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Speaker 1: Joelle. I've been watching you on Twitter all day, and

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Speaker 1: I am so happy that this Beyonce thing has come out,

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Speaker 1: because you seem like you're on ecstasy over there, just

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Speaker 1: telling Daniel.

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Speaker 2: I've already seen it twice. I have plans to watch

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Speaker 2: it a third time. And I get off work at

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Speaker 2: seven today. I'm probably gonna be online with some friends

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Speaker 2: doing a live watch it is.

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Speaker 3: Is it? Dope? We haven't watched it yet. We're waiting, dope.

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Speaker 1: She's holding and she's holding her eyes.

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Speaker 2: When you get to brown skinned girls and you're holding

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Speaker 2: your daughter and you're crying because you're like, look at

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Speaker 2: this gorgeous representation for my child.

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Speaker 3: It's so good. She should I should I watch it

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Speaker 3: with the kids or without the kids, because I know

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Speaker 3: she can be risky.

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Speaker 2: I don't have children, so I always tell parents to

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Speaker 2: watch by themselves first. I have no idea what appropriate

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Speaker 2: is for a job.

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Speaker 3: Remind right, like the last record that she did wear,

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Speaker 3: she was in the thong the whole time and shaking

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Speaker 3: her booty the whole time. Like, I could watch it,

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Speaker 3: but I don't know if I want my kids watching that.

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Speaker 3: My baby's watching that.

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Speaker 2: This is a lot less, Uh, sexualized because it's let

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Speaker 2: me put it this way, it's on Disney Plus. Okay, so

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Speaker 2: it's it's you know, the Effords have been removed from

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Speaker 2: the content. Uh, there's not a lot of uh ass

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Speaker 2: and titties out. I think.

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Speaker 3: I don't know if I want to watch it anymore.

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Speaker 1: One viewer, I love the Joel review. There's not a

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Speaker 1: lot of ass and titties out Therefore give.

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Speaker 2: Us a lot of body suits and uh two bikinis,

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Speaker 2: which we appreciate her for, thank you.

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Speaker 1: It's just you gotta read. You gotta read Joel. You

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Speaker 1: gotta look at Joel's Twitter. It's like, basically become a tribute.

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Speaker 1: It's tribute to Beyonce.

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Speaker 3: Actually, you created an altar, you have a shrine.

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Speaker 2: I don't have a bedroom right now, but when I do,

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Speaker 2: there will absolutely be like a Beyonce photo.

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Speaker 1: Joel's Twitter smiling like I'm so you know, when your

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Speaker 1: friends are happy, you're happy. And I was like I

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Speaker 1: was holding my heart for Joelle this morning. It's like

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Speaker 1: this woman's this woman is one happy human being.

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Speaker 3: When did it drop last night at midnight or this morning?

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Speaker 1: Did you watch it at midnight?

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Speaker 2: No? I tried, but I was tired and I took

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Speaker 2: my edible at the time I normally take it, and

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Speaker 2: then I was like, well that is that was watching?

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Speaker 1: I have a question. It's a music video movie kind

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Speaker 1: of thing. Is that what it is?

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Speaker 2: It's called a visual album, so every So in twenty nineteen,

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Speaker 2: Beyonce released The Lion King basically album. Uh it was great.

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Speaker 2: So this is every single song off of that album

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Speaker 2: gets a music video. But it tells like an overarching story.

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Speaker 2: But there's not like a lot of dialogue sapping in between,

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Speaker 2: so it's not like it's more visual storytelling.

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Speaker 3: Wait, this is the music from The Lion King, the.

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Speaker 2: Music the album she did for The Lion King, so

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Speaker 2: it's not like a Kuna matata.

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Speaker 3: It's all.

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Speaker 1: So I would have tuned in if it was like,

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Speaker 1: oh but the money, dude, you made it sound Italian.

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Speaker 4: But but melis ridiculous.

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Speaker 2: It's cool because she got like a bunch of like

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Speaker 2: artists like from South Africa, Ghana I know is well represented,

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Speaker 2: I think Nigeria, so it's not just artists, but producers

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Speaker 2: get features on their dancers.

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Speaker 3: So it's like it's Drake on it.

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Speaker 2: Drake is not on this album. Kendrick lamar Is on

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Speaker 2: the album Okay, There We Go cal Is on the album.

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Speaker 3: It's always interesting to see what rappers Beyonce is gonna

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Speaker 3: put on her record, because, believe it or not, lyrically

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Speaker 3: she's she could take them all down pretty much. When

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Speaker 3: when Beyonce sings and puts it into rap form or

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Speaker 3: chat form, it's a rap for a lot of these cats.

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Speaker 3: She's very slick with her with her lyrics.

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Speaker 1: The question.

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Speaker 3: A lot of it could be because she's married to

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Speaker 3: jay Z, but she writes her own stuff. Man, it's

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Speaker 3: not anybody else writing it.

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Speaker 1: That was my question. I didn't want to be yelled

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Speaker 1: at by either one of you, but I want to

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Speaker 1: know if she writes her own lyrics.

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Speaker 3: Absolutely absolutely, Yes. Did you know this movie? Yeah, she's

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Speaker 3: one of those people. You know, we talked about it

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Speaker 3: back in the day. My wife used to work with

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Speaker 3: Destiny Child and all of that stuff and worked on

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Speaker 3: the first Crazy and Love record and everything.

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Speaker 1: Yes.

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Speaker 3: She her her cousin is Teresa Lababaro White, right, and

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Speaker 3: she was the person who helped find and and nurture

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Speaker 3: Destiny Child and Beyonce. And you know, she's done a

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Speaker 3: lot of the musical production for her. I don't know

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Speaker 3: if she worked on this album. Okay, she might have

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Speaker 3: worked on this album. I'm not sure, but she but

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Speaker 3: my wife is her cousin. And so when my wife

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Speaker 3: first moved today, she worked for Teresa. And I remember

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Speaker 3: one time I went to meet Beyonce and I brought

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Speaker 3: my wife with me, like I'm going to introduce my

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Speaker 3: wife to Beyonce, and Beyonce ran by me and was like, yeah, so.

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Speaker 1: Wow, Joel's now one degree separation.

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Speaker 3: She's gonna so Uh. When she was working on the

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Speaker 3: Crazy and Love record, you know, she could take a

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Speaker 3: c D and throw that thing in the pro tools,

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Speaker 3: like take somebody's thing and throw it in the pro

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Speaker 3: tools and start working on it and create her own

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Speaker 3: music off of it. Like, Uh, there's the dude from uh,

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Speaker 3: what's the name Ryan from? What's the name of that band?

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Speaker 3: Tule to apologize? It's Toule Tatter something like that. What's

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Speaker 3: the name of the band? One Republic? Holding on your

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Speaker 3: Ryan Tedtnor Ryan Tetter with an R right, I said Ryan,

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Speaker 3: I say, Brian, I said Ryan, You said Ryan I

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Speaker 3: was anyway, he said when he wrote the song. I'm

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Speaker 3: not sure if it's Halo or one of these songs.

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Speaker 3: It was completely different once Beyonce got ahold of it,

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Speaker 3: like he wrote a song, and it was completely different

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Speaker 3: after she got it for the better, Like she's one

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Speaker 3: of those people that's like, oh, that's what you're doing.

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Speaker 3: I'm going to add to it. Let me create something

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Speaker 3: to it, and it turns out to be fire. So

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Speaker 3: you know, when it comes to writing her own lyrics. Yes,

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Speaker 3: Beyonce is up in there now. I got to ask

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Speaker 3: my wife if it's okay to tell this story.

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Speaker 1: Your wife doesn't listen to the program, so she'll be fine.

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Speaker 3: Right right on.

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Speaker 1: How is everybody? How are you doing? What are we

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Speaker 1: doing this weekend? What are you drinking? What's happening? What's

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Speaker 1: going on?

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Speaker 3: This is a phizzy drink. Yeah, it's a lagger, it's

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Speaker 3: a tasty.

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Speaker 1: A lot of people were weighing in on our last

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Speaker 1: episode saying that bourbon is a whiskey Donalds, because you

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Speaker 1: had mentioned I said, are you having whiskey? And you

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Speaker 1: said no, it's bourbon.

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Speaker 3: So you know, okay, So Bourbon's a whiskey.

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Speaker 1: Yeah, I think Bourbon's are whiskey, but it's only made

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Speaker 1: in Kentucky. Is that right? Anybody forgot what the guy said.

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Speaker 1: I just like the people that I listen. Our fans

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Speaker 1: and listeners are so passionate about the show that they

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Speaker 1: they a lot of people weigh in and the ninety

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Speaker 1: nine point nine percent of it's positive.

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Speaker 3: I love that. I love that there's a few negative.

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Speaker 1: Oh yeah. I had a woman today. I had to

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Speaker 1: laugh because she was like, you guys are getting way

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Speaker 1: too much off topic from the show. And then it

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Speaker 1: was like dot dot tight, dot dot dot might have

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Speaker 1: to stop listening. And I was like, oh shit, Susan

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Speaker 1: from Duluth, what the fuck are we gonna do if

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Speaker 1: you leave? It was like it was like a warning.

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Speaker 1: She was like giving us a little warning like stay

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Speaker 1: on topic or dot dot dot might have to stop listening.

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Speaker 3: I had one guy say to me something like, oh great,

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Speaker 3: you're gonna talk about how you don't remember any of

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Speaker 3: your lines? Can't wait?

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Speaker 1: Yeah. Well, I believe it was the poet Taylor Swift

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Speaker 1: who once said haters are going to hate hate hate, hate, hate,

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Speaker 1: hate hate.

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Speaker 3: Yes, that was the poet Taylor's By the.

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Speaker 1: Way, that album. I'm just saying. I went on a

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Speaker 1: walk today and have you been.

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Speaker 3: Listening to good. I've only listened to the first two songs.

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Speaker 3: Those are my two favorite songs.

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Speaker 1: But dude, I always do that too, whenever it's a

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Speaker 1: new album. I like, fall in love with two songs

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Speaker 1: and just play them NonStop and then don't even.

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Speaker 3: Ever go to the other songs.

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Speaker 1: But I went I went on a walk today with

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Speaker 1: my doggie and I went a little deep, and I

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Speaker 1: wanted to tell you another good one I found. It's

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Speaker 1: called seven. Okay, have you heard that one? Great, good,

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Speaker 1: beautiful song I like.

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Speaker 3: I like the first two songs good.

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Speaker 1: The Bonnie Bear song is not the first two. You

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Speaker 1: need to branch out to that one.

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Speaker 3: That's the one, and then the one that comes after

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Speaker 3: it is banging. And now I'm looking forward to Beyonce tonight.

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Speaker 3: You know that's when I'm gonna be watching.

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Speaker 1: Now do you think you and your wife might be

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Speaker 1: intimate because of Beyonce's sexy music video movie?

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Speaker 3: I am going to uh seduce the crap out of

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Speaker 3: my wife.

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Speaker 1: Yeah, well, maybe the sexy Beyonce video will get her

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Speaker 1: all wrong.

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Speaker 3: By ripping her clothes off of her.

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Speaker 1: Wet We don't need to know what you're role playing.

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Speaker 3: I'm like to seduce my wife tonight by taking all

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Speaker 3: of her clothes off of her.

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Speaker 1: Your wife looks really good. I have to say.

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Speaker 3: She's working on you know her, she looks on fire. Yeah,

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Speaker 3: she's so inside and outside. She's working on herself and

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Speaker 3: so well, what you're seeing is that glow.

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Speaker 1: I'm seeing that glow. You married. Well, she is one.

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Speaker 1: I hope it's okay that I say she is one.

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Speaker 1: Foxy Mama, Yeah, that's fine. She's fun.

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Speaker 3: I don't own her, She's just my wife.

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Speaker 1: No, but I don't want to be disrespectful. But I'm

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Speaker 1: here to tell you that she's hot.

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Speaker 3: Okay. I'm sure there are other people out there that

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Speaker 3: feel the same way. They do they do, you know

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Speaker 3: what she tells me. When I'm like, but there are

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Speaker 3: people that feel the same way about me, honey, She's like, no,

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Speaker 3: they don't know. Nobody wants you. Nobody wants you. Please, baby, baby,

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Speaker 3: baby please, Like She'll be like, you think Jaylo wants

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Speaker 3: you really? Really?

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Speaker 1: Well? You got you did think that Britney wanted you.

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Speaker 1: I can't.

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Speaker 3: We could tell the story.

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Speaker 1: But I know if you want to edit it out

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Speaker 1: or not, but.

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Speaker 3: We might have to edit it.

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Speaker 1: You can choose to edit out. But all I know

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Speaker 1: is Donald thought Brittany wanted no, Brittany did want me

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Speaker 1: hold on? Man, And come on, buddy, did you hold on?

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Speaker 1: Did you have a chance of Brittany?

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Speaker 3: Dude? She would send dudes over, like dancers, over to

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Speaker 3: the table when we would be out and be like,

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Speaker 3: Brittany wants to talk to you, and I'd be like,

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Speaker 3: what they like, Yeah, Brittany wants to talk to you.

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Speaker 2: And here's her Murphy, who are we talking about?

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Speaker 1: Spears?

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Speaker 5: Wow?

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Speaker 1: Oh yeah, iconic? Yeah, And I was.

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Speaker 3: But I was dating my wife at the time, so

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Speaker 3: I would be like, So I said to my wife,

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Speaker 3: I was like.

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Speaker 1: Babe, she should have given me a just let me

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Speaker 1: get the let me.

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Speaker 3: Get the let me get the go out on a

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Speaker 3: date with her. I'm not gonna I won't do anything.

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Speaker 3: I just want to go out on a date to

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Speaker 3: be like yo. And then afterwards we could talk about

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Speaker 3: the date and what happened on the date and where

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Speaker 3: she and I went and what we did.

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Speaker 1: Ye right, like, your girlfriend's gonna be like okay, as

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Speaker 1: long as just the date.

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Speaker 3: She was like absolutely not, And I was like ah right,

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Speaker 3: And so one night. One night, Britney kind of crossed

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Speaker 3: the line. Like we were out and about go on

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Speaker 3: and we were at Hide and Brittany was out with

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Speaker 3: like all of her dancers and she was just coming

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Speaker 3: back with Circus and it was about to like it

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Speaker 3: was it was about to pop, right and uh, right now,

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Speaker 3: Circus Circus Circus is a dope ass record, dude, It's

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Speaker 3: a dope record, dude. She was looking great, right and uh,

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Speaker 3: my wife was with me and she sent somebody over

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Speaker 3: and was like, Brittany wants you to come over and

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Speaker 3: say hi. And I was like, okay. My wife was like, yeah,

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Speaker 3: let's go over there. So we walk over there. Yeah,

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Speaker 3: let's go over and I was like, Hi, I'm his girlfriend.

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Speaker 3: I'm his girlfriend. And I was like, yeah, that's my girlfriend. Anyway.

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Speaker 1: Anyway, Donald, I think a lot of women want you.

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Speaker 1: I think a lot of men.

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Speaker 3: I agree with that. I disagree with the women want you.

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Speaker 1: Have a lot of gay suitors.

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Speaker 3: I feel like that I have a very you know,

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Speaker 3: handsome and uh, I think it's I do have a

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Speaker 3: nice butt, that's true.

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Speaker 1: Let's but it's like a shell, you know, if you

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Speaker 1: it's like a unit you can hang on the wall.

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Speaker 3: I feel like I feel like I feel like you

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Speaker 3: and I both go on are friends, and our friendship

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Speaker 3: is very inspiring to a lot of men out there.

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Speaker 3: And so it's only right that a lot of our

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Speaker 3: fans are boys because we can teach boys how to

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Speaker 3: love each other like that. Yes, that's just my point.

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Speaker 1: And listen, I think this next generation is going to

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Speaker 1: try way more things obviously. I mean, you know, we

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Speaker 1: were it was so taboo to experiment when we were

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Speaker 1: growing up, and now I think every all these young

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Speaker 1: people are just like, all right, let me try everything,

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Speaker 1: you know, like, let.

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Speaker 3: Me see what's for me, what's for me and what's

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Speaker 3: not for me.

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Speaker 1: Yeah, you know, I think that's I mean, if I'm

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Speaker 1: not mistaken, you guys can correct me if I'm wrong.

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Speaker 1: The women are are more free to do that already,

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Speaker 1: and I feel like the men are behind them. I

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Speaker 1: think like young, sexually active young people will be more

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Speaker 1: experimental in years to come, right, Joel, why are you

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Speaker 1: looking at me like I'm crazy?

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Speaker 2: No, I'm not sorry, lost in I thought of my

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Speaker 2: own But.

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Speaker 1: Yeah, you ate that edible too early, Joe, Joel, Try

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Speaker 1: and have the edible. Try to have the edible when

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Speaker 1: the show's over.

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Speaker 3: I smell a job. Guys, good, it does you don't.

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Speaker 3: Sometimes I'll be baked on this ship. I'm not really

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Speaker 3: you're having a beer. Well, it's not on camera, so.

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Speaker 1: I assume that you were high sometimes, but it doesn't

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Speaker 1: seem to mess up your performance because you're very entertaining,

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Speaker 1: except sometimes when you can't finish your sentence.

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Speaker 3: That only happens when I've drank too much or not

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Speaker 3: drink too much.

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Speaker 1: You can have one.

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Speaker 3: Like when I start getting like tongue tied and stuff

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Speaker 3: like that, it's because I might have.

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Speaker 1: There was a funny moment in the last episode where

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Speaker 1: you went on this long ass thing and I go,

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Speaker 1: well said.

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Speaker 6: Yeah, yeah, dude, I'm in a good mood today. I

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Speaker 6: gotta say, good, you're happy.

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Speaker 1: If this were a normal environment and the world wasn't ending,

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Speaker 1: we would you and I would be going to the

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Speaker 1: beach and skipping down the sand together.

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Speaker 3: That's what we would do.

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Speaker 1: I don't know. I'm trying to think of, Like, if

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Speaker 1: I could do anything with you this weekend, Disney fuck

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Speaker 1: Disney man, I would say Donald, No, no, I know

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Speaker 1: you Jones, I know you give.

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Speaker 3: Him Mickey he knows not what he does.

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Speaker 5: He does.

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Speaker 1: Oh, by the way, I sell the socks they're gonna want,

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Speaker 1: you know, the company's stance.

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Speaker 3: Of course, I'm gonna give.

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Speaker 1: Them a free plug right now. They have Empire Strikes

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Speaker 1: Back socks, a whole box of them.

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Speaker 3: Yeah, I have a lot of Stance Star Wars socks,

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Speaker 3: I know.

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Speaker 1: But if you look, I was online last night looking

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Speaker 1: for new socks and Stance. If you want to send

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Speaker 1: me songs, you can't. But anyway, they have a whole

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Speaker 1: Empire Strikes Back box set. And I was like, I

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Speaker 1: would send this to Donald, but you know what's gonna happen.

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Speaker 1: I would send this link and he won't reply. Well,

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Speaker 1: that's that's why.

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Speaker 3: I would say. That's because I would be on the

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Speaker 3: link buying the stuff.

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Speaker 1: These are the things so early. By the way, bro,

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Speaker 1: I sometimes I fucking text you at like nine to

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Speaker 1: thirty and you don't remember sleep at nine thirty, like

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Speaker 1: your wife's up, because I'll text Casey and she he replies,

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Speaker 1: and this is and I were talking about like some

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Speaker 1: some ship and you I like, I got knowing, I

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Speaker 1: got you keep you're asleep.

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00:16:07,040 --> 00:16:09,720
Speaker 3: But going on over Here's here's the thing. About me

337
00:16:09,960 --> 00:16:12,840
Speaker 3: and my wife. My wife likes to stay up late

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Speaker 3: and wake up late. I like to go to bed

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Speaker 3: early and get up early.

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Speaker 1: So you take the kids, like, crack it down when

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Speaker 1: they get up.

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Speaker 3: When they wake up, I'll go downstairs with them. The

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00:16:23,440 --> 00:16:28,880
Speaker 3: problem is sometimes I get involved in watching television with

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Speaker 3: them and uh, forget to make them breakfast and stuff.

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Speaker 3: So She'll come down and be like, have the kids eating?

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Speaker 3: And I'll be like, oh, now they were supposed to eat.

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Speaker 1: Can't they feed themselves? Come on, they need to get

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Speaker 1: at it. Cereal on a bowl, pour some milk.

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Speaker 3: Listen. It's not that they cannot feed themselves, because they can.

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Speaker 3: I'm sure they can.

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Speaker 1: Just put the cereal on the table.

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Speaker 3: I want to watch. I need to. I need to

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Speaker 3: watch them though. That's my only thing. Man Like, uh,

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Speaker 3: it's there are a lot of people out there who

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Speaker 3: have experienced this, but when you watch your kids choke

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Speaker 3: on something, it's very scary and so therefore you know,

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Speaker 3: and I'm not saying that cereal can't do it, but

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Speaker 3: I just would prefer to be around them when they eat.

359
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Speaker 3: Like my kid goes, I'll be in another room eating. I'm like, no, no, no, no, no, no, no.

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Speaker 1: Uh oh really you gotta watch him eat.

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Speaker 3: I get crazy. Look, dude, it took us forever.

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00:17:20,359 --> 00:17:22,680
Speaker 1: A helicopter parent. You're a helicopter parent.

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00:17:22,720 --> 00:17:25,520
Speaker 3: I am a helicopter Yes, I hover over my kids.

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00:17:25,640 --> 00:17:27,320
Speaker 1: Yeah you are.

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Speaker 3: I send a lot of life lifelines down even when

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Speaker 3: they don't need it. I'm that hell as chopper, blue Thunder,

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Speaker 3: I'm Blue Thunder.

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Speaker 1: No apache that bad chopper.

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00:17:38,800 --> 00:17:41,080
Speaker 3: No, I'm Blue Thunder from the movie. Or air Wolf.

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00:17:41,160 --> 00:17:44,159
Speaker 3: I'm air Wolf. I'm Blue Thunder or air Wolf.

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Speaker 1: What's the big military black hawk?

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Speaker 3: I'm a black hawk.

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Speaker 1: Yeah, you're a black hawk.

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Speaker 3: I'm a black hawk.

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Speaker 1: You are a black hawk.

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Speaker 3: I am a black hawk. And I will freaking unleash

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Speaker 3: the thunder if you mess with my family. That's how

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Speaker 3: I feel about it.

379
00:18:00,760 --> 00:18:01,080
Speaker 2: And so.

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Speaker 3: I will chop the ship out of some food. I

381
00:18:04,880 --> 00:18:06,160
Speaker 3: will chop the ship out of some food.

382
00:18:06,600 --> 00:18:09,280
Speaker 1: Chop cheerios, ceios, chop them up.

383
00:18:09,680 --> 00:18:11,560
Speaker 3: I will let them sit in the in the milk

384
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Speaker 3: a little bit longer before I give them to the kids.

385
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Speaker 1: Oh my god, that's the level of helicopter parent you are.

386
00:18:16,840 --> 00:18:19,159
Speaker 1: You let the fucking cheerios get soggy and you're like,

387
00:18:19,240 --> 00:18:20,040
Speaker 1: you may eat now.

388
00:18:20,280 --> 00:18:23,040
Speaker 3: Now you can eat these I don't have to worry

389
00:18:23,080 --> 00:18:26,359
Speaker 3: about them scratching your throat on the way down. I

390
00:18:26,400 --> 00:18:28,160
Speaker 3: can't help it, man, I can't help it. I love

391
00:18:28,200 --> 00:18:31,280
Speaker 3: my kids so much, it's ridiculous. I love them so much.

392
00:18:31,720 --> 00:18:34,320
Speaker 3: Like I sometimes at night I'll be in my bed

393
00:18:34,600 --> 00:18:36,720
Speaker 3: and I'll just be thinking about my kids, and I

394
00:18:36,720 --> 00:18:38,879
Speaker 3: will have spent the day with these little fuckers, you

395
00:18:38,920 --> 00:18:41,720
Speaker 3: know what I mean, Like, these kids are bad sometimes,

396
00:18:41,920 --> 00:18:44,760
Speaker 3: and even after they're bad, I'm in bed at night. Like,

397
00:18:45,200 --> 00:18:50,560
Speaker 3: you know, I love that little shithead. You know, that

398
00:18:50,840 --> 00:18:53,359
Speaker 3: little fucker was so mean to me today. But I

399
00:18:53,359 --> 00:18:55,920
Speaker 3: wouldn't trade it in for the world, Like it really

400
00:18:55,960 --> 00:18:56,359
Speaker 3: is that one.

401
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Speaker 1: That's sweet. I can't wait to have little little children.

402
00:19:00,880 --> 00:19:04,560
Speaker 3: They change your life. Should we get into the show?

403
00:19:05,280 --> 00:19:07,000
Speaker 1: Yes, I think that's a good note. Do you want

404
00:19:07,000 --> 00:19:09,440
Speaker 1: to count us into America's favorite song?

405
00:19:10,400 --> 00:19:13,640
Speaker 3: Five? Six, seven, eight? Stories about show?

406
00:19:13,880 --> 00:19:18,159
Speaker 7: We made about a bunch of times and nurses, and.

407
00:19:20,040 --> 00:19:27,440
Speaker 8: I said, here's the stories nets No, so YadA ra here,

408
00:19:28,000 --> 00:19:30,760
Speaker 8: YadA ra here.

409
00:19:35,119 --> 00:19:36,480
Speaker 1: This is such a good episode.

410
00:19:36,720 --> 00:19:38,800
Speaker 3: It is a good episode. Only problem I have with

411
00:19:38,880 --> 00:19:42,240
Speaker 3: it is the outline of the episode like the outline

412
00:19:42,280 --> 00:19:44,520
Speaker 3: of the episode that I have to do. I went

413
00:19:44,680 --> 00:19:47,480
Speaker 3: away and I was gonna write some stuff down, Like I.

414
00:19:47,520 --> 00:19:49,680
Speaker 1: Still couldn't an attempt at it, because what's my.

415
00:19:49,640 --> 00:19:51,879
Speaker 3: First attempt at it? Well, it's my second attempt.

416
00:19:51,920 --> 00:19:54,080
Speaker 1: Yeah, we had a misfire with Johnny C and now

417
00:19:54,119 --> 00:19:57,080
Speaker 1: this is your second past. This is your first opportunity

418
00:19:57,400 --> 00:19:58,159
Speaker 1: to do it again.

419
00:19:58,560 --> 00:20:02,000
Speaker 3: Okay, well it's not gonna but I'm gonna do it anyway.

420
00:20:02,000 --> 00:20:04,920
Speaker 3: But I did, as you know all, I watched this,

421
00:20:05,560 --> 00:20:07,359
Speaker 3: but this tell me when you're rolling.

422
00:20:07,280 --> 00:20:09,520
Speaker 1: Hold on, let me get my timer ready, tell me when.

423
00:20:09,359 --> 00:20:14,800
Speaker 3: You're going and go. This episode's about sex and relationships

424
00:20:15,160 --> 00:20:18,040
Speaker 3: and the workplace. Really at the workplace, it's hard to

425
00:20:18,040 --> 00:20:22,040
Speaker 3: maintain relationships, and especially after work, it's hard to maintain relationships.

426
00:20:22,480 --> 00:20:26,880
Speaker 3: J D and Elliott in this episode find each other

427
00:20:26,960 --> 00:20:29,920
Speaker 3: in the end because really they don't have anyone else.

428
00:20:30,480 --> 00:20:34,960
Speaker 3: And it's all because it's very difficult to work long

429
00:20:35,040 --> 00:20:36,840
Speaker 3: hours and maintain a life.

430
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Speaker 1: It's thirty seconds, but it's not your finest work.

431
00:20:39,840 --> 00:20:42,040
Speaker 3: But it's the truth, and that's what this episode is about.

432
00:20:42,160 --> 00:20:45,840
Speaker 1: Just as it was meandering, it was like this episode.

433
00:20:45,400 --> 00:20:49,800
Speaker 3: Because it's hard to write about sex and relationships, because

434
00:20:49,800 --> 00:20:51,679
Speaker 3: that's what this episode is really, you know what I mean,

435
00:20:51,760 --> 00:20:54,159
Speaker 3: It's about It's like you got to do one of

436
00:20:54,200 --> 00:20:55,840
Speaker 3: these every year. We got to do a sex and

437
00:20:55,960 --> 00:20:58,919
Speaker 3: relationship episode, and how it's tough to do it in

438
00:20:58,960 --> 00:20:59,639
Speaker 3: the workspace.

439
00:21:00,520 --> 00:21:03,720
Speaker 1: I might be so bold to say Donald, it's Donald, right.

440
00:21:04,119 --> 00:21:06,359
Speaker 1: I might be so bold to say that this is

441
00:21:06,400 --> 00:21:09,520
Speaker 1: the biggest sex scene I did the whole run.

442
00:21:11,040 --> 00:21:12,439
Speaker 3: You guys get hot and heavy in this.

443
00:21:12,600 --> 00:21:14,320
Speaker 1: We do we do And I remember shooting it. We

444
00:21:14,359 --> 00:21:16,600
Speaker 1: shot it a long time and I remember shooting it,

445
00:21:16,680 --> 00:21:20,960
Speaker 1: going are we gonna air this? Like this was like

446
00:21:21,160 --> 00:21:23,600
Speaker 1: they didn't they cut some stuff out because we were

447
00:21:23,640 --> 00:21:26,280
Speaker 1: like just going at it, Like this was like full on,

448
00:21:26,520 --> 00:21:29,840
Speaker 1: like we were kind of just hooking up, right.

449
00:21:30,359 --> 00:21:32,400
Speaker 3: It was like we're gonna pay you two to hook

450
00:21:32,480 --> 00:21:33,040
Speaker 3: up with each other.

451
00:21:33,160 --> 00:21:35,080
Speaker 1: Yeah, I mean, I know it's acting, but it wasn't.

452
00:21:35,119 --> 00:21:37,560
Speaker 1: I mean, we were acting. We weren't like in a relationship,

453
00:21:37,560 --> 00:21:39,199
Speaker 1: but I mean you saw what you see is like

454
00:21:39,240 --> 00:21:42,040
Speaker 1: we did that for like a full day and they

455
00:21:42,359 --> 00:21:44,240
Speaker 1: only cut some of it out. I remember thinking, like

456
00:21:44,600 --> 00:21:45,960
Speaker 1: we were just going at it, and I was like, they're

457
00:21:46,000 --> 00:21:48,879
Speaker 1: not gonna air all of this on NBC. But you know,

458
00:21:48,880 --> 00:21:51,159
Speaker 1: we're like mass grabbing and I'm kissing her breasts and

459
00:21:51,200 --> 00:21:52,840
Speaker 1: we're just like jumping.

460
00:21:53,040 --> 00:21:55,680
Speaker 3: You're like grabbing her. Not only are you grabbing her ass,

461
00:21:55,680 --> 00:21:58,480
Speaker 3: you're grabbing like a cheek and then inside the cheek.

462
00:21:58,920 --> 00:22:01,879
Speaker 3: Like it's not just the you don't grab the outside cheek,

463
00:22:02,080 --> 00:22:05,040
Speaker 3: you grab the inside cheek. Yeah, and like this is

464
00:22:05,080 --> 00:22:08,880
Speaker 3: like some straight up, you know, soft core Skinemax stuff.

465
00:22:08,960 --> 00:22:12,040
Speaker 1: Yeah, it was totally Skinmax. If you saw that on Skinmax,

466
00:22:12,119 --> 00:22:14,000
Speaker 1: you'd be like, oh, I'm watching Skinmax.

467
00:22:14,160 --> 00:22:15,359
Speaker 3: I'm watching Skinemax tonight.

468
00:22:15,440 --> 00:22:15,640
Speaker 1: Yeah.

469
00:22:16,080 --> 00:22:18,639
Speaker 3: Even the way the show opens up with uh with

470
00:22:19,040 --> 00:22:22,119
Speaker 3: uh Turk and Carla making out and how wet that

471
00:22:22,320 --> 00:22:25,720
Speaker 3: is of a kiss? Like the kisses are super wet yep,

472
00:22:25,840 --> 00:22:27,000
Speaker 3: and uh juicy.

473
00:22:27,080 --> 00:22:29,600
Speaker 1: It was a sexual episode. It was sexually charged.

474
00:22:29,960 --> 00:22:32,080
Speaker 3: You in the bathtub with gift Shop Girl.

475
00:22:32,200 --> 00:22:35,159
Speaker 1: Yeah. God, well, Sarah Lancaster, what a beautiful gal. I

476
00:22:35,160 --> 00:22:37,760
Speaker 1: gotta say. And I just as I said with the

477
00:22:37,800 --> 00:22:42,360
Speaker 1: Johnny C episode, I have been so stressed my libido

478
00:22:42,600 --> 00:22:43,080
Speaker 1: was zero.

479
00:22:43,400 --> 00:22:46,000
Speaker 3: Have you have I been so stressed that my libido

480
00:22:46,040 --> 00:22:46,360
Speaker 3: was zero?

481
00:22:46,640 --> 00:22:46,920
Speaker 1: Yeah?

482
00:22:47,119 --> 00:22:49,080
Speaker 3: No, that doesn't happen to you, doesn't it no, I

483
00:22:49,080 --> 00:22:50,920
Speaker 3: don't think no, because you just.

484
00:22:50,880 --> 00:22:55,080
Speaker 1: Have like a maga libido. Well, anyway, I.

485
00:22:55,040 --> 00:22:57,000
Speaker 3: Personally, you want to get into this right now, because

486
00:22:57,000 --> 00:22:58,440
Speaker 3: we could totally get into this right now.

487
00:22:58,640 --> 00:23:00,920
Speaker 1: Well, I mean I personally, and I'm sure there's listeners

488
00:23:00,920 --> 00:23:04,280
Speaker 1: out there, like if I'm directing and I'm stressed, or

489
00:23:04,320 --> 00:23:07,880
Speaker 1: I've got life family drama, or my brain is not

490
00:23:07,960 --> 00:23:11,720
Speaker 1: thinking about sex, my libidos is zero, And I think

491
00:23:11,760 --> 00:23:16,520
Speaker 1: that's what's happening with JD in this episode. He's he's, uh, wait,

492
00:23:16,520 --> 00:23:17,560
Speaker 1: why are you shaking your head?

493
00:23:17,680 --> 00:23:18,920
Speaker 3: I disagree one hundred percent.

494
00:23:19,160 --> 00:23:22,480
Speaker 1: Okay, can I finish my fucking thought? It's Donald right,

495
00:23:23,080 --> 00:23:26,440
Speaker 1: my Uh, he's got the thought of his sick patients

496
00:23:26,480 --> 00:23:28,440
Speaker 1: and the and the wounds that they have on them.

497
00:23:28,920 --> 00:23:33,360
Speaker 1: He's got He's preoccupied, of course, with leftover feelings from Elliott.

498
00:23:33,760 --> 00:23:37,320
Speaker 1: We establish he hasn't hooked up in a while with anybody,

499
00:23:37,760 --> 00:23:40,440
Speaker 1: and now he has arguably one of the prettiest girls

500
00:23:40,440 --> 00:23:42,800
Speaker 1: that was ever on Scrubs in front of him and

501
00:23:42,840 --> 00:23:45,000
Speaker 1: he's got nothing going on. Now, you can't just say

502
00:23:45,040 --> 00:23:47,960
Speaker 1: it's because oh he's obsessed with Elliott. That's bullshit. A

503
00:23:48,080 --> 00:23:50,040
Speaker 1: knockout of a woman like that in front of him

504
00:23:50,560 --> 00:23:53,520
Speaker 1: would still turn him on if his brain was present

505
00:23:53,640 --> 00:23:57,640
Speaker 1: in the moment she initiates a kiss with him, and

506
00:23:57,680 --> 00:24:02,040
Speaker 1: he's and he has nothing happened, So his brain is somewhere,

507
00:24:02,080 --> 00:24:05,280
Speaker 1: and he gets really anxious about it, as I'm sure

508
00:24:05,320 --> 00:24:07,160
Speaker 1: many men do when they go, Oh my god, what's

509
00:24:07,200 --> 00:24:09,960
Speaker 1: wrong with me? Why is nothing working? What the fuck?

510
00:24:10,480 --> 00:24:12,359
Speaker 1: What I liked about this episode? That didn't It didn't

511
00:24:12,359 --> 00:24:15,119
Speaker 1: make that a taboo subject men can't talk about, because

512
00:24:15,480 --> 00:24:17,320
Speaker 1: I think it is a taboo subject that men feel

513
00:24:17,359 --> 00:24:18,119
Speaker 1: they can't talk about.

514
00:24:18,520 --> 00:24:20,280
Speaker 3: Now, I would have at least given it. I would

515
00:24:20,320 --> 00:24:22,760
Speaker 3: have at least given it another shot. I would have

516
00:24:22,760 --> 00:24:25,720
Speaker 3: been like, Okay, it's not happening here. Maybe we should

517
00:24:25,720 --> 00:24:27,520
Speaker 3: go back to my place and try it, or maybe

518
00:24:27,520 --> 00:24:29,800
Speaker 3: we should go back to your place and try again.

519
00:24:30,119 --> 00:24:31,720
Speaker 3: And if it doesn't happen there, I'd be like, Okay,

520
00:24:31,800 --> 00:24:34,720
Speaker 3: well maybe we should try again at the door before

521
00:24:34,720 --> 00:24:37,280
Speaker 3: I leave, Let's try one more time. When that didn't work,

522
00:24:37,359 --> 00:24:39,119
Speaker 3: why don't you walk me to car? I think we

523
00:24:39,160 --> 00:24:44,240
Speaker 3: should try one last time, right, Because that is some bullshit.

524
00:24:44,480 --> 00:24:46,879
Speaker 1: I'm very with you. I don't think there's any world

525
00:24:47,000 --> 00:24:50,000
Speaker 1: in which JD would not have continued to try and

526
00:24:50,040 --> 00:24:52,600
Speaker 1: hook up with Sarah Lancaster's character Gift Shop.

527
00:24:52,400 --> 00:24:56,600
Speaker 3: Girl, especially after one hour or two hour date, however

528
00:24:56,600 --> 00:24:58,840
Speaker 3: long the date was. He went to kiss her good

529
00:24:58,920 --> 00:25:02,440
Speaker 3: night and realize at the good night kiss, oh, I can't.

530
00:25:02,800 --> 00:25:03,840
Speaker 3: It's not gonna work. I can't.

531
00:25:03,960 --> 00:25:06,760
Speaker 1: She was the aggressor. She was like, kiss me, and

532
00:25:06,840 --> 00:25:10,880
Speaker 1: then she is talking about his erection. She's like, ooh

533
00:25:11,000 --> 00:25:13,520
Speaker 1: is that a Is that a roll of quarters in

534
00:25:13,560 --> 00:25:15,359
Speaker 1: your pocket? He's having a good time and he's like,

535
00:25:15,440 --> 00:25:17,520
Speaker 1: actually it's a roller. Qorders laundry day.

536
00:25:18,080 --> 00:25:21,879
Speaker 3: Yeah, bullshit, bull That's what were you.

537
00:25:21,880 --> 00:25:23,959
Speaker 1: Gonna say about libido? You were saying because I know

538
00:25:24,000 --> 00:25:28,640
Speaker 1: that you have a very strong libido. I I I

539
00:25:29,200 --> 00:25:32,320
Speaker 1: let's phrase this tactfully. You are a man who can't

540
00:25:32,359 --> 00:25:36,160
Speaker 1: be satiated. What you can't be satiated?

541
00:25:36,400 --> 00:25:37,080
Speaker 3: What does that mean?

542
00:25:37,400 --> 00:25:40,120
Speaker 1: That means there's never come a time where you've had

543
00:25:40,240 --> 00:25:42,080
Speaker 1: enough sex in a day where you go, you know what,

544
00:25:42,359 --> 00:25:43,119
Speaker 1: I'm good?

545
00:25:46,320 --> 00:25:55,119
Speaker 3: Correct, poor casey, Poor? I have no I love my

546
00:25:55,160 --> 00:25:58,960
Speaker 3: wife tremendously, and I've learned to curb my appetite when

547
00:25:58,960 --> 00:26:01,760
Speaker 3: it comes to that night, try my hardest to not

548
00:26:01,920 --> 00:26:03,960
Speaker 3: make her feel like a piece of meat in the house.

549
00:26:04,800 --> 00:26:10,200
Speaker 3: But you can't be satiated. I think my wife is fine, dude.

550
00:26:10,240 --> 00:26:12,840
Speaker 3: Like she's sexy to me, like her curves, everything about

551
00:26:12,880 --> 00:26:14,320
Speaker 3: her is sexy to me, you know what I mean.

552
00:26:14,800 --> 00:26:16,520
Speaker 3: And it's a little you know, it might be a

553
00:26:16,560 --> 00:26:18,440
Speaker 3: little too much for her, but it's the truth. It's

554
00:26:18,440 --> 00:26:22,679
Speaker 3: the honest and goodness truth she is. You know, she

555
00:26:22,840 --> 00:26:25,119
Speaker 3: is everything I've ever wanted in a woman before I

556
00:26:25,200 --> 00:26:27,280
Speaker 3: knew what I wanted in a woman. It's like, you know,

557
00:26:27,920 --> 00:26:29,440
Speaker 3: now I know what I wanted a woman, and she's

558
00:26:29,480 --> 00:26:32,439
Speaker 3: everything that I've wanted in a woman. Like you know,

559
00:26:32,520 --> 00:26:35,000
Speaker 3: you have dreams when you're a kid, Well, it feels

560
00:26:35,000 --> 00:26:36,760
Speaker 3: like she was the girl of my dreams, you know

561
00:26:36,800 --> 00:26:40,320
Speaker 3: what I mean. And now I got her, and you

562
00:26:40,320 --> 00:26:43,679
Speaker 3: know I want to beat.

563
00:26:44,720 --> 00:26:47,919
Speaker 1: No, I know. But what I'm saying is I'm not

564
00:26:48,000 --> 00:26:51,280
Speaker 1: negating anything. I think that's wonderful and I'm not negating

565
00:26:51,320 --> 00:26:55,919
Speaker 1: anything you're saying. I'm saying it's impressive, libido wise that

566
00:26:55,960 --> 00:27:00,520
Speaker 1: at forty six you don't ever go Okay, hey, I'm

567
00:27:01,000 --> 00:27:02,400
Speaker 1: that's enough for me for the day.

568
00:27:03,480 --> 00:27:10,119
Speaker 3: No, I don't, I don't, And you're right, it's it

569
00:27:10,280 --> 00:27:10,960
Speaker 3: is unfair.

570
00:27:11,000 --> 00:27:12,879
Speaker 1: I don't think that. I don't think that that's a

571
00:27:13,080 --> 00:27:13,920
Speaker 1: a I have.

572
00:27:13,880 --> 00:27:16,760
Speaker 3: A comment, very very very very strong libido.

573
00:27:16,880 --> 00:27:18,359
Speaker 1: Yes, yeah we do. Can we get that on a

574
00:27:18,359 --> 00:27:21,159
Speaker 1: T shirt for the merch Donald Faison, I have a

575
00:27:21,280 --> 00:27:26,640
Speaker 1: very very very strong libido. Another one, another one? It's

576
00:27:26,680 --> 00:27:28,920
Speaker 1: going with this ringtone, Joel, we can't get the new

577
00:27:29,240 --> 00:27:32,160
Speaker 1: the people are clamoring for for the what you're talking about,

578
00:27:32,400 --> 00:27:34,280
Speaker 1: what you're trying to get into a day of shooting song.

579
00:27:34,640 --> 00:27:38,040
Speaker 1: It's a slow moving train. This this, this ringtone train

580
00:27:38,240 --> 00:27:39,080
Speaker 1: one step away.

581
00:27:39,200 --> 00:27:40,440
Speaker 2: We're so close.

582
00:27:40,680 --> 00:27:43,240
Speaker 1: Trying to give the people what they desire, they also want.

583
00:27:44,240 --> 00:27:46,240
Speaker 1: Donald and I saying another one.

584
00:27:46,359 --> 00:27:48,000
Speaker 3: But that we don't own another one though.

585
00:27:48,560 --> 00:27:50,280
Speaker 1: I think we're allowed to say another one.

586
00:27:50,680 --> 00:27:52,639
Speaker 3: No, because we're just doing DJ Khaled man.

587
00:27:52,640 --> 00:27:54,879
Speaker 1: Should we do an ask DJ Collet and see if

588
00:27:54,880 --> 00:27:55,679
Speaker 1: we're allowed to use it?

589
00:27:56,040 --> 00:27:57,680
Speaker 3: Are you gonna do it? In the Aaron Nuber voice

590
00:27:57,720 --> 00:28:01,639
Speaker 3: of course, Okay, yes we should ask DJ ca DJ Khalid?

591
00:28:01,800 --> 00:28:04,760
Speaker 3: Would you be upset if we used another one?

592
00:28:05,040 --> 00:28:07,680
Speaker 5: I'm not at all Donald, you can you use it?

593
00:28:07,800 --> 00:28:10,840
Speaker 5: Ahind of time? And like another one is your horse

594
00:28:10,880 --> 00:28:16,040
Speaker 5: to use? I don't know how much, but you can

595
00:28:16,280 --> 00:28:20,520
Speaker 5: you see.

596
00:28:20,880 --> 00:28:35,639
Speaker 3: Oh my god, I really hope that I know, but

597
00:28:35,680 --> 00:28:37,159
Speaker 3: I hope we're not the only ones that think this

598
00:28:37,280 --> 00:28:39,800
Speaker 3: is funny. I don't hope that the four of us

599
00:28:39,920 --> 00:28:40,840
Speaker 3: aren't the only ones.

600
00:28:41,080 --> 00:28:43,400
Speaker 1: Now, it's impossible. It's impossible. It's funny.

601
00:28:43,480 --> 00:28:45,480
Speaker 3: Zach's DJ Khalid impression.

602
00:28:45,720 --> 00:28:48,520
Speaker 1: I listen, listen. There's no one else in the world

603
00:28:48,520 --> 00:28:50,960
Speaker 1: who does a DJ call it impression like that, and

604
00:28:51,040 --> 00:28:53,720
Speaker 1: I think it's unique to the show. Me talking about

605
00:28:53,720 --> 00:28:55,480
Speaker 1: the episode, or we should go to break or something.

606
00:28:55,520 --> 00:28:56,320
Speaker 1: What's going on, Josh?

607
00:28:56,360 --> 00:28:58,000
Speaker 2: What a break would probably be good?

608
00:28:58,040 --> 00:28:59,880
Speaker 1: All Right, I need to cool down from all the talk.

609
00:29:00,080 --> 00:29:03,360
Speaker 1: Donald fibido, he cannot be satiated. Listen, gentlemen, we'll be

610
00:29:03,440 --> 00:29:06,000
Speaker 1: right back. Well, Donald attempts to satiate himself.

611
00:29:06,200 --> 00:29:12,760
Speaker 3: No, no, no, no, we'll be right back.

612
00:29:20,880 --> 00:29:22,800
Speaker 1: Yeah, let's get an episode. It's a very good episode.

613
00:29:22,840 --> 00:29:23,520
Speaker 1: I like it a lot.

614
00:29:23,680 --> 00:29:25,560
Speaker 3: I like it a lot too. I wondered about that,

615
00:29:25,600 --> 00:29:28,160
Speaker 3: and you already touched on it and pretty much answered

616
00:29:28,160 --> 00:29:30,520
Speaker 3: the question. That had to be a hard scene to shoot,

617
00:29:30,560 --> 00:29:33,600
Speaker 3: regardless of regardless of what you're doing in the scene,

618
00:29:33,640 --> 00:29:35,120
Speaker 3: that had to be one of those things where it's

619
00:29:35,200 --> 00:29:36,640
Speaker 3: like we're kissing again.

620
00:29:38,600 --> 00:29:42,240
Speaker 1: No, it wasn't like that. I mean, well, I mean listen,

621
00:29:43,000 --> 00:29:46,760
Speaker 1: sex sex sex scenes are you know, can be awkward

622
00:29:47,000 --> 00:29:50,280
Speaker 1: and particularly awkward if you don't have chemistry with the

623
00:29:50,280 --> 00:29:53,400
Speaker 1: person and you don't feel a genuine vibe. I think

624
00:29:53,440 --> 00:29:55,440
Speaker 1: Sarah and I loved each other and we're crazy about

625
00:29:55,440 --> 00:29:57,160
Speaker 1: each other, and we were like best friends, just like

626
00:29:57,200 --> 00:29:59,360
Speaker 1: you and I were. I think it's safe to say

627
00:29:59,360 --> 00:30:01,800
Speaker 1: we were genuin only attracted to each other. I think

628
00:30:01,800 --> 00:30:05,520
Speaker 1: that came across in the show. So, yeah, making out

629
00:30:05,560 --> 00:30:08,920
Speaker 1: for a full day was it times awkward but also

630
00:30:08,960 --> 00:30:10,920
Speaker 1: at times fun. That's my answer to that.

631
00:30:10,920 --> 00:30:13,920
Speaker 3: That's really interesting. You know, I've I've been an actor

632
00:30:14,000 --> 00:30:17,280
Speaker 3: for a really long time. I don't think I've ever

633
00:30:17,480 --> 00:30:21,840
Speaker 3: had makeout sessions for a full day while working as

634
00:30:21,880 --> 00:30:25,320
Speaker 3: an actor. I've done kissing scenes and I might have

635
00:30:25,400 --> 00:30:29,520
Speaker 3: like maybe one or two like comedy sex scenes, but

636
00:30:29,800 --> 00:30:33,200
Speaker 3: I don't have any genuine like makeout. I had another

637
00:30:33,240 --> 00:30:34,760
Speaker 3: one I had, Yeah, I know you have a you

638
00:30:34,800 --> 00:30:36,440
Speaker 3: have a bunch of a bunch.

639
00:30:36,240 --> 00:30:37,960
Speaker 1: Of I had a few in this show. But with

640
00:30:38,080 --> 00:30:39,080
Speaker 1: Rachel Bilson.

641
00:30:39,280 --> 00:30:41,680
Speaker 3: Last kiss, right, last kiss, that was the most time.

642
00:30:41,960 --> 00:30:44,880
Speaker 1: Yeah, that was like my like softcore porn moment for it.

643
00:30:44,680 --> 00:30:47,040
Speaker 3: Has to be nerve wracking, though, Like there's so many

644
00:30:47,160 --> 00:30:47,800
Speaker 3: things that.

645
00:30:47,880 --> 00:30:50,080
Speaker 1: Rachel and I bolted shots of booze on that one

646
00:30:50,080 --> 00:30:53,479
Speaker 1: because we were nervous, I bet, because that was supposed

647
00:30:53,480 --> 00:30:56,200
Speaker 1: to be like the this was like at least comedic,

648
00:30:56,240 --> 00:31:00,040
Speaker 1: and you know, it's NBC Lascus is are and it

649
00:31:00,080 --> 00:31:03,840
Speaker 1: supposed to be this like erotic, you know, height of

650
00:31:03,880 --> 00:31:06,640
Speaker 1: the of the movie. We we like, I go and

651
00:31:06,440 --> 00:31:09,280
Speaker 1: we we just have this like intense crazy sex scene

652
00:31:09,520 --> 00:31:13,040
Speaker 1: in her dorm room and uh, and that was that

653
00:31:13,160 --> 00:31:14,920
Speaker 1: was Yeah. I think I was nerve wracking. That's why

654
00:31:14,960 --> 00:31:17,480
Speaker 1: we did shots to calm the anxiety.

655
00:31:17,760 --> 00:31:20,560
Speaker 3: I couldn't imagine doing something like that like the I

656
00:31:20,600 --> 00:31:22,440
Speaker 3: remember doing weight and to exhale, and it was the

657
00:31:22,440 --> 00:31:25,600
Speaker 3: scene where the girl's uh performing oral sex on me

658
00:31:26,120 --> 00:31:28,400
Speaker 3: and you don't really you don't even see the girl

659
00:31:28,520 --> 00:31:30,560
Speaker 3: doing it. But I was just so nervous. I'm in

660
00:31:30,600 --> 00:31:33,280
Speaker 3: my underwear, I have a thong on, you know what

661
00:31:33,320 --> 00:31:36,160
Speaker 3: I mean. We're in a room that's not air conditioned.

662
00:31:36,360 --> 00:31:40,080
Speaker 3: So now I got musk coming from the the areas

663
00:31:40,160 --> 00:31:42,560
Speaker 3: of my body were musk forms.

664
00:31:42,640 --> 00:31:45,240
Speaker 1: Did you put a little deodorant on your ball sick.

665
00:31:45,680 --> 00:31:55,240
Speaker 3: No I didn't put No, I didn't. I didn't do that,

666
00:31:55,320 --> 00:31:57,280
Speaker 3: but you know what I mean. It's just like I

667
00:31:57,360 --> 00:32:00,160
Speaker 3: was in a being so nervous and she's there and

668
00:32:00,200 --> 00:32:02,600
Speaker 3: it's like, what the how does this?

669
00:32:03,120 --> 00:32:03,360
Speaker 1: You know?

670
00:32:03,480 --> 00:32:06,520
Speaker 3: This is not this, This doesn't feel comfortable, and then

671
00:32:06,560 --> 00:32:08,640
Speaker 3: somebody breaks into the door and you got cameras in

672
00:32:08,680 --> 00:32:10,640
Speaker 3: your face and you got to pull your pants like

673
00:32:10,680 --> 00:32:15,160
Speaker 3: it's all it's it's just all so uh And so

674
00:32:15,240 --> 00:32:18,080
Speaker 3: I was wondering, like how it would have been nerve

675
00:32:18,080 --> 00:32:19,600
Speaker 3: wracking for me to have to do that for a

676
00:32:19,640 --> 00:32:20,960
Speaker 3: full day. That's just me.

677
00:32:21,840 --> 00:32:24,600
Speaker 1: Yeah. The Bilson one was this was hot, This was

678
00:32:24,680 --> 00:32:27,440
Speaker 1: like fun, and I think that Sarah and I would

679
00:32:27,520 --> 00:32:30,000
Speaker 1: say it was awkward, of course, but but we had fun,

680
00:32:30,600 --> 00:32:31,720
Speaker 1: you know, I had to do. I was in a

681
00:32:31,800 --> 00:32:35,920
Speaker 1: play with with Ari Greener, and the jok was that

682
00:32:36,040 --> 00:32:38,960
Speaker 1: I was going down on her in the play and

683
00:32:39,320 --> 00:32:42,560
Speaker 1: there was covers over me, and the joke of the

684
00:32:42,600 --> 00:32:45,960
Speaker 1: play is that she's so bored and so not into whatever.

685
00:32:46,000 --> 00:32:48,360
Speaker 1: My technique is that she's she's above the covers reading

686
00:32:48,360 --> 00:32:51,800
Speaker 1: a book cool and and she's and she's like going,

687
00:32:51,840 --> 00:32:55,120
Speaker 1: oh yeah, that's great, keep going and she doesn't know.

688
00:32:55,560 --> 00:32:57,640
Speaker 1: Now in the play, I'm supposed to be like my

689
00:32:57,680 --> 00:33:01,520
Speaker 1: head like bopping around under under there. And so like

690
00:33:01,600 --> 00:33:04,880
Speaker 1: eight shows a week, she's in her underwear and I'm

691
00:33:04,920 --> 00:33:09,560
Speaker 1: down there like inches inches from her business and I'm like,

692
00:33:09,640 --> 00:33:12,480
Speaker 1: my head is supposed to be bouncing around but strategically

693
00:33:12,520 --> 00:33:15,960
Speaker 1: not touching anything. And for opening night, as a joke,

694
00:33:16,080 --> 00:33:19,360
Speaker 1: I gave her this pair of underwear that had the

695
00:33:19,400 --> 00:33:23,040
Speaker 1: scene printed in white on the groin of the under

696
00:33:25,920 --> 00:33:28,440
Speaker 1: in case I ever, in case I ever forgot my lines,

697
00:33:28,480 --> 00:33:33,040
Speaker 1: I could just read it off. And she laughed so

698
00:33:33,120 --> 00:33:35,280
Speaker 1: hard at that. And then we did the whole run

699
00:33:35,320 --> 00:33:37,280
Speaker 1: of the show, and on closing night I got down

700
00:33:37,320 --> 00:33:42,200
Speaker 1: there and she was wearing them.

701
00:33:42,480 --> 00:33:44,920
Speaker 3: Hilarious, hilarious, hilarious.

702
00:33:45,040 --> 00:33:46,880
Speaker 1: All right now, I think, as we should talk about

703
00:33:46,920 --> 00:33:49,480
Speaker 1: this wonderful moment of me washing rowdy in the bathtub.

704
00:33:49,520 --> 00:33:51,240
Speaker 1: I think of all the Scrubs gifts that are on

705
00:33:51,280 --> 00:33:54,880
Speaker 1: the interwebs, this is my favorite. One is JD forlornly

706
00:33:56,160 --> 00:33:58,880
Speaker 1: washing rowdy in the tub. I think that's what I

707
00:33:58,920 --> 00:33:59,840
Speaker 1: often send to people.

708
00:34:00,800 --> 00:34:05,000
Speaker 3: Now. It's a It's a metaphor also, though, isn't it

709
00:34:05,040 --> 00:34:07,760
Speaker 3: isn't it supposed to be Jad's not doing anything tonight,

710
00:34:08,400 --> 00:34:12,680
Speaker 3: but he's gonna wash the dog in the tub, meaning

711
00:34:12,719 --> 00:34:14,200
Speaker 3: he's gonna.

712
00:34:15,560 --> 00:34:18,160
Speaker 1: Master. Yes, No, I didn't get that at all. I

713
00:34:18,160 --> 00:34:18,760
Speaker 1: think it's.

714
00:34:18,640 --> 00:34:20,719
Speaker 3: Because then when he gets in the tub with gift

715
00:34:20,719 --> 00:34:24,160
Speaker 3: shop girl, Rowdy's still in there.

716
00:34:24,320 --> 00:34:25,920
Speaker 1: Well, the joke is like, oh, I know what we're

717
00:34:25,920 --> 00:34:28,160
Speaker 1: gonna do tonight. We're gonna wash Rowdy, Like he turns

718
00:34:28,160 --> 00:34:29,719
Speaker 1: it into something. Oh, I didn't think of it as

719
00:34:29,840 --> 00:34:30,960
Speaker 1: as a metaphor.

720
00:34:30,680 --> 00:34:32,400
Speaker 3: Rowdy meaning we're gonna wash.

721
00:34:33,320 --> 00:34:34,359
Speaker 1: Oh, I didn't think of that at all.

722
00:34:34,360 --> 00:34:35,640
Speaker 3: I think that's no.

723
00:34:35,719 --> 00:34:38,320
Speaker 1: Well, you have a libid in his mind. I think it's. Uh.

724
00:34:38,840 --> 00:34:40,960
Speaker 3: By the way, I forgot, is that a word libidness?

725
00:34:41,239 --> 00:34:43,520
Speaker 1: Yeah, libidness is. It's not like deservant, the one you

726
00:34:43,560 --> 00:34:44,319
Speaker 1: made up the other day.

727
00:34:46,960 --> 00:34:49,239
Speaker 3: I looked it up. It's it's a movie. It stars Uh,

728
00:34:49,320 --> 00:34:53,359
Speaker 3: that's Divergent, Indivergent.

729
00:34:54,400 --> 00:34:55,480
Speaker 1: Who's indivergent?

730
00:34:56,520 --> 00:34:57,200
Speaker 3: Oh my god.

731
00:34:57,520 --> 00:34:59,400
Speaker 1: By the way, for no memory that there's a bonus

732
00:34:59,440 --> 00:35:02,680
Speaker 1: fart joke scrubs man scrubs loves a good fart joke.

733
00:35:03,239 --> 00:35:05,040
Speaker 1: I had forgotten how many there are in the show.

734
00:35:05,080 --> 00:35:08,120
Speaker 1: We're so fucking childish, but I did giggle when when

735
00:35:08,200 --> 00:35:09,600
Speaker 1: all of a sudden in the tub you hear like

736
00:35:09,680 --> 00:35:18,359
Speaker 1: bloop and I go rowdy. All right, how about this

737
00:35:18,480 --> 00:35:21,920
Speaker 1: really low budget version of the hospital as a monster, Like,

738
00:35:22,480 --> 00:35:25,040
Speaker 1: no offense to whoever did it, but like that's the

739
00:35:25,040 --> 00:35:27,719
Speaker 1: best effect we could muster up with our budget of

740
00:35:28,000 --> 00:35:29,400
Speaker 1: the hospital turning into a monster.

741
00:35:29,760 --> 00:35:30,560
Speaker 3: It didn't look bad.

742
00:35:31,280 --> 00:35:33,960
Speaker 1: All that happens is like it turns green and like

743
00:35:34,040 --> 00:35:35,880
Speaker 1: fire comes out of the entrance.

744
00:35:36,239 --> 00:35:39,320
Speaker 3: Yeah, but until it turned green, you don't see a monster,

745
00:35:39,520 --> 00:35:41,920
Speaker 3: you know what I mean. Like once it turned green,

746
00:35:42,400 --> 00:35:44,200
Speaker 3: like you could see the eyes, you see where the

747
00:35:44,200 --> 00:35:46,960
Speaker 3: mouth is, Like everything kind of took shape when they

748
00:35:46,960 --> 00:35:47,279
Speaker 3: did that.

749
00:35:47,440 --> 00:35:50,040
Speaker 1: So yeah, it's that looked like that looked like a

750
00:35:50,040 --> 00:35:53,160
Speaker 1: student film. I feel like, well, again, this was twenty

751
00:35:53,239 --> 00:35:54,920
Speaker 1: years ago, and now it's easier to do that.

752
00:35:55,360 --> 00:35:57,360
Speaker 3: Well, you know you could do it on your iPhone.

753
00:35:57,360 --> 00:35:58,920
Speaker 1: Now you can probably do it on your iPhone with

754
00:35:58,960 --> 00:36:01,880
Speaker 1: an app. But I just I was like, this is

755
00:36:02,120 --> 00:36:04,400
Speaker 1: supposed to be like a central character of the episode,

756
00:36:04,440 --> 00:36:06,480
Speaker 1: that the hospital is like a big evil monster, and

757
00:36:06,520 --> 00:36:08,680
Speaker 1: I just thought it was a little low budget. Well,

758
00:36:08,920 --> 00:36:13,840
Speaker 1: no offense, bill, I know that the money was going elsewhere. Yeah,

759
00:36:13,960 --> 00:36:17,680
Speaker 1: Rob Maschio's thongs. Did you laugh? When I go to

760
00:36:17,719 --> 00:36:20,080
Speaker 1: hit on gift shop girl and I go dry spell,

761
00:36:20,320 --> 00:36:26,399
Speaker 1: prepare to be moistened, my gosh, and she goes, JD,

762
00:36:26,520 --> 00:36:29,120
Speaker 1: I can't give you gum, which means that JD often

763
00:36:29,200 --> 00:36:30,760
Speaker 1: tries to get free gum from.

764
00:36:30,640 --> 00:36:34,880
Speaker 3: Her right, which means JD often tries to talk to

765
00:36:34,920 --> 00:36:35,560
Speaker 3: her right.

766
00:36:35,600 --> 00:36:37,040
Speaker 1: But he's never hit on her, He's never asked her

767
00:36:37,040 --> 00:36:39,520
Speaker 1: out until today. Today is the day, because Judy says,

768
00:36:39,560 --> 00:36:41,520
Speaker 1: doesn't she say when was the last time you got laid?

769
00:36:41,640 --> 00:36:44,399
Speaker 1: Or something? Carl, So he feels like, Okay, you know what,

770
00:36:44,440 --> 00:36:46,160
Speaker 1: I'm not out there. I'm not hitting on anyone. I'm

771
00:36:46,160 --> 00:36:48,400
Speaker 1: not asking on dates. I'm gonna ask this girl out

772
00:36:48,440 --> 00:36:48,879
Speaker 1: on a date.

773
00:36:49,520 --> 00:36:51,319
Speaker 3: Do you believe in that? Don't believe in? Do you

774
00:36:51,360 --> 00:36:52,960
Speaker 3: believe in relationships at work?

775
00:36:55,920 --> 00:36:58,080
Speaker 1: I think if you're someone who you know, if you're

776
00:36:58,080 --> 00:37:00,920
Speaker 1: a doctor, and I mean obviously with goes without saying,

777
00:37:01,040 --> 00:37:05,520
Speaker 1: one needs to be appropriate and respectful in all in

778
00:37:05,560 --> 00:37:07,879
Speaker 1: all the ways one should be. But I think if

779
00:37:07,920 --> 00:37:10,880
Speaker 1: you solely work in a hospital and that's where ninety

780
00:37:10,880 --> 00:37:13,239
Speaker 1: percent of your life is, and there's a beautiful girl

781
00:37:13,239 --> 00:37:15,000
Speaker 1: who works at the gift shop. There's nothing wrong with

782
00:37:15,040 --> 00:37:17,239
Speaker 1: asking around a date, absolutely.

783
00:37:17,000 --> 00:37:19,440
Speaker 3: I agree. The only thing that I worry about is

784
00:37:19,840 --> 00:37:22,800
Speaker 3: when it all comes down and you break up and

785
00:37:23,440 --> 00:37:26,200
Speaker 3: the awkwardness between Like some people are really good about

786
00:37:26,200 --> 00:37:29,680
Speaker 3: it and some people are not. Like I'm one of

787
00:37:29,680 --> 00:37:31,200
Speaker 3: those cats. Like I'm one of those cats that I

788
00:37:31,280 --> 00:37:34,160
Speaker 3: can't really tell you how many ex girlfriends of mine

789
00:37:34,200 --> 00:37:36,600
Speaker 3: I'm friends with, you know what I mean. And it's

790
00:37:36,640 --> 00:37:40,399
Speaker 3: not because we just stop. It's not because I don't

791
00:37:40,440 --> 00:37:42,719
Speaker 3: want to be friends with him. It's just that we're

792
00:37:42,719 --> 00:37:43,880
Speaker 3: not dating anymore.

793
00:37:44,080 --> 00:37:47,640
Speaker 1: So why I think it becomes mostly becomes inappropriate for

794
00:37:47,719 --> 00:37:50,360
Speaker 1: your next partner, Like you might you might still shoot

795
00:37:50,360 --> 00:37:52,440
Speaker 1: the shit on text with with someone you dated and

796
00:37:52,480 --> 00:37:54,000
Speaker 1: it's good. But then when you when you get to

797
00:37:54,040 --> 00:37:56,239
Speaker 1: be committed to somebody new, I think it can be

798
00:37:57,280 --> 00:37:59,840
Speaker 1: disrespectful if you're still chatting. That's my take on it.

799
00:37:59,840 --> 00:38:03,200
Speaker 1: But a lot of people are. I don't know about you, guys,

800
00:38:03,239 --> 00:38:05,160
Speaker 1: but a lot of people still shoot the ship with

801
00:38:05,200 --> 00:38:05,680
Speaker 1: their exes.

802
00:38:05,760 --> 00:38:07,800
Speaker 3: Do you think JDN gift shop girl still shot the

803
00:38:07,800 --> 00:38:09,879
Speaker 3: ship after this? Uh?

804
00:38:10,480 --> 00:38:10,640
Speaker 2: No?

805
00:38:10,800 --> 00:38:12,960
Speaker 1: Is she another one though? Don't I do? Just she

806
00:38:13,040 --> 00:38:13,399
Speaker 1: and more?

807
00:38:13,680 --> 00:38:15,160
Speaker 3: I thought she was in the next episode.

808
00:38:15,200 --> 00:38:17,680
Speaker 1: But but I don't know, well is she She couldn't

809
00:38:18,640 --> 00:38:19,239
Speaker 1: back and look it up.

810
00:38:19,280 --> 00:38:20,799
Speaker 6: I think she did more than one, Sarah Lank, I

811
00:38:20,800 --> 00:38:22,120
Speaker 6: think it was just one.

812
00:38:23,400 --> 00:38:25,560
Speaker 1: She does a lip bite, which made me think of

813
00:38:25,760 --> 00:38:30,200
Speaker 1: the founder of the sexy lip bite, which was Alicia Silverstone.

814
00:38:30,440 --> 00:38:32,799
Speaker 1: No one, no one did a lip bite. I want

815
00:38:32,800 --> 00:38:36,120
Speaker 1: to have Alicia on the podcast to talk about the

816
00:38:36,160 --> 00:38:37,520
Speaker 1: founding of the lip bite.

817
00:38:37,960 --> 00:38:40,040
Speaker 3: I don't know if she founded the lip bite.

818
00:38:40,120 --> 00:38:43,600
Speaker 1: In my mind as a as a teenager, I didn't

819
00:38:43,640 --> 00:38:45,319
Speaker 1: know what a lip bite was until I.

820
00:38:45,320 --> 00:38:47,920
Speaker 3: Saw a teenager. You want a teenager? When you saw

821
00:38:47,960 --> 00:38:49,080
Speaker 3: Alicia Silverstone?

822
00:38:49,400 --> 00:38:53,680
Speaker 1: I'm talking how well remember those Aerosmith videos.

823
00:38:53,400 --> 00:38:55,920
Speaker 3: That was maybe a year before Clueless came.

824
00:38:55,760 --> 00:39:00,000
Speaker 1: Out, Joelle. Can you look up when the first Aerosmith

825
00:39:00,200 --> 00:39:03,640
Speaker 1: video with a with a lip biting Alicia Silverstone.

826
00:39:03,080 --> 00:39:04,240
Speaker 3: You had to be at least twenty.

827
00:39:04,800 --> 00:39:10,480
Speaker 1: Well, anyway, who cares if I was fifteen or I

828
00:39:10,520 --> 00:39:12,200
Speaker 1: was twenty, they were they were.

829
00:39:12,280 --> 00:39:13,480
Speaker 3: I'm just saying, you want a kid.

830
00:39:13,880 --> 00:39:16,040
Speaker 1: It was well documented that I had a crush on

831
00:39:16,040 --> 00:39:21,040
Speaker 1: Alsa's Silverstone, and and she was a great lipbier, you know, Donald.

832
00:39:20,920 --> 00:39:24,279
Speaker 3: Yeah, do you want to get back into the what's

833
00:39:24,320 --> 00:39:26,880
Speaker 3: that Well, we're moving on now.

834
00:39:27,560 --> 00:39:32,480
Speaker 1: Oh yeah, so so yeah, we talked about this at

835
00:39:32,520 --> 00:39:34,520
Speaker 1: length in the last episode. But you do you don't

836
00:39:34,560 --> 00:39:38,959
Speaker 1: last very long, right, and because you're tired. I don't

837
00:39:38,960 --> 00:39:40,040
Speaker 1: get it you're tired or what.

838
00:39:40,400 --> 00:39:42,280
Speaker 3: I think it's because he's tired. I think he's tired

839
00:39:42,360 --> 00:39:45,800
Speaker 3: and he wants to uh cry. Came out in ninety three?

840
00:39:46,160 --> 00:39:47,960
Speaker 3: What year were What year did you graduate?

841
00:39:48,320 --> 00:39:50,520
Speaker 1: I graduated high school in ninety three, so were eighteen.

842
00:39:50,760 --> 00:39:54,120
Speaker 1: I was eighteen. I was eighteen. Alisa Silverstone was my

843
00:39:54,280 --> 00:39:56,759
Speaker 1: crush and she was throwing lip bites left and right.

844
00:39:58,920 --> 00:40:00,560
Speaker 1: I think we can get Alicia. I think we can

845
00:40:00,600 --> 00:40:02,320
Speaker 1: because we're both friends with her. Let's get her on

846
00:40:02,360 --> 00:40:04,640
Speaker 1: the podcast. I know she has nothing to with Scrumbs,

847
00:40:04,680 --> 00:40:06,520
Speaker 1: but we could do a little side thing that's like

848
00:40:07,280 --> 00:40:10,480
Speaker 1: just talking clueless. We can talk Aerosmith videos.

849
00:40:10,920 --> 00:40:11,759
Speaker 3: If she's down to do it.

850
00:40:11,840 --> 00:40:14,400
Speaker 1: Yeah, we could totally get I mean, I she was

851
00:40:14,440 --> 00:40:18,440
Speaker 1: just in my short film. She's an awesome person. Netflix.

852
00:40:18,440 --> 00:40:20,640
Speaker 2: It's a perfect time. You guys, don't even at Lasia

853
00:40:20,640 --> 00:40:22,960
Speaker 2: Silverstone is my background through most of college.

854
00:40:23,440 --> 00:40:25,840
Speaker 3: I Silverstone. Listen.

855
00:40:26,040 --> 00:40:28,080
Speaker 2: We haven't gotten into it yet. Clueless was everything to

856
00:40:28,160 --> 00:40:34,600
Speaker 2: me as a young baby god obsessed with Clueless, obsessed

857
00:40:35,200 --> 00:40:38,720
Speaker 2: The opening scene alone with the rotating closet like peak,

858
00:40:39,080 --> 00:40:41,320
Speaker 2: please please silver Stone.

859
00:40:41,520 --> 00:40:44,160
Speaker 3: She can't talk, that she's tongue tied.

860
00:40:44,239 --> 00:40:47,439
Speaker 1: Yeah, she can't talk. She's fanning herself as per usual. Good,

861
00:40:47,680 --> 00:40:51,080
Speaker 1: she's just you know, this is like three Joelle fanning

862
00:40:51,080 --> 00:40:52,920
Speaker 1: herself moments for this episode already.

863
00:40:53,239 --> 00:40:54,840
Speaker 3: Yeah, a lot of fandoms today.

864
00:40:56,560 --> 00:41:00,400
Speaker 1: All right, Donald, I'm putting out there. I'll text her now, yeah, Texture,

865
00:41:00,440 --> 00:41:03,279
Speaker 1: because this is my idea. We go listen. As you know,

866
00:41:03,480 --> 00:41:06,080
Speaker 1: we both love you, and we both talk about you

867
00:41:06,120 --> 00:41:08,480
Speaker 1: a lot. Why not have you come on and we'll

868
00:41:08,520 --> 00:41:10,680
Speaker 1: do it. We'll do a digression from Scrubs and we'll

869
00:41:10,719 --> 00:41:15,080
Speaker 1: talk about Clueless, and we'll talk about the Aerosmith videos. Well,

870
00:41:15,120 --> 00:41:17,640
Speaker 1: this is exciting, ladies and gentlemen. I know, I can't.

871
00:41:17,800 --> 00:41:20,480
Speaker 1: I don't see why Alicia would say no, because the

872
00:41:20,520 --> 00:41:22,880
Speaker 1: only person she loves more than Donald Faison is me,

873
00:41:23,200 --> 00:41:24,640
Speaker 1: and uh, we're gonna make it happen.

874
00:41:24,719 --> 00:41:26,200
Speaker 3: I just don't understand why she'd be on the show.

875
00:41:26,200 --> 00:41:29,120
Speaker 1: But yeah, absolutely, this is why she'd be on the show.

876
00:41:29,160 --> 00:41:33,200
Speaker 1: You are in like many people's favorite comedy of that era,

877
00:41:34,320 --> 00:41:39,640
Speaker 1: and we happen to know the star. And she was

878
00:41:39,680 --> 00:41:43,520
Speaker 1: also one of my biggest cutshas, and she invented the

879
00:41:43,560 --> 00:41:45,560
Speaker 1: lip bite. And she was the star of my short

880
00:41:45,600 --> 00:41:48,520
Speaker 1: film with Ms. Florence Pugh in the Time It Takes

881
00:41:48,560 --> 00:41:51,200
Speaker 1: to Get There, which if you haven't watched, you should

882
00:41:51,239 --> 00:41:52,960
Speaker 1: go watch on YouTube right now.

883
00:41:53,320 --> 00:41:56,759
Speaker 3: Okay, tell me you didn't laugh. Tell me you didn't

884
00:41:56,800 --> 00:41:58,440
Speaker 3: laugh when I said, baby, you know, I get nervous

885
00:41:58,440 --> 00:41:59,280
Speaker 3: when you start chatting.

886
00:42:00,360 --> 00:42:02,239
Speaker 1: Yeah, that was funny.

887
00:42:02,320 --> 00:42:05,080
Speaker 3: He's a good man. He's a good man. He's a

888
00:42:05,080 --> 00:42:06,960
Speaker 3: good man. Baby. You know, I get nervous when you

889
00:42:06,960 --> 00:42:08,040
Speaker 3: start chatting, right, Ye?

890
00:42:08,840 --> 00:42:10,960
Speaker 1: How about what the how about when you go player?

891
00:42:11,040 --> 00:42:11,919
Speaker 1: Hold me down?

892
00:42:12,560 --> 00:42:14,160
Speaker 3: Yeah? Do you remember where that came from?

893
00:42:14,360 --> 00:42:15,520
Speaker 1: No? Well, you and I used to say that to

894
00:42:15,520 --> 00:42:16,759
Speaker 1: each other in real life, but I don't know what

895
00:42:16,800 --> 00:42:17,480
Speaker 1: the origin was.

896
00:42:17,640 --> 00:42:19,319
Speaker 3: I don't know what the origin was either. That's why

897
00:42:19,360 --> 00:42:21,360
Speaker 3: I just asked you, do you know where that came from?

898
00:42:22,480 --> 00:42:24,479
Speaker 1: Bill put it in the show, We put it, We

899
00:42:24,640 --> 00:42:25,640
Speaker 1: improve something that.

900
00:42:25,960 --> 00:42:27,239
Speaker 3: Yeah, that was something that we came up.

901
00:42:27,160 --> 00:42:31,160
Speaker 1: With playing and then fist down. Yeah, well you made

902
00:42:31,200 --> 00:42:32,520
Speaker 1: that up because I don't even know what that means

903
00:42:33,080 --> 00:42:33,759
Speaker 1: hold me down.

904
00:42:33,800 --> 00:42:34,160
Speaker 3: Player.

905
00:42:35,680 --> 00:42:42,640
Speaker 1: Oh, now I know what the does it mean? Like

906
00:42:42,800 --> 00:42:43,440
Speaker 1: keep it real?

907
00:42:44,000 --> 00:42:46,720
Speaker 3: Yeah, man means hold me down, man. Support a brother.

908
00:42:47,040 --> 00:42:49,000
Speaker 1: You were the one who was teaching me the cool

909
00:42:49,080 --> 00:42:52,279
Speaker 1: kids expressions. Remember when I told you you came in

910
00:42:52,320 --> 00:42:55,520
Speaker 1: and you said, the new thing is? What was it?

911
00:42:55,520 --> 00:42:57,799
Speaker 1: That one? I told you that's what's up. That's what's up.

912
00:42:58,600 --> 00:43:00,400
Speaker 1: That's what's up. And you've stuck with that what's up

913
00:43:00,440 --> 00:43:00,960
Speaker 1: a long time?

914
00:43:01,719 --> 00:43:02,200
Speaker 3: Stuck with me.

915
00:43:02,440 --> 00:43:07,680
Speaker 1: Yeah, you love Yeah, I'll be like Donald double, like

916
00:43:07,719 --> 00:43:13,960
Speaker 1: Donald you want to get to the other night. That's what's up. Now.

917
00:43:14,200 --> 00:43:16,680
Speaker 1: It's funny when the janitor is reaching his hand into

918
00:43:16,680 --> 00:43:19,440
Speaker 1: the candy machine. For those of you who know are

919
00:43:19,480 --> 00:43:21,960
Speaker 1: in the business, there's this thing called the greeking, which

920
00:43:22,000 --> 00:43:26,920
Speaker 1: means you can't show a brand without permission from the brand,

921
00:43:27,239 --> 00:43:29,320
Speaker 1: and and so they do this thing where they disguise

922
00:43:29,480 --> 00:43:32,120
Speaker 1: all of the all of the labels, which is tricky

923
00:43:32,160 --> 00:43:34,000
Speaker 1: if you're showing a full candy machine. But if you

924
00:43:34,000 --> 00:43:36,200
Speaker 1: go look at the episode, there's all this really weird

925
00:43:36,239 --> 00:43:38,720
Speaker 1: greeking that was done probably by our friend Patrick Bolton,

926
00:43:39,280 --> 00:43:41,600
Speaker 1: where it's like there'll be a Snickers bar and then

927
00:43:41,640 --> 00:43:44,759
Speaker 1: like they'll just have like it looks like it's like

928
00:43:44,840 --> 00:43:49,239
Speaker 1: there's a leaf or something stuck in front of the label.

929
00:43:49,320 --> 00:43:51,279
Speaker 3: In front to mask it.

930
00:43:51,800 --> 00:43:55,000
Speaker 1: Yeah, because you go back and look at it, every

931
00:43:55,040 --> 00:43:58,400
Speaker 1: single label is just weirdly disguised so you can't see

932
00:43:58,440 --> 00:44:01,040
Speaker 1: that it means obviously a nickers or a kick cat

933
00:44:01,080 --> 00:44:03,640
Speaker 1: or whatever. But like the labels are quote unquote Greeked.

934
00:44:03,680 --> 00:44:04,160
Speaker 1: That's what they got.

935
00:44:04,200 --> 00:44:06,360
Speaker 3: I thought they were Greeked in ways like the they

936
00:44:06,400 --> 00:44:08,719
Speaker 3: would take sharpies and connect things or.

937
00:44:08,719 --> 00:44:10,879
Speaker 1: That's what they often do. But maybe Patrick was late

938
00:44:10,920 --> 00:44:12,560
Speaker 1: to the day work that tape.

939
00:44:12,680 --> 00:44:14,600
Speaker 3: I need a leaf. I'll go outside.

940
00:44:14,840 --> 00:44:17,160
Speaker 1: It almost looks like it almost looks like it's either

941
00:44:17,200 --> 00:44:19,480
Speaker 1: a leaf. A leaf would make no sense. It's like

942
00:44:19,560 --> 00:44:23,520
Speaker 1: brown cardboard or something that's been cut to like hide

943
00:44:23,560 --> 00:44:26,600
Speaker 1: the labels. Sorry, just a little behind the scenes weirdness.

944
00:44:26,880 --> 00:44:28,040
Speaker 3: Shout out Patrick Bolton.

945
00:44:28,160 --> 00:44:31,680
Speaker 1: Yeah, Patrick Bolton, who was the onset dresser. Now, for

946
00:44:31,680 --> 00:44:33,400
Speaker 1: those of you who don't know, the onset dresser is

947
00:44:33,400 --> 00:44:36,760
Speaker 1: the guy who, when you're shooting is constantly moving stuff around.

948
00:44:36,760 --> 00:44:39,480
Speaker 1: The DP will say the cinematographers say, hey, can you

949
00:44:39,520 --> 00:44:41,520
Speaker 1: move that painting. It's giving me a glare and he's like,

950
00:44:41,520 --> 00:44:43,120
Speaker 1: I'm on it, and then he'll move it and hey,

951
00:44:43,200 --> 00:44:45,000
Speaker 1: this table needs to go because we need to put

952
00:44:45,000 --> 00:44:47,759
Speaker 1: the camera here, and he moves it. And they're the

953
00:44:47,760 --> 00:44:51,080
Speaker 1: ones that are responsible for anything that the art department

954
00:44:51,120 --> 00:44:54,120
Speaker 1: has going on in the set during the actual shoot.

955
00:44:54,600 --> 00:44:56,120
Speaker 3: I used to love how we used to make fun

956
00:44:56,160 --> 00:44:58,800
Speaker 3: of Patrick because Patrick was always around and you always

957
00:44:58,800 --> 00:45:02,040
Speaker 3: would have to set the clock or or or.

958
00:45:02,239 --> 00:45:04,759
Speaker 1: One of their main responsibilities is setting the clock in

959
00:45:04,800 --> 00:45:07,640
Speaker 1: the because there's ever a clock in this in this set,

960
00:45:07,680 --> 00:45:09,560
Speaker 1: they don't you don't want it to move, so they

961
00:45:09,560 --> 00:45:11,640
Speaker 1: don't have batteries in them otherwise that they'll never match.

962
00:45:12,200 --> 00:45:14,200
Speaker 1: So then they have to talk to the script supervisor

963
00:45:14,239 --> 00:45:16,200
Speaker 1: and say, okay, what time is it? What time is

964
00:45:16,239 --> 00:45:17,960
Speaker 1: it in the day in the world of the show.

965
00:45:19,239 --> 00:45:21,080
Speaker 1: And then he was always usually a one man band,

966
00:45:21,080 --> 00:45:22,840
Speaker 1: which was hard, so he figured out a way to

967
00:45:23,239 --> 00:45:27,080
Speaker 1: put wheels on everything. So we made up a song

968
00:45:27,120 --> 00:45:30,720
Speaker 1: for him. Do you remember it's me specialty.

969
00:45:31,520 --> 00:45:34,280
Speaker 3: Dealing with clocks and wheels.

970
00:45:36,960 --> 00:45:39,600
Speaker 1: If it's a clock he was British. By the way,

971
00:45:39,640 --> 00:45:42,319
Speaker 1: if it's a clock, I'll set it, No, no way.

972
00:45:42,400 --> 00:45:45,359
Speaker 1: If it's got wheels, I'll move it. If it's got.

973
00:45:45,920 --> 00:45:47,839
Speaker 3: If it's a clock clock, I'll set it.

974
00:45:48,080 --> 00:45:50,120
Speaker 1: No, I think it was. If it's a clock, all

975
00:45:50,760 --> 00:45:52,640
Speaker 1: set it.

976
00:45:52,640 --> 00:45:54,480
Speaker 3: It's me speciality.

977
00:45:55,880 --> 00:45:57,640
Speaker 1: Dealing with clocks and.

978
00:45:57,520 --> 00:46:04,520
Speaker 3: Wheels that need would make me laugh so hard.

979
00:46:04,600 --> 00:46:06,879
Speaker 1: Oh my god, that's how fucking much time we spend

980
00:46:06,880 --> 00:46:07,800
Speaker 1: it on all his little.

981
00:46:09,000 --> 00:46:11,480
Speaker 3: No, no, no, it's not. It's my specialty. It's it's me.

982
00:46:12,040 --> 00:46:12,480
Speaker 3: It's me.

983
00:46:13,120 --> 00:46:15,120
Speaker 1: We did a little about Mary Poppins.

984
00:46:14,760 --> 00:46:17,080
Speaker 3: Mary Poppins, we did freaking Burt from Mary Poppins.

985
00:46:17,200 --> 00:46:20,799
Speaker 1: Yeah, it made me special taste. Whenever I'm over there

986
00:46:20,800 --> 00:46:24,040
Speaker 1: trying to in my British accent. My girlfriend's family says,

987
00:46:24,080 --> 00:46:26,520
Speaker 1: I sound like Dick Van Mary Poppins.

988
00:46:26,560 --> 00:46:29,640
Speaker 3: Yeah, don't do don't dealing wave clock tan Way, you

989
00:46:30,239 --> 00:46:32,080
Speaker 3: dealing with cloaks and we.

990
00:46:32,280 --> 00:46:38,520
Speaker 1: You Oh, Patrick, we should have him on the show.

991
00:46:38,680 --> 00:46:40,319
Speaker 3: Oh that would be great, man. I'd love to catch

992
00:46:40,360 --> 00:46:41,960
Speaker 3: up with Patrick. I'd love to catch up with a

993
00:46:41,960 --> 00:46:42,720
Speaker 3: lot of these cats.

994
00:46:42,760 --> 00:46:42,880
Speaker 2: Man.

995
00:46:42,920 --> 00:46:45,080
Speaker 3: There are a lot of people out there that work

996
00:46:45,280 --> 00:46:46,160
Speaker 3: so hard.

997
00:46:45,880 --> 00:46:48,040
Speaker 1: On I wonder, I wonder if the listeners would want

998
00:46:48,040 --> 00:46:50,160
Speaker 1: to hear from from some of the crew people.

999
00:46:50,440 --> 00:46:52,839
Speaker 3: Let's ask them, guys, weigh in on it, man, because

1000
00:46:52,840 --> 00:46:54,840
Speaker 3: we got a lot of people with some very interesting

1001
00:46:54,880 --> 00:46:57,480
Speaker 3: stories that I think you would love to hear. But

1002
00:46:57,719 --> 00:47:00,520
Speaker 3: you know, we're nervous, We're still you know, we don't

1003
00:47:00,520 --> 00:47:02,520
Speaker 3: want to kind of we don't want to let you down.

1004
00:47:02,600 --> 00:47:04,080
Speaker 1: We want to don't want to tease that we're gonna

1005
00:47:04,080 --> 00:47:06,160
Speaker 1: have Lisa Silverstone and then bring on Patrick Bolton.

1006
00:47:06,200 --> 00:47:08,560
Speaker 3: You know, we don't want to write so let us know.

1007
00:47:08,600 --> 00:47:09,640
Speaker 1: Do you want to bring both?

1008
00:47:09,880 --> 00:47:11,720
Speaker 3: Yeah? Do you want to hear from our crew members,

1009
00:47:11,760 --> 00:47:14,160
Speaker 3: because I'm sure they got some wonderful stories for you

1010
00:47:14,160 --> 00:47:14,840
Speaker 3: guys to listen to.

1011
00:47:14,960 --> 00:47:17,200
Speaker 1: They do they do. They can talk about how Donald

1012
00:47:17,239 --> 00:47:18,440
Speaker 1: took forever to come to set.

1013
00:47:18,800 --> 00:47:20,080
Speaker 3: No, that's not true.

1014
00:47:20,239 --> 00:47:22,839
Speaker 1: So how about how I call him Perry at eight

1015
00:47:22,920 --> 00:47:23,319
Speaker 1: oh four?

1016
00:47:23,920 --> 00:47:25,560
Speaker 3: You got to get a little ballsy.

1017
00:47:25,320 --> 00:47:27,600
Speaker 1: I got a little cocky calling him Perry. You got

1018
00:47:27,680 --> 00:47:29,600
Speaker 1: him trying He goes Perry. I go, I'm trying it out,

1019
00:47:29,800 --> 00:47:32,760
Speaker 1: try it out, and then I go a Q any questions.

1020
00:47:35,719 --> 00:47:40,480
Speaker 3: I love Jordan on this. I love the curly Fries situation.

1021
00:47:40,960 --> 00:47:41,960
Speaker 1: Yeah, because you can relate.

1022
00:47:42,400 --> 00:47:45,160
Speaker 3: Oh, I could totally relate. And at the end when

1023
00:47:45,200 --> 00:47:48,480
Speaker 3: Jordan says curly Fries and the face that she makes

1024
00:47:49,040 --> 00:47:52,400
Speaker 3: where it's like, it's hopeful that he did it, but also,

1025
00:47:52,920 --> 00:47:55,719
Speaker 3: please don't disappoint me. She has the fear that he

1026
00:47:55,760 --> 00:47:59,080
Speaker 3: disappointed her, and she's like curly fries and he pulls

1027
00:47:59,120 --> 00:48:02,560
Speaker 3: him out and she's so hap That's real deal. Holy Field, man.

1028
00:48:02,600 --> 00:48:06,839
Speaker 3: I remember when Casey was pregnant with Rocco. She would

1029
00:48:06,840 --> 00:48:09,600
Speaker 3: eat oatmeal every night, and so at one point I

1030
00:48:09,640 --> 00:48:11,959
Speaker 3: would be like, do you want to go out to dinner?

1031
00:48:11,960 --> 00:48:14,120
Speaker 3: And she would go oatmeal.

1032
00:48:16,160 --> 00:48:16,760
Speaker 1: For dinner?

1033
00:48:16,920 --> 00:48:20,640
Speaker 3: Yeah, for dinner, oatmeal? Oh yeah, absolutely, whatever you want. Baby.

1034
00:48:21,280 --> 00:48:22,600
Speaker 1: You just gave me an idea. I might have a

1035
00:48:22,640 --> 00:48:26,200
Speaker 1: Beyond Burger today for lunch. Have you had Beyond Burgers?

1036
00:48:26,200 --> 00:48:26,960
Speaker 1: They're really good.

1037
00:48:27,360 --> 00:48:30,080
Speaker 3: No, you know, I've stopped eating red and meat. I

1038
00:48:30,080 --> 00:48:32,759
Speaker 3: know Beyond Burger's plant based. I just get a little

1039
00:48:32,800 --> 00:48:36,000
Speaker 3: nervous that it's gonna taste like it's delicious.

1040
00:48:36,040 --> 00:48:37,800
Speaker 1: And by the way, this is not one of our sponsors.

1041
00:48:37,840 --> 00:48:40,279
Speaker 1: I'm just this is totally true. I'm not being paid

1042
00:48:40,280 --> 00:48:43,040
Speaker 1: to tell you this. Beyond Burger is delicious. Now, granted

1043
00:48:43,080 --> 00:48:44,719
Speaker 1: you want to put a little salt and pepper and

1044
00:48:45,120 --> 00:48:46,920
Speaker 1: all the things you would do. You put the relish

1045
00:48:47,000 --> 00:48:49,879
Speaker 1: in the ketchup and the mustard, but it's really good.

1046
00:48:51,160 --> 00:48:53,360
Speaker 1: So for me, I was always like, I want to

1047
00:48:53,360 --> 00:48:55,280
Speaker 1: give up red meat, but and I won't crave steak.

1048
00:48:55,320 --> 00:48:56,800
Speaker 1: The thing I'll crave is a burger.

1049
00:48:56,920 --> 00:48:57,080
Speaker 3: Yeah.

1050
00:48:57,120 --> 00:49:00,200
Speaker 1: I still I'm telling you, will you try beyond here?

1051
00:49:00,200 --> 00:49:00,440
Speaker 9: For me?

1052
00:49:00,480 --> 00:49:03,560
Speaker 1: I will. I'll postmatee you some I'll send you some over.

1053
00:49:04,680 --> 00:49:07,640
Speaker 3: Yeah. You know, somebody, somebody hit me up and was like,

1054
00:49:07,680 --> 00:49:09,839
Speaker 3: you know, red meat is not bad for you, it's

1055
00:49:09,960 --> 00:49:12,960
Speaker 3: good for you, et cetera, et cetera. It's my personal choice.

1056
00:49:13,200 --> 00:49:13,680
Speaker 3: Thank you.

1057
00:49:14,200 --> 00:49:17,399
Speaker 1: Yeah, And I I have to be honest, I've been

1058
00:49:17,440 --> 00:49:21,600
Speaker 1: struggling personally. I'm not broadcasting. I hate when people fucking

1059
00:49:22,000 --> 00:49:23,880
Speaker 1: prosthetize their ship. I'm not trying to tell you to

1060
00:49:23,880 --> 00:49:26,640
Speaker 1: do whatever you want to do. I personally have been

1061
00:49:26,680 --> 00:49:30,279
Speaker 1: struggling a little with the ethics of eating animals, and

1062
00:49:30,400 --> 00:49:33,840
Speaker 1: anytime I see video footage of how they're treated, I

1063
00:49:33,920 --> 00:49:37,840
Speaker 1: want to change my ways and it's it's it's taken forever.

1064
00:49:38,680 --> 00:49:42,160
Speaker 1: And my girlfriend has inspired me a lot, and I'm

1065
00:49:42,200 --> 00:49:44,239
Speaker 1: really kind of starting to do it.

1066
00:49:44,640 --> 00:49:50,120
Speaker 3: But how's your penis? What do you mean how's your penis?

1067
00:49:50,480 --> 00:49:53,360
Speaker 1: My penis is delightful. Why are you asking I'm.

1068
00:49:53,160 --> 00:49:54,320
Speaker 3: Just trying to get back to the show.

1069
00:49:54,640 --> 00:50:03,680
Speaker 1: Oh now, you don't like digressions. Fucking assholes, daloof. We

1070
00:50:03,800 --> 00:50:06,200
Speaker 1: not only lost Susan from Duluth, we lost the co host.

1071
00:50:06,360 --> 00:50:14,640
Speaker 1: All right, all right, let's bring on the fan Donald.

1072
00:50:14,640 --> 00:50:16,759
Speaker 3: Here we go. First, let's go to Before we do that,

1073
00:50:16,920 --> 00:50:17,839
Speaker 3: let's go to break.

1074
00:50:18,040 --> 00:50:20,240
Speaker 1: We're gonna go do you want to see something wise?

1075
00:50:20,280 --> 00:50:22,920
Speaker 1: We're going into break, something to just impart the fans

1076
00:50:23,000 --> 00:50:26,479
Speaker 1: with with something that's just wise. They can think about

1077
00:50:26,480 --> 00:50:27,200
Speaker 1: it during the break.

1078
00:50:27,440 --> 00:50:29,359
Speaker 3: Three licks to the center of a tootsi pop. That's

1079
00:50:29,360 --> 00:50:32,000
Speaker 3: all I'm gonna tell you. Three way more than three licks,

1080
00:50:32,239 --> 00:50:33,360
Speaker 3: not according to the owl.

1081
00:50:33,640 --> 00:50:38,200
Speaker 1: They right back on that note.

1082
00:50:45,440 --> 00:50:46,960
Speaker 3: It's David Kanna.

1083
00:50:52,239 --> 00:50:58,120
Speaker 1: It's David. Hey, guys, pop it. I'm sorry they keep

1084
00:50:58,200 --> 00:51:03,000
Speaker 1: doing okay, David, I apologize for that.

1085
00:51:04,400 --> 00:51:05,840
Speaker 9: I love every second that was.

1086
00:51:06,320 --> 00:51:08,560
Speaker 1: I'm sorry, David. I gotta do something.

1087
00:51:08,640 --> 00:51:11,120
Speaker 3: Did I get it right? Cannon?

1088
00:51:11,800 --> 00:51:13,520
Speaker 9: You've got it by the first time. That's very rare.

1089
00:51:13,600 --> 00:51:15,920
Speaker 1: It's David. I'm sorry, but my as broke. I don't

1090
00:51:15,960 --> 00:51:16,839
Speaker 1: have to take off my shirt.

1091
00:51:22,280 --> 00:51:24,759
Speaker 3: Where is your shirt? Zach?

1092
00:51:25,000 --> 00:51:30,040
Speaker 1: I have pants on. It's sir, David. Do you mind

1093
00:51:30,080 --> 00:51:30,759
Speaker 1: if I remove my.

1094
00:51:30,800 --> 00:51:32,560
Speaker 3: Shirt, David, I'm so sorry.

1095
00:51:32,600 --> 00:51:33,799
Speaker 9: I'm not to do the exact same thing.

1096
00:51:34,400 --> 00:51:35,840
Speaker 1: Why did you do it, David?

1097
00:51:35,920 --> 00:51:37,920
Speaker 3: Before you came on your shirt, then we were all

1098
00:51:37,960 --> 00:51:39,080
Speaker 3: gonna have to remove our shirt.

1099
00:51:39,200 --> 00:51:41,200
Speaker 1: Listen, David, before you came on, we learned that my

1100
00:51:41,320 --> 00:51:43,200
Speaker 1: a C is broken and I have to keep the

1101
00:51:43,280 --> 00:51:47,040
Speaker 1: doors closed because the sound. So this is what's happening.

1102
00:51:48,640 --> 00:51:50,120
Speaker 1: How are you, David? Where are you calling from?

1103
00:51:50,520 --> 00:51:53,920
Speaker 9: I'm in London and I'm feeling similar to you right now, Zach,

1104
00:51:53,960 --> 00:51:57,600
Speaker 9: because there's thirty It was thirty five degrees today London.

1105
00:51:57,640 --> 00:52:03,040
Speaker 1: That means I'm guessing that's Selsius. Yes, were very hot actually.

1106
00:52:03,560 --> 00:52:05,560
Speaker 9: And it's still twenty five degrees now, so it is

1107
00:52:05,840 --> 00:52:06,399
Speaker 9: a warm night.

1108
00:52:07,160 --> 00:52:10,480
Speaker 1: Do you often find that Americans who do a British

1109
00:52:10,520 --> 00:52:13,080
Speaker 1: accent sound like Dick van Dyke and Mary Poppins.

1110
00:52:15,120 --> 00:52:17,759
Speaker 9: It's getting better. There was that was like an error

1111
00:52:17,800 --> 00:52:19,600
Speaker 9: where there was like a staple accent.

1112
00:52:20,080 --> 00:52:25,000
Speaker 1: But I feel like British British British actors are are English.

1113
00:52:25,080 --> 00:52:28,920
Speaker 1: Excuse me, English actors are so good at doing American accents,

1114
00:52:29,080 --> 00:52:33,320
Speaker 1: and I find that whenever we Americans try, we sound ridiculous.

1115
00:52:33,680 --> 00:52:36,920
Speaker 9: I mean story, for example, was a surprise that most

1116
00:52:36,960 --> 00:52:37,560
Speaker 9: Americans I.

1117
00:52:37,560 --> 00:52:42,680
Speaker 3: Think, yeah, yes, yes, yes, it's either the Dick van

1118
00:52:42,800 --> 00:52:45,600
Speaker 3: Dyke accent or it's the guy from Monty Python. How

1119
00:52:45,760 --> 00:52:51,200
Speaker 3: many are there? Did you say fool rabbits.

1120
00:52:52,719 --> 00:52:54,600
Speaker 1: Or you're saying that that's what Americans sound like when

1121
00:52:54,600 --> 00:52:55,200
Speaker 1: they those are the.

1122
00:52:55,160 --> 00:52:57,040
Speaker 3: Two British accents they do. They either do the Dick

1123
00:52:57,160 --> 00:53:01,959
Speaker 3: pen Hello, Merybury popens or how many did you shut?

1124
00:53:05,520 --> 00:53:10,479
Speaker 1: David? Where where in the UK are you? You said? London?

1125
00:53:10,920 --> 00:53:12,600
Speaker 9: London near Stratford Way.

1126
00:53:13,800 --> 00:53:17,360
Speaker 3: Are you near the melon Bourne Station? Mary Bourne Station.

1127
00:53:17,320 --> 00:53:20,960
Speaker 1: Marley Bone, Donald Marley Bone.

1128
00:53:20,719 --> 00:53:23,680
Speaker 3: Marley Bone. I stayed at that hotel.

1129
00:53:24,320 --> 00:53:25,480
Speaker 9: Okay, that's that's.

1130
00:53:26,880 --> 00:53:28,080
Speaker 3: I love that area.

1131
00:53:28,160 --> 00:53:29,600
Speaker 1: You just wanted to say Marley Bone.

1132
00:53:30,160 --> 00:53:31,080
Speaker 3: It's a great name.

1133
00:53:31,600 --> 00:53:34,200
Speaker 1: It is David. Thanks for coming on the show.

1134
00:53:34,200 --> 00:53:34,759
Speaker 3: Do you have a question?

1135
00:53:35,760 --> 00:53:36,759
Speaker 9: Is this is? This is nice?

1136
00:53:37,080 --> 00:53:39,160
Speaker 1: Thank you have very nice headphones. You have a nice camera.

1137
00:53:39,200 --> 00:53:40,480
Speaker 1: I'm sensing you have a better.

1138
00:53:40,400 --> 00:53:42,040
Speaker 3: Can you have a moscow mule in your hand?

1139
00:53:42,080 --> 00:53:43,120
Speaker 1: Do you have a moscow mule?

1140
00:53:43,560 --> 00:53:43,719
Speaker 2: Oh?

1141
00:53:43,800 --> 00:53:46,000
Speaker 9: I mean this is actually it's a take on a

1142
00:53:46,120 --> 00:53:47,719
Speaker 9: moscow mule. This has been made.

1143
00:53:49,920 --> 00:53:53,319
Speaker 3: Oh looking shout out GT.

1144
00:53:54,600 --> 00:53:57,600
Speaker 1: But listen, Donald and I are researching releasing the adayish

1145
00:53:57,600 --> 00:54:01,000
Speaker 1: Shun Moscow Mule, and I'm really be that you're representing

1146
00:54:01,880 --> 00:54:03,319
Speaker 1: because you know what you're trying to get.

1147
00:54:03,360 --> 00:54:05,839
Speaker 3: It's always a great answer what you're trying to get

1148
00:54:05,840 --> 00:54:07,360
Speaker 3: into a day Shun.

1149
00:54:07,760 --> 00:54:08,960
Speaker 1: I don't know that we can call it a day

1150
00:54:09,000 --> 00:54:11,359
Speaker 1: of Shune though, because here's the problem. Unless you're an

1151
00:54:11,360 --> 00:54:13,239
Speaker 1: avid listener in the podcast, you're gonna be like, what

1152
00:54:13,400 --> 00:54:15,320
Speaker 1: the fuck is that? So it might have to be

1153
00:54:15,440 --> 00:54:18,160
Speaker 1: called it might have to be called like the Fake

1154
00:54:18,280 --> 00:54:23,000
Speaker 1: Doctor's Moscow Mule or the Real Friends Moscow Mule. Like looking,

1155
00:54:23,440 --> 00:54:25,320
Speaker 1: you look so disappointed.

1156
00:54:24,840 --> 00:54:26,800
Speaker 3: Because I like the what. I like the I like

1157
00:54:26,880 --> 00:54:29,920
Speaker 3: the ad for it. What you're trying to get into,

1158
00:54:30,640 --> 00:54:35,120
Speaker 3: Dao shoon, what you're trying to dodo Shoon.

1159
00:54:37,080 --> 00:54:39,040
Speaker 1: I just feel like in our very first marketing meeting,

1160
00:54:39,040 --> 00:54:40,480
Speaker 1: they're gonna be like, no one's gonna know what a

1161
00:54:40,560 --> 00:54:41,279
Speaker 1: day of Shune is.

1162
00:54:42,040 --> 00:54:44,680
Speaker 3: They will if we market it right. Anyway, let's get.

1163
00:54:45,000 --> 00:54:48,080
Speaker 1: Sorry, we digress. David, how are you give us a

1164
00:54:48,160 --> 00:54:49,880
Speaker 1: question for for us? Please?

1165
00:54:50,480 --> 00:54:52,360
Speaker 3: David? Before you begin, can you tell them what you do?

1166
00:54:52,840 --> 00:54:55,680
Speaker 9: Yeah? Sure, So, I mean I work in film. I

1167
00:54:55,719 --> 00:54:57,720
Speaker 9: mean at least I used to you until COVID happened

1168
00:54:58,120 --> 00:55:01,719
Speaker 9: a re quite a few months there now, and I

1169
00:55:01,760 --> 00:55:03,880
Speaker 9: guess I kind of I got into film actually, uh,

1170
00:55:04,400 --> 00:55:07,400
Speaker 9: when I was working in the corporate media, and then

1171
00:55:07,480 --> 00:55:11,239
Speaker 9: at the time I spent all my holiday being a

1172
00:55:11,520 --> 00:55:13,160
Speaker 9: extra in the solo film.

1173
00:55:16,560 --> 00:55:19,040
Speaker 1: Donald, this is a present from Joel's.

1174
00:55:21,440 --> 00:55:22,480
Speaker 9: I got that, Joel, I got that.

1175
00:55:23,920 --> 00:55:25,719
Speaker 1: Look at his face. Look at Donald's face. It's like

1176
00:55:25,800 --> 00:55:27,600
Speaker 1: you just gave him the present of his life, which

1177
00:55:27,719 --> 00:55:31,000
Speaker 1: which Star Wars held one Donald solo, I said, solo.

1178
00:55:31,520 --> 00:55:32,520
Speaker 3: In the solo film.

1179
00:55:32,920 --> 00:55:36,640
Speaker 1: So so, David, are you in a position to tell

1180
00:55:36,719 --> 00:55:38,799
Speaker 1: us what the fuck happened on that set?

1181
00:55:40,239 --> 00:55:42,439
Speaker 9: I mean I was only at the time an essay

1182
00:55:42,520 --> 00:55:43,960
Speaker 9: like a background actor, So I mean I was.

1183
00:55:44,080 --> 00:55:46,760
Speaker 3: Yeah, But you saw both versions. Did you see both versions?

1184
00:55:46,960 --> 00:55:49,720
Speaker 1: Did you see Kennedy coming in and saying you're fired?

1185
00:55:50,200 --> 00:55:52,480
Speaker 3: Good the fuck out to hear you too, I'm sick

1186
00:55:52,520 --> 00:55:57,360
Speaker 3: of this ship rolling. I want Star Wars.

1187
00:55:57,600 --> 00:55:59,600
Speaker 1: Yes, And they roll in Ron Howard like on the

1188
00:55:59,640 --> 00:56:02,000
Speaker 1: Silence the Lambs Dolly, and he's got like they bring

1189
00:56:02,080 --> 00:56:02,319
Speaker 1: him in.

1190
00:56:02,400 --> 00:56:04,600
Speaker 3: The like go to work, and he goes to work

1191
00:56:04,600 --> 00:56:07,520
Speaker 3: and he takes off the mask yeah, and the Lord

1192
00:56:07,600 --> 00:56:08,600
Speaker 3: get the fuck out of here.

1193
00:56:09,680 --> 00:56:11,520
Speaker 9: I was lucky enough to work with I mean, not

1194
00:56:11,640 --> 00:56:15,840
Speaker 9: exactly like I have to work with them both. I mean,

1195
00:56:15,840 --> 00:56:17,839
Speaker 9: I'm gonna see both directions, do that do that job,

1196
00:56:18,280 --> 00:56:21,960
Speaker 9: which was amazing. But again I mean also like the

1197
00:56:22,400 --> 00:56:24,600
Speaker 9: I think they're very terrifying. Is the NBA is.

1198
00:56:28,760 --> 00:56:29,200
Speaker 3: Cat.

1199
00:56:29,600 --> 00:56:31,680
Speaker 1: No, he can't get in trouble still, but maybe you can.

1200
00:56:31,760 --> 00:56:34,600
Speaker 1: You and Joel and Donald could hop on a different

1201
00:56:34,719 --> 00:56:36,719
Speaker 1: private zoom and you can give him the dirt that

1202
00:56:36,920 --> 00:56:39,919
Speaker 1: NDA ship man trying to get our new friend David

1203
00:56:39,960 --> 00:56:40,600
Speaker 1: in trouble by.

1204
00:56:40,520 --> 00:56:44,360
Speaker 3: Breaking no man, But listen, man, I get it, I

1205
00:56:44,480 --> 00:56:46,360
Speaker 3: get it, I get it. You're not supposed to spill

1206
00:56:46,440 --> 00:56:50,040
Speaker 3: the beans. But sometimes, like dude, it's me, David. I

1207
00:56:50,320 --> 00:56:52,600
Speaker 3: fucking said your name until I lost my breath. You

1208
00:56:52,680 --> 00:56:56,200
Speaker 3: can't give me no fucking the information I said something.

1209
00:56:56,280 --> 00:56:58,840
Speaker 3: I said your name until I couldn't breathe anymore.

1210
00:56:58,960 --> 00:56:59,439
Speaker 1: That's true.

1211
00:57:00,040 --> 00:57:02,800
Speaker 3: And now you sit here and you tell me that

1212
00:57:03,000 --> 00:57:05,640
Speaker 3: you can't give me. Okay, ask a question, David, Let's

1213
00:57:05,640 --> 00:57:06,239
Speaker 3: see what I give you.

1214
00:57:06,640 --> 00:57:10,200
Speaker 1: Ask a question. He's going to say, He's going to say,

1215
00:57:10,280 --> 00:57:17,440
Speaker 1: he's going to say he signed an NDA so question one,

1216
00:57:17,720 --> 00:57:18,120
Speaker 1: Question one.

1217
00:57:18,760 --> 00:57:20,680
Speaker 9: So you guys just said like several times over these

1218
00:57:20,720 --> 00:57:23,480
Speaker 9: podcasts that the writers were always having to get ideas

1219
00:57:23,560 --> 00:57:26,640
Speaker 9: and scripts cleared by the network, and it often get

1220
00:57:26,720 --> 00:57:29,680
Speaker 9: changed or shot down, like the whole medical marijuana idea,

1221
00:57:29,760 --> 00:57:31,760
Speaker 9: I think what's happened in season one and they were like, nah,

1222
00:57:31,800 --> 00:57:32,280
Speaker 9: you can't do that.

1223
00:57:32,440 --> 00:57:32,640
Speaker 1: Yeah.

1224
00:57:33,520 --> 00:57:36,560
Speaker 9: So, Mike, my question is if you had total control

1225
00:57:36,720 --> 00:57:39,400
Speaker 9: of the show, uh, like say, it's like a Netflix

1226
00:57:39,440 --> 00:57:40,880
Speaker 9: film you had like you were you were the makers,

1227
00:57:40,920 --> 00:57:43,280
Speaker 9: you had all the power. Is there a storyline and

1228
00:57:43,360 --> 00:57:45,200
Speaker 9: no idea that you think would be fun to play

1229
00:57:45,240 --> 00:57:47,520
Speaker 9: with the network would just never allow.

1230
00:57:48,800 --> 00:57:51,000
Speaker 3: I don't know if there's a storyline, but I definitely

1231
00:57:51,080 --> 00:57:53,720
Speaker 3: think that there's a Oh wait, I signed an NDA.

1232
00:57:55,320 --> 00:57:57,240
Speaker 1: That was a good fake out. That was a good

1233
00:57:57,240 --> 00:57:59,120
Speaker 1: fake out because my brain it went, oh good, he's

1234
00:57:59,120 --> 00:58:00,880
Speaker 1: going to be mature. And then no fake out.

1235
00:58:01,000 --> 00:58:05,200
Speaker 3: No, no, In all honesty, I do I don't know.

1236
00:58:05,320 --> 00:58:09,480
Speaker 3: I don't necessarily think storyline, but I think format of

1237
00:58:09,640 --> 00:58:13,320
Speaker 3: the show, like I would make it more riskue like

1238
00:58:13,560 --> 00:58:18,040
Speaker 3: curb your enthusiasm, you know what I mean, or something

1239
00:58:18,200 --> 00:58:22,920
Speaker 3: like that, like if if if we could and if

1240
00:58:22,960 --> 00:58:24,720
Speaker 3: we could come back and do it on a network

1241
00:58:24,720 --> 00:58:27,160
Speaker 3: where we could do all of the jokes that we

1242
00:58:27,400 --> 00:58:30,040
Speaker 3: wanted to do from the gate. I would like to

1243
00:58:30,080 --> 00:58:32,000
Speaker 3: see that. I would like to see a more riskue

1244
00:58:32,880 --> 00:58:37,960
Speaker 3: version of Scrubs with you know, maybe more It could

1245
00:58:38,000 --> 00:58:40,440
Speaker 3: be blood, it could be guts, it could be cursing,

1246
00:58:40,600 --> 00:58:42,040
Speaker 3: it could be sexual content.

1247
00:58:42,480 --> 00:58:45,080
Speaker 1: I agree with Donald. I would also go darker into

1248
00:58:45,360 --> 00:58:47,760
Speaker 1: the world of medicine. I mean, we've touched on it.

1249
00:58:47,840 --> 00:58:50,360
Speaker 1: Obviously Scrubs touched on it, but there's a lot of

1250
00:58:50,440 --> 00:58:52,920
Speaker 1: fucked up shit that goes on the bureaucracy. Obviously we

1251
00:58:53,080 --> 00:58:56,520
Speaker 1: touched on the pharmaceutical reps. Obviously we touched on but

1252
00:58:56,800 --> 00:58:59,960
Speaker 1: you know, there's literally decisions that are made being like, hey,

1253
00:59:02,240 --> 00:59:04,480
Speaker 1: this person has insurance that that person doesn't, so we're

1254
00:59:04,520 --> 00:59:06,680
Speaker 1: gonna go again. We touched on it in a in

1255
00:59:06,760 --> 00:59:08,920
Speaker 1: a network safe kind of way that I would I

1256
00:59:08,960 --> 00:59:10,800
Speaker 1: would say, let's go darker into it. By the way,

1257
00:59:10,800 --> 00:59:12,560
Speaker 1: I don't know that you guys have universal health care there,

1258
00:59:12,680 --> 00:59:15,200
Speaker 1: so you're you know, it's it's a it's a completely

1259
00:59:15,200 --> 00:59:18,240
Speaker 1: different system there. But here decisions are made on the

1260
00:59:18,320 --> 00:59:21,320
Speaker 1: quality of your insurance, which means that you had a

1261
00:59:21,360 --> 00:59:25,400
Speaker 1: good enough job to get enough insurance to live, and

1262
00:59:25,480 --> 00:59:27,920
Speaker 1: people are sent home because they don't have the right insurance,

1263
00:59:28,160 --> 00:59:31,480
Speaker 1: and decisions are made based on so many factors that

1264
00:59:31,680 --> 00:59:34,280
Speaker 1: are inhumane. I think in a lot of ways that

1265
00:59:34,640 --> 00:59:37,080
Speaker 1: are foreign to someone who lives in a country with

1266
00:59:37,200 --> 00:59:38,040
Speaker 1: universal health care.

1267
00:59:38,400 --> 00:59:41,080
Speaker 9: No such just one thing I'm kind of like I

1268
00:59:41,120 --> 00:59:43,840
Speaker 9: get started to learn form Scrubs was just how different

1269
00:59:44,400 --> 00:59:48,360
Speaker 9: argo countries were and how we went into healthcare. And yeah,

1270
00:59:48,400 --> 00:59:50,840
Speaker 9: the NHS is lovely. I'm very happy to to have that.

1271
00:59:51,760 --> 00:59:54,280
Speaker 9: The next question, this is, this is to Donald Actually,

1272
00:59:54,960 --> 00:59:59,320
Speaker 9: so Donald was now that Disney are going making films

1273
00:59:59,320 --> 01:00:01,680
Speaker 9: pretty much around on Order the Law and the Explaining

1274
01:00:01,760 --> 01:00:04,600
Speaker 9: Universe Star Wars for for many years to come. My

1275
01:00:04,760 --> 01:00:07,080
Speaker 9: question is if you were to try and pitch yourself

1276
01:00:07,280 --> 01:00:09,920
Speaker 9: in a lead role to Kathain Kennedy and pobably her

1277
01:00:09,920 --> 01:00:15,560
Speaker 9: twin sisters at the same time, what kind of character

1278
01:00:16,760 --> 01:00:19,080
Speaker 9: would you be? Like, what would you want to be?

1279
01:00:19,160 --> 01:00:20,960
Speaker 9: What do you want to see yourself as in that universe?

1280
01:00:21,040 --> 01:00:26,280
Speaker 3: Like, that's a great question. I would like to see

1281
01:00:26,320 --> 01:00:28,960
Speaker 3: myself not necessarily as a moisture farmer.

1282
01:00:29,360 --> 01:00:32,400
Speaker 9: But that's where you start at, That's where he starts out.

1283
01:00:32,520 --> 01:00:34,480
Speaker 3: Well, that's how. That's how it always starts in some

1284
01:00:34,880 --> 01:00:39,360
Speaker 3: form of farming, whether it be junk or or moisture.

1285
01:00:39,560 --> 01:00:42,120
Speaker 1: What is is a moisture farmer? A euphemism for something.

1286
01:00:42,560 --> 01:00:44,760
Speaker 3: No, So he lived on a planet that's dry as

1287
01:00:44,800 --> 01:00:48,440
Speaker 3: fuck as a desert planet, and so Luke Skywalker and

1288
01:00:48,560 --> 01:00:54,320
Speaker 3: his family, would you know farm atmosphere moisture from the atmosphere?

1289
01:00:54,600 --> 01:00:55,440
Speaker 1: Okay? I didn't know that.

1290
01:00:55,840 --> 01:00:58,760
Speaker 3: Yeah. Uh, that's how they got water and stuff like that.

1291
01:00:58,920 --> 01:01:01,840
Speaker 1: So what's your ide deal? Character Kathy Kennedy or her

1292
01:01:01,880 --> 01:01:04,240
Speaker 1: twin sister who's punking you? They come to you and

1293
01:01:04,280 --> 01:01:07,280
Speaker 1: they're like, Donald, whatever you want. Who do you want

1294
01:01:07,320 --> 01:01:08,160
Speaker 1: to play in the universe?

1295
01:01:08,600 --> 01:01:10,160
Speaker 3: I'd say to them, I'd look them dead in the

1296
01:01:10,200 --> 01:01:12,080
Speaker 3: eye and I'd be like, I want to play the lead.

1297
01:01:13,080 --> 01:01:14,280
Speaker 1: Okay, but who's the lead?

1298
01:01:14,360 --> 01:01:16,800
Speaker 3: Is it is? It doesn't, doesn't. I don't give a shit. No, no, no,

1299
01:01:18,080 --> 01:01:18,920
Speaker 3: I want to play the lead.

1300
01:01:21,200 --> 01:01:24,160
Speaker 1: I'm surprised you don't have an answer from one. I

1301
01:01:24,240 --> 01:01:26,040
Speaker 1: want to supres there's not a character in mind, like.

1302
01:01:26,080 --> 01:01:30,680
Speaker 3: No, because there it's a universe, man, there's no real

1303
01:01:30,960 --> 01:01:34,960
Speaker 3: there's no you know, anybody can be anything in the

1304
01:01:35,040 --> 01:01:37,680
Speaker 3: Star Wars universe. You know, I don't want to sit

1305
01:01:37,720 --> 01:01:40,040
Speaker 3: here and be like I'd be a smuggler or I'd.

1306
01:01:39,920 --> 01:01:43,440
Speaker 1: Be a well you do tend to like the Han

1307
01:01:43,600 --> 01:01:45,120
Speaker 1: solo vibe, so maybe you'd like.

1308
01:01:45,120 --> 01:01:47,280
Speaker 3: To No, I like Tarys and Ford. What I really

1309
01:01:47,560 --> 01:01:50,320
Speaker 3: you know, in watching Star Wars, the stories that really

1310
01:01:50,800 --> 01:01:52,800
Speaker 3: speak to me are the everyday person. We get to

1311
01:01:52,920 --> 01:01:56,400
Speaker 3: learn about all of these supernatural individuals and all these

1312
01:01:56,440 --> 01:02:00,400
Speaker 3: people with these you know, crazy jobs and elite you know,

1313
01:02:01,000 --> 01:02:04,320
Speaker 3: you know, and have elite status in this gigantic galaxy.

1314
01:02:04,480 --> 01:02:06,640
Speaker 3: You know what I mean. That's what Star Wars is.

1315
01:02:06,920 --> 01:02:09,080
Speaker 3: I want to learn about the people that we don't see,

1316
01:02:09,240 --> 01:02:12,480
Speaker 3: you know what I mean. That's more important to me, Like, uh,

1317
01:02:13,280 --> 01:02:17,040
Speaker 3: you know not that No, broom Boy wasn't. I didn't

1318
01:02:17,040 --> 01:02:19,040
Speaker 3: think broom Boy was important to me because at the

1319
01:02:19,160 --> 01:02:21,400
Speaker 3: end he turned out to be a fucking superhero, you

1320
01:02:21,440 --> 01:02:23,400
Speaker 3: know what I mean. It's like, oh, okay, so broom

1321
01:02:23,440 --> 01:02:26,120
Speaker 3: Boy is special because he can fucking make a broom

1322
01:02:26,160 --> 01:02:29,120
Speaker 3: fly to his hand. That wasn't dope to me. What's

1323
01:02:29,200 --> 01:02:32,160
Speaker 3: dope to me is learning about, you know, the characters

1324
01:02:32,240 --> 01:02:35,440
Speaker 3: that don't have the force and are living everyday lives.

1325
01:02:35,480 --> 01:02:37,880
Speaker 3: And out of nowhere. This fucking these guys in the

1326
01:02:37,960 --> 01:02:40,960
Speaker 3: white suit bust into wherever they're hanging out and shoot

1327
01:02:41,040 --> 01:02:42,920
Speaker 3: up the place, and then they have to deal with

1328
01:02:43,040 --> 01:02:45,240
Speaker 3: it from there. We never deal with that. All we

1329
01:02:45,320 --> 01:02:47,760
Speaker 3: deal with is they come in, they shoot up the place.

1330
01:02:47,960 --> 01:02:50,960
Speaker 3: The aftermath is the rebel alliance fights them back. You

1331
01:02:51,000 --> 01:02:52,200
Speaker 3: know what I mean, I don't care about all of

1332
01:02:52,200 --> 01:02:53,600
Speaker 3: that stuff. Sold you what did you have?

1333
01:02:53,720 --> 01:02:56,640
Speaker 1: Kathy Kennedy called you and she's said, Hey, Donald, we'd

1334
01:02:56,720 --> 01:02:59,520
Speaker 1: love you to be take this part. It's very exciting.

1335
01:02:59,840 --> 01:03:03,080
Speaker 1: You're going to be Chewbacca's cousin.

1336
01:03:03,560 --> 01:03:04,840
Speaker 3: No, I'd be like, no, I get out of you.

1337
01:03:08,160 --> 01:03:14,600
Speaker 1: You wouldn't you wouldn't. You wouldn't voice Chewbacca's cousin. What

1338
01:03:14,640 --> 01:03:16,480
Speaker 1: if they're like, Donald will have a stuntman do the suit.

1339
01:03:16,520 --> 01:03:16,960
Speaker 1: You just have to.

1340
01:03:17,640 --> 01:03:20,200
Speaker 3: I've totally look absolutely if they asked.

1341
01:03:20,040 --> 01:03:22,880
Speaker 1: Like Nicky and Mandalorian, you know, he's not easy to

1342
01:03:22,960 --> 01:03:23,520
Speaker 1: do the voice.

1343
01:03:24,920 --> 01:03:26,760
Speaker 3: There's a little bit more to that though, you know

1344
01:03:26,800 --> 01:03:29,480
Speaker 3: what I mean. That's that's Chewbacca just going.

1345
01:03:31,920 --> 01:03:34,640
Speaker 1: All right. What if you what if Chewbacca's cousin was

1346
01:03:34,800 --> 01:03:35,960
Speaker 1: fluent in English.

1347
01:03:36,000 --> 01:03:39,040
Speaker 3: So Chewbacca's cousin has a speech impediment and can speak English.

1348
01:03:39,400 --> 01:03:41,560
Speaker 1: Well, it's not an impediment, it's a what's the opposite

1349
01:03:41,560 --> 01:03:42,080
Speaker 1: of impediment?

1350
01:03:42,440 --> 01:03:44,640
Speaker 3: That's what it would be. It would be's the gifts

1351
01:03:44,960 --> 01:03:46,800
Speaker 3: a speech gift? I get right?

1352
01:03:47,440 --> 01:03:49,320
Speaker 1: Assume that Chewbacca just didn't know English.

1353
01:03:49,400 --> 01:03:51,800
Speaker 3: You're saying that he like totally knows English.

1354
01:03:51,880 --> 01:03:55,760
Speaker 1: He talked here all right, and and when he growls,

1355
01:03:55,800 --> 01:04:00,600
Speaker 1: Han is like, oh, you stop complaining. Okay, So what

1356
01:04:00,760 --> 01:04:05,400
Speaker 1: Let's say that you're a Wookie but you have the

1357
01:04:05,440 --> 01:04:08,040
Speaker 1: ability to articulate English and you can speak would you

1358
01:04:08,120 --> 01:04:08,320
Speaker 1: do that?

1359
01:04:09,520 --> 01:04:10,280
Speaker 3: Sure? Why not?

1360
01:04:10,600 --> 01:04:11,919
Speaker 1: There we go. I found him apart.

1361
01:04:12,720 --> 01:04:15,040
Speaker 3: But that's not what I'm looking for. I'm looking for

1362
01:04:15,360 --> 01:04:18,360
Speaker 3: in a Star Wars movie. Like I'm very excited to

1363
01:04:18,400 --> 01:04:21,760
Speaker 3: see Lando's movie. Even though Lando is a part of

1364
01:04:22,200 --> 01:04:24,720
Speaker 3: the lore and everything like that, he's not in all

1365
01:04:24,760 --> 01:04:27,400
Speaker 3: the movies. He's only in three of them. You know

1366
01:04:27,440 --> 01:04:30,920
Speaker 3: what I mean. You don't know much about him. You

1367
01:04:31,040 --> 01:04:32,760
Speaker 3: know that he's a you know that he's a con

1368
01:04:32,960 --> 01:04:35,600
Speaker 3: man and he you know, you know that he's a

1369
01:04:35,720 --> 01:04:38,400
Speaker 3: hustler in this galaxy, and you know that he's going

1370
01:04:38,480 --> 01:04:42,400
Speaker 3: to deal with people that don't involve the Empire, don't

1371
01:04:42,440 --> 01:04:48,000
Speaker 3: involve Luke Skywalker and Princess Leah and Han solo. It's

1372
01:04:48,040 --> 01:04:50,560
Speaker 3: a story. That's why the Mandalorian so dope, and that's

1373
01:04:50,560 --> 01:04:53,120
Speaker 3: why everybody's loving a Mandalorian so much because it's not

1374
01:04:53,320 --> 01:04:56,280
Speaker 3: the it's not the normal story, and they're not trying

1375
01:04:56,360 --> 01:04:59,800
Speaker 3: to say there are only seventeen people in this universe,

1376
01:05:00,000 --> 01:05:01,120
Speaker 3: saying the universe is bigger.

1377
01:05:02,520 --> 01:05:06,160
Speaker 1: Okay, well there's your answer. David and Zach same question.

1378
01:05:07,360 --> 01:05:08,000
Speaker 9: I don't.

1379
01:05:08,720 --> 01:05:10,160
Speaker 1: I would love to be in it, but I have

1380
01:05:10,200 --> 01:05:12,000
Speaker 1: a feeling if if my agent called me and said, hey,

1381
01:05:12,040 --> 01:05:13,880
Speaker 1: you're not going to believe this. They want you to

1382
01:05:13,920 --> 01:05:15,920
Speaker 1: be in the Star Wars universe, I'd say, listen, I

1383
01:05:16,040 --> 01:05:18,080
Speaker 1: can't take this from my friend Donald Faison.

1384
01:05:18,640 --> 01:05:19,840
Speaker 3: No, if you did that, I'll kill you.

1385
01:05:20,000 --> 01:05:21,720
Speaker 1: Could character African American?

1386
01:05:22,160 --> 01:05:24,040
Speaker 3: Well, then I'd be like, yeah, yeah, no, no, no,

1387
01:05:24,080 --> 01:05:25,680
Speaker 3: he's right, do that ship do that. Listen to what

1388
01:05:25,800 --> 01:05:28,640
Speaker 3: Zach saying. But if you if they offered you, sincerely,

1389
01:05:28,680 --> 01:05:30,680
Speaker 3: if you were offered a role in Star Wars and

1390
01:05:30,840 --> 01:05:33,240
Speaker 3: I would know and you said no because of me,

1391
01:05:33,760 --> 01:05:34,960
Speaker 3: I would punch you in your face.

1392
01:05:35,080 --> 01:05:40,080
Speaker 1: I would say I would say listen, miss Kennedy, is

1393
01:05:40,560 --> 01:05:44,000
Speaker 1: there a world where this character offered me could be

1394
01:05:44,040 --> 01:05:47,400
Speaker 1: African American and have a giant rack of a bubble

1395
01:05:47,440 --> 01:05:49,840
Speaker 1: buck and this would be.

1396
01:05:50,800 --> 01:05:54,960
Speaker 3: You right there, you right there, and this is why

1397
01:05:55,000 --> 01:05:58,480
Speaker 3: we're best friends people, This is why we're best friends.

1398
01:05:58,920 --> 01:06:03,760
Speaker 3: And she called oyalty, she'd be loyal She's like, she's

1399
01:06:03,800 --> 01:06:04,320
Speaker 3: a level.

1400
01:06:04,520 --> 01:06:06,880
Speaker 1: She's like, like, how big, like a shelf shelf, And

1401
01:06:06,960 --> 01:06:08,080
Speaker 1: I'm like shelf shelf.

1402
01:06:08,120 --> 01:06:10,800
Speaker 3: And she's like, like, you could put a plate of

1403
01:06:10,920 --> 01:06:14,080
Speaker 3: cookies on his ass, on the top of his ass

1404
01:06:14,800 --> 01:06:17,280
Speaker 3: and eat off that ship, maybe put some milk on it,

1405
01:06:17,320 --> 01:06:18,320
Speaker 3: and does he get the part of me.

1406
01:06:18,360 --> 01:06:19,720
Speaker 1: She's like, And then she's like, I don't know what

1407
01:06:19,800 --> 01:06:22,440
Speaker 1: if she's like maybe if the character was like constantly

1408
01:06:22,560 --> 01:06:24,000
Speaker 1: high and late to work.

1409
01:06:23,840 --> 01:06:30,440
Speaker 3: I'd be like yeah, yeah, s now, you make it

1410
01:06:30,480 --> 01:06:31,520
Speaker 3: sound like I'm uninsured.

1411
01:06:31,600 --> 01:06:33,800
Speaker 1: Oh no, you're great. All right, David, we gotta go,

1412
01:06:33,960 --> 01:06:35,560
Speaker 1: even though you're British and we love all things.

1413
01:06:35,600 --> 01:06:36,520
Speaker 9: Thank you, Thank you so much.

1414
01:06:36,520 --> 01:06:37,000
Speaker 1: It's great.

1415
01:06:38,480 --> 01:06:40,240
Speaker 3: It's you're wearing I love your shirt.

1416
01:06:40,320 --> 01:06:43,760
Speaker 1: Coming on to enjoy your employer, enjoy your drink, all right,

1417
01:06:44,440 --> 01:06:52,120
Speaker 1: see you guys. Show about Shalum hey Shaw abot shalum,

1418
01:06:52,280 --> 01:06:57,240
Speaker 1: Hey shaw about you, but your butt, Chalm. Listen, it's

1419
01:06:57,280 --> 01:07:01,240
Speaker 1: been a blast. I was thinking today, Donald, I thought

1420
01:07:01,280 --> 01:07:04,880
Speaker 1: we could play the new bop by Charlotte Lawrence. I

1421
01:07:04,960 --> 01:07:07,800
Speaker 1: love it because it actually is a really good song.

1422
01:07:07,840 --> 01:07:10,840
Speaker 1: I'm not just saying that because she's our pseudo niece.

1423
01:07:11,600 --> 01:07:13,640
Speaker 3: That is my niece. Man, She's not my pseudo niece.

1424
01:07:13,720 --> 01:07:15,440
Speaker 3: She is my niece. We just don't have the same blood.

1425
01:07:15,840 --> 01:07:18,120
Speaker 1: Okay, Well, listen. For those of you who don't know,

1426
01:07:18,320 --> 01:07:20,880
Speaker 1: Bill Lawrence, the creative of our show, and Christa Miller

1427
01:07:20,960 --> 01:07:24,480
Speaker 1: who played Jordan, have an amazing daughter named Charlotte Lawrence,

1428
01:07:24,960 --> 01:07:28,960
Speaker 1: and she has a really great singing career that's blowing up.

1429
01:07:29,240 --> 01:07:32,000
Speaker 1: Her producer is Andrew Watt, who is like the current

1430
01:07:32,040 --> 01:07:35,320
Speaker 1: biggest hit maker in the world. And she's got a

1431
01:07:35,400 --> 01:07:37,720
Speaker 1: new song called slow Motion, and I'm about to talk

1432
01:07:37,760 --> 01:07:39,080
Speaker 1: it up. Are you ready? Anything you want to say

1433
01:07:39,080 --> 01:07:41,000
Speaker 1: to the listeners? Donald, before we wrap it up.

1434
01:07:41,120 --> 01:07:44,640
Speaker 3: Shout out to all the frontline workers right now. You

1435
01:07:44,720 --> 01:07:48,800
Speaker 3: know we we haven't shouted you out as of late,

1436
01:07:48,840 --> 01:07:51,560
Speaker 3: and we need to do it right now once again.

1437
01:07:52,360 --> 01:07:54,320
Speaker 3: You know, thank you for all your service, Thank you

1438
01:07:54,400 --> 01:07:57,400
Speaker 3: for putting your lives on the line to save other lives.

1439
01:07:57,440 --> 01:07:58,680
Speaker 3: We totally appreciate you.

1440
01:08:00,920 --> 01:08:04,440
Speaker 1: Yeah, amen, Amen, Thank you everyone, and thank you for

1441
01:08:04,520 --> 01:08:08,320
Speaker 1: being our listeners. Please don't forget to to subscribe to

1442
01:08:08,440 --> 01:08:10,640
Speaker 1: the show. Don't forget to rate the show. Give it

1443
01:08:10,760 --> 01:08:13,400
Speaker 1: five stars. It's the only option we're giving you is

1444
01:08:13,560 --> 01:08:14,400
Speaker 1: five stars.

1445
01:08:14,720 --> 01:08:17,480
Speaker 3: And tag your friends when we post it on Instdrag.

1446
01:08:17,080 --> 01:08:20,080
Speaker 1: Your friends, tell your friends, blow us up. We're having

1447
01:08:20,160 --> 01:08:22,439
Speaker 1: so much fun doing this. We're gonna tour. It's gonna

1448
01:08:22,439 --> 01:08:26,280
Speaker 1: be so exciting. Just imagine Joel, Daniel, Me and Donald

1449
01:08:26,360 --> 01:08:28,599
Speaker 1: on a tour bus clam baking.

1450
01:08:29,880 --> 01:08:30,839
Speaker 3: We would bake clams.

1451
01:08:31,880 --> 01:08:35,160
Speaker 1: I think that's an expression that means filling the bus

1452
01:08:35,240 --> 01:08:35,799
Speaker 1: with ganja.

1453
01:08:38,960 --> 01:08:43,920
Speaker 3: Yeah, we do that to overseas. It's probably more legal

1454
01:08:43,960 --> 01:08:44,559
Speaker 3: overseas than.

1455
01:08:45,200 --> 01:08:46,960
Speaker 1: No, it's not unless we're in certain places. But we

1456
01:08:47,280 --> 01:08:48,400
Speaker 1: haven't met. We haven't been medical.

1457
01:08:50,560 --> 01:08:56,120
Speaker 7: Here's some stories that show we made about a bunch

1458
01:08:56,200 --> 01:09:03,240
Speaker 7: of he's the stories next all should know.

1459
01:09:04,880 --> 01:09:08,840
Speaker 8: So Gadder round you here, up, Gadder round you here,

1460
01:09:09,080 --> 01:09:11,160
Speaker 8: up spect We Washa Wis and