WEBVTT - Better Together (S2, E9 “Ashes to Ashes”)

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. Okay, we are

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<v Speaker 1>here today for another episode of nine to an O

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<v Speaker 1>m G. And we're in person, in person, we're in studio.

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<v Speaker 1>We're minus sissany. That is true, but it's the two

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<v Speaker 1>of us were in person and we are at I

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<v Speaker 1>Heart Radio. We're here. We made it. I keep looking up.

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<v Speaker 1>I'm obsessed. We look really good, don't. We jiggled our

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<v Speaker 1>arms and it scared us both. Listen, listen. I've we

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<v Speaker 1>could take over the radio. I feel like that's a possibility.

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<v Speaker 1>But I just feel like we should talk about how

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<v Speaker 1>hard we hustle. How hard? Yeah, like just and I

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<v Speaker 1>mean all women hustle hard. They do every day. Holy

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<v Speaker 1>craky people getting all the things you have to get

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<v Speaker 1>done in a day. I don't know how you do it.

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<v Speaker 1>I don't know how I do it. I don't know

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<v Speaker 1>how women do it that are multitasking between jobs, careers, kids, husband's, moms,

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<v Speaker 1>the whole job in itself. But like, literally, yeah, I

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<v Speaker 1>feel like moore is added to our plates daily as women,

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<v Speaker 1>and it's good. This is we wanted this. We wanted

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<v Speaker 1>to work and say we could do it all and

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<v Speaker 1>be moms, and yet at the end of the day,

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<v Speaker 1>it's like, yeah, I don't need to say I can

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<v Speaker 1>do it all. But I want to make a living

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<v Speaker 1>for my family and I want to feel like I'm

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<v Speaker 1>contributing to this is my society and like being a

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<v Speaker 1>person that is, you know, shows up for all the

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<v Speaker 1>people I need to show up for. But when I

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<v Speaker 1>look at my daily calendar, something, do you do You

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<v Speaker 1>use your calendar on your phone? Have you met me?

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<v Speaker 1>You don't use it. I'm starting to because we have

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<v Speaker 1>so many things now that now that's good that I'm

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<v Speaker 1>starting to have to use it. But you know me,

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<v Speaker 1>it's all in my head. You're you're a writer downer,

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<v Speaker 1>writer down. If it's not written down, you guys, I

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<v Speaker 1>don't know what's happening. I have a I have like

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<v Speaker 1>a calendar on my phone for my family, one for

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<v Speaker 1>each child individually, colors you do. I've one for work,

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<v Speaker 1>one for I have one for just my marriage, like

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<v Speaker 1>things that we're going to do together, like keep it

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<v Speaker 1>on the calendar or else. I don't know what's happening.

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<v Speaker 1>That's a good thing. I have a calendar for us,

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<v Speaker 1>like I know, and it's but also we live in

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<v Speaker 1>l A. Like l A is just getting nuts out now,

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<v Speaker 1>Like you have to have fifty million jobs to even

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<v Speaker 1>sustain here in l A. I mean that's scary. Everyone's

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<v Speaker 1>moving out of l A. Should we move? Where should

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<v Speaker 1>we move? To get the moving truck? I'll help you

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<v Speaker 1>load it. Are you coming to or just me? I'm

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<v Speaker 1>not going to help you load your moving truck? Actually

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<v Speaker 1>just that, And I'm not that you're gonna find another

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<v Speaker 1>friend for that. Where would we go? Where do we go?

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<v Speaker 1>My god? Anywhere our kids, all our animals, to have

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<v Speaker 1>some sort of farm maybe ranch where we don't have

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<v Speaker 1>to wear a bra or makeup and we can just

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<v Speaker 1>like be free. I like wearing a bra. A you

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<v Speaker 1>can wear your bra. We love our third love bras,

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<v Speaker 1>just those though no other bras allowed. But you have

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<v Speaker 1>big farms somewhere, But like a beautiful house of functioning

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<v Speaker 1>like I want, like high quality. I want like a

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<v Speaker 1>hotel on a farm, but with two houses. Years in mind,

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<v Speaker 1>like not in the sane. So if we were on

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<v Speaker 1>the same property, they'll find two houses separated. H What

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<v Speaker 1>would are she shed look like? Because we would share one. Yeah,

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<v Speaker 1>we would have to have like a jo like a

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<v Speaker 1>community situation. A community, okay, but just us, one for

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<v Speaker 1>just us, just you and I, no kids, no man,

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<v Speaker 1>just us. Oh yeah, I like that. Like a little area, lounge,

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<v Speaker 1>e area, somewhere we can go decompress and your side

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<v Speaker 1>would be super neat my side would be super messy,

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<v Speaker 1>and we accept each other. And they're be um a

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<v Speaker 1>waiter or like a bartender, some like a j antique

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<v Speaker 1>cabana boy just a boy girl. She heard them. I

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<v Speaker 1>don't care what it is. Someone that helps us out

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<v Speaker 1>and brings us things. I need one of these. It

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<v Speaker 1>would be nice that I wouldn't mind. I'm just saying,

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<v Speaker 1>just look at him. Well, listen, people, it's it's nearly

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<v Speaker 1>a miracle that we're both here on time and and

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<v Speaker 1>uh doing this podcast. But you know what, we do

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<v Speaker 1>it because we love it. We do it. I look

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<v Speaker 1>forward to this every single week. I know you do too,

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<v Speaker 1>And it's a really fun in person. This is so

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<v Speaker 1>good in person. Thank you for having us in studio today.

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<v Speaker 1>I heart we like it. Um, so so what do

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<v Speaker 1>we do we? It's weird without Sis. Can we talk

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<v Speaker 1>about how she's in Hawaii? No, I don't want to

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<v Speaker 1>talk about it. I want to go to Hawaii. I know,

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<v Speaker 1>it's really not fair that she's in Hawaiian and we're not. Well,

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<v Speaker 1>it is fair because she's about to Yeah, she's about

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<v Speaker 1>to have a baby, and it's going to be a

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<v Speaker 1>lot going from two to three. It's not easy. Is

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<v Speaker 1>this like all night baby moon or whatever they call it? Like, oh, yeah,

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<v Speaker 1>trip before you have a kid. Is it a baby

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<v Speaker 1>moon if you already have one and this is your

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<v Speaker 1>second child and you take a trip or is that

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<v Speaker 1>just you getting out of town so you don't have

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<v Speaker 1>to I think you can sell. Like do you still

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<v Speaker 1>get a push gift if you have a c section

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<v Speaker 1>or if it's after your first one? Like you never

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<v Speaker 1>got a push gift. You never got a push from

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<v Speaker 1>your X I mean gift. I got a lot of gifts.

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<v Speaker 1>I don't think I got I mean that. Okay, anymore

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<v Speaker 1>calls and let us know, Oh I forgot. We're not

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<v Speaker 1>on air. We're not we're not living in the studio

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<v Speaker 1>on a radio. Vel us the board and take calls

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<v Speaker 1>right now? Do that? So yeah, we're here as you

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<v Speaker 1>can see, with no supervision, no siss need to keep

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<v Speaker 1>us on the rails. So it's getting a little crazy.

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<v Speaker 1>And be like, what happened? My leadership skills are coming out.

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<v Speaker 1>I'm feeling they need to crack the whip. We need

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<v Speaker 1>to talk about the episode. People go for it. Let's

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<v Speaker 1>talk about this week's episode. Season two, episode nine, Ashes

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<v Speaker 1>to Ashes aired on September n Synopsis Brandon be friends

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<v Speaker 1>and new family, the Ashes, which stirs up Beverly Hills

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<v Speaker 1>when they move in near the Walshes. Meanwhile, Jim and

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<v Speaker 1>Cindy try out a new state of the art house

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<v Speaker 1>alarm system which is more of a nuisance than a help.

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<v Speaker 1>Directed by Charles Braverman, written by Darren Starr, Charles Rosen,

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<v Speaker 1>Judy and Mason. So, yeah, this episode was fraught with, unfortunately,

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<v Speaker 1>something that we're still dealing with that we've always dealt

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<v Speaker 1>with as a society. This is uh sort of systemic

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<v Speaker 1>racism that's built into the fabric of America, and it's

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<v Speaker 1>a pretty heavy topic. But the show really tried to

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<v Speaker 1>do it in a light, fun way by bringing on

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<v Speaker 1>this beautiful new family, the Ashes, into the neighborhood. They

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<v Speaker 1>moved into Beverly I love them. Down the street from

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<v Speaker 1>Brendan and Brenda Richard Rowntree Province Ash Junior, such such

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<v Speaker 1>a great addition to the cast really made it feel

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<v Speaker 1>more well rounded and like definitely just exciting. I loved

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<v Speaker 1>it because I think that was a big deal back then.

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<v Speaker 1>I remember, Um, a lot of people would say on

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<v Speaker 1>it's you know, there's no diversity. A lot of that

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<v Speaker 1>came up, and I think they wanted to address how

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<v Speaker 1>that is something at the time that you know, obviously

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<v Speaker 1>we do still deal with that unfortunately, but at the

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<v Speaker 1>time in the nineties, you know, it was hardcore and

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<v Speaker 1>people were very separated, and it was nicer trying to

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<v Speaker 1>bring everyone together and diversify the cast. And it's a

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<v Speaker 1>bummer because I know I heard word that they were

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<v Speaker 1>going to stay on the show the Ashes. It was

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<v Speaker 1>gonna be the family down the Street and they were

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<v Speaker 1>going to be regulars. Vivocate a Fox started on that show. Okay,

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<v Speaker 1>Vivocate was so great. Is there an a still it's

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<v Speaker 1>just Provoca Box now, I don't know, make a note,

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<v Speaker 1>We'll find out, uh, but yeah, she was just like

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<v Speaker 1>this just force of like energy and sass and confidence,

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<v Speaker 1>beauty and fact like she was everything and I would

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<v Speaker 1>have loved to continue seeing her on the show a

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<v Speaker 1>hundred percent she would have been a great addition. And

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<v Speaker 1>I don't know where it went because I remember I

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<v Speaker 1>do remember my dad saying that they were bringing them

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<v Speaker 1>on and they were going to be regulars. And then

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<v Speaker 1>I don't know, on your list to text Darren? All right,

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<v Speaker 1>dar a really long text for you one day and

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<v Speaker 1>be like, be like, who the hell is this? Imagine

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<v Speaker 1>we're talking about Darren Starr, our creator, our creator, were

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<v Speaker 1>bowed him. But we always say every week like, oh,

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<v Speaker 1>I wonder well we could just text your and ask him.

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<v Speaker 1>You'd say, text him like I have his number. I

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<v Speaker 1>don't even think I have his number. And ps, he's

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<v Speaker 1>in Paris. Can slide slip whatever you want to do

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<v Speaker 1>into his d MS any day. I'm sure, Okay, I

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<v Speaker 1>don't I really want to do that? Um? Yeah. Or

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<v Speaker 1>we could just book a one we ticket to Paris

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<v Speaker 1>like that idea. We'll show up on set and be

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<v Speaker 1>like dar and we want to take you to lunch

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<v Speaker 1>and then we'll have wine and go over all the

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<v Speaker 1>questions you guys have had and that we have. Yeah,

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<v Speaker 1>and really ruined his day because he's in Paris. He

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<v Speaker 1>would love it. He would love it, of course, but

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<v Speaker 1>the show starts opens with a bizarre neighborhood watch meeting

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<v Speaker 1>that's going on in um, the Walsh's house, but they

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<v Speaker 1>they funnily call it Jack and Candy Welsh's house instead

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<v Speaker 1>Jim and Cindy Walsh, the candy after my mom. Yeah

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<v Speaker 1>maybe maybe Jack and Candy Welsh. That made me laugh.

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<v Speaker 1>But they get they get this alarm system in their

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<v Speaker 1>house because apparently there's been some break some Beverly Hills.

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<v Speaker 1>I mean, it happens anywhere, it happens everywhere, but there's

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<v Speaker 1>been big break ins in Beverly Hills right now, like

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<v Speaker 1>in the last month. What do you mean, how do

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<v Speaker 1>you know I've heard word? Do you know somebody's got

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<v Speaker 1>broken into? Uh no, but apparently like people, they were

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<v Speaker 1>stealing people's watches off of them, like holding them up

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<v Speaker 1>and stealing their watch and them up, Give me your watch,

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<v Speaker 1>you lady, give me a watch. I don't. I don't

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<v Speaker 1>think they would want my Apple watch. But maybe they're

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<v Speaker 1>going for like the role Lexus and it keeps you

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<v Speaker 1>on time. Um um, so yeah, that's interesting jewelry. There

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<v Speaker 1>were breakins and houses and cars, yeah, but this is

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<v Speaker 1>just happening in Beverly Hills. That's happening everywhere. I mean,

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<v Speaker 1>this is l A. This is it's weird. Sometimes you

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<v Speaker 1>we forget I forget that we live in Los Angeles,

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<v Speaker 1>Like this is the one of the biggest cities, the

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<v Speaker 1>most notorious cities in the world, and people come here

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<v Speaker 1>from everywhere. Are your dreams? Dreams? Oh? I saw someone

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<v Speaker 1>today walking and it was a young guy and he

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<v Speaker 1>had his hair bleached blonde, and he had a cute

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<v Speaker 1>outfit on and he had two small suitcases. And I

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<v Speaker 1>was like, and he was on Hollywood And I was like, wow,

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<v Speaker 1>he just got here, brush off the boat. Welcome to

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<v Speaker 1>l A, Welcome to Hollywood, his dreams. And I was

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<v Speaker 1>just like, I want to talk to that guy in

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<v Speaker 1>five years, Like I I thought about that, like wondering

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<v Speaker 1>dream pressure because everyone comes here thinking I'm gonna make it,

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<v Speaker 1>this is gonna be it, and it's just so expensive

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<v Speaker 1>here and the likelihood of making here. Sorry, it's it's

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<v Speaker 1>not always the dream. And he's you're a Debbie Downer.

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<v Speaker 1>Today I turned into you ever call not on my thigh?

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<v Speaker 1>Is that bizarre? But not teaching me with those fingernails.

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<v Speaker 1>This is the thing about being in person. She's allowed

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<v Speaker 1>to touch me whenever she wants, and I don't care

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<v Speaker 1>for socially distance. Stay over there. I just want to

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<v Speaker 1>touch you all. Sorry, Back to the show. Back to

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<v Speaker 1>the show. So, yeah, there's a there's a whole there's

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<v Speaker 1>a whole security thing. What else happens in this episode?

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<v Speaker 1>What do you remember specifically? Okay, So I gotta be honest.

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<v Speaker 1>I had the kids when I was watching this episode,

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<v Speaker 1>and I was doing a lot of pause, pause and watch,

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<v Speaker 1>pause and watch. So I I thought you were about

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<v Speaker 1>to say, I was doing a lot of pot and

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<v Speaker 1>so I don't remember anything. Uh yeah, this this I

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<v Speaker 1>don't remember a lot of this episode. Uh. But so

0:12:33.840 --> 0:12:37.520
<v Speaker 1>the kids are at school. Dylan and Brenda seemed to

0:12:37.520 --> 0:12:41.840
<v Speaker 1>be back together, which we've talked about highly confusing. We

0:12:41.880 --> 0:12:45.040
<v Speaker 1>didn't understand last week if they were, they weren't. Now

0:12:45.040 --> 0:12:48.920
<v Speaker 1>they're just back. Yeah, they're back together. And then you know,

0:12:48.960 --> 0:12:52.920
<v Speaker 1>what I did notice about the group interactions on the

0:12:53.080 --> 0:12:56.760
<v Speaker 1>on this episode was that we as a group all

0:12:56.840 --> 0:12:59.160
<v Speaker 1>just felt really comfortable with one another. There were a

0:12:59.200 --> 0:13:01.360
<v Speaker 1>couple of scenes where we're all hanging out on the quad,

0:13:01.520 --> 0:13:06.480
<v Speaker 1>we're hanging out the peach pit, and it just felt like, uh,

0:13:06.720 --> 0:13:09.440
<v Speaker 1>the group was so comfortable with each other and like

0:13:10.200 --> 0:13:13.560
<v Speaker 1>we could feel that that strong bond. Now in season

0:13:13.679 --> 0:13:18.040
<v Speaker 1>two really starting getting it because by now we were

0:13:18.080 --> 0:13:24.320
<v Speaker 1>all like really comfortable with each other that So can

0:13:24.360 --> 0:13:25.720
<v Speaker 1>I say we can take a break. When do we

0:13:25.720 --> 0:13:30.480
<v Speaker 1>get to do that? Oh? Hey, do it? Do us? Okay? Um,

0:13:30.520 --> 0:13:32.679
<v Speaker 1>you guys, I know this is riven ng what we're

0:13:32.679 --> 0:13:35.640
<v Speaker 1>talking about right now, but hold your breath, not really,

0:13:35.640 --> 0:13:49.199
<v Speaker 1>because we'll be right back from break. Is that okay,

0:13:50.440 --> 0:13:53.600
<v Speaker 1>we're back from break, you guys? UM see what's cool

0:13:54.000 --> 0:14:04.320
<v Speaker 1>to say that? Yeah? All right, Um says he's not here.

0:14:05.760 --> 0:14:09.079
<v Speaker 1>As Another thing that was going on in this episode

0:14:09.200 --> 0:14:14.679
<v Speaker 1>was UM Brandon is working uh Well. First of all,

0:14:14.679 --> 0:14:18.520
<v Speaker 1>he starts out finding the new photographer for the newspaper, right,

0:14:20.160 --> 0:14:22.240
<v Speaker 1>and he goes into the tech room and he thinks

0:14:22.280 --> 0:14:24.880
<v Speaker 1>it's going to be the you know, handsome white guy

0:14:25.040 --> 0:14:28.240
<v Speaker 1>of course, but it's not UM. And that's kind of

0:14:28.280 --> 0:14:31.320
<v Speaker 1>like a weird moment. I don't know why that was

0:14:31.360 --> 0:14:34.280
<v Speaker 1>even in there, but it was. UM. But Brandon is

0:14:34.720 --> 0:14:42.360
<v Speaker 1>trying to clear uh DeVos reputation UM by writing an

0:14:42.440 --> 0:14:45.680
<v Speaker 1>article about what happened to him in Beverly Hills that

0:14:45.760 --> 0:14:49.400
<v Speaker 1>whole scene where the security patrol company sees a guy,

0:14:49.760 --> 0:14:54.400
<v Speaker 1>a suspicious looking character in the Beverly Hills neighborhood and they,

0:14:54.480 --> 0:14:57.400
<v Speaker 1>you know, get out and throw him on the car

0:14:57.560 --> 0:15:00.120
<v Speaker 1>and risk him and do the whole thing. And it

0:15:00.240 --> 0:15:03.480
<v Speaker 1>was actually like watching it made me physically ill. It

0:15:03.680 --> 0:15:07.120
<v Speaker 1>made me. It was like this horrible feeling of like

0:15:07.280 --> 0:15:10.960
<v Speaker 1>I cannot believe that that was happening, and that this

0:15:11.000 --> 0:15:14.360
<v Speaker 1>is happening in this episode, it's still happening today, and

0:15:14.400 --> 0:15:19.960
<v Speaker 1>it's such a just like it just it disgusted me.

0:15:20.120 --> 0:15:24.000
<v Speaker 1>And and if if if me being disgusted by it

0:15:24.120 --> 0:15:27.720
<v Speaker 1>or me being us watching it and having a guttural,

0:15:28.120 --> 0:15:30.920
<v Speaker 1>you know, sort of reaction to it, that's good. That's

0:15:30.960 --> 0:15:33.360
<v Speaker 1>like what we all need to be saying. So that

0:15:33.440 --> 0:15:36.160
<v Speaker 1>the show was putting that kind of content out there

0:15:36.600 --> 0:15:41.200
<v Speaker 1>in the nineties is really a great thing. It's amazing.

0:15:41.240 --> 0:15:43.320
<v Speaker 1>But it's really sad to hear that thirty years later,

0:15:43.360 --> 0:15:45.800
<v Speaker 1>we're still dealing with the same thing, and it's it's

0:15:45.840 --> 0:15:49.840
<v Speaker 1>even worse now, to be honest, I mean, it is worse. Absolutely,

0:15:50.680 --> 0:15:53.000
<v Speaker 1>Are you what is this your she was she's a

0:15:53.040 --> 0:15:54.880
<v Speaker 1>book and she's reading from it. I don't think you.

0:15:54.920 --> 0:15:56.640
<v Speaker 1>We want to talk about this book because this is

0:15:56.840 --> 0:15:59.320
<v Speaker 1>this book. This is a book. It's like a book

0:15:59.360 --> 0:16:01.680
<v Speaker 1>that someone said at me called a very special mind

0:16:01.800 --> 0:16:04.760
<v Speaker 1>to want a book. It's unauthorized that it clearly states

0:16:04.840 --> 0:16:08.040
<v Speaker 1>right here, right under my face, right there behind under

0:16:08.040 --> 0:16:12.280
<v Speaker 1>you know. It's by Tara Ranio and Sarah D. Bunting

0:16:13.920 --> 0:16:16.720
<v Speaker 1>um not to to like, you know, I don't know.

0:16:16.800 --> 0:16:18.600
<v Speaker 1>I haven't really read the book. I just kind of

0:16:18.600 --> 0:16:24.000
<v Speaker 1>looked like it has episode by episode. But the funny

0:16:24.040 --> 0:16:27.880
<v Speaker 1>thing is they kind of recap episodes and they um,

0:16:27.920 --> 0:16:32.920
<v Speaker 1>they also talked about a lot of everything. So it's

0:16:32.920 --> 0:16:35.680
<v Speaker 1>fun to read for me because they say the things

0:16:35.680 --> 0:16:40.120
<v Speaker 1>that maybe people were thinking or that you know, they

0:16:40.160 --> 0:16:42.120
<v Speaker 1>they clearly have a great love for the show. The

0:16:42.160 --> 0:16:45.000
<v Speaker 1>people did this book, but they also have a very

0:16:45.040 --> 0:16:48.320
<v Speaker 1>firm grasp on reality. We should have them on the show.

0:16:48.440 --> 0:16:50.800
<v Speaker 1>We should. Did they send you this book? They did not.

0:16:51.440 --> 0:16:53.520
<v Speaker 1>One of the one of our listeners sent it to me.

0:16:53.640 --> 0:16:55.960
<v Speaker 1>None of our listeners send me anything. They send you

0:16:56.000 --> 0:16:59.520
<v Speaker 1>a lot speaking. I got a message from Crystal, one

0:16:59.560 --> 0:17:06.360
<v Speaker 1>of our favorite ladies out there, did for you. She um,

0:17:06.440 --> 0:17:11.240
<v Speaker 1>She sent me some information on Susan Brown, who played

0:17:11.320 --> 0:17:13.879
<v Speaker 1>Mrs Cooper who was in the in the one of

0:17:14.000 --> 0:17:17.440
<v Speaker 1>the Beverly Hills Ladies. Um. She was close friends with her,

0:17:17.440 --> 0:17:20.320
<v Speaker 1>and she told me that Susan just passed away. She

0:17:20.480 --> 0:17:25.520
<v Speaker 1>was eighties six. Maybe you remember Susan um Brown from

0:17:25.720 --> 0:17:28.760
<v Speaker 1>her work on General Hospital or Port Charles. She was

0:17:29.600 --> 0:17:34.399
<v Speaker 1>a really wonderful actress. And Um, I just want to

0:17:34.400 --> 0:17:36.600
<v Speaker 1>say thank you to Crystal for sending in that intel

0:17:36.720 --> 0:17:42.720
<v Speaker 1>because I love getting that kind of information. Thank you,

0:17:43.160 --> 0:17:46.720
<v Speaker 1>so thank you Susan for everything in a beautiful life

0:17:46.720 --> 0:17:49.520
<v Speaker 1>you lived. So can we go back now to how

0:17:49.560 --> 0:17:53.199
<v Speaker 1>come listeners love you and send you gifts and awesome

0:17:53.240 --> 0:17:55.960
<v Speaker 1>things for the show and names? It's two things. That's

0:17:56.000 --> 0:17:58.159
<v Speaker 1>two more things than anyone's ever So maybe they have

0:17:58.280 --> 0:18:01.000
<v Speaker 1>sent you things you just they're like, you know, I

0:18:01.040 --> 0:18:03.960
<v Speaker 1>can imagine maybe you haven't opened all the boxes or

0:18:04.040 --> 0:18:08.080
<v Speaker 1>packages that you every day your well there you go,

0:18:08.640 --> 0:18:10.919
<v Speaker 1>or Bo does Bo rips into everything. He loves a

0:18:10.920 --> 0:18:13.800
<v Speaker 1>good package. Anyway. UM, I would love to just announce

0:18:13.840 --> 0:18:16.000
<v Speaker 1>my address right now. There's anything that you would like

0:18:16.080 --> 0:18:22.840
<v Speaker 1>to send me. Um, Oh, don't be jelly, I'm not kidding.

0:18:23.440 --> 0:18:26.000
<v Speaker 1>These gifts if you get that book on Amazon though,

0:18:26.040 --> 0:18:28.679
<v Speaker 1>that is very helpful. Well, yeah, I don't know if

0:18:28.720 --> 0:18:32.120
<v Speaker 1>you like it. There's it's talked about me, talked about everybody,

0:18:32.200 --> 0:18:36.120
<v Speaker 1>and like the characters mostly Yeah, I mean there's an

0:18:36.119 --> 0:18:40.240
<v Speaker 1>handle it. Yeah, you think, I think you have some experience.

0:18:40.240 --> 0:18:42.640
<v Speaker 1>So let's talk about fashion from this episode. Okay, let's

0:18:44.320 --> 0:18:51.720
<v Speaker 1>like I said, Saris Reesy, her friends called her, really

0:18:52.359 --> 0:18:56.959
<v Speaker 1>was fashionable and just like you know, she put together.

0:18:57.119 --> 0:19:00.920
<v Speaker 1>She looked sassafrass all the time. Well, um, I liked

0:19:00.920 --> 0:19:03.159
<v Speaker 1>my polka dot dress. But it's not you wearing the

0:19:03.200 --> 0:19:06.800
<v Speaker 1>polka dots. It's actually your friend right there, David Silver,

0:19:06.880 --> 0:19:11.560
<v Speaker 1>wearing the polka dots. That's right, that's correct. So you

0:19:11.720 --> 0:19:14.400
<v Speaker 1>really liked him a lot. It's as if he wore

0:19:14.480 --> 0:19:17.840
<v Speaker 1>were Actually, you know, I knew I was going to

0:19:17.920 --> 0:19:22.040
<v Speaker 1>marry that man on camera. I loved Reese's red blazer

0:19:22.080 --> 0:19:25.159
<v Speaker 1>with her matching hat. And then of course there was

0:19:25.359 --> 0:19:28.359
<v Speaker 1>Mrs Ashe coming down the stairs in that beautiful white.

0:19:29.200 --> 0:19:31.040
<v Speaker 1>I don't know where she was going, but that was

0:19:31.080 --> 0:19:34.879
<v Speaker 1>a beautiful white, like Bob Mackie situation. She was a

0:19:35.840 --> 0:19:39.119
<v Speaker 1>right very Beverly Hills has portray in the nineties. I

0:19:39.119 --> 0:19:42.560
<v Speaker 1>wonder if that was like a leftover from like Nolan

0:19:42.640 --> 0:19:45.760
<v Speaker 1>Miller's like fabulous Dynasty collection, and they're like, okay, let's

0:19:45.760 --> 0:19:47.680
<v Speaker 1>get it over here. They got they went into the

0:19:47.760 --> 0:19:51.760
<v Speaker 1>folder pads, the vaults, and she just fits right into

0:19:51.800 --> 0:19:56.280
<v Speaker 1>it like a glove. Beautiful. What about your favorite line

0:19:56.320 --> 0:20:01.840
<v Speaker 1>from the episode? Um, we already know. You know what

0:20:02.880 --> 0:20:05.000
<v Speaker 1>I was gonna say, don't ever call me recy, but

0:20:05.800 --> 0:20:10.720
<v Speaker 1>Gary said it, Uh, Brandon's your dad is the papa

0:20:11.119 --> 0:20:17.520
<v Speaker 1>Papa's popcorn? Yeah, it's like Sally selling seashells. But you

0:20:17.560 --> 0:20:19.120
<v Speaker 1>think he got through that line in the first take.

0:20:20.000 --> 0:20:23.560
<v Speaker 1>There was a lot of Papa's popcorn discussion and this,

0:20:23.640 --> 0:20:25.200
<v Speaker 1>and I have to say that one because Donna loves

0:20:25.240 --> 0:20:28.600
<v Speaker 1>popcorn and wanted to put yogurt on it. More dairy.

0:20:28.680 --> 0:20:31.359
<v Speaker 1>That's your deal with the She's a daring girl. I

0:20:31.359 --> 0:20:34.440
<v Speaker 1>can't eat d I brought you some yogurt this morning.

0:20:34.520 --> 0:20:37.000
<v Speaker 1>You did breakfast. But you'll see that that is coconut.

0:20:37.040 --> 0:20:39.880
<v Speaker 1>It's dairy free. I know, but back then I could

0:20:39.880 --> 0:20:44.080
<v Speaker 1>eat dairy. I wasn't lot those intolerant anything that was sad. Okay.

0:20:44.119 --> 0:20:47.280
<v Speaker 1>My favorite line from the episode would be from Cherise

0:20:47.320 --> 0:20:49.159
<v Speaker 1>when she says, I wouldn't go to West Beverly if

0:20:49.200 --> 0:20:51.120
<v Speaker 1>it was the last hell hole in the galaxy. Too

0:20:51.119 --> 0:20:55.879
<v Speaker 1>many cashed up snobs. Snobs. That's fun, it's fun to

0:20:55.880 --> 0:20:58.359
<v Speaker 1>talk about that episode. But I think, what do you

0:20:58.400 --> 0:21:00.760
<v Speaker 1>think if we if we take a break maybe and

0:21:00.840 --> 0:21:04.280
<v Speaker 1>come back with some questions from our listeners. Yes, let's

0:21:04.280 --> 0:21:16.399
<v Speaker 1>do that. We love listener questions. Do you love witty

0:21:16.480 --> 0:21:19.080
<v Speaker 1>sarcasm and talking fast? And are you longing to return

0:21:19.080 --> 0:21:21.240
<v Speaker 1>to stars Hollow for one more trip to Kim's Antiques

0:21:21.320 --> 0:21:23.080
<v Speaker 1>or just to pick up a few things at Dosie's Market?

0:21:23.440 --> 0:21:25.320
<v Speaker 1>Is an overnight stay? It's a dragon flame on your

0:21:25.359 --> 0:21:27.080
<v Speaker 1>list of plans for a getaway? Is it burger from

0:21:27.119 --> 0:21:29.600
<v Speaker 1>Luke Steiner on the menu for tonight? This is Scott Patterson.

0:21:29.800 --> 0:21:32.600
<v Speaker 1>I was Luke Danes for one fifty three episodes and

0:21:32.720 --> 0:21:35.359
<v Speaker 1>in four Netflix movies I Am all In and I

0:21:35.440 --> 0:21:38.960
<v Speaker 1>Heart Radio podcast. Come hang with us. We're read watching together,

0:21:39.000 --> 0:21:42.399
<v Speaker 1>We're visiting with all our favorite cast and crew members.

0:21:42.440 --> 0:21:45.000
<v Speaker 1>We talk fast. We've got a lot to say. Listen

0:21:45.040 --> 0:21:47.879
<v Speaker 1>to I Am all In wherever you listen to podcasts.

0:22:02.240 --> 0:22:04.600
<v Speaker 1>Let's take some questions. How about we take a question

0:22:04.640 --> 0:22:08.359
<v Speaker 1>from Stacy um I'll read it. Okay. Were you ever

0:22:08.480 --> 0:22:11.359
<v Speaker 1>upset with any of the cast members that left the show?

0:22:12.080 --> 0:22:14.520
<v Speaker 1>Were you upset with them for leaving? Did you feel abandoned?

0:22:14.560 --> 0:22:16.760
<v Speaker 1>Was there anyone on the cast you tried to convince

0:22:16.840 --> 0:22:23.560
<v Speaker 1>to stay? Mm hmmm, I mean obviously it was. It

0:22:23.640 --> 0:22:27.919
<v Speaker 1>was difficult when Jason left. That was hard because the

0:22:28.000 --> 0:22:31.399
<v Speaker 1>show really started around the Walshes and Shannon was gone,

0:22:32.320 --> 0:22:34.439
<v Speaker 1>and then when Jason left, it just felt like the

0:22:34.480 --> 0:22:37.720
<v Speaker 1>core of the show. Well, it was weird enough when

0:22:37.760 --> 0:22:41.879
<v Speaker 1>Shannon left like that was like, you know, fraught with

0:22:41.920 --> 0:22:45.440
<v Speaker 1>all kinds of like controversy and rumors and all of that.

0:22:46.040 --> 0:22:48.360
<v Speaker 1>But it was weird when she wasn't there, of course,

0:22:48.880 --> 0:22:51.360
<v Speaker 1>and then Jason, I think, was the next one to leave.

0:22:51.920 --> 0:22:56.080
<v Speaker 1>Like you said, I think Luke had left, but then

0:22:56.160 --> 0:23:01.960
<v Speaker 1>Luke came back. I remember begging back, okay, it was

0:23:02.000 --> 0:23:04.040
<v Speaker 1>so nice to have him about, you know. I remember

0:23:04.160 --> 0:23:07.280
<v Speaker 1>just being like, please just come back to the family.

0:23:07.480 --> 0:23:09.399
<v Speaker 1>I think he ish what we started. I think he

0:23:09.480 --> 0:23:13.200
<v Speaker 1>left before Jason, really, I think so. But once Jason left,

0:23:13.200 --> 0:23:17.600
<v Speaker 1>that was it. He was gone. No looking back, No, no,

0:23:17.960 --> 0:23:21.400
<v Speaker 1>it was that the ninth season he left. Geez eight.

0:23:21.920 --> 0:23:24.280
<v Speaker 1>I don't know, but right around there. Yeah, somebody out

0:23:24.280 --> 0:23:26.359
<v Speaker 1>there knows. I'm sure when we look like idiots because

0:23:26.359 --> 0:23:28.879
<v Speaker 1>we don't. No, I mean, we didn't keep track of that,

0:23:28.920 --> 0:23:31.000
<v Speaker 1>but it was just it was just it felt like

0:23:32.280 --> 0:23:34.240
<v Speaker 1>and then you got to move up to number one.

0:23:34.880 --> 0:23:39.200
<v Speaker 1>You were number one, remember that that she's talking about

0:23:39.240 --> 0:23:42.240
<v Speaker 1>On the call sheet there you your names are listed

0:23:42.600 --> 0:23:46.320
<v Speaker 1>and it starts with like the first star, the first

0:23:46.359 --> 0:23:48.560
<v Speaker 1>one that gets the top billing, and that was Jason,

0:23:48.640 --> 0:23:52.040
<v Speaker 1>and then it was Shannon, and then it was me

0:23:52.080 --> 0:23:53.919
<v Speaker 1>for something that I don't even know why. I was

0:23:54.040 --> 0:23:56.240
<v Speaker 1>number three from the get go. So yeah, when one

0:23:56.280 --> 0:23:59.800
<v Speaker 1>and two left, I became number one. And the best

0:23:59.800 --> 0:24:01.680
<v Speaker 1>part about that as I got number one parking spot.

0:24:01.800 --> 0:24:04.680
<v Speaker 1>She did, she did, and I was like, yes, I'm

0:24:05.080 --> 0:24:07.800
<v Speaker 1>really exciting. I never felt jealous. I was really happy

0:24:07.840 --> 0:24:11.000
<v Speaker 1>before you. Yeah, that was like you lived up to

0:24:11.119 --> 0:24:12.679
<v Speaker 1>what did you move up to? Oh my gosh, well

0:24:12.720 --> 0:24:17.160
<v Speaker 1>you guys. I wasn't originally like a regular kind of

0:24:17.240 --> 0:24:20.720
<v Speaker 1>not in the pilot. So anyway I got I was lower.

0:24:20.760 --> 0:24:24.240
<v Speaker 1>I was eight, I think, Yeah, well oddly with seven,

0:24:24.880 --> 0:24:27.520
<v Speaker 1>that's even odd. It gets weird at the end because

0:24:27.560 --> 0:24:30.800
<v Speaker 1>he wasn't regular in the first in the pilot. So anyway,

0:24:31.000 --> 0:24:33.359
<v Speaker 1>so I don't know if we felt abandoned Stacy, but

0:24:33.520 --> 0:24:37.240
<v Speaker 1>we definitely felt the impact of our fellow cast members

0:24:37.320 --> 0:24:39.480
<v Speaker 1>leaving and leaving for whatever reason. It's going on to

0:24:39.480 --> 0:24:41.440
<v Speaker 1>do different things or they just had enough of it

0:24:41.560 --> 0:24:45.439
<v Speaker 1>or whatever it was. But yeah, I mean it was

0:24:45.480 --> 0:24:48.920
<v Speaker 1>like sending someone off to college or you know, having

0:24:48.920 --> 0:24:53.240
<v Speaker 1>someone move away that. Yeah, it was really hard, and

0:24:53.840 --> 0:24:55.640
<v Speaker 1>you know, of course it made all of us think,

0:24:55.760 --> 0:24:57.800
<v Speaker 1>like we do they know something we don't know they're

0:24:57.800 --> 0:24:59.480
<v Speaker 1>getting that now is now all the time to get out?

0:24:59.520 --> 0:25:01.120
<v Speaker 1>But it was like week you can leave, you can

0:25:01.119 --> 0:25:02.720
<v Speaker 1>just do the sleep. They let you out of the

0:25:02.720 --> 0:25:04.919
<v Speaker 1>padded cell that you always say here, and who has

0:25:04.960 --> 0:25:07.760
<v Speaker 1>the key? Like Jason got out, he made it out.

0:25:07.840 --> 0:25:14.359
<v Speaker 1>Oh my god, Clox, Well, I feel like that's all

0:25:14.440 --> 0:25:16.399
<v Speaker 1>the time we have to We have more questions, but

0:25:16.480 --> 0:25:19.880
<v Speaker 1>we should probably get to those next week because we're

0:25:19.960 --> 0:25:22.680
<v Speaker 1>running to the end of our time. But yeah, thank

0:25:22.720 --> 0:25:25.040
<v Speaker 1>you for watching. What's our next episode? I don't know,

0:25:25.560 --> 0:25:27.520
<v Speaker 1>thank you guys for watching this show along with us

0:25:27.600 --> 0:25:31.159
<v Speaker 1>because we're having so much fun. Um. The next episode

0:25:31.560 --> 0:25:36.800
<v Speaker 1>is Necessity is a Mother Season two episode ten, very

0:25:36.840 --> 0:25:42.600
<v Speaker 1>exciting because this is the episode where we meet Iris Mackay,

0:25:44.240 --> 0:25:47.439
<v Speaker 1>Stephanie Beacham, you guys, and we might just get to

0:25:47.520 --> 0:25:52.680
<v Speaker 1>talk to her fingers cross. Very exciting. Have a great week,

0:25:52.920 --> 0:25:57.000
<v Speaker 1>you guys. Go out there and do your thing. Bye bye,