1
00:00:06,080 --> 00:00:09,960
Speaker 1: So it's a big after dinner munch down and I'm

2
00:00:10,039 --> 00:00:18,119
Speaker 1: chomping away and Steven Jenkins Yes and Benji mad Adam Yes,

3
00:00:18,880 --> 00:00:24,400
Speaker 1: start fighting over the difference between a chocolate tear and

4
00:00:24,440 --> 00:00:25,360
Speaker 1: a candy maker.

5
00:00:25,880 --> 00:00:29,320
Speaker 2: Oh yeah, and they're just at each other's throat.

6
00:00:29,440 --> 00:00:34,600
Speaker 3: Can't we just joy make joy the candy. I know those.

7
00:00:34,440 --> 00:00:37,600
Speaker 2: Guys, and I go, I go, very guys, well, because

8
00:00:37,600 --> 00:00:40,599
Speaker 2: it's not it's never actually about I know what it's

9
00:00:40,640 --> 00:00:44,400
Speaker 2: about with them, And I go, guys, I know the difference,

10
00:00:44,400 --> 00:00:46,800
Speaker 2: and I'll make it real simple for you, and I

11
00:00:46,920 --> 00:00:49,800
Speaker 2: grab a big handful of chocolates and I throw them

12
00:00:49,800 --> 00:00:52,720
Speaker 2: in my mouth, and a big handful of jelly beads.

13
00:00:52,400 --> 00:00:53,640
Speaker 3: And I throw in my mouth and I go.

14
00:01:00,080 --> 00:01:02,000
Speaker 4: Even those guys got to crack up at that.

15
00:01:03,320 --> 00:01:06,680
Speaker 2: Yes, And it was such a great way to diffuse it,

16
00:01:06,720 --> 00:01:10,000
Speaker 2: because of course Steven had a bowie knife out and was,

17
00:01:10,520 --> 00:01:14,479
Speaker 2: you know, cutting his own chest, being like, I'm showing

18
00:01:14,480 --> 00:01:15,400
Speaker 2: you how tough I am.

19
00:01:15,480 --> 00:01:20,080
Speaker 3: Benji, you should honestly go to the Gaza strip.

20
00:01:20,240 --> 00:01:22,720
Speaker 4: Yeah, and just cool any way out.

21
00:01:23,640 --> 00:01:26,000
Speaker 2: I really have been thinking about taking a trip there

22
00:01:26,000 --> 00:01:28,600
Speaker 2: into some of the other fucked up, shitty places where

23
00:01:28,600 --> 00:01:30,720
Speaker 2: they're just being stupid.

24
00:01:31,120 --> 00:01:33,840
Speaker 3: But some of the candy there is not you wouldn't.

25
00:01:33,480 --> 00:01:36,160
Speaker 2: Well you would need yes, because some of the candy's

26
00:01:36,280 --> 00:01:40,600
Speaker 2: like goat candy or something. Yes, and it's too crazy

27
00:01:40,640 --> 00:01:47,240
Speaker 2: for me just and it's not always got washed right.

28
00:01:48,040 --> 00:01:50,040
Speaker 2: So I would like to go there and I would

29
00:01:50,040 --> 00:01:52,280
Speaker 2: like to cool everybody out, but I would probably have

30
00:01:52,360 --> 00:01:55,000
Speaker 2: to bring my own candy. And they're cracking down at

31
00:01:55,040 --> 00:01:56,520
Speaker 2: TSA about that stuff.

32
00:01:56,600 --> 00:02:04,240
Speaker 5: Yeah, what was the argument? So what like what how

33
00:02:04,280 --> 00:02:06,880
Speaker 5: could they disagree on the difference between it. Well, it

34
00:02:06,920 --> 00:02:10,280
Speaker 5: was like a candy maker, Well it just seems right.

35
00:02:10,320 --> 00:02:13,440
Speaker 5: Benji feels that a candy maker is a chocolate tear.

36
00:02:13,800 --> 00:02:17,920
Speaker 5: Oh okay, And Stephen's going, well, chocolatear is it's entirely

37
00:02:17,960 --> 00:02:21,680
Speaker 5: on category. And Benji's like, no, you can be a

38
00:02:21,720 --> 00:02:25,840
Speaker 5: candy maker and make chocolates and so you are a

39
00:02:25,919 --> 00:02:29,840
Speaker 5: chocolate tear, but you make other candies, and Stephen saying no,

40
00:02:29,960 --> 00:02:32,560
Speaker 5: it's much narrower than that. If you're a chocolate tear,

41
00:02:32,639 --> 00:02:33,560
Speaker 5: you're a specialist.

42
00:02:34,320 --> 00:02:35,400
Speaker 3: I will think about it some more.

43
00:02:35,760 --> 00:02:37,760
Speaker 5: Hey, welcome to Hollywood, hamboken Ands. I just got to

44
00:02:37,800 --> 00:02:39,640
Speaker 5: kicking a button dropping names of the red carpet lineback

45
00:02:39,680 --> 00:02:41,519
Speaker 5: hallways of this industry we call showbiz.

46
00:02:41,639 --> 00:02:43,480
Speaker 4: It's like different between a novelist and a writer.

47
00:02:44,720 --> 00:02:50,680
Speaker 3: Uh huh, you know what I mean? Yes, squares and rhombusses.

48
00:02:51,639 --> 00:02:56,720
Speaker 2: Oh hey, no squares and.

49
00:03:00,120 --> 00:03:01,880
Speaker 3: Right, thank you for being gentle about it.

50
00:03:02,240 --> 00:03:07,600
Speaker 2: No, Hayes, You're right, it's scores and diamonds.

51
00:03:08,040 --> 00:03:09,600
Speaker 5: And this is why I sort of wanted to start

52
00:03:09,639 --> 00:03:13,200
Speaker 5: the show because I didn't want to get into to

53
00:03:13,280 --> 00:03:16,040
Speaker 5: overextend myself with shapes.

54
00:03:16,800 --> 00:03:18,040
Speaker 3: And I could tell what was.

55
00:03:17,960 --> 00:03:20,200
Speaker 2: Going to start happening very so we're going to get

56
00:03:20,200 --> 00:03:21,080
Speaker 2: a pretty deep water.

57
00:03:21,320 --> 00:03:24,480
Speaker 5: I was gonna start to mess around with shapes that

58
00:03:24,639 --> 00:03:25,960
Speaker 5: might bite me back.

59
00:03:25,760 --> 00:03:29,080
Speaker 3: A little bit. And that is what happened. Yeah.

60
00:03:29,120 --> 00:03:33,400
Speaker 5: But look, speaking of rectangles, that's what you see the

61
00:03:33,440 --> 00:03:39,320
Speaker 5: movies on and the big movie now Superman versus Batman.

62
00:03:40,600 --> 00:03:44,600
Speaker 5: You think, well, it must be Superman and Batman versus

63
00:03:44,640 --> 00:03:47,480
Speaker 5: the bad guy. Well, I actually go see the movie

64
00:03:48,360 --> 00:03:50,800
Speaker 5: and then talk to me about how they're fighting each other.

65
00:03:51,560 --> 00:03:56,920
Speaker 2: Yeah, and they're a punch in the kicking. It's pretty scary.

66
00:03:57,560 --> 00:04:00,440
Speaker 2: And what it makes me think about is there are

67
00:04:00,640 --> 00:04:04,920
Speaker 2: two good guys really who's fighting each other and it's

68
00:04:04,920 --> 00:04:11,160
Speaker 2: a misunderstanding. But because it would be so natural to

69
00:04:11,200 --> 00:04:14,680
Speaker 2: see a good guy fight a bad guy, or even

70
00:04:14,720 --> 00:04:17,359
Speaker 2: a bad guy fight a bad guy, because they're both

71
00:04:17,880 --> 00:04:19,080
Speaker 2: mean in their core.

72
00:04:19,440 --> 00:04:21,760
Speaker 3: Yes, they don't like anybody. Yes.

73
00:04:23,720 --> 00:04:28,719
Speaker 4: What it makes me think is what other good guys.

74
00:04:28,520 --> 00:04:30,080
Speaker 2: Could you see fight each other?

75
00:04:31,000 --> 00:04:33,600
Speaker 5: Just if this works, why not try it again with

76
00:04:33,640 --> 00:04:36,440
Speaker 5: some other superheroes as a thought experiment?

77
00:04:36,600 --> 00:04:37,600
Speaker 3: Yes, like I.

78
00:04:37,520 --> 00:04:39,800
Speaker 5: Would be sort of interested, for example, to see Mankind

79
00:04:40,520 --> 00:04:46,440
Speaker 5: face off against Elizabeth Warren. Yeah, two superheroes, Elizabeth Warren

80
00:04:46,720 --> 00:04:50,360
Speaker 5: beating up the big banks. Yeah, maybe the big banks

81
00:04:51,600 --> 00:04:58,240
Speaker 5: higher Mankind and mister Shako. Maybe Mankind is making Elizabeth

82
00:04:58,240 --> 00:04:59,520
Speaker 5: Warren eat mister Sako.

83
00:05:00,040 --> 00:05:05,279
Speaker 2: I'm curious about if Buzz light Year were to really

84
00:05:05,320 --> 00:05:07,520
Speaker 2: get into it with my neighbor Jessica.

85
00:05:08,880 --> 00:05:11,000
Speaker 3: They're both good, so good.

86
00:05:11,279 --> 00:05:16,680
Speaker 2: Yes, Jessica is so so sweet and really takes care

87
00:05:16,720 --> 00:05:18,560
Speaker 2: of herself and has a very good body.

88
00:05:18,920 --> 00:05:22,240
Speaker 5: Yes, and doesn't like you know, she's not like one

89
00:05:22,240 --> 00:05:24,240
Speaker 5: of those neighbors that's like always trying to talk to you.

90
00:05:24,320 --> 00:05:28,120
Speaker 5: She like is often just like sort of hiding in

91
00:05:28,160 --> 00:05:29,200
Speaker 5: her place when you go by.

92
00:05:29,400 --> 00:05:34,000
Speaker 2: No, Yeah, she's one of these neighbors who's so polite

93
00:05:34,279 --> 00:05:38,960
Speaker 2: that if you are even approaching her door, she'll turn

94
00:05:39,000 --> 00:05:39,799
Speaker 2: the lights off.

95
00:05:40,279 --> 00:05:44,240
Speaker 5: Yeah, she'll draw the shades still, hang a gone fishing

96
00:05:44,360 --> 00:05:45,120
Speaker 5: sign on the door.

97
00:05:45,320 --> 00:05:46,159
Speaker 3: Yeah.

98
00:05:46,600 --> 00:05:49,919
Speaker 2: She because she never wants to bother you. She wants

99
00:05:49,920 --> 00:05:54,120
Speaker 2: you to have your privacy. And she's so considerate that

100
00:05:54,360 --> 00:05:58,960
Speaker 2: it almost veers a little bit the other way where

101
00:05:58,960 --> 00:06:00,880
Speaker 2: it can be hard to talk to her. I think

102
00:06:00,920 --> 00:06:01,520
Speaker 2: she's shy.

103
00:06:01,760 --> 00:06:03,280
Speaker 3: She's so much a superhero.

104
00:06:04,040 --> 00:06:06,680
Speaker 2: Yeah, she's such a superhero. And I will try to

105
00:06:06,720 --> 00:06:11,480
Speaker 2: bring her over when I've baked up some brown butter blondies.

106
00:06:11,760 --> 00:06:15,760
Speaker 4: Yeah, and I just turning, like I turn away.

107
00:06:15,839 --> 00:06:18,479
Speaker 5: I could finish this, yes, turning the fan on, so

108
00:06:18,600 --> 00:06:20,480
Speaker 5: it kind of like goes toward.

109
00:06:20,240 --> 00:06:24,160
Speaker 3: Her door and you're hoping that it will draw her over. Yeah,

110
00:06:24,200 --> 00:06:26,240
Speaker 3: and no, nuh. And she turns the fan on. The

111
00:06:26,240 --> 00:06:26,880
Speaker 3: bullet back.

112
00:06:27,000 --> 00:06:31,160
Speaker 2: But what would she do with buzz light Year. He's small,

113
00:06:33,400 --> 00:06:39,000
Speaker 2: but he's got like rocket blasters, right, So I want

114
00:06:39,080 --> 00:06:41,680
Speaker 2: I just wonder the two of them going at it.

115
00:06:41,800 --> 00:06:42,680
Speaker 2: How does that look?

116
00:06:42,839 --> 00:06:43,200
Speaker 3: Sure?

117
00:06:44,120 --> 00:06:47,000
Speaker 2: And then there's probably a movie in there. And Jessica,

118
00:06:47,040 --> 00:06:50,040
Speaker 2: if you're listening, you know, let's work together.

119
00:06:50,680 --> 00:06:52,480
Speaker 3: I would love to see a real show down between

120
00:06:52,600 --> 00:06:56,159
Speaker 3: Adele and America's Top forty, which is something that's been

121
00:06:56,320 --> 00:07:00,279
Speaker 3: going on. It's been brewing for a long time where

122
00:07:00,320 --> 00:07:03,760
Speaker 3: Adele has been dominating America's Top forty over the over

123
00:07:03,760 --> 00:07:09,360
Speaker 3: the years. But America's Top forty, I think is going

124
00:07:09,440 --> 00:07:13,840
Speaker 3: to be around for longer. Yeah. It's very hard because

125
00:07:13,840 --> 00:07:16,920
Speaker 3: America's Top forty is not a person, it's an institution.

126
00:07:17,080 --> 00:07:20,600
Speaker 3: So it fights by just existing for a long time.

127
00:07:21,440 --> 00:07:27,000
Speaker 2: Yeah, and that's a tough battle. Stop Ryan Stop, Engineer

128
00:07:27,080 --> 00:07:28,040
Speaker 2: Ryan stop?

129
00:07:28,760 --> 00:07:31,200
Speaker 3: All right, what did I do? You took a picture

130
00:07:31,240 --> 00:07:34,040
Speaker 3: at a weird time.

131
00:07:35,200 --> 00:07:38,480
Speaker 5: You just made a weird choice of when I'm terrible

132
00:07:38,680 --> 00:07:39,400
Speaker 5: to take a picture.

133
00:07:39,600 --> 00:07:41,760
Speaker 2: The two of us are alone without a guest.

134
00:07:42,320 --> 00:07:43,400
Speaker 3: Yeah, I noticed. Sorry.

135
00:07:43,520 --> 00:07:47,560
Speaker 5: Yeah, And it makes me wonder if you are trying

136
00:07:47,640 --> 00:07:50,640
Speaker 5: to have us talk about you like you're a superhero

137
00:07:50,920 --> 00:07:52,120
Speaker 5: and be like, oh.

138
00:07:51,920 --> 00:07:55,080
Speaker 3: I'll do oh Engineer Ryan versus I'll do such a

139
00:07:55,120 --> 00:07:57,600
Speaker 3: brave deed Arthur from the tick.

140
00:07:58,320 --> 00:08:03,800
Speaker 2: You know, it's like, dude, he would crush you, right,

141
00:08:04,960 --> 00:08:11,200
Speaker 2: he'd shatter your butt, Dude, Ryan, with one mighty punch.

142
00:08:11,240 --> 00:08:14,239
Speaker 3: He would honestly eat you for breakfast, lunch and dogs.

143
00:08:14,360 --> 00:08:17,200
Speaker 2: I can't, I can't think of a superhero that wouldn't

144
00:08:17,240 --> 00:08:18,680
Speaker 2: eat you for breakfast, lunch and dinner.

145
00:08:18,720 --> 00:08:22,120
Speaker 3: Like remember Calin Ferrell said that, And do you remember?

146
00:08:22,720 --> 00:08:23,000
Speaker 2: No?

147
00:08:23,640 --> 00:08:25,560
Speaker 3: Oh, that makes me so sad because I thought I

148
00:08:25,720 --> 00:08:29,280
Speaker 3: was saying it. No, Calin Ferrell says that when he's

149
00:08:29,480 --> 00:08:33,400
Speaker 3: in it. When he made a naughty video. Oh, he said,

150
00:08:33,400 --> 00:08:36,400
Speaker 3: I'm gonna eat you for breakfast, lunch and dinner. Oh, breakfast,

151
00:08:36,440 --> 00:08:40,240
Speaker 3: lunch and dinner. Oh yeah, he's talking about.

152
00:08:41,520 --> 00:08:45,000
Speaker 5: I'm always picking stuff up from those videos and forgetting

153
00:08:45,520 --> 00:08:46,720
Speaker 5: where they came, where they come.

154
00:08:46,720 --> 00:08:49,800
Speaker 2: Yeah, and you're always watching them in your downtime. Yeah,

155
00:08:50,840 --> 00:08:53,079
Speaker 2: with your headphones in on your phone when I first

156
00:08:53,080 --> 00:08:55,400
Speaker 2: come in to the record and just keep holding up

157
00:08:55,440 --> 00:08:56,800
Speaker 2: your finger like I need him in it.

158
00:08:58,280 --> 00:08:59,720
Speaker 3: Breakfast, lunch and dinner.

159
00:09:00,120 --> 00:09:05,560
Speaker 5: That is what it's from. And why I associate that

160
00:09:05,600 --> 00:09:09,920
Speaker 5: with Ryan's face? Why why are those so close in

161
00:09:10,000 --> 00:09:10,880
Speaker 5: your mind?

162
00:09:12,320 --> 00:09:17,880
Speaker 6: Well, the human mind is a curious space. There's all

163
00:09:17,920 --> 00:09:22,680
Speaker 6: sorts of blind corners. You can find yourself turned down.

164
00:09:22,960 --> 00:09:26,400
Speaker 2: Yeah, if you want to go exploring in there, I

165
00:09:26,400 --> 00:09:28,240
Speaker 2: find it's best to bring a flashlight.

166
00:09:29,480 --> 00:09:33,920
Speaker 5: Tom Green versus Bam could be interesting, Oh, because they've

167
00:09:33,960 --> 00:09:39,600
Speaker 5: been both destroying their own parents for so long, the

168
00:09:40,000 --> 00:09:42,080
Speaker 5: you know, the bad guys that are their parents trying

169
00:09:42,160 --> 00:09:46,280
Speaker 5: to make them be nice and you know, be boring

170
00:09:46,400 --> 00:09:47,720
Speaker 5: and go to sleep.

171
00:09:47,920 --> 00:09:51,320
Speaker 3: Yeah, or just not. How do you wake horner on

172
00:09:51,360 --> 00:09:54,320
Speaker 3: their car or whatever? How do you wake someone up

173
00:09:54,480 --> 00:09:56,680
Speaker 3: with fireworks if they never go to sleep?

174
00:09:58,600 --> 00:10:02,920
Speaker 2: I often think, and I am scared of this idea

175
00:10:02,960 --> 00:10:04,480
Speaker 2: of this actually becoming a fight.

176
00:10:04,600 --> 00:10:08,720
Speaker 3: But Macamore Firus, Ryan Lewis, I don't even want to.

177
00:10:08,920 --> 00:10:14,400
Speaker 3: I don't. I'm just I'm just saying I don't even want.

178
00:10:14,280 --> 00:10:17,400
Speaker 4: To two forces of kind.

179
00:10:17,720 --> 00:10:20,880
Speaker 2: I don't want to explore it. It's too sad. It's

180
00:10:20,960 --> 00:10:22,360
Speaker 2: really too sad to think about it.

181
00:10:22,400 --> 00:10:24,400
Speaker 3: Because it could destroy each other completely.

182
00:10:24,720 --> 00:10:26,520
Speaker 5: Just be a waste. It would be such a waste.

183
00:10:26,840 --> 00:10:28,679
Speaker 5: I would be so so sad to see that. And

184
00:10:28,760 --> 00:10:30,960
Speaker 5: I and I am so sorry that you brought that up.

185
00:10:30,960 --> 00:10:33,160
Speaker 5: And I'm sorry that we did this segment at all, honestly,

186
00:10:33,200 --> 00:10:35,840
Speaker 5: because now just to put that out there.

187
00:10:35,679 --> 00:10:37,520
Speaker 4: That it's in people's minds, it's.

188
00:10:37,440 --> 00:10:39,000
Speaker 3: Such a scary idea, and a.

189
00:10:38,920 --> 00:10:41,840
Speaker 2: True villain would find some way to turn them against

190
00:10:41,840 --> 00:10:42,280
Speaker 2: each other.

191
00:10:42,440 --> 00:10:44,199
Speaker 3: Yeah, And is.

192
00:10:44,160 --> 00:10:47,320
Speaker 2: That what's happening in Batman Verus Superman who's pulling the strings?

193
00:10:48,840 --> 00:10:50,800
Speaker 2: Who's making them want to fight each other?

194
00:10:51,400 --> 00:10:55,160
Speaker 3: Is there? I mean Lex Luthor is also a producer.

195
00:10:55,440 --> 00:10:58,160
Speaker 5: Is the name of a producer, like a music producer,

196
00:10:58,200 --> 00:11:00,040
Speaker 5: So I imagine it would probably.

197
00:10:59,640 --> 00:11:04,760
Speaker 2: Be so Lex Luger if he's doing Yeah, he's like, hey, Macamore,

198
00:11:04,760 --> 00:11:07,280
Speaker 2: I'd love to work with you, And then Ryan Lews

199
00:11:07,400 --> 00:11:09,400
Speaker 2: is like, wait, while are you working with the producer?

200
00:11:09,600 --> 00:11:09,800
Speaker 3: Yeah?

201
00:11:09,800 --> 00:11:12,240
Speaker 2: And then he's also like, and Ryan, I'd love to

202
00:11:12,280 --> 00:11:13,560
Speaker 2: wrap on some of your tracks, and.

203
00:11:13,600 --> 00:11:15,440
Speaker 3: Mackamore goes, those are my tracks.

204
00:11:15,760 --> 00:11:18,480
Speaker 2: Yeah, but they they don't know he's.

205
00:11:18,240 --> 00:11:19,360
Speaker 3: Pulling the strings.

206
00:11:19,679 --> 00:11:23,000
Speaker 2: Yeahs in that puppet master somehow makes those two angry

207
00:11:23,040 --> 00:11:26,160
Speaker 2: with each other. And then pretty much as soon as

208
00:11:26,160 --> 00:11:30,600
Speaker 2: the first punch is thrown, Okay, gay people can't.

209
00:11:30,400 --> 00:11:31,360
Speaker 3: Get married anymore.

210
00:11:32,120 --> 00:11:35,760
Speaker 2: It all goes backwards, right, Yes, you have to wear

211
00:11:36,960 --> 00:11:38,880
Speaker 2: brand name clothing and you're not allowed to get it

212
00:11:38,880 --> 00:11:39,680
Speaker 2: from the drift store.

213
00:11:39,720 --> 00:11:44,000
Speaker 5: Maclamore goes and spins around the earth and reverses. It's yeah,

214
00:11:44,040 --> 00:11:48,640
Speaker 5: reversus time. So people can't get married anymore, and you

215
00:11:48,720 --> 00:11:50,560
Speaker 5: have to buy a fifty dollars T shirt.

216
00:11:50,640 --> 00:11:52,160
Speaker 2: Yeah, you have to buy a fifty dollars T shirt

217
00:11:52,200 --> 00:11:53,880
Speaker 2: with a big label and big name on it.

218
00:11:53,960 --> 00:11:56,240
Speaker 3: Yes you have Uh, you.

219
00:11:56,200 --> 00:12:03,280
Speaker 7: Aren't aware of your privilege anymore. Yeah, you can't be addicted.

220
00:12:03,520 --> 00:12:07,280
Speaker 7: Not sorry about winning the Grammys anymore. Yeah, he's glad

221
00:12:07,320 --> 00:12:08,120
Speaker 7: that it happened.

222
00:12:08,280 --> 00:12:11,319
Speaker 2: He loves having the Grammys and he used them to

223
00:12:11,360 --> 00:12:15,680
Speaker 2: pick his teeth after eating a big plate of ribs.

224
00:12:17,040 --> 00:12:21,920
Speaker 2: We have a no napkins. We have a pretty good

225
00:12:21,960 --> 00:12:26,640
Speaker 2: guest today. Julie Klausner is here part of it to

226
00:12:27,520 --> 00:12:32,960
Speaker 2: talk about musical theater again and we and she's on

227
00:12:33,040 --> 00:12:36,200
Speaker 2: difficult people. And now you can take a picture riot

228
00:12:36,880 --> 00:12:40,920
Speaker 2: see do you see how just a flow of these things?

229
00:12:40,920 --> 00:12:41,840
Speaker 3: And when is a good.

230
00:12:41,720 --> 00:12:46,240
Speaker 2: Picture that the energy is like lending itself to Yes,

231
00:12:46,280 --> 00:12:48,319
Speaker 2: And I'll even move in close and maybe you can

232
00:12:48,400 --> 00:12:49,760
Speaker 2: When did you have glasses?

233
00:12:50,559 --> 00:12:53,079
Speaker 3: I just got him during the show.

234
00:12:53,480 --> 00:12:57,439
Speaker 2: Yeah, I went and got them just because before yeah

235
00:12:57,480 --> 00:12:59,520
Speaker 2: you got them prescribed there were no glasses.

236
00:12:59,559 --> 00:13:01,400
Speaker 3: And it's think he's trying to make me think that

237
00:13:01,480 --> 00:13:11,360
Speaker 3: he's super bad picture any wait, until I wasn't. No ship,

238
00:13:11,600 --> 00:13:12,079
Speaker 3: No ship.

239
00:13:12,760 --> 00:13:13,040
Speaker 8: Guys.

240
00:13:13,040 --> 00:13:17,440
Speaker 2: If the photos suck this week, please do email Engineer Ryan.

241
00:13:17,640 --> 00:13:23,679
Speaker 3: On Hollywood Handbook.

242
00:13:24,320 --> 00:13:30,240
Speaker 5: So I'm in salad class huhuh, ken what nabe?

243
00:13:30,520 --> 00:13:32,920
Speaker 3: What salad class?

244
00:13:33,040 --> 00:13:37,640
Speaker 5: I told I talked to you about salad class every week.

245
00:13:38,240 --> 00:13:42,920
Speaker 2: Oh right, this is the thing with the so you

246
00:13:43,000 --> 00:13:45,439
Speaker 2: take it from Tell me again.

247
00:13:46,400 --> 00:13:48,760
Speaker 3: I don't act like you don't know now you've talked

248
00:13:48,800 --> 00:13:50,760
Speaker 3: to me about it. I just haven't always.

249
00:13:51,040 --> 00:13:53,720
Speaker 5: It's a class where you learn to make fine salad,

250
00:13:53,800 --> 00:13:56,280
Speaker 5: not just fine salads. There any like quick salads or

251
00:13:56,600 --> 00:13:58,120
Speaker 5: gourmet salads?

252
00:13:58,160 --> 00:13:59,760
Speaker 4: Oh, with all the ingredients?

253
00:14:01,120 --> 00:14:03,360
Speaker 2: Yes, because last week they were teaching you how to

254
00:14:03,400 --> 00:14:05,280
Speaker 2: put a raisin very small.

255
00:14:05,960 --> 00:14:10,439
Speaker 5: Yes, and so this week, yeah, you know, I've been

256
00:14:10,480 --> 00:14:16,920
Speaker 5: preparing my bacon serrata vinaigrette and I was a spring

257
00:14:17,000 --> 00:14:19,320
Speaker 5: breaks and I'm drizzling the spring mix.

258
00:14:19,680 --> 00:14:28,000
Speaker 3: Huh and what yes? Yes, And I don't even remember

259
00:14:28,000 --> 00:14:29,760
Speaker 3: where I was this ptory. Go ahead.

260
00:14:29,840 --> 00:14:33,280
Speaker 2: You keep saying, huh, well, it's very confusing the way

261
00:14:33,320 --> 00:14:33,880
Speaker 2: you tell it.

262
00:14:34,360 --> 00:14:36,720
Speaker 3: What's confusing about it? You're just all over the pit.

263
00:14:36,840 --> 00:14:38,800
Speaker 3: I said, I was in salad class, and then the

264
00:14:38,840 --> 00:14:40,680
Speaker 3: next thing I did was make a salad.

265
00:14:41,800 --> 00:14:44,800
Speaker 2: Okay, yeah, I mean it just it lost me. It

266
00:14:44,880 --> 00:14:47,520
Speaker 2: was the way you told it was not very good.

267
00:14:47,600 --> 00:14:51,440
Speaker 3: But go ahead. I don't have I don't have to

268
00:14:51,480 --> 00:14:54,400
Speaker 3: tell it. No, Now I'm curious. I don't want to

269
00:14:54,480 --> 00:14:55,840
Speaker 3: confuse you. No, I don't.

270
00:14:55,840 --> 00:14:57,800
Speaker 2: I honestly don't know a different way to do it.

271
00:14:57,880 --> 00:14:59,400
Speaker 2: You're in a solid class.

272
00:15:00,200 --> 00:15:04,200
Speaker 3: You had bacon raspberry.

273
00:15:04,840 --> 00:15:07,400
Speaker 5: I know you know what it is. Yeah, I talk

274
00:15:07,520 --> 00:15:10,960
Speaker 5: to you about it all the time because you didn't

275
00:15:10,960 --> 00:15:12,200
Speaker 5: get in. Is that what it is?

276
00:15:12,640 --> 00:15:14,040
Speaker 3: Oh, I don't even remember.

277
00:15:14,080 --> 00:15:17,880
Speaker 2: That's a billion years ago, eons ago?

278
00:15:19,760 --> 00:15:22,520
Speaker 3: Was that even the same class that I didn't get into.

279
00:15:23,040 --> 00:15:26,440
Speaker 5: Anyway, I am making it, and every time I look

280
00:15:26,480 --> 00:15:30,720
Speaker 5: back at the bowl, it's gone. And then I have

281
00:15:30,800 --> 00:15:34,240
Speaker 5: to request new materials, fill it up and make it,

282
00:15:34,280 --> 00:15:36,040
Speaker 5: you know, put more Vinagret on it.

283
00:15:36,080 --> 00:15:37,920
Speaker 3: A crazy dog loose, and then I turn around it's

284
00:15:37,920 --> 00:15:39,160
Speaker 3: gone again. That's what I thought.

285
00:15:39,440 --> 00:15:41,680
Speaker 5: Yeah, I thought a crazy dog was loose because of

286
00:15:41,720 --> 00:15:44,920
Speaker 5: the bacon, but too spicy.

287
00:15:45,880 --> 00:15:46,560
Speaker 3: Oh sure.

288
00:15:47,360 --> 00:15:49,840
Speaker 5: And then I hear Ken Washington Abe saying it hurts

289
00:15:49,840 --> 00:15:53,640
Speaker 5: so good, And then I know he's eating my salad,

290
00:15:54,320 --> 00:15:58,560
Speaker 5: my bacon's rout a salad. And I guess he was

291
00:15:58,560 --> 00:16:03,000
Speaker 5: trying to get ahead in the class from me, because

292
00:16:03,160 --> 00:16:05,080
Speaker 5: I wouldn't have any salacacy he was eating at all.

293
00:16:05,280 --> 00:16:07,800
Speaker 5: But I still managed to graduate a whole semester ahead

294
00:16:07,800 --> 00:16:11,680
Speaker 5: of him, okay, and they made him present my degree,

295
00:16:11,880 --> 00:16:13,080
Speaker 5: so he took my spot.

296
00:16:14,400 --> 00:16:16,400
Speaker 3: Well, good for you.

297
00:16:18,280 --> 00:16:20,840
Speaker 2: I still don't totally follow what you were talking about

298
00:16:20,920 --> 00:16:24,160
Speaker 2: or why.

299
00:16:22,960 --> 00:16:25,160
Speaker 3: Hey, welcome to Hollywood Handbook and they decide his guide

300
00:16:25,160 --> 00:16:27,520
Speaker 3: to kicking button dropping names in the red carpet lineback

301
00:16:27,560 --> 00:16:30,920
Speaker 3: hollards of this industry we call showbiz word up, word up.

302
00:16:31,560 --> 00:16:35,800
Speaker 5: We Sometimes we do an acclaimed episode and everyone collapse

303
00:16:36,720 --> 00:16:39,080
Speaker 5: and they say, we love it.

304
00:16:39,200 --> 00:16:40,920
Speaker 2: They say, we'll never forget this one.

305
00:16:41,160 --> 00:16:45,600
Speaker 5: Yes, and we want to do it again. And so

306
00:16:46,160 --> 00:16:48,920
Speaker 5: that's what we're gonna do today. We're gonna do an

307
00:16:48,960 --> 00:16:50,320
Speaker 5: episode that we did before.

308
00:16:50,560 --> 00:16:53,280
Speaker 2: Instead of one of the extra episodes that we normally do.

309
00:16:53,320 --> 00:16:54,640
Speaker 2: We're just sort of doing it.

310
00:16:54,720 --> 00:16:55,200
Speaker 3: This one.

311
00:16:55,240 --> 00:17:03,800
Speaker 2: We're actually gonna put some work into and have be good, fun, smart, nice, memorable, tricky.

312
00:17:03,800 --> 00:17:11,080
Speaker 3: Dastardly devious? Can I be nefarious? Cunning?

313
00:17:13,280 --> 00:17:18,800
Speaker 5: Linguist Julie Klausner is here and her episode. I think

314
00:17:18,840 --> 00:17:23,720
Speaker 5: if if, however, puts up the paywall, which.

315
00:17:23,520 --> 00:17:26,640
Speaker 3: They are gonna do, and they have any day now.

316
00:17:26,880 --> 00:17:29,880
Speaker 2: I saw them building this thing and you cannot get

317
00:17:29,920 --> 00:17:33,920
Speaker 2: through it without a big pile of do the laser

318
00:17:33,960 --> 00:17:34,399
Speaker 2: beam you.

319
00:17:36,840 --> 00:17:41,520
Speaker 5: Yes, it's like a never ending story. It's got the

320
00:17:41,520 --> 00:17:43,080
Speaker 5: big sphinxes and.

321
00:17:44,720 --> 00:17:45,080
Speaker 3: Dust.

322
00:17:46,080 --> 00:17:48,239
Speaker 2: Yeah, if you're not pure of heart, even if you

323
00:17:48,280 --> 00:17:50,600
Speaker 2: look like a brave Knight, you could still inside.

324
00:17:50,600 --> 00:17:53,880
Speaker 3: If you're scared, then forget it. You're smoked.

325
00:17:54,840 --> 00:17:58,560
Speaker 5: Unfortunately, So in case that ever happens, we are taking

326
00:17:58,800 --> 00:18:02,200
Speaker 5: being nice charity, taking some of our old episodes and

327
00:18:02,440 --> 00:18:04,080
Speaker 5: doing them again.

328
00:18:05,560 --> 00:18:05,919
Speaker 9: Before.

329
00:18:06,119 --> 00:18:09,600
Speaker 4: Yes, yeah, okay, remember what we did.

330
00:18:09,760 --> 00:18:12,320
Speaker 5: Okay, but a little different version because so last time

331
00:18:12,359 --> 00:18:16,840
Speaker 5: we did a jukebox musical for band, Yes, we cannot

332
00:18:16,880 --> 00:18:17,679
Speaker 5: do that again.

333
00:18:18,680 --> 00:18:18,920
Speaker 3: Yeah.

334
00:18:19,240 --> 00:18:22,880
Speaker 4: What happened, Well, we got.

335
00:18:22,840 --> 00:18:28,160
Speaker 2: In trouble with the law. Johnny Law came and said

336
00:18:28,359 --> 00:18:34,080
Speaker 2: and really, Dave Law said, stop using my songs. And

337
00:18:34,280 --> 00:18:37,560
Speaker 2: my last name's not Law, it's Matthews. And he said,

338
00:18:37,840 --> 00:18:40,760
Speaker 2: you can't do that, And I'm jealous of how good

339
00:18:40,800 --> 00:18:43,200
Speaker 2: you did it. I think was sort of the under

340
00:18:44,640 --> 00:18:48,679
Speaker 2: current from his voice that he was jealous. We did

341
00:18:48,720 --> 00:18:50,639
Speaker 2: it better and had a better story for a lot

342
00:18:50,680 --> 00:18:53,320
Speaker 2: of those songs. So now what are we going to do?

343
00:18:53,440 --> 00:18:55,480
Speaker 3: Hayes original musical.

344
00:18:55,200 --> 00:18:59,119
Speaker 2: Original musical, our own songs, we write our own and

345
00:18:59,160 --> 00:19:01,760
Speaker 2: when Dave Law knocks on the door.

346
00:19:02,359 --> 00:19:05,199
Speaker 6: Hey, can I use these songs now for my concert?

347
00:19:05,320 --> 00:19:11,399
Speaker 3: Finish my album? Then we send Dave to court. I

348
00:19:11,480 --> 00:19:13,000
Speaker 3: gotta go to jail man.

349
00:19:13,160 --> 00:19:16,440
Speaker 9: For asking you to record your songs.

350
00:19:16,600 --> 00:19:19,520
Speaker 2: When he hears how good these are and they're really better,

351
00:19:19,640 --> 00:19:22,200
Speaker 2: do them on his podcast. He'll do them on his podcast.

352
00:19:22,560 --> 00:19:23,600
Speaker 9: Does he have a podcast?

353
00:19:24,119 --> 00:19:28,240
Speaker 3: Oh god, Julie, everyone does, Julie.

354
00:19:28,400 --> 00:19:29,119
Speaker 9: What's it called?

355
00:19:29,880 --> 00:19:30,080
Speaker 2: Oh?

356
00:19:30,680 --> 00:19:32,080
Speaker 3: Podcast? Table and dreaming?

357
00:19:32,160 --> 00:19:35,360
Speaker 2: Mm hmm, I think casting stuff.

358
00:19:35,520 --> 00:19:37,480
Speaker 9: I imagine the theme song is really good.

359
00:19:38,560 --> 00:19:42,000
Speaker 2: Uh yeah, it goes a little something like this.

360
00:19:42,680 --> 00:19:44,600
Speaker 3: Oh wait, I can't do his song.

361
00:19:45,119 --> 00:19:48,320
Speaker 9: I cute us all up for it?

362
00:19:48,440 --> 00:19:48,920
Speaker 3: Too bad?

363
00:19:49,080 --> 00:19:49,600
Speaker 2: Huh.

364
00:19:49,680 --> 00:19:51,080
Speaker 3: I should have just done it, you know.

365
00:19:52,080 --> 00:19:54,320
Speaker 5: But I don't want to get a court And what

366
00:19:54,400 --> 00:19:55,960
Speaker 5: happened last night was very embarrassing.

367
00:19:56,440 --> 00:19:58,080
Speaker 3: What if I just changed some of the words.

368
00:19:58,119 --> 00:19:59,120
Speaker 9: You didn't accept the plea?

369
00:20:00,119 --> 00:20:00,760
Speaker 3: No no?

370
00:20:02,359 --> 00:20:04,600
Speaker 2: What if I changed the word podcast in the song

371
00:20:04,680 --> 00:20:08,239
Speaker 2: to s podcast? Then we're in trouble, Kevin Smith. But

372
00:20:08,280 --> 00:20:10,720
Speaker 2: then they cancel each other out. Oh right, they have

373
00:20:10,800 --> 00:20:11,560
Speaker 2: to sue each other.

374
00:20:11,640 --> 00:20:12,520
Speaker 9: Why didn't you settle?

375
00:20:13,920 --> 00:20:19,880
Speaker 3: Don't settle for cable? Go ahead, here comes my good smodcast.

376
00:20:21,680 --> 00:20:24,000
Speaker 3: Hey you birth to download and.

377
00:20:24,119 --> 00:20:27,600
Speaker 2: Listen don't forget to subscribe.

378
00:20:28,480 --> 00:20:33,159
Speaker 3: That's how it goes. Like my Facebook page can on

379
00:20:33,359 --> 00:20:38,439
Speaker 3: the four rooms, hey, all of my listener he it

380
00:20:38,520 --> 00:20:40,000
Speaker 3: goes on like that anyway, he says.

381
00:20:40,000 --> 00:20:43,240
Speaker 10: S podcasts, usually they send you a season desist before

382
00:20:43,880 --> 00:20:46,320
Speaker 10: there's even like you know what I mean, Like usually

383
00:20:46,320 --> 00:20:47,760
Speaker 10: you just get the letter and you stop doing it.

384
00:20:48,040 --> 00:20:52,439
Speaker 2: Well, how often that happens to you? You seem very

385
00:20:52,440 --> 00:20:53,560
Speaker 2: familiar with the process.

386
00:20:55,160 --> 00:20:57,080
Speaker 10: I just I think it's surprising you guys when the

387
00:20:57,160 --> 00:20:59,800
Speaker 10: court that takes a long time, and I feel like

388
00:20:59,840 --> 00:21:01,320
Speaker 10: I was here just a moment ago.

389
00:21:01,480 --> 00:21:05,119
Speaker 3: In my well. Haes is obsessed with SVU, so he's

390
00:21:05,160 --> 00:21:07,840
Speaker 3: seen a lot of lawyer stuff. So you feel like you.

391
00:21:07,720 --> 00:21:12,920
Speaker 10: Can just watch a marathon of lawn Order whenever it

392
00:21:13,080 --> 00:21:13,679
Speaker 10: is odd.

393
00:21:13,800 --> 00:21:15,159
Speaker 3: It's like a box of bombs.

394
00:21:15,240 --> 00:21:21,720
Speaker 10: And then it's like four, five, six, seven days later

395
00:21:22,240 --> 00:21:22,639
Speaker 10: later and.

396
00:21:22,640 --> 00:21:24,800
Speaker 9: They're like, I've watched all of that.

397
00:21:24,920 --> 00:21:29,120
Speaker 2: I've seen them, and they always are so grid. It's

398
00:21:29,200 --> 00:21:34,960
Speaker 2: comfort food, isn't it for us? Isn't that true? It's French,

399
00:21:35,560 --> 00:21:39,719
Speaker 2: just one French fries, crinkle cut fries. I feel like

400
00:21:39,840 --> 00:21:42,159
Speaker 2: my youth, Coney Island and all that.

401
00:21:42,119 --> 00:21:43,280
Speaker 9: You grew up in Coney Island.

402
00:21:43,400 --> 00:21:48,639
Speaker 2: I started to Yeah, it happened again.

403
00:21:50,000 --> 00:21:53,040
Speaker 4: Took a bumper card down the coast, drove.

404
00:21:52,880 --> 00:21:54,960
Speaker 3: It all the way out, all the way out of

405
00:21:54,960 --> 00:21:55,520
Speaker 3: the state.

406
00:21:55,359 --> 00:21:57,080
Speaker 9: That your adolescence was spent.

407
00:21:57,200 --> 00:21:58,960
Speaker 4: In Niagara Fall.

408
00:22:01,280 --> 00:22:06,439
Speaker 3: It went over Niagara Falls. Mm hmm. Yeah, he was

409
00:22:06,480 --> 00:22:07,560
Speaker 3: the first guy.

410
00:22:07,840 --> 00:22:12,880
Speaker 2: During took a bumper car over Niagara Falls right at

411
00:22:12,920 --> 00:22:14,480
Speaker 2: the peak of my adolescence.

412
00:22:15,200 --> 00:22:20,320
Speaker 3: Hormones, raging, waters raging. His voice was deep when he

413
00:22:20,480 --> 00:22:23,159
Speaker 3: came out of the Canna do it again?

414
00:22:23,920 --> 00:22:28,320
Speaker 4: I said, he now, canna do it again?

415
00:22:29,880 --> 00:22:30,360
Speaker 9: Puberty?

416
00:22:30,920 --> 00:22:34,000
Speaker 4: Well, yeah, yeah.

417
00:22:33,680 --> 00:22:36,159
Speaker 2: I wouldn't want to go over the falls again. Terrified me,

418
00:22:37,920 --> 00:22:40,199
Speaker 2: but stronger for it. What doesn't kill me?

419
00:22:40,240 --> 00:22:43,000
Speaker 3: And all that. Bingo bengo.

420
00:22:43,320 --> 00:22:46,040
Speaker 2: We're having a corker of an episode, and this feels

421
00:22:46,160 --> 00:22:49,399
Speaker 2: just like the first one. So we're doing a jukebox

422
00:22:49,480 --> 00:22:54,239
Speaker 2: musical without the jukebox, really without the music, but we

423
00:22:54,280 --> 00:22:57,119
Speaker 2: are going to be making some songs and what do

424
00:22:57,160 --> 00:22:58,320
Speaker 2: you want a musical about it?

425
00:22:58,359 --> 00:23:00,680
Speaker 3: But we have to pick a subject in something it's hot.

426
00:23:01,280 --> 00:23:01,440
Speaker 2: Huh.

427
00:23:01,600 --> 00:23:04,119
Speaker 9: Well, I'm sorry, I'm sorry to interrupt.

428
00:23:04,400 --> 00:23:06,600
Speaker 10: Remind me what my role is because last time I remember,

429
00:23:06,680 --> 00:23:08,240
Speaker 10: you guys were just asking me for my opinion.

430
00:23:08,400 --> 00:23:12,960
Speaker 3: Thank you for your apology. Yes, let me just asking you.

431
00:23:13,000 --> 00:23:14,560
Speaker 10: For I'm not sure if you want me to get

432
00:23:14,600 --> 00:23:17,240
Speaker 10: a collaborator in what you know what I mean, Like

433
00:23:17,280 --> 00:23:19,080
Speaker 10: you just asked me, and I'm like wondering if that's

434
00:23:19,119 --> 00:23:20,359
Speaker 10: like a suggestion from the audience.

435
00:23:22,160 --> 00:23:25,120
Speaker 9: Am I in the room? You know what I mean?

436
00:23:25,320 --> 00:23:26,080
Speaker 9: Am I in the room?

437
00:23:26,520 --> 00:23:27,479
Speaker 3: What do you need?

438
00:23:27,840 --> 00:23:27,919
Speaker 10: Like?

439
00:23:28,040 --> 00:23:31,480
Speaker 3: What is it? There's obviously you have an agenda, there's

440
00:23:32,119 --> 00:23:32,760
Speaker 3: something you.

441
00:23:32,720 --> 00:23:34,520
Speaker 10: Wanted to come in here with an agenda. I just

442
00:23:34,560 --> 00:23:35,840
Speaker 10: want to know where my place is.

443
00:23:36,800 --> 00:23:45,320
Speaker 2: Okay, Uh, you can be assistant boss to the King

444
00:23:45,359 --> 00:23:46,120
Speaker 2: of the musical.

445
00:23:46,720 --> 00:23:47,360
Speaker 9: Who's the king?

446
00:23:48,040 --> 00:23:53,040
Speaker 3: Well? Probably yeah, I'll take it just the way I,

447
00:23:53,280 --> 00:23:54,879
Speaker 3: you know, kind of present myself.

448
00:23:55,560 --> 00:23:57,320
Speaker 5: It seems like I would be I would be the

449
00:23:57,400 --> 00:24:01,119
Speaker 5: King of the musical and I'm the Archduke. But we

450
00:24:01,200 --> 00:24:04,760
Speaker 5: need something that's like we know about all this Hamilton

451
00:24:04,880 --> 00:24:06,560
Speaker 5: and how everyone wants Hamilton.

452
00:24:07,000 --> 00:24:10,280
Speaker 4: Yeah, the three sisters warming up.

453
00:24:10,400 --> 00:24:14,119
Speaker 9: Hame came Milton.

454
00:24:13,960 --> 00:24:20,359
Speaker 2: Yes, Hame, Milton, yeah, yes, and Milton like that Nerdy

455
00:24:20,359 --> 00:24:21,359
Speaker 2: Simpson's character.

456
00:24:22,000 --> 00:24:25,800
Speaker 3: Everything's coming up Milton. Remember Bart's friends with him? What

457
00:24:25,920 --> 00:24:26,399
Speaker 3: a dork?

458
00:24:26,800 --> 00:24:29,080
Speaker 2: How come Bart is so cool and badass and his

459
00:24:29,080 --> 00:24:30,719
Speaker 2: friend is his only friend?

460
00:24:30,800 --> 00:24:36,040
Speaker 3: Is make you wonder? Really? And he's instantly getting beat up? Yeah?

461
00:24:36,160 --> 00:24:39,200
Speaker 2: Is he as badass as we think? Well that's interesting.

462
00:24:39,240 --> 00:24:43,640
Speaker 2: Actually that's cool there. So anyway, it's ham Milton. That's

463
00:24:43,720 --> 00:24:48,600
Speaker 2: the hotness. Everyone loves it. Can we get in there?

464
00:24:48,760 --> 00:24:49,200
Speaker 9: Top it?

465
00:24:49,359 --> 00:24:52,119
Speaker 3: Yeah? Can we top it? Famous person we can do

466
00:24:52,760 --> 00:24:53,439
Speaker 3: something about.

467
00:24:53,840 --> 00:24:57,359
Speaker 2: And since you want to be assistant boss, like, maybe

468
00:24:57,400 --> 00:24:59,399
Speaker 2: you have an idea for a famous person like a

469
00:24:59,600 --> 00:25:05,359
Speaker 2: history figure ideally mm hmmm is that a female version

470
00:25:05,880 --> 00:25:09,200
Speaker 2: historical figurine? Yes, like a ballerine.

471
00:25:10,359 --> 00:25:12,640
Speaker 9: M what about Barishnikovs?

472
00:25:13,600 --> 00:25:18,640
Speaker 3: That could be interesting? Who is he already has.

473
00:25:20,000 --> 00:25:22,560
Speaker 9: Music around him?

474
00:25:22,760 --> 00:25:26,240
Speaker 5: We want someone that doesn't have We want to make

475
00:25:26,320 --> 00:25:27,800
Speaker 5: the musical connection.

476
00:25:28,040 --> 00:25:30,360
Speaker 9: Bobby Fla mm hmm.

477
00:25:31,680 --> 00:25:31,960
Speaker 3: Good.

478
00:25:32,359 --> 00:25:38,400
Speaker 2: I mean maybe more political than we wanted. I I

479
00:25:38,440 --> 00:25:42,640
Speaker 2: had a pitch and you just react to it. This

480
00:25:42,680 --> 00:25:50,320
Speaker 2: isn't taken away from your role Joe the plumber that

481
00:25:50,440 --> 00:25:53,639
Speaker 2: feels red hot. I feel like in terms of just

482
00:25:53,680 --> 00:25:54,880
Speaker 2: what's tweeting right now.

483
00:25:54,880 --> 00:25:57,880
Speaker 9: I'm gonna be honest with you. I love that idea.

484
00:25:58,119 --> 00:25:59,000
Speaker 3: It feels good.

485
00:25:59,160 --> 00:26:02,640
Speaker 5: And so this is why maybe the previous role we'd

486
00:26:02,640 --> 00:26:04,040
Speaker 5: set up for everyone makes sense.

487
00:26:04,640 --> 00:26:06,800
Speaker 10: I feel like I want to be higher up on

488
00:26:06,840 --> 00:26:09,959
Speaker 10: the chain because I'm so it's like, you know how

489
00:26:09,960 --> 00:26:12,480
Speaker 10: everyone's all about OJ you.

490
00:26:12,400 --> 00:26:18,159
Speaker 9: Know, this is like a little after but it's still

491
00:26:20,400 --> 00:26:26,520
Speaker 9: Oh I okay, what was I saying? Yeah, but it's

492
00:26:26,520 --> 00:26:27,400
Speaker 9: still not now?

493
00:26:28,040 --> 00:26:32,240
Speaker 2: No, no, yeah, no, we don't want to do anything

494
00:26:32,280 --> 00:26:34,960
Speaker 2: that's now because we don't know if it could stand

495
00:26:34,960 --> 00:26:35,720
Speaker 2: the test of time.

496
00:26:36,640 --> 00:26:41,080
Speaker 3: Like Jo held up, he's been vetted by history.

497
00:26:41,160 --> 00:26:46,479
Speaker 10: Well, it's also like he's never left pub Lake, right exactly.

498
00:26:46,480 --> 00:26:47,760
Speaker 9: We're always talking about him.

499
00:26:47,880 --> 00:26:50,320
Speaker 3: Yes, he not singing about him before.

500
00:26:50,600 --> 00:26:52,760
Speaker 2: No, we haven't saying about him or heard him sing

501
00:26:52,840 --> 00:26:57,080
Speaker 2: his story. Yes, so that feels like the right area.

502
00:26:57,080 --> 00:27:00,679
Speaker 2: I'm glad I come up with it and now say

503
00:27:01,480 --> 00:27:05,200
Speaker 2: what he did, just so we have a framework of

504
00:27:05,280 --> 00:27:08,160
Speaker 2: what some of the songs will be. And I seem

505
00:27:08,280 --> 00:27:12,680
Speaker 2: to remember that he is friends with John McCain or

506
00:27:12,760 --> 00:27:14,520
Speaker 2: John McCain pretended he's his friend.

507
00:27:14,640 --> 00:27:17,920
Speaker 10: I thought it was more about Sarah Palin than you think. Yeah,

508
00:27:17,960 --> 00:27:19,920
Speaker 10: I thought, well, because it's nice to have a female

509
00:27:20,000 --> 00:27:21,320
Speaker 10: like lead, I think.

510
00:27:21,520 --> 00:27:24,080
Speaker 2: And already we have a rich song where it's is

511
00:27:24,080 --> 00:27:28,040
Speaker 2: it McCain or Palin? You know, and doesn't that feel

512
00:27:28,080 --> 00:27:31,159
Speaker 2: like which one of reggae island Beat?

513
00:27:31,440 --> 00:27:35,520
Speaker 5: What was the first thing where he Obama was trying

514
00:27:35,560 --> 00:27:38,160
Speaker 5: to talk and saying all this stuff, and then Joe

515
00:27:38,160 --> 00:27:40,680
Speaker 5: the Plumber was like, hang on, what about this?

516
00:27:40,920 --> 00:27:49,080
Speaker 2: And Obama was like, you know, yeah, so maybe, yeah,

517
00:27:49,359 --> 00:27:52,160
Speaker 2: I think that might be right. And we don't one

518
00:27:52,200 --> 00:27:55,399
Speaker 2: thing that's a little tricky. Yeah, we don't want to

519
00:27:55,480 --> 00:27:58,919
Speaker 2: take sides in terms of if we like sure Obama

520
00:27:59,040 --> 00:28:01,880
Speaker 2: or even Joe the Plummer or anybody.

521
00:28:01,480 --> 00:28:03,320
Speaker 9: Doesn't need to be a political show.

522
00:28:03,480 --> 00:28:07,399
Speaker 2: It's a show for everybody. Do you like music? Do

523
00:28:07,480 --> 00:28:09,639
Speaker 2: you sort of remember what Joe the Plumber was about?

524
00:28:10,160 --> 00:28:12,600
Speaker 10: What if we opened a press conference, like the first

525
00:28:12,640 --> 00:28:16,720
Speaker 10: musical number is that that's look like you're into that

526
00:28:17,720 --> 00:28:20,680
Speaker 10: SA so like them that could be.

527
00:28:20,680 --> 00:28:24,760
Speaker 3: The ship that actually fucking owns.

528
00:28:24,480 --> 00:28:26,320
Speaker 10: Bro So what if you have you know, you have

529
00:28:26,359 --> 00:28:30,040
Speaker 10: the ensemble, you have like gathered and they're all like buzzing, right,

530
00:28:30,520 --> 00:28:31,000
Speaker 10: and then.

531
00:28:35,400 --> 00:28:36,720
Speaker 3: He's doing all this stuff.

532
00:28:37,000 --> 00:28:44,240
Speaker 2: He's right now, he's wearing it's cold in the winter,

533
00:28:44,760 --> 00:28:48,560
Speaker 2: and then all of a sudden, it's like fucking the Plumber,

534
00:28:49,680 --> 00:28:58,400
Speaker 2: you know, and should come under Obama's out first, Sorry.

535
00:28:57,880 --> 00:29:00,880
Speaker 9: What about this? Everybody's waiting for Obama to come.

536
00:29:01,320 --> 00:29:03,560
Speaker 10: Right, there's like and then there's like a lag, there's

537
00:29:03,560 --> 00:29:06,640
Speaker 10: like a pause, like silence, and you hear a toilet flushing.

538
00:29:08,000 --> 00:29:12,640
Speaker 2: Oh no, who's got a newspaper tucking under his No, it's.

539
00:29:12,480 --> 00:29:14,320
Speaker 3: Not that big toilet paper.

540
00:29:15,640 --> 00:29:17,800
Speaker 9: I see where you guys are going, and I expect

541
00:29:17,840 --> 00:29:18,320
Speaker 9: that direction.

542
00:29:18,400 --> 00:29:20,120
Speaker 10: But I was actually thinking that Joe the plumber would

543
00:29:20,120 --> 00:29:20,840
Speaker 10: come out with a plunger.

544
00:29:20,920 --> 00:29:25,600
Speaker 3: He fixed it. Yeah, he's not even here.

545
00:29:26,280 --> 00:29:28,320
Speaker 10: Well, then you want to hear it not working for well,

546
00:29:28,360 --> 00:29:30,840
Speaker 10: then he comes out and he's like, just a minute,

547
00:29:31,720 --> 00:29:33,360
Speaker 10: Obama will be right out.

548
00:29:34,400 --> 00:29:34,840
Speaker 9: Toilet.

549
00:29:35,880 --> 00:29:39,240
Speaker 2: So Obama was on it while he was working on it,

550
00:29:41,280 --> 00:29:42,640
Speaker 2: that's very I think he.

551
00:29:42,520 --> 00:29:47,160
Speaker 4: Was just peeing, uh huh, okay, sitting down.

552
00:29:48,360 --> 00:29:49,920
Speaker 3: I knew it like a man.

553
00:29:50,760 --> 00:29:54,600
Speaker 10: He was standing the way that a man looks like

554
00:29:54,600 --> 00:29:59,360
Speaker 10: like high noon, you know, like behind the cowboy shoulder.

555
00:30:00,280 --> 00:30:02,240
Speaker 9: That's how I do the villain's shoulder.

556
00:30:02,640 --> 00:30:05,280
Speaker 5: I sort of do it he noon, where like my

557
00:30:05,360 --> 00:30:08,680
Speaker 5: hands are out kind of ready to draw, and the

558
00:30:08,720 --> 00:30:10,760
Speaker 5: toilet is in case I need my hands.

559
00:30:10,840 --> 00:30:14,600
Speaker 10: Right, the toilet is the villain, yes, right, yes, even

560
00:30:14,640 --> 00:30:17,360
Speaker 10: though the toilets wearing white that's right.

561
00:30:17,400 --> 00:30:18,240
Speaker 3: He's got a white hat.

562
00:30:18,320 --> 00:30:20,120
Speaker 2: Oh yeah, and you've got a black T shirt on.

563
00:30:20,240 --> 00:30:23,840
Speaker 2: So now I'm thinking, heyes, are you sort of black bart?

564
00:30:24,360 --> 00:30:25,840
Speaker 3: And is the toilet.

565
00:30:25,440 --> 00:30:28,120
Speaker 9: Black, black board black bort?

566
00:30:28,360 --> 00:30:29,920
Speaker 3: This is an interesting sense.

567
00:30:31,240 --> 00:30:34,160
Speaker 5: This is an interesting thing to consider, actually, which is

568
00:30:34,200 --> 00:30:35,920
Speaker 5: all these characters should be black.

569
00:30:36,600 --> 00:30:38,920
Speaker 9: Oh, I don't know, we like Hamilton, you mean like

570
00:30:39,320 --> 00:30:40,160
Speaker 9: a diverse cat.

571
00:30:40,200 --> 00:30:42,760
Speaker 3: I know, people except Obama except Obama?

572
00:30:42,880 --> 00:30:46,240
Speaker 5: Yes, okay, who should be like from Alaska or something?

573
00:30:47,920 --> 00:30:50,880
Speaker 9: And then I would confuse the Sarah Pale Sarah.

574
00:30:50,640 --> 00:30:53,200
Speaker 3: Pal Yeah, so I guess she They can both be

575
00:30:53,840 --> 00:30:57,440
Speaker 3: some kind of freaky Eskimo Sarah Pale face. That's good.

576
00:30:57,840 --> 00:30:59,240
Speaker 3: Maybe the characters are not.

577
00:31:00,840 --> 00:31:04,400
Speaker 9: I don't think guys, my two centenses. I think we

578
00:31:04,400 --> 00:31:05,400
Speaker 9: should steer away from.

579
00:31:05,240 --> 00:31:08,920
Speaker 3: The Julie wants a white people.

580
00:31:10,800 --> 00:31:14,040
Speaker 10: Every roll cast It later for the best people for

581
00:31:14,120 --> 00:31:15,880
Speaker 10: the job, and that's almost about it.

582
00:31:16,000 --> 00:31:19,320
Speaker 5: I honestly thought we were past this. And to say

583
00:31:19,440 --> 00:31:21,880
Speaker 5: like best people for the job is saying.

584
00:31:21,640 --> 00:31:23,920
Speaker 2: Like what's code that's a dog whistle.

585
00:31:24,200 --> 00:31:26,800
Speaker 3: Yeah, that's saying that, you know, we get to decide

586
00:31:26,800 --> 00:31:29,520
Speaker 3: who the best people is. And if we're Julie, it's

587
00:31:29,560 --> 00:31:30,520
Speaker 3: gonna be white people.

588
00:31:30,720 --> 00:31:35,560
Speaker 2: Yeah, unfortunately, that's what Julie just said. That's really hard

589
00:31:35,560 --> 00:31:39,080
Speaker 2: for me to stomach as a friend of yours.

590
00:31:39,120 --> 00:31:43,720
Speaker 3: And that's the archduke on this musical.

591
00:31:43,880 --> 00:31:44,000
Speaker 2: Right.

592
00:31:45,000 --> 00:31:46,480
Speaker 3: So Obama comes.

593
00:31:46,200 --> 00:31:49,960
Speaker 9: Out right after Joe the Plumber.

594
00:31:50,000 --> 00:31:50,640
Speaker 3: Joe the Plumber.

595
00:31:50,800 --> 00:31:54,960
Speaker 5: So everyone's waiting for Obama and they whisper Obama, Obama,

596
00:31:55,040 --> 00:31:57,680
Speaker 5: and they're talking about waiting for Obama to come out

597
00:31:57,680 --> 00:32:01,160
Speaker 5: and see him. Right, you hear the toilet flush, big

598
00:32:01,480 --> 00:32:07,640
Speaker 5: hush flush. Joe the Plumber walks out with the plunger. Yeah,

599
00:32:07,680 --> 00:32:09,360
Speaker 5: and he says, this is Joe.

600
00:32:09,120 --> 00:32:13,360
Speaker 10: The Plunger, and then the audience just finally can let

601
00:32:13,400 --> 00:32:16,760
Speaker 10: it out, you know. Yeah, there's all this tension, and

602
00:32:16,800 --> 00:32:19,440
Speaker 10: he goes, this is Joe the Plunger, and then he says,

603
00:32:19,560 --> 00:32:20,840
Speaker 10: I'm Joe the Plumber.

604
00:32:21,360 --> 00:32:22,800
Speaker 3: Right, okay, he says that.

605
00:32:22,880 --> 00:32:25,200
Speaker 9: Now, well he sings it.

606
00:32:25,440 --> 00:32:26,640
Speaker 3: Okay, how would that go?

607
00:32:27,040 --> 00:32:29,520
Speaker 10: I imagine it would just be like, I'm Joe, I'm

608
00:32:29,600 --> 00:32:33,960
Speaker 10: Joe the plumb or okay, sort of like introducing a

609
00:32:34,080 --> 00:32:35,440
Speaker 10: character to the audience.

610
00:32:35,480 --> 00:32:41,000
Speaker 3: Song, I'm Joe the Plumber, This is Joe the Plunger.

611
00:32:41,240 --> 00:32:43,680
Speaker 3: Ha ha. That's and that was the audience. The whole

612
00:32:43,720 --> 00:32:47,720
Speaker 3: audience goes, how do they know to do that? Though?

613
00:32:47,800 --> 00:32:48,760
Speaker 9: Is that going to be on the program.

614
00:32:48,800 --> 00:32:51,600
Speaker 5: It's just a no, it's an audience on the stage.

615
00:32:51,680 --> 00:32:55,440
Speaker 5: The fake audience, I can see confusing. People who were

616
00:32:55,440 --> 00:32:58,080
Speaker 5: singing before were not the audience of the play. I

617
00:32:58,200 --> 00:33:00,560
Speaker 5: know that the audience of the play up, I'm not

618
00:33:00,720 --> 00:33:03,920
Speaker 5: the audience with the play is being quiet when you're.

619
00:33:03,800 --> 00:33:07,560
Speaker 10: Saying this is just a very syntactical question, which is

620
00:33:07,680 --> 00:33:09,880
Speaker 10: when you say audience, do you mean like actors playing

621
00:33:09,920 --> 00:33:14,479
Speaker 10: reporters at the press conference who generally sit where audience sits.

622
00:33:15,200 --> 00:33:16,840
Speaker 3: Yes, the audio theater of politics.

623
00:33:16,880 --> 00:33:19,680
Speaker 5: Yes, I can't presume to control what the audience is

624
00:33:19,760 --> 00:33:23,680
Speaker 5: gonna say or saying. If only I had that that

625
00:33:23,720 --> 00:33:24,640
Speaker 5: that sort of power.

626
00:33:24,800 --> 00:33:30,400
Speaker 3: But my sandbox is the stage, and so there comes

627
00:33:30,400 --> 00:33:33,600
Speaker 3: a sandbox, and so if.

628
00:33:33,520 --> 00:33:35,880
Speaker 5: You know, I can run this dumb truck along and

629
00:33:35,920 --> 00:33:38,520
Speaker 5: like fill this bucket and things like that, But the audience,

630
00:33:38,920 --> 00:33:41,920
Speaker 5: which is a grass, is out of my sandbox.

631
00:33:42,000 --> 00:33:44,600
Speaker 3: Got mm hmm, or it's assphalt. Yeah.

632
00:33:44,840 --> 00:33:48,080
Speaker 2: One thing you could maybe rhyme with plumber and plunger

633
00:33:48,200 --> 00:33:50,520
Speaker 2: is if this guy calls Obama obummer.

634
00:33:51,440 --> 00:33:58,200
Speaker 3: Yes, that's good. So yeah, the plunge or here comes

635
00:33:58,200 --> 00:34:02,640
Speaker 3: Obama er and then Obama comes out.

636
00:34:02,800 --> 00:34:06,680
Speaker 2: Obamer takes the stage, walks up to the mic, yep,

637
00:34:07,280 --> 00:34:09,120
Speaker 2: and this probably isn't a song part.

638
00:34:09,200 --> 00:34:14,080
Speaker 3: His first line is like, does anybody have any questions? Yes?

639
00:34:14,200 --> 00:34:16,400
Speaker 10: Oh, I thought you're going to do a toilet thing, Like,

640
00:34:16,440 --> 00:34:18,320
Speaker 10: does anyone have any like toilet paper or something?

641
00:34:18,400 --> 00:34:18,600
Speaker 6: Oh?

642
00:34:19,000 --> 00:34:22,760
Speaker 9: But no, I'm sorry, I'm.

643
00:34:22,640 --> 00:34:26,080
Speaker 3: Just the toilet obsession. Sometimes I feel like, when is

644
00:34:26,120 --> 00:34:28,279
Speaker 3: this going to end? I feel like I.

645
00:34:28,239 --> 00:34:30,640
Speaker 10: Can finish your thoughts, and other times I feel like

646
00:34:30,640 --> 00:34:32,000
Speaker 10: I'm on a completely different page.

647
00:34:32,120 --> 00:34:36,480
Speaker 3: If it's a toilet thing, you usually can but.

648
00:34:37,080 --> 00:34:42,480
Speaker 10: That one and he's really gonna sing. What I was

649
00:34:42,520 --> 00:34:45,520
Speaker 10: going to say was that maybe Bummer starts to sing,

650
00:34:45,960 --> 00:34:49,080
Speaker 10: but then Joe the Plumber like interrupts him because he's

651
00:34:49,120 --> 00:34:51,360
Speaker 10: like acting like a ham.

652
00:34:51,120 --> 00:34:54,520
Speaker 3: Because Obama is Joe the plumb Oh, Joe the Plumber

653
00:34:54,600 --> 00:34:55,600
Speaker 3: now wants to be.

654
00:34:55,560 --> 00:34:57,440
Speaker 2: The star of the show, right.

655
00:34:57,320 --> 00:34:59,640
Speaker 5: Yeah, Well, we also want him to be brave and

656
00:35:00,000 --> 00:35:02,480
Speaker 5: actually calling Obama out on some of his bs.

657
00:35:02,520 --> 00:35:05,200
Speaker 10: So maybe you should go to the back of the

658
00:35:05,200 --> 00:35:09,240
Speaker 10: theater of the politics on the stage behind the reporter.

659
00:35:09,440 --> 00:35:10,600
Speaker 9: Yes, because it's his turn.

660
00:35:10,760 --> 00:35:13,080
Speaker 5: He actually didn't, if you actually remember what it was.

661
00:35:13,120 --> 00:35:15,640
Speaker 5: He actually never thought he was gonna He wasn't doing

662
00:35:15,680 --> 00:35:18,440
Speaker 5: this to be famous, big famous star. He just like

663
00:35:18,480 --> 00:35:20,880
Speaker 5: when he sees bs he has to clear out of

664
00:35:20,880 --> 00:35:26,160
Speaker 5: the pipes. And so Obama's up there, let's do it.

665
00:35:26,200 --> 00:35:31,719
Speaker 5: Obama's like, listen, all you people, obey my laws. You

666
00:35:31,920 --> 00:35:36,080
Speaker 5: better believe that I'm the boss. I'm more famous than

667
00:35:36,120 --> 00:35:37,719
Speaker 5: the Wizard of Us.

668
00:35:39,640 --> 00:35:45,560
Speaker 11: Sure, And then Joe the Plubber is like, hold up,

669
00:35:46,640 --> 00:35:51,160
Speaker 11: and maybe he goes, I don't care for Obama.

670
00:35:51,320 --> 00:35:55,360
Speaker 3: Care. This drain's clogged with too much hair.

671
00:35:57,719 --> 00:36:02,040
Speaker 2: Hey, you guys over there, listen to me.

672
00:36:03,440 --> 00:36:06,560
Speaker 4: Let's take the stairs. They all go up, sir, and

673
00:36:06,600 --> 00:36:07,080
Speaker 4: they all go.

674
00:36:07,080 --> 00:36:10,640
Speaker 2: Up the stairs to the stage to rush the stage.

675
00:36:11,400 --> 00:36:13,759
Speaker 5: You know I've done this before, Oh, to rush the

676
00:36:13,760 --> 00:36:18,280
Speaker 5: press conference. Yes, that's where the stairs are.

677
00:36:18,600 --> 00:36:19,840
Speaker 10: I thought you were on the second floor of the

678
00:36:19,880 --> 00:36:22,080
Speaker 10: White House, and I was excited about a new set.

679
00:36:22,440 --> 00:36:26,560
Speaker 2: Oh well, okay, how do I work in what the

680
00:36:26,600 --> 00:36:28,240
Speaker 2: assistant boss thought.

681
00:36:29,360 --> 00:36:31,600
Speaker 9: It's just just a note. You could take it or

682
00:36:31,640 --> 00:36:32,000
Speaker 9: leave it.

683
00:36:32,640 --> 00:36:34,880
Speaker 3: No, we have to because of your title.

684
00:36:34,920 --> 00:36:37,160
Speaker 9: Now, I want my title to be Queenie.

685
00:36:38,600 --> 00:36:39,440
Speaker 3: That's your title.

686
00:36:40,280 --> 00:36:40,760
Speaker 9: It doesn't.

687
00:36:41,400 --> 00:36:44,759
Speaker 10: It doesn't need to bring power with it.

688
00:36:45,400 --> 00:36:48,160
Speaker 9: I just want I just want to be like Queen.

689
00:36:48,239 --> 00:36:50,360
Speaker 3: Yeah, the stand or something.

690
00:36:51,960 --> 00:36:57,120
Speaker 2: Easy like the ecstasy Queen, And you're rolling your face

691
00:36:57,160 --> 00:36:58,920
Speaker 2: off in a business meeting.

692
00:37:00,760 --> 00:37:05,440
Speaker 3: That's fucked up, man, I mean are not You're not

693
00:37:05,480 --> 00:37:06,239
Speaker 3: sharing the love.

694
00:37:06,800 --> 00:37:09,440
Speaker 10: No, I'm going to just sit here and give myself

695
00:37:09,440 --> 00:37:10,279
Speaker 10: a massage.

696
00:37:12,320 --> 00:37:17,680
Speaker 2: Oh wow, that must be some really clean stuff. So anyway,

697
00:37:17,800 --> 00:37:23,120
Speaker 2: Queen E want you guys hear that? Yeah, that's funny.

698
00:37:23,200 --> 00:37:24,640
Speaker 3: I did hear that.

699
00:37:24,640 --> 00:37:28,600
Speaker 2: That's that's fucked up to think about. But it's actually

700
00:37:28,680 --> 00:37:29,479
Speaker 2: very funny too.

701
00:37:29,880 --> 00:37:31,399
Speaker 9: Are we on the second floor of the White House

702
00:37:31,480 --> 00:37:33,880
Speaker 9: or did you like that? We have?

703
00:37:35,040 --> 00:37:36,840
Speaker 2: So now we're on the second floor of the The

704
00:37:36,840 --> 00:37:38,279
Speaker 2: White House is in Chicago.

705
00:37:39,080 --> 00:37:41,719
Speaker 3: Yeah, unfortunately we were before, I.

706
00:37:41,640 --> 00:37:43,440
Speaker 9: Think because he hasn't been elected.

707
00:37:44,640 --> 00:37:47,520
Speaker 3: I know he has not been elected yet, because that's

708
00:37:47,560 --> 00:37:51,960
Speaker 3: why McCain campaign hometown beat up.

709
00:37:52,120 --> 00:37:57,000
Speaker 5: Yes, right, And so now we're on the second floor

710
00:37:57,040 --> 00:38:00,640
Speaker 5: of the White House, I guess, and Obama's ready to

711
00:38:00,719 --> 00:38:01,320
Speaker 5: jump off.

712
00:38:01,840 --> 00:38:06,000
Speaker 2: He's so suppressed. Yeah, sad about what happened, but he's

713
00:38:06,000 --> 00:38:07,200
Speaker 2: not in the White House yet.

714
00:38:07,680 --> 00:38:08,080
Speaker 3: Mm hmm.

715
00:38:08,640 --> 00:38:15,120
Speaker 5: So maybe George Bush invited him over for a snack. Okay,

716
00:38:15,640 --> 00:38:21,920
Speaker 5: and and Obama was saying, George.

717
00:38:21,560 --> 00:38:28,560
Speaker 3: You'll never believe my story. Joe the Plumber has destroyed me. Quick,

718
00:38:28,640 --> 00:38:31,000
Speaker 3: do jump off the White.

719
00:38:30,640 --> 00:38:35,040
Speaker 2: House past the fiddle, faddle that's bush.

720
00:38:35,239 --> 00:38:36,400
Speaker 9: Oh that's so funny.

721
00:38:36,480 --> 00:38:39,840
Speaker 3: Yeah, because he's just focused on the snacks. Yeah, that'll be.

722
00:38:39,840 --> 00:38:41,120
Speaker 9: A fun part for someone.

723
00:38:41,480 --> 00:38:44,440
Speaker 4: Yeah, that we could stunt. We can definitely stunt.

724
00:38:44,440 --> 00:38:46,640
Speaker 9: That be a fun part for someone.

725
00:38:46,719 --> 00:38:47,399
Speaker 3: Fun Yeah.

726
00:38:47,560 --> 00:38:51,600
Speaker 2: No, that's a great role for the right comedic comedian.

727
00:38:51,680 --> 00:38:53,920
Speaker 10: I think they're just all comedian. I think of anyone

728
00:38:53,960 --> 00:38:55,640
Speaker 10: who could be funny. It's funny.

729
00:38:55,840 --> 00:38:58,439
Speaker 2: Yeah, So how do we stunt this one?

730
00:38:58,960 --> 00:39:02,359
Speaker 10: Julie Bowen is a median, sure, you know what I mean?

731
00:39:02,560 --> 00:39:05,320
Speaker 9: Yeah, because she's so funny bowing.

732
00:39:06,160 --> 00:39:09,080
Speaker 3: She's the woman of a thousand faces. She could do it. Well.

733
00:39:09,239 --> 00:39:12,920
Speaker 10: Just that's why she's named after David Bowen, Yeah, bowing

734
00:39:12,960 --> 00:39:15,160
Speaker 10: it because he had some Bowen does bush?

735
00:39:15,320 --> 00:39:17,560
Speaker 4: I mean that's you know, that's all.

736
00:39:17,719 --> 00:39:20,960
Speaker 10: You're already like up to that that you would cast

737
00:39:21,200 --> 00:39:21,840
Speaker 10: a gender.

738
00:39:22,239 --> 00:39:23,840
Speaker 9: That's so that's cool.

739
00:39:23,920 --> 00:39:26,120
Speaker 2: Well, yeah, that's what we're saying, right, that's a fun

740
00:39:26,480 --> 00:39:28,400
Speaker 2: where the lion's past the fiddle.

741
00:39:28,800 --> 00:39:31,040
Speaker 5: Now, we know where the line is for Juliet It No, No,

742
00:39:31,080 --> 00:39:33,200
Speaker 5: I'm just I'm catching up gender stuff.

743
00:39:33,320 --> 00:39:34,880
Speaker 3: The gender minute.

744
00:39:35,120 --> 00:39:35,840
Speaker 9: I'm rolling.

745
00:39:36,200 --> 00:39:39,319
Speaker 3: I'm a woman, so I like that other women are

746
00:39:39,320 --> 00:39:41,799
Speaker 3: doing stuff, but I'm not black, so none of them

747
00:39:41,800 --> 00:39:43,320
Speaker 3: are allowed to do anything.

748
00:39:43,680 --> 00:39:45,640
Speaker 9: Are you talking or are you pretending to be?

749
00:39:45,880 --> 00:39:47,640
Speaker 5: I'm just having to be inside your head right now,

750
00:39:47,680 --> 00:39:51,000
Speaker 5: and I'm just saying exactly what your brain is saying.

751
00:39:51,120 --> 00:39:52,040
Speaker 3: Are you guys both.

752
00:39:51,840 --> 00:39:56,840
Speaker 9: Mad at me? It's not that, but there's something going on.

753
00:39:56,960 --> 00:39:59,120
Speaker 3: That is going on, but that's not what you're picking

754
00:39:59,200 --> 00:39:59,440
Speaker 3: up on.

755
00:40:00,000 --> 00:40:03,520
Speaker 9: Okay, we would tell me or should I guess? Like

756
00:40:03,600 --> 00:40:07,279
Speaker 9: rum Stiltskin, uh.

757
00:40:08,840 --> 00:40:12,240
Speaker 3: Voice, Yeah, the story.

758
00:40:12,600 --> 00:40:14,719
Speaker 10: Actually he was guessing which house to go to because

759
00:40:14,719 --> 00:40:16,839
Speaker 10: he had directions and it was just like there wasn't

760
00:40:16,880 --> 00:40:19,799
Speaker 10: a number at the time. It was just like you'll

761
00:40:19,840 --> 00:40:22,440
Speaker 10: know which house it is, You'll know.

762
00:40:23,040 --> 00:40:25,800
Speaker 3: Yeah, which house is the gold stuff?

763
00:40:25,840 --> 00:40:32,120
Speaker 2: And what a stupid idiot he was, rumpus, Yeah, you've

764
00:40:32,160 --> 00:40:33,400
Speaker 2: got I guess my name?

765
00:40:34,160 --> 00:40:36,920
Speaker 3: Like why even give her an out? You hold all

766
00:40:36,920 --> 00:40:40,640
Speaker 3: the cards? Man too clever for his own good? Remind

767
00:40:40,640 --> 00:40:41,239
Speaker 3: you anybody?

768
00:40:42,160 --> 00:40:47,480
Speaker 2: So at this point, Bush is focused on the snacks.

769
00:40:47,760 --> 00:40:50,120
Speaker 2: Bummer's about to jump off the roof of the White House.

770
00:40:50,280 --> 00:40:51,920
Speaker 9: Where's Joe? Where's our hero?

771
00:40:52,400 --> 00:40:55,080
Speaker 2: Yeah, seems like Joe needs to get involved.

772
00:40:55,600 --> 00:40:56,800
Speaker 9: Is he in the bathroom again?

773
00:40:58,480 --> 00:41:00,720
Speaker 3: Okay, so we hear the toilet again.

774
00:41:01,080 --> 00:41:03,840
Speaker 10: Yeah, but it's but what if it sounds like a

775
00:41:03,920 --> 00:41:06,080
Speaker 10: little weird, like it could still be broken.

776
00:41:06,360 --> 00:41:07,600
Speaker 4: So it's like a weird flush.

777
00:41:07,600 --> 00:41:08,560
Speaker 3: It's like a flush.

778
00:41:09,960 --> 00:41:11,719
Speaker 9: Maybe the toilet has a funny song.

779
00:41:11,840 --> 00:41:18,640
Speaker 2: Oh, the toilets have more toilet stuff. I got a

780
00:41:18,680 --> 00:41:19,719
Speaker 2: little bigger with it.

781
00:41:20,080 --> 00:41:23,840
Speaker 8: Yeah, now the toilet is a major character that comes

782
00:41:23,840 --> 00:41:27,600
Speaker 8: out well, and the toilet is forgotten by Joe the

783
00:41:27,600 --> 00:41:32,400
Speaker 8: Plumber mainly that was his business and now politics.

784
00:41:35,080 --> 00:41:35,839
Speaker 3: That's what I mean.

785
00:41:36,640 --> 00:41:39,360
Speaker 9: Fix me now to chase him around.

786
00:41:39,360 --> 00:41:43,080
Speaker 5: In a dream sequence, the toilet is chasing Joe the Plumber.

787
00:41:43,480 --> 00:41:46,360
Speaker 9: Yeah, because he's like, come back to your Joe.

788
00:41:47,040 --> 00:41:48,240
Speaker 3: I need to be fixed.

789
00:41:48,600 --> 00:41:51,080
Speaker 9: I think we I think we basically got it that well.

790
00:41:51,320 --> 00:41:52,800
Speaker 2: We got the toilet song.

791
00:41:53,280 --> 00:41:55,080
Speaker 3: I don't know what their song. We're forgetting.

792
00:41:55,160 --> 00:41:56,320
Speaker 9: This is all polished.

793
00:41:56,320 --> 00:42:01,960
Speaker 2: I'm don maccain, I'm done mcain, I'm doin, I'm McCain.

794
00:42:02,000 --> 00:42:05,719
Speaker 3: I'm tell McCain. This should probably be like sort of

795
00:42:05,719 --> 00:42:10,240
Speaker 3: an Operetta. Yeah, he's doing it. Yes, yes, like Porky

796
00:42:10,280 --> 00:42:17,359
Speaker 3: and Bess where it is all songs? Yeah, No talks mccains.

797
00:42:18,760 --> 00:42:20,160
Speaker 9: The opposite of a Ted Talks.

798
00:42:20,880 --> 00:42:24,560
Speaker 3: Yes, the opposite of a Ted Talks is a nice musical.

799
00:42:24,600 --> 00:42:27,640
Speaker 2: I wouldn't mind if that Levi character who knocked up

800
00:42:27,680 --> 00:42:29,960
Speaker 2: the Paling Girl has a song too.

801
00:42:30,360 --> 00:42:32,200
Speaker 9: He could be sexy and shirtless.

802
00:42:32,400 --> 00:42:36,919
Speaker 3: Yeah. My first name is Jeans, you know, like he's

803
00:42:36,960 --> 00:42:39,279
Speaker 3: got something going on like that, and my my last

804
00:42:39,360 --> 00:42:42,240
Speaker 3: name is Weens because it's Johnson.

805
00:42:42,520 --> 00:42:47,480
Speaker 2: Yeah, is there something this might be in between the

806
00:42:47,640 --> 00:42:48,840
Speaker 2: man of your dreams?

807
00:42:54,680 --> 00:42:57,080
Speaker 9: It's like you're holding onto like a motorcycle.

808
00:42:57,560 --> 00:42:59,240
Speaker 3: Oh he's riding no bugg.

809
00:43:00,840 --> 00:43:03,000
Speaker 9: Called like these are like pegs.

810
00:43:05,520 --> 00:43:06,560
Speaker 3: Sorry about the handlebars?

811
00:43:06,640 --> 00:43:11,080
Speaker 9: Yeah yeah. Yeah, here's a little like sort of a

812
00:43:12,320 --> 00:43:16,000
Speaker 9: you know, fun Oh no, I don't.

813
00:43:18,200 --> 00:43:18,360
Speaker 2: Like this.

814
00:43:18,520 --> 00:43:21,080
Speaker 9: I was actually it was a little witty.

815
00:43:21,239 --> 00:43:23,480
Speaker 10: It was like a little witty like who's the guy

816
00:43:23,680 --> 00:43:27,320
Speaker 10: like Will Schwortz, you know, likez Puzzleman.

817
00:43:27,600 --> 00:43:31,840
Speaker 9: Yeah, I was thinking because you said Jeans.

818
00:43:31,640 --> 00:43:35,799
Speaker 3: Colman versus Batman versus Superman. You know what I mean?

819
00:43:35,880 --> 00:43:38,240
Speaker 2: That's a sequel even more guys fighting.

820
00:43:39,040 --> 00:43:43,720
Speaker 3: Of course, now we need more superhero. Great, but go ahead.

821
00:43:45,560 --> 00:43:47,680
Speaker 10: I was just thinking that, like LEVI, when you said

822
00:43:47,719 --> 00:43:50,960
Speaker 10: my jeans and stuff, maybe he's like, welcome to my

823
00:43:51,160 --> 00:43:54,200
Speaker 10: jean pool and then he like comes on his own hands.

824
00:43:57,120 --> 00:44:00,520
Speaker 2: Should at least be coming into a he's at least

825
00:44:00,560 --> 00:44:02,160
Speaker 2: come like a dead pool.

826
00:44:02,320 --> 00:44:05,160
Speaker 9: Yeah, oh, why do you have the deadpool?

827
00:44:05,280 --> 00:44:07,759
Speaker 3: Deadpool versus like that comes out?

828
00:44:07,840 --> 00:44:09,480
Speaker 9: And because you like that?

829
00:44:09,840 --> 00:44:12,759
Speaker 3: Is he even here? He hasn't really been summoned by

830
00:44:12,840 --> 00:44:13,440
Speaker 3: somebody else.

831
00:44:13,560 --> 00:44:17,760
Speaker 9: Do not take my picture. I am not even kidding today, Cody.

832
00:44:18,560 --> 00:44:21,720
Speaker 3: Not a good day. Not a good day for me, Cody.

833
00:44:22,640 --> 00:44:24,719
Speaker 9: I don't even want to know what happened with me

834
00:44:24,840 --> 00:44:25,839
Speaker 9: before I came over here.

835
00:44:25,920 --> 00:44:29,400
Speaker 3: Cody, you have to be Jewel in the picture. Julie's

836
00:44:29,440 --> 00:44:30,480
Speaker 3: trying to be cool about you.

837
00:44:30,640 --> 00:44:33,919
Speaker 5: Actually this earlier, Actually, this is a good opportunity for you, Cody,

838
00:44:33,960 --> 00:44:35,320
Speaker 5: and please try to make the most of it.

839
00:44:35,520 --> 00:44:37,280
Speaker 3: Yeah, usually just being Cody.

840
00:44:38,160 --> 00:44:39,799
Speaker 9: Stick them out, Cody, and that so.

841
00:44:40,000 --> 00:44:45,839
Speaker 3: Far has been a resounding failure. And get and get

842
00:44:45,920 --> 00:44:47,080
Speaker 3: some shots of me. Though.

843
00:44:47,280 --> 00:44:49,520
Speaker 9: Did you guys like that come in his own hands thing?

844
00:44:49,719 --> 00:44:50,399
Speaker 9: It's hard to tell.

845
00:44:50,640 --> 00:44:52,560
Speaker 2: Well, I think it should at least be in a pool,

846
00:44:54,640 --> 00:44:57,279
Speaker 2: a pool no, it pulls up on his hand. I

847
00:44:57,400 --> 00:44:59,520
Speaker 2: understand that, but I don't think that's going.

848
00:44:59,480 --> 00:45:03,440
Speaker 9: To re in his hands like Eminem's oh.

849
00:45:03,680 --> 00:45:07,319
Speaker 3: Right, like the rapper mm hmm. That guy could flow, man.

850
00:45:07,800 --> 00:45:11,120
Speaker 4: I mean, look, he's a little older, but uh.

851
00:45:11,280 --> 00:45:14,880
Speaker 3: Remember when Borat's friend fell on him, he was like,

852
00:45:15,239 --> 00:45:18,000
Speaker 3: cut this freaking put out of my face. That was real.

853
00:45:19,040 --> 00:45:21,440
Speaker 3: I really did that. He was actually really mass.

854
00:45:21,400 --> 00:45:24,800
Speaker 9: Between him and Triumph, like Eminem had a really hard.

855
00:45:26,080 --> 00:45:26,319
Speaker 3: Time.

856
00:45:26,600 --> 00:45:29,120
Speaker 9: Yes, you like comedians were constantly trying to do fun

857
00:45:29,160 --> 00:45:29,560
Speaker 9: as well.

858
00:45:29,719 --> 00:45:32,839
Speaker 3: Yeah, uh huh, put this freaking dog out of here. Yes,

859
00:45:32,960 --> 00:45:34,600
Speaker 3: stop making this dog make fun of me.

860
00:45:35,040 --> 00:45:37,240
Speaker 10: I'm just trying to collaborate with Elton John.

861
00:45:38,040 --> 00:45:43,360
Speaker 3: Yeah that was weird, don't you think why because you

862
00:45:43,400 --> 00:45:45,279
Speaker 3: don't think people should be allowed to sing songs with

863
00:45:45,360 --> 00:45:48,480
Speaker 3: gay people as well? Where the.

864
00:45:51,000 --> 00:45:54,719
Speaker 10: Only night I don't wanted, I don't know's phone didn't ring?

865
00:45:55,200 --> 00:45:57,560
Speaker 2: And so now it's yeah, now that woman it was

866
00:45:57,640 --> 00:46:00,319
Speaker 2: making a point, has to be the winner over the game.

867
00:46:00,440 --> 00:46:03,440
Speaker 3: Man, What was the point Felton John's cool with it?

868
00:46:04,800 --> 00:46:07,799
Speaker 2: Can everybody sing? Does it have to be just white

869
00:46:07,880 --> 00:46:10,959
Speaker 2: women who are doing this? Only white women could sing? Okay,

870
00:46:11,000 --> 00:46:13,279
Speaker 2: I'll just be Dido and Celine Dion.

871
00:46:15,400 --> 00:46:18,919
Speaker 9: Seen lives, father, husband died, sad.

872
00:46:19,440 --> 00:46:23,960
Speaker 2: Okay, well, of course it's sad. That's why we don't

873
00:46:24,120 --> 00:46:26,320
Speaker 2: bring it up on the show. You don't think I

874
00:46:26,560 --> 00:46:28,759
Speaker 2: could bring that up if I want? Great note to

875
00:46:28,960 --> 00:46:29,200
Speaker 2: end on?

876
00:46:30,040 --> 00:46:31,080
Speaker 9: Are weding?

877
00:46:31,160 --> 00:46:33,319
Speaker 3: Cody has a heart app Cody has a heart out?

878
00:46:33,719 --> 00:46:34,400
Speaker 3: What do you have to do?

879
00:46:34,800 --> 00:46:36,040
Speaker 9: You have to put that red wig on?

880
00:46:36,160 --> 00:46:37,840
Speaker 3: What are you go going on? Cody meeting up with

881
00:46:37,920 --> 00:46:40,160
Speaker 3: my girlfriend? We're going to go to Dollar Tree. Oh yeah,

882
00:46:40,239 --> 00:46:44,359
Speaker 3: that sounds like any time before the show? Who did

883
00:46:44,440 --> 00:46:48,960
Speaker 3: a upside down push up? Did a handstand? Hands? Did

884
00:46:49,000 --> 00:46:51,520
Speaker 3: a push up while he was doing a handstand? Makes

885
00:46:51,560 --> 00:46:53,319
Speaker 3: me think what kind of action these guys must get

886
00:46:53,400 --> 00:46:55,400
Speaker 3: up to it in the sack.

887
00:46:55,360 --> 00:46:59,359
Speaker 2: You know, in the boudoir, Because if dude's upside down

888
00:46:59,440 --> 00:47:01,920
Speaker 2: doing a push up, that means Cody's doing a handstand.

889
00:47:02,200 --> 00:47:06,480
Speaker 3: He could be chowing man.

890
00:47:08,400 --> 00:47:09,680
Speaker 9: Chowing while he's plowing.

891
00:47:10,280 --> 00:47:17,480
Speaker 2: Yes, yeah, yes, Mama, Queenie, Queenie Creemy, you better believe

892
00:47:17,560 --> 00:47:19,120
Speaker 2: that's a possibility for this dude.

893
00:47:20,880 --> 00:47:21,520
Speaker 9: The plow chow.

894
00:47:22,000 --> 00:47:26,360
Speaker 3: Yeah, you know those dogs with the black tongues chow chows.

895
00:47:26,960 --> 00:47:30,920
Speaker 3: Mm hmm, yes, yeah, I feel like I want to cry.

896
00:47:35,080 --> 00:47:36,560
Speaker 3: This is such a safe podcast.

897
00:47:36,600 --> 00:47:38,640
Speaker 5: It happens a lot on this show, and we actually

898
00:47:38,760 --> 00:47:41,040
Speaker 5: kind of are trying to get people to cry.

899
00:47:41,280 --> 00:47:41,480
Speaker 2: Cry.

900
00:47:41,560 --> 00:47:45,040
Speaker 3: Babies might be mad at us, did they?

901
00:47:45,160 --> 00:47:46,600
Speaker 9: But they don't cry on that show?

902
00:47:46,680 --> 00:47:49,840
Speaker 3: Do that? I don't know they do.

903
00:47:51,560 --> 00:47:51,719
Speaker 5: Yeah.

904
00:47:52,120 --> 00:47:55,560
Speaker 3: Yeah, he has to do a special engineering technique.

905
00:47:55,680 --> 00:47:56,600
Speaker 9: Are we in to act too?

906
00:47:56,680 --> 00:47:56,879
Speaker 8: Yeah?

907
00:47:58,040 --> 00:48:02,279
Speaker 2: In the musical, well, these songs are all twenty twenty

908
00:48:02,320 --> 00:48:05,120
Speaker 2: five minutes songs. Yeah, I mean, we don't want to

909
00:48:05,160 --> 00:48:08,200
Speaker 2: write too many songs. That's I think a flaw and

910
00:48:08,280 --> 00:48:12,240
Speaker 2: a lot of musicals. Okay, like you got one that works,

911
00:48:12,680 --> 00:48:15,560
Speaker 2: Just ride that motherfucker. I don't know why we got

912
00:48:15,680 --> 00:48:17,960
Speaker 2: to see another song a lot of times. The other

913
00:48:18,000 --> 00:48:19,680
Speaker 2: one isn't that good? Like MISSI.

914
00:48:19,760 --> 00:48:22,239
Speaker 4: God's got like two good songs, which one's.

915
00:48:22,520 --> 00:48:27,359
Speaker 3: Uh fucking the Major General one?

916
00:48:27,880 --> 00:48:33,680
Speaker 2: Yeah h and Master of the House and so you know,

917
00:48:34,120 --> 00:48:37,239
Speaker 2: I'm like, Craig, those bitches out again. Just do them

918
00:48:37,280 --> 00:48:40,160
Speaker 2: for longer because those are tunes I could get behind.

919
00:48:40,640 --> 00:48:42,680
Speaker 2: But a lot of the whiney shit like what.

920
00:48:44,920 --> 00:48:46,320
Speaker 9: Oh what horny?

921
00:48:47,200 --> 00:48:52,040
Speaker 3: Well, definitely when she's like complaining, bro, yeah who she is? Yeah,

922
00:48:52,320 --> 00:48:55,279
Speaker 3: that's like, you know, put that.

923
00:48:55,640 --> 00:48:59,240
Speaker 2: Just have that be like a text, like, have somebody

924
00:48:59,320 --> 00:49:01,480
Speaker 2: march across the stage with a que card to give

925
00:49:01,520 --> 00:49:02,240
Speaker 2: me that information.

926
00:49:02,520 --> 00:49:03,840
Speaker 3: They want to get back.

927
00:49:03,719 --> 00:49:06,680
Speaker 10: Into the jam when like Frank Underwood is like texting

928
00:49:06,880 --> 00:49:10,239
Speaker 10: like Zoe Barnes, Barnes and.

929
00:49:10,360 --> 00:49:16,040
Speaker 3: Like yeah, and you can see it on the screen.

930
00:49:16,239 --> 00:49:20,080
Speaker 3: You got text you got texted.

931
00:49:21,440 --> 00:49:22,959
Speaker 9: Make those rabbit noises again.

932
00:49:24,800 --> 00:49:33,239
Speaker 2: Uh oh, rabbit food Cody just made. He must have

933
00:49:33,320 --> 00:49:36,680
Speaker 2: learned those rabbit noises and salad class. And maybe I

934
00:49:36,880 --> 00:49:42,040
Speaker 2: was listening rabbit food. I don't eat that ship. I

935
00:49:42,080 --> 00:49:50,759
Speaker 2: eat fucking hot dogs and Hambergers, sorry American, proud of it,

936
00:49:51,600 --> 00:49:53,560
Speaker 2: like a hot dog at hambur.

937
00:49:55,680 --> 00:50:00,680
Speaker 3: Come on, brother, I got a hamburger that witch. Hello.

938
00:50:03,440 --> 00:50:07,239
Speaker 3: Have a nice time listening to the show again. Well,

939
00:50:07,239 --> 00:50:09,000
Speaker 3: we hope he liked it as much as the first time.

940
00:50:09,080 --> 00:50:11,520
Speaker 9: We're wrapping up, aren't we? We're wrapping up fast?

941
00:50:11,800 --> 00:50:12,840
Speaker 3: Cody has a real.

942
00:50:14,239 --> 00:50:16,880
Speaker 9: Dive dive into a hard landing.

943
00:50:16,960 --> 00:50:18,319
Speaker 2: Cody, he's got an actual heart.

944
00:50:18,520 --> 00:50:19,680
Speaker 9: Show me a photo of this girl.

945
00:50:19,840 --> 00:50:22,120
Speaker 2: Here's what he offered. I can stay till eight if

946
00:50:22,239 --> 00:50:24,359
Speaker 2: that helps. It's seven fifty nine.

947
00:50:24,440 --> 00:50:28,000
Speaker 4: So this was his like outside, like got it, it's

948
00:50:28,040 --> 00:50:28,439
Speaker 4: my fault.

949
00:50:28,480 --> 00:50:30,040
Speaker 5: I was like, he has to get a single can

950
00:50:30,200 --> 00:50:33,720
Speaker 5: of Dollar Tree brand Chicken and Stars soup.

951
00:50:33,960 --> 00:50:36,080
Speaker 10: I've been crying for fifteen minutes and none of you

952
00:50:36,200 --> 00:50:38,879
Speaker 10: notice he gets hair gel from Dollar Tree.

953
00:50:39,000 --> 00:50:39,359
Speaker 3: He don't.

954
00:50:39,719 --> 00:50:43,240
Speaker 9: Yeah, yeah, big, you could just use soup his hairjel

955
00:50:43,239 --> 00:50:43,480
Speaker 9: if you.

956
00:50:44,440 --> 00:50:46,400
Speaker 2: If you let it said, if you wrap it in

957
00:50:46,480 --> 00:50:49,040
Speaker 2: your hands and there's yeah, just for our audience.

958
00:50:49,120 --> 00:50:49,720
Speaker 3: This is dangerous.

959
00:50:49,719 --> 00:50:51,600
Speaker 2: There's soups you can't use for that, like what.

960
00:50:53,400 --> 00:50:54,240
Speaker 3: One base?

961
00:50:54,640 --> 00:50:57,120
Speaker 4: Yeah, if it's too hot, Oh that makes sense.

962
00:50:57,920 --> 00:51:00,719
Speaker 3: Yeah, but you could use a spot show you can use.

963
00:51:01,320 --> 00:51:05,520
Speaker 9: Well, I'm glad I flew out here unless this is.

964
00:51:05,600 --> 00:51:06,600
Speaker 3: Why you're here to ls.

965
00:51:06,920 --> 00:51:09,600
Speaker 2: Oh wow, Jesus, that's why I called you at the airport.

966
00:51:10,640 --> 00:51:18,160
Speaker 3: Oh yeah, oh Queenie, can I do the buye please?

967
00:51:18,800 --> 00:51:19,080
Speaker 9: Bye.

968
00:51:30,719 --> 00:51:34,160
Speaker 2: This has been an Earwolf production executive produced by Scott Ackerman,

969
00:51:34,239 --> 00:51:35,840
Speaker 2: Adam Sachs, and Chris Bannont.

970
00:51:36,080 --> 00:51:38,960
Speaker 4: For more information and content, visit earwolf dot com