1 00:00:01,040 --> 00:00:04,840 Speaker 1: Because of your extraordinary bravery and intelligence, you are hearing 2 00:00:04,960 --> 00:00:09,760 Speaker 1: the titles of Honorary Corporal Rusty and Honorary Private Ing Tintin. 3 00:00:11,039 --> 00:00:15,640 Speaker 1: Ever since Ring Tin Tin, the superstar German shepherd who 4 00:00:15,760 --> 00:00:19,720 Speaker 1: on screen rescued plenty of people and off screen rescued 5 00:00:19,800 --> 00:00:23,639 Speaker 1: Warner Brothers from bankruptcy in the nineteen twenties, dogs have 6 00:00:23,760 --> 00:00:30,840 Speaker 1: played leading roles in Hollywood. Look there's total from Kansas's 7 00:00:31,000 --> 00:00:36,839 Speaker 1: most courageous Cairn terrier who's come to Tagas Dome, to 8 00:00:37,000 --> 00:00:39,680 Speaker 1: the collie who seemed to save more people in the 9 00:00:39,760 --> 00:00:46,640 Speaker 1: nineteen fifties than the polio vaccine did, to the Golden 10 00:00:46,680 --> 00:00:50,960 Speaker 1: retriever who held court in the air Bud Movies, Dogs 11 00:00:50,960 --> 00:00:54,720 Speaker 1: Don't Play Basketball was the matters, Gentlemen. A frasier team 12 00:00:54,800 --> 00:00:57,920 Speaker 1: might get beat by a dog, But I'm not sure 13 00:00:58,120 --> 00:01:02,760 Speaker 1: any dog has ever played a role as multifaceted as 14 00:01:02,840 --> 00:01:06,080 Speaker 1: the one played by the Jack Russell terrier who starred 15 00:01:06,080 --> 00:01:11,280 Speaker 1: in the nine nineties PBS television series Wishbone. Believe me 16 00:01:12,040 --> 00:01:16,399 Speaker 1: it was nothing, Okay, wish Let's have some meat? Did 17 00:01:16,440 --> 00:01:22,759 Speaker 1: I hear you say meat? Love? That dog's real name 18 00:01:23,040 --> 00:01:27,319 Speaker 1: was Soccer. Now as Wishbone He didn't just beg for treats. 19 00:01:28,160 --> 00:01:33,200 Speaker 1: Soccer was a total action hero dog. Soccer was winning 20 00:01:33,280 --> 00:01:38,720 Speaker 1: battles and getting knighted and solving mysteries closely. The clues 21 00:01:38,760 --> 00:01:43,480 Speaker 1: could be anywhere. No one is above suspicion. Wishbone, it 22 00:01:43,560 --> 00:01:47,480 Speaker 1: turns out, had a rich fantasy life. In each episode, 23 00:01:47,520 --> 00:01:50,680 Speaker 1: he imagined himself as a hero in a different work 24 00:01:50,720 --> 00:01:54,520 Speaker 1: of classic literature. Viewers at home saw him leading a 25 00:01:54,560 --> 00:01:59,720 Speaker 1: merry band of outlaws against the Sheriff of Nottingham actual 26 00:02:00,000 --> 00:02:06,520 Speaker 1: of us so romancing like Shakespeare's Romeo, with loves like wings, 27 00:02:06,560 --> 00:02:11,600 Speaker 1: did I or perchach these walls? And inspired by Jules Verne, 28 00:02:11,880 --> 00:02:16,320 Speaker 1: digging deep, going where no dog or man had gone before, 29 00:02:17,080 --> 00:02:19,440 Speaker 1: proof that we are on the right track on one 30 00:02:19,440 --> 00:02:24,160 Speaker 1: to the sudden out of the eye. For the show's 31 00:02:24,240 --> 00:02:28,120 Speaker 1: target audience of six to eleven year olds, Soccer became 32 00:02:28,160 --> 00:02:32,240 Speaker 1: a tween idol. I have pictures of people waiting in 33 00:02:32,360 --> 00:02:38,960 Speaker 1: line two blocks long just to see this dog. What's 34 00:02:39,000 --> 00:02:45,720 Speaker 1: the story, you, wish Bone? What's this your dream? Speaking today? 35 00:02:45,800 --> 00:02:48,400 Speaker 1: There's a whole pack of grown ups out there who 36 00:02:48,440 --> 00:02:51,600 Speaker 1: were first weaned on Mark Twain or the Legend of 37 00:02:51,639 --> 00:02:56,280 Speaker 1: Faust or the Greek epics through Wishbone. I remember, like 38 00:02:56,360 --> 00:02:58,440 Speaker 1: on my tenth birthday, I think it was we were 39 00:02:58,440 --> 00:03:00,760 Speaker 1: going to go mini golfing and I insisted, but we 40 00:03:00,800 --> 00:03:03,200 Speaker 1: had to stay home for Wishbone first. And as a 41 00:03:03,240 --> 00:03:06,800 Speaker 1: twenty five year old, a mere pup myself, I got 42 00:03:06,840 --> 00:03:10,160 Speaker 1: to write for Wishbone. I've told people that writing for 43 00:03:10,200 --> 00:03:13,240 Speaker 1: the show was like an assignment from an English professor 44 00:03:13,280 --> 00:03:19,079 Speaker 1: on asset. So much went into this show to make 45 00:03:19,080 --> 00:03:21,400 Speaker 1: it a hit, but none of it would have worked 46 00:03:21,800 --> 00:03:26,760 Speaker 1: without the top dog. I think every movie star um 47 00:03:26,800 --> 00:03:32,960 Speaker 1: has eyes that tell stories, and Soccer had the most 48 00:03:33,000 --> 00:03:36,560 Speaker 1: amazing dog eyes. He was a magic little creature man, 49 00:03:36,680 --> 00:03:40,480 Speaker 1: he really was. He looked so good on camera. Shoudn't 50 00:03:40,480 --> 00:03:43,240 Speaker 1: say this, but he wasn't the smartest dog I've ever turned. 51 00:03:43,840 --> 00:03:47,680 Speaker 1: But he was so devoted. Weren't he learned it? He 52 00:03:47,800 --> 00:03:51,000 Speaker 1: would walk on water for me. He just loved to 53 00:03:51,280 --> 00:03:54,840 Speaker 1: be out with me working to him, it wasn't work. 54 00:03:57,000 --> 00:04:01,560 Speaker 1: From CBS Sunday Morning and I heart I'm Morocca and 55 00:04:01,800 --> 00:04:11,320 Speaker 1: this is mobituaries, this moment Wishbone June two one, death 56 00:04:11,760 --> 00:04:20,560 Speaker 1: of a working dog. All right, So what was Wishbone about? Well, 57 00:04:20,800 --> 00:04:23,400 Speaker 1: Let's have some fans who grew up with the show explain. 58 00:04:25,880 --> 00:04:29,000 Speaker 1: So it was called Wishbone, and it was this little 59 00:04:29,080 --> 00:04:34,520 Speaker 1: dog Jack Russell Terrier. Wishbone has a love for classic literature, 60 00:04:35,240 --> 00:04:38,680 Speaker 1: and then he would like magically transport himself into stories. 61 00:04:39,160 --> 00:04:41,720 Speaker 1: Wishbone is a children's television show that aired on PBS 62 00:04:42,560 --> 00:04:44,239 Speaker 1: and it is the only reason why I ever passed 63 00:04:44,279 --> 00:04:47,680 Speaker 1: in English class because I did not do the reading. Okay, 64 00:04:47,960 --> 00:04:50,760 Speaker 1: now my turn. The show was about a dog named 65 00:04:50,960 --> 00:04:55,120 Speaker 1: Wishbone who lived in a town called Oakdale. Wishbone would 66 00:04:55,120 --> 00:04:57,680 Speaker 1: get into all sorts of adventures with his owner, a 67 00:04:57,800 --> 00:05:01,120 Speaker 1: boy named Joe, and the other neighbor hood kids, and 68 00:05:01,400 --> 00:05:04,920 Speaker 1: those adventures would remind Wishbone of stay with me here 69 00:05:05,480 --> 00:05:09,280 Speaker 1: stories from classic literature. It could be a novel like 70 00:05:09,520 --> 00:05:13,839 Speaker 1: Treasure Island, and epic poem like Homer's Odyssey in African 71 00:05:13,880 --> 00:05:16,840 Speaker 1: folk tale like a Nancy the Spider. Wishbone read a lot. 72 00:05:16,880 --> 00:05:19,080 Speaker 1: He didn't waste time watching TV. Just go with it, 73 00:05:19,760 --> 00:05:23,719 Speaker 1: and so each episode alternated between Wishbone living his regular 74 00:05:23,760 --> 00:05:27,159 Speaker 1: life in Oakdale and his fantasy life as the hero 75 00:05:27,400 --> 00:05:31,960 Speaker 1: of classic literature. Twin plots thematically connected more about his 76 00:05:32,040 --> 00:05:36,599 Speaker 1: Fantasy Life later basically Wishbone. The show was all about story, 77 00:05:37,080 --> 00:05:39,960 Speaker 1: but the story of the dog who played Wishbone begins 78 00:05:40,040 --> 00:05:50,159 Speaker 1: with an animal trainer named Jackie Captain. Hello Jackie. Yes, 79 00:05:50,920 --> 00:05:54,800 Speaker 1: it's mo oh, my good assist. In so long, it's 80 00:05:54,839 --> 00:05:58,560 Speaker 1: been more than twenty five years. Jackie's been living off 81 00:05:58,600 --> 00:06:02,400 Speaker 1: the grid way up in Haynes, Alaska. You know you're 82 00:06:02,440 --> 00:06:05,520 Speaker 1: not easy to get a hold of. Well, that's the 83 00:06:05,600 --> 00:06:09,880 Speaker 1: reason I came up here. You know, I retired UM 84 00:06:10,600 --> 00:06:16,120 Speaker 1: eight years ago. It's beautiful up here, good fishing. Um 85 00:06:16,200 --> 00:06:19,640 Speaker 1: bears walked through my property. Do you think the bears 86 00:06:19,760 --> 00:06:22,080 Speaker 1: know your background with animals and that they kind of 87 00:06:22,120 --> 00:06:25,960 Speaker 1: respect it? Well, I've kind of told them, Look, we're 88 00:06:26,000 --> 00:06:28,760 Speaker 1: on common ground here. You leave me alone, I'll leave 89 00:06:28,800 --> 00:06:32,520 Speaker 1: you alone. Jackie actually began her career in motion pictures 90 00:06:32,839 --> 00:06:36,640 Speaker 1: working with wild animals, including bears, but she learned much 91 00:06:36,680 --> 00:06:39,440 Speaker 1: of what she knows about training dogs from fame to 92 00:06:39,520 --> 00:06:43,560 Speaker 1: Hollywood trainer frank Inn. I went to work for him 93 00:06:44,360 --> 00:06:49,000 Speaker 1: um and that was probably the best experience I had 94 00:06:49,240 --> 00:06:54,080 Speaker 1: learning how to do dogs for motion picture. Frankie worked 95 00:06:54,120 --> 00:06:57,799 Speaker 1: on Lassie, I Love Lucy. He trained Audrey Hepburn's orange 96 00:06:57,880 --> 00:07:01,440 Speaker 1: tabby cat in Breakfast Ta Tiffany's. He wrangled all five 97 00:07:01,520 --> 00:07:05,080 Speaker 1: hundred of the animals comprising Ellieme Lampet's cast of critters 98 00:07:05,160 --> 00:07:08,280 Speaker 1: on the Beverly Hillbillies. Critters are loose things for that girl. 99 00:07:08,360 --> 00:07:11,800 Speaker 1: He wouldn't do for nobody else. Here he is training 100 00:07:11,960 --> 00:07:15,520 Speaker 1: the lovable mutt who starting the Benji movies. Come on, 101 00:07:15,640 --> 00:07:19,440 Speaker 1: Magic Benci, Please, come on, come on, dude, good kid, 102 00:07:19,520 --> 00:07:23,560 Speaker 1: Look here a feed up state and speak. And he 103 00:07:23,840 --> 00:07:27,960 Speaker 1: just was this larger than life's character, big man with 104 00:07:28,080 --> 00:07:30,880 Speaker 1: a big hand of our mustache and a captain's hat. 105 00:07:31,440 --> 00:07:33,320 Speaker 1: And you just couldn't forget him if you ever saw 106 00:07:33,400 --> 00:07:36,840 Speaker 1: him work at dog Frank Ann helped Jackie launch her 107 00:07:36,840 --> 00:07:43,320 Speaker 1: own career. She worked on the horror movie Kujoe, about 108 00:07:43,360 --> 00:07:48,760 Speaker 1: a rabid saint Bernard Cujo, What's the Matter. And she 109 00:07:48,960 --> 00:07:53,000 Speaker 1: helped Ethan Hawk bond with a surly wolfhound in White Fang. 110 00:07:54,280 --> 00:07:56,800 Speaker 1: I just wanted to pet him. White Fang was shot 111 00:07:56,880 --> 00:08:00,680 Speaker 1: up in Haynes, Alaska. Jackie says, she you then that 112 00:08:00,880 --> 00:08:04,280 Speaker 1: one day she'd retire. There. Have you got any dogs 113 00:08:04,360 --> 00:08:07,800 Speaker 1: up there? I only have one dog left, which is 114 00:08:07,840 --> 00:08:11,680 Speaker 1: really weird. For me, I have the Beverly Hills Chiuawa Rosa. 115 00:08:12,000 --> 00:08:16,640 Speaker 1: Oh my gosh, and remember Rosa. There's nothing wrong with 116 00:08:16,800 --> 00:08:20,760 Speaker 1: being different. Different is just a nice way of saying runt. Yeah, 117 00:08:20,880 --> 00:08:23,840 Speaker 1: she's twelve now, she only weighs three pounds. She's the 118 00:08:23,960 --> 00:08:27,720 Speaker 1: Beverly Hills Chiwaba and she's living in Haines, Alaska, surrounded 119 00:08:27,760 --> 00:08:31,040 Speaker 1: by grizzlies. How's that working out? Well, she doesn't go 120 00:08:31,160 --> 00:08:34,479 Speaker 1: out much. I mean, because everything wants together, the eagles, 121 00:08:34,600 --> 00:08:37,000 Speaker 1: I mean, you know, so she pretty much just stays 122 00:08:37,040 --> 00:08:39,719 Speaker 1: in the cabin. Oh my god. But Jackie, I know 123 00:08:39,880 --> 00:08:42,600 Speaker 1: you're retired, but this just screams out for a Beverly 124 00:08:42,720 --> 00:08:46,880 Speaker 1: Hills Chiwaba sequel. I mean, escape to Alaska. I know 125 00:08:47,240 --> 00:08:51,480 Speaker 1: it does, doesn't it. I like that idea. Jackie met 126 00:08:51,559 --> 00:08:54,120 Speaker 1: the dog who would one day play wishbone back in 127 00:08:55,320 --> 00:08:58,800 Speaker 1: Connecticut when he was just a week old, and I said, 128 00:08:58,880 --> 00:09:02,440 Speaker 1: that is the cutest probably I've ever seen. Jackie took 129 00:09:02,520 --> 00:09:05,480 Speaker 1: him home that very day and named him Soccer. But 130 00:09:05,600 --> 00:09:09,439 Speaker 1: because of Soccer's markings brown patches around his left eye 131 00:09:09,520 --> 00:09:12,880 Speaker 1: and right ear, casting directors thought he looked too much 132 00:09:13,080 --> 00:09:16,800 Speaker 1: like the Little Rascal's dog. PD. Pretty soon it seemed 133 00:09:16,880 --> 00:09:21,680 Speaker 1: clear Soccer's acting career was going nowhere. Yeah, he didn't 134 00:09:21,720 --> 00:09:24,240 Speaker 1: do much at all until he did Wishbone, and he 135 00:09:24,440 --> 00:09:28,040 Speaker 1: was six or seven. I think six or seven in 136 00:09:28,240 --> 00:09:31,120 Speaker 1: dog years. You do the math. He was getting up 137 00:09:31,160 --> 00:09:35,839 Speaker 1: there has been without ever having been my husband, and 138 00:09:35,920 --> 00:09:38,319 Speaker 1: all my friends were like, really, Jaggy, why do you 139 00:09:38,400 --> 00:09:40,679 Speaker 1: spend so much time training on this dog. I like 140 00:09:40,920 --> 00:09:43,719 Speaker 1: this dog. He's my buddy. I don't care if he 141 00:09:43,800 --> 00:09:47,160 Speaker 1: ever worked. I like this dog. And they'd all laugh 142 00:09:47,200 --> 00:09:51,160 Speaker 1: at man. I'm telling you, one day, this dog is 143 00:09:51,240 --> 00:09:57,080 Speaker 1: going to get what he deserves. Auditions for the lead 144 00:09:57,200 --> 00:10:00,960 Speaker 1: role in Wishbone were announced, but he was tied up 145 00:10:01,000 --> 00:10:06,120 Speaker 1: on another project. I was in Montana working on River Wild, 146 00:10:06,920 --> 00:10:10,439 Speaker 1: and she wasn't particularly interested. I'm tied up on a 147 00:10:10,520 --> 00:10:14,960 Speaker 1: feature movie here, you know, sidebar. I loved the River Wild, 148 00:10:15,200 --> 00:10:18,640 Speaker 1: an action adventure starring a buff Meryl Streep opposite an 149 00:10:18,679 --> 00:10:22,960 Speaker 1: evil Kevin Bacon. Who you and the dog are expendable 150 00:10:24,400 --> 00:10:30,200 Speaker 1: right now? I think I'll go whoo who the dog? 151 00:10:32,920 --> 00:10:36,480 Speaker 1: But the Wishbone team liked Soccer's look and prevailed on 152 00:10:36,679 --> 00:10:40,240 Speaker 1: Jackie to bring him in for an audition and Soccer 153 00:10:40,600 --> 00:10:44,480 Speaker 1: wowed them. He wasn't just charming. He pulled off all 154 00:10:44,559 --> 00:10:48,640 Speaker 1: of his tricks with the cool, confidence, even cockiness of 155 00:10:48,720 --> 00:10:51,920 Speaker 1: a young Claude ban Dam. He sealed the deal with 156 00:10:52,040 --> 00:10:54,360 Speaker 1: a back flip, which you can see in the show's 157 00:10:54,440 --> 00:10:58,000 Speaker 1: opening credits. Now, Jackie could get Soccer to do a lot, 158 00:10:58,200 --> 00:11:03,240 Speaker 1: but she couldn't make him actually talk. When I first 159 00:11:03,320 --> 00:11:05,319 Speaker 1: was asked to audition to be the voice of Wishbone, 160 00:11:05,640 --> 00:11:08,360 Speaker 1: I had no idea what the show was. That became 161 00:11:08,400 --> 00:11:11,079 Speaker 1: the job of stand up comic and voice over actor 162 00:11:11,520 --> 00:11:14,720 Speaker 1: Larry Brantley. And I've done this my whole life with animals. 163 00:11:14,800 --> 00:11:17,240 Speaker 1: I watch an animal and I think I know what 164 00:11:17,280 --> 00:11:19,640 Speaker 1: they're thinking. I don't know why I think that, but 165 00:11:19,920 --> 00:11:21,959 Speaker 1: I'm just I'm convinced I know what's going on in 166 00:11:22,040 --> 00:11:24,520 Speaker 1: that tiny little head, and and I'm pretty good at 167 00:11:24,600 --> 00:11:28,439 Speaker 1: verbalizing it. Wishbone had his voice, and so in the 168 00:11:28,480 --> 00:11:33,719 Speaker 1: summer of trainer Jackie captain pactor, Bags and Soccer for 169 00:11:33,800 --> 00:11:37,520 Speaker 1: the suburbs of Dallas, Texas, where Wishbone would be filmed. 170 00:11:37,800 --> 00:11:40,920 Speaker 1: I know Texas in the summer. It's not pretty, but 171 00:11:41,120 --> 00:11:45,280 Speaker 1: any skepticism Jackie might have felt had melted away. She 172 00:11:45,480 --> 00:11:48,959 Speaker 1: was now sold on the idea of the show. You know, 173 00:11:49,720 --> 00:11:52,839 Speaker 1: this could be the last thing that I do, and 174 00:11:53,000 --> 00:11:59,000 Speaker 1: it seems like it's important. It's educational for children, it'll 175 00:11:59,080 --> 00:12:01,959 Speaker 1: get them to read again. And it would just hit me, 176 00:12:02,360 --> 00:12:05,800 Speaker 1: It drew me, and it was like, this little dog 177 00:12:05,920 --> 00:12:09,480 Speaker 1: could really bring this a love. Of course, Soccer would 178 00:12:09,559 --> 00:12:12,040 Speaker 1: never go with anybody else. He'd always been with me, 179 00:12:12,320 --> 00:12:15,000 Speaker 1: So you had to be there. Well, I mean he was. 180 00:12:15,280 --> 00:12:18,599 Speaker 1: He was a great little dog, but he had a 181 00:12:18,880 --> 00:12:22,079 Speaker 1: soft side to him. And if I wasn't there, I 182 00:12:22,160 --> 00:12:24,959 Speaker 1: don't know that he would have danced the jig like 183 00:12:25,120 --> 00:12:28,199 Speaker 1: he did. And in fact, he did dance jigs, and 184 00:12:28,360 --> 00:12:32,439 Speaker 1: I mean he did of every behavior. Really, there was 185 00:12:32,559 --> 00:12:36,680 Speaker 1: times when we do production meetings and I think, really, folks, 186 00:12:36,880 --> 00:12:39,480 Speaker 1: in my head, he doesn't have thumbs. I don't know 187 00:12:39,559 --> 00:12:41,480 Speaker 1: how he's going to shoot a bow and arrow. It 188 00:12:41,679 --> 00:12:45,120 Speaker 1: was like, oh, my goodness, who wrote this? Well? I 189 00:12:45,360 --> 00:12:47,520 Speaker 1: was one of the people who wrote for Wishbone, and 190 00:12:47,640 --> 00:12:49,959 Speaker 1: writing for this dog would end up being one of 191 00:12:50,040 --> 00:12:55,760 Speaker 1: the most formative experiences of my life. Did you ever 192 00:12:55,880 --> 00:13:00,599 Speaker 1: think you'd end up writing for a dog? No? I didn't, No, 193 00:13:01,360 --> 00:13:05,480 Speaker 1: I did not. That's my friend Stephanie Simpson. She was 194 00:13:05,559 --> 00:13:11,040 Speaker 1: Wishbone supervising producer, story editor and head writer. However, in 195 00:13:11,160 --> 00:13:14,280 Speaker 1: the early days, when I was trying to figure out 196 00:13:14,480 --> 00:13:18,480 Speaker 1: how to do it, I remembered that I had always 197 00:13:18,600 --> 00:13:21,840 Speaker 1: made up dialogue and sort of monologues for a cat, 198 00:13:22,480 --> 00:13:25,079 Speaker 1: and so in thinking about Wishbone, I don't know, it 199 00:13:25,160 --> 00:13:28,040 Speaker 1: just seemed natural. Suddenly I have to say, to write 200 00:13:28,840 --> 00:13:34,079 Speaker 1: Wishbone someone's pet as having this very rich inner life 201 00:13:34,640 --> 00:13:38,360 Speaker 1: that you were not aware of. Over my career, I've 202 00:13:38,400 --> 00:13:41,200 Speaker 1: been fortunate to work for a few people who put 203 00:13:41,360 --> 00:13:45,800 Speaker 1: everything they humanly could into making something good, who wouldn't 204 00:13:45,880 --> 00:13:47,959 Speaker 1: let up until it was as right as it could be. 205 00:13:49,000 --> 00:13:52,640 Speaker 1: But Stephanie has been singular in my life. She taught 206 00:13:52,720 --> 00:13:56,080 Speaker 1: me more than anyone how to tell a story. If 207 00:13:56,160 --> 00:14:00,880 Speaker 1: Soccer had Jackie, I had Stephanie. Ephanie had majored in 208 00:14:00,960 --> 00:14:03,920 Speaker 1: Russian literature at Yale and earned a Masters in drama 209 00:14:04,000 --> 00:14:07,960 Speaker 1: at Harvard. She was perfectly trained for this bizarre task. 210 00:14:08,679 --> 00:14:11,679 Speaker 1: Of course, she couldn't do it alone, and that's when 211 00:14:11,800 --> 00:14:15,440 Speaker 1: I got the call on the sand. At the time, 212 00:14:15,520 --> 00:14:18,000 Speaker 1: I was in a production of South Pacific at New 213 00:14:18,080 --> 00:14:31,600 Speaker 1: Jersey's Paper Mill playhouse, and we got Stephanie brought me 214 00:14:31,680 --> 00:14:36,200 Speaker 1: down to Dallas to interview with Wishbone executive producer Rick Duffield, 215 00:14:36,480 --> 00:14:41,440 Speaker 1: who hired me as a staff writer. I began working 216 00:14:41,520 --> 00:14:45,560 Speaker 1: with Stephanie and what felt like a storytelling boot camp. Now, 217 00:14:45,680 --> 00:14:49,040 Speaker 1: as I explained earlier, each episode of the show connected 218 00:14:49,120 --> 00:14:52,320 Speaker 1: a modern day storyline in the fictional town of Oakdale 219 00:14:52,680 --> 00:14:56,000 Speaker 1: to a different work of classic literature. Here's Wishbone as 220 00:14:56,120 --> 00:15:00,760 Speaker 1: Romeo in Shakespeare's Romeo and Juliett. Who is her mother? 221 00:15:01,920 --> 00:15:05,280 Speaker 1: Her mother is the lady of the house, Oh, lady 222 00:15:05,320 --> 00:15:08,840 Speaker 1: of the Is she a capulet? Who is that gentleman? 223 00:15:09,520 --> 00:15:13,400 Speaker 1: His name is Romeo? Now in the contemporary plot line 224 00:15:13,440 --> 00:15:17,320 Speaker 1: for that episode, one of the neighborhood kids, Samantha, falls 225 00:15:17,360 --> 00:15:19,920 Speaker 1: in love with the beagle named Rosie at the local 226 00:15:20,040 --> 00:15:23,600 Speaker 1: pound and wants to adopt her. But you, dad, that 227 00:15:23,720 --> 00:15:26,760 Speaker 1: you have a go sa this dog, He couldn't say. Now, 228 00:15:27,440 --> 00:15:30,280 Speaker 1: the contemporary world was a way to show that there 229 00:15:30,320 --> 00:15:33,320 Speaker 1: were themes and ideas in these in these great books 230 00:15:33,760 --> 00:15:37,320 Speaker 1: that could be translated into a kid's life. So you 231 00:15:37,480 --> 00:15:39,560 Speaker 1: could fall in love with the dog at the pound, 232 00:15:40,480 --> 00:15:43,120 Speaker 1: and suddenly that could be the story of Romeo and 233 00:15:43,360 --> 00:15:46,160 Speaker 1: Romeo and Juliet. Now, there wasn't going to be a 234 00:15:46,280 --> 00:15:50,520 Speaker 1: suicide in the contemporary story as there is in Shakespeare's 235 00:15:50,600 --> 00:15:54,160 Speaker 1: Romeo and Juliet. But there could be heartbreak. There could 236 00:15:54,200 --> 00:15:57,520 Speaker 1: be a dog is adopted before you are able to 237 00:15:57,640 --> 00:16:01,640 Speaker 1: adopt it. Sam, I'm sorry. I know how much you 238 00:16:01,760 --> 00:16:04,520 Speaker 1: liked Rosie and so you have to deal with some 239 00:16:04,680 --> 00:16:08,000 Speaker 1: kind of loss. I'm glad she's okay. I mean, she 240 00:16:08,120 --> 00:16:11,880 Speaker 1: really needed a good home for me. The exciting thing 241 00:16:12,000 --> 00:16:15,800 Speaker 1: was trying to matt the thread of what I thought 242 00:16:15,840 --> 00:16:19,800 Speaker 1: would capture a kid's imagination and also their hearts. What 243 00:16:19,920 --> 00:16:23,320 Speaker 1: would they care the most about. And it never occurred 244 00:16:23,400 --> 00:16:28,840 Speaker 1: to you that an episode should with all due respect, 245 00:16:29,080 --> 00:16:32,600 Speaker 1: because I have nothing against cliffs notes, and they don't 246 00:16:32,600 --> 00:16:35,440 Speaker 1: pronounced cliffs notes. And for somebody who's trouble with says, 247 00:16:35,520 --> 00:16:39,600 Speaker 1: it's a lot of says. But anyway, But because it 248 00:16:39,680 --> 00:16:42,280 Speaker 1: could have been in other hands, it would have been, Okay, 249 00:16:42,280 --> 00:16:45,000 Speaker 1: we're going to do the totality of this book in 250 00:16:45,160 --> 00:16:49,520 Speaker 1: the half hour. No, that never Actually, I never felt 251 00:16:49,560 --> 00:16:51,880 Speaker 1: pressure to do that. What I felt pressure to do 252 00:16:52,200 --> 00:16:55,040 Speaker 1: was to get someone to fall in love with the 253 00:16:55,240 --> 00:16:57,760 Speaker 1: idea of the book, the idea of the book, the 254 00:16:57,880 --> 00:17:00,160 Speaker 1: idea of the book, not the plot, not the out 255 00:17:00,160 --> 00:17:02,240 Speaker 1: of it. But because there's only so many plots in 256 00:17:02,280 --> 00:17:04,560 Speaker 1: the world. Plot really, to me in a book is 257 00:17:04,640 --> 00:17:08,200 Speaker 1: not the point. The point is how the author has 258 00:17:08,320 --> 00:17:12,439 Speaker 1: taken a set of events and made them mean something 259 00:17:12,720 --> 00:17:16,359 Speaker 1: different than they've ever met before because of who exactly 260 00:17:16,520 --> 00:17:20,160 Speaker 1: is doing them and why they're doing them. If LeVar 261 00:17:20,240 --> 00:17:23,520 Speaker 1: Burton's show Reading Rainbow was teaching kids how to read, 262 00:17:23,960 --> 00:17:28,440 Speaker 1: Wishbone was showing kids why great books matter, and to 263 00:17:28,560 --> 00:17:31,440 Speaker 1: me it felt like the authors of these books never 264 00:17:31,720 --> 00:17:35,640 Speaker 1: wrote them, so that the books themselves would be um 265 00:17:35,840 --> 00:17:40,480 Speaker 1: kind of locked away from everyday people. I mean no 266 00:17:40,600 --> 00:17:44,360 Speaker 1: offense to uh literature majors, but I think it would 267 00:17:44,359 --> 00:17:47,720 Speaker 1: be very disappointing for Cervantes to find out that only 268 00:17:48,080 --> 00:17:53,120 Speaker 1: a small group of select students at a university we're 269 00:17:53,200 --> 00:17:56,160 Speaker 1: reading don Quixote. That would be super sad for him. 270 00:17:56,760 --> 00:18:01,040 Speaker 1: That's a work that's so sprawling, there are so many ideas, 271 00:18:01,119 --> 00:18:04,040 Speaker 1: they so long to read it. MO and I had, 272 00:18:04,160 --> 00:18:10,920 Speaker 1: you know, maybe three days. Cervantes's Don Quixote, considered the 273 00:18:11,040 --> 00:18:15,440 Speaker 1: first modern novel, is about an idealistic man chasing the 274 00:18:15,640 --> 00:18:19,640 Speaker 1: impossible dream of becoming a night. In the Wishbone version, 275 00:18:20,119 --> 00:18:24,680 Speaker 1: Joe chases a long shot of his own consecutive free 276 00:18:24,720 --> 00:18:27,760 Speaker 1: throws in five minutes. That's all I need to hold 277 00:18:27,800 --> 00:18:31,680 Speaker 1: the record for any kid on the sixteen. Then I'd 278 00:18:31,720 --> 00:18:35,840 Speaker 1: be in the Encyclopedia of World records. Do you really 279 00:18:35,880 --> 00:18:41,200 Speaker 1: think it's possible? Sure, Joe was trying to make a 280 00:18:41,359 --> 00:18:45,159 Speaker 1: certain number of baskets and he was having trouble. He 281 00:18:45,200 --> 00:18:48,760 Speaker 1: would get nervous and choke. He imagined that his life 282 00:18:49,440 --> 00:18:52,320 Speaker 1: would be amazing if he could just achieve this one 283 00:18:52,480 --> 00:18:55,680 Speaker 1: great thing, and in the end he doesn't achieve it. 284 00:18:56,440 --> 00:19:01,000 Speaker 1: You were great, but I didn't do the impossible. I'm 285 00:19:01,040 --> 00:19:05,960 Speaker 1: not going down in history or anything. I'm not extraordinary. 286 00:19:06,880 --> 00:19:09,560 Speaker 1: You don't have to perform impossible feats to be extraordinary. 287 00:19:10,960 --> 00:19:15,960 Speaker 1: Just live your life. Life is an ongoing adventure. But 288 00:19:16,119 --> 00:19:20,840 Speaker 1: it was the act of trying that matters. I've told 289 00:19:20,840 --> 00:19:23,440 Speaker 1: people that writing for the show was like an assignment 290 00:19:23,560 --> 00:19:26,600 Speaker 1: from an English professor on asset. It totally was. Yes, 291 00:19:27,080 --> 00:19:29,720 Speaker 1: you are so right, that's a perfect way to describe it. 292 00:19:29,840 --> 00:19:33,000 Speaker 1: And what's so funny mo is looking back on it, 293 00:19:33,080 --> 00:19:35,320 Speaker 1: I realized how crazy it was, but at the time 294 00:19:35,880 --> 00:19:38,040 Speaker 1: when we were doing it, I didn't think it was 295 00:19:38,119 --> 00:19:42,280 Speaker 1: that crazy, and it didn't seem nuts until later. To 296 00:19:42,400 --> 00:19:45,280 Speaker 1: pull this nutty premise off, we had to stick to 297 00:19:45,359 --> 00:19:49,640 Speaker 1: some hardened past rules. For example, yes, Wishbone talks, thanks 298 00:19:49,720 --> 00:19:53,119 Speaker 1: to Larry Brantley, but human characters and wishbones life in 299 00:19:53,160 --> 00:19:56,440 Speaker 1: Oakdale don't hear him. Only the lucky viewers here what 300 00:19:56,560 --> 00:19:59,879 Speaker 1: he's thinking. But when Wishbone is imagining himself as a 301 00:20:00,040 --> 00:20:03,360 Speaker 1: character in a book, he's acting opposite human actors who 302 00:20:03,520 --> 00:20:06,960 Speaker 1: can hear him. Mr Darcy should be a doling and 303 00:20:07,119 --> 00:20:10,399 Speaker 1: escort me to the punch bow. Yes, of course, excuse us, 304 00:20:10,440 --> 00:20:15,000 Speaker 1: Miss Begga the minute. Sorry. Part of what was so 305 00:20:15,640 --> 00:20:19,280 Speaker 1: what was so well immediately funny was that in the 306 00:20:19,359 --> 00:20:22,399 Speaker 1: fantasy sequences that Wishbone was treated as a human. I 307 00:20:22,400 --> 00:20:25,600 Speaker 1: imagine really that Wishbone was a kid, was a stand 308 00:20:25,680 --> 00:20:29,560 Speaker 1: in for a kid who when they act out stories 309 00:20:29,680 --> 00:20:32,159 Speaker 1: and they're the star of the movie or the comic 310 00:20:32,240 --> 00:20:36,320 Speaker 1: book in their imaginations, or when they're playing it out 311 00:20:36,359 --> 00:20:39,159 Speaker 1: with their friends, nobody stops and goes, well, you're a 312 00:20:39,320 --> 00:20:43,240 Speaker 1: kid doing this. You're a kid, not a king. It's 313 00:20:43,359 --> 00:20:46,320 Speaker 1: funnier that the dog just takes it for granted that 314 00:20:47,480 --> 00:20:51,200 Speaker 1: he's doing it and this is his imagination, and everyone 315 00:20:51,240 --> 00:20:53,720 Speaker 1: will treat him in his imagination the way he would 316 00:20:54,200 --> 00:20:57,200 Speaker 1: expect to be treated. People love the show so much. 317 00:20:58,160 --> 00:21:01,520 Speaker 1: It makes me so happy. And one of my goals 318 00:21:01,560 --> 00:21:03,000 Speaker 1: and one of the things I think I said to 319 00:21:03,119 --> 00:21:05,359 Speaker 1: you and to the whole crew and we were starting, 320 00:21:05,520 --> 00:21:10,560 Speaker 1: is we have an opportunity to be the first people 321 00:21:10,680 --> 00:21:15,360 Speaker 1: to introduce these stories and images into a child's imagination. 322 00:21:16,000 --> 00:21:19,200 Speaker 1: And I had to tell you also, Stephanie. You know, 323 00:21:20,480 --> 00:21:24,880 Speaker 1: for all these years since the project, anything I've tried 324 00:21:25,000 --> 00:21:28,240 Speaker 1: to do, I end up going back to wish Phone 325 00:21:28,840 --> 00:21:32,480 Speaker 1: and what I learned from you and working on that 326 00:21:32,720 --> 00:21:36,560 Speaker 1: and you know, grow well now. But Jackie, you know, 327 00:21:37,400 --> 00:21:40,840 Speaker 1: talking about training wish Phone, I thought, I know, this 328 00:21:40,920 --> 00:21:42,440 Speaker 1: is a weird way to put it, but it was 329 00:21:42,520 --> 00:21:46,800 Speaker 1: like Stephanie trained me really because I came into it, 330 00:21:47,480 --> 00:21:49,760 Speaker 1: and you know, it was I realized I didn't know 331 00:21:49,840 --> 00:21:52,119 Speaker 1: what I was doing at first. And I am so 332 00:21:52,280 --> 00:21:56,680 Speaker 1: grateful to you for I'm getting emotional phones so grateful. 333 00:21:58,000 --> 00:22:01,200 Speaker 1: Thank you. Mo Well. I'm so grateful to hear you 334 00:22:01,320 --> 00:22:05,480 Speaker 1: say that because I I was under a lot of pressure, 335 00:22:05,880 --> 00:22:10,800 Speaker 1: and it was difficult. Sometimes it's scared, right, And I 336 00:22:10,880 --> 00:22:13,240 Speaker 1: don't think I don't know that you were scared. I 337 00:22:13,480 --> 00:22:16,600 Speaker 1: was scared at first, and then you gave me, You 338 00:22:16,760 --> 00:22:20,120 Speaker 1: gave me the courage to do it. Yeah. I think 339 00:22:20,240 --> 00:22:24,240 Speaker 1: also that um for me, I loved each of these 340 00:22:24,359 --> 00:22:28,560 Speaker 1: books so much. This is going to sound um corny, 341 00:22:28,680 --> 00:22:31,240 Speaker 1: but for me, the joy of it, even though it 342 00:22:31,359 --> 00:22:34,520 Speaker 1: was also scary. The thing that over helped me overcome 343 00:22:34,560 --> 00:22:39,960 Speaker 1: any fear that I had was once I actually, no, 344 00:22:40,080 --> 00:22:47,119 Speaker 1: I'm going to get emotional. Once I actually read the 345 00:22:47,200 --> 00:22:51,480 Speaker 1: book and fall in love with it, it seemed like 346 00:22:53,000 --> 00:22:57,080 Speaker 1: not an easy thing, but an important thing to transmit 347 00:22:57,200 --> 00:23:01,520 Speaker 1: that to someone else, to share that with somebody else, 348 00:23:01,640 --> 00:23:04,639 Speaker 1: And that was what helped me overcome the fear of 349 00:23:04,800 --> 00:23:08,800 Speaker 1: doing it. Was actually the sheer love of the story 350 00:23:08,920 --> 00:23:11,920 Speaker 1: and the belief that other people needed to fall in 351 00:23:12,000 --> 00:23:15,760 Speaker 1: love with it too. There's that proverb it's always darkest 352 00:23:16,000 --> 00:23:19,960 Speaker 1: before the dawn. That's certainly my experience with writing the 353 00:23:20,080 --> 00:23:24,760 Speaker 1: darkness part. Stephanie taught me by example how important it 354 00:23:24,880 --> 00:23:27,960 Speaker 1: is not to give up and how satisfying it is 355 00:23:28,080 --> 00:23:31,000 Speaker 1: to come out the other side. Wish one is where 356 00:23:31,000 --> 00:23:36,760 Speaker 1: I learned not to despair in creating something because it's like, 357 00:23:37,080 --> 00:23:39,520 Speaker 1: oh my god, it's it's really looking dire right now, 358 00:23:39,560 --> 00:23:41,800 Speaker 1: it's really looking dire. But this is the project where 359 00:23:41,800 --> 00:23:43,960 Speaker 1: I learned that it's at that point that you just 360 00:23:44,280 --> 00:23:47,240 Speaker 1: keep pushing through and you're going to get there. That's 361 00:23:47,280 --> 00:23:51,800 Speaker 1: where the leap will happen. I still remember how I 362 00:23:51,880 --> 00:23:55,800 Speaker 1: felt finishing the first episode I wrote for Wishbone, based 363 00:23:55,880 --> 00:24:01,280 Speaker 1: on H. G. Wells is the time Machine system destination 364 00:24:04,680 --> 00:24:07,640 Speaker 1: in case of emergency, keep your hands at arms inside 365 00:24:07,680 --> 00:24:13,439 Speaker 1: the vehicle. And I remember finishing and I stayed up 366 00:24:13,520 --> 00:24:19,520 Speaker 1: all night on New Year's Eve nineteen four and it 367 00:24:19,720 --> 00:24:24,800 Speaker 1: was my best New Year's Eve ever finishing that script, 368 00:24:24,880 --> 00:24:28,199 Speaker 1: and it kind of locking into place quite literally at 369 00:24:28,359 --> 00:24:32,440 Speaker 1: dawn on New Year's Day, and that felt so and 370 00:24:32,520 --> 00:24:37,800 Speaker 1: so I like my New Year's Eves to be promising 371 00:24:37,880 --> 00:24:41,840 Speaker 1: and not frivolous to the epic creation moments of creations. 372 00:24:42,160 --> 00:24:44,359 Speaker 1: I love it. I also think it's so fitting that 373 00:24:44,440 --> 00:24:47,160 Speaker 1: you were running the time machine as the year turned over. 374 00:24:47,880 --> 00:24:51,600 Speaker 1: That is kind of perfect. How will you remember Soccer? 375 00:24:55,680 --> 00:25:01,320 Speaker 1: I will always remember Soccer as the dog who made 376 00:25:02,080 --> 00:25:05,680 Speaker 1: what I imagined in my head even better then I 377 00:25:05,800 --> 00:25:10,280 Speaker 1: had imagined it, I really will. I thought, how will 378 00:25:10,359 --> 00:25:13,639 Speaker 1: this ever actually happened? How will we ever actually do this? 379 00:25:14,440 --> 00:25:19,520 Speaker 1: And then once I saw Soccer on screen, I felt 380 00:25:19,600 --> 00:25:24,000 Speaker 1: this relief that this was going to work and it 381 00:25:24,160 --> 00:25:26,240 Speaker 1: was going to be even better than I thought it 382 00:25:26,320 --> 00:25:29,280 Speaker 1: could be. And that's how I will remember Soccer. I 383 00:25:29,320 --> 00:25:31,840 Speaker 1: am be grateful to Soccer always for that would be 384 00:25:31,920 --> 00:25:35,119 Speaker 1: grateful to him. I am grateful to him and his 385 00:25:35,200 --> 00:25:40,800 Speaker 1: beautiful brown eyes. Wishbone wasn't just the best red dog 386 00:25:40,920 --> 00:25:44,439 Speaker 1: on TV. He was also the best dressed. I mean 387 00:25:44,560 --> 00:25:48,800 Speaker 1: this dog was a total clothes horse. Just his hats alone. 388 00:25:49,440 --> 00:25:51,760 Speaker 1: There was the top hat for when he played Dr 389 00:25:51,880 --> 00:25:56,000 Speaker 1: Jekyll and Mr Hyde, the adorable straw hat he wore 390 00:25:56,040 --> 00:25:59,240 Speaker 1: as Tom Sawyer, the bi Coocke. That's the name of 391 00:25:59,280 --> 00:26:02,720 Speaker 1: that cute little had he sported his robin hood. Wishbone 392 00:26:02,800 --> 00:26:08,000 Speaker 1: super fans like Claire Connolly vividly recall his costumes. There 393 00:26:08,160 --> 00:26:11,440 Speaker 1: was an episode where it was the Tempest and he 394 00:26:11,640 --> 00:26:14,800 Speaker 1: was aerial and had this sort of like flowy costume 395 00:26:15,000 --> 00:26:17,879 Speaker 1: that was really cute that I liked a lot. Trust me, 396 00:26:18,000 --> 00:26:20,720 Speaker 1: you'll want to look up Wishbones Tempest to wardrobe. We're 397 00:26:20,760 --> 00:26:25,680 Speaker 1: talking Liberaci level over the top costume designers. Stephen chowed 398 00:26:25,760 --> 00:26:28,920 Speaker 1: Edge and his team dressed an entire cast in a 399 00:26:29,080 --> 00:26:33,680 Speaker 1: different period specific wardrobe each episode, head to toe or 400 00:26:34,080 --> 00:26:36,879 Speaker 1: head to tail in the case of our star choot 401 00:26:36,960 --> 00:26:42,080 Speaker 1: Edge talked to Entertainment tonight in the challenge is sizing 402 00:26:42,160 --> 00:26:47,280 Speaker 1: down human clothes and making them actually fit a dog. 403 00:26:47,440 --> 00:26:51,200 Speaker 1: Dogs have a different anatomy than than humans, as is 404 00:26:51,320 --> 00:26:56,080 Speaker 1: obvious and U of course too. We have to we 405 00:26:56,160 --> 00:26:59,200 Speaker 1: have to make things that he will wear well. For Ivanhoe, 406 00:26:59,280 --> 00:27:03,480 Speaker 1: he was wearing chain mail. Dogs don't wear chain mail ordinarily. Well, 407 00:27:03,560 --> 00:27:08,080 Speaker 1: they don't wear pants either. That's Soccer's trainer, Jackie Captain again. 408 00:27:08,920 --> 00:27:13,280 Speaker 1: Mark Twain remembered he had pants and we'd all laugh. 409 00:27:13,480 --> 00:27:16,960 Speaker 1: You know, I'd never had him back flip with pants. Yeah, 410 00:27:17,359 --> 00:27:20,399 Speaker 1: he kind of looked at me like, really, yeah, you 411 00:27:20,520 --> 00:27:23,720 Speaker 1: can do it. It's okay. Um. So that took a 412 00:27:23,880 --> 00:27:26,280 Speaker 1: few days for him to get used to the pants. 413 00:27:26,640 --> 00:27:28,760 Speaker 1: Of course, it wasn't just that backflip you saw on 414 00:27:28,800 --> 00:27:31,879 Speaker 1: the opening credits. Soccer had to learn all sorts of 415 00:27:31,960 --> 00:27:36,119 Speaker 1: new tricks and performed them in costume. Jackie trained him 416 00:27:36,200 --> 00:27:38,520 Speaker 1: to belly crawl through the fog of war. In the 417 00:27:38,600 --> 00:27:41,760 Speaker 1: Red Badge of Courage episode, she trained him to pull 418 00:27:41,840 --> 00:27:44,879 Speaker 1: the lever on the time machine. I think when we 419 00:27:45,000 --> 00:27:49,760 Speaker 1: went there, we had like fifteen behaviors, different tricks, and 420 00:27:49,880 --> 00:27:53,480 Speaker 1: by the time we finished Wishbone, he had like forty tricks. 421 00:27:54,280 --> 00:27:57,160 Speaker 1: I was like, how many tricks can one little dog 422 00:27:57,920 --> 00:28:02,200 Speaker 1: store in his little break? But he was so devoted. 423 00:28:02,920 --> 00:28:06,879 Speaker 1: Weren't he learned it? He would walk on water for me. Well, 424 00:28:06,960 --> 00:28:09,359 Speaker 1: you say he'd walk on water for you. But to 425 00:28:09,520 --> 00:28:12,040 Speaker 1: be fair, he didn't really like water, did he. No, 426 00:28:12,320 --> 00:28:16,160 Speaker 1: he didn't. Okay, it's a I don't like the water. 427 00:28:18,800 --> 00:28:21,840 Speaker 1: Most of the water work, including an epic scene from 428 00:28:21,880 --> 00:28:25,320 Speaker 1: the Odyssey episode, was handled by a stunt dog named 429 00:28:25,520 --> 00:28:35,440 Speaker 1: Phoebe Daily. Yes, there were other dogs. Phoebe was amazing 430 00:28:35,520 --> 00:28:42,400 Speaker 1: and Phoebe was fearless righton Linda Hamilton. Phoebe could leap 431 00:28:42,480 --> 00:28:46,960 Speaker 1: off of things, she could swim, lap, she I think 432 00:28:47,040 --> 00:28:49,960 Speaker 1: sat on a horse. At one point. There was another 433 00:28:50,200 --> 00:28:55,360 Speaker 1: stunt double. And I say this affectionately, but this dog 434 00:28:55,600 --> 00:28:57,880 Speaker 1: had a face for radio. I mean this was a 435 00:28:58,000 --> 00:29:00,960 Speaker 1: dog that I remember looking a little to me Durante like, 436 00:29:01,240 --> 00:29:03,680 Speaker 1: is that a fair way of characterizing Slugger or am 437 00:29:03,720 --> 00:29:07,800 Speaker 1: I being unfair? Oh Slugger, he was so cute. He's 438 00:29:07,840 --> 00:29:11,440 Speaker 1: such a sweet dog. I forgot about Slugger. Sorry Slugger, 439 00:29:12,440 --> 00:29:16,720 Speaker 1: but rest assured. Soccer wasn't almost every scene. But what's 440 00:29:16,760 --> 00:29:19,280 Speaker 1: interesting about the other dogs is that none of them 441 00:29:19,360 --> 00:29:22,720 Speaker 1: were close up dogs. It was still Soccer who was 442 00:29:22,960 --> 00:29:28,760 Speaker 1: the the star. The wishbones, those marking, those eyes, and 443 00:29:28,880 --> 00:29:32,240 Speaker 1: one other thing I can say about Soccer's acting was 444 00:29:32,400 --> 00:29:37,680 Speaker 1: his ability to look focused. Soccers look at the other 445 00:29:37,760 --> 00:29:41,600 Speaker 1: actor appeared as if he really was taking in what 446 00:29:41,800 --> 00:29:45,200 Speaker 1: they were saying. I remember on set after the director 447 00:29:45,320 --> 00:29:48,640 Speaker 1: called action, often the only other voice you'd hear was 448 00:29:48,800 --> 00:29:53,040 Speaker 1: Jackie's speaking directly to her dog. When I was just 449 00:29:53,240 --> 00:29:55,760 Speaker 1: working him on the set, my voice would be just 450 00:29:55,960 --> 00:29:59,200 Speaker 1: kind of normal. I rehearse him to something god mark, 451 00:29:59,600 --> 00:30:03,360 Speaker 1: stay good um. But then when we were done and 452 00:30:03,560 --> 00:30:06,120 Speaker 1: he did exactly what I wanted, I wanted him to 453 00:30:06,240 --> 00:30:08,920 Speaker 1: know that that was correct, and I'd go good for 454 00:30:09,080 --> 00:30:12,840 Speaker 1: you good, and you could see that he'd be like, yes, 455 00:30:13,000 --> 00:30:16,240 Speaker 1: I did um, and that means a lot to them. 456 00:30:16,880 --> 00:30:19,880 Speaker 1: Or when we were doing backflip, that's a really hard 457 00:30:20,000 --> 00:30:24,440 Speaker 1: behavior and I'd always go Ready, Ready, and that kind 458 00:30:24,480 --> 00:30:27,640 Speaker 1: of geared him up to what we were doing. Ready Flip. 459 00:30:28,480 --> 00:30:33,360 Speaker 1: The show debuted on October nine and soon developed a 460 00:30:33,680 --> 00:30:37,880 Speaker 1: with all due respect to ko Joe rapid following. As 461 00:30:37,920 --> 00:30:40,720 Speaker 1: you know, Wishbone is the star of the mega popular, 462 00:30:40,840 --> 00:30:44,160 Speaker 1: award winning children's show on PBS Design to introduce kids 463 00:30:44,240 --> 00:30:48,800 Speaker 1: to literature. I gave you once again the Wishbone super fans. 464 00:30:49,280 --> 00:30:51,760 Speaker 1: What more could you ask for? It's the perfect kids show. 465 00:30:52,120 --> 00:30:55,840 Speaker 1: You got a cute dog, you got education. I remember 466 00:30:55,880 --> 00:30:59,200 Speaker 1: my first exposure to like William Shakespeare was from this 467 00:30:59,320 --> 00:31:02,520 Speaker 1: freaking dog. We were just very wish one obsessed in 468 00:31:02,600 --> 00:31:06,880 Speaker 1: my house growing up outside Albany, New York. Aaron McDonough 469 00:31:07,040 --> 00:31:09,920 Speaker 1: was a loyal viewer. I remember going to the library 470 00:31:09,960 --> 00:31:12,200 Speaker 1: with my mom and being his big stack of books 471 00:31:12,880 --> 00:31:14,680 Speaker 1: and Faust was in there, which was one of my 472 00:31:14,760 --> 00:31:17,880 Speaker 1: favorite episodes. And you know that one he sells his 473 00:31:18,160 --> 00:31:20,800 Speaker 1: soul to the devil for a woman in the librarian 474 00:31:20,840 --> 00:31:23,120 Speaker 1: looked me like dead in the faces. This is not 475 00:31:23,240 --> 00:31:26,080 Speaker 1: appropriate for children. You cannot take up this book, and 476 00:31:26,160 --> 00:31:29,360 Speaker 1: I was like it was on Wishbone. Wishbone won several 477 00:31:29,480 --> 00:31:33,600 Speaker 1: Daytime Emmys, including for those dazzling costumes. The show also 478 00:31:33,680 --> 00:31:39,720 Speaker 1: won a Peabody Award for Broadcast Storytelling Excellence. Wishbone, presented 479 00:31:39,800 --> 00:31:43,400 Speaker 1: here by Dan Rather, a diminutive canine with a taste 480 00:31:43,440 --> 00:31:46,920 Speaker 1: for classic literature. Here is the star of this next 481 00:31:47,160 --> 00:31:52,920 Speaker 1: magative series. Soccer was now a bona fide star. Oh yeah, 482 00:31:52,960 --> 00:31:54,960 Speaker 1: you couldn't take him anywhere. You couldn't take him to 483 00:31:54,960 --> 00:31:58,840 Speaker 1: a public park. No way, I'd be traveling to an airport. 484 00:31:59,400 --> 00:32:01,520 Speaker 1: I mean I had to cover his crate up with 485 00:32:01,680 --> 00:32:05,240 Speaker 1: a towel so people didn't see his face because we 486 00:32:05,280 --> 00:32:08,840 Speaker 1: wouldn't go through the airport. You're kidding. And I have 487 00:32:09,080 --> 00:32:12,680 Speaker 1: pictures of people waiting in line two blocks long just 488 00:32:12,880 --> 00:32:18,040 Speaker 1: to see this dog. Gee. I mean, it was just incredible. 489 00:32:19,120 --> 00:32:23,040 Speaker 1: I'm just to see him. Larry Brantley, the voice of Wishbone, 490 00:32:23,240 --> 00:32:27,160 Speaker 1: remembers one incident at the height of soccer celebrity. During 491 00:32:27,160 --> 00:32:30,520 Speaker 1: a promotional trip to d C. Soccer stayed in one 492 00:32:30,640 --> 00:32:33,360 Speaker 1: night while Larry and the other humans went out for dinner. 493 00:32:33,840 --> 00:32:37,040 Speaker 1: When they came back, they found their hotels sweep in disarray. 494 00:32:37,760 --> 00:32:41,240 Speaker 1: He trashed it. He went after the comforter on the bed, 495 00:32:41,440 --> 00:32:45,320 Speaker 1: tore that both the pillow cases and pillows gone. He 496 00:32:45,480 --> 00:32:48,240 Speaker 1: crawled under the bed. You know that black matting that 497 00:32:48,400 --> 00:32:52,080 Speaker 1: holds the box bringing all that's out just cluttered around 498 00:32:52,120 --> 00:32:55,840 Speaker 1: the room like confetti. She was so upset, and I'm like, Jackie, 499 00:32:55,920 --> 00:32:58,880 Speaker 1: this was his rock star moment. So what happened after 500 00:32:59,000 --> 00:33:02,120 Speaker 1: Wishbone ended? What did? What did Soccer do? He just 501 00:33:02,320 --> 00:33:05,200 Speaker 1: ran the ranch and hung out with me, and you know, 502 00:33:05,960 --> 00:33:08,560 Speaker 1: I just really felt like he gave me his heart. 503 00:33:09,160 --> 00:33:11,840 Speaker 1: And I also didn't want him on film because he 504 00:33:11,960 --> 00:33:15,400 Speaker 1: was so recognizable as Wishbone and everybody's going to see 505 00:33:15,480 --> 00:33:18,160 Speaker 1: him and go, that's Wishbone. What's he doing that for? 506 00:33:18,920 --> 00:33:23,440 Speaker 1: And I think he really deserved his time to retire 507 00:33:23,640 --> 00:33:27,120 Speaker 1: because he did his job. He never let me down, 508 00:33:27,240 --> 00:33:30,800 Speaker 1: he never quit me. Um, And to me, that's the ultimate. 509 00:33:31,600 --> 00:33:36,840 Speaker 1: Soccer died on June two thousand one. He was thirteen. 510 00:33:37,520 --> 00:33:39,480 Speaker 1: I don't think you ever get used to it. I've 511 00:33:39,520 --> 00:33:43,160 Speaker 1: had dogs my whole life, and you never get used 512 00:33:43,240 --> 00:33:47,000 Speaker 1: to losing one of them. Um. People think, oh, she 513 00:33:47,600 --> 00:33:50,200 Speaker 1: has a lot of dogs, that it's not hard for her. No, 514 00:33:50,800 --> 00:33:53,960 Speaker 1: it's really hard. Um. I missed him a lot. I 515 00:33:54,040 --> 00:33:57,360 Speaker 1: still missed him. What kind of a reaction did his death. 516 00:33:57,440 --> 00:34:01,800 Speaker 1: Get I didn't really um tell anybody for a year 517 00:34:01,960 --> 00:34:05,840 Speaker 1: or so. Um, I just you know, it's such a 518 00:34:05,920 --> 00:34:10,320 Speaker 1: personal thing. He was a public dog on video, he 519 00:34:10,440 --> 00:34:13,880 Speaker 1: was still my private dog. He was my dog, and 520 00:34:14,040 --> 00:34:16,680 Speaker 1: that's between me and him, and I didn't want people 521 00:34:16,719 --> 00:34:18,480 Speaker 1: to see them when he got really old and he 522 00:34:18,560 --> 00:34:21,839 Speaker 1: couldn't hardly see. You know, everybody's going to get old. 523 00:34:22,320 --> 00:34:24,719 Speaker 1: I wanted him to have dignity because he was such 524 00:34:24,760 --> 00:34:28,759 Speaker 1: a pretty outgoing, happy, go lucky kind of guy. Yeah, 525 00:34:28,800 --> 00:34:35,200 Speaker 1: I was sorry to see him go. Well. I apologize 526 00:34:35,239 --> 00:34:37,160 Speaker 1: for being so hard to get a hold of it. 527 00:34:37,280 --> 00:34:41,640 Speaker 1: You know, when you retire, you become very irresponsible. Good 528 00:34:41,760 --> 00:34:46,600 Speaker 1: for you. When I think of Soccer now, I think 529 00:34:46,640 --> 00:34:49,279 Speaker 1: of the former kids who still get excited when I 530 00:34:49,360 --> 00:34:51,440 Speaker 1: tell them I wrote for the show. I think of 531 00:34:51,520 --> 00:34:55,080 Speaker 1: the blazing heat of the Texas summer when we shot outside, 532 00:34:55,560 --> 00:34:57,880 Speaker 1: and how jealous I was that Soccer had an air 533 00:34:58,000 --> 00:35:01,080 Speaker 1: conditioned to he could rest in, which Ween takes. I 534 00:35:01,320 --> 00:35:03,360 Speaker 1: kind of wanted to crawl in there with him. I 535 00:35:03,480 --> 00:35:06,520 Speaker 1: think of how fortunate I was that my very first 536 00:35:06,600 --> 00:35:09,719 Speaker 1: job in television was on a show where so much 537 00:35:09,840 --> 00:35:12,480 Speaker 1: love went into the final product. And I think of 538 00:35:12,560 --> 00:35:17,200 Speaker 1: Soccer's gorgeous face. Those eyes really did tell stories. Damn 539 00:35:17,480 --> 00:35:21,319 Speaker 1: he really was a good looking dog. It's this really 540 00:35:21,520 --> 00:35:24,760 Speaker 1: cute show that I feel like too few people know about. 541 00:35:24,880 --> 00:35:27,320 Speaker 1: At this point. The reason I have all these books 542 00:35:27,320 --> 00:35:30,880 Speaker 1: isn't my fault. It's this guy's fault. Why the books? 543 00:35:31,080 --> 00:35:34,640 Speaker 1: What happened? What's the story wish Bone? When it comes 544 00:35:34,719 --> 00:35:37,520 Speaker 1: up that one of your adult friends also watched wish Bone? Like, 545 00:35:37,880 --> 00:35:39,880 Speaker 1: that's a conversation that can last another hour, you know, 546 00:35:42,080 --> 00:35:45,439 Speaker 1: I certainly hope you enjoyed this Mobituary. May I ask 547 00:35:45,480 --> 00:35:48,200 Speaker 1: you to please rate and review our podcast. You can 548 00:35:48,200 --> 00:35:51,880 Speaker 1: also follow Mobituaries on Facebook and Instagram, and you can 549 00:35:51,920 --> 00:35:55,680 Speaker 1: follow me on Twitter at Morocca. Here all new episodes 550 00:35:55,719 --> 00:35:59,600 Speaker 1: of Mobituaries every Wednesday. Wherever you get your podcasts and 551 00:36:00,000 --> 00:36:03,440 Speaker 1: suck out Mobituaries. Great Lives Worth Reliving The New York 552 00:36:03,520 --> 00:36:07,680 Speaker 1: Times best selling book now available in paperback and audio book. 553 00:36:07,880 --> 00:36:11,400 Speaker 1: It includes plenty of stories not in the podcast. This 554 00:36:11,560 --> 00:36:15,480 Speaker 1: episode of Mobituaries was produced by Aaron Shrank. Our team 555 00:36:15,520 --> 00:36:19,920 Speaker 1: of producers also includes Wilco, Martinez Cacceto, and me Morocca. 556 00:36:20,280 --> 00:36:23,960 Speaker 1: He was edited by Moral Walls and engineered by Josh Hahn, 557 00:36:24,360 --> 00:36:27,800 Speaker 1: with fact checking by Naomi Barr. Our production company is 558 00:36:27,920 --> 00:36:32,680 Speaker 1: Neon hom Media. Our archival producer at CBS is Jamie Benson. 559 00:36:33,000 --> 00:36:37,040 Speaker 1: Our theme music is written by Daniel Hart. Indispensable support 560 00:36:37,120 --> 00:36:41,200 Speaker 1: from Craig Swaggler, Dustin Gervei, Alan Pang, Reggie Basil and 561 00:36:41,400 --> 00:36:45,320 Speaker 1: everyone at CBS News Radio Special thanks to Gideon Evans, 562 00:36:45,560 --> 00:36:49,279 Speaker 1: Kate mccauliffe, and Alberto Ravina. Our senior producer is the 563 00:36:49,360 --> 00:36:54,720 Speaker 1: Irrepressible Aaron Shrank. Executive producers for Mobituaries include Steve Raises 564 00:36:54,800 --> 00:36:58,600 Speaker 1: and Morocca. The series is created by Yours Truly and 565 00:36:58,840 --> 00:37:02,560 Speaker 1: as always on dying gratitude to Rand Morrison and John 566 00:37:02,640 --> 00:37:06,640 Speaker 1: Carp for helping breathe life into Mobituaries