1 00:00:21,079 --> 00:00:24,480 Speaker 1: Hi everyone, and happy holiday week to all. Today we 2 00:00:24,520 --> 00:00:28,400 Speaker 1: are unpaywalling a recent Patreon episode where we talked about 3 00:00:28,440 --> 00:00:33,080 Speaker 1: the pornographic Canadian hockey hit Heated Rivalry, as well as 4 00:00:33,159 --> 00:00:35,519 Speaker 1: Wake Up dead Man, the latest chapter in the Knives 5 00:00:35,520 --> 00:00:38,559 Speaker 1: Out universe. Just one note, which is that this was 6 00:00:38,600 --> 00:00:40,720 Speaker 1: recorded a little over a week ago, so we hadn't 7 00:00:40,720 --> 00:00:44,040 Speaker 1: seen the latest episode of Heated Rivalry, which we both 8 00:00:44,200 --> 00:00:47,879 Speaker 1: actually loved, and we are now all in on Heated Rivalry. 9 00:00:47,920 --> 00:00:51,040 Speaker 1: I repeat, we are now all in on Heated Rivalry. 10 00:00:51,560 --> 00:00:54,480 Speaker 1: As always, please stream my special George Severa's a Sense 11 00:00:54,480 --> 00:00:57,400 Speaker 1: of Urgency on Amazon Prime or Apple TV, and please 12 00:00:57,400 --> 00:01:00,720 Speaker 1: buy tickets to our two San Francisco shows on January 13 00:01:00,720 --> 00:01:03,680 Speaker 1: twenty second and January twenty third as part of SF's 14 00:01:03,680 --> 00:01:07,040 Speaker 1: Sketch Fest. We cannot wait to see you there. And also, 15 00:01:07,200 --> 00:01:09,880 Speaker 1: if you like this episode, you can listen to literally 16 00:01:10,040 --> 00:01:13,360 Speaker 1: hundreds more like it by subscribing to our Patreon for 17 00:01:13,480 --> 00:01:16,600 Speaker 1: only five dollars a month. That is nothing, five dollars 18 00:01:16,640 --> 00:01:19,640 Speaker 1: a month? Are you kidding me? At patreon dot com 19 00:01:19,680 --> 00:01:23,760 Speaker 1: slash stradio lab. Okay, Happy holidays, We love you, and 20 00:01:24,040 --> 00:01:24,920 Speaker 1: enjoy the episode. 21 00:01:26,280 --> 00:01:32,119 Speaker 2: Patreon Exclusive episode starts now what is up? Happy holidays 22 00:01:32,160 --> 00:01:33,720 Speaker 2: to all, Happy. 23 00:01:33,400 --> 00:01:37,680 Speaker 1: Holidays to all, and yeah, saying happy holidays is back. Yeah, 24 00:01:37,680 --> 00:01:41,240 Speaker 1: I'm just decided it's radical. It's actually inclusive in a 25 00:01:41,280 --> 00:01:44,880 Speaker 1: new way. It's not really about like Christmas, Hanukkah, Quantza whatever. 26 00:01:45,000 --> 00:01:48,960 Speaker 1: It's kind of more like you anyone can celebrate anything. 27 00:01:49,000 --> 00:01:52,120 Speaker 1: You can celebrate the big promotion. You can celebrate buying 28 00:01:52,160 --> 00:01:56,640 Speaker 1: a new pair of Lemaire pants, you can celebrate recording 29 00:01:56,680 --> 00:02:01,040 Speaker 1: your annual holiday episode of your gay podcast. Holiday can 30 00:02:01,080 --> 00:02:01,760 Speaker 1: look like anything. 31 00:02:02,160 --> 00:02:04,600 Speaker 2: There's something about holidays saying happy holiday that I like 32 00:02:04,640 --> 00:02:09,000 Speaker 2: where it feels very like defensive, like I'm like happy holidays, 33 00:02:09,040 --> 00:02:13,000 Speaker 2: Like I'm just like okay, like can't say anything anymore. 34 00:02:13,200 --> 00:02:15,679 Speaker 1: That is the right way. I do think that is 35 00:02:15,720 --> 00:02:17,960 Speaker 1: where the right wing reaction comes from, is that actually 36 00:02:17,960 --> 00:02:20,960 Speaker 1: the phrase happy holidays doesn't spark joy at all. And 37 00:02:21,000 --> 00:02:23,880 Speaker 1: it's not because I'm craving someone to say Mary Christmas. 38 00:02:23,880 --> 00:02:25,720 Speaker 1: I don't care about that. I just want something a 39 00:02:25,720 --> 00:02:29,200 Speaker 1: little more lively than happy holidays. Like tappy holidays is 40 00:02:29,240 --> 00:02:33,720 Speaker 1: like it's so corporate, it's very hr, it's very well, 41 00:02:33,760 --> 00:02:36,000 Speaker 1: you're sorry, it's like it's what it's what the HR 42 00:02:36,040 --> 00:02:38,600 Speaker 1: person says to you before they fire you. Also, they're like, 43 00:02:38,639 --> 00:02:41,399 Speaker 1: happy holidays, but we do need to talk at three 44 00:02:41,440 --> 00:02:42,120 Speaker 1: pm Eastern. 45 00:02:42,760 --> 00:02:45,400 Speaker 2: I wish there could be like like I would almost 46 00:02:45,480 --> 00:02:47,960 Speaker 2: rather like we need to have more conflict in our lives. 47 00:02:48,280 --> 00:02:50,720 Speaker 2: We need to have like merry Christmas. And someone's like, hey, 48 00:02:50,840 --> 00:02:54,639 Speaker 2: I don't celebrate that, And then I go, okay, what 49 00:02:54,680 --> 00:02:57,400 Speaker 2: do you do to Like I'm almost like craving, like 50 00:02:57,639 --> 00:02:59,880 Speaker 2: would it be so bad to be wrong for one 51 00:03:00,040 --> 00:03:01,080 Speaker 2: second in one's life? 52 00:03:01,280 --> 00:03:03,799 Speaker 1: I know? Well, it goes back to like the evolving 53 00:03:03,880 --> 00:03:06,920 Speaker 1: nature of holidays more broadly, where I'm like, okay, so 54 00:03:07,000 --> 00:03:11,399 Speaker 1: if no one really is no one is really celebrating 55 00:03:11,440 --> 00:03:14,600 Speaker 1: the baby Jesus, then why not go wild with it? 56 00:03:15,360 --> 00:03:18,040 Speaker 1: Like let's like reinvent it completely? Like what then what 57 00:03:18,080 --> 00:03:20,200 Speaker 1: are we celebrating? Like we can sort of like make 58 00:03:20,200 --> 00:03:21,000 Speaker 1: it whatever we want. 59 00:03:21,480 --> 00:03:23,880 Speaker 2: Well, literally, you should just be like happy winter, like. 60 00:03:24,400 --> 00:03:28,320 Speaker 1: Happy winter, because winter actually is inherently more festive than 61 00:03:28,320 --> 00:03:29,640 Speaker 1: the concept of holidays. 62 00:03:29,800 --> 00:03:31,920 Speaker 2: Yeah, we all want snow. We want like Coco by 63 00:03:31,960 --> 00:03:36,040 Speaker 2: the fire. We don't care about you know, christis saviors born. 64 00:03:36,200 --> 00:03:38,040 Speaker 1: Maybe this is not quite it because I would hate 65 00:03:38,040 --> 00:03:39,640 Speaker 1: it if someone said this to me. But I'm almost like, 66 00:03:39,840 --> 00:03:42,520 Speaker 1: is the issue happy? Like is should you be saying 67 00:03:42,520 --> 00:03:44,760 Speaker 1: have a cozy holiday? 68 00:03:44,880 --> 00:03:45,120 Speaker 2: Again? 69 00:03:45,160 --> 00:03:48,160 Speaker 1: I don't want anyone to say that to me. But if, if, 70 00:03:48,440 --> 00:03:50,920 Speaker 1: maybe we've been focusing on the wrong word. We're so 71 00:03:51,040 --> 00:03:54,400 Speaker 1: obsessed with making the word holidays inclusive that the issue 72 00:03:54,400 --> 00:03:57,120 Speaker 1: is happy because so much of if you watch you know, 73 00:03:57,160 --> 00:03:59,960 Speaker 1: any of these kind of indie holiday movies about how 74 00:04:00,000 --> 00:04:03,400 Speaker 1: the holidays are actually about annui and family strife, It's 75 00:04:03,440 --> 00:04:07,640 Speaker 1: like happy is so prescriptive. It's like, be happy, be happy? 76 00:04:07,680 --> 00:04:09,280 Speaker 1: What about have a wistful holiday? 77 00:04:09,600 --> 00:04:13,800 Speaker 2: You're really sparking something within me. I'm I think you're 78 00:04:13,880 --> 00:04:17,280 Speaker 2: you're you're pointing to a nice nuance. But I will 79 00:04:17,320 --> 00:04:20,440 Speaker 2: say before getting into the ONNUII, I want to say 80 00:04:21,160 --> 00:04:23,039 Speaker 2: basically what I think people are trying to say with 81 00:04:23,120 --> 00:04:26,360 Speaker 2: like happy holidays, like hey, don't forget to have fun, 82 00:04:26,839 --> 00:04:29,359 Speaker 2: Like I'm kind of wanting, like, hey, don't work too hard. 83 00:04:29,520 --> 00:04:30,960 Speaker 2: Basically that's what I want people to say. 84 00:04:31,320 --> 00:04:33,560 Speaker 1: I see what you're saying. It's basically like you don't 85 00:04:33,880 --> 00:04:35,039 Speaker 1: have to look at your computer. 86 00:04:35,520 --> 00:04:37,880 Speaker 2: Yeah, don't forget this is the weekend of the year, 87 00:04:38,400 --> 00:04:40,520 Speaker 2: Like rare happy weekend of the year. 88 00:04:40,760 --> 00:04:43,800 Speaker 1: So it's basically just TGIF, but for a week. 89 00:04:43,800 --> 00:04:46,080 Speaker 2: Exactly, we need TGIF. 90 00:04:46,240 --> 00:04:48,440 Speaker 1: So we need thank God, it's the holidays. 91 00:04:48,760 --> 00:04:51,039 Speaker 2: Thank non religious God. It's the holidays. 92 00:04:51,120 --> 00:04:53,560 Speaker 1: It's the holidays. I also think we should bring back, 93 00:04:53,839 --> 00:04:56,920 Speaker 1: like the concept of saying peace on Earth during the holidays. 94 00:04:57,160 --> 00:04:59,279 Speaker 1: That's kind of a nice that's kind of a nice 95 00:04:59,680 --> 00:05:01,680 Speaker 1: wish to put it out there, to be like, you know, 96 00:05:01,800 --> 00:05:02,800 Speaker 1: for one week, no war. 97 00:05:03,320 --> 00:05:06,120 Speaker 2: It's an amazing wish. But unfortunately saying it does like 98 00:05:06,160 --> 00:05:07,800 Speaker 2: point out how much not peace there is. 99 00:05:08,080 --> 00:05:09,680 Speaker 1: That's like that gonna be a real bummer. 100 00:05:10,680 --> 00:05:14,120 Speaker 2: Yeah, it's like when you say, like, God, you're beautiful 101 00:05:14,320 --> 00:05:15,960 Speaker 2: and you have like a big ZiT and you're like, 102 00:05:16,040 --> 00:05:16,719 Speaker 2: I know, I'm not. 103 00:05:17,400 --> 00:05:19,359 Speaker 1: Well, it's the classic. I think this is one of 104 00:05:19,760 --> 00:05:22,000 Speaker 1: I think this might it's either Jacqueline Novak or caper 105 00:05:22,120 --> 00:05:27,720 Speaker 1: Lance joke, where it's like the let's say women are 106 00:05:27,760 --> 00:05:31,039 Speaker 1: getting ready together, it's like the woman that is the 107 00:05:31,120 --> 00:05:34,800 Speaker 1: least conventionally attractive is going to get the most. You're stunning, 108 00:05:35,000 --> 00:05:38,080 Speaker 1: you're beautiful because people are trying to overcompensate, whereas if 109 00:05:38,120 --> 00:05:41,000 Speaker 1: you literally are you know, Sydney Sweeney coming out of 110 00:05:41,000 --> 00:05:43,360 Speaker 1: the dressing room with like a boob dress. No one's 111 00:05:43,400 --> 00:05:45,919 Speaker 1: going to be like tripping over themselves to tell you 112 00:05:45,920 --> 00:05:46,760 Speaker 1: how beautiful you are. 113 00:05:47,200 --> 00:05:48,920 Speaker 2: Damn those girls are smart. 114 00:05:49,440 --> 00:05:53,440 Speaker 1: Oh smart alert mart joke alert. Who of the best 115 00:05:53,480 --> 00:05:57,400 Speaker 1: we got? Folks? Yeah? 116 00:05:57,440 --> 00:05:58,920 Speaker 2: Are you in the holiday spirit? Georgia? 117 00:05:58,960 --> 00:06:00,560 Speaker 1: You know what I am? I have to say, I 118 00:06:00,600 --> 00:06:02,520 Speaker 1: am really what did you call me Georgima? 119 00:06:02,880 --> 00:06:03,440 Speaker 2: Georgina? 120 00:06:03,800 --> 00:06:05,839 Speaker 1: Oh, I think I said Georgia. I was like, that's 121 00:06:05,880 --> 00:06:09,839 Speaker 1: not a sort of a fun joinist. I am actually, 122 00:06:09,880 --> 00:06:11,960 Speaker 1: I really am in the Hollywood spirit. And Hollywood's fall. 123 00:06:14,760 --> 00:06:19,599 Speaker 2: What a slip. He's the spirit, He's the Hollywood Spirit, folks. 124 00:06:19,320 --> 00:06:21,320 Speaker 1: You know what. I honestly, it's actually it really is 125 00:06:21,320 --> 00:06:24,000 Speaker 1: a Fordian slip because I am genuinely in the Hollywood spirit. 126 00:06:24,080 --> 00:06:26,080 Speaker 1: Because I'm trying to plan I'm going to be in 127 00:06:26,200 --> 00:06:28,600 Speaker 1: LA for all of January, and I'm sort of like, well, 128 00:06:28,600 --> 00:06:30,719 Speaker 1: it's too late for me to book any like huge 129 00:06:30,760 --> 00:06:32,440 Speaker 1: things that I've forgotten to book. But like what if 130 00:06:32,440 --> 00:06:35,280 Speaker 1: I book a restaurant reservation and I really am here? 131 00:06:35,680 --> 00:06:37,240 Speaker 2: You said, you're the Hollywood spirit. 132 00:06:37,400 --> 00:06:39,479 Speaker 1: I am in this sit. I like I'm excited to 133 00:06:39,600 --> 00:06:42,640 Speaker 1: do La thing. Things for all of January, and I'm like, 134 00:06:44,520 --> 00:06:47,440 Speaker 1: what could I I don't know. I want to do 135 00:06:47,480 --> 00:06:49,360 Speaker 1: some I want to do some touristy stuff. I want 136 00:06:49,360 --> 00:06:51,159 Speaker 1: to see some people I haven't seen in a while. 137 00:06:51,760 --> 00:06:54,800 Speaker 1: So I am honestly equally in the Hollywood spirit and 138 00:06:54,839 --> 00:06:57,800 Speaker 1: the Holiday spirit. But to answer your original question, yes, 139 00:06:57,800 --> 00:07:00,200 Speaker 1: I'm in the holiday spirit. My tree looks absolutely amaz 140 00:07:00,440 --> 00:07:03,200 Speaker 1: has really kind of relaxed. The branches have relaxed in 141 00:07:03,200 --> 00:07:06,280 Speaker 1: a really beautiful way. It's very symmetrical. I'm gonna go 142 00:07:06,560 --> 00:07:10,720 Speaker 1: ornament shopping and get my twenty twenty five special ornament 143 00:07:10,880 --> 00:07:13,160 Speaker 1: that I that I can have to commemorate this year. 144 00:07:13,760 --> 00:07:18,600 Speaker 1: I get this. Probably hosting an intimate Christmas Day dinner. 145 00:07:19,280 --> 00:07:24,360 Speaker 1: Oh we're talking so fun us maybe two other couples. 146 00:07:24,800 --> 00:07:26,960 Speaker 2: Oh my god, I've never been more jealous. 147 00:07:27,000 --> 00:07:31,440 Speaker 1: You better bet your ass. I'm gonna make LAMB. WHOA. 148 00:07:31,800 --> 00:07:34,560 Speaker 2: That's crazy. Yeah, damn. 149 00:07:35,320 --> 00:07:37,720 Speaker 1: Are you in the holiday or Hollywood spirit? 150 00:07:38,440 --> 00:07:42,840 Speaker 2: I'm in the Hollywood spirit. You could say, no, I'm 151 00:07:42,840 --> 00:07:46,800 Speaker 2: in the Holiday spirit. I'm like very I was thinking 152 00:07:46,800 --> 00:07:49,040 Speaker 2: about this as people of mixed employment, not that we 153 00:07:49,040 --> 00:07:51,800 Speaker 2: don't have jobs, of course, but they're not the traditional to. 154 00:07:51,720 --> 00:07:54,160 Speaker 1: Be clear mixed is more difficult than having a normal 155 00:07:54,160 --> 00:07:54,840 Speaker 1: full time job. 156 00:07:54,960 --> 00:07:56,880 Speaker 2: Well, you're never done to me. 157 00:07:57,120 --> 00:08:00,280 Speaker 1: If you have a normal full time job, you're unemployed to. 158 00:08:00,400 --> 00:08:04,560 Speaker 2: Me, of course, Well they don't have to whatever. We 159 00:08:04,640 --> 00:08:06,680 Speaker 2: know that their lives are much easier than ours. 160 00:08:07,200 --> 00:08:10,760 Speaker 1: The idea of after work drinks, sweetheart, I'm going to 161 00:08:10,800 --> 00:08:13,000 Speaker 1: have after work drinks when I'm dead. I'm going to 162 00:08:13,040 --> 00:08:14,840 Speaker 1: be in heaven and I'm going to say, finally I 163 00:08:14,840 --> 00:08:18,000 Speaker 1: can relax with the glass of prosecco with God herself. 164 00:08:19,720 --> 00:08:24,320 Speaker 2: I'm feeling, yeah, I'm feeling like I keep wanting to 165 00:08:24,320 --> 00:08:26,080 Speaker 2: be like, can I be done with emails now? Like 166 00:08:26,120 --> 00:08:29,280 Speaker 2: I keep being like, Okay, I'm done, Okay, I'm done. Okay, 167 00:08:29,320 --> 00:08:31,520 Speaker 2: I'm done, and then I'm never actually done, and I 168 00:08:31,520 --> 00:08:35,520 Speaker 2: don't think I'll be done until Christmas Day. Mostly I'm 169 00:08:35,520 --> 00:08:37,640 Speaker 2: feeling like I need to stop looking at emails and 170 00:08:37,720 --> 00:08:38,480 Speaker 2: having emails. 171 00:08:38,600 --> 00:08:40,839 Speaker 1: I'm so far from being done with emails that I 172 00:08:40,880 --> 00:08:42,720 Speaker 1: don't know what's going on with me this year. So 173 00:08:43,200 --> 00:08:46,319 Speaker 1: many things have to happen, like truly within the next 174 00:08:46,640 --> 00:08:49,480 Speaker 1: five days, and so much so that I'm actually I'm 175 00:08:49,480 --> 00:08:51,560 Speaker 1: the one disrespecting other people trying to be on the 176 00:08:51,559 --> 00:08:55,559 Speaker 1: holiday slash Hollywood spirit, Like I'm literally like asking for 177 00:08:55,760 --> 00:08:58,559 Speaker 1: things over email, like on December seventeenth. 178 00:08:58,840 --> 00:09:04,079 Speaker 2: Whoa, I'm I'm excited to go back to the East Coast. 179 00:09:04,280 --> 00:09:08,600 Speaker 2: That's gonna feel so good just for the holidays. 180 00:09:11,000 --> 00:09:14,560 Speaker 1: I just didn't I'm trying to. I forgot that you 181 00:09:14,559 --> 00:09:15,960 Speaker 1: were going to the East Coast for the holidays. 182 00:09:16,480 --> 00:09:17,760 Speaker 2: Yeah, not New York. 183 00:09:17,880 --> 00:09:19,960 Speaker 1: But no you're not. No, I know. That's why I 184 00:09:19,960 --> 00:09:22,960 Speaker 1: I was shell shocked and in a state of complete 185 00:09:23,000 --> 00:09:28,920 Speaker 1: and utter your it was like, really scary coast. I 186 00:09:28,960 --> 00:09:30,360 Speaker 1: was like, do we have a show? The other day, 187 00:09:30,400 --> 00:09:34,120 Speaker 1: someone said to me they misspoken. Rather than saying like 188 00:09:34,240 --> 00:09:36,440 Speaker 1: congrats on your special, they said congrats on your tour, 189 00:09:36,800 --> 00:09:40,160 Speaker 1: and I literally looked. I was like what I had 190 00:09:40,240 --> 00:09:41,880 Speaker 1: in my mind. I was like, oh no, I'm supposed 191 00:09:41,880 --> 00:09:42,480 Speaker 1: to be traveling. 192 00:09:42,960 --> 00:09:50,680 Speaker 2: Oh no, yeah, I'm flying on Sunday to gorgeous Virginia 193 00:09:51,080 --> 00:09:54,000 Speaker 2: and it'll be nice. I'm excited. 194 00:09:55,559 --> 00:09:59,559 Speaker 1: Do you guys do a big Christmas family date day 195 00:10:00,280 --> 00:10:01,600 Speaker 1: thing or is it? 196 00:10:02,240 --> 00:10:05,840 Speaker 2: I mean it's like, it's it's normal. We don't like, 197 00:10:07,200 --> 00:10:09,160 Speaker 2: I'm like, what do you call it? We just do normal. 198 00:10:09,280 --> 00:10:12,080 Speaker 2: We like wake up kind of like there's cooking, there's 199 00:10:12,600 --> 00:10:15,800 Speaker 2: we make breakfast, and there's. 200 00:10:15,240 --> 00:10:18,160 Speaker 1: Not like is there a big dinner like Thanksgiving style, we. 201 00:10:18,120 --> 00:10:19,280 Speaker 2: Do a big dinner as well. 202 00:10:19,559 --> 00:10:22,080 Speaker 1: And who's who's doing the cooking, Well, it's. 203 00:10:21,960 --> 00:10:26,400 Speaker 2: Shared between you know, my mom Misha, and you know 204 00:10:26,440 --> 00:10:29,040 Speaker 2: my uncle Cecil's pop gonna pop in a bit as well. 205 00:10:30,280 --> 00:10:31,599 Speaker 1: Now that is inclusive. 206 00:10:34,800 --> 00:10:37,440 Speaker 2: So that's pretty much what we're up to. I'm surprised 207 00:10:37,480 --> 00:10:42,679 Speaker 2: you're having a dinner, You're not. Yeah, what are you 208 00:10:42,679 --> 00:10:44,800 Speaker 2: guys up to? And it's like Matthew's family up to. 209 00:10:45,559 --> 00:10:48,480 Speaker 1: Well, Matthew's family is ultimately Jewish. 210 00:10:48,480 --> 00:10:53,520 Speaker 2: Which I knew, of course, I just mean more like so. 211 00:10:53,520 --> 00:10:56,680 Speaker 1: They don't no, I know, no, So okay, So the 212 00:10:56,720 --> 00:11:01,280 Speaker 1: thing with Matthew's family is love them, would literally die 213 00:11:01,280 --> 00:11:03,880 Speaker 1: for them, and in fact, I hope someone asked me 214 00:11:03,920 --> 00:11:07,200 Speaker 1: to die for them, because I've increasingly little more to 215 00:11:07,240 --> 00:11:11,480 Speaker 1: give in this terrestrial life. But they are not. 216 00:11:13,000 --> 00:11:13,040 Speaker 2: No. 217 00:11:13,160 --> 00:11:15,959 Speaker 1: One in his family is sort of a big home chef. 218 00:11:16,520 --> 00:11:20,120 Speaker 1: So most family dinners are well, Matthew cooks and his 219 00:11:20,240 --> 00:11:22,160 Speaker 1: sister cooks, but most family dinners that are sort of 220 00:11:22,240 --> 00:11:27,679 Speaker 1: like parent top down planned our restaurant dinners. So we 221 00:11:27,800 --> 00:11:30,839 Speaker 1: are doing a restaurant dinner on Christmas Eve with the 222 00:11:30,920 --> 00:11:36,360 Speaker 1: whole Schneier clan, and then Christmas Day there's no family plan. 223 00:11:37,160 --> 00:11:40,120 Speaker 1: Matthew's sister and her husband and their kid are in 224 00:11:40,240 --> 00:11:43,000 Speaker 1: Pittsburgh with his family, so they're not going to be here. 225 00:11:44,240 --> 00:11:50,640 Speaker 1: So that's pretty much it. I'm like, this is all 226 00:11:50,840 --> 00:11:53,880 Speaker 1: staying in No, this is really interesting stuff. This is 227 00:11:53,920 --> 00:11:55,880 Speaker 1: getting in the Hollywood spirit big time. 228 00:11:56,400 --> 00:12:02,520 Speaker 2: I have to say, this is something so beginning this 229 00:12:02,600 --> 00:12:05,240 Speaker 2: podcast talking about how you know there should be more conflict, 230 00:12:05,360 --> 00:12:07,920 Speaker 2: This is exactly what I'm talking about. Not conflict per se, 231 00:12:08,040 --> 00:12:10,240 Speaker 2: but I'm like people should be allowed to make mistakes. 232 00:12:10,720 --> 00:12:14,640 Speaker 2: Like I'm literally like, there's something that happened with Jewish 233 00:12:14,679 --> 00:12:17,280 Speaker 2: people and Christmas where I'm frot of like, I know 234 00:12:17,400 --> 00:12:20,120 Speaker 2: so many Jewish people that also celebrate Christmas totally like, 235 00:12:20,320 --> 00:12:23,120 Speaker 2: and so I'm like, now, there was a point where 236 00:12:23,120 --> 00:12:25,000 Speaker 2: I was like, Okay, if you're Jewish, you don't celebrate Christmas? 237 00:12:25,080 --> 00:12:25,360 Speaker 1: Got it? 238 00:12:25,760 --> 00:12:28,520 Speaker 2: Then I was like, not, ah, not always sometimes I do. 239 00:12:28,920 --> 00:12:30,839 Speaker 2: So now I'm sort of I am being like a 240 00:12:30,920 --> 00:12:34,319 Speaker 2: weird boomer about gender. I agree. I'm like, can I 241 00:12:34,440 --> 00:12:37,800 Speaker 2: say that like totally is I do, or is it 242 00:12:37,840 --> 00:12:38,680 Speaker 2: wrong Jewish? They don't. 243 00:12:38,800 --> 00:12:40,520 Speaker 1: It's really damned if you do, damned if you don't. 244 00:12:40,679 --> 00:12:42,719 Speaker 1: And I do want to apologize for doing that to you. 245 00:12:42,920 --> 00:12:45,280 Speaker 1: Where I I responded in a sort of aggressive way, 246 00:12:45,400 --> 00:12:47,439 Speaker 1: being like, how dare you ask that? Because it is 247 00:12:47,600 --> 00:12:50,800 Speaker 1: true that if you assume a non Christian person of 248 00:12:50,840 --> 00:12:54,920 Speaker 1: any kind doesn't celebrate Christmas, suddenly they become you know, 249 00:12:55,600 --> 00:12:58,480 Speaker 1: unitarian and they're like, of course I celebrate Christmas. Christmas 250 00:12:58,520 --> 00:13:02,120 Speaker 1: is about peace on earth. And then you assume they do, 251 00:13:02,760 --> 00:13:05,479 Speaker 1: then of course you are being you know, racist and prejudiced. 252 00:13:06,640 --> 00:13:09,160 Speaker 1: It's a really interesting place we're in and it actually 253 00:13:09,200 --> 00:13:11,560 Speaker 1: goes back to how the holiday should be winter. 254 00:13:12,240 --> 00:13:13,480 Speaker 2: The holiday needs to be winter. 255 00:13:13,960 --> 00:13:16,360 Speaker 1: But I also think, I'm sorry, this is very you know, 256 00:13:17,200 --> 00:13:21,560 Speaker 1: kind of Christian nationalists, but the date of December twenty fifth, 257 00:13:21,600 --> 00:13:23,559 Speaker 1: that just has a certain zing about it. 258 00:13:23,880 --> 00:13:24,760 Speaker 2: It's clean, folks. 259 00:13:24,800 --> 00:13:27,800 Speaker 1: I'm sorry, but December fifth, that's a holiday. 260 00:13:28,280 --> 00:13:33,280 Speaker 2: That is a holiday. It's clean. That is an amazing works. 261 00:13:33,800 --> 00:13:35,439 Speaker 2: It just works. It just works. 262 00:13:36,480 --> 00:13:39,000 Speaker 1: And I'm not I don't make the rules, but December twenty. 263 00:13:38,800 --> 00:13:41,760 Speaker 2: Fifth, that is that is the holoder. 264 00:13:41,920 --> 00:13:44,000 Speaker 1: When you say happy holidays, that's not one. 265 00:13:45,040 --> 00:13:46,920 Speaker 2: I could settle for the twenty third. There's something about 266 00:13:46,920 --> 00:13:48,320 Speaker 2: the twenty third that I've always found quite sure. 267 00:13:48,360 --> 00:13:51,040 Speaker 1: I love the twenty third because the twenty third is 268 00:13:51,200 --> 00:13:55,079 Speaker 1: kind of I mean, how do you even explain what 269 00:13:55,200 --> 00:14:00,199 Speaker 1: the twenty third is. It's like it is the solange yes, yes, 270 00:14:00,920 --> 00:14:03,360 Speaker 1: you know, Oh my god. It's like Christmas Day and 271 00:14:03,480 --> 00:14:08,480 Speaker 1: Christmas Eve. They're so commercialized, they're so loaded, and the 272 00:14:08,559 --> 00:14:10,920 Speaker 1: twenty third is just that magic day when you don't 273 00:14:11,000 --> 00:14:13,280 Speaker 1: have work and you can just like relax for once 274 00:14:13,400 --> 00:14:14,559 Speaker 1: and watch a film. 275 00:14:14,920 --> 00:14:20,280 Speaker 2: I mean one, two, two three, Hello, Oh that's amazing. 276 00:14:21,000 --> 00:14:24,040 Speaker 1: One two, two three. And this year two five, who 277 00:14:24,920 --> 00:14:25,880 Speaker 1: now that is a date. 278 00:14:26,360 --> 00:14:33,080 Speaker 2: That's a fucking date. So that's the holiday spirit I 279 00:14:33,600 --> 00:14:36,800 Speaker 2: have gotten over my I was angry about gifts this year. 280 00:14:37,560 --> 00:14:41,840 Speaker 2: I've swallowed it. There's, as you know, ring the New 281 00:14:41,920 --> 00:14:45,840 Speaker 2: York for slee Alarm in la there's not in New York. 282 00:14:45,960 --> 00:14:48,440 Speaker 2: You get to be in a film, and when it's 283 00:14:48,520 --> 00:14:50,960 Speaker 2: Christmas time, you get to get out, get your coat, 284 00:14:51,480 --> 00:14:53,720 Speaker 2: your boots, and you're walking to the stores and each 285 00:14:53,760 --> 00:14:56,440 Speaker 2: store has a different energy and they're like playing Christmas 286 00:14:56,520 --> 00:14:58,840 Speaker 2: music and you're like, oh my gosh, I think I 287 00:14:59,080 --> 00:15:01,400 Speaker 2: have to get this, like you know, it's expensive, but 288 00:15:01,760 --> 00:15:04,760 Speaker 2: my mother will love it. And then in LA it's 289 00:15:04,800 --> 00:15:08,120 Speaker 2: just like, Okay, I'll go to Gap dot com. Okay, 290 00:15:08,240 --> 00:15:11,320 Speaker 2: I will go to like I will, I will click 291 00:15:11,360 --> 00:15:14,280 Speaker 2: the Instagram ad like like you're literally being like, okay, 292 00:15:14,280 --> 00:15:15,840 Speaker 2: I want to get them a book, but I know 293 00:15:15,920 --> 00:15:17,800 Speaker 2: I can't do from Amazon as Barnes and Noble. 294 00:15:17,840 --> 00:15:22,040 Speaker 1: Okay, yeah, that's so fucking And all the Christmas decorations 295 00:15:22,080 --> 00:15:24,320 Speaker 1: are mocking you because it's it's sunny, but you have 296 00:15:24,480 --> 00:15:28,640 Speaker 1: to like be carrying a missiletoe around. It's crazy, and 297 00:15:28,800 --> 00:15:33,160 Speaker 1: there's like, sorry, but I understand a Sana Santa imagery, 298 00:15:33,240 --> 00:15:37,200 Speaker 1: understand Christmas tree. Don't put snowmen, don't put don't have 299 00:15:37,320 --> 00:15:40,240 Speaker 1: little snowman emoji on your wrapping paper in. 300 00:15:40,360 --> 00:15:43,120 Speaker 2: LA, don't do that. You're pissing me off. 301 00:15:43,320 --> 00:15:44,560 Speaker 1: That's a lie, you're lying. 302 00:15:45,080 --> 00:15:45,600 Speaker 2: Don't lie. 303 00:15:45,920 --> 00:15:47,120 Speaker 1: They don't have that there. 304 00:15:49,000 --> 00:15:52,640 Speaker 2: So I'm like, I'm excited to go back to the 305 00:15:52,680 --> 00:15:56,320 Speaker 2: East Coast, but and I just miss shopping can. While 306 00:15:56,360 --> 00:15:59,040 Speaker 2: it's always stressful, don't get me wrong, it can be fun. 307 00:15:59,280 --> 00:16:02,880 Speaker 2: And in LA it's like you're driving to stores. That's 308 00:16:02,920 --> 00:16:03,320 Speaker 2: not fun. 309 00:16:03,960 --> 00:16:07,040 Speaker 1: It's not fun at all. Anti it's joyless and it's 310 00:16:07,160 --> 00:16:08,040 Speaker 1: fucking stupid. 311 00:16:08,760 --> 00:16:11,840 Speaker 2: Yeah, New York. I feel like I'm literally like Zoey 312 00:16:11,880 --> 00:16:14,600 Speaker 2: Deschanel when I'm like I'm in Okay co. 313 00:16:15,440 --> 00:16:17,880 Speaker 1: It's interesting you say that, because I hadn't experienced recently 314 00:16:17,960 --> 00:16:21,760 Speaker 1: that I highly recommend for you next year when you 315 00:16:21,800 --> 00:16:24,800 Speaker 1: are in New York during the holidays. Due to a 316 00:16:24,880 --> 00:16:26,600 Speaker 1: variety of reasons that I won't get into. I was 317 00:16:26,600 --> 00:16:29,240 Speaker 1: in the Upper east Side, a neighborhood I rarely am in. 318 00:16:29,800 --> 00:16:31,760 Speaker 1: Did you know that in the Upper east Side when 319 00:16:31,800 --> 00:16:34,720 Speaker 1: you walk along the stores, it's back to nineteen ninety seven. 320 00:16:35,400 --> 00:16:39,120 Speaker 1: Retail is alive and well, I went into the Ralph 321 00:16:39,200 --> 00:16:43,120 Speaker 1: Lauren Upper east Side store. We're talking like five floors 322 00:16:43,480 --> 00:16:49,440 Speaker 1: full Christmas meets Americana meets like it meets real, like 323 00:16:49,640 --> 00:16:54,680 Speaker 1: New York imagery meets like old time department store, you know. 324 00:16:54,960 --> 00:16:57,040 Speaker 1: Joy There's like a cafe there where you can get 325 00:16:57,080 --> 00:16:59,120 Speaker 1: a hot chocolate. I was in shocked. I was like, 326 00:16:59,240 --> 00:17:01,640 Speaker 1: this is like, I feel like I'm in a kind 327 00:17:01,680 --> 00:17:04,000 Speaker 1: of Disney Channel original movie about Christmas. 328 00:17:04,440 --> 00:17:06,959 Speaker 2: It's literally like I'm Carol the movie Carol's a Lot. 329 00:17:07,400 --> 00:17:10,600 Speaker 1: Yes, it's exactly the movie Carol. I really was like, oh, 330 00:17:10,680 --> 00:17:12,520 Speaker 1: so these things still exist. You just have to go 331 00:17:12,680 --> 00:17:16,359 Speaker 1: to like a completely like segregated, wealthy neighborhood where people 332 00:17:16,520 --> 00:17:19,440 Speaker 1: kind of like have bought have enough money to buy 333 00:17:19,600 --> 00:17:22,200 Speaker 1: the experience of it still being the dream of the nineties. 334 00:17:22,680 --> 00:17:25,479 Speaker 2: Yeah, we'll never forget when I worked at the Ja 335 00:17:25,560 --> 00:17:27,240 Speaker 2: Krumen store on the Upper East Sid when I first 336 00:17:27,240 --> 00:17:30,040 Speaker 2: got to New York and around Christmas time, the way 337 00:17:30,119 --> 00:17:34,520 Speaker 2: that it was popping off was crazy. It's amazing, like 338 00:17:34,680 --> 00:17:37,080 Speaker 2: in their like enforcing dress code hard, like being like 339 00:17:37,160 --> 00:17:38,760 Speaker 2: you need to be selling holiday cheer. 340 00:17:38,920 --> 00:17:41,159 Speaker 1: Yeah, no, you need to look like Lindsay Lohan Inming 341 00:17:41,160 --> 00:17:42,240 Speaker 1: Girls when they're doing the. 342 00:17:42,320 --> 00:17:48,359 Speaker 2: Dance quite literally. But no, that's kind of fun. 343 00:17:48,640 --> 00:17:50,520 Speaker 1: No, it was really, it was really fab I have 344 00:17:50,640 --> 00:17:53,560 Speaker 1: to say, you know, speaking of you know, not to 345 00:17:53,760 --> 00:17:56,480 Speaker 1: keep bringing it to religion, but speaking of Jewish people, 346 00:17:57,000 --> 00:18:00,000 Speaker 1: you know, Ralph Lauren is an example of a Jewish 347 00:18:00,119 --> 00:18:01,920 Speaker 1: person who has really embraced Christmas. 348 00:18:02,560 --> 00:18:05,200 Speaker 2: Oh wow, I always forget that. 349 00:18:05,720 --> 00:18:09,800 Speaker 1: Yeah, he's sort of like reinvented himself as kind of 350 00:18:09,840 --> 00:18:11,240 Speaker 1: the embodiment of Christmas. 351 00:18:12,400 --> 00:18:15,600 Speaker 2: Well, good for him. That's interesting to agree. That's like 352 00:18:15,680 --> 00:18:18,879 Speaker 2: when a gay guy gets into leather. Totally. Yeah, they're like, 353 00:18:18,920 --> 00:18:22,800 Speaker 2: oh I love I love masculinity. Now yeah, it's like huh, okay, 354 00:18:23,440 --> 00:18:25,760 Speaker 2: good for you, good for you? Why not for you? 355 00:18:25,880 --> 00:18:28,359 Speaker 2: There's there's irony attached, so it's not like evil. 356 00:18:29,119 --> 00:18:32,000 Speaker 1: Yeah, definitely. Wow, that's extra very good comparison. 357 00:18:34,600 --> 00:18:36,240 Speaker 2: There's distance, there's healthy distance. 358 00:18:36,720 --> 00:18:41,800 Speaker 1: Yeah, well pretty much. We wanted to like have a 359 00:18:41,840 --> 00:18:45,480 Speaker 1: little check in about certain pop culture products that we've 360 00:18:45,520 --> 00:18:47,080 Speaker 1: been rally and drying. 361 00:18:47,560 --> 00:18:51,920 Speaker 2: Well enjoying. One word. I think people people have been 362 00:18:52,720 --> 00:18:57,640 Speaker 2: Obviously when there's a gay show on television, people people say, 363 00:18:57,720 --> 00:19:00,119 Speaker 2: what are your thoughts? What are your thoughts? And so 364 00:19:00,160 --> 00:19:02,400 Speaker 2: I think we're going to start by talking about heated Rivalry, 365 00:19:03,640 --> 00:19:07,359 Speaker 2: the new show from Crave, Yes all the way to 366 00:19:07,640 --> 00:19:10,000 Speaker 2: HBO Max, all the way to HBO Max, or to 367 00:19:10,080 --> 00:19:13,600 Speaker 2: explaining the history of to Me Last Patriots. 368 00:19:13,720 --> 00:19:16,120 Speaker 1: Yes. I mean, all I know is that Crave is Canadian. 369 00:19:16,200 --> 00:19:19,359 Speaker 1: It's kind of there. It's kind of like the HBO 370 00:19:19,480 --> 00:19:22,080 Speaker 1: of Canada, but also like maybe a little more more 371 00:19:22,280 --> 00:19:24,320 Speaker 1: low rent, but also don't write in because I don't know. 372 00:19:26,040 --> 00:19:29,040 Speaker 1: And yeah, this show was kind of a surprise hit 373 00:19:29,080 --> 00:19:30,800 Speaker 1: in Canada from what I understand, and then it became 374 00:19:31,000 --> 00:19:32,639 Speaker 1: an HBO. And I also want to say, I'm now 375 00:19:32,760 --> 00:19:35,920 Speaker 1: like we're really doing a service talking about these things 376 00:19:36,000 --> 00:19:37,800 Speaker 1: during the holiday episode, because this is the time when 377 00:19:37,840 --> 00:19:44,359 Speaker 1: people catch up on fun, buzzy intellectual property, you know, 378 00:19:44,800 --> 00:19:46,560 Speaker 1: I could see people being like, I've been hearing about 379 00:19:46,600 --> 00:19:50,240 Speaker 1: heated rivalry. I've been hearing about then new Knives out movie. 380 00:19:50,520 --> 00:19:53,840 Speaker 1: Time to snuggle in my couch with my dog and 381 00:19:54,040 --> 00:19:56,840 Speaker 1: finally watch and finally a jerk it, jerk it while 382 00:19:56,840 --> 00:19:59,520 Speaker 1: my dog is watching. While watching this kind of soft 383 00:19:59,640 --> 00:20:02,880 Speaker 1: corep horn where they are living in these very carry 384 00:20:02,960 --> 00:20:07,879 Speaker 1: Bradshaw moves to the what's the New York neighborhood? You 385 00:20:07,920 --> 00:20:12,440 Speaker 1: moved to apartment and just like that, Yeah, yeah, yeah, 386 00:20:12,440 --> 00:20:14,359 Speaker 1: it's very carry. Bradshaw moves to Hudson. 387 00:20:14,160 --> 00:20:16,960 Speaker 2: Yards where the beating was happening, The beat beeping was happening. 388 00:20:18,240 --> 00:20:21,119 Speaker 1: No, tell me your thoughts. You've binged it recently. I 389 00:20:21,280 --> 00:20:25,520 Speaker 1: watched all of it on Tuesday, and today is Wednesday. 390 00:20:25,520 --> 00:20:27,240 Speaker 2: Wait, no, I watched it on Monday. Then I watched 391 00:20:27,240 --> 00:20:32,960 Speaker 2: it all on Monday. The holders I thought this show 392 00:20:34,040 --> 00:20:38,159 Speaker 2: was a it's really stretching the definition of what a 393 00:20:38,240 --> 00:20:44,600 Speaker 2: show is totally I'm like, so it's just like I am. 394 00:20:45,119 --> 00:20:47,320 Speaker 2: I have this joke where I'm like, what when does 395 00:20:47,359 --> 00:20:51,119 Speaker 2: a lazy river become too lazy where it's just a pool? 396 00:20:51,600 --> 00:20:54,159 Speaker 2: Like what is the specific laziness that it can hit 397 00:20:54,280 --> 00:20:57,840 Speaker 2: before it it's just still water? And this show is 398 00:20:57,920 --> 00:21:00,840 Speaker 2: like how much sex and non plot can something have 399 00:21:01,480 --> 00:21:04,960 Speaker 2: where it's just porn like I and it's really pushing 400 00:21:05,000 --> 00:21:07,360 Speaker 2: the boundary of like what is show, what is narrative, 401 00:21:07,680 --> 00:21:12,360 Speaker 2: and what is porn? And I'm like, I'm gonna say 402 00:21:13,280 --> 00:21:16,120 Speaker 2: I think I'm addicted to the Russian actor. I think 403 00:21:16,119 --> 00:21:19,679 Speaker 2: he's gonna to die for. I'm addicted to the Canadian tone. 404 00:21:20,080 --> 00:21:27,040 Speaker 2: I love, like the inherent niceness and like sweetness of 405 00:21:27,240 --> 00:21:31,040 Speaker 2: like you're watching essentially porn and it's about like masculine 406 00:21:31,080 --> 00:21:33,960 Speaker 2: men who fucking hate each other and they're still like, hey, 407 00:21:34,040 --> 00:21:36,920 Speaker 2: how's it going, Like what's up? And everyone's like this 408 00:21:37,040 --> 00:21:39,880 Speaker 2: is the most heated rivalry and I'm like, so they're 409 00:21:39,920 --> 00:21:41,960 Speaker 2: being extremely polite and normal to each other. 410 00:21:42,200 --> 00:21:47,720 Speaker 1: Like I think it's very it's very quintessentially Canadian in 411 00:21:47,960 --> 00:21:50,760 Speaker 1: the way that I actually think Sally Roney's novels are 412 00:21:50,840 --> 00:21:54,720 Speaker 1: quintessentially Irish. Like there's something where sometimes an American reader 413 00:21:54,760 --> 00:21:57,919 Speaker 1: will be like, something's off about these Sally Roney characters, 414 00:21:57,920 --> 00:22:01,440 Speaker 1: and it's like they're Irish, want them to be in Brooklyn. 415 00:22:01,560 --> 00:22:04,000 Speaker 1: They're not. They're iron Like. That's like a big I 416 00:22:04,080 --> 00:22:07,960 Speaker 1: think that's a big part of how she sort of 417 00:22:08,000 --> 00:22:10,560 Speaker 1: breaks people's brains a little bit, especially especially in the US, 418 00:22:10,640 --> 00:22:13,480 Speaker 1: where they like think that the characters are unrealistic. Somehow 419 00:22:13,520 --> 00:22:16,160 Speaker 1: We're thinks she's virtue signaling. It's like, no, she's Irish. 420 00:22:16,400 --> 00:22:18,680 Speaker 1: She's a little different than you. And I think the 421 00:22:18,760 --> 00:22:21,800 Speaker 1: same thing is happening with this Crave show, where people 422 00:22:22,119 --> 00:22:25,360 Speaker 1: almost want the characters to be a little more kind 423 00:22:25,400 --> 00:22:28,560 Speaker 1: of mean and a little and they want a very 424 00:22:28,640 --> 00:22:31,920 Speaker 1: specific kind of homophobia that is more American coded, that 425 00:22:32,040 --> 00:22:34,960 Speaker 1: is more like foot like the high school football team coded. 426 00:22:35,520 --> 00:22:40,680 Speaker 2: This is different, it's it's it's funny. It's like in 427 00:22:40,800 --> 00:22:43,320 Speaker 2: both a positive and negative if I'm saying positive and positive. 428 00:22:43,359 --> 00:22:47,600 Speaker 2: Reminds me of this Weekend where like the homophobia was 429 00:22:47,760 --> 00:22:51,640 Speaker 2: entirely in the main characters like self, like everyone around 430 00:22:51,720 --> 00:22:54,040 Speaker 2: him was being supportive and he was like just couldn't 431 00:22:54,040 --> 00:22:58,000 Speaker 2: accept himself, which I thought was really interesting and nuanced. 432 00:22:58,320 --> 00:23:00,680 Speaker 2: There's kind of that going on wherever character is like 433 00:23:00,760 --> 00:23:02,960 Speaker 2: I can't come out, But then everyone they talked to 434 00:23:03,119 --> 00:23:04,480 Speaker 2: is like, gay guys are totally fine. 435 00:23:04,800 --> 00:23:07,160 Speaker 1: Like I loved when they're literally talking to their teammates 436 00:23:07,520 --> 00:23:09,679 Speaker 1: and the one of the teammates is talking about how 437 00:23:09,720 --> 00:23:12,000 Speaker 1: difficult it must be for a gay figure skater to 438 00:23:12,200 --> 00:23:16,680 Speaker 1: be in so jesha, yeah, and he goes, he goes, 439 00:23:16,880 --> 00:23:20,080 Speaker 1: it's really tough for folks, like that for folks, I don't. 440 00:23:19,920 --> 00:23:22,560 Speaker 2: Think it's so funny. You're doing folks so funny, And 441 00:23:22,640 --> 00:23:24,919 Speaker 2: I can tell your pouncing it with an X at 442 00:23:24,920 --> 00:23:27,560 Speaker 2: the end, Honey, you're saying folks X. 443 00:23:27,680 --> 00:23:30,960 Speaker 1: You're saying folks X. Now here's a question for you. 444 00:23:32,720 --> 00:23:34,200 Speaker 1: What did you think of the bottle episode? 445 00:23:35,560 --> 00:23:37,679 Speaker 2: The thing with the battle episode was I actually liked 446 00:23:37,720 --> 00:23:41,320 Speaker 2: it the same. I thought the bottle episode was quite good, 447 00:23:42,119 --> 00:23:45,879 Speaker 2: and I thought that was, like, I mean, the casting 448 00:23:45,960 --> 00:23:48,240 Speaker 2: of that, like little muscle guy in the smoothie shop 449 00:23:48,520 --> 00:23:51,760 Speaker 2: was fucking bonkers, Like that was like. 450 00:23:52,600 --> 00:23:55,000 Speaker 1: To make it a smoothie barista more buff than the 451 00:23:55,080 --> 00:23:58,800 Speaker 1: hockey player is so funny, and the hockey player. 452 00:23:58,680 --> 00:24:02,040 Speaker 2: All of is forty yearsyears old, Yeah, I love the 453 00:24:02,080 --> 00:24:05,240 Speaker 2: hockey player. I thought his performance was really nice. I agree, 454 00:24:05,600 --> 00:24:09,280 Speaker 2: and I but I thought that the smoothie barista was 455 00:24:09,520 --> 00:24:14,600 Speaker 2: so funny and giving, like talk about giving Canadian TV show. 456 00:24:16,200 --> 00:24:17,560 Speaker 1: No was Degrassi. 457 00:24:18,119 --> 00:24:22,240 Speaker 2: Degrassi boots all of his friends, Like that is so Degrassi? 458 00:24:22,400 --> 00:24:24,760 Speaker 1: I was, of course, of course, I'm obsessed with his 459 00:24:24,880 --> 00:24:27,399 Speaker 1: coworker going girl girl. 460 00:24:28,800 --> 00:24:29,679 Speaker 2: That part was funny. 461 00:24:29,720 --> 00:24:33,040 Speaker 1: I was like, it's amazing. I have to say, I 462 00:24:33,160 --> 00:24:35,359 Speaker 1: haven't actually watched the latest episode. I will come clean, 463 00:24:35,680 --> 00:24:39,600 Speaker 1: but of the ones I've watched, that might be my favorite. 464 00:24:39,680 --> 00:24:43,240 Speaker 1: I mean, I really like I like the fun, propulsive, 465 00:24:44,080 --> 00:24:47,120 Speaker 1: you know nature of the regular show, where basically it's 466 00:24:47,240 --> 00:24:50,320 Speaker 1: like sex scene time jump, sex scene time jump, sex 467 00:24:50,359 --> 00:24:53,040 Speaker 1: scene time jump, and that's sort of it. And then 468 00:24:53,080 --> 00:24:55,280 Speaker 1: there's like occasionally one of them will have like a 469 00:24:55,320 --> 00:24:57,520 Speaker 1: conversation with his mother who's like, don't forget to wear 470 00:24:57,560 --> 00:25:01,520 Speaker 1: your pumas, and then is it pumas or your rolex? 471 00:25:01,760 --> 00:25:03,680 Speaker 1: You're really yeah, she's on a box. 472 00:25:03,800 --> 00:25:05,720 Speaker 2: She's don't forget the rebox. 473 00:25:05,920 --> 00:25:09,760 Speaker 1: He's like, that's the only thing she says to him. 474 00:25:10,000 --> 00:25:12,119 Speaker 1: And then for the Russian guy, the only thing he 475 00:25:12,240 --> 00:25:15,800 Speaker 1: hears is that his brother wants money, yeah, and that 476 00:25:15,920 --> 00:25:17,320 Speaker 1: his father is like abusive. 477 00:25:17,760 --> 00:25:21,360 Speaker 2: It's a very repetitive. I mean, first of all, there's 478 00:25:21,400 --> 00:25:23,240 Speaker 2: something about the way that time moves that I'm like, 479 00:25:23,400 --> 00:25:27,480 Speaker 2: is this groundbreaking? Like am I seeing something new? Like 480 00:25:27,920 --> 00:25:29,520 Speaker 2: the fact that it starts in two thousand and eight. 481 00:25:29,600 --> 00:25:31,960 Speaker 2: By episode four, we're in twenty sixteen. 482 00:25:32,200 --> 00:25:33,399 Speaker 1: They haven't aged at all. 483 00:25:33,560 --> 00:25:36,280 Speaker 2: They haven't aged at all. Nothing has changed in the relationship, 484 00:25:36,840 --> 00:25:40,240 Speaker 2: not a thing, and you're just like, Okay, maybe this 485 00:25:40,400 --> 00:25:44,280 Speaker 2: is genius. And then but I like, I've gotta say 486 00:25:44,440 --> 00:25:48,920 Speaker 2: the repetition is insane. Like it's literally every scene is 487 00:25:49,000 --> 00:25:53,479 Speaker 2: just like like live me, suck a cook and then 488 00:25:53,520 --> 00:25:57,480 Speaker 2: he goes, shut up, We're going to beat you, and 489 00:25:57,520 --> 00:26:01,200 Speaker 2: then I'm going to fuck you. Fuck off every scene, 490 00:26:01,400 --> 00:26:06,960 Speaker 2: every scene, dude, date, are you fucking shut up? Don't 491 00:26:07,000 --> 00:26:09,199 Speaker 2: say that to me? And then like two minutes later 492 00:26:09,240 --> 00:26:12,480 Speaker 2: they're having sex, and it's like, okay, like we've got 493 00:26:12,560 --> 00:26:15,239 Speaker 2: to figure out a new angle at like how they 494 00:26:15,280 --> 00:26:15,800 Speaker 2: get into it. 495 00:26:16,280 --> 00:26:18,879 Speaker 1: Well, you know it's setting it up because it starts 496 00:26:19,040 --> 00:26:22,960 Speaker 1: out so balls to the wall, no pun intended. I'm like, okay, well, 497 00:26:22,960 --> 00:26:26,000 Speaker 1: we're starting out at kind of like a seven, I'm 498 00:26:26,080 --> 00:26:27,960 Speaker 1: expecting you to crank it up even more, like I'm 499 00:26:27,960 --> 00:26:32,040 Speaker 1: expecting by episode six there's like full on, like you know, 500 00:26:32,400 --> 00:26:38,000 Speaker 1: really depraved kind of BDSM folesome street fair stuff happening. 501 00:26:38,400 --> 00:26:42,200 Speaker 2: I was like, uh, why no butt plug during the game. Yeah, 502 00:26:42,480 --> 00:26:42,760 Speaker 2: he's like. 503 00:26:42,800 --> 00:26:45,879 Speaker 1: Hello, exactly, okay, and thank you for saying that, because 504 00:26:46,119 --> 00:26:48,680 Speaker 1: he does wear the socks that the other guy gets him. 505 00:26:49,280 --> 00:26:51,720 Speaker 1: And I'm like, let's take this a step further, like 506 00:26:52,040 --> 00:26:57,640 Speaker 1: let's have let's have him do some sort of signal 507 00:26:57,680 --> 00:27:01,680 Speaker 1: to the TV that the other guy know means thatching. 508 00:27:06,359 --> 00:27:09,480 Speaker 2: Yeah what yah, That's. 509 00:27:09,320 --> 00:27:11,720 Speaker 1: What's so degrassi about it. And I think it's like charming, 510 00:27:11,840 --> 00:27:14,040 Speaker 1: Like I do think it's fun that it's essentially a 511 00:27:14,200 --> 00:27:18,119 Speaker 1: teen show, and I I'm not necessarily I have no 512 00:27:18,600 --> 00:27:20,840 Speaker 1: ethical issue with like it should be dirty or it 513 00:27:20,880 --> 00:27:22,120 Speaker 1: should be like more. 514 00:27:23,080 --> 00:27:26,280 Speaker 2: Sex, I mean sex. They are like kind of going 515 00:27:26,359 --> 00:27:28,920 Speaker 2: for it, Like I'm pretty surprised at how extended the 516 00:27:29,000 --> 00:27:32,240 Speaker 2: sex scenes are, Like yeah, you don't see cock, but 517 00:27:32,520 --> 00:27:33,720 Speaker 2: like you see a lot. 518 00:27:35,520 --> 00:27:38,480 Speaker 1: Yeah. No, I think that it is very hot and 519 00:27:39,640 --> 00:27:43,240 Speaker 1: something sort of amazing that I have heard from many 520 00:27:43,320 --> 00:27:48,000 Speaker 1: people is this is a show that Okay, this is 521 00:27:48,040 --> 00:27:50,800 Speaker 1: a show that gay couples watch and both of them 522 00:27:50,880 --> 00:27:54,240 Speaker 1: have boners. The way to watch the show is with 523 00:27:54,480 --> 00:27:57,159 Speaker 1: your same sex husband, like sitting side by side and 524 00:27:57,280 --> 00:28:00,680 Speaker 1: both of you have boners. Don't you think? 525 00:28:01,440 --> 00:28:03,280 Speaker 2: Well it reminds me of being like a teen in 526 00:28:03,400 --> 00:28:07,920 Speaker 2: a way, like in a like in a homophobic way 527 00:28:07,960 --> 00:28:11,000 Speaker 2: where I'm like watching it, we're both getting boners, and 528 00:28:11,080 --> 00:28:13,520 Speaker 2: then we're going like, this isn't even hot, this is 529 00:28:14,400 --> 00:28:15,720 Speaker 2: this is stupid. I don't even like this. 530 00:28:16,480 --> 00:28:19,920 Speaker 1: No, it's very I know, there's a sort it's funny 531 00:28:19,920 --> 00:28:23,400 Speaker 1: because there's a certain kind of shame that's like, because okay, 532 00:28:23,440 --> 00:28:25,680 Speaker 1: you're ashamed of your sexuality. That's not the kind of 533 00:28:25,720 --> 00:28:27,720 Speaker 1: shame you feel watching this show. The shame you feel 534 00:28:27,720 --> 00:28:29,720 Speaker 1: watching the show is being like, oh no, this got me, 535 00:28:29,920 --> 00:28:34,360 Speaker 1: Like you're giving me two like poor mey conventionally attractive 536 00:28:34,480 --> 00:28:37,520 Speaker 1: guys doing Disney Channel acting and. 537 00:28:37,600 --> 00:28:38,920 Speaker 2: I still got hard. 538 00:28:39,760 --> 00:28:42,680 Speaker 1: Fuck. I haven't wrote it all in the last fifteen years. 539 00:28:43,320 --> 00:28:44,560 Speaker 1: This is what I was like as a teen. 540 00:28:45,120 --> 00:28:45,800 Speaker 2: It sucks. 541 00:28:47,440 --> 00:28:48,000 Speaker 1: What was hot? 542 00:28:48,160 --> 00:28:51,160 Speaker 2: Tell me a scene that was hot to you? Oh God, 543 00:28:51,560 --> 00:28:52,720 Speaker 2: because I have one in mind. 544 00:28:52,960 --> 00:28:55,480 Speaker 1: Oh well, it's I mean, it's been a while since 545 00:28:55,520 --> 00:28:57,920 Speaker 1: I've watched it now, But isn't there one scene where 546 00:28:58,000 --> 00:28:59,920 Speaker 1: like one of them starts jerking off and the other 547 00:29:00,160 --> 00:29:02,200 Speaker 1: is like watching. Oh yeah, the part where he likes 548 00:29:02,240 --> 00:29:04,320 Speaker 1: like the first chair, yes, takes the chair. 549 00:29:04,240 --> 00:29:05,120 Speaker 2: And sits on. Oh. 550 00:29:05,520 --> 00:29:08,800 Speaker 1: I mean I did enjoy that a lot. And I 551 00:29:08,880 --> 00:29:11,520 Speaker 1: will say the Asian one, you can see in his 552 00:29:11,720 --> 00:29:16,520 Speaker 1: eyes the complicated feelings he's feeling of like both wanting 553 00:29:16,640 --> 00:29:20,880 Speaker 1: to succumb to it completely and being excited about it 554 00:29:21,000 --> 00:29:22,560 Speaker 1: while also being a little scared. 555 00:29:23,320 --> 00:29:25,480 Speaker 2: Suck, come succumb. 556 00:29:30,800 --> 00:29:32,240 Speaker 1: Damn, we need to be in the writer's room for 557 00:29:32,320 --> 00:29:32,800 Speaker 1: season two. 558 00:29:33,280 --> 00:29:36,560 Speaker 2: Literally, no. I thought it was really hot when they 559 00:29:36,560 --> 00:29:38,760 Speaker 2: first took up in like F one and he like 560 00:29:38,840 --> 00:29:41,280 Speaker 2: comes really fast. I was like, damn, this is awesome. 561 00:29:41,600 --> 00:29:45,160 Speaker 1: And also that is realistic. Sure, and and my message 562 00:29:45,200 --> 00:29:50,200 Speaker 1: to our dear friend Jordan firstman, that is realistic. Okay, 563 00:29:50,280 --> 00:29:53,080 Speaker 1: Now we're sorry Jordan that you're going hours at a 564 00:29:53,160 --> 00:29:57,320 Speaker 1: time without coming your first time having gay sex. I 565 00:29:57,480 --> 00:30:00,640 Speaker 1: have to say that there's the person a gay sex. 566 00:30:00,720 --> 00:30:03,360 Speaker 1: I came within twenty minutes twenty seventies. 567 00:30:03,640 --> 00:30:05,360 Speaker 2: The last time I had gay sex, I came within 568 00:30:05,440 --> 00:30:06,080 Speaker 2: twenty seconds. 569 00:30:07,320 --> 00:30:09,840 Speaker 1: Guess what Sometimes you come fast and that's okay. 570 00:30:14,400 --> 00:30:16,840 Speaker 2: Oh god, I like that. 571 00:30:16,920 --> 00:30:19,240 Speaker 1: We're being PG. Thirteen. Yeah. 572 00:30:20,160 --> 00:30:21,920 Speaker 2: One time I was here. One time when I was 573 00:30:22,000 --> 00:30:23,719 Speaker 2: like twenty three, I hooked up with this guy who 574 00:30:23,800 --> 00:30:26,360 Speaker 2: was like forty, and I came really fast and he 575 00:30:26,440 --> 00:30:29,280 Speaker 2: scolded me. He was like, hey, you can't come that fast, 576 00:30:29,360 --> 00:30:30,960 Speaker 2: and I was like, okay, I'm twenty three. 577 00:30:31,120 --> 00:30:34,720 Speaker 1: This is He was literally being like, this is not 578 00:30:34,840 --> 00:30:38,200 Speaker 1: authentic gay sex. What you just did is not authentic 579 00:30:38,280 --> 00:30:41,200 Speaker 1: gay sex. What are You're a straight woman writing a 580 00:30:41,360 --> 00:30:44,880 Speaker 1: queer romance novel. I actually don't know she's a straight 581 00:30:45,000 --> 00:30:46,520 Speaker 1: or a woman, So don't write it. 582 00:30:48,720 --> 00:30:51,520 Speaker 2: I think I have to be honest. The Internet backslash 583 00:30:51,880 --> 00:30:55,520 Speaker 2: to Jordan Firstman saying that it wasn't authentic. I found 584 00:30:55,600 --> 00:30:58,680 Speaker 2: to be genuinely confusing. Like I was like, this is 585 00:30:58,760 --> 00:31:01,720 Speaker 2: the most normal statement I've ever heard in my life. 586 00:31:02,160 --> 00:31:06,720 Speaker 2: It's like I saw like the craziest, like the mental 587 00:31:06,760 --> 00:31:10,160 Speaker 2: illness jumped out of people, like being like, Hi, I'm 588 00:31:10,280 --> 00:31:13,880 Speaker 2: a lesbian dating a trans woman and people say I 589 00:31:13,920 --> 00:31:16,280 Speaker 2: don't have lesbian sex. And I was like, so he's 590 00:31:16,440 --> 00:31:18,720 Speaker 2: not talking about you, Like let's just start there. He's 591 00:31:18,720 --> 00:31:20,080 Speaker 2: not talking about you, Like, I was like, this is 592 00:31:20,240 --> 00:31:25,280 Speaker 2: so weird, Like I was confused by it, genuinely. I 593 00:31:25,440 --> 00:31:26,960 Speaker 2: was just like, I guess when you get to a 594 00:31:27,000 --> 00:31:29,440 Speaker 2: certain level of famous, you literally can't say anything. 595 00:31:30,600 --> 00:31:35,560 Speaker 1: Well, it's complicated because it's tough with I love Jordan, 596 00:31:35,680 --> 00:31:38,320 Speaker 1: but it's tough with Jordan because he is being he 597 00:31:38,480 --> 00:31:40,560 Speaker 1: As he said himself, he like his being like a 598 00:31:40,680 --> 00:31:44,280 Speaker 1: mouthy gay guy as all of us are. Like, yeah, 599 00:31:44,880 --> 00:31:48,000 Speaker 1: it's like that's catnip for people who like spend their 600 00:31:48,160 --> 00:31:51,400 Speaker 1: entire life commenting on Instagram reels. Like you're gonna talk 601 00:31:51,400 --> 00:31:53,920 Speaker 1: about the authenticity of gay sex on screen, You're gonna 602 00:31:53,960 --> 00:31:56,000 Speaker 1: have a few people coming at you and like suddenly 603 00:31:56,040 --> 00:31:57,040 Speaker 1: telling you their life story. 604 00:31:58,240 --> 00:32:00,640 Speaker 2: I found it so weird. I was like, you know 605 00:32:00,720 --> 00:32:04,200 Speaker 2: what he's talking about? Like it was really was like chill, 606 00:32:04,360 --> 00:32:05,520 Speaker 2: this is I was surprised. 607 00:32:05,560 --> 00:32:08,000 Speaker 1: I was surprised at the level of story it because 608 00:32:08,040 --> 00:32:10,040 Speaker 1: I know, I know, but you know what I honestly 609 00:32:10,080 --> 00:32:13,720 Speaker 1: think with the Internet is like I really genuinely think 610 00:32:13,840 --> 00:32:18,800 Speaker 1: that all normal people have stopped commenting, and so the 611 00:32:18,880 --> 00:32:21,240 Speaker 1: ones that are left, like there should be some sort 612 00:32:21,280 --> 00:32:23,760 Speaker 1: of German word for this, kind of like paradox it's 613 00:32:23,800 --> 00:32:26,480 Speaker 1: like the ones that are left are only the crazy ones. 614 00:32:26,640 --> 00:32:29,080 Speaker 1: It used to be that, you know, it would be 615 00:32:29,080 --> 00:32:31,640 Speaker 1: sort of like seventy percent normal, thirty percent crazy. Obviously 616 00:32:31,680 --> 00:32:34,320 Speaker 1: there's gonna be some contingent of crazy, but like there 617 00:32:34,440 --> 00:32:38,920 Speaker 1: was some kind of balance, and I really think now 618 00:32:39,080 --> 00:32:41,320 Speaker 1: it's just insane people and bots. 619 00:32:42,000 --> 00:32:43,280 Speaker 2: Yeah, no, that's true. 620 00:32:43,640 --> 00:32:46,000 Speaker 1: I mean remember my the comments under my clip with Stavi. 621 00:32:46,440 --> 00:32:48,760 Speaker 2: I mean that was fucking crazy. That was fucking crazy. 622 00:32:49,200 --> 00:32:52,080 Speaker 2: Basically for context, folks, he did a clip that was 623 00:32:52,120 --> 00:32:55,880 Speaker 2: about gay guys not being monogamous and how every gay 624 00:32:55,920 --> 00:32:57,560 Speaker 2: guy we know who's monogamous were sort of like, is 625 00:32:57,600 --> 00:33:02,120 Speaker 2: everything okay? And it was a common like aids aids aids. 626 00:33:02,760 --> 00:33:04,960 Speaker 1: I at some and at some point, I was just 627 00:33:04,960 --> 00:33:07,280 Speaker 1: getting constant notifications and all of them have the word 628 00:33:07,360 --> 00:33:11,360 Speaker 1: AIDS in them. It was And I was also like, also, 629 00:33:11,400 --> 00:33:14,000 Speaker 1: people kept calling me a circuit gay. They're kept being 630 00:33:14,040 --> 00:33:17,240 Speaker 1: gay guys that were like, do not this circuit gay 631 00:33:17,280 --> 00:33:19,320 Speaker 1: doesn't speak for all of us, and like, sweetheart, I'm 632 00:33:19,360 --> 00:33:24,520 Speaker 1: thirty four married and years I've been to a party 633 00:33:24,560 --> 00:33:27,640 Speaker 1: in years. I'm also the joke, literally, the joke among 634 00:33:27,680 --> 00:33:30,240 Speaker 1: our friend group is that I'm like more prudish, Like 635 00:33:30,480 --> 00:33:33,440 Speaker 1: the idea that I am the voice of slightly gay 636 00:33:33,480 --> 00:33:36,000 Speaker 1: guys is insane, but anyway, it doesn't matter. 637 00:33:37,520 --> 00:33:39,600 Speaker 2: Well, there was. I think it's actually linked to the 638 00:33:39,680 --> 00:33:43,600 Speaker 2: Jordan thing. There's like a new you know, you know, 639 00:33:43,760 --> 00:33:46,280 Speaker 2: five to eight years ago, the whole thing was like 640 00:33:46,520 --> 00:33:48,880 Speaker 2: white gays, white ka's are evil, White kays are evil. 641 00:33:49,280 --> 00:33:53,080 Speaker 2: The new thing is like sceney Gaze, Like and I 642 00:33:53,200 --> 00:33:56,040 Speaker 2: think your thing hit that, and I think Jordan Firstman's 643 00:33:56,080 --> 00:33:59,440 Speaker 2: thing hits that where there's like this thing of like, 644 00:34:00,240 --> 00:34:02,719 Speaker 2: I'm not like the sceney gays. The scene gays are 645 00:34:02,800 --> 00:34:03,840 Speaker 2: bitchy and evil. 646 00:34:04,240 --> 00:34:06,320 Speaker 1: Yeah, and see it could be seen, it could be 647 00:34:06,720 --> 00:34:11,480 Speaker 1: people kept saying NYC Gaze. People also kept saying like this, 648 00:34:11,880 --> 00:34:15,400 Speaker 1: like people kept saying like terminally online, as though it's 649 00:34:15,440 --> 00:34:21,480 Speaker 1: a thing, as though the idea of being the Jordan archetype, 650 00:34:21,520 --> 00:34:24,880 Speaker 1: let's say, is someone who's super online, which is so 651 00:34:25,280 --> 00:34:27,160 Speaker 1: interesting to me because I think of Jordan in fact 652 00:34:27,200 --> 00:34:30,160 Speaker 1: as someone who's constantly going to parties. Right, He's like, ow, 653 00:34:31,040 --> 00:34:34,040 Speaker 1: it's actually you're telling on yourself. You're the one who's 654 00:34:34,040 --> 00:34:37,320 Speaker 1: constantly online and constantly hate watching Jordan's content. 655 00:34:40,200 --> 00:34:46,560 Speaker 2: Yeah, that was crazy. Yeah, I'm trying to think there's 656 00:34:46,560 --> 00:34:53,560 Speaker 2: anything else like he did rivalry ish Okay, in episode three, 657 00:34:53,760 --> 00:34:57,000 Speaker 2: what was up with the dad? So the art guy 658 00:34:57,080 --> 00:34:59,759 Speaker 2: has a dad who is like so sweet and loving 659 00:34:59,760 --> 00:35:04,400 Speaker 2: and this is also so Canada coded. But I was like, 660 00:35:04,520 --> 00:35:06,200 Speaker 2: is he supposed to be gay? What's going on here? 661 00:35:07,600 --> 00:35:17,239 Speaker 1: Yeah? The the dad thing, I am a little bit like, well, okay, 662 00:35:18,040 --> 00:35:22,719 Speaker 1: let's not to be completely you know, uh, not to 663 00:35:22,800 --> 00:35:27,120 Speaker 1: be completely close reading in order to problematize things. But 664 00:35:27,400 --> 00:35:30,719 Speaker 1: it must be said that the Russian dad is abusive, 665 00:35:30,920 --> 00:35:33,160 Speaker 1: the Asian mom is a tiger mom, and the white 666 00:35:33,280 --> 00:35:35,600 Speaker 1: dad is the most accepting person you've ever met in 667 00:35:35,680 --> 00:35:38,440 Speaker 1: your entire life. And that's just fact, Like that is 668 00:35:38,600 --> 00:35:41,840 Speaker 1: just how these characters are portrayed. And like, I'm not 669 00:35:42,160 --> 00:35:43,280 Speaker 1: out to cancel anyone. 670 00:35:43,480 --> 00:35:44,680 Speaker 2: I'm not. I don't. 671 00:35:44,880 --> 00:35:47,680 Speaker 1: I think everyone involved is like doing this with a 672 00:35:47,719 --> 00:35:50,680 Speaker 1: lot of love in their hearts, and I'm not trying 673 00:35:50,719 --> 00:35:52,000 Speaker 1: to There are a lot. 674 00:35:51,880 --> 00:35:53,680 Speaker 2: Of abusive Russian dads and. 675 00:35:56,320 --> 00:35:59,880 Speaker 1: That's just like I was kind of like, huh, it's amazing. 676 00:36:00,400 --> 00:36:01,480 Speaker 2: It's amazing that these. 677 00:36:01,360 --> 00:36:03,440 Speaker 1: Things that you know, when we were in our twenties 678 00:36:03,680 --> 00:36:07,360 Speaker 1: would be like the topics of like five million essays. 679 00:36:07,600 --> 00:36:10,319 Speaker 1: Now people are like, you know what, like, there's bigger 680 00:36:10,400 --> 00:36:13,880 Speaker 1: problems in the world. You can't be talking about representation. 681 00:36:15,640 --> 00:36:17,680 Speaker 1: I was honestly thinking about this with Rachel's show, where 682 00:36:17,719 --> 00:36:20,800 Speaker 1: I'm like, okay, so Rachel's show has two NEPO babies, 683 00:36:22,120 --> 00:36:25,680 Speaker 1: one of them is quite literally cosplaying as Latina. I'm sorry, 684 00:36:25,800 --> 00:36:26,399 Speaker 1: put it through. 685 00:36:29,320 --> 00:36:29,920 Speaker 2: It has like. 686 00:36:31,719 --> 00:36:35,280 Speaker 1: It has like quote unquote unlikable characters. It has quote 687 00:36:35,320 --> 00:36:38,680 Speaker 1: unquote vapid white girls, like all these things that used 688 00:36:38,719 --> 00:36:42,280 Speaker 1: to be such triggers. And I'm you know, I'm loving 689 00:36:42,360 --> 00:36:43,960 Speaker 1: the show. For the record. I think it's like really 690 00:36:44,000 --> 00:36:46,200 Speaker 1: great and really funny. But it is funny that now 691 00:36:46,520 --> 00:36:48,480 Speaker 1: everyone has like given up on doing these sort of 692 00:36:48,560 --> 00:36:49,400 Speaker 1: like fake critiques. 693 00:36:50,040 --> 00:36:52,640 Speaker 2: Yeah, I was like, okay enough. One of the weirder 694 00:36:52,680 --> 00:36:54,680 Speaker 2: things is like seeing that when you do see it, 695 00:36:54,960 --> 00:36:56,800 Speaker 2: like a five year old critique come out, You're like, 696 00:36:56,800 --> 00:36:57,719 Speaker 2: WHOA hold. 697 00:36:57,520 --> 00:37:00,200 Speaker 1: On, Yeah, you're like, wait, I thought we weren't doing that. 698 00:37:02,520 --> 00:37:04,360 Speaker 2: The most recent episode of I Love I'm like, this 699 00:37:04,480 --> 00:37:05,560 Speaker 2: show is so good. 700 00:37:05,880 --> 00:37:09,359 Speaker 1: I love it, and I think Rachel is a true 701 00:37:09,440 --> 00:37:13,640 Speaker 1: talent and shout out. I really am very like, I'm 702 00:37:13,719 --> 00:37:15,759 Speaker 1: really so impressed with her, and I always have been. 703 00:37:15,840 --> 00:37:18,680 Speaker 1: And I just think if you don't get the vision, 704 00:37:18,760 --> 00:37:21,239 Speaker 1: like if you don't get if you're if you think 705 00:37:21,320 --> 00:37:23,160 Speaker 1: that the character she's playing is Shushi's in real life, 706 00:37:23,200 --> 00:37:28,440 Speaker 1: you need to check yourself into Malibu Promises because you 707 00:37:28,600 --> 00:37:30,719 Speaker 1: have been diagnosed with the case of not getting it. 708 00:37:31,640 --> 00:37:35,960 Speaker 2: The like Tim Bolts playing the French designer stylist guy 709 00:37:36,360 --> 00:37:38,799 Speaker 2: was so funny and I was like, God, this. 710 00:37:38,920 --> 00:37:41,960 Speaker 1: Is perfectly Oh, it's great, silly and it's a true comedy. 711 00:37:42,000 --> 00:37:44,680 Speaker 1: I'm laughing my ass laugh every episode. The Elijah Wood. 712 00:37:44,480 --> 00:37:46,719 Speaker 2: Stuff, the Elijah Wood stuff was amazing. 713 00:37:48,400 --> 00:37:53,799 Speaker 1: And huge. Oh my god. True Whittaker makes me laugh, laugh, laugh, 714 00:37:54,120 --> 00:37:56,479 Speaker 1: It's one of her. She's the Lucille ball. 715 00:37:57,960 --> 00:38:01,759 Speaker 2: She is like, it's giving like a Manda in mean 716 00:38:01,800 --> 00:38:02,320 Speaker 2: being Girls. 717 00:38:02,440 --> 00:38:07,040 Speaker 1: Yeah, no, completely, No, she's doing amazing stuff. You know 718 00:38:07,160 --> 00:38:10,359 Speaker 1: I heard that. They're something I heard today. Sometimes I'll 719 00:38:10,400 --> 00:38:13,600 Speaker 1: get like little snippets of film Twitter in my feed 720 00:38:13,760 --> 00:38:16,800 Speaker 1: and something people are saying is that Searchlight is bungling 721 00:38:17,040 --> 00:38:22,480 Speaker 1: Amanda Seyfried's Oscar chances. Oh have you seen she's in Well, 722 00:38:22,520 --> 00:38:25,040 Speaker 1: there you go. Clearly they're bungling. Then, because you don't 723 00:38:25,040 --> 00:38:27,040 Speaker 1: even know. She's in this movie called The Testament of 724 00:38:27,080 --> 00:38:30,440 Speaker 1: Anne Lee where she plays the founder of the Shaker movement, 725 00:38:30,520 --> 00:38:33,920 Speaker 1: and apparently she's incredible in it, but apparently they're not 726 00:38:34,040 --> 00:38:35,200 Speaker 1: doing a good job promoting her. 727 00:38:35,800 --> 00:38:37,520 Speaker 2: Wow. I guess I've seen this poster. 728 00:38:37,719 --> 00:38:40,640 Speaker 1: You know it's directed by it's written and directed by 729 00:38:40,719 --> 00:38:45,600 Speaker 1: Brady Corbey's wife. Oh interesting, and I think he also 730 00:38:45,719 --> 00:38:47,279 Speaker 1: co wrote it and produced it or whatever. 731 00:38:47,680 --> 00:38:47,960 Speaker 3: Wow. 732 00:38:49,600 --> 00:38:53,000 Speaker 1: But I'm excited to watch. And I support Amanda Seyfried. 733 00:38:53,719 --> 00:38:56,080 Speaker 2: Yeah, but too. And I'm now learning how to say 734 00:38:56,120 --> 00:38:58,640 Speaker 2: her name, right, Cifried? No, I think you're right. 735 00:38:58,800 --> 00:39:01,920 Speaker 1: I was saying Sefred or something sea Freed. Maybe it's Sefred, 736 00:39:02,000 --> 00:39:05,160 Speaker 1: but I don't know. Listen, I don't know how to 737 00:39:05,200 --> 00:39:09,720 Speaker 1: pronounce these ethnic names like Odessa a Zion. 738 00:39:12,320 --> 00:39:12,560 Speaker 3: Wow. 739 00:39:13,440 --> 00:39:16,480 Speaker 1: So and speaking of Amanda Sea Fried or however you 740 00:39:16,560 --> 00:39:18,200 Speaker 1: pronounce her name. I'm also kind of excited for the 741 00:39:18,239 --> 00:39:19,920 Speaker 1: Paul Figue movie with her and Sidney Sweeney. 742 00:39:20,280 --> 00:39:21,680 Speaker 2: I know people are saying it's kind of good. 743 00:39:22,040 --> 00:39:24,640 Speaker 1: I'm sure it's very good. I don't know what is 744 00:39:24,680 --> 00:39:26,560 Speaker 1: going on with Sidney Sweeney where she forgot to act 745 00:39:26,680 --> 00:39:29,640 Speaker 1: sometime after Euphoria season two. I'm like, you used to 746 00:39:29,719 --> 00:39:31,960 Speaker 1: be like one of the best actresses and then you forgot. 747 00:39:33,120 --> 00:39:34,240 Speaker 2: It's actually weird. 748 00:39:34,440 --> 00:39:37,600 Speaker 1: It's like they do surgery, Like did they do brain 749 00:39:37,680 --> 00:39:39,200 Speaker 1: surgery on you? You were so good? 750 00:39:39,800 --> 00:39:42,480 Speaker 2: She was so good. She like became self aware, like 751 00:39:42,600 --> 00:39:46,680 Speaker 2: she's like, oh, like, I'm a person I shouldn't like 752 00:39:46,920 --> 00:39:51,399 Speaker 2: She's like, it's silly to act, but exactly. Yeah, it's weird. 753 00:39:52,080 --> 00:39:53,120 Speaker 2: I'm like worried. 754 00:39:54,000 --> 00:39:57,680 Speaker 1: Well, it's that thing that happens sometimes when actors become 755 00:39:57,920 --> 00:40:00,399 Speaker 1: more involved in the business side of things. I'm sorry 756 00:40:00,440 --> 00:40:02,480 Speaker 1: to say, but it happened with one of my favorite actresses, 757 00:40:02,560 --> 00:40:05,600 Speaker 1: Reese Witherspoon. Her performance in The Morning Show is like 758 00:40:06,160 --> 00:40:08,839 Speaker 1: the worst performance of her career, and it's because she's 759 00:40:08,920 --> 00:40:11,399 Speaker 1: more involved in like producing and where she like gets 760 00:40:11,440 --> 00:40:12,880 Speaker 1: on set and she's just sort of like, Okay, this 761 00:40:13,000 --> 00:40:14,719 Speaker 1: is like one of the sixteen things I have to 762 00:40:14,800 --> 00:40:17,080 Speaker 1: do today. I'm not like passionate about this character. 763 00:40:17,120 --> 00:40:19,000 Speaker 2: So my lines are roughly this. So I'll just say 764 00:40:19,040 --> 00:40:21,000 Speaker 2: that into the camera and you got it. Okay, let's 765 00:40:21,000 --> 00:40:23,879 Speaker 2: go moving. Yeah that's tough. That's tough. 766 00:40:25,560 --> 00:40:28,000 Speaker 1: Well, so that's it in terms of heated rivalry. 767 00:40:29,000 --> 00:40:30,960 Speaker 2: Yeah, I think that's it. 768 00:40:31,880 --> 00:40:33,120 Speaker 1: I just want to support it. 769 00:40:34,239 --> 00:40:38,440 Speaker 2: Was sexy three, was sexy two, like maybe even more sexy, 770 00:40:38,520 --> 00:40:40,359 Speaker 2: Like that's more like my fantasy is like a straight 771 00:40:40,400 --> 00:40:42,200 Speaker 2: guy is like, I'm actually in love with you? 772 00:40:42,920 --> 00:40:45,479 Speaker 1: Are you kidding me? I was. There was something about 773 00:40:45,520 --> 00:40:49,320 Speaker 1: the main show. The main storyline is almost like breadth 774 00:40:49,520 --> 00:40:52,120 Speaker 1: over depth. It's like it's more about the timeline and 775 00:40:52,160 --> 00:40:55,520 Speaker 1: it's more about following them, whereas the bottle episode was 776 00:40:55,640 --> 00:40:59,879 Speaker 1: like a genuinely affecting love story. Yeah. No, it was good, 777 00:41:00,719 --> 00:41:02,640 Speaker 1: and I really thought both of the actors were so 778 00:41:02,760 --> 00:41:06,200 Speaker 1: good and that guy is so hot, well he. 779 00:41:06,239 --> 00:41:08,320 Speaker 2: Gets like comedically hot him, like walking around in his 780 00:41:08,440 --> 00:41:11,640 Speaker 2: little underwear. I was like, how did you do this? 781 00:41:11,840 --> 00:41:17,560 Speaker 2: How do you even do this? Yeah, that's pretty much 782 00:41:17,600 --> 00:41:18,440 Speaker 2: it with HUD Rivalry. 783 00:41:18,719 --> 00:41:22,120 Speaker 1: Yeah, I'm loving it. I mean I'm like very supportive 784 00:41:22,160 --> 00:41:27,400 Speaker 1: of it, and I think that it's great that it's 785 00:41:27,480 --> 00:41:28,040 Speaker 1: having a moment. 786 00:41:28,440 --> 00:41:30,239 Speaker 2: I think it would be an amazing choice for season 787 00:41:30,280 --> 00:41:32,080 Speaker 2: two to have to introduce plot into the. 788 00:41:32,080 --> 00:41:34,759 Speaker 1: Show definitely and maybe even kind of get into what 789 00:41:34,920 --> 00:41:36,000 Speaker 1: the whole hockey thing is. 790 00:41:37,480 --> 00:41:41,000 Speaker 2: I was like, why are half the scenes them in tuxas? Yeah? 791 00:41:41,960 --> 00:41:44,640 Speaker 1: Well, I do think it is sort of because they 792 00:41:45,640 --> 00:41:47,239 Speaker 1: at some point they made the decision they don't want 793 00:41:47,239 --> 00:41:49,000 Speaker 1: to show too much hockey, like the hockey is kind 794 00:41:49,000 --> 00:41:52,800 Speaker 1: of like a theoretical you know, it's sort of just 795 00:41:52,960 --> 00:41:56,680 Speaker 1: like that's the foundation upon which a story that is 796 00:41:56,840 --> 00:41:59,239 Speaker 1: fully not about hockey is built. And so then they 797 00:41:59,280 --> 00:42:03,120 Speaker 1: still have to find and spaces in which to run 798 00:42:03,160 --> 00:42:04,960 Speaker 1: into each other. So they're like, I guess they'll just 799 00:42:05,000 --> 00:42:05,719 Speaker 1: go to galas. 800 00:42:07,280 --> 00:42:10,359 Speaker 2: There's a scene in the that you haven't seen yet 801 00:42:10,400 --> 00:42:12,920 Speaker 2: where he meets like a famous actress at a bar, 802 00:42:13,600 --> 00:42:16,840 Speaker 2: the Asian one. I don't know either of their names. 803 00:42:17,719 --> 00:42:19,040 Speaker 1: And well one of them is Hollander. 804 00:42:19,600 --> 00:42:24,920 Speaker 2: Hallander meets a famous actress and he's like, oh, I'm 805 00:42:24,960 --> 00:42:27,480 Speaker 2: a big fan, and she's like, I'm a big fan too, 806 00:42:27,680 --> 00:42:31,279 Speaker 2: and he's like, you know who I am and she's like, yeah, 807 00:42:31,719 --> 00:42:34,759 Speaker 2: I'm the only girl and with four brothers who grew 808 00:42:34,840 --> 00:42:37,000 Speaker 2: up in Michigan, so yeah, I know who you are. 809 00:42:37,520 --> 00:42:40,759 Speaker 2: And that I was like, this is so funny, like 810 00:42:40,840 --> 00:42:41,360 Speaker 2: writing like that. 811 00:42:41,520 --> 00:42:46,879 Speaker 1: I love No, I love I also love the fact 812 00:42:46,960 --> 00:42:51,240 Speaker 1: that these galas somehow everyone's invited. So there's a gala 813 00:42:51,400 --> 00:42:54,000 Speaker 1: and literally the barista from the smoothie shop is also 814 00:42:54,280 --> 00:42:56,960 Speaker 1: part of it. She's like, I have to go to 815 00:42:57,040 --> 00:42:58,960 Speaker 1: this gala. Can you be my plus one? It's a 816 00:42:59,040 --> 00:43:02,200 Speaker 1: hockey gala, Like, don't want to go, but obviously, like 817 00:43:02,239 --> 00:43:04,640 Speaker 1: a lot of Smoothie Briistas were invited because they're trying 818 00:43:04,640 --> 00:43:07,880 Speaker 1: to invite more Smoothie Bristas, so you could just come 819 00:43:08,000 --> 00:43:11,759 Speaker 1: with me. It's like, so it's amazing, it's amazing, Like, oh, 820 00:43:11,920 --> 00:43:15,040 Speaker 1: that is such a funny coincidence. I'm actually fucking the 821 00:43:15,440 --> 00:43:18,400 Speaker 1: most famous hockey player of all time, and so I 822 00:43:18,440 --> 00:43:21,279 Speaker 1: would love to go because this is like perfect for me. 823 00:43:21,520 --> 00:43:22,520 Speaker 1: I can run into him. 824 00:43:23,320 --> 00:43:26,040 Speaker 2: There's no conflict. No one has ever found out that 825 00:43:26,080 --> 00:43:30,520 Speaker 2: they're fucking each other over eight years, and like it's fine. 826 00:43:30,640 --> 00:43:33,440 Speaker 2: There's no conflicts at all. Neither one of them is 827 00:43:33,480 --> 00:43:36,319 Speaker 2: like I actually love you. They're just like they're vibarly. Well. 828 00:43:36,360 --> 00:43:38,400 Speaker 1: I do love also that they're sort of communicating with 829 00:43:38,480 --> 00:43:48,080 Speaker 1: one another via press interviews. Yeah, so anyway, I uh, 830 00:43:48,719 --> 00:43:52,960 Speaker 1: I have to say in closing today. In fact, the 831 00:43:53,840 --> 00:43:57,680 Speaker 1: New York magazine published interviews with each of them, and 832 00:43:57,800 --> 00:44:01,399 Speaker 1: so one of them was with the Russian guy, who, 833 00:44:01,480 --> 00:44:04,399 Speaker 1: by the way, is American, and he really says yes, 834 00:44:05,160 --> 00:44:08,640 Speaker 1: he says he's involved in the clowning community, one of 835 00:44:08,719 --> 00:44:09,600 Speaker 1: our favorite topics. 836 00:44:09,680 --> 00:44:13,200 Speaker 2: Yes, he's like I is he LA based? 837 00:44:13,600 --> 00:44:15,680 Speaker 1: I think he's LA based, and I think in passing 838 00:44:15,719 --> 00:44:17,080 Speaker 1: he's like, yeah, I'm just like really involved in the 839 00:44:17,080 --> 00:44:20,240 Speaker 1: clowning community. And it's very like, uh, sort of inspired 840 00:44:20,280 --> 00:44:23,360 Speaker 1: by European clowning. So I've always been I've always like 841 00:44:23,400 --> 00:44:24,280 Speaker 1: wished I was European. 842 00:44:24,440 --> 00:44:24,760 Speaker 2: Lol. 843 00:44:26,000 --> 00:44:30,439 Speaker 1: And then Hollander did a thing for the Cut where 844 00:44:30,480 --> 00:44:33,440 Speaker 1: he goes through his beauty routine and when I tell you, 845 00:44:33,560 --> 00:44:37,759 Speaker 1: it's like one of the most like American psychoass like 846 00:44:37,880 --> 00:44:40,759 Speaker 1: he uses upwards of like thirty seven products every day. 847 00:44:41,680 --> 00:44:44,160 Speaker 1: It is being very articulate, just like and this is 848 00:44:44,200 --> 00:44:46,879 Speaker 1: what I do. If I accidentally have a drink, then 849 00:44:46,880 --> 00:44:48,120 Speaker 1: I wake up the next morning and I have to 850 00:44:48,160 --> 00:44:50,680 Speaker 1: deal with puffiness around five am, if I have an 851 00:44:50,680 --> 00:44:53,640 Speaker 1: event at six am, and it's very It honestly feels 852 00:44:53,920 --> 00:44:56,960 Speaker 1: kind of like life imitating art. It feels like what 853 00:44:57,560 --> 00:45:00,120 Speaker 1: the Reebok mom would like make him do before or 854 00:45:00,640 --> 00:45:01,560 Speaker 1: a media appearance. 855 00:45:02,000 --> 00:45:02,680 Speaker 2: That is tough. 856 00:45:03,400 --> 00:45:06,640 Speaker 1: Sometimes he looks like Pete Boo to me. Really, yeah, 857 00:45:06,719 --> 00:45:09,000 Speaker 1: I will say this, I find him He's not your type. 858 00:45:09,080 --> 00:45:11,080 Speaker 1: I don't think I find him to be really hot. 859 00:45:11,200 --> 00:45:12,000 Speaker 1: I don't know what it is. 860 00:45:13,239 --> 00:45:14,840 Speaker 2: Something in the right light, he can kind of be 861 00:45:14,960 --> 00:45:17,680 Speaker 2: my type, like because he's got that good boy thing, 862 00:45:17,719 --> 00:45:21,640 Speaker 2: which kind of works for me sometimes but not always. 863 00:45:22,120 --> 00:45:26,040 Speaker 1: Yeah, what do you think about the Actually whatever I 864 00:45:26,120 --> 00:45:29,000 Speaker 1: was gonna tell me, you tell me, just like I guess. 865 00:45:29,080 --> 00:45:33,160 Speaker 1: Initially there was like another news cycle about whether they're 866 00:45:33,200 --> 00:45:33,600 Speaker 1: gay or. 867 00:45:33,640 --> 00:45:37,879 Speaker 2: Not, like, oh yeah, who cares? Who cares? Grow up? Yeah, 868 00:45:38,600 --> 00:45:40,120 Speaker 2: we need to have a new cycle about whether they're 869 00:45:40,160 --> 00:45:40,600 Speaker 2: hung or not. 870 00:45:41,400 --> 00:45:43,239 Speaker 1: Oh yeah, I would love to know whether they're hung. 871 00:45:44,400 --> 00:45:49,040 Speaker 1: I I don't think they are. Also if they are 872 00:45:49,160 --> 00:45:51,840 Speaker 1: that and I don't care either way. 873 00:45:52,239 --> 00:45:55,000 Speaker 2: And shout out to Intimacy Coordinators. They are doing the 874 00:45:55,120 --> 00:45:56,000 Speaker 2: work on that show. 875 00:45:57,040 --> 00:45:58,239 Speaker 1: And also I just want to say, you know, you 876 00:45:58,320 --> 00:46:01,960 Speaker 1: can have like a degrassy into misty Coordinators show coexist 877 00:46:02,520 --> 00:46:06,480 Speaker 1: with like a super like with Pillions starring Alexander Scar's Guard. 878 00:46:06,560 --> 00:46:09,560 Speaker 1: You can have both. And that's the amazing world we 879 00:46:09,680 --> 00:46:09,880 Speaker 1: live in. 880 00:46:10,320 --> 00:46:13,160 Speaker 2: Everyone is seen or something like. It doesn't come out 881 00:46:13,239 --> 00:46:15,239 Speaker 2: for two more years, and yet everyone has seen it 882 00:46:15,280 --> 00:46:17,320 Speaker 2: and it's like already old news. I'm like, wow, So 883 00:46:17,440 --> 00:46:17,880 Speaker 2: you know, what. 884 00:46:18,239 --> 00:46:20,440 Speaker 1: The reason I haven't seen it is because I was 885 00:46:20,480 --> 00:46:23,520 Speaker 1: in LA recording Straighter lab when I was supposed to 886 00:46:23,560 --> 00:46:25,120 Speaker 1: go see it in New York and now that was 887 00:46:25,200 --> 00:46:26,520 Speaker 1: my one chance and now I have to see it 888 00:46:26,560 --> 00:46:27,759 Speaker 1: in five years when it comes. 889 00:46:27,680 --> 00:46:29,760 Speaker 2: Out this world. 890 00:46:29,880 --> 00:46:32,520 Speaker 1: It's cruel, it's cool. I have heard it's amazing, though 891 00:46:32,840 --> 00:46:41,279 Speaker 1: I know I'm really excited. While that's it in terms 892 00:46:41,280 --> 00:46:42,080 Speaker 1: of gay media. 893 00:46:42,640 --> 00:46:45,440 Speaker 2: Now we're going on to straight media, except in theory 894 00:46:45,560 --> 00:46:47,960 Speaker 2: that Daniel Craig is getting the film, but oh yeah, 895 00:46:47,960 --> 00:46:49,719 Speaker 2: I forgot about it. Only don't you get that from 896 00:46:49,760 --> 00:46:50,160 Speaker 2: his pants? 897 00:46:50,200 --> 00:46:50,719 Speaker 3: And he don't? 898 00:46:51,040 --> 00:46:54,400 Speaker 1: Yeah, totally. Don't you think that Knives Out is like 899 00:46:55,840 --> 00:46:59,000 Speaker 1: really is just like straight culture? Yes? 900 00:46:59,239 --> 00:47:01,040 Speaker 2: I think we need to. So we're now going to 901 00:47:01,120 --> 00:47:04,000 Speaker 2: talk about Wake Up dead Man, the new Knives Out 902 00:47:04,080 --> 00:47:09,239 Speaker 2: movie that's right now streaming on Netflix. Is this for 903 00:47:09,920 --> 00:47:13,680 Speaker 2: Is this essential straight culture? Yes? To me, we need 904 00:47:13,760 --> 00:47:15,399 Speaker 2: to talk about. First of all, I want to say 905 00:47:15,440 --> 00:47:19,560 Speaker 2: I liked it. I thought this movie was sure funny, charming. 906 00:47:19,719 --> 00:47:27,040 Speaker 1: Thoughtful, great acting and Mila Kunis I thought. 907 00:47:28,719 --> 00:47:30,560 Speaker 2: I thought the mystery worked really well where I was like, 908 00:47:30,600 --> 00:47:35,960 Speaker 2: how are they doing this? What's going on? And joshua'connor 909 00:47:36,040 --> 00:47:36,520 Speaker 2: is to die for. 910 00:47:37,200 --> 00:47:39,880 Speaker 1: So fun In the beginning, I was like, uh oh, 911 00:47:40,000 --> 00:47:41,400 Speaker 1: what is he going to do with this accent? But 912 00:47:41,520 --> 00:47:42,840 Speaker 1: then I just got used to it and it was 913 00:47:42,880 --> 00:47:44,240 Speaker 1: fine and it was very charming. 914 00:47:44,560 --> 00:47:47,960 Speaker 2: It came out very charming. The thing with Ryan Johnson 915 00:47:48,480 --> 00:47:50,680 Speaker 2: is I'm like, you are funny, you are good at 916 00:47:50,719 --> 00:47:55,840 Speaker 2: this the liberal stuff. Oh my god, I'm a little like, 917 00:47:56,040 --> 00:47:59,239 Speaker 2: do we need to be so contemporary? Like I get it, 918 00:47:59,480 --> 00:48:02,879 Speaker 2: you don't like Trump, Like it's sort of like no conservative, 919 00:48:02,960 --> 00:48:08,400 Speaker 2: but like this is this is very straightforward in a 920 00:48:08,440 --> 00:48:10,680 Speaker 2: way where I'm like, I can't tell this is helpful 921 00:48:10,800 --> 00:48:10,960 Speaker 2: or not. 922 00:48:11,360 --> 00:48:14,040 Speaker 1: Well, you're also it's he's dealing with social issues in 923 00:48:14,080 --> 00:48:17,840 Speaker 1: the most mediated way possible. It is just so clear 924 00:48:18,040 --> 00:48:20,759 Speaker 1: that he has like fifteen alts on Twitter and is 925 00:48:20,840 --> 00:48:25,279 Speaker 1: consuming just so much news content and online content, and 926 00:48:25,440 --> 00:48:27,800 Speaker 1: he thinks it's like if you were to be like, 927 00:48:27,840 --> 00:48:29,800 Speaker 1: what are the main factors of America? He would be like, okay, 928 00:48:29,880 --> 00:48:35,120 Speaker 1: so in cells thought leaders that are lying feminist women 929 00:48:35,239 --> 00:48:40,560 Speaker 1: with podcasts and Donald Trump, Like it's almost like put 930 00:48:40,600 --> 00:48:43,080 Speaker 1: the laptop away, we have a dinner. 931 00:48:43,640 --> 00:48:46,920 Speaker 2: Yeah, it is very put the laptop away. I like 932 00:48:47,239 --> 00:48:51,200 Speaker 2: in the there's like the politician, the aspiring politician character 933 00:48:52,120 --> 00:48:56,759 Speaker 2: who is like I liked him at the beginning as 934 00:48:56,880 --> 00:48:59,319 Speaker 2: like the avatar for all the Internet language and all 935 00:48:59,360 --> 00:49:03,560 Speaker 2: the like insane conservativeness. But then it was like, okay, 936 00:49:03,640 --> 00:49:07,640 Speaker 2: so everyone has this exactly, everyone has this. No, it's straight. 937 00:49:07,719 --> 00:49:10,680 Speaker 1: It's like the thing that connects all of them is 938 00:49:10,840 --> 00:49:13,440 Speaker 1: that they are online all the time and into conspiracy 939 00:49:13,520 --> 00:49:14,440 Speaker 1: theories somehow. 940 00:49:15,920 --> 00:49:19,759 Speaker 2: It's like, so the Josh Berlin character is Trump, and 941 00:49:19,880 --> 00:49:22,720 Speaker 2: they're all but also they're all Trump, but they're all Trump, 942 00:49:23,920 --> 00:49:26,640 Speaker 2: and then like, yeah, I found that some of that 943 00:49:26,800 --> 00:49:31,360 Speaker 2: to be confusing, Like I would rather him do like 944 00:49:31,400 --> 00:49:35,200 Speaker 2: an almost like Eddington style mystery next time, where it's 945 00:49:35,239 --> 00:49:38,600 Speaker 2: like a really politically torn town and like you don't 946 00:49:38,680 --> 00:49:40,160 Speaker 2: know who is right and who is wrong. 947 00:49:41,840 --> 00:49:45,359 Speaker 1: Well, I think speaking of a town. One big way 948 00:49:45,520 --> 00:49:48,879 Speaker 1: he tells on himself for like not for making such 949 00:49:48,920 --> 00:49:52,000 Speaker 1: an Internet movie is like I'm sorry, where does this 950 00:49:52,120 --> 00:49:55,280 Speaker 1: town exist? What sort of town has a church community 951 00:49:55,320 --> 00:50:00,320 Speaker 1: that is made up of like a black Republican, failed 952 00:50:00,400 --> 00:50:08,719 Speaker 1: political candidate, an exiled sci fi writer, like but also 953 00:50:08,800 --> 00:50:12,279 Speaker 1: they go to like a right wing church and they're 954 00:50:12,320 --> 00:50:16,800 Speaker 1: all wealthy, but sort of like weird wealthy. I just 955 00:50:16,920 --> 00:50:20,279 Speaker 1: don't think that town exists. But anyway, it's fiction, so 956 00:50:20,560 --> 00:50:22,640 Speaker 1: it's fine and I'm not And also you have to 957 00:50:22,719 --> 00:50:24,920 Speaker 1: like enter this world and in this world, that's what 958 00:50:25,000 --> 00:50:26,719 Speaker 1: we're dealing with, so you can't, you know, spend the 959 00:50:26,840 --> 00:50:28,480 Speaker 1: entire movie being like that's whatn't happened. 960 00:50:30,480 --> 00:50:33,080 Speaker 2: And again I mostly liked it. It's also just like 961 00:50:34,800 --> 00:50:39,120 Speaker 2: they gave Carrie Washington nothing. 962 00:50:40,280 --> 00:50:43,359 Speaker 1: They sort of, I mean, they certainly gave Kerry Washington nothing, 963 00:50:44,120 --> 00:50:48,960 Speaker 1: but they also sort of barely gave Jeremy Renner much. 964 00:50:49,880 --> 00:50:54,680 Speaker 1: And the Cellist Girl. Also Kaylee Spainey famously from that 965 00:50:54,840 --> 00:51:00,919 Speaker 1: Kristen Kirsten Dunst movie, like she also didn't get much. Yeah, 966 00:51:01,239 --> 00:51:02,720 Speaker 1: there were a lot of like red herrings. 967 00:51:04,080 --> 00:51:07,480 Speaker 2: I was, yeah, I was sort of like it felt 968 00:51:07,680 --> 00:51:09,719 Speaker 2: that's the other issue with making an Internet movie, where 969 00:51:09,760 --> 00:51:12,280 Speaker 2: I was like, none of these people are like defined, 970 00:51:12,400 --> 00:51:17,279 Speaker 2: they're like flat, flat values or something, and you could 971 00:51:17,360 --> 00:51:19,279 Speaker 2: like make them have a personality. 972 00:51:19,760 --> 00:51:22,440 Speaker 1: Well, Carrie Washington's arc is that she starts smoking. 973 00:51:26,800 --> 00:51:28,440 Speaker 2: But that means that I'm being so negative because I 974 00:51:28,600 --> 00:51:29,160 Speaker 2: actually did. 975 00:51:29,120 --> 00:51:32,880 Speaker 1: Love I enjoyed it. It was it was like it's funny. 976 00:51:33,080 --> 00:51:35,520 Speaker 1: We both watched last night without planning to. We didn't 977 00:51:35,560 --> 00:51:37,680 Speaker 1: plan to talk about it, but we both independently were like, Oh, 978 00:51:37,680 --> 00:51:39,239 Speaker 1: this would be a fun thing to put on. And 979 00:51:39,600 --> 00:51:41,920 Speaker 1: I think it's fun that we have this new franchise 980 00:51:42,040 --> 00:51:45,279 Speaker 1: that has like it's almost white Lotus esque, and that 981 00:51:45,360 --> 00:51:48,040 Speaker 1: it just like gives a bunch of fun actors, you know, 982 00:51:48,160 --> 00:51:51,759 Speaker 1: really campy roles to do, and you know there's one 983 00:51:51,800 --> 00:51:53,920 Speaker 1: that comes out every couple of years and we all 984 00:51:54,440 --> 00:51:56,160 Speaker 1: watch and then we move on. I think it's fun. 985 00:51:56,320 --> 00:51:59,000 Speaker 1: I think it's nice that it's not based on existing 986 00:51:59,040 --> 00:52:04,840 Speaker 1: ip I think, you know, Craig is great. I honestly, 987 00:52:05,320 --> 00:52:07,919 Speaker 1: I mean I thought gun Close was so good. 988 00:52:08,360 --> 00:52:11,440 Speaker 2: She was really good. She was to die for. Actually, 989 00:52:11,840 --> 00:52:12,400 Speaker 2: I really have. 990 00:52:12,560 --> 00:52:14,880 Speaker 1: Very little patience when like people make fun of her 991 00:52:15,680 --> 00:52:17,520 Speaker 1: for like wanting it too much. I'm like, she's one 992 00:52:17,560 --> 00:52:20,080 Speaker 1: of the great actresses. It's I'm you know how we 993 00:52:20,080 --> 00:52:22,360 Speaker 1: always talk about how people talk about FK Twigs as 994 00:52:22,360 --> 00:52:24,279 Speaker 1: though she has done something wrong, when in fact she's 995 00:52:24,280 --> 00:52:26,240 Speaker 1: never done anything wrong. That's how I feel about gun Clothes. 996 00:52:26,239 --> 00:52:28,840 Speaker 1: I'm like, leave her alone. She's a legend, like, and 997 00:52:28,960 --> 00:52:33,000 Speaker 1: she's also working so much and doing such different, like 998 00:52:33,440 --> 00:52:34,919 Speaker 1: interesting things in her late career. 999 00:52:35,680 --> 00:52:38,200 Speaker 2: Well, she almost in a positive way, like doesn't have 1000 00:52:38,400 --> 00:52:41,160 Speaker 2: vanity in the same way that other actresses of her 1001 00:52:41,200 --> 00:52:45,279 Speaker 2: age did completely. She's like, no, I'll look fucking stupid. Yeah, 1002 00:52:45,320 --> 00:52:47,600 Speaker 2: because I'm an actor, Like my role is to like 1003 00:52:47,880 --> 00:52:50,440 Speaker 2: fill the character. And I think she looks bad. 1004 00:52:50,520 --> 00:52:52,839 Speaker 1: I look bad, And I think she finds real joy 1005 00:52:52,920 --> 00:52:54,960 Speaker 1: in it and is really like in it for the work. 1006 00:52:55,040 --> 00:52:56,880 Speaker 1: I mean, I know she also wants to win an Oscar, 1007 00:52:57,040 --> 00:52:59,640 Speaker 1: but that's she's also she loves the work. 1008 00:53:00,040 --> 00:53:01,479 Speaker 2: I mean, she's not doing this to an an oscar. 1009 00:53:01,560 --> 00:53:03,000 Speaker 2: No one's been in an oscar for fucking nights. 1010 00:53:03,239 --> 00:53:05,040 Speaker 1: No one's winning an oscar for a knights, But. 1011 00:53:05,120 --> 00:53:08,120 Speaker 2: Like she's not doing like oscar bait necessarily. 1012 00:53:09,520 --> 00:53:12,080 Speaker 1: Josh Brolin's great, He's great. 1013 00:53:13,640 --> 00:53:17,160 Speaker 2: So sexy, I know, so sexy I was like talking 1014 00:53:17,160 --> 00:53:20,759 Speaker 2: about I was like, come on, oh. 1015 00:53:20,719 --> 00:53:23,080 Speaker 1: Here was a loose end, not to spoil, but I'm like, 1016 00:53:24,000 --> 00:53:26,400 Speaker 1: don't you think they should have maybe circled back to 1017 00:53:26,520 --> 00:53:29,360 Speaker 1: why he got whatever surgery where he couldn't get a 1018 00:53:29,360 --> 00:53:30,680 Speaker 1: boner Like I. 1019 00:53:30,680 --> 00:53:36,000 Speaker 2: Thought, I thought you had like cancer or something, But. 1020 00:53:36,080 --> 00:53:39,399 Speaker 1: Then does that become part of the plot at all. 1021 00:53:40,840 --> 00:53:44,080 Speaker 1: M you know what I mean, Like I I thought 1022 00:53:44,080 --> 00:53:45,879 Speaker 1: it was just like a random fact. 1023 00:53:46,400 --> 00:53:48,640 Speaker 2: Yeah, I guess it is a random fact. Yeah. 1024 00:53:49,239 --> 00:53:54,879 Speaker 1: How do you feel about how completely catholic the movie was, Well, 1025 00:53:55,000 --> 00:53:56,800 Speaker 1: explain what do you mean? I just feel like it 1026 00:53:56,960 --> 00:53:57,279 Speaker 1: was so. 1027 00:53:58,880 --> 00:53:59,959 Speaker 2: Like pro church in general. 1028 00:54:00,280 --> 00:54:02,440 Speaker 1: Yeah, like it was it really. I mean I think 1029 00:54:02,520 --> 00:54:06,240 Speaker 1: that I think it is the you know, moral infrastructure 1030 00:54:06,280 --> 00:54:08,759 Speaker 1: that like undergirds the movie. I'm not I don't think 1031 00:54:08,960 --> 00:54:11,279 Speaker 1: it is like a pro Catholicism movie. I just think 1032 00:54:11,280 --> 00:54:13,120 Speaker 1: it's like the world you have to buy into. But 1033 00:54:13,200 --> 00:54:15,160 Speaker 1: I was a little bit like, wow, this really is 1034 00:54:15,320 --> 00:54:18,960 Speaker 1: like a like almost like a Christian movie. Like it 1035 00:54:19,160 --> 00:54:22,400 Speaker 1: is like the good Priest who is truly pure and 1036 00:54:22,480 --> 00:54:24,800 Speaker 1: good in every way, he has no flaughts, He's like 1037 00:54:24,840 --> 00:54:28,279 Speaker 1: a Jesus figure. It's like the good Priest saves the 1038 00:54:28,400 --> 00:54:32,200 Speaker 1: church from basically the Antichrist. Yeah. I just thought it 1039 00:54:32,280 --> 00:54:32,840 Speaker 1: was interesting. 1040 00:54:32,840 --> 00:54:34,719 Speaker 2: It was a very like it was. 1041 00:54:34,800 --> 00:54:40,160 Speaker 1: An incredibly moralistic story about internet archetypes, and in that 1042 00:54:40,239 --> 00:54:44,400 Speaker 1: way it felt so like almost twenty twenty or like 1043 00:54:44,480 --> 00:54:49,200 Speaker 1: twenty sixteen MSNBC Trump era art. 1044 00:54:50,480 --> 00:54:54,759 Speaker 2: I kind of liked the religiousness and sort of being 1045 00:54:54,840 --> 00:54:57,200 Speaker 2: like like, I know it's hack and I know it's 1046 00:54:57,360 --> 00:54:59,719 Speaker 2: like obvious to be like, this is actually what the 1047 00:55:00,120 --> 00:55:04,239 Speaker 2: church is for when when used correctly, Like I thought 1048 00:55:04,280 --> 00:55:06,680 Speaker 2: it was nice to be like, the church can be 1049 00:55:06,800 --> 00:55:09,640 Speaker 2: a place of good if you believe, if you as 1050 00:55:09,680 --> 00:55:13,160 Speaker 2: long as it's not rotted from the inside, and like 1051 00:55:13,280 --> 00:55:18,480 Speaker 2: it's like I liked the balance of like Ben wil 1052 00:55:18,560 --> 00:55:21,120 Speaker 2: Blanc being like I fucking hate it here and Josh 1053 00:55:21,120 --> 00:55:24,720 Speaker 2: O'Connor being like, it's beautiful. I thought that was almost 1054 00:55:24,760 --> 00:55:28,160 Speaker 2: the more nuanced part than like the characters themselves, was 1055 00:55:28,200 --> 00:55:33,279 Speaker 2: like Josh O'Connor verse Daniel Craig, and I liked that 1056 00:55:33,440 --> 00:55:40,520 Speaker 2: push and pull. Yeah I think, and yeah, I don't know. 1057 00:55:40,600 --> 00:55:42,279 Speaker 2: It's like working on me these days to be like 1058 00:55:43,520 --> 00:55:47,200 Speaker 2: you can't just like kick everybody out who's religious. You 1059 00:55:47,280 --> 00:55:49,920 Speaker 2: have to be like, oh, are you religious good? Or 1060 00:55:49,920 --> 00:55:50,920 Speaker 2: are you religious bad? 1061 00:55:51,520 --> 00:55:54,239 Speaker 1: So here's maybe what I'm okay. Here's maybe what my 1062 00:55:54,360 --> 00:55:57,840 Speaker 1: main critique again of a movie I generally liked boils 1063 00:55:57,880 --> 00:56:01,719 Speaker 1: down to it is a very insular community. You don't 1064 00:56:01,719 --> 00:56:04,480 Speaker 1: see the outside world at all, and yet they're all 1065 00:56:05,280 --> 00:56:10,160 Speaker 1: via the internet only constantly talking about the outside world. 1066 00:56:10,800 --> 00:56:13,719 Speaker 1: It almost feels like a COVID movie, Like they could 1067 00:56:13,760 --> 00:56:15,920 Speaker 1: only shoot in one space, and so they have to 1068 00:56:16,040 --> 00:56:18,080 Speaker 1: like find a way to talk about the outside world 1069 00:56:18,120 --> 00:56:22,920 Speaker 1: without going into it. Like I would almost have wanted 1070 00:56:23,040 --> 00:56:27,040 Speaker 1: like even just one scene where Josh O'Connor goes back 1071 00:56:27,080 --> 00:56:29,919 Speaker 1: to his home church from the beginning, or one scene 1072 00:56:29,920 --> 00:56:33,160 Speaker 1: where he like goes into the town. It is such 1073 00:56:33,239 --> 00:56:34,320 Speaker 1: a chamber piece. 1074 00:56:35,160 --> 00:56:43,239 Speaker 2: Yeah, it really is. It is confusing in that way. Yeah, 1075 00:56:43,520 --> 00:56:47,040 Speaker 2: I'm trying to think of like any moments in particular 1076 00:56:47,080 --> 00:56:52,040 Speaker 2: that I I don't know, the part where Daniel Craig 1077 00:56:52,120 --> 00:56:54,960 Speaker 2: is jiggling Josh Brolin's body and saying it's just flesh 1078 00:56:55,040 --> 00:56:57,239 Speaker 2: and blood, and I was like, that is I was 1079 00:56:57,320 --> 00:56:58,160 Speaker 2: laugh laugh laughing. 1080 00:56:58,600 --> 00:57:03,520 Speaker 1: No, it's fun. It's fun. If anything, I like, I 1081 00:57:03,600 --> 00:57:05,640 Speaker 1: agree with you. They didn't give Kerry Washington anything. And 1082 00:57:05,680 --> 00:57:11,000 Speaker 1: if anything, I'm like The Second Knives that movie, which 1083 00:57:11,000 --> 00:57:13,920 Speaker 1: I liked less, gave more to the actors, Like it 1084 00:57:14,040 --> 00:57:17,040 Speaker 1: was more campy and it was more like cartoonish over 1085 00:57:17,080 --> 00:57:19,840 Speaker 1: the top, which I actually enjoyed. I think it was 1086 00:57:19,920 --> 00:57:22,360 Speaker 1: in service of a story that was I'm sorry, moronic, 1087 00:57:22,840 --> 00:57:24,840 Speaker 1: but I think it was fun to see all the 1088 00:57:24,880 --> 00:57:26,800 Speaker 1: actors like Gentleman Nay was so good in it, Like 1089 00:57:26,840 --> 00:57:30,000 Speaker 1: it was fun to see all the actors do like 1090 00:57:30,200 --> 00:57:32,520 Speaker 1: really go balls to the wall like kid Hudson or whatever. 1091 00:57:32,600 --> 00:57:34,040 Speaker 1: And I do think in this one, many of them 1092 00:57:34,080 --> 00:57:34,840 Speaker 1: didn't have anything to do. 1093 00:57:35,880 --> 00:57:40,160 Speaker 2: Yeah, I was surprised, Like I was surprised how little 1094 00:57:40,200 --> 00:57:42,920 Speaker 2: they had to do. And even like Carrie Washington's whole 1095 00:57:43,000 --> 00:57:46,640 Speaker 2: arc was sort of like you know, in theory, quite tragic, 1096 00:57:46,880 --> 00:57:50,080 Speaker 2: and it was like played very like yeah, that happened, 1097 00:57:50,600 --> 00:57:52,400 Speaker 2: so we did a thing and I'm like. 1098 00:57:52,440 --> 00:58:01,600 Speaker 1: That whoa, yeah, yeah, yeah, but let's it's sela vie. 1099 00:58:02,200 --> 00:58:06,640 Speaker 1: And it is ultimately fun for the whole family, like 1100 00:58:06,840 --> 00:58:11,919 Speaker 1: literally to be in like a fun movie that does 1101 00:58:12,520 --> 00:58:14,320 Speaker 1: sort of harken BacT with simpler era. 1102 00:58:15,680 --> 00:58:19,160 Speaker 2: Yeah, and sometimes it's as we all go into our 1103 00:58:19,320 --> 00:58:24,520 Speaker 2: sort of what's the word, it's not anti woke, but 1104 00:58:24,720 --> 00:58:27,439 Speaker 2: like everyone's being like a little like, yeah, words don't 1105 00:58:27,440 --> 00:58:31,880 Speaker 2: matter anymore, fuck everything, nihilistic almost Yeah, it's nice to 1106 00:58:32,000 --> 00:58:35,200 Speaker 2: be like, well maybe maybe caring in a big way 1107 00:58:35,360 --> 00:58:36,280 Speaker 2: is kind of nice. 1108 00:58:36,680 --> 00:58:39,000 Speaker 1: I agree, And I like that all the movies, all 1109 00:58:39,040 --> 00:58:43,880 Speaker 1: the Knives Out movies ultimately have like a really earnest 1110 00:58:44,000 --> 00:58:46,240 Speaker 1: pro social message, like even from the first one with 1111 00:58:46,280 --> 00:58:48,880 Speaker 1: an ad armis, which I think they did really well. Yeah, 1112 00:58:49,280 --> 00:58:52,800 Speaker 1: and you know, it's okay to have some kind of 1113 00:58:53,040 --> 00:58:56,000 Speaker 1: slightly preachy mythology for our times. 1114 00:58:56,640 --> 00:58:58,440 Speaker 2: Yeah, why not? Why not? 1115 00:58:58,640 --> 00:59:00,200 Speaker 1: Why not be a little Catholic. 1116 00:59:02,320 --> 00:59:02,840 Speaker 2: As a tree? 1117 00:59:03,200 --> 00:59:05,520 Speaker 1: You can be a little Catholic as a treat on Christmas? 1118 00:59:05,640 --> 00:59:06,000 Speaker 1: Why not? 1119 00:59:06,200 --> 00:59:13,520 Speaker 2: Oh my god? Oh yeah. Josh O'Connor scrunched up his 1120 00:59:13,600 --> 00:59:15,240 Speaker 2: face in a crazy way. How does he do that? 1121 00:59:16,200 --> 00:59:19,560 Speaker 1: He is obviously so hot, but he does really look 1122 00:59:19,640 --> 00:59:23,280 Speaker 1: like a little rat. Yeah, he really looks like ratitui. 1123 00:59:23,360 --> 00:59:24,080 Speaker 1: It's so funny. 1124 00:59:25,080 --> 00:59:27,800 Speaker 2: He really got on that ear trend. Yeah, just the 1125 00:59:27,880 --> 00:59:30,440 Speaker 2: right time because people were really there was like a 1126 00:59:30,560 --> 00:59:32,560 Speaker 2: turn where people were like, actually, those ears are hot, 1127 00:59:32,600 --> 00:59:35,360 Speaker 2: and then boom, there he was, and I was like, damn, 1128 00:59:35,600 --> 00:59:38,240 Speaker 2: you got there quick. No, I'm. 1129 00:59:39,800 --> 00:59:42,560 Speaker 1: So into him. And I'm also I just want to say, 1130 00:59:42,880 --> 00:59:46,280 Speaker 1: I'm tired of this thing people love to say where 1131 00:59:46,280 --> 00:59:48,560 Speaker 1: they're like there are no movie stars anymore, there are 1132 00:59:48,560 --> 00:59:51,720 Speaker 1: no leading men anymore. It's like, let everyone cook. There 1133 00:59:51,800 --> 00:59:52,800 Speaker 1: are leading men. 1134 00:59:53,840 --> 00:59:57,360 Speaker 2: Yeah, there's leading men like Josha Connor is like doing it. 1135 00:59:57,480 --> 01:00:01,120 Speaker 2: Everyone's in love with him. It's he's doing. And don't 1136 01:00:01,240 --> 01:00:04,440 Speaker 2: fucking come to me and talk about Glenn Powell as 1137 01:00:04,440 --> 01:00:07,920 Speaker 2: a leading man. This bitch is too goofy. That smile 1138 01:00:08,560 --> 01:00:09,160 Speaker 2: is annoying. 1139 01:00:10,520 --> 01:00:12,440 Speaker 1: And you know that's where I'm gonna have to disagree 1140 01:00:12,480 --> 01:00:15,760 Speaker 1: with you. What I love. I think Glenn Powell is 1141 01:00:15,760 --> 01:00:19,880 Speaker 1: one of the best we got. Oh have you seen Hitman? No, 1142 01:00:20,400 --> 01:00:22,920 Speaker 1: I will come on. He is absolute to die for 1143 01:00:23,080 --> 01:00:26,280 Speaker 1: in Hitman. I think he's like, honestly really does his 1144 01:00:26,400 --> 01:00:29,880 Speaker 1: best with that Sydney Sweetey movie. I think he's good 1145 01:00:30,000 --> 01:00:33,920 Speaker 1: in uh Top Gun. What else is he in? 1146 01:00:34,440 --> 01:00:34,560 Speaker 2: Oh? 1147 01:00:34,640 --> 01:00:36,440 Speaker 1: You know, I sort I was curious about Running Man, 1148 01:00:36,480 --> 01:00:41,720 Speaker 1: even though I heard it was kind of stupid. Yeah, well, no, 1149 01:00:41,840 --> 01:00:43,840 Speaker 1: I mean I get that he's goofy. Obviously he looks 1150 01:00:43,920 --> 01:00:47,160 Speaker 1: like a he looks like a parody of a frap 1151 01:00:47,360 --> 01:00:50,320 Speaker 1: bro or something. Yeah, which is of course his origin 1152 01:00:50,360 --> 01:00:52,040 Speaker 1: story is playing a parody of a frap bro on 1153 01:00:52,160 --> 01:00:59,920 Speaker 1: Scream Queens. Huh Glenn Powell? Michelle Randolph outing amid romance? 1154 01:01:00,720 --> 01:01:05,120 Speaker 1: The hell is Michelle Randolph? And why wasn't I insulted? 1155 01:01:07,440 --> 01:01:07,640 Speaker 2: Well? 1156 01:01:07,680 --> 01:01:09,600 Speaker 1: You know, I have to say, as we wrap up, 1157 01:01:10,320 --> 01:01:12,720 Speaker 1: I'm excited for Oscar season there's so many good movies 1158 01:01:12,720 --> 01:01:15,120 Speaker 1: I want to watch. Yeah, what's on the top of 1159 01:01:15,160 --> 01:01:20,000 Speaker 1: your list. I definitely want to watch that Amanda Seafreed movie. 1160 01:01:21,360 --> 01:01:23,280 Speaker 1: I want to still see Blue Moon, which I haven't 1161 01:01:23,280 --> 01:01:23,680 Speaker 1: seen yet. 1162 01:01:23,720 --> 01:01:25,000 Speaker 2: Oh my god, I want to see Blue Moon. 1163 01:01:28,240 --> 01:01:30,400 Speaker 1: I want to see Speaking of Josh O'Connor. I want 1164 01:01:30,440 --> 01:01:31,360 Speaker 1: to see The Mastermind. 1165 01:01:31,880 --> 01:01:32,200 Speaker 2: Me too. 1166 01:01:36,080 --> 01:01:37,800 Speaker 1: I'm looking up movies twenty twenty five. 1167 01:01:39,000 --> 01:01:39,760 Speaker 3: I want to. 1168 01:01:39,960 --> 01:01:45,880 Speaker 1: See m Oh my god, I told you I saw. 1169 01:01:45,880 --> 01:01:46,960 Speaker 1: If I had legs, i'd kick you. 1170 01:01:47,720 --> 01:01:48,480 Speaker 2: Oh, and you loved it. 1171 01:01:48,800 --> 01:01:52,920 Speaker 1: It was really good. I'm sort of curious about Jake Kelly, 1172 01:01:53,040 --> 01:01:55,000 Speaker 1: but I have a feeling it's gonna piss me. 1173 01:01:55,080 --> 01:01:59,480 Speaker 2: The fuck off. This is what Sometimes the movie's ability 1174 01:01:59,600 --> 01:02:04,680 Speaker 2: to you know, inspire wonder, enjoy, also can inspire anger. 1175 01:02:05,320 --> 01:02:08,360 Speaker 2: And I'm worried whenever there's a movie where I'm like, like, 1176 01:02:09,360 --> 01:02:12,280 Speaker 2: if it makes me mad, I'm mad forever. Like, yeah, 1177 01:02:13,120 --> 01:02:15,320 Speaker 2: it's and I'm worried Jake Kelly's gonna make me mad. 1178 01:02:15,880 --> 01:02:17,760 Speaker 2: Listening to the Culture Gabfest about it, they were sort 1179 01:02:17,800 --> 01:02:19,520 Speaker 2: of like, we liked it, but then we hated it, 1180 01:02:19,680 --> 01:02:22,040 Speaker 2: but then we liked And I was like, I can't 1181 01:02:22,120 --> 01:02:23,400 Speaker 2: tell where I stand. 1182 01:02:24,120 --> 01:02:27,720 Speaker 1: I want No a Bombback. I against all odds, I 1183 01:02:27,800 --> 01:02:30,800 Speaker 1: want No a Bomback to succeed me too, and yet 1184 01:02:31,480 --> 01:02:33,960 Speaker 1: it's not quite doing it for me. I actually recently 1185 01:02:34,000 --> 01:02:37,320 Speaker 1: rewatched the Myrowitz Stories and I thought I would love it, 1186 01:02:37,360 --> 01:02:41,200 Speaker 1: and I I didn't. Quite It didn't get me there. 1187 01:02:41,440 --> 01:02:43,080 Speaker 1: I'm like, make Francis. 1188 01:02:42,720 --> 01:02:45,880 Speaker 2: Hap, make Fransis How, make Francis Hall. 1189 01:02:46,120 --> 01:02:48,440 Speaker 1: Just make Francis Hall. Make Margaret at the Margaret at 1190 01:02:48,440 --> 01:02:50,800 Speaker 1: the wind Yeah, make Margaret at the wedding like you've 1191 01:02:50,880 --> 01:02:54,520 Speaker 1: done it before. Because, by the way, talk about a 1192 01:02:54,600 --> 01:02:56,600 Speaker 1: leading man, Channing Tatum one of the best leading men. 1193 01:02:56,760 --> 01:02:57,919 Speaker 2: He's good, He's always good. 1194 01:02:58,680 --> 01:03:01,760 Speaker 1: I guess you're it's like he's who Glenn Powell like 1195 01:03:02,560 --> 01:03:06,080 Speaker 1: wants to be kind of yeah, like he's both goofy 1196 01:03:06,800 --> 01:03:08,640 Speaker 1: rat looking but also can like turn it. 1197 01:03:08,680 --> 01:03:09,840 Speaker 2: Out, can be serious. 1198 01:03:11,040 --> 01:03:17,880 Speaker 1: Any final thoughts on uh pop culture as a whole, I. 1199 01:03:17,920 --> 01:03:20,320 Speaker 2: Think better luck next year, y'all. I think we got 1200 01:03:20,400 --> 01:03:24,640 Speaker 2: this in the bag. I thought, I don't know. I 1201 01:03:24,680 --> 01:03:27,640 Speaker 2: thought movies this year were fine, but nothing like I 1202 01:03:27,680 --> 01:03:30,840 Speaker 2: guess I'm thinking about. Like I liked everything. I liked 1203 01:03:32,320 --> 01:03:35,720 Speaker 2: sentimental value a lot, but I'm craving like the way 1204 01:03:35,800 --> 01:03:39,200 Speaker 2: that like Anatomy of a Fall had me. I know, 1205 01:03:39,400 --> 01:03:43,479 Speaker 2: by the throat, I'm craving something, just like really really 1206 01:03:43,600 --> 01:03:44,200 Speaker 2: smashing me. 1207 01:03:44,960 --> 01:03:47,600 Speaker 1: I know, anatomy of befall. It's like or tar you 1208 01:03:47,680 --> 01:03:50,800 Speaker 1: don't you don't get one. We didn't get one of those. 1209 01:03:51,600 --> 01:03:54,840 Speaker 2: And even like like knives out this wake up for another. 1210 01:03:55,320 --> 01:03:57,840 Speaker 2: That's true. I liked it, but it didn't like I 1211 01:03:57,880 --> 01:04:01,400 Speaker 2: didn't feel wrecked. I wanted to feel like destroyed and 1212 01:04:01,520 --> 01:04:03,640 Speaker 2: being like, wow, you got to like an essential truth. 1213 01:04:04,040 --> 01:04:06,120 Speaker 2: I really did like it, and I thought everything was 1214 01:04:06,200 --> 01:04:10,160 Speaker 2: really well done and cool and smart and whatever inventive. 1215 01:04:10,920 --> 01:04:12,840 Speaker 1: But I was like, now, remind me, have you still 1216 01:04:12,920 --> 01:04:13,800 Speaker 1: not watched Adaptation? 1217 01:04:14,480 --> 01:04:15,600 Speaker 2: I've not watched Adaptation? 1218 01:04:16,120 --> 01:04:18,840 Speaker 1: Sam, please watch over the holidays. 1219 01:04:19,320 --> 01:04:22,320 Speaker 2: Okay, just watch it, watch it with me, Sha, Okay, 1220 01:04:22,800 --> 01:04:23,920 Speaker 2: I'm gonna watch Adaptation. 1221 01:04:24,080 --> 01:04:27,240 Speaker 1: I think that'll I think that'll give you something you're desiring. 1222 01:04:28,560 --> 01:04:32,200 Speaker 2: Do you want coffee? Folks? It's ten thirty am over here. 1223 01:04:32,520 --> 01:04:34,560 Speaker 1: And it's one thirty pm over here, and honey, I'm 1224 01:04:34,600 --> 01:04:35,160 Speaker 1: ready for bed. 1225 01:04:37,000 --> 01:04:39,000 Speaker 2: I'm surprised I slept plenty last night. 1226 01:04:39,200 --> 01:04:41,400 Speaker 1: But I've actually been sleeping amazingly well. 1227 01:04:42,120 --> 01:04:44,680 Speaker 2: I slept so well last night. I was like, whoa, 1228 01:04:44,800 --> 01:04:52,000 Speaker 2: that was crazy. Okay, Well, I like. 1229 01:04:52,040 --> 01:05:01,480 Speaker 1: To say to everyone, happy, joyful holidays. Have happy Hollywood. 1230 01:05:02,240 --> 01:05:04,240 Speaker 1: I hope you get into either the Hollywood spirit or 1231 01:05:04,280 --> 01:05:06,919 Speaker 1: the holiday spirit. I hope you celebrate however you wish, 1232 01:05:07,320 --> 01:05:10,160 Speaker 1: and I hope everyone has let's say it, a lovely 1233 01:05:10,280 --> 01:05:11,200 Speaker 1: December twenty third. 1234 01:05:12,040 --> 01:05:17,280 Speaker 2: Yes, I hope you celebrate or sell a script huh ah. 1235 01:05:20,760 --> 01:05:22,960 Speaker 1: Je I heard the other day speaking of wordplay. I 1236 01:05:23,080 --> 01:05:25,960 Speaker 1: was on vacation with Matthew's family. His brother turns to 1237 01:05:26,000 --> 01:05:27,800 Speaker 1: me and goes, Manchester Hair United. 1238 01:05:29,120 --> 01:05:30,400 Speaker 2: Oh my god, I love you. 1239 01:05:30,440 --> 01:05:32,480 Speaker 1: I believe that. I was like, oh, so you you 1240 01:05:32,560 --> 01:05:36,480 Speaker 1: deserve literally like a Pulitzer, Manches Hair United. 1241 01:05:36,360 --> 01:05:38,800 Speaker 2: Manchest Hair United. Jesus wow. 1242 01:05:38,920 --> 01:05:40,800 Speaker 1: I mean, come on, how is Vaca? 1243 01:05:41,040 --> 01:05:41,800 Speaker 2: We should wrap up? 1244 01:05:41,880 --> 01:05:44,800 Speaker 1: Oh it was lovely. You know, I'm really niece pilled 1245 01:05:44,800 --> 01:05:47,840 Speaker 1: in a huge in a huge way. It's just like 1246 01:05:48,280 --> 01:05:51,200 Speaker 1: it has really made me soft. Like all I wanted 1247 01:05:51,240 --> 01:05:53,160 Speaker 1: to do was was hanging out without a little niece, 1248 01:05:53,520 --> 01:05:57,000 Speaker 1: and she was being like so cute throughout. And you know, 1249 01:05:57,200 --> 01:05:59,280 Speaker 1: it's boring when you talk about children that are you know, 1250 01:05:59,400 --> 01:06:03,280 Speaker 1: people haven't met and I get that, but you know, 1251 01:06:03,520 --> 01:06:06,560 Speaker 1: get yourself a niece is what I'll say. It's really 1252 01:06:06,600 --> 01:06:07,560 Speaker 1: like an antidepressant. 1253 01:06:08,080 --> 01:06:08,560 Speaker 2: That's good. 1254 01:06:10,680 --> 01:06:12,520 Speaker 3: I kind of thought you were talking about the location. 1255 01:06:12,800 --> 01:06:15,120 Speaker 3: I was like, you didn't go to nice Oh no, 1256 01:06:15,280 --> 01:06:22,400 Speaker 3: not nice Frands, just like my having my human niece. 1257 01:06:23,600 --> 01:06:24,520 Speaker 3: But the location was nice. 1258 01:06:24,520 --> 01:06:25,920 Speaker 1: I mean, I got to say, you know, if you 1259 01:06:26,000 --> 01:06:28,320 Speaker 1: are able to go on a beach vacation in the 1260 01:06:28,400 --> 01:06:31,280 Speaker 1: middle of the winter, you absolutely should. Yeah, talk about 1261 01:06:31,360 --> 01:06:33,840 Speaker 1: never I had never done it before. It's something that 1262 01:06:33,960 --> 01:06:37,800 Speaker 1: I you know, it's something I thought of as tragically American. 1263 01:06:38,520 --> 01:06:40,240 Speaker 2: I've done it once in my life, and I the 1264 01:06:40,320 --> 01:06:42,720 Speaker 2: way that I think about it's still I'm like, yeah, 1265 01:06:42,920 --> 01:06:44,480 Speaker 2: I like wish I were in New York so that 1266 01:06:44,480 --> 01:06:46,120 Speaker 2: I could go on vacation in the middle of the winter. 1267 01:06:46,320 --> 01:06:51,080 Speaker 1: No, it's completely amazing, amazing, and the beach is like 1268 01:06:51,280 --> 01:06:54,600 Speaker 1: the greatest gift God has ever given us. Say that, 1269 01:06:54,680 --> 01:06:58,120 Speaker 1: shout out to God, literally shout out to God. Uh, 1270 01:06:59,000 --> 01:07:02,520 Speaker 1: you know now that we're being athol Yeah, all right, 1271 01:07:02,600 --> 01:07:05,400 Speaker 1: we went our red scare Have a Catholic Christmas. 1272 01:07:05,600 --> 01:07:07,120 Speaker 2: Have a Catholic Christmas, folks. 1273 01:07:07,920 --> 01:07:13,280 Speaker 1: Goodbye bye podcast and now want more Subscribe to our 1274 01:07:13,360 --> 01:07:16,960 Speaker 1: Patreon for two extra episodes a month, discord access and 1275 01:07:17,160 --> 01:07:20,800 Speaker 1: more by heading to patreon dot com. Slash Stradio Lab 1276 01:07:21,120 --> 01:07:21,360 Speaker 1: and for. 1277 01:07:21,400 --> 01:07:24,280 Speaker 2: All our visual earners, free full length video episodes are 1278 01:07:24,280 --> 01:07:27,560 Speaker 2: available on our YouTube now. Get Back to Work Stradio 1279 01:07:27,600 --> 01:07:29,800 Speaker 2: Lab is a production by Will Ferrell's Big Money Players 1280 01:07:29,840 --> 01:07:31,200 Speaker 2: Network and iHeart Podcasts. 1281 01:07:31,400 --> 01:07:34,240 Speaker 1: Created and hosted by George Severs and Sam Taggart. 1282 01:07:34,320 --> 01:07:38,280 Speaker 2: Executive produced by Will Ferrell, Hans Soni and Olivia Aguilar. 1283 01:07:38,040 --> 01:07:40,120 Speaker 1: Co produced by Bei Wang, edited. 1284 01:07:39,920 --> 01:07:41,480 Speaker 2: And engineered by Adam Avalos. 1285 01:07:41,800 --> 01:07:43,960 Speaker 1: Artwork by Michael Failes and Matt Grub. 1286 01:07:44,040 --> 01:07:45,240 Speaker 2: Theme music by Ben Kling