WEBVTT - Paint Meets World 0:00:11.020 --> 0:00:12.760 Welcome to Pod Meets World. I'm Danielle Fishel. 0:00:13.039 --> 0:00:13.840 I'm Ryder Strong. 0:00:14.020 --> 0:00:14.700 And I'm Will Friedle. 0:00:15.220 --> 0:00:18.090 Welcome back to Pod Meets World on Disney +. I'm 0:00:18.110 --> 0:00:18.850 Danielle Fishel. 0:00:18.989 --> 0:00:20.570 I'm Ryder Strong. And I'm Will Friedle. 0:00:20.670 --> 0:00:25.169 So this week, we are taking advantage of our brand 0:00:25.310 --> 0:00:31.160 new visual capabilities, and we are bringing you... Something, what? 0:00:31.240 --> 0:00:33.239 What are you going to say? Our brand new visual game. 0:00:33.280 --> 0:00:34.460 Like our ability to see? 0:00:34.479 --> 0:00:37.060 Their ability to see us. 0:00:37.080 --> 0:00:39.580 Okay, so it's not like the technology's new. 0:00:39.740 --> 0:00:40.300 No. 0:00:40.340 --> 0:00:43.590 This new telephonic device, you can actually see what we're doing. 0:00:44.150 --> 0:00:45.590 Wow, you can see everything. 0:00:46.270 --> 0:00:47.650 It's called a television. 0:00:47.670 --> 0:00:49.730 Television. 0:00:49.750 --> 0:00:52.570 No, we're bringing you something that's not only for your ears, 0:00:52.650 --> 0:00:57.000 but for your eyeballs as well. We have invited artist 0:00:57.220 --> 0:01:01.180 and instructor Allison Lowe to the podcast with a hefty 0:01:01.340 --> 0:01:04.620 challenge in mind. Allison, welcome to our show. Thank you 0:01:04.640 --> 0:01:06.789 for having me. On a scale of one to the 0:01:06.870 --> 0:01:10.450 craziest people you've ever met, what is your first impression 0:01:10.490 --> 0:01:12.870 of us? You've been around us now for about 10 minutes. 0:01:13.550 --> 0:01:15.870 What do you think of the three of us so far? 0:01:16.970 --> 0:01:25.080 Well... I just hope the canvas gets covered. 0:01:25.300 --> 0:01:25.660 Right. 0:01:25.740 --> 0:01:26.140 Okay. 0:01:26.200 --> 0:01:26.459 All right. 0:01:26.500 --> 0:01:26.960 You're right. 0:01:27.060 --> 0:01:29.009 I think what she means is we have been all 0:01:29.069 --> 0:01:32.050 over the place and she's not wrong. So we are 0:01:32.110 --> 0:01:37.740 going to try our hardest to replicate one of Allison's 0:01:38.440 --> 0:01:42.020 Beautiful landscape pieces. Here it is for you to see 0:01:42.120 --> 0:01:46.580 as well. We do have some constraints, one of them 0:01:46.640 --> 0:01:49.460 being time. We don't have the entire day to do this. 0:01:49.620 --> 0:01:52.100 I would argue that none of us are artists is 0:01:52.140 --> 0:01:53.190 also a constraint as well. 0:01:53.250 --> 0:01:56.210 No artistic talent. 0:01:56.230 --> 0:02:00.150 I actually could say I have just no talent. Not 0:02:00.230 --> 0:02:06.170 just no artistic talent. So I'm really... This is really going, I, 0:02:06.570 --> 0:02:08.850 my stick figures are unrecognizable. 0:02:08.880 --> 0:02:09.510 Okay. 0:02:10.200 --> 0:02:12.419 If I were to draw a dog, you would not 0:02:12.660 --> 0:02:15.100 believe that that's the best version of a dog I 0:02:15.120 --> 0:02:17.579 could give you. Like, it's truly mind-boggling how bad of 0:02:17.620 --> 0:02:21.549 an artist I am. But at the end of this episode, 0:02:21.690 --> 0:02:24.230 Allison's going to look at our three paintings. She's going 0:02:24.270 --> 0:02:28.250 to give us her expert opinion and say who she 0:02:28.350 --> 0:02:28.770 thinks is. 0:02:29.070 --> 0:02:30.110 And we have a winner? 0:02:30.130 --> 0:02:32.510 We have a winner. Yeah, there's a winner. 0:02:32.720 --> 0:02:33.720 What do we win? 0:02:33.880 --> 0:02:36.799 Well, the respect and admiration of your peers. 0:02:37.540 --> 0:02:38.540 You mean the other two? 0:02:38.560 --> 0:02:39.060 Yes. 0:02:39.060 --> 0:02:43.019 35 years, they're going to start respecting each other now? 0:02:43.220 --> 0:02:44.840 Come on. 0:02:45.700 --> 0:02:49.970 I will say that we have... A painter in our midst. 0:02:50.010 --> 0:02:50.510 We don't. 0:02:50.930 --> 0:02:52.329 Don't set me up for a failure. 0:02:52.350 --> 0:02:55.460 You've worked with paint before. I've literally touched paint like 0:02:55.540 --> 0:02:56.500 twice in my life. 0:02:56.540 --> 0:02:58.280 No, I've worked with paint before. Yes, definitely. 0:02:58.300 --> 0:03:00.320 You had a painting show on the internet for like 0:03:00.400 --> 0:03:01.139 three years. 0:03:01.300 --> 0:03:01.680 That's true. 0:03:02.020 --> 0:03:05.340 Yeah. Yes. But it's painting miniature figures for Dungeons and Dragons, 0:03:05.360 --> 0:03:07.560 which is very different than painting this beautiful landscape. 0:03:08.220 --> 0:03:10.950 And you said you've touched paint twice. You've never painted before? 0:03:11.010 --> 0:03:14.290 I did during the pandemic when my family was locked up. 0:03:14.990 --> 0:03:17.889 We had like an extended family. There was like six 0:03:17.930 --> 0:03:20.769 of us in the house. And so we did a 0:03:20.790 --> 0:03:22.889 Bob Ross day and I was horrible. 0:03:23.310 --> 0:03:24.030 Really? 0:03:24.120 --> 0:03:26.200 Yeah. There's no mistakes, Ryder. 0:03:26.220 --> 0:03:27.020 Just happy accidents. 0:03:27.040 --> 0:03:30.919 Mm-hmm. I want to be like ASMR. I think that's 0:03:30.940 --> 0:03:33.020 what I'll just narrate what's happening with ASMR. 0:03:33.040 --> 0:03:35.339 Do you know the story of why Bob Ross never 0:03:35.400 --> 0:03:37.300 spoke up? Like always kept his voice level? 0:03:37.540 --> 0:03:37.680 Why? 0:03:37.900 --> 0:03:40.840 Is because he was actually an army drill instructor. And 0:03:40.880 --> 0:03:43.360 he screamed and screamed and screamed for years at people. 0:03:43.380 --> 0:03:45.840 And when he retired, he said... I'm not doing that anymore. 0:03:45.900 --> 0:03:48.380 And he never raised his voice again. 0:03:48.420 --> 0:03:50.360 I love that. Half his life screaming, the other half 0:03:50.420 --> 0:03:51.320 of it whispering. 0:03:51.340 --> 0:03:52.800 Things you learn from Wilson. 0:03:53.060 --> 0:03:57.070 Well, for you, our dear listeners, you can head over 0:03:57.190 --> 0:04:00.930 to our Instagram at podmeetsworldshow and you can help pick 0:04:01.030 --> 0:04:03.850 a winner as well. Do you think one of us 0:04:03.890 --> 0:04:08.890 will be the next Alexandra Nikita? Would Ricky Ferris approve 0:04:08.990 --> 0:04:09.630 of any of our. 0:04:09.670 --> 0:04:11.920 As long as we're trying to be artistic, he'd approve. 0:04:12.680 --> 0:04:13.560 That's all that matters. 0:04:14.280 --> 0:04:15.100 I wish we had berets. 0:04:15.120 --> 0:04:17.089 I was going to say, I really wish we had berets. 0:04:17.130 --> 0:04:19.070 You should have taken this one step further. 0:04:19.089 --> 0:04:19.870 It's a bang in. 0:04:19.870 --> 0:04:20.270 Front of me. 0:04:20.529 --> 0:04:21.570 Beret in my head. 0:04:21.970 --> 0:04:25.550 My life is ready. For those of you who are 0:04:25.710 --> 0:04:28.190 only listening, we are going to look to Allison to 0:04:28.230 --> 0:04:30.340 verbally express some of what she sees. 0:04:30.360 --> 0:04:31.480 How bad we are. Yes. 0:04:32.339 --> 0:04:33.080 As you're going along. 0:04:33.480 --> 0:04:33.700 Yeah. 0:04:33.720 --> 0:04:35.560 Yes, as you're going along, you can call out to people. 0:04:35.580 --> 0:04:36.539 That almost looks like a mountain. 0:04:38.810 --> 0:04:41.909 We've set up our little workstations here on set. Allison 0:04:41.970 --> 0:04:45.839 so kindly gave us some paint. Allison, will you walk 0:04:45.900 --> 0:04:47.120 us through what you gave us? 0:04:47.660 --> 0:04:50.180 Okay, I gave you basically a warm and a cool yellow, 0:04:50.200 --> 0:04:52.700 a warm and a cool red, a warm and a 0:04:52.740 --> 0:04:55.960 cool blue, and a violet. And white, of course. 0:04:56.460 --> 0:04:56.789 Okay. 0:04:56.850 --> 0:04:59.390 And so this way you can make all different shades of... 0:05:00.190 --> 0:05:02.270 of any color you want with those. Right, right. 0:05:02.310 --> 0:05:04.660 And do we add water to the paint? 0:05:04.700 --> 0:05:05.180 You can. 0:05:05.220 --> 0:05:06.159 You can, yes. 0:05:06.580 --> 0:05:08.460 And you can spray it if it starts getting dry, 0:05:08.620 --> 0:05:10.140 and it's up to you to decide how thin or 0:05:10.180 --> 0:05:13.300 thick you want it. You know, use the water. You 0:05:13.779 --> 0:05:17.590 each have your own water cup. And, yeah, I would 0:05:17.630 --> 0:05:19.930 start thinner, and then you can always work thick. 0:05:20.210 --> 0:05:20.710 It's hard. 0:05:20.750 --> 0:05:22.790 If you put chunks of paint on, it's going to 0:05:22.830 --> 0:05:23.930 be hard. You're going to be fighting that. 0:05:24.370 --> 0:05:24.630 Right. 0:05:24.650 --> 0:05:24.890 Okay. 0:05:25.980 --> 0:05:30.159 Okay, well, I feel like I have all the information 0:05:30.240 --> 0:05:33.630 I need to begin. Oh, you're going right. Oh, water 0:05:33.690 --> 0:05:34.390 in the middle. 0:05:34.450 --> 0:05:35.110 Water in the middle? 0:05:35.430 --> 0:05:36.230 Well, you can if you want. 0:05:36.529 --> 0:05:42.349 So as I advanced more as a mini painter, you 0:05:42.370 --> 0:05:44.110 go from a palette like this to more of a 0:05:44.130 --> 0:05:46.530 wet palette where everything is kind of a mass of 0:05:46.589 --> 0:05:48.390 water in the middle and you're pulling your paint through it. 0:05:48.690 --> 0:05:50.550 Which thins it but can also blend it a little better. 0:05:50.570 --> 0:05:52.150 But that's not for everybody. 0:05:52.330 --> 0:05:54.849 Okay, I mean, all right. Allison, please. 0:05:54.890 --> 0:05:56.650 I'm just setting myself up for failure, by the way. 0:05:56.850 --> 0:05:58.589 All right, guys, let's go ahead and get started. 0:05:58.610 --> 0:06:04.880 And I would suggest first look at the seascape and 0:06:04.980 --> 0:06:07.320 start with the drawing in the horizon line so you 0:06:07.360 --> 0:06:10.200 kind of know from there and then start mapping in 0:06:10.360 --> 0:06:11.260 the larger shapes. 0:06:11.320 --> 0:06:15.940 That's a really good idea to do the horizon line first. 0:06:16.040 --> 0:06:16.760 I'm going to move this. 0:06:18.850 --> 0:06:19.170 Okay. 0:06:19.250 --> 0:06:21.670 I use Horizon and it just cuts in and out 0:06:21.690 --> 0:06:22.270 a lot of times. 0:06:22.300 --> 0:06:23.419 That's a Verizon. 0:06:24.300 --> 0:06:24.960 Close, though. 0:06:25.040 --> 0:06:25.799 Really close. 0:06:27.620 --> 0:06:30.080 Okay. And don't be afraid of whatever color you start on. 0:06:30.100 --> 0:06:30.920 I am afraid. Don't be afraid. 0:06:31.460 --> 0:06:33.740 No, no, because the paint, well, you can always layer 0:06:33.820 --> 0:06:36.500 on top. So don't worry. Don't think it has to 0:06:36.540 --> 0:06:37.160 be exactly. 0:06:37.220 --> 0:06:38.740 My Horizon already went up. 0:06:39.180 --> 0:06:40.400 We're going to fix that. 0:06:40.520 --> 0:06:41.520 You'll be able to fix that. 0:06:42.120 --> 0:06:46.640 Or maybe you'll like it. And look at the relationship 0:06:46.720 --> 0:06:49.960 of the rocks, the water, and kind of the angle 0:06:50.000 --> 0:06:50.900 that it's moving it. 0:06:50.900 --> 0:06:51.659 Okay. 0:06:51.940 --> 0:06:52.620 All right. 0:06:52.790 --> 0:06:55.050 Guys, I am already– I would have already given up 0:06:55.350 --> 0:06:57.570 on this. I would be like, well, that was fun. 0:06:57.589 --> 0:07:03.010 I'm terrible at this. Not going to– The beautiful thing. 0:07:02.860 --> 0:07:06.339 Is the paint will dry– very quickly, like within minutes. 0:07:06.420 --> 0:07:08.300 And if you don't like something, you can literally go 0:07:08.380 --> 0:07:09.880 over it with another color or you can go over 0:07:09.900 --> 0:07:11.200 it with white and then begin again. 0:07:11.620 --> 0:07:14.200 Right. Okay. What do you do if you've accidentally touched 0:07:14.250 --> 0:07:15.460 the top of your canvas? 0:07:15.500 --> 0:07:16.090 That's okay. 0:07:16.130 --> 0:07:16.420 That's it. 0:07:16.430 --> 0:07:16.890 You broke it. 0:07:17.010 --> 0:07:17.310 Get out. 0:07:17.410 --> 0:07:18.010 Get out. 0:07:18.150 --> 0:07:18.590 You lose. 0:07:18.650 --> 0:07:20.650 Just try to pretend you're like a kid and you 0:07:20.690 --> 0:07:23.350 don't really care. That is the way to. 0:07:23.370 --> 0:07:25.290 That's one thing Danielle is really good at is just 0:07:25.370 --> 0:07:25.790 letting go. 0:07:29.370 --> 0:07:32.550 Your challenge today would be to actually let the colors touch. 0:07:32.850 --> 0:07:36.470 Okay. Like, how do I... Oh, that's what the cup 0:07:36.490 --> 0:07:37.910 of water's for if I want to get this color 0:07:37.970 --> 0:07:38.630 off of here? 0:07:38.670 --> 0:07:40.470 And that's why there's paper towel there, too, if you 0:07:40.490 --> 0:07:41.850 need to, like, dry off your brush. 0:07:41.870 --> 0:07:44.790 I love paper towel. Okay. Right. 0:07:45.230 --> 0:07:47.090 And the table is going to get messy. I'm glad 0:07:47.150 --> 0:07:49.110 you gave me purple. It's okay if it gets messy. 0:07:49.390 --> 0:07:49.630 No. 0:07:50.410 --> 0:07:50.770 No, no. 0:07:50.930 --> 0:07:52.770 It's not okay. It's messy. 0:07:52.790 --> 0:07:53.010 It's messy. 0:07:55.390 --> 0:07:57.700 It's not okay. It's a real problem. 0:07:58.040 --> 0:08:01.360 And once you get going on it, if you see 0:08:01.400 --> 0:08:05.360 like a dominant thing, like the blue of the ocean 0:08:05.400 --> 0:08:08.680 that's dominant, you can just mask that in and mix 0:08:08.740 --> 0:08:10.700 up a light blue and take the bigger brush and 0:08:10.820 --> 0:08:11.780 sort of mask it in. 0:08:11.800 --> 0:08:12.860 Yeah. 0:08:17.900 --> 0:08:24.700 Oh my gosh. Oh my gosh. I'm so stressed. I 0:08:24.750 --> 0:08:26.830 do love purple. I was like really glad you gave 0:08:26.870 --> 0:08:30.770 me purple. And now I'm stressed about the fact that 0:08:30.790 --> 0:08:31.750 I picked purple. 0:08:32.250 --> 0:08:33.670 You can go over it with a different color. 0:08:33.730 --> 0:08:34.170 That's true. 0:08:34.650 --> 0:08:35.729 Just rinse off your brush. 0:08:35.850 --> 0:08:38.830 I'm also doing this as if like the time was 0:08:38.870 --> 0:08:40.990 that we had 45 seconds to do this. 0:08:41.010 --> 0:08:41.849 Yeah, you're like racing. 0:08:41.929 --> 0:08:43.970 I'm like racing through it. And I guess I could 0:08:43.990 --> 0:08:45.410 take a little bit more time, you know? 0:08:45.429 --> 0:08:45.530 Yeah. 0:08:45.820 --> 0:08:46.600 I am concerned. 0:08:46.620 --> 0:08:50.410 Yes, but remember to spray the paint after a little 0:08:50.450 --> 0:08:53.079 while just so that it doesn't completely harden up on you. 0:08:53.130 --> 0:08:54.400 Right, that's my problem. 0:08:56.970 --> 0:08:58.989 So once you're outlined, then what would be the next 0:08:59.050 --> 0:09:00.770 kind of step? You've outlined the whole thing? 0:09:00.830 --> 0:09:01.070 Yes. 0:09:01.230 --> 0:09:01.350 Wow. 0:09:01.370 --> 0:09:03.130 Okay, so look at you. 0:09:03.210 --> 0:09:03.450 See? 0:09:03.970 --> 0:09:06.729 You're just more comfortable because you've done some painting. 0:09:06.830 --> 0:09:09.410 That's one thing I learned right away is you just 0:09:09.429 --> 0:09:10.589 can't be scared of it. You just gotta go in 0:09:10.610 --> 0:09:10.820 and do it. 0:09:10.830 --> 0:09:11.469 Yes, exactly. 0:09:11.770 --> 0:09:12.370 Exactly. 0:09:12.390 --> 0:09:13.530 Well, you've gotta be scared of it. 0:09:13.530 --> 0:09:14.930 So you would ask me what, so I would take 0:09:14.960 --> 0:09:18.420 the bigger brush and mass in the big, I call 0:09:18.460 --> 0:09:20.380 it shapes, but you might call it color. Okay, I 0:09:20.420 --> 0:09:22.260 see a big area of green. I see a big 0:09:22.340 --> 0:09:23.060 area of like a light blue. 0:09:23.080 --> 0:09:24.840 So start with, okay, gotcha, gotcha, gotcha. 0:09:24.860 --> 0:09:25.020 Yes. 0:09:26.130 --> 0:09:27.250 I might stick with the smaller brush. 0:09:27.270 --> 0:09:28.910 And that might cover the canvas, because maybe part of 0:09:28.950 --> 0:09:32.050 what's intimidating is the idea it's a white canvas. So 0:09:32.130 --> 0:09:35.610 if that's what's intimidating you, just get your bigger brush 0:09:36.429 --> 0:09:40.620 and start really covering the canvas. And it just has 0:09:40.640 --> 0:09:42.420 to be a thin layer of color, but that might 0:09:42.520 --> 0:09:45.020 help break out of any concerns. 0:09:47.600 --> 0:09:52.530 Oh, can we just not do this anymore? This is 0:09:52.590 --> 0:09:54.610 just so uncomfortable. 0:09:55.920 --> 0:09:59.740 Oh my, you really, it's a control thing, huh? 0:10:00.120 --> 0:10:02.780 I don't like art. This is challenging. 0:10:02.840 --> 0:10:04.260 I don't like art. 0:10:04.280 --> 0:10:05.780 This is challenging. 0:10:05.850 --> 0:10:09.290 This is no, can we do word problems or math problems? 0:10:09.630 --> 0:10:13.720 Okay, if you add, Six plus eight. 0:10:13.880 --> 0:10:14.140 Yeah. 0:10:14.420 --> 0:10:15.040 Now paint that. 0:10:15.220 --> 0:10:18.900 Okay. Does everyone here have a favorite painting? Allison, I'm 0:10:18.940 --> 0:10:20.780 assuming you have a favorite painting. 0:10:22.679 --> 0:10:25.140 I don't actually have a favorite painting. 0:10:25.400 --> 0:10:25.640 Yeah. 0:10:25.920 --> 0:10:28.500 I have a handful of favorite painters. Okay. 0:10:28.760 --> 0:10:31.959 Are you more of the landscape variety? 0:10:32.020 --> 0:10:34.880 Are you more of a Monet kind of fan when 0:10:34.920 --> 0:10:37.010 it comes to the surrealism? 0:10:37.110 --> 0:10:38.550 Not surrealism, but the. 0:10:38.730 --> 0:10:39.030 Well, yeah. 0:10:39.070 --> 0:10:39.690 No, Monet is. 0:10:40.580 --> 0:10:41.600 Well, Monet is impressionist. 0:10:41.620 --> 0:10:44.140 Impressionist, that's what I meant, impressionist. Are you more from 0:10:44.160 --> 0:10:45.300 the impressionist school? 0:10:45.460 --> 0:10:49.620 Well, I started that way, but my favorite painter is 0:10:49.679 --> 0:10:52.140 a guy, his name is Wolf Kahn. He's my favorite 0:10:52.160 --> 0:10:55.720 landscape painter. He is a landscape painter, but he's really, 0:10:55.780 --> 0:11:01.230 his colors are what makes him stand out. If you 0:11:01.250 --> 0:11:03.490 look at any of his paintings, they're the most stunning colors, 0:11:03.640 --> 0:11:06.510 and he really challenges, that's what inspires him is to 0:11:06.570 --> 0:11:11.230 challenge himself using really colors that you wouldn't necessarily think 0:11:11.990 --> 0:11:14.750 go together. So he's my favorite landscape painter, but I 0:11:14.770 --> 0:11:17.670 have a lot of other painters that are not landscape, 0:11:18.370 --> 0:11:21.700 but I personally just, I've always been drawn to the landscape. 0:11:21.720 --> 0:11:23.620 So that's where I started and that's sort of where 0:11:23.660 --> 0:11:25.280 I'm always most comfortable. 0:11:25.880 --> 0:11:28.800 What's the farthest you've ever traveled to see a single painting? 0:11:31.260 --> 0:11:33.679 I think, well, I guess we were in London and Spain. 0:11:37.950 --> 0:11:39.530 That's pretty good. 0:11:39.550 --> 0:11:40.130 That's cool. 0:11:40.510 --> 0:11:40.730 Yes. 0:11:40.809 --> 0:11:42.240 Ryder, do you have a favorite painting? 0:11:42.250 --> 0:11:42.309 No. 0:11:42.320 --> 0:11:46.599 I've never really thought about it. 0:11:46.860 --> 0:11:47.040 Right. 0:11:47.480 --> 0:11:48.380 I do love art. 0:11:48.420 --> 0:11:49.120 That's looking good. 0:11:49.280 --> 0:11:49.880 Oh, thank you. 0:11:50.320 --> 0:11:51.060 I got a compliment. 0:11:51.480 --> 0:11:52.440 Wow. 0:11:52.500 --> 0:11:54.520 That is looking good. You did really light. 0:11:55.540 --> 0:11:56.120 Yeah. 0:11:56.200 --> 0:11:57.320 I like sketching. 0:11:57.400 --> 0:11:58.880 Like, I like sketching with a pencil. 0:11:58.900 --> 0:11:58.980 Yeah. 0:11:59.400 --> 0:12:01.679 So I just decided to start looking at this like 0:12:01.740 --> 0:12:03.700 I'm using this like a pencil. 0:12:03.800 --> 0:12:04.020 Yes. 0:12:04.160 --> 0:12:05.870 And that helped me, like, get over the fear of 0:12:05.920 --> 0:12:06.640 putting paint on it. 0:12:07.150 --> 0:12:08.270 You guys are all doing it. 0:12:09.290 --> 0:12:11.670 Did that help getting the horizon line in and starting 0:12:11.720 --> 0:12:12.340 from that place? 0:12:12.460 --> 0:12:12.880 I mean, yeah. 0:12:12.900 --> 0:12:15.679 I'm not sure I would have been able to do 0:12:15.720 --> 0:12:18.439 it any other way. I mean, I still hate this. 0:12:19.020 --> 0:12:20.610 I still hate it. 0:12:24.900 --> 0:12:25.579 Absolutely. 0:12:25.679 --> 0:12:28.400 What's the word? What's the word I'm looking for? This 0:12:28.480 --> 0:12:29.660 is not soothing. 0:12:29.780 --> 0:12:30.800 I loathe this. 0:12:30.820 --> 0:12:32.880 This is not soothing to me. This is like one 0:12:32.900 --> 0:12:37.130 of those things that if you, I guarantee you my, yeah, 0:12:37.170 --> 0:12:39.569 my heart rate is like through the roof. 0:12:39.590 --> 0:12:39.660 Wow. 0:12:39.790 --> 0:12:48.760 And... Oh God, making brown is not going to be easy. 0:12:48.880 --> 0:12:51.520 No, brown, the color that you get when you mix 0:12:51.640 --> 0:12:53.020 all colors together is not good. 0:12:53.080 --> 0:12:54.569 I was going to say, that's as fun as like 0:12:54.800 --> 0:12:58.490 anything you mix together eventually will become brown. If you 0:12:58.510 --> 0:13:00.810 just mix a bunch of stuff together and then use 0:13:00.850 --> 0:13:02.450 your white to make it lighter or darker. 0:13:02.470 --> 0:13:06.569 Oh gosh. 0:13:09.220 --> 0:13:10.339 You didn't ask me, by the way, Danielle. 0:13:10.780 --> 0:13:11.280 Sorry, Will. 0:13:11.440 --> 0:13:12.580 Do you have a favorite painting? 0:13:12.620 --> 0:13:12.700 No. 0:13:14.620 --> 0:13:16.640 Great answer. Ladies and gentlemen. 0:13:16.660 --> 0:13:17.200 Sorry, Will. 0:13:17.300 --> 0:13:17.680 I do. 0:13:17.700 --> 0:13:20.120 What is your favorite? Starry Night is my favorite. Is it? 0:13:20.200 --> 0:13:20.880 Okay. 0:13:20.920 --> 0:13:21.339 Wow. 0:13:21.360 --> 0:13:22.980 You love the episode so much. 0:13:23.840 --> 0:13:25.679 Starry Night. Starry Night. 0:13:26.200 --> 0:13:26.980 I'm Mickey Ferris. 0:13:27.200 --> 0:13:27.640 Uh-huh. 0:13:27.880 --> 0:13:28.640 That's the way it is. 0:13:29.140 --> 0:13:31.880 Okay. I have other questions. 0:13:31.960 --> 0:13:34.280 Hold, please. 0:13:34.400 --> 0:13:35.439 Why are we doing this? 0:13:36.559 --> 0:13:41.559 I just got paint on the microphone. Sorry. Writer, what 0:13:42.020 --> 0:13:44.070 color would you say best represents you? 0:13:45.530 --> 0:13:45.870 God. 0:13:45.990 --> 0:13:46.330 Black. 0:13:48.590 --> 0:13:51.970 Are you answering for me? What color? 0:13:52.070 --> 0:13:52.490 I don't know. 0:13:52.550 --> 0:13:56.070 I mean, it's hard to separate what color I like. 0:13:56.130 --> 0:13:59.870 I'm such a fan of blues. So I like blue 0:13:59.929 --> 0:14:02.370 and purple. My son's name is Indigo. I think Indigo 0:14:02.410 --> 0:14:06.709 is probably my favorite color. But I don't know if 0:14:06.730 --> 0:14:10.790 that represents me. I'm probably more like a forest green. 0:14:10.809 --> 0:14:13.530 Oh, you are a forest green. Yeah, you're a forest green. 0:14:14.309 --> 0:14:16.150 How do you get rid of a color that's on 0:14:16.170 --> 0:14:16.630 your brush? 0:14:17.110 --> 0:14:18.250 Just keep using the water. 0:14:18.270 --> 0:14:18.830 Just keep going? 0:14:18.870 --> 0:14:19.430 Yeah, yeah. 0:14:19.450 --> 0:14:20.030 It's not going away. 0:14:20.080 --> 0:14:22.570 And paper towel. And eventually it'll come off. 0:14:22.580 --> 0:14:23.780 I can't believe how fun it is to mix two 0:14:23.800 --> 0:14:24.620 colors and get another color. 0:14:24.660 --> 0:14:25.920 Isn't that great? It might blend into whatever color you 0:14:25.940 --> 0:14:27.300 put a little bit, but you might end up like that. 0:14:27.320 --> 0:14:28.220 Like science or whatever. 0:14:28.240 --> 0:14:28.940 Like science. 0:14:28.980 --> 0:14:30.400 Could you wipe it on the smock? I don't know. 0:14:31.060 --> 0:14:31.760 You're allowed to do that. 0:14:31.820 --> 0:14:35.050 Do you have a paper towel? 0:14:35.090 --> 0:14:37.590 Did I take way too much paint? Why did I 0:14:37.630 --> 0:14:39.350 end up with not being able to get your brush? 0:14:40.360 --> 0:14:41.180 Got a nice green color. 0:14:41.220 --> 0:14:43.640 Thank you. That's what I was just saying. It's very 0:14:43.680 --> 0:14:47.400 satisfying to mix the two colors and start to see 0:14:47.450 --> 0:14:49.900 the new color that you make and then adjust it. 0:14:50.370 --> 0:14:51.030 That part was fun. 0:14:51.050 --> 0:14:52.670 I want a lighter. 0:14:52.690 --> 0:14:53.730 You know why you like that? 0:14:53.890 --> 0:14:54.050 Why? 0:14:54.070 --> 0:14:55.200 Because you have a level of control. 0:14:57.390 --> 0:14:59.140 Ah, thank you. 0:14:59.220 --> 0:15:01.340 Just gathering this from what the three of you have 0:15:01.360 --> 0:15:02.560 been talking about. 0:15:03.200 --> 0:15:06.460 Yeah, well, I don't know if you have your therapist license, 0:15:06.480 --> 0:15:11.070 but you're welcome to diagnose me. Yeah, you're right. That 0:15:11.110 --> 0:15:13.350 is why I liked it so much. It was nice 0:15:13.370 --> 0:15:15.510 because I was like, hey, I want green. I just 0:15:15.590 --> 0:15:20.750 made green. Well, what color do you think represents you? 0:15:21.840 --> 0:15:23.640 Represents me or is my favorite color? 0:15:23.720 --> 0:15:27.729 Represents you. But if you only want to tell me 0:15:27.750 --> 0:15:28.430 your favorite color. 0:15:28.470 --> 0:15:30.330 Well, my favorite color is green. Always has been. 0:15:30.350 --> 0:15:33.150 I think the color that maybe I'm a pretty happy 0:15:33.190 --> 0:15:35.210 guy and I like to bring. 0:15:35.070 --> 0:15:37.210 Joy to other people if I can. So I would 0:15:37.230 --> 0:15:38.930 say something like a nice sunny yellow. 0:15:40.050 --> 0:15:43.090 Probably represents me the best because I've been told I'm 0:15:43.150 --> 0:15:44.450 like sunshine on a cloudy day. 0:15:44.470 --> 0:15:46.370 When you're doing. 0:15:46.210 --> 0:15:48.270 The water, it's a big brush. So you really get 0:15:48.290 --> 0:15:48.990 it on the canvas. 0:15:49.010 --> 0:15:49.410 You're right. 0:15:51.770 --> 0:15:54.750 I am really unhappy with the line of my. 0:15:56.720 --> 0:15:59.760 My rocks over here. And I was, I was thinking 0:15:59.820 --> 0:16:02.950 I'd be able to change the, change the color of it, 0:16:03.000 --> 0:16:05.580 but I really didn't do a good job. 0:16:05.940 --> 0:16:07.540 You could let it dry for a few minutes and 0:16:07.590 --> 0:16:09.970 work in a different area. And then once it's dry, 0:16:10.130 --> 0:16:12.310 you can literally go over it completely and you wouldn't 0:16:12.350 --> 0:16:13.630 even know you had anything. 0:16:13.790 --> 0:16:15.410 I like that suggestion. Thank you. 0:16:16.710 --> 0:16:18.960 How about you, Danielle? What color most represents you? 0:16:20.220 --> 0:16:23.320 That's a good question. I feel like in this case, 0:16:23.380 --> 0:16:26.120 my favorite color and a color that represents me is 0:16:26.220 --> 0:16:29.900 maybe both the same. And that's red. 0:16:29.920 --> 0:16:30.000 Okay. 0:16:30.920 --> 0:16:31.560 I feel like. 0:16:31.840 --> 0:16:32.640 Like the red you're wearing? 0:16:32.660 --> 0:16:33.270 Like a bright red? 0:16:33.310 --> 0:16:37.310 Yeah, like a bright red. One, it's the color of anger. 0:16:37.330 --> 0:16:37.400 Two. 0:16:37.410 --> 0:16:42.490 It's. 0:16:40.010 --> 0:16:44.690 The color of judgment. 0:16:45.550 --> 0:16:49.940 And also it can be like bright and kind of cheery. 0:16:50.260 --> 0:16:53.860 So it represents both. It's also just my favorite color 0:16:53.900 --> 0:16:55.120 to accessorize with. 0:16:55.140 --> 0:16:55.200 Um. 0:17:00.370 --> 0:17:03.350 What are you guys mixing to get, oh, you're doing 0:17:03.390 --> 0:17:05.530 a brown. I see what you're doing over there, Will, 0:17:05.910 --> 0:17:06.670 for the rocks. 0:17:06.690 --> 0:17:07.460 Oh, yeah. 0:17:07.920 --> 0:17:09.280 Like he's doing, I know. 0:17:09.300 --> 0:17:09.879 It's going dark. 0:17:09.960 --> 0:17:12.159 I'm going to take a little bit of this. Is 0:17:12.320 --> 0:17:14.790 this the warm orange? Yes. Okay, I'm going to take 0:17:14.810 --> 0:17:16.770 a little bit of that warm orange and this white. 0:17:16.869 --> 0:17:18.370 It matches the color of your shirt. 0:17:18.830 --> 0:17:19.490 Sure does. 0:17:20.410 --> 0:17:22.090 I'm going to take some of that. I think I 0:17:22.130 --> 0:17:25.050 need a lot more white, though, to get something that 0:17:25.230 --> 0:17:25.830 represents something. 0:17:25.869 --> 0:17:27.450 Do you need more white paint or you have it? 0:17:27.470 --> 0:17:28.109 You just need to add it. 0:17:28.109 --> 0:17:30.910 Oh, no, I just need to use it on my brush. Will, 0:17:30.930 --> 0:17:33.560 do you think this is harder or easier than painting 0:17:33.580 --> 0:17:34.260 a minifig? 0:17:35.440 --> 0:17:38.260 It's easier on my eyes, that's for sure. 0:17:39.160 --> 0:17:42.980 The minifig, I had some of the best minifig teachers 0:17:43.020 --> 0:17:45.380 in the world that sat next to me for hours 0:17:45.440 --> 0:17:48.000 at a time to teach me, which, again, makes it 0:17:48.040 --> 0:17:49.000 a heck of a lot easier. 0:17:49.950 --> 0:17:50.899 No offense to you, Allison. 0:17:50.940 --> 0:17:53.000 No, I was just about to say, we get Allison, 0:17:53.020 --> 0:17:55.700 who's a great teacher, but we're having her here briefly, 0:17:55.760 --> 0:17:56.020 you know? 0:17:56.040 --> 0:17:58.399 Yeah, not only that, but we refuse to let her 0:17:58.420 --> 0:18:01.639 get up and move around because we won't hear her. 0:18:01.680 --> 0:18:04.160 She can't even get behind us and give us real 0:18:04.200 --> 0:18:05.530 proper instruction. 0:18:06.170 --> 0:18:07.070 But yeah, no, this is. 0:18:07.650 --> 0:18:09.690 It's certainly easier to put paint on canvas than it 0:18:09.750 --> 0:18:12.010 is to put on a mini, but... The mini, it's 0:18:12.030 --> 0:18:14.790 like if you hit the steps, you know, you look 0:18:14.850 --> 0:18:16.109 up at the end and you're like, oh, I painted 0:18:16.150 --> 0:18:16.410 a mini. 0:18:16.430 --> 0:18:18.189 That's what I miss, steps. Yeah. 0:18:18.310 --> 0:18:20.970 Paint by numbers. I'd be all over, you know? 0:18:21.030 --> 0:18:21.970 I like paint by numbers. 0:18:22.109 --> 0:18:23.389 Yeah, that's basically what I've done. 0:18:23.410 --> 0:18:25.060 Color me mine is when you know you're on a 0:18:25.220 --> 0:18:26.020 bad date. 0:18:26.340 --> 0:18:27.580 No, or you have children. 0:18:27.859 --> 0:18:28.840 That's better, yeah. 0:18:28.920 --> 0:18:29.580 I've never done that. 0:18:29.800 --> 0:18:30.040 Really? 0:18:30.320 --> 0:18:31.200 No, I've never done that. 0:18:31.220 --> 0:18:33.440 Oh, take Indy. He'd enjoy it. They have like all 0:18:33.480 --> 0:18:37.630 kinds of cute things you can paint. And my kids 0:18:37.670 --> 0:18:41.699 enjoyed it. We then forgot the items and left them 0:18:41.740 --> 0:18:44.060 there for weeks. And there was a possibility they weren't 0:18:44.080 --> 0:18:44.820 going to have them anymore. 0:18:44.840 --> 0:18:45.600 But they did. 0:18:45.820 --> 0:18:47.379 We went back and they had kept them for us. 0:18:51.080 --> 0:18:52.080 How do you think we're doing, Allison? 0:18:52.780 --> 0:18:55.720 Well, look, I think you guys are all doing well. 0:18:56.040 --> 0:18:57.859 I really do. But. 0:18:58.140 --> 0:18:58.980 No. 0:18:59.020 --> 0:18:59.220 But. 0:18:59.260 --> 0:19:00.460 There is no but. 0:19:00.760 --> 0:19:04.170 I like the fact that. Some are doing more natural. 0:19:04.190 --> 0:19:06.510 Some are doing more bright. Some are doing more bold colors. 0:19:06.550 --> 0:19:08.350 I mean, if you think about artists, right, it's like 0:19:08.390 --> 0:19:10.230 if everybody was doing the same thing, how boring it 0:19:10.280 --> 0:19:11.500 would be. Totally. Right? 0:19:11.640 --> 0:19:13.700 If everybody was good, it would be terrible. 0:19:13.740 --> 0:19:16.740 Some people like things more colorful. Some people like things 0:19:16.800 --> 0:19:21.040 more naturalistic. So I think that's part of the fun 0:19:21.400 --> 0:19:25.130 is getting to decide what direction you want to take 0:19:25.170 --> 0:19:25.369 it in. 0:19:25.450 --> 0:19:25.650 Right. 0:19:26.290 --> 0:19:30.540 But all of you so far, honestly— And I like 0:19:30.560 --> 0:19:32.220 that you're all doing what we talked about, which is 0:19:32.260 --> 0:19:34.320 you're focusing more on the big shape, getting that in, 0:19:34.380 --> 0:19:37.260 and then you can go on with smaller details or 0:19:37.320 --> 0:19:38.199 darker or lighter. 0:19:38.220 --> 0:19:42.510 Yeah, I think that was really good advice. Are you okay, Ryder? 0:19:42.530 --> 0:19:43.950 You just took a really deep breath. 0:19:44.150 --> 0:19:45.670 Deep sigh over here. 0:19:45.690 --> 0:19:46.260 That's just me. 0:19:46.300 --> 0:19:47.159 That was, whew. 0:19:48.920 --> 0:19:51.760 So my wife recently went to, a friend of hers 0:19:51.800 --> 0:19:52.780 had a birthday party. 0:19:52.940 --> 0:19:53.300 Uh-huh. 0:19:54.210 --> 0:19:57.369 Where she decided to hire a naked male model. 0:19:57.810 --> 0:19:58.710 Wow. 0:19:59.210 --> 0:20:03.310 Easiest $ 20 I ever made. And they do the paintings 0:20:03.410 --> 0:20:05.290 that these women put together. Oh, right. 0:20:05.310 --> 0:20:07.090 It was one of the funny, because like, I don't 0:20:07.109 --> 0:20:10.060 think anybody really took it too seriously. So there were 0:20:10.080 --> 0:20:12.100 lots of really funny, but. 0:20:12.859 --> 0:20:13.419 Oh, that's good. 0:20:13.440 --> 0:20:15.680 Was anybody really good at it where it's like, damn, that's, 0:20:16.000 --> 0:20:16.560 that's great. 0:20:16.600 --> 0:20:16.719 No. 0:20:17.240 --> 0:20:17.790 No, no one was. 0:20:17.800 --> 0:20:20.300 That's actually really funny. That's actually a really funny. 0:20:20.420 --> 0:20:21.659 It was sort of like a, it was kind of 0:20:21.680 --> 0:20:23.780 like a bachelorette-y sort of vibe. 0:20:23.800 --> 0:20:25.580 I was gonna say, it's a nice spin on the 0:20:25.680 --> 0:20:27.440 old bachelorette style. 0:20:27.840 --> 0:20:30.080 How do we get a naked man and have it 0:20:30.100 --> 0:20:30.780 be a fun activity? 0:20:32.000 --> 0:20:36.840 I ask myself that all the time. 0:20:36.880 --> 0:20:39.709 Will saying that was the easiest $ 20 I ever made. 0:20:39.180 --> 0:20:40.290 Made me laugh. 0:20:40.869 --> 0:20:44.070 Well, we originally negotiated for 40, then I took my 0:20:44.109 --> 0:20:45.730 top off and it dropped to 20 and stuff. 0:20:48.670 --> 0:20:53.160 If you could turn any moment of your life into 0:20:53.200 --> 0:20:56.400 a painting, which moment would you choose? 0:20:57.660 --> 0:20:58.000 My wedding. 0:20:59.460 --> 0:21:00.760 Oh, so sad. 0:21:01.400 --> 0:21:01.959 No, not to her. 0:21:02.119 --> 0:21:05.530 Oh. The one you're going to have next. 0:21:05.550 --> 0:21:08.710 The next one. No, yeah, my wedding. It was an 0:21:08.750 --> 0:21:11.090 amazing day. It really was. I would say next to 0:21:11.130 --> 0:21:12.970 getting Boy Meets World, it was the best day of 0:21:12.990 --> 0:21:15.800 my life. You know, wedding was the best day of 0:21:15.840 --> 0:21:16.220 my life. 0:21:16.420 --> 0:21:16.720 And then. 0:21:17.590 --> 0:21:18.530 The wedding was the best day of my life, and 0:21:18.550 --> 0:21:19.609 then Boy Meets World came second. 0:21:19.670 --> 0:21:21.869 That is so sweet. One of those would be cool. 0:21:22.530 --> 0:21:24.430 I would say, do you remember when I talked about 0:21:24.450 --> 0:21:26.180 that morning where we found the hot springs? 0:21:26.200 --> 0:21:26.640 Yes. 0:21:26.700 --> 0:21:28.320 Yeah, because it was so beautiful. 0:21:28.340 --> 0:21:29.879 That's when you wish you knew how to paint, when 0:21:29.900 --> 0:21:30.520 it was just like. 0:21:30.720 --> 0:21:31.380 The landscape. 0:21:31.420 --> 0:21:32.720 Where were you? 0:21:32.840 --> 0:21:36.070 It was in Idaho, and it was a, yeah, it was, 0:21:36.770 --> 0:21:38.550 you were hiked in two miles, and it was a 0:21:38.670 --> 0:21:42.980 cascading series of waterfalls. That had, and there were, you know, 0:21:42.980 --> 0:21:46.639 100 degrees going down to like 98 degrees. It was 0:21:46.810 --> 0:21:49.470 so amazing. Like, yeah. So it's just so cool to 0:21:49.510 --> 0:21:51.090 be in a waterfall that was warm. 0:21:51.369 --> 0:21:51.590 Yes. 0:21:51.710 --> 0:21:53.830 And beautiful. And it was up on a hillside looking 0:21:53.850 --> 0:21:56.370 down in a valley. So it's just gorgeous. So like, 0:21:56.730 --> 0:21:59.340 if I could paint that moment from the view or 0:21:59.380 --> 0:22:01.220 just capture the feeling of that place, it would be 0:22:01.300 --> 0:22:01.980 amazing to have. 0:22:02.140 --> 0:22:02.700 Hmm. 0:22:02.900 --> 0:22:03.060 Hmm. 0:22:03.310 --> 0:22:05.350 I can see that. How about you, Danielle? 0:22:05.430 --> 0:22:09.150 God, I don't know. You know, you guys have heard 0:22:09.190 --> 0:22:12.030 me say joke, even though you know it's not really 0:22:12.070 --> 0:22:16.710 a joke, that I don't love art. But I have 0:22:16.770 --> 0:22:19.909 grown to appreciate art a lot more, obviously. 0:22:20.910 --> 0:22:21.610 Jensen. 0:22:21.630 --> 0:22:25.730 Jensen, owned in our gallery for 20 years. And so 0:22:25.760 --> 0:22:30.760 I have, over the years of... being married to him, 0:22:30.780 --> 0:22:34.500 I have started to be able to enjoy art a 0:22:34.540 --> 0:22:38.080 lot more. So I have purchased on my own several 0:22:38.160 --> 0:22:39.699 paintings that hang in our house. 0:22:40.740 --> 0:22:41.700 One by McCracken, right? 0:22:41.859 --> 0:22:44.180 One by the one and only Jeff McCracken even, which 0:22:44.220 --> 0:22:47.840 was very cool and special to me. The one I 0:22:47.880 --> 0:22:52.200 got from McCracken is actually of a boy he saw 0:22:52.270 --> 0:22:56.129 on the subway that was carrying a Spider-Man mask. And 0:22:56.170 --> 0:22:59.929 it just so reminded me of my son, Keaton, who 0:22:59.950 --> 0:23:05.010 was such a costume kid. He wore costumes like all 0:23:05.070 --> 0:23:08.750 the time. So I would definitely want to, I would 0:23:08.810 --> 0:23:13.350 want to pick some moment of children, but I don't 0:23:13.390 --> 0:23:17.580 really know that I've, that I've had a moment that 0:23:17.600 --> 0:23:19.419 I feel like would be worthy of a painting. But 0:23:19.440 --> 0:23:21.080 you know what? I take it back. You know what 0:23:21.100 --> 0:23:24.780 I want to remember of my kids forever? Their disgusting 0:23:24.820 --> 0:23:27.790 little lovies. You know those things they sleep with? 0:23:28.170 --> 0:23:28.909 Oh, yeah. 0:23:29.070 --> 0:23:32.870 And they're completely mangled. And like, you know, like my 0:23:32.910 --> 0:23:35.730 ba that you guys horrendously made fun of. 0:23:36.080 --> 0:23:37.260 Just because it looked like testicles. 0:23:37.300 --> 0:23:38.240 Yes, I know. 0:23:38.280 --> 0:23:40.220 You slept with balls. 0:23:40.240 --> 0:23:43.879 I know. That is what you've said. How dare you 0:23:43.940 --> 0:23:49.310 besmirch my ba. But I would love like a good 0:23:49.369 --> 0:23:50.690 painting of their little. 0:23:52.550 --> 0:23:52.710 Loveys. 0:23:54.250 --> 0:23:56.710 You guys, I'm challenging you all to take the big 0:23:56.750 --> 0:23:59.090 brush and get more of the canvas covered. 0:23:59.290 --> 0:24:00.010 Okay, okay. 0:24:00.030 --> 0:24:02.070 Just because then you can relate the colors next to 0:24:02.130 --> 0:24:04.020 each other. It's like, you know when you're getting dressed 0:24:04.170 --> 0:24:06.159 and you put on one color, but then you put 0:24:06.260 --> 0:24:09.399 on pants and they either work together or you're like, 0:24:09.440 --> 0:24:10.760 oh God, no, that's not going to work. 0:24:10.940 --> 0:24:11.400 Okay. 0:24:11.619 --> 0:24:13.600 And so if you think about it like something that 0:24:13.619 --> 0:24:15.740 you've already do where you are looking at color next 0:24:15.760 --> 0:24:18.530 to color, it's the same thing with painting. So when 0:24:18.890 --> 0:24:22.470 you have a lot of white canvas... It's scary. And 0:24:22.520 --> 0:24:24.680 it's hard to see the painting as a whole unit. 0:24:24.700 --> 0:24:27.500 So that's why I said take the big brush, and 0:24:27.540 --> 0:24:29.820 you could just use a thin coat of any color. 0:24:29.840 --> 0:24:33.980 I don't know. My painting's not going to make it 0:24:34.020 --> 0:24:34.700 into the Louvre. 0:24:34.820 --> 0:24:38.440 I'm trying to follow my muse. Unfortunately, it seems like 0:24:38.500 --> 0:24:39.240 I'm not good at this. 0:24:40.260 --> 0:24:43.300 What am I going to do? Too wussy for sports. 0:24:45.420 --> 0:24:47.250 And I spent all this money on this beret. 0:24:47.270 --> 0:24:51.640 I spent all this money. I'm embarrassed. I'm at the Louvre. 0:24:52.880 --> 0:24:55.619 Alison, that is a reference to a character who was 0:24:55.820 --> 0:24:58.480 on Boy Meets World named Ricky Ferris. 0:24:58.500 --> 0:24:59.160 Ricky Ferris? 0:24:59.220 --> 0:24:59.920 He was an artist. 0:24:59.940 --> 0:25:01.900 I'm sure you've heard of him. 0:25:02.640 --> 0:25:07.980 Especially Ryder and Will just perfected his affectation. 0:25:08.000 --> 0:25:14.350 Puppies that I'm going to save. 0:25:15.590 --> 0:25:15.970 Ferris. 0:25:16.430 --> 0:25:19.330 I'm going there specifically to create a new type of art. 0:25:20.170 --> 0:25:22.390 That'd have saved souls. 0:25:22.670 --> 0:25:23.290 That's Ricky. 0:25:23.310 --> 0:25:25.070 You know what Ricky's doing nowadays. 0:25:25.330 --> 0:25:26.729 What do you think Ricky's doing? What do you think 0:25:26.770 --> 0:25:27.970 Ricky would think of our paintings? 0:25:27.990 --> 0:25:28.260 Five to ten. 0:25:28.270 --> 0:25:28.830 Five to ten? 0:25:29.470 --> 0:25:31.830 Is that helping? Getting some color next to the other colors? 0:25:31.869 --> 0:25:35.430 Yeah, yeah. More than anything, it's making me feel like, hey, 0:25:35.450 --> 0:25:39.270 I'm almost done. I'm not going to have to do 0:25:39.310 --> 0:25:40.840 this for the rest of my life. 0:25:41.060 --> 0:25:41.859 How much time do we. 0:25:41.910 --> 0:25:43.580 Oh, we've been doing this for 26 minutes. Are you serious? 0:25:43.600 --> 0:25:45.139 This is why I'm saying you've got to get the 0:25:45.160 --> 0:25:45.780 canvas covered. 0:25:45.840 --> 0:25:46.899 Oh, my gosh. 0:25:46.920 --> 0:25:47.000 Wait. 0:25:47.540 --> 0:25:49.580 You guys are concentrating. That's what happens. Time flies. 0:25:49.660 --> 0:25:52.699 It goes fast when you're in the art world. 0:25:53.080 --> 0:25:55.050 I cannot believe what I just looked. I just looked 0:25:55.119 --> 0:26:00.090 over and looked at Will. I mean, I'm disgusted. Will 0:26:00.170 --> 0:26:01.470 is so good. 0:26:01.490 --> 0:26:02.609 Oh, wow. Yeah. 0:26:03.030 --> 0:26:03.650 I mean. 0:26:04.550 --> 0:26:05.050 Not quite. 0:26:05.070 --> 0:26:08.970 I'm too short to say. Oh, there you go. 0:26:09.170 --> 0:26:12.050 Look at his. Look what he's got over there. 0:26:12.660 --> 0:26:14.570 I have confidence. You guys are all going to pull 0:26:14.590 --> 0:26:16.510 yours together once the canvas is covered. 0:26:16.570 --> 0:26:21.730 Well, don't have too much confidence. How do you like 0:26:21.770 --> 0:26:24.439 to paint? Do you have like a studio, Allison? Do 0:26:24.460 --> 0:26:25.140 you stand? 0:26:25.160 --> 0:26:28.040 I always stand, yeah. I work out of my house, 0:26:28.100 --> 0:26:31.369 and then twice a week I go to an open 0:26:31.400 --> 0:26:34.280 studio where there are other artists there. And it's a 0:26:34.340 --> 0:26:35.320 fun way to be able. 0:26:35.140 --> 0:26:36.080 To be with other people. 0:26:36.160 --> 0:26:36.700 It is cool. 0:26:36.830 --> 0:26:39.010 Are you all different types of artists? 0:26:39.330 --> 0:26:41.570 Yes. That's kind of what's fun though. It's like, it's 0:26:41.590 --> 0:26:44.669 just nice to like socially be with other people and 0:26:44.710 --> 0:26:46.629 other artists. And even if your work is really different, 0:26:46.650 --> 0:26:49.800 you kind of speak the same language. Right. Right. But yeah, 0:26:49.820 --> 0:26:51.240 the rest I work out of my house. I've always 0:26:51.280 --> 0:26:53.340 worked out of my house and it's, it's. 0:26:53.880 --> 0:26:55.040 Have you been painting your whole life? 0:26:57.160 --> 0:26:59.699 I started painting my senior year of college. I had 0:26:59.720 --> 0:27:02.210 been drawing and doodling around. I'd never taken a class. 0:27:02.250 --> 0:27:03.909 But then in college, I went the other way. I 0:27:03.950 --> 0:27:05.510 became completely obsessed. 0:27:06.890 --> 0:27:08.679 So you didn't go to school specifically for art? 0:27:09.350 --> 0:27:12.129 No, I went to George Washington University in DC and 0:27:12.170 --> 0:27:14.250 I was, but when I had to declare a major, 0:27:14.350 --> 0:27:16.970 I was a fine art or history major. And then 0:27:17.050 --> 0:27:19.070 when you're that major, so if I was a studio 0:27:19.109 --> 0:27:20.929 arts major, I would have to like pick a subject 0:27:20.950 --> 0:27:23.670 like painting or sculpture or something. But since I didn't 0:27:23.690 --> 0:27:25.379 even know what I wanted to do, I was like, oh, 0:27:25.390 --> 0:27:27.460 I'll be a fine art and art history major. And 0:27:27.500 --> 0:27:30.000 then I can take a little of everything. You didn't 0:27:30.040 --> 0:27:32.980 have to like declare one thing. And so painting was 0:27:33.020 --> 0:27:36.379 the last actual type of medium I did. But I 0:27:36.800 --> 0:27:38.439 became obsessed with it as soon as I don't even 0:27:38.460 --> 0:27:41.459 know why I wasn't doing it sooner. I just was like, 0:27:41.530 --> 0:27:45.110 this is exactly my thing. Because I like making a mess. 0:27:45.170 --> 0:27:47.890 I love working with color and the subtleties of color 0:27:47.970 --> 0:27:49.390 and using the brush and. 0:27:49.869 --> 0:27:51.510 Do you do anything else? Do you sculpt or? 0:27:51.690 --> 0:27:55.070 I've done, yes, I've done sculpture. I used to do 0:27:55.130 --> 0:27:58.429 some figurative sculpture. Painting is my main thing. I do 0:27:58.450 --> 0:28:00.230 a lot of printmaking too. And I used to do 0:28:00.250 --> 0:28:02.490 a lot of, and a collage, but I always go 0:28:02.530 --> 0:28:03.820 back to painting. I just love it. 0:28:06.430 --> 0:28:06.630 So. 0:28:11.200 --> 0:28:11.480 All right. 0:28:11.720 --> 0:28:12.020 All right. 0:28:13.040 --> 0:28:14.620 All right. All right. All right. 0:28:14.720 --> 0:28:15.120 All right. 0:28:15.380 --> 0:28:15.920 I see you. 0:28:15.940 --> 0:28:17.080 We see you, Danielle. 0:28:17.490 --> 0:28:20.429 Okay, she was for sure right on the fact that 0:28:20.510 --> 0:28:22.990 now that the canvas is mostly... Doesn't that help? 0:28:23.050 --> 0:28:24.430 It really does. Because then you can relate what's next 0:28:24.470 --> 0:28:24.760 to it. 0:28:24.800 --> 0:28:27.080 Yes, and now I'm like, oh, I can see now 0:28:27.140 --> 0:28:28.680 how I can go in. I've got to. 0:28:28.820 --> 0:28:30.560 Get to my rocks. Yeah, and when you look at 0:28:30.800 --> 0:28:33.040 my painting, you can see where there are really dark, darks, 0:28:33.100 --> 0:28:34.679 and then you can start putting that in because you 0:28:34.720 --> 0:28:36.189 have something to relate it to. 0:28:36.250 --> 0:28:36.810 Exactly. 0:28:36.830 --> 0:28:37.470 Okay. 0:28:42.250 --> 0:28:42.330 Okay. 0:28:42.900 --> 0:28:45.140 And some of the first things you've painted, if you 0:28:45.180 --> 0:28:46.960 wanted to go over them or change them, now they 0:28:47.100 --> 0:28:50.239 probably are dry or somewhat dry. Yeah, close enough to dry. 0:28:50.500 --> 0:28:53.280 To be honest, with acrylic, I work more in oil, 0:28:53.320 --> 0:28:55.220 but these are acrylics. But that's one of the fun 0:28:55.260 --> 0:28:57.660 things with acrylics is if I don't like something, I 0:28:57.700 --> 0:28:59.440 just let it dry. And then I go over white 0:28:59.480 --> 0:29:00.910 paint and I just completely remove it. 0:29:01.340 --> 0:29:05.480 Yeah, that is nice that you can. Because I've thought 0:29:05.500 --> 0:29:07.660 about that before. Like what happens when an artist has 0:29:07.720 --> 0:29:11.070 like a huge canvas they're working on? What happens if you, like, 0:29:11.370 --> 0:29:12.610 sneeze and make a mistake? 0:29:12.630 --> 0:29:13.730 Yeah, there's got to be a mistake. 0:29:14.470 --> 0:29:16.580 But so depending on what the medium is, I guess 0:29:16.600 --> 0:29:20.870 you're just saying you can go back through and fix it. 0:29:21.740 --> 0:29:21.940 Yeah. 0:29:22.140 --> 0:29:25.180 Or, I mean, I think that also you could make 0:29:25.200 --> 0:29:27.920 the most of the mistake. It depends on, like, you know, 0:29:27.960 --> 0:29:31.220 your personality and the type of painting you like to do. 0:29:31.270 --> 0:29:33.390 But a lot of times, like, I'll drop a brush 0:29:33.470 --> 0:29:35.590 while I'm painting. It'll, like, fall, you know, while I'm, 0:29:35.770 --> 0:29:37.610 and so it leaves marks on the canvas. And I'm like, oh, 0:29:37.650 --> 0:29:40.160 I must have been, I must, there must be some 0:29:40.200 --> 0:29:42.100 kind of subconscious thing and I'll try to work with. 0:29:42.060 --> 0:29:49.100 It ooh let the mistakes land exactly oh my god okay. 0:29:50.080 --> 0:29:51.600 I have to say it it is hard to judge 0:29:51.620 --> 0:29:54.120 because you guys are I honestly feel like all of 0:29:54.140 --> 0:29:57.430 you guys there's something in all of yours that's that's 0:29:57.490 --> 0:30:00.860 fun and that I like that they're all a little different. 0:30:00.880 --> 0:30:03.550 Like I said, just these few minutes of hearing you 0:30:03.590 --> 0:30:06.830 guys talk and hearing bits about your personality, I can 0:30:06.870 --> 0:30:08.430 kind of see it through painting. 0:30:08.690 --> 0:30:09.450 Oh, I like that. 0:30:09.570 --> 0:30:11.590 Psychoanalyze us based on our painting. 0:30:13.450 --> 0:30:14.210 It's like a Rorschach. 0:30:14.390 --> 0:30:15.650 She's going to look at writers and be like, wow, 0:30:15.670 --> 0:30:17.810 that's really pretty. I like the colors. Oh, Danielle, it's 0:30:17.830 --> 0:30:20.050 really interesting what you did. Will, who hurt you? 0:30:24.530 --> 0:30:25.200 Got your brown in. 0:30:25.470 --> 0:30:27.500 Yeah. Figure it out. 0:30:27.950 --> 0:30:31.710 This painting I did, it's from Carmel. And you can 0:30:31.750 --> 0:30:33.800 go walk, you know, and jump on all the rocks. 0:30:34.190 --> 0:30:34.580 It's fun. 0:30:34.600 --> 0:30:35.080 Oh, that's fun. 0:30:35.300 --> 0:30:35.480 Yeah. 0:30:37.780 --> 0:30:39.880 Maybe we should take the podcast there, guys. Go visit 0:30:39.960 --> 0:30:40.920 this landscape. 0:30:40.940 --> 0:30:41.480 We'd just be. 0:30:41.400 --> 0:30:44.160 Walking around and be like, those are our paintings. They 0:30:44.180 --> 0:30:46.480 recognize that. We were great. Nailed it. 0:30:46.840 --> 0:30:49.850 Well, what do you think makes something great art? 0:30:50.730 --> 0:30:51.310 How much it costs. 0:30:54.500 --> 0:30:55.880 Is it the more expensive it is? 0:30:56.620 --> 0:30:58.380 Okay. It's like, that's good art. I can tell because 0:30:58.440 --> 0:30:59.420 it's $ 7 million. 0:30:59.800 --> 0:31:00.320 Right. 0:31:00.400 --> 0:31:04.420 No, I think art is the most subjective thing in 0:31:04.440 --> 0:31:07.860 the world. So whatever speaks to you is art. 0:31:07.880 --> 0:31:08.360 Yeah. 0:31:08.420 --> 0:31:10.620 And there's plenty of conversations I can have with people 0:31:10.680 --> 0:31:11.980 about that ain't art. 0:31:12.060 --> 0:31:13.800 But at the end of the day, it's like comedy 0:31:14.280 --> 0:31:16.220 where I hate when people say like, that guy's not funny. 0:31:16.680 --> 0:31:19.340 Well, if he's got people laughing and you don't find 0:31:19.380 --> 0:31:21.000 him funny, then you don't find him funny. 0:31:21.080 --> 0:31:21.260 Right. 0:31:21.640 --> 0:31:25.510 So art's just one of those things where I, you know, yeah, 0:31:25.530 --> 0:31:28.890 there's some art I just don't get, never will. Um, 0:31:28.930 --> 0:31:30.710 that doesn't mean that it's not art. It just means 0:31:30.730 --> 0:31:32.890 that I don't get it. So yeah, I don't, I 0:31:32.930 --> 0:31:34.290 don't know to answer your question. 0:31:35.130 --> 0:31:37.910 Um, what do you think if it speaks to you? What, 0:31:37.970 --> 0:31:38.730 what speaks to you? 0:31:39.730 --> 0:31:41.980 I love, um, I'm a big fan of sculpture. I 0:31:42.440 --> 0:31:43.060 always have been. 0:31:43.080 --> 0:31:43.420 Me too. 0:31:43.440 --> 0:31:44.180 That's what I was going to say. 0:31:44.540 --> 0:31:46.780 Uh, you know, and I like ancient sculptures. 0:31:46.840 --> 0:31:48.940 I love when I, you know, I, we talk about 0:31:48.980 --> 0:31:52.810 how I have no soul and don't really, uh, Cry 0:31:52.830 --> 0:31:53.410 or do anything. 0:31:53.690 --> 0:31:55.750 The closest I've come to tears in. 0:31:57.820 --> 0:32:01.280 The actual presence of art was turning the corner and 0:32:01.380 --> 0:32:02.870 standing in front of Michelangelo's David. 0:32:03.130 --> 0:32:03.790 Me too, man. 0:32:03.810 --> 0:32:06.270 And it was just like, it knocked the wind out 0:32:06.290 --> 0:32:09.190 of me. There was no way a human being could 0:32:09.210 --> 0:32:09.730 have done that. 0:32:09.750 --> 0:32:11.210 You guys love men. Naked men. 0:32:11.270 --> 0:32:12.040 Love men. 0:32:12.100 --> 0:32:13.100 That beautiful man? 0:32:13.260 --> 0:32:13.620 Damn right. 0:32:13.900 --> 0:32:17.800 It was just so, it's such a crazy scale experience. 0:32:17.840 --> 0:32:21.320 You're like, wait a minute, that's a giant person. And 0:32:21.560 --> 0:32:25.380 I feel small, but somehow like he's also kind of vulnerable. 0:32:25.600 --> 0:32:27.060 It's like the weirdest. 0:32:27.240 --> 0:32:28.320 It's such a crazy experience. 0:32:28.340 --> 0:32:29.530 You know why he has such a small penis? 0:32:30.120 --> 0:32:35.210 What? Because back in the day, anything with big genitalia 0:32:35.310 --> 0:32:37.630 usually meant you were in league with the devil. Oh. 0:32:37.970 --> 0:32:39.950 Or there was something about you that was lascivious. 0:32:40.030 --> 0:32:44.330 So the smaller the penis, the closer you were to God. 0:32:44.350 --> 0:32:44.420 Yep. 0:32:44.470 --> 0:32:47.610 Which is why I'm such a holy person. 0:32:47.650 --> 0:32:48.850 Okay, Will. 0:32:49.710 --> 0:32:54.350 What am. 0:32:55.170 --> 0:32:58.660 I doing? What is Ricky Ferris doing? 0:32:59.160 --> 0:33:01.690 Right now, Ricky's. Trying to help little children in the 0:33:01.730 --> 0:33:04.090 streets of Paris. How dare they? 0:33:04.110 --> 0:33:08.930 All right. 0:33:09.330 --> 0:33:11.930 Honest question. What do you think Ricky Ferris would be doing? 0:33:11.970 --> 0:33:15.030 What would the character of Ricky Ferris end up doing? 0:33:16.130 --> 0:33:20.070 Well, do you think he was a success moving to Paris? No. No. 0:33:20.390 --> 0:33:20.770 All right. 0:33:21.230 --> 0:33:23.820 Couldn't win over Topanga. 0:33:24.320 --> 0:33:24.880 Couldn't cut it. 0:33:24.990 --> 0:33:25.950 I think he was a poser. 0:33:25.970 --> 0:33:27.440 I think he was too. 0:33:28.380 --> 0:33:28.520 Hmm. 0:33:30.030 --> 0:33:31.810 Yeah, I think he went home with his tail between 0:33:31.850 --> 0:33:36.150 his legs to mommy and daddy after his failed. 0:33:36.210 --> 0:33:39.830 Allowance ran out. I also just kind of stopped looking 0:33:39.870 --> 0:33:42.370 at him. Oh, really? 0:33:42.390 --> 0:33:44.330 You're just starting to do your own thing. 0:33:44.350 --> 0:33:46.880 Yeah, I feel like it freed me up more to 0:33:47.150 --> 0:33:48.660 follow my own logic. 0:33:48.300 --> 0:33:48.840 A little bit. 0:33:49.340 --> 0:33:52.240 Allison, how do you feel about that? When a student 0:33:52.280 --> 0:33:54.820 just says, you know, instead of trying to replicate what's 0:33:54.860 --> 0:33:56.660 in front of me, I'm going to do my own thing. 0:33:57.880 --> 0:34:01.360 Well, in his case, I don't necessarily mind it because 0:34:01.480 --> 0:34:03.680 you're still staying with the essence of it. It's not 0:34:03.720 --> 0:34:05.500 like you went from like, oh, I'm just going to 0:34:05.640 --> 0:34:07.980 completely go over this and I'm going to do something 0:34:08.480 --> 0:34:12.140 that's not at all reminiscent of a seascape. So I 0:34:12.219 --> 0:34:15.870 actually recently started doing that because I found that I 0:34:15.890 --> 0:34:18.489 was getting too literal. So I got to a point 0:34:18.510 --> 0:34:22.810 where I mapped in sort of the scene and the 0:34:22.850 --> 0:34:25.670 design and then I purposely stopped looking at the image. 0:34:26.110 --> 0:34:27.410 Yeah, I think that's kind of the way. 0:34:28.230 --> 0:34:30.730 You know, again, it's like you start to figure out, like, 0:34:31.150 --> 0:34:32.810 am I more of a realistic painter? Do I really 0:34:32.830 --> 0:34:35.160 want to represent that particular place or do I want 0:34:35.200 --> 0:34:37.960 the essence of it? And then, of course, the more 0:34:37.980 --> 0:34:40.479 you're doing it, you get more confident where you feel like, OK, 0:34:40.540 --> 0:34:43.040 I like, you know, I like working with these colors more. 0:34:43.160 --> 0:34:46.959 I like working with warmer tones or cooler tones or so. 0:34:46.980 --> 0:34:47.920 Hmm. 0:34:49.180 --> 0:34:55.640 Have you ever worked with somebody and then said, you know, no, 0:34:55.739 --> 0:34:57.190 this is not for you. I give up. 0:34:57.880 --> 0:35:00.080 No, I've never said that. Okay. 0:35:00.120 --> 0:35:00.420 Never. 0:35:00.500 --> 0:35:01.180 Have you ever thought it? 0:35:01.540 --> 0:35:01.940 No. 0:35:03.080 --> 0:35:05.120 No, there's a first time for everything. 0:35:05.180 --> 0:35:07.089 I think that people have to get comfortable and some 0:35:07.110 --> 0:35:08.890 people are comfortable right out of the gate and some 0:35:08.930 --> 0:35:10.410 people it takes time to loosen up. 0:35:10.690 --> 0:35:10.790 Yeah. 0:35:10.810 --> 0:35:10.910 Yeah. 0:35:11.910 --> 0:35:14.390 Is this the first time you've ever had people paint 0:35:14.450 --> 0:35:17.370 with the microphones and sitting in bar stools? I've never 0:35:17.390 --> 0:35:18.780 done anything like this. 0:35:19.160 --> 0:35:21.180 It's so funny, other than a couple of times at home, 0:35:21.340 --> 0:35:24.400 this is the only way I've painted. Yeah, I bet, exactly. 0:35:24.440 --> 0:35:27.660 It's on camera with a microphone in front of me. 0:35:27.780 --> 0:35:30.719 I got into drawing with Indy, like when, you know, just, 0:35:30.960 --> 0:35:32.640 because I never thought of myself as like somebody who 0:35:32.660 --> 0:35:33.140 could draw. 0:35:33.600 --> 0:35:34.520 I really enjoyed it. 0:35:34.520 --> 0:35:35.040 Yeah, I do too. 0:35:35.120 --> 0:35:37.420 And like sitting with Indy when he was younger, especially, 0:35:37.440 --> 0:35:40.410 you know, like before he could really like, Gage in 0:35:40.469 --> 0:35:42.330 a lot of conversations. I guess he was always a talker, 0:35:42.350 --> 0:35:44.430 but like we would just sit and I would draw 0:35:44.469 --> 0:35:46.640 and he would draw and it was so fun. Like, 0:35:47.260 --> 0:35:49.040 and I found it incredibly meditative. 0:35:49.219 --> 0:35:52.219 It is. Yeah. It absolutely is. 0:35:52.440 --> 0:35:52.580 Yeah. 0:35:52.620 --> 0:35:54.460 There was not even the mini penny. You just kind 0:35:54.500 --> 0:35:56.920 of put on some music and just let go a 0:35:56.940 --> 0:35:57.379 little bit. 0:35:57.440 --> 0:35:58.580 And it's a ton of fun. 0:35:58.800 --> 0:36:00.259 And of course, the cool thing about the mini figs 0:36:00.300 --> 0:36:02.180 is when you're done, then you use them in a campaign. 0:36:02.800 --> 0:36:04.140 You throw it on the table and you're like, I 0:36:04.160 --> 0:36:04.719 painted that. 0:36:04.739 --> 0:36:06.009 Hmm. 0:36:07.690 --> 0:36:13.380 I like the idea of letting go. It sounds great. 0:36:13.460 --> 0:36:15.719 As long as you're completely in control of your letting go. 0:36:15.739 --> 0:36:18.880 Yeah, and this is low risk. I mean, this is 0:36:18.920 --> 0:36:20.440 a very low risk thing. 0:36:20.460 --> 0:36:21.890 Except for all the judgment from the internet. 0:36:22.330 --> 0:36:23.090 Right. 0:36:23.130 --> 0:36:24.330 And it's very high risk. 0:36:25.290 --> 0:36:26.729 I guess I didn't think about that. 0:36:26.870 --> 0:36:27.630 Oh, that's okay. 0:36:27.690 --> 0:36:28.509 I can understand. 0:36:28.530 --> 0:36:29.629 No, we don't care. 0:36:31.860 --> 0:36:33.080 None of us are painters. 0:36:35.410 --> 0:36:37.250 And I'm not trying to prove you otherwise. 0:36:37.330 --> 0:36:40.350 Exactly. And no one's going to look at this and go, 0:36:40.390 --> 0:36:41.450 wait a minute, you could be. 0:36:41.489 --> 0:36:42.410 Wait, you could be. 0:36:42.489 --> 0:36:43.770 No. You've got the possibility. 0:36:43.790 --> 0:36:45.009 Wouldn't that be fun, though? 0:36:45.030 --> 0:36:48.590 Wouldn't that be amazing to have an undiscovered talent? Or just, 0:36:48.710 --> 0:36:51.029 in my case, a talent? Wouldn't that be great? 0:36:51.050 --> 0:36:51.770 You're talented. 0:36:51.830 --> 0:36:53.910 No, I'm not. You honestly don't think it takes talent 0:36:53.930 --> 0:36:57.069 to host? No. Oh, then anyone could do it. That's bull. 0:36:57.090 --> 0:36:58.340 What about acting? 0:36:58.610 --> 0:36:59.430 Directing? 0:36:59.550 --> 0:37:01.920 She'll never think she's an actor. I think you're directing 0:37:01.980 --> 0:37:05.300 as talent. And if anybody could host... everybody would host. 0:37:06.580 --> 0:37:06.819 I don't. 0:37:10.489 --> 0:37:14.330 Sometimes when something comes easy, you don't realize how, how 0:37:14.390 --> 0:37:15.370 it's really challenging. 0:37:15.910 --> 0:37:16.190 Yeah. 0:37:16.230 --> 0:37:18.930 I mean, I know I have figured out at this 0:37:19.010 --> 0:37:21.210 point that like, I've heard from enough people that reading 0:37:21.270 --> 0:37:24.529 teleprompter isn't easy for everyone. And it's like when the 0:37:24.570 --> 0:37:26.710 three of us get in front of a teleprompter, it's like, Oh, 0:37:26.790 --> 0:37:29.319 what a, what a, what a dream. And then you 0:37:29.340 --> 0:37:31.239 hear from people and they're like, wow, you're really good 0:37:31.300 --> 0:37:34.569 on prompter. It's like, yeah, I, I know how to read, 0:37:36.370 --> 0:37:40.920 but that's apparently not, not common. So I, I've, I've 0:37:40.940 --> 0:37:42.259 heard that enough times to go. 0:37:42.300 --> 0:37:43.980 You also can do the thing where somebody is like, 0:37:45.060 --> 0:37:47.240 Oh wait, we got two minutes. Talk to the camera. 0:37:47.460 --> 0:37:47.620 Yeah. 0:37:47.739 --> 0:37:49.839 Go sell this thing real quick. Go talk. And you 0:37:49.860 --> 0:37:50.469 just do it. 0:37:50.469 --> 0:37:54.030 Whereas like, I would be like, what? No, I can't. 0:37:54.090 --> 0:37:54.529 I have no. 0:37:54.550 --> 0:37:55.969 By the time we leave your house, for some reason, 0:37:55.989 --> 0:37:57.150 we've all owned new products. 0:37:57.210 --> 0:37:59.529 And we're like, how the hell did she sell us this? 0:37:59.550 --> 0:38:01.010 I don't even have a cat. 0:38:01.630 --> 0:38:04.110 Oh, wow. That is so interesting how then once it's dry, 0:38:04.150 --> 0:38:06.260 you can just go right over it with another color. 0:38:06.719 --> 0:38:08.560 And it's like it never was even there. 0:38:08.580 --> 0:38:14.040 Wow. And it takes a lot of stress off because 0:38:14.080 --> 0:38:15.430 you know you really can fix it. 0:38:15.719 --> 0:38:18.259 Yeah. You're like, oh, okay. Well, I don't like it now, 0:38:18.300 --> 0:38:21.370 but I'll like it in 20 minutes. Or I'll at 0:38:21.410 --> 0:38:31.870 least find it acceptable in 20 minutes. Okay. Oh, I 0:38:31.910 --> 0:38:33.610 know what I need more work on for sure. 0:38:33.640 --> 0:38:35.900 Your people skill? 0:38:35.940 --> 0:38:37.280 My people, exactly. My hosting. 0:38:38.500 --> 0:38:39.140 What'd you say, Marita? 0:38:39.219 --> 0:38:41.880 I completely screwed up the bottom right of my painting. 0:38:42.000 --> 0:38:42.500 How so? 0:38:43.040 --> 0:38:45.140 Like, I just don't even know what this shape is. 0:38:45.260 --> 0:38:48.029 It's not even part of it. It's like, I finished 0:38:48.050 --> 0:38:50.870 my painting here, and I still have, like. 0:38:50.910 --> 0:38:51.569 A whole other. 0:38:51.989 --> 0:38:54.390 So, I'm just kind of making up my landscape. 0:38:54.430 --> 0:38:57.370 I am. 0:38:58.910 --> 0:39:01.029 Well, if you think when you're walking on rocks in 0:39:01.070 --> 0:39:02.610 the water, a lot of the dark is, you know, 0:39:02.630 --> 0:39:05.300 when you're looking straight down, you kind of see the 0:39:05.410 --> 0:39:07.880 seaweed or the rocks below or underneath the water. And 0:39:07.920 --> 0:39:12.120 that this being from Northern California, there's that the colors 0:39:12.180 --> 0:39:17.049 in the seaweed are really burgundy and yellowish. purples and 0:39:17.090 --> 0:39:19.609 blues and greens because the water is so cold. So 0:39:19.770 --> 0:39:21.880 the type of seaweed is a little bit different than 0:39:21.880 --> 0:39:25.250 there is down here. Or actually, I'm sorry, I live 0:39:25.290 --> 0:39:27.800 near San Diego, so I'm thinking like down near San Diego, 0:39:27.880 --> 0:39:33.080 it's really quite different. It's more of a turquoise. And 0:39:33.120 --> 0:39:35.399 so from the painting that I was doing, when you're 0:39:35.460 --> 0:39:37.960 kind of at those foreground rocks, you're also sort of 0:39:38.000 --> 0:39:39.960 looking down underneath them. 0:39:39.980 --> 0:39:42.540 I think if I had my druthers, I would have 0:39:42.820 --> 0:39:45.239 all the individual paint colors on their own plate. 0:39:46.090 --> 0:39:46.590 Yeah, yep. 0:39:47.710 --> 0:39:50.210 I love druthers. We don't get a lot of druthers anymore. 0:39:50.230 --> 0:39:53.670 Yeah, I'm bringing it back. I love a good druthers. 0:39:53.690 --> 0:39:55.510 The druthers brothers. 0:39:57.280 --> 0:39:59.600 If you feel like, look at the movement of it. 0:39:59.660 --> 0:40:01.460 If you feel like you've kind of lost the initial 0:40:01.520 --> 0:40:03.580 drawing a little bit, you can always go back in 0:40:03.620 --> 0:40:06.420 with paint and kind of get that in if you 0:40:06.460 --> 0:40:10.240 feel like part of it got lost throughout the painting process. 0:40:11.500 --> 0:40:13.000 You mean the mountainscape? 0:40:13.219 --> 0:40:15.870 Like if you feel like you've lost some of the 0:40:15.930 --> 0:40:18.049 shape that you, some of the shapes you had or 0:40:18.070 --> 0:40:20.170 the scale of it, if something was bigger and then 0:40:20.190 --> 0:40:22.129 it kind of shrunk, that has a tendency to happen 0:40:22.170 --> 0:40:24.310 when you're painting, like you're painting around the thing and 0:40:24.350 --> 0:40:26.430 it starts getting smaller. So you can always go back 0:40:26.510 --> 0:40:30.109 in and sort of redraw it in with your paint. 0:40:30.140 --> 0:40:32.080 That's why I like drawing in with paint rather than 0:40:32.200 --> 0:40:36.319 with a pencil because it's all working cohesively. 0:40:36.340 --> 0:40:41.669 Hmm. What did you do? What's a mistake? 0:40:41.710 --> 0:40:42.410 Too much yellow. 0:40:42.430 --> 0:40:46.790 And it was all yellow. And it was all yellow. 0:40:52.469 --> 0:40:57.660 Well, I just realized I'm missing a whole rock. A 0:40:57.739 --> 0:41:00.980 whole rock. Just forgot all about a rock. 0:41:01.719 --> 0:41:05.140 You may not need it, but yeah. Because this is 0:41:05.180 --> 0:41:06.060 a smaller canvas. 0:41:06.200 --> 0:41:07.040 Yeah, that's true. 0:41:07.100 --> 0:41:11.140 It's between that and a hard place. Good night, everybody. 0:41:11.160 --> 0:41:12.150 Good night. 0:41:12.170 --> 0:41:12.240 Hmm. 0:41:12.250 --> 0:41:16.110 Okay, yeah, you're right. Maybe I don't need it. 0:41:16.450 --> 0:41:17.070 Should we stop? 0:41:17.350 --> 0:41:20.930 I think we can. You want to set a one-minute timer? 0:41:20.969 --> 0:41:21.969 Sure, one minute. 0:41:22.110 --> 0:41:23.260 One minute. 0:41:23.280 --> 0:41:23.480 I want. 0:41:25.000 --> 0:41:25.780 To take a class. 0:41:25.800 --> 0:41:26.819 I want to, like, learn how to. 0:41:27.310 --> 0:41:29.989 And I bet it's unfortunate because you're here to teach us, 0:41:30.050 --> 0:41:31.890 but you can't really get up and teach us. And 0:41:31.910 --> 0:41:34.250 you must be, it must be driving you crazy over there. 0:41:34.730 --> 0:41:37.730 Well, I'm trying to like, I'm trying to see where 0:41:37.750 --> 0:41:39.250 you guys are at. And I know we have such 0:41:39.290 --> 0:41:43.870 a limited time. So I'm very, I understand that this 0:41:43.930 --> 0:41:46.009 is not going to be, you know, you're not going 0:41:46.030 --> 0:41:48.810 to get it in perfectly. Not that there is a perfect, 0:41:48.850 --> 0:41:51.370 but you know, and it's hard to go into all 0:41:51.410 --> 0:41:53.120 of the little things that I would do in it. 0:41:53.130 --> 0:41:53.430 Right. 0:41:55.450 --> 0:41:57.350 But I think, to me, the most important thing is 0:41:57.370 --> 0:41:59.569 that you are having some form of fun. Yeah, I've 0:41:59.590 --> 0:42:00.570 had a lot more fun now that I've... And you 0:42:00.600 --> 0:42:02.060 do kind of get lost in it, and then you 0:42:02.100 --> 0:42:04.130 start to have more fun the more you're doing it, 0:42:04.140 --> 0:42:07.520 because you start to, like, get comfortable with the brush 0:42:07.560 --> 0:42:10.759 and the paint and, you know. 0:42:11.580 --> 0:42:13.739 I'm putting up my... I'm putting down my paintbrush. 0:42:15.060 --> 0:42:15.859 You're calling it time. 0:42:15.880 --> 0:42:16.680 I'm calling time. 0:42:16.700 --> 0:42:17.939 All right, I'm going to call it two. 0:42:18.660 --> 0:42:19.160 Ooh! 0:42:20.760 --> 0:42:21.540 I think Will won this. 0:42:21.820 --> 0:42:24.580 I mean, there's not even a doubt, but we're not 0:42:25.100 --> 0:42:26.439 the judge. 0:42:26.640 --> 0:42:28.540 I have to say, first of all, I like, believe 0:42:28.560 --> 0:42:30.360 it or not, and I'm not just making this up. 0:42:30.660 --> 0:42:33.440 I always, I feel like because I'm seeing the first 0:42:34.010 --> 0:42:36.950 go around, you all have something in them. Yours are 0:42:37.170 --> 0:42:40.439 more realistic and more tonal. Yours are the opposite. Yours 0:42:40.460 --> 0:42:42.600 are more of a colorist. That's how it's coming out 0:42:42.640 --> 0:42:45.000 in there. Yes. And yours are more natural. Like, they 0:42:45.040 --> 0:42:46.299 feel natural to the scene. 0:42:46.480 --> 0:42:47.140 And earthy. 0:42:47.510 --> 0:42:50.770 And earthy. So I feel like, you know, that's what... 0:42:50.790 --> 0:42:53.870 And I like that all of you guys did what 0:42:53.910 --> 0:42:55.930 we talked about, which is you got the horizon line. 0:42:56.250 --> 0:42:58.090 See how you started to get the scale of the 0:42:58.150 --> 0:43:00.509 rocks and the movement of it? So you all have 0:43:00.530 --> 0:43:03.610 the movement. It's very... Do I really have to pick something? 0:43:04.090 --> 0:43:05.170 Oh my God, Will is. 0:43:05.250 --> 0:43:07.910 I'm covered in paint. I'm covered in paint. 0:43:07.930 --> 0:43:10.750 The life of an artist is covered in paint. 0:43:10.770 --> 0:43:15.180 Look at you, get away from me. Hug Ricky Ferris. 0:43:18.160 --> 0:43:20.840 What is the winner based on? The best? 0:43:20.860 --> 0:43:21.880 Who's the best? 0:43:21.920 --> 0:43:22.640 Who's the best? 0:43:23.080 --> 0:43:24.640 No, you're right. I mean, it is hard to pick 0:43:24.680 --> 0:43:26.420 a winner. Maybe we could let the internet decide since 0:43:26.460 --> 0:43:27.719 they won't have a problem judging us. 0:43:27.820 --> 0:43:29.430 I would prefer that because it's hard for me because 0:43:29.469 --> 0:43:31.370 also I like to see something in all of them 0:43:31.410 --> 0:43:32.430 and I really do. 0:43:33.489 --> 0:43:33.950 I do too. 0:43:34.510 --> 0:43:35.370 Should we show the camera? 0:43:35.430 --> 0:43:36.730 And it is kind of, don't you think it's kind of. 0:43:36.690 --> 0:43:38.730 Fun that yours are all different? You're here putting the 0:43:38.750 --> 0:43:40.569 same thing and you have the same colors. You had 0:43:40.670 --> 0:43:42.370 all the same, but your choices are different. 0:43:42.390 --> 0:43:44.629 It feels very representative of us as well, actually. 0:43:44.650 --> 0:43:46.090 I think they do, actually. It's so weird. 0:43:46.110 --> 0:43:49.580 Well, it just feels like our styles, like in life, actually. 0:43:49.680 --> 0:43:50.279 I love it. 0:43:50.640 --> 0:43:51.100 Yay. 0:43:52.980 --> 0:43:55.339 Yeah, I mean, I think of the three of us, 0:43:55.660 --> 0:43:58.779 I wear the most bright colors. I gravitate to color 0:43:58.820 --> 0:44:04.819 the most. You choosing earthy, natural colors. things go so 0:44:04.900 --> 0:44:07.359 well with who you are as far as like your 0:44:07.440 --> 0:44:12.180 love of the outdoors and you being a realist and 0:44:12.360 --> 0:44:14.220 painting it the most realistic. 0:44:14.739 --> 0:44:15.500 I guess that works. 0:44:15.540 --> 0:44:16.859 Yeah. Yeah. I get that. 0:44:18.010 --> 0:44:20.810 I don't know. I'm proud of all of us. I'm 0:44:20.830 --> 0:44:24.650 proud of us. Thank you, Allison. Thank you, Allison. Allison's 0:44:24.690 --> 0:44:27.690 too kind to choose a winner, but we know you 0:44:28.230 --> 0:44:30.870 will not have a problem deciding a winner. 0:44:30.890 --> 0:44:31.350 Yeah. 0:44:31.969 --> 0:44:35.450 So tell us who you think was the best painting. 0:44:35.730 --> 0:44:37.870 And thank you all for joining us. We hope you 0:44:37.930 --> 0:44:42.779 get out and get painting. Do something creative and artistic. 0:44:43.110 --> 0:44:45.700 You know what? This is weird. Look at mine through. 0:44:45.980 --> 0:44:47.380 I like it through the canvas. 0:44:47.400 --> 0:44:48.120 That's actually pretty cool. 0:44:48.160 --> 0:44:49.650 That's what I was looking at. 0:44:49.719 --> 0:44:52.180 Yes. You can't really see mine through the canvas. 0:44:52.200 --> 0:44:54.509 How do we do that? or the audience, I don't 0:44:54.530 --> 0:44:56.350 know if we can, but like, I almost like it 0:44:56.370 --> 0:44:57.710 better through. 0:44:57.190 --> 0:44:59.510 There, it looks more. I like it better from the back. 0:44:59.530 --> 0:45:01.460 Yeah, but you know why, you know what's interesting? 0:45:01.480 --> 0:45:05.060 Because if you think about water coming into rocks, what happens, 0:45:05.080 --> 0:45:09.020 they kind of pool around, and so you're seeing the white. 0:45:08.840 --> 0:45:09.500 Of it pooling around. 0:45:09.520 --> 0:45:12.000 Yeah, so it ends up looking more like that's, yeah, 0:45:12.040 --> 0:45:12.680 that's kind of what. 0:45:12.560 --> 0:45:13.020 I wanted to see. 0:45:13.040 --> 0:45:15.049 So the back of your paintings always look better than 0:45:15.070 --> 0:45:16.350 the front of your paintings, interesting. 0:45:17.530 --> 0:45:19.710 You see the values working. Value is how much light, 0:45:19.730 --> 0:45:22.589 like the rocks are that warmer, lighter, and the dark. Yeah, 0:45:22.610 --> 0:45:25.750 and your shapes, your silhouette. 0:45:24.989 --> 0:45:25.350 Of the rocks. 0:45:25.410 --> 0:45:26.930 Because I put on a lot of paint. 0:45:27.130 --> 0:45:28.750 I put on layers of paint, that's why. 0:45:28.770 --> 0:45:30.930 Wow, I can't believe how great your ocean looks. 0:45:31.130 --> 0:45:32.870 Yeah, that's beautiful. Gosh. 0:45:33.650 --> 0:45:34.270 Really nice. 0:45:34.390 --> 0:45:36.230 Thank you. 0:45:36.790 --> 0:45:40.890 Yeah. All right, everyone. Vote for Will. 0:45:41.310 --> 0:45:42.770 Obviously. 0:45:42.830 --> 0:45:43.589 No, no, no. 0:45:43.700 --> 0:45:45.500 Allison, thank you so much for being here with us. 0:45:45.520 --> 0:45:47.020 Thank you for joining us. We hope we didn't ruin 0:45:47.060 --> 0:45:47.420 your pants. 0:45:47.440 --> 0:45:49.700 Allison Lowe, I want to give everyone where they can 0:45:49.760 --> 0:45:54.160 find you. You can find Allison at AllisonLowe underscore art. 0:45:54.219 --> 0:45:58.689 There is one L in Allison, and Lowe is L-O-W-E. 0:45:59.370 --> 0:46:00.509 So you can check her out there. 0:46:00.530 --> 0:46:02.670 Yeah, that's on my Instagram, or I do a website. 0:46:02.690 --> 0:46:06.690 I haven't updated it lately, but it's AllisonLoweArtwork.com. 0:46:06.910 --> 0:46:07.290 Great. 0:46:07.350 --> 0:46:09.170 Go check out the website. 0:46:09.190 --> 0:46:09.260 Yes. 0:46:09.880 --> 0:46:10.400 All right, guys. 0:46:10.520 --> 0:46:11.160 I'm proud of us. 0:46:11.200 --> 0:46:12.520 Congratulations. I'm proud of us. 0:46:12.560 --> 0:46:13.320 This is good. 0:46:13.730 --> 0:46:14.970 Allison, you're the greatest. 0:46:15.410 --> 0:46:16.130 High five. 0:46:16.210 --> 0:46:17.260 We'll see you all next time.