WEBVTT - Presenting: An Excerpt from The Bomber Mafia by Malcolm Gladwell

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<v Speaker 1>Pushkin. Hello, there are Pushkin listeners. This is Malcolm Gladwell.

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<v Speaker 1>I'm the president of Pushkin Industries and host of Revisionist History.

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<v Speaker 1>But I'm here today as an author. I've written half

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<v Speaker 1>a dozen books, such as Outliers and Blink, but my

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<v Speaker 1>new book, The Bomber Mafia is something different. First, it's

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<v Speaker 1>a work of history, telling the story of how a

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<v Speaker 1>new technology, air power upended the nature of modern warfare

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<v Speaker 1>during the Second World War. It's also the first book

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<v Speaker 1>I wrote to be heard rather than read. You can

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<v Speaker 1>get the print version of The Bomber Mafia wherever you

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<v Speaker 1>usually get your books. And I love my readers, but

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<v Speaker 1>I urge you to listen. The Bomber Mafia is not

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<v Speaker 1>your typical audio book. I didn't record it in a booth,

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<v Speaker 1>solitary and bedantic. I worked with a whole team of

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<v Speaker 1>sound engineers, researchers, editors, musicians, wizards of every kind. They

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<v Speaker 1>were building the mightiest aircraft in history. I mean, would

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<v Speaker 1>you rather I just read some torpid, ruddily nonsense like

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<v Speaker 1>the B twenty nine bomber droned on through the night sky,

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<v Speaker 1>or would you rather hear it for yourself? And the

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<v Speaker 1>assembled airmen will listen to words that a few years

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<v Speaker 1>ago would have been fantastic, but today rolle casually off

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<v Speaker 1>a briefing officer's lips. The Taga gentleman is Japan. When

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<v Speaker 1>I was researching, I went to Maxwell Air Force Base

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<v Speaker 1>to dig through a mountain of tapes interviews with some

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<v Speaker 1>of the most important military figures of the Second World War.

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<v Speaker 1>These were the voices of people I'd only ever read

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<v Speaker 1>about in history books. Suddenly they all came alive inside

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<v Speaker 1>my head. It was magical, and it reminded me why

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<v Speaker 1>I do what I do. We've devised an easy way

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<v Speaker 1>for you to listen to the Bomber Mafia in the

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<v Speaker 1>same player you're using to hear this podcast. Go to

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<v Speaker 1>Bomber Mafia dot com and enter your email and payment method.

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<v Speaker 1>You'll receive an email shortly after payment. Open it and

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<v Speaker 1>follow the easy instructions to add the Bomber Mafia to

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<v Speaker 1>your podcast app. I'm about to play you a piece

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<v Speaker 1>of the Bomber Mafia audiobo Queer. I think it'll explain

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<v Speaker 1>why I wrote it, and I hope you'll hear the magic.

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<v Speaker 1>As a little boy lying in his bed, my father

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<v Speaker 1>would hear the plains overhead on their way in then

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<v Speaker 1>in the small hours of the morning, heading back to Germany.

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<v Speaker 1>This was in England, in Kent, a few miles south

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<v Speaker 1>and east of London. My father was born in nineteen

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<v Speaker 1>thirty four, which meant he was five when the Second

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<v Speaker 1>World War broke out. Kent was called bomb Alley by

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<v Speaker 1>the British because it was the English county that German

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<v Speaker 1>warplanes would fly over on their way to London. It

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<v Speaker 1>was not uncommon in those years that if a bomber

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<v Speaker 1>missed its target or had bombs left over, it would

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<v Speaker 1>simply drop them anywhere on the return trip. One day,

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<v Speaker 1>a stray bomb landed in my grandparents back garden. It

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<v Speaker 1>didn't explode, It just sat there, half buried in the ground.

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<v Speaker 1>And I think it's fair to say that if you

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<v Speaker 1>were a five year old boy with an interest in

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<v Speaker 1>things mechanical, a German bomb sitting unexploded in your backyard

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<v Speaker 1>would have been just about the most extraordinary experience imaginable,

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<v Speaker 1>Not that my father described it that way. My dad

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<v Speaker 1>was a mathematician and an Englishman, which is to say

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<v Speaker 1>that the language of emotion was not his first language. Rather,

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<v Speaker 1>it was like Latin or French, something which one could

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<v Speaker 1>study and understand but never fully master. Now that an

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<v Speaker 1>unexploded German bomb in your backyard would be the most

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<v Speaker 1>extraordinary experience imaginable for a five year old was my

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<v Speaker 1>interpretation when my father told me that story of the

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<v Speaker 1>bomb when I was five years old. That was in

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<v Speaker 1>the late nineteen sixties. We were living in England then

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<v Speaker 1>in Southampton. Reminders of what the country had gone through

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<v Speaker 1>were still everywhere. If you went to London you could

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<v Speaker 1>still tell where the bombs had landed, wherever a hideous

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<v Speaker 1>brutalius building had sprouted up on some sentries old block.

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<v Speaker 1>Here they come, they come an absolute steep dive and

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<v Speaker 1>you can see that bombs actually leave the machine and

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<v Speaker 1>coming to Walter. You can hear our own guns going

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<v Speaker 1>like anything now. BBC Radio was always on in our house,

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<v Speaker 1>and in those days it seemed like every second interview

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<v Speaker 1>was with an old general or power trooper, a prisoner

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<v Speaker 1>of war. We shall prove out he once like any

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<v Speaker 1>and our island home ride out on the war. The

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<v Speaker 1>first short story I wrote as a kid was about

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<v Speaker 1>how Hitler was actually still alive and coming for England again.

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<v Speaker 1>I sent it to my grandmother, the one in Kent

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<v Speaker 1>who'd had the unexploded bomb in the back garden. When

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<v Speaker 1>my mother heard about my story, she admonished me someone

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<v Speaker 1>who lived through the war might not enjoy a plot

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<v Speaker 1>line about Hitler's return. She reminded me. My father once

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<v Speaker 1>took me and my brothers to a beach overlooking the

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<v Speaker 1>English Channel. We crawled together through the remnants of an

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<v Speaker 1>old world word too fortification. I still remember the thrill

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<v Speaker 1>of wondering if we would come across some old bullets,

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<v Speaker 1>or a shell casing, or even the skeleton of some

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<v Speaker 1>long lost German spy who'd washed up on shore. I

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<v Speaker 1>don't think we lose our childhood fascinations. I know I didn't.

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<v Speaker 1>One day a few years back, I was looking at

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<v Speaker 1>my book shelves and realized, to my surprise, just how

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<v Speaker 1>many non fiction books about war I had accumulated. The

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<v Speaker 1>big history bestsellers, but also the specialty histories, out of print, memoirs,

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<v Speaker 1>academic texts, and what part of the war were most

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<v Speaker 1>of these books about bombing air Power by Stephen Boudiansky,

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<v Speaker 1>Rhetoric and Reality in Air Warfare by Tammy Biddell, Decision

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<v Speaker 1>over Schweinfurt by Thomas Coffee whole shelves of these histories.

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<v Speaker 1>Usually when I start accumulating books like that, it's because

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<v Speaker 1>I want to write something about the subject. I have

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<v Speaker 1>shelves of books on social psychology because I've made my

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<v Speaker 1>living writing about social psychology. But I never really wrote

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<v Speaker 1>much about war, especially not the Second Wold War, or

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<v Speaker 1>more specifically air power. Just bits and pieces here and there. Why.

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<v Speaker 1>I don't know. I imagine that a Freudian would have

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<v Speaker 1>fun with that question. But maybe the simpler answer is

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<v Speaker 1>that the more a subject matters to you, the harder

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<v Speaker 1>it is to find a story you want to tell

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<v Speaker 1>about it. The bar is higher, which brings us to

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<v Speaker 1>The Bomber Mafia, the audio book you are listening to now.

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<v Speaker 1>I'm happy to say that with The Bomber Mafia, I've

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<v Speaker 1>found a story worthy of my obsession. One last thing

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<v Speaker 1>about the use of that last word, obsession. This book

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<v Speaker 1>is a service to my obsessions, but it's also a

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<v Speaker 1>story about other people's obsessions, about one of the grandest

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<v Speaker 1>obsessions of the twentieth century. I realize when I look

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<v Speaker 1>at the things I've written about or explored over the

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<v Speaker 1>years that I'm drawn again and again to obsessives. I

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<v Speaker 1>like them. I liked the idea that someone could push

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<v Speaker 1>away all the concerns and details that make up everyday

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<v Speaker 1>life and just zero in on one thing, the thing

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<v Speaker 1>that fits the contours of their imagination. Obsessives lead us astray,

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<v Speaker 1>sometimes lack the bigger picture, serve not just the worlds

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<v Speaker 1>but their own narrow interests. But I also don't think

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<v Speaker 1>we get progress, or innovation, or joy or beauty without obsessives.

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<v Speaker 1>When I was reporting this book, I had dinner with

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<v Speaker 1>the then Chief of Staff of the US Air Force,

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<v Speaker 1>David Goldfein. It was at the air House on the

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<v Speaker 1>grounds of Fort Myer in northern Virginia, just across the

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<v Speaker 1>Potomac River from Washington, d C. A Grand Victorian on

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<v Speaker 1>a street of Grand Victorians where many of the country's

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<v Speaker 1>top military brass all live. After dinner, General Golfing invited

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<v Speaker 1>over a group of his friends and colleagues, other senior

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<v Speaker 1>Air Force officials. We sat in the general's back yard,

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<v Speaker 1>five of us in total. They were almost all former

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<v Speaker 1>military pilots. Many of their fathers had been military pilots.

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<v Speaker 1>They were the modern day equivalents of the people you're

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<v Speaker 1>going to hear about in this book. And as the

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<v Speaker 1>evening wore on, I began to notice something. Air House

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<v Speaker 1>is just down the road from Reagan National Airport, and

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<v Speaker 1>every ten minutes or so, a plane would take off

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<v Speaker 1>just over our heads. Nothing fancy, just standard commercial passenger

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<v Speaker 1>planes flying to Chicago or Tampa or Charlotte. And every

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<v Speaker 1>time one of those planes flew overhead, the General and

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<v Speaker 1>his comrades would all glance upwards just to take a look.

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<v Speaker 1>They couldn't help themselves. Obsessives, my kind of people. Thanks

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<v Speaker 1>for listening to that. Excerpt from my new book, Discover

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<v Speaker 1>the Rest of the Story of the Bomber Mafia, available

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<v Speaker 1>at Bomber Mafia dot com.