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Speaker 1: Hey, hey, hey, hey, hey, hey, hey hey hey, I'm

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Speaker 1: testing one two three. I'm recording testing one two three.

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Speaker 1: This is my level. Hi everybody, how are you? I'm

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Speaker 1: excited for the show. How are we all feeling about

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Speaker 1: the live show? We've only done this from our own homes.

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Speaker 1: I've done this whole podcast, the entire thing. We started

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Speaker 1: the day Lockdown, if you guys recall the Day Lockdown

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Speaker 1: started in twenty nineteen. We started this podcast, and I've

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Speaker 1: done almost every episode from this office, and now we're

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Speaker 1: going to switch to doing it in front of a

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Speaker 1: whole lot of people. I'm a little nervous on how

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Speaker 1: you guys are feeling.

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Speaker 2: A little anxiety tell me for sure?

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Speaker 1: For sure, I'm stoked.

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Speaker 2: I'm stove also excited. Yeah, I'm just glad. We rented

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Speaker 2: out a room, a live room, and all we're gonna

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Speaker 2: do is put a computer screen up on stage for

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Speaker 2: you guys right now, exactly so you can watch us talk.

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Speaker 1: I don't think people will be very happy with that, Donald.

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Speaker 2: You don't think so.

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Speaker 1: I think you know, I was trying to fall a

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Speaker 1: sleep last night, and I was so I was kind

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Speaker 1: of nervous and anxious, and I was like, you're not anxious,

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Speaker 1: you're excited. You know, that's a good distinction. You know,

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Speaker 1: sometimes you feel anxiety and you can zoom out on

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Speaker 1: yourself and go, wait, I'm not really, it's not anxiety.

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Speaker 1: It's excitement. Like I can't wait to go entertain everyone

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Speaker 1: and be funny.

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Speaker 2: Yeah, you know, the anxiety is what are we going

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Speaker 2: to talk about? But we've been talking about it for

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Speaker 2: like the past.

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Speaker 1: Two Well, also, like I feel like we have so

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Speaker 1: much stuff to do in the show. The show is

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Speaker 1: jam packed with with ideas. I had another idea last

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Speaker 1: night that could be really funny listening. Well, I can

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Speaker 1: say this because this will air after the live show.

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Speaker 1: But my friend Preston is in town and he's singing Javert.

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Speaker 1: He's playing Javert in the touring company of Lame's rob

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Speaker 1: Oh Wow, and he's they're going to be in Seattle.

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Speaker 2: Fuck dude, come on, let's go just listen.

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Speaker 1: Listen already listen. He said he's gonna take a personal

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Speaker 1: day and try and come to the show. So then

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Speaker 1: I had this whole plan. So we don't have time

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Speaker 1: for this, but my plan was that I would we

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Speaker 1: could come up with some system where we act like

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Speaker 1: we put a bunch of random names from people in

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Speaker 1: the audience into one hat, and we put a bunch

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Speaker 1: of skill sets into another hat, and we're gonna randomly

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Speaker 1: pick it. And so Preston is a plant, right, So

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Speaker 1: first we go, okay, mister Preston Boyd and he Prestor

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Speaker 1: could act the ship be like, yeah, that's me, that's me.

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Speaker 1: I'm not and then we randomly act like we're randomly

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Speaker 1: picking a skill set out and we go you're gonna

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Speaker 1: sing a song from Lame is Rob And he's like, what,

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Speaker 1: I can't sing? What you get up here on stage, Preston.

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Speaker 1: And then he comes up on stage and he starts tentatively,

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Speaker 1: we have the piano player for our song, and then the.

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Speaker 2: Stage do the church freaking heal this.

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Speaker 1: It's like a church healer.

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Speaker 2: But let's do it.

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Speaker 1: Let's do it, do it.

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Speaker 2: I think we But the best part, the best part

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Speaker 2: would be the.

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Speaker 1: Best donald the best probably if he started off like

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Speaker 1: kind of tentative and he's nervous and the audience is like,

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Speaker 1: come on, you got this, and then he goes into

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Speaker 1: full fucking juff Air mode. That would be great to

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Speaker 1: do it. That would be a show. Stop to do it? There?

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Speaker 2: I think we do it and see what happens.

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Speaker 1: All right, Donald, Are you worried about being too high?

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Speaker 1: Is that something that's crossed your mind at all?

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Speaker 2: No, I'm actually using this as a way.

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Speaker 1: To I can't think of the thought.

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Speaker 2: No I can. I'm just trying to think of a

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Speaker 2: nicer way of saying it to you, fucking dick lick.

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Speaker 1: Let me know when you finished thinking of the thought.

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Speaker 2: How about this. I'm trying to think of a way

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Speaker 2: to u say it without sounding like I'm trying to.

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Speaker 2: I'm going to use this as an opportunity to get

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Speaker 2: off the weed. But that's pretty much what I'm gonna,

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Speaker 2: don't believe you the.

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Speaker 3: Live show in two days.

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Speaker 2: Yeah, I'm gonna be sweating like a But.

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Speaker 1: Listen, I have a question. Since you do the podcast

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Speaker 1: stoned every time, don't you think you should match your

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Speaker 1: vibe by being high as a cut.

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Speaker 2: Don't you think you should eat these balls?

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Speaker 3: Zach?

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Speaker 1: Okay, okay, well let me hit that button. Where is it?

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Speaker 1: Eat these balls?

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Speaker 2: Eat these balls? Zach? How about this? How about this?

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Speaker 2: How about you let me do me?

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Speaker 1: You do you? I'm just a little concerned if I'm

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Speaker 1: honest with you that we're gonna get out there in

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Speaker 1: front of two thousand people and you're gonna be like, yo,

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Speaker 1: I got too high, and then you're gonna panic.

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Speaker 2: Has that ever happened?

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Speaker 1: No, you don't seem to. You don't seem to have

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Speaker 1: a peak of ganja where you go. You know what,

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Speaker 1: that's too much.

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Speaker 2: There's a peak hanging out with Snoop Dogg. There's a

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Speaker 2: peak that's a wrap.

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Speaker 1: What do you think you're gonna feel when we walk

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Speaker 1: out to p I M P and then you see

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Speaker 1: two thousand people on three levels? What are you gonna feel?

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Speaker 2: I'm gonna feel like a motherfucking p I M P.

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Speaker 1: All right, let's do it. Do it.

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Speaker 2: That's straight up. Look like, just think about it, man, Like,

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Speaker 2: all right, I once did a concert in Madison Square Garden.

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Speaker 1: I know you've told us, you know that feeling.

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Speaker 2: I don't know, two thousand people is a lot. I

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Speaker 2: played basketball in front of eighteen thousand people before, and

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Speaker 2: then when they told me afterwards eighteen thousand people were there,

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Speaker 2: That's when I was like, holy shit, wow. But we

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Speaker 2: know going into this, we fucking we packed the house.

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Speaker 2: It's sold out for those of you trying to get

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Speaker 2: in right now, you're going to have to get a

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Speaker 2: scout ticket because we packed the house. We did it.

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Speaker 1: And for those of you planning on bum rushing, Donald,

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Speaker 1: don't worry, we have security.

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Speaker 2: Not only that, we got security.

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Speaker 1: Daniel, have you started working on your remix tracks of

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Speaker 1: the Scrubs musical?

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Speaker 2: Oh?

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Speaker 1: Yes, how those sounded?

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Speaker 4: Well, it's you know, it's less of a remix and

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Speaker 4: more of a live performance. It's more about how everything

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Speaker 4: prepared to do something fun with the song.

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Speaker 1: You know what else I thought you could do that

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Speaker 1: the audience might like is if you work to your listen.

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Speaker 1: All I do I can't. I have insomnia, So all

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Speaker 1: I do is think of ideas for the live show.

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Speaker 1: But I thought you could work in some of the

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Speaker 1: key sound bites from the mixer into one of your

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Speaker 1: mix so you could be like what you're trying to

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Speaker 1: get into one day, shoon what you're trying to do?

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Speaker 2: I like that one.

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Speaker 1: I love it.

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Speaker 4: I'll you know what, I'll see what I can get

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Speaker 4: on my on the maybe get a third deck for

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Speaker 4: just some samples and then just drop some stuff in there.

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Speaker 1: Well, I'm bringing this soundboard, so if you want to

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Speaker 1: use it during your set, you can. I'll rent it

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Speaker 1: to you. Oh, thank you.

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Speaker 2: Are we recording this now now that we're sold out?

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Speaker 2: Are we recording this at all?

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Speaker 1: Yes, we're recording it to eventual everything.

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Speaker 2: Are we recording it to put up on the in

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Speaker 2: the podcast feed? Yes? Our podcast? Yeah? Awesome, cool, eventually

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Speaker 2: eventually cool. That's really good to know. Everybody's going to

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Speaker 2: get a chance to experience everybody here.

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Speaker 1: And what's great is that we're going to mic the audience.

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Speaker 1: Uh so they'll hear the audience laughing and singing and

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Speaker 1: the whole thing.

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Speaker 2: What if they're like, what if they're like, you know, wow,

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Speaker 2: came all this way. I's say, not that impressed.

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Speaker 1: Oh my god.

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Speaker 2: Wow, it's happened to us before.

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Speaker 1: That's why you got to bring.

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Speaker 2: It, right, That's right, you got to bring it. Bro.

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Speaker 1: Oh so, Mark, my assistant, had a funny idea you

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Speaker 1: guys for the live show. I'm not spoiling this because

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Speaker 1: this won't air until after we do the live show, right, well, yes,

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Speaker 1: so we can act like, wow, guys, the live show

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Speaker 1: went amazing.

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Speaker 2: What a great show. When you did that thing that

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Speaker 2: you did with my gang and everybody was like whoa,

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Speaker 2: and I was like, yo, I knew we had it in.

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Speaker 1: We killed it, guys, we killed it.

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Speaker 2: Yeah it no.

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Speaker 1: But here's seriously, here's a funny thing that Mark came

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Speaker 1: up with. All Right, so when Donald and I are singing,

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Speaker 1: everything comes down to pooh, there's a few people that

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Speaker 1: sing in the song with us. And Mark said, why

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Speaker 1: don't you have Joel and Daniel go out into the

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Speaker 1: audience and pick people like to sing those They'll have

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Speaker 1: a lyric sheet because we need someone to sing. I

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Speaker 1: my what are the lines? Don on my? Something something almost? Guys,

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Speaker 1: you're pull in my eyes. Check the minor his.

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Speaker 2: I was shut checked the pool.

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Speaker 1: Check check minor his first Yeah it may wait, don't

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Speaker 1: waste it, baby, ye listen, save your voice for Saturday.

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Speaker 1: But listen. Don't you think that could be funny? Like

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Speaker 1: if we pick I think there's three different people that

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Speaker 1: sing in the audience, and then they can participate in

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Speaker 1: the in the singing of the song.

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Speaker 3: What if we divided the audience into three different sections, right,

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Speaker 3: and we're like, okay, Falcony, you got this is on

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Speaker 3: you you know what I mean? And in that way

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Speaker 3: everyone can participate.

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Speaker 1: Okay, that's clever. It's just that they're not like they're

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Speaker 1: just quick lines though, they're like they're like, well, Bill,

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Speaker 1: I was thinking Bill, sorry, not a spoiler, because the

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Speaker 1: show has already happened. Bill could our surprise guest. Bill

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Speaker 1: could do the Mike Schwartz part Donald, which was the.

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Speaker 2: Po in my eye.

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Speaker 1: But there's also one of the other lines. One of

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Speaker 1: them is like my stomach hurts.

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Speaker 2: I was shot.

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Speaker 1: I was shot memory I was shot. So yeah, that's

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Speaker 1: a good idea. We could have the whole balcony yell,

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Speaker 1: I was shot. That's so great, that's clever. All Right,

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Speaker 1: we're gonna have to orchestrate that because that's funny.

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Speaker 2: Are you going to say a cur a letter J?

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Speaker 2: Or are you going to do no?

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Speaker 1: But I think it was a good discussion with Bill

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Speaker 1: Lawrence to talk about how the only one of the

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Speaker 1: only things that's ever been censored from Scrubs and Scrubs

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Speaker 1: history was a curlyer a letter J. Yeah, my god,

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Speaker 1: look at you in your animation room. He looks like

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Speaker 1: the audience can't see, but his camera looks like he's

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Speaker 1: set up to do an interview at at ILM, like

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Speaker 1: he's an animator with the with the animation studio in

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Speaker 1: the background. Looks like you got a new set piece there.

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Speaker 2: Donald got a bunch of new set pieces. You know,

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Speaker 2: another man's trash is another man's treasure.

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Speaker 1: Where did you get this rock for me?

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Speaker 2: Stupid buddy studios getting rid of some of their shall

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Speaker 2: I say stuff, and uh, you know they had to

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Speaker 2: get it, throw it. They were gonna either throw it

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Speaker 2: out or somebody was going to take it. And guess

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Speaker 2: who was that? Somebody who took it?

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Speaker 1: Well, I bet you'll take all of their set pieces

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Speaker 1: they want to throw away, especially if I.

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Speaker 2: Had the space that that warehouse would be mine if

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Speaker 2: I had the space. But I don't have the space.

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Speaker 1: So you just took selective things. You took selective.

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Speaker 2: Things, things that I think that I'm that I think

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Speaker 2: I'm going to use, things that I, you know, intend

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Speaker 2: on using. There's always that the intention of using.

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Speaker 1: Right, how's that bomb rep that you took feeling? Are

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Speaker 1: you feeling it?

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Speaker 2: Not yet? I think I take another one?

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Speaker 1: Okay, as long as you show yeah, show the bong

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Speaker 1: this time you want to show yeah, to show you

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Speaker 1: it's legally there's a state of you're in the state

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Speaker 1: of California. You're enjoying your medicine.

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Speaker 2: Beautiful.

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Speaker 5: This one is like castles, It's like skulls, and it's

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Speaker 5: like Mayan writing on it and stuff like.

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Speaker 1: See how you do it?

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Speaker 2: Come on, let's you want to You want to see

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Speaker 2: how I do it? Yeah, we want to see show

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Speaker 2: you how I do Why are.

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Speaker 1: You you finally progressed to Donald just ripping bong hits

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Speaker 1: on the show? Best part about an audio medium. I

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Speaker 1: can't believe how much weed I smell in l A.

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Speaker 1: I don't even want to smell it anymore.

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Speaker 2: You want to talk about smoke?

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Speaker 1: No, I know, walking down the street in Lower Manhattan

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Speaker 1: is just like it's just all you smell.

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Speaker 2: I mean no, No, that wasn't a pun, like for real,

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Speaker 2: like because the Canadian wildfires. Let's just timeline this moment

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Speaker 2: real quick for everyone out there. When when you listen

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Speaker 2: to this show later on, because you're catching up at

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Speaker 2: this point, New York looks like freaking Blade Runner two

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Speaker 2: point whatever that ship was with Ryan Gosling and Harrison

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Speaker 2: Ford in the future in Vegas, when that ship was

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Speaker 2: just straight up haze. That's what New York looks.

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Speaker 1: Like, right right, now I'm headed there too.

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Speaker 2: Shit, well, if your playing can make it through.

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Speaker 1: I don't think they've stopped planes.

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Speaker 2: They've delayed a couple of flights.

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Speaker 1: Anyway, after Seattle, I'm going so hopefully it's gone by them.

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Speaker 1: All right, let's let's get back to the show. So

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Speaker 1: how how are you guys doing? Are you excited? What's happening, Joelle?

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Speaker 1: Are you gonna have your hair did Dani? Or you're

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Speaker 1: gonna have your hair didn't gonna? I might need to

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Speaker 1: get a little touch up.

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Speaker 4: I definitely haircut. All this is gonna be cleaned up

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Speaker 4: for a Friday.

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Speaker 3: Nice, nice and bring out the Diana Ross hair. Just

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Speaker 3: love it because it's my favorite type of hair. It's

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Speaker 3: so much fun. Yeah, I'm excited. As you'll see in

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Speaker 3: this recording, I have been on my phone more than

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Speaker 3: any other time in my entire existence. Every two seconds

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Speaker 3: it's vocal or a text or email or another ask,

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Speaker 3: which is totally fine. It's all going towards like a

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Speaker 3: lot of love in the show. But oh my god,

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Speaker 3: it's been Oh I'm like, oh, this is why they

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Speaker 3: call you an executive producer.

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Speaker 1: This, this is the work. Well, Joelle, it's good training

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Speaker 1: for you, because I imagine that you're going to be

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Speaker 1: producing big TV shows and big movies running. I'm manifesting, yes,

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Speaker 1: Donald and I are manifesting you being a showrunner.

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Speaker 2: My little heigher. Thank you.

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Speaker 1: So this is all good practice for you, because this

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Speaker 1: is all the Michigan you have to deal with.

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Speaker 3: It's it has been a really good education and so

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Speaker 3: far making should happen.

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Speaker 4: Hell yeah, I see what it's happening exactly.

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Speaker 1: And Joe Lamartine is a great partner, I imagine, and

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Speaker 1: he's he's really on, Oh my gosh.

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Speaker 3: Joe's incredible, like very on it, very supportive in a

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Speaker 3: way that doesn't feel either pushing your take over like

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Speaker 3: it's always like considering where you're at, but also like

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Speaker 3: how do we get to this next?

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Speaker 1: It's wonderful, great team. He's very zen. I love him.

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Speaker 1: Carrie Brothers, my friend for my birthday got me a drone,

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Speaker 1: a little mini drone.

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Speaker 2: Oh okay, and.

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Speaker 1: I love it. It's the coolest present.

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Speaker 2: Now. These are the thing. This is. These are I

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Speaker 2: have a couple of questions for you.

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Speaker 1: Go ahead, I can answer.

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Speaker 2: I know you love it. I know. One of the

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Speaker 2: answers is I love it because it's flying and.

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Speaker 1: Knowing it's flying two things. I love flying in cameras

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Speaker 1: one thing right yet and also I was a big

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Speaker 1: RC kid when I was.

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Speaker 2: A When I was a kid, I did not know that. Okay,

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Speaker 2: So what are your intentions? Are your intentions to use

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Speaker 2: it in film and you know, create really unique shots

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Speaker 2: with the drone, or your intentions to race it because

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Speaker 2: it does seem like it's pretty fast.

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Speaker 1: No, I'm going to race it. That's when I'm in

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Speaker 1: a professional environment like.

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Speaker 2: Modern warfare, Like, what are your intentions?

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Speaker 1: When I not modern warfare? In a professional environment, I've

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Speaker 1: always hired a professional guy because of course, you need

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Speaker 1: the best person to get the best shots. There's really

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Speaker 1: cool drone shots in a good person. There's drone shots

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Speaker 1: in which I was here. I love professional drone operators

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Speaker 1: who know their shit and a good person. We had

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Speaker 1: a drone that flew the Alexa Mini, which is the

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Speaker 1: main camera we use for the film, which is just incredible.

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Speaker 1: It's a giant drone. So for me, it's just fun.

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Speaker 1: I would imagine I'll take it on vacation. I'm going

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Speaker 1: on vacation in the beating of July to the beach,

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Speaker 1: and I think I'll bring it and mess around with

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Speaker 1: it over the water and then the beach. But for me,

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Speaker 1: it's just fun to play with it because these drones

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Speaker 1: have come such a long way. You know, when I

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Speaker 1: first started playing with them, you really had to gain

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Speaker 1: a lot of strong skill set to be able to

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Speaker 1: just even keep it hovering. Now these DGI drones have

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Speaker 1: come such a long way that they're just using all

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Speaker 1: the GPS satellites and they just it just hovers. If

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Speaker 1: you don't touch it, it just sits there. It'll hover

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Speaker 1: in place, in perfect position for a half hour.

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Speaker 2: Do you remember where all of this shit start? When

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Speaker 2: all of this shit started? Do you remember when the

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Speaker 2: guys on scrubs, like in the camera department and in

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Speaker 2: the grip department, in the electric department. Yeah, got those

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Speaker 2: helicopters too.

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Speaker 1: Yeah, they got into those were those Those were those

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Speaker 1: helicopters with they had two different sets of blazers.

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Speaker 2: Yeah, it's pretty much kind of the same thing.

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Speaker 1: And they got obsessed.

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Speaker 2: Yeah, just trying to steady it and move it around

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Speaker 2: and all of that stuff. And now here we are

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Speaker 2: twenty five years, twenty something years later, And I bet

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Speaker 2: you if they did master those things, or if they,

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Speaker 2: you know, those guys would be drone pilots in the

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Speaker 2: in the entertainment industry.

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Speaker 1: Well, it's just you know what, the biggest barrier to

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Speaker 1: entry is being able to hover something. So what these

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Speaker 1: drones have taken that out of the equation because the

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Speaker 1: computer is just hovering it on its own. It will

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Speaker 1: literally just sit there perfectly still until the battery runs out.

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Speaker 1: And so now now the skill set to learn is

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Speaker 1: being able to move it and fly it and not

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Speaker 1: lose it and not fly it into a tree. Obviously,

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Speaker 1: but it's taken the hardest part back when when Donald's

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Speaker 1: talking about when we used to fly these little tiny

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Speaker 1: RC copters, that was the hardest part. It's taken that out,

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Speaker 1: so anyone can just you could literally, I could teach

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Speaker 1: you in five minutes how to fly it around your

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Speaker 1: yard and it's so fun.

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Speaker 2: Our helicopter is pretty much the same thing.

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Speaker 1: No, I don't really know what's happening with RC helicopters

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Speaker 1: because everyone who's into that has just gone into drones

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Speaker 1: because drones are just so fucking cool. I'm sure there's something.

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Speaker 2: I feel like drones are the wave of the future.

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Speaker 2: Like that's the flying car. I know you're on Instagram

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Speaker 2: and I know you're on TikTok and Twitter. You've seen

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Speaker 2: these motherfuckers taking those big ass drones and standing on

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Speaker 2: top of him and flying around like fucking the Green Goblin.

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Speaker 1: It's spider Man, I've seen that. But more impressive is

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Speaker 1: the fucking JetPak guys. Have you seen those guys?

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Speaker 2: Yeah, they're bugging then flying by planes and stuff like that,

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Speaker 2: like an airport. If you're gonna do that ship, why

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Speaker 2: fly by the airport? Like? Why being the fucker that's like,

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Speaker 2: you know what, I'm just gonna go fuck with the

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Speaker 2: pilots right now.

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Speaker 1: No, No, I don't think that's the thing that gotta

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Speaker 1: be arrested. The guy I saw was he did it.

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Speaker 2: Like five times or some shit like that, didn't he?

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Speaker 4: I honestly think that's like an FAA clearance thing, Like

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Speaker 4: I think you actually had to be in an airport.

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Speaker 1: That's just a guess. But well, No, I saw a

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Speaker 1: guy who I think was military from some country doing

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Speaker 1: a demonstration of it, and he was showing how he

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Speaker 1: could go from a ship to another ship and intercept it,

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Speaker 1: land on it, and it was fucking amazing. I mean

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Speaker 1: it was seriously iron man like now.

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Speaker 2: We watched the news a lot in this house, like

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Speaker 2: CBS News with up Gail, what up? Tony up?

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Speaker 1: Nate? Are you.

400
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Speaker 2: Shot out?

401
00:19:00,440 --> 00:19:05,840
Speaker 1: Gil? I think when the bunts are live on the

402
00:19:07,240 --> 00:19:07,800
Speaker 1: check this out.

403
00:19:07,880 --> 00:19:13,479
Speaker 2: But check this out. I saw they But in the

404
00:19:13,520 --> 00:19:17,960
Speaker 2: morning CBS News in l A. There was a guy

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Speaker 2: that was flying by the airports all the time and

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Speaker 2: flying by pilots unauthorized, unauthorized a jetpack.

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Speaker 1: That's aboud Idea. Yeah, man, they must have gotten him.

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Speaker 1: Should we get into the show down? Why don't you

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Speaker 1: count usit.

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Speaker 6: Stories? I'm not show we made about a bunch of

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Speaker 6: times and nurses. I said, he's the stories.

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Speaker 1: So YadA around here, yeada here, Okay, my absence now listen.

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Speaker 1: I understand that you're going to say that I'm biased

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Speaker 1: because I'm not in this episode, and neither is Neil Flynn.

415
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Speaker 1: But I want you to honestly tell me if you

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Speaker 1: laughed at anything in the show.

417
00:20:12,359 --> 00:20:18,440
Speaker 2: I laughed at myself. You were funny. I laughed at myself.

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Speaker 2: I laughed at myself with freaking uh with the gooch,

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00:20:21,880 --> 00:20:24,199
Speaker 2: with gooch that should have me rolled in when he

420
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Speaker 2: told Gooch that it was his first kid. Yeah. I

421
00:20:27,840 --> 00:20:29,760
Speaker 2: thought that shit was hilarious. And then she wrote the song,

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00:20:29,800 --> 00:20:30,800
Speaker 2: which was very funny.

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Speaker 1: The song was cute. She's so lovable that Kate.

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Speaker 2: Huh amazing. That was such a great grab, you know.

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Speaker 2: I mean, I don't know if we should tell the audience,

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Speaker 2: but I'm having construction in my house and last week's

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Speaker 2: episode was supposed to actually be Shay Serrano, but because

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Speaker 2: of the construction, I couldn't find a quiet place in

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Speaker 2: my in my house to uh to do the show,

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Speaker 2: and so we had to reschedule it, and Kate wound

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Speaker 2: up being a guest and she really did save the day. Man.

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Speaker 2: She was such a great guest, and I was thinking

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Speaker 2: about that before we did the show today. I was like, wow,

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00:21:07,600 --> 00:21:09,680
Speaker 2: you know that was that was such a good episode

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Speaker 2: and she did such a great job, and it was

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Speaker 2: really good having her on.

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Speaker 1: I agree, I agree it Maybe me want to be

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Speaker 1: more proactive with reaching out to these guest stars because

439
00:21:17,960 --> 00:21:20,560
Speaker 1: sometimes it's just tricky to coordinate. But I thought Kate

440
00:21:20,680 --> 00:21:23,800
Speaker 1: was such a good addition, and also she was able

441
00:21:23,800 --> 00:21:25,840
Speaker 1: to sing some of her songs, which was so nice.

442
00:21:26,119 --> 00:21:28,720
Speaker 2: Yeah, but she's back on in this episode, which is.

443
00:21:28,760 --> 00:21:31,560
Speaker 1: Ye, she's back, all right, So we'll get into the episode.

444
00:21:32,160 --> 00:21:34,040
Speaker 1: I just I thought it was a hot mess. To

445
00:21:34,040 --> 00:21:37,560
Speaker 1: be honest and listen, I can laugh my ass off

446
00:21:37,560 --> 00:21:40,679
Speaker 1: at other people, but I did not understand what was

447
00:21:40,680 --> 00:21:44,320
Speaker 1: going on in this episode. Okay, so directed by John Punch.

448
00:21:45,119 --> 00:21:46,600
Speaker 2: Well you were still in the show, Bud.

449
00:21:48,200 --> 00:21:51,160
Speaker 1: I'm just telling you. I was just watching this episode

450
00:21:51,200 --> 00:21:54,000
Speaker 1: being like, what is going on in this episode? There's

451
00:21:54,040 --> 00:21:56,600
Speaker 1: not a lot that goes on. Your whole storyline is

452
00:21:56,640 --> 00:22:00,400
Speaker 1: that you're pregnant with the second child, Carla is, and

453
00:22:01,840 --> 00:22:05,240
Speaker 1: no one cares because it's the second child, not the first.

454
00:22:05,240 --> 00:22:07,520
Speaker 1: That's your storyline, and it's a big storyline.

455
00:22:07,720 --> 00:22:09,320
Speaker 2: Well that's kind of how it is wild It goes

456
00:22:09,359 --> 00:22:10,920
Speaker 2: through shit like this, you know what I mean.

457
00:22:11,760 --> 00:22:14,119
Speaker 1: You know, so when you're telling me when Casey was

458
00:22:14,160 --> 00:22:17,600
Speaker 1: pregnant with Wilder, no one cared that dude.

459
00:22:17,640 --> 00:22:21,360
Speaker 2: There's like like Google doesn't even have Wilder listed as

460
00:22:21,480 --> 00:22:26,119
Speaker 2: Casey's child. Casey's listed is having two children, rock O Faison,

461
00:22:26,280 --> 00:22:29,240
Speaker 2: and then there's like some mystery child, like for real,

462
00:22:29,359 --> 00:22:32,440
Speaker 2: Like that's like how it is, you know what I mean?

463
00:22:32,640 --> 00:22:37,160
Speaker 2: It's this is this is legit like you know, Uh,

464
00:22:37,840 --> 00:22:40,639
Speaker 2: it's it's it's interesting when you have your second child

465
00:22:40,760 --> 00:22:47,000
Speaker 2: with someone, it's always it's always uh looked at, Well,

466
00:22:47,040 --> 00:22:47,880
Speaker 2: you did it already.

467
00:22:48,600 --> 00:22:50,760
Speaker 1: So you're saying, now, I'm not talking about being in

468
00:22:50,760 --> 00:22:53,240
Speaker 1: the public eye in Google. I'm saying in your life.

469
00:22:53,280 --> 00:22:55,040
Speaker 2: When you in your life everyone an.

470
00:22:55,320 --> 00:22:59,280
Speaker 1: To people that you were having a second child with Casey.

471
00:22:59,359 --> 00:22:59,960
Speaker 1: No one cared.

472
00:23:00,800 --> 00:23:03,840
Speaker 2: They cared, but it wasn't. Of course they care. Everyone cares,

473
00:23:03,880 --> 00:23:07,000
Speaker 2: but it's not like the first time where everybody jumps

474
00:23:07,040 --> 00:23:10,680
Speaker 2: around and is excited for you and you know, can't

475
00:23:10,760 --> 00:23:15,920
Speaker 2: you know, you guys did it and you know it's

476
00:23:16,040 --> 00:23:19,439
Speaker 2: it's a way different experience the first time than it

477
00:23:19,520 --> 00:23:21,800
Speaker 2: is the second time. The second time it's more of

478
00:23:21,840 --> 00:23:26,320
Speaker 2: a way to go congratulations.

479
00:23:26,680 --> 00:23:28,879
Speaker 1: Okay, Well you know I can't speak to that, and

480
00:23:28,920 --> 00:23:32,439
Speaker 1: neither can my my other two friends. I'll hear so

481
00:23:32,800 --> 00:23:38,280
Speaker 1: Joe uh Cox says that Joe is a joke. We

482
00:23:38,359 --> 00:23:42,359
Speaker 1: meet Sonya slash Sonny played by Sonya Day, who's a

483
00:23:42,359 --> 00:23:46,439
Speaker 1: new intern. Cox has a patient that he calls a

484
00:23:46,480 --> 00:23:50,640
Speaker 1: potato because he mister Fan Kohne I believe is his name,

485
00:23:50,920 --> 00:23:53,119
Speaker 1: and he just hasn't done he's been in a coma

486
00:23:53,160 --> 00:23:55,640
Speaker 1: for a very long time, and Cox acts like he's

487
00:23:55,680 --> 00:23:57,720
Speaker 1: totally giving up on him and he doesn't want to

488
00:23:57,720 --> 00:24:01,479
Speaker 1: be bothered with anything related to what he calls this

489
00:24:01,520 --> 00:24:05,080
Speaker 1: potato Elliott shampoo.

490
00:24:05,240 --> 00:24:07,000
Speaker 2: That was kind of rude. I thought that was probably.

491
00:24:07,040 --> 00:24:09,159
Speaker 2: I thought Cox was just as rude as Joe is,

492
00:24:09,640 --> 00:24:12,280
Speaker 2: and for him to call Joe a joke and then

493
00:24:12,359 --> 00:24:16,399
Speaker 2: to do the whole potato thing was a contradiction. Also,

494
00:24:16,760 --> 00:24:20,920
Speaker 2: I was like, I don't know about this moment right here.

495
00:24:22,840 --> 00:24:25,240
Speaker 2: I don't know how any of the interns can take

496
00:24:25,320 --> 00:24:29,960
Speaker 2: him seriously. After he said she had the bedside manner,

497
00:24:30,720 --> 00:24:34,080
Speaker 2: she had horrible bedside manner. And then he goes into

498
00:24:34,119 --> 00:24:37,399
Speaker 2: a whole rant about how someone's a potato. Yeah he

499
00:24:37,440 --> 00:24:39,800
Speaker 2: doesn't handle and how you handle it is by putting

500
00:24:39,840 --> 00:24:43,400
Speaker 2: sour cream and chives and if you're in the mood

501
00:24:43,400 --> 00:24:45,840
Speaker 2: for some protein, sprinkle a little bacon on it.

502
00:24:46,240 --> 00:24:49,600
Speaker 1: Yeah, he does seem really cold here. I mean, he

503
00:24:49,640 --> 00:24:53,760
Speaker 1: buys it back later when he reveals that he relies

504
00:24:53,800 --> 00:24:58,119
Speaker 1: on Karla to be the one who isn't as cold

505
00:24:58,119 --> 00:25:00,240
Speaker 1: about this. But it does seem even out of aracter

506
00:25:00,359 --> 00:25:02,200
Speaker 1: for Cox, because we know one of the main things

507
00:25:02,200 --> 00:25:04,560
Speaker 1: about Cox is he loves his patients more than anything.

508
00:25:04,960 --> 00:25:08,040
Speaker 1: He's a tough guy, but he'll do anything for his patients.

509
00:25:08,520 --> 00:25:11,439
Speaker 1: And then here he is opening the show talking about

510
00:25:11,680 --> 00:25:13,480
Speaker 1: doesn't want to be bothered with the guy who's in

511
00:25:13,520 --> 00:25:13,919
Speaker 1: a coma.

512
00:25:14,560 --> 00:25:16,919
Speaker 2: I didn't mind the episode. I was. I thought it

513
00:25:16,960 --> 00:25:19,560
Speaker 2: was clever that they found a way to get you

514
00:25:19,880 --> 00:25:24,720
Speaker 2: on the in the show without having your having you appear,

515
00:25:25,040 --> 00:25:28,080
Speaker 2: but having your voice still do the voiceover. They still

516
00:25:28,119 --> 00:25:30,840
Speaker 2: found a way to wrap it up with the voiceover

517
00:25:30,960 --> 00:25:33,679
Speaker 2: at the end, too, which I thought was kind of clever, Like,

518
00:25:33,760 --> 00:25:35,760
Speaker 2: there are a couple of months. I get it. You know,

519
00:25:36,160 --> 00:25:38,280
Speaker 2: you're not in it. I feel the same way about

520
00:25:38,320 --> 00:25:40,960
Speaker 2: the shit that I'm not in. You know, I didn't

521
00:25:41,040 --> 00:25:44,399
Speaker 2: laugh as much. I felt like, you know, hey, Zack's

522
00:25:44,440 --> 00:25:45,920
Speaker 2: not in it. This doesn't feel right.

523
00:25:46,720 --> 00:25:48,840
Speaker 1: Uh listen, I wouldn't. I'm I promise.

524
00:25:49,000 --> 00:25:51,600
Speaker 2: I feel like this is where the attempt where Bill

525
00:25:51,720 --> 00:25:54,480
Speaker 2: was like, well, hu, maybe we could do a show

526
00:25:55,280 --> 00:25:56,240
Speaker 2: without Zach.

527
00:25:56,520 --> 00:25:56,760
Speaker 1: Yeah.

528
00:25:56,880 --> 00:26:00,639
Speaker 2: It was if like you know, the law longevity thing,

529
00:26:00,640 --> 00:26:05,680
Speaker 2: because around this time you were definitely saying out loud, dude,

530
00:26:05,680 --> 00:26:07,320
Speaker 2: I don't know if I can do this anymore.

531
00:26:07,600 --> 00:26:10,040
Speaker 1: Yeah, I was ready to leave the show, and I

532
00:26:10,119 --> 00:26:12,800
Speaker 1: think the show was coming to a natural end, and

533
00:26:13,240 --> 00:26:16,399
Speaker 1: this does feel like a test case for what's the

534
00:26:16,440 --> 00:26:19,879
Speaker 1: show like without JD. I know that Neil maybe maybe

535
00:26:19,920 --> 00:26:22,480
Speaker 1: Neil too, because I think Neil announced that he was

536
00:26:22,520 --> 00:26:24,960
Speaker 1: going to leave as well at the end of eight.

537
00:26:26,680 --> 00:26:29,760
Speaker 1: So and listen, I'm not I really. I know. It

538
00:26:29,840 --> 00:26:32,159
Speaker 1: sounds like like I'm just saying I didn't like it

539
00:26:32,160 --> 00:26:33,880
Speaker 1: because I'm not in it. That's not true. I love

540
00:26:33,960 --> 00:26:36,760
Speaker 1: all of these hilarious actors on the show. I just

541
00:26:36,800 --> 00:26:39,000
Speaker 1: think this one was a little mad, That's all I'm saying.

542
00:26:39,160 --> 00:26:41,480
Speaker 1: There's also not a single fantasy, which is an interesting

543
00:26:41,520 --> 00:26:43,800
Speaker 1: thing because it's pretty rare that a Scrubs episode has

544
00:26:43,920 --> 00:26:46,119
Speaker 1: no fantasies. But the guy with the fantasies isn't in

545
00:26:46,160 --> 00:26:49,639
Speaker 1: the show, so I guess Bill could have rationalized that somehow.

546
00:26:49,800 --> 00:26:53,560
Speaker 2: I feel like the show was relying on the comedy

547
00:26:53,800 --> 00:26:59,800
Speaker 2: of the n the outrageousness of the characters to survive

548
00:27:00,119 --> 00:27:03,520
Speaker 2: without the fantasy. At this moment. It was really interesting

549
00:27:03,560 --> 00:27:05,320
Speaker 2: that there was no fantasy, but there was a lot

550
00:27:05,359 --> 00:27:08,439
Speaker 2: of like weird things that, you know, the gooch hiding

551
00:27:08,520 --> 00:27:11,280
Speaker 2: behind the the you know, they tried to make it

552
00:27:11,320 --> 00:27:15,400
Speaker 2: so that you know, Ted was hiding the gooch perfectly

553
00:27:15,480 --> 00:27:17,679
Speaker 2: behind him, so every time there was a reveal, she

554
00:27:17,720 --> 00:27:20,800
Speaker 2: could have her cute little wave. There were different ways

555
00:27:20,800 --> 00:27:23,760
Speaker 2: to try and still be quirky and stuff. It just

556
00:27:23,880 --> 00:27:26,520
Speaker 2: wasn't It just wasn't the same show. It definitely isn't

557
00:27:26,560 --> 00:27:27,760
Speaker 2: the same. It wasn't the show.

558
00:27:27,800 --> 00:27:30,280
Speaker 1: I just don't understand the storylines. It's like the storylines

559
00:27:30,280 --> 00:27:34,119
Speaker 1: are literally Elliott is completely obsessed with JD and can't

560
00:27:34,119 --> 00:27:36,400
Speaker 1: be without him for two seconds, which is.

561
00:27:36,359 --> 00:27:38,280
Speaker 2: Trying to set up this that they love each other.

562
00:27:38,480 --> 00:27:40,119
Speaker 1: I know, but it just feels out a character isn't

563
00:27:40,119 --> 00:27:42,160
Speaker 1: for Elliott, like Jady's gone and she's so.

564
00:27:43,240 --> 00:27:45,640
Speaker 2: Well, you remember how she was with Keith when Keith

565
00:27:45,720 --> 00:27:48,640
Speaker 2: wasn't around. No, I forgot what was she like when

566
00:27:48,680 --> 00:27:49,560
Speaker 2: she was the same way.

567
00:27:50,640 --> 00:27:51,359
Speaker 1: I don't remember that.

568
00:27:52,200 --> 00:27:55,680
Speaker 2: Look, I'm just saying she's she's They're trying to set

569
00:27:55,760 --> 00:27:58,280
Speaker 2: up that she's head over heels in love with this guy,

570
00:27:58,720 --> 00:28:01,240
Speaker 2: and that he's head over here in love with him,

571
00:28:01,600 --> 00:28:03,199
Speaker 2: and this is a great way to set it up

572
00:28:03,240 --> 00:28:06,440
Speaker 2: also by removing one of them, and they've removed her

573
00:28:06,480 --> 00:28:09,120
Speaker 2: before but he has Turk, you know what I mean.

574
00:28:09,480 --> 00:28:14,920
Speaker 2: Now they remove they remove him, and she has she's

575
00:28:14,960 --> 00:28:19,000
Speaker 2: so in love that, you know, well, and Carla's going

576
00:28:19,040 --> 00:28:21,240
Speaker 2: through some really awesome stuff too, you know what I mean.

577
00:28:21,280 --> 00:28:24,200
Speaker 2: And she gets the response that she wanted with the

578
00:28:24,280 --> 00:28:26,280
Speaker 2: jump around, and I don't know, man, I just feel

579
00:28:26,280 --> 00:28:29,120
Speaker 2: like I feel like, yeah, I get it. It doesn't

580
00:28:29,280 --> 00:28:31,560
Speaker 2: it doesn't feel like the same show, but it definitely

581
00:28:31,600 --> 00:28:33,600
Speaker 2: pushed the story forward.

582
00:28:33,920 --> 00:28:35,920
Speaker 1: I just want to listen to you what the show's about,

583
00:28:37,040 --> 00:28:40,160
Speaker 1: all right. Turk's excited that he and Carl are gonna

584
00:28:40,160 --> 00:28:43,720
Speaker 1: have their second baby, and no one's excited. Elliott is

585
00:28:43,760 --> 00:28:49,120
Speaker 1: obsessed with JD because he's gone. Carla, I don't know,

586
00:28:49,200 --> 00:28:50,440
Speaker 1: she's feeling.

587
00:28:50,240 --> 00:28:53,680
Speaker 2: She's missing something. She's look, she's I don't know, I

588
00:28:53,440 --> 00:28:55,560
Speaker 2: don't I dot that I didn't understand either. She has

589
00:28:55,760 --> 00:28:58,920
Speaker 2: she's having a kid. I got the fact that she

590
00:28:58,920 --> 00:29:02,800
Speaker 2: she wanted that old feeling of being needed and wanted

591
00:29:02,840 --> 00:29:04,760
Speaker 2: at the hospital, and then when she did get that,

592
00:29:04,920 --> 00:29:07,280
Speaker 2: she turned her back on it because she has other

593
00:29:07,320 --> 00:29:10,560
Speaker 2: things going on, like she's having a baby. And you're

594
00:29:10,600 --> 00:29:14,600
Speaker 2: absolutely right as far as saying the dots don't necessarily connect,

595
00:29:14,760 --> 00:29:17,200
Speaker 2: but some of them really do connect, like the one

596
00:29:17,200 --> 00:29:19,960
Speaker 2: that you're taught, the one that you're kind of pooh

597
00:29:20,000 --> 00:29:23,640
Speaker 2: poohing on with Elliott. It's just setting up for you,

598
00:29:23,680 --> 00:29:26,280
Speaker 2: guys getting married and engaged in all of that stuff.

599
00:29:26,720 --> 00:29:29,400
Speaker 2: That's what it's really setting up. It's setting up that

600
00:29:29,480 --> 00:29:32,040
Speaker 2: she's so in love that even and that you're so

601
00:29:32,160 --> 00:29:34,920
Speaker 2: in love that even when you're not there, you two

602
00:29:34,960 --> 00:29:36,040
Speaker 2: are thinking of each other.

603
00:29:36,480 --> 00:29:39,240
Speaker 1: All right, well, let's talk through it more, Elliott. There's

604
00:29:39,240 --> 00:29:41,920
Speaker 1: a whole bit about Elliott champooing with beer. Everyone thinks

605
00:29:41,920 --> 00:29:44,400
Speaker 1: that she's drunk, but it's just because she's now shampooing

606
00:29:44,520 --> 00:29:47,320
Speaker 1: with beer that's weird for some reason. And then she

607
00:29:47,360 --> 00:29:49,320
Speaker 1: I missed what the setup was, but she reveals that

608
00:29:49,880 --> 00:29:52,160
Speaker 1: the dress that she's wearing only looks good without a bra,

609
00:29:52,520 --> 00:29:55,120
Speaker 1: and if she gets cold, it looks like she's smuggling

610
00:29:55,200 --> 00:29:56,000
Speaker 1: candy corns.

611
00:29:57,080 --> 00:29:58,960
Speaker 2: And then she gets cold, and.

612
00:29:58,880 --> 00:30:01,320
Speaker 1: Then she gets cold and she's run out because her

613
00:30:01,400 --> 00:30:04,120
Speaker 1: nipples get hard. I didn't I didn't really track what

614
00:30:04,160 --> 00:30:04,800
Speaker 1: was happening there.

615
00:30:04,920 --> 00:30:05,040
Speaker 2: Man.

616
00:30:05,080 --> 00:30:06,920
Speaker 1: I like Sarah talking about her hard nipples, but that's

617
00:30:06,960 --> 00:30:07,480
Speaker 1: all I heard.

618
00:30:07,720 --> 00:30:11,000
Speaker 3: I think they were suggesting weirdly that she was getting

619
00:30:11,000 --> 00:30:13,400
Speaker 3: turned on by this woman talking about her like fifty

620
00:30:13,480 --> 00:30:18,320
Speaker 3: year relationship with her husband. Because yeah, because later the

621
00:30:18,440 --> 00:30:21,160
Speaker 3: blonde intern is like, yeah, I was kind of getting

622
00:30:21,200 --> 00:30:23,720
Speaker 3: Randy in there too, and that she talks about wanting

623
00:30:23,760 --> 00:30:24,840
Speaker 3: to screw the big dude.

624
00:30:26,120 --> 00:30:30,360
Speaker 2: It's a weird episode, Joe Jill.

625
00:30:30,600 --> 00:30:32,880
Speaker 1: Now you finally wade in on it being a weird episode,

626
00:30:32,960 --> 00:30:35,280
Speaker 1: So it doesn't sound like I'm the only one.

627
00:30:35,080 --> 00:30:39,480
Speaker 2: Who I'm not saying that this isn't a weird episode.

628
00:30:39,560 --> 00:30:43,760
Speaker 2: I'm saying it definitely feels out of place. But I'm

629
00:30:43,760 --> 00:30:47,400
Speaker 2: also saying it definitely pushes the needle forward with the

630
00:30:47,520 --> 00:30:49,560
Speaker 2: story that we keep getting caught up on.

631
00:30:50,760 --> 00:30:53,440
Speaker 1: Okay, I don't know how it pushes anything forward. What

632
00:30:53,440 --> 00:30:55,520
Speaker 1: does it push forward? That Sarah, that Elliot's in love

633
00:30:55,520 --> 00:30:57,400
Speaker 1: of JD that doesn't need any pushing forward?

634
00:30:57,800 --> 00:31:00,360
Speaker 2: Well, yeah, it kind of does, because it's a it's

635
00:31:00,400 --> 00:31:04,080
Speaker 2: a huge shift in story that I don't know. The

636
00:31:04,080 --> 00:31:06,960
Speaker 2: first time it happened, it felt way more believable. Now

637
00:31:07,040 --> 00:31:09,600
Speaker 2: this time I don't even remember how it happened or

638
00:31:09,680 --> 00:31:12,920
Speaker 2: where it happened. It's just somehow in this in this season,

639
00:31:13,200 --> 00:31:15,000
Speaker 2: they're in love, you know what I mean?

640
00:31:14,800 --> 00:31:17,600
Speaker 1: I don't remember either. And even when they're like together

641
00:31:17,720 --> 00:31:20,800
Speaker 1: in the hospital, they seem like obviously they're in love

642
00:31:20,840 --> 00:31:22,680
Speaker 1: and they're a good couple, but this is like, because

643
00:31:22,720 --> 00:31:28,360
Speaker 1: he's gone for some reason, they're like obsessively codependent, texting

644
00:31:28,360 --> 00:31:31,280
Speaker 1: each other every second. That's not like, that's not them.

645
00:31:31,680 --> 00:31:33,160
Speaker 1: Did they ever say where JD is?

646
00:31:33,360 --> 00:31:35,040
Speaker 2: No, he's just off Oh god, they do.

647
00:31:36,000 --> 00:31:40,480
Speaker 3: He's at another hospital seeing somebody. They have like a

648
00:31:40,480 --> 00:31:42,960
Speaker 3: goofy name for the patient, and it sounds like maybe

649
00:31:43,040 --> 00:31:45,680
Speaker 3: JD is consistently seeing this person off site, but it

650
00:31:45,720 --> 00:31:47,560
Speaker 3: wasn't one clear on that either.

651
00:31:48,560 --> 00:31:50,959
Speaker 1: I'm in funny if they're like, if they're like Sacred

652
00:31:51,000 --> 00:31:53,520
Speaker 1: Heart has a new contract where each doctor has to

653
00:31:53,520 --> 00:32:01,400
Speaker 1: appear disappear for a week at a time. Okay, so

654
00:32:02,120 --> 00:32:06,520
Speaker 1: Joe needs action. We learn that Joe is horny but.

655
00:32:06,440 --> 00:32:11,240
Speaker 2: Only like but only likes action from large fellas. Large

656
00:32:11,280 --> 00:32:14,720
Speaker 2: fellows because and and and Elliott feels the same way

657
00:32:14,800 --> 00:32:19,480
Speaker 2: because they are grateful and are willing to do.

658
00:32:23,600 --> 00:32:25,920
Speaker 1: Well. I don't know about that, but Joe really, that's

659
00:32:25,960 --> 00:32:29,960
Speaker 1: what she said. Well, she's very interested in larger fellas,

660
00:32:30,040 --> 00:32:32,760
Speaker 1: and every time she gets all yeah that, she says

661
00:32:32,760 --> 00:32:35,560
Speaker 1: they work hard at it, and she sees she gets

662
00:32:35,560 --> 00:32:38,200
Speaker 1: all worked up. She keeps spotting bigger guys in the

663
00:32:38,200 --> 00:32:43,000
Speaker 1: cafeteria and uh and getting all riled up. Ted and

664
00:32:43,040 --> 00:32:45,719
Speaker 1: Goucher are a couple, and Ted is taken upon himself

665
00:32:45,720 --> 00:32:48,880
Speaker 1: to to go around and find anyone that said he

666
00:32:48,920 --> 00:32:52,600
Speaker 1: would never have a girlfriend and point out that he

667
00:32:52,640 --> 00:32:54,640
Speaker 1: does now and her name is Gooch.

668
00:32:55,160 --> 00:32:57,120
Speaker 2: By revealing her Yes.

669
00:32:57,160 --> 00:32:59,920
Speaker 1: Every time Scrubs Wiki had a little something on this,

670
00:33:00,560 --> 00:33:03,840
Speaker 1: you'll be happy to know. Ted mentions that Gouch is

671
00:33:03,880 --> 00:33:06,480
Speaker 1: his first girlfriend. However, earlier in the series it's mentioned

672
00:33:06,480 --> 00:33:10,000
Speaker 1: that he used to have a wife, and it also

673
00:33:10,080 --> 00:33:14,240
Speaker 1: mentions having a junior high girlfriend in season four, explaining

674
00:33:14,280 --> 00:33:18,560
Speaker 1: to Janetor that he got his girlfriend in junior high

675
00:33:18,640 --> 00:33:22,160
Speaker 1: by getting her best friend to like him by posing

676
00:33:22,240 --> 00:33:32,120
Speaker 1: as her dad so she could rent a car. See

677
00:33:32,120 --> 00:33:38,960
Speaker 1: that's funny, that's funny. Gosh, I'm glad we're not doing

678
00:33:38,960 --> 00:33:42,160
Speaker 1: this episode for the live show because I wouldn't have it.

679
00:33:42,200 --> 00:33:44,800
Speaker 2: I wouldn't have that would be interesting because this is

680
00:33:44,800 --> 00:33:46,080
Speaker 2: what would have fallen on.

681
00:33:47,920 --> 00:33:49,720
Speaker 1: I know you're right. We have to go by the

682
00:33:49,760 --> 00:33:52,160
Speaker 1: way people. Anyone who asked us why we why we

683
00:33:52,240 --> 00:33:55,080
Speaker 1: reverted to doing the musical. It's because we don't want

684
00:33:55,120 --> 00:33:57,760
Speaker 1: to do an hour, hour and a half live show

685
00:33:57,840 --> 00:33:59,760
Speaker 1: in front of two thousand people and not have it

686
00:33:59,760 --> 00:34:01,680
Speaker 1: be an episode that we know is one of our

687
00:34:01,720 --> 00:34:03,720
Speaker 1: favorites and that we know we can talk about in

688
00:34:03,720 --> 00:34:06,080
Speaker 1: a funny way like Donald's right, this is one the

689
00:34:06,120 --> 00:34:09,279
Speaker 1: one that would have fallen on on on the live

690
00:34:09,320 --> 00:34:12,720
Speaker 1: show and we both would have been like, uh.

691
00:34:11,920 --> 00:34:16,400
Speaker 2: So, so what else? Anybody need us to fix your life?

692
00:34:16,680 --> 00:34:19,480
Speaker 1: Yes? Do any of you people need to have your

693
00:34:19,520 --> 00:34:20,000
Speaker 1: life fix?

694
00:34:20,920 --> 00:34:21,040
Speaker 6: Oh?

695
00:34:21,080 --> 00:34:22,399
Speaker 1: By the way, we could do it fixed on life.

696
00:34:22,560 --> 00:34:24,160
Speaker 1: This show is getting gonna get too long, but I

697
00:34:24,160 --> 00:34:25,920
Speaker 1: mean we could also do a fix your Life.

698
00:34:26,080 --> 00:34:27,640
Speaker 2: We could. We could definitely do one.

699
00:34:28,160 --> 00:34:31,000
Speaker 1: Did you guys practice the songs we're gonna practice on

700
00:34:31,040 --> 00:34:34,560
Speaker 1: the day on Saturday? Donald, Donald, I have Donald, I

701
00:34:34,640 --> 00:34:37,560
Speaker 1: know them, but we're gonna have lyric sheets and then

702
00:34:38,239 --> 00:34:44,200
Speaker 1: we have a rehearsal with the piano player on Saturday. Okay, cool, great.

703
00:34:44,400 --> 00:34:46,600
Speaker 1: So what Joel's idea is, Donald, is that each of

704
00:34:46,640 --> 00:34:48,920
Speaker 1: the audiences is going to be each of the sections

705
00:34:48,920 --> 00:34:52,000
Speaker 1: of the audience. There's three tiers, so they could each

706
00:34:52,080 --> 00:34:53,040
Speaker 1: be given a line.

707
00:34:53,800 --> 00:34:56,920
Speaker 2: So I think Tier one, I think the balcony should

708
00:34:56,920 --> 00:35:00,520
Speaker 2: start with No, where do you think there'll be the loudest?

709
00:35:00,920 --> 00:35:03,160
Speaker 1: The orchestra is the biggest, I think, where do you think.

710
00:35:03,000 --> 00:35:04,680
Speaker 2: They'll be the loudest? Where do you think they'll be

711
00:35:04,719 --> 00:35:07,880
Speaker 2: The Balthroism is always the loudest. Yeah, So don't you

712
00:35:07,880 --> 00:35:10,560
Speaker 2: think we should start with the loudest first to set

713
00:35:10,600 --> 00:35:11,040
Speaker 2: the tone.

714
00:35:11,200 --> 00:35:12,880
Speaker 3: No, you should end with the loudest so you can

715
00:35:12,960 --> 00:35:13,600
Speaker 3: build to them.

716
00:35:13,760 --> 00:35:17,000
Speaker 2: So we'll start with the So we start with the orchestra, Hey,

717
00:35:17,040 --> 00:35:20,400
Speaker 2: miss Miller, we just need a stool sample.

718
00:35:21,200 --> 00:35:22,880
Speaker 1: And then they're why.

719
00:35:27,320 --> 00:35:30,160
Speaker 2: Because the answer is not in their head, my dear,

720
00:35:30,880 --> 00:35:32,000
Speaker 2: it's but.

721
00:35:32,480 --> 00:35:34,880
Speaker 1: And then there's and then there's the other lines, and

722
00:35:34,920 --> 00:35:39,480
Speaker 1: then we can have Bill do the Mike Schwartz line. Yeah, okay,

723
00:35:39,560 --> 00:35:42,600
Speaker 1: we gotta figure that out. On Saturday, guys were quick

724
00:35:42,600 --> 00:35:48,800
Speaker 1: breaking and be right back with more of the show,

725
00:35:50,320 --> 00:35:50,840
Speaker 1: and we're.

726
00:35:50,719 --> 00:35:55,120
Speaker 2: B This is the first episode where we actually do

727
00:35:55,280 --> 00:35:59,240
Speaker 2: deal with death this season. To be honest with you, it's.

728
00:35:59,040 --> 00:36:01,120
Speaker 1: Not really even dealt with she just dies and knowing.

729
00:36:00,960 --> 00:36:04,680
Speaker 2: It she died, but also the guy on life support too.

730
00:36:05,400 --> 00:36:07,879
Speaker 2: Since we started this season, we've been talking about how,

731
00:36:09,080 --> 00:36:11,560
Speaker 2: or at least I have I've been reminding you how

732
00:36:11,600 --> 00:36:17,080
Speaker 2: wholesome ABC has been and how nobody's died and how uh,

733
00:36:17,520 --> 00:36:20,040
Speaker 2: you know, everything's always wrapped up in the boat. This

734
00:36:20,080 --> 00:36:25,520
Speaker 2: is the first episode where somebody does die and we

735
00:36:25,560 --> 00:36:28,600
Speaker 2: don't even it's not even dealt with. It's just dismissed

736
00:36:28,640 --> 00:36:30,960
Speaker 2: like it was nothing. Yeah.

737
00:36:31,120 --> 00:36:32,640
Speaker 1: Yeah, all we know about her is that she was

738
00:36:32,719 --> 00:36:36,399
Speaker 1: Kelso's friend. Oh, and that sets off a conversation about

739
00:36:36,400 --> 00:36:38,680
Speaker 1: how she died because she was with her husband for

740
00:36:38,719 --> 00:36:41,200
Speaker 1: over fifty years and when he died, she didn't last

741
00:36:41,280 --> 00:36:48,120
Speaker 1: much longer, which which then makes Kelso confront Elliott. What

742
00:36:48,280 --> 00:36:50,520
Speaker 1: is that whole Kelso pep talk. I didn't even understand

743
00:36:50,520 --> 00:36:51,319
Speaker 1: what's going on there.

744
00:36:51,600 --> 00:36:54,200
Speaker 2: Well, it was just explaining. Yeah, I didn't understand what

745
00:36:54,239 --> 00:36:58,600
Speaker 2: it was about. I don't know why Kelso gets into

746
00:36:58,920 --> 00:37:03,919
Speaker 2: the whole she died because, I mean maybe Elliott wanted

747
00:37:03,920 --> 00:37:06,560
Speaker 2: her to fight, and she thought she had a lot

748
00:37:06,600 --> 00:37:08,759
Speaker 2: of fight in her and that it was just pneumonia

749
00:37:08,800 --> 00:37:11,759
Speaker 2: and that's something that she could come back from, but

750
00:37:12,080 --> 00:37:15,680
Speaker 2: she didn't. Yeah, it's it's such. We had, you know,

751
00:37:15,920 --> 00:37:18,040
Speaker 2: the penis doctor on, and we talked to the penis

752
00:37:18,080 --> 00:37:21,360
Speaker 2: doctor about how, you know, what happens. Is it because

753
00:37:21,400 --> 00:37:23,680
Speaker 2: we get older and these things happen, or is it

754
00:37:23,719 --> 00:37:28,560
Speaker 2: because statistically this is you know, because we're older, statistically

755
00:37:28,600 --> 00:37:31,480
Speaker 2: things are going to hit us. But I didn't understand

756
00:37:31,480 --> 00:37:35,440
Speaker 2: the reason for Kelso saying, well.

757
00:37:35,280 --> 00:37:38,480
Speaker 1: I think it is a very common thing that I agree.

758
00:37:38,480 --> 00:37:40,600
Speaker 1: It is a couple set have big win together forever

759
00:37:40,680 --> 00:37:42,800
Speaker 1: one dies and the other one doesn't last much longer

760
00:37:42,840 --> 00:37:46,719
Speaker 1: because they they sort of feel like their reason for

761
00:37:46,760 --> 00:37:49,640
Speaker 1: being is gone, or just the grief at that age.

762
00:37:49,680 --> 00:37:51,839
Speaker 1: I mean, my father was you know, it didn't last

763
00:37:51,960 --> 00:37:54,040
Speaker 1: much longer after my sister passed away.

764
00:37:54,880 --> 00:37:55,200
Speaker 2: You know it.

765
00:37:56,480 --> 00:38:00,560
Speaker 1: I think loss and grief at a certain age, Uh,

766
00:38:02,120 --> 00:38:05,720
Speaker 1: you know, it can can can expedite your demise.

767
00:38:07,760 --> 00:38:11,280
Speaker 2: Well, I definitely, you know, I definitely feel like mood

768
00:38:11,520 --> 00:38:15,759
Speaker 2: is your mood definitely determines your health eventually.

769
00:38:16,440 --> 00:38:19,040
Speaker 1: Yeah, I agree, And but I think it's a it's

770
00:38:19,080 --> 00:38:22,280
Speaker 1: a it's a well, it's a known thing that couples

771
00:38:22,280 --> 00:38:24,879
Speaker 1: that have been together a very long time will will

772
00:38:24,880 --> 00:38:26,399
Speaker 1: sometimes pass soon after one.

773
00:38:26,320 --> 00:38:29,320
Speaker 2: Another, right, And I understand that, but I didn't understand

774
00:38:29,360 --> 00:38:30,200
Speaker 2: what the purpose was.

775
00:38:30,320 --> 00:38:32,760
Speaker 1: Yeah, I understand what he was telling Elliott about. Yeah,

776
00:38:33,360 --> 00:38:36,480
Speaker 1: And then Elliott what does she do? She she like

777
00:38:36,600 --> 00:38:38,160
Speaker 1: she Then she says like, well, I'm not going to

778
00:38:38,239 --> 00:38:41,279
Speaker 1: be I'm not going to just die after j if

779
00:38:41,320 --> 00:38:44,040
Speaker 1: j D were to die, I'm not that reliant.

780
00:38:44,360 --> 00:38:46,160
Speaker 2: Well no, Then he says, I know you're full of

781
00:38:46,160 --> 00:38:49,040
Speaker 2: shit because you texted him to see if he texts

782
00:38:49,040 --> 00:38:51,480
Speaker 2: you back, and did he? And she's like, yeah, he did.

783
00:38:51,800 --> 00:38:53,239
Speaker 2: She's like, He's like, that's what I thought.

784
00:38:53,880 --> 00:38:56,560
Speaker 1: She feels like she's being called out for being so

785
00:38:56,680 --> 00:39:00,120
Speaker 1: in love, and she's sort of embarrassed because he's he

786
00:39:00,160 --> 00:39:04,279
Speaker 1: seems to be teasing her. But then but then his

787
00:39:04,360 --> 00:39:08,520
Speaker 1: message isn't teasing her, right? I just I'm just I

788
00:39:08,560 --> 00:39:12,000
Speaker 1: thought it was. Do you understand what was happening there?

789
00:39:12,040 --> 00:39:14,719
Speaker 1: It's it's like he's teasing her about it, but then

790
00:39:14,800 --> 00:39:19,480
Speaker 1: when she's like embarrassed, he's saying, no, that's that's normal.

791
00:39:19,520 --> 00:39:21,480
Speaker 1: I don't know. I don't understand what's going on there.

792
00:39:23,400 --> 00:39:26,000
Speaker 2: I wanted to understand. I really wanted to understand. But

793
00:39:26,000 --> 00:39:27,640
Speaker 2: then after the scene was over, I was like.

794
00:39:27,680 --> 00:39:31,120
Speaker 1: Huh, maybe this may have been a week where Bill

795
00:39:31,239 --> 00:39:38,840
Speaker 1: was unforced hiatus as well. Ted's sperm doesn't have any tails.

796
00:39:39,239 --> 00:39:39,359
Speaker 6: Uh.

797
00:39:39,880 --> 00:39:44,080
Speaker 1: He says they're just blobs that roll from place to place.

798
00:39:44,719 --> 00:39:45,479
Speaker 1: That made me laugh.

799
00:39:47,840 --> 00:39:49,560
Speaker 2: I left this the first time dad song.

800
00:39:50,920 --> 00:39:54,719
Speaker 1: Yeah, Kate's song about being a first time dad, which

801
00:39:54,719 --> 00:39:56,680
Speaker 1: is a lie because you're not a first time dad.

802
00:39:56,719 --> 00:40:01,840
Speaker 1: You lied to her. Yes. So there's this intern who says,

803
00:40:01,880 --> 00:40:03,920
Speaker 1: I need help with this comentto's patient. No one's going

804
00:40:03,960 --> 00:40:07,000
Speaker 1: to be here as Sonny, and Cox says, no way

805
00:40:07,000 --> 00:40:08,880
Speaker 1: am I going to be here. I'll leave it to Carla.

806
00:40:09,680 --> 00:40:14,680
Speaker 1: And then Carla surprisingly doesn't do what she always does

807
00:40:14,960 --> 00:40:17,239
Speaker 1: and hang around even if her shift is over. She

808
00:40:17,320 --> 00:40:20,640
Speaker 1: goes home and Cox is like what the fuck? And

809
00:40:20,719 --> 00:40:22,560
Speaker 1: he races to her house. It's like, what are you doing?

810
00:40:22,840 --> 00:40:25,000
Speaker 1: I'm the one who I get to not give a

811
00:40:25,040 --> 00:40:27,879
Speaker 1: damn because because I know that you always will. What's

812
00:40:27,920 --> 00:40:28,600
Speaker 1: happened to you?

813
00:40:29,000 --> 00:40:32,120
Speaker 2: Just so fucked up, which is so fun. The man

814
00:40:32,200 --> 00:40:34,640
Speaker 2: runs to the woman's house and says, what the fuck?

815
00:40:35,239 --> 00:40:38,080
Speaker 2: How come you're not watching the kids when I go home?

816
00:40:38,400 --> 00:40:40,800
Speaker 2: I want to go home, and you're not watching the kids.

817
00:40:40,800 --> 00:40:44,120
Speaker 1: This is your job, that's true. I didn't even think

818
00:40:44,160 --> 00:40:46,440
Speaker 1: of it like that. That's true.

819
00:40:48,960 --> 00:40:52,040
Speaker 2: I was like when that happened, I was like, oh shit.

820
00:40:53,239 --> 00:40:55,480
Speaker 1: Yeah, I didn't even think about that. It's kind of

821
00:40:55,480 --> 00:40:59,400
Speaker 1: fucked up when you put it like that. But also

822
00:40:59,440 --> 00:41:02,640
Speaker 1: it's like like Carla, Like what had changed with Carla?

823
00:41:02,680 --> 00:41:08,239
Speaker 1: First of all, she's never done that and h and right,

824
00:41:08,360 --> 00:41:09,200
Speaker 1: she's never done that.

825
00:41:09,760 --> 00:41:11,719
Speaker 3: No, and they don't give a valid reason for why

826
00:41:11,760 --> 00:41:12,960
Speaker 3: she does it here it's.

827
00:41:13,000 --> 00:41:16,480
Speaker 2: Right, no, right, But at the end she's found something

828
00:41:16,600 --> 00:41:22,160
Speaker 2: new and something old. It's like it's like, wow, okay.

829
00:41:22,080 --> 00:41:24,000
Speaker 1: Yeah, why did she do it then? Because she all

830
00:41:24,040 --> 00:41:26,000
Speaker 1: of a sudden, I guess she's pregnant, so she wanted

831
00:41:26,040 --> 00:41:27,480
Speaker 1: to go home and be on the couch and eat

832
00:41:27,480 --> 00:41:31,320
Speaker 1: potato chips. But then Cox teases her just really quickly

833
00:41:31,360 --> 00:41:33,440
Speaker 1: about it, and then the next day she's back to

834
00:41:33,480 --> 00:41:33,920
Speaker 1: doing it.

835
00:41:34,560 --> 00:41:37,319
Speaker 2: It was strange. I don't know she felt guilty. I

836
00:41:37,360 --> 00:41:40,839
Speaker 2: know she feels guilty about leaving Sonny alone in.

837
00:41:40,800 --> 00:41:43,160
Speaker 3: The She didn't even hook her up with somebody else

838
00:41:43,200 --> 00:41:44,680
Speaker 3: who could hold her hand through what I know it

839
00:41:44,840 --> 00:41:47,560
Speaker 3: easily be a traumatic experience of like I have to

840
00:41:47,640 --> 00:41:49,560
Speaker 3: keep this guy alive so his sister can say her

841
00:41:49,640 --> 00:41:52,880
Speaker 3: last goodbye. Is it's such her stressful situation for a

842
00:41:52,920 --> 00:41:56,319
Speaker 3: young doctor, and nobody was like, we can't be here

843
00:41:56,320 --> 00:41:58,920
Speaker 3: for you. But like, here's another possible person. It just

844
00:41:59,000 --> 00:42:01,440
Speaker 3: doesn't seem like a hawk's thing to do, you know

845
00:42:01,440 --> 00:42:02,719
Speaker 3: what I mean? Like, I really think he would have

846
00:42:02,719 --> 00:42:04,680
Speaker 3: set her up with someone somebody.

847
00:42:04,719 --> 00:42:07,200
Speaker 2: There's all the nurses in the hospital.

848
00:42:06,800 --> 00:42:09,720
Speaker 1: Right, exactly, there's other people that work in this giant hospital.

849
00:42:10,280 --> 00:42:14,240
Speaker 2: Strange. That ship was nuts. She goes and she goes

850
00:42:14,280 --> 00:42:16,080
Speaker 2: through it that night, too, said, he goes through it.

851
00:42:16,160 --> 00:42:18,240
Speaker 2: He codes, Yeah, dude, stops.

852
00:42:18,280 --> 00:42:21,960
Speaker 1: She's frazzled. She shot herself up with dopamine.

853
00:42:22,200 --> 00:42:25,120
Speaker 2: Yeah, and apparently dop can you do that?

854
00:42:26,040 --> 00:42:27,640
Speaker 1: Or you can shoot yourself with dopaine. I don't know

855
00:42:27,640 --> 00:42:28,439
Speaker 1: what it does to you.

856
00:42:28,960 --> 00:42:32,600
Speaker 2: It's got to be healthy, right, because that's all any well,

857
00:42:32,640 --> 00:42:35,960
Speaker 2: everything we do, because look, everything we do is dopamine, right,

858
00:42:36,000 --> 00:42:38,800
Speaker 2: Every joy we feel, every pain we feel is dopamine.

859
00:42:38,880 --> 00:42:41,160
Speaker 3: There's a difference between a natural thing releasing in your

860
00:42:41,200 --> 00:42:41,799
Speaker 3: brain and you.

861
00:42:41,920 --> 00:42:43,880
Speaker 1: I know, well you guys looking up, looking up for us.

862
00:42:43,880 --> 00:42:45,799
Speaker 1: What would happen if you what happens if you shoot

863
00:42:45,840 --> 00:42:48,560
Speaker 1: yourself up with dopamine? She said she feeled pretty good,

864
00:42:48,560 --> 00:42:49,359
Speaker 1: she felt She said, she.

865
00:42:49,280 --> 00:42:51,279
Speaker 2: Felt good, and then she was coming down from it

866
00:42:51,320 --> 00:42:55,040
Speaker 2: and wanted another hit. So she was worried about that

867
00:42:55,680 --> 00:42:57,480
Speaker 2: it's a treatment for Parkinson's.

868
00:42:58,400 --> 00:43:01,640
Speaker 1: Mhm, right, well, I think she was using it because

869
00:43:01,640 --> 00:43:03,880
Speaker 1: she was coding. I'm guessing. I'm just curious what happens

870
00:43:03,880 --> 00:43:06,160
Speaker 1: when you shoot a person who's healthy up with dopamine.

871
00:43:06,200 --> 00:43:06,760
Speaker 1: What they feel?

872
00:43:07,480 --> 00:43:08,520
Speaker 5: Uh.

873
00:43:09,239 --> 00:43:14,440
Speaker 4: Well, it says it is used to improve pumping strength

874
00:43:14,480 --> 00:43:16,680
Speaker 4: of the heart and improve blood flow to the kidneys.

875
00:43:17,040 --> 00:43:19,440
Speaker 4: Dopamine is used to treat certain conditions that occur when

876
00:43:19,480 --> 00:43:21,959
Speaker 4: you are in shock, which may be caused by heart attack, trauma, surgery,

877
00:43:22,000 --> 00:43:24,799
Speaker 4: heart failure, kidney failure. Yeah, it looks like it's just

878
00:43:24,960 --> 00:43:28,120
Speaker 4: used to like help, yeah, help regulate your heart pumping blood.

879
00:43:28,200 --> 00:43:30,279
Speaker 1: Like I know, but I'm sure, go ahead. I'm sure

880
00:43:30,280 --> 00:43:32,760
Speaker 1: that a healthy person is going to have some feeling

881
00:43:32,840 --> 00:43:34,680
Speaker 1: that they've been shot up with dopamine. We just don't

882
00:43:34,680 --> 00:43:35,120
Speaker 1: know what it is.

883
00:43:35,120 --> 00:43:37,680
Speaker 4: Well, apparently it doesn't cross the blood brain barrier, so

884
00:43:37,680 --> 00:43:39,279
Speaker 4: it won't change your feelings or mood.

885
00:43:40,040 --> 00:43:42,719
Speaker 1: I don't know, Joelle text doctor Penis.

886
00:43:44,920 --> 00:43:45,680
Speaker 2: Let's take a break.

887
00:43:45,719 --> 00:43:51,040
Speaker 1: We'll be right back after these fine words.

888
00:43:54,239 --> 00:43:57,440
Speaker 2: Whether it be taking a poop, whether it be a finger,

889
00:43:57,800 --> 00:44:00,800
Speaker 2: whether it be a tongue, whether it you know, everybody

890
00:44:00,800 --> 00:44:03,759
Speaker 2: likes little ass like, did it fuck you up for

891
00:44:03,840 --> 00:44:06,359
Speaker 2: a little bit when you real when you found out

892
00:44:06,440 --> 00:44:09,680
Speaker 2: that the feelings that you feel are just dopamine being

893
00:44:09,719 --> 00:44:12,880
Speaker 2: shot through your system, it's all chemicals. Yeah, did it

894
00:44:12,920 --> 00:44:15,600
Speaker 2: fuck you up at first when you found that out? Yeah?

895
00:44:15,640 --> 00:44:17,279
Speaker 2: But it took me up for like a week. I

896
00:44:17,360 --> 00:44:18,920
Speaker 2: was like, fuck, it's.

897
00:44:18,800 --> 00:44:21,200
Speaker 1: A good lesson for for the other side too, when

898
00:44:21,200 --> 00:44:23,200
Speaker 1: you're when you're down and you're pressed, you're just like,

899
00:44:23,239 --> 00:44:25,319
Speaker 1: oh my I'm just my brain is filled with the

900
00:44:25,360 --> 00:44:28,000
Speaker 1: other chemicals or a lack thereof that are that were

901
00:44:28,040 --> 00:44:30,160
Speaker 1: causing these reactions. So it's good to know.

902
00:44:30,680 --> 00:44:33,279
Speaker 2: Yeah, but it fucked me up at first because it

903
00:44:33,320 --> 00:44:36,160
Speaker 2: made me at first feel like my love wasn't real.

904
00:44:36,239 --> 00:44:41,200
Speaker 2: It was just a chemical reaction that my body was sending. Well,

905
00:44:41,880 --> 00:44:44,520
Speaker 2: it's a it's a it's real talk, man, it can

906
00:44:44,760 --> 00:44:47,680
Speaker 2: It really does fuck you up when Bill Nye says

907
00:44:47,719 --> 00:44:49,440
Speaker 2: that ship to you and you're like, what.

908
00:44:49,560 --> 00:44:51,959
Speaker 4: Well, you know on the opposite side of that, think

909
00:44:52,000 --> 00:44:55,719
Speaker 4: that it is the act of love that makes that

910
00:44:55,719 --> 00:44:58,960
Speaker 4: feeling happen in your body. It is it is that

911
00:44:59,000 --> 00:45:01,759
Speaker 4: you are in love that you release those chemicals. It's

912
00:45:01,800 --> 00:45:03,839
Speaker 4: not it's not one versus the other, you know.

913
00:45:04,480 --> 00:45:06,400
Speaker 2: I wish that there was a way that you could

914
00:45:06,440 --> 00:45:10,439
Speaker 2: take that sack of chemicals, you know when they when

915
00:45:10,440 --> 00:45:13,000
Speaker 2: you're in the hospital and they got you connected to

916
00:45:13,200 --> 00:45:16,040
Speaker 2: like this is not I've never been connected to it.

917
00:45:16,080 --> 00:45:17,920
Speaker 2: But there's like that button that you press and it

918
00:45:17,960 --> 00:45:22,799
Speaker 2: releases the right. I wish there was a button that

919
00:45:22,880 --> 00:45:27,040
Speaker 2: you could press that would release that feeling of dopamine.

920
00:45:27,239 --> 00:45:30,080
Speaker 2: Like that would be the best thing. That would be

921
00:45:30,120 --> 00:45:35,000
Speaker 2: so great. I feel horrible today, but not no more.

922
00:45:35,760 --> 00:45:37,440
Speaker 2: That would be so we.

923
00:45:37,680 --> 00:45:40,680
Speaker 4: Know that ecstasy Donald and you can find it.

924
00:45:40,760 --> 00:45:46,399
Speaker 2: That's that's a that's a completely different chemical than dopamine. Well,

925
00:45:46,680 --> 00:45:49,400
Speaker 2: dopamine ain't got nothing on ecstasy.

926
00:45:50,080 --> 00:45:52,240
Speaker 1: Well, I don't know what M d M A is released,

927
00:45:52,280 --> 00:45:53,480
Speaker 1: what what chemicals is?

928
00:45:53,480 --> 00:45:57,400
Speaker 2: It's spiking that has you feeling like a champion. According

929
00:45:57,520 --> 00:45:58,600
Speaker 2: to the New York.

930
00:45:58,480 --> 00:46:03,600
Speaker 1: Song Sarah to in for sure, right, Daniel, Yes, let

931
00:46:03,640 --> 00:46:07,040
Speaker 1: me read what's MDMA? What's MDMA firing? Which which of

932
00:46:07,040 --> 00:46:09,840
Speaker 1: those chemicals is it? Let's find out. Do you know

933
00:46:09,840 --> 00:46:12,920
Speaker 1: any Seattle trivia? Maybe I'll on stage, I'll ask you

934
00:46:12,960 --> 00:46:14,120
Speaker 1: some Seattle trivia.

935
00:46:14,960 --> 00:46:17,600
Speaker 2: I don't know any I know that Mount Saint Helena

936
00:46:18,560 --> 00:46:19,840
Speaker 2: could erupt any.

937
00:46:19,640 --> 00:46:23,080
Speaker 4: Day, hopefully not while we're there, hopefully not. Just just

938
00:46:23,120 --> 00:46:24,840
Speaker 4: make sure that you shout out all the teams like

939
00:46:24,840 --> 00:46:28,640
Speaker 4: we got. Any Kracking fans in the building, shout out.

940
00:46:27,600 --> 00:46:30,480
Speaker 2: The Sonic fans, any Sonic fans.

941
00:46:30,560 --> 00:46:32,759
Speaker 4: Now, do not say the Sonics because that is a

942
00:46:32,840 --> 00:46:38,960
Speaker 4: bitter point for Seattle. Losing this Losing the Seattle SuperSonics

943
00:46:39,120 --> 00:46:41,200
Speaker 4: was not fun for Seattle fans.

944
00:46:41,800 --> 00:46:43,040
Speaker 2: No, they were not a happy about it.

945
00:46:43,120 --> 00:46:43,520
Speaker 1: They were not.

946
00:46:43,640 --> 00:46:45,600
Speaker 4: But they love the Kracking, they love the Sounders, and

947
00:46:45,640 --> 00:46:47,000
Speaker 4: they love the Seahawks.

948
00:46:47,160 --> 00:46:50,120
Speaker 1: This is a bizarre one. Their stadium is called the

949
00:46:50,200 --> 00:46:55,239
Speaker 1: Climate Pledge Arena. It's the most progressive, responsible and sustainable

950
00:46:55,280 --> 00:46:56,280
Speaker 1: arena in the world.

951
00:46:56,640 --> 00:46:58,440
Speaker 3: That's dope, isn't he Out of the city where the

952
00:46:58,440 --> 00:47:01,799
Speaker 3: soccer players march to the theater to the arena, that's

953
00:47:01,840 --> 00:47:06,480
Speaker 3: like a whole big procession. Is either Portland or Seattle,

954
00:47:06,520 --> 00:47:08,319
Speaker 3: and I can't remember, but if it's Seattle, I would

955
00:47:08,320 --> 00:47:10,000
Speaker 3: like our fans to come to the theater that way.

956
00:47:10,360 --> 00:47:14,200
Speaker 3: Just shut down a street in all your onesies, marching

957
00:47:14,200 --> 00:47:15,320
Speaker 3: directly to the theater.

958
00:47:15,200 --> 00:47:17,120
Speaker 4: March to the match, the March of the Mattress. Yeah,

959
00:47:17,120 --> 00:47:18,680
Speaker 4: that's the Seattle Sounders. Good culture.

960
00:47:18,920 --> 00:47:20,520
Speaker 3: Amazing, what an amazing tradition.

961
00:47:20,600 --> 00:47:23,640
Speaker 1: I love sports. Tell yeah here, Donald, you might know

962
00:47:23,680 --> 00:47:27,160
Speaker 1: this one. Now we're retired. What Seattle Seahawks running back

963
00:47:27,320 --> 00:47:30,480
Speaker 1: famously said, I'm just here so I don't get fined

964
00:47:30,760 --> 00:47:34,640
Speaker 1: in a twenty fifteen medias.

965
00:47:34,840 --> 00:47:41,719
Speaker 2: The skittles eater. I don't know this reference. He loved skittles.

966
00:47:42,000 --> 00:47:44,320
Speaker 1: Why do you know that he loves skittles because.

967
00:47:44,040 --> 00:47:45,200
Speaker 2: That's one of his things?

968
00:47:47,480 --> 00:47:47,600
Speaker 1: Oh?

969
00:47:47,760 --> 00:47:49,680
Speaker 2: How am I forgetting his name? Of Well? I smoked

970
00:47:49,719 --> 00:47:53,120
Speaker 2: the weed? Mar Shaan Lynch Marsh, Yes, yes Lynch.

971
00:47:54,040 --> 00:47:58,640
Speaker 1: What's Seattle born musician famous for. I'm not going to

972
00:47:58,680 --> 00:48:01,640
Speaker 1: say the songs. I'll give it a was named by

973
00:48:01,800 --> 00:48:05,160
Speaker 1: Rolling Stone as the greatest guitarist of all time.

974
00:48:05,960 --> 00:48:09,399
Speaker 2: That's impossible because Prince is the greatest guitarist of all time.

975
00:48:10,160 --> 00:48:14,440
Speaker 1: Well, this thing disagrees with Rolling Stone. You disagree with

976
00:48:14,520 --> 00:48:15,040
Speaker 1: Rolling Stone.

977
00:48:15,040 --> 00:48:18,400
Speaker 2: It's Jimmy Hendrix greatest guitarist all time.

978
00:48:19,960 --> 00:48:21,360
Speaker 1: Rolling Stone said, Jimmy Hendrix.

979
00:48:21,680 --> 00:48:24,880
Speaker 2: Jimmy Hendricks is innovative. I don't know, man, I just

980
00:48:24,920 --> 00:48:29,440
Speaker 2: know that the guitarists, after they heard Prince perform at

981
00:48:29,440 --> 00:48:33,760
Speaker 2: the Rock and Roll Hall of Fame, most guitarists, most guitarists,

982
00:48:33,800 --> 00:48:37,640
Speaker 2: after hearing him finally perform, realized what a lot of

983
00:48:37,640 --> 00:48:40,720
Speaker 2: people realized before, that he is one of the baddest

984
00:48:40,719 --> 00:48:47,640
Speaker 2: motherfuckers ever to pick up a guitar. Period. Jimmy Hendrix

985
00:48:47,680 --> 00:48:50,359
Speaker 2: also one of the baddest motherfuckers to ever pick up

986
00:48:50,360 --> 00:48:56,279
Speaker 2: a guitar also. But when I last heard all of

987
00:48:56,320 --> 00:49:00,600
Speaker 2: these people's impressions of who was the best, they said

988
00:49:00,080 --> 00:49:03,080
Speaker 2: it might be somebody else. Now what.

989
00:49:03,440 --> 00:49:07,920
Speaker 1: A very elevated revolving restaurant in Seattle, Washington was built

990
00:49:07,920 --> 00:49:11,920
Speaker 1: for the nineteen sixty two World's Fair. It's very skinny

991
00:49:11,960 --> 00:49:18,160
Speaker 1: looking with some futuristic touches. Cherry Sonko the space Needle.

992
00:49:18,719 --> 00:49:20,920
Speaker 2: I've been on a space needle in the space needle.

993
00:49:21,480 --> 00:49:22,800
Speaker 1: You've been on it in it.

994
00:49:23,600 --> 00:49:25,800
Speaker 2: I looked at St. Helena from the space needle.

995
00:49:25,920 --> 00:49:29,200
Speaker 1: All right, here's your last one. An otherwise nondescript wall

996
00:49:29,280 --> 00:49:32,160
Speaker 1: at the Pike Place Market in Seattle, Washington is covered

997
00:49:32,200 --> 00:49:36,080
Speaker 1: with what sticky substance. It is a hard substance that

998
00:49:36,200 --> 00:49:40,359
Speaker 1: traditionally comes from trees, and his wall this fucking ruins.

999
00:49:40,040 --> 00:49:41,400
Speaker 2: It these nuts.

1000
00:49:45,120 --> 00:49:49,440
Speaker 1: It's not these nuts it's called the gum wall. It's

1001
00:49:49,480 --> 00:49:53,600
Speaker 1: covered with gum gum. All right, let's finish this show.

1002
00:49:54,640 --> 00:49:57,640
Speaker 1: So did we take a seconds? All right, We'll be

1003
00:49:57,719 --> 00:50:00,520
Speaker 1: right back to finish the show. Come back. I promise

1004
00:50:00,560 --> 00:50:01,479
Speaker 1: you the show gets better.

1005
00:50:07,560 --> 00:50:08,280
Speaker 2: Ever bad.

1006
00:50:09,440 --> 00:50:10,120
Speaker 1: We're bad.

1007
00:50:10,520 --> 00:50:11,839
Speaker 2: Everybody likes little ass Flay.

1008
00:50:11,840 --> 00:50:15,520
Speaker 6: Don't even act like Zach and Donald Gay newlyweds in

1009
00:50:15,719 --> 00:50:16,440
Speaker 6: house arrest.

1010
00:50:16,760 --> 00:50:21,160
Speaker 1: That's true. You honor me, You honor me. Zacha love you.

1011
00:50:21,239 --> 00:50:23,319
Speaker 1: I know, girl, but not here. Zacha loves you. We

1012
00:50:23,440 --> 00:50:29,800
Speaker 1: calm down, Zacha love you. Listen. Oh my god, I

1013
00:50:29,840 --> 00:50:32,200
Speaker 1: watched this documentary. You guys are not going to believe.

1014
00:50:32,200 --> 00:50:36,640
Speaker 1: It's so insane. It's about this family that thinks they

1015
00:50:36,680 --> 00:50:42,200
Speaker 1: adopt a child, but the child might be they don't know.

1016
00:50:42,320 --> 00:50:44,840
Speaker 1: I mean, it's still never really fully answered. Sorry for

1017
00:50:44,880 --> 00:50:47,160
Speaker 1: the spoilers, but she's definitely not as young as they

1018
00:50:47,200 --> 00:50:49,480
Speaker 1: think she is when they adopt her. They think she's

1019
00:50:49,520 --> 00:50:55,160
Speaker 1: six years old, and she's, uh, she's anywhere between like

1020
00:50:56,120 --> 00:51:02,080
Speaker 1: twelve and twenty oh word. And it's the most bizarre

1021
00:51:03,000 --> 00:51:08,440
Speaker 1: story you've ever heard, with a lot of bizarre characters.

1022
00:51:09,760 --> 00:51:10,920
Speaker 1: What's it called a.

1023
00:51:11,000 --> 00:51:14,000
Speaker 2: Horror movie named like Annabella or some shit like that.

1024
00:51:15,000 --> 00:51:18,319
Speaker 1: It's it's just I mean, I'm telling you you have

1025
00:51:18,400 --> 00:51:21,319
Speaker 1: to watch this thing. It's called The Curious Case of Oh,

1026
00:51:21,400 --> 00:51:21,880
Speaker 1: there it is.

1027
00:51:22,960 --> 00:51:24,400
Speaker 2: The orphan was based off of this.

1028
00:51:26,120 --> 00:51:28,000
Speaker 1: Oh, the orphan was based off it. All right, well

1029
00:51:28,040 --> 00:51:30,439
Speaker 1: this is like that. What's it called the Curious Case

1030
00:51:30,480 --> 00:51:33,799
Speaker 1: of something? Of the woman's name, I think, but it's

1031
00:51:33,840 --> 00:51:37,680
Speaker 1: on Max And uh. I said it to Christa Miller

1032
00:51:37,719 --> 00:51:39,600
Speaker 1: because she likes stuff like this too, and she's she

1033
00:51:40,040 --> 00:51:42,000
Speaker 1: text She texted me, she goes, I've been up till

1034
00:51:42,040 --> 00:51:43,640
Speaker 1: midnight and Bill told me I had to turn the

1035
00:51:43,680 --> 00:51:44,200
Speaker 1: TV off.

1036
00:51:44,560 --> 00:51:50,440
Speaker 2: Casey's obsessed with this. Yeah, it's everybody's obsessied.

1037
00:51:50,480 --> 00:51:53,880
Speaker 1: And it ended kind of abruptly, like I was. I

1038
00:51:54,000 --> 00:51:55,839
Speaker 1: was kind of like, because I.

1039
00:51:55,800 --> 00:51:57,880
Speaker 2: Think something happened with the two of them, Like I

1040
00:51:57,920 --> 00:52:00,719
Speaker 2: think there's like a relationship that's well between the three.

1041
00:52:00,800 --> 00:52:03,360
Speaker 1: Now what happens is that the wife is good supposed

1042
00:52:03,360 --> 00:52:07,280
Speaker 1: to go on trial sorry spoilers, and then they decide

1043
00:52:07,320 --> 00:52:09,800
Speaker 1: not to prosecutor. So it felt like the documentary was

1044
00:52:09,800 --> 00:52:12,839
Speaker 1: going to continue with the wife's prosecution, but then the

1045
00:52:12,840 --> 00:52:15,919
Speaker 1: prosecutors decide not to prosecutor. So just the show's over.

1046
00:52:16,360 --> 00:52:18,120
Speaker 1: I mean, maybe it'll be to be continued, but it's

1047
00:52:18,160 --> 00:52:21,879
Speaker 1: just kind of like, wait, what, No, did you guys

1048
00:52:21,920 --> 00:52:26,759
Speaker 1: find the name of it for me? The Curious Case

1049
00:52:26,760 --> 00:52:30,640
Speaker 1: of Natalia Grace. All right, watch that on Max. That's

1050
00:52:30,640 --> 00:52:32,600
Speaker 1: my weekly recommendation.

1051
00:52:33,280 --> 00:52:35,960
Speaker 2: Yes, Donald, you know, I always feel like movies are

1052
00:52:36,000 --> 00:52:38,840
Speaker 2: made to desensitize you from things that are going to

1053
00:52:38,920 --> 00:52:41,440
Speaker 2: happen in the news and stuff like that. And to

1054
00:52:42,120 --> 00:52:44,799
Speaker 2: find out that the orphan is based on this shit

1055
00:52:47,440 --> 00:52:53,880
Speaker 2: and that it validates my theory one is gratifying too. However,

1056
00:52:54,320 --> 00:52:59,160
Speaker 2: is very scary, man Like the fact that this could

1057
00:52:59,239 --> 00:53:03,359
Speaker 2: happen and people not know that a child that they're

1058
00:53:03,400 --> 00:53:07,920
Speaker 2: adopting is actually an adult is uh.

1059
00:53:07,320 --> 00:53:10,759
Speaker 1: It's really bizarre. I can't fully describe how it all unfolds,

1060
00:53:10,880 --> 00:53:13,120
Speaker 1: and and and then just when you think you gotta

1061
00:53:13,280 --> 00:53:14,160
Speaker 1: handle on it.

1062
00:53:15,040 --> 00:53:26,800
Speaker 7: Child, that's a straight up what the fuck?

1063
00:53:27,000 --> 00:53:29,799
Speaker 1: Good lord? All right, well, let's wrap it up. Listen.

1064
00:53:29,880 --> 00:53:31,600
Speaker 1: We'd love to give you a good show. It's hard

1065
00:53:31,680 --> 00:53:34,799
Speaker 1: to give you a great show, an A plus show

1066
00:53:34,880 --> 00:53:36,960
Speaker 1: when we're all a little bit confused by the episode.

1067
00:53:37,040 --> 00:53:40,400
Speaker 1: But we we love chatting with you, we love talking

1068
00:53:40,440 --> 00:53:43,000
Speaker 1: to each other. We're all excited to do this live show,

1069
00:53:44,000 --> 00:53:49,279
Speaker 1: and I guess that's it. Any last words, Donald, anything

1070
00:53:49,320 --> 00:53:53,640
Speaker 1: you want to put it into the Ether's.

1071
00:53:51,960 --> 00:53:55,120
Speaker 2: Have a great show, guys. Let's have a great show.

1072
00:53:55,239 --> 00:53:56,120
Speaker 1: Yeah, let's have fun.

1073
00:53:56,280 --> 00:54:00,239
Speaker 2: Joy the time that we have with each other in

1074
00:54:00,360 --> 00:54:02,520
Speaker 2: that space more theater.

1075
00:54:02,960 --> 00:54:04,640
Speaker 1: Let's just hope that no one comes up to us

1076
00:54:04,680 --> 00:54:06,920
Speaker 1: after and says, you guys look like you're having so

1077
00:54:07,000 --> 00:54:12,120
Speaker 1: much fun. That feels like gonna say after my dj

1078
00:54:12,160 --> 00:54:12,760
Speaker 1: I said.

1079
00:54:13,520 --> 00:54:15,799
Speaker 2: That would be the best moment Everard, you guys look

1080
00:54:15,880 --> 00:54:17,719
Speaker 2: like you guys, You guys looked like you were having

1081
00:54:17,880 --> 00:54:19,120
Speaker 2: so much fun up there.

1082
00:54:19,600 --> 00:54:22,520
Speaker 1: It's gonna be okay, we love you.

1083
00:54:23,200 --> 00:54:24,759
Speaker 2: If somebody says that, you know what I'm going to

1084
00:54:24,800 --> 00:54:26,640
Speaker 2: say to them what we so were.

1085
00:54:27,200 --> 00:54:30,799
Speaker 1: Yeah, the truth is we are gonna have a lot

1086
00:54:30,840 --> 00:54:34,680
Speaker 1: of fun, all right. We love your count sound Donald?

1087
00:54:35,800 --> 00:54:36,640
Speaker 2: Eight stories?

1088
00:54:37,400 --> 00:54:41,640
Speaker 6: I'm not sure we made about a bunch of dogs

1089
00:54:41,719 --> 00:54:49,880
Speaker 6: and nurses And he said he's the stories Net, so

1090
00:54:50,120 --> 00:54:54,480
Speaker 6: yeahda here yeah here, But

1091
00:54:57,360 --> 00:54:57,400
Speaker 2: No