1
00:00:01,440 --> 00:00:03,800
Speaker 1: The Home Depot has very good news for your lawn.

2
00:00:04,120 --> 00:00:08,000
Speaker 1: It's called Scott's Thicker Lawn right now from Only Bag.

3
00:00:08,400 --> 00:00:10,640
Speaker 1: Thicker Lawn is a three and one mixture of seed,

4
00:00:10,680 --> 00:00:14,440
Speaker 1: fertilizer and soil improofer, perfectly formulated for thicker lawns and

5
00:00:14,520 --> 00:00:17,439
Speaker 1: happier lawn owners. So spread the word for up to

6
00:00:17,480 --> 00:00:21,200
Speaker 1: a fifty thicker lawn after just one application. Today is

7
00:00:21,239 --> 00:00:23,960
Speaker 1: the day for doing with Scott's Thicker Lawn from Only

8
00:00:24,960 --> 00:00:28,080
Speaker 1: Bag Now with the Home Depot, more saving, more doing

9
00:00:28,240 --> 00:00:32,479
Speaker 1: selection barriers by store. Hey, Drink Champs Army. Make sure

10
00:00:32,520 --> 00:00:34,760
Speaker 1: you let your friends and family know which podcast you're

11
00:00:34,800 --> 00:00:39,159
Speaker 1: listening to by hashtagging tripod. That's hashtag t r y

12
00:00:39,479 --> 00:00:41,680
Speaker 1: p o D. Let them know you listen to Drink

13
00:00:41,760 --> 00:00:50,520
Speaker 1: Champs and whatever else you're listening to out there. He's

14
00:00:50,560 --> 00:00:56,560
Speaker 1: a legendary queen's Rapper's a Miami hip hop pioneer. What

15
00:00:56,720 --> 00:00:59,120
Speaker 1: up is d J E f N. Together they drink

16
00:00:59,200 --> 00:01:01,520
Speaker 1: it up with some of the biggest players in music

17
00:01:01,560 --> 00:01:04,280
Speaker 1: and sports. You know what I mean. The most professional,

18
00:01:04,440 --> 00:01:08,440
Speaker 1: unprofessional podcast and your number one source for drunk facts.

19
00:01:08,520 --> 00:01:10,679
Speaker 1: This is Drinks Chat Reading, where every day is new

20
00:01:10,760 --> 00:01:15,840
Speaker 1: year's eve. Hey, he said, green Home, your South being,

21
00:01:15,880 --> 00:01:19,399
Speaker 1: it's your boy, And what the djes is drink ches

22
00:01:19,520 --> 00:01:27,639
Speaker 1: motherfucker podcast and right now this is a very special edition.

23
00:01:28,280 --> 00:01:31,440
Speaker 1: It's like a mother He's like old school meets new school,

24
00:01:31,520 --> 00:01:34,920
Speaker 1: New school meets old school. It's like DJ's combine with

25
00:01:35,120 --> 00:01:37,960
Speaker 1: two us, like three DJs and to artists, you're jumping

26
00:01:38,040 --> 00:01:43,720
Speaker 1: us right now about time J So right now, without

27
00:01:43,760 --> 00:01:49,639
Speaker 1: no further a dude, we got hands down international live DJ.

28
00:01:49,800 --> 00:01:53,200
Speaker 1: He has this thing called no Panty Sunday. I kid

29
00:01:53,200 --> 00:01:56,440
Speaker 1: you not. I don't want to. My cleaning lady comes over.

30
00:01:57,680 --> 00:02:00,240
Speaker 1: I put it on his pariscope and I just act

31
00:02:00,320 --> 00:02:03,400
Speaker 1: like it's the radio. This guy has been doing it

32
00:02:03,440 --> 00:02:06,160
Speaker 1: for years. Of my very first tour, I've seen him

33
00:02:06,200 --> 00:02:08,920
Speaker 1: on the tour. He brought me to the room because

34
00:02:08,919 --> 00:02:11,399
Speaker 1: he knew I cannally didn't smoke weed. And he said,

35
00:02:11,440 --> 00:02:13,239
Speaker 1: little nigga come to the room and the smokes in

36
00:02:13,280 --> 00:02:19,080
Speaker 1: Maljuana got genesis all right. Then we got to to

37
00:02:19,200 --> 00:02:21,120
Speaker 1: the left of him to write to him. Excuse me.

38
00:02:21,440 --> 00:02:24,640
Speaker 1: We got Harlem's own person that's been a part of

39
00:02:25,080 --> 00:02:28,480
Speaker 1: reshaping Harlem. Holium has been known for Hallom World but

40
00:02:28,560 --> 00:02:30,799
Speaker 1: this is not hardom world. This is a new eraw

41
00:02:30,840 --> 00:02:34,160
Speaker 1: the new Millennium Harlem. He's repping. His father was a

42
00:02:34,160 --> 00:02:37,079
Speaker 1: close friend of mine, which is crazy that he's a

43
00:02:37,120 --> 00:02:39,520
Speaker 1: star now because I wish his father was alive to

44
00:02:39,600 --> 00:02:42,079
Speaker 1: see his artom. We got a sat ferg in the

45
00:02:42,160 --> 00:02:48,959
Speaker 1: motherfucker he finished. We got Mr copy Cool himself, Mr

46
00:02:49,040 --> 00:02:51,600
Speaker 1: Tony Doka, a guy who's who I've seen him in

47
00:02:51,680 --> 00:02:56,200
Speaker 1: Dominican Republic and we've had the wonderful nights. And that's

48
00:02:56,240 --> 00:02:58,960
Speaker 1: all you gotta say. I mean, you know, his accolades

49
00:02:59,040 --> 00:03:01,560
Speaker 1: is crazy. He's been on Tommy Boy, he's been a

50
00:03:01,680 --> 00:03:05,760
Speaker 1: downs crazy legs and you know, old school to new school,

51
00:03:05,760 --> 00:03:08,920
Speaker 1: he's still out, still filthy m c s. I've been

52
00:03:08,960 --> 00:03:12,200
Speaker 1: on like three of them. Goddamnit makes a noise. So

53
00:03:12,280 --> 00:03:18,600
Speaker 1: Tony time now my Now, my intro wasn't that Gooduse

54
00:03:18,600 --> 00:03:20,320
Speaker 1: I haven't had a drink. Let me get a drink,

55
00:03:20,360 --> 00:03:22,799
Speaker 1: one of my drinking to drinking. You're drinking bell Air.

56
00:03:23,520 --> 00:03:27,799
Speaker 1: You got um. Let's get this out of the way. Now,

57
00:03:27,800 --> 00:03:34,760
Speaker 1: are you signed to bell? Are no negative shows? You

58
00:03:34,760 --> 00:03:38,560
Speaker 1: you want? You want some rose? Oh? Rod okay? After

59
00:03:38,640 --> 00:03:41,120
Speaker 1: just gonna go Rose. I don't want what regular rock

60
00:03:41,160 --> 00:03:44,360
Speaker 1: at les now? Just what for y'all? I don't know.

61
00:03:44,800 --> 00:03:47,800
Speaker 1: We celebrate hip hop on this show, and we celebrate

62
00:03:47,840 --> 00:03:50,280
Speaker 1: all legends, you know what I'm saying, And we celebrate

63
00:03:50,600 --> 00:03:53,560
Speaker 1: the culture of hip hop. So sorry with you. I

64
00:03:53,640 --> 00:03:56,120
Speaker 1: remember back in the days, I was a kid from

65
00:03:56,200 --> 00:04:00,440
Speaker 1: Queens and you had something called kicking pre slow jams

66
00:04:00,520 --> 00:04:03,080
Speaker 1: or was the slow jams kicking free to mixtapes? The

67
00:04:03,080 --> 00:04:06,120
Speaker 1: mix tape? Do you know? Until I was twenty one,

68
00:04:06,200 --> 00:04:12,080
Speaker 1: that's the only thing I fucked too? That's slow word?

69
00:04:13,160 --> 00:04:15,280
Speaker 1: You know? Real? You know? I can't you now, I

70
00:04:15,280 --> 00:04:18,600
Speaker 1: said one, I'm lying like I think the first time

71
00:04:18,760 --> 00:04:20,919
Speaker 1: I put on R and B was with my wife,

72
00:04:21,040 --> 00:04:24,000
Speaker 1: like and now I was like thirty fucking fiber and thirty.

73
00:04:24,640 --> 00:04:28,440
Speaker 1: I'm yeah, like thirty one. But real, hold, ch you

74
00:04:28,520 --> 00:04:33,720
Speaker 1: fucked up my whole childhood. I'm WoT the slow jam taste?

75
00:04:33,760 --> 00:04:37,480
Speaker 1: Did you know that? I mean, did you know that?

76
00:04:36,600 --> 00:04:40,400
Speaker 1: You know it gonna be like all the people like

77
00:04:40,440 --> 00:04:44,240
Speaker 1: me at at But you know that I came from

78
00:04:44,680 --> 00:04:46,800
Speaker 1: the start of of the the hip hop tapes, the

79
00:04:46,839 --> 00:04:49,240
Speaker 1: street tapes I was making, you know, whenever when I

80
00:04:49,279 --> 00:04:52,000
Speaker 1: came out, I wanted to have different colors of different joints.

81
00:04:52,000 --> 00:04:54,040
Speaker 1: So slow Tape. Slow Tape was just one of those

82
00:04:54,080 --> 00:04:57,200
Speaker 1: joints I was making. It just popped off from same thing,

83
00:04:57,279 --> 00:05:00,520
Speaker 1: like no Panty Sundays right now, Panty Sundays man Scope

84
00:05:00,560 --> 00:05:06,080
Speaker 1: on palest Sunday Night. Yeah, there was a repose. Okay, Okay,

85
00:05:06,080 --> 00:05:08,279
Speaker 1: here we go. But that's a war. Yeah so so

86
00:05:08,279 --> 00:05:13,000
Speaker 1: so now, Kiah. So back in the days when you

87
00:05:13,120 --> 00:05:16,280
Speaker 1: considered the first mixtape DJ no not at all. Okay,

88
00:05:17,160 --> 00:05:20,040
Speaker 1: Uh well, it was Hollywood before me. It was Brucey Bead,

89
00:05:20,080 --> 00:05:23,080
Speaker 1: it was star Chown, there was love Buck Stars Tea.

90
00:05:23,800 --> 00:05:25,760
Speaker 1: But when I came on the scene, I made it national,

91
00:05:25,839 --> 00:05:28,479
Speaker 1: I made it big. I did it different. Um. I

92
00:05:28,480 --> 00:05:30,440
Speaker 1: put aggression to it, and I wanted to be looking

93
00:05:30,440 --> 00:05:32,479
Speaker 1: at as an artist, not somebody just playing records. So

94
00:05:32,520 --> 00:05:35,400
Speaker 1: that's why I'm not got a little stages. When I

95
00:05:35,440 --> 00:05:38,600
Speaker 1: got on the stages next to that platinum artists, I'm

96
00:05:38,600 --> 00:05:41,000
Speaker 1: gonna leave that star in that coliseum, you know, just

97
00:05:41,040 --> 00:05:43,960
Speaker 1: like that platinum artist is even maybe even better, because

98
00:05:43,960 --> 00:05:45,360
Speaker 1: that's how I wanted to be looked at. I want

99
00:05:45,360 --> 00:05:47,360
Speaker 1: to be looked at somebody was just playing records, you know,

100
00:05:47,360 --> 00:05:49,680
Speaker 1: what I'm saying, and you know, and that's how, that's

101
00:05:49,680 --> 00:05:51,479
Speaker 1: how all the money came out. That's all, you know,

102
00:05:51,480 --> 00:05:54,200
Speaker 1: everything started getting bigger, you know, for the DJ king

103
00:05:54,400 --> 00:05:56,120
Speaker 1: it became a business. Now I made it a business.

104
00:05:56,120 --> 00:05:58,800
Speaker 1: It wasn't no more you behind them where you wasn't

105
00:05:58,800 --> 00:06:00,400
Speaker 1: no more. You would have to be behind the route

106
00:06:00,720 --> 00:06:02,480
Speaker 1: to be on to get paid. Now you get paid

107
00:06:02,520 --> 00:06:04,680
Speaker 1: on your own. You o. Man, you know what I'm

108
00:06:04,680 --> 00:06:07,400
Speaker 1: saying that you lock out and travel the world. So

109
00:06:07,440 --> 00:06:11,280
Speaker 1: that's what it was now as f yeah drink, We're

110
00:06:11,279 --> 00:06:13,600
Speaker 1: gonna take shots to who was the first DJ to

111
00:06:13,640 --> 00:06:16,840
Speaker 1: play record? Who was the first DJ to break a

112
00:06:17,000 --> 00:06:20,120
Speaker 1: sap from hitting right there too? I want to say

113
00:06:20,160 --> 00:06:25,920
Speaker 1: self yourself self right, I want to, but I don't.

114
00:06:26,320 --> 00:06:28,440
Speaker 1: It's so long ago. I want to say it self.

115
00:06:28,440 --> 00:06:31,880
Speaker 1: I can name all the early supporters about that. I

116
00:06:31,880 --> 00:06:36,440
Speaker 1: want to say self was definitely one advocate that really

117
00:06:36,480 --> 00:06:39,279
Speaker 1: represented for me. And then I want to say DJ

118
00:06:39,520 --> 00:06:44,719
Speaker 1: enough always show me love. Um called mellow definition definitely

119
00:06:44,760 --> 00:06:51,640
Speaker 1: showed me love. Carlo, like you know what it is

120
00:06:51,720 --> 00:06:53,920
Speaker 1: all black people too. I think it's a racist ship

121
00:06:55,000 --> 00:07:00,960
Speaker 1: to show me up. Definitely the spiritual it yeah, yeah,

122
00:07:01,120 --> 00:07:06,000
Speaker 1: you know yeah, flex, how can I you get flex? Definitely,

123
00:07:06,080 --> 00:07:08,560
Speaker 1: so you know, shout all of the DJs like earlier

124
00:07:08,600 --> 00:07:15,760
Speaker 1: on in Bay Bay Out, then um, what is the Dallas? Yeah?

125
00:07:16,160 --> 00:07:18,640
Speaker 1: But I want to say like self was definitely like

126
00:07:18,840 --> 00:07:23,400
Speaker 1: one of them, the first one. When you guys sat Rocky,

127
00:07:23,280 --> 00:07:27,480
Speaker 1: they sat, they sat perious. I sat most excuse me.

128
00:07:27,680 --> 00:07:29,920
Speaker 1: You guys represent a new sound of New York, but

129
00:07:29,920 --> 00:07:34,800
Speaker 1: it's still New York. But how do you like basic

130
00:07:35,160 --> 00:07:38,080
Speaker 1: criticism when people say, oh, that's that don't sound like

131
00:07:38,120 --> 00:07:42,000
Speaker 1: the custom New York. Oh I think we do got

132
00:07:42,040 --> 00:07:45,280
Speaker 1: certain songs that sound like traditional New York. But I

133
00:07:45,320 --> 00:07:47,880
Speaker 1: think like once the Internet came, is almost like you

134
00:07:47,920 --> 00:07:50,440
Speaker 1: get to hang out everywhere. So it's like you you

135
00:07:51,000 --> 00:07:53,920
Speaker 1: getting music from kids that make beats in Japan or

136
00:07:54,400 --> 00:07:56,480
Speaker 1: you and we started linking up with kids that was

137
00:07:56,520 --> 00:07:59,240
Speaker 1: in Texas, and then you know, we was traveling and

138
00:07:59,600 --> 00:08:03,000
Speaker 1: Rocky went to school in Mississippi and was linking up

139
00:08:03,000 --> 00:08:07,280
Speaker 1: with different people. So our sounds naturally progressed in that way.

140
00:08:07,640 --> 00:08:09,200
Speaker 1: And it was just like I said, like the Internet

141
00:08:09,280 --> 00:08:12,560
Speaker 1: kind of like integrated everything and it made it a

142
00:08:12,600 --> 00:08:15,040
Speaker 1: mountain pot for music. And your crew was everywhere. You

143
00:08:15,120 --> 00:08:18,040
Speaker 1: have people in Miami too. Yeah, Miami definitely shout out

144
00:08:18,080 --> 00:08:20,760
Speaker 1: to Loto, Um, it's had a Loto and shout out

145
00:08:20,800 --> 00:08:24,760
Speaker 1: to DJ. They kind of down somehow, No, but this

146
00:08:24,960 --> 00:08:28,400
Speaker 1: that was definitely cool. Family's cool. He's the home. Yeah.

147
00:08:29,160 --> 00:08:32,840
Speaker 1: Yea totally touched early on right, being at Puerto Ricans

148
00:08:33,200 --> 00:08:36,679
Speaker 1: and in the DJ DJ and was that did that

149
00:08:36,720 --> 00:08:41,440
Speaker 1: face like complications because the traditional DJ was black at

150
00:08:41,480 --> 00:08:45,640
Speaker 1: that time? Um, you know what I mean, you know,

151
00:08:45,720 --> 00:08:47,439
Speaker 1: I think we were there from the game. No, No,

152
00:08:47,600 --> 00:08:49,640
Speaker 1: that was selling a lot of Puerto Ricans onn't seen

153
00:08:49,760 --> 00:08:52,160
Speaker 1: before me. You know, we were just talking about little

154
00:08:52,240 --> 00:08:54,960
Speaker 1: Louis Vega before and you know, he was one of

155
00:08:54,960 --> 00:08:58,559
Speaker 1: the first, you know, doing urban parties in the city

156
00:08:58,600 --> 00:09:01,679
Speaker 1: and Capri actually was doing Studio fifty four with him

157
00:09:01,720 --> 00:09:04,400
Speaker 1: back at eighty seven. Studio fifty foot was about that.

158
00:09:04,440 --> 00:09:08,199
Speaker 1: But took me back with that, but you know, to yeah, Louise,

159
00:09:08,320 --> 00:09:11,240
Speaker 1: you know, Charlie Chase, of course, you know Chie we

160
00:09:11,280 --> 00:09:13,640
Speaker 1: had Puerto Rican presence in there. You know, it wasn't

161
00:09:13,640 --> 00:09:16,319
Speaker 1: a lot, but you know, yeah, you know what I mean,

162
00:09:16,360 --> 00:09:17,920
Speaker 1: what do you do? Do you do? You felt like

163
00:09:17,960 --> 00:09:20,360
Speaker 1: it was harder being part of weekend or was it like,

164
00:09:20,520 --> 00:09:23,480
Speaker 1: um no, because you know I was playing I was

165
00:09:23,480 --> 00:09:25,640
Speaker 1: playing dance music too or stuff like that. You know,

166
00:09:25,720 --> 00:09:29,640
Speaker 1: the dance music that it was like, you know, predominantly

167
00:09:30,120 --> 00:09:32,440
Speaker 1: Spanish anyway. So I was in that world as well.

168
00:09:32,520 --> 00:09:34,480
Speaker 1: But as far as in the hip hop, you know,

169
00:09:35,360 --> 00:09:37,920
Speaker 1: not really, man, I didn't really feel no resistance or

170
00:09:37,960 --> 00:09:40,120
Speaker 1: any type of way. It was. I was born in

171
00:09:40,160 --> 00:09:41,880
Speaker 1: East New York, so I was just around. It was

172
00:09:41,920 --> 00:09:43,760
Speaker 1: just part of you know, that means you got a body,

173
00:09:43,840 --> 00:09:51,719
Speaker 1: let's make noise for peoples. Got a lot, so kick

174
00:09:51,800 --> 00:09:55,440
Speaker 1: apri right, I've been to your parties. I've been there.

175
00:09:55,480 --> 00:09:57,440
Speaker 1: That's the cool, open up the man. You ain't gonna

176
00:09:57,440 --> 00:10:03,840
Speaker 1: get away. Oh now, I'm now. So I've been to

177
00:10:03,880 --> 00:10:07,679
Speaker 1: your party kicking brief and you really interact with the crowd.

178
00:10:08,120 --> 00:10:12,080
Speaker 1: You make sure they participating. Is that important? Because do

179
00:10:12,120 --> 00:10:14,520
Speaker 1: you get mad you see a DJ to just play records,

180
00:10:14,679 --> 00:10:16,560
Speaker 1: they don't talk to the crowd, they don't hype it up.

181
00:10:16,760 --> 00:10:19,439
Speaker 1: I don't get mad at to stay in my land.

182
00:10:19,679 --> 00:10:22,800
Speaker 1: But do you come on now? I mean I mean yeah, yeah,

183
00:10:22,800 --> 00:10:24,439
Speaker 1: I mean of course you're gonna judge anybody that you

184
00:10:24,559 --> 00:10:26,719
Speaker 1: go and pay well, I would pay ebody when you

185
00:10:26,800 --> 00:10:29,200
Speaker 1: go to see somebody on the stage or your whole ideas,

186
00:10:29,240 --> 00:10:30,720
Speaker 1: you want to feel better than you did before you

187
00:10:30,760 --> 00:10:32,240
Speaker 1: got there. And that's the job to do. And a

188
00:10:32,280 --> 00:10:34,880
Speaker 1: lot of people sometimes they get stuck and they suffering.

189
00:10:34,880 --> 00:10:36,800
Speaker 1: They forget that they think they need doing the crowd

190
00:10:36,800 --> 00:10:39,400
Speaker 1: of favor. Really, when the people stop paying from tickets,

191
00:10:39,400 --> 00:10:41,960
Speaker 1: you're gonna see who's really doing the favor. So my

192
00:10:42,040 --> 00:10:45,400
Speaker 1: whole thing is, it's not just the crowd, is the promoter.

193
00:10:45,679 --> 00:10:48,439
Speaker 1: You gotta make sure the promoters happy. Such as uh,

194
00:10:48,800 --> 00:10:51,280
Speaker 1: that's saying when I do a show somewhere, the promoter

195
00:10:51,360 --> 00:10:55,080
Speaker 1: lives and does everything. Corn to my riter and something

196
00:10:55,120 --> 00:10:57,520
Speaker 1: like rain happened in the crowd, don't come out, tim

197
00:10:58,040 --> 00:10:59,480
Speaker 1: set up another show. I'm but come and do it

198
00:10:59,600 --> 00:11:01,520
Speaker 1: free for you, just so he can get his bread,

199
00:11:01,760 --> 00:11:04,160
Speaker 1: just so he can never feel like when when I'm down,

200
00:11:04,200 --> 00:11:06,240
Speaker 1: he's gonna keep me further. A lot of dudes, what

201
00:11:06,280 --> 00:11:08,400
Speaker 1: they're do is I got my bread, I'm here and

202
00:11:08,440 --> 00:11:10,040
Speaker 1: I ain't my problem. You all that ship, but see

203
00:11:10,080 --> 00:11:13,800
Speaker 1: what happens. This dude happened back six more times that year.

204
00:11:14,320 --> 00:11:16,560
Speaker 1: He said, I'm saying, he see that I got his back.

205
00:11:16,600 --> 00:11:18,720
Speaker 1: No matter what. So I'll come back six more times

206
00:11:18,760 --> 00:11:20,520
Speaker 1: that year. And I ain't got to worry about making

207
00:11:20,559 --> 00:11:22,440
Speaker 1: a record. I ain't gotta worry about being on TV.

208
00:11:22,520 --> 00:11:24,480
Speaker 1: I ain't got worried about being on the radio. I

209
00:11:24,559 --> 00:11:27,480
Speaker 1: conquered all that, just the name alone, the brand alone.

210
00:11:27,559 --> 00:11:30,200
Speaker 1: Keep going because of those things, because of the respect,

211
00:11:30,320 --> 00:11:32,160
Speaker 1: and then you give these promoters and the crowd that

212
00:11:32,280 --> 00:11:34,480
Speaker 1: come to pay. And that's just it, man, That's why

213
00:11:34,480 --> 00:11:46,839
Speaker 1: he keeps going. Thanks being a great niggin. Give me

214
00:11:46,840 --> 00:11:52,360
Speaker 1: a nice cold drink. Let me think this. I gotta

215
00:11:52,400 --> 00:11:59,280
Speaker 1: I got a question for you, Deaf Comedy Jam. Where

216
00:11:59,360 --> 00:12:01,800
Speaker 1: was you when first gave you that call? And what

217
00:12:01,840 --> 00:12:04,439
Speaker 1: did you think? Because you were the first DJ on

218
00:12:04,520 --> 00:12:06,720
Speaker 1: that comedy j correct, Yeah, I mean I was the

219
00:12:06,720 --> 00:12:08,400
Speaker 1: one with him from time to start at the time

220
00:12:08,440 --> 00:12:11,680
Speaker 1: and it and the toy um. I was doing the

221
00:12:11,720 --> 00:12:15,040
Speaker 1: show after show, before l L show, he was doing

222
00:12:15,080 --> 00:12:17,439
Speaker 1: the garden. They asked him to the after party. I'm

223
00:12:17,480 --> 00:12:27,040
Speaker 1: shaking this building, us shaking the building up. Russell Simmons,

224
00:12:27,120 --> 00:12:30,000
Speaker 1: walk up, your kids. You see the crowd, you know,

225
00:12:30,120 --> 00:12:32,200
Speaker 1: losing it? O kid, what you think about doing the

226
00:12:32,240 --> 00:12:35,640
Speaker 1: comedy show? You know, on that comedy show from comedy.

227
00:12:35,640 --> 00:12:38,440
Speaker 1: When I got to DJ of the Commed whatever, I

228
00:12:38,480 --> 00:12:42,800
Speaker 1: was like, wait man Russell hbo By the question this ship,

229
00:12:42,880 --> 00:12:46,480
Speaker 1: let's just go do it. So anyway we end up

230
00:12:46,520 --> 00:12:48,880
Speaker 1: doing it. And that ship changed my life. I mean,

231
00:12:48,920 --> 00:12:51,200
Speaker 1: I was popping in the street, but I thought I

232
00:12:51,240 --> 00:12:53,400
Speaker 1: was popping on the street. I wasn't ship. When I

233
00:12:53,400 --> 00:12:57,360
Speaker 1: got on that show. I remember the first concept we did,

234
00:12:58,480 --> 00:12:59,920
Speaker 1: not the tell of the show, the first and when

235
00:13:00,000 --> 00:13:04,000
Speaker 1: the yeah, the first, the first show we did. I'm

236
00:13:04,000 --> 00:13:06,400
Speaker 1: behind stage. It was about maybe nine thousand people in

237
00:13:06,440 --> 00:13:09,280
Speaker 1: the crowding behind stage and the crowd the curtain is

238
00:13:09,320 --> 00:13:11,640
Speaker 1: down and I'm standing, I'm listening to people, you know,

239
00:13:11,920 --> 00:13:13,640
Speaker 1: flapping off, but I ain't really thinking none of As

240
00:13:13,679 --> 00:13:15,760
Speaker 1: soon as the crowd so was the thing open. These

241
00:13:15,760 --> 00:13:20,040
Speaker 1: people were screaming like it was just like I ain't

242
00:13:20,400 --> 00:13:22,319
Speaker 1: Michael Jackson, the Susicio, I didn't know what was going on.

243
00:13:22,440 --> 00:13:24,400
Speaker 1: Was just screaming. But I'm standing. I never got stage

244
00:13:25,559 --> 00:13:30,760
Speaker 1: comedy but the toy and when that happened, I want

245
00:13:30,800 --> 00:13:33,040
Speaker 1: to go grab the mic. They screaming even more so.

246
00:13:33,160 --> 00:13:35,880
Speaker 1: Now what happened was I had a fifteen minutes set,

247
00:13:36,640 --> 00:13:39,240
Speaker 1: so I had to play records quick, and the more

248
00:13:39,320 --> 00:13:41,920
Speaker 1: records that ship I played is the more crazy these

249
00:13:41,920 --> 00:13:44,280
Speaker 1: people got. So I've seen without getting the concerts, and

250
00:13:44,320 --> 00:13:46,000
Speaker 1: I applied it to the parties and that's when the

251
00:13:46,080 --> 00:13:48,360
Speaker 1: DJ see me doing in the parties, playing the ship

252
00:13:48,440 --> 00:13:51,160
Speaker 1: quick and you know, freaking it out. And but a

253
00:13:51,160 --> 00:13:52,920
Speaker 1: lot of times a lot of DJs trying to do it,

254
00:13:52,920 --> 00:13:55,360
Speaker 1: and they piss people off because they don't make sense

255
00:13:55,360 --> 00:13:57,080
Speaker 1: of what they're doing. They're just trying to do the ship.

256
00:13:57,400 --> 00:13:59,520
Speaker 1: But when I started doing it, it was a story

257
00:13:59,600 --> 00:14:02,200
Speaker 1: I was on to tell. So it worked and I

258
00:14:02,240 --> 00:14:03,760
Speaker 1: just took it, brought to the party and did what

259
00:14:03,800 --> 00:14:05,719
Speaker 1: I did. Like a number of other things we could

260
00:14:05,720 --> 00:14:08,000
Speaker 1: get into and talk about, but we won't even go there.

261
00:14:08,679 --> 00:14:11,240
Speaker 1: We don't need a shot. After the shows, I went

262
00:14:11,280 --> 00:14:12,679
Speaker 1: to the tour where they came here. It was at

263
00:14:12,720 --> 00:14:15,319
Speaker 1: the James All Night Center. Do you gotta you gotta ticket?

264
00:14:15,880 --> 00:14:21,880
Speaker 1: Because I know you gotta tend it and the show

265
00:14:22,160 --> 00:14:24,600
Speaker 1: he came off the tables, went into the into the crowd.

266
00:14:24,880 --> 00:14:27,840
Speaker 1: That's why I always always getting what was getting cloud

267
00:14:27,920 --> 00:14:30,840
Speaker 1: was that definitely those are my people. Man. To this day,

268
00:14:31,000 --> 00:14:32,920
Speaker 1: I do two on the shows a year, so to

269
00:14:33,000 --> 00:14:34,760
Speaker 1: this day. You know what I'm saying. My engagement is

270
00:14:34,800 --> 00:14:36,680
Speaker 1: to people. The people. You know what I'm saying, A

271
00:14:37,280 --> 00:14:39,520
Speaker 1: three hundred and sixty five days of the year, he's

272
00:14:39,520 --> 00:14:44,560
Speaker 1: busy touring it. This thing's out here to like you

273
00:14:44,560 --> 00:14:46,520
Speaker 1: haven't damn, you haven't remember house the first doing it

274
00:14:46,640 --> 00:14:48,840
Speaker 1: in hip hop to own the tour, but to get

275
00:14:50,480 --> 00:14:57,840
Speaker 1: remember that, like damn, So I'm right now. I'd just

276
00:14:57,880 --> 00:15:00,520
Speaker 1: straight on them, on them on home. My first my

277
00:15:00,600 --> 00:15:03,520
Speaker 1: forty ft. My forty foot was my second album came out.

278
00:15:04,400 --> 00:15:06,360
Speaker 1: I almost first bus and then I went and brought

279
00:15:06,360 --> 00:15:08,440
Speaker 1: at forty five ft the crazy Ship. When I went

280
00:15:08,480 --> 00:15:10,160
Speaker 1: to go buy my first bus to people that owned

281
00:15:10,160 --> 00:15:12,320
Speaker 1: the bus to come to the company, they were laughing

282
00:15:12,360 --> 00:15:14,920
Speaker 1: at me, like when nobody buy buses. I'm come out

283
00:15:14,960 --> 00:15:17,120
Speaker 1: and go rent a bus, tours over and you send

284
00:15:17,120 --> 00:15:20,120
Speaker 1: the bus back. Get my bus. Man came back board

285
00:15:20,160 --> 00:15:23,240
Speaker 1: another one. He didn't the best drivers driving just to

286
00:15:23,280 --> 00:15:26,920
Speaker 1: simulate cast money and all that. So it was happening,

287
00:15:26,920 --> 00:15:28,840
Speaker 1: and even offered me a million dollars from my company.

288
00:15:29,040 --> 00:15:31,000
Speaker 1: And then they get you know, but at the end

289
00:15:31,000 --> 00:15:32,960
Speaker 1: of the day, I was the first one to do

290
00:15:33,000 --> 00:15:35,160
Speaker 1: that because it was so many dates and I'm driving

291
00:15:35,160 --> 00:15:36,920
Speaker 1: with fifteen creates and records. I like my ship to

292
00:15:36,920 --> 00:15:39,360
Speaker 1: look crazy and bulky, So I was gonna stay smashing

293
00:15:39,360 --> 00:15:41,600
Speaker 1: them like that. I needed my buster won't take me,

294
00:15:41,640 --> 00:15:48,920
Speaker 1: So that's what I did that. I ain't a question

295
00:15:48,960 --> 00:15:51,640
Speaker 1: for us this question. I have a question for you

296
00:15:51,640 --> 00:15:55,080
Speaker 1: that I wanted you to rumors the moment you knew

297
00:15:55,440 --> 00:15:58,120
Speaker 1: because you know, y'all was a crewe prior to coming

298
00:15:58,120 --> 00:16:02,640
Speaker 1: out face sat a crew. But when was the moment

299
00:16:02,800 --> 00:16:05,800
Speaker 1: that because I understand that Rocky was the first one

300
00:16:05,960 --> 00:16:09,800
Speaker 1: to jump off, when was the moment you said, uh,

301
00:16:09,880 --> 00:16:14,520
Speaker 1: I'm here. The moment that I knew that when when

302
00:16:14,560 --> 00:16:16,880
Speaker 1: he was doing his thing and I was playing passenger,

303
00:16:16,920 --> 00:16:19,680
Speaker 1: I was like, I was just basically studying because before

304
00:16:19,680 --> 00:16:22,080
Speaker 1: I got into the game, I was scared as him.

305
00:16:22,120 --> 00:16:23,920
Speaker 1: You know, they always talked about like all the people

306
00:16:23,960 --> 00:16:27,200
Speaker 1: taking advantage and the record execs and devils in the game,

307
00:16:27,240 --> 00:16:29,800
Speaker 1: and all of that sounded his soul to the devil.

308
00:16:30,080 --> 00:16:31,600
Speaker 1: Who do you think it's gonna take advantage? Who do

309
00:16:31,640 --> 00:16:34,200
Speaker 1: you think that's gonna come? I mean, you go back there,

310
00:16:34,240 --> 00:16:37,240
Speaker 1: the people you want to expect it like talking about

311
00:16:37,240 --> 00:16:43,600
Speaker 1: the people that kind of talking about the college, the

312
00:16:43,640 --> 00:16:52,160
Speaker 1: college DJ call that might be the college, you know

313
00:16:52,240 --> 00:16:57,600
Speaker 1: that college. Them guys that had they guys, they don't

314
00:16:57,640 --> 00:17:01,160
Speaker 1: have no uh desire to out with you and your friends,

315
00:17:01,640 --> 00:17:04,840
Speaker 1: those guys, And um yeah, I just basically wanted to

316
00:17:04,880 --> 00:17:07,239
Speaker 1: study the game. And you know, we all just like

317
00:17:07,720 --> 00:17:09,520
Speaker 1: it was good because I was doing it with my friends.

318
00:17:09,840 --> 00:17:11,960
Speaker 1: But like I was just like, all right, when he drops,

319
00:17:12,119 --> 00:17:13,960
Speaker 1: I gotta be like right behind him, you know what

320
00:17:14,000 --> 00:17:15,760
Speaker 1: I'm saying, just to be that support. And I know,

321
00:17:15,840 --> 00:17:18,800
Speaker 1: like you know, when things slowed down for him, you know,

322
00:17:18,920 --> 00:17:20,800
Speaker 1: I gotta be the next one, just like how Meek

323
00:17:20,880 --> 00:17:24,119
Speaker 1: did for raw. So like you know, Drake Differ, Wayne,

324
00:17:24,160 --> 00:17:26,240
Speaker 1: I gotta be there to pick up the thing and

325
00:17:26,320 --> 00:17:28,399
Speaker 1: put it on my back. And um, I had to

326
00:17:28,440 --> 00:17:32,440
Speaker 1: figure out we was like really pushing rockets like we was.

327
00:17:32,880 --> 00:17:36,200
Speaker 1: You know, we all wanted to do vote, we all

328
00:17:36,200 --> 00:17:37,760
Speaker 1: wanted to do g Q, we all wanted but he

329
00:17:37,800 --> 00:17:39,720
Speaker 1: did it first, and he did it. You know, he

330
00:17:39,800 --> 00:17:42,160
Speaker 1: opened those doors for us. But we was like basically

331
00:17:42,480 --> 00:17:44,840
Speaker 1: putting him on a pedestal to do those things. So

332
00:17:44,880 --> 00:17:46,520
Speaker 1: I was like, what can I do to do do

333
00:17:46,640 --> 00:17:49,720
Speaker 1: something different? You know what I'm saying. Because because y'all

334
00:17:49,720 --> 00:17:52,480
Speaker 1: started hanging downtown. Were different type of clothes. Yeah, but

335
00:17:52,520 --> 00:17:55,159
Speaker 1: we're banging downtown doing a different clothes. Like I was

336
00:17:55,160 --> 00:17:57,880
Speaker 1: thinking now uptown, I would wear different clothes. We wore

337
00:17:57,960 --> 00:18:00,000
Speaker 1: just differently. Know, this is the village of Miami, right,

338
00:18:01,119 --> 00:18:04,760
Speaker 1: I don't think this is the village. It is the

339
00:18:04,840 --> 00:18:15,280
Speaker 1: village of whing like the art galleries and ago. It's

340
00:18:15,320 --> 00:18:17,359
Speaker 1: not like I know what I was, what I was,

341
00:18:17,520 --> 00:18:19,399
Speaker 1: what I was getting to you. It's just like I

342
00:18:19,520 --> 00:18:21,359
Speaker 1: just basically had to discover what I was going to

343
00:18:21,400 --> 00:18:24,399
Speaker 1: bring to the table, like my sound and what a

344
00:18:24,520 --> 00:18:26,639
Speaker 1: sat ferg is going to be to the group. And

345
00:18:26,680 --> 00:18:29,560
Speaker 1: I knew that like Asta wasn't really in the clubs

346
00:18:29,600 --> 00:18:31,359
Speaker 1: like that, you know what I'm saying, because he was

347
00:18:31,680 --> 00:18:34,240
Speaker 1: hanging out downtown and we went to the house parties

348
00:18:34,280 --> 00:18:36,200
Speaker 1: and you know it was with a bunch of white

349
00:18:36,240 --> 00:18:40,520
Speaker 1: hippies and ship like me to the party, you know,

350
00:18:40,640 --> 00:18:43,240
Speaker 1: fashion parties and like that. So but I'm always the

351
00:18:43,320 --> 00:18:45,399
Speaker 1: hype one. I'm bringing the energy. So like I'm the

352
00:18:45,480 --> 00:18:48,280
Speaker 1: one I was an invitation to the club. And that's

353
00:18:48,280 --> 00:18:50,720
Speaker 1: when I started doing work and shopper and like all

354
00:18:50,720 --> 00:18:53,320
Speaker 1: the job idea was that the shopping is genius, but

355
00:18:53,440 --> 00:18:56,000
Speaker 1: that was mine. I like, listen, I didn't even know

356
00:18:56,040 --> 00:18:57,600
Speaker 1: what I was doing. It just kind of came to

357
00:18:57,720 --> 00:19:01,000
Speaker 1: me and like I heard to be like like you know,

358
00:19:01,040 --> 00:19:05,800
Speaker 1: he got fucking shop. I know what shop? Come on whatever?

359
00:19:07,000 --> 00:19:14,040
Speaker 1: Shot Ranks and her murder. I didn't know what late

360
00:19:14,080 --> 00:19:18,840
Speaker 1: was you talking about? You said shot, you know finished

361
00:19:18,840 --> 00:19:25,240
Speaker 1: the race? You gotta Ranks. No, it was mine to

362
00:19:25,280 --> 00:19:28,000
Speaker 1: get the actual shot. It was mine. Yeah. But what

363
00:19:28,040 --> 00:19:29,919
Speaker 1: I'm saying, how old are you? Because how old did

364
00:19:31,200 --> 00:19:34,080
Speaker 1: how do you appreciate shopper Rank? I mean I grew up.

365
00:19:34,480 --> 00:19:36,919
Speaker 1: But the video was spot on too first and you

366
00:19:36,960 --> 00:19:39,320
Speaker 1: had you had the jury on like shot, shower of rags.

367
00:19:39,400 --> 00:19:42,760
Speaker 1: I had shower in the video. Like the whole the

368
00:19:42,800 --> 00:19:46,159
Speaker 1: whole treatment of the video was evolved around shot. But

369
00:19:46,359 --> 00:19:49,479
Speaker 1: was like we had people emulating him. I was emulating him.

370
00:19:49,760 --> 00:19:52,880
Speaker 1: What I'm saying, like famous and then like I had

371
00:19:53,000 --> 00:19:56,760
Speaker 1: we was like basically loitering into his house like you know,

372
00:19:57,480 --> 00:20:00,400
Speaker 1: nothing said house. It was like that's what he shows

373
00:20:00,480 --> 00:20:01,920
Speaker 1: up at the end of the video. He's like, yeah,

374
00:20:02,040 --> 00:20:04,320
Speaker 1: get out of my house. But he started partying with us.

375
00:20:04,840 --> 00:20:06,560
Speaker 1: But like I grew up seeing a show by like

376
00:20:06,640 --> 00:20:09,600
Speaker 1: going rap city and and I always remember him like

377
00:20:09,720 --> 00:20:12,640
Speaker 1: having mad jury. I always had mad chicks in the videos,

378
00:20:13,000 --> 00:20:16,439
Speaker 1: and I was like, yo, who was cool? Was cool man?

379
00:20:17,359 --> 00:20:20,720
Speaker 1: Always been cool? But I always like paying homage to

380
00:20:20,840 --> 00:20:22,720
Speaker 1: like those before me, Like you know, I used to

381
00:20:22,720 --> 00:20:26,000
Speaker 1: shout out Salina like you know early in my career,

382
00:20:26,119 --> 00:20:30,000
Speaker 1: Honelion Roses, and then I'll put like um Alex and

383
00:20:30,080 --> 00:20:32,679
Speaker 1: be Real on the same track on my first album.

384
00:20:33,000 --> 00:20:35,159
Speaker 1: And then I turned around and put both thugs on

385
00:20:35,160 --> 00:20:38,280
Speaker 1: the track called Lord on my first album. So that

386
00:20:38,400 --> 00:20:40,720
Speaker 1: was just always the thing I did is like, if

387
00:20:40,720 --> 00:20:43,639
Speaker 1: you want to make history, you gotta literally make yourself

388
00:20:43,680 --> 00:20:45,400
Speaker 1: a part of history. And that's what I was doing,

389
00:20:45,520 --> 00:20:48,159
Speaker 1: linking myself with the history. That's one thing I always

390
00:20:48,160 --> 00:20:50,920
Speaker 1: respected about y'all is that like from the beginning, y'all

391
00:20:50,920 --> 00:20:53,120
Speaker 1: came out. YA said, y'all was raised on B I said,

392
00:20:53,200 --> 00:20:56,159
Speaker 1: y'all was raised on MASTERP. And y'all wasn't afraid to

393
00:20:56,280 --> 00:20:58,679
Speaker 1: actually pick up your influences. That's one thing that I

394
00:20:58,720 --> 00:21:01,040
Speaker 1: always because it don't matter where influence come from. I'm

395
00:21:01,040 --> 00:21:03,119
Speaker 1: from New York City. I don't give a full but

396
00:21:03,200 --> 00:21:05,600
Speaker 1: if my influence came from n w A. I gotta

397
00:21:05,640 --> 00:21:07,640
Speaker 1: claim that. I gotta say if my influence came from

398
00:21:07,760 --> 00:21:09,800
Speaker 1: iced T, I gotta claim man, that's one thing that

399
00:21:09,840 --> 00:21:13,320
Speaker 1: I always you know, respected from y'all. That y'all y'all

400
00:21:13,359 --> 00:21:17,720
Speaker 1: stuck with that. Yeah, can I get that Rose now,

401
00:21:17,720 --> 00:21:22,919
Speaker 1: Tony Touch, give your motherfucking genius. You sat back and

402
00:21:22,960 --> 00:21:26,240
Speaker 1: you said, I'm gonna make something called fifty mcs. Why

403
00:21:26,880 --> 00:21:29,200
Speaker 1: to change the game for the mix? Heu us up. Yeah,

404
00:21:29,240 --> 00:21:32,119
Speaker 1: you fucked us up my first man, every time you

405
00:21:32,320 --> 00:21:34,400
Speaker 1: called me from fifth D m c S. I had

406
00:21:34,440 --> 00:21:37,240
Speaker 1: to write for like a week. I had to be like,

407
00:21:37,240 --> 00:21:39,480
Speaker 1: because I know you might have my verse might come on.

408
00:21:39,560 --> 00:21:41,520
Speaker 1: You might put it on scar face right after me.

409
00:21:41,960 --> 00:21:44,639
Speaker 1: Then that the scar faces a nas or jay, you

410
00:21:44,640 --> 00:21:46,920
Speaker 1: know like that, Like, how did you think of the

411
00:21:47,040 --> 00:21:49,240
Speaker 1: fifty mcs? What what was going through your head? What

412
00:21:49,280 --> 00:21:53,960
Speaker 1: we're smoking dust? It feels like PCP and what was

413
00:21:54,040 --> 00:21:57,960
Speaker 1: its equivalent to? That? Was it? First of all? What

414
00:21:58,720 --> 00:22:02,360
Speaker 1: did mixtape calling nine five live? So he raised the ball?

415
00:22:02,440 --> 00:22:05,000
Speaker 1: Remember that? And he raised the ball with the mixtape

416
00:22:05,040 --> 00:22:10,880
Speaker 1: game with that you know it was called the mix

417
00:22:10,880 --> 00:22:15,920
Speaker 1: tape that Yeah, yeah, maybe fifteen MC's on care Mass

418
00:22:16,040 --> 00:22:18,719
Speaker 1: and he did like this long intro, and it was

419
00:22:18,880 --> 00:22:21,760
Speaker 1: it changed the game. So so a year later it

420
00:22:21,880 --> 00:22:25,280
Speaker 1: was my fiftieth mix tape, and you know, I wanted

421
00:22:25,320 --> 00:22:28,440
Speaker 1: to treat it like an anniversary kind of thing, and

422
00:22:28,480 --> 00:22:30,560
Speaker 1: so I fed off of what like Wop did, and

423
00:22:31,320 --> 00:22:33,919
Speaker 1: you know, just different influences. Of course, kids set the

424
00:22:33,960 --> 00:22:38,600
Speaker 1: whole thing off. Everything. Everything we're positive of this off

425
00:22:40,640 --> 00:22:43,440
Speaker 1: for not Capri, Like I wouldn't probably been doing mix tapes.

426
00:22:43,760 --> 00:22:50,280
Speaker 1: I probably wouldn't have babies out, so you know, so yeah,

427
00:22:51,040 --> 00:22:58,360
Speaker 1: MC is the fiftieth tap anniversary. I'm sorry, that's that's

428
00:22:58,400 --> 00:23:04,520
Speaker 1: that's what it is. You know, absolutely genius. At that time,

429
00:23:05,640 --> 00:23:08,000
Speaker 1: it was something that you had to shoppen your bars for.

430
00:23:08,160 --> 00:23:10,920
Speaker 1: Like right now, DJ calls a artist for a mixtape

431
00:23:10,920 --> 00:23:13,040
Speaker 1: and all they want to do is out fashion, But

432
00:23:13,200 --> 00:23:16,000
Speaker 1: back then it was about bars. Now right now, I

433
00:23:16,040 --> 00:23:18,080
Speaker 1: just I don't mind the out fashion. I don't mind

434
00:23:18,160 --> 00:23:20,600
Speaker 1: up whatever. Like I'm into all this new ship. Are

435
00:23:20,600 --> 00:23:23,720
Speaker 1: you into? What's a new record you into? I mean,

436
00:23:23,760 --> 00:23:26,960
Speaker 1: you know, I still got the radio show over there,

437
00:23:28,119 --> 00:23:31,720
Speaker 1: totally totally thoat guys into. I mean I like all

438
00:23:31,760 --> 00:23:34,560
Speaker 1: of that ship. I like that ship. I like West

439
00:23:34,600 --> 00:23:38,680
Speaker 1: Coach ship. I like stop Ship one, I like German Ship.

440
00:23:38,720 --> 00:23:40,800
Speaker 1: I like West you know the name one one you

441
00:23:41,119 --> 00:23:42,840
Speaker 1: want to get in the car too and ride out

442
00:23:42,840 --> 00:23:45,480
Speaker 1: to right now right now you walked out the door,

443
00:23:45,920 --> 00:23:49,560
Speaker 1: probably something like Conway right now. It's like doing it

444
00:23:49,600 --> 00:23:53,240
Speaker 1: for me, Cam the artist outside of New York. You

445
00:23:53,280 --> 00:23:57,879
Speaker 1: know currency, you know stuff like that. You know what

446
00:23:58,080 --> 00:23:59,919
Speaker 1: kind of ship West coach ship? How about you? For

447
00:24:00,400 --> 00:24:02,040
Speaker 1: what's the joint right now? You want to you want

448
00:24:02,040 --> 00:24:04,480
Speaker 1: to be jump into where I was listening to Russ

449
00:24:04,560 --> 00:24:08,959
Speaker 1: album you Gotta Get the Ross album you Gotta get

450
00:24:09,280 --> 00:24:13,040
Speaker 1: and and and I like Drake thought the ship where

451
00:24:13,080 --> 00:24:16,680
Speaker 1: he talking his ship on the songs like he's talking

452
00:24:16,800 --> 00:24:18,720
Speaker 1: his ship. What is it? Was the first song called

453
00:24:18,880 --> 00:24:31,720
Speaker 1: the album um Free Small Free Smoke Smoke and felt

454
00:24:31,800 --> 00:24:34,680
Speaker 1: them And besides that, I just listened to like I'm

455
00:24:34,720 --> 00:24:38,320
Speaker 1: still stuck on like the old ship, Like honestly, okay, okay,

456
00:24:38,320 --> 00:24:40,320
Speaker 1: hold on, So kid, what's the joint right now? You're

457
00:24:40,320 --> 00:24:42,000
Speaker 1: going on the car you want to hit right now?

458
00:24:42,359 --> 00:24:44,119
Speaker 1: It's kind of hard to ask me that because I

459
00:24:44,200 --> 00:24:46,840
Speaker 1: got so much music. I'll be playing at three different

460
00:24:46,840 --> 00:24:51,760
Speaker 1: shows going on right just one right now was right now?

461
00:24:51,840 --> 00:24:54,240
Speaker 1: I guess what was album is bangy? Right now, I'm

462
00:24:54,280 --> 00:24:57,439
Speaker 1: saying that trap track is crazy, that it's all that

463
00:24:57,440 --> 00:24:59,040
Speaker 1: ship is crazy on that album. I figure, I was

464
00:24:59,040 --> 00:25:01,000
Speaker 1: just on the boat the other day. We're playing that

465
00:25:01,000 --> 00:25:02,760
Speaker 1: ship on that happy for the first time. Let's tell

466
00:25:02,840 --> 00:25:07,680
Speaker 1: the Bible, he shout out to they did this great job.

467
00:25:07,920 --> 00:25:09,840
Speaker 1: You want to stand here, come over here, come on,

468
00:25:10,119 --> 00:25:12,199
Speaker 1: come over here, come over here, because I want to

469
00:25:12,200 --> 00:25:13,520
Speaker 1: tell you all. I want to tell y'all a song.

470
00:25:13,520 --> 00:25:15,639
Speaker 1: I put some song. I want to get in the

471
00:25:15,720 --> 00:25:19,159
Speaker 1: car right now and listen to You're ready, You're ready,

472
00:25:19,640 --> 00:25:34,560
Speaker 1: and then like going out here with the flute. I

473
00:25:34,600 --> 00:25:46,520
Speaker 1: hope you're not the promoter that song planning y'all. See yeah, yeah, joint.

474
00:25:47,800 --> 00:25:53,360
Speaker 1: Let's call that by song y'all. Now now look now,

475
00:25:53,440 --> 00:25:56,399
Speaker 1: I don't want to blow the guy up. A legend,

476
00:25:56,600 --> 00:25:59,920
Speaker 1: super legend in the game. I'm on the way here,

477
00:26:00,840 --> 00:26:03,960
Speaker 1: so I'm talking to him on the phone, talking to about,

478
00:26:04,000 --> 00:26:06,600
Speaker 1: you know, just a regular ship. And the song comes

479
00:26:06,640 --> 00:26:09,520
Speaker 1: on and I go I went the phone down, like, Yo,

480
00:26:09,640 --> 00:26:12,440
Speaker 1: this is the hottest joint on the street. So those

481
00:26:12,440 --> 00:26:14,680
Speaker 1: I put it back up, You're like, I hate that,

482
00:26:15,640 --> 00:26:18,320
Speaker 1: and I'm like, damn, see the thing about me is

483
00:26:19,840 --> 00:26:22,600
Speaker 1: I come from the night, but I live in two

484
00:26:22,640 --> 00:26:27,800
Speaker 1: thousand seventeens. I choose to appreciate what's happening now me too,

485
00:26:28,119 --> 00:26:30,640
Speaker 1: Like I could live off the old ship, that's cool,

486
00:26:30,640 --> 00:26:32,720
Speaker 1: but I actually lived in that era. You know what

487
00:26:33,000 --> 00:26:35,920
Speaker 1: I'm saying. Most people who praised that era are people

488
00:26:35,960 --> 00:26:39,080
Speaker 1: who who who didn't live in that era. They're going

489
00:26:39,119 --> 00:26:41,440
Speaker 1: down this path in right now. Yeah, no, I'm saying.

490
00:26:42,080 --> 00:26:45,480
Speaker 1: I'm saying because I actually really did the new Ship,

491
00:26:45,760 --> 00:26:48,000
Speaker 1: and people were looking at me because I'm like, I

492
00:26:48,119 --> 00:26:51,479
Speaker 1: quote unquote, you know what is it? A gamester rapper

493
00:26:51,600 --> 00:26:56,720
Speaker 1: from then? And like I can appreciate the like things

494
00:26:56,760 --> 00:27:03,560
Speaker 1: that we definitely had one, but I feel like it's

495
00:27:03,600 --> 00:27:06,960
Speaker 1: like you really hardly could feel anything nowadays. I can't

496
00:27:06,960 --> 00:27:09,120
Speaker 1: not break that down. For you're gonna drink some rolls?

497
00:27:09,119 --> 00:27:12,359
Speaker 1: Are with me? For I'm drinking You want right now

498
00:27:13,160 --> 00:27:16,719
Speaker 1: rolls the roads They told me you want to take

499
00:27:16,760 --> 00:27:21,480
Speaker 1: a shot, want whatever you want? Bee, Okay, I'm man,

500
00:27:21,840 --> 00:27:26,000
Speaker 1: don't do it. I'm not waking up to all that.

501
00:27:26,040 --> 00:27:30,720
Speaker 1: Wake up tonight, okay, coo, cop office comes up. There's

502
00:27:30,680 --> 00:27:33,240
Speaker 1: a little bit of talk you just don't remember. You

503
00:27:33,320 --> 00:27:40,920
Speaker 1: drop that's for you. Yeah, So basically I felt like,

504
00:27:41,320 --> 00:27:43,520
Speaker 1: hold on home bad because I want you to finish.

505
00:27:43,800 --> 00:27:45,359
Speaker 1: But did you see how to open that up? Did

506
00:27:45,440 --> 00:27:48,000
Speaker 1: you see a spell drop? You can tell that's a

507
00:27:48,080 --> 00:27:54,800
Speaker 1: real champagne popper champagne he popped it, No, the other

508
00:27:54,840 --> 00:27:56,800
Speaker 1: thing and just looked at my man and it didn't spell.

509
00:27:56,880 --> 00:28:00,320
Speaker 1: I'm sorry, I can't now. Basically, it's just like I

510
00:28:00,320 --> 00:28:02,520
Speaker 1: felt like, you know, back in the days, it was

511
00:28:02,520 --> 00:28:07,240
Speaker 1: about discovery and like, you know, people, people interacting with people,

512
00:28:07,600 --> 00:28:10,520
Speaker 1: and nowadays I felt like everybody high behind the computers

513
00:28:10,520 --> 00:28:13,000
Speaker 1: and eisode and everything like that. And I'm not I'm

514
00:28:13,000 --> 00:28:15,960
Speaker 1: not crushing that because it's like, you know, they're open

515
00:28:16,000 --> 00:28:18,600
Speaker 1: a lot of doors for what's happening now. But you know,

516
00:28:18,680 --> 00:28:21,840
Speaker 1: it's different. I'm marvel at what like how y'all live?

517
00:28:21,920 --> 00:28:23,920
Speaker 1: Yall lives back in the days, like hand of stories

518
00:28:23,960 --> 00:28:26,879
Speaker 1: from my uncle and my my pops and you know,

519
00:28:26,960 --> 00:28:32,359
Speaker 1: watching the old movies, like just so funny that you

520
00:28:32,480 --> 00:28:34,879
Speaker 1: know what's here? Get the funk out of here. I

521
00:28:34,960 --> 00:28:38,440
Speaker 1: think he's still looking for parking and he better not here.

522
00:28:39,000 --> 00:28:43,520
Speaker 1: I'll tell you the crazy ship. The Crazy Gino was

523
00:28:43,560 --> 00:28:48,680
Speaker 1: an intern, right Gino was an intern right there, and

524
00:28:48,720 --> 00:28:51,440
Speaker 1: we had just released an album called The War Report. Right,

525
00:28:54,480 --> 00:28:58,520
Speaker 1: gotta drink. You don't have listen if you turn it out,

526
00:28:59,560 --> 00:29:01,400
Speaker 1: listen not listening for it. You gotta take a shot.

527
00:29:01,440 --> 00:29:03,200
Speaker 1: If you turned down the Cuban, It's twenty years of

528
00:29:03,280 --> 00:29:05,680
Speaker 1: bad sex. I'm just throwing it out there. You go,

529
00:29:07,360 --> 00:29:11,000
Speaker 1: you're gonna you're gonna start getting bad. Take minds and

530
00:29:11,000 --> 00:29:13,280
Speaker 1: then I'll take yours. I'll drink after you. How about that?

531
00:29:13,800 --> 00:29:22,960
Speaker 1: How about that? Solut sol drink out? No problem? Chased

532
00:29:23,000 --> 00:29:27,040
Speaker 1: like try to let's do it. Look at it. M M.

533
00:29:30,360 --> 00:29:31,720
Speaker 1: I'm like I can really I want to run my

534
00:29:31,800 --> 00:29:36,520
Speaker 1: nipples is realized. I'm sorry then that this is when

535
00:29:36,520 --> 00:29:40,000
Speaker 1: we getting loose. I haven't recorded the podcast. We haven't

536
00:29:40,040 --> 00:29:42,400
Speaker 1: recorded a podcast in a long time. We just want

537
00:29:42,400 --> 00:29:44,560
Speaker 1: to let your brothers know. Let me celebrate. We start

538
00:29:44,600 --> 00:29:56,160
Speaker 1: were anniversary, one year anniversary in my soul. Man, you

539
00:29:56,240 --> 00:29:58,320
Speaker 1: gotta do chest by. So we're gonna drink some rods

540
00:29:58,360 --> 00:30:00,400
Speaker 1: that you you're not gonna mix that. I got an

541
00:30:00,400 --> 00:30:01,959
Speaker 1: extra cup for you. Look at that, Look at that,

542
00:30:02,160 --> 00:30:03,760
Speaker 1: Look at the drink chap. Look you got an extra

543
00:30:03,800 --> 00:30:07,400
Speaker 1: cup for you. Nick a real name real and I

544
00:30:07,400 --> 00:30:11,040
Speaker 1: gotta be what this guy steps out of. I gotta

545
00:30:11,640 --> 00:30:15,960
Speaker 1: sat Rocky. Yeah, that episode. Listen, we had an episode

546
00:30:15,960 --> 00:30:18,959
Speaker 1: with a sad Rocky. Here you go here the fire there,

547
00:30:19,000 --> 00:30:24,320
Speaker 1: you're gonna see it later. What is that candle Joe?

548
00:30:24,720 --> 00:30:27,200
Speaker 1: Because we had an episode with a sat Rocky, right,

549
00:30:27,680 --> 00:30:30,640
Speaker 1: and I gave French to five because I said, big

550
00:30:30,720 --> 00:30:33,360
Speaker 1: up French for sucking up Kardashian. A sad If you

551
00:30:33,400 --> 00:30:35,480
Speaker 1: look at the footage, a sad Rockey is like this,

552
00:30:36,360 --> 00:30:39,720
Speaker 1: I don't get the five, and I'm like, oh, into

553
00:30:39,760 --> 00:30:42,080
Speaker 1: the car that yep, that's what he calls makes a look.

554
00:30:45,720 --> 00:30:48,200
Speaker 1: I really like he came into that show like he

555
00:30:48,520 --> 00:30:50,640
Speaker 1: like he was like he was into dream chat. No, listen,

556
00:30:51,120 --> 00:30:53,600
Speaker 1: a sad Rockety. This is what happened. I'm want to describe.

557
00:30:53,640 --> 00:30:55,960
Speaker 1: We seemed like he was exciting, ready to go in.

558
00:30:56,320 --> 00:30:59,560
Speaker 1: But t what happened? The lawyer for hip hop, I

559
00:30:59,680 --> 00:31:02,600
Speaker 1: blame you. I blame you. Why When I walked into

560
00:31:02,640 --> 00:31:05,280
Speaker 1: the room, he was already talking to it, already looked

561
00:31:06,760 --> 00:31:08,400
Speaker 1: it was cool. That's my that's the homie. You know

562
00:31:08,400 --> 00:31:10,520
Speaker 1: what I'm saying. But you know we've been and he

563
00:31:10,640 --> 00:31:12,520
Speaker 1: just wasn't having it like he he didn't want he

564
00:31:12,520 --> 00:31:14,520
Speaker 1: didn't want to play games, he didn't want to take shots,

565
00:31:14,560 --> 00:31:16,640
Speaker 1: he didn't want to do all that. So you know,

566
00:31:17,000 --> 00:31:21,400
Speaker 1: but ASA woked in there, so t I immediately became

567
00:31:21,440 --> 00:31:23,959
Speaker 1: his Lloyd. But a Rocky wanted to get why no, no,

568
00:31:24,040 --> 00:31:25,960
Speaker 1: he ever wanted to get started, asking me valuable was

569
00:31:26,000 --> 00:31:41,080
Speaker 1: drinking a Welcome to play a new podcast network featuring

570
00:31:41,200 --> 00:31:45,680
Speaker 1: radio and TV personalities talking business, sports, tech, entertainment and more.

571
00:31:46,000 --> 00:31:50,320
Speaker 1: Play it at play dot it. We're back to Drink

572
00:31:50,400 --> 00:31:57,160
Speaker 1: Chaps Radio with Rapper and R and d Jes Then

573
00:31:57,320 --> 00:32:03,280
Speaker 1: times you've been in this game for how on? I mean?

574
00:32:03,360 --> 00:32:08,120
Speaker 1: I started dj and at eighty six, so I started

575
00:32:08,160 --> 00:32:12,560
Speaker 1: making money like in ninety nine tools when I started

576
00:32:14,000 --> 00:32:16,240
Speaker 1: the rent off of it, you know, I was selling crack.

577
00:32:17,760 --> 00:32:21,520
Speaker 1: He've been coming to be as been a great run man,

578
00:32:21,600 --> 00:32:24,240
Speaker 1: God is good and everything chilly chill and that's it,

579
00:32:24,520 --> 00:32:29,760
Speaker 1: you know. And what do you love most about this game? Dude?

580
00:32:31,080 --> 00:32:38,240
Speaker 1: The drink the drink champs. So you know how I

581
00:32:38,320 --> 00:32:42,160
Speaker 1: say cheeching at she saw a scarface. So I was

582
00:32:42,200 --> 00:32:44,200
Speaker 1: working topeopo. You know, I did the marketing and we

583
00:32:44,240 --> 00:32:49,480
Speaker 1: didn't vene with Tony touch and he had the homie

584
00:32:49,600 --> 00:32:58,720
Speaker 1: to get the lay Angel Angel Silas Comedia, the homie man,

585
00:33:00,040 --> 00:33:03,880
Speaker 1: the fisial get y'all got that. Goddamn it, goddamn spaces.

586
00:33:05,920 --> 00:33:10,840
Speaker 1: I just water do not kicking pretty. You've been all

587
00:33:10,920 --> 00:33:14,040
Speaker 1: over the world. You you was, you was signed the

588
00:33:14,080 --> 00:33:16,480
Speaker 1: track masters. Let's talk about that time period. And I

589
00:33:16,600 --> 00:33:19,480
Speaker 1: wasn't signing a track mancus I was signing Columbia for

590
00:33:19,600 --> 00:33:23,360
Speaker 1: five years because they lost sound like a bit when

591
00:33:23,440 --> 00:33:25,560
Speaker 1: he said that, because what happened was, you know, at

592
00:33:25,560 --> 00:33:28,280
Speaker 1: the time of Sizzling Scissor Sissen, they lost sweeping rich

593
00:33:28,360 --> 00:33:29,800
Speaker 1: for so long. You just see how he did that.

594
00:33:29,920 --> 00:33:33,600
Speaker 1: He was like, that was a that was a rich nigger.

595
00:33:34,960 --> 00:33:37,960
Speaker 1: Listen to certain people don't speech rich nigger. Like every

596
00:33:38,000 --> 00:33:41,000
Speaker 1: time hold text me, I always I always show it

597
00:33:41,080 --> 00:33:42,640
Speaker 1: to somebody else that I knew it was richer than

598
00:33:42,680 --> 00:33:45,120
Speaker 1: me because I don't understand what he'll be talking about.

599
00:33:45,480 --> 00:33:47,840
Speaker 1: He'll say something that he'll I'll skip lines. I'm sorry,

600
00:33:47,920 --> 00:33:50,600
Speaker 1: but that was a rich nigga. Let me talk about continue,

601
00:33:51,760 --> 00:34:01,080
Speaker 1: let me talking about you speak it up big on fire, right.

602
00:34:01,120 --> 00:34:03,680
Speaker 1: And so I did my album and I gave it

603
00:34:03,760 --> 00:34:10,120
Speaker 1: to the head and already lost the ship yes out

604
00:34:10,160 --> 00:34:15,520
Speaker 1: and said, do listen, you're doing nothing right. Five years

605
00:34:15,600 --> 00:34:18,279
Speaker 1: later they said they called me your kid because they

606
00:34:18,320 --> 00:34:20,040
Speaker 1: were trying for the old five years your kid, come on,

607
00:34:20,200 --> 00:34:23,880
Speaker 1: do your nine ain't doing that. So five years later

608
00:34:23,880 --> 00:34:26,080
Speaker 1: they called me your be side track masters. They're coming

609
00:34:26,120 --> 00:34:29,520
Speaker 1: in Columbia. They're gonna, you know, straighten out ship. I

610
00:34:29,640 --> 00:34:31,759
Speaker 1: was like, all right, I know that. Maybe I'll funk

611
00:34:31,800 --> 00:34:34,759
Speaker 1: with them and see what's gonna go on. So as

612
00:34:34,800 --> 00:34:36,840
Speaker 1: we started started doing album, I produced the album and

613
00:34:37,200 --> 00:34:39,279
Speaker 1: I think traffic Masters did maybe two joints and nine.

614
00:34:39,320 --> 00:34:42,439
Speaker 1: I did everything else. And you know, as we're going along,

615
00:34:42,520 --> 00:34:46,240
Speaker 1: I'm seeing certain things that I didn't think should have happened.

616
00:34:46,680 --> 00:34:48,440
Speaker 1: But you know, I'm telling them like, let's just wait.

617
00:34:48,520 --> 00:34:49,680
Speaker 1: Let's you know, they wanted to put it out on

618
00:34:49,760 --> 00:34:53,080
Speaker 1: November seventeenth, the day of everybody coming out. They promoted

619
00:34:53,080 --> 00:34:54,640
Speaker 1: six and I'm like, yo, this is wait till next

620
00:34:54,920 --> 00:34:56,680
Speaker 1: year turned around and then we put it out. Then

621
00:34:57,400 --> 00:34:59,239
Speaker 1: you know, whatever happened happened. But the bottom line is

622
00:34:59,280 --> 00:35:01,440
Speaker 1: the album is a class albums dope, you know what

623
00:35:01,480 --> 00:35:03,319
Speaker 1: I'm saying. So that's what happened. But as far as

624
00:35:03,360 --> 00:35:04,840
Speaker 1: it being sold away. It was supposed to have been

625
00:35:04,880 --> 00:35:07,239
Speaker 1: sold and handled. It wasn't handled the way I wanted

626
00:35:07,239 --> 00:35:09,200
Speaker 1: to hands so from that album and everybody was on

627
00:35:09,280 --> 00:35:10,719
Speaker 1: that I want to grab me from now from that

628
00:35:10,800 --> 00:35:12,640
Speaker 1: journey there with jay Z on it, but you know,

629
00:35:12,880 --> 00:35:15,040
Speaker 1: everybody on the album from that album, you know, there

630
00:35:15,120 --> 00:35:17,000
Speaker 1: was so much trouble doing it, even though he was

631
00:35:17,040 --> 00:35:19,560
Speaker 1: on the Noran prommers on it. But it just made

632
00:35:19,560 --> 00:35:21,080
Speaker 1: me feel like I didn't want to do no more records.

633
00:35:21,080 --> 00:35:22,440
Speaker 1: I don't want to do no more albums, you know

634
00:35:22,480 --> 00:35:24,239
Speaker 1: what I'm saying. Because it was just too much Clarences,

635
00:35:24,320 --> 00:35:26,800
Speaker 1: too much ship. I'm gonna roll heavy. It was just

636
00:35:26,880 --> 00:35:28,239
Speaker 1: too much ship to deal with it. So I just

637
00:35:28,280 --> 00:35:30,480
Speaker 1: say I'm gonna do it. But now you know, I

638
00:35:30,600 --> 00:35:33,000
Speaker 1: was with that rap for the last eight nine years,

639
00:35:33,400 --> 00:35:35,680
Speaker 1: like following them and you know, being on them, and

640
00:35:36,080 --> 00:35:38,520
Speaker 1: you know, just supporting the whole movement. Me and Lux

641
00:35:38,600 --> 00:35:40,320
Speaker 1: we had shots somebody was gonna be in the HBO

642
00:35:40,400 --> 00:35:42,080
Speaker 1: where and then work out, but I end up started.

643
00:35:42,320 --> 00:35:44,520
Speaker 1: I started an album on them called Top Tier. I

644
00:35:44,600 --> 00:35:47,320
Speaker 1: got tired of hand battle rappers couldn't make good records,

645
00:35:47,640 --> 00:35:49,040
Speaker 1: So I said, you know, I'm gonna take the top

646
00:35:49,080 --> 00:35:51,200
Speaker 1: battle rappers or some new kids, put them all together

647
00:35:51,200 --> 00:35:53,239
Speaker 1: and make some hot ship and trying to put the

648
00:35:53,280 --> 00:35:55,920
Speaker 1: world wrong, and don't use no mainstream mortists on albums.

649
00:35:55,920 --> 00:35:57,680
Speaker 1: So I don't have not one mainstream mortist on albums

650
00:35:57,719 --> 00:35:59,640
Speaker 1: all badd of rappers. It is called top two. So

651
00:35:59,719 --> 00:36:04,759
Speaker 1: it comes to the white one is your coup for

652
00:36:05,400 --> 00:36:08,760
Speaker 1: which one who covers that? The way nine? It's empty?

653
00:36:08,800 --> 00:36:12,359
Speaker 1: It's empty. Hey you want some? Now? I got my ship.

654
00:36:12,440 --> 00:36:15,759
Speaker 1: I'm is how they're doing in Paris. It's this cold

655
00:36:16,680 --> 00:36:21,400
Speaker 1: do you do? That's like you're doing it. That's what

656
00:36:21,480 --> 00:36:26,560
Speaker 1: they're doing. Your shout out to Mr Creed, Mr Cream, Yeah,

657
00:36:26,560 --> 00:36:29,960
Speaker 1: big Mr Cream, Death Cream, Big Up eight and nine

658
00:36:30,000 --> 00:36:32,359
Speaker 1: as well, but every where Mr Cream right now. Because

659
00:36:32,400 --> 00:36:36,120
Speaker 1: the reason why I say that is because, um, the

660
00:36:36,200 --> 00:36:39,640
Speaker 1: people who helped me shape My only platinum album was

661
00:36:39,719 --> 00:36:44,400
Speaker 1: the track Mysterist and Ida did an album called n

662
00:36:44,680 --> 00:36:48,719
Speaker 1: R E and I remember damn their owns maybe six

663
00:36:49,280 --> 00:36:52,680
Speaker 1: of the sessions. You were the next started shout, bass

664
00:36:52,800 --> 00:36:54,520
Speaker 1: is a beast. Let's just get it straight, you know

665
00:36:54,520 --> 00:36:56,760
Speaker 1: what I'm saying. And then they definitely helped me mode

666
00:36:56,800 --> 00:36:58,759
Speaker 1: myum the way I wanted to mode it. You know,

667
00:36:58,760 --> 00:37:01,120
Speaker 1: I'm saying that its side clean. Everything is if you

668
00:37:01,160 --> 00:37:03,000
Speaker 1: listen to the sound track in the street sound album

669
00:37:03,040 --> 00:37:06,200
Speaker 1: was incredible and it was They did a lot of contributing.

670
00:37:06,239 --> 00:37:09,920
Speaker 1: Did you come to Bearsville? Bearnsville? A lot of contributor

671
00:37:10,000 --> 00:37:12,279
Speaker 1: to make sure I say the right words. Did you

672
00:37:12,400 --> 00:37:14,560
Speaker 1: come to Bearsville? You don't remember bells? No? I did

673
00:37:14,600 --> 00:37:17,800
Speaker 1: everything and uh, Hit Factory, Yeah, everything was in Hip Factory.

674
00:37:18,160 --> 00:37:21,560
Speaker 1: So remember we used to bowl bottles of crystal. You

675
00:37:21,640 --> 00:37:24,000
Speaker 1: don't know how that wasn't around here, Yo, listen, listen.

676
00:37:24,239 --> 00:37:26,839
Speaker 1: We used to drink all the crystal, right, and then

677
00:37:26,880 --> 00:37:28,840
Speaker 1: we used to be like yo, b line them up

678
00:37:29,600 --> 00:37:32,400
Speaker 1: and we would line them up. Kit Factory kick us out.

679
00:37:33,600 --> 00:37:36,520
Speaker 1: You don't you remember it was two Hit Factories. It

680
00:37:36,640 --> 00:37:39,319
Speaker 1: was the one up the block on fifty four one down.

681
00:37:39,360 --> 00:37:41,959
Speaker 1: I don't want down the block. I was banned for life.

682
00:37:42,719 --> 00:37:47,600
Speaker 1: Man hit right in Miami. Well that's yes, right, but

683
00:37:47,680 --> 00:37:51,640
Speaker 1: that's jump where that was going. Originally, Criteria he used

684
00:37:51,640 --> 00:37:55,359
Speaker 1: to be called the Miami Old School criterious man. Yeah, man,

685
00:37:55,440 --> 00:37:57,799
Speaker 1: it was cool. It was called Criterius and the Hit

686
00:37:57,880 --> 00:38:02,440
Speaker 1: Factory bought it. But remember fifty fourth street, it was Sony,

687
00:38:02,680 --> 00:38:05,200
Speaker 1: then it was Hit Factory, and then it was the

688
00:38:05,280 --> 00:38:07,520
Speaker 1: old Hit Factory. I could never get the new Hit

689
00:38:07,560 --> 00:38:10,279
Speaker 1: Factory because I was that I had. We used to

690
00:38:10,360 --> 00:38:12,239
Speaker 1: We used to Christ that was the ship back then.

691
00:38:12,280 --> 00:38:13,919
Speaker 1: So we used to drink so much bottles to Christ.

692
00:38:14,080 --> 00:38:16,600
Speaker 1: We still lining the bottles up and then whoever was

693
00:38:16,640 --> 00:38:18,719
Speaker 1: drinking the next bottle. We like book and let's go

694
00:38:19,840 --> 00:38:22,920
Speaker 1: my whole session. And you cannot walk because everybody other

695
00:38:23,000 --> 00:38:24,920
Speaker 1: sessions they just take their socks up. I mean they

696
00:38:24,920 --> 00:38:27,000
Speaker 1: shoes off and just walk around, you know what I mean.

697
00:38:27,160 --> 00:38:29,200
Speaker 1: You could never do that in my sessions. My ships

698
00:38:29,600 --> 00:38:34,600
Speaker 1: we're bowling. Christ's just crazy because the Niger said you

699
00:38:34,640 --> 00:38:38,399
Speaker 1: were never allowed back. Never you're going up the block.

700
00:38:38,760 --> 00:38:40,280
Speaker 1: And then I had to go to the Hood Factory.

701
00:38:40,320 --> 00:38:42,439
Speaker 1: That's what they called the Hood Factor. It was called

702
00:38:42,480 --> 00:38:45,520
Speaker 1: the Hood Factory, you remember, like because they had built

703
00:38:45,800 --> 00:38:48,160
Speaker 1: the new Hit Factory up the block from Sony. Remember

704
00:38:48,200 --> 00:38:51,560
Speaker 1: Sony was right there. But but you was basically in

705
00:38:51,600 --> 00:38:56,400
Speaker 1: almost every session of my most famous album. And remember

706
00:38:57,960 --> 00:39:03,279
Speaker 1: but Yester, you fat mass producing ready with you and

707
00:39:03,360 --> 00:39:05,239
Speaker 1: then we did my job. You did came into the joint.

708
00:39:05,600 --> 00:39:12,719
Speaker 1: Remember it was me you fifty cents video video. It's

709
00:39:12,840 --> 00:39:16,560
Speaker 1: very it's viral viral. That was your session, correct, my session,

710
00:39:16,719 --> 00:39:19,040
Speaker 1: that was your game. A matter of fact, I gave

711
00:39:19,120 --> 00:39:23,160
Speaker 1: fifty Riley. I produced Rowdy Rowdy maybe a week later

712
00:39:23,560 --> 00:39:26,200
Speaker 1: after that. Because people don't know you producing. Come on,

713
00:39:26,280 --> 00:39:29,400
Speaker 1: let's just produce. Madonna produced the number of Heavy D

714
00:39:30,000 --> 00:39:33,920
Speaker 1: produced us. Like to me, that's my boys, no kick

715
00:39:34,000 --> 00:39:40,560
Speaker 1: complete that he really in the real I'm gonna tell

716
00:39:40,560 --> 00:39:46,040
Speaker 1: you all the years with all the accolades and everything

717
00:39:46,040 --> 00:39:48,680
Speaker 1: I got from this ship, like producing as much as

718
00:39:48,680 --> 00:39:51,160
Speaker 1: I love, and it never been my brand. My butter

719
00:39:51,200 --> 00:39:52,920
Speaker 1: always been on the stages and doing what I do.

720
00:39:53,640 --> 00:39:55,839
Speaker 1: Now I'm taking a real serious like you know, even

721
00:39:55,840 --> 00:39:58,439
Speaker 1: though I produced my first and second album, it never

722
00:39:58,520 --> 00:40:01,040
Speaker 1: really was one thing. I don't like doing it. I

723
00:40:01,160 --> 00:40:02,919
Speaker 1: can't go on off like the sessions. Yea, I gotta

724
00:40:02,960 --> 00:40:04,880
Speaker 1: beat show yo, let me get in your home. I

725
00:40:04,920 --> 00:40:06,959
Speaker 1: gotta beat you that. I can't. But I just can't

726
00:40:07,000 --> 00:40:08,759
Speaker 1: do that ship. Just like so, I felt like if

727
00:40:08,800 --> 00:40:11,200
Speaker 1: I do this top ten album and the ship had enough,

728
00:40:11,360 --> 00:40:13,399
Speaker 1: everybody's gonna here that come to me and say, oh kid,

729
00:40:13,440 --> 00:40:15,239
Speaker 1: this is right. So the people that I brought the

730
00:40:15,239 --> 00:40:17,000
Speaker 1: companies I brought it, try and let it go yet,

731
00:40:17,200 --> 00:40:19,759
Speaker 1: but the ones I brought it to they ask him

732
00:40:19,800 --> 00:40:21,320
Speaker 1: for the ship that I have on that so I

733
00:40:21,400 --> 00:40:22,960
Speaker 1: know it's gonna work, you know what I'm saying. But

734
00:40:23,040 --> 00:40:24,600
Speaker 1: that's the way of me doing it because I don't

735
00:40:24,600 --> 00:40:26,880
Speaker 1: like I just don't like bothering people. You know, you

736
00:40:26,960 --> 00:40:28,479
Speaker 1: get that ship every day. You know what I'm saying.

737
00:40:28,760 --> 00:40:30,399
Speaker 1: You get it every day, So it's like you don't

738
00:40:30,440 --> 00:40:32,200
Speaker 1: need you know, I just I just stat of the

739
00:40:32,239 --> 00:40:34,759
Speaker 1: way I do my lane. That's it, you know. But yeah,

740
00:40:34,920 --> 00:40:37,480
Speaker 1: I'm taking the serious now though this year, haven't get

741
00:40:37,520 --> 00:40:43,040
Speaker 1: on Nigga's nerves. Show the show now show. We got

742
00:40:43,160 --> 00:40:49,480
Speaker 1: to talk about my man. God bless your dad. You know,

743
00:40:49,680 --> 00:40:55,160
Speaker 1: you know what I'm talking about. For years, Yams was

744
00:40:55,280 --> 00:41:02,239
Speaker 1: my age and here and then head. I never had

745
00:41:02,280 --> 00:41:04,680
Speaker 1: a like, we know how you can have a young homie,

746
00:41:05,719 --> 00:41:08,719
Speaker 1: you have a young nigga conversation with him. I never

747
00:41:08,880 --> 00:41:12,080
Speaker 1: had a young nigga conversation with Yams. Ever. He always

748
00:41:12,120 --> 00:41:14,160
Speaker 1: talked about my era. He would crack me on the

749
00:41:14,280 --> 00:41:17,080
Speaker 1: phone and be like, yo, so you know what I mean.

750
00:41:17,120 --> 00:41:19,319
Speaker 1: Going to the room you went on and and then

751
00:41:19,560 --> 00:41:22,040
Speaker 1: you and this, and I'm like, I didn't notice. I

752
00:41:22,080 --> 00:41:25,560
Speaker 1: couldn't be I couldn't believe how smart Yams was and

753
00:41:25,680 --> 00:41:29,399
Speaker 1: I can't what I'm saying about that. I'm not even

754
00:41:29,400 --> 00:41:33,120
Speaker 1: talking about business wise, that comes secondary. I'm talking about

755
00:41:33,160 --> 00:41:36,560
Speaker 1: just a culture wise. Was that the person who helped

756
00:41:36,840 --> 00:41:41,200
Speaker 1: shape the ASAP movement and just said, Yo, look we

757
00:41:41,320 --> 00:41:44,000
Speaker 1: gotta you know what I'm saying, Like, am I correct?

758
00:41:44,200 --> 00:41:48,399
Speaker 1: Was not of doubt? Okay? MS definitely was like um,

759
00:41:48,560 --> 00:41:53,360
Speaker 1: he orchestrated a lot. He was like our basically he

760
00:41:53,560 --> 00:41:56,800
Speaker 1: was the the your p off with. Yeah, he was

761
00:41:56,880 --> 00:41:59,680
Speaker 1: definitely that, and he weaved us together because you got

762
00:41:59,760 --> 00:42:01,880
Speaker 1: a lot the artists, you know what I'm saying, on

763
00:42:02,000 --> 00:42:05,960
Speaker 1: one label, and you know we was all crude before

764
00:42:06,120 --> 00:42:07,920
Speaker 1: like we even got into the business. So it's just

765
00:42:08,040 --> 00:42:10,920
Speaker 1: like you know how everybody got their own individual like

766
00:42:11,719 --> 00:42:17,279
Speaker 1: attitudes and you know, he basically found that, he found

767
00:42:17,360 --> 00:42:20,400
Speaker 1: a way to facilitate all of our ideas and we

768
00:42:20,680 --> 00:42:23,719
Speaker 1: was all into each other to where the world can

769
00:42:24,320 --> 00:42:26,960
Speaker 1: digest what we was doing, you know what I'm saying.

770
00:42:27,000 --> 00:42:30,399
Speaker 1: And he made us the package, you know what I'm saying,

771
00:42:30,440 --> 00:42:32,799
Speaker 1: Like he was basically the Steve Jobs and he made

772
00:42:33,160 --> 00:42:37,680
Speaker 1: the iPhone that was easy to work. Was it his

773
00:42:37,880 --> 00:42:40,719
Speaker 1: idea to say everybody is gonna be called a SAP?

774
00:42:42,360 --> 00:42:45,200
Speaker 1: I don't know if it was his idea, but um,

775
00:42:45,440 --> 00:42:47,719
Speaker 1: he was definitely like one of the superiors, one of

776
00:42:47,760 --> 00:42:52,160
Speaker 1: the originals. It was him. It was my boy, Asap

777
00:42:52,200 --> 00:42:54,920
Speaker 1: Bari shout out to him. He's doing like the whole

778
00:42:55,000 --> 00:42:58,880
Speaker 1: v loan thing now clothing line. Um, Asap, it was

779
00:42:58,960 --> 00:43:00,919
Speaker 1: just like, those are the origin new guys, and as

780
00:43:00,960 --> 00:43:04,120
Speaker 1: At Bari is younger than all of us. But he

781
00:43:04,320 --> 00:43:06,680
Speaker 1: brought me to the crew. He brought me like you know,

782
00:43:06,880 --> 00:43:08,520
Speaker 1: Rocky came to the crew like, so it was a

783
00:43:08,600 --> 00:43:11,560
Speaker 1: crew first and then me and Rocket got introduced to

784
00:43:11,640 --> 00:43:13,800
Speaker 1: the crew. You know what I'm saying that we just

785
00:43:13,920 --> 00:43:18,279
Speaker 1: did like the rapping portion part of it. That's great.

786
00:43:18,320 --> 00:43:21,640
Speaker 1: Were joined like a year year and a half later. Yeah,

787
00:43:21,880 --> 00:43:29,040
Speaker 1: that's great. Let's make some noise to that. But now

788
00:43:29,160 --> 00:43:38,920
Speaker 1: Tony Tuck, then you have a job. That point what happened,

789
00:43:39,000 --> 00:43:42,840
Speaker 1: let's talk about that. I was shout out to Mickey

790
00:43:42,920 --> 00:43:48,000
Speaker 1: Benson and that's Mickey Benson. That's iced tease, old man

791
00:43:48,760 --> 00:43:52,279
Speaker 1: Mickey Benson, old school gangster. Let's pay. And it was

792
00:43:53,120 --> 00:43:57,239
Speaker 1: Mellie Mellon had had a radio show called The mic

793
00:43:57,360 --> 00:44:02,440
Speaker 1: Check Show. So I got lucky somehow Mickey you know

794
00:44:02,480 --> 00:44:04,440
Speaker 1: what I mean, Mickey hooked up. I don't remember how,

795
00:44:04,640 --> 00:44:09,120
Speaker 1: but um yeah, you know they asked me to provide uh,

796
00:44:09,440 --> 00:44:11,879
Speaker 1: you know beach for the you know callers that would

797
00:44:11,880 --> 00:44:14,680
Speaker 1: call up to wrap live on the show. It's like

798
00:44:14,760 --> 00:44:16,360
Speaker 1: an hour long show and you know they would do

799
00:44:16,440 --> 00:44:20,359
Speaker 1: their thing, you know, the you know, the Furious five.

800
00:44:20,440 --> 00:44:23,160
Speaker 1: I think, um, who else was there? Scorpio, I don't

801
00:44:23,160 --> 00:44:24,680
Speaker 1: know Scorpio was there, but you know it was the

802
00:44:24,719 --> 00:44:28,120
Speaker 1: Melly mell Show definitely, and I think his brother was

803
00:44:28,200 --> 00:44:33,040
Speaker 1: there as well. What's the name kick Creole? Yeah, Creole yeah, Creole. Yes,

804
00:44:33,160 --> 00:44:35,719
Speaker 1: it was a hat to go back then. It was

805
00:44:35,719 --> 00:44:42,600
Speaker 1: one of the previous on that's what that was, honey sounding.

806
00:44:42,640 --> 00:44:45,880
Speaker 1: It was a quick little The mic Check Show. Mellie

807
00:44:45,960 --> 00:44:48,279
Speaker 1: mel Yeah, and I was like ship. I was like nine,

808
00:44:49,239 --> 00:44:52,920
Speaker 1: it was like ninety three or some ship actually you

809
00:44:53,000 --> 00:44:56,520
Speaker 1: know what. And that was one pun. Um that's when

810
00:44:56,560 --> 00:45:00,560
Speaker 1: we first heard the part. So it was like because

811
00:45:00,640 --> 00:45:03,920
Speaker 1: after the mic Check Show, they would do a lyrical

812
00:45:04,040 --> 00:45:07,080
Speaker 1: showcase in the Bronx. Make sure Melly used to hook

813
00:45:07,160 --> 00:45:10,920
Speaker 1: up this lyrics showcase, uh up in the b X

814
00:45:11,239 --> 00:45:15,960
Speaker 1: and that's when for you. But and that's when they

815
00:45:16,040 --> 00:45:19,480
Speaker 1: found punt Wow. I was doing the radio show. They

816
00:45:19,520 --> 00:45:22,359
Speaker 1: had this MC showcase in the Bronx and that's when

817
00:45:22,520 --> 00:45:26,279
Speaker 1: um making and them like we got connected with pun

818
00:45:26,400 --> 00:45:29,520
Speaker 1: and everything else history. But that show lasted like eight months.

819
00:45:29,560 --> 00:45:31,160
Speaker 1: It was a quick little run shout out on a

820
00:45:31,360 --> 00:45:34,719
Speaker 1: seven seven night. So now what happens when you get

821
00:45:34,760 --> 00:45:39,000
Speaker 1: this phone call? Serious sound like says they want Toka tuesdays,

822
00:45:39,239 --> 00:45:42,719
Speaker 1: um no shade for a five. But it wasn't a

823
00:45:42,800 --> 00:45:48,680
Speaker 1: serious satellite first. It was safe those guys. So this

824
00:45:48,800 --> 00:45:51,239
Speaker 1: is Paul had a big part of Eminem's career. To

825
00:45:51,480 --> 00:45:56,680
Speaker 1: come on, let's he was on c S too down.

826
00:45:56,840 --> 00:45:58,759
Speaker 1: Let's break that down. So I was like, come on,

827
00:45:58,880 --> 00:46:04,560
Speaker 1: you be a humble right now, give another shower you

828
00:46:04,600 --> 00:46:08,440
Speaker 1: want want I'm doing. I gotta, I gotta keep it

829
00:46:08,520 --> 00:46:10,480
Speaker 1: real because sack is the best thing. When the plan

830
00:46:14,600 --> 00:46:20,719
Speaker 1: refreshing firm, take a shot of sun, take a show,

831
00:46:21,640 --> 00:46:26,799
Speaker 1: real quick refreshing radio show. That's okay, okay, you're pretty

832
00:46:26,800 --> 00:46:29,000
Speaker 1: you gotta do it. So we got to do it

833
00:46:29,960 --> 00:46:33,120
Speaker 1: sucking guys, Sorry, real real quick. The radio show been

834
00:46:33,160 --> 00:46:35,880
Speaker 1: running twelve years now, serious sex time shot make some

835
00:46:36,000 --> 00:46:40,480
Speaker 1: noise for that. God damn it got tu days on

836
00:46:40,600 --> 00:46:42,799
Speaker 1: say forty five. You know it's funny is that each

837
00:46:42,880 --> 00:46:44,520
Speaker 1: and every one of you guys have been to the

838
00:46:44,560 --> 00:46:47,760
Speaker 1: show one another, always be to see us all together

839
00:46:47,880 --> 00:46:50,399
Speaker 1: one moment, right, that's right, Yeah, you're right the most

840
00:46:50,440 --> 00:46:54,080
Speaker 1: of the show. And Yo, salute to all you guys

841
00:46:54,160 --> 00:46:58,560
Speaker 1: here with here. It feels like yok Tuesdays. It's over Tuesdays.

842
00:46:58,560 --> 00:47:01,040
Speaker 1: And listen, let me just tell you something that all

843
00:47:01,400 --> 00:47:03,680
Speaker 1: the people from the young generation, ferg is one of

844
00:47:03,760 --> 00:47:08,120
Speaker 1: the people that we all got to support. Absolutely he's

845
00:47:09,360 --> 00:47:16,360
Speaker 1: mad to spoke about that. That's me was mad because

846
00:47:16,440 --> 00:47:20,160
Speaker 1: pops like yo, you know, still from the ever by

847
00:47:20,200 --> 00:47:23,080
Speaker 1: the car. So y'all from Miami. So tell us about

848
00:47:23,080 --> 00:47:25,239
Speaker 1: his possible I want to hear about like a lot

849
00:47:25,280 --> 00:47:28,640
Speaker 1: of about home in Hollar. Right. First of all, me

850
00:47:28,719 --> 00:47:31,600
Speaker 1: and Starts you had the music Me starts you Doucey

851
00:47:31,680 --> 00:47:34,839
Speaker 1: had the music scene crazy right home. We had that ship.

852
00:47:35,760 --> 00:47:37,759
Speaker 1: So at the end of the day, you know, every

853
00:47:37,840 --> 00:47:42,160
Speaker 1: day it's a fashion music all go over together. You

854
00:47:42,280 --> 00:47:44,919
Speaker 1: had your at one time, you had your Dapper Dan,

855
00:47:45,480 --> 00:47:47,520
Speaker 1: Dapper Dam was making ship shout out to you. What

856
00:47:47,560 --> 00:47:50,719
Speaker 1: I'm saying that everybody was going. I couldn't afford it

857
00:47:50,800 --> 00:47:53,200
Speaker 1: back then. You know what I'm saying. Ferd would do.

858
00:47:53,440 --> 00:47:55,840
Speaker 1: He would make He would make clothes for the street,

859
00:47:55,920 --> 00:47:59,520
Speaker 1: our classy or make something that he would make stuff

860
00:47:59,520 --> 00:48:02,000
Speaker 1: that you want. But if but when you've seen his clothes,

861
00:48:02,080 --> 00:48:05,399
Speaker 1: you you would feel flying and stuff. Like with daff

862
00:48:05,400 --> 00:48:07,840
Speaker 1: and Daddy was more. You was more hood flying. He

863
00:48:08,000 --> 00:48:09,759
Speaker 1: was more you know what I'm saying. But with Further

864
00:48:09,800 --> 00:48:11,320
Speaker 1: it was a little different. He had a little twisted

865
00:48:11,480 --> 00:48:13,840
Speaker 1: thing like him. It was shot. He had a little twists.

866
00:48:14,040 --> 00:48:19,919
Speaker 1: Shot the fur was cool. Man. Where my shot? Your shot?

867
00:48:20,719 --> 00:48:26,680
Speaker 1: That's good? Popped her appreciated. I gotta go, you gotta go.

868
00:48:26,840 --> 00:48:34,319
Speaker 1: Let's drink Champ, you gotta go. Damn God, damn. Let's

869
00:48:34,320 --> 00:48:42,680
Speaker 1: big up to twin being back in and out. Did

870
00:48:42,760 --> 00:48:48,680
Speaker 1: you see yourself in the video? You got you got

871
00:48:48,719 --> 00:48:52,799
Speaker 1: a good LA cover. You know what I'm saying. That's right,

872
00:48:52,880 --> 00:49:01,279
Speaker 1: that's right, You're gonna recover. Motherfucker made no break. What

873
00:49:01,680 --> 00:49:06,640
Speaker 1: I don't know, I don't know everybody Your shot, bros.

874
00:49:06,680 --> 00:49:10,520
Speaker 1: Drinking shot? You know I have the foulest part in

875
00:49:10,640 --> 00:49:13,400
Speaker 1: the world. You didn't notice everybody else shot was like

876
00:49:14,480 --> 00:49:16,320
Speaker 1: I was heavy handed. I'm not gonna lie, but my

877
00:49:16,560 --> 00:49:20,200
Speaker 1: kid is just so diss So I want to say

878
00:49:20,280 --> 00:49:22,520
Speaker 1: that thank you for saying that he was dressing my brother.

879
00:49:22,520 --> 00:49:24,839
Speaker 1: It's not a little for CBS. I'm releasing the match

880
00:49:25,800 --> 00:49:34,879
Speaker 1: that we got a treat out of ourselves. We probably say.

881
00:49:36,400 --> 00:49:39,400
Speaker 1: It's very true. People think we're start having conversations to

882
00:49:39,480 --> 00:49:44,160
Speaker 1: go to ourselves and it's terrible. All right, look but look, hold,

883
00:49:44,320 --> 00:49:46,359
Speaker 1: I'm gonna be honest. No, no, I'm gonna be honest.

884
00:49:46,400 --> 00:49:49,680
Speaker 1: That's I want Geno to be here. Gino, tell me

885
00:49:49,800 --> 00:49:51,960
Speaker 1: stories about you and your crew. Aller, No, but let

886
00:49:51,960 --> 00:49:53,719
Speaker 1: me tell you something about something about your pops. So

887
00:49:53,840 --> 00:49:56,920
Speaker 1: it's just rare. We had did an album called The

888
00:49:56,960 --> 00:50:00,799
Speaker 1: Warring Port. The Port clitically acclaimed our first album, Ship

889
00:50:00,960 --> 00:50:03,520
Speaker 1: Goes through the Roof. We have a person that was

890
00:50:03,600 --> 00:50:07,360
Speaker 1: an intern at the time called Geno. He was the

891
00:50:07,400 --> 00:50:11,319
Speaker 1: person at the front. So the people who did our

892
00:50:11,360 --> 00:50:17,279
Speaker 1: shirts in the beginning, for people from Canal Street, we

893
00:50:17,400 --> 00:50:21,000
Speaker 1: thought that was a deal. Geno's in the front, you know,

894
00:50:21,160 --> 00:50:27,000
Speaker 1: answering phone. Geno turns around and goes, oh, now street,

895
00:50:27,160 --> 00:50:31,440
Speaker 1: we can go up town and we're gonna get our ship. Right.

896
00:50:33,520 --> 00:50:38,280
Speaker 1: So everybody's looking like that, but this is his first task.

897
00:50:39,400 --> 00:50:43,759
Speaker 1: We take it off. It's your father, he refers us to.

898
00:50:44,640 --> 00:50:50,280
Speaker 1: Your father made the n R E T the original

899
00:50:50,440 --> 00:50:52,680
Speaker 1: n R the ship that Point got on his head.

900
00:50:53,040 --> 00:50:55,279
Speaker 1: If you look at it, it's a famous because because

901
00:50:55,320 --> 00:50:57,080
Speaker 1: I gave Point a T shirt and he's some fun

902
00:50:57,239 --> 00:51:01,879
Speaker 1: can't fit this, and I was like, damn, it's very true.

903
00:51:03,080 --> 00:51:06,399
Speaker 1: So he just put it on his head. But your

904
00:51:06,560 --> 00:51:09,279
Speaker 1: father was the person who designed and now, first off,

905
00:51:10,000 --> 00:51:14,279
Speaker 1: my people from the Bronx one seven in Gerrard was

906
00:51:14,320 --> 00:51:17,200
Speaker 1: the first people to refer me so. But when I

907
00:51:17,280 --> 00:51:19,000
Speaker 1: brung it to the label with the label said no.

908
00:51:19,760 --> 00:51:23,120
Speaker 1: But Gino was the guy who actually pushed the whole

909
00:51:23,280 --> 00:51:26,080
Speaker 1: envelope through. And the person he pushed it through what

910
00:51:26,160 --> 00:51:29,960
Speaker 1: was for your father, And that's your man, and that's

911
00:51:29,960 --> 00:51:35,120
Speaker 1: the man. I think your shot shot. I didn't take

912
00:51:35,160 --> 00:51:39,760
Speaker 1: my shot. Can I ask my question? Because I wouldn't

913
00:51:40,600 --> 00:51:45,400
Speaker 1: take that large right now, let's good shot? Yo? I

914
00:51:45,520 --> 00:51:49,520
Speaker 1: love Pun? What was Pun like? He was the best

915
00:51:51,080 --> 00:51:56,120
Speaker 1: friend fear seven. I want to pick up to the

916
00:51:56,200 --> 00:51:58,759
Speaker 1: niggas in February. And also I want to say rest

917
00:51:58,800 --> 00:52:04,000
Speaker 1: in peace to Campom wife's mother passed away to uh To.

918
00:52:05,000 --> 00:52:07,320
Speaker 1: I got a story about Pun. Oh, let's go on

919
00:52:07,440 --> 00:52:11,319
Speaker 1: the punch start. When we did my album South Track

920
00:52:11,400 --> 00:52:14,359
Speaker 1: to the Streets, I rememberhen Lords Boys was in the booth, right,

921
00:52:14,840 --> 00:52:18,839
Speaker 1: and Lords Boys came the Sessions Boys with my dudes.

922
00:52:20,000 --> 00:52:23,239
Speaker 1: They came to the studio fucked up because drunk, right,

923
00:52:23,320 --> 00:52:25,359
Speaker 1: which was it was cool reason having a good time, right,

924
00:52:25,719 --> 00:52:27,480
Speaker 1: And it was in the boot for a while, and

925
00:52:27,600 --> 00:52:31,040
Speaker 1: Punt came with his family, his whole family. So I

926
00:52:31,120 --> 00:52:34,000
Speaker 1: stopped the Lords Boys. I made him come out and

927
00:52:34,080 --> 00:52:36,880
Speaker 1: I made Pun get in the booth. Punt sat a

928
00:52:37,040 --> 00:52:40,440
Speaker 1: chair down, a couch, not a chair. It was okay.

929
00:52:44,719 --> 00:52:47,880
Speaker 1: We put the He had his family around him in

930
00:52:47,920 --> 00:52:51,160
Speaker 1: the booth. He did one take one animal was out

931
00:52:51,200 --> 00:52:53,680
Speaker 1: the booth. Ten minutes the record was done. That's the

932
00:52:53,680 --> 00:53:00,960
Speaker 1: record we did with you. It was that was punch stop.

933
00:53:01,040 --> 00:53:03,680
Speaker 1: Punt used to take whatever counsel was in like the

934
00:53:03,800 --> 00:53:06,200
Speaker 1: main room. He was like your half. His niggers come

935
00:53:06,239 --> 00:53:09,799
Speaker 1: and pick it up. Boom, the most incredible and then

936
00:53:09,920 --> 00:53:13,400
Speaker 1: he'll pull the light down and he's sitting. That's how

937
00:53:13,960 --> 00:53:16,880
Speaker 1: troll was so incredible crazy because he was sick, so

938
00:53:17,040 --> 00:53:19,160
Speaker 1: he didn't he didn't do like not a lot of

939
00:53:19,280 --> 00:53:20,920
Speaker 1: like take like I'm saying, he didn't do like four

940
00:53:21,000 --> 00:53:23,680
Speaker 1: bars four board. No, he did the whole ship. That

941
00:53:23,800 --> 00:53:28,000
Speaker 1: was they did the whole ain't track back then, but

942
00:53:28,080 --> 00:53:38,759
Speaker 1: I like, we're on the lad with the ill. Take

943
00:53:38,880 --> 00:53:42,759
Speaker 1: that in that there was no punches than you could

944
00:53:42,840 --> 00:53:44,680
Speaker 1: punch on the rill. Check it back head and you

945
00:53:44,760 --> 00:53:46,920
Speaker 1: know how much you know, you know how it was.

946
00:53:47,160 --> 00:53:50,640
Speaker 1: It was crazy. It was the punch when he was riding. Yeah,

947
00:53:50,640 --> 00:53:54,560
Speaker 1: when pun was right, you can't punch all right. So

948
00:53:54,680 --> 00:53:56,440
Speaker 1: that was one thing that was about my when the

949
00:53:56,520 --> 00:53:59,440
Speaker 1: second thing that was crazy was I'm in the studio

950
00:53:59,520 --> 00:54:01,879
Speaker 1: with Jay, all right, jay Z So I had to leave.

951
00:54:06,640 --> 00:54:08,480
Speaker 1: So I'm in the studio with Jake. I had this

952
00:54:08,560 --> 00:54:11,759
Speaker 1: beat form, right, it was crazy. So I'm playing beat

953
00:54:12,040 --> 00:54:14,160
Speaker 1: and then and I had this other beat that I

954
00:54:14,239 --> 00:54:16,040
Speaker 1: bought in New Orleans. I couldn't get the ship the

955
00:54:16,080 --> 00:54:18,240
Speaker 1: locker the machine for some reason, but I hadn't looked

956
00:54:18,320 --> 00:54:19,560
Speaker 1: up on the tape and I was in the studio

957
00:54:19,680 --> 00:54:22,520
Speaker 1: just playing it, and Jay walked past the studio and

958
00:54:22,600 --> 00:54:25,200
Speaker 1: he said, what's that. I said, some should I had

959
00:54:25,280 --> 00:54:26,800
Speaker 1: looked up. I can't get it locked up and he

960
00:54:26,880 --> 00:54:28,239
Speaker 1: was like, yo, we need to do that ship. I

961
00:54:28,280 --> 00:54:31,279
Speaker 1: had that ship fixed it five minutes. Yo, we did

962
00:54:31,360 --> 00:54:34,080
Speaker 1: that ship. The Rectord we were supposed to didn't do it.

963
00:54:34,120 --> 00:54:36,520
Speaker 1: We changed it to the Boom Boom Boom. We did

964
00:54:36,600 --> 00:54:45,399
Speaker 1: that ship. I want to Grammy, I want Hard Knocked

965
00:54:45,480 --> 00:54:48,480
Speaker 1: Life because what happened was we was on tour with

966
00:54:48,600 --> 00:54:52,759
Speaker 1: the Puff toal And and gave me this plate and

967
00:54:52,800 --> 00:54:54,960
Speaker 1: it had the Hard Knocking Life beat on it. So

968
00:54:55,040 --> 00:54:56,640
Speaker 1: I was doing my album at the time. I said

969
00:54:56,719 --> 00:54:58,640
Speaker 1: I might use this ship for mom. Mom. Let me

970
00:54:58,680 --> 00:55:01,120
Speaker 1: see how it sounded in the arena. So I would play,

971
00:55:01,320 --> 00:55:03,200
Speaker 1: I would do my show. Then when I come back

972
00:55:03,200 --> 00:55:05,840
Speaker 1: out the second time, I would start with that. The

973
00:55:05,960 --> 00:55:09,080
Speaker 1: third show I played, it J rolled up like that

974
00:55:09,239 --> 00:55:12,200
Speaker 1: was that. I said, that's forty five. Can be some

975
00:55:12,280 --> 00:55:14,080
Speaker 1: show and used I was like you like it? He

976
00:55:14,120 --> 00:55:16,360
Speaker 1: was like yeah, hell yeah. So I talked about the

977
00:55:16,400 --> 00:55:18,960
Speaker 1: hard knock you just used it a little. The sample

978
00:55:19,000 --> 00:55:20,759
Speaker 1: you had a beat I had he had the way

979
00:55:20,800 --> 00:55:22,880
Speaker 1: the beat is on the record. That's how I had it.

980
00:55:22,960 --> 00:55:25,440
Speaker 1: On the acid take. It was just the beats with

981
00:55:25,600 --> 00:55:27,399
Speaker 1: the song. It's a hard not like with the beat

982
00:55:27,480 --> 00:55:29,920
Speaker 1: like a duck. I said, White people were walking up

983
00:55:29,960 --> 00:55:31,480
Speaker 1: to me while I'm playing the same Okay, how do

984
00:55:31,480 --> 00:55:34,000
Speaker 1: you get that drums behind the anti beat? They didn't.

985
00:55:34,040 --> 00:55:37,359
Speaker 1: They was bugging. So Jay rolled up, say your kid

986
00:55:38,640 --> 00:55:46,040
Speaker 1: that I said, So, I said, you know you wanted?

987
00:55:46,160 --> 00:55:48,319
Speaker 1: He was like yeah, I called forty five K right there,

988
00:55:48,320 --> 00:55:50,200
Speaker 1: and the arena put him on the phone. Forty five

989
00:55:50,280 --> 00:55:52,080
Speaker 1: K talk to him. Two weeks later, Hard in My

990
00:55:52,160 --> 00:55:54,080
Speaker 1: Life came out and found me and something six, Me

991
00:55:54,120 --> 00:55:57,680
Speaker 1: and something biggest record every wait, wait, wait, before I

992
00:55:58,000 --> 00:56:01,080
Speaker 1: needed to break up a time. I was not rectly credited, though,

993
00:56:01,120 --> 00:56:04,719
Speaker 1: how's it credited? Forty five Kennas would do? So jay

994
00:56:04,800 --> 00:56:09,040
Speaker 1: Z is the write Kickie, praise the link you the

995
00:56:09,120 --> 00:56:17,400
Speaker 1: plug plug. What I'm saying, that's not that. That's not

996
00:56:17,560 --> 00:56:20,719
Speaker 1: to say that all the other ship Jay Dundad come on,

997
00:56:20,840 --> 00:56:23,080
Speaker 1: you already know where his career is. And me and

998
00:56:23,200 --> 00:56:25,879
Speaker 1: J been cool, you know, for years, and what he's

999
00:56:25,920 --> 00:56:28,360
Speaker 1: done is incredible. But I'm glad to say I was

1000
00:56:28,360 --> 00:56:30,960
Speaker 1: a part of that. I was, and then on that

1001
00:56:31,080 --> 00:56:33,600
Speaker 1: album I did, it's like that. So I wanted to

1002
00:56:33,640 --> 00:56:36,680
Speaker 1: grant me because the album went as far as it went,

1003
00:56:36,800 --> 00:56:39,399
Speaker 1: so I went twice. It was dope, feature what it wants?

1004
00:56:40,719 --> 00:56:46,320
Speaker 1: Oh yeah, please just terrible. When Madonna called me that

1005
00:56:46,480 --> 00:56:51,960
Speaker 1: was crazy. Hold on, ye McDonald speaking right now, let's go.

1006
00:56:52,760 --> 00:56:56,440
Speaker 1: We're ready to the McDonald story and the story too?

1007
00:56:57,320 --> 00:57:01,399
Speaker 1: Did you the story? Nice? I felt like a black

1008
00:57:01,440 --> 00:57:06,040
Speaker 1: nigga dona working with I feel like I'm gonna be

1009
00:57:06,120 --> 00:57:08,920
Speaker 1: real with you. Man. Like a lot of women in

1010
00:57:09,000 --> 00:57:11,600
Speaker 1: the industry, a lot of us, how the scene checks.

1011
00:57:11,600 --> 00:57:13,880
Speaker 1: A lot of rappers, got of actresses, a lot of models,

1012
00:57:14,640 --> 00:57:16,480
Speaker 1: a lot of them try to get at me, and

1013
00:57:16,560 --> 00:57:20,400
Speaker 1: I would never fun with one. Industry check every is

1014
00:57:20,440 --> 00:57:24,400
Speaker 1: that one. A lot of them talk a lot. And

1015
00:57:24,480 --> 00:57:25,720
Speaker 1: I'm not saying all of them, but a lot of

1016
00:57:25,760 --> 00:57:28,800
Speaker 1: them talking a lot. And two, a lot of them

1017
00:57:28,880 --> 00:57:33,400
Speaker 1: funk with the same circle. Everybody, you fucking round me

1018
00:57:33,480 --> 00:57:35,800
Speaker 1: and you'll be hitting and if you don't mean the same,

1019
00:57:35,880 --> 00:57:37,960
Speaker 1: chick like, it becomes that you know what I'm saying.

1020
00:57:38,000 --> 00:57:39,600
Speaker 1: And at the end of the day, it's just I

1021
00:57:39,680 --> 00:57:41,360
Speaker 1: just felt like I don't want nobody doing what I do.

1022
00:57:41,440 --> 00:57:43,280
Speaker 1: If I'm in this industry, I do what I do. Here.

1023
00:57:43,520 --> 00:57:45,840
Speaker 1: I already know how how greedy this she can get.

1024
00:57:46,040 --> 00:57:47,919
Speaker 1: So if you're in there, I know how greedy could

1025
00:57:47,920 --> 00:57:50,840
Speaker 1: get for you, and you're gonna get offered way more

1026
00:57:50,840 --> 00:57:53,080
Speaker 1: than I'm gonna get. Just like a chicken a strip club,

1027
00:57:53,160 --> 00:57:55,520
Speaker 1: she's gonna get offered way more than the regular chick

1028
00:57:55,560 --> 00:57:57,920
Speaker 1: donna get. And ain't just the strip club. It's the

1029
00:57:58,000 --> 00:58:00,360
Speaker 1: ball over here. They got a ten thousand four. I

1030
00:58:00,520 --> 00:58:02,240
Speaker 1: was come here when we show him to pay it up,

1031
00:58:02,400 --> 00:58:04,080
Speaker 1: And that's what's gonna be. It's gonna be more than

1032
00:58:04,200 --> 00:58:06,240
Speaker 1: just what it really is. So that's why I never

1033
00:58:06,480 --> 00:58:10,560
Speaker 1: even sucked around like it's an industry strip club. Yeah, exactly,

1034
00:58:10,600 --> 00:58:12,480
Speaker 1: pretty much. So I stayed stay away from that. I

1035
00:58:12,560 --> 00:58:15,560
Speaker 1: just doing my little name. But I don't know what's good.

1036
00:58:16,320 --> 00:58:20,440
Speaker 1: Don't go to so fur when the first time you

1037
00:58:20,480 --> 00:58:26,720
Speaker 1: get your dick. So let's let's keep let's throw it

1038
00:58:26,800 --> 00:58:29,480
Speaker 1: up there. All I have to say. Let's keep it real.

1039
00:58:31,040 --> 00:58:38,720
Speaker 1: Throwing up about I don't know that's question. I never

1040
00:58:38,760 --> 00:58:45,560
Speaker 1: even been asked that question. I'm sure of my checks.

1041
00:58:45,600 --> 00:58:49,240
Speaker 1: Even a question you throw it out there here for drink.

1042
00:58:49,680 --> 00:58:54,800
Speaker 1: I hadn't been about like fourteen or fifteen and shout

1043
00:58:54,840 --> 00:59:00,240
Speaker 1: out to help for doing that. Shut out feel like

1044
00:59:00,400 --> 00:59:02,600
Speaker 1: she made she made it. I feel like I feel

1045
00:59:02,600 --> 00:59:05,560
Speaker 1: like it was a close member of the family. It

1046
00:59:05,800 --> 00:59:15,600
Speaker 1: was like clos my firm. We didn't get into your no,

1047
00:59:15,720 --> 00:59:19,160
Speaker 1: I was within my first rat So that's what I meant.

1048
00:59:19,240 --> 00:59:22,960
Speaker 1: Like like after I like you, you had that record,

1049
00:59:23,000 --> 00:59:24,800
Speaker 1: and then bitches just come to you and say I

1050
00:59:24,880 --> 00:59:26,920
Speaker 1: want to sell your dick. It's like that, that's like, oh,

1051
00:59:27,080 --> 00:59:30,320
Speaker 1: that's your first time, like like like not in the beginning,

1052
00:59:31,200 --> 00:59:33,880
Speaker 1: after you became fir and the bid just say, I

1053
00:59:33,880 --> 00:59:36,840
Speaker 1: just want to tell your like I want to little

1054
00:59:39,080 --> 00:59:41,600
Speaker 1: in the beginning, because I mean, listen, I flash it

1055
00:59:41,680 --> 00:59:44,760
Speaker 1: for you. Okay, you want that film? And I got

1056
00:59:44,840 --> 00:59:51,240
Speaker 1: a question. I don't I don't even remember. I don't

1057
00:59:51,520 --> 00:59:55,280
Speaker 1: know what I mean. Ain't that first a lot? I

1058
00:59:55,480 --> 01:00:01,120
Speaker 1: remember waking mathematics. I gotta remember your mathematics. Remember situations

1059
01:00:01,200 --> 01:00:05,760
Speaker 1: where I've been overseason and having a white sommer, sisters,

1060
01:00:06,080 --> 01:00:11,200
Speaker 1: white girls, your sisters, white girls. Yeah, I love your story.

1061
01:00:11,280 --> 01:00:15,440
Speaker 1: Let's continue. And I remember having it. And I remember

1062
01:00:15,480 --> 01:00:20,720
Speaker 1: my first three summer two black girls. Yeah, and they

1063
01:00:20,840 --> 01:00:23,080
Speaker 1: was just making me about they was mad, having mad

1064
01:00:23,200 --> 01:00:26,640
Speaker 1: fun and I remember like not even like because you

1065
01:00:26,720 --> 01:00:29,080
Speaker 1: know bad girls as real like different, like they're not

1066
01:00:29,520 --> 01:00:32,280
Speaker 1: they were nothing the finger if they don't like they're

1067
01:00:32,280 --> 01:00:35,080
Speaker 1: not making no sandwiches, they're not doing nothing nothing. But

1068
01:00:35,160 --> 01:00:38,120
Speaker 1: they were just catering to me crazy that night. And

1069
01:00:38,240 --> 01:00:42,520
Speaker 1: you know you made yeah, let's make some lois when

1070
01:00:42,560 --> 01:00:52,720
Speaker 1: you made yeas to talk about two this makes some

1071
01:00:52,760 --> 01:00:55,400
Speaker 1: lowise missr lead buying the worst of girls, and Emma,

1072
01:00:59,760 --> 01:01:01,600
Speaker 1: it's I missed the lee went to the store and said,

1073
01:01:01,600 --> 01:01:03,360
Speaker 1: I just want to buy a guards. It's gonna make

1074
01:01:03,440 --> 01:01:12,600
Speaker 1: nor annoyed, so kicking. Let's a question for it. Want

1075
01:01:12,640 --> 01:01:14,320
Speaker 1: to go to your question, when's the first time you've

1076
01:01:14,320 --> 01:01:27,160
Speaker 1: seen h point Definitely, this is a classic Greek story.

1077
01:01:28,840 --> 01:01:32,280
Speaker 1: I'm on to an all right. I think we got

1078
01:01:32,360 --> 01:01:36,360
Speaker 1: like five or six or seven dates were kids, So

1079
01:01:36,640 --> 01:01:39,760
Speaker 1: it takes kids like one or two dates to look

1080
01:01:39,840 --> 01:01:45,200
Speaker 1: at me and say he's different. So it's good. It

1081
01:01:45,360 --> 01:01:47,360
Speaker 1: must have been like the second or the third day,

1082
01:01:50,080 --> 01:01:52,800
Speaker 1: you know, because I'm you got to put it in

1083
01:01:52,920 --> 01:01:55,760
Speaker 1: your mouth. I'll just come home fresh out of jail.

1084
01:01:57,360 --> 01:02:00,760
Speaker 1: I listen to my rhyms, and I was whacked. I

1085
01:02:00,880 --> 01:02:03,200
Speaker 1: used to be super whack and be honest, I knew

1086
01:02:03,240 --> 01:02:06,880
Speaker 1: I was whack. Like I knew I was wrack, and

1087
01:02:07,000 --> 01:02:09,920
Speaker 1: I was calling him like bit up ship up that.

1088
01:02:12,720 --> 01:02:18,680
Speaker 1: I kept telling me, this is the man. He the

1089
01:02:18,800 --> 01:02:21,800
Speaker 1: man on the street. I'm in jail, He's the man

1090
01:02:21,880 --> 01:02:24,240
Speaker 1: on the street. He got this ship called the Bond. Baby.

1091
01:02:25,960 --> 01:02:28,600
Speaker 1: You know, if no as no, what's to no? Maybe?

1092
01:02:28,680 --> 01:02:32,080
Speaker 1: But I know he's like, yo, this is like the

1093
01:02:32,240 --> 01:02:37,520
Speaker 1: young shooter, you know, idiot guy from our hood. When

1094
01:02:37,520 --> 01:02:41,200
Speaker 1: I'm calling him from jail, he answered, So what happened

1095
01:02:41,320 --> 01:02:47,200
Speaker 1: was I came home. We do a song called l

1096
01:02:47,280 --> 01:02:51,280
Speaker 1: A l A. I pique my nigga chash from my hood.

1097
01:02:51,920 --> 01:02:54,920
Speaker 1: I'm trying to make this. This is just I know

1098
01:02:55,080 --> 01:02:57,600
Speaker 1: that you're doing l Does he know? Does I know that? No,

1099
01:02:57,960 --> 01:03:01,240
Speaker 1: that'solutely nothing. Okay, I come home. I do my own

1100
01:03:01,320 --> 01:03:03,040
Speaker 1: thing because I don't want to depend on right next,

1101
01:03:03,560 --> 01:03:06,000
Speaker 1: so I come home, we do L A l A.

1102
01:03:07,600 --> 01:03:11,120
Speaker 1: It kind of pops. It kind of pops definitely, But

1103
01:03:11,320 --> 01:03:12,800
Speaker 1: we didn't want to. I didn't want to be a

1104
01:03:12,920 --> 01:03:17,000
Speaker 1: beef nigger type of artists. So oh we also six

1105
01:03:17,080 --> 01:03:19,320
Speaker 1: months later throughout a drink called t O n Y

1106
01:03:20,640 --> 01:03:25,720
Speaker 1: Classic classic hip hop. But mind you capone gets locked up,

1107
01:03:25,760 --> 01:03:28,400
Speaker 1: the album drops, the pone gets locked up. I don't

1108
01:03:28,400 --> 01:03:29,840
Speaker 1: know how to do a show. How do you do

1109
01:03:29,960 --> 01:03:34,560
Speaker 1: a show? Like I'm from the I'm a cracker seller

1110
01:03:36,440 --> 01:03:39,160
Speaker 1: like I'm there, I'm the nigger that I know every

1111
01:03:39,240 --> 01:03:43,680
Speaker 1: white person because I sound cracked or the How do

1112
01:03:43,800 --> 01:03:47,680
Speaker 1: I do a show? The greatest ship is comes on

1113
01:03:47,800 --> 01:03:51,680
Speaker 1: my block, sees me pumping, He sees me making a cell.

1114
01:03:51,960 --> 01:03:56,720
Speaker 1: I cannot you, man, So he sees me make a

1115
01:03:56,800 --> 01:04:02,480
Speaker 1: cell and he pulls over the car and he's like,

1116
01:04:02,880 --> 01:04:06,240
Speaker 1: what are you doing right now? But mind you, my

1117
01:04:06,400 --> 01:04:09,240
Speaker 1: album is out, but I don't know because I don't

1118
01:04:09,240 --> 01:04:11,880
Speaker 1: know how to leave my hood, so I don't know

1119
01:04:12,000 --> 01:04:14,840
Speaker 1: what's popping. People are telling me in my hood is popping,

1120
01:04:14,880 --> 01:04:20,200
Speaker 1: but they've been telling me that I started rapping. Ox

1121
01:04:20,200 --> 01:04:23,520
Speaker 1: sees me make a sell, he drops, He comes out,

1122
01:04:24,080 --> 01:04:26,840
Speaker 1: what are you doing? And he says, how much you

1123
01:04:26,920 --> 01:04:29,040
Speaker 1: have when you have five dars to work? From me?

1124
01:04:29,720 --> 01:04:32,440
Speaker 1: So he gave me five hundred dollars. It was like,

1125
01:04:32,560 --> 01:04:34,720
Speaker 1: give me the work, and I was like, it's cool.

1126
01:04:34,800 --> 01:04:39,440
Speaker 1: I thought he was smoking. I'm gonna be honest because

1127
01:04:39,480 --> 01:04:44,440
Speaker 1: this is way out. The nigga threw the ship in

1128
01:04:44,520 --> 01:04:47,720
Speaker 1: the sewer and I was this, it's like yo, but

1129
01:04:47,800 --> 01:04:50,520
Speaker 1: he paid for But I was like, yo, what the fish?

1130
01:04:51,480 --> 01:04:55,040
Speaker 1: And he said you look, why this? And he turned

1131
01:04:55,080 --> 01:04:57,880
Speaker 1: me around like he grabbed me, Like how I'm grabbing

1132
01:04:57,920 --> 01:05:00,840
Speaker 1: you right now? But he turned me around and every

1133
01:05:01,000 --> 01:05:05,600
Speaker 1: car that drove through was playing the War Report. And

1134
01:05:05,720 --> 01:05:07,560
Speaker 1: I still didn't know what that meant because I was

1135
01:05:07,720 --> 01:05:11,000
Speaker 1: so much of a hood person. It was like I

1136
01:05:11,160 --> 01:05:13,000
Speaker 1: thought I just made it from my hood. That was like,

1137
01:05:13,120 --> 01:05:16,360
Speaker 1: so what I made it just for these niggas. These

1138
01:05:16,480 --> 01:05:18,840
Speaker 1: niggas are supposed to play it. But he was trying

1139
01:05:18,840 --> 01:05:21,480
Speaker 1: to show me that everybody is driving through is not

1140
01:05:21,800 --> 01:05:24,800
Speaker 1: from Left Frock. They're just driving through the show that

1141
01:05:24,920 --> 01:05:29,200
Speaker 1: they're playing the ward for. But still I don't understand. Anyway,

1142
01:05:30,200 --> 01:05:32,520
Speaker 1: After that day he plays my package, he says, come

1143
01:05:32,600 --> 01:05:35,600
Speaker 1: me on tour. This is when I meet the endary

1144
01:05:35,680 --> 01:05:42,120
Speaker 1: kick the portal tape, so right now is on that

1145
01:05:42,200 --> 01:05:50,520
Speaker 1: car maybe like days tour, but seven days mind you.

1146
01:05:52,320 --> 01:05:54,360
Speaker 1: I used to go up town to this wee spot

1147
01:05:58,160 --> 01:06:05,040
Speaker 1: that's going to I'll go three wise minute, best way

1148
01:06:05,160 --> 01:06:08,120
Speaker 1: that I ever smoked this to go up there, and

1149
01:06:08,240 --> 01:06:14,280
Speaker 1: three wise men had letting kick pre tapers, So that

1150
01:06:14,480 --> 01:06:17,360
Speaker 1: was a dame like, I can't pre tape at this time.

1151
01:06:17,840 --> 01:06:21,600
Speaker 1: It was like being fly like you ain't actually had

1152
01:06:21,640 --> 01:06:24,760
Speaker 1: to be fly if you had to tape, except fly

1153
01:06:24,960 --> 01:06:28,280
Speaker 1: Saturday and Sunday. Thank you go. That's real ship. This

1154
01:06:28,400 --> 01:06:31,439
Speaker 1: is real ship. Actually had to have a first friend

1155
01:06:31,480 --> 01:06:33,960
Speaker 1: sneakers on if you were like, what can you pray

1156
01:06:34,000 --> 01:06:43,760
Speaker 1: six sixteen? Right, It's like, wow, I come twelve because

1157
01:06:43,800 --> 01:06:49,960
Speaker 1: this is that type of fly ship. Right, it takes

1158
01:06:50,000 --> 01:06:56,200
Speaker 1: me on tour. Kid, it's like three days in kids,

1159
01:06:56,240 --> 01:07:01,520
Speaker 1: it's no, you gotta relax. He didn't say that, but

1160
01:07:01,680 --> 01:07:05,120
Speaker 1: in my mind he said that. He said, them niggas

1161
01:07:05,120 --> 01:07:08,840
Speaker 1: ain't smoking, you ain't having no fun with thought, and

1162
01:07:09,040 --> 01:07:14,600
Speaker 1: he was right. So I can a kid, we start

1163
01:07:14,640 --> 01:07:20,640
Speaker 1: playing Second Genesis because that that was the thing back there,

1164
01:07:20,760 --> 01:07:24,800
Speaker 1: like it was like the Tendo taking geners. I'm sitting there,

1165
01:07:24,800 --> 01:07:29,240
Speaker 1: I'm like, he's smoking in his room. Though not only

1166
01:07:29,320 --> 01:07:33,959
Speaker 1: I can't smoke in ox, man, I can't even smoke

1167
01:07:34,000 --> 01:07:37,120
Speaker 1: around here because he's like a real like you know,

1168
01:07:37,560 --> 01:07:40,200
Speaker 1: don't smoke type of nigger, like that ship is white

1169
01:07:40,320 --> 01:07:43,400
Speaker 1: type of nigga. So I'm like, now I can't pree

1170
01:07:45,760 --> 01:07:49,680
Speaker 1: I was fraid sniggers mixtapes. I'm sitting there playing video

1171
01:07:49,760 --> 01:08:05,560
Speaker 1: games with him, he says, was he some ship just

1172
01:08:06,640 --> 01:08:33,840
Speaker 1: put sorry you anyway, it's very crazy ginking for us.

1173
01:08:33,960 --> 01:08:48,320
Speaker 1: The person you want to show, you want to show. Please, Yo,

1174
01:08:48,439 --> 01:09:04,439
Speaker 1: this is so beautiful, so that's not cool. He was

1175
01:09:04,680 --> 01:09:18,840
Speaker 1: the right, Yeah, a little bit. Come on at ready.

1176
01:09:19,120 --> 01:09:20,880
Speaker 1: I know your niggas ain't got shots in your ship.

1177
01:09:21,160 --> 01:09:24,840
Speaker 1: Definitely the shots. I got a good drink. Let me

1178
01:09:24,880 --> 01:09:28,080
Speaker 1: tell you something. Let me tell you something that's Larry Way.

1179
01:09:28,240 --> 01:09:32,439
Speaker 1: You know. It was listen, he was mad, Yeah he was.

1180
01:09:32,520 --> 01:09:37,720
Speaker 1: Yall was like, but he was. I was in min

1181
01:09:37,800 --> 01:09:43,240
Speaker 1: It was just I was wilder man life you life.

1182
01:09:43,320 --> 01:09:45,080
Speaker 1: I mean yeah, but you know, I was like, you know,

1183
01:09:45,160 --> 01:09:50,760
Speaker 1: I don't know, bullshit happened like something. Look, there was

1184
01:09:50,800 --> 01:09:54,000
Speaker 1: ship sending me keys and they crib. I wasn't even

1185
01:09:54,120 --> 01:09:57,040
Speaker 1: asking for it, send me keys and the crier. So

1186
01:09:57,120 --> 01:09:58,880
Speaker 1: I'm thinking I'm something. My name's on the role, like, yo,

1187
01:09:59,000 --> 01:10:00,880
Speaker 1: let me tell you something. Your nimes gonna old chick's

1188
01:10:00,960 --> 01:10:03,360
Speaker 1: run going nobody's house because you never know the next

1189
01:10:03,439 --> 01:10:05,680
Speaker 1: nigger they sending the key to up and then you know,

1190
01:10:06,800 --> 01:10:09,599
Speaker 1: so you know, but I'm saying that I don't see

1191
01:10:09,720 --> 01:10:12,240
Speaker 1: it was. We can't really talk because it's not the

1192
01:10:12,280 --> 01:10:14,680
Speaker 1: show for that, but any this show, I mean the

1193
01:10:14,720 --> 01:10:16,640
Speaker 1: ship that was going on at that time. It was

1194
01:10:16,720 --> 01:10:18,960
Speaker 1: like I didn't could have gotten a lot of ship,

1195
01:10:19,960 --> 01:10:22,160
Speaker 1: you know what I'm saying. So that's why I'm glad

1196
01:10:22,200 --> 01:10:23,599
Speaker 1: it worked out the way it worked out. Now I'm

1197
01:10:23,600 --> 01:10:27,840
Speaker 1: a old different brother. But you know now, you know,

1198
01:10:28,280 --> 01:10:31,560
Speaker 1: checks come to me now it's like whatever now, But

1199
01:10:32,720 --> 01:10:34,599
Speaker 1: you know what, I hadn't talked with L. L Cool Jake.

1200
01:10:34,760 --> 01:10:41,439
Speaker 1: You was like the first point I said, I said,

1201
01:10:42,280 --> 01:10:44,760
Speaker 1: I said, I said, you you cheat on your wife?

1202
01:10:45,000 --> 01:10:47,679
Speaker 1: You know, he put me on too. I gotta I said,

1203
01:10:47,680 --> 01:10:49,120
Speaker 1: you you chid on your wife. He was like no,

1204
01:10:50,600 --> 01:10:58,679
Speaker 1: I was like, why not, he said, he said, because

1205
01:10:59,280 --> 01:11:04,360
Speaker 1: I can't get no money being pushed around from different women.

1206
01:11:04,400 --> 01:11:06,960
Speaker 1: You pulled this way, Oh this way. If you have

1207
01:11:07,160 --> 01:11:10,160
Speaker 1: one woman to satisfy, that's so you have to worry about.

1208
01:11:10,240 --> 01:11:12,800
Speaker 1: You can worry about everything else you gotta do, which

1209
01:11:12,880 --> 01:11:14,600
Speaker 1: is the truth. At the time I was doing, I

1210
01:11:14,760 --> 01:11:17,280
Speaker 1: was doing you know, I had one woman walk out

1211
01:11:17,320 --> 01:11:19,840
Speaker 1: one hour, another one workout, another hour, another one workout

1212
01:11:19,920 --> 01:11:22,200
Speaker 1: that my man sitting there looking at this ship. You

1213
01:11:22,240 --> 01:11:24,240
Speaker 1: know what I'm saying. So they're like, it's documented, like

1214
01:11:24,360 --> 01:11:27,280
Speaker 1: it could happen. But and you when you're doing it,

1215
01:11:27,400 --> 01:11:29,880
Speaker 1: you think you it's a trophy. It's like you think

1216
01:11:29,920 --> 01:11:32,639
Speaker 1: you're doing something that sh it ain't bullsh that's bullshit.

1217
01:11:32,720 --> 01:11:35,000
Speaker 1: Be you know what I'm saying, Like the real ship

1218
01:11:35,120 --> 01:11:38,439
Speaker 1: is the real ship is create an opportunity for other

1219
01:11:38,520 --> 01:11:40,439
Speaker 1: niggers to get on. You know what I'm saying, Where

1220
01:11:40,439 --> 01:11:42,200
Speaker 1: you're gonna do that. It's focused on what you're doing.

1221
01:11:42,600 --> 01:11:48,000
Speaker 1: You know what I'm saying that, That's why I'm on

1222
01:11:48,200 --> 01:11:50,000
Speaker 1: right now. So that's why we started these shows were

1223
01:11:50,000 --> 01:11:51,960
Speaker 1: I got three different shows going on right now. They're

1224
01:11:51,960 --> 01:11:53,920
Speaker 1: all popping. You know what I'm saying. When I'm doing

1225
01:11:53,960 --> 01:11:56,760
Speaker 1: I started this all this Gmail block party action at

1226
01:11:56,800 --> 01:11:59,360
Speaker 1: gmail dot com, you know where I tell people around

1227
01:11:59,360 --> 01:12:01,439
Speaker 1: the country to say men music and they get an

1228
01:12:01,720 --> 01:12:04,080
Speaker 1: I played on my show because I know what it's

1229
01:12:04,160 --> 01:12:05,960
Speaker 1: like to not get her. You ain't got no money

1230
01:12:06,000 --> 01:12:07,840
Speaker 1: for it. You ain't got now, let no machine, nobody

1231
01:12:07,880 --> 01:12:09,840
Speaker 1: know where you at. Nobody's trying to help you. So

1232
01:12:09,920 --> 01:12:11,840
Speaker 1: this is the spot wherever it's hot or not, I'm

1233
01:12:11,840 --> 01:12:13,720
Speaker 1: gonna let the fans decide that. I'm not gonna put

1234
01:12:13,720 --> 01:12:15,960
Speaker 1: my opinion into it, but I'm gonna give you an outlet.

1235
01:12:16,479 --> 01:12:18,280
Speaker 1: I gave him an outlet for them to be heard.

1236
01:12:18,320 --> 01:12:19,960
Speaker 1: So every week when I'm doing the joints, I played

1237
01:12:20,000 --> 01:12:22,640
Speaker 1: through the joints and let the people decide what's going on.

1238
01:12:22,800 --> 01:12:25,240
Speaker 1: I mean so much to that person, even if they

1239
01:12:25,280 --> 01:12:27,320
Speaker 1: don't go nowhere, it's just that they ain't know that

1240
01:12:27,479 --> 01:12:28,760
Speaker 1: they have a chance. You know what I'm saying that

1241
01:12:29,479 --> 01:12:42,240
Speaker 1: people welcome to play a new podcast network featuring radio

1242
01:12:42,320 --> 01:12:46,439
Speaker 1: and TV personalities talking business, sports, tech, entertainment, and more.

1243
01:12:46,800 --> 01:12:51,280
Speaker 1: Play it at play dot It. We're back to Drink

1244
01:12:51,360 --> 01:12:55,160
Speaker 1: Champs Radio with Rapper and R and d Jes. Then

1245
01:12:57,240 --> 01:13:02,160
Speaker 1: now he has keeps. I feel like you have to

1246
01:13:02,200 --> 01:13:06,320
Speaker 1: do the questions. I feel like you asked, feel like that.

1247
01:13:07,280 --> 01:13:10,719
Speaker 1: I just feel like all them nigs deeper in deep,

1248
01:13:11,320 --> 01:13:15,599
Speaker 1: like deeper they sold the ass. It's okay, It's okay

1249
01:13:15,720 --> 01:13:18,599
Speaker 1: in this show on this show is okay. I'm just saying,

1250
01:13:18,600 --> 01:13:22,160
Speaker 1: I'm a Libra and I gotta turned up. What was that?

1251
01:13:22,439 --> 01:13:31,400
Speaker 1: That's the tigers around? So what's Libra? What is that?

1252
01:13:31,800 --> 01:13:37,080
Speaker 1: The Scales told by oh yeah, I'm told by Yeah,

1253
01:13:37,240 --> 01:13:41,320
Speaker 1: oh yeah, y'all ruthless. Y'all ruthless. That was the ruthless people.

1254
01:13:42,840 --> 01:13:46,680
Speaker 1: The kicker purchase bound. You know he's using that. We're

1255
01:13:46,720 --> 01:13:50,120
Speaker 1: about to do that too. Right here, I'm out of here.

1256
01:13:50,760 --> 01:13:53,320
Speaker 1: I could go yeah, I'm staying. That's good for you.

1257
01:13:53,400 --> 01:13:57,640
Speaker 1: I can do whatever you can do it. You're that human. No,

1258
01:13:58,120 --> 01:14:02,200
Speaker 1: I am human, but I'm having fun. Right, you're gonna

1259
01:14:02,520 --> 01:14:06,160
Speaker 1: know with my ships, right, you got no, I don't

1260
01:14:06,160 --> 01:14:11,120
Speaker 1: got pink. I never got pink. I got pink taco I.

1261
01:14:14,320 --> 01:14:20,400
Speaker 1: So listen wherever was that? You know he asked, you know,

1262
01:14:20,600 --> 01:14:29,280
Speaker 1: he asked, no, No, he gona. I think I don't listen.

1263
01:14:29,680 --> 01:14:36,240
Speaker 1: You gotta, as I know, Tony to give him. It's

1264
01:14:38,280 --> 01:14:40,760
Speaker 1: a part of no Ian pussy is a part of

1265
01:14:40,800 --> 01:14:45,320
Speaker 1: Puerto Rican culture. I listened to me my grandfather then

1266
01:14:45,400 --> 01:14:49,600
Speaker 1: nigger never asked me like Puerto Rican sap. Thank you,

1267
01:14:49,840 --> 01:14:55,479
Speaker 1: thank you for correcting me. My black grandfather didn't my

1268
01:14:55,680 --> 01:14:58,479
Speaker 1: more grandfather, he never asked me like, yo, you're okay,

1269
01:14:58,520 --> 01:15:01,200
Speaker 1: you know to tie your shoelaces. Then you just said

1270
01:15:01,240 --> 01:15:06,720
Speaker 1: you pussy. Yet I'm like Jesus, like that's a's a

1271
01:15:06,760 --> 01:15:11,240
Speaker 1: part of for just like I know and mean culture.

1272
01:15:11,680 --> 01:15:14,200
Speaker 1: Your grandfather also get your bid at five years old.

1273
01:15:14,280 --> 01:15:16,639
Speaker 1: Let's just keep it real. Let's start it out there. Yeah,

1274
01:15:17,120 --> 01:15:20,280
Speaker 1: let's keep it real like it's a part of culture. Drinking.

1275
01:15:20,320 --> 01:15:22,320
Speaker 1: They made you drink. You're like seven years old, like

1276
01:15:22,920 --> 01:15:25,719
Speaker 1: they they don't make you. They just know they asked

1277
01:15:25,760 --> 01:15:29,519
Speaker 1: you and then you're good, keep going and a Cuban

1278
01:15:29,560 --> 01:15:31,960
Speaker 1: to go with it. No, no, I definitely spoke with

1279
01:15:32,040 --> 01:15:37,960
Speaker 1: Cuban and seven years to relax. No, No, that's was

1280
01:15:38,080 --> 01:15:43,360
Speaker 1: my grandfather sevens No, I'm saying I grew up around

1281
01:15:43,800 --> 01:15:48,800
Speaker 1: you know, cigar smoke. It was a cigar speke. So

1282
01:15:49,600 --> 01:15:52,559
Speaker 1: something this is that's about to go. Yeah, it's okay,

1283
01:15:52,600 --> 01:16:00,400
Speaker 1: we got more. We got more. Not kicking right now.

1284
01:16:00,720 --> 01:16:06,280
Speaker 1: I'm sorry, we gotta go there, Capri. Listen. We our

1285
01:16:06,360 --> 01:16:11,719
Speaker 1: show was based on asked either this right, we love people,

1286
01:16:11,760 --> 01:16:16,840
Speaker 1: we're letting the friends. He's big in the hood, he's

1287
01:16:17,000 --> 01:16:19,720
Speaker 1: very big, h and to ask you to big him up.

1288
01:16:20,000 --> 01:16:22,200
Speaker 1: So we got asked that just big in our show.

1289
01:16:22,760 --> 01:16:28,639
Speaker 1: On our show. But I felt like in my youth,

1290
01:16:30,439 --> 01:17:04,680
Speaker 1: I saw you directing someone back back back man, it

1291
01:17:04,840 --> 01:17:09,920
Speaker 1: was well, Chuck Barry. You see Chuck Barry. Oh my god,

1292
01:17:10,040 --> 01:17:11,920
Speaker 1: you need see Chuck Barry. He has some fulige and

1293
01:17:12,280 --> 01:17:20,439
Speaker 1: his legs in it. He said, my legs is in

1294
01:17:20,520 --> 01:17:23,600
Speaker 1: the on the last show a little bit. How did

1295
01:17:23,640 --> 01:17:39,640
Speaker 1: I know what? We're going? Crazy? Did you ship what

1296
01:17:40,200 --> 01:17:46,519
Speaker 1: you start on our show? It was the episode, right,

1297
01:17:47,760 --> 01:17:59,639
Speaker 1: I'm sorry in my mind's sorry, that's not happen. Ship.

1298
01:18:01,280 --> 01:18:09,799
Speaker 1: This happened. It's very great. I think it's definitely happened.

1299
01:18:10,080 --> 01:18:43,680
Speaker 1: Not felt. Yeah, you're pretty let me find out, he said, no,

1300
01:18:43,920 --> 01:18:47,720
Speaker 1: not hands in the air, legs in the air. This

1301
01:18:48,439 --> 01:18:52,960
Speaker 1: is a great episode. Oh my god, Oh my god.

1302
01:18:53,600 --> 01:18:59,679
Speaker 1: I'm trying. I was. I got a question first, it's

1303
01:18:59,720 --> 01:19:05,479
Speaker 1: just seem crazy first, okay, but I want you want

1304
01:19:05,479 --> 01:19:10,760
Speaker 1: me to trying to act normal? She literally, you got

1305
01:19:10,840 --> 01:19:17,840
Speaker 1: the Scott Peppers free. You know you're crazy kid coming back? Yeah?

1306
01:19:18,680 --> 01:19:25,800
Speaker 1: Kids never coming back. I'm crazy. Come out. Yeah, we

1307
01:19:25,960 --> 01:19:33,200
Speaker 1: have fun. Man, we have it. Where's Gino? Man? You're

1308
01:19:33,240 --> 01:19:36,040
Speaker 1: probably call are we doing more shots? I'm just asking that.

1309
01:19:36,200 --> 01:19:40,680
Speaker 1: I'm I'm in. I got dug a donut's cup. That's

1310
01:19:40,720 --> 01:19:44,120
Speaker 1: horrible for you and it's just Mr Crean. Oh no,

1311
01:19:44,240 --> 01:19:58,160
Speaker 1: that's good. North Miami ad Yo, listen, hip hop. You

1312
01:19:58,240 --> 01:20:10,760
Speaker 1: know what's funny? He's mad, you'll ye. It's like, y'all

1313
01:20:10,760 --> 01:20:24,360
Speaker 1: wan't say something YA wasn't supposed to see? Ye another cha,

1314
01:20:30,000 --> 01:20:41,320
Speaker 1: I'm funny, it's funny. It's yea to see what was funny?

1315
01:20:42,479 --> 01:21:06,559
Speaker 1: A lie? Ali crying like no, fer let me hear

1316
01:21:06,600 --> 01:21:18,559
Speaker 1: this second way take a great it's the thing. Okay,

1317
01:21:20,920 --> 01:21:26,360
Speaker 1: that's funny. Horrible, man, I'm gonna be celebrated next in

1318
01:21:26,439 --> 01:21:37,360
Speaker 1: the air, y'all swear. I was like, I don't I

1319
01:21:37,400 --> 01:21:40,680
Speaker 1: want to cutch the ass. I was going, I say,

1320
01:21:40,800 --> 01:21:44,519
Speaker 1: it's just funny. I'm gonna come back and talk about

1321
01:21:44,560 --> 01:22:00,040
Speaker 1: this ship ship funny. Let's drink someone as girls a

1322
01:22:00,160 --> 01:22:05,920
Speaker 1: DVD set to relax. You gotta relax that everybody here

1323
01:22:06,120 --> 01:22:13,559
Speaker 1: were words because we know you're shopping the flea market. Yes,

1324
01:22:14,320 --> 01:22:16,960
Speaker 1: but listen, all right, we're gonna we're gonna try to

1325
01:22:17,040 --> 01:22:24,960
Speaker 1: get serious right now. Yo, we love that. I was

1326
01:22:24,960 --> 01:22:29,080
Speaker 1: gonna talk to her fir about Harvard. It's good on

1327
01:22:29,160 --> 01:22:37,600
Speaker 1: the hall. What's going on? So right right? It was

1328
01:22:37,640 --> 01:22:40,880
Speaker 1: this guy named Woolly Oh, the dude he on the

1329
01:22:41,080 --> 01:22:44,560
Speaker 1: SNS club. We're talking about Willie Burgers. Yeah, he on

1330
01:22:44,640 --> 01:22:47,439
Speaker 1: the SNS Club. I'm never going at him. And he

1331
01:22:47,560 --> 01:22:51,080
Speaker 1: owned the Zodiac and he on Woodie Burgers. I'm sure

1332
01:22:51,120 --> 01:22:54,920
Speaker 1: you heard the Woody Burgers. W Burgers was right under

1333
01:22:54,960 --> 01:22:59,679
Speaker 1: the SNS club S and S Club. What's a killer?

1334
01:22:59,760 --> 01:23:03,240
Speaker 1: Us dealings, the pig niggas like it was just they

1335
01:23:03,280 --> 01:23:06,479
Speaker 1: were just it was just if you was in there,

1336
01:23:06,600 --> 01:23:09,439
Speaker 1: you felt like you were somebody, but really you was

1337
01:23:09,560 --> 01:23:12,200
Speaker 1: nobody really, So when I was in there, I was

1338
01:23:12,320 --> 01:23:14,320
Speaker 1: just looking at this ship like it was like, wow,

1339
01:23:14,479 --> 01:23:18,759
Speaker 1: this is that's what goes on. But after the party

1340
01:23:18,880 --> 01:23:23,160
Speaker 1: was over, the whole forty Fish Street should be flooded.

1341
01:23:23,920 --> 01:23:28,200
Speaker 1: You see the biggest dudes driving the craziest car sitting

1342
01:23:28,280 --> 01:23:31,960
Speaker 1: around the street. The whole street flooded out. And then

1343
01:23:32,000 --> 01:23:34,000
Speaker 1: they'll all go on Wednesday Night only from there and

1344
01:23:34,000 --> 01:23:36,280
Speaker 1: we all go to the rink in New Jersey and

1345
01:23:36,360 --> 01:23:38,400
Speaker 1: the ring that she used to be crazy le the

1346
01:23:38,520 --> 01:23:40,320
Speaker 1: Ring come back to a hundred forty five street to

1347
01:23:40,400 --> 01:23:42,800
Speaker 1: eight Fat and was like that was like this, like

1348
01:23:42,920 --> 01:23:45,160
Speaker 1: it was just the place to be. Like hall M

1349
01:23:45,200 --> 01:23:46,640
Speaker 1: at that time was just crazy. But there was a

1350
01:23:46,680 --> 01:23:48,519
Speaker 1: lot of killing going on, a lot of different ship

1351
01:23:48,600 --> 01:23:50,439
Speaker 1: going on with niggas getting killed the broad day like

1352
01:23:50,520 --> 01:23:53,080
Speaker 1: Buggies was like a big deal out there. You see

1353
01:23:53,120 --> 01:23:55,840
Speaker 1: niggas growing up peeping the Buggies and ship like that.

1354
01:23:56,080 --> 01:23:58,200
Speaker 1: But you came in up in the time where there

1355
01:23:58,280 --> 01:24:00,360
Speaker 1: was nothing that you came in a good time. I'm saying,

1356
01:24:00,360 --> 01:24:02,800
Speaker 1: but at that time it was like it was rough.

1357
01:24:02,880 --> 01:24:04,920
Speaker 1: At that time. Pol used to buy Outpos to buy

1358
01:24:04,960 --> 01:24:08,400
Speaker 1: tape for me for five dollars. Well a mixtape. Let

1359
01:24:08,439 --> 01:24:12,599
Speaker 1: me get that tape. Kids, Nah Pol, he hurt now

1360
01:24:12,760 --> 01:24:17,320
Speaker 1: he too? Hunter now po here Hunt he found it

1361
01:24:18,080 --> 01:24:23,720
Speaker 1: all right. Yeah, it was crazy at that time. Now,

1362
01:24:23,880 --> 01:24:29,879
Speaker 1: not back then, because you coming from Queens, right, Queens

1363
01:24:30,439 --> 01:24:33,559
Speaker 1: you were you were like the first person bearing through

1364
01:24:33,640 --> 01:24:38,559
Speaker 1: from the Bronx hall uptown now Teria bringing to then

1365
01:24:39,640 --> 01:24:43,960
Speaker 1: then it was the bounce Master d J Doo. Yeah,

1366
01:24:43,960 --> 01:24:46,479
Speaker 1: I have beef what happened. I was for Queen's no

1367
01:24:46,640 --> 01:24:48,400
Speaker 1: know what I'm saying. I'm telling you, I'm coming. Oh

1368
01:24:48,479 --> 01:24:50,600
Speaker 1: you couple Queens that happening. You know what happened with

1369
01:24:50,640 --> 01:24:53,800
Speaker 1: me and do what was? Well? What was somebody I

1370
01:24:53,920 --> 01:24:56,120
Speaker 1: was going to school with and I didn't know he

1371
01:24:56,240 --> 01:24:59,200
Speaker 1: was white and both of them, Yeah, we just scored

1372
01:24:59,439 --> 01:25:01,559
Speaker 1: was being seen each other in the morning, all that puff,

1373
01:25:01,600 --> 01:25:04,720
Speaker 1: all that in the morning. So what happened was on

1374
01:25:05,479 --> 01:25:07,280
Speaker 1: one day, this kid, you know, I'm rocking with the

1375
01:25:07,280 --> 01:25:09,760
Speaker 1: tape ship popping. Everything's going good and it's right when

1376
01:25:09,760 --> 01:25:11,200
Speaker 1: I was about to stop. Was what happened was I

1377
01:25:11,240 --> 01:25:14,880
Speaker 1: got signed to Columbia and I mean Warner Brothers and

1378
01:25:15,560 --> 01:25:17,840
Speaker 1: Star like the and she showed me a bunch of

1379
01:25:18,040 --> 01:25:20,120
Speaker 1: magazines that said, kid, you pretty the only DJ in

1380
01:25:20,160 --> 01:25:22,360
Speaker 1: the world to sell millions and make millions of dollars

1381
01:25:22,400 --> 01:25:24,960
Speaker 1: off of speed mixtapes. And I knew that wasn't true.

1382
01:25:24,960 --> 01:25:26,599
Speaker 1: I knew people were some of my tapes. They were

1383
01:25:26,640 --> 01:25:29,000
Speaker 1: buy houses and cars off my joints from Southern But

1384
01:25:29,040 --> 01:25:31,120
Speaker 1: I wasn't making that bread. I was making what I

1385
01:25:31,240 --> 01:25:33,320
Speaker 1: was making. So that's not decide to see, you know what,

1386
01:25:33,600 --> 01:25:35,519
Speaker 1: I'm gonna leave as the Michael Jordan this ship and

1387
01:25:35,600 --> 01:25:38,280
Speaker 1: gonna take my career a different way. Right when I

1388
01:25:38,360 --> 01:25:41,120
Speaker 1: decided to do that, some kid that I ain't seen

1389
01:25:41,280 --> 01:25:42,920
Speaker 1: years rolled up on me with a little bit of

1390
01:25:42,960 --> 01:25:44,960
Speaker 1: a tape say, this kid didn't do what I'm about

1391
01:25:44,960 --> 01:25:46,840
Speaker 1: to be, come at you, and he gave a little

1392
01:25:46,840 --> 01:25:49,200
Speaker 1: bit to me on the tape, so he played it

1393
01:25:49,280 --> 01:25:54,640
Speaker 1: for me, so I'm like, oh, shoot, some ship. It

1394
01:25:54,720 --> 01:25:56,519
Speaker 1: was just it was whatever it was, it was some ship.

1395
01:25:56,640 --> 01:25:59,600
Speaker 1: It was disspectful right again, I didn't know it was

1396
01:25:59,680 --> 01:26:03,600
Speaker 1: Why So right right away I made the beat in

1397
01:26:03,680 --> 01:26:06,679
Speaker 1: a little four track when five joints chopped up, wrote

1398
01:26:06,720 --> 01:26:08,519
Speaker 1: around right there. I had to join out the next day,

1399
01:26:09,240 --> 01:26:11,320
Speaker 1: before he even got a chance to put his joint out,

1400
01:26:11,479 --> 01:26:14,160
Speaker 1: I had my ship out. So that was the last

1401
01:26:14,240 --> 01:26:16,000
Speaker 1: joint I put out. And that ship was a monumental.

1402
01:26:16,080 --> 01:26:18,479
Speaker 1: So now he had came out with like fifty joints after.

1403
01:26:18,640 --> 01:26:20,160
Speaker 1: I ain't gonna call it fifty, but he came out

1404
01:26:20,160 --> 01:26:22,439
Speaker 1: with a lot of joints after. And that was my

1405
01:26:22,600 --> 01:26:25,880
Speaker 1: only joint, um, you know. And that was the beginning

1406
01:26:25,920 --> 01:26:28,680
Speaker 1: of me and wa beef. Where it got disrespectful is

1407
01:26:28,720 --> 01:26:31,360
Speaker 1: when why Pass says something about my mom's and my girl.

1408
01:26:32,000 --> 01:26:34,120
Speaker 1: And that's when we had a show. I had to

1409
01:26:34,160 --> 01:26:36,840
Speaker 1: show Virginia. He had a show Virginia, and I took

1410
01:26:36,920 --> 01:26:38,720
Speaker 1: my tour bus down there. I did my show and

1411
01:26:38,760 --> 01:26:40,720
Speaker 1: I waited Fahim to have his show the next day

1412
01:26:40,920 --> 01:26:42,840
Speaker 1: and I went to his show, and you know, I,

1413
01:26:43,160 --> 01:26:45,000
Speaker 1: you know, put him out both end. You know, let's

1414
01:26:45,040 --> 01:26:46,720
Speaker 1: go around the corner. Me and you will leave our

1415
01:26:46,760 --> 01:26:48,880
Speaker 1: people here and we do what we do. And you know,

1416
01:26:49,000 --> 01:26:51,200
Speaker 1: it didn't work out like that, and I know it

1417
01:26:51,280 --> 01:26:53,680
Speaker 1: wasn't gonna be nothing. So they don't only apologize for

1418
01:26:53,760 --> 01:26:55,960
Speaker 1: what he said. And that's all I really wanted. There's

1419
01:26:56,000 --> 01:26:58,080
Speaker 1: no it was no problem later on, me and what

1420
01:26:58,320 --> 01:27:01,639
Speaker 1: made records together, two joints, two or three joints together

1421
01:27:01,680 --> 01:27:03,760
Speaker 1: where we work and right now that this Damien it was.

1422
01:27:04,240 --> 01:27:06,120
Speaker 1: It's cool. At the time, it was little, it was

1423
01:27:06,200 --> 01:27:08,200
Speaker 1: little tense, and we was gonna get it on. But

1424
01:27:09,800 --> 01:27:12,000
Speaker 1: later on we've seen that it really wasn't nothing. It

1425
01:27:12,120 --> 01:27:14,800
Speaker 1: was kind of monumental for us because it brought a

1426
01:27:14,920 --> 01:27:17,760
Speaker 1: certain bar to the DJ, to the to the rap DJ.

1427
01:27:18,200 --> 01:27:19,920
Speaker 1: You know, you remember I got balls too. I could

1428
01:27:19,920 --> 01:27:21,160
Speaker 1: get on the mic and I do my thing. I

1429
01:27:21,280 --> 01:27:22,880
Speaker 1: do what I do, So that's what it was, and

1430
01:27:23,120 --> 01:27:25,240
Speaker 1: it just brought that level. And then it brought thus

1431
01:27:25,320 --> 01:27:28,520
Speaker 1: like Tonty touch out and do that Carime and producing

1432
01:27:28,640 --> 01:27:30,720
Speaker 1: DJ and all that ship. It just shows, Yeah, it

1433
01:27:30,760 --> 01:27:33,519
Speaker 1: shows that you're just not stuck in one spot, you

1434
01:27:33,560 --> 01:27:36,960
Speaker 1: know what I'm saying, So shout the robbers talented, challenging

1435
01:27:36,960 --> 01:27:38,200
Speaker 1: to dude, like, I don't know. I thought it was

1436
01:27:38,240 --> 01:27:40,439
Speaker 1: gonna take an ELP, but not really. Nobody took it

1437
01:27:40,600 --> 01:27:43,560
Speaker 1: l It was just a monumental thing that happened in

1438
01:27:43,880 --> 01:27:46,160
Speaker 1: the mixtape game, you know what I'm saying. But it

1439
01:27:46,280 --> 01:27:48,680
Speaker 1: was gonna turn nasty because of that, but it never

1440
01:27:48,760 --> 01:27:51,320
Speaker 1: really did. So it was all great. And I talked

1441
01:27:51,360 --> 01:28:00,479
Speaker 1: to Ropper today. It's all goods for now. First stopping

1442
01:28:00,560 --> 01:28:05,439
Speaker 1: all you do on your day, you sit back, now,

1443
01:28:05,560 --> 01:28:08,360
Speaker 1: what is what? What? What is your plans when you're

1444
01:28:08,400 --> 01:28:12,000
Speaker 1: saying my first record pops off? What am I to do?

1445
01:28:12,120 --> 01:28:17,240
Speaker 1: What was your plans when the original beginning? Going never stop? Yeah,

1446
01:28:17,360 --> 01:28:20,720
Speaker 1: going never stop? Never take my foot off the gas um.

1447
01:28:21,080 --> 01:28:22,920
Speaker 1: Because I always knew that I had a bunch of

1448
01:28:22,960 --> 01:28:25,400
Speaker 1: people I had to put on as well, like you

1449
01:28:25,479 --> 01:28:29,839
Speaker 1: know me Rocky twelve Atty, like the whole eights at malls,

1450
01:28:30,360 --> 01:28:32,640
Speaker 1: just the malls. But I got family outside of the

1451
01:28:32,720 --> 01:28:36,080
Speaker 1: mall as well. What I'm saying so that you know,

1452
01:28:36,320 --> 01:28:39,200
Speaker 1: I got people all grow up with kids, you know,

1453
01:28:39,360 --> 01:28:42,439
Speaker 1: Mardi Ball, I got, you know, my uncle t, I

1454
01:28:42,520 --> 01:28:46,040
Speaker 1: got you know, different people that's in my family. You know,

1455
01:28:46,120 --> 01:28:48,320
Speaker 1: that's a part of my team now that I have

1456
01:28:48,520 --> 01:28:51,559
Speaker 1: to support all I wanted to support. So it's always

1457
01:28:51,600 --> 01:28:54,519
Speaker 1: been not about me, is about like, you know, getting

1458
01:28:54,520 --> 01:28:58,439
Speaker 1: this opportunity to put other people on. How old is

1459
01:28:58,520 --> 01:29:02,080
Speaker 1: you put on my me? Asking me passed away? I

1460
01:29:02,240 --> 01:29:05,439
Speaker 1: was it was three days before my seventeen birthday. Yeah,

1461
01:29:06,960 --> 01:29:09,320
Speaker 1: and you did you know your pops is a legend though,

1462
01:29:09,760 --> 01:29:13,000
Speaker 1: Oh definitely. I always think about all the kids that, like,

1463
01:29:13,720 --> 01:29:16,000
Speaker 1: you know, like I always just thinking about about Dane

1464
01:29:16,120 --> 01:29:19,400
Speaker 1: dash Son because he was pretty popping back then, you know,

1465
01:29:19,720 --> 01:29:22,240
Speaker 1: as far as like his pops being like somebody in

1466
01:29:22,280 --> 01:29:26,240
Speaker 1: the industry or yeah, Bookie shots a boogie or like

1467
01:29:26,400 --> 01:29:29,840
Speaker 1: little Romeo or like, you know, these are people whose

1468
01:29:29,960 --> 01:29:33,800
Speaker 1: sons like they fathers with somebody. And I always thought, like, damn,

1469
01:29:33,880 --> 01:29:36,160
Speaker 1: like my pops a somebody because you knew all these

1470
01:29:36,200 --> 01:29:39,800
Speaker 1: people he introduced me to puff Uh, you know, it

1471
01:29:39,960 --> 01:29:42,560
Speaker 1: was just a bunch of killers I met. It was

1472
01:29:42,600 --> 01:29:45,080
Speaker 1: a bunch of like different people that I that came

1473
01:29:45,160 --> 01:29:47,760
Speaker 1: to that storm one for five, So you know it

1474
01:29:47,920 --> 01:29:52,200
Speaker 1: was I knew that my pops was powerful, and I

1475
01:29:52,280 --> 01:29:57,000
Speaker 1: knew that I was somebody special because and you said seventeen, Yeah, seen.

1476
01:29:57,520 --> 01:30:01,840
Speaker 1: So what age you thought, like acknowledge that your posts problem.

1477
01:30:02,720 --> 01:30:06,360
Speaker 1: I always always knew that. I always knew that because

1478
01:30:06,400 --> 01:30:09,559
Speaker 1: he wasn't only powerful, but he was a good nick

1479
01:30:09,960 --> 01:30:13,000
Speaker 1: It was incredible and that and you know, that's the

1480
01:30:13,040 --> 01:30:15,519
Speaker 1: only thing that I like, the only thing that I

1481
01:30:16,439 --> 01:30:19,880
Speaker 1: hold on to and life is just being a good nick. Right.

1482
01:30:20,080 --> 01:30:21,720
Speaker 1: I don't give a funk about anything else. I don't

1483
01:30:21,720 --> 01:30:24,680
Speaker 1: give that's what the nigga think think about me. I

1484
01:30:24,840 --> 01:30:27,720
Speaker 1: just want to be a good nigger. And that's what

1485
01:30:27,960 --> 01:30:34,720
Speaker 1: your pops right. Definitely, he's a good nick. Was like

1486
01:30:34,800 --> 01:30:40,679
Speaker 1: a concert, like everybody was. Everybody came by, puff moms there, everybody.

1487
01:30:40,760 --> 01:30:43,040
Speaker 1: My pops are just like the bridge. I like to

1488
01:30:43,080 --> 01:30:45,439
Speaker 1: call him the bridge because, like I said, he was

1489
01:30:45,520 --> 01:30:48,479
Speaker 1: the bridge between the streets and mainstream. You know what

1490
01:30:48,520 --> 01:30:51,840
Speaker 1: I'm saying. He wasn't like one way. And you know

1491
01:30:51,960 --> 01:30:55,680
Speaker 1: he always kept like a solid base in hallm and

1492
01:30:55,960 --> 01:30:58,000
Speaker 1: he put on for his people. And I got a

1493
01:30:58,120 --> 01:31:00,759
Speaker 1: chance to meet all types of people from all walks

1494
01:31:00,800 --> 01:31:04,960
Speaker 1: of life, from like the superstars to the hood to

1495
01:31:05,120 --> 01:31:07,360
Speaker 1: like the hood dudes that ran things in the hood.

1496
01:31:07,920 --> 01:31:09,280
Speaker 1: You know that that knew how to talk to that

1497
01:31:09,479 --> 01:31:12,280
Speaker 1: politics and who you had to speak to if you

1498
01:31:12,360 --> 01:31:14,000
Speaker 1: had if you had to come around town, or you

1499
01:31:14,040 --> 01:31:17,479
Speaker 1: wanted to make some moves. He knew everybody. So when

1500
01:31:17,560 --> 01:31:20,639
Speaker 1: this rap thing first came to you, was that something

1501
01:31:20,680 --> 01:31:23,880
Speaker 1: that you discussed with your pops or or not. I

1502
01:31:24,040 --> 01:31:26,200
Speaker 1: was always shot about music with my pops because I

1503
01:31:26,320 --> 01:31:28,640
Speaker 1: was never like I feel, I feel that way. I

1504
01:31:28,800 --> 01:31:31,679
Speaker 1: was never the music person. And he knew all the giants.

1505
01:31:31,800 --> 01:31:34,400
Speaker 1: Like you know, he introduced me to puff and you know,

1506
01:31:34,560 --> 01:31:37,400
Speaker 1: what is my little raps gonna do for him? And understand?

1507
01:31:37,520 --> 01:31:39,639
Speaker 1: So like you know, when it came to rap music,

1508
01:31:39,840 --> 01:31:42,439
Speaker 1: I was just I was battled under my hood. He

1509
01:31:42,520 --> 01:31:45,400
Speaker 1: didn't even know, you know, I was doing music or

1510
01:31:45,439 --> 01:31:48,479
Speaker 1: wright in rhymes because I was. I was also designed

1511
01:31:48,479 --> 01:31:50,439
Speaker 1: and close and drawing at the same time I was

1512
01:31:50,520 --> 01:31:52,560
Speaker 1: doing what he was doing. So I was just like,

1513
01:31:53,160 --> 01:31:55,000
Speaker 1: you know, my rap I just kind of kept to

1514
01:31:55,080 --> 01:32:00,160
Speaker 1: myself with my friends. So um as a person, and

1515
01:32:00,479 --> 01:32:03,160
Speaker 1: I apologize for getting a little deep, but as a

1516
01:32:03,200 --> 01:32:06,920
Speaker 1: person who I lost my father during the highlight of

1517
01:32:07,040 --> 01:32:12,840
Speaker 1: my career. While my father died July third, the best

1518
01:32:12,960 --> 01:32:19,519
Speaker 1: year my life is so as a person, and my

1519
01:32:19,680 --> 01:32:21,599
Speaker 1: father used to look at me like this, I swear

1520
01:32:21,640 --> 01:32:23,920
Speaker 1: to God, like yo, I said, tell my, I'm post.

1521
01:32:24,080 --> 01:32:29,360
Speaker 1: You know, I'm wrapping my father. But yeah, nig but

1522
01:32:29,560 --> 01:32:35,120
Speaker 1: Spanish with the tail seventy tattoos airrings is there? Like

1523
01:32:35,240 --> 01:32:36,880
Speaker 1: you know what I'm saying, Like he's he's one of those.

1524
01:32:37,040 --> 01:32:40,160
Speaker 1: He looked like Tony touch Like it's like like like

1525
01:32:40,320 --> 01:32:43,160
Speaker 1: what like like with green eyes? He got green eyes

1526
01:32:43,240 --> 01:32:45,519
Speaker 1: in my box? Right, So I told him I'm wrapping.

1527
01:32:45,600 --> 01:32:50,320
Speaker 1: He should be like, yeah, we're wrapping, and I'm like, no,

1528
01:32:50,560 --> 01:32:55,720
Speaker 1: I'm really rapping. But like what I'm The point I'm

1529
01:32:55,720 --> 01:33:00,720
Speaker 1: trying to make is swoke. Yeah you just told me,

1530
01:33:01,720 --> 01:33:04,680
Speaker 1: but now yes, let's go. We got more, all right.

1531
01:33:08,080 --> 01:33:14,800
Speaker 1: So the point I'm trying to make it is like

1532
01:33:14,960 --> 01:33:17,840
Speaker 1: you see, it's you see who your pops is. You've

1533
01:33:17,840 --> 01:33:24,920
Speaker 1: seen it and now you're becoming yourself. Are you feeling

1534
01:33:25,000 --> 01:33:27,799
Speaker 1: like you have to fulfill his legacy or you feeling

1535
01:33:27,880 --> 01:33:32,120
Speaker 1: like you can keep it going on yourself. I definitely

1536
01:33:32,280 --> 01:33:35,000
Speaker 1: gotta I'm an extension of him, how I like you

1537
01:33:35,160 --> 01:33:36,760
Speaker 1: or not? Like you know, I came out of it

1538
01:33:36,880 --> 01:33:40,360
Speaker 1: look just like when exactly, so you know, definitely got

1539
01:33:40,479 --> 01:33:43,840
Speaker 1: to keep the name alive. And boy, he established but

1540
01:33:43,880 --> 01:33:46,360
Speaker 1: I'm definitely myself as well, Like I got my home

1541
01:33:47,000 --> 01:33:49,680
Speaker 1: ideas of how I want to live the rest of

1542
01:33:49,720 --> 01:33:53,880
Speaker 1: my life for you know, mistakes that he made that

1543
01:33:54,000 --> 01:33:57,479
Speaker 1: I could learn from as well, So you know, definitely

1544
01:33:57,520 --> 01:33:59,800
Speaker 1: continue with his legacy through doing what I want to do.

1545
01:34:00,560 --> 01:34:07,760
Speaker 1: Huh yeah, like you think about me is, but um

1546
01:34:08,120 --> 01:34:10,360
Speaker 1: he was. My father was the only quarter we get

1547
01:34:10,479 --> 01:34:16,599
Speaker 1: nigger in the whole six o'clock to radius, right, every

1548
01:34:16,680 --> 01:34:20,800
Speaker 1: black my heart is a black hood. Every black na

1549
01:34:20,880 --> 01:34:29,599
Speaker 1: love my father to me. My whole goal is everybody

1550
01:34:29,720 --> 01:34:33,840
Speaker 1: loved me or give you up occupation that you could

1551
01:34:33,880 --> 01:34:37,120
Speaker 1: love me for for you to get to your next level.

1552
01:34:39,600 --> 01:34:41,600
Speaker 1: That's what I'm doing right now, fixing much for me

1553
01:34:45,240 --> 01:34:52,840
Speaker 1: some a week, my guy, let me tell you feel

1554
01:34:52,840 --> 01:34:59,200
Speaker 1: like I'm gonna getting. I'm half black and half Sicilian.

1555
01:35:00,000 --> 01:35:06,200
Speaker 1: Everybody thoughts. My dad was the first soul singer with

1556
01:35:06,280 --> 01:35:10,679
Speaker 1: a Latin band of Rebbie non Latin band called Lebron Brothers.

1557
01:35:10,880 --> 01:35:12,920
Speaker 1: In sixty eight. He made it. He was singing soul

1558
01:35:13,000 --> 01:35:15,240
Speaker 1: records with them. They would play the Latin music he

1559
01:35:15,360 --> 01:35:18,320
Speaker 1: was singing, and you know, so said. Then he left

1560
01:35:18,400 --> 01:35:21,720
Speaker 1: them and he became his own artist. But before him,

1561
01:35:21,920 --> 01:35:24,600
Speaker 1: his father, my grandfather. He used to play trumpet for

1562
01:35:24,640 --> 01:35:27,920
Speaker 1: Disney Gillespie, Count Basie, Now's David City with all them, dude.

1563
01:35:27,960 --> 01:35:31,639
Speaker 1: So the music always been around. Yeah, the music always

1564
01:35:31,680 --> 01:35:33,280
Speaker 1: been around. But he was the first one with the

1565
01:35:33,360 --> 01:35:35,400
Speaker 1: Latin band that was crazy back down. I played that

1566
01:35:35,520 --> 01:35:44,080
Speaker 1: music right now for certain people. It happens once your

1567
01:35:44,120 --> 01:35:46,439
Speaker 1: Sicilian father was in the Latin. My dad is black

1568
01:35:48,040 --> 01:35:51,360
Speaker 1: in Sicilian. Is my mom's your mom's. Yeah, you can't

1569
01:35:51,479 --> 01:35:55,120
Speaker 1: understand where care come from. He just got a respect

1570
01:35:55,160 --> 01:35:59,960
Speaker 1: it the question. ID just telling me, I don't think

1571
01:36:00,040 --> 01:36:05,040
Speaker 1: you're following from For years I knew this Nigga's seventeen

1572
01:36:05,439 --> 01:36:08,000
Speaker 1: country and seeing nothing I want to be. I want

1573
01:36:08,040 --> 01:36:11,080
Speaker 1: to make sure that you know, like I said, you know,

1574
01:36:11,160 --> 01:36:12,840
Speaker 1: we do a lot of days around the country, and

1575
01:36:12,920 --> 01:36:14,519
Speaker 1: we played for the younger the whole. I want no

1576
01:36:14,520 --> 01:36:17,120
Speaker 1: abody to see him on him and watch and think

1577
01:36:17,200 --> 01:36:19,040
Speaker 1: that you know, you look at me and think I

1578
01:36:19,160 --> 01:36:21,639
Speaker 1: don't know what all the trap joints is and all

1579
01:36:21,680 --> 01:36:24,200
Speaker 1: the joints and everything. Like we do this every year

1580
01:36:24,520 --> 01:36:26,640
Speaker 1: every week, Like we're on the roll every week for

1581
01:36:26,720 --> 01:36:29,439
Speaker 1: the young and old, smashing everywhere we go. But a

1582
01:36:29,479 --> 01:36:32,200
Speaker 1: lot of youngest may her the name kicker Pre and

1583
01:36:32,280 --> 01:36:34,840
Speaker 1: may not know the kicker pre experience, never been through it,

1584
01:36:35,000 --> 01:36:36,920
Speaker 1: never know what it is until they see it. And

1585
01:36:36,960 --> 01:36:38,960
Speaker 1: when they see it, they know it's a whole another

1586
01:36:39,080 --> 01:36:41,720
Speaker 1: level to what they've probably been used to. But for

1587
01:36:41,800 --> 01:36:44,160
Speaker 1: the ones that didn't see it, that's what it's about,

1588
01:36:44,360 --> 01:36:47,200
Speaker 1: and you know, And that goes into saying like, not

1589
01:36:47,400 --> 01:36:50,599
Speaker 1: everybody that comes from I Ever, which I consider myself Mr.

1590
01:36:50,760 --> 01:36:53,960
Speaker 1: Every Ever, but not everybody that comes from my ever

1591
01:36:54,040 --> 01:36:57,280
Speaker 1: is stuck in the old school way of thinking. You

1592
01:36:57,280 --> 01:37:10,920
Speaker 1: know what I'm saying, every Yeah, absolutely every Mr. Every Ever.

1593
01:37:15,080 --> 01:37:17,280
Speaker 1: So what I'm saying is is that a lot of

1594
01:37:17,600 --> 01:37:20,080
Speaker 1: dudes that come from was back then they get stuck

1595
01:37:20,120 --> 01:37:21,880
Speaker 1: in the old school where thinking and what happens that

1596
01:37:21,920 --> 01:37:24,280
Speaker 1: they don't understand what the seventeen year old E t

1597
01:37:24,479 --> 01:37:27,320
Speaker 1: Old was doing. But you was seventeen and a tens

1598
01:37:27,439 --> 01:37:29,960
Speaker 1: at one time and your parents was questioning you. So

1599
01:37:30,360 --> 01:37:32,519
Speaker 1: it's not when I'm seventeen os and the A t

1600
01:37:32,680 --> 01:37:34,639
Speaker 1: O s and I'm twenty one year old make that music.

1601
01:37:34,960 --> 01:37:37,160
Speaker 1: They're not making it for the grown person. They look

1602
01:37:37,160 --> 01:37:38,880
Speaker 1: at it for the person to understand what they're doing.

1603
01:37:38,920 --> 01:37:40,800
Speaker 1: If you happen to be grown and like it, then

1604
01:37:40,880 --> 01:37:43,120
Speaker 1: you like it now. I watched fifty year olds dance

1605
01:37:43,160 --> 01:37:45,120
Speaker 1: to trap music. Every you know what I'm saying all

1606
01:37:45,160 --> 01:37:47,000
Speaker 1: the time, at the end of the day, I hear

1607
01:37:47,040 --> 01:37:48,960
Speaker 1: to say it. It doesn't matter what the ages. And

1608
01:37:49,040 --> 01:37:51,200
Speaker 1: this is why I started to kick a preet black party.

1609
01:37:51,240 --> 01:37:55,080
Speaker 1: On Sirius Sex and Fly, I played you're here, younger

1610
01:37:55,160 --> 01:37:57,040
Speaker 1: maid like I told you here young and may. You'll

1611
01:37:57,080 --> 01:38:01,439
Speaker 1: hear al Green, you're here, you're here, um the drum.

1612
01:38:02,360 --> 01:38:06,200
Speaker 1: After that you'll hear caress one like. It becomes that,

1613
01:38:06,400 --> 01:38:09,840
Speaker 1: it becomes putting everything together, brenching the gap, instead of

1614
01:38:09,920 --> 01:38:13,240
Speaker 1: saying the oldest over here, the youngest over here, and

1615
01:38:13,320 --> 01:38:15,760
Speaker 1: nobody cause it's good as good. What's good is good.

1616
01:38:16,280 --> 01:38:18,120
Speaker 1: That's good, bobacks. At the end of the day, when

1617
01:38:18,160 --> 01:38:19,880
Speaker 1: you're back, I said that fifty year old going to

1618
01:38:19,960 --> 01:38:22,439
Speaker 1: that party, when that DJ play that traffic, that your

1619
01:38:22,520 --> 01:38:24,960
Speaker 1: asses on that dance or dancing to it. But then

1620
01:38:25,000 --> 01:38:27,679
Speaker 1: you're gonna talk about talk bad about the youngest about

1621
01:38:27,720 --> 01:38:30,160
Speaker 1: what they're doing. Again, let them do what they're doing.

1622
01:38:30,439 --> 01:38:33,240
Speaker 1: They ain't doing nothing. If if they was tall ship

1623
01:38:33,360 --> 01:38:35,280
Speaker 1: up in the street, then that would be a problem.

1624
01:38:35,320 --> 01:38:39,960
Speaker 1: They're making music that people understand, like their generation understand.

1625
01:38:40,080 --> 01:38:41,599
Speaker 1: Let them do what they do. Why are you talking

1626
01:38:41,640 --> 01:38:43,479
Speaker 1: bad about it? You know what it's like. You don't

1627
01:38:43,520 --> 01:38:46,000
Speaker 1: listen to you gonna like it? Don't talk bad about

1628
01:38:46,040 --> 01:38:48,200
Speaker 1: it any day you get a chance to help him out,

1629
01:38:48,760 --> 01:38:50,439
Speaker 1: tell him the right way, tell him, you know, like

1630
01:38:51,080 --> 01:38:53,240
Speaker 1: you're doing this and not try to to try to

1631
01:38:53,280 --> 01:38:55,320
Speaker 1: see it. Put it together nigga album that got colors

1632
01:38:55,360 --> 01:38:57,040
Speaker 1: to it. Don't just put something out there where's just

1633
01:38:57,120 --> 01:38:58,880
Speaker 1: one thing, because I get a little fitter with that.

1634
01:38:59,000 --> 01:39:01,200
Speaker 1: You hear one album is all the same beats, all

1635
01:39:01,240 --> 01:39:04,439
Speaker 1: the way through, same speed, saying this, saying I mean, okay, yeah,

1636
01:39:04,680 --> 01:39:06,479
Speaker 1: you want to hear a little bit of arriety and ship,

1637
01:39:07,160 --> 01:39:09,120
Speaker 1: and I don't want to hear an album of all

1638
01:39:09,360 --> 01:39:11,320
Speaker 1: features like I want to hear you, you know what

1639
01:39:11,320 --> 01:39:14,080
Speaker 1: I'm saying. So everybody got there what they like. But

1640
01:39:14,240 --> 01:39:17,160
Speaker 1: at the same time, nobody has the right to tell

1641
01:39:17,240 --> 01:39:19,240
Speaker 1: you what to make. You make what you want to make.

1642
01:39:19,280 --> 01:39:20,800
Speaker 1: And if they like it they're liking, who are you

1643
01:39:20,920 --> 01:39:22,920
Speaker 1: to judge it? You know what I'm saying. You know,

1644
01:39:23,120 --> 01:39:25,160
Speaker 1: and that's real ship, it's real shape. Look for that

1645
01:39:25,200 --> 01:39:40,599
Speaker 1: you know what I'm saying. Welcome to play a new

1646
01:39:40,760 --> 01:39:46,280
Speaker 1: podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

1647
01:39:46,360 --> 01:39:50,920
Speaker 1: and more. Play it at play dot It. We're back

1648
01:39:51,040 --> 01:39:54,600
Speaker 1: to Drink Champs Radio with Rapper and R and d J.

1649
01:39:55,240 --> 01:40:01,600
Speaker 1: Then I totally dunk. What are we doing next? For

1650
01:40:01,720 --> 01:40:09,240
Speaker 1: Tony A hundred and fifty m c s. Do you

1651
01:40:09,360 --> 01:40:10,840
Speaker 1: want to have a shot? I feel like you want

1652
01:40:10,880 --> 01:40:14,640
Speaker 1: to say shot for now? Maybe that you want to

1653
01:40:14,800 --> 01:40:16,519
Speaker 1: do a shot? Come on? Yeah, I was checking out.

1654
01:40:16,560 --> 01:40:18,479
Speaker 1: I was checking out the little things. Yeah, I was

1655
01:40:18,640 --> 01:40:21,720
Speaker 1: figuring out you know what you want to go? No, no, no, no,

1656
01:40:21,960 --> 01:40:23,519
Speaker 1: I was just gonna see if I could score one

1657
01:40:23,560 --> 01:40:27,000
Speaker 1: of these guys up there. Oh what's that? What the

1658
01:40:27,160 --> 01:40:37,040
Speaker 1: collection they got going on up here? We don't know

1659
01:40:37,040 --> 01:40:45,040
Speaker 1: if you look at these, Yeah, you can't take the decoration.

1660
01:40:48,360 --> 01:40:51,120
Speaker 1: Well so in any event, yeah, no, no, I was

1661
01:40:51,160 --> 01:40:55,200
Speaker 1: just admiring that. So we're not gonna have a hundred

1662
01:40:55,240 --> 01:41:02,519
Speaker 1: fifty mcsh We upgraded from fifty to a hundred fifty.

1663
01:41:04,560 --> 01:41:09,240
Speaker 1: Actually we've already recorded it, like over hundred and fifty.

1664
01:41:09,479 --> 01:41:14,400
Speaker 1: I believe it, you know, so, But like like it said,

1665
01:41:14,439 --> 01:41:16,519
Speaker 1: it's a lot of work. Man, like getting people to

1666
01:41:16,600 --> 01:41:19,360
Speaker 1: recording and paperwork and this and that, and then how

1667
01:41:19,479 --> 01:41:22,479
Speaker 1: annoying is a lot of howwing is? It don't go

1668
01:41:23,120 --> 01:41:26,600
Speaker 1: like when you when you want to finish something and

1669
01:41:26,680 --> 01:41:31,000
Speaker 1: you're depending on all artists. Is artists really annoying? Let's

1670
01:41:31,040 --> 01:41:32,679
Speaker 1: just throw it out there because I'm not an artist.

1671
01:41:34,120 --> 01:41:36,320
Speaker 1: Throw us under the bus, and I'm going to actually

1672
01:41:36,560 --> 01:41:40,720
Speaker 1: cheer it on. No, not at all. It's all it's

1673
01:41:40,760 --> 01:41:44,360
Speaker 1: on timing, man, you know I said, it's just that

1674
01:41:46,160 --> 01:41:50,600
Speaker 1: it's a timing like everything lining up, paper record, this,

1675
01:41:50,920 --> 01:41:55,960
Speaker 1: that it just goes. You know, I feel sometimes artists

1676
01:41:55,960 --> 01:41:59,679
Speaker 1: a piece of ship. You would say that sometimes sometimes

1677
01:42:00,280 --> 01:42:03,880
Speaker 1: sometimes depending on who you are, And they're not speaking

1678
01:42:03,920 --> 01:42:05,880
Speaker 1: about myself. I'm taking myself come to the left. But

1679
01:42:05,960 --> 01:42:07,680
Speaker 1: it depending on who you are, you get a call

1680
01:42:07,840 --> 01:42:11,040
Speaker 1: faster when you're doing something. You know what I'm saying,

1681
01:42:11,160 --> 01:42:13,519
Speaker 1: that break down something out of you. We don't we

1682
01:42:13,600 --> 01:42:16,200
Speaker 1: don't understand anything. You just said, bring it down. Okay.

1683
01:42:16,280 --> 01:42:20,320
Speaker 1: What I'm saying it's like, if you're a certain caliber here,

1684
01:42:20,760 --> 01:42:22,600
Speaker 1: you ain't gonna get the call as fast as this

1685
01:42:23,320 --> 01:42:26,559
Speaker 1: mogul right here, all this dude that sells this amount

1686
01:42:26,600 --> 01:42:29,160
Speaker 1: of records. You know what I'm saying that, Like, again,

1687
01:42:29,200 --> 01:42:31,519
Speaker 1: I'm not speaking for myself because I hardly ask anybody

1688
01:42:31,560 --> 01:42:34,439
Speaker 1: for anything, but but I'm speaking in a general term.

1689
01:42:34,960 --> 01:42:38,040
Speaker 1: You know, sometime the dude that's down here. I remember

1690
01:42:38,120 --> 01:42:42,280
Speaker 1: one time Eminem said something to me. He said, he

1691
01:42:42,439 --> 01:42:45,760
Speaker 1: Eminem said something. He said, don't go and spend a

1692
01:42:45,840 --> 01:42:48,519
Speaker 1: whole bunch of money on the artist that you think

1693
01:42:48,600 --> 01:42:50,920
Speaker 1: is gonna give you their hit record. Because you go

1694
01:42:51,000 --> 01:42:53,120
Speaker 1: and spend all that money on that artist and he

1695
01:42:53,160 --> 01:42:55,160
Speaker 1: won't give you ship. Your record won't go nowhere. And

1696
01:42:55,160 --> 01:42:56,840
Speaker 1: now you either spent all that money on this artist

1697
01:42:56,880 --> 01:42:58,599
Speaker 1: that you think is gonna give you somewhere because he's popping.

1698
01:42:58,800 --> 01:43:01,959
Speaker 1: And that's the truth. Man said. It's about the producer

1699
01:43:02,320 --> 01:43:04,720
Speaker 1: in your hood that gives you that sound that makes

1700
01:43:04,800 --> 01:43:07,040
Speaker 1: you be who you be, instead of you run into

1701
01:43:07,120 --> 01:43:09,679
Speaker 1: the dude that is popular. You know what I'm saying.

1702
01:43:09,720 --> 01:43:12,439
Speaker 1: Everybody gets caught and what's popular and not what's authentic.

1703
01:43:12,880 --> 01:43:14,479
Speaker 1: You know what I'm saying, And that's what happens a

1704
01:43:14,560 --> 01:43:19,240
Speaker 1: lot of times. Important. Authentic is what's the most supportant. Authenticity.

1705
01:43:19,720 --> 01:43:22,760
Speaker 1: It's gonna give you the business. They're gonna give you

1706
01:43:23,040 --> 01:43:25,800
Speaker 1: They're gonna give you what you pay for when you

1707
01:43:26,080 --> 01:43:29,439
Speaker 1: get what you deal with popularvity. Okay, yeah, we won't

1708
01:43:29,479 --> 01:43:31,360
Speaker 1: want to deal with things is popular, But it's the

1709
01:43:31,520 --> 01:43:36,240
Speaker 1: popular person giving you or authenticity? Are they giving you

1710
01:43:36,360 --> 01:43:39,240
Speaker 1: your money's worth? Are they are you you feel good

1711
01:43:39,360 --> 01:43:42,080
Speaker 1: at the end of the night paying them? You's what

1712
01:43:42,120 --> 01:43:44,639
Speaker 1: I'm saying. Did they bring a whole bunch of people

1713
01:43:44,720 --> 01:43:48,519
Speaker 1: on stage and that's their show? You know what I'm saying, Like,

1714
01:43:48,960 --> 01:43:50,479
Speaker 1: what are you paying for? What are you what are

1715
01:43:50,520 --> 01:43:52,800
Speaker 1: you looking for? You're looking for popular lavity? Are you

1716
01:43:52,920 --> 01:43:55,519
Speaker 1: looking for somebody's gonna get the job done? Job done?

1717
01:43:55,520 --> 01:43:57,080
Speaker 1: You know what I'm saying. So, I don't know. My

1718
01:43:57,520 --> 01:44:00,240
Speaker 1: way of thinking is a little different, maybe a little

1719
01:44:00,280 --> 01:44:02,920
Speaker 1: different than a lot of people. But the business is

1720
01:44:02,960 --> 01:44:04,640
Speaker 1: the business, and people like what they like. But I

1721
01:44:04,800 --> 01:44:07,160
Speaker 1: just think that the smart thing is is that you

1722
01:44:07,280 --> 01:44:10,720
Speaker 1: cater to the people that follows what is the real ship.

1723
01:44:10,880 --> 01:44:14,519
Speaker 1: The real ship is paying the people that pay. Satisfy them.

1724
01:44:15,320 --> 01:44:18,120
Speaker 1: Satisfy them. Don't get so caught up in popularity, get

1725
01:44:18,200 --> 01:44:21,120
Speaker 1: caught up in what's gonna get the job done. We

1726
01:44:21,200 --> 01:44:24,880
Speaker 1: gotta make noise. You know what I'm saying. I want

1727
01:44:24,920 --> 01:44:26,960
Speaker 1: to sound to appreciate what I mean. I know y'all

1728
01:44:27,000 --> 01:44:29,519
Speaker 1: expect real ship, so I don't be able to be

1729
01:44:29,600 --> 01:44:31,479
Speaker 1: real about it. And you know that's just the way

1730
01:44:31,520 --> 01:44:33,120
Speaker 1: I see it. If I was a promoter or something

1731
01:44:33,200 --> 01:44:35,080
Speaker 1: like that, I want to promote on the on the

1732
01:44:35,160 --> 01:44:38,400
Speaker 1: short thing that's gonna bring me money later on, you

1733
01:44:38,439 --> 01:44:39,840
Speaker 1: know what I'm saying. Not just for the moment. I

1734
01:44:39,960 --> 01:44:41,960
Speaker 1: want to you know, I want to go on with it.

1735
01:44:42,000 --> 01:44:44,400
Speaker 1: You know what I'm saying. So that's what's up. Don't

1736
01:44:44,439 --> 01:44:53,920
Speaker 1: godwy feeling about that. I'm in Miami. You got it's

1737
01:44:53,920 --> 01:44:58,639
Speaker 1: already awesome. You listen, you go relax. Yes, that's okay.

1738
01:44:58,920 --> 01:45:01,600
Speaker 1: Your family all right. And we have Mr Creem and

1739
01:45:01,720 --> 01:45:06,160
Speaker 1: Winwood Mr creech House too. And they said ice cream.

1740
01:45:06,200 --> 01:45:11,559
Speaker 1: You have ice cream? Yeah, hot coco. That's called up

1741
01:45:11,560 --> 01:45:17,080
Speaker 1: a hot cocoa and yeah both Yeah that's had near

1742
01:45:17,120 --> 01:45:21,120
Speaker 1: your old niggas. Your both had a hot chocolate. I'm

1743
01:45:21,120 --> 01:45:23,760
Speaker 1: an old nigga too. Yeah, we old me. We had

1744
01:45:23,800 --> 01:45:26,599
Speaker 1: hot sho. No, in my mind, I had hot chocolate

1745
01:45:27,160 --> 01:45:29,160
Speaker 1: niggers when they when they had it, I was like,

1746
01:45:29,400 --> 01:45:38,920
Speaker 1: I gotta hot yolott Toozy, Okay, who's the guy who's

1747
01:45:39,000 --> 01:45:42,560
Speaker 1: Berger is not coming back. Burg's not coming back. We

1748
01:45:42,640 --> 01:45:47,599
Speaker 1: gotta relax, relax first coming back. What is he doing?

1749
01:45:47,840 --> 01:45:58,240
Speaker 1: He's having a shot. Oh relaxing? What is here? You

1750
01:45:58,320 --> 01:46:01,760
Speaker 1: got ice cream? I want ice cream too? Well the way? Yeah? Yeah,

1751
01:46:02,120 --> 01:46:12,880
Speaker 1: get no? What's that ship? No dairy do? Come on?

1752
01:46:13,240 --> 01:46:18,400
Speaker 1: I got so can't. At the end of the day,

1753
01:46:21,400 --> 01:46:28,120
Speaker 1: we have to please our women. Absolutely, a happy woman. Man,

1754
01:46:28,240 --> 01:46:31,160
Speaker 1: make it happy boy, You'll be all right, trust me.

1755
01:46:31,360 --> 01:46:33,400
Speaker 1: You get money with us, That's what that's That's what

1756
01:46:33,560 --> 01:46:35,080
Speaker 1: I'm on. You can't get money. What do you do

1757
01:46:35,120 --> 01:46:37,000
Speaker 1: a lot of things when your first You gotta hit

1758
01:46:37,080 --> 01:46:45,920
Speaker 1: on to just one hit for your fans, just for

1759
01:46:46,040 --> 01:46:51,200
Speaker 1: your fans. Ain't nothing to do with me, shout told

1760
01:46:51,240 --> 01:46:57,120
Speaker 1: my fans picked them up. Hit one head just passes

1761
01:46:58,320 --> 01:47:07,680
Speaker 1: and smelly yo. Kid to be getting a lot of

1762
01:47:07,760 --> 01:47:14,760
Speaker 1: money for a long time, right like listen, listen. At

1763
01:47:14,840 --> 01:47:19,880
Speaker 1: one point, j G has to say he's the greatest

1764
01:47:19,960 --> 01:47:23,360
Speaker 1: guy for all time. My dude, do you not feel

1765
01:47:23,400 --> 01:47:25,720
Speaker 1: like you the greatest DJ in all time? I mean,

1766
01:47:25,760 --> 01:47:30,640
Speaker 1: everybody's gonna flooded the greatest said feeling. I'll tell you

1767
01:47:30,720 --> 01:47:35,040
Speaker 1: what what I've done to earn the name the world's

1768
01:47:35,080 --> 01:47:38,400
Speaker 1: greatest DJ, which you didn't give myself. But what I've

1769
01:47:38,520 --> 01:47:43,080
Speaker 1: what I've done, I think pretty great because I was

1770
01:47:43,160 --> 01:47:45,400
Speaker 1: the one that set the bar to let DJ has

1771
01:47:45,439 --> 01:47:48,479
Speaker 1: become a business. Now if I didn't do what I did,

1772
01:47:48,960 --> 01:47:51,800
Speaker 1: wherever they had went, You rock on the mic the

1773
01:47:51,840 --> 01:47:53,760
Speaker 1: way you do because Kick could prey did it the

1774
01:47:53,800 --> 01:47:57,040
Speaker 1: way he did it. You played the records, you played

1775
01:47:57,120 --> 01:47:59,320
Speaker 1: the way you played because Kick could pre set that

1776
01:47:59,479 --> 01:48:04,920
Speaker 1: form you. You became a hot party DJ because Kick

1777
01:48:05,120 --> 01:48:07,400
Speaker 1: pretty gave me the blue and how to be a

1778
01:48:07,479 --> 01:48:11,040
Speaker 1: hot party Djay, let's not get this twisted, he said.

1779
01:48:11,040 --> 01:48:12,920
Speaker 1: I'm saying a lot of DJ is doing what I

1780
01:48:13,080 --> 01:48:15,320
Speaker 1: do and don't even know they got it from me.

1781
01:48:15,720 --> 01:48:18,160
Speaker 1: And I'm happy for that. I'm happy to sit back

1782
01:48:18,200 --> 01:48:20,479
Speaker 1: and say I rocked the whole nation and let the

1783
01:48:20,520 --> 01:48:22,679
Speaker 1: whole nation be able to take care of their family.

1784
01:48:22,720 --> 01:48:25,200
Speaker 1: I remember one dude, walk to me, no more your

1785
01:48:25,280 --> 01:48:27,960
Speaker 1: kids because you I'm not killing somebody is because if

1786
01:48:27,960 --> 01:48:31,040
Speaker 1: you are not robbing somebody's house, I did what you did.

1787
01:48:31,160 --> 01:48:33,519
Speaker 1: I followed you, and I'm taking kid of my family now.

1788
01:48:33,800 --> 01:48:35,519
Speaker 1: I ain't got to do that crazy ship no more.

1789
01:48:35,840 --> 01:48:38,120
Speaker 1: You know what I'm saying, so, knowing all the things

1790
01:48:38,160 --> 01:48:39,679
Speaker 1: that I've done, we can sit here and talk about

1791
01:48:39,720 --> 01:48:41,479
Speaker 1: it all day. We ain't even got enough time. But

1792
01:48:41,960 --> 01:48:44,559
Speaker 1: or knowing all the things I got sitting back, sitting

1793
01:48:44,600 --> 01:48:47,200
Speaker 1: back and just realized the when I see somebody on

1794
01:48:47,320 --> 01:48:50,000
Speaker 1: the mic DJ and they got to set up like me,

1795
01:48:50,160 --> 01:48:52,639
Speaker 1: and they all that, and they're doing the saying things

1796
01:48:52,680 --> 01:48:54,720
Speaker 1: I might have said, or you know, saying that the

1797
01:48:54,760 --> 01:48:56,880
Speaker 1: way I might say it. It just makes me feel like, Yo,

1798
01:48:56,960 --> 01:48:59,320
Speaker 1: you did your think kid, you did your ding. You

1799
01:48:59,360 --> 01:49:01,960
Speaker 1: didn't just wait your time. You ain't bullshit. You did

1800
01:49:02,080 --> 01:49:04,360
Speaker 1: something that really moved culture. You know what I'm saying.

1801
01:49:04,720 --> 01:49:08,680
Speaker 1: You as all right. I'm gonna told everybody I've been

1802
01:49:08,720 --> 01:49:12,200
Speaker 1: on twenty five tours. If you want to talk about

1803
01:49:12,240 --> 01:49:14,559
Speaker 1: death comedy jam, I've been on that tour for nine years,

1804
01:49:14,800 --> 01:49:17,080
Speaker 1: sixteen years, I'm sorry, sixteen years. And then and then

1805
01:49:18,080 --> 01:49:22,920
Speaker 1: you ain't going to Kelly jay Z puff Buster Usher

1806
01:49:23,800 --> 01:49:34,920
Speaker 1: through Hill nine, Aaliyah Um Ship Bone Thugs were going

1807
01:49:34,960 --> 01:49:37,040
Speaker 1: on and on and all man, go on and on

1808
01:49:37,160 --> 01:49:39,240
Speaker 1: and on, but mostly you know, i'd be on the

1809
01:49:39,320 --> 01:49:41,559
Speaker 1: road on my own door. What I do I've been doing.

1810
01:49:41,640 --> 01:49:44,560
Speaker 1: I've been doing two in the shows. You know what

1811
01:49:44,600 --> 01:49:48,040
Speaker 1: I'm saying. So it's like, that's why I'm like even

1812
01:49:48,080 --> 01:49:50,120
Speaker 1: in New York, Like I love New York and from

1813
01:49:50,160 --> 01:49:52,519
Speaker 1: New York, but I don't like how New York is

1814
01:49:52,600 --> 01:49:55,600
Speaker 1: moving a little bit, especially when the promoters acting like

1815
01:49:55,680 --> 01:49:58,439
Speaker 1: they're the stars and ship like you put yourself big

1816
01:49:58,520 --> 01:50:00,840
Speaker 1: on the fly, you got the DJ here, come on,

1817
01:50:01,000 --> 01:50:02,559
Speaker 1: cut it out, be at the end of the day.

1818
01:50:02,720 --> 01:50:04,639
Speaker 1: And you know, when you come to one of my shows,

1819
01:50:04,680 --> 01:50:07,040
Speaker 1: I got my opening is me. You ain't gonna hear

1820
01:50:07,120 --> 01:50:09,560
Speaker 1: one record five times in my party. You know what

1821
01:50:09,560 --> 01:50:11,479
Speaker 1: I'm saying, You're gonna hear one time. You're gonna hear

1822
01:50:11,520 --> 01:50:14,720
Speaker 1: the whole party smashing from the beginning to the end.

1823
01:50:14,920 --> 01:50:17,479
Speaker 1: Doesn't matter who it is. When I step on that stage.

1824
01:50:17,920 --> 01:50:21,760
Speaker 1: It's pandemonium, period from the beginning to the end. And

1825
01:50:21,800 --> 01:50:25,120
Speaker 1: they no down and ain't no standing around, and ain't

1826
01:50:25,160 --> 01:50:27,400
Speaker 1: nobody thinking they chewed, and ain't none of that ship.

1827
01:50:27,520 --> 01:50:30,200
Speaker 1: It's real business and that's what I do. So I

1828
01:50:30,240 --> 01:50:31,840
Speaker 1: don't know. I don't know how anybody else doing that.

1829
01:50:31,960 --> 01:50:33,920
Speaker 1: I shout to everybody, you get your bread duty, how

1830
01:50:33,960 --> 01:50:36,160
Speaker 1: you do it? Come to the Chicken pre event. You're

1831
01:50:36,160 --> 01:50:38,640
Speaker 1: gonna get your business done, and that goes for promoters,

1832
01:50:38,880 --> 01:50:41,280
Speaker 1: that goes for anybody that paid for a ticket. I

1833
01:50:41,400 --> 01:50:44,800
Speaker 1: think about the people first. For years, I took artist

1834
01:50:45,240 --> 01:50:47,840
Speaker 1: a DJ, and this is nothing I want to speak about.

1835
01:50:48,160 --> 01:50:50,000
Speaker 1: You know, some of the people might and I understand

1836
01:50:50,040 --> 01:50:52,799
Speaker 1: what's the reason of bringing the DJ with me instead

1837
01:50:52,840 --> 01:50:55,000
Speaker 1: of just having DJs just going on. I don't like

1838
01:50:55,160 --> 01:50:57,400
Speaker 1: people who not getting their money's worth. So when I

1839
01:50:57,520 --> 01:51:00,080
Speaker 1: bring somebody with me, I've ever spend the money for

1840
01:51:00,160 --> 01:51:03,040
Speaker 1: that person to come out and make sure that we're

1841
01:51:03,080 --> 01:51:05,280
Speaker 1: not bumping heads to that people that pay their money

1842
01:51:05,400 --> 01:51:07,720
Speaker 1: is getting a full show than the half the DJ.

1843
01:51:07,880 --> 01:51:09,400
Speaker 1: Don't want to come in there before me and do

1844
01:51:09,520 --> 01:51:11,560
Speaker 1: what you pay me to do. You don't need that,

1845
01:51:11,680 --> 01:51:13,479
Speaker 1: You don't need me there. If you want to come

1846
01:51:13,520 --> 01:51:15,400
Speaker 1: in and do that, then you ain't the type of

1847
01:51:15,479 --> 01:51:18,000
Speaker 1: do that rocket party with C and D records you

1848
01:51:18,000 --> 01:51:19,880
Speaker 1: will do. That depends on the record to be hot.

1849
01:51:20,200 --> 01:51:21,800
Speaker 1: I play those hot records at the end of the

1850
01:51:21,960 --> 01:51:23,800
Speaker 1: night like I don't even need them because you need

1851
01:51:23,840 --> 01:51:27,040
Speaker 1: about those records. Anybody could play those records. It's about you,

1852
01:51:27,520 --> 01:51:30,120
Speaker 1: you see. I'm saying, if you can't sell you, then

1853
01:51:30,600 --> 01:51:33,600
Speaker 1: You're just like everybody else. So there's nothing different, you

1854
01:51:33,640 --> 01:51:35,840
Speaker 1: know what I'm saying. That's the difference. When you come

1855
01:51:35,840 --> 01:51:38,800
Speaker 1: in there, ask about making sure the people that pay

1856
01:51:38,920 --> 01:51:42,080
Speaker 1: their money feel better than they did before they walked

1857
01:51:42,160 --> 01:51:44,960
Speaker 1: in there. And when you leave that scar there, that

1858
01:51:45,160 --> 01:51:47,320
Speaker 1: promoter knows, I don't give a ship. Who you get

1859
01:51:47,439 --> 01:51:49,720
Speaker 1: kid to pray? He shook this ship. Let's go get

1860
01:51:49,800 --> 01:51:52,439
Speaker 1: him again. Let's go take them into another city. You're

1861
01:51:52,560 --> 01:51:54,800
Speaker 1: my man that you promote. Let's go get kid. You

1862
01:51:54,880 --> 01:51:57,439
Speaker 1: want to get some bread, Let's go get kicked. Every

1863
01:51:57,479 --> 01:52:01,320
Speaker 1: show I do swollers everywhere, and it's not because of me, Dj'

1864
01:52:01,320 --> 01:52:04,200
Speaker 1: is because everything else that comes with it. It's professionally

1865
01:52:04,320 --> 01:52:06,559
Speaker 1: on time. The people that work with me. Make sure

1866
01:52:06,600 --> 01:52:08,559
Speaker 1: your ship is gonna be right. We're gonna make sure

1867
01:52:08,640 --> 01:52:10,720
Speaker 1: everything is together. You ain't gonna throw me in your

1868
01:52:10,800 --> 01:52:13,320
Speaker 1: corner like I'm some neighborhood DJ. You're gonna put me

1869
01:52:13,439 --> 01:52:15,720
Speaker 1: on stage like I was supposed to be saying what

1870
01:52:15,760 --> 01:52:18,240
Speaker 1: You're gonna put jay Z on stage? Saying way you're

1871
01:52:18,240 --> 01:52:20,160
Speaker 1: gonna put the do what they hit reckon on stage?

1872
01:52:20,400 --> 01:52:22,559
Speaker 1: And I'm gonna sell this shit out the same way

1873
01:52:22,640 --> 01:52:25,479
Speaker 1: he did and you're gonna treat me like you treated him.

1874
01:52:25,600 --> 01:52:27,639
Speaker 1: If you ain't gonna treat me like that, go get

1875
01:52:27,680 --> 01:52:29,280
Speaker 1: the next dude to do your show, because I don't

1876
01:52:29,280 --> 01:52:30,599
Speaker 1: need it. I'll do two on the shows a year.

1877
01:52:31,439 --> 01:52:33,519
Speaker 1: So this is where this is the attitude I've been

1878
01:52:33,560 --> 01:52:36,720
Speaker 1: having for years and people may not understand it, but

1879
01:52:37,240 --> 01:52:38,880
Speaker 1: I don't want to be looked at as a DJ

1880
01:52:39,040 --> 01:52:40,920
Speaker 1: to just play records. You're gonna look at me as

1881
01:52:40,920 --> 01:52:42,920
Speaker 1: a force to be reckon with. And if you don't,

1882
01:52:43,320 --> 01:52:45,920
Speaker 1: I don't need you. Simple as that, I'll do a

1883
01:52:46,000 --> 01:52:49,720
Speaker 1: show with Firth. Firth come on his record drop. They're

1884
01:52:49,760 --> 01:52:52,519
Speaker 1: gonna go crazy. What I'm gonna do after fur get

1885
01:52:52,560 --> 01:52:54,920
Speaker 1: off stage, I'm gonna do something that's gonna make niggas

1886
01:52:54,960 --> 01:52:58,080
Speaker 1: go crazy. You're gonna say rip ripped it, Kim ripped

1887
01:52:58,120 --> 01:53:01,120
Speaker 1: it where it came out that he better be. You

1888
01:53:01,200 --> 01:53:03,320
Speaker 1: know what I'm saying, because that's what it's about. I'm

1889
01:53:03,360 --> 01:53:05,280
Speaker 1: a DJ, and I'm not to do that. Make the record.

1890
01:53:05,880 --> 01:53:08,160
Speaker 1: I'm not that I'm gonna do that. I'm gonna play

1891
01:53:08,240 --> 01:53:10,920
Speaker 1: your record better than you perform it. Don't play yourself,

1892
01:53:11,520 --> 01:53:15,160
Speaker 1: I said, I'm saying, And that's how I'm going and

1893
01:53:15,320 --> 01:53:20,200
Speaker 1: this is gonna really fired whatever. This is what it's

1894
01:53:20,240 --> 01:53:23,160
Speaker 1: fired rights the same real shame, you know. Again, Like

1895
01:53:23,200 --> 01:53:25,679
Speaker 1: I'm in my first album, I wrapped on the whole album.

1896
01:53:26,160 --> 01:53:27,519
Speaker 1: One of the brothers came at me. I was hot

1897
01:53:27,600 --> 01:53:29,280
Speaker 1: in the street with the mix tapes. You know, we

1898
01:53:29,360 --> 01:53:31,000
Speaker 1: need you to wrap on the joint, said Robs. And

1899
01:53:31,040 --> 01:53:33,000
Speaker 1: you're sending on the mix tapes and I'm gonna. I'm

1900
01:53:33,000 --> 01:53:34,840
Speaker 1: gonna be making the beats in the studio writing the

1901
01:53:34,960 --> 01:53:37,360
Speaker 1: Robs right there. And I wasn't trying to be no rapper,

1902
01:53:37,960 --> 01:53:39,760
Speaker 1: you know, but all right, just what they want. I

1903
01:53:39,800 --> 01:53:41,679
Speaker 1: couldn't do. I couldn't make it records being a DJ,

1904
01:53:41,880 --> 01:53:43,000
Speaker 1: so I had to do it that way. So I

1905
01:53:43,040 --> 01:53:44,479
Speaker 1: did that way. When I got a chance to make

1906
01:53:44,520 --> 01:53:46,519
Speaker 1: my second album, then I got a chance to just

1907
01:53:46,600 --> 01:53:50,120
Speaker 1: show the production side and get everybody else. I got

1908
01:53:50,240 --> 01:53:54,160
Speaker 1: j Buster, Lord's Boys, pun Nor everybody putting one together,

1909
01:53:54,240 --> 01:53:56,960
Speaker 1: made soundtrack to the streets. Now I got top tier.

1910
01:53:57,120 --> 01:53:59,800
Speaker 1: This is gonna be another thing. And remember everything I do,

1911
01:54:00,040 --> 01:54:02,559
Speaker 1: matter how big, my name has always been ground from

1912
01:54:02,600 --> 01:54:05,680
Speaker 1: the ground up. I sat on that street corner, I

1913
01:54:05,760 --> 01:54:07,519
Speaker 1: sat in the middle of a hunting forty fIF Street

1914
01:54:07,560 --> 01:54:10,200
Speaker 1: and eight Avenue where it was killing, shootings and just

1915
01:54:10,320 --> 01:54:12,600
Speaker 1: get robbed. All that I sat in the middle of that.

1916
01:54:12,600 --> 01:54:13,960
Speaker 1: I didn't know if I was gonna get robbed and

1917
01:54:14,120 --> 01:54:16,559
Speaker 1: killed by sitting there, By sitting sitting there to selling

1918
01:54:16,640 --> 01:54:19,439
Speaker 1: mixtape ships, you're driving by laughing like I was doing bad.

1919
01:54:19,720 --> 01:54:21,760
Speaker 1: I just have to put fourteen gold chains on my

1920
01:54:21,880 --> 01:54:25,240
Speaker 1: neck just to look like I was doing good sitting

1921
01:54:25,280 --> 01:54:27,800
Speaker 1: there in the middle of the street selling the ship.

1922
01:54:28,760 --> 01:54:30,559
Speaker 1: And the ship took me the way it took me. Now,

1923
01:54:30,720 --> 01:54:32,520
Speaker 1: at the end of the day, you know, I didn't

1924
01:54:32,560 --> 01:54:34,040
Speaker 1: know what was gonna happen. I know she was gonna

1925
01:54:34,040 --> 01:54:35,800
Speaker 1: blow up the way it blew up and ship blew up.

1926
01:54:35,840 --> 01:54:38,800
Speaker 1: Once it did, I made I made sense of it.

1927
01:54:38,880 --> 01:54:40,600
Speaker 1: I made I made it happen. You know what I'm

1928
01:54:40,600 --> 01:54:43,160
Speaker 1: saying that, And that's it. That just goes to show anybody,

1929
01:54:43,200 --> 01:54:45,640
Speaker 1: it doesn't matter who it is, you put yourself any

1930
01:54:46,040 --> 01:54:49,440
Speaker 1: Look what y'all, you've been making records forever. You know

1931
01:54:49,480 --> 01:54:50,880
Speaker 1: what I'm saying. You've been making it. And look where

1932
01:54:50,880 --> 01:54:54,920
Speaker 1: you're at now, whole different lane, whole different lane right now,

1933
01:54:55,360 --> 01:54:57,120
Speaker 1: right now. You can sit here right now, the way

1934
01:54:57,160 --> 01:55:00,400
Speaker 1: I'm doing on Pediescope and on ir G Live. Sit there.

1935
01:55:00,440 --> 01:55:01,960
Speaker 1: It's not just about the music in the way to

1936
01:55:02,160 --> 01:55:04,880
Speaker 1: the Freaky Way I played, it's the lifestyles everything I

1937
01:55:05,040 --> 01:55:07,120
Speaker 1: say to you, and you're gonna believe it. And the

1938
01:55:07,240 --> 01:55:09,320
Speaker 1: reason why you're gonna believe it because I don't have

1939
01:55:09,400 --> 01:55:12,320
Speaker 1: a credibility of kicking pre being a shitty nigger. Kid

1940
01:55:12,440 --> 01:55:14,680
Speaker 1: never shifted on nobody kid, They never did. You don't

1941
01:55:14,720 --> 01:55:17,520
Speaker 1: see nothing on the internet with kids doing foul shot

1942
01:55:17,600 --> 01:55:21,320
Speaker 1: or playing itself for talking crazy. Everything is authentic, So

1943
01:55:21,320 --> 01:55:23,080
Speaker 1: you're gonna believe what I'll tell you. If I say

1944
01:55:23,120 --> 01:55:26,000
Speaker 1: something foul about you, they're gonna believe it. They're gonna

1945
01:55:26,040 --> 01:55:27,800
Speaker 1: believe it because they know I don't say nothing the

1946
01:55:27,880 --> 01:55:30,640
Speaker 1: same thing. You have a lane now that that you could,

1947
01:55:30,680 --> 01:55:34,200
Speaker 1: you could tell people you know, believe me, believe what

1948
01:55:34,280 --> 01:55:36,200
Speaker 1: I say. This is the truth, this is what's going on.

1949
01:55:36,480 --> 01:55:38,160
Speaker 1: As long as you stay like that, people are gonna

1950
01:55:38,160 --> 01:55:41,400
Speaker 1: follow you. You drink, chances to ship. Let's get it straight.

1951
01:55:43,040 --> 01:55:47,280
Speaker 1: That's why I'm here. I don't let's I want to vacation.

1952
01:55:47,680 --> 01:55:52,280
Speaker 1: I took a vacation because I've been working. I've been

1953
01:55:52,360 --> 01:55:54,680
Speaker 1: offered to do shows and parties and all that ship.

1954
01:55:54,760 --> 01:55:59,680
Speaker 1: But he offered so nothing. The only thing I took

1955
01:55:59,800 --> 01:56:02,920
Speaker 1: was make chance. Uh, the only thing I took because

1956
01:56:03,240 --> 01:56:08,160
Speaker 1: this is my wife. Tell me when I do something good.

1957
01:56:10,440 --> 01:56:22,080
Speaker 1: Everybody thank you, Na, but you say day yeah, yeah

1958
01:56:22,800 --> 01:56:28,040
Speaker 1: up for first sitting here like damn, listen for it's

1959
01:56:28,080 --> 01:56:31,320
Speaker 1: a classic episode. I'm happy to be a part of it.

1960
01:56:31,800 --> 01:56:36,320
Speaker 1: Classic out of here. Now, what do you think is

1961
01:56:36,320 --> 01:56:40,120
Speaker 1: gonna do? And and and come on? Come on? And

1962
01:56:40,200 --> 01:56:43,720
Speaker 1: then a sack cap to take control over New York.

1963
01:56:43,880 --> 01:56:51,600
Speaker 1: We we depending on you, Rocky and oh y'all to

1964
01:56:51,680 --> 01:56:53,520
Speaker 1: take God for us because I don't want to wrap

1965
01:56:53,680 --> 01:57:00,400
Speaker 1: no more. I'm okay already. Yeah. I think it's bigger

1966
01:57:00,440 --> 01:57:02,600
Speaker 1: than wrap though, man, I think that's what we need

1967
01:57:03,120 --> 01:57:05,120
Speaker 1: is to take over. We're gonna wrap, We're gonna take over,

1968
01:57:05,280 --> 01:57:07,360
Speaker 1: But I think it's bigger than rap because the last

1969
01:57:07,600 --> 01:57:09,160
Speaker 1: we're gonna bring it down a little bit more. So,

1970
01:57:09,680 --> 01:57:14,200
Speaker 1: look right, because you know why we're from New York.

1971
01:57:14,680 --> 01:57:17,960
Speaker 1: We're all from New York, all of us. You know

1972
01:57:18,040 --> 01:57:21,880
Speaker 1: you're from New York. You would mean, mother in your

1973
01:57:21,960 --> 01:57:30,200
Speaker 1: fucking mind, from New York. I don't put right, no right,

1974
01:57:31,280 --> 01:57:36,480
Speaker 1: We need y'all to step up, right. Some people look

1975
01:57:36,720 --> 01:57:39,240
Speaker 1: at your sounds. Some people look at the movement and

1976
01:57:39,280 --> 01:57:44,400
Speaker 1: they say, oh, it's different. I'm not one of those guys.

1977
01:57:44,560 --> 01:57:47,200
Speaker 1: I'm one of those guys. I think different is good.

1978
01:57:47,960 --> 01:57:51,400
Speaker 1: That's what I take different, Open up more doors. Absolutely.

1979
01:57:52,680 --> 01:57:58,920
Speaker 1: Now the torches really in you guys hand, like I mean,

1980
01:57:59,200 --> 01:58:03,040
Speaker 1: for real, from like I mean, it doesn't matter how

1981
01:58:03,120 --> 01:58:06,720
Speaker 1: many records, Fat Joe will make busting rhunds and make

1982
01:58:07,120 --> 01:58:11,040
Speaker 1: nor We will make Ja rule, make d maxim, make fit,

1983
01:58:11,600 --> 01:58:16,160
Speaker 1: make right. Now y'all, the new generation, it's actually really

1984
01:58:16,400 --> 01:58:21,760
Speaker 1: in your hands. Right, I'm gonna slot to beat to them. Yeah, yeah,

1985
01:58:21,960 --> 01:58:25,800
Speaker 1: we know what. Kid'll be heavy too, can't wait. But

1986
01:58:25,960 --> 01:58:28,600
Speaker 1: we're just gonna keep We're just gonna keep being nuts

1987
01:58:28,680 --> 01:58:33,680
Speaker 1: and keep continue to innovate and push culture forward. But

1988
01:58:33,880 --> 01:58:37,280
Speaker 1: I think, you know, I don't I don't like to

1989
01:58:37,320 --> 01:58:39,640
Speaker 1: talk with myself of what we do is as far

1990
01:58:39,760 --> 01:58:44,040
Speaker 1: as the group, but I think that like we we

1991
01:58:44,520 --> 01:58:47,800
Speaker 1: did a lot for the the youth, the underground internet

1992
01:58:47,920 --> 01:58:51,480
Speaker 1: scene that was trying to break through. And you know,

1993
01:58:51,960 --> 01:58:54,880
Speaker 1: Harllan didn't have or New York didn't have a voice

1994
01:58:54,920 --> 01:58:57,280
Speaker 1: in a long time. So you know, We don't only

1995
01:58:57,360 --> 01:58:59,200
Speaker 1: just speak for New York. We speak for the culture

1996
01:58:59,320 --> 01:59:03,839
Speaker 1: period for New York. I have like a whole crazy

1997
01:59:04,080 --> 01:59:06,600
Speaker 1: love about New York, Like you know what I'm saying,

1998
01:59:06,680 --> 01:59:09,360
Speaker 1: Like I love Hollywood Death, I love Brooklyn a little

1999
01:59:09,440 --> 01:59:14,160
Speaker 1: Queens and the Bronx start niling Long Island. So it's

2000
01:59:14,200 --> 01:59:17,400
Speaker 1: just like most of my videos and shot in New York.

2001
01:59:17,840 --> 01:59:19,600
Speaker 1: And when I do that, when I bring them with

2002
01:59:19,640 --> 01:59:22,800
Speaker 1: cameras around, I'm giving kids an opportunity to jump in

2003
01:59:22,880 --> 01:59:25,560
Speaker 1: front of that camera and do what you do, show them,

2004
01:59:25,640 --> 01:59:27,480
Speaker 1: show them your talent, show them what you do, because

2005
01:59:27,480 --> 01:59:29,680
Speaker 1: that's what I was doing when the cameras just coming around.

2006
01:59:32,120 --> 01:59:38,800
Speaker 1: God damn. And also and also I love being in

2007
01:59:38,880 --> 01:59:42,480
Speaker 1: the city. I love being in the city because I

2008
01:59:42,680 --> 01:59:44,800
Speaker 1: love when I've seen you in the neighborhood, or when

2009
01:59:44,800 --> 01:59:47,360
Speaker 1: I've seen Kim in the neighborhood, or Jim Jones or

2010
01:59:48,120 --> 01:59:50,920
Speaker 1: you know these guys. It was like something to look

2011
01:59:51,040 --> 01:59:54,040
Speaker 1: up to aspire to be. So now I just gotta

2012
01:59:54,040 --> 02:00:02,240
Speaker 1: asked that because allegends for me, it's Jim Jones camera,

2013
02:00:03,320 --> 02:00:06,480
Speaker 1: but it feels like cam this coast sign and y'all.

2014
02:00:07,560 --> 02:00:11,160
Speaker 1: But it's a certain energy that comes am I bugging?

2015
02:00:12,080 --> 02:00:15,400
Speaker 1: What do you mean? Like it feels like the camera

2016
02:00:15,760 --> 02:00:19,000
Speaker 1: is signing a sad But maybe every time when Jim

2017
02:00:19,120 --> 02:00:22,800
Speaker 1: Jones comes up, it's a certain energy that's not good bugging.

2018
02:00:23,160 --> 02:00:25,120
Speaker 1: People tell me I'm bog no, I just shot a

2019
02:00:25,240 --> 02:00:27,120
Speaker 1: video with I mean, I didn't judge you the video

2020
02:00:27,160 --> 02:00:30,560
Speaker 1: with Jim Jones. But you know, Jim showed love from jump.

2021
02:00:30,680 --> 02:00:32,800
Speaker 1: He did. He knew my pops in my know, my

2022
02:00:32,960 --> 02:00:36,480
Speaker 1: family and he he dies. I knew Jim actually before

2023
02:00:36,480 --> 02:00:39,040
Speaker 1: a new camp and Jim came in and this is

2024
02:00:39,080 --> 02:00:42,040
Speaker 1: when I was designing and he was actually like doing

2025
02:00:42,120 --> 02:00:44,920
Speaker 1: like the BB timing Dolts and he introduced me to BB.

2026
02:00:45,080 --> 02:00:48,760
Speaker 1: And you know, this guy's like meeting up with stand leader,

2027
02:00:49,160 --> 02:00:52,000
Speaker 1: designer of Vigor Fighter Men and all of that. Yet

2028
02:00:52,800 --> 02:00:56,360
Speaker 1: and yeah, like he just put me in places I

2029
02:00:56,400 --> 02:00:59,080
Speaker 1: wouldn't have been myself. So shout out to the gym

2030
02:00:59,160 --> 02:01:02,360
Speaker 1: for that. You know, some people are just I don't know,

2031
02:01:02,560 --> 02:01:04,760
Speaker 1: like some people are just more outspoken to others. And

2032
02:01:05,400 --> 02:01:08,280
Speaker 1: you know, Jim is just Jim helped me. Child's to Jim.

2033
02:01:08,880 --> 02:01:12,640
Speaker 1: That's that's what we need to hear. That need to

2034
02:01:12,680 --> 02:01:15,680
Speaker 1: hear that. Shout out to Jim and shout outs to

2035
02:01:15,800 --> 02:01:19,000
Speaker 1: camp as well, like you know, and Juel sat Town.

2036
02:01:19,000 --> 02:01:21,240
Speaker 1: I got there and Juel and everybody from Dipping the

2037
02:01:21,320 --> 02:01:30,600
Speaker 1: Masks got damn in New York, k. Everybody's smoking. He's smoking, right.

2038
02:01:31,160 --> 02:01:34,600
Speaker 1: You gotta take one much shot and then listen a shot,

2039
02:01:35,560 --> 02:01:39,320
Speaker 1: take one more shot for it. But how many blunts

2040
02:01:39,320 --> 02:01:42,480
Speaker 1: you had, nor I don't count Blint ye had about

2041
02:01:42,560 --> 02:01:46,840
Speaker 1: like nine ten joints. But you know it's the beating

2042
02:01:46,920 --> 02:01:54,360
Speaker 1: you got. How smoke whiz Khalifa. You gotta relax. He's

2043
02:01:54,400 --> 02:01:57,480
Speaker 1: my friend. I like him. He didn't have a good

2044
02:01:57,520 --> 02:02:01,080
Speaker 1: show with Snoop and you guys, you guys, yeah, Snoop,

2045
02:02:01,120 --> 02:02:06,640
Speaker 1: we have to relax as well. No, no, Snoop, Snoop

2046
02:02:06,720 --> 02:02:10,120
Speaker 1: we got the same birthday. It's a big, big It's

2047
02:02:10,160 --> 02:02:14,200
Speaker 1: big as a little Snoop Disney. But listen, what the

2048
02:02:14,320 --> 02:02:18,320
Speaker 1: Snoop disnay right. I was doing the record with Snoop

2049
02:02:18,680 --> 02:02:23,720
Speaker 1: and Slick Rick record Dad Dre wanted to do for

2050
02:02:23,800 --> 02:02:27,000
Speaker 1: a long time, but slick Rick was locked up, so

2051
02:02:27,120 --> 02:02:29,040
Speaker 1: when he got out, I was doing my album and

2052
02:02:29,160 --> 02:02:31,080
Speaker 1: I end up getting new So I did slick Ricking,

2053
02:02:31,120 --> 02:02:33,400
Speaker 1: but in the Bronx and then I went to l

2054
02:02:33,480 --> 02:02:37,480
Speaker 1: A to go do snoop bag so be a snoopy

2055
02:02:37,520 --> 02:02:41,360
Speaker 1: the studio. I said, I'm embraced, weede snoop. It's gonna

2056
02:02:41,400 --> 02:02:44,480
Speaker 1: get screen heavy ship, make them comfortable. Everything gonna be

2057
02:02:44,480 --> 02:02:50,120
Speaker 1: all right. Pulled the bag out confidence snoop. He said,

2058
02:02:50,280 --> 02:02:57,000
Speaker 1: get that bullshit. Hold out some orange ship from Homboo County.

2059
02:02:57,080 --> 02:03:01,240
Speaker 1: I was like, what is this ship? Like this ship

2060
02:03:01,480 --> 02:03:04,680
Speaker 1: like this is part yo and he was laughing at me.

2061
02:03:04,880 --> 02:03:08,280
Speaker 1: I smoked too. I pulled two bucks to pull that ship.

2062
02:03:08,760 --> 02:03:15,760
Speaker 1: I ain't smoking more. That night she was poison. This

2063
02:03:15,880 --> 02:03:25,320
Speaker 1: night we got we gotta a demon right now. I'm straight, good,

2064
02:03:26,840 --> 02:03:32,800
Speaker 1: good god. So yeah, that's you know, you got the

2065
02:03:32,840 --> 02:03:38,280
Speaker 1: pair pressure the word. I'm gonna tell your song. I'm

2066
02:03:38,320 --> 02:03:41,919
Speaker 1: gonna tell your song. They might seem like I'm saucy,

2067
02:03:43,120 --> 02:03:45,520
Speaker 1: it might seem like I'm drunk, but let me just

2068
02:03:45,640 --> 02:03:48,160
Speaker 1: tell you something. Tell us so hip hop is the

2069
02:03:48,240 --> 02:03:52,880
Speaker 1: best thing that we should ever celebrate because it's something

2070
02:03:52,960 --> 02:03:59,720
Speaker 1: that we created as black young at Deenos blacks, whatever

2071
02:04:00,840 --> 02:04:05,120
Speaker 1: nationalities doesn't even matter. It's what we created it as

2072
02:04:05,240 --> 02:04:09,920
Speaker 1: people who sat back. We were Paul and we created something.

2073
02:04:12,320 --> 02:04:17,040
Speaker 1: And the crazy ship is the biggest thing I've ever

2074
02:04:18,440 --> 02:04:25,080
Speaker 1: learned from Lee all Coins was when I'm at the

2075
02:04:25,200 --> 02:04:29,520
Speaker 1: Polar Lounge with this guy, He's like, I want drink chaps.

2076
02:04:30,240 --> 02:04:34,440
Speaker 1: I said, we lacks. What do you want to do

2077
02:04:34,560 --> 02:04:40,520
Speaker 1: with the let me find And he's like I wanted

2078
02:04:40,680 --> 02:04:47,040
Speaker 1: and I said blacks And he doesn't know what he

2079
02:04:47,120 --> 02:04:50,520
Speaker 1: wants it. But the thing about it is what he

2080
02:04:50,680 --> 02:04:55,320
Speaker 1: did tell me why is He's like, I can't believe

2081
02:04:55,480 --> 02:05:03,720
Speaker 1: hip hop celebrates hip hop. He's been down since run

2082
02:05:03,880 --> 02:05:10,879
Speaker 1: DMC was sniffing coke Angel does hip hop don't celebrate

2083
02:05:10,960 --> 02:05:15,120
Speaker 1: hip hop? The reason why these guys are they're running

2084
02:05:15,160 --> 02:05:20,120
Speaker 1: around because they back then, these things really had beef

2085
02:05:20,200 --> 02:05:24,480
Speaker 1: back then. Back then they will do three of shows

2086
02:05:24,600 --> 02:05:29,400
Speaker 1: because they had to move. So when he sees this

2087
02:05:29,680 --> 02:05:36,240
Speaker 1: and he says, guys are celebrating hip hop and winning,

2088
02:05:37,480 --> 02:05:45,880
Speaker 1: it's crazy too. Just take ahead. Just let me tell

2089
02:05:45,880 --> 02:05:49,640
Speaker 1: you something. Because came back from south By Southwest, Yes,

2090
02:05:51,080 --> 02:05:55,920
Speaker 1: and then the range of people, the range of people

2091
02:05:56,000 --> 02:05:59,120
Speaker 1: that was fans of drink tips. It was like eighteen

2092
02:05:59,200 --> 02:06:02,440
Speaker 1: year old too for the year olds and the young

2093
02:06:02,560 --> 02:06:06,840
Speaker 1: kids that all the young kids was like, thank you

2094
02:06:07,480 --> 02:06:13,360
Speaker 1: for teaching us about your generation. South By Southwest was

2095
02:06:13,400 --> 02:06:15,160
Speaker 1: crazy Me and bust to do the show that Monday

2096
02:06:16,320 --> 02:06:19,600
Speaker 1: that she was so luch free stop lossing. But I'm

2097
02:06:19,600 --> 02:06:27,480
Speaker 1: always always what is that? What are you? What is

2098
02:06:27,520 --> 02:06:33,680
Speaker 1: that twig? Twig? What is that twig? Anyway? You know,

2099
02:06:33,840 --> 02:06:38,320
Speaker 1: even from Nickelodeon at one point Nickelodeon, you know you

2100
02:06:38,440 --> 02:06:42,640
Speaker 1: did from home. Maybe I did a lot of stuff.

2101
02:06:44,880 --> 02:06:49,120
Speaker 1: Nothing again Nickelodeon. No, No, you've been cleaned for a

2102
02:06:49,200 --> 02:06:52,120
Speaker 1: long time. It's a great thing. Yeah, I'm stay clean.

2103
02:06:52,800 --> 02:06:54,640
Speaker 1: I'm talk for the board and I still I'm still clean.

2104
02:06:54,720 --> 02:07:04,120
Speaker 1: Like go man, So can grab that my how grabbing

2105
02:07:05,560 --> 02:07:08,600
Speaker 1: that one? How was it being on time? Your boy?

2106
02:07:08,680 --> 02:07:14,800
Speaker 1: Did you love being on time? Voice? Um? I mean

2107
02:07:14,920 --> 02:07:17,600
Speaker 1: they you know first, and I mean they got a history,

2108
02:07:17,720 --> 02:07:19,520
Speaker 1: you know what I mean, like we're stuff that they

2109
02:07:19,640 --> 02:07:22,640
Speaker 1: put out. But as far as me being happy with them,

2110
02:07:22,680 --> 02:07:24,560
Speaker 1: I mean I did one album with them, you know,

2111
02:07:25,400 --> 02:07:30,080
Speaker 1: and uh, I mean I had no issues. There's only

2112
02:07:30,200 --> 02:07:33,120
Speaker 1: one album. There was no Peacemaker too. No, it was

2113
02:07:33,200 --> 02:07:35,400
Speaker 1: at Peacemaker too, but not on Time. I was on

2114
02:07:35,480 --> 02:07:38,640
Speaker 1: your Peacemaker. That was independent Peacemaker two on the Peacemaker

2115
02:07:38,680 --> 02:07:41,440
Speaker 1: one with the d I TC record. Yeah, crazy that

2116
02:07:41,760 --> 02:07:44,120
Speaker 1: was crazy. So we'll put on Peacemaker two. You gotta

2117
02:07:44,160 --> 02:07:49,000
Speaker 1: hit it one time, came hit it one time. I

2118
02:07:49,040 --> 02:07:58,160
Speaker 1: passed the Tony touch man as Heroin Mad Heroin Man Heroin.

2119
02:07:59,600 --> 02:08:01,720
Speaker 1: That's the that's the reason why we're popping you still

2120
02:08:01,920 --> 02:08:09,200
Speaker 1: arrowin sma, we jea nobody should let me call I

2121
02:08:09,360 --> 02:08:16,040
Speaker 1: do this heroin in that blood this Heroin everywhere everywhere.

2122
02:08:17,240 --> 02:08:19,200
Speaker 1: You know. We gotta relax. Let me find out re

2123
02:08:19,280 --> 02:08:25,280
Speaker 1: sponsored by Heroin. We've been sponsored by Heroin for the

2124
02:08:25,400 --> 02:08:31,800
Speaker 1: first show. What show is this seveny one? We don't

2125
02:08:32,520 --> 02:08:35,360
Speaker 1: we've been We've been hearing it out for a long time.

2126
02:08:37,320 --> 02:08:44,720
Speaker 1: Let's relaxed. So he just cuts off. Let me find out.

2127
02:08:44,760 --> 02:08:49,640
Speaker 1: You work the camera? Oh ship, I get a moka

2128
02:08:49,880 --> 02:08:55,680
Speaker 1: like this, give me you show up called them sorry,

2129
02:08:59,240 --> 02:09:05,520
Speaker 1: let's look that put like that, but he put you

2130
02:09:05,640 --> 02:09:08,200
Speaker 1: like but it's a different time of Polo's like that.

2131
02:09:09,320 --> 02:09:14,320
Speaker 1: You gotta you gotta lit. Kid, you're coming out. You're

2132
02:09:14,320 --> 02:09:20,080
Speaker 1: coming out, comeing out what we're going out in. It's

2133
02:09:20,320 --> 02:09:26,360
Speaker 1: heavy in Miami because kid, you just celebrated like your birthday,

2134
02:09:26,440 --> 02:09:29,040
Speaker 1: like you're like fifty. Now my ship was crazy to

2135
02:09:29,200 --> 02:09:31,640
Speaker 1: my party. Man fishing up for d one. Let's keep

2136
02:09:31,680 --> 02:09:42,960
Speaker 1: you looking, makes some kid hit that real video, real

2137
02:09:43,120 --> 02:09:50,280
Speaker 1: videos one real opening straight this one, just kid, I

2138
02:09:50,320 --> 02:09:53,680
Speaker 1: don't want to put you off. Cut you off, kid

2139
02:09:55,400 --> 02:10:03,600
Speaker 1: and one boy who woe bol Come on, I'm gonna

2140
02:10:03,680 --> 02:10:05,680
Speaker 1: end the shore right now, you're gonna I'm gonna end

2141
02:10:05,720 --> 02:10:12,280
Speaker 1: the shore. You gotta react. Two parts tartesting, barter smarter.

2142
02:10:13,120 --> 02:10:18,520
Speaker 1: You gotta start the next part. Just take a shot.

2143
02:10:18,640 --> 02:10:25,000
Speaker 1: Me and this ship. Um no, yes, that ship, that ship.

2144
02:10:25,120 --> 02:10:27,200
Speaker 1: You do this, I do this all right, I'm in

2145
02:10:27,720 --> 02:10:31,400
Speaker 1: Oh look at for where you want? You want? The

2146
02:10:31,480 --> 02:10:35,880
Speaker 1: rock asked for you? Okay, that was I felt that

2147
02:10:35,920 --> 02:10:38,840
Speaker 1: he was. He was getting jamming. You're not. You're not

2148
02:10:38,960 --> 02:10:48,400
Speaker 1: jamming with us. Take way for taking one head and

2149
02:10:50,440 --> 02:10:53,200
Speaker 1: you got a party tomorrow, all right, but definitely you

2150
02:10:53,360 --> 02:10:59,080
Speaker 1: a little Wayne And this is and what's it called

2151
02:10:59,680 --> 02:11:01,840
Speaker 1: chick the bars? Come on, I don't know what I'm drinking.

2152
02:11:02,800 --> 02:11:06,240
Speaker 1: Rock You gotta called me white. I don't believe you,

2153
02:11:06,400 --> 02:11:18,040
Speaker 1: but I'm still in Rocky Yo. I know I know

2154
02:11:18,160 --> 02:11:20,960
Speaker 1: two parts of this. Keep it. I had to pe

2155
02:11:21,160 --> 02:11:24,760
Speaker 1: for like two hours. So if I've been holding my ship,

2156
02:11:24,960 --> 02:11:36,680
Speaker 1: I'm no, you're not. I'm but are just take a shot.

2157
02:11:36,840 --> 02:11:42,600
Speaker 1: Take a shot. I'm playing playing play kid, give me

2158
02:11:44,360 --> 02:11:46,440
Speaker 1: the first thing that episode me porn on flick in

2159
02:11:46,480 --> 02:11:51,600
Speaker 1: my life. That sounds mad crazy. Just wait before ray

2160
02:11:51,680 --> 02:11:57,440
Speaker 1: J called dash in Kelly, it was just it was

2161
02:11:57,520 --> 02:12:06,960
Speaker 1: just just kicking before raging start talking about that like

2162
02:12:09,480 --> 02:12:19,000
Speaker 1: you gotn't lack. I got this bucking big thank you.

2163
02:12:21,640 --> 02:12:26,720
Speaker 1: There's a slow train crash. Sorry about this guy. Kid

2164
02:12:26,840 --> 02:12:30,040
Speaker 1: told me say you gotta relax. He told you that.

2165
02:12:30,680 --> 02:12:33,920
Speaker 1: He told me say, nig you gotta relax. I think

2166
02:12:33,920 --> 02:12:36,520
Speaker 1: he was talking to you in the future, to you

2167
02:12:36,680 --> 02:12:41,640
Speaker 1: gotta relax season. That's very true. He told me that, kid,

2168
02:12:41,880 --> 02:12:45,200
Speaker 1: and he said now and when he's saying team because relax. Now,

2169
02:12:45,240 --> 02:12:49,680
Speaker 1: I gotta relax. I'm just relaxed for no reason. I

2170
02:12:49,800 --> 02:12:53,360
Speaker 1: just relax. Cheers, you gotta relaxed, cherous your blood or

2171
02:12:53,400 --> 02:13:01,520
Speaker 1: whatever the heroin you got, yo, that's that's a chance.

2172
02:13:02,040 --> 02:13:10,560
Speaker 1: To people waving that fee, Wait, won't want feet? What want? Said?

2173
02:13:10,640 --> 02:13:15,440
Speaker 1: The people waving that fee made up in the air

2174
02:13:17,400 --> 02:13:22,480
Speaker 1: the match rack your mad business. I'm going I'm going

2175
02:13:24,240 --> 02:13:29,400
Speaker 1: you got I'm sorry, but it's still a win. Fis

2176
02:13:30,080 --> 02:13:32,000
Speaker 1: west Wind. I don't know what you're drinking. What is

2177
02:13:32,080 --> 02:13:36,040
Speaker 1: that card? You want some card? You gotta relax, you

2178
02:13:36,120 --> 02:13:43,040
Speaker 1: gotta okay, you want to show you no, come on

2179
02:13:43,160 --> 02:13:47,720
Speaker 1: to tell them people when you can catch you every night,

2180
02:13:48,400 --> 02:13:51,560
Speaker 1: tell the people saive, don't you talk about some a

2181
02:13:51,560 --> 02:13:53,800
Speaker 1: little one but it talks to him? Go on, Talk

2182
02:13:53,840 --> 02:13:58,480
Speaker 1: on Talk on Tuesdays, ship Man, right, Talk on Tuesdays,

2183
02:13:58,840 --> 02:14:04,440
Speaker 1: New York City. That's right, that's that's the radio show.

2184
02:14:04,520 --> 02:14:06,760
Speaker 1: And then we got the we got the party on

2185
02:14:06,880 --> 02:14:12,320
Speaker 1: Tuesday nights, which you know Capri has been involved in

2186
02:14:12,640 --> 02:14:14,480
Speaker 1: play It Out party a few times. You know what

2187
02:14:14,520 --> 02:14:18,040
Speaker 1: I'm saying, and you know like it's family affair. You

2188
02:14:18,080 --> 02:14:21,840
Speaker 1: know what I'm saying. Talk O Tuesdays right now, it's

2189
02:14:21,880 --> 02:14:26,680
Speaker 1: a club yellow. The radio show is on serious Sex

2190
02:14:26,760 --> 02:14:31,360
Speaker 1: them shame forty five by the being twelve years everybody,

2191
02:14:31,440 --> 02:14:34,520
Speaker 1: you know, all of us, you know that's always the word,

2192
02:14:34,560 --> 02:14:38,720
Speaker 1: all of us. That's what that's how talk O Tuesdays.

2193
02:14:39,680 --> 02:14:42,720
Speaker 1: Go ahead, talk to them people people a minute, I

2194
02:14:42,760 --> 02:14:46,200
Speaker 1: can follow me on Instagram before we keep going, I

2195
02:14:46,320 --> 02:14:49,880
Speaker 1: need to know what kind of sweatsuit is that? Oh soocchini?

2196
02:14:50,400 --> 02:14:56,080
Speaker 1: That sounds expensive, but it's you gotta relax, hold on,

2197
02:14:56,400 --> 02:14:59,960
Speaker 1: I got relaxed on sounding expensive if you gotta really

2198
02:15:00,040 --> 02:15:23,600
Speaker 1: likes to relax me. Whoa, I got good man with

2199
02:15:23,680 --> 02:15:26,680
Speaker 1: your cheny sweatsuit and uh you can find me on Twitter,

2200
02:15:27,040 --> 02:15:31,680
Speaker 1: instagrams at for sp F r G. I got a

2201
02:15:32,480 --> 02:15:35,880
Speaker 1: album coming out, Still Striving should be out, pretty showing

2202
02:15:35,920 --> 02:15:38,080
Speaker 1: and uh it should be out eight sat. Put it

2203
02:15:38,200 --> 02:15:44,600
Speaker 1: like that, right, No, all pun intendant Lloyd stop that

2204
02:15:49,000 --> 02:15:52,280
Speaker 1: without kid, I'm just happening. I gotta tell these people,

2205
02:15:53,200 --> 02:15:58,960
Speaker 1: you gotta eat these bitches asses still okay, throwing out anyway, Yeah,

2206
02:15:59,000 --> 02:16:10,160
Speaker 1: that's good. Give anyway. You gonna throw that out there

2207
02:16:10,200 --> 02:16:28,640
Speaker 1: for the young guns raised right figure I eat and uh,

2208
02:16:29,280 --> 02:16:34,359
Speaker 1: first of all block Party live mix sape on Periscope

2209
02:16:34,440 --> 02:16:37,160
Speaker 1: and the and the a G Live that's Wednesday eight

2210
02:16:37,200 --> 02:16:40,760
Speaker 1: o'clock East, the time that ship rings off and that

2211
02:16:41,240 --> 02:16:44,040
Speaker 1: I had so many women watching that made me create

2212
02:16:44,080 --> 02:16:47,640
Speaker 1: a show called No Panty Sundays for Ladies par Yeah.

2213
02:16:47,720 --> 02:16:49,680
Speaker 1: I played a lot of cool out slow music and

2214
02:16:49,920 --> 02:16:53,640
Speaker 1: have little flowers and ship little It'd be fly man,

2215
02:16:53,760 --> 02:16:56,240
Speaker 1: we have a little flo problems and all that right there.

2216
02:16:56,680 --> 02:16:59,840
Speaker 1: And it got so popular that my man run Mills

2217
02:17:00,200 --> 02:17:04,800
Speaker 1: from Syria, Sex sidon for exempt Syria Sex and Fly

2218
02:17:05,000 --> 02:17:07,280
Speaker 1: asked me to come and do my thing because I

2219
02:17:07,320 --> 02:17:09,240
Speaker 1: didn't want to go on the radio and be told

2220
02:17:09,320 --> 02:17:11,480
Speaker 1: what to do. You know, that's why I went on

2221
02:17:11,560 --> 02:17:13,200
Speaker 1: the radio. You know, I come and doing our guest

2222
02:17:13,240 --> 02:17:15,920
Speaker 1: appearances or whatever whatever station. But I don't want to

2223
02:17:15,959 --> 02:17:18,240
Speaker 1: be locking those stations. I don't want nobody tell me

2224
02:17:18,320 --> 02:17:21,720
Speaker 1: how radio should go. So I started showing Syria Sex singer.

2225
02:17:21,800 --> 02:17:23,080
Speaker 1: They came to me and say, kid, you know what

2226
02:17:23,160 --> 02:17:25,320
Speaker 1: you're doing that's gonna make it happen. So I got

2227
02:17:25,440 --> 02:17:27,520
Speaker 1: a six hour show and I'll be a personality from

2228
02:17:27,560 --> 02:17:29,320
Speaker 1: four to eight and then from eight o'clock to ton

2229
02:17:29,360 --> 02:17:31,720
Speaker 1: of clock, I play that ship. And what I do

2230
02:17:31,879 --> 02:17:34,120
Speaker 1: is I putting new and all together and I make

2231
02:17:34,200 --> 02:17:36,280
Speaker 1: it so fly. Y'all gotta listen to a trusting I'm

2232
02:17:36,280 --> 02:17:38,560
Speaker 1: telling y'all. If y'all ain't got the apple, get the apple.

2233
02:17:41,160 --> 02:17:43,440
Speaker 1: And now only that. I just finished album called Top

2234
02:17:43,520 --> 02:17:46,880
Speaker 1: Till the Same, took all the battle rappers and made

2235
02:17:46,920 --> 02:17:49,760
Speaker 1: them put something together, made some hot, produced no album

2236
02:17:49,840 --> 02:17:51,920
Speaker 1: for them. And also you can see me in your

2237
02:17:51,959 --> 02:17:54,800
Speaker 1: show in your city doing my thing and smashing the dance.

2238
02:17:54,840 --> 02:17:57,600
Speaker 1: So if you ever hear me, coming to your city, saying,

2239
02:17:57,680 --> 02:17:59,440
Speaker 1: come to see the kid do what I do. Now,

2240
02:18:01,360 --> 02:18:03,920
Speaker 1: hold on kicking pre one on one on the Twitter

2241
02:18:04,000 --> 02:18:06,440
Speaker 1: and Instagram and the real kicking playing on Facebook. How

2242
02:18:06,560 --> 02:18:11,959
Speaker 1: at your boy? Let let me say I was really

2243
02:18:12,000 --> 02:18:14,560
Speaker 1: quick as as a young well I'm not young now,

2244
02:18:14,720 --> 02:18:17,959
Speaker 1: but when I was a young Miami DJ, inspiring DJ,

2245
02:18:18,879 --> 02:18:24,120
Speaker 1: the blueprint was right here, Kick Capri was inspiring and

2246
02:18:24,160 --> 02:18:28,240
Speaker 1: as a mixtape, DJ Tony Touch was a blueprint. So

2247
02:18:28,320 --> 02:18:30,200
Speaker 1: I just want to say thank you brothers for everything. Man.

2248
02:18:37,320 --> 02:18:40,360
Speaker 1: We don't usually have young brothers here. And when I

2249
02:18:40,440 --> 02:18:43,160
Speaker 1: was in southest south West, I saw Fresher and he

2250
02:18:43,360 --> 02:18:45,280
Speaker 1: and that was we had him on the show. We

2251
02:18:45,840 --> 02:18:48,640
Speaker 1: rarely have like young, you know, new artists on the show.

2252
02:18:48,720 --> 02:18:52,280
Speaker 1: And he's a good dude. And I really like your music, brother,

2253
02:18:52,400 --> 02:18:54,560
Speaker 1: and I'm saying I'm glad you're on the short as well. Man.

2254
02:19:00,080 --> 02:19:05,880
Speaker 1: The difference between like every young new artist, his father

2255
02:19:07,000 --> 02:19:11,520
Speaker 1: actually be braded him to be who he is. So

2256
02:19:12,920 --> 02:19:15,440
Speaker 1: as much as I want to celebrate who he is,

2257
02:19:16,360 --> 02:19:23,320
Speaker 1: I acknowledge who the upbringing was before him, So I

2258
02:19:23,400 --> 02:19:25,040
Speaker 1: knew he was supposed to be. He was supposed to be.

2259
02:19:25,360 --> 02:19:27,280
Speaker 1: I know, it's kind of like cocky in like a

2260
02:19:27,400 --> 02:19:32,560
Speaker 1: certain way. But it's also like it's supposed to be

2261
02:19:32,640 --> 02:19:35,840
Speaker 1: what it's supposed to be. Look, it is what it is.

2262
02:19:36,879 --> 02:19:46,600
Speaker 1: You gotta re You come over, sticks, you gotta re

2263
02:19:47,320 --> 02:19:51,920
Speaker 1: you just go to yo. Listen more to the Jordan

2264
02:19:52,040 --> 02:19:59,400
Speaker 1: spot schoolier ship. No they did not have on the back.

2265
02:20:00,000 --> 02:20:02,760
Speaker 1: You want to see the rack you think about the

2266
02:20:02,800 --> 02:20:05,840
Speaker 1: flea market, I'm gonna take I'm not the flea market.

2267
02:20:05,920 --> 02:20:08,320
Speaker 1: They always have it on the racket place market. See,

2268
02:20:08,680 --> 02:20:11,920
Speaker 1: you don't understand in Miami is a fleet market. You know,

2269
02:20:12,040 --> 02:20:15,199
Speaker 1: let's play fleet markets. And that's what he thinks. It's

2270
02:20:15,280 --> 02:20:21,760
Speaker 1: a flea market. He goes, what I don't want to know.

2271
02:20:23,240 --> 02:20:26,680
Speaker 1: He gotta relax. Tell him, you gotta relax. Hate you

2272
02:20:26,760 --> 02:20:28,800
Speaker 1: people got a fleatball. Now I think he goes to

2273
02:20:28,879 --> 02:20:32,920
Speaker 1: the homestep. You gotta relax, you will take pretty. Can

2274
02:20:32,920 --> 02:20:36,840
Speaker 1: you tell him you gotta relax? Please just that he said,

2275
02:20:37,400 --> 02:20:53,160
Speaker 1: he are you telling relax? Relax? Don't you're gonna taking

2276
02:20:53,280 --> 02:20:56,520
Speaker 1: the picture. Let's get out it, kid. I'm not gonna lie.

2277
02:20:57,120 --> 02:21:05,199
Speaker 1: You're not gonna I've been holding my pistare we gotta

2278
02:21:05,200 --> 02:21:07,920
Speaker 1: take a pure I say goodbye. To the people. No,

2279
02:21:08,160 --> 02:21:10,680
Speaker 1: we're gonna take a picture. No, you got the microphones.

2280
02:21:11,200 --> 02:21:16,240
Speaker 1: Oh I gotta say, Oh listen, I'm gonna be you

2281
02:21:16,280 --> 02:21:26,040
Speaker 1: gonna be honest. Yeah, listen, I've been honest to share

2282
02:21:26,120 --> 02:21:30,200
Speaker 1: the stage right now. Puff Daddy said something very crazy

2283
02:21:30,280 --> 02:21:32,920
Speaker 1: to us. He said he wants to go from being

2284
02:21:33,560 --> 02:21:39,440
Speaker 1: on the stage to being dust stage and drink chance.

2285
02:21:39,640 --> 02:21:43,520
Speaker 1: We have to take that same responsibility, meaning that we're

2286
02:21:43,560 --> 02:21:46,560
Speaker 1: saying we've had We have been on the stage, but

2287
02:21:46,680 --> 02:21:51,160
Speaker 1: now we all the stage. So anybody comes and talks

2288
02:21:51,200 --> 02:21:54,920
Speaker 1: to us. And even though in our minds we think

2289
02:21:55,040 --> 02:22:00,240
Speaker 1: like it's between us, it's really not. It's a lot

2290
02:22:00,280 --> 02:22:09,039
Speaker 1: of people listening. Let's nothing. I'm listening. Let's let them relaxed.

2291
02:22:09,400 --> 02:22:16,000
Speaker 1: Two people too, and people point their friends. Yes, and

2292
02:22:16,200 --> 02:22:18,000
Speaker 1: this is what we should be doing. What we should

2293
02:22:18,040 --> 02:22:21,400
Speaker 1: be just hanging out because this is what hip hop bess.

2294
02:22:23,240 --> 02:22:26,280
Speaker 1: We have to keep hip hop alive? And how did

2295
02:22:26,360 --> 02:22:31,720
Speaker 1: we keep up hip hop alive? And half hop doesn't matter,

2296
02:22:32,320 --> 02:22:35,440
Speaker 1: halp hop, you just made it up. You know you

2297
02:22:35,440 --> 02:22:40,240
Speaker 1: should be the leader of half hop if you're a

2298
02:22:40,360 --> 02:22:48,240
Speaker 1: certain new record halp hop. Sorry, my hip is happening

2299
02:22:48,440 --> 02:22:54,040
Speaker 1: right now. I think I got an excuse, you gotta ever,

2300
02:22:54,280 --> 02:22:58,440
Speaker 1: I don't even know what you're saying, but the point

2301
02:22:58,480 --> 02:23:02,240
Speaker 1: I'm trying to make it and half, let's have fucking fun.

2302
02:23:06,800 --> 02:23:10,040
Speaker 1: If you live in your life having fun and it's

2303
02:23:10,080 --> 02:23:14,560
Speaker 1: fake fun, don't live your life no more could die

2304
02:23:18,640 --> 02:23:24,760
Speaker 1: alright that I have fun. Every day I wake up,

2305
02:23:25,120 --> 02:23:30,000
Speaker 1: I have fun, and you should have fun. Every day.

2306
02:23:30,440 --> 02:23:32,520
Speaker 1: I have fun of my own and so should we.

2307
02:23:33,160 --> 02:23:37,000
Speaker 1: Every day you wake up? You say, what up? Alright? Cool?

2308
02:23:37,560 --> 02:23:41,480
Speaker 1: Let's it's funked up ship that happens. I'm saying, Look,

2309
02:23:41,560 --> 02:23:45,920
Speaker 1: look you wake up and then and then and then

2310
02:23:46,120 --> 02:23:49,119
Speaker 1: body ever tell you here some fund up ship happen

2311
02:23:49,560 --> 02:23:56,960
Speaker 1: because the fun just got elbow there being Bob. Let's

2312
02:23:56,959 --> 02:24:31,440
Speaker 1: go right, m find all your favorite movies and shows

2313
02:24:31,520 --> 02:24:34,400
Speaker 1: factor with Excinity just speaking to the excellent voice formost

2314
02:24:34,480 --> 02:24:37,400
Speaker 1: to search across live, CV, on demand, even Netflix and

2315
02:24:37,480 --> 02:24:42,000
Speaker 1: Prime Video. Now that's simple, easy, awesome. Switch to Excenity

2316
02:24:42,040 --> 02:24:44,880
Speaker 1: today and get a great offer. You'll enjoy Exfinity x one,

2317
02:24:44,959 --> 02:24:47,800
Speaker 1: which gild you access to your favorite streaming apps like Netflix,

2318
02:24:48,040 --> 02:24:51,360
Speaker 1: YouTube and now Prime Video. Got to Exfinity dot com

2319
02:24:51,560 --> 02:24:55,400
Speaker 1: calley or visit the store today to learn more. Restrictions

2320
02:24:55,440 --> 02:24:55,800
Speaker 1: of life,