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Speaker 1: Hi, I'm Kristin Davis, and I want to know are

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Speaker 1: you a Charlotte? Welcome back everybody to Are You a Charlotte?

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Speaker 1: Part two? She is returning Jenny Vicks. She wrote the

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Speaker 1: incredible episode Frenemies. Thanks for joining us. Here we go.

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Speaker 1: It is just such a funny thing to think back

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Speaker 1: on what we had, and you know, sometimes you think, like,

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Speaker 1: did we really fully appreciate what we had? I think

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Speaker 1: about this my son a lot.

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Speaker 2: I think about a lot, especially when I watched the

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Speaker 2: episodes again, and I think, right, how lucky were we?

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Speaker 2: And I think towards the end, I mean, I know,

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Speaker 2: from my perspective, by season six, I think I was

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Speaker 2: really appreciating. I was like, oh man, this is going

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Speaker 2: to end like we and how special and how amazingly

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Speaker 2: we got to be on that ride?

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Speaker 1: Yeah yeah, yeah, and who knew the ride would continue?

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Speaker 1: You know, it was a it was a ride, and yes,

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Speaker 1: it was a ride for sure. I mean it was

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Speaker 1: also I mean I didn't want it to end. You know,

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Speaker 1: I'm not telling anyone anything that one doesn't know. I

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Speaker 1: never wanted to end, but like I I, you know,

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Speaker 1: and it's such a living thing. I feel like and especially.

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Speaker 1: I'm also rewatching it, as you know, right, and it's

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Speaker 1: so fascinating to rewatch it because it's really interesting and

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Speaker 1: good and surprising. Even having been in it the first

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Speaker 1: time during of saying, like, it holds up just so

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Speaker 1: incredibly well.

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Speaker 2: Way better than I you know, had I not started

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Speaker 2: watching it again because of you, I think I would

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Speaker 2: have been scared to watch some of the episodes. And

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Speaker 2: I think there probably are some that are not holding

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Speaker 2: up as well.

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Speaker 1: No, you know what it is, Jenny, this is what

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Speaker 1: it is. Because I thought that was going to be

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Speaker 1: true too. There are moments, there are moments or like

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Speaker 1: scenes where you're like, oh, you know what I mean.

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Speaker 1: But it's very little, Like I have to say for myself,

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Speaker 1: it's less than I expected.

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Speaker 2: Well, I think that's bearing itself out. I mean, people,

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Speaker 2: kids are kids above the age of sixteen whatever are

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Speaker 2: finding the show. You know, people are finding the show. People.

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Speaker 1: We love it.

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Speaker 2: Many you show people are sending me memes that I

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Speaker 2: never knew existed. Dad. I'm like, Okay, that's.

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Speaker 1: I know it.

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Speaker 2: I know it.

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Speaker 1: I love it too. I love it too. It's really

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Speaker 1: really fun and it's fun because I mean, I don't

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Speaker 1: know do you did you watch Overcompensating to Overcompensating? Did

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Speaker 1: you know that Benny has some podcast called Ride and

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Speaker 1: Benny has been on the podcast. We love him very

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Speaker 1: much And one of his lines that he says all

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Speaker 1: the time is my line that I say to Kyle,

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Speaker 1: I'm your wife and I'm sexual and I love you.

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Speaker 1: Like he just randomly says this.

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Speaker 2: It's like so funny.

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Speaker 1: And when he came on, I was like, why, how

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Speaker 1: and why did this become like your thing? And he

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Speaker 1: was just because it's so good, and I was like, okay, wow, wow, Yeah.

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Speaker 2: You just don't know when someone's going to pick up something.

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Speaker 2: By the way, also starring in over Compensating Holmes who

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Speaker 2: started in Welcome to Flatch, my show that hom Fox

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Speaker 2: for two seasons. Prite is amazing, amazing she does And

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Speaker 2: what I love and Overcompensating is she's completely different than

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Speaker 2: what she did in Flatch, Like that is so true,

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Speaker 2: Blond and Overcome.

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Speaker 1: She's incredible.

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Speaker 2: She's incredible. She's incredible. So yes, I do love that

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Speaker 2: the show has been has been refound, but it gives

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Speaker 2: me such I don't want to say painful nostalgia, but

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Speaker 2: it is. It's like you long for that, like I

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Speaker 2: long to be back in that writer's room with us.

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Speaker 2: And the good news is, I'm we're all quite close

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Speaker 2: and we see each other, so in some ways we're

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Speaker 2: still in the room together. But it's thank god, it's

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Speaker 2: not the same.

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Speaker 1: No. I mean, look, we went and did a whole

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Speaker 1: other show so we could work together. Do you know

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Speaker 1: what I mean?

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Speaker 2: You just keep it going. It's like you want that, I.

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Speaker 1: Really do, I know. And then they ended that show

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Speaker 1: and I was like, why, I'll feel the same way,

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Speaker 1: even though intellectually I know kind of why, but I'm

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Speaker 1: just like, but come on, guys, why let's do something else,

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Speaker 1: Like that's how I feel.

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Speaker 2: And you know, you try to explain the feeling to

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Speaker 2: like for us to other writers, like what it's like

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Speaker 2: to be in a room like we were in, and

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Speaker 2: you can't really explain it because it was it was

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Speaker 2: so finely curated, like Michael did such a good job

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Speaker 2: of kind of knowing just kind of knowing what each

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Speaker 2: person was going to bring in there and and making

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Speaker 2: it a safe place to be. Even though Michael one

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Speaker 2: of my dearest friends. You know, I love you, Michael.

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Speaker 2: Michael hibariously as you know, he's a complicated, discerning writer. Yes,

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Speaker 2: he's going to tell you it's oh, yes, working, Yes,

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Speaker 2: and he's going to be right ninety percent of the time.

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Speaker 2: Is gonna be right, right, right, And if it's not,

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Speaker 2: he'll admit it ultimately. But he who could handle him,

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Speaker 2: who could work in the system where we would get

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Speaker 2: the best out of everybody, and we did, and so

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Speaker 2: we still it's but it's this feeling of like you

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Speaker 2: want to go home again, like you I agree, you

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Speaker 2: want to go home, and you know, we had it

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Speaker 2: was a tough you know, shooting was really tough, Like

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Speaker 2: I think we probably I don't know if we talked

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Speaker 2: about this last time, but there was a point or

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Speaker 2: if you talked about it with other people where we

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Speaker 2: were shooting three different episodes at the same time.

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Speaker 1: Oh at least no, I think it was like six.

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Speaker 1: At one point.

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Speaker 2: Well, we had two shirts for A B and same

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Speaker 2: for that.

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Speaker 1: It was the end of this third season, I think yes,

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Speaker 1: because it was such an ambitious season, right, and then

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Speaker 1: we had all those unfinished parts at the end, and

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Speaker 1: we just took over all of the stages at Silver

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Speaker 1: Cup and we had to have crew and the T

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Speaker 1: shirts for which group they were on, so they knew

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Speaker 1: where to go.

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Speaker 2: I was thinking, and I was reminded of this only

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Speaker 2: because you don't want to show how hard, like right

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Speaker 2: you you all worked so hard, like we really did

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Speaker 2: a moment where not only were we and this was

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Speaker 2: a newer thing by the way, for film people who

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Speaker 2: may be listening slash watching like to crossboard episodes. It

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Speaker 2: wasn't it wasn't done in TV, right, it was done

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Speaker 2: out of order in film. But what we were asking

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Speaker 2: you all to do, just on a regular basis was

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Speaker 2: to shoot two episodes at the same time. And now

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Speaker 2: suddenly it's three episodes. You got to remember where your

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Speaker 2: mind is at character wise, how are you feeling, and

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Speaker 2: you've got to get get in that set and go shoot.

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Speaker 2: And it's like it's true and people are running around

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Speaker 2: with T shirts that say A, B and C. And

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Speaker 2: you think it was hard people, but the blood and

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Speaker 2: sweat shows like.

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Speaker 1: I agree, I agree totally. I think the thing and

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Speaker 1: we have talked about it. I mean, we've talked about

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Speaker 1: the hours because the hours were like fully fully bonkers.

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Speaker 1: We were younger, thank god, but the hours were fully insane.

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Speaker 1: You know, we saw so many sunrises, so many sunrises

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Speaker 1: that you know you lost track. But the thing too,

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Speaker 1: I mean, like just for everyone who doesn't know what

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Speaker 1: crossboarding means, because I have talked about this, but I

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Speaker 1: don't know if I explained it's when. So normally, if

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Speaker 1: you were doing a film, right, you know the whole script,

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Speaker 1: you know, like from page one till page one thirty

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Speaker 1: one or whatever it is, and you might shoot it

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Speaker 1: out of order, but you know everything that's in it.

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Speaker 1: So as an actor, you can prepare. And you might

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Speaker 1: have one scene because of the location that has to

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Speaker 1: be filmed early that comes late in the film, but

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Speaker 1: you can get ready. You can mentally prepare what that

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Speaker 1: means for you to do in terms of the character's

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Speaker 1: arc of that film. And then with television, depending on

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Speaker 1: the type of show, right, and we really broke out

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Speaker 1: of the boundaries of the type of show that we

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Speaker 1: were is really what we're saying.

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Speaker 2: We were.

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Speaker 1: We were a single camera comedy. Sometimes people call it

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Speaker 1: a sitcom, which I find like wrong, no, because the

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Speaker 1: sitcom means that it's a situational comedy at a place

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Speaker 1: like Friends was a situational comedy. It's at the what's

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Speaker 1: it called the coffee Place, Central Perk. Thank you so much,

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Speaker 1: Jenny Bitts.

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Speaker 2: I can't remember the line I wrote that the atole says, okay.

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Speaker 1: That's okay, that's okay, we'll get we'll get there because

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Speaker 1: you wrote you wrote so many of our episodes. Fine, yeah, yeah, yeah,

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Speaker 1: but they so then, so what we needed to do

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Speaker 1: because we were filming in New York was we had

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Speaker 1: to crossboard, which means crossboarding locations. Our schedule is crossboarded,

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Speaker 1: so it's two episodes at once with one director and

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Speaker 1: one DP, which was important because the other director for

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Speaker 1: the next episode is scouting with the other DP. It's

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Speaker 1: a very complex world that someone's running John Melfie, you know, amazingly,

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Speaker 1: and we are like parts of it, but we're not

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Speaker 1: in charge of it. And so you've got two episodes

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Speaker 1: happening simultaneously, and you're having to remember where you are

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Speaker 1: and what's happened to you. But then sometimes when we

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Speaker 1: would get behind and we would have four and or

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Speaker 1: at the end of this season, I think it's six

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Speaker 1: because it's two, two and two, right, it's like so

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Speaker 1: so many, do you know what I mean?

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Speaker 2: I don't recall shooting six episodes that one night.

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Speaker 1: No, no, you're right, not in one night, like over

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Speaker 1: a couple of days. But some of it was really minor,

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Speaker 1: like if you had a phone call, remember we would

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Speaker 1: do inserts of your hands with the phone, so you'd

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Speaker 1: have to run over. We were on this stage the

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Speaker 1: old bread factory called Silver Cup, which if anyone's ever

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Speaker 1: driven over the fifty ninth Street bridge in New York,

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Speaker 1: you see it to the right at Long Island, the city.

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Speaker 1: We were there, that was our home, and we had

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Speaker 1: all the stages and the actors. We would just be like,

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Speaker 1: where do we go now? And we'd have to go

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Speaker 1: to our trailer, change into what we wore like three

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Speaker 1: months ago, go to you know, stage four and hold

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Speaker 1: a phone and have to hit a mark to get

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Speaker 1: an insert that we had forgotten to get or hadn't

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Speaker 1: had time to get on the day that we'd film

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Speaker 1: the scene back then. So it was like just chaos,

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Speaker 1: but not unlike the end of shooting and just like

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Speaker 1: that because I'd gotten COVID and also we had all

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Speaker 1: kinds of location drama, as you know we always do

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Speaker 1: in New York. I think towards the end, like the

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Speaker 1: last schedule, I think I was filming parts of six

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Speaker 1: different episodes.

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Speaker 2: See that's that's insanity.

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Speaker 1: It was insanity, but I'd gotten COVID, so I couldn't.

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Speaker 1: It was partly my fault. I mean, not this's your

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Speaker 1: fault that you get it, but you know what I'm saying.

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Speaker 1: But you know what I mean, like the you know

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Speaker 1: when I tell I finally confess that Harry has cancer

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Speaker 1: to carry that scene was where I was supposed to

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Speaker 1: film the day that I got COVID.

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Speaker 2: Oh my god.

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Speaker 1: And I was so ready. You know when you've prepared

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Speaker 1: it as an actor and you're so emotionally ready. I

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Speaker 1: was so ready. And then at like four in the morning,

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Speaker 1: I woke up and I thought my air conditioning had

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Speaker 1: broken because I was so hot. Oh no, never a

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Speaker 1: good sign. So we had to punt it. But we

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Speaker 1: needed like a CVS or Duyne weed or whatever it was.

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Speaker 1: It went all the way to the end, which was

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Speaker 1: like three months later, and I was like, oh my god,

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Speaker 1: do I have it? Do I remember? Do I know? Oh?

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Speaker 2: Lord? It was some something else. It's it's it is amazing.

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Speaker 2: And look shout out to any anyone and everyone who

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Speaker 2: handled continuity on our show. Oh my godness, It's very

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Speaker 2: rare that you'll watch an episode and be like, wait

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Speaker 2: a minute, why is you know Charlotte's sweater nodded a

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Speaker 2: little differently?

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Speaker 1: Oh no, I have never thought that. It's amazing.

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Speaker 2: It's hard to really convey how hard that would be

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Speaker 2: on a show like ours, where there were so many

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Speaker 2: moving parts.

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Speaker 1: So many details, so many details, hair and makeup, hair.

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Speaker 2: And makeup, but that all of that. Thankfully, all of

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Speaker 2: you were good with your own continuity, like we're inter

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Speaker 2: it man. Oh I picked up my drink.

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Speaker 1: Oh god, yes, and took the coffee shops, the coffee

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Speaker 1: shops shops.

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Speaker 2: The fact that there's not any airing errors is really

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Speaker 2: a testament to every all our crew. Absolutely, we had

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Speaker 2: the very best crew in New.

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Speaker 1: York, the very best crew in New York, I know,

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Speaker 1: and the very best editors.

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Speaker 2: And the very best editor. We really kind of had

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Speaker 2: the best, because good things attract good people.

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Speaker 1: Did we leave out any major storylines that we should

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Speaker 1: talk about?

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Speaker 2: Well, we didn't really talk about the learning annext thing,

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Speaker 2: but I.

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Speaker 1: Think, oh yeah, oh god, so so anxiety provoking anxiety?

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Speaker 1: Was that based on you guys, or was that based

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Speaker 1: on like a Candice Bushnell type of a situation.

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Speaker 2: Well, it was. It was a combo played right, because

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Speaker 2: we would talk a lot in the room about how

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Speaker 2: and I'm sure this happened for you too, that when

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Speaker 2: you write or appear in a show like Sex and

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Speaker 2: the City, people assume that you know a lot about

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Speaker 2: really relationships. So people would come to us as writers

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Speaker 2: and be like, what do I do about this? What

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Speaker 2: do I do about it? And we're like, do you

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Speaker 2: understand we're writing about the situations we're in, Like we

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Speaker 2: were all definitely single, like some of us could keep

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Speaker 2: a relationship going. So the idea that people saw us

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Speaker 2: us as experts was hilarious to us, and so we

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Speaker 2: wanted to take that and really literally put it up

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Speaker 2: on stage. And then it became also the kind of

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Speaker 2: the candae of it, and and I think somebody had

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Speaker 2: done attit. I don't think any one of us were

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Speaker 2: asked specifically to do a learning annex about being single,

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Speaker 2: but occasionally we would do panels and things like that,

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Speaker 2: and yeah, would get sure questions and we're like, we

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Speaker 2: don't know, and that's why we write about it.

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Speaker 1: Absolutely, Oh my gosh.

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Speaker 2: But it was fun to see and also if you

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Speaker 2: look in that crowd. You'll see a number of actors

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Speaker 2: that you have. Then we'll have seen another thing since then.

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Speaker 2: Like I really shout out as well to there was

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Speaker 2: no small parts in this.

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Speaker 1: Show, Oh for sure. Yeah. I have a list somewhere

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Speaker 1: of all these people. Let me find it. I mean,

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Speaker 1: I was kind of amazed. I didn't realize I wasn't

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Speaker 1: there for that day, right obviously, but I mean it

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Speaker 1: was really fun to watch it, and I hadn't remembered this,

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Speaker 1: not one little bit. Okay.

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Speaker 2: Wait.

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Speaker 1: Catherine Curtin guest stars as Girl Number two in the

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Speaker 1: Learning Seminar. Asking a question she's now known for playing

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Speaker 1: Joanne on Insecure, Claudia Ye, Dustin's mother on Stranger Things, Wow,

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Speaker 1: Wanda Bell on Oranges and The New Black Cool, Rebecca discussed.

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Speaker 2: Yes she was one of your one of myself.

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Speaker 1: Yes I know she is. Yes, yes, yes. She played

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Speaker 1: Brenda on The Mentalist, Evelyn on Devious Maids, and Marge

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Speaker 1: on For All Mankind. Pull Jim is played by a

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Speaker 1: guy named Dominic Fumosa, who is now known for playing

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Speaker 1: Kevin on Hers Detective on Goliath, Pete on Cop in

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Speaker 1: The Purge, and he was on divorce. Wow, Oh my god,

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Speaker 1: did you did you realize that? Yes, yeah, Oh my god.

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Speaker 1: It's incredible. And there's there's more. There's more. I mean,

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Speaker 1: there's like long, long lists. It's impressive.

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Speaker 2: It's so fun to see to see that because, as

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Speaker 2: we've discussed in the past, but at the time that

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Speaker 2: we were shooting in New York, the only shows really

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Speaker 2: were cop shows shooting there. So we were able to

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Speaker 2: suddenly take advantage of all these fantastic performers who weren't

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Speaker 2: necessarily cop show people who maybe could tonally do some

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Speaker 2: more lighter comedy, and then they get to go on

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Speaker 2: and do amazing other things.

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Speaker 1: Absolutely, absolutely, I remember. I remember that whole part of it.

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Speaker 1: I remember walking around like we were on location and

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Speaker 1: we were walking somewhere and we'd run into actors on

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Speaker 1: the street and they'd be like, oh, I just read

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Speaker 1: for blah blah blah. You know, it was just such

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Speaker 1: a fun community feeling, you know, that everybody wanted to

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Speaker 1: be on the show, and that there were so many parts,

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Speaker 1: and you know, the guys had to go back to

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Speaker 1: call back after callback and they were all slightly traumatized,

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Speaker 1: you know, which was entertaining.

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Speaker 2: We would but not illegally.

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Speaker 1: No, no, not illegally at all, just they were not

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Speaker 1: used to being in that position. Yes, yes, yes, yes,

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Speaker 1: I did a tiny part before Melrose on Er the

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Speaker 1: first season of VR, and I might have had I

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Speaker 1: don't know, five lines, but it was with Clooney.

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Speaker 2: And I believe what did you play?

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Speaker 1: I'm a like a I feel like I was a mom,

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Speaker 1: but I don't remember child, so I'm not one hundred

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Speaker 1: percent sure. I just really remember George. Okay, I don't

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Speaker 1: remember hardly anything but that, though I do remember young

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Speaker 1: Noah because I had so it was so much fun

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Speaker 1: and you could feel the energy and that they were

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Speaker 1: doing things differently as well, and it was one of

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Speaker 1: their really big I was in just a little get a,

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Speaker 1: you know, in a he was my doctor, right, and

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Speaker 1: I can't remember nothing horrible had happened to me, right,

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Speaker 1: I was just like flirting with him. That that was

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Speaker 1: my role. It was great. But they were doing one

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Speaker 1: of their big scenes beforehand where they're all the main

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Speaker 1: characters are walking through and talking their you know, medical jargon,

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Speaker 1: and they did thirty six takes and I remember just

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Speaker 1: being like so impressed, right, and George and Noah were

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Speaker 1: playing in the wheelchairs and like ramming into each other

347
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Speaker 1: like boys but having the best time. And they were

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Speaker 1: just really into it, and everybody was so happy to

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Speaker 1: be there. And the blocking itself of the it was

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Speaker 1: like a steady cam shot and the blocking of everyone

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Speaker 1: with the jargon. I was like, man, this is a

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Speaker 1: hard job. It's like so exciting. Why did I tell

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Speaker 1: that story?

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Speaker 2: Oh?

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00:17:43,800 --> 00:17:46,880
Speaker 1: Because I had had to go to four four callbacks

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Speaker 1: for that part of like five lines.

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Speaker 2: Wow. And also again people will look at that and go,

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Speaker 2: oh my god, christ Davis had five lines in er

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Speaker 2: and then she goes on to be this big star.

360
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Speaker 2: Like there's this moment everybody, you know, everyone starts with

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Speaker 2: their couple lines.

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Speaker 1: Oh, for sure, and you're so excited. You know, you're

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Speaker 1: so excited to get those couple of lines.

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Speaker 2: You know, we're gonna have to pull up the film

365
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Speaker 2: on this. I move. Oh we can.

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Speaker 1: It's great. It's great. George's got the funny hair. It's

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Speaker 1: very adorable. It was great. It was great. And the

368
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Speaker 1: thing that was really nice for me, I'll just go

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Speaker 1: ahead with the name dropping since I'm deep in already.

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Speaker 1: He at that point had been working for so long, right,

371
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Speaker 1: like kind of toiling, you know what I'm saying. And

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Speaker 1: he also was smart enough to know that this was

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Speaker 1: his moment. His moment was here, and he had such

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Speaker 1: a great, great attitude about it, and he was such

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Speaker 1: a kind of like a like a teacher in a sage,

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Speaker 1: Like you could ask him, like I would call him

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Speaker 1: and be like, you know, I got Melrose and I'm

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00:18:46,160 --> 00:18:48,200
Speaker 1: so nervous and what should I do? And he knew everyone,

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Speaker 1: and he'd be like, this is what you should do.

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Speaker 1: You know, you need to think about you know, blah

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Speaker 1: blah blah and blah blah blah blah blah blah, but

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Speaker 1: don't think about all those other things, you know, Like

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Speaker 1: he could really he was like a coach, you know

384
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Speaker 1: what I'm saying.

385
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Speaker 2: Oh wild, Like I would I love that and I

386
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Speaker 2: love knowing that because I would never put you two

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Speaker 2: together as like mentor mentee.

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Speaker 1: I mean, yeah, he's not that much older than me,

389
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Speaker 1: but he'd just been in it for so long, you know,

390
00:19:10,359 --> 00:19:14,440
Speaker 1: and he's so smart about it all, even like back then,

391
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Speaker 1: like he'd just been observing and observing and observing, you know,

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Speaker 1: and had like so many wise things like there's this

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Speaker 1: thing that when you're an unemployed actor and you're going

394
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Speaker 1: to all the auditions. You would be like bitter about

395
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Speaker 1: whoever got your part right. You'd be like that person

396
00:19:29,920 --> 00:19:32,359
Speaker 1: got my part, and he would talk about like that

397
00:19:32,520 --> 00:19:35,640
Speaker 1: is just the wrong thinking. Altogether, you're going to get

398
00:19:35,640 --> 00:19:38,520
Speaker 1: what's meant for you and you didn't lose that part.

399
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Speaker 1: You never had that part. You just want to be

400
00:19:41,320 --> 00:19:45,080
Speaker 1: in the mix. Like he was like that, like so wise, right,

401
00:19:45,560 --> 00:19:45,880
Speaker 1: I know.

402
00:19:46,480 --> 00:19:51,199
Speaker 2: All him now, and just see what the advice he

403
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Speaker 2: wants to give.

404
00:19:51,960 --> 00:19:53,679
Speaker 1: Oh, I'm sure he would have advice. I think this

405
00:19:53,720 --> 00:19:56,000
Speaker 1: man would always have advice. But the thing that if

406
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Speaker 1: I called him now, I would tell him how much

407
00:19:58,040 --> 00:20:00,439
Speaker 1: I love Ja Kelly, and that I that I've did.

408
00:20:00,520 --> 00:20:03,840
Speaker 1: You watch Jake Kelly. I love the end of Jake

409
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Speaker 1: Kelly so much. I loved all of it, but like

410
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Speaker 1: that scene where he's watching himself, it's so beautiful.

411
00:20:10,480 --> 00:20:13,600
Speaker 2: And I'm sure too as an actor, there's also relatability

412
00:20:13,680 --> 00:20:16,720
Speaker 2: to kind of where you belong in this, in this ecosystem.

413
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Speaker 2: And yeah, he's I mean, he can do no wrong.

414
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Speaker 1: In my book, I agree, I agree one and I'm

415
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Speaker 1: so lucky I got to be there and watch it

416
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Speaker 1: and I love to watch Noah and I love to

417
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Speaker 1: watch the Pit because it's like.

418
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Speaker 2: It's just beautiful, it's great.

419
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Speaker 1: We talked about the scary blow job. I mean, Jenny

420
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Speaker 1: very brilliantly talked about how Samantha had to be al

421
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Speaker 1: Samantha as Charlotte had to learn that she was the Samantha,

422
00:20:51,440 --> 00:20:53,760
Speaker 1: like their counterpoints, and then we get to have that

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Speaker 1: nice phone call together. I mean that that was a lot.

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Speaker 1: I had forgotten the details of the Samantha story lion

425
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Speaker 1: we I was like, oh my god.

426
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Speaker 2: That's you know, even even Samantha has a line show across. Yeah,

427
00:21:06,680 --> 00:21:09,360
Speaker 2: I'm not I don't have to go under a table

428
00:21:09,640 --> 00:21:13,280
Speaker 2: because that's about her sexuality, which I always appreciated. It

429
00:21:13,320 --> 00:21:18,520
Speaker 2: was never prurient, it was never like for show. It

430
00:21:18,680 --> 00:21:24,880
Speaker 2: was true, it was never needy. It was always what

431
00:21:24,960 --> 00:21:28,479
Speaker 2: she needed, but not needy. And this was needy and

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Speaker 2: she saw that like she's a shame of like, oh,

433
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Speaker 2: you don't want to be that. You don't want to

434
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Speaker 2: be that person who has to give a blow job

435
00:21:37,000 --> 00:21:40,000
Speaker 2: under a table because you you feel like this guy

436
00:21:40,119 --> 00:21:42,960
Speaker 2: may not stick around. You know, there is that yeah,

437
00:21:43,280 --> 00:21:46,760
Speaker 2: oh my gosh, that from that gal who also, that's.

438
00:21:46,640 --> 00:21:49,320
Speaker 1: A good point. Yeah, she did, she did. I mean

439
00:21:49,359 --> 00:21:52,560
Speaker 1: the thing about Samantha that I do love rewatching it

440
00:21:52,600 --> 00:21:57,560
Speaker 1: is the the power of her freedom. You know, she's powerful,

441
00:21:57,640 --> 00:22:01,160
Speaker 1: she's not needy, and she's like some of my favorite episodes,

442
00:22:01,440 --> 00:22:03,800
Speaker 1: just the La. Was it that one of the LA

443
00:22:04,280 --> 00:22:06,680
Speaker 1: I love when she's just purely like a guy, you know,

444
00:22:06,760 --> 00:22:09,800
Speaker 1: the LA guy who's the porn model, the dildo model,

445
00:22:10,080 --> 00:22:12,199
Speaker 1: and he tries to talk to her about himself and

446
00:22:12,240 --> 00:22:14,879
Speaker 1: she's like no, and then he reads her the poetry

447
00:22:15,119 --> 00:22:16,320
Speaker 1: and she dying.

448
00:22:16,800 --> 00:22:17,520
Speaker 2: I mean, I just.

449
00:22:17,520 --> 00:22:19,919
Speaker 1: Love those episodes. Oh my god, I.

450
00:22:20,000 --> 00:22:23,320
Speaker 2: Can talk about those. I mean, that was so wild

451
00:22:23,320 --> 00:22:24,920
Speaker 2: to shoot in La tell Us.

452
00:22:24,960 --> 00:22:26,360
Speaker 1: Do you remember what do you remember?

453
00:22:26,560 --> 00:22:29,120
Speaker 2: Well? So I wrote the Playboy Mansion.

454
00:22:29,400 --> 00:22:31,240
Speaker 1: Oh right, Oh my god, that's a.

455
00:22:31,240 --> 00:22:34,520
Speaker 2: Whole other like, we don't have time to cover it now.

456
00:22:34,600 --> 00:22:35,720
Speaker 1: You should have called you.

457
00:22:36,520 --> 00:22:37,520
Speaker 2: Oh who did you talk to?

458
00:22:37,800 --> 00:22:40,120
Speaker 1: We talked to what's your name?

459
00:22:40,160 --> 00:22:40,520
Speaker 2: Madison?

460
00:22:40,960 --> 00:22:41,800
Speaker 1: Holly Madison.

461
00:22:42,080 --> 00:22:43,520
Speaker 2: Oh well that's pretty good too.

462
00:22:43,800 --> 00:22:45,840
Speaker 1: It was good. It was interesting. She had a lot

463
00:22:45,840 --> 00:22:48,800
Speaker 1: of interesting things to say. But I also and we

464
00:22:48,840 --> 00:22:52,239
Speaker 1: talked to Jennifer lice Cox who's in the other one. Yes, right,

465
00:22:52,359 --> 00:22:53,440
Speaker 1: or she in that same one.

466
00:22:53,800 --> 00:22:55,480
Speaker 2: She's in the other one, right, I mean they.

467
00:22:55,359 --> 00:23:01,960
Speaker 1: Blend in my mind, they're one. Vaughn Vince, amazing Vince.

468
00:23:01,960 --> 00:23:04,280
Speaker 1: But tell me because I want to know what you remember.

469
00:23:04,960 --> 00:23:07,040
Speaker 2: I remember. Here's what I remember. This is one of

470
00:23:07,040 --> 00:23:11,160
Speaker 2: the lines that you know, looking at these women in

471
00:23:11,200 --> 00:23:14,320
Speaker 2: the in the hot tub and coming up with the

472
00:23:14,440 --> 00:23:18,359
Speaker 2: word tit soup, you know, is still like that's something

473
00:23:18,359 --> 00:23:20,480
Speaker 2: that people quote back to me. Look, it's tit soup,

474
00:23:21,880 --> 00:23:24,720
Speaker 2: you know what. Hanging out with Hugh Hefner all night

475
00:23:24,920 --> 00:23:26,800
Speaker 2: like it was like mind blow. It was one of

476
00:23:26,840 --> 00:23:29,080
Speaker 2: those moments where you realize we're in a whole other.

477
00:23:30,640 --> 00:23:33,400
Speaker 2: This is a rarefied air that we are currently in

478
00:23:33,520 --> 00:23:34,919
Speaker 2: and it is not our.

479
00:23:34,880 --> 00:23:37,960
Speaker 1: Normal, Like, no, not at all. Did you go to

480
00:23:38,040 --> 00:23:42,199
Speaker 1: the party at the Playboy mansion? Yeah, because I refused.

481
00:23:42,480 --> 00:23:43,360
Speaker 1: What do you remember?

482
00:23:43,640 --> 00:23:47,120
Speaker 2: Tell me, yes, I remember a lot and I've forgotten

483
00:23:47,160 --> 00:23:49,720
Speaker 2: a lot. But I also remember needing to get because

484
00:23:49,720 --> 00:23:51,440
Speaker 2: it was a pajama party, like you had to wait.

485
00:23:52,000 --> 00:23:58,400
Speaker 2: So I wore like silk purple pajamas and there were

486
00:23:58,640 --> 00:24:01,639
Speaker 2: a number of which you realizes the age of the

487
00:24:01,680 --> 00:24:06,320
Speaker 2: guys was a little scary, like it wasfly you know,

488
00:24:06,920 --> 00:24:11,320
Speaker 2: sixty plus, wow, and very young women. And you would

489
00:24:11,440 --> 00:24:13,960
Speaker 2: kind of go around the corner and see like there

490
00:24:14,000 --> 00:24:17,439
Speaker 2: was definitely stuff happening in the oorgy area and in

491
00:24:17,480 --> 00:24:20,679
Speaker 2: the and in the hotab area, and it was a

492
00:24:20,920 --> 00:24:23,480
Speaker 2: it look, it was a fun party. I remember dancing.

493
00:24:23,560 --> 00:24:26,560
Speaker 2: I remember, you know, wow, we're a good party. But

494
00:24:26,640 --> 00:24:29,480
Speaker 2: you didn't want to look too much under the under

495
00:24:29,480 --> 00:24:33,760
Speaker 2: the rug there. But shooting there was a blast and

496
00:24:33,800 --> 00:24:38,240
Speaker 2: shooting that whole EPSA. Despite that was the scary car accident. Yes,

497
00:24:38,440 --> 00:24:41,680
Speaker 2: that is still every minute of that as I'm sure

498
00:24:41,720 --> 00:24:44,000
Speaker 2: it is for you etched in my etched.

499
00:24:43,680 --> 00:24:46,640
Speaker 1: In my mind absolutely. I mean I wasn't in the car, right,

500
00:24:46,680 --> 00:24:49,199
Speaker 1: but I remember having to go and have like like

501
00:24:49,720 --> 00:24:52,919
Speaker 1: emotional support. I was like the emotional support after the

502
00:24:52,960 --> 00:24:55,520
Speaker 1: fact or whatever for the for the and didn't we

503
00:24:55,680 --> 00:24:58,879
Speaker 1: move the car from the scary hill after that happened,

504
00:24:58,880 --> 00:25:02,280
Speaker 1: because what's in on the film they start on like

505
00:25:02,600 --> 00:25:05,760
Speaker 1: a busy, busy street and then they're on a calm Yeah.

506
00:25:06,000 --> 00:25:10,080
Speaker 2: Right, it was just it was, oh, that was so

507
00:25:10,080 --> 00:25:13,760
Speaker 2: so crazy and scary, and you know, standing and watching

508
00:25:13,840 --> 00:25:15,760
Speaker 2: it and not being able to do anything about it,

509
00:25:16,760 --> 00:25:23,480
Speaker 2: and whatever divine thing was happening. Everybody was okay, and right,

510
00:25:23,800 --> 00:25:26,359
Speaker 2: you know, we're probably not going to use this in

511
00:25:26,400 --> 00:25:27,160
Speaker 2: this app, you know.

512
00:25:27,440 --> 00:25:29,280
Speaker 1: Yeah, yeah, it's fine because we've already discussed that.

513
00:25:29,720 --> 00:25:33,200
Speaker 2: But yeah, not something I want to see again.

514
00:25:33,840 --> 00:25:36,080
Speaker 1: No, no, And I mean it does really make you

515
00:25:36,119 --> 00:25:39,640
Speaker 1: think about like sometimes I feel like things on set,

516
00:25:39,760 --> 00:25:43,159
Speaker 1: like as much preparation as there is, sometimes there's just

517
00:25:43,359 --> 00:25:46,200
Speaker 1: you can't prepare enough, and you think it's going to

518
00:25:46,240 --> 00:25:49,080
Speaker 1: be fine, you know, and then suddenly suddenly it's not.

519
00:25:49,280 --> 00:25:50,560
Speaker 1: It's super scary.

520
00:25:50,359 --> 00:25:53,200
Speaker 2: Super scary, and we were really lucky that. I don't

521
00:25:53,200 --> 00:25:57,280
Speaker 2: think anyone do you recall, like ever having a moment

522
00:25:57,320 --> 00:26:00,199
Speaker 2: where like considering the fact that we would often like

523
00:26:00,240 --> 00:26:02,320
Speaker 2: now we wouldn't be able to have like real candles

524
00:26:02,359 --> 00:26:04,760
Speaker 2: and things like that. But like nothing ever as I

525
00:26:04,960 --> 00:26:08,520
Speaker 2: remember lit on fire or you know, no one really

526
00:26:08,520 --> 00:26:11,399
Speaker 2: injured themselves, Like there was so much running in heels.

527
00:26:11,160 --> 00:26:14,399
Speaker 1: Like the no can you imagine. I mean, when I

528
00:26:14,440 --> 00:26:17,919
Speaker 1: watched the one is it? What's the one that I

529
00:26:18,000 --> 00:26:20,160
Speaker 1: just watched where she loses his dog in the village,

530
00:26:21,200 --> 00:26:24,560
Speaker 1: it's so good, but also I mean I really thought

531
00:26:24,600 --> 00:26:26,080
Speaker 1: that dog was going to get hit by a car.

532
00:26:26,280 --> 00:26:30,480
Speaker 1: I was super panicked and then she's wearing like like slides.

533
00:26:30,600 --> 00:26:33,800
Speaker 1: There's not even an ankle strap. What on earth? She

534
00:26:34,000 --> 00:26:36,120
Speaker 1: is a like an Olympic athlete?

535
00:26:36,160 --> 00:26:38,800
Speaker 2: Is she can do anything in a pair of high

536
00:26:38,840 --> 00:26:41,560
Speaker 2: heeled shoes that I don't do this at home because

537
00:26:41,720 --> 00:26:45,720
Speaker 2: now is unbelievable. And she would agree, it's not like

538
00:26:45,760 --> 00:26:49,879
Speaker 2: we sped up the film. She was running shoes all

539
00:26:49,920 --> 00:26:50,280
Speaker 2: the time.

540
00:26:50,280 --> 00:26:53,000
Speaker 1: Insane. You can tell because the people behind her are

541
00:26:53,040 --> 00:26:57,000
Speaker 1: in normal time. Yeah. No, they're like regular people or whatever.

542
00:26:57,480 --> 00:26:59,959
Speaker 2: Just regular, and she's like, you know, a superhero.

543
00:27:00,400 --> 00:27:03,680
Speaker 1: I know, it is incredible. It's incredible. I agree so many.

544
00:27:03,760 --> 00:27:07,800
Speaker 1: I mean, this season in general is incredible. I mean,

545
00:27:07,800 --> 00:27:10,080
Speaker 1: the first two seasons were so much better than I

546
00:27:10,119 --> 00:27:11,800
Speaker 1: what I remembered, which I think I told you last

547
00:27:11,840 --> 00:27:14,359
Speaker 1: time you came. But the third season, in my mind

548
00:27:14,440 --> 00:27:18,800
Speaker 1: had always been like when things just went, like everything

549
00:27:19,000 --> 00:27:23,240
Speaker 1: like clicked in and man rewatching it has not disappointed.

550
00:27:23,359 --> 00:27:26,359
Speaker 2: Yeah, that's so interesting. I definitely think we all felt

551
00:27:26,400 --> 00:27:30,159
Speaker 2: that way that for US season three, suddenly everything clicked.

552
00:27:30,160 --> 00:27:33,320
Speaker 2: You're right, that's exact right where it like everything was

553
00:27:33,440 --> 00:27:38,080
Speaker 2: running on cylinders and like all the all of you

554
00:27:38,119 --> 00:27:41,960
Speaker 2: all were working great together and working great with the material,

555
00:27:42,000 --> 00:27:44,679
Speaker 2: and we were going deep into these storylines that we

556
00:27:44,720 --> 00:27:48,119
Speaker 2: got to tell and it just felt like, oh my god.

557
00:27:48,280 --> 00:27:51,520
Speaker 2: And it was also for us. I think it was

558
00:27:51,600 --> 00:27:53,880
Speaker 2: basically the end of season two beginning of season three

559
00:27:53,880 --> 00:27:58,360
Speaker 2: where people started to really watch as well. So we

560
00:27:58,359 --> 00:28:00,840
Speaker 2: were also going out into the world seeing that people

561
00:28:00,880 --> 00:28:03,919
Speaker 2: were responding. Because, as we've talked about, the first season

562
00:28:03,920 --> 00:28:05,719
Speaker 2: we shot and it didn't even air before we were

563
00:28:05,720 --> 00:28:09,160
Speaker 2: shooting season right, so people think we all the time

564
00:28:09,240 --> 00:28:11,080
Speaker 2: knew that there was going to be this hit and

565
00:28:11,119 --> 00:28:13,000
Speaker 2: we were just having a good time and being like

566
00:28:13,040 --> 00:28:16,640
Speaker 2: this is crazy. Is it totally totally stating on Fifth

567
00:28:16,680 --> 00:28:18,240
Speaker 2: Avenue and everyone's annoyed at us.

568
00:28:18,280 --> 00:28:23,479
Speaker 1: Because definitely, definitely. I was trying to remember when the

569
00:28:23,480 --> 00:28:26,080
Speaker 1: first Globes was because we did do this thing with

570
00:28:26,160 --> 00:28:28,359
Speaker 1: Sarah where we got to give her this the Carol

571
00:28:28,440 --> 00:28:30,240
Speaker 1: Urnett Award, and I was talking to one of the

572
00:28:30,320 --> 00:28:32,880
Speaker 1: ladies from the Hollywood Farm Press, and you know, they

573
00:28:32,920 --> 00:28:37,000
Speaker 1: do kind of consider us their babies in a weird way,

574
00:28:37,560 --> 00:28:40,320
Speaker 1: because remember that time that we went, the first time

575
00:28:40,360 --> 00:28:42,320
Speaker 1: that we went, and then we won, and we're all

576
00:28:42,400 --> 00:28:46,880
Speaker 1: just like, what what what planet did we live on?

577
00:28:47,200 --> 00:28:49,959
Speaker 1: Like wa where are we? Like, we looked at and

578
00:28:50,000 --> 00:28:54,720
Speaker 1: Michael has that long girl I mean, and the goatee, yes,

579
00:28:54,800 --> 00:28:57,080
Speaker 1: all of it. Yeah, my god, I love it so much.

580
00:28:57,280 --> 00:28:59,800
Speaker 2: Time we went. So this is Michael and I call

581
00:28:59,840 --> 00:29:02,680
Speaker 2: this story the crinkle cut Cheese story. And maybe he's

582
00:29:02,720 --> 00:29:06,160
Speaker 2: told this story already, but no. So the first time

583
00:29:06,200 --> 00:29:09,240
Speaker 2: we went to the Globes was when Sarah Jesk was nominated,

584
00:29:09,360 --> 00:29:11,960
Speaker 2: So she was nominated before the show was nominated.

585
00:29:12,160 --> 00:29:14,160
Speaker 1: You didn't remember, okay.

586
00:29:13,840 --> 00:29:17,560
Speaker 2: And I'm going to say that was for season two, Okay,

587
00:29:17,640 --> 00:29:20,560
Speaker 2: And so Michael and I were invited to go to

588
00:29:20,640 --> 00:29:24,000
Speaker 2: Golden Globes. Now we didn't know from going to the

589
00:29:24,000 --> 00:29:27,240
Speaker 2: Golden Globes. We did whatever, and so we tried to

590
00:29:27,280 --> 00:29:29,920
Speaker 2: the Golden Globes in my miata. So that tells you

591
00:29:29,920 --> 00:29:33,520
Speaker 2: to kind of where we're at. Okay, people and we

592
00:29:33,680 --> 00:29:36,440
Speaker 2: park and we walk up to the front and we're like, hello,

593
00:29:36,880 --> 00:29:40,400
Speaker 2: we're here for the Golden Globes and they're like, yeah, no,

594
00:29:40,560 --> 00:29:43,120
Speaker 2: you don't go in the main room. You're going to

595
00:29:43,200 --> 00:29:47,280
Speaker 2: go upstairs. HBO had rented a hotel room because it

596
00:29:47,360 --> 00:29:50,240
Speaker 2: was also so early in the days of nominations at HBO,

597
00:29:50,480 --> 00:29:53,720
Speaker 2: they were they had done the rat Pack. I'm going

598
00:29:53,760 --> 00:29:55,680
Speaker 2: to say mini series, but it maybe yeah, maybe it's

599
00:29:55,720 --> 00:29:56,000
Speaker 2: just ever.

600
00:29:56,080 --> 00:29:57,480
Speaker 1: It was yeah something.

601
00:29:57,720 --> 00:30:01,400
Speaker 2: Yeah, So that is nominated. So because I go up

602
00:30:01,440 --> 00:30:05,280
Speaker 2: to the hotel room and it is a lot of

603
00:30:05,320 --> 00:30:09,520
Speaker 2: the older ladies who had been involved with the rat

604
00:30:09,560 --> 00:30:11,960
Speaker 2: Pack at different times. Wow, they had taken up the

605
00:30:12,000 --> 00:30:14,760
Speaker 2: seating as they should have because they were older, right,

606
00:30:15,360 --> 00:30:19,280
Speaker 2: Michael and myself and Candice Bushnell who had gotten herself

607
00:30:19,320 --> 00:30:21,760
Speaker 2: all dolled up and looked amazing, and we're sitting in

608
00:30:21,800 --> 00:30:24,200
Speaker 2: a hotel room and then on the table while there

609
00:30:24,240 --> 00:30:27,920
Speaker 2: is crinkle cut cheese. Wow, that is now, if you

610
00:30:27,960 --> 00:30:30,600
Speaker 2: would like to know a little insider thing when Michael

611
00:30:30,600 --> 00:30:33,160
Speaker 2: and I say something is a crinkle cut cheese moment.

612
00:30:33,240 --> 00:30:37,280
Speaker 2: It's when you expected to be like really everything and

613
00:30:37,320 --> 00:30:39,720
Speaker 2: you just walk into a hotel room with some crinkle

614
00:30:39,800 --> 00:30:44,959
Speaker 2: cut And now since then we went on to go

615
00:30:45,080 --> 00:30:46,680
Speaker 2: up on stage multiple times.

616
00:30:46,920 --> 00:30:50,800
Speaker 1: Yes, yes, that's adorable. But I like that. I like

617
00:30:50,920 --> 00:30:53,120
Speaker 1: that very much. That's a good story that I had

618
00:30:53,200 --> 00:30:53,640
Speaker 1: never heard.

619
00:30:53,760 --> 00:30:56,600
Speaker 2: Okay, well you can quote the crinkle cut cheese back

620
00:30:56,640 --> 00:30:56,920
Speaker 2: to mind.

621
00:30:57,000 --> 00:30:59,880
Speaker 1: I love it so much. The crinkle cut cheese. Everybody

622
00:31:00,120 --> 00:31:01,040
Speaker 1: we know what it means.

623
00:31:01,080 --> 00:31:03,760
Speaker 2: But you have to remember things start, you know, you

624
00:31:03,840 --> 00:31:07,400
Speaker 2: have to have those moments to really appreciate, like you

625
00:31:07,400 --> 00:31:09,640
Speaker 2: don't just get to go and be the bell of

626
00:31:09,680 --> 00:31:15,880
Speaker 2: the ball, right like, no, it's true. And she looked.

627
00:31:15,960 --> 00:31:17,360
Speaker 2: I remember what she was wearing because it was this

628
00:31:17,440 --> 00:31:23,120
Speaker 2: amazing kind of topey sequinny. I mean she could wear anything.

629
00:31:23,160 --> 00:31:24,040
Speaker 1: You guys, did she win?

630
00:31:24,560 --> 00:31:25,280
Speaker 2: She didn't win?

631
00:31:25,720 --> 00:31:29,520
Speaker 1: Okay, interesting, we had a great time. I'm so glad.

632
00:31:29,720 --> 00:31:31,840
Speaker 1: That's a good story. That's a good story.

633
00:31:32,120 --> 00:31:34,400
Speaker 2: You can't really appreciate getting in through those doors now

634
00:31:34,920 --> 00:31:37,520
Speaker 2: at that table let alone winning until you go to

635
00:31:37,560 --> 00:31:39,800
Speaker 2: a hotel room where you have to stand up and

636
00:31:39,840 --> 00:31:40,840
Speaker 2: eat crinkle cut cheese.

637
00:31:41,080 --> 00:31:45,160
Speaker 1: See, I love it. I love it well, Thank you, Jenny.

638
00:31:45,960 --> 00:31:49,840
Speaker 1: Always fun, Always sure to have a different LA conversation

639
00:31:50,040 --> 00:31:54,200
Speaker 1: because putting the pieces together of LA is very interesting.

640
00:31:54,440 --> 00:31:57,400
Speaker 2: La. That was a tough shoot too, man, I remember

641
00:31:57,440 --> 00:32:00,360
Speaker 2: shooting at You weren't in this scene and it was

642
00:32:00,600 --> 00:32:02,480
Speaker 2: It was s Ja and Sarah Michelle Geller and we

643
00:32:02,520 --> 00:32:05,000
Speaker 2: shot until about eight in the morning overnight because we

644
00:32:05,080 --> 00:32:07,720
Speaker 2: had to have a restaurant closed, so we had to

645
00:32:07,720 --> 00:32:10,280
Speaker 2: shoot once they had closed at a restaurant that no

646
00:32:10,320 --> 00:32:13,520
Speaker 2: longer exists on Melrose or Beverly, but it was. It

647
00:32:13,600 --> 00:32:15,240
Speaker 2: was a lot of nighttime.

648
00:32:15,600 --> 00:32:18,720
Speaker 1: I know. Remember I had my house here, and obviously

649
00:32:18,800 --> 00:32:20,800
Speaker 1: Charlotte only comes for one of the two and I

650
00:32:20,840 --> 00:32:22,480
Speaker 1: was like, you guys, I live there, come on, let

651
00:32:22,480 --> 00:32:23,560
Speaker 1: me let me call, let.

652
00:32:23,480 --> 00:32:23,840
Speaker 2: Me in it.

653
00:32:24,360 --> 00:32:27,640
Speaker 1: And I remember, I remember one night we were shooting

654
00:32:27,640 --> 00:32:30,680
Speaker 1: at the Standard, which obviously closed as well, sadly, and

655
00:32:30,720 --> 00:32:32,840
Speaker 1: they said to me go home and go to bed

656
00:32:32,960 --> 00:32:36,240
Speaker 1: and then come back at three am. And I was like, okay.

657
00:32:38,960 --> 00:32:40,840
Speaker 2: It was so wild, like I finally got to sleep

658
00:32:40,880 --> 00:32:41,680
Speaker 2: in my own bed.

659
00:32:42,240 --> 00:32:42,520
Speaker 1: Right.

660
00:32:42,640 --> 00:32:44,080
Speaker 2: We weren't really sleeping.

661
00:32:44,040 --> 00:32:46,080
Speaker 1: No, exactly exactly.

662
00:32:46,400 --> 00:32:48,600
Speaker 2: I know, I'm in the same city where my bed

663
00:32:48,720 --> 00:32:49,680
Speaker 2: is exactly.

664
00:32:49,760 --> 00:32:51,320
Speaker 1: That's how I felt too. I was like, the joy

665
00:32:51,400 --> 00:32:53,320
Speaker 1: is that I can go home and go to sleep

666
00:32:53,360 --> 00:32:55,280
Speaker 1: and then get back up and drive back over here

667
00:32:55,280 --> 00:32:57,320
Speaker 1: at three am, and which I will do. And we

668
00:32:57,320 --> 00:32:59,280
Speaker 1: were happy to do it. Yeah, we were. I mean,

669
00:32:59,320 --> 00:33:02,640
Speaker 1: we were young, and you're super excited.

670
00:33:03,040 --> 00:33:05,560
Speaker 2: I know, right, God, I don't I don't know how

671
00:33:05,600 --> 00:33:07,479
Speaker 2: we did it. And you know, you talk about getting COVID,

672
00:33:07,520 --> 00:33:10,280
Speaker 2: It's like we didn't get sick often.

673
00:33:11,120 --> 00:33:13,760
Speaker 1: And if we did, they just handed out the z pag.

674
00:33:13,880 --> 00:33:14,120
Speaker 2: Yep.

675
00:33:14,480 --> 00:33:17,960
Speaker 1: They were like, here you go, enjoy, keep keep it going,

676
00:33:18,120 --> 00:33:20,600
Speaker 1: keep it going. Oh you can't talk here, we're going

677
00:33:20,680 --> 00:33:24,800
Speaker 1: to give you presdent zone. I mean, you know, it

678
00:33:24,840 --> 00:33:27,560
Speaker 1: was it was a lot, it was interesting. But again,

679
00:33:28,200 --> 00:33:32,080
Speaker 1: do it again in a heartbeat a heart Yeah, yeah, Jenny,

680
00:33:32,120 --> 00:33:32,800
Speaker 1: You're a joy.

681
00:33:33,320 --> 00:33:34,960
Speaker 2: You're a joy. This is so much fun.

682
00:33:35,200 --> 00:33:38,960
Speaker 1: I know. Thank you for your time. Yay, yay, yay yay.

683
00:33:39,560 --> 00:33:41,080
Speaker 1: It's good to have you. It's good to have you

684
00:33:41,120 --> 00:33:43,680
Speaker 1: because sometimes I need to have your perspective to to

685
00:33:43,840 --> 00:33:46,080
Speaker 1: put with whatever vague memories I have.

686
00:33:46,160 --> 00:33:49,680
Speaker 2: You know, well, together we can find one memory totally.

687
00:33:49,680 --> 00:33:53,360
Speaker 1: We can patch them back. Yes, I love it. I

688
00:33:53,400 --> 00:33:55,240
Speaker 1: love it so much. Thank you. Have a great day.

689
00:33:55,640 --> 00:33:59,800
Speaker 2: You have a great day. Thank you. Bye bye everybody, Bye,

690
00:34:00,480 --> 00:34:03,280
Speaker 2: instant the PASSI