1
00:00:00,640 --> 00:00:05,720
Speaker 1: A little holiday any other mainstreams media outlet.

2
00:00:06,320 --> 00:00:14,160
Speaker 2: Breakfast Club, you never come here when it DJ Envy

3
00:00:14,360 --> 00:00:16,480
Speaker 2: and Charlamagne the guy being here.

4
00:00:16,320 --> 00:00:18,520
Speaker 3: Next to all of you guys. It's really this.

5
00:00:18,640 --> 00:00:20,880
Speaker 4: It's one of my favorite shows to do, just because

6
00:00:20,960 --> 00:00:22,160
Speaker 4: you'll always keeping one.

7
00:00:22,079 --> 00:00:24,600
Speaker 5: Honey, y'all keep it real. But what better place than

8
00:00:24,880 --> 00:00:25,239
Speaker 5: than here?

9
00:00:25,760 --> 00:00:28,479
Speaker 6: I think everybody should go on the Breakfast Club and

10
00:00:28,720 --> 00:00:29,480
Speaker 6: start out there.

11
00:00:29,720 --> 00:00:31,000
Speaker 5: You want to shake it up.

12
00:00:33,840 --> 00:00:34,360
Speaker 7: Right right?

13
00:00:34,479 --> 00:00:36,440
Speaker 5: Ray yo, Charlemagne, yasy?

14
00:00:36,600 --> 00:00:37,640
Speaker 8: What up are we live?

15
00:00:37,920 --> 00:00:39,520
Speaker 5: This is your time to get it off your chest?

16
00:00:39,600 --> 00:00:42,840
Speaker 5: I gotta indoor pool pool. We want to hear from

17
00:00:42,840 --> 00:00:43,800
Speaker 5: you on the Breakfast Club.

18
00:00:44,000 --> 00:00:45,800
Speaker 9: Get on the phone right now here, tell you what

19
00:00:45,880 --> 00:00:46,519
Speaker 9: it is.

20
00:00:46,560 --> 00:00:50,400
Speaker 5: We lie hello this what of it? Yo?

21
00:00:50,720 --> 00:00:52,000
Speaker 9: What's up? It's your boy ding?

22
00:00:52,080 --> 00:00:54,480
Speaker 7: Go get it off your chest?

23
00:00:54,480 --> 00:00:58,360
Speaker 9: Didn't go and look, I'd have had a crazy week.

24
00:00:58,520 --> 00:01:00,680
Speaker 9: And I just want to say that I'm over the

25
00:01:00,800 --> 00:01:04,280
Speaker 9: data scene right now. I unscrewed this girl out this

26
00:01:04,360 --> 00:01:07,680
Speaker 9: past week here. It was white. I ain't gonna lie

27
00:01:07,800 --> 00:01:11,160
Speaker 9: it was whack shot out to Kendrick D. I was

28
00:01:11,200 --> 00:01:13,520
Speaker 9: on her single show a couple of weeks back there.

29
00:01:13,760 --> 00:01:15,520
Speaker 9: You know what I'm saying. Put up my little my

30
00:01:15,560 --> 00:01:18,679
Speaker 9: little spiel passed some shorties hit me up. It was cool.

31
00:01:19,360 --> 00:01:21,360
Speaker 9: On one that you know, I decided to fire. I

32
00:01:21,600 --> 00:01:24,759
Speaker 9: was having some good conversation because she was from Atlanta, right,

33
00:01:25,280 --> 00:01:29,040
Speaker 9: so I got her out. We was chilling. We was talking,

34
00:01:29,319 --> 00:01:31,200
Speaker 9: I pay for everything right, take care of her, take

35
00:01:31,240 --> 00:01:33,759
Speaker 9: care of the arrangements, took that a hotel, took careything

36
00:01:33,800 --> 00:01:36,559
Speaker 9: we did. But she wasn't really giving me the vibe

37
00:01:36,680 --> 00:01:38,920
Speaker 9: that it was trying to be romantic. It seemed like

38
00:01:38,959 --> 00:01:40,119
Speaker 9: she was just looking for a trick.

39
00:01:40,360 --> 00:01:40,640
Speaker 7: Tyler.

40
00:01:45,280 --> 00:01:45,760
Speaker 9: No, no, no, no.

41
00:01:45,800 --> 00:01:46,360
Speaker 5: We talked.

42
00:01:46,520 --> 00:01:48,960
Speaker 9: We talked I for like a good two weeks or

43
00:01:48,960 --> 00:01:51,720
Speaker 9: so prior to her coming out, right, and we could

44
00:01:51,720 --> 00:01:54,720
Speaker 9: have starved this there like, hey, like you don't you

45
00:01:54,760 --> 00:01:55,840
Speaker 9: don't want to do nothing like that.

46
00:01:55,880 --> 00:01:56,480
Speaker 10: That's cool.

47
00:01:56,680 --> 00:01:58,360
Speaker 9: You just gotta let me know before I spend all

48
00:01:58,360 --> 00:02:00,800
Speaker 9: this money, you make all this arrangements that you feel me.

49
00:02:01,000 --> 00:02:03,160
Speaker 9: I feel like that's it because you're coming out, you're

50
00:02:03,200 --> 00:02:05,480
Speaker 9: flying out, and I'm taking care of everything. And I

51
00:02:05,600 --> 00:02:09,639
Speaker 9: told you that, right, and you get here and you're like, oh,

52
00:02:10,200 --> 00:02:12,040
Speaker 9: I ain't trying to be on that, which is cool.

53
00:02:12,160 --> 00:02:14,440
Speaker 9: I get that, that's fine, but tell me.

54
00:02:14,520 --> 00:02:17,840
Speaker 5: Up, I don't what She's not trying to be.

55
00:02:17,800 --> 00:02:20,400
Speaker 9: On Okay, look, do you want to be a romantic?

56
00:02:20,480 --> 00:02:22,160
Speaker 9: She aren't trying to like you know what I'm saying, like,

57
00:02:22,360 --> 00:02:23,880
Speaker 9: you know, trying to pull upon. We just trying to

58
00:02:23,880 --> 00:02:26,520
Speaker 9: show signs of affection. You feel me like that? You

59
00:02:26,639 --> 00:02:30,720
Speaker 9: real first look, Look, it ain't the first account. It's

60
00:02:30,760 --> 00:02:33,560
Speaker 9: just yet first time meeting each other. But we've been talking,

61
00:02:33,600 --> 00:02:34,840
Speaker 9: we've been establishing each other.

62
00:02:38,960 --> 00:02:40,600
Speaker 5: To meet that will.

63
00:02:41,080 --> 00:02:43,359
Speaker 4: Yes, when you meet a person in person, you know

64
00:02:43,400 --> 00:02:45,240
Speaker 4: you got to feel energy. The energy might not have

65
00:02:45,240 --> 00:02:48,119
Speaker 4: been right for her, like the phone calls and whatever

66
00:02:48,200 --> 00:02:50,160
Speaker 4: y'all was doing might have been different than actually meeting

67
00:02:50,160 --> 00:02:50,440
Speaker 4: each other.

68
00:02:50,520 --> 00:02:51,320
Speaker 5: You got to do it some time.

69
00:02:51,400 --> 00:02:52,919
Speaker 11: Sounds like you wanted to prout if you wanted to

70
00:02:52,919 --> 00:02:54,079
Speaker 11: pay for somebody to get some sex.

71
00:02:54,280 --> 00:02:54,840
Speaker 7: She wanted.

72
00:02:56,200 --> 00:02:58,280
Speaker 5: And he said, but you probably seem thurstay. She probably

73
00:02:58,360 --> 00:03:00,880
Speaker 5: felt you out and think I'm pretty thirsty.

74
00:03:00,919 --> 00:03:04,160
Speaker 9: Bro, You're right, you're right, you're right. From the girls respective, Yes,

75
00:03:04,200 --> 00:03:06,240
Speaker 9: that is a free trip. And I wasn't trying to

76
00:03:06,240 --> 00:03:11,280
Speaker 9: be thirsty. I was very respectful. But because you love

77
00:03:12,480 --> 00:03:15,160
Speaker 9: the process, I tided the process and think about everything

78
00:03:15,200 --> 00:03:16,519
Speaker 9: that happen. Looking at my bank acount.

79
00:03:16,600 --> 00:03:18,880
Speaker 5: I'm like, God, Dad, how much you spend this weekend?

80
00:03:19,720 --> 00:03:19,880
Speaker 3: Man?

81
00:03:19,919 --> 00:03:20,480
Speaker 9: I slipped over.

82
00:03:20,600 --> 00:03:24,919
Speaker 5: G you should have said limits, man, you should well okay.

83
00:03:25,120 --> 00:03:30,600
Speaker 9: From the lady, from the lady in the house. Okay, Cappuccino,

84
00:03:30,600 --> 00:03:32,200
Speaker 9: I'm sorry, Cappucino. That's fine.

85
00:03:32,240 --> 00:03:32,680
Speaker 12: Harangle out.

86
00:03:32,880 --> 00:03:36,360
Speaker 9: So if you want to get thrown out by a dude, right,

87
00:03:36,800 --> 00:03:37,240
Speaker 9: are you not?

88
00:03:37,680 --> 00:03:37,760
Speaker 5: Like?

89
00:03:37,800 --> 00:03:41,960
Speaker 9: Are you expecting? Are you at least thinking about potentially

90
00:03:42,320 --> 00:03:43,600
Speaker 9: doing something with this guy.

91
00:03:43,680 --> 00:03:45,840
Speaker 13: If we have a good conversation over the phone for

92
00:03:45,840 --> 00:03:48,160
Speaker 13: the for the past two weeks, as you said, maybe

93
00:03:48,160 --> 00:03:49,800
Speaker 13: and maybe not, because once I get in front of

94
00:03:49,840 --> 00:03:51,400
Speaker 13: you, you may be a whole different person from what I

95
00:03:51,400 --> 00:03:52,040
Speaker 13: get over the phone.

96
00:03:52,200 --> 00:03:53,640
Speaker 5: She said. You might not look at the way you

97
00:03:53,640 --> 00:03:56,640
Speaker 5: think you look. You may act a little different when

98
00:03:56,640 --> 00:03:58,120
Speaker 5: we when were you know, face to face.

99
00:03:58,680 --> 00:04:01,560
Speaker 9: Okay, okay, So I'm so you're saying that I may

100
00:04:01,640 --> 00:04:02,440
Speaker 9: be overreacting.

101
00:04:02,640 --> 00:04:05,600
Speaker 11: Yeah, it may be you, tyler, because I ain't like

102
00:04:06,000 --> 00:04:06,320
Speaker 11: flying me.

103
00:04:06,400 --> 00:04:08,680
Speaker 5: I ain't giving you nothing. Yeah, I appreciate that you

104
00:04:08,680 --> 00:04:12,440
Speaker 5: gotta work for this temple free fool. Look, Oh my god.

105
00:04:12,680 --> 00:04:15,720
Speaker 9: So okay, So okay, to my defense, I wouldn't be

106
00:04:15,760 --> 00:04:17,400
Speaker 9: wrong for not hitting her back up right.

107
00:04:18,120 --> 00:04:20,320
Speaker 4: No, well, you'd be letting her know that you only

108
00:04:20,360 --> 00:04:22,560
Speaker 4: wanted one thing, so her instincts were correct.

109
00:04:23,720 --> 00:04:29,600
Speaker 5: Ah, okay, Tyler, you call her Tyler. That's his name.

110
00:04:29,800 --> 00:04:32,479
Speaker 5: That name is Dingo. Oh wait, that's Dingo. Shoot. No,

111
00:04:32,600 --> 00:04:34,680
Speaker 5: that man boy's real name. Man, that's what it says

112
00:04:34,720 --> 00:04:38,760
Speaker 5: on this it's that Dingle. His name is Tyler. Today. No,

113
00:04:38,839 --> 00:04:39,200
Speaker 5: it's not.

114
00:04:39,360 --> 00:04:41,719
Speaker 11: Get it off your chest eight hundred five eight five

115
00:04:41,760 --> 00:04:43,479
Speaker 11: one oh five one. If you need the vent phone

116
00:04:43,520 --> 00:04:46,200
Speaker 11: lines wide open, it's the Breakfast Club. Good morning, the

117
00:04:46,360 --> 00:04:53,120
Speaker 11: Breakfast Club. Wait, this is your time to get it

118
00:04:53,160 --> 00:04:55,720
Speaker 11: off your chest. Eight hundred five eight five one o

119
00:04:55,880 --> 00:04:57,479
Speaker 11: five one. We want to hear from you on the

120
00:04:57,480 --> 00:04:58,160
Speaker 11: Breakfast Club.

121
00:05:00,000 --> 00:05:04,599
Speaker 5: Hello, Hello, Hey Leona, get it off your chest.

122
00:05:04,600 --> 00:05:08,600
Speaker 9: Mama, I just wanted to talk about that. I said,

123
00:05:08,680 --> 00:05:11,799
Speaker 9: I feel like wom to heal from my past trauma.

124
00:05:12,160 --> 00:05:15,039
Speaker 7: He said, on say that again, Mama, us women to.

125
00:05:15,120 --> 00:05:16,600
Speaker 9: Heal from my past trauma.

126
00:05:17,640 --> 00:05:18,919
Speaker 8: Amen, you ain't lying.

127
00:05:19,320 --> 00:05:23,560
Speaker 14: Why you say that though, because I'm honestly messing up

128
00:05:23,640 --> 00:05:26,640
Speaker 14: such a great relationship that I have because of my

129
00:05:26,760 --> 00:05:29,440
Speaker 14: past trauma and my own into.

130
00:05:29,240 --> 00:05:30,119
Speaker 9: Carries in the gods.

131
00:05:30,440 --> 00:05:34,360
Speaker 15: And I really realize this is for us to heal

132
00:05:34,480 --> 00:05:36,640
Speaker 15: because we are such.

133
00:05:36,480 --> 00:05:39,000
Speaker 9: A thing that come by often anymore.

134
00:05:39,240 --> 00:05:45,400
Speaker 4: You is absolutely positively the conversation. You cannot love somebody

135
00:05:45,480 --> 00:05:47,920
Speaker 4: until you truly love yourself. And you cannot be happy

136
00:05:47,960 --> 00:05:50,919
Speaker 4: with somebody until you are truly happy with yourself.

137
00:05:51,000 --> 00:05:51,479
Speaker 5: That's right.

138
00:05:51,880 --> 00:05:54,400
Speaker 8: And and and I think part one of this is

139
00:05:54,560 --> 00:05:57,000
Speaker 8: you know it. So now that you know I got

140
00:05:57,000 --> 00:05:59,680
Speaker 8: an issue, I gotta unpack. You can let him know

141
00:06:00,160 --> 00:06:02,320
Speaker 8: so they y'all can try to get through this space together.

142
00:06:02,480 --> 00:06:04,080
Speaker 3: Hopefully you don't ruin a good day.

143
00:06:04,200 --> 00:06:08,720
Speaker 5: That's right? Hello is DJ Andrew Charlomagne the God?

144
00:06:08,800 --> 00:06:09,360
Speaker 9: Good morning?

145
00:06:09,600 --> 00:06:11,240
Speaker 12: What was good?

146
00:06:11,440 --> 00:06:11,760
Speaker 3: Was good?

147
00:06:11,800 --> 00:06:13,039
Speaker 12: I feeling this ball.

148
00:06:12,960 --> 00:06:16,599
Speaker 7: Brother favors o G Robbins bar time.

149
00:06:16,680 --> 00:06:17,360
Speaker 5: That's go o G.

150
00:06:17,920 --> 00:06:20,800
Speaker 10: You already don't check it out this bartob listen man.

151
00:06:21,080 --> 00:06:23,880
Speaker 10: They told me, oh G, just keep the strength and condition.

152
00:06:24,000 --> 00:06:26,600
Speaker 10: There so many punk thinkings you bound to find the

153
00:06:26,720 --> 00:06:30,159
Speaker 10: position in. Can I get a soul clap or sody

154
00:06:30,200 --> 00:06:34,720
Speaker 10: crapping for Benjamin's the architect frame structure connect prepping this project,

155
00:06:34,720 --> 00:06:38,920
Speaker 10: they upset for God to respect the consistency bar maturity.

156
00:06:38,920 --> 00:06:41,080
Speaker 10: I came up with flows fighting with act me I

157
00:06:41,200 --> 00:06:43,920
Speaker 10: get it though they figured I stopped a long time ago.

158
00:06:44,000 --> 00:06:46,600
Speaker 10: But I'm skaped through. No hype man, nothing back of

159
00:06:46,680 --> 00:06:49,080
Speaker 10: me up for seven minute set. That a washed drying

160
00:06:49,200 --> 00:06:51,680
Speaker 10: full them up, not to train, nothing like it a

161
00:06:51,680 --> 00:06:54,159
Speaker 10: sign for hip hop or ron started kick which most

162
00:06:54,240 --> 00:06:56,960
Speaker 10: of them get to dasing the work shop. They basic

163
00:06:57,040 --> 00:07:00,080
Speaker 10: son Sosa sixteens can't be trusted. Let me show you

164
00:07:00,120 --> 00:07:03,359
Speaker 10: why to vot with the crowd numbers O.

165
00:07:03,520 --> 00:07:07,520
Speaker 5: G okay okay o G. I got some bars? Oh G,

166
00:07:07,680 --> 00:07:09,240
Speaker 5: you're ready, I'm ready.

167
00:07:09,400 --> 00:07:12,280
Speaker 11: Who the hell is this paging me at five forty

168
00:07:12,320 --> 00:07:15,480
Speaker 11: six in the morning. Cracker doing in and now I'm yawning.

169
00:07:15,800 --> 00:07:19,120
Speaker 11: Wipe the cold out my eye? See who's paging me this?

170
00:07:19,440 --> 00:07:22,360
Speaker 5: And why? It's my homie Charlotte from the Breakfast Love

171
00:07:22,440 --> 00:07:22,680
Speaker 5: to Me.

172
00:07:22,760 --> 00:07:25,239
Speaker 11: He's in the gambling spot and some dudes just popping

173
00:07:25,320 --> 00:07:26,000
Speaker 11: him in the back.

174
00:07:26,320 --> 00:07:26,720
Speaker 5: Damn.

175
00:07:27,040 --> 00:07:29,800
Speaker 11: Why they try to him in his bunkie, Damn? Why

176
00:07:29,800 --> 00:07:31,440
Speaker 11: do they try to him in his bunkie?

177
00:07:31,680 --> 00:07:32,040
Speaker 7: Damn?

178
00:07:32,200 --> 00:07:34,560
Speaker 5: Why they try to skin him in his bunkie? Damn?

179
00:07:34,720 --> 00:07:39,080
Speaker 11: Why they try to come in his bunkie?

180
00:07:38,200 --> 00:07:38,400
Speaker 8: Big?

181
00:07:39,440 --> 00:07:42,480
Speaker 5: That was crazy for no reason, Yozy.

182
00:07:41,840 --> 00:07:44,440
Speaker 4: At a time like this, look man, I'm not a toy.

183
00:07:44,600 --> 00:07:47,920
Speaker 4: I don't play Envy has to stop being gay. He

184
00:07:47,960 --> 00:07:51,240
Speaker 4: loves crack, broke back Cowboys, Dallas.

185
00:07:52,440 --> 00:08:03,360
Speaker 7: Yo, y'all, get it off your chest.

186
00:08:03,400 --> 00:08:05,680
Speaker 11: Eight hundred five eighty five one O five one if

187
00:08:05,720 --> 00:08:06,840
Speaker 11: you need to hit us up now.

188
00:08:06,840 --> 00:08:12,840
Speaker 5: It's the Breakfast Club. Good morning, the Breakfast Club. Everybody

189
00:08:12,920 --> 00:08:15,800
Speaker 5: is DJ n B, Charlomagne the guy. We are the

190
00:08:15,840 --> 00:08:16,840
Speaker 5: Breakfast Club.

191
00:08:17,200 --> 00:08:20,000
Speaker 11: We got Nyla hanging with us this morning, and we

192
00:08:20,080 --> 00:08:22,920
Speaker 11: have a special guest who Charlamagne.

193
00:08:22,520 --> 00:08:23,679
Speaker 5: Claims is a family.

194
00:08:23,960 --> 00:08:26,240
Speaker 11: What you saying and we say this all the time

195
00:08:26,600 --> 00:08:28,360
Speaker 11: because when we announced that your album came out, he

196
00:08:28,360 --> 00:08:29,840
Speaker 11: didn't even know your album came out.

197
00:08:29,880 --> 00:08:31,680
Speaker 5: And I forced him a main true.

198
00:08:31,600 --> 00:08:37,319
Speaker 14: By that is not true, And we played the song.

199
00:08:37,440 --> 00:08:40,559
Speaker 5: I played the Missy record and Chris Brown record.

200
00:08:40,320 --> 00:08:44,000
Speaker 11: That morning, but I had to make him download the Reckless.

201
00:08:44,000 --> 00:08:45,120
Speaker 5: He didn't even know. That's not true.

202
00:08:45,160 --> 00:08:45,800
Speaker 16: I don't do now.

203
00:08:45,880 --> 00:08:48,400
Speaker 5: That's right. You said you bought it, right, We don't download,

204
00:08:48,760 --> 00:08:51,160
Speaker 5: but you said you bought it. Listen in pieces is

205
00:08:51,160 --> 00:08:51,559
Speaker 5: out right?

206
00:08:51,600 --> 00:08:51,760
Speaker 7: Now?

207
00:08:51,960 --> 00:08:53,240
Speaker 5: Okay? Did you buy it all right?

208
00:08:53,280 --> 00:08:57,080
Speaker 4: Did all your people's online complaining making noise by it?

209
00:08:57,160 --> 00:08:59,960
Speaker 5: I streamed it Okay, morning.

210
00:09:00,280 --> 00:09:03,720
Speaker 16: Great, I'm so happy. Like the past two days, I've been.

211
00:09:03,520 --> 00:09:06,640
Speaker 14: Feeling like great, to be honest, the week and a half,

212
00:09:06,720 --> 00:09:09,160
Speaker 14: like before, it was like a little rocky, but tour

213
00:09:09,280 --> 00:09:11,040
Speaker 14: kind of been getting me out the funk because the

214
00:09:11,080 --> 00:09:13,480
Speaker 14: shows have been amazing. They've all been sold out and

215
00:09:13,520 --> 00:09:16,240
Speaker 14: everyone singing every lyric to every song. So I'm like,

216
00:09:16,280 --> 00:09:19,200
Speaker 14: the love is real and real life. So I've been

217
00:09:19,240 --> 00:09:19,760
Speaker 14: feeling good.

218
00:09:19,840 --> 00:09:21,080
Speaker 4: Why were you in a funk? I know you wasn't

219
00:09:21,120 --> 00:09:23,440
Speaker 4: letting these digital heads on the internet gas.

220
00:09:23,840 --> 00:09:26,040
Speaker 14: I mean like, You're like, we're all humans, so of

221
00:09:26,040 --> 00:09:28,640
Speaker 14: course some things are gonna bother you. And I think

222
00:09:28,640 --> 00:09:31,920
Speaker 14: when you put so much time and effort into the

223
00:09:32,080 --> 00:09:34,320
Speaker 14: art of everything, and it's really a conceptual album.

224
00:09:34,320 --> 00:09:37,000
Speaker 16: My executive produced it. I produced on.

225
00:09:36,880 --> 00:09:38,880
Speaker 14: Twelve out of the fourteen songs on there. I had

226
00:09:38,880 --> 00:09:42,560
Speaker 14: a lot of incredible, amazing talent on the project, so

227
00:09:42,920 --> 00:09:44,400
Speaker 14: I was just like, it's okay.

228
00:09:44,320 --> 00:09:46,200
Speaker 16: Come at me, bro, So I'm ready for it's next,

229
00:09:46,200 --> 00:09:46,720
Speaker 16: to be honest.

230
00:09:46,760 --> 00:09:48,240
Speaker 5: What's the title mean? In pieces?

231
00:09:48,640 --> 00:09:51,280
Speaker 16: Yes, so in pieces it's kind of like a double entendre.

232
00:09:51,440 --> 00:09:54,920
Speaker 14: So in Pieces represents the pieces of my heart that

233
00:09:55,040 --> 00:09:58,960
Speaker 14: has been left broken from life situations, relationships, things like that,

234
00:09:59,000 --> 00:10:01,319
Speaker 14: people seven you in the bast and then it also

235
00:10:01,440 --> 00:10:03,560
Speaker 14: means what's left in pieces is the box that people

236
00:10:03,640 --> 00:10:04,560
Speaker 14: try to put me in.

237
00:10:04,840 --> 00:10:08,520
Speaker 16: On who they think Chloe is, and you know, I

238
00:10:08,679 --> 00:10:10,520
Speaker 16: just have to speak for myself and break through it.

239
00:10:10,640 --> 00:10:12,960
Speaker 16: That's what it means. It's like the simp side and

240
00:10:13,000 --> 00:10:13,880
Speaker 16: then the place of powers.

241
00:10:13,880 --> 00:10:16,680
Speaker 11: It has to be difficult, yeah, because people seen you

242
00:10:16,760 --> 00:10:18,520
Speaker 11: grow up, so it's like we've seen you as this

243
00:10:18,640 --> 00:10:20,600
Speaker 11: young girl, so now when you break it out into

244
00:10:20,600 --> 00:10:23,000
Speaker 11: your own, it has to be difficult for your fans.

245
00:10:23,200 --> 00:10:25,200
Speaker 11: I guess right, maybe maybe not.

246
00:10:25,679 --> 00:10:28,320
Speaker 14: I'm really proud of my sister and I because we've

247
00:10:28,320 --> 00:10:30,840
Speaker 14: been branching out on our own successfully and people are

248
00:10:30,880 --> 00:10:33,680
Speaker 14: getting to like know who we are individually. And I'm

249
00:10:33,760 --> 00:10:36,600
Speaker 14: so blessed that I grew up with her in life

250
00:10:36,640 --> 00:10:39,720
Speaker 14: so we could go through everything together, and it came

251
00:10:39,720 --> 00:10:41,640
Speaker 14: to a point where we were so dependent on one another,

252
00:10:41,679 --> 00:10:44,640
Speaker 14: like we were Signamese twins. So what forced us apart

253
00:10:44,720 --> 00:10:47,080
Speaker 14: was her going to London to shoot Little Mermaid and

254
00:10:47,400 --> 00:10:49,720
Speaker 14: you know, me being in la and especially with the pandemic,

255
00:10:49,760 --> 00:10:52,440
Speaker 14: the travel restrictions going to another country was crazy, so

256
00:10:53,160 --> 00:10:55,080
Speaker 14: as stressful as it was for the both of us.

257
00:10:55,120 --> 00:10:57,520
Speaker 14: We both had separation anxiety. It like forced us to

258
00:10:57,960 --> 00:11:01,800
Speaker 14: figure out, Okay, who's Chloe, who's high? So now when

259
00:11:01,800 --> 00:11:03,600
Speaker 14: we come back together, it's going to be even stronger

260
00:11:03,640 --> 00:11:06,080
Speaker 14: because now we also have a great sense of self.

261
00:11:06,480 --> 00:11:08,599
Speaker 4: Did y'all recognize the growth in each other? You and Holly, Like,

262
00:11:08,600 --> 00:11:10,600
Speaker 4: when y'all finally did get back together, did she see

263
00:11:10,600 --> 00:11:11,040
Speaker 4: growth in you?

264
00:11:11,080 --> 00:11:11,640
Speaker 5: Did you see growth?

265
00:11:11,640 --> 00:11:11,840
Speaker 9: Friend?

266
00:11:12,000 --> 00:11:14,320
Speaker 16: Yes, the crazy thing is growing up.

267
00:11:14,480 --> 00:11:16,480
Speaker 14: It was me who was afraid to speak up, so

268
00:11:16,520 --> 00:11:18,160
Speaker 14: like she would be the one speaking up for me

269
00:11:18,559 --> 00:11:22,080
Speaker 14: and like she's the a yes, she's the like, don't

270
00:11:22,120 --> 00:11:24,640
Speaker 14: mess with her, and it would always be me like, oh.

271
00:11:24,480 --> 00:11:27,280
Speaker 16: My gosh, I like I don't like confrontation things like that.

272
00:11:27,760 --> 00:11:31,320
Speaker 14: And so because of that, I had to force myself

273
00:11:31,320 --> 00:11:33,560
Speaker 14: to speak up for myself because I didn't have my

274
00:11:33,640 --> 00:11:37,320
Speaker 14: sister right there doing it for me. So now I'm

275
00:11:37,480 --> 00:11:41,240
Speaker 14: very independent and very vocal and I say what I

276
00:11:41,320 --> 00:11:44,520
Speaker 14: mean and I mean what I say, and she's recognized that.

277
00:11:44,559 --> 00:11:47,480
Speaker 14: She's like, well, you're like a completely different person. I'm

278
00:11:47,520 --> 00:11:50,000
Speaker 14: so proud of her because she's confident in who she

279
00:11:50,160 --> 00:11:52,679
Speaker 14: is as an individual as well, like we both were

280
00:11:52,679 --> 00:11:54,880
Speaker 14: missing that and now we both found it, so it's

281
00:11:54,880 --> 00:11:55,600
Speaker 14: like we're stronger.

282
00:11:55,679 --> 00:11:57,600
Speaker 11: Did that change because you missed your sister or was

283
00:11:57,600 --> 00:11:59,480
Speaker 11: it a relationship that made you change? It was right

284
00:11:59,520 --> 00:12:02,040
Speaker 11: in your music that made you say, what was that change?

285
00:12:02,160 --> 00:12:04,559
Speaker 16: That's a great question. I think it was a combination

286
00:12:04,720 --> 00:12:05,360
Speaker 16: of everything.

287
00:12:05,760 --> 00:12:07,880
Speaker 14: I think it got to a point where I realized,

288
00:12:07,880 --> 00:12:10,600
Speaker 14: if I don't fight for myself, then I'm just gonna

289
00:12:10,600 --> 00:12:12,679
Speaker 14: be left in the dust. And if I don't speak

290
00:12:12,720 --> 00:12:14,480
Speaker 14: up for what I want and speak up for who

291
00:12:14,520 --> 00:12:17,560
Speaker 14: I am as a human being, then like it's just

292
00:12:17,600 --> 00:12:19,520
Speaker 14: going to fall on deaf ears and clothes mouths don't

293
00:12:19,520 --> 00:12:22,560
Speaker 14: get fed. So you know, throughout the music, I was

294
00:12:22,559 --> 00:12:24,800
Speaker 14: finding my strength because I was saying things that I

295
00:12:24,840 --> 00:12:27,599
Speaker 14: was afraid to say or speak up to certain individuals.

296
00:12:27,640 --> 00:12:30,480
Speaker 16: And then from there it just grew. From that, it was.

297
00:12:30,480 --> 00:12:33,240
Speaker 14: Like it just kept growing and growing and now it

298
00:12:33,280 --> 00:12:34,199
Speaker 14: can't really stop.

299
00:12:34,440 --> 00:12:37,000
Speaker 17: I feel like, growing up as women were taught to

300
00:12:37,120 --> 00:12:38,600
Speaker 17: like not be so vocal.

301
00:12:38,679 --> 00:12:40,760
Speaker 16: So now that you are being vocal, do you.

302
00:12:40,760 --> 00:12:42,080
Speaker 3: Feel like you're being a like?

303
00:12:42,120 --> 00:12:43,880
Speaker 17: Do you feel like like you have to turn on

304
00:12:43,960 --> 00:12:45,160
Speaker 17: a new version of yourself?

305
00:12:45,240 --> 00:12:48,719
Speaker 16: Absolutely not. It's not about what you say, but how

306
00:12:48,720 --> 00:12:49,240
Speaker 16: you say it.

307
00:12:49,320 --> 00:12:51,960
Speaker 14: You can command a room without having to bark so loud,

308
00:12:52,240 --> 00:12:54,600
Speaker 14: and as long as you believe in what you're saying

309
00:12:54,760 --> 00:12:58,199
Speaker 14: and you don't change in that for anybody, people will

310
00:12:58,200 --> 00:12:58,720
Speaker 14: respect you.

311
00:12:59,400 --> 00:13:02,160
Speaker 5: Was Railway based on a true story. Yes.

312
00:13:02,320 --> 00:13:04,760
Speaker 14: So I wrote that song with my girl Jossy, and

313
00:13:05,360 --> 00:13:07,640
Speaker 14: I kept seeing her like three four times that week

314
00:13:07,679 --> 00:13:09,760
Speaker 14: at every event, and I'm all about signs, like I

315
00:13:10,480 --> 00:13:12,760
Speaker 14: don't feel there are any coincidences in life, and I

316
00:13:12,800 --> 00:13:20,120
Speaker 14: was like, so the final place I saw her I

317
00:13:20,240 --> 00:13:20,720
Speaker 14: signed it to.

318
00:13:22,000 --> 00:13:23,320
Speaker 3: But I was like, okay.

319
00:13:23,360 --> 00:13:25,680
Speaker 14: So we passed each other going to the ladies room

320
00:13:25,920 --> 00:13:27,040
Speaker 14: at the studio.

321
00:13:26,880 --> 00:13:28,400
Speaker 16: And I was like, I got back in my session,

322
00:13:28,440 --> 00:13:30,200
Speaker 16: I said. So I texted her. I was like, can

323
00:13:30,240 --> 00:13:30,719
Speaker 16: you come in here?

324
00:13:30,720 --> 00:13:32,440
Speaker 14: And she played me a few demos and it was

325
00:13:32,440 --> 00:13:35,079
Speaker 14: the skeleton of Pray It Away. It was originally called Church.

326
00:13:35,360 --> 00:13:37,480
Speaker 14: I was like, I'm in love with this because I

327
00:13:37,480 --> 00:13:38,040
Speaker 14: loved how.

328
00:13:37,920 --> 00:13:38,600
Speaker 16: Open it was.

329
00:13:38,800 --> 00:13:42,160
Speaker 14: It was completely raw and honest, and for me, I've

330
00:13:42,320 --> 00:13:45,800
Speaker 14: always learned to just be the bigger person and turn

331
00:13:45,840 --> 00:13:48,240
Speaker 14: the other cheek and it's like, sometimes you do want

332
00:13:48,240 --> 00:13:50,720
Speaker 14: to get down and dirty and get on that person

333
00:13:50,760 --> 00:13:53,160
Speaker 14: same level, but I will never give anyone that power

334
00:13:53,200 --> 00:13:53,560
Speaker 14: over me.

335
00:13:53,800 --> 00:13:55,280
Speaker 16: So it's like, you know, I'm gonna pray it away.

336
00:13:55,440 --> 00:13:56,720
Speaker 16: So it was quite easy to.

337
00:13:56,600 --> 00:13:59,320
Speaker 14: Finish out the song because there has been people who

338
00:13:59,360 --> 00:14:01,280
Speaker 14: have tried me and I love it.

339
00:14:01,559 --> 00:14:02,280
Speaker 16: I really.

340
00:14:03,600 --> 00:14:05,439
Speaker 4: When the last time you really wanted a person hurt,

341
00:14:05,440 --> 00:14:07,319
Speaker 4: because that's what the song is, That's what the.

342
00:14:07,280 --> 00:14:09,000
Speaker 5: Song is about. You want a person hurt, but didn't

343
00:14:09,000 --> 00:14:09,800
Speaker 5: having to pray it away.

344
00:14:09,960 --> 00:14:11,480
Speaker 14: I think the last time I felt like I wanted

345
00:14:11,480 --> 00:14:13,240
Speaker 14: somebody to hurt five days ago.

346
00:14:13,760 --> 00:14:19,320
Speaker 5: Yeah, five days she said, how long?

347
00:14:21,200 --> 00:14:23,840
Speaker 17: Yeah you need hurt though you don't really mean hurt,

348
00:14:23,880 --> 00:14:25,280
Speaker 17: You just mean like you want them to feel how

349
00:14:25,320 --> 00:14:25,720
Speaker 17: you feel.

350
00:14:25,840 --> 00:14:28,320
Speaker 14: Yes, okay, like, but the thing is we never have

351
00:14:28,480 --> 00:14:31,560
Speaker 14: to do the work like karma speaks for itself true,

352
00:14:31,640 --> 00:14:34,800
Speaker 14: you know, So never give someone power to.

353
00:14:34,720 --> 00:14:35,640
Speaker 16: Get you out of your characters.

354
00:14:35,640 --> 00:14:38,120
Speaker 17: And you've never been like or you don't believe in

355
00:14:38,120 --> 00:14:39,760
Speaker 17: like Spike, like I got to get my get back.

356
00:14:40,520 --> 00:14:42,360
Speaker 14: I don't because I don't want it to come back

357
00:14:42,360 --> 00:14:45,080
Speaker 14: to me in turn. So I just let them dig

358
00:14:45,120 --> 00:14:46,040
Speaker 14: themselves in a ditch.

359
00:14:46,480 --> 00:14:48,560
Speaker 5: We come on with Chloe Bailey. When we come back,

360
00:14:48,640 --> 00:14:49,080
Speaker 5: don't move.

361
00:14:49,080 --> 00:14:56,560
Speaker 11: It's the Breakfast Club, Good Morning the Breakfast Club NV.

362
00:14:56,800 --> 00:14:58,920
Speaker 11: Charlamagne the God. We are to Breakfast Club. We have

363
00:14:59,000 --> 00:15:01,160
Speaker 11: not listen on here. We're still kicking it with Chloe

364
00:15:01,240 --> 00:15:02,120
Speaker 11: Bailey Nava.

365
00:15:02,160 --> 00:15:05,120
Speaker 17: So you talked about stepping into your sexuality on the album,

366
00:15:05,160 --> 00:15:07,080
Speaker 17: and obviously we've been seeing it in the music videos

367
00:15:07,120 --> 00:15:10,200
Speaker 17: and stuff like that. But swarm that clip that was

368
00:15:10,240 --> 00:15:13,440
Speaker 17: trending on Twitter. People were making it sound like I'm

369
00:15:13,440 --> 00:15:14,480
Speaker 17: getting close, like did you see?

370
00:15:14,520 --> 00:15:14,960
Speaker 3: Did you see?

371
00:15:15,040 --> 00:15:17,200
Speaker 17: I'm like, what, I guess? I go look at it

372
00:15:17,240 --> 00:15:19,000
Speaker 17: and then I look and I'm like, it's really not that.

373
00:15:19,120 --> 00:15:20,960
Speaker 17: It's two seconds, Yeah, it's really not that.

374
00:15:21,160 --> 00:15:27,240
Speaker 5: Yeah, christ well but that's like ten minutes. Okay, So

375
00:15:27,360 --> 00:15:30,240
Speaker 5: this is man, y'all. Don't ever think about us, right,

376
00:15:30,320 --> 00:15:31,240
Speaker 5: never think about us.

377
00:15:31,520 --> 00:15:35,280
Speaker 14: So, because God is good, lessons are flowing. I'm an

378
00:15:35,320 --> 00:15:37,720
Speaker 14: actress as well. What I love about acting is that

379
00:15:37,920 --> 00:15:41,400
Speaker 14: I'm not Chloe whenever I'm playing that certain character and

380
00:15:41,520 --> 00:15:44,440
Speaker 14: shout out to Donald Glover, Jenny Neighbors, Dominique Fishback and

381
00:15:44,520 --> 00:15:46,880
Speaker 14: Damnson like we had the best time. And when I

382
00:15:46,920 --> 00:15:48,640
Speaker 14: was shooting on that set, I fell more in love

383
00:15:48,680 --> 00:15:49,160
Speaker 14: with acting.

384
00:15:49,520 --> 00:15:51,880
Speaker 16: I barely wore makeup everything was shot on.

385
00:15:51,920 --> 00:15:55,680
Speaker 14: Film and music, you win and thrive off of being

386
00:15:55,720 --> 00:15:59,280
Speaker 14: this image of perfection or whatnot. Like you get clown

387
00:15:59,360 --> 00:16:01,680
Speaker 14: for messing up or tripping or falling on stage or

388
00:16:01,880 --> 00:16:04,720
Speaker 14: looking a hot mess on the carpet. But with acting,

389
00:16:05,120 --> 00:16:08,240
Speaker 14: that's where the beauty is, with all of the flaws

390
00:16:08,360 --> 00:16:10,960
Speaker 14: and you know, the imperfections and things like that. So

391
00:16:11,040 --> 00:16:14,640
Speaker 14: I fell in love with the script. Now I totally like,

392
00:16:15,080 --> 00:16:17,120
Speaker 14: didn't even connect. Oh, I have to do a sex scene.

393
00:16:17,240 --> 00:16:19,720
Speaker 14: I've never done a sex scene before, And I was like, okay, well,

394
00:16:20,240 --> 00:16:22,760
Speaker 14: I'm not the focus of the scene. It's really about

395
00:16:22,760 --> 00:16:25,960
Speaker 14: the shock value of Dre and Khalid watching each other

396
00:16:26,280 --> 00:16:29,400
Speaker 14: and like you see the obsession between the sister's form

397
00:16:29,440 --> 00:16:30,040
Speaker 14: at the beginning.

398
00:16:30,640 --> 00:16:31,520
Speaker 3: It awkward shooting.

399
00:16:31,880 --> 00:16:34,200
Speaker 16: No, you see me for two seconds in the mirror

400
00:16:34,440 --> 00:16:37,000
Speaker 16: and and you did not see you did not even

401
00:16:37,040 --> 00:16:37,960
Speaker 16: see crack.

402
00:16:38,280 --> 00:16:39,200
Speaker 3: You saw everything.

403
00:16:39,720 --> 00:16:43,200
Speaker 14: You saw everything that you see from me on stage, Like,

404
00:16:43,400 --> 00:16:44,040
Speaker 14: let's keep it real.

405
00:16:44,120 --> 00:16:46,560
Speaker 11: Did you have to call like when you told your dad, hey, dad,

406
00:16:47,360 --> 00:16:49,640
Speaker 11: this is the scene or you know, how was that

407
00:16:49,680 --> 00:16:52,800
Speaker 11: conversation The Dad's still gonna be a dad, my daughter's Yeah,

408
00:16:53,120 --> 00:16:54,520
Speaker 11: I don't care for sure.

409
00:16:55,080 --> 00:16:56,920
Speaker 14: Yeah, I feel like dads will always look at their

410
00:16:56,920 --> 00:16:59,600
Speaker 14: little girls like they're still little, and that's totally fine.

411
00:17:00,520 --> 00:17:02,480
Speaker 14: One thing I will say about my parents is that

412
00:17:02,720 --> 00:17:04,240
Speaker 14: they know this is our job.

413
00:17:04,480 --> 00:17:06,520
Speaker 5: And so what was it called? You called the Hey dad,

414
00:17:06,720 --> 00:17:08,600
Speaker 5: Hi baby? How you feeling? I just shooting?

415
00:17:08,840 --> 00:17:09,520
Speaker 7: What did you shoot?

416
00:17:09,640 --> 00:17:09,720
Speaker 1: Go?

417
00:17:10,240 --> 00:17:10,520
Speaker 3: Okay?

418
00:17:10,560 --> 00:17:12,360
Speaker 14: So it wasn't about the shoot. It was about when

419
00:17:12,359 --> 00:17:15,320
Speaker 14: I first got it. And you know when the agents

420
00:17:15,320 --> 00:17:17,479
Speaker 14: will call and be like congrats, d D da da,

421
00:17:17,560 --> 00:17:19,480
Speaker 14: And after I got it, I think my dad read

422
00:17:19,520 --> 00:17:20,600
Speaker 14: the script and he's like, oh.

423
00:17:20,600 --> 00:17:28,520
Speaker 16: Okay, it's like, yeah, he deleted Twitter. No, it was

424
00:17:28,600 --> 00:17:30,160
Speaker 16: just me. I had to hop on a flight right

425
00:17:30,200 --> 00:17:31,560
Speaker 16: after I met you.

426
00:17:31,600 --> 00:17:33,720
Speaker 4: The intern that doesn't realize how much more money they

427
00:17:33,760 --> 00:17:36,960
Speaker 4: make you because a two seconds scene caused them to

428
00:17:37,000 --> 00:17:39,159
Speaker 4: lose their mind. Like that, all that's gonna make other

429
00:17:39,160 --> 00:17:41,000
Speaker 4: people say is, oh, we gotta get clothe in on movies.

430
00:17:41,240 --> 00:17:44,359
Speaker 4: We gotta get clothing, gotta get Cloe endorsement deals.

431
00:17:45,320 --> 00:17:50,120
Speaker 17: I like how you were said it's working. When you say,

432
00:17:50,200 --> 00:17:54,280
Speaker 17: like acting, you can be imperfect and the music has

433
00:17:54,320 --> 00:17:56,679
Speaker 17: to be perfect. Why can't you bring the imperfections to

434
00:17:56,720 --> 00:17:58,960
Speaker 17: the music, Because I think, like, like with Dope about

435
00:17:59,000 --> 00:18:01,160
Speaker 17: Cardi b is that you could hear she's from the Bronx,

436
00:18:01,200 --> 00:18:03,320
Speaker 17: you know what I mean, And like the spanglish she

437
00:18:03,440 --> 00:18:05,800
Speaker 17: uses sometimes like why can't it be both?

438
00:18:05,960 --> 00:18:07,120
Speaker 16: Well, I do do both.

439
00:18:07,160 --> 00:18:10,439
Speaker 14: But that's what people ridicule me for being imperfect, not

440
00:18:10,600 --> 00:18:13,399
Speaker 14: being the type of image they want me to be.

441
00:18:13,840 --> 00:18:16,040
Speaker 14: People say they want certain things, and then when you

442
00:18:16,080 --> 00:18:17,199
Speaker 14: do it, that's what they used to.

443
00:18:17,200 --> 00:18:17,679
Speaker 16: Pick on you.

444
00:18:18,040 --> 00:18:20,199
Speaker 4: The weirdest thing is when people say things like, she

445
00:18:20,280 --> 00:18:22,320
Speaker 4: don't know who she is, she's not being herself.

446
00:18:22,359 --> 00:18:25,280
Speaker 5: You don't know her. Thank you, you don't even know her.

447
00:18:25,359 --> 00:18:26,960
Speaker 16: I'm sure they'd like me if they meet me. I'm

448
00:18:26,960 --> 00:18:27,840
Speaker 16: a really nice person.

449
00:18:29,520 --> 00:18:32,679
Speaker 11: I wanted to ask, you're on a solo out tour. Yeah,

450
00:18:32,760 --> 00:18:35,000
Speaker 11: does that mean that you're not going to be a

451
00:18:35,000 --> 00:18:36,600
Speaker 11: special guest or that you are going to be a

452
00:18:36,600 --> 00:18:38,760
Speaker 11: special guest on somebody else's store coming up?

453
00:18:39,359 --> 00:18:42,960
Speaker 14: Well, I'm definitely. I'm definitely going to see the show

454
00:18:43,040 --> 00:18:47,320
Speaker 14: for sure. And it's been exciting, like seeing what I've

455
00:18:47,400 --> 00:18:51,040
Speaker 14: been doing for myself, Like I've never headlined a solo

456
00:18:51,119 --> 00:18:53,439
Speaker 14: tour ever sis and I never got to do it

457
00:18:53,480 --> 00:18:55,080
Speaker 14: from Godly Hour because we were in the midst of

458
00:18:55,119 --> 00:18:57,880
Speaker 14: a pandemic, So I really didn't know what to expect

459
00:18:57,920 --> 00:19:00,159
Speaker 14: going into it, Like when I announced it, even for

460
00:19:00,160 --> 00:19:02,080
Speaker 14: the album Dropped, I was a little nervous, like what

461
00:19:02,240 --> 00:19:03,040
Speaker 14: people want to come?

462
00:19:03,240 --> 00:19:03,880
Speaker 16: Things like that.

463
00:19:04,160 --> 00:19:06,920
Speaker 14: Every night, I'm like telling my god MoMA and my team,

464
00:19:06,960 --> 00:19:08,040
Speaker 14: I'm like, what do you see out there?

465
00:19:08,080 --> 00:19:08,840
Speaker 16: Like people out there?

466
00:19:08,880 --> 00:19:11,080
Speaker 14: Like for some reason, it doesn't click that people are

467
00:19:11,080 --> 00:19:13,639
Speaker 14: there to see me correct and it's sold out, And

468
00:19:13,680 --> 00:19:17,159
Speaker 14: I think when you're constantly used to people telling you otherwise,

469
00:19:17,720 --> 00:19:19,160
Speaker 14: a part of you, as much as you don't want

470
00:19:19,200 --> 00:19:22,160
Speaker 14: to begins to believe it. But then when I step

471
00:19:22,160 --> 00:19:24,600
Speaker 14: out on that stage and I see it and I

472
00:19:24,680 --> 00:19:26,840
Speaker 14: hear it, it's not like people are just watching me

473
00:19:26,920 --> 00:19:29,520
Speaker 14: being quiet, like they're singing the words back to me.

474
00:19:29,600 --> 00:19:31,240
Speaker 14: They're giving me that energy and that love.

475
00:19:31,440 --> 00:19:35,200
Speaker 16: You can't fake that. You can't buy that and make

476
00:19:35,280 --> 00:19:37,879
Speaker 16: up numbers. You can't do that with that. That's real.

477
00:19:38,440 --> 00:19:40,680
Speaker 14: So as long as I'm connecting with the ones who

478
00:19:40,720 --> 00:19:43,000
Speaker 14: love me and I'm doing what makes me happy, that's

479
00:19:43,040 --> 00:19:44,359
Speaker 14: really all that matters.

480
00:19:44,680 --> 00:19:46,280
Speaker 4: And it's also okay to have you. People say, don't

481
00:19:46,280 --> 00:19:49,000
Speaker 4: ask me no Beyonce questions. I love Beyonce. When I'm

482
00:19:49,000 --> 00:19:50,840
Speaker 4: my own inthity a right, because I mean, I'm sure

483
00:19:51,240 --> 00:19:54,160
Speaker 4: Kelly Michelle, everybody's gone through that that is stooding next

484
00:19:54,200 --> 00:19:56,920
Speaker 4: to that great person you called Beyonce's Okay.

485
00:19:58,480 --> 00:20:00,760
Speaker 14: Yeah, I mean she is Beyonce. Everybody wants to know

486
00:20:00,800 --> 00:20:02,840
Speaker 14: about her. So I'm just like cool, like I don't

487
00:20:02,880 --> 00:20:04,520
Speaker 14: really look much into it.

488
00:20:04,600 --> 00:20:10,600
Speaker 5: Are you gonna be opening up for her? Exactly about Beyonce?

489
00:20:11,720 --> 00:20:13,880
Speaker 16: My family?

490
00:20:14,560 --> 00:20:16,840
Speaker 5: Let's practice. Are you gonna be opening up for Beyonce?

491
00:20:17,200 --> 00:20:22,159
Speaker 14: I plead the fifth don't okay, okay, no, no, no, no no,

492
00:20:22,160 --> 00:20:26,959
Speaker 14: I'm nice okay, and you're my family, and now I

493
00:20:26,960 --> 00:20:27,400
Speaker 14: do cuss.

494
00:20:27,480 --> 00:20:28,760
Speaker 5: Are you gonna be opening up for Beyonce?

495
00:20:29,080 --> 00:20:32,200
Speaker 3: I don't know.

496
00:20:33,560 --> 00:20:37,959
Speaker 5: Take that clip and no questions beyond was gonna go everywhere?

497
00:20:38,280 --> 00:20:38,960
Speaker 3: That would be great.

498
00:20:39,240 --> 00:20:41,600
Speaker 5: Now with all the critique you get from being.

499
00:20:41,480 --> 00:20:42,639
Speaker 11: By the Way guy, she said she didn't know. She

500
00:20:42,680 --> 00:20:44,439
Speaker 11: didn't say no, she said, she says, says she's not

501
00:20:44,720 --> 00:20:45,720
Speaker 11: we heard, just.

502
00:20:45,600 --> 00:20:47,280
Speaker 4: Put all the critique you get from being a music

503
00:20:47,359 --> 00:20:48,920
Speaker 4: artis doesn't make you just want to stay in acting

504
00:20:49,320 --> 00:20:51,520
Speaker 4: because of because of the freedom that you're getting acting.

505
00:20:51,720 --> 00:20:55,320
Speaker 14: That's a really great question in this past week that

506
00:20:55,359 --> 00:20:56,040
Speaker 14: crossed my mind.

507
00:20:56,080 --> 00:20:57,640
Speaker 3: A few times and.

508
00:20:57,760 --> 00:21:00,320
Speaker 14: I got over it like two three days ago though,

509
00:21:00,640 --> 00:21:03,960
Speaker 14: really yeah, And I was like when people make you doubt,

510
00:21:04,160 --> 00:21:06,680
Speaker 14: and especially as creatives, we already doubt everything we do,

511
00:21:07,320 --> 00:21:09,280
Speaker 14: so you begin to think like, oh, well, maybe this

512
00:21:09,320 --> 00:21:12,680
Speaker 14: isn't for me, But then I would be going against

513
00:21:12,920 --> 00:21:16,760
Speaker 14: the exact reason why God put me here. So why

514
00:21:17,359 --> 00:21:22,680
Speaker 14: like pray it away, never lessen yourself to please somebody else,

515
00:21:22,920 --> 00:21:23,880
Speaker 14: And that's an everything.

516
00:21:24,480 --> 00:21:26,399
Speaker 5: Chloe Bailey, Ladies and gentlemen, thank you for joining.

517
00:21:26,480 --> 00:21:27,080
Speaker 16: Thank you guys.

518
00:21:27,240 --> 00:21:28,280
Speaker 3: I love you always.

519
00:21:28,440 --> 00:21:34,600
Speaker 5: And it's the Breakfast Club. It's Chloe Balley.

520
00:21:34,680 --> 00:21:38,359
Speaker 2: It's topic time called eight hundred and five five one

521
00:21:38,560 --> 00:21:41,160
Speaker 2: five one to join into the discussion with the Breakfast Club.

522
00:21:42,680 --> 00:21:43,000
Speaker 7: Morning.

523
00:21:43,040 --> 00:21:46,520
Speaker 11: Everybody's the DJ, Envy Charlamagne the guy. We are the

524
00:21:46,520 --> 00:21:49,120
Speaker 11: Breakfast Club. We get our guest co hosts Claudia Jordan

525
00:21:49,160 --> 00:21:51,600
Speaker 11: with the murder. And it's Friday, so you know what

526
00:21:51,640 --> 00:21:55,800
Speaker 11: that means, freaking freaky and freaky Friday. And the freaky freaky,

527
00:21:55,840 --> 00:21:59,119
Speaker 11: freaky Friday question comes from a white boy rick shout.

528
00:21:59,119 --> 00:22:01,560
Speaker 11: The white boy Ricky supports me at all my car shows.

529
00:22:01,560 --> 00:22:03,440
Speaker 11: But the question is, you know he got allegedly got

530
00:22:03,440 --> 00:22:06,320
Speaker 11: into an incident where he said another woman's name while

531
00:22:06,320 --> 00:22:08,200
Speaker 11: he was having sex and him and a woman got

532
00:22:08,200 --> 00:22:08,880
Speaker 11: into an altercation.

533
00:22:09,000 --> 00:22:11,280
Speaker 5: I'll say allegedly I heard.

534
00:22:11,280 --> 00:22:12,959
Speaker 11: There's more to the story that I'll let him tell it,

535
00:22:13,000 --> 00:22:15,440
Speaker 11: but we're taking it away from there and asking what

536
00:22:15,800 --> 00:22:18,800
Speaker 11: turnoffs in the bed for you, Charloma said.

537
00:22:18,920 --> 00:22:22,800
Speaker 5: Charlamagne says, nothing. Everything. I don't even when your kids

538
00:22:22,880 --> 00:22:23,400
Speaker 5: not going to door.

539
00:22:24,400 --> 00:22:26,440
Speaker 4: You got four, But that's different. That's not a turnoff.

540
00:22:26,440 --> 00:22:29,439
Speaker 4: And I can say that an interruption. I'm not turned

541
00:22:29,480 --> 00:22:31,760
Speaker 4: off when they're not going to do it. Just you're interrupted.

542
00:22:31,800 --> 00:22:33,040
Speaker 5: I got to start back up. It's like you know

543
00:22:33,080 --> 00:22:33,880
Speaker 5: the car, you gotta.

544
00:22:33,640 --> 00:22:37,560
Speaker 4: Go interrupted, and turnoff is when you just like turned off.

545
00:22:37,600 --> 00:22:39,040
Speaker 5: No, no, I'm gonna think. I think.

546
00:22:39,560 --> 00:22:41,960
Speaker 4: I mean, I haven't experienced this quite quite quite a

547
00:22:42,040 --> 00:22:44,520
Speaker 4: long time, but yeah, I think older, like Caudia said.

548
00:22:44,440 --> 00:22:47,200
Speaker 6: Yeah, like if a guy has bad breathing, like let

549
00:22:47,240 --> 00:22:57,240
Speaker 6: you boobs and then you got anything like that's you

550
00:22:57,480 --> 00:22:59,720
Speaker 6: Like I like a little bit of a pressure around

551
00:22:59,720 --> 00:23:02,040
Speaker 6: my neck sometimes right if they do it too hard,

552
00:23:02,119 --> 00:23:04,760
Speaker 6: like like you're choking a man like I'm a woman,

553
00:23:04,800 --> 00:23:06,919
Speaker 6: like be gentle with it, like beast.

554
00:23:07,560 --> 00:23:11,000
Speaker 5: Tell somebody like that look too strong. This isn't for you,

555
00:23:11,400 --> 00:23:12,440
Speaker 5: This isn't your thing.

556
00:23:12,520 --> 00:23:16,520
Speaker 11: That would be messed up. You are sexually choked somebody like.

557
00:23:16,520 --> 00:23:18,840
Speaker 6: It's not supposed to really supposed to be kind of

558
00:23:18,920 --> 00:23:19,560
Speaker 6: like a fantasy.

559
00:23:20,240 --> 00:23:21,480
Speaker 5: Somebody up here says something.

560
00:23:22,240 --> 00:23:25,800
Speaker 4: We was talking and he said that when he's doing it,

561
00:23:25,920 --> 00:23:28,520
Speaker 4: and the young lady is like, you know, are you

562
00:23:28,520 --> 00:23:28,960
Speaker 4: there yet?

563
00:23:29,000 --> 00:23:30,560
Speaker 5: Are you there yet? You know what I mean?

564
00:23:30,600 --> 00:23:32,840
Speaker 4: Because that shows that she might not be enjoying it,

565
00:23:32,960 --> 00:23:34,840
Speaker 4: but want to finish.

566
00:23:35,040 --> 00:23:36,119
Speaker 5: That's to wrap it up music.

567
00:23:36,200 --> 00:23:39,320
Speaker 4: Yeah, but that's not when you get that, it's like,

568
00:23:39,400 --> 00:23:41,680
Speaker 4: oh man, but he was having a good time, not

569
00:23:41,760 --> 00:23:42,120
Speaker 4: for nothing.

570
00:23:42,160 --> 00:23:44,399
Speaker 11: The person you're talking about is big, you know what

571
00:23:44,440 --> 00:23:45,800
Speaker 11: I mean? And so you didn't have to say all

572
00:23:45,800 --> 00:23:47,439
Speaker 11: that you said it. So I'm just saying I say

573
00:23:47,520 --> 00:23:49,920
Speaker 11: that his name is big Mac could So the person

574
00:23:50,000 --> 00:23:50,280
Speaker 11: is big.

575
00:23:50,320 --> 00:23:52,840
Speaker 5: So just imagine, you know, the wait on you and

576
00:23:52,880 --> 00:23:54,200
Speaker 5: she's like what you man?

577
00:23:54,480 --> 00:23:55,600
Speaker 3: Right, that's your man?

578
00:23:57,200 --> 00:23:58,320
Speaker 5: That's why? Why?

579
00:23:58,480 --> 00:23:58,520
Speaker 4: What?

580
00:23:58,600 --> 00:23:59,919
Speaker 5: What? What that for? You say?

581
00:24:00,040 --> 00:24:02,320
Speaker 6: If she's on the bottom, correct, If she's on the bottom,

582
00:24:02,359 --> 00:24:04,080
Speaker 6: to be it's hard to be on the bottom.

583
00:24:03,840 --> 00:24:07,040
Speaker 5: Of it from the bar he's behind her. He wasn't

584
00:24:07,040 --> 00:24:08,960
Speaker 5: on tough for her behind. You can do a badine

585
00:24:09,000 --> 00:24:09,879
Speaker 5: to wait behind.

586
00:24:11,520 --> 00:24:13,240
Speaker 6: Sometimes from the back, it really hurts something.

587
00:24:13,640 --> 00:24:15,520
Speaker 5: You didn't really you really get to it? I said, yes,

588
00:24:15,600 --> 00:24:19,040
Speaker 5: like I know, right, And you and your.

589
00:24:19,720 --> 00:24:27,040
Speaker 6: Boys were mad high too, like you meant that.

590
00:24:24,920 --> 00:24:26,040
Speaker 5: From the back it really hurts.

591
00:24:26,440 --> 00:24:31,320
Speaker 11: Yeah, let's go to the fool last.

592
00:24:31,680 --> 00:24:35,080
Speaker 5: You're telling yourself nothing right today? Hello this.

593
00:24:38,640 --> 00:24:38,880
Speaker 13: Droit.

594
00:24:39,080 --> 00:24:39,480
Speaker 5: What's up?

595
00:24:39,480 --> 00:24:39,640
Speaker 9: Bro?

596
00:24:40,119 --> 00:24:42,199
Speaker 5: What? What are some turnovers in the bedroom for you?

597
00:24:42,240 --> 00:24:42,400
Speaker 7: Bro?

598
00:24:43,040 --> 00:24:43,320
Speaker 3: Man?

599
00:24:43,440 --> 00:24:45,199
Speaker 12: You know when you get the nibble on ear and

600
00:24:45,240 --> 00:24:47,680
Speaker 12: that hair stink man? Sometimes the hair.

601
00:24:48,119 --> 00:24:50,440
Speaker 5: The hairstank you said hair, Yeah.

602
00:24:50,560 --> 00:24:51,919
Speaker 3: You know the hair.

603
00:24:52,200 --> 00:24:54,840
Speaker 5: You know the oh yeah, yeah, hairstink.

604
00:24:55,080 --> 00:24:56,040
Speaker 3: You gotta wash the weaves.

605
00:24:56,119 --> 00:24:58,040
Speaker 5: Ladies, Hello, who's this?

606
00:24:59,600 --> 00:25:00,480
Speaker 7: What's up? What? What?

607
00:25:00,359 --> 00:25:01,760
Speaker 5: What turned you off in the bedroom?

608
00:25:02,240 --> 00:25:06,880
Speaker 4: Fish legs and black pantyhole fish legs and black pantyhole fish.

609
00:25:06,960 --> 00:25:09,720
Speaker 5: That's a fish? What a fish smell? Yeah?

610
00:25:10,240 --> 00:25:17,240
Speaker 12: Yeah, flats. So when you take the pant and herds

611
00:25:17,240 --> 00:25:19,480
Speaker 12: and and then you ad like you're gonna get some

612
00:25:19,640 --> 00:25:24,320
Speaker 12: fake some fish tackler, that's what I mean. That smells.

613
00:25:25,000 --> 00:25:27,800
Speaker 4: My daddy said, if it smelled like alone, leave it alone.

614
00:25:27,840 --> 00:25:29,600
Speaker 4: If it smell like fish, eat all you wish.

615
00:25:30,160 --> 00:25:33,880
Speaker 3: No No, No, your daddy, So you see you're wrong.

616
00:25:35,240 --> 00:25:36,119
Speaker 5: Your father told you that.

617
00:25:36,320 --> 00:25:38,679
Speaker 4: My daddy used to say all the time, smell like alone,

618
00:25:38,720 --> 00:25:39,200
Speaker 4: leave it alone.

619
00:25:39,200 --> 00:25:40,680
Speaker 5: If it smell like fish, eat all you would you

620
00:25:40,760 --> 00:25:41,600
Speaker 5: have throats a lot.

621
00:25:42,280 --> 00:25:47,640
Speaker 4: No, that's some good advice, think about it.

622
00:25:47,720 --> 00:25:51,040
Speaker 5: Hello, good morning, good morning.

623
00:25:51,080 --> 00:25:52,200
Speaker 15: My name is Jasmine.

624
00:25:52,240 --> 00:25:53,840
Speaker 5: Something your pop say Jasmine?

625
00:25:54,280 --> 00:25:58,040
Speaker 15: Good morning. So my my biggest turn off is when

626
00:25:58,320 --> 00:26:00,680
Speaker 15: we're tonguing each other down where hot and heavy in

627
00:26:00,760 --> 00:26:03,480
Speaker 15: the moment, and then you want a tongue my ear

628
00:26:04,119 --> 00:26:09,479
Speaker 15: and I'm hearing that like nasty lit back and and

629
00:26:09,520 --> 00:26:13,840
Speaker 15: all that extra how I'm thirty one.

630
00:26:14,320 --> 00:26:17,240
Speaker 11: Yeah, because in the twenties, where you where where you

631
00:26:17,080 --> 00:26:23,800
Speaker 11: you put your tongue on in somebody's that's gross.

632
00:26:23,920 --> 00:26:27,280
Speaker 5: Everybody tried.

633
00:26:27,320 --> 00:26:29,520
Speaker 15: I don't care how clean. I don't care how clean

634
00:26:29,600 --> 00:26:32,200
Speaker 15: you are, how much you wear clean your ears.

635
00:26:32,280 --> 00:26:32,320
Speaker 1: No.

636
00:26:33,240 --> 00:26:34,680
Speaker 9: No, which is.

637
00:26:34,560 --> 00:26:37,960
Speaker 4: Crazy though, because you probably like it in your hang

638
00:26:38,080 --> 00:26:39,200
Speaker 4: up on the I didn't mean to hang out.

639
00:26:39,200 --> 00:26:41,760
Speaker 5: I don't know you're gonna go, but you didn't know.

640
00:26:41,760 --> 00:26:42,359
Speaker 3: You've been doing.

641
00:26:44,920 --> 00:26:47,120
Speaker 7: It every time.

642
00:26:47,200 --> 00:26:52,720
Speaker 15: Hello, Okay, what's up?

643
00:26:52,920 --> 00:26:55,520
Speaker 5: I'm sorry. We just have the butt talks.

644
00:26:55,680 --> 00:26:57,560
Speaker 11: Friday, we asked you what what is some turnovers in

645
00:26:57,560 --> 00:26:58,480
Speaker 11: the bedroom for your mama.

646
00:26:59,640 --> 00:27:02,879
Speaker 15: For me, a turn off is no rhythm except the

647
00:27:03,040 --> 00:27:05,680
Speaker 15: pubic hair, like that's too nappy, that's not cut and maintain.

648
00:27:06,240 --> 00:27:08,080
Speaker 15: It's just overall not knowing what you're doing.

649
00:27:07,960 --> 00:27:09,960
Speaker 9: Because we're too old, not for you, for you not

650
00:27:10,119 --> 00:27:11,720
Speaker 9: to be noring what you're doing at this point.

651
00:27:12,080 --> 00:27:14,359
Speaker 5: Well, you men can always learn. Everybody can always learn,

652
00:27:14,400 --> 00:27:16,520
Speaker 5: and they can cut their pubic here off. But bad rhythm,

653
00:27:16,600 --> 00:27:17,240
Speaker 5: you can't fix that.

654
00:27:17,320 --> 00:27:19,359
Speaker 6: Like they have that like that real quick, like that

655
00:27:19,440 --> 00:27:20,000
Speaker 6: rabbit thing.

656
00:27:20,200 --> 00:27:22,359
Speaker 10: Yeah, you had to have the ego like they know

657
00:27:22,400 --> 00:27:25,840
Speaker 10: what they're doing, but they don't please right, So what.

658
00:27:25,720 --> 00:27:25,960
Speaker 1: Do you do?

659
00:27:26,000 --> 00:27:26,920
Speaker 5: You're telling me you can't dance?

660
00:27:27,359 --> 00:27:29,800
Speaker 6: Just say slow down, baby, I'm just slow down, like

661
00:27:29,800 --> 00:27:30,800
Speaker 6: we're on different rhythms.

662
00:27:31,359 --> 00:27:33,240
Speaker 5: Hello, Who's this is your boy?

663
00:27:33,320 --> 00:27:35,800
Speaker 9: Love me from the brond a look at bathing?

664
00:27:36,400 --> 00:27:38,639
Speaker 5: All right? Love you? So what are some turnofs for you?

665
00:27:38,680 --> 00:27:38,800
Speaker 14: Bro?

666
00:27:39,240 --> 00:27:42,639
Speaker 18: It's freaky Friday. So I have the problem I have

667
00:27:43,160 --> 00:27:46,080
Speaker 18: with Queen. If you don't want a well doubt man,

668
00:27:46,400 --> 00:27:49,760
Speaker 18: don't sign up for it. I got a hostess woman.

669
00:27:50,400 --> 00:27:54,359
Speaker 18: It took a three months. We dow the room, she

670
00:27:54,560 --> 00:27:57,119
Speaker 18: got dressed and walked away after you blew it.

671
00:27:57,520 --> 00:28:00,160
Speaker 9: After she saw it, She got dressed to walk away

672
00:28:00,200 --> 00:28:01,840
Speaker 9: after seen at thirteen and a half.

673
00:28:02,280 --> 00:28:05,400
Speaker 5: So I need you never met Claudia. This our guy,

674
00:28:05,640 --> 00:28:06,680
Speaker 5: love you Love is his name.

675
00:28:06,720 --> 00:28:09,200
Speaker 11: He has a thirteen and a half inch penis, right okay,

676
00:28:09,240 --> 00:28:11,280
Speaker 11: So he says a lot of women are scared of it.

677
00:28:11,440 --> 00:28:13,679
Speaker 11: So he says, when when when you know women I

678
00:28:13,680 --> 00:28:14,960
Speaker 11: guess walk away when they see it.

679
00:28:15,320 --> 00:28:17,720
Speaker 5: That's a turnoff. So technically your penis is the turnof

680
00:28:17,760 --> 00:28:18,560
Speaker 5: yeah is your is you?

681
00:28:18,600 --> 00:28:18,760
Speaker 7: Brother?

682
00:28:18,800 --> 00:28:20,040
Speaker 6: You get me mad at her for that though. She

683
00:28:20,080 --> 00:28:24,200
Speaker 6: knows her limitations, But then they put restrictions on you,

684
00:28:24,400 --> 00:28:27,000
Speaker 6: like I can't have I can only make you marry.

685
00:28:27,280 --> 00:28:29,640
Speaker 4: I don't feel sorry for the woman that I don't

686
00:28:29,640 --> 00:28:30,240
Speaker 4: feel sorry for you.

687
00:28:30,640 --> 00:28:33,760
Speaker 5: Sorry, you know how that feels like envy?

688
00:28:34,280 --> 00:28:34,399
Speaker 7: Man?

689
00:28:34,680 --> 00:28:39,480
Speaker 5: I have no I don't. I'd be scared you. I

690
00:28:39,520 --> 00:28:43,040
Speaker 5: have no thirteen and a half inches going in Jesus, Hello,

691
00:28:43,080 --> 00:28:43,440
Speaker 5: who's this?

692
00:28:44,160 --> 00:28:46,040
Speaker 9: Heyus an Tom from South Carolina?

693
00:28:46,480 --> 00:28:47,760
Speaker 5: And so I see you all day.

694
00:28:48,200 --> 00:28:51,720
Speaker 11: We're talking, uh freaky Friday. We're just asking, you know,

695
00:28:51,760 --> 00:28:52,840
Speaker 11: what are some turn offs in the baron?

696
00:28:52,880 --> 00:28:54,360
Speaker 5: Brother? Uh?

697
00:28:54,440 --> 00:28:56,880
Speaker 18: You know when you're getting it in you hear a

698
00:28:56,960 --> 00:28:59,080
Speaker 18: fart noise and they come out the one that thinks,

699
00:28:59,200 --> 00:28:59,880
Speaker 18: not the one that wants.

700
00:29:00,720 --> 00:29:03,360
Speaker 5: Oh you're talking about I disagree? What what far are

701
00:29:03,400 --> 00:29:03,920
Speaker 5: you talking about?

702
00:29:04,120 --> 00:29:05,000
Speaker 7: You like that?

703
00:29:05,480 --> 00:29:07,960
Speaker 5: I like that? You mean queen for you're talking about fart?

704
00:29:08,600 --> 00:29:11,200
Speaker 9: Yeah, yeah, maybe the win cold, but I.

705
00:29:11,800 --> 00:29:14,200
Speaker 5: Ain't wait even a queen for f What do you

706
00:29:14,240 --> 00:29:19,160
Speaker 5: mean he's talking about fart? Fart? Yeah, you're mistaken quefs

707
00:29:19,160 --> 00:29:19,520
Speaker 5: for fart.

708
00:29:19,600 --> 00:29:23,920
Speaker 6: Bro Yeah, pretto much area. That means you've been going fast,

709
00:29:23,960 --> 00:29:24,760
Speaker 6: you pumped at real fast.

710
00:29:24,880 --> 00:29:26,360
Speaker 4: But I think he's thinking he's talking about coming out

711
00:29:26,360 --> 00:29:28,360
Speaker 4: the back end. Man, that's just nasty. I am a

712
00:29:28,360 --> 00:29:30,400
Speaker 4: member of a tribe called queen. I love a good queen.

713
00:29:30,640 --> 00:29:33,080
Speaker 4: I don't think you're talking.

714
00:29:33,440 --> 00:29:35,560
Speaker 6: If a girl farts with you, she don't really like

715
00:29:35,600 --> 00:29:43,200
Speaker 6: you that much. And best believe, best believe it's coming

716
00:29:43,240 --> 00:29:46,200
Speaker 6: the group chat. I fought in his face one of

717
00:29:46,200 --> 00:29:48,200
Speaker 6: my friends that she did that she didn't care about him.

718
00:29:49,480 --> 00:29:51,960
Speaker 5: You girls are experts.

719
00:29:51,560 --> 00:29:52,280
Speaker 7: Are holding in that far.

720
00:29:52,360 --> 00:29:54,560
Speaker 6: We do it our entire life. If far se, she

721
00:29:54,600 --> 00:29:55,760
Speaker 6: does not care, she don't care.

722
00:29:55,640 --> 00:29:57,680
Speaker 5: About you at all. She's like, what is that way?

723
00:29:57,840 --> 00:29:58,960
Speaker 5: That's that? Another way to stay?

724
00:29:58,960 --> 00:29:59,400
Speaker 7: Wrap it up?

725
00:29:59,440 --> 00:30:03,240
Speaker 5: To wrap it. Jesus, what's the mall of the story, guys,

726
00:30:03,520 --> 00:30:06,600
Speaker 5: I don't know. That's Claudia thirteen inches too much? So

727
00:30:06,760 --> 00:30:08,520
Speaker 5: you got she's still the stuff going that y'all like.

728
00:30:08,480 --> 00:30:09,640
Speaker 3: Think like what five? Six inches?

729
00:30:09,880 --> 00:30:10,480
Speaker 5: What do y'all think?

730
00:30:11,280 --> 00:30:11,600
Speaker 11: Show me?

731
00:30:11,680 --> 00:30:12,080
Speaker 5: What do you like?

732
00:30:12,440 --> 00:30:12,600
Speaker 6: Eight?

733
00:30:13,400 --> 00:30:15,200
Speaker 5: What do I like? What you're talking about? All right?

734
00:30:15,240 --> 00:30:18,320
Speaker 5: Well that between one and thirteen? No, I don't know

735
00:30:18,320 --> 00:30:22,280
Speaker 5: what y'all. I think I heard the thirteen half. All right.

736
00:30:23,480 --> 00:30:29,800
Speaker 11: The Breakfast Club, Good morning, everybody is TJ MV.

737
00:30:30,000 --> 00:30:32,680
Speaker 5: Charlamagne the God. We are the Breakfast Club. Jess Hilarius,

738
00:30:32,720 --> 00:30:34,040
Speaker 5: I guess co hosts, and we.

739
00:30:34,000 --> 00:30:36,640
Speaker 11: Got a special guest in the building, Sexorade.

740
00:30:37,440 --> 00:30:37,840
Speaker 5: What's up?

741
00:30:37,920 --> 00:30:38,080
Speaker 11: Yeah?

742
00:30:38,160 --> 00:30:40,600
Speaker 5: What's up? How are you? First of all, you pregnant,

743
00:30:40,640 --> 00:30:42,239
Speaker 5: you're blowing up and you still gotta work. So how

744
00:30:42,240 --> 00:30:43,040
Speaker 5: you feeling this morning?

745
00:30:46,320 --> 00:30:46,520
Speaker 3: Early?

746
00:30:46,800 --> 00:30:50,160
Speaker 5: Then your doctor say relax and take it easy. You

747
00:30:50,200 --> 00:30:51,920
Speaker 5: ain't been listening. I've been seeing you.

748
00:30:51,920 --> 00:30:54,920
Speaker 11: You've been working, traveling, doing shows, videos.

749
00:30:55,160 --> 00:30:56,640
Speaker 3: Every time I go to the doctor, they'd be like,

750
00:30:56,720 --> 00:30:58,600
Speaker 3: you're still working. You need to sit down.

751
00:30:59,280 --> 00:31:01,400
Speaker 5: Yeah, do you feel you're gonna miss the moment if

752
00:31:01,440 --> 00:31:01,800
Speaker 5: you don't?

753
00:31:02,000 --> 00:31:04,600
Speaker 13: You know, if you I gotta get I can't stop work.

754
00:31:04,600 --> 00:31:07,320
Speaker 13: I gotta get this money. Yeah, work, don't stop bringing

755
00:31:07,480 --> 00:31:10,440
Speaker 13: absolutely well. When you came in here, I spoke to you,

756
00:31:10,480 --> 00:31:12,360
Speaker 13: and the first thing you said, no, you can at

757
00:31:12,400 --> 00:31:14,600
Speaker 13: least look at me. Want to look at you real

758
00:31:14,760 --> 00:31:21,600
Speaker 13: you ain't gotta mess with me. But y'all, I was

759
00:31:21,640 --> 00:31:26,840
Speaker 13: gonna say, yeah, no. I spoke to her, and she said,

760
00:31:27,080 --> 00:31:29,040
Speaker 13: I don't mess with you, Jess, And I said why.

761
00:31:29,120 --> 00:31:30,560
Speaker 13: She said, could you be sneak this? And I said,

762
00:31:30,560 --> 00:31:32,320
Speaker 13: all right, tell me what's wrong? Tell me about it?

763
00:31:32,360 --> 00:31:33,000
Speaker 3: What's up?

764
00:31:34,520 --> 00:31:34,840
Speaker 7: All right?

765
00:31:34,920 --> 00:31:37,760
Speaker 3: Let me know why you this? How do you feel

766
00:31:37,760 --> 00:31:40,000
Speaker 3: like I sneak this? I be, I see everything. I

767
00:31:40,040 --> 00:31:41,960
Speaker 3: was trying to make sure y'all wouldn't sneak this before

768
00:31:41,960 --> 00:31:42,760
Speaker 3: I came up here too.

769
00:31:43,040 --> 00:31:45,520
Speaker 5: What she do? Okay?

770
00:31:45,520 --> 00:31:47,360
Speaker 3: When I got along, I'll find it for y'all.

771
00:31:49,360 --> 00:31:49,960
Speaker 5: You just know what it is.

772
00:31:50,080 --> 00:31:52,880
Speaker 3: You don't remember, maybe I do remember. I ain't got

773
00:31:52,960 --> 00:31:53,600
Speaker 3: to bring it up though.

774
00:31:55,080 --> 00:31:57,440
Speaker 5: Let me google. Let me see you gotta really google,

775
00:31:57,920 --> 00:31:58,560
Speaker 5: just want to see.

776
00:31:58,840 --> 00:32:00,400
Speaker 13: It'll be a couple of times I didn't seeing you

777
00:32:00,480 --> 00:32:02,800
Speaker 13: comment under something under the Instagram that got something to

778
00:32:03,000 --> 00:32:06,920
Speaker 13: me like I'll just be like, why why But I

779
00:32:07,120 --> 00:32:08,040
Speaker 13: have never.

780
00:32:09,760 --> 00:32:12,840
Speaker 3: Talking about me before. I see everything. I remember everybody's

781
00:32:12,840 --> 00:32:15,120
Speaker 3: faces right as you should.

782
00:32:15,280 --> 00:32:17,000
Speaker 5: So you knew when you saw just last you didn't

783
00:32:17,000 --> 00:32:17,840
Speaker 5: want to say nothing to her.

784
00:32:18,200 --> 00:32:20,040
Speaker 3: Yeah, I didn't even know she was gonna be here today,

785
00:32:20,280 --> 00:32:21,000
Speaker 3: or you wouldn't have can.

786
00:32:21,320 --> 00:32:23,080
Speaker 5: I mean, I was gonna say, come on.

787
00:32:23,080 --> 00:32:24,440
Speaker 3: Yo, I was still came.

788
00:32:26,120 --> 00:32:27,040
Speaker 5: Litten. Let me ask you something.

789
00:32:27,080 --> 00:32:28,680
Speaker 4: Did anybody trying to talk to you out of having

790
00:32:28,720 --> 00:32:30,320
Speaker 4: the baby because of the way your career is going?

791
00:32:31,320 --> 00:32:33,520
Speaker 5: M Was it the label or no?

792
00:32:33,680 --> 00:32:38,240
Speaker 13: My label said I'm grown, Like, yeah, what what's the

793
00:32:38,240 --> 00:32:38,920
Speaker 13: baby planned?

794
00:32:39,280 --> 00:32:39,440
Speaker 7: Yo?

795
00:32:39,720 --> 00:32:43,600
Speaker 3: I can't ask you no questions with the baby exactly.

796
00:32:43,640 --> 00:32:45,080
Speaker 3: I can't ask you, you know, I can't ask you.

797
00:32:45,120 --> 00:32:46,880
Speaker 5: No questions with the baby.

798
00:32:47,080 --> 00:32:48,440
Speaker 3: Just answered to him.

799
00:32:48,280 --> 00:32:51,840
Speaker 13: Like, yo, I got some questions, like for real, just

800
00:32:51,920 --> 00:32:53,760
Speaker 13: answering look over there and ask him you ain't.

801
00:32:53,560 --> 00:32:55,800
Speaker 5: Got the baby planned?

802
00:32:56,600 --> 00:32:59,480
Speaker 3: Kind and kind of not. I mean, I was shocked

803
00:32:59,520 --> 00:33:02,360
Speaker 3: when they happen, but I was I wanted another.

804
00:33:02,120 --> 00:33:05,560
Speaker 5: Baby though at this time, or you was gonna wait off?

805
00:33:05,840 --> 00:33:07,400
Speaker 13: I mean, I ain't on my career was finish like

806
00:33:07,480 --> 00:33:08,840
Speaker 13: I was like that, But I did want the baby

807
00:33:08,880 --> 00:33:11,280
Speaker 13: because my son he already three so I'm like, I

808
00:33:11,280 --> 00:33:12,120
Speaker 13: want another baby.

809
00:33:12,160 --> 00:33:14,160
Speaker 5: When did you realize your career was taken off.

810
00:33:14,560 --> 00:33:17,280
Speaker 3: When I first dropped pouting Dawn?

811
00:33:17,920 --> 00:33:21,520
Speaker 13: But I remember back in twenty eighteen you redid but

812
00:33:21,600 --> 00:33:23,760
Speaker 13: that's a Carlton's one thousand miles. You know you did

813
00:33:23,800 --> 00:33:26,200
Speaker 13: a thousand drugs. That's that's like the first thing that

814
00:33:26,280 --> 00:33:28,200
Speaker 13: you really did that got you like on the map though,

815
00:33:28,240 --> 00:33:32,520
Speaker 13: right online, Charagne, that's call.

816
00:33:32,680 --> 00:33:34,719
Speaker 5: You did this thing called a thousand jugs, which they

817
00:33:34,760 --> 00:33:35,680
Speaker 5: didn't even know about.

818
00:33:36,600 --> 00:33:39,000
Speaker 13: I did my research on you, like I want to.

819
00:33:40,880 --> 00:33:42,800
Speaker 3: I'm like, man, I ain't had no wrong with her.

820
00:33:43,120 --> 00:33:45,160
Speaker 3: I used to laugh and heard little videos and all that.

821
00:33:45,360 --> 00:33:51,040
Speaker 5: I ain't no more. You little video video.

822
00:33:53,120 --> 00:33:57,600
Speaker 4: That ain't fitin somebody funny. It's a good but not

823
00:33:57,960 --> 00:33:59,880
Speaker 4: when they get on you. It's so good.

824
00:33:59,880 --> 00:34:03,120
Speaker 13: I didn't get on a little bit. I just don't

825
00:34:03,120 --> 00:34:04,680
Speaker 13: agree with everything she's saying.

826
00:34:04,760 --> 00:34:05,400
Speaker 3: Dude, that's all.

827
00:34:05,920 --> 00:34:07,680
Speaker 4: When they tried to talk you out of having a baby,

828
00:34:07,680 --> 00:34:08,399
Speaker 4: what did you say to them?

829
00:34:09,000 --> 00:34:11,040
Speaker 13: I'm like, I don't like when people do stuff like that,

830
00:34:11,120 --> 00:34:13,080
Speaker 13: because if I'm happy about my baby, then I don't

831
00:34:13,120 --> 00:34:15,560
Speaker 13: need nobody in my ear life aboard it.

832
00:34:15,640 --> 00:34:19,000
Speaker 5: Like I ain't liked it, especially for a career, you

833
00:34:19,000 --> 00:34:19,440
Speaker 5: know what I mean?

834
00:34:19,600 --> 00:34:21,799
Speaker 13: Yeah, like I still got a whole life to live, Like,

835
00:34:22,480 --> 00:34:23,840
Speaker 13: I don't do this for nobody.

836
00:34:24,080 --> 00:34:24,680
Speaker 5: Were you for me?

837
00:34:24,920 --> 00:34:26,840
Speaker 4: Were you inspired by other people who like, you know,

838
00:34:26,920 --> 00:34:29,759
Speaker 4: like Cardi who said I choose the child over No.

839
00:34:30,080 --> 00:34:32,040
Speaker 3: I ain't think about none of that. It's my life.

840
00:34:32,120 --> 00:34:33,960
Speaker 3: I don't live for other people. I really don't. I

841
00:34:34,040 --> 00:34:36,360
Speaker 3: do what I want to do. Who did you listen

842
00:34:36,360 --> 00:34:37,080
Speaker 3: to growing up?

843
00:34:37,280 --> 00:34:37,360
Speaker 5: Like?

844
00:34:37,360 --> 00:34:38,120
Speaker 3: Who inspired you?

845
00:34:38,320 --> 00:34:38,480
Speaker 5: Yo?

846
00:34:38,560 --> 00:34:42,120
Speaker 3: You still? Can you please just look at me one time?

847
00:34:42,360 --> 00:34:43,160
Speaker 7: Oh? She looking at me?

848
00:34:43,160 --> 00:34:43,520
Speaker 3: All right?

849
00:34:43,680 --> 00:34:46,840
Speaker 13: It's a video that you that you did where you

850
00:34:46,880 --> 00:34:48,839
Speaker 13: said the most romantic thing that ever happened to you,

851
00:34:49,160 --> 00:34:52,040
Speaker 13: that a guy is done is rob somebody and then

852
00:34:52,120 --> 00:34:54,319
Speaker 13: give you the money. Why was that romantic to you?

853
00:34:54,360 --> 00:34:58,480
Speaker 13: I did say something about that because okay, what if

854
00:34:58,520 --> 00:35:02,520
Speaker 13: you were the woman that he robbed?

855
00:35:02,200 --> 00:35:02,439
Speaker 5: Damn?

856
00:35:02,600 --> 00:35:02,920
Speaker 3: Okay.

857
00:35:03,000 --> 00:35:04,759
Speaker 13: I mean not saying like it was right because it

858
00:35:04,800 --> 00:35:07,280
Speaker 13: was a dude, but I mean, like, when you're risking

859
00:35:07,360 --> 00:35:09,200
Speaker 13: your life for me, that.

860
00:35:09,239 --> 00:35:10,040
Speaker 3: Means something to you.

861
00:35:10,960 --> 00:35:13,960
Speaker 5: Cool. You cannot ask you to.

862
00:35:17,760 --> 00:35:18,680
Speaker 3: It's lost up.

863
00:35:23,000 --> 00:35:23,839
Speaker 5: The way.

864
00:35:23,880 --> 00:35:25,160
Speaker 3: This is all the means I was you.

865
00:35:25,080 --> 00:35:27,880
Speaker 5: Know, how did you drake? It's so tight.

866
00:35:28,719 --> 00:35:34,000
Speaker 3: Because he was mean, Like everybody with me except just he.

867
00:35:35,600 --> 00:35:39,960
Speaker 5: I agree. Now I'm like, damn everybody except for just

868
00:35:41,640 --> 00:35:43,960
Speaker 5: like that. That's your people, that's your guy, that's your host.

869
00:35:44,200 --> 00:35:45,600
Speaker 3: Is crazy?

870
00:35:46,200 --> 00:35:48,080
Speaker 5: Do ak Is get mad at you because you say Ski?

871
00:35:48,440 --> 00:35:50,800
Speaker 13: No, I didn't even know that's what they be saying.

872
00:35:50,800 --> 00:35:52,520
Speaker 13: People tell me and they like, they probably gonna use

873
00:35:52,560 --> 00:35:55,279
Speaker 13: your song to this. What does it mean? What is

874
00:35:55,320 --> 00:35:58,400
Speaker 13: the meaning behind Ski? Can you apologize to me first?

875
00:35:58,840 --> 00:36:03,719
Speaker 13: Sex ologize for offending you in any way. I do

876
00:36:03,880 --> 00:36:06,680
Speaker 13: not have beef with you. I just don't agree with

877
00:36:06,880 --> 00:36:08,040
Speaker 13: everything you're doing.

878
00:36:08,040 --> 00:36:09,680
Speaker 5: But I do love.

879
00:36:09,520 --> 00:36:10,360
Speaker 3: You as an artist.

880
00:36:10,360 --> 00:36:12,399
Speaker 13: I love you as a woman right because I heard

881
00:36:12,400 --> 00:36:15,280
Speaker 13: you listening to my songs, and then that's that before

882
00:36:15,400 --> 00:36:18,759
Speaker 13: and then that's as I've seen you down talking to me.

883
00:36:19,440 --> 00:36:21,360
Speaker 4: No man, but you have to know, Sexy Red, you

884
00:36:21,400 --> 00:36:25,160
Speaker 4: are a public figure. Now, people gonna have it.

885
00:36:25,200 --> 00:36:30,640
Speaker 5: Don't start, don't bring that, don't start right. Okay, let's listen.

886
00:36:30,800 --> 00:36:32,279
Speaker 5: Let's listen a little wild back.

887
00:36:32,280 --> 00:36:34,120
Speaker 13: Sexy Red got a lot of attention for saying that

888
00:36:34,160 --> 00:36:38,080
Speaker 13: she trusted the wrong guy that gave her chlamydia twice,

889
00:36:38,680 --> 00:36:40,919
Speaker 13: and we know that she has never been shy about

890
00:36:40,960 --> 00:36:44,799
Speaker 13: the details of her sex life because she told my

891
00:36:45,160 --> 00:36:48,399
Speaker 13: video guy when he asked her a question about her

892
00:36:49,000 --> 00:36:57,000
Speaker 13: and we got that we met her, Did I.

893
00:36:56,960 --> 00:37:00,839
Speaker 4: Say that, what's on your list for this ship?

894
00:37:02,360 --> 00:37:03,920
Speaker 5: Get a lot of oh you know what?

895
00:37:04,960 --> 00:37:05,160
Speaker 7: Yeah?

896
00:37:06,200 --> 00:37:08,640
Speaker 3: That felt like, But who would take that seriously?

897
00:37:08,800 --> 00:37:09,680
Speaker 5: Can I get that thousand? No?

898
00:37:10,440 --> 00:37:14,360
Speaker 3: No, I told him I was a liar.

899
00:37:14,560 --> 00:37:18,279
Speaker 13: But now that you used you see what I said like,

900
00:37:18,440 --> 00:37:20,719
Speaker 13: it ain't yo, It wasn't like that's not the only

901
00:37:20,760 --> 00:37:22,359
Speaker 13: clip though, Damn.

902
00:37:22,280 --> 00:37:23,640
Speaker 5: I thought that was the worst one.

903
00:37:23,719 --> 00:37:27,600
Speaker 3: I've literally never seen. I ain't terping on my uncle.

904
00:37:27,680 --> 00:37:30,759
Speaker 3: She she's and none of that is.

905
00:37:30,800 --> 00:37:33,000
Speaker 5: But how do you expect people not to react and

906
00:37:33,040 --> 00:37:33,560
Speaker 5: stuff like that?

907
00:37:33,719 --> 00:37:33,839
Speaker 1: Though?

908
00:37:34,000 --> 00:37:35,480
Speaker 3: And like she said, she'd be playing you know what

909
00:37:35,520 --> 00:37:35,839
Speaker 3: I mean?

910
00:37:36,239 --> 00:37:38,719
Speaker 13: Now, I feel like everybody just be coming down on me,

911
00:37:39,000 --> 00:37:41,040
Speaker 13: like I don't even to say nothing. They just becoming

912
00:37:41,040 --> 00:37:43,160
Speaker 13: They be trying to talk about my looks like anything

913
00:37:43,200 --> 00:37:46,920
Speaker 13: I'll do that. I have never ever came at her looks,

914
00:37:46,920 --> 00:37:48,680
Speaker 13: so nothing never done that, Sea.

915
00:37:49,200 --> 00:37:50,040
Speaker 3: I can never say that.

916
00:37:50,080 --> 00:37:52,640
Speaker 5: I'm just saying, I say, look like sexy red around

917
00:37:52,680 --> 00:37:52,960
Speaker 5: the eyes.

918
00:37:53,080 --> 00:37:55,319
Speaker 4: She worked here, and what you meant around the eye

919
00:37:55,600 --> 00:37:57,720
Speaker 4: you'll see if she walk she would have seen.

920
00:37:58,280 --> 00:38:04,120
Speaker 5: She had the same glass.

921
00:38:04,360 --> 00:38:06,959
Speaker 3: Somebody looked like me, like, yeah, I ain't got something.

922
00:38:07,760 --> 00:38:09,319
Speaker 4: Clearly, don't bother you when they say you and thug

923
00:38:09,320 --> 00:38:10,400
Speaker 4: are like brothers.

924
00:38:11,200 --> 00:38:14,200
Speaker 11: Yeah that's well, ladies and gentlemen. Sexy Red team. She

925
00:38:14,239 --> 00:38:16,960
Speaker 11: has an album Hood Hotest Princess out now. And now

926
00:38:17,000 --> 00:38:19,360
Speaker 11: that we got everything squashed out, we got more with

927
00:38:19,360 --> 00:38:20,319
Speaker 11: Sexy Red when we come back.

928
00:38:20,360 --> 00:38:23,000
Speaker 5: It's the Breakfast Club. Good morning morning everybody.

929
00:38:22,520 --> 00:38:25,279
Speaker 11: In Steve n V Charlamagne the guy we are the

930
00:38:25,320 --> 00:38:27,839
Speaker 11: Breakfast Club was still kicking it with Sexy Red.

931
00:38:27,880 --> 00:38:31,360
Speaker 5: Jess Hilaris as our guest co host. Yess, so do you.

932
00:38:31,200 --> 00:38:33,919
Speaker 3: Do you know what gender the baby is? Nope, Nope,

933
00:38:33,920 --> 00:38:34,799
Speaker 3: you don't want to know yet.

934
00:38:35,400 --> 00:38:37,080
Speaker 5: Okay, you don't believe in baby reveals. I feel like

935
00:38:37,120 --> 00:38:38,279
Speaker 5: you have a fire gender.

936
00:38:38,000 --> 00:38:40,520
Speaker 13: Revis I was gonna have a fire gender revieal, but no,

937
00:38:40,640 --> 00:38:41,520
Speaker 13: I ain't gonna do it.

938
00:38:41,680 --> 00:38:42,239
Speaker 3: I ain't gonna do it.

939
00:38:42,640 --> 00:38:43,719
Speaker 5: Yeah, why you don't want to do it?

940
00:38:43,760 --> 00:38:47,399
Speaker 13: Just because just because like I got too much going on,

941
00:38:47,520 --> 00:38:50,359
Speaker 13: like my life too busy. I ain't My baby show

942
00:38:50,440 --> 00:38:53,279
Speaker 13: is gonna be like last minute, like right before I

943
00:38:53,320 --> 00:38:53,840
Speaker 13: can do.

944
00:38:53,800 --> 00:38:58,000
Speaker 4: So are you happy sexy red like genuinely, Yeah, Okay,

945
00:38:58,239 --> 00:38:58,960
Speaker 4: I'm happy.

946
00:38:59,200 --> 00:38:59,880
Speaker 3: I love money.

947
00:39:00,360 --> 00:39:02,120
Speaker 5: You gotta love money.

948
00:39:03,360 --> 00:39:05,719
Speaker 4: You gotta do to get it on February. You love

949
00:39:05,760 --> 00:39:07,920
Speaker 4: all this you gotta do, That's what I mean.

950
00:39:09,239 --> 00:39:10,839
Speaker 3: And then I'm always busy.

951
00:39:11,080 --> 00:39:13,799
Speaker 5: It just be have you adjusted to the fame over all?

952
00:39:14,000 --> 00:39:16,440
Speaker 13: No, because I still be saying maybe, like you know,

953
00:39:16,480 --> 00:39:18,160
Speaker 13: they gonna take it in and twisted, like I don't

954
00:39:18,200 --> 00:39:21,360
Speaker 13: be knowing what to say what, and like I just

955
00:39:21,400 --> 00:39:24,200
Speaker 13: still feel like I'm just a regular, you know. I

956
00:39:24,239 --> 00:39:26,480
Speaker 13: don't be feeling like I'm no celibrity and people be

957
00:39:26,480 --> 00:39:27,399
Speaker 13: putting the cames on my face.

958
00:39:27,400 --> 00:39:29,120
Speaker 3: I'm like, why was they doing all it? Like they

959
00:39:29,200 --> 00:39:30,560
Speaker 3: be like this will comes with it.

960
00:39:30,640 --> 00:39:32,560
Speaker 5: I don't be with all it though? Yeah, was you

961
00:39:32,640 --> 00:39:33,359
Speaker 5: really drink?

962
00:39:33,400 --> 00:39:34,759
Speaker 4: That was another thing I saw in there after you

963
00:39:34,760 --> 00:39:38,960
Speaker 4: about drink? No, see doesn't say she's playing to know

964
00:39:39,000 --> 00:39:42,040
Speaker 4: what you're playing? TEXTI right, and that y'all they take it.

965
00:39:42,080 --> 00:39:43,800
Speaker 4: I feel like people say the Internet is too serious.

966
00:39:43,840 --> 00:39:45,120
Speaker 4: That's why I be messing with y'all.

967
00:39:45,239 --> 00:39:47,840
Speaker 13: Yeah, I play with your heads like that, y'all not

968
00:39:47,880 --> 00:39:50,120
Speaker 13: gonna really know what's going on, y'all. Just y'all believe

969
00:39:50,120 --> 00:39:52,080
Speaker 13: anything y'all see, I don't believe everything I see on

970
00:39:52,120 --> 00:39:54,359
Speaker 13: in there. I be like, man, this's gotta be fake.

971
00:39:54,400 --> 00:39:56,279
Speaker 13: I be like, man, I don't believe it until I

972
00:39:56,280 --> 00:39:58,360
Speaker 13: see the proof. Then I was like, Okay, I believe

973
00:39:58,360 --> 00:40:01,200
Speaker 13: in it. So what a lot of Do you ever

974
00:40:01,360 --> 00:40:05,200
Speaker 13: feel a way about seeing little kids online reciting your

975
00:40:05,280 --> 00:40:08,240
Speaker 13: lyrics or like, you know a lot For this past Halloween,

976
00:40:08,280 --> 00:40:10,280
Speaker 13: a lot of moms dressed their daughters up as sexy

977
00:40:10,320 --> 00:40:12,640
Speaker 13: red you know, how do you feel about Does that

978
00:40:12,680 --> 00:40:13,880
Speaker 13: make you feel a way it was like, cause you're

979
00:40:13,880 --> 00:40:15,319
Speaker 13: not obligated to be anybody's roll.

980
00:40:15,239 --> 00:40:17,000
Speaker 3: Mout or do you feel the type of way about it?

981
00:40:17,160 --> 00:40:17,200
Speaker 1: No?

982
00:40:17,320 --> 00:40:18,960
Speaker 3: I feel like this this what's up?

983
00:40:19,120 --> 00:40:21,080
Speaker 13: Like because when I was little, I mean, we looked

984
00:40:21,160 --> 00:40:23,839
Speaker 13: up to the older girls and stuff, even the ones

985
00:40:23,880 --> 00:40:26,480
Speaker 13: that was bad, Like just because they do bad stuff.

986
00:40:26,160 --> 00:40:29,480
Speaker 3: That don't mean like they are a person. Now you

987
00:40:29,600 --> 00:40:30,120
Speaker 3: know bad.

988
00:40:29,960 --> 00:40:31,719
Speaker 13: People, we still looked up to them. You know, they

989
00:40:31,800 --> 00:40:34,839
Speaker 13: was probably talking crazy or they don't mean nothing. They

990
00:40:34,960 --> 00:40:36,480
Speaker 13: just foc with my personality.

991
00:40:36,560 --> 00:40:37,840
Speaker 4: I feel like, I think when you come from a

992
00:40:37,840 --> 00:40:40,080
Speaker 4: certain environment, you learn not to judge people for what

993
00:40:40,080 --> 00:40:41,360
Speaker 4: they do when they're survival.

994
00:40:41,600 --> 00:40:43,960
Speaker 13: Yeah, that's what I'm saying, like, I don't be judging nobody.

995
00:40:44,280 --> 00:40:46,200
Speaker 13: I've been like that though. I just let everybody do

996
00:40:46,239 --> 00:40:48,400
Speaker 13: them because you never know what they going through. So

997
00:40:48,440 --> 00:40:50,800
Speaker 13: I'll just be like, maybe they did that for a reason,

998
00:40:50,840 --> 00:40:52,240
Speaker 13: So I don't get mad at nobody.

999
00:40:52,280 --> 00:40:53,839
Speaker 4: You got people from your hood leaning on you as

1000
00:40:53,840 --> 00:40:56,120
Speaker 4: far as like financials, like yo, rad, I know you've

1001
00:40:56,120 --> 00:40:57,440
Speaker 4: got to throw me something.

1002
00:40:58,640 --> 00:41:00,960
Speaker 13: I just heard that somebody was in the hood talking

1003
00:41:00,960 --> 00:41:02,920
Speaker 13: stuff about me, talking I ain't putting no guns in

1004
00:41:02,960 --> 00:41:04,640
Speaker 13: the hood, and I ain't doing this and that. I'm like,

1005
00:41:04,680 --> 00:41:07,160
Speaker 13: what I mean, I'll be throwing block parties. Are they

1006
00:41:07,160 --> 00:41:10,680
Speaker 13: having barbecue? Ice cream? Like bouncing out. I'll be doing

1007
00:41:10,719 --> 00:41:12,120
Speaker 13: all kind of stuff for the hood. So I'm like,

1008
00:41:12,560 --> 00:41:13,040
Speaker 13: that's crazy.

1009
00:41:13,080 --> 00:41:14,360
Speaker 5: Why do you want you to put guns in there?

1010
00:41:15,120 --> 00:41:17,440
Speaker 3: They think I'm protect y'all? Get it like I got it?

1011
00:41:18,239 --> 00:41:22,120
Speaker 11: Yeah, rich baby Daddy, was your verse actually longer because

1012
00:41:22,120 --> 00:41:23,080
Speaker 11: it seems like it was short?

1013
00:41:23,239 --> 00:41:25,200
Speaker 5: Yes, it was to Drake cut the verse?

1014
00:41:25,480 --> 00:41:28,399
Speaker 13: Yeah, And he cut pieces up because their beat wasn't

1015
00:41:28,440 --> 00:41:31,200
Speaker 13: even on their beat, it was on another beat. And

1016
00:41:31,320 --> 00:41:35,000
Speaker 13: I had did a verse like a sixteen boy and

1017
00:41:35,080 --> 00:41:37,600
Speaker 13: probably a little hook, and then he cut it up.

1018
00:41:37,680 --> 00:41:38,160
Speaker 3: Chopped it up.

1019
00:41:38,239 --> 00:41:41,840
Speaker 13: He put two different songs together. Really, yeah, it was

1020
00:41:41,880 --> 00:41:43,560
Speaker 13: two different songs that should have been your song. That

1021
00:41:43,560 --> 00:41:47,279
Speaker 13: should have been I just think it would have took

1022
00:41:47,320 --> 00:41:48,719
Speaker 13: off more if it was. It was from this that

1023
00:41:48,920 --> 00:41:51,400
Speaker 13: the number one number.

1024
00:41:51,560 --> 00:41:53,560
Speaker 3: The number one I think Drake Madgen take off.

1025
00:41:53,640 --> 00:41:55,360
Speaker 4: Yeah, I know, I like the record. I love the

1026
00:41:55,400 --> 00:42:00,319
Speaker 4: record actually doing so you saw that and they turning up?

1027
00:42:02,440 --> 00:42:04,920
Speaker 4: Did you see the conversation we had about your lyrics?

1028
00:42:05,000 --> 00:42:05,120
Speaker 14: Right?

1029
00:42:05,160 --> 00:42:08,680
Speaker 4: And I was saying that every generation there's a woman

1030
00:42:08,840 --> 00:42:11,239
Speaker 4: rapper who pushes the boundary of lyrics, Like you're not

1031
00:42:11,360 --> 00:42:14,840
Speaker 4: really doing nothing different than Little Kim was doing, or

1032
00:42:14,920 --> 00:42:17,560
Speaker 4: even Salt and Pepper in the eighties, like everybody sitting

1033
00:42:17,719 --> 00:42:18,600
Speaker 4: edgy for that time.

1034
00:42:19,000 --> 00:42:21,160
Speaker 13: That's all I be saying, Like people be getting on me.

1035
00:42:21,280 --> 00:42:23,000
Speaker 13: But I'd be like, why is that the only thing

1036
00:42:23,080 --> 00:42:25,960
Speaker 13: y'all heard? When I say something about it, they take

1037
00:42:26,000 --> 00:42:28,640
Speaker 13: the part and just that's all she's talking about, Like

1038
00:42:28,800 --> 00:42:30,200
Speaker 13: what that's all y'all got from there?

1039
00:42:30,200 --> 00:42:31,680
Speaker 3: I'd be saying all kind of stuff in myself.

1040
00:42:31,719 --> 00:42:34,520
Speaker 5: I mean, be fair. The hook is called Booty Brown.

1041
00:42:34,880 --> 00:42:36,439
Speaker 5: That is the hook the song.

1042
00:42:36,560 --> 00:42:40,319
Speaker 3: That song was strictly about Poundtown. So that's that's nothing. Yeah,

1043
00:42:40,360 --> 00:42:44,080
Speaker 3: but I have yeah catalog where you're not just talking

1044
00:42:44,080 --> 00:42:46,200
Speaker 3: about Like why do we y'all think I just rap

1045
00:42:46,239 --> 00:42:47,160
Speaker 3: about that all day?

1046
00:42:47,280 --> 00:42:49,799
Speaker 4: Like I understand if that's the only song somebody's heard,

1047
00:42:49,840 --> 00:42:52,000
Speaker 4: I can understand why they come to that conclusion.

1048
00:42:52,280 --> 00:42:54,239
Speaker 3: Do you have a favorite song so far of your

1049
00:42:54,280 --> 00:42:57,480
Speaker 3: own Poundtown? Because he got me out the trenches?

1050
00:42:57,760 --> 00:43:00,759
Speaker 5: Yeah, time got you out the trenches. I love it.

1051
00:43:01,200 --> 00:43:01,799
Speaker 9: I knew.

1052
00:43:01,880 --> 00:43:03,719
Speaker 3: I knew it was though. Like when I recorded I

1053
00:43:03,800 --> 00:43:05,279
Speaker 3: came out the booth, I'm like, this is the one.

1054
00:43:05,400 --> 00:43:07,480
Speaker 3: This is gonna get me out the hood. I told everybody.

1055
00:43:07,920 --> 00:43:09,640
Speaker 5: So when your team heard that hook, what.

1056
00:43:10,160 --> 00:43:11,280
Speaker 3: That was, everybody was laughing.

1057
00:43:11,360 --> 00:43:13,799
Speaker 13: We was all in the studio laughing because I was freestyling.

1058
00:43:14,400 --> 00:43:17,120
Speaker 13: And then they was like be serious, like this ain't serious.

1059
00:43:17,280 --> 00:43:17,960
Speaker 13: You ain't serious.

1060
00:43:18,040 --> 00:43:19,640
Speaker 5: Be serious, And he was like, this is gonna be it.

1061
00:43:19,840 --> 00:43:22,360
Speaker 3: I'm like this, They gonna like it. They gonna trust me,

1062
00:43:22,440 --> 00:43:25,560
Speaker 3: and they like, no, they wouldn't believe in it that song.

1063
00:43:25,719 --> 00:43:29,279
Speaker 13: They was just like, but now they'd be like, Okay,

1064
00:43:29,360 --> 00:43:31,560
Speaker 13: she knows she's strategized, she know what she's talking about.

1065
00:43:31,360 --> 00:43:32,239
Speaker 5: She know what her people like.

1066
00:43:32,560 --> 00:43:34,719
Speaker 4: Now people said that you lead your sex tape on

1067
00:43:34,840 --> 00:43:36,719
Speaker 4: purpose because of because of pie time.

1068
00:43:36,800 --> 00:43:38,640
Speaker 5: You wanted them to show. You wanted them to show

1069
00:43:39,120 --> 00:43:40,120
Speaker 5: you wanted your show what color.

1070
00:43:40,840 --> 00:43:43,400
Speaker 13: No, that was the wakest video, bro. I was tired,

1071
00:43:43,440 --> 00:43:46,080
Speaker 13: I'm fat, pregnant, didn't even feel like doing so that's

1072
00:43:46,120 --> 00:43:46,520
Speaker 13: what I'm like.

1073
00:43:46,640 --> 00:43:49,680
Speaker 3: And then that's the one that leaked all kinds of stuff.

1074
00:43:49,480 --> 00:43:51,200
Speaker 5: About the stuff get leaked in twenty three.

1075
00:43:51,560 --> 00:43:56,279
Speaker 3: I don't know. No, it was in a moment and

1076
00:43:56,440 --> 00:43:59,200
Speaker 3: then set the phone down. But I ain't the one

1077
00:43:59,200 --> 00:43:59,520
Speaker 3: that did it.

1078
00:43:59,600 --> 00:44:01,759
Speaker 13: It was in set the phone down, through it and

1079
00:44:01,840 --> 00:44:04,600
Speaker 13: then you know, and then it had excellently pressed.

1080
00:44:04,960 --> 00:44:06,640
Speaker 5: She said she got all types of work on the phone.

1081
00:44:06,640 --> 00:44:09,920
Speaker 5: You don't delete it now now after that, it's my phone.

1082
00:44:10,440 --> 00:44:13,520
Speaker 3: Don't all got your phone. I don't know why they

1083
00:44:13,680 --> 00:44:17,040
Speaker 3: line I did you know what I'm saying? Man, When

1084
00:44:17,080 --> 00:44:19,480
Speaker 3: I say like, I could really go viral, I could be.

1085
00:44:19,960 --> 00:44:23,080
Speaker 5: Done for reasons like that somebody break into your phone.

1086
00:44:23,200 --> 00:44:25,840
Speaker 3: No, nobody broke it to my phone. I already know

1087
00:44:25,880 --> 00:44:28,960
Speaker 3: what happened. I could really be a start if I

1088
00:44:29,239 --> 00:44:30,160
Speaker 3: post the real stuff.

1089
00:44:30,239 --> 00:44:31,960
Speaker 4: I think you should tell people what happened so it

1090
00:44:32,000 --> 00:44:34,560
Speaker 4: don't happen to other people. I just did you said,

1091
00:44:34,560 --> 00:44:37,320
Speaker 4: you just through the phone and okay, this is what happened.

1092
00:44:37,640 --> 00:44:40,759
Speaker 13: It was on Instagram like a little short clip video

1093
00:44:41,040 --> 00:44:43,560
Speaker 13: like just making me on Instagram and saved it to

1094
00:44:43,640 --> 00:44:46,279
Speaker 13: the phone, then through the phone, but the video still

1095
00:44:46,360 --> 00:44:49,360
Speaker 13: was on my screen and then through the phone and

1096
00:44:49,480 --> 00:44:53,839
Speaker 13: it got excellently pressed like that like sent to public. Yeah,

1097
00:44:54,280 --> 00:44:56,040
Speaker 13: like who's gonna do that on purpose? I was like

1098
00:44:56,200 --> 00:44:57,920
Speaker 13: what and this was the way it is, being like

1099
00:44:58,320 --> 00:44:59,680
Speaker 13: y'all really don't want me to post.

1100
00:44:59,520 --> 00:45:01,719
Speaker 3: The real ones? Man, I turns up.

1101
00:45:01,960 --> 00:45:04,359
Speaker 13: I don't think that you posted it yourself. I don't

1102
00:45:04,360 --> 00:45:07,040
Speaker 13: think you looked at yourself because you you it was

1103
00:45:07,239 --> 00:45:08,759
Speaker 13: it took you a minute to post again like you

1104
00:45:08,920 --> 00:45:10,239
Speaker 13: you didn't go on line.

1105
00:45:10,320 --> 00:45:13,200
Speaker 3: I was like it was a minute.

1106
00:45:13,600 --> 00:45:16,800
Speaker 5: I was, yeah, who just managed yourself?

1107
00:45:16,920 --> 00:45:20,160
Speaker 3: Like well that had happened period. Yeah I ain't the one, daddy,

1108
00:45:20,800 --> 00:45:21,320
Speaker 3: It wasn't me.

1109
00:45:21,840 --> 00:45:25,279
Speaker 5: So somebody did it. Yes it was at no, it

1110
00:45:25,400 --> 00:45:25,640
Speaker 5: was an.

1111
00:45:25,600 --> 00:45:28,480
Speaker 13: Accident, but it still was like you dumb, like pay

1112
00:45:28,520 --> 00:45:31,320
Speaker 13: attention to be smatered you moving too loose.

1113
00:45:31,239 --> 00:45:36,959
Speaker 5: Like yeah, yeah, okay, are you in love now? Sexy?

1114
00:45:37,120 --> 00:45:37,239
Speaker 1: Right?

1115
00:45:38,600 --> 00:45:38,799
Speaker 3: Yeah?

1116
00:45:38,880 --> 00:45:41,279
Speaker 5: With the money is everybody wondering who your maybe daddy is.

1117
00:45:42,920 --> 00:45:43,320
Speaker 9: It might be.

1118
00:45:44,280 --> 00:45:50,680
Speaker 5: No, don't do that. I'm a man. Yea a macular conception.

1119
00:45:52,120 --> 00:45:55,960
Speaker 3: Did you see Charlamagne before he you know, had done?

1120
00:45:56,080 --> 00:45:57,960
Speaker 5: I was tight? Yeah, no, I know not.

1121
00:46:00,960 --> 00:46:02,040
Speaker 3: What you get done.

1122
00:46:04,640 --> 00:46:07,919
Speaker 5: Discoloration at least the skin, really bad discoloration at least

1123
00:46:07,920 --> 00:46:09,160
Speaker 5: the skin. Yeah.

1124
00:46:11,440 --> 00:46:15,239
Speaker 3: Oh, just know what the baby is is?

1125
00:46:15,880 --> 00:46:16,640
Speaker 7: That ain't what it's.

1126
00:46:22,160 --> 00:46:25,160
Speaker 13: Ceremony and still get cheated on. I do it just

1127
00:46:25,239 --> 00:46:26,959
Speaker 13: to do it, like because it looks like it looked

1128
00:46:27,000 --> 00:46:30,520
Speaker 13: like a good time. You'll love in front of everybody.

1129
00:46:30,640 --> 00:46:32,560
Speaker 13: But I feel like that Aliday, is you just confessing

1130
00:46:32,600 --> 00:46:35,760
Speaker 13: your love people. So it's the cheating, Like the cheating

1131
00:46:36,680 --> 00:46:38,280
Speaker 13: people be doing some wrong stuff.

1132
00:46:38,360 --> 00:46:40,359
Speaker 4: You could be in a real relationship with somebody who

1133
00:46:40,400 --> 00:46:42,720
Speaker 4: love you and it might be something fidelity on both sides.

1134
00:46:43,400 --> 00:46:43,640
Speaker 7: It's not.

1135
00:46:44,120 --> 00:46:45,800
Speaker 3: So what's the point of us doing all this in

1136
00:46:45,840 --> 00:46:46,319
Speaker 3: front of people?

1137
00:46:46,560 --> 00:46:48,640
Speaker 13: Like we're gonna be together and not mess with other

1138
00:46:48,680 --> 00:46:52,480
Speaker 13: people like it be married people catchings and stuff that's

1139
00:46:52,560 --> 00:46:58,960
Speaker 13: not right. Yeah, you talk about it, okay, I mean

1140
00:46:59,120 --> 00:47:00,759
Speaker 13: only because I got you don't But I don't be

1141
00:47:00,880 --> 00:47:01,720
Speaker 13: the chieating first.

1142
00:47:02,080 --> 00:47:03,759
Speaker 5: And that don't mean you don't love the person.

1143
00:47:04,280 --> 00:47:07,439
Speaker 3: Right, but they don't. That don't mean like I could

1144
00:47:07,440 --> 00:47:07,960
Speaker 3: be faithful.

1145
00:47:08,000 --> 00:47:09,480
Speaker 13: I could be real fair when I was like, but

1146
00:47:09,520 --> 00:47:11,840
Speaker 13: once you saw me, you not faithful, And it's like,

1147
00:47:11,920 --> 00:47:14,320
Speaker 13: what is we doing? Why I gotta be faithful to you?

1148
00:47:15,360 --> 00:47:17,160
Speaker 11: We got more with Sexy Red. When we come back,

1149
00:47:17,200 --> 00:47:18,439
Speaker 11: don't move. It's the Breakfast Club.

1150
00:47:18,480 --> 00:47:19,319
Speaker 5: Good morning morning.

1151
00:47:19,400 --> 00:47:22,520
Speaker 11: Everybody is dj n V Charlamagne to God, we are

1152
00:47:22,600 --> 00:47:23,359
Speaker 11: the Breakfast Club.

1153
00:47:23,400 --> 00:47:26,920
Speaker 5: Were still kicking it with Sexy Red. Yes, ask number thirteen,

1154
00:47:27,239 --> 00:47:33,319
Speaker 5: number thirty ain't my question. There's rumors that what.

1155
00:47:35,640 --> 00:47:38,160
Speaker 13: This is what they want me ask. There's rumors that

1156
00:47:38,280 --> 00:47:40,040
Speaker 13: you in nl E chop but was a thing for

1157
00:47:40,120 --> 00:47:40,439
Speaker 13: a minute.

1158
00:47:40,480 --> 00:47:41,000
Speaker 5: What happened with?

1159
00:47:41,320 --> 00:47:42,920
Speaker 3: Who made that? Right?

1160
00:47:43,200 --> 00:47:46,440
Speaker 5: I ain't it, Charlamagne. I never thought, why do you

1161
00:47:46,520 --> 00:47:47,600
Speaker 5: think I would do something like that?

1162
00:47:47,880 --> 00:47:49,200
Speaker 9: Why not you?

1163
00:47:49,560 --> 00:47:51,360
Speaker 4: Because I didn't want to ask you about sleeping with somebody?

1164
00:47:51,400 --> 00:47:55,160
Speaker 4: But I remember, I know, I just I know I

1165
00:47:55,360 --> 00:47:57,680
Speaker 4: like to lie too, Sexy. No, I don't be talking

1166
00:47:57,719 --> 00:47:59,360
Speaker 4: about I don't be asking questions like that.

1167
00:48:00,080 --> 00:48:03,560
Speaker 13: Man wouldn't never knowing why would he? I ain't no industry,

1168
00:48:04,520 --> 00:48:06,160
Speaker 13: That's what I want to know. I ain't had six

1169
00:48:06,239 --> 00:48:12,000
Speaker 13: with nobody they be choosing though, for sure. Yeah, if

1170
00:48:12,040 --> 00:48:14,239
Speaker 13: you want people be on the end there trying to

1171
00:48:14,719 --> 00:48:17,239
Speaker 13: she ugly. If based with the sixty red, you can

1172
00:48:17,280 --> 00:48:19,040
Speaker 13: find a sixty red on the block. It didn't be

1173
00:48:19,080 --> 00:48:21,560
Speaker 13: the same in my inbox, and I probably ignored them

1174
00:48:21,600 --> 00:48:24,359
Speaker 13: with somewhere like really choosing for real.

1175
00:48:25,080 --> 00:48:28,080
Speaker 4: I think sexy real being the hood at home cooking,

1176
00:48:29,280 --> 00:48:32,160
Speaker 4: and I think you wanted you a good domesticated woman.

1177
00:48:32,760 --> 00:48:35,880
Speaker 5: That's what I believe you her man clearly do you

1178
00:48:36,040 --> 00:48:36,960
Speaker 5: why she's pregnant now?

1179
00:48:37,480 --> 00:48:38,160
Speaker 3: And he know that.

1180
00:48:38,320 --> 00:48:40,560
Speaker 4: That's what I mean when I say, it's just real.

1181
00:48:40,640 --> 00:48:42,840
Speaker 4: I believe you are who you say you are. But

1182
00:48:42,920 --> 00:48:46,320
Speaker 4: I believe like all of that talking, you ain't you

1183
00:48:46,400 --> 00:48:47,120
Speaker 4: about that with him?

1184
00:48:47,600 --> 00:48:49,920
Speaker 13: That's what I'm saying when people bringing up that stuff

1185
00:48:49,960 --> 00:48:52,160
Speaker 13: about like when I said I had cock comedia, It

1186
00:48:52,320 --> 00:48:52,600
Speaker 13: wasn't my.

1187
00:48:52,760 --> 00:48:56,200
Speaker 3: Fuck be cheating. That ain't my damn fuck.

1188
00:48:56,600 --> 00:48:58,640
Speaker 13: Yeah no, no, no, it was when you said you

1189
00:48:58,719 --> 00:49:02,040
Speaker 13: spent the block on him? It was okay, all right,

1190
00:49:02,080 --> 00:49:06,040
Speaker 13: so all right, I got you, all right, So yeah

1191
00:49:06,480 --> 00:49:07,000
Speaker 13: you locked up.

1192
00:49:07,080 --> 00:49:09,799
Speaker 5: That's when I fed up the free money you got. Yeah,

1193
00:49:10,239 --> 00:49:12,560
Speaker 5: that's by day he gave you.

1194
00:49:12,600 --> 00:49:19,720
Speaker 13: Comedian, she saidst of all is he upset you pregnant?

1195
00:49:19,800 --> 00:49:21,640
Speaker 3: Now, I know that you can't wait to come home

1196
00:49:21,760 --> 00:49:23,640
Speaker 3: to try to get you. Yeah, but he not like

1197
00:49:23,680 --> 00:49:24,200
Speaker 3: trying to fight me.

1198
00:49:24,239 --> 00:49:24,920
Speaker 5: Me and my baby day.

1199
00:49:25,000 --> 00:49:28,719
Speaker 13: We real cool, like okay, he knows like I mean,

1200
00:49:28,960 --> 00:49:32,240
Speaker 13: sometimes people day self a situation like you left me, yeah.

1201
00:49:32,239 --> 00:49:32,879
Speaker 3: With your son.

1202
00:49:33,080 --> 00:49:35,400
Speaker 5: So it's like it's not like he wanted to go.

1203
00:49:35,719 --> 00:49:35,960
Speaker 1: He was.

1204
00:49:36,160 --> 00:49:38,680
Speaker 13: He was doing to make yourself like, you know, when's

1205
00:49:38,680 --> 00:49:41,840
Speaker 13: he coming home? I don't know soon hopefully.

1206
00:49:41,719 --> 00:49:45,200
Speaker 5: That's big chesus you got pregnant while he was locked up. Nah,

1207
00:49:45,600 --> 00:49:46,160
Speaker 5: that's big.

1208
00:49:48,600 --> 00:49:50,920
Speaker 13: We wentn't together though my baby day. He broke up

1209
00:49:50,960 --> 00:49:53,080
Speaker 13: when my son was six months, my son three now,

1210
00:49:53,600 --> 00:49:56,320
Speaker 13: but we always was like still cool. He still was

1211
00:49:56,320 --> 00:49:58,000
Speaker 13: coming off my house. He knew I ain't had no

1212
00:49:58,080 --> 00:50:01,000
Speaker 13: other like I just was to stay at home doing

1213
00:50:01,080 --> 00:50:02,439
Speaker 13: me like before a poundtown drop.

1214
00:50:02,480 --> 00:50:04,640
Speaker 3: I just was at home with my son because I

1215
00:50:04,719 --> 00:50:06,279
Speaker 3: can't do. I got my son all the time.

1216
00:50:06,400 --> 00:50:08,439
Speaker 5: Was he supportive when he was rapping? Was he support Yeah,

1217
00:50:08,880 --> 00:50:09,760
Speaker 5: he was very supportive.

1218
00:50:09,800 --> 00:50:11,239
Speaker 3: He used to get my son whenever I had to

1219
00:50:11,280 --> 00:50:12,200
Speaker 3: show whatever I had to do.

1220
00:50:12,560 --> 00:50:14,120
Speaker 5: Yeah, And what were you doing before you were rapping?

1221
00:50:14,160 --> 00:50:15,120
Speaker 5: Before you decided to rap.

1222
00:50:15,640 --> 00:50:16,359
Speaker 3: I was doing her.

1223
00:50:16,760 --> 00:50:18,800
Speaker 13: Yeah, I used to do her that Saint Louis that

1224
00:50:18,920 --> 00:50:24,040
Speaker 13: I was doing hers installations everything, yeah, braids all that

1225
00:50:24,680 --> 00:50:25,960
Speaker 13: last year I did every show.

1226
00:50:25,840 --> 00:50:33,239
Speaker 5: Me somebody here you did. He was good. Louis was

1227
00:50:33,320 --> 00:50:33,879
Speaker 5: going to Utah.

1228
00:50:34,120 --> 00:50:35,400
Speaker 3: I was a hood of her stuff.

1229
00:50:36,239 --> 00:50:36,480
Speaker 5: Show me.

1230
00:50:36,719 --> 00:50:39,080
Speaker 3: That's how everybody knew me because I was doing everybody heard.

1231
00:50:39,480 --> 00:50:41,080
Speaker 5: I saw you go ahead to start rapping? What made

1232
00:50:41,120 --> 00:50:41,640
Speaker 5: you start rapping?

1233
00:50:41,680 --> 00:50:44,480
Speaker 13: In my baby didd he this one. He was my

1234
00:50:44,560 --> 00:50:47,560
Speaker 13: boyfriend at the time. He had he was cheating on me.

1235
00:50:47,760 --> 00:50:49,600
Speaker 13: He used to my bit first baby. Oh my god,

1236
00:50:49,640 --> 00:50:50,680
Speaker 13: he used to always cheat on me.

1237
00:50:51,320 --> 00:50:53,040
Speaker 5: Is he sick now that now that you're successful? To

1238
00:50:53,080 --> 00:50:55,120
Speaker 5: he call you all the time like hey nah?

1239
00:50:55,280 --> 00:50:57,680
Speaker 13: But he they be in jail like talking about me

1240
00:50:57,760 --> 00:51:00,600
Speaker 13: and stuff, so he heard everything. But nah, he was

1241
00:51:00,680 --> 00:51:02,279
Speaker 13: just cheating on me all the time. And then I

1242
00:51:02,360 --> 00:51:04,840
Speaker 13: had made this song about him because it was just

1243
00:51:05,000 --> 00:51:07,520
Speaker 13: like he was cheat all the time. You know a

1244
00:51:07,560 --> 00:51:09,239
Speaker 13: lot of bitches, but he's one you know that he

1245
00:51:09,400 --> 00:51:12,160
Speaker 13: really liked. I've seen the whims. I'm like, oh, I can't.

1246
00:51:12,200 --> 00:51:15,160
Speaker 13: I hated this was so bad. You ain't nothing, Oh baby,

1247
00:51:15,239 --> 00:51:17,400
Speaker 13: I did That's the point of the store.

1248
00:51:17,480 --> 00:51:18,000
Speaker 7: I did it.

1249
00:51:18,280 --> 00:51:21,960
Speaker 3: I definitely did got pressed. You read down on him

1250
00:51:22,120 --> 00:51:25,200
Speaker 3: on her am, I didn't call my baby daddy so much.

1251
00:51:25,360 --> 00:51:26,800
Speaker 3: I didn't you the key.

1252
00:51:26,760 --> 00:51:31,239
Speaker 11: Cars broke flat tight cause all you done, did you

1253
00:51:31,280 --> 00:51:33,080
Speaker 11: a X or it's call it's property.

1254
00:51:33,440 --> 00:51:35,680
Speaker 3: The worst thing I did got pregnant.

1255
00:51:36,080 --> 00:51:39,919
Speaker 13: I mean, dam because man, my baby daddy. We said

1256
00:51:39,960 --> 00:51:41,880
Speaker 13: we'll never have babies outside of.

1257
00:51:43,600 --> 00:51:46,719
Speaker 3: My only baby daddy. But that was like, that's just.

1258
00:51:46,800 --> 00:51:48,839
Speaker 5: Something we both was like, you did that on purpose.

1259
00:51:48,880 --> 00:51:49,799
Speaker 5: You couldn't wait to tell him.

1260
00:51:49,880 --> 00:51:51,080
Speaker 3: I ain't do that on purpose.

1261
00:51:51,160 --> 00:51:53,319
Speaker 13: I was scared to tell him. Everybody was telling him.

1262
00:51:53,360 --> 00:51:55,720
Speaker 13: I knew I was pregnant, but everybody was already snitching

1263
00:51:55,760 --> 00:51:57,319
Speaker 13: on me. I'm like, no, that's not true.

1264
00:51:57,880 --> 00:52:00,000
Speaker 5: He like, so you're looking at dead in his face. Line,

1265
00:52:00,000 --> 00:52:03,120
Speaker 5: ain't in jail knowing you ain't had a period. In jail,

1266
00:52:03,960 --> 00:52:05,280
Speaker 5: knowing that you ain't have a period.

1267
00:52:05,800 --> 00:52:09,240
Speaker 13: He yeo no, But look, he was my baby daddy.

1268
00:52:09,280 --> 00:52:10,839
Speaker 13: He used to be cheating on me. So I had

1269
00:52:10,880 --> 00:52:13,800
Speaker 13: made this song about him, and then he was like

1270
00:52:14,120 --> 00:52:14,920
Speaker 13: I rapped it to him.

1271
00:52:14,960 --> 00:52:17,560
Speaker 3: He's like, dang, that was hard. So then that's when

1272
00:52:17,600 --> 00:52:19,279
Speaker 3: we would be in the choir around his friends. He like,

1273
00:52:19,400 --> 00:52:21,640
Speaker 3: raped your songs to them, showing me your song. So

1274
00:52:21,800 --> 00:52:23,640
Speaker 3: now I rapped the song. They're like, oh, you actually

1275
00:52:23,680 --> 00:52:25,160
Speaker 3: know how to rap. So I'm like, for real, y'all.

1276
00:52:26,239 --> 00:52:27,600
Speaker 3: Then that's when I just went to the studio and

1277
00:52:27,680 --> 00:52:28,279
Speaker 3: made a real sir.

1278
00:52:28,560 --> 00:52:30,120
Speaker 4: But I'm sure a lot of people in Saint Louis

1279
00:52:30,120 --> 00:52:32,680
Speaker 4: look up to you because they can see themselves.

1280
00:52:32,239 --> 00:52:35,360
Speaker 13: And you know, I'm relatable for real, like just a

1281
00:52:35,440 --> 00:52:37,319
Speaker 13: rag loll girl from the North Side for real.

1282
00:52:37,440 --> 00:52:39,919
Speaker 5: Like when you was on stage barefoot and pregnant doing

1283
00:52:39,960 --> 00:52:40,520
Speaker 5: the chicken aad.

1284
00:52:40,600 --> 00:52:45,000
Speaker 3: My feet was hurt because when you because when she danced,

1285
00:52:45,040 --> 00:52:46,480
Speaker 3: she got he was on you can tell it her,

1286
00:52:46,600 --> 00:52:50,319
Speaker 3: so she like, just do it. I hate wearing Hugh

1287
00:52:50,440 --> 00:52:50,960
Speaker 3: was on stage.

1288
00:52:50,960 --> 00:52:54,359
Speaker 13: I want them to get you some nice red slippers though, Yeah,

1289
00:52:54,880 --> 00:52:56,840
Speaker 13: because you don't know what was going on with these stages.

1290
00:52:56,840 --> 00:52:58,600
Speaker 3: You don't know if they clean these stages. Like no,

1291
00:52:58,680 --> 00:52:59,759
Speaker 3: I'm just saying you're in the.

1292
00:52:59,719 --> 00:53:02,759
Speaker 5: Stage is dirty. The stage, y'all know.

1293
00:53:02,920 --> 00:53:05,000
Speaker 13: Soon as I get on stage, I got my people's

1294
00:53:05,080 --> 00:53:06,839
Speaker 13: right there soon as like as soon as I walk

1295
00:53:06,880 --> 00:53:09,800
Speaker 13: on for me, I sit there and they got the

1296
00:53:10,280 --> 00:53:14,800
Speaker 13: disinfecting wife. Yeah, all my shoes they clean all that. Ye, Like,

1297
00:53:15,000 --> 00:53:16,680
Speaker 13: soon as I got I got videos, soon as I

1298
00:53:16,719 --> 00:53:17,280
Speaker 13: get off stage.

1299
00:53:17,280 --> 00:53:18,799
Speaker 3: They came every time.

1300
00:53:19,239 --> 00:53:22,239
Speaker 5: Well, sexy, we glad that you could join us so much.

1301
00:53:22,280 --> 00:53:22,840
Speaker 5: I'm happy.

1302
00:53:23,000 --> 00:53:25,160
Speaker 13: I'm happy that you did come. I'm mayby that you

1303
00:53:25,640 --> 00:53:28,360
Speaker 13: look she was honest. I'm happy that you was honest.

1304
00:53:28,400 --> 00:53:29,800
Speaker 13: I'm happy that I got you to look at me

1305
00:53:30,280 --> 00:53:32,719
Speaker 13: and all of that. And I appreciate you, man, Yeah,

1306
00:53:32,760 --> 00:53:33,360
Speaker 13: I appreciate you.

1307
00:53:33,440 --> 00:53:35,319
Speaker 5: I've had I me just can't talk about you no more.

1308
00:53:35,840 --> 00:53:41,600
Speaker 5: No ever, she be trolling. She just came being sad.

1309
00:53:42,400 --> 00:53:44,400
Speaker 13: No, she just came up and said, I'll be trolling,

1310
00:53:44,520 --> 00:53:47,600
Speaker 13: like I'm I'm regular that if y'all think this, I'm

1311
00:53:47,600 --> 00:53:49,440
Speaker 13: gonna let you'll think that. I'm just I don't be

1312
00:53:49,480 --> 00:53:51,880
Speaker 13: I don't care. We know nothing of like, yeah, I

1313
00:53:51,920 --> 00:53:54,839
Speaker 13: don't clear rumors like have you heard leave it? That's

1314
00:53:54,880 --> 00:53:55,880
Speaker 13: how you I got you.

1315
00:53:56,160 --> 00:53:58,200
Speaker 4: Yeah, you gotta know me to know me, Like, yeah,

1316
00:53:58,200 --> 00:54:00,000
Speaker 4: that's right, because we don't know none of these people

1317
00:54:00,000 --> 00:54:02,240
Speaker 4: alongline to who give it about their opinion anyway?

1318
00:54:02,360 --> 00:54:02,480
Speaker 14: Right?

1319
00:54:02,640 --> 00:54:04,520
Speaker 13: Who cries about what other people is doing? Is what

1320
00:54:04,560 --> 00:54:06,320
Speaker 13: I'd be wanting to know because I don't. That's what

1321
00:54:06,360 --> 00:54:08,600
Speaker 13: I don't understand. I don't be tripping off with nobody

1322
00:54:08,640 --> 00:54:10,440
Speaker 13: else got going on, because it's like they the ones

1323
00:54:10,480 --> 00:54:11,480
Speaker 13: got to live their life, not me.

1324
00:54:12,000 --> 00:54:13,400
Speaker 3: So I don't That's what I'm saying. I don't be

1325
00:54:13,480 --> 00:54:14,960
Speaker 3: juessus people. I just don't care.

1326
00:54:15,360 --> 00:54:18,680
Speaker 5: You don't like to read you no, okay.

1327
00:54:19,920 --> 00:54:25,480
Speaker 13: Because you wear glasses, so you can't mean.

1328
00:54:28,560 --> 00:54:31,000
Speaker 5: Let's get out of here. Sexy red ladies and gentlemen

1329
00:54:31,080 --> 00:54:35,080
Speaker 5: appreciate you, sexty, don't strange you. It's the breakfast club.

1330
00:54:35,120 --> 00:54:37,080
Speaker 5: Good morning. To make sure you're telling the watch off

1331
00:54:37,120 --> 00:54:37,680
Speaker 5: of Florida Man.

1332
00:54:40,440 --> 00:54:42,719
Speaker 4: The craziest people in America come from the Bronx and

1333
00:54:43,000 --> 00:54:46,840
Speaker 4: all of the Florida Yeah, you are adulty.

1334
00:54:47,400 --> 00:54:51,000
Speaker 19: The Florida man attacked an ATM for a very strange reason.

1335
00:54:51,160 --> 00:54:52,359
Speaker 3: It gave him too much money.

1336
00:54:52,440 --> 00:54:54,800
Speaker 5: Florida man is arrested after that stage. He rigged the

1337
00:54:54,840 --> 00:54:56,680
Speaker 5: door to his home in an attempt to electric hid

1338
00:54:56,719 --> 00:54:57,439
Speaker 5: his pregnant lights.

1339
00:54:57,520 --> 00:54:59,040
Speaker 16: Police arrested and Orlando Man.

1340
00:54:59,320 --> 00:55:02,480
Speaker 5: We're talking of the breakfast club, bitch. You don't here

1341
00:55:02,560 --> 00:55:04,440
Speaker 5: to day with? Shallam hain't the guy? I don't know

1342
00:55:04,480 --> 00:55:06,000
Speaker 5: why y'all keep letting him. Get y'all like this.

1343
00:55:06,280 --> 00:55:08,440
Speaker 4: It ain't me little du ball as y'all donkey here

1344
00:55:08,440 --> 00:55:10,720
Speaker 4: today goes to a thirty eight year old Miami, Florida

1345
00:55:10,760 --> 00:55:13,879
Speaker 4: woman named the Poorah Abraham. Now, what does your uncle

1346
00:55:13,920 --> 00:55:16,000
Speaker 4: Shalla always say about the great state of Florida?

1347
00:55:16,080 --> 00:55:16,640
Speaker 5: Say it with me.

1348
00:55:16,840 --> 00:55:19,279
Speaker 4: The craziest people in America come from the Bronx and

1349
00:55:19,360 --> 00:55:21,920
Speaker 4: all of Florida. And don't assume that Ivy Rivera is

1350
00:55:21,960 --> 00:55:24,480
Speaker 4: from the Bronx just because you know she's not.

1351
00:55:24,680 --> 00:55:27,719
Speaker 5: She's from Brooklyn. Don't til crazy, nonetheless, But that's neither

1352
00:55:27,760 --> 00:55:28,200
Speaker 5: here nor there.

1353
00:55:28,239 --> 00:55:30,279
Speaker 4: Now I think I can confidently say that Zapora is

1354
00:55:30,280 --> 00:55:32,759
Speaker 4: one hundred percent grade a city girl. And you know

1355
00:55:32,840 --> 00:55:34,719
Speaker 4: a city girl gonna do one of two things. She

1356
00:55:34,840 --> 00:55:37,960
Speaker 4: either gonna f on a scamming ass rich aff or

1357
00:55:38,000 --> 00:55:40,200
Speaker 4: she gonna commit a scam herself. See those big burking

1358
00:55:40,320 --> 00:55:43,280
Speaker 4: bags that hold five or six figures don't buy themselves.

1359
00:55:43,560 --> 00:55:46,200
Speaker 5: So a city girl gonna make a way wham bam,

1360
00:55:46,360 --> 00:55:48,640
Speaker 5: thank you scam. And is the poor big Zip twenty

1361
00:55:48,680 --> 00:55:50,720
Speaker 5: eight grams of pure scam made away.

1362
00:55:51,280 --> 00:55:54,000
Speaker 4: Okay, she ain't even naim high, Young Zip wasn't even

1363
00:55:54,080 --> 00:55:56,320
Speaker 4: looking for no new jewels to shine her out. She

1364
00:55:56,440 --> 00:55:58,879
Speaker 4: wasn't looking for no shopping spreees to fly her out.

1365
00:55:59,120 --> 00:56:01,359
Speaker 4: She wasn't in Caliber bath Is trying to buy a house.

1366
00:56:01,719 --> 00:56:05,000
Speaker 4: Young Zip was in Walmart. Okay, Young Zip was in

1367
00:56:05,080 --> 00:56:07,400
Speaker 4: Walmart trying to figure out a way to walk out

1368
00:56:07,480 --> 00:56:10,239
Speaker 4: with eight hundred and fifty dollars worth for items. Eight

1369
00:56:10,440 --> 00:56:14,120
Speaker 4: hundred and fifty dollars worth for items from Walmart. She

1370
00:56:14,320 --> 00:56:16,600
Speaker 4: wasn't trying to scam a new coop with the paper

1371
00:56:16,719 --> 00:56:18,680
Speaker 4: tag same color as the burking bag.

1372
00:56:18,880 --> 00:56:18,920
Speaker 9: No.

1373
00:56:19,719 --> 00:56:22,400
Speaker 5: Eight hundred and fifty dollars a household items from Walmart?

1374
00:56:22,520 --> 00:56:25,840
Speaker 5: And how was she trying to do it with counterfeit bills?

1375
00:56:26,040 --> 00:56:28,040
Speaker 4: Oh boy, see, Young Zip, don't got time for you

1376
00:56:28,120 --> 00:56:30,360
Speaker 4: fake ass holes talking out loud on your fake ass clothes.

1377
00:56:30,360 --> 00:56:32,560
Speaker 4: But she definitely got time was in fake ass bills.

1378
00:56:32,719 --> 00:56:34,439
Speaker 4: Let's go to CBS News Miami for the report.

1379
00:56:34,440 --> 00:56:36,640
Speaker 5: Police a woman is and custodly.

1380
00:56:36,960 --> 00:56:40,800
Speaker 19: She allegedly used then eate counterfeit money at a Walmart

1381
00:56:40,920 --> 00:56:45,360
Speaker 19: and North Miami Beach officers received the report from customer service.

1382
00:56:45,760 --> 00:56:50,120
Speaker 19: They recognized the suspect, Zephorah Abraham, from a prior incident.

1383
00:56:50,520 --> 00:56:53,120
Speaker 19: Abraham also allegedly tried to leave the store with a

1384
00:56:53,200 --> 00:56:55,600
Speaker 19: bin full of items worth more than eight hundred and

1385
00:56:55,600 --> 00:56:58,600
Speaker 19: fifty dollars when stopped by an officer. Please say she

1386
00:56:58,719 --> 00:57:01,560
Speaker 19: tried to eat some of the undrefit money. She's facing

1387
00:57:01,680 --> 00:57:03,600
Speaker 19: felony charges, including grand theft.

1388
00:57:03,960 --> 00:57:07,080
Speaker 4: How the news reporter just all nonchalantly said she used

1389
00:57:07,480 --> 00:57:10,760
Speaker 4: and ate fake money. This is how you know Floyda

1390
00:57:10,840 --> 00:57:13,120
Speaker 4: is nuts. Now, what kind of city girl attempts to

1391
00:57:13,120 --> 00:57:15,480
Speaker 4: have a money fight with fake money? Okay, city girls

1392
00:57:15,520 --> 00:57:17,560
Speaker 4: told broke boys fall back if their money ain't right,

1393
00:57:17,680 --> 00:57:19,760
Speaker 4: so the same rules have to apply for broke girls.

1394
00:57:19,920 --> 00:57:22,120
Speaker 4: Broke girls fall back if your money ain't right, and

1395
00:57:22,200 --> 00:57:24,200
Speaker 4: young Zip, you need to fall all the way back

1396
00:57:24,240 --> 00:57:27,360
Speaker 4: because the only thing worse than no money is fake money. Now,

1397
00:57:27,600 --> 00:57:30,479
Speaker 4: the fact that Zappora tried to eat this money lets

1398
00:57:30,560 --> 00:57:34,320
Speaker 4: me know that she has swallowed worse. Okay, when that's

1399
00:57:34,400 --> 00:57:37,120
Speaker 4: your go to move, and you done swallowed the whole blunt,

1400
00:57:37,680 --> 00:57:40,960
Speaker 4: you done swallowed crack, you done swallowed from heroin, and

1401
00:57:41,080 --> 00:57:43,400
Speaker 4: that poom poom of yours has definitely done been a

1402
00:57:43,440 --> 00:57:46,480
Speaker 4: stash box for all types of narcotics. Okay, your name

1403
00:57:46,600 --> 00:57:48,400
Speaker 4: is a pora, but I bet they call you big

1404
00:57:48,520 --> 00:57:50,800
Speaker 4: zip around the way because you could hide a hole

1405
00:57:51,080 --> 00:57:53,640
Speaker 4: zip of cush in your poom poom. Okay, make the

1406
00:57:53,720 --> 00:57:56,440
Speaker 4: loud pack go from smelling mustag to smelling like the

1407
00:57:56,520 --> 00:57:58,080
Speaker 4: kitchen at Red Lobster knin.

1408
00:57:58,160 --> 00:57:59,640
Speaker 5: Dog would just pass out if you ever got a

1409
00:57:59,680 --> 00:57:59,960
Speaker 5: whift it.

1410
00:58:05,240 --> 00:58:06,360
Speaker 3: It was a display for me.

1411
00:58:07,400 --> 00:58:11,480
Speaker 4: Jesus, look Zapora in the world to TK Kirkland, who

1412
00:58:11,600 --> 00:58:13,720
Speaker 4: raised you. Okay, I love Walmart. If you read my

1413
00:58:13,800 --> 00:58:15,600
Speaker 4: first book, Black Privilege, and you know how much I

1414
00:58:15,680 --> 00:58:19,240
Speaker 4: love Walmart. I consider Walmart holy grounds a cultural institution.

1415
00:58:19,520 --> 00:58:21,480
Speaker 4: When you grow up in a small town in the country,

1416
00:58:21,800 --> 00:58:24,440
Speaker 4: rural America, like I did Monkst Corner, South Carolina, drop

1417
00:58:24,520 --> 00:58:27,040
Speaker 4: on the clues, bump from most corner. Okay, you know

1418
00:58:27,120 --> 00:58:29,280
Speaker 4: there's not much to do except roam around the twenty

1419
00:58:29,280 --> 00:58:31,920
Speaker 4: four hour Walmart. So I consider what you did blasphemous.

1420
00:58:32,000 --> 00:58:36,000
Speaker 4: But we also know that Walmart is usually the first

1421
00:58:36,040 --> 00:58:38,600
Speaker 4: place folks learn to steal from. So I know thirty

1422
00:58:38,640 --> 00:58:40,680
Speaker 4: eight is pretty old for a scam in Miami. By

1423
00:58:40,760 --> 00:58:43,160
Speaker 4: thirty eight in Miami, you know a city girl should

1424
00:58:43,160 --> 00:58:45,680
Speaker 4: be all Madden. Okay, you should be a all Madden.

1425
00:58:45,760 --> 00:58:48,720
Speaker 4: Scamming at the very least all pro. But you moving

1426
00:58:48,800 --> 00:58:51,080
Speaker 4: like a streat rookie because let's just say, you know,

1427
00:58:51,200 --> 00:58:53,920
Speaker 4: let's just say you was a pro. Okay, a pro

1428
00:58:54,040 --> 00:58:56,240
Speaker 4: would no eight hundred and fifty dollars worth of items.

1429
00:58:56,440 --> 00:58:58,720
Speaker 4: You just take that to the self check out, scan

1430
00:58:58,840 --> 00:59:00,720
Speaker 4: a pack of gum about thirty time, so you get

1431
00:59:00,720 --> 00:59:03,200
Speaker 4: a long ass receipt, walk out, greet it. Just go

1432
00:59:03,280 --> 00:59:05,120
Speaker 4: and glance at the receipt. Keep it moving.

1433
00:59:05,960 --> 00:59:07,520
Speaker 16: Wait that sound like you did that before.

1434
00:59:07,720 --> 00:59:09,920
Speaker 4: Never did it, But I guarantee you JT and Young

1435
00:59:10,000 --> 00:59:12,120
Speaker 4: Miami somewhere right now listening to me and they thinking

1436
00:59:12,160 --> 00:59:12,680
Speaker 4: to themselves.

1437
00:59:12,800 --> 00:59:13,200
Speaker 5: Period.

1438
00:59:13,680 --> 00:59:16,800
Speaker 4: Okay, all right, Tree to know what I'm talking about.

1439
00:59:17,080 --> 00:59:19,960
Speaker 4: I'm not saying it's right. I'm just simply saying it's Apora.

1440
00:59:20,200 --> 00:59:22,240
Speaker 4: You're not ever gonna get a crocodile burking from the

1441
00:59:22,280 --> 00:59:23,600
Speaker 4: Everglades moving how you moving?

1442
00:59:23,840 --> 00:59:26,240
Speaker 5: Not to mention those counterfeit bills not dying for you.

1443
00:59:26,520 --> 00:59:28,440
Speaker 4: I know we live in a world where everything is

1444
00:59:28,560 --> 00:59:32,320
Speaker 4: GMO and we all eating fake counterfeit processed everything for

1445
00:59:32,400 --> 00:59:32,960
Speaker 4: the most part.

1446
00:59:33,160 --> 00:59:34,800
Speaker 5: But the attempt to swallow.

1447
00:59:34,480 --> 00:59:39,520
Speaker 4: Two hundred dollars in fake money counterfeit bills, what Haitian

1448
00:59:39,640 --> 00:59:42,800
Speaker 4: woman in Miami. Put that thing on you, put voodoo

1449
00:59:42,840 --> 00:59:44,880
Speaker 4: on you that made you think you have goat and

1450
00:59:45,000 --> 00:59:45,480
Speaker 4: you can eat.

1451
00:59:45,520 --> 00:59:48,680
Speaker 5: Papa. Please give us a peorra Abram. The sweet sounds

1452
00:59:48,720 --> 00:59:49,400
Speaker 5: of the Hamiltons.

1453
00:59:49,840 --> 00:59:53,720
Speaker 3: Oh No, you are the doggee.

1454
00:59:54,280 --> 01:00:00,640
Speaker 5: Of the day, the dogee.

1455
01:00:01,120 --> 01:00:02,120
Speaker 7: All the day.

1456
01:00:03,240 --> 01:00:13,960
Speaker 11: Yes, indeed, Breakfast Logan more the Breakfast Club. Morning everybody,

1457
01:00:14,000 --> 01:00:17,600
Speaker 11: it's DJ Envy Charlamagne to God, we are the Breakfast Club.

1458
01:00:17,680 --> 01:00:19,280
Speaker 5: You got a special guest in the building.

1459
01:00:19,320 --> 01:00:21,480
Speaker 4: Come on, man, one of the architects of this thing

1460
01:00:21,560 --> 01:00:23,800
Speaker 4: we call hip hop man, one of the people who

1461
01:00:23,880 --> 01:00:26,760
Speaker 4: helped later foundation for this thing we called hip hop.

1462
01:00:26,760 --> 01:00:28,720
Speaker 5: We wouldn't have jobs if it wasn't for this brother.

1463
01:00:28,800 --> 01:00:30,760
Speaker 11: R wouldn't be a DJ if it wasn't for this brother,

1464
01:00:30,840 --> 01:00:33,480
Speaker 11: and most people out there, most DJs out there wouldn't

1465
01:00:33,520 --> 01:00:35,960
Speaker 11: be DJs if it wasn't No, all DJs wouldn't be

1466
01:00:37,000 --> 01:00:41,440
Speaker 11: it wasn't for this brother, Ladies and gentlemen, grand Master Flash, welcome, thank.

1467
01:00:41,320 --> 01:00:43,600
Speaker 5: You, good morning, black Man, thank you, thank you for

1468
01:00:43,640 --> 01:00:45,720
Speaker 5: having me man. I appreciate it. Come on, man, happy

1469
01:00:45,800 --> 01:00:47,920
Speaker 5: to have you. Absolutely appreciate this. Man.

1470
01:00:48,120 --> 01:00:50,240
Speaker 4: You know, we celebrated the fifty years of hip hop,

1471
01:00:50,640 --> 01:00:52,920
Speaker 4: you know, this year and Nby and I was on

1472
01:00:53,000 --> 01:00:55,320
Speaker 4: the radio having a conversation and it just felt like,

1473
01:00:56,040 --> 01:00:59,000
Speaker 4: you know, the architects, like that era of the eighties,

1474
01:00:59,400 --> 01:01:01,680
Speaker 4: you know, wasn't getting honored properly, and none of us

1475
01:01:01,720 --> 01:01:04,439
Speaker 4: to hear if that, if that foundation isn't laid, you said,

1476
01:01:04,480 --> 01:01:06,680
Speaker 4: the eighties, the seven et the seventies. Yeah, the seventies

1477
01:01:06,720 --> 01:01:08,800
Speaker 4: from the beginning, and the eighties I feel like weren't

1478
01:01:08,800 --> 01:01:11,200
Speaker 4: getting on it. You know, probably how do you feel

1479
01:01:11,240 --> 01:01:12,840
Speaker 4: about that? Grand Master Flash?

1480
01:01:13,000 --> 01:01:14,640
Speaker 1: And that's one of the reasons why I feel that

1481
01:01:14,720 --> 01:01:18,160
Speaker 1: it's paramount that I do lectures. I do corporate corporate

1482
01:01:18,200 --> 01:01:21,120
Speaker 1: towards the lectures, and I've been doing them for private people,

1483
01:01:21,160 --> 01:01:22,760
Speaker 1: but now I kind of want to do this for

1484
01:01:22,840 --> 01:01:25,560
Speaker 1: the public so they could understand that this thing didn't

1485
01:01:25,760 --> 01:01:28,160
Speaker 1: just fall out of a tree. It didn't just go

1486
01:01:28,360 --> 01:01:31,400
Speaker 1: from the seventies to where we are. You know, there

1487
01:01:31,560 --> 01:01:35,720
Speaker 1: was four DJs that did this. Coolhirk was on the west,

1488
01:01:36,240 --> 01:01:41,680
Speaker 1: AB was Bronx River, African Master DJ Breakout was the North.

1489
01:01:42,000 --> 01:01:44,840
Speaker 1: I was the East, and pretty much this is how

1490
01:01:45,400 --> 01:01:47,680
Speaker 1: it really started. And you got to realize this lady

1491
01:01:47,720 --> 01:01:51,000
Speaker 1: and gentlemen. We did this with no Internet, no social media,

1492
01:01:51,520 --> 01:01:55,320
Speaker 1: no apps, no quick hardware where it would just work

1493
01:01:55,440 --> 01:01:57,320
Speaker 1: a lot of these things. As I was telling you, Envy,

1494
01:01:57,520 --> 01:02:00,480
Speaker 1: I had to do this with nothing going into the backs,

1495
01:02:00,520 --> 01:02:03,600
Speaker 1: and you know, getting old receivers and old turntables and

1496
01:02:03,640 --> 01:02:05,800
Speaker 1: stuff and kind of like jurry rigging my sound system.

1497
01:02:06,000 --> 01:02:07,600
Speaker 11: For people listening, when he says the West to south

1498
01:02:07,640 --> 01:02:09,520
Speaker 11: and norf he's not talking about West Coast, He's talking

1499
01:02:09,560 --> 01:02:12,840
Speaker 11: about New York. The Bronx, the Bronx, Bronx, I want

1500
01:02:12,880 --> 01:02:14,480
Speaker 11: to clear it up. And also, you know I was

1501
01:02:14,520 --> 01:02:16,600
Speaker 11: talking to of course grandmass Flash behind the scenes. A

1502
01:02:16,640 --> 01:02:18,320
Speaker 11: lot of he didn't know, you know, where we had

1503
01:02:18,360 --> 01:02:20,520
Speaker 11: the ability to go to these stores and buy equipment.

1504
01:02:21,080 --> 01:02:23,320
Speaker 11: He had to actually make it. So his first sound

1505
01:02:23,400 --> 01:02:25,720
Speaker 11: system actually came from old cars in the junk yard.

1506
01:02:25,760 --> 01:02:27,400
Speaker 11: He would pull the speakers out of the cars in

1507
01:02:27,440 --> 01:02:30,080
Speaker 11: the junk yard and make sound systems to play at

1508
01:02:30,520 --> 01:02:33,040
Speaker 11: parks and parties and wherever, wherever it was. So you

1509
01:02:33,200 --> 01:02:36,000
Speaker 11: had to actually know electronics. And it just wasn't just

1510
01:02:36,040 --> 01:02:40,280
Speaker 11: about DJing, right, So what got you into wanting to

1511
01:02:40,400 --> 01:02:41,720
Speaker 11: be a DJ? I know you were telling me the

1512
01:02:41,760 --> 01:02:43,600
Speaker 11: story behind the scenes that you know, you were just

1513
01:02:43,720 --> 01:02:45,280
Speaker 11: intrigued by electronics in your house.

1514
01:02:45,320 --> 01:02:47,200
Speaker 5: When your mother and father plugged something in and you

1515
01:02:47,240 --> 01:02:48,880
Speaker 5: wanted to understand.

1516
01:02:48,440 --> 01:02:50,760
Speaker 11: How it works, you would start effing up the crib

1517
01:02:51,000 --> 01:02:52,360
Speaker 11: pretty much to figure it out.

1518
01:02:52,520 --> 01:02:55,400
Speaker 1: Yeah, And when I was a toddler, everything in that

1519
01:02:55,480 --> 01:03:00,480
Speaker 1: house that was electrical, I was intrigued or how did

1520
01:03:00,520 --> 01:03:02,919
Speaker 1: that happen? So I used to screw unscrew the backs

1521
01:03:03,000 --> 01:03:06,600
Speaker 1: of the stereo in the living room. My sister's hair dries,

1522
01:03:06,720 --> 01:03:09,760
Speaker 1: the table radio, all these things. And also what got

1523
01:03:09,800 --> 01:03:12,640
Speaker 1: me into this when I was a toddler, My dad

1524
01:03:12,800 --> 01:03:18,480
Speaker 1: was a collector of records. And I'm on this respectable airwaves.

1525
01:03:18,640 --> 01:03:22,280
Speaker 1: So I will just say when I got caught touching

1526
01:03:22,400 --> 01:03:26,280
Speaker 1: his vinyl as a toddler, he used to heavily repper

1527
01:03:26,520 --> 01:03:32,160
Speaker 1: mand me, right, I can say that. And what I

1528
01:03:32,280 --> 01:03:34,000
Speaker 1: used to do was a kid, I waited for him

1529
01:03:34,040 --> 01:03:36,640
Speaker 1: to go to work, and when the door slammed, I

1530
01:03:36,760 --> 01:03:39,600
Speaker 1: went back in that closet and the rule was, you know,

1531
01:03:39,920 --> 01:03:43,880
Speaker 1: don't touch the brown box in the living room. And

1532
01:03:44,040 --> 01:03:46,400
Speaker 1: I used to watch Dad when he came home from

1533
01:03:46,600 --> 01:03:50,800
Speaker 1: work how he operated it. So I figured out how

1534
01:03:50,800 --> 01:03:52,960
Speaker 1: to get into this closet where his stuff was, and

1535
01:03:53,040 --> 01:03:56,640
Speaker 1: I would take this square thing that had a black

1536
01:03:56,760 --> 01:03:59,080
Speaker 1: disc and he would put it in this brown box

1537
01:03:59,280 --> 01:04:00,760
Speaker 1: and sound would have come out of it.

1538
01:04:01,800 --> 01:04:04,400
Speaker 5: That was probably my first love.

1539
01:04:04,920 --> 01:04:09,720
Speaker 1: But then moving forward, guys, when I heard a drum

1540
01:04:09,840 --> 01:04:14,200
Speaker 1: break from one of the most important black artists of

1541
01:04:14,320 --> 01:04:17,720
Speaker 1: that time, his name was Curtis Mayfield, move on up.

1542
01:04:19,200 --> 01:04:22,360
Speaker 5: That break and then you and I can relate here.

1543
01:04:23,240 --> 01:04:24,440
Speaker 5: That break was about.

1544
01:04:26,400 --> 01:04:29,440
Speaker 1: I'd say, about five minutes of just the drums, and

1545
01:04:29,520 --> 01:04:32,400
Speaker 1: I thought all records was like that. So when I

1546
01:04:32,440 --> 01:04:37,200
Speaker 1: started collecting my records, the drum break was like five

1547
01:04:38,400 --> 01:04:43,400
Speaker 1: ten seconds. So what also got me into the DJing

1548
01:04:43,560 --> 01:04:46,280
Speaker 1: is I used to watch the disco DJs like my

1549
01:04:46,440 --> 01:04:51,919
Speaker 1: Boyer Flowers, Pete Jones, and I noticed that their transitions

1550
01:04:52,480 --> 01:04:58,600
Speaker 1: were glass smooth. But then my boys knocked on my

1551
01:04:58,840 --> 01:05:00,840
Speaker 1: door at my mom's house. I said, say, we want

1552
01:05:00,880 --> 01:05:03,680
Speaker 1: to take you to this other side of town to

1553
01:05:03,840 --> 01:05:10,760
Speaker 1: watch these other DJs. And respectfully, I was wondering, why

1554
01:05:11,040 --> 01:05:13,280
Speaker 1: is it that everything that he was doing was a

1555
01:05:13,360 --> 01:05:17,920
Speaker 1: train wreck. He was playing the incredible music, had the

1556
01:05:18,040 --> 01:05:21,720
Speaker 1: incredible sound system, but why was he playing like that?

1557
01:05:22,280 --> 01:05:24,080
Speaker 1: You know, because the rules are the laws, you know,

1558
01:05:24,360 --> 01:05:26,560
Speaker 1: especially if you got people on the dance floor. The

1559
01:05:26,680 --> 01:05:30,040
Speaker 1: idea is to keep everybody in unison correct. They should

1560
01:05:30,120 --> 01:05:32,640
Speaker 1: not be trying to find a beat as you transition.

1561
01:05:33,480 --> 01:05:35,560
Speaker 1: So from that point on, it's when I came up

1562
01:05:35,600 --> 01:05:40,600
Speaker 1: with the quick mixed theory. You know what mixed theory, well,

1563
01:05:40,600 --> 01:05:46,600
Speaker 1: a mathematical perspective. I took sonics and through it out

1564
01:05:46,640 --> 01:05:49,480
Speaker 1: the window. Because if I play a song, I hear

1565
01:05:49,480 --> 01:05:51,680
Speaker 1: it a certain way. If I put the headphone on

1566
01:05:52,200 --> 01:05:54,439
Speaker 1: your ear, you hear it a certain way, and shah,

1567
01:05:54,520 --> 01:05:56,720
Speaker 1: you hear a certain way. So I said to myself,

1568
01:05:57,160 --> 01:06:00,040
Speaker 1: I'm going to take that out of the equation and

1569
01:06:00,040 --> 01:06:04,880
Speaker 1: I'm gonna just collect records from all genres pop, rock, jazz, blues, funk, disco,

1570
01:06:05,120 --> 01:06:08,720
Speaker 1: R and B, farign American and just listen to the

1571
01:06:09,000 --> 01:06:15,200
Speaker 1: drum break. And I found that, unlike Curtis Mayfield, these

1572
01:06:15,320 --> 01:06:20,720
Speaker 1: drum breaks on these other records always always short. That

1573
01:06:20,920 --> 01:06:27,160
Speaker 1: made me quite angry. I was disappointed. So in Mom's house,

1574
01:06:28,120 --> 01:06:34,120
Speaker 1: I came up with a hand mechanic fingertips to Vinyl

1575
01:06:34,640 --> 01:06:40,280
Speaker 1: fingertips to cross vader DJ style that is used by

1576
01:06:40,880 --> 01:06:46,040
Speaker 1: every hip hop DJ on Planet Earth and I figured

1577
01:06:46,040 --> 01:06:49,120
Speaker 1: out a way of counting the bars as the ten minutes.

1578
01:06:49,160 --> 01:06:51,800
Speaker 1: So if you on the floor and I'm playing a

1579
01:06:51,880 --> 01:06:55,400
Speaker 1: Michael Jackson drummer break, I'm playing that for ten minutes,

1580
01:06:55,440 --> 01:06:58,000
Speaker 1: and I'm gonna flip to a London break or a

1581
01:06:58,120 --> 01:07:02,800
Speaker 1: German break or or whatever break in This became the way.

1582
01:07:03,200 --> 01:07:07,680
Speaker 1: And then what happened was these incredible people called hip

1583
01:07:07,720 --> 01:07:12,880
Speaker 1: hop producers took this style of the seamless loop, and

1584
01:07:12,920 --> 01:07:14,959
Speaker 1: I'm going to show you that on the wheels to steal.

1585
01:07:15,360 --> 01:07:20,680
Speaker 5: Understand me saying your quick mixed theory turn turned into

1586
01:07:20,720 --> 01:07:25,920
Speaker 5: what people called sampling. Basically correct that. So that's exactly

1587
01:07:25,920 --> 01:07:27,280
Speaker 5: what it bring it back from the beginning.

1588
01:07:27,720 --> 01:07:29,520
Speaker 11: But one thing you learn from this interview with grand

1589
01:07:29,600 --> 01:07:32,000
Speaker 11: Master Flash is he's not just a musician when it

1590
01:07:32,040 --> 01:07:33,080
Speaker 11: comes to turntables.

1591
01:07:33,720 --> 01:07:35,600
Speaker 5: He's actually no disrespect.

1592
01:07:35,640 --> 01:07:38,160
Speaker 11: He's a nerd and geek like he wants to understand

1593
01:07:38,200 --> 01:07:43,080
Speaker 11: the transitioning records, record players, mixes just and this is

1594
01:07:43,120 --> 01:07:44,959
Speaker 11: just having a thirty second conversation with Have I figured

1595
01:07:44,960 --> 01:07:45,720
Speaker 11: out O what.

1596
01:07:45,760 --> 01:07:48,320
Speaker 5: I found so indressing about this? In the last five.

1597
01:07:48,200 --> 01:07:51,760
Speaker 4: Minutes, you explained where DJing started YEP and where hip

1598
01:07:51,800 --> 01:07:54,560
Speaker 4: hop production start correct, So people will call you an

1599
01:07:54,640 --> 01:07:57,560
Speaker 4: architect and say you wanted to founding positive hip hop.

1600
01:07:57,800 --> 01:08:00,680
Speaker 11: That is why, absolutely thank you. We got more with

1601
01:08:00,760 --> 01:08:02,880
Speaker 11: the O G grand Master Flash when we come back,

1602
01:08:02,920 --> 01:08:05,520
Speaker 11: so don't move. It's the Breakfast Club. Good morning, point everybody,

1603
01:08:05,560 --> 01:08:08,720
Speaker 11: it's DJ Envy, Charlamagne, the gud we are the Breakfast

1604
01:08:08,800 --> 01:08:11,160
Speaker 11: Club was still kicking it with grand Master Flash. I

1605
01:08:11,240 --> 01:08:13,440
Speaker 11: was gonna ask, you know, how do you feel when

1606
01:08:13,480 --> 01:08:15,400
Speaker 11: you look at something that you created, right, and you

1607
01:08:15,520 --> 01:08:16,479
Speaker 11: created out of love?

1608
01:08:16,760 --> 01:08:16,880
Speaker 5: Right.

1609
01:08:17,640 --> 01:08:19,120
Speaker 11: You didn't say it was money. You didn't say I

1610
01:08:19,160 --> 01:08:21,640
Speaker 11: did this because I wanted money. You said I enjoyed it.

1611
01:08:21,760 --> 01:08:23,840
Speaker 11: I love listening to music, I love playing in the park.

1612
01:08:24,479 --> 01:08:26,960
Speaker 11: And then you see in this the commercial success of

1613
01:08:27,040 --> 01:08:27,400
Speaker 11: hip hop.

1614
01:08:27,520 --> 01:08:27,600
Speaker 17: Right.

1615
01:08:27,680 --> 01:08:30,720
Speaker 11: I sent Charlamagne something this morning about Chris One saying

1616
01:08:30,800 --> 01:08:32,320
Speaker 11: why he didn't want to perform at the Grammys.

1617
01:08:32,320 --> 01:08:34,000
Speaker 5: He felt like the Grammy's never respected hip.

1618
01:08:33,920 --> 01:08:36,439
Speaker 11: Hop, So why come now, how do you feel when

1619
01:08:36,479 --> 01:08:38,880
Speaker 11: you see the commercial success of hip hop and all

1620
01:08:38,960 --> 01:08:41,919
Speaker 11: these brothers and sisters making money and all these companies

1621
01:08:41,960 --> 01:08:43,960
Speaker 11: making money off of hip hop, But some of the

1622
01:08:44,120 --> 01:08:47,000
Speaker 11: founders are not making the money that's deserved because if

1623
01:08:47,040 --> 01:08:48,320
Speaker 11: it wasn't for you, guys.

1624
01:08:48,439 --> 01:08:50,840
Speaker 1: Nobody wouldn't be able to make that money. That's a

1625
01:08:50,880 --> 01:08:54,679
Speaker 1: twofold answer. Just think envy. This thing that I did

1626
01:08:55,040 --> 01:08:57,320
Speaker 1: could have missed, and if just all would have missed,

1627
01:08:57,600 --> 01:08:59,880
Speaker 1: I wouldn't be here talking to you right now. So

1628
01:09:00,600 --> 01:09:03,920
Speaker 1: that's one side of it. It exploded. Like there are

1629
01:09:04,000 --> 01:09:07,599
Speaker 1: some companies out there giving away hundreds of thousands of dollars.

1630
01:09:07,720 --> 01:09:10,599
Speaker 1: I've seen this on the internet just recently. But they

1631
01:09:10,640 --> 01:09:13,160
Speaker 1: are those men that are in a hood that didn't

1632
01:09:13,240 --> 01:09:17,280
Speaker 1: have the commercial success. Nobody's saying, hey, here's five hundred

1633
01:09:17,280 --> 01:09:20,280
Speaker 1: thousand dollars for you. They're not saying that, Like there

1634
01:09:20,360 --> 01:09:23,080
Speaker 1: are those who lost their life that are not even

1635
01:09:23,280 --> 01:09:26,479
Speaker 1: here to even enjoy this, and they have families. So

1636
01:09:26,680 --> 01:09:29,960
Speaker 1: for me, I have to until God takes me, I

1637
01:09:30,160 --> 01:09:36,000
Speaker 1: have to go around and mechanically break this thing down.

1638
01:09:36,800 --> 01:09:40,439
Speaker 1: I think that people should interview the producers like that.

1639
01:09:40,760 --> 01:09:45,200
Speaker 1: Just that boggles my mind because they're the ones that

1640
01:09:45,320 --> 01:09:46,040
Speaker 1: really know how the.

1641
01:09:46,080 --> 01:09:46,840
Speaker 5: Record is made.

1642
01:09:47,000 --> 01:09:48,760
Speaker 1: They're the one of that stays in the studios for

1643
01:09:49,080 --> 01:09:51,439
Speaker 1: two and three days to make sure the record goes

1644
01:09:51,479 --> 01:09:54,120
Speaker 1: from start to finish before the masters is handed in,

1645
01:09:54,640 --> 01:09:57,840
Speaker 1: you know, So for me, and people should know more

1646
01:09:57,960 --> 01:10:00,559
Speaker 1: about Kuherk and their team. They should know who Coke

1647
01:10:00,600 --> 01:10:04,200
Speaker 1: the rocket is. Like they're going around saying he was

1648
01:10:04,400 --> 01:10:08,720
Speaker 1: a rapper. He said DJ I used to watch him.

1649
01:10:09,040 --> 01:10:10,600
Speaker 1: You know what in this Timmy Tim and it's the

1650
01:10:10,680 --> 01:10:13,679
Speaker 1: original clock, can't you know? People should know who breakout

1651
01:10:13,760 --> 01:10:17,400
Speaker 1: the team is? Barrion, you know, and Bam Body and

1652
01:10:17,479 --> 01:10:20,400
Speaker 1: Jazzy J and Grandmaster Flash and Graham was your Theodore?

1653
01:10:20,880 --> 01:10:23,840
Speaker 1: Like all these people in all these names, you don't

1654
01:10:23,920 --> 01:10:29,320
Speaker 1: hear nothing, Yes, right, talk to about them. When people

1655
01:10:29,400 --> 01:10:33,360
Speaker 1: are putting out these press, they're not even coming to ask, well, Flash,

1656
01:10:33,640 --> 01:10:36,200
Speaker 1: what do you think? And respectfully, I'm gonna say this.

1657
01:10:36,640 --> 01:10:40,519
Speaker 1: For you to really first hand know what this is,

1658
01:10:41,000 --> 01:10:44,760
Speaker 1: you have to be at least sixty years old, and

1659
01:10:44,880 --> 01:10:47,719
Speaker 1: I'll be kind and say fifty eight fifty seven.

1660
01:10:47,960 --> 01:10:51,200
Speaker 5: That means you had a first hand eyeshot of seeing

1661
01:10:51,520 --> 01:10:52,519
Speaker 5: us do this.

1662
01:10:52,920 --> 01:10:55,240
Speaker 1: If you are thirty or you're a forty and you

1663
01:10:55,320 --> 01:10:58,439
Speaker 1: were saying that you are a hip hop extraordinary person,

1664
01:10:58,840 --> 01:11:00,960
Speaker 1: nine times out of ten, you ain't talking to Flash,

1665
01:11:01,040 --> 01:11:02,960
Speaker 1: you ain't talking to Herk, you ain't talking to Bam.

1666
01:11:03,400 --> 01:11:07,160
Speaker 1: You got second hand information, and you gotta realize you're

1667
01:11:07,240 --> 01:11:10,080
Speaker 1: feeding the babies incomplete information.

1668
01:11:10,439 --> 01:11:11,720
Speaker 5: And this is one of the reasons why.

1669
01:11:11,800 --> 01:11:13,800
Speaker 1: Because I tour one hundred and fifty countries a year,

1670
01:11:14,000 --> 01:11:17,400
Speaker 1: so financially I'm good. I'm cutting all that in half

1671
01:11:17,640 --> 01:11:20,000
Speaker 1: because I gotta go to these universities, I gotta go

1672
01:11:20,040 --> 01:11:23,040
Speaker 1: to these YMCAs, and I gotta teach these babies of

1673
01:11:23,200 --> 01:11:25,720
Speaker 1: where this thing comes from. Because what saddens mean is this.

1674
01:11:26,439 --> 01:11:28,840
Speaker 1: If you are from a black family, you know who

1675
01:11:28,960 --> 01:11:32,479
Speaker 1: Miles Davis is. If you're from a white family, you

1676
01:11:32,560 --> 01:11:34,760
Speaker 1: know who the Rolling Stones is. Why is this so

1677
01:11:34,960 --> 01:11:36,920
Speaker 1: much of a blur of who, what and why we're

1678
01:11:36,960 --> 01:11:38,400
Speaker 1: and how when it comes to hip hop?

1679
01:11:38,720 --> 01:11:39,519
Speaker 5: Why is that?

1680
01:11:40,040 --> 01:11:41,840
Speaker 4: I think we gotta be the generation to do that

1681
01:11:41,880 --> 01:11:44,320
Speaker 4: because to your point, if you're sixty years old, now

1682
01:11:44,360 --> 01:11:44,920
Speaker 4: you're probably a.

1683
01:11:44,960 --> 01:11:46,200
Speaker 5: Grandfather, grandmother.

1684
01:11:46,360 --> 01:11:49,400
Speaker 4: Yeah, our grandparents weren't listening to hip hop, you know, Okay,

1685
01:11:49,479 --> 01:11:52,559
Speaker 4: But now when we got grandparents and grandfathers, grandparents who

1686
01:11:52,600 --> 01:11:54,599
Speaker 4: are listening to hip hop, and then parents who grew

1687
01:11:54,680 --> 01:11:57,080
Speaker 4: up in hip hop, they can tell their kids, a

1688
01:11:57,280 --> 01:11:58,480
Speaker 4: this is where it started.

1689
01:11:58,360 --> 01:12:00,960
Speaker 11: Right Because, like you said, most if you if you're

1690
01:12:01,000 --> 01:12:03,280
Speaker 11: in the age of forty to fifty, a lot of them.

1691
01:12:03,439 --> 01:12:09,240
Speaker 11: Hip hop started with right, That's where it started from.

1692
01:12:09,240 --> 01:12:11,120
Speaker 11: Because even me and like, you know, my parents weren't

1693
01:12:11,120 --> 01:12:12,559
Speaker 11: in a hip hop but I was. But the first

1694
01:12:12,600 --> 01:12:14,439
Speaker 11: record I ever bought was Run.

1695
01:12:14,800 --> 01:12:14,960
Speaker 5: Yeah.

1696
01:12:15,000 --> 01:12:17,000
Speaker 4: My dad was seventy something. He didn't he didn't like

1697
01:12:17,080 --> 01:12:19,160
Speaker 4: hip hop at the time. He he was like, you

1698
01:12:19,240 --> 01:12:21,920
Speaker 4: need to listen to James Brown, Temptations, the original rapper all.

1699
01:12:23,160 --> 01:12:26,280
Speaker 4: You know, he didn't know nothing about hip hop. You

1700
01:12:26,520 --> 01:12:27,960
Speaker 4: didn't want to hear none of that BacT.

1701
01:12:28,040 --> 01:12:30,320
Speaker 1: You know, I think for me and this is such

1702
01:12:30,439 --> 01:12:33,400
Speaker 1: a wonderful time period, but just think of it like

1703
01:12:33,479 --> 01:12:35,639
Speaker 1: this here, and you know, sometimes this makes me want

1704
01:12:35,680 --> 01:12:35,960
Speaker 1: to cry.

1705
01:12:36,080 --> 01:12:39,400
Speaker 5: Sometimes is come August, like the mayor gave me.

1706
01:12:39,520 --> 01:12:43,439
Speaker 1: August fourth and coo Hurgust August eleventh, Come August twelfth,

1707
01:12:44,040 --> 01:12:46,080
Speaker 1: there's gonna be a brand new trend. So we have

1708
01:12:46,280 --> 01:12:50,000
Speaker 1: to get it right now as a black art form

1709
01:12:50,240 --> 01:12:52,639
Speaker 1: that has done so much for so many people.

1710
01:12:52,760 --> 01:12:55,880
Speaker 5: Of course, we have to get it right between now and.

1711
01:12:56,040 --> 01:12:59,439
Speaker 1: August eleventh, or it's going to go down in history

1712
01:13:00,080 --> 01:13:01,680
Speaker 1: incomplete or incorrect.

1713
01:13:01,920 --> 01:13:03,680
Speaker 5: And that scares the crap out of me.

1714
01:13:03,760 --> 01:13:05,840
Speaker 4: So it's safe to say you don't believe the DJ

1715
01:13:05,960 --> 01:13:07,880
Speaker 4: gets to respect they should when it comes to their country.

1716
01:13:08,000 --> 01:13:11,959
Speaker 1: Absolutely not, because especially the hip hop DJ that understands

1717
01:13:12,000 --> 01:13:14,080
Speaker 1: the quick mixed steering and the mechanics which I will

1718
01:13:14,160 --> 01:13:17,200
Speaker 1: show you, because that led to the sampling, and that

1719
01:13:17,280 --> 01:13:19,960
Speaker 1: led to these records being made. And that's what we're celebrating.

1720
01:13:20,680 --> 01:13:23,639
Speaker 1: So we're celebrating the entire cake. Well, let's go back

1721
01:13:23,680 --> 01:13:27,080
Speaker 1: and celebrate the eggs and the flour in the water

1722
01:13:27,200 --> 01:13:30,200
Speaker 1: and the vanilla, how the cake was made.

1723
01:13:30,120 --> 01:13:33,200
Speaker 4: The process, the process, you know, of course, you know

1724
01:13:33,360 --> 01:13:36,120
Speaker 4: they talk about Grandma's flashing. The Furious Five, you know,

1725
01:13:36,240 --> 01:13:38,599
Speaker 4: produced the message, but they said.

1726
01:13:38,360 --> 01:13:40,360
Speaker 5: You first DJ'd get a Grammy by the way, But yes,

1727
01:13:40,439 --> 01:13:42,880
Speaker 5: but I've read some things where they said you had

1728
01:13:42,920 --> 01:13:44,560
Speaker 5: nothing to do with the production of it.

1729
01:13:44,880 --> 01:13:47,400
Speaker 1: Okay, I had something to do with all of it,

1730
01:13:47,640 --> 01:13:52,080
Speaker 1: because that company chased me to get my group, the

1731
01:13:52,160 --> 01:13:54,800
Speaker 1: Serious Five, the whole group. There was the club I

1732
01:13:54,920 --> 01:13:58,200
Speaker 1: played called Disco Fever, and I brought hip hop to

1733
01:13:58,400 --> 01:14:02,679
Speaker 1: this club and al Abbaatello gave me. I wanted a Saturday,

1734
01:14:02,880 --> 01:14:06,439
Speaker 1: he gave me a Tuesday. Of course, so they gave me.

1735
01:14:06,720 --> 01:14:10,080
Speaker 1: I called it Terrible Tuesday off night, right. But in

1736
01:14:10,200 --> 01:14:15,080
Speaker 1: about two months time I was living that Saturday. Thank you,

1737
01:14:15,200 --> 01:14:17,840
Speaker 1: sal You know, so for me the message, probably I

1738
01:14:17,920 --> 01:14:21,439
Speaker 1: had least to do with what I had most to

1739
01:14:21,520 --> 01:14:22,920
Speaker 1: do with it because it was my group.

1740
01:14:23,200 --> 01:14:25,360
Speaker 5: And I'm sure they used your technique, right, yeah, they do.

1741
01:14:25,600 --> 01:14:28,479
Speaker 1: They used my technique to make all their records. The

1742
01:14:28,560 --> 01:14:31,559
Speaker 1: Message was an original record, but they knew when they

1743
01:14:31,680 --> 01:14:33,519
Speaker 1: had the Sugarhill Gang, they heard.

1744
01:14:33,400 --> 01:14:34,360
Speaker 5: Of us in the streets.

1745
01:14:34,400 --> 01:14:37,880
Speaker 1: The streets was already ringing Grandmaster Flash and the Phurious Five.

1746
01:14:38,360 --> 01:14:42,839
Speaker 1: So she used to come to Terrible Tuesdays every Tuesday

1747
01:14:43,400 --> 01:14:45,960
Speaker 1: just to see how it was, how it was going down.

1748
01:14:46,560 --> 01:14:49,120
Speaker 5: So who is she? Sylvia Robins?

1749
01:14:50,160 --> 01:14:50,320
Speaker 1: You know?

1750
01:14:50,520 --> 01:14:53,920
Speaker 5: So on Hill. Did I have anything to do with

1751
01:14:54,040 --> 01:14:58,160
Speaker 5: that record? Minimal? But I had everything to do with

1752
01:14:58,280 --> 01:15:02,280
Speaker 5: it because he needed to have us here we are.

1753
01:15:02,479 --> 01:15:03,400
Speaker 5: I want to have one more questions.

1754
01:15:03,479 --> 01:15:06,360
Speaker 4: Do you feel about DJs today with the auto mixing

1755
01:15:06,439 --> 01:15:10,160
Speaker 4: buttons and the different programs that make it ease the car.

1756
01:15:12,240 --> 01:15:13,840
Speaker 7: Right now? Right?

1757
01:15:14,320 --> 01:15:16,240
Speaker 1: And you know it is Put it this way, I'm

1758
01:15:16,280 --> 01:15:18,840
Speaker 1: a scientist first, I'm a geek first, so I've been

1759
01:15:18,920 --> 01:15:22,400
Speaker 1: pushing an envelope for fifty two years, so I respect

1760
01:15:22,400 --> 01:15:24,880
Speaker 1: anybody that's doing it, but follow the laws of the

1761
01:15:25,120 --> 01:15:28,120
Speaker 1: art transition. I think the things that drive me crazy

1762
01:15:28,439 --> 01:15:30,519
Speaker 1: when I go out, which is every now and then envs.

1763
01:15:31,040 --> 01:15:34,000
Speaker 1: You know, I'm listening to the DJ and it's the

1764
01:15:34,200 --> 01:15:38,320
Speaker 1: train wreck thing, you know, that there really drives me crazy.

1765
01:15:38,479 --> 01:15:41,280
Speaker 1: A lot of today's music is really one temple based,

1766
01:15:41,280 --> 01:15:43,120
Speaker 1: so it's easy to go from one to the other.

1767
01:15:43,320 --> 01:15:46,400
Speaker 1: So how you crashing this record into this record with

1768
01:15:46,560 --> 01:15:49,240
Speaker 1: us back? We had to use the pitch quite a

1769
01:15:49,320 --> 01:15:52,400
Speaker 1: bit to make this record beat match with the last record.

1770
01:15:52,479 --> 01:15:55,160
Speaker 1: Of course, these records here are almost coming out of

1771
01:15:55,240 --> 01:15:58,439
Speaker 1: the oven. They're all the same temple almost, So I

1772
01:15:58,479 --> 01:16:01,360
Speaker 1: don't understand. Why is it that these people who play

1773
01:16:01,439 --> 01:16:04,439
Speaker 1: today don't beat match that?

1774
01:16:04,960 --> 01:16:08,120
Speaker 5: There? Makes me totally crazy, and it throws against the

1775
01:16:08,200 --> 01:16:11,559
Speaker 5: lords of what we learned. Okay, grand Master Flash, grand

1776
01:16:11,600 --> 01:16:12,160
Speaker 5: Master Flash.

1777
01:16:12,200 --> 01:16:14,439
Speaker 11: Ladies and gentlemen, make sure you're following them on on Instagram,

1778
01:16:14,520 --> 01:16:15,599
Speaker 11: all socials at.

1779
01:16:15,600 --> 01:16:21,520
Speaker 4: DJ Flash Forever on all socials at DJ Flash Forever.

1780
01:16:20,920 --> 01:16:21,880
Speaker 5: And you just turn around.

1781
01:16:21,920 --> 01:16:23,000
Speaker 11: I just want to read the back of your Hoodie

1782
01:16:23,040 --> 01:16:25,519
Speaker 11: Man yet, because the Hoodie's monumental says, the first DJ

1783
01:16:25,640 --> 01:16:28,640
Speaker 11: to make the turntable an instrument, first DJ to have

1784
01:16:28,760 --> 01:16:30,479
Speaker 11: a rapper, first DJ to be in the Rock and

1785
01:16:30,600 --> 01:16:33,160
Speaker 11: Roll Hall of Fame, first DJ to be on Sirius XM,

1786
01:16:33,280 --> 01:16:36,320
Speaker 11: first DJ to get a Grammy, first DJ to get

1787
01:16:36,320 --> 01:16:38,200
Speaker 11: a Polar Prize, Grand Master.

1788
01:16:38,080 --> 01:16:39,920
Speaker 5: And the first DJ to give a history lesson about

1789
01:16:40,000 --> 01:16:41,200
Speaker 5: DJ and on the breakfast clubs.

1790
01:16:41,240 --> 01:16:44,320
Speaker 11: That's right, grand Master, Flash, ladies and gentlemen, it's the

1791
01:16:44,360 --> 01:16:53,240
Speaker 11: breakfast Club. Good morning, the breakfast Club, Good morning. Everybody's DJ. Envy,

1792
01:16:53,439 --> 01:16:56,800
Speaker 11: Charlamagne the God. We are the Breakfast Club. We'll see

1793
01:16:56,840 --> 01:16:57,639
Speaker 11: you guys tomorrow.

1794
01:16:57,680 --> 01:17:00,400
Speaker 4: You got a positive Charloman, I do have a positive note.

1795
01:17:00,439 --> 01:17:00,639
Speaker 11: Man.

1796
01:17:01,080 --> 01:17:04,360
Speaker 4: I want to tell everybody to stop looking for honesty

1797
01:17:04,680 --> 01:17:07,280
Speaker 4: from those who constantly lie to themselves.

1798
01:17:07,560 --> 01:17:10,720
Speaker 5: Have a blessed breakfast club. Bitches, y'all finished or y'all

1799
01:17:10,800 --> 01:17:11,000
Speaker 5: dumb