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Speaker 1: Episode four eighty one, we'll talk to George Berge, who

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Speaker 1: had a number one song with Mind on You, but

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Speaker 1: now he's trying to have a second and what the

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Speaker 1: difference is in getting that first in the second, and

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Speaker 1: how his lifestyle has changed. And so George Burge also

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Speaker 1: the famous person who went to college with that's pretty cool.

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Speaker 1: We're also going to play a game show where I

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Speaker 1: had one hundreds of dollars and I was giving it away.

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Speaker 1: That's pretty fun. So that's coming up as well, and

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Speaker 1: we'll get to the Grammy nominees and so mostly we'll

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Speaker 1: talk about the country stuff and just a bit of

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Speaker 1: the rules. But let me do George first. All right,

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Speaker 1: welcome to the episode George Burge here on the Bobby Cast.

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Speaker 1: We'll start with that.

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Speaker 2: George, Hey, Hey, what's up, buddy.

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Speaker 1: Okay, so we were looking at the chart and we

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Speaker 1: see the cowboy songs. I think it's a ten?

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Speaker 3: Is that? Is that right? You know?

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Speaker 2: Do you want your ten? Yeah? Somewhere in that range. Yeah.

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Speaker 1: Okay, so you said nine or ten, so maybe it's nine?

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Speaker 1: Is it nine? And you're just saying nine or ten

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Speaker 1: has to not make me look bad.

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Speaker 2: I think it will hopefully print at nine this week.

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Speaker 1: Okay, so it's probably nine and he's being humble about it.

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Speaker 3: That's typical, George.

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Speaker 1: Sure. So the question that I have is you had

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Speaker 1: a number one song with Come On You, and we

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Speaker 1: kind of talked about what it felt like to go

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Speaker 1: from being an artist with no hits, and you know,

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Speaker 1: you were in a duo and you were writing, and

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Speaker 1: you were a solo artist and you're struggling, and then

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Speaker 1: you get your first number one. But we rarely talk

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Speaker 1: to people as they're getting their second number one and

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Speaker 1: what that dynamic change is from your first to your second,

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Speaker 1: because then I feel like it's probably like kids after

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Speaker 1: have you get three, four or five? I don't know. Yeah,

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Speaker 1: it don't take a name after that, Yeah, but like

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Speaker 1: one to two, there's probably like a significant change there. Dressful,

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Speaker 1: What has been the difference with this song being a success?

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Speaker 1: Are people treating you different? Is your pay going up?

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Speaker 3: Like?

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Speaker 1: What has changed in the past year with the second

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Speaker 1: song it's about to be a hit?

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Speaker 4: I think everything I think with every number one you have,

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Speaker 4: and I'll tell you you, guys, if I stack four

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Speaker 4: or five together and I start to feel differently, but

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Speaker 4: I feel like with every number one you have, like

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Speaker 4: everything just feels like it doubles in size, like the

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Speaker 4: way people treat you, the way that you're getting paid

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Speaker 4: for shows. I've been able to hire a couple of

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Speaker 4: new people in my crew for like more support, and

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Speaker 4: like I've had crowds start getting bigger even still than

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Speaker 4: they were just for Mind on You and then for me,

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Speaker 4: like as an artist, I like was over the moon

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Speaker 4: excited when Mind on You when number one, But at

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Speaker 4: the same time, I was also kind of like, oh crap,

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Speaker 4: like I have to follow this up right, Like there's

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Speaker 4: eyes on me now, like there's pressure on me now.

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Speaker 4: Before it was like, Okay, this is a wild shot.

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Speaker 4: I'm just swinging for the fences and hope I hit something.

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Speaker 4: And now it's like, all right, I have a standard

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Speaker 4: and I have to you know, kind of match that.

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Speaker 4: And so when I wrote Cowboy Songs, I knew that

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Speaker 4: that was like the magic one that was going to

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Speaker 4: be the next single. But I'm starting to feel that again,

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Speaker 4: like Okay, what's number three going to be? How are

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Speaker 4: we going to back this up? And it's a really

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Speaker 4: exciting problem to have, but it's wild to, you know,

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Speaker 4: feel that pressure constantly of like, Okay, what's next new music?

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Speaker 4: How am I going to grow as an artist? How

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Speaker 4: am I going to keep connecting with fans? So it's

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Speaker 4: been really exciting that and we get a lot of

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Speaker 4: free stuff, so.

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Speaker 1: Which is that It is a really cool part of it.

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Speaker 1: And I can tell you just from like my experience

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Speaker 1: and my weird baptism into having like a little bit

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Speaker 1: of fame for a minute and then not really then

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Speaker 1: a little bit more and whenever, because it's it doesn't

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Speaker 1: exist forever, it's not real it, it doesn't last. People

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Speaker 1: are fickle, but when you are this shiny penny, people

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Speaker 1: do treat you way different. It's of course, you got

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Speaker 1: a bunch of free stuff. People are offering to send

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Speaker 1: you places. You're getting free close, Hey, we'll dress you

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Speaker 1: for this stuff. And you know, once I started to

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Speaker 1: like have some success and have some money, people, that's

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Speaker 1: why everybody start offered me the free stuff. And I

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Speaker 1: was like, no, I can kind of afford it now.

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Speaker 1: It was weird. It was like, I actually can afford it.

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Speaker 1: I don't really need it as much now. But I've

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Speaker 1: been to the point too where it's been like really good.

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Speaker 1: And then it's trickled away. And I've been the same

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Speaker 1: exact person with the same exact people, and they treat you,

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Speaker 1: even in this town like people treat you a bit different.

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Speaker 1: Whenever you have a hit and you're about to have

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Speaker 1: a second hit, how about rights do you get people

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Speaker 1: willing to write with you a lot easier.

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Speaker 2: That's been the wildest part for me.

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Speaker 4: I think, you know, and look like every writer only

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Speaker 4: has so much creative juice, only has so much energy

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Speaker 4: to put into stuff, so like they want to chase

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Speaker 4: the stuff that they think they can potentially have a

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Speaker 4: hit song. So you can never blame anybody from coming

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Speaker 4: out of the woodwork and like trying to jump on

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Speaker 4: a project. But you know, I went from having my

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Speaker 4: small circle that I write songs with and that I

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Speaker 4: knew I write well with, to my phone blowing up

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Speaker 4: every single I mean every single.

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Speaker 2: Day, not an exaggeration.

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Speaker 4: I will wake up to four songs in my inbox

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Speaker 4: or text messages being like, hey man, I think this

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Speaker 4: is a hit for you, Hey man, I think this

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Speaker 4: is a hit for people I hadn't heard from in years,

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Speaker 4: or people I've never met, or hey, I got your

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Speaker 4: number from so and so sending you a song.

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Speaker 2: It's the most flattering thing in the world.

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Speaker 4: But it's also like you can so easily get lost

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Speaker 4: being like, oh, well, maybe I need to chase this direction,

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Speaker 4: or maybe I need to grow and do this and

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Speaker 4: kind of get away from what brought you to the

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Speaker 4: dance of the reason that you started to have success

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Speaker 4: in the first place.

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Speaker 2: And so that's been something I've been trying to navigate.

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Speaker 4: And I've been really blessed to have, you know, my

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Speaker 4: original group of friends that I wrote with, like continue

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Speaker 4: to write with me and know who I am and

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Speaker 4: what I want to say. And you know, we do

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Speaker 4: add some different people to the room and try to

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Speaker 4: add a different dynamic, but it is there is so

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Speaker 4: much noise that starts to come. And like if you

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Speaker 4: don't have a really good foundation, like knowing who you

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Speaker 4: are and knowing who your friends are and knowing what

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Speaker 4: real relationships are, like people that genuinely have cared about

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Speaker 4: you before you had something for them to benefit from,

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Speaker 4: versus people that will be gone the day that your

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Speaker 4: success is gone. And that's the kind of the thing

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Speaker 4: that you have to learn how to balance. And like

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Speaker 4: our business managers, you know, when you get into this

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Speaker 4: industry and you sit down and you're like, holy crap,

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Speaker 4: I made money, like real money for the first time

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Speaker 4: this year, like in my life. And you kind of

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Speaker 4: can get delusional and think that that will last forever too,

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Speaker 4: And in your business maner, it'll tell you like in

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Speaker 4: this industry, like you're gonna make ninety percent of the

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Speaker 4: money for the rest of your life in a five

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Speaker 4: year window, and if you're lucky, really lucky, you might

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Speaker 4: have a ten year window.

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Speaker 2: But that's it.

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Speaker 4: Like it burns hot and fast and it's gone, and

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Speaker 4: so I know it's not forever.

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Speaker 5: I was.

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Speaker 4: I had a blessed life before this stuff took off,

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Speaker 4: and I know I'll have a blessed life after it

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Speaker 4: takes off, with just having real friends and people around me.

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Speaker 4: And I'm just trying to have fun while I'm in

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Speaker 4: the window, while I'm in the pocket.

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Speaker 1: I librate on that because I think that's that's pretty profound.

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Speaker 1: I've had people said to me as well, it's like, hey,

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Speaker 1: you have a few years to make most of what

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Speaker 1: you're gonna make, So does that mean and are you

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Speaker 1: conscious of like saving a lot now because or are

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Speaker 1: you reinvesting most stuff like what are you doing?

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Speaker 2: Yeah, saving and reinvesting.

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Speaker 4: What I'm trying not to do is like spend it

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Speaker 4: on watches and cars, you know what I mean, Like

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Speaker 4: put it away to where like I can do something

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Speaker 4: with it down the road, because you know, and I

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Speaker 4: know what it's like to have not had money before too,

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Speaker 4: and so it's it doesn't change much, and it's just

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Speaker 4: like I'm trying to put it away for a rainy

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Speaker 4: day because I know it's not going to come like

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Speaker 4: this forever and so when when that? I mean, look,

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Speaker 4: we're in the entertainment industry. You know, you you're the

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Speaker 4: new hot thing for a little while, and that excites people,

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Speaker 4: but you know that doesn't last forever, and there's always

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Speaker 4: a newer, fresher thing coming on. And I'm going to

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Speaker 4: try to keep making authentic music and connecting with my fans.

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Speaker 2: And I've been really lucky.

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Speaker 4: To have that connection so far, and I think I've

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Speaker 4: got some fans that'll stay with me for a long time.

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Speaker 4: But you never know when that turns off, and so

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Speaker 4: it's you try to give yourself a little safety net,

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Speaker 4: a little egg that you know when when that does

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Speaker 4: turn off, that you'll have something to fall back on

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Speaker 4: at the end.

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Speaker 1: What's a week look like for you? Generally speaking?

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Speaker 4: I work seven days a week for the most part

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Speaker 4: now towards the end of the year, like and I

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Speaker 4: call it work like. It's my favorite thing in the

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Speaker 4: world to do. That's what I would be doing if

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Speaker 4: it wasn't my job. But I'm Monday, Tuesday, Wednesday, and

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Speaker 4: usually I'll get up, I'll work out, and then I'll

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Speaker 4: have a write.

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Speaker 2: Usually from eleven to three I'll write a song.

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Speaker 4: I'll go into town to music row, a producer's studio,

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Speaker 4: and then one of my favorite riders will come in

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Speaker 4: and you know, three or four of us in a

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Speaker 4: room and we'll try to catch magic. It's just like

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Speaker 4: going fishing. You know, you wet a line every day.

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Speaker 4: Most days you don't catch anything, and you catch something small,

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Speaker 4: but you hope, you know, every couple of months you

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Speaker 4: might catch something worth hanging on the wall.

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Speaker 2: And that's kind of what we do. Monday through Wednesday.

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Speaker 4: We go fishing for a hit song and then Wednesday night,

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Speaker 4: you know, come home, hang with the family, and then

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Speaker 4: we have what's called bus call, where you go meet

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Speaker 4: in a Walmart parking lot. Everybody parks their trucks and

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Speaker 4: you get on the bus, and the bus leaves about midnight,

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Speaker 4: and you wake up in the city that you're playing

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Speaker 4: on Thursday morning. You play Thursday, Friday, Saturday on the road,

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Speaker 4: and then you wake up back in a Walmart parking

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Speaker 4: lot on Sunday and do it again next week.

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Speaker 1: Does your family go on the road with you at all?

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Speaker 2: They've started to. Yeah.

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Speaker 4: The new bus that I'm on has a big bedroom

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Speaker 4: in the back, and so I've got to where Kara

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Speaker 4: and the boys will sleep in the big bed in

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Speaker 4: the back, and then I'll sleep in a bunk and

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Speaker 4: then we'll have them on the road, but only on

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Speaker 4: kind of short trips. Usually when they come on the road,

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Speaker 4: they'll fly in and out, just because my boys are

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Speaker 4: young and running around and they're attention span is not

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Speaker 4: too long, so being stuck on a twenty four hour

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Speaker 4: bus trip is a little tough for them.

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Speaker 2: Sometimes.

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Speaker 1: Have you heard your song randomly anywhere everywhere?

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Speaker 4: And that's I think the coolest part is like it

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Speaker 4: still has not gotten old to me.

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Speaker 5: But I mean.

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Speaker 2: Cracker Barrel, Target, Walmart, O'Reilly Auto Parts.

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Speaker 4: It's like any anywhere I go, I hear it, and

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Speaker 4: it's really fun for me to like get text from

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Speaker 4: people that I went to high school with in Austin

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Speaker 4: or you know, like people I went to college with

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Speaker 4: that I hadn't talked to him forever, but I still

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Speaker 4: have some cool memories of being like, hey, man, just

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Speaker 4: heard your song today and made me thank you, and

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Speaker 4: like just they still have that connection of the people

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Speaker 4: that saw me, you know, in my awkward phase playing

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Speaker 4: to ten people at a dive bar in Austin. Now

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Speaker 4: getting to you know, reconnect and see that we've had

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Speaker 4: a little success.

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Speaker 2: That's a really fun feeling for me.

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Speaker 1: Something I did not know about George and I think

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Speaker 1: he's okay sharing this is at the University of Texas

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Speaker 1: where he went to school. His like his little brother

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Speaker 1: in the fraternity is now very famous. Have you talked

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Speaker 1: about this publicly.

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Speaker 4: I don't know if I've said it in an interview before,

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Speaker 4: but yeah, Glenn Powell was my little brother in my

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Speaker 4: fraternity at the University of Sectionist and he's now like

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Speaker 4: the sexiest man in the world and in every movie that.

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Speaker 2: You've ever seen.

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Speaker 4: And he was always a stud and he would go

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Speaker 4: out to la and do the acting thing, even when

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Speaker 4: we're in college, we all kind of knew that he

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Speaker 4: was going to have that path, but to see him

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Speaker 4: blow up into like the biggest movie star in the

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Speaker 4: world right now, it has been so fun for me

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Speaker 4: to watch. And he actually came out in Atlanta the

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Speaker 4: other day when we played a show and we text

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Speaker 4: each other, and one really cool thing was it was

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Speaker 4: probably less cool for him than it was for me,

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Speaker 4: But I got to play Jimmy Fallon earlier this year,

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Speaker 4: this Night Show, which is like the biggest.

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Speaker 2: Thing I've ever done.

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Speaker 4: And Glenn was on Jimmy Fallon two weeks after I was,

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Speaker 4: and he texted me and he's like, hey man, pretty wild.

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Speaker 2: A few years after we went to college, we're both

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Speaker 2: on the Tonight Show. So that was like, that was

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Speaker 2: pretty small world, surreal moment for me.

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Speaker 1: Explain, little brother. Is everybody that comes in after you

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Speaker 1: a little brother or is there like a specific like

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Speaker 1: one on one little brother thing.

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Speaker 4: Yeah, there's a one on one little brother thing, like

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Speaker 4: where you have that relationship and like you're kind of

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Speaker 4: like the mentor help them.

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Speaker 2: Like, you know, navigate the wildness. That is a fraternity

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Speaker 2: at the University of Texas.

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Speaker 1: So you were his big brother one on one. He

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Speaker 1: was your little brother.

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Speaker 2: Yeah, yeah, he was my guy.

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Speaker 3: Crazy cool.

283
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Speaker 2: They have abs, Yeah, he's always been jacked.

284
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Speaker 3: Really.

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Speaker 1: Where are you at right now?

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Speaker 2: I'm in Chicago.

287
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Speaker 4: We're playing a headlining show out here at Joe's on

288
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Speaker 4: Weed Street, which is pretty surreal. I'm usually used to

289
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Speaker 4: seeing my name at the bottom of the Marquis, so

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Speaker 4: seeing at the top is pretty cool. And we're gonna

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Speaker 4: have a big old show out here tonight.

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Speaker 1: Three final questions for you. Obviously, you get paid when

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Speaker 1: you do a show, but how do you get paid

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Speaker 1: as a songwriter? How does that money come?

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Speaker 4: So they have these collection companies called p r OS.

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Speaker 4: I can't remember what it stands for, but as cat

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Speaker 4: BMI and C sack And basically what they do is

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Speaker 4: they go collect royalties anytime your song's played on the

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00:11:57,200 --> 00:11:59,400
Speaker 4: radio or a commercial or anything like that, and they

300
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Speaker 4: pay it out quarterly and lump sums to you and

301
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Speaker 4: so like, if there's four writers in the room, you know,

302
00:12:05,600 --> 00:12:08,880
Speaker 4: that number will get chopped four ways and you kind

303
00:12:08,880 --> 00:12:11,560
Speaker 4: of get a distribution, you know, every few months from

304
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Speaker 4: that and.

305
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Speaker 2: The number one song on.

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Speaker 4: The radio the radio is is what everybody's everybody's chasing

307
00:12:18,160 --> 00:12:19,959
Speaker 4: the radio. A number one song on the radio is

308
00:12:20,480 --> 00:12:23,080
Speaker 4: the dream for any writer. That's like, you know, where

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00:12:23,120 --> 00:12:26,080
Speaker 4: you can make some real money. And that's why everybody

310
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Speaker 4: is crazy about, you know, trying to have singles. But

311
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Speaker 4: that's that's the way we get paid on that. And

312
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Speaker 4: I would say I'm probably fifty percent of what I

313
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Speaker 4: make is for my songwriting and fifty percent for my touring.

314
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Speaker 2: So it's about an even split.

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Speaker 1: Is it a direct deposit that goes into your account,

316
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Speaker 1: and it doesn't all come at once, right, Like it

317
00:12:43,280 --> 00:12:45,400
Speaker 1: comes based on like the wave of how the song

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Speaker 1: is climbing.

319
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Speaker 4: Exactly, and it's usually like nine months delayed. So like

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Speaker 4: what I made nine months ago, I'll get paid today.

321
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Speaker 4: And for ten years, you know, my royalties were less

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Speaker 4: than a hundred, like just.

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Speaker 2: Nothing, right, nothing, nothing, nothing.

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Speaker 4: And then I had the number one song in mind

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Speaker 4: on you and I literally just woke up one day

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Speaker 4: and my bank account had an extra comment in it,

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Speaker 4: and I.

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Speaker 2: Blew my mind.

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Speaker 4: Exactly exactly, but it was it was one of the

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Speaker 4: coolest feelings that I've had in my entire life.

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Speaker 1: So yeah, all right, two final questions. You are rated

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00:13:26,240 --> 00:13:29,800
Speaker 1: number two overall on the pickleball league. Bones court kills me.

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00:13:30,080 --> 00:13:32,320
Speaker 1: What would you like? Well, I think that's pretty good.

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00:13:32,520 --> 00:13:36,240
Speaker 4: Really good rating there kills me that I can't beat you.

335
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Speaker 1: There's seven people in the league. I don't know what

336
00:13:38,600 --> 00:13:40,800
Speaker 1: what would you like to say about your standing at

337
00:13:40,880 --> 00:13:43,080
Speaker 1: ranked at number two? And who would you, you know,

338
00:13:43,200 --> 00:13:44,199
Speaker 1: like to talk a little trash to?

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Speaker 4: You know, I kind of equate myself to that, to

340
00:13:47,320 --> 00:13:49,280
Speaker 4: that young pitcher out of high school. He's throwing one

341
00:13:49,320 --> 00:13:51,000
Speaker 4: hundred and five, but he doesn't really know how to

342
00:13:51,320 --> 00:13:55,080
Speaker 4: control the fastball yet. He gets a ticket straight to

343
00:13:55,120 --> 00:13:58,320
Speaker 4: the show, but he kind of has to finesse some

344
00:13:58,400 --> 00:13:59,520
Speaker 4: of the intangibles.

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Speaker 2: And that's what I'm working on right now.

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00:14:01,080 --> 00:14:05,400
Speaker 4: And uh, Bobby is a is a workhorse. He's disciplined,

347
00:14:06,000 --> 00:14:08,680
Speaker 4: hard to rattle, and he's just there's not really any

348
00:14:08,679 --> 00:14:11,720
Speaker 4: holes in his game. And so I'm just kind of

349
00:14:11,720 --> 00:14:13,959
Speaker 4: trying to figure out. I keep chipping away at the farmer,

350
00:14:14,040 --> 00:14:15,880
Speaker 4: but I haven't quite found the hole in it yet,

351
00:14:15,880 --> 00:14:18,760
Speaker 4: but I do know that that's coming. And then the

352
00:14:18,800 --> 00:14:21,920
Speaker 4: other five below me, I could probably be left handed.

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00:14:21,920 --> 00:14:22,760
Speaker 2: I'm not worried about them.

354
00:14:22,840 --> 00:14:26,520
Speaker 1: Yeah, yeah, sure that's true. We were talking with Kickoff

355
00:14:26,600 --> 00:14:29,480
Speaker 1: Kevin yesterday and he said, he's like, I feel like

356
00:14:29,520 --> 00:14:31,800
Speaker 1: I've almost got up. Bobby figured out he got me.

357
00:14:31,840 --> 00:14:33,680
Speaker 1: He does me me seven one, seven seven one because

358
00:14:33,680 --> 00:14:36,880
Speaker 1: I'm so close, and I'm like, but if it's if

359
00:14:36,880 --> 00:14:39,960
Speaker 1: it's seven to one, it's not really that close, you know. Okay,

360
00:14:40,680 --> 00:14:43,840
Speaker 1: final question. I really don't have a final question. I

361
00:14:43,880 --> 00:14:45,280
Speaker 1: just said the number three and thought i'd have a

362
00:14:45,320 --> 00:14:47,080
Speaker 1: three point Do you have one?

363
00:14:47,640 --> 00:14:49,920
Speaker 3: A Cowboys fan? George George the Cowboys fan, but he

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00:14:50,000 --> 00:14:51,560
Speaker 3: the last time we talked, he said he's gonna quit

365
00:14:51,600 --> 00:14:52,160
Speaker 3: on the Cowboys.

366
00:14:52,160 --> 00:14:52,680
Speaker 5: Okay, have you.

367
00:14:52,720 --> 00:14:54,880
Speaker 4: Quot the corying to quit the Cowboy I've been trying

368
00:14:54,920 --> 00:14:57,520
Speaker 4: to quit the Cowboys for ten years, but I just can't.

369
00:14:57,600 --> 00:14:57,760
Speaker 3: Man.

370
00:14:58,080 --> 00:15:02,040
Speaker 4: I'd rather feel misery then feel nothing at all. And

371
00:15:02,160 --> 00:15:04,000
Speaker 4: anytime I try to root for another team, I just

372
00:15:04,040 --> 00:15:06,440
Speaker 4: feel nothing. And so you know, that's where I'm at

373
00:15:06,480 --> 00:15:09,360
Speaker 4: with the Cowboys. You know, ride or die, and it.

374
00:15:09,320 --> 00:15:10,960
Speaker 2: Looks like I'm gonna be a lifer at this point.

375
00:15:11,040 --> 00:15:12,400
Speaker 2: So that's that's what we get.

376
00:15:12,920 --> 00:15:15,160
Speaker 1: You guys can follow George at George Burge have a

377
00:15:15,200 --> 00:15:17,600
Speaker 1: good show tonight, buddy, And hey, you're number two in

378
00:15:17,680 --> 00:15:20,520
Speaker 1: my heart number two on the scoreboard. One day he'll

379
00:15:20,520 --> 00:15:24,840
Speaker 1: give me. He's good, He's really good. Actually, I don't

380
00:15:24,840 --> 00:15:28,120
Speaker 1: have the ceiling that he has. I think I'm at

381
00:15:28,120 --> 00:15:31,600
Speaker 1: my ceiling. I think George is just starting, so his

382
00:15:31,680 --> 00:15:34,320
Speaker 1: ceiling is much higher. You'll get me. You'll get me

383
00:15:34,320 --> 00:15:35,200
Speaker 1: one day, young fellow.

384
00:15:36,320 --> 00:15:37,640
Speaker 2: A minute, but I'm working on it, all.

385
00:15:37,640 --> 00:15:40,000
Speaker 1: Right, buddy, talk to you soon, George, see you, guys.

386
00:15:40,320 --> 00:15:40,520
Speaker 5: Dude.

387
00:15:41,160 --> 00:15:43,800
Speaker 6: Let's take a quick pause for a message from our sponsor,

388
00:15:52,640 --> 00:15:54,880
Speaker 6: and we're back on the Bobby Cast.

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Speaker 1: All right, So this is a game show of sorts

390
00:15:57,360 --> 00:16:00,920
Speaker 1: where Eddie, you will actually play, but you can win

391
00:16:00,960 --> 00:16:03,960
Speaker 1: no money. Oh but if either Morgan, who has joined

392
00:16:04,000 --> 00:16:05,800
Speaker 1: the game, in Abbey, who has joined the game, beat you,

393
00:16:05,840 --> 00:16:09,520
Speaker 1: they win one hundred dollars. What but you should know

394
00:16:09,560 --> 00:16:12,040
Speaker 1: the stuff. Okay, but if either.

395
00:16:13,000 --> 00:16:15,920
Speaker 3: So I'm the one stopping them from winning one hundred dollars.

396
00:16:15,960 --> 00:16:17,960
Speaker 1: Now you two can decide. You can play individually and

397
00:16:18,040 --> 00:16:19,360
Speaker 1: if you win, you win one hundred bucks, or you

398
00:16:19,360 --> 00:16:21,640
Speaker 1: can play together and if you win, you split it

399
00:16:21,680 --> 00:16:22,520
Speaker 1: and you get fifty each.

400
00:16:22,920 --> 00:16:23,080
Speaker 5: Oh.

401
00:16:23,120 --> 00:16:24,960
Speaker 7: I feel like two brains are better than one, especially

402
00:16:25,040 --> 00:16:25,560
Speaker 7: our brains.

403
00:16:25,600 --> 00:16:26,800
Speaker 8: That's true, that's true.

404
00:16:26,840 --> 00:16:29,320
Speaker 1: Okay, that's true. You guys are gonna play together and

405
00:16:29,400 --> 00:16:32,480
Speaker 1: if your score beats Eddie's, you'll get thee hundred bucks. Eddie,

406
00:16:32,760 --> 00:16:33,760
Speaker 1: I want you to win.

407
00:16:33,880 --> 00:16:35,760
Speaker 3: Yeah, because you don't want to spend your money.

408
00:16:35,600 --> 00:16:40,240
Speaker 1: Right, So I have one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve,

409
00:16:40,240 --> 00:16:45,040
Speaker 1: thirty forty have twenty. A survey was done by US

410
00:16:45,080 --> 00:16:49,520
Speaker 1: Pop Culture where they talked two fans on artist trademarks.

411
00:16:49,680 --> 00:16:52,200
Speaker 1: They were given an artist and they were asked to

412
00:16:52,360 --> 00:16:56,360
Speaker 1: name the thing they know them for the most. It

413
00:16:56,480 --> 00:17:01,200
Speaker 1: has nothing to do with music, Okay, okay, So the

414
00:17:01,320 --> 00:17:03,960
Speaker 1: question is can you name what people think are each

415
00:17:04,080 --> 00:17:08,280
Speaker 1: of the artist trademarks? So what we will do is, Eddie,

416
00:17:08,280 --> 00:17:10,800
Speaker 1: you will write your answer down, okay, and once you're

417
00:17:10,840 --> 00:17:13,760
Speaker 1: in we can you guys can talk it out. Okay, Okay,

418
00:17:14,000 --> 00:17:16,840
Speaker 1: I like. So again, it's not gonna be music. It's

419
00:17:16,920 --> 00:17:20,000
Speaker 1: not gonna be a song. It's gonna be what as

420
00:17:20,119 --> 00:17:23,560
Speaker 1: people or as like a brand they're known for it

421
00:17:23,600 --> 00:17:27,200
Speaker 1: that's not a song or music related. Okay, Okay, up first,

422
00:17:27,520 --> 00:17:32,680
Speaker 1: Michael Jackson, Oh no, Now the question I have, Mike,

423
00:17:33,240 --> 00:17:35,600
Speaker 1: are we gonna go to podcast prison for playing this

424
00:17:35,680 --> 00:17:36,440
Speaker 1: music in the background.

425
00:17:36,480 --> 00:17:37,600
Speaker 9: No, I got some free music.

426
00:17:37,720 --> 00:17:38,879
Speaker 1: Love it, love free music.

427
00:17:39,040 --> 00:17:39,800
Speaker 3: It's a good question.

428
00:17:39,960 --> 00:17:41,760
Speaker 1: So it also gives Addy some more time to think. Here,

429
00:17:42,280 --> 00:17:45,760
Speaker 1: Michael Jackson, what's he known for? Most has nothing to

430
00:17:45,800 --> 00:17:48,680
Speaker 1: do with music, and it can be anything.

431
00:17:48,320 --> 00:17:52,600
Speaker 3: Anything like even like dark stuff, bro, it can be whatever.

432
00:17:53,240 --> 00:17:54,560
Speaker 3: I don't even want to go there.

433
00:17:55,359 --> 00:17:58,439
Speaker 1: And you two, you know you can whisper about it.

434
00:17:58,440 --> 00:18:00,440
Speaker 1: Turn your MIC's, we write things down, whatever you want

435
00:18:00,440 --> 00:18:00,639
Speaker 1: to do.

436
00:18:04,119 --> 00:18:10,080
Speaker 3: Okay, I think Michael Jackson is probably known mostly.

437
00:18:10,800 --> 00:18:12,560
Speaker 1: Let me know when you get your answer written down,

438
00:18:12,560 --> 00:18:14,400
Speaker 1: because don't say it, because then I'm gonna have them

439
00:18:14,960 --> 00:18:15,720
Speaker 1: be able to say it.

440
00:18:17,359 --> 00:18:19,200
Speaker 3: Okay, I'm in all.

441
00:18:19,160 --> 00:18:21,000
Speaker 1: Right, let's you guys can talk about it or you

442
00:18:21,000 --> 00:18:22,680
Speaker 1: can give me an answer. But now you're free to talk.

443
00:18:23,080 --> 00:18:25,439
Speaker 10: Now we can talk about it. Oh, turn your mic on.

444
00:18:26,240 --> 00:18:28,439
Speaker 8: Wait, I think I think I know. Okay, what are

445
00:18:28,480 --> 00:18:33,320
Speaker 8: you to do with music? Moonwalking? But does that have

446
00:18:33,359 --> 00:18:34,000
Speaker 8: to do with music?

447
00:18:35,240 --> 00:18:38,919
Speaker 1: Well, if your answer was moonwalking, I would say that

448
00:18:39,040 --> 00:18:39,720
Speaker 1: is not a song.

449
00:18:41,240 --> 00:18:42,840
Speaker 10: Okay, So you're saying it's not related to.

450
00:18:42,880 --> 00:18:47,240
Speaker 1: Song, it's not related. Yes, that's okay.

451
00:18:47,520 --> 00:18:49,240
Speaker 7: So it could be moonwalking, but I feel like it

452
00:18:49,240 --> 00:18:50,439
Speaker 7: could also be the white glove.

453
00:18:50,480 --> 00:18:52,119
Speaker 10: He's very much done for that white glove.

454
00:18:52,200 --> 00:18:55,680
Speaker 7: I know, I know he's also some however, to say

455
00:18:55,720 --> 00:18:59,920
Speaker 7: it politically correct that he has white skin was the thing.

456
00:19:01,000 --> 00:19:02,480
Speaker 8: And then you have like an amusement park.

457
00:19:03,160 --> 00:19:03,680
Speaker 10: Yeah.

458
00:19:03,880 --> 00:19:04,879
Speaker 3: I love this conversation.

459
00:19:06,640 --> 00:19:08,760
Speaker 10: I'm well aware of with Michael Jackson.

460
00:19:08,800 --> 00:19:12,239
Speaker 11: Think the first thing I thought was moonwalking. You want

461
00:19:12,280 --> 00:19:15,200
Speaker 11: to go with go for it, moonwalking?

462
00:19:15,320 --> 00:19:17,920
Speaker 3: Okay, Eddie wanted your answer, Well, it's not moonwalking because

463
00:19:17,920 --> 00:19:20,240
Speaker 3: I felt like that had to do with music because

464
00:19:20,240 --> 00:19:22,800
Speaker 3: it's dancing. So I left that out and put hanging

465
00:19:22,800 --> 00:19:25,480
Speaker 3: a baby out of the window, like it.

466
00:19:27,680 --> 00:19:27,920
Speaker 5: Window.

467
00:19:28,440 --> 00:19:30,080
Speaker 3: Do you guys never remember that. I don't know that

468
00:19:30,119 --> 00:19:32,199
Speaker 3: one he held a baby outside his hotel window like

469
00:19:32,200 --> 00:19:33,080
Speaker 3: he's gonna drop it.

470
00:19:33,320 --> 00:19:35,960
Speaker 1: Well sort of that is what happened, but that's not

471
00:19:36,000 --> 00:19:37,199
Speaker 1: why he did it. There were like a bunch of

472
00:19:37,200 --> 00:19:40,480
Speaker 1: photographers media fans, and he was just like like ha ha,

473
00:19:40,560 --> 00:19:42,879
Speaker 1: look at everybody, look watch it. He was just it

474
00:19:42,920 --> 00:19:43,960
Speaker 1: was his It was a son.

475
00:19:44,080 --> 00:19:44,560
Speaker 3: That was weird.

476
00:19:44,640 --> 00:19:46,280
Speaker 1: He wasn't like watching me drop his baby. He was

477
00:19:46,320 --> 00:19:47,679
Speaker 1: just like being funny.

478
00:19:48,000 --> 00:19:50,040
Speaker 10: Okay, but it definitely funny funny.

479
00:19:50,040 --> 00:19:53,680
Speaker 1: It wasn't Eddie is not hanging a baby.

480
00:19:54,200 --> 00:19:56,080
Speaker 3: The answer is its Moonwalking.

481
00:19:57,320 --> 00:20:02,240
Speaker 1: By the way, the White Glove was second, but number

482
00:20:02,240 --> 00:20:03,080
Speaker 1: one is Moonwalk.

483
00:20:05,200 --> 00:20:05,560
Speaker 5: Nice.

484
00:20:06,280 --> 00:20:12,320
Speaker 1: Okay, okay, wow, good job, good job. Okay, guys, Next

485
00:20:12,400 --> 00:20:23,199
Speaker 1: up Prince singer, artist, guitar player, performer. Prince.

486
00:20:27,320 --> 00:20:33,320
Speaker 3: Prince is known let's see.

487
00:20:35,280 --> 00:20:37,240
Speaker 1: Gosh, so they gave these people an artist, and they said,

488
00:20:37,280 --> 00:20:41,399
Speaker 1: what's the thing that they're known for the most? That

489
00:20:41,480 --> 00:20:43,920
Speaker 1: has nothing to do with the music they make? Right,

490
00:20:44,000 --> 00:20:47,400
Speaker 1: So Moonwalking doesn't have to do any music that he makes.

491
00:20:47,400 --> 00:20:50,280
Speaker 1: It's he's dancing, but it's not about it thriller, it's

492
00:20:50,280 --> 00:20:50,880
Speaker 1: not about.

493
00:20:51,640 --> 00:20:54,399
Speaker 3: Beat it gosh, the Prince dates.

494
00:20:55,520 --> 00:20:57,960
Speaker 1: Any of that counts, yea, any of that counts.

495
00:20:58,000 --> 00:21:00,400
Speaker 3: Okay, I'm gonna go with Eddie.

496
00:21:00,400 --> 00:21:02,000
Speaker 1: You're gonna need to need you to lock in there.

497
00:21:02,560 --> 00:21:03,480
Speaker 3: Okay, I'm gonna go.

498
00:21:06,240 --> 00:21:09,399
Speaker 1: I mean, okay, uh, ladies, get a few seconds to

499
00:21:09,400 --> 00:21:09,919
Speaker 1: talk about it.

500
00:21:10,000 --> 00:21:11,879
Speaker 7: Yeah, we're kind of we're kind of going back and

501
00:21:11,920 --> 00:21:12,760
Speaker 7: forth between two.

502
00:21:12,960 --> 00:21:14,159
Speaker 10: I mean, immediately we went.

503
00:21:14,080 --> 00:21:17,520
Speaker 7: The color purple because purple rain and then everybody associates

504
00:21:17,560 --> 00:21:18,879
Speaker 7: purple in general with Prince.

505
00:21:19,320 --> 00:21:21,040
Speaker 1: Have your microphone you forget to turn it back on

506
00:21:21,080 --> 00:21:21,400
Speaker 1: every time?

507
00:21:22,720 --> 00:21:23,160
Speaker 10: Sorry?

508
00:21:23,600 --> 00:21:25,840
Speaker 7: Yeah, that was and then the other one, though, was

509
00:21:26,119 --> 00:21:28,080
Speaker 7: his symbol, which I don't even know what it's called,

510
00:21:28,080 --> 00:21:29,800
Speaker 7: but it's like Louisiana origin.

511
00:21:29,920 --> 00:21:30,680
Speaker 8: I believe it.

512
00:21:30,680 --> 00:21:33,240
Speaker 7: It's like a New Orleans. It reminds me of like

513
00:21:33,280 --> 00:21:39,040
Speaker 7: the Saint's logo. That's so good, like the floor.

514
00:21:41,960 --> 00:21:43,520
Speaker 1: Answer color purple purple?

515
00:21:43,560 --> 00:21:44,840
Speaker 10: Yeah, it's the color purple, Eddie.

516
00:21:44,880 --> 00:21:46,679
Speaker 3: What did you write about the color purple?

517
00:21:46,880 --> 00:21:47,440
Speaker 1: Is that what you wrote?

518
00:21:47,520 --> 00:21:47,600
Speaker 5: No?

519
00:21:47,720 --> 00:21:49,720
Speaker 3: I did it because I feel like that's the music.

520
00:21:49,800 --> 00:21:50,760
Speaker 3: It's purple rain.

521
00:21:50,920 --> 00:21:52,879
Speaker 1: What about that? But he I mean not to say

522
00:21:53,280 --> 00:21:55,000
Speaker 1: she's right, but they're on the right track because he

523
00:21:55,080 --> 00:21:58,080
Speaker 1: dresses all on purple. No, his mansion is purple, right, Mike, yea,

524
00:21:58,280 --> 00:21:58,840
Speaker 1: his whole.

525
00:21:58,720 --> 00:22:00,639
Speaker 3: Thing is purple. I know, but I did not. I

526
00:22:00,680 --> 00:22:01,400
Speaker 3: put overdose.

527
00:22:01,880 --> 00:22:02,760
Speaker 1: Oh how he died.

528
00:22:04,080 --> 00:22:04,720
Speaker 3: Very surprising.

529
00:22:05,040 --> 00:22:06,639
Speaker 1: He has known most for the color purple.

530
00:22:06,960 --> 00:22:12,439
Speaker 3: Yeah, okay, I have to I have to stop overthinking this.

531
00:22:12,760 --> 00:22:14,440
Speaker 10: Yeah, over there.

532
00:22:14,640 --> 00:22:15,840
Speaker 8: What happens when you overthink?

533
00:22:18,119 --> 00:22:21,360
Speaker 1: Okay, I'm gonna get you only get thirty seconds, okay, okay,

534
00:22:21,880 --> 00:22:23,720
Speaker 1: Elton John mm.

535
00:22:23,680 --> 00:22:38,200
Speaker 3: Hmm, I'm in This is weird. I can't believe what

536
00:22:38,280 --> 00:22:38,639
Speaker 3: did this?

537
00:22:40,960 --> 00:22:41,080
Speaker 2: All?

538
00:22:41,160 --> 00:22:44,159
Speaker 1: Right, guys, our girls, I go every guys, do you

539
00:22:44,200 --> 00:22:44,800
Speaker 1: have an answer.

540
00:22:45,920 --> 00:22:48,159
Speaker 7: Yeah, I think we feel pretty confidently that it's his

541
00:22:48,280 --> 00:22:49,200
Speaker 7: star glasses.

542
00:22:50,280 --> 00:22:53,640
Speaker 3: What do you have? I went being gay? Both fair,

543
00:22:53,800 --> 00:22:54,560
Speaker 3: I mean he's.

544
00:22:54,680 --> 00:22:57,800
Speaker 1: He wasn't always gay though, no, nor early career he

545
00:22:57,880 --> 00:22:59,399
Speaker 1: was not. I know, like when he did don't go

546
00:22:59,480 --> 00:23:01,879
Speaker 1: break him, he was still living as a straight man.

547
00:23:01,920 --> 00:23:03,200
Speaker 3: The crocodile rock was he?

548
00:23:03,359 --> 00:23:04,080
Speaker 5: Then? Uh?

549
00:23:04,280 --> 00:23:06,480
Speaker 1: The answer is his oversized glasses.

550
00:23:09,920 --> 00:23:11,240
Speaker 3: I am totally getting rocked.

551
00:23:12,359 --> 00:23:14,920
Speaker 1: God, good job, guys, It's good.

552
00:23:15,960 --> 00:23:19,840
Speaker 3: Okay, next week you're going. That's it.

553
00:23:19,920 --> 00:23:24,159
Speaker 1: Laney Wilson, Oh, I'm.

554
00:23:24,000 --> 00:23:24,880
Speaker 3: Not gonna get squirker.

555
00:23:24,920 --> 00:23:31,280
Speaker 1: I'm in right, you guys do yeah?

556
00:23:31,160 --> 00:23:31,240
Speaker 2: Uh?

557
00:23:31,320 --> 00:23:33,920
Speaker 8: Girls have the bell bottom bottom.

558
00:23:34,160 --> 00:23:36,399
Speaker 3: Bell bottom correct no point.

559
00:23:38,040 --> 00:23:40,960
Speaker 1: Three zero? Willie Nelson mm hmm.

560
00:23:45,560 --> 00:23:46,560
Speaker 3: Yeah.

561
00:23:46,640 --> 00:23:47,679
Speaker 10: Both of those are close.

562
00:23:50,320 --> 00:23:54,000
Speaker 7: I don't oh second the second one, well, yeah, we're

563
00:23:54,000 --> 00:23:54,600
Speaker 7: you're already in.

564
00:23:55,040 --> 00:23:56,040
Speaker 3: I'm in yeah, yeah.

565
00:23:56,800 --> 00:23:59,720
Speaker 7: Between we have braids, his braids and we are smoking weed,

566
00:24:00,280 --> 00:24:01,920
Speaker 7: because both of those are classic.

567
00:24:01,600 --> 00:24:02,520
Speaker 8: Willy it is.

568
00:24:02,560 --> 00:24:05,240
Speaker 11: But I think it's weed. You're gonna go see that's

569
00:24:05,280 --> 00:24:07,080
Speaker 11: the first thing anyone thinks.

570
00:24:07,080 --> 00:24:09,320
Speaker 3: So, Edie, what do you have smoking weed?

571
00:24:09,480 --> 00:24:10,199
Speaker 1: It's braids.

572
00:24:12,280 --> 00:24:14,800
Speaker 3: I knew it.

573
00:24:15,359 --> 00:24:16,760
Speaker 8: I feel we are about that.

574
00:24:17,040 --> 00:24:20,600
Speaker 3: Hey, this is bones. I don't think they're killing me.

575
00:24:20,880 --> 00:24:23,040
Speaker 1: Yeah, that's first when they missed, but they were that

576
00:24:23,160 --> 00:24:24,720
Speaker 1: was second on the list. Yeah, you guys are good

577
00:24:24,720 --> 00:24:24,959
Speaker 1: at this.

578
00:24:25,119 --> 00:24:26,240
Speaker 8: Dang, sorry about that.

579
00:24:26,240 --> 00:24:26,960
Speaker 10: That's okay.

580
00:24:27,359 --> 00:24:29,600
Speaker 7: Did he always like was he always known for smoking

581
00:24:29,600 --> 00:24:31,160
Speaker 7: mean or is that later part of his career.

582
00:24:31,800 --> 00:24:32,920
Speaker 3: I'd say most of his career.

583
00:24:33,200 --> 00:24:36,840
Speaker 1: Yeah, he was always old to us. Now we're older,

584
00:24:37,160 --> 00:24:39,760
Speaker 1: he was always old to us too. So and also

585
00:24:39,880 --> 00:24:44,000
Speaker 1: weed wasn't as openly talked about fifteen years ago because

586
00:24:44,000 --> 00:24:46,600
Speaker 1: I was like looked at a lot worse than it

587
00:24:46,640 --> 00:24:49,920
Speaker 1: is now. So it wasn't as much of his identity.

588
00:24:50,520 --> 00:24:51,880
Speaker 10: Seeing the braids were all the time.

589
00:24:52,160 --> 00:24:55,960
Speaker 1: Yeah, okay, jeans, this is gonna be tough for you guys.

590
00:24:56,400 --> 00:25:03,840
Speaker 1: Gene Simmons from Kiss I'm In. There's definitely one that

591
00:25:03,960 --> 00:25:08,000
Speaker 1: is nicer to the older players.

592
00:25:08,160 --> 00:25:13,960
Speaker 3: Yes, why are you guys whispering I'm in? I'm in?

593
00:25:14,040 --> 00:25:14,640
Speaker 3: You guys can talk?

594
00:25:15,160 --> 00:25:15,359
Speaker 5: What do you?

595
00:25:15,880 --> 00:25:17,960
Speaker 10: I don't like? I am really not familiar with it.

596
00:25:18,200 --> 00:25:20,000
Speaker 8: I can just think of like the tongue mask, like

597
00:25:20,000 --> 00:25:21,280
Speaker 8: the whole mask I think they.

598
00:25:21,200 --> 00:25:24,240
Speaker 10: All had though, Was that all all of Kiss all

599
00:25:24,280 --> 00:25:24,640
Speaker 10: had that?

600
00:25:24,720 --> 00:25:27,000
Speaker 8: I think they all did. Geene Simmons, he's the lead singer.

601
00:25:27,080 --> 00:25:29,240
Speaker 7: Right, but Jeans I feel like was in the news

602
00:25:29,280 --> 00:25:33,200
Speaker 7: for something. That name sounds so familiar to me aside from.

603
00:25:33,040 --> 00:25:35,359
Speaker 1: Me to answer, guys, go for the mask.

604
00:25:35,480 --> 00:25:36,080
Speaker 10: That's all we got.

605
00:25:36,160 --> 00:25:41,400
Speaker 11: Like the tongue's tongue sticking out, mask thing, tongue sticking out.

606
00:25:41,440 --> 00:25:44,480
Speaker 1: What are you going with? Tongue sticking out, tongue steaking out, Oki,

607
00:25:46,040 --> 00:25:51,639
Speaker 1: tongue sticking out, tongue the face paint. Okay, but he

608
00:25:52,480 --> 00:25:53,160
Speaker 1: put his tongue out.

609
00:25:53,640 --> 00:25:54,760
Speaker 10: The only one who did that.

610
00:25:54,800 --> 00:25:56,600
Speaker 1: Well he tongue, yes, but they all wore masks. You

611
00:25:56,680 --> 00:25:59,800
Speaker 1: have like a long tongue.

612
00:26:00,040 --> 00:26:00,880
Speaker 3: It's like that was his thing.

613
00:26:00,960 --> 00:26:04,280
Speaker 1: Yeah, that's right, it's the thing. Taylor Swift.

614
00:26:07,440 --> 00:26:19,080
Speaker 5: Whoa hmmm.

615
00:26:22,720 --> 00:26:24,720
Speaker 1: We'll get through ten and we'll do speed around Mike.

616
00:26:25,480 --> 00:26:27,760
Speaker 1: I like this game, but we could do this for

617
00:26:27,840 --> 00:26:28,160
Speaker 1: an hour.

618
00:26:28,359 --> 00:26:29,600
Speaker 3: Yeah, we can totally do this for an hour.

619
00:26:30,200 --> 00:26:31,880
Speaker 1: Like, this is the funny. I might like to play sometime.

620
00:26:31,920 --> 00:26:33,359
Speaker 1: I never have to play games because I have to

621
00:26:33,480 --> 00:26:34,040
Speaker 1: put them together.

622
00:26:34,080 --> 00:26:36,359
Speaker 3: At least you'd be so good at this game.

623
00:26:36,920 --> 00:26:38,000
Speaker 1: This will be if I one'd like to play.

624
00:26:38,080 --> 00:26:39,360
Speaker 3: Yeah, I'm in by the way.

625
00:26:39,520 --> 00:26:41,800
Speaker 1: Okay, Taylors for Daddy, uh no, no.

626
00:26:41,760 --> 00:26:45,160
Speaker 10: You guys, do you want our answer or whatever an.

627
00:26:45,080 --> 00:26:46,800
Speaker 1: Answer you want to go with that top one.

628
00:26:46,840 --> 00:26:50,000
Speaker 11: We either had like breakup songs singing about ex boyfriends

629
00:26:50,280 --> 00:26:53,960
Speaker 11: or but that's music related, but having a lot of.

630
00:26:53,880 --> 00:26:56,280
Speaker 1: Excess that could be a thing, that could be a thing.

631
00:26:56,760 --> 00:26:59,879
Speaker 10: Or curly hair, curly hair? Who is like her identifier?

632
00:27:00,119 --> 00:27:01,000
Speaker 8: What that was beginning?

633
00:27:01,080 --> 00:27:01,800
Speaker 5: What is your answer?

634
00:27:03,080 --> 00:27:05,080
Speaker 8: I say for our friends, go for ex boyfriends.

635
00:27:05,160 --> 00:27:07,520
Speaker 1: Yeah, Okay, that isn't correct. Now, Eddie. You need to

636
00:27:07,560 --> 00:27:09,399
Speaker 1: gain you need to gain a couple of spots here,

637
00:27:09,440 --> 00:27:11,239
Speaker 1: you're down three points. What do you have?

638
00:27:11,280 --> 00:27:12,360
Speaker 3: What did they say exactly?

639
00:27:12,560 --> 00:27:13,600
Speaker 1: They said ex boyfriends?

640
00:27:13,720 --> 00:27:15,679
Speaker 3: Okay, I said dating lots of guys. So that's the

641
00:27:15,720 --> 00:27:16,200
Speaker 3: same thing.

642
00:27:16,320 --> 00:27:18,800
Speaker 1: Yeah, that the number thirteen is the answer.

643
00:27:19,080 --> 00:27:24,720
Speaker 7: Oh oh my god, yeah gosh, she's known for that.

644
00:27:25,080 --> 00:27:27,360
Speaker 1: Yeah, Morgan Wallin.

645
00:27:28,200 --> 00:27:35,200
Speaker 10: Oh, ok.

646
00:27:38,720 --> 00:27:39,720
Speaker 3: I'm in between two.

647
00:27:40,080 --> 00:27:49,439
Speaker 1: Or they have a three point lead on you, Eddie?

648
00:27:49,560 --> 00:27:54,679
Speaker 3: I need this he do you let me know when

649
00:27:54,720 --> 00:27:56,280
Speaker 3: you're in comen.

650
00:27:57,520 --> 00:27:58,159
Speaker 5: Girls what you have?

651
00:27:59,160 --> 00:28:02,560
Speaker 7: Well, we're going back and for between a mullet and

652
00:28:03,000 --> 00:28:04,159
Speaker 7: Tennessee Volunteers.

653
00:28:04,160 --> 00:28:05,440
Speaker 10: Being a massive fan of that, but I think we're

654
00:28:05,440 --> 00:28:06,000
Speaker 10: going mullet.

655
00:28:06,160 --> 00:28:09,600
Speaker 3: Eddie, I too had mullet at first, but I changed

656
00:28:09,640 --> 00:28:11,199
Speaker 3: it to throwing a chair off a building.

657
00:28:12,960 --> 00:28:16,560
Speaker 1: That's a terrible answer. That was like such a overall

658
00:28:16,840 --> 00:28:18,639
Speaker 1: like that he did that. But that's not even no.

659
00:28:18,760 --> 00:28:21,800
Speaker 1: No one says but MORGANA, yeah, the answer is a mullet.

660
00:28:22,280 --> 00:28:26,640
Speaker 3: Goodness is known for I'm sorry, dude, you're just giving

661
00:28:26,640 --> 00:28:27,600
Speaker 3: your money away. I'm sorry.

662
00:28:27,680 --> 00:28:31,399
Speaker 1: I'm more embarrassed for you, and I am said. Okay,

663
00:28:31,560 --> 00:28:33,600
Speaker 1: two more in normal speed than we'll do speed on

664
00:28:34,400 --> 00:28:35,040
Speaker 1: Luke Combs.

665
00:28:36,359 --> 00:28:36,720
Speaker 5: Mm hmm.

666
00:28:42,480 --> 00:28:44,600
Speaker 1: I have a four point lead. This is embarrassing Freddy.

667
00:28:44,800 --> 00:28:48,080
Speaker 1: This is sad like he knows lyrics a song, but

668
00:28:48,200 --> 00:28:51,560
Speaker 1: no think about culture found his weakness.

669
00:28:54,640 --> 00:28:57,000
Speaker 10: Yeah, I think that's what. Yeah, I think we got it.

670
00:28:57,400 --> 00:28:58,120
Speaker 3: I'm man, Eddie.

671
00:28:58,120 --> 00:28:59,600
Speaker 1: What do you have crocs? What do you guys have?

672
00:28:59,720 --> 00:29:02,360
Speaker 10: We have his Columbia shirts. I think they're Columbia shirts.

673
00:29:02,400 --> 00:29:03,160
Speaker 1: It is Columbia shirt.

674
00:29:06,400 --> 00:29:08,520
Speaker 8: I love this game.

675
00:29:08,760 --> 00:29:09,920
Speaker 1: There's so much better you than this.

676
00:29:10,200 --> 00:29:12,120
Speaker 3: Remember when I said I like this game, I lied,

677
00:29:12,200 --> 00:29:12,840
Speaker 3: I don't like it.

678
00:29:15,120 --> 00:29:17,680
Speaker 1: Okay, one more normal normal round snoop dogg.

679
00:29:20,520 --> 00:29:20,920
Speaker 3: I'm in.

680
00:29:30,760 --> 00:29:32,720
Speaker 1: All right, guys, I need to answer. Oh are we

681
00:29:33,120 --> 00:29:34,240
Speaker 1: a go ahead?

682
00:29:34,280 --> 00:29:34,920
Speaker 5: What are we doing?

683
00:29:35,120 --> 00:29:37,360
Speaker 8: I thought the chain like a gold chain. Is that

684
00:29:37,400 --> 00:29:37,720
Speaker 8: you thought?

685
00:29:37,840 --> 00:29:38,760
Speaker 1: What's your official answer?

686
00:29:39,080 --> 00:29:42,040
Speaker 7: I thought smoking weed or the murder or the brains,

687
00:29:42,440 --> 00:29:44,160
Speaker 7: the brains around.

688
00:29:45,720 --> 00:29:45,880
Speaker 5: Chain.

689
00:29:45,920 --> 00:29:46,520
Speaker 10: We can go chain.

690
00:29:46,680 --> 00:29:52,640
Speaker 1: Anybody have weed? It's weed, yea. Within four, Eddie's down four.

691
00:29:52,760 --> 00:29:56,240
Speaker 1: Now we'll go speed around you guys. Well, everybody needs

692
00:29:56,240 --> 00:29:58,360
Speaker 1: to have your answers in and written down. Okay, in

693
00:29:58,440 --> 00:30:03,160
Speaker 1: fifteen seconds, fifteen seconds ready, the first one is one, two, three, four, five, six,

694
00:30:03,240 --> 00:30:05,320
Speaker 1: seven eight same out here. The first one is Freddie

695
00:30:05,320 --> 00:30:09,400
Speaker 1: Mercury from Queen in fifteen seconds, Freddie Mercury from Queen.

696
00:30:17,600 --> 00:30:21,560
Speaker 11: All right, I think that first one answers in Abby

697
00:30:22,720 --> 00:30:23,800
Speaker 11: that he had aids.

698
00:30:24,000 --> 00:30:27,120
Speaker 1: Okay, Eddie mustache, it's mustache, Eddie.

699
00:30:27,000 --> 00:30:29,760
Speaker 3: With a come on, let's go baby.

700
00:30:29,800 --> 00:30:32,360
Speaker 10: The rock ones get me. I don't know anything about rock.

701
00:30:35,600 --> 00:30:35,959
Speaker 5: Aids.

702
00:30:36,480 --> 00:30:39,120
Speaker 1: It's just one thing, but I think people do know him.

703
00:30:38,880 --> 00:30:40,720
Speaker 3: I mean I thought of I thought of that.

704
00:30:42,160 --> 00:30:46,120
Speaker 1: Non music. That's probably probably second or third. Right, Next

705
00:30:46,120 --> 00:30:56,360
Speaker 1: one up, Bob Marley. Eddie is down three points, Bob Marley,

706
00:30:58,200 --> 00:31:05,560
Speaker 1: I'm in Oh no, okay, Morgan with answer smoking weed,

707
00:31:07,000 --> 00:31:09,760
Speaker 1: Eddie dreadlocks answers dreads.

708
00:31:11,960 --> 00:31:13,240
Speaker 3: Don't call them come back.

709
00:31:13,400 --> 00:31:18,280
Speaker 1: I started writing Ven down to Wow with eight to go,

710
00:31:18,480 --> 00:31:21,160
Speaker 1: can't he do it?

711
00:31:21,320 --> 00:31:21,600
Speaker 5: Wow?

712
00:31:25,800 --> 00:31:28,080
Speaker 1: Okay, here we go, come on, come on, come on,

713
00:31:29,080 --> 00:31:33,400
Speaker 1: Parker McCollum.

714
00:31:31,960 --> 00:31:37,760
Speaker 11: Yeah, okay, we locked it in, locked it in.

715
00:31:40,840 --> 00:31:42,080
Speaker 3: I don't even know how to write this.

716
00:31:44,200 --> 00:31:44,920
Speaker 5: All right time.

717
00:31:45,400 --> 00:31:48,400
Speaker 1: I'm in Okay, Morgan, gold chain, Eddie, I put chain

718
00:31:48,600 --> 00:31:52,600
Speaker 1: correct two point lead with seven to go.

719
00:31:52,680 --> 00:31:55,400
Speaker 3: I almost sait hat stupid gold.

720
00:31:55,160 --> 00:31:56,200
Speaker 1: Chain, jelly roll.

721
00:32:04,040 --> 00:32:04,440
Speaker 3: I'm in.

722
00:32:06,920 --> 00:32:10,960
Speaker 10: You guys need to answer his tattoos face tattoos.

723
00:32:11,080 --> 00:32:12,560
Speaker 3: Oh, I said, face tattoos.

724
00:32:12,560 --> 00:32:14,640
Speaker 1: I'll accept face tattoos U from them too, well, accept

725
00:32:14,640 --> 00:32:16,920
Speaker 1: it face tattooses correct?

726
00:32:16,920 --> 00:32:18,520
Speaker 10: Have me try to make me change it to jail.

727
00:32:19,320 --> 00:32:19,680
Speaker 3: That's good.

728
00:32:20,640 --> 00:32:22,160
Speaker 1: That was a good one. That's a good one.

729
00:32:22,160 --> 00:32:22,920
Speaker 8: I like that though.

730
00:32:23,280 --> 00:32:28,200
Speaker 1: Okay, six left ed you down to come on Jordan Davis.

731
00:32:30,240 --> 00:32:32,960
Speaker 5: Yeah, mm hmm.

732
00:32:36,480 --> 00:32:38,719
Speaker 3: Look at them. I know they got beard.

733
00:32:40,120 --> 00:32:54,120
Speaker 1: Okay, five left ed you down to Ozzy Osbourne, and

734
00:32:54,360 --> 00:32:55,640
Speaker 1: you're gonna need to hit this one.

735
00:32:59,120 --> 00:33:04,880
Speaker 10: I'm in, Morgan, eyeliner, makeup.

736
00:33:05,720 --> 00:33:08,600
Speaker 1: Okay, that's wrong, that's incorrect. Now Eddie, you need you

737
00:33:08,680 --> 00:33:10,680
Speaker 1: need to hit this two.

738
00:33:11,800 --> 00:33:13,360
Speaker 3: I was in between two. I was in between the

739
00:33:13,400 --> 00:33:16,920
Speaker 3: TV show The Osborns or Biden the head off of

740
00:33:16,960 --> 00:33:17,320
Speaker 3: a bat.

741
00:33:18,000 --> 00:33:19,680
Speaker 1: I will tell you that one of them is correct.

742
00:33:19,840 --> 00:33:21,920
Speaker 3: I know, I know, and it's just which one did

743
00:33:21,920 --> 00:33:22,880
Speaker 3: you write down? I did the bat.

744
00:33:22,960 --> 00:33:30,560
Speaker 1: It's the bat. My good Eddi's down one.

745
00:33:30,800 --> 00:33:32,320
Speaker 10: I think I forgot that specifically.

746
00:33:32,520 --> 00:33:34,320
Speaker 3: Guys, guys, look back. I'm right behind you.

747
00:33:36,920 --> 00:33:49,760
Speaker 1: That four to go. Eddie's down one. Goodness, Carrie Underwood, oh.

748
00:33:50,480 --> 00:33:52,680
Speaker 3: M hmm, I can't do that.

749
00:33:53,680 --> 00:33:56,320
Speaker 1: I felt very time there.

750
00:33:56,400 --> 00:33:56,640
Speaker 5: Eddie.

751
00:33:56,760 --> 00:33:58,040
Speaker 1: Let me you have already in Morgan.

752
00:33:58,240 --> 00:33:59,280
Speaker 10: Yeah, we have her legs.

753
00:33:59,440 --> 00:34:01,720
Speaker 3: Eddie thought that was creepy. I put American idol.

754
00:34:02,000 --> 00:34:05,920
Speaker 1: The answer is legs.

755
00:34:05,960 --> 00:34:07,560
Speaker 8: Hey, Eddie, where you going?

756
00:34:07,640 --> 00:34:09,719
Speaker 3: Literally, I was like, that's too creepy. I can't say three.

757
00:34:09,840 --> 00:34:15,520
Speaker 1: Laugh. Eddie's down to Dolly parton mm hmmm.

758
00:34:16,520 --> 00:34:22,839
Speaker 11: In talked about it, but I think we're in no, yeah, yeah.

759
00:34:22,960 --> 00:34:25,319
Speaker 8: Second one second.

760
00:34:25,239 --> 00:34:27,920
Speaker 3: They're fighting right where we.

761
00:34:27,960 --> 00:34:28,960
Speaker 2: Want to be.

762
00:34:28,960 --> 00:34:31,760
Speaker 10: The second one, come on, you said.

763
00:34:31,640 --> 00:34:33,920
Speaker 1: What are you debating between her hair or her boobs?

764
00:34:34,640 --> 00:34:36,759
Speaker 10: I mean both very iconic. The hair is all the

765
00:34:36,800 --> 00:34:37,640
Speaker 10: wigs though.

766
00:34:37,560 --> 00:34:38,920
Speaker 8: I know, but it has to be the boobs. That's

767
00:34:38,960 --> 00:34:39,719
Speaker 8: the first thing you think of.

768
00:34:41,080 --> 00:34:46,480
Speaker 1: Okay, I guess we're going you have Boobs boos to left,

769
00:34:46,560 --> 00:34:50,200
Speaker 1: Eddie need missing both, need to get them both. Billie Eilish,

770
00:34:51,000 --> 00:34:55,200
Speaker 1: m hmm, Billie Eilish, I'm in.

771
00:34:55,520 --> 00:34:57,799
Speaker 9: We're in, Eddie.

772
00:34:57,800 --> 00:34:58,319
Speaker 5: What do you have.

773
00:34:58,480 --> 00:35:04,400
Speaker 3: Eyes Dan, the way you're looking at I got it wrong.

774
00:35:06,800 --> 00:35:07,480
Speaker 10: Pretty guys.

775
00:35:07,719 --> 00:35:12,520
Speaker 1: What do you guys have clues? No, that's three. And

776
00:35:12,560 --> 00:35:13,920
Speaker 1: then finally Reba.

777
00:35:14,239 --> 00:35:16,160
Speaker 3: Oh oh man, I don't even have to write it down.

778
00:35:16,800 --> 00:35:21,320
Speaker 8: Yep, yep, yeah, ladies, red.

779
00:35:21,120 --> 00:35:24,400
Speaker 3: Hair, red hair.

780
00:35:26,400 --> 00:35:27,879
Speaker 1: What would you like to say? Because you were brought

781
00:35:27,880 --> 00:35:30,520
Speaker 1: in as the expert and you were gonna save me

782
00:35:30,560 --> 00:35:33,240
Speaker 1: some money and instead you cost me money?

783
00:35:33,360 --> 00:35:33,920
Speaker 3: Yes, I did.

784
00:35:34,040 --> 00:35:37,560
Speaker 1: Do you feel like you underperformed what you thought you'd do?

785
00:35:37,920 --> 00:35:38,200
Speaker 5: Yeah?

786
00:35:38,320 --> 00:35:40,120
Speaker 3: I think at the beginning of the game, I kind

787
00:35:40,120 --> 00:35:42,839
Speaker 3: of didn't really understand how close to music or how

788
00:35:42,880 --> 00:35:45,400
Speaker 3: far away to stay for music. That was bad. I

789
00:35:45,440 --> 00:35:47,520
Speaker 3: messed that up. Shouldn't have even thought about that, And

790
00:35:47,520 --> 00:35:48,800
Speaker 3: then I just second guessed everything.

791
00:35:49,239 --> 00:35:50,439
Speaker 1: What would you different next time?

792
00:35:50,840 --> 00:35:52,680
Speaker 3: Don't second guess anything, Go with a big one, go

793
00:35:52,719 --> 00:35:55,680
Speaker 3: weed Boobs, just.

794
00:35:55,600 --> 00:35:58,480
Speaker 1: Go for it, got it, got it, got it?

795
00:35:58,920 --> 00:35:59,520
Speaker 3: Second guess?

796
00:36:00,560 --> 00:36:03,120
Speaker 1: Since you demolished him, I'm gonna be both the.

797
00:36:03,120 --> 00:36:05,560
Speaker 10: Hundred dollars because I.

798
00:36:05,480 --> 00:36:08,000
Speaker 1: Love to see Eddie embarrass at a game and you

799
00:36:08,080 --> 00:36:09,839
Speaker 1: played well as a team, so you guys can come

800
00:36:09,840 --> 00:36:14,600
Speaker 1: and collect your Money's amazing, Eddie.

801
00:36:14,840 --> 00:36:15,359
Speaker 3: What's up?

802
00:36:15,480 --> 00:36:15,960
Speaker 1: That sucked?

803
00:36:16,000 --> 00:36:16,120
Speaker 2: Bro?

804
00:36:16,440 --> 00:36:18,480
Speaker 3: I feel like I should pay you to me too.

805
00:36:18,880 --> 00:36:20,120
Speaker 1: All right, thank you guys.

806
00:36:20,880 --> 00:36:33,319
Speaker 12: The Bobby Cast will be right back. This is the

807
00:36:33,360 --> 00:36:34,120
Speaker 12: Bobby Cast.

808
00:36:34,600 --> 00:36:38,840
Speaker 1: Let's talk Grammys for a second Best Country Album, Beyonce, Cowboy,

809
00:36:38,920 --> 00:36:42,800
Speaker 1: Carter post Malone, F one Trillion, Casey Musgrave's Deeper Well,

810
00:36:43,120 --> 00:36:48,200
Speaker 1: Chris Stapleton Higher, and Landy Wilson Whirlwind. So whenever the

811
00:36:48,360 --> 00:36:53,400
Speaker 1: CMAS came out and Beyonce wasn't nominated, I felt I

812
00:36:53,560 --> 00:36:57,239
Speaker 1: took a bit of time and explained that the CMAS

813
00:36:57,360 --> 00:37:01,480
Speaker 1: or the ACMs, it's very much an industry thing of

814
00:37:03,920 --> 00:37:07,400
Speaker 1: if you're around people then like you and want to

815
00:37:07,440 --> 00:37:11,040
Speaker 1: give you awards. And Beyonce, regardless of the record she

816
00:37:11,040 --> 00:37:13,880
Speaker 1: put out, she was never around. Now I'm not saying

817
00:37:13,880 --> 00:37:16,600
Speaker 1: that it's right. I think it's a flawed system. But

818
00:37:16,640 --> 00:37:20,319
Speaker 1: I was explaining the system of the CMA Awards and

819
00:37:20,400 --> 00:37:23,520
Speaker 1: why post Malone was nominated for so many because post Malone,

820
00:37:23,520 --> 00:37:24,840
Speaker 1: it wasn't that he was a dude or that he

821
00:37:24,920 --> 00:37:27,360
Speaker 1: was white, in my opinion, it was because he moved

822
00:37:27,360 --> 00:37:30,360
Speaker 1: to town and he was doing everybody shows, like he

823
00:37:30,360 --> 00:37:32,439
Speaker 1: showed up for charity shows, he did my charity show,

824
00:37:32,600 --> 00:37:35,800
Speaker 1: he was doing stuff with Brad Page, so he really

825
00:37:35,920 --> 00:37:38,560
Speaker 1: embedded himself in the community. And again I'm not saying

826
00:37:39,040 --> 00:37:41,560
Speaker 1: that that should matter when it comes to awards. I'm

827
00:37:41,600 --> 00:37:45,319
Speaker 1: just saying how the flawed system works basically when it's

828
00:37:45,320 --> 00:37:49,040
Speaker 1: ACM and CMAS because those people, because it's industry people,

829
00:37:49,200 --> 00:37:54,720
Speaker 1: it's record labels, it's management companies, it's some radio people.

830
00:37:55,480 --> 00:37:59,520
Speaker 1: They're voting on people that have been available to the

831
00:37:59,600 --> 00:38:04,480
Speaker 1: country format the riders are enjoying work, even like jelly Roll.

832
00:38:04,560 --> 00:38:06,399
Speaker 1: Now he's not one of the people are talking about here,

833
00:38:06,480 --> 00:38:08,560
Speaker 1: but the reason jelly Roll has been so widely accepted

834
00:38:08,840 --> 00:38:11,840
Speaker 1: is because he made himself extremely available. He was riding

835
00:38:11,840 --> 00:38:15,799
Speaker 1: with people. So on the flip side, again, a very

836
00:38:15,800 --> 00:38:19,879
Speaker 1: flawed system. The Grammys, and I've been a Grammy voter,

837
00:38:22,120 --> 00:38:27,080
Speaker 1: but it's way different because you're really not a part

838
00:38:27,160 --> 00:38:30,520
Speaker 1: of a system at the Grammys because it is all formats.

839
00:38:30,520 --> 00:38:33,680
Speaker 1: It's it's it's all over the country. It's all it's again,

840
00:38:33,719 --> 00:38:37,240
Speaker 1: it's different formats. But what happens at the Grammys. Also

841
00:38:37,480 --> 00:38:41,320
Speaker 1: is I believe if I'm still accurate, that there is

842
00:38:41,360 --> 00:38:44,359
Speaker 1: a board that can override any winner, no matter what,

843
00:38:44,480 --> 00:38:46,440
Speaker 1: no matter what you look, Mike, you can look us

844
00:38:46,520 --> 00:38:51,359
Speaker 1: up because this say again, this.

845
00:38:51,320 --> 00:38:54,000
Speaker 9: Would be like a known thing out there that I believe.

846
00:38:54,160 --> 00:39:00,800
Speaker 1: So I believe that culturally they can change a vote,

847
00:39:02,080 --> 00:39:07,440
Speaker 1: meaning if there's a tie, if they decide that there

848
00:39:07,520 --> 00:39:09,279
Speaker 1: is a group of people. And I don't know that

849
00:39:09,320 --> 00:39:12,400
Speaker 1: it happens often or ever even, but you know, on

850
00:39:12,480 --> 00:39:15,600
Speaker 1: a reality shows at the end and very fine productively,

851
00:39:15,680 --> 00:39:17,400
Speaker 1: like then the producers can justly be a bit of

852
00:39:17,440 --> 00:39:19,280
Speaker 1: a deer. Now they don't do that if the reality

853
00:39:19,320 --> 00:39:22,280
Speaker 1: show has money involved because of if you're like winning

854
00:39:22,320 --> 00:39:25,279
Speaker 1: money because of some laws from back and black and

855
00:39:25,280 --> 00:39:27,359
Speaker 1: white TV shows like that sixty eight thousand dollars question

856
00:39:27,440 --> 00:39:29,920
Speaker 1: or whatever. But let me know what you see.

857
00:39:31,040 --> 00:39:34,480
Speaker 9: I think they might have eliminated it because of the controversy.

858
00:39:33,920 --> 00:39:36,120
Speaker 1: Because it the controversy was very recent.

859
00:39:35,960 --> 00:39:38,200
Speaker 9: The weekend Yeah, back in twenty twenty, I guess he

860
00:39:38,239 --> 00:39:39,279
Speaker 9: said something about it.

861
00:39:39,400 --> 00:39:41,680
Speaker 1: Really they So what does it say up there as

862
00:39:41,680 --> 00:39:42,000
Speaker 1: of now?

863
00:39:42,040 --> 00:39:45,239
Speaker 9: When I say an article from twenty twenty one that

864
00:39:45,239 --> 00:39:49,040
Speaker 9: they eliminated the secret committee after the weekend protest about

865
00:39:49,080 --> 00:39:51,040
Speaker 9: this this committee that could overrule.

866
00:39:51,239 --> 00:39:53,759
Speaker 1: That's awesome, then, yeah, because that if that happened at

867
00:39:53,760 --> 00:39:56,400
Speaker 1: twenty twenty, that it has only been three years that

868
00:39:56,440 --> 00:39:58,640
Speaker 1: this has been happening, Well, great, Well that was a

869
00:39:59,000 --> 00:40:01,600
Speaker 1: humongous flaw in the system.

870
00:40:01,680 --> 00:40:04,800
Speaker 9: Yeah, it was an anonymous group of fifteen to thirty people.

871
00:40:04,600 --> 00:40:06,960
Speaker 1: That would if they wanted to change it, if they.

872
00:40:06,880 --> 00:40:11,200
Speaker 9: Would quote unquote review the views. Yeah, okay, we need

873
00:40:11,239 --> 00:40:12,000
Speaker 9: this person to win.

874
00:40:12,440 --> 00:40:17,239
Speaker 1: So the reason you have like a Beyonce involved is

875
00:40:17,239 --> 00:40:20,560
Speaker 1: because it's it's a different panel of people voting. It's

876
00:40:20,600 --> 00:40:22,719
Speaker 1: not just the people in Nashville that are a part

877
00:40:22,760 --> 00:40:25,640
Speaker 1: of the format. It's also why sometimes, which is I

878
00:40:25,640 --> 00:40:29,200
Speaker 1: think great in the country categories, you get people that

879
00:40:29,280 --> 00:40:31,520
Speaker 1: are absolutely country, but they just aren't like in favor

880
00:40:31,560 --> 00:40:34,360
Speaker 1: with the voter that the system and don't get me

881
00:40:34,360 --> 00:40:37,000
Speaker 1: started to hate the system. So I like it that

882
00:40:37,120 --> 00:40:39,240
Speaker 1: these people pop up. Sometimes you'll see like Willie Nelson

883
00:40:39,360 --> 00:40:42,000
Speaker 1: up for a Grammy for an album and he wasn't

884
00:40:42,080 --> 00:40:44,920
Speaker 1: up for it as a CMA. And a lot of

885
00:40:44,920 --> 00:40:47,000
Speaker 1: times too, you'll have people that are Grammy voters actually

886
00:40:47,000 --> 00:40:48,800
Speaker 1: listening to stuff that aren't country fans and make decisions

887
00:40:48,800 --> 00:40:51,319
Speaker 1: based on what they hear, not that they're not a

888
00:40:51,320 --> 00:40:55,520
Speaker 1: country fan, but they'll actually listen and go yeah. So again,

889
00:40:55,719 --> 00:41:00,919
Speaker 1: a different process with different people probably doesn't always accurately

890
00:41:01,280 --> 00:41:04,600
Speaker 1: show what country music is quote unquote as far as

891
00:41:04,680 --> 00:41:09,840
Speaker 1: Nashville goes. But the CMAACM system is flawed. There's no

892
00:41:09,920 --> 00:41:12,200
Speaker 1: voting system that's not flawed. Even if you do the

893
00:41:12,520 --> 00:41:14,960
Speaker 1: People's Choice Awards, that's just fan clubs. The biggest fan

894
00:41:15,000 --> 00:41:17,520
Speaker 1: club gets on I know a lot about like the Oscars.

895
00:41:17,520 --> 00:41:19,080
Speaker 1: Whenever they put a movie out, they say, hey, we

896
00:41:19,120 --> 00:41:21,760
Speaker 1: want this movie to be considered, they have to campaign

897
00:41:21,800 --> 00:41:23,319
Speaker 1: for it. So it's not just like the best movie

898
00:41:23,400 --> 00:41:26,040
Speaker 1: ever gets nominated for an Oscar. It is the studios

899
00:41:26,080 --> 00:41:28,160
Speaker 1: having to say, hey, this is our movie, this is

900
00:41:28,160 --> 00:41:29,640
Speaker 1: why we think it should win. They have to go

901
00:41:29,680 --> 00:41:31,960
Speaker 1: around and tell all these people. So it's like campaigning

902
00:41:31,960 --> 00:41:34,360
Speaker 1: like you would for president, like hey, this is our movie.

903
00:41:34,560 --> 00:41:38,280
Speaker 1: Every voting system is flawed, and that is my point

904
00:41:38,320 --> 00:41:41,240
Speaker 1: with the cmas that are coming up and the Grammys

905
00:41:41,280 --> 00:41:44,359
Speaker 1: that are happening here. But it's also I like that

906
00:41:44,360 --> 00:41:47,719
Speaker 1: Beyonce is in the Best Country Album category. She did

907
00:41:47,800 --> 00:41:49,920
Speaker 1: put out a country album, you don't have to like it.

908
00:41:50,160 --> 00:41:52,799
Speaker 1: And if there is no panel that is making sure

909
00:41:52,960 --> 00:41:56,040
Speaker 1: that she doesn't win or does win, I think that's

910
00:41:56,080 --> 00:41:59,040
Speaker 1: great because if that panel was still living, which I

911
00:41:59,080 --> 00:42:00,960
Speaker 1: thought it maybe to know what it's been turned over,

912
00:42:01,360 --> 00:42:03,719
Speaker 1: they could have done either and I wouldn't have been surprised.

913
00:42:04,080 --> 00:42:05,600
Speaker 1: They could have said, no, we're I gonna do this,

914
00:42:05,640 --> 00:42:07,120
Speaker 1: not really a country album, or they could have said,

915
00:42:07,160 --> 00:42:09,719
Speaker 1: let's for sure make this the winner since it wasn't

916
00:42:09,760 --> 00:42:12,400
Speaker 1: nominated anywhere else unless there's now like a secret secret.

917
00:42:12,440 --> 00:42:14,960
Speaker 1: I was thinking of the same thing, a super secret committee. No,

918
00:42:15,040 --> 00:42:19,719
Speaker 1: we got rid of that super secret. But okay, best

919
00:42:19,719 --> 00:42:25,040
Speaker 1: country album, let's see best country solo performance. Not even

920
00:42:25,080 --> 00:42:28,520
Speaker 1: surely what this means. When is his best solo performance?

921
00:42:29,800 --> 00:42:31,600
Speaker 1: Are they taking it from like a performance?

922
00:42:32,520 --> 00:42:32,600
Speaker 2: Now?

923
00:42:32,719 --> 00:42:34,640
Speaker 1: They just call it thing. I know, it's the dumbest thing.

924
00:42:34,640 --> 00:42:35,720
Speaker 1: It's basically just a single.

925
00:42:36,040 --> 00:42:37,280
Speaker 9: Yeah, I think it's just a single.

926
00:42:37,640 --> 00:42:41,520
Speaker 1: Beyonce sixteen Carriages, Chris Stapleton, it takes a woman, Jelly Roll.

927
00:42:41,560 --> 00:42:44,719
Speaker 1: I am not okay. Casey Musgraves the Architect or Shaboozi

928
00:42:44,760 --> 00:42:47,279
Speaker 1: a bar song, and I again, I think you have

929
00:42:47,280 --> 00:42:48,840
Speaker 1: a lot of people voting in this that did not

930
00:42:50,840 --> 00:42:53,480
Speaker 1: know the chart, so they're probably just listening or going

931
00:42:53,520 --> 00:42:57,839
Speaker 1: with pop culture. One of the two Best Country Duo

932
00:42:57,880 --> 00:43:03,120
Speaker 1: Group performance Cowboys to Kelsey and Noakah eh if number

933
00:43:03,120 --> 00:43:06,840
Speaker 1: two most wanted Beyonce and Miley Cyrus, I guess I

934
00:43:06,880 --> 00:43:11,279
Speaker 1: don't know that one. I knew the other one, break Mine, Brothers, Osbourne,

935
00:43:11,760 --> 00:43:16,960
Speaker 1: Bigger Houses, Dan and Shay. I had some help. I

936
00:43:16,960 --> 00:43:19,640
Speaker 1: mean the biggest song, which again they don't use chart chart,

937
00:43:19,719 --> 00:43:22,920
Speaker 1: is very a very small part of this. If it

938
00:43:22,960 --> 00:43:25,720
Speaker 1: was charted, it would be Morgan Wallen. The post Malone

939
00:43:25,800 --> 00:43:30,600
Speaker 1: song is massive. Yeah, I don't know. I can never

940
00:43:30,600 --> 00:43:33,600
Speaker 1: pick the Grammy categories because of that, because what we

941
00:43:33,719 --> 00:43:36,640
Speaker 1: know and what has been celebrated here and awarded and

942
00:43:36,680 --> 00:43:40,600
Speaker 1: given number ones. Because the people that are voting for

943
00:43:40,640 --> 00:43:43,000
Speaker 1: this aren't a part of the celebration or knowing what's

944
00:43:43,080 --> 00:43:47,560
Speaker 1: number one, for the most part, their votes fall different,

945
00:43:47,600 --> 00:43:49,719
Speaker 1: which I like because it's not the same people winning

946
00:43:49,760 --> 00:43:52,000
Speaker 1: every award because of a system, a broken, flawed system.

947
00:43:52,719 --> 00:43:56,520
Speaker 1: Best Country Soul in this Songwriter's Award, the architect Shane

948
00:43:56,560 --> 00:44:04,000
Speaker 1: mcinallay Casey must scrap Josh Osbourne a bar song one, two, three, four,

949
00:44:04,840 --> 00:44:06,719
Speaker 1: five six riders on that one.

950
00:44:08,320 --> 00:44:08,600
Speaker 5: I don't know.

951
00:44:08,640 --> 00:44:10,319
Speaker 1: I Chabboozi's real name. I don't know if he's one

952
00:44:10,360 --> 00:44:10,840
Speaker 1: of the writers.

953
00:44:11,480 --> 00:44:13,920
Speaker 9: He said the credit the original who they sampled it from.

954
00:44:14,000 --> 00:44:22,959
Speaker 1: Huh, great point on that what Chaboozi's but Chaboozi though, Collins, Yeah, yeah,

955
00:44:23,000 --> 00:44:30,520
Speaker 1: oh yeah, Chibooz Collins Yeah, And that's where Chaboozi comes from. Now,

956
00:44:30,560 --> 00:44:34,800
Speaker 1: I think his first name Chaboozi, Chaboozi, Collins Obena.

957
00:44:35,000 --> 00:44:38,520
Speaker 9: I think they listed backwards. He's Collins Obina Chaboozi.

958
00:44:39,280 --> 00:44:41,560
Speaker 1: But the other guy's name is Sean Cook and Mark Williams.

959
00:44:43,760 --> 00:44:47,480
Speaker 1: But who cares. There's a flaw somewhere. I'm not okay

960
00:44:47,840 --> 00:44:51,160
Speaker 1: as jelly Roll Jason de Ford, that's that is jelly

961
00:44:51,239 --> 00:44:53,920
Speaker 1: Roll with Britain with one, two, three four, there's four

962
00:44:53,920 --> 00:44:56,840
Speaker 1: writers there. I had some help, oh a lot, a

963
00:44:56,920 --> 00:45:00,920
Speaker 1: lot on this one. Lewis Bell, Ashley, Gorley, a many

964
00:45:00,960 --> 00:45:06,840
Speaker 1: named Hoskins, Austin Post which is post Malone, Ernest. We

965
00:45:06,880 --> 00:45:11,520
Speaker 1: had Ryan on Ryan but his name is Charlie Handsome.

966
00:45:12,040 --> 00:45:12,239
Speaker 3: Yeah.

967
00:45:12,280 --> 00:45:17,920
Speaker 1: But Morgan Wallen, Chandler, Paul Walters and then Texas hold him.

968
00:45:18,200 --> 00:45:19,839
Speaker 1: I said that about a Barcelon, but I had some help,

969
00:45:19,880 --> 00:45:26,280
Speaker 1: had more writers in there. But those are the country awards.

970
00:45:26,280 --> 00:45:31,680
Speaker 1: Hard to handicap those, just because the same voters and

971
00:45:31,680 --> 00:45:34,880
Speaker 1: people that are actually in the industry don't vote on these.

972
00:45:35,280 --> 00:45:37,359
Speaker 1: A few do, but most don't. And I think I

973
00:45:37,480 --> 00:45:39,480
Speaker 1: like that. I think it's refreshing, even if I don't

974
00:45:39,480 --> 00:45:41,359
Speaker 1: agree with it. It's not the same people winning every

975
00:45:41,360 --> 00:45:44,200
Speaker 1: award because it's the same people voting a couple of

976
00:45:44,200 --> 00:45:49,200
Speaker 1: big awards. And again I can't be I should be

977
00:45:49,239 --> 00:45:51,120
Speaker 1: more educated on some of this, I guess. But album

978
00:45:51,200 --> 00:45:53,720
Speaker 1: of the Year New Blue Sun from Andre three thousand

979
00:45:53,719 --> 00:45:56,439
Speaker 1: saw him at the airport in Europe, chased him around,

980
00:45:57,280 --> 00:45:59,920
Speaker 1: said hi to him. Don't know. Is it a flu?

981
00:46:00,719 --> 00:46:04,960
Speaker 9: I believe so it's not the album we wanted from him.

982
00:46:05,040 --> 00:46:08,919
Speaker 1: Yeah, that's weird. How good?

983
00:46:09,239 --> 00:46:09,759
Speaker 11: I don't know.

984
00:46:10,040 --> 00:46:12,480
Speaker 1: I'm not saying it's not good. I'm saying who listens

985
00:46:12,960 --> 00:46:15,719
Speaker 1: who's listened to it? And again that's not the rule.

986
00:46:15,800 --> 00:46:17,120
Speaker 1: He doesn't have to be listened to. I'm not. I

987
00:46:17,120 --> 00:46:18,600
Speaker 1: don't even know if it's good or not. I've never

988
00:46:19,120 --> 00:46:23,560
Speaker 1: But if they're like here's Andre three thousands, flut album, Beyonce,

989
00:46:23,640 --> 00:46:28,160
Speaker 1: Cowboy Carter, Sabrina Carpenter, Short and Sweet, Charlie XCX Brat,

990
00:46:28,680 --> 00:46:33,960
Speaker 1: Jacob Callier, Jesse bowing for I don't know him, Billie Eilish,

991
00:46:34,000 --> 00:46:36,160
Speaker 1: of course, Chapel Roone, of course, Tail Swift, of Course,

992
00:46:37,960 --> 00:46:40,800
Speaker 1: Song of the Year, A bar song, Billie Eilish, Birds

993
00:46:40,800 --> 00:46:44,520
Speaker 1: of a Feather, Birds of a Feather, to beat good

994
00:46:45,480 --> 00:46:47,760
Speaker 1: Die with a smile that he got got, Berna Mars, Fortnite,

995
00:46:47,880 --> 00:46:51,640
Speaker 1: Taylor Swift, post Malone, good Luck Babe, chapel Roone, not

996
00:46:51,719 --> 00:46:54,040
Speaker 1: like us, Kendrick, please please please, Sabrina Carpenter text a

997
00:46:54,040 --> 00:46:55,560
Speaker 1: hold and Beyonce. I know every one of those songs.

998
00:46:57,520 --> 00:46:59,799
Speaker 1: Best new artist. This is always interesting. Let's see who

999
00:46:59,800 --> 00:47:06,000
Speaker 1: in the country space Chahboozy that's it.

1000
00:47:06,120 --> 00:47:06,839
Speaker 9: Huh, that's it.

1001
00:47:07,760 --> 00:47:14,960
Speaker 1: Benson Boone, I know him. That's a him. I know him, right,

1002
00:47:15,160 --> 00:47:18,799
Speaker 1: Benson Boone, Yeah, Yeah, Okay, Sabrina Carpenter know her. I

1003
00:47:18,800 --> 00:47:20,800
Speaker 1: don't know that. These next two are not to say them.

1004
00:47:21,040 --> 00:47:28,959
Speaker 1: Doci never heard of them. Karunga mm hmm kru kru.

1005
00:47:28,680 --> 00:47:32,120
Speaker 9: Ang beIN Doci's female apparently.

1006
00:47:31,760 --> 00:47:36,120
Speaker 1: Okay, ray r e y E Chapel Roon, Shaboozi, Teddy Swims.

1007
00:47:36,120 --> 00:47:36,640
Speaker 10: I mean.

1008
00:47:38,120 --> 00:47:42,719
Speaker 1: Chapel Roons. If they were going by people that care

1009
00:47:43,000 --> 00:47:47,840
Speaker 1: passion tickets, Chapel Roon's the wonder there, with Sabrina Carpenter

1010
00:47:47,880 --> 00:47:52,840
Speaker 1: probably being second. But I think that's always the category

1011
00:47:52,880 --> 00:47:54,799
Speaker 1: two where somebody absolutely random wins. But if they're not

1012
00:47:54,800 --> 00:47:59,000
Speaker 1: doing that panel, it won't be somebody absolute random. What

1013
00:47:59,080 --> 00:47:59,520
Speaker 1: do you agree?

1014
00:47:59,600 --> 00:47:59,759
Speaker 3: Yeah?

1015
00:48:00,040 --> 00:48:00,239
Speaker 4: Agree?

1016
00:48:00,239 --> 00:48:02,200
Speaker 1: Because sometimes it would be like I'm cellist, just one

1017
00:48:02,280 --> 00:48:04,520
Speaker 1: best new artist beating out Brittany and Christina and we're like,

1018
00:48:04,520 --> 00:48:07,839
Speaker 1: wait what and you listen to Yeah, it's a whole

1019
00:48:07,840 --> 00:48:10,440
Speaker 1: album of cello, Like who voted on this? Okay? So

1020
00:48:10,440 --> 00:48:13,880
Speaker 1: those are your Grammy notes and my idiot opinions on

1021
00:48:13,920 --> 00:48:14,120
Speaker 1: them all.

1022
00:48:14,160 --> 00:48:15,719
Speaker 9: I mean, I was like, when boni Vere won, We're like,

1023
00:48:15,719 --> 00:48:16,560
Speaker 9: who is bonie Vere?

1024
00:48:16,600 --> 00:48:18,600
Speaker 1: That was pretty good, though, like we did like Boniver

1025
00:48:18,680 --> 00:48:20,160
Speaker 1: after a while and then it was the same thing

1026
00:48:20,200 --> 00:48:23,160
Speaker 1: like three albums later, but okay, cool, that's that. Thanks

1027
00:48:23,200 --> 00:48:25,200
Speaker 1: for listening to the episode, and we will see you

1028
00:48:25,200 --> 00:48:25,759
Speaker 1: guys next week.

1029
00:48:26,920 --> 00:48:29,440
Speaker 12: Thanks for listening to a Bobby Cast production.