WEBVTT -  I Choose…Legendary Hollywood Lessons with Barbara Eden

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<v Speaker 1>You're listening to I Choose Me with Jenny Garland. Welcome

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<v Speaker 1>back to I Choose Me, where we dive into the

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<v Speaker 1>choices that shape our lives. Today's guest is someone I've

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<v Speaker 1>admired for decades and someone I had the chance to

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<v Speaker 1>work with very early in my own journey here in Hollywood.

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<v Speaker 1>In nineteen eighty nine, I starred alongside her in A

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<v Speaker 1>Brand New Life, one of my very first TV shows,

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<v Speaker 1>and it was an experience I will never forget. Barbara

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<v Speaker 1>Eden is a Hollywood icon. She starred opposite Elvis Presley,

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<v Speaker 1>made memorable appearances on I Love Lucy, The Johnny Carson Show,

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<v Speaker 1>Perry Mason, and Gun Smoke, just to name a few.

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<v Speaker 1>I loved her work in How to Marry a Millionaire,

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<v Speaker 1>the TV series It's so good you should watch it,

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<v Speaker 1>And of course she became a cultural touch stone as

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<v Speaker 1>Genie An I Dream of Genie. But behind the fame

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<v Speaker 1>and Sparkle is a woman who's made powerful, quiet choices

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<v Speaker 1>throughout her life. Choice is about identity, love, resilience, and

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<v Speaker 1>self respect in an industry that hasn't always made those easy.

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<v Speaker 1>She's also a New York Times bestselling author and most

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<v Speaker 1>recently released a beautiful children's book called Barbara and the Gin. Today,

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<v Speaker 1>we're going behind the curtain talking about what it really

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<v Speaker 1>takes to build a life on your own terms and

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<v Speaker 1>what Barbara's learned from a career and a life that

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<v Speaker 1>has been anything but ordinary. Please welcome Barbara Eden to

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<v Speaker 1>the podcast. Barbara, Barbara, Barbara, you have no idea how

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<v Speaker 1>excited I am that you are sitting in front of

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<v Speaker 1>me right now.

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<v Speaker 2>I'm so happy to see you.

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<v Speaker 1>Yeah, been a minute, my daughter mom, Oh my gosh.

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<v Speaker 1>We did Brand New Life together in nineteen eighty nine.

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<v Speaker 2>Yeah, and with Don Murray.

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<v Speaker 1>With Don Murray, and I remember thinking, oh my god,

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<v Speaker 1>I'm playing Barbara Eaton's daughter. And I also remember thinking,

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<v Speaker 1>oh my god, I'm like two degrees away from Marilyn

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<v Speaker 1>Monroe because of Don and bus stop. Oh yeah, you know,

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<v Speaker 1>I was just like in all every day at work.

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<v Speaker 2>Yeah, you know, Marilyn and I had the same stand

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<v Speaker 2>in you did because we were under contract of Fox

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<v Speaker 2>and Jee's character. That is cool, It is fun.

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<v Speaker 1>You just have no idea how you were the foundation

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<v Speaker 1>of my career because I had just moved to la

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<v Speaker 1>and I think this was my first acting job. Really, yes,

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<v Speaker 1>playing your daughter, My goodness, you were wonderful. Oh thanks,

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<v Speaker 1>But I watched everything you did. I don't know if

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<v Speaker 1>you noticed me stalking you at all times, but I

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<v Speaker 1>was just glued to you, and I wanted to see

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<v Speaker 1>how you did everything. And you I always credit you

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<v Speaker 1>as being the one who taught me how to have

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<v Speaker 1>set etiquette. Like you were the gold star in my mind,

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<v Speaker 1>and I always tried to live up to just being

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<v Speaker 1>like Barbara on set.

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<v Speaker 2>Because there's so feel so good.

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<v Speaker 1>Yeah, you were so warm and welcoming and professional, and

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<v Speaker 1>I just I really look back on that time, so

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<v Speaker 1>finally I remember watching you.

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<v Speaker 2>I remember watching in the makeup trailer.

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<v Speaker 1>Not to be creepy, but I remember just watching you

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<v Speaker 1>get your makeup done and watching the whole process. And

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<v Speaker 1>I remember you used to get makeup on your hands.

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<v Speaker 1>And at the time I was sixteen, Yeah, I thought,

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<v Speaker 1>why are they putting makeup on her hands?

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<v Speaker 2>And now that I'm fifty three, I know why. Yeah,

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<v Speaker 2>I get the hand makeup now. Well, I've always had

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<v Speaker 2>to do that even younger. Really, because my veins are

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<v Speaker 2>very blue. My mother, you're fair. I used to say, why, mommy,

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<v Speaker 2>Why did she say you're a blue blood.

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<v Speaker 1>Okay, that's an answer, But I don't like them. I

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<v Speaker 1>know it's so true. They are very blue mine too. Yeah, yeah,

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<v Speaker 1>Well nobody knows because we always have our hand makeup on.

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<v Speaker 1>I know that when you were younger, you've had this

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<v Speaker 1>incredible career that has spanned decades. I know that when

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<v Speaker 1>you were younger, before Hollywood, you wanted to be a singer,

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<v Speaker 1>and you studied singing and acting.

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<v Speaker 2>When you study acting, you do everything. You know, a

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<v Speaker 2>little bit of this, a little bit of that. I've

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<v Speaker 2>seen you dance, So you've got it. Well, thank you,

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<v Speaker 2>I have done it, but you've done it. But I

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<v Speaker 2>had very little training. It was really acting. Yeah, theater.

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<v Speaker 2>How did you know? How did you know you wanted

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<v Speaker 2>to be a performer? Well, it wasn't It wasn't something

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<v Speaker 2>I thought about a lot. We had a lot of

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<v Speaker 2>music in our house. My grandfather had been with the

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<v Speaker 2>opera company in San Francisco at the turn of the century,

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<v Speaker 2>and he always had well classical music in the house.

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<v Speaker 2>My mother sang a lot, and we'd sing together doing

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<v Speaker 2>the dishes, and it just sort of evolved. I was

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<v Speaker 2>in the choir church and one of my mother's friends

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<v Speaker 2>said she should study. And we didn't have a lot

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<v Speaker 2>of money at that time, but she gave me one

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<v Speaker 2>hundred dollars billow and said go. At that time that

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<v Speaker 2>was a lot of money. Yeah, And that started me.

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<v Speaker 2>And then I got a job and I could pay

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<v Speaker 2>for my own lessons at the Conservatory of Music and

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<v Speaker 2>San Francisco wonderful. And one day I was singing at

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<v Speaker 2>home and my mom came in and said, Barbara, you're

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<v Speaker 2>singing every note perfectly, but you don't mean a word

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<v Speaker 2>just singing. I think you should study acting. Oh that's

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<v Speaker 2>so I was. I think I was fourteen or fifteen

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<v Speaker 2>at that time. So I did, and it was so helpful,

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<v Speaker 2>so helpful for the singing and for the everything. You know,

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<v Speaker 2>theft I'm sure you have you studied. I have studied. Yes,

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<v Speaker 2>I studied dance and acting. Ever singing, yeah, see me,

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<v Speaker 2>never dancing. What was it that you broke through? Like,

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<v Speaker 2>what was it you said, I want to be in

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<v Speaker 2>the business. How did that happen? How did you come

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<v Speaker 2>to be? Oh? I just wanted to make a living. Okay,

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<v Speaker 2>good reason it was, this is what I was going

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<v Speaker 2>to do to make my living right away? I mean,

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<v Speaker 2>that's there was no question about it. My tea shirt.

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<v Speaker 2>Miss Holloway in San Francisco, after I'd been with her

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<v Speaker 2>for about oh, I don't know, through high school and

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<v Speaker 2>and one year of college, and she's in fact, she

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<v Speaker 2>was the one that said stop, you don't need college.

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<v Speaker 2>She said she she gave credit anyway, you know, and

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<v Speaker 2>said stop, come full time and study because I was

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<v Speaker 2>in there at night after school. So I did. I

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<v Speaker 2>did that for a couple of years, and then again

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<v Speaker 2>she had me in her office in Barbara. You have

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<v Speaker 2>to get out of the nest. I said, oh really,

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<v Speaker 2>She said yes, she said, you're you're too safe. You're

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<v Speaker 2>you're At that time, I was singing with dance bands

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<v Speaker 2>around the Bay Area, and I was a member of

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<v Speaker 2>Actors Equity. I had done a lot of theater and

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<v Speaker 2>she said, I either go to New York or LA

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<v Speaker 2>but there's nothing more for you here. And I didn't

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<v Speaker 2>know anyone in New York. I had an aunt and

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<v Speaker 2>uncle in San Marino, right down the hill from you,

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<v Speaker 2>and that's where I went. So I went from one

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<v Speaker 2>nest to another. Yes, but you got a taste of

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<v Speaker 2>that independence, and I did. When another friend or new

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<v Speaker 2>person I met here said, you have to move to

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<v Speaker 2>the Studio Club. San Marino isn't going to get you anywhere.

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<v Speaker 2>Where was the studio Club. The Studio Club was in Hollywood.

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<v Speaker 2>Haven't you heard about it? No? Oh, it was wonderful.

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<v Speaker 2>It was wonderful. It was. It had been started by

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<v Speaker 2>oh God, I can't think of her name now, an

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<v Speaker 2>actor in the thirties, actress, and she said, young women

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<v Speaker 2>need a place to stay were It isn't expensive and

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<v Speaker 2>they can get started. Anyone in the industry, Writers, secretaries,

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<v Speaker 2>actresses could live in this place. But it was pretty

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<v Speaker 2>tough to get in. It was difficult. No men were

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<v Speaker 2>allowed above the first floor, which is a big change

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<v Speaker 2>for today. Yeah, but you were with your contemporaries. You're

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<v Speaker 2>with people who were in the field. And I know

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<v Speaker 2>when there was an audition, we all raced out an

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<v Speaker 2>audition for it.

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<v Speaker 1>What was that like living in a home with women

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<v Speaker 1>that were young actresses, all wanting the same thing.

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<v Speaker 2>It was wonderful, it was. It was wonderful. Yeah. In fact,

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<v Speaker 2>my roommate Barbara Wilson, and I would go on the

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<v Speaker 2>She'd get an audition and I'd go with her. I'd

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<v Speaker 2>get one she'd go with me, the two of us,

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<v Speaker 2>and at one time that she was a brunette, beautiful,

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<v Speaker 2>beautiful young lady. We went on the interview and they said, well,

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<v Speaker 2>of course these are very small parts. I'm talking about,

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<v Speaker 2>not talking about starring in the room. And the director

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<v Speaker 2>who was interviewing us said, well, I guess I just

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<v Speaker 2>have to take both of you. You know that hat off. Yeah,

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<v Speaker 2>two of us. We had a good time. It was wonderful.

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<v Speaker 2>You always knew what was going on. You see, you

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<v Speaker 2>were at the hub.

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<v Speaker 1>You were right in the middle of them. Oh yeah,

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<v Speaker 1>that sounds so fun.

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<v Speaker 2>Well it was. It was. Also they also gave you

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<v Speaker 2>breakfast and dinner. I rarely ate there because I was

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<v Speaker 2>out in the street looking for work, but yeah, it was.

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<v Speaker 2>It was a wonderful place. I'm so sorry it's the

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<v Speaker 2>building is still but I guess no one wanted. Well

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<v Speaker 2>everything's changes, doesn't it. Yeah. Yeah, everyone wants their own

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<v Speaker 2>little apartment. I would rather have all the women around.

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<v Speaker 1>And yeah, that sounds really fun. I can imagine how

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<v Speaker 1>fun that must have been. You came up in a

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<v Speaker 1>time when women in Hollywood were often cast as symbols.

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<v Speaker 1>They were beautiful or they were charming, but they were

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<v Speaker 1>rarely taken seriously as equals.

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<v Speaker 2>Did you feel that? No, no, I didn't. When I

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<v Speaker 2>first came down and I was still staying with my

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<v Speaker 2>aunt and uncle, there's a man at Warner Brothers I

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<v Speaker 2>was sent to meet. He was head of casting and

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<v Speaker 2>I talked to him. He talked to me. He knew

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<v Speaker 2>my background. I told her everything. You know, where I studied,

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<v Speaker 2>what I did, how many plays I'd done, and I

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<v Speaker 2>was a member of actor's equity. Okay. And he looked

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<v Speaker 2>at me and he said, you're just not Hollywood. I said,

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<v Speaker 2>you know, I'm a very young girl, holding my gloves

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<v Speaker 2>and I just listened, and he said, this is what

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<v Speaker 2>they want. He showed me a picture of his daughter,

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<v Speaker 2>big tits. Well, I want to tell you right now,

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<v Speaker 2>that doesn't seem like much. But then I mean my father,

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<v Speaker 2>my uncle's never said that word. No, I never heard

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<v Speaker 2>that word in my life. But he said, but you're

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<v Speaker 2>just not pretty enough. You're just not what they want.

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<v Speaker 2>So I went out to the car my uncle had

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<v Speaker 2>driven me. I didn't know how to drive when I

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<v Speaker 2>came down here either, and holding back the tears, and

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<v Speaker 2>told my uncle what was said he was ready to

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<v Speaker 2>go back in have words. Yeah, but uh. Interestingly enough,

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<v Speaker 2>like eight months later, I was going to the coach

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<v Speaker 2>at Warner Brothers. He had seen me somewhere and said

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<v Speaker 2>work with me, and I said okay, and so I

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<v Speaker 2>would go on the lot. And one day I was

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<v Speaker 2>walking to where I was going to study and I

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<v Speaker 2>heard hey, hey, you hey, And I couldn't pay attention

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<v Speaker 2>because first of all, I was an under contract there,

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<v Speaker 2>and I thought he's gonna throw me. Somebody's gonna throw

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<v Speaker 2>me out, you know. He said, you with the yellow pants,

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<v Speaker 2>I had yellow pants. That was you. And I turned

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<v Speaker 2>around and it was that man. You should be nameless.

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<v Speaker 2>I know his name. It's somebody forever. Yeah. He said,

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<v Speaker 2>are you going up to so and so's room, you know,

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<v Speaker 2>for the class? I said, yes, I am. He said,

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<v Speaker 2>we're going to test you. The same man that told

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<v Speaker 2>me I wasn't pretty enough, I didn't have big tits.

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<v Speaker 1>You know what blows me away about that story is

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<v Speaker 1>not that he said big tits.

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<v Speaker 2>It's that he showed you a picture of his daughter. Yeah.

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<v Speaker 2>Well that just there's no way I can't wrap my

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<v Speaker 2>head around that. Yeah yeah, yeah, well wow and look

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<v Speaker 2>at you. So now he's ready to test you. Yeah,

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<v Speaker 2>just the same person. It's uh interesting.

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<v Speaker 1>I mean, yes, you were so young and so fresh

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<v Speaker 1>to the biz, the Hollywood biz.

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<v Speaker 2>Yeah.

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<v Speaker 1>I mean that must have been pretty devastating. It must

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<v Speaker 1>have gotten in your head.

0:14:44.240 --> 0:14:47.240
<v Speaker 2>Oh it did. I went back to my aunt uncle's

0:14:47.280 --> 0:14:51.080
<v Speaker 2>home and then I cried. Yeah, and then I thought,

0:14:51.560 --> 0:14:57.520
<v Speaker 2>not everyone looks alike. You need different characters for every play.

0:14:57.560 --> 0:15:01.240
<v Speaker 2>What is going on here? I don't care. I'll be

0:15:01.320 --> 0:15:03.760
<v Speaker 2>a character actress. I don't care if I'm not pretty enough.

0:15:04.560 --> 0:15:08.800
<v Speaker 1>Yeah, yeah, yeah, that is just crazy that. I've heard

0:15:08.800 --> 0:15:10.680
<v Speaker 1>some stories, but I think that one tops it.

0:15:14.520 --> 0:15:18.040
<v Speaker 3>Summer is this season of love. Sum are loveing. Here

0:15:18.080 --> 0:15:20.720
<v Speaker 3>we come. If you're old enough to remember Summer Loven,

0:15:20.960 --> 0:15:23.720
<v Speaker 3>you're old enough to find and I do Part two.

0:15:24.120 --> 0:15:26.640
<v Speaker 3>Listen each week as our hosts make it their goal

0:15:26.800 --> 0:15:29.280
<v Speaker 3>to find you the next true love of your life.

0:15:29.480 --> 0:15:34.080
<v Speaker 3>Jenny Garth, Jana Kramer, Alexia Napola, Cheryl Burke, Jen Fessler,

0:15:34.280 --> 0:15:38.080
<v Speaker 3>Kelly Ben Simone, Amy Robot, and TJ. Holmes are dedicated

0:15:38.080 --> 0:15:41.080
<v Speaker 3>to helping you fall in love again. It's time to

0:15:41.080 --> 0:15:43.440
<v Speaker 3>make it hot, hot hot this summer.

0:15:43.800 --> 0:15:46.600
<v Speaker 1>Listen to I do part two on the iHeartRadio app,

0:15:46.680 --> 0:15:55.440
<v Speaker 1>Apple podcasts or wherever you listen to podcasts. Okay, So,

0:15:55.480 --> 0:15:59.720
<v Speaker 1>how did you choose to hold onto your identity when

0:16:00.120 --> 0:16:02.760
<v Speaker 1>in the face of that story and when everybody was

0:16:02.760 --> 0:16:04.880
<v Speaker 1>trying to define you by your looks.

0:16:05.760 --> 0:16:08.760
<v Speaker 2>I don't think I noticed it, you know. I began

0:16:08.840 --> 0:16:14.840
<v Speaker 2>to get small roles, and then the real breakthrough for

0:16:15.040 --> 0:16:21.640
<v Speaker 2>me was the Laguna Theater. I did a play there

0:16:21.680 --> 0:16:24.600
<v Speaker 2>with John Drury. I don't know if you remember John Drury.

0:16:25.040 --> 0:16:28.560
<v Speaker 2>He was very popular and it's a two person play.

0:16:29.200 --> 0:16:31.120
<v Speaker 2>So if they came to see John, they came to

0:16:31.160 --> 0:16:36.320
<v Speaker 2>see me. And by the way, I found out about

0:16:36.320 --> 0:16:41.640
<v Speaker 2>it through the Hollywood Studio Club because several of the

0:16:41.640 --> 0:16:44.080
<v Speaker 2>girls said, you know, John's looking for someone to do

0:16:44.120 --> 0:16:47.080
<v Speaker 2>this with him, and nobody wants. No one wanted to

0:16:47.120 --> 0:16:50.360
<v Speaker 2>do a play. Well, you know, I was raised on

0:16:50.400 --> 0:16:53.680
<v Speaker 2>them and that was equity, and so I said, I'll

0:16:53.720 --> 0:16:57.240
<v Speaker 2>do it, I'll do it. And because I did that,

0:16:57.960 --> 0:17:05.120
<v Speaker 2>they found me a twentieth century Fox. Because I was shocked.

0:17:05.400 --> 0:17:08.760
<v Speaker 2>I was so surprised. I got really good reviews, which

0:17:08.800 --> 0:17:11.760
<v Speaker 2>is lovely. I don't think I've had any of that

0:17:11.880 --> 0:17:18.400
<v Speaker 2>good sense. But yeah, they brought me in and tested

0:17:18.440 --> 0:17:23.919
<v Speaker 2>me and put me under contract, under contract, And I've

0:17:23.960 --> 0:17:28.160
<v Speaker 2>always said it was my finishing school, you know, for acting.

0:17:28.240 --> 0:17:31.680
<v Speaker 2>It was taught me the camera taught me lights things

0:17:31.720 --> 0:17:35.359
<v Speaker 2>i'd never think about. How old were you? Oh god,

0:17:35.400 --> 0:17:39.680
<v Speaker 2>I don't remember now. Were you in your teen twenty? No? No, no,

0:17:39.760 --> 0:17:43.800
<v Speaker 2>I was but young form my age, very wet behind

0:17:43.800 --> 0:17:48.960
<v Speaker 2>my ears. You know, we all start there, we all

0:17:49.000 --> 0:17:51.679
<v Speaker 2>start there. What are some of the hard.

0:17:51.600 --> 0:17:55.760
<v Speaker 1>Lessons that you have faced when you look back and

0:17:55.840 --> 0:17:58.240
<v Speaker 1>you were trying to find your way in Hollywood.

0:18:01.000 --> 0:18:04.359
<v Speaker 2>Well, first of all, you don't pay any attention to

0:18:04.400 --> 0:18:10.680
<v Speaker 2>anything anyone says, because you will get so much criticism, negativity,

0:18:12.560 --> 0:18:16.280
<v Speaker 2>or too much you know, a puff thing. So just

0:18:16.560 --> 0:18:20.240
<v Speaker 2>be true to yourself. Block all that out. You must

0:18:20.280 --> 0:18:22.199
<v Speaker 2>be true to your in life. You have to be

0:18:22.240 --> 0:18:28.480
<v Speaker 2>true to yourself. But when you're if you recognize the

0:18:28.520 --> 0:18:32.720
<v Speaker 2>fact that you're being judged, get rid of it. Leave

0:18:32.760 --> 0:18:37.080
<v Speaker 2>it in the wings. Don't be judged. How do you

0:18:37.119 --> 0:18:39.240
<v Speaker 2>do that? How do you leave it in the wings?

0:18:40.920 --> 0:18:43.480
<v Speaker 2>I don't know. You just do you just do this?

0:18:43.680 --> 0:18:48.720
<v Speaker 2>Do it's gone, That's all right. But because I've had

0:18:48.760 --> 0:18:53.399
<v Speaker 2>too many experiences where they've been proven wrong. You know.

0:18:53.720 --> 0:18:56.280
<v Speaker 2>I love that you've proved them wrong all these years.

0:18:56.480 --> 0:19:02.280
<v Speaker 2>That's so good. Well, thank you. Yes, you are such

0:19:02.320 --> 0:19:06.000
<v Speaker 2>a knockout. Can I say that you're a babe? You're

0:19:06.040 --> 0:19:10.280
<v Speaker 2>a hottie? Hey, you think so? You are gorgeous.

0:19:11.000 --> 0:19:15.119
<v Speaker 1>But when Hollywood was new and shiny, like we talked about,

0:19:15.359 --> 0:19:19.360
<v Speaker 1>did you find it difficult in the face of what

0:19:19.400 --> 0:19:23.280
<v Speaker 1>that man told you? Did you find it difficult to

0:19:23.320 --> 0:19:26.919
<v Speaker 1>be taken seriously in the Hollywood world?

0:19:27.440 --> 0:19:30.119
<v Speaker 2>That No, The most difficult thing for me was getting

0:19:30.440 --> 0:19:33.520
<v Speaker 2>an SAG card. And because I would go on an

0:19:33.520 --> 0:19:37.640
<v Speaker 2>interview for small parts, you know things, and they'd asked

0:19:37.680 --> 0:19:41.560
<v Speaker 2>me if I belonged to the Union, I belonged to Actors' Equity,

0:19:41.720 --> 0:19:46.879
<v Speaker 2>not screen actors killed, you know, And I wouldn't say.

0:19:46.960 --> 0:19:50.040
<v Speaker 2>I wouldn't tell them that I did belong to actors Equity,

0:19:50.880 --> 0:19:54.200
<v Speaker 2>and they didn't tell me either. If you know the

0:19:54.359 --> 0:19:59.080
<v Speaker 2>union thing, because if you belong to equity, you automatically

0:19:59.480 --> 0:20:02.280
<v Speaker 2>could be an SAG At that time, I didn't know.

0:20:02.320 --> 0:20:07.480
<v Speaker 2>It took me a while before I had a part

0:20:07.720 --> 0:20:11.679
<v Speaker 2>in a film where they were willing to do all

0:20:11.760 --> 0:20:17.000
<v Speaker 2>the paperwork to get me my sag card. That was

0:20:17.040 --> 0:20:21.400
<v Speaker 2>the most difficult thing for me, dealing with the negativity

0:20:21.720 --> 0:20:25.639
<v Speaker 2>or the I didn't have a problem with that really.

0:20:27.240 --> 0:20:33.640
<v Speaker 2>I know people have talked a lot about the casting couch. Yeah,

0:20:33.640 --> 0:20:37.840
<v Speaker 2>but I didn't. You never had that problem? No, Oh,

0:20:37.920 --> 0:20:40.560
<v Speaker 2>I love that. Ever, did you know?

0:20:41.520 --> 0:20:45.760
<v Speaker 1>And I feel as if we are a very narrow

0:20:46.359 --> 0:20:48.320
<v Speaker 1>category of women that didn't have to deal with that.

0:20:48.480 --> 0:20:55.040
<v Speaker 2>I guess so I just never did unless they chose

0:20:55.080 --> 0:20:58.159
<v Speaker 2>to do that. I knew a lot of girls that

0:20:58.760 --> 0:21:02.199
<v Speaker 2>got jobs because of it, but they didn't get the

0:21:02.280 --> 0:21:07.400
<v Speaker 2>important work, you know, they didn't they get the one

0:21:07.440 --> 0:21:09.400
<v Speaker 2>line or the two lines or whatever.

0:21:09.800 --> 0:21:11.800
<v Speaker 1>It really sounds like you had your eye on the

0:21:11.840 --> 0:21:15.240
<v Speaker 1>prize and you were very focused about what you wanted

0:21:15.280 --> 0:21:18.359
<v Speaker 1>and like you said, just continue to be true to yourself.

0:21:18.960 --> 0:21:22.840
<v Speaker 2>Yeah, that's that's all you're here for. Yeah. I mean,

0:21:22.880 --> 0:21:30.760
<v Speaker 2>we're all individuals and different individuals, and like I should

0:21:30.800 --> 0:21:32.840
<v Speaker 2>have told that man at Warner Brothers. You know, there

0:21:32.840 --> 0:21:36.800
<v Speaker 2>are a lot of different kinds of people and they

0:21:37.000 --> 0:21:39.399
<v Speaker 2>and they have to be in a movie or whatever

0:21:39.440 --> 0:21:44.119
<v Speaker 2>you're doing and play the part. Yeah, they were looking

0:21:44.160 --> 0:21:47.000
<v Speaker 2>for something very specific at that time. It sounds like

0:21:47.119 --> 0:21:53.080
<v Speaker 2>I had another time. This is after I did have

0:21:53.280 --> 0:21:57.600
<v Speaker 2>my SAH card and I finally had an agent. And

0:21:57.640 --> 0:22:00.960
<v Speaker 2>the reason I had an agent is because the studio club,

0:22:02.119 --> 0:22:05.760
<v Speaker 2>I heard about an actor who wanted who is being interviewed,

0:22:06.359 --> 0:22:08.520
<v Speaker 2>but he needed a girl to do a scene with him,

0:22:09.280 --> 0:22:11.720
<v Speaker 2>and none, none of the girls at the club wanted

0:22:11.760 --> 0:22:13.920
<v Speaker 2>to do it. And I said, okay, I'll do it.

0:22:14.960 --> 0:22:19.400
<v Speaker 2>You know, I do anything at that point, and because

0:22:19.520 --> 0:22:23.359
<v Speaker 2>I worked with him. As I was walking out, the

0:22:23.400 --> 0:22:26.240
<v Speaker 2>agent came over to me and said you're pretty good,

0:22:26.560 --> 0:22:29.720
<v Speaker 2>and I said thank you, and he said who's your agent.

0:22:30.119 --> 0:22:32.320
<v Speaker 2>I said I don't have one, and he said, oh

0:22:32.400 --> 0:22:35.760
<v Speaker 2>you do. Now that's how I got an agent.

0:22:36.440 --> 0:22:40.080
<v Speaker 1>Wow, And that's how it happens. Yeah, the right place,

0:22:40.119 --> 0:22:41.119
<v Speaker 1>at the right time.

0:22:41.000 --> 0:22:44.480
<v Speaker 2>That's true. And he at one time. Then I started

0:22:44.520 --> 0:22:48.840
<v Speaker 2>acting in small parts and things and there was an

0:22:48.880 --> 0:22:54.840
<v Speaker 2>interview at CBS and they wanted a blonde, sexy blonde

0:22:54.880 --> 0:22:58.760
<v Speaker 2>you know. Yeah. So I had one dress that was sexy,

0:22:59.720 --> 0:23:03.919
<v Speaker 2>one dreading the spaghetti straps and he said wear the

0:23:04.000 --> 0:23:07.680
<v Speaker 2>dress on the interview. I said okay. So I went

0:23:07.760 --> 0:23:11.360
<v Speaker 2>to CBS. By then I could drive. I didn't drive

0:23:11.400 --> 0:23:15.600
<v Speaker 2>a car. I did it and it was cold, and

0:23:15.640 --> 0:23:18.400
<v Speaker 2>I had a white fluffy coat, and I went up

0:23:18.440 --> 0:23:23.080
<v Speaker 2>and got up into the room. Oh well, outside it

0:23:23.119 --> 0:23:27.959
<v Speaker 2>was cold. Inside it was colder. CBS went in and

0:23:28.000 --> 0:23:31.399
<v Speaker 2>had an interview with the director. Told him, you know

0:23:31.560 --> 0:23:35.919
<v Speaker 2>what i'd done where I'd studied, blah blah blah. You know.

0:23:36.760 --> 0:23:40.320
<v Speaker 2>He said, thank you very much. I went back and oh,

0:23:40.359 --> 0:23:42.639
<v Speaker 2>I didn't take the coat off. You kept the coat off.

0:23:42.680 --> 0:23:43.320
<v Speaker 1>I kept.

0:23:43.960 --> 0:23:47.440
<v Speaker 2>I will tell you. Yeah, I was cold. And when

0:23:47.480 --> 0:23:50.200
<v Speaker 2>I got back to the studio club, my agent called

0:23:50.240 --> 0:23:53.440
<v Speaker 2>and said what happened. I said, well, I didn't get it.

0:23:53.600 --> 0:23:56.160
<v Speaker 2>I know I didn't get it. He said, they told

0:23:56.160 --> 0:23:58.720
<v Speaker 2>me you didn't get it. Tell me what you did.

0:23:58.960 --> 0:24:01.720
<v Speaker 2>And I said, well, I think part of the reason

0:24:01.760 --> 0:24:07.240
<v Speaker 2>maybe I didn't take my coat off. So but in

0:24:07.280 --> 0:24:10.040
<v Speaker 2>a couple of weeks they this was the Johnny Carson Show.

0:24:10.080 --> 0:24:13.960
<v Speaker 2>He was not the nighttime show. He had a daytime thing.

0:24:14.160 --> 0:24:17.560
<v Speaker 2>And he said, Barbara, they want to see you again.

0:24:18.320 --> 0:24:22.800
<v Speaker 2>Take off your coat. Oh boy, So I said, okay,

0:24:23.880 --> 0:24:28.520
<v Speaker 2>I did. I was freezing cold, and lake can be cold,

0:24:28.600 --> 0:24:31.479
<v Speaker 2>you know. I took the coat off in my car

0:24:32.240 --> 0:24:37.359
<v Speaker 2>and walked in had the interview with the same director.

0:24:37.920 --> 0:24:43.320
<v Speaker 2>You know, and I know again I could tell, you

0:24:43.359 --> 0:24:45.880
<v Speaker 2>can tell, you can tell. And I was walking down

0:24:45.920 --> 0:24:48.280
<v Speaker 2>the hallway and there were some men at the water

0:24:49.240 --> 0:24:52.800
<v Speaker 2>stand and as I walked by, they made lesser remarks,

0:24:53.200 --> 0:24:57.840
<v Speaker 2>you know, kept walking, and then one of them detached

0:24:57.920 --> 0:25:00.639
<v Speaker 2>himself and took my arm. Said you don't mine, do you?

0:25:01.240 --> 0:25:04.159
<v Speaker 2>And I said, no, I don't mind. What's to mind.

0:25:04.320 --> 0:25:08.240
<v Speaker 2>You know, we're here in a hallway and I'm going

0:25:08.240 --> 0:25:14.520
<v Speaker 2>to the elevator, that's okay. And we were talking back

0:25:14.600 --> 0:25:19.240
<v Speaker 2>and forth, joking, and I got into the elevator and

0:25:19.280 --> 0:25:22.280
<v Speaker 2>he stopped it and he said, were you in saying

0:25:23.040 --> 0:25:25.600
<v Speaker 2>seeing the director? I can't remember the director's name at

0:25:25.640 --> 0:25:28.040
<v Speaker 2>this time, I said. He said, did you get the job?

0:25:28.080 --> 0:25:32.199
<v Speaker 2>I said I don't think so, and he said like that,

0:25:33.760 --> 0:25:39.120
<v Speaker 2>and that's how I got started in the elevator. Well

0:25:39.160 --> 0:25:45.160
<v Speaker 2>that's how really I did fourteen or fifteen of those shows,

0:25:45.920 --> 0:25:49.480
<v Speaker 2>I think mainly because I was used to live audiences,

0:25:50.960 --> 0:25:55.880
<v Speaker 2>you know, and I've done a lot of theater. But yeah,

0:25:56.520 --> 0:26:01.960
<v Speaker 2>and he apologized to me, the director, he said, I'm

0:26:01.720 --> 0:26:05.560
<v Speaker 2>I'm so sorry. He said, I fell into that habit

0:26:05.640 --> 0:26:11.080
<v Speaker 2>that directors are casting people do, of thinking that they're

0:26:11.119 --> 0:26:15.120
<v Speaker 2>not actors, but they can't be something else other than

0:26:15.160 --> 0:26:18.800
<v Speaker 2>what they are. I wanted a dumb blonde who could

0:26:18.880 --> 0:26:25.360
<v Speaker 2>sing off key. You studied at conservatory. You were extremely intelligent.

0:26:25.600 --> 0:26:30.240
<v Speaker 2>Little did he know at the level, but you could.

0:26:31.240 --> 0:26:35.800
<v Speaker 2>But he said, I just realize you were an actor.

0:26:36.520 --> 0:26:40.360
<v Speaker 2>You could act and do those things be stupid.

0:26:41.280 --> 0:26:45.440
<v Speaker 1>Yeah, that's that's the best story ever.

0:26:45.560 --> 0:26:46.440
<v Speaker 2>Isn't it interesting?

0:26:46.560 --> 0:26:49.560
<v Speaker 1>I mean, and if you hadn't been open to that

0:26:49.680 --> 0:26:52.400
<v Speaker 1>gentleman in the hallway, I wouldn't have had the job.

0:26:52.520 --> 0:26:56.960
<v Speaker 1>And weren't you know, so easy going and delightful to

0:26:57.240 --> 0:27:01.000
<v Speaker 1>just on a human level, you wouldn't have gotten it.

0:27:01.320 --> 0:27:05.919
<v Speaker 2>Yeah. Who was this guy at the water cooler? You

0:27:05.960 --> 0:27:09.639
<v Speaker 2>know something? Later years he was one of the producers

0:27:09.680 --> 0:27:13.360
<v Speaker 2>on he was the producer. Okay, but he was one

0:27:13.400 --> 0:27:17.080
<v Speaker 2>of my films. I've forgotten his name. I'm sorry. That's okay,

0:27:17.200 --> 0:27:20.840
<v Speaker 2>so long ago. Well that he was the producer, that's enough. Yeah,

0:27:20.920 --> 0:27:29.720
<v Speaker 2>I love that story. Oh my gosh.

0:27:30.040 --> 0:27:35.200
<v Speaker 1>I think as women, there's that line between being admired

0:27:36.400 --> 0:27:39.040
<v Speaker 1>and being respected. I feel like I'm gonna I know

0:27:39.680 --> 0:27:42.399
<v Speaker 1>what you're going to say to this. We're often misunderstood,

0:27:42.560 --> 0:27:45.840
<v Speaker 1>such as that story did you find yourself having to

0:27:45.960 --> 0:27:50.960
<v Speaker 1>push back to prove yourself in that regard that you

0:27:51.359 --> 0:27:57.199
<v Speaker 1>deserved respect. No, no, I just expected it. No, I

0:27:57.200 --> 0:27:58.120
<v Speaker 1>don't think there was ever.

0:27:58.880 --> 0:28:01.280
<v Speaker 2>There might have been in said Francisco when I was

0:28:01.400 --> 0:28:06.199
<v Speaker 2>very young, when I was a teenager, but not not

0:28:06.320 --> 0:28:10.240
<v Speaker 2>in Hollywood at I didn't have that. I think I

0:28:10.320 --> 0:28:12.800
<v Speaker 2>was very lucky. You might have had an angel on

0:28:12.920 --> 0:28:16.960
<v Speaker 2>my shoulder, but maybe you had a genie or perhaps

0:28:17.040 --> 0:28:23.600
<v Speaker 2>I didn't. I didn't accept it. I don't know. I

0:28:23.640 --> 0:28:26.280
<v Speaker 2>didn't pay a lot of attention to what a lot

0:28:26.280 --> 0:28:29.400
<v Speaker 2>of people were talking about. I'd been to that guy

0:28:29.400 --> 0:28:33.800
<v Speaker 2>at Warner Brothers, and I had CBS, so I just

0:28:33.840 --> 0:28:41.400
<v Speaker 2>didn't allow that negativity to come near me. I think

0:28:41.480 --> 0:28:44.520
<v Speaker 2>that's I think that's what it is. You're making me think. Now,

0:28:44.720 --> 0:28:49.120
<v Speaker 2>hold on home, me give you some time just because

0:28:49.160 --> 0:28:50.200
<v Speaker 2>you think you're my daughter.

0:28:52.960 --> 0:28:58.120
<v Speaker 1>Why is that though, Because this business can breed insecurity,

0:28:58.840 --> 0:29:03.040
<v Speaker 1>and as a I definitely battled with a lot of

0:29:03.480 --> 0:29:07.480
<v Speaker 1>things regarding that. But you sound like you came in

0:29:07.600 --> 0:29:11.000
<v Speaker 1>with a true knowledge of who you were and what

0:29:11.040 --> 0:29:13.920
<v Speaker 1>you were worth. Do you think that was instilled in

0:29:14.000 --> 0:29:16.160
<v Speaker 1>you by your family, by your mom, by your dad?

0:29:16.280 --> 0:29:21.480
<v Speaker 2>Oh, definitely, definitely, And I was raised more by women.

0:29:23.240 --> 0:29:26.520
<v Speaker 2>My dad was there, but my grandmother was there. My aunt,

0:29:27.400 --> 0:29:30.440
<v Speaker 2>the one who lived in San Marino, would always come

0:29:30.480 --> 0:29:37.360
<v Speaker 2>through San Francisco, and my mother, my mother's sister. Oh definitely. Yeah.

0:29:37.560 --> 0:29:42.240
<v Speaker 2>But I think we all have insecurities. We all have

0:29:42.400 --> 0:29:47.880
<v Speaker 2>a little spot in our psyche that oh my god, George,

0:29:47.920 --> 0:29:50.640
<v Speaker 2>look all right? Am I doing this all right?

0:29:50.960 --> 0:29:54.880
<v Speaker 1>And absolutely that little voice, yeah, yeah, it's always there.

0:29:56.200 --> 0:29:59.320
<v Speaker 1>What advice would you give women today who are feeling

0:29:59.560 --> 0:30:05.880
<v Speaker 1>box in by expectations or stereotypes. Are you talking about

0:30:05.920 --> 0:30:07.960
<v Speaker 1>actors or just generally speaking.

0:30:07.640 --> 0:30:12.080
<v Speaker 2>I think just women, just as a woman. Yeah, well,

0:30:13.800 --> 0:30:16.960
<v Speaker 2>I would say get out of the box. You know,

0:30:18.080 --> 0:30:24.800
<v Speaker 2>you can't let other people affect you or it just

0:30:24.880 --> 0:30:28.360
<v Speaker 2>can't be done, you can't do it. I don't know

0:30:28.400 --> 0:30:32.520
<v Speaker 2>what else to say. First of all, I think you

0:30:32.600 --> 0:30:37.400
<v Speaker 2>have to do your job well. Whether it's a wife

0:30:38.880 --> 0:30:46.000
<v Speaker 2>or a mother, or an actor or a scientist, a teacher,

0:30:47.120 --> 0:30:52.240
<v Speaker 2>whatever you're doing, do it well or be interested enough

0:30:52.320 --> 0:30:59.720
<v Speaker 2>to do it, and then you'll feel good about yourself

0:31:02.120 --> 0:31:11.640
<v Speaker 2>and also recognize that we're all connected. I believe this.

0:31:12.320 --> 0:31:17.640
<v Speaker 2>I think all humans on earth are all connected by one.

0:31:18.160 --> 0:31:21.000
<v Speaker 2>I don't want to get into religions and things, but

0:31:21.800 --> 0:31:26.720
<v Speaker 2>I do feel that it is we're all a manifestation

0:31:27.160 --> 0:31:34.440
<v Speaker 2>of a greater power. And realize that when you're working.

0:31:34.480 --> 0:31:38.200
<v Speaker 2>For instance, since I'm an actor, that's my job, but

0:31:38.280 --> 0:31:43.560
<v Speaker 2>when you're working with someone who might be a little different,

0:31:44.480 --> 0:31:50.760
<v Speaker 2>I think you have to just keep recognizing what connects

0:31:50.800 --> 0:31:55.640
<v Speaker 2>the two of you. Just know it, and when you

0:31:55.720 --> 0:31:59.320
<v Speaker 2>know it, it makes it so much better, makes everything

0:31:59.400 --> 0:32:02.800
<v Speaker 2>work out well. Then you feel better about yourself.

0:32:03.800 --> 0:32:07.920
<v Speaker 1>And when you feel good about yourself, you're unstoppable.

0:32:08.640 --> 0:32:13.680
<v Speaker 2>Yeah, you're productive. You're productive. Yes, this year, you're not

0:32:13.720 --> 0:32:15.880
<v Speaker 2>in the box. You're not in the box because there

0:32:15.960 --> 0:32:21.360
<v Speaker 2>is no box, there is none. That's great. No, don't

0:32:21.400 --> 0:32:22.200
<v Speaker 2>recognize it.

0:32:23.000 --> 0:32:31.080
<v Speaker 1>You're so strong, Barbara sometime. Okay, let's go to nineteen sixty.

0:32:31.560 --> 0:32:34.760
<v Speaker 2>Okay, you're ready. That was a very good year for you.

0:32:34.800 --> 0:32:35.240
<v Speaker 2>By the way.

0:32:35.280 --> 0:32:38.320
<v Speaker 1>You were working all the time, all the time in

0:32:38.400 --> 0:32:41.160
<v Speaker 1>nineteen sixty. I mean you were doing two, three four

0:32:41.560 --> 0:32:44.640
<v Speaker 1>films a year, pretty much every year. But I noticed

0:32:44.680 --> 0:32:48.000
<v Speaker 1>in nineteen sixty you had a lot of credits. You

0:32:48.040 --> 0:32:53.800
<v Speaker 1>were doing a movie opposite Elvis Presley, Yes's Flaming Star yeah,

0:32:54.200 --> 0:32:54.680
<v Speaker 1>so good.

0:32:55.640 --> 0:32:59.600
<v Speaker 2>What was it like working with someone on that global

0:32:59.760 --> 0:33:04.240
<v Speaker 2>level of stardom? It was just like working with any

0:33:04.280 --> 0:33:15.200
<v Speaker 2>other actor. And he was lovely, just the sweetest, really wonderful.

0:33:15.240 --> 0:33:18.080
<v Speaker 2>You know. When I would come on the set, he'd

0:33:18.200 --> 0:33:22.880
<v Speaker 2>run and get me a chair. Actors don't do that. Well,

0:33:23.640 --> 0:33:27.160
<v Speaker 2>no they don't. It's a gentleman. No, they're all we're

0:33:27.200 --> 0:33:31.040
<v Speaker 2>all working in our little thing. But he was. He

0:33:31.080 --> 0:33:34.720
<v Speaker 2>was a gentleman. Was his Mama brought him up right,

0:33:35.560 --> 0:33:41.040
<v Speaker 2>and he was fun to talk to. We would talk

0:33:41.120 --> 0:33:45.640
<v Speaker 2>for a long time when the lights are being set up,

0:33:45.680 --> 0:33:50.760
<v Speaker 2>because you know, it takes wow. And he told me

0:33:50.800 --> 0:33:54.240
<v Speaker 2>about his mother. And then he asked me because at

0:33:54.280 --> 0:33:58.840
<v Speaker 2>the time I was married to Michael and Sarah, who

0:33:59.320 --> 0:34:01.960
<v Speaker 2>was very well known at that time. I don't think

0:34:01.960 --> 0:34:05.000
<v Speaker 2>anyone knows him now, but at that time he was.

0:34:05.640 --> 0:34:09.840
<v Speaker 2>And Elvis was a huge fan of Mike's and he

0:34:10.200 --> 0:34:13.680
<v Speaker 2>asked me, how how can you be married and still

0:34:13.719 --> 0:34:21.640
<v Speaker 2>be in the light like you are? And what I

0:34:21.760 --> 0:34:26.360
<v Speaker 2>told you, it's a job. The two of us work.

0:34:26.560 --> 0:34:31.200
<v Speaker 2>He works, I work, but but it's not you know,

0:34:32.280 --> 0:34:34.759
<v Speaker 2>it's not. It's just like any other job. It's like

0:34:34.840 --> 0:34:39.000
<v Speaker 2>going to the office for us really, so nothing gets

0:34:39.000 --> 0:34:43.120
<v Speaker 2>in the way. And he said, well, he said, you know,

0:34:44.640 --> 0:34:48.160
<v Speaker 2>I've met somebody I really like a lot, but I

0:34:48.200 --> 0:34:52.080
<v Speaker 2>don't know how I can bring her into this. Well,

0:34:52.120 --> 0:34:55.719
<v Speaker 2>what is this? This is nothing. This is how we work,

0:34:55.800 --> 0:34:58.560
<v Speaker 2>This is how we make our living. And I said, no,

0:34:59.719 --> 0:35:03.960
<v Speaker 2>you know, I told her this. Actually, are we talking

0:35:04.000 --> 0:35:11.759
<v Speaker 2>about Priscilla. Priscilla, Yes, lovely, lovely woman, just a sweetheart. Yeah,

0:35:11.800 --> 0:35:16.640
<v Speaker 2>and I I said, just know that it's your work,

0:35:17.719 --> 0:35:20.680
<v Speaker 2>of course, you know, I think his work was a

0:35:20.719 --> 0:35:25.200
<v Speaker 2>little different than with the camera that you know, I've

0:35:25.200 --> 0:35:30.400
<v Speaker 2>done my stint in Las Vegas, and yeah, it's a

0:35:30.480 --> 0:35:36.120
<v Speaker 2>different that is a different world. But in my ignorance,

0:35:36.160 --> 0:35:41.640
<v Speaker 2>I said, it's just a job. Yeah. I mean, when

0:35:41.680 --> 0:35:46.160
<v Speaker 2>you look at that career and the pain that Elvis

0:35:46.840 --> 0:35:50.120
<v Speaker 2>seemed to go through because of his personal life, do

0:35:50.120 --> 0:35:52.279
<v Speaker 2>you ever think that there can be just too much

0:35:52.440 --> 0:35:56.160
<v Speaker 2>fame for one person. No, I don't think it's the fame,

0:35:56.880 --> 0:36:00.239
<v Speaker 2>I really don't. I think it's being a steer in

0:36:00.239 --> 0:36:08.160
<v Speaker 2>the wrong direction by people around you. You know, as

0:36:08.200 --> 0:36:09.719
<v Speaker 2>I said, true to yourself.

0:36:11.160 --> 0:36:11.799
<v Speaker 3>He was.

0:36:14.320 --> 0:36:19.120
<v Speaker 2>It broke my heart to hear about him, And actually

0:36:19.200 --> 0:36:22.240
<v Speaker 2>I followed him on it because as I was doing Genie,

0:36:22.320 --> 0:36:25.319
<v Speaker 2>I was also working in Vegas singing. I don't know

0:36:25.320 --> 0:36:28.400
<v Speaker 2>if you knew that at the same time. Yeah, wow,

0:36:28.600 --> 0:36:32.239
<v Speaker 2>well in between, you know. In fact, I think I

0:36:32.280 --> 0:36:34.759
<v Speaker 2>did a movie a year, and then I'd do three

0:36:34.800 --> 0:36:40.440
<v Speaker 2>weeks in Vegas doing my act. And I was in

0:36:40.600 --> 0:36:48.120
<v Speaker 2>Reno and singing there and I got a cold, like

0:36:48.400 --> 0:36:52.560
<v Speaker 2>kind of I have right now, and they took me

0:36:52.640 --> 0:36:56.799
<v Speaker 2>to a doctor in Reno and gave me a shot.

0:36:57.280 --> 0:36:59.640
<v Speaker 2>I don't know what it was, but they did, and

0:37:00.239 --> 0:37:04.440
<v Speaker 2>it cleared up the congestion and everything. It was a miracle.

0:37:05.120 --> 0:37:07.160
<v Speaker 2>And the man who took me to the doctor said,

0:37:07.200 --> 0:37:10.000
<v Speaker 2>I don't want you to ever see this doctor again.

0:37:11.200 --> 0:37:16.080
<v Speaker 2>And I said why, he just don't do it. He

0:37:16.120 --> 0:37:24.120
<v Speaker 2>said he's Elvis's doctor, and he said he travels with him.

0:37:24.680 --> 0:37:29.040
<v Speaker 2>But he said, I have seen Elvis's bottom, you know,

0:37:29.480 --> 0:37:33.799
<v Speaker 2>And he said it's like a pincushion. So it's very destructive.

0:37:37.600 --> 0:37:43.759
<v Speaker 2>He loved to sing, he loved to perform, but I

0:37:43.800 --> 0:37:48.160
<v Speaker 2>think I think the people around him expected too much

0:37:48.760 --> 0:37:52.560
<v Speaker 2>out of him, too much, and he was willing to

0:37:52.600 --> 0:37:56.680
<v Speaker 2>do it because he loved it so much. Beautiful, beautiful

0:37:56.760 --> 0:37:58.640
<v Speaker 2>human being. It's just so sad.

0:37:59.640 --> 0:38:03.240
<v Speaker 1>Yeah, yeah, Okay, Barbara, I have so many more things

0:38:03.280 --> 0:38:04.560
<v Speaker 1>I want to talk to you about.

0:38:05.440 --> 0:38:07.160
<v Speaker 2>I just can't stop. I think we're going to have

0:38:07.160 --> 0:38:07.839
<v Speaker 2>to make this a two

0:38:07.880 --> 0:38:11.080
<v Speaker 1>Parter, so everybody keep an eye out for the second

0:38:11.080 --> 0:38:14.080
<v Speaker 1>part of this incredible conversation with Barbara Eden.