1 00:00:00,200 --> 00:00:04,840 Speaker 1: Hello the Internet, and welcome to this special holiday episode 2 00:00:04,840 --> 00:00:15,200 Speaker 1: of did production of I Heart Radio and Yeah, today 3 00:00:15,400 --> 00:00:18,440 Speaker 1: we are instead of looking at the zeke geist today 4 00:00:18,440 --> 00:00:22,440 Speaker 1: we are actually home with our family and friends. We 5 00:00:22,520 --> 00:00:25,120 Speaker 1: are recording this. Before we we should say that we're 6 00:00:25,160 --> 00:00:28,880 Speaker 1: recording this early December. So if anything huge happens in 7 00:00:28,960 --> 00:00:32,880 Speaker 1: the realm of holiday songs, classic holiday songs, if there's 8 00:00:32,920 --> 00:00:36,240 Speaker 1: any big revelations or newcomers for the next couple of weeks, 9 00:00:36,280 --> 00:00:40,120 Speaker 1: we we will have missed them. Yeah, back off, Okay, 10 00:00:40,200 --> 00:00:43,600 Speaker 1: last year we looked at some classic holiday movies. What 11 00:00:43,680 --> 00:00:46,440 Speaker 1: our top ten list looks like? I actually don't remember. 12 00:00:46,479 --> 00:00:48,880 Speaker 1: What we did last year was something with holiday movies, 13 00:00:49,280 --> 00:00:52,840 Speaker 1: and this year we're doing holiday songs. Just like you're 14 00:00:52,880 --> 00:00:57,000 Speaker 1: you're overrating, you're underrating, You're properly rated. But just good 15 00:00:57,320 --> 00:01:01,520 Speaker 1: Um and I am Jack. You are Miles, and we 16 00:01:01,600 --> 00:01:05,440 Speaker 1: are thrilled to be joined in our third seat by 17 00:01:05,600 --> 00:01:09,000 Speaker 1: the person who makes it all happen, super producer on 18 00:01:09,200 --> 00:01:17,680 Speaker 1: a Hosnia. I've heard of this, Anna, Yeah a happy holidays, 19 00:01:17,680 --> 00:01:23,960 Speaker 1: Happy holidays. We're talking songs today. I know, I know 20 00:01:24,040 --> 00:01:26,440 Speaker 1: you have been really mom about your favorite songs. I 21 00:01:26,440 --> 00:01:28,520 Speaker 1: remember when we were trying to put this episode together, 22 00:01:28,600 --> 00:01:30,759 Speaker 1: like I will let you know, I have to think 23 00:01:30,800 --> 00:01:33,160 Speaker 1: about these songs. So we're like, okay, fine, we'll work 24 00:01:33,160 --> 00:01:36,120 Speaker 1: on a dock and we'll have you chime in. But 25 00:01:36,200 --> 00:01:38,320 Speaker 1: you have been teasing that you got one that's gonna 26 00:01:38,319 --> 00:01:41,200 Speaker 1: fucking melt our brains. Like yeah, because the whole point 27 00:01:41,200 --> 00:01:45,039 Speaker 1: here is we're talking about overrated songs, underrated songs. You 28 00:01:45,080 --> 00:01:48,440 Speaker 1: know what's super horny that maybe is a little weird 29 00:01:48,480 --> 00:01:51,440 Speaker 1: to listen to during the holidays. That's kind of the gist. 30 00:01:51,520 --> 00:01:54,520 Speaker 1: But we are waiting with bated breath to hear what 31 00:01:54,640 --> 00:01:57,560 Speaker 1: your top song is because I'm you're basically building too. 32 00:01:57,640 --> 00:02:00,200 Speaker 1: So we're gonna start with properly rated but just good, 33 00:02:00,240 --> 00:02:03,200 Speaker 1: properly reated but just bad. We're gonna do a side 34 00:02:03,200 --> 00:02:07,800 Speaker 1: category side category of the best and worst of the 35 00:02:07,840 --> 00:02:11,720 Speaker 1: horny Christmas songs, and then we are going to get 36 00:02:11,760 --> 00:02:16,800 Speaker 1: to our overrated and underrated Christmas songs. Uh, And you know, 37 00:02:16,880 --> 00:02:21,320 Speaker 1: building too, the big revelation that again Anna hasn't told 38 00:02:21,400 --> 00:02:24,360 Speaker 1: us what her underrated is. But it's gonna be big. 39 00:02:24,680 --> 00:02:27,000 Speaker 1: It's gonna be big, it gonna be big, It's gonna 40 00:02:27,000 --> 00:02:30,440 Speaker 1: be huge. I do want to make a bit of 41 00:02:30,440 --> 00:02:33,639 Speaker 1: an announcement that I did not necessarily agree to this bit, 42 00:02:33,840 --> 00:02:36,120 Speaker 1: so we will see where it goes, all right, hit 43 00:02:36,160 --> 00:02:40,960 Speaker 1: it okay, saying that I will send motherfucking's screen caps. 44 00:02:41,000 --> 00:02:45,080 Speaker 1: Are you writing this bit? Actually I have a new dimension. 45 00:02:46,400 --> 00:02:48,480 Speaker 1: No no, no, no, no, I got him right here, 46 00:02:48,960 --> 00:02:51,240 Speaker 1: I got him right here, I got him. You're not 47 00:02:51,280 --> 00:02:53,200 Speaker 1: gonna do this right now? You're not going to back 48 00:02:53,200 --> 00:02:56,360 Speaker 1: off a little bit. Oh no, no, no, no. I 49 00:02:56,520 --> 00:02:58,640 Speaker 1: know I have a bit, but I didn't agree to 50 00:02:58,680 --> 00:03:02,440 Speaker 1: make it your bit as well. So what do you mean? 51 00:03:04,800 --> 00:03:07,760 Speaker 1: Says I came up with something funny, and now you're 52 00:03:07,919 --> 00:03:11,040 Speaker 1: trying to act like it's your bit too. But no, no, no, no, 53 00:03:11,320 --> 00:03:15,920 Speaker 1: you don't know, you've never done. I'm setting a motherfucking 54 00:03:16,000 --> 00:03:20,959 Speaker 1: stage for a joke. I said, I thought Mariah Carey 55 00:03:21,040 --> 00:03:25,519 Speaker 1: was the only good song and underrated that we'll cut 56 00:03:25,520 --> 00:03:30,239 Speaker 1: that out, cut it out. Actually that's funny because I 57 00:03:30,560 --> 00:03:34,520 Speaker 1: changed the bit without telling you, guys, Okay, just the 58 00:03:34,600 --> 00:03:38,240 Speaker 1: name of the song with bells Christmas bells. No, no, 59 00:03:38,280 --> 00:03:40,960 Speaker 1: you have to cut that out. That defeats on purpose 60 00:03:41,000 --> 00:03:43,119 Speaker 1: of me being here and going to be potentially late 61 00:03:43,120 --> 00:03:48,680 Speaker 1: to my Tech meeting after Liz. Sorry anyways, pure chaos, 62 00:03:48,880 --> 00:03:54,800 Speaker 1: which is what you expect. But we also uh asked Christie, 63 00:03:54,840 --> 00:03:57,560 Speaker 1: I'm a Gucci man, Crispy Meme, don't or no, what 64 00:03:57,680 --> 00:04:04,760 Speaker 1: is it? Wow? Uh, Candy Cane, Wopple House at Wapple House. 65 00:04:04,800 --> 00:04:07,600 Speaker 1: That's that's who it is. Uh. You know he is 66 00:04:07,720 --> 00:04:11,440 Speaker 1: the goat t d Z a K writer. Through his 67 00:04:11,600 --> 00:04:13,960 Speaker 1: a K writing, I have found out about like some 68 00:04:14,000 --> 00:04:16,359 Speaker 1: classic pop songs. I just really like his taste of music. 69 00:04:16,400 --> 00:04:18,880 Speaker 1: So I d M him and said, hey, what what 70 00:04:18,920 --> 00:04:22,080 Speaker 1: do what do you think about Christmas music? And also 71 00:04:22,120 --> 00:04:26,880 Speaker 1: semi picture dick. Uh No, I didn't Okay, I don't 72 00:04:26,920 --> 00:04:35,680 Speaker 1: make that all right anyways, Um we don't. Sorry, um, 73 00:04:35,800 --> 00:04:38,360 Speaker 1: so we we have his picks, all right. So just 74 00:04:38,400 --> 00:04:41,160 Speaker 1: to kind of start things off in the middle, let's 75 00:04:41,160 --> 00:04:45,359 Speaker 1: talk some properly rated but like ones that we love. Miles, 76 00:04:45,440 --> 00:04:48,240 Speaker 1: I know you were talking about some classics that you're 77 00:04:48,360 --> 00:04:51,640 Speaker 1: you're a fan of, properly rated and just good. Is 78 00:04:51,720 --> 00:04:54,960 Speaker 1: just the old like the ship that's in Christmas movies 79 00:04:55,120 --> 00:04:59,440 Speaker 1: from the seventies through the early nineties, like when before 80 00:04:59,600 --> 00:05:02,880 Speaker 1: like the uh phenomenon of like big pop stars making 81 00:05:02,960 --> 00:05:06,360 Speaker 1: Christmas versions like, I like that old timey stuff where 82 00:05:06,400 --> 00:05:09,320 Speaker 1: you know that people saying, like performing it, we're probably racist, 83 00:05:09,839 --> 00:05:13,320 Speaker 1: but you know what, it's got a Christmas sound, you know, 84 00:05:13,720 --> 00:05:18,160 Speaker 1: like Andy Williams, I really like that Happy Holidays is 85 00:05:18,200 --> 00:05:21,000 Speaker 1: a fantastic track, and just like one of those things 86 00:05:21,000 --> 00:05:23,600 Speaker 1: I think for me, the properly rated but just good 87 00:05:23,600 --> 00:05:25,560 Speaker 1: ones are are the things that when you hear it 88 00:05:25,560 --> 00:05:28,599 Speaker 1: it immediately, you can hear the sleigh bells or whatever, 89 00:05:28,680 --> 00:05:33,000 Speaker 1: just activate your holiday memories. So that's like, that's kind 90 00:05:33,040 --> 00:05:36,120 Speaker 1: of where I look at those things. They're from the fifties, 91 00:05:36,600 --> 00:05:39,279 Speaker 1: or they sound like they're from the fifties. They sound 92 00:05:39,320 --> 00:05:41,520 Speaker 1: like they're being sung by someone who eventually died of 93 00:05:41,960 --> 00:05:47,640 Speaker 1: lung cancer they were smoking or consumption. Yeah, like yeah, 94 00:05:47,680 --> 00:05:50,400 Speaker 1: I'm like Oregon Trail type death. I got a couple 95 00:05:50,440 --> 00:05:53,760 Speaker 1: of favorites. I got Run Rudolf Run by Chuck Berry, 96 00:05:53,920 --> 00:05:58,240 Speaker 1: which is, uh, I love that song. There is a 97 00:05:58,279 --> 00:06:02,520 Speaker 1: second verse, however, uh So the first verse he's talking 98 00:06:02,520 --> 00:06:06,400 Speaker 1: about like asking a boy what he wants for Christmas. 99 00:06:07,040 --> 00:06:10,040 Speaker 1: Uh And the boy gives like the coolest answer, He's like, 100 00:06:10,080 --> 00:06:12,480 Speaker 1: I want to rock and roll electric guitar, and they 101 00:06:12,480 --> 00:06:15,559 Speaker 1: close it out with Rudolph running off like a shooting star. 102 00:06:15,960 --> 00:06:21,440 Speaker 1: But the second one is kind of it's um the 103 00:06:21,480 --> 00:06:25,680 Speaker 1: girl asked for a doll that can cry, drink, and 104 00:06:25,720 --> 00:06:31,400 Speaker 1: wet herself, which just uh, but I don't know. I 105 00:06:31,440 --> 00:06:34,480 Speaker 1: mean that was a function of of toys back then, 106 00:06:34,520 --> 00:06:39,480 Speaker 1: but knowing his past with taking Pepe pictures, that definitely 107 00:06:39,760 --> 00:06:43,440 Speaker 1: is a weird chuck. I'm just like, come on right, 108 00:06:43,960 --> 00:06:47,120 Speaker 1: it just does that that one compared to what is 109 00:06:47,160 --> 00:06:51,279 Speaker 1: like a mostly classic song that that detail has always 110 00:06:51,279 --> 00:06:54,279 Speaker 1: stuck out to me. You know, You Got Your Last 111 00:06:54,360 --> 00:06:59,560 Speaker 1: Christmas by Wham or Wham Merry Christmas Baby by Otis Redding, 112 00:07:00,800 --> 00:07:04,839 Speaker 1: Happy Christmas War Is Over by John Lennon and Yoko 113 00:07:04,880 --> 00:07:08,080 Speaker 1: oh No is a good one. And it's extra interesting 114 00:07:08,480 --> 00:07:11,600 Speaker 1: because I'm just thinking a lot, as is everyone after 115 00:07:11,640 --> 00:07:16,240 Speaker 1: the Beatles doc You Got Your Lenning, You Got Your McCartney. 116 00:07:16,280 --> 00:07:19,880 Speaker 1: McCartney is really like dominating the band and like the 117 00:07:19,920 --> 00:07:23,720 Speaker 1: songwriting and has like all these cool moments. But then 118 00:07:23,920 --> 00:07:27,520 Speaker 1: when you look at their post Beatles careers, I don't know, man, 119 00:07:27,560 --> 00:07:31,200 Speaker 1: that's that great? Yeah, you like the McCartney one, the 120 00:07:31,760 --> 00:07:35,920 Speaker 1: simply you know, I do not. I think that's one 121 00:07:35,920 --> 00:07:39,320 Speaker 1: of the one of the bad. It's like the thing 122 00:07:39,440 --> 00:07:42,800 Speaker 1: I remember growing up like adults always been like turn 123 00:07:42,880 --> 00:07:46,320 Speaker 1: that one off, like stupid. I don't know. I was 124 00:07:46,320 --> 00:07:49,000 Speaker 1: just like, what the aren't people so angry at this ship? 125 00:07:49,520 --> 00:07:51,040 Speaker 1: I was like, I don't really give a funk. I 126 00:07:51,160 --> 00:07:53,440 Speaker 1: just like the I like the delay on the keyboard 127 00:07:53,440 --> 00:07:56,120 Speaker 1: and ship sometimes. But that's how I feel. And how 128 00:07:56,160 --> 00:07:59,240 Speaker 1: do you feel about these songs? Um, I've never really 129 00:07:59,280 --> 00:08:02,040 Speaker 1: heard any of them? You never Okay, we don't know. 130 00:08:02,080 --> 00:08:04,239 Speaker 1: What about Run Rudolph? That was like in Home Alone, 131 00:08:04,320 --> 00:08:08,200 Speaker 1: Run Run Rudolphe legitimate, this is not even a bit 132 00:08:08,200 --> 00:08:11,480 Speaker 1: I've never heard that song. Um, Little sat Nick by 133 00:08:11,480 --> 00:08:13,600 Speaker 1: the Beach Boys. I feel like they should actually have 134 00:08:13,880 --> 00:08:18,200 Speaker 1: more classic Christmas songs because they're kind of corny lyrics 135 00:08:18,720 --> 00:08:23,680 Speaker 1: should be like a perfect fit for Christmas music. And 136 00:08:23,720 --> 00:08:26,560 Speaker 1: then what Christmas Means to Me by Stevie Wonder, Christmas 137 00:08:26,600 --> 00:08:30,200 Speaker 1: Baby Please Come Home Darlene Love Slay Ride the Ronetts, 138 00:08:30,280 --> 00:08:34,080 Speaker 1: and Yeah, so Christmas Baby Please Come Home was one 139 00:08:34,120 --> 00:08:39,040 Speaker 1: of Yamagucchi means picks. Just that incredible phil spect wall 140 00:08:39,080 --> 00:08:43,640 Speaker 1: of sound and her voice were incredible were his description. 141 00:08:44,679 --> 00:08:48,080 Speaker 1: H but yah, but the Wallace sound though, can't deny 142 00:08:48,160 --> 00:08:52,680 Speaker 1: that huh, can't deny the wall oh sound. I can't 143 00:08:52,679 --> 00:08:55,920 Speaker 1: even in my mind hear any of these songs. Yeah, 144 00:08:55,920 --> 00:09:00,800 Speaker 1: I mean they're not like the most class ones. But 145 00:09:01,280 --> 00:09:03,120 Speaker 1: you know, what's the one you can what's the one 146 00:09:03,160 --> 00:09:07,360 Speaker 1: you can hear? Well, we're getting I mean maybe last Christmas. 147 00:09:07,480 --> 00:09:10,120 Speaker 1: Last Christmas because it's been covered by everyone and then 148 00:09:10,160 --> 00:09:14,160 Speaker 1: some there's a lot of on YouTube videos of people 149 00:09:14,240 --> 00:09:18,760 Speaker 1: dancing in front of green screens with oh yep, exactly, Um, 150 00:09:18,800 --> 00:09:24,200 Speaker 1: it's also green screen energy, Great g s Big gsc 151 00:09:24,720 --> 00:09:28,880 Speaker 1: producer Brian was also pointing out silver bells or not 152 00:09:28,960 --> 00:09:33,040 Speaker 1: silver bells? What's the one that's like no Carol and 153 00:09:33,080 --> 00:09:36,880 Speaker 1: the bells? Carol and the bells um which is interesting 154 00:09:36,920 --> 00:09:41,680 Speaker 1: because it's like a creepy like it has a creepy vibe, 155 00:09:41,720 --> 00:09:45,560 Speaker 1: like it's kind of of a family with the Exorcist 156 00:09:45,720 --> 00:09:48,920 Speaker 1: theme song and like that. But for some reason it 157 00:09:49,000 --> 00:09:51,000 Speaker 1: like works. I don't know. I feel like I just 158 00:09:51,080 --> 00:09:53,920 Speaker 1: associated with Home Alone or something or a movie that 159 00:09:54,000 --> 00:09:57,000 Speaker 1: made it Christmas in my mind. But sonically it's because 160 00:09:57,000 --> 00:10:00,760 Speaker 1: it's in a minor keytonality. It's just like it's just 161 00:10:00,840 --> 00:10:03,079 Speaker 1: has that tension built in because it's always like minor 162 00:10:03,160 --> 00:10:06,360 Speaker 1: chords if I can get theoretical out here with the music, 163 00:10:06,720 --> 00:10:09,880 Speaker 1: because most stuff is like super major chord, happy like 164 00:10:10,000 --> 00:10:13,200 Speaker 1: fun stuff, and this just has that, like you're saying, 165 00:10:13,240 --> 00:10:15,920 Speaker 1: a low hum of tension throughout it, But when that 166 00:10:15,960 --> 00:10:18,440 Speaker 1: part comes at then to home alone, like it hits 167 00:10:18,520 --> 00:10:21,680 Speaker 1: like really hardly. Yeah. I think the idea of that 168 00:10:21,720 --> 00:10:25,720 Speaker 1: one is to kind of perpetuate the concept that we 169 00:10:25,800 --> 00:10:29,360 Speaker 1: let an older white man break into our homes in 170 00:10:29,400 --> 00:10:32,160 Speaker 1: the middle of the night in order to um give 171 00:10:32,280 --> 00:10:35,000 Speaker 1: us gifts that we don't know where these gifts came from. 172 00:10:35,400 --> 00:10:37,520 Speaker 1: So I think it just kind of adds to that 173 00:10:37,600 --> 00:10:42,120 Speaker 1: level of terror we have experiencing this stranger entering our 174 00:10:42,200 --> 00:10:46,720 Speaker 1: home who then proceeds to demand cookies and milk. Yeah, 175 00:10:47,040 --> 00:10:49,000 Speaker 1: we don't even know if those gifts are stolen, Like 176 00:10:49,240 --> 00:10:51,040 Speaker 1: if you get a mike, is this bike stolen? I 177 00:10:51,040 --> 00:10:53,000 Speaker 1: don't know what saying about it? What does he do 178 00:10:53,080 --> 00:10:55,200 Speaker 1: for a living? How did he afford it? Like his 179 00:10:55,360 --> 00:10:58,079 Speaker 1: use of chimney work is kind of like is this performative? 180 00:10:58,160 --> 00:11:00,240 Speaker 1: What are we doing here to use the front door, 181 00:11:00,640 --> 00:11:04,000 Speaker 1: break a window, throw a brick through the kitchen window 182 00:11:04,640 --> 00:11:10,240 Speaker 1: like a Santo Wood, Big Brick, Oh cole Um, any 183 00:11:10,240 --> 00:11:13,520 Speaker 1: other old ones that you want to call out before. 184 00:11:14,280 --> 00:11:15,840 Speaker 1: I feel like these are just kind of like these 185 00:11:15,840 --> 00:11:17,959 Speaker 1: are standard, you know, like the just I think these 186 00:11:18,000 --> 00:11:20,720 Speaker 1: are all agreeable. I think I'm I'm probably more excited 187 00:11:20,760 --> 00:11:23,960 Speaker 1: for the horny ones quite literally and the bad ones, 188 00:11:24,040 --> 00:11:26,600 Speaker 1: I mean, the properly rated but bad. Uh. This is 189 00:11:26,640 --> 00:11:28,640 Speaker 1: from Christie. I'm a Gucci man. I think it's like 190 00:11:28,720 --> 00:11:32,320 Speaker 1: the answer the one Christmas song that everybody hates. I 191 00:11:32,320 --> 00:11:35,120 Speaker 1: thought I thought you could get McCartney in there with us, 192 00:11:35,160 --> 00:11:39,760 Speaker 1: simply have But apparently that's just old people like me 193 00:11:39,840 --> 00:11:43,280 Speaker 1: who dislike that one so but properly rated but just bad. 194 00:11:43,360 --> 00:11:48,280 Speaker 1: Do they know it's Christmas time at all? Just trash? 195 00:11:49,400 --> 00:11:53,840 Speaker 1: Do do I mean? And there won't be snow in 196 00:11:54,000 --> 00:11:59,199 Speaker 1: Africa like this Christmas time. The greatest gift they'll get 197 00:11:59,280 --> 00:12:04,040 Speaker 1: this year is life. Whoa whoa easy easy here, and 198 00:12:04,080 --> 00:12:06,320 Speaker 1: they're trying to solve the world here band aid, But 199 00:12:06,440 --> 00:12:08,160 Speaker 1: I don't know if that's, uh, that's the best way 200 00:12:08,200 --> 00:12:09,720 Speaker 1: to do it. This was the release of the year 201 00:12:09,760 --> 00:12:12,480 Speaker 1: of my very first Christmas as a baby m and 202 00:12:12,559 --> 00:12:19,920 Speaker 1: you still remember it, right? Still remember it? Yep? Exactly. Uh, 203 00:12:20,040 --> 00:12:22,160 Speaker 1: because I'm a time traveler, was born right before my dad. 204 00:12:22,880 --> 00:12:24,880 Speaker 1: It's how ahead of my time I was. My parents 205 00:12:24,880 --> 00:12:27,360 Speaker 1: hadn't even been born yet. But yeah, it's a that 206 00:12:27,440 --> 00:12:30,680 Speaker 1: one definitely has this shitty it's because I think it 207 00:12:30,760 --> 00:12:34,520 Speaker 1: misses the point, you know, like it's not so broad 208 00:12:34,600 --> 00:12:36,800 Speaker 1: and nebulous that it just feels like a simple like 209 00:12:36,880 --> 00:12:39,520 Speaker 1: feeling of good times. Like it's just so specific and 210 00:12:39,720 --> 00:12:42,080 Speaker 1: off the mark. I think that's why people are like, Yo, 211 00:12:42,200 --> 00:12:46,800 Speaker 1: this is fucking stupid, right, Yeah, it's just horrible, very 212 00:12:46,880 --> 00:12:50,440 Speaker 1: eighties like you know, Save the Children type ship, but 213 00:12:50,559 --> 00:12:55,640 Speaker 1: just coming through a group of exclusively white guys. I mean, 214 00:12:55,640 --> 00:12:58,440 Speaker 1: do they know it's Christmas time at all? The poor 215 00:12:58,480 --> 00:13:02,040 Speaker 1: people out there who are Christian? Do they know? Do 216 00:13:02,160 --> 00:13:06,200 Speaker 1: they know that the shame that's that's the injustices we're 217 00:13:06,200 --> 00:13:10,000 Speaker 1: fighting against. With this track that Bob Geldof put together. 218 00:13:10,200 --> 00:13:13,160 Speaker 1: You know, we're talking about movies that are underrated Christmas 219 00:13:13,160 --> 00:13:16,800 Speaker 1: classics that sometimes don't even get brought up as Christmas movies. 220 00:13:17,240 --> 00:13:20,400 Speaker 1: Rocky four is a good example of that that I 221 00:13:20,440 --> 00:13:23,480 Speaker 1: was just thinking about because, uh, you know, it's he 222 00:13:23,600 --> 00:13:28,280 Speaker 1: trains in the snow, The fight is on Christmas, it's 223 00:13:28,280 --> 00:13:33,680 Speaker 1: like mostly known beyond the standard Rocky ship for a robot, 224 00:13:34,160 --> 00:13:38,559 Speaker 1: like a gift robot, which uh is for Pauli's birthday, 225 00:13:38,559 --> 00:13:40,960 Speaker 1: but it's still like a gift. And then at the 226 00:13:41,080 --> 00:13:44,560 Speaker 1: end has a Santa hat on, and then like ultimately 227 00:13:44,720 --> 00:13:48,440 Speaker 1: it's the ultimate like Cold War America where they do 228 00:13:48,520 --> 00:13:52,600 Speaker 1: know it's Christmas versus Russia where they haven't even heard 229 00:13:52,600 --> 00:13:55,800 Speaker 1: of the thing. You know, they don't know what right. 230 00:13:56,320 --> 00:13:58,480 Speaker 1: So it's interesting to me how you're always able to 231 00:13:58,480 --> 00:14:02,440 Speaker 1: bring Rocky four into every conversation. Yeah, and we cut 232 00:14:02,480 --> 00:14:04,480 Speaker 1: it all the time. That's what I don't know. It 233 00:14:04,559 --> 00:14:07,120 Speaker 1: happens everything. Literally, it started as soon as you brought 234 00:14:07,200 --> 00:14:09,559 Speaker 1: up Rocky four. Started having deja vu that we've had 235 00:14:09,600 --> 00:14:15,240 Speaker 1: this conversation before, not not on Christmas. Angle that keeps Christmas. 236 00:14:15,559 --> 00:14:18,080 Speaker 1: Randy said, Yo, stop, find a new angle, and he 237 00:14:18,120 --> 00:14:22,280 Speaker 1: took that seriously and he found a new Anglers Christmas 238 00:14:22,320 --> 00:14:24,920 Speaker 1: talk about Rocky for a lot. I feel like you 239 00:14:25,000 --> 00:14:27,400 Speaker 1: really do, like this isn't I'm telling us, these are 240 00:14:27,440 --> 00:14:30,160 Speaker 1: not bits. I feel like I've spoken to about Rocky 241 00:14:30,160 --> 00:14:33,920 Speaker 1: four with you many a time. You genuinely don't like me. Yeah, 242 00:14:34,360 --> 00:14:38,120 Speaker 1: it's not a bit like Rocky four. I uh, it 243 00:14:38,280 --> 00:14:40,640 Speaker 1: is the first movie I saw in a theater. That's 244 00:14:40,720 --> 00:14:42,720 Speaker 1: right there, you go see. I know I've heard this 245 00:14:43,480 --> 00:14:45,320 Speaker 1: out there with teen Wolf as like one of the 246 00:14:45,320 --> 00:14:48,080 Speaker 1: movies that I saw it so early on that it 247 00:14:48,240 --> 00:14:51,880 Speaker 1: has imprinted on my brain and I judge everything through 248 00:14:51,920 --> 00:14:56,520 Speaker 1: a Rocky four based lens. Anyways, we're gonna take a 249 00:14:56,600 --> 00:14:59,640 Speaker 1: quick break and then we're gonna come back with the 250 00:14:59,680 --> 00:15:03,160 Speaker 1: best the worst of the horny Christmas songs in regards 251 00:15:03,160 --> 00:15:05,880 Speaker 1: to Rocky four, Yes, and how they relate to Rocky 252 00:15:05,960 --> 00:15:21,920 Speaker 1: to Rocky, and we're back and Christmas is like humanities 253 00:15:21,960 --> 00:15:23,600 Speaker 1: mating season. When you look at like where the most 254 00:15:23,600 --> 00:15:27,480 Speaker 1: birthdays are, they are nine months after Christmas. Uh, it 255 00:15:27,600 --> 00:15:33,200 Speaker 1: feels like this should be a very horny music season. 256 00:15:33,880 --> 00:15:37,360 Speaker 1: But I feel like a lot of the good romantic 257 00:15:37,400 --> 00:15:40,360 Speaker 1: Christmas songs are just about people like missing other people. 258 00:15:40,920 --> 00:15:45,280 Speaker 1: And then you've got like this Christmas by Donny Hathaway 259 00:15:45,440 --> 00:15:49,320 Speaker 1: and but but like a lot of like people are 260 00:15:49,320 --> 00:15:53,400 Speaker 1: always like how is baby It's called Outside still being 261 00:15:53,400 --> 00:15:55,520 Speaker 1: played on the radio, And it's because it's like one 262 00:15:55,560 --> 00:16:01,240 Speaker 1: of the classics that like is fucking horny as hell, right, 263 00:16:01,320 --> 00:16:04,360 Speaker 1: And again, what could be more American than lack of consent? 264 00:16:05,360 --> 00:16:08,360 Speaker 1: So they are all very much comes together. I saw 265 00:16:08,720 --> 00:16:11,240 Speaker 1: There's funny that movie that I was talking about, the 266 00:16:11,320 --> 00:16:14,960 Speaker 1: rom com with Jimmy oh Yang and uh, what's her? 267 00:16:15,840 --> 00:16:19,600 Speaker 1: Love Hard? Yeah? Love Hard. They sing a like updated 268 00:16:19,720 --> 00:16:22,240 Speaker 1: version of baby It's cooled outside. There's like a whole 269 00:16:22,280 --> 00:16:24,560 Speaker 1: bit where he's like changing the lyrics for it to 270 00:16:24,560 --> 00:16:27,080 Speaker 1: be like like he's basically saying like, hey, you should go, 271 00:16:27,440 --> 00:16:31,440 Speaker 1: Like everything isn't like, you know, like, oh it's cold outside. 272 00:16:31,480 --> 00:16:35,840 Speaker 1: He's like, then maybe you should go. But it's uh, 273 00:16:36,280 --> 00:16:39,200 Speaker 1: definitely not his horny um in that sense. But yeah, 274 00:16:39,320 --> 00:16:42,000 Speaker 1: it's a that's always a weird one. I feel like. 275 00:16:42,200 --> 00:16:45,120 Speaker 1: Also the bank, I don't know why this looked then 276 00:16:45,160 --> 00:16:49,320 Speaker 1: this this might be a journey to my psyche. Bing Crosby. 277 00:16:49,640 --> 00:16:53,280 Speaker 1: That voice that sounds like some weird candle light horny 278 00:16:53,360 --> 00:16:55,920 Speaker 1: nous h if you look at some of his songs, 279 00:16:55,960 --> 00:16:59,120 Speaker 1: because he's just like like his voice is all deep 280 00:16:59,160 --> 00:17:02,960 Speaker 1: as sh it. I'm feeling it bing bing bing bing 281 00:17:03,600 --> 00:17:10,800 Speaker 1: yahing because it's not Google cas Crosby. What is it? 282 00:17:10,800 --> 00:17:14,119 Speaker 1: It's not Google It Bing Crosby And he's getting your 283 00:17:14,160 --> 00:17:16,840 Speaker 1: horny because he's yeah, that voice. I don't know, it's 284 00:17:16,880 --> 00:17:19,399 Speaker 1: not because they're not the songs I like to hear. 285 00:17:19,480 --> 00:17:23,120 Speaker 1: But if it's late, then maybe it's time. It's bad, 286 00:17:23,480 --> 00:17:26,000 Speaker 1: you know. And you were saying that you're really into 287 00:17:26,080 --> 00:17:29,640 Speaker 1: Santa Baby, that that one really gets you going. Oh, 288 00:17:31,320 --> 00:17:34,640 Speaker 1: so that's on the list of bad ones. I feel like, um, 289 00:17:34,680 --> 00:17:37,600 Speaker 1: I don't know. Like so Chris, this was one of 290 00:17:37,840 --> 00:17:41,600 Speaker 1: Christie I'm a Gucci Man's picks on you know, overrated. 291 00:17:41,640 --> 00:17:44,640 Speaker 1: He said, I don't need Santa sexualized now, thank you. Plus, 292 00:17:44,720 --> 00:17:47,320 Speaker 1: there's no comma between the words Santa and baby, so 293 00:17:47,359 --> 00:17:50,040 Speaker 1: the title of ooks a gigantic baby with a beard. 294 00:17:50,440 --> 00:17:53,119 Speaker 1: There's also I Saw Mommy kissing Santa Claus, which is 295 00:17:53,160 --> 00:17:56,320 Speaker 1: another one where the Santa and question is like, you know, 296 00:17:56,400 --> 00:17:58,560 Speaker 1: clearly supposed to be the dead, but like, why do 297 00:17:58,640 --> 00:18:01,600 Speaker 1: we need to put it through like in the context 298 00:18:01,640 --> 00:18:04,399 Speaker 1: of children like that that feel like, I don't I 299 00:18:04,440 --> 00:18:08,320 Speaker 1: don't want to like the romantic song to be through 300 00:18:08,359 --> 00:18:10,840 Speaker 1: the eyes of a child watching their parents get ready 301 00:18:10,880 --> 00:18:16,320 Speaker 1: to like have sex with each other Santa costume. They 302 00:18:16,400 --> 00:18:19,800 Speaker 1: just confuse kids who think their mom's having an affair Santa. 303 00:18:19,960 --> 00:18:23,120 Speaker 1: They're like, whoa what it's a good Can you see? 304 00:18:23,240 --> 00:18:27,000 Speaker 1: Look she's sucking kissing Santa right now? Look, has anyone 305 00:18:27,080 --> 00:18:30,280 Speaker 1: done that? Like a movie where like the person sees 306 00:18:31,080 --> 00:18:34,560 Speaker 1: that happening and then like takes takes an oath of 307 00:18:34,680 --> 00:18:39,200 Speaker 1: vengeance on Santa. To Santa, Yeah, because like their parents 308 00:18:39,280 --> 00:18:41,959 Speaker 1: got divorced like shortly after that night, and he in 309 00:18:42,000 --> 00:18:46,159 Speaker 1: his mind Santa's the reason their parents broke up, and no, no, 310 00:18:46,280 --> 00:18:50,160 Speaker 1: and no, and comes in because it's actually now, actually 311 00:18:50,160 --> 00:18:54,480 Speaker 1: that's a good point. It's a revenge theme. Oh yes, 312 00:18:55,440 --> 00:18:59,920 Speaker 1: that's it. Look where's that movie Someone who really believes 313 00:19:00,080 --> 00:19:02,680 Speaker 1: or their parents were having an affair was and they 314 00:19:02,680 --> 00:19:09,520 Speaker 1: had to exact lifetime slash ms. Probably there has to 315 00:19:09,560 --> 00:19:12,399 Speaker 1: be a movie called like I Saw Mommy Kissing Sannah 316 00:19:12,440 --> 00:19:15,320 Speaker 1: Claus or something, and it's like loosely based on that, 317 00:19:15,520 --> 00:19:18,360 Speaker 1: and the kid loses complete respect for the dad. It's 318 00:19:18,400 --> 00:19:22,080 Speaker 1: like your fucking cook. It's gonna like Santa run up 319 00:19:22,080 --> 00:19:25,719 Speaker 1: in here like it's his place. It's apparently an SNL 320 00:19:25,800 --> 00:19:30,879 Speaker 1: sketch with Scarlett Johansson saying called I Saw Mommy Kissing 321 00:19:30,880 --> 00:19:37,600 Speaker 1: Santa Claus. So it's song by the Ronettes and by 322 00:19:37,680 --> 00:19:42,240 Speaker 1: Jimmy Boyd in nineteen fifty and by Dolly, I guess 323 00:19:42,240 --> 00:19:47,520 Speaker 1: it's just a cover that's fun. Oh and by Jackson 324 00:19:47,560 --> 00:19:53,080 Speaker 1: five that one takes a darker meaning, yeah, whoa, this 325 00:19:53,160 --> 00:19:55,440 Speaker 1: is what There is a movie that was on packs, 326 00:19:55,520 --> 00:19:58,000 Speaker 1: so you know, it's like some religious stuff about a 327 00:19:58,080 --> 00:20:01,160 Speaker 1: young boy who's having thanks, been doing his family, only 328 00:20:01,280 --> 00:20:03,679 Speaker 1: for it to anyway. So he finds out that his 329 00:20:03,840 --> 00:20:06,680 Speaker 1: friend's parents are going to be divorced. Then he overhears 330 00:20:06,720 --> 00:20:09,640 Speaker 1: his own parents having an argument, and then he goes 331 00:20:09,680 --> 00:20:12,040 Speaker 1: to his bedroom, but then he looks downstairs he sees 332 00:20:12,080 --> 00:20:14,600 Speaker 1: his mother kissing Santa, locked in a warm embrace with 333 00:20:14,600 --> 00:20:16,600 Speaker 1: Santa Claus. He takes a photo, shows it to his 334 00:20:16,640 --> 00:20:21,680 Speaker 1: friend the next day, and then sends it to Mrs Claws. Okay, 335 00:20:21,720 --> 00:20:25,679 Speaker 1: so okay, that's chill, actually right, Mrs Claws deserves to know. 336 00:20:26,720 --> 00:20:28,800 Speaker 1: Oh my god. So then the whole thrust of this 337 00:20:28,840 --> 00:20:31,240 Speaker 1: one is that he believed, he straight to believes his 338 00:20:31,359 --> 00:20:33,320 Speaker 1: mom is having an affair with Santa, so he decides 339 00:20:33,359 --> 00:20:35,840 Speaker 1: to behave as badly as possible in an attempt to 340 00:20:35,880 --> 00:20:39,639 Speaker 1: prevent Santa from coming to his house on Christmas. He wow, 341 00:20:40,040 --> 00:20:45,639 Speaker 1: I mean that's good to the next step. Yeah, that's wild, 342 00:20:46,040 --> 00:20:47,919 Speaker 1: and he probably just like he's just like committing a 343 00:20:47,920 --> 00:20:50,320 Speaker 1: bunch of terrible crimes and it's like, oh my god, honey, 344 00:20:50,320 --> 00:20:53,800 Speaker 1: that was your that was your dad. Mhm h what 345 00:20:53,840 --> 00:20:57,040 Speaker 1: are you gonna do? Alright, Well, it has come to 346 00:20:57,240 --> 00:21:03,280 Speaker 1: the time for our underrated, truly underrated Christmas songs. Actually, 347 00:21:03,560 --> 00:21:06,040 Speaker 1: like we can do overrated real quick because I just 348 00:21:06,480 --> 00:21:09,880 Speaker 1: have Yeah, so Santa Claus is coming to town. This 349 00:21:09,960 --> 00:21:12,800 Speaker 1: is all over people's like top twenty five lists of 350 00:21:12,840 --> 00:21:15,560 Speaker 1: like great Christmas songs. Like there's both the Jackson five 351 00:21:16,119 --> 00:21:21,199 Speaker 1: and the Bruce Springsteen version, and like, I do not 352 00:21:21,440 --> 00:21:25,359 Speaker 1: let like the way that the chorus is always Sanana clause, 353 00:21:25,520 --> 00:21:28,359 Speaker 1: like they it just feels I don't know, it feels 354 00:21:28,400 --> 00:21:31,880 Speaker 1: like they're trying to hurt me with with this song. 355 00:21:32,200 --> 00:21:37,280 Speaker 1: They like to do it on the two Come in 356 00:21:38,280 --> 00:21:41,879 Speaker 1: That Ship. I mean, look, I don't that song. Also, 357 00:21:42,000 --> 00:21:44,359 Speaker 1: I'm like, that's fine. It reminds me of being in 358 00:21:44,440 --> 00:21:46,879 Speaker 1: like a recital in first grade and being forced to 359 00:21:46,920 --> 00:21:49,920 Speaker 1: sing in front of an audience. Um, and I think 360 00:21:50,040 --> 00:21:52,040 Speaker 1: that one it's a fine song to sing. I just 361 00:21:52,080 --> 00:21:55,480 Speaker 1: don't like the two most popular versions. I think they're 362 00:21:55,520 --> 00:21:59,479 Speaker 1: like kind of I don't know, annoying grading they have 363 00:21:59,520 --> 00:22:03,480 Speaker 1: they used to be in like my Christmas playlist. Uh, 364 00:22:03,520 --> 00:22:07,520 Speaker 1: and they have been removed. Also, the Bruce Springs one 365 00:22:07,560 --> 00:22:12,840 Speaker 1: has like him riffing, which I don't need to really. Yeah, 366 00:22:12,920 --> 00:22:15,840 Speaker 1: not too many, not too many. You've been bad, You're 367 00:22:15,840 --> 00:22:19,879 Speaker 1: not gonna get any gifts. It's just a whole and 368 00:22:20,000 --> 00:22:24,800 Speaker 1: his Obama in there too, their renegades together, the two 369 00:22:24,800 --> 00:22:29,760 Speaker 1: biggest renegades of their time. Alright, it's time for the 370 00:22:29,880 --> 00:22:34,119 Speaker 1: underrated and do you want to kick us off? Or 371 00:22:33,800 --> 00:22:35,840 Speaker 1: where do you want to come in the world. I 372 00:22:35,840 --> 00:22:38,880 Speaker 1: guess there's this one song I've always um wanted to 373 00:22:38,920 --> 00:22:42,359 Speaker 1: hear more my entire life. Like it's a song that, 374 00:22:42,480 --> 00:22:47,520 Speaker 1: like I want to say, I probably only heard for 375 00:22:47,600 --> 00:22:52,320 Speaker 1: the first time in the last two years. And this 376 00:22:52,359 --> 00:22:55,400 Speaker 1: song no no, I take that back last five years, 377 00:22:56,160 --> 00:22:57,760 Speaker 1: mostly when I moved to l A. Is you know, 378 00:22:57,760 --> 00:23:00,159 Speaker 1: when I really start to learn about culture and you know, 379 00:23:00,200 --> 00:23:03,159 Speaker 1: kind of more like niche culture and um, you know, 380 00:23:03,240 --> 00:23:06,280 Speaker 1: like my my, actually maybe I heard in college. Maybe 381 00:23:06,359 --> 00:23:07,920 Speaker 1: college is a place I started to learn more about 382 00:23:08,000 --> 00:23:12,320 Speaker 1: niche culture. Um, and as you know, I didn't, I 383 00:23:12,359 --> 00:23:15,280 Speaker 1: grew up with Persian parents who we didn't really celebrate 384 00:23:15,359 --> 00:23:18,680 Speaker 1: Christmas like we were around Christmas because America really has 385 00:23:18,760 --> 00:23:22,120 Speaker 1: like a choke hold around your neck during Christmas time, 386 00:23:22,640 --> 00:23:26,200 Speaker 1: and so, um, you know, I learned about this song 387 00:23:26,280 --> 00:23:27,760 Speaker 1: and I was kind of like, why is no one 388 00:23:27,800 --> 00:23:31,479 Speaker 1: ever playing it? I never hear it anywhere. It just 389 00:23:31,520 --> 00:23:33,919 Speaker 1: seems like because the person who's sang it is kind 390 00:23:33,960 --> 00:23:38,520 Speaker 1: of such a like legendary artists that maybe, yeah, like 391 00:23:38,560 --> 00:23:41,159 Speaker 1: it almost feels like this artist specifically has kind of 392 00:23:41,400 --> 00:23:45,560 Speaker 1: um taken over the Christmas brand in a way as 393 00:23:45,640 --> 00:23:48,440 Speaker 1: something that they really love and they like to sing 394 00:23:48,560 --> 00:23:52,320 Speaker 1: songs about. Then this song that they sing, I'm like, guys, 395 00:23:52,359 --> 00:23:54,840 Speaker 1: I think it might be the best Christmas song ever 396 00:23:55,480 --> 00:23:58,480 Speaker 1: slash song by this person, you know. Like and you're 397 00:23:58,480 --> 00:24:00,560 Speaker 1: saying this is something that in general is not being 398 00:24:00,600 --> 00:24:03,480 Speaker 1: discussed enough. I don't know, Like I almost feel like 399 00:24:03,520 --> 00:24:05,000 Speaker 1: every time I want to hear it, I have to 400 00:24:05,000 --> 00:24:08,639 Speaker 1: like dust it off, you know, like it's so digging. 401 00:24:09,560 --> 00:24:12,960 Speaker 1: People are not acknowledging this song, and we're going to 402 00:24:13,080 --> 00:24:15,480 Speaker 1: take a quick break and find out what the song 403 00:24:15,640 --> 00:24:19,159 Speaker 1: is after this, uh and after like ten more minutes 404 00:24:19,160 --> 00:24:23,040 Speaker 1: of this build up, actually I got a roll. Alright, guys, 405 00:24:23,040 --> 00:24:39,919 Speaker 1: thanks to thee I'll never know, We'll never know, and 406 00:24:40,200 --> 00:24:45,399 Speaker 1: we're back and uh, all right, and I think I 407 00:24:45,400 --> 00:24:48,040 Speaker 1: think we've and you know what, I'll be wrong with you. 408 00:24:48,280 --> 00:24:52,520 Speaker 1: It's Mariah Carey's All I Want for Christmas? Have you 409 00:24:52,520 --> 00:24:58,040 Speaker 1: guys heard it? I think I've heard it. It's like 410 00:24:59,240 --> 00:25:02,280 Speaker 1: it's like will come back to me, so I haven't 411 00:25:02,280 --> 00:25:08,920 Speaker 1: heard in a while, Like all I want, all I 412 00:25:08,960 --> 00:25:14,200 Speaker 1: want for Chris, All I Want for Christmas is dot 413 00:25:14,200 --> 00:25:23,320 Speaker 1: dot dot you. Yeah, because there is a pause. She 414 00:25:23,359 --> 00:25:26,280 Speaker 1: wants you as a gift, so you know, it almost 415 00:25:26,320 --> 00:25:28,199 Speaker 1: kind of brings like it's kind of like romantic in 416 00:25:28,240 --> 00:25:30,560 Speaker 1: a way, but you know, she's like hitting those because 417 00:25:30,600 --> 00:25:33,720 Speaker 1: it's Mariah, so she's like all, oh, you're kind of like, oh, 418 00:25:34,359 --> 00:25:38,160 Speaker 1: you know, so, I mean that's kind of like when 419 00:25:38,200 --> 00:25:40,840 Speaker 1: you think about the lyrics, I think I can't really 420 00:25:40,840 --> 00:25:44,000 Speaker 1: think of it either, but like it is kind of horny, right, 421 00:25:44,040 --> 00:25:45,920 Speaker 1: like all I Want for Christmas as you. But again 422 00:25:45,960 --> 00:25:49,040 Speaker 1: this is an example of like like why aren't we 423 00:25:49,080 --> 00:25:51,600 Speaker 1: why don't we have more popular horny Christmas songs? Like 424 00:25:51,640 --> 00:25:55,840 Speaker 1: nobody ever talks about this one, but like it's it's 425 00:25:55,880 --> 00:25:59,040 Speaker 1: solid and like it's not ever played and you you 426 00:25:59,040 --> 00:26:01,919 Speaker 1: would think it's like the perfect karaoke song. It's like 427 00:26:01,960 --> 00:26:09,119 Speaker 1: no one stealing karaoke during exactly that. For whatever reason, 428 00:26:09,119 --> 00:26:11,879 Speaker 1: people are avoiding. It's really sad to see. Yeah, and 429 00:26:11,920 --> 00:26:14,000 Speaker 1: like if someone you would assume if people put it 430 00:26:14,040 --> 00:26:16,120 Speaker 1: on and people really knew it, like it would literally 431 00:26:16,200 --> 00:26:18,480 Speaker 1: pop the roof off the house. You know, you would 432 00:26:18,560 --> 00:26:21,480 Speaker 1: think you'd think like McDonald's would probably want to even 433 00:26:21,520 --> 00:26:24,359 Speaker 1: get involved with something like that. And I feel like 434 00:26:24,400 --> 00:26:27,639 Speaker 1: an all I want for Christmas is a big mac. 435 00:26:27,680 --> 00:26:30,000 Speaker 1: I mean, like these things, it rolls off the time 436 00:26:30,040 --> 00:26:32,520 Speaker 1: like I'm just you know, I'm spitballing. You cann't save 437 00:26:32,600 --> 00:26:35,560 Speaker 1: these ideas you might be able to, you know what 438 00:26:35,640 --> 00:26:39,280 Speaker 1: I mean. I'm gonna I'm gonna really think about that. 439 00:26:40,320 --> 00:26:44,080 Speaker 1: Does anyone cover that song or is it like almost 440 00:26:44,119 --> 00:26:46,800 Speaker 1: forbidden to cover that song? I feel like you haven't 441 00:26:46,840 --> 00:26:52,800 Speaker 1: heard Oh really I did? Yeah this year, I don't know. 442 00:26:52,880 --> 00:26:56,679 Speaker 1: I didn't. I didn't shazam it because I was too 443 00:26:57,119 --> 00:27:00,720 Speaker 1: fucking furious that anyone would try. And first of all, 444 00:27:00,800 --> 00:27:04,320 Speaker 1: like popularize this song, but not give Mariah a carry credit, 445 00:27:04,359 --> 00:27:06,960 Speaker 1: because like it's going to blow up with someone you know, 446 00:27:07,000 --> 00:27:10,000 Speaker 1: it's you're right, it's a good song, and then Mariah 447 00:27:10,080 --> 00:27:12,520 Speaker 1: will have to go on Instagram Live to convince people 448 00:27:12,560 --> 00:27:16,280 Speaker 1: it was actually her who sang it originally. Right, It's tough, 449 00:27:16,359 --> 00:27:21,400 Speaker 1: that's really tough. That's another good like kind of questions 450 00:27:21,480 --> 00:27:24,240 Speaker 1: like are there uncoverable Christmas songs? And it's just like, yo, 451 00:27:24,560 --> 00:27:29,040 Speaker 1: we've done with it, like that baby come Home for 452 00:27:29,119 --> 00:27:33,000 Speaker 1: Christmas whatever, like bells will be ringing, the one that 453 00:27:33,080 --> 00:27:35,679 Speaker 1: starts like that. I feel like I always hear covers 454 00:27:35,720 --> 00:27:40,000 Speaker 1: of that one and the originals like so so good. Yeah, 455 00:27:40,320 --> 00:27:43,080 Speaker 1: don't cover Andy Williams. Oh Please Come Home for Christmas 456 00:27:43,080 --> 00:27:45,879 Speaker 1: by Charles Brown, That's what it is. That's actually Christie. 457 00:27:45,880 --> 00:27:49,200 Speaker 1: I'm a good Man's list. Yeah. I'm kind of shocked 458 00:27:49,200 --> 00:27:52,399 Speaker 1: because he has a good here for for like, you know, hits, 459 00:27:52,800 --> 00:27:58,160 Speaker 1: and he didn't even put yeah anywhere Mariah carry slipping Bill, Yeah, 460 00:27:58,200 --> 00:28:01,800 Speaker 1: you're slipping alright. His list Julian Casablanca as I Wish 461 00:28:01,800 --> 00:28:05,080 Speaker 1: it was Christmas Today from SNL, which I do love 462 00:28:05,400 --> 00:28:08,440 Speaker 1: that song, and he was saying, you know, people don't 463 00:28:08,480 --> 00:28:11,480 Speaker 1: take it seriously because it was just like a SNL sketch. 464 00:28:11,600 --> 00:28:13,480 Speaker 1: I think is where it started, but he was saying 465 00:28:13,520 --> 00:28:16,560 Speaker 1: people should take it seriously, do some serious covers. This 466 00:28:16,640 --> 00:28:20,560 Speaker 1: is one that could be covered more. It has not been. 467 00:28:20,680 --> 00:28:23,560 Speaker 1: It has not reached it's apex. He has run the 468 00:28:23,640 --> 00:28:29,679 Speaker 1: Jewels Christmas fucking Miracle and that Charles Brown the Baby 469 00:28:29,760 --> 00:28:33,680 Speaker 1: Please Come Home for Christmas, which no, no more covers, 470 00:28:33,800 --> 00:28:36,840 Speaker 1: as well as that song that Anna was talking about 471 00:28:37,080 --> 00:28:45,280 Speaker 1: them that Terry Mark Carol Mark Carrol's I'd like Christmas 472 00:28:45,560 --> 00:28:49,400 Speaker 1: with you for you. Yeah. Peccaramos, new member of the 473 00:28:49,480 --> 00:28:52,760 Speaker 1: t DZ team, gave us Christmas in Harlem, which is 474 00:28:52,800 --> 00:28:54,360 Speaker 1: one that I hadn't listened to in a couple of 475 00:28:54,400 --> 00:28:56,400 Speaker 1: years and it was good, too good to get that 476 00:28:56,440 --> 00:29:00,680 Speaker 1: back in the in the rotation, I'm so, I was 477 00:29:00,720 --> 00:29:08,280 Speaker 1: like Christmas and Hollis, which that one really gets my 478 00:29:08,880 --> 00:29:12,920 Speaker 1: Christmas spirit going. Uh And along with that, I think 479 00:29:13,160 --> 00:29:15,640 Speaker 1: some not I don't know if this isn't really underrated, 480 00:29:15,640 --> 00:29:18,440 Speaker 1: but I feel like it should be really embraced more. 481 00:29:18,560 --> 00:29:21,240 Speaker 1: Is the Vince Gruar wality trios Christmas Time is here 482 00:29:21,320 --> 00:29:24,840 Speaker 1: from the Charlie Brown. Yeah, but see everyone knows the 483 00:29:24,880 --> 00:29:27,479 Speaker 1: one with with the chorl version with the kids singing 484 00:29:27,880 --> 00:29:31,440 Speaker 1: the instrumental one is fucking really good because it's got 485 00:29:31,480 --> 00:29:34,560 Speaker 1: some great piano solos, and for me, that's another kind 486 00:29:34,560 --> 00:29:38,400 Speaker 1: of Christmas movie. I like that's like instrumental and just soothing, 487 00:29:38,440 --> 00:29:40,800 Speaker 1: but also it is interesting enough that you listen and 488 00:29:40,800 --> 00:29:42,840 Speaker 1: you go, oh look, I like, okay, I like that 489 00:29:42,840 --> 00:29:45,520 Speaker 1: little note there. And another one I got a big 490 00:29:45,600 --> 00:29:48,040 Speaker 1: up is the Sharon Jones and the Dad Kings. It's 491 00:29:48,120 --> 00:29:51,120 Speaker 1: it's a holiday soul party. That album is also really good. 492 00:29:51,480 --> 00:29:53,400 Speaker 1: It's a whole album. He just gave you a whole album. 493 00:29:53,480 --> 00:29:55,080 Speaker 1: I just did a whole album. Suck it, fuck it 494 00:29:55,720 --> 00:29:58,480 Speaker 1: rest in pieces Sharon Jones. But yeah, that is a 495 00:29:58,560 --> 00:30:03,160 Speaker 1: wonderful album. Like of like covers that you know you're like, 496 00:30:03,160 --> 00:30:05,080 Speaker 1: you're not you're not mad at him, and they actually 497 00:30:05,120 --> 00:30:07,560 Speaker 1: they're good for like a you know, more festive, because 498 00:30:07,600 --> 00:30:10,600 Speaker 1: sometimes Christmas music can be a little demure. You know, 499 00:30:10,600 --> 00:30:14,760 Speaker 1: this is just something lacking energy sometimes. Yeah, my number 500 00:30:14,880 --> 00:30:19,600 Speaker 1: really uhoul to check out that may Mark Mary Carry. 501 00:30:19,640 --> 00:30:22,920 Speaker 1: So this one for uh is the does this qualify 502 00:30:23,120 --> 00:30:26,160 Speaker 1: as like being part of Anna's bit because I don't 503 00:30:26,200 --> 00:30:28,160 Speaker 1: know how big this one is, But have you Christmas 504 00:30:28,320 --> 00:30:30,760 Speaker 1: with featuring Toots in the May Tolls. Do you know 505 00:30:30,800 --> 00:30:36,400 Speaker 1: that one? Dan dun dunt duh? Happy Christmas? Don't do 506 00:30:37,440 --> 00:30:41,880 Speaker 1: um anyways, that's mine. It's very joyous byron Lee and 507 00:30:41,920 --> 00:30:45,360 Speaker 1: the Dragonaires is the are the artists and then it 508 00:30:45,400 --> 00:30:47,840 Speaker 1: features Toots in the May Tolls and it's just sounds 509 00:30:47,840 --> 00:30:52,400 Speaker 1: like a party. Um. Then my favorite melancholic one is 510 00:30:52,440 --> 00:30:55,600 Speaker 1: two thousand Miles by Pretenders. I like that one. Do 511 00:30:55,640 --> 00:30:57,840 Speaker 1: you like a melancholie track to something that gives you 512 00:30:57,880 --> 00:31:00,160 Speaker 1: some something to be thankful for during the holidays? Are 513 00:31:00,240 --> 00:31:03,280 Speaker 1: just like you know, you're not with your loved ones. Actually, like, 514 00:31:04,080 --> 00:31:07,680 Speaker 1: I don't know, Christmas doesn't make me sad necessarily, but 515 00:31:07,760 --> 00:31:13,400 Speaker 1: I do love a melancholy like Christmas track where maybe 516 00:31:13,440 --> 00:31:18,360 Speaker 1: just for the schadenfreude of it all. Yeah, like these 517 00:31:18,400 --> 00:31:24,080 Speaker 1: sad ass losers and you're like, wait, walking TV dinner, 518 00:31:24,600 --> 00:31:28,680 Speaker 1: these sad losers walking by peering into my front window 519 00:31:28,680 --> 00:31:34,520 Speaker 1: while I'm eating a big Christmas goose. You know Doug 520 00:31:34,560 --> 00:31:38,920 Speaker 1: Bam who is you know one of our producers here, 521 00:31:39,240 --> 00:31:42,880 Speaker 1: a Grammy winner. You might know him from Lost Culture This. 522 00:31:43,040 --> 00:31:45,120 Speaker 1: He's Doug you on there? You know I had a 523 00:31:45,160 --> 00:31:47,320 Speaker 1: call with him today. He gave me father Christmas by 524 00:31:47,360 --> 00:31:50,600 Speaker 1: The Kinks as his Underrated Christmas cham So go check 525 00:31:50,640 --> 00:31:53,120 Speaker 1: that ship out. Um, maybe we can in the description 526 00:31:53,200 --> 00:31:56,080 Speaker 1: put all the all the songs that we do, recommending 527 00:31:56,160 --> 00:31:59,240 Speaker 1: you can you can go hit up a playlist. Yeah, 528 00:31:59,400 --> 00:32:00,840 Speaker 1: I think we might do that. I think I can 529 00:32:00,880 --> 00:32:05,000 Speaker 1: do that. Wow, really look at us, although look no 530 00:32:05,080 --> 00:32:07,080 Speaker 1: promises about that one. Anna was saying, I don't know 531 00:32:07,080 --> 00:32:13,240 Speaker 1: where we're gonna get Miracle Carners every time. Ms U. Yeah, 532 00:32:13,440 --> 00:32:16,480 Speaker 1: like that's because we will probably do the playlist on 533 00:32:16,520 --> 00:32:20,600 Speaker 1: Spotify and like they have some obscure ship but like 534 00:32:20,760 --> 00:32:24,040 Speaker 1: it's not like they're not. Sometimes you get Spotify and 535 00:32:24,160 --> 00:32:27,080 Speaker 1: Apple and Amazon's like, you know, you have every track, 536 00:32:27,160 --> 00:32:30,920 Speaker 1: but we'll fingers crossed it's on there somewhere on the internet. Yeah, 537 00:32:31,920 --> 00:32:35,040 Speaker 1: all right, Anna, thank you so much for for hanging 538 00:32:35,040 --> 00:32:38,080 Speaker 1: around with us. I know you have to jump. Yeah, 539 00:32:38,120 --> 00:32:40,560 Speaker 1: I'm actually kind. I'm working on this campaign to get 540 00:32:40,600 --> 00:32:42,760 Speaker 1: all I want for Christmas. My Maria carry a lot 541 00:32:42,800 --> 00:32:46,480 Speaker 1: more popularized during this time of year. So um, you know, guys, 542 00:32:46,520 --> 00:32:49,120 Speaker 1: I gotta go do the hard work, you know, really, 543 00:32:49,160 --> 00:32:51,400 Speaker 1: like people know what the song exists and more people 544 00:32:51,400 --> 00:32:53,240 Speaker 1: should be listening to it and it should be saying 545 00:32:53,240 --> 00:32:55,960 Speaker 1: it karaokemar right, and check out her change dot org 546 00:32:56,000 --> 00:32:58,479 Speaker 1: petition that she started just so we can get as 547 00:32:58,560 --> 00:33:00,560 Speaker 1: much support on that as well. Please, So just in 548 00:33:00,560 --> 00:33:03,960 Speaker 1: case anyone missing, It's all I Want for Christmas is 549 00:33:04,120 --> 00:33:07,960 Speaker 1: You by Mariah m A R A h carry c 550 00:33:08,280 --> 00:33:10,880 Speaker 1: A r e y. So go look that up. It's 551 00:33:11,000 --> 00:33:12,320 Speaker 1: you know, I think it might be a little hard 552 00:33:12,360 --> 00:33:15,520 Speaker 1: to come up. You know, very little plays on Spotify, 553 00:33:15,720 --> 00:33:18,040 Speaker 1: so you know, do your best to find it and 554 00:33:18,040 --> 00:33:19,760 Speaker 1: then yeah, tweet me and let me know how you 555 00:33:19,760 --> 00:33:21,800 Speaker 1: like the song. I would love to hear everyone's thoughts 556 00:33:21,800 --> 00:33:26,880 Speaker 1: on if they like this song or not. Yeah, all right, thanks, 557 00:33:27,160 --> 00:33:31,720 Speaker 1: all right, Well that has been uh this uh forty 558 00:33:31,760 --> 00:33:36,000 Speaker 1: minute long bit um. We hope I hope you learned 559 00:33:36,040 --> 00:33:40,600 Speaker 1: some new tracks. I hope got furious by one of 560 00:33:40,600 --> 00:33:43,240 Speaker 1: our takes on one of one of these songs. All 561 00:33:43,280 --> 00:33:45,600 Speaker 1: the above, We hope you're having a great Christmas and 562 00:33:45,640 --> 00:33:48,400 Speaker 1: you are with your loved ones and not uh just 563 00:33:48,480 --> 00:33:54,520 Speaker 1: listening to melancholy Christmas music about Christmas. Invite me. Yeah 564 00:33:54,840 --> 00:33:58,760 Speaker 1: all right, Well that has been one of our holiday 565 00:33:58,800 --> 00:34:03,720 Speaker 1: episodes and we'll be back with more of these and less. 566 00:34:03,760 --> 00:34:06,959 Speaker 1: This is the last one we release, unless some kind 567 00:34:07,000 --> 00:34:10,520 Speaker 1: of a cataclysmic Earth event occurs, in which case blame 568 00:34:10,560 --> 00:34:15,879 Speaker 1: it on that. Yes, all right, guys, uh back with more, 569 00:34:17,040 --> 00:34:19,480 Speaker 1: probably tomorrow. I don't I don't know what day we're 570 00:34:19,480 --> 00:34:21,200 Speaker 1: going to release us. Don't worry, but no one does 571 00:34:21,920 --> 00:34:27,719 Speaker 1: the schedule. I'm sorry, Okay, alright, bye, Happy holidays.