1 00:00:00,240 --> 00:00:11,240 Speaker 1: It's with Jenny Garth and Tori Spelling. Okay, we are 2 00:00:11,360 --> 00:00:15,319 Speaker 1: here today for another episode of nine to an O 3 00:00:15,440 --> 00:00:18,480 Speaker 1: m G. And we're in person, in person, we're in studio. 4 00:00:18,560 --> 00:00:21,520 Speaker 1: We're minus sissany. That is true, but it's the two 5 00:00:21,600 --> 00:00:25,200 Speaker 1: of us were in person and we are at I 6 00:00:25,320 --> 00:00:31,120 Speaker 1: Heart Radio. We're here. We made it. I keep looking up. 7 00:00:31,120 --> 00:00:38,760 Speaker 1: I'm obsessed. We look really good, don't. We jiggled our 8 00:00:38,880 --> 00:00:43,760 Speaker 1: arms and it scared us both. Listen, listen. I've we 9 00:00:43,800 --> 00:00:46,280 Speaker 1: could take over the radio. I feel like that's a possibility. 10 00:00:46,320 --> 00:00:49,560 Speaker 1: But I just feel like we should talk about how 11 00:00:49,560 --> 00:00:53,760 Speaker 1: hard we hustle. How hard? Yeah, like just and I 12 00:00:53,800 --> 00:00:57,320 Speaker 1: mean all women hustle hard. They do every day. Holy 13 00:00:57,760 --> 00:01:01,440 Speaker 1: craky people getting all the things you have to get 14 00:01:01,440 --> 00:01:04,080 Speaker 1: done in a day. I don't know how you do it. 15 00:01:04,200 --> 00:01:05,640 Speaker 1: I don't know how I do it. I don't know 16 00:01:05,680 --> 00:01:14,040 Speaker 1: how women do it that are multitasking between jobs, careers, kids, husband's, moms, 17 00:01:14,040 --> 00:01:18,160 Speaker 1: the whole job in itself. But like, literally, yeah, I 18 00:01:18,200 --> 00:01:22,199 Speaker 1: feel like moore is added to our plates daily as women, 19 00:01:22,840 --> 00:01:26,520 Speaker 1: and it's good. This is we wanted this. We wanted 20 00:01:27,000 --> 00:01:28,920 Speaker 1: to work and say we could do it all and 21 00:01:28,959 --> 00:01:31,039 Speaker 1: be moms, and yet at the end of the day, 22 00:01:31,040 --> 00:01:34,160 Speaker 1: it's like, yeah, I don't need to say I can 23 00:01:34,200 --> 00:01:36,640 Speaker 1: do it all. But I want to make a living 24 00:01:36,680 --> 00:01:39,080 Speaker 1: for my family and I want to feel like I'm 25 00:01:39,120 --> 00:01:43,800 Speaker 1: contributing to this is my society and like being a 26 00:01:43,840 --> 00:01:47,360 Speaker 1: person that is, you know, shows up for all the 27 00:01:47,360 --> 00:01:49,320 Speaker 1: people I need to show up for. But when I 28 00:01:49,320 --> 00:01:51,360 Speaker 1: look at my daily calendar, something, do you do You 29 00:01:51,520 --> 00:01:54,400 Speaker 1: use your calendar on your phone? Have you met me? 30 00:01:55,000 --> 00:01:57,440 Speaker 1: You don't use it. I'm starting to because we have 31 00:01:57,640 --> 00:02:00,640 Speaker 1: so many things now that now that's good that I'm 32 00:02:00,680 --> 00:02:02,360 Speaker 1: starting to have to use it. But you know me, 33 00:02:02,400 --> 00:02:05,760 Speaker 1: it's all in my head. You're you're a writer downer, 34 00:02:06,160 --> 00:02:09,480 Speaker 1: writer down. If it's not written down, you guys, I 35 00:02:09,560 --> 00:02:12,000 Speaker 1: don't know what's happening. I have a I have like 36 00:02:12,240 --> 00:02:14,480 Speaker 1: a calendar on my phone for my family, one for 37 00:02:14,520 --> 00:02:18,560 Speaker 1: each child individually, colors you do. I've one for work, 38 00:02:18,680 --> 00:02:22,080 Speaker 1: one for I have one for just my marriage, like 39 00:02:22,680 --> 00:02:24,680 Speaker 1: things that we're going to do together, like keep it 40 00:02:24,680 --> 00:02:26,800 Speaker 1: on the calendar or else. I don't know what's happening. 41 00:02:27,320 --> 00:02:30,200 Speaker 1: That's a good thing. I have a calendar for us, 42 00:02:30,240 --> 00:02:32,840 Speaker 1: like I know, and it's but also we live in 43 00:02:33,000 --> 00:02:35,160 Speaker 1: l A. Like l A is just getting nuts out now, 44 00:02:35,600 --> 00:02:37,600 Speaker 1: Like you have to have fifty million jobs to even 45 00:02:37,760 --> 00:02:41,639 Speaker 1: sustain here in l A. I mean that's scary. Everyone's 46 00:02:41,680 --> 00:02:44,600 Speaker 1: moving out of l A. Should we move? Where should 47 00:02:44,600 --> 00:02:46,760 Speaker 1: we move? To get the moving truck? I'll help you 48 00:02:46,800 --> 00:02:49,639 Speaker 1: load it. Are you coming to or just me? I'm 49 00:02:49,680 --> 00:02:51,600 Speaker 1: not going to help you load your moving truck? Actually 50 00:02:51,760 --> 00:02:55,120 Speaker 1: just that, And I'm not that you're gonna find another 51 00:02:55,120 --> 00:03:00,320 Speaker 1: friend for that. Where would we go? Where do we go? 52 00:03:00,040 --> 00:03:03,520 Speaker 1: My god? Anywhere our kids, all our animals, to have 53 00:03:03,560 --> 00:03:06,440 Speaker 1: some sort of farm maybe ranch where we don't have 54 00:03:06,440 --> 00:03:09,760 Speaker 1: to wear a bra or makeup and we can just 55 00:03:09,840 --> 00:03:12,720 Speaker 1: like be free. I like wearing a bra. A you 56 00:03:12,720 --> 00:03:16,600 Speaker 1: can wear your bra. We love our third love bras, 57 00:03:16,639 --> 00:03:21,280 Speaker 1: just those though no other bras allowed. But you have 58 00:03:21,360 --> 00:03:24,880 Speaker 1: big farms somewhere, But like a beautiful house of functioning 59 00:03:24,919 --> 00:03:27,679 Speaker 1: like I want, like high quality. I want like a 60 00:03:27,720 --> 00:03:31,120 Speaker 1: hotel on a farm, but with two houses. Years in mind, 61 00:03:31,160 --> 00:03:35,320 Speaker 1: like not in the sane. So if we were on 62 00:03:35,360 --> 00:03:38,560 Speaker 1: the same property, they'll find two houses separated. H What 63 00:03:38,560 --> 00:03:41,560 Speaker 1: would are she shed look like? Because we would share one. Yeah, 64 00:03:41,560 --> 00:03:43,360 Speaker 1: we would have to have like a jo like a 65 00:03:43,400 --> 00:03:47,600 Speaker 1: community situation. A community, okay, but just us, one for 66 00:03:47,640 --> 00:03:50,360 Speaker 1: just us, just you and I, no kids, no man, 67 00:03:50,520 --> 00:03:53,640 Speaker 1: just us. Oh yeah, I like that. Like a little area, lounge, 68 00:03:53,640 --> 00:03:56,480 Speaker 1: e area, somewhere we can go decompress and your side 69 00:03:56,480 --> 00:03:58,400 Speaker 1: would be super neat my side would be super messy, 70 00:03:58,680 --> 00:04:01,400 Speaker 1: and we accept each other. And they're be um a 71 00:04:01,440 --> 00:04:07,200 Speaker 1: waiter or like a bartender, some like a j antique 72 00:04:07,240 --> 00:04:11,560 Speaker 1: cabana boy just a boy girl. She heard them. I 73 00:04:11,560 --> 00:04:13,880 Speaker 1: don't care what it is. Someone that helps us out 74 00:04:13,920 --> 00:04:18,280 Speaker 1: and brings us things. I need one of these. It 75 00:04:18,279 --> 00:04:21,360 Speaker 1: would be nice that I wouldn't mind. I'm just saying, 76 00:04:21,760 --> 00:04:26,400 Speaker 1: just look at him. Well, listen, people, it's it's nearly 77 00:04:26,440 --> 00:04:29,520 Speaker 1: a miracle that we're both here on time and and 78 00:04:29,720 --> 00:04:32,240 Speaker 1: uh doing this podcast. But you know what, we do 79 00:04:32,240 --> 00:04:35,200 Speaker 1: it because we love it. We do it. I look 80 00:04:35,240 --> 00:04:37,440 Speaker 1: forward to this every single week. I know you do too, 81 00:04:37,480 --> 00:04:39,200 Speaker 1: And it's a really fun in person. This is so 82 00:04:39,200 --> 00:04:41,880 Speaker 1: good in person. Thank you for having us in studio today. 83 00:04:41,960 --> 00:04:45,839 Speaker 1: I heart we like it. Um, so so what do 84 00:04:45,920 --> 00:04:48,800 Speaker 1: we do we? It's weird without Sis. Can we talk 85 00:04:48,839 --> 00:04:50,599 Speaker 1: about how she's in Hawaii? No, I don't want to 86 00:04:50,600 --> 00:04:53,160 Speaker 1: talk about it. I want to go to Hawaii. I know, 87 00:04:53,279 --> 00:04:57,680 Speaker 1: it's really not fair that she's in Hawaiian and we're not. Well, 88 00:04:57,760 --> 00:05:01,279 Speaker 1: it is fair because she's about to Yeah, she's about 89 00:05:01,279 --> 00:05:02,920 Speaker 1: to have a baby, and it's going to be a 90 00:05:02,920 --> 00:05:05,919 Speaker 1: lot going from two to three. It's not easy. Is 91 00:05:05,960 --> 00:05:09,479 Speaker 1: this like all night baby moon or whatever they call it? Like, oh, yeah, 92 00:05:10,720 --> 00:05:13,800 Speaker 1: trip before you have a kid. Is it a baby 93 00:05:13,800 --> 00:05:16,400 Speaker 1: moon if you already have one and this is your 94 00:05:16,440 --> 00:05:20,200 Speaker 1: second child and you take a trip or is that 95 00:05:20,279 --> 00:05:22,599 Speaker 1: just you getting out of town so you don't have 96 00:05:22,680 --> 00:05:25,680 Speaker 1: to I think you can sell. Like do you still 97 00:05:25,680 --> 00:05:28,040 Speaker 1: get a push gift if you have a c section 98 00:05:28,360 --> 00:05:29,720 Speaker 1: or if it's after your first one? Like you never 99 00:05:29,760 --> 00:05:32,560 Speaker 1: got a push gift. You never got a push from 100 00:05:32,600 --> 00:05:37,839 Speaker 1: your X I mean gift. I got a lot of gifts. 101 00:05:39,080 --> 00:05:42,960 Speaker 1: I don't think I got I mean that. Okay, anymore 102 00:05:43,360 --> 00:05:45,120 Speaker 1: calls and let us know, Oh I forgot. We're not 103 00:05:45,160 --> 00:05:47,080 Speaker 1: on air. We're not we're not living in the studio 104 00:05:47,240 --> 00:05:50,880 Speaker 1: on a radio. Vel us the board and take calls 105 00:05:50,960 --> 00:05:55,520 Speaker 1: right now? Do that? So yeah, we're here as you 106 00:05:55,560 --> 00:05:59,000 Speaker 1: can see, with no supervision, no siss need to keep 107 00:05:59,080 --> 00:06:02,840 Speaker 1: us on the rails. So it's getting a little crazy. 108 00:06:02,920 --> 00:06:06,000 Speaker 1: And be like, what happened? My leadership skills are coming out. 109 00:06:06,360 --> 00:06:07,960 Speaker 1: I'm feeling they need to crack the whip. We need 110 00:06:08,000 --> 00:06:11,359 Speaker 1: to talk about the episode. People go for it. Let's 111 00:06:11,400 --> 00:06:15,719 Speaker 1: talk about this week's episode. Season two, episode nine, Ashes 112 00:06:15,760 --> 00:06:20,719 Speaker 1: to Ashes aired on September n Synopsis Brandon be friends 113 00:06:20,720 --> 00:06:23,880 Speaker 1: and new family, the Ashes, which stirs up Beverly Hills 114 00:06:23,920 --> 00:06:26,520 Speaker 1: when they move in near the Walshes. Meanwhile, Jim and 115 00:06:26,520 --> 00:06:29,080 Speaker 1: Cindy try out a new state of the art house 116 00:06:29,120 --> 00:06:32,239 Speaker 1: alarm system which is more of a nuisance than a help. 117 00:06:32,560 --> 00:06:36,359 Speaker 1: Directed by Charles Braverman, written by Darren Starr, Charles Rosen, 118 00:06:36,880 --> 00:06:44,479 Speaker 1: Judy and Mason. So, yeah, this episode was fraught with, unfortunately, 119 00:06:44,560 --> 00:06:46,839 Speaker 1: something that we're still dealing with that we've always dealt 120 00:06:46,880 --> 00:06:50,560 Speaker 1: with as a society. This is uh sort of systemic 121 00:06:50,640 --> 00:06:57,640 Speaker 1: racism that's built into the fabric of America, and it's 122 00:06:57,640 --> 00:07:01,120 Speaker 1: a pretty heavy topic. But the show really tried to 123 00:07:01,680 --> 00:07:04,159 Speaker 1: do it in a light, fun way by bringing on 124 00:07:04,240 --> 00:07:09,240 Speaker 1: this beautiful new family, the Ashes, into the neighborhood. They 125 00:07:09,279 --> 00:07:11,960 Speaker 1: moved into Beverly I love them. Down the street from 126 00:07:11,960 --> 00:07:19,720 Speaker 1: Brendan and Brenda Richard Rowntree Province Ash Junior, such such 127 00:07:19,720 --> 00:07:23,560 Speaker 1: a great addition to the cast really made it feel 128 00:07:23,680 --> 00:07:28,240 Speaker 1: more well rounded and like definitely just exciting. I loved 129 00:07:28,280 --> 00:07:30,440 Speaker 1: it because I think that was a big deal back then. 130 00:07:30,480 --> 00:07:33,960 Speaker 1: I remember, Um, a lot of people would say on 131 00:07:35,360 --> 00:07:38,960 Speaker 1: it's you know, there's no diversity. A lot of that 132 00:07:39,000 --> 00:07:41,880 Speaker 1: came up, and I think they wanted to address how 133 00:07:41,920 --> 00:07:44,480 Speaker 1: that is something at the time that you know, obviously 134 00:07:44,480 --> 00:07:46,520 Speaker 1: we do still deal with that unfortunately, but at the 135 00:07:46,560 --> 00:07:49,320 Speaker 1: time in the nineties, you know, it was hardcore and 136 00:07:49,880 --> 00:07:52,160 Speaker 1: people were very separated, and it was nicer trying to 137 00:07:52,200 --> 00:07:55,640 Speaker 1: bring everyone together and diversify the cast. And it's a 138 00:07:55,680 --> 00:07:58,000 Speaker 1: bummer because I know I heard word that they were 139 00:07:58,000 --> 00:08:00,160 Speaker 1: going to stay on the show the Ashes. It was 140 00:08:00,160 --> 00:08:01,920 Speaker 1: gonna be the family down the Street and they were 141 00:08:01,920 --> 00:08:06,400 Speaker 1: going to be regulars. Vivocate a Fox started on that show. Okay, 142 00:08:06,480 --> 00:08:09,640 Speaker 1: Vivocate was so great. Is there an a still it's 143 00:08:09,680 --> 00:08:12,720 Speaker 1: just Provoca Box now, I don't know, make a note, 144 00:08:11,760 --> 00:08:15,480 Speaker 1: We'll find out, uh, but yeah, she was just like 145 00:08:15,520 --> 00:08:20,880 Speaker 1: this just force of like energy and sass and confidence, 146 00:08:21,960 --> 00:08:24,960 Speaker 1: beauty and fact like she was everything and I would 147 00:08:25,000 --> 00:08:27,560 Speaker 1: have loved to continue seeing her on the show a 148 00:08:27,640 --> 00:08:30,400 Speaker 1: hundred percent she would have been a great addition. And 149 00:08:30,480 --> 00:08:33,040 Speaker 1: I don't know where it went because I remember I 150 00:08:33,080 --> 00:08:35,839 Speaker 1: do remember my dad saying that they were bringing them 151 00:08:35,840 --> 00:08:37,720 Speaker 1: on and they were going to be regulars. And then 152 00:08:37,800 --> 00:08:40,839 Speaker 1: I don't know, on your list to text Darren? All right, 153 00:08:41,800 --> 00:08:44,400 Speaker 1: dar a really long text for you one day and 154 00:08:44,400 --> 00:08:47,199 Speaker 1: be like, be like, who the hell is this? Imagine 155 00:08:49,480 --> 00:08:54,280 Speaker 1: we're talking about Darren Starr, our creator, our creator, were 156 00:08:54,320 --> 00:08:56,760 Speaker 1: bowed him. But we always say every week like, oh, 157 00:08:56,800 --> 00:08:59,240 Speaker 1: I wonder well we could just text your and ask him. 158 00:08:59,520 --> 00:09:01,439 Speaker 1: You'd say, text him like I have his number. I 159 00:09:01,480 --> 00:09:04,080 Speaker 1: don't even think I have his number. And ps, he's 160 00:09:04,120 --> 00:09:07,720 Speaker 1: in Paris. Can slide slip whatever you want to do 161 00:09:07,760 --> 00:09:10,360 Speaker 1: into his d MS any day. I'm sure, Okay, I 162 00:09:10,400 --> 00:09:13,200 Speaker 1: don't I really want to do that? Um? Yeah. Or 163 00:09:13,240 --> 00:09:15,720 Speaker 1: we could just book a one we ticket to Paris 164 00:09:15,760 --> 00:09:18,000 Speaker 1: like that idea. We'll show up on set and be 165 00:09:18,000 --> 00:09:19,480 Speaker 1: like dar and we want to take you to lunch 166 00:09:19,559 --> 00:09:22,760 Speaker 1: and then we'll have wine and go over all the 167 00:09:22,840 --> 00:09:25,520 Speaker 1: questions you guys have had and that we have. Yeah, 168 00:09:26,400 --> 00:09:28,959 Speaker 1: and really ruined his day because he's in Paris. He 169 00:09:29,000 --> 00:09:31,120 Speaker 1: would love it. He would love it, of course, but 170 00:09:31,160 --> 00:09:36,880 Speaker 1: the show starts opens with a bizarre neighborhood watch meeting 171 00:09:36,960 --> 00:09:41,160 Speaker 1: that's going on in um, the Walsh's house, but they 172 00:09:41,360 --> 00:09:46,640 Speaker 1: they funnily call it Jack and Candy Welsh's house instead 173 00:09:48,480 --> 00:09:51,200 Speaker 1: Jim and Cindy Walsh, the candy after my mom. Yeah 174 00:09:51,240 --> 00:09:55,880 Speaker 1: maybe maybe Jack and Candy Welsh. That made me laugh. 175 00:09:56,320 --> 00:09:58,280 Speaker 1: But they get they get this alarm system in their 176 00:09:58,280 --> 00:10:00,840 Speaker 1: house because apparently there's been some break some Beverly Hills. 177 00:10:00,880 --> 00:10:03,640 Speaker 1: I mean, it happens anywhere, it happens everywhere, but there's 178 00:10:03,679 --> 00:10:06,440 Speaker 1: been big break ins in Beverly Hills right now, like 179 00:10:06,520 --> 00:10:08,640 Speaker 1: in the last month. What do you mean, how do 180 00:10:08,640 --> 00:10:12,920 Speaker 1: you know I've heard word? Do you know somebody's got 181 00:10:12,920 --> 00:10:16,800 Speaker 1: broken into? Uh no, but apparently like people, they were 182 00:10:16,840 --> 00:10:19,040 Speaker 1: stealing people's watches off of them, like holding them up 183 00:10:19,040 --> 00:10:22,280 Speaker 1: and stealing their watch and them up, Give me your watch, 184 00:10:24,040 --> 00:10:31,120 Speaker 1: you lady, give me a watch. I don't. I don't 185 00:10:31,120 --> 00:10:32,840 Speaker 1: think they would want my Apple watch. But maybe they're 186 00:10:32,840 --> 00:10:36,640 Speaker 1: going for like the role Lexus and it keeps you 187 00:10:36,679 --> 00:10:40,720 Speaker 1: on time. Um um, so yeah, that's interesting jewelry. There 188 00:10:40,720 --> 00:10:42,840 Speaker 1: were breakins and houses and cars, yeah, but this is 189 00:10:42,880 --> 00:10:45,280 Speaker 1: just happening in Beverly Hills. That's happening everywhere. I mean, 190 00:10:45,760 --> 00:10:49,320 Speaker 1: this is l A. This is it's weird. Sometimes you 191 00:10:49,640 --> 00:10:53,239 Speaker 1: we forget I forget that we live in Los Angeles, 192 00:10:53,360 --> 00:10:55,440 Speaker 1: Like this is the one of the biggest cities, the 193 00:10:55,480 --> 00:10:58,959 Speaker 1: most notorious cities in the world, and people come here 194 00:10:59,000 --> 00:11:03,280 Speaker 1: from everywhere. Are your dreams? Dreams? Oh? I saw someone 195 00:11:03,280 --> 00:11:05,720 Speaker 1: today walking and it was a young guy and he 196 00:11:05,760 --> 00:11:08,480 Speaker 1: had his hair bleached blonde, and he had a cute 197 00:11:08,480 --> 00:11:11,120 Speaker 1: outfit on and he had two small suitcases. And I 198 00:11:11,160 --> 00:11:13,680 Speaker 1: was like, and he was on Hollywood And I was like, wow, 199 00:11:13,720 --> 00:11:16,440 Speaker 1: he just got here, brush off the boat. Welcome to 200 00:11:16,600 --> 00:11:19,040 Speaker 1: l A, Welcome to Hollywood, his dreams. And I was 201 00:11:19,080 --> 00:11:20,720 Speaker 1: just like, I want to talk to that guy in 202 00:11:20,760 --> 00:11:24,000 Speaker 1: five years, Like I I thought about that, like wondering 203 00:11:24,200 --> 00:11:27,559 Speaker 1: dream pressure because everyone comes here thinking I'm gonna make it, 204 00:11:27,760 --> 00:11:30,079 Speaker 1: this is gonna be it, and it's just so expensive 205 00:11:30,120 --> 00:11:33,079 Speaker 1: here and the likelihood of making here. Sorry, it's it's 206 00:11:33,080 --> 00:11:35,360 Speaker 1: not always the dream. And he's you're a Debbie Downer. 207 00:11:35,400 --> 00:11:45,000 Speaker 1: Today I turned into you ever call not on my thigh? 208 00:11:45,160 --> 00:11:51,280 Speaker 1: Is that bizarre? But not teaching me with those fingernails. 209 00:11:51,360 --> 00:11:53,360 Speaker 1: This is the thing about being in person. She's allowed 210 00:11:53,360 --> 00:11:55,480 Speaker 1: to touch me whenever she wants, and I don't care 211 00:11:55,520 --> 00:11:58,360 Speaker 1: for socially distance. Stay over there. I just want to 212 00:11:58,360 --> 00:12:01,320 Speaker 1: touch you all. Sorry, Back to the show. Back to 213 00:12:01,360 --> 00:12:04,080 Speaker 1: the show. So, yeah, there's a there's a whole there's 214 00:12:04,080 --> 00:12:06,360 Speaker 1: a whole security thing. What else happens in this episode? 215 00:12:06,400 --> 00:12:11,559 Speaker 1: What do you remember specifically? Okay, So I gotta be honest. 216 00:12:11,960 --> 00:12:13,800 Speaker 1: I had the kids when I was watching this episode, 217 00:12:13,840 --> 00:12:17,600 Speaker 1: and I was doing a lot of pause, pause and watch, 218 00:12:17,640 --> 00:12:19,520 Speaker 1: pause and watch. So I I thought you were about 219 00:12:19,520 --> 00:12:22,280 Speaker 1: to say, I was doing a lot of pot and 220 00:12:22,440 --> 00:12:29,560 Speaker 1: so I don't remember anything. Uh yeah, this this I 221 00:12:29,600 --> 00:12:33,800 Speaker 1: don't remember a lot of this episode. Uh. But so 222 00:12:33,840 --> 00:12:37,520 Speaker 1: the kids are at school. Dylan and Brenda seemed to 223 00:12:37,520 --> 00:12:41,840 Speaker 1: be back together, which we've talked about highly confusing. We 224 00:12:41,880 --> 00:12:45,040 Speaker 1: didn't understand last week if they were, they weren't. Now 225 00:12:45,040 --> 00:12:48,920 Speaker 1: they're just back. Yeah, they're back together. And then you know, 226 00:12:48,960 --> 00:12:52,920 Speaker 1: what I did notice about the group interactions on the 227 00:12:53,080 --> 00:12:56,760 Speaker 1: on this episode was that we as a group all 228 00:12:56,840 --> 00:12:59,160 Speaker 1: just felt really comfortable with one another. There were a 229 00:12:59,200 --> 00:13:01,360 Speaker 1: couple of scenes where we're all hanging out on the quad, 230 00:13:01,520 --> 00:13:06,480 Speaker 1: we're hanging out the peach pit, and it just felt like, uh, 231 00:13:06,720 --> 00:13:09,440 Speaker 1: the group was so comfortable with each other and like 232 00:13:10,200 --> 00:13:13,560 Speaker 1: we could feel that that strong bond. Now in season 233 00:13:13,679 --> 00:13:18,040 Speaker 1: two really starting getting it because by now we were 234 00:13:18,080 --> 00:13:24,320 Speaker 1: all like really comfortable with each other that So can 235 00:13:24,360 --> 00:13:25,720 Speaker 1: I say we can take a break. When do we 236 00:13:25,720 --> 00:13:30,480 Speaker 1: get to do that? Oh? Hey, do it? Do us? Okay? Um, 237 00:13:30,520 --> 00:13:32,679 Speaker 1: you guys, I know this is riven ng what we're 238 00:13:32,679 --> 00:13:35,640 Speaker 1: talking about right now, but hold your breath, not really, 239 00:13:35,640 --> 00:13:49,199 Speaker 1: because we'll be right back from break. Is that okay, 240 00:13:50,440 --> 00:13:53,600 Speaker 1: we're back from break, you guys? UM see what's cool 241 00:13:54,000 --> 00:14:04,320 Speaker 1: to say that? Yeah? All right, Um says he's not here. 242 00:14:05,760 --> 00:14:09,079 Speaker 1: As Another thing that was going on in this episode 243 00:14:09,200 --> 00:14:14,679 Speaker 1: was UM Brandon is working uh Well. First of all, 244 00:14:14,679 --> 00:14:18,520 Speaker 1: he starts out finding the new photographer for the newspaper, right, 245 00:14:20,160 --> 00:14:22,240 Speaker 1: and he goes into the tech room and he thinks 246 00:14:22,280 --> 00:14:24,880 Speaker 1: it's going to be the you know, handsome white guy 247 00:14:25,040 --> 00:14:28,240 Speaker 1: of course, but it's not UM. And that's kind of 248 00:14:28,280 --> 00:14:31,320 Speaker 1: like a weird moment. I don't know why that was 249 00:14:31,360 --> 00:14:34,280 Speaker 1: even in there, but it was. UM. But Brandon is 250 00:14:34,720 --> 00:14:42,360 Speaker 1: trying to clear uh DeVos reputation UM by writing an 251 00:14:42,440 --> 00:14:45,680 Speaker 1: article about what happened to him in Beverly Hills that 252 00:14:45,760 --> 00:14:49,400 Speaker 1: whole scene where the security patrol company sees a guy, 253 00:14:49,760 --> 00:14:54,400 Speaker 1: a suspicious looking character in the Beverly Hills neighborhood and they, 254 00:14:54,480 --> 00:14:57,400 Speaker 1: you know, get out and throw him on the car 255 00:14:57,560 --> 00:15:00,120 Speaker 1: and risk him and do the whole thing. And it 256 00:15:00,240 --> 00:15:03,480 Speaker 1: was actually like watching it made me physically ill. It 257 00:15:03,680 --> 00:15:07,120 Speaker 1: made me. It was like this horrible feeling of like 258 00:15:07,280 --> 00:15:10,960 Speaker 1: I cannot believe that that was happening, and that this 259 00:15:11,000 --> 00:15:14,360 Speaker 1: is happening in this episode, it's still happening today, and 260 00:15:14,400 --> 00:15:19,960 Speaker 1: it's such a just like it just it disgusted me. 261 00:15:20,120 --> 00:15:24,000 Speaker 1: And and if if if me being disgusted by it 262 00:15:24,120 --> 00:15:27,720 Speaker 1: or me being us watching it and having a guttural, 263 00:15:28,120 --> 00:15:30,920 Speaker 1: you know, sort of reaction to it, that's good. That's 264 00:15:30,960 --> 00:15:33,360 Speaker 1: like what we all need to be saying. So that 265 00:15:33,440 --> 00:15:36,160 Speaker 1: the show was putting that kind of content out there 266 00:15:36,600 --> 00:15:41,200 Speaker 1: in the nineties is really a great thing. It's amazing. 267 00:15:41,240 --> 00:15:43,320 Speaker 1: But it's really sad to hear that thirty years later, 268 00:15:43,360 --> 00:15:45,800 Speaker 1: we're still dealing with the same thing, and it's it's 269 00:15:45,840 --> 00:15:49,840 Speaker 1: even worse now, to be honest, I mean, it is worse. Absolutely, 270 00:15:50,680 --> 00:15:53,000 Speaker 1: Are you what is this your she was she's a 271 00:15:53,040 --> 00:15:54,880 Speaker 1: book and she's reading from it. I don't think you. 272 00:15:54,920 --> 00:15:56,640 Speaker 1: We want to talk about this book because this is 273 00:15:56,840 --> 00:15:59,320 Speaker 1: this book. This is a book. It's like a book 274 00:15:59,360 --> 00:16:01,680 Speaker 1: that someone said at me called a very special mind 275 00:16:01,800 --> 00:16:04,760 Speaker 1: to want a book. It's unauthorized that it clearly states 276 00:16:04,840 --> 00:16:08,040 Speaker 1: right here, right under my face, right there behind under 277 00:16:08,040 --> 00:16:12,280 Speaker 1: you know. It's by Tara Ranio and Sarah D. Bunting 278 00:16:13,920 --> 00:16:16,720 Speaker 1: um not to to like, you know, I don't know. 279 00:16:16,800 --> 00:16:18,600 Speaker 1: I haven't really read the book. I just kind of 280 00:16:18,600 --> 00:16:24,000 Speaker 1: looked like it has episode by episode. But the funny 281 00:16:24,040 --> 00:16:27,880 Speaker 1: thing is they kind of recap episodes and they um, 282 00:16:27,920 --> 00:16:32,920 Speaker 1: they also talked about a lot of everything. So it's 283 00:16:32,920 --> 00:16:35,680 Speaker 1: fun to read for me because they say the things 284 00:16:35,680 --> 00:16:40,120 Speaker 1: that maybe people were thinking or that you know, they 285 00:16:40,160 --> 00:16:42,120 Speaker 1: they clearly have a great love for the show. The 286 00:16:42,160 --> 00:16:45,000 Speaker 1: people did this book, but they also have a very 287 00:16:45,040 --> 00:16:48,320 Speaker 1: firm grasp on reality. We should have them on the show. 288 00:16:48,440 --> 00:16:50,800 Speaker 1: We should. Did they send you this book? They did not. 289 00:16:51,440 --> 00:16:53,520 Speaker 1: One of the one of our listeners sent it to me. 290 00:16:53,640 --> 00:16:55,960 Speaker 1: None of our listeners send me anything. They send you 291 00:16:56,000 --> 00:16:59,520 Speaker 1: a lot speaking. I got a message from Crystal, one 292 00:16:59,560 --> 00:17:06,360 Speaker 1: of our favorite ladies out there, did for you. She um, 293 00:17:06,440 --> 00:17:11,240 Speaker 1: She sent me some information on Susan Brown, who played 294 00:17:11,320 --> 00:17:13,879 Speaker 1: Mrs Cooper who was in the in the one of 295 00:17:14,000 --> 00:17:17,440 Speaker 1: the Beverly Hills Ladies. Um. She was close friends with her, 296 00:17:17,440 --> 00:17:20,320 Speaker 1: and she told me that Susan just passed away. She 297 00:17:20,480 --> 00:17:25,520 Speaker 1: was eighties six. Maybe you remember Susan um Brown from 298 00:17:25,720 --> 00:17:28,760 Speaker 1: her work on General Hospital or Port Charles. She was 299 00:17:29,600 --> 00:17:34,399 Speaker 1: a really wonderful actress. And Um, I just want to 300 00:17:34,400 --> 00:17:36,600 Speaker 1: say thank you to Crystal for sending in that intel 301 00:17:36,720 --> 00:17:42,720 Speaker 1: because I love getting that kind of information. Thank you, 302 00:17:43,160 --> 00:17:46,720 Speaker 1: so thank you Susan for everything in a beautiful life 303 00:17:46,720 --> 00:17:49,520 Speaker 1: you lived. So can we go back now to how 304 00:17:49,560 --> 00:17:53,199 Speaker 1: come listeners love you and send you gifts and awesome 305 00:17:53,240 --> 00:17:55,960 Speaker 1: things for the show and names? It's two things. That's 306 00:17:56,000 --> 00:17:58,159 Speaker 1: two more things than anyone's ever So maybe they have 307 00:17:58,280 --> 00:18:01,000 Speaker 1: sent you things you just they're like, you know, I 308 00:18:01,040 --> 00:18:03,960 Speaker 1: can imagine maybe you haven't opened all the boxes or 309 00:18:04,040 --> 00:18:08,080 Speaker 1: packages that you every day your well there you go, 310 00:18:08,640 --> 00:18:10,919 Speaker 1: or Bo does Bo rips into everything. He loves a 311 00:18:10,920 --> 00:18:13,800 Speaker 1: good package. Anyway. UM, I would love to just announce 312 00:18:13,840 --> 00:18:16,000 Speaker 1: my address right now. There's anything that you would like 313 00:18:16,080 --> 00:18:22,840 Speaker 1: to send me. Um, Oh, don't be jelly, I'm not kidding. 314 00:18:23,440 --> 00:18:26,000 Speaker 1: These gifts if you get that book on Amazon though, 315 00:18:26,040 --> 00:18:28,679 Speaker 1: that is very helpful. Well, yeah, I don't know if 316 00:18:28,720 --> 00:18:32,120 Speaker 1: you like it. There's it's talked about me, talked about everybody, 317 00:18:32,200 --> 00:18:36,120 Speaker 1: and like the characters mostly Yeah, I mean there's an 318 00:18:36,119 --> 00:18:40,240 Speaker 1: handle it. Yeah, you think, I think you have some experience. 319 00:18:40,240 --> 00:18:42,640 Speaker 1: So let's talk about fashion from this episode. Okay, let's 320 00:18:44,320 --> 00:18:51,720 Speaker 1: like I said, Saris Reesy, her friends called her, really 321 00:18:52,359 --> 00:18:56,959 Speaker 1: was fashionable and just like you know, she put together. 322 00:18:57,119 --> 00:19:00,920 Speaker 1: She looked sassafrass all the time. Well, um, I liked 323 00:19:00,920 --> 00:19:03,159 Speaker 1: my polka dot dress. But it's not you wearing the 324 00:19:03,200 --> 00:19:06,800 Speaker 1: polka dots. It's actually your friend right there, David Silver, 325 00:19:06,880 --> 00:19:11,560 Speaker 1: wearing the polka dots. That's right, that's correct. So you 326 00:19:11,720 --> 00:19:14,400 Speaker 1: really liked him a lot. It's as if he wore 327 00:19:14,480 --> 00:19:17,840 Speaker 1: were Actually, you know, I knew I was going to 328 00:19:17,920 --> 00:19:22,040 Speaker 1: marry that man on camera. I loved Reese's red blazer 329 00:19:22,080 --> 00:19:25,159 Speaker 1: with her matching hat. And then of course there was 330 00:19:25,359 --> 00:19:28,359 Speaker 1: Mrs Ashe coming down the stairs in that beautiful white. 331 00:19:29,200 --> 00:19:31,040 Speaker 1: I don't know where she was going, but that was 332 00:19:31,080 --> 00:19:34,879 Speaker 1: a beautiful white, like Bob Mackie situation. She was a 333 00:19:35,840 --> 00:19:39,119 Speaker 1: right very Beverly Hills has portray in the nineties. I 334 00:19:39,119 --> 00:19:42,560 Speaker 1: wonder if that was like a leftover from like Nolan 335 00:19:42,640 --> 00:19:45,760 Speaker 1: Miller's like fabulous Dynasty collection, and they're like, okay, let's 336 00:19:45,760 --> 00:19:47,680 Speaker 1: get it over here. They got they went into the 337 00:19:47,760 --> 00:19:51,760 Speaker 1: folder pads, the vaults, and she just fits right into 338 00:19:51,800 --> 00:19:56,280 Speaker 1: it like a glove. Beautiful. What about your favorite line 339 00:19:56,320 --> 00:20:01,840 Speaker 1: from the episode? Um, we already know. You know what 340 00:20:02,880 --> 00:20:05,000 Speaker 1: I was gonna say, don't ever call me recy, but 341 00:20:05,800 --> 00:20:10,720 Speaker 1: Gary said it, Uh, Brandon's your dad is the papa 342 00:20:11,119 --> 00:20:17,520 Speaker 1: Papa's popcorn? Yeah, it's like Sally selling seashells. But you 343 00:20:17,560 --> 00:20:19,120 Speaker 1: think he got through that line in the first take. 344 00:20:20,000 --> 00:20:23,560 Speaker 1: There was a lot of Papa's popcorn discussion and this, 345 00:20:23,640 --> 00:20:25,200 Speaker 1: and I have to say that one because Donna loves 346 00:20:25,240 --> 00:20:28,600 Speaker 1: popcorn and wanted to put yogurt on it. More dairy. 347 00:20:28,680 --> 00:20:31,359 Speaker 1: That's your deal with the She's a daring girl. I 348 00:20:31,359 --> 00:20:34,440 Speaker 1: can't eat d I brought you some yogurt this morning. 349 00:20:34,520 --> 00:20:37,000 Speaker 1: You did breakfast. But you'll see that that is coconut. 350 00:20:37,040 --> 00:20:39,880 Speaker 1: It's dairy free. I know, but back then I could 351 00:20:39,880 --> 00:20:44,080 Speaker 1: eat dairy. I wasn't lot those intolerant anything that was sad. Okay. 352 00:20:44,119 --> 00:20:47,280 Speaker 1: My favorite line from the episode would be from Cherise 353 00:20:47,320 --> 00:20:49,159 Speaker 1: when she says, I wouldn't go to West Beverly if 354 00:20:49,200 --> 00:20:51,120 Speaker 1: it was the last hell hole in the galaxy. Too 355 00:20:51,119 --> 00:20:55,879 Speaker 1: many cashed up snobs. Snobs. That's fun, it's fun to 356 00:20:55,880 --> 00:20:58,359 Speaker 1: talk about that episode. But I think, what do you 357 00:20:58,400 --> 00:21:00,760 Speaker 1: think if we if we take a break maybe and 358 00:21:00,840 --> 00:21:04,280 Speaker 1: come back with some questions from our listeners. Yes, let's 359 00:21:04,280 --> 00:21:16,399 Speaker 1: do that. We love listener questions. Do you love witty 360 00:21:16,480 --> 00:21:19,080 Speaker 1: sarcasm and talking fast? And are you longing to return 361 00:21:19,080 --> 00:21:21,240 Speaker 1: to stars Hollow for one more trip to Kim's Antiques 362 00:21:21,320 --> 00:21:23,080 Speaker 1: or just to pick up a few things at Dosie's Market? 363 00:21:23,440 --> 00:21:25,320 Speaker 1: Is an overnight stay? It's a dragon flame on your 364 00:21:25,359 --> 00:21:27,080 Speaker 1: list of plans for a getaway? Is it burger from 365 00:21:27,119 --> 00:21:29,600 Speaker 1: Luke Steiner on the menu for tonight? This is Scott Patterson. 366 00:21:29,800 --> 00:21:32,600 Speaker 1: I was Luke Danes for one fifty three episodes and 367 00:21:32,720 --> 00:21:35,359 Speaker 1: in four Netflix movies I Am all In and I 368 00:21:35,440 --> 00:21:38,960 Speaker 1: Heart Radio podcast. Come hang with us. We're read watching together, 369 00:21:39,000 --> 00:21:42,399 Speaker 1: We're visiting with all our favorite cast and crew members. 370 00:21:42,440 --> 00:21:45,000 Speaker 1: We talk fast. We've got a lot to say. Listen 371 00:21:45,040 --> 00:21:47,879 Speaker 1: to I Am all In wherever you listen to podcasts. 372 00:22:02,240 --> 00:22:04,600 Speaker 1: Let's take some questions. How about we take a question 373 00:22:04,640 --> 00:22:08,359 Speaker 1: from Stacy um I'll read it. Okay. Were you ever 374 00:22:08,480 --> 00:22:11,359 Speaker 1: upset with any of the cast members that left the show? 375 00:22:12,080 --> 00:22:14,520 Speaker 1: Were you upset with them for leaving? Did you feel abandoned? 376 00:22:14,560 --> 00:22:16,760 Speaker 1: Was there anyone on the cast you tried to convince 377 00:22:16,840 --> 00:22:23,560 Speaker 1: to stay? Mm hmmm, I mean obviously it was. It 378 00:22:23,640 --> 00:22:27,919 Speaker 1: was difficult when Jason left. That was hard because the 379 00:22:28,000 --> 00:22:31,399 Speaker 1: show really started around the Walshes and Shannon was gone, 380 00:22:32,320 --> 00:22:34,439 Speaker 1: and then when Jason left, it just felt like the 381 00:22:34,480 --> 00:22:37,720 Speaker 1: core of the show. Well, it was weird enough when 382 00:22:37,760 --> 00:22:41,879 Speaker 1: Shannon left like that was like, you know, fraught with 383 00:22:41,920 --> 00:22:45,440 Speaker 1: all kinds of like controversy and rumors and all of that. 384 00:22:46,040 --> 00:22:48,360 Speaker 1: But it was weird when she wasn't there, of course, 385 00:22:48,880 --> 00:22:51,360 Speaker 1: and then Jason, I think, was the next one to leave. 386 00:22:51,920 --> 00:22:56,080 Speaker 1: Like you said, I think Luke had left, but then 387 00:22:56,160 --> 00:23:01,960 Speaker 1: Luke came back. I remember begging back, okay, it was 388 00:23:02,000 --> 00:23:04,040 Speaker 1: so nice to have him about, you know. I remember 389 00:23:04,160 --> 00:23:07,280 Speaker 1: just being like, please just come back to the family. 390 00:23:07,480 --> 00:23:09,399 Speaker 1: I think he ish what we started. I think he 391 00:23:09,480 --> 00:23:13,200 Speaker 1: left before Jason, really, I think so. But once Jason left, 392 00:23:13,200 --> 00:23:17,600 Speaker 1: that was it. He was gone. No looking back, No, no, 393 00:23:17,960 --> 00:23:21,400 Speaker 1: it was that the ninth season he left. Geez eight. 394 00:23:21,920 --> 00:23:24,280 Speaker 1: I don't know, but right around there. Yeah, somebody out 395 00:23:24,280 --> 00:23:26,359 Speaker 1: there knows. I'm sure when we look like idiots because 396 00:23:26,359 --> 00:23:28,879 Speaker 1: we don't. No, I mean, we didn't keep track of that, 397 00:23:28,920 --> 00:23:31,000 Speaker 1: but it was just it was just it felt like 398 00:23:32,280 --> 00:23:34,240 Speaker 1: and then you got to move up to number one. 399 00:23:34,880 --> 00:23:39,200 Speaker 1: You were number one, remember that that she's talking about 400 00:23:39,240 --> 00:23:42,240 Speaker 1: On the call sheet there you your names are listed 401 00:23:42,600 --> 00:23:46,320 Speaker 1: and it starts with like the first star, the first 402 00:23:46,359 --> 00:23:48,560 Speaker 1: one that gets the top billing, and that was Jason, 403 00:23:48,640 --> 00:23:52,040 Speaker 1: and then it was Shannon, and then it was me 404 00:23:52,080 --> 00:23:53,919 Speaker 1: for something that I don't even know why. I was 405 00:23:54,040 --> 00:23:56,240 Speaker 1: number three from the get go. So yeah, when one 406 00:23:56,280 --> 00:23:59,800 Speaker 1: and two left, I became number one. And the best 407 00:23:59,800 --> 00:24:01,680 Speaker 1: part about that as I got number one parking spot. 408 00:24:01,800 --> 00:24:04,680 Speaker 1: She did, she did, and I was like, yes, I'm 409 00:24:05,080 --> 00:24:07,800 Speaker 1: really exciting. I never felt jealous. I was really happy 410 00:24:07,840 --> 00:24:11,000 Speaker 1: before you. Yeah, that was like you lived up to 411 00:24:11,119 --> 00:24:12,679 Speaker 1: what did you move up to? Oh my gosh, well 412 00:24:12,720 --> 00:24:17,160 Speaker 1: you guys. I wasn't originally like a regular kind of 413 00:24:17,240 --> 00:24:20,720 Speaker 1: not in the pilot. So anyway I got I was lower. 414 00:24:20,760 --> 00:24:24,240 Speaker 1: I was eight, I think, Yeah, well oddly with seven, 415 00:24:24,880 --> 00:24:27,520 Speaker 1: that's even odd. It gets weird at the end because 416 00:24:27,560 --> 00:24:30,800 Speaker 1: he wasn't regular in the first in the pilot. So anyway, 417 00:24:31,000 --> 00:24:33,359 Speaker 1: so I don't know if we felt abandoned Stacy, but 418 00:24:33,520 --> 00:24:37,240 Speaker 1: we definitely felt the impact of our fellow cast members 419 00:24:37,320 --> 00:24:39,480 Speaker 1: leaving and leaving for whatever reason. It's going on to 420 00:24:39,480 --> 00:24:41,440 Speaker 1: do different things or they just had enough of it 421 00:24:41,560 --> 00:24:45,439 Speaker 1: or whatever it was. But yeah, I mean it was 422 00:24:45,480 --> 00:24:48,920 Speaker 1: like sending someone off to college or you know, having 423 00:24:48,920 --> 00:24:53,240 Speaker 1: someone move away that. Yeah, it was really hard, and 424 00:24:53,840 --> 00:24:55,640 Speaker 1: you know, of course it made all of us think, 425 00:24:55,760 --> 00:24:57,800 Speaker 1: like we do they know something we don't know they're 426 00:24:57,800 --> 00:24:59,480 Speaker 1: getting that now is now all the time to get out? 427 00:24:59,520 --> 00:25:01,120 Speaker 1: But it was like week you can leave, you can 428 00:25:01,119 --> 00:25:02,720 Speaker 1: just do the sleep. They let you out of the 429 00:25:02,720 --> 00:25:04,919 Speaker 1: padded cell that you always say here, and who has 430 00:25:04,960 --> 00:25:07,760 Speaker 1: the key? Like Jason got out, he made it out. 431 00:25:07,840 --> 00:25:14,359 Speaker 1: Oh my god, Clox, Well, I feel like that's all 432 00:25:14,440 --> 00:25:16,399 Speaker 1: the time we have to We have more questions, but 433 00:25:16,480 --> 00:25:19,880 Speaker 1: we should probably get to those next week because we're 434 00:25:19,960 --> 00:25:22,680 Speaker 1: running to the end of our time. But yeah, thank 435 00:25:22,720 --> 00:25:25,040 Speaker 1: you for watching. What's our next episode? I don't know, 436 00:25:25,560 --> 00:25:27,520 Speaker 1: thank you guys for watching this show along with us 437 00:25:27,600 --> 00:25:31,159 Speaker 1: because we're having so much fun. Um. The next episode 438 00:25:31,560 --> 00:25:36,800 Speaker 1: is Necessity is a Mother Season two episode ten, very 439 00:25:36,840 --> 00:25:42,600 Speaker 1: exciting because this is the episode where we meet Iris Mackay, 440 00:25:44,240 --> 00:25:47,439 Speaker 1: Stephanie Beacham, you guys, and we might just get to 441 00:25:47,520 --> 00:25:52,680 Speaker 1: talk to her fingers cross. Very exciting. Have a great week, 442 00:25:52,920 --> 00:25:57,000 Speaker 1: you guys. Go out there and do your thing. Bye bye,