 0:45:03.680
<v Speaker 1>hurts and He's like, yeah, man, it will, Like if

0:45:03.680 --> 0:45:05.759
<v Speaker 1>you want to do stunts. You don't come to me

0:45:05.920 --> 0:45:07.759
<v Speaker 1>every time you've got a little bruise. You come to

0:45:07.760 --> 0:45:10.080
<v Speaker 1>me when you do something's really wrong or you feel unsafe,

0:45:10.239 --> 0:45:11.600
<v Speaker 1>and then we take care of it. But like you

0:45:11.600 --> 0:45:14.120
<v Speaker 1>want to do your stunts, you're gonna get bruised up. Yeah. Sorry,

0:45:14.120 --> 0:45:16.839
<v Speaker 1>the guy just did the arm break and the way

0:45:16.840 --> 0:45:19.359
<v Speaker 1>that he'd like contorted his arm to make it look

0:45:19.400 --> 0:45:22.760
<v Speaker 1>that way. Yeah, the double slice take that man down.

0:45:23.640 --> 0:45:26.640
<v Speaker 1>So satisfied with the overhead shot, the solid overhead shot

0:45:26.640 --> 0:45:28.680
<v Speaker 1>when we timed it out correctly, Yeah, dude. And I

0:45:28.719 --> 0:45:31.120
<v Speaker 1>remember this was again one of the early times where

0:45:31.160 --> 0:45:33.080
<v Speaker 1>I saw Darren. Darren used to do this thing where

0:45:33.120 --> 0:45:34.920
<v Speaker 1>he would sit behind the monitors, and I'm sure he

0:45:34.920 --> 0:45:37.480
<v Speaker 1>still does this, but he's so invested in what we're

0:45:37.520 --> 0:45:40.000
<v Speaker 1>doing and you'd see him like jumping up and down

0:45:40.040 --> 0:45:42.200
<v Speaker 1>like a little kid, like like doing what we're doing.

0:45:42.440 --> 0:45:45.880
<v Speaker 1>And then when it works, he's like yes, yes, and

0:45:45.960 --> 0:45:48.520
<v Speaker 1>that excitement builds within us as well. And that was

0:45:48.560 --> 0:45:50.000
<v Speaker 1>this was one of the first times that I really

0:45:50.040 --> 0:45:51.560
<v Speaker 1>saw it and you could sell like we were done

0:45:51.560 --> 0:45:53.600
<v Speaker 1>with our shot and we turned around and he's like, oh, yeah,

0:45:53.600 --> 0:45:56.480
<v Speaker 1>we fucking nailed it, and that makes us feel great, Like, yeah,

0:45:56.560 --> 0:45:58.680
<v Speaker 1>that was a really cool, cool one. It's like when

0:45:58.680 --> 0:46:00.400
<v Speaker 1>you're you know, playing sports, and you look over and

0:46:00.440 --> 0:46:03.080
<v Speaker 1>you just see your coach beaming with pride. That's that's

0:46:03.080 --> 0:46:06.359
<v Speaker 1>all you want, right. Yeah, we never get to hear

0:46:06.400 --> 0:46:09.000
<v Speaker 1>Gray Mark anymore. Sorry, I'm back in the scene with

0:46:09.800 --> 0:46:14.680
<v Speaker 1>Valentine and Cleophus and Luke Man the sibling relationships. Valentine

0:46:14.719 --> 0:46:18.279
<v Speaker 1>just loves to manipulate them, doesn't he. Of course, no,

0:46:18.760 --> 0:46:23.440
<v Speaker 1>he didn't steal Jocelyn. You became a monster. There's a difference. Yeah, right,

0:46:23.640 --> 0:46:26.480
<v Speaker 1>this is on you, buddy, This is on you. How

0:46:26.520 --> 0:46:29.440
<v Speaker 1>do they get out of this? Clearphus pulls a pulls

0:46:29.440 --> 0:46:32.719
<v Speaker 1>a move and they both get away, and both get away,

0:46:32.840 --> 0:46:35.520
<v Speaker 1>and then we tried free the Angel, not working, not working.

0:46:35.760 --> 0:46:39.799
<v Speaker 1>I think these are the practical wings. You know, Jason

0:46:39.840 --> 0:46:42.879
<v Speaker 1>just starts hacking at the at the change, Yeah, of course, yeah,

0:46:43.040 --> 0:46:46.720
<v Speaker 1>like yeah, he's he's an instrument. He's a blunt instrument.

0:46:46.760 --> 0:46:50.040
<v Speaker 1>That's what he does. He's a hacker, that's what he does.

0:46:51.160 --> 0:46:52.960
<v Speaker 1>I think those are the real wings. I think we

0:46:53.040 --> 0:46:55.040
<v Speaker 1>got the shot with the real wings. I think we

0:46:55.080 --> 0:46:57.239
<v Speaker 1>did because I remember we did one that they like

0:46:57.320 --> 0:47:01.040
<v Speaker 1>they tried. I have to say this gentleman did an

0:47:01.040 --> 0:47:04.080
<v Speaker 1>amazing job with his moment, and it it lived on

0:47:04.200 --> 0:47:07.040
<v Speaker 1>in our set. In fact, every time that we were

0:47:07.040 --> 0:47:09.319
<v Speaker 1>having a hard day or something was going wrong, or

0:47:09.320 --> 0:47:11.439
<v Speaker 1>you know, Murphy's Law came into play on our set,

0:47:11.640 --> 0:47:17.680
<v Speaker 1>our camera operators would use this moment over and over again. Yeah.

0:47:17.680 --> 0:47:20.240
<v Speaker 1>Those are the practical wings. Those are definitely the practical wings.

0:47:20.440 --> 0:47:23.200
<v Speaker 1>They are right, Yeah, I think they were enhanced probably

0:47:23.200 --> 0:47:26.400
<v Speaker 1>a little bit. But well, that's right, and we grab

0:47:26.440 --> 0:47:30.799
<v Speaker 1>his hands m hmm, because I guess you know what

0:47:30.880 --> 0:47:34.640
<v Speaker 1>our potential near future means. Oh right, this is the

0:47:34.719 --> 0:47:39.799
<v Speaker 1>first angelic visions. That's right, Burn Lasagna man. But he

0:47:39.840 --> 0:47:42.880
<v Speaker 1>doesn't look like burn as man in this. He looks good. No,

0:47:43.160 --> 0:47:47.399
<v Speaker 1>that that hand looks more like my demon curse hand. Yeah,

0:47:47.680 --> 0:47:50.000
<v Speaker 1>but it's like goal, it's got like gold bits in it.

0:47:50.000 --> 0:47:53.080
<v Speaker 1>It's it's like it's by design, you know what I mean. Yeah,

0:47:53.360 --> 0:47:55.160
<v Speaker 1>it does like a little burnt I guess. And the

0:47:55.280 --> 0:47:58.000
<v Speaker 1>nails either way, I think it looks fabulous. It's amazing.

0:47:58.080 --> 0:48:00.239
<v Speaker 1>Way to go, folks, VFX. And then the angel goes

0:48:00.239 --> 0:48:02.960
<v Speaker 1>into the sky and we go, what did we just see?

0:48:03.560 --> 0:48:05.719
<v Speaker 1>What did we just see and that is the end

0:48:05.760 --> 0:48:08.920
<v Speaker 1>of our episode for another day. You know, I have

0:48:09.000 --> 0:48:12.360
<v Speaker 1>to apologize because I thought we were doing so badly

0:48:12.360 --> 0:48:16.120
<v Speaker 1>with time. We have nailed it again. We have absolutely

0:48:16.160 --> 0:48:18.520
<v Speaker 1>nailed it. I just looked at our timing. We have

0:48:18.800 --> 0:48:21.840
<v Speaker 1>crushed this one. We did a fantastic job. It's probably you.

0:48:21.840 --> 0:48:24.200
<v Speaker 1>You're better at time keeping the me and we do

0:48:24.280 --> 0:48:26.960
<v Speaker 1>a good I can only guarantee that it was you know,

0:48:27.000 --> 0:48:28.719
<v Speaker 1>I gotta say, I gotta credit both of us because

0:48:28.760 --> 0:48:31.799
<v Speaker 1>we we each loved the tangent and get caught in

0:48:32.040 --> 0:48:34.239
<v Speaker 1>a story or this or that when it comes to

0:48:34.280 --> 0:48:35.759
<v Speaker 1>the show and we do a really good job at

0:48:35.760 --> 0:48:37.480
<v Speaker 1>bringing each other in. We do. We bring each other

0:48:37.480 --> 0:48:43.240
<v Speaker 1>back into it. We work well together. Go figure, Go figure.

0:48:43.719 --> 0:48:47.120
<v Speaker 1>Well until next time, ladies and gentlemen, It's been a

0:48:47.160 --> 0:48:50.920
<v Speaker 1>pleasure as always. Cat, good talking to you, and we'll

0:48:50.960 --> 0:48:53.440
<v Speaker 1>see you soon. Have fun with the gang. Give them

0:48:53.440 --> 0:49:02.040
<v Speaker 1>my love, of course, send it back. Returned to the

0:49:02.040 --> 0:49:05.400
<v Speaker 1>Shadows is hosted and executive produced by me Katheryne McNamara

0:49:05.480 --> 0:49:09.000
<v Speaker 1>and Dominic Sherwood. Our executive producer is Langley. Our senior

0:49:09.000 --> 0:49:12.239
<v Speaker 1>producers are Liz Hayes and Diego Tabia. Our producers are

0:49:12.280 --> 0:49:15.520
<v Speaker 1>Hannah Harris and Kristin Vermilia, and our intern is Sam Katz.

0:49:15.719 --> 0:49:18.920
<v Speaker 1>Original music by Alex Kinsey and performed by Alex Kinsey

0:49:18.960 --> 0:49:25.719
<v Speaker 1>and Katheryn McNamara. The episode was mixed by Seth the Landscape.

0:49:28.239 --> 0:49:30.760
<v Speaker 1>Be sure to subscribe to return to the Shadows wherever

0:49:30.800 --> 0:49:32.920
<v Speaker 1>you get your podcasts, and don't forget to leave us

0:49:32.920 --> 0:49:33.360
<v Speaker 1>a review.