WEBVTT - Mini Crush #83

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Many Crush. Noel running late edition. That's every edition.

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<v Speaker 1>That's not true, Oh Noel, come on one of those

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<v Speaker 1>ten minutes late guys. All right, look in the morning.

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<v Speaker 1>It's different. Okay, this is I lose record on a

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<v Speaker 1>day where I have my kid and it's a little

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<v Speaker 1>bit tricky sometimes to navigate the pitfalls of single fatherhood. Okay,

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<v Speaker 1>is that where we're going. That's where we're going. I'm

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<v Speaker 1>gonna post that picture on the Movie Crush page. Why

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<v Speaker 1>because you have your fucking song. It's true, It's true.

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<v Speaker 1>I do. How you doing? Besides, I'm a little frazzled.

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<v Speaker 1>I'll tell you I've been listening a lot to um

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<v Speaker 1>this Purple Mountains record. Have you heard this? Have I

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<v Speaker 1>heard it? Have you heard it? No? I got an

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<v Speaker 1>advanced copy of that from the man himself. No ship, God, yeah,

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<v Speaker 1>we we should. Uh we're talking about the the late

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<v Speaker 1>David Berman. Uh, one of my idols. I didn't know

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<v Speaker 1>his stuff very well at all. I always heard the

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<v Speaker 1>name and knew he struggled with addiction and depression and stuff.

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<v Speaker 1>I didn't really know his music. I knew the Silver Jews,

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<v Speaker 1>but I heard this record his music, yeah, exactly for sure,

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<v Speaker 1>but I heard this record, uh right before you know

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<v Speaker 1>he passed and you know it took his own life,

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<v Speaker 1>and uh it really it spoke to me in in

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<v Speaker 1>a really intense way. And apparently a lot of people

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<v Speaker 1>have that relationship with his music and his very confessional

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<v Speaker 1>but like sarcastic and super witty lyrics, and this one's

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<v Speaker 1>no exception. But when you when you think about it

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<v Speaker 1>after the fact, it really does listen like a goodbye

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<v Speaker 1>goodbye yeah, and it's it's very it's a wonderful, wonderful album. Yeah.

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<v Speaker 1>David Berman was the lead singer and songwriter for The

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<v Speaker 1>Silver Jewice, one of my favorite bands, which was kind

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<v Speaker 1>of started off as a pavement side project. Bob Nistanovich

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<v Speaker 1>and Stephen Maltamus have worked with him on The Jews

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<v Speaker 1>over the years, and then he went away for a while,

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<v Speaker 1>and in the interim, Bob Nistanovich put me in touch

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<v Speaker 1>with Dave Burman because I was trying to get him

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<v Speaker 1>on movie Crush, and I have two emails from the

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<v Speaker 1>man that, uh, I treasure now in a big, big

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<v Speaker 1>way because he's one of my heroes of his book

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<v Speaker 1>of poetry and uh he he died a couple of

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<v Speaker 1>weeks ago, and it's very very sad, really really is um.

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<v Speaker 1>I mean, I don't want to get too heavy here

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<v Speaker 1>at the top of the show, but my my father

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<v Speaker 1>actually took his own life, and so I sort of

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<v Speaker 1>can relate in a way of knowing somebody but not

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<v Speaker 1>really knowing somebody and kind of you know, finding out

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<v Speaker 1>after the fact what they were really going through. That

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<v Speaker 1>maybe it's hard for someone to even fully share that

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<v Speaker 1>much of themselves with anybody. You know, that's right, and

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<v Speaker 1>that is a lesson in uh, kindness and gratitude. And

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<v Speaker 1>you never know what is going on behind closed doors everybody,

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<v Speaker 1>so be your best self and be kind to one another. Uh.

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<v Speaker 1>Stuff out there for a lot of people, and they

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<v Speaker 1>don't often show that face publicly. So and the FCC

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<v Speaker 1>is actually proposed um a three digit number for the

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<v Speaker 1>suicide prevention hotline hasn't passed yet, but that's something because

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<v Speaker 1>this is you know, this is an important thing. If

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<v Speaker 1>you if you feel like someone is in trouble, um

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<v Speaker 1>and you want to report it, you should be able

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<v Speaker 1>to do it without having to look up any hundred number,

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<v Speaker 1>but right now the number is right now, the number

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<v Speaker 1>is one eight hundred two seven three, eight to five five.

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<v Speaker 1>But look for new legislation that might replace that with

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<v Speaker 1>the drill it into people's brains like nine one one was,

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<v Speaker 1>and uh, I might save some lives. True, that would

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<v Speaker 1>be great. All right, Now we're gonna move on to

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<v Speaker 1>happier times because this is a Movie Crushers episode, which

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<v Speaker 1>I do every now and then, where I troll the

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<v Speaker 1>Movie Crushers page, not troll it. That makes sound like it.

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<v Speaker 1>Just I'm troll the Movie Crushers page for just fun stuff,

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<v Speaker 1>and uh, it's usually like social study stuff. But this

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<v Speaker 1>time I found a couple of fun things via the

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<v Speaker 1>Movie Crushers that I had not seen before. And have

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<v Speaker 1>you seen this Batman AI script yet? No? But I

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<v Speaker 1>love it already. I've seen some AI scripts. So what

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<v Speaker 1>happened was and this was. I can't remember who won.

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<v Speaker 1>The Movie Crushers posted this first, but a few people

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<v Speaker 1>have at this point. This is a writer, a comedian

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<v Speaker 1>and writer named Keaton Patty who evidently, and I really

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<v Speaker 1>hope this is true and not just a big fake,

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<v Speaker 1>but evidently the story goes is he forced an a

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<v Speaker 1>I bought to watch over one thousand hours of Batman

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<v Speaker 1>movies and then asked to write a Batman movie of

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<v Speaker 1>its own. And he published the first page. And I'm

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<v Speaker 1>going to read that first page and all because it's great.

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<v Speaker 1>Would you want should we split it up? It? Is it?

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<v Speaker 1>Multiple characters? Yeah, I mean there's a Joker and Alfred

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<v Speaker 1>and Batman. How about I'll be Batman and you be

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<v Speaker 1>everyone else, and I'll read the stage directions that sound good?

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<v Speaker 1>Absolutely all right? Interior traditional bat cave. It's already funny.

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<v Speaker 1>Batman stands next to his batmobile and uses his bat computer.

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<v Speaker 1>He's sometimes Bruce, Wayne, sometimes Batman, all times orphan. I'm

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<v Speaker 1>so glad you haven't seen this yet. All right, Batman speaks,

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<v Speaker 1>This is now a safe city. I have punched a

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<v Speaker 1>penguin into prison. Alfred, Batman's loyal battler, carries a tray

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<v Speaker 1>of goth ham eat a dinner mattressed way. An explosion

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<v Speaker 1>explodes the Joker and to face into the cave. Joker

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<v Speaker 1>is a clown but insane. To face is a man,

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<v Speaker 1>but attorney Batman speaks, No, it is to face and

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<v Speaker 1>one face. They hate me for being a bat. Batman

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<v Speaker 1>throws Alfred at two face to face, flips Alfred like

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<v Speaker 1>a coin. Alfred Land's head up, heads up, which means

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<v Speaker 1>to face goes home. Batman speaks, it is just you

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<v Speaker 1>and I, the joker, bat versus clown moral enemies. I

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<v Speaker 1>am such a freak. Society is bad. You drink water.

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<v Speaker 1>I drink anarchy. That's the line of the script. I

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<v Speaker 1>drink anarchy. Batman speaks, I drink bats, just like a

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<v Speaker 1>bat would. Batman looks around for his parents, but they

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<v Speaker 1>are still dead. This makes him have anger. He fires

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<v Speaker 1>a bat rocket. The joker deflects it with his sixth

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<v Speaker 1>sense of humor, a clown lee power. I have never

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<v Speaker 1>followed a rule. That is my rule? Do you follow?

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<v Speaker 1>I don't? Alfred give birth to Robin. Alfred begins the process,

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<v Speaker 1>since it is his job. The Joker now has a

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<v Speaker 1>present in his hand. He juggles it over to Batman.

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<v Speaker 1>Happy bat Day, beth Man. Batman opens the present since

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<v Speaker 1>he's a good guy. It contains a coupon for new parents,

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<v Speaker 1>but is expired. This is a joker joke, the cruelest

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<v Speaker 1>joker joke of all. Oh Man, please let that be true.

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<v Speaker 1>There's an Olive Garden commercial that was generated very similarly

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<v Speaker 1>out on Twitter a year or so ago. I'd like

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<v Speaker 1>to see that. It's great. Um, all of these are great.

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<v Speaker 1>It is a thing. I don't know how it works exactly,

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<v Speaker 1>Like the stage direction is a part that throws me

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<v Speaker 1>the whole thing, like, how did I don't that's coon

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<v Speaker 1>for new parents. But oh boy, that's great. Oh you

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<v Speaker 1>know what I do have? Who posted that? Thank you

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<v Speaker 1>to Jonathan McGrath, Uh McGrath, the old pal, which is wonderful,

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<v Speaker 1>the oldest of old pals. So I needed that chuck

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<v Speaker 1>after that Berman record. Man, Yeah, that gave me joy. Um,

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<v Speaker 1>that's amazing. It's so funny. So next up we have

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<v Speaker 1>from Kristen Saturly. Uh, palm Azle is what I'm gonna say.

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<v Speaker 1>There's a lot of syllables in a row there, so

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<v Speaker 1>I'm gonna make one of them silent, very whimsical last name.

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<v Speaker 1>It's a great name. It. She posted something that she

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<v Speaker 1>found online, which was a Buffalo Bill Tinder profile, which

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<v Speaker 1>was great. Yikes, have you seen this? No, it's got

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<v Speaker 1>his picture first of all, and it's sort of the

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<v Speaker 1>shot of him when he's just casually leaning in the

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<v Speaker 1>doorway when she pays a visit. Film Classic Bill, Pose

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<v Speaker 1>Bill thirty three years old away. I like Curvey girls.

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<v Speaker 1>I have a dog. Her name is Precious. She's my world.

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<v Speaker 1>My hobbies include midnight strolls, collecting insects. Kind of nerdy,

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<v Speaker 1>but it's what I'm into, making my own clothing, and

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<v Speaker 1>dancing when nobody's looking. He does dance like nobody's looking.

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<v Speaker 1>Dry skin is a deal breaker, that's true. I love

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<v Speaker 1>bath and body works for the sole reason that their

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<v Speaker 1>lotion comes in a basket. I date me, Oh that's fun,

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<v Speaker 1>It's the last line, and then shout out to Luke

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<v Speaker 1>Harkell Road in the comments for immediately posting I date

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<v Speaker 1>me so hard, I would this shift out of me.

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<v Speaker 1>I didn't realize the Buffalo Bill was supposed to be

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<v Speaker 1>thirty three. In my mind, he's older than that. I

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<v Speaker 1>don't know why. Well, that might have been a guest,

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<v Speaker 1>but looking back seems about right. Actually maybe. I mean,

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<v Speaker 1>he always seemed in his forties to me, That's what

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<v Speaker 1>I'm saying, and he still does. It's hard for me, though,

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<v Speaker 1>like age stuff like Kurt Cobain was twenty seven or whatever,

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<v Speaker 1>and I look back now at him, and I think

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<v Speaker 1>the think of the Beatles, for for example, like I

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<v Speaker 1>think of them as being these like genius luminaries. They

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<v Speaker 1>were done by and thirty six. It makes me feel

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<v Speaker 1>like I've accomplished nothing. Yeah, I don't go down that

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<v Speaker 1>road now. I know it's a that's a hard road

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<v Speaker 1>to ho. I just learned yesterday that Marlon Brando was

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<v Speaker 1>a year younger than me when he started The Godfather.

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<v Speaker 1>They aged him out, you know, to senior citizens. But

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<v Speaker 1>still good god yea, all right, No, well, now we're

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<v Speaker 1>gonna move on to UHLENEA. Barnett, who posted a really

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<v Speaker 1>good social studies that I'm surprised I had never thought

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<v Speaker 1>of before. And it is this, she says, Okay, what

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<v Speaker 1>are your movie no ways? Like when you know a

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<v Speaker 1>specific theme scene or a shot as used and refused

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<v Speaker 1>to watch it or have to leave the room. For her,

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<v Speaker 1>it is I uff and dogs dying. Yeah, I know,

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<v Speaker 1>any kind of animal death is a real trigger for

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<v Speaker 1>Needle stuff has always been tough for me. Don't care

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<v Speaker 1>for needle stuff. It's not so much the needle as

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<v Speaker 1>it is the tourniquet, you know, when they'd wrapped the

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<v Speaker 1>rubber band around and they bother you. They bother men.

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<v Speaker 1>Very specific, isn't it. They Also I don't like cutting.

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<v Speaker 1>I don't like cuts. I don't mind hacks like a whole,

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<v Speaker 1>Like a clean arm cut, that's fine with me. But

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<v Speaker 1>like a scalpel cut, or like a close up of

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<v Speaker 1>someone getting sliced, what about it steps me out? Stabs

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<v Speaker 1>don't bother me either. So just a slice slice interesting?

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<v Speaker 1>So like a blood brother scene would freak you out,

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<v Speaker 1>I don't care for that. Definitely don't like a wrist cut.

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<v Speaker 1>Does that mean, well, well, there's a scene in one

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<v Speaker 1>of the John Wick movies where there's a very out

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<v Speaker 1>of the blue wrist slice and I was not expecting it,

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<v Speaker 1>and I started, I walked away. I started pacing around

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<v Speaker 1>the room as I I walked away. Yeah, needle stuff

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<v Speaker 1>gets me, of course, any dogs or kids stuff now, um,

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<v Speaker 1>the I remember very distinctly the pulp fiction adrenaline shot

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<v Speaker 1>to the art just and you know, Tarantino wretches his

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<v Speaker 1>ratchets up the tension so well in that scene. It's

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<v Speaker 1>hard to sit through if you're if you're a needle phobe,

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<v Speaker 1>and I'm still a needle phobe. I've gotten good about

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<v Speaker 1>it now at the doctor, but it used to really

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<v Speaker 1>really be an issue. That one's a tough one too,

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<v Speaker 1>because it's like a stab from on high through like

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<v Speaker 1>the breastbone. Right. Yes, so that's the that's that. That's

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<v Speaker 1>a very tough creature altogether. Yeah. I will say that

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<v Speaker 1>the needles these days are different from the needles when

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<v Speaker 1>I was a kid, when I built up my phobia.

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<v Speaker 1>They've just gotten tinier and tinier, which is great, It's true.

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<v Speaker 1>How are you about getting blood drawn? I'm fine. I mean,

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<v Speaker 1>it's one of those things where I've gotten over my

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<v Speaker 1>needle phobia to the extent where I can do it.

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<v Speaker 1>And I'm like, you know, I'm gripping the arms of

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<v Speaker 1>the chair. I look away. I don't see I have

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<v Speaker 1>to look. Yeah, I got to look, and yeah, i

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<v Speaker 1>cannot be surprised by the needle. I've got to see

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<v Speaker 1>that ship. Yeah, I look away. Interesting. I always prepare

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<v Speaker 1>the kind nurse or technician, uh for my phobia, and

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<v Speaker 1>let the no I do too. I'm probably going to

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<v Speaker 1>start hyperventilating a bad don't freak out. Not hyperventilating. I

0:13:05.840 --> 0:13:08.480
<v Speaker 1>just kind of breathe a little heavy caring for it.

0:13:08.520 --> 0:13:11.120
<v Speaker 1>The anticipation, you know, kind of is killing me. Yeah.

0:13:11.120 --> 0:13:13.160
<v Speaker 1>I had a bad one last. I had a physical

0:13:13.280 --> 0:13:16.199
<v Speaker 1>a few weeks ago, and good news everyone, I'm doing great.

0:13:17.320 --> 0:13:19.199
<v Speaker 1>I just need to lose weight. Yes. Same. The doctor

0:13:19.240 --> 0:13:21.720
<v Speaker 1>was like, dude, your labs are fine, just lose some

0:13:21.760 --> 0:13:24.640
<v Speaker 1>fucking weights. Sam. He's like, it's up to you. Actually,

0:13:24.679 --> 0:13:27.320
<v Speaker 1>a very frank doctor, which I appreciate. You should jog together,

0:13:27.720 --> 0:13:32.360
<v Speaker 1>but I hate Johnny. We'll do something else. But where

0:13:32.440 --> 0:13:35.120
<v Speaker 1>was that going with that? Yeah? So I h deal breakers.

0:13:35.200 --> 0:13:38.560
<v Speaker 1>I had a bad blood drawing experience because she couldn't

0:13:38.600 --> 0:13:41.319
<v Speaker 1>find the vein. She was rooting around in there, and

0:13:41.400 --> 0:13:44.480
<v Speaker 1>it's like that it actually started. It was painful. It

0:13:44.559 --> 0:13:47.240
<v Speaker 1>wasn't like freaking me out. It hurt right, and she

0:13:47.360 --> 0:13:51.080
<v Speaker 1>was very apologetic, very kind person that was doing this.

0:13:51.200 --> 0:13:53.760
<v Speaker 1>I've luckily never had that. Yeah, So I was just like,

0:13:53.880 --> 0:13:57.679
<v Speaker 1>can you just repoke? I would rather that than the dig? Right?

0:13:57.760 --> 0:14:00.520
<v Speaker 1>What is the dig? The dig is the needles in

0:14:00.559 --> 0:14:02.600
<v Speaker 1>your arm and she's moving around looking for the main

0:14:03.120 --> 0:14:07.480
<v Speaker 1>what no, no, no, thank you sir or madam. Al Right,

0:14:07.800 --> 0:14:11.640
<v Speaker 1>enough of that. We were triggering so many people. All apologies,

0:14:19.120 --> 0:14:22.160
<v Speaker 1>we'll start off with Sarah Stapleton. Uh, I don't even

0:14:22.240 --> 0:14:25.120
<v Speaker 1>watch a movie about a dog because the dog always dies.

0:14:26.320 --> 0:14:31.760
<v Speaker 1>That's good point, Margharita, Sarah Margo says, I stuff for real.

0:14:32.160 --> 0:14:33.960
<v Speaker 1>I wanted to watch Brightburn, but they showed the I

0:14:34.080 --> 0:14:36.240
<v Speaker 1>scene in the trailer and I new to avoid it.

0:14:36.840 --> 0:14:39.080
<v Speaker 1>I don't know the ice scene. Brightburn sort of a

0:14:39.120 --> 0:14:41.520
<v Speaker 1>superhero horror movie. It looks pretty cool. I haven't seen it.

0:14:41.560 --> 0:14:44.040
<v Speaker 1>My friend Annie, isn't it? Yeah? Have you heard anything

0:14:44.080 --> 0:14:46.160
<v Speaker 1>about it? I haven't seen it either. I need to

0:14:46.160 --> 0:14:49.880
<v Speaker 1>see it. Our old pal Debbie Franka Ducas great name.

0:14:50.480 --> 0:14:53.760
<v Speaker 1>She says, the same eyes and dogs. Really, it's like

0:14:53.800 --> 0:14:55.800
<v Speaker 1>that's that's that's the that's the duo. There's a lot

0:14:55.840 --> 0:14:58.520
<v Speaker 1>of dogs in here. Here you go, Noel. Brian Schlackman

0:14:59.320 --> 0:15:02.240
<v Speaker 1>says slitting throats. Yeah, I don't care for that. I'm

0:15:02.240 --> 0:15:05.480
<v Speaker 1>not a big fan of that either. It doesn't make

0:15:05.480 --> 0:15:07.160
<v Speaker 1>me run out of the theater, but I will clench

0:15:07.880 --> 0:15:11.040
<v Speaker 1>my butt hole, yes for sure. Yeah, No, I don't

0:15:11.080 --> 0:15:12.960
<v Speaker 1>care for that. Did I just a butth hole? You did?

0:15:13.400 --> 0:15:16.440
<v Speaker 1>Is that a movie crush? First? I think so? But

0:15:16.480 --> 0:15:17.920
<v Speaker 1>hold such a great word is so much better than

0:15:17.920 --> 0:15:21.360
<v Speaker 1>an asshole. I mean, asshole is what you call someone,

0:15:21.120 --> 0:15:23.920
<v Speaker 1>but you don't refer to your own part as an asshole.

0:15:25.040 --> 0:15:29.560
<v Speaker 1>It's a butthole, Yeah, I agree. Ruth Carrol to Hey

0:15:29.720 --> 0:15:33.360
<v Speaker 1>says teeth and any animals. Yeah, teeth is obviously with

0:15:33.400 --> 0:15:36.680
<v Speaker 1>my fake teeth, very much triggered by tooth stuff. There's

0:15:36.680 --> 0:15:39.560
<v Speaker 1>a move. It's a little short Japanese thing. It's called haze,

0:15:39.600 --> 0:15:40.920
<v Speaker 1>I think it's what it's called, and sort of like

0:15:40.960 --> 0:15:44.120
<v Speaker 1>basically like takes place in a type of hell and

0:15:44.160 --> 0:15:46.720
<v Speaker 1>there's a scene of this guy's navigating through this hellscape

0:15:46.800 --> 0:15:48.360
<v Speaker 1>and there's one part where he has to cross this

0:15:48.400 --> 0:15:51.400
<v Speaker 1>really narrow bridge against the wall with his teeth clenched

0:15:51.400 --> 0:15:56.040
<v Speaker 1>over an iron pipe and a side to side. The

0:15:56.120 --> 0:15:59.520
<v Speaker 1>sound effects of his teeth grinding on this pipe will

0:15:59.600 --> 0:16:03.280
<v Speaker 1>will make your butthole clinch. I couldn't do it a

0:16:03.440 --> 0:16:06.880
<v Speaker 1>bad times old pal. Sarah Linderbergh says anything to the

0:16:06.880 --> 0:16:10.520
<v Speaker 1>bottom of the feet. She mentions the scene in Die

0:16:10.520 --> 0:16:12.720
<v Speaker 1>Hard it was too much for her, the glass probably

0:16:13.400 --> 0:16:16.960
<v Speaker 1>barefoot and he's she's named Fensta, Yeah, right shot the

0:16:16.960 --> 0:16:22.920
<v Speaker 1>gloss uh Menal Data says a sexual assault of course.

0:16:23.760 --> 0:16:27.520
<v Speaker 1>Message to the industry stopped depicting it graphically and stop

0:16:27.640 --> 0:16:32.080
<v Speaker 1>using it as a plot device. Yeah, I hear you see,

0:16:32.080 --> 0:16:34.280
<v Speaker 1>I don't know about that about me. If you're if

0:16:34.720 --> 0:16:36.240
<v Speaker 1>as a plot device, what I mean, what if that's

0:16:36.280 --> 0:16:38.400
<v Speaker 1>like the whole character arc? What if that's the point?

0:16:38.720 --> 0:16:40.600
<v Speaker 1>What if that's like part of the story. Are you

0:16:40.640 --> 0:16:45.160
<v Speaker 1>saying you shouldn't depict sexual assault ever because it's off limits? Like,

0:16:45.560 --> 0:16:48.480
<v Speaker 1>I don't know, I'm not I'm not gonna speak for her, No, no,

0:16:48.520 --> 0:16:51.080
<v Speaker 1>I'm I'm'm asking. I'm speaking for the industry or just

0:16:51.440 --> 0:16:54.040
<v Speaker 1>like you know, storytelling in general. So you know, what

0:16:54.080 --> 0:16:56.120
<v Speaker 1>are you gonna do? I don't know, Like I understand

0:16:56.160 --> 0:16:57.480
<v Speaker 1>like a lot of people had a problem with Game

0:16:57.520 --> 0:17:00.520
<v Speaker 1>of Thrones because it had some problematic depictions of sexual islands.

0:17:00.560 --> 0:17:02.520
<v Speaker 1>I get that it depends on the context for sure,

0:17:02.560 --> 0:17:04.080
<v Speaker 1>because they didn't have to do it the way they did.

0:17:04.720 --> 0:17:07.760
<v Speaker 1>But I think to say let's not use this ever

0:17:07.840 --> 0:17:09.400
<v Speaker 1>at all as a plot device to me is sort

0:17:09.440 --> 0:17:12.040
<v Speaker 1>of like, I don't know, brushing something under the rug

0:17:12.080 --> 0:17:14.639
<v Speaker 1>that could be exposed in an interesting way right here,

0:17:14.720 --> 0:17:16.520
<v Speaker 1>it could be discussed an interesting way, an I don't know.

0:17:16.720 --> 0:17:20.520
<v Speaker 1>It is certainly, uh something people could debate. Absolutely, you

0:17:20.520 --> 0:17:24.080
<v Speaker 1>know what I mean, Nicole Park's old Palaces, animals dying

0:17:24.720 --> 0:17:30.600
<v Speaker 1>or shot of an ivy drug use. Yeah, spiking up

0:17:30.640 --> 0:17:34.560
<v Speaker 1>in a heroin scene. Maybe it's partially needle. Yeah. And

0:17:34.600 --> 0:17:36.560
<v Speaker 1>for again, for me, it's that tourniquet. Baby, I don't

0:17:36.600 --> 0:17:40.280
<v Speaker 1>like it. You get that thing that turniquet into needle

0:17:40.440 --> 0:17:43.080
<v Speaker 1>turnid in because it makes the vein pop and that's like,

0:17:43.119 --> 0:17:44.960
<v Speaker 1>I don't know the pressure of that. And then the

0:17:45.040 --> 0:17:47.400
<v Speaker 1>idea of like sticking the needle into like a very

0:17:47.640 --> 0:17:49.960
<v Speaker 1>popped out vein, and like in pulp fiction when you

0:17:50.000 --> 0:17:53.200
<v Speaker 1>see him suck the blood into the syringe and then

0:17:53.240 --> 0:17:55.439
<v Speaker 1>shoot it out, you know, like that's that's how you

0:17:55.480 --> 0:17:59.679
<v Speaker 1>do it. I think, Yeah, he very romantically. Uh. I

0:17:59.680 --> 0:18:01.600
<v Speaker 1>think he handles that in a romantic way almost in

0:18:01.680 --> 0:18:06.160
<v Speaker 1>pulp fiction. He sexes it up a little bit interesting.

0:18:06.440 --> 0:18:09.160
<v Speaker 1>Lauren Feni is also on board. She says sexual violence

0:18:09.520 --> 0:18:11.479
<v Speaker 1>is the only thing that's made me turn off a movie.

0:18:12.040 --> 0:18:15.800
<v Speaker 1>I certainly get that. Everybody, uh Lisa pellusy Dog or

0:18:15.880 --> 0:18:18.800
<v Speaker 1>kid Deaths just can't do it. I also have a

0:18:18.840 --> 0:18:21.920
<v Speaker 1>really hard time watching characters that are racist, and even

0:18:21.960 --> 0:18:26.920
<v Speaker 1>more specifically, characters that are the victims of racism. Yeah,

0:18:27.080 --> 0:18:30.000
<v Speaker 1>that gets me more than I mean the racist stuff

0:18:30.359 --> 0:18:33.680
<v Speaker 1>I can kind of block out. But seeing someone really

0:18:33.720 --> 0:18:36.840
<v Speaker 1>kind of any victim, not just racism but bullying and

0:18:36.840 --> 0:18:41.920
<v Speaker 1>stuff like that, man mad makes me really mad, so mad?

0:18:42.040 --> 0:18:46.440
<v Speaker 1>Noel Uh Dodger Phillips says domestic violence for comic effect

0:18:47.240 --> 0:18:49.680
<v Speaker 1>like War the Roses or Mr Mrs Smith. I think

0:18:49.720 --> 0:18:52.639
<v Speaker 1>that is problematic for comic effects. I have a problem

0:18:52.680 --> 0:18:55.479
<v Speaker 1>with that. I think, Oh, I love War the Roses

0:18:55.520 --> 0:18:57.600
<v Speaker 1>so much. I haven't seen that. I mean, it's a

0:18:57.720 --> 0:19:01.800
<v Speaker 1>dark comedy about how has been a wife that get

0:19:01.800 --> 0:19:04.320
<v Speaker 1>divorced and it just gets so ugly that you know

0:19:04.359 --> 0:19:08.040
<v Speaker 1>they're battling each other physically at the end. It's never serious.

0:19:08.119 --> 0:19:12.240
<v Speaker 1>But but he doesn't like it. And I'm not saying

0:19:12.280 --> 0:19:15.800
<v Speaker 1>any anybody anybody's wrong. I'm just talking about, like where

0:19:15.880 --> 0:19:18.000
<v Speaker 1>is the line? Where should the line be drawn? Is

0:19:18.040 --> 0:19:19.840
<v Speaker 1>there a line, you know, in terms of like what

0:19:20.160 --> 0:19:22.760
<v Speaker 1>can or can't or should or shouldn't be depicted? Yeah,

0:19:22.960 --> 0:19:25.560
<v Speaker 1>for sure. Uh. And we'll finish out here with Lauren

0:19:25.760 --> 0:19:30.960
<v Speaker 1>Barnes w She mentions the eyes, but then she also says, uh,

0:19:31.040 --> 0:19:38.120
<v Speaker 1>sexual violence, especially abuse against children, obnoxious sex scenes, close upgore, blood, gushing,

0:19:39.200 --> 0:19:42.320
<v Speaker 1>slapstick humor. She said, all of this has gotten worse

0:19:42.320 --> 0:19:45.000
<v Speaker 1>for me is I've gotten older. Yeah, taste can change

0:19:45.000 --> 0:19:47.520
<v Speaker 1>over the years, especially when you have a kid. That's

0:19:48.200 --> 0:19:50.639
<v Speaker 1>I mean, I can, I can get through anything. I'm

0:19:50.680 --> 0:19:52.160
<v Speaker 1>not one of those that will turn a movie off,

0:19:52.920 --> 0:19:55.159
<v Speaker 1>but that ship will bother me and stick with me.

0:19:55.800 --> 0:19:57.600
<v Speaker 1>And I don't mind that. Like, I'm one of those

0:19:57.600 --> 0:20:00.520
<v Speaker 1>people that can. I think it's okay for a movie

0:20:00.520 --> 0:20:04.240
<v Speaker 1>to upset you, and that's part of the experience for

0:20:04.240 --> 0:20:06.440
<v Speaker 1>me sometimes absolutely, Like especially like I think about a

0:20:06.440 --> 0:20:09.320
<v Speaker 1>movie like American History X, I don't think you won't

0:20:09.400 --> 0:20:12.800
<v Speaker 1>argue that bad movie maybe the worst thing that's got

0:20:12.880 --> 0:20:15.639
<v Speaker 1>it's got the teeth, it's got the racism, it's got

0:20:15.720 --> 0:20:17.800
<v Speaker 1>the victims of racist That was a tough film. That's

0:20:17.800 --> 0:20:20.240
<v Speaker 1>a very tough film. But it's I think, now more

0:20:20.280 --> 0:20:23.720
<v Speaker 1>than ever, a pretty important film. Yeah, pretty prescient film.

0:20:23.760 --> 0:20:25.280
<v Speaker 1>I mean that that stuff is very real and they

0:20:25.280 --> 0:20:27.160
<v Speaker 1>depict it in a very frank in real way. Well,

0:20:27.200 --> 0:20:30.680
<v Speaker 1>here's the great thing about movies. Everybody is, uh, if

0:20:30.680 --> 0:20:33.320
<v Speaker 1>you don't like that stuff, don't watch it. I think

0:20:33.359 --> 0:20:35.760
<v Speaker 1>it's okay for me to get upset by a movie.

0:20:36.240 --> 0:20:38.399
<v Speaker 1>But I certainly get that people don't want to be

0:20:38.480 --> 0:20:41.680
<v Speaker 1>upset by movies at all. You know, that's very prosionable thing.

0:20:41.880 --> 0:20:43.800
<v Speaker 1>I mean, that's why I think it's important to know

0:20:43.880 --> 0:20:46.320
<v Speaker 1>what you're getting yourself into before you you watch something

0:20:46.359 --> 0:20:47.840
<v Speaker 1>if you're that kind of person, because you don't want

0:20:47.840 --> 0:20:51.280
<v Speaker 1>to be you know, you don't want to like trigger

0:20:51.320 --> 0:21:00.479
<v Speaker 1>yourself and have a bad time. Totally agree, Totally agree.

0:21:01.760 --> 0:21:04.080
<v Speaker 1>All right, now we're gonna finish up this week with

0:21:04.359 --> 0:21:09.359
<v Speaker 1>a quick stream this. I've been watching a couple of

0:21:09.400 --> 0:21:13.240
<v Speaker 1>new shows that I would like to talk about. Are

0:21:13.320 --> 0:21:15.840
<v Speaker 1>you watching The Boys? Now? I've heard it's good though,

0:21:16.800 --> 0:21:20.480
<v Speaker 1>it's great cool? What is it on Amazon? On Amazon?

0:21:20.520 --> 0:21:23.800
<v Speaker 1>All right? The Boys is an Amazon Prime show, and

0:21:24.080 --> 0:21:26.720
<v Speaker 1>uh it is. It depicts a very realistic sort of

0:21:26.760 --> 0:21:31.520
<v Speaker 1>take on superheroes, wherein superheroes are just part of the

0:21:31.520 --> 0:21:38.040
<v Speaker 1>fabric of the country and they are depicted in realistic

0:21:38.040 --> 0:21:40.879
<v Speaker 1>ways with all their faults and they are not always

0:21:40.880 --> 0:21:43.720
<v Speaker 1>great people. It is for adults. The show is. It

0:21:43.760 --> 0:21:47.080
<v Speaker 1>makes me the the setup makes me think of Watchmen. Yeah,

0:21:47.400 --> 0:21:50.000
<v Speaker 1>just in terms of like, let's discuss what a world

0:21:50.040 --> 0:21:53.280
<v Speaker 1>with real superheroes would be like for sure, Uh, that

0:21:53.480 --> 0:21:56.480
<v Speaker 1>is that is a fair comparison. Absolutely, and they have

0:21:56.520 --> 0:21:59.400
<v Speaker 1>like endorsements and things like that. And yeah, they're they're

0:21:59.440 --> 0:22:04.320
<v Speaker 1>superhero rose in in every sense of the word. You know,

0:22:04.400 --> 0:22:08.240
<v Speaker 1>they make a lot of money, they're rich, they're sponsored. Um,

0:22:08.240 --> 0:22:10.760
<v Speaker 1>there's a corporation that sort of runs the whole thing,

0:22:11.600 --> 0:22:12.919
<v Speaker 1>and that's a big part of the show. It's got

0:22:12.960 --> 0:22:15.040
<v Speaker 1>Elizabeth Shoe and it is a place sort of the

0:22:15.480 --> 0:22:19.560
<v Speaker 1>I guess, I guess she's like the CEO of the corporation, uh,

0:22:19.600 --> 0:22:22.600
<v Speaker 1>and main handler of the superheroes. But it's just really

0:22:22.640 --> 0:22:25.679
<v Speaker 1>great and uh, what do you like most about it?

0:22:25.680 --> 0:22:27.440
<v Speaker 1>Like as it just the acting. The writing is good.

0:22:27.680 --> 0:22:30.560
<v Speaker 1>Writing is great. The writing is really really great, and

0:22:30.600 --> 0:22:34.240
<v Speaker 1>it's uh it's a cool concept. The acting is really good.

0:22:34.920 --> 0:22:37.280
<v Speaker 1>And it doesn't I don't know, it always surprises me.

0:22:38.520 --> 0:22:40.280
<v Speaker 1>I think that's the deal. It's it doesn't go where

0:22:40.320 --> 0:22:43.680
<v Speaker 1>I expected to go and the people don't always uh

0:22:43.920 --> 0:22:47.000
<v Speaker 1>behave predictably, which I like. That's great. I've been meaning

0:22:47.040 --> 0:22:48.680
<v Speaker 1>to check it out. I definitely you would, you would

0:22:48.720 --> 0:22:51.280
<v Speaker 1>definitely like it. And the other show Noal that I've

0:22:51.280 --> 0:22:55.919
<v Speaker 1>been watching is shrill Adie Bryant's show. Uh Adie Bryant

0:22:55.920 --> 0:22:58.119
<v Speaker 1>from Saturday Night Live. Oh no, I don't know. I'm

0:22:58.240 --> 0:23:00.480
<v Speaker 1>so not up on the current Saturday Night If you

0:23:00.480 --> 0:23:03.600
<v Speaker 1>look her up you'd probably recognize her. She's the best. Um,

0:23:03.960 --> 0:23:06.119
<v Speaker 1>just listen to her Mark Marin episode A. Long been

0:23:06.160 --> 0:23:09.159
<v Speaker 1>a fan of Adie Bryant. I hope we're related. I

0:23:09.200 --> 0:23:11.240
<v Speaker 1>hope to have her on movie Crush one day to

0:23:11.280 --> 0:23:13.800
<v Speaker 1>talk about whether or not we're related. Although she's from Phoenix,

0:23:14.640 --> 0:23:16.600
<v Speaker 1>she was from the Southeast, there might be a chance.

0:23:17.119 --> 0:23:19.399
<v Speaker 1>But um, she's wonderful. Like I kind of loosely know

0:23:19.480 --> 0:23:23.680
<v Speaker 1>her husband h Connor O'Malley, But um, she's great. It's

0:23:23.680 --> 0:23:27.160
<v Speaker 1>a show on Hulu and she is a plus sized

0:23:27.200 --> 0:23:30.320
<v Speaker 1>woman who makes a show about a plus size woman.

0:23:30.440 --> 0:23:32.840
<v Speaker 1>And it's uh, let me see here, who the who?

0:23:32.920 --> 0:23:35.520
<v Speaker 1>The writer was here? It is it's a Lyndy West.

0:23:35.640 --> 0:23:38.760
<v Speaker 1>And the book was Shrill Colin Notes from a Loud Woman,

0:23:39.600 --> 0:23:42.639
<v Speaker 1>written by Lindy West. And so what Adie Bryan has

0:23:42.640 --> 0:23:45.440
<v Speaker 1>done is adapted that book but also brought her own

0:23:45.480 --> 0:23:48.399
<v Speaker 1>life experience as a plus sized woman into the show.

0:23:48.960 --> 0:23:51.800
<v Speaker 1>And it's I mean, it's very easy to say, like

0:23:52.640 --> 0:23:54.920
<v Speaker 1>that's what the show is about. But it's really about

0:23:54.920 --> 0:24:00.359
<v Speaker 1>a woman living life. It's that simple, and it's it's

0:24:00.680 --> 0:24:04.400
<v Speaker 1>people remark on the fact that she's uh, that she's overweight,

0:24:04.520 --> 0:24:08.200
<v Speaker 1>because you don't see shows like this. It should be

0:24:08.280 --> 0:24:10.680
<v Speaker 1>unremarkable and it should just be a show about a woman.

0:24:11.040 --> 0:24:12.720
<v Speaker 1>But because she's overweight, and that's part of the show,

0:24:12.760 --> 0:24:15.119
<v Speaker 1>because it's part of her life, that becomes sort of

0:24:15.119 --> 0:24:17.440
<v Speaker 1>the descriptor for it. Well, and it's interesting case. I

0:24:17.480 --> 0:24:19.640
<v Speaker 1>think we're living in such a you know, as such

0:24:19.680 --> 0:24:22.040
<v Speaker 1>a problematic time and so many levels, but also such

0:24:22.080 --> 0:24:25.280
<v Speaker 1>an interesting time where body positivity is much more of

0:24:25.960 --> 0:24:29.840
<v Speaker 1>a mainstream thing. And this is a great example. And

0:24:29.880 --> 0:24:34.200
<v Speaker 1>I think in general, like people are encouraged to be

0:24:34.680 --> 0:24:36.320
<v Speaker 1>who they are, and I think it's a lot less

0:24:36.320 --> 0:24:39.119
<v Speaker 1>body shaming going on in the main you know, like

0:24:39.160 --> 0:24:42.800
<v Speaker 1>even my kid, like she's really into this artist Billie Eilish,

0:24:42.840 --> 0:24:45.960
<v Speaker 1>who is wears these baggy clothes and has this kind

0:24:45.960 --> 0:24:47.920
<v Speaker 1>of like interesting style. But a big part of why

0:24:47.920 --> 0:24:49.840
<v Speaker 1>she does that is because she doesn't want to be

0:24:49.880 --> 0:24:52.479
<v Speaker 1>over sexualized by the media. Because she wears these kind

0:24:52.480 --> 0:24:54.520
<v Speaker 1>of baggy clothes so you can actually see your body.

0:24:54.800 --> 0:24:57.440
<v Speaker 1>So a lot of kids are like influenced by that

0:24:57.480 --> 0:25:00.720
<v Speaker 1>as opposed to like a midriff you know, crop top

0:25:00.760 --> 0:25:03.680
<v Speaker 1>Britney Spears kind of situations. So she's not she doesn't

0:25:03.680 --> 0:25:05.920
<v Speaker 1>feel body shamed at all or feeling you know, and and

0:25:06.080 --> 0:25:07.840
<v Speaker 1>my kids a little she's a she's a bigger kid,

0:25:07.920 --> 0:25:11.440
<v Speaker 1>you know, and she's perfectly happy with her body type

0:25:11.480 --> 0:25:14.359
<v Speaker 1>and doesn't at all. I think things are changing for

0:25:14.480 --> 0:25:17.240
<v Speaker 1>the better. And uh, and part of the show too

0:25:17.359 --> 0:25:20.760
<v Speaker 1>is just the the steady diet you're fed growing up

0:25:20.960 --> 0:25:23.840
<v Speaker 1>and as people like our age and Adie Bryant's age

0:25:23.880 --> 0:25:26.439
<v Speaker 1>of how you should look and how it was not

0:25:26.560 --> 0:25:28.840
<v Speaker 1>like this at all and everywhere you look, and especially

0:25:28.880 --> 0:25:31.760
<v Speaker 1>I mean it's true for everyone, but especially for women. Um,

0:25:31.800 --> 0:25:34.359
<v Speaker 1>there's so much shame involved because all you see around

0:25:34.440 --> 0:25:39.280
<v Speaker 1>you are those Britney Spears middrift videos and you're taught

0:25:39.320 --> 0:25:42.360
<v Speaker 1>that that is beauty and there are no other options.

0:25:42.960 --> 0:25:46.199
<v Speaker 1>This is the ideal. It's cool, but there's more than

0:25:46.240 --> 0:25:49.080
<v Speaker 1>one ideal. There absolutely is. And this is another great

0:25:49.119 --> 0:25:52.280
<v Speaker 1>example of a show that you know, we're getting to

0:25:52.320 --> 0:25:54.240
<v Speaker 1>see these stories now that we were cheated out of

0:25:54.280 --> 0:25:57.159
<v Speaker 1>for so long because she is the you know, writing

0:25:57.160 --> 0:25:59.800
<v Speaker 1>and directing, well, I don't think she's directing, but writing

0:25:59.800 --> 0:26:03.080
<v Speaker 1>this show, starting in the show show running essentially and

0:26:03.200 --> 0:26:06.040
<v Speaker 1>producing this show. And it's just great, so much heart,

0:26:06.240 --> 0:26:09.120
<v Speaker 1>so much humor, it's so fucking funny, and she's so

0:26:09.240 --> 0:26:13.280
<v Speaker 1>adorable and uh lovable, Like I want to be her friend.

0:26:14.280 --> 0:26:17.280
<v Speaker 1>I uh yeah, know everybody wants to be eighty bride Sprint.

0:26:17.359 --> 0:26:18.919
<v Speaker 1>I can't. I can't wait to see it. I have

0:26:19.119 --> 0:26:22.080
<v Speaker 1>finally gotten into watching season one of Fleabag, and I

0:26:22.080 --> 0:26:23.680
<v Speaker 1>think it's one of the smartest things I've ever seen

0:26:23.680 --> 0:26:26.760
<v Speaker 1>in my life. I think it's so funny, so approachable,

0:26:26.840 --> 0:26:31.199
<v Speaker 1>so real, uh and just absolutely hilarious and also like

0:26:31.320 --> 0:26:33.639
<v Speaker 1>really dark and awkward, but not in a way that

0:26:33.680 --> 0:26:35.200
<v Speaker 1>makes it's in a way that makes you want to

0:26:35.280 --> 0:26:37.640
<v Speaker 1>keep watching, as opposed to like make you like all

0:26:37.640 --> 0:26:40.639
<v Speaker 1>like cringe e or squeamish or whatever. I think fantastic.

0:26:40.680 --> 0:26:42.920
<v Speaker 1>I love it so much. Yeah, And the another kind

0:26:42.920 --> 0:26:46.280
<v Speaker 1>of through line for this shrill show is shrill show

0:26:47.080 --> 0:26:49.280
<v Speaker 1>is her uh and this is I think where her

0:26:49.320 --> 0:26:53.840
<v Speaker 1>autobiography or the autobiography graphical element comes in is how

0:26:53.920 --> 0:26:57.520
<v Speaker 1>much she wants to please people and how little she

0:26:57.600 --> 0:27:00.320
<v Speaker 1>is willing to accept back from people because she just

0:27:00.359 --> 0:27:02.680
<v Speaker 1>wants to fit in and be and make people happy.

0:27:02.880 --> 0:27:04.679
<v Speaker 1>And she talked about that in her own experience on

0:27:04.720 --> 0:27:10.000
<v Speaker 1>the Markmarren episode, which highly recommend um very relatable to

0:27:10.080 --> 0:27:12.960
<v Speaker 1>the human condition, I think, uh, for for all kinds

0:27:13.000 --> 0:27:15.280
<v Speaker 1>of people. So hats off to you, Adie Bryant. Love

0:27:15.280 --> 0:27:17.880
<v Speaker 1>your show. It's a tight six episodes, which I love,

0:27:18.480 --> 0:27:20.280
<v Speaker 1>and I believe it's already been picked up for a

0:27:20.320 --> 0:27:22.920
<v Speaker 1>season two. Uh, and I can't wait for that. So

0:27:23.320 --> 0:27:25.359
<v Speaker 1>keep on killing it and please come on my show.

0:27:25.960 --> 0:27:31.800
<v Speaker 1>You're the best. I hope she's listening me too. Someone Tagger,

0:27:32.080 --> 0:27:36.159
<v Speaker 1>please tell Lord Chuck Bryant's cushing her cutson. All right, No,

0:27:36.320 --> 0:27:37.879
<v Speaker 1>I think we're gonna wrap this one up. It's a

0:27:37.920 --> 0:27:41.440
<v Speaker 1>little bit of a shorty, but uh, we have scheduling

0:27:41.440 --> 0:27:44.680
<v Speaker 1>issues today, so we're gonna move on to part two

0:27:45.400 --> 0:28:02.840
<v Speaker 1>coming up right after this. I'm ready for more podcasts

0:28:02.880 --> 0:28:05.120
<v Speaker 1>for my heart radio. Visit the I heart Radio app,

0:28:05.160 --> 0:28:07.960
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.