1 00:00:03,040 --> 00:00:06,600 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:10,119 --> 00:00:12,920 Speaker 2: Hey you welcome to Stuff to Blow your Mind. Listener mail. 3 00:00:13,200 --> 00:00:14,400 Speaker 2: My name is Robert Lamb. 4 00:00:15,400 --> 00:00:20,360 Speaker 3: Here we are again, and I'm Joe McCormick, and it's Monday, 5 00:00:20,400 --> 00:00:22,480 Speaker 3: the day of each week that we read back messages 6 00:00:22,520 --> 00:00:25,640 Speaker 3: from the Stuff to Blow Your Mind email address. If 7 00:00:25,680 --> 00:00:28,000 Speaker 3: you have never gotten in touch with the show before, 8 00:00:28,200 --> 00:00:31,920 Speaker 3: you should email us at contact at stuff to Blow 9 00:00:31,960 --> 00:00:35,280 Speaker 3: your Mind dot com. We appreciate any kind of feedback 10 00:00:35,280 --> 00:00:37,640 Speaker 3: to the show, or just anything interesting you'd like to share. 11 00:00:37,680 --> 00:00:40,559 Speaker 3: We especially like it if you have something fascinating to 12 00:00:40,760 --> 00:00:43,879 Speaker 3: add to a topic we've recently covered on the show. 13 00:00:45,080 --> 00:00:48,000 Speaker 3: Let's see Rob, I think I'm going to kick things 14 00:00:48,040 --> 00:00:51,159 Speaker 3: off today with one of these messages. In response to 15 00:00:51,200 --> 00:00:54,480 Speaker 3: our series on dust, Let's do it So. One of 16 00:00:54,520 --> 00:00:56,320 Speaker 3: the things we talked about in part five of that 17 00:00:56,440 --> 00:00:59,520 Speaker 3: series was about dust storms and about the threat dust 18 00:00:59,560 --> 00:01:04,000 Speaker 3: storms to machinery and vehicles. You don't want to drive 19 00:01:04,040 --> 00:01:05,880 Speaker 3: in a dust storm, but you also just don't want 20 00:01:05,880 --> 00:01:09,400 Speaker 3: to get too much dust into your vehicle, engine and stuff. 21 00:01:09,840 --> 00:01:18,720 Speaker 3: And Thatcher writes in on that topic, Thatcher says, Hello, 22 00:01:19,280 --> 00:01:23,360 Speaker 3: he talked about dust damaging vehicles. In your part five episode, 23 00:01:23,480 --> 00:01:26,560 Speaker 3: I wanted to add that dust can clog air intake 24 00:01:26,600 --> 00:01:30,319 Speaker 3: filters very quickly. My friend was a first responder on 25 00:01:30,400 --> 00:01:33,480 Speaker 3: nine to eleven and when he drove his truck home afterward, 26 00:01:33,800 --> 00:01:36,520 Speaker 3: he noticed that it had reduced power and wasn't and 27 00:01:36,640 --> 00:01:39,520 Speaker 3: just wasn't performing the way it usually does. When he 28 00:01:39,600 --> 00:01:43,000 Speaker 3: checked the air intake filter to the engine, it was 29 00:01:43,080 --> 00:01:46,920 Speaker 3: completely clogged with concrete dust from the twin towers. I 30 00:01:46,920 --> 00:01:50,760 Speaker 3: wonder if any other listeners have had similar experiences. Thank 31 00:01:50,800 --> 00:01:53,200 Speaker 3: you for a wonderful show. I've been listening for many, 32 00:01:53,240 --> 00:01:56,200 Speaker 3: many years, and I look forward to each episode every week. 33 00:01:56,440 --> 00:01:59,600 Speaker 2: Thatcher, Oh wow, that's quite a story there. 34 00:02:00,040 --> 00:02:02,680 Speaker 3: Yeah, obviously for how it connects to nine to eleven, 35 00:02:02,720 --> 00:02:07,520 Speaker 3: but also I I mean, I wonder if different types 36 00:02:07,560 --> 00:02:11,400 Speaker 3: of dust have a different sort of engine clogging or 37 00:02:11,440 --> 00:02:15,320 Speaker 3: machinery wrecking powers, Like if concrete dust is of a 38 00:02:15,760 --> 00:02:18,440 Speaker 3: finer grain than the standard kind of dust you'd get 39 00:02:18,480 --> 00:02:21,040 Speaker 3: blowing in and say a natural dust storm coming off 40 00:02:21,080 --> 00:02:23,480 Speaker 3: of the desert or something. I don't know for sure, 41 00:02:23,680 --> 00:02:27,160 Speaker 3: but yeah, that's interesting either way, and one of many 42 00:02:27,200 --> 00:02:29,959 Speaker 3: reasons not to drive in in clouds of dust. 43 00:02:30,840 --> 00:02:33,200 Speaker 2: All right. This next one comes to us from Jeff, 44 00:02:33,240 --> 00:02:35,519 Speaker 2: and I think this one's kind of dual purpose because 45 00:02:35,680 --> 00:02:37,000 Speaker 2: into a little bit of dust and a little bit 46 00:02:37,040 --> 00:02:42,560 Speaker 2: of weird house cinema. The subject line is dust wind Dude. 47 00:02:47,040 --> 00:02:51,160 Speaker 2: Jeff writes, greeting science humans. Just wanted to thank you 48 00:02:51,200 --> 00:02:53,760 Speaker 2: again for the variety of topics you investigate on your shows. 49 00:02:53,760 --> 00:02:57,120 Speaker 2: It's probably the greatest era of earth history for laundry 50 00:02:57,120 --> 00:03:00,880 Speaker 2: and other chores. My primary interest in horn dust is 51 00:03:00,880 --> 00:03:04,520 Speaker 2: the way it activates cheap mode for sunset photography. You 52 00:03:04,560 --> 00:03:07,080 Speaker 2: don't have to have nice equipment or much skill. You 53 00:03:07,120 --> 00:03:09,840 Speaker 2: don't have to be on the shore or at altitude. 54 00:03:10,560 --> 00:03:12,920 Speaker 2: Just point your phone west at Golden Hour with an 55 00:03:12,919 --> 00:03:17,239 Speaker 2: appealingly shaped something silhouetted in the foreground, and for a 56 00:03:17,280 --> 00:03:20,919 Speaker 2: spectacular photo with a brilliant orange background. Turns a quick 57 00:03:20,960 --> 00:03:23,919 Speaker 2: snap of a telephone pole or a corner convenience store 58 00:03:24,200 --> 00:03:27,280 Speaker 2: into frameable art and other dusty news. I've always thought 59 00:03:27,280 --> 00:03:29,880 Speaker 2: the Sandman was an explanation for the gross sand in 60 00:03:29,919 --> 00:03:33,400 Speaker 2: your eyes when you wake up. I also wanted to 61 00:03:33,400 --> 00:03:37,960 Speaker 2: thank you for opening up old memories of Dragonslayer. Unlike 62 00:03:38,040 --> 00:03:40,480 Speaker 2: some of the other eighties movies, you've featured. I hadn't 63 00:03:40,520 --> 00:03:43,600 Speaker 2: thought much of it since those endless summers of HBO 64 00:03:43,680 --> 00:03:46,760 Speaker 2: couch time. I haven't played YouTube clips of favorite scenes, 65 00:03:47,240 --> 00:03:50,800 Speaker 2: hunted down the soundtrack, imdbat, which actor played the wizard, etc. 66 00:03:51,160 --> 00:03:54,480 Speaker 2: Those memories were all locked away, waiting to be reactivated 67 00:03:54,480 --> 00:03:58,080 Speaker 2: by your show. The moments that immediately jumped into my 68 00:03:58,200 --> 00:04:02,400 Speaker 2: mind were telling the horrible baby dragons devouring the sacrifice, 69 00:04:02,440 --> 00:04:05,640 Speaker 2: the hero levitating the egg, thus proving he actually did 70 00:04:05,640 --> 00:04:08,520 Speaker 2: have access to real magic, the half second of partial 71 00:04:08,600 --> 00:04:12,240 Speaker 2: nudity during the reveal scene at the pond, smashing the 72 00:04:12,240 --> 00:04:16,120 Speaker 2: amulet for the win. What I definitely didn't process back 73 00:04:16,160 --> 00:04:18,719 Speaker 2: then was the parallel between the old Wizards sizing up 74 00:04:18,760 --> 00:04:21,400 Speaker 2: the value of the remainder of his life and the 75 00:04:21,480 --> 00:04:25,159 Speaker 2: dragon doing the same, putting their energy into the generation 76 00:04:25,440 --> 00:04:29,240 Speaker 2: to come. Jeff continues here he says time is a 77 00:04:29,240 --> 00:04:32,560 Speaker 2: relentless B word. This is the longer of the two 78 00:04:32,640 --> 00:04:34,760 Speaker 2: B words. I'll let you figure out the rest, just 79 00:04:34,800 --> 00:04:37,600 Speaker 2: being just out of an abundance of caution. We don't 80 00:04:37,600 --> 00:04:40,400 Speaker 2: even get flagged or labeled with anything on any of 81 00:04:40,440 --> 00:04:44,920 Speaker 2: the podcast publication systems without due reason. 82 00:04:45,360 --> 00:04:48,000 Speaker 3: I think we're getting rated by AI or something. 83 00:04:48,120 --> 00:04:53,240 Speaker 2: Yeah. Anyway, Jeff says, as is often highlighted when you're 84 00:04:53,279 --> 00:04:56,320 Speaker 2: doing the connection segment and you note how many of 85 00:04:56,360 --> 00:04:58,720 Speaker 2: the people involved are no longer with us. I'll think 86 00:04:58,760 --> 00:05:01,200 Speaker 2: that can't be right. But forty years to the average 87 00:05:01,240 --> 00:05:03,960 Speaker 2: age of a competent artist, and you're bound to see 88 00:05:04,000 --> 00:05:06,840 Speaker 2: a fair bit of that. On a happier note, thanks 89 00:05:06,839 --> 00:05:09,400 Speaker 2: for featuring Return to Oz on Weird House. I must 90 00:05:09,400 --> 00:05:10,800 Speaker 2: have passed on it when I was a kid, since 91 00:05:10,800 --> 00:05:13,120 Speaker 2: the original somehow never made much of an impression on me. 92 00:05:13,360 --> 00:05:16,599 Speaker 2: I've always been allergic to musicals. However, after watching the 93 00:05:16,640 --> 00:05:19,719 Speaker 2: delightful Ladies movie on your recommendation, I've since read all 94 00:05:19,760 --> 00:05:22,600 Speaker 2: of the original L. Frank Baum Oz books, as well 95 00:05:22,600 --> 00:05:24,719 Speaker 2: as some of his other works. The movie had the 96 00:05:24,720 --> 00:05:27,159 Speaker 2: benefit of being based on the second and third OZ books, 97 00:05:27,320 --> 00:05:30,520 Speaker 2: which I thought were the best. They aren't exactly great literature, 98 00:05:30,640 --> 00:05:32,960 Speaker 2: but they are fun reads, and it's fascinating trying to 99 00:05:32,960 --> 00:05:36,120 Speaker 2: figure out what was going on in BAM's mind as 100 00:05:36,120 --> 00:05:38,440 Speaker 2: he wrote them. He led an interesting life and had 101 00:05:38,480 --> 00:05:41,839 Speaker 2: interesting friends. What was he trying to tell the children? 102 00:05:42,160 --> 00:05:44,320 Speaker 2: The running dialogue he had with his fans, and the 103 00:05:44,320 --> 00:05:46,760 Speaker 2: preface of each book was almost as entertaining as the 104 00:05:46,800 --> 00:05:49,880 Speaker 2: stories themselves. After a while, Bomb got sick of writing 105 00:05:49,880 --> 00:05:52,560 Speaker 2: about Oz. He wrote other sorts of stories, but they 106 00:05:52,560 --> 00:05:55,920 Speaker 2: didn't sell as well. He tried Oz books with different protagonists, 107 00:05:55,960 --> 00:05:59,000 Speaker 2: but the kids constantly bombarded him with letters saying, that's nice, 108 00:05:59,040 --> 00:06:02,159 Speaker 2: but what our Dorothy and Toto up to. He seemed 109 00:06:02,160 --> 00:06:05,080 Speaker 2: increasingly exasperated as the series went on, but kept a 110 00:06:05,120 --> 00:06:07,640 Speaker 2: sense of humor about it. Sometimes he would drop Dorothy 111 00:06:07,760 --> 00:06:10,680 Speaker 2: and other fan favorites into an unrelated story, the same 112 00:06:10,680 --> 00:06:13,440 Speaker 2: way Marvel editors used to try to punch up sales 113 00:06:13,440 --> 00:06:16,560 Speaker 2: by adding Wolverine to a given title. Oh, I mean 114 00:06:16,640 --> 00:06:19,720 Speaker 2: now I'm excited about Wolverine and Oz. So someone's done it. 115 00:06:19,760 --> 00:06:22,080 Speaker 2: Someone's done it, I'm sure, so write in and tell 116 00:06:22,120 --> 00:06:25,640 Speaker 2: us about it. The fan interaction reminded me of old 117 00:06:25,640 --> 00:06:28,919 Speaker 2: school comic book letters pages. Bomb's books actually had a 118 00:06:28,920 --> 00:06:32,200 Speaker 2: lot of shared DNA with comics, including crossovers, shared universes, 119 00:06:32,400 --> 00:06:35,600 Speaker 2: and retcons. The explanation for why Toto didn't speak in 120 00:06:35,640 --> 00:06:38,679 Speaker 2: the first book when other mundane animals gained the ability 121 00:06:38,680 --> 00:06:40,839 Speaker 2: to talk in Oz gave me one of the better 122 00:06:41,000 --> 00:06:42,120 Speaker 2: laughs in the series. 123 00:06:42,839 --> 00:06:45,440 Speaker 3: I love that Jeff alludes to that, but then doesn't 124 00:06:45,480 --> 00:06:47,080 Speaker 3: tell us what the explanation is. 125 00:06:48,640 --> 00:06:51,320 Speaker 2: Was there an explanation? They didn't get into it and 126 00:06:51,440 --> 00:06:54,440 Speaker 2: return to Ozy. I don't recall, I don't even. 127 00:06:54,320 --> 00:06:55,920 Speaker 3: Recall the chicken talks, doesn't it? 128 00:06:56,000 --> 00:06:59,720 Speaker 2: Yeah? Anyway, Jeff continues. He probably also responded to parental 129 00:06:59,720 --> 00:07:02,440 Speaker 2: feed back in that the Tin Woodman and the Cowardly 130 00:07:02,520 --> 00:07:06,160 Speaker 2: Lion become much less murderous as the series continues. They 131 00:07:06,200 --> 00:07:08,200 Speaker 2: have a pretty high kill count in the early books, 132 00:07:08,520 --> 00:07:12,200 Speaker 2: but the stories remain suburbly superbly weird. Once the rules 133 00:07:12,240 --> 00:07:14,600 Speaker 2: established that no one can die in Oz itself, Bomb 134 00:07:14,680 --> 00:07:17,360 Speaker 2: goes full Cronenberg with the possibilities of characters who can 135 00:07:17,400 --> 00:07:20,080 Speaker 2: be carved up without experiencing the sweet release of death. 136 00:07:20,480 --> 00:07:22,960 Speaker 2: The original story of the Tin Woodsmen and his ramifications 137 00:07:23,000 --> 00:07:26,320 Speaker 2: are most horrible in a fun way. One king would 138 00:07:26,680 --> 00:07:29,560 Speaker 2: punish subjects by having two people cut in half lengthwise 139 00:07:29,920 --> 00:07:33,440 Speaker 2: and the mismatched parts sewn together. Both beings retained their 140 00:07:33,480 --> 00:07:36,000 Speaker 2: sense of self and let a miserable existence in control 141 00:07:36,280 --> 00:07:39,280 Speaker 2: of only one half of their body, with the other's 142 00:07:39,560 --> 00:07:43,080 Speaker 2: thoughts intruding upon their own. There are also more beasts 143 00:07:43,120 --> 00:07:45,800 Speaker 2: who fling their own heads at our heroes. Lots of 144 00:07:45,880 --> 00:07:48,920 Speaker 2: monster fact material in those books. Good to know. Thanks 145 00:07:48,920 --> 00:07:51,200 Speaker 2: again for continuing to direct us to new piles of 146 00:07:51,200 --> 00:07:52,200 Speaker 2: weirdness to explore. 147 00:07:52,400 --> 00:07:55,360 Speaker 3: Jeff Man love a beast that throws its own head. 148 00:07:57,680 --> 00:07:59,680 Speaker 2: Absolutely, Oh well, there's a lot of great stuff in 149 00:07:59,720 --> 00:08:03,560 Speaker 2: this uh this feedback, I will say on the connections, 150 00:08:03,600 --> 00:08:05,679 Speaker 2: you know note in older movies, Yeah, it is always 151 00:08:05,840 --> 00:08:09,000 Speaker 2: it can be a little sad, little little sobering, you know, 152 00:08:09,040 --> 00:08:11,440 Speaker 2: to look at up the cast and crew for a 153 00:08:11,480 --> 00:08:14,640 Speaker 2: film and realize that, like everybody's dead. Like sometimes it's 154 00:08:15,120 --> 00:08:17,280 Speaker 2: you know, the cast, it'll be everybody's dead except for 155 00:08:17,360 --> 00:08:19,880 Speaker 2: the child actors or maybe and or maybe one of 156 00:08:19,880 --> 00:08:23,080 Speaker 2: the leading ladies. That sort of thing. I don't know, 157 00:08:23,120 --> 00:08:25,000 Speaker 2: it's just, uh, it's that's how it goes. 158 00:08:25,560 --> 00:08:29,040 Speaker 3: But especially when it doesn't feel like an especially old movie. 159 00:08:29,400 --> 00:08:31,720 Speaker 2: Yeah, yeah, it's true. I mean, you know, some of 160 00:08:31,760 --> 00:08:35,240 Speaker 2: these these folks that are relatively young. But on the 161 00:08:35,280 --> 00:08:37,679 Speaker 2: other hand, it's also kind of refreshing when we cover 162 00:08:37,720 --> 00:08:39,559 Speaker 2: a movie and I'm going through the connections, I'm like, oh, 163 00:08:39,559 --> 00:08:42,720 Speaker 2: I think everybody's alive. It happens every now and then 164 00:08:42,760 --> 00:08:44,880 Speaker 2: it's like like like winning at Bingo. 165 00:08:45,440 --> 00:08:48,320 Speaker 3: I do think this is funny hearing about Baum getting 166 00:08:48,360 --> 00:08:51,440 Speaker 3: the same kinds of messages that that fans are like 167 00:08:51,480 --> 00:08:54,600 Speaker 3: posting to internet forums and on Twitter today about their 168 00:08:54,600 --> 00:08:57,360 Speaker 3: favorite comic book, movies or whatever. It's that like, I 169 00:08:57,360 --> 00:09:00,400 Speaker 3: didn't like that this character wasn't included. How can it 170 00:09:00,559 --> 00:09:02,800 Speaker 3: be that the animals talk in OZ but this animal 171 00:09:02,840 --> 00:09:07,199 Speaker 3: doesn't talk. Doesn't make any sense, you. 172 00:09:07,160 --> 00:09:09,280 Speaker 2: Know, I don't think I've ever read any of his works, 173 00:09:09,320 --> 00:09:15,199 Speaker 2: so occasionally emails like this recommendations from various folks, it 174 00:09:15,240 --> 00:09:17,120 Speaker 2: makes me want to check it out. It does sound 175 00:09:17,160 --> 00:09:17,959 Speaker 2: fabulously weird. 176 00:09:18,280 --> 00:09:21,960 Speaker 3: Now, as to Jeff's note about wondering if the story 177 00:09:22,000 --> 00:09:25,160 Speaker 3: of the sand Man putting sand in the child's eyes 178 00:09:25,200 --> 00:09:29,400 Speaker 3: to make them sleep, the explanation you gave in the episode, 179 00:09:29,480 --> 00:09:31,160 Speaker 3: Rob made a lot of sense to me, because you know, 180 00:09:31,240 --> 00:09:33,480 Speaker 3: sand would make you rub your eyes, and you rub 181 00:09:33,520 --> 00:09:39,520 Speaker 3: your eyes when you're sleepy. But Steve also agreed with 182 00:09:39,559 --> 00:09:42,600 Speaker 3: this explanation of it basically having to do with eye cruds. 183 00:09:47,600 --> 00:09:50,319 Speaker 3: So Steve wrote in and said, Hi, Robin Joe, it's 184 00:09:50,360 --> 00:09:53,280 Speaker 3: been a while, but in listening to your Sandman discussions 185 00:09:53,320 --> 00:09:55,640 Speaker 3: from the very dust, I remember to question I never 186 00:09:55,640 --> 00:09:58,000 Speaker 3: found an answer to in my childhood. When I was 187 00:09:58,040 --> 00:10:00,120 Speaker 3: a little boy, the first time I woke up with 188 00:10:00,280 --> 00:10:03,320 Speaker 3: eye crust in the corners of my eyes, I asked 189 00:10:03,360 --> 00:10:07,000 Speaker 3: my mom, is this sand Is this why people used 190 00:10:07,040 --> 00:10:10,000 Speaker 3: to talk about the sand Man? She did not know. 191 00:10:10,480 --> 00:10:12,640 Speaker 3: I still wonder if there's a connection to the myth 192 00:10:12,720 --> 00:10:15,840 Speaker 3: or folk tale. Then Steve provides a link and asks 193 00:10:15,880 --> 00:10:19,840 Speaker 3: if we can confirm or dismiss his hypothesis. Steve, I 194 00:10:19,920 --> 00:10:23,520 Speaker 3: doubt we can settle this one for you, But you 195 00:10:23,559 --> 00:10:34,480 Speaker 3: and Jeff are thinking on the same frequency. Okay, Rob, 196 00:10:34,520 --> 00:10:36,720 Speaker 3: do you mind if I read this message from Luisa? 197 00:10:37,280 --> 00:10:38,160 Speaker 2: Yeah, let's have it. 198 00:10:38,559 --> 00:10:42,400 Speaker 3: Okay, Luisa says, Hi, Guys, who would have thought that 199 00:10:42,480 --> 00:10:45,760 Speaker 3: something as mundane as dust would be interesting enough for 200 00:10:45,880 --> 00:10:50,000 Speaker 3: five episodes? Only you? I kept putting this email off, 201 00:10:50,080 --> 00:10:52,760 Speaker 3: expecting you to talk about dust in literature, but you 202 00:10:52,840 --> 00:10:55,480 Speaker 3: either still have to release part six or that's it 203 00:10:55,520 --> 00:10:57,959 Speaker 3: for the series. That is it for the series for now? 204 00:10:58,200 --> 00:11:01,880 Speaker 3: We're done for now, Luisa says, Just in case you 205 00:11:01,880 --> 00:11:03,920 Speaker 3: don't get around to it, I would like to remind 206 00:11:03,960 --> 00:11:06,480 Speaker 3: you of the role that dust plays in George Orwell's 207 00:11:06,559 --> 00:11:10,239 Speaker 3: nineteen eighty four In the plot. Dust plays a symbolic 208 00:11:10,360 --> 00:11:13,360 Speaker 3: part and is all pervasive, just as much as Big Brother. 209 00:11:13,800 --> 00:11:17,520 Speaker 3: The main character. Winston begins the book feeling protected by 210 00:11:17,559 --> 00:11:21,760 Speaker 3: it and ends up feeling completely overwhelmed. It is everywhere, 211 00:11:21,840 --> 00:11:25,040 Speaker 3: and it also represents his own unraveling. I cannot find 212 00:11:25,040 --> 00:11:28,840 Speaker 3: a better literary use of dust in a plot. Yeah, 213 00:11:28,880 --> 00:11:32,680 Speaker 3: I do remember a lot of references to dust. In 214 00:11:32,760 --> 00:11:36,240 Speaker 3: nineteen eighty four. I think Winston talks about his neighbor 215 00:11:36,240 --> 00:11:40,800 Speaker 3: in his apartment building, Missus Parsons, having creases in her 216 00:11:40,840 --> 00:11:43,680 Speaker 3: face that always looked as if dust was trapped in 217 00:11:43,720 --> 00:11:46,880 Speaker 3: the creases. And it's like a detail he mentions over 218 00:11:46,960 --> 00:11:49,200 Speaker 3: and over, as if it represents some kind of like 219 00:11:50,080 --> 00:11:53,240 Speaker 3: decay of life itself. You know, there's just kind of 220 00:11:53,280 --> 00:11:58,360 Speaker 3: like ash and grime building up on our bodies. And 221 00:11:58,480 --> 00:12:01,400 Speaker 3: there's one part where Winston thinking about sort of the 222 00:12:01,840 --> 00:12:04,880 Speaker 3: general hopelessness of life under the Party and Big Brother, 223 00:12:05,400 --> 00:12:09,920 Speaker 3: and he describes London as quote vast and ruinous, a 224 00:12:09,920 --> 00:12:13,280 Speaker 3: city of a million dust bins. I think that's a 225 00:12:13,320 --> 00:12:16,840 Speaker 3: really striking image. It's like it selects as the defining 226 00:12:16,960 --> 00:12:21,160 Speaker 3: object of a civilization, the place where waste is discarded, 227 00:12:22,120 --> 00:12:24,840 Speaker 3: and it actually reminds me of those visions of the 228 00:12:24,920 --> 00:12:27,400 Speaker 3: underworld of the dead and the epic of Gilgamesh, you know, 229 00:12:27,440 --> 00:12:29,880 Speaker 3: the house of dust, where dust is their food and 230 00:12:29,960 --> 00:12:32,680 Speaker 3: clay is their bread. But anyway, to come back to 231 00:12:32,800 --> 00:12:36,280 Speaker 3: Luisa's message, Luisa says, I can, however, tell you that 232 00:12:36,400 --> 00:12:38,600 Speaker 3: I used to think dust was the bane of my 233 00:12:38,679 --> 00:12:43,520 Speaker 3: domestic existence until I had German shepherds. Every time the 234 00:12:43,559 --> 00:12:46,960 Speaker 3: female sheds, it's like brushing out another dog from her. 235 00:12:47,320 --> 00:12:51,080 Speaker 3: I'm seriously considering buying a loom and making dog thread. 236 00:12:52,120 --> 00:12:54,960 Speaker 3: Wait didn't In one of our episodes we talked about, like, 237 00:12:55,400 --> 00:12:57,920 Speaker 3: you know, boutique clothing made out of dust bunnies. 238 00:12:59,360 --> 00:13:01,319 Speaker 2: We discussed the possibility. 239 00:13:01,720 --> 00:13:04,040 Speaker 3: Maybe I brought it up and you were you shamed 240 00:13:04,120 --> 00:13:04,840 Speaker 3: me for doing so. 241 00:13:05,000 --> 00:13:06,199 Speaker 2: I don't remember shaming you. 242 00:13:07,840 --> 00:13:08,800 Speaker 3: I deserve to be share. 243 00:13:08,880 --> 00:13:10,559 Speaker 2: I have questions about how it would work, but. 244 00:13:12,440 --> 00:13:15,400 Speaker 3: Let's see. Luisa says, thanks so much, as always for 245 00:13:15,440 --> 00:13:18,560 Speaker 3: your wonderful work. Best regards, Luisa. Oh, and then she 246 00:13:18,600 --> 00:13:22,559 Speaker 3: attaches a picture of the hair from her dog, Alma. 247 00:13:23,800 --> 00:13:26,800 Speaker 3: This is the hair shed in one sitting. That is 248 00:13:27,840 --> 00:13:31,439 Speaker 3: truly wow. That it's a lot of hair. But I 249 00:13:31,840 --> 00:13:34,880 Speaker 3: know a lot about shedding dogs. I've had my share 250 00:13:34,920 --> 00:13:37,920 Speaker 3: of shedding dogs in my life too, and they can whoo, 251 00:13:38,080 --> 00:13:39,680 Speaker 3: they can they can shed a storm. 252 00:13:40,280 --> 00:13:42,760 Speaker 2: Yeah, that's a lot. I have to stay on top 253 00:13:42,800 --> 00:13:46,920 Speaker 2: of our cat with the ferminator, but still not quite 254 00:13:46,960 --> 00:13:48,439 Speaker 2: this much for he comes out. 255 00:13:48,679 --> 00:13:50,240 Speaker 3: Does your cat like the ferminator? 256 00:13:50,960 --> 00:13:54,079 Speaker 2: Well, she loves the brush, and then she'll tolerate the ferminator. 257 00:13:54,120 --> 00:13:55,800 Speaker 2: So I'll use the ferminator in the brush at the 258 00:13:55,800 --> 00:13:59,040 Speaker 2: same time, one in each hand, and it's kind of 259 00:13:59,040 --> 00:14:02,599 Speaker 2: a careful dance. It used to be even more of 260 00:14:02,640 --> 00:14:04,480 Speaker 2: a dance because she gets so riled up that she 261 00:14:04,520 --> 00:14:07,360 Speaker 2: would also try and scratch me. But she's older now 262 00:14:07,360 --> 00:14:09,200 Speaker 2: she's a little slower, so I can usually stay on 263 00:14:09,200 --> 00:14:13,160 Speaker 2: top of her her over excited aggressions. All right. This 264 00:14:13,240 --> 00:14:20,080 Speaker 2: next one comes to us from Mike. Mike says, I 265 00:14:20,160 --> 00:14:22,720 Speaker 2: love the four Dust episodes. In episode four, when you 266 00:14:22,760 --> 00:14:26,160 Speaker 2: were talking about Sandman's Dust, I immediately thought about Neil 267 00:14:26,160 --> 00:14:29,240 Speaker 2: gaman Sandman comic. The comic is about an entity called 268 00:14:29,320 --> 00:14:32,480 Speaker 2: Dream and his realm, the Dreaming. In the early issues, 269 00:14:32,520 --> 00:14:34,440 Speaker 2: he has to track down some of his tools that 270 00:14:34,480 --> 00:14:38,120 Speaker 2: were stolen from him an issue three and also episode 271 00:14:38,120 --> 00:14:40,760 Speaker 2: three of the television adaptation Dreams. Bag of dream dust 272 00:14:40,840 --> 00:14:43,440 Speaker 2: falls into the hands of an innocent woman who becomes 273 00:14:43,440 --> 00:14:45,960 Speaker 2: helplessly addicted to the dreams and fantasies that the dream 274 00:14:46,040 --> 00:14:48,600 Speaker 2: dust gives her. She ends up more or less wasting 275 00:14:48,640 --> 00:14:51,080 Speaker 2: away because she wants to spend more time in the 276 00:14:51,160 --> 00:14:53,600 Speaker 2: dream than in real life. It's an excellent read with 277 00:14:53,600 --> 00:14:56,000 Speaker 2: some pretty disturbing imagery. Thanks for the podcast. Stuff to 278 00:14:56,000 --> 00:15:01,040 Speaker 2: Blow Your Mind is the podcast I recommend to most people. Mike, Yeah, 279 00:15:01,040 --> 00:15:03,720 Speaker 2: the good good note, Mike. You know, we didn't mention 280 00:15:04,640 --> 00:15:08,040 Speaker 2: the Sandman comic or the Netflix adaptation in these episodes, 281 00:15:08,040 --> 00:15:11,240 Speaker 2: but both are excellent. I was. I was a fan 282 00:15:11,280 --> 00:15:14,680 Speaker 2: of the comic back when I read it years ago, 283 00:15:15,040 --> 00:15:17,520 Speaker 2: and I really did enjoy the Netflix adaptation as well. 284 00:15:17,560 --> 00:15:20,840 Speaker 2: I thought I had a great cast, very well put together. 285 00:15:20,880 --> 00:15:23,680 Speaker 2: I seem to recall that David S. Goyer is involved 286 00:15:23,720 --> 00:15:26,600 Speaker 2: in that as well, has a tremendous cast. 287 00:15:26,360 --> 00:15:28,440 Speaker 3: Though I am not familiar with it. 288 00:15:28,640 --> 00:15:31,640 Speaker 2: Oh well, treat yourself. It's good stuff. 289 00:15:32,120 --> 00:15:35,240 Speaker 3: Yeah, may get there someday. Goes on the list with 290 00:15:35,320 --> 00:15:36,239 Speaker 3: everything else. 291 00:15:36,880 --> 00:15:37,320 Speaker 2: All right. 292 00:15:37,360 --> 00:15:40,000 Speaker 3: This next message is in response to the series we 293 00:15:40,040 --> 00:15:45,640 Speaker 3: did on the Egyptian God Osiris. This comes from Constantinos. 294 00:15:50,720 --> 00:15:55,000 Speaker 3: Constantinos says, good day, gentlemen. I enjoyed your episode on 295 00:15:55,000 --> 00:15:58,400 Speaker 3: Osiris and have two comments. These are big topics, but 296 00:15:58,400 --> 00:16:01,600 Speaker 3: I'll try to be assistinct as possible possible. Part one 297 00:16:01,840 --> 00:16:05,760 Speaker 3: a slice of pie that stands for proto Indo European. 298 00:16:06,200 --> 00:16:09,320 Speaker 3: The first is that any Greek attestment to Egyptian origins 299 00:16:09,320 --> 00:16:11,400 Speaker 3: of Greek mythology has to be taken with a grain 300 00:16:11,480 --> 00:16:14,840 Speaker 3: of salt. I think that Greeks like Herodotus, who cited 301 00:16:14,920 --> 00:16:19,480 Speaker 3: Egyptian mythological roots were simply overreaching and letting conjecture get 302 00:16:19,520 --> 00:16:22,040 Speaker 3: the better of them. Oh yeah. This connects to the 303 00:16:22,080 --> 00:16:24,960 Speaker 3: idea that maybe the Greek gods were in some sense 304 00:16:25,080 --> 00:16:27,920 Speaker 3: the same as the Egyptian gods and just different names 305 00:16:27,960 --> 00:16:30,640 Speaker 3: for them, or maybe A later take on a similar 306 00:16:30,680 --> 00:16:34,160 Speaker 3: view is that the idea that the Greek mythology evolved 307 00:16:34,200 --> 00:16:38,640 Speaker 3: from the Egyptian mythology, which some people have proposed, and 308 00:16:39,040 --> 00:16:43,120 Speaker 3: Constantinos here is saying that that is not likely the case. 309 00:16:44,680 --> 00:16:48,200 Speaker 3: So he says, here is a mainstream academic view of 310 00:16:48,320 --> 00:16:53,800 Speaker 3: Greek mythology origins. In summary one, proto Indo Europeans migrated 311 00:16:53,800 --> 00:16:57,640 Speaker 3: from the Russian Steps to Greece. Proto Indo European settlers 312 00:16:57,680 --> 00:17:02,640 Speaker 3: were pastoralists, their economy center around cattle. Meanwhile, the indigenous 313 00:17:02,680 --> 00:17:06,960 Speaker 3: Greeks were in agricultural society. We know precious little about 314 00:17:07,000 --> 00:17:10,480 Speaker 3: the Proto Indo Europeans and indigenous Greeks, but the Proto 315 00:17:10,560 --> 00:17:15,600 Speaker 3: Indo European settlers brought the Greek language to Greece. Proto 316 00:17:15,640 --> 00:17:19,520 Speaker 3: Indo European settlers brought their pastoral gods Zeus at All 317 00:17:19,840 --> 00:17:24,080 Speaker 3: and melded them into the indigenous people's agricultural gods demmeter 318 00:17:24,240 --> 00:17:28,200 Speaker 3: at All, and together they created the Olympian Pantheon. There 319 00:17:28,200 --> 00:17:31,959 Speaker 3: are other non Proto Indo European and non indigenous influences 320 00:17:32,000 --> 00:17:37,440 Speaker 3: on Greek mythology Parentheses, Apollo, question Mark, maybe Dionysus. The 321 00:17:37,560 --> 00:17:42,320 Speaker 3: latter's origin is still controversial, but they seem more Anatolian, 322 00:17:42,560 --> 00:17:46,359 Speaker 3: maybe Cypriot or in Cretan than Egyptian. I tend to 323 00:17:46,400 --> 00:17:50,720 Speaker 3: view Greek mythology as sedimentary rock with layers upon layers 324 00:17:50,800 --> 00:17:54,440 Speaker 3: of development, rather than one single thing. Anyway, there does 325 00:17:54,480 --> 00:17:56,920 Speaker 3: not seem to be a lot of evidence for direct 326 00:17:56,480 --> 00:18:00,600 Speaker 3: imports of Egyptian myths during the early formative phases of 327 00:18:00,640 --> 00:18:03,000 Speaker 3: the Greek mythos. But that is not to say that 328 00:18:03,080 --> 00:18:05,760 Speaker 3: it did not happen. We just have clearer paths to 329 00:18:05,840 --> 00:18:11,879 Speaker 3: other places. Part two, Resurrecting the resurrecting god's debate. This 330 00:18:11,920 --> 00:18:13,960 Speaker 3: is a reference to us bringing up the question of 331 00:18:14,280 --> 00:18:18,920 Speaker 3: whether Osiris and other gods from the ancient world should 332 00:18:18,960 --> 00:18:22,439 Speaker 3: be thought of as gods that die and then rise 333 00:18:22,480 --> 00:18:25,359 Speaker 3: again in the way that say Jesus, or maybe some 334 00:18:25,440 --> 00:18:29,119 Speaker 3: of the figures from other mystery religions would would be 335 00:18:29,160 --> 00:18:32,800 Speaker 3: said to die and rise again. And Constantinos is about 336 00:18:32,800 --> 00:18:34,639 Speaker 3: to bring up one of the gods of one of 337 00:18:34,680 --> 00:18:38,879 Speaker 3: these mystery religions. He says, I'm surprised that your discussion 338 00:18:39,000 --> 00:18:43,520 Speaker 3: on resurrecting gods did not include Dionysus and Orpheus. Again, 339 00:18:43,560 --> 00:18:45,639 Speaker 3: this is a huge subject, but I will try to 340 00:18:45,720 --> 00:18:49,040 Speaker 3: just hit the high points. The god Dionysus was killed 341 00:18:49,080 --> 00:18:52,159 Speaker 3: and torn apart by evil Titans. At the direction of 342 00:18:52,440 --> 00:18:57,600 Speaker 3: the goddess Hera. Athena saved Dionysus's heart, and Zeus resurrects him. 343 00:18:58,400 --> 00:19:01,399 Speaker 3: Orpheus may have been the name of a religious figure 344 00:19:01,440 --> 00:19:05,280 Speaker 3: from northern Greece, regardless of whether he existed. Orpheus is 345 00:19:05,359 --> 00:19:08,560 Speaker 3: credited as being the prophet that founded a mystery cult 346 00:19:08,880 --> 00:19:13,560 Speaker 3: centered around the resurrected Dionysus. Orphists believed that humans are 347 00:19:13,560 --> 00:19:17,000 Speaker 3: born of the original sin parentheses the dust of the 348 00:19:17,000 --> 00:19:20,920 Speaker 3: burnt Titans, but also have a divine spark, the soul. 349 00:19:21,400 --> 00:19:24,080 Speaker 3: Long story short, be good and your soul gets to 350 00:19:24,160 --> 00:19:28,679 Speaker 3: heaven the Elysian Fields. Orphism is old and foundational to 351 00:19:28,720 --> 00:19:33,200 Speaker 3: Western religious traditions. In fact, the oldest surviving European written text, 352 00:19:33,320 --> 00:19:39,119 Speaker 3: the fourth century BC Dirveni Papyrus, is an orphic hymn. 353 00:19:39,640 --> 00:19:44,119 Speaker 3: Many have drawn direct lines from orphism to Neoplatonism and Christianity. 354 00:19:44,240 --> 00:19:46,080 Speaker 3: It is a deep rabbit hole to go down, and 355 00:19:46,119 --> 00:19:50,520 Speaker 3: the case is compelling its links to Christianity. Aside, Dionysus 356 00:19:50,560 --> 00:19:54,240 Speaker 3: is demonstrably one of the earliest resurrecting gods that did 357 00:19:54,280 --> 00:19:57,760 Speaker 3: indeed spawn a religion centered on his resurrection. Hope you 358 00:19:57,800 --> 00:20:00,640 Speaker 3: found that interesting. Thank you all for a love podcast 359 00:20:00,720 --> 00:20:03,840 Speaker 3: that I cannot stop recommending to any that will listen. Cheers. 360 00:20:04,600 --> 00:20:06,880 Speaker 2: Oh that's excellent. You know, I do think we could 361 00:20:06,920 --> 00:20:10,480 Speaker 2: come back in the future and do a proper Orpheus 362 00:20:10,800 --> 00:20:15,399 Speaker 2: or Dionysus podcast series, you know, focus it because you 363 00:20:15,400 --> 00:20:19,440 Speaker 2: know we do love our deep dives into mythology. All right, 364 00:20:19,480 --> 00:20:21,240 Speaker 2: We're gonna go ahead close up the mail bag here. 365 00:20:21,280 --> 00:20:22,840 Speaker 2: We had some that we didn't have time to get 366 00:20:22,840 --> 00:20:24,720 Speaker 2: to today, but we will come back to those in 367 00:20:24,760 --> 00:20:28,000 Speaker 2: a future installment of Listener Mail, so keep them coming. 368 00:20:28,600 --> 00:20:31,400 Speaker 2: We'd love to hear from you on episodes past, episodes 369 00:20:31,440 --> 00:20:34,639 Speaker 2: present or episodes future, your recommendations and so forth. And 370 00:20:34,680 --> 00:20:36,399 Speaker 2: if you're on the fence, if you're like, I'm kind 371 00:20:36,440 --> 00:20:39,520 Speaker 2: of thinking about writing into the show, but I've never 372 00:20:39,560 --> 00:20:41,840 Speaker 2: done it before. I don't know if this is interesting enough, 373 00:20:42,600 --> 00:20:45,600 Speaker 2: go ahead and give it a shot. We'd love to 374 00:20:45,640 --> 00:20:48,680 Speaker 2: hear from you regardless, and we do. We do read everything, 375 00:20:48,720 --> 00:20:53,159 Speaker 2: even if we don't read everything on listener Mail, and 376 00:20:53,400 --> 00:20:56,399 Speaker 2: even though we don't respond to everything via email, we 377 00:20:56,400 --> 00:20:58,200 Speaker 2: do read it. So it's the best way to get 378 00:20:58,240 --> 00:21:00,800 Speaker 2: in touch with us, the best way to share your 379 00:21:00,880 --> 00:21:04,520 Speaker 2: enthusiasm in the best way to share any feedback, constructive 380 00:21:04,520 --> 00:21:07,520 Speaker 2: feedback about the show itself, though, don't be shy about 381 00:21:07,640 --> 00:21:10,960 Speaker 2: throwing some positive reviews and some stars our way. Wherever 382 00:21:11,040 --> 00:21:13,879 Speaker 2: you get the podcast. I will remind you that listener 383 00:21:13,920 --> 00:21:17,040 Speaker 2: mail airs on Mondays. In the Stuff to Blow Your 384 00:21:17,040 --> 00:21:19,840 Speaker 2: Mind podcast, feed core episodes on Tuesdays and Thursdays, short 385 00:21:19,880 --> 00:21:22,240 Speaker 2: form episode on Wednesdays and on Fridays. We set aside 386 00:21:22,280 --> 00:21:24,080 Speaker 2: most series concerns to just talk about a weird film 387 00:21:24,119 --> 00:21:25,520 Speaker 2: on Weird House Cinema. 388 00:21:25,840 --> 00:21:29,520 Speaker 3: Huge thanks as always to our excellent audio producer JJ Posway. 389 00:21:29,760 --> 00:21:31,400 Speaker 3: If you would like to get in touch with us 390 00:21:31,400 --> 00:21:34,000 Speaker 3: with feedback on this episode or any other, to suggest 391 00:21:34,000 --> 00:21:36,160 Speaker 3: a topic for the future, or just to say hi, 392 00:21:36,200 --> 00:21:38,840 Speaker 3: you can email us at contact at stuff to Blow 393 00:21:38,840 --> 00:21:46,600 Speaker 3: your Mind dot com. 394 00:21:46,680 --> 00:21:49,639 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For 395 00:21:49,720 --> 00:21:52,520 Speaker 1: more podcasts from my Heart Radio, visit the iHeartRadio app, 396 00:21:52,680 --> 00:21:55,439 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.