1 00:00:05,960 --> 00:00:13,480 Speaker 1: Crime Stories with Nancy Grace. Guys be staring at you 2 00:00:13,680 --> 00:00:16,080 Speaker 1: all night? What do you say we get out of here? 3 00:00:18,800 --> 00:00:21,560 Speaker 1: What is it about this guy? When I feel his love, 4 00:00:21,920 --> 00:00:26,240 Speaker 1: I feel like I'm on top of the world. Everything 5 00:00:26,400 --> 00:00:29,520 Speaker 1: you don't know. I I think I must be lost. 6 00:00:30,320 --> 00:00:36,960 Speaker 1: That will shock you beyond your worst nightmare. I am innocent. 7 00:00:37,120 --> 00:00:39,519 Speaker 1: You don't actually believe this garbage, dude, It's in all 8 00:00:39,560 --> 00:00:46,479 Speaker 1: the papers, tip monkey, how did his name get on 9 00:00:46,520 --> 00:00:53,400 Speaker 1: that suspect list? I want to come see you. I 10 00:00:53,560 --> 00:00:59,880 Speaker 1: was really hoping you do that. This case is about 11 00:01:00,040 --> 00:01:04,320 Speaker 1: catching a monster. Ladies and gentlemen. I am that's innocent. 12 00:01:04,480 --> 00:01:08,880 Speaker 1: So start you are skating on thin ice, partner, you're 13 00:01:08,920 --> 00:01:14,800 Speaker 1: hearing the official trailer. That's zach Efron portraying extremely wicked, 14 00:01:14,920 --> 00:01:21,119 Speaker 1: chuckingly evil and vile Ted Bundy. I mean, see, Grace, 15 00:01:21,360 --> 00:01:23,560 Speaker 1: this is Crime Stories. Thank you for being with us. 16 00:01:24,080 --> 00:01:27,840 Speaker 1: No telling how many millions of dollars were sunk into 17 00:01:27,920 --> 00:01:33,160 Speaker 1: the portrayal of serial rapist and killer Ted Bundy, But 18 00:01:33,400 --> 00:01:36,880 Speaker 1: the movie makes him out to be a glamour boy. 19 00:01:37,520 --> 00:01:40,520 Speaker 1: I don't really fault zach Efron for doing it. He's 20 00:01:40,560 --> 00:01:42,760 Speaker 1: just a squirrel trying to get a nut like everybody 21 00:01:42,800 --> 00:01:48,320 Speaker 1: else you know, making a living. But there's something so 22 00:01:48,520 --> 00:01:55,160 Speaker 1: bast awkwards with this Netflix at it again portraying a 23 00:01:55,160 --> 00:01:58,560 Speaker 1: cold blooded killer as a hero. Let me let me 24 00:01:58,600 --> 00:02:01,080 Speaker 1: get this straight, Jackie. Isn't that where they did Stephen 25 00:02:01,080 --> 00:02:04,360 Speaker 1: Avery making a murder? Okay? Joining right now an all 26 00:02:04,400 --> 00:02:08,359 Speaker 1: star panel. Cheryl McCullum, Cold Case Research Institute Director, Doctor 27 00:02:08,480 --> 00:02:12,640 Speaker 1: Katherine Ramsland, Professor Forensic Psychology at to Sale University, an 28 00:02:12,680 --> 00:02:18,120 Speaker 1: author of sixty books, including Inside the Minds of serial Killers, 29 00:02:18,480 --> 00:02:23,800 Speaker 1: Why They Kill on Amazon, incredible body of work. Doctor 30 00:02:23,800 --> 00:02:30,240 Speaker 1: Peter Vronsky, investigative historian, author of Sons of Kine, A 31 00:02:30,360 --> 00:02:34,560 Speaker 1: History of serial Killers from stone Age to Present. Guys, 32 00:02:34,680 --> 00:02:36,480 Speaker 1: I really don't know what to say, but I guess 33 00:02:36,480 --> 00:02:39,799 Speaker 1: we should start with a very special guest joining us, 34 00:02:40,400 --> 00:02:45,760 Speaker 1: a woman who survived an attack by Ted Bundy, and 35 00:02:46,200 --> 00:02:49,760 Speaker 1: not very many people, not very many women can say that, 36 00:02:50,360 --> 00:02:53,800 Speaker 1: Kathy Kleiner. I want you to hear something from doctor 37 00:02:53,840 --> 00:02:58,239 Speaker 1: Peter Vronsky. Doctor Vronsky and I have talked in depth 38 00:02:58,320 --> 00:03:03,280 Speaker 1: about Bundy. Vronsky with me, author of Sons of Kine, 39 00:03:03,360 --> 00:03:06,800 Speaker 1: History of serial Killer stone Age to Present. Doctor Vronsky, 40 00:03:07,000 --> 00:03:10,040 Speaker 1: you taught me something about Ted Bundy. I didn't know, 41 00:03:10,360 --> 00:03:12,960 Speaker 1: and I had already read one book on Ted Bundy, 42 00:03:13,240 --> 00:03:16,000 Speaker 1: but when I talked to you much less covered the 43 00:03:16,040 --> 00:03:21,600 Speaker 1: case a million times, Doctor Vronsky. Ted Bundy would actually 44 00:03:22,560 --> 00:03:27,840 Speaker 1: take some of his victims, bathe their dead bodies, apply 45 00:03:28,240 --> 00:03:32,880 Speaker 1: hair and makeup. I'm not really sure what else I 46 00:03:32,880 --> 00:03:38,000 Speaker 1: can only imagine necrophilia, Doctor Vronsky, Could you please describe 47 00:03:38,040 --> 00:03:41,440 Speaker 1: that what we know about that aspect of serial killer 48 00:03:41,440 --> 00:03:45,440 Speaker 1: Ted Bundy. Well, you know that's one of the most 49 00:03:45,480 --> 00:03:51,400 Speaker 1: extreme and monstrous ends of the serial killer phenomenon. You know, 50 00:03:51,480 --> 00:03:55,040 Speaker 1: the necrophiles, the You know, Ted Bundy used to bring 51 00:03:55,240 --> 00:03:58,720 Speaker 1: some of the heads home. In fact, you know, in 52 00:03:58,880 --> 00:04:01,640 Speaker 1: that fireplace that you see in the new in the 53 00:04:01,680 --> 00:04:07,280 Speaker 1: Netflix show, right, he burns one of the heads in 54 00:04:07,280 --> 00:04:13,720 Speaker 1: in his girlfriend's apartment. Um. So you know the Netflix 55 00:04:13,920 --> 00:04:18,039 Speaker 1: part of the Ted Bundy we see, um is the 56 00:04:18,240 --> 00:04:21,640 Speaker 1: part that his victims never saw, or at least saw 57 00:04:21,839 --> 00:04:25,360 Speaker 1: the moment he first encountered him. Um. So you know, 58 00:04:25,440 --> 00:04:29,520 Speaker 1: we see the public version of of Ted Bundy, the 59 00:04:29,640 --> 00:04:34,080 Speaker 1: mask that he wore were Um. It's kind of regrettable 60 00:04:34,240 --> 00:04:40,040 Speaker 1: that they didn't delve deeper into what was beneath that mask. Um, 61 00:04:40,880 --> 00:04:43,480 Speaker 1: excuse me. I think it's regrettable the cops didn't shoot 62 00:04:43,520 --> 00:04:45,240 Speaker 1: him the first time they laid eyes on him. But 63 00:04:45,360 --> 00:04:48,040 Speaker 1: that's a whole another can of worms, because if he 64 00:04:48,120 --> 00:04:53,000 Speaker 1: had not escaped, not once, but twice, lives could have 65 00:04:53,040 --> 00:04:56,800 Speaker 1: been saved. But he managed to escape. Believe it or not, 66 00:04:57,800 --> 00:05:04,120 Speaker 1: he escaped law too times, two times. And look, I'm 67 00:05:04,160 --> 00:05:06,359 Speaker 1: not making the lawman and law women out to be 68 00:05:06,400 --> 00:05:10,080 Speaker 1: the bad guys. Okay, they didn't kill anybody. He did, 69 00:05:11,360 --> 00:05:15,000 Speaker 1: but this guy was so wildly I just want to 70 00:05:15,200 --> 00:05:19,080 Speaker 1: just pause. Kathy Kleiner, who I consider to be a friend, 71 00:05:19,920 --> 00:05:23,440 Speaker 1: and I've sat beside her as she tells her story, 72 00:05:24,080 --> 00:05:27,039 Speaker 1: and even talking about it right now is giving me 73 00:05:27,120 --> 00:05:30,480 Speaker 1: chills up and down my arms. I want to go 74 00:05:30,520 --> 00:05:32,960 Speaker 1: to Cheryl and doctor Kathine Ramslin, but I'm going to 75 00:05:33,000 --> 00:05:37,599 Speaker 1: go to Kathy first, because Kathy, just think about what 76 00:05:37,680 --> 00:05:43,400 Speaker 1: you survived as Vronsky. Doctor Peter Vronsky was talking actually 77 00:05:43,800 --> 00:05:47,080 Speaker 1: severing his victim's heads, and I really think the only 78 00:05:47,080 --> 00:05:50,200 Speaker 1: reason he burned the one victim's head in his girlfriend's 79 00:05:50,200 --> 00:05:52,680 Speaker 1: place was because she was coming home and he didn't 80 00:05:52,720 --> 00:05:54,640 Speaker 1: want her to find a head. I think you would 81 00:05:54,640 --> 00:05:59,760 Speaker 1: have kept it around frankly, but a plot bathing while 82 00:06:00,120 --> 00:06:04,840 Speaker 1: the hair of victims, dead women and then fixing their 83 00:06:04,880 --> 00:06:10,200 Speaker 1: hair and up carefully applying makeup to their face. I 84 00:06:10,680 --> 00:06:15,320 Speaker 1: guess having relations with them. And there was one victim, 85 00:06:15,400 --> 00:06:18,000 Speaker 1: a young girl who left out in the woods and 86 00:06:18,040 --> 00:06:22,360 Speaker 1: would go back to visit the body. And I don't 87 00:06:22,360 --> 00:06:24,960 Speaker 1: know what he was doing with that body. Nothing good, 88 00:06:26,160 --> 00:06:30,560 Speaker 1: you know, Kathy, when you look back, I know it's 89 00:06:30,640 --> 00:06:35,120 Speaker 1: all like horrible, terrible, dark blur. You were attacked in 90 00:06:35,160 --> 00:06:39,200 Speaker 1: your room at night, in your dorm room. I mean you're, 91 00:06:39,279 --> 00:06:42,880 Speaker 1: you know, sorority house room. But to be in the 92 00:06:43,000 --> 00:06:48,159 Speaker 1: room literally was so much evil. I mean Netflix got 93 00:06:48,200 --> 00:06:52,800 Speaker 1: that part right, extremely wicked, shockingly evil and viol I 94 00:06:52,839 --> 00:06:55,400 Speaker 1: mean you were in the room with the devil. What 95 00:06:55,600 --> 00:07:00,800 Speaker 1: happened Kathy that night was, as you said, big blur 96 00:07:01,279 --> 00:07:06,280 Speaker 1: of being scared and just not knowing. Of course, it 97 00:07:06,320 --> 00:07:10,120 Speaker 1: was Ted Bundy in the room with me. Our sorority 98 00:07:10,440 --> 00:07:13,280 Speaker 1: house had several rooms in it. We were on the 99 00:07:13,320 --> 00:07:16,840 Speaker 1: second floor and our room faced the back of the 100 00:07:16,920 --> 00:07:22,560 Speaker 1: sorority That also was where the parking lot was. When 101 00:07:23,680 --> 00:07:26,400 Speaker 1: I heard a noise, we went to bed around ten thirty, 102 00:07:27,360 --> 00:07:31,880 Speaker 1: my roommate nine, and sometime in the early morning I 103 00:07:32,080 --> 00:07:35,080 Speaker 1: heard something which woke me up a bit, and that 104 00:07:36,280 --> 00:07:39,720 Speaker 1: was our bedroom door opens. Okay, wait, wait, wait, wait 105 00:07:39,840 --> 00:07:43,320 Speaker 1: right there, okay, all three of us here in the studio, 106 00:07:43,720 --> 00:07:49,320 Speaker 1: Jackie Riley and myself. When you said the bedroom door opened, 107 00:07:50,440 --> 00:07:55,560 Speaker 1: how many nightmares and fears has started with you thinking 108 00:07:55,760 --> 00:08:02,720 Speaker 1: your bedroom door opens? In your case, it was real it. 109 00:08:02,720 --> 00:08:07,640 Speaker 1: It came back to me many times as a soft sound. 110 00:08:07,720 --> 00:08:11,200 Speaker 1: It wasn't a door opening and slamming against the ball. 111 00:08:11,240 --> 00:08:15,559 Speaker 1: It was a quiet opening that has bothered me over 112 00:08:15,600 --> 00:08:19,080 Speaker 1: the years. When I'm sleeping if I hear a noise 113 00:08:19,160 --> 00:08:22,600 Speaker 1: and my first thought is that someone's coming in the door, 114 00:08:23,080 --> 00:08:27,240 Speaker 1: even if the door isn't closed. That feeling, I don't 115 00:08:27,240 --> 00:08:30,520 Speaker 1: think we'll ever go away. It's something that I'll have 116 00:08:30,640 --> 00:08:32,959 Speaker 1: to live with, you know. When I was and still 117 00:08:33,000 --> 00:08:38,920 Speaker 1: to this day, I hate a cracked door because I 118 00:08:38,960 --> 00:08:41,760 Speaker 1: can't really see somebody standing on the other side of 119 00:08:41,760 --> 00:08:44,640 Speaker 1: it at night. Neither there ever has been or would be. 120 00:08:45,160 --> 00:08:48,920 Speaker 1: But after all the years of prosecuting, that's stuck in 121 00:08:49,000 --> 00:08:55,000 Speaker 1: my mind. Now I'm curious about and I know I'm 122 00:08:55,000 --> 00:08:58,160 Speaker 1: picking out one isolated detail. But I want you to 123 00:08:58,160 --> 00:09:01,839 Speaker 1: describe again that sound when you hear your bedroom door open. 124 00:09:02,200 --> 00:09:05,600 Speaker 1: It was, as I said, a soft sound. It wasn't 125 00:09:06,800 --> 00:09:09,719 Speaker 1: the door hitting against the wall. It was just we 126 00:09:09,800 --> 00:09:12,920 Speaker 1: had carpeting and it was more of a slide of 127 00:09:13,000 --> 00:09:15,000 Speaker 1: the door. You could hear. You could hear the door 128 00:09:15,120 --> 00:09:19,920 Speaker 1: knob being turned and the door being slightly opened, and 129 00:09:19,960 --> 00:09:37,360 Speaker 1: then completely open crime stories with Nancy Grace my experience, 130 00:09:38,320 --> 00:09:42,000 Speaker 1: I'd say phonography generally, but with the phonography the deals 131 00:09:42,080 --> 00:09:48,360 Speaker 1: on a violent level with the sexuality is that once 132 00:09:48,440 --> 00:09:50,120 Speaker 1: you become addicted to it, and I look at this 133 00:09:50,160 --> 00:09:53,440 Speaker 1: as a kind of addiction, like other kinds of addiction, 134 00:09:53,720 --> 00:09:57,840 Speaker 1: of addiction, I would keep looking for more, more explicit, 135 00:09:57,920 --> 00:10:01,520 Speaker 1: more grack signs of material. Like an addiction, You keep 136 00:10:01,559 --> 00:10:06,280 Speaker 1: creating something which is harder, harder, something which which gives 137 00:10:06,320 --> 00:10:11,440 Speaker 1: you a greater sense of excitement, until you reach the 138 00:10:11,440 --> 00:10:14,480 Speaker 1: point where the penocophy would go so far. He reached 139 00:10:16,320 --> 00:10:19,719 Speaker 1: that jumping off point where you begin to wonder if 140 00:10:19,840 --> 00:10:23,920 Speaker 1: maybe actually doing it. We'll give you that which is 141 00:10:23,960 --> 00:10:26,480 Speaker 1: beyond just reading about it or looking at it. How 142 00:10:26,520 --> 00:10:28,959 Speaker 1: long did you stay at that point before you actually 143 00:10:28,960 --> 00:10:34,560 Speaker 1: assaulted somewhere. Well, yeah, you see, that is a very 144 00:10:34,559 --> 00:10:39,319 Speaker 1: delicate point in my own development. And we're talking about something, 145 00:10:39,520 --> 00:10:42,440 Speaker 1: we're talking about having reached the point or a gray 146 00:10:42,520 --> 00:10:44,600 Speaker 1: area that surrounded that point over a course of it. 147 00:10:44,760 --> 00:10:48,280 Speaker 1: You don't, I will, I would say, I would say 148 00:10:48,280 --> 00:10:51,160 Speaker 1: a couple of years. Is he actually trying to blame 149 00:10:52,640 --> 00:10:58,520 Speaker 1: mass murder of women, serial killings, one woman after the next, 150 00:10:58,559 --> 00:11:03,320 Speaker 1: after the next, after the next, on pornography that he 151 00:11:03,520 --> 00:11:09,720 Speaker 1: voluntarily consumed? What in that? Hey? I mean, Cheryl McCullum. 152 00:11:09,800 --> 00:11:12,360 Speaker 1: You know, every time I say, well I've heard it 153 00:11:12,400 --> 00:11:15,400 Speaker 1: all I heard, I hear something else and that just 154 00:11:15,480 --> 00:11:18,880 Speaker 1: makes me ill. I mean, Cheryl, you heard me describing 155 00:11:18,920 --> 00:11:22,520 Speaker 1: how after Ted Bundy would rape and murder someone, he 156 00:11:22,559 --> 00:11:25,880 Speaker 1: would then take their bodies some of them, bathe them, 157 00:11:26,600 --> 00:11:30,120 Speaker 1: style their hair, apply makeup, and I guess have sex 158 00:11:30,160 --> 00:11:34,079 Speaker 1: with them again. I mean, and he's blaming that on 159 00:11:34,240 --> 00:11:38,040 Speaker 1: his voluntary use of porn. Really, it just makes me 160 00:11:38,080 --> 00:11:41,920 Speaker 1: want to just slap him in the face. Nancy. I 161 00:11:41,960 --> 00:11:45,560 Speaker 1: think Ted Bundy, more than almost anybody, knew how to 162 00:11:45,640 --> 00:11:51,280 Speaker 1: get just stears just plummeted into us, and he knew 163 00:11:51,280 --> 00:11:53,520 Speaker 1: what to say, He knew what to say to freak 164 00:11:53,559 --> 00:11:56,800 Speaker 1: people out. He knew what to say to cause just 165 00:11:57,000 --> 00:11:59,920 Speaker 1: this stir of emotion and people then if you were 166 00:12:00,000 --> 00:12:02,559 Speaker 1: remember they freaked out over it and they wanted to 167 00:12:02,640 --> 00:12:06,160 Speaker 1: shut down all these sex shots I wanted to shut downs, 168 00:12:06,240 --> 00:12:09,080 Speaker 1: you know, Playboy and all these sort of things. Did 169 00:12:09,120 --> 00:12:13,600 Speaker 1: he participate in pornography, Absolutely, he's a rapist. He was 170 00:12:13,640 --> 00:12:17,080 Speaker 1: in the f and M. He liked watching anybody's suffer. 171 00:12:17,520 --> 00:12:20,720 Speaker 1: But that isn't what made him well. No to doctor 172 00:12:20,800 --> 00:12:26,400 Speaker 1: Katherine Ramslin, Professor forensic Psychology to Sells University, author of 173 00:12:26,679 --> 00:12:29,160 Speaker 1: sixty books, people, it's all i can do to write 174 00:12:29,200 --> 00:12:31,559 Speaker 1: my hel Hedane books. I'm half dead by the time 175 00:12:31,600 --> 00:12:34,240 Speaker 1: I finish one of those, much less the one coming 176 00:12:34,240 --> 00:12:37,720 Speaker 1: out nonfiction. Don't be a victim. I don't know how 177 00:12:37,760 --> 00:12:41,200 Speaker 1: you do it, doctor Kathyne Ramslin. But one of her 178 00:12:41,480 --> 00:12:44,640 Speaker 1: books is Inside the Mind of serial Killers, Why They 179 00:12:44,760 --> 00:12:47,640 Speaker 1: Kill Now. I'm sure you're gonna tell me how wrong 180 00:12:47,679 --> 00:12:51,320 Speaker 1: I am. And I'm certainly no stranger to that, but 181 00:12:51,480 --> 00:12:54,600 Speaker 1: it just burns me up to here. Ted Bundy kind 182 00:12:54,600 --> 00:12:59,680 Speaker 1: of blame pornography for what he did, Like at society's fault. 183 00:12:59,679 --> 00:13:01,079 Speaker 1: If I or that one more time, I'm going to 184 00:13:01,120 --> 00:13:03,640 Speaker 1: shoot my foot. Well, I think in the context was 185 00:13:03,640 --> 00:13:07,320 Speaker 1: that he was trying to manipulate Reverend Opson because he 186 00:13:07,400 --> 00:13:09,600 Speaker 1: was that was the last interview he gave before he 187 00:13:09,640 --> 00:13:12,120 Speaker 1: was executed. He was trying to save his life. I 188 00:13:12,200 --> 00:13:15,880 Speaker 1: believe he exaggerated the impact of the pornography on him 189 00:13:15,960 --> 00:13:19,160 Speaker 1: because he was trying to get somebody to keep him alive, 190 00:13:19,559 --> 00:13:22,520 Speaker 1: to study as a specimen, because he believed he was 191 00:13:22,600 --> 00:13:25,960 Speaker 1: so special and so important, and this was his sort 192 00:13:25,960 --> 00:13:29,720 Speaker 1: of last ditch effort. But even at that, pornography has 193 00:13:30,040 --> 00:13:33,280 Speaker 1: and the True Crime the True Detective magazines in particular, 194 00:13:33,360 --> 00:13:35,680 Speaker 1: which I think is what he's talking about, certainly have 195 00:13:35,800 --> 00:13:39,240 Speaker 1: had an influence on some of these developing young men 196 00:13:39,480 --> 00:13:42,079 Speaker 1: to Dennis Rader talked about it too. I spent five 197 00:13:42,160 --> 00:13:46,000 Speaker 1: years talking about Dennis Raider tote to write his book, 198 00:13:46,480 --> 00:13:49,400 Speaker 1: and he talked about it almost in the same way, 199 00:13:49,600 --> 00:13:52,360 Speaker 1: not blaming it so much as just simply saying, this 200 00:13:52,520 --> 00:13:56,600 Speaker 1: clearly was an influence in my addiction to violence, and 201 00:13:56,840 --> 00:14:00,000 Speaker 1: I think that's there's something to that. But in Bundy's case, 202 00:14:00,200 --> 00:14:03,440 Speaker 1: he was certainly exaggerating it to try to get Dobson 203 00:14:03,520 --> 00:14:06,520 Speaker 1: to say we really need to study this guy. Okay, 204 00:14:06,600 --> 00:14:08,880 Speaker 1: you know what now I am going to shoot my foot. 205 00:14:09,559 --> 00:14:13,240 Speaker 1: Cheryl McCall him. I actually started laughing on this end, 206 00:14:13,640 --> 00:14:17,760 Speaker 1: not at doctor Katherine at Ramslin, but at because she's 207 00:14:17,800 --> 00:14:22,720 Speaker 1: portraying what Bundy is projecting, that he is so special 208 00:14:22,800 --> 00:14:25,120 Speaker 1: we should keep him and study him. I already know 209 00:14:25,320 --> 00:14:27,200 Speaker 1: enough about him. I don't want to keep him. I 210 00:14:27,240 --> 00:14:28,960 Speaker 1: don't want to study him. I want him off the 211 00:14:28,960 --> 00:14:30,920 Speaker 1: face of the earth because he's already gotten a way 212 00:14:30,920 --> 00:14:34,080 Speaker 1: out of jail twice. That that means when you don't 213 00:14:34,120 --> 00:14:35,840 Speaker 1: know a horse, you'll look at his trick record. He'll 214 00:14:35,880 --> 00:14:39,840 Speaker 1: do it again and attack another woman. He couldn't stop 215 00:14:40,000 --> 00:14:43,320 Speaker 1: attacking women. And he thinks he's so special. What makes 216 00:14:43,360 --> 00:14:46,080 Speaker 1: him special? And why do people keep thinking he's attractive. 217 00:14:46,160 --> 00:14:47,960 Speaker 1: I don't think he's attractive at all. He loves like 218 00:14:48,000 --> 00:14:50,080 Speaker 1: a wolf. Every time he smiles, I can see every 219 00:14:50,120 --> 00:14:51,800 Speaker 1: tooth in his mouth all the way to the bat. 220 00:14:51,880 --> 00:14:54,880 Speaker 1: That's freaky. Well. I got two things to say. One, 221 00:14:55,120 --> 00:14:58,680 Speaker 1: oh Lord, as far as killers went at the time, 222 00:14:58,840 --> 00:15:03,880 Speaker 1: people that we knew were murderers and rapists in that group, 223 00:15:04,080 --> 00:15:08,120 Speaker 1: he was attracted like when you're like King of the zombies. 224 00:15:08,400 --> 00:15:11,800 Speaker 1: You're the business zombie, the best. Okay, go ahead, exactly. 225 00:15:12,280 --> 00:15:15,320 Speaker 1: You and I have words enough family violence cases in 226 00:15:15,440 --> 00:15:19,960 Speaker 1: other cases to know this is true. People will often say, Oh, 227 00:15:20,000 --> 00:15:22,080 Speaker 1: I was drunk when I beat my wife. I'm so sorry. 228 00:15:22,120 --> 00:15:24,560 Speaker 1: I was drunk. I was drunk. I was drunk. He 229 00:15:24,600 --> 00:15:28,320 Speaker 1: didn't beat her because he was drunk. He got drunk 230 00:15:28,360 --> 00:15:31,640 Speaker 1: so we could beat her. And Ted Bundy, Okay, you're 231 00:15:31,720 --> 00:15:34,800 Speaker 1: scaring me. It's the truth. I know it's the true, 232 00:15:34,840 --> 00:15:36,800 Speaker 1: but when you say it like that, guy's with me. 233 00:15:36,880 --> 00:15:38,960 Speaker 1: In addition to Cheryl McCullum, director of the Cold Case 234 00:15:39,000 --> 00:15:45,160 Speaker 1: Research Institute, doctor Katherine Ramslin, and doctor Peter Vronsky, Kathy 235 00:15:45,200 --> 00:15:49,440 Speaker 1: Kleiner is with me. Kathy Kleiner survived an attack by 236 00:15:49,440 --> 00:15:54,880 Speaker 1: Ted Bundy. I don't know the statistical odds of her 237 00:15:54,960 --> 00:16:01,360 Speaker 1: being alive today, but she still suffers physically from that attack. Kathy, 238 00:16:01,440 --> 00:16:04,160 Speaker 1: we left off when he first came in the door 239 00:16:04,240 --> 00:16:07,080 Speaker 1: and he heard that soft opening of the door on 240 00:16:07,120 --> 00:16:10,320 Speaker 1: the carpet. What happened? Then? I woke up a bit, 241 00:16:10,960 --> 00:16:15,160 Speaker 1: having been sleeping pretty hard. That noise brought me a 242 00:16:15,360 --> 00:16:21,760 Speaker 1: bit weight. The next thing I heard was setting up 243 00:16:21,800 --> 00:16:24,680 Speaker 1: the room. We had. It was a normal sized dorm room. 244 00:16:25,160 --> 00:16:28,960 Speaker 1: We had two twin beds on each side of the wall. 245 00:16:29,720 --> 00:16:33,320 Speaker 1: In between our beds, we had a small trunk, and 246 00:16:33,440 --> 00:16:36,560 Speaker 1: on that trunk we kept our books, a little plant, 247 00:16:37,160 --> 00:16:40,280 Speaker 1: and small things that we needed to reach from our bed. 248 00:16:40,920 --> 00:16:44,359 Speaker 1: Our bed then from the trunk, had about four feet 249 00:16:44,400 --> 00:16:47,880 Speaker 1: on each side. Once I heard him open the door 250 00:16:48,360 --> 00:16:51,560 Speaker 1: and come into the room, the room being so dark, 251 00:16:52,000 --> 00:16:56,840 Speaker 1: he tripped over that trunk, which now woke me up completely. 252 00:16:57,600 --> 00:17:01,000 Speaker 1: I'm laying in bed on my left side. I look 253 00:17:01,160 --> 00:17:05,240 Speaker 1: up and I see the shadow of something, a man 254 00:17:05,880 --> 00:17:09,399 Speaker 1: standing next to the bed. As I see it in 255 00:17:10,000 --> 00:17:14,800 Speaker 1: a split second, he raises his arm up above his head, 256 00:17:15,640 --> 00:17:18,680 Speaker 1: and I could see he had something in his hand, 257 00:17:19,320 --> 00:17:24,400 Speaker 1: a log. As I looked at him in a split second, 258 00:17:25,320 --> 00:17:30,480 Speaker 1: he threw with such force that log in his hand 259 00:17:31,600 --> 00:17:36,440 Speaker 1: on my face that it terribly, terribly injured my face. 260 00:17:36,640 --> 00:17:40,199 Speaker 1: Just trying to take in what you're saying. What happened 261 00:17:40,200 --> 00:17:44,399 Speaker 1: then when he struck me, it was it felt like 262 00:17:44,440 --> 00:17:48,359 Speaker 1: a thud. It didn't hurt, It didn't I didn't feel 263 00:17:48,440 --> 00:17:51,879 Speaker 1: the sharp pain that I would feel later when I 264 00:17:52,040 --> 00:17:56,160 Speaker 1: was being attacked. I made noise and it woke up 265 00:17:56,480 --> 00:17:59,840 Speaker 1: my roommate, who was right next to me in her 266 00:18:00,040 --> 00:18:03,960 Speaker 1: twin bed. He then walked across the room again. He 267 00:18:04,040 --> 00:18:09,480 Speaker 1: tripped over that trunk and attacked Karen again. He beat 268 00:18:09,560 --> 00:18:13,199 Speaker 1: her with the same log that he had attacked me with. 269 00:18:14,040 --> 00:18:18,120 Speaker 1: As he went to strike her, she rose her arms 270 00:18:18,240 --> 00:18:23,280 Speaker 1: up over her face to hopefully keep the blow from 271 00:18:23,359 --> 00:18:28,240 Speaker 1: hurting her. After he hit her, he heard me moaning again, 272 00:18:29,080 --> 00:18:32,920 Speaker 1: so he crossed the other side to my twin bed 273 00:18:33,840 --> 00:18:39,320 Speaker 1: and went to attack me again. I saw him raise 274 00:18:39,440 --> 00:18:44,679 Speaker 1: his arm up over his head, and just before he 275 00:18:44,840 --> 00:18:49,800 Speaker 1: struck me, a light shone up into our bedroom. We 276 00:18:49,800 --> 00:18:53,399 Speaker 1: were on the second floor of the house, which faced 277 00:18:53,400 --> 00:18:58,760 Speaker 1: the back, which faced the parking lot. Our window was 278 00:19:00,000 --> 00:19:05,840 Speaker 1: eatly exposed to that parking lot. Our bedroom shades our 279 00:19:05,840 --> 00:19:10,879 Speaker 1: curtains were wide open because we hung plants on the 280 00:19:10,920 --> 00:19:16,360 Speaker 1: curtain rods, so therefore we never closed them. Just before 281 00:19:16,520 --> 00:19:20,399 Speaker 1: he's waiting for that to hit me, I could see 282 00:19:20,440 --> 00:19:25,240 Speaker 1: only a black shadow. When he first walked into the room. 283 00:19:25,320 --> 00:19:29,040 Speaker 1: He had a dark knit hat over his head. He 284 00:19:29,119 --> 00:19:34,840 Speaker 1: wore dark clothes. When someone came into the parking lot 285 00:19:34,960 --> 00:19:38,560 Speaker 1: that night early in the morning to drop off a 286 00:19:38,680 --> 00:19:42,080 Speaker 1: throaty sister from a date. The lights of that car 287 00:19:42,480 --> 00:19:46,639 Speaker 1: shone up into our bedroom and illuminated the room so bright, 288 00:19:46,960 --> 00:19:50,400 Speaker 1: and I was cringing. I could see the light through 289 00:19:50,440 --> 00:20:11,359 Speaker 1: my dark closed eyes. Crime Stories with Nancy Grace So 290 00:20:11,440 --> 00:20:13,800 Speaker 1: her roommate's new ridway. Something was wrong. I said, well, 291 00:20:14,320 --> 00:20:16,480 Speaker 1: where did she go last night? And said, while she 292 00:20:16,520 --> 00:20:19,919 Speaker 1: went to a dorm leaders meeting and was on our 293 00:20:19,920 --> 00:20:22,679 Speaker 1: way back to the dorm room and never came back. 294 00:20:24,200 --> 00:20:29,200 Speaker 1: This is where we where. He objected her she had 295 00:20:29,240 --> 00:20:32,280 Speaker 1: to walk through this to get to her dorm. I 296 00:20:32,359 --> 00:20:36,160 Speaker 1: would be obsessed with searching for her. She had bright 297 00:20:36,240 --> 00:20:38,639 Speaker 1: yellow ski coat. I would just look for that, and 298 00:20:38,800 --> 00:20:42,119 Speaker 1: everywhere we went, I found myself looking in fields and 299 00:20:42,640 --> 00:20:45,320 Speaker 1: ditches for this yellow ski jacket to stick out like 300 00:20:45,320 --> 00:20:47,040 Speaker 1: a sore thumb, and I would be able to say 301 00:20:47,040 --> 00:20:50,600 Speaker 1: A found her. And we lived for a long time. 302 00:20:50,920 --> 00:20:54,320 Speaker 1: You can hear the heartbreak in the voice of Vivian Raincourt. 303 00:20:54,359 --> 00:21:01,960 Speaker 1: That's Susan Raincourt's mom along with her sister, crying, crying, 304 00:21:03,160 --> 00:21:10,040 Speaker 1: speaking out about the day that Susan disappeared, and how 305 00:21:10,359 --> 00:21:14,560 Speaker 1: for so many years they kept just looking instinctively for 306 00:21:14,680 --> 00:21:18,560 Speaker 1: her yellow coat. Well, she was a ted Bundy victim. 307 00:21:18,680 --> 00:21:23,920 Speaker 1: And in the last weeks, Netflix has released a real 308 00:21:23,960 --> 00:21:29,399 Speaker 1: glamorization of Bundy. The serial killer, the rapist, the killer, 309 00:21:29,720 --> 00:21:35,760 Speaker 1: the kidnapper, the necrophiliac Ted Bundy. And you know, I 310 00:21:35,880 --> 00:21:40,199 Speaker 1: like Zac Efron to somebody not like zac Efron, but 311 00:21:40,600 --> 00:21:44,920 Speaker 1: this portrayal of Bundy. And again, this is not about Efron, 312 00:21:45,200 --> 00:21:47,600 Speaker 1: As I said, He's just a squirrel trying to get 313 00:21:47,600 --> 00:21:49,760 Speaker 1: a nut, trying to make a living like the rest 314 00:21:49,800 --> 00:21:52,960 Speaker 1: of us. You get some movie deal, sure I'll do it, 315 00:21:53,880 --> 00:21:58,080 Speaker 1: but oh the way Bundy is glamorized. It just to 316 00:21:58,480 --> 00:22:01,919 Speaker 1: doctor Peter Vronsky, author of Sons of Kine, History of 317 00:22:01,960 --> 00:22:06,199 Speaker 1: serial killer Stone Age to present, what's your response to 318 00:22:06,320 --> 00:22:08,800 Speaker 1: the movie? Before I go back to Kathy Kleiner, who 319 00:22:08,840 --> 00:22:12,720 Speaker 1: actually survived Bundy, what do you make of the movie? Well, 320 00:22:13,040 --> 00:22:17,280 Speaker 1: you know, the portrait that we have of Ted Bundy 321 00:22:17,280 --> 00:22:20,600 Speaker 1: in that movie, is it gained, you know, that quality 322 00:22:20,640 --> 00:22:26,159 Speaker 1: that he had, that characteristic that he presented um and 323 00:22:26,440 --> 00:22:30,240 Speaker 1: and so we see the surface, we see the mask. 324 00:22:32,280 --> 00:22:34,600 Speaker 1: You know a lot of us have grown up knowing 325 00:22:34,640 --> 00:22:37,320 Speaker 1: about Ted Bundy, but you have a whole new generation 326 00:22:37,440 --> 00:22:42,000 Speaker 1: that doesn't quite understand who or what Ted Bundy. Really was, 327 00:22:42,080 --> 00:22:45,560 Speaker 1: and how he was able to lure so many victims, 328 00:22:45,640 --> 00:22:50,000 Speaker 1: And of course it was that, you know, that psychopathic 329 00:22:50,119 --> 00:22:55,280 Speaker 1: career that allowed him to lure these victims into these 330 00:22:55,400 --> 00:22:59,320 Speaker 1: vulnerable positions where he was able to abduct them and 331 00:22:59,359 --> 00:23:02,479 Speaker 1: take them away. And so we get that side of 332 00:23:02,480 --> 00:23:07,520 Speaker 1: Ted Bundy. We see the side that the victims saw 333 00:23:07,680 --> 00:23:12,719 Speaker 1: before he revealed himself. What is again regrettable about that 334 00:23:12,800 --> 00:23:16,719 Speaker 1: film is that it doesn't show us the real Ted Bundy, 335 00:23:17,000 --> 00:23:21,800 Speaker 1: what was really lurking beneath that mask that we don't see. 336 00:23:21,920 --> 00:23:24,720 Speaker 1: You mean, the Ted Bundy that would bathe the dead 337 00:23:24,800 --> 00:23:29,000 Speaker 1: victim's bodies and make love to them and put makeup 338 00:23:29,040 --> 00:23:31,840 Speaker 1: and hear spray on him. That Ted Bundy, the freaky 339 00:23:32,000 --> 00:23:37,160 Speaker 1: killer Ted Bundy, That Ted Bundy indeed the monster, this 340 00:23:37,160 --> 00:23:44,840 Speaker 1: this this predatory, really monstrous creature, you know, on the 341 00:23:44,880 --> 00:23:50,320 Speaker 1: scale of serial killers, Ted Bundy. Really. I think that's 342 00:23:50,520 --> 00:23:53,720 Speaker 1: why we're so fascinated with him, because when we look 343 00:23:53,720 --> 00:23:56,720 Speaker 1: at serial killers, you know, some of them really look 344 00:23:56,800 --> 00:23:59,879 Speaker 1: like serial killers. I'm not really fascinated by him. To 345 00:24:00,240 --> 00:24:02,560 Speaker 1: Peter Vronsky, I'm not really fascinated. I just want to 346 00:24:02,600 --> 00:24:04,639 Speaker 1: put a hole through his neck, like he's a snake. 347 00:24:05,520 --> 00:24:07,639 Speaker 1: So that's kind of how I feel about him. But 348 00:24:08,000 --> 00:24:10,880 Speaker 1: I hear what you're saying because it's so bizarre. I mean, 349 00:24:10,960 --> 00:24:13,479 Speaker 1: Cheryl McCollum, think about it. You know how hard it 350 00:24:13,560 --> 00:24:16,160 Speaker 1: is to put on the eyeliner straight, much less when 351 00:24:16,160 --> 00:24:20,040 Speaker 1: you're driving. That's a whole other can of worms. But eyeliner. 352 00:24:20,160 --> 00:24:24,720 Speaker 1: Can you imagine him with the dead body trying to 353 00:24:24,840 --> 00:24:31,920 Speaker 1: perfectly apply eyeliner and mascara and lipstick on a dead 354 00:24:32,440 --> 00:24:37,280 Speaker 1: body of a woman that he raped and murdered. Think 355 00:24:37,840 --> 00:24:41,239 Speaker 1: about it. Just wait a minute, Cheryl, Just think about it, 356 00:24:41,600 --> 00:24:45,560 Speaker 1: him hunched over the dead body trying to put an 357 00:24:45,600 --> 00:24:51,399 Speaker 1: eyeliner a lipstick. Oh okay, now that you've thought about it, 358 00:24:51,440 --> 00:24:54,880 Speaker 1: way in he was meticulous. He did take his time. 359 00:24:55,560 --> 00:25:00,240 Speaker 1: He had a plan that was so clear in his 360 00:25:00,320 --> 00:25:04,360 Speaker 1: mind exactly what he wanted to happen. And here's the thing. 361 00:25:04,400 --> 00:25:07,359 Speaker 1: As I listened to Kathy Kleiner and I've heard her 362 00:25:07,440 --> 00:25:10,399 Speaker 1: story more than once, and every time, like you, I 363 00:25:10,520 --> 00:25:14,119 Speaker 1: just get chills and I just hurt for her. But 364 00:25:14,240 --> 00:25:18,800 Speaker 1: it's important for people listening to her to realize, prior 365 00:25:18,920 --> 00:25:25,719 Speaker 1: to him attacking Katherine and Karen, he had already killed 366 00:25:25,840 --> 00:25:30,800 Speaker 1: Lisa and Margaret, he had already killed two of their 367 00:25:30,840 --> 00:25:35,879 Speaker 1: friends in that house. He walked calmly down the hall 368 00:25:35,920 --> 00:25:41,600 Speaker 1: and entered another room. Then he would murder, rape, walk 369 00:25:41,680 --> 00:25:46,280 Speaker 1: down the hall, strangled, beat rap, walked down the hall 370 00:25:46,720 --> 00:25:50,680 Speaker 1: and enter another room to do it again. And there 371 00:25:50,800 --> 00:25:55,280 Speaker 1: is no doubt in my mind that Kathy was his 372 00:25:55,480 --> 00:26:00,400 Speaker 1: next victim. Ted Bundy didn't attack anybody to hurt him. 373 00:26:00,520 --> 00:26:04,080 Speaker 1: He attacked them to kill them. Kathy Kleiner with me 374 00:26:04,880 --> 00:26:07,800 Speaker 1: one of the few you know in all the Harry Potters, 375 00:26:07,920 --> 00:26:10,800 Speaker 1: they refer to him as the boy who lived, the 376 00:26:10,880 --> 00:26:14,959 Speaker 1: only boy who lived. This is the girl who lived. 377 00:26:15,880 --> 00:26:22,920 Speaker 1: Kathy Kleiner lived through a real life Valdemore, a real 378 00:26:23,400 --> 00:26:28,920 Speaker 1: life devil incarnate. And I just can't even imagine being 379 00:26:28,960 --> 00:26:32,000 Speaker 1: in the room. You know, Sometimes, Kathy, I look back 380 00:26:32,160 --> 00:26:36,960 Speaker 1: on murderers, spree killers, serial killers that I actually prosecuted, 381 00:26:38,280 --> 00:26:42,159 Speaker 1: and they had an aura about them. I don't care 382 00:26:42,240 --> 00:26:45,160 Speaker 1: who wants to make fun of this. They had an 383 00:26:45,160 --> 00:26:49,560 Speaker 1: aura about them that it was just different. They're not 384 00:26:49,840 --> 00:26:54,760 Speaker 1: like regular people. It's like holding holding a reptile in 385 00:26:54,840 --> 00:26:57,080 Speaker 1: your hand and it looks at you and you know 386 00:26:57,800 --> 00:27:01,000 Speaker 1: it has no feeling, and it's just cold blood running 387 00:27:01,000 --> 00:27:03,480 Speaker 1: through those veins. I want to go back to where 388 00:27:03,480 --> 00:27:07,399 Speaker 1: you left off, Kathy. What happened? Then? When the lights 389 00:27:07,840 --> 00:27:11,919 Speaker 1: shone up in our room, I could see more clearly 390 00:27:12,160 --> 00:27:16,080 Speaker 1: this dark shadow again. I did not see his face. 391 00:27:16,800 --> 00:27:20,560 Speaker 1: All I could make out was the shape of a 392 00:27:20,680 --> 00:27:25,760 Speaker 1: body of man. I remember the light shone so bright 393 00:27:25,840 --> 00:27:29,560 Speaker 1: in our room that it felt like it it was 394 00:27:30,000 --> 00:27:38,320 Speaker 1: a flood of a personal I'm sorry, a personal feeling 395 00:27:38,720 --> 00:27:44,119 Speaker 1: that the blows were going to stop, that he was 396 00:27:44,160 --> 00:27:49,119 Speaker 1: going to stop attacking me, because I saw him turn 397 00:27:49,200 --> 00:27:56,879 Speaker 1: around and leave run out of our bedroom. In a 398 00:27:56,920 --> 00:28:01,679 Speaker 1: few minutes, the light went away, the room was dark, 399 00:28:02,760 --> 00:28:07,920 Speaker 1: and the beatings had stopped. I was screaming, I was yelling. 400 00:28:08,560 --> 00:28:12,520 Speaker 1: I was sitting in my bed just yelling for help, 401 00:28:13,359 --> 00:28:16,920 Speaker 1: and actually all I was doing was making gurgling sounds. 402 00:28:18,080 --> 00:28:22,760 Speaker 1: When he attacked me. My jaw was shattered so bad 403 00:28:23,520 --> 00:28:28,080 Speaker 1: that it was hanging off my face and attached only 404 00:28:28,119 --> 00:28:33,200 Speaker 1: to fraction of the bone on my joint. My cheek 405 00:28:34,040 --> 00:28:38,880 Speaker 1: was split open from my mouth to my ear, where 406 00:28:39,080 --> 00:28:44,160 Speaker 1: it exposed the inside of my mouth. I also almost 407 00:28:44,200 --> 00:28:49,440 Speaker 1: bit my tongue off because at ease injuries I was 408 00:28:49,560 --> 00:28:53,040 Speaker 1: gurgling and not screaming what I like. I thought I 409 00:28:53,200 --> 00:28:57,880 Speaker 1: was the next thing, I remember a packed paramedics and 410 00:28:57,960 --> 00:29:00,880 Speaker 1: a police offer off for coming to the side of 411 00:29:00,920 --> 00:29:05,480 Speaker 1: my bed, and as soon as I saw the policeman, 412 00:29:05,600 --> 00:29:08,400 Speaker 1: I knew I was safe. I didn't know a lot 413 00:29:08,400 --> 00:29:11,280 Speaker 1: of what was going on because I was so confused 414 00:29:11,880 --> 00:29:16,840 Speaker 1: and hurting so bad. At this point, it felt like 415 00:29:17,400 --> 00:29:23,080 Speaker 1: knives being dug into my face. When I saw the 416 00:29:23,160 --> 00:29:28,040 Speaker 1: police officer, I knew this person that hit me in attack. 417 00:29:28,240 --> 00:29:34,840 Speaker 1: Still confused and gazed, I felt safe. The paramedics were 418 00:29:34,880 --> 00:29:39,680 Speaker 1: at the side of my bed trying to assess what 419 00:29:39,960 --> 00:29:44,640 Speaker 1: exactly had happened to me. I remember in the state, 420 00:29:44,680 --> 00:29:50,080 Speaker 1: I was trying to talk and the paramedics said, it's okay, 421 00:29:50,320 --> 00:29:54,120 Speaker 1: don't worry. You've been shot in the face, but we're 422 00:29:54,120 --> 00:29:59,480 Speaker 1: going to take care of you. Again, confusion hit me 423 00:29:59,600 --> 00:30:03,320 Speaker 1: because I knew I was hit with a log. I 424 00:30:03,360 --> 00:30:07,600 Speaker 1: knew my face was struck with a log. I didn't 425 00:30:07,680 --> 00:30:13,400 Speaker 1: remember being shot in the face again. That just compounded 426 00:30:13,440 --> 00:30:16,640 Speaker 1: a confusion I had in my head of exactly what 427 00:30:16,720 --> 00:30:31,240 Speaker 1: was going on that night Crime Stories with Nancy Grace. 428 00:30:34,760 --> 00:30:39,160 Speaker 1: I thought he was going to kiss me instead. He said, 429 00:30:39,280 --> 00:30:42,520 Speaker 1: very quietly, do you know what I'm going to kill you? 430 00:30:44,560 --> 00:30:46,840 Speaker 1: And he put his hands on my throat and started squeezing. 431 00:30:48,200 --> 00:30:50,240 Speaker 1: My first thought was has to be some kind of 432 00:30:50,240 --> 00:30:52,400 Speaker 1: a joke. This guy's got the weirdest sense of humor. 433 00:30:52,880 --> 00:30:55,040 Speaker 1: But that was just maybe a fraction of a second 434 00:30:55,280 --> 00:30:59,760 Speaker 1: because I realized he was squeezing too tightly. He was 435 00:31:00,000 --> 00:31:02,880 Speaker 1: aus and I was in trouble, and there's no door handle. 436 00:31:05,720 --> 00:31:08,840 Speaker 1: What did you do? We had a little small battle 437 00:31:08,840 --> 00:31:12,640 Speaker 1: in the car, but I went unconscious, so he choked 438 00:31:12,640 --> 00:31:15,560 Speaker 1: you to the point of unconsciousness. Yes, did you put 439 00:31:15,680 --> 00:31:18,040 Speaker 1: up a fight? I did as much of a fight 440 00:31:18,040 --> 00:31:19,840 Speaker 1: as you can put up when you're running out of air. 441 00:31:20,320 --> 00:31:22,880 Speaker 1: Did you think at that point I'm going to die? 442 00:31:23,240 --> 00:31:26,520 Speaker 1: You're hearing our friend doctor Phil speaking to one of 443 00:31:26,520 --> 00:31:30,360 Speaker 1: the only other known living victims of Ted Bundy, in 444 00:31:30,400 --> 00:31:33,960 Speaker 1: addition to our special guest Kathy Kleiner joining us today. 445 00:31:33,960 --> 00:31:37,480 Speaker 1: That was Ronda Stately, and that's not all. Listen. He 446 00:31:38,120 --> 00:31:40,760 Speaker 1: was slapping my face again, trying to wake me up again, 447 00:31:40,800 --> 00:31:44,160 Speaker 1: and he said, good girl, good girl, you don't want 448 00:31:44,160 --> 00:31:46,200 Speaker 1: to die yet. Don't die on me yet, because you 449 00:31:46,200 --> 00:31:49,440 Speaker 1: would miss the best part, and he got me by 450 00:31:49,440 --> 00:31:51,840 Speaker 1: my boot to the end of the picnic table, pulled 451 00:31:51,880 --> 00:31:56,400 Speaker 1: my pants down, and raped me. And just as that 452 00:31:56,600 --> 00:31:58,960 Speaker 1: was finishing, he leaned forward again and put his hands 453 00:31:59,000 --> 00:32:01,800 Speaker 1: around my throat and was choking me again. And at 454 00:32:01,800 --> 00:32:05,760 Speaker 1: that point I didn't struggle. I decided I was dead. 455 00:32:05,800 --> 00:32:07,560 Speaker 1: I was just going to wait until it was over. 456 00:32:08,080 --> 00:32:10,560 Speaker 1: The next thing I knew, I was laying on the ground, 457 00:32:10,680 --> 00:32:13,200 Speaker 1: and I was sort of surprised when I came to again, 458 00:32:13,680 --> 00:32:16,239 Speaker 1: and it was pitch dark, and he was standing by 459 00:32:16,280 --> 00:32:19,160 Speaker 1: the open door, fiddling with something in the back seat, 460 00:32:19,320 --> 00:32:21,760 Speaker 1: like thirty feet away from me. And I didn't really 461 00:32:21,760 --> 00:32:25,680 Speaker 1: plan anything like a great escape, but adrenaline was running 462 00:32:25,680 --> 00:32:28,040 Speaker 1: and I just jumped and ran. I didn't run very 463 00:32:28,040 --> 00:32:31,240 Speaker 1: far because my pants were in a water around my ankles. 464 00:32:31,960 --> 00:32:35,720 Speaker 1: I tripped after just one or two steps, but fortunately, 465 00:32:35,840 --> 00:32:40,120 Speaker 1: or luckily, or intervention from above or something, I fell 466 00:32:40,280 --> 00:32:43,120 Speaker 1: into a fast moving mountain river that swept me away 467 00:32:43,160 --> 00:32:46,280 Speaker 1: from my attacker and probably saved my life. Wow, talk 468 00:32:46,360 --> 00:32:50,720 Speaker 1: about divine intervention. You know what, if anybody doesn't believe 469 00:32:50,720 --> 00:32:54,240 Speaker 1: in miracles, they need to hear Rhonda Staply. That's her 470 00:32:54,240 --> 00:32:58,440 Speaker 1: speaking with our friend, doctor feel Or listened to Kathy Kleiner, 471 00:32:58,480 --> 00:33:01,440 Speaker 1: who was with me right now, one of the only 472 00:33:01,840 --> 00:33:05,920 Speaker 1: known victims to survive Ted Bundy. To doctor Katherine Ramslind, 473 00:33:05,920 --> 00:33:10,560 Speaker 1: Professor Forensic Psychology to Sales University, the author of sixty books, 474 00:33:10,880 --> 00:33:13,880 Speaker 1: including Inside the Minds of Serial Killers Why They Kill 475 00:33:14,000 --> 00:33:17,600 Speaker 1: on Amazon, Doctor Ramslin, I have no doubt in my 476 00:33:17,640 --> 00:33:21,520 Speaker 1: mind that there are other Bundy victims out there that 477 00:33:21,560 --> 00:33:24,760 Speaker 1: have never been identified. There are still unsolved cases. I'm 478 00:33:24,760 --> 00:33:27,320 Speaker 1: sure there are. He even thought there were himself, but 479 00:33:27,360 --> 00:33:30,640 Speaker 1: he couldn't remember them when he was doing the final interviews. 480 00:33:31,680 --> 00:33:35,120 Speaker 1: And there probably don't want to talk about it. They're 481 00:33:35,160 --> 00:33:39,040 Speaker 1: still traumatized by it, Cheryl. So many women don't come 482 00:33:39,080 --> 00:33:42,920 Speaker 1: forward after rape. I don't know why. Well, I guess 483 00:33:42,960 --> 00:33:46,000 Speaker 1: I do know why. Actually, they don't want to think 484 00:33:46,040 --> 00:33:49,040 Speaker 1: about it. They don't want to go through a pelvic exam, 485 00:33:49,280 --> 00:33:51,760 Speaker 1: they don't want to be attacked on cross exam. They 486 00:33:51,800 --> 00:33:53,920 Speaker 1: want to suppress it, pretended didn't happen, to go on 487 00:33:54,000 --> 00:33:56,480 Speaker 1: with their lives. It's really hard to do that, Cheryl. 488 00:33:56,680 --> 00:33:59,040 Speaker 1: It's impossible to do that, Nancy. But here's the thing. 489 00:34:00,520 --> 00:34:03,800 Speaker 1: Prior to Kathy Kleiner, if you were to look at 490 00:34:03,840 --> 00:34:06,880 Speaker 1: that scene that Bundy left at the child mega house, 491 00:34:07,480 --> 00:34:11,000 Speaker 1: and you've got victims strangled and beaten and they were 492 00:34:11,120 --> 00:34:15,320 Speaker 1: raped with objects, you would believe that this person that 493 00:34:15,520 --> 00:34:20,200 Speaker 1: did it, that is capable of that type of justice violence, 494 00:34:20,800 --> 00:34:24,680 Speaker 1: would be an out of control just in this frenzy. 495 00:34:25,840 --> 00:34:29,600 Speaker 1: But listening to Cathy talk, we know that's not true. 496 00:34:30,280 --> 00:34:35,440 Speaker 1: He was controlled, he was slow, He never said one word. 497 00:34:36,320 --> 00:34:41,959 Speaker 1: He slowly walks in a room, murders, raped, slowly down 498 00:34:41,960 --> 00:34:44,000 Speaker 1: the halls in the next room does the same thing. 499 00:34:44,840 --> 00:34:49,800 Speaker 1: Because of Kathy, we have insight to how this serial 500 00:34:49,880 --> 00:34:55,520 Speaker 1: killer murdered and that to me is so invaluable and 501 00:34:55,640 --> 00:34:59,200 Speaker 1: her brain. Why why does everybody keep talking about him 502 00:34:59,239 --> 00:35:00,960 Speaker 1: like they want to out of him, like he's a 503 00:35:01,040 --> 00:35:04,320 Speaker 1: work of art. He's the devil and you know, we 504 00:35:04,440 --> 00:35:09,360 Speaker 1: can understand understand what It's just like jumping into a 505 00:35:09,440 --> 00:35:13,399 Speaker 1: vat of snakes. What is there to understand? How can 506 00:35:13,520 --> 00:35:20,560 Speaker 1: you take somebody young and wonderful and just destroy I'm 507 00:35:20,600 --> 00:35:24,719 Speaker 1: thinking about Kathy Kleiner at that age, She's just this 508 00:35:24,920 --> 00:35:30,839 Speaker 1: young teen gruel it Just what do you make of 509 00:35:30,880 --> 00:35:36,400 Speaker 1: the new movie out on Netflix with Zach effren I 510 00:35:36,480 --> 00:35:42,120 Speaker 1: watched it with my husband, and I did see how 511 00:35:42,200 --> 00:35:46,640 Speaker 1: he wanted people to see him. It was a movie 512 00:35:46,880 --> 00:35:51,160 Speaker 1: about Ted, but it shown to me a different side 513 00:35:51,200 --> 00:35:54,440 Speaker 1: of him because I did not know the story of 514 00:35:54,520 --> 00:36:00,279 Speaker 1: his girlfriend and their relationship. Because of that, you saw 515 00:36:00,400 --> 00:36:04,600 Speaker 1: him more as a person than the devil and the 516 00:36:04,680 --> 00:36:11,359 Speaker 1: beast inside of him. By not showing him attacking with 517 00:36:11,400 --> 00:36:17,319 Speaker 1: the blood and the gore the other victims, it put 518 00:36:17,400 --> 00:36:23,200 Speaker 1: into it put into view for me that he was 519 00:36:23,239 --> 00:36:27,560 Speaker 1: in control at some point, but he enjoyed it when 520 00:36:27,560 --> 00:36:30,840 Speaker 1: he let the beast out, and that when he raped 521 00:36:30,880 --> 00:36:35,600 Speaker 1: and killed he got satisfaction out of that. But when 522 00:36:35,600 --> 00:36:39,760 Speaker 1: he went home he saw his girlfriend and her daughter. 523 00:36:40,880 --> 00:36:46,600 Speaker 1: That movie portrayed Bundy and his girlfriend, but it didn't 524 00:36:46,600 --> 00:36:51,320 Speaker 1: show the victims, and I think because of not showing 525 00:36:51,400 --> 00:36:56,480 Speaker 1: him attack them, it wasn't a point in the movie 526 00:36:56,960 --> 00:37:02,680 Speaker 1: where the victims should have been examined and talked about 527 00:37:02,719 --> 00:37:05,759 Speaker 1: and how they were killed and taken away from us 528 00:37:05,880 --> 00:37:10,480 Speaker 1: so soon from this world. At that point, I thought 529 00:37:10,760 --> 00:37:14,840 Speaker 1: the movie was done very well as far as the 530 00:37:14,920 --> 00:37:18,719 Speaker 1: acting and the portrayal of how he was when he 531 00:37:18,760 --> 00:37:22,239 Speaker 1: wanted to be seen that way. I didn't see it 532 00:37:22,960 --> 00:37:27,520 Speaker 1: as showing the victims until the very end when the 533 00:37:27,600 --> 00:37:32,560 Speaker 1: credits rolled and all the names of the victims, all 534 00:37:32,640 --> 00:37:36,799 Speaker 1: of our names were on the TV screen, and it 535 00:37:36,920 --> 00:37:42,200 Speaker 1: showed that we were people and we did have names. 536 00:37:42,320 --> 00:37:47,680 Speaker 1: So I think that at that point acknowledging us was 537 00:37:47,719 --> 00:37:51,040 Speaker 1: a way of showing that the film was sensitive enough 538 00:37:52,040 --> 00:37:55,000 Speaker 1: to show who we were. The story of Ted Bundy 539 00:37:55,040 --> 00:37:58,960 Speaker 1: goes on, because I guarantee you there are other victims. 540 00:38:00,800 --> 00:38:04,600 Speaker 1: Nancy Grace Crime Story signing off Goodbye Friend,