WEBVTT - Majic Kingdom

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<v Speaker 1>I read somewhere that I think it was Sammy Davis

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<v Speaker 1>Junior who had a UFO experience. He did Bill were

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<v Speaker 1>talking with Bill about that?

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<v Speaker 2>Or yeah he did, because we were talking about the

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<v Speaker 2>twenty seventh Day and he goes, yeah, well, you know,

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<v Speaker 2>Sammy saw one, and I was like, what tell me

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<v Speaker 2>about it? And that image of Sammy Davis Junior seeing

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<v Speaker 2>a UFO is really quite amusing. He told Bill about it,

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<v Speaker 2>but he told many other people. He said he had

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<v Speaker 2>seen a group of small silver discs, and this was

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<v Speaker 2>the early fifties, not a single light, but multiple lights,

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<v Speaker 2>multiple objects, and he described them as hovering and darting

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<v Speaker 2>and doing things that aircraft don't do. And then this

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<v Speaker 2>is the word that Bill used, and then poof, they

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<v Speaker 2>were gone. But that sounds pretty familiar to a lot

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<v Speaker 2>of the testimony we get these days. I'm Brice Sable.

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<v Speaker 2>Have you ever wondered if there's a secret connection between

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<v Speaker 2>Hollywood and UFOs?

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<v Speaker 1>And I'm Brent Friedman. You are listening to sound, light

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<v Speaker 1>and frequency.

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<v Speaker 2>In this episode, we'll be taking a visit to the

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<v Speaker 2>Magic Kingdom and finding flying saucers.

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<v Speaker 1>And we're going to tell you a story about the

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<v Speaker 1>American TV network that cut the mic on a live

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<v Speaker 1>broadcast about UFO investigations.

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<v Speaker 2>So anyway, last week, I'm taking a peloton class with

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<v Speaker 2>Cody Rigsby, and now the guy is usually entertaining enough

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<v Speaker 2>to get me through forty five minutes on a stationary bike,

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<v Speaker 2>but I kind of realize I'm not listening to a

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<v Speaker 2>word the man is saying because my mind's already locked

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<v Speaker 2>in on this episode we're doing. But I couldn't get

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<v Speaker 2>out of my head was this Disney and UFOs last

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<v Speaker 2>episode we got up to nineteen fifty three when the

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<v Speaker 2>CIA's Robertson panel actually recommended the UFO subject be made less,

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<v Speaker 2>i don't know, respectable, and they even floated the idea

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<v Speaker 2>of recruiting mass media, specifically including Disney, to help do it.

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<v Speaker 2>And that was seventy three years ago. But here's the

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<v Speaker 2>thing that hit me while I was peddling away. Disney

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<v Speaker 2>isn't just a historical footnote. Disney is the current epicenter

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<v Speaker 2>of this because today Disney doesn't merely touch alien life,

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<v Speaker 2>they industrialize it. Besides Disney branded content, they also own Marvel,

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<v Speaker 2>where the cosmos is packed with non human intelligences. They

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<v Speaker 2>own Star Wars with a canteena full of aliens in

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<v Speaker 2>every era, and with the Fox Library folded in, They've

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<v Speaker 2>got Avatar, they've got Alien Planet of the Apes and

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<v Speaker 2>X Files. That's a lot of franchises in the broader orbits.

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<v Speaker 2>So Brent, maybe it was just a case of surging

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<v Speaker 2>and dorphins. I don't know, but I've never really looked

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<v Speaker 2>at it this way. But if you go to your

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<v Speaker 2>Disney Plus app, you're going to find a lot of

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<v Speaker 2>options that deal with non human intelligence. What do you

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<v Speaker 2>think we should make of that?

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<v Speaker 1>Well, I think there's a lot of circumstantial evidence that

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<v Speaker 1>says that's not a coincidence, and there's even more actual,

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<v Speaker 1>hard evidence that says there was conversations and possibly some

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<v Speaker 1>type of deal made between the Robertson panel and Disney

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<v Speaker 1>way back when. And you could say, well, that was then,

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<v Speaker 1>this is now. The obviously Walt Disney is no longer around,

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<v Speaker 1>so whatever deal was made back in the fifties, but institutionally,

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<v Speaker 1>I think there's a reason to believe that maybe whatever

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<v Speaker 1>was agreed upon is still in force. It's fascinating because

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<v Speaker 1>as we've done the research for this episode, you keep

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<v Speaker 1>turning up things post Robertson panel, and just to rewind

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<v Speaker 1>to the Robertson panel, and remember the CIA sponsored it.

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<v Speaker 1>It's nineteen fifty three, and they start talking in their

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<v Speaker 1>four day I guess get together about an educational program

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<v Speaker 1>which is going to have two aims training and they

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<v Speaker 1>act actually use the word debunking. I think it's the

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<v Speaker 1>first time debunking has really shown up. And they say

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<v Speaker 1>we should use television and motion pictures and they list

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<v Speaker 1>potential partners and it specifically lists Disney Walt Disney Inc.

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<v Speaker 1>Animated Cartoons, O thing. It mentions his Jam Handy Company,

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<v Speaker 1>and I didn't even know what that was, but they

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<v Speaker 1>were famous for World War II training films. So the

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<v Speaker 1>Robertson panel, you know, it was kind of looking back

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<v Speaker 1>on World War Two, but also looking ahead to Disney.

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<v Speaker 1>Remember Disneyland doesn't open for two more years, so Disney

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<v Speaker 1>at this point is just a content provider. So what

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<v Speaker 1>happened is in the aftermath of the panel, there's a

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<v Speaker 1>guy at Disney top animator Ward Kimball, and he starts

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<v Speaker 1>talking or other. They try to put together a documentary

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<v Speaker 1>that'll be mentioning the whole UFO area. And we don't

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<v Speaker 1>hear about this till nineteen seventy nine. Stanton Friedman actually

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<v Speaker 1>heard and testified that Ward Kimbolt started talking about this

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<v Speaker 1>and at the time he was saying that Disney was

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<v Speaker 1>going to get real UFO footage from the government. And

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<v Speaker 1>what happened to that? Can you even imagine? I can't.

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<v Speaker 2>And they didn't get it. That's all you need to imagine.

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<v Speaker 1>No footage, Yeah, because I feel like if they had

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<v Speaker 1>gotten footage, we might be in a completely different place

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<v Speaker 1>at this point in time. But I think step back

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<v Speaker 1>for a second and consider what was the motivation of

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<v Speaker 1>the Robertson panel to talk to Disney if it was

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<v Speaker 1>not to either a start a disclosure program, right to

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<v Speaker 1>soften up the general public, or some type of disinformation meaning, Hey,

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<v Speaker 1>wait a minute, this whole UFO flying saucer story is

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<v Speaker 1>getting out of our control. Let's take back control by

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<v Speaker 1>changing the narrative. And let's do that with agreements from

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<v Speaker 1>the people who are making stories that are shaping people's minds.

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<v Speaker 2>Well, just for clarity on that whole thing, Kimball, Ward

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<v Speaker 2>Kimball said he was approached by people who were tied

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<v Speaker 2>into Douglas aircraft kind of interesting and you'll love this

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<v Speaker 2>one the Office of Naval Research. So there's then they

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<v Speaker 2>made again reaching out to say, hey, we need to

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<v Speaker 2>control this narrative, and they were going to have him

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<v Speaker 2>do a UFO picture. Now, admittedly that one didn't come

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<v Speaker 2>together in the way that they wanted to do it.

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<v Speaker 2>They wanted to end with actual footage. They didn't get it,

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<v Speaker 2>but they did have a Disney Tomorrowland series on I

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<v Speaker 2>think one of the mini documentaries they did that had

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<v Speaker 2>this great animation that Kimball had done. Also ended with

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<v Speaker 2>a bunch of flying saucers at the end, so they

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<v Speaker 2>were in the mode. But they were dismissive of that.

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<v Speaker 2>But I got to tell you it may be harder

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<v Speaker 2>for us to get into what they did or did

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<v Speaker 2>not do in the fifties. But man, in the nineties,

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<v Speaker 2>there are two whopper events that kind of blow your mind. Right.

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<v Speaker 1>So we've got the Disney UFO conference in nineteen ninety five,

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<v Speaker 1>and then we've got the Alien Encounters experience in the

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<v Speaker 1>New Tomorrowland, also from nineteen ninety five. And interestingly, as

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<v Speaker 1>we said, by this point, Walt Disney rest his soul

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<v Speaker 1>had passed away and there was a completely new chairman

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<v Speaker 1>of Disney, Michael Eisner, who will come back to in

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<v Speaker 1>a moment in terms of how he may play a

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<v Speaker 1>part in all of this arrangement.

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<v Speaker 2>We'll do the conference. Last, Let's do what was called

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<v Speaker 2>Alien Encounters from New Tomorrowland. This is nineteen ninety five, folks,

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<v Speaker 2>and this was a documentary that was commissioned by Disney

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<v Speaker 2>on the idea that they were opening up a new

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<v Speaker 2>ride in Orlando. And it was called The Extra terror

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<v Speaker 2>Restrial Alien Encounter Terror spelled ter in all caps, okay,

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<v Speaker 2>And it's a forty minute runtime and as I understand it,

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<v Speaker 2>just so you know, this wasn't documentary that was going

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<v Speaker 2>to be put out over the airwaves or anything. It

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<v Speaker 2>was for the ride. And yet I got to tell

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<v Speaker 2>you I got a couple of quotes from Brent. This

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<v Speaker 2>is mind blowing because, Okay, Robert Urich, who maybe not

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<v Speaker 2>everybody knows today, but he was a big deal back then,

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<v Speaker 2>and he is the host of it, and he says

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<v Speaker 2>in this documentary that would again meet all the people

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<v Speaker 2>as they got in line to go see this new ride,

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<v Speaker 2>and beyond it, Robert Eurex says, I guess this is

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<v Speaker 2>what they would play, why they were holding.

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<v Speaker 1>People before they went on exactly at it.

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<v Speaker 2>So here's what Urik says. He says quote. For nearly

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<v Speaker 2>fifty years, officials have been documenting routine alien encounters here

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<v Speaker 2>on Earth. More than one alien craft crashed and was

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<v Speaker 2>recovered for secret US military research. The most famous case

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<v Speaker 2>took place in July of nineteen forty seven, just outside

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<v Speaker 2>the community of Roswell, New Mexico. Indications are the government,

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<v Speaker 2>military and scientific leaders will soon release nearly a half

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<v Speaker 2>century of official documentation of ongoing alien encounters on Earth. Okay,

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<v Speaker 2>admittedly it's the Gin people up for the ride, but

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<v Speaker 2>that's pretty dramatic stuff and it kind of fits in

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<v Speaker 2>with what we think today.

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<v Speaker 1>And who approved that text that feels like they're reading

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<v Speaker 1>a news briefing, Well, I think Eisner approved it.

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<v Speaker 2>And the reason I say that is I got one

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<v Speaker 2>more great quote for you. Eisner insisted on doing the

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<v Speaker 2>intro to this thing. Okay, so before this quote that

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<v Speaker 2>I just read you from Robert Urich, this is what

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<v Speaker 2>Michael Eisner, who is running Disney, has to say. He

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<v Speaker 2>says this quote and.

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<v Speaker 1>Wait, let me just give you some context for everything. Okay,

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<v Speaker 1>in the nineties, Disney was arguably the most powerful and

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<v Speaker 1>successful movie studio. So this is the chairman or the

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<v Speaker 1>CEO president of Disney, the person running the show at Disney,

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<v Speaker 1>the most powerful person in Hollywood. Now go ahead, Okay, Well,

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<v Speaker 1>we'd also know Eisner had a bit of an ego.

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<v Speaker 1>I mean he liked to on camera and be interviewed

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<v Speaker 1>and things like that. That's not a knock on him

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<v Speaker 1>as a human being, but it might explain what he said, Hey,

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<v Speaker 1>I'd like to do the intro because he figured millions

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<v Speaker 1>of people every year were going to be getting on

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<v Speaker 1>this thing. It's what he said, though.

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<v Speaker 2>Because he participated in this, and clearly nobody asked to

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<v Speaker 2>say anything they don't want to say. I mean, if

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<v Speaker 2>you put dialogue in front of an actor, they don't

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<v Speaker 2>have to say it unless they want to. This is

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<v Speaker 2>what Eisener said. Quote at a military installation somewhere in

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<v Speaker 2>the United States. There are those who believe that the

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<v Speaker 2>government is hiding the remains of an alien spacecraft that

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<v Speaker 2>mysteriously crashed to Earth. With more and more scientific evidence

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<v Speaker 2>of alien encounters and UFO sidings, the idea of creatures

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<v Speaker 2>from another planet be as far fetched as we once thought.

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<v Speaker 1>Wow, yeah, that's pretty staggering. And I think so, now,

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<v Speaker 1>let's examine what this ride, this experience actually was. It was,

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<v Speaker 1>by all accounts, not Disney at all. It was, as

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<v Speaker 1>you mentioned, it was a terror, an extra terrestrial experience

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<v Speaker 1>that many parents felt was way too intense for kids.

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<v Speaker 1>It was all about trying to transport to the leader

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<v Speaker 1>of some alien race down to Earth. Something goes wrong

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<v Speaker 1>and a terrible monster comes. An alien monster comes in

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<v Speaker 1>to the theater and starts wreaking havoc, and people are

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<v Speaker 1>experiencing it behind them, They're feeling it breathing down their necks,

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<v Speaker 1>and kids were crying. So again, if we think about

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<v Speaker 1>the possibility that there was some direction to embrace alien

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<v Speaker 1>storytelling back in the fifties, this was the end result

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<v Speaker 1>of it, all those years later, something that felt very

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<v Speaker 1>real and very terrifying for the audience done at Disney,

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<v Speaker 1>which feels just complete counter programming to everything else that

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<v Speaker 1>they had there at the park.

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<v Speaker 2>And let's remember this is forty two years later after

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<v Speaker 2>the Robertson panel. So I don't know what that means,

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<v Speaker 2>because it could easily mean that they if they were

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<v Speaker 2>doing it then they'd been doing it all along, But

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<v Speaker 2>we don't have a lot of cases about that. Or

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<v Speaker 2>it could be nobody really did what that Robertson panel

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<v Speaker 2>wanted because they wanted it. They just did it because

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<v Speaker 2>they thought aliens were good box office or something. I suppose.

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<v Speaker 2>But it is kind of fishy about that because that

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<v Speaker 2>documentary only mentions the ride for five minutes at the end,

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<v Speaker 2>So it's thirty five minutes of UFO stuff and five

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<v Speaker 2>minutes about the ride. Kind of interesting, but maybe they

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<v Speaker 2>were hiding the monster anyway. It only aired in a

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<v Speaker 2>handful of US cities because they did air it at

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<v Speaker 2>random times on a few selected dates in February March

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<v Speaker 2>of ninety five, and it had no advanced notice. Okay,

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<v Speaker 2>so if you think about it, who does that? Right?

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<v Speaker 2>Who does that? And I believe it's the director of it?

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<v Speaker 2>He said quote an incredibly odd marketing strategy, considering its

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<v Speaker 2>purpose was to promote a major theme park ride for families.

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<v Speaker 1>Yeah, I mean their approach was let's bury the film

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<v Speaker 1>right essentially, But well, then why did they make it

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<v Speaker 1>in the first place?

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<v Speaker 2>Right? Like?

0:13:04.880 --> 0:13:07.480
<v Speaker 1>It raises a lot of questions.

0:13:07.280 --> 0:13:10.200
<v Speaker 2>It sure does. But we've got another example though of

0:13:10.240 --> 0:13:15.440
<v Speaker 2>where Disney has done something absolutely insane or at least unexplainable.

0:13:15.920 --> 0:13:18.800
<v Speaker 2>And that's right after this or right around the time

0:13:18.840 --> 0:13:22.600
<v Speaker 2>of this. Also in nineteen ninety five, they decide to

0:13:22.640 --> 0:13:26.640
<v Speaker 2>have a UFO conference in Orlando. It's January of ninety five,

0:13:27.240 --> 0:13:30.800
<v Speaker 2>and this was a two week long conference. Now, you've

0:13:30.840 --> 0:13:33.439
<v Speaker 2>been to conferences for UFOs. I've been to them too.

0:13:33.440 --> 0:13:36.600
<v Speaker 2>They're usually three or four days at best, and there

0:13:36.600 --> 0:13:39.120
<v Speaker 2>are people that speak, but there's usually a whole lot

0:13:39.120 --> 0:13:41.840
<v Speaker 2>of people there to listen to them, right, That's how

0:13:41.880 --> 0:13:44.840
<v Speaker 2>it goes down. Not this time. They had a huge

0:13:44.920 --> 0:13:47.840
<v Speaker 2>lineup of people that they brought in there, and a

0:13:47.880 --> 0:13:50.840
<v Speaker 2>guy named I believe Don Ecker was the organizer. He

0:13:50.880 --> 0:13:53.200
<v Speaker 2>had been asked by Disney to do it. Ecker was

0:13:53.320 --> 0:13:56.480
<v Speaker 2>very involved in the UFO topic. They brought in guys

0:13:56.520 --> 0:14:01.439
<v Speaker 2>like Bud Hopkins, George Knapp, Don Schmidt, than Randall Sitchen.

0:14:01.520 --> 0:14:05.000
<v Speaker 2>They brought in, Okay, two weeks, all these folks there.

0:14:05.120 --> 0:14:08.800
<v Speaker 2>There's basically two conferences. Week one conference, week two conference.

0:14:09.040 --> 0:14:12.280
<v Speaker 2>They did not advertise it, right, there was no advertising. Now,

0:14:12.360 --> 0:14:14.760
<v Speaker 2>I don't know of any conference that I've ever been

0:14:14.800 --> 0:14:17.040
<v Speaker 2>to that didn't say and by the way, send me

0:14:17.120 --> 0:14:20.480
<v Speaker 2>your bio and send me your URLs because we got

0:14:20.480 --> 0:14:22.960
<v Speaker 2>a promo the hell out of this, because we won't

0:14:22.960 --> 0:14:26.080
<v Speaker 2>make any money, all right. So Disney spent a ton

0:14:26.120 --> 0:14:29.320
<v Speaker 2>of money because they had to provide airfare, room and

0:14:29.360 --> 0:14:32.000
<v Speaker 2>board and meals for all these people for two weeks,

0:14:32.200 --> 0:14:35.960
<v Speaker 2>all right, according to Ecker, And this just blows my mind.

0:14:36.000 --> 0:14:39.360
<v Speaker 2>But Disney never gave it an ounce of promotion, and

0:14:39.960 --> 0:14:43.600
<v Speaker 2>at best, the number of people in the audience was

0:14:43.680 --> 0:14:47.600
<v Speaker 2>never more than ten or twelve people. Wow, it's kind

0:14:47.600 --> 0:14:51.360
<v Speaker 2>of crazy. And the only thing I'm not even sure

0:14:51.680 --> 0:14:53.360
<v Speaker 2>I'm gonna let you take a crack at that. What

0:14:53.400 --> 0:14:55.240
<v Speaker 2>would explain that in your view?

0:14:55.520 --> 0:15:00.360
<v Speaker 1>Either A, they had an intention that then somebody forced

0:15:00.400 --> 0:15:02.920
<v Speaker 1>their hand and said kill that thing, and it was

0:15:02.960 --> 0:15:05.560
<v Speaker 1>too late, so they kept it alive, but they did

0:15:05.600 --> 0:15:09.240
<v Speaker 1>not support it in any way, which is one viable explanation.

0:15:09.480 --> 0:15:13.680
<v Speaker 1>The other explanation is they were actually trying to make

0:15:13.920 --> 0:15:17.800
<v Speaker 1>these people that were very interested in the topic feel stupid, right.

0:15:18.360 --> 0:15:20.840
<v Speaker 1>They were trying to send a very subtle message that

0:15:20.880 --> 0:15:22.360
<v Speaker 1>you're going to come all the way here for this

0:15:22.440 --> 0:15:24.920
<v Speaker 1>big conference and nothing's going to happen because there is

0:15:25.000 --> 0:15:28.360
<v Speaker 1>nothing about the UFO phenomenon, I'm worth talking about.

0:15:28.680 --> 0:15:32.320
<v Speaker 2>That's a fascinating and good guess. By the way, the

0:15:32.360 --> 0:15:35.200
<v Speaker 2>laid author Robbie Graham, who wrote the really terrific book

0:15:35.240 --> 0:15:38.400
<v Speaker 2>Silver Screen Saucers, when he was talking about this incident,

0:15:38.520 --> 0:15:40.760
<v Speaker 2>he also was kind of a guest that like, well,

0:15:40.800 --> 0:15:43.680
<v Speaker 2>I don't what would truly explain this. All he could

0:15:43.680 --> 0:15:46.320
<v Speaker 2>do was speculate, which is what we're doing here. But

0:15:46.400 --> 0:15:49.360
<v Speaker 2>he thought it might be an orchestrated chance for intelligence

0:15:49.480 --> 0:15:53.440
<v Speaker 2>agencies to assemble the leading UFO figures under one roof,

0:15:53.480 --> 0:15:56.160
<v Speaker 2>because this is pre internet right, yes, to take the

0:15:56.200 --> 0:15:59.320
<v Speaker 2>current pulse of the field. And there is a certain

0:15:59.440 --> 0:16:02.680
<v Speaker 2>validity in that guess, I think, because obviously, if you

0:16:02.680 --> 0:16:04.680
<v Speaker 2>want to take a pulse of the field right now,

0:16:05.000 --> 0:16:09.040
<v Speaker 2>just go on x go on Reddit. The field not

0:16:09.120 --> 0:16:12.040
<v Speaker 2>only can have its pulse taken, it's demanding to have

0:16:12.120 --> 0:16:14.440
<v Speaker 2>its pulse taken right So you didn't need to you

0:16:14.440 --> 0:16:16.560
<v Speaker 2>don't need to do that today. So I guess I

0:16:16.600 --> 0:16:20.160
<v Speaker 2>could understand that it would be one way to find

0:16:20.160 --> 0:16:23.400
<v Speaker 2>out what they're thinking or hear their best shot. But

0:16:23.720 --> 0:16:26.240
<v Speaker 2>several people went home early. They were just like, what

0:16:26.400 --> 0:16:29.520
<v Speaker 2>is going on here? And so we have two instances.

0:16:29.560 --> 0:16:33.640
<v Speaker 2>Then okay, Disney puts the documentary out but does nothing

0:16:33.680 --> 0:16:37.280
<v Speaker 2>to promote it at all. Then Disney right near the

0:16:37.320 --> 0:16:40.480
<v Speaker 2>same time holds a two week conference of UFO people

0:16:40.880 --> 0:16:42.560
<v Speaker 2>and doesn't tell anybody about it.

0:16:42.680 --> 0:16:46.440
<v Speaker 1>Yeah, it's mind boggling. And obviously there's many different ways

0:16:46.480 --> 0:16:49.360
<v Speaker 1>to interpret it, as we've just discussed, and I think

0:16:49.560 --> 0:16:52.000
<v Speaker 1>at this point it's probably a good moment to step

0:16:52.040 --> 0:16:54.480
<v Speaker 1>back open the aperture a little bit and say, it

0:16:54.560 --> 0:16:58.920
<v Speaker 1>wasn't just Disney that was doing interesting things in the

0:16:58.920 --> 0:17:02.360
<v Speaker 1>wake of the Robertson panel. The wider view of Hollywood

0:17:02.360 --> 0:17:06.080
<v Speaker 1>at that time was that they were making some pretty

0:17:06.240 --> 0:17:10.280
<v Speaker 1>crazy UFO alien movies, a lot of them. I mean

0:17:10.440 --> 0:17:13.160
<v Speaker 1>was that was a real kind of golden era for

0:17:13.400 --> 0:17:16.600
<v Speaker 1>alien and UFO movies. But you know, when I look

0:17:16.640 --> 0:17:18.199
<v Speaker 1>at them, when I look at all these titles and

0:17:18.240 --> 0:17:19.800
<v Speaker 1>I look at what they were about, because I haven't

0:17:19.840 --> 0:17:23.160
<v Speaker 1>seen a lot of them, there is no real commonalities

0:17:23.200 --> 0:17:26.399
<v Speaker 1>in the narrative messaging. So it wasn't like there was

0:17:26.440 --> 0:17:29.760
<v Speaker 1>a mandate given and everyone just adopted it. And the

0:17:29.800 --> 0:17:32.560
<v Speaker 1>stories are the storylines are really all over the place.

0:17:32.800 --> 0:17:36.040
<v Speaker 1>But what you really get is that UFOs and aliens

0:17:36.040 --> 0:17:38.920
<v Speaker 1>are being used more as a metaphor for other fears

0:17:39.240 --> 0:17:41.840
<v Speaker 1>at the times, So you've got movies that are really

0:17:41.880 --> 0:17:46.040
<v Speaker 1>representing nuclear fears, like Killers from Space in nineteen fifty four,

0:17:46.359 --> 0:17:48.480
<v Speaker 1>which is a low budget sci fi film about a

0:17:48.520 --> 0:17:52.479
<v Speaker 1>scientist who survives a mysterious plane crash only to discover

0:17:52.600 --> 0:17:56.239
<v Speaker 1>aliens have resurrected him to steal atomic secrets for an

0:17:56.240 --> 0:18:00.480
<v Speaker 1>Earth invasion using giant insects and reptiles grown with the

0:18:00.600 --> 0:18:05.120
<v Speaker 1>radiation absorbed from our own atomic bomb tests. Right, it's

0:18:05.119 --> 0:18:08.040
<v Speaker 1>just a huge cautionary tale. But then there was the

0:18:08.119 --> 0:18:10.520
<v Speaker 1>communism fear as we were feeling at that time with

0:18:10.560 --> 0:18:13.520
<v Speaker 1>the Red Scare invasion of the Body Snatchers in nineteen

0:18:13.600 --> 0:18:17.520
<v Speaker 1>fifty six about the extraterrestrial invasion where the alien spores

0:18:17.560 --> 0:18:22.000
<v Speaker 1>from space grow into large seed pods, each one capable

0:18:22.000 --> 0:18:25.679
<v Speaker 1>of producing a visually identical copy of a human. And

0:18:25.720 --> 0:18:29.560
<v Speaker 1>these duplicates, however, are devoid of all human emotion. A

0:18:29.600 --> 0:18:33.919
<v Speaker 1>local doctor uncovers this quiet invasion and attempts to stop it.

0:18:34.359 --> 0:18:36.640
<v Speaker 1>This is of course, where the term pod people comes

0:18:36.680 --> 0:18:40.720
<v Speaker 1>from in pop culture to refer to these emotionless humans.

0:18:41.040 --> 0:18:44.600
<v Speaker 1>But then you also Again, it gets even crazier when

0:18:44.640 --> 0:18:46.880
<v Speaker 1>you look at some of the other movies that were

0:18:46.880 --> 0:18:49.840
<v Speaker 1>coming out at that time. Nineteen fifty six, Planeted of

0:18:49.880 --> 0:18:53.960
<v Speaker 1>the Vampires, which is basically zombies in space. It conquered

0:18:53.960 --> 0:18:58.520
<v Speaker 1>the world. This is great. It concerns a bat winged

0:18:58.680 --> 0:19:04.000
<v Speaker 1>triangular alien named Ballulah or Beulah from the planet Venus

0:19:04.040 --> 0:19:06.960
<v Speaker 1>that uses a mind controlling device to turn people into

0:19:06.960 --> 0:19:09.920
<v Speaker 1>a motionless slaves so it can take control of the Earth.

0:19:15.480 --> 0:19:18.760
<v Speaker 2>That sounds like a documentary. Now. You know what's interesting though, people,

0:19:19.000 --> 0:19:21.240
<v Speaker 2>First of all, the whole idea of Venus, which we

0:19:21.320 --> 0:19:24.240
<v Speaker 2>know basically next to Hell is one of the hottest

0:19:24.240 --> 0:19:27.719
<v Speaker 2>places around then probably doesn't support much life. And it

0:19:27.800 --> 0:19:31.920
<v Speaker 2>is interesting that even in the fifties into the sixties,

0:19:31.920 --> 0:19:34.400
<v Speaker 2>when the contact e movement was going on, that's where

0:19:34.400 --> 0:19:38.359
<v Speaker 2>people like Georgia Damski were claiming that they were taken

0:19:38.400 --> 0:19:41.800
<v Speaker 2>on board craft and flowing around the universe. Where did

0:19:41.800 --> 0:19:45.280
<v Speaker 2>he say they were from Venus? Yes, these were comely

0:19:45.400 --> 0:19:49.879
<v Speaker 2>Venusian women that were flying him around the universe. So yeah,

0:19:49.960 --> 0:19:52.720
<v Speaker 2>a lot of crazy was going on in some of

0:19:52.720 --> 0:19:55.080
<v Speaker 2>those films, and you're right, they did take a turn

0:19:55.200 --> 0:19:57.199
<v Speaker 2>for the weird in the middle of it. But at

0:19:57.200 --> 0:19:59.399
<v Speaker 2>the same time, I have to say, if you assume

0:19:59.440 --> 0:20:02.000
<v Speaker 2>the Robertson panel is fifty three, than anything that they

0:20:02.080 --> 0:20:04.920
<v Speaker 2>might have had any impact on would be fifty four

0:20:05.160 --> 0:20:09.200
<v Speaker 2>or fifty five, probably knowing how long movies generally take. Well,

0:20:09.200 --> 0:20:12.119
<v Speaker 2>there was some pretty stupid things before the Robertson panel.

0:20:12.440 --> 0:20:16.760
<v Speaker 2>They were Zombies of the Stratosphere. Okay, that's interesting they

0:20:16.760 --> 0:20:20.520
<v Speaker 2>had in fifty three when the Robinson panel was meeting

0:20:20.560 --> 0:20:24.679
<v Speaker 2>and having their grave meetings about the UFO issue. Catwomen

0:20:24.760 --> 0:20:27.600
<v Speaker 2>of the Moon was in the theaters, and so was

0:20:27.640 --> 0:20:30.280
<v Speaker 2>Abbott and Costello. Go to Mars, and of course you

0:20:30.359 --> 0:20:34.080
<v Speaker 2>got Commander Cody and the Rocket Rangers and Devil Girl

0:20:34.160 --> 0:20:38.600
<v Speaker 2>from Mars, Stranger from Venus, there's Venus again, Beast with

0:20:38.640 --> 0:20:42.040
<v Speaker 2>a Million Eyes. There's just the fifties were a golden

0:20:42.080 --> 0:20:45.040
<v Speaker 2>period for bad movies about flying saucers.

0:20:45.280 --> 0:20:47.280
<v Speaker 1>Well, and I think that's the whole point is we

0:20:47.359 --> 0:20:49.080
<v Speaker 1>know what the Robertson panel was doing, and we know

0:20:49.119 --> 0:20:52.320
<v Speaker 1>that Hollywood was, even before the Robertson panel, making its

0:20:52.320 --> 0:20:55.520
<v Speaker 1>own crazy movies. Switch over to the side of the audience.

0:20:55.920 --> 0:20:59.359
<v Speaker 1>What was the audience supposed to take away from this

0:20:59.480 --> 0:21:04.000
<v Speaker 1>prolifer of movies. The general sentiment was this is all

0:21:04.080 --> 0:21:08.000
<v Speaker 1>silly and fun and crazy, right, And so I think

0:21:08.040 --> 0:21:09.840
<v Speaker 1>one movie that we do want to kind of drill

0:21:09.920 --> 0:21:12.720
<v Speaker 1>down into is something that you actually have a very

0:21:12.720 --> 0:21:15.760
<v Speaker 1>personal experience with, which was a movie called The Twenty

0:21:15.800 --> 0:21:18.200
<v Speaker 1>Seventh Day in nineteen fifty seven.

0:21:18.520 --> 0:21:21.280
<v Speaker 2>I do actually have that the director of The Twenty

0:21:21.280 --> 0:21:24.760
<v Speaker 2>Seventh Day was Bill Lasher, and Bill Lasher, if I

0:21:24.760 --> 0:21:27.480
<v Speaker 2>can divert for just a second, was my mentor. The

0:21:27.640 --> 0:21:31.760
<v Speaker 2>very last television show Bill Lasher ever did was k Obrian,

0:21:31.800 --> 0:21:34.760
<v Speaker 2>a show I created and was my very first television series.

0:21:35.280 --> 0:21:37.840
<v Speaker 2>So he took me under his wing and said, hey, kid,

0:21:37.840 --> 0:21:39.719
<v Speaker 2>I'm going to teach you how TV works and that

0:21:39.800 --> 0:21:41.760
<v Speaker 2>kind of thing. Well, Bill would be the guy that

0:21:41.800 --> 0:21:44.520
<v Speaker 2>would know, because he directed most of the first two

0:21:44.520 --> 0:21:47.879
<v Speaker 2>seasons of I Love Lucy, He put the Nose Twitch

0:21:47.880 --> 0:21:51.800
<v Speaker 2>into Bewitched, and married Elizabeth Montgomery. He directed a Beach

0:21:51.840 --> 0:21:55.359
<v Speaker 2>Blanket Bingo and movies like that. But what was strange

0:21:55.840 --> 0:21:58.720
<v Speaker 2>is that Bill, a guy who was a comedy guy

0:21:59.119 --> 0:22:03.639
<v Speaker 2>in nineteen fifty ends up making this movie The twenty

0:22:03.680 --> 0:22:07.360
<v Speaker 2>seventh Day, which is clearly not the day the Earth

0:22:07.359 --> 0:22:10.000
<v Speaker 2>stood Still or anything, which is the one that people

0:22:10.119 --> 0:22:12.640
<v Speaker 2>tend to think, Oh, if you're gonna watch one fifties movie,

0:22:12.680 --> 0:22:15.840
<v Speaker 2>that probably is it. He didn't make that movie. Well,

0:22:15.920 --> 0:22:17.679
<v Speaker 2>let me tell you a little bit about The twenty

0:22:17.720 --> 0:22:20.920
<v Speaker 2>Seventh Day. It's a short film, seventy five minutes. It's

0:22:20.960 --> 0:22:25.400
<v Speaker 2>black and white. It's a Cold war science fiction kind

0:22:25.400 --> 0:22:31.160
<v Speaker 2>of thing. It's built to talk about the Russia US conflict,

0:22:31.440 --> 0:22:35.679
<v Speaker 2>but to do it using flying saucers. Here's the premise.

0:22:35.720 --> 0:22:38.200
<v Speaker 2>It's actually one of the first movies to do abductions.

0:22:38.359 --> 0:22:41.560
<v Speaker 2>Five people are abducted in the Twenty seventh Day. They're

0:22:41.640 --> 0:22:44.639
<v Speaker 2>ordinary people from five different nations. So let's get a

0:22:44.680 --> 0:22:48.120
<v Speaker 2>little of everything. They got an American reporter, an English actress,

0:22:48.160 --> 0:22:51.679
<v Speaker 2>a German scientist, a Soviet soldier, and a Chinese peasant

0:22:51.720 --> 0:22:54.120
<v Speaker 2>woman who could ask for anything more in a list

0:22:54.119 --> 0:22:58.439
<v Speaker 2>of abductees. And then comes this alien after he's abducted

0:22:58.720 --> 0:23:02.800
<v Speaker 2>these people kind of looks like an intergalactic airline attendant

0:23:02.880 --> 0:23:07.080
<v Speaker 2>or something. I mean, he's very calm, and he addresses

0:23:07.160 --> 0:23:08.840
<v Speaker 2>them about what he's about to do, and he gives

0:23:08.880 --> 0:23:12.200
<v Speaker 2>each a small box containing three capsules. Each capsule can

0:23:12.240 --> 0:23:15.560
<v Speaker 2>be activated to kill all human life in a huge radius,

0:23:15.760 --> 0:23:18.840
<v Speaker 2>and it doesn't damage buildings, So it's like a neutron bomb,

0:23:18.920 --> 0:23:21.919
<v Speaker 2>I guess in a little tiny capsule, and then the

0:23:21.960 --> 0:23:24.920
<v Speaker 2>boxes only respond to thought patterns of the person who

0:23:24.960 --> 0:23:28.440
<v Speaker 2>received them, and the capsules go dead after twenty seven days.

0:23:28.680 --> 0:23:32.320
<v Speaker 2>So what happens is it's this thing that is about

0:23:32.400 --> 0:23:35.560
<v Speaker 2>human nature, but also about if you think the other

0:23:35.680 --> 0:23:38.480
<v Speaker 2>side might push the button, do you push first? Right?

0:23:38.800 --> 0:23:41.480
<v Speaker 2>That's the essence of this movie. But it's also the

0:23:41.560 --> 0:23:44.000
<v Speaker 2>essence of the Cold War. It was very strange for

0:23:44.040 --> 0:23:46.639
<v Speaker 2>Bill who have done that. I did talk to Bill

0:23:46.840 --> 0:23:49.560
<v Speaker 2>a little bit about the UFO angle of the whole thing,

0:23:49.840 --> 0:23:52.159
<v Speaker 2>but you know, I was doing a television series and

0:23:52.760 --> 0:23:55.120
<v Speaker 2>trying to learn it is knee there and I don't

0:23:55.160 --> 0:23:56.400
<v Speaker 2>have a lot of time to talk to you. Thus,

0:23:56.480 --> 0:23:56.800
<v Speaker 2>but some.

0:23:57.160 --> 0:24:01.320
<v Speaker 1>Well, it is interesting why somebody has accomplished, as Bill

0:24:01.359 --> 0:24:04.439
<v Speaker 1>Asher right in what sounded like more like the drama

0:24:04.480 --> 0:24:07.760
<v Speaker 1>and comedy Vein would take on a project like this.

0:24:08.240 --> 0:24:10.080
<v Speaker 1>Do you have any special insight into that?

0:24:10.119 --> 0:24:12.960
<v Speaker 2>I don't know if I have insight. I have a theory. Okay,

0:24:13.040 --> 0:24:16.040
<v Speaker 2>let's hear the theory, okay, because what Bill said, Bill

0:24:16.080 --> 0:24:19.040
<v Speaker 2>always would sort of minimize. So I said, I said

0:24:19.040 --> 0:24:22.720
<v Speaker 2>to Bill, you were doing beach blanket bingo and stuff

0:24:22.760 --> 0:24:25.440
<v Speaker 2>like that, why would you do the twenty seventh today?

0:24:25.440 --> 0:24:28.000
<v Speaker 2>And he said, well, I have a large family and

0:24:28.040 --> 0:24:31.359
<v Speaker 2>I needed a paycheck, is what he said. And of

0:24:31.359 --> 0:24:34.280
<v Speaker 2>course Bill was one of those Hollywood guys that was

0:24:34.400 --> 0:24:38.920
<v Speaker 2>married many times and saw his fortune being halved over

0:24:39.000 --> 0:24:41.080
<v Speaker 2>and over, so maybe he did need the money. But

0:24:41.280 --> 0:24:43.520
<v Speaker 2>my theory is that that was part of it, but

0:24:43.640 --> 0:24:46.639
<v Speaker 2>not all of it. Because here's the thing. Bill was

0:24:46.720 --> 0:24:49.120
<v Speaker 2>also a guy that hung out with the rat Pack,

0:24:49.600 --> 0:24:52.760
<v Speaker 2>which I always found so fascinating about him. I mean,

0:24:53.240 --> 0:24:56.679
<v Speaker 2>he is a guy that hung out with Sinatra, Dean Martin,

0:24:56.800 --> 0:25:00.720
<v Speaker 2>Sammy Davis Junior, Joey Bishop, Peter Lawford, and he was

0:25:00.760 --> 0:25:04.120
<v Speaker 2>sort of the guy off screen, right. He hung out

0:25:04.160 --> 0:25:06.880
<v Speaker 2>with them, he partied with them. He knew him very

0:25:07.080 --> 0:25:11.080
<v Speaker 2>very well, but he was not the public persona of

0:25:11.119 --> 0:25:14.640
<v Speaker 2>the rat Pack. But these guys, you know, they were

0:25:14.720 --> 0:25:17.280
<v Speaker 2>part of that time period where you would get together

0:25:17.320 --> 0:25:19.560
<v Speaker 2>at night and you'd get very drunk, so you could

0:25:19.560 --> 0:25:21.760
<v Speaker 2>say things that you could claim you didn't say the

0:25:21.800 --> 0:25:24.359
<v Speaker 2>next day or you didn't remember. And I'm sure there

0:25:24.359 --> 0:25:27.240
<v Speaker 2>are a lot of these parties that Bill was at

0:25:27.440 --> 0:25:31.400
<v Speaker 2>by nineteen fifty seven. He wanted to show his friends

0:25:31.760 --> 0:25:35.919
<v Speaker 2>that he wasn't just a comedy guy, that he also

0:25:36.000 --> 0:25:38.879
<v Speaker 2>had important things that he was doing well. The Twenty

0:25:38.920 --> 0:25:42.000
<v Speaker 2>Seventh Day is not a film that I recommend everyone

0:25:42.080 --> 0:25:44.600
<v Speaker 2>run out and watch. I mean, it was interesting for

0:25:44.640 --> 0:25:46.879
<v Speaker 2>me to see it because of my personal connection. It

0:25:47.000 --> 0:25:50.480
<v Speaker 2>is a movie that feels important because it is more

0:25:50.520 --> 0:25:53.240
<v Speaker 2>than even most of the other ones. It is clearly

0:25:53.560 --> 0:25:55.399
<v Speaker 2>about the Cold War. I mean, it's got a Russian,

0:25:55.440 --> 0:25:58.560
<v Speaker 2>it's got American. We can destroy them, they can destroy us,

0:25:59.080 --> 0:26:01.359
<v Speaker 2>and if they do, then the whole world's gone. Because

0:26:01.359 --> 0:26:04.040
<v Speaker 2>the aliens have said, we really need the earth, but

0:26:04.320 --> 0:26:07.520
<v Speaker 2>our culture prevents us from attacking you and taking it

0:26:07.560 --> 0:26:10.240
<v Speaker 2>from you. So we're going to give you these capsules

0:26:10.240 --> 0:26:12.600
<v Speaker 2>and then you'll when you destroy yourselves, then we'll move

0:26:12.600 --> 0:26:15.119
<v Speaker 2>in and take it over as if we're not worthy

0:26:15.200 --> 0:26:19.399
<v Speaker 2>or whatever. So yeah, so well, not the greatest movie,

0:26:19.440 --> 0:26:20.359
<v Speaker 2>but interesting.

0:26:20.680 --> 0:26:22.880
<v Speaker 1>So let's go back to the rat Pack for a second,

0:26:22.920 --> 0:26:25.479
<v Speaker 1>because that's fascinating. I read somewhere that I think it

0:26:25.520 --> 0:26:29.280
<v Speaker 1>was Sammy Davis Junior who had a UFO experience. He

0:26:29.359 --> 0:26:32.120
<v Speaker 1>did Bill, were talking with Bill about that, or yeah.

0:26:31.960 --> 0:26:34.360
<v Speaker 2>He did, because we were talking about the twenty seventh Day,

0:26:34.359 --> 0:26:37.000
<v Speaker 2>and he goes, yeah, well, you know, Sammy saw one,

0:26:37.119 --> 0:26:39.240
<v Speaker 2>and I was like, what tell me about it?

0:26:39.640 --> 0:26:42.639
<v Speaker 1>And that image of Sammy Davis Junior seeing a UFO

0:26:42.920 --> 0:26:44.520
<v Speaker 1>is really quite amusing.

0:26:44.760 --> 0:26:47.359
<v Speaker 2>He told Bill about it, but he told many other people.

0:26:47.400 --> 0:26:50.480
<v Speaker 2>He said he had seen a group of small silver discs,

0:26:50.520 --> 0:26:53.160
<v Speaker 2>and this was the early fifties, not a single light,

0:26:53.200 --> 0:26:56.480
<v Speaker 2>but multiple lights, multiple objects, and he described them as

0:26:56.520 --> 0:26:59.480
<v Speaker 2>hovering and darting and doing things that aircraft don't do.

0:27:00.040 --> 0:27:01.879
<v Speaker 2>And then this is the word that Bill used, and

0:27:01.920 --> 0:27:05.200
<v Speaker 2>then poof, they were gone. But that sounds pretty familiar

0:27:05.200 --> 0:27:07.680
<v Speaker 2>to a lot of the testimony we get these days.

0:27:07.960 --> 0:27:11.280
<v Speaker 1>Very much, which I think is much more a modern

0:27:11.920 --> 0:27:14.600
<v Speaker 1>depiction of UFOs than it was at that time.

0:27:14.880 --> 0:27:18.720
<v Speaker 2>Yeah, and it's kind of incomprehensible to me that if

0:27:18.720 --> 0:27:21.639
<v Speaker 2>Bill was making this movie and hanging out with people

0:27:21.680 --> 0:27:24.600
<v Speaker 2>that they wouldn't have talked about UFOs a lot. Well.

0:27:24.640 --> 0:27:26.680
<v Speaker 2>And by the way, when I say ex officio member,

0:27:26.800 --> 0:27:30.080
<v Speaker 2>just a small sidebar. But in his later days Bill

0:27:30.119 --> 0:27:32.879
<v Speaker 2>has passed on. There's a picture I believe it was

0:27:32.920 --> 0:27:37.080
<v Speaker 2>in life magazine that shows Marilyn Monroe, who is sort

0:27:37.080 --> 0:27:39.639
<v Speaker 2>of she's been sewing into a tight dress on the

0:27:39.720 --> 0:27:43.639
<v Speaker 2>night that she sang Happy Birthday, mister President, so controversially,

0:27:43.880 --> 0:27:48.840
<v Speaker 2>and Bill directed that. He directed, oh really that night,

0:27:49.160 --> 0:27:53.080
<v Speaker 2>and Bill had a picture in his office where yes,

0:27:53.200 --> 0:27:56.480
<v Speaker 2>it had the Kennedy brothers and it had Marilyn, but

0:27:57.160 --> 0:27:59.840
<v Speaker 2>that had been cropped, and the full picture shows Bill

0:28:00.400 --> 0:28:03.960
<v Speaker 2>off to the side kind of looking down Maryland's cleavage

0:28:04.040 --> 0:28:06.199
<v Speaker 2>and all that, which I thought was pretty funny.

0:28:06.280 --> 0:28:10.440
<v Speaker 1>So let's circle back to your theory about Bill's motivation

0:28:10.600 --> 0:28:13.080
<v Speaker 1>for taking on the twenty seventh day. I think I

0:28:13.119 --> 0:28:16.639
<v Speaker 1>agree that certainly the practical reason makes a lot of sense.

0:28:17.000 --> 0:28:19.760
<v Speaker 1>The idea that he has friends in the rat pack

0:28:19.840 --> 0:28:23.280
<v Speaker 1>that he wants to impress with doing something more serious

0:28:23.359 --> 0:28:26.399
<v Speaker 1>minded also makes sense. The fact that they're even talking

0:28:26.440 --> 0:28:29.719
<v Speaker 1>about UFOs casually in a friendly way that could give

0:28:29.800 --> 0:28:32.480
<v Speaker 1>him extra motivation. But I also know too that he

0:28:32.600 --> 0:28:34.800
<v Speaker 1>was in the military, so he might have had also

0:28:34.840 --> 0:28:36.919
<v Speaker 1>a unique point of view on the topic. Did he

0:28:36.960 --> 0:28:39.040
<v Speaker 1>ever mention anything like that to you.

0:28:38.800 --> 0:28:41.920
<v Speaker 2>On that one time when we dived into the UFO topic,

0:28:41.960 --> 0:28:45.160
<v Speaker 2>He did. Bill had been in the US Army Signal

0:28:45.160 --> 0:28:47.800
<v Speaker 2>Corps in World War Two, and one of the things

0:28:47.800 --> 0:28:50.600
<v Speaker 2>he said, now, this is a triple negative, which it's

0:28:50.600 --> 0:28:54.840
<v Speaker 2>almost Yogi bearra ish in its triple negative. But he said,

0:28:54.960 --> 0:28:57.080
<v Speaker 2>I wrote this down because I thought I'd get it wrong.

0:28:57.560 --> 0:29:00.840
<v Speaker 2>Just because somebody in the military tells you something isn't

0:29:00.880 --> 0:29:03.440
<v Speaker 2>true doesn't mean that it's not wow. And I'm not

0:29:03.480 --> 0:29:06.719
<v Speaker 2>sure how to parse that exactly, Brent he was saying.

0:29:06.760 --> 0:29:09.800
<v Speaker 2>And how he explained that quote later was he put

0:29:09.840 --> 0:29:12.960
<v Speaker 2>nothing past the military because he figured if there was

0:29:13.000 --> 0:29:17.320
<v Speaker 2>something truly as important as the fact that flying saucers

0:29:17.400 --> 0:29:20.800
<v Speaker 2>or UFOs were real, the government would classify it and

0:29:20.880 --> 0:29:23.360
<v Speaker 2>lie about it. I never got the sense that Bill

0:29:23.480 --> 0:29:27.360
<v Speaker 2>himself saw a UFO. He made his movie that probably

0:29:27.400 --> 0:29:29.520
<v Speaker 2>there's not too much to be done with that. But

0:29:29.600 --> 0:29:32.680
<v Speaker 2>I will say this, in addition to the rat Pack,

0:29:33.280 --> 0:29:36.440
<v Speaker 2>he hung out with JFK, something that's kind of important

0:29:36.480 --> 0:29:39.040
<v Speaker 2>to our whole Dark Sky's chronology.

0:29:39.360 --> 0:29:41.960
<v Speaker 1>Yet, and didn't he have a great kind of behind

0:29:41.960 --> 0:29:43.400
<v Speaker 1>the scenes story about JFK.

0:29:43.800 --> 0:29:47.480
<v Speaker 2>Listen, I tell this story at dinner parties. I don't

0:29:47.520 --> 0:29:49.480
<v Speaker 2>think I've told it on the air. I think this

0:29:49.560 --> 0:29:53.160
<v Speaker 2>is a first. It's tangential to the UFO topic. But

0:29:53.240 --> 0:29:55.719
<v Speaker 2>maybe you can find a UFO connection after I tell it.

0:29:55.880 --> 0:29:58.920
<v Speaker 2>Here's what happened, and Bill told me this, And the

0:29:59.000 --> 0:30:01.800
<v Speaker 2>thing is about Bill. First of all, he liked me,

0:30:01.880 --> 0:30:04.920
<v Speaker 2>so I appreciate that, and he wasn't about to bullshit me.

0:30:05.120 --> 0:30:07.320
<v Speaker 2>In fact, if anything, what I liked about him is

0:30:07.360 --> 0:30:10.120
<v Speaker 2>he didn't bullshit. He told you what he thought about

0:30:10.160 --> 0:30:13.560
<v Speaker 2>anything and everything. So anyway, this is what Bill told me.

0:30:13.840 --> 0:30:17.280
<v Speaker 2>He said that in the summer of nineteen sixty, when

0:30:17.360 --> 0:30:21.640
<v Speaker 2>JFK was nominated by the Democratic Party to run for president,

0:30:21.840 --> 0:30:25.320
<v Speaker 2>there was a party at Peter Lawford's house, either the

0:30:25.400 --> 0:30:27.400
<v Speaker 2>day before or the day after. I don't think this

0:30:27.640 --> 0:30:29.960
<v Speaker 2>was the night of the actual nomination, because I think

0:30:30.000 --> 0:30:32.400
<v Speaker 2>JFK had other things to do. And this party's going

0:30:32.440 --> 0:30:36.080
<v Speaker 2>on at Peter Lawford's house. Bill's there partying. We know

0:30:36.120 --> 0:30:38.440
<v Speaker 2>who the rat pack is, we've discussed him. But in

0:30:38.480 --> 0:30:42.160
<v Speaker 2>addition to the rat Pack, Marilyn is there and JFK

0:30:42.400 --> 0:30:45.760
<v Speaker 2>is there. This is July of nineteen sixty. And Bill

0:30:45.840 --> 0:30:50.320
<v Speaker 2>said that during the party, JFK and Marilyn went out

0:30:50.360 --> 0:30:52.560
<v Speaker 2>to the backpool house and they were gone a couple

0:30:52.640 --> 0:30:56.360
<v Speaker 2>hours and when they came back, Marilyn was wearing JFK's shirt.

0:30:56.640 --> 0:30:58.760
<v Speaker 2>He had a white dress shirt and she was wearing

0:30:58.800 --> 0:31:01.640
<v Speaker 2>it now And that's not the story though, That's just

0:31:02.120 --> 0:31:04.840
<v Speaker 2>he just told me that and said, yeah, of course, Maryland.

0:31:04.880 --> 0:31:08.000
<v Speaker 2>Oh yeah. So from the point of view of was

0:31:08.040 --> 0:31:12.240
<v Speaker 2>Maryland and JFK involved, I think we pretty much all

0:31:12.600 --> 0:31:15.240
<v Speaker 2>think that they were now, but people will still argue

0:31:15.240 --> 0:31:17.640
<v Speaker 2>about it. We certainly said they were in dark skies

0:31:18.080 --> 0:31:21.160
<v Speaker 2>in one of our episodes. Anyway, So the party goes on,

0:31:21.480 --> 0:31:23.760
<v Speaker 2>a lot of drinking is going on, because that's what

0:31:23.880 --> 0:31:27.640
<v Speaker 2>happens at these parties, and at some point in this party, JFK,

0:31:27.920 --> 0:31:30.920
<v Speaker 2>who's as drunk as everybody else in the party, goes

0:31:30.960 --> 0:31:35.680
<v Speaker 2>out onto PCH, which is in Malibu where Peter Lawford's

0:31:35.680 --> 0:31:39.960
<v Speaker 2>house was, and he's stopping traffic on PCH. So JFK

0:31:40.160 --> 0:31:44.640
<v Speaker 2>is out there on PCH stopping traffic and screaming, I'm

0:31:44.760 --> 0:31:47.880
<v Speaker 2>going to be the fucking president of the United States,

0:31:48.200 --> 0:31:52.080
<v Speaker 2>and this seemed like it could undermine his candidacy. So

0:31:52.440 --> 0:31:56.040
<v Speaker 2>the group dispatched Bill, and I believe Lawford, but it

0:31:56.080 --> 0:31:58.160
<v Speaker 2>was Bill and somebody else to go get him. So

0:31:58.280 --> 0:32:01.680
<v Speaker 2>Bill literally wrestled the future President of the United States

0:32:01.960 --> 0:32:05.239
<v Speaker 2>off pch back into the house so he would not

0:32:05.280 --> 0:32:07.560
<v Speaker 2>be in the newspapers the next morning. And all I

0:32:07.560 --> 0:32:10.080
<v Speaker 2>can say, just like you know with the UFO story,

0:32:10.120 --> 0:32:13.240
<v Speaker 2>people go, God, it happened, but no one will believe me.

0:32:13.680 --> 0:32:16.160
<v Speaker 2>Imagine a couple of those people that were stopped in

0:32:16.240 --> 0:32:20.280
<v Speaker 2>traffic probably said JFK was out there and he was yelling,

0:32:20.600 --> 0:32:23.239
<v Speaker 2>and nobody would believe them. Yeah, they're still telling that

0:32:23.320 --> 0:32:26.960
<v Speaker 2>story to this day. Maybe that's our UFO connection. Although

0:32:27.200 --> 0:32:29.080
<v Speaker 2>and we don't have to get it into in this episode.

0:32:29.120 --> 0:32:31.920
<v Speaker 2>You and I have talked at length about JFK and UFOs,

0:32:32.080 --> 0:32:34.000
<v Speaker 2>and so he made a TV series about it.

0:32:39.040 --> 0:32:43.000
<v Speaker 1>Well, look, I think so fascinating. Bill sounds like a

0:32:43.240 --> 0:32:45.800
<v Speaker 1>very interesting man. I'm envious that you've got to spend

0:32:45.800 --> 0:32:48.520
<v Speaker 1>so much time with him, I think, again, bringing this

0:32:48.680 --> 0:32:51.880
<v Speaker 1>back to the big picture, the fifties were a time

0:32:52.160 --> 0:32:55.160
<v Speaker 1>of when you look at it and aggregate, The general

0:32:55.280 --> 0:32:59.520
<v Speaker 1>sentiment coming out of Hollywood about UFOs and aliens was

0:32:59.720 --> 0:33:03.040
<v Speaker 1>that that it was all largely ridiculous and that there

0:33:03.160 --> 0:33:08.760
<v Speaker 1>was no consistent narrative about UFOs except one real overriding message,

0:33:08.800 --> 0:33:12.920
<v Speaker 1>which was don't take any of this seriously. Now, whether

0:33:13.000 --> 0:33:17.320
<v Speaker 1>that was a mandated message in general from the Robertson panel,

0:33:17.400 --> 0:33:19.560
<v Speaker 1>we cannot say. But I think if you look at

0:33:19.560 --> 0:33:23.360
<v Speaker 1>all of the movies, it raises the question, okay, was

0:33:23.400 --> 0:33:26.920
<v Speaker 1>that what the audience was meant to take away from

0:33:27.280 --> 0:33:30.600
<v Speaker 1>all of these movies? Meanwhile, well, the audience is being

0:33:30.640 --> 0:33:33.720
<v Speaker 1>told not to take it seriously. The government is still

0:33:33.760 --> 0:33:37.959
<v Speaker 1>taking the subject very seriously, as the story of Donald

0:33:38.000 --> 0:33:39.600
<v Speaker 1>Keho will demonstrate.

0:33:39.880 --> 0:33:42.320
<v Speaker 2>You know, I love this story. It's hard to beat

0:33:42.480 --> 0:33:46.360
<v Speaker 2>JFK stopping traffic on PCH, but this one may do

0:33:46.440 --> 0:33:50.880
<v Speaker 2>it because it's so right on about any potential government

0:33:50.960 --> 0:33:55.840
<v Speaker 2>involvement in media. Because this is a classic. It's nineteen

0:33:55.960 --> 0:33:59.640
<v Speaker 2>fifty eight. It is January twenty second of nineteen fifty eight.

0:34:00.080 --> 0:34:04.240
<v Speaker 2>There's a TV show on CBS called Armstrong Circle Theater

0:34:04.480 --> 0:34:07.960
<v Speaker 2>and they have a program that is called quote UFO

0:34:08.680 --> 0:34:12.319
<v Speaker 2>Enigma of the Skies, and Keiho is on it, and

0:34:12.400 --> 0:34:14.640
<v Speaker 2>so or a bunch of other people. It was Major

0:34:14.760 --> 0:34:19.799
<v Speaker 2>Donald Keho. He had been a marine. So again Brent Navy, Right,

0:34:19.880 --> 0:34:22.840
<v Speaker 2>there goes the Navy thing. Again. Kio had been a marine,

0:34:23.360 --> 0:34:27.239
<v Speaker 2>and he felt that the military was lying about this

0:34:27.320 --> 0:34:30.080
<v Speaker 2>flying saucer thing, and he wrote a number of books

0:34:30.120 --> 0:34:34.040
<v Speaker 2>and he became the face of UFO disclosure in the

0:34:34.080 --> 0:34:37.400
<v Speaker 2>fifties into the sixties, into the early sixties. Think about

0:34:37.440 --> 0:34:41.319
<v Speaker 2>Major Keiho as kind of a Louel Azondo type or

0:34:41.320 --> 0:34:43.920
<v Speaker 2>maybe even a David Grush type. It wasn't exactly a

0:34:43.920 --> 0:34:46.520
<v Speaker 2>whistleblower because he was on the outside looking in. He

0:34:46.640 --> 0:34:49.400
<v Speaker 2>was banging on the door saying, tell us what you know,

0:34:49.480 --> 0:34:52.040
<v Speaker 2>and nobody would tell him. Ended up on that show,

0:34:52.560 --> 0:34:56.640
<v Speaker 2>and it was heavily scripted, and a number of people,

0:34:56.680 --> 0:34:59.000
<v Speaker 2>for example, who were asked to be on the show,

0:34:59.080 --> 0:35:01.320
<v Speaker 2>said I'm not going to be on that show. I

0:35:01.400 --> 0:35:04.239
<v Speaker 2>think one of them was even Jacques Valat is that yes,

0:35:04.280 --> 0:35:06.080
<v Speaker 2>you know those nerves in front of you. Is that true?

0:35:06.520 --> 0:35:07.280
<v Speaker 1>That is true?

0:35:07.400 --> 0:35:08.799
<v Speaker 2>And who said I'm not going to be on it

0:35:08.840 --> 0:35:11.960
<v Speaker 2>because they wanted to script it so tight that you

0:35:12.040 --> 0:35:15.520
<v Speaker 2>could only talk about what had already been decided.

0:35:15.880 --> 0:35:18.719
<v Speaker 1>Yes. Well, And the thing that strikes me about this

0:35:19.000 --> 0:35:21.719
<v Speaker 1>was again, this was all scripted. Like you said, it

0:35:21.760 --> 0:35:25.759
<v Speaker 1>was meant to be a performative demonstration by higher ups

0:35:25.800 --> 0:35:28.560
<v Speaker 1>within the government and the military again to promote a

0:35:28.600 --> 0:35:31.400
<v Speaker 1>certain message that there's nothing to see here, folks. But

0:35:31.480 --> 0:35:35.799
<v Speaker 1>you have this one man in Keiho who decides I'm

0:35:35.800 --> 0:35:38.640
<v Speaker 1>not going to read the teleprompter anymore, and in the

0:35:38.680 --> 0:35:43.719
<v Speaker 1>midst of this live televised broadcast, decided to say that

0:35:43.800 --> 0:35:46.960
<v Speaker 1>the Air Force was deliberately hiding the truth from the

0:35:47.000 --> 0:35:52.320
<v Speaker 1>public about UFOs. Now, obviously this completely contradicted the official statement,

0:35:52.640 --> 0:35:55.880
<v Speaker 1>and that set into motion a whole chain of events

0:35:56.080 --> 0:35:59.719
<v Speaker 1>during that lives where he was then censored by the

0:35:59.760 --> 0:36:00.640
<v Speaker 1>show producer.

0:36:00.880 --> 0:36:04.440
<v Speaker 2>They killed his mic. He said on the program and

0:36:04.480 --> 0:36:08.040
<v Speaker 2>now I'm going to reveal something that's never been disclosed before,

0:36:08.080 --> 0:36:12.080
<v Speaker 2>and then bam, Mike cut. Imagine this, you're watching this TV.

0:36:12.120 --> 0:36:15.040
<v Speaker 2>There's only three networks back in nineteen fifty eight, and

0:36:15.480 --> 0:36:18.120
<v Speaker 2>so he's got a pretty large audience, and most people

0:36:18.160 --> 0:36:20.359
<v Speaker 2>are at home, and a lot of people saw it,

0:36:20.680 --> 0:36:24.040
<v Speaker 2>and they're watching this guy talk about UFOs and he says,

0:36:24.280 --> 0:36:27.240
<v Speaker 2>I'm going to reveal something that's never been disclosed before,

0:36:27.440 --> 0:36:30.120
<v Speaker 2>used the word disclosed, and then they cut his mic,

0:36:30.200 --> 0:36:33.480
<v Speaker 2>and yet they continued to show him on camera. So

0:36:33.520 --> 0:36:37.479
<v Speaker 2>you see this guy moving his mouth but not saying anything, right,

0:36:38.040 --> 0:36:42.440
<v Speaker 2>and apparently some people his mic was cut, but you

0:36:42.440 --> 0:36:45.280
<v Speaker 2>could almost hear him on Douglas Edwards Mic a little

0:36:45.320 --> 0:36:49.359
<v Speaker 2>bit for a few people. But after this happened, he

0:36:49.480 --> 0:36:52.879
<v Speaker 2>released what he was going to say. So the censorship,

0:36:53.160 --> 0:36:55.759
<v Speaker 2>such as it worked in nineteen fifty eight, is not

0:36:55.920 --> 0:36:58.319
<v Speaker 2>valid today because this is what he was going to say.

0:36:58.480 --> 0:37:01.080
<v Speaker 2>For the last six months, we have been working with

0:37:01.120 --> 0:37:06.120
<v Speaker 2>a congressional committee investigating official secrecy about UFOs. If all

0:37:06.160 --> 0:37:09.320
<v Speaker 2>the evidence we have given this committee is made public

0:37:09.360 --> 0:37:13.839
<v Speaker 2>and open hearings, it will absolutely prove that UFOs are

0:37:13.880 --> 0:37:18.680
<v Speaker 2>real and machines under intelligent control. That's what got censored.

0:37:18.880 --> 0:37:21.799
<v Speaker 1>Amazing and that was and so, as you said, some

0:37:21.920 --> 0:37:25.360
<v Speaker 1>people actually did hear this, And in the wake of

0:37:25.400 --> 0:37:28.880
<v Speaker 1>that broadcast, when that segment was done, the show was

0:37:28.960 --> 0:37:32.200
<v Speaker 1>inundated with people calling in and saying, what happened? What

0:37:32.400 --> 0:37:35.520
<v Speaker 1>did I miss? I heard something? What's going on? So

0:37:35.600 --> 0:37:38.920
<v Speaker 1>again we're back to some small scattering of people that

0:37:39.120 --> 0:37:42.400
<v Speaker 1>heard that live at the time are probably out there saying, no,

0:37:42.480 --> 0:37:45.160
<v Speaker 1>but I heard a government official come on air and

0:37:45.320 --> 0:37:46.480
<v Speaker 1>disclose the truth.

0:37:47.040 --> 0:37:50.399
<v Speaker 2>But alsobody, most silly is it that it all has

0:37:50.480 --> 0:37:54.719
<v Speaker 2>to be scripted because in today's cable news world and

0:37:54.880 --> 0:37:59.960
<v Speaker 2>social media It's almost demanded that anybody covering this topic

0:38:00.080 --> 0:38:02.800
<v Speaker 2>would bring in someone who's a skeptic and someone who's

0:38:02.840 --> 0:38:06.200
<v Speaker 2>a believer and let them fight about it, but not

0:38:06.360 --> 0:38:08.839
<v Speaker 2>back then. And I find I have one more quote,

0:38:08.840 --> 0:38:10.680
<v Speaker 2>and I'll be done for the day on this. But

0:38:10.760 --> 0:38:14.200
<v Speaker 2>this one, I just found it to be so incredible

0:38:14.239 --> 0:38:18.480
<v Speaker 2>because this is what CBS said when people wrote them

0:38:18.800 --> 0:38:21.479
<v Speaker 2>about this and said why did you cut his mic?

0:38:21.719 --> 0:38:27.640
<v Speaker 2>They said, this program had been carefully cleared for security reasons. Therefore,

0:38:27.920 --> 0:38:31.799
<v Speaker 2>it was the responsibility of this network to ensure performance

0:38:32.200 --> 0:38:37.200
<v Speaker 2>in accordance with predetermined security standards. Any indication there would

0:38:37.239 --> 0:38:40.839
<v Speaker 2>be a deviation might lead the statements that neither this

0:38:40.960 --> 0:38:45.080
<v Speaker 2>network nor the individuals on the program were authorized to

0:38:45.280 --> 0:38:49.000
<v Speaker 2>release that about sums it up right there, cover your

0:38:49.160 --> 0:38:51.920
<v Speaker 2>ass as what as I call that quote? I mean, well,

0:38:51.960 --> 0:38:53.080
<v Speaker 2>and here's an interesting thing.

0:38:53.200 --> 0:38:59.280
<v Speaker 1>So of course Keiho tries to disclose, right, very brave man. Ultimately,

0:38:59.520 --> 0:39:03.400
<v Speaker 1>his assistant accusations over the years of a conspiracy against

0:39:03.400 --> 0:39:07.480
<v Speaker 1>the government led to his effective marginalization and the suppression

0:39:07.680 --> 0:39:10.360
<v Speaker 1>of his message. He was able to write some books,

0:39:10.360 --> 0:39:14.200
<v Speaker 1>but he was being debunked by the government and the

0:39:14.200 --> 0:39:18.440
<v Speaker 1>military that he served, So that's an early lesson, right

0:39:18.560 --> 0:39:21.360
<v Speaker 1>for anyone else in the military. Look what happened to

0:39:21.400 --> 0:39:23.560
<v Speaker 1>Donald Keo when you tried to tell the truth?

0:39:23.600 --> 0:39:26.360
<v Speaker 2>I think Donald Keijo in the same way Louel Azando

0:39:26.640 --> 0:39:29.480
<v Speaker 2>by many is considered kind of a hero of the movement.

0:39:29.520 --> 0:39:34.120
<v Speaker 2>Now I realize Elzando's very controversial. Keiho was never that controversial.

0:39:34.560 --> 0:39:37.359
<v Speaker 2>I own like five of Keyho's books, which maybe all

0:39:37.400 --> 0:39:40.000
<v Speaker 2>of them, I don't know, it's some amount of them,

0:39:40.400 --> 0:39:43.080
<v Speaker 2>and I've read three of them cover to cover, and

0:39:43.160 --> 0:39:44.880
<v Speaker 2>I have to say he has a style. It's a

0:39:44.960 --> 0:39:48.480
<v Speaker 2>very personal kind of style. It's kind of personal journalism

0:39:48.600 --> 0:39:51.400
<v Speaker 2>before that became a thing. Right. He's not Hunter Thompson

0:39:51.480 --> 0:39:54.600
<v Speaker 2>or anything, but he is talking about his investigation and

0:39:54.880 --> 0:39:59.640
<v Speaker 2>they're very good. In particular, he's going through case after case.

0:40:00.000 --> 0:40:02.160
<v Speaker 2>Any one of his books is full of cases where

0:40:02.160 --> 0:40:04.560
<v Speaker 2>if you read it, you'd say, good grief. I mean that,

0:40:05.040 --> 0:40:08.879
<v Speaker 2>what's the explanation for that? There's just no explanation other

0:40:09.000 --> 0:40:12.160
<v Speaker 2>than an omalus. So I think he did the world

0:40:12.440 --> 0:40:15.560
<v Speaker 2>a whole lot of good with his work. And I

0:40:15.560 --> 0:40:18.480
<v Speaker 2>think the other thing is, yes, he was getting debunked,

0:40:18.800 --> 0:40:22.400
<v Speaker 2>no problem, No question about it. But he had a

0:40:22.400 --> 0:40:25.520
<v Speaker 2>lot of fans. And why was that he had fans

0:40:26.000 --> 0:40:29.520
<v Speaker 2>because a lot of people knew something was not right.

0:40:29.960 --> 0:40:33.960
<v Speaker 2>The government wasn't coming completely clean on this. Now at

0:40:33.960 --> 0:40:37.720
<v Speaker 2>the time, he was really the receptacle of their suspicions

0:40:37.760 --> 0:40:40.919
<v Speaker 2>because most of the government stuff that they weren't being

0:40:41.000 --> 0:40:44.279
<v Speaker 2>honest about would come out later in memos that were

0:40:44.320 --> 0:40:48.399
<v Speaker 2>released almost decades later during the Freedom of Information Act.

0:40:48.520 --> 0:40:50.719
<v Speaker 2>But he was a great guy, just a great guy,

0:40:50.960 --> 0:40:52.720
<v Speaker 2>and we own a lot well.

0:40:52.920 --> 0:40:55.640
<v Speaker 1>And I think this is a great segue now into

0:40:55.880 --> 0:40:58.600
<v Speaker 1>what does it all mean and where does this take

0:40:58.680 --> 0:41:02.760
<v Speaker 1>us on our journey of exploring kind of that unholy

0:41:02.800 --> 0:41:06.160
<v Speaker 1>alliance between Hollywood and the government. You know, as we've

0:41:06.160 --> 0:41:11.440
<v Speaker 1>seen the fifties was this really strange decade where the

0:41:11.560 --> 0:41:15.800
<v Speaker 1>narrative of the UFO phenomenon kind of shifted from Sirius

0:41:16.280 --> 0:41:18.759
<v Speaker 1>in the wake of Roswell and what's going on to

0:41:19.400 --> 0:41:22.919
<v Speaker 1>very silly in aggregate. One of the things that accomplished though,

0:41:23.000 --> 0:41:26.080
<v Speaker 1>was it started to open the door to mock and

0:41:26.239 --> 0:41:30.359
<v Speaker 1>stigmatize anyone who dared believe that aliens might be real.

0:41:30.719 --> 0:41:34.080
<v Speaker 1>And while some of the stench of that has worn off,

0:41:34.120 --> 0:41:38.120
<v Speaker 1>in the intervening years. I still meet people today who

0:41:38.239 --> 0:41:42.480
<v Speaker 1>confide in me their personal stories knowing what my mindset

0:41:42.520 --> 0:41:45.960
<v Speaker 1>is on this. So I hear these incredible UFO encounters

0:41:46.200 --> 0:41:49.200
<v Speaker 1>that they have never told anyone else out of fear

0:41:49.200 --> 0:41:53.200
<v Speaker 1>of being ostracized, not unlike our friend Donald Keiho, and

0:41:53.640 --> 0:41:56.280
<v Speaker 1>by the way, to me personally, not unlike my daughter.

0:41:56.360 --> 0:41:59.240
<v Speaker 1>I told you the story that my daughter saw UFOs

0:41:59.280 --> 0:42:01.880
<v Speaker 1>with a friend of her. They were scared that it

0:42:01.960 --> 0:42:03.800
<v Speaker 1>happened at three in the morning when they were supposed

0:42:03.800 --> 0:42:05.919
<v Speaker 1>to be asleep in this sleepover, and so they didn't

0:42:05.920 --> 0:42:08.120
<v Speaker 1>want to tell the parents then. But as they got older,

0:42:08.440 --> 0:42:11.520
<v Speaker 1>they decided they didn't want to say anything because they

0:42:11.719 --> 0:42:15.280
<v Speaker 1>thought people would consider them crazy. And it wasn't until

0:42:15.560 --> 0:42:18.760
<v Speaker 1>my daughter was in her late teens and she knew

0:42:18.760 --> 0:42:22.040
<v Speaker 1>that I was involved in dark skies and she started

0:42:22.040 --> 0:42:24.440
<v Speaker 1>to understand what my past and my belief system was.

0:42:24.800 --> 0:42:27.239
<v Speaker 1>That she confessed this to me, and she felt that

0:42:27.280 --> 0:42:29.440
<v Speaker 1>I was a safe harbor at that point. But again,

0:42:30.080 --> 0:42:33.560
<v Speaker 1>was that the intention of the Robertson panel was to

0:42:33.600 --> 0:42:37.520
<v Speaker 1>start just moving the conversation far enough that it would

0:42:37.600 --> 0:42:43.280
<v Speaker 1>open the door to start stigmatizing anyone who dared come forward,

0:42:43.320 --> 0:42:46.759
<v Speaker 1>whether it was Donald Keho or a teenage girl and

0:42:46.840 --> 0:42:51.920
<v Speaker 1>anyone in between, from telling their story without fearing the

0:42:51.960 --> 0:42:53.759
<v Speaker 1>stigmatization or the ostratization.

0:42:53.840 --> 0:42:56.680
<v Speaker 2>That would come great Pointsaul. If you think back to

0:42:56.760 --> 0:42:59.880
<v Speaker 2>the Robertson panel, you really do have to ask yourself

0:43:00.239 --> 0:43:03.400
<v Speaker 2>what they're trying to tell us in their statements and

0:43:03.440 --> 0:43:07.239
<v Speaker 2>in their recommendations. Is UFOs aren't real? But just to

0:43:07.280 --> 0:43:10.239
<v Speaker 2>save the public from all this anxiety over it, we

0:43:10.360 --> 0:43:13.560
<v Speaker 2>need to debunk them and make people think they're silly. Okay.

0:43:13.840 --> 0:43:18.480
<v Speaker 2>Another explanation could be UFOs are very real, and they're saying,

0:43:18.680 --> 0:43:21.520
<v Speaker 2>we're not ready to talk about this yet. So what

0:43:21.800 --> 0:43:24.400
<v Speaker 2>arrows do we have in our quiver? And one of

0:43:24.440 --> 0:43:29.680
<v Speaker 2>them is the media and movies and television being the

0:43:29.719 --> 0:43:32.759
<v Speaker 2>biggest part of that. If I just hailed back to

0:43:32.840 --> 0:43:36.520
<v Speaker 2>the Disney thing that we started the show with, whatever

0:43:36.560 --> 0:43:40.799
<v Speaker 2>the Robertson panel envisioned and imagined back in nineteen fifty three,

0:43:41.440 --> 0:43:45.320
<v Speaker 2>Disney really didn't just touch this topic lightly. Across seventy

0:43:45.360 --> 0:43:49.640
<v Speaker 2>plus years, Disney's built a family facing pipeline for things

0:43:49.680 --> 0:43:55.320
<v Speaker 2>like space travel, aliens, artificial life, other intelligences, non human intelligences.

0:43:55.640 --> 0:43:58.279
<v Speaker 2>If there is a message. It eludes me because the

0:43:58.480 --> 0:44:01.279
<v Speaker 2>message seems to be let's throw a whole bunch of

0:44:01.360 --> 0:44:04.200
<v Speaker 2>stuff against the wall and see what sticks. I don't know,

0:44:04.320 --> 0:44:05.879
<v Speaker 2>is that how you see it, or what's your take?

0:44:06.160 --> 0:44:08.160
<v Speaker 1>You know what that is? Exactly? My take is when

0:44:08.200 --> 0:44:11.360
<v Speaker 1>there is a lack of coherence to the message, then

0:44:11.800 --> 0:44:14.520
<v Speaker 1>you stop looking for meaning and you just treat it

0:44:14.560 --> 0:44:18.520
<v Speaker 1>as entertainment. If I were to theorize what the whole

0:44:18.560 --> 0:44:22.040
<v Speaker 1>point of potentially the Robertson panel is, let's turn down

0:44:22.080 --> 0:44:25.600
<v Speaker 1>the volume on this and if it's out there in

0:44:25.840 --> 0:44:29.560
<v Speaker 1>the public consciousness as just entertainment, then maybe no one

0:44:29.600 --> 0:44:32.040
<v Speaker 1>will bother thinking about it and wasting any time on

0:44:32.080 --> 0:44:34.719
<v Speaker 1>it as a serious topic. It was funny the other

0:44:34.800 --> 0:44:37.160
<v Speaker 1>day I started thinking, what I feel like is I

0:44:37.320 --> 0:44:39.920
<v Speaker 1>feel like I'm a district attorney trying to prove a

0:44:40.000 --> 0:44:43.600
<v Speaker 1>case and looking at all the evidence and saying, what

0:44:43.800 --> 0:44:46.920
<v Speaker 1>was really going on here? Was their motive? Right? Was

0:44:46.960 --> 0:44:50.480
<v Speaker 1>their criminal activity? Was their coercion? All of these things?

0:44:50.560 --> 0:44:53.440
<v Speaker 1>We can't answer that yet definitively, but I feel like

0:44:53.719 --> 0:44:56.000
<v Speaker 1>that's what we're starting to bring to the surface.

0:44:56.200 --> 0:44:59.240
<v Speaker 2>Well, another fun time with you talking about this stuff,

0:44:59.280 --> 0:45:01.919
<v Speaker 2>and for those of you over at Disney, please don't

0:45:01.920 --> 0:45:10.280
<v Speaker 2>hate us. Sound Light and Frequency is an iHeart podcast

0:45:10.320 --> 0:45:14.200
<v Speaker 2>produced by Stellar Productions. It's executive produced by Nick Johnson

0:45:14.440 --> 0:45:17.640
<v Speaker 2>and for Stellar Jackie's Abel. Our show's music was written

0:45:17.680 --> 0:45:20.840
<v Speaker 2>by Anna Stumf and Hamilton Lighthauser and Your hosts and

0:45:20.920 --> 0:45:24.560
<v Speaker 2>executive producers are Bryce Abel, That's Me and Brent Friedman.

0:45:24.880 --> 0:45:25.720
<v Speaker 2>Watch the GUIs