WEBVTT - Murder House

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<v Speaker 1>In this Idaho murder case, the decision was made right

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<v Speaker 1>or wrong to demolish that house. Do you have an

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<v Speaker 1>opinion on that.

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<v Speaker 2>I can see no viable, tangible reason for that home

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<v Speaker 2>to be destroyed before the trial is complete.

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<v Speaker 3>Is there an immediacy for a jury going to a house?

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<v Speaker 3>Psychologically speaking, I would say yes.

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<v Speaker 4>This is the Idaho Massacre. A production of KAT Studios

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<v Speaker 4>and iHeartRadio, Season two, Episode two, Murder House. I'm Courtney Armstrong,

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<v Speaker 4>producer at KATI Studios with Stephanie Leidecker and Gabe Castillo.

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<v Speaker 4>We were reminded last episode of the details of the

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<v Speaker 4>grotesque horror that occurred at eleven twenty two King Road

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<v Speaker 4>on November thirteenth, twenty twenty two, when Madison Mogan, Kaylie Gonzalvez,

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<v Speaker 4>Ethan Chapin, and Xana Kernodle lost their lives. After the murders,

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<v Speaker 4>it was seen by some as a forensic scene or

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<v Speaker 4>a tomb, or a macabre reminder of the horrors that

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<v Speaker 4>happened there. But before all that, the house, located just

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<v Speaker 4>off campus and on fraternity Row, was full of life.

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<v Speaker 4>It was a party house where friends gathered. Here's on

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<v Speaker 4>air reporter Antonette Levy, who has covered the case on

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<v Speaker 4>the ground since the very beginning. I asked her to

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<v Speaker 4>describe the house and what it felt like standing in

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<v Speaker 4>front of it.

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<v Speaker 5>This house makes me sad, and it made me sad

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<v Speaker 5>because it was frozen in time. I'm standing there looking

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<v Speaker 5>at the window and there's a pair of pink cowboy

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<v Speaker 5>boots in the window. When I was there in December

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<v Speaker 5>of twenty twenty two and then returned in early January

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<v Speaker 5>after the arrest.

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<v Speaker 6>What made me so sad is there was this string

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<v Speaker 6>of lights across the back porch and they were on.

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<v Speaker 6>They were on. There was a couch out there, like

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<v Speaker 6>this leather couch. As a mom, I'm like, what are

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<v Speaker 6>you doing with a couch outside? But you know that

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<v Speaker 6>you're they're college kids. You know, it's a college house

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<v Speaker 6>and this is a place where you know, it was

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<v Speaker 6>a party house. But it was frozen in time in

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<v Speaker 6>the worst possible way. The lights were on the entire time,

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<v Speaker 6>from the night this happened till I got back in January,

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<v Speaker 6>and there's the couch covered in snow, and you know,

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<v Speaker 6>you could kind of see into the kitchen. Everything stopped

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<v Speaker 6>because this awful thing happened at this house that should

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<v Speaker 6>have just been full of kids and laughter, and if

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<v Speaker 6>they were going to not be there, it should have

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<v Speaker 6>been because they were going home for Thanksgiving and Christmas.

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<v Speaker 6>Everything was shattered. That was my impression of it. I

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<v Speaker 6>have mixed feelings about the demolition of the house. I

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<v Speaker 6>understand that Ethan Chapin's family supported the demolition of the

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<v Speaker 6>house because it had become this horrible, macabre tourist attraction,

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<v Speaker 6>which I think is horrific. But at the same time,

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<v Speaker 6>I would hate for something to come up at the

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<v Speaker 6>trial where it was needed. So I see both sides

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<v Speaker 6>of the coin.

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<v Speaker 4>As Angeinette says, there are two sides to this coin,

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<v Speaker 4>and most people fall strongly on one side or the other.

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<v Speaker 7>The family of the only male victim, twenty year old

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<v Speaker 7>Ethan Chapin, saying in a statement, we're supportive of the

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<v Speaker 7>decision to take down the King Street House for the

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<v Speaker 7>good of the university, it's students, including our own kids,

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<v Speaker 7>and the community of Moscow.

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<v Speaker 3>The house was considered the largest piece of evidence that

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<v Speaker 3>they had.

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<v Speaker 4>The university defending their decision to move forward.

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<v Speaker 8>Well, I understand he's from a legal standpoint.

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<v Speaker 6>Everyone was finished with the house.

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<v Speaker 9>You kind of want to scream from the mountaintops, just

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<v Speaker 9>let be leave it alone, don't touch it until the

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<v Speaker 9>trial's over.

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<v Speaker 4>The house was ultimately demolished on December twenty eighth, twenty

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<v Speaker 4>twenty three. It took one day and occurred to thirteen

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<v Speaker 4>months after the murders. Shortly after the demolition, Stephanie has

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<v Speaker 4>a discussion with forensic expert Joseph Scott Morgan and data

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<v Speaker 4>analysts body move In. You may remember her from Netflix's

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<v Speaker 4>Don't Have with Cats.

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<v Speaker 1>That particular house that they were murdered in was very specific.

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<v Speaker 1>It was a unique layout, but the house itself was

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<v Speaker 1>owned by the campus and highly debated turn of events.

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<v Speaker 1>They decided to destroy the house to get rid of

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<v Speaker 1>it altogether over winter break, and it's been a really

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<v Speaker 1>heated discussion. On the one hand, you know that for

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<v Speaker 1>the university, it's a bit of a real heartbreak on

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<v Speaker 1>the town, on the school, also for students who went

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<v Speaker 1>there who were maybe triggered emotion only by this heinous

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<v Speaker 1>crime that happened while they were attending school. Just generally speaking,

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<v Speaker 1>probably just feels hideous to have this marker exist. And

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<v Speaker 1>on the flip of that some of the family members

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<v Speaker 1>and including some people participating in the trial, say that

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<v Speaker 1>this is an active investigation site and that from a

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<v Speaker 1>forensic standpoint, it has to stay intact at least until

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<v Speaker 1>after the trial.

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<v Speaker 8>I spend a lot of time on the Internet, as

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<v Speaker 8>you all know, That's what I do. And I talk

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<v Speaker 8>to a lot of people who live in Moscow and

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<v Speaker 8>they are all affected by this house. They have to

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<v Speaker 8>drive by it. It's in a really dense neighborhood. The

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<v Speaker 8>jury is never going to be allowed to go in there.

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<v Speaker 8>They're never going to be allowed to go in there.

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<v Speaker 8>There's no the acoustics are different, flooring's been removed, walls

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<v Speaker 8>have been removed. I have photos and you can see

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<v Speaker 8>all the dry wall that's been cut out of Maddie's room. Like,

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<v Speaker 8>they're not going to go in there. It's just not

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<v Speaker 8>going to happen. It's so uncommon for a jury to

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<v Speaker 8>visit a crime scene so on com.

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<v Speaker 1>But it happens though. By the way, sidebar one of

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<v Speaker 1>the victims has a sister and a brother who do

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<v Speaker 1>it also still attend the university. So if I'm a

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<v Speaker 1>family member of one of the victims, I want justice,

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<v Speaker 1>or if I'm even a family member of the accused,

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<v Speaker 1>and i want justice. How can we destroy the forensicstru.

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<v Speaker 10>Here's my real problem with it is the fact that

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<v Speaker 10>there are homicides that take place every single day. There's

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<v Speaker 10>a homicide going on right now as we speak somewhere

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<v Speaker 10>in America. I can promise you that they're not going

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<v Speaker 10>to go out and tear down that structure. This is

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<v Speaker 10>an outlier. As far as tearing down a structure.

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<v Speaker 4>It is incredibly rare for a jury to visit the

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<v Speaker 4>side of a murder. It's also rare for a building

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<v Speaker 4>where a murder took place to be demolished. However, the

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<v Speaker 4>ones that fall into either category are usually multi victim

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<v Speaker 4>murders that are exceptionally heinous and highly publicized. Some cases

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<v Speaker 4>where the juris did go back to the literal scene

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<v Speaker 4>of the crime can often include cases where they may

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<v Speaker 4>hinge on some form of integral spatial logistics. For example,

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<v Speaker 4>Michael Peterson, where jurors walked the stairs where his wife died,

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<v Speaker 4>Alex Murda so jurors could appreciate the scale of the

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<v Speaker 4>large property, and the twenty eighteen Parkland school shooting, which

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<v Speaker 4>Joseph tells us.

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<v Speaker 10>About I even reflect back to Parkland, which I covered extensively,

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<v Speaker 10>and look, I understand that the interior of Parkland was

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<v Speaker 10>not changed at all. One of the most moving moments

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<v Speaker 10>is where they talk about how when they led the

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<v Speaker 10>jurors into that structure. Remember Parkland had taken place on

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<v Speaker 10>Valentine's Day. There were dried, crumbling roses laying on the floor,

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<v Speaker 10>teddy bears with hearts on them, there were still blood

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<v Speaker 10>stains on the floor. And it too is government controlled.

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<v Speaker 10>And let's face it, the University of Idaho's a government

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<v Speaker 10>entity and it is owned by the University of Odaho.

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<v Speaker 4>Of all the divisive factors in this divisive case, it

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<v Speaker 4>seems the homes demolition drew more opposing opinions than almost

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<v Speaker 4>anything else. Here's journalist Chris Bargo, who spent a lot

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<v Speaker 4>of time covering the case. I started by asking him

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<v Speaker 4>about the money spent on security of the home leading

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<v Speaker 4>up to the demolition. It was seven hundred dollars a

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<v Speaker 4>day for securing the home alone, clocking in at one

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<v Speaker 4>point two million dollars months before the home was even

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<v Speaker 4>torn down. Here's Chris.

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<v Speaker 9>The brunt of that is really being absorbed by the university.

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<v Speaker 9>The university has really kind of cost a lot of

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<v Speaker 9>money for them because of security reasons. You know, obviously

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<v Speaker 9>when the house, the house was up for so long

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<v Speaker 9>and that house had to be protected that entire time,

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<v Speaker 9>people they had twenty four seven watch dealing with this

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<v Speaker 9>influx of people on campus. You know, safety measures for students,

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<v Speaker 9>but there's not really much you can do to get

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<v Speaker 9>around those costs. And because it took place in a university,

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<v Speaker 9>there's a lot of costs that come along with that

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<v Speaker 9>because they want to make sure the students feel safe.

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<v Speaker 9>They want to make sure the students protected, and they

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<v Speaker 9>also want to make sure that this major piece of

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<v Speaker 9>evidence is house is left untouched. When there are thousands

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<v Speaker 9>of people descending on this town who probably want to

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<v Speaker 9>do nothing more than to get inside it or take

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<v Speaker 9>a look around. They have to make sure no one

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<v Speaker 9>get went in that house. So that was a really

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<v Speaker 9>really big cost to bear.

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<v Speaker 11>What are your thoughts on the demolition of the house.

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<v Speaker 9>I do not think that the defense of prosecution would

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<v Speaker 9>be okay with it if they thought there was any

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<v Speaker 9>possible chance there was even like a little piece of

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<v Speaker 9>evidence inside there. I think on the most sort of

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<v Speaker 9>human and basic level. The last thing in the world

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<v Speaker 9>do you want those kids to deal with, which we

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<v Speaker 9>are already dealing with so much, is have to see

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<v Speaker 9>that house. It's probably a horrible reminder. So for that reason,

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<v Speaker 9>I'm really glad you know that it's not there. I

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<v Speaker 9>don't know how much the scene was going to be

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<v Speaker 9>helpful in that case. At this point, it seems like

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<v Speaker 9>they're in trouble even placing him at the scene, So

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<v Speaker 9>I don't know what was going to be accomplished. Maybe

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<v Speaker 9>by having anyone visit the house, But like I said,

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<v Speaker 9>I think that if there's any sort of bit of

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<v Speaker 9>evidence that prosecutor saw that could get out of it

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<v Speaker 9>or bring people to the house, they would have kept

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<v Speaker 9>it up. And clearly they didn't think there.

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<v Speaker 7>Was out there.

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<v Speaker 4>The FBI prosecution and defense teams had access to the

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<v Speaker 4>home on multiple occasion. The prosecutor's last visit was just

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<v Speaker 4>one week before the demolition. The president of Idaho University,

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<v Speaker 4>Scott Green, released a statement on December fourteenth, twenty twenty three.

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<v Speaker 4>He wrote, it is the grim reminder of the heinous

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<v Speaker 4>act that took place there. While we appreciate the emotional

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<v Speaker 4>connections some family members of the victims may have to

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<v Speaker 4>this house. It is time for its removal and to

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<v Speaker 4>allow the collective healing of our community to continue. Let's

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<v Speaker 4>stop here for a break. We'll be back in a moment.

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<v Speaker 4>Stephanie continues her conversation with forensic expert Joseph Scott Morgan

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<v Speaker 4>and data analyst Body Movin.

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<v Speaker 10>Once it's gone, it's gone. The most intriguing images that

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<v Speaker 10>I saw of the entire coverage relative to Idaho was

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<v Speaker 10>there was a snap moment where you had agents that

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<v Speaker 10>were back in the brush line rear of the second

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<v Speaker 10>floor where the sliders are, and they were squatted in

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<v Speaker 10>the brush and they were looking back towards the building.

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<v Speaker 10>They were looking for fields of view. At that point

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<v Speaker 10>in time, What could you observe from this low growth

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<v Speaker 10>scrub that was back there, these trees. Is it a

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<v Speaker 10>location where the perpetrator could have parked. Is it an

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<v Speaker 10>observation point where they could have seen people moving around

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<v Speaker 10>at night? Is it at that key moment that he

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<v Speaker 10>decided that when those lights went down, that he was

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<v Speaker 10>going to make us move and make entry into that environment.

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<v Speaker 10>All reference for that is gone now.

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<v Speaker 1>Not to mention a big piece of the defense's case

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<v Speaker 1>right now is that Brian Coberger claims to have an alibi. Again,

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<v Speaker 1>we're talking about potentially more than one person being there

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<v Speaker 1>or a different set of people being there where there

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<v Speaker 1>are multiple attackers. It was Brian not even there in

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<v Speaker 1>the first place. Why would you destroy something? And I've

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<v Speaker 1>learned this from you, by the way, the plumbing could

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<v Speaker 1>have evidence in it. The concrete in an around the

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<v Speaker 1>location and could have evidence in it.

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<v Speaker 10>Yeah, let me say something about the plumbing real quick.

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<v Speaker 10>And this brings the car into play. You know, they

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<v Speaker 10>think they've got a timeline settled here, but let's just

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<v Speaker 10>say that an individual may have taken time to have

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<v Speaker 10>gone and clean themselves. Did you take drain traps out?

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<v Speaker 10>Did they run a camera down in the drain? I

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<v Speaker 10>think my big thing is in anybody that's kind of

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<v Speaker 10>listening to us, our friends out there. If you live

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<v Speaker 10>in a home that has a stair an internal staircase,

0:12:27.640 --> 0:12:30.320
<v Speaker 10>what does footfalls sound like on the treads on the

0:12:30.320 --> 0:12:33.800
<v Speaker 10>interior staircase? Can you hear that? Can you hear somebody

0:12:34.120 --> 0:12:36.439
<v Speaker 10>wrestling about if you're on the second floor and it's

0:12:36.480 --> 0:12:38.280
<v Speaker 10>going on the third floor, can you hear it? If

0:12:38.280 --> 0:12:40.000
<v Speaker 10>you're in the basement. We don't have a point of

0:12:40.040 --> 0:12:42.640
<v Speaker 10>reference anymore. Still, can't take the jury back out there.

0:12:43.160 --> 0:12:46.200
<v Speaker 10>You can't have them go into any one of these

0:12:46.360 --> 0:12:51.280
<v Speaker 10>rooms where these ghastly murders were committed and asked questions.

0:12:51.600 --> 0:12:54.240
<v Speaker 10>Jury can't ask a question based upon well, gee, look

0:12:54.280 --> 0:12:56.439
<v Speaker 10>at that window and how you can see and from

0:12:56.520 --> 0:12:58.880
<v Speaker 10>there to here, and how far away is the distance

0:12:58.920 --> 0:13:00.800
<v Speaker 10>from the entrance to the bedroom room to the fly

0:13:00.960 --> 0:13:03.160
<v Speaker 10>stairs down to the second floor. Who would it take

0:13:03.240 --> 0:13:05.920
<v Speaker 10>me to egress from the third floor to the second

0:13:05.920 --> 0:13:07.800
<v Speaker 10>floor landing and then down the hallway.

0:13:08.120 --> 0:13:10.520
<v Speaker 1>You think about the feeling it a clown jurs. You know,

0:13:10.559 --> 0:13:11.880
<v Speaker 1>we saw that in Pike County.

0:13:12.880 --> 0:13:15.800
<v Speaker 4>Stephanie's referencing the murders of eight members of the Rodent

0:13:15.840 --> 0:13:19.200
<v Speaker 4>family that occurred in Piked in Ohio. It's the topic

0:13:19.240 --> 0:13:22.280
<v Speaker 4>of another Katie Studios podcast and a case we worked

0:13:22.320 --> 0:13:24.520
<v Speaker 4>closely on with Joseph.

0:13:24.600 --> 0:13:27.560
<v Speaker 1>After the massacres occurred there and right before the trial,

0:13:27.960 --> 0:13:29.080
<v Speaker 1>the jury was.

0:13:29.320 --> 0:13:31.360
<v Speaker 4>Put on a bus and set.

0:13:31.520 --> 0:13:35.640
<v Speaker 1>Yes, they were out to observe the landscape where the

0:13:35.760 --> 0:13:39.120
<v Speaker 1>homes where those murders happened had occurred. And you know,

0:13:39.160 --> 0:13:42.200
<v Speaker 1>we were always told it was extremely powerful. There's nothing

0:13:42.360 --> 0:13:46.000
<v Speaker 1>like being in the location, especially when it's still furnished,

0:13:46.120 --> 0:13:49.440
<v Speaker 1>and those personal belongings that have now been removed for

0:13:49.520 --> 0:13:53.400
<v Speaker 1>sentimental reasons, they should remain in that crime scene to

0:13:53.520 --> 0:13:55.360
<v Speaker 1>really make it personal.

0:13:55.440 --> 0:13:56.200
<v Speaker 9>That's part of it.

0:13:56.280 --> 0:13:59.640
<v Speaker 1>This is the most personal thing imaginable. Why would you

0:13:59.640 --> 0:14:03.160
<v Speaker 1>make a game day decision a year before the game

0:14:03.920 --> 0:14:07.640
<v Speaker 1>by destroying what could potentially be relevant. Doesn't this speak

0:14:07.640 --> 0:14:10.000
<v Speaker 1>to the original point that the house should not have

0:14:10.280 --> 0:14:11.040
<v Speaker 1>been destroyed.

0:14:14.160 --> 0:14:17.120
<v Speaker 8>This is just my opinion, but these scans are so

0:14:17.400 --> 0:14:22.480
<v Speaker 8>advanced and so well done. The house is unsafe for

0:14:22.560 --> 0:14:25.280
<v Speaker 8>people to be in. And I don't know what kind

0:14:25.280 --> 0:14:28.720
<v Speaker 8>of situation the rooms are in, but I can't imagine

0:14:28.760 --> 0:14:31.200
<v Speaker 8>they didn't remove pieces of the floor from the both bedrooms.

0:14:31.400 --> 0:14:34.440
<v Speaker 8>It's not safe for this jury to be in well,

0:14:34.440 --> 0:14:36.280
<v Speaker 8>and that's what the documents say. The documents say the

0:14:36.280 --> 0:14:38.840
<v Speaker 8>house is too dangerous and that both the defense and

0:14:38.920 --> 0:14:42.880
<v Speaker 8>the prosecution agreed that this is not a place that

0:14:42.880 --> 0:14:44.200
<v Speaker 8>they're going to be bringing the jury.

0:14:44.920 --> 0:14:50.000
<v Speaker 10>I do hope that it was sufficiently documented. I know

0:14:50.160 --> 0:14:53.840
<v Speaker 10>that they did do Pharaoh images within that structure and

0:14:53.880 --> 0:14:54.840
<v Speaker 10>also externally.

0:14:56.160 --> 0:14:59.840
<v Speaker 4>We asked Joseph for clarification on what Pharaoh images are

0:15:00.080 --> 0:15:01.840
<v Speaker 4>and how the Pharaoh system works.

0:15:03.400 --> 0:15:07.360
<v Speaker 10>You first see the earlier iterations of these things when

0:15:07.600 --> 0:15:10.760
<v Speaker 10>they're referred to as total stations. They were made famous

0:15:10.760 --> 0:15:16.000
<v Speaker 10>by accident reconstructionists, where you have this one machine that

0:15:16.480 --> 0:15:20.320
<v Speaker 10>they could essentially plot in it from a digital standpoint,

0:15:20.600 --> 0:15:24.440
<v Speaker 10>a motor vehicle accident, because to work a motor vehicle

0:15:24.440 --> 0:15:28.080
<v Speaker 10>scene is to say the very least time consuming and

0:15:28.120 --> 0:15:32.359
<v Speaker 10>the calculations are mind blowing. So they took that platform

0:15:32.720 --> 0:15:38.720
<v Speaker 10>and expanded it relative to this Pharaoh device Faro. But

0:15:38.800 --> 0:15:42.680
<v Speaker 10>you can take this Pharaoh device and place it at

0:15:42.720 --> 0:15:46.520
<v Speaker 10>a scene and just imagine it's got the ability to

0:15:46.640 --> 0:15:52.000
<v Speaker 10>spend on its axis thousands of different directions and all

0:15:52.040 --> 0:15:54.400
<v Speaker 10>of the while it's shooting out these little lasers and

0:15:54.400 --> 0:15:57.640
<v Speaker 10>it's taking thousands of photos, and so it can digitally

0:15:58.000 --> 0:16:01.080
<v Speaker 10>take those images and compile them and it gives you

0:16:01.280 --> 0:16:05.200
<v Speaker 10>very detailed information. It also has GPS that's in it.

0:16:05.240 --> 0:16:07.720
<v Speaker 10>You take it into a confined space like a built

0:16:07.800 --> 0:16:13.240
<v Speaker 10>dwelling like this, and the detail is very remarkable, and

0:16:13.320 --> 0:16:16.000
<v Speaker 10>you can create this three D world. It is quite

0:16:16.080 --> 0:16:19.880
<v Speaker 10>fascinating to see. So that's what a Faro station is essentially.

0:16:20.400 --> 0:16:23.280
<v Speaker 10>There's been some talk of some three D model that

0:16:23.400 --> 0:16:27.000
<v Speaker 10>may be created by the FBI lab in Quantico and

0:16:27.160 --> 0:16:30.200
<v Speaker 10>be presented for the court. But I got to tell you,

0:16:30.560 --> 0:16:36.240
<v Speaker 10>I've been out on a number of visits to homes

0:16:36.240 --> 0:16:39.120
<v Speaker 10>where homicides have taken place, and I've been there when

0:16:39.160 --> 0:16:43.640
<v Speaker 10>the juries are there, and it is the real dose

0:16:43.680 --> 0:16:47.600
<v Speaker 10>of reality for them when they show up. From an

0:16:47.640 --> 0:16:51.720
<v Speaker 10>investigative standpoint, if you have it, don't throw it away.

0:16:52.200 --> 0:16:55.760
<v Speaker 10>I'm not a junk collector personally, but this ain't junk.

0:16:55.960 --> 0:16:58.120
<v Speaker 10>This is where these lives ended.

0:16:58.600 --> 0:17:00.720
<v Speaker 1>And just you know, to piggyback on that, some of

0:17:00.760 --> 0:17:03.400
<v Speaker 1>the other victims' families were very against it for this

0:17:03.520 --> 0:17:06.719
<v Speaker 1>very reason. What if there is one little morsel of

0:17:06.760 --> 0:17:12.040
<v Speaker 1>something that could bring justice to them or frankly, get

0:17:12.080 --> 0:17:14.119
<v Speaker 1>a guilty man off.

0:17:14.760 --> 0:17:17.520
<v Speaker 8>There's other cases where they've torn the apartment down, like

0:17:17.600 --> 0:17:21.320
<v Speaker 8>for instance, Jeffrey Dahmer. However they waited for the trial.

0:17:21.640 --> 0:17:24.880
<v Speaker 8>Yeah that's the rub, you know, So yeah, I get it,

0:17:24.960 --> 0:17:25.359
<v Speaker 8>I get it.

0:17:25.440 --> 0:17:28.000
<v Speaker 10>Yeah, I mean John Wayne Gacy's house is gone. You know,

0:17:28.040 --> 0:17:29.159
<v Speaker 10>there's nothing.

0:17:29.440 --> 0:17:32.480
<v Speaker 8>But Pharaoh didn't really exist like it does now back then.

0:17:32.640 --> 0:17:35.960
<v Speaker 8>You know, it's a different time, and I would imagine

0:17:35.960 --> 0:17:38.160
<v Speaker 8>at some point, you know, it's going to be virtual reality,

0:17:38.359 --> 0:17:40.919
<v Speaker 8>you know, where these juries can put on a headset

0:17:40.960 --> 0:17:42.399
<v Speaker 8>and walk through the house at their leisure.

0:17:42.960 --> 0:17:46.439
<v Speaker 10>They can. But you know you had mentioned earlier about

0:17:46.520 --> 0:17:49.959
<v Speaker 10>the acoustics might not be the same. However, people that

0:17:50.040 --> 0:17:54.000
<v Speaker 10>are impaneled on juries, they're not AI. I mean, they

0:17:54.040 --> 0:17:57.399
<v Speaker 10>are living, breathing human beings that know what it's like

0:17:57.480 --> 0:18:00.800
<v Speaker 10>to walk into a house in that sense that you

0:18:00.960 --> 0:18:03.720
<v Speaker 10>get that auditory sense of a footfall, you know, and

0:18:03.760 --> 0:18:05.600
<v Speaker 10>I know that part of the floor has been removed

0:18:05.600 --> 0:18:07.720
<v Speaker 10>and all this. But when you think about just the

0:18:07.760 --> 0:18:10.760
<v Speaker 10>timing element, if I were asked how long would it

0:18:10.800 --> 0:18:13.280
<v Speaker 10>take me to make it from the sliders to that

0:18:13.960 --> 0:18:17.080
<v Speaker 10>weird that if we just go on a limb here

0:18:17.119 --> 0:18:19.159
<v Speaker 10>and say, enter through the sliders, how long would it

0:18:19.200 --> 0:18:22.720
<v Speaker 10>take to make it from there to the interior staircase

0:18:23.080 --> 0:18:26.240
<v Speaker 10>and twist and turn and get up there. And also

0:18:27.000 --> 0:18:29.960
<v Speaker 10>in the darkness, I think about all these in the

0:18:30.000 --> 0:18:34.080
<v Speaker 10>relationship spatial relationships and all these sorts of things. And yeah,

0:18:34.119 --> 0:18:37.040
<v Speaker 10>I know Pharaoh is great and it's going to be fantastic.

0:18:37.280 --> 0:18:40.400
<v Speaker 10>I'm sure the presentation will blow everybody away if we're

0:18:40.440 --> 0:18:44.320
<v Speaker 10>permitted to see it, but there's still that one little

0:18:44.520 --> 0:18:45.960
<v Speaker 10>splinter in my brain feeling.

0:18:46.440 --> 0:18:49.159
<v Speaker 8>I often equate it to like I like to read books,

0:18:49.200 --> 0:18:50.760
<v Speaker 8>like the actual book. I don't want to read it

0:18:50.800 --> 0:18:52.960
<v Speaker 8>on a kindle. It's like I like to touch the paper,

0:18:53.080 --> 0:18:53.840
<v Speaker 8>like to turn the pace.

0:18:53.920 --> 0:18:54.600
<v Speaker 1>So it's maybe the.

0:18:54.560 --> 0:18:56.960
<v Speaker 8>Same kind of lake right right thing where you're there

0:18:57.000 --> 0:19:00.199
<v Speaker 8>in person and you can smell and use all all

0:19:00.240 --> 0:19:03.320
<v Speaker 8>your senses to get an idea of what happened, and

0:19:03.359 --> 0:19:04.679
<v Speaker 8>you're not going to be able to have that with

0:19:04.720 --> 0:19:05.560
<v Speaker 8>a three D scan.

0:19:08.280 --> 0:19:10.600
<v Speaker 4>The draw to the house after the murders is one

0:19:10.640 --> 0:19:14.040
<v Speaker 4>of the reasons it was demolished. People were coming from

0:19:14.119 --> 0:19:17.240
<v Speaker 4>far and wide to view the house, somewhat the horrible

0:19:17.280 --> 0:19:21.520
<v Speaker 4>intention of taking a souvenir from the scene. We felt

0:19:21.560 --> 0:19:24.119
<v Speaker 4>it was something important to try and understand, so we

0:19:24.240 --> 0:19:28.560
<v Speaker 4>reached out to psychiatrist doctor Gail Saltz, Clinical Associate Professor

0:19:28.640 --> 0:19:32.200
<v Speaker 4>of Psychiatry at New York Presbyterian Hospital and host of

0:19:32.240 --> 0:19:37.840
<v Speaker 4>the podcast how Can I Help. Doctor Salts have been

0:19:37.880 --> 0:19:40.840
<v Speaker 4>quoted in an article we found about our culture's obsession

0:19:40.880 --> 0:19:47.840
<v Speaker 4>with murder houses. Here's doctor Saltz with some information about

0:19:47.880 --> 0:19:50.520
<v Speaker 4>the phenomenon followed by Stephanie.

0:19:51.800 --> 0:19:56.840
<v Speaker 3>The house is sort of like the museum of it.

0:19:56.840 --> 0:19:59.679
<v Speaker 3>It's easier to imagine being part of it or in it,

0:20:00.080 --> 0:20:03.600
<v Speaker 3>thinking about it the horror of it, much like if

0:20:03.640 --> 0:20:06.359
<v Speaker 3>you said, here are the clothes of the people, or

0:20:06.440 --> 0:20:09.560
<v Speaker 3>here is the weapon that was used, and you can

0:20:09.600 --> 0:20:12.520
<v Speaker 3>physically look at it and hold it. And of course

0:20:12.880 --> 0:20:18.320
<v Speaker 3>homes represent all kinds of things. Homes represent the place

0:20:18.359 --> 0:20:23.960
<v Speaker 3>where these people lived and had lives, and most people's

0:20:24.000 --> 0:20:28.560
<v Speaker 3>homes means feeling safe and feeling a joy of you

0:20:28.600 --> 0:20:30.800
<v Speaker 3>know whatever. It might be their family, their friends, I

0:20:30.840 --> 0:20:34.040
<v Speaker 3>mean in this case right, their friends being in college,

0:20:34.600 --> 0:20:39.840
<v Speaker 3>feeling invincible at that age. And of course most people

0:20:39.920 --> 0:20:42.439
<v Speaker 3>are not thinking about you could be a victim in

0:20:42.480 --> 0:20:42.920
<v Speaker 3>your home.

0:20:43.119 --> 0:20:45.600
<v Speaker 1>It's like, how do we prevent these kinds of things

0:20:45.600 --> 0:20:48.040
<v Speaker 1>from happening, or how do we maintain our own sense

0:20:48.080 --> 0:20:52.119
<v Speaker 1>of safety when sometimes the perpetrator is so ordinary.

0:20:52.760 --> 0:20:58.480
<v Speaker 3>Many people have a desire to feel a little scared

0:20:59.200 --> 0:21:02.240
<v Speaker 3>in a safe way, and we are naturally curious. The

0:21:02.359 --> 0:21:07.960
<v Speaker 3>identification is partially with a victim of like, how horrible

0:21:08.440 --> 0:21:11.000
<v Speaker 3>the horror of that is? Right to feel like at

0:21:11.000 --> 0:21:13.080
<v Speaker 3>that last moment, you know somebody stabbing me with the

0:21:13.320 --> 0:21:16.879
<v Speaker 3>you know, like those kinds of thoughts and imagining what's

0:21:16.920 --> 0:21:20.880
<v Speaker 3>inside that guy's head that he would plot this and

0:21:20.960 --> 0:21:23.800
<v Speaker 3>plan this and want to do something terrible.

0:21:24.640 --> 0:21:28.480
<v Speaker 1>In this Idaho murder case, interestingly, the decision was made

0:21:28.880 --> 0:21:32.080
<v Speaker 1>right or wrong to demolish that house. Do you have

0:21:32.119 --> 0:21:32.879
<v Speaker 1>an opinion on that?

0:21:33.440 --> 0:21:35.840
<v Speaker 3>I mean, there are rules and regulations about what can

0:21:35.880 --> 0:21:38.960
<v Speaker 3>happen with evidence that it can't be brought into a courtroom,

0:21:39.240 --> 0:21:43.680
<v Speaker 3>and that seems like more of a legal question.

0:21:45.480 --> 0:21:49.080
<v Speaker 4>To get that legal opinion. I spoke with KIRKNRMI, legal

0:21:49.119 --> 0:21:53.480
<v Speaker 4>analyst and former defense attorney for Jody Aarius. Jody Aarrius

0:21:53.560 --> 0:21:56.240
<v Speaker 4>was on trial in twenty thirteen for murdering her ex

0:21:56.280 --> 0:22:01.040
<v Speaker 4>boyfriend Travis Alexander. The trial was televised worldwide and became

0:22:01.080 --> 0:22:03.359
<v Speaker 4>known as a circus in the press.

0:22:04.040 --> 0:22:10.919
<v Speaker 2>Here's Kirk, I can see no viable, tangible reason for

0:22:11.040 --> 0:22:15.840
<v Speaker 2>that home to be destroyed before the trial is complete.

0:22:16.160 --> 0:22:20.320
<v Speaker 2>The jury may have questions. Part of the evidence against

0:22:20.359 --> 0:22:25.399
<v Speaker 2>mister Kolberger is this eyewitness testimony of seeing someone with

0:22:25.680 --> 0:22:32.400
<v Speaker 2>bushy eyebrows. There's been talk of hearing footsteps from upper levels,

0:22:32.440 --> 0:22:35.960
<v Speaker 2>things of that nature, and those could be issues and

0:22:36.119 --> 0:22:39.800
<v Speaker 2>questions that the jury has in their mind. How could

0:22:39.840 --> 0:22:43.760
<v Speaker 2>someone see these eyebrows under these circumstances? Could they really

0:22:43.800 --> 0:22:45.920
<v Speaker 2>hear this? All these different things? And there could be

0:22:46.560 --> 0:22:50.119
<v Speaker 2>dozens more that I have not thought of. And here

0:22:50.160 --> 0:22:55.800
<v Speaker 2>you have this piece of evidence and it is destroyed

0:22:56.000 --> 0:22:59.879
<v Speaker 2>for no logical reason. Let's say something came up with

0:23:00.119 --> 0:23:03.520
<v Speaker 2>defense case and the defense said, hey, we need to

0:23:03.600 --> 0:23:07.920
<v Speaker 2>look at this, and that becomes a sixth Amendment issue.

0:23:08.000 --> 0:23:12.240
<v Speaker 2>Is mister Colberger getting a fair trial based on these circumstances?

0:23:12.600 --> 0:23:16.560
<v Speaker 2>And that could result in a death verdict getting overturned.

0:23:17.080 --> 0:23:21.000
<v Speaker 2>But right now, until the case is over, it seems

0:23:21.520 --> 0:23:24.600
<v Speaker 2>nonsensical to say the least to destroy the building.

0:23:26.200 --> 0:23:29.320
<v Speaker 11>Well that's a concrete answer, but it seems like the

0:23:29.359 --> 0:23:33.520
<v Speaker 11>people who might have most wanted it taken down might

0:23:33.560 --> 0:23:39.000
<v Speaker 11>then impact the victims negatively if, for example, a sentence

0:23:39.040 --> 0:23:40.400
<v Speaker 11>is overturned because of it.

0:23:41.400 --> 0:23:44.320
<v Speaker 2>Yes, we don't know what could pop up, what could

0:23:44.560 --> 0:23:49.520
<v Speaker 2>be of evidentiary value down the line when things are challenged,

0:23:49.560 --> 0:23:52.520
<v Speaker 2>when things are questioned, So yeah, to me, it just

0:23:52.720 --> 0:23:55.399
<v Speaker 2>makes no sense at least as it relates to the

0:23:55.560 --> 0:23:56.520
<v Speaker 2>case in.

0:23:56.480 --> 0:23:58.760
<v Speaker 10>General, and could only serve to harm the gates.

0:24:01.840 --> 0:24:04.720
<v Speaker 4>Let's stop here for another break. We'll be back in

0:24:04.760 --> 0:24:15.760
<v Speaker 4>a moment. Stephanie and Joseph Scott Morgan discuss how items

0:24:15.760 --> 0:24:18.600
<v Speaker 4>from the now demolished house might be used during the trial.

0:24:19.640 --> 0:24:23.719
<v Speaker 10>One other thing that's very compelling about this case is

0:24:23.760 --> 0:24:26.240
<v Speaker 10>that they hauled off the mattresses in the back of

0:24:26.280 --> 0:24:32.240
<v Speaker 10>a pickup truck. They can still bring these items into court,

0:24:32.520 --> 0:24:35.040
<v Speaker 10>and that has occurred. They can actually have been in

0:24:35.119 --> 0:24:37.720
<v Speaker 10>courts where they set beds up before. Here's the real

0:24:37.800 --> 0:24:41.800
<v Speaker 10>rub with that. If you're talking about dynamic blood stain,

0:24:42.400 --> 0:24:45.080
<v Speaker 10>you can say, here's the mattress that we recovered, here's

0:24:45.080 --> 0:24:47.960
<v Speaker 10>the bed frame that we recovered. We see this deposition

0:24:48.000 --> 0:24:50.520
<v Speaker 10>of blood on the surface of the mattress. Maybe they

0:24:50.560 --> 0:24:54.040
<v Speaker 10>hold up a bloody sheet. If that happens, you're going

0:24:54.119 --> 0:24:57.760
<v Speaker 10>to hear the defense scream from the rooftops over this,

0:24:57.840 --> 0:25:00.960
<v Speaker 10>because they're going to say it's prejudicial. The prosecution is

0:25:01.040 --> 0:25:06.160
<v Speaker 10>going to have to justify their rationale for bringing each

0:25:06.200 --> 0:25:10.840
<v Speaker 10>one of these items in there, and the defense, I guess,

0:25:10.880 --> 0:25:14.240
<v Speaker 10>could see it as prejudicial, but they could also argue

0:25:14.440 --> 0:25:18.000
<v Speaker 10>the idea that now that they are absent, that that's

0:25:18.000 --> 0:25:20.560
<v Speaker 10>something that they cannot go back and collect. It's really

0:25:20.560 --> 0:25:25.639
<v Speaker 10>important that we remember. I think that they were so eager,

0:25:25.840 --> 0:25:29.800
<v Speaker 10>they being the investigative authorities, to get this place cleaned out,

0:25:30.640 --> 0:25:34.159
<v Speaker 10>that they had called a cleaning crew to come and

0:25:34.200 --> 0:25:39.639
<v Speaker 10>clean up the structure before. Right, it almost happened simultaneously

0:25:39.680 --> 0:25:42.520
<v Speaker 10>with the arrest of Coberg in Pennsylvania.

0:25:42.840 --> 0:25:46.560
<v Speaker 4>Joseph is referring to when Brian Colberger's defense attorney, An Taylor,

0:25:46.680 --> 0:25:49.720
<v Speaker 4>filed a court motion to stop the cleanup operation to

0:25:49.760 --> 0:25:53.640
<v Speaker 4>preserve the scene of the crime. This motion was filed

0:25:53.640 --> 0:25:58.399
<v Speaker 4>on December thirtieth, twenty twenty two, just hours after Colberger's arrest.

0:26:00.040 --> 0:26:03.479
<v Speaker 10>If I remember correctly, it was his counsel, it said, whoa,

0:26:03.880 --> 0:26:06.679
<v Speaker 10>throw the brakes on. We're gonna we need to get

0:26:06.680 --> 0:26:08.800
<v Speaker 10>a team out there to take a look. And I'll

0:26:08.840 --> 0:26:12.120
<v Speaker 10>never forget seeing that image of the plastic that had

0:26:12.119 --> 0:26:14.840
<v Speaker 10>been taped up over the door so that they could

0:26:14.880 --> 0:26:16.639
<v Speaker 10>go in and move out and all this stuff. And

0:26:16.720 --> 0:26:19.280
<v Speaker 10>then there was a controversy of taking out quote unquote

0:26:19.280 --> 0:26:23.080
<v Speaker 10>personal items. And you know, once you've kind of breached,

0:26:23.560 --> 0:26:28.440
<v Speaker 10>you know that threshold so quickly in this environment, there's

0:26:28.560 --> 0:26:33.800
<v Speaker 10>not a damn bit of sentimental material that is out

0:26:33.840 --> 0:26:37.240
<v Speaker 10>there that's worth compromising this because, yeah, I know that

0:26:37.680 --> 0:26:40.640
<v Speaker 10>it's ghastly, it's a horrible thing, but life is full

0:26:40.680 --> 0:26:45.160
<v Speaker 10>of all kinds of horrible things. This I think is

0:26:45.560 --> 0:26:48.119
<v Speaker 10>potentially a diminishment of the memory of these kids that

0:26:48.119 --> 0:26:50.440
<v Speaker 10>were killed there. But now it's too late. At this point,

0:26:50.440 --> 0:26:52.000
<v Speaker 10>you can't go back and unring the belt.

0:26:54.320 --> 0:26:58.800
<v Speaker 4>Stephanie continues her conversation with psychiatrist doctor Gail Saltz on

0:26:58.840 --> 0:27:01.360
<v Speaker 4>how a jury might be impact by the homes demolition.

0:27:02.240 --> 0:27:03.359
<v Speaker 4>Here's doctor Saltz.

0:27:05.119 --> 0:27:09.600
<v Speaker 3>Is there an immediacy for a jury going to a house?

0:27:09.680 --> 0:27:14.440
<v Speaker 3>Psychologically speaking? I would say yes, that it's going to

0:27:14.520 --> 0:27:20.680
<v Speaker 3>stir their thoughts in a more emotionally galvanizing way, and

0:27:21.160 --> 0:27:25.200
<v Speaker 3>that that will draw them in. But it doesn't tell

0:27:25.280 --> 0:27:29.240
<v Speaker 3>you whether it will draw them in and make them

0:27:29.400 --> 0:27:32.320
<v Speaker 3>say guilty or innocent. And now where I think it

0:27:32.359 --> 0:27:36.399
<v Speaker 3>could affect them is if they are convinced that this

0:27:36.480 --> 0:27:39.399
<v Speaker 3>person is the perpetrator and they are brought into a

0:27:39.400 --> 0:27:44.000
<v Speaker 3>circumstance that makes them feel more emotionally distraught. I think

0:27:44.040 --> 0:27:47.960
<v Speaker 3>that could affect a sentencing, a sentencing like death no death.

0:27:48.160 --> 0:27:51.280
<v Speaker 3>And this is why prosecutors bring in photos and movies

0:27:51.359 --> 0:27:55.199
<v Speaker 3>and voice recordings, because you know, they are trying to

0:27:55.720 --> 0:27:59.919
<v Speaker 3>not only deliver content, but they are trying to deliver

0:28:00.119 --> 0:28:04.960
<v Speaker 3>more immediacy, deliver more empathy to a jury, and have

0:28:05.080 --> 0:28:09.000
<v Speaker 3>them feel more intensely and stronger about what's happening. I

0:28:09.040 --> 0:28:12.480
<v Speaker 3>think being in a house certainly could add to that.

0:28:12.680 --> 0:28:15.160
<v Speaker 3>It's not the only thing that could add to that.

0:28:15.800 --> 0:28:18.960
<v Speaker 3>I think there was a point made that the house

0:28:19.080 --> 0:28:22.919
<v Speaker 3>didn't look at all inside anymore the way that it looked,

0:28:23.320 --> 0:28:27.000
<v Speaker 3>and so that could have the opposite effect. Right, They

0:28:27.000 --> 0:28:29.240
<v Speaker 3>could go in expecting to see something that looks like

0:28:29.320 --> 0:28:32.040
<v Speaker 3>college students are living there and see none of that,

0:28:32.240 --> 0:28:36.440
<v Speaker 3>see a sterile space, and that could have the effect

0:28:36.440 --> 0:28:39.760
<v Speaker 3>of making them feel like what was so bad? You know,

0:28:39.880 --> 0:28:43.760
<v Speaker 3>what was so terrible. So it's hard to predict whether

0:28:43.880 --> 0:28:46.360
<v Speaker 3>that would be helpful or harmful.

0:28:46.760 --> 0:28:49.800
<v Speaker 1>I hadn't thought of it that way. True, The disassociation

0:28:50.120 --> 0:28:53.760
<v Speaker 1>from what is now a different space is a really

0:28:53.760 --> 0:28:54.360
<v Speaker 1>good point.

0:28:54.720 --> 0:28:59.760
<v Speaker 3>What I would say is virtual is always one step

0:28:59.800 --> 0:29:03.240
<v Speaker 3>from moved from being in person, you know. I think

0:29:03.920 --> 0:29:08.080
<v Speaker 3>courts have discovered that putting things in a video format

0:29:08.600 --> 0:29:11.800
<v Speaker 3>absolutely makes an impact. Is it eked out by the

0:29:11.880 --> 0:29:15.320
<v Speaker 3>idea that you're coming out of the courtroom and into

0:29:15.360 --> 0:29:19.120
<v Speaker 3>this space. I know that you're standing on the spot

0:29:19.440 --> 0:29:22.720
<v Speaker 3>where this thing happened. I think that has a more

0:29:22.760 --> 0:29:27.440
<v Speaker 3>emotional impact. Is it necessary if you have the video?

0:29:27.840 --> 0:29:31.479
<v Speaker 3>Might the video of what the inside looked like at

0:29:31.520 --> 0:29:33.360
<v Speaker 3>the time that it actually looked that way, which was

0:29:33.400 --> 0:29:38.160
<v Speaker 3>at the time of the crime, have more impact than

0:29:38.320 --> 0:29:42.840
<v Speaker 3>the physical plant that doesn't look anymore like it did

0:29:42.880 --> 0:29:50.640
<v Speaker 3>at the time of the crime. It might.

0:29:50.760 --> 0:29:54.840
<v Speaker 4>Next time on the Idaho Masacer an exclusive interview with Cassie,

0:29:54.880 --> 0:29:58.480
<v Speaker 4>a former student of accused murderer Brian Koeberger's. She is

0:29:58.520 --> 0:30:00.320
<v Speaker 4>speaking out for the first time.

0:30:02.560 --> 0:30:05.880
<v Speaker 1>What was the class about? We covered literally how to

0:30:05.880 --> 0:30:10.600
<v Speaker 1>get away with murder? Did he have any friends and

0:30:10.680 --> 0:30:13.800
<v Speaker 1>not that I saw, but kept to himself anytime I

0:30:13.800 --> 0:30:17.200
<v Speaker 1>saw him on campus or in class or office hours.

0:30:17.680 --> 0:30:23.400
<v Speaker 1>So this man potentially murdered four people and then he

0:30:23.440 --> 0:30:26.280
<v Speaker 1>went back to class. Yes.

0:30:29.800 --> 0:30:32.960
<v Speaker 4>For more information on the case and relevant photos, follow

0:30:33.040 --> 0:30:38.000
<v Speaker 4>us on Instagram at kat Underscore Studios. The Idaho Masker

0:30:38.040 --> 0:30:42.760
<v Speaker 4>is produced by Stephanie Leideger, Gabriel Castillo and me Courtney Armstrong.

0:30:43.400 --> 0:30:47.440
<v Speaker 4>Editing and sound design by Jeff Toois, music by Jared Aston.

0:30:47.960 --> 0:30:51.960
<v Speaker 4>The Idaho Masker is a production of Kat's Studios and iHeartRadio.

0:30:52.160 --> 0:30:56.320
<v Speaker 4>For more podcasts like this, visit the iHeartRadio app, Apple Podcasts,

0:30:56.440 --> 0:30:59.000
<v Speaker 4>or wherever you listen to your favorite shows.