1 00:00:03,320 --> 00:00:05,520 Speaker 1: What would you talk about on your on your podcast? 2 00:00:05,800 --> 00:00:19,280 Speaker 1: Firm Elvis represents the fifteen Minute Morning Show, The fifteen 3 00:00:19,280 --> 00:00:21,800 Speaker 1: Minute Morning Show Podcast. We've got a full house today. 4 00:00:21,840 --> 00:00:26,000 Speaker 1: We've got Uncle Johnny, We've got Froggy, We've got Garrett, 5 00:00:26,280 --> 00:00:29,520 Speaker 1: We've got Scotty b our girlfriend Lauren, my little sister 6 00:00:29,600 --> 00:00:32,200 Speaker 1: Lauren is taking us a visit today. Special guest Lauren 7 00:00:32,280 --> 00:00:35,839 Speaker 1: is here. There's Danielle Gandhi's down the hallway with COVID. Hello, 8 00:00:36,720 --> 00:00:39,800 Speaker 1: Cod and Scary. You're sitting in Nate's seats. Yeah, I know, 9 00:00:39,800 --> 00:00:48,120 Speaker 1: because Uncle Johnny's in my seat. You want you want 10 00:00:48,120 --> 00:00:50,360 Speaker 1: to sit on my lap? Big boy Gry come over here? 11 00:00:50,400 --> 00:00:55,160 Speaker 1: All right? I no, no, no, no, you guys, no, 12 00:00:55,160 --> 00:01:07,160 Speaker 1: no behin now when yelling it doesn't work, I'm not 13 00:01:07,280 --> 00:01:10,880 Speaker 1: at all. Why did you come to with me? Nate? Johnny? 14 00:01:10,880 --> 00:01:15,520 Speaker 1: We need Johnny, Johnny, we need you on the podcast 15 00:01:15,600 --> 00:01:19,480 Speaker 1: right here, right here, Just get in here, come on by, hey, 16 00:01:19,560 --> 00:01:22,600 Speaker 1: baby Ray, get in here. Did he have too many donuts? 17 00:01:23,240 --> 00:01:27,360 Speaker 1: Spot Like Nate, you're really turning this upside down? Would 18 00:01:27,360 --> 00:01:30,600 Speaker 1: you come sit in your seat? He'll be right here 19 00:01:30,640 --> 00:01:33,119 Speaker 1: with me. I'm gonna hang with Elvis. I'm not doing 20 00:01:33,120 --> 00:01:36,040 Speaker 1: anything until you come back sit in my lap. We 21 00:01:36,080 --> 00:01:39,360 Speaker 1: have a standoff. We have a standoff right now. I'm 22 00:01:39,360 --> 00:01:41,080 Speaker 1: just sitting next to me. Why are you being such 23 00:01:41,080 --> 00:01:45,399 Speaker 1: a big woos? Sit down? You've made two minutes of 24 00:01:45,400 --> 00:01:48,760 Speaker 1: our lives all about this. And the only reason why 25 00:01:48,800 --> 00:01:50,240 Speaker 1: I sat there because I didn't think we were going 26 00:01:50,280 --> 00:01:52,160 Speaker 1: to show up. See now I know who breaks your 27 00:01:52,240 --> 00:01:57,520 Speaker 1: chair every day. It's scary. You didn't even touch the knob. 28 00:01:57,960 --> 00:02:01,720 Speaker 1: You're halfway to the second alright, so so far it's 29 00:02:01,720 --> 00:02:05,720 Speaker 1: a show about absolutely. It's good anyway. So it's great 30 00:02:05,760 --> 00:02:07,680 Speaker 1: to have Lauren here. Lauren, I don't know if you 31 00:02:07,720 --> 00:02:09,880 Speaker 1: know what. Lauren worked with us for many years back 32 00:02:09,919 --> 00:02:12,760 Speaker 1: in the day. Then she flew out of the nest 33 00:02:12,760 --> 00:02:14,960 Speaker 1: and did her own show up in Boston across the 34 00:02:14,960 --> 00:02:18,079 Speaker 1: street from Gandhi. Yes, and they knew each other back then. 35 00:02:18,639 --> 00:02:20,440 Speaker 1: It's just, you know, we all kind of do each 36 00:02:20,480 --> 00:02:23,440 Speaker 1: other in this. Yeah, it's a very very small business. 37 00:02:23,800 --> 00:02:25,680 Speaker 1: It doesn't feel like it. When Elvis didn't made that 38 00:02:25,720 --> 00:02:30,800 Speaker 1: fleeting expletive, Lauren goes, oh, yeah, I'm not used to 39 00:02:30,840 --> 00:02:32,760 Speaker 1: cursing in a studio. I was like, what is it? 40 00:02:33,000 --> 00:02:45,120 Speaker 1: We can the Laura is a worse mouth than I do. Yes, yeah, 41 00:02:44,360 --> 00:02:48,600 Speaker 1: that's bad. They're both pretty bad. God, you don't use 42 00:02:48,639 --> 00:02:52,120 Speaker 1: foul language that much. I've noticed not really. I say 43 00:02:52,160 --> 00:02:54,800 Speaker 1: foul things, but I try to keep it without the 44 00:02:54,800 --> 00:02:57,920 Speaker 1: curse words. You do. You know she'll talk about all 45 00:02:57,960 --> 00:03:01,320 Speaker 1: sorts of things, but not use the explatives. What about you, 46 00:03:01,360 --> 00:03:04,760 Speaker 1: Scotty B. How's your foul language meter? I mean, do 47 00:03:04,800 --> 00:03:07,560 Speaker 1: you I try not to curse as much as possible 48 00:03:07,560 --> 00:03:09,480 Speaker 1: because of the kids, so I do my best too. 49 00:03:09,639 --> 00:03:11,440 Speaker 1: You know. It's funny because I'll see people in public. 50 00:03:11,480 --> 00:03:14,000 Speaker 1: We were at the beach last week and this lady's like, 51 00:03:14,120 --> 00:03:16,639 Speaker 1: I don't fucking care about it. It's fucking ship, you know, 52 00:03:16,680 --> 00:03:18,280 Speaker 1: sitting next to us, and I was with my daughter. 53 00:03:18,280 --> 00:03:22,000 Speaker 1: I'm like, dude, you're so trashy. Shut up. So I try. 54 00:03:22,240 --> 00:03:24,040 Speaker 1: You know, I noticed when people curse, so I try 55 00:03:24,040 --> 00:03:27,079 Speaker 1: not to do it myself. She's saying, cursing people their 56 00:03:27,120 --> 00:03:29,240 Speaker 1: own attractive in my trash No, but when you're when 57 00:03:29,240 --> 00:03:31,040 Speaker 1: you're out in public in front of people like that, 58 00:03:31,919 --> 00:03:35,200 Speaker 1: give a ship, then yes, I think you're trashy. Lauren asks, 59 00:03:35,320 --> 00:03:39,880 Speaker 1: Am I lets I'll take a vote. Is Lauren trashy. 60 00:03:40,600 --> 00:03:48,000 Speaker 1: Absolutely not Uncle Johnny. Is Lauren trashy? No, she's not trashy. Garrett, 61 00:03:48,040 --> 00:03:51,880 Speaker 1: is she trashy? Yes? Yeah, I vote yes to class. 62 00:03:52,720 --> 00:03:55,440 Speaker 1: I know where she's from, the malls that she used 63 00:03:55,480 --> 00:03:59,120 Speaker 1: to hang out, and the malls you're hanging out and 64 00:03:59,160 --> 00:04:02,960 Speaker 1: determines whether than you're gonna use foul language later in life. Seriously, 65 00:04:03,200 --> 00:04:06,000 Speaker 1: the area used to it. I'm not I'm not gonna 66 00:04:06,000 --> 00:04:08,800 Speaker 1: say you drunk. No, I'm not gonna. I don't want to. 67 00:04:08,840 --> 00:04:10,400 Speaker 1: I don't want to insert my foot in my mouth. 68 00:04:11,720 --> 00:04:14,080 Speaker 1: You you fought for your seat. Now you're sitting there 69 00:04:14,120 --> 00:04:16,480 Speaker 1: doing nothing, not contributing to the show. You're the camera. 70 00:04:17,960 --> 00:04:20,560 Speaker 1: I don't know Lauren that well, but she's not that 71 00:04:20,680 --> 00:04:25,080 Speaker 1: trashy from what I've come from. Curse in front of 72 00:04:25,080 --> 00:04:29,480 Speaker 1: my child. So I guess there's like one no, but 73 00:04:29,600 --> 00:04:31,680 Speaker 1: you know what I gotta say, I've heard good things 74 00:04:31,680 --> 00:04:34,920 Speaker 1: about a Boda box. So yeah. So wait, if you 75 00:04:35,040 --> 00:04:40,520 Speaker 1: drink boxed wine, scary has determined you are trash, you 76 00:04:40,600 --> 00:04:44,920 Speaker 1: might as well have an above ground. I have always 77 00:04:44,960 --> 00:04:49,040 Speaker 1: associated boxed zinfandel specifically with I'm sorry, that's just my 78 00:04:50,360 --> 00:04:52,200 Speaker 1: At what age is it okay to curse in front 79 00:04:52,200 --> 00:04:57,080 Speaker 1: of your child. Oh, Daniel is already there. My mom 80 00:04:57,120 --> 00:04:59,279 Speaker 1: said that she didn't start cursing until we came along. 81 00:04:59,400 --> 00:05:02,960 Speaker 1: That like my son's nineteen, I I cursed him with 82 00:05:03,040 --> 00:05:06,080 Speaker 1: him and all all the time. I mean, my mother 83 00:05:06,200 --> 00:05:08,400 Speaker 1: rarely ever cursed. And then would she get mad at me? 84 00:05:08,480 --> 00:05:15,640 Speaker 1: She goes, fuck, I don't use that word too. Obviously 85 00:05:15,720 --> 00:05:18,560 Speaker 1: you do because you did yesterday my son left something 86 00:05:18,600 --> 00:05:20,400 Speaker 1: laying on the counter, and I mean, I wasn't mad. 87 00:05:20,440 --> 00:05:22,599 Speaker 1: I just go, hey, yo, who's gonna throw this ship away? 88 00:05:23,160 --> 00:05:24,800 Speaker 1: What do you think you think you're on the maid? 89 00:05:25,240 --> 00:05:27,280 Speaker 1: And my wife, cost Lisa says, why did you have 90 00:05:27,320 --> 00:05:29,080 Speaker 1: to curse at him? I'm like, that wasn't really cursing 91 00:05:29,120 --> 00:05:30,360 Speaker 1: at him. That was like, who's going to throw this 92 00:05:30,400 --> 00:05:32,960 Speaker 1: ship away? Like that's it's not at him. That's more 93 00:05:33,000 --> 00:05:35,560 Speaker 1: like having a conversation. You didn't say, who's going to 94 00:05:35,560 --> 00:05:39,840 Speaker 1: shot away? Right? I don't curse at them because I 95 00:05:39,839 --> 00:05:41,560 Speaker 1: want to be mean to I, like like you said 96 00:05:41,560 --> 00:05:45,640 Speaker 1: in conversation. Yeah, and they just accepted as normal. Dad. 97 00:05:45,839 --> 00:05:47,920 Speaker 1: Laura is still like perplexed that we're in front of 98 00:05:47,920 --> 00:05:51,240 Speaker 1: a microphone using these words were not to okay? Well, 99 00:05:51,279 --> 00:05:55,320 Speaker 1: we'll move on to we've we've we've exhausted this conversation. 100 00:05:55,720 --> 00:05:59,400 Speaker 1: I say, why Lauren is classy. I think we all 101 00:05:59,400 --> 00:06:01,640 Speaker 1: need to know. Yes, we're all looking for something. So 102 00:06:01,920 --> 00:06:04,320 Speaker 1: when we were working across the street from each other 103 00:06:04,360 --> 00:06:07,600 Speaker 1: in Boston, I was always told that Lauren and her 104 00:06:07,600 --> 00:06:11,440 Speaker 1: co host were our mortal enemies, that we cannot mingle 105 00:06:11,480 --> 00:06:14,359 Speaker 1: with them, we cannot talk to them. They are our competition, 106 00:06:14,400 --> 00:06:16,880 Speaker 1: They're coming for us. So I was like, Okay, they 107 00:06:16,960 --> 00:06:19,839 Speaker 1: must be really mean people. I ran into Lauren once 108 00:06:19,880 --> 00:06:22,919 Speaker 1: in public and she approached me and was so nice 109 00:06:23,240 --> 00:06:25,480 Speaker 1: and friendly and sweet, and she was like, oh, you 110 00:06:25,480 --> 00:06:27,240 Speaker 1: guys are doing a great job over there. It was 111 00:06:27,279 --> 00:06:30,120 Speaker 1: exactly opposite of everything that I had been told, and 112 00:06:30,160 --> 00:06:32,880 Speaker 1: my mind was blown. She's such a sweet person and 113 00:06:32,920 --> 00:06:35,160 Speaker 1: I've just loved her ever since. We address that and 114 00:06:35,760 --> 00:06:37,480 Speaker 1: she is fabulous. That's why we love her, Lauren, She's 115 00:06:37,480 --> 00:06:39,719 Speaker 1: always going to be a member of our family. In 116 00:06:39,800 --> 00:06:43,720 Speaker 1: this business we're in, there is a point where, and 117 00:06:43,760 --> 00:06:46,040 Speaker 1: you've been in these kind of fights before frog where 118 00:06:46,120 --> 00:06:49,040 Speaker 1: you feel like there is a fight with competition, and 119 00:06:49,120 --> 00:06:51,880 Speaker 1: then one day you wake up and go, we're all 120 00:06:51,920 --> 00:06:54,119 Speaker 1: doing the same thing. We're all okay, there's no reason 121 00:06:54,120 --> 00:06:58,640 Speaker 1: to like screw your competition. It doesn't help. I looked 122 00:06:58,680 --> 00:07:00,760 Speaker 1: at it here a lot like thefl teams. Like a 123 00:07:00,800 --> 00:07:02,719 Speaker 1: guy's on one team one year, and then he's on 124 00:07:02,760 --> 00:07:05,080 Speaker 1: another team the next year, and it's like, wait a second, 125 00:07:05,160 --> 00:07:07,120 Speaker 1: you hated that guy last year. Now he's on your team. 126 00:07:07,120 --> 00:07:09,200 Speaker 1: You're all playing the same sport, we're all doing the 127 00:07:09,240 --> 00:07:11,400 Speaker 1: same thing. We're just doing it on different radio stations. 128 00:07:11,440 --> 00:07:14,160 Speaker 1: But we don't hate each other. And you get to 129 00:07:14,160 --> 00:07:16,680 Speaker 1: a point where it's is that really what matters? It's 130 00:07:16,720 --> 00:07:19,160 Speaker 1: tax like like like a friend of mine used to 131 00:07:19,200 --> 00:07:22,800 Speaker 1: be the CEO of a big, huge, huge billion dollar company, 132 00:07:23,120 --> 00:07:25,560 Speaker 1: and he said that if he saw the competing CEO 133 00:07:25,760 --> 00:07:27,520 Speaker 1: drowning in the pond, he would go over and put 134 00:07:27,520 --> 00:07:31,240 Speaker 1: his foot on his head and push him on. You know, 135 00:07:35,000 --> 00:07:39,840 Speaker 1: you know, Jeff Bezos. I remember when I first started radio, 136 00:07:39,920 --> 00:07:43,600 Speaker 1: we had a rival radio station across the street, as 137 00:07:43,600 --> 00:07:46,360 Speaker 1: they used to say and still do, and they would 138 00:07:46,440 --> 00:07:49,880 Speaker 1: like steal our van and like break windows and like 139 00:07:49,960 --> 00:07:53,240 Speaker 1: sabotage when we had tense set up and stuff like that, 140 00:07:54,120 --> 00:07:57,480 Speaker 1: sabotage that it doesn't make your ratings any and I'm 141 00:07:57,520 --> 00:08:01,880 Speaker 1: like anymore. When I first started working here, okay, we 142 00:08:01,920 --> 00:08:04,600 Speaker 1: did an event and Scotty be remembers this. It was 143 00:08:04,640 --> 00:08:07,600 Speaker 1: called Radio Night at the beginning of the Hamptons. It 144 00:08:07,680 --> 00:08:09,760 Speaker 1: was at the Hampton's Night and it was the biggest 145 00:08:09,760 --> 00:08:12,320 Speaker 1: club in the Hamptons and every radio station from all 146 00:08:12,320 --> 00:08:15,480 Speaker 1: the companies were invited as an open house. We all 147 00:08:15,520 --> 00:08:19,320 Speaker 1: went and we were told we have to bring the biggest, 148 00:08:19,600 --> 00:08:24,440 Speaker 1: the tallest, like inflatables, the biggest, trust, the forest story 149 00:08:24,480 --> 00:08:28,360 Speaker 1: high free money Monkey, the King Kong masketblast everywhere now 150 00:08:29,040 --> 00:08:31,880 Speaker 1: t shirts with pride and that's the Unfortunately, it was 151 00:08:31,920 --> 00:08:37,480 Speaker 1: engraved in my head War Girl that I almost ran 152 00:08:37,480 --> 00:08:41,000 Speaker 1: over the promotions director from Katu when we were different companies. 153 00:08:41,120 --> 00:08:43,880 Speaker 1: I remember Susan Bassett. She was standing in the street 154 00:08:44,200 --> 00:08:46,360 Speaker 1: on Fort Street in front of the hard Rock Cafe 155 00:08:46,400 --> 00:08:48,199 Speaker 1: for some big event we were doing that. She was 156 00:08:48,240 --> 00:08:50,120 Speaker 1: holding the spot for her van and I was like, 157 00:08:50,160 --> 00:08:52,079 Speaker 1: screw you that, I'm gonna park here, and I went 158 00:08:52,080 --> 00:08:59,080 Speaker 1: and I nudged her with the umber and then she 159 00:08:59,120 --> 00:09:01,080 Speaker 1: came in. Then we all worked together. I love her. 160 00:09:01,480 --> 00:09:04,319 Speaker 1: I'm committed a crime. He just admitted to a crime. Now, 161 00:09:04,360 --> 00:09:08,240 Speaker 1: the Statute of limitations. But I'm telling you, in the 162 00:09:08,320 --> 00:09:11,080 Speaker 1: gram scheme of things, all these radio fights, you did 163 00:09:11,160 --> 00:09:14,679 Speaker 1: not get any higher ratings. But you didn't. The only 164 00:09:14,679 --> 00:09:16,720 Speaker 1: reason you gotta higher ratings in the competition is because 165 00:09:16,720 --> 00:09:20,800 Speaker 1: you were better than that. And Gandhi show was when 166 00:09:20,800 --> 00:09:22,719 Speaker 1: I worked in Tampa. We did screw the queue. We 167 00:09:22,760 --> 00:09:24,640 Speaker 1: took their logo and put a screw through it. We 168 00:09:25,080 --> 00:09:27,600 Speaker 1: made t shirts. You know, you repositioned them because they 169 00:09:27,600 --> 00:09:29,800 Speaker 1: were a weak radio stage and we did awful things 170 00:09:29,840 --> 00:09:32,400 Speaker 1: to them, which I feel bad about. That's your same 171 00:09:32,480 --> 00:09:36,120 Speaker 1: program director from then then came into New York not 172 00:09:36,240 --> 00:09:38,880 Speaker 1: that long ago and tried to program against me and 173 00:09:38,880 --> 00:09:41,160 Speaker 1: said Elvis Ranch too old to do that job. Our 174 00:09:41,280 --> 00:09:44,559 Speaker 1: ratings went up and they were blown into oblivion. Did 175 00:09:44,600 --> 00:09:46,319 Speaker 1: not work for them, but you know we were much 176 00:09:46,320 --> 00:09:49,320 Speaker 1: better than them, right, so fuck you would whatever they 177 00:09:51,559 --> 00:09:55,000 Speaker 1: not not anything instead of you know, having this mortal enemy. 178 00:09:55,000 --> 00:09:57,040 Speaker 1: I was bummed out because Laurens so cool. I'm like, man, 179 00:09:57,080 --> 00:09:58,760 Speaker 1: I miss out on a really cool person for a 180 00:09:58,760 --> 00:10:02,640 Speaker 1: little while. Likewise, well, friends, now, okay, you were working 181 00:10:02,640 --> 00:10:05,319 Speaker 1: for a guy who wanted to be mean to people. Yeah, 182 00:10:05,360 --> 00:10:07,720 Speaker 1: we hated each other at our show far more than yeah, 183 00:10:10,040 --> 00:10:12,000 Speaker 1: within the business, and we all agree that there are 184 00:10:12,040 --> 00:10:15,280 Speaker 1: really no fights. But listeners think it's like Anchorman. The 185 00:10:15,320 --> 00:10:18,040 Speaker 1: scene an Anchorman where everybody comes into a big brawl 186 00:10:18,120 --> 00:10:20,360 Speaker 1: and starts fighting with each other. When people here like 187 00:10:20,400 --> 00:10:22,680 Speaker 1: okay to use in the same building, like what you 188 00:10:22,720 --> 00:10:26,040 Speaker 1: get along with them? You know them? No, everybody thinks 189 00:10:26,040 --> 00:10:29,800 Speaker 1: we're about to go fight with No. I think also, 190 00:10:29,880 --> 00:10:32,599 Speaker 1: these are the radio stations. If you don't say anything 191 00:10:33,040 --> 00:10:36,400 Speaker 1: to them, it's worse totally. What do you mean they're 192 00:10:36,440 --> 00:10:38,400 Speaker 1: not retaliating. What do you mean they're not saying nasty 193 00:10:38,440 --> 00:10:41,200 Speaker 1: things about us? Makes it worse. It eats them, eats 194 00:10:41,240 --> 00:10:43,160 Speaker 1: away at them. You go in every day and you 195 00:10:43,559 --> 00:10:45,840 Speaker 1: no matter what business you're in, you do you You 196 00:10:45,920 --> 00:10:48,160 Speaker 1: do what you want to do, and it may work, 197 00:10:48,240 --> 00:10:50,720 Speaker 1: it may not work. Knock on from mic or whatever 198 00:10:50,720 --> 00:10:55,360 Speaker 1: this is it is working right, you know, but just 199 00:10:55,400 --> 00:10:58,280 Speaker 1: do what you do. There is no competition. Our only 200 00:10:58,320 --> 00:11:01,560 Speaker 1: competition is us standing in our own way of being 201 00:11:01,600 --> 00:11:03,719 Speaker 1: great at what we do. There, you go there, you 202 00:11:03,800 --> 00:11:09,600 Speaker 1: go deep. He just stared off into an abyss. He's like, Wow, 203 00:11:10,320 --> 00:11:12,880 Speaker 1: here's that food hangover. I know that. Look, that's the 204 00:11:12,880 --> 00:11:24,560 Speaker 1: food hangover. Scary scary. Your lip is sweaty. We had 205 00:11:24,600 --> 00:11:30,760 Speaker 1: three minutes. I think we're done that morning show. We 206 00:11:31,080 --> 00:11:33,679 Speaker 1: kind of months ago we said if we run out 207 00:11:33,679 --> 00:11:35,720 Speaker 1: of gas, we just ended. We don't have to try 208 00:11:35,720 --> 00:11:43,280 Speaker 1: and make it fifteen minutes Uncle Johnny for a moment, 209 00:11:43,320 --> 00:11:45,800 Speaker 1: and then we'll head out. Uncle Johnny, thank you for 210 00:11:45,840 --> 00:11:48,400 Speaker 1: coming in today making a clocktail. Oh no, I enjoyed 211 00:11:48,400 --> 00:11:51,400 Speaker 1: it and I love it. I was great seeing Laurie, 212 00:11:52,000 --> 00:11:58,080 Speaker 1: you know, but when I came here years ago, I 213 00:11:58,480 --> 00:12:01,360 Speaker 1: everybody that was here was a lot of them are 214 00:12:01,400 --> 00:12:04,160 Speaker 1: gone now and that was that was great back then. 215 00:12:04,280 --> 00:12:07,000 Speaker 1: And then I'm meeting all the new people and everything. 216 00:12:07,040 --> 00:12:10,520 Speaker 1: It's it's incredible and Gandhi being great coming on now. 217 00:12:11,080 --> 00:12:13,560 Speaker 1: But you know, Johnny is just in the bar business. 218 00:12:13,600 --> 00:12:15,280 Speaker 1: You had people coming and going all the time. That's 219 00:12:15,320 --> 00:12:17,400 Speaker 1: just the way. That's true. It comes and goes. But 220 00:12:17,760 --> 00:12:21,360 Speaker 1: this is this is a great family. You were at 221 00:12:21,360 --> 00:12:28,520 Speaker 1: that bar first six woe. Yeah, I got a lot 222 00:12:28,520 --> 00:12:30,800 Speaker 1: of years behind me, and maybe if you ahead of 223 00:12:30,800 --> 00:12:34,440 Speaker 1: you and uh more ahead of it now. Well, I'm 224 00:12:34,480 --> 00:12:38,120 Speaker 1: at the end of the ladder, not the beginning. We 225 00:12:38,160 --> 00:12:42,120 Speaker 1: should just kill you now, get it over. You need 226 00:12:42,200 --> 00:12:47,840 Speaker 1: him sell alive. This is hell. So you were so 227 00:12:48,120 --> 00:12:51,839 Speaker 1: vodka pickled. You're gonna be around forever, Uncle Johnny. Oh yeah, 228 00:12:51,920 --> 00:12:55,400 Speaker 1: I don't know about that. The hopital for the first 229 00:12:55,440 --> 00:12:58,560 Speaker 1: time we have the recording of him. Am I dead? 230 00:12:59,120 --> 00:13:02,640 Speaker 1: Ye of my dad? Now I'm going to find the secret? 231 00:13:02,760 --> 00:13:05,840 Speaker 1: Lay there. Uncle Johnny and I always had this conversation 232 00:13:05,880 --> 00:13:10,800 Speaker 1: about the secret secret somebody die. Soon as somebody dies, 233 00:13:10,840 --> 00:13:13,760 Speaker 1: you go they know the secret because nobody really knows. 234 00:13:14,000 --> 00:13:16,559 Speaker 1: What are you gonna do? How you coming back? And 235 00:13:16,600 --> 00:13:18,800 Speaker 1: you're gonna see everybody in the sky? Are going up 236 00:13:18,800 --> 00:13:21,200 Speaker 1: to see your parents? Are your friends? Are all gonna 237 00:13:21,240 --> 00:13:24,719 Speaker 1: be there? You don't know? And then you have these 238 00:13:24,720 --> 00:13:27,560 Speaker 1: other people coming in and going, well, I talked to 239 00:13:27,600 --> 00:13:30,920 Speaker 1: your grandmother and the these what do they call say 240 00:13:30,960 --> 00:13:39,839 Speaker 1: this that? Yeah, yeah, I talked to your grandma. You 241 00:13:39,880 --> 00:13:41,800 Speaker 1: don't believe in that stuff now because if they talk 242 00:13:41,880 --> 00:13:44,160 Speaker 1: to the grandma, how do they talk to the grandmother 243 00:13:44,160 --> 00:13:47,160 Speaker 1: if the grandmother's are not there? So who knows? Do 244 00:13:47,240 --> 00:13:50,920 Speaker 1: they know the secret? Nobody knows the secret? What is this? 245 00:13:51,760 --> 00:13:54,600 Speaker 1: I don't know? It's you don't know till you die. Yeah, 246 00:13:55,600 --> 00:13:59,240 Speaker 1: you come back in another life? Do you see your friends? 247 00:13:59,320 --> 00:14:04,400 Speaker 1: From music right. I think heaven or hell is this 248 00:14:04,520 --> 00:14:07,360 Speaker 1: room with you people. It'll either be the best place 249 00:14:07,960 --> 00:14:11,120 Speaker 1: or I'm stuck here for eternity. Who are talking to you? 250 00:14:11,720 --> 00:14:14,360 Speaker 1: Mother efforts out here in this room? Anyway? I think 251 00:14:14,400 --> 00:14:17,559 Speaker 1: we've said it up. Do you know the secret? Not yet, 252 00:14:17,600 --> 00:14:28,160 Speaker 1: because you're not dead. I love you, guys. The Fifteen 253 00:14:28,240 --> 00:14:29,200 Speaker 1: Minute Morning Show