WEBVTT - Gender Fluidity In The Metaverse

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<v Speaker 1>I'm Stacy Marie Ishmael, Managing editor of Crypto for Bloomberg News,

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<v Speaker 1>and this is Bloomberg Crypto, a daily Bloomberg I Heart podcast.

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<v Speaker 1>It's Wednesday, July six. I don't know about you, but

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<v Speaker 1>I'm the kind of person you might describe as extremely online,

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<v Speaker 1>and that's a description that's been true four years. I'm

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<v Speaker 1>part of a generation that grew up with the Internet,

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<v Speaker 1>with social networks that long predated Facebook or Twitter, and

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<v Speaker 1>with online identities that sometimes felt more authentic than my

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<v Speaker 1>offline self. Experimenting with who you are online, especially if

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<v Speaker 1>those identities are really different from how you present to

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<v Speaker 1>the analog world, that's not a totally new concept. Neil

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<v Speaker 1>Stevenson famously coined the phrase metaverse all the way back

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<v Speaker 1>in so it's no surprise that folks are using newish

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<v Speaker 1>technologies like crypto on the blockchain to play with their

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<v Speaker 1>self expression. But some folks are using blockchain enabled structures

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<v Speaker 1>to monetize these experiments with identity, including their gender presentation.

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<v Speaker 1>For more on crypto and identity, I'm joined by Bloomberg

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<v Speaker 1>reporter Emily Nicole and by Florence Smith Nichols, a PhD

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<v Speaker 1>student who researches, games, ethics, and artificial intelligence. Emily as

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<v Speaker 1>always a pleasure to have you on the podcast. Thanks

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<v Speaker 1>for having me. We are going to talk about crypto

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<v Speaker 1>and money and gender identity and gender fluidity and people

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<v Speaker 1>pretending to be other folks for the sake of monetizing

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<v Speaker 1>that identity. But before we get into some of that,

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<v Speaker 1>let's start with the crypto mechanics here. What are the

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<v Speaker 1>vehicles and what are the you know, what's the why

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<v Speaker 1>of why people are are doing this online? So I think,

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<v Speaker 1>as it always is in crypto, there are always people

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<v Speaker 1>seeking to find new ways to break boundary, is, to

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<v Speaker 1>establish new forms of hierarchies in crypto and ultimately make money.

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<v Speaker 1>And in this scenario or this universe, UM, we are

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<v Speaker 1>looking specifically at doubts, which are decentralized autonomous organizations. You

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<v Speaker 1>could think of them a little bit like companies, but

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<v Speaker 1>they operate almost exclusively on a code first basis, so

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<v Speaker 1>everything they do is voted on by the community, using

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<v Speaker 1>blockchain contracts to execute those functions once they pass or

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<v Speaker 1>get rejected. And they usually have a group of people

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<v Speaker 1>at the top rather than a single person. And there's

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<v Speaker 1>that that group is it's like a governance committee, it's

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<v Speaker 1>a board, it's a what what how does that work? Really?

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<v Speaker 1>So the people at the top might be the founders

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<v Speaker 1>of the project that we're talking about. They might be

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<v Speaker 1>people who have run their way up through the group

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<v Speaker 1>by contributing a lot to the to the community and

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<v Speaker 1>therefore have been decided that they have warranted themselves a

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<v Speaker 1>leadership position. But you won't have somebody who's the CEO

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<v Speaker 1>or you know, the CFO or whatever. You might have

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<v Speaker 1>somebody who's in charge of treasury, for example, to you

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<v Speaker 1>to use the crypto terminology, but you're not going to

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<v Speaker 1>have somebody who you know, like does the analysts call

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<v Speaker 1>at nine am after the earnings? So this is it's

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<v Speaker 1>a club and there are members and then there are

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<v Speaker 1>people who, you know, listening to their members most of

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<v Speaker 1>the time decide how what the club's priorities are, what

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<v Speaker 1>they're going to spend as you say, their treasury onto

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<v Speaker 1>the money or the crypto that they have in the bank,

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<v Speaker 1>as it were. But what do dows have to do

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<v Speaker 1>with gender identity? So in this world, as people seek

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<v Speaker 1>to kind of break the boundaries of what crypto can

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<v Speaker 1>mean or what it can be represented for they're also

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<v Speaker 1>trying to find ways that crypto could be something more

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<v Speaker 1>appealing to the mainstream. And if we think about, you know,

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<v Speaker 1>the ways in which we engage with social media and

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<v Speaker 1>the role of influences in that um, we've been seeing

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<v Speaker 1>the rise of something called simp dows over the last

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<v Speaker 1>few months and maybe even a year. Can I just

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<v Speaker 1>gonna stopulate? Did you say simple? Yes? So, to simple

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<v Speaker 1>means basically to be a fan of somebody, but in

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<v Speaker 1>typical Internet language, it's always pretty aloaded, and so simping

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<v Speaker 1>generally happens from a male fan to a female influencer

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<v Speaker 1>who is considered to be quite beautiful. And so in

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<v Speaker 1>this world of simpows, some female influencers are using the

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<v Speaker 1>mechanics of crypto and these miniature organizations to basically allow

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<v Speaker 1>a bit more of a developed relationship between them and

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<v Speaker 1>their fan base. The fans can contribute to the tao,

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<v Speaker 1>contribute to the US's reputation, deciding on what projects she

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<v Speaker 1>should take on or not, but then in return they

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<v Speaker 1>might gain something in the form of a reward like

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<v Speaker 1>a crypto token or an n f T, which they

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<v Speaker 1>can then used to kind of give back to the

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<v Speaker 1>community again, it becomes like a little circle of financial value.

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<v Speaker 1>I guess you could call it. So is this like

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<v Speaker 1>only fans on the blockchain? I mean you could consider

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<v Speaker 1>it that slightly. There are some dows that have been

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<v Speaker 1>set up that are slightly sexual in sure, if that's

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<v Speaker 1>what we think of as only found his main business model.

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<v Speaker 1>So and there are even dolls that have been set

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<v Speaker 1>up to honor female influences without that person's permission or knowledge.

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<v Speaker 1>One of the most prominent ones that was reported on

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<v Speaker 1>by Vice not long ago is one in tribute to

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<v Speaker 1>Belle Delphine, who is known as a gamer girl, and

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<v Speaker 1>she very famously tried to set off her bathwater adoring fans,

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<v Speaker 1>and as far as we know, she was not involved

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<v Speaker 1>in that because at the time anyway, she had been

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<v Speaker 1>offline from the Internet for about a year. But there

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<v Speaker 1>are also, you know, versions of these dolls that don't

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<v Speaker 1>involve anything of a sexual nature. So one of the

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<v Speaker 1>prominent ones that I spoke to for um this story

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<v Speaker 1>was a dow belonging to an influencer called Irene Zoo,

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<v Speaker 1>and in her dow, she mainly just uses it as

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<v Speaker 1>a way to interact with her fans, on a more

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<v Speaker 1>unique and direct level than she'd been able to previously

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<v Speaker 1>in Instagram, where she found that d ms are pretty

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<v Speaker 1>inefficient in your reporting. In the story that you wrote

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<v Speaker 1>about this, one of the mean characters, or otherwise I

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<v Speaker 1>supposed they were playing two characters at once, is someone

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<v Speaker 1>named Eric Wall who has a SIMP dow as we've

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<v Speaker 1>discussed under the name of Erica Wall. Can you see

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<v Speaker 1>more about this? Yes, So, Eric Wall is the chief

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<v Speaker 1>investment officer at a crypto asset fund. But he's also

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<v Speaker 1>a pretty big personality on crypto Twitter as we call it.

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<v Speaker 1>He's got more than eighty thousand followers, and he's known

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<v Speaker 1>for being kind of a bit of an expert on

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<v Speaker 1>all things crypto and therefore tends to get into full

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<v Speaker 1>online disputes with people over the mechanics of krypto and

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<v Speaker 1>blockchain mechanics. But one thing that he found over the

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<v Speaker 1>last few years is that occasionally, when somebody wanted to

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<v Speaker 1>make fun of him, they would photoshop him in a

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<v Speaker 1>picture of a woman, so they'd give him, you know,

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<v Speaker 1>long hair and mascara and breasts and all the rest,

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<v Speaker 1>And eventually he said he that one of those pictures

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<v Speaker 1>was good enough that he decided to take that picture

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<v Speaker 1>for himself and reclaim it. And he had been advising

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<v Speaker 1>dows like Irene's for quite a while, and so he

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<v Speaker 1>started Arikadao as, as he said, a way to kind

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<v Speaker 1>of model out how easy it could be to set

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<v Speaker 1>up one of these symptows for Instagram influences, and in

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<v Speaker 1>his mind, I think a use it as a way

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<v Speaker 1>to kind of encourage more influences to take up this

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<v Speaker 1>this mechanics and make blockchain more mainstream, but be raise

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<v Speaker 1>his own influence um and find more ways to engage

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<v Speaker 1>with the people who interact with him online. Now that

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<v Speaker 1>there's something that you said about the fans that I

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<v Speaker 1>that I want to point out because I feel like

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<v Speaker 1>there's a central tension here, which is the people who

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<v Speaker 1>were following him online. We're trying to make fun of

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<v Speaker 1>him by portraying him as a woman, which, let's be clear,

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<v Speaker 1>is a super sexist thing to do, right, like the

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<v Speaker 1>the idea that the worst thing you could do to

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<v Speaker 1>a man is make him look like a woman. M hm,

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<v Speaker 1>And so okay, fine, like you, Crypto represents all of

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<v Speaker 1>the dysfunction of society because it is a part of

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<v Speaker 1>society as always. But he then is like, I'm just

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<v Speaker 1>gonna I'm going to lean into this, ha ha, I'm

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<v Speaker 1>going to reclaim this. I'm going to mon as high

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<v Speaker 1>is this. Has he gotten any kind of support or

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<v Speaker 1>criticism in either direction from this, almost like costly? Yeah,

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<v Speaker 1>So I think you'd expect there to be some negative backlash, right,

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<v Speaker 1>You'd expect there to be some backlash to the fact

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<v Speaker 1>that a man is portraying himself as a woman online

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<v Speaker 1>and creating some sort of monetary flow around that, whether

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<v Speaker 1>or not he decides to use it for personal gain,

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<v Speaker 1>personal profit or not. But actually, he said though there

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<v Speaker 1>was on some level of a bit of confusion from

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<v Speaker 1>some people as to why he would set up a

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<v Speaker 1>dow in the name of Erica. Most people thought it

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<v Speaker 1>was funny. Most people weren't on the joke, and most

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<v Speaker 1>people thought, you know, if I want to contribute to this,

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<v Speaker 1>I can. But he started then using the persona as

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<v Speaker 1>a way to bring attention to causes like the plight

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<v Speaker 1>to Ukraine and how you could donate to that with crypto,

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<v Speaker 1>and also again bringing more attention to some of the

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<v Speaker 1>work that he'd been doing with other simp dows, like

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<v Speaker 1>irenes so in essence, while there was some expectation of

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<v Speaker 1>a negative reaction, it wasn't necessarily what he told me

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<v Speaker 1>is what he got back. But there are folks and

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<v Speaker 1>you you didn't include these examples in your story who

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<v Speaker 1>are not necessarily as transparent about what they're doing, not

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<v Speaker 1>necessarily encryptal, but in other sort of formats like live

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<v Speaker 1>streaming or streaming games, who are also engaging in this

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<v Speaker 1>kind of gender performance. Yeah. So there is a trend

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<v Speaker 1>that is very, very popular and still ongoing in places

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<v Speaker 1>like YouTube and Twitch, where sis men will dress up

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<v Speaker 1>as women and while the people who are watching their

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<v Speaker 1>streams or their videos are in on the joke. They'll

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<v Speaker 1>often go on platforms like amigle, which is a site

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<v Speaker 1>that randomly assigns you another person over video chat to

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<v Speaker 1>talk to and pretend to be a woman. Everybody who's

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<v Speaker 1>watching knows what's going on, like you know, in the

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<v Speaker 1>background when they're watching these videos, but the person they're

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<v Speaker 1>talking to is being duped, and and therein lies. I

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<v Speaker 1>guess the humor or the attraction and the world of

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<v Speaker 1>simptows is in some ways that you know, there are

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<v Speaker 1>always going to be people who are coming to something

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<v Speaker 1>like eric Odow, what the dow that Erica has set

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<v Speaker 1>up and not know who he is, and not know

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<v Speaker 1>who that person is behind the photoshop damage in front

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<v Speaker 1>of it. He even went to like a recent Bitcoin

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<v Speaker 1>conference with Eric Odoa as his name um and has

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<v Speaker 1>used things like voice modulators on podcast to appear as

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<v Speaker 1>Erica previously. But in essence, I guess that the message

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<v Speaker 1>that he was pushing is that that isn't his intention. Well,

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<v Speaker 1>you know, we all know that intentions always leads to

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<v Speaker 1>fantastic outcomes. So thank you very much, Emily. That was

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<v Speaker 1>a very interesting story and I appreciate you taking the

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<v Speaker 1>time to share it with our audience today. Thanks for

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<v Speaker 1>having me. You can find more of Emily's reporting on

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<v Speaker 1>the Bloomberg Terminal on Bloomberg dot com and follower on

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<v Speaker 1>twit her. She's at Emily J. Nicole. That's n I

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<v Speaker 1>CEO l L. We'll be right back with more from

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<v Speaker 1>Florence Smith Nichols about the ethical implications of gender fluidity

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<v Speaker 1>in a DOW universe. In the metaverse, you can be

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<v Speaker 1>anyone or anything you want to be. Now that we

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<v Speaker 1>have more an idea about how the dows work, I'm

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<v Speaker 1>going to turn to Florence Smith Nichols to give us

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<v Speaker 1>a little bit more insights on the moral and ethical

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<v Speaker 1>implications of gender fluidity and the blockchain. Florence, such a

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<v Speaker 1>pleasure to have you in the studio today, virtually or otherwise.

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<v Speaker 1>Thanks so much for having me. You are a specialist

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<v Speaker 1>in some very very interesting areas of research, and you know,

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<v Speaker 1>our audience just heard from Emily who interviewed you for

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<v Speaker 1>a story about gender presentation and crypto and the blockchain,

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<v Speaker 1>and I'd love for you to say a little bit

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<v Speaker 1>more about what you've encountered in the realm of online

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<v Speaker 1>gender performance. I know now we're talking about kind of crypto,

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<v Speaker 1>the metaverse, the blockchain, but people ex perimenting with gender

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<v Speaker 1>expression online and in kind of a virtual context has

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<v Speaker 1>been happening really sort of, I think as long as

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<v Speaker 1>those places have existed, And certainly my kind of expertise

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<v Speaker 1>is particularly in video games and my favorite that's yeah,

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<v Speaker 1>that's something that I think you here, for example, in

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<v Speaker 1>the trans community sort of like countless stories of people

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<v Speaker 1>saying that the first time I really started to experiment

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<v Speaker 1>with kind of a different gender expression was through like say,

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<v Speaker 1>choosing a different avatar in a video game or something

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<v Speaker 1>like that, because it represents sort of like a safe

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<v Speaker 1>space to do. So when you were talking to Emily,

0:12:41.559 --> 0:12:44.960
<v Speaker 1>one of the things that I found interesting that she

0:12:45.080 --> 0:12:47.840
<v Speaker 1>reported in the context of the conversation was about how

0:12:47.880 --> 0:12:52.520
<v Speaker 1>the pandemic was a moment for people to be able

0:12:52.559 --> 0:12:55.240
<v Speaker 1>to do more of this kind of exploration in a

0:12:55.240 --> 0:12:59.319
<v Speaker 1>crypto context or otherwise Can you say some more about that? Yeah, So,

0:12:59.400 --> 0:13:01.839
<v Speaker 1>I think it's really interesting that it seems to have

0:13:01.920 --> 0:13:05.600
<v Speaker 1>been this kind of you see this trend of people

0:13:05.720 --> 0:13:09.120
<v Speaker 1>discovering kind of new aspects about themselves that maybe they

0:13:09.160 --> 0:13:11.240
<v Speaker 1>just didn't feel that they had the time to do

0:13:11.320 --> 0:13:16.320
<v Speaker 1>so before. And I wonder if, especially because a lot

0:13:16.360 --> 0:13:20.240
<v Speaker 1>of our interactions just had to be online by necessity,

0:13:20.320 --> 0:13:24.120
<v Speaker 1>and because online interactions allow you to potentially kind of

0:13:24.120 --> 0:13:26.839
<v Speaker 1>play around with your identity, whether that can be a

0:13:27.280 --> 0:13:30.360
<v Speaker 1>something right as simple as even oh you change your

0:13:30.400 --> 0:13:34.000
<v Speaker 1>Twitter profile picture, right, And a lot of this conversation

0:13:34.040 --> 0:13:37.880
<v Speaker 1>around crypto and things like meme stocks really really hit

0:13:37.920 --> 0:13:40.040
<v Speaker 1>the mainstream during the pandemic, right, so at least the

0:13:40.080 --> 0:13:44.520
<v Speaker 1>time lines were overlapping. And as part of that, as

0:13:44.559 --> 0:13:49.160
<v Speaker 1>you as you've discussed with Emily, previously was this kind

0:13:49.160 --> 0:13:54.560
<v Speaker 1>of distinction between I suppose, a sincere exploration in the

0:13:54.600 --> 0:13:57.160
<v Speaker 1>way that you're describing of people, you know, finding out

0:13:57.160 --> 0:14:02.040
<v Speaker 1>who they really were, and a more cynical, potentially performance

0:14:02.960 --> 0:14:07.760
<v Speaker 1>for some other motivation or game or gain. Where in

0:14:07.800 --> 0:14:11.320
<v Speaker 1>the what we call the simple Dowel context, do you

0:14:11.360 --> 0:14:15.439
<v Speaker 1>see that spectrum? I feel like that this kind of

0:14:15.640 --> 0:14:19.840
<v Speaker 1>trying to draw a line between people, yeah, kind of

0:14:19.920 --> 0:14:23.720
<v Speaker 1>genuinely exploring the identity versus perhaps yet what you would

0:14:23.720 --> 0:14:26.680
<v Speaker 1>see as a more cynical kind of way of trying

0:14:26.720 --> 0:14:31.680
<v Speaker 1>to exploit a kind of performative identity is really tricky

0:14:31.840 --> 0:14:35.040
<v Speaker 1>because especially from an outside perspective if you don't know

0:14:35.120 --> 0:14:38.120
<v Speaker 1>the people involved. But it's the more kind of cynical

0:14:38.120 --> 0:14:41.480
<v Speaker 1>examples that hurt or kinds of people, especially trans people.

0:14:41.880 --> 0:14:44.520
<v Speaker 1>You know, A big part of transphobia is people being

0:14:44.520 --> 0:14:47.840
<v Speaker 1>accused of being fake, right, right, not just pretending, so

0:14:47.920 --> 0:14:50.480
<v Speaker 1>you can see how Yeah, it's a really difficult topic.

0:14:50.520 --> 0:14:54.080
<v Speaker 1>But I think with the simp dows specifically, I mean

0:14:54.120 --> 0:14:56.480
<v Speaker 1>even just in the name, I guess that it was

0:14:56.600 --> 0:14:59.200
<v Speaker 1>kind of revealing, right, It kind of kind of it

0:14:59.280 --> 0:15:02.720
<v Speaker 1>tells you what kind of level that's at, and it's

0:15:02.800 --> 0:15:07.480
<v Speaker 1>something that's fill I guess it's kind of generalization, but

0:15:07.520 --> 0:15:10.000
<v Speaker 1>I guess for the male gays in a very particular way,

0:15:10.120 --> 0:15:14.000
<v Speaker 1>and it's not about sort of an individual exploring their identity.

0:15:14.240 --> 0:15:18.480
<v Speaker 1>It's a group kind of around this kind of avatar

0:15:18.600 --> 0:15:23.280
<v Speaker 1>in order to potentially leverage getting more money out of people.

0:15:23.400 --> 0:15:27.680
<v Speaker 1>I guess essentially in the context of you know, video games,

0:15:27.720 --> 0:15:31.480
<v Speaker 1>the metavers and communities, are you seeing any spaces where

0:15:32.800 --> 0:15:36.680
<v Speaker 1>it's more how should I say, supportive or constructive of

0:15:36.720 --> 0:15:40.240
<v Speaker 1>gender exploration compared to maybe what we're seeing in crypto

0:15:40.720 --> 0:15:43.880
<v Speaker 1>I think vrchide. Yeah, I would probably from what I've

0:15:43.920 --> 0:15:48.240
<v Speaker 1>seen where there seems to be um kind of just

0:15:48.280 --> 0:15:52.040
<v Speaker 1>a general sense of people being very welcoming about people

0:15:52.360 --> 0:15:56.080
<v Speaker 1>um kind of exploring their gender. Although at the same time,

0:15:56.080 --> 0:15:58.160
<v Speaker 1>I will say, from what I've seen, like, for example,

0:15:58.240 --> 0:16:01.040
<v Speaker 1>you get a lot of people who have the kind

0:16:01.040 --> 0:16:06.120
<v Speaker 1>of stereotypical like anime girl kind of after which you know,

0:16:06.200 --> 0:16:12.240
<v Speaker 1>you get very very large Yeah. Um. And that's kind

0:16:12.240 --> 0:16:15.200
<v Speaker 1>of interesting because apparently the reason why that is is

0:16:15.480 --> 0:16:19.720
<v Speaker 1>when m R chat was just kind of getting started up,

0:16:20.720 --> 0:16:22.480
<v Speaker 1>a load of people sort of import a load of

0:16:22.560 --> 0:16:26.120
<v Speaker 1>character models from a particular anime game, and they were

0:16:26.120 --> 0:16:28.440
<v Speaker 1>a much higher quality than any of the others, so

0:16:28.520 --> 0:16:30.440
<v Speaker 1>that's why people use them. So it's just kind of

0:16:30.520 --> 0:16:34.720
<v Speaker 1>ended up kind of being a trend because of that.

0:16:34.800 --> 0:16:37.680
<v Speaker 1>But that's that's interesting because then you get a lot

0:16:37.680 --> 0:16:40.440
<v Speaker 1>of people who say, well, actually, I just feel really

0:16:40.480 --> 0:16:44.720
<v Speaker 1>comfortable wearing this avatar or through having you know, kind

0:16:44.720 --> 0:16:46.880
<v Speaker 1>of tried this out for a while, I realized things

0:16:46.880 --> 0:16:50.040
<v Speaker 1>about my gender that I didn't know before. Um, so

0:16:50.080 --> 0:16:53.720
<v Speaker 1>it seems like, yeah, from what I can see, there's

0:16:53.720 --> 0:16:57.000
<v Speaker 1>definitely a lot of space exploration there. But again, like

0:16:57.040 --> 0:17:00.160
<v Speaker 1>I suppose, it's like any online space right where you

0:17:00.200 --> 0:17:02.920
<v Speaker 1>maybe have to be careful where you are because I

0:17:02.920 --> 0:17:05.000
<v Speaker 1>think if you're kind of like a public sort of

0:17:05.080 --> 0:17:07.680
<v Speaker 1>lobby space, you can meet anyone right who could just

0:17:08.440 --> 0:17:14.119
<v Speaker 1>be obnoxious or potentially very rude. Well, if it's if

0:17:14.119 --> 0:17:16.600
<v Speaker 1>it stops at rudeness, that would be a better better

0:17:16.640 --> 0:17:18.800
<v Speaker 1>degree than some of the online harassment that we see

0:17:18.800 --> 0:17:22.200
<v Speaker 1>in other places. So thank you so much, Florence. I

0:17:22.240 --> 0:17:25.920
<v Speaker 1>really appreciate you joining us today. Thank you. You can

0:17:25.960 --> 0:17:32.000
<v Speaker 1>find Florence on Twitter there at Florence s n. On

0:17:32.080 --> 0:17:35.360
<v Speaker 1>the next episode of Bloomberg Crypto. So Rare is one

0:17:35.359 --> 0:17:38.560
<v Speaker 1>of several companies attempting to take the idea of collectibles

0:17:38.680 --> 0:17:42.520
<v Speaker 1>like baseball cards and bring them into a more digital context.

0:17:43.160 --> 0:17:46.119
<v Speaker 1>In me so Rare announced a partnership with Major League

0:17:46.119 --> 0:17:49.760
<v Speaker 1>Baseball here in the US, and they announced Serena Williams

0:17:49.880 --> 0:17:51.840
<v Speaker 1>was going to be a member of their advisory board.

0:17:52.440 --> 0:17:55.119
<v Speaker 1>Why is this company betting so big on sports? Do

0:17:55.240 --> 0:17:58.240
<v Speaker 1>collectibles even need to be on a blockchain? And will

0:17:58.280 --> 0:18:02.159
<v Speaker 1>baseball players benefit from that needure leaked deal. To explore

0:18:02.200 --> 0:18:05.080
<v Speaker 1>these questions and more, I'll talk to Bloomberg reporter Hannah

0:18:05.080 --> 0:18:13.359
<v Speaker 1>Miller and to Sarrere's own CEO, Nicola Julia. I'm Stacy

0:18:13.400 --> 0:18:16.960
<v Speaker 1>Marie Ishmael, and this is Bloomberg Crypto, a daily podcast

0:18:16.960 --> 0:18:19.920
<v Speaker 1>from Bloomberg and I Heart Radio. For more shows from

0:18:19.920 --> 0:18:23.360
<v Speaker 1>I Heart Radio, visit the I Heart Radio app, Apple Podcasts,

0:18:23.440 --> 0:18:26.800
<v Speaker 1>or wherever you get your podcasts. Email your questions, comments,

0:18:26.840 --> 0:18:29.760
<v Speaker 1>or suggestions for the show to Crypto at Bloomberg dot

0:18:29.760 --> 0:18:34.439
<v Speaker 1>net and you'll find us on Twitter at Crypto. The

0:18:34.520 --> 0:18:37.840
<v Speaker 1>supervising producer of this episode is Vicky ver Galina. Our

0:18:37.880 --> 0:18:41.920
<v Speaker 1>producer is Mohammed Baruk. Associate producer is Zanab Sudiki Desta

0:18:41.960 --> 0:18:45.360
<v Speaker 1>wonder At is our Engineer. Original music by Leo Sidron.

0:18:45.600 --> 0:18:47.919
<v Speaker 1>Bloomberg's head of podcasts is Francesca Levi.