WEBVTT - One on One: Stephen Mailer

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<v Speaker 1>I am all in.

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<v Speaker 2>I am all in with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in Podcasts. We

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<v Speaker 1>have a very very very special guest. Norman Mailer's son Steven,

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<v Speaker 1>played the interviewer A Norman Baylor for one episode in

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<v Speaker 1>two thousand and four, and that was Norman Mailer I'm Pregnant,

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<v Speaker 1>Season five, episode six. Even is a stage actor and

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<v Speaker 1>a screen actor. His credits include appearances in films like

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<v Speaker 1>Cry Baby, Baby, Mama and Another Woman, in the television

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<v Speaker 1>shows Gilmore Girls, Law and Order, Special Victims Unit, and

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<v Speaker 1>A League of their Own. And he is the son

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<v Speaker 1>to a very extraordinary uh and iconic literary figure in

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<v Speaker 1>the history of American letters, the one and only Norman Mailer.

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<v Speaker 1>And here is his son, Stephen Mayler. Hello, Stephen, thank

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<v Speaker 1>you for joining us. Do you remember, Stephen, how it

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<v Speaker 1>came to be that your father agreed to be on

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<v Speaker 1>this show?

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<v Speaker 3>Yeah, very well. A dear friend of mine, Jessica Queller,

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<v Speaker 3>was a writer on the show, and they just wrote

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<v Speaker 3>an episode. I believe that where you know, the character

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<v Speaker 3>of Norman Mailer was in the in the restaurant owned

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<v Speaker 3>by Lauren Graham and that most McCarthy was the was

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<v Speaker 3>the chef, I believe. And and so she called me

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<v Speaker 3>and said, hey, your dad is a character in an episode.

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<v Speaker 3>Do you you know, would he be interested in doing it?

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<v Speaker 3>So I asked him, and he said, well, I'll do

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<v Speaker 3>it if if, if they put you in it too.

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<v Speaker 3>And so that's how it all began. I'm an actor, and.

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<v Speaker 1>So it didn't take that much convention, not at all.

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<v Speaker 3>It was great. He was he was all in.

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<v Speaker 1>Because I you know, he's known to have hated television.

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<v Speaker 1>Is that true?

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<v Speaker 3>You know, I guess he. I guess he was opposed

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<v Speaker 3>to what television could kind of do to the mind,

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<v Speaker 3>can kind of dull the mind, and you know, like

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<v Speaker 3>any I mean, television is very addictive. I think it

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<v Speaker 3>was more of the the not necessarily the content, but

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<v Speaker 3>the action of just losing oneself television. And I don't

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<v Speaker 3>know what you would think now in the age of streaming.

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<v Speaker 3>Oh yes, but he watched, you know, he like near

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<v Speaker 3>the end of his life, he loved to watch a

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<v Speaker 3>live poker and he watched love watching football. Baseball not

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<v Speaker 3>so much. After the Dodgers left Brooklyn, he denounced baseball. Yeah,

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<v Speaker 3>but I think that's bad. Little basketball and you know,

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<v Speaker 3>political debates things like that.

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<v Speaker 1>Right, right, So what do you remember about being on set?

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<v Speaker 3>I I had the best time. I you know, it

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<v Speaker 3>was wonderful to be there with Jess and I'm glad

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<v Speaker 3>that it worked out, you know, for her as well.

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<v Speaker 3>And and it was lovely. It was you know, it

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<v Speaker 3>was a wonderful week that I was with my dad

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<v Speaker 3>and and everyone was was terrific. We had I remember

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<v Speaker 3>having dinner with the producers I think Amy and Dan. Yeah,

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<v Speaker 3>and so that was really fun and and the cast

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<v Speaker 3>and crew was fantastic. And I remember Meliss McCarthy going

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<v Speaker 3>up to me and saying, see, are you an actor?

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<v Speaker 3>I was like yeah. He was like, oh god, because

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<v Speaker 3>you're making it look too easy. Anybody can do this right,

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<v Speaker 3>right right?

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<v Speaker 1>Well, so so what what what do you remember about

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<v Speaker 1>your interactions with the two of those monolists of acting,

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<v Speaker 1>Melissa and Lauren.

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<v Speaker 3>Yeah, they were delightful. They were just really charming and

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<v Speaker 3>sweet and supportive and very respectful of my father. And

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<v Speaker 3>I remember the director of the episode. You know, I

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<v Speaker 3>loved my dad's work, and so it was it, Yeah,

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<v Speaker 3>it was it was just a lovely experience all around.

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<v Speaker 1>You know, you're so inside baseball because you're his son,

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<v Speaker 1>you know, you know, and my my father was one

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<v Speaker 1>of those guys who, after World War Two on the

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<v Speaker 1>gi bill, uh you know, graduating from one of the ivys,

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<v Speaker 1>wanted to write the great American novel. And he was

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<v Speaker 1>inspired by The Naked and the Dead and those legions

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<v Speaker 1>of men and women that attempted to do this. And

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<v Speaker 1>how large a figure, how large and how iconic a

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<v Speaker 1>figure your dad was, even at that time when I

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<v Speaker 1>was a very small child, because I know the name

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<v Speaker 1>it in The Dead hit like you know, it hit

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<v Speaker 1>like a bomb. It was just it was just this

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<v Speaker 1>amazing experience. Was wasn't it the first uh uh, real

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<v Speaker 1>war novel, modern war novel that had that kind of

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<v Speaker 1>an impact.

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<v Speaker 3>I believe, So, I know, the Naked and It Didn't particularly

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<v Speaker 3>just really touched that whole generation. That's the other it's

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<v Speaker 3>kind of similar to The Naked and the Dead. I

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<v Speaker 3>think Terrence Malick made a film of it.

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<v Speaker 1>So that was the thin Red Line made.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, And there are elements of it in Platoon as well.

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<v Speaker 1>I mean, I think Oliver State is very, very influenced

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<v Speaker 1>by the Naked and the Dead.

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<v Speaker 3>Yeah, I remember my dad talked about like.

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<v Speaker 1>But I mean, just such such a thrill to know

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<v Speaker 1>that Norman Mahler was coming to our show to be

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<v Speaker 1>in a scene was just it was it was hard

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<v Speaker 1>to wrap your mind around it, but it happened, and

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<v Speaker 1>there he was in the diner and it was just

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<v Speaker 1>it was an amazing day.

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<v Speaker 3>That was the last scene of the episode, right where

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<v Speaker 3>were like, the guys are in here, they're not ordering anything.

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<v Speaker 1>Right exactly exactly. Lunch was canceled, So I'm canceling you

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<v Speaker 1>was that was a great monologue from from USA, taking

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<v Speaker 1>your lemons away. Oh look, I'm gonna read your book

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<v Speaker 1>for free. I'm not even gonna pay for it. Just

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<v Speaker 1>like so Norman, he had a lot of lines to remember.

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<v Speaker 1>Did he did he rehearse with you? Did he have

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<v Speaker 1>him down pretty pound or?

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<v Speaker 3>I think I think for the most part, he and

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<v Speaker 3>I were just kind of improvising. I played a somebody

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<v Speaker 3>who was interviewing him for a magazine piece or newspaper piece,

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<v Speaker 3>and we you know, I asked a lot of political questions,

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<v Speaker 3>so that part was improvised. He did have some lines,

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<v Speaker 3>my dad, you know, it was a bit of a

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<v Speaker 3>ham as an actor. You know, he made those three

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<v Speaker 3>experimental films at the end of the sixties, and I

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<v Speaker 3>love them because they're all these old buddies and they

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<v Speaker 3>were like my aunts and uncles, and they're like home

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<v Speaker 3>movies to me. But they're they're kind of ridiculous. And

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<v Speaker 3>and so, you know, I think I think it was

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<v Speaker 3>the improv was came out, you know, far more organically

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<v Speaker 3>than a lot of those lines. And and but as

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<v Speaker 3>far as I'm remembering, I you know, I don't, I

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<v Speaker 3>don't think it was a lot to memory. I think

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<v Speaker 3>it was, you know, a couple of a couple of

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<v Speaker 3>words here, a couple of words there. But I knew

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<v Speaker 3>he was he really wanted to do a great job

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<v Speaker 3>and he was trying, you know, giving it is all.

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<v Speaker 1>And how how old were you? How old were you

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<v Speaker 1>back then?

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<v Speaker 3>I was thirty was in two thousand and four, I

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<v Speaker 3>was thirty eight.

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<v Speaker 1>You were thirty eight years old? Okay? And he passed

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<v Speaker 1>just in two thousand and seven.

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<v Speaker 3>Right seven, Yeah, he was eighty one.

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<v Speaker 1>And so are fans recognizing you for this role? Gilmore?

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<v Speaker 1>Fans that they come up to you.

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<v Speaker 3>My niece was a huge Gilmore Girls fan. She was,

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<v Speaker 3>you know, in high school at the time when it

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<v Speaker 3>came out. It was just like crazy to watch her

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<v Speaker 3>long friends and she and her my sister Danielle kind

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<v Speaker 3>of you know, thought of themselves as the Gilmore Girls,

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<v Speaker 3>well because daniel looked very young, and so they just

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<v Speaker 3>sort of you know, so the show really spoke to

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<v Speaker 3>them in that way, right.

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<v Speaker 1>Right, you know, I really want to get into what

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<v Speaker 1>a terrific debater he was, what a terrific personality he was,

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<v Speaker 1>what a towering intellect he was, and how he came

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<v Speaker 1>on the Dick Caviot Show. For people who don't know

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<v Speaker 1>who Dick, the Dick Cabot was, Dick Cabot had a

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<v Speaker 1>talk show, a very popular daytime talk show, and he

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<v Speaker 1>would have all of the leading figures of the day.

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<v Speaker 1>I mean, when did Dick Cabot show. It was a

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<v Speaker 1>seventies show. It wasn't eighties or a sixties and seventies, right, okay,

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<v Speaker 1>all right, so you know it was a different time

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<v Speaker 1>back then. It was it was politicians, it was it

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<v Speaker 1>was artists, it was individuals. When people really you know,

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<v Speaker 1>were imbued with individuality and a lot of a lot

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<v Speaker 1>of authors came on a lot of writers. And you know,

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<v Speaker 1>to watch that, uh, that tet tet between your father

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<v Speaker 1>and Gourvidale, because Gorvidale had been very critical of your father.

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<v Speaker 1>He was very critical of Naked and the Deady. He said,

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<v Speaker 1>it's just a John dos Passos rip off, and you know,

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<v Speaker 1>just trying to label your father as a male chauveness

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<v Speaker 1>pig because your father dared to make these arguments and

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<v Speaker 1>analyze the women's movement at the time and wrote a

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<v Speaker 1>very thoughtful piece about it. Because he was he was

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<v Speaker 1>also known, as you know, quite a bright light in

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<v Speaker 1>the field of journalism because he combined the sensibility and

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<v Speaker 1>the subjectivity and the artistry and the complexity of a

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<v Speaker 1>novelist with you know, the subjective discipline that is journalism.

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<v Speaker 1>So what do you remember about those battles with gord Vidal?

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<v Speaker 1>And I know they were friends, but then when Gore started,

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<v Speaker 1>you know, painting him with this sort of brush that

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<v Speaker 1>he was this sort of thick headed, egotistical male chauvinist

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<v Speaker 1>who was obsessed with murder and you know, violence and

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<v Speaker 1>this kind of thing. What do you remember about those times?

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<v Speaker 3>Yeah, I mean I think it was unfortunate because they

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<v Speaker 3>were really good friends, and then they had a falling out.

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<v Speaker 3>And I think my dad's whole shtick and even on

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<v Speaker 3>that is that he's you know, he was really politically incorrect.

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<v Speaker 3>So he liked to say things to sort of get

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<v Speaker 3>you know, a conversation started, you know what I'm saying,

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<v Speaker 3>And so with Gore, I don't, you know, I can't

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<v Speaker 3>really speak to you know, how that relationship necessarily went

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<v Speaker 3>south in terms of you know, I think it was just,

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<v Speaker 3>you know, it was a couple of really powerful egos clashing.

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<v Speaker 3>Then they did have a physical altercation at a cocktail party. Yeah,

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<v Speaker 3>and that that was in the in the seventies, I believe,

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<v Speaker 3>because they didn't talk for a long time and they

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<v Speaker 3>saw each other and uh, I mean my history, I

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<v Speaker 3>don't want to my history might not be that accurate,

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<v Speaker 3>but I know, yeah, there was it was a little

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<v Speaker 3>something and uh, and then they didn't speak for years

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<v Speaker 3>after that. But then they ended up doing a reading

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<v Speaker 3>of Don Juan and Hell in a Cape cod in

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<v Speaker 3>a province sound or Truro, Massachusetts, and so they you know,

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<v Speaker 3>they made amends and so that was lovely that they

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<v Speaker 3>were able to come back together because they both had

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<v Speaker 3>great minds. And and even those shows are you know,

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<v Speaker 3>are really fast. I remember I saw the other night

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<v Speaker 3>my dad on the William F. Buckley Junior Show. That

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<v Speaker 3>was really intense, you know, And and uh, man, I

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<v Speaker 3>was just sort of he was a wild figure in

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<v Speaker 3>those days. And and uh, you know, and he was

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<v Speaker 3>drinking a lot, and you know, and I don't think

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<v Speaker 3>he was really doing drugs anymore and be a little pot,

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<v Speaker 3>but you know, he was. He was out there like

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<v Speaker 3>a lot of people were in the sixties. It was

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<v Speaker 3>a wild time. And he did have just such an

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<v Speaker 3>extraordinary political mind. Yes, I love to sit at the

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<v Speaker 3>dinner table listening to him. And he predicted everything that's happening,

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<v Speaker 3>you know, in America right now in terms of democracy.

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<v Speaker 3>And and my youngest brother John and a gentleman named j.

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<v Speaker 3>Michael Lennon, who's the authorized biographer of my dad and

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<v Speaker 3>came out with a book called A Double Life. Several

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<v Speaker 3>years ago. John and Mike put together a compilation of

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<v Speaker 3>a lot of my dad's political writings. Yeah, it's called

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<v Speaker 3>a Mysterious Country, the uh, the Grace and Fragility of

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<v Speaker 3>American Democracy. And this just came out, and Uh, I've

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<v Speaker 3>been reading and it's just very profound. And there's excerpt

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<v Speaker 3>from The Naked and the Dead when the General is

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<v Speaker 3>going on sort of is really talking about fascism with

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<v Speaker 3>with intrigue and and uh, you know, and positivity and

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<v Speaker 3>and making trying to make it sound very good. But

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<v Speaker 3>then there's this you know, intellectual lieutenant or captain who

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<v Speaker 3>you know, thinks he's full of sort of challenging him subtly,

0:13:28.160 --> 0:13:30.440
<v Speaker 3>but the General really loves that he's challenging him. That's

0:13:30.440 --> 0:13:33.240
<v Speaker 3>why he befriends him so they can have these discussions.

0:13:34.200 --> 0:13:37.240
<v Speaker 3>And there's a really cool like the sixth Tenets of

0:13:37.280 --> 0:13:45.680
<v Speaker 3>Democracy that that John and might kind of derived from

0:13:45.800 --> 0:13:48.720
<v Speaker 3>a lot of my dad's theories.

0:13:50.360 --> 0:13:53.680
<v Speaker 1>And real quick, which administrations did your father consider to

0:13:53.720 --> 0:13:56.800
<v Speaker 1>be totalitarian? Because he wrote about that?

0:13:57.000 --> 0:13:57.160
<v Speaker 3>Was it?

0:13:57.240 --> 0:13:57.600
<v Speaker 1>Nixon?

0:13:59.400 --> 0:14:04.760
<v Speaker 3>Yeah? I mean, I mean everyone, you know, I think Reagan? Right, Bush?

0:14:05.240 --> 0:14:11.160
<v Speaker 3>I mean, he loved Obama. He passed before Obama was elected,

0:14:12.040 --> 0:14:13.880
<v Speaker 3>but he was you know, saw the beginning of the

0:14:13.920 --> 0:14:17.040
<v Speaker 3>campaign and just just thought he was amazing. I'm sure

0:14:17.040 --> 0:14:21.480
<v Speaker 3>he would have been Sociality passed. Let's not see that happen.

0:14:22.520 --> 0:14:24.320
<v Speaker 3>A great moment in this country.

0:14:24.440 --> 0:14:31.240
<v Speaker 1>Right the year before Obama was elected right, Yeah, exactly, Yeah, I.

0:14:31.200 --> 0:14:32.360
<v Speaker 3>Have an air on my phone. I want to read

0:14:32.360 --> 0:14:37.120
<v Speaker 3>because it's really u it's just great. So one, exercise

0:14:37.240 --> 0:14:42.000
<v Speaker 3>free speech and encourage civic involvement. Involvement to build left

0:14:42.160 --> 0:14:46.560
<v Speaker 3>right bridges and dialogue. Three, be wary of corporate power

0:14:46.920 --> 0:14:52.479
<v Speaker 3>and create equity between worker rewards and corporate corporate profits.

0:14:52.480 --> 0:14:55.880
<v Speaker 3>For men the wounds of slavery, and eliminate all forms

0:14:55.960 --> 0:15:01.760
<v Speaker 3>of discrimination. Five distrust flag waving patriots. Six never forget

0:15:01.760 --> 0:15:05.360
<v Speaker 3>the past. Just that little piece just in terms of

0:15:05.400 --> 0:15:08.320
<v Speaker 3>you know, as I said, what's happening now? I I

0:15:08.400 --> 0:15:12.640
<v Speaker 3>love that it's very succinct and beautiful and hopeful, and

0:15:12.720 --> 0:15:16.240
<v Speaker 3>I think full of love and understanding, and you know,

0:15:16.280 --> 0:15:18.600
<v Speaker 3>because he really cared, He really loved. He loved this country.

0:15:18.640 --> 0:15:22.760
<v Speaker 3>He loved you know, democracy, and and loved the art

0:15:22.800 --> 0:15:25.000
<v Speaker 3>that came out of this country, loved jazz.

0:15:26.720 --> 0:15:29.200
<v Speaker 1>He ran for mayor, didn't he mayor of New York City?

0:15:29.360 --> 0:15:30.840
<v Speaker 3>For mayor in nineteen sixty nine?

0:15:30.920 --> 0:15:32.840
<v Speaker 1>Yeah, how'd that go?

0:15:34.160 --> 0:15:37.760
<v Speaker 3>But I don't remember. I think he debated William F. Buck.

0:15:37.840 --> 0:15:40.840
<v Speaker 3>I think he was the no. He was a Republican.

0:15:40.840 --> 0:15:41.960
<v Speaker 3>I'm pretty sure he.

0:15:41.800 --> 0:15:43.800
<v Speaker 1>Was at that time, I think, yeah, yeah, yeah, he

0:15:44.400 --> 0:15:45.440
<v Speaker 1>did not like liberals.

0:15:46.000 --> 0:15:48.360
<v Speaker 3>Yeah back in the day. Yeah yeah, But I don't know.

0:15:48.440 --> 0:15:50.640
<v Speaker 3>I don't think he became the mayor though Buckley I could,

0:15:50.640 --> 0:15:55.400
<v Speaker 3>but having a debate, right, and that talk show was

0:15:55.480 --> 0:15:58.040
<v Speaker 3>right before I think they ended up. They had that debate.

0:15:58.960 --> 0:16:01.440
<v Speaker 3>But I mean, he wanted to in New York City

0:16:01.480 --> 0:16:06.400
<v Speaker 3>into the fifty first state. That was his platform. Yeah,

0:16:06.440 --> 0:16:09.880
<v Speaker 3>really yeah. But there's some cips of him, you know,

0:16:11.600 --> 0:16:14.720
<v Speaker 3>you know, going around the city and and talking to

0:16:14.760 --> 0:16:18.000
<v Speaker 3>the crowds and yeah, and there was a joke. I

0:16:18.040 --> 0:16:22.280
<v Speaker 3>think he was with Warren Baby and Warren I remember

0:16:22.320 --> 0:16:23.960
<v Speaker 3>there was some talk back the name of Warren Baby

0:16:24.000 --> 0:16:28.160
<v Speaker 3>maybe running for president and in my and he called

0:16:28.200 --> 0:16:31.800
<v Speaker 3>my dad to to discuss some some policies or something.

0:16:31.840 --> 0:16:34.960
<v Speaker 3>I forget what they want to discuss, but he's like,

0:16:34.960 --> 0:16:36.440
<v Speaker 3>all right, but I'm going to make a deal with you.

0:16:37.040 --> 0:16:40.120
<v Speaker 3>And Baby said what He's like, I get I get

0:16:40.120 --> 0:16:47.800
<v Speaker 3>to be the VP. Baby said, all right, you'll be

0:16:47.840 --> 0:16:49.760
<v Speaker 3>the VP. And my or my dad wanted something else,

0:16:49.800 --> 0:16:55.600
<v Speaker 3>but I can't remember. You wanted to be member of

0:16:55.600 --> 0:17:00.000
<v Speaker 3>the cabinet. Mhm.

0:17:01.640 --> 0:17:05.639
<v Speaker 1>So Norman does Gilmore girls, you guys fly back. I

0:17:05.640 --> 0:17:08.440
<v Speaker 1>guess he lived in New York. I'm assuming he lived

0:17:08.440 --> 0:17:08.840
<v Speaker 1>in Brooklyn.

0:17:08.920 --> 0:17:10.919
<v Speaker 3>Ye. At that time, he was living in Provincetown, Massachusetts,

0:17:10.960 --> 0:17:14.320
<v Speaker 3>robinst Okay, Yeah, he and my stepmother, Norris, moved there

0:17:14.359 --> 0:17:17.159
<v Speaker 3>after my brother John went to college, right, and that

0:17:20.600 --> 0:17:24.240
<v Speaker 3>nineteen ninety six, twenty years of his life. So it

0:17:24.280 --> 0:17:25.720
<v Speaker 3>was a big deal. And is you know, he didn't

0:17:25.760 --> 0:17:28.760
<v Speaker 3>move very well. You know, I met him in Horton, Boston,

0:17:29.400 --> 0:17:32.680
<v Speaker 3>and and you know, he had to have a wheelchair

0:17:32.760 --> 0:17:34.679
<v Speaker 3>through the thing, so he was really you know, he

0:17:34.720 --> 0:17:37.159
<v Speaker 3>was doing a great favorite for me. I had just

0:17:37.200 --> 0:17:41.320
<v Speaker 3>split from my ex wife and we had two small boys,

0:17:41.359 --> 0:17:43.400
<v Speaker 3>five and one. So I just moved into my own

0:17:43.400 --> 0:17:46.600
<v Speaker 3>apartment in Brooklyn and money was a little tight. So

0:17:46.640 --> 0:17:48.960
<v Speaker 3>this is just just help to get this this gig,

0:17:49.080 --> 0:17:52.280
<v Speaker 3>and and so that was part of it. It was

0:17:52.320 --> 0:17:54.399
<v Speaker 3>lovely just to spend time with him and he you know,

0:17:54.600 --> 0:17:58.120
<v Speaker 3>my stepmother was his six wife and he had nine children,

0:17:58.240 --> 0:18:03.159
<v Speaker 3>so so he really knew how to commiserate with me.

0:18:05.040 --> 0:18:09.160
<v Speaker 3>It was a really cool journey and and uh yeah,

0:18:09.160 --> 0:18:13.000
<v Speaker 3>and we and I loved just helping him and being

0:18:13.000 --> 0:18:17.239
<v Speaker 3>a part of that. And I remember the loveliest thing

0:18:17.280 --> 0:18:19.439
<v Speaker 3>that happened there though, was I think there was a

0:18:19.440 --> 0:18:21.760
<v Speaker 3>break in shooting and he was sitting outside and a

0:18:21.760 --> 0:18:24.760
<v Speaker 3>lot of the young writers gathered around him, and they

0:18:24.800 --> 0:18:28.719
<v Speaker 3>had a little sort of forum, you know, and and

0:18:28.720 --> 0:18:31.119
<v Speaker 3>and he just loved loved holding court, and he just

0:18:31.200 --> 0:18:35.560
<v Speaker 3>loved loved the art of writing, and and so and

0:18:35.880 --> 0:18:37.919
<v Speaker 3>Jessica had told her, I never I didn't see this.

0:18:38.040 --> 0:18:39.920
<v Speaker 3>I don't know where I was, but but jess said

0:18:39.960 --> 0:18:44.199
<v Speaker 3>that happened, and and and I and that he, you know,

0:18:44.400 --> 0:18:48.800
<v Speaker 3>was just so giving and and and and open, and

0:18:48.840 --> 0:18:50.800
<v Speaker 3>that the writers have just loved it.

0:18:51.040 --> 0:18:56.560
<v Speaker 1>How did he So he goes to Harvard, He graduates

0:18:56.920 --> 0:19:02.040
<v Speaker 1>with a with a degree in aeronautical engineeering. Yes, if

0:19:02.080 --> 0:19:09.399
<v Speaker 1>I am not mistaken, Yeah, okay, So one thing leads

0:19:09.440 --> 0:19:14.000
<v Speaker 1>to another. How does that? Where's that bridge from aeronautical

0:19:14.040 --> 0:19:15.800
<v Speaker 1>engineering to journalism.

0:19:16.119 --> 0:19:18.600
<v Speaker 3>Well, he had written a story when he was eight

0:19:18.680 --> 0:19:23.640
<v Speaker 3>years old and the teacher called my grandmother in and said,

0:19:25.040 --> 0:19:27.280
<v Speaker 3>you obviously wrote this for him. This is this is

0:19:27.280 --> 0:19:31.040
<v Speaker 3>a big no no. And my my grandmother was incensed, like,

0:19:31.080 --> 0:19:33.960
<v Speaker 3>I would never do something thing. You know, my boy

0:19:34.080 --> 0:19:38.840
<v Speaker 3>is a genius. And so I think that was the

0:19:38.880 --> 0:19:41.960
<v Speaker 3>first little like, oh you know, he's got some talent here.

0:19:42.000 --> 0:19:46.040
<v Speaker 3>And then he won a major short story writing contest

0:19:46.240 --> 0:19:48.800
<v Speaker 3>when he was at Harvard and was on the road

0:19:48.840 --> 0:19:49.560
<v Speaker 3>to the lampoon.

0:19:50.000 --> 0:19:51.639
<v Speaker 1>Oh he did, he was, he was one of he was.

0:19:51.840 --> 0:19:54.320
<v Speaker 3>Okay, yeah, so I think the writing was always there,

0:19:54.359 --> 0:19:55.120
<v Speaker 3>and then.

0:19:55.440 --> 0:19:57.639
<v Speaker 1>For for for people listening in if you don't know

0:19:57.640 --> 0:20:01.400
<v Speaker 1>what the Harvard Lampoon is or what I'm assuming it's

0:20:01.440 --> 0:20:07.320
<v Speaker 1>still still standing. A lot of the writers from the

0:20:07.359 --> 0:20:11.560
<v Speaker 1>Harvard Lampoon end up in Hollywood writing films and major

0:20:11.600 --> 0:20:16.160
<v Speaker 1>TV shows, And there's a real lineage from from Harvard

0:20:16.160 --> 0:20:20.520
<v Speaker 1>to to Hollywood. So yeah, so so was he ever

0:20:20.640 --> 0:20:24.359
<v Speaker 1>tempted to follow in the footsteps of so many before

0:20:24.400 --> 0:20:27.200
<v Speaker 1>him to come to Hollywood and start writing for film

0:20:27.240 --> 0:20:27.560
<v Speaker 1>and TV.

0:20:28.160 --> 0:20:29.959
<v Speaker 3>When The Naked and the Dead came out, you know,

0:20:30.080 --> 0:20:33.960
<v Speaker 3>he became instantly famous. And you know, at that time,

0:20:33.960 --> 0:20:35.920
<v Speaker 3>when you had the number one best seller, it was

0:20:35.960 --> 0:20:39.440
<v Speaker 3>a very big deal, and I'm sure it's a big

0:20:39.480 --> 0:20:41.280
<v Speaker 3>deal now. But just in terms of you know, reading,

0:20:41.520 --> 0:20:45.200
<v Speaker 3>it was before television, so reading was I think more

0:20:45.520 --> 0:20:48.320
<v Speaker 3>more of the culture of the day of that day, right.

0:20:49.160 --> 0:20:51.320
<v Speaker 1>Right, The real the real rock stars of the day

0:20:51.359 --> 0:20:56.560
<v Speaker 1>were writers. The intellect the intellectuals were bigger than actors.

0:20:56.640 --> 0:20:59.680
<v Speaker 1>They were bigger than musicians. They were the thing.

0:21:00.560 --> 0:21:03.719
<v Speaker 3>Yeah, well, jazz musicians are pretty like you know, the

0:21:03.760 --> 0:21:07.520
<v Speaker 3>Miles Davis and the Charlie Parkers like those like that scene.

0:21:07.800 --> 0:21:10.160
<v Speaker 3>The writers and you know, jazz musicians. That was it.

0:21:10.280 --> 0:21:14.480
<v Speaker 1>Yeah, it wasn't politicians, It wasn't musicians. It wasn't actors.

0:21:14.480 --> 0:21:18.040
<v Speaker 1>I mean, even though it was, but it was really

0:21:18.240 --> 0:21:22.840
<v Speaker 1>like the big writers that everybody. Everybody read them, everybody

0:21:22.920 --> 0:21:23.920
<v Speaker 1>discussed them.

0:21:24.320 --> 0:21:28.879
<v Speaker 3>Yeah, and Hemingway was my dad's hero, Steinbeck, you know,

0:21:28.960 --> 0:21:33.119
<v Speaker 3>all In Fitzgerald. And so he came out to Hollywood

0:21:33.160 --> 0:21:35.359
<v Speaker 3>because they you know, the film got bought, I mean,

0:21:35.400 --> 0:21:38.320
<v Speaker 3>the book got bought to be a film. And he

0:21:38.359 --> 0:21:42.160
<v Speaker 3>lived out here for about a year and was sort

0:21:42.200 --> 0:21:43.800
<v Speaker 3>of in that scening, but he didn't he really didn't

0:21:43.880 --> 0:21:45.320
<v Speaker 3>like it to me. To him, it felt like a

0:21:45.400 --> 0:21:48.119
<v Speaker 3>lazy summer day, you know, every day, and he just

0:21:48.160 --> 0:21:51.760
<v Speaker 3>couldn't really get any writing done. So it was a

0:21:51.760 --> 0:21:52.280
<v Speaker 3>brief year.

0:21:52.280 --> 0:21:56.359
<v Speaker 4>And then since you know, I mean, I think he

0:21:56.400 --> 0:22:00.560
<v Speaker 4>always when he was at college, he got cast in

0:22:01.520 --> 0:22:03.439
<v Speaker 4>Awakened sing Hm.

0:22:03.840 --> 0:22:05.920
<v Speaker 3>So he got that Barney and he learned his lines

0:22:06.320 --> 0:22:11.680
<v Speaker 3>and then I think, uh, the what did the war race?

0:22:11.800 --> 0:22:15.000
<v Speaker 3>Somedthing happened where the completed did not go on, so

0:22:15.040 --> 0:22:16.800
<v Speaker 3>he feels like that had happened. He might have been

0:22:16.800 --> 0:22:20.080
<v Speaker 3>an actor, but he always yeah, he always loved film

0:22:20.160 --> 0:22:24.520
<v Speaker 3>and and and made some like I remember some films

0:22:24.760 --> 0:22:27.440
<v Speaker 3>from like the early fifties and Brooklyn Heights, and then

0:22:28.840 --> 0:22:31.080
<v Speaker 3>ended up making these you know, sort of three kind

0:22:31.080 --> 0:22:37.000
<v Speaker 3>of seminal wild improvisational films that you know are part

0:22:37.000 --> 0:22:39.800
<v Speaker 3>of the Criterion collection. You know, again, a lot of people,

0:22:42.480 --> 0:22:45.280
<v Speaker 3>I think for friends and family, you know, it's, uh,

0:22:46.600 --> 0:22:48.800
<v Speaker 3>we we dig them, but you know, they can be

0:22:48.840 --> 0:22:50.520
<v Speaker 3>a lot leave a lot to be desired for others.

0:22:50.560 --> 0:22:53.200
<v Speaker 3>And then he ended up directing Tough Guys Don't Dance,

0:22:53.240 --> 0:22:56.800
<v Speaker 3>one of his novels, and we always you know, yeah,

0:22:57.200 --> 0:23:01.080
<v Speaker 3>so I think, you know, he I think he loved

0:23:01.320 --> 0:23:05.080
<v Speaker 3>great filmmaking, but was very impatient, if like, in terms

0:23:05.119 --> 0:23:07.280
<v Speaker 3>of like watching television with him, that was a nightmare

0:23:07.359 --> 0:23:09.960
<v Speaker 3>because he literally watched something for a minute and again

0:23:10.040 --> 0:23:12.080
<v Speaker 3>then move on. It was just like constant you know,

0:23:12.960 --> 0:23:14.520
<v Speaker 3>channel surfing, right right.

0:23:14.600 --> 0:23:14.879
<v Speaker 2>Right, So.

0:23:20.640 --> 0:23:27.159
<v Speaker 1>Tell us a little bit about the aftermath of of

0:23:27.280 --> 0:23:32.719
<v Speaker 1>when the show actually aired, was Norman approached by people,

0:23:34.560 --> 0:23:36.359
<v Speaker 1>Oh my god, you were on Gilmore Girls and they

0:23:36.359 --> 0:23:38.920
<v Speaker 1>didn't know him. They didn't really know him as Norman

0:23:38.920 --> 0:23:40.760
<v Speaker 1>mail They didn't know who Norman Mailer was or what

0:23:40.800 --> 0:23:42.359
<v Speaker 1>he'd done in his career, but they knew him from

0:23:42.400 --> 0:23:43.400
<v Speaker 1>Gilmore Girls.

0:23:44.080 --> 0:23:46.639
<v Speaker 3>Oh yeah. I think a lot of people instead of

0:23:46.680 --> 0:23:52.600
<v Speaker 3>knowing Hi from gil Murgirl Absolutely, yeah, yeah, yeah, I

0:23:52.680 --> 0:23:55.359
<v Speaker 3>can't you know, it's that that part of this I

0:23:55.359 --> 0:23:58.360
<v Speaker 3>don't remember as well. Scott. I'm so sorry. I think

0:23:58.400 --> 0:24:02.240
<v Speaker 3>he did get a lot of recognition from doing that show.

0:24:02.840 --> 0:24:06.679
<v Speaker 1>Yeah, it's amazing how many people recognize, like, you know,

0:24:06.680 --> 0:24:08.800
<v Speaker 1>they'll recognize extras from the show.

0:24:09.520 --> 0:24:10.600
<v Speaker 3>Yes, yeah, yeah.

0:24:10.880 --> 0:24:13.600
<v Speaker 1>They pour over every detail of every episode. It's a

0:24:13.680 --> 0:24:16.600
<v Speaker 1>very dedicated as you well know, they're very dedicated. So

0:24:17.119 --> 0:24:18.880
<v Speaker 1>what are you working on now? What are you doing

0:24:18.920 --> 0:24:20.000
<v Speaker 1>now with your career?

0:24:20.119 --> 0:24:24.520
<v Speaker 3>I made a film. I'm a writer as well. I

0:24:24.560 --> 0:24:28.280
<v Speaker 3>had to get into a seventeen year men's group based

0:24:28.320 --> 0:24:32.600
<v Speaker 3>on the work of Carl Jung about identifying the father's

0:24:32.680 --> 0:24:36.719
<v Speaker 3>dark shadow, processing that and connecting to their golden shadow

0:24:36.800 --> 0:24:39.040
<v Speaker 3>their creativity. So I was always part to be a writer,

0:24:39.119 --> 0:24:42.520
<v Speaker 3>but I just couldn't get past the shadow part of it, right,

0:24:43.320 --> 0:24:46.320
<v Speaker 3>and seventeen years agree by finally after several years, started writing,

0:24:46.359 --> 0:24:47.840
<v Speaker 3>and I wrote a few plays and a couple of

0:24:47.880 --> 0:24:51.520
<v Speaker 3>screenplays and a pilot for a sketch comedy show. And

0:24:51.560 --> 0:24:56.119
<v Speaker 3>I ended up just producing and directing the one of

0:24:56.160 --> 0:24:59.399
<v Speaker 3>the screenplays I did. It's called Flow Group. It's really wild.

0:24:59.400 --> 0:25:03.880
<v Speaker 3>It's sort of like mel Brooks on acid. It's out there.

0:25:03.880 --> 0:25:05.920
<v Speaker 3>And and again, I love very you know, some of

0:25:06.040 --> 0:25:08.160
<v Speaker 3>my like a lot of my you know, family and friends.

0:25:08.280 --> 0:25:11.040
<v Speaker 1>That's a lot of acid. I mean, no book.

0:25:16.040 --> 0:25:20.320
<v Speaker 3>That literally like Young Frankenstein and Blazing Saddle, so you know,

0:25:20.520 --> 0:25:22.359
<v Speaker 3>and I went to when I was eight and nine.

0:25:23.480 --> 0:25:30.080
<v Speaker 3>I know, I know Young Frankenstein I think was my hero. Yeah, yeah,

0:25:30.160 --> 0:25:32.199
<v Speaker 3>so I really so I did that. And it's been

0:25:32.200 --> 0:25:34.080
<v Speaker 3>a really long process, you know. I got an LLC

0:25:34.160 --> 0:25:37.040
<v Speaker 3>in twenty sixteen and then shot it in twenty seventeen

0:25:37.119 --> 0:25:39.520
<v Speaker 3>that I've really been editing it, and I'm even editing

0:25:39.560 --> 0:25:41.040
<v Speaker 3>it right now. I'm just doing the final sort of

0:25:41.040 --> 0:25:44.760
<v Speaker 3>credit sequence and and so I'm gonna have some screenings

0:25:44.760 --> 0:25:47.720
<v Speaker 3>of that and and it was just a little wonderful process.

0:25:47.760 --> 0:25:52.560
<v Speaker 3>I just love it. And yes, that's that's that's what

0:25:52.600 --> 0:25:53.320
<v Speaker 3>I'm doing right now.

0:25:53.400 --> 0:26:00.679
<v Speaker 1>Oh, terrific. Yeah, it's interesting. I produced and financed a

0:26:00.720 --> 0:26:04.199
<v Speaker 1>film in twenty thirteen and I'm still editing it as Well'

0:26:04.280 --> 0:26:06.880
<v Speaker 1>still putting finishing touches on it. May I may never

0:26:06.960 --> 0:26:10.400
<v Speaker 1>release it, but I'm certainly going to get it right

0:26:10.520 --> 0:26:11.840
<v Speaker 1>or else I'll die trying.

0:26:12.640 --> 0:26:14.840
<v Speaker 3>I love editing. It's so much fun, and you.

0:26:14.760 --> 0:26:17.320
<v Speaker 1>Know what I do too. It's the best part of

0:26:17.359 --> 0:26:17.800
<v Speaker 1>it for me.

0:26:18.520 --> 0:26:21.560
<v Speaker 3>Yeah, I mean that's really where the film is made. Yes,

0:26:21.600 --> 0:26:24.480
<v Speaker 3>it is. And it really helps to have a great editor.

0:26:25.359 --> 0:26:27.200
<v Speaker 3>We sort of like works with you and it's really

0:26:27.200 --> 0:26:28.280
<v Speaker 3>positive and supportive.

0:26:28.440 --> 0:26:32.159
<v Speaker 1>I've had two and they were both well, yeah, and

0:26:32.200 --> 0:26:37.560
<v Speaker 1>they were both wonderful, and we are really shaping this film. Yeah,

0:26:38.440 --> 0:26:40.240
<v Speaker 1>you know, it's too bad we don't have a cooperative

0:26:40.280 --> 0:26:44.160
<v Speaker 1>director or lead actress. But you know, that's why it's

0:26:44.200 --> 0:26:48.040
<v Speaker 1>taking so long. But you know, people's feelings get hurt

0:26:48.080 --> 0:26:50.720
<v Speaker 1>and their vision get they feel their vision get crushed,

0:26:50.720 --> 0:26:53.240
<v Speaker 1>and it's like, you know, yeah, it's like you know,

0:26:53.320 --> 0:26:57.000
<v Speaker 1>people are either going to watch your film and then

0:26:57.000 --> 0:26:59.159
<v Speaker 1>they're going to go watch paint dry, and they're going

0:26:59.200 --> 0:27:01.159
<v Speaker 1>to have a better time watching the paint try, so

0:27:01.200 --> 0:27:08.080
<v Speaker 1>we've got to save this film somehow. Anyway, what else

0:27:08.119 --> 0:27:10.280
<v Speaker 1>can you tell us about the experience that we haven't

0:27:10.320 --> 0:27:16.879
<v Speaker 1>gone through. Did he enjoy it? Did he really enjoy it?

0:27:17.160 --> 0:27:18.399
<v Speaker 3>Yeah? He did, absolutely.

0:27:18.560 --> 0:27:18.760
<v Speaker 1>Yeah.

0:27:18.760 --> 0:27:22.160
<v Speaker 3>And he had a great friend out here, a guy

0:27:22.240 --> 0:27:26.960
<v Speaker 3>named Mickey Knox, and another friend, Larry Schiller, and we

0:27:27.000 --> 0:27:28.840
<v Speaker 3>all went out to dinner. I think Larry sort of,

0:27:29.440 --> 0:27:31.080
<v Speaker 3>you know, told him how to do the deal, because

0:27:31.119 --> 0:27:34.360
<v Speaker 3>Larry's a producer and writer and photographer and took those

0:27:34.359 --> 0:27:38.600
<v Speaker 3>famous photographs of Marilynroe in the pool years ago. It

0:27:38.680 --> 0:27:40.080
<v Speaker 3>was a real Hollywood you know.

0:27:41.040 --> 0:27:45.080
<v Speaker 1>Tell us about this. What was his relationship with Marilyn Monroe,

0:27:45.080 --> 0:27:46.600
<v Speaker 1>because I know he wrote a book about her.

0:27:46.920 --> 0:27:50.199
<v Speaker 3>Yeah, he just he never met her. He sat behind

0:27:50.200 --> 0:27:52.840
<v Speaker 3>her once at a like a movie premiere or a

0:27:52.840 --> 0:27:55.640
<v Speaker 3>play and I think she was married to Arthur Miller

0:27:55.640 --> 0:27:58.280
<v Speaker 3>at the time, and he almost tapped her on the shoulder,

0:27:58.600 --> 0:28:01.240
<v Speaker 3>but it didn't happen. That it happened that you know,

0:28:01.320 --> 0:28:07.199
<v Speaker 3>who knows, I could be Marilyn Monroe son. But I

0:28:07.200 --> 0:28:09.840
<v Speaker 3>think he just really he really loved He would just

0:28:10.080 --> 0:28:15.320
<v Speaker 3>you know, was really infatuated with her. And as a kid,

0:28:15.359 --> 0:28:18.000
<v Speaker 3>we got to you know. I remember just he would

0:28:18.000 --> 0:28:20.040
<v Speaker 3>get all the copies of the film. We'd watched them

0:28:20.080 --> 0:28:22.800
<v Speaker 3>in the living room, and and I didn't realize that

0:28:23.000 --> 0:28:26.240
<v Speaker 3>he's like what an extraordinary you know actress. She she is,

0:28:27.200 --> 0:28:29.919
<v Speaker 3>you know what I mean, Like he just played this

0:28:29.960 --> 0:28:31.119
<v Speaker 3>ditsy the doun block.

0:28:31.680 --> 0:28:33.560
<v Speaker 1>She was brilliant as.

0:28:35.040 --> 0:28:38.120
<v Speaker 3>The greatest ever And so I think he really he

0:28:38.240 --> 0:28:40.920
<v Speaker 3>really celebrates that in the book. And there's a lot

0:28:40.920 --> 0:28:44.480
<v Speaker 3>of beautiful photos and and Larry actually made deals with

0:28:46.680 --> 0:28:51.080
<v Speaker 3>Tash in this great German Yeah, and so Maryland came

0:28:51.120 --> 0:28:54.840
<v Speaker 3>out Maryland and and the fight before that, and there's

0:28:55.200 --> 0:29:01.920
<v Speaker 3>beautiful photos and yeah, Larry, Larry was great because Larry

0:29:01.920 --> 0:29:05.880
<v Speaker 3>actually brought the Gary Gilmour. He brought the rights to

0:29:05.960 --> 0:29:07.760
<v Speaker 3>that and came to my father, and I believe that's

0:29:07.760 --> 0:29:11.960
<v Speaker 3>how they first met. I want you to well, actually, no,

0:29:12.000 --> 0:29:13.960
<v Speaker 3>I guess he must have known him from Maryland.

0:29:13.760 --> 0:29:16.280
<v Speaker 1>Because he won the pulitzer for the executioner.

0:29:16.440 --> 0:29:22.320
<v Speaker 3>So yeah, so Larry brought that to my father and

0:29:22.360 --> 0:29:25.400
<v Speaker 3>that that and an American dream also on the pulitzer,

0:29:25.920 --> 0:29:28.440
<v Speaker 3>you know, or I think considered his you.

0:29:28.400 --> 0:29:31.240
<v Speaker 1>Know, and not Naked in the dead was the pulitzer

0:29:31.320 --> 0:29:32.600
<v Speaker 1>around back then he.

0:29:32.680 --> 0:29:36.440
<v Speaker 3>Didn't n The Dead win the Pulitzer Everyone Book of

0:29:36.480 --> 0:29:38.400
<v Speaker 3>the Year award, Like I think it won a lot

0:29:38.400 --> 0:29:41.800
<v Speaker 3>of awards, right right, My dad years and sort of

0:29:41.800 --> 0:29:43.360
<v Speaker 3>he would read through and he's like, oh my god,

0:29:43.400 --> 0:29:45.440
<v Speaker 3>I was such a young writer. I made so many mistakes.

0:29:45.720 --> 0:29:50.400
<v Speaker 3>Talking about editing the film. Sure he might have been like,

0:29:50.800 --> 0:29:56.320
<v Speaker 3>be written some of it. I could see him doing that.

0:30:01.320 --> 0:30:03.280
<v Speaker 1>So we're gonna play a little game called rapid Fire.

0:30:03.320 --> 0:30:06.920
<v Speaker 1>You ready, You're ready? Okay, here we go. How do

0:30:06.960 --> 0:30:07.920
<v Speaker 1>you like your coffee?

0:30:08.640 --> 0:30:12.080
<v Speaker 3>I drink a French Press in the morning. I don't

0:30:12.080 --> 0:30:16.000
<v Speaker 3>know what the basic side, one of the traditional size,

0:30:16.760 --> 0:30:19.040
<v Speaker 3>and I do that every morning, so it's probably about

0:30:20.400 --> 0:30:21.680
<v Speaker 3>two very large cups.

0:30:21.760 --> 0:30:28.120
<v Speaker 1>Okay, uh, it's called rapid fire. Rapid fire.

0:30:31.120 --> 0:30:32.360
<v Speaker 3>It's a tangent.

0:30:34.200 --> 0:30:36.840
<v Speaker 1>You team Logan, Team Jess from.

0:30:39.080 --> 0:30:40.640
<v Speaker 3>You're not going to get a quick answer.

0:30:40.400 --> 0:30:44.400
<v Speaker 1>From all right, So we'll rename the we'll rename this.

0:30:44.840 --> 0:30:47.640
<v Speaker 1>Are you Team Logan, Team Jess or Team Dean? If

0:30:47.720 --> 0:30:49.600
<v Speaker 1>you have any idea what that means?

0:30:50.480 --> 0:30:54.080
<v Speaker 3>I don't. Oh, is that is that one of the girls?

0:30:54.320 --> 0:30:58.200
<v Speaker 1>Yes? Yes, okay, so I guess.

0:30:58.000 --> 0:30:59.880
<v Speaker 3>That would be who is the Melissa McCarthy character.

0:31:00.680 --> 0:31:05.560
<v Speaker 1>Uh? So your team Suki? Okay, your team Suki. So

0:31:05.720 --> 0:31:09.560
<v Speaker 1>you think Suki is better suited for Rory as an

0:31:09.560 --> 0:31:13.360
<v Speaker 1>intimate Okay? Great? Uh you're on record now, there's no

0:31:13.440 --> 0:31:18.560
<v Speaker 1>taking it back. I understand we all do. Who is

0:31:18.560 --> 0:31:21.720
<v Speaker 1>your favorite Gilmour Girls couple, Luke and Laurele I or

0:31:21.840 --> 0:31:23.080
<v Speaker 1>Richard and Emily?

0:31:24.400 --> 0:31:25.520
<v Speaker 3>Were you Luke?

0:31:25.920 --> 0:31:26.280
<v Speaker 1>I was?

0:31:26.880 --> 0:31:30.080
<v Speaker 3>Yeah, Luke and Laurel I right?

0:31:30.600 --> 0:31:32.720
<v Speaker 1>I think I still am Luke the last time I checked.

0:31:32.720 --> 0:31:35.320
<v Speaker 1>But I shouldn't refer to as in the past tense,

0:31:35.360 --> 0:31:38.160
<v Speaker 1>but maybe that was the case. What would you order

0:31:38.240 --> 0:31:39.120
<v Speaker 1>at Luke's diner?

0:31:40.200 --> 0:31:44.280
<v Speaker 3>Oh, my gosh, rapid Fire, rapid.

0:31:43.960 --> 0:31:51.640
<v Speaker 1>Fire, Jackson or Taylor for the town selectmen?

0:31:53.200 --> 0:31:54.680
<v Speaker 3>Oh, I gotta refresh.

0:31:56.200 --> 0:31:58.440
<v Speaker 1>You would you would want? You would want Taylor? Just

0:31:58.480 --> 0:32:02.080
<v Speaker 1>say Taylor, Taylor, Taylor? Good good answer, good answer. Would

0:32:02.120 --> 0:32:05.400
<v Speaker 1>you rather listen to hep Alien or the Troubadour's cover

0:32:05.520 --> 0:32:11.280
<v Speaker 1>songs of Troubadour's covers? Good answer? Your nallon Harvard or Yale?

0:32:12.360 --> 0:32:13.400
<v Speaker 3>Harvard?

0:32:13.440 --> 0:32:18.360
<v Speaker 1>Of course? Uh? What's Rory's bigger mistake? Crashing the car

0:32:18.480 --> 0:32:22.520
<v Speaker 1>her boyfriend built for her or sleeping with her ex

0:32:22.760 --> 0:32:24.840
<v Speaker 1>who is married? And by the way, they happen to

0:32:24.880 --> 0:32:27.640
<v Speaker 1>be the same person. So what's the bigger mistake? The

0:32:27.680 --> 0:32:34.880
<v Speaker 1>car crash or the uh the uh? Okay, the sleeping

0:32:35.000 --> 0:32:40.240
<v Speaker 1>with the x Okay, yes you're and you're correct about that. Uh?

0:32:40.320 --> 0:32:43.400
<v Speaker 1>Who from Gilmour? Would you not want to be stuck

0:32:43.480 --> 0:32:44.520
<v Speaker 1>on a desert island?

0:32:45.920 --> 0:32:51.440
<v Speaker 3>Oh? I think all the characters were wonderful. Wasn't the

0:32:51.600 --> 0:32:54.360
<v Speaker 3>father of the lore Lies dad? Wasn't he a little Uh?

0:32:55.320 --> 0:32:56.920
<v Speaker 3>Wasn't he a little cantankerous?

0:32:57.040 --> 0:32:57.680
<v Speaker 1>Yea a little bit?

0:32:58.440 --> 0:32:59.400
<v Speaker 3>Yeah? Maybe him?

0:32:59.440 --> 0:33:03.640
<v Speaker 1>So maybe Shell, the snooty French concierge at the dragonfly In.

0:33:04.360 --> 0:33:09.200
<v Speaker 3>I guess so, yes, Michelle, I don't know. It just

0:33:09.200 --> 0:33:09.720
<v Speaker 3>came to me.

0:33:10.160 --> 0:33:12.040
<v Speaker 1>I'm about to see him, so I wanted to get

0:33:12.040 --> 0:33:15.760
<v Speaker 1>that and so I have something over. I love this game.

0:33:16.280 --> 0:33:21.480
<v Speaker 1>This is awesome. Uh something in your life? You are

0:33:21.680 --> 0:33:22.400
<v Speaker 1>all in.

0:33:22.600 --> 0:33:27.600
<v Speaker 3>On being a father and a husband.

0:33:27.640 --> 0:33:30.640
<v Speaker 1>There you go, all right, Steven, it was a pleasure,

0:33:31.880 --> 0:33:34.400
<v Speaker 1>and uh, we'd love to have you back on. I

0:33:34.480 --> 0:33:36.680
<v Speaker 1>got a million more things I want to talk with

0:33:36.760 --> 0:33:41.480
<v Speaker 1>you about. But anyway, best of luck to you and

0:33:42.320 --> 0:33:46.000
<v Speaker 1>keep on keeping on, brother. Thank you, thank you, thank

0:33:46.080 --> 0:33:50.120
<v Speaker 1>you for apologies for oh no worries, but thank you,

0:33:50.160 --> 0:33:54.320
<v Speaker 1>thank you for sharing uh these these very warm and

0:33:54.400 --> 0:33:55.800
<v Speaker 1>very intimate stories your father.

0:33:56.440 --> 0:33:58.320
<v Speaker 3>Oh, it's my pleasure and he'd be thrilled.

0:33:58.880 --> 0:34:24.279
<v Speaker 1>Thank you so much and enjoy your day, right, take care,

0:34:33.280 --> 0:34:36.319
<v Speaker 1>hey everybody, and don't forget follow us on Instagram at

0:34:36.640 --> 0:34:40.759
<v Speaker 1>I Am all In podcast and email us at Gilmore

0:34:40.800 --> 0:34:44.759
<v Speaker 1>at iHeartRadio dot com. Oh you're Gilmore friends. If you're

0:34:44.760 --> 0:34:46.560
<v Speaker 1>looking for the best cup of coffee in the world,

0:34:46.680 --> 0:34:50.600
<v Speaker 1>go to my website from my company Scottip dot com

0:34:50.680 --> 0:34:53.040
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0:34:53.200 --> 0:35:01.280
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