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Speaker 1: Gentlemen, congratulations on one year of Pod Meets World.

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Speaker 2: It's already been a Year's how fast they go.

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Speaker 1: It's gone so quickly, and and you know what's funny

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Speaker 1: is that as fast as it's gone, it's also been more.

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Speaker 1: It's been like I thought we were going to have

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Speaker 1: a good times. I was like, oh my gosh, this

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Speaker 1: is gonna be fun. We're gonna have a really good time.

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Speaker 1: But it's been so it's actually been so meaningful and

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Speaker 1: it's changed things in my life. And I know writers

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Speaker 1: talked about it too, that like the difference in the

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Speaker 1: way you interact with the public and the way people talk.

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Speaker 3: To you about it.

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Speaker 1: It's a it's such a nice thing to be recognized

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Speaker 1: for now. Like I was, we were at a restaurant

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Speaker 1: a couple of weeks ago, and the person sitting next

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Speaker 1: to it next to us, I was just interacting with

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Speaker 1: the kids and they had two kids, and and started

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Speaker 1: saying something, you know, our kids started talking to each other,

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Speaker 1: and just very casually as they were leaving, they were like,

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Speaker 1: by the way, really a big fan of the pod.

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Speaker 1: It's like, oh that's cool, that's so cool really, And

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Speaker 1: then I was like, wait, come back, come back down.

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Speaker 2: I want to know.

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Speaker 1: Yeah, let's talk. What are the things you like? What

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Speaker 1: are the things that you have more questions about? Where

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Speaker 1: do you want to see it go? Like, I'm really

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Speaker 1: loving the conversation we've been able to have with our

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Speaker 1: dear listeners and how they shape the things that we

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Speaker 1: talk about.

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Speaker 4: Yeah, it's such a it's so interesting, Like how much

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Speaker 4: a sense of community right like that.

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Speaker 2: Boy Meets World engender is a sense of community, it

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Speaker 2: seems like.

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Speaker 4: And I think maybe it's a timing thing because it

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Speaker 4: was the last one, you know, one of the last

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Speaker 4: gasp of that era when before streaming, you know, when

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Speaker 4: you could just you would get together and watch something

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Speaker 4: live not you know, or if it was in reruns

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Speaker 4: on Disney Channel. It just it's it really brings people together.

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Speaker 4: It brings people back to a really comforting time in

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Speaker 4: their lives. And then it feels like the podcast has

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Speaker 4: been that for us too, you know, like for me

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Speaker 4: because I spent so much on my life avoiding it

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Speaker 4: the show to now like be able to watch and

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Speaker 4: be like, oh, this is this is a really good childhood,

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Speaker 4: a really good time we had making the show and

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Speaker 4: the people around us and you know, as much as

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Speaker 4: we have had a lot of you know, conversations about

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Speaker 4: trauma and repressed memories and all the more dramatic stuff.

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Speaker 2: In general, it's a very positive experience, totally is. And

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Speaker 2: that's the thing is, they did.

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Speaker 5: We live in a world where obviously the one or

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Speaker 5: two things we say that maybe weren't the best thing

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Speaker 5: that happened to us are the things that make the news.

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Speaker 5: And nobody's listening to the other three hours we've been talking,

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Speaker 5: so it's I mean, we all think it was.

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Speaker 2: A great experience.

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Speaker 5: I mean, it's just certain parts of it that we're

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Speaker 5: being honest about, but it was overall wonderful and it

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Speaker 5: brought all of us.

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Speaker 2: Closer together too, which is which is kind of cool.

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Speaker 5: And I mean we get to see each other way

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Speaker 5: more than we did, which is great, and yeah, you know, yeah, so.

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Speaker 2: And seeing people like again.

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Speaker 5: I just I was on my walk the other day

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Speaker 5: and I'd never listened to the live show. Yeah, so

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Speaker 5: I listened to the live show from Hyundai, and it was,

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Speaker 5: you know, hearing Blake and Ethan and Danny all together again,

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Speaker 5: and Tony and I joking on stage, and the scene

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Speaker 5: we put together. It just all felt so good. It

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Speaker 5: was just I had this giant smile on my face.

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Speaker 5: I probably looked like an insane person as I'm walking

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Speaker 5: my dog with this joker like smile on my face.

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Speaker 2: It's through our neighborhood, but it was, it is. It's

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Speaker 2: just it's happy. It's nice to find things that are

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Speaker 2: just happy again.

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Speaker 1: The amount of joy and love and respect that was

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Speaker 1: present on our set on most days amongst the cast

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Speaker 1: and the crew and whatever is like, I've never I've

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Speaker 1: never come across anything like it again, No, and.

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Speaker 2: We probably won't.

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Speaker 5: And and and that's and you know, there's credit to

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Speaker 5: Michael Jacobs who used to say to us, enjoy it.

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Speaker 5: This is gonna end. You may find this again. And

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Speaker 5: he was right, and he was absolutely right. And it's

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Speaker 5: I mean, I've done.

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Speaker 4: Some plays that have felt kind of similar, you know,

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Speaker 4: like it's that, but they're they're short lived, right experience.

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Speaker 2: You all bond and it's like we're going to be

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Speaker 2: in each other's lives forever. And then you know, months

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Speaker 2: later your camp girlfriend, who's the best girlfriend you'll ever

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Speaker 2: have in your life? And I think her name was Trina,

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Speaker 2: I don't remember, you know exactly. It's like, what the

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Speaker 2: I know, don't remember these things, so it's just no.

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Speaker 4: But in our case because it went for so long

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Speaker 4: and has lasted in the public imagination.

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Speaker 2: For so long.

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Speaker 3: Yeah, it's it's it's.

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Speaker 2: An enduring, wonderful part of our lives.

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Speaker 5: Yeah, I love my girlfriend Trina, So shout out to

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Speaker 5: Trina for shout out my first name that popped in

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Speaker 5: my head.

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Speaker 2: It just instantly went Trina. I that there you go.

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Speaker 2: That's another thing brought everybody together again. That's I know.

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Speaker 2: This has been a cool This has been.

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Speaker 5: A really cool year for me for a lot of

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Speaker 5: different reasons, and a lot of it is based on

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Speaker 5: personal relationships that I've had.

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Speaker 2: It's we're doing a cool podcast. But it's been a

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Speaker 2: cool year. It's been a cool year. What have you

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Speaker 2: guys been surprised by about the podcast? We're doing the podcast.

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Speaker 2: It's a lot more work than I thought it was

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Speaker 2: going to be. It's true. I think it's like, oh,

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Speaker 2: I'm gonna do a podcast two episodes a week. Yeah,

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Speaker 2: I mean it's a lot more work.

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Speaker 5: And and then you know when we're now doing all

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Speaker 5: these live shows and we're going on tour, and you know,

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Speaker 5: it's there's it's.

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Speaker 2: A lot of work. It's yeah.

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Speaker 5: That's the thing that surprised me the most is I

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Speaker 5: didn't think it was going to be easy, but I

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Speaker 5: certainly didn't think it was going to take this amount

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Speaker 5: of time and energy.

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Speaker 1: I have been surprised kind of by what I said

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Speaker 1: earlier in the in the episode about just the the

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Speaker 1: I've never worked even with Boy Meets World, I've never

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Speaker 1: worked on anything where when somebody brings it up, I

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Speaker 1: feel like, well, tell me more about tell me more

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Speaker 1: about that. I want to sit and talk to you

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Speaker 1: about it. But this project, this podcast, more than anything else,

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Speaker 1: is something people will tell me they're a fan of.

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Speaker 1: In real passing, usually at the end of a conversation

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Speaker 1: doesn't open the conversation have a normal conversation, whether it's

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Speaker 1: because our kids go to the same school, or because

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Speaker 1: we've run into each other, you know, getting a smoothie

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Speaker 1: or a coffee somewhere, or we're having a meal near

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Speaker 1: each other. Somebody will just say at the end, by

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Speaker 1: the way, really love the podcast, and I suddenly go, wait.

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Speaker 3: I want to know all of your thoughts on it.

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Speaker 1: I want to know what do you think the highlights

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Speaker 1: have been what were some of the things you thought

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Speaker 1: maybe we spent too long on What would you like

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Speaker 1: to hear us do more about?

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Speaker 3: Like that kind of.

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Speaker 1: Because I think the thing that I love more than

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Speaker 1: anything is that it really feels like we embarked on

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Speaker 1: a journey.

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Speaker 3: We truly embarked on a journey.

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Speaker 1: Not just the three of us together, but we said,

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Speaker 1: all of you who have loved and support at us

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Speaker 1: for all these years, would you.

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Speaker 3: Like to embark on this journey with us?

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Speaker 1: There may be some highs, there's gonna be a lot

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Speaker 1: of highs, there may be some lows, but we're open

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Speaker 1: to it. We're gonna be honest about it, and do

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Speaker 1: you want to come along with us? And the people

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Speaker 1: who said yes, the thousands of people who said yes,

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Speaker 1: I now feel like every time they mention it, I'm like,

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Speaker 1: tell me all your thoughts on the journey. I want

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Speaker 1: to know what have been your favorite parts of this

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Speaker 1: vacation or this trip we have taken. And I love that.

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Speaker 1: I have never felt that way about any other project

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Speaker 1: I've done.

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Speaker 2: It's true, It's good.

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Speaker 5: Yeah, you see a you know, we go to conventions

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Speaker 5: and I see Boy meets World stuff.

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Speaker 2: I'm like, oh, that's awesome. I see Pod meets.

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Speaker 5: World stuff and I'm like, sure, Pod met Shirt, Like, oh,

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Speaker 5: that's like it's yeah, it's you're right, And I don't

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Speaker 5: know if it's because maybe it's completely ours.

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Speaker 2: Yeah, you know, it's something we created together.

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Speaker 4: And I think when you act in a project, it

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Speaker 4: feels a little out of your control, you know. Yeah, yeah,

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Speaker 4: and that's just the nature of being an actor, but

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Speaker 4: especially being a young actor. You know, like, we never

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Speaker 4: had a sense of ownership over Boy Meets World, and

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Speaker 4: I think, you know, we kind of do now.

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Speaker 2: Yeah.

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Speaker 1: I was on a plane the other day with a

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Speaker 1: famous basketball coach, a guy named Frank Vogel, and we

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Speaker 1: sat next to each other and he started talking to

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Speaker 1: me about directing and acting, and he was like, you know,

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Speaker 1: what do you like more about directing than you did

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Speaker 1: about acting? And I said, well, in this case, this

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Speaker 1: is a I direct children's TV where I still don't

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Speaker 1: at the end of the day, have tons of control.

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Speaker 1: But the thing I've realized as an adult about a

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Speaker 1: past acting experiences I had, is there anything else where

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Speaker 1: you are so responsible for being the face of a project.

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Speaker 3: Tell us what did you love about this? What do

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Speaker 3: you think is important about this.

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Speaker 1: You're asked about it in interviews, you have to represent

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Speaker 1: the project in interviews. You're the front facing person in

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Speaker 1: the project, and yet you have no control over the direction,

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Speaker 1: you have no control over the editing, you have no

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Speaker 1: control over, truthfully, what the story ends up being. You

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Speaker 1: can I actually was talking to Ethan Sipple at the

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Speaker 1: live show that we did back in April about this

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Speaker 1: very thing. How you can be pitched an idea for something,

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Speaker 1: start working on it, and by the time then it's done,

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Speaker 1: you're like, this end result was not at.

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Speaker 3: All the project I had agreed to.

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Speaker 1: But yet you have to be the person front facing

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Speaker 1: for it, so it's like it is totally out of

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Speaker 1: your control.

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Speaker 3: And this has felt very much ours.

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Speaker 2: Yeah, I agree, and shout out.

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Speaker 1: To iHeart for being such a great partner really saying yeah,

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Speaker 1: this is yours and do it because it was a

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Speaker 1: big it was created and it was important to us

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Speaker 1: when we when we had our meetings, we said, we

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Speaker 1: do not want to work with someone who's going to

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Speaker 1: say no, you have to say this, or you have

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Speaker 1: to do this, or we have to steer the ship

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Speaker 1: in this direction.

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Speaker 3: And we have been able to do it ourselves.

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Speaker 5: So it's because we originally went in and pitched the

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Speaker 5: nine O two and oh rewatch and they're like, we

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Speaker 5: have that, we already have that, maybe you should do

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Speaker 5: one for your show and we're like, that's that's a

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Speaker 5: great idea.

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Speaker 3: Yeah.

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Speaker 1: And also shout out to producer Jensen Carr, husband of

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Speaker 1: this podcast is so great at so many ideas and

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Speaker 1: flobbing suggestions to us and and then when we say

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Speaker 1: yes to something actually making them come true.

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Speaker 3: And lots of people who.

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Speaker 1: Have lots of people who help us do this that

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Speaker 1: are are absolutely vital and couldn't do it without them,

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Speaker 1: but it has been, it has been remarkable.

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Speaker 3: So thank you to you.

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Speaker 1: Actually our most important part of this podcast, our dear listeners,

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Speaker 1: because without you, we'd just be yelling into a microphone,

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Speaker 1: which is I think what my my child thinks I

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Speaker 1: do for a living.

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Speaker 5: So last night, literally you know how you So you

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Speaker 5: wake up in the morning and it's the dreams you

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Speaker 5: just had that are the ones that are obviously the

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Speaker 5: most clear and vivid in your head. Every dream I

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Speaker 5: had last night. Someone said some version of strafty.

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Speaker 4: Bright nod your dream no joke to the point where were.

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Speaker 2: People. It's real.

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Speaker 5: I woke up laughing because by the end my dreams

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Speaker 5: this morning, we had dropped the bright and it had

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Speaker 5: just become like you'd say something to somebody in the

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Speaker 5: dream that they'd be like, yeah, yeah.

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Speaker 2: So it was it. Seriously, it has it for me

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Speaker 2: in my dream all night. Well, I had a terrible night.

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Speaker 5: I was waking up and falling asleep and waking up.

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Speaker 5: Every dream had a strofty bright in it life.

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Speaker 4: It might it might have its moment people now giving

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Speaker 4: the confidence that it might actually lodge into into people's brains.

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Speaker 2: It just takes thirty years to it lodged in the

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Speaker 2: mind because even in my subconscious I am now.

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Speaker 3: Saying it, that's amazing.

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Speaker 1: I have not had any dreams with strafty bright, and

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Speaker 1: I don't even think about it in my daily life.

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Speaker 2: Do you remember your dreams? Some people don't remember their dreams. Yeah,

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Speaker 2: I definitely remember my dream I don't remember no.

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Speaker 6: Really.

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Speaker 1: Every now and then I'll remember one, but no, for

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Speaker 1: the most part, I don't remember them, probably because even

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Speaker 1: my dreams aren't.

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Speaker 2: Fun dreams and the candle and a book. I can't

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Speaker 2: wait to travel with you, Danie. I am just looking

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Speaker 2: forward to this.

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Speaker 3: I'm a laugh a minute.

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Speaker 2: Actually traveling with you is pretty fun.

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Speaker 5: I've already done it, and it's pretty fun because you

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Speaker 5: always This is the thing about Danielle and traveling is

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Speaker 5: she'll try to hide it, but she stops at every

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Speaker 5: candy store you pass.

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Speaker 3: Oh yeah.

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Speaker 1: Oh also checked out what there is to eat in

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Speaker 1: every airport, and I have already decided what I'm snacking on,

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Speaker 1: what I'm going to get, and then I have to

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Speaker 1: weigh between what I'm going to eat in the airport

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Speaker 1: versus well, I do like plain food and I'm gonna

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Speaker 1: get to eat on the plane, and so like how

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Speaker 1: much do I want?

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Speaker 3: How much room do I need? Listen, guys, I'm real,

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Speaker 3: I'm a real barrel of fun. Welcome to podnets World.

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Speaker 2: I'm daniel Fisher, I'm right or strong, I'm will Ferdll.

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Speaker 1: So we are very excited to welcome back one of

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Speaker 1: our favorite guest stars, Natanya Ross. And before we get

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Speaker 1: into this, we all have our own MUNCHI strikes. I

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Speaker 1: wish sure you guys have seen my Kushlings commercial. We

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Speaker 1: so will have some good lean acting going on.

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Speaker 4: Yeah, there's also grinders, grinders, which we've been threatening to

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Speaker 4: do a rewatch of Yeah I.

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Speaker 1: Did watch it, you did, I did. I actually enjoyed

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Speaker 1: it more than I thought I was going to. It

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Speaker 1: was actually it was very sweet and educational and fun

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Speaker 1: and great.

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Speaker 4: I liked it, but you know interesting, Yeah, it's mostly

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Speaker 4: like a skate video, right, it's mostly watching people skate.

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Speaker 1: It's watching people rollerblade and skate on the halfpipe. But

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Speaker 1: then in between mixed with like, if you're interested in this,

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Speaker 1: here just are some like beginning fundamentals that are important for.

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Speaker 2: You to know.

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Speaker 3: And yeah, it didn't. It didn't try too hard to

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Speaker 3: be something it wasn't. It was actually enjoyed it. I

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Speaker 3: give it all.

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Speaker 2: It helped me. Now if I want to learn to skate, now,

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Speaker 2: will it help me?

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Speaker 3: Well, if you need to learn how to do.

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Speaker 5: It, it's just what I need to learn.

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Speaker 3: There you go, okay, and it'll be great.

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Speaker 1: Well, we all have our own MUNCHI strikes back, and

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Speaker 1: Natanya is just nice enough to let us.

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Speaker 3: Review her movie.

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Speaker 1: So when we had her come on the show, we

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Speaker 1: stumbled on this credit and we all knew we needed

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Speaker 1: to see it. So we've decided to make this a

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Speaker 1: little excursion between season two and season three to give

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Speaker 1: us a little bit of a buffer. So please welcome

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Speaker 1: Natanya Ross.

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Speaker 2: Welcome back, my friends.

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Speaker 3: There she is.

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Speaker 2: Hi, how's it going?

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Speaker 3: How are you are you guys?

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Speaker 6: I'm just getting over strep throat, So that's why I

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Speaker 6: sound like Kathleen Turner. I love it, you know, I

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Speaker 6: wish it would stay for a little while.

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Speaker 2: Actually, is there only strep throat? Is strap only throat?

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Speaker 2: Can you get like.

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Speaker 5: Strap ears or strap leggs? I mean, you know what

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Speaker 5: I mean is it's just strep throat? Has anybody else

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Speaker 5: heard of another one?

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Speaker 2: Will?

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Speaker 6: I will find out for you and let you know.

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Speaker 2: Thank you.

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Speaker 4: It probably changes names when it goes to a different

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Speaker 4: part of the body, right I'm a different type of infection,

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Speaker 4: or like, oh.

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Speaker 5: Man, I've got strap chest right now, like you never

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Speaker 5: hear that I got strap.

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Speaker 2: Nose this morning.

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Speaker 6: Just how are you guys?

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Speaker 3: We're doing well.

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Speaker 1: We we said in the intro to starting this episode

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Speaker 1: that we all have our own munchies strikes back.

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Speaker 3: We've over when if you're.

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Speaker 1: Lucky enough to have a long career, or even if

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Speaker 1: you're not, you probably have a movie that you go.

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Speaker 3: That was They made some interesting choices in that and I.

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Speaker 6: Was that was a part of it.

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Speaker 4: Most movies are not that great, right now, that's not true.

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Speaker 4: There's so many movies made all the time that nobody sees.

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Speaker 6: Has that like on lock right, and I know we've

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Speaker 6: all been in one. I think told me about like

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Speaker 6: a couple of yours, and I was like, maybe I'll

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Speaker 6: watch those two.

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Speaker 1: Oh yeah, you definitely watch some of those to make

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Speaker 1: yourself feel better.

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Speaker 2: Yeah.

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Speaker 1: Well, thank you so much for sitting down with us

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Speaker 1: to talk about this, Because we talked about it when

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Speaker 1: you were a guest on our show and you were

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Speaker 1: such an amazing guest and we had so much fun

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Speaker 1: talking to you. We wanted an opportunity to talk with

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Speaker 1: you again and figured this was the perfect opportunity to

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Speaker 1: do it. So thank you for taking your time to

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Speaker 1: come back with us.

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Speaker 6: I'm honored to be back. Honored.

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Speaker 1: Yes, so we watched Monkey Strikes Back, which was put

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Speaker 1: out in nineteen ninety four.

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Speaker 6: You all watched it.

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Speaker 2: Yes, Oh, I have pages of notes. We had a

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Speaker 2: lot to talk about it.

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Speaker 6: Writ No, well, oh my god.

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Speaker 2: No, it's great, it's great.

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Speaker 6: Yes, here we go.

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Speaker 1: So it was directed by Jim wy Norsky, who also

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Speaker 1: directed the nineteen eighty six horror cult classic Shopping Mall,

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Speaker 1: about a mall's robot security system that goes haywire and

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Speaker 1: kills its young employees. Oh.

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Speaker 4: Yes, did he do all three of the Munchy movies

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Speaker 4: or did he enter with this one?

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Speaker 2: No? I think this was his debut in Then Realm.

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Speaker 4: This is his first monkey, I think, so, I think

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Speaker 4: to go back and the other the first two because I'm.

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Speaker 2: Just a little lost. Right at the beginning, I didn't

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Speaker 2: know his backstory at all.

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Speaker 3: So that was It's very hard.

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Speaker 2: I'll get it.

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Speaker 7: I mean, it was a very self contained narrative.

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Speaker 3: It was Yeah, it was my gosh, okay.

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Speaker 1: So it was written by Why Why Norski I can't

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Speaker 1: say his name very easily for some reason, and R. J.

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Speaker 3: Robertson. It was produced by b movie legend Roger Corman,

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Speaker 3: who is considered the king of cult and credited with

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Speaker 3: career exactly helping to start the careers of Jack Nicholson,

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Speaker 3: William Shatner, Martin Scorsese, Francis Ford Coppola, Dennis Hopper, and

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Speaker 3: Diane Ladd.

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Speaker 6: Don't forget it.

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Speaker 1: And yes, by the way, I'll say right off the

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Speaker 1: bat my first critique of this movie it needed more Natanya.

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Speaker 2: And you were the best act in the film, so.

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Speaker 1: Good in it, and I kept being like, why is

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Speaker 1: there not more her? Why is why is there not more?

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Speaker 1: Going back to this storyline, it truly needed more Ntania,

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Speaker 1: So definitely some background. The first movie in the trilogy

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Speaker 1: was nineteen eighty seven's Munchies, about a space archaeologist who

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Speaker 1: discovers a new species called munchies in a Peru cave,

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Speaker 1: and then the archaeologist's evil twin brother and snack food

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Speaker 1: entrepreneur that's my side hustle as well, kidnaps the creature

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Speaker 1: and little does he know they will multiply and they

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Speaker 1: are bad little munchies.

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Speaker 3: Everyone must then battle.

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Speaker 2: Oh so gremlins, Yes, so gremlins.

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Speaker 3: Exactly so gremlins.

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Speaker 7: But that's not That was Munchi's. That was the first one.

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Speaker 3: That was the first one where there's a bunch of monkeies.

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Speaker 1: Then the name only sequel in nineteen ninety two, Munchie

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Speaker 1: follows an out of place and bullied new kid in

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Speaker 1: town who stumbles upon a friendly gremin gremlin Munchie who

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Speaker 1: throws out one liners and has magical powers.

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Speaker 2: This is the Munkey.

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Speaker 3: This one exactly four strikes Back.

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Speaker 1: So it starred Lonnie Anderson and was the debut of

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Speaker 1: one Missus Jennifer love Hewitt. Yes she went by love

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Speaker 1: Hewitt at the time. Then and legend dom Delaweze was

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Speaker 1: the voice of Munchy for that one. Wow, and yes,

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Speaker 1: that same monkey returns for the movie we are reviewing

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Speaker 1: Monkey strikes Back, who is now voiced by TV star

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Speaker 1: Howard Hessman. The greatest thing ever head of the class.

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Speaker 1: I knew you were going to freak out about that, oh.

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Speaker 5: Man, that the fact that Johnny fever is is voicing.

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Speaker 2: What we're saying. What are we what are we talking about?

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Speaker 5: So Johnny, So, one of the greatest shows of all

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Speaker 5: time is is w KRP in Cincinnati, and he played

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Speaker 5: the DJ for for years. He was the DJ and

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Speaker 5: the pilot of of KRP.

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Speaker 2: He was.

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Speaker 5: This is how old school it was. He was fired

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Speaker 5: from his old job because he said booger on the air.

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Speaker 5: So the end of the pilot is literally him sitting

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Speaker 5: down behind the microphone and he intos his first song

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Speaker 5: and then goes, oh and by the way, bugger, it's

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Speaker 5: the great And that's how the whole pilot ends.

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Speaker 2: It's the great he is. It's such a great character.

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Speaker 2: He's television royalty.

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Speaker 1: Yeah, Natanya, do you remember watching any of the other

445
00:20:08,119 --> 00:20:10,040
Speaker 1: movies that came before this one when you when you

446
00:20:10,040 --> 00:20:11,640
Speaker 1: were hired for a month, She strikes back.

447
00:20:11,880 --> 00:20:14,040
Speaker 6: I didn't. I know. I knew that love was in

448
00:20:14,119 --> 00:20:16,800
Speaker 6: the one right before, because when I moved out to California,

449
00:20:17,359 --> 00:20:20,119
Speaker 6: her and her mom like really kind of took me

450
00:20:20,160 --> 00:20:24,240
Speaker 6: and my mom under their wing. So she was like

451
00:20:24,280 --> 00:20:27,120
Speaker 6: a sister to me for a while, like just grow

452
00:20:27,160 --> 00:20:29,240
Speaker 6: when I was very very young. I was like, I

453
00:20:29,280 --> 00:20:31,080
Speaker 6: don't know, eight, nine, ten years old when I first

454
00:20:31,160 --> 00:20:33,119
Speaker 6: came to La So I knew she had been in

455
00:20:33,160 --> 00:20:35,440
Speaker 6: the one right before. I didn't watch it. I still

456
00:20:35,520 --> 00:20:39,439
Speaker 6: haven't watched it. So that's kind of like all I

457
00:20:39,560 --> 00:20:42,040
Speaker 6: really knew going into this movie.

458
00:20:42,160 --> 00:20:45,560
Speaker 1: K Yeah, And that must have felt like kind of nice.

459
00:20:45,600 --> 00:20:48,040
Speaker 1: You're like, Okay, someone I know who I feels like

460
00:20:48,080 --> 00:20:51,199
Speaker 1: a sister to me. Also did this movie right before

461
00:20:51,480 --> 00:20:53,280
Speaker 1: I'm gonna be in I'm going to be in good hands.

462
00:20:53,280 --> 00:20:54,080
Speaker 3: That's a nice feeling.

463
00:20:54,359 --> 00:20:55,159
Speaker 2: Yeah.

464
00:20:55,240 --> 00:20:57,400
Speaker 4: Okay, So this is a great pitch for a movie,

465
00:20:57,680 --> 00:21:00,439
Speaker 4: and if you think about it, it fits per quickly

466
00:21:00,560 --> 00:21:04,159
Speaker 4: in with that. Like there was a moment in the

467
00:21:04,240 --> 00:21:07,280
Speaker 4: nineties of those like wish fulfillment boy movies.

468
00:21:07,560 --> 00:21:09,119
Speaker 7: Yeah, right, like Home Alone.

469
00:21:09,320 --> 00:21:12,520
Speaker 4: I was just home Alone, yeah, blank check. And I

470
00:21:12,520 --> 00:21:15,560
Speaker 4: would put three ninjas in this category. Yes, you know,

471
00:21:15,920 --> 00:21:19,239
Speaker 4: they're like little boys who get power suddenly. Yeah, and

472
00:21:19,280 --> 00:21:21,520
Speaker 4: then they still act like little boys, you know, and

473
00:21:21,920 --> 00:21:24,040
Speaker 4: like they're kind of out smarting the grown ups around

474
00:21:24,080 --> 00:21:27,040
Speaker 4: them at one point and like punishing bad guys.

475
00:21:27,240 --> 00:21:30,080
Speaker 3: There's a big Home Alone moment in this movie totally.

476
00:21:30,240 --> 00:21:30,920
Speaker 7: Yeah and yeah.

477
00:21:30,920 --> 00:21:33,240
Speaker 4: I mean basically they were all chasing Home Alone magic, right,

478
00:21:33,320 --> 00:21:35,199
Speaker 4: it was like how can we how can we make

479
00:21:35,240 --> 00:21:37,840
Speaker 4: another and this is like let's make Home Alone with ET.

480
00:21:38,320 --> 00:21:42,480
Speaker 2: Right, And that's like a great pitch on and deal

481
00:21:42,520 --> 00:21:46,320
Speaker 2: with Yeah. Yeah, yeah, it's awesome. It's I mean it is.

482
00:21:46,359 --> 00:21:47,840
Speaker 2: It sells itself, right.

483
00:21:48,359 --> 00:21:51,240
Speaker 7: The problem is they don't have the budget, so it

484
00:21:51,280 --> 00:21:52,480
Speaker 7: doesn't look like ET.

485
00:21:53,680 --> 00:21:56,560
Speaker 1: Some of the budget stuff with some of the stunts

486
00:21:56,600 --> 00:21:58,680
Speaker 1: and the things, I'm like, is that just stock footage?

487
00:21:58,720 --> 00:22:00,000
Speaker 3: How did they do some of this stuff?

488
00:22:04,040 --> 00:22:05,320
Speaker 4: And I don't know how that Yeah, some of that,

489
00:22:05,400 --> 00:22:07,679
Speaker 4: I mean I think it is stock footage at points.

490
00:22:07,760 --> 00:22:08,760
Speaker 6: Yeah, it's got to be.

491
00:22:11,119 --> 00:22:12,680
Speaker 2: Airplane Chase. It's so great.

492
00:22:12,960 --> 00:22:18,119
Speaker 6: I forgot, Like, how nineties this movie was so great?

493
00:22:19,080 --> 00:22:20,200
Speaker 6: Oh my god.

494
00:22:20,640 --> 00:22:23,720
Speaker 3: Well it also stars Leslie and Dawd, best known from

495
00:22:23,880 --> 00:22:27,080
Speaker 3: The Pink Panther Strikes Again and being once married to

496
00:22:27,119 --> 00:22:30,960
Speaker 3: one of the greatest film directors of all time, William Friedkin.

497
00:22:31,560 --> 00:22:32,040
Speaker 6: Wow.

498
00:22:32,160 --> 00:22:35,919
Speaker 5: Yeah, interesting, and that was a whole scandal really what

499
00:22:36,359 --> 00:22:39,560
Speaker 5: oh the whole scale was like So when she met

500
00:22:39,600 --> 00:22:41,960
Speaker 5: it was I'm pretty sure it was when she either

501
00:22:42,000 --> 00:22:44,760
Speaker 5: met William Friedkin or met her husband. Afterwards, there was

502
00:22:44,800 --> 00:22:47,160
Speaker 5: a big they both left their spouses fi.

503
00:22:48,040 --> 00:22:48,280
Speaker 2: Wow.

504
00:22:48,280 --> 00:22:50,000
Speaker 5: And there was then a big thing where back in

505
00:22:50,040 --> 00:22:51,840
Speaker 5: the day, if memory serves, and I could be wrong,

506
00:22:51,880 --> 00:22:53,760
Speaker 5: but back in the day they each had to pay

507
00:22:53,880 --> 00:22:57,800
Speaker 5: a million dollars to get out of their marriages, which

508
00:22:57,880 --> 00:22:59,000
Speaker 5: was like a big thing.

509
00:22:59,200 --> 00:23:00,000
Speaker 3: You guys.

510
00:23:00,000 --> 00:23:04,520
Speaker 1: First husband of her first husband was the cinematographer of Monchy.

511
00:23:04,240 --> 00:23:10,040
Speaker 5: Yes Foutleroy Motley Yes, who was also on the baseball team.

512
00:23:10,080 --> 00:23:11,760
Speaker 5: You notice that they use the names of all the

513
00:23:11,800 --> 00:23:14,399
Speaker 5: people when he's calling up other people to the plate.

514
00:23:14,800 --> 00:23:15,960
Speaker 5: It's all people from the crew.

515
00:23:17,600 --> 00:23:18,680
Speaker 6: Didn't realize any of that.

516
00:23:19,600 --> 00:23:24,399
Speaker 1: This nineties Vander Pump Rules writer has no idea what

517
00:23:24,440 --> 00:23:24,840
Speaker 1: I just said.

518
00:23:24,880 --> 00:23:27,520
Speaker 2: Yeah, neither of you trying to tell me what happened

519
00:23:27,520 --> 00:23:29,160
Speaker 2: with that? And I what?

520
00:23:29,359 --> 00:23:29,719
Speaker 3: Okay?

521
00:23:29,960 --> 00:23:35,680
Speaker 1: Well, so our friend and fellow boy meets worlder Natania Ross,

522
00:23:35,680 --> 00:23:38,000
Speaker 1: who is nice enough to join us, plays the love

523
00:23:38,119 --> 00:23:40,520
Speaker 1: interest Natanya.

524
00:23:40,640 --> 00:23:43,119
Speaker 3: Do you remember anything about filming this?

525
00:23:43,920 --> 00:23:44,880
Speaker 6: I actually do.

526
00:23:45,000 --> 00:23:46,399
Speaker 3: Okay, I can't wait to hear everything.

527
00:23:46,440 --> 00:23:49,200
Speaker 6: Yeah, remember I remember a lot. I made my best

528
00:23:49,240 --> 00:23:52,159
Speaker 6: friend Virginia watch it with me. I was like, I

529
00:23:52,160 --> 00:23:53,800
Speaker 6: don't know if I could sit here and watch Monkey

530
00:23:53,840 --> 00:23:55,040
Speaker 6: Strikes back alone.

531
00:23:56,280 --> 00:23:56,680
Speaker 2: To Scar.

532
00:23:58,040 --> 00:24:03,639
Speaker 6: I actually dated both boys, I know, and it like

533
00:24:04,680 --> 00:24:07,199
Speaker 6: I actually tapped back into the like I remember that

534
00:24:07,400 --> 00:24:12,120
Speaker 6: every set I've ever been on, I had a boyfriend.

535
00:24:12,160 --> 00:24:15,960
Speaker 6: I think this boy meets world like. I dated one

536
00:24:16,040 --> 00:24:18,640
Speaker 6: of the other actors.

537
00:24:18,400 --> 00:24:19,840
Speaker 3: As one does when you're a teen.

538
00:24:20,400 --> 00:24:23,639
Speaker 4: I thought maybe you were going method like both of them.

539
00:24:23,680 --> 00:24:27,800
Speaker 4: You were keeping everybody on edge, which just this love triangle.

540
00:24:29,320 --> 00:24:30,040
Speaker 2: You were working.

541
00:24:30,760 --> 00:24:34,040
Speaker 6: It was method acting at its time. No, I don't

542
00:24:34,040 --> 00:24:36,840
Speaker 6: know how I even pulled that off. Like neither boy knew.

543
00:24:37,080 --> 00:24:38,800
Speaker 6: I don't know what was.

544
00:24:39,560 --> 00:24:41,480
Speaker 5: The guy who played Brett wasn't in as much as

545
00:24:41,480 --> 00:24:43,400
Speaker 5: the other guy, so you could he was Sie.

546
00:24:43,640 --> 00:24:47,280
Speaker 6: Yeah, exact, and he was like the boy I liked

547
00:24:47,359 --> 00:24:52,040
Speaker 6: less and the boy the main boy hasnt. Yeah, I

548
00:24:52,080 --> 00:24:55,280
Speaker 6: actually really liked him a lot, but I think like

549
00:24:55,400 --> 00:24:58,639
Speaker 6: I very quickly noticed I was much much taller than him,

550
00:24:58,680 --> 00:24:59,120
Speaker 6: which I can.

551
00:24:59,440 --> 00:25:03,359
Speaker 1: Tall, You're a whole head taller than uncomfortable to watch it.

552
00:25:05,359 --> 00:25:07,520
Speaker 6: I was like, why didn't they put him on an

553
00:25:07,520 --> 00:25:08,160
Speaker 6: apple box?

554
00:25:08,440 --> 00:25:08,480
Speaker 2: You?

555
00:25:09,240 --> 00:25:11,280
Speaker 8: It's something well, I mean, there's a part of it

556
00:25:11,280 --> 00:25:14,320
Speaker 8: that is that is so sweet because it's so true

557
00:25:14,320 --> 00:25:16,360
Speaker 8: to life, like when you guys, when you guys first

558
00:25:16,440 --> 00:25:18,800
Speaker 8: are hanging out, the first couple, it was just like, oh,

559
00:25:18,920 --> 00:25:21,960
Speaker 8: you're right, because when you're twelve, some of you are

560
00:25:22,000 --> 00:25:24,840
Speaker 8: like really tall and you're done growing and others haven't yet,

561
00:25:24,880 --> 00:25:27,280
Speaker 8: and like it's that weird age and it's so sweet

562
00:25:27,440 --> 00:25:28,400
Speaker 8: because it makes.

563
00:25:28,200 --> 00:25:30,760
Speaker 4: The romance like, oh, this is just about they really

564
00:25:30,800 --> 00:25:33,000
Speaker 4: just like each other, you know, it's not it's.

565
00:25:32,840 --> 00:25:34,120
Speaker 7: Not like teenagery yet.

566
00:25:34,200 --> 00:25:36,879
Speaker 4: It's like so kind of awkward and young, and that

567
00:25:37,040 --> 00:25:39,280
Speaker 4: height difference just really emphasized.

568
00:25:40,520 --> 00:25:43,240
Speaker 7: To my then it gets dis directed to my defense.

569
00:25:43,960 --> 00:25:46,919
Speaker 6: He was also the so the main kid was also

570
00:25:47,080 --> 00:25:50,840
Speaker 6: like talking to that blonde girl in the dance scene too,

571
00:25:51,000 --> 00:25:53,320
Speaker 6: So it was this weird like we're all, you know,

572
00:25:53,600 --> 00:25:57,760
Speaker 6: twelve years old or however. Yeah, and just like everyone

573
00:25:57,880 --> 00:26:01,520
Speaker 6: liked each other because those hormones really about to kick in.

574
00:26:01,840 --> 00:26:06,280
Speaker 3: Oh yeah, I definitely remember filming.

575
00:26:06,400 --> 00:26:07,240
Speaker 6: It was a hot.

576
00:26:07,000 --> 00:26:11,399
Speaker 3: Set that was sexy. I mean, you put that puppet

577
00:26:11,440 --> 00:26:11,919
Speaker 3: in the card.

578
00:26:11,800 --> 00:26:14,560
Speaker 2: Again and dude after dark.

579
00:26:14,680 --> 00:26:19,040
Speaker 6: I know, look in Little Creature. Yeah, I remember filming it.

580
00:26:19,080 --> 00:26:23,320
Speaker 6: I actually I remember like the the thing I remember most.

581
00:26:23,359 --> 00:26:25,280
Speaker 6: I don't know why. It was like the very first

582
00:26:26,200 --> 00:26:29,040
Speaker 6: morning we were going to film. I remember waking up

583
00:26:29,080 --> 00:26:31,879
Speaker 6: like really early. I put on one of those like

584
00:26:32,240 --> 00:26:35,720
Speaker 6: quintessential nineties baby doll dresses like.

585
00:26:35,680 --> 00:26:37,800
Speaker 3: A poker, and I had Patty did you have a

586
00:26:37,800 --> 00:26:38,800
Speaker 3: T shirt on under it?

587
00:26:39,119 --> 00:26:43,640
Speaker 6: I didn't, but I had hot leather doc Martin's oh yeah,

588
00:26:43,720 --> 00:26:46,560
Speaker 6: And I thought I was so cool cool. My mom

589
00:26:46,640 --> 00:26:49,080
Speaker 6: was like, what are we dressing up so much? Like

590
00:26:49,080 --> 00:26:51,359
Speaker 6: you're literally about to go into her makeup. I was like, no, no,

591
00:26:51,760 --> 00:26:52,199
Speaker 6: trust me.

592
00:26:52,320 --> 00:26:54,600
Speaker 3: Oh yeah, what I'm doing, I've got to make an impression.

593
00:26:54,840 --> 00:26:57,600
Speaker 6: Yeah, And I was so excited. This was another This

594
00:26:57,760 --> 00:27:01,399
Speaker 6: was another movie where like I I read once, but

595
00:27:01,520 --> 00:27:03,720
Speaker 6: it was kind of a slam dunk for me, Like

596
00:27:04,040 --> 00:27:06,000
Speaker 6: after the first they were like, just have her come

597
00:27:06,000 --> 00:27:09,240
Speaker 6: in and read real quick, and and and I got

598
00:27:09,240 --> 00:27:11,960
Speaker 6: it right away. So there wasn't all this kind of

599
00:27:12,000 --> 00:27:14,720
Speaker 6: like build up. It was like I went in one day.

600
00:27:14,920 --> 00:27:17,359
Speaker 6: The next day, my agent called three days later we

601
00:27:17,359 --> 00:27:18,360
Speaker 6: were filming. Yea.

602
00:27:18,520 --> 00:27:19,639
Speaker 2: So it's so natural.

603
00:27:19,920 --> 00:27:22,960
Speaker 4: You're such like a great natural presence, like you're just

604
00:27:23,040 --> 00:27:26,080
Speaker 4: you're just you're not putting on any errors or add it.

605
00:27:26,080 --> 00:27:28,480
Speaker 4: It's like you're just so it's just a great presence

606
00:27:28,480 --> 00:27:29,800
Speaker 4: to have in the movie. It's like the second you're

607
00:27:29,800 --> 00:27:31,879
Speaker 4: on screen, you're like, oh, and you're so relaxed. You

608
00:27:31,920 --> 00:27:34,000
Speaker 4: can see the way that you're like swinging your arms

609
00:27:34,359 --> 00:27:36,400
Speaker 4: like there, you know, and I and so many kid

610
00:27:36,400 --> 00:27:39,520
Speaker 4: actors are always like presenting and do anything, and you're

611
00:27:39,560 --> 00:27:42,119
Speaker 4: just like there and you're just it's so it's so

612
00:27:42,240 --> 00:27:43,840
Speaker 4: refreshing kind of that that.

613
00:27:43,840 --> 00:27:46,359
Speaker 6: Is the magic I think of like being a child

614
00:27:46,400 --> 00:27:49,760
Speaker 6: actor too, that there are I mean, you you just

615
00:27:49,920 --> 00:27:54,840
Speaker 6: are so in there's no inhibitions right yet, because life

616
00:27:54,880 --> 00:27:56,800
Speaker 6: hasn't like beaten.

617
00:27:56,520 --> 00:28:00,840
Speaker 9: You down, beaten you down, taught you that like right

618
00:28:01,520 --> 00:28:02,760
Speaker 9: in any second, you know.

619
00:28:03,000 --> 00:28:06,480
Speaker 6: Yeah, so yeah, but yeah, I do remember filming that

620
00:28:06,520 --> 00:28:08,400
Speaker 6: movie actually, and I loved that movie.

621
00:28:08,480 --> 00:28:10,440
Speaker 2: Where were you? Where was this film? I was trying

622
00:28:10,440 --> 00:28:12,399
Speaker 2: to figure it out the whole time. I was California,

623
00:28:12,480 --> 00:28:13,520
Speaker 2: but yeah, but where.

624
00:28:13,600 --> 00:28:14,760
Speaker 6: It was Castaic Lake.

625
00:28:14,920 --> 00:28:17,440
Speaker 3: Actually I was gonna say Paul Dale, but yeah.

626
00:28:17,320 --> 00:28:21,000
Speaker 6: It was Kistaic, which we ended up later on filming.

627
00:28:21,000 --> 00:28:24,480
Speaker 6: That's where we filmed Alex Mack. So, oh wow, God

628
00:28:24,600 --> 00:28:26,800
Speaker 6: just like really likes me in that area.

629
00:28:26,920 --> 00:28:29,119
Speaker 1: I think before we get too far into this, I

630
00:28:29,160 --> 00:28:31,080
Speaker 1: do want to let all of our dear listeners know

631
00:28:31,280 --> 00:28:33,840
Speaker 1: that they can watch this movie, and they should watch

632
00:28:33,880 --> 00:28:37,280
Speaker 1: this movie for free on YouTube. So if you are

633
00:28:37,320 --> 00:28:39,560
Speaker 1: interested in watching and then and then coming back to

634
00:28:39,600 --> 00:28:41,720
Speaker 1: this episode and doing the little recap with us, please

635
00:28:41,720 --> 00:28:43,840
Speaker 1: do recommend this highly recommend.

636
00:28:43,920 --> 00:28:46,280
Speaker 2: Yeah, doing it enjoyable experience.

637
00:28:46,480 --> 00:28:48,720
Speaker 1: And it's also the perfect amount of time. Every movie

638
00:28:48,760 --> 00:28:50,880
Speaker 1: should be an hour and twenty seven minutes. If if

639
00:28:50,920 --> 00:28:52,040
Speaker 1: you cross past an.

640
00:28:51,920 --> 00:28:53,760
Speaker 3: Hour and thirty you are doing something wrong.

641
00:28:54,280 --> 00:28:57,320
Speaker 1: So, by the way, Natanya, I wanted to go to

642
00:28:57,320 --> 00:28:58,880
Speaker 1: when you were talking about putting on your baby doll

643
00:28:58,960 --> 00:29:01,960
Speaker 1: dress in your boots, if you had any idea that

644
00:29:02,040 --> 00:29:04,920
Speaker 1: you were going to just be wearing a concord junior

645
00:29:05,040 --> 00:29:08,240
Speaker 1: high T shirt, that's seventeen sizes too large for you.

646
00:29:08,320 --> 00:29:11,400
Speaker 3: For eighty percent of the movie, everybody's.

647
00:29:10,880 --> 00:29:13,240
Speaker 5: Got one shirt, one shirt, and you know the dance,

648
00:29:13,320 --> 00:29:14,960
Speaker 5: everyone has one shirt.

649
00:29:15,240 --> 00:29:17,080
Speaker 1: That's a great way to save money. Because the whole

650
00:29:17,080 --> 00:29:18,920
Speaker 1: time I was like, how many days has it been?

651
00:29:19,040 --> 00:29:21,120
Speaker 1: I can't tell. He sleeps in the shirt, he wakes up,

652
00:29:21,160 --> 00:29:23,360
Speaker 1: he goes out in the shirt. No one's wearing this

653
00:29:23,840 --> 00:29:27,440
Speaker 1: shirt the whole time. And now I needed I already

654
00:29:27,760 --> 00:29:31,240
Speaker 1: said online on Anatanya's post. She made a post on Instagram,

655
00:29:31,360 --> 00:29:33,400
Speaker 1: I want a Concord Junior High shirt.

656
00:29:33,440 --> 00:29:36,640
Speaker 6: I tell you I do. I might have one for you.

657
00:29:36,760 --> 00:29:38,480
Speaker 6: I'm going to keep you posted.

658
00:29:39,240 --> 00:29:40,320
Speaker 3: Please keep me posting.

659
00:29:40,400 --> 00:29:41,160
Speaker 6: Would you wear it?

660
00:29:41,600 --> 00:29:44,400
Speaker 3: Yes, legit y, we would all wear it.

661
00:29:45,160 --> 00:29:47,680
Speaker 1: We would wear it as an homage to our love

662
00:29:47,720 --> 00:29:51,880
Speaker 1: for you like it is. It is our representation of

663
00:29:52,600 --> 00:29:56,840
Speaker 1: true love for you. And having this conversation with us, well.

664
00:29:56,800 --> 00:29:59,560
Speaker 2: It's it's like the Shermer High. It was at Shirmer

665
00:29:59,640 --> 00:30:02,600
Speaker 2: High for all the the old school eighties movies, they

666
00:30:02,600 --> 00:30:05,760
Speaker 2: all went to the same high school. And in what's

667
00:30:05,800 --> 00:30:06,200
Speaker 2: his name.

668
00:30:06,320 --> 00:30:10,719
Speaker 5: John John Universe was suirm or High. So it's like,

669
00:30:10,800 --> 00:30:13,520
Speaker 5: you know, we're the Concord junior high. We're in the

670
00:30:13,600 --> 00:30:14,560
Speaker 5: Roger Corman verse.

671
00:30:16,880 --> 00:30:21,440
Speaker 1: Yea, Natanya, do you remember ever seeing the puppet in person?

672
00:30:22,000 --> 00:30:24,480
Speaker 3: And why did he get so dirty.

673
00:30:26,120 --> 00:30:27,760
Speaker 6: Like like physically dirty.

674
00:30:28,240 --> 00:30:29,640
Speaker 3: Yeah, he's like physically dirty.

675
00:30:29,960 --> 00:30:32,240
Speaker 2: Yeah, food around.

676
00:30:32,880 --> 00:30:34,760
Speaker 6: Yeah, he was like, dude, I don't know. He was

677
00:30:34,800 --> 00:30:37,280
Speaker 6: making a lot of dream dust. You get dirty that

678
00:30:37,400 --> 00:30:40,400
Speaker 6: you make young boys dreams comes true.

679
00:30:40,480 --> 00:30:42,560
Speaker 1: I guess where he was really cleaned up, and I

680
00:30:42,600 --> 00:30:44,520
Speaker 1: was like, oh, look at how look how clean munch

681
00:30:44,560 --> 00:30:44,800
Speaker 1: he is.

682
00:30:44,840 --> 00:30:46,680
Speaker 3: And then I was like, oh, he's back to be dirty.

683
00:30:46,680 --> 00:30:49,680
Speaker 1: I figured maybe it's the same puppet through all three movies,

684
00:30:49,720 --> 00:30:52,240
Speaker 1: and just because they got to three, he had just been.

685
00:30:53,440 --> 00:30:56,600
Speaker 2: I also love that he's can only be next to

686
00:30:56,640 --> 00:30:57,680
Speaker 2: a wall or in a seat.

687
00:30:58,600 --> 00:31:01,080
Speaker 5: He's like he obviously in the middle of a room

688
00:31:01,200 --> 00:31:02,520
Speaker 5: the Achilles heel of.

689
00:31:02,480 --> 00:31:05,680
Speaker 4: When she strikes back, right, can't We can't avoid it

690
00:31:05,720 --> 00:31:08,840
Speaker 4: any longer. Actually, if this is the difference between a

691
00:31:08,920 --> 00:31:15,040
Speaker 4: Spielberg with et, you can't. If you can't accept that

692
00:31:15,120 --> 00:31:19,480
Speaker 4: this thing is ever alive ever, then you will never

693
00:31:19,520 --> 00:31:20,640
Speaker 4: buy into the rest of the movie.

694
00:31:21,560 --> 00:31:23,720
Speaker 2: It's too big of a problem, exactly.

695
00:31:24,080 --> 00:31:26,400
Speaker 4: It's like, even if the mouth just moved a little better,

696
00:31:26,440 --> 00:31:28,760
Speaker 4: to that line.

697
00:31:28,040 --> 00:31:34,560
Speaker 8: It's here's my question, because the script otherwise is perfect.

698
00:31:34,560 --> 00:31:34,960
Speaker 2: It's good.

699
00:31:35,160 --> 00:31:38,520
Speaker 5: Later on the movie he turns into a human, so

700
00:31:38,680 --> 00:31:40,480
Speaker 5: why not just be a human?

701
00:31:42,880 --> 00:31:45,600
Speaker 4: You save it, Will, We haven't even started talking about

702
00:31:45,600 --> 00:31:46,320
Speaker 4: the don't know if.

703
00:31:46,200 --> 00:31:47,440
Speaker 5: We're going to go through it the way we do

704
00:31:47,480 --> 00:31:49,520
Speaker 5: an episode, and we were just going to start talking about.

705
00:31:49,280 --> 00:31:54,120
Speaker 1: The film budget is legs.

706
00:31:54,960 --> 00:31:58,479
Speaker 6: I never answer your question. I never saw. I mean

707
00:31:58,520 --> 00:32:03,160
Speaker 6: I thought like maybe once, like in the middle of

708
00:32:03,240 --> 00:32:09,720
Speaker 6: different scenes, but like very briefly, that they didn't allow

709
00:32:09,800 --> 00:32:10,200
Speaker 6: me around.

710
00:32:12,280 --> 00:32:13,600
Speaker 3: It's probably for your benefit.

711
00:32:13,880 --> 00:32:16,400
Speaker 2: It wasn't feet of most children.

712
00:32:17,880 --> 00:32:22,400
Speaker 1: So okay, let me let me jump into the synopsis since.

713
00:32:22,160 --> 00:32:24,960
Speaker 2: Will just spoiler alert for the movie here.

714
00:32:26,160 --> 00:32:29,440
Speaker 1: The synopsis is that Munchie is back and he has

715
00:32:29,480 --> 00:32:31,800
Speaker 1: been throwing too many parties on Earth.

716
00:32:32,680 --> 00:32:34,520
Speaker 2: See one. Yes, we get.

717
00:32:34,600 --> 00:32:37,880
Speaker 4: Started with the dance party. Usually you end movies with

718
00:32:37,920 --> 00:32:39,680
Speaker 4: the dance. This one starts with the dance.

719
00:32:39,680 --> 00:32:42,920
Speaker 1: It starts with the dance, and again with the stock

720
00:32:42,920 --> 00:32:45,240
Speaker 1: footage of a massive explosion.

721
00:32:47,560 --> 00:32:50,000
Speaker 5: Nine kids at the dance, nine kids at the party,

722
00:32:50,560 --> 00:32:51,720
Speaker 5: Huge explosions.

723
00:32:51,720 --> 00:32:53,720
Speaker 1: Someone who directed a movie that was supposed to have

724
00:32:53,720 --> 00:32:56,600
Speaker 1: a lot of extras, and then you get six and

725
00:32:56,640 --> 00:32:59,600
Speaker 1: then spoke to writer about it and my brother about it,

726
00:32:59,600 --> 00:33:02,040
Speaker 1: and never one was like, listen, if you need forty people,

727
00:33:02,040 --> 00:33:02,960
Speaker 1: you better ask for one.

728
00:33:02,960 --> 00:33:06,080
Speaker 3: Hundred and twenty because you're not gonna end up.

729
00:33:06,160 --> 00:33:06,440
Speaker 2: Okay.

730
00:33:06,920 --> 00:33:10,720
Speaker 1: So, as a punishment from Heaven, Munchie is forced to

731
00:33:10,720 --> 00:33:14,040
Speaker 1: help a struggling family to prove his worth. Now we

732
00:33:14,080 --> 00:33:16,040
Speaker 1: all watched it, you can too again. It is on

733
00:33:16,080 --> 00:33:18,680
Speaker 1: YouTube for free just search Munchi strikes back. So here

734
00:33:18,720 --> 00:33:32,720
Speaker 1: we go. Let's jump into the recap. The movie opens

735
00:33:32,760 --> 00:33:36,520
Speaker 1: at Ronald Reagan Ronald W. Reagan High School, where a

736
00:33:36,600 --> 00:33:39,479
Speaker 1: total rager is going on, and we immediately see Munchie,

737
00:33:39,840 --> 00:33:42,040
Speaker 1: an animatronic creature of sorts.

738
00:33:42,320 --> 00:33:44,000
Speaker 3: Is that how you guys would describe him?

739
00:33:44,200 --> 00:33:47,160
Speaker 2: Yeah, yeah, okay, Yeah, a puppet.

740
00:33:46,880 --> 00:33:49,440
Speaker 3: It's fair. Yeah, a puppet with a large head.

741
00:33:50,400 --> 00:33:54,000
Speaker 1: He's like a Chuck E Cheese character meets a Lucky troll.

742
00:33:54,520 --> 00:33:58,280
Speaker 4: He's basically a little person, like a little elfish person.

743
00:33:59,240 --> 00:34:02,800
Speaker 1: And most of the movie his hands and eyes are

744
00:34:02,880 --> 00:34:07,200
Speaker 1: moving for absolutely no reason. Some of my favorite shots

745
00:34:07,200 --> 00:34:09,160
Speaker 1: are when they need I guess a reaction shot of

746
00:34:09,200 --> 00:34:10,560
Speaker 1: Munchy and his eyes.

747
00:34:10,440 --> 00:34:13,919
Speaker 2: Just go in circles. Yes, it's the best, ye it's

748
00:34:13,920 --> 00:34:14,879
Speaker 2: so beast.

749
00:34:15,200 --> 00:34:17,760
Speaker 1: So he appears to be conducting this out of control

750
00:34:17,760 --> 00:34:20,719
Speaker 1: party that has a Ramones like band that looks like

751
00:34:20,760 --> 00:34:23,239
Speaker 1: they can't be five hundred feet near a school band.

752
00:34:23,560 --> 00:34:26,839
Speaker 1: And maybe there are maybe there are twenty kids there,

753
00:34:26,960 --> 00:34:29,759
Speaker 1: I don't know, in flannels. They're singing the nature. Yeah,

754
00:34:29,760 --> 00:34:33,440
Speaker 1: they're breaking things. They are having so much fun. Yeah,

755
00:34:33,600 --> 00:34:37,279
Speaker 1: it's really crazy. There's even a dirt bike riding through

756
00:34:37,280 --> 00:34:40,640
Speaker 1: the crowd. The kids are loving the anarchy, especially one

757
00:34:40,640 --> 00:34:44,040
Speaker 1: student who comes up to Munchie and compliments him. MITCHI says,

758
00:34:44,160 --> 00:34:46,200
Speaker 1: Monchy says, if you think this is good, wait till

759
00:34:46,239 --> 00:34:48,920
Speaker 1: you hear what I did for Sodom and Gomorrah, and

760
00:34:48,960 --> 00:34:52,520
Speaker 1: then instructs the boy to blow up the administration building.

761
00:34:53,040 --> 00:34:55,640
Speaker 3: Let's let's listen in for a clim here.

762
00:34:56,600 --> 00:35:06,160
Speaker 4: Hey, Yang, you hate school.

763
00:35:04,719 --> 00:35:08,040
Speaker 2: I mean blew up the administration buildings.

764
00:35:08,600 --> 00:35:13,560
Speaker 1: It is an enormous, huge, huge explosion that looks like

765
00:35:13,760 --> 00:35:16,640
Speaker 1: you're watching an Armageddon budget movie.

766
00:35:17,160 --> 00:35:19,160
Speaker 5: Okay, now I have a question because and none of

767
00:35:19,200 --> 00:35:21,319
Speaker 5: us are going to know this. Unfortunately, I came in

768
00:35:21,400 --> 00:35:24,880
Speaker 5: thinking that the kid that goes up to him and

769
00:35:24,960 --> 00:35:26,440
Speaker 5: talks to him in the beginning.

770
00:35:26,080 --> 00:35:29,520
Speaker 2: Like that, MM hmm, is the star of the last movie.

771
00:35:30,080 --> 00:35:33,120
Speaker 3: I would assume that's a that was a that's true.

772
00:35:33,640 --> 00:35:36,200
Speaker 6: I didn't even think about that, but I think you're right.

773
00:35:36,719 --> 00:35:38,680
Speaker 5: Yeah, and this is like a wrap up to the

774
00:35:38,800 --> 00:35:42,000
Speaker 5: last film to then get us into this one.

775
00:35:42,120 --> 00:35:44,279
Speaker 2: Is how I saw it. I was like, Okay, that's

776
00:35:44,280 --> 00:35:45,120
Speaker 2: what I think happened.

777
00:35:45,440 --> 00:35:47,719
Speaker 3: You know, I'm so committed to this, I'm just going

778
00:35:47,800 --> 00:35:48,640
Speaker 3: to say you're right.

779
00:35:48,680 --> 00:35:51,400
Speaker 1: Well, sweet, I don't know that for sure, but I'm

780
00:35:51,440 --> 00:35:52,600
Speaker 1: going to go out on a ledge and say I

781
00:35:52,600 --> 00:35:53,640
Speaker 1: think you're absolutely right.

782
00:35:53,680 --> 00:35:54,680
Speaker 2: So that's what I thought it was.

783
00:35:54,800 --> 00:35:57,759
Speaker 1: The administration building explodes and Munchie wants to take it

784
00:35:57,800 --> 00:35:58,920
Speaker 1: to the DMV next.

785
00:35:59,000 --> 00:36:04,080
Speaker 3: But then and we're gonna.

786
00:36:03,840 --> 00:36:09,200
Speaker 4: Go blow up I mean, yes, it's accessory combine storytelling

787
00:36:09,680 --> 00:36:10,239
Speaker 4: as an age.

788
00:36:10,239 --> 00:36:11,240
Speaker 6: Well, you can.

789
00:36:12,000 --> 00:36:14,120
Speaker 4: Go blow up a DMV, Like that's that's what his

790
00:36:14,320 --> 00:36:16,759
Speaker 4: bunch of kids got in with a bunch of kids

791
00:36:16,920 --> 00:36:18,759
Speaker 4: and ends up being a good guy. This ends up

792
00:36:18,760 --> 00:36:22,000
Speaker 4: being a very sweet, sweet movie. Actually, but this beginning

793
00:36:22,120 --> 00:36:23,040
Speaker 4: was a little well.

794
00:36:22,920 --> 00:36:26,120
Speaker 1: They really do really set you up to be like, yeah,

795
00:36:26,160 --> 00:36:28,080
Speaker 1: this is a an evil puppet.

796
00:36:28,800 --> 00:36:31,879
Speaker 3: Yes you find out Redemption star. Yeah, it's a redemption Story's.

797
00:36:32,280 --> 00:36:35,839
Speaker 2: Story Munchy, you know, helping a little boy.

798
00:36:36,040 --> 00:36:39,279
Speaker 3: So quite an open there, Munchy disappears. That's the end

799
00:36:39,320 --> 00:36:39,800
Speaker 3: of our open.

800
00:36:40,080 --> 00:36:42,759
Speaker 1: We pan into the skies and we find ourselves in

801
00:36:42,920 --> 00:36:46,480
Speaker 1: heaven astral plane with a tribunal made up of Elvis,

802
00:36:46,719 --> 00:36:53,480
Speaker 1: Marilyn Monroe, Abe, Lincoln, Cleopatra, and Colonel Sanders sand Chicken.

803
00:36:53,920 --> 00:36:57,720
Speaker 2: Now this was giving me major Bill and Ted's vibes.

804
00:36:57,880 --> 00:37:02,200
Speaker 5: Yes, yes, right, yes, yeah, absolutely absolutely.

805
00:37:02,040 --> 00:37:04,719
Speaker 4: And it does the same sort of like hokey course

806
00:37:04,719 --> 00:37:05,960
Speaker 4: sort of costumed.

807
00:37:05,560 --> 00:37:07,680
Speaker 2: Thing that's like it could have worked.

808
00:37:08,040 --> 00:37:10,279
Speaker 4: It's if if Munchie were a little bit you know,

809
00:37:10,800 --> 00:37:15,200
Speaker 4: a different, a little more animatronic and like this, this works,

810
00:37:15,320 --> 00:37:16,200
Speaker 4: This totally works.

811
00:37:16,560 --> 00:37:20,120
Speaker 2: Chronos sits him in his chair. He comes into heaven

812
00:37:20,239 --> 00:37:22,640
Speaker 2: and there's the chair because obviously you got.

813
00:37:24,080 --> 00:37:27,120
Speaker 3: Something correct. So it's led by a god named Krona having.

814
00:37:27,040 --> 00:37:29,239
Speaker 4: Him like a peer and disappears the way to you know,

815
00:37:29,320 --> 00:37:31,200
Speaker 4: not have to show him walking exactly.

816
00:37:31,320 --> 00:37:34,640
Speaker 1: So Munchie is in trouble for too many parties, including

817
00:37:34,760 --> 00:37:38,600
Speaker 1: the Hindenburg, and he's being sent to the dullest point

818
00:37:38,600 --> 00:37:42,640
Speaker 1: in the galaxy until the jury, led by Elvis, thinks

819
00:37:42,640 --> 00:37:46,160
Speaker 1: he deserves a second chance. So they decide to send

820
00:37:46,200 --> 00:37:48,800
Speaker 1: him back to Earth on probation because of a special

821
00:37:48,880 --> 00:37:52,440
Speaker 1: request by someone. He will look after a family in need,

822
00:37:52,920 --> 00:37:57,560
Speaker 1: the McClellan's mother Linda, and son Chris whose dad has

823
00:37:57,600 --> 00:38:02,520
Speaker 1: passed away, and the biggest Cavia for Munchie No parties.

824
00:38:03,239 --> 00:38:06,839
Speaker 1: Also worth noting, we have a fourth wall break here

825
00:38:07,000 --> 00:38:10,399
Speaker 1: at the end when the tribunal Tribunal leader Kronos looks

826
00:38:10,400 --> 00:38:12,920
Speaker 1: at the camera and says, have you ever had the

827
00:38:12,960 --> 00:38:17,480
Speaker 1: feeling you're making a monumental mistake? It's like, oh, we're

828
00:38:17,600 --> 00:38:19,160
Speaker 1: breaking the fourth wall in this movie.

829
00:38:19,400 --> 00:38:19,960
Speaker 2: Oh, I love it.

830
00:38:20,040 --> 00:38:21,600
Speaker 7: This is not the best one that you guys, do

831
00:38:21,600 --> 00:38:22,759
Speaker 7: you guys know what the best one was?

832
00:38:22,800 --> 00:38:25,360
Speaker 2: Did you catch the There's plenty of them? Which the best.

833
00:38:25,160 --> 00:38:28,160
Speaker 4: Fourth wall break? When they're in the museum and he goes,

834
00:38:28,239 --> 00:38:31,080
Speaker 4: who's doing this exposition? You were.

835
00:38:33,760 --> 00:38:34,920
Speaker 2: Talked about what was happening?

836
00:38:35,000 --> 00:38:35,920
Speaker 3: Exactly what was happening?

837
00:38:36,840 --> 00:38:38,560
Speaker 2: You know that there's a moment like that in Gooney's

838
00:38:39,239 --> 00:38:39,719
Speaker 2: Really There.

839
00:38:40,200 --> 00:38:46,440
Speaker 4: Yeah, Joey Pantheloni Joey pants, Joey says when they're in

840
00:38:46,440 --> 00:38:48,680
Speaker 4: the pirate ship and there's a booby trap, they really

841
00:38:48,719 --> 00:38:50,200
Speaker 4: and he turns to his brother he goes, it's a

842
00:38:50,200 --> 00:38:51,880
Speaker 4: movie trap, and he goes, what he's like, have you

843
00:38:51,880 --> 00:38:54,640
Speaker 4: been watching the movie?

844
00:38:55,760 --> 00:38:56,680
Speaker 2: Have you seen the movie?

845
00:38:58,120 --> 00:39:00,480
Speaker 4: It's a weird say to the camera, but like totally

846
00:39:00,719 --> 00:39:03,040
Speaker 4: and if no one catches it. But when he's just

847
00:39:03,120 --> 00:39:06,440
Speaker 4: referencing the movie, it's really but yeah, I love this.

848
00:39:06,760 --> 00:39:08,600
Speaker 2: Who's doing the sex position? You and me?

849
00:39:08,960 --> 00:39:11,239
Speaker 1: So I know you talked about having a bit of

850
00:39:11,280 --> 00:39:14,120
Speaker 1: a crush on Trenton and you really liked him. What

851
00:39:14,280 --> 00:39:21,400
Speaker 1: else do you remember about him?

852
00:39:21,480 --> 00:39:24,640
Speaker 6: Man, this is a long time ago. Uh, he was

853
00:39:24,920 --> 00:39:28,239
Speaker 6: I remember he was a really sweet kid. Yeah he was,

854
00:39:28,600 --> 00:39:30,640
Speaker 6: and and and he's good too.

855
00:39:30,719 --> 00:39:31,680
Speaker 7: I mean he's great.

856
00:39:31,840 --> 00:39:36,400
Speaker 6: He's great in the movie. And there were so many

857
00:39:36,600 --> 00:39:42,200
Speaker 6: kids on certain days, like in those baseball scenes that

858
00:39:42,880 --> 00:39:44,680
Speaker 6: him and I I think we just kind of like

859
00:39:45,120 --> 00:39:47,880
Speaker 6: naturally bonded and stuck together because we were like the

860
00:39:47,920 --> 00:39:50,680
Speaker 6: lead characters in the movie, and there were so much

861
00:39:50,760 --> 00:39:53,320
Speaker 6: like energy and all with all the kids and stuff.

862
00:39:53,760 --> 00:39:58,640
Speaker 6: And I loved his mom and his brother and his

863
00:39:58,719 --> 00:40:01,080
Speaker 6: mom and my mom on set like became really you know,

864
00:40:01,400 --> 00:40:02,960
Speaker 6: you know the moms they just hang out in the

865
00:40:02,960 --> 00:40:06,320
Speaker 6: trailer stuff. Yeah, you know, our moms got really close

866
00:40:06,520 --> 00:40:09,759
Speaker 6: and yeah, I just remember him being the sweetest and

867
00:40:10,160 --> 00:40:12,279
Speaker 6: you know, I mean again, and we talked about this

868
00:40:12,360 --> 00:40:17,000
Speaker 6: last time. It's a it's a tender age at twelve

869
00:40:17,080 --> 00:40:20,319
Speaker 6: years old. That was right before Alex Mack and I

870
00:40:20,520 --> 00:40:24,000
Speaker 6: was you know, that was a film where I was again,

871
00:40:24,040 --> 00:40:26,560
Speaker 6: like we talked about, I was playing like the girlfriend,

872
00:40:26,600 --> 00:40:29,839
Speaker 6: the pretty girl, the whatever it is, and they put

873
00:40:29,880 --> 00:40:32,600
Speaker 6: makeup on me. So I think like for those reasons,

874
00:40:32,640 --> 00:40:35,279
Speaker 6: I felt a little bit more comfortable, but also, like

875
00:40:35,960 --> 00:40:38,640
Speaker 6: you know, when you're at that age on a movie

876
00:40:38,640 --> 00:40:41,360
Speaker 6: set like that with like all these boys everywhere and

877
00:40:41,400 --> 00:40:46,959
Speaker 6: there was there wasn't really another like young female, yeah yeah.

878
00:40:47,080 --> 00:40:49,120
Speaker 6: And then and then also with the pressure of like

879
00:40:49,239 --> 00:40:52,680
Speaker 6: playing baseball and like you know all of that kind

880
00:40:52,680 --> 00:40:53,319
Speaker 6: of stuff too.

881
00:40:55,200 --> 00:40:57,960
Speaker 4: Yeah, So in those days on a set are chaos

882
00:40:57,960 --> 00:41:00,440
Speaker 4: when you have like, yeah, a whole bunch of kids

883
00:41:00,560 --> 00:41:02,959
Speaker 4: to do like a sports still time because they because

884
00:41:03,000 --> 00:41:06,200
Speaker 4: that they're all under a under eighteen, so they all

885
00:41:06,200 --> 00:41:09,040
Speaker 4: have to have their parents in school. They're in school,

886
00:41:09,480 --> 00:41:11,080
Speaker 4: but they're only there for a day or two. Well

887
00:41:11,120 --> 00:41:15,120
Speaker 4: you're there for like maybe weeks, so you're like in

888
00:41:15,160 --> 00:41:17,200
Speaker 4: with the crew. But then the crew is just inundated

889
00:41:17,239 --> 00:41:19,520
Speaker 4: with this like chaos, and you have to like navigate

890
00:41:19,560 --> 00:41:21,719
Speaker 4: all these social worlds of like making new friends, making

891
00:41:21,760 --> 00:41:23,919
Speaker 4: sure they feel welcome. Meanwhile, some of the kids aren't

892
00:41:23,920 --> 00:41:26,000
Speaker 4: even actors. They're just like producers kids who were.

893
00:41:26,200 --> 00:41:29,200
Speaker 6: Shoved in there. And you're like, that's actually a really

894
00:41:29,239 --> 00:41:31,480
Speaker 6: good point. That was like how Babysitters Club was too.

895
00:41:31,560 --> 00:41:35,280
Speaker 6: It was absolute chaos because there was like a million

896
00:41:36,000 --> 00:41:40,520
Speaker 6: pre pubescent teenage kids and then million little kids, and

897
00:41:40,560 --> 00:41:43,600
Speaker 6: then a few adult actors and some of us.

898
00:41:43,680 --> 00:41:45,400
Speaker 7: And if you're on location, you're all staying at the

899
00:41:45,440 --> 00:41:46,080
Speaker 7: same hotel.

900
00:41:46,560 --> 00:41:48,399
Speaker 6: Yeah, that's what it was, Yeah, for.

901
00:41:48,360 --> 00:41:49,839
Speaker 2: Each other's social life after work.

902
00:41:50,000 --> 00:41:52,240
Speaker 6: It was crazy, crazy, crazy.

903
00:41:52,360 --> 00:41:52,600
Speaker 5: Yeah.

904
00:41:52,640 --> 00:41:55,440
Speaker 6: I actually just talked to Larissa on the phone a

905
00:41:55,440 --> 00:41:58,000
Speaker 6: couple of days ago and we were Yeah, she was

906
00:41:58,000 --> 00:42:00,640
Speaker 6: like at the hotel, and because I lived in LA

907
00:42:00,880 --> 00:42:02,680
Speaker 6: I was like, I felt so left out. I'm like,

908
00:42:02,680 --> 00:42:04,280
Speaker 6: I want to be the hotel.

909
00:42:04,400 --> 00:42:04,600
Speaker 2: Yeah.

910
00:42:04,600 --> 00:42:07,680
Speaker 6: I would just stay with Larisa at the hotel. I'm

911
00:42:07,719 --> 00:42:09,520
Speaker 6: going to pretend like I'm from out of state too

912
00:42:09,520 --> 00:42:12,520
Speaker 6: and just stay in the hotel. But yeah, on Munchies,

913
00:42:12,560 --> 00:42:15,680
Speaker 6: it was so many kids on certain days, and then

914
00:42:15,719 --> 00:42:18,640
Speaker 6: on other days it was like just us. So I

915
00:42:18,680 --> 00:42:24,280
Speaker 6: think naturally. We just kind of like gravitated towards each other. Yeah,

916
00:42:24,400 --> 00:42:27,799
Speaker 6: I I yeah. Actually, the more we talk about it,

917
00:42:27,840 --> 00:42:29,880
Speaker 6: I did. I love doing that movie, and it was

918
00:42:29,920 --> 00:42:33,080
Speaker 6: the first. It was my first like lead in a

919
00:42:33,440 --> 00:42:38,359
Speaker 6: feature from what I can remember, Yeah, it was my first.

920
00:42:38,680 --> 00:42:40,400
Speaker 3: You should love it. It's like that.

921
00:42:40,840 --> 00:42:41,040
Speaker 2: Yeah.

922
00:42:41,040 --> 00:42:44,080
Speaker 6: I was in that year after I did Billy where

923
00:42:44,280 --> 00:42:46,120
Speaker 6: my mom was like, well, what do you want to do.

924
00:42:46,120 --> 00:42:49,360
Speaker 6: Do you want to go home to New York Manhattan

925
00:42:49,440 --> 00:42:52,759
Speaker 6: and like go do Broadway again? Or do we want

926
00:42:52,800 --> 00:42:54,520
Speaker 6: to stay in LA and give this a shot? And

927
00:42:54,560 --> 00:42:56,759
Speaker 6: I was like, let's just give it a year and

928
00:42:56,840 --> 00:43:00,840
Speaker 6: see what happened. I got Old Munchie strikes back pretty quickly,

929
00:43:01,640 --> 00:43:04,640
Speaker 6: the dad, and like within three months I got Alex Mack.

930
00:43:06,600 --> 00:43:08,360
Speaker 3: And we never Yeah.

931
00:43:08,480 --> 00:43:10,080
Speaker 5: Can we also talk about the joy that on the

932
00:43:10,120 --> 00:43:14,239
Speaker 5: astral Plane, Colonel Sanders is the same level as Cleopatra.

933
00:43:14,880 --> 00:43:17,239
Speaker 2: I think that's awesome. That's pretty cool. It's like you're

934
00:43:17,719 --> 00:43:20,279
Speaker 2: up there, Colonel Well.

935
00:43:20,320 --> 00:43:24,279
Speaker 1: After a very long and dizzying opening credits, we are

936
00:43:24,280 --> 00:43:27,600
Speaker 1: in a large office of a company's president. We know

937
00:43:27,760 --> 00:43:30,560
Speaker 1: this because there is a big plate on the desk

938
00:43:30,680 --> 00:43:32,120
Speaker 1: that says president.

939
00:43:32,360 --> 00:43:34,200
Speaker 2: This is a sharp tonal shift here.

940
00:43:35,760 --> 00:43:40,520
Speaker 1: Really big. His name is Shelby Carlyle, and he is

941
00:43:40,600 --> 00:43:44,680
Speaker 1: Linda's boss. Linda enters after being summoned to his office

942
00:43:44,719 --> 00:43:47,520
Speaker 1: and he says he's moving the whole company to Mexico

943
00:43:47,640 --> 00:43:50,479
Speaker 1: City and he wants Linda to accompany him to set

944
00:43:50,520 --> 00:43:56,239
Speaker 1: everything up, and means literally no question, no, there is

945
00:43:56,360 --> 00:44:00,440
Speaker 1: no question that he is sexually assaulting.

946
00:43:59,760 --> 00:44:04,440
Speaker 2: Her, propositioning her. Yeah, in this kid's movie, and well,

947
00:44:04,480 --> 00:44:05,239
Speaker 2: the whole thing, this is.

948
00:44:06,719 --> 00:44:09,480
Speaker 5: The whole thing that starts uncomfortable when she walks in

949
00:44:09,520 --> 00:44:13,440
Speaker 5: and she's on the stairs and he's under her, underneath it,

950
00:44:13,600 --> 00:44:17,640
Speaker 5: just in the giant double breasted suit. The whole thing

951
00:44:17,880 --> 00:44:19,120
Speaker 5: just screamed bad guy.

952
00:44:19,160 --> 00:44:19,759
Speaker 2: It was so.

953
00:44:19,960 --> 00:44:22,600
Speaker 6: Uncomfortable on a chair and he's like.

954
00:44:22,920 --> 00:44:24,040
Speaker 2: Leaning into her.

955
00:44:24,400 --> 00:44:30,080
Speaker 4: So you just catch all the Reagan references there was.

956
00:44:28,640 --> 00:44:30,000
Speaker 2: Already so they've already stebbed.

957
00:44:30,000 --> 00:44:32,520
Speaker 4: So this whole movie is like a like an actual

958
00:44:33,320 --> 00:44:37,040
Speaker 4: screed against Reagan. Noma and the villain is the eighties

959
00:44:37,120 --> 00:44:39,640
Speaker 4: yuppie like the you know, it's a Wall Street guy.

960
00:44:39,680 --> 00:44:41,879
Speaker 2: It just makes money and doesn't care. But it looks

961
00:44:41,880 --> 00:44:42,479
Speaker 2: good in the suit.

962
00:44:42,520 --> 00:44:44,640
Speaker 5: It's got a mustache and a wife somewhere they had

963
00:44:44,680 --> 00:44:46,880
Speaker 5: to put that into He's not only sexually harassing her

964
00:44:46,920 --> 00:44:49,080
Speaker 5: and assaulting her, she cheating on his wife too.

965
00:44:50,640 --> 00:44:53,600
Speaker 6: Another great reminder of like how much we got away

966
00:44:53,600 --> 00:44:54,480
Speaker 6: with in the nineties.

967
00:44:54,600 --> 00:44:57,879
Speaker 1: Oh yeah, oh yeah, pushing the envelope everywhere you can.

968
00:44:58,000 --> 00:44:59,560
Speaker 3: This guy is and not even.

969
00:44:59,400 --> 00:45:02,200
Speaker 6: Like a thought, like like no one even thought, like,

970
00:45:02,960 --> 00:45:04,920
Speaker 6: you know, I don't know that this is okay to

971
00:45:05,000 --> 00:45:08,839
Speaker 6: like put in a movie, let alone a kid movie. Well, definitely,

972
00:45:09,520 --> 00:45:10,560
Speaker 6: and watch all this stuff.

973
00:45:10,719 --> 00:45:14,040
Speaker 1: Definitely nobody said to him. You could be a little

974
00:45:14,040 --> 00:45:14,919
Speaker 1: more subtle.

975
00:45:16,360 --> 00:45:19,200
Speaker 2: Could you? Could you go bigger with the leg swing?

976
00:45:19,600 --> 00:45:24,280
Speaker 1: Your leg work so good, be bigger?

977
00:45:25,239 --> 00:45:29,239
Speaker 3: Okay, so Linda, and.

978
00:45:29,160 --> 00:45:31,040
Speaker 4: That becomes a recurring thing when you go on upside

979
00:45:31,080 --> 00:45:32,879
Speaker 4: down and you know, like.

980
00:45:33,040 --> 00:45:35,680
Speaker 2: Well that's a weird thing that happens, like four more times.

981
00:45:36,000 --> 00:45:39,760
Speaker 3: They loved his legs, loved his leg swinging.

982
00:45:40,040 --> 00:45:45,800
Speaker 2: You need the big comedic bad guy. It's great. Also exactly.

983
00:45:47,280 --> 00:45:50,680
Speaker 1: Alone, if I ever go back to acting, I'm also

984
00:45:50,760 --> 00:45:54,680
Speaker 1: going to ask for Linda's lighting which is only in

985
00:45:54,719 --> 00:45:56,319
Speaker 1: the eye and behind.

986
00:45:58,680 --> 00:46:02,120
Speaker 2: Three times, and because I was like, what is happening,

987
00:46:02,440 --> 00:46:08,760
Speaker 2: Oh my god, sexual kind of even when she's talking

988
00:46:08,800 --> 00:46:12,080
Speaker 2: to a kid she's always let me ask you something.

989
00:46:14,160 --> 00:46:16,480
Speaker 2: You slept in your bed again, it was like a.

990
00:46:17,960 --> 00:46:21,279
Speaker 4: Creepy I think it kind of was, but every time

991
00:46:21,320 --> 00:46:23,520
Speaker 4: it was so funny that there's like a new light source.

992
00:46:23,560 --> 00:46:25,640
Speaker 4: Every time it cuts to her angle, it's like a

993
00:46:25,719 --> 00:46:28,560
Speaker 4: suddenly there's no spotlight behind her, just to get that

994
00:46:28,680 --> 00:46:29,919
Speaker 4: golden hat.

995
00:46:30,200 --> 00:46:32,680
Speaker 3: It's so gorgeous, like everywhere I go.

996
00:46:33,120 --> 00:46:35,080
Speaker 2: It's really By the way, I am saying this right

997
00:46:35,120 --> 00:46:38,040
Speaker 2: now because Danielle, you're you're okay with wanting to come

998
00:46:38,040 --> 00:46:40,560
Speaker 2: back to acting writer. You said essentially never again.

999
00:46:41,040 --> 00:46:44,440
Speaker 5: If we get a call from Roger Corman saying the

1000
00:46:44,560 --> 00:46:46,000
Speaker 5: three of you are going to be in a Roger

1001
00:46:46,040 --> 00:46:48,719
Speaker 5: Corman movie, I'm dragging you onto the set.

1002
00:46:48,800 --> 00:46:50,480
Speaker 2: You're coming, okay, good.

1003
00:46:50,280 --> 00:46:53,560
Speaker 3: Yeah, only if Tanya does it with us, four of us.

1004
00:46:53,560 --> 00:46:56,360
Speaker 6: I was just gonna tell Danielle that next time you

1005
00:46:56,400 --> 00:46:59,359
Speaker 6: need an extra and like you need extra, I'll come

1006
00:46:59,400 --> 00:47:02,840
Speaker 6: and I'll wear the Honcourt High Junior. Just be somewhere

1007
00:47:02,880 --> 00:47:03,279
Speaker 6: in the back.

1008
00:47:03,920 --> 00:47:05,320
Speaker 2: I'll do it with you. We'll sit in there and

1009
00:47:06,120 --> 00:47:13,880
Speaker 2: our little thing. Yes, okay, good, yeah, I'm dragging you both,

1010
00:47:14,080 --> 00:47:15,920
Speaker 2: all three of you. Did you a Roger Corman f.

1011
00:47:18,560 --> 00:47:21,040
Speaker 1: Okay, mister Carlisle says he needs team leaders, and he

1012
00:47:21,080 --> 00:47:23,160
Speaker 1: gets inch. He gets inches from her lips, saying his

1013
00:47:23,200 --> 00:47:25,040
Speaker 1: wife won't be on the trip. Linda says no, she

1014
00:47:25,040 --> 00:47:26,759
Speaker 1: can't find a sitter for her son, and also this

1015
00:47:26,800 --> 00:47:27,720
Speaker 1: isn't the way she plays.

1016
00:47:28,000 --> 00:47:29,480
Speaker 3: He eventually grabs her real clothes.

1017
00:47:29,560 --> 00:47:31,960
Speaker 1: She kicks him into his desk chair and he falls

1018
00:47:32,000 --> 00:47:34,120
Speaker 1: back onto the floor and then he flails. We see

1019
00:47:34,120 --> 00:47:40,000
Speaker 1: the first example of will you have such muscular calves?

1020
00:47:41,200 --> 00:47:43,920
Speaker 1: My gosh, what have you been doing, Catherine?

1021
00:47:44,000 --> 00:47:45,160
Speaker 2: That's calfworks?

1022
00:47:45,200 --> 00:47:47,360
Speaker 3: GEESEU do you do calf work while we do the podcast?

1023
00:47:48,280 --> 00:47:51,480
Speaker 2: I'm always always on my calves right now?

1024
00:47:52,560 --> 00:47:52,880
Speaker 3: Okay.

1025
00:47:52,920 --> 00:47:55,640
Speaker 1: So back at her desk, Glinda realizes that she and

1026
00:47:55,680 --> 00:47:59,279
Speaker 1: her deskmate have been fired. They have pink slips and

1027
00:47:59,560 --> 00:48:00,000
Speaker 1: is so great.

1028
00:48:00,040 --> 00:48:02,719
Speaker 2: She's like, I guess I'll be a bartender again. Aye bye,

1029
00:48:02,920 --> 00:48:03,640
Speaker 2: don't take.

1030
00:48:03,560 --> 00:48:06,400
Speaker 3: Anything from her desk. She just sits up and she leaves.

1031
00:48:06,600 --> 00:48:09,000
Speaker 1: She Linda also does not tell her desk mate about

1032
00:48:09,000 --> 00:48:12,680
Speaker 1: the sexual assault or anything, and as Linda then stares

1033
00:48:12,680 --> 00:48:15,040
Speaker 1: into a framed picture of her son, we end up

1034
00:48:15,120 --> 00:48:17,959
Speaker 1: at a little league baseball field and very.

1035
00:48:17,920 --> 00:48:19,680
Speaker 5: Quickly I'm sorry, I know we've got to buzz through this,

1036
00:48:19,800 --> 00:48:22,319
Speaker 5: but there was one line there that I thought was

1037
00:48:22,480 --> 00:48:23,200
Speaker 5: very important.

1038
00:48:23,320 --> 00:48:27,440
Speaker 2: Okay, she does say nothing I can prove.

1039
00:48:27,320 --> 00:48:31,000
Speaker 5: Anyway, right, yes, which I thought was very interesting where

1040
00:48:31,040 --> 00:48:34,120
Speaker 5: it's like she knew that, Okay, there's nothing I can do,

1041
00:48:34,239 --> 00:48:35,720
Speaker 5: which was the way it was back in the day.

1042
00:48:36,600 --> 00:48:39,000
Speaker 1: Which is exactly the way everyone felt, which is like,

1043
00:48:39,040 --> 00:48:40,800
Speaker 1: what's the point of this. It'll be my word against

1044
00:48:40,880 --> 00:48:42,439
Speaker 1: his and we all know whose word they will take,

1045
00:48:42,480 --> 00:48:43,359
Speaker 1: and I can't prove anything.

1046
00:48:43,440 --> 00:48:45,520
Speaker 5: So that was an interesting thing that they put in there.

1047
00:48:45,560 --> 00:48:47,200
Speaker 5: Her line, nothing I can prove anyway.

1048
00:48:47,280 --> 00:48:48,560
Speaker 3: Yeah, good point. Good point.

1049
00:48:48,600 --> 00:48:52,279
Speaker 1: Will So this is where we meet our adorable Natania

1050
00:48:52,280 --> 00:48:56,280
Speaker 1: playing first base. Natanya, had you ever played baseball before?

1051
00:48:56,320 --> 00:48:57,719
Speaker 1: You have the best arm in the movie.

1052
00:48:58,280 --> 00:48:59,920
Speaker 5: You're the only one who you the only one who

1053
00:48:59,920 --> 00:49:01,440
Speaker 5: knows how to play.

1054
00:49:02,560 --> 00:49:06,040
Speaker 6: It's interesting. I was one of those kids where my

1055
00:49:06,120 --> 00:49:10,400
Speaker 6: mom didn't let me do anything that could potentially stup

1056
00:49:10,440 --> 00:49:10,960
Speaker 6: my face.

1057
00:49:11,320 --> 00:49:15,000
Speaker 3: Oh, don't break the moneymaker. Don't break the money maker, right, Like.

1058
00:49:14,960 --> 00:49:19,480
Speaker 6: No baseball, no ice skating, no roller plating, no nothing.

1059
00:49:20,200 --> 00:49:22,440
Speaker 6: And I still to this day don't know how to

1060
00:49:22,520 --> 00:49:26,200
Speaker 6: ride a bike. And like an episode of Alex Mack.

1061
00:49:26,239 --> 00:49:28,839
Speaker 6: It was this really cool like BMX episode and they

1062
00:49:28,880 --> 00:49:31,279
Speaker 6: had to write me out of it because I had

1063
00:49:31,360 --> 00:49:34,520
Speaker 6: a bike. There's a rollerblading episode in Alex Mack, and like,

1064
00:49:34,560 --> 00:49:37,920
Speaker 6: because I'm just so behind in like knowing how to

1065
00:49:37,960 --> 00:49:40,320
Speaker 6: do they had like two PA's had to like hold

1066
00:49:40,360 --> 00:49:42,720
Speaker 6: me on a stage down a hill.

1067
00:49:43,160 --> 00:49:45,920
Speaker 2: And I had to play baseball and I've had to

1068
00:49:45,920 --> 00:49:47,920
Speaker 2: play basketball. Yeah, and I was horrible.

1069
00:49:47,960 --> 00:49:49,640
Speaker 7: I was already at sports.

1070
00:49:49,719 --> 00:49:51,279
Speaker 2: It's like, no, don't make me do this.

1071
00:49:52,560 --> 00:49:55,719
Speaker 6: You're always let me do anything. I was like very

1072
00:49:55,840 --> 00:49:58,719
Speaker 6: much in a bubble. So the answer is, no, I

1073
00:49:58,760 --> 00:50:01,120
Speaker 6: didn't know how to play. You were I don't even

1074
00:50:01,120 --> 00:50:02,080
Speaker 6: know how I pulled that out.

1075
00:50:02,239 --> 00:50:05,440
Speaker 5: Maybe can we would you let us teach you how

1076
00:50:05,480 --> 00:50:07,080
Speaker 5: to ride a bike, because everybody should know how to

1077
00:50:07,120 --> 00:50:07,360
Speaker 5: ride it.

1078
00:50:07,400 --> 00:50:09,319
Speaker 3: I'm about ready to teach Adler. We'll teach you.

1079
00:50:09,360 --> 00:50:10,879
Speaker 2: Can we teach you how to ride a bike?

1080
00:50:11,040 --> 00:50:12,319
Speaker 6: I would let you guys teach me.

1081
00:50:12,440 --> 00:50:14,759
Speaker 2: Okay, good, okay, good, we're holding you.

1082
00:50:14,760 --> 00:50:15,880
Speaker 7: That'd be a great video.

1083
00:50:17,560 --> 00:50:19,920
Speaker 3: Yeah, we're always looking for content, don't you know.

1084
00:50:20,280 --> 00:50:20,839
Speaker 2: There you go.

1085
00:50:32,920 --> 00:50:35,960
Speaker 1: So Linda's son Chris is clearly the worst player on

1086
00:50:36,000 --> 00:50:38,560
Speaker 1: the team. We meet his coach, who I kid you

1087
00:50:38,640 --> 00:50:44,040
Speaker 1: not is drinking from a coke bottle the entire movie movie.

1088
00:50:44,640 --> 00:50:47,280
Speaker 2: He is a legendary actor.

1089
00:50:48,400 --> 00:50:52,000
Speaker 5: He is so he was a satirist and he was

1090
00:50:52,080 --> 00:50:55,200
Speaker 5: an impressionist and he would do these famous impressions from

1091
00:50:55,200 --> 00:50:56,920
Speaker 5: back in the fifties. I mean, this guy was on

1092
00:50:56,960 --> 00:50:58,960
Speaker 5: the Dick Havit Show, he was on all the Tonight shows.

1093
00:50:59,120 --> 00:51:00,920
Speaker 2: I mean, he's he is, like he popped on. I

1094
00:51:00,920 --> 00:51:01,799
Speaker 2: was like, I think his name is.

1095
00:51:01,800 --> 00:51:04,359
Speaker 5: John Berman something, but it was like, oh man, this guy,

1096
00:51:04,400 --> 00:51:07,439
Speaker 5: I mean, he's been an actor for forty fifty years.

1097
00:51:07,440 --> 00:51:10,560
Speaker 1: I'd like to ask him if this movie gave him diabetes? Seriously,

1098
00:51:11,280 --> 00:51:12,320
Speaker 1: so much coca cola.

1099
00:51:12,640 --> 00:51:12,839
Speaker 2: Yeah.

1100
00:51:12,920 --> 00:51:14,960
Speaker 5: I'd also like to point out again as the only

1101
00:51:15,000 --> 00:51:16,480
Speaker 5: one who kind of knows sports ball.

1102
00:51:16,520 --> 00:51:17,359
Speaker 2: I mean Danielle does.

1103
00:51:17,400 --> 00:51:20,080
Speaker 5: But they're talking about how bad this kid is and

1104
00:51:20,120 --> 00:51:22,359
Speaker 5: he's like, I had two singles in the game last week.

1105
00:51:22,400 --> 00:51:24,320
Speaker 2: And the other guy's like, we don't win with singles.

1106
00:51:24,760 --> 00:51:29,200
Speaker 5: You absolutely win with singles, you absolutely get bass hits

1107
00:51:29,200 --> 00:51:31,520
Speaker 5: are what wins baseball games. If it was all about

1108
00:51:31,600 --> 00:51:33,040
Speaker 5: home runs, no one would ever win.

1109
00:51:33,440 --> 00:51:35,799
Speaker 2: So it was like, Okay, whoever wrote this wasn't a basis.

1110
00:51:35,520 --> 00:51:37,319
Speaker 3: Will stop bringing reality into this.

1111
00:51:37,600 --> 00:51:43,600
Speaker 4: Sorry, home runs are a better story, so it's easier.

1112
00:51:43,239 --> 00:51:45,960
Speaker 2: To guess when you run, you're doing well at baseball.

1113
00:51:48,719 --> 00:51:49,000
Speaker 2: The bag.

1114
00:51:49,040 --> 00:51:51,880
Speaker 1: He just does this, so the whole time everyone is

1115
00:51:51,920 --> 00:51:53,680
Speaker 1: wearing the Concord junior high shirts.

1116
00:51:53,719 --> 00:51:55,600
Speaker 3: Let's keep that in mind. You're going to mention that

1117
00:51:55,840 --> 00:51:56,480
Speaker 3: many times.

1118
00:51:56,960 --> 00:52:00,319
Speaker 1: Chris strikes out and trades places with the picture star

1119
00:52:00,400 --> 00:52:03,360
Speaker 1: player Wilson to see if he can do any better. Also,

1120
00:52:03,840 --> 00:52:06,040
Speaker 1: he doesn't give the batter his helmet, thank.

1121
00:52:05,880 --> 00:52:09,440
Speaker 2: You, so helmet on. The whole time is now just.

1122
00:52:09,480 --> 00:52:12,719
Speaker 1: Pitching with the helmet on, and Wilson is batting in

1123
00:52:12,760 --> 00:52:13,160
Speaker 1: a hat.

1124
00:52:14,200 --> 00:52:16,600
Speaker 5: This is the start of the helmet thing, because there's

1125
00:52:16,680 --> 00:52:19,000
Speaker 5: a great helmet one with with Tania.

1126
00:52:19,080 --> 00:52:24,880
Speaker 1: Later okay, great, okay, So Chris, while trying to impress Natania,

1127
00:52:25,040 --> 00:52:27,640
Speaker 1: gives up a massive home run to Wilson, who even

1128
00:52:27,719 --> 00:52:30,800
Speaker 1: flirts and runs circles around Natania on his trot.

1129
00:52:31,160 --> 00:52:33,680
Speaker 5: Oh it looks like a real smile too, I know

1130
00:52:33,960 --> 00:52:36,759
Speaker 5: it really, Yeah it might have been.

1131
00:52:37,000 --> 00:52:39,280
Speaker 1: Yeah, now we know she was like, here's my opportunity

1132
00:52:39,360 --> 00:52:41,200
Speaker 1: to flirt with you because Trenton can't see.

1133
00:52:41,480 --> 00:52:44,960
Speaker 3: Yeah, he's not in this shot.

1134
00:52:46,840 --> 00:52:50,200
Speaker 1: So Natania makes Chris feel okay about his lack of skills.

1135
00:52:50,239 --> 00:52:53,839
Speaker 1: And I am not just saying this because she's here. Natania,

1136
00:52:54,000 --> 00:52:58,080
Speaker 1: your parts are the only real movie feeling thing in

1137
00:52:58,120 --> 00:53:02,640
Speaker 1: the entire hour minutes so great. It feels like every

1138
00:53:02,680 --> 00:53:05,200
Speaker 1: time the camera is on you, every time the storyline

1139
00:53:05,239 --> 00:53:07,040
Speaker 1: is about you, you're like, I'm in this.

1140
00:53:07,200 --> 00:53:07,719
Speaker 2: I mean.

1141
00:53:09,760 --> 00:53:11,560
Speaker 7: It should have been should have been like a coming

1142
00:53:11,600 --> 00:53:12,720
Speaker 7: of age dramedy.

1143
00:53:13,040 --> 00:53:17,600
Speaker 5: Yeah, my girl, you were by far the best actor

1144
00:53:17,600 --> 00:53:18,480
Speaker 5: in the entire film.

1145
00:53:18,960 --> 00:53:19,759
Speaker 2: It's not even a joke.

1146
00:53:20,360 --> 00:53:22,160
Speaker 6: Am I crying over you?

1147
00:53:22,160 --> 00:53:25,200
Speaker 10: Guys are emotional over a munchie because first of all,

1148
00:53:25,239 --> 00:53:27,600
Speaker 10: this wasn't an important movie to you, Like, you know,

1149
00:53:27,640 --> 00:53:29,920
Speaker 10: it's an important time of your life, like that is

1150
00:53:29,960 --> 00:53:33,440
Speaker 10: exactly what you mentioned, what a tender time that age is.

1151
00:53:33,560 --> 00:53:35,600
Speaker 3: And then to have this experience and to be you know,

1152
00:53:35,800 --> 00:53:37,759
Speaker 3: it's it's really great. And they kept me in Los

1153
00:53:37,760 --> 00:53:40,680
Speaker 3: Angeles exactly and yet to Alex Mack.

1154
00:53:41,080 --> 00:53:45,440
Speaker 1: Yeah, So Chris tries to ask her to the school dance,

1155
00:53:45,480 --> 00:53:47,799
Speaker 1: but she is going with some guy named Brett. Then

1156
00:53:47,960 --> 00:53:50,440
Speaker 1: Chris's mom picks him up and Natanya waves goodbye when

1157
00:53:50,480 --> 00:53:51,640
Speaker 1: the car is long gone.

1158
00:53:52,080 --> 00:53:55,320
Speaker 2: It was gone. It was already gone cars down the street,

1159
00:53:55,440 --> 00:53:59,400
Speaker 2: Tala Street, and she dies. It's like, shouldn't that should

1160
00:53:59,400 --> 00:53:59,799
Speaker 2: that have been?

1161
00:54:00,880 --> 00:54:03,360
Speaker 1: I thought the same thing, was like I know editing

1162
00:54:03,680 --> 00:54:07,279
Speaker 1: wait listen. The editor was like, we I don't know.

1163
00:54:07,400 --> 00:54:09,239
Speaker 1: Maybe I don't know. I thought the same thing. I

1164
00:54:09,280 --> 00:54:11,279
Speaker 1: was like, for sure that we just saw the car

1165
00:54:11,440 --> 00:54:12,399
Speaker 1: already driving away.

1166
00:54:13,000 --> 00:54:14,160
Speaker 3: Maybe it's just to herself.

1167
00:54:14,560 --> 00:54:17,800
Speaker 1: So at Linda and Chris's house, Linda is clearly depressed

1168
00:54:17,800 --> 00:54:20,080
Speaker 1: about her job and the bills she needs to pay,

1169
00:54:20,320 --> 00:54:25,879
Speaker 1: and we meet a very uptight neighbor named mister Poindexter

1170
00:54:26,400 --> 00:54:28,959
Speaker 1: and his little white dog Killer.

1171
00:54:29,080 --> 00:54:36,800
Speaker 4: Dare I say, kind of a feenie type flowers point Dexter.

1172
00:54:36,920 --> 00:54:38,319
Speaker 4: He's got kind of a funny name.

1173
00:54:38,680 --> 00:54:41,440
Speaker 2: Okay. I was like, oh, this is like an alternate world.

1174
00:54:41,719 --> 00:54:41,880
Speaker 2: You know.

1175
00:54:41,880 --> 00:54:43,720
Speaker 7: It's that archetype the neighbor.

1176
00:54:43,760 --> 00:54:47,440
Speaker 6: You do not get that be movie Phoenie, Yes, exactly.

1177
00:54:47,840 --> 00:54:51,120
Speaker 6: He needs a class all the ways like a be

1178
00:54:51,600 --> 00:54:57,560
Speaker 6: Maybe exactly.

1179
00:54:58,080 --> 00:55:01,840
Speaker 4: But now, if we could do dream recap of this movie,

1180
00:55:02,040 --> 00:55:03,759
Speaker 4: suddenly you have the option of what if that was

1181
00:55:03,920 --> 00:55:07,800
Speaker 4: a Bill Daniels player, You could if you could recast

1182
00:55:07,800 --> 00:55:11,000
Speaker 4: this movie with any actors from any era, How does

1183
00:55:11,000 --> 00:55:16,040
Speaker 4: it change the film, Williams, what if Robin Williams is munchie.

1184
00:55:16,320 --> 00:55:20,160
Speaker 5: Oh yeah, I mean right, you could easily do I mean, yeah,

1185
00:55:20,239 --> 00:55:22,759
Speaker 5: be insane, you get Robin Williams's bunchie, or I mean

1186
00:55:22,840 --> 00:55:27,320
Speaker 5: Howard Hessman is at the top of his game here, though, Williams,

1187
00:55:27,640 --> 00:55:28,239
Speaker 5: I'm not going to.

1188
00:55:28,239 --> 00:55:30,439
Speaker 1: Be able to allow us to skip over the fact

1189
00:55:30,560 --> 00:55:36,440
Speaker 1: that Linda, who's very frustrated and killer, keeps attacking her kid.

1190
00:55:37,400 --> 00:55:37,920
Speaker 3: When given the.

1191
00:55:37,880 --> 00:55:41,400
Speaker 4: Opportunity of screenwriting advice of Save the Case, which is

1192
00:55:41,440 --> 00:55:42,480
Speaker 4: like the.

1193
00:55:44,080 --> 00:55:45,799
Speaker 2: First act, kicks the door.

1194
00:55:46,080 --> 00:55:50,840
Speaker 6: She literally kicks the little white dog. I noticed the

1195
00:55:50,880 --> 00:55:54,840
Speaker 6: most about the rewatch. I was like, yeahs.

1196
00:55:55,080 --> 00:55:58,160
Speaker 5: Also, this is also where I really noticed that she's British.

1197
00:55:58,480 --> 00:56:00,520
Speaker 4: Oh yeah, well I didn't notice for enough like three

1198
00:56:00,520 --> 00:56:04,680
Speaker 4: more scenes. I was like, with her accent, I did.

1199
00:56:04,560 --> 00:56:05,319
Speaker 3: The same thing writer.

1200
00:56:05,440 --> 00:56:07,879
Speaker 1: I think he was a scene in the bedroom where

1201
00:56:07,920 --> 00:56:09,200
Speaker 1: then I was like, wait a minute, does she have

1202
00:56:09,239 --> 00:56:09,800
Speaker 1: an accent?

1203
00:56:09,880 --> 00:56:11,200
Speaker 3: And then yeah, it was like.

1204
00:56:11,120 --> 00:56:13,560
Speaker 4: This is a woman from England but has clearly spent

1205
00:56:13,640 --> 00:56:15,719
Speaker 4: a lot of time in America because her accent is

1206
00:56:15,760 --> 00:56:16,919
Speaker 4: like dialed way back.

1207
00:56:17,880 --> 00:56:21,919
Speaker 2: Yeah, it was very breathy and I'm just depressed here.

1208
00:56:21,920 --> 00:56:23,359
Speaker 2: Take all the well.

1209
00:56:23,680 --> 00:56:26,920
Speaker 5: All the groceries in, my friend, take all core bags

1210
00:56:26,960 --> 00:56:28,960
Speaker 5: of groceries in yourself, tiny little man.

1211
00:56:29,080 --> 00:56:30,680
Speaker 2: I'm gonna sit out here and kick a dog.

1212
00:56:31,040 --> 00:56:36,239
Speaker 1: It's like, that's a strange, strange moment. I did think

1213
00:56:36,280 --> 00:56:37,960
Speaker 1: about it for the rest of the movie. It was like,

1214
00:56:38,840 --> 00:56:42,640
Speaker 1: bad for Linda, but also you kick dogs, So I'm

1215
00:56:42,680 --> 00:56:43,680
Speaker 1: just keeping that in mind.

1216
00:56:43,680 --> 00:56:44,640
Speaker 2: So light red Flag.

1217
00:56:44,880 --> 00:56:46,759
Speaker 1: Later that night, Chris is in his bedroom and he

1218
00:56:46,800 --> 00:56:50,640
Speaker 1: sees his love Netanya on the date with Brett, incidentally

1219
00:56:51,000 --> 00:56:55,040
Speaker 1: right outside his window. He then talks to himself about

1220
00:56:55,040 --> 00:56:58,040
Speaker 1: how Brett is a great catch. He's the star baseball player,

1221
00:56:58,120 --> 00:57:00,920
Speaker 1: his parents are rich, and girls think you cute. And

1222
00:57:00,960 --> 00:57:04,960
Speaker 1: then Munchie arrives on a shooting planet. Let's listen to

1223
00:57:05,000 --> 00:57:06,359
Speaker 1: their introduction with clip too.

1224
00:57:06,640 --> 00:57:09,640
Speaker 4: I'm gonna have to get my break suggested.

1225
00:57:10,640 --> 00:57:10,839
Speaker 5: Fuck.

1226
00:57:11,120 --> 00:57:13,120
Speaker 2: Wow, that's a good question. I think there's a lot

1227
00:57:13,160 --> 00:57:15,239
Speaker 2: of name for me, but who can pronounce it all?

1228
00:57:15,320 --> 00:57:16,400
Speaker 2: My friends call me MUNCHI.

1229
00:57:16,880 --> 00:57:17,439
Speaker 3: There we go.

1230
00:57:17,960 --> 00:57:20,120
Speaker 2: I love the circle of the ball circling him in here.

1231
00:57:20,160 --> 00:57:22,240
Speaker 3: Oh yeah, this.

1232
00:57:22,320 --> 00:57:24,520
Speaker 2: Kid is so good. He's great.

1233
00:57:24,520 --> 00:57:27,400
Speaker 4: He has to be in a movie with Munchie the

1234
00:57:27,400 --> 00:57:30,640
Speaker 4: puppet for like eighty percent of his scenes, yeah, which

1235
00:57:30,640 --> 00:57:33,560
Speaker 4: means he's acting with nothing or you know, like a

1236
00:57:33,600 --> 00:57:36,000
Speaker 4: piece of tape, most likely on his coverage, right, he's

1237
00:57:36,040 --> 00:57:38,320
Speaker 4: looking at a tape mark and he this.

1238
00:57:38,320 --> 00:57:40,280
Speaker 2: Kid is so expressive. I'm with him.

1239
00:57:40,320 --> 00:57:42,640
Speaker 4: I know exactly why he's saying every one of his lines,

1240
00:57:42,680 --> 00:57:45,480
Speaker 4: like yeah, he's so clear, he's he's like just great.

1241
00:57:45,600 --> 00:57:47,840
Speaker 4: He's like he's an adorable little guy.

1242
00:57:48,040 --> 00:57:50,880
Speaker 6: Like so sweet, so cute, so good in this movie.

1243
00:57:51,000 --> 00:57:53,480
Speaker 4: Really, yeah, it takes so much energy to drum up

1244
00:57:53,480 --> 00:57:54,800
Speaker 4: all those reactions just.

1245
00:57:54,720 --> 00:57:56,640
Speaker 1: To hear, like, just to have somebody to talk to

1246
00:57:56,760 --> 00:58:00,720
Speaker 1: for it. It probably wasn't the actual vo. I'm probably

1247
00:58:00,760 --> 00:58:01,520
Speaker 1: a stand.

1248
00:58:01,200 --> 00:58:04,400
Speaker 6: And do you know, well they had the puppet for

1249
00:58:04,560 --> 00:58:08,240
Speaker 6: his eye line, okay, and they were on his coverage.

1250
00:58:08,360 --> 00:58:10,120
Speaker 6: He did have a puppet to look at.

1251
00:58:11,400 --> 00:58:13,760
Speaker 3: But is like acting against somebody was.

1252
00:58:16,360 --> 00:58:19,960
Speaker 1: Just like a pa, That's exactly which no offense to

1253
00:58:20,000 --> 00:58:22,320
Speaker 1: that pa, unless that pa was a was a great actor.

1254
00:58:22,400 --> 00:58:26,080
Speaker 3: Is probably just very blandly saying the lines. And it's

1255
00:58:26,120 --> 00:58:29,840
Speaker 3: hard to act. It's really hard.

1256
00:58:30,120 --> 00:58:32,280
Speaker 2: But you know, this is this Bill Daniels night Rider

1257
00:58:32,400 --> 00:58:34,240
Speaker 2: never went to the set, No, he was always just

1258
00:58:34,280 --> 00:58:34,960
Speaker 2: the voice of kid.

1259
00:58:35,040 --> 00:58:38,000
Speaker 5: Yeah, yeah, you know that's different now because as of

1260
00:58:38,040 --> 00:58:39,080
Speaker 5: the show as.

1261
00:58:38,960 --> 00:58:39,960
Speaker 2: A voiceover actor.

1262
00:58:40,040 --> 00:58:42,560
Speaker 5: Now, even if you get an audition that says like

1263
00:58:42,640 --> 00:58:45,360
Speaker 5: it's for a live action thing and it's you know sitcoms,

1264
00:58:45,400 --> 00:58:48,360
Speaker 5: you'll see, oh, there's something where they're watching TV and

1265
00:58:48,400 --> 00:58:50,520
Speaker 5: they want to hear you. They want you on the

1266
00:58:50,560 --> 00:58:53,480
Speaker 5: set now, and you are there actually reading the lines

1267
00:58:53,520 --> 00:58:54,080
Speaker 5: from run.

1268
00:58:54,040 --> 00:58:56,040
Speaker 2: Through and all that, because it does make a big difference.

1269
00:58:56,080 --> 00:58:59,080
Speaker 4: He's so important to be able to act off each other.

1270
00:58:59,360 --> 00:59:01,720
Speaker 3: Bill Daniel has never met David Hasselhoff.

1271
00:59:01,760 --> 00:59:03,600
Speaker 2: He told me that he told me that one of

1272
00:59:03,640 --> 00:59:04,840
Speaker 2: them never met him.

1273
00:59:04,880 --> 00:59:05,800
Speaker 3: I think that's very funny.

1274
00:59:06,720 --> 00:59:09,880
Speaker 1: Anyway, Unchi explains he's there to solve his problems, and

1275
00:59:09,880 --> 00:59:12,920
Speaker 1: he quickly disappears when he senses that chris mom Chris's

1276
00:59:12,960 --> 00:59:15,480
Speaker 1: mom is going to enter. So let's remember this moment

1277
00:59:15,720 --> 00:59:20,680
Speaker 1: he senses that someone's coming, he disappears. Now this is

1278
00:59:20,720 --> 00:59:23,000
Speaker 1: where we learned that only Chris is allowed to see him.

1279
00:59:23,200 --> 00:59:26,480
Speaker 1: Munchy immediately shows his powers by cleaning Chris's room with

1280
00:59:26,520 --> 00:59:27,480
Speaker 1: the snap of his fingers.

1281
00:59:28,160 --> 00:59:31,360
Speaker 2: Is Mary Poppins, yep, is Mary Poppins.

1282
00:59:31,320 --> 00:59:34,720
Speaker 4: This is the same story and comes in and has

1283
00:59:34,760 --> 00:59:35,720
Speaker 4: magical powers.

1284
00:59:36,040 --> 00:59:37,640
Speaker 7: Makes all the kids dream contry.

1285
00:59:38,200 --> 00:59:40,480
Speaker 1: His mom is impressed, thinking that Chris did it, and

1286
00:59:40,560 --> 00:59:44,120
Speaker 1: is still only lit in the eyes, and she says

1287
00:59:44,160 --> 00:59:47,080
Speaker 1: she needs a hug, and Chris knows something is up.

1288
00:59:47,840 --> 00:59:51,160
Speaker 2: So Chris, she only hugs him when things are bad.

1289
00:59:51,440 --> 00:59:53,680
Speaker 1: No, She's just remember he was She was quiet in

1290
00:59:53,720 --> 00:59:56,600
Speaker 1: the car. She was quiet, and now she can tell

1291
00:59:56,640 --> 00:59:58,320
Speaker 1: he can still tell something's up.

1292
00:59:58,560 --> 01:00:00,600
Speaker 2: Can you come and hug me, Chris?

1293
01:00:00,640 --> 01:00:04,920
Speaker 3: I love you, Lea's get into your bed, Grace. Do

1294
01:00:04,960 --> 01:00:06,600
Speaker 3: you like how my eyes look in this light?

1295
01:00:08,400 --> 01:00:11,440
Speaker 1: Chris asks if she can bring back his dead dad,

1296
01:00:12,080 --> 01:00:14,960
Speaker 1: but unfortunately there are limits and the.

1297
01:00:15,080 --> 01:00:19,760
Speaker 5: Greatest photo of a dad in a frame ever.

1298
01:00:23,120 --> 01:00:37,640
Speaker 1: Just so great, it's wonderful, so he can mon she

1299
01:00:37,680 --> 01:00:40,400
Speaker 1: can only help in this dimension and can't help with

1300
01:00:40,440 --> 01:00:42,800
Speaker 1: the dead dad, which feels like a cruel plot point,

1301
01:00:42,880 --> 01:00:47,200
Speaker 1: but okay, Monchy says, ask for anything else, and Chris

1302
01:00:47,360 --> 01:00:50,960
Speaker 1: asks for a Death Race two thousand arcade game with

1303
01:00:51,040 --> 01:00:56,040
Speaker 1: a serious system, and then it arrives. Monchi even turns

1304
01:00:56,080 --> 01:00:58,720
Speaker 1: the game into reality and Chris is driving a race

1305
01:00:58,760 --> 01:01:04,440
Speaker 1: car quote perfectly faster than those guys from Domino's. Munchie explains,

1306
01:01:04,680 --> 01:01:08,800
Speaker 1: and now we're making a dig and how fast Dominoes delivers.

1307
01:01:09,000 --> 01:01:09,720
Speaker 2: There's two references.

1308
01:01:09,760 --> 01:01:12,440
Speaker 4: There's Dominoes and then there's a tiny Tunes reference in

1309
01:01:12,520 --> 01:01:18,720
Speaker 4: this little cultural expert driver driving at one hundred miles

1310
01:01:18,720 --> 01:01:21,720
Speaker 4: an hour, pulling these perfect slides.

1311
01:01:21,800 --> 01:01:23,200
Speaker 2: And I'm assuming is it.

1312
01:01:23,200 --> 01:01:25,960
Speaker 7: Still virtual or is the idea that we're actually.

1313
01:01:25,560 --> 01:01:30,800
Speaker 2: In it and made it real? Made it really? And yeah,

1314
01:01:30,840 --> 01:01:33,840
Speaker 2: he's drifting and it's like he's it. But first of all,

1315
01:01:33,880 --> 01:01:36,240
Speaker 2: everybody drives like this. I know, I love that every

1316
01:01:36,320 --> 01:01:40,360
Speaker 2: scene drives like this. It was great. Yeah.

1317
01:01:40,520 --> 01:01:43,480
Speaker 1: So it's a big driving action sequence as they avoid

1318
01:01:43,520 --> 01:01:46,640
Speaker 1: prop planes and I I just I couldn't figure out

1319
01:01:46,680 --> 01:01:48,520
Speaker 1: how they did this for cheap. I really couldn't. I

1320
01:01:48,520 --> 01:01:50,800
Speaker 1: couldn't figure out how any of this happened. Bombs going

1321
01:01:50,800 --> 01:01:51,479
Speaker 1: off the car?

1322
01:01:51,840 --> 01:01:53,800
Speaker 2: Well, what was the budget? Do we know?

1323
01:01:55,360 --> 01:01:58,040
Speaker 6: Does it? I mean, did it say anywhere online?

1324
01:01:58,040 --> 01:01:59,040
Speaker 2: I google it.

1325
01:01:59,440 --> 01:02:00,320
Speaker 3: I'm dying.

1326
01:02:00,360 --> 01:02:04,240
Speaker 6: I made that much money if that gives you guys

1327
01:02:04,360 --> 01:02:06,120
Speaker 6: any back.

1328
01:02:05,880 --> 01:02:08,440
Speaker 2: In the day, in the early nineties, which.

1329
01:02:08,200 --> 01:02:11,680
Speaker 6: It was probably like like scale plus ten, scale plus

1330
01:02:11,760 --> 01:02:13,640
Speaker 6: ten for whatever that was in ninety four.

1331
01:02:13,760 --> 01:02:16,600
Speaker 3: Yeah, und grand so what is this in your grand?

1332
01:02:16,880 --> 01:02:18,040
Speaker 2: So what was this movie made for?

1333
01:02:18,480 --> 01:02:20,360
Speaker 5: I mean, I would say four or five hundred, you

1334
01:02:20,400 --> 01:02:22,160
Speaker 5: would say, I would be I would bet.

1335
01:02:22,040 --> 01:02:24,560
Speaker 2: This was less than a million dollars. It was a.

1336
01:02:26,880 --> 01:02:28,200
Speaker 3: Twelve day shoot, that's it.

1337
01:02:28,360 --> 01:02:29,720
Speaker 2: If what I was looking at was right?

1338
01:02:29,800 --> 01:02:30,120
Speaker 1: Did did?

1339
01:02:30,880 --> 01:02:32,960
Speaker 2: Didn't it say that it was? I thought it? That's

1340
01:02:33,000 --> 01:02:33,640
Speaker 2: what it said was that.

1341
01:02:35,000 --> 01:02:36,720
Speaker 6: I don't think it was more than like a couple

1342
01:02:36,760 --> 01:02:37,160
Speaker 6: of weeks.

1343
01:02:37,200 --> 01:02:39,680
Speaker 7: Actually, you can't shoot this in twelve days with a

1344
01:02:39,720 --> 01:02:40,520
Speaker 7: puppet and everything.

1345
01:02:40,840 --> 01:02:43,320
Speaker 2: Maybe, dude, it's just stuck against the wall.

1346
01:02:43,400 --> 01:02:45,120
Speaker 4: And I know that's a lot of coverage you have

1347
01:02:45,200 --> 01:02:46,720
Speaker 4: to get and you have to sit there and do it,

1348
01:02:47,160 --> 01:02:50,240
Speaker 4: you know, and I don't know twelve days.

1349
01:02:50,320 --> 01:02:52,760
Speaker 1: Well, if you just put the puppet against a bunch

1350
01:02:52,760 --> 01:02:57,040
Speaker 1: of different backgrounds and just get footage of him like this, right,

1351
01:02:57,160 --> 01:03:00,160
Speaker 1: you can you got your coverage for an entire scene basically.

1352
01:03:00,040 --> 01:03:04,320
Speaker 2: It right, true, there's a lot of locations.

1353
01:03:04,240 --> 01:03:06,040
Speaker 3: I know a lot of locations. Okay.

1354
01:03:06,960 --> 01:03:10,360
Speaker 1: So eventually Chris asks to go home because it's too real.

1355
01:03:10,480 --> 01:03:12,680
Speaker 1: So they're back in his house. Chris asks if he

1356
01:03:12,720 --> 01:03:15,400
Speaker 1: can get anything he wants, and she says, yeah, you're

1357
01:03:15,480 --> 01:03:16,880
Speaker 1: Donald Trump, and.

1358
01:03:16,920 --> 01:03:22,720
Speaker 2: Then Chris just rattles already the rich guy, right, yep, there.

1359
01:03:22,640 --> 01:03:25,280
Speaker 1: We go, and then Chris just rattles off a ton

1360
01:03:25,360 --> 01:03:28,240
Speaker 1: of electronics he wants as we fade out, and the

1361
01:03:28,320 --> 01:03:31,440
Speaker 1: next morning, both Munchie and Chris are sleeping surrounded by

1362
01:03:31,480 --> 01:03:34,640
Speaker 1: the electronics. Munchie makes it all disappear just in time

1363
01:03:34,680 --> 01:03:39,600
Speaker 1: for Chris's mom to enter by using the magic word reaganomics. Well,

1364
01:03:39,640 --> 01:03:40,600
Speaker 1: the Reagan reference.

1365
01:03:40,680 --> 01:03:41,600
Speaker 2: Okay, here's the thing.

1366
01:03:41,680 --> 01:03:45,000
Speaker 5: He'd always say, say the magic word, but there was

1367
01:03:45,320 --> 01:03:47,000
Speaker 5: then it was just a rant and there was no

1368
01:03:47,120 --> 01:03:48,080
Speaker 5: actual magic word.

1369
01:03:48,480 --> 01:03:50,560
Speaker 2: He would just be like, say the magic word, don't

1370
01:03:50,640 --> 01:03:52,320
Speaker 2: it's appear now? And it's like, how do I How

1371
01:03:52,320 --> 01:03:54,640
Speaker 2: am I supposed to know that's the magic word? Munchie?

1372
01:03:55,160 --> 01:03:57,240
Speaker 2: How am I supposed to know that? If you're going

1373
01:03:57,320 --> 01:04:01,400
Speaker 2: to change it every time? It is very strange. Oh

1374
01:04:01,640 --> 01:04:02,080
Speaker 2: my gosh.

1375
01:04:02,160 --> 01:04:05,960
Speaker 1: Okay Worth noting Chris is still in his Concord junior

1376
01:04:06,000 --> 01:04:06,439
Speaker 1: high shirt.

1377
01:04:06,480 --> 01:04:08,360
Speaker 3: He's slept in it. They even referenced it. I think

1378
01:04:08,400 --> 01:04:09,880
Speaker 3: his mom says, you slept in your shirt.

1379
01:04:10,280 --> 01:04:12,400
Speaker 1: His mom asks him to take a shower and change,

1380
01:04:12,440 --> 01:04:14,440
Speaker 1: and then we cut to later and Chris is mowing

1381
01:04:14,480 --> 01:04:14,840
Speaker 1: the lawn.

1382
01:04:15,120 --> 01:04:21,840
Speaker 4: Still the kid's got one shirt. Continuity makes it so

1383
01:04:22,040 --> 01:04:25,560
Speaker 4: much easier. I just wear the same shirt the whole movie. Why,

1384
01:04:25,720 --> 01:04:28,400
Speaker 4: I don't know, just you know, well, listen, an alien

1385
01:04:28,480 --> 01:04:31,720
Speaker 4: shows up or mystical being shows up, you change your

1386
01:04:31,720 --> 01:04:33,360
Speaker 4: close or do you spend every waking?

1387
01:04:33,600 --> 01:04:37,920
Speaker 2: Do you mow the lawn? Even I might ask for

1388
01:04:38,000 --> 01:04:39,320
Speaker 2: a second shirt from Monchy.

1389
01:04:39,400 --> 01:04:44,200
Speaker 1: That so, Munchie makes it so that the lawnmower can

1390
01:04:44,280 --> 01:04:47,360
Speaker 1: work without anyone manning it, and Chris is impressed. Munchie

1391
01:04:47,480 --> 01:04:52,880
Speaker 1: disappears because Jennifer aka Natanya is there. But right as

1392
01:04:53,000 --> 01:04:56,080
Speaker 1: Chris starts to spit some game, Brett pulls up on

1393
01:04:56,160 --> 01:04:58,320
Speaker 1: a little motorcycle, stealing her away.

1394
01:05:00,160 --> 01:05:02,240
Speaker 5: Be way better if it was a motorcycle it was

1395
01:05:02,320 --> 01:05:06,040
Speaker 5: a moped. Let's let's let's get that right right off

1396
01:05:06,120 --> 01:05:09,440
Speaker 5: the bat. And secondly, this is where the best with

1397
01:05:09,560 --> 01:05:12,720
Speaker 5: the second best helmet thing. And because Natania gets on

1398
01:05:12,880 --> 01:05:20,280
Speaker 5: the bike and puts the helmet on backwards fully backwards,

1399
01:05:20,360 --> 01:05:22,400
Speaker 5: he's like, I'm sorry, I'm not going to be with you.

1400
01:05:22,440 --> 01:05:25,400
Speaker 2: To Chris, it was just like that, that's not how

1401
01:05:25,480 --> 01:05:25,880
Speaker 2: that goes.

1402
01:05:26,840 --> 01:05:27,320
Speaker 6: Realize that.

1403
01:05:27,560 --> 01:05:29,840
Speaker 9: And I was terrified to get on that thing too,

1404
01:05:29,960 --> 01:05:32,440
Speaker 9: because like, I don't know, I think they showed it,

1405
01:05:32,520 --> 01:05:34,520
Speaker 9: but there was like they did get a shot of

1406
01:05:34,640 --> 01:05:37,200
Speaker 9: like us driving away, and like I knew this kid

1407
01:05:37,240 --> 01:05:39,520
Speaker 9: did not know how to ride this moped, and I

1408
01:05:39,640 --> 01:05:40,440
Speaker 9: was terrified.

1409
01:05:40,560 --> 01:05:43,720
Speaker 6: And that's probably why I put the thing on backwards,

1410
01:05:44,000 --> 01:05:45,840
Speaker 6: because like all I could think about was like, oh

1411
01:05:45,880 --> 01:05:46,280
Speaker 6: my god.

1412
01:05:46,640 --> 01:05:48,200
Speaker 2: Oh my god, I God, there we go.

1413
01:05:50,000 --> 01:05:53,000
Speaker 7: To drive anything, having to ride anything, like a lot

1414
01:05:53,040 --> 01:05:53,720
Speaker 7: of motorcycles.

1415
01:05:54,480 --> 01:05:57,920
Speaker 2: I loved it, love it, I hate it. I loved it,

1416
01:05:58,040 --> 01:06:01,440
Speaker 2: but yeah, it on I like in real life, but

1417
01:06:01,560 --> 01:06:04,920
Speaker 2: not all acting, like having to drive and act. No.

1418
01:06:05,080 --> 01:06:07,320
Speaker 5: I justified you putting the helmet on backwards because you

1419
01:06:07,480 --> 01:06:10,760
Speaker 5: always wore your baseball hat backwards, so I thought you wanted.

1420
01:06:10,600 --> 01:06:14,080
Speaker 6: To keep very high fashion even back then.

1421
01:06:14,760 --> 01:06:14,960
Speaker 2: Nice.

1422
01:06:15,240 --> 01:06:17,240
Speaker 1: All I know is that Natanya telling us there was

1423
01:06:17,280 --> 01:06:19,600
Speaker 1: a real life love triangle going on made this scene

1424
01:06:19,800 --> 01:06:20,400
Speaker 1: in my mind.

1425
01:06:20,480 --> 01:06:21,439
Speaker 3: I'm it's all better.

1426
01:06:21,560 --> 01:06:24,760
Speaker 5: It's totally different now, did yeah, so so did You're

1427
01:06:24,760 --> 01:06:27,560
Speaker 5: saying that Chris didn't have the riz right?

1428
01:06:28,160 --> 01:06:29,840
Speaker 2: Good job, will thank you?

1429
01:06:30,320 --> 01:06:31,840
Speaker 3: Yeah, very nice.

1430
01:06:32,000 --> 01:06:36,280
Speaker 1: So then the mower attacks the neighbor, mister Poindexter and Killer,

1431
01:06:36,880 --> 01:06:39,160
Speaker 1: and the shot that they show where the mower is

1432
01:06:39,280 --> 01:06:41,800
Speaker 1: going towards mister point Dexter and Killer, it's like right there,

1433
01:06:41,880 --> 01:06:43,920
Speaker 1: and then it is so slow.

1434
01:06:45,160 --> 01:06:50,760
Speaker 3: It takes so long, so long, And the whole time

1435
01:06:50,840 --> 01:06:54,240
Speaker 3: he was just sitting their run away so easily.

1436
01:06:54,680 --> 01:06:56,800
Speaker 4: They kept showing the shot over the bush where you

1437
01:06:56,880 --> 01:06:59,000
Speaker 4: see like things flying. I was like, Oh, God, is

1438
01:06:59,040 --> 01:07:05,000
Speaker 4: blood concert could go this could go really differently.

1439
01:07:06,160 --> 01:07:08,040
Speaker 3: Exact same thing. I thought, Oh, are we going to

1440
01:07:08,120 --> 01:07:10,040
Speaker 3: get some like real horror camp?

1441
01:07:10,240 --> 01:07:10,439
Speaker 2: Yes?

1442
01:07:10,720 --> 01:07:15,880
Speaker 1: Ye man, Okay, So now back at the baseball game,

1443
01:07:15,960 --> 01:07:19,320
Speaker 1: we learned that Linda's old boss, mister Carlisle, is the

1444
01:07:19,480 --> 01:07:23,280
Speaker 1: coach of the rival team, the Stranglers.

1445
01:07:22,680 --> 01:07:27,160
Speaker 2: The Hillside Stranglers and actual serial killer names.

1446
01:07:28,920 --> 01:07:31,080
Speaker 3: Also, when's he going to Mexico City?

1447
01:07:32,440 --> 01:07:36,400
Speaker 2: He was one of those Loo, come on, you got

1448
01:07:36,520 --> 01:07:38,240
Speaker 2: to have him also be the coach. I mean, that's

1449
01:07:38,320 --> 01:07:44,760
Speaker 2: just solid in the same suit. But you're right, I

1450
01:07:44,800 --> 01:07:46,520
Speaker 2: didn't even think about that. You're supposed to.

1451
01:07:46,520 --> 01:07:49,400
Speaker 3: Be in Mexico, in Mexico City, I'm not sure.

1452
01:07:49,760 --> 01:07:52,840
Speaker 2: So he's got this busy job coaching the Hillside Stranglers

1453
01:07:52,880 --> 01:07:53,880
Speaker 2: can go. Yeah, the.

1454
01:07:56,080 --> 01:07:57,520
Speaker 3: Team includes his son.

1455
01:07:58,040 --> 01:08:00,640
Speaker 1: The Stranglers are beating Chris's team, as seen in a

1456
01:08:00,720 --> 01:08:03,200
Speaker 1: montage with a song that is just a few keys

1457
01:08:03,240 --> 01:08:05,320
Speaker 1: off of put Me in Coach by John Fogerty.

1458
01:08:06,160 --> 01:08:08,680
Speaker 2: It also is saying exactly what's happening on screen.

1459
01:08:08,840 --> 01:08:13,640
Speaker 1: It's like some sample home rounding the little league basis.

1460
01:08:14,280 --> 01:08:17,080
Speaker 5: It's also the longest montage, I mean, the entire the

1461
01:08:17,160 --> 01:08:19,600
Speaker 5: baseball game takes, like an actual amount of time that.

1462
01:08:19,600 --> 01:08:25,240
Speaker 2: The baseball game takes. It's like a thirty minute scene. Great, like, Wow,

1463
01:08:25,280 --> 01:08:26,120
Speaker 2: the game's still going.

1464
01:08:26,760 --> 01:08:29,040
Speaker 1: So Chris's coach asks him to go get him a

1465
01:08:29,120 --> 01:08:31,960
Speaker 1: coke mid game, and guess who's in the locker room

1466
01:08:32,040 --> 01:08:35,920
Speaker 1: waiting for him money hiding in a pile of dirty launch.

1467
01:08:38,840 --> 01:08:40,200
Speaker 3: Monchy says he'll help.

1468
01:08:40,680 --> 01:08:43,000
Speaker 2: Dir he's been in a dirty line.

1469
01:08:43,040 --> 01:08:45,760
Speaker 5: I also love though, that the kid he goes hands

1470
01:08:45,800 --> 01:08:48,160
Speaker 5: in the quarters and he goes hey, and he goes

1471
01:08:48,240 --> 01:08:50,360
Speaker 5: I know, coach coke, and he walks down and then

1472
01:08:50,400 --> 01:08:52,920
Speaker 5: he's searching for the coke machine. And it's like, you

1473
01:08:53,080 --> 01:08:56,320
Speaker 5: obviously have set up that you've done this nine thousand times.

1474
01:08:56,400 --> 01:08:57,400
Speaker 2: What are you looking for?

1475
01:08:57,720 --> 01:08:58,759
Speaker 5: I know it's.

1476
01:09:00,439 --> 01:09:02,920
Speaker 1: So, but mister Carlyle, who I guess left to p

1477
01:09:03,160 --> 01:09:05,920
Speaker 1: in the middle of an inning season, I don't know

1478
01:09:06,000 --> 01:09:07,880
Speaker 1: why mister Carles.

1479
01:09:07,960 --> 01:09:10,479
Speaker 5: In the locker room is in the locker Also, why

1480
01:09:10,640 --> 01:09:14,240
Speaker 5: doesn't Munchy since there's a human being around.

1481
01:09:14,800 --> 01:09:21,280
Speaker 2: Right, if you can time the rules are you know

1482
01:09:22,040 --> 01:09:24,840
Speaker 2: bled here, you can't. You gotta have consistent rules.

1483
01:09:24,880 --> 01:09:26,679
Speaker 4: It's like Aladdin, you know, it's like you have three

1484
01:09:26,760 --> 01:09:29,600
Speaker 4: wishes and there's you know, this one did address the

1485
01:09:29,680 --> 01:09:33,280
Speaker 4: death thing the way people, But what are there other

1486
01:09:33,400 --> 01:09:34,599
Speaker 4: limits to Monkey's power?

1487
01:09:35,200 --> 01:09:37,679
Speaker 5: He cannot leave in walk in the center of a room.

1488
01:09:39,080 --> 01:09:41,440
Speaker 5: That is one of one of the limits of his powers,

1489
01:09:41,439 --> 01:09:41,880
Speaker 5: of his power.

1490
01:09:42,240 --> 01:09:45,080
Speaker 4: But like it turns out that like whenever he makes

1491
01:09:45,080 --> 01:09:47,680
Speaker 4: something appear, it has to like disappear somewhere else, right,

1492
01:09:47,760 --> 01:09:49,559
Speaker 4: Like she said, he got all those.

1493
01:09:49,680 --> 01:09:53,400
Speaker 2: Electronics, not creating the store right now, it's not creating things.

1494
01:09:53,479 --> 01:09:57,559
Speaker 3: Yeah, and the money we know is still money.

1495
01:09:57,840 --> 01:09:59,960
Speaker 5: That makes it okay because that's counterfeit, which I thought

1496
01:10:00,040 --> 01:10:01,920
Speaker 5: it was a dream sequence and we'll get into all that.

1497
01:10:02,040 --> 01:10:03,519
Speaker 2: I mean, that was a whole another thing.

1498
01:10:03,600 --> 01:10:06,360
Speaker 1: But the rules are a little Yeah, little wishy washing

1499
01:10:07,680 --> 01:10:10,080
Speaker 1: Munchie really should sense that there's a human nearby with

1500
01:10:10,160 --> 01:10:12,040
Speaker 1: mister Cardyle, but he does not. And so back on

1501
01:10:12,120 --> 01:10:14,680
Speaker 1: the field, mister Carlyle tells his son to hit a

1502
01:10:14,760 --> 01:10:18,920
Speaker 1: baseball directly at Brett and take him out, and then

1503
01:10:19,320 --> 01:10:22,360
Speaker 1: he does. Brett is injured by a perfect line drive,

1504
01:10:22,439 --> 01:10:24,120
Speaker 1: which is probably harder, by the way, than.

1505
01:10:25,240 --> 01:10:26,200
Speaker 5: That to do.

1506
01:10:26,960 --> 01:10:29,519
Speaker 2: I want you to aim at a single person with

1507
01:10:29,680 --> 01:10:33,519
Speaker 2: like baseball. Are you kidding? You can possible? Yeah? Uh huh,

1508
01:10:33,800 --> 01:10:35,759
Speaker 2: Now you also missed. I'm sorry.

1509
01:10:36,200 --> 01:10:41,000
Speaker 5: Back in the locker room, mister Carlyle gives the quintessential

1510
01:10:41,360 --> 01:10:45,559
Speaker 5: awesome mister Ed look. So you remember the show mister Ed. Yeah,

1511
01:10:45,760 --> 01:10:48,200
Speaker 5: I mean you've heard of talking so you know the

1512
01:10:48,280 --> 01:10:51,639
Speaker 5: talking horse. He can only do and every time anyone

1513
01:10:51,760 --> 01:10:54,800
Speaker 5: saw mister Ed, they go and they do the big

1514
01:10:54,960 --> 01:10:58,599
Speaker 5: kind of bread and that was so you can also

1515
01:10:58,680 --> 01:11:02,240
Speaker 5: tell that who the actor played mister Carlyle. He is

1516
01:11:02,720 --> 01:11:06,360
Speaker 5: either near sighted or far sided or none of them,

1517
01:11:06,600 --> 01:11:09,120
Speaker 5: because occasionally you would take off his glasses to look

1518
01:11:09,120 --> 01:11:12,280
Speaker 5: at somethingses to look.

1519
01:11:12,120 --> 01:11:17,600
Speaker 2: At something he was. He's a method black because it

1520
01:11:17,800 --> 01:11:19,080
Speaker 2: was she didn't see that.

1521
01:11:19,120 --> 01:11:22,160
Speaker 4: There was a million times articles just about Meryl Streep's

1522
01:11:22,360 --> 01:11:24,640
Speaker 4: glass acting and like how she does it, and she

1523
01:11:24,760 --> 01:11:25,400
Speaker 4: does it all.

1524
01:11:25,520 --> 01:11:26,680
Speaker 2: And now that you've the.

1525
01:11:29,000 --> 01:11:31,759
Speaker 1: I mean, I can picture it from Devil Wears Praduct

1526
01:11:31,760 --> 01:11:33,040
Speaker 1: where she takes you know, she has him on the

1527
01:11:33,120 --> 01:11:35,639
Speaker 1: end of her nose and she takes him off out.

1528
01:11:35,760 --> 01:11:38,519
Speaker 2: So yeah, always she's always got glasses there, always a

1529
01:11:38,520 --> 01:11:40,720
Speaker 2: big is better than her.

1530
01:11:42,280 --> 01:11:45,920
Speaker 1: So uh, Brett gets taken out by the baseball and

1531
01:11:46,000 --> 01:11:49,160
Speaker 1: this leads to Chris becoming the team's picture. Monchy shows

1532
01:11:49,240 --> 01:11:52,040
Speaker 1: up and makes Chris an amazing player, winning the game

1533
01:11:52,120 --> 01:11:54,680
Speaker 1: with a never ending screwball and a home run that

1534
01:11:54,800 --> 01:11:59,120
Speaker 1: impresses Jennifer our dear Natanya. Also, time to remind you

1535
01:11:59,360 --> 01:12:02,640
Speaker 1: everyone is still wearing a Concord T shirt and we

1536
01:12:02,760 --> 01:12:03,280
Speaker 1: are now.

1537
01:12:03,439 --> 01:12:07,320
Speaker 3: Fifty minutes into the movie. No one has changed their shirt.

1538
01:12:08,479 --> 01:12:11,760
Speaker 1: But this whole game really makes mister Carlyle suspicious, and

1539
01:12:11,880 --> 01:12:15,200
Speaker 1: also Chris's home run that circled the planet eventually comes

1540
01:12:15,280 --> 01:12:18,000
Speaker 1: back and bunks Carlyle on the head, knocking him out.

1541
01:12:18,040 --> 01:12:19,280
Speaker 3: We get some more great legwork.

1542
01:12:20,560 --> 01:12:21,000
Speaker 2: It's great.

1543
01:12:21,240 --> 01:12:24,080
Speaker 1: Back at Chris's house, we see his mom again, lit

1544
01:12:24,200 --> 01:12:26,160
Speaker 1: only in the eyes. She's on the phone with a

1545
01:12:26,200 --> 01:12:28,559
Speaker 1: bank and that bank is not giving her more time

1546
01:12:28,640 --> 01:12:30,840
Speaker 1: with her bills and the house is in jeopardy. She

1547
01:12:31,040 --> 01:12:34,320
Speaker 1: falls onto the couch and sulks, just as Chris walks

1548
01:12:34,360 --> 01:12:35,519
Speaker 1: in and asks, what's wrong.

1549
01:12:36,320 --> 01:12:38,679
Speaker 5: I Love, I'm sorry the bank that doesn't want her business.

1550
01:12:38,720 --> 01:12:43,200
Speaker 5: He's like She's like, well, can I refinance? Oh, I

1551
01:12:43,320 --> 01:12:47,519
Speaker 5: understand you're on vacation. I'll call later, Like there's nobody else, Like, well,

1552
01:12:47,600 --> 01:12:50,439
Speaker 5: I'm on, I'll give you mister Johnson over here at

1553
01:12:50,520 --> 01:12:52,519
Speaker 5: the bank, who can refinance.

1554
01:12:51,960 --> 01:12:54,640
Speaker 2: Your brushing off man. That's the whole point. I know, Oh,

1555
01:12:54,720 --> 01:12:56,439
Speaker 2: I get the point, but it's just so funny. It's

1556
01:12:56,439 --> 01:12:57,000
Speaker 2: like the bank.

1557
01:12:57,080 --> 01:12:58,760
Speaker 3: I don't want your money, sorry, ma'am.

1558
01:13:00,479 --> 01:13:03,160
Speaker 1: So Linda pretends that all is well and says that

1559
01:13:03,240 --> 01:13:06,400
Speaker 1: Chris should go to the dance, right as Jennifer calls

1560
01:13:06,560 --> 01:13:10,000
Speaker 1: and says Brett can't go tonight because of the baseball injury,

1561
01:13:10,479 --> 01:13:13,280
Speaker 1: and she asks if Chris will go with her, and

1562
01:13:13,479 --> 01:13:18,519
Speaker 1: he is thrilled. Later, now finally out of the jersey,

1563
01:13:18,640 --> 01:13:20,680
Speaker 1: almost an hour into the movie, Chris is in a

1564
01:13:20,800 --> 01:13:23,880
Speaker 1: suit upstairs getting ready for the dance with Munchie watching on.

1565
01:13:24,320 --> 01:13:27,920
Speaker 1: Munchi gives Chris a tux, a Rolex, and a limo

1566
01:13:28,320 --> 01:13:29,200
Speaker 1: to impress Jennifer.

1567
01:13:29,720 --> 01:13:32,960
Speaker 2: His his his geeky outfit was way better than way better,

1568
01:13:33,320 --> 01:13:34,080
Speaker 2: gool way better.

1569
01:13:35,120 --> 01:13:38,559
Speaker 1: So cool, like those Vans, those Vans shoes or whatever

1570
01:13:38,600 --> 01:13:40,200
Speaker 1: the shoes were that he was wearing with that suit

1571
01:13:40,360 --> 01:13:43,000
Speaker 1: is still cool today Like that was that's a cool look,

1572
01:13:43,240 --> 01:13:44,880
Speaker 1: and then he puts them in at Tucks but talks.

1573
01:13:44,920 --> 01:13:48,120
Speaker 2: I was like, not for the problem for a dance. No.

1574
01:13:48,360 --> 01:13:50,840
Speaker 1: Also, the whole point though for this is I'm gonna

1575
01:13:50,840 --> 01:13:52,920
Speaker 1: woo her with money, and so a Tucks is more

1576
01:13:52,960 --> 01:13:55,360
Speaker 1: expensive than the So that's the point. But I agree

1577
01:13:55,360 --> 01:13:58,320
Speaker 1: with you as far as like cool factor, way cooler before.

1578
01:13:58,439 --> 01:13:58,639
Speaker 5: Yes.

1579
01:13:58,760 --> 01:13:58,920
Speaker 2: Yeah.

1580
01:13:59,320 --> 01:14:03,719
Speaker 3: So also to drive the Limo, Munchie becomes human munchie.

1581
01:14:03,840 --> 01:14:08,519
Speaker 2: Okay, this is where the rules where they lost drive can.

1582
01:14:08,520 --> 01:14:11,519
Speaker 3: Make yourself human munchie?

1583
01:14:12,040 --> 01:14:12,800
Speaker 2: Yeah why not?

1584
01:14:14,080 --> 01:14:16,320
Speaker 5: And then behind the game and beyond, I mean, you

1585
01:14:16,360 --> 01:14:17,639
Speaker 5: could be anything at that point.

1586
01:14:18,479 --> 01:14:22,200
Speaker 2: I also love how he uses his power to turn

1587
01:14:22,600 --> 01:14:26,800
Speaker 2: the station wagon into a limousine that you have to

1588
01:14:26,960 --> 01:14:35,040
Speaker 2: rent because the rental numbers are still on the skill

1589
01:14:35,080 --> 01:14:41,840
Speaker 2: a rental Limos. That's helping him out, but yeah it.

1590
01:14:44,120 --> 01:14:46,800
Speaker 1: Now that he's got so much riz and so much money,

1591
01:14:46,920 --> 01:14:49,720
Speaker 1: Chris quickly becomes kind of a jerk with all these

1592
01:14:49,800 --> 01:14:51,960
Speaker 1: new things, and he wants to start bragging about his

1593
01:14:52,080 --> 01:14:56,040
Speaker 1: baseball heroics. This totally turns Jennifer off, who we also

1594
01:14:56,200 --> 01:15:01,200
Speaker 1: learn has a very old mom at home. I miss

1595
01:15:01,360 --> 01:15:04,920
Speaker 1: that part you Your mom is in the house when

1596
01:15:04,960 --> 01:15:07,800
Speaker 1: he goes to pick you up and you're she's in

1597
01:15:07,880 --> 01:15:10,599
Speaker 1: the background and she's like a seventy five year old.

1598
01:15:16,000 --> 01:15:18,519
Speaker 6: I did not I completely missed that part.

1599
01:15:19,080 --> 01:15:24,080
Speaker 2: She has one line and it's she's like eight years old.

1600
01:15:24,720 --> 01:15:29,760
Speaker 2: I have a good time at the dance. Is really

1601
01:15:29,880 --> 01:15:32,880
Speaker 2: bad wedding. Oh it was my god. So I'm so

1602
01:15:33,000 --> 01:15:35,559
Speaker 2: glad you mentioned Daniel. I wasn't gonna breath. Maybe it's

1603
01:15:35,560 --> 01:15:36,639
Speaker 2: supposed to be her grandfather.

1604
01:15:37,520 --> 01:15:40,040
Speaker 3: I don't know, it's just my mom.

1605
01:15:40,680 --> 01:15:42,200
Speaker 6: I missed that completely.

1606
01:15:42,880 --> 01:15:43,960
Speaker 3: Oh my gosh.

1607
01:15:44,160 --> 01:15:49,880
Speaker 1: Okay, So Chris dances with Jennifer and this is the

1608
01:15:50,000 --> 01:15:52,400
Speaker 1: same weird band from the beginning of the movie.

1609
01:15:52,320 --> 01:15:56,200
Speaker 2: Right, oh yeah, right, yes, this is the old yeah,

1610
01:15:56,280 --> 01:15:58,240
Speaker 2: fifty year old. I think this is the band.

1611
01:15:58,320 --> 01:16:02,479
Speaker 7: He says, he they do's doesn't he say that?

1612
01:16:02,560 --> 01:16:04,719
Speaker 2: Doesn't he say? You say I I have a band

1613
01:16:04,760 --> 01:16:08,760
Speaker 2: that I'm the band manages the.

1614
01:16:10,680 --> 01:16:14,120
Speaker 6: Wardrobe thought it was a good idea to put me

1615
01:16:14,200 --> 01:16:17,760
Speaker 6: in like high heels. It's scene when I could have

1616
01:16:18,160 --> 01:16:22,000
Speaker 6: been wearing flats and still been like three inches taller

1617
01:16:22,080 --> 01:16:25,080
Speaker 6: than exactly that they put me in heels, which made

1618
01:16:25,160 --> 01:16:25,400
Speaker 6: I mean.

1619
01:16:25,840 --> 01:16:27,320
Speaker 4: And then they put you in two shots with him,

1620
01:16:27,320 --> 01:16:30,080
Speaker 4: which is just like, don't don't do that, because he's

1621
01:16:30,200 --> 01:16:32,000
Speaker 4: sitting there going it's like you're looking up and down.

1622
01:16:32,080 --> 01:16:36,800
Speaker 5: It's like, no, no, did you also notice the one

1623
01:16:36,920 --> 01:16:40,040
Speaker 5: kid at the dance There is one kid in a

1624
01:16:40,280 --> 01:16:43,640
Speaker 5: blue shirt that is dancing like nobody's.

1625
01:16:43,240 --> 01:16:49,639
Speaker 2: Watching so much fun he is. He's like, it's oh,

1626
01:16:49,840 --> 01:16:51,400
Speaker 2: I can't even do it. He's so good.

1627
01:16:51,479 --> 01:16:54,599
Speaker 6: So didn't we talk about that? And the Boy Meets

1628
01:16:54,640 --> 01:16:55,639
Speaker 6: World episode two.

1629
01:16:56,280 --> 01:16:59,479
Speaker 2: There was like this exiod going for it. Yes, that's

1630
01:16:59,560 --> 01:17:02,280
Speaker 2: this guy. He was brilliant, brilliant.

1631
01:17:02,360 --> 01:17:04,200
Speaker 1: That's how you get noticed, That's how you get brod.

1632
01:17:04,439 --> 01:17:07,559
Speaker 1: God bless, I know you need those, you need those

1633
01:17:07,680 --> 01:17:11,120
Speaker 1: for sure. So Jennifer says she liked Chris Moore when

1634
01:17:11,160 --> 01:17:12,320
Speaker 1: he was quiet and cute.

1635
01:17:12,840 --> 01:17:14,440
Speaker 3: This was a munchy backfire.

1636
01:17:15,160 --> 01:17:17,519
Speaker 1: Chris is confused about why Jennifer doesn't like him now

1637
01:17:17,560 --> 01:17:20,360
Speaker 1: because everyone else seems to like him. Munchie gives Chris

1638
01:17:20,439 --> 01:17:23,320
Speaker 1: the ability to read people's minds to find out the truth,

1639
01:17:23,439 --> 01:17:26,000
Speaker 1: and then he realizes that everyone thinks he's got a

1640
01:17:26,080 --> 01:17:26,760
Speaker 1: big old head.

1641
01:17:27,280 --> 01:17:29,240
Speaker 4: This is where we're in the second half of the

1642
01:17:29,280 --> 01:17:32,400
Speaker 4: second act, learning the lesson from the wish fulfillment.

1643
01:17:32,760 --> 01:17:34,200
Speaker 2: So you had the wish it was all the fun

1644
01:17:34,720 --> 01:17:40,080
Speaker 2: and then it just now it's there was no real chase.

1645
01:17:40,160 --> 01:17:42,720
Speaker 2: It was a very fast transition to becoming a jerk

1646
01:17:42,800 --> 01:17:43,200
Speaker 2: that quickly.

1647
01:17:43,360 --> 01:17:46,800
Speaker 5: Yeah, yeah, but it was it was I love of

1648
01:17:46,920 --> 01:17:49,560
Speaker 5: the conversation that he's having with his friend on the

1649
01:17:49,600 --> 01:17:52,160
Speaker 5: baseball team, and he can hear his friends thoughts, and

1650
01:17:52,240 --> 01:17:58,040
Speaker 5: so they're both pausing to hear the thoughts, you know, yeah, exactly.

1651
01:17:57,720 --> 01:17:59,040
Speaker 2: You're just sitting there pausing to hear.

1652
01:17:59,040 --> 01:18:01,560
Speaker 4: The f Funny, what wonder years had to do that

1653
01:18:01,680 --> 01:18:04,600
Speaker 4: all the time? Yeah, these constant shots just holding on

1654
01:18:04,720 --> 01:18:05,559
Speaker 4: Fred like well.

1655
01:18:05,439 --> 01:18:06,719
Speaker 2: He just looks around.

1656
01:18:07,160 --> 01:18:07,360
Speaker 4: Yep.

1657
01:18:08,479 --> 01:18:12,040
Speaker 1: So Munchi drives Chris home now as alien Munchie again

1658
01:18:12,200 --> 01:18:15,439
Speaker 1: for some reason, and this allows mister Carlile to get

1659
01:18:15,479 --> 01:18:18,240
Speaker 1: some pictures of Munchie. If he was human, Munchy, this

1660
01:18:18,439 --> 01:18:21,559
Speaker 1: never would have happened, to say human. So back at home,

1661
01:18:21,680 --> 01:18:25,000
Speaker 1: Chris's mom tells Chris all about their financial troubles, very

1662
01:18:25,400 --> 01:18:28,879
Speaker 1: very lit on her eyes. They need twenty thousand dollars

1663
01:18:29,080 --> 01:18:32,960
Speaker 1: and maybe a miracle. Munchi hears this and privately tells

1664
01:18:33,040 --> 01:18:35,240
Speaker 1: Chris he's not sure he'll be allowed to help, but

1665
01:18:35,320 --> 01:18:37,800
Speaker 1: He also says he's going to help I get really

1666
01:18:37,880 --> 01:18:39,200
Speaker 1: weird mixed messages here.

1667
01:18:39,439 --> 01:18:41,280
Speaker 3: He's like, I'm not sure I'm able.

1668
01:18:41,120 --> 01:18:41,400
Speaker 2: To do this.

1669
01:18:41,520 --> 01:18:43,080
Speaker 3: I've got it covered by I.

1670
01:18:44,560 --> 01:18:46,639
Speaker 5: Missed one note I wanted to talk about very briefly.

1671
01:18:46,880 --> 01:18:50,599
Speaker 5: Back in the limo where they grabbed the grape juice,

1672
01:18:51,040 --> 01:18:53,639
Speaker 5: did you notice that the grape juice was already half gone?

1673
01:18:53,720 --> 01:18:55,640
Speaker 5: I noticed that a bit, and I wonder why you

1674
01:18:55,680 --> 01:18:57,760
Speaker 5: would want to drink a half gone grapefruit juice.

1675
01:18:57,840 --> 01:19:00,640
Speaker 6: It was half gone because dem slash so much of

1676
01:19:00,760 --> 01:19:03,960
Speaker 6: the damn grape juice that I think the prop people

1677
01:19:04,160 --> 01:19:07,880
Speaker 6: just forgot to read killing it up yeah, or put like.

1678
01:19:07,880 --> 01:19:10,000
Speaker 2: A new bottle yeah, And you were all just full

1679
01:19:10,040 --> 01:19:10,639
Speaker 2: of grape juice.

1680
01:19:10,760 --> 01:19:12,599
Speaker 6: I don't know why we did that scene like fifteen

1681
01:19:12,760 --> 01:19:15,760
Speaker 6: million times, and I kept like drinking this grape juice.

1682
01:19:16,000 --> 01:19:19,080
Speaker 2: That is well.

1683
01:19:19,320 --> 01:19:23,360
Speaker 1: Meanwhile, mister Carlile visits the Santa Monica Heritage Museum with

1684
01:19:23,439 --> 01:19:29,160
Speaker 1: the photo of Munchie. He meets Professor Empty Graves. They

1685
01:19:29,280 --> 01:19:32,160
Speaker 1: even say get it, get it, and is told that

1686
01:19:32,320 --> 01:19:35,720
Speaker 1: Munchie is from a species that ruled the world before man.

1687
01:19:36,240 --> 01:19:43,800
Speaker 1: This species was the mentor behind individuals with power and wealth, wealth, wealth, wealth.

1688
01:19:44,280 --> 01:19:46,920
Speaker 2: Well, I love how there's pictures of him with like

1689
01:19:47,040 --> 01:19:50,880
Speaker 2: drawn pictures of Fushy with Napoleon and with crossing the

1690
01:19:51,000 --> 01:19:53,680
Speaker 2: Delaware and all these kind of like, oh, okay.

1691
01:19:53,680 --> 01:19:56,439
Speaker 1: Well, there's a funny line here where mister Carlyle interrupts

1692
01:19:56,439 --> 01:19:58,600
Speaker 1: the professor during the explanation of the plot point, and

1693
01:19:58,680 --> 01:20:01,320
Speaker 1: the professor says, who's doing the exposition here? Which is

1694
01:20:01,439 --> 01:20:06,639
Speaker 1: writer so funny, really really great. After this, mister Carlyle

1695
01:20:06,760 --> 01:20:09,759
Speaker 1: now wants to steal Monchy. He must have him for himself.

1696
01:20:09,800 --> 01:20:13,320
Speaker 1: He wants that power and wealth. And then back at Chris's,

1697
01:20:13,600 --> 01:20:16,200
Speaker 1: Munchie makes it start to snow money in front of

1698
01:20:16,240 --> 01:20:16,639
Speaker 1: their home.

1699
01:20:17,400 --> 01:20:20,680
Speaker 3: So this was Munchie's big solved. Maybe he could have

1700
01:20:20,800 --> 01:20:22,879
Speaker 3: just left the money in a drawer somewhere.

1701
01:20:24,200 --> 01:20:26,080
Speaker 7: That doesn't make a good cinematic sequence.

1702
01:20:26,760 --> 01:20:28,599
Speaker 2: This is so the way they did.

1703
01:20:28,680 --> 01:20:30,120
Speaker 5: They set it up though, it was like, okay, so

1704
01:20:30,120 --> 01:20:32,120
Speaker 5: it's having a dream that money's raining down, and then

1705
01:20:32,120 --> 01:20:33,320
Speaker 5: the next day they're on the news.

1706
01:20:33,360 --> 01:20:34,240
Speaker 2: I was like, oh, that wasn't.

1707
01:20:34,560 --> 01:20:36,040
Speaker 1: I thought the same thing, that it was going to

1708
01:20:36,040 --> 01:20:38,759
Speaker 1: be a dream, and then it just wasn't. So Linda

1709
01:20:38,800 --> 01:20:40,600
Speaker 1: and Chris then end up on the news with the

1710
01:20:40,680 --> 01:20:42,760
Speaker 1: reporter named Hannah Barbera.

1711
01:20:42,640 --> 01:20:46,800
Speaker 2: Hannah Barbera who cannot pronounce the words properly. Did you

1712
01:20:46,880 --> 01:20:50,080
Speaker 2: hear she says, she's trying to say deluge, but she

1713
01:20:50,200 --> 01:20:54,280
Speaker 2: says like deluge, she says something really weird where it

1714
01:20:54,360 --> 01:20:56,040
Speaker 2: was like, whoa, that was a weird and fastist like

1715
01:20:56,120 --> 01:20:58,760
Speaker 2: it was bizarre. Did you catch the name of the

1716
01:20:58,800 --> 01:20:59,400
Speaker 2: news company?

1717
01:21:00,000 --> 01:21:04,960
Speaker 7: No, I think it's Limited attention Span News, Limited attention.

1718
01:21:04,720 --> 01:21:06,000
Speaker 2: Span News, and they turn it off.

1719
01:21:06,920 --> 01:21:09,919
Speaker 7: That's great, lapsn lapsin.

1720
01:21:10,520 --> 01:21:11,080
Speaker 3: That's funny.

1721
01:21:11,160 --> 01:21:13,360
Speaker 1: So they're raking up money off their front lawn. Jennifer

1722
01:21:13,439 --> 01:21:16,719
Speaker 1: is nearby and Chris gets to apologize for being a geek,

1723
01:21:17,000 --> 01:21:19,840
Speaker 1: and then they agree to be friends. But then this

1724
01:21:20,000 --> 01:21:22,799
Speaker 1: raining money situation leads a man from the Treasury Department

1725
01:21:22,880 --> 01:21:24,800
Speaker 1: to the house. He inspects the bills and sees that

1726
01:21:24,880 --> 01:21:26,600
Speaker 1: the serial number on the bill is part of a

1727
01:21:26,720 --> 01:21:29,160
Speaker 1: series that Mint has not the Mint has not printed yet.

1728
01:21:29,880 --> 01:21:34,280
Speaker 5: Not just that, sorry, but unless they're negative dollar bills,

1729
01:21:34,920 --> 01:21:38,439
Speaker 5: how many bags make up twenty thousand dollars?

1730
01:21:38,960 --> 01:21:41,200
Speaker 2: There was forty two bags.

1731
01:21:41,680 --> 01:21:44,000
Speaker 7: Of full Like you say one dollar bill, don't there's

1732
01:21:44,000 --> 01:21:46,000
Speaker 7: reference them as one dollar bills even if they do.

1733
01:21:46,320 --> 01:21:48,280
Speaker 2: I mean it's it's not going to fill up. There's

1734
01:21:48,320 --> 01:21:51,439
Speaker 2: they tired. There's like eight bags of trash bags that

1735
01:21:51,520 --> 01:21:56,559
Speaker 2: are full bills, serious bills.

1736
01:21:56,640 --> 01:21:58,160
Speaker 3: How much it's time to do an experiment.

1737
01:21:58,240 --> 01:22:00,200
Speaker 1: When we teach Natanya how to ride a bike, we'll

1738
01:22:00,200 --> 01:22:01,960
Speaker 1: also get twenty dollar business.

1739
01:22:02,000 --> 01:22:05,759
Speaker 3: How many trash bags? I'll have to content? Any content? Okay?

1740
01:22:06,560 --> 01:22:09,560
Speaker 1: He asks them to come to his office and he

1741
01:22:09,680 --> 01:22:11,240
Speaker 1: confiscates all of the bills.

1742
01:22:11,520 --> 01:22:13,040
Speaker 3: It was too good to be true.

1743
01:22:13,760 --> 01:22:16,720
Speaker 1: They leave and mister Carlyle immediately pulls up and then

1744
01:22:16,840 --> 01:22:19,040
Speaker 1: breaks in their into their home to steal Munchie. And

1745
01:22:19,080 --> 01:22:21,519
Speaker 1: it's here that we enter a full ten minute home

1746
01:22:21,560 --> 01:22:24,839
Speaker 1: alone section of monkey pulling pranks on him. There are fireworks, marbles,

1747
01:22:24,920 --> 01:22:27,720
Speaker 1: fire a bowling ball, and there is one line I

1748
01:22:27,800 --> 01:22:30,320
Speaker 1: couldn't figure out during the fight, no matter how many

1749
01:22:30,360 --> 01:22:32,240
Speaker 1: times it rewound it. Let's see if you can help me.

1750
01:22:32,439 --> 01:22:35,040
Speaker 1: This is mister Carlyle. Let's play clip three.

1751
01:22:35,280 --> 01:22:36,559
Speaker 2: I'm gonna catch you world.

1752
01:22:37,760 --> 01:22:39,760
Speaker 3: Keep keep bob you.

1753
01:22:40,120 --> 01:22:46,439
Speaker 2: I'll keep bob you. I am going to something or

1754
01:22:46,640 --> 01:22:49,439
Speaker 2: is it a kebab It's a noun, right, can you

1755
01:22:49,560 --> 01:22:51,759
Speaker 2: verb this? I'm gonna comebob you listen.

1756
01:22:52,200 --> 01:22:54,120
Speaker 3: I couldn't figure it out. I tried. I literally I

1757
01:22:54,240 --> 01:22:56,640
Speaker 3: was like obsessed with it. I don't know. If you

1758
01:22:56,800 --> 01:22:59,360
Speaker 3: know anyone, please let me know. But in the end,

1759
01:22:59,439 --> 01:23:01,760
Speaker 3: mister yeah, we gotta get it.

1760
01:23:04,360 --> 01:23:07,639
Speaker 1: Does end up capturing a lifeless munchie who he hopped

1761
01:23:07,720 --> 01:23:09,360
Speaker 1: out with a handful of potatoes.

1762
01:23:09,680 --> 01:23:14,480
Speaker 5: So the potatoes first of all attacked that connect.

1763
01:23:15,240 --> 01:23:22,639
Speaker 2: Drops a potato this bar off his head and knock him.

1764
01:23:23,320 --> 01:23:29,439
Speaker 2: You had established a potato allergy for potatoes, kryptonite something

1765
01:23:29,479 --> 01:23:33,960
Speaker 2: with potatoes, because he says kryptonite potatoes and he says something. Well,

1766
01:23:34,960 --> 01:23:35,920
Speaker 2: it's a whole pulley.

1767
01:23:35,680 --> 01:23:38,440
Speaker 3: System by the refrigerator.

1768
01:23:38,840 --> 01:23:41,439
Speaker 1: Anyway, He shoves the little guy Munchie into a garbage bag,

1769
01:23:41,479 --> 01:23:43,559
Speaker 1: and Chris, his mom, and the Treasury guy come back

1770
01:23:43,600 --> 01:23:46,439
Speaker 1: home with a new reasoning for the snowing money, a

1771
01:23:46,600 --> 01:23:50,880
Speaker 1: counterfeit ring that dumped the stash over their house. She

1772
01:23:51,040 --> 01:23:53,280
Speaker 1: tells the agent about losing her job and he suggests

1773
01:23:53,360 --> 01:23:56,839
Speaker 1: working for the government. She's into it and also possibly

1774
01:23:56,920 --> 01:24:02,000
Speaker 1: into him. But when Chris re enters the house, he

1775
01:24:02,040 --> 01:24:05,240
Speaker 1: sees mister Carlyle and the bagged munchie. Now Chris, his

1776
01:24:05,360 --> 01:24:09,000
Speaker 1: mom and the agent revealed his name is Todd after

1777
01:24:09,160 --> 01:24:12,120
Speaker 1: the thief in their car. During the chase, Munchy messes

1778
01:24:12,160 --> 01:24:15,439
Speaker 1: with mister Carlyle's car and also Todd says he also

1779
01:24:15,560 --> 01:24:16,800
Speaker 1: had a monkey growing.

1780
01:24:16,640 --> 01:24:19,839
Speaker 2: Up, apparently that he was also part of a munchie.

1781
01:24:19,920 --> 01:24:21,880
Speaker 3: He goes, oh that guy, I had one of those too.

1782
01:24:22,840 --> 01:24:25,879
Speaker 5: Everyone had a munchie and everyone else turned into a president.

1783
01:24:25,960 --> 01:24:28,320
Speaker 5: But Todd is still working for the irs or whatever

1784
01:24:28,360 --> 01:24:31,360
Speaker 5: it has happened. Like what did he do to his Munchy?

1785
01:24:32,520 --> 01:24:33,840
Speaker 5: Did not become Napoleon?

1786
01:24:34,120 --> 01:24:34,719
Speaker 2: Is my question.

1787
01:24:37,479 --> 01:24:40,840
Speaker 1: Eventually, Bobs enter the chase and Carlyle crashes his car,

1788
01:24:41,000 --> 01:24:44,439
Speaker 1: causing a flip. They also apparently had money to I

1789
01:24:44,479 --> 01:24:45,880
Speaker 1: guess they had money to shoot this part.

1790
01:24:45,960 --> 01:24:47,479
Speaker 3: I'm telling you some of these stunts.

1791
01:24:47,920 --> 01:24:49,640
Speaker 7: Oh this is a Roger Corman way though, That's what

1792
01:24:49,680 --> 01:24:51,479
Speaker 7: he would do. Like one of his like one of

1793
01:24:51,560 --> 01:24:53,760
Speaker 7: his go toos was that cars are actually cheap, So

1794
01:24:53,920 --> 01:24:58,120
Speaker 7: smashing a car and doing explosions always cheap, and so

1795
01:24:58,280 --> 01:25:00,120
Speaker 7: like you just you just buy a used car and

1796
01:25:00,160 --> 01:25:02,000
Speaker 7: then you just put up a ramp and flip it,

1797
01:25:02,120 --> 01:25:04,080
Speaker 7: and like you just pay a stunt guy for that,

1798
01:25:04,439 --> 01:25:06,479
Speaker 7: and like you don't really care that much about the car,

1799
01:25:06,680 --> 01:25:07,519
Speaker 7: and you get one take.

1800
01:25:07,960 --> 01:25:10,160
Speaker 4: It's like it was like the old school Hollywood thing,

1801
01:25:10,240 --> 01:25:12,800
Speaker 4: you know. It's just like I remember my brother. My

1802
01:25:12,880 --> 01:25:15,400
Speaker 4: brother was in a movie that had had one of

1803
01:25:15,439 --> 01:25:17,519
Speaker 4: them have a big explosion to the Disney movie called Spies,

1804
01:25:17,680 --> 01:25:20,160
Speaker 4: and they just found an old house that was foreclosed

1805
01:25:20,200 --> 01:25:23,040
Speaker 4: on or going to be demolished anyway, and blew it up.

1806
01:25:23,200 --> 01:25:25,400
Speaker 2: And it's like, it's actually not that expensive to just

1807
01:25:25,439 --> 01:25:26,200
Speaker 2: blow up the house.

1808
01:25:26,720 --> 01:25:29,960
Speaker 6: Am I wrong? I thought? Was Roger Corman also known

1809
01:25:30,040 --> 01:25:31,840
Speaker 6: for like be horror movies.

1810
01:25:32,000 --> 01:25:33,280
Speaker 3: Oh yeah, yes, okay.

1811
01:25:34,000 --> 01:25:36,760
Speaker 6: I have tried to get I have tried to have

1812
01:25:36,880 --> 01:25:40,360
Speaker 6: my agent somehow get me into these horror conventions. Just

1813
01:25:41,200 --> 01:25:42,360
Speaker 6: Munchie strikes back and.

1814
01:25:42,400 --> 01:25:44,040
Speaker 3: They're like, no, it doesn't care.

1815
01:25:45,040 --> 01:25:49,639
Speaker 6: It's just like a really bad horror horror movie in Canada.

1816
01:25:49,640 --> 01:25:51,639
Speaker 6: I think I told you guys with Chauncey Lea Pardi.

1817
01:25:52,160 --> 01:25:53,519
Speaker 2: Yes, we was in it.

1818
01:25:54,160 --> 01:25:56,160
Speaker 6: I was like, that's it, that's my ticket. I'm getting

1819
01:25:56,640 --> 01:25:57,919
Speaker 6: damn cons.

1820
01:25:58,040 --> 01:25:58,400
Speaker 2: They just.

1821
01:26:00,000 --> 01:26:01,880
Speaker 6: They'd rather have me for Little Monsters.

1822
01:26:02,439 --> 01:26:05,640
Speaker 2: Man, are you going to Munchie Cohn? In Wisconsin?

1823
01:26:09,840 --> 01:26:13,480
Speaker 6: The featured guest heartbroken.

1824
01:26:13,840 --> 01:26:16,960
Speaker 1: Well, mister Carlyle's car blows up and mister Carlyle is

1825
01:26:17,000 --> 01:26:19,840
Speaker 1: taken in by the police. Turns out mister Carlyle also

1826
01:26:20,000 --> 01:26:22,839
Speaker 1: sexually assaulted one of the police officers wives.

1827
01:26:23,800 --> 01:26:24,800
Speaker 3: That's revealed.

1828
01:26:26,880 --> 01:26:28,920
Speaker 1: Chris doesn't know if Munchy made it out alive, and

1829
01:26:29,000 --> 01:26:31,200
Speaker 1: Todd says if he was anything like his little friend,

1830
01:26:31,280 --> 01:26:33,400
Speaker 1: he's back at the house waiting for him. Chris just

1831
01:26:33,479 --> 01:26:35,400
Speaker 1: accepts this and happily hops into the car and they

1832
01:26:35,479 --> 01:26:38,000
Speaker 1: drive off. Back at Chris's house, he has no idea

1833
01:26:38,040 --> 01:26:40,560
Speaker 1: where Monchy is, but just then his TV turns on

1834
01:26:40,760 --> 01:26:43,559
Speaker 1: and it's the Munchy Show. Munchy pops up and says

1835
01:26:43,600 --> 01:26:45,840
Speaker 1: he was at the jail where mister Carlyle was just

1836
01:26:45,920 --> 01:26:47,040
Speaker 1: sent to the mental ward.

1837
01:26:47,439 --> 01:26:48,799
Speaker 3: Monchy says he came to say.

1838
01:26:48,720 --> 01:26:51,240
Speaker 1: Goodbye, but Chris says his mom is still in trouble.

1839
01:26:51,600 --> 01:26:54,720
Speaker 1: Munkey explains because of the counterfeit money, his mom will

1840
01:26:54,760 --> 01:26:57,719
Speaker 1: have a new higher paying job, the bank will extend

1841
01:26:57,760 --> 01:26:59,960
Speaker 1: the mortgage, and he may even get a step down

1842
01:27:00,120 --> 01:27:01,400
Speaker 1: out of all of this.

1843
01:27:01,680 --> 01:27:03,800
Speaker 5: I'd like to talk about that, just the way that

1844
01:27:04,000 --> 01:27:07,680
Speaker 5: Todd right when they like everything got wrapped up and

1845
01:27:07,720 --> 01:27:10,360
Speaker 5: he's like, all right, let's go home, it was like,

1846
01:27:10,439 --> 01:27:11,439
Speaker 5: whoa you live here?

1847
01:27:11,520 --> 01:27:15,280
Speaker 2: Now I've known you for twelve minutes. What does that mean?

1848
01:27:18,360 --> 01:27:18,719
Speaker 3: Bonded?

1849
01:27:19,040 --> 01:27:20,559
Speaker 2: They've bonded so fast.

1850
01:27:20,760 --> 01:27:25,840
Speaker 1: Also, in the throng day, all of this has happened

1851
01:27:25,880 --> 01:27:29,280
Speaker 1: in three days. Monkey leaves Chris thanks traumatic three days. Also,

1852
01:27:29,439 --> 01:27:33,360
Speaker 1: Brett is now fully dating Jennifer and not even Munchie

1853
01:27:33,360 --> 01:27:36,640
Speaker 1: could stop that. Apparently, no ladies for Chris, even if

1854
01:27:36,640 --> 01:27:39,560
Speaker 1: he has munchy. In the end, back in Heaven, we

1855
01:27:39,640 --> 01:27:42,080
Speaker 1: see that it was Chris's deceased father who was the

1856
01:27:42,120 --> 01:27:44,080
Speaker 1: one who requested Munchie to go take care of his

1857
01:27:44,160 --> 01:27:47,519
Speaker 1: family in the first place. Munchie comes back to Heaven

1858
01:27:47,560 --> 01:27:48,479
Speaker 1: and is proud of his work.

1859
01:27:48,760 --> 01:27:49,240
Speaker 3: Obviously.

1860
01:27:49,360 --> 01:27:52,000
Speaker 1: Now Kronos is impressed, and Munshi assumes he can go

1861
01:27:52,160 --> 01:27:55,160
Speaker 1: back to partying. He's told not just yet, you have

1862
01:27:55,240 --> 01:27:59,160
Speaker 1: another mission someone who really needs your help. And he's

1863
01:27:59,240 --> 01:28:00,720
Speaker 1: then shown picture.

1864
01:28:00,479 --> 01:28:06,960
Speaker 3: Of Bill Clinton. She looks at the camera and says this,

1865
01:28:07,280 --> 01:28:08,280
Speaker 3: let's play clip four.

1866
01:28:08,640 --> 01:28:11,400
Speaker 2: Well, I wouldn't miss our next picture, folks. But until then,

1867
01:28:11,640 --> 01:28:12,720
Speaker 2: here's the end of this one.

1868
01:28:15,120 --> 01:28:21,040
Speaker 1: Yes, well Clinton, they never made another Manchi's movie, which

1869
01:28:22,320 --> 01:28:23,200
Speaker 1: maybe was for the best.

1870
01:28:23,280 --> 01:28:25,200
Speaker 3: After all, I don't know how could you after this

1871
01:28:25,320 --> 01:28:28,320
Speaker 3: one on a high note? I mean, come on, so

1872
01:28:28,760 --> 01:28:31,559
Speaker 3: Natania What are your thoughts on Monchie Strikes Back, now

1873
01:28:31,680 --> 01:28:33,680
Speaker 3: approaching its thirtieth anniversary.

1874
01:28:34,520 --> 01:28:39,519
Speaker 6: One, I'm really old, we all Two. I wish I

1875
01:28:39,680 --> 01:28:43,439
Speaker 6: had my own little Munchie, you know, just kind of

1876
01:28:44,040 --> 01:28:46,280
Speaker 6: hang out with and get some favors and you know,

1877
01:28:46,400 --> 01:28:50,639
Speaker 6: see if we can fix this that and the other. Also,

1878
01:28:50,680 --> 01:28:52,280
Speaker 6: I've had a very interesting career.

1879
01:28:53,520 --> 01:28:55,920
Speaker 2: Yes, I really like forgot.

1880
01:28:55,680 --> 01:29:00,360
Speaker 6: About this movie. And I'm so glad that Danielle loved

1881
01:29:00,400 --> 01:29:03,839
Speaker 6: the Cardigan enough that we are back here doing this together.

1882
01:29:05,160 --> 01:29:08,600
Speaker 6: And I loved rewatching it, but I've loved doing this

1883
01:29:08,800 --> 01:29:10,040
Speaker 6: with you guys even more so.

1884
01:29:10,320 --> 01:29:13,320
Speaker 1: Like, well, that's exactly how we feel. We we watch

1885
01:29:13,439 --> 01:29:17,040
Speaker 1: anything you were in over and over again. You were

1886
01:29:17,320 --> 01:29:20,840
Speaker 1: hands down the absolute most incredible part of this movie,

1887
01:29:20,920 --> 01:29:24,400
Speaker 1: and I wanted more you. Every time you were on screen.

1888
01:29:24,760 --> 01:29:27,800
Speaker 1: I was fully invested. So thank you for taking the

1889
01:29:27,840 --> 01:29:28,760
Speaker 1: time to do this with us.

1890
01:29:28,920 --> 01:29:29,400
Speaker 3: We love you.

1891
01:29:29,560 --> 01:29:32,240
Speaker 1: Please tell us what your uh tell us where we

1892
01:29:32,320 --> 01:29:34,800
Speaker 1: can find you on social media and anywhere else.

1893
01:29:35,240 --> 01:29:39,280
Speaker 6: Yeah, so on Instagram. It's just at Natanya Ross. I

1894
01:29:39,439 --> 01:29:41,840
Speaker 6: have a film coming out in a couple months. I'm

1895
01:29:41,880 --> 01:29:43,920
Speaker 6: doing another one on Monday that'll be out in the

1896
01:29:44,000 --> 01:29:47,920
Speaker 6: next who knows. Six months to awesome and yeah and

1897
01:29:48,160 --> 01:29:51,160
Speaker 6: just uh and I have a lot of appearances coming up,

1898
01:29:51,160 --> 01:29:55,160
Speaker 6: a lot of comic cons, that's all on my Instagram promoted.

1899
01:29:55,160 --> 01:29:58,120
Speaker 3: And horror cons. Bring her out for Munchie which probably

1900
01:29:59,040 --> 01:29:59,280
Speaker 3: or for.

1901
01:30:00,080 --> 01:30:01,519
Speaker 6: Shadow Zone on de Express.

1902
01:30:01,920 --> 01:30:04,479
Speaker 1: There you go, come on, we could do another, we

1903
01:30:04,520 --> 01:30:07,400
Speaker 1: could do another recap. Yeah, and Natanya, we love you,

1904
01:30:07,640 --> 01:30:09,320
Speaker 1: thank you so much for being here, and.

1905
01:30:10,320 --> 01:30:11,519
Speaker 3: We will see you again soon.

1906
01:30:11,840 --> 01:30:12,920
Speaker 6: Yes, you guys.

1907
01:30:15,600 --> 01:30:18,240
Speaker 5: Can I point out very quickly that in the credits

1908
01:30:18,960 --> 01:30:21,760
Speaker 5: of the film one of the people who helped with

1909
01:30:21,840 --> 01:30:27,360
Speaker 5: the program was the Don Peterson, but the was quotes.

1910
01:30:27,479 --> 01:30:33,080
Speaker 2: Oh his nickname so strange, just like, what a weird

1911
01:30:33,240 --> 01:30:34,040
Speaker 2: thing to quote.

1912
01:30:38,600 --> 01:30:40,320
Speaker 3: Well, that was really fun. I enjoyed that.

1913
01:30:40,600 --> 01:30:42,840
Speaker 2: It's a sweet little movie. It was reat. It was

1914
01:30:43,120 --> 01:30:46,719
Speaker 2: terrible in the best ways. It just needed more money

1915
01:30:46,840 --> 01:30:47,679
Speaker 2: and a better puppet.

1916
01:30:48,000 --> 01:30:50,280
Speaker 4: Ye, And well you're talking about Stan Winston makes the

1917
01:30:50,320 --> 01:30:52,479
Speaker 4: puppets for this and it's an amazing film.

1918
01:30:52,360 --> 01:30:55,120
Speaker 5: Right what you were talking about writer with Mary Poppins,

1919
01:30:55,160 --> 01:30:57,960
Speaker 5: though I mean Barry Poppins is even p J.

1920
01:30:58,160 --> 01:31:00,280
Speaker 2: Traveller, p L. Traveler, whatever name. The woman who wrote it.

1921
01:31:00,760 --> 01:31:03,120
Speaker 2: The whole, the whole thing about it was that it's

1922
01:31:03,160 --> 01:31:05,559
Speaker 2: not about saving the kids. It's actually about saving the dad,

1923
01:31:05,840 --> 01:31:08,040
Speaker 2: which is why Saving Mister Banks came out. And that's

1924
01:31:08,120 --> 01:31:11,599
Speaker 2: what this movie was about. It's actually about saving the mom, right,

1925
01:31:11,760 --> 01:31:14,599
Speaker 2: and it was just through the kids. So yeah, another

1926
01:31:14,720 --> 01:31:19,320
Speaker 2: kind of you know, Mary Poppins Home Alone, e T. Gremlins.

1927
01:31:19,400 --> 01:31:21,360
Speaker 2: I mean it's great with a with a little bit

1928
01:31:21,439 --> 01:31:23,960
Speaker 2: of young kid baseball movie through a little sand lot

1929
01:31:24,000 --> 01:31:25,439
Speaker 2: thrown in. Yeah, it's great.

1930
01:31:25,920 --> 01:31:27,759
Speaker 1: Well, thank you all for joining us for this episode

1931
01:31:27,800 --> 01:31:29,560
Speaker 1: of Podmeets World. As always, you can follow us on

1932
01:31:29,640 --> 01:31:31,920
Speaker 1: Instagram pod Meets World Show. You can send us your

1933
01:31:31,960 --> 01:31:34,439
Speaker 1: emails pod meets World Show at gmail dot com and

1934
01:31:35,080 --> 01:31:40,519
Speaker 1: we have March Hey, I'm Marchie Podmeetsworldshow dot com.

1935
01:31:40,880 --> 01:31:42,800
Speaker 3: We'll see you all next time. Writer send us out.

1936
01:31:43,200 --> 01:31:45,160
Speaker 2: We love you all. Pod dismissed.

1937
01:31:46,680 --> 01:31:49,360
Speaker 4: Pod Meets World is an iHeart podcast producer hosted by

1938
01:31:49,439 --> 01:31:53,240
Speaker 4: Danielle Fischel, Will Ferdell and Ryder Strong. Executive producers Jensen

1939
01:31:53,320 --> 01:31:56,799
Speaker 4: Karp and Amy Sugarman. Executive in charge of production, Danielle Romo,

1940
01:31:57,120 --> 01:32:01,479
Speaker 4: producer and editor, Tara Sudbox producer, Akie Rodriguez engineer and

1941
01:32:01,600 --> 01:32:04,640
Speaker 4: boy meets World superfan Easton Allen. Our theme song is

1942
01:32:04,760 --> 01:32:07,240
Speaker 4: by Kyle Morton of Typhoon. You can follow us on

1943
01:32:07,360 --> 01:32:10,439
Speaker 4: Instagram at Podmets World Show or send us an email

1944
01:32:10,600 --> 01:32:13,080
Speaker 4: at Podmetsworldshow at gmail dot com.