1 00:00:05,160 --> 00:00:06,760 Speaker 1: Hey, this is Addy and Samantha. 2 00:00:07,120 --> 00:00:18,800 Speaker 2: Stuff one never told you objection by Heart Radio, And 3 00:00:18,920 --> 00:00:24,400 Speaker 2: today we are bringing back part one of our two 4 00:00:24,480 --> 00:00:28,920 Speaker 2: parter on Female Revenge. I'm gonna tell you this one 5 00:00:29,000 --> 00:00:30,720 Speaker 2: put me in a place. These two put me in 6 00:00:30,720 --> 00:00:36,480 Speaker 2: a place, so be prepared. They're a little intense. They're 7 00:00:36,479 --> 00:00:41,199 Speaker 2: a little intense, but because of some last of us 8 00:00:41,360 --> 00:00:42,959 Speaker 2: related reasons, I thought it. 9 00:00:42,880 --> 00:00:44,440 Speaker 1: Would be good to bring it back. 10 00:00:45,080 --> 00:00:50,920 Speaker 2: You know, yes, so please enjoy part of our episode 11 00:00:50,960 --> 00:00:52,159 Speaker 2: on Female Revenge. 12 00:00:57,640 --> 00:01:00,240 Speaker 3: Hey, this is Annie and welcome to stuff Mom. Never 13 00:01:00,240 --> 00:01:12,560 Speaker 3: told your production of iHeartRadio's House Stuff works. You know 14 00:01:12,600 --> 00:01:14,959 Speaker 3: what one of my resolutions is, what is your resolution 15 00:01:15,360 --> 00:01:17,960 Speaker 3: to stop saying the intro so quickly? 16 00:01:18,319 --> 00:01:20,480 Speaker 4: Oh well, it's better than what I do, since I've 17 00:01:20,560 --> 00:01:22,880 Speaker 4: never done it, and I'm just grateful that you do. 18 00:01:23,280 --> 00:01:25,559 Speaker 1: One day, I'm all good. 19 00:01:25,600 --> 00:01:27,959 Speaker 4: I am a little fearful of the day that you're 20 00:01:28,040 --> 00:01:30,839 Speaker 4: gone with safer and I have to do something because 21 00:01:30,840 --> 00:01:32,399 Speaker 4: we're behind or something, and I had to do an 22 00:01:32,440 --> 00:01:34,160 Speaker 4: introduction like this, and I'm gonna be like, oh, I 23 00:01:34,280 --> 00:01:36,840 Speaker 4: miss Annie so much right now. 24 00:01:36,880 --> 00:01:39,160 Speaker 3: But you can learn from my mistakes. That is one 25 00:01:39,200 --> 00:01:41,440 Speaker 3: of my many resolutions. That's not my only resolution. 26 00:01:41,600 --> 00:01:44,640 Speaker 4: Well, I will say one of the problems is because. 27 00:01:44,319 --> 00:01:44,880 Speaker 1: You do it. 28 00:01:45,319 --> 00:01:48,400 Speaker 4: I don't even pay attention. But it sounds like I 29 00:01:48,440 --> 00:01:51,800 Speaker 4: think I tried. We tried this one time with an outro. 30 00:01:51,920 --> 00:01:53,640 Speaker 4: I try to do an outro and it was such 31 00:01:53,680 --> 00:01:54,920 Speaker 4: a cluster and I was like, I'm done. 32 00:01:55,080 --> 00:01:55,520 Speaker 1: You do it. 33 00:01:56,160 --> 00:01:57,840 Speaker 3: I still have to write it down, even though I've 34 00:01:57,880 --> 00:02:02,280 Speaker 3: said it so many times. But we're anyway not talking 35 00:02:02,320 --> 00:02:09,880 Speaker 3: about resolutions today. We're talking about female Revenge, love It, history, 36 00:02:10,320 --> 00:02:15,359 Speaker 3: science examples, and it ballooned into such a big episode. 37 00:02:15,440 --> 00:02:16,880 Speaker 1: It's now a two parter. 38 00:02:17,240 --> 00:02:18,640 Speaker 4: Well, and I think part of that was you and 39 00:02:18,680 --> 00:02:21,160 Speaker 4: I kept going on and on and on adding to 40 00:02:21,200 --> 00:02:24,200 Speaker 4: the movie list or just a genre of it because 41 00:02:24,200 --> 00:02:25,679 Speaker 4: I'm like, I like this one, and like this one 42 00:02:26,000 --> 00:02:27,840 Speaker 4: and this one and this one, and this could be considered, 43 00:02:27,840 --> 00:02:30,760 Speaker 4: and this is considered because we actually went beyond. We 44 00:02:30,800 --> 00:02:33,120 Speaker 4: could talk about TV shows, and we do couple, but 45 00:02:33,520 --> 00:02:34,840 Speaker 4: not all of them obviously. 46 00:02:35,240 --> 00:02:36,920 Speaker 1: Yeah, but then even trips. 47 00:02:36,680 --> 00:02:40,960 Speaker 4: With like books as well as comics or graphic novels, 48 00:02:41,200 --> 00:02:44,840 Speaker 4: we don't exactly get into all of that level, right, 49 00:02:44,919 --> 00:02:47,000 Speaker 4: So it could be like a five. 50 00:02:46,880 --> 00:02:51,080 Speaker 3: Day series, it could be an entire podcast just revenge, 51 00:02:51,080 --> 00:02:53,760 Speaker 3: because you're right, I didn't even think about comic books. 52 00:02:54,360 --> 00:02:56,320 Speaker 1: What is it? Yeah with me, I can't believe you 53 00:02:56,320 --> 00:02:59,000 Speaker 1: didn't go there. Maybe will come to me as we 54 00:02:59,080 --> 00:03:00,560 Speaker 1: do it, So that's your lane. 55 00:03:00,639 --> 00:03:04,799 Speaker 3: Yeah, Well, we are planning some specific episodes on Birds 56 00:03:04,800 --> 00:03:07,400 Speaker 3: of Prey Black Widow, so well we'll come back to 57 00:03:07,440 --> 00:03:10,480 Speaker 3: that before we get into all of the stuff we 58 00:03:10,520 --> 00:03:12,239 Speaker 3: have to talk about. We did want to put a 59 00:03:12,280 --> 00:03:14,960 Speaker 3: trigger warning hair because there's gonna be discussion around sexual 60 00:03:15,000 --> 00:03:19,120 Speaker 3: assought violence, brief mentions of mental health, and suicide where 61 00:03:19,120 --> 00:03:22,560 Speaker 3: these revenge things get pretty dark. Yes, yeah, and it's 62 00:03:22,600 --> 00:03:26,240 Speaker 3: actually something I didn't have too much knowledge around when 63 00:03:26,280 --> 00:03:29,559 Speaker 3: it comes to entertainment, this idea of women in revenge. 64 00:03:30,160 --> 00:03:33,919 Speaker 3: As I've said before, most revenge media makes me uncomfortable 65 00:03:33,960 --> 00:03:36,440 Speaker 3: and nervous, which is funny because I've actually written a 66 00:03:36,480 --> 00:03:40,360 Speaker 3: lot of things about revenge in my own life. 67 00:03:40,840 --> 00:03:42,960 Speaker 1: So I think I think there's something. 68 00:03:42,760 --> 00:03:46,200 Speaker 3: About the fantastical element of superhero type revenge that I 69 00:03:46,240 --> 00:03:49,760 Speaker 3: can click out and it seems like fantasy and watching 70 00:03:49,840 --> 00:03:54,080 Speaker 3: like revenge, even though it's heightened usually there's something about it. 71 00:03:54,120 --> 00:03:56,120 Speaker 3: It just puts me on edge, which I think is 72 00:03:56,120 --> 00:03:56,520 Speaker 3: the point. 73 00:03:56,760 --> 00:03:59,280 Speaker 4: Yeah, exactly, that is the point. It makes you uncomfortable, right, 74 00:03:59,280 --> 00:04:01,880 Speaker 4: It kind of makes you look your shoulders at all times. 75 00:04:01,840 --> 00:04:05,160 Speaker 3: Right, And I a good revenge movie makes you question 76 00:04:06,520 --> 00:04:09,000 Speaker 3: the main character and whether or not they're justified in 77 00:04:09,040 --> 00:04:09,640 Speaker 3: what they're doing. 78 00:04:09,720 --> 00:04:11,680 Speaker 4: I think this is definitely one of those anti hero 79 00:04:12,440 --> 00:04:13,680 Speaker 4: right ideas. 80 00:04:14,000 --> 00:04:15,880 Speaker 1: Right, And I didn't want to say in here. 81 00:04:16,320 --> 00:04:20,520 Speaker 3: I have a friend who is excellent at revenge. She 82 00:04:22,000 --> 00:04:24,600 Speaker 3: I hope I never end up on her bad side. 83 00:04:24,760 --> 00:04:27,480 Speaker 3: The anchovies in the car, the ants in the car. Basically, 84 00:04:27,480 --> 00:04:29,640 Speaker 3: your car is not a safe place if you made 85 00:04:29,640 --> 00:04:30,039 Speaker 3: her mad. 86 00:04:30,240 --> 00:04:32,680 Speaker 4: You know, that's kind of a trope as well, that 87 00:04:32,920 --> 00:04:36,760 Speaker 4: the girlfriend, the mean quote unquote crazy girlfriend. 88 00:04:36,760 --> 00:04:38,599 Speaker 1: They always go after the car, right. 89 00:04:38,720 --> 00:04:41,600 Speaker 4: It does seem to be that type of feel I've 90 00:04:41,600 --> 00:04:44,440 Speaker 4: definitely met women that I'm like, Yeah, you scare me 91 00:04:44,520 --> 00:04:47,080 Speaker 4: because you have not only do you think of it, 92 00:04:47,120 --> 00:04:49,240 Speaker 4: and I think a lot of people think bad thoughts, 93 00:04:49,560 --> 00:04:51,600 Speaker 4: but you actually start planning it. And when you start 94 00:04:51,600 --> 00:04:55,360 Speaker 4: planning it, you know you better watch out right. 95 00:04:56,160 --> 00:04:59,359 Speaker 3: And so this isn't something I'm very familiar with, but 96 00:04:59,520 --> 00:05:00,560 Speaker 3: you are a right. 97 00:05:01,320 --> 00:05:05,680 Speaker 4: Yes, I do really really love female revenge movies. Unfortunately, 98 00:05:05,839 --> 00:05:07,760 Speaker 4: with some of the me too stuff is it's kind 99 00:05:07,760 --> 00:05:09,800 Speaker 4: of taken out of my rotation a lot of the 100 00:05:09,800 --> 00:05:11,960 Speaker 4: ones that I really do love, and I'm very sad 101 00:05:12,000 --> 00:05:15,159 Speaker 4: about that. I also find it really interesting because one 102 00:05:15,160 --> 00:05:17,600 Speaker 4: of the things, and I don't think we mentioned it 103 00:05:17,640 --> 00:05:20,599 Speaker 4: in here when we talk about mad Max, one of 104 00:05:20,600 --> 00:05:25,440 Speaker 4: the big problems people had was Cherli Stirn playing of 105 00:05:25,480 --> 00:05:27,320 Speaker 4: such a pivol character, which in my mind, I'm like, 106 00:05:27,320 --> 00:05:28,800 Speaker 4: she still need a saving in the end. So I 107 00:05:28,800 --> 00:05:31,839 Speaker 4: don't understand why people are upset people being men and 108 00:05:31,960 --> 00:05:34,880 Speaker 4: men's activists, let's put it that way. But it is 109 00:05:34,920 --> 00:05:39,560 Speaker 4: a kind of a revenge justice type of mentality as well. 110 00:05:40,240 --> 00:05:43,320 Speaker 4: So it's kind of like, Okay, who are we looking at, 111 00:05:43,360 --> 00:05:45,680 Speaker 4: who are we rooting for? How are we rooting for it? 112 00:05:45,720 --> 00:05:47,920 Speaker 4: And how do we come to like the just desserts? 113 00:05:48,000 --> 00:05:49,800 Speaker 1: You know? I want to see all that I do. 114 00:05:50,040 --> 00:05:52,960 Speaker 4: I love that because I don't always like really dark, 115 00:05:53,160 --> 00:05:57,720 Speaker 4: dark things, but when it has a satisfying ending or 116 00:05:57,760 --> 00:06:00,520 Speaker 4: a satisfying moment, it makes every. 117 00:06:00,160 --> 00:06:02,520 Speaker 1: Thing okay to me. Yeah, it's carthartic. 118 00:06:02,720 --> 00:06:07,640 Speaker 3: Yes, yes, I made a very foolish mistake in preparation 119 00:06:07,720 --> 00:06:10,599 Speaker 3: for this, and I've watched probably fifteen of these in 120 00:06:10,680 --> 00:06:13,880 Speaker 3: like four days in an interesting place. 121 00:06:14,000 --> 00:06:15,240 Speaker 1: I did not recommend that. 122 00:06:15,440 --> 00:06:20,640 Speaker 3: No nobody in there thinking about themselves and their health 123 00:06:21,320 --> 00:06:24,760 Speaker 3: wouldn't have done that. I kept telling myself, why no 124 00:06:24,760 --> 00:06:25,960 Speaker 3: one's making you do this? 125 00:06:26,600 --> 00:06:29,560 Speaker 4: I was, Yeah, I was surprised, And I will say 126 00:06:29,640 --> 00:06:33,160 Speaker 4: one of the reasons, and you'll hear in the later episode. 127 00:06:33,240 --> 00:06:37,240 Speaker 4: We picked Farst Wives Club because I wanted we were 128 00:06:37,279 --> 00:06:41,880 Speaker 4: talking about doing a revenge type of themed movie, but 129 00:06:42,120 --> 00:06:44,479 Speaker 4: I wanted to make sure it wasn't over the top 130 00:06:44,560 --> 00:06:47,479 Speaker 4: gory and over the top dark. And this is kind 131 00:06:47,480 --> 00:06:52,159 Speaker 4: of one of the beginnings of the revenge justice type 132 00:06:52,160 --> 00:06:55,440 Speaker 4: of thought process in movies, and not beginning, that's not true, 133 00:06:55,480 --> 00:06:58,680 Speaker 4: but you know it was one of the iconic ones. Yeah, 134 00:06:58,720 --> 00:07:00,960 Speaker 4: but yeah, and then finding out you watch all these 135 00:07:01,040 --> 00:07:03,240 Speaker 4: oh why oh? 136 00:07:03,680 --> 00:07:05,960 Speaker 3: But the reason I wanted to say that is because 137 00:07:05,960 --> 00:07:09,000 Speaker 3: what you said earlier, the me too thing watching them, 138 00:07:09,560 --> 00:07:12,160 Speaker 3: you're gonna recognize when we get to our part two episodes, 139 00:07:12,200 --> 00:07:15,040 Speaker 3: several names like the wine scenes come up a lot, right, 140 00:07:15,480 --> 00:07:18,920 Speaker 3: fascinating because it makes you wonder the people working on it. 141 00:07:18,960 --> 00:07:21,600 Speaker 3: And I know I've read some some reviewsers all this 142 00:07:21,720 --> 00:07:25,400 Speaker 3: female revenge maybe makes you wonder. 143 00:07:25,240 --> 00:07:27,360 Speaker 4: Makes you And it seems like a female revenge and 144 00:07:27,360 --> 00:07:29,679 Speaker 4: anger is something that are on a lot of people's mind. 145 00:07:30,520 --> 00:07:32,920 Speaker 1: He'll have no fury like a woman scorned. 146 00:07:33,080 --> 00:07:36,920 Speaker 4: That is a great great line in anything, A quote 147 00:07:36,920 --> 00:07:40,800 Speaker 4: derived from William Congree's sixteenth century English play The Morning Bride, 148 00:07:41,440 --> 00:07:45,360 Speaker 4: m You are Ning? And these episodes were in part 149 00:07:45,400 --> 00:07:48,920 Speaker 4: inspired by the upcoming Carry mulligan revenge flick Promising Young Woman, 150 00:07:49,160 --> 00:07:51,880 Speaker 4: directed by Emerald Fennel. And I was really really like. 151 00:07:51,880 --> 00:07:56,239 Speaker 4: I started watching it and I was like, oh, damn, okay, okay, that's. 152 00:07:56,080 --> 00:07:58,080 Speaker 1: Taking out the nice guy trope real hard. 153 00:07:58,360 --> 00:08:02,120 Speaker 4: Yeah, And I really enjoy It's gonna be an intense, 154 00:08:02,360 --> 00:08:05,920 Speaker 4: intense scene because within the previews you can already see 155 00:08:06,160 --> 00:08:09,760 Speaker 4: the nice guy bits. You have very unassuming, good looking 156 00:08:09,960 --> 00:08:13,760 Speaker 4: guys you would never expect. Ab you have the friend 157 00:08:13,960 --> 00:08:17,400 Speaker 4: who didn't support her, didn't believe her, and then you 158 00:08:17,520 --> 00:08:21,280 Speaker 4: have the teacher figures, yeah, that also don't believe her 159 00:08:21,320 --> 00:08:22,720 Speaker 4: and just kind of tell her it's gonna make it 160 00:08:22,760 --> 00:08:23,320 Speaker 4: worse for you. 161 00:08:23,560 --> 00:08:25,360 Speaker 1: And then she just left and everybody's like, why did 162 00:08:25,400 --> 00:08:25,880 Speaker 1: you leave? 163 00:08:26,440 --> 00:08:29,200 Speaker 4: Yeah, And it definitely had a hard candy vibe to it. 164 00:08:29,280 --> 00:08:30,600 Speaker 1: Too, which I appreciate. 165 00:08:30,880 --> 00:08:33,559 Speaker 3: Yeah, and we're gonna be talking about that film and 166 00:08:33,600 --> 00:08:35,240 Speaker 3: another movie that kind of reminds me of that that 167 00:08:35,280 --> 00:08:39,120 Speaker 3: I just watched in the Faith. But okay, let's do 168 00:08:39,520 --> 00:08:44,880 Speaker 3: our definition bit. The Dictionary definition of revenge is quote 169 00:08:44,880 --> 00:08:47,200 Speaker 3: the action of inflicting hurt or harm on someone for 170 00:08:47,240 --> 00:08:49,880 Speaker 3: an injury or wrong suffered at their hands. It is 171 00:08:49,920 --> 00:08:53,840 Speaker 3: defined as both an act and a desire. Some psychologists 172 00:08:53,880 --> 00:08:58,960 Speaker 3: refer to it as narcissistic acts of self repair. The 173 00:08:59,000 --> 00:09:01,360 Speaker 3: definition of justice, which is a term that gets thrown 174 00:09:01,400 --> 00:09:04,840 Speaker 3: around a lot in conversations around revenge, is just behavior 175 00:09:04,920 --> 00:09:07,800 Speaker 3: or treatment, and the line between the two of them 176 00:09:08,400 --> 00:09:12,760 Speaker 3: can be murky. Punishment pops up a bit too, which 177 00:09:12,800 --> 00:09:16,240 Speaker 3: is a penalty inflicted for wrongdoing. But when I was 178 00:09:16,280 --> 00:09:18,600 Speaker 3: trying to think of the differences between these things, and 179 00:09:18,640 --> 00:09:20,320 Speaker 3: I do think there can be overlapped. I think the 180 00:09:20,320 --> 00:09:26,240 Speaker 3: main thing with revenge is there's a personal emotional aspect 181 00:09:26,800 --> 00:09:31,080 Speaker 3: and that it's not so much about justice necessarily. It 182 00:09:31,160 --> 00:09:33,240 Speaker 3: might be, but it's more like, I want to hurt 183 00:09:33,320 --> 00:09:34,920 Speaker 3: this person who directly hurt me. 184 00:09:35,160 --> 00:09:38,000 Speaker 1: Right, it might You might take actions that. 185 00:09:38,520 --> 00:09:40,880 Speaker 3: Don't worry a lot of the movies are going to 186 00:09:40,960 --> 00:09:44,080 Speaker 3: talk about. They kind of go a bit further than 187 00:09:44,280 --> 00:09:49,319 Speaker 3: request ally, yes, and yeah, we are as a society 188 00:09:49,360 --> 00:09:52,160 Speaker 3: pretty torn on ideas of revenge. There's an eye for 189 00:09:52,200 --> 00:09:54,480 Speaker 3: an eye versus the other cheek, which are both from 190 00:09:54,520 --> 00:09:58,800 Speaker 3: the Bible. A paper digging into revenge and all of 191 00:09:58,840 --> 00:10:01,600 Speaker 3: this found that when part dissipants believed a revenge action 192 00:10:01,760 --> 00:10:05,080 Speaker 3: was sanctioned by God, they were more likely to support 193 00:10:05,160 --> 00:10:10,600 Speaker 3: revenge and seek it themselves. Revenge is a basic human drive. 194 00:10:10,679 --> 00:10:12,200 Speaker 3: The same part of your brain that lights up when 195 00:10:12,240 --> 00:10:15,400 Speaker 3: you're in love that sends reward signals lights up when 196 00:10:15,400 --> 00:10:19,640 Speaker 3: you think about revenge. The prefrontal cortex shows activity too, 197 00:10:19,640 --> 00:10:23,480 Speaker 3: which this is the same area associated with planning how. 198 00:10:23,320 --> 00:10:26,040 Speaker 1: To achieve a goal. That's really intriguing. 199 00:10:26,679 --> 00:10:29,839 Speaker 3: Evolutionarily, it may have been a way to keep burgeoning 200 00:10:29,880 --> 00:10:34,600 Speaker 3: societies functioning. Those that do wrong that threaten stability get punished, 201 00:10:34,720 --> 00:10:38,000 Speaker 3: a tool to prevent future wrongs. And we did touch 202 00:10:38,040 --> 00:10:41,839 Speaker 3: on some of the science behind revenge in our Forgiveness episode, 203 00:10:42,160 --> 00:10:44,240 Speaker 3: but there's some more we want to touch on because 204 00:10:44,320 --> 00:10:47,520 Speaker 3: it is really fascinating. At twenty seventeen, study out of 205 00:10:47,520 --> 00:10:51,760 Speaker 3: the University of Kentucky looked into revenge, tasking participants with 206 00:10:51,800 --> 00:10:54,960 Speaker 3: writing an essay and then swapping essays for feedback with 207 00:10:55,120 --> 00:10:58,559 Speaker 3: other participants, and one of the participants was an undercover 208 00:10:58,679 --> 00:11:05,800 Speaker 3: researcher who epically critical feedback. Then the participants were allowed 209 00:11:05,840 --> 00:11:08,480 Speaker 3: to express how angry the feedback they had gotten made 210 00:11:08,520 --> 00:11:12,679 Speaker 3: them with a voodoo doll and needles. The participants who 211 00:11:12,679 --> 00:11:16,480 Speaker 3: had received the negative feedback reported feeling better after engaging 212 00:11:16,520 --> 00:11:20,600 Speaker 3: in some revenge basically sticking the doll with needles. A 213 00:11:20,679 --> 00:11:23,880 Speaker 3: follow up study looked into whether people would go out 214 00:11:23,920 --> 00:11:27,440 Speaker 3: of their way for revenge and they found that to 215 00:11:27,520 --> 00:11:29,800 Speaker 3: not be true. People sought it out if they believed 216 00:11:29,800 --> 00:11:32,880 Speaker 3: it would make them feel better, but participants led to 217 00:11:32,920 --> 00:11:36,119 Speaker 3: believe it wouldn't, and they did this through a placebo 218 00:11:36,280 --> 00:11:38,960 Speaker 3: that they called a mood stabilizing pill. Basically, no matter 219 00:11:38,960 --> 00:11:40,680 Speaker 3: what you do, your mood's going to stay the same. 220 00:11:41,200 --> 00:11:44,760 Speaker 3: Did not pursue revenge against teammates that had let them down. 221 00:11:45,440 --> 00:11:49,240 Speaker 3: This corroborates the popular psychological understanding of revenge that its 222 00:11:49,240 --> 00:11:54,040 Speaker 3: primary goal is catharsis, followed closely by deterrence and restoration 223 00:11:54,120 --> 00:11:54,959 Speaker 3: of self esteem. 224 00:11:55,400 --> 00:11:58,000 Speaker 4: So a similar study found that when given the opportunity 225 00:11:58,040 --> 00:12:01,079 Speaker 4: to get revenge against the player who wronged them. Participants 226 00:12:01,200 --> 00:12:05,120 Speaker 4: universally took it, but also universally reported feeling worse after 227 00:12:05,160 --> 00:12:07,760 Speaker 4: that case compared to those who weren't wrong and therefore 228 00:12:07,800 --> 00:12:10,360 Speaker 4: did not seek revenge. Those who had been wronged and 229 00:12:10,400 --> 00:12:12,719 Speaker 4: were not given the opportunity to get revenge reported they 230 00:12:12,760 --> 00:12:15,680 Speaker 4: believed they would feel better if they had pursued revenge, 231 00:12:15,760 --> 00:12:18,880 Speaker 4: even though they were in the happier group. Well, again 232 00:12:19,040 --> 00:12:22,320 Speaker 4: the grass is greener idea. Yet another study found that 233 00:12:22,400 --> 00:12:25,200 Speaker 4: acts of revenge are only better than not getting revenge 234 00:12:25,200 --> 00:12:27,840 Speaker 4: in cases where the revenge is acknowledged and the balance 235 00:12:27,920 --> 00:12:28,560 Speaker 4: is restored. 236 00:12:29,040 --> 00:12:31,480 Speaker 3: Right So if it goes unacknowledged, then you don't get 237 00:12:31,520 --> 00:12:32,199 Speaker 3: the same. 238 00:12:32,240 --> 00:12:33,640 Speaker 1: Right like benefit from it. 239 00:12:34,120 --> 00:12:37,079 Speaker 3: And as we talked about in our forgiveness episode, most 240 00:12:37,160 --> 00:12:40,240 Speaker 3: science indicates that revenge is satisfying in the short term, 241 00:12:40,280 --> 00:12:43,079 Speaker 3: but associated with more negative outcomes in the long term. 242 00:12:43,320 --> 00:12:47,280 Speaker 3: Instead of providing closure, it keeps a wound fresh. Yet 243 00:12:47,320 --> 00:12:50,439 Speaker 3: another study found that when asked about a time they 244 00:12:50,480 --> 00:12:53,200 Speaker 3: got revenge in a time when they were the target 245 00:12:53,240 --> 00:12:54,880 Speaker 3: of revenge. 246 00:12:54,480 --> 00:12:55,800 Speaker 1: Almost everyone. 247 00:12:55,960 --> 00:12:59,840 Speaker 3: I love this, Almost everyone deemed their act of revenge 248 00:13:00,040 --> 00:13:03,160 Speaker 3: as just and appropriate. And the act of revenge against 249 00:13:03,240 --> 00:13:04,559 Speaker 3: them as excessive. 250 00:13:04,679 --> 00:13:07,800 Speaker 4: Of course, of course, how dare you exactly? 251 00:13:09,080 --> 00:13:10,199 Speaker 1: Oh, humanity. 252 00:13:11,640 --> 00:13:14,640 Speaker 3: We actually have a lot more science and history about 253 00:13:14,640 --> 00:13:16,880 Speaker 3: revenge to get into, but first we have a quick 254 00:13:16,880 --> 00:13:32,840 Speaker 3: break for a word from our sponsor, and we're back, 255 00:13:33,040 --> 00:13:36,440 Speaker 3: Thank you sponsor. So one thing I was curious about 256 00:13:36,920 --> 00:13:40,200 Speaker 3: is the question of why do we like revenge stories. 257 00:13:40,480 --> 00:13:43,880 Speaker 4: Well, obviously, revenge stories are satisfying. 258 00:13:43,960 --> 00:13:45,680 Speaker 1: Like I just said, they're cathartic. 259 00:13:45,880 --> 00:13:48,000 Speaker 4: In a world where bad things happen to a good 260 00:13:48,040 --> 00:13:52,040 Speaker 4: people without rhyme or reason, a reality beset with senseless smiles, 261 00:13:52,160 --> 00:13:55,000 Speaker 4: it's comforting to think that those who have wronged us 262 00:13:55,040 --> 00:13:59,400 Speaker 4: will face the consequence and then so huh hope. Most 263 00:13:59,400 --> 00:14:02,560 Speaker 4: of our revenge media functions like a fantasy where everything 264 00:14:02,720 --> 00:14:04,000 Speaker 4: is exaggerated. 265 00:14:04,160 --> 00:14:05,440 Speaker 1: Yeah, which is kind of nice. 266 00:14:05,559 --> 00:14:07,760 Speaker 3: It reminds me of what we talked about in Whitey 267 00:14:07,760 --> 00:14:10,040 Speaker 3: People victim blame, where we're always trying to find a 268 00:14:10,080 --> 00:14:14,680 Speaker 3: reason for or to find balance, right, to make things just. 269 00:14:14,600 --> 00:14:17,079 Speaker 4: For there's sense. Yeah, I think that's the true libra 270 00:14:17,200 --> 00:14:20,280 Speaker 4: in me. I needed to be Oh that's out, y'all? 271 00:14:21,320 --> 00:14:25,560 Speaker 3: Oh okay, all falling into place from doctor Edward Halliwell, 272 00:14:25,760 --> 00:14:29,800 Speaker 3: psychiatrist and author, quote, the pursuit of revenge is a 273 00:14:29,840 --> 00:14:30,320 Speaker 3: turn on. 274 00:14:30,840 --> 00:14:33,520 Speaker 1: It's an adrenaline rush. You can really get into. 275 00:14:33,320 --> 00:14:35,280 Speaker 3: It, and once you have experienced it, you want to 276 00:14:35,320 --> 00:14:37,880 Speaker 3: do it again and again, and it. 277 00:14:37,840 --> 00:14:39,480 Speaker 1: Becomes a way of life. 278 00:14:39,840 --> 00:14:42,280 Speaker 3: He argues that if you wanted, you could frame our 279 00:14:42,640 --> 00:14:45,400 Speaker 3: entire history in terms of revenge. 280 00:14:45,520 --> 00:14:48,840 Speaker 4: I think that's what wars are essentially, when you look 281 00:14:48,880 --> 00:14:51,600 Speaker 4: at the bottom line and money. 282 00:14:52,000 --> 00:14:53,440 Speaker 1: Oh yeah, and of course money. 283 00:14:54,040 --> 00:14:56,000 Speaker 4: In the two thousand and eight study out of Australia 284 00:14:56,040 --> 00:14:58,920 Speaker 4: conducted by doctor Ian McKee, you found a link that 285 00:14:59,000 --> 00:15:02,040 Speaker 4: suggested that those most interested in revenge were people more 286 00:15:02,080 --> 00:15:06,480 Speaker 4: motivated by power, specifically right wing authoritarians and some sort 287 00:15:06,520 --> 00:15:09,840 Speaker 4: of social dominance and all the attributes that go with it. 288 00:15:10,360 --> 00:15:13,400 Speaker 3: Other studies have shown that events that inspire revenge differ 289 00:15:13,480 --> 00:15:17,040 Speaker 3: by culture and others that revenge is viewed differently among 290 00:15:17,120 --> 00:15:21,320 Speaker 3: communities without access to legal means of justice. There are 291 00:15:21,560 --> 00:15:24,840 Speaker 3: entire websites dedicated to helping you get revenge. Think the 292 00:15:24,920 --> 00:15:28,120 Speaker 3: Exploding Glitterboxes or get your Revenge on your x dot 293 00:15:28,120 --> 00:15:30,800 Speaker 3: com run by a man whose wife cheated on him. 294 00:15:30,960 --> 00:15:33,280 Speaker 3: According to him, most of his clients are female. 295 00:15:34,520 --> 00:15:37,840 Speaker 1: Yeah, I don't want to look it up. No. 296 00:15:39,040 --> 00:15:42,080 Speaker 4: A recent study found that men enjoy revenge more than women. 297 00:15:42,360 --> 00:15:46,120 Speaker 4: When shown instances of wrongdoers getting punished, male participants were 298 00:15:46,120 --> 00:15:49,440 Speaker 4: more likely to feel pleasure, while female participants were more 299 00:15:49,520 --> 00:15:53,080 Speaker 4: likely to feel empathy. Another study looking into gender differences 300 00:15:53,240 --> 00:15:55,800 Speaker 4: found that men were far likelier than women to engage 301 00:15:55,840 --> 00:15:59,200 Speaker 4: in revenge of fantasies, and that even children fantasize about 302 00:15:59,240 --> 00:16:03,360 Speaker 4: getting I've seen this as a nanny and as a 303 00:16:03,360 --> 00:16:05,360 Speaker 4: person who was in the field. 304 00:16:05,160 --> 00:16:08,400 Speaker 1: I've seen this. Okay, you sometimes are really crafty too. 305 00:16:08,440 --> 00:16:09,600 Speaker 1: Just wants to know that I believe it. 306 00:16:09,760 --> 00:16:12,840 Speaker 4: The women reported that they believed revenge was ultimately pointless, 307 00:16:12,880 --> 00:16:14,800 Speaker 4: and a lot of the women who did express revenge 308 00:16:14,840 --> 00:16:19,480 Speaker 4: fantasies were more likely to turn the revenge inwards, imagining 309 00:16:19,520 --> 00:16:22,480 Speaker 4: about harming themselves to punish those that harmed them. 310 00:16:23,120 --> 00:16:25,760 Speaker 3: There is a certain level of breaking gender norms in 311 00:16:25,920 --> 00:16:31,040 Speaker 3: female revenge entertainment. Traditionally, aggression and violence are associated with men. Anger, 312 00:16:31,200 --> 00:16:34,320 Speaker 3: the emotion most closely associated with revenge, is traditionally viewed 313 00:16:34,320 --> 00:16:38,600 Speaker 3: as a more masculine, sanctioned emotion. Historically, women have used 314 00:16:38,760 --> 00:16:43,040 Speaker 3: words as weapons whereas men are more violence like using 315 00:16:43,440 --> 00:16:47,960 Speaker 3: swords or guns or whatever, what have you. And also 316 00:16:48,040 --> 00:16:51,040 Speaker 3: I read a lot of things that viewed this as 317 00:16:51,120 --> 00:16:54,520 Speaker 3: kind of a dismissal of feminine expressions of grief, in 318 00:16:54,600 --> 00:16:59,160 Speaker 3: viewing them as weak, and kind of going off of that, 319 00:16:59,640 --> 00:17:04,159 Speaker 3: we did look at some history some famous examples of 320 00:17:04,240 --> 00:17:07,119 Speaker 3: women getting revenge. But before we get into that, we 321 00:17:07,200 --> 00:17:09,160 Speaker 3: have one more quick break for word from our sponsor 322 00:17:22,640 --> 00:17:25,240 Speaker 3: and we're back, Thank you sponsor, and we're back with 323 00:17:25,280 --> 00:17:25,840 Speaker 3: some history. 324 00:17:25,960 --> 00:17:26,840 Speaker 1: So let's get into that. 325 00:17:27,119 --> 00:17:31,239 Speaker 4: Throughout our history, Western culture has largely depicted vengeance as 326 00:17:31,280 --> 00:17:33,959 Speaker 4: a more masculine avenue. A lot of the monsters from 327 00:17:34,000 --> 00:17:37,760 Speaker 4: our Female Monsters episode tell stories of enraged, insatiable vengeance 328 00:17:37,920 --> 00:17:41,320 Speaker 4: like the Furies. Less about revenge though, which has more 329 00:17:41,359 --> 00:17:44,240 Speaker 4: personal element, but there are similar themes, and there are 330 00:17:44,240 --> 00:17:46,119 Speaker 4: plenty of famous historical examples. 331 00:17:46,720 --> 00:17:50,080 Speaker 3: We have real life examples like lorraina Bobbit, but also 332 00:17:50,359 --> 00:17:54,199 Speaker 3: going back further, there is the example of Kiyomara, a 333 00:17:54,240 --> 00:17:57,680 Speaker 3: Galician noble woman during the Galatian War with Rome around 334 00:17:57,720 --> 00:18:00,840 Speaker 3: one hundred and eighty nine BCE. She was take captive 335 00:18:01,160 --> 00:18:04,440 Speaker 3: the person in charge of the prisoners, including Kyomara made 336 00:18:04,560 --> 00:18:07,919 Speaker 3: several sexual advances towards her, all of which she rejected. 337 00:18:08,359 --> 00:18:11,200 Speaker 3: So he raped her, but then felt such guilt about it, 338 00:18:11,359 --> 00:18:15,880 Speaker 3: kindly ransomed her to her people, the countrymen that came 339 00:18:16,080 --> 00:18:19,359 Speaker 3: for the exchange, with a nod from Kiyomara or perhaps 340 00:18:19,359 --> 00:18:22,080 Speaker 3: speaking in their native language depending on the source, that 341 00:18:22,720 --> 00:18:24,640 Speaker 3: you know what, you should cut off this guy's head. 342 00:18:25,080 --> 00:18:29,080 Speaker 3: The countrymen did that. She took the head, carried it 343 00:18:29,160 --> 00:18:31,280 Speaker 3: back with her in her dress, threw it at her 344 00:18:31,320 --> 00:18:31,920 Speaker 3: husband's feet. 345 00:18:31,920 --> 00:18:32,760 Speaker 1: When she arrived home. 346 00:18:33,160 --> 00:18:36,240 Speaker 3: Her husband said, a noble thing, dear wife, is fidelity, 347 00:18:36,480 --> 00:18:39,040 Speaker 3: and she responded, yes, but it is a nobler thing 348 00:18:39,080 --> 00:18:41,520 Speaker 3: that only one man be alive who has been intimate 349 00:18:41,600 --> 00:18:41,879 Speaker 3: with me. 350 00:18:42,440 --> 00:18:45,600 Speaker 4: So. Artemisia Gentileschi was a painter in the sixteen hundreds 351 00:18:45,640 --> 00:18:48,040 Speaker 4: who was raped when she was eighteen, and instead of 352 00:18:48,080 --> 00:18:51,320 Speaker 4: punishing the rapists, the court, of course of tortured Artemisia, 353 00:18:51,480 --> 00:18:54,679 Speaker 4: which we've seen even today, tying ropes around her fingers 354 00:18:54,680 --> 00:18:57,000 Speaker 4: and pulling them tight. As she was tortured, she shouted 355 00:18:57,000 --> 00:18:59,679 Speaker 4: out her rapists, who watched in the courtroom, this is 356 00:18:59,680 --> 00:19:02,240 Speaker 4: the real you gave me, and these are your promises, 357 00:19:02,480 --> 00:19:06,440 Speaker 4: and she repeated unwavering about her testimony. It is true 358 00:19:06,560 --> 00:19:09,159 Speaker 4: the entire transcript of the trial survived, and she went 359 00:19:09,200 --> 00:19:11,880 Speaker 4: about getting her revenge through her art, painting The Disturbing 360 00:19:11,920 --> 00:19:15,040 Speaker 4: and Affected Judith and Holoferness, in which Judith, along with 361 00:19:15,040 --> 00:19:18,480 Speaker 4: another woman, hold down Holofernes, slitting his throat. 362 00:19:18,680 --> 00:19:21,240 Speaker 1: It is a very effective faint as good one. 363 00:19:21,520 --> 00:19:26,160 Speaker 3: In sixtycee in present day southeast England, Boudica was born. 364 00:19:26,520 --> 00:19:28,120 Speaker 1: She went on to marry Celtic. 365 00:19:27,840 --> 00:19:31,360 Speaker 3: King Proscutagus at the age of eighteen. When Prostutagus died 366 00:19:31,400 --> 00:19:33,760 Speaker 3: in forty three CE without a male air, his kingdom, 367 00:19:33,920 --> 00:19:36,560 Speaker 3: land and property were annexed by the Romans. They then 368 00:19:36,680 --> 00:19:40,400 Speaker 3: publicly flogged Budica and raped her two daughters. Records show 369 00:19:40,480 --> 00:19:43,720 Speaker 3: that she declared nothing is safe from Roman pride and arrogance. 370 00:19:44,000 --> 00:19:47,160 Speaker 3: They will deface the sacred and will deflower our virgins 371 00:19:47,359 --> 00:19:49,600 Speaker 3: when the battle are perished. That is what I a 372 00:19:49,640 --> 00:19:53,119 Speaker 3: woman will do. A trained warrior, she helped form a 373 00:19:53,160 --> 00:19:55,280 Speaker 3: rebel army of tribes that went on to destroy the 374 00:19:55,359 --> 00:19:58,640 Speaker 3: Roman capital of Britain and killed all those that lived there. 375 00:19:58,960 --> 00:20:01,200 Speaker 3: The rebel army did the same thing with two other cities, 376 00:20:01,200 --> 00:20:04,720 Speaker 3: including London, Records from the time suggest that Budica's rebellion 377 00:20:04,840 --> 00:20:08,239 Speaker 3: killed seventy thousand Romans and pro Roman Britons before she 378 00:20:08,400 --> 00:20:08,960 Speaker 3: was defeated. 379 00:20:09,359 --> 00:20:13,200 Speaker 1: All right, then, yeah, and perhaps inspired by. 380 00:20:13,080 --> 00:20:15,520 Speaker 3: Some of these true stories, perhaps now we have plenty 381 00:20:15,640 --> 00:20:18,400 Speaker 3: of fictional examples as well, going way back right. 382 00:20:18,480 --> 00:20:22,240 Speaker 4: In euripides Greek play Medea, this character is sometimes called 383 00:20:22,240 --> 00:20:24,960 Speaker 4: the Queen of revenge. Once said a woman's weak and 384 00:20:25,000 --> 00:20:27,520 Speaker 4: timid in most matters. The noise of war, the look 385 00:20:27,520 --> 00:20:29,640 Speaker 4: of steel make her a coward. But touch her right 386 00:20:29,720 --> 00:20:33,760 Speaker 4: in marriage and there's no bloody or spirit. Media's ex husband, Jason, 387 00:20:33,800 --> 00:20:36,360 Speaker 4: dished her for another woman for her superficial reasons after 388 00:20:36,440 --> 00:20:39,160 Speaker 4: Medea helped him climb the social ladder. The whole play 389 00:20:39,200 --> 00:20:41,920 Speaker 4: is about her journey to secure her revenge, not caring 390 00:20:41,920 --> 00:20:45,160 Speaker 4: who ends up in the crossfire, including her own children, 391 00:20:45,520 --> 00:20:48,200 Speaker 4: taking away what he left for her, a future in royalty, 392 00:20:48,560 --> 00:20:50,240 Speaker 4: and when she gets it, she rides off in a 393 00:20:50,320 --> 00:20:53,520 Speaker 4: dragon drawn carriage. You meant to give me an abandoned 394 00:20:53,560 --> 00:20:56,439 Speaker 4: old age, I give one now to you. This example 395 00:20:56,480 --> 00:20:59,160 Speaker 4: is particularly in settling because the Medea flouts her gender 396 00:20:59,240 --> 00:21:02,400 Speaker 4: norm both of women being too kind to seek revenge, 397 00:21:02,600 --> 00:21:06,320 Speaker 4: but also that women are unfailingly protective maternal of their children, 398 00:21:06,560 --> 00:21:09,359 Speaker 4: a twist because we the audience expect the act of 399 00:21:09,440 --> 00:21:11,920 Speaker 4: vengeance to take Jason's life. 400 00:21:11,960 --> 00:21:14,840 Speaker 3: This whole thing of revenge seemed to be a theme 401 00:21:15,000 --> 00:21:18,880 Speaker 3: in euripides work. Around the mid fourteen twenties BCE. Euripides 402 00:21:18,920 --> 00:21:22,800 Speaker 3: also published Hecuba Hekibah was the queen of Troy and 403 00:21:22,880 --> 00:21:26,800 Speaker 3: witnessed and experienced many many wrongs, including the deaths of 404 00:21:26,840 --> 00:21:30,080 Speaker 3: her husband and sons. She was enslaved by those who 405 00:21:30,200 --> 00:21:33,480 Speaker 3: killed her family, Her daughter is sacrificed, and another is 406 00:21:33,520 --> 00:21:36,440 Speaker 3: taken as a concubine to be killed. Hecuba, along with 407 00:21:36,520 --> 00:21:39,320 Speaker 3: other female captives of the Trojan army, lure the King 408 00:21:39,359 --> 00:21:42,199 Speaker 3: of Thrace, Polymester, and his two sons into the women's 409 00:21:42,240 --> 00:21:44,920 Speaker 3: tent in a post war encampment, proceed to blind the 410 00:21:45,000 --> 00:21:48,640 Speaker 3: king with pens from their dresses and kill his two 411 00:21:48,800 --> 00:21:52,919 Speaker 3: young sons. Polymester prophesied that Hecuba would become quote a 412 00:21:52,960 --> 00:21:56,720 Speaker 3: dog with fiery eyes. Many scholars interpret this as a 413 00:21:56,720 --> 00:21:59,520 Speaker 3: symbol of the fiercely maternal, and this is an early 414 00:21:59,600 --> 00:22:02,760 Speaker 3: example the key element in revenge stories about women their 415 00:22:02,800 --> 00:22:05,840 Speaker 3: suffering must be detailed and painful enough so that we 416 00:22:05,880 --> 00:22:09,399 Speaker 3: are sympathetic and we back them stepping outside of traditional 417 00:22:09,680 --> 00:22:12,919 Speaker 3: gender norms by getting revenge instead of punishing them for 418 00:22:13,400 --> 00:22:18,520 Speaker 3: transgressing these boundaries. And Janet Claire delved into the dichotomy 419 00:22:18,560 --> 00:22:21,159 Speaker 3: of this character as the all suffering, grieving mother and 420 00:22:21,400 --> 00:22:25,280 Speaker 3: furious woman set on revenge. She describes quote a culture 421 00:22:25,320 --> 00:22:27,679 Speaker 3: that condemned revenge and saw it as a last resort 422 00:22:27,720 --> 00:22:30,480 Speaker 3: to which only a male should have recourse, and that 423 00:22:30,520 --> 00:22:33,120 Speaker 3: to stage a hecuba as she was staged in classical 424 00:22:33,160 --> 00:22:35,399 Speaker 3: tragedy would be to stage a rebellion. 425 00:22:36,280 --> 00:22:39,200 Speaker 4: So when it comes to our modern day entertainment, revenge 426 00:22:39,280 --> 00:22:41,960 Speaker 4: is a genre dominated by men, both in leading roles 427 00:22:41,960 --> 00:22:44,600 Speaker 4: and when it comes to directors. So when we think 428 00:22:44,640 --> 00:22:47,439 Speaker 4: of revenge movies with male protagonists, the wrong at the 429 00:22:47,440 --> 00:22:50,560 Speaker 4: heart of the revenge is usually quite different and often 430 00:22:50,600 --> 00:22:54,000 Speaker 4: involves the fridging killing off of the main love interests 431 00:22:54,000 --> 00:22:56,480 Speaker 4: early in the plot, sidelining her to an object that 432 00:22:56,520 --> 00:23:00,439 Speaker 4: functions solely to start the main male character's vengeful journey. 433 00:23:00,840 --> 00:23:03,440 Speaker 4: Not only does she die, she's often raped and tortured 434 00:23:03,480 --> 00:23:07,360 Speaker 4: prior to death, defiling the man's property quote unquote, we 435 00:23:07,520 --> 00:23:09,480 Speaker 4: as the audience, typically root for the man to get 436 00:23:09,520 --> 00:23:12,560 Speaker 4: his vengeance, chewing on his typically violent retribution. 437 00:23:12,800 --> 00:23:14,359 Speaker 1: Yeah. I mean, how many times have we seen this? 438 00:23:14,440 --> 00:23:16,960 Speaker 4: In every James Bond at least one person loved the 439 00:23:17,000 --> 00:23:19,800 Speaker 4: Lovengers that you know for like thirty seconds. Yeah, nake 440 00:23:19,840 --> 00:23:22,360 Speaker 4: it on the bed dies immediately, and then of course yeah, 441 00:23:22,440 --> 00:23:26,720 Speaker 4: John Wick is famous for the dog and don't care 442 00:23:27,240 --> 00:23:30,040 Speaker 4: to be fair. Yeah, I get that killing off the 443 00:23:30,040 --> 00:23:32,680 Speaker 4: dog and the wife. And then there's you see so many, 444 00:23:33,000 --> 00:23:36,080 Speaker 4: so many of those that begin as I think every 445 00:23:36,200 --> 00:23:38,160 Speaker 4: John Statum movie outside of. 446 00:23:40,960 --> 00:23:44,080 Speaker 1: So sad but so true, that's exactly how you see it. 447 00:23:44,119 --> 00:23:45,160 Speaker 1: You're deathways. 448 00:23:45,200 --> 00:23:47,520 Speaker 4: I watched that and that's the beginning plot, and you're like, 449 00:23:47,800 --> 00:23:48,680 Speaker 4: what is happening? 450 00:23:50,640 --> 00:23:54,239 Speaker 3: Yeah? Also, I guess Mission Impossible. I love how like 451 00:23:54,320 --> 00:23:56,679 Speaker 3: every Mission Impossible movie starts with this and then at 452 00:23:56,720 --> 00:23:59,280 Speaker 3: the end he's with someone, right, but then she dies 453 00:23:59,320 --> 00:24:00,880 Speaker 3: at the. 454 00:24:02,800 --> 00:24:03,000 Speaker 1: Time. 455 00:24:03,359 --> 00:24:07,199 Speaker 3: Stop, you will never be happy. That's the message. That 456 00:24:07,359 --> 00:24:10,879 Speaker 3: is the message. Revenge won't make you happy anyway. Revenge 457 00:24:10,920 --> 00:24:12,840 Speaker 3: stories with women at the helm, on the other hand, 458 00:24:12,920 --> 00:24:16,919 Speaker 3: usually are more gendered fears and anxieties like sexual assault, 459 00:24:17,000 --> 00:24:21,160 Speaker 3: domestic violence, cheating motherhood. While we frequently cheer for these 460 00:24:21,200 --> 00:24:24,520 Speaker 3: anti heroines, audiences are more likely to turn on her 461 00:24:24,880 --> 00:24:29,160 Speaker 3: than on a male protagonist, giving her as hysterical or deranged. 462 00:24:29,480 --> 00:24:32,439 Speaker 3: Some movies even managed to flip somehow so that the 463 00:24:32,480 --> 00:24:36,200 Speaker 3: audience sides with the male antagonist or that the woman. 464 00:24:36,280 --> 00:24:38,160 Speaker 1: Quote deserved what she can right. 465 00:24:38,880 --> 00:24:41,840 Speaker 3: Yes, when I was thinking about this, I think men 466 00:24:41,880 --> 00:24:44,760 Speaker 3: don't like imagining a world where women can exact revenge 467 00:24:44,920 --> 00:24:46,040 Speaker 3: for the wrongs done to them. 468 00:24:46,240 --> 00:24:48,159 Speaker 4: Well, I mean, there's so many things about being a 469 00:24:48,240 --> 00:24:52,400 Speaker 4: ladylike and being kind and motherly and nurturing that that's 470 00:24:52,440 --> 00:24:56,639 Speaker 4: not acceptable. While while the father is the protector, so 471 00:24:56,760 --> 00:25:00,560 Speaker 4: of course it crosses the line to be protecting even 472 00:25:00,560 --> 00:25:04,920 Speaker 4: if you're protecting yourself, that that's crossing the gender norms boundary, 473 00:25:05,119 --> 00:25:05,960 Speaker 4: right sure. 474 00:25:05,960 --> 00:25:09,560 Speaker 3: And we have a lot of examples about that in our. 475 00:25:10,000 --> 00:25:11,560 Speaker 1: Upcoming part two of. 476 00:25:11,440 --> 00:25:14,639 Speaker 3: This I've been One of the ones we're going to 477 00:25:14,720 --> 00:25:18,760 Speaker 3: talk about that really gripped our collective cultural psyches was 478 00:25:18,800 --> 00:25:21,240 Speaker 3: the nineteen seventy eight film I Spit on Your Grave. 479 00:25:21,480 --> 00:25:23,000 Speaker 1: That's intense. I can you watched that? 480 00:25:23,119 --> 00:25:23,280 Speaker 4: Right? 481 00:25:23,800 --> 00:25:26,720 Speaker 1: Oh yeah? Oh yeah, no, that's an intense one. 482 00:25:26,760 --> 00:25:30,199 Speaker 3: It is yes, it very much is, and this was 483 00:25:30,240 --> 00:25:33,760 Speaker 3: done by mer Zarky. This movie follows an aspiring writer 484 00:25:34,280 --> 00:25:37,679 Speaker 3: who is gang draped and her relentless vengeful pursuit to 485 00:25:37,840 --> 00:25:41,680 Speaker 3: take them all out after that. As you might imagine, 486 00:25:41,800 --> 00:25:44,200 Speaker 3: this started up a lot of controversy. 487 00:25:44,760 --> 00:25:46,879 Speaker 1: Robert Ebert famously. 488 00:25:46,520 --> 00:25:49,680 Speaker 3: Despised it, calling it quote one of the most depressing 489 00:25:49,720 --> 00:25:53,880 Speaker 3: experiences of my life and describing the film as a. 490 00:25:53,920 --> 00:25:55,720 Speaker 1: Vile bag of garbage. 491 00:25:56,640 --> 00:26:00,320 Speaker 3: And we're going to do a terrible thing here and 492 00:26:00,440 --> 00:26:04,080 Speaker 3: leave it at a cliffhanger like some revenge movies do. 493 00:26:04,560 --> 00:26:08,400 Speaker 1: Take that, Yeah, you take that. Listeners, Thank you for listening. 494 00:26:08,600 --> 00:26:12,040 Speaker 4: So sorry, just save it. Just one to do until 495 00:26:12,640 --> 00:26:14,080 Speaker 4: you know you can do a streaming. 496 00:26:13,720 --> 00:26:15,119 Speaker 1: Things, Yeah do yeah, benj it. 497 00:26:16,359 --> 00:26:19,239 Speaker 3: Yes, we have a part two forthcoming where we're going 498 00:26:19,280 --> 00:26:23,000 Speaker 3: to look at our more modern female revenge genre and 499 00:26:23,080 --> 00:26:27,440 Speaker 3: specific examples, and we're also focusing in for feminist maybe 500 00:26:27,440 --> 00:26:32,399 Speaker 3: Friday on First Wives Club, So keep your ears out 501 00:26:32,480 --> 00:26:35,120 Speaker 3: for that. In the meantime, if you have a favorite 502 00:26:35,119 --> 00:26:38,880 Speaker 3: revenge movie or any kind of revenge media, you can 503 00:26:38,920 --> 00:26:40,959 Speaker 3: email it to us. Our email is Stuff Media Mom 504 00:26:41,040 --> 00:26:43,919 Speaker 3: Stuff at iHeartMedia dot com. You can also find us 505 00:26:43,920 --> 00:26:46,439 Speaker 3: on Twitter at mom Stuff podcast or on Instagram at 506 00:26:46,440 --> 00:26:49,359 Speaker 3: Stuff I'll Never Told You. Thanks as always to our 507 00:26:49,400 --> 00:26:52,320 Speaker 3: super producer Andrew Howard. Thanks and thanks to you for 508 00:26:52,400 --> 00:26:55,600 Speaker 3: listening Stuff I Never Told You to protection of iHeartRadio's 509 00:26:55,600 --> 00:26:59,080 Speaker 3: house Stuff Works. For more podcasts from iHeartRadio, visit iHeartRadio app, 510 00:26:59,119 --> 00:27:01,840 Speaker 3: Apple Podcasts, or wherever you listen to your favorite shows